WEBVTT - Bob Marley: Rasta Vigilante

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<v Speaker 1>Disgraceland as a production of Double Elvis.

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<v Speaker 2>The truth about Bob Marley is pretty nuts.

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<v Speaker 3>The peace in Love, Rastafari and reggae superstar was also

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<v Speaker 3>a violent, revenge fueled kid from the trench Town ghetto

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<v Speaker 3>who would not be denied justice or his due. He

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<v Speaker 3>once hung his manager out of a hotel window to

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<v Speaker 3>renegotiate a contract. He and his friends were known to

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<v Speaker 3>strong arm DJs for radio play, and in a rage,

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<v Speaker 3>he jammed a pistol into the side of a colleague's

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<v Speaker 3>head until he was given what he wanted. If you

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<v Speaker 3>were the big tree and in his way, he was

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<v Speaker 3>the small axe sharpened to cut you down. And he

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<v Speaker 3>sought and possibly attained justice by having a trench Town

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<v Speaker 3>kangaroo court string up his would be assassins from palm trees.

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<v Speaker 3>Bob Marley believed in justice, but there was a thin

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<v Speaker 3>line between justice and vengeance. You can hear both themes

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<v Speaker 3>throughout his music, and Bob Marley made great music, some

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<v Speaker 3>of the greatest music ever made. In fact, that music

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<v Speaker 3>at the top of the show that wasn't great music,

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<v Speaker 3>that was a loop from my mellotron called rumba Guitar

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<v Speaker 3>Low MK two, and I played you that loop because

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<v Speaker 3>I can't afford the rights to Night.

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<v Speaker 2>Fever by the Beg's.

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<v Speaker 3>And why would I play you that specific slice of

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<v Speaker 3>Harry Medallion Cheese?

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<v Speaker 2>Could I afford it?

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<v Speaker 3>Because that was the number one song in America on

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<v Speaker 3>April twenty second, nineteen seventy eight. And that was the

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<v Speaker 3>day that Bob Marley, international reggae superstar, the Tough Gong

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<v Speaker 3>and the Rastafari man of peace and love may or

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<v Speaker 3>may not have brought violent justice down upon his enemies

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<v Speaker 3>on this episode a kangaroo court rumba guitars, Harry Dion Cheese,

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<v Speaker 3>Bob Marley and Rastafarian vengeance.

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<v Speaker 2>I'm Jake Brennan and this is disgrace sand.

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<v Speaker 3>Before the tiny Ford capri had even stopped skidding, the

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<v Speaker 3>four young men from Trench Town jumped out onto the

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<v Speaker 3>unpaved parking lot of the Jamaica Broadcasting Corporation. One of

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<v Speaker 3>them was Bob Marley, and he was pissed. Pissed off

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<v Speaker 3>that his bandmate Bunny Livingston didn't want to tour, pissed

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<v Speaker 3>off that money was tight. Still in his twenties, he

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<v Speaker 3>was supporting seven children by four different women. Ja will provide,

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<v Speaker 3>but within reason and most important in this moment, Bob

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<v Speaker 3>was pissed off at his latest single, despite being the

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<v Speaker 3>number one selling song in all of Jamaica, couldn't get

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<v Speaker 3>spun on the radio. Trench down Hoods got a bad rap.

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<v Speaker 2>But the real.

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<v Speaker 3>Gangsters or the suits in the music industry pulling strings

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<v Speaker 3>and playing kingmaker Bob's song Small Axe killed, and so

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<v Speaker 3>did Bob's right hand man, the man rushing the radio

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<v Speaker 3>station with him at the moment, who went by the

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<v Speaker 3>unambiguous nickname Take Life. He was a brutal presence back

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<v Speaker 3>in the ghetto. A second killer hurried along Bob's other side,

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<v Speaker 3>and the last man, the Wheelman, a professional footballer named

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<v Speaker 3>Alan Skill Cole, who, when he unfolded his six foot

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<v Speaker 3>five inch body out of the front door of the

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<v Speaker 3>fastback coop, made it look more like a clown car.

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<v Speaker 3>But there would be no clowning around on this visit

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<v Speaker 3>to the radio station. These guys meant business. Skill carried

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<v Speaker 3>with him a cricket bat, Take Life carried a ratchet knife,

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<v Speaker 3>and Bob Bob Marley carried with him a lifetime of

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<v Speaker 3>angst and desperation that only growing up an abject poverty

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<v Speaker 3>can add to your load. The foursome burst into the studio,

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<v Speaker 3>uninvited and intimidating. Its all hell, you go and play

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<v Speaker 3>the new Whaler's record on JBC, Bob demanded of the

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<v Speaker 3>confused British DJ behind the console. Take life, leaned back

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<v Speaker 3>against the wall, played it cool, cleaned his fingernails with

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<v Speaker 3>his knife, and sucked on his teeth, while the other short,

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<v Speaker 3>well dressed thug Frowser loosened up his neck muscles to

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<v Speaker 3>let the DJ know in no uncertain terms that he

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<v Speaker 3>was ready for combat. Skill just smacked his open palm

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<v Speaker 3>with the cricket bat slowly and stared with menace, And

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<v Speaker 3>then he said, listen here. If we don't hear small

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<v Speaker 3>acts on JBC before an hour pass, we smash your windscreen.

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<v Speaker 3>Then if another hour pass and we don't hear small acts,

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<v Speaker 3>we smash your face. Skill had recently begun helping the

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<v Speaker 3>Whalers out with what he called quote unquote management. His

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<v Speaker 3>Jamaican patois was a little easier for the cowering DJ

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<v Speaker 3>to understand than the words of Marley, who now fixed

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<v Speaker 3>the DJ with an intense game a look that those

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<v Speaker 3>who knew him called Screwface. The DJ had heard tale

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<v Speaker 3>of Marley and his muscle visiting the island's only other

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<v Speaker 3>major station, Radio Jamaica, earlier in the week. The damage

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<v Speaker 3>amounted to one broken nose, four slash tires, and a

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<v Speaker 3>sudden increase in airplay for Bob Marley. The only thing

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<v Speaker 3>that DJ was able to verify was that he had

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<v Speaker 3>indeed heard Small Acts on Radio Jamaica on his drive

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<v Speaker 3>to work that morning, and now here was Bob Screwface Marley,

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<v Speaker 3>the tough Gong himself, armed with a couple of thugs

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<v Speaker 3>and the country's best footballer staring.

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<v Speaker 2>Him in the face. He had only one choice.

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<v Speaker 3>And so Bob Marley's top selling Jamaican smash Small Acts,

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<v Speaker 3>cut through the island's airwaves and all around his hometown

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<v Speaker 3>people were finally able to hear Bob Marley on their radios.

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<v Speaker 3>His message was revolution, his message was love, His message

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<v Speaker 3>was peace, and so what if the message needed a

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<v Speaker 3>little strong arm to get across. Jamaican radio in the

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<v Speaker 3>nineteen seventies was difficult for rostas to crack. There were

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<v Speaker 3>only two radio stations on the island. One played disco

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<v Speaker 3>and the other was busy trying to be the BBC,

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<v Speaker 3>and they both ignored the musical revolution growing like weeds

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<v Speaker 3>right outside their studio doors. Reggae was alive throughout the

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<v Speaker 3>streets of Jamaica, a true music of the people.

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<v Speaker 2>Or in Jamaica, just like in America, it was pay

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<v Speaker 2>to play.

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<v Speaker 3>If you wanted a record plate on the radio, well,

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<v Speaker 3>you better show the program manager some love and come

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<v Speaker 3>calling with cash or coke, or women or all three.

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<v Speaker 2>But bribes weren't enough.

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<v Speaker 3>The proletariat power of reggae, even in those early days,

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<v Speaker 3>spooped radio programmers, and despite whatever enticements were brought their way,

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<v Speaker 3>DJs were still reluctant.

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<v Speaker 2>To accept them from the dreadlocked rostas.

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<v Speaker 3>But take life, Frowser and Skill brought a different set

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<v Speaker 3>of skills to the proverbial negotiating and things for the

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<v Speaker 3>whalers and Bob Marley slowly started to change. That the

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<v Speaker 3>radio station was ignoring the needs of the masses was

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<v Speaker 3>symptomatic of a larger political problem in Jamaica. The island

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<v Speaker 3>achieved independence about a decade before, in nineteen sixty two,

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<v Speaker 3>but Jamaica was still unapologetically neo colonial run by a

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<v Speaker 3>lazy white middle class minority who had their own interests

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<v Speaker 3>at heart and had no interest in losing their power

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<v Speaker 3>to the masses and the shantytowns. The gulf between the

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<v Speaker 3>rich and the poor seemed to widen daily. Even under

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<v Speaker 3>the socialist rule of Prime Minister Michael Manley and his

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<v Speaker 3>People's National Party, life in Jamaica was rough, so its

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<v Speaker 3>citizens looked to their government for change, and everyone, it seemed,

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<v Speaker 3>took an interest in politics, including it was rumored the

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<v Speaker 3>American government, who had a vested interest in ousting the

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<v Speaker 3>sitting Prime Minister in favor of their own puppet. So

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<v Speaker 3>sterious shipments of guns started floating up on Jamaican shor

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<v Speaker 3>as they were handed out in the ghetto, CIA agents

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<v Speaker 3>began training.

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<v Speaker 2>Rude boys on how to use their new M sixteen's.

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<v Speaker 3>Rumors started circulating the Prime Minister Michael Manley was a

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<v Speaker 3>Communist puppet for Cubas Fidel Castro, and as such, distrust

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<v Speaker 3>was sown and the tiny country was further destabilized. Meanwhile,

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<v Speaker 3>as Bob Marley's star rows and as his name began

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<v Speaker 3>to ring out throughout the island, he formed an alliance

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<v Speaker 3>with Michael Manley, the sitting Prime Minister, and his People's

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<v Speaker 3>National Party also known as the PNP in the early seventies.

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<v Speaker 3>The Whalers headlined a nineteen seventy one tour called the

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<v Speaker 3>PNP Musical Bandwagon, and whenever asked in interviews which of

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<v Speaker 3>the two parties he preferred, Bob would always stump for

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<v Speaker 3>the People's National Party and nearly all these interviews, and

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<v Speaker 3>Bob Marley did a lot of interviews. He would also

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<v Speaker 3>extol the virtues of Ganja, encourage all blacks to repatriate

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<v Speaker 3>to Africa, and pre that Mighty God was a living

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<v Speaker 3>man Ethiopian Emperor Haile Selassii aka jah Rastafarai I and

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<v Speaker 3>I will survive. Bob was far out unconventional. Even so,

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<v Speaker 3>with his new clout, his endorsement of Michael Manley carried weight.

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<v Speaker 3>Bob was fast becoming an international superstar, and with or

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<v Speaker 3>without Jamaican radio, Jamaicans were listening to him an app

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<v Speaker 3>to follow his lead politically as well as his message

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<v Speaker 3>of revolution and justice. For years, Marley had been yearning

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<v Speaker 3>to expand his message beyond the island. He struck out

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<v Speaker 3>on his own and the Whalers became Bob Marley and

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<v Speaker 3>the Whalers. After founding members Peter Tosh and Bunny Livingston quit.

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<v Speaker 3>It was also time for Marley to get a new manager.

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<v Speaker 3>Although Skill Cole had been helpful or at least forceful,

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<v Speaker 3>in Marley's development, and he was a hell of a

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<v Speaker 3>lot of fun to kick the ball around with. Skill

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<v Speaker 3>was returning to the world of professional soccer. So in

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<v Speaker 3>nineteen seventy three, when The Whaler shared a bill with

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<v Speaker 3>Marvin Gay, Bob Marley met Don Taylor, the concerts organizer,

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<v Speaker 3>and a business relationship was struck. Taylor had strong US

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<v Speaker 3>music industry connections and a shrewd business acumen. This, coupled

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<v Speaker 3>with Marley's natural and immense appeal, helped Bob make influential

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<v Speaker 3>friends from other parts of the world. By the mid seventies,

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<v Speaker 3>most major rock acts had begun integrating reggae into their sound,

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<v Speaker 3>and it was entirely because of Bob Marley, the Rolling Stones,

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<v Speaker 3>Paul McCartney and Paul Simon. Some did it more convincingly

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<v Speaker 3>than others. Eric Clapton covered I Shot the Sheriff and

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<v Speaker 3>Clapton was God, and so to white kids, that meant

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<v Speaker 3>God was covering Bob Marley, a ghetto kid from a

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<v Speaker 3>tiny island, a large portion of the world had barely

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<v Speaker 3>heard of. Stevie Wonder even wrote a song about Bob Marley,

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<v Speaker 3>and after the Whalers shared a bill with Stevie, had

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<v Speaker 3>a benefit concert in nineteen seventy five, Bob decided he

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<v Speaker 3>wanted to give something back to the Jamaican people respect

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<v Speaker 3>his roots free concert. The concert was to be an

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<v Speaker 3>a political event called the Smile Jamaica Concert, but nothing

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<v Speaker 3>in Jamaica in nineteen seventy six was a political. Bob's

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<v Speaker 3>intention was to bring people together to ease social tensions

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<v Speaker 3>on the eve of a divisive election. Prime Minister Michael

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<v Speaker 3>Manley wanted the concert to be held on the Prime

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<v Speaker 3>Minister's lawn. Bob felt like he was being played by

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<v Speaker 3>Manley's political machine, being boxed into a position where he

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<v Speaker 3>would be seen as being too far out on his

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<v Speaker 3>front foot as a political shill. So Bob declined fuck

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<v Speaker 3>that Bob Marley wasn't going to go calling on the

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<v Speaker 3>Prime Minister. The Prime Minister could come calling on Bob Marley.

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<v Speaker 3>The concert, it was decided, would be held at the

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<v Speaker 3>National Heroes Park, but then shortly after the date of

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<v Speaker 3>the concert was announced, Manley's incumbent political party pulled a

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<v Speaker 3>fast one and moved the election up two weeks, effectively

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<v Speaker 3>making the event seem like a rally for Michael Manley himself,

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<v Speaker 3>when in effect that was never to be the case.

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<v Speaker 3>It did, indeed now look like Bob was shilling for

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<v Speaker 3>Manley to win the election. Bob Marley was pissed, but

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<v Speaker 3>perhaps more important, the heavily armed CIA backed Conservative Labor

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<v Speaker 3>Party back in the Ghetto was even more pissed. This

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<v Speaker 3>election was war. Every battle mattered, and if Bob Marley,

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<v Speaker 3>the country's biggest star, was openly supporting their sworn enemy,

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<v Speaker 3>Prime Minister Manly, then this was not to be tolerated.

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<v Speaker 3>Marley fully backing Manly, even by accident or by manipulation,

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<v Speaker 3>was a bridge too far, a bridge worth blowing up,

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<v Speaker 3>a bridge worth dying on. If Bob Marley was going

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<v Speaker 3>to help win the reelection for the Prime Minister, then

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<v Speaker 3>Bob Marley had to be stopped by any means necessary.

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<v Speaker 3>Bob marleyan made it. He knew this because he'd moved

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<v Speaker 3>from the slums of Trenchtown, Jamaica to a Kingston estate,

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<v Speaker 3>and perhaps out of guilt, or perhaps just because he

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<v Speaker 3>was a truly righteous dude. Bob Marley took Trench down

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<v Speaker 3>to Kingston with him. Bob was more than happy to

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<v Speaker 3>allow all sorts of friends and hangers on to get

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<v Speaker 3>together and feel all right at his swanky new digs.

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<v Speaker 3>And if in doing so he brought the property values

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<v Speaker 3>of his white devil neighbors down, then so be it.

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<v Speaker 3>His front yard was overrun by gangsters, gunmen, and half

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<v Speaker 3>naked children, many of them his own, from an ever

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<v Speaker 3>expanding stable of women who weren't his wife. Members of

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<v Speaker 3>the Twelve Tribes of Israel, an intense sect of Rastafarianism,

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<v Speaker 3>of which Bob was a part, kept intense watchful eyes

0:13:48.440 --> 0:13:51.840
<v Speaker 3>over the makeshift Neu Voreche commune that Marley was bankrolling.

0:13:52.960 --> 0:13:56.000
<v Speaker 3>A reporter once asked Marley if he found it difficult

0:13:56.240 --> 0:13:59.079
<v Speaker 3>to keep writing from the perspective of the struggling man,

0:13:59.200 --> 0:14:01.960
<v Speaker 3>now that he was no longer struggling, if he found

0:14:02.000 --> 0:14:05.600
<v Speaker 3>it difficult to stay in touch with the ghetto. Bob said,

0:14:05.800 --> 0:14:09.400
<v Speaker 3>find it difficult. Watch now, you look into my yard.

0:14:09.880 --> 0:14:12.800
<v Speaker 3>It's a ghetto. This is a ghetto you're looking at.

0:14:13.240 --> 0:14:18.400
<v Speaker 3>Look out there. I've just brought the ghetto uptown two

0:14:18.480 --> 0:14:21.440
<v Speaker 3>days before the Smile Jamaica concert was to take place.

0:14:21.840 --> 0:14:24.920
<v Speaker 3>Bob was standing in his kitchen, taking a break from rehearsal,

0:14:25.240 --> 0:14:27.960
<v Speaker 3>waiting on one of Jamaica's finest herbsmen to show up,

0:14:28.200 --> 0:14:32.720
<v Speaker 3>and sharing a grapefruit with Whaler's guitarist Don Kinsey. That's

0:14:33.040 --> 0:14:38.480
<v Speaker 3>when the gunshots ran out, pop pop pop. At first,

0:14:38.480 --> 0:14:41.560
<v Speaker 3>the sound was in the distance, it almost sounded like fireworks,

0:14:41.840 --> 0:14:45.720
<v Speaker 3>but then the second round came and there was no

0:14:45.800 --> 0:14:48.440
<v Speaker 3>mistaking the sound out in the yard of gunman shot

0:14:48.520 --> 0:14:52.160
<v Speaker 3>Bob's wife, Riada Marley in the head. Bob Marley's rosstafiring

0:14:52.200 --> 0:14:54.760
<v Speaker 3>and Valhalla was on a siege, and two white dots

0:14:54.760 --> 0:14:57.280
<v Speaker 3>and compacts had snuck in through the gates behind the

0:14:57.320 --> 0:15:00.960
<v Speaker 3>car of Bob's manager Don Taylor, and quickly two teams

0:15:00.960 --> 0:15:04.480
<v Speaker 3>of gunmen exited and had begun their hunt. They prowled

0:15:04.520 --> 0:15:06.880
<v Speaker 3>over the grounds under the cover of night, with pistols

0:15:06.880 --> 0:15:10.680
<v Speaker 3>and machine guns in hand, crouched slinking around, looking to

0:15:10.800 --> 0:15:13.440
<v Speaker 3>kill their man, the man with all the influence, the

0:15:13.480 --> 0:15:16.120
<v Speaker 3>man with the plan, the man they believed to be backing,

0:15:16.160 --> 0:15:21.280
<v Speaker 3>Michael Manly Bob Marley. After shooting Riader Marley, one of

0:15:21.320 --> 0:15:23.720
<v Speaker 3>the gunmen burst through the rehearsal room door into the

0:15:23.760 --> 0:15:26.800
<v Speaker 3>house and fired a revolver off with the assembled band numbers.

0:15:27.440 --> 0:15:31.359
<v Speaker 3>The gunman was no more than sixteen years old and terrified.

0:15:31.720 --> 0:15:35.440
<v Speaker 3>He pissed himself while firing off multiple shots, all with

0:15:35.600 --> 0:15:39.480
<v Speaker 3>his eyes closed. Over in the kitchen, a masked gunman

0:15:39.520 --> 0:15:42.280
<v Speaker 3>stuck his head into the kitchen door. This dude wasn't

0:15:42.360 --> 0:15:45.160
<v Speaker 3>fucking around. He raised the barrel of his submachine gun

0:15:45.200 --> 0:15:47.760
<v Speaker 3>and emptied the clip toward the counter where Bob, his

0:15:47.880 --> 0:15:52.240
<v Speaker 3>guitarist Don Kinsey, and manager Don Taylor was situated. Bob

0:15:52.280 --> 0:15:54.920
<v Speaker 3>remained standing, but crammed his skinny body into a corner

0:15:54.920 --> 0:15:57.600
<v Speaker 3>to make himself as small as a target as possible. Don

0:15:57.680 --> 0:16:01.200
<v Speaker 3>Kinsey jumped behind some musical equipment as five bullets ripped

0:16:01.200 --> 0:16:04.480
<v Speaker 3>into Don Taylor's side and the upper legs, and then

0:16:04.960 --> 0:16:09.760
<v Speaker 3>a bullet found its way to Bob Marley. First it

0:16:09.800 --> 0:16:13.080
<v Speaker 3>grazed his breastbone, then it burst by his heart and

0:16:13.120 --> 0:16:16.520
<v Speaker 3>eventually lodged itself into the bicep of the singer's left arm.

0:16:17.080 --> 0:16:20.720
<v Speaker 3>And then, just as soon as they had arrived, gunmen

0:16:21.200 --> 0:16:26.400
<v Speaker 3>were gone. All that remained in their wake was smoke, silence,

0:16:26.560 --> 0:16:30.800
<v Speaker 3>blood and ruin. Bob Marley opened his eyes. He was

0:16:30.840 --> 0:16:34.520
<v Speaker 3>in pain, but he was calm. He knew that someday,

0:16:34.960 --> 0:16:38.440
<v Speaker 3>maybe not tomorrow, maybe not next week, but one day

0:16:38.880 --> 0:16:42.040
<v Speaker 3>the people who did this would get theirs. He knew

0:16:42.040 --> 0:16:44.560
<v Speaker 3>in his bones that peace and love would not be

0:16:44.720 --> 0:16:48.200
<v Speaker 3>cowed by violence and hate, and that justice would one

0:16:48.280 --> 0:16:50.000
<v Speaker 3>day be coldly served.

0:16:51.480 --> 0:16:54.840
<v Speaker 2>We'll be right back after this word word word.

0:16:57.000 --> 0:17:00.960
<v Speaker 3>The blood was everywhere all over his body. Bob Marley

0:17:01.040 --> 0:17:04.480
<v Speaker 3>was a mess. Prime Minister Manley could hardly recognize the

0:17:04.520 --> 0:17:08.359
<v Speaker 3>singer when he got to the hospital. Miraculously down the

0:17:08.400 --> 0:17:11.600
<v Speaker 3>hall in a separate ward reader Marley lay in bed

0:17:11.640 --> 0:17:14.560
<v Speaker 3>in fair condition, despite having a bullet lodged between her

0:17:14.600 --> 0:17:17.440
<v Speaker 3>scalp and her skull, and Don Taylor had to be

0:17:17.480 --> 0:17:21.160
<v Speaker 3>airlifted to a hospital in Miami. Bob was placed inder

0:17:21.240 --> 0:17:24.720
<v Speaker 3>national protection by the Prime Minister and quickly ushered out

0:17:24.760 --> 0:17:27.360
<v Speaker 3>of the hospital to a remote home in Jamaica's Blue

0:17:27.440 --> 0:17:31.960
<v Speaker 3>Hills that belonged to Island records head Chris Blackwell. The

0:17:32.000 --> 0:17:34.760
<v Speaker 3>Smile Jamaica concert that Bob had been planning for a

0:17:34.800 --> 0:17:38.240
<v Speaker 3>few days later had not yet been called off, despite

0:17:38.320 --> 0:17:41.520
<v Speaker 3>the headlines that gripped the island, detailing the shootout at

0:17:41.560 --> 0:17:46.040
<v Speaker 3>Bob's home. Political pressure continued to mount, and so did

0:17:46.080 --> 0:17:48.760
<v Speaker 3>the pressure on Bob to perform and not give in

0:17:48.800 --> 0:17:51.080
<v Speaker 3>to the fear that his would be assassin's were counting on.

0:17:51.960 --> 0:17:55.560
<v Speaker 3>Manley's political machine was keen on Bob not backing out.

0:17:56.040 --> 0:17:59.160
<v Speaker 3>It was symbolic, don't give an inch to these animals,

0:17:59.320 --> 0:18:02.480
<v Speaker 3>don't let them see sweat. But Bob, like the rest

0:18:02.480 --> 0:18:05.720
<v Speaker 3>of the country, had no idea how dangerous performing would be.

0:18:06.920 --> 0:18:09.639
<v Speaker 3>What would happen when he went on stage. He had

0:18:09.640 --> 0:18:12.080
<v Speaker 3>a bullet lodged in his arm. The doctors told him

0:18:12.080 --> 0:18:13.760
<v Speaker 3>he might never be able to play guitar again if

0:18:13.760 --> 0:18:16.320
<v Speaker 3>they removed it. He told him to leave the bullet in.

0:18:17.160 --> 0:18:20.480
<v Speaker 3>Bob knew he'd rise to the occasion. But what about Rita?

0:18:21.000 --> 0:18:23.880
<v Speaker 3>She still had a bullet in her head. In her head,

0:18:24.240 --> 0:18:27.399
<v Speaker 3>how was she supposed to sing backup alongside him? And

0:18:27.520 --> 0:18:30.879
<v Speaker 3>Scarier than all that the assassins were still at large,

0:18:31.160 --> 0:18:33.600
<v Speaker 3>and they were still out there when they tried to

0:18:33.640 --> 0:18:36.720
<v Speaker 3>finish the job while Bob was on stage, gut him

0:18:36.720 --> 0:18:40.280
<v Speaker 3>down from the shadows of the crowd. Fear hung heavy.

0:18:40.600 --> 0:18:43.640
<v Speaker 3>The tension in the air was palpable. All of Jamaica

0:18:43.680 --> 0:18:47.040
<v Speaker 3>felt it. This wasn't just politics, this was justice, This

0:18:47.240 --> 0:18:50.560
<v Speaker 3>was right and wrong. This was quite literally freedom, the

0:18:50.640 --> 0:18:53.680
<v Speaker 3>freedom to use your voice, the freedom to speak truth

0:18:53.760 --> 0:18:56.720
<v Speaker 3>to power, the freedom to make your living, the freedom

0:18:56.760 --> 0:19:00.520
<v Speaker 3>to live. And the gossip surrounding the shooting was everywhere,

0:19:00.880 --> 0:19:03.800
<v Speaker 3>and most Jamaicans were convinced the CIA did it, or

0:19:03.800 --> 0:19:05.560
<v Speaker 3>at least put the guns in the hands of the

0:19:05.560 --> 0:19:08.040
<v Speaker 3>people who did do it, coached them up from the

0:19:08.080 --> 0:19:10.720
<v Speaker 3>ghettos and trained them to kill as they had anti

0:19:10.760 --> 0:19:12.960
<v Speaker 3>Castro Cubans a decade and a half earlier.

0:19:14.040 --> 0:19:15.200
<v Speaker 2>The public pointed to.

0:19:15.160 --> 0:19:17.720
<v Speaker 3>The song rat Race on the most recent Whalers album

0:19:17.880 --> 0:19:21.880
<v Speaker 3>Rasta Mann Vibration as illustrative of the beef. And there

0:19:21.920 --> 0:19:25.199
<v Speaker 3>was also a proof that people said because Carl Coby,

0:19:25.280 --> 0:19:28.240
<v Speaker 3>the son of former Director of the CIA, William Colby,

0:19:28.560 --> 0:19:30.800
<v Speaker 3>was in Jamaica as part of a film crew to

0:19:30.840 --> 0:19:35.200
<v Speaker 3>shoot the Smile Jamaica concert, and sons of powerful CIA

0:19:35.280 --> 0:19:38.000
<v Speaker 3>men showing up at the crime scenes of culture shifting

0:19:38.040 --> 0:19:43.560
<v Speaker 3>assassinations is not an entirely uncommon thing. Senator Prescott Bush,

0:19:43.640 --> 0:19:46.840
<v Speaker 3>a man who literally helped invent the CIA, you might

0:19:46.880 --> 0:19:49.840
<v Speaker 3>want to look into the presence of his son, George H. W.

0:19:49.960 --> 0:19:53.280
<v Speaker 3>Bush in Dallas on the day President John F. Kennedy

0:19:53.359 --> 0:19:55.760
<v Speaker 3>was killed. And while you're at it, check into the

0:19:55.800 --> 0:19:59.840
<v Speaker 3>declassified nineteen ninety one FBI file on George Bush's activities

0:20:00.040 --> 0:20:04.119
<v Speaker 3>immediately following the assassination, as well as his experience with

0:20:04.200 --> 0:20:09.240
<v Speaker 3>anti Castro Cubans. The photographic evidence, though grainy, does not lie.

0:20:09.760 --> 0:20:13.800
<v Speaker 3>Google it, but I digress sort of because in nineteen

0:20:13.840 --> 0:20:17.200
<v Speaker 3>seventy six, the year Bob Marley was shot, the year

0:20:17.280 --> 0:20:21.560
<v Speaker 3>Jamaicans believed the CIA was running guns in support to

0:20:21.640 --> 0:20:25.639
<v Speaker 3>those who opposed their Prime Minister Manly, exactly as the

0:20:25.640 --> 0:20:28.600
<v Speaker 3>CIA had been doing for anti Castro Cubans a decade

0:20:28.640 --> 0:20:30.960
<v Speaker 3>and a half earlier. Do you know who was the

0:20:31.000 --> 0:20:35.080
<v Speaker 3>head of the CIA at that time? The answer George H. W.

0:20:35.200 --> 0:20:38.080
<v Speaker 2>Bush. More rumors persisted the.

0:20:38.080 --> 0:20:40.840
<v Speaker 3>Shooting happened because Bob and Skill Cole fixed a horse

0:20:40.920 --> 0:20:43.080
<v Speaker 3>race and made a lot of bad people a lot

0:20:43.200 --> 0:20:47.080
<v Speaker 3>less money. The shooting happened because Don Taylor, Bob's manager,

0:20:47.400 --> 0:20:49.720
<v Speaker 3>was in major debt after skimming off the top of

0:20:49.800 --> 0:20:53.160
<v Speaker 3>concert grosses and gambling the money away. The shooting happened

0:20:53.200 --> 0:20:55.600
<v Speaker 3>because one of Bob's route boys got Bob to finance

0:20:55.640 --> 0:21:00.119
<v Speaker 3>a scam that backfired majorly a fact or fiction, it

0:21:00.160 --> 0:21:03.000
<v Speaker 3>didn't matter. The truth was that Bob needed to lay

0:21:03.040 --> 0:21:06.840
<v Speaker 3>low for a hot minute and cool out. He sat

0:21:06.920 --> 0:21:10.120
<v Speaker 3>back in Chris Blackwell's plush leather recliner and took a.

0:21:10.160 --> 0:21:12.080
<v Speaker 2>Cheek hollowing hit off a spliff.

0:21:12.600 --> 0:21:16.920
<v Speaker 3>Outside in the darkness, rasta vigilantes surrounded the house, armed

0:21:16.920 --> 0:21:19.960
<v Speaker 3>with graye a ganja for themselves and sharp machetes for

0:21:20.000 --> 0:21:23.040
<v Speaker 3>anyone who dare come try and fuck with Bob Marley again.

0:21:24.240 --> 0:21:25.399
<v Speaker 2>Bob let his head wander.

0:21:25.800 --> 0:21:28.480
<v Speaker 3>The Smile Jamaica concert was all he could think about,

0:21:29.160 --> 0:21:31.720
<v Speaker 3>and was he going to perform? Would he be killed

0:21:31.720 --> 0:21:34.240
<v Speaker 3>in the process, and who would want to kill him?

0:21:34.680 --> 0:21:37.080
<v Speaker 3>He was Bob Marley. He was a man of peace.

0:21:37.760 --> 0:21:41.399
<v Speaker 3>His songs inspired people to love one another, not to kill.

0:21:42.040 --> 0:21:46.320
<v Speaker 3>Songs of freedom. He fought for justice, he fought for equality.

0:21:46.520 --> 0:21:49.000
<v Speaker 3>And this was horseshit. And this wasn't even supposed to

0:21:49.080 --> 0:21:52.119
<v Speaker 3>be a political show. It was supposed to be his show,

0:21:52.240 --> 0:21:55.760
<v Speaker 3>Bob Marley's show for his people. He had to do it.

0:21:55.880 --> 0:22:00.520
<v Speaker 3>Fuck the assassins, fuck the politicians, fuck the CIA. He

0:22:00.520 --> 0:22:02.560
<v Speaker 3>heard one of his home invaders was so scared he

0:22:02.600 --> 0:22:06.040
<v Speaker 3>pissed his own short pants. Amateur Bob was a pro

0:22:06.320 --> 0:22:09.679
<v Speaker 3>a professional musician, a professional healer, a prophet, a true

0:22:09.680 --> 0:22:13.400
<v Speaker 3>man of the people. If the punk shooters CIA backed

0:22:13.480 --> 0:22:16.040
<v Speaker 3>no Soul mercenaries had the balls to try and finish

0:22:16.080 --> 0:22:18.880
<v Speaker 3>the job at the concert, the crowd would have Bob's back.

0:22:19.160 --> 0:22:22.879
<v Speaker 3>He was Jamaica's favorite son. Or if things went south

0:22:23.080 --> 0:22:25.680
<v Speaker 3>and the assassins managed to get a shot off or worse,

0:22:25.760 --> 0:22:28.199
<v Speaker 3>put a bullet in him, he'd go down doing what

0:22:28.280 --> 0:22:31.400
<v Speaker 3>he did best, bringing the truth to the people and

0:22:31.480 --> 0:22:32.159
<v Speaker 3>dying for it.

0:22:33.119 --> 0:22:34.840
<v Speaker 2>And it was a cause worth fighting.

0:22:34.560 --> 0:22:37.560
<v Speaker 3>For, especially if the weapon of choice was music, and

0:22:37.680 --> 0:22:40.080
<v Speaker 3>really going out in a blaze of bullets on stage

0:22:40.080 --> 0:22:42.600
<v Speaker 3>would make him a martyr, and that's the last thing

0:22:42.640 --> 0:22:46.280
<v Speaker 3>the CIA would have wanted. Martyrs last a lot longer

0:22:46.320 --> 0:22:47.960
<v Speaker 3>than one term political pawns.

0:22:48.640 --> 0:22:49.800
<v Speaker 2>His mind was made up.

0:22:50.480 --> 0:22:54.040
<v Speaker 3>Shit was On the day of the show finally came,

0:22:54.400 --> 0:22:57.440
<v Speaker 3>Tens of thousands of fans flocked to National Heroes Park.

0:22:57.840 --> 0:23:01.320
<v Speaker 3>The opening performers, Third World, took the stage, not knowing

0:23:01.400 --> 0:23:04.000
<v Speaker 3>if they'd be the reluctant headliners or the warm up

0:23:04.000 --> 0:23:07.000
<v Speaker 3>act for one of the most historically significant shows in

0:23:07.040 --> 0:23:10.399
<v Speaker 3>the history of regae and the history of music. And

0:23:10.440 --> 0:23:12.679
<v Speaker 3>what was going to happen? Was Bob Marley actually going

0:23:12.760 --> 0:23:14.520
<v Speaker 3>to go through with it? Were they're warming up the

0:23:14.520 --> 0:23:17.600
<v Speaker 3>stage for a dead man? Crowd had no idea what

0:23:17.680 --> 0:23:20.199
<v Speaker 3>to expect. What if the entire show was a ruse,

0:23:20.240 --> 0:23:22.480
<v Speaker 3>a scam. What if Bob was actually out of the

0:23:22.520 --> 0:23:25.199
<v Speaker 3>country and hiding and all the concert goers were to

0:23:25.240 --> 0:23:27.959
<v Speaker 3>be exterminated. That's a hell of a lot of PMP

0:23:28.119 --> 0:23:30.480
<v Speaker 3>supporters who wouldn't be alive to cast their votes for

0:23:30.600 --> 0:23:33.879
<v Speaker 3>Manly Or if the real Bob did step on stage,

0:23:33.960 --> 0:23:36.080
<v Speaker 3>how long we last? Were they going to have to

0:23:36.119 --> 0:23:38.360
<v Speaker 3>watch their hero get rubbed out in front of them?

0:23:38.720 --> 0:23:41.000
<v Speaker 3>Was this about to be some real life rasta version

0:23:41.000 --> 0:23:44.440
<v Speaker 3>of a snuff film? And the what IF's weighed on everyone,

0:23:44.920 --> 0:23:48.000
<v Speaker 3>especially Rita, and she couldn't stand the idea of not

0:23:48.119 --> 0:23:51.600
<v Speaker 3>being there for her husband, for her country. She busted

0:23:51.600 --> 0:23:55.159
<v Speaker 3>out of the hospital before being discharged, decided against chancing

0:23:55.200 --> 0:23:57.920
<v Speaker 3>a taxi and instead stole a car from the hospital

0:23:57.960 --> 0:24:00.840
<v Speaker 3>parking lot and hotailed it out to Chris Blackwell's house,

0:24:00.840 --> 0:24:04.240
<v Speaker 3>where Bob was laying low. When she arrived barely recovered

0:24:04.240 --> 0:24:07.080
<v Speaker 3>from her bullet wound, wearing a hospital gown with not

0:24:07.160 --> 0:24:08.840
<v Speaker 3>so fresh bandages.

0:24:08.320 --> 0:24:10.480
<v Speaker 2>On her head. Bob took one look.

0:24:10.280 --> 0:24:13.040
<v Speaker 3>At her and we considered, maybe this wasn't such a

0:24:13.040 --> 0:24:17.400
<v Speaker 3>good idea. He knew she'd need some convincing. Bob told

0:24:17.400 --> 0:24:19.879
<v Speaker 3>her the plan was to do only one song and

0:24:20.000 --> 0:24:20.919
<v Speaker 3>Rita could get with that.

0:24:21.640 --> 0:24:24.720
<v Speaker 2>It would be War figuratively and literally.

0:24:25.640 --> 0:24:28.800
<v Speaker 3>Yes, War is the song that years later Sinead O'Connor

0:24:28.840 --> 0:24:31.640
<v Speaker 3>would sing as she ripped apart a picture of the Pope.

0:24:31.320 --> 0:24:32.480
<v Speaker 2>On Saturday Night Live.

0:24:32.840 --> 0:24:35.280
<v Speaker 3>But that was like sticking your tongue out at somebody

0:24:35.280 --> 0:24:38.240
<v Speaker 3>when they turned their back, compared to the giant fuck

0:24:38.280 --> 0:24:40.840
<v Speaker 3>you statement Bob would make to his assassins with the

0:24:40.880 --> 0:24:44.679
<v Speaker 3>same song on stage later that day. You're trying to

0:24:44.680 --> 0:24:48.440
<v Speaker 3>shoot me down, Try again, You can't kill the tough gun.

0:24:49.640 --> 0:24:51.919
<v Speaker 3>Efforts are made to round up the rest of the whalers,

0:24:51.960 --> 0:24:55.280
<v Speaker 3>but since not everybody could be located by showtime, it

0:24:55.359 --> 0:24:58.040
<v Speaker 3>was decided that members of Third World would sit in on.

0:24:58.000 --> 0:24:59.400
<v Speaker 2>The missing instruments.

0:25:00.040 --> 0:25:02.320
<v Speaker 3>What was only supposed to be one song would unravel

0:25:02.400 --> 0:25:05.359
<v Speaker 3>to become ninety of the most intense minutes of live

0:25:05.400 --> 0:25:09.400
<v Speaker 3>performance ever captured on film. One of the cameramen may

0:25:09.400 --> 0:25:11.840
<v Speaker 3>have been the son of former CIA director, but that

0:25:12.000 --> 0:25:14.880
<v Speaker 3>was a red herring. The footage of the show is

0:25:14.960 --> 0:25:18.480
<v Speaker 3>grainy and hyper real, and the crowd is raging, and

0:25:18.520 --> 0:25:21.239
<v Speaker 3>the exchange of energy between Bob and the audience is

0:25:21.280 --> 0:25:22.200
<v Speaker 3>close to being.

0:25:22.000 --> 0:25:23.639
<v Speaker 2>Something you can actually touch.

0:25:24.080 --> 0:25:28.080
<v Speaker 3>The stage itself is jam packed with musicians, bodyguards and

0:25:28.160 --> 0:25:32.399
<v Speaker 3>hangers on, sworn protectors of Bob Marley, keeper of the

0:25:32.400 --> 0:25:37.000
<v Speaker 3>People's Flame, air to Rastafarai himself that you can see it,

0:25:37.400 --> 0:25:40.560
<v Speaker 3>feel it. They're literally willing to take a bullet for him,

0:25:40.760 --> 0:25:43.560
<v Speaker 3>the singer who survived a hailfire of bullets just two

0:25:43.680 --> 0:25:48.000
<v Speaker 3>days before, and Marley himself flails in what little stage.

0:25:47.640 --> 0:25:50.000
<v Speaker 2>Space he has. He sees as if.

0:25:49.840 --> 0:25:55.000
<v Speaker 3>He's singing directly to the assassins themselves. The songs course

0:25:55.080 --> 0:25:57.840
<v Speaker 3>through him with an electric current of the liberated masses.

0:25:58.080 --> 0:26:01.399
<v Speaker 3>Rita is at his side, still her hospital gown and

0:26:01.440 --> 0:26:05.080
<v Speaker 3>holding it down. Her head is still bandaged again from

0:26:05.119 --> 0:26:09.359
<v Speaker 3>a bullet. After seven songs of protest, Marley shifts the

0:26:09.400 --> 0:26:12.920
<v Speaker 3>mood from defiance to exuberance and performs trench Town Rock

0:26:13.800 --> 0:26:16.560
<v Speaker 3>at the end of the fifteen song set, Bob handed

0:26:16.600 --> 0:26:18.679
<v Speaker 3>off his mic, stepped to the lip of the stage

0:26:18.720 --> 0:26:21.240
<v Speaker 3>and unbuttoned his shirt to show that eighty thousand people

0:26:21.240 --> 0:26:25.000
<v Speaker 3>in attendance's bullet wounds. And this is the stuff religions

0:26:25.000 --> 0:26:44.040
<v Speaker 3>are built upon. Nobody fucks with the tough gun. Bob

0:26:44.080 --> 0:26:48.480
<v Speaker 3>Marley's manager, Don Taylor, was screaming in horror, but it

0:26:48.520 --> 0:26:52.240
<v Speaker 3>didn't matter. Nobody could cure him, accept Skill Cold and

0:26:52.280 --> 0:26:55.200
<v Speaker 3>a few other members of the entourage, but Skill Cole

0:26:55.280 --> 0:26:55.800
<v Speaker 3>didn't care.

0:26:56.600 --> 0:26:57.880
<v Speaker 2>The screams got them off.

0:26:58.400 --> 0:27:02.679
<v Speaker 3>Violence, even just the threat of violence fuelled caused his

0:27:02.800 --> 0:27:05.320
<v Speaker 3>chest to bubble above his heart and just below his

0:27:05.400 --> 0:27:06.680
<v Speaker 3>throat with that giddy rhythm.

0:27:07.240 --> 0:27:10.719
<v Speaker 2>It was like sex, but better and right now Skill

0:27:11.119 --> 0:27:11.639
<v Speaker 2>was he for it.

0:27:12.720 --> 0:27:15.280
<v Speaker 3>He and another member of Marley's muscle had Taylor by

0:27:15.280 --> 0:27:17.439
<v Speaker 3>his ankles and were hanging him out of the seventh

0:27:17.440 --> 0:27:20.480
<v Speaker 3>story window of the palace into Continental Hotel in the

0:27:20.560 --> 0:27:24.920
<v Speaker 3>African country of Gabon. Taylor was pleading frantically for his life.

0:27:25.280 --> 0:27:27.399
<v Speaker 3>He didn't do it, He said he couldn't have done it.

0:27:27.440 --> 0:27:29.920
<v Speaker 3>He said he was one of them, He loved them,

0:27:30.080 --> 0:27:33.880
<v Speaker 3>He was trustworthy, he swore. But then, of course, as

0:27:34.000 --> 0:27:36.879
<v Speaker 3>the fear really said it, and it came apparent just

0:27:36.920 --> 0:27:40.199
<v Speaker 3>how serious skill Cole was about dropping Dawn out of

0:27:40.240 --> 0:27:44.600
<v Speaker 3>the window. The music manager sang a different tune. Okay,

0:27:44.640 --> 0:27:47.080
<v Speaker 3>he did do it, but only because he had mouthed feud,

0:27:47.080 --> 0:27:49.200
<v Speaker 3>and only because he knew Bob would have missed the money.

0:27:49.520 --> 0:27:51.960
<v Speaker 2>And besides, he was planning on paying every penny back.

0:27:52.480 --> 0:27:54.840
<v Speaker 3>Yes, he'd get Bob all of his money back if

0:27:54.880 --> 0:27:58.040
<v Speaker 3>only they let him live. Skimming off the top of

0:27:58.040 --> 0:28:00.840
<v Speaker 3>Bob Marley's concert proceeds had been a lot lucrative scam

0:28:00.880 --> 0:28:02.840
<v Speaker 3>for Don Taylor, but it was about.

0:28:02.520 --> 0:28:05.760
<v Speaker 2>To cost him his life, so he thought anyways, But

0:28:05.920 --> 0:28:07.320
<v Speaker 2>Bob thought otherwise.

0:28:07.520 --> 0:28:10.000
<v Speaker 3>Because Bob was in a buying he couldn't really throw

0:28:10.040 --> 0:28:12.440
<v Speaker 3>his manager out of the window of his hotel. But

0:28:12.560 --> 0:28:16.080
<v Speaker 3>he also couldn't just fire hi. Don Taylor knew too much.

0:28:16.440 --> 0:28:19.520
<v Speaker 3>He knew all Bob's secrets. He was also the only

0:28:19.560 --> 0:28:22.879
<v Speaker 3>one who knew where all Bob's bank accounts were. So

0:28:23.520 --> 0:28:25.960
<v Speaker 3>he was hauled back into the hotel suite and beat

0:28:26.000 --> 0:28:27.960
<v Speaker 3>about the head and face by Bob Marley and his

0:28:28.080 --> 0:28:29.639
<v Speaker 3>mat And Bob.

0:28:29.400 --> 0:28:31.200
<v Speaker 2>Took a gallon of milk and poured it all over

0:28:31.280 --> 0:28:32.240
<v Speaker 2>Don and his wounds.

0:28:33.040 --> 0:28:36.040
<v Speaker 3>Skill cocked the hammer of a twelve gage shotgun and

0:28:36.119 --> 0:28:39.960
<v Speaker 3>took aim at Don's badly beaten head. Don swayed, somehow

0:28:40.000 --> 0:28:42.680
<v Speaker 3>still able to stand on his feet. Two dazed and

0:28:42.760 --> 0:28:46.280
<v Speaker 3>too confused from the beating to be scared anymore. Bob

0:28:46.320 --> 0:28:48.840
<v Speaker 3>Marley pulled Taylor down violently by his shoulder into a

0:28:48.920 --> 0:28:51.680
<v Speaker 3>chair and shoved a nine millimeter into his temple. With

0:28:51.760 --> 0:28:54.240
<v Speaker 3>his free hand, Bob grabbed the other side of Don's

0:28:54.240 --> 0:28:56.240
<v Speaker 3>head and pressed his head like a vice into the

0:28:56.240 --> 0:28:57.120
<v Speaker 3>barrel of the gun.

0:28:57.360 --> 0:28:58.840
<v Speaker 2>Barely containable rage.

0:28:58.640 --> 0:29:01.760
<v Speaker 3>Seizing from the roast of firing and superstar someone pushed

0:29:01.760 --> 0:29:04.720
<v Speaker 3>a pen into his manager's hand and a revised contract

0:29:04.760 --> 0:29:08.360
<v Speaker 3>was furnished. Don Taylor, with Bob Marley pressing a nine

0:29:08.400 --> 0:29:11.200
<v Speaker 3>millimeter hard into the side of his head, was forced

0:29:11.200 --> 0:29:13.640
<v Speaker 3>to sign away all of his rights to Marley's management

0:29:13.840 --> 0:29:17.360
<v Speaker 3>and allowed to stay on to continue managing Bob's business affairs,

0:29:17.560 --> 0:29:20.720
<v Speaker 3>albeit under the very watchful hard eyes of Skill Coal.

0:29:21.600 --> 0:29:26.720
<v Speaker 3>Justice and Bob's mind was served, and Man Suge Knight.

0:29:26.520 --> 0:29:28.200
<v Speaker 2>Didn't invent anything.

0:29:29.280 --> 0:29:31.440
<v Speaker 3>It had been two years since Bob Marley had been

0:29:31.480 --> 0:29:34.840
<v Speaker 3>back to Jamaica. He spent his time recording in England

0:29:35.040 --> 0:29:37.239
<v Speaker 3>and touring the rest of the world, and in one

0:29:37.400 --> 0:29:40.960
<v Speaker 3>wild burst of creativity he ripped off two great albums,

0:29:41.160 --> 0:29:45.920
<v Speaker 3>Exodus and KaiA. The songs Jamming, is This, Love, Satisfy,

0:29:46.000 --> 0:29:49.200
<v Speaker 3>my Soul, Natural, Mystic, and even Three Little Birds are

0:29:49.240 --> 0:29:53.640
<v Speaker 3>beyond incredible, their genre defining. You probably know most of

0:29:53.640 --> 0:29:57.160
<v Speaker 3>them from the legend CD that that douchebag Trustafarian down

0:29:57.200 --> 0:29:59.520
<v Speaker 3>the Hall from You and Your Dorm played on repeat

0:29:59.680 --> 0:30:02.920
<v Speaker 3>non stop Freshman Year. But if you can detach yourself

0:30:02.920 --> 0:30:06.960
<v Speaker 3>from that memory, the song shine and consistently call out

0:30:07.000 --> 0:30:11.920
<v Speaker 3>for triumph, justice and even for vengeance. So in the

0:30:11.960 --> 0:30:15.280
<v Speaker 3>spring of nineteen seventy eight, when Bob Marley returned to

0:30:15.360 --> 0:30:19.080
<v Speaker 3>Jamaica after two year exile in the UK, vengeance was

0:30:19.240 --> 0:30:22.200
<v Speaker 3>very much on his mind. Bob was in town to

0:30:22.240 --> 0:30:24.960
<v Speaker 3>perform at the One Love Peace concert, but after the

0:30:25.000 --> 0:30:28.800
<v Speaker 3>show he had other business to tend to. Rumor has

0:30:28.840 --> 0:30:31.920
<v Speaker 3>it that after the show was over, Don Taylor ushered

0:30:31.960 --> 0:30:34.480
<v Speaker 3>Bob to Trench Town, where a kangaroo court was in

0:30:34.520 --> 0:30:38.680
<v Speaker 3>session on trial two of the men who invaded Bob's

0:30:38.720 --> 0:30:41.480
<v Speaker 3>home and tried to gun him down two years earlier.

0:30:42.280 --> 0:30:46.400
<v Speaker 3>Marley's men hurled insults in questions at the accused. Bob

0:30:46.520 --> 0:30:55.560
<v Speaker 3>hung back, quiet, cool, stern, stoic scooface full effect. The

0:30:55.640 --> 0:30:59.240
<v Speaker 3>accused pleaded for their lives. Their cries of innocence were

0:30:59.280 --> 0:31:02.960
<v Speaker 3>mocked by Bob's muscle. A growing mob of trench Town

0:31:03.040 --> 0:31:09.720
<v Speaker 3>locals grew impatient. Something had to give guilty. The verdict

0:31:09.800 --> 0:31:12.560
<v Speaker 3>came in cold. The next of the accused men were

0:31:12.600 --> 0:31:15.680
<v Speaker 3>threaded through two trench Town uses and strung.

0:31:15.440 --> 0:31:17.280
<v Speaker 2>Up high in a palm tree.

0:31:17.600 --> 0:31:21.360
<v Speaker 3>Bob Marley turned and walked away behind him. The guilty

0:31:21.640 --> 0:31:25.080
<v Speaker 3>swung violently across the Great Divide to meet their maker,

0:31:25.760 --> 0:31:30.560
<v Speaker 3>their feet jerking, their shoulders twitching, and their necks snapped.

0:31:32.800 --> 0:31:37.480
<v Speaker 2>Vengeance had been delivered in court.

0:31:37.640 --> 0:31:40.880
<v Speaker 3>Years later, when Don Taylor was asked who actually carried

0:31:40.920 --> 0:31:44.160
<v Speaker 3>out the execution, he said, because of the love of

0:31:44.200 --> 0:31:47.520
<v Speaker 3>Bob Marley by the people. The people took it upon themselves.

0:31:47.760 --> 0:31:51.960
<v Speaker 3>They felt the government wasn't moving fast enough. Other friends

0:31:51.960 --> 0:31:55.440
<v Speaker 3>of Marley cried bullshit. The nuts simply doesn't fit the screw,

0:31:55.560 --> 0:31:58.440
<v Speaker 3>they say. Bob Marley was a good man, a man

0:31:58.480 --> 0:32:00.680
<v Speaker 3>of mercy, not a man of vengeance.

0:32:01.680 --> 0:32:03.800
<v Speaker 2>He couldn't do that. While there was something called the

0:32:03.800 --> 0:32:05.840
<v Speaker 2>One Love Peace Concert.

0:32:06.040 --> 0:32:09.720
<v Speaker 3>But Bob Marley's strong arming DJs and Bob Marley's strong

0:32:09.840 --> 0:32:14.320
<v Speaker 3>arming his cheating business manager, those stories are accepted as truth.

0:32:15.000 --> 0:32:17.520
<v Speaker 3>Bob Marley was a badass. Go to YouTube and check

0:32:17.520 --> 0:32:20.800
<v Speaker 3>out the Smile Jamaica concert. What's more badass than appearing

0:32:20.840 --> 0:32:24.760
<v Speaker 3>on stage with fresh bullet holes and taunting your assassins.

0:32:25.280 --> 0:32:28.840
<v Speaker 3>So imagining Don Taylor's account of a vengeful Bob Marley

0:32:28.920 --> 0:32:31.400
<v Speaker 3>presiding over the kangaroo court that found as would be

0:32:31.440 --> 0:32:35.200
<v Speaker 3>assassins to be guilty is not exactly beyond a reasonable

0:32:35.240 --> 0:32:38.360
<v Speaker 3>doubt whether or not Bob Marley did have anything to

0:32:38.400 --> 0:32:41.440
<v Speaker 3>do with it. Most accounts hold that every single gunman

0:32:41.480 --> 0:32:44.400
<v Speaker 3>who entered Bob's house that night in nineteen seventy six

0:32:44.920 --> 0:32:49.720
<v Speaker 3>was indeed eventually brought to justice in violent and dramatic fashion.

0:32:51.000 --> 0:32:53.560
<v Speaker 3>In addition to the hanged men, two other gunmen were

0:32:53.560 --> 0:32:57.800
<v Speaker 3>poisoned with a powerful hallucinogen. One night, two other wannabe

0:32:57.840 --> 0:33:00.520
<v Speaker 3>Marley killers were followed into the Jamaican Hill by a

0:33:00.520 --> 0:33:04.200
<v Speaker 3>group of Rasta vigilantes. Both of their throats were slit

0:33:04.840 --> 0:33:07.040
<v Speaker 3>ear to ear. They were left to bleed out and

0:33:07.160 --> 0:33:11.680
<v Speaker 3>die slaughtered like the dirty goats that they were. Another

0:33:11.720 --> 0:33:14.680
<v Speaker 3>gunman from that faithful night back in Kingston was caught

0:33:14.720 --> 0:33:16.680
<v Speaker 3>up with all the way up in New York City.

0:33:17.440 --> 0:33:21.160
<v Speaker 3>He caught a bullet in the head, and finally, the

0:33:21.280 --> 0:33:24.360
<v Speaker 3>last of Bob Marley's would be assassins was rounded up

0:33:24.400 --> 0:33:29.000
<v Speaker 3>in Tivoli Gardens. He was briefly bound and gagged while men,

0:33:29.360 --> 0:33:33.560
<v Speaker 3>very capable men quietly and methodically dug for him a

0:33:33.560 --> 0:33:37.520
<v Speaker 3>shallow grave. His bins were removed and he was buried

0:33:37.520 --> 0:33:39.240
<v Speaker 3>alive in the rich Jamaican soil.

0:33:40.560 --> 0:33:44.600
<v Speaker 2>Right, wrong, justice, vengeance.

0:33:45.280 --> 0:33:48.800
<v Speaker 3>For some these are just words, and for others there

0:33:48.800 --> 0:33:53.080
<v Speaker 3>are ideals to live by, to fight for, to die for,

0:33:54.000 --> 0:33:56.720
<v Speaker 3>to kill for. When you grow up in the ghetto

0:33:56.760 --> 0:34:00.400
<v Speaker 3>amongst stone, cold killers, schemers and thieves, own.

0:34:00.280 --> 0:34:03.560
<v Speaker 2>Weakness isn't an option, It's a death sentence.

0:34:04.480 --> 0:34:06.760
<v Speaker 3>Bob Marley made it out of the ghetto, but in

0:34:06.840 --> 0:34:09.400
<v Speaker 3>this great future, you can't forget your past.

0:34:10.360 --> 0:34:13.720
<v Speaker 2>I'm Jake Brennan, miss is Disgraceland.

0:34:19.480 --> 0:34:22.239
<v Speaker 3>Disgraceland was created by Yours Truly and is produced in

0:34:22.320 --> 0:34:25.719
<v Speaker 3>partnership with Double Elvis. Credits for this episode can be

0:34:25.719 --> 0:34:29.160
<v Speaker 3>found on the show notes page. At disgracelampod dot com.

0:34:29.440 --> 0:34:32.520
<v Speaker 3>If you're listening as a Disgraceland All Access member, thank

0:34:32.560 --> 0:34:33.600
<v Speaker 3>you for supporting the show.

0:34:33.640 --> 0:34:34.879
<v Speaker 2>We really appreciate it.

0:34:35.160 --> 0:34:37.399
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<v Speaker 3>by going to disgracelampod dot com slash Membership. Members can

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0:34:59.520 --> 0:35:02.120
<v Speaker 3>rate and re you the show and follow us on Instagram, TikTok,

0:35:02.160 --> 0:35:06.200
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0:35:09.680 --> 0:35:14.319
<v Speaker 2>Rock a Roller, He's a bad don man.