1 00:00:01,200 --> 00:00:04,880 Speaker 1: Let's play a game with Elvis Duran in the morning show. 2 00:00:05,880 --> 00:00:07,960 Speaker 2: All right, let's get into it is now time for 3 00:00:08,119 --> 00:00:12,440 Speaker 2: the biggest songs of twenty twenty four so far, as 4 00:00:12,440 --> 00:00:17,800 Speaker 2: we give you the game. Spoken word from Gandhi, this 5 00:00:17,840 --> 00:00:20,159 Speaker 2: is how she keeps her job here. Otherwise she'd be 6 00:00:20,160 --> 00:00:24,320 Speaker 2: gone a long time ago with hitting food in people's studios. Potatoes. 7 00:00:24,360 --> 00:00:26,720 Speaker 2: You can't put a potato in someone's house. It emits 8 00:00:26,800 --> 00:00:27,720 Speaker 2: gases that kill people. 9 00:00:27,800 --> 00:00:28,880 Speaker 3: Yes, noxious gases. 10 00:00:28,920 --> 00:00:30,000 Speaker 1: We learned that a little too late. 11 00:00:30,280 --> 00:00:31,960 Speaker 3: Let's go talk to Cody on line eleven. 12 00:00:33,040 --> 00:00:35,920 Speaker 2: Cody, you claim to know all of your biggest songs 13 00:00:35,920 --> 00:00:36,880 Speaker 2: of twenty twenty. 14 00:00:36,600 --> 00:00:37,280 Speaker 3: Four so far. 15 00:00:38,560 --> 00:00:39,680 Speaker 4: Oh yeah, i'd like to think I do. 16 00:00:40,560 --> 00:00:41,280 Speaker 3: Now you're a guy. 17 00:00:41,400 --> 00:00:43,440 Speaker 2: Now there is an argument to be said that guys 18 00:00:43,880 --> 00:00:46,159 Speaker 2: remember music, but women remember lyrics. 19 00:00:46,159 --> 00:00:47,800 Speaker 3: Are you good at lyrics? Because that's what you're about 20 00:00:47,800 --> 00:00:52,000 Speaker 3: to get. I looked like somewhat. Yeah, my wife is 21 00:00:52,240 --> 00:00:56,440 Speaker 3: probably better than me with you. Is she with you? No? No, 22 00:00:56,920 --> 00:00:59,240 Speaker 3: she's not. Oh you probably neat her here. But anyway, 23 00:01:00,040 --> 00:01:00,480 Speaker 3: here we go. 24 00:01:00,600 --> 00:01:03,080 Speaker 2: These are songs, the biggest songs of twenty twenty four 25 00:01:03,160 --> 00:01:07,720 Speaker 2: so far, and here we go. Song number one, Move 26 00:01:07,760 --> 00:01:11,679 Speaker 2: It up, down, left, right, Oh, switch it up like 27 00:01:11,840 --> 00:01:17,480 Speaker 2: Nintendo say you can't sleep baby, I know that's that me. 28 00:01:20,280 --> 00:01:26,520 Speaker 3: Oh god, uh just the name of the song, big song, huge. 29 00:01:27,280 --> 00:01:28,559 Speaker 3: I feel like it's gonna be one of the supreme 30 00:01:28,680 --> 00:01:31,720 Speaker 3: Carpenter songs. But ooh, okay, which one? 31 00:01:32,560 --> 00:01:33,039 Speaker 1: Keep going? 32 00:01:33,880 --> 00:01:36,039 Speaker 5: Yeah? 33 00:01:36,080 --> 00:01:38,880 Speaker 3: Do you have a caffeine? Was this morning? The other one? 34 00:01:39,520 --> 00:01:39,560 Speaker 1: You? 35 00:01:39,720 --> 00:01:39,800 Speaker 3: No? 36 00:01:39,720 --> 00:01:39,800 Speaker 2: No? 37 00:01:40,360 --> 00:01:42,440 Speaker 3: What did you say? You just said it? 38 00:01:42,640 --> 00:01:43,040 Speaker 5: Espresso? 39 00:01:43,800 --> 00:01:49,880 Speaker 2: Espresso? Yes, it's espresso. Yes, you got espresso. All right, 40 00:01:49,880 --> 00:01:50,280 Speaker 2: here we go. 41 00:01:50,760 --> 00:01:53,000 Speaker 3: And now here's another one, A big hit from twenty 42 00:01:53,040 --> 00:01:53,520 Speaker 3: twenty four. 43 00:01:54,000 --> 00:01:59,640 Speaker 2: Wop wop, wop wop wop. Haf im up wop wop 44 00:01:59,720 --> 00:02:02,880 Speaker 2: walp wopp. I'm gonna do my stuff? Why are you 45 00:02:03,000 --> 00:02:07,240 Speaker 2: trolling like a bitch age? You're tired trying to strike 46 00:02:07,280 --> 00:02:09,120 Speaker 2: a chord and it's probably a minor. 47 00:02:10,240 --> 00:02:23,520 Speaker 3: Oh my god, you want is the frogg You want 48 00:02:23,520 --> 00:02:25,240 Speaker 3: to guess on that one? What is it? I actually 49 00:02:25,280 --> 00:02:30,160 Speaker 3: don't know either, Kendrick Lamar not like us. 50 00:02:30,280 --> 00:02:31,919 Speaker 1: We have the sound if you want them for any 51 00:02:31,960 --> 00:02:32,200 Speaker 1: of these. 52 00:02:32,280 --> 00:02:37,960 Speaker 3: Also, okay, play it, U. 53 00:02:40,880 --> 00:02:41,880 Speaker 4: Strike a chord and it's. 54 00:02:43,320 --> 00:02:44,760 Speaker 3: You'll get this next one. Here we go, You'll get 55 00:02:44,760 --> 00:02:45,160 Speaker 3: this next one. 56 00:02:45,240 --> 00:02:46,000 Speaker 1: No, problem. 57 00:02:46,240 --> 00:02:52,639 Speaker 2: Cody music, scary music music, and I'll be damned if 58 00:02:52,639 --> 00:02:55,840 Speaker 2: I can't slow dance with you. Come for some sugar 59 00:02:55,919 --> 00:02:59,320 Speaker 2: on me, honey too. It's a real life boogie and 60 00:02:59,320 --> 00:03:03,400 Speaker 2: her real life down. Don't be a bitch. Come take 61 00:03:03,480 --> 00:03:11,239 Speaker 2: it to the floor now. Woo huh woo. Okay, Oh, 62 00:03:11,320 --> 00:03:16,040 Speaker 2: big song, big song, controversial song, someone would say, but 63 00:03:16,120 --> 00:03:16,880 Speaker 2: I loved it. 64 00:03:19,919 --> 00:03:21,160 Speaker 3: Unfortunately, do not know this one? 65 00:03:22,680 --> 00:03:22,960 Speaker 5: God? 66 00:03:23,280 --> 00:03:25,600 Speaker 3: You do you know it? You do know it? Well, 67 00:03:26,000 --> 00:03:29,480 Speaker 3: go ahead playing what it is. It's Texas holding snow 68 00:03:29,560 --> 00:03:34,160 Speaker 3: days with sugar. It's a real live again, a real 69 00:03:34,240 --> 00:03:35,000 Speaker 3: live hold down. 70 00:03:35,040 --> 00:03:35,800 Speaker 5: Don't be a bitch. 71 00:03:35,840 --> 00:03:39,920 Speaker 1: Come take it to the floor now. Gush. 72 00:03:39,960 --> 00:03:42,080 Speaker 5: I really think all these artists are here. When you 73 00:03:42,160 --> 00:03:44,080 Speaker 5: do that, you're just so sad as I know. 74 00:03:44,160 --> 00:03:46,440 Speaker 3: Here we go. Here's another one, so you have one 75 00:03:46,480 --> 00:03:49,200 Speaker 3: out of three? Okay, right? Yeah? 76 00:03:50,680 --> 00:03:53,720 Speaker 2: My baby want a burkin, she's been telling me all 77 00:03:53,800 --> 00:03:57,000 Speaker 2: night long. Gasoline and groceries. The list goes on and on. 78 00:03:57,480 --> 00:04:00,440 Speaker 2: This nine to five ain't working. Why the hell do I. 79 00:04:00,400 --> 00:04:01,080 Speaker 3: Work so hard? 80 00:04:01,400 --> 00:04:04,160 Speaker 2: I can't worry about my problems. I can't take them 81 00:04:04,160 --> 00:04:11,320 Speaker 2: when I'm gone. Oh, come on, come on. 82 00:04:11,360 --> 00:04:17,560 Speaker 3: Cody, that's a oh there you go, Scary, Scary puts 83 00:04:17,560 --> 00:04:23,560 Speaker 3: the button go. It is telling me I think I 84 00:04:23,680 --> 00:04:27,479 Speaker 3: do a better version. You got it. 85 00:04:29,200 --> 00:04:30,840 Speaker 2: All right, you're fifty to fifty. You got two out 86 00:04:30,839 --> 00:04:36,360 Speaker 2: of four. Let's keep going, Cody. If you're drunk all life, babe, 87 00:04:36,680 --> 00:04:39,440 Speaker 2: I think it's great. But while in this world, I 88 00:04:39,480 --> 00:04:43,000 Speaker 2: think I'll take my whiskey, meat, my coffee black, and 89 00:04:43,080 --> 00:04:45,360 Speaker 2: my bed at three. 90 00:04:46,839 --> 00:04:48,400 Speaker 1: Oh got this? 91 00:04:50,560 --> 00:04:54,280 Speaker 3: If your drunk one life babe is there so close? Whiskey? 92 00:04:54,320 --> 00:05:01,320 Speaker 3: Is it? Okay? 93 00:05:01,440 --> 00:05:08,640 Speaker 2: Let him guess for a second, Scary, Okay, hit the buzzer, Daniel, 94 00:05:08,720 --> 00:05:09,320 Speaker 2: do you know that song? 95 00:05:09,440 --> 00:05:14,560 Speaker 5: I know I'm so bad at this really yeah? 96 00:05:14,120 --> 00:05:19,040 Speaker 3: Uh Froggy, you know what I don't. I got you guys. Okay, 97 00:05:21,000 --> 00:05:23,839 Speaker 3: come on, Scary, you're the hosier. Too sweet? Yeah, yeah, 98 00:05:23,880 --> 00:05:27,800 Speaker 3: too sweet. I think it's. 99 00:05:27,760 --> 00:05:38,279 Speaker 5: Great, Scar, it just sounds nothing like it. 100 00:05:38,640 --> 00:05:41,400 Speaker 3: That's the point. I know you're so good at what 101 00:05:41,560 --> 00:05:44,800 Speaker 3: you do. Duran the words Elvis, You're you're saying that 102 00:05:44,920 --> 00:05:46,039 Speaker 3: exactly what he says some of this. 103 00:05:46,560 --> 00:05:51,000 Speaker 2: No, I'm not saying that anything like he says. Anyway, Cody, Cody, 104 00:05:51,200 --> 00:05:53,200 Speaker 2: just let's keep exploring this. Let's see how far you 105 00:05:53,200 --> 00:05:56,200 Speaker 2: can go here, Here we go, all right, something's got 106 00:05:56,200 --> 00:05:57,279 Speaker 2: a hold of me lately. 107 00:05:57,839 --> 00:05:59,880 Speaker 3: No, I don't know myself anymore. 108 00:06:00,720 --> 00:06:03,960 Speaker 2: It feels like the walls are all closing in and 109 00:06:04,000 --> 00:06:05,560 Speaker 2: the devil's knocking at my door. 110 00:06:06,120 --> 00:06:18,200 Speaker 3: WHOA yeah, turn that radio down. Yeah, let's see that 111 00:06:18,279 --> 00:06:24,640 Speaker 3: would be something's got to hold big song, Froggy, you 112 00:06:24,640 --> 00:06:26,039 Speaker 3: know that one? I do not. 113 00:06:26,960 --> 00:06:33,080 Speaker 2: Danielle Scary repeat the words. Oh, I can't do it 114 00:06:33,120 --> 00:06:37,800 Speaker 2: without the music. Something's got a hold of me lately. 115 00:06:39,200 --> 00:06:41,760 Speaker 2: I know it from that line right there. No, I 116 00:06:41,760 --> 00:06:43,840 Speaker 2: don't know myself anymore. It feels like the walls are 117 00:06:43,880 --> 00:06:46,200 Speaker 2: all closing in, the devil's knocking at my door. 118 00:06:46,320 --> 00:06:49,279 Speaker 3: Whoa, you got me on that one? Oh, I got it, 119 00:06:49,360 --> 00:06:50,800 Speaker 3: I got it, I got it. Froggy, what is it? 120 00:06:51,520 --> 00:06:58,120 Speaker 3: Teddy Swims lose control? 121 00:07:00,000 --> 00:07:03,000 Speaker 2: I bet Teddy would love my version? All right, don't 122 00:07:03,000 --> 00:07:05,800 Speaker 2: give up, Cody, do not give up, Do not give up. 123 00:07:05,800 --> 00:07:10,400 Speaker 3: We believe in you. Here we go, rob Boy, come on, 124 00:07:10,720 --> 00:07:13,640 Speaker 3: put your lipstick on. No one can tell you nothing. 125 00:07:14,160 --> 00:07:16,559 Speaker 2: Come on and walk this way through the fire. Don't 126 00:07:16,560 --> 00:07:19,720 Speaker 2: care what's on your mind or their mind. And if 127 00:07:19,720 --> 00:07:22,120 Speaker 2: you find yourself in a dark situation, just turn on 128 00:07:22,160 --> 00:07:23,280 Speaker 2: your light and be like. 129 00:07:26,960 --> 00:07:31,360 Speaker 3: Ah, I have no idea what song this is? One 130 00:07:31,360 --> 00:07:39,800 Speaker 3: more time? What I mean, one more time? To shut up? Scary? Control? 131 00:07:39,880 --> 00:07:40,160 Speaker 5: Is it? 132 00:07:42,560 --> 00:07:45,160 Speaker 3: Gandhi? What is it? Oh wait, it's not on the list. 133 00:07:45,640 --> 00:07:47,000 Speaker 3: Well I'm asking you what it is? 134 00:07:47,640 --> 00:07:48,240 Speaker 1: Why hold on? 135 00:07:48,280 --> 00:07:48,600 Speaker 3: Let me go. 136 00:07:48,640 --> 00:07:54,720 Speaker 1: Look, I want to looking at my news. I wasn't 137 00:07:54,720 --> 00:08:14,160 Speaker 1: paying attention. It's yes and oh yeah. 138 00:08:14,320 --> 00:08:21,080 Speaker 2: Here's the problem. I never understand what she's saying. All right, 139 00:08:21,360 --> 00:08:26,400 Speaker 2: we'll give you that one. Wait, I got two more, 140 00:08:26,440 --> 00:08:27,040 Speaker 2: I got two more? 141 00:08:28,080 --> 00:08:28,760 Speaker 3: All right, here we go. 142 00:08:29,600 --> 00:08:33,400 Speaker 2: I could be the one or your new addiction. It's 143 00:08:33,440 --> 00:08:36,800 Speaker 2: all in my head. But I want non fiction. I 144 00:08:36,840 --> 00:08:40,240 Speaker 2: don't want the world, but I'll take this city. Who 145 00:08:40,240 --> 00:08:48,000 Speaker 2: can blame a girl? Call me hot not pretty? 146 00:08:48,960 --> 00:08:49,319 Speaker 1: I like? 147 00:08:49,360 --> 00:08:51,280 Speaker 3: This is that song? I can't think of the name 148 00:08:51,320 --> 00:08:55,120 Speaker 3: of it. 149 00:08:55,200 --> 00:08:58,880 Speaker 2: Okay, Gods, scary, you're so fast on the buzzer. Daniel 150 00:08:58,920 --> 00:09:03,199 Speaker 2: what is it? I have no idea, Fay, what is it? 151 00:09:03,600 --> 00:09:07,920 Speaker 3: I have no idea either, one scary? Do you know 152 00:09:07,960 --> 00:09:13,000 Speaker 3: what it is? Unfortunately? No, Danielle, I mean Gandhi? 153 00:09:13,080 --> 00:09:16,120 Speaker 5: Tell him h O T t odio. 154 00:09:20,280 --> 00:09:26,240 Speaker 3: Here it is. It's on in my head. But I 155 00:09:26,240 --> 00:09:26,840 Speaker 3: want non fiction. 156 00:09:27,640 --> 00:09:29,280 Speaker 2: It's all right there, it's all right there. It's one 157 00:09:29,320 --> 00:09:31,720 Speaker 2: of the bisure songs. Okay, thank you, all right, I'm 158 00:09:31,720 --> 00:09:37,000 Speaker 2: gonna give you one more. You're gonna get this. Heartbreak 159 00:09:37,120 --> 00:09:40,680 Speaker 2: is one thing, My ego is another. I beg you 160 00:09:40,720 --> 00:09:43,280 Speaker 2: don't embarrass me. Mother Trucker. 161 00:09:44,480 --> 00:09:46,520 Speaker 3: Oh that's a gimme. 162 00:09:48,600 --> 00:09:49,720 Speaker 5: Oh that's. 163 00:09:51,000 --> 00:09:57,679 Speaker 3: Mm hmm. She appeared earlier. I do believe it. Oh 164 00:09:57,720 --> 00:10:00,160 Speaker 3: my lord, please get this right. 165 00:10:00,080 --> 00:10:06,280 Speaker 2: Please please please please please get this rock please please please? 166 00:10:08,000 --> 00:10:08,640 Speaker 3: Is three? Please? 167 00:10:13,360 --> 00:10:15,200 Speaker 1: You miss me? 168 00:10:15,800 --> 00:10:17,800 Speaker 3: All right? Well you did? 169 00:10:17,880 --> 00:10:20,080 Speaker 2: Okay, we gave you one because no one understands what 170 00:10:20,120 --> 00:10:27,080 Speaker 2: she says. I love how we stumped. Okay, so he. 171 00:10:27,000 --> 00:10:31,560 Speaker 3: Got what three out of ten? Four? Well, yeah, about 172 00:10:31,640 --> 00:10:32,760 Speaker 3: four because we gave him one. 173 00:10:32,960 --> 00:10:36,240 Speaker 4: Yeah, okay, okay, So how about in Elvis drand in 174 00:10:36,240 --> 00:10:38,120 Speaker 4: the morning your T shirt a T shirt on the way, 175 00:10:38,160 --> 00:10:42,280 Speaker 4: and thank go Cody, Cody, you have a beautiful day 176 00:10:42,280 --> 00:10:44,560 Speaker 4: on the way in beautiful Milton, Vermont. And I'm sure 177 00:10:44,600 --> 00:10:46,240 Speaker 4: to appreciate you listening to us. And you have a 178 00:10:46,280 --> 00:10:47,800 Speaker 4: great weekend, you promise. 179 00:10:48,600 --> 00:10:50,240 Speaker 3: Oh yeah, absolutely, you guys have a great wicked I 180 00:10:50,320 --> 00:10:51,640 Speaker 3: listened to you every morning on the way. 181 00:10:51,679 --> 00:10:53,480 Speaker 2: Word, Well, thank you next time you do this contest, 182 00:10:53,520 --> 00:10:54,920 Speaker 2: I think you need to have your wife in the 183 00:10:54,920 --> 00:10:55,800 Speaker 2: seat next to you. 184 00:10:56,760 --> 00:10:57,520 Speaker 3: I believe so too. 185 00:10:57,600 --> 00:11:00,240 Speaker 2: Yeah, thanks, thanks for listening to his Cody Old. I'm 186 00:11:00,240 --> 00:11:02,080 Speaker 2: on a second T shirt on the way. I love 187 00:11:02,120 --> 00:11:06,240 Speaker 2: that game. Gandhi excellent. I love reading words to lyrics 188 00:11:06,240 --> 00:11:09,160 Speaker 2: to songs. I'm like, what now you look at them