WEBVTT - Black Bart: the Outlaw Folk Hero Poet

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<v Speaker 1>Ridiculous crime. It's a production of iHeartRadio.

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<v Speaker 2>Do you Elizabeth scoutla dous? Not much? How you don't

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<v Speaker 2>look forward to see you are?

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<v Speaker 3>And here I am.

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<v Speaker 2>I got a question for you. You'll never guess what it is?

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<v Speaker 2>What size are my shoes? That's not the question. Three

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<v Speaker 2>good guess by The question actually is do you know

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<v Speaker 2>it's ridiculous?

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<v Speaker 3>I do? I you know I'm a name connoisseur. Yes,

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<v Speaker 3>we both thought we share that like funny names. I

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<v Speaker 3>respect names, except for all those like tragedies as they

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<v Speaker 3>say that and then you know, but and apologies if

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<v Speaker 3>you have one of those, you didn't pick the name.

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<v Speaker 3>So I was the other day I was listening to

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<v Speaker 3>Amy Poehler's podcast, and she had Michael shore On who

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<v Speaker 3>created Parks and Rec and was like worked on the

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<v Speaker 3>Office and all, and he was talking about creating names

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<v Speaker 3>for characters and some of like the hilarious names that

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<v Speaker 3>they've had on like Parks and Rec. Elissa, Sapristine. You

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<v Speaker 3>have to make sure no one else has the name.

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<v Speaker 3>There was one. I think it was like Sue Gretzky

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<v Speaker 3>Mantlebon I can't.

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<v Speaker 2>Dash.

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<v Speaker 3>Yeah, Sue, I've been I think that's.

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<v Speaker 2>What it was.

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<v Speaker 3>Anyway. If I'm wrong, I'm wrong. Live with it anyway.

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<v Speaker 3>So knowing this, like I thought it was really funny.

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<v Speaker 3>The interns forwarded me a message that we got on

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<v Speaker 3>Instagram from Mark mccobbin, and it's a post on Instagram

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<v Speaker 3>from Elite College Football with the craziest names in college

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<v Speaker 3>Football twenty five seasons. Because that's another thing I love

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<v Speaker 3>is the Key and Peel skit with like the names

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<v Speaker 3>they made up. These are real And I double checked

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<v Speaker 3>it because I thought, oh, there's no way, Oh yeah,

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<v Speaker 3>they're real.

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<v Speaker 2>This is like the first one.

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<v Speaker 3>I don't want to say it out loud. Noah is

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<v Speaker 3>his first name, but his last name is k n

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<v Speaker 3>I G g A. He is okay. Yeah. Then there's

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<v Speaker 3>General Booty and he kind of looks like a weird

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<v Speaker 3>Kendall Nitro Tuggle Wow, Nitro Tuggle King Large.

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<v Speaker 2>Yes, his family had fun.

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<v Speaker 3>And his picture is pretty up. Yeah, he's all about

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<v Speaker 3>that mobility. No, he's real too, mo m O h ability.

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<v Speaker 2>Then dude person to get out, dude person different like Wyoming.

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<v Speaker 3>He's from whatever the bears are. No, no, no, it's

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<v Speaker 3>like a purple thing going on. I don't know blazon

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<v Speaker 3>Loo Wong. Yes, there's sur sur Bible s I r R.

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<v Speaker 3>He's got another epic. Yeah what else?

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<v Speaker 2>Demon clowney, demon clowny, demon clown dad just went for broke.

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<v Speaker 2>They're like, you know what, Yeah, that's got to be's

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<v Speaker 2>uh brother or cousin Javeon Clowney.

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<v Speaker 3>Okay, yeah that's news to me. Sure there's a guy

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<v Speaker 3>who is on Notre Dame fighting Irish Charles Do d U,

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<v Speaker 3>but he uses the Chinese characters for his name on

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<v Speaker 3>his uniform. Yeah, so it just looks like that.

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<v Speaker 2>Oh I love that.

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<v Speaker 3>And then Rocky Beers, Rocky Beers, Rocky Beers, and he

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<v Speaker 3>has a mustache. He's like teletransported from the seventies Deuce

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<v Speaker 3>Night Legend Journey. That's beautiful, Pooky Arterberry. And then we

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<v Speaker 3>wrap it up tell is Grant beer Man, Grant beer

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<v Speaker 3>but he's Grant beer Man. So Pooky Arterberry. The names

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<v Speaker 3>are just so good, dude persons. Yeah, so they're ridiculous,

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<v Speaker 3>but like in a beautiful way.

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<v Speaker 2>Yes, yes, in a very like celebratory of life way.

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<v Speaker 3>Exactly. We have to celebrate every aspect of life.

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<v Speaker 2>I love your spirit, thank you so much. Do you

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<v Speaker 2>know what is also it's ridiculous. Elizabeth, tell me I

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<v Speaker 2>have a story for you. I picked this one out

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<v Speaker 2>extra special for you. It's kind of like thank you

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<v Speaker 2>for like how you hooked me up with the Arnstein episode.

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<v Speaker 2>It made me my man Arnold the brain Rothstain, like

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<v Speaker 2>I gotta do Elizabeth's solid for you today. I have

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<v Speaker 2>a nor Cow story. I know you enjoy those. It's

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<v Speaker 2>the tale of a gentleman thief, which I know you

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<v Speaker 2>also love that. He's a wild West outlaw that parts

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<v Speaker 2>for me, but he's a folk hero that parts for you.

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<v Speaker 2>He's also a poet, love love love this. He would

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<v Speaker 2>rob stage coaches and leave poetry for the law.

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<v Speaker 3>Stop it.

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<v Speaker 2>Yes, he was a rare wild West outlaw who was

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<v Speaker 2>also afraid of horses okay, which means he fled every

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<v Speaker 2>stage coach robbery on foot or.

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<v Speaker 3>On a penny farthing.

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<v Speaker 2>He was also notoriously polite, well mannered. He never cussed, never,

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<v Speaker 2>he's violence, never been mistreated. A lady, I just want

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<v Speaker 2>to tell you all this up tops.

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<v Speaker 3>You don't have to Work's incredible.

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<v Speaker 2>Yeah, and he only wanted to get his revenge against

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<v Speaker 2>Wells Fargo.

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<v Speaker 3>I love this.

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<v Speaker 2>He was a hero of the people, Elizabeth. Elizabeth's name

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<v Speaker 2>was Black Bart.

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<v Speaker 3>Get out of town.

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<v Speaker 2>Yeah, buckle up, Buttercup.

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<v Speaker 4>This is ridiculous crame podcast about absurd and outrageous capers,

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<v Speaker 4>heistand cons. It's always ninety nine percent murder free and

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<v Speaker 4>one hundred percent ridiculous. Oh, Elizabeth, Now I know you

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<v Speaker 4>have a soft spot for nonviolent gentlemen or gentlewomen, also

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<v Speaker 4>especially thieves.

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<v Speaker 2>Now you've covered a few thieves who operate with style

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<v Speaker 2>pinas oh make their way through the world, sailing on

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<v Speaker 2>that wind of criminality. Now who is this Black Bart?

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<v Speaker 2>He doesn't sound like me. He would up front be

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<v Speaker 2>one of your people. Know. He was, as I said,

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<v Speaker 2>an outlaw folk hero poet okay, operating in norcl in

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<v Speaker 2>the eighteen seventies and eighteen eighties.

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<v Speaker 3>He's like an early like Peter Coyote.

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<v Speaker 2>The high Time of the Old West, right for starters.

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<v Speaker 2>He's deaf my kind of guy, because, for instance, Black

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<v Speaker 2>Bart was a self applied nickname, like how I dubbed

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<v Speaker 2>myself Dizzy. He never told you that anyway, My man

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<v Speaker 2>black Bart didn't trust the nineteenth century press to give

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<v Speaker 2>him a good nickname. So he's like calling me black bar.

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<v Speaker 3>I believe it because we know how the papers were right,

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<v Speaker 3>they did you dirty shirt.

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<v Speaker 2>Hey, Now he was born.

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<v Speaker 3>Like you know, Pickle knows Johnson, Like wait, what.

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<v Speaker 2>No blue tooth Gregory he was This dude was born

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<v Speaker 2>in Norfolk, England, eighteen twenty nine. Okay, right, But his

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<v Speaker 2>parents named him Charles Bowles, third to ten children. He

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<v Speaker 2>was not going to inherit the family spread. That was clear.

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<v Speaker 2>So he had to make his way in the world.

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<v Speaker 2>And true to this show, he chose crime. But not

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<v Speaker 2>at first, Elizabeth. At first he tried to go legit,

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<v Speaker 2>like when he was a toddler. His family picked up

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<v Speaker 2>sticks and jolly old and they left England and moved

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<v Speaker 2>to New York. Not New York City. The immigrant family

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<v Speaker 2>settled in Jefferson County. I had to look this up.

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<v Speaker 2>It's near a spot called Alexandria Bay, which is right

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<v Speaker 2>there at the Canadian border. Okay, right, So the settlement

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<v Speaker 2>at the time was new. If the family showed up,

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<v Speaker 2>the area was settled in like eighteen seventeen. The Bolls

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<v Speaker 2>family shows up in eighteen thirty one, so the buildings

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<v Speaker 2>still have their first code of paint yeah, yeah, right.

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<v Speaker 2>So anyway, if everything's going along nice, they make their

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<v Speaker 2>way in America and then boom, eighteen forty nine comes along.

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<v Speaker 2>The news washes across the continent that gold has been

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<v Speaker 2>discovered this place called Sutter's Fort in California. News kicks

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<v Speaker 2>off Gold Rush of eighteen forty nine. As you well know,

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<v Speaker 2>just twenty years old at the time, young Charlie Bowles

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<v Speaker 2>and two of his brothers head west to go and

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<v Speaker 2>find their fortune in the gold Hills of California. Exciting

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<v Speaker 2>now they were about it, Elizabeth. They didn't even hesitate.

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<v Speaker 2>They just saw the headlines and started walking west. I mean,

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<v Speaker 2>that's how I pictured it. I don't know anyway, they

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<v Speaker 2>arrived in eighteen forty nine. They made they were forty nine,

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<v Speaker 2>That's what I'm saying. Like they saw the first headliner

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<v Speaker 2>like good for me, I'm good.

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<v Speaker 3>Yeah.

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<v Speaker 2>The wagons, yeah, I assume what are.

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<v Speaker 3>These blue jeans we've heard about?

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<v Speaker 2>Who's this Levi Strauss fellow? I heard he makes a

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<v Speaker 2>good product. Now, crossing country in eighteen forty nine was

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<v Speaker 2>no joke. There was no trans continental railroad at this time.

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<v Speaker 2>But they make it out to California. I assume you're right.

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<v Speaker 2>They took a wagon. I don't know. They ran up

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<v Speaker 2>to Gold Country stake their claim as gold miners. They

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<v Speaker 2>mine along the North Fork of the American River. They're

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<v Speaker 2>above some Sacramento. Apparently they found jack squat because after

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<v Speaker 2>three years mucking about in the cold water streams, digging

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<v Speaker 2>in the earth, you know, panning for gold, they came

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<v Speaker 2>away with little to show for their efforts. Of the

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<v Speaker 2>three Bulls brothers head back to New York. Oh really, yeah, yeah,

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<v Speaker 2>that's eighteen fifty two. Okay, the Bulls Brothers still had

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<v Speaker 2>gold fever though, if we could just get back to California.

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<v Speaker 2>So they managed to get some scratched together and the

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<v Speaker 2>three turn right back around and they go back to California.

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<v Speaker 2>The gold rush is still kicking on at this point, right, So.

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<v Speaker 3>Well, and the thing is is everything was so expensive.

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<v Speaker 3>Oh yes, in California. It's like how now where if

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<v Speaker 3>people are? You know, it's like a twenty five dollars sandwich.

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<v Speaker 3>Well that's how it was then, and the gold rushes.

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<v Speaker 3>Everything was outsized price wise.

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<v Speaker 2>Everyone's paying for gold dust. They're like, yeah, they're paying

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<v Speaker 2>with gold dust.

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<v Speaker 3>So if you're going and you're not successful, and then

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<v Speaker 3>you're not turning around and selling shovels. Totally good point,

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<v Speaker 3>you know, or doing people's laundries, or making crime my people,

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<v Speaker 3>making saddles.

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<v Speaker 2>Yeah, that's a good answer. Everybody needs a place to sit.

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<v Speaker 3>And so yeah, exactly.

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<v Speaker 2>So, like I said, crossing continent before the Transcontinental Railroad

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<v Speaker 2>was no joke, right, So, and I don't just mean like, oh,

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<v Speaker 2>there's a threat of dispossessed natives or like the attack

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<v Speaker 2>by horse, the all the violent men rattling around in

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<v Speaker 2>the wild attack. But there's yeah, there's disease illness. When

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<v Speaker 2>the three Bulls brothers returned to Gold Country, both of

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<v Speaker 2>Charlie Bulls's brothers are severely sick from the trip.

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<v Speaker 3>Yeah.

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<v Speaker 2>Shortly thereafter both die. Oh no, now.

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<v Speaker 3>He's alone dysentery just like an Oregon pretty much exactly.

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<v Speaker 2>So, now he's alone in the world, young, grieving, still

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<v Speaker 2>got gold fever. So he tries to make it a

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<v Speaker 2>goal of it as a gold miner all by himself. Right,

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<v Speaker 2>He stuck it up for another two years. Luck still pitiful, Elizabeth.

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<v Speaker 2>So he packs it back up, heads back to east

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<v Speaker 2>and we head in his hands, Like I.

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<v Speaker 3>Get salty because it's like a five hour flight, you

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<v Speaker 3>know what I mean. They're just like.

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<v Speaker 2>Weeks and weeks off, not months.

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<v Speaker 3>That takes a lot. You got a lot of metal.

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<v Speaker 2>So it was good that he returned home to New York, though,

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<v Speaker 2>because that's where he met a young woman and they

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<v Speaker 2>fell in love. Elizabeth. Her name was Mary Elizabeth Johnson,

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<v Speaker 2>just like the most nineteenth century Nativist American name you

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<v Speaker 2>could come up with, Mary Elizabeth Johnson.

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<v Speaker 3>She would not do well in the NFL.

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<v Speaker 2>He would not the pair Mary, right, and they had

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<v Speaker 2>to make a go of it. After a few years,

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<v Speaker 2>he convinceds her, we need to move west. Yeah, but

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<v Speaker 2>she's like, I don't know about it. He's like, no,

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<v Speaker 2>not all the way to got to California. You don't

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<v Speaker 2>worry about that. I've shaken the gold fever. Let's move

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<v Speaker 2>to Decatur, Illinois. So they moved to Decatur, Illinois. They

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<v Speaker 2>make a life for themselves, or Charlie Bowles tries to

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<v Speaker 2>make a life for himself. They have four kids, nice family, right,

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<v Speaker 2>good nineteenth century Americans. Charlie Bowles tries his hand at farming,

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<v Speaker 2>does some teaching. This is around eighteen sixty and if

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<v Speaker 2>you know American history, you know what's blowing around in

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<v Speaker 2>the breeze. But it's yet to come to bloody fruition. Yeah,

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<v Speaker 2>the American Civil War. The war breaks out, Charlie Bowles

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<v Speaker 2>is they're in Decatur, Illinois. Does He's not under threat

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<v Speaker 2>of what's happening, but he still is like, I don't know,

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<v Speaker 2>this is not right. Takes him a little while, but

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<v Speaker 2>by the end of eighteen sixty two, middle of eighteen

0:11:45.640 --> 0:11:48.679
<v Speaker 2>six I think spt. August, he signs up to fight. Oh,

0:11:48.760 --> 0:11:52.160
<v Speaker 2>he joins the Union. So, like I said, out lawful Curry,

0:11:52.200 --> 0:11:53.760
<v Speaker 2>he knows to be on the right side of the

0:11:53.760 --> 0:11:56.320
<v Speaker 2>Civil War. Now he joins Company B of the one

0:11:56.360 --> 0:11:59.160
<v Speaker 2>hundred and sixteenth Illinois Regiment, signs up to fight under

0:11:59.320 --> 0:12:01.559
<v Speaker 2>General WILLI to come to Sherman, not yet a general,

0:12:01.559 --> 0:12:04.080
<v Speaker 2>but comes to Sherman. He stays with this general for

0:12:04.160 --> 0:12:07.000
<v Speaker 2>the duration of the war. Oh, he is there, rifle

0:12:07.040 --> 0:12:09.400
<v Speaker 2>in hand for every battle Sherman fought.

0:12:09.480 --> 0:12:10.400
<v Speaker 3>Oh wait he goes.

0:12:11.080 --> 0:12:13.880
<v Speaker 2>Yeah, he made the march. He was in the big fights,

0:12:13.880 --> 0:12:16.880
<v Speaker 2>the little fights. He was in seventeen major Civil War battles,

0:12:16.920 --> 0:12:20.360
<v Speaker 2>major ones. He was also all the major ones. Right,

0:12:20.440 --> 0:12:23.439
<v Speaker 2>So his luck holds up. He's no good at gold mining,

0:12:23.480 --> 0:12:25.360
<v Speaker 2>but he was a hell of a Civil War soldier.

0:12:25.720 --> 0:12:28.440
<v Speaker 2>He does get wounded, not once, not twice, three times.

0:12:28.720 --> 0:12:31.200
<v Speaker 2>He gets seriously hit at Vicksburg, and that's like rhea.

0:12:31.320 --> 0:12:33.559
<v Speaker 2>Is like post up like in the military hospital for

0:12:33.600 --> 0:12:35.360
<v Speaker 2>a while. But he survived to the end of the war.

0:12:35.800 --> 0:12:38.520
<v Speaker 2>There he is, as you asked with General Sherman when

0:12:38.520 --> 0:12:41.560
<v Speaker 2>he makes his fiery march to the to the seas

0:12:41.760 --> 0:12:46.880
<v Speaker 2>were burning down half of Georgia. Yes, yes, Queen. June seventh,

0:12:46.920 --> 0:12:50.120
<v Speaker 2>eighteen sixty five. Civil Wars won the nation, stitching itself

0:12:50.120 --> 0:12:52.800
<v Speaker 2>back together no longer a young man, Charlie Bowles goes

0:12:52.840 --> 0:12:55.120
<v Speaker 2>back to Illinois, back to his wife and family. Now,

0:12:55.120 --> 0:12:56.760
<v Speaker 2>I don't know if the war changed. Okay, I do

0:12:56.840 --> 0:12:58.600
<v Speaker 2>know the war because war changes everybody. So I mean,

0:12:58.679 --> 0:13:00.199
<v Speaker 2>I know it changed him, but I don't know how

0:13:00.240 --> 0:13:02.479
<v Speaker 2>it changed him. And they don't have language like PTSD

0:13:02.640 --> 0:13:04.600
<v Speaker 2>back then. Sure, they don't even have shell shock. That's

0:13:04.600 --> 0:13:07.160
<v Speaker 2>like a World War one time exactly so. But he's

0:13:07.200 --> 0:13:10.000
<v Speaker 2>walking around in Decatur, Illinois, and he cannot get back

0:13:10.040 --> 0:13:11.199
<v Speaker 2>to the quiet life of farming.

0:13:11.600 --> 0:13:11.760
<v Speaker 5>Yeah.

0:13:11.800 --> 0:13:13.840
<v Speaker 2>So in eighteen sixty seventy he's like, I'm going west,

0:13:14.720 --> 0:13:17.400
<v Speaker 2>but the gold rush at this point has passed in California,

0:13:17.480 --> 0:13:19.440
<v Speaker 2>so he can't go back to the Gold Hills. Instead,

0:13:19.440 --> 0:13:22.960
<v Speaker 2>he goes to Montana where they've recently discovered gold. Idaho. Yeah,

0:13:22.960 --> 0:13:24.400
<v Speaker 2>so they're finding smaller.

0:13:24.120 --> 0:13:27.520
<v Speaker 3>Pockets here on the silver, a bunch of silver as well.

0:13:27.960 --> 0:13:31.080
<v Speaker 2>Yeah, it's exactly the silver comstock load. And so he

0:13:31.120 --> 0:13:34.520
<v Speaker 2>starts mine for precious medals in Montana and Idaho. At

0:13:34.520 --> 0:13:36.199
<v Speaker 2>this point, he's still in contact with his wife and

0:13:36.240 --> 0:13:39.319
<v Speaker 2>his family, sending regular letters, sending money back home. One

0:13:39.320 --> 0:13:42.160
<v Speaker 2>of his letters, dated eighteen seventy seven, he writes to

0:13:42.200 --> 0:13:45.080
<v Speaker 2>his wife complains he had some real bad business with

0:13:45.200 --> 0:13:48.880
<v Speaker 2>the road agents from the Wells Fargo company did him dirty, right,

0:13:48.920 --> 0:13:51.000
<v Speaker 2>So in the letter he promises his wife that he

0:13:51.040 --> 0:13:54.319
<v Speaker 2>will get his revenge against Henry Wells and William Fargo

0:13:55.080 --> 0:13:58.120
<v Speaker 2>and Elizabeth. My man was good to his work to

0:13:58.160 --> 0:14:00.440
<v Speaker 2>do that, though Charlie bowls. He picks up state again

0:14:00.480 --> 0:14:03.280
<v Speaker 2>and he goes truly wes. This time, he returns to California.

0:14:03.320 --> 0:14:06.120
<v Speaker 2>He's like, where are them? Wells Fargo is located, So

0:14:06.240 --> 0:14:08.120
<v Speaker 2>gold rush may be over, but there's still plenty of

0:14:08.160 --> 0:14:10.760
<v Speaker 2>loose wealth, rocking and rolling around the gold country and

0:14:10.840 --> 0:14:14.960
<v Speaker 2>lock boxes loaded onto stage coaches operated by who well

0:14:15.280 --> 0:14:18.760
<v Speaker 2>Wells Fargo and Company. And that's who Charlie Bowles makes

0:14:18.800 --> 0:14:21.120
<v Speaker 2>the sole target of his outlaw ways.

0:14:21.360 --> 0:14:22.480
<v Speaker 3>You're kidding them.

0:14:22.440 --> 0:14:25.360
<v Speaker 2>Just fixates on stage coaches if it's red and says

0:14:25.400 --> 0:14:29.360
<v Speaker 2>in yellow Wells Fargo, he's hitting it unlike gold mining.

0:14:29.360 --> 0:14:31.560
<v Speaker 2>When it comes to being an outlaw ful hero, Charlie

0:14:31.600 --> 0:14:34.240
<v Speaker 2>Bowles is as lucky as he was in war. He

0:14:34.280 --> 0:14:37.240
<v Speaker 2>finds he's good at being a bandit. Yeah, he holds

0:14:37.240 --> 0:14:41.320
<v Speaker 2>the record for rob stage coaches as my man black Bart.

0:14:41.360 --> 0:14:44.640
<v Speaker 2>He pulled off twenty more stage coach robberies than any

0:14:44.680 --> 0:14:46.360
<v Speaker 2>other highwayman wild Way.

0:14:46.560 --> 0:14:47.560
<v Speaker 3>And I've not heard of this.

0:14:47.720 --> 0:14:49.720
<v Speaker 2>I know I had not heard about him either, ntil

0:14:49.760 --> 0:14:52.400
<v Speaker 2>I read about them to do this story for you. Yeah,

0:14:52.440 --> 0:14:55.480
<v Speaker 2>he holds the record at twenty nine successful stage coach

0:14:55.520 --> 0:14:58.640
<v Speaker 2>robberies twenty nine and his thirtieth was his fateful last

0:14:58.720 --> 0:15:02.520
<v Speaker 2>ride years black Bart frustrated the hell out of law

0:15:02.600 --> 0:15:04.960
<v Speaker 2>and all the road agents from the Wells Fargo Company.

0:15:05.280 --> 0:15:08.880
<v Speaker 2>He just reeks his earthly revenge against the bankers. So

0:15:09.040 --> 0:15:10.840
<v Speaker 2>now that we've met our anti hero. Let's take a

0:15:10.840 --> 0:15:31.520
<v Speaker 2>little break and after these messages we'll get to the criming. Yes,

0:15:34.960 --> 0:15:37.560
<v Speaker 2>we're back, Elizabeth. Oh you ready to get to know

0:15:37.640 --> 0:15:39.080
<v Speaker 2>my man Black Bart. Yes.

0:15:39.160 --> 0:15:41.320
<v Speaker 3>Every time you say his name, I think of a

0:15:41.440 --> 0:15:45.520
<v Speaker 3>Christmas story. Oh right, he wants the red writer bb

0:15:45.640 --> 0:15:47.880
<v Speaker 3>gun And it's all because I'll get you black Bart.

0:15:48.080 --> 0:15:50.680
<v Speaker 2>That's the thing. The name his name sticks around. He

0:15:50.760 --> 0:15:53.320
<v Speaker 2>has such a compelling name, but becomes like this moniker

0:15:53.360 --> 0:15:56.120
<v Speaker 2>for villains, and yet we as you hear, he's really

0:15:56.280 --> 0:15:59.280
<v Speaker 2>not that guy, like yeah tough. Anyway, First of all,

0:15:59.320 --> 0:16:00.880
<v Speaker 2>don't let his name you I just want to let

0:16:00.880 --> 0:16:02.880
<v Speaker 2>you know Black Bart is not a black cowboy, Am

0:16:02.880 --> 0:16:03.320
<v Speaker 2>i am?

0:16:03.320 --> 0:16:04.640
<v Speaker 3>I correct that it's black Bard.

0:16:04.720 --> 0:16:08.080
<v Speaker 2>Yeah, okay, he's in tunes too, Yeah exactly. It's a

0:16:08.160 --> 0:16:11.560
<v Speaker 2>very common stand in name for like the cowboy villain.

0:16:13.240 --> 0:16:13.760
<v Speaker 3>Total yeah.

0:16:13.760 --> 0:16:16.000
<v Speaker 2>And it also has that dime store novel quality.

0:16:15.800 --> 0:16:18.000
<v Speaker 3>Or dial Yes, I'm sorry.

0:16:17.760 --> 0:16:21.040
<v Speaker 2>So fine, He's not this notorious bad Man's my point right.

0:16:21.080 --> 0:16:24.040
<v Speaker 2>Black Bard doesn't have a surly demeanor, doesn't have noxious vibes.

0:16:24.040 --> 0:16:27.520
<v Speaker 2>He's not a big gruff villain, but he gives himself

0:16:27.560 --> 0:16:30.520
<v Speaker 2>this gnom to crime. So it was, as I said,

0:16:30.640 --> 0:16:34.840
<v Speaker 2>based on his literary leanings. Yeah, he is. He's a

0:16:34.880 --> 0:16:36.320
<v Speaker 2>different kind of folk caro outlaw.

0:16:36.400 --> 0:16:36.520
<v Speaker 5>Right.

0:16:36.640 --> 0:16:38.160
<v Speaker 2>He was known like for instance, he was known to

0:16:38.160 --> 0:16:40.840
<v Speaker 2>read the Bible regularly. He was partial to the words

0:16:40.840 --> 0:16:43.680
<v Speaker 2>of Shakespeare, would quote him. He black Bart, he has

0:16:43.680 --> 0:16:45.920
<v Speaker 2>as I said, didn't didn't smoke, didn't drink. He also

0:16:45.960 --> 0:16:48.720
<v Speaker 2>didn't smoke opium or hashish. As the newspapers would point out,

0:16:48.720 --> 0:16:51.360
<v Speaker 2>they he doesn't smoke opium. It's like, I guess it

0:16:51.440 --> 0:16:53.880
<v Speaker 2>was common enough you had to point this out. So

0:16:53.920 --> 0:16:55.960
<v Speaker 2>he also he didn't swear. And if if it weren't

0:16:55.960 --> 0:16:58.080
<v Speaker 2>for the you know, all the stage coach robberies. Really

0:16:58.120 --> 0:17:00.600
<v Speaker 2>an exemplary life for a golden sure.

0:17:00.680 --> 0:17:00.920
<v Speaker 3>Yeah.

0:17:01.080 --> 0:17:03.600
<v Speaker 2>But as I told you up top, as Billy Bob

0:17:03.640 --> 0:17:06.639
<v Speaker 2>Thorton put it in Tombstone, black Bart was pretty brave

0:17:06.720 --> 0:17:09.399
<v Speaker 2>for a man who didn't go healed in the Old West.

0:17:09.440 --> 0:17:12.439
<v Speaker 2>Maybe he didn't carry shooting irons either, Yeah, neither out

0:17:12.480 --> 0:17:15.200
<v Speaker 2>in the open or secreted on his person. Really, Yeah,

0:17:15.320 --> 0:17:17.800
<v Speaker 2>but he did. Black Bart did carry a double barrel

0:17:17.840 --> 0:17:20.040
<v Speaker 2>shotgun that he saw it off and he used that

0:17:20.080 --> 0:17:23.000
<v Speaker 2>when he was working as an outlaw stage coach Bandit okay,

0:17:23.040 --> 0:17:25.040
<v Speaker 2>but a lot of people out of historians think it

0:17:25.080 --> 0:17:30.560
<v Speaker 2>was never loaded headed off shot, but I found in

0:17:30.560 --> 0:17:33.480
<v Speaker 2>interviews he said it wasn't as an emergency precaution. He

0:17:33.840 --> 0:17:35.520
<v Speaker 2>just never had to use it. Yeah, I don't think

0:17:35.520 --> 0:17:37.960
<v Speaker 2>anybody would go out there with an unloaded weapon and

0:17:38.000 --> 0:17:39.600
<v Speaker 2>being like, I'm going to point this this somebody who

0:17:39.640 --> 0:17:40.639
<v Speaker 2>may have a loaded weapon.

0:17:40.680 --> 0:17:43.320
<v Speaker 3>Exactly see how this plays, because when you when you

0:17:43.359 --> 0:17:45.920
<v Speaker 3>start to draw it out from something, if he's pulling

0:17:45.960 --> 0:17:48.480
<v Speaker 3>it from under a jacket, that's when you get shot. Yeah,

0:17:48.640 --> 0:17:50.600
<v Speaker 3>before you even have it fully exactly what.

0:17:50.680 --> 0:17:52.920
<v Speaker 2>It's a gun. It's a gun. Someone else sees it,

0:17:52.920 --> 0:17:53.399
<v Speaker 2>they're gonna be.

0:17:53.400 --> 0:17:57.240
<v Speaker 3>Like, oh gun, gun stop persisting.

0:17:57.720 --> 0:18:00.800
<v Speaker 2>In his record twenty nine, stage coach rob as I said,

0:18:00.800 --> 0:18:03.120
<v Speaker 2>not once does he ever fire his double barrel sot

0:18:03.160 --> 0:18:06.000
<v Speaker 2>off shotgun. The street sweepers there for show, but the

0:18:06.040 --> 0:18:08.160
<v Speaker 2>stage coach drivers are known. This is where we get

0:18:08.160 --> 0:18:10.680
<v Speaker 2>the term shotgun. They have a guy riding next day,

0:18:10.720 --> 0:18:15.080
<v Speaker 2>he carries a shotgun. That's the shotgun seat. So he's

0:18:15.520 --> 0:18:17.800
<v Speaker 2>going mano a mano with them in terms of like, oh,

0:18:17.840 --> 0:18:20.240
<v Speaker 2>I've got what they've got now. When he would rob

0:18:20.280 --> 0:18:22.760
<v Speaker 2>a stage coach, he never bothered the passengers because he

0:18:22.840 --> 0:18:24.480
<v Speaker 2>was he was very was known to be kind to

0:18:24.520 --> 0:18:26.760
<v Speaker 2>the ladies. He used his best manners. He would always

0:18:26.800 --> 0:18:29.600
<v Speaker 2>say ma'am, please and thank you, and they could let

0:18:29.640 --> 0:18:31.640
<v Speaker 2>him know. And he was also that he wasn't gonna

0:18:31.680 --> 0:18:34.000
<v Speaker 2>hurt anybody. And he was also very compliant with stage

0:18:34.000 --> 0:18:36.760
<v Speaker 2>coach drivers about like oh me, hold your horses, you

0:18:36.760 --> 0:18:39.040
<v Speaker 2>get down, you know, like seriously, he was just like

0:18:39.119 --> 0:18:42.600
<v Speaker 2>incredibly considerate. And I mentioned in my intro, but by

0:18:42.640 --> 0:18:45.280
<v Speaker 2>far this is my favorite detail is that he's terrified

0:18:45.280 --> 0:18:48.520
<v Speaker 2>of horses. So he's an outlaw who does not ride

0:18:48.560 --> 0:18:50.920
<v Speaker 2>a horse, cannot escape on a horse. He rides a

0:18:50.960 --> 0:18:53.960
<v Speaker 2>stage coach and then he just walks away into the woods.

0:18:55.600 --> 0:18:56.600
<v Speaker 2>Just trying to picture that.

0:18:56.760 --> 0:18:58.800
<v Speaker 3>He's like Homer Simpson drifting.

0:18:58.480 --> 0:19:01.760
<v Speaker 2>Back in the exactly just put into like valley oaks.

0:19:02.560 --> 0:19:05.119
<v Speaker 2>So at this point for his outlaw look, he was

0:19:05.119 --> 0:19:08.040
<v Speaker 2>also a partial to long dusters, like those coats if

0:19:08.040 --> 0:19:11.360
<v Speaker 2>you know, like they're they're made interestingly for riding horses

0:19:11.359 --> 0:19:13.520
<v Speaker 2>to protect you from like the choya and the cactus,

0:19:13.520 --> 0:19:15.720
<v Speaker 2>and they supposed to cover your legs. I guess he

0:19:15.840 --> 0:19:18.159
<v Speaker 2>just liked the look, so he would wear those. He

0:19:18.200 --> 0:19:21.119
<v Speaker 2>also liked a bowler. He was a bowler man, a

0:19:21.160 --> 0:19:24.240
<v Speaker 2>professional bowler, I mean like the rounded top hats. So

0:19:24.320 --> 0:19:25.960
<v Speaker 2>when he was not working, when he's not doing his

0:19:26.000 --> 0:19:28.520
<v Speaker 2>outlaw business, he would have on it was common to

0:19:28.560 --> 0:19:30.320
<v Speaker 2>have a bowler. Sometimes he would have like a gold

0:19:30.320 --> 0:19:34.280
<v Speaker 2>tip cane, stylish rakish gentleman. Right, But when he was

0:19:34.280 --> 0:19:37.080
<v Speaker 2>working as an outlaw, he'd pull a flower sack over

0:19:37.119 --> 0:19:39.359
<v Speaker 2>his head, cut out two eye holes and then it

0:19:39.400 --> 0:19:42.920
<v Speaker 2>he's like basically something Stooby Dudes, yeah, villain or the Zodiac.

0:19:43.000 --> 0:19:45.360
<v Speaker 2>Yeah right, it was quite the look. It was shocking

0:19:45.359 --> 0:19:47.960
<v Speaker 2>for people then as it would be now now. But Elizabeth,

0:19:47.960 --> 0:19:49.960
<v Speaker 2>I'd like to take you back to the eighteen seventies,

0:19:50.000 --> 0:19:52.280
<v Speaker 2>to northern California, to the Gold Country and to get

0:19:52.280 --> 0:19:54.360
<v Speaker 2>to robbing stage coaches. But first I think we need

0:19:54.359 --> 0:19:57.680
<v Speaker 2>to discuss one last thing, which is stage coaches themselves. Yeah,

0:19:57.720 --> 0:19:58.800
<v Speaker 2>I feel like you need to know a little bit

0:19:58.840 --> 0:20:01.080
<v Speaker 2>more about the black parts targets. Do you know much

0:20:01.080 --> 0:20:02.160
<v Speaker 2>about stage coaches.

0:20:02.920 --> 0:20:06.359
<v Speaker 3>I mean I'm not an expert or anything. I've seen

0:20:06.480 --> 0:20:10.480
<v Speaker 3>one of the original Wells Fargo ones they have like

0:20:10.680 --> 0:20:18.199
<v Speaker 3>it's been refurbished at the big Wells Fargo Financial district.

0:20:18.200 --> 0:20:20.080
<v Speaker 3>But yeah, so that you can see it through a

0:20:20.080 --> 0:20:23.000
<v Speaker 3>window which you can also go inside link and rocks

0:20:23.080 --> 0:20:25.400
<v Speaker 3>and yeah, I don't think I've ever been in it,

0:20:25.480 --> 0:20:27.240
<v Speaker 3>but like it's not huge.

0:20:27.640 --> 0:20:30.280
<v Speaker 2>No, those are the more common ones. Those are a

0:20:30.320 --> 0:20:33.639
<v Speaker 2>little bit smaller than what I'm describing, which is for

0:20:33.760 --> 0:20:36.120
<v Speaker 2>the luxury line of stage coaches. It was something called

0:20:36.119 --> 0:20:38.680
<v Speaker 2>the concord okay, and the stage coach that one could

0:20:38.680 --> 0:20:41.720
<v Speaker 2>hold nine people inside the coach. It was much bigger

0:20:41.760 --> 0:20:43.920
<v Speaker 2>than like the ones you used to probably fit like six,

0:20:44.320 --> 0:20:47.480
<v Speaker 2>yeah comfortably. No, the driver would sit up front and

0:20:47.480 --> 0:20:49.280
<v Speaker 2>then there would be a dress seat next to the driver.

0:20:49.359 --> 0:20:52.920
<v Speaker 2>That's where the man the chotgun right you. So then

0:20:52.920 --> 0:20:56.320
<v Speaker 2>also there's roughly a dozen seats they're called the Dickey

0:20:56.400 --> 0:21:00.600
<v Speaker 2>seats that were located on top of the coach. You

0:21:00.640 --> 0:21:03.199
<v Speaker 2>could just ride in the free air up there with

0:21:03.280 --> 0:21:07.520
<v Speaker 2>the luggage with like the brass rails, exactly like a

0:21:07.600 --> 0:21:10.160
<v Speaker 2>train in India. So that's how people would ride. They're

0:21:10.200 --> 0:21:12.520
<v Speaker 2>called Dickey seats, and they'd have no shielding from the

0:21:12.600 --> 0:21:15.120
<v Speaker 2>dust so when the weather anything, but the seats are cheap,

0:21:15.160 --> 0:21:17.000
<v Speaker 2>I guess, and they'd be up there with the leather

0:21:17.040 --> 0:21:18.160
<v Speaker 2>mail bags, right, so.

0:21:18.400 --> 0:21:26.360
<v Speaker 3>Beneath the woods and the pine branches by a low branch.

0:21:27.119 --> 0:21:30.080
<v Speaker 2>So also, I forgot to tell you there's the beneath

0:21:30.080 --> 0:21:33.120
<v Speaker 2>the mule skinner seats. That's the wagon driver's name, right. Yeah,

0:21:33.160 --> 0:21:35.520
<v Speaker 2>there's something called the lock box, so the aka the

0:21:35.560 --> 0:21:38.120
<v Speaker 2>treasure box. This is where Wells Fargo would put their

0:21:38.119 --> 0:21:41.359
<v Speaker 2>gold coin, the bullion, the gold dust collected from the hills,

0:21:41.640 --> 0:21:44.479
<v Speaker 2>and all their precious metals, right, but also stocks, bawds,

0:21:44.600 --> 0:21:46.480
<v Speaker 2>treasury bills, you name it, they're all there in the

0:21:46.520 --> 0:21:49.720
<v Speaker 2>lock box. This whole rig gets pulled by a team

0:21:49.760 --> 0:21:52.760
<v Speaker 2>of usually four to six horses, and to keep these

0:21:52.800 --> 0:21:55.720
<v Speaker 2>animals from tiring out and pulling over all this weight

0:21:55.760 --> 0:21:58.359
<v Speaker 2>over hill and dale and mountain path and valley floor,

0:21:58.800 --> 0:22:01.280
<v Speaker 2>the horses would travel about ten miles and then they

0:22:01.280 --> 0:22:05.760
<v Speaker 2>would be changed out. This ride is stopping every ten miles, yeah,

0:22:05.800 --> 0:22:08.240
<v Speaker 2>and then changing out all the horses, which takes time,

0:22:08.280 --> 0:22:10.360
<v Speaker 2>and they're feeding them and everything. And that's why it's

0:22:10.359 --> 0:22:12.480
<v Speaker 2>called a stage coach. He goes in stages.

0:22:13.760 --> 0:22:14.560
<v Speaker 3>I don't know that.

0:22:14.640 --> 0:22:17.640
<v Speaker 2>Yeah, there you go. So when the horses get uncoupled

0:22:17.640 --> 0:22:19.639
<v Speaker 2>from the stage coach and the new team horses get

0:22:19.680 --> 0:22:22.199
<v Speaker 2>strapped in every ten miles or so. This makes them

0:22:22.280 --> 0:22:25.159
<v Speaker 2>vulnerable to banditry. But that's also where they are at,

0:22:25.200 --> 0:22:28.200
<v Speaker 2>like some way station. There's people there. It's not an

0:22:28.200 --> 0:22:32.000
<v Speaker 2>easy target. Only the craziest bandits would hit people there. Yeah,

0:22:32.080 --> 0:22:33.600
<v Speaker 2>this is what you see in a lot of Westerns.

0:22:33.800 --> 0:22:35.840
<v Speaker 2>It's just like, oh, this band's drained, she's hitting the

0:22:35.880 --> 0:22:38.800
<v Speaker 2>way station. Yeah, most reasonable bandits would just wait for

0:22:38.880 --> 0:22:42.439
<v Speaker 2>them to get two miles down the road between exactly

0:22:42.520 --> 0:22:44.119
<v Speaker 2>and then just hit them. And so then they have

0:22:44.240 --> 0:22:46.320
<v Speaker 2>to do that though, you got to stop the wagon.

0:22:46.680 --> 0:22:49.480
<v Speaker 2>And these guys are cooking along, right, So how do

0:22:49.560 --> 0:22:52.919
<v Speaker 2>you do that? Well? With this old Civil War veteran,

0:22:52.960 --> 0:22:56.000
<v Speaker 2>with his combats experience under General Sherman, he's done a

0:22:56.040 --> 0:22:58.679
<v Speaker 2>bunch of raids and he's dealt with wagons. He figured

0:22:58.680 --> 0:23:01.480
<v Speaker 2>out I can do in my one man war against

0:23:01.480 --> 0:23:03.679
<v Speaker 2>Wells Fargo. I know I can do this. So he

0:23:03.720 --> 0:23:06.320
<v Speaker 2>makes himself a name people can fear Black Bart and

0:23:06.359 --> 0:23:08.680
<v Speaker 2>then he just is willing to step out in front

0:23:08.720 --> 0:23:11.840
<v Speaker 2>of the wagon with this crazy look, the flower sack

0:23:11.920 --> 0:23:14.400
<v Speaker 2>over his head and the double barreled sawed off shotgun

0:23:14.440 --> 0:23:17.320
<v Speaker 2>aimed at the driver and they yeah, drivers like this

0:23:17.320 --> 0:23:19.760
<v Speaker 2>this guy means business, and so they yell woe and

0:23:19.800 --> 0:23:22.679
<v Speaker 2>pull over. So you may be wondering where did he

0:23:22.680 --> 0:23:24.920
<v Speaker 2>come up with the name black Bart just struck a.

0:23:24.840 --> 0:23:30.200
<v Speaker 3>Genius, very Blackberrier, rapid transit, that's a very differ. That's

0:23:30.200 --> 0:23:32.280
<v Speaker 3>a strange name. Where did he get it?

0:23:32.440 --> 0:23:34.800
<v Speaker 2>His gnome to crime comes from his love of poetry

0:23:34.800 --> 0:23:36.080
<v Speaker 2>and literary pursuits.

0:23:36.160 --> 0:23:36.320
<v Speaker 5>Right.

0:23:36.480 --> 0:23:39.560
<v Speaker 2>There was this story that ran in the old Sacramento

0:23:39.680 --> 0:23:42.679
<v Speaker 2>Union newspaper a couple of years prior. It's called the

0:23:42.680 --> 0:23:45.560
<v Speaker 2>Case of Summerfield by this written by Caxton, which is

0:23:45.680 --> 0:23:48.760
<v Speaker 2>meant to be like a Roman like, oh, this is

0:23:48.800 --> 0:23:51.119
<v Speaker 2>my writing eponym, right or pseudonym.

0:23:51.240 --> 0:23:51.480
<v Speaker 3>Yeah.

0:23:51.840 --> 0:23:53.800
<v Speaker 2>The author's real name was William Henry Rhodes. He was

0:23:53.800 --> 0:23:55.560
<v Speaker 2>a lawyer and he wrote a lot of stories. Right.

0:23:55.600 --> 0:23:58.879
<v Speaker 2>So this was a fictional early sci fi tale about

0:23:59.400 --> 0:24:01.760
<v Speaker 2>this chemical like a recipe that this guy has in

0:24:01.800 --> 0:24:04.720
<v Speaker 2>these secret vials that will turn water into something that

0:24:04.760 --> 0:24:07.639
<v Speaker 2>will burn, that'll catch fire. So that this is a

0:24:07.680 --> 0:24:09.479
<v Speaker 2>secret It's happening in the Old West. The people are

0:24:09.480 --> 0:24:11.639
<v Speaker 2>fighting over these vials. So imagine like the show The

0:24:11.680 --> 0:24:14.440
<v Speaker 2>Wild West where they have like some crazy inventor and

0:24:14.480 --> 0:24:16.760
<v Speaker 2>they have to get chased down by Jim West. Yeah. Right,

0:24:16.800 --> 0:24:17.720
<v Speaker 2>that's basically what it is.

0:24:17.800 --> 0:24:17.960
<v Speaker 6>Right.

0:24:17.960 --> 0:24:19.800
<v Speaker 2>But in that story, you got a bad man named

0:24:19.840 --> 0:24:22.720
<v Speaker 2>black Bart, and he robs Wells, Fargo stage coaches as

0:24:22.760 --> 0:24:25.600
<v Speaker 2>part of a campaign of fear and terror against the

0:24:25.640 --> 0:24:28.119
<v Speaker 2>bankers and so, and he's the one who covets this

0:24:28.200 --> 0:24:30.679
<v Speaker 2>secret that can destroy the world. Right. So black Bart

0:24:31.080 --> 0:24:32.399
<v Speaker 2>is described as having.

0:24:32.160 --> 0:24:36.240
<v Speaker 6>Like wild gray eyes, a bushy black beard, straggly wind

0:24:36.320 --> 0:24:39.280
<v Speaker 6>kept hair, and this becomes the inspiration for this full

0:24:39.359 --> 0:24:41.600
<v Speaker 6>hero outlaw character he plans to build.

0:24:42.080 --> 0:24:44.760
<v Speaker 2>In reality, Charles Bowls is like five foot eight. He's

0:24:44.760 --> 0:24:47.040
<v Speaker 2>well built, well proportioned, right, all the newspapers of the

0:24:47.119 --> 0:24:49.640
<v Speaker 2>day point out. But he's not this big, terrifying fit.

0:24:50.560 --> 0:24:53.960
<v Speaker 2>But his name sounds like it. So the Los Angeles

0:24:53.960 --> 0:24:56.400
<v Speaker 2>Evening Express they describe the band at black Bart back

0:24:56.400 --> 0:24:59.720
<v Speaker 2>in eighteen eighty eight as quote Charles E. Bowles, better

0:24:59.760 --> 0:25:02.639
<v Speaker 2>known Black Bar, a name which he himself assumed, is

0:25:02.680 --> 0:25:06.000
<v Speaker 2>the most romantic figure in the history of American crime.

0:25:06.320 --> 0:25:09.720
<v Speaker 2>The lone highwayman who spares life and takes only from

0:25:09.760 --> 0:25:13.359
<v Speaker 2>the rich is the one criminal tolerated by fiction. Yet

0:25:13.600 --> 0:25:17.959
<v Speaker 2>fiction has never portrayed a character where craftiness, cunning, and

0:25:18.040 --> 0:25:24.159
<v Speaker 2>intelligence are so strongly blended with purposeless criminality, gentleness and

0:25:24.280 --> 0:25:28.479
<v Speaker 2>courtesy with desperate courage, as in the nature of one

0:25:28.520 --> 0:25:31.800
<v Speaker 2>Black Bart. Right, So at this point he's forty six

0:25:31.920 --> 0:25:34.439
<v Speaker 2>years old. When he's doing all this, it is in

0:25:34.480 --> 0:25:37.280
<v Speaker 2>his forties. He gets caught, he's forty eight, but when

0:25:37.280 --> 0:25:39.239
<v Speaker 2>they're writing about him, he's at the forty six. So

0:25:40.240 --> 0:25:42.120
<v Speaker 2>he decides to become Black Bart. He's a forty year

0:25:42.160 --> 0:25:44.480
<v Speaker 2>old former veteran of the Civil War who's like walked

0:25:44.480 --> 0:25:46.400
<v Speaker 2>away from his family and former gold miner, and he's

0:25:46.400 --> 0:25:48.240
<v Speaker 2>just like, I'm gonna become this literary figure.

0:25:48.359 --> 0:25:54.480
<v Speaker 3>He has seen some of the worst things carnage garage

0:25:54.680 --> 0:25:55.280
<v Speaker 3>for years.

0:25:55.760 --> 0:25:57.840
<v Speaker 2>So in the summer of eighteen seventy five July to

0:25:57.880 --> 0:26:01.159
<v Speaker 2>be exact, for his first stage coache Blackbart opts to

0:26:01.200 --> 0:26:03.760
<v Speaker 2>hit a Wells Fargo stage coach running between Sonora and

0:26:03.800 --> 0:26:07.600
<v Speaker 2>Twallamee County and Milton and Calveras County. Yeah, so up

0:26:07.600 --> 0:26:10.600
<v Speaker 2>there in the true Gold Country, like Mark Twain the Jumping.

0:26:10.720 --> 0:26:13.119
<v Speaker 3>So he's going from Sonora up to they're going.

0:26:12.960 --> 0:26:15.160
<v Speaker 2>From Sonora up to Milton in Calaveras County.

0:26:15.240 --> 0:26:18.080
<v Speaker 3>Okay, Yeah, So they're just running the length of the foothill.

0:26:18.200 --> 0:26:21.000
<v Speaker 2>Yeah, exactly, Okay, So Caliverra's county, As I said, Jumping

0:26:21.040 --> 0:26:24.120
<v Speaker 2>frog contest Mark Twain, this is real gold Hill country now,

0:26:24.520 --> 0:26:28.880
<v Speaker 2>just outside of a town called Copperopolis, Oh, Calaveras County. Right,

0:26:28.960 --> 0:26:32.439
<v Speaker 2>our newly minted outlaws sets his trap. Now after the fact,

0:26:32.520 --> 0:26:35.520
<v Speaker 2>the stagecoach driver said that the outlaw stepped out of

0:26:35.520 --> 0:26:37.600
<v Speaker 2>the woods in front of the stage coach. He wore

0:26:37.680 --> 0:26:40.000
<v Speaker 2>the flower sack over his head with the customary two

0:26:40.000 --> 0:26:43.080
<v Speaker 2>eye holes cut out. He levels his double barrel shotgun

0:26:43.280 --> 0:26:46.840
<v Speaker 2>at the driver and says, throw down your box. Now

0:26:46.920 --> 0:26:49.720
<v Speaker 2>this means the strong box, the treasure box. Stage coach

0:26:49.760 --> 0:26:53.359
<v Speaker 2>driver considers his options. Right, so the outlaw clocks his hesitation.

0:26:53.640 --> 0:26:56.520
<v Speaker 2>So black Bart gives orders to his fellow bad men

0:26:56.680 --> 0:26:58.240
<v Speaker 2>secreted away in the woods. He goes.

0:26:58.440 --> 0:27:02.240
<v Speaker 6>He dares to shoot the solid folly boys.

0:27:02.800 --> 0:27:05.399
<v Speaker 2>The stage coach driver looks up, gazes into the woods. Right,

0:27:05.520 --> 0:27:09.959
<v Speaker 2>he spies rifles amongst the trees, all pointing back at him. Now,

0:27:10.000 --> 0:27:11.760
<v Speaker 2>I'm scared for his life. There's too many of them.

0:27:11.760 --> 0:27:14.719
<v Speaker 2>Stage coach driver throws down the lock box. He watches

0:27:14.760 --> 0:27:17.040
<v Speaker 2>as this outlaw pries it open with like an axe,

0:27:17.080 --> 0:27:19.560
<v Speaker 2>a small, little like hatchet. Yeah, he collects one hundred

0:27:19.560 --> 0:27:21.560
<v Speaker 2>and sixty dollars inside would would be about fifty five

0:27:21.600 --> 0:27:22.359
<v Speaker 2>hundred dollars today.

0:27:22.440 --> 0:27:22.720
<v Speaker 3>Yeah.

0:27:22.760 --> 0:27:25.280
<v Speaker 2>The outlaw stands back off and he moses into the

0:27:25.320 --> 0:27:28.440
<v Speaker 2>woods right, just backs up, protected by other rifles aimed

0:27:28.440 --> 0:27:30.840
<v Speaker 2>at the stage coach. Now, once he's satisfied that the

0:27:30.880 --> 0:27:33.600
<v Speaker 2>highwayman is good and gone, stage coach driver hops down

0:27:33.600 --> 0:27:35.359
<v Speaker 2>to retrieve the lock box. He's got to go and

0:27:35.400 --> 0:27:37.800
<v Speaker 2>show his bosses that look, yeah, not me. Yeah, And

0:27:37.840 --> 0:27:40.080
<v Speaker 2>then that's when he sees what he believed were rifles

0:27:40.080 --> 0:27:43.000
<v Speaker 2>aimed at him were nothing more than carefully positioned sticks

0:27:43.040 --> 0:27:46.480
<v Speaker 2>just wedged into the tree branches. There were no other bandits.

0:27:46.480 --> 0:27:48.520
<v Speaker 2>It was just some theater in service of crime.

0:27:49.160 --> 0:27:52.320
<v Speaker 3>So who would imagine it's just one dude and no

0:27:52.400 --> 0:27:53.159
<v Speaker 3>horses exactly.

0:27:53.320 --> 0:27:57.000
<v Speaker 2>You're thinking, he's gotta have a great gang, big.

0:27:56.840 --> 0:27:59.280
<v Speaker 3>Group of guys, and then a bunch of horses just

0:27:59.400 --> 0:28:01.120
<v Speaker 3>on the other this patch of.

0:28:01.160 --> 0:28:03.440
<v Speaker 2>Yeah, oh boy, So that's his first robbery.

0:28:03.800 --> 0:28:05.000
<v Speaker 3>This is first one boom.

0:28:05.040 --> 0:28:07.080
<v Speaker 2>He's like, I'm good at this, But by the end

0:28:07.119 --> 0:28:08.800
<v Speaker 2>of the year he's back at it. This time he's

0:28:08.840 --> 0:28:11.800
<v Speaker 2>near Marysville up in Yuba County. Yeah, north of my hometown.

0:28:11.840 --> 0:28:14.680
<v Speaker 2>You're Alma Mater, Davises December of eighteen seventy five. Again

0:28:14.760 --> 0:28:17.240
<v Speaker 2>black Bart uses the same gag. He props up sticks

0:28:17.240 --> 0:28:19.080
<v Speaker 2>in the wood, steps out in front of the stage coach,

0:28:19.240 --> 0:28:21.840
<v Speaker 2>acts like he got a team of bandits guns trained

0:28:21.840 --> 0:28:25.800
<v Speaker 2>on the driver. Again, his theater in the wild totally successful.

0:28:26.160 --> 0:28:27.760
<v Speaker 2>Guess he got a good haul because he takes a

0:28:27.840 --> 0:28:30.840
<v Speaker 2>year off from banditry after this point. Oh yeah, he's

0:28:30.840 --> 0:28:32.879
<v Speaker 2>down in San Francisco and enjoying the sporting life as

0:28:32.880 --> 0:28:35.600
<v Speaker 2>a professional gambler. Okay, so eventually as luck ran out,

0:28:35.640 --> 0:28:37.920
<v Speaker 2>so he hops on a ferry, goes and crosses the Bay.

0:28:37.960 --> 0:28:39.520
<v Speaker 2>He didn't go back up the Gold Country, though, he

0:28:39.600 --> 0:28:41.920
<v Speaker 2>decided I'm gonna score some more loot. He stays closer

0:28:41.960 --> 0:28:43.800
<v Speaker 2>to the Bay area. He goes up and rubs a

0:28:43.840 --> 0:28:47.720
<v Speaker 2>stage coach of Mendocino County. Oh up the coast, Yeah exactly.

0:28:48.240 --> 0:28:50.280
<v Speaker 2>So he decides his third robbery is that goes down

0:28:50.320 --> 0:28:53.800
<v Speaker 2>August third, eighteen seventy seven. As the stage coach thunders

0:28:53.800 --> 0:28:55.920
<v Speaker 2>down the road, suddenly out of the woods steps this

0:28:56.080 --> 0:28:59.320
<v Speaker 2>hooded figure it's Black Bart with the same flower sack

0:28:59.400 --> 0:29:01.800
<v Speaker 2>over his head, two eye holes cut out, holds up

0:29:01.800 --> 0:29:06.320
<v Speaker 2>his sawed off shotgun. Stagecoast driver seas and yells, whoa horses,

0:29:06.360 --> 0:29:08.920
<v Speaker 2>come to a stop right now. The outlaw orders the

0:29:09.000 --> 0:29:12.600
<v Speaker 2>driver throw down the box, which the duly complies. Again.

0:29:12.640 --> 0:29:15.280
<v Speaker 2>Black Part pretends he's got a gang outlaws in the trees, right,

0:29:15.320 --> 0:29:17.719
<v Speaker 2>and it works just as well the third time. But

0:29:17.880 --> 0:29:19.920
<v Speaker 2>I guess word had not spread amongst the drivers. There's

0:29:19.920 --> 0:29:22.360
<v Speaker 2>this guy out there pretending that there's these sticks in

0:29:22.360 --> 0:29:23.400
<v Speaker 2>the woods. There is gang.

0:29:23.840 --> 0:29:28.080
<v Speaker 3>So he spends hours finding like really straight sticks. Yeah,

0:29:28.120 --> 0:29:32.640
<v Speaker 3>so that's like yeah, and then pulling all the bark off.

0:29:32.800 --> 0:29:33.560
<v Speaker 3>So smooth.

0:29:34.760 --> 0:29:37.240
<v Speaker 2>So Black Part he seems to know something which is key,

0:29:37.240 --> 0:29:39.600
<v Speaker 2>which is that people are more afraid of their imaginations

0:29:39.640 --> 0:29:42.280
<v Speaker 2>than reality. Yes, they just work on their imagination. You

0:29:42.320 --> 0:29:44.280
<v Speaker 2>don't need to actually do anything scary, just make them

0:29:44.280 --> 0:29:45.040
<v Speaker 2>start thinking scary.

0:29:45.120 --> 0:29:48.280
<v Speaker 3>And I'm sure that he saw that in warfare exactly exactly.

0:29:48.280 --> 0:29:50.720
<v Speaker 3>You know what that people you can either psych yourself

0:29:50.760 --> 0:29:53.640
<v Speaker 3>out imagining what could happen, and then you become more

0:29:53.720 --> 0:29:56.120
<v Speaker 3>of a victim walking into a situation.

0:29:56.320 --> 0:29:58.080
<v Speaker 2>Are you psych yourself up I'm gonna I'm gonna live

0:29:58.120 --> 0:30:00.400
<v Speaker 2>through this, and then we're gonna use these, like, you know,

0:30:00.480 --> 0:30:02.280
<v Speaker 2>waving sticks to indicate that we have a lot more

0:30:02.320 --> 0:30:03.400
<v Speaker 2>soldiers on this side of the.

0:30:03.600 --> 0:30:05.680
<v Speaker 3>I'm not going to be I'm not gonna be freaked

0:30:05.680 --> 0:30:07.880
<v Speaker 3>out until i know for sure what's going on.

0:30:08.040 --> 0:30:10.320
<v Speaker 2>Yes, good point, you know. So at this point a

0:30:10.440 --> 0:30:13.360
<v Speaker 2>third robbery, he pries up the locks box, steals the contents.

0:30:13.480 --> 0:30:17.400
<v Speaker 2>Black Bart tells a driver drive on right, and drivers

0:30:17.440 --> 0:30:21.480
<v Speaker 2>happily to do this. Okay, yeah, he takes off right.

0:30:21.520 --> 0:30:23.280
<v Speaker 2>Then he goes. When he gets to the next way station,

0:30:23.400 --> 0:30:25.720
<v Speaker 2>he reports to the authorities that he was robbed and like,

0:30:25.760 --> 0:30:27.880
<v Speaker 2>look at the lock box and they so they ride

0:30:27.880 --> 0:30:30.040
<v Speaker 2>out to the scene of the crime and all they

0:30:30.080 --> 0:30:32.120
<v Speaker 2>find there is just evidence of the robbery. They're like, oh,

0:30:32.120 --> 0:30:34.200
<v Speaker 2>this is where it happens. They find, you know, like

0:30:34.320 --> 0:30:36.760
<v Speaker 2>different like with the hatchet he used to break up

0:30:36.760 --> 0:30:39.560
<v Speaker 2>in the lock box. But they also find a stanza

0:30:39.640 --> 0:30:44.280
<v Speaker 2>of poetry and it reads and I quote, I've labored

0:30:44.360 --> 0:30:48.040
<v Speaker 2>long and hard for bread, for honor, and for riches,

0:30:48.560 --> 0:30:52.440
<v Speaker 2>but on my corns too long. You've tread you fine

0:30:52.560 --> 0:30:54.040
<v Speaker 2>haired sons of bitches.

0:30:55.000 --> 0:30:57.160
<v Speaker 6>Signed Black Bart Oh yeah.

0:30:58.600 --> 0:31:00.880
<v Speaker 2>That poem with not bald up and left on the

0:31:00.920 --> 0:31:03.840
<v Speaker 2>forest floor. No, the law men were amused. The poem

0:31:03.840 --> 0:31:06.760
<v Speaker 2>gets shared with newspaper men. They put it in their papers.

0:31:06.800 --> 0:31:09.240
<v Speaker 2>Soon enough, thanks to the telegraph and the early wire service,

0:31:09.440 --> 0:31:12.040
<v Speaker 2>this newspaper readers from coast to coast are reading about

0:31:12.040 --> 0:31:15.360
<v Speaker 2>black Bart, the outlaw poet who's robbing stage coaches in California.

0:31:15.560 --> 0:31:17.760
<v Speaker 3>It's great, that's clickbait, Sarah.

0:31:17.480 --> 0:31:20.440
<v Speaker 2>Exactly, and he's an instant sensation of the nineteenth century.

0:31:20.640 --> 0:31:23.400
<v Speaker 2>For his fifth robbery the next year, in eighteen seventy eight,

0:31:23.440 --> 0:31:25.760
<v Speaker 2>black Bart hits a stage coach between Quincy up in

0:31:25.800 --> 0:31:28.600
<v Speaker 2>Plumus County, and it was on the rundown to Oraville

0:31:28.640 --> 0:31:31.320
<v Speaker 2>in Butte County. It was the summer again, July, to

0:31:31.360 --> 0:31:33.200
<v Speaker 2>be exacts. Apparently black Bart was in the mood for

0:31:33.200 --> 0:31:36.600
<v Speaker 2>a little more poetry. After he successfully robbed that stage coach,

0:31:36.640 --> 0:31:38.960
<v Speaker 2>emptied his lock box, went on his merry way. Black

0:31:39.040 --> 0:31:43.560
<v Speaker 2>Bart left behind another outlaw poem. His second poem went,

0:31:43.760 --> 0:31:47.160
<v Speaker 2>and I quote here I lay me down to sleep

0:31:47.520 --> 0:31:48.280
<v Speaker 2>and wait to.

0:31:48.360 --> 0:31:54.640
<v Speaker 6>Come inmorrow, perhaps success, perhaps defeat, and everlast in sorrow.

0:31:55.040 --> 0:31:58.000
<v Speaker 6>But let come what will I'll try it on. My

0:31:58.120 --> 0:32:01.520
<v Speaker 6>condition can't be worse. If there's money in that box,

0:32:01.960 --> 0:32:05.360
<v Speaker 6>tis money in my purse, signed black Bart.

0:32:07.480 --> 0:32:10.240
<v Speaker 2>So that little verse sealed the deal for black Bart.

0:32:10.400 --> 0:32:12.800
<v Speaker 2>The people from coast to coast now love him and

0:32:12.840 --> 0:32:15.920
<v Speaker 2>his full hero law antics right. But the authorities and

0:32:15.960 --> 0:32:19.640
<v Speaker 2>the lawmen hate how silly he's making them look. But

0:32:19.720 --> 0:32:23.440
<v Speaker 2>however try as they might, the law cannot catch this

0:32:23.520 --> 0:32:26.760
<v Speaker 2>new outlaws sensation. Black Bark just keeps right on robbing

0:32:26.760 --> 0:32:29.720
<v Speaker 2>stage coaches, just willy nilly. Right, it seems that he's

0:32:29.720 --> 0:32:32.280
<v Speaker 2>well aware of the local economic cycles of the area,

0:32:32.360 --> 0:32:35.040
<v Speaker 2>right he takes advantage of them. For instance, he knows

0:32:35.040 --> 0:32:38.680
<v Speaker 2>it in Mendocino County there's sheep sharing season, yes, which

0:32:38.720 --> 0:32:40.640
<v Speaker 2>means that the shepherds and the wool gatherers are going

0:32:40.720 --> 0:32:42.840
<v Speaker 2>to need to get paid, which means the stage coaches

0:32:42.880 --> 0:32:44.720
<v Speaker 2>are going to be running big loads of cash to

0:32:44.800 --> 0:32:47.680
<v Speaker 2>settle up the end of sheep sharing season, which meant

0:32:47.720 --> 0:32:50.680
<v Speaker 2>it is going to be a big payday for black Bart.

0:32:50.960 --> 0:32:54.000
<v Speaker 2>October eighteen seventy eight, In sheep sharing season, black Bart

0:32:54.080 --> 0:32:57.160
<v Speaker 2>robbed too wells Fargo stage coaches on back to back days.

0:32:57.760 --> 0:33:00.400
<v Speaker 3>Oh see, they don't expect that they think it'll be

0:33:00.440 --> 0:33:00.920
<v Speaker 3>a while.

0:33:01.120 --> 0:33:03.480
<v Speaker 2>And he's and he's, you'll love this. He's super casual

0:33:03.520 --> 0:33:06.320
<v Speaker 2>about it. On the first day, October second, eighteen seventy eight,

0:33:06.320 --> 0:33:09.520
<v Speaker 2>Black Bart gets spotted having a picnic by himself near

0:33:09.560 --> 0:33:12.600
<v Speaker 2>yu Kaya, right, just having a picnic now, yes, he

0:33:12.680 --> 0:33:14.600
<v Speaker 2>was enjoying the spoils of his crime. That stage coach

0:33:14.680 --> 0:33:16.680
<v Speaker 2>draws near and black Bart pops up out of his

0:33:16.720 --> 0:33:20.040
<v Speaker 2>ambush spot, levels his sawd off shotgun. Right, driver pulls

0:33:20.120 --> 0:33:22.600
<v Speaker 2>the horses to a stop. Black Bart tosses the apple

0:33:22.640 --> 0:33:25.040
<v Speaker 2>that he was still munching on. No, he gets down

0:33:25.080 --> 0:33:27.440
<v Speaker 2>to his outlaw business. Right. These are all from the

0:33:27.480 --> 0:33:29.720
<v Speaker 2>d eye witness descriptions. And the next day, October third,

0:33:29.720 --> 0:33:32.640
<v Speaker 2>eighteen seventy eight, back at it, he hits another stage coach,

0:33:32.680 --> 0:33:35.200
<v Speaker 2>this time again, as it always, he flees on foot.

0:33:35.440 --> 0:33:37.080
<v Speaker 2>What does he do? He just walks over to a

0:33:37.080 --> 0:33:39.360
<v Speaker 2>farmhouse a couple of miles away, and he pays the

0:33:39.400 --> 0:33:41.320
<v Speaker 2>family for dinner, and then he sits down and haves

0:33:41.320 --> 0:33:43.560
<v Speaker 2>dinner with them while everyone's out looking for him, because

0:33:44.080 --> 0:33:46.160
<v Speaker 2>no one would go to a family farmhouse, so he

0:33:46.200 --> 0:33:48.920
<v Speaker 2>buys himself some time. But the young daughter there, she's

0:33:48.960 --> 0:33:50.560
<v Speaker 2>the first person to take an interest in him, and

0:33:50.560 --> 0:33:53.600
<v Speaker 2>she sees him without his flower sack mask on, sure,

0:33:53.680 --> 0:33:57.120
<v Speaker 2>and no one else has seen no exactly. So he

0:33:57.160 --> 0:33:59.120
<v Speaker 2>also he didn't rob the family either, right, but they

0:33:59.160 --> 0:34:01.560
<v Speaker 2>figured out who he was, so this daughter won. Donald

0:34:01.600 --> 0:34:05.520
<v Speaker 2>McCreery said. Black Bart had quote graying brown hair, missing

0:34:05.560 --> 0:34:08.919
<v Speaker 2>two of his front teeth, deep set, piercing blue eyes,

0:34:09.040 --> 0:34:14.200
<v Speaker 2>under heavy eyebrows, slender hands, and intellectual and conversation well

0:34:14.239 --> 0:34:18.400
<v Speaker 2>flavored with polite jokes. Okay, so by this point Blackbart

0:34:18.480 --> 0:34:20.960
<v Speaker 2>is becoming so famous, so well known, wells Fargo has

0:34:20.960 --> 0:34:23.839
<v Speaker 2>to hire professional trackers to hunt down this outlaw. They

0:34:23.880 --> 0:34:27.120
<v Speaker 2>go like full on sundance, and butch casting is sundanced, kid, right,

0:34:27.160 --> 0:34:30.040
<v Speaker 2>They're like, oh, let's hire the best people. Yeah, these guys,

0:34:30.080 --> 0:34:33.399
<v Speaker 2>these professional trackers, they follow the trail of black Bart

0:34:33.400 --> 0:34:35.640
<v Speaker 2>to the McCreary farm, and then that's how they get

0:34:35.680 --> 0:34:37.960
<v Speaker 2>the news for the daughter. But it's too late when

0:34:37.960 --> 0:34:40.400
<v Speaker 2>they arrive there. The man hunters they continue to follow

0:34:40.440 --> 0:34:44.920
<v Speaker 2>Blackbart's trail for sixty miles. The trackers are on horseback,

0:34:45.200 --> 0:34:48.040
<v Speaker 2>Blackbart's on foot. Somewhere around the Eel River, the trail

0:34:48.080 --> 0:34:50.680
<v Speaker 2>goes cold. His trick is During the night, black Bar

0:34:50.880 --> 0:34:54.200
<v Speaker 2>keeps hiking through the rough country. By morning, he's twenty

0:34:54.239 --> 0:34:57.439
<v Speaker 2>miles east of his pursuers, so they're taking their camping down.

0:34:57.480 --> 0:35:00.560
<v Speaker 2>He's gone. He's got yeah, so free from his professional trackers.

0:35:00.600 --> 0:35:02.759
<v Speaker 2>The next day, black Bart strikes again. He hits a

0:35:02.840 --> 0:35:06.040
<v Speaker 2>junction of two wagon roads in Lake County. According to

0:35:06.080 --> 0:35:08.279
<v Speaker 2>reports of the day, black Bart was wiling away his

0:35:08.400 --> 0:35:11.719
<v Speaker 2>time waiting for the stagecoach, but quote by eating peaches,

0:35:11.800 --> 0:35:13.719
<v Speaker 2>the pits of which were found at the tree from

0:35:13.760 --> 0:35:16.719
<v Speaker 2>which he stepped behind. So that's his move. Just eat

0:35:16.760 --> 0:35:18.960
<v Speaker 2>some fruit, wait for some money to come down the road.

0:35:19.080 --> 0:35:19.840
<v Speaker 3>Yeah.

0:35:19.960 --> 0:35:22.839
<v Speaker 2>Unbeknownst to black Bart, a second professional tracker hired by

0:35:22.840 --> 0:35:25.239
<v Speaker 2>Wells Fargo, is still on his trail. He rides up

0:35:25.239 --> 0:35:27.400
<v Speaker 2>on horseback, but he's a day late. He arrives at

0:35:27.400 --> 0:35:29.560
<v Speaker 2>the scene of the crime, only there's no poem waiting

0:35:29.600 --> 0:35:32.600
<v Speaker 2>for him this time, just the peach pits. Meanwhile, black

0:35:32.600 --> 0:35:35.759
<v Speaker 2>Bart is hiked into the valley Oaks, and forty eight

0:35:35.760 --> 0:35:39.280
<v Speaker 2>hours later he's seventy miles away in Calusa County. Whoa

0:35:39.320 --> 0:35:41.440
<v Speaker 2>on foot? On foot? Yeah. From that point. Over the

0:35:41.440 --> 0:35:44.000
<v Speaker 2>next few years, black Bart continues to wreak havoc of

0:35:44.120 --> 0:35:47.000
<v Speaker 2>this one man campaign of vengeance against Wells Fargo. They

0:35:47.000 --> 0:35:50.840
<v Speaker 2>cannot catch him. He just continues robbing stagecouches one after another,

0:35:51.160 --> 0:35:53.839
<v Speaker 2>just like potato chips. Basically can't stuch. Obviously, as low

0:35:53.880 --> 0:35:58.320
<v Speaker 2>his luck can't last car incredible his core strength. Eventually,

0:35:58.320 --> 0:36:00.600
<v Speaker 2>even as successful as he was, black Bart was bound

0:36:00.600 --> 0:36:01.160
<v Speaker 2>to get caught.

0:36:01.239 --> 0:36:01.439
<v Speaker 3>Yeah.

0:36:01.520 --> 0:36:04.200
<v Speaker 2>When we get back from these warm, delicious, fresh out

0:36:04.239 --> 0:36:06.520
<v Speaker 2>of the oven commercials, Elizabeth, I'll tell you how my

0:36:06.600 --> 0:36:31.040
<v Speaker 2>man black Bart gets popped. Yes, Elizabeth Saron, we're back. Hi.

0:36:31.200 --> 0:36:33.279
<v Speaker 2>You ready to hear more from my man black Bart. Yes,

0:36:33.400 --> 0:36:36.720
<v Speaker 2>the full Carol outlaw poet. Yes, thanks to his poetry

0:36:36.760 --> 0:36:39.000
<v Speaker 2>and his success is a bandit. Black Bart's famous at

0:36:39.000 --> 0:36:41.239
<v Speaker 2>this point, secured all right, everyone's talking about him coast

0:36:41.280 --> 0:36:41.640
<v Speaker 2>to coast.

0:36:42.040 --> 0:36:45.440
<v Speaker 3>Did anyone set his poems to music? Not that I

0:36:45.520 --> 0:36:48.240
<v Speaker 3>found and in the saloons and stuff.

0:36:48.880 --> 0:36:51.840
<v Speaker 2>Hold that thought about singing his poetry. Okay, So his

0:36:51.880 --> 0:36:54.480
<v Speaker 2>success guarantees that, As I said, he's staying in the headlines.

0:36:54.480 --> 0:36:58.120
<v Speaker 2>People are loving this, and I'm talking for years. For years,

0:36:58.120 --> 0:37:00.120
<v Speaker 2>there are reports of this guy just going around on

0:37:00.160 --> 0:37:04.719
<v Speaker 2>the Old West robbing stage coaches. Freaking havoc on Wells Fart.

0:37:04.960 --> 0:37:07.920
<v Speaker 2>He's driving Wells Fargo nuts. Yeah, and they have the

0:37:08.000 --> 0:37:10.279
<v Speaker 2>money to see this as a war, and so they're like,

0:37:10.320 --> 0:37:12.560
<v Speaker 2>we're going to win this war. So let's go over

0:37:12.560 --> 0:37:14.480
<v Speaker 2>a few of his stage coach robbery highlights before I

0:37:14.560 --> 0:37:16.279
<v Speaker 2>tell you how it all goes pop, because they'll kind

0:37:16.280 --> 0:37:17.920
<v Speaker 2>of set up how he also gets caught.

0:37:18.040 --> 0:37:18.320
<v Speaker 3>Yeah.

0:37:18.360 --> 0:37:20.759
<v Speaker 2>On October eight, eighteen eighty one, Black Bart is in

0:37:20.840 --> 0:37:23.800
<v Speaker 2>Shasta County up north. Yeah, and he's waiting to ambush

0:37:23.800 --> 0:37:26.439
<v Speaker 2>the stage coach between where Way Rika and Redding, Okay.

0:37:26.640 --> 0:37:28.560
<v Speaker 2>And when he pops up out from his ambushed spot,

0:37:28.600 --> 0:37:31.160
<v Speaker 2>the stage coach driver pulls hard on the brakes yells

0:37:31.200 --> 0:37:34.040
<v Speaker 2>WHOA to the team of horses, right they pull over.

0:37:34.280 --> 0:37:37.280
<v Speaker 2>This driver is named Horace Williams. He's apparently not terribly

0:37:37.280 --> 0:37:39.759
<v Speaker 2>afraid of Black Bart, because Horace Williams tides to strike

0:37:39.840 --> 0:37:42.239
<v Speaker 2>up a conversation. He throws after he throws down the

0:37:42.239 --> 0:37:45.280
<v Speaker 2>strong box and Black Bart prize it open with his hatchet.

0:37:45.480 --> 0:37:49.000
<v Speaker 2>He's scouring through the contents. The curious driver Horace Williams

0:37:49.040 --> 0:37:51.800
<v Speaker 2>wonders how much Black Bart is peeling off his bosses.

0:37:51.840 --> 0:37:54.440
<v Speaker 2>The fact cats in Wells Fargo. Yeah, Hey, how much

0:37:54.480 --> 0:37:57.640
<v Speaker 2>did you make black Bart genial? Good hearted? Is he is?

0:37:57.680 --> 0:37:59.960
<v Speaker 2>He's like, not very much for the chances I take.

0:38:00.680 --> 0:38:03.279
<v Speaker 2>Oh so it's like exactly anyway. At this point, it's

0:38:03.320 --> 0:38:06.160
<v Speaker 2>eighteen eighty one. So now, how many trackers and professional

0:38:06.200 --> 0:38:09.200
<v Speaker 2>manhunters do Wells Fargo have there on the roads and

0:38:09.239 --> 0:38:11.879
<v Speaker 2>in the wildman is tracking down Black Bart? Great question.

0:38:12.480 --> 0:38:14.640
<v Speaker 3>I am so good at asking these questions.

0:38:14.680 --> 0:38:18.120
<v Speaker 2>The answer is they had teams, teams Elizabeth teams are

0:38:18.239 --> 0:38:24.200
<v Speaker 2>professional manhunters. But these guys cannot catch Black Part for years. Yeah,

0:38:24.239 --> 0:38:27.439
<v Speaker 2>it's embarrassing, and mostly Blackbart is embarrassing because he doesn't

0:38:27.480 --> 0:38:29.640
<v Speaker 2>ride a horse, and they don't figure this out. These

0:38:29.680 --> 0:38:32.680
<v Speaker 2>professional manhunters are so used to tracking a man on

0:38:32.760 --> 0:38:35.880
<v Speaker 2>horseback or by wagon wheel they cannot get it through

0:38:35.920 --> 0:38:37.440
<v Speaker 2>their heads that he's just walking away.

0:38:37.560 --> 0:38:37.920
<v Speaker 3>Yeah.

0:38:37.960 --> 0:38:41.160
<v Speaker 2>So October eleven, eighteen eighty one, he strikes again. Professional

0:38:41.160 --> 0:38:43.319
<v Speaker 2>manhunters rush to the scene because they had everything they

0:38:43.360 --> 0:38:45.879
<v Speaker 2>hear about it. They get a telegraph announcement and then yeah,

0:38:45.880 --> 0:38:48.040
<v Speaker 2>they go rushing there. Yeah, they track the trail that

0:38:48.080 --> 0:38:50.880
<v Speaker 2>they find and they find once again Jack Squat. This

0:38:51.000 --> 0:38:53.239
<v Speaker 2>is just once driving them those are some of the

0:38:53.280 --> 0:38:55.919
<v Speaker 2>most famous detectives in the country, being sent over from

0:38:55.920 --> 0:38:59.440
<v Speaker 2>across the country. And December of this same year, Blackbart

0:38:59.520 --> 0:39:01.040
<v Speaker 2>strikes it in in Marysville.

0:39:01.960 --> 0:39:05.280
<v Speaker 3>You know, Marysville today is like overrun with wild chickens.

0:39:05.480 --> 0:39:09.719
<v Speaker 2>Yes, yeah, totally anyway, exactly, he gets away on foot. Right,

0:39:09.760 --> 0:39:12.840
<v Speaker 2>there's now a whole posse because the Marysville sheriff don't play,

0:39:12.960 --> 0:39:15.040
<v Speaker 2>so he gets a whole posse chasing after him, and

0:39:15.080 --> 0:39:17.839
<v Speaker 2>the fat cat bankers have their like manhunters, and they're

0:39:17.840 --> 0:39:20.960
<v Speaker 2>all out there, this outlaw of folkiro poets embarrassing them

0:39:20.960 --> 0:39:24.040
<v Speaker 2>all in the national newspapers. And at this point, right,

0:39:24.320 --> 0:39:28.560
<v Speaker 2>as I said, gleeful copy, the newspapers are here since

0:39:28.760 --> 0:39:31.719
<v Speaker 2>the tennesseean right, and the newspaper in Tennessee is they

0:39:31.760 --> 0:39:35.280
<v Speaker 2>have a story of black Bart's outlaw exploits and narrow escapes,

0:39:35.280 --> 0:39:37.120
<v Speaker 2>and they chronicle him like he's the Robin Hood of

0:39:37.120 --> 0:39:40.120
<v Speaker 2>the wild West, right, and I quote now, all his

0:39:40.239 --> 0:39:43.759
<v Speaker 2>operations were in wild country where escape was easy and

0:39:43.840 --> 0:39:48.160
<v Speaker 2>no trail could be followed. The counties of Sonoma, Mendocino, Trinity,

0:39:48.280 --> 0:39:53.440
<v Speaker 2>siski U, Shasta, Plumus, Butte Yuba, Calaveras, and Placer Nearly

0:39:53.520 --> 0:39:56.799
<v Speaker 2>all old mining country were the scenes of his exploits.

0:39:57.040 --> 0:40:00.360
<v Speaker 2>The best of detectives and sheriffs were trying for years

0:40:00.440 --> 0:40:03.920
<v Speaker 2>to secure some clue, but the simplicity of a system

0:40:04.239 --> 0:40:04.919
<v Speaker 2>baffled them.

0:40:06.000 --> 0:40:06.320
<v Speaker 3>Wow.

0:40:06.640 --> 0:40:08.600
<v Speaker 2>So Yeah. In January of eighteen eighty two, black Bart

0:40:08.680 --> 0:40:11.160
<v Speaker 2>returns to Mendosino County. He plans to catch the stage

0:40:11.239 --> 0:40:13.880
<v Speaker 2>running between Cloverdale and Yukaya up the north. Yeah, and

0:40:14.040 --> 0:40:15.680
<v Speaker 2>he meets up with the stage coach near a town

0:40:15.719 --> 0:40:16.480
<v Speaker 2>called Hopland.

0:40:17.120 --> 0:40:19.440
<v Speaker 3>I know he used to have a really good like

0:40:19.560 --> 0:40:20.080
<v Speaker 3>music fest.

0:40:20.239 --> 0:40:21.120
<v Speaker 2>Yeah, totally.

0:40:21.280 --> 0:40:21.360
<v Speaker 6>So.

0:40:21.360 --> 0:40:24.200
<v Speaker 2>The stagecoach driver is named Harry Force. Okay, I gotta say,

0:40:24.200 --> 0:40:25.799
<v Speaker 2>I'm wondering why this man did not change his name.

0:40:25.880 --> 0:40:29.319
<v Speaker 2>You're a stagecoach driver named Harry Horse. I'm sorry, Harry Force.

0:40:29.120 --> 0:40:34.200
<v Speaker 3>Harry for anyway, of course, he's one big Harry Force. Way, Harry.

0:40:34.680 --> 0:40:38.000
<v Speaker 3>I love that. It's they're acknowledging. It's the simplicity of

0:40:38.040 --> 0:40:42.280
<v Speaker 3>it that's the you know, wanting. It's not like they're

0:40:42.320 --> 0:40:45.680
<v Speaker 3>looking back on that. They're saying, he's doing this so

0:40:45.760 --> 0:40:46.880
<v Speaker 3>simply in these.

0:40:46.719 --> 0:40:47.640
<v Speaker 2>They can't figure it out.

0:40:47.800 --> 0:40:48.640
<v Speaker 3>Ding dongs can't.

0:40:48.719 --> 0:40:51.200
<v Speaker 2>Yeah, and like they have all these way to reports

0:40:51.200 --> 0:40:52.840
<v Speaker 2>of him just walking away into the woods. You just

0:40:53.360 --> 0:40:55.200
<v Speaker 2>keep thinking he's gonna somebody picks him up and they

0:40:55.280 --> 0:40:55.719
<v Speaker 2>ride away.

0:40:55.920 --> 0:41:00.719
<v Speaker 3>Must have somewhere in their right mind walking the fork

0:41:01.640 --> 0:41:02.280
<v Speaker 3>is superior.

0:41:02.480 --> 0:41:05.239
<v Speaker 2>It's fit, It's true. So at this point, Harry Force

0:41:05.360 --> 0:41:07.920
<v Speaker 2>is holding the reins and he has no one riding shotgun.

0:41:07.920 --> 0:41:10.680
<v Speaker 2>He's by himself. Coach is empty too. The man who

0:41:10.760 --> 0:41:12.840
<v Speaker 2>intends him to rob him doesn't know that it's empty.

0:41:13.160 --> 0:41:15.360
<v Speaker 2>So black Bart steps out from behind a valley of

0:41:15.719 --> 0:41:17.839
<v Speaker 2>the wagon driver. Harry Force sees him, and he sees

0:41:17.880 --> 0:41:19.759
<v Speaker 2>the white flower sack on his head, the two eye

0:41:19.760 --> 0:41:22.399
<v Speaker 2>holes cut out, wearing the long duster coat, and then

0:41:22.520 --> 0:41:25.360
<v Speaker 2>he's like whoa, especially when he sees that double barrel shotgun.

0:41:25.680 --> 0:41:30.200
<v Speaker 2>So black Bart introduces himself. On black Bart down the box.

0:41:30.480 --> 0:41:33.040
<v Speaker 2>So black Bart holds the team of horses for with

0:41:33.239 --> 0:41:34.840
<v Speaker 2>his shotgun trained on Harry.

0:41:34.560 --> 0:41:39.320
<v Speaker 3>Horse, I will hold your horse, and so he's.

0:41:39.400 --> 0:41:41.759
<v Speaker 2>Harry Force throws down the strong box right, and then

0:41:41.800 --> 0:41:44.560
<v Speaker 2>black Bart tells Harry Force go on get it, and

0:41:44.800 --> 0:41:47.239
<v Speaker 2>he's once again only too happy to oblige. And after

0:41:47.280 --> 0:41:49.399
<v Speaker 2>he's written a little distance, he comes to a toll house.

0:41:49.400 --> 0:41:51.120
<v Speaker 2>Because this road has a toll house, you have to

0:41:51.120 --> 0:41:52.960
<v Speaker 2>pay every few miles to be on this road. I

0:41:53.000 --> 0:41:54.759
<v Speaker 2>don't know how you can just like ride off the

0:41:54.840 --> 0:41:56.480
<v Speaker 2>road and go around the toll house. So I guess

0:41:56.480 --> 0:41:57.480
<v Speaker 2>with a wagon that's difficult.

0:41:57.680 --> 0:41:59.799
<v Speaker 3>I mean, when you think of the terrain, I'm sure

0:42:00.320 --> 0:42:03.520
<v Speaker 3>like they've carved these, you know. I'm sure that it's like.

0:42:03.560 --> 0:42:05.960
<v Speaker 2>Modified like through boulder passage.

0:42:05.600 --> 0:42:09.520
<v Speaker 3>Animal passages that were then used by indigenous folks who

0:42:09.600 --> 0:42:12.919
<v Speaker 3>then mean, it's like they drive cattle and stuff through these.

0:42:13.200 --> 0:42:14.759
<v Speaker 2>The reason why this is the only road people are

0:42:14.880 --> 0:42:17.279
<v Speaker 2>using exactly. So at this point, once he gets to

0:42:17.360 --> 0:42:19.719
<v Speaker 2>the toll house, they tell the authorities. Telegraph from now

0:42:19.760 --> 0:42:23.400
<v Speaker 2>wires light up, word spreads. Wells Fargo detectives they hear

0:42:23.440 --> 0:42:25.839
<v Speaker 2>the report, they go off in hot pursuit. They meet

0:42:25.920 --> 0:42:28.399
<v Speaker 2>up with the Sheriff's posse at the crime scene one

0:42:28.640 --> 0:42:29.680
<v Speaker 2>hour after.

0:42:29.440 --> 0:42:32.000
<v Speaker 3>It occurs, an hour next week.

0:42:32.120 --> 0:42:35.480
<v Speaker 2>No, that's how quick, they respond, Yeah, strong box is

0:42:35.480 --> 0:42:38.560
<v Speaker 2>still there on the ground, slit mail bags are there,

0:42:39.040 --> 0:42:41.160
<v Speaker 2>but no black bart. This trail leads off between the

0:42:41.200 --> 0:42:43.440
<v Speaker 2>oak trees. The posse and the Wells Fargo detectives. They

0:42:43.520 --> 0:42:46.560
<v Speaker 2>chase after black Bart on their thundering horses. They follow

0:42:46.600 --> 0:42:48.520
<v Speaker 2>the trail all the way to Kelseyfield, New York near

0:42:48.520 --> 0:42:50.840
<v Speaker 2>clear Lake. Yes, and that's where the trail goes cold

0:42:51.000 --> 0:42:54.440
<v Speaker 2>once again. Black Bart slips away from the Wells Fargo Manhunters.

0:42:55.160 --> 0:42:57.360
<v Speaker 2>In June of eighteen eighty two, he robs another stage

0:42:57.360 --> 0:43:02.680
<v Speaker 2>coach near Willetts, California. So about five miles south of Yukayah.

0:43:02.680 --> 0:43:05.480
<v Speaker 2>A hooded figure steps out of the wagon road stage

0:43:05.480 --> 0:43:08.880
<v Speaker 2>coach driver whoa hits the brakes pulls the wagon to

0:43:08.920 --> 0:43:13.240
<v Speaker 2>a stop. Driver is named Tom Force. That's right, brother

0:43:13.320 --> 0:43:19.360
<v Speaker 2>of Harry Force. What yes, drivers. So Blackbart's final stage

0:43:19.400 --> 0:43:22.040
<v Speaker 2>coach robbery comes one year later, November eighteen eighty three.

0:43:22.200 --> 0:43:24.040
<v Speaker 2>If you can believe it, he robs the stage coach

0:43:24.040 --> 0:43:26.920
<v Speaker 2>in the exact same spot where he robbed his first

0:43:26.960 --> 0:43:30.000
<v Speaker 2>stage coach. He begins and ends at the same spot

0:43:30.280 --> 0:43:33.879
<v Speaker 2>just outside of Copperopolis, Caerapolis and a place called funk Hill.

0:43:34.360 --> 0:43:37.080
<v Speaker 2>Funk Hill, that's it gets popped in funk Hill. So

0:43:37.160 --> 0:43:39.919
<v Speaker 2>there's this boulder there balanced high above the wagon road.

0:43:40.000 --> 0:43:42.399
<v Speaker 2>It's a perfect ambush spot. And that's why black Bart

0:43:42.480 --> 0:43:46.000
<v Speaker 2>returns to the spot so faithful day is November three.

0:43:46.080 --> 0:43:47.920
<v Speaker 2>He's waiting at the boulder at the bend in the

0:43:47.920 --> 0:43:51.080
<v Speaker 2>wagon road, eager for his next ambush robbery. He pulls

0:43:51.120 --> 0:43:53.680
<v Speaker 2>on his white flower sack with his two cutout eye holes.

0:43:53.719 --> 0:43:56.040
<v Speaker 2>But rather than me tell you about this, Elizabeth, I'd

0:43:56.040 --> 0:43:58.800
<v Speaker 2>like you to close your eyes. I'd like you to picture.

0:43:58.800 --> 0:44:02.800
<v Speaker 2>It's Saturday, November third, eighteen eighty three, and you, Elizabeth,

0:44:02.840 --> 0:44:05.760
<v Speaker 2>are riding along the wagon road from Sonora to Milton,

0:44:06.200 --> 0:44:08.879
<v Speaker 2>near the town of Copperopolis. The mule scanner has kept

0:44:08.920 --> 0:44:11.960
<v Speaker 2>good time when he stops the wagon, he's been efficient

0:44:12.000 --> 0:44:15.200
<v Speaker 2>and even consider of you, the soul passenger. You've just

0:44:15.360 --> 0:44:18.200
<v Speaker 2>used the Reynolds ferry to cross a river that was wild,

0:44:18.640 --> 0:44:20.640
<v Speaker 2>and you did meet the son of the ferryman, a

0:44:20.760 --> 0:44:23.880
<v Speaker 2>nineteen year old named Jim Rollary. But now the wagon

0:44:23.960 --> 0:44:26.600
<v Speaker 2>rolls through a grove of sun dappled oak trees that

0:44:26.719 --> 0:44:29.399
<v Speaker 2>line the wagon road. You gaze out at the oak

0:44:29.440 --> 0:44:32.400
<v Speaker 2>trees and the California hills, still gold from summer, not

0:44:32.480 --> 0:44:35.359
<v Speaker 2>yet greened over again by the winter rains. That's when

0:44:35.400 --> 0:44:39.040
<v Speaker 2>you hear the wagon driver yell, WHOA, that saame as odd.

0:44:39.160 --> 0:44:41.120
<v Speaker 2>It's too early for a stop to change horses. There

0:44:41.160 --> 0:44:42.960
<v Speaker 2>must be something in the road. You stick your head

0:44:42.960 --> 0:44:44.399
<v Speaker 2>out of the window to see what's in the road,

0:44:44.400 --> 0:44:47.200
<v Speaker 2>and there you spy a hooded figure. Is he wearing

0:44:47.239 --> 0:44:49.640
<v Speaker 2>a flower sack on his head? You think to yourself.

0:44:49.960 --> 0:44:52.520
<v Speaker 2>The sawed off shotgun tells you why he's there. The

0:44:52.520 --> 0:44:56.360
<v Speaker 2>outlaw steps forward toward the now stopped wagon. You fear

0:44:56.440 --> 0:44:58.759
<v Speaker 2>what awaits you. You've heard about how these raids and

0:44:58.800 --> 0:45:01.759
<v Speaker 2>burglaries and robberies go down in the wild West. But

0:45:01.880 --> 0:45:03.640
<v Speaker 2>he doesn't come up to your stage coach door and

0:45:03.719 --> 0:45:05.920
<v Speaker 2>yank it open. Instead, the man with the flower sack

0:45:05.960 --> 0:45:08.000
<v Speaker 2>over his head politely says, ma'am.

0:45:08.080 --> 0:45:10.800
<v Speaker 6>If you'd be so kind as to wait inside the coach,

0:45:11.239 --> 0:45:13.640
<v Speaker 6>I won't be more than a minute. I intend to

0:45:13.680 --> 0:45:16.600
<v Speaker 6>hear rob this stage coach, but take nothing from you.

0:45:16.600 --> 0:45:19.799
<v Speaker 2>You are struck by his candor. You nod mutely, Still

0:45:19.840 --> 0:45:22.480
<v Speaker 2>somewhat scared, you watch as he orders the driver to

0:45:22.520 --> 0:45:24.920
<v Speaker 2>throw down the box. He does it lands with the

0:45:24.960 --> 0:45:28.000
<v Speaker 2>sort of sound that promises gold coins are inside. The

0:45:28.080 --> 0:45:30.719
<v Speaker 2>bad man outlaw uses a small axe to break open

0:45:30.719 --> 0:45:33.920
<v Speaker 2>the locked box. He finds a fabulous wealth of gold

0:45:33.960 --> 0:45:36.400
<v Speaker 2>waiting inside. Your eyes light up at the sight. He

0:45:36.400 --> 0:45:38.680
<v Speaker 2>scoops up the gold, shoves it into a sack. He

0:45:38.760 --> 0:45:41.120
<v Speaker 2>helps the sack over his shoulder and walks off toward

0:45:41.200 --> 0:45:44.120
<v Speaker 2>the surrounding wood. And that's when you hear it. A

0:45:44.160 --> 0:45:47.520
<v Speaker 2>gunshot from a rifle, and then another, and then there's

0:45:47.520 --> 0:45:50.520
<v Speaker 2>a pause. Then another gun shot sounds. You see the

0:45:50.520 --> 0:45:53.200
<v Speaker 2>outlaw go down. It seems a third shot hit him.

0:45:53.360 --> 0:45:56.760
<v Speaker 2>A fourth gun shot sounds. When the gun smoke clears,

0:45:56.880 --> 0:46:00.200
<v Speaker 2>you see the outlaw is gone. Now standing by the

0:46:00.239 --> 0:46:03.000
<v Speaker 2>wagon is the son of the ferryman. It seems the

0:46:03.040 --> 0:46:05.759
<v Speaker 2>boy saw the outlaw waiting to ambush the wagon, and

0:46:05.800 --> 0:46:08.080
<v Speaker 2>he snuck back around, and when he saw he had

0:46:08.080 --> 0:46:10.480
<v Speaker 2>a moment, he grabbed a rifle from the wagon driver

0:46:10.560 --> 0:46:13.319
<v Speaker 2>and took aim at the outlaw. You certainly saw the

0:46:13.320 --> 0:46:15.560
<v Speaker 2>outlaw stumble as if he were a hit. But now

0:46:15.600 --> 0:46:18.200
<v Speaker 2>he's gone. The wagon driver hops down. He and the

0:46:18.200 --> 0:46:20.760
<v Speaker 2>ferryman's son checked the woods. All they find is evidence

0:46:20.800 --> 0:46:23.680
<v Speaker 2>the outlaw was indeed shot. There's a pool of his blood.

0:46:23.840 --> 0:46:26.279
<v Speaker 2>The trail leads off into the woods. The pair also

0:46:26.280 --> 0:46:29.480
<v Speaker 2>find a shirtcuff knocked off, apparently by the gunshot, and

0:46:29.560 --> 0:46:33.879
<v Speaker 2>a white silk crep handkerchief. Although you can't see him,

0:46:34.200 --> 0:46:37.440
<v Speaker 2>black Bart has yet again escaped on foot. Even though

0:46:37.480 --> 0:46:39.839
<v Speaker 2>he was shot, the bullet passed through his hand. It's

0:46:39.880 --> 0:46:44.120
<v Speaker 2>far from immortal wound, and he's able to flee. That

0:46:44.239 --> 0:46:49.960
<v Speaker 2>dropped silk handkerchief will spell his doom. Oh no, yes, well,

0:46:50.040 --> 0:46:54.320
<v Speaker 2>Elizabeth underknownst to you. Black Bart takes his sawed off shotgun,

0:46:54.360 --> 0:46:57.040
<v Speaker 2>his stolen fortune, secrets them away on a hollow log.

0:46:57.360 --> 0:46:59.319
<v Speaker 2>Then he heads for civilization. He tries to go and

0:46:59.360 --> 0:47:01.680
<v Speaker 2>blend in and dis appear in the streets of San Francisco.

0:47:02.280 --> 0:47:04.680
<v Speaker 2>The stagecoach driver was robbed that faithful November day. He

0:47:04.680 --> 0:47:07.360
<v Speaker 2>wrote a memoir twenty years later after about how the

0:47:07.640 --> 0:47:10.439
<v Speaker 2>day he was robbed by black Bart. In the manuscript,

0:47:10.520 --> 0:47:12.920
<v Speaker 2>he claims that he fired all four shots, and that

0:47:12.960 --> 0:47:15.640
<v Speaker 2>the ferryman's son, Rolliery never fired a single shot. I

0:47:15.680 --> 0:47:17.640
<v Speaker 2>guess he wanted all the credit for himself. He said

0:47:17.640 --> 0:47:20.280
<v Speaker 2>that his first shot missed, However, he was fairly certain

0:47:20.280 --> 0:47:22.480
<v Speaker 2>that the second or maybe his third shot hit his target.

0:47:22.840 --> 0:47:26.279
<v Speaker 2>In the contemporaneous reports, he said he fired the first

0:47:26.280 --> 0:47:28.480
<v Speaker 2>two shots, and Rolliary the boy took the gun and

0:47:28.520 --> 0:47:29.160
<v Speaker 2>fired the third one.

0:47:29.239 --> 0:47:32.200
<v Speaker 3>I think them all the guy was like quaking in

0:47:32.239 --> 0:47:35.879
<v Speaker 3>his boots and then a young upstart exactly.

0:47:36.360 --> 0:47:39.799
<v Speaker 2>So that means if he was right, that if two

0:47:39.800 --> 0:47:41.560
<v Speaker 2>of his shots hit, they would have hit this exact

0:47:41.560 --> 0:47:43.959
<v Speaker 2>same bullet hole because he only had one gun shot.

0:47:44.080 --> 0:47:44.279
<v Speaker 3>Yeah.

0:47:44.320 --> 0:47:46.640
<v Speaker 2>Anyway, as a result of being a hit, black Bart

0:47:46.719 --> 0:47:50.560
<v Speaker 2>dropped that white silk crape handkerchief and importantly it had

0:47:50.560 --> 0:47:54.240
<v Speaker 2>a laundry mark on it. They read f K seven.

0:47:54.400 --> 0:47:56.200
<v Speaker 2>That handkerchief was then handed over to one of the

0:47:56.239 --> 0:47:59.239
<v Speaker 2>Wells Fargo detectives, James Hume. This is their first good

0:47:59.239 --> 0:48:03.120
<v Speaker 2>clue they've ever had in years, so human his fellow Manhunters,

0:48:03.160 --> 0:48:05.719
<v Speaker 2>detective Harry Morse. They ride into San Francisco and they

0:48:05.760 --> 0:48:08.480
<v Speaker 2>figure that's where black Bart probably used a Chinese laundry.

0:48:08.640 --> 0:48:12.000
<v Speaker 2>They go to every single laundry in San Francisco. If

0:48:12.080 --> 0:48:14.319
<v Speaker 2>you were wondering how many that is, Elizabeth, at the time,

0:48:14.320 --> 0:48:17.719
<v Speaker 2>they were roughly ninety one laundries ninety San Francisco.

0:48:17.880 --> 0:48:20.000
<v Speaker 3>Yes that today, No.

0:48:20.120 --> 0:48:22.880
<v Speaker 2>Not not at all. So the professional old West manhunters,

0:48:22.880 --> 0:48:25.920
<v Speaker 2>they only visit every single ninety ninety one. I finally

0:48:26.040 --> 0:48:29.320
<v Speaker 2>discover a laundry called Ferguson and Biggs California laundry located

0:48:29.360 --> 0:48:32.399
<v Speaker 2>at three one six Bush Street. The laundry lady, missus Where,

0:48:32.520 --> 0:48:35.560
<v Speaker 2>tells them that the man who owns that handkerchief which

0:48:35.640 --> 0:48:37.920
<v Speaker 2>is at the laundry just the day before, and he's

0:48:38.000 --> 0:48:40.600
<v Speaker 2>expected to be back soon to pick up his laundry.

0:48:40.719 --> 0:48:42.800
<v Speaker 2>This is how they learn the name of their prey.

0:48:43.080 --> 0:48:45.759
<v Speaker 2>She says his name is Charlie Bolton and that he

0:48:45.800 --> 0:48:47.480
<v Speaker 2>stays at a boarding house here in the city, not

0:48:47.520 --> 0:48:49.840
<v Speaker 2>too far away. She gives them the address. The Manhunters

0:48:49.880 --> 0:48:51.920
<v Speaker 2>go over to the boarding house. They stake out the building.

0:48:52.160 --> 0:48:54.759
<v Speaker 2>The lawmen and the Wells Fargo detectives, working together, wait

0:48:54.800 --> 0:48:57.839
<v Speaker 2>for their prey to return home. Meanwhile, Detective Morse goes

0:48:57.880 --> 0:49:00.239
<v Speaker 2>back to the laundry to wait for Black Bart There case,

0:49:00.239 --> 0:49:02.600
<v Speaker 2>he goes to pick a stuff up, and wouldn't you know, Elizabeth,

0:49:02.640 --> 0:49:05.280
<v Speaker 2>guess who comes walking up. According to the San Francisco

0:49:05.320 --> 0:49:09.240
<v Speaker 2>Examiner November nineteenth, eighteen eighty three edition, the laundry lady said,

0:49:09.440 --> 0:49:12.480
<v Speaker 2>why here comes mister Bolton. Now I'll just introduce you

0:49:12.520 --> 0:49:15.520
<v Speaker 2>to him for the first time ever. The manhunters, who've

0:49:15.560 --> 0:49:18.400
<v Speaker 2>tracked him for years, they finally see him for the

0:49:18.440 --> 0:49:21.440
<v Speaker 2>first time they lay eyes on him Black Bart in

0:49:21.560 --> 0:49:24.040
<v Speaker 2>San Francisco at this point, it's about five o'clock in

0:49:24.080 --> 0:49:26.600
<v Speaker 2>the afternoon. They go and they just rush over confront him.

0:49:26.600 --> 0:49:29.200
<v Speaker 2>Blackbart knows he's caught there, and he's like, yeah, this

0:49:29.400 --> 0:49:30.800
<v Speaker 2>is the end of my run as an outlaw.

0:49:30.920 --> 0:49:33.239
<v Speaker 3>No, you have to be like, ah, you found my handkerchief,

0:49:33.280 --> 0:49:34.040
<v Speaker 3>it got stolen.

0:49:34.440 --> 0:49:37.160
<v Speaker 2>He gets done in by our laundry mark. So, according

0:49:37.200 --> 0:49:39.240
<v Speaker 2>to those who knew him, Charlie Bowles had passed himself

0:49:39.239 --> 0:49:41.440
<v Speaker 2>off as a man of adventure, a former gold miner

0:49:41.440 --> 0:49:45.520
<v Speaker 2>who turned mining consultant slash mining engineer. His cover story

0:49:45.600 --> 0:49:47.879
<v Speaker 2>neatly covers why he's always taking trips up to gold

0:49:47.880 --> 0:49:51.160
<v Speaker 2>country and coming back with like flushed with cash. Yeah,

0:49:51.200 --> 0:49:53.600
<v Speaker 2>ready to live more of that good life. According to

0:49:53.719 --> 0:49:56.680
<v Speaker 2>the eighteen eighty eight edition of the Los Angeles Express,

0:49:56.840 --> 0:50:01.400
<v Speaker 2>Detective Morris described Blackbart as how he rest and quote

0:50:01.719 --> 0:50:03.239
<v Speaker 2>elegantly but not fleshly.

0:50:04.000 --> 0:50:04.160
<v Speaker 6>Now.

0:50:04.200 --> 0:50:05.839
<v Speaker 2>The same paper goes on to say that black Bart

0:50:05.960 --> 0:50:08.719
<v Speaker 2>also quote carried a gold mounted cane and wore a

0:50:08.719 --> 0:50:11.920
<v Speaker 2>Derby hat. He talked freely about valuable mining interests, and

0:50:11.920 --> 0:50:14.359
<v Speaker 2>seemed for once to have lost all his shrewdness as

0:50:14.360 --> 0:50:17.400
<v Speaker 2>he walked down Sansom Street arm in arm with Detective

0:50:17.440 --> 0:50:21.000
<v Speaker 2>Morse and upstairs into the Wells Fargo building and into

0:50:21.040 --> 0:50:23.239
<v Speaker 2>the office of Detective Hume. So they don't take him

0:50:23.280 --> 0:50:25.920
<v Speaker 2>to the police. They take him to Wells Fargo. So

0:50:25.960 --> 0:50:28.920
<v Speaker 2>the two Wells Fargo men, right, they braid him in

0:50:28.960 --> 0:50:31.960
<v Speaker 2>the hidden away of the Wells Fargo off for towers.

0:50:32.120 --> 0:50:34.759
<v Speaker 2>They throw down evidence they've collected over the years. Black

0:50:34.800 --> 0:50:38.000
<v Speaker 2>Bart says nothing. Won't confess to anything. So the Wells

0:50:38.000 --> 0:50:40.279
<v Speaker 2>Fargo man hunters. They go, fine, we're gonna turn you

0:50:40.320 --> 0:50:42.040
<v Speaker 2>over to the real police. So they take him up

0:50:42.040 --> 0:50:44.719
<v Speaker 2>to Calveras County and there in Gold Country. They that's

0:50:44.719 --> 0:50:47.520
<v Speaker 2>where he was arrested on an old warrant and black

0:50:47.560 --> 0:50:50.080
<v Speaker 2>Bart gets locked up in the Calaveras County jail. The

0:50:50.080 --> 0:50:52.319
<v Speaker 2>Wells Fargo men then sit there and plead with him

0:50:52.360 --> 0:50:54.759
<v Speaker 2>for five hours. Now that he's behind bars, he still

0:50:54.800 --> 0:50:57.279
<v Speaker 2>won't talk to him really. Then sheriff of this guy,

0:50:57.320 --> 0:50:59.480
<v Speaker 2>Captain Stone, comes in. He lays out all the evidence

0:50:59.520 --> 0:51:01.880
<v Speaker 2>he's collected over the years. Black Bart looks up says,

0:51:02.000 --> 0:51:05.879
<v Speaker 2>can you prove all that? Sheriff's Captain Stone says, I can,

0:51:06.600 --> 0:51:11.160
<v Speaker 2>the black Bart says, all right, let's travel. He leads

0:51:11.160 --> 0:51:13.840
<v Speaker 2>the Wells Fargo men and the Sheriff of Calveris County

0:51:13.840 --> 0:51:16.560
<v Speaker 2>on a twenty four mile ride on horsebacks, when the

0:51:16.600 --> 0:51:20.080
<v Speaker 2>few times he ever rides by terrifying and according to

0:51:20.120 --> 0:51:23.080
<v Speaker 2>the Los Angeles Express quote, despite the severeness of the

0:51:23.160 --> 0:51:26.080
<v Speaker 2>journey and the discovery of his guilt, black Bart laughed

0:51:26.120 --> 0:51:28.799
<v Speaker 2>and talked as he rode. He kept his companions in

0:51:28.880 --> 0:51:32.759
<v Speaker 2>continual merriment by his bright flashes of wit. He narrated

0:51:32.760 --> 0:51:35.560
<v Speaker 2>many of his adventures and the surrounding wilderness, and his

0:51:35.719 --> 0:51:38.640
<v Speaker 2>voice echoed in the canyons as he would break forth

0:51:38.680 --> 0:51:39.120
<v Speaker 2>in song.

0:51:40.440 --> 0:51:42.040
<v Speaker 3>Whoa he's saying as he goes.

0:51:42.120 --> 0:51:44.640
<v Speaker 2>Yeah, He's like the literal medieval troubadour, singing his own

0:51:44.680 --> 0:51:48.600
<v Speaker 2>outlaw song to the men. He's frustrated for years. So

0:51:48.719 --> 0:51:49.919
<v Speaker 2>good what outlaw brio?

0:51:50.160 --> 0:51:50.279
<v Speaker 5>Right?

0:51:50.400 --> 0:51:50.719
<v Speaker 3>So good?

0:51:50.760 --> 0:51:52.800
<v Speaker 2>So when they arrived at the crime scene under the moonlight,

0:51:52.840 --> 0:51:55.920
<v Speaker 2>black Bart shows the lawman and the Wells Fargo manhunters

0:51:56.000 --> 0:51:58.040
<v Speaker 2>where the five thousand or so in gold he hid

0:51:58.040 --> 0:52:00.320
<v Speaker 2>into the and the hollow log and there's his trust

0:52:00.320 --> 0:52:02.799
<v Speaker 2>he sawed off shotgun. And they're like all right, So

0:52:02.880 --> 0:52:05.680
<v Speaker 2>then they take them back to San Francisco. He's tried, convicted,

0:52:05.760 --> 0:52:08.160
<v Speaker 2>sentence to six years in San Quentin. They had San

0:52:08.239 --> 0:52:10.759
<v Speaker 2>Quentin at the time. The light sentence is credited to

0:52:10.800 --> 0:52:13.960
<v Speaker 2>his gentlemanly ways with his victims, his kindness to ladies'

0:52:14.040 --> 0:52:16.439
<v Speaker 2>total lack of violence, and the fact that he didn't smoke,

0:52:16.520 --> 0:52:19.799
<v Speaker 2>drink Cussard duopium and else, that he worked alone. He

0:52:19.800 --> 0:52:22.440
<v Speaker 2>had no confederates. Yeah, throw the book at then. The

0:52:22.480 --> 0:52:26.239
<v Speaker 2>news of Blackbart's arrest is breathlessly reported from coast to coast.

0:52:26.239 --> 0:52:29.239
<v Speaker 2>The newspapers are a light with press coverage. After his arrest,

0:52:29.360 --> 0:52:31.879
<v Speaker 2>black Bart even wrote a letter to the wagon driver,

0:52:32.000 --> 0:52:34.120
<v Speaker 2>the last one the ones who he thought had fired

0:52:34.120 --> 0:52:36.600
<v Speaker 2>the shots at him. According to the Los Angeles Express,

0:52:36.680 --> 0:52:39.760
<v Speaker 2>black Bart wrote, and I quote stated that he remembered

0:52:39.840 --> 0:52:43.000
<v Speaker 2>him with nothing but the most kindly feelings. He complimented

0:52:43.080 --> 0:52:45.200
<v Speaker 2>him on his fine qualities as a driver, and was

0:52:45.239 --> 0:52:47.840
<v Speaker 2>only sorry that he could not be equally complimentary in

0:52:47.880 --> 0:52:51.879
<v Speaker 2>speaking of his marksmanship. On concluding, he wished him an unmolested,

0:52:51.920 --> 0:52:55.560
<v Speaker 2>prosperous and happy drive through life. He reassured the anxious

0:52:55.600 --> 0:52:57.880
<v Speaker 2>wife of the driver that her husband had nothing to

0:52:57.920 --> 0:53:02.680
<v Speaker 2>fear from the terrible Black Bart. So there's a promised

0:53:02.680 --> 0:53:05.400
<v Speaker 2>eighteen thousand dollars reward for the capture of the infamous

0:53:05.400 --> 0:53:08.360
<v Speaker 2>Black Bart, put up by Wells Fargo, State of California,

0:53:08.440 --> 0:53:11.120
<v Speaker 2>and the federal government. They all put up in this money. Yeah,

0:53:11.160 --> 0:53:13.200
<v Speaker 2>wagon driver, how much do you think he received this reward?

0:53:13.200 --> 0:53:17.560
<v Speaker 2>Elizabeth zero six hundred dollars. They promised eighteen thousand, three

0:53:17.640 --> 0:53:20.080
<v Speaker 2>hundred from Wells Fargo, three hundred from the State of California.

0:53:20.160 --> 0:53:23.200
<v Speaker 2>Federal government was like, what reward. I'm busy, I can't

0:53:23.239 --> 0:53:27.480
<v Speaker 2>hear you. I'man beep. Oh yeah, click it telegraphs wires broke.

0:53:27.960 --> 0:53:30.839
<v Speaker 2>There remains one question, why did Charlie Bulls become Black

0:53:30.880 --> 0:53:33.200
<v Speaker 2>part right? I told you wanted revenge? Well in court,

0:53:33.200 --> 0:53:35.600
<v Speaker 2>when asked his very question, he told the prosecutor quote,

0:53:35.680 --> 0:53:37.040
<v Speaker 2>I've had a rough life of it.

0:53:37.320 --> 0:53:40.800
<v Speaker 6>It is an uncommon circumstance which brings me to this condition,

0:53:41.080 --> 0:53:45.320
<v Speaker 6>an uncommon and mysterious one one which no man living

0:53:45.640 --> 0:53:47.560
<v Speaker 6>except myself knows.

0:53:47.440 --> 0:53:50.919
<v Speaker 2>And no man shall ever know. He will tell him.

0:53:51.760 --> 0:53:53.200
<v Speaker 2>Charlie Bulls also added that.

0:53:53.280 --> 0:53:56.200
<v Speaker 6>I would rather go to San Quentin for life than

0:53:56.280 --> 0:53:59.160
<v Speaker 6>take a dime from a passenger or to injure him

0:53:59.160 --> 0:54:02.840
<v Speaker 6>in any other way. One can rob men at any place.

0:54:03.280 --> 0:54:06.200
<v Speaker 6>I never harmed a single individual and never committed any

0:54:06.200 --> 0:54:09.080
<v Speaker 6>crimes except against Wells Fargoing Company.

0:54:10.200 --> 0:54:12.680
<v Speaker 2>He also said to the news papermen after his conviction,

0:54:12.880 --> 0:54:14.080
<v Speaker 2>if it had not been.

0:54:14.000 --> 0:54:17.279
<v Speaker 6>For that handkerchief, I'll bet a thousand dollars they would

0:54:17.320 --> 0:54:20.640
<v Speaker 6>have never got me A thousand dollars, I say.

0:54:20.520 --> 0:54:22.839
<v Speaker 2>But that's that's just the way of speaking. Now, you know,

0:54:22.920 --> 0:54:24.120
<v Speaker 2>I have no money. Now.

0:54:24.920 --> 0:54:27.560
<v Speaker 6>I never was much troubled with riches, and on the

0:54:27.600 --> 0:54:30.280
<v Speaker 6>other hand, I never was absolutely needy.

0:54:31.120 --> 0:54:34.240
<v Speaker 2>So black serves this time in San Quentin, gets released

0:54:34.320 --> 0:54:37.319
<v Speaker 2>early for good behavior. Yeah, then by hook or by crook,

0:54:37.360 --> 0:54:40.799
<v Speaker 2>with black Bart back outside. On November fourteenth, eighteen eighty eight,

0:54:40.880 --> 0:54:43.760
<v Speaker 2>a Wells Fargo stage coach is hit by a masked

0:54:43.840 --> 0:54:46.680
<v Speaker 2>Bandit not only that the robber left behind her verse

0:54:46.680 --> 0:54:49.040
<v Speaker 2>of poetry. The poet had.

0:54:49.280 --> 0:54:51.920
<v Speaker 6>So here, I have stood while wind and rain have

0:54:52.080 --> 0:54:55.480
<v Speaker 6>set the trees a sobbing, and risked my life for

0:54:55.680 --> 0:54:58.240
<v Speaker 6>that bus that wasn't worth the robin.

0:54:59.360 --> 0:55:02.239
<v Speaker 2>Oh my god, was this evidence that my man black

0:55:02.280 --> 0:55:05.120
<v Speaker 2>Bart was back at it? The famous detective Whould helped

0:55:05.120 --> 0:55:07.640
<v Speaker 2>catch him. James Hume was brought in to investigate. He's

0:55:07.680 --> 0:55:10.440
<v Speaker 2>shown the tattered piece of poetry left at the crime scene.

0:55:10.520 --> 0:55:13.399
<v Speaker 2>This grizzled old man hunter. Right, he reads the verse

0:55:13.440 --> 0:55:16.120
<v Speaker 2>carefully like an English professor. I imagine, right, he's doing

0:55:16.200 --> 0:55:19.520
<v Speaker 2>like literary medics. Yeah, met her in rhyme. He's determining

0:55:19.520 --> 0:55:23.320
<v Speaker 2>from textual analysis. This is not the work of black Bart,

0:55:23.680 --> 0:55:26.880
<v Speaker 2>It's a copycat. So he determines that in the n

0:55:26.960 --> 0:55:29.120
<v Speaker 2>black Bart spent his final days in a town near

0:55:29.160 --> 0:55:32.399
<v Speaker 2>my hometown, the beautiful town of Marysville we talked about

0:55:32.440 --> 0:55:34.640
<v Speaker 2>with the Loose Chickens. Yes, a town he often haunted

0:55:34.680 --> 0:55:37.120
<v Speaker 2>back when he hit stage coaches an outlaw, and there

0:55:37.160 --> 0:55:40.040
<v Speaker 2>in Marysville he settles down and becomes a beloved pharmacist.

0:55:40.440 --> 0:55:41.720
<v Speaker 3>Wow, he died.

0:55:41.960 --> 0:55:44.759
<v Speaker 2>He was in Knights Landing, which is literally down the

0:55:44.920 --> 0:55:47.399
<v Speaker 2>road from Davis. We used to go to Knight's Landing

0:55:47.400 --> 0:55:49.879
<v Speaker 2>to go fishing like all the time. That's allegedly where

0:55:49.920 --> 0:55:53.000
<v Speaker 2>he is buried in an unmarked grave. I cannot believe

0:55:53.040 --> 0:55:54.959
<v Speaker 2>I've never heard of this man before.

0:55:55.040 --> 0:55:56.920
<v Speaker 3>Now, I like any excuse to head up that way.

0:55:57.000 --> 0:55:59.320
<v Speaker 2>Let's go, And thus ends the story of Charlie Bowls

0:55:59.320 --> 0:56:04.160
<v Speaker 2>aka Charlie Naked Black Bart. That's the stagecoach Robert Poets.

0:56:04.200 --> 0:56:04.920
<v Speaker 3>That's incredible.

0:56:05.040 --> 0:56:07.160
<v Speaker 2>What's our ridiculous takeaway here, Elizabeth?

0:56:07.320 --> 0:56:10.399
<v Speaker 3>I think that you know anytime that you can have

0:56:10.480 --> 0:56:13.319
<v Speaker 3>a full hero like a Luigisque folk hero, but who's

0:56:13.400 --> 0:56:17.200
<v Speaker 3>non violent m and who has an artistic flair to it,

0:56:17.440 --> 0:56:20.239
<v Speaker 3>that's thank you. That was the tree you enjoy that. Okah, good,

0:56:20.600 --> 0:56:21.600
<v Speaker 3>this is what about you?

0:56:21.680 --> 0:56:23.919
<v Speaker 2>Thank you for hasking me whoa yeah, I have one.

0:56:24.480 --> 0:56:26.200
<v Speaker 2>This is how I would get caught. I give you

0:56:26.200 --> 0:56:29.040
<v Speaker 2>a successful for your years. And I get caught because

0:56:29.080 --> 0:56:31.280
<v Speaker 2>of my commitment to going to the same laundry lady,

0:56:31.480 --> 0:56:33.160
<v Speaker 2>you know what I mean like, And she'd have no

0:56:33.280 --> 0:56:34.960
<v Speaker 2>idea I was an outlaw because I had been lying

0:56:35.000 --> 0:56:37.200
<v Speaker 2>to her, even nice, and she believes me, and I'm

0:56:37.239 --> 0:56:38.759
<v Speaker 2>so nice that she knows I'm just some good guy

0:56:38.760 --> 0:56:40.560
<v Speaker 2>in the neighborhood. And then she'd tell the cops right

0:56:40.600 --> 0:56:42.759
<v Speaker 2>to find me, thinking she's helping me out, and I

0:56:42.760 --> 0:56:44.360
<v Speaker 2>get busted by the person trying to help me.

0:56:44.440 --> 0:56:47.120
<v Speaker 3>You always think you're invisible, that people don't ever remember,

0:56:48.040 --> 0:56:51.600
<v Speaker 3>very very memorable, So you're always surprised when everyone knows

0:56:51.600 --> 0:56:52.080
<v Speaker 3>who you are.

0:56:52.120 --> 0:56:53.520
<v Speaker 2>I remember thinking you were hearing that at the time.

0:56:53.520 --> 0:56:58.840
<v Speaker 2>I was like, really, yeah, Copper, you're writing a book anyway, Elizabeth,

0:56:58.840 --> 0:57:00.319
<v Speaker 2>can you want to wash this all down to talk

0:57:00.320 --> 0:57:03.000
<v Speaker 2>about to be perfect produced d Can you favor us

0:57:03.000 --> 0:57:04.320
<v Speaker 2>with one? Of course?

0:57:06.480 --> 0:57:14.080
<v Speaker 6>Oh god, I went get.

0:57:17.800 --> 0:57:20.000
<v Speaker 5>Okay. So I was listening to the latest episode and

0:57:20.800 --> 0:57:25.120
<v Speaker 5>I'm from Milton, Florida, and I'm just kind of internally

0:57:25.160 --> 0:57:28.920
<v Speaker 5>freaking out that my hometown was mentioned.

0:57:28.720 --> 0:57:29.800
<v Speaker 3>On Ridiculous Crime.

0:57:30.440 --> 0:57:34.040
<v Speaker 5>This is so cool. Update y'all just shouted out KOA

0:57:34.200 --> 0:57:36.240
<v Speaker 5>Campgrounds and I'm over here fangirling.

0:57:36.880 --> 0:57:40.000
<v Speaker 2>Yes, that's right, girl, ka wait for life.

0:57:40.520 --> 0:57:42.800
<v Speaker 3>I love it. It is weird. I'm sure it's weird

0:57:42.840 --> 0:57:44.840
<v Speaker 3>to hear small towns mentioned.

0:57:45.120 --> 0:57:46.480
<v Speaker 2>Yeah, well, you know what.

0:57:46.920 --> 0:57:50.840
<v Speaker 3>We like to span coast to coast, seas to seas.

0:57:51.000 --> 0:57:53.040
<v Speaker 2>They used to call me Captain Flora Bama because I

0:57:53.120 --> 0:57:53.760
<v Speaker 2>know that spot.

0:57:54.080 --> 0:57:54.720
<v Speaker 3>You do know this.

0:57:56.080 --> 0:57:57.960
<v Speaker 2>As always, you can find us online of Diiculous Crime

0:57:57.960 --> 0:58:00.360
<v Speaker 2>as social media's and we have our account, Ridiculous Crime

0:58:00.480 --> 0:58:03.840
<v Speaker 2>Pod on YouTube. Go check it out. We also have

0:58:03.880 --> 0:58:08.680
<v Speaker 2>website Ridiculuscrime dot com. I think we just won what

0:58:08.760 --> 0:58:12.680
<v Speaker 2>was it the Pulitzer Yes her best website Yes, which

0:58:12.720 --> 0:58:14.040
<v Speaker 2>was a shock to us. We didn't even know where

0:58:14.040 --> 0:58:18.120
<v Speaker 2>nominated they created. So also as obviously we'd love to

0:58:18.160 --> 0:58:20.280
<v Speaker 2>talk back, So please go to the iHeart app download it,

0:58:20.320 --> 0:58:22.240
<v Speaker 2>record one. Maybe hear your voice here and we can

0:58:22.280 --> 0:58:25.680
<v Speaker 2>all go yeah. And also emails if you like you

0:58:26.080 --> 0:58:28.200
<v Speaker 2>like to keep it old school, go to Ridiculous Crime

0:58:28.240 --> 0:58:30.479
<v Speaker 2>at gmail dot com and please start that email. DA

0:58:30.560 --> 0:58:33.400
<v Speaker 2>produce it d Thank you for listening. We will catch

0:58:33.440 --> 0:58:41.520
<v Speaker 2>you next crime. Ridiculous Crime is hosted by Elizabeth Utton

0:58:41.560 --> 0:58:44.200
<v Speaker 2>and Zaren Grenette, produced and edited by the.

0:58:44.160 --> 0:58:48.760
<v Speaker 6>Scourge of Providence Dark Dave Kustin, and starring Annalis Rucker

0:58:48.960 --> 0:58:49.800
<v Speaker 6>as Judas.

0:58:50.280 --> 0:58:53.000
<v Speaker 2>Research is by Ave Marissa Brown.

0:58:53.320 --> 0:58:57.439
<v Speaker 6>Our theme song is by Technicolor, Thomas Lee and Tourmaline

0:58:57.600 --> 0:58:58.280
<v Speaker 6>Travis Dudd.

0:58:58.600 --> 0:59:01.560
<v Speaker 2>The host wardrobe provided by Bought Me five hundred. Guest

0:59:01.600 --> 0:59:04.440
<v Speaker 2>hair and mecup by Sparkleshot and The Mister Dons Today.

0:59:04.800 --> 0:59:10.520
<v Speaker 6>Executive producers are Bright Blue, Ben Bown and Nightshade No Brown.

0:59:15.560 --> 0:59:21.240
<v Speaker 5>Ridicus Crime Say It One More Time Giqueous Crime.

0:59:22.280 --> 0:59:25.640
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio. Four more podcasts

0:59:25.760 --> 0:59:28.920
<v Speaker 1>my Heart Radio Visit the iHeartRadio, app, Apple podcasts, or

0:59:28.960 --> 0:59:30.720
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