1
00:00:00,720 --> 00:00:04,080
Speaker 1: I am all in again.

2
00:00:09,880 --> 00:00:10,440
Speaker 2: Let's just you.

3
00:00:17,280 --> 00:00:22,320
Speaker 1: I am all in again with Scott Patterson and iHeartRadio Podcast.

4
00:00:22,440 --> 00:00:24,880
Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one

5
00:00:24,880 --> 00:00:29,120
Speaker 1: of them productions. iHeartMedia Radio. I Heart Podcast. Season four,

6
00:00:29,160 --> 00:00:34,280
Speaker 1: Episode fifteen, Scenes in a Mall. Air date February twenty fourth,

7
00:00:34,960 --> 00:00:38,080
Speaker 1: two thousand and four. And by the way, we are

8
00:00:38,159 --> 00:00:44,080
Speaker 1: recording today from beautiful Malibu, California. And I am joined

9
00:00:44,120 --> 00:00:51,040
Speaker 1: by my my podcast chief in my podcast Chief. She's

10
00:00:51,040 --> 00:00:55,160
Speaker 1: not my chief, she's my What are you? What are you, Susanne?

11
00:00:55,760 --> 00:00:56,200
Speaker 3: I don't know?

12
00:00:56,440 --> 00:00:57,840
Speaker 2: Sidekick? What am I?

13
00:00:58,080 --> 00:01:01,440
Speaker 1: It's a good now you're bigger than i'd kick. But

14
00:01:01,520 --> 00:01:05,320
Speaker 1: Susanna Franz is joining me for the second executive week.

15
00:01:05,319 --> 00:01:08,720
Speaker 1: I'm liking this. I'm getting used to this. You wanna

16
00:01:08,760 --> 00:01:10,680
Speaker 1: go ahead and read this synopsis?

17
00:01:11,160 --> 00:01:15,280
Speaker 3: I would love to so again, Season four, Episode fifteen,

18
00:01:15,400 --> 00:01:18,440
Speaker 3: Seen in a mall. Rory and Laurel I play hooky

19
00:01:18,440 --> 00:01:20,960
Speaker 3: at a mall and run into Emily, which turns into

20
00:01:20,959 --> 00:01:23,479
Speaker 3: emotional release for what she's been dealing with at home

21
00:01:23,560 --> 00:01:27,080
Speaker 3: with Richard. Meanwhile, Lane finds her own apartment.

22
00:01:28,120 --> 00:01:33,680
Speaker 1: Directed by Chris Long, written by Dan Palladino, Luke checks

23
00:01:33,720 --> 00:01:36,399
Speaker 1: in on Laura, I ask she's doing okay while using

24
00:01:36,440 --> 00:01:40,720
Speaker 1: his Internet, then gives he gives her a thirty thousand

25
00:01:40,720 --> 00:01:45,760
Speaker 1: dollar check and she writes out her terms on a

26
00:01:45,880 --> 00:01:50,080
Speaker 1: napkin and also her thank you, which I thought was

27
00:01:51,000 --> 00:01:52,880
Speaker 1: kind of cute little writing banter.

28
00:01:53,560 --> 00:01:56,560
Speaker 2: Yes, writing and sliding Mount Luke's.

29
00:01:56,360 --> 00:01:58,320
Speaker 1: Kirk walks in with a big pink bag with a

30
00:01:58,400 --> 00:02:01,920
Speaker 1: dog inside. He's dog sitting Lulu while she's out on

31
00:02:02,040 --> 00:02:06,440
Speaker 1: a girl's trip, and then later Kirk dog sits for

32
00:02:06,760 --> 00:02:10,280
Speaker 1: many town dogs but ends up with an extra puppy

33
00:02:10,280 --> 00:02:14,960
Speaker 1: in a searching for the owner with flyers small town

34
00:02:15,040 --> 00:02:19,400
Speaker 1: fair ladies and gentlemen. Small town Fair. Luke Sy's dean

35
00:02:19,720 --> 00:02:21,679
Speaker 1: at the arcade and he goes in to get his

36
00:02:21,880 --> 00:02:25,080
Speaker 1: change and seems like he by the way she's in.

37
00:02:25,400 --> 00:02:29,000
Speaker 1: Why is Luke? Oh, he needs singles for the business, right, Yes,

38
00:02:29,480 --> 00:02:32,840
Speaker 1: you always say you right? Of course I went. He

39
00:02:32,880 --> 00:02:37,000
Speaker 1: seems to be running away from his house and Lindsey

40
00:02:37,160 --> 00:02:39,880
Speaker 1: and all the the in laws are there all the time,

41
00:02:40,040 --> 00:02:43,320
Speaker 1: and he can't seem to get any I don't know,

42
00:02:43,440 --> 00:02:46,280
Speaker 1: maybe privacy is the word. Then he spots Rory out

43
00:02:46,320 --> 00:02:50,840
Speaker 1: the window and and it gets lost in thought a

44
00:02:50,840 --> 00:02:56,639
Speaker 1: little bit there, all right, Luke gives Lorli the money

45
00:02:56,680 --> 00:03:00,440
Speaker 1: thirty grand thirty big simoleons as we all know who

46
00:03:00,440 --> 00:03:02,560
Speaker 1: would The writers are giving us hands and slow build

47
00:03:02,560 --> 00:03:07,400
Speaker 1: of what's to come. Of course, Yeah, between Dean and Rory,

48
00:03:07,960 --> 00:03:11,160
Speaker 1: Laureli and Luke, here we are again in tandem. We're

49
00:03:11,240 --> 00:03:15,680
Speaker 1: building this thing. And yeah, they don't let people crash

50
00:03:15,760 --> 00:03:19,200
Speaker 1: or build a solo. They like to do it in pairs.

51
00:03:20,120 --> 00:03:22,640
Speaker 1: So this is a pair skating competition. And Emily and

52
00:03:22,680 --> 00:03:27,800
Speaker 1: Richard do you like the slow build? You know?

53
00:03:28,400 --> 00:03:31,440
Speaker 3: I do, actually like I know. I mean, this has

54
00:03:31,560 --> 00:03:33,760
Speaker 3: been a really slow build. Right, we're in the middle

55
00:03:33,760 --> 00:03:37,560
Speaker 3: of season four, but I love like the middle of

56
00:03:37,600 --> 00:03:40,480
Speaker 3: season four through the middle of season five are my

57
00:03:40,640 --> 00:03:46,400
Speaker 3: favorite string of episodes. It's I love that it's building

58
00:03:47,160 --> 00:03:51,040
Speaker 3: towards Luke and Laurel a getting together obviously, and we

59
00:03:51,120 --> 00:03:55,880
Speaker 3: don't know, you know, the Dean and Rory situation is,

60
00:03:56,440 --> 00:03:58,920
Speaker 3: we don't know where that's gonna go. Dean's married, what's

61
00:03:58,960 --> 00:04:01,480
Speaker 3: going to happen? And then we have Emily and Richard

62
00:04:01,520 --> 00:04:03,880
Speaker 3: who've been in a relationship for years and years, and

63
00:04:03,920 --> 00:04:06,520
Speaker 3: we see like there in that stage. So it's It's

64
00:04:06,600 --> 00:04:10,520
Speaker 3: interesting to me how they used these three relationships to

65
00:04:10,680 --> 00:04:14,480
Speaker 3: show like the progression overall of a relationship, like just

66
00:04:14,520 --> 00:04:18,839
Speaker 3: starting out having been together and then you know, years

67
00:04:18,880 --> 00:04:22,080
Speaker 3: down the road having you know, been together. So I

68
00:04:22,160 --> 00:04:24,520
Speaker 3: kind of got away from the context of the question.

69
00:04:25,160 --> 00:04:28,200
Speaker 3: But but yes, I do like the slow build. I

70
00:04:28,279 --> 00:04:30,719
Speaker 3: like the drama. We know where it's going, but we

71
00:04:30,760 --> 00:04:34,360
Speaker 3: don't know exactly where it's going, So I do. I

72
00:04:34,440 --> 00:04:36,839
Speaker 3: do enjoy that aspect of it. I think this is

73
00:04:36,880 --> 00:04:37,840
Speaker 3: a great episode.

74
00:04:38,320 --> 00:04:43,560
Speaker 1: Does it seem to you that it's another way of

75
00:04:44,200 --> 00:04:49,400
Speaker 1: showing the contrast between Lindsay and Rory, particularly with the

76
00:04:49,440 --> 00:04:52,000
Speaker 1: line when Gene says, is her mother's over all the

77
00:04:52,040 --> 00:04:55,520
Speaker 1: time teaching her how to cook? Yeah, so she can

78
00:04:55,600 --> 00:04:57,960
Speaker 1: serve me better. You know, this kind of thing, which

79
00:04:58,000 --> 00:05:00,120
Speaker 1: is not a bad thing, right, I mean, what's wrong

80
00:05:00,200 --> 00:05:02,719
Speaker 1: with that? But it's just not Rory, is it. It's

81
00:05:02,720 --> 00:05:05,120
Speaker 1: not how Rory grew up, it's not what she saw.

82
00:05:05,440 --> 00:05:08,560
Speaker 1: It's a completely different world, and he seems not to

83
00:05:08,600 --> 00:05:11,640
Speaker 1: be terribly happy inside that world at the moment.

84
00:05:13,120 --> 00:05:18,119
Speaker 3: I think it was partially speaking to the freakishly tight

85
00:05:18,200 --> 00:05:24,039
Speaker 3: connection between Lindsay and her mother, which also exists between

86
00:05:24,120 --> 00:05:26,880
Speaker 3: Rory and her mother, So it was kind of an

87
00:05:26,880 --> 00:05:30,520
Speaker 3: interesting parallel, but you really saw how Dean feels like

88
00:05:30,600 --> 00:05:36,120
Speaker 3: he's being squeezed out, Like it really was like Lindsay

89
00:05:36,160 --> 00:05:40,200
Speaker 3: and her mom are playing house and Dean isn't really

90
00:05:40,240 --> 00:05:42,240
Speaker 3: a part of it. Like he says that they like

91
00:05:42,320 --> 00:05:44,440
Speaker 3: him to leave after dinner so they can clean up.

92
00:05:45,520 --> 00:05:49,600
Speaker 3: You know, yeah, that's definitely not you know, Rory's upbringing

93
00:05:49,760 --> 00:05:53,800
Speaker 3: was not that picture of domesticity, like let's clean together.

94
00:05:54,520 --> 00:05:55,480
Speaker 2: But it was an.

95
00:05:55,320 --> 00:05:59,240
Speaker 3: Interesting I think it's an interesting comparison because it again

96
00:05:59,320 --> 00:06:01,279
Speaker 3: goes back to the mother daughter thing, which of course

97
00:06:01,360 --> 00:06:06,240
Speaker 3: is you know, underlines the whole thing. But yeah, I

98
00:06:06,600 --> 00:06:12,000
Speaker 3: think I think Dean really is just uh, he's I

99
00:06:12,000 --> 00:06:13,440
Speaker 3: can't think of the right word. He's kind of a

100
00:06:13,480 --> 00:06:16,720
Speaker 3: prop almost in this storyline.

101
00:06:18,360 --> 00:06:22,560
Speaker 1: Desirous of making more of a connection with Rory, don't

102
00:06:22,600 --> 00:06:24,839
Speaker 1: you think him, And he's starting to feel the feelings again.

103
00:06:24,960 --> 00:06:27,479
Speaker 3: Oh for sure, like that scene in the arcade where

104
00:06:27,480 --> 00:06:30,080
Speaker 3: he can't even like put a sentence together because he's

105
00:06:30,120 --> 00:06:32,080
Speaker 3: staring at Rory through the window.

106
00:06:33,120 --> 00:06:33,279
Speaker 1: You know.

107
00:06:33,400 --> 00:06:35,960
Speaker 3: Again, going back to the slow build, we see something's

108
00:06:36,000 --> 00:06:41,239
Speaker 3: gonna happen, and they're kind of flirty. So the viewers like, okay,

109
00:06:41,240 --> 00:06:42,120
Speaker 3: where's this going to go?

110
00:06:42,760 --> 00:06:46,679
Speaker 1: Right? All right? Well, you know, the Luca Lorelie stuff

111
00:06:46,800 --> 00:06:50,039
Speaker 1: is chugging down the track on schedule, seems a little

112
00:06:50,120 --> 00:06:52,120
Speaker 1: seems to be a little late for a lot of fans, like,

113
00:06:52,240 --> 00:06:54,800
Speaker 1: hurry up, now, let's getting in the station, let's get

114
00:06:54,839 --> 00:06:59,080
Speaker 1: going here. Yeah, but you know it's interesting. You know,

115
00:06:59,160 --> 00:07:01,840
Speaker 1: there's always and you loan money, never a borrow or

116
00:07:01,880 --> 00:07:04,479
Speaker 1: a underbe. But when you loan money, things you complicated

117
00:07:04,520 --> 00:07:09,600
Speaker 1: with friendships and relationships. Wow, and this this, this could

118
00:07:09,640 --> 00:07:12,440
Speaker 1: be a fly in the ointment here. So we'll I

119
00:07:12,480 --> 00:07:14,160
Speaker 1: guess we'll have to wait and see what happens here.

120
00:07:14,160 --> 00:07:19,200
Speaker 1: I mean, everybody already knows. You know, he's pretty good

121
00:07:19,240 --> 00:07:22,080
Speaker 1: about this kind of thing, right. He doesn't want any terms,

122
00:07:22,120 --> 00:07:24,720
Speaker 1: he doesn't want any legal documents or paperwork. It's just

123
00:07:24,840 --> 00:07:26,000
Speaker 1: like I just want to forget it.

124
00:07:26,400 --> 00:07:28,360
Speaker 2: Yeah, exactly like here, I don't want to talk about it.

125
00:07:28,520 --> 00:07:28,880
Speaker 2: Just take it.

126
00:07:29,240 --> 00:07:31,160
Speaker 1: Just take it and if you pay me back, great,

127
00:07:31,200 --> 00:07:34,720
Speaker 1: If not, who cares. And you know, I trust you

128
00:07:34,920 --> 00:07:38,480
Speaker 1: and your family's really rich. I'll get it from Richard, right,

129
00:07:39,640 --> 00:07:41,560
Speaker 1: that's coming to me. But it's coming on it.

130
00:07:42,720 --> 00:07:46,600
Speaker 3: Yeah, I mean, I think so in the last episode

131
00:07:46,720 --> 00:07:48,800
Speaker 3: where they had the scene in the park and she

132
00:07:49,000 --> 00:07:51,480
Speaker 3: has her like she calls it the meltdown of the park,

133
00:07:52,920 --> 00:07:55,640
Speaker 3: Like we really see how Luke is there for her.

134
00:07:55,760 --> 00:07:58,560
Speaker 3: And I think the thirty thousand dollars, like he doesn't

135
00:07:58,560 --> 00:08:00,440
Speaker 3: even think about it, He doesn't even think about the

136
00:08:00,520 --> 00:08:03,840
Speaker 3: part about like I shouldn't be giving this much money

137
00:08:03,880 --> 00:08:06,600
Speaker 3: to somebody. He just sees like she needs his help

138
00:08:07,240 --> 00:08:09,920
Speaker 3: and he's going to be there for her, and so,

139
00:08:10,560 --> 00:08:12,840
Speaker 3: I don't know, I just it was just a touching scene.

140
00:08:12,880 --> 00:08:16,200
Speaker 3: I thought, like the whole the writing and sliding when

141
00:08:16,520 --> 00:08:18,040
Speaker 3: she's like I can't accept this, He's.

142
00:08:17,920 --> 00:08:19,400
Speaker 2: Like, just take it, just take it. And then he

143
00:08:19,640 --> 00:08:21,560
Speaker 2: you know, she says thank you. He's like you're welcome. Like,

144
00:08:21,600 --> 00:08:22,280
Speaker 2: I just loved that.

145
00:08:22,360 --> 00:08:25,200
Speaker 1: I thought it was so cute, Right, big chunk thirty

146
00:08:25,320 --> 00:08:29,400
Speaker 1: k running a diner, owning a business, and it's a

147
00:08:29,480 --> 00:08:33,240
Speaker 1: big chunk. Boy. That's that's a large sum of money

148
00:08:33,320 --> 00:08:34,360
Speaker 1: to a guy like that, you know.

149
00:08:35,000 --> 00:08:38,280
Speaker 3: Yeah, well, I mean, like Suki pointed out, he's practically

150
00:08:38,320 --> 00:08:41,880
Speaker 3: a hermit. He doesn't spend his money on you know,

151
00:08:42,040 --> 00:08:45,000
Speaker 3: a lot. I mean, obviously running a diner, he's not

152
00:08:45,360 --> 00:08:49,040
Speaker 3: like rolling in the dough. But he doesn't spend a

153
00:08:49,080 --> 00:08:52,439
Speaker 3: lot of money, and obviously it was, you know, not

154
00:08:53,080 --> 00:08:56,360
Speaker 3: so significant to him that he had a second thought

155
00:08:56,360 --> 00:08:58,240
Speaker 3: about giving it to her, Like he just gave it

156
00:08:58,320 --> 00:08:59,280
Speaker 3: to her very readily.

157
00:08:59,480 --> 00:09:04,240
Speaker 1: So let's yeah, that's so he is, all right, Rory, Laura, Emily.

158
00:09:04,480 --> 00:09:07,320
Speaker 1: Rory is sick. Laura ends up going to Friday night

159
00:09:07,400 --> 00:09:09,520
Speaker 1: dinner alone. Emily is on the phone trying to get

160
00:09:10,080 --> 00:09:14,839
Speaker 1: restaurant reservations because dinner was ruined, and she bickers with

161
00:09:15,559 --> 00:09:19,440
Speaker 1: Richard since Rory and Laurala have been busy. Well, let's

162
00:09:19,440 --> 00:09:21,640
Speaker 1: get into that a little bit. She hates the mustache.

163
00:09:22,360 --> 00:09:26,000
Speaker 1: She is, you know, the the mustache is emblematic to

164
00:09:26,160 --> 00:09:30,400
Speaker 1: her of this new life, this younger sort of energy

165
00:09:30,559 --> 00:09:33,040
Speaker 1: that he has. He's out there, he's hanging with Moby.

166
00:09:34,120 --> 00:09:38,480
Speaker 1: He's uh, he's he's with Jason and there, you know,

167
00:09:38,840 --> 00:09:42,360
Speaker 1: who the heck knows what they're doing. When she's when

168
00:09:42,400 --> 00:09:45,120
Speaker 1: she's at home, and she's a she's a little footutzed, right,

169
00:09:45,200 --> 00:09:48,120
Speaker 1: she's a little yeah, as they say, she's she's not.

170
00:09:48,400 --> 00:09:50,800
Speaker 1: She's not a happy camper right now. But we'll come

171
00:09:50,920 --> 00:10:03,400
Speaker 1: we'll circle back to that Rory and Laurel. I have

172
00:10:03,480 --> 00:10:06,840
Speaker 1: been busy and only emailing Laura. I suggested that they

173
00:10:06,920 --> 00:10:10,079
Speaker 1: play hooky and go to the mall the next day

174
00:10:10,080 --> 00:10:13,040
Speaker 1: and spend it together. Did you get a little frustrated

175
00:10:13,120 --> 00:10:16,920
Speaker 1: watching these two get bored with shopping? Window shopping?

176
00:10:17,600 --> 00:10:20,880
Speaker 3: You know, I have to say, I really miss malls

177
00:10:21,200 --> 00:10:24,439
Speaker 3: like I I don't know, growing up in the seventies

178
00:10:24,480 --> 00:10:26,679
Speaker 3: and eighties, like the mall was where I spent a

179
00:10:26,760 --> 00:10:32,120
Speaker 3: significant portion of time, And you know, I don't know,

180
00:10:32,360 --> 00:10:34,520
Speaker 3: I kind of could see their point. They're used to

181
00:10:34,679 --> 00:10:36,559
Speaker 3: just going and shopping and buying what they want, and

182
00:10:36,600 --> 00:10:39,480
Speaker 3: when you can't buy anything and you're just looking at

183
00:10:39,520 --> 00:10:41,040
Speaker 3: it and you're kind of jealous of all the people

184
00:10:41,080 --> 00:10:43,360
Speaker 3: that are walking around with their shopping bags, I could

185
00:10:43,440 --> 00:10:45,640
Speaker 3: kind of relate to that. You know.

186
00:10:45,920 --> 00:10:48,240
Speaker 1: I grew up in the next town over from the

187
00:10:48,400 --> 00:10:52,719
Speaker 1: very first mall ever opened in America, the Cherry Hill Mall,

188
00:10:52,840 --> 00:10:56,000
Speaker 1: Cherry Hill, New Jersey. I grew up in Hadfield. Remember

189
00:10:56,040 --> 00:10:58,599
Speaker 1: when the Cherry Hill Mall grew up opened up? I

190
00:10:58,640 --> 00:11:03,959
Speaker 1: think what was sixties, sometimes seventies, early seventies, whatever, it

191
00:11:04,040 --> 00:11:05,720
Speaker 1: was a big deal. Everybody went to the Cherry Hill

192
00:11:05,840 --> 00:11:10,920
Speaker 1: Hall yeah, and that was the beginning. But anyway, Yeah,

193
00:11:10,960 --> 00:11:14,000
Speaker 1: so they were obviously in the Beverly Center. It looked

194
00:11:14,040 --> 00:11:16,200
Speaker 1: like the Beverly Center to me. It might have been

195
00:11:16,240 --> 00:11:19,320
Speaker 1: another place, but it looked like the Beverly Center in LA.

196
00:11:20,040 --> 00:11:23,400
Speaker 1: But they, you know, they decide that they want to

197
00:11:23,480 --> 00:11:26,240
Speaker 1: do something else, but they're broke, they have no money,

198
00:11:27,160 --> 00:11:29,800
Speaker 1: and then they try to hide on the escalator down

199
00:11:30,000 --> 00:11:34,280
Speaker 1: from Emily who's on the escalator going out, and it

200
00:11:34,440 --> 00:11:38,559
Speaker 1: was funny. And so you know, she her, Emily, being

201
00:11:38,600 --> 00:11:42,720
Speaker 1: her usual delicate self, forces them to meet her upstairs

202
00:11:42,760 --> 00:11:46,000
Speaker 1: and they go shopping and she buys everything in sight,

203
00:11:46,120 --> 00:11:52,920
Speaker 1: which was a terrific scene. Yes, clearly that was oh right,

204
00:11:53,200 --> 00:11:56,480
Speaker 1: clearly that was Macy's. And so she's ordering Richard Brioni

205
00:11:56,559 --> 00:11:59,960
Speaker 1: suits six at a time, and jewelry for the matches,

206
00:12:00,400 --> 00:12:05,920
Speaker 1: a man wearing a mustache, just and she's just losing

207
00:12:05,960 --> 00:12:09,280
Speaker 1: her mind. Yeah, and very nice scenes, I thought between

208
00:12:09,320 --> 00:12:12,520
Speaker 1: the three of them. Now, Laurel I being the caretaker

209
00:12:12,559 --> 00:12:15,559
Speaker 1: a little bit, getting her mom beat junk food and like,

210
00:12:16,120 --> 00:12:19,160
Speaker 1: you know, sit down with us and you know, eat

211
00:12:19,320 --> 00:12:21,560
Speaker 1: like us and be like us in the food court,

212
00:12:21,679 --> 00:12:24,960
Speaker 1: with this, with this, with with this, kind of food

213
00:12:25,160 --> 00:12:29,720
Speaker 1: with plastic forks and plastic chairs. Yeah, and but real

214
00:12:29,880 --> 00:12:32,800
Speaker 1: people we are with real love. You know, you have

215
00:12:32,920 --> 00:12:35,000
Speaker 1: all the finest things in life, but your love might

216
00:12:35,040 --> 00:12:39,040
Speaker 1: be turning into plastic right yeah, powerful stuff, funny stuff,

217
00:12:39,760 --> 00:12:41,719
Speaker 1: very poignant. What do you think of all that?

218
00:12:42,960 --> 00:12:43,920
Speaker 3: I thought it was.

219
00:12:44,080 --> 00:12:44,880
Speaker 2: I thought it was good.

220
00:12:45,040 --> 00:12:50,680
Speaker 3: Like Emily sees Richard as kind of being re energized

221
00:12:50,840 --> 00:12:53,439
Speaker 3: by this new thing he's got going with Jason, and

222
00:12:53,600 --> 00:12:57,280
Speaker 3: you know, he's going out to these these hip you know,

223
00:12:57,440 --> 00:13:01,960
Speaker 3: dinner spots in the city and and she's meanwhile, nothing

224
00:13:02,000 --> 00:13:05,600
Speaker 3: has changed for her, like she's still living her same life,

225
00:13:06,080 --> 00:13:08,280
Speaker 3: and she feels a little bit left behind. And so

226
00:13:08,559 --> 00:13:11,360
Speaker 3: for me, the whole part at the mall or at

227
00:13:11,400 --> 00:13:15,319
Speaker 3: the store where she's you know, you know, give me

228
00:13:15,400 --> 00:13:17,720
Speaker 3: four of those, no, six, No, make it a dozen,

229
00:13:17,960 --> 00:13:23,120
Speaker 3: like she's to her, that is how she is making

230
00:13:23,200 --> 00:13:26,839
Speaker 3: herself feel important. Like she's got all these people that

231
00:13:26,960 --> 00:13:30,120
Speaker 3: are hanging on her every word and running and scurrying

232
00:13:30,240 --> 00:13:35,080
Speaker 3: to get what she's demanding. And to her, in my opinion,

233
00:13:35,240 --> 00:13:38,960
Speaker 3: to her, she finally feels heard, like these people are

234
00:13:39,120 --> 00:13:41,079
Speaker 3: listening to what she says and acting on it.

235
00:13:41,160 --> 00:13:42,280
Speaker 2: Whereas Richard.

236
00:13:44,000 --> 00:13:46,280
Speaker 3: Is kind of just ignoring her and kind of putting

237
00:13:46,320 --> 00:13:49,959
Speaker 3: her aside because he's doing all these things with Jason,

238
00:13:50,160 --> 00:13:53,599
Speaker 3: and you know the scene at the end with the

239
00:13:53,679 --> 00:13:55,840
Speaker 3: apples on the table and he's like, oh, I've always

240
00:13:55,880 --> 00:13:58,800
Speaker 3: loved those, Like that was like the look on her

241
00:13:58,840 --> 00:14:03,160
Speaker 3: face just kind of epitomized all of that, because obviously

242
00:14:03,240 --> 00:14:06,960
Speaker 3: he doesn't he doesn't realize that the apples haven't been

243
00:14:07,000 --> 00:14:10,520
Speaker 3: there all along, they're brand new, but everything's just kind

244
00:14:10,559 --> 00:14:13,439
Speaker 3: of fading into the background for him, including Emily, and

245
00:14:13,520 --> 00:14:16,000
Speaker 3: she's kind of fighting out, fighting against that.

246
00:14:16,320 --> 00:14:19,120
Speaker 2: So I liked that that aspect of it. And then

247
00:14:19,160 --> 00:14:20,120
Speaker 2: also the in the.

248
00:14:21,600 --> 00:14:24,560
Speaker 3: The scene in the food court where she does finally

249
00:14:25,040 --> 00:14:30,640
Speaker 3: gives a positive acknowledgment of Laurel's life because she's usually

250
00:14:30,800 --> 00:14:33,840
Speaker 3: so negative about everything that Laura I does, and it

251
00:14:33,960 --> 00:14:36,760
Speaker 3: was it was a nice moment, you know, where she

252
00:14:36,960 --> 00:14:41,680
Speaker 3: acknowledges that, you know, Larela I is, she's independent, she's

253
00:14:41,720 --> 00:14:44,360
Speaker 3: running her own life. She's having you know, these conversations

254
00:14:44,880 --> 00:14:47,800
Speaker 3: with people about you know, the artwork for the advertisement,

255
00:14:47,920 --> 00:14:51,680
Speaker 3: and she's just impressed with what Loralai has turned into,

256
00:14:51,760 --> 00:14:54,840
Speaker 3: which we don't get very often from Emily.

257
00:14:55,040 --> 00:14:57,160
Speaker 2: So I thought that was a great moment too.

258
00:14:57,320 --> 00:15:00,720
Speaker 1: So it was a good n being in about her

259
00:15:00,800 --> 00:15:04,480
Speaker 1: mom saying yeah, I get to see her daily, you know, yeah, exactly, big, big,

260
00:15:04,680 --> 00:15:06,920
Speaker 1: it hit, it hit, It really landed on Emily.

261
00:15:07,480 --> 00:15:08,440
Speaker 2: Yeah all right.

262
00:15:08,560 --> 00:15:11,360
Speaker 1: So Rory meets up with Laureli the next day at

263
00:15:11,400 --> 00:15:14,320
Speaker 1: the end, sees Dean. They catch up, little flirt, do

264
00:15:14,400 --> 00:15:18,760
Speaker 1: a little hammering, not that kind, not that kind, easy now,

265
00:15:19,320 --> 00:15:21,160
Speaker 1: And so Lindsay shows up with her mom for lunch.

266
00:15:21,200 --> 00:15:23,440
Speaker 1: I thought that was a you know, I don't know that,

267
00:15:23,960 --> 00:15:27,360
Speaker 1: you know, if I you think there was a reaction

268
00:15:27,560 --> 00:15:30,920
Speaker 1: needed there, something like this girl again, what are you

269
00:15:31,000 --> 00:15:34,920
Speaker 1: doing with this girl again? She seems to be you know, Lindsey.

270
00:15:35,240 --> 00:15:38,040
Speaker 1: Lindsay just didn't seem to react to what she saw

271
00:15:38,280 --> 00:15:42,320
Speaker 1: right in front of her face, these two together again, right, Yeah,

272
00:15:42,680 --> 00:15:44,600
Speaker 1: so any thoughts, I.

273
00:15:44,680 --> 00:15:47,000
Speaker 2: Think Lindsey is just naive.

274
00:15:47,480 --> 00:15:52,280
Speaker 3: It was something about when Lindsay's mom made the comment about,

275
00:15:53,480 --> 00:15:55,160
Speaker 3: you know, she didn't teach Lindsay to cook when she

276
00:15:55,240 --> 00:15:57,080
Speaker 3: was young, and don't make the same mistake with your

277
00:15:57,160 --> 00:16:00,200
Speaker 3: little one, And there was like a moment between Dean

278
00:16:00,280 --> 00:16:02,600
Speaker 3: and Rory where she was like, you know what and

279
00:16:02,720 --> 00:16:04,320
Speaker 3: he kind of shakes his head, you know, because they

280
00:16:04,360 --> 00:16:06,680
Speaker 3: were implying that Lindsay was pregnant. He's like, no, no, no,

281
00:16:08,440 --> 00:16:10,960
Speaker 3: So yeah, it goes back to what we were talking

282
00:16:10,960 --> 00:16:14,920
Speaker 3: about earlier, where it's setting us up for something. We

283
00:16:15,040 --> 00:16:18,760
Speaker 3: know something is gonna happen between those three, we don't

284
00:16:18,800 --> 00:16:20,600
Speaker 3: know where it's going yet, so it's just kind of

285
00:16:20,680 --> 00:16:23,400
Speaker 3: adding to the to the mystery of wait, where is

286
00:16:23,440 --> 00:16:24,040
Speaker 3: this gonna go?

287
00:16:24,120 --> 00:16:26,000
Speaker 2: Because we know where Luke and Laurel I are going,

288
00:16:26,120 --> 00:16:29,680
Speaker 2: we don't know where Dean and Rory are going.

289
00:16:29,840 --> 00:16:34,680
Speaker 1: Right right, Yeah, it seems like Emily and Richard maybe

290
00:16:34,800 --> 00:16:39,520
Speaker 1: they're gonna break up. Maybe Dean and Lindsey will break up,

291
00:16:39,640 --> 00:16:44,600
Speaker 1: but Laura Lai and Luke probably cannot break up. They're

292
00:16:44,640 --> 00:16:47,560
Speaker 1: not together yet, but it looks like they're going to

293
00:16:48,160 --> 00:16:52,600
Speaker 1: most likely get together. Yes, And Emily goes off. She

294
00:16:53,160 --> 00:16:57,760
Speaker 1: just rants. She's got a good Emily rant, you know,

295
00:16:58,240 --> 00:17:01,520
Speaker 1: she goes off on her husband a lot everything else

296
00:17:01,600 --> 00:17:04,640
Speaker 1: going on in our life. She's had it. So she's

297
00:17:04,840 --> 00:17:07,920
Speaker 1: she's gonna take a dent out of his bank account.

298
00:17:08,640 --> 00:17:10,800
Speaker 1: I mean she must have spent boy, I tell you,

299
00:17:11,240 --> 00:17:15,040
Speaker 1: that's feeling like twenty five thirty thirty thousand dollars so far,

300
00:17:15,119 --> 00:17:22,440
Speaker 1: forty thousand bucks in there, easily just going crazy. Anyway,

301
00:17:23,040 --> 00:17:26,480
Speaker 1: Emily sit home with Richard and the conversation's cold, and

302
00:17:27,359 --> 00:17:29,400
Speaker 1: he has to go to Manhattan overnight, and he didn't

303
00:17:29,480 --> 00:17:31,520
Speaker 1: notice the new apples on the table. We discussed that,

304
00:17:32,640 --> 00:17:37,920
Speaker 1: all right. So Emily is sometimes a character, you know,

305
00:17:38,680 --> 00:17:44,120
Speaker 1: it's hard to feel empathy for her at times at times, right, yes,

306
00:17:44,320 --> 00:17:46,080
Speaker 1: I mean you have to admit that. But when she's

307
00:17:46,119 --> 00:17:49,760
Speaker 1: finding comfort with Laurel and Roy's food cart, you can

308
00:17:49,840 --> 00:17:53,080
Speaker 1: see it in Lorelei's face. You know, even though through

309
00:17:53,119 --> 00:17:54,960
Speaker 1: all the years and all the struggles and the bitterness,

310
00:17:55,640 --> 00:17:58,360
Speaker 1: Laurela is still empathetic toward her mother in certain moments.

311
00:17:59,080 --> 00:18:02,359
Speaker 1: What are your thoughts is about those two sort of

312
00:18:03,440 --> 00:18:06,120
Speaker 1: you know, opposite scenes, you know, lashing out the law

313
00:18:06,119 --> 00:18:07,560
Speaker 1: and then feeling sorry for herself.

314
00:18:08,359 --> 00:18:08,560
Speaker 2: Yeah.

315
00:18:08,680 --> 00:18:11,840
Speaker 3: Well, so, first of all, I have to say hats

316
00:18:11,920 --> 00:18:15,920
Speaker 3: off to Kelly Bishop because she was brilliant in this episode.

317
00:18:16,720 --> 00:18:19,520
Speaker 3: The whole gamut of all the emotions that Emily went

318
00:18:19,680 --> 00:18:23,520
Speaker 3: through in this episode, and it just was portrayed brilliantly.

319
00:18:23,640 --> 00:18:26,840
Speaker 2: So hats off to Kelly for that. But I mean,

320
00:18:26,960 --> 00:18:28,119
Speaker 2: I I agree.

321
00:18:28,320 --> 00:18:32,960
Speaker 3: I do not like Emily as a person generally speaking.

322
00:18:33,119 --> 00:18:35,560
Speaker 3: I think she's mean and nasty and just not a

323
00:18:35,680 --> 00:18:40,680
Speaker 3: nice person. But it was this episode was touching, like

324
00:18:40,800 --> 00:18:43,119
Speaker 3: you could really you really did feel bad for her,

325
00:18:43,320 --> 00:18:47,040
Speaker 3: how she's she feels like she's being ignored and she's

326
00:18:47,119 --> 00:18:50,800
Speaker 3: being kind of relegated to you know, second Banana in

327
00:18:50,960 --> 00:18:55,040
Speaker 3: Richard's life after Jason and his new business venture. But

328
00:18:55,160 --> 00:18:57,840
Speaker 3: then you will, you know, you do feel sorry for her.

329
00:18:58,520 --> 00:19:03,560
Speaker 3: Even though her outbru was so embarrassing and so huge,

330
00:19:04,160 --> 00:19:07,639
Speaker 3: you also understood like where it was coming from in

331
00:19:07,840 --> 00:19:11,560
Speaker 3: her own head, like it just was kind of her

332
00:19:11,600 --> 00:19:14,240
Speaker 3: treatment by Richard just sort of boiled over and she

333
00:19:14,400 --> 00:19:16,159
Speaker 3: just couldn't take it anymore, and this is how it

334
00:19:16,320 --> 00:19:20,720
Speaker 3: manifested itself. So I thought it was a great portrayal

335
00:19:20,880 --> 00:19:23,800
Speaker 3: in that storyline. You know, Like I said, I don't

336
00:19:23,880 --> 00:19:27,280
Speaker 3: generally have much sympathy or empathy for Emily, but in

337
00:19:27,359 --> 00:19:30,040
Speaker 3: this episode, you really do, like you know what it

338
00:19:30,119 --> 00:19:33,600
Speaker 3: feels like to be kind of ignored and made to

339
00:19:33,600 --> 00:19:35,080
Speaker 3: feel like you're less important.

340
00:19:35,240 --> 00:19:37,119
Speaker 2: So I appreciated that.

341
00:19:38,640 --> 00:19:41,400
Speaker 1: Mile had she been nicer in her life, maybe she'd

342
00:19:41,440 --> 00:19:42,040
Speaker 1: have more friends.

343
00:19:42,480 --> 00:19:44,280
Speaker 2: Yes, I completely agree.

344
00:19:54,000 --> 00:20:01,879
Speaker 1: Lettane finds her own apartment. Now a perfect example of

345
00:20:02,000 --> 00:20:07,800
Speaker 1: how the Palatinos make these very large moments smallish but

346
00:20:08,160 --> 00:20:12,600
Speaker 1: still very juicy and impactful, the parting of mother and daughter,

347
00:20:13,000 --> 00:20:16,800
Speaker 1: and both played it beautifully. Lane calls Rory tells her

348
00:20:16,920 --> 00:20:20,359
Speaker 1: she found an apartment, and we'll circle back round to

349
00:20:20,760 --> 00:20:23,720
Speaker 1: that big moment between Lane and missus Kimmer, and she's

350
00:20:23,760 --> 00:20:26,879
Speaker 1: going to share it with Brian and Zach. What do

351
00:20:27,000 --> 00:20:30,040
Speaker 1: we think about this? Do we do? We are? We?

352
00:20:30,320 --> 00:20:34,119
Speaker 1: Are you excited for this? This new beginning for Lane

353
00:20:34,200 --> 00:20:37,440
Speaker 1: and her new roommates, who who seem to be the

354
00:20:37,600 --> 00:20:43,000
Speaker 1: most misbegotten pair I have seen on television in a

355
00:20:43,119 --> 00:20:47,560
Speaker 1: long time. Zach and Brian, what are your thoughts on this?

356
00:20:48,240 --> 00:20:51,639
Speaker 2: You know, I loved this. I love Lane.

357
00:20:52,400 --> 00:20:57,399
Speaker 3: And Lane had a problem, which is she has nowhere

358
00:20:57,440 --> 00:21:00,639
Speaker 3: to live, like she can't live on Rory's floor or forever,

359
00:21:01,040 --> 00:21:03,159
Speaker 3: and the you know, the roommates kind of kicked her

360
00:21:03,200 --> 00:21:04,640
Speaker 3: out in the last episode.

361
00:21:05,280 --> 00:21:08,280
Speaker 2: So she has a problem and she solves it, and

362
00:21:09,080 --> 00:21:12,200
Speaker 2: I was completely in favor of that. I was proud

363
00:21:12,240 --> 00:21:12,479
Speaker 2: of her.

364
00:21:13,400 --> 00:21:13,560
Speaker 1: You know.

365
00:21:13,760 --> 00:21:15,200
Speaker 2: Brian and Zach, Yeah, they're.

366
00:21:15,040 --> 00:21:18,920
Speaker 3: Goofballs, but you know they are all what you know,

367
00:21:19,119 --> 00:21:22,080
Speaker 3: eighteen years old at this point, Like you do crazy

368
00:21:22,119 --> 00:21:23,960
Speaker 3: things when you're eighteen because you can afford to.

369
00:21:24,240 --> 00:21:26,240
Speaker 2: So I thought it was great.

370
00:21:26,320 --> 00:21:29,320
Speaker 3: I loved that, you know, she did that. She had

371
00:21:29,760 --> 00:21:32,280
Speaker 3: no other options really, like she wasn't going to go

372
00:21:32,320 --> 00:21:37,440
Speaker 3: back to her mom's house. So she had a problem

373
00:21:37,480 --> 00:21:38,920
Speaker 3: and she solved it. I thought it was great that

374
00:21:39,080 --> 00:21:40,120
Speaker 3: she was moving in with them.

375
00:21:40,720 --> 00:21:43,040
Speaker 1: She goes to missus Kim's and her aunt june Is

376
00:21:43,240 --> 00:21:48,359
Speaker 1: and cousin Christina are helping her move out. While Christina's

377
00:21:48,400 --> 00:21:52,919
Speaker 1: babbling way too much. I thought a very funny yeah performance,

378
00:21:52,960 --> 00:21:56,840
Speaker 1: supporting performance by that actress said whose name escapes me?

379
00:21:57,119 --> 00:21:58,840
Speaker 1: Maybe Jackie, you can help me with who that is.

380
00:21:58,880 --> 00:22:01,800
Speaker 1: I want to give her credit. She did a marvelous

381
00:22:01,920 --> 00:22:05,840
Speaker 1: job handling all that dialogue at that clip. Very funny stuff,

382
00:22:06,240 --> 00:22:09,159
Speaker 1: very very funny stuff. Everyone's moving in and and you

383
00:22:09,240 --> 00:22:12,959
Speaker 1: know the cultural references we're flying see this is they

384
00:22:13,080 --> 00:22:15,240
Speaker 1: love these scenes with Lane because it's all these music

385
00:22:15,320 --> 00:22:18,720
Speaker 1: references from the past, led Zeppelin, the Beatles, your Name

386
00:22:18,800 --> 00:22:25,840
Speaker 1: and Everybody, Stairway to Heaven, led Zeppelin four, all kinds

387
00:22:25,840 --> 00:22:29,200
Speaker 1: of things getting thrown around there that you know, today's

388
00:22:29,280 --> 00:22:32,160
Speaker 1: kids are discovering, by the way, from from what I understand,

389
00:22:32,320 --> 00:22:35,719
Speaker 1: they're listening to this music rock and roll. Okay, her

390
00:22:35,800 --> 00:22:38,520
Speaker 1: name was Tessa Ludwick. She did a fantastic job. Tessa

391
00:22:38,600 --> 00:22:42,159
Speaker 1: Ludwick played Christina. Thank you, Jackie c Susanne. We have

392
00:22:42,240 --> 00:22:43,399
Speaker 1: our own crack staff.

393
00:22:43,160 --> 00:22:48,600
Speaker 2: Over here, the crackstaff behind the cracks.

394
00:22:49,480 --> 00:22:55,639
Speaker 1: That's right. So yeah, so that that was where we

395
00:22:56,040 --> 00:23:00,480
Speaker 1: caught that moment with Lane and missus Campman. It's a

396
00:23:00,520 --> 00:23:06,600
Speaker 1: bittersweet moment for both and big and it's always likes

397
00:23:06,800 --> 00:23:10,240
Speaker 1: Miss Kim always turns away first, doesn't she? She always

398
00:23:10,280 --> 00:23:15,000
Speaker 1: turns away. Complicated mother doughter relationship. Yeah, and now we're

399
00:23:15,119 --> 00:23:18,800
Speaker 1: back at Zany Zach and Zany Bryan's place. Everyone's moving

400
00:23:18,840 --> 00:23:23,159
Speaker 1: in and arguing about shelf space, and Lane is freaking

401
00:23:23,240 --> 00:23:28,280
Speaker 1: out about kitchen and towels. There's no refrigerator, but then

402
00:23:28,359 --> 00:23:33,640
Speaker 1: the guys give her her own shelf and she feels hopeful.

403
00:23:33,720 --> 00:23:34,639
Speaker 1: What do you think about this?

404
00:23:35,560 --> 00:23:38,040
Speaker 3: Yeah, well, it's like you just said about like making

405
00:23:38,119 --> 00:23:43,720
Speaker 3: the small moments big, Like she sees that total inconsequential

406
00:23:43,800 --> 00:23:48,199
Speaker 3: thing like the shelf as like, Okay, this is probably

407
00:23:48,280 --> 00:23:49,080
Speaker 3: gonna work out.

408
00:23:49,000 --> 00:23:52,280
Speaker 2: Like this, this is the best decision for me right now, right.

409
00:23:52,600 --> 00:23:55,720
Speaker 3: So yeah, I again, I thought the whole storyline was great.

410
00:23:55,800 --> 00:23:59,400
Speaker 3: I think Lane realized. I think in Lane's mind, she's

411
00:23:59,480 --> 00:24:03,240
Speaker 3: like past the point of no return, Like she can't

412
00:24:04,480 --> 00:24:07,159
Speaker 3: like she and her mother have crossed a threshold in

413
00:24:07,240 --> 00:24:09,639
Speaker 3: their relationship and they're not going to be able to

414
00:24:09,720 --> 00:24:12,119
Speaker 3: go back to the way it was. So she's just

415
00:24:12,280 --> 00:24:13,440
Speaker 3: going forward.

416
00:24:14,640 --> 00:24:15,480
Speaker 2: Is how I see it.

417
00:24:15,680 --> 00:24:19,439
Speaker 3: So yeah, I love Lane. She's one of my favorite

418
00:24:19,520 --> 00:24:23,119
Speaker 3: characters in the show. So I'm glad to see her

419
00:24:23,280 --> 00:24:26,760
Speaker 3: kind of stretching those muscles and getting out from under

420
00:24:26,800 --> 00:24:29,320
Speaker 3: her mother's you know, protective wings.

421
00:24:29,920 --> 00:24:36,040
Speaker 1: And here we see another perfect example of restraint and writing. Well,

422
00:24:36,080 --> 00:24:38,320
Speaker 1: you think Lene has so much to say, and you

423
00:24:38,400 --> 00:24:41,760
Speaker 1: know she does, but she just resists the urge to

424
00:24:41,920 --> 00:24:46,760
Speaker 1: really deliver some kind of speech to her mother before leaving.

425
00:24:46,960 --> 00:24:51,080
Speaker 1: She just leaves, yes, And there's so much she wants

426
00:24:51,119 --> 00:24:52,840
Speaker 1: to say. You can see it in her expression, you

427
00:24:52,880 --> 00:24:56,720
Speaker 1: can see it in her eyes welling up with tears,

428
00:24:56,920 --> 00:25:00,200
Speaker 1: and both of them and the same goes misc. She

429
00:25:00,280 --> 00:25:04,680
Speaker 1: wanted to say maybe a thing or two. Yeah, but

430
00:25:04,760 --> 00:25:06,840
Speaker 1: I think the things that they want to say to

431
00:25:06,920 --> 00:25:11,479
Speaker 1: each other are just too difficult for either of them

432
00:25:11,520 --> 00:25:15,120
Speaker 1: to shoulder so at this time. So yeah, and that's

433
00:25:15,119 --> 00:25:18,240
Speaker 1: beautiful writing in it. Yeah, just traut with tension, just

434
00:25:18,400 --> 00:25:23,280
Speaker 1: fraught with tension and what goes un said, right, one

435
00:25:23,320 --> 00:25:26,560
Speaker 1: of my favorite moments in that show. Closing thoughts.

436
00:25:26,880 --> 00:25:30,560
Speaker 3: I think it's a great episode overall. It moves everybody's

437
00:25:30,640 --> 00:25:34,080
Speaker 3: storyline along. You know, some episodes kind of don't. They're

438
00:25:34,160 --> 00:25:36,840
Speaker 3: just sort of filler, they don't really advance things. This

439
00:25:37,000 --> 00:25:42,240
Speaker 3: advanced everyone's storyline. All of the storylines echoed. The mother

440
00:25:42,400 --> 00:25:46,240
Speaker 3: daughter relationship, which I enjoyed, and then we also have

441
00:25:46,359 --> 00:25:49,359
Speaker 3: the male female relationships. I just I don't know, there's

442
00:25:49,520 --> 00:25:52,480
Speaker 3: just so many layers to this onion that you can

443
00:25:52,560 --> 00:25:55,520
Speaker 3: peel a part in this episode. So I don't know,

444
00:25:55,760 --> 00:25:57,080
Speaker 3: great episode, really enjoyed it.

445
00:25:58,320 --> 00:26:01,879
Speaker 1: Luke seemed to be a different guy. He wasn't as edgy,

446
00:26:02,920 --> 00:26:05,520
Speaker 1: was he. Do you think they're softening him a little bit,

447
00:26:05,640 --> 00:26:08,680
Speaker 1: preparing him to be in a relationship with Lorali because

448
00:26:08,760 --> 00:26:11,440
Speaker 1: maybe they thought that those two couldn't exist with with

449
00:26:12,480 --> 00:26:14,320
Speaker 1: the edge that he was bringing to bear.

450
00:26:15,400 --> 00:26:20,200
Speaker 3: Yeah, maybe, I mean, he definitely he definitely seems to

451
00:26:21,680 --> 00:26:28,560
Speaker 3: be thinking about Loreli more as a possibility than something untouchable,

452
00:26:28,720 --> 00:26:31,080
Speaker 3: and so I think maybe that is kind of changing

453
00:26:31,160 --> 00:26:32,440
Speaker 3: his psyche a little bit.

454
00:26:32,560 --> 00:26:33,800
Speaker 1: Self regulating behavior.

455
00:26:33,920 --> 00:26:37,000
Speaker 2: Yeah, yeah, yeah, that's a good point. I agree with that.

456
00:26:37,240 --> 00:26:40,560
Speaker 1: Interesting. Interesting. Anyway, that's going to wrap it up here.

457
00:26:41,320 --> 00:26:42,520
Speaker 1: Thank you, Suzanne French.

458
00:26:43,160 --> 00:26:43,960
Speaker 2: Thank you for having me.

459
00:26:44,240 --> 00:26:48,200
Speaker 1: Always a pleasure. Let's keep it going. Best fans on

460
00:26:48,280 --> 00:26:50,720
Speaker 1: the planet. Keep those cards and letters coming. We read

461
00:26:50,840 --> 00:26:53,800
Speaker 1: every single one of them. We appreciate him. The positive

462
00:26:53,880 --> 00:26:57,119
Speaker 1: or negative really helps us out, so we so appreciate it.

463
00:26:57,560 --> 00:27:02,280
Speaker 1: And go on my link tray you look my upcoming conventions.

464
00:27:02,320 --> 00:27:05,119
Speaker 1: I'm going to be all over the place this summer,

465
00:27:05,400 --> 00:27:08,440
Speaker 1: fall and winter, so catch up on the link tree

466
00:27:09,240 --> 00:27:12,480
Speaker 1: and also go on my socials. Anyway, remember where you lead,

467
00:27:13,080 --> 00:27:16,320
Speaker 1: we will follow. And where I show up at conventions,

468
00:27:16,359 --> 00:27:21,639
Speaker 1: I hope that you follow me there because it's always

469
00:27:21,640 --> 00:27:24,840
Speaker 1: a party. We always have such a good time. Anyway, Suzanne,

470
00:27:24,840 --> 00:27:57,800
Speaker 1: thanks again, Thanks everybody, and stay safe, Hey, everybody's forget

471
00:27:57,880 --> 00:28:01,879
Speaker 1: Follow us on Instagram at I Am all In podcast

472
00:28:02,040 --> 00:28:06,440
Speaker 1: and email us at Gilmore at iHeartRadio dot com.