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Speaker 1: Gang. Forgive me for the way I'm dressed. I know

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Speaker 1: we're recording to Zach. You look spiffy, Joel. You look wonderful. Daniel,

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Speaker 1: you are a lifesaver and you look great. You look healthy.

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Speaker 1: You look like you're having a lot of fun in

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Speaker 1: New York. With your blurred background.

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Speaker 2: We're doing okay.

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Speaker 1: I have been in my animation studio for three days.

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Speaker 1: The wife has not seen me. I've been I haven't showered. Really.

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Speaker 1: I had my buddy elder Son come from He's worked

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Speaker 1: in many studios before, and he's come to the crib

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Speaker 1: and he's officially hung lights for me. My animation. We

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Speaker 1: finished at We were supposed to record it one point thirty.

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Speaker 1: We finished at one twenty nine, and I gathered everything

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Speaker 1: and ran up at been this motherfucker and I I

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Speaker 1: was late. But hey, I'm gonna tell you something right now.

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Speaker 1: You ain't never gonna see like. Look, I've learned so

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Speaker 1: much in the past three days about lighting, which is

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Speaker 1: something Zach, I know you know a little bit about

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Speaker 1: I don't know if you know anything about it, Dan

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Speaker 1: l I don't know if you know anything about it, Joelle,

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Speaker 1: but it means so much to.

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Speaker 3: You.

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Speaker 1: Know, creating something and or it just looks flat and

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Speaker 1: depth of field and all of that stuff. All of

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Speaker 1: these things fall into play, and it's been an awesome experience.

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Speaker 1: And thank you for letting me share that. I can

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Speaker 1: see how excited you. We're glad that my wife said

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Speaker 1: that shit too. She was like, I can see how

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Speaker 1: excited you are. I walked by and you sounded like

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Speaker 1: a little fucking geek.

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Speaker 2: Well, not everyone has a passion that they love as

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Speaker 2: much as you love stop motion animation. So I think

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Speaker 2: we're all very happy for you. Thank you very much,

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Speaker 2: even if it makes you fifteen minutes late with no idea.

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Speaker 1: I deserve it. I deserve it.

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Speaker 2: The audience is lucky that we're not going to give

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Speaker 2: them the full Sarah Chalk experience. We're going to cut

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Speaker 2: out the fifteen minutes you just needed to help set

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Speaker 2: stop recording.

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Speaker 1: Thank you. Tell me about it. What have you been doing.

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Speaker 2: I've been directing the TV show Shrinking, and it's really

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Speaker 2: fun and great. I really loved it. The episodes are

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Speaker 2: so I directed episodes three and four this year and

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Speaker 2: I'm done. I'm gonna start editing next week. And I

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Speaker 2: had so much fun.

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Speaker 1: Tony Harrison's board anecdotes or anything.

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Speaker 2: I'll tell you his story. You'll laugh at that. I

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Speaker 2: he's he really likes me, and he's very nice to me,

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Speaker 2: and we get along. This time, I bonded with him

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Speaker 2: more and he it's I still get giddy when he

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Speaker 2: says my name, which is just funny because just Zach went.

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Speaker 2: But when he calls across the set and he has

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Speaker 2: a question.

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Speaker 1: He's like Zach.

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Speaker 2: I'm like, oh my god, he says my name. But

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Speaker 2: I'll tell you a funny story. I was wearing these

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Speaker 2: really loud Gucci shoes sneakers that I had bought in

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Speaker 2: Vegas after I lost in Blackjack. I was with Bill

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Speaker 2: and I got crushed in Blackjack, and I was like,

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Speaker 2: feeling like such a loser. I was like, I'm gonna

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Speaker 2: go buy stupid expensive sneakers. And I went and bought

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Speaker 2: these very loud Gucci sneakers because I do I don't

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Speaker 2: really dress I don't dress flashy at all. I wear

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Speaker 2: just pretty much the same three things every day. But

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Speaker 2: I do like loud, fucking weird sneakers anyway. So I'm

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Speaker 2: wearing these on set and Harrison goes, what's the story

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Speaker 2: with these sneakers, and I go, I was actually in

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Speaker 2: Vegas with Bill and he won like all this money

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Speaker 2: in blackjack and I got crushed and I was like

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Speaker 2: bummed out. So I went and bought these at the

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Speaker 2: Gucci store and he goes and those cheered you up.

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Speaker 4: He's real Harrison.

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Speaker 2: Yeah, Harrison didn't understand. I'm sure Harrison understands retail therapy.

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Speaker 2: He just didn't understand why those particularly loud Gucci sneakers

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Speaker 2: were retail therapy.

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Speaker 1: Yeah, but you're getting to know the real Harrison for it.

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Speaker 1: Everybody knows. Everybody else who doesn't have the privilege of

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Speaker 1: getting to hang out with him frequently knows the freaking persona.

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Speaker 1: You know what I mean, You're seeing vulnerability and all

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Speaker 1: that stuff. That's I envy that. I envy that about.

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Speaker 1: I envy that because you got that with Morgan, you

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Speaker 1: got that with Harrison. Yeah, you know what I mean?

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Speaker 1: You you Michael Michael Caine, Yeah, fucking you know the list, like.

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Speaker 2: Work with some legends. I gotta say, Harrison's just so cool,

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Speaker 2: and he's so good on the show. The scripts are

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Speaker 2: so good this year, and he's just incredible and and

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Speaker 2: what's cool about an actor like that is, you know,

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Speaker 2: first time through, they're basically like where do you want

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Speaker 2: me to stand? Pretty much this time it was more like,

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Speaker 2: felt way more collaborative, like what do you think should

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Speaker 2: it be more of this or this? And that's just

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Speaker 2: that's when it gets really cool.

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Speaker 1: I love it. That's so cool, bro, Yeah, that's so

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Speaker 1: fucking cool. I mean, we can't talk about some of

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Speaker 1: the stories that you told me off camera, I mean

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Speaker 1: off but just some of the things you've said, just

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Speaker 1: you know, I've already gone to friends and been like

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Speaker 1: and then Zach said he said this, and fucking when

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Speaker 1: Zach told me that, oh my god, my heart melted,

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Speaker 1: like just it's just so fucking awesome, and I go, yeah,

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Speaker 1: I'm really happy for you, but also fuck your sound machines. Zach.

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Speaker 1: I wanted you to come.

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Speaker 2: I wanted you to come visit, but that just never

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Speaker 2: seemed to work out.

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Speaker 1: No, I don't think I could handle myself.

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Speaker 2: Yeah, I don't know that you'd behave either. The other

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Speaker 2: thing is I want to just say to the words,

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Speaker 2: have a movie coming out. I think when this airs,

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Speaker 2: it'll be out. It's a movie. It's gonna be I

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Speaker 2: think it's in like fifty theaters in the US, but

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Speaker 2: in a lot more in Canada. It's a movie I

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Speaker 2: made with Vanessa Hudgens called French Girl. And but anyway,

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Speaker 2: you most likely will be able to get it on

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Speaker 2: demand wherever you buy a rent movies like iTunes or

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Speaker 2: Amazon or whatever. And it's really cute. It's like to

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Speaker 2: Meet the Parents kind of romantic comedy where I'm going

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Speaker 2: to propose to my girlfriend. I'm absolutely in love with her,

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Speaker 2: and she's French Canadian and she gets a job offer

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Speaker 2: in her home city of Quebec City, and I think, oh,

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Speaker 2: that's where I'll propose in front of her whole family.

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Speaker 2: I'll make it so dramatic and romantic, and we go

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Speaker 2: up there. And while I'm up there meeting her French,

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Speaker 2: beautiful French family that live on a farm and they're

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Speaker 2: lovely people, I'm a little bit of a fish out

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Speaker 2: of water. I don't speak any French. And while I'm there,

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Speaker 2: I learned that the woman who's offering her this chef position,

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Speaker 2: played by Vanessa Hudgens, used to be her lover and

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Speaker 2: she wants to get my girlfriend back. And so it

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Speaker 2: becomes like Vanessa and I competing over this amazing, beautiful

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Speaker 2: French woman.

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Speaker 1: Why y'all gotta compete?

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Speaker 2: Hilarity ensues, Yeah, why y'all gotta compete? Well, I don't

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Speaker 2: think either one of us wants to share the amazing woman.

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Speaker 1: I'm not a sharer either. I'm not gonna lie.

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Speaker 2: And anyway, it's really cute, it's really funny. It's kind

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Speaker 2: of meet the parents' tone because everything I try and

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Speaker 2: do goes wrong, and I think you'll like it.

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Speaker 1: Chela is a door, very fun. Yeah, I can't wait

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Speaker 1: to see it.

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Speaker 2: I get to you a lot of physical comedy, which

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Speaker 2: I haven't done since Scrubs, and that's fun.

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Speaker 1: So now you shot this a while ago, too, right.

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Speaker 2: Yes, shot it a while ago, yes, but it's finally

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Speaker 2: coming out. It's good. Vanessa is really hot and funny

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Speaker 2: in it, as always, as always, she's great and Nedda

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Speaker 2: tic tic boom. Yes, what do you think is speaking

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Speaker 2: of Vanessa? And only because she was hosting the Red Carpet.

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Speaker 2: The oscars were really great this year, weren't they They

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Speaker 2: were great?

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Speaker 4: Oscars were fine.

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Speaker 1: Well, I'm gonna say something really quick.

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Speaker 2: Oh boy, this sounds controversial.

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Speaker 1: It's not controversial, Okay, two lights out moments and the Oscars,

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Speaker 1: I think there were. It was lights out seeing it

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Speaker 1: coming out with the freaking thing, lights out, hilarious. You

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Speaker 1: can't sit here and tell me you didn't laughing, funny,

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Speaker 1: very funny. And then gossling coming out there and doing

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Speaker 1: kin I don't can fuck with anybody, says, lights out,

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Speaker 1: both of them.

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Speaker 2: Not that hilarious. You crushed that. But also there were

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Speaker 2: other moments. Billy Eilish's performance I thought was I was credible.

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Speaker 1: Just right, But I wasn't laughing like I was laughing

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Speaker 1: watching those two things. I you know, I expect to

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Speaker 1: see great, dramatic and heartfelt performances like the you know,

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Speaker 1: the there was a standing ovation for the for the Memoriam,

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Speaker 1: you know what I mean. You know what I mean.

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Speaker 1: I expect to see grand you know, dramatic. It's the Oscars.

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Speaker 1: It's rare that you laugh your ass off like that. Yeah,

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Speaker 1: where you were you giggling so hard at what's going on?

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Speaker 2: I'm just telling you a goose pumpy moment for me,

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Speaker 2: I agree, those were hilarious moments. But when Billy and

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Speaker 2: Phineas were singing and then and it was just very simple, right,

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Speaker 2: and then they had yet to reveal that there was

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Speaker 2: an orchestra back there. And then so they were spinning

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Speaker 2: on this little simple turntable, and then the stage opened

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Speaker 2: up to reveal Ricky Minor and the orchestra, and I

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Speaker 2: got goosebumps all over my whole body. It was so good.

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Speaker 1: First of all, shout out Ricky Minor.

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Speaker 2: Yeah, Ricky Miner's got a monopoly on those award shows.

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Speaker 1: I love him.

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Speaker 4: Is for people.

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Speaker 2: Not oh, he's a famous conductor and producer, but he

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Speaker 2: seems to always have the Whenever there's a big award

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Speaker 2: show and a big ass orchestra, he's usually the one

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Speaker 2: conducting the orchestra.

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Speaker 1: Not only that, he's just an incredible person when he

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Speaker 1: seems me he is always so nice and loving. And

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Speaker 1: I just I really shout out Ricky Minor.

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Speaker 2: I just don't really want he Minor listens to the podcast,

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Speaker 2: but maybe now someone will know.

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Speaker 1: He's his favorite podcast. I've already he told me it was.

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Speaker 2: Yeah, there were a lot of good I love the

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Speaker 2: sort of style of having the actors come out and

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Speaker 2: say something nice about each of the nominees. That was

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Speaker 2: so elegant, beautiful, so lovely and moving, super moving, and

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Speaker 2: also just like a great opportunity for every nominee to

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Speaker 2: be honored by another person who's receiving award, but also

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Speaker 2: for the winner to then be congratulated and kind of

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Speaker 2: like welcomed into that club.

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Speaker 5: Just being like congratulations. It was beautiful. I really loved it.

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Speaker 1: And for the losers to wish that they were welcomed.

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Speaker 2: I like what Daniel said, You're still honored in a way.

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Speaker 2: Divine Joy Randolph is that her name?

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Speaker 4: That's correct?

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Speaker 2: When she started crying because what Lupina and Young said,

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Speaker 2: Oh my gosh, that was one of the most moving

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Speaker 2: moments of the night. I thought.

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Speaker 3: When she was already classmates at Yale, I think divines

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Speaker 3: one year under Lapida and so yeah, when they were

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Speaker 3: able to especially when they were able to have these

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Speaker 3: emotional ties and relationships to one another like amazone, Yeah yeah,

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Speaker 3: but in the way that they were able to give

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Speaker 3: it to a friend so a Frank could give it

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Speaker 3: to her, like, it just made everything much more emotional

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Speaker 3: and sweep.

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Speaker 1: Yes, Emma is Emma.

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Speaker 2: I gotta say, Emma. If there's one person, a young

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Speaker 2: person who deserves two oscars already, it's Emma Stone. She

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Speaker 2: is so fucking good. She's really good and Donald. I

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Speaker 2: know you'll never see that movie, but you're missing them.

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Speaker 2: One of the most amazing performances ever. I wish I

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Speaker 2: could tell you there was lightsabers in it, so you'd

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Speaker 2: at least peek at it.

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Speaker 1: Is there music.

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Speaker 3: There's beautiful music, strange, bizarre, awesome music and gorgeous set design.

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Speaker 2: Will be Wan.

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Speaker 1: Isn't it for some reason like Alice in Wonderland.

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Speaker 2: No, it's sort of a Frankenstein story. It's basically about

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Speaker 2: about how a guy, Willem Dafoe, creates a young woman.

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Speaker 1: It's kind of like, now I want to see this movie.

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Speaker 2: It's kind of like my movie.

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Speaker 1: We always joke about weird science.

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Speaker 2: It's like a modern day artful weird science.

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Speaker 1: I am now interested. I would like to see this movie.

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Speaker 2: And it's on Hulu. You can watch it. Yeah, it's

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Speaker 2: really good. I highly recommend it. And just the design,

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Speaker 2: I mean it won all the design awards as it should.

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Speaker 2: The costumes, these make up, these sets. You're gonna think like, wow,

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Speaker 2: is this all cgi? I can't believe someone would have

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Speaker 2: built all of this. It's all built on stage in Hungary.

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Speaker 2: I believe.

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Speaker 4: Rgo Lamos is just a guy.

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Speaker 2: Interesting I saw, but I got so into it that

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Speaker 2: I watched her behind the scenes, which I'm sure anyone

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Speaker 2: listening can track down on YouTube. And it was just

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Speaker 2: about how they built these sets which were enormous and

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Speaker 2: like Emma Stone's interviewed and she says, you could get

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Speaker 2: lost in these cities and they're all on stage, like

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Speaker 2: enormous stages. Really cool.

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Speaker 1: That reminds me of how much how big Star Wars sets.

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Speaker 1: Oh god, it used to be before the CG and

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Speaker 1: the volume and all of that.

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Speaker 4: Stuff, the whole city for and or.

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Speaker 1: Yeah, but that's it is huge. That was an exception.

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Speaker 2: Yeah.

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Speaker 4: So as you say, bring it back, it's going back

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Speaker 4: around and coming back.

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Speaker 2: Are you excited about that?

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Speaker 4: I am very excited.

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Speaker 1: I like all of it. I'm gonna be honest with you.

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Speaker 1: I still love it. Even though it's on, even though

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Speaker 1: it's on a television screen behind the actors, I still

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Speaker 1: love it. It's still it's still Star Wars to me.

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Speaker 2: Has anyone seen done too?

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Speaker 4: Yes?

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Speaker 1: No, And I really want to see it, but I'm

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Speaker 1: waiting for it to because I have a thing about

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Speaker 1: going to theaters. Now. Man, it just doesn't.

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Speaker 2: I mean, I, yeah, I see Doune too in a theater.

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Speaker 2: I'm gonna go see in the theater.

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Speaker 3: Theater, Donald, it's not that expensive. What's you're done several times?

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Speaker 2: What's your fear?

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Speaker 1: My fear about movie theaters. It's not my fear. I

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Speaker 1: don't have a fear about it. It's just COVID set

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Speaker 1: off something completely different in me when it comes to

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Speaker 1: that ship.

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Speaker 2: And I still master movie theater.

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Speaker 1: I don't like I want to be comfortable too, though.

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Speaker 2: I'm gonna go see it. I'm gonna go see it

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Speaker 2: in some giant imax either, you.

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Speaker 1: Know what I mean. And I'm gonna be honest with you.

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Speaker 1: Back in the day, I would try and get seats

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Speaker 1: that were separated from people anyway, And now you can't

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Speaker 1: do that regardless, you know what I mean. Like, if

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Speaker 1: I want to sit two rows over, I mean a

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Speaker 1: seat over at the if there's three seats or four

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Speaker 1: seats and I want to sit in the middle of

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Speaker 1: those four seats, I can't do that shit. And you

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Speaker 1: used to be able to do stuff like that.

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Speaker 2: Well, go if you go to a day screening, I

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Speaker 2: think a week day, but.

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Speaker 1: Dune, this is gonna be like one of the number one.

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Speaker 1: It's got to be one of the number one.

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Speaker 2: No, but I'm sure that if that's your biggest concern,

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Speaker 2: I'm sure you could find a weekday, early morning screening

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Speaker 2: where you don't have to sit on top of people.

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Speaker 1: I'm animating, man, didn't you hear how we started this shit?

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Speaker 1: I just want to wait until it comes out and

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Speaker 1: I can watch it on my big screen at home

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Speaker 1: with the sound machine and pop some popcorn and enjoy

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Speaker 1: it that way. I mean, you see where I'm sitting.

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Speaker 2: Okay, I go off off, I get it.

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Speaker 4: Dad my dances every time every just like my dad.

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Speaker 4: He's like, no, wait till it comes. I got a

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Speaker 4: big screen downstairs. I don't need the movie theater.

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Speaker 1: I don't need it anymore. I don't need it dates

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Speaker 1: happening in this house.

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Speaker 2: What's sad though? It is like what's sad though? Is

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Speaker 2: like I hear you, and a lot of people listening

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Speaker 2: agree with you. I just it's just so sad, like

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Speaker 2: we were all everyone in the movie industry is like

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Speaker 2: clutching on, like, well, at least we have these big

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Speaker 2: ten polls where people will still go to the theater

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Speaker 2: and now people are being like, nah, my TV is

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Speaker 2: big enough, fuck it, and we're watching the death of

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Speaker 2: the movie theater in real time. It's a it's a

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Speaker 2: tough thing, but anyway, it is what it is, and

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Speaker 2: at least there's lots of good entertainment. And it'll just

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Speaker 2: shift to to your home TV and will always have

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Speaker 2: the ballet.

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Speaker 1: I'll always have the balet. Everything was beautiful.

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Speaker 2: I want to play the audience a song. It's one

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Speaker 2: of the most beautiful things has it ever heard. I

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Speaker 2: sent this to you guys in your d MS, and

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Speaker 2: it's just it's just it's become a very important song

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Speaker 2: to me in my life, and I wanted to share

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Speaker 2: with you guys. Okay, hold on, I got to cue

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Speaker 2: it up everyone this. I want to give a shout

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Speaker 2: out to the Instagram account there. I ruined it spelled

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Speaker 2: t h e r E. I ruined it. Okay, this

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Speaker 2: is Donald. This goes out to you.

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Speaker 1: I like big butts.

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Speaker 6: I cannot lie you other brothers.

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Speaker 2: Canton night.

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Speaker 1: When a girl walks in with an any pity, waste.

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Speaker 5: And a round thing in your face, you get strong

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Speaker 5: because you notice that but wor stuff.

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Speaker 1: You pull up to.

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Speaker 2: Deep in the gen.

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Speaker 1: She's wear rich.

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Speaker 2: Ju all that jump inside that trunk. Hey, Hey, I'm

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Speaker 2: a gad cat. Can't you try? Can you trunk up? There?

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Speaker 2: You go? It goes on and on. But that's uh,

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Speaker 2: I think that's that's what's an important thing for us

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Speaker 2: all to hear.

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Speaker 4: I'm glad you played it. I feel culturally enriched.

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Speaker 2: Amen. All right, let's get in a season nine dollar

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Speaker 2: counter sent.

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Speaker 1: I don't want to.

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Speaker 2: I gotta do it. You gotta we gotta do it.

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Speaker 2: Do it, do it, do it?

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Speaker 1: You honor me?

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Speaker 2: Do it?

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Speaker 1: My six seven stories that show we made about a

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Speaker 1: bunch of times and nurses in Canada, he said, he's

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Speaker 1: the stories netlik knowe here yea.

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Speaker 2: All right, Welcome to season nine. Everyone, I'm sure has

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Speaker 2: a lot to say.

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Speaker 1: Please leave them in Joel's inbox. She's been waiting.

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Speaker 2: Yeah.

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Speaker 4: iHeart at gmail dot.

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Speaker 2: Com, RBS, iHeart at gmail dot com. I want to

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Speaker 2: hear what you have to say about season nine.

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Speaker 1: Go ahead, Donald, I want to start with Daniel and

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Speaker 1: Joel first, okay, and what they thought, because I feel

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Speaker 1: like I'm I I need to. I don't want to.

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Speaker 1: I don't want to start.

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Speaker 2: I would rather I can start I mean, but go ahead, Joelle,

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Speaker 2: what do you have to say broad strokes? Joel, you

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Speaker 2: don't have to keep I got, well it's a long podcast.

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Speaker 2: You can you don't have to keep it brief.

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Speaker 4: Yeah, okay.

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Speaker 3: I think it was so lovely to see Zach opening up.

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Speaker 3: You're like, wow, this you'll so familiar, how lovely, the

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Speaker 3: eagle grand the shouting from the hospital so cool. And

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Speaker 3: then as soon as they were like, it's a different hospital,

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Speaker 3: I said.

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Speaker 7: Skirt, this is scrubs.

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Speaker 1: Where are we?

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Speaker 4: What's happening?

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Speaker 3: I miss the dirty hospitle new and clean, and it's

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Speaker 3: so big and like lush and green like this.

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Speaker 1: It doesn't feel right.

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Speaker 3: And immediately I heard Bill in the back of my

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Speaker 3: mind being like, it's a different show. It's a different show.

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Speaker 8: Think of it.

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Speaker 3: It's a different show. And I said, okay, if I

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Speaker 3: try to lean into that. I like the Lucy character.

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Speaker 3: She's fun on punch Cole in the face.

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Speaker 4: I don't like him. It's a horrible person.

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Speaker 3: I'm intrigued by des relationship with the guy that Cox

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Speaker 3: eventually calls his number one. Cox says, a straight up teacher, fascinating.

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Speaker 3: There was like a lot of as I was watched

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Speaker 3: its like, there's so much stuff that works. I just

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Speaker 3: don't think it had found his footing in the pilot,

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Speaker 3: which is very common for TV. So if I were

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Speaker 3: watching this fresh, I would be like, I will watch

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Speaker 3: another couple of episodes and see if they find their groove.

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Speaker 3: I like what's being set up. It does not feel

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Speaker 3: like Scrubs, even though I see the Scrubs cast Sarah

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Speaker 3: putting her boobs on your head. I mean, I almost

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Speaker 3: on the floor.

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Speaker 2: They're heavy, I said, they're heavy.

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Speaker 4: That's a weird moment.

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Speaker 2: Well, I'll jump in. I want to say something just

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Speaker 2: to start off season nine, and I really did feel

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Speaker 2: this when I watched it, to say, when we dis

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Speaker 2: season nine, we are never ever meaning to diss any

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Speaker 2: of these wonderful actors, because I think I wanted to

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Speaker 2: just start out by saying one of the things I

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Speaker 2: got right off the bat was, Gosh, these new kids

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Speaker 2: quote unquote are so funny and so talented and so pretty,

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Speaker 2: and they're all really, really talented people. It was a

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Speaker 2: kind of herculean task for them to try and step

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Speaker 2: into the roles of a beloved ensemble that I've been

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Speaker 2: doing it for eight years and it's a big ask,

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Speaker 2: but nonetheless they were put in that position. I think

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Speaker 2: Carrie Boshe is adorable and lovable and funny. But yeah,

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Speaker 2: as a viewer, I'm watching it going why is this

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Speaker 2: so clean? And why what is this environment?

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Speaker 4: Like?

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Speaker 2: It's funny? We know how that that that line from

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Speaker 2: Madam Webb was getting dragged so much they even mentioned

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Speaker 2: it the oscars. What was that sentence? It was like

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Speaker 2: when you were she was my mom, when she was

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Speaker 2: a doctor?

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Speaker 4: Do you know that sense amazon rainforest? Oh gosh, I.

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Speaker 2: Don't have the line, Dan All, they'll find it, But

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Speaker 2: it was like it was like the reason they're making

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Speaker 2: fun of it is because it was like so much exposition,

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Speaker 2: like condensed into one quick moment. And that's why I

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Speaker 2: felt like that JD had one line that was like that.

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Speaker 2: It was like explaining why we're in this weird environment

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Speaker 2: and and and why I everyone now works at a

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Speaker 2: school and like and then and they tore down the

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Speaker 2: hospital and they all work and we all work in

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Speaker 2: a school now. I don't know, it's just weird, right,

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Speaker 2: I have the line?

439
00:21:55,359 --> 00:21:57,359
Speaker 5: What's the line? So it was a joke from John mulaney.

440
00:21:57,400 --> 00:21:58,960
Speaker 5: He said with that sound we wouldn't have been able

441
00:21:58,960 --> 00:22:00,800
Speaker 5: to hear such classical line says you're going to need

442
00:22:00,840 --> 00:22:03,080
Speaker 5: a bigger boat, or I'll have what she's having. And

443
00:22:03,600 --> 00:22:05,440
Speaker 5: he was in the Amazon with my mother when she

444
00:22:05,560 --> 00:22:07,520
Speaker 5: was researching spiders just before she died.

445
00:22:08,000 --> 00:22:11,439
Speaker 2: Yeah, that's like making fun of them for like cramming

446
00:22:11,480 --> 00:22:15,200
Speaker 2: all his exposition into one sentence. But anyway, that's my

447
00:22:15,320 --> 00:22:18,720
Speaker 2: first impression is that, you know, Carrie Bisa and Franco

448
00:22:18,920 --> 00:22:22,000
Speaker 2: and Eliza Koop and all all this gang, they were

449
00:22:22,040 --> 00:22:26,119
Speaker 2: really they're really talented, Mickey Wheeland, They're all really funny

450
00:22:26,160 --> 00:22:29,320
Speaker 2: and talented. It was just a big ask of them.

451
00:22:29,440 --> 00:22:32,280
Speaker 1: Donald, go ahead, Anniel, do you want to go?

452
00:22:33,800 --> 00:22:35,960
Speaker 5: I'll very briefly echo some of the thoughts I'm hearing here,

453
00:22:36,240 --> 00:22:37,960
Speaker 5: like I think the only thing I'll add is that

454
00:22:38,160 --> 00:22:41,400
Speaker 5: seeing a lot of these actors when they're particularly young,

455
00:22:41,560 --> 00:22:43,640
Speaker 5: seeing a very young Dave Franco, when we have seen

456
00:22:43,720 --> 00:22:45,440
Speaker 5: him like grow up so much over the years in

457
00:22:45,560 --> 00:22:47,879
Speaker 5: between this time was definitely like a oh, look at that.

458
00:22:48,520 --> 00:22:52,360
Speaker 5: And seeing you guys again in this kind of out

459
00:22:52,400 --> 00:22:55,760
Speaker 5: of place but still in place. It was almost like

460
00:22:55,840 --> 00:22:58,600
Speaker 5: an uncanny valley where it's like, as Joelle said, it's

461
00:22:58,640 --> 00:23:01,760
Speaker 5: like it is Scrub, but it's also kind of not

462
00:23:02,040 --> 00:23:04,480
Speaker 5: like it is, you guys, and it's so many of

463
00:23:04,560 --> 00:23:08,199
Speaker 5: the main players. It felt so familiar and yet so distant,

464
00:23:08,520 --> 00:23:11,440
Speaker 5: which was I think, you know, as Bill was saying,

465
00:23:11,560 --> 00:23:12,960
Speaker 5: try and think of it as a spin off, think

466
00:23:12,960 --> 00:23:15,159
Speaker 5: of it something new. But there was so much that

467
00:23:15,320 --> 00:23:18,560
Speaker 5: was reminiscent about it that the strangeness made me feel

468
00:23:18,600 --> 00:23:20,840
Speaker 5: even farther away from it than it did make it

469
00:23:20,920 --> 00:23:25,640
Speaker 5: feel familiar. Yeah, and I think, like we said when

470
00:23:25,640 --> 00:23:28,000
Speaker 5: we were talking about doing a spin off or like

471
00:23:28,119 --> 00:23:30,879
Speaker 5: what the spinoff would be many episodes ago, it's like

472
00:23:31,000 --> 00:23:34,680
Speaker 5: it's a big ask to just, all of the sudden,

473
00:23:34,760 --> 00:23:36,760
Speaker 5: introduce a bunch of new people and expect it to

474
00:23:36,840 --> 00:23:39,200
Speaker 5: hit as hard as it did, even with so many

475
00:23:39,240 --> 00:23:42,160
Speaker 5: of these familiar faces, And like you're saying, great actors,

476
00:23:42,359 --> 00:23:44,600
Speaker 5: it was a big ask. It was a big ask

477
00:23:44,680 --> 00:23:47,680
Speaker 5: of the audience. And yeah, I don't know if I

478
00:23:47,680 --> 00:23:48,880
Speaker 5: don't know if it landed properly.

479
00:23:49,480 --> 00:23:52,400
Speaker 1: All right, they did something that never works, all right.

480
00:23:53,320 --> 00:23:57,400
Speaker 1: I echo everything you guys said. It was absolutely everybody

481
00:23:57,520 --> 00:24:00,600
Speaker 1: on this Bad Boy it is talented, everyone is you know,

482
00:24:00,800 --> 00:24:03,560
Speaker 1: you know what I mean. But they did something that

483
00:24:04,160 --> 00:24:07,639
Speaker 1: never works, and every show on television does it. When

484
00:24:07,680 --> 00:24:11,240
Speaker 1: they're trying to survive, they try to fucking Sam that

485
00:24:11,440 --> 00:24:16,840
Speaker 1: shit or cousin Oliver that shit, and it never works.

486
00:24:17,680 --> 00:24:19,840
Speaker 1: And that's what I'm ready.

487
00:24:19,640 --> 00:24:21,720
Speaker 2: To explain, that reference to young people that don't get

488
00:24:21,760 --> 00:24:22,919
Speaker 2: a difference reference.

489
00:24:23,440 --> 00:24:26,760
Speaker 1: So when shows get old and the kids get older,

490
00:24:27,000 --> 00:24:33,760
Speaker 1: and people and networks feel like the audience can't relate

491
00:24:33,880 --> 00:24:37,480
Speaker 1: the audience that we want to watch, the show can't

492
00:24:37,520 --> 00:24:42,760
Speaker 1: relate anymore. Writers are forced to create a new character

493
00:24:42,920 --> 00:24:47,600
Speaker 1: to bring life to the show, and for some it's Sam.

494
00:24:48,000 --> 00:24:52,080
Speaker 1: On different strokes. There was Arnold and Willis and Kimberly

495
00:24:52,160 --> 00:24:54,720
Speaker 1: when they were kids, and that's what the show was

496
00:24:54,760 --> 00:24:58,320
Speaker 1: about them being kids. But when they got older, it

497
00:24:58,440 --> 00:25:01,160
Speaker 1: was like, we can't write the same story, Like Arnold

498
00:25:01,240 --> 00:25:04,960
Speaker 1: can't get kidnapped anymore. He's nineteen years old, you know

499
00:25:05,000 --> 00:25:05,320
Speaker 1: what I mean.

500
00:25:05,520 --> 00:25:06,880
Speaker 2: They bringing a young, cute kid.

501
00:25:07,320 --> 00:25:09,119
Speaker 1: So they bring in a young cute kid and they

502
00:25:09,240 --> 00:25:11,720
Speaker 1: let all of those stories happen to that kid. And

503
00:25:11,880 --> 00:25:15,600
Speaker 1: that's what they tried to do with Scrubs. They felt like,

504
00:25:16,040 --> 00:25:19,359
Speaker 1: for some reason, the audience can't relate to these guys

505
00:25:19,440 --> 00:25:22,960
Speaker 1: going through these stories. Anymore. It was really about when

506
00:25:23,040 --> 00:25:26,280
Speaker 1: they were Scrubs was really new and fresh, when they

507
00:25:26,320 --> 00:25:29,680
Speaker 1: were young and they were energetic, and they were and

508
00:25:29,760 --> 00:25:32,480
Speaker 1: they were and they were and they didn't know all

509
00:25:32,560 --> 00:25:37,160
Speaker 1: the answers. Let's recreate that again. Even better, Let's throw

510
00:25:37,240 --> 00:25:40,959
Speaker 1: them in a school and turn it into a classroom

511
00:25:41,040 --> 00:25:43,560
Speaker 1: setting head of the class, and we'll bring back all

512
00:25:43,600 --> 00:25:47,000
Speaker 1: of our favorites to teach these kids right that shit

513
00:25:47,119 --> 00:25:48,280
Speaker 1: doesn't work. Now.

514
00:25:48,320 --> 00:25:52,480
Speaker 2: Were you and Johnny c the only regulars from the

515
00:25:52,520 --> 00:25:53,840
Speaker 2: original cast or was Sarah?

516
00:25:53,960 --> 00:25:54,040
Speaker 9: Yes?

517
00:25:54,480 --> 00:25:55,199
Speaker 2: I think Sarah and.

518
00:25:55,200 --> 00:25:58,920
Speaker 1: I comes back and does like six episodes. You do

519
00:25:59,040 --> 00:26:04,080
Speaker 1: six episodes when you leave, Sarah comes, there's six episodes

520
00:26:04,119 --> 00:26:07,480
Speaker 1: where it's you and you're still narrating the show, trying

521
00:26:07,520 --> 00:26:10,560
Speaker 1: to keep everybody there right, and then you leave and

522
00:26:10,600 --> 00:26:16,080
Speaker 1: it's all thrown on to Carrie BChE and and I'm

523
00:26:16,080 --> 00:26:19,640
Speaker 1: gonna be honest with you, guys, it's a big ask. Yeah,

524
00:26:19,760 --> 00:26:21,400
Speaker 1: it's not the same show.

525
00:26:21,720 --> 00:26:24,160
Speaker 2: But she's very charming and able.

526
00:26:25,600 --> 00:26:27,880
Speaker 1: I love her fucking jumping over the counter and doing

527
00:26:27,920 --> 00:26:28,359
Speaker 1: that stuff.

528
00:26:28,480 --> 00:26:33,080
Speaker 2: She's I like to think I discovered Carrie Bouche, but

529
00:26:33,160 --> 00:26:35,200
Speaker 2: I but Bill would probably fight me on that because

530
00:26:35,240 --> 00:26:38,280
Speaker 2: I cast her in a pilot that my brother Adam wrote,

531
00:26:39,000 --> 00:26:41,000
Speaker 2: and it probably didn't get picked up, but we shot

532
00:26:41,080 --> 00:26:43,000
Speaker 2: it and we cast her and she was so good

533
00:26:43,040 --> 00:26:45,479
Speaker 2: in it. And I feel like I must have mentioned

534
00:26:45,680 --> 00:26:48,800
Speaker 2: her and showed Bill the pilot. He would probably have

535
00:26:48,880 --> 00:26:52,240
Speaker 2: a different answer for that, but I think that. But anyway,

536
00:26:52,359 --> 00:26:55,560
Speaker 2: I always thought she's so so charming and interesting.

537
00:26:55,960 --> 00:26:56,119
Speaker 8: You know.

538
00:26:56,320 --> 00:26:57,560
Speaker 2: Another thing that came to my mind is do you

539
00:26:57,600 --> 00:27:01,600
Speaker 2: remember him in Groundhog Day when he naturally falls on

540
00:27:01,760 --> 00:27:05,840
Speaker 2: the ground in a romantic way with it's Annie mccarwell, right.

541
00:27:06,160 --> 00:27:09,720
Speaker 1: Yeah, and then when his con is finally working, Yes.

542
00:27:09,840 --> 00:27:12,360
Speaker 2: And then he tries to like recreate it and it's

543
00:27:12,400 --> 00:27:14,560
Speaker 2: so cringe it doesn't happen naturally. Do you remember that?

544
00:27:14,800 --> 00:27:15,000
Speaker 1: Yeah?

545
00:27:15,480 --> 00:27:17,960
Speaker 2: That That's kind of how I felt watching this. I

546
00:27:18,040 --> 00:27:22,520
Speaker 2: felt like we're trying to like cringely recreate like something

547
00:27:22,560 --> 00:27:25,000
Speaker 2: that was working. So you and I doing an eagle

548
00:27:25,160 --> 00:27:28,920
Speaker 2: like and saying eagle twice and screaming from across the

549
00:27:29,000 --> 00:27:31,159
Speaker 2: parking lot, just like we did when when you came

550
00:27:31,240 --> 00:27:34,280
Speaker 2: back from your honeymoon. It just felt like we were

551
00:27:34,359 --> 00:27:37,600
Speaker 2: doing that that Groundhog Day of trying to like recreate

552
00:27:37,720 --> 00:27:38,960
Speaker 2: something that had been magical.

553
00:27:40,480 --> 00:27:42,280
Speaker 1: All right, I might say one last thing and then

554
00:27:42,320 --> 00:27:44,080
Speaker 1: you're going to be mad. You guys are gonna be mad.

555
00:27:44,280 --> 00:27:45,960
Speaker 2: I'm not gonna be mad. We want your honesty.

556
00:27:47,119 --> 00:27:49,840
Speaker 1: The show got better when it was just focused on us. Also,

557
00:27:50,600 --> 00:27:54,159
Speaker 1: like what hundred I didn't give two craps about the

558
00:27:54,280 --> 00:27:55,560
Speaker 1: interns or yeah, no you were.

559
00:27:55,760 --> 00:27:57,160
Speaker 2: But you have to look at it from a non

560
00:27:57,400 --> 00:27:58,400
Speaker 2: biased point of view.

561
00:27:58,440 --> 00:28:00,440
Speaker 1: Do you think you were just was just going into this.

562
00:28:00,760 --> 00:28:02,480
Speaker 1: If I was just coming into this show and I

563
00:28:02,520 --> 00:28:05,960
Speaker 1: had never seen Scrubs before in my life, right, and

564
00:28:06,160 --> 00:28:08,480
Speaker 1: this was the first introduction, I'd be like, oh, wow,

565
00:28:08,520 --> 00:28:10,400
Speaker 1: this is a really cool show. These guys are great.

566
00:28:10,960 --> 00:28:14,960
Speaker 1: But after nine, after eight years, and then going into

567
00:28:15,040 --> 00:28:18,199
Speaker 1: this and then bringing back the same people and then

568
00:28:18,280 --> 00:28:21,359
Speaker 1: saying it's Scrubs with Bill's right, that was the mistake.

569
00:28:21,680 --> 00:28:23,520
Speaker 1: They should have called that ship something else.

570
00:28:23,840 --> 00:28:26,040
Speaker 2: Yeah, med School just maybe we should have been.

571
00:28:26,040 --> 00:28:29,320
Speaker 1: Maybe we shouldn't have been in it. Maybe driving down to.

572
00:28:29,359 --> 00:28:31,960
Speaker 2: Sunset Boulevard today and there was like a billboard for

573
00:28:32,040 --> 00:28:34,040
Speaker 2: the New Law and Order with Tony Goldwyn, and then

574
00:28:34,119 --> 00:28:36,840
Speaker 2: there was a bill a separate billboard for SVU, and

575
00:28:36,920 --> 00:28:40,080
Speaker 2: then there was a separate billboard for another one. Yeah,

576
00:28:40,080 --> 00:28:42,920
Speaker 2: and I was like, uh, there's like so many law

577
00:28:42,960 --> 00:28:44,600
Speaker 2: and orders and like it could have that would have

578
00:28:44,920 --> 00:28:46,440
Speaker 2: that wouldn't have better. Yeah, it would have been a

579
00:28:46,480 --> 00:28:50,520
Speaker 2: better route to be like med School. Yeah, and Bill

580
00:28:50,600 --> 00:28:52,680
Speaker 2: Bill Bill has said he tried so hard for that,

581
00:28:52,720 --> 00:28:54,120
Speaker 2: but they didn't want to do that because they were

582
00:28:54,160 --> 00:28:56,240
Speaker 2: worried about the branding of it. O.

583
00:28:56,400 --> 00:28:58,920
Speaker 1: I would have been dope, then you can compete against

584
00:28:58,960 --> 00:29:02,520
Speaker 1: your own show and stuff like that, Scrubs, Scrubs, Med School.

585
00:29:02,720 --> 00:29:05,160
Speaker 1: Then you have the crossovers. Yeah, that would have been

586
00:29:05,240 --> 00:29:06,360
Speaker 1: fire Man. It didn't work.

587
00:29:06,480 --> 00:29:09,600
Speaker 2: It didn't work like that. Also an another variable that was,

588
00:29:09,680 --> 00:29:12,760
Speaker 2: you know, changing the environment so drastically, I think in

589
00:29:12,840 --> 00:29:14,640
Speaker 2: addition to it being you know, for those of you

590
00:29:14,720 --> 00:29:17,520
Speaker 2: who listened, all eight years of Scrubs were filmed at

591
00:29:17,560 --> 00:29:20,320
Speaker 2: an actual abandoned hospital. This is the first season that

592
00:29:20,440 --> 00:29:23,640
Speaker 2: was shot on sets. So when you're when you see

593
00:29:23,720 --> 00:29:26,480
Speaker 2: the outdoor area, that's actually the back lot of.

594
00:29:28,080 --> 00:29:32,520
Speaker 1: The back those are those are office buildings on Culver

595
00:29:32,640 --> 00:29:34,560
Speaker 1: City Studios. On the Culver City Studios.

596
00:29:34,600 --> 00:29:37,560
Speaker 10: I think it's now Amazon, right, Yeah, that's the new

597
00:29:37,720 --> 00:29:41,000
Speaker 10: That was the new buildings that they had built for

598
00:29:41,240 --> 00:29:44,240
Speaker 10: the people that worked and the other side where we

599
00:29:44,400 --> 00:29:46,720
Speaker 10: filmed like the quad and all that stuff was where

600
00:29:46,800 --> 00:29:48,600
Speaker 10: like Gone with the Wind and all of that shit

601
00:29:49,160 --> 00:29:49,680
Speaker 10: was filmed.

602
00:29:50,240 --> 00:29:52,840
Speaker 1: Uh, and that used to be that used to be

603
00:29:53,000 --> 00:29:54,080
Speaker 1: the bag the offices.

604
00:29:54,520 --> 00:29:56,640
Speaker 2: I think pieces of Wizard of Oz maybe were shot there.

605
00:29:56,680 --> 00:30:00,720
Speaker 2: Like it's an old lot along with next it is Sony,

606
00:30:00,800 --> 00:30:03,320
Speaker 2: which which definitely had some Wizard of Oz. I'm not

607
00:30:03,400 --> 00:30:06,400
Speaker 2: sure what falls where, but yeah, lots of old classic movies.

608
00:30:06,960 --> 00:30:09,440
Speaker 2: And then then it was called the Culver City Lot

609
00:30:09,640 --> 00:30:11,560
Speaker 2: and now I think it's been bought by Amazon if

610
00:30:11,560 --> 00:30:12,280
Speaker 2: I'm not mistaken.

611
00:30:13,160 --> 00:30:14,920
Speaker 1: It was Culver Studios when we were there.

612
00:30:14,960 --> 00:30:18,920
Speaker 2: Okay, and that's where Bill shot Cougartown and that's why

613
00:30:19,080 --> 00:30:21,240
Speaker 2: it was moved there so Bill could kind of run

614
00:30:21,320 --> 00:30:22,160
Speaker 2: back and forth.

615
00:30:22,040 --> 00:30:24,520
Speaker 1: Between run back and forth.

616
00:30:24,600 --> 00:30:26,920
Speaker 2: Well, I think he didn't do much running back and forth.

617
00:30:26,720 --> 00:30:29,840
Speaker 1: But in theory he could overread Cougartown like this.

618
00:30:30,400 --> 00:30:34,560
Speaker 2: He could oversee Cougartown. But anyway, when you're seeing all

619
00:30:34,560 --> 00:30:36,600
Speaker 2: those exterior shots, that's like, yeah, Donald's right, it's not

620
00:30:36,640 --> 00:30:38,800
Speaker 2: even a backlot. It's just like it's just like that

621
00:30:38,920 --> 00:30:42,520
Speaker 2: was just the outdoor area of this lot. And then

622
00:30:42,560 --> 00:30:45,000
Speaker 2: all the interior stuff was was were sets on a

623
00:30:45,040 --> 00:30:47,960
Speaker 2: stage and also in addition to that, it was we

624
00:30:48,080 --> 00:30:50,840
Speaker 2: had shot eight years on sixteen millimeter film and I

625
00:30:50,920 --> 00:30:53,760
Speaker 2: believe this this was the first time the show moved

626
00:30:53,800 --> 00:30:58,120
Speaker 2: to HD video, So all of those factors make it

627
00:30:58,200 --> 00:30:59,240
Speaker 2: have quite a different look.

628
00:30:59,600 --> 00:30:59,760
Speaker 1: You know.

629
00:31:01,000 --> 00:31:04,320
Speaker 5: The look was a bigger factor than I anticipated. It

630
00:31:04,520 --> 00:31:07,800
Speaker 5: really makes a difference. It's a huge, huge difference.

631
00:31:08,560 --> 00:31:12,760
Speaker 1: Well yeah, my big laughs, my big laughs. Okay, stories

632
00:31:12,800 --> 00:31:13,480
Speaker 1: that I'm interested in.

633
00:31:13,560 --> 00:31:14,840
Speaker 2: Wait, We're going to go through the whole show and

634
00:31:14,920 --> 00:31:16,120
Speaker 2: I'll just do your highlights.

635
00:31:16,520 --> 00:31:17,800
Speaker 1: My bad. I thought we were.

636
00:31:18,080 --> 00:31:20,280
Speaker 2: I mean, I don't like the way I looked either.

637
00:31:21,600 --> 00:31:24,240
Speaker 1: You don't like the way you looked? Yeah, I just

638
00:31:24,440 --> 00:31:27,560
Speaker 1: I just you know, I could tell you, talk to

639
00:31:27,600 --> 00:31:29,680
Speaker 1: you about the way I looked. I had fake like

640
00:31:29,720 --> 00:31:31,680
Speaker 1: all right, so my teeth are not real. They're not

641
00:31:32,080 --> 00:31:34,160
Speaker 1: the teeth that I were born with. I've got veneers

642
00:31:34,240 --> 00:31:38,560
Speaker 1: and I'm I've but this was going through the process

643
00:31:38,600 --> 00:31:41,640
Speaker 1: of it, so at this point I had like fake

644
00:31:43,400 --> 00:31:47,000
Speaker 1: like not even veneers. So it's like that gel that

645
00:31:47,080 --> 00:31:49,280
Speaker 1: they put yeah, kind of pretty much, but it's like

646
00:31:49,360 --> 00:31:50,880
Speaker 1: the gel that they put in your mouth and then

647
00:31:50,880 --> 00:31:53,360
Speaker 1: they shape your teeth to make it look like you

648
00:31:53,440 --> 00:31:56,360
Speaker 1: have teeth and stuff like that. And so when I

649
00:31:56,440 --> 00:31:59,640
Speaker 1: look at this, all I see is the and you

650
00:31:59,760 --> 00:32:02,280
Speaker 1: have to have this wash because they've this is back

651
00:32:02,320 --> 00:32:04,560
Speaker 1: in the day, because they've grinded down your teeth and

652
00:32:04,640 --> 00:32:07,800
Speaker 1: your gums are like exposed and stuff like that. And

653
00:32:07,880 --> 00:32:09,520
Speaker 1: so when I look at that, all I see is

654
00:32:09,640 --> 00:32:12,800
Speaker 1: just the smell that I was going through at that time.

655
00:32:12,960 --> 00:32:14,800
Speaker 2: How long did you have to have a smelly teeth?

656
00:32:16,280 --> 00:32:18,760
Speaker 1: It was for like a good three months and stuff

657
00:32:18,840 --> 00:32:21,280
Speaker 1: like that. So while we were filming this, and then

658
00:32:21,320 --> 00:32:24,520
Speaker 1: towards the end, I get my permanent jump offs in.

659
00:32:25,040 --> 00:32:27,360
Speaker 2: I think, will you let us know when we were

660
00:32:27,400 --> 00:32:28,400
Speaker 2: watching these when you have.

661
00:32:28,480 --> 00:32:30,600
Speaker 1: Your when it skips over, Oh, you'll be able to

662
00:32:30,680 --> 00:32:32,240
Speaker 1: tell because the smile gets so big.

663
00:32:35,280 --> 00:32:38,160
Speaker 2: Should we take a break, Dew, great idea, Zach, all right,

664
00:32:38,160 --> 00:32:39,720
Speaker 2: we're gonna take a break. When we come back, we're

665
00:32:39,720 --> 00:32:42,400
Speaker 2: going to talk about how much Donald loves season nine,

666
00:32:42,640 --> 00:32:46,600
Speaker 2: what you're trying to get into one day, or what you're.

667
00:32:46,480 --> 00:32:47,000
Speaker 1: Trying to do.

668
00:32:48,080 --> 00:33:03,160
Speaker 2: We'll be right back. Well, there's not a lot of

669
00:33:03,280 --> 00:33:05,360
Speaker 2: us in this episode. Let's talk about who is there.

670
00:33:05,440 --> 00:33:08,440
Speaker 2: You got Dave Franco. You got Carrie Masha, You've got

671
00:33:08,720 --> 00:33:11,760
Speaker 2: Eliza Coop, You've got Nicky.

672
00:33:11,520 --> 00:33:16,440
Speaker 1: Wheelan, you got Michael Winslow. Michael his real name.

673
00:33:17,320 --> 00:33:18,080
Speaker 2: That's gonna sound what.

674
00:33:18,920 --> 00:33:21,160
Speaker 1: That's what I called him. So I got a I

675
00:33:21,240 --> 00:33:24,360
Speaker 1: got a great story about that too. His name is

676
00:33:24,480 --> 00:33:25,160
Speaker 1: Mike Mosley.

677
00:33:25,600 --> 00:33:26,200
Speaker 2: Mike Mosley.

678
00:33:26,280 --> 00:33:28,160
Speaker 1: He did a great too, but but I thought his

679
00:33:28,280 --> 00:33:30,800
Speaker 1: last name was For some reason, I confused him with

680
00:33:30,960 --> 00:33:34,440
Speaker 1: Michael Winslow, and so I started calling him Winslow on set.

681
00:33:34,520 --> 00:33:38,920
Speaker 1: You know, Michael went cringe right, no doubt. So he

682
00:33:39,040 --> 00:33:44,160
Speaker 1: throws a party and I'm old man at this time,

683
00:33:44,240 --> 00:33:47,920
Speaker 1: but I'll give fuck I'm like thirty seven, and he

684
00:33:48,000 --> 00:33:51,280
Speaker 1: doesn't invite any of the older people. I don't get

685
00:33:51,320 --> 00:33:54,000
Speaker 1: to invite Zacherson, and I'm pissed off. But he invites

686
00:33:54,040 --> 00:33:56,240
Speaker 1: all the young motherfuckers but he doesn't invite the o

687
00:33:56,360 --> 00:33:59,440
Speaker 1: G cast. I'm like this mother right, And I go

688
00:33:59,520 --> 00:34:01,400
Speaker 1: to a live I go to Eliza Cooper and I go, yo,

689
00:34:01,720 --> 00:34:06,560
Speaker 1: hold on, Eliza, you got invited to Michael Winslow's party.

690
00:34:07,160 --> 00:34:10,600
Speaker 1: And she was like, who I said, Michael Winslow, you

691
00:34:10,680 --> 00:34:14,080
Speaker 1: know the dude that place drew And she goes, you

692
00:34:14,200 --> 00:34:20,000
Speaker 1: mean Michael Mosley and I go, oh, I go, yeah,

693
00:34:20,040 --> 00:34:23,200
Speaker 1: well he didn't invite me to the party. You've been

694
00:34:23,280 --> 00:34:24,840
Speaker 1: calling him Michael Winslow.

695
00:34:24,880 --> 00:34:28,319
Speaker 2: Oh my god, did you ever did you ever take

696
00:34:28,400 --> 00:34:29,920
Speaker 2: ownership of that and apologize?

697
00:34:30,000 --> 00:34:32,040
Speaker 1: I was like, motherfucker, why didn't you correct me and

698
00:34:32,280 --> 00:34:37,200
Speaker 1: say my name is fucking Michael Moseley. He's like, I

699
00:34:38,000 --> 00:34:40,719
Speaker 1: didn't realize that you were calling me Michael Winslow. Like,

700
00:34:40,880 --> 00:34:45,480
Speaker 1: mother fin you out so full of shit Winslow. It's

701
00:34:45,600 --> 00:34:47,040
Speaker 1: like how motherfuckers call me clueless.

702
00:34:47,480 --> 00:34:52,240
Speaker 2: Last, in the spirit of us trying to recreate moments

703
00:34:52,320 --> 00:34:55,879
Speaker 2: all our groundhog Day, I thought when we hugged and well,

704
00:34:55,960 --> 00:34:58,640
Speaker 2: I say, you smell like you've been in prison, that was.

705
00:34:58,719 --> 00:34:59,520
Speaker 1: Not funny at all.

706
00:35:00,120 --> 00:35:02,600
Speaker 6: And also it was when you.

707
00:35:02,600 --> 00:35:05,960
Speaker 2: Know what our hug was like like seasons one through eight,

708
00:35:06,040 --> 00:35:07,920
Speaker 2: It used to be like we did two guys who

709
00:35:07,960 --> 00:35:09,440
Speaker 2: love each other. This was like these two on a

710
00:35:09,520 --> 00:35:10,640
Speaker 2: fuck Yeah.

711
00:35:11,760 --> 00:35:16,560
Speaker 1: Dude, I'm knocked over the stunt man to get to you.

712
00:35:17,200 --> 00:35:20,000
Speaker 2: It was too much. The look of the smelling you

713
00:35:20,200 --> 00:35:22,120
Speaker 2: is like, like, yeah, too much.

714
00:35:23,600 --> 00:35:25,560
Speaker 1: I think she comes by and she goes to you guys,

715
00:35:25,719 --> 00:35:27,880
Speaker 1: But I think that's the joke also because she's like,

716
00:35:28,040 --> 00:35:31,600
Speaker 1: you guys need a room. It was, but we skipped

717
00:35:31,640 --> 00:35:34,040
Speaker 1: so much. See, this is what I'm talking about. This

718
00:35:34,160 --> 00:35:37,640
Speaker 1: is what I'm talking about. The show gets funny to

719
00:35:37,760 --> 00:35:43,400
Speaker 1: me right when my head is on the motherfucking on

720
00:35:43,600 --> 00:35:45,879
Speaker 1: the damn thing. That's when I was like, all right,

721
00:35:45,960 --> 00:35:46,560
Speaker 1: this is funny.

722
00:35:46,640 --> 00:35:48,440
Speaker 2: The white mannekin. It's funny when you give all your

723
00:35:48,480 --> 00:35:49,759
Speaker 2: students an f because they're white.

724
00:35:50,200 --> 00:35:53,880
Speaker 1: Yeah, that's when I started laughing, this is funny.

725
00:35:54,320 --> 00:36:03,160
Speaker 2: Well raise your hand if you're white. Yeah, that was

726
00:36:03,280 --> 00:36:05,120
Speaker 2: funny that.

727
00:36:06,200 --> 00:36:06,439
Speaker 1: Yeah.

728
00:36:08,040 --> 00:36:10,239
Speaker 2: We have a little guy love reprise right after that.

729
00:36:11,080 --> 00:36:12,920
Speaker 1: Yeah, then we run each other.

730
00:36:13,040 --> 00:36:15,239
Speaker 2: We said, I seem like a prisoner. And then then

731
00:36:15,440 --> 00:36:17,120
Speaker 2: someone is like, well, how long has it been since

732
00:36:17,120 --> 00:36:19,600
Speaker 2: you guys seen each other? We carpooled here this morning.

733
00:36:22,920 --> 00:36:26,359
Speaker 2: Then we see the new title sequence, which is really weird.

734
00:36:26,640 --> 00:36:27,640
Speaker 2: I don't think I've ever seen it.

735
00:36:29,000 --> 00:36:30,600
Speaker 1: That's nice. I remember shooting it.

736
00:36:30,880 --> 00:36:33,600
Speaker 2: It's not bane. I remember shooting it too. I remember

737
00:36:33,640 --> 00:36:34,800
Speaker 2: being like, why do I have to be in this?

738
00:36:34,880 --> 00:36:36,280
Speaker 2: I'm not even in the show anymore.

739
00:36:36,840 --> 00:36:37,799
Speaker 1: Six episodes.

740
00:36:38,200 --> 00:36:41,920
Speaker 2: But then it's it's it's Wahs and the artist named

741
00:36:42,000 --> 00:36:45,520
Speaker 2: wa was It's not laslow Bane. It's not Chad from

742
00:36:45,600 --> 00:36:47,560
Speaker 2: laslow Baine singing his own song.

743
00:36:48,440 --> 00:36:52,680
Speaker 1: It's very melancholic all of a sudden, like they're trying

744
00:36:52,719 --> 00:36:55,359
Speaker 1: to do I don't know, man, it said, Listen, I'm

745
00:36:55,400 --> 00:36:57,279
Speaker 1: not hating on the show. I just feel like it

746
00:36:57,480 --> 00:37:01,360
Speaker 1: was the room being honest. It was I think, and

747
00:37:01,560 --> 00:37:04,400
Speaker 1: I'm not gonna lie. I laughed a couple of times.

748
00:37:04,560 --> 00:37:09,680
Speaker 1: It just didn't feel like it's just branded wrong. I

749
00:37:09,800 --> 00:37:12,040
Speaker 1: agree with that the branding should have been.

750
00:37:12,480 --> 00:37:14,320
Speaker 2: Yeah, well, let me give you a little thing. On

751
00:37:14,400 --> 00:37:17,120
Speaker 2: the title sequence, it's a new version covered by singer

752
00:37:17,200 --> 00:37:20,880
Speaker 2: songwriter Waz, who was featured before on Scrubs in My

753
00:37:21,040 --> 00:37:23,120
Speaker 2: Full Moon and who was also responsible for the music

754
00:37:23,160 --> 00:37:26,279
Speaker 2: in Bill Lawrence this other show, Cougartown. The chest X

755
00:37:26,400 --> 00:37:29,719
Speaker 2: ray in the title sequence is no longer backwards. And

756
00:37:30,120 --> 00:37:32,800
Speaker 2: also Bill Lawrence managed to sneak in Med School like

757
00:37:32,880 --> 00:37:35,520
Speaker 2: he wanted in an attempt to position the new season

758
00:37:35,640 --> 00:37:36,319
Speaker 2: as a spin off.

759
00:37:37,239 --> 00:37:39,040
Speaker 1: That's what it should have been, right then and there.

760
00:37:39,040 --> 00:37:41,880
Speaker 1: It should have just said in Med School and not Scrubs.

761
00:37:42,520 --> 00:37:45,480
Speaker 1: And I don't think. I don't think we should have

762
00:37:45,520 --> 00:37:49,359
Speaker 1: been in it. That's just me from We're from where

763
00:37:49,440 --> 00:37:52,719
Speaker 1: we're at right now. I think we're so distracting to

764
00:37:52,800 --> 00:37:57,600
Speaker 1: the audience. This is why we're so distracting to the audience,

765
00:37:58,160 --> 00:38:00,239
Speaker 1: you know what I mean, the one person that could

766
00:38:00,280 --> 00:38:03,040
Speaker 1: be there. You keep Eliza, and you can even bring

767
00:38:03,120 --> 00:38:08,360
Speaker 1: in Kelso. But we're so distracting to the audience that

768
00:38:08,480 --> 00:38:10,520
Speaker 1: it makes it so that it's like, wait, is this

769
00:38:10,640 --> 00:38:14,040
Speaker 1: scrubs or is this or is this med school? Who

770
00:38:14,120 --> 00:38:17,120
Speaker 1: am I supposed to follow you doing the monologue and

771
00:38:17,280 --> 00:38:20,080
Speaker 1: her doing the monologue? It's confused. It's you know what

772
00:38:20,120 --> 00:38:22,360
Speaker 1: I mean, as a watcher, it's like, Uh.

773
00:38:22,600 --> 00:38:25,640
Speaker 2: The idea was to pass the torch and to warm

774
00:38:25,760 --> 00:38:28,479
Speaker 2: up the audience to Carriebousche, and then little by little

775
00:38:28,560 --> 00:38:31,479
Speaker 2: JD fades out. That was the that was the plan.

776
00:38:33,200 --> 00:38:36,239
Speaker 1: We're really heavily in this story. In the beginning of it, though, I.

777
00:38:36,320 --> 00:38:40,080
Speaker 2: Laughed the janitor quits when he finds out that JD's

778
00:38:40,160 --> 00:38:41,040
Speaker 2: not really coming back.

779
00:38:41,880 --> 00:38:46,440
Speaker 1: A lot of people know this, but he was contracted

780
00:38:46,480 --> 00:38:49,279
Speaker 1: to do the middle Yeah, but I'm saying story wise,

781
00:38:49,320 --> 00:38:50,200
Speaker 1: it's funny when they do that.

782
00:38:50,320 --> 00:38:52,759
Speaker 2: I laughed at that little flashback when when you tell

783
00:38:52,840 --> 00:38:54,400
Speaker 2: him that I'm never coming back.

784
00:38:54,600 --> 00:38:56,719
Speaker 1: You he just puts them and he puts them up.

785
00:38:57,120 --> 00:38:58,200
Speaker 1: It doesn't it doesn't track.

786
00:38:58,320 --> 00:39:00,840
Speaker 2: But yeah, he just hands off the mop and leaves.

787
00:39:01,120 --> 00:39:04,400
Speaker 2: His whole goal, his whole reason for staying at the hospital.

788
00:39:04,120 --> 00:39:07,440
Speaker 1: Was the torture. Left you left in the last episode.

789
00:39:08,640 --> 00:39:11,640
Speaker 2: Right, No, there's a flashback. It's not saying recently, it's

790
00:39:11,640 --> 00:39:13,400
Speaker 2: saying after flashback.

791
00:39:13,480 --> 00:39:16,680
Speaker 1: But it doesn't track. So you're saying the day you left,

792
00:39:16,719 --> 00:39:19,040
Speaker 1: the day you were out to out after all of

793
00:39:19,080 --> 00:39:19,719
Speaker 1: that ship.

794
00:39:21,800 --> 00:39:23,360
Speaker 2: That's what happened. That's what's funny about it.

795
00:39:24,080 --> 00:39:26,160
Speaker 1: No, they could have just said they laid his ass off.

796
00:39:26,680 --> 00:39:29,520
Speaker 1: They said something like that. That would have been I

797
00:39:29,560 --> 00:39:32,839
Speaker 1: think it's funny that he leaves. It doesn't track because.

798
00:39:33,239 --> 00:39:36,400
Speaker 2: He's His reason for being was the torture JD. When

799
00:39:36,400 --> 00:39:38,280
Speaker 2: he doesn't have JD, he's like, fuck this, I retire.

800
00:39:38,600 --> 00:39:42,520
Speaker 1: He was there before JD. The whole conversation about the

801
00:39:42,600 --> 00:39:46,360
Speaker 1: episode about how he the group's always changed and everything

802
00:39:46,440 --> 00:39:46,600
Speaker 1: like that.

803
00:39:46,800 --> 00:39:49,800
Speaker 2: I know, but like, just like, just like JD was

804
00:39:49,880 --> 00:39:56,160
Speaker 2: Cox's favorite student, JD became the Janitor's raison debtra his

805
00:39:56,920 --> 00:40:02,359
Speaker 2: reason for existing. He committed his whole life to torturing JD.

806
00:40:02,719 --> 00:40:04,279
Speaker 2: And when JD was gone. He was like, I'm going

807
00:40:04,320 --> 00:40:05,439
Speaker 2: to retire. O. Fuck this place.

808
00:40:08,560 --> 00:40:10,839
Speaker 1: There's so many people. He sold the scroll arm.

809
00:40:11,160 --> 00:40:19,160
Speaker 2: Hand with Stephen. He does Stephen, Stephen who whatever? We

810
00:40:19,239 --> 00:40:23,960
Speaker 2: didn't do we ever find out what happened Stephen. Okay,

811
00:40:24,040 --> 00:40:27,800
Speaker 2: So JD has Stephen somewhere. Okay, so let's get in

812
00:40:27,920 --> 00:40:31,600
Speaker 2: some more of this. Cox has has numbers.

813
00:40:32,280 --> 00:40:33,919
Speaker 1: Was that seeing him in front of all of those people,

814
00:40:33,960 --> 00:40:36,520
Speaker 1: man doing the freaking monologue now is good as he's

815
00:40:36,560 --> 00:40:39,200
Speaker 1: in a as as if he's in a perscenium.

816
00:40:39,840 --> 00:40:41,600
Speaker 2: I was good. I thought. I thought that set, by

817
00:40:41,600 --> 00:40:43,120
Speaker 2: the way, was good. Was if you're going to do

818
00:40:43,239 --> 00:40:45,800
Speaker 2: a college classroom set, that was a really good looking

819
00:40:45,880 --> 00:40:49,200
Speaker 2: set by Cabin McMullen. And I thought Johnny did a

820
00:40:49,200 --> 00:40:50,360
Speaker 2: good job with that monologue.

821
00:40:50,360 --> 00:40:55,240
Speaker 1: Obviously, I I was pissed off after I saw his office,

822
00:40:55,400 --> 00:40:57,839
Speaker 1: I mean his uh, his classroom, and then I saw

823
00:40:58,000 --> 00:41:02,520
Speaker 1: my classroom the size of a shoe box.

824
00:41:04,840 --> 00:41:06,920
Speaker 2: Well, I think the idea is that he gets to

825
00:41:07,000 --> 00:41:11,759
Speaker 2: freaking he gets the freaking hole. Yeah, that was good though,

826
00:41:11,760 --> 00:41:13,480
Speaker 2: I mean was that was he did a really good job.

827
00:41:13,520 --> 00:41:15,799
Speaker 2: And then we see me meet so he Cox gives

828
00:41:15,880 --> 00:41:21,600
Speaker 2: different numbers to the med students, and he gives Kerryebsha nineteen,

829
00:41:21,880 --> 00:41:27,880
Speaker 2: meaning her ranking is nineteenth from his favorite. And we

830
00:41:28,000 --> 00:41:31,120
Speaker 2: meet the beautiful Australian actress Nikki Wheeland, who doesn't have

831
00:41:31,200 --> 00:41:33,080
Speaker 2: much to do in this first episode.

832
00:41:33,080 --> 00:41:34,759
Speaker 1: But nobody can understand what.

833
00:41:34,840 --> 00:41:36,960
Speaker 2: Nobody can understand her. That's kind of funny.

834
00:41:37,360 --> 00:41:38,280
Speaker 1: What is she saying?

835
00:41:38,600 --> 00:41:42,640
Speaker 2: He has no idea what she's saying. Drew and Eliza

836
00:41:42,840 --> 00:41:45,040
Speaker 2: we established they have. There's a lot of sex in

837
00:41:45,120 --> 00:41:45,760
Speaker 2: this episode.

838
00:41:46,880 --> 00:41:50,240
Speaker 1: They established their relationships quite early.

839
00:41:50,560 --> 00:41:50,759
Speaker 6: I know.

840
00:41:50,840 --> 00:41:53,000
Speaker 2: I think they really wanted to say in the pilot, like, guys,

841
00:41:53,040 --> 00:41:55,120
Speaker 2: there's gonna be lots of sex, please stay tuned.

842
00:41:56,960 --> 00:41:58,400
Speaker 1: Sex with a lot of young people.

843
00:41:58,600 --> 00:42:02,000
Speaker 2: Hey, guys, young people will be banging. Please stay tuned.

844
00:42:04,640 --> 00:42:07,799
Speaker 1: Tonight on a very special episode of Med School. There

845
00:42:07,840 --> 00:42:08,640
Speaker 1: will be banging.

846
00:42:08,960 --> 00:42:11,880
Speaker 2: Yes, tonight, there'll be some jokes and banging on SCOF.

847
00:42:15,880 --> 00:42:18,360
Speaker 2: So you've got Carrie Bouchet hooking up with Dave Franco,

848
00:42:18,480 --> 00:42:20,719
Speaker 2: And how fucked up is it that Dave Franco takes

849
00:42:20,760 --> 00:42:25,320
Speaker 2: a secret picture of her bending over and prints it

850
00:42:27,160 --> 00:42:29,920
Speaker 2: and then just carries it around and carries it around.

851
00:42:30,400 --> 00:42:33,560
Speaker 1: Okay, so I was confused. Is he carrying it around

852
00:42:34,800 --> 00:42:38,600
Speaker 1: to show people we never know, or is he carrying

853
00:42:38,719 --> 00:42:43,560
Speaker 1: it around because he never wants to forget the moment?

854
00:42:43,760 --> 00:42:46,920
Speaker 1: I mean, is it a central Like first of all, one, two,

855
00:42:47,960 --> 00:42:50,319
Speaker 1: his ass should be in jail for shit like that, right,

856
00:42:50,719 --> 00:42:52,279
Speaker 1: don't you go to jail for stuff like that?

857
00:42:53,560 --> 00:42:54,600
Speaker 4: Well you can't.

858
00:42:55,000 --> 00:42:57,279
Speaker 2: Yeah, First of all, it's so fucked up. And then

859
00:42:57,320 --> 00:42:59,200
Speaker 2: the only thing I hated more than that was the

860
00:42:59,280 --> 00:43:02,160
Speaker 2: fact that when Jad finally has a good teacher moment,

861
00:43:02,280 --> 00:43:05,640
Speaker 2: he becomes he's very you know, empathized with Carrie Bouchet

862
00:43:05,760 --> 00:43:07,640
Speaker 2: obviously because he was in her spot. That's the whole

863
00:43:07,680 --> 00:43:10,320
Speaker 2: point of handing off this journey to carry Boschet's character.

864
00:43:11,080 --> 00:43:13,080
Speaker 2: And then he leads her off and then sneaks a

865
00:43:13,120 --> 00:43:15,719
Speaker 2: look at the picture again. It was so like I

866
00:43:15,840 --> 00:43:18,960
Speaker 2: was like no, I was like, no, that is not

867
00:43:19,160 --> 00:43:23,360
Speaker 2: the way. First of all, how does he recognize her

868
00:43:23,440 --> 00:43:24,839
Speaker 2: if it's a picture of her bent over?

869
00:43:27,560 --> 00:43:27,680
Speaker 3: Right?

870
00:43:27,920 --> 00:43:30,160
Speaker 4: She says, this is a picture of me, and then

871
00:43:30,440 --> 00:43:32,120
Speaker 4: I think JD responds to that.

872
00:43:33,200 --> 00:43:36,200
Speaker 2: Okay, But but just for Clarity's sake, I know it

873
00:43:36,320 --> 00:43:38,480
Speaker 2: was a comedy and everything, but when we see Cole

874
00:43:38,520 --> 00:43:41,280
Speaker 2: take the picture and she's bent over, like she's putting

875
00:43:41,320 --> 00:43:44,960
Speaker 2: her socks on or whatever. So it doesn't really make

876
00:43:45,080 --> 00:43:46,360
Speaker 2: sense that she would be able to.

877
00:43:46,600 --> 00:43:49,239
Speaker 1: I mean, that's what I'm trying to say. It's collogy. Now.

878
00:43:49,320 --> 00:43:51,960
Speaker 1: The way the show looks it does feel very national

879
00:43:52,160 --> 00:43:56,280
Speaker 1: lampoon ish, old school lampoonish.

880
00:43:56,600 --> 00:44:00,200
Speaker 4: He does have lampoonish vibes, Yeah, lampoonish, Spottish.

881
00:44:03,239 --> 00:44:05,560
Speaker 2: Now, JD. I really didn't like JD as a teacher.

882
00:44:05,640 --> 00:44:07,239
Speaker 2: I know that's supposed to be the joke that he's

883
00:44:07,320 --> 00:44:10,560
Speaker 2: like so performative and lights camera teach. It's like so

884
00:44:10,800 --> 00:44:15,239
Speaker 2: much and none of the students are into it. Understandably,

885
00:44:16,520 --> 00:44:22,440
Speaker 2: there was a cool fantasy when camera teach. What I

886
00:44:23,280 --> 00:44:25,879
Speaker 2: w It's funny because he's supposed to be like bad

887
00:44:25,960 --> 00:44:28,680
Speaker 2: at it, which we're supposed to go, oh, I see

888
00:44:28,800 --> 00:44:33,239
Speaker 2: JD's not good at this. But I was kind of cringing, like, oh,

889
00:44:33,360 --> 00:44:35,520
Speaker 2: he's annoying. I don't want to be I don't know,

890
00:44:35,600 --> 00:44:37,080
Speaker 2: but what what hold on?

891
00:44:38,360 --> 00:44:43,919
Speaker 1: Lights, camera teach. He's not teaching for the students, he's

892
00:44:44,000 --> 00:44:47,040
Speaker 1: teaching for him. He's freaking I'm fucking on stage. He's

893
00:44:47,120 --> 00:44:48,319
Speaker 1: on stage at this moment.

894
00:44:49,120 --> 00:44:51,560
Speaker 4: JD's imagination there isn't a full camera crew.

895
00:44:51,760 --> 00:44:57,000
Speaker 2: Yeah, absolutely, he's living in a musical theater. He has

896
00:44:57,040 --> 00:44:58,719
Speaker 2: to come up with a sign for when to take

897
00:44:58,760 --> 00:45:02,719
Speaker 2: them to diagnosity. He comes up with Sam. Yeah, he's

898
00:45:02,800 --> 00:45:04,920
Speaker 2: living his dream as a performer in front of that

899
00:45:05,040 --> 00:45:06,200
Speaker 2: giant classroom.

900
00:45:06,640 --> 00:45:07,319
Speaker 1: Oh my god.

901
00:45:08,800 --> 00:45:11,160
Speaker 2: Now I did like the fantasy of I thought it

902
00:45:11,239 --> 00:45:14,239
Speaker 2: was shot well. When Carrie leaps over the Yeah, and

903
00:45:14,560 --> 00:45:17,560
Speaker 2: Johnny c who would totally be cast as a sheriff

904
00:45:17,800 --> 00:45:21,760
Speaker 2: on a man hunt, totally southern sheriff on a manhunt

905
00:45:21,800 --> 00:45:23,799
Speaker 2: with dogs. Johnny would get that part.

906
00:45:26,000 --> 00:45:28,520
Speaker 1: I thought that, say less, Johnny, would you want what?

907
00:45:30,400 --> 00:45:30,560
Speaker 7: Oh?

908
00:45:31,520 --> 00:45:34,000
Speaker 1: A state trooper on a manhunt with a dog?

909
00:45:34,320 --> 00:45:36,799
Speaker 2: Yeah, I'm there, stay less, Can my biceps be out?

910
00:45:37,120 --> 00:45:37,520
Speaker 1: I'm there?

911
00:45:40,080 --> 00:45:44,120
Speaker 2: Can the Can the shirt around my biceps be very fitted? Okay,

912
00:45:44,320 --> 00:45:45,719
Speaker 2: I'll get the next flight out there.

913
00:45:46,000 --> 00:45:48,680
Speaker 1: I am on my way. Where are we feeling? New Mexico?

914
00:45:49,360 --> 00:45:50,000
Speaker 1: On my way?

915
00:45:50,120 --> 00:45:52,120
Speaker 2: I've worked there. I'm on my way.

916
00:45:52,800 --> 00:45:55,680
Speaker 1: Are we staying the Andolous? I'll be there.

917
00:45:56,960 --> 00:46:02,960
Speaker 2: So what's it called the there's like two hotels in

918
00:46:03,040 --> 00:46:06,680
Speaker 2: New Mexico in Albuquerque where actors always stay. Is that

919
00:46:06,719 --> 00:46:07,680
Speaker 2: what the one that you're talking about?

920
00:46:07,960 --> 00:46:08,759
Speaker 1: The andolous.

921
00:46:09,320 --> 00:46:10,960
Speaker 2: I think that maybe what I stayed in too.

922
00:46:11,520 --> 00:46:13,920
Speaker 1: That's the one everybody says, with the courtyard downstairs with

923
00:46:14,040 --> 00:46:16,640
Speaker 1: the little booths all around.

924
00:46:16,400 --> 00:46:19,399
Speaker 2: And I think, so you stay stayed in another one,

925
00:46:20,000 --> 00:46:22,399
Speaker 2: that's the one I stayed in one that was kind

926
00:46:22,440 --> 00:46:22,799
Speaker 2: of nice.

927
00:46:23,719 --> 00:46:25,840
Speaker 1: This was nice. It's nice, or it was when I

928
00:46:25,920 --> 00:46:29,439
Speaker 1: was there, the fourth Star hotel. Let's take a break.

929
00:46:29,560 --> 00:46:39,920
Speaker 2: We'll be right back after these fine words. Okay, So

930
00:46:40,040 --> 00:46:42,000
Speaker 2: Lucy sleeps with cold. We got the picture.

931
00:46:42,360 --> 00:46:43,000
Speaker 1: Oh, I liked.

932
00:46:43,080 --> 00:46:45,520
Speaker 2: I laughed at that when I said to Cox, stay

933
00:46:45,560 --> 00:46:48,879
Speaker 2: open for business in here in your heart cage.

934
00:46:49,560 --> 00:46:52,319
Speaker 1: I liked. I liked that. JD's wearing the jacket from

935
00:46:52,400 --> 00:46:53,200
Speaker 1: Dangerous Minds?

936
00:46:54,480 --> 00:46:56,799
Speaker 2: Yeah, so how did JD get the jacket from danger sions?

937
00:46:56,840 --> 00:46:58,640
Speaker 1: We never learned that back probably wanted out an auction.

938
00:46:58,760 --> 00:47:03,160
Speaker 1: Michelle Fifer probably hadn't auction, but he was auctioning off

939
00:47:03,640 --> 00:47:04,279
Speaker 1: and on.

940
00:47:04,440 --> 00:47:08,680
Speaker 2: But he adds the professorial. Uh, why do professors always

941
00:47:08,760 --> 00:47:11,000
Speaker 2: have those? Someone tell me about it? Why that is

942
00:47:11,080 --> 00:47:17,320
Speaker 2: a trope? Why do professors always no? But what is

943
00:47:17,360 --> 00:47:18,400
Speaker 2: the what is the reason?

944
00:47:19,040 --> 00:47:20,960
Speaker 1: What is the reason? On their table, they're on the

945
00:47:21,080 --> 00:47:26,000
Speaker 1: desk talking to the kids grading with their heads down.

946
00:47:26,040 --> 00:47:29,280
Speaker 2: I just want to know why we associate elbow patches

947
00:47:29,320 --> 00:47:30,040
Speaker 2: with professors.

948
00:47:31,200 --> 00:47:33,320
Speaker 1: It has to be because the elbows are on the

949
00:47:33,440 --> 00:47:37,400
Speaker 1: desks all the time. So uh.

950
00:47:37,640 --> 00:47:39,640
Speaker 5: Based on a little cursory web search, it looks like

951
00:47:39,719 --> 00:47:43,040
Speaker 5: the stereotype started because tweed was a relatively cheap, but

952
00:47:43,320 --> 00:47:47,279
Speaker 5: warm material, and professors were a relatively poorly paid class

953
00:47:47,400 --> 00:47:49,720
Speaker 5: of professionals, so they kept wearing them until the elbows

954
00:47:49,760 --> 00:47:50,880
Speaker 5: were out, and then they patched them.

955
00:47:52,320 --> 00:47:55,160
Speaker 2: Okay, well that's that makes sense, But now it's become

956
00:47:55,280 --> 00:47:57,240
Speaker 2: just a thing. If you're going to play a professor,

957
00:47:57,280 --> 00:48:02,120
Speaker 2: you better have some elbow patches on. So but JD

958
00:48:02,239 --> 00:48:06,560
Speaker 2: when he bought her Michelle Pfeiffer's Dangerous Mind's coat, it

959
00:48:06,680 --> 00:48:09,440
Speaker 2: didn't have elbow patches, so he added them.

960
00:48:09,800 --> 00:48:13,360
Speaker 1: Yeah, his leather is the leather jacket, right, No, the.

961
00:48:13,520 --> 00:48:15,000
Speaker 2: Leather patches probably sweded.

962
00:48:15,080 --> 00:48:18,719
Speaker 1: Probably, I'm talking about the jacket. She wears a leather

963
00:48:18,800 --> 00:48:21,840
Speaker 1: jacket in that I'm I'm confusing it with freaking La

964
00:48:21,920 --> 00:48:24,520
Speaker 1: la land. She wears a leather jacket, the red leather

965
00:48:24,600 --> 00:48:29,839
Speaker 1: jacket or the audition confused? Oh, for the audition, that's

966
00:48:30,719 --> 00:48:32,320
Speaker 1: Dangerous Minds meets.

967
00:48:32,400 --> 00:48:35,680
Speaker 2: Oh when she does the Dangerous Minds audition. That's it's

968
00:48:35,719 --> 00:48:37,600
Speaker 2: so funny. What does she say about?

969
00:48:37,640 --> 00:48:42,560
Speaker 1: No you you you be chilling? You, you be bucking? Yeah,

970
00:48:42,600 --> 00:48:44,560
Speaker 1: you be tripping? Yeah? Why you be tripped?

971
00:48:44,600 --> 00:48:44,799
Speaker 8: Lady?

972
00:48:44,800 --> 00:48:45,640
Speaker 1: Why you be tripping?

973
00:48:46,200 --> 00:48:46,239
Speaker 9: No?

974
00:48:46,960 --> 00:48:49,520
Speaker 1: No, such you be tripping?

975
00:48:54,080 --> 00:48:56,680
Speaker 2: And I love that the casting director is like, it's

976
00:48:56,680 --> 00:48:57,440
Speaker 2: actually it's.

977
00:48:57,320 --> 00:48:59,640
Speaker 1: An actual casting director that's reading with her.

978
00:49:00,080 --> 00:49:06,360
Speaker 2: Yeah, Hey lady, you be tripping? No, no, Jamal, lady,

979
00:49:06,400 --> 00:49:10,359
Speaker 2: why you be tripping? And I think the character's name

980
00:49:10,400 --> 00:49:10,840
Speaker 2: is Jamal?

981
00:49:11,000 --> 00:49:15,160
Speaker 1: Right, but lady, why you be tripping? Right?

982
00:49:17,440 --> 00:49:19,840
Speaker 2: It might be I don't know, can you look that up?

983
00:49:20,120 --> 00:49:22,719
Speaker 2: Guys does play casting director in?

984
00:49:24,160 --> 00:49:28,040
Speaker 1: But why do you be tripping? That's it's a hilarity. No,

985
00:49:28,320 --> 00:49:30,279
Speaker 1: I want to say it's like no raheem, but it's

986
00:49:30,360 --> 00:49:31,240
Speaker 1: probably no Jamal.

987
00:49:31,400 --> 00:49:34,480
Speaker 2: It's something like, I think it's Jamal, No Jamal, you

988
00:49:34,640 --> 00:49:35,160
Speaker 2: be tripping?

989
00:49:35,320 --> 00:49:35,960
Speaker 1: You be tripping?

990
00:49:39,640 --> 00:49:44,200
Speaker 2: That ship's hilarious. And anyone who's an actor who's been

991
00:49:44,400 --> 00:49:47,239
Speaker 2: out here in this town that the reason that is

992
00:49:47,280 --> 00:49:50,680
Speaker 2: so funny is because a some casting directors will will

993
00:49:50,800 --> 00:49:53,120
Speaker 2: read like that to you, and you're like, you have

994
00:49:53,239 --> 00:49:56,360
Speaker 2: to act off of it and to the idea of like,

995
00:49:57,760 --> 00:49:59,719
Speaker 2: you know, just doing it of her auditioning for a

996
00:49:59,800 --> 00:50:04,919
Speaker 2: d Dre's minds like role was just so funny. Damn,

997
00:50:04,960 --> 00:50:10,480
Speaker 2: I don't know if I'm open TikTok. You know they're

998
00:50:10,480 --> 00:50:12,200
Speaker 2: about to ban this sucking app anyway.

999
00:50:13,880 --> 00:50:17,399
Speaker 1: That's gone, dude, TikTok about to be gone.

1000
00:50:17,480 --> 00:50:19,480
Speaker 2: Can you play it? Play it in the Yeah, I

1001
00:50:19,520 --> 00:50:21,360
Speaker 2: got to kill I got you hold on, Daniel's going

1002
00:50:21,440 --> 00:50:22,080
Speaker 2: to play it for us.

1003
00:50:23,120 --> 00:50:24,279
Speaker 7: This is my classroom.

1004
00:50:25,040 --> 00:50:27,560
Speaker 2: You don't like it? The doors from my left lady,

1005
00:50:27,600 --> 00:50:33,560
Speaker 2: Why you be tripping like that? No, Jamal, you be tripping.

1006
00:50:41,120 --> 00:50:43,000
Speaker 2: But you know it's so good about a stone room.

1007
00:50:43,080 --> 00:50:44,279
Speaker 2: She sold the ship out of.

1008
00:50:44,280 --> 00:50:47,719
Speaker 1: It, like you were like, this is where this is

1009
00:50:47,760 --> 00:50:50,160
Speaker 1: where I get pissed off. In the beginning of the movie,

1010
00:50:50,400 --> 00:50:52,719
Speaker 1: that first audition she goes to where she's studying it.

1011
00:50:52,840 --> 00:50:54,960
Speaker 1: In the we're doing La La Land all of a sudden,

1012
00:50:54,960 --> 00:50:59,040
Speaker 1: I digress. But anyway, the beginning of the movies, we

1013
00:50:59,120 --> 00:51:02,880
Speaker 1: watch podcast when she goes to the freaking audition and

1014
00:51:03,040 --> 00:51:06,000
Speaker 1: she's freaking standing there and she's talking to like her

1015
00:51:06,080 --> 00:51:09,040
Speaker 1: lover on the phone and she's like, Yo, so you're

1016
00:51:09,040 --> 00:51:10,560
Speaker 1: gonna when are you gonna tell her, you're gonna tell

1017
00:51:11,040 --> 00:51:13,239
Speaker 1: your wife in such and such that we're together, or

1018
00:51:13,280 --> 00:51:15,600
Speaker 1: when you and he's and he has to change your heart,

1019
00:51:16,280 --> 00:51:19,040
Speaker 1: and she and and she has to play it off

1020
00:51:19,120 --> 00:51:22,320
Speaker 1: like she's happy, but she's crying and she's crushed, and

1021
00:51:22,440 --> 00:51:25,719
Speaker 1: the casting director is not paying attention. She's killing it

1022
00:51:25,880 --> 00:51:30,240
Speaker 1: in that scene, she's destroying it, and the casting director

1023
00:51:30,320 --> 00:51:32,320
Speaker 1: doesn't see it. That's just so frustrating.

1024
00:51:32,320 --> 00:51:34,320
Speaker 2: But I know, like during that movie, if you're supposed

1025
00:51:34,320 --> 00:51:39,560
Speaker 2: to think that she's a great actress early on or not,

1026
00:51:40,000 --> 00:51:42,239
Speaker 2: because I think you're supposed to be see for one

1027
00:51:42,280 --> 00:51:44,879
Speaker 2: woman show, it didn't look that great, right.

1028
00:51:45,560 --> 00:51:45,600
Speaker 8: No.

1029
00:51:45,880 --> 00:51:48,799
Speaker 1: I think the thing is that's the whole thing. There

1030
00:51:48,840 --> 00:51:51,200
Speaker 1: are so many great actors out there, and until you

1031
00:51:51,320 --> 00:51:54,120
Speaker 1: get your break, until somebody's willing to take a chance

1032
00:51:54,200 --> 00:51:56,759
Speaker 1: on you, you're not going to get that work right, right.

1033
00:51:56,880 --> 00:51:59,680
Speaker 1: And so here she is killing all of this shit.

1034
00:51:59,760 --> 00:52:02,200
Speaker 1: She's in there fucking crushing it, and all these other

1035
00:52:02,239 --> 00:52:05,640
Speaker 1: people suck and she's fucking nailing it, and the cast

1036
00:52:05,680 --> 00:52:09,120
Speaker 1: and director's got fucking Joe Blow on their mind and

1037
00:52:09,280 --> 00:52:11,640
Speaker 1: is not thinking of them, right, And same thing with

1038
00:52:11,840 --> 00:52:13,200
Speaker 1: you know what I mean, Same thing with the director

1039
00:52:13,280 --> 00:52:16,120
Speaker 1: directors like, yeah, she's different, She's not the one. You know,

1040
00:52:16,239 --> 00:52:18,560
Speaker 1: I'm really into this girl. I'm not into this girl.

1041
00:52:18,800 --> 00:52:20,480
Speaker 1: Fuck this, let's go with you know what I mean?

1042
00:52:20,680 --> 00:52:22,800
Speaker 2: Like it's it's and then and then to your point,

1043
00:52:23,080 --> 00:52:26,359
Speaker 2: when she has that audition where she sings that audition song,

1044
00:52:27,480 --> 00:52:30,480
Speaker 2: someone she's so dropped into what they were looking for.

1045
00:52:30,760 --> 00:52:32,719
Speaker 2: That someone then takes a chance on her, and her

1046
00:52:32,800 --> 00:52:34,000
Speaker 2: career takes off, and it.

1047
00:52:34,080 --> 00:52:36,680
Speaker 1: Takes off, and it's like finally I see you, and

1048
00:52:36,760 --> 00:52:37,799
Speaker 1: then everybody sees her.

1049
00:52:37,960 --> 00:52:40,320
Speaker 2: Now do you need to go into your loud monologue

1050
00:52:40,320 --> 00:52:42,520
Speaker 2: about how there's plenty of jazz clubs in Paris? And

1051
00:52:42,640 --> 00:52:44,120
Speaker 2: Ryan Goslin could have gone there.

1052
00:52:44,360 --> 00:52:46,839
Speaker 1: No, no, no, because Ryan's just can now it's all good,

1053
00:52:48,080 --> 00:52:48,400
Speaker 1: all right.

1054
00:52:48,719 --> 00:52:51,560
Speaker 2: I really missed the era of you drunk tweeting about

1055
00:52:51,600 --> 00:52:53,680
Speaker 2: Lawa Land while you were on airplanes. That was a phase.

1056
00:52:54,400 --> 00:52:57,080
Speaker 1: I watched that movie because I listen, man, that movie.

1057
00:52:57,880 --> 00:53:03,600
Speaker 2: I would love back when I was on Twitter donalds

1058
00:53:04,080 --> 00:53:07,839
Speaker 2: Alane again because he's fucking he's writing tweets like there

1059
00:53:07,880 --> 00:53:10,360
Speaker 2: are plenty of jazz clubs in Paris. I don't know

1060
00:53:10,440 --> 00:53:11,759
Speaker 2: why he didn't follow her.

1061
00:53:13,160 --> 00:53:15,279
Speaker 1: No, because he didn't need to. I don't look now.

1062
00:53:15,320 --> 00:53:18,120
Speaker 1: I look at it and I'm like, look in my eyes.

1063
00:53:18,440 --> 00:53:22,640
Speaker 1: This story is it's the journey, right, everybody has a

1064
00:53:22,680 --> 00:53:25,800
Speaker 1: different journey, and he's two connected at one point. But

1065
00:53:26,600 --> 00:53:30,360
Speaker 1: I did want them to be together in the Beautiful Beautiful,

1066
00:53:30,360 --> 00:53:32,880
Speaker 1: And he's so happy at the end of the movie. Also,

1067
00:53:33,080 --> 00:53:34,080
Speaker 1: so it doesn't matter.

1068
00:53:34,440 --> 00:53:35,800
Speaker 2: I don't know that he's happy at the end of

1069
00:53:35,800 --> 00:53:36,120
Speaker 2: the movie.

1070
00:53:36,160 --> 00:53:38,080
Speaker 1: He had exactly what he wanted, you know what I mean.

1071
00:53:39,560 --> 00:53:41,680
Speaker 1: But he didn't want her back then either, Yes he did.

1072
00:53:41,760 --> 00:53:43,560
Speaker 2: You don't think his heart was breaking and she walks

1073
00:53:43,600 --> 00:53:44,160
Speaker 2: out of the club.

1074
00:53:45,400 --> 00:53:47,160
Speaker 1: No, he would have made it to the show. He

1075
00:53:47,200 --> 00:53:48,759
Speaker 1: would have made it to the show if he wanted her.

1076
00:53:49,040 --> 00:53:50,920
Speaker 2: No, when she walks out of the club after he

1077
00:53:50,960 --> 00:53:51,560
Speaker 2: would have made it.

1078
00:53:51,600 --> 00:53:53,760
Speaker 1: To the show. He would have told just a legend

1079
00:53:53,840 --> 00:53:57,400
Speaker 1: to kiss my fucking ass. I gotta go see my

1080
00:53:57,800 --> 00:54:00,800
Speaker 1: decision he needs way more important. That's the decision he

1081
00:54:00,920 --> 00:54:04,440
Speaker 1: made then. But years later, when she comes with her

1082
00:54:04,560 --> 00:54:07,400
Speaker 1: husband to the jazz show and Lee is about to

1083
00:54:07,480 --> 00:54:10,200
Speaker 1: leave and at the door has that fantasy and they

1084
00:54:10,280 --> 00:54:13,640
Speaker 1: make eye contact, I think he realizes that she's the

1085
00:54:13,680 --> 00:54:16,000
Speaker 1: one that got away, and he's so sad that she's

1086
00:54:16,040 --> 00:54:18,960
Speaker 1: walking on. I think they both realized what life could

1087
00:54:19,000 --> 00:54:21,200
Speaker 1: have been for them if they would have stayed together,

1088
00:54:21,280 --> 00:54:24,480
Speaker 1: and how happy they could have been. But I think

1089
00:54:24,640 --> 00:54:26,719
Speaker 1: when they look at each other, they're both in a

1090
00:54:26,840 --> 00:54:27,880
Speaker 1: really good space.

1091
00:54:28,040 --> 00:54:31,160
Speaker 2: I disagree. I think, do you guys have that interpretation

1092
00:54:31,320 --> 00:54:31,520
Speaker 2: of it?

1093
00:54:32,360 --> 00:54:35,080
Speaker 4: I like that it's kind of ambiguous. I've had It's

1094
00:54:35,160 --> 00:54:36,600
Speaker 4: nice to my father, rest.

1095
00:54:36,520 --> 00:54:38,439
Speaker 2: In peace, used to love a good end of Lalla

1096
00:54:38,520 --> 00:54:42,000
Speaker 2: Land debate, but I don't. Sorry, Joell, what's your interpretation?

1097
00:54:42,160 --> 00:54:45,799
Speaker 2: My interpretation was always that that they both melancholic.

1098
00:54:46,560 --> 00:54:50,160
Speaker 1: Okay, my interpretation used to be your interpretation. It did,

1099
00:54:50,520 --> 00:54:54,840
Speaker 1: but I've watched it a few times since he's really.

1100
00:54:56,360 --> 00:54:56,799
Speaker 2: What do you think?

1101
00:54:57,440 --> 00:55:03,879
Speaker 3: Since I my thought initially was that he was sad

1102
00:55:04,000 --> 00:55:06,239
Speaker 3: but happy for her, and she was like, Wow, that

1103
00:55:06,239 --> 00:55:07,600
Speaker 3: would have been interesting if I stayed with him, But

1104
00:55:07,760 --> 00:55:10,719
Speaker 3: life turned out pretty sweet for me. She was good,

1105
00:55:11,080 --> 00:55:13,239
Speaker 3: like she seems like, in such a great place at

1106
00:55:13,320 --> 00:55:13,880
Speaker 3: the end, and he.

1107
00:55:14,040 --> 00:55:16,080
Speaker 2: I think Chazelle went out of his way to make

1108
00:55:16,200 --> 00:55:19,880
Speaker 2: that husband not exciting and not as sexy and not

1109
00:55:20,080 --> 00:55:22,759
Speaker 2: as interesting as Ryan's character was.

1110
00:55:23,120 --> 00:55:24,880
Speaker 1: Yes, but don't know anything about him.

1111
00:55:25,000 --> 00:55:26,120
Speaker 4: Here's a secret reveal to all.

1112
00:55:26,160 --> 00:55:28,400
Speaker 3: There is a ton of romance, and I really feel

1113
00:55:28,520 --> 00:55:31,520
Speaker 3: like there's a lot of a lot of romances end

1114
00:55:31,680 --> 00:55:33,839
Speaker 3: with Okay, I could have been with this exciting person,

1115
00:55:33,920 --> 00:55:35,800
Speaker 3: but they wouldn't have been the healthy person for me.

1116
00:55:35,920 --> 00:55:38,600
Speaker 3: So I went with this person who's more subdude, but

1117
00:55:38,640 --> 00:55:40,719
Speaker 3: who gets me and is very supportive and has made

1118
00:55:40,760 --> 00:55:43,680
Speaker 3: my life better, you know, And that's kind of the

1119
00:55:43,680 --> 00:55:45,080
Speaker 3: fame I got with him. Like, no, he's not as

1120
00:55:45,200 --> 00:55:48,200
Speaker 3: like hot and exciting and like fun as she had

1121
00:55:48,280 --> 00:55:50,960
Speaker 3: with Ryan, but he's stable and she was able to have.

1122
00:55:52,600 --> 00:55:55,279
Speaker 1: His character's name it is Sebastian.

1123
00:55:55,520 --> 00:55:59,400
Speaker 3: I'm sorry, that's a Sebastian. I've really been there for her.

1124
00:56:00,080 --> 00:56:01,879
Speaker 3: He loves her, and because of that, she was able

1125
00:56:01,880 --> 00:56:02,960
Speaker 3: to have the career that she wanted.

1126
00:56:03,400 --> 00:56:04,360
Speaker 2: Daniel, what are your thoughts?

1127
00:56:05,000 --> 00:56:08,680
Speaker 5: I'm tempted to agree. I mean, you know, it's it's

1128
00:56:08,760 --> 00:56:11,720
Speaker 5: the sexy thing to want her to be with Ryan Gosling.

1129
00:56:11,840 --> 00:56:15,560
Speaker 5: It's the sexy thing to have that fiery sorry Sebastian

1130
00:56:15,640 --> 00:56:19,480
Speaker 5: Park to do a Sebastian. It's the dangerous thing. But

1131
00:56:20,239 --> 00:56:22,680
Speaker 5: that's not life. Sometimes that's not life.

1132
00:56:23,239 --> 00:56:25,080
Speaker 1: Have thought that would have been the worst thing ever

1133
00:56:25,120 --> 00:56:26,759
Speaker 1: if she was with him, if you really think about it,

1134
00:56:26,880 --> 00:56:29,800
Speaker 1: as self centered as he was as well, you know

1135
00:56:29,840 --> 00:56:32,160
Speaker 1: what I mean, Like she would have she needed somebody

1136
00:56:32,200 --> 00:56:34,880
Speaker 1: who's not going to be heartbreak.

1137
00:56:34,920 --> 00:56:36,399
Speaker 2: The way they look at each other at the end.

1138
00:56:36,320 --> 00:56:39,000
Speaker 4: O, thank so much, so so much what might have

1139
00:56:39,120 --> 00:56:39,880
Speaker 4: been between the two.

1140
00:56:40,480 --> 00:56:43,440
Speaker 2: I think that makes a better movie. It's too together.

1141
00:56:43,600 --> 00:56:46,480
Speaker 2: I don't want the I don't want the I don't

1142
00:56:46,480 --> 00:56:48,360
Speaker 2: want the ending to be any different. I'm just I

1143
00:56:48,480 --> 00:56:50,239
Speaker 2: love the ending. I think it's brilliant in that it

1144
00:56:50,320 --> 00:56:52,719
Speaker 2: gives the audience this discussion, and they can have this

1145
00:56:52,840 --> 00:56:55,920
Speaker 2: discussion this many years later. This, I just my personal

1146
00:56:56,000 --> 00:56:59,840
Speaker 2: interpretation is that they that there was a longing for

1147
00:57:00,080 --> 00:57:00,719
Speaker 2: what could have been.

1148
00:57:01,560 --> 00:57:03,959
Speaker 1: We could do how about this? How about this? Let's

1149
00:57:04,000 --> 00:57:04,680
Speaker 1: do the Notebook.

1150
00:57:05,160 --> 00:57:07,200
Speaker 2: At the end of the Notebook as well as I

1151
00:57:07,280 --> 00:57:08,520
Speaker 2: know Lala Lane, oh, you.

1152
00:57:08,640 --> 00:57:09,960
Speaker 1: Just do it like this. At the end of the

1153
00:57:10,040 --> 00:57:15,239
Speaker 1: movie the Notebook, she's with the dude that she you know,

1154
00:57:15,480 --> 00:57:17,880
Speaker 1: fell in love with on the lake, that, you know

1155
00:57:17,920 --> 00:57:21,160
Speaker 1: what I mean, instead of the other guy, right, the

1156
00:57:21,240 --> 00:57:23,360
Speaker 1: one that was the good guy right at the end.

1157
00:57:23,920 --> 00:57:27,640
Speaker 1: It's not like her life would have been that much different.

1158
00:57:27,920 --> 00:57:31,560
Speaker 1: I think she would have still now gone back to uh.

1159
00:57:32,240 --> 00:57:34,400
Speaker 1: She would have had a great life with him in

1160
00:57:34,600 --> 00:57:36,320
Speaker 1: the Notebook, she would had a great life with that guy.

1161
00:57:36,400 --> 00:57:38,840
Speaker 1: She would have had a great life with the Ryan

1162
00:57:38,920 --> 00:57:42,800
Speaker 1: Goslin character and this one in La La Lande. I

1163
00:57:42,880 --> 00:57:44,640
Speaker 1: feel like it's the same thing. She would have had

1164
00:57:44,640 --> 00:57:47,240
Speaker 1: a great life with this dude and she would have

1165
00:57:47,280 --> 00:57:49,680
Speaker 1: had a great like she's having a great life with

1166
00:57:50,400 --> 00:57:52,680
Speaker 1: the guy. There is no wrong answer at the end

1167
00:57:53,560 --> 00:57:57,200
Speaker 1: for her. For him, it's a fucking huge difference, bro.

1168
00:57:57,600 --> 00:57:59,880
Speaker 1: And that's why you're saying, I don't know if he's

1169
00:58:00,040 --> 00:58:03,160
Speaker 1: happy or not. The difference at the end is in

1170
00:58:03,360 --> 00:58:06,640
Speaker 1: his mind. Holy shit, we would have been I would

1171
00:58:06,640 --> 00:58:08,880
Speaker 1: have been jay z I would you know? To her

1172
00:58:08,960 --> 00:58:15,320
Speaker 1: Beyonce instead, I'm fucking underground backpack rapper. And who's still

1173
00:58:15,360 --> 00:58:15,920
Speaker 1: in the club.

1174
00:58:16,360 --> 00:58:19,400
Speaker 2: But he has club, he has his own jazz club.

1175
00:58:19,400 --> 00:58:20,120
Speaker 2: What are you talking about?

1176
00:58:20,600 --> 00:58:22,360
Speaker 1: Yeah, but he don't got his own label. You know

1177
00:58:22,400 --> 00:58:22,919
Speaker 1: what I'm saying.

1178
00:58:24,200 --> 00:58:26,680
Speaker 2: And that's not my interpresion at all. I'm sorry, audience

1179
00:58:26,720 --> 00:58:27,040
Speaker 2: will stop.

1180
00:58:27,120 --> 00:58:29,360
Speaker 1: Some metation is the temptation? Listen?

1181
00:58:29,520 --> 00:58:31,800
Speaker 4: My point is you talk about La land.

1182
00:58:31,720 --> 00:58:35,240
Speaker 2: Oh really, this podcast? What if this potat just became

1183
00:58:35,320 --> 00:58:42,800
Speaker 2: one hundred percent each week we talk about No, I

1184
00:58:42,920 --> 00:58:45,919
Speaker 2: just I just on that he's got his own jazz club.

1185
00:58:46,000 --> 00:58:51,080
Speaker 2: He's happy. I'm sure he's like hooking up. I'm saying

1186
00:58:51,160 --> 00:58:54,400
Speaker 2: he's content with his career, his dreams come true. He

1187
00:58:54,480 --> 00:58:56,760
Speaker 2: owns the jazz club. But then the love of his

1188
00:58:56,920 --> 00:58:59,960
Speaker 2: life walks back in with her husband, and I always

1189
00:59:00,080 --> 00:59:05,680
Speaker 2: felt that he was crushed. Okay, Yeah, and then he

1190
00:59:05,800 --> 00:59:08,320
Speaker 2: dropped the ball by not going to Paris and by

1191
00:59:08,360 --> 00:59:09,760
Speaker 2: not going to her one woman show.

1192
00:59:10,000 --> 00:59:12,000
Speaker 1: He didn't he wasn't invited.

1193
00:59:14,000 --> 00:59:15,920
Speaker 2: Well, he fucked up by not going to the one

1194
00:59:15,960 --> 00:59:19,000
Speaker 2: woman show for sure. That's where he To be fair,

1195
00:59:19,080 --> 00:59:20,760
Speaker 2: I'm glad did not to sit through that woman show.

1196
00:59:20,800 --> 00:59:21,640
Speaker 2: It didn't look that great.

1197
00:59:25,400 --> 00:59:33,000
Speaker 6: Okay, she became a movie star because of it, right,

1198
00:59:33,080 --> 00:59:36,800
Speaker 6: But that doesn't mean a genius talented actress necessarily writes

1199
00:59:36,880 --> 00:59:38,720
Speaker 6: the best one woman show that you have to sit

1200
00:59:38,800 --> 00:59:40,200
Speaker 6: through for two hours and be like, it looks like

1201
00:59:40,200 --> 00:59:41,400
Speaker 6: you're having so much fun up there.

1202
00:59:43,800 --> 00:59:47,480
Speaker 2: To Pasadena or something like that. I don't know. All

1203
00:59:47,560 --> 00:59:49,520
Speaker 2: right back to we'll take a break and then we're

1204
00:59:49,520 --> 00:59:51,880
Speaker 2: going to finish our summary. We'll be right back after this.

1205
00:59:52,440 --> 00:59:55,320
Speaker 2: What you're trying to get into one day or shoe

1206
00:59:55,920 --> 00:59:56,840
Speaker 2: what you're trying to do?

1207
00:59:57,960 --> 01:00:10,960
Speaker 1: Advertisements and we're back, all right? Likes a little assfl

1208
01:00:11,000 --> 01:00:13,360
Speaker 1: They don't even act like you don't okay, I think

1209
01:00:13,400 --> 01:00:15,080
Speaker 1: there was a lot of ass play in this episode.

1210
01:00:15,560 --> 01:00:16,640
Speaker 2: How do you know there's ass play?

1211
01:00:17,160 --> 01:00:21,960
Speaker 1: I'm just guessing, Okay, I'm assuming, I'm assuming making an

1212
01:00:22,000 --> 01:00:22,880
Speaker 1: ass out of you and me.

1213
01:00:24,240 --> 01:00:27,640
Speaker 2: I'm okay. So Drew Cox says he's going to take

1214
01:00:27,640 --> 01:00:29,760
Speaker 2: a look. By the way, Beard fa Say still works

1215
01:00:29,760 --> 01:00:30,680
Speaker 2: at this hospital. I saw.

1216
01:00:30,680 --> 01:00:32,160
Speaker 1: I have to say, so of these people in the

1217
01:00:32,200 --> 01:00:35,800
Speaker 1: background are playing interns and they were interned when we

1218
01:00:35,920 --> 01:00:38,479
Speaker 1: were interns, So there's something wrong.

1219
01:00:38,840 --> 01:00:41,160
Speaker 2: Well, Beard fa Say is definitely a doctor, he's not

1220
01:00:41,240 --> 01:00:42,320
Speaker 2: an intern, and he's still.

1221
01:00:42,280 --> 01:00:46,400
Speaker 1: Well Sean is an intern and he was. And then

1222
01:00:46,440 --> 01:00:49,240
Speaker 1: what the fuck is Reggie in the purple Scrubs doing

1223
01:00:49,560 --> 01:00:50,800
Speaker 1: in the in the rounds?

1224
01:00:51,320 --> 01:00:55,040
Speaker 2: Maybe maybe he decided to become a med student.

1225
01:00:55,680 --> 01:00:57,280
Speaker 1: But why does he still got the purple on?

1226
01:00:57,720 --> 01:00:59,880
Speaker 2: I don't know. It was probably like them not know

1227
01:01:00,160 --> 01:01:03,360
Speaker 2: the rules of the different scrubs colors episode one or something.

1228
01:01:03,440 --> 01:01:06,320
Speaker 1: I don't know. Boy, they're already crossing, They're already crossing

1229
01:01:06,360 --> 01:01:06,760
Speaker 1: the line.

1230
01:01:07,600 --> 01:01:09,160
Speaker 2: Cox takes an interest in Drew.

1231
01:01:09,800 --> 01:01:12,720
Speaker 1: And let's say why he takes an interest in Drew

1232
01:01:13,400 --> 01:01:16,320
Speaker 1: Cox does not. Cox likes to pick on the weaker ones,

1233
01:01:16,520 --> 01:01:24,240
Speaker 1: the weaker, the weaker, uh, insecure uh interns. Cox has

1234
01:01:24,360 --> 01:01:31,400
Speaker 1: always enjoyed picking on and he's doing it to Lucy

1235
01:01:31,880 --> 01:01:36,200
Speaker 1: carry Bhay's character. And Drew sees it and decides to

1236
01:01:37,240 --> 01:01:39,920
Speaker 1: jump in the way and be a shield for Lucy

1237
01:01:40,040 --> 01:01:43,640
Speaker 1: and be like a big brother to stop Cox's rage

1238
01:01:43,720 --> 01:01:47,520
Speaker 1: on her and turned the attention elsewhere because he's been

1239
01:01:47,560 --> 01:01:50,800
Speaker 1: in jail and he's you know, we learned that his

1240
01:01:51,000 --> 01:01:53,760
Speaker 1: backstory is that he dropped out of he dropped he

1241
01:01:54,160 --> 01:01:54,960
Speaker 1: flunked out or he.

1242
01:01:56,840 --> 01:01:58,560
Speaker 2: Like I think he had dropped out or flamed out,

1243
01:01:58,640 --> 01:02:00,680
Speaker 2: meaning just emotionally couldn't handle. Because there's a lot of

1244
01:02:00,720 --> 01:02:02,600
Speaker 2: references to how hard is the am Men student, and

1245
01:02:02,640 --> 01:02:05,480
Speaker 2: there's some there's some there's a couple of references to like,

1246
01:02:05,560 --> 01:02:08,160
Speaker 2: you guys aren't going to last and and and so

1247
01:02:08,320 --> 01:02:10,120
Speaker 2: he flamed out and then for some reason he was

1248
01:02:10,200 --> 01:02:10,760
Speaker 2: in jail.

1249
01:02:12,040 --> 01:02:13,760
Speaker 1: Yeah, there's something that he did.

1250
01:02:13,840 --> 01:02:15,280
Speaker 2: I don't know if we ever learned that. In these

1251
01:02:15,320 --> 01:02:16,760
Speaker 2: twelve episodes, we'll find out.

1252
01:02:17,280 --> 01:02:20,480
Speaker 1: Maybe we'll see, But Joe seems to get a kick

1253
01:02:20,520 --> 01:02:20,880
Speaker 1: out of him.

1254
01:02:21,680 --> 01:02:24,720
Speaker 2: And then JD, as we said earlier, finally talks to Lucy.

1255
01:02:24,800 --> 01:02:26,280
Speaker 2: And that's kind of nice because he feels like he's

1256
01:02:26,280 --> 01:02:28,120
Speaker 2: a really bad teacher. He doesn't get invited out to

1257
01:02:28,440 --> 01:02:30,480
Speaker 2: party with them. They don't come to his beer party

1258
01:02:30,760 --> 01:02:34,840
Speaker 2: in the classroom. Only Turk shows up and JD has

1259
01:02:34,880 --> 01:02:38,440
Speaker 2: these glow stick necklaces to wear, and Turk won't even

1260
01:02:38,480 --> 01:02:39,760
Speaker 2: wear the glowstick necklaces.

1261
01:02:40,480 --> 01:02:43,040
Speaker 1: And then they go on to walk and the that's

1262
01:02:43,120 --> 01:02:44,440
Speaker 1: kind of off brand though.

1263
01:02:44,400 --> 01:02:46,680
Speaker 2: Yeah, I feel like Turk would have rock the glowstick necklace.

1264
01:02:46,760 --> 01:02:49,440
Speaker 1: Oh yeah, it's him and JD. They're on about they're outside.

1265
01:02:50,360 --> 01:02:53,320
Speaker 1: I love that term, by the way, what yeah sad

1266
01:02:53,680 --> 01:02:55,720
Speaker 1: outside said like if you want to instead of what

1267
01:02:55,800 --> 01:02:58,200
Speaker 1: you're trying to get into, Yeah, you want to go outside.

1268
01:02:59,400 --> 01:02:59,920
Speaker 2: That's a term.

1269
01:03:00,760 --> 01:03:02,160
Speaker 1: That's the new. Remember when you was a kid and

1270
01:03:02,280 --> 01:03:04,000
Speaker 1: used to say that to people, Yo, you going outside?

1271
01:03:04,440 --> 01:03:08,240
Speaker 1: Uh huh, that's back. But for adults, we outside, Yo,

1272
01:03:08,480 --> 01:03:11,520
Speaker 1: we outside, Yo meet us outside, were coming out of

1273
01:03:11,560 --> 01:03:14,800
Speaker 1: we outside you And when you outside, you got you

1274
01:03:14,880 --> 01:03:18,240
Speaker 1: gotta be really outside. According to Beyonce, because if you're

1275
01:03:18,240 --> 01:03:21,640
Speaker 1: not that, you're not that outside, right.

1276
01:03:22,400 --> 01:03:24,840
Speaker 2: I'll start using that because I like what you're trying

1277
01:03:24,840 --> 01:03:25,280
Speaker 2: to get into.

1278
01:03:25,360 --> 01:03:26,920
Speaker 1: I need to. I still like what you're trying to

1279
01:03:26,920 --> 01:03:27,200
Speaker 1: get into.

1280
01:03:27,240 --> 01:03:29,439
Speaker 2: Don't get a twisted So when you when I text

1281
01:03:29,520 --> 01:03:30,960
Speaker 2: you to do something, you want me to say, do

1282
01:03:31,000 --> 01:03:31,880
Speaker 2: you want to go outside?

1283
01:03:33,080 --> 01:03:34,640
Speaker 1: I maan, if you could find a funny way to

1284
01:03:34,680 --> 01:03:35,520
Speaker 1: say it, you're.

1285
01:03:35,400 --> 01:03:36,200
Speaker 2: Trying to go outside?

1286
01:03:36,840 --> 01:03:37,040
Speaker 9: Yeah?

1287
01:03:42,200 --> 01:03:44,080
Speaker 2: I always think about you, and I'm like, if it

1288
01:03:44,200 --> 01:03:45,920
Speaker 2: just feels like you're not trying to get into.

1289
01:03:45,800 --> 01:03:47,720
Speaker 1: Anything, I'm not trying to r s v P.

1290
01:03:49,040 --> 01:03:51,000
Speaker 2: Yeah, you didn't rs VP on my birthday.

1291
01:03:51,160 --> 01:03:54,400
Speaker 1: I'll be at your brunch. Bro. I'm fucking skipping Vegas

1292
01:03:54,440 --> 01:03:56,160
Speaker 1: to go to your brunch. Bro. Why were you going

1293
01:03:56,200 --> 01:03:59,600
Speaker 1: to guess my kid got made hoops basketball? I'm skipping

1294
01:03:59,680 --> 01:04:02,200
Speaker 1: that it to be at your brunch. Bro.

1295
01:04:03,040 --> 01:04:07,040
Speaker 2: He's gonna take them. He's not ask some other parents

1296
01:04:07,080 --> 01:04:07,520
Speaker 2: to take them.

1297
01:04:07,960 --> 01:04:13,120
Speaker 1: Man, come on now, really, parenting one O one, you can't.

1298
01:04:13,280 --> 01:04:15,280
Speaker 2: You can't have other parents that you trust.

1299
01:04:15,760 --> 01:04:16,760
Speaker 1: You sleepovers either.

1300
01:04:17,120 --> 01:04:19,720
Speaker 2: Sorry, guys, because of his nut allergy.

1301
01:04:21,120 --> 01:04:24,560
Speaker 1: That's one reason these motherfuckers I don't know. These motherfuckers

1302
01:04:24,640 --> 01:04:26,600
Speaker 1: they know that they know that they might know the kids.

1303
01:04:26,880 --> 01:04:27,160
Speaker 1: I don't know.

1304
01:04:27,240 --> 01:04:28,960
Speaker 2: These does want to have a.

1305
01:04:31,040 --> 01:04:33,080
Speaker 1: I mean, if you want to have if your kids

1306
01:04:33,120 --> 01:04:35,200
Speaker 1: want to sleep over here, that's cool. But there's no

1307
01:04:35,280 --> 01:04:37,439
Speaker 1: way I'm letting my kids sleep over your house. I'm sorry.

1308
01:04:37,480 --> 01:04:40,720
Speaker 1: I've even I've even I've even I've even designed my

1309
01:04:40,920 --> 01:04:43,440
Speaker 1: house so that if my kid wants to have friends over,

1310
01:04:43,800 --> 01:04:45,320
Speaker 1: it's fun for the kids when they get here and

1311
01:04:45,360 --> 01:04:46,080
Speaker 1: they can have fun.

1312
01:04:46,560 --> 01:04:46,960
Speaker 2: Have a question.

1313
01:04:46,960 --> 01:04:49,200
Speaker 1: She's not going nowhere, and she's not going nowhere to go.

1314
01:04:49,280 --> 01:04:53,400
Speaker 1: I'm sorry, very if there's a select few, there's a

1315
01:04:53,720 --> 01:04:56,919
Speaker 1: very select few, and you have to and my wife

1316
01:04:56,960 --> 01:04:58,640
Speaker 1: has either vetted, like.

1317
01:04:59,200 --> 01:05:03,240
Speaker 2: Straight up, man, vetting's important, you got a vat no.

1318
01:05:03,360 --> 01:05:06,600
Speaker 1: But even vetting, even vetting doesn't necessarily crack the service.

1319
01:05:06,840 --> 01:05:09,160
Speaker 1: Anybody could be anybody in an interview, you know what

1320
01:05:09,200 --> 01:05:11,520
Speaker 1: I mean, I could be somebody else. I'm i fucking

1321
01:05:11,760 --> 01:05:13,480
Speaker 1: somebody else in every interview that I go with.

1322
01:05:13,560 --> 01:05:15,760
Speaker 2: So your kids will never your kids will never be

1323
01:05:15,840 --> 01:05:17,840
Speaker 2: allowed to sleep at a friend's.

1324
01:05:17,600 --> 01:05:19,200
Speaker 1: House, not until they're much older.

1325
01:05:19,800 --> 01:05:21,560
Speaker 2: So those poor kids are like, I just want to

1326
01:05:21,600 --> 01:05:24,280
Speaker 2: go to a movie and sleep over my friend's house. No,

1327
01:05:24,600 --> 01:05:25,240
Speaker 2: go to a movie.

1328
01:05:25,440 --> 01:05:28,680
Speaker 1: No, you can go to a movie. I'll take you

1329
01:05:28,760 --> 01:05:30,520
Speaker 1: to a movie. If that's the case. I don't mind

1330
01:05:30,560 --> 01:05:33,080
Speaker 1: that shit. You're not sleeping over them. I'll be picking

1331
01:05:33,160 --> 01:05:37,680
Speaker 1: you up. There you go, all right, un everybody starts

1332
01:05:37,720 --> 01:05:40,360
Speaker 1: to go down. Guess who's coming to get you? What

1333
01:05:40,520 --> 01:05:42,960
Speaker 1: time you're going to bed? You don't know. I'll be

1334
01:05:43,160 --> 01:05:46,640
Speaker 1: there at eight thirty, nine thirty the latest.

1335
01:05:47,320 --> 01:05:52,280
Speaker 2: That's what's up. That's what's up. That, my friends, is

1336
01:05:52,360 --> 01:05:59,560
Speaker 2: what's up? So we Joel organized a debate between some fans. Hell, Joelle,

1337
01:06:00,680 --> 01:06:02,520
Speaker 2: how did this work out? What happened?

1338
01:06:02,520 --> 01:06:04,560
Speaker 3: So we asked you guys to send you your voicemails

1339
01:06:04,680 --> 01:06:08,919
Speaker 3: to scrupsiheart atgmail dot com, picking an episode and whether

1340
01:06:09,000 --> 01:06:11,240
Speaker 3: you loved it or you hated it. So we got

1341
01:06:11,280 --> 01:06:14,600
Speaker 3: a ton of emails, a handful of voicemails. If you

1342
01:06:14,760 --> 01:06:17,160
Speaker 3: want to send in for any future episodes, just make

1343
01:06:17,200 --> 01:06:19,640
Speaker 3: sure you put like which episode it is in the title.

1344
01:06:19,760 --> 01:06:23,120
Speaker 3: So we have one positive person in one who is

1345
01:06:23,240 --> 01:06:24,480
Speaker 3: not feeling season nine.

1346
01:06:24,520 --> 01:06:26,320
Speaker 2: All right, let me ask you a question before we continue.

1347
01:06:26,480 --> 01:06:29,560
Speaker 2: Were these people saying the whole season or specific episodes?

1348
01:06:30,000 --> 01:06:32,000
Speaker 3: I reach out to them and ask them to record

1349
01:06:32,120 --> 01:06:34,480
Speaker 3: specifically on season one episode one.

1350
01:06:34,640 --> 01:06:35,280
Speaker 1: So that's okay.

1351
01:06:35,800 --> 01:06:37,640
Speaker 2: So if you're going to something different, if you're gonna

1352
01:06:37,720 --> 01:06:41,240
Speaker 2: submit going forward, what we'd like you to do if

1353
01:06:41,280 --> 01:06:43,200
Speaker 2: you want to be on the air is pick a

1354
01:06:43,280 --> 01:06:46,640
Speaker 2: specific episode and put in the subject heading to Joel,

1355
01:06:47,280 --> 01:06:50,680
Speaker 2: this is about season nine episode four. Here's why I

1356
01:06:50,800 --> 01:06:53,880
Speaker 2: love it, Here's why I hate it. Maybe put season

1357
01:06:54,000 --> 01:06:57,680
Speaker 2: nine episode four love or season nine episode four hate,

1358
01:06:57,840 --> 01:06:59,560
Speaker 2: just to make it simple for Jewell, because she's a

1359
01:06:59,640 --> 01:07:04,760
Speaker 2: very busy woman, very smart, and and Carmen who helps us.

1360
01:07:05,000 --> 01:07:06,200
Speaker 1: Carmen, shout out Carmen.

1361
01:07:06,400 --> 01:07:09,760
Speaker 2: And what's the max time, Joell? Like three minutes.

1362
01:07:09,520 --> 01:07:10,760
Speaker 4: Maxe minutes max?

1363
01:07:11,120 --> 01:07:12,960
Speaker 2: Anyone audio audio?

1364
01:07:13,080 --> 01:07:18,680
Speaker 3: Okay, So this is for Scrubs season nine, episode one.

1365
01:07:18,760 --> 01:07:19,800
Speaker 3: We'll start with Aaron.

1366
01:07:20,280 --> 01:07:21,600
Speaker 4: She was not a fan.

1367
01:07:22,120 --> 01:07:25,120
Speaker 1: Oh Aaron, Okay, go ahead, Hey.

1368
01:07:25,480 --> 01:07:29,960
Speaker 8: Zach, Donald, Joel, and Daniel. My name is Aaron Fodorco

1369
01:07:30,160 --> 01:07:32,320
Speaker 8: and I'm calling on behalf.

1370
01:07:32,560 --> 01:07:34,640
Speaker 7: Of all season nine haters.

1371
01:07:35,360 --> 01:07:39,560
Speaker 8: Specifically, I'm going to talk about why I hated season

1372
01:07:39,720 --> 01:07:45,160
Speaker 8: nine episode one so much. It is the biggest tease

1373
01:07:45,680 --> 01:07:51,400
Speaker 8: of my entire life. To me, what made Scrubs so

1374
01:07:51,760 --> 01:07:58,560
Speaker 8: perfect was the fact that Jad was casted perfectly by

1375
01:07:58,680 --> 01:08:02,160
Speaker 8: Zach Raft. Thank you, and anyone who knows me knows

1376
01:08:02,760 --> 01:08:07,080
Speaker 8: I love Zach Brath. So season nine was an absolute

1377
01:08:07,160 --> 01:08:10,240
Speaker 8: keeyas because it gave me exactly what I wanted.

1378
01:08:10,040 --> 01:08:10,680
Speaker 7: From the start.

1379
01:08:10,920 --> 01:08:14,959
Speaker 8: I got an opening monologue about how he talks about

1380
01:08:15,000 --> 01:08:19,240
Speaker 8: Sacred Heart and his time there, and from that moment

1381
01:08:19,640 --> 01:08:24,719
Speaker 8: he has one of the funniest episodes I have seen

1382
01:08:24,880 --> 01:08:26,280
Speaker 8: from him in a long time.

1383
01:08:26,560 --> 01:08:26,800
Speaker 1: Wow.

1384
01:08:27,600 --> 01:08:32,880
Speaker 8: Some examples are the entire scene where JD and Turk

1385
01:08:32,920 --> 01:08:36,880
Speaker 8: are trying to find each other in the hospital and

1386
01:08:37,200 --> 01:08:40,040
Speaker 8: the eagle scene where they are running around the campus

1387
01:08:40,200 --> 01:08:43,040
Speaker 8: and they run into doctor Cox. But I think the

1388
01:08:43,280 --> 01:08:48,320
Speaker 8: funniest thing about this episode is when JD says to

1389
01:08:48,600 --> 01:08:53,639
Speaker 8: doctor Cox, stay open for business in your heart cage.

1390
01:08:54,479 --> 01:08:59,479
Speaker 8: That is probably the hardest I've laughed this entire season

1391
01:08:59,680 --> 01:09:03,400
Speaker 8: of Scrubs, and it is a shame that it was

1392
01:09:03,479 --> 01:09:11,919
Speaker 8: given to me in season nine, episode one. And finally,

1393
01:09:13,120 --> 01:09:17,280
Speaker 8: what made Scrubs work was the chemistry that was built

1394
01:09:17,320 --> 01:09:25,920
Speaker 8: between the core cast over eight seasons, and Bill Lawrence

1395
01:09:26,040 --> 01:09:33,320
Speaker 8: gave us exactly that in season nine, episode one. Scrubs

1396
01:09:33,400 --> 01:09:37,840
Speaker 8: is synonymous with JD, which is anonymous with Zach Brath

1397
01:09:38,479 --> 01:09:41,920
Speaker 8: and The only thing that season nine left me wanting

1398
01:09:42,000 --> 01:09:42,320
Speaker 8: more of.

1399
01:09:43,040 --> 01:09:49,360
Speaker 7: Was Zach Brath JD and Zach Brath in the same

1400
01:09:49,520 --> 01:09:52,000
Speaker 7: way that Christopher Walkin needed more Cowbo.

1401
01:09:53,400 --> 01:09:57,840
Speaker 8: I believe it even nine of Scrubs to have worked better,

1402
01:09:58,520 --> 01:10:03,720
Speaker 8: it had to have been named something completely different. And

1403
01:10:05,280 --> 01:10:08,120
Speaker 8: the only reason that I am able to forgive Bill

1404
01:10:08,240 --> 01:10:15,800
Speaker 8: Lawrence for Scrubs is that he created ted Lasso. Thank you, guys,

1405
01:10:16,040 --> 01:10:19,400
Speaker 8: Love you guys. This is absolutely amazing. Thank you for

1406
01:10:19,520 --> 01:10:24,240
Speaker 8: letting me talk my shit on season nine. I've been

1407
01:10:24,320 --> 01:10:26,200
Speaker 8: waiting a lifetime to do this.

1408
01:10:29,080 --> 01:10:32,439
Speaker 2: What's your name again, name Aaron? Thank you so much.

1409
01:10:32,520 --> 01:10:36,880
Speaker 2: Thank you for the very nice words about me and

1410
01:10:37,040 --> 01:10:39,639
Speaker 2: well said. I think she mentioned a couple things we mentioned,

1411
01:10:39,680 --> 01:10:41,640
Speaker 2: although she happened to love the moment when we did

1412
01:10:41,680 --> 01:10:44,120
Speaker 2: an eagle and you know what I think.

1413
01:10:46,080 --> 01:10:49,360
Speaker 1: I think this is probably one of the best ideas

1414
01:10:50,000 --> 01:10:55,120
Speaker 1: in a long time. And this is why if Star

1415
01:10:55,200 --> 01:10:57,840
Speaker 1: Wars did this, this would be great. People got to

1416
01:10:57,960 --> 01:10:59,360
Speaker 1: air out their fucking you know.

1417
01:10:59,360 --> 01:11:03,360
Speaker 2: What I'm saying, grievances, you know what I mean, and

1418
01:11:03,600 --> 01:11:03,920
Speaker 2: not be.

1419
01:11:04,080 --> 01:11:07,559
Speaker 1: Penalized for it and not judged for it or whatever.

1420
01:11:07,680 --> 01:11:10,960
Speaker 1: You know what I mean. A young lady expressed everything

1421
01:11:11,080 --> 01:11:15,040
Speaker 1: she wanted to express. She has a very she's very

1422
01:11:15,120 --> 01:11:17,160
Speaker 1: fond of you, Zach, obviously. So I don't think the

1423
01:11:17,200 --> 01:11:19,240
Speaker 1: show would have worked. I don't think the show would

1424
01:11:19,280 --> 01:11:23,880
Speaker 1: have worked. Regard if you had, if you would have

1425
01:11:23,920 --> 01:11:26,800
Speaker 1: been in All six, I mean thirteen or twelve, I

1426
01:11:26,920 --> 01:11:30,280
Speaker 1: bet you she would have loved it. So I will

1427
01:11:30,360 --> 01:11:34,680
Speaker 1: say this is a great way. As long as you

1428
01:11:34,680 --> 01:11:37,160
Speaker 1: don't hurt nobody's feelings, I'm all for it. I'm sure.

1429
01:11:38,000 --> 01:11:39,800
Speaker 1: I'm sure there have people that said some shit like

1430
01:11:40,160 --> 01:11:44,280
Speaker 1: and this, I say something about this asshole and.

1431
01:11:47,120 --> 01:11:49,240
Speaker 2: Make Does this make you want to go? Do you

1432
01:11:49,360 --> 01:11:51,719
Speaker 2: wish now that you could go on a Star Wars

1433
01:11:51,920 --> 01:11:54,920
Speaker 2: podcast and say the grievances you have about something you

1434
01:11:54,960 --> 01:11:55,880
Speaker 2: don't like in Star Wars?

1435
01:11:55,920 --> 01:12:03,240
Speaker 1: Everybody knows my grievances. Fucking fucking Star Wars knows my grievances.

1436
01:12:03,479 --> 01:12:06,480
Speaker 1: I don't think I'm gonna ever do a Star Wars again.

1437
01:12:06,360 --> 01:12:08,360
Speaker 2: Because you think you've hurt someone's feelings.

1438
01:12:08,680 --> 01:12:10,479
Speaker 1: I might have hurt someone's feelings.

1439
01:12:10,720 --> 01:12:14,559
Speaker 2: Dave Feloney, do you think that, Davey No way. I've

1440
01:12:14,600 --> 01:12:17,280
Speaker 2: heard just like you say fuck your sound effects machine.

1441
01:12:17,320 --> 01:12:21,080
Speaker 1: Do you think no definitely feel like whoever was involved

1442
01:12:21,080 --> 01:12:25,320
Speaker 1: with the sequel trilogy might be like, I don't like like,

1443
01:12:25,600 --> 01:12:27,719
Speaker 1: I don't like Donald Faison anymore.

1444
01:12:28,920 --> 01:12:31,519
Speaker 2: You sure they love you. Although when we were at

1445
01:12:31,560 --> 01:12:35,760
Speaker 2: the Pineo, you did give love to Kathleen Kennedy's twin

1446
01:12:35,960 --> 01:12:36,599
Speaker 2: instead of her.

1447
01:12:36,880 --> 01:12:39,160
Speaker 1: That may have heard. And I was being fake too

1448
01:12:39,200 --> 01:12:41,680
Speaker 1: when I did it too, And I deserve that also, boy,

1449
01:12:42,240 --> 01:12:43,680
Speaker 1: and I was, and I deserve that.

1450
01:12:44,120 --> 01:12:46,640
Speaker 2: If you have an identical twin and you're hosting a

1451
01:12:46,720 --> 01:12:48,679
Speaker 2: giant premiere, I'm sure a lot of people are gonna

1452
01:12:48,720 --> 01:12:50,599
Speaker 2: get confused. She should wear a T shirt that says

1453
01:12:50,640 --> 01:12:51,799
Speaker 2: I'm not Kathleen Kennedy.

1454
01:12:52,320 --> 01:12:54,320
Speaker 1: Yeah, but also I shouldn't have went up to Kathleen

1455
01:12:54,439 --> 01:12:57,400
Speaker 1: Kennedy and or who I thought was Kathleen Kennedy and

1456
01:12:57,560 --> 01:12:59,760
Speaker 1: lied my ass off on how much I enjoyed the

1457
01:12:59,800 --> 01:13:01,519
Speaker 1: movie because I really didn't.

1458
01:13:01,760 --> 01:13:05,639
Speaker 2: Well, now you're definitely not gonna be all right, Joell,

1459
01:13:05,720 --> 01:13:09,479
Speaker 2: Let's hear the person who loves Season nine, episode one, Dan,

1460
01:13:09,560 --> 01:13:15,120
Speaker 2: I'll take it away, got you? Here is here is Samantha?

1461
01:13:16,120 --> 01:13:16,479
Speaker 7: He y'all.

1462
01:13:16,760 --> 01:13:20,479
Speaker 9: My name is Samantha and I'm from North Carolina. Episode

1463
01:13:20,560 --> 01:13:22,960
Speaker 9: one of season nine is my favorite.

1464
01:13:22,720 --> 01:13:26,200
Speaker 7: Because it gives you a sense of normalcy. You have

1465
01:13:26,960 --> 01:13:30,080
Speaker 7: right off the bat, JD walking in doing his inner

1466
01:13:30,160 --> 01:13:30,960
Speaker 7: monologue thing.

1467
01:13:31,960 --> 01:13:35,720
Speaker 9: We have Elliott over here yelling at Med students in

1468
01:13:35,800 --> 01:13:42,160
Speaker 9: our high pitch, cute little voice, cute little pregnant belly Turk, he's.

1469
01:13:42,040 --> 01:13:43,639
Speaker 7: Being a silly old self.

1470
01:13:44,640 --> 01:13:50,879
Speaker 9: We've got doctor Cox with his egotistical, diabolical cutthroat itself

1471
01:13:51,600 --> 01:13:55,760
Speaker 9: telling these med students You're gonna kill somebody, and you

1472
01:13:55,920 --> 01:13:58,800
Speaker 9: still like. And then you got j D and Churk

1473
01:13:58,960 --> 01:14:02,400
Speaker 9: acting like we've not seen each other in what I'm

1474
01:14:02,439 --> 01:14:06,439
Speaker 9: guessing years, but they just carpolled to school together.

1475
01:14:07,280 --> 01:14:08,880
Speaker 7: But they're running to each other.

1476
01:14:09,479 --> 01:14:12,720
Speaker 9: And it's like a flashback in a sense from their

1477
01:14:12,760 --> 01:14:16,280
Speaker 9: honey like or Carla and Turks honeymoon, and I guess

1478
01:14:16,360 --> 01:14:18,880
Speaker 9: Judi and Turks honeymoon.

1479
01:14:21,400 --> 01:14:22,120
Speaker 1: We were together.

1480
01:14:22,720 --> 01:14:27,200
Speaker 9: But I also like the med students. You have Lucy,

1481
01:14:27,720 --> 01:14:34,439
Speaker 9: Drew and Cole. They all bring this weird little trio

1482
01:14:34,720 --> 01:14:43,760
Speaker 9: dynamic that you had with Elliott, Turk and JD. And

1483
01:14:44,280 --> 01:14:47,800
Speaker 9: it was kind of like a warming you up to

1484
01:14:47,960 --> 01:14:52,240
Speaker 9: a new thing. Also, like the fact that Joe was

1485
01:14:52,320 --> 01:14:55,680
Speaker 9: brought over. Joe was probably one of my absolute favorites

1486
01:14:55,840 --> 01:15:02,120
Speaker 9: in season eight, like she had this just dark self

1487
01:15:02,200 --> 01:15:06,360
Speaker 9: about her, and I feel like I have a dark side,

1488
01:15:06,640 --> 01:15:10,560
Speaker 9: like dark self, like dark humor, and I love that

1489
01:15:10,680 --> 01:15:13,560
Speaker 9: about her, Like she just cracks these dark jokes to

1490
01:15:14,120 --> 01:15:16,400
Speaker 9: kind of deal with things, and I feel like I

1491
01:15:16,520 --> 01:15:19,600
Speaker 9: do the same thing, so I basically connected with that.

1492
01:15:20,200 --> 01:15:24,000
Speaker 7: So her coming over was a nice adjustment as well.

1493
01:15:25,200 --> 01:15:26,519
Speaker 7: But honestly, my.

1494
01:15:26,640 --> 01:15:30,439
Speaker 9: Favorite part that still actually made everything still feel normal

1495
01:15:31,400 --> 01:15:34,839
Speaker 9: was when doctor Cox took on Drew.

1496
01:15:34,720 --> 01:15:35,880
Speaker 7: As his number one.

1497
01:15:36,960 --> 01:15:39,960
Speaker 9: And of course, you know how JD gets when Doctor

1498
01:15:40,040 --> 01:15:44,240
Speaker 9: Cox takes any interest in anybody else, he gets so jealous.

1499
01:15:44,760 --> 01:15:48,160
Speaker 9: And I absolutely love that shit, because it's either doctor

1500
01:15:48,240 --> 01:15:51,479
Speaker 9: Cox just likes to fuck with him about it or

1501
01:15:52,960 --> 01:15:55,720
Speaker 9: he just well, doctor Cox just knows who's going to

1502
01:15:55,760 --> 01:15:59,200
Speaker 9: be a good doctor and so he takes on that person,

1503
01:15:59,680 --> 01:16:05,240
Speaker 9: and and even j D knows that, but he still

1504
01:16:05,280 --> 01:16:11,400
Speaker 9: gets jealous because he never gets that affection from doctor Cox.

1505
01:16:13,120 --> 01:16:15,800
Speaker 9: I feel like it was just a great transition into

1506
01:16:16,000 --> 01:16:19,760
Speaker 9: season nine, And to be honest, I liked season nine.

1507
01:16:19,800 --> 01:16:22,519
Speaker 7: I'm probably gonna be one of the only ones that do.

1508
01:16:23,280 --> 01:16:27,160
Speaker 9: But I enjoyed the season, and I enjoyed this podcast,

1509
01:16:27,439 --> 01:16:29,960
Speaker 9: and I want to say thank you guys so much

1510
01:16:30,560 --> 01:16:34,599
Speaker 9: for this opportunity. Thank you Joe, Well and Donald and Zach.

1511
01:16:34,800 --> 01:16:38,360
Speaker 9: I love y'all so much. And hey, Daniel nice, I

1512
01:16:38,400 --> 01:16:38,800
Speaker 9: thought she was.

1513
01:16:38,760 --> 01:16:40,479
Speaker 2: Gonna skip you down, but you gotta shout.

1514
01:16:40,280 --> 01:16:44,000
Speaker 7: Out wonderful thank you again so much.

1515
01:16:44,439 --> 01:16:49,920
Speaker 2: Very sweet Samantha. Right, thank you Samantha very much, and

1516
01:16:50,320 --> 01:16:50,960
Speaker 2: go ahead, don.

1517
01:16:51,479 --> 01:16:54,760
Speaker 1: I You know, I once again think that this is

1518
01:16:54,840 --> 01:17:01,719
Speaker 1: something that a bunch of companies, and especially tentpole shows

1519
01:17:01,800 --> 01:17:05,200
Speaker 1: and movies should do. You should have the opportunity to

1520
01:17:05,520 --> 01:17:09,040
Speaker 1: as long as you don't hurt anybody's feelings, the positive

1521
01:17:09,240 --> 01:17:12,720
Speaker 1: and the negative, what works and what doesn't work, you

1522
01:17:12,800 --> 01:17:13,240
Speaker 1: know what I mean?

1523
01:17:13,439 --> 01:17:17,160
Speaker 2: That achould be an interesting way to review a movie

1524
01:17:17,320 --> 01:17:19,000
Speaker 2: because it's like what Ciskel and Ebert used to do.

1525
01:17:19,040 --> 01:17:21,240
Speaker 2: You know, remember that great show where they would like

1526
01:17:21,439 --> 01:17:23,880
Speaker 2: pash it out sometimes because now now things are just

1527
01:17:24,000 --> 01:17:26,280
Speaker 2: rotten tomatoes. I was listening to Samantha, and I'm thinking,

1528
01:17:26,360 --> 01:17:28,840
Speaker 2: like I would love to hear like people do it

1529
01:17:28,960 --> 01:17:31,240
Speaker 2: like I mean a pro and con of the film,

1530
01:17:31,360 --> 01:17:32,960
Speaker 2: Like let me hear the person who loved it and

1531
01:17:33,000 --> 01:17:34,680
Speaker 2: then the person who didn't like it. And there are

1532
01:17:34,720 --> 01:17:37,839
Speaker 2: reasons like as opposed to just like someone's blanket statement.

1533
01:17:37,880 --> 01:17:38,479
Speaker 2: That was interesting.

1534
01:17:38,840 --> 01:17:40,880
Speaker 1: Yeah, as long as you don't disrespect anything.

1535
01:17:40,960 --> 01:17:43,040
Speaker 2: Yeah, and be respectful as both of those as both

1536
01:17:43,040 --> 01:17:44,440
Speaker 2: of those women were respectful.

1537
01:17:44,520 --> 01:17:46,400
Speaker 1: Yeah, that's what's up.

1538
01:17:47,000 --> 01:17:50,160
Speaker 2: Well, No, I did I think in the in the

1539
01:17:50,280 --> 01:17:53,160
Speaker 2: macro when I zoom out, I did not dislike it

1540
01:17:53,240 --> 01:17:54,640
Speaker 2: as much as I thought I was going to.

1541
01:17:55,160 --> 01:17:55,960
Speaker 1: I will agree with you.

1542
01:17:57,800 --> 01:18:00,960
Speaker 2: The leads are clearly charming. I mean, not us, The

1543
01:18:01,120 --> 01:18:04,760
Speaker 2: new leads are clearly charming people. And was written by

1544
01:18:04,760 --> 01:18:06,760
Speaker 2: Bill Lawrence. It was directed by Michael Spiller, who's a

1545
01:18:06,800 --> 01:18:11,160
Speaker 2: wonderful director. And there's it. That is episode one of

1546
01:18:11,240 --> 01:18:15,080
Speaker 2: season nine. Everybody donald is going.

1547
01:18:15,040 --> 01:18:17,839
Speaker 1: To be interesting. This is going to be interesting because

1548
01:18:19,040 --> 01:18:21,280
Speaker 1: you know, you get it, I get it. The gripe

1549
01:18:21,400 --> 01:18:24,439
Speaker 1: is what a difference in name makes. You know what

1550
01:18:24,479 --> 01:18:28,400
Speaker 1: I mean by naming it Scrubs, everybody has beef. I

1551
01:18:28,520 --> 01:18:32,519
Speaker 1: really do believe that if it wasn't called Scrubs and

1552
01:18:32,640 --> 01:18:35,880
Speaker 1: it was a spin off of Scrubs and intended to

1553
01:18:35,960 --> 01:18:39,680
Speaker 1: be a spinoff of Scrubs, like if it looked like

1554
01:18:39,800 --> 01:18:41,880
Speaker 1: a spin off book, you know what I mean, it

1555
01:18:41,920 --> 01:18:46,320
Speaker 1: would be way more successful and people would have gravitated

1556
01:18:46,360 --> 01:18:50,679
Speaker 1: towards It was because I laughed, right, I laughed because

1557
01:18:50,720 --> 01:18:54,200
Speaker 1: I laughed a couple of times out loud. And there

1558
01:18:54,200 --> 01:18:56,320
Speaker 1: are Scrubs episodes where I didn't laugh at all and

1559
01:18:56,560 --> 01:18:57,120
Speaker 1: you laugh it.

1560
01:18:57,280 --> 01:18:59,720
Speaker 2: Did you laugh at stay open for business? In your heart?

1561
01:18:59,800 --> 01:19:03,040
Speaker 1: Came dude? I laughed at us. I'm not gonna lie.

1562
01:19:03,200 --> 01:19:05,280
Speaker 1: I laughed at the guy love shit and me knocking

1563
01:19:05,360 --> 01:19:05,800
Speaker 1: dude over.

1564
01:19:06,360 --> 01:19:08,120
Speaker 2: I laughed at your face is so funny.

1565
01:19:09,040 --> 01:19:11,920
Speaker 1: The determination to hug you. I did not laugh at

1566
01:19:11,960 --> 01:19:14,560
Speaker 1: the prison line, but I laughed at everything else. You

1567
01:19:14,600 --> 01:19:14,920
Speaker 1: know what I mean?

1568
01:19:14,920 --> 01:19:16,720
Speaker 2: You know it's good. One thing I thought as we

1569
01:19:16,800 --> 01:19:21,720
Speaker 2: were listening to these women's opinions was like, this exercise

1570
01:19:21,800 --> 01:19:26,719
Speaker 2: might be informative if and when we do a Scrubs reunion,

1571
01:19:27,240 --> 01:19:30,800
Speaker 2: like to help us not fall in well a bill,

1572
01:19:31,040 --> 01:19:34,240
Speaker 2: but us as well, to not fall into pitfalls. You know,

1573
01:19:34,400 --> 01:19:37,560
Speaker 2: how can we make that something new and fresh and

1574
01:19:37,720 --> 01:19:41,040
Speaker 2: different while still giving the audience something they want, which

1575
01:19:41,080 --> 01:19:43,280
Speaker 2: is seeing everyone and all the characters and where they

1576
01:19:43,320 --> 01:19:43,920
Speaker 2: are these days.

1577
01:19:44,360 --> 01:19:48,200
Speaker 1: The other question is do you bring back the people

1578
01:19:48,240 --> 01:19:53,320
Speaker 1: from med school? No? No, but they're all huge stars now,

1579
01:19:53,600 --> 01:19:59,240
Speaker 1: all of them. All of them are big stars Sarry Dave.

1580
01:20:00,840 --> 01:20:03,200
Speaker 1: We'll see we're gonna introduce We're gonna introduce a couple

1581
01:20:03,240 --> 01:20:04,000
Speaker 1: of other characters.

1582
01:20:04,040 --> 01:20:06,400
Speaker 2: I love that Rob Maschio makes a little cameo with.

1583
01:20:08,080 --> 01:20:08,439
Speaker 1: Credits.

1584
01:20:09,560 --> 01:20:11,960
Speaker 2: Rob will definitely be in the in the new incarnation.

1585
01:20:13,800 --> 01:20:15,439
Speaker 1: I would love to see.

1586
01:20:16,560 --> 01:20:17,920
Speaker 2: He's gonna have to get in shape. I don't think

1587
01:20:17,920 --> 01:20:19,000
Speaker 2: he's got that body currently.

1588
01:20:20,280 --> 01:20:21,759
Speaker 1: He looks pretty good in the pictures.

1589
01:20:22,160 --> 01:20:25,040
Speaker 2: I'm just saying. I'm just saying that I think Rob

1590
01:20:25,080 --> 01:20:26,640
Speaker 2: would be the first to say, if you want me

1591
01:20:26,680 --> 01:20:28,320
Speaker 2: in the banana hammock, I need to go to the gym.

1592
01:20:29,920 --> 01:20:33,120
Speaker 1: No, because the banana hammock is going to be full. No,

1593
01:20:33,360 --> 01:20:37,360
Speaker 1: if this it matters right, It's not about it's not

1594
01:20:37,439 --> 01:20:38,320
Speaker 1: about the physique.

1595
01:20:38,680 --> 01:20:41,040
Speaker 2: We know that he's we know that, we know that

1596
01:20:41,160 --> 01:20:53,719
Speaker 2: he's got a third leg. We made about a bunch.

1597
01:20:53,520 --> 01:20:58,280
Speaker 1: Of a story.

1598
01:21:00,080 --> 01:21:00,560
Speaker 6: Should know.

1599
01:21:02,200 --> 01:21:06,160
Speaker 2: So Gadder round you here, up, Gadder round you here.

1600
01:21:06,400 --> 01:21:06,559
Speaker 1: Up.

1601
01:21:06,760 --> 01:21:11,360
Speaker 10: Screetcha mi ando mm hmm