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Speaker 1: All right, what's up? This is Michael Rapp Where you

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Speaker 1: are now listening to a big body, brand new I

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Speaker 1: Am rapp Reports Stereo podcast. On today's podcast, Nipsey was

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Speaker 1: put to rest in a ceremony that was fit for

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Speaker 1: a king. We're talking about that. Dwayne Wade has a

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Speaker 1: send off in the NBA that was fit for an

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Speaker 1: NBA champion. But what about Carmelo Anthony? How is his

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Speaker 1: career going to end? The NBA playoffs are here, they're

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Speaker 1: upon us. We're talking about that. Plus my man, Benny

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Speaker 1: the Butcher, Benny the motherfucking Butcher from Buffalo, New York.

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Speaker 1: Rise Elda Records is in the house. Benny the Butcher

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Speaker 1: is here with me on the I Am Rappaport Stereo podcast.

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Speaker 1: All that, plus some really sick, sick Fox of the

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Speaker 1: Week Miles Jordan. Give me something real nice, some real

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Speaker 1: proper okay, but most importantly some real funk. Let's go

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Speaker 1: all right, this is the I Am Rappaport Stereo Podcasts.

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Speaker 1: My name is Michael Rappaport a k a. The White

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Speaker 1: Chalk Lateito, a k a. The Jake LaMotta of Podcasting,

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Speaker 1: a k a. The Gringo Man Dingo A k A Mr.

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Speaker 1: New York a k A MR two Want two a

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Speaker 1: k A Mr A k A. Yes, Yes, that is

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Speaker 1: my newest moniker Mr A k A. Shout out to

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Speaker 1: my guy O G. Paul Wall Houston is in Sukasa

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Speaker 1: for coming up with that and bless me with that.

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Speaker 1: Appreciate that. Um let's see I am Rapports Stereo podcast.

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Speaker 1: UM here we are Friday. This podcast is being released Friday,

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Speaker 1: April twelve, two thousand nineteen. Man. And once again, when

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Speaker 1: you get to a Friday, you're just like who and

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Speaker 1: we're almost halfway through April, which is insane to me.

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Speaker 1: We are almost halfway through April. It's it's crazy, um

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Speaker 1: that that we are this far. Um who A lot

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Speaker 1: of things to talk about, as I told you in

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Speaker 1: the intro. Later on in the show, Benny the Butcher,

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Speaker 1: Buffalo's Finest from Griselda Records, who is signed by Eminem

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Speaker 1: himself to Shady Records. Benny the Butcher I talked about

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Speaker 1: these guys that played their music. UM, up and coming dude.

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Speaker 1: If you've never heard of him, check his music out.

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Speaker 1: Check out his latest record Tanna Talk three. It's yo.

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Speaker 1: I love these guys. I love the whole Griselda movement.

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Speaker 1: I love the whole movement out of Buffalo. I asked him,

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Speaker 1: that's right, Buffalo. What the fuck? I didn't even know

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Speaker 1: hip hop had a presence up in Buffalo. So he

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Speaker 1: breaks that down. He breaks down how they got with

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Speaker 1: shady records, He breaks down advice he got from jay

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Speaker 1: Z himself. Hove. Of course we speak on Nipsey Hustle

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Speaker 1: Um and what he meant to him. And these guys

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Speaker 1: have a similar grind they have they have grinded it

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Speaker 1: out from the bottom. Uh. And I talked about that, like,

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Speaker 1: how do you get discovered from Buffalo? How do you

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Speaker 1: get Wu Tang certified by Ray Kawan? How do you

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Speaker 1: get Mobb Deep certified from Buffalo? What does it take? Uh?

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Speaker 1: And he breaks that down and everything they've been through

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Speaker 1: and where they're at on their stairway to success. Um.

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Speaker 1: And like I said, I funk with this whole movement.

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Speaker 1: We have Benny the Butcher, Um Conway the Machine west

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Speaker 1: Side Gun Uh and that whole crew. But today is

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Speaker 1: just Benny the Butcher and he's rock with me. And

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Speaker 1: it's a very good, UH interview, very smart interview, very insightful,

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Speaker 1: a lot of jewels, a lot of gems, and I

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Speaker 1: can't wait for you guys to hear it. Um. I

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Speaker 1: just mentioned Nipsey hustle Man a memorial, a send off

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Speaker 1: fit for a king that was something else. Um, that

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Speaker 1: was something else. Uh. The whole Staples Center memorial and

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Speaker 1: all the people that spoke and Stevie Wonder performing and

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Speaker 1: his family and his mother and his father and his

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Speaker 1: sister and his brother speaking so eloquently and so passionately

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Speaker 1: and so humbly, uh and sharing stories about this guy

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Speaker 1: who has obviously, you know, gotten bigger in his passing

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Speaker 1: since he's passed. UM. And that's fine, you know, Um, Listen,

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Speaker 1: I wish this guy was still here, of course, Uh.

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Speaker 1: People that knew him the best and his family wishes

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Speaker 1: he was still here. But this was the way his

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Speaker 1: journey was supposed to go. Um. And what an impact,

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Speaker 1: what a send off fit for a king. And I'm

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Speaker 1: sure everybody seen the footage and just the procession that

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Speaker 1: traveled all around Los Angeles twenty five point two miles

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Speaker 1: and the traffic and the chaos and the excitement, and

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Speaker 1: for the most part, it was all positive. Um. And

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Speaker 1: it just the I mean ship you can't even plan for.

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Speaker 1: I've never seen anything like it. Um, you know, because

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Speaker 1: he he was street music. So when they bring him

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Speaker 1: out for his final drive through his city, uh, people

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Speaker 1: are gonna come out in the streets. And they came

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Speaker 1: out in droves and it didn't stop. And it was really, man,

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Speaker 1: it was really impressive and really beautiful. Um. And it

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Speaker 1: really says a lot about the impact that Nipsey Hustle

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Speaker 1: left and the impact of hip hop, and um, you know,

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Speaker 1: it's bigger than just Nipsey Hustle, Like this represents all

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Speaker 1: the falling people uh from hip hop over the years. Um. Obviously,

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Speaker 1: I remember when Biggie Uh, you know, they drove his

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Speaker 1: body through Brooklyn. It was impromptu, there wasn't social media,

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Speaker 1: there wasn't a plan. People just came out, uh and

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Speaker 1: it was nothing like this. This is thousands upon thousands

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Speaker 1: upon thousands, and you know Brooklyn is in twenty five

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Speaker 1: miles uh, you know, big Um. So this was just

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Speaker 1: incredible And watching Snoop talk so just from the heart

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Speaker 1: and and so many people, just a beloved guy. And

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Speaker 1: you know, we talked about it on the podcast, and

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Speaker 1: you know, it's crazy because as much as people love

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Speaker 1: his music, the person really made the impact. And the

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Speaker 1: person is the thing that uh people are gonna miss,

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Speaker 1: and the influence and the excitement and the ideas and

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Speaker 1: what he actually accomplished is what people are gonna miss.

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Speaker 1: And I've been really trying to uh figure out, you know,

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Speaker 1: and think for myself, like why is it so sad

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Speaker 1: to me? And you know, why is it so sad

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Speaker 1: to everybody? And I think one of the reasons, and

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Speaker 1: there's many, many, many, many different reasons. And you know,

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Speaker 1: I'm sure it brings up you know, anytime someone passes,

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Speaker 1: it brings up different feelings in everybody. It's such a

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Speaker 1: personal thing. But one of the things that I was

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Speaker 1: thinking about is that when you see somebody who's so

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Speaker 1: beloved and so respected and so uh is doing so

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Speaker 1: uh many good things and for him to get shot

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Speaker 1: and killed and murdered like that, I think for me,

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Speaker 1: it's like God, damn, you know, if that could happen

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Speaker 1: to him, that could happen to anybody. This is a

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Speaker 1: beloved guy. It just makes you think, I mean, ship

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Speaker 1: like we are all vulnerable in life is short and

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Speaker 1: life is precious, um And I know for me I'm

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Speaker 1: just like, damn man, if that that could happen to him,

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Speaker 1: that could literally happen to anybody. Obviously, that's extreme circumstances

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Speaker 1: with extreme uh measures and just an extreme tragedy. But

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Speaker 1: I don't know the legacy and the impact of Nipsey

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Speaker 1: Hustle uh will go on and live on forever. And

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Speaker 1: what we all saw in Los Angeles, whether you were

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Speaker 1: here in Los Angeles, whether you were actually at the memorial,

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Speaker 1: actually at uh the twenty five mile procession, or you

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Speaker 1: watch it on TV or social media, UM, it really

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Speaker 1: was kind of breathtaking. And it's just uh sad, sad

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Speaker 1: and to a very uh special, unique, one of a

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Speaker 1: kind guy who was really putting his money where his

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Speaker 1: mouth um is. Uh. It's funny because I discovered there's

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Speaker 1: been a few mixes out there that that dropped. Two

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Speaker 1: of them which are a really dope I heard him

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Speaker 1: both on SoundCloud, guy named DJ filthy Rich. He put

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Speaker 1: out a dope mix, very emotional, very dope, heartfelt mix,

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Speaker 1: and you could get it on SoundCloud and you could

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Speaker 1: follow him on uh Instagram. DJ filthy Rich. He spelled

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Speaker 1: just how it says, UM, and you you know, look

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Speaker 1: at up. I've posted it's all my stories and all

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Speaker 1: that stuff. And then my guy scram Jones from New York. UM,

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Speaker 1: he put out a dope mix and I knew it

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Speaker 1: sounded familiar. On the song Victory Lap, Nipsey Hustle UH

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Speaker 1: samples Willie hutch Um and one of the he breaks

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Speaker 1: down a lot of the samples. DJ scram Jones and

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Speaker 1: that that UH mixes also on a SoundCloud and you

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Speaker 1: can follow him DJ scram Jones. It's on his link.

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Speaker 1: His Nipsey Hustle Scramble mix. That's what he calls all

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Speaker 1: his mixes, because he really does scramble the ship up.

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Speaker 1: He breaks down the samples for a lot of the

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Speaker 1: songs and and one of the songs, UH, Victory Lap,

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Speaker 1: he used very beautifully and it's been sampled a lot.

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Speaker 1: Willie hutch has been sampled a lot, but I didn't

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Speaker 1: put the uh. The the voice. You'll see how he

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Speaker 1: manipulates it and and changes it. It's the song good

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Speaker 1: Old Love by Willie hutch Anyway, it's the guy en

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Speaker 1: Rapports stereo podcasts. We're gonna get down to the get

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Speaker 1: down right now. Let's go. Oh baby, it's been so

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Speaker 1: smuggle and they know that logo on my flow map

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Speaker 1: of course South Chamberlain's go back match my rolex that

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Speaker 1: be where I go flex now they park on some

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Speaker 1: low ship whole out of smoking that Rarry that thing

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Speaker 1: won't burning rubber. One of the the cameras that he was

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Speaker 1: under cover, under pressure, make statements turned on their brothers.

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Speaker 1: Never judge you but the streets and never love you.

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Speaker 1: I wonder what it comes to in your brain for

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Speaker 1: you to run to wants the hess and covers and maces.

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Speaker 1: Call its dumb niggers because our culture is kid taste

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Speaker 1: generations South Central game bankers and live long enough to

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Speaker 1: see it change. They just taught me making race finally

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Speaker 1: with a lot of their mace. Find me out in

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Speaker 1: different places. The spoke by the door that still fultration

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Speaker 1: that we're back just in blue Less. Alright, So it's

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Speaker 1: been a crazy, crazy week, as documented in the emergency

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Speaker 1: podcast that we put out two days ago. We had

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Speaker 1: to put out an emergency podcast for the craziest day

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Speaker 1: in NBA history collectively, um with all the things that happened.

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Speaker 1: Drk Navinski's last game in Dallas, d Wade's last game

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Speaker 1: in Miami, UM, the Magic Johnson Ship UM and so

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Speaker 1: on and so forth. It's all been documented it and

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Speaker 1: and everybody could get that emergency podcast. When we make

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Speaker 1: the move to Luminary, everybody can get everything and rest ashore.

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Speaker 1: I've really been thinking about that, UM. Although we are

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Speaker 1: going to be behind the paywall, me personally, me personally,

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Speaker 1: I am taking this as a test for me and

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Speaker 1: as for the im wrap Ports Stereo podcast crew, We're

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Speaker 1: going to continue to go harder and harder and make

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Speaker 1: the podcast better and better and more rigorous and more

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Speaker 1: vigorous and more emergency podcasting and more ship talking and

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Speaker 1: more disruptive behavior. When we make that move to Luminary,

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Speaker 1: and we're not gonna be alone. There's gonna be forty

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Speaker 1: plus other podcasts exclusively on Luminary. Plus the app itself

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Speaker 1: is dope. You can listen to every podcast in the

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Speaker 1: world on the Luminary app. I'm gonna continue talking about it,

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Speaker 1: but I just want you guys to know, the fans,

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Speaker 1: the listeners of the I M Wrap Ports Stereo podcast

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Speaker 1: cannot stop, will not fucking stop, cannot stop, will not

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Speaker 1: fucking stop. Hard Body, Karate, Blood on the Floor Podcasting,

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Speaker 1: Blood and guts only all blood and guts, pot cast

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Speaker 1: and give you every single ounce of disruptive behavior we

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Speaker 1: can come up with every single time these Golden mics.

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Speaker 1: You hear that, I'm tapping the Golden mics every time

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Speaker 1: these Golden mics are picked up full body karate disruptive behavior.

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Speaker 1: Never ever, ever will we give you anything less than that. Um. So,

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Speaker 1: since that emergency podcast, d Wade done played his last

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Speaker 1: game in Brooklyn. He's finished, He's retired from the NBA.

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Speaker 1: I don't think he's coming back, although he ended his

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Speaker 1: UH season scoring thirty points in UH in Miami and

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Speaker 1: then a triple double in Brooklyn. Um he could obviously

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Speaker 1: play another year or two based on the way he looks. Um.

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Speaker 1: But I think you know, when you when you do

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Speaker 1: like the last Dance Tour and you go city to

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Speaker 1: city and the Jersey trading and all the you know, uh,

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Speaker 1: the tributes and all that, all that, I think you

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Speaker 1: gotta stick to that. I think, out of respect to

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Speaker 1: all that, you only have that once. Then you start

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Speaker 1: to get into what the funk are you doing? Duke?

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Speaker 1: Like we we we just gave you a standing ovation.

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Speaker 1: We thought we were never gonna see you again. Uh

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Speaker 1: did a publicist set that up? Like? What the funk

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Speaker 1: are you doing? Duke? You got paid, you got your money,

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Speaker 1: you got the last dance, you got crowds cheering. Paul

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Speaker 1: Pierce sucks. I know that's not on d Wade, but

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Speaker 1: I mean, there's no more we can do. And of

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Speaker 1: course Lebron James, Chris Paul and Carmelo Anthony we're uh

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Speaker 1: in Brooklyn for Dwyane Wade the last game when they

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Speaker 1: played the Brooklyn Nets at Barclays, and I couldn't help

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Speaker 1: but thinking about Carmelo, you know, Lebron will obviously get

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Speaker 1: the biggest uh ever send off uh And it'll be

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Speaker 1: a sad day even for the likes of haters like myself,

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Speaker 1: when he's not in the NBA all the Although these

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Speaker 1: playoffs look at them as a dress rehearsal for life

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Speaker 1: without Lebron, and I am looking forward to this dress rehearsal.

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Speaker 1: I'm not ready for Lebron James to be gune, but

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Speaker 1: this is a dress rehearsal. Um. But the crazy shit

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Speaker 1: about watching the Banana boat Boys, and that of course

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Speaker 1: is Carmelo d Wade a CP three and Lebron James himself.

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Speaker 1: Is that Mello Carmelo Anthony. I think he's done. I

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Speaker 1: think he's fucking done. You know, he was with the

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Speaker 1: Houston Rockets, who also have Chris Paul. We don't know

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Speaker 1: why that didn't work out. We just know that it

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Speaker 1: didn't work out. He left abruptly. They were talking about

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Speaker 1: him signing with this team, him signing with that team.

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Speaker 1: He did not sign with any team this year. None

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Speaker 1: of these playoff teams signed him. Like Milwaukee could have

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Speaker 1: picked him up to anybody could have picked him up.

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Speaker 1: You could have got him for dirt cheap, and nobody

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Speaker 1: picked up Carmelo Anthony. It makes me think is that it.

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Speaker 1: Will he get a send off? Will there be a

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Speaker 1: last dance for Carmelo? Will he ever play an NBA

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Speaker 1: game again? Will his jersey get retired? I can tell

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Speaker 1: you one thing, He's not getting his jersey retired. As

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Speaker 1: a New York Nick, he had some very good years.

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Speaker 1: He put up some very good numbers as a nick,

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Speaker 1: but we didn't win ship. Do they retire his jersey

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Speaker 1: in Denver? Maybe? I mean, he was incredible at Denver

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Speaker 1: and he will be in the whole of fame. But

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Speaker 1: this is a fucked up way for Carmelo Anthony to

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Speaker 1: go out and and where will he wind up next year?

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Speaker 1: Will we wind up on Lebron James Lakers, because Lebron

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Speaker 1: James is ultimately taking over the Lakers. At the time

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Speaker 1: of this podcast, the Lakers have not fired the coaching

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Speaker 1: staff yet. They fired the fucking trainer. I heard they

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Speaker 1: fired the ushers, the hot dog makers, and every single

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Speaker 1: other person in tables. But at the time of this

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Speaker 1: Iron Wrappers Stereo podcast, they have not fired Luke Walton,

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Speaker 1: Brian Shaw and the coaching staff. Uh, it could happen

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Speaker 1: by the time we dropped this puppy um, but as

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Speaker 1: of now, they haven't made that decision. I'll bet you

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Speaker 1: gonna do it actually Friday the twelve in the evening.

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Speaker 1: You know stories, especially in the entertainment business. You'll notice

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Speaker 1: politics a lot of times. They'll drop stories Friday afternoons

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Speaker 1: because they think it'll it'll sort of lose legs and

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Speaker 1: on Monday you'll forget about it. Dick Stain, Donald Trump

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Speaker 1: does that ship a lot. You'll notice that people quit,

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Speaker 1: they'll get fired or if something bad happens um or

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Speaker 1: if something good happens. You never wanted to come out

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Speaker 1: on a Friday afternoon because it gets washed away over

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Speaker 1: the weekend. But I bet you Luke Walton and Brian

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Speaker 1: Show will not make it to Monday. That's my prediction there.

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Speaker 1: There there's no fucking way that they're making it to

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Speaker 1: Monday April. Now. I I talked about this a little

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Speaker 1: bit on the Emergency podcast from a couple of days ago,

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Speaker 1: and I never repeat things from an emergency podcast, but

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Speaker 1: I really was thinking about this even even harder. Um,

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Speaker 1: Jenny Buss is that her fucking name, I was Genie Buss. Sincerely,

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Speaker 1: stop talking about it being a Laker family and all

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Speaker 1: that bullshit. This is not a mom and pop pizzaia.

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Speaker 1: It's not a shoe store where your your your shoemaker's

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Speaker 1: downtown l a. Oh, We've been in business since nineteen

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Speaker 1: sixty six. Yo, it's the fucking Lakers. Okay. This is

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Speaker 1: a cutthroat business. People want their teams to win. Trust me,

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Speaker 1: trust me and Genie Buss all this like you know,

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Speaker 1: whatever was going on with Magic and with Magic did

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Speaker 1: or didn't do whatever the fuck was going on. Stop

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Speaker 1: running it like it's a mom and pop business. It's

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Speaker 1: not a mom and pop business. You're not a donut maker.

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Speaker 1: You own the fucking Lakers. Okay, somebody nobody had the

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Speaker 1: balls to fire lukewald And Genie Buss looks at Luke

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Speaker 1: Walton her sort of like her stepson. She dated Phil

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Speaker 1: Jackson for fifteen years. Phil Jackson coached raised Luke Walton.

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Speaker 1: You know, they've hung out together, they've smoked weed together,

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Speaker 1: they've partied together. They're very close. She wanted to see

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Speaker 1: Luke thrive. Luke can't thrive with the circus in town,

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Speaker 1: the circuses in l A. You know this, Genie Bus,

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Speaker 1: the circuses in l A. So if you're gonna fucking,

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Speaker 1: you know, go down that road with Lebron James, you're

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Speaker 1: just gonna have to turn it over to him. Who

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Speaker 1: do you want to play on the team, Lebron? Who

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Speaker 1: do you want to coach? And uh, we'll give you

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Speaker 1: two three years whatever it is, three years to win

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Speaker 1: a championship. If not, get the funk out of here,

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Speaker 1: because they got three years left. They're not winning a

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Speaker 1: championship next year. I don't give a fuck of k

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Speaker 1: D and Kyrie come. They're not winning a championship next year.

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Speaker 1: It just doesn't work out. That way. Look at the

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Speaker 1: Miami heatles the first year with Chris Bosh, Lebron and

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Speaker 1: d Wade. They were great, but they didn't win a championship.

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Speaker 1: But just doesn't karmatically work out that way. So then

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Speaker 1: you got two years left, So just ask this fucking

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Speaker 1: guy you want, Tyler, what do you want? You want

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Speaker 1: to bring back j R? Smith, Mellow, what do you

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Speaker 1: want Lebron? And I'll get out of your way, and

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Speaker 1: you fucking just you know, just try to keep things

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Speaker 1: down to a minimum. And this is the exact same

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Speaker 1: thing that pat Riley didn't want to do with the

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Speaker 1: Miami Heat. He didn't want to just turn the fucking

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Speaker 1: keys over to Lebron, James and his cronies. But I

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Speaker 1: guess at this point she has no choice unless they

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Speaker 1: just trade the fucking guy, which is obviously not gonna happen.

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Speaker 1: But the NBA Playoffs are starting Saturday. They are starting Saturday, April,

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Speaker 1: and it's going to be a doozy. The NBA Playoffs

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Speaker 1: are going to be dope. The Bucks are playing the Pistons,

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Speaker 1: the Raptors are playing the Magic, the seventies sixers are

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Speaker 1: playing the Brooklyn Nets. Be careful Joe l Embiid might

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Speaker 1: not play the entire series. Be careful. The Celtics first,

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Speaker 1: the Pacers. If the Pacers could just beat the ship

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Speaker 1: at them, you know, the Pacers of the fifth seed

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Speaker 1: in the East without Victor Oladipo. That ship's crazy. So

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Speaker 1: the Celtics are playing the Pacers. In the West. In

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Speaker 1: the Western Conference, we have the Golden State Warriors are

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Speaker 1: playing the Los Angeles Clippers. The Warriors are going to

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Speaker 1: beat the Clippers, but watch out for Patrick Beverly. The

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Speaker 1: San Antonio Spurs are playing the second seeded Denver Nuggets.

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Speaker 1: Watch out for Greg Popovich. Watch out for the fucking Spurs.

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Speaker 1: I'm not predicting they're going to win this series, but

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Speaker 1: I will not be surprised if they pull off a coup.

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Speaker 1: Okay they are. This is probably one of the most

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Speaker 1: under the radar Spurs teams ever, and they're always under

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Speaker 1: the radar. The Trailblazers are playing the Oklahoma City thunder

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Speaker 1: Dame Dolivers Russell Westbrook. I gotta say one of my

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Speaker 1: proudest months as a disruptive ship talking sports personality came

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Speaker 1: the other day. Friend of the Iron Rapports Stereo podcast Uh.

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Speaker 1: Taylor Rooks, great reporter, great insight, uh and all that stuff.

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Speaker 1: She was on the podcast She's Dope, She's cool. Um.

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Speaker 1: She has her new show, and on her new show,

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Speaker 1: I think it was the second interview she had, she

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Speaker 1: interviewed Dame Dollar, Dame Lillard of the Portland's Trailblazers, and

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Speaker 1: Dame Lillard out of nowhere. Guess who he name dropped?

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Speaker 1: Guess who he named checked? Me the Green good Man

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Speaker 1: Dingle Miles Jordan, please please play that clip from Taylor

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Speaker 1: Rooks's new show to say that failure for you isn't

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Speaker 1: not getting a ring. Failure for you is not being

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Speaker 1: who you are exactly some of the best players ever.

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Speaker 1: I was watching Michael Rapp Report and he was talking

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Speaker 1: about when you think about Gary Payton, you never think

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Speaker 1: about him in Miami winning the ring. You think about

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Speaker 1: Gary Payton in Seattle and Alan Irison in Philly like

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Speaker 1: you just think about their legacy and what they did

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Speaker 1: for me. Like I said, I just focus on what

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Speaker 1: means something to me, working for it, and if it

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Speaker 1: don't happen, I can live with it knowing that you know,

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Speaker 1: the effort and the care was there. You know, I

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Speaker 1: went after it. I like that. I fucking like that.

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Speaker 1: You talk that good ship and people hear it. Uh.

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Speaker 1: The Rockets are playing the Utah Jazz. Rockets are the

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Speaker 1: fourth seed. The Jazz are the fifth seed. That's going

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Speaker 1: to be a brawl. Do not sleep on the Jazz.

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Speaker 1: That is going to be a brawl. You know how

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Speaker 1: I feel about Donovan Mitchell. The Jazz have a good team.

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Speaker 1: They're a scrappy team. They play together. Yo, that's gonna

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Speaker 1: be a good series. And the NBA players are underway.

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Speaker 1: There's a game a day for the next like what

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Speaker 1: is it? It's like the game of day for as

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Speaker 1: long as these series last. Off, these series last go

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Speaker 1: to seven games. We got a game a day for

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Speaker 1: like the next fourteen days or some ship like at

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00:24:00,440 --> 00:24:01,960
Speaker 1: and then it's like every other day and then it

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00:24:02,000 --> 00:24:04,680
Speaker 1: starts to break up at the round one. Don't sleep

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Speaker 1: on it, Enjoy it. Watch the games, learn about the

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Speaker 1: other teams. Watch the Celtics and the Pacers, watch the

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Speaker 1: Spurs and the Nuggets. Don't just watch the Warriors, don't

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00:24:14,160 --> 00:24:18,000
Speaker 1: just watch the Greek freak. Learn and love these new players,

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Speaker 1: these young players that some of us don't get a

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Speaker 1: chance to see throughout the regular season. I'm pumped for

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Speaker 1: the NBA. The NBA has and always will be fantastic.

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Speaker 1: Podcast in Chicago, the Juicy Jesse solme Lay story continues today.

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Speaker 1: As of this I Am wrapppor stereo podcast. The City

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Speaker 1: of Chicago is suing Juicy Jesse solm Lay for false

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Speaker 1: statements after the actor refused to pay his hundred thirty

402
00:25:00,800 --> 00:25:05,800
Speaker 1: thousand dollar bill. Yo, yo, let me tell you something.

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Speaker 1: I don't like lawsuits. Um, They're a pain in the ass.

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00:25:11,080 --> 00:25:15,960
Speaker 1: Knock on wood. I have fortunately never been sued, um,

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00:25:16,560 --> 00:25:19,760
Speaker 1: but I gotta tell you if I was being sued,

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Speaker 1: I don't care who you got. If I got a

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00:25:22,480 --> 00:25:25,800
Speaker 1: letter and and lawsuits are real tricky and complicated and

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00:25:25,840 --> 00:25:30,119
Speaker 1: there's ins and outs in there. They're a mess. But

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Speaker 1: if I got a letter or I got served from

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Speaker 1: the City of Chicago saying the City of Chicago was

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00:25:35,800 --> 00:25:37,280
Speaker 1: suing me, I don't care. If it was for a

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Speaker 1: dollar fifty, I would be like, I'd be ready to

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Speaker 1: vomit from fear, because that just seems like, Yo, you

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Speaker 1: have an entire city, and entire fucking American city, one

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00:25:48,640 --> 00:25:50,480
Speaker 1: of the biggest cities in the world, one of the

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00:25:50,480 --> 00:25:55,320
Speaker 1: biggest American cities suing your ass, I'd be bugging the

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Speaker 1: funk out. But Juicy Jesse solamla, you uh you thought

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00:26:00,359 --> 00:26:03,119
Speaker 1: ship was sweet. You know you're some sort of freedom fighter.

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Speaker 1: You claim to be the gay Tupac. You're not the

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00:26:05,920 --> 00:26:09,160
Speaker 1: gay Tupac, Duke. I don't know if there ever will

421
00:26:09,240 --> 00:26:13,960
Speaker 1: be a gay Tupac, but it ain't you, that's for sure.

422
00:26:14,960 --> 00:26:18,520
Speaker 1: That's for fucking sure. Maybe someday some uh somebody will

423
00:26:18,560 --> 00:26:21,280
Speaker 1: come along and earn that title. You ain't the one,

424
00:26:21,920 --> 00:26:25,920
Speaker 1: Juicy Jesse, Um, but I would not be sleeping well

425
00:26:26,440 --> 00:26:32,840
Speaker 1: knowing that the city of Chicago was coming after my ass. No, Bruno,

426
00:26:39,440 --> 00:26:44,000
Speaker 1: another thing that is going on that I already talked about.

427
00:26:44,040 --> 00:26:49,320
Speaker 1: It it really bothers me. It really fucking bothers me. Um.

428
00:26:49,480 --> 00:26:52,040
Speaker 1: De Niro Robert DeNiro Bobby D had to show up

429
00:26:52,080 --> 00:26:55,760
Speaker 1: in court again this week, uh to the Manhattan Supreme

430
00:26:55,800 --> 00:27:00,480
Speaker 1: Court for his ongoing custody battle and his divorce. And

431
00:27:00,520 --> 00:27:06,720
Speaker 1: these fucking scumbag um photographers and paparazzi, they will not

432
00:27:07,520 --> 00:27:11,840
Speaker 1: let Bob just chill. You know, if anybody deserves take

433
00:27:11,880 --> 00:27:14,320
Speaker 1: your picture, he knows, take your picture and keep it moving.

434
00:27:14,359 --> 00:27:18,439
Speaker 1: You don't need four pictures. This fucking guy, Robert, you know,

435
00:27:18,480 --> 00:27:21,600
Speaker 1: has done so much for New York City, He's done

436
00:27:21,640 --> 00:27:24,879
Speaker 1: so much for Lower Manhattan. He created the Tribeca Film

437
00:27:24,920 --> 00:27:29,400
Speaker 1: Festival when the city was on its knees after nine eleven.

438
00:27:30,480 --> 00:27:35,400
Speaker 1: Remember that the Tribeca Film Festival came months after nine eleven,

439
00:27:36,000 --> 00:27:39,280
Speaker 1: nine years. It came right after nine eleven. And and

440
00:27:39,320 --> 00:27:42,159
Speaker 1: obviously it's a business, but at first it was nothing.

441
00:27:42,200 --> 00:27:44,840
Speaker 1: No one was involved with Lower Manhattan. No one was

442
00:27:44,920 --> 00:27:49,840
Speaker 1: starting a business, starting a film festival, you know, not

443
00:27:49,960 --> 00:27:53,280
Speaker 1: even a mile away from where the World Trade sender,

444
00:27:53,800 --> 00:27:56,560
Speaker 1: where the buildings collapsed. And just we all know what

445
00:27:56,640 --> 00:27:59,080
Speaker 1: he's done. We all know what he means. This guy

446
00:27:59,280 --> 00:28:01,600
Speaker 1: is is is went through something. Take your picture and

447
00:28:01,680 --> 00:28:04,600
Speaker 1: keep it moving. These fucking scumman's got their cameras all

448
00:28:04,680 --> 00:28:09,439
Speaker 1: in Bobby D's face. They won't let him be. And

449
00:28:09,480 --> 00:28:11,600
Speaker 1: I'm really surprised he doesn't show up with a couple

450
00:28:11,640 --> 00:28:17,240
Speaker 1: of govns and push these guys around. I'm not saying

451
00:28:17,240 --> 00:28:19,160
Speaker 1: beat him up and push him around, like yo, let

452
00:28:19,240 --> 00:28:23,399
Speaker 1: Bob de Niro live. He's going through a custody case,

453
00:28:23,560 --> 00:28:27,320
Speaker 1: he's going through a divorce case. In Lower Manhattan, just

454
00:28:27,400 --> 00:28:30,000
Speaker 1: blocks away from where Tribeca is for my non New

455
00:28:30,080 --> 00:28:34,000
Speaker 1: York listeners, and they won't leave my guy alone. Let

456
00:28:34,080 --> 00:28:37,720
Speaker 1: this fucking guy breathe. Get your fucking camera at a

457
00:28:37,760 --> 00:28:46,479
Speaker 1: Bobby D's face. What else we got here? Oh? The

458
00:28:46,680 --> 00:28:55,240
Speaker 1: HBO documentary Leaving Neverland, which continues to uh divide opinions

459
00:28:55,360 --> 00:28:59,160
Speaker 1: and people scrutinizing and what's real what's not real. There

460
00:28:59,200 --> 00:29:01,840
Speaker 1: was a rumor going around. You know the internet, you

461
00:29:01,840 --> 00:29:04,680
Speaker 1: could say anything you want and it'll just catch fire.

462
00:29:04,720 --> 00:29:10,120
Speaker 1: There was a rumor going around that HBO had pulled

463
00:29:10,920 --> 00:29:16,640
Speaker 1: the documentary Finding Neverland because they thought that there are

464
00:29:16,920 --> 00:29:20,960
Speaker 1: the allegations made from the people the filmmaker and the

465
00:29:20,960 --> 00:29:24,880
Speaker 1: the two accusers whose names I can't remember right now. Um,

466
00:29:24,880 --> 00:29:26,880
Speaker 1: and I don't fact check anything when we're doing the

467
00:29:26,880 --> 00:29:30,440
Speaker 1: iron Wrap or stereo Pockets. I'm sorry. Um, that that

468
00:29:30,600 --> 00:29:32,880
Speaker 1: that it was false and that the whole documentary was

469
00:29:32,880 --> 00:29:35,760
Speaker 1: a bunch of bullshit. Now, whether or not the documentary

470
00:29:35,800 --> 00:29:40,280
Speaker 1: is bullshit or not, the Finding Neverland documentary is still

471
00:29:40,480 --> 00:29:44,440
Speaker 1: up on HBO. You dumb fox you Uh, just because

472
00:29:44,440 --> 00:29:47,360
Speaker 1: it's on Twitter, just because it's on Instagram, doesn't mean

473
00:29:47,360 --> 00:29:50,000
Speaker 1: it's fucking true. A lot of the people that are

474
00:29:50,000 --> 00:29:53,920
Speaker 1: saying it's not on HBO don't even have HBO. Uh No,

475
00:29:54,040 --> 00:29:56,320
Speaker 1: disrespect to anybody that doesn't have HBO. But if you

476
00:29:56,320 --> 00:29:58,160
Speaker 1: know what you gotta do is check the fucking app.

477
00:29:59,640 --> 00:30:04,040
Speaker 1: Just you're on demand and it's right there, you dumb fox. You.

478
00:30:04,920 --> 00:30:09,000
Speaker 1: Uh So, the Finding Neverland is still on HBO. And

479
00:30:09,080 --> 00:30:12,720
Speaker 1: like I said, just because it's on the internet doesn't

480
00:30:12,720 --> 00:30:14,800
Speaker 1: mean it's even close to being true. We call that

481
00:30:14,920 --> 00:30:18,520
Speaker 1: fake fucking news, not real news. We call that fake

482
00:30:18,600 --> 00:30:25,480
Speaker 1: fucking news. Um, it's time Miles Jordan's please give me

483
00:30:25,560 --> 00:30:34,600
Speaker 1: the infamous sick Fuck of the Week theme song. This

484
00:30:34,640 --> 00:30:38,080
Speaker 1: is an award that is earned, not given, earned, not given.

485
00:30:38,160 --> 00:30:41,560
Speaker 1: It's called the sick the Fox of the He's sick,

486
00:30:42,320 --> 00:30:47,160
Speaker 1: really fucking sick man whack line. Make them you smell

487
00:30:47,280 --> 00:30:49,880
Speaker 1: like a sick fuck you look like a six an

488
00:30:49,960 --> 00:30:52,120
Speaker 1: is supposed to be on a plane? You six you

489
00:30:52,200 --> 00:30:55,000
Speaker 1: are you doing? Hey man, leave that chicken alone, Lift

490
00:30:55,040 --> 00:30:57,280
Speaker 1: the chicken alone. But what are you doing to the

491
00:30:57,440 --> 00:31:08,240
Speaker 1: chicken that doesn't belong in? A chicken? Oh? Yes, oh yes,

492
00:31:08,600 --> 00:31:12,160
Speaker 1: this is the sick fuck of the Week segment. An

493
00:31:12,160 --> 00:31:17,080
Speaker 1: award winning I am Rapports Stereo podcast segment. This award

494
00:31:17,120 --> 00:31:19,440
Speaker 1: goes and not to just anybody, It goes to a

495
00:31:19,520 --> 00:31:21,920
Speaker 1: certain kind of sick funck with a certain kind of

496
00:31:22,040 --> 00:31:27,400
Speaker 1: as the friends say, say Kua, I appreciate all the suggestions.

497
00:31:27,480 --> 00:31:30,240
Speaker 1: I appreciate all the input from the fans. Of course,

498
00:31:30,240 --> 00:31:33,200
Speaker 1: the sick funk of the week whisper and again O

499
00:31:33,400 --> 00:31:36,960
Speaker 1: G Paul wall for who has a knack? Guy has

500
00:31:37,000 --> 00:31:39,040
Speaker 1: a knack? You now they say some guys have a

501
00:31:39,120 --> 00:31:42,600
Speaker 1: knack uh for making steals in the NBA, Like Yo,

502
00:31:42,640 --> 00:31:44,240
Speaker 1: he just says a knack for the ball, or he

503
00:31:44,280 --> 00:31:47,440
Speaker 1: has a knack for rebounding Paul wall O G Pol

504
00:31:47,720 --> 00:31:51,920
Speaker 1: has a knack for finding those sick fox Along with

505
00:31:52,040 --> 00:31:56,040
Speaker 1: the sick funk of the week whisper, this one is

506
00:31:56,080 --> 00:32:00,360
Speaker 1: Florida in the house? Is Florida in the house? Hell, yes,

507
00:32:00,440 --> 00:32:04,600
Speaker 1: I know a lot of people love olive gardens. Everybody

508
00:32:04,640 --> 00:32:08,040
Speaker 1: loves to go to an olive garden to get a quick, simple,

509
00:32:08,240 --> 00:32:11,840
Speaker 1: fairly priced meal. Will watch out if you're in Naples, Florida,

510
00:32:11,880 --> 00:32:14,960
Speaker 1: because there is a guy, a sick funck who looks

511
00:32:15,000 --> 00:32:18,680
Speaker 1: like a sick fuck, who is sitting outside of Olive Garden.

512
00:32:18,880 --> 00:32:21,520
Speaker 1: Now this is an extreme but if you look at

513
00:32:21,560 --> 00:32:24,680
Speaker 1: the picture of the guy, he looks like the poster

514
00:32:24,760 --> 00:32:29,000
Speaker 1: boy for all things sick fuck. He was harassing patrons

515
00:32:29,040 --> 00:32:33,200
Speaker 1: outside of Olive Gordon, cursing at them, shouting profanities at

516
00:32:33,240 --> 00:32:36,240
Speaker 1: the people. And on top of that, he's out there

517
00:32:36,320 --> 00:32:39,920
Speaker 1: eating spaghetti who knows where he got it from with

518
00:32:40,080 --> 00:32:46,920
Speaker 1: his bear fucking, filthy dirty hands. Moving on in Ohio,

519
00:32:48,320 --> 00:32:52,640
Speaker 1: a woman, an Ohio woman who yes, looks like a

520
00:32:52,680 --> 00:32:57,760
Speaker 1: sick fuck, who allegedly had a history of dog sex.

521
00:32:58,080 --> 00:33:02,080
Speaker 1: What this woman had history of dog sex? She has

522
00:33:02,080 --> 00:33:07,720
Speaker 1: a reputation of having sex with dogs. Beast reality at

523
00:33:07,760 --> 00:33:10,600
Speaker 1: its finest. Well, she was arrested and charged with bank

524
00:33:10,720 --> 00:33:17,280
Speaker 1: robbery this week in Ohio. Amber Finni. Yes, don't be surprised.

525
00:33:17,400 --> 00:33:19,280
Speaker 1: Of course, she looks like a sick fun She has

526
00:33:19,320 --> 00:33:24,280
Speaker 1: a history and a reputation of having sex with dogs.

527
00:33:24,280 --> 00:33:26,760
Speaker 1: She walked into an Ohio bank handed one of the

528
00:33:26,800 --> 00:33:29,680
Speaker 1: teller's a note said she didn't want to hurt it,

529
00:33:29,760 --> 00:33:32,400
Speaker 1: but she would you know the rest of the story,

530
00:33:32,800 --> 00:33:37,840
Speaker 1: You know how this movie plays out. She had a

531
00:33:37,880 --> 00:33:43,120
Speaker 1: half cooked plan and she got arrested and the crazy

532
00:33:43,160 --> 00:33:46,280
Speaker 1: thing about this is the bank teller gave her some money.

533
00:33:48,000 --> 00:33:51,480
Speaker 1: She left the bank, it started to snow. She was

534
00:33:51,560 --> 00:33:55,200
Speaker 1: meeting a man down the street. All the fucking cops

535
00:33:55,240 --> 00:33:59,040
Speaker 1: needed to do was follow the footprints in the fresh snow.

536
00:33:59,200 --> 00:34:01,880
Speaker 1: Not only you were sick fuck, not only are you

537
00:34:01,960 --> 00:34:06,960
Speaker 1: a dog fucker, but you're a dumbass. Also, we got

538
00:34:06,960 --> 00:34:10,759
Speaker 1: a real, real live one in the UK, and this

539
00:34:10,760 --> 00:34:14,200
Speaker 1: guy looks like a real true blue sick funck. The

540
00:34:14,200 --> 00:34:18,719
Speaker 1: man's name is Malcolm Downs. He's got coke bottled glasses. Uh,

541
00:34:18,760 --> 00:34:23,879
Speaker 1: he's got some uh follicles of hair sprouting, but not many.

542
00:34:24,200 --> 00:34:28,279
Speaker 1: He's got a big, red, fucked up nose, and he just,

543
00:34:28,440 --> 00:34:32,440
Speaker 1: I mean, he looks. This guy is truly everything that

544
00:34:32,560 --> 00:34:36,000
Speaker 1: you want from an iron wrap or stereo podcast. Sick fuck.

545
00:34:36,080 --> 00:34:40,760
Speaker 1: Malcolm Downs has a problem. His problem is he can't

546
00:34:40,880 --> 00:34:46,360
Speaker 1: stop these are his words. He can't stop masturbating over horses.

547
00:34:46,560 --> 00:34:51,439
Speaker 1: He got caught twice, two times to two fucking times

548
00:34:51,480 --> 00:34:56,360
Speaker 1: in twenty four hours. He said he had been planning

549
00:34:56,400 --> 00:34:59,920
Speaker 1: to see a doctor for his libido. He got arrested

550
00:35:00,040 --> 00:35:04,560
Speaker 1: earlier in the day, literally went to jail okay, was

551
00:35:04,640 --> 00:35:09,720
Speaker 1: released and then found another stable of horses and started

552
00:35:09,840 --> 00:35:13,600
Speaker 1: jerking off again. The policeman said, and I quote, this

553
00:35:13,680 --> 00:35:17,800
Speaker 1: activity went on for three or four minutes. His penis

554
00:35:18,080 --> 00:35:22,680
Speaker 1: was exposed for about ten minutes. During a police interview,

555
00:35:22,760 --> 00:35:25,120
Speaker 1: he told the detectives and I quote, I sat on

556
00:35:25,200 --> 00:35:30,360
Speaker 1: a bench, I was feeling sexy and I started to

557
00:35:30,360 --> 00:35:33,560
Speaker 1: touch my self. The whole thing was caught on tape.

558
00:35:33,640 --> 00:35:36,160
Speaker 1: I don't want to see the tape. See some people,

559
00:35:36,800 --> 00:35:39,279
Speaker 1: and these are people that I'm concerned with. Some people

560
00:35:39,320 --> 00:35:41,080
Speaker 1: out there might say I want to see the tape.

561
00:35:41,200 --> 00:35:42,960
Speaker 1: I want to see the tape of a sick fuck

562
00:35:43,960 --> 00:35:46,879
Speaker 1: by the name of Malcolm Downs jerking off in front

563
00:35:46,880 --> 00:35:49,399
Speaker 1: of a horse's That's not something me, the gringo man

564
00:35:49,480 --> 00:35:52,359
Speaker 1: dingo ever wants to see. I'm not interested. If you're

565
00:35:52,360 --> 00:35:54,719
Speaker 1: interested in that, you might wind up on the sick

566
00:35:54,760 --> 00:35:57,440
Speaker 1: Funk of the Week segments someday yourself, because that's just

567
00:35:57,480 --> 00:36:01,720
Speaker 1: way out there. Okay, that's just a wild for the night. Okay,

568
00:36:01,760 --> 00:36:03,719
Speaker 1: why would you want to see that tape? But the

569
00:36:03,760 --> 00:36:06,120
Speaker 1: obviously the police officers they got to arrest this person.

570
00:36:06,160 --> 00:36:07,759
Speaker 1: They gotta keep them off the streets, they have to

571
00:36:07,840 --> 00:36:12,800
Speaker 1: keep them away from any animals. My mom has horses. Okay,

572
00:36:13,040 --> 00:36:14,960
Speaker 1: God forbid, this guy got ahold of one of my

573
00:36:14,960 --> 00:36:18,000
Speaker 1: mom's horses. He's he's choking his chicken in front of

574
00:36:18,000 --> 00:36:19,840
Speaker 1: my mom. One of my mom's horses. One of my

575
00:36:19,880 --> 00:36:24,240
Speaker 1: mom's horses could be scarred. Emotionally, horses have feelings. Horses

576
00:36:24,239 --> 00:36:29,080
Speaker 1: are very emotional animals. They're very sensitive animals. Keep this

577
00:36:29,120 --> 00:36:37,520
Speaker 1: guy away from all horses at all costs. In China, Uh,

578
00:36:37,560 --> 00:36:43,560
Speaker 1: there is a company uh that has developed a sperm extractor. Now,

579
00:36:44,120 --> 00:36:47,279
Speaker 1: if you have of a certain age, you go for urologists,

580
00:36:47,719 --> 00:36:51,799
Speaker 1: or you might want to donate your sperm, or or

581
00:36:51,920 --> 00:36:54,319
Speaker 1: save your sperm for babies. You know, maybe you want

582
00:36:54,320 --> 00:36:56,839
Speaker 1: to save your eggs. People do that, or you might

583
00:36:56,880 --> 00:37:00,560
Speaker 1: want to get vasectomy, like I've gotten a k They

584
00:37:00,600 --> 00:37:03,800
Speaker 1: tell you to go in the bathroom and skeet. Okay,

585
00:37:03,840 --> 00:37:05,959
Speaker 1: you gotta go in the bathroom and skeet skeet into

586
00:37:06,000 --> 00:37:10,480
Speaker 1: a cup. Okay. Well, some people are not comfortable doing that.

587
00:37:10,800 --> 00:37:13,560
Speaker 1: They don't want to do that. So some sick fucking

588
00:37:13,680 --> 00:37:19,000
Speaker 1: China okay, who runs some Chinese company created a skeet machine.

589
00:37:19,239 --> 00:37:21,319
Speaker 1: They call it a sperm extractor. I call it a

590
00:37:21,360 --> 00:37:25,560
Speaker 1: skeet machine. It is helping clinics collect the semen from

591
00:37:25,640 --> 00:37:29,560
Speaker 1: donors that are reluctant to skeet in a hospital setting.

592
00:37:29,640 --> 00:37:33,400
Speaker 1: It's not like you ski in the hospital hallway. You

593
00:37:33,480 --> 00:37:35,200
Speaker 1: go in the privacy of a bathroom. Some of them

594
00:37:35,239 --> 00:37:38,080
Speaker 1: even have a pornos. Some of them have like, uh,

595
00:37:38,520 --> 00:37:41,200
Speaker 1: porno magazines. They got whatever you need to do to

596
00:37:41,360 --> 00:37:44,600
Speaker 1: get that skeet into the cup. I could tell you

597
00:37:44,640 --> 00:37:46,920
Speaker 1: one thing. I could tell you one thing. I'd be

598
00:37:46,960 --> 00:37:51,040
Speaker 1: more embarrassed about using a semen extractor, a k skeete

599
00:37:51,080 --> 00:37:55,160
Speaker 1: machine than jerking off in the bathroom privately. What are

600
00:37:55,160 --> 00:37:57,080
Speaker 1: you doing out there in China? What's the matter with

601
00:37:57,120 --> 00:38:03,279
Speaker 1: you people? Uh? And finally, in Portland, Oregon, a sick

602
00:38:03,320 --> 00:38:07,880
Speaker 1: fuck year old sick fuck has been charged with sexual

603
00:38:08,239 --> 00:38:14,120
Speaker 1: abuse and sexually assaulting an animal. He was sentenced to

604
00:38:14,200 --> 00:38:20,600
Speaker 1: sixty days in jail, three years of probation on each charge,

605
00:38:20,800 --> 00:38:24,520
Speaker 1: and may not possess a dog for fifteen years. How

606
00:38:24,560 --> 00:38:27,239
Speaker 1: can you this guy should have a life sentence. This

607
00:38:27,320 --> 00:38:31,799
Speaker 1: guy raped a dog so bad and and and hurt

608
00:38:31,880 --> 00:38:34,360
Speaker 1: the dog so bad they had to put the dog down.

609
00:38:34,600 --> 00:38:37,520
Speaker 1: He fucked a dog to death and they're saying he

610
00:38:37,600 --> 00:38:41,000
Speaker 1: can't possess or own a dog for fifteen years. How

611
00:38:41,000 --> 00:38:43,800
Speaker 1: about for life? How about you can never have a pet.

612
00:38:44,000 --> 00:38:47,160
Speaker 1: How About you can't be within ninety feet of anybody

613
00:38:47,160 --> 00:38:50,040
Speaker 1: else's dog ever again. And if you do somehow get

614
00:38:50,080 --> 00:38:52,120
Speaker 1: your hands on someone's dog, you go back to jail

615
00:38:52,239 --> 00:38:57,239
Speaker 1: for five years. Sicko for Deel Lopez pleaded guilty and

616
00:38:57,280 --> 00:39:01,040
Speaker 1: received the maximum sentence for sexually a salting a dog.

617
00:39:01,160 --> 00:39:03,480
Speaker 1: He didn't just assault it, he killed the fucking dog.

618
00:39:04,239 --> 00:39:09,000
Speaker 1: I'm disgusted. This is disgusting, this is offensive. And this

619
00:39:09,000 --> 00:39:11,440
Speaker 1: guy can't have a pet for fifteen years. How about

620
00:39:11,440 --> 00:39:14,319
Speaker 1: for the rest of his sick fucking life. I'm done,

621
00:39:15,880 --> 00:39:19,799
Speaker 1: I am finished. Listen, let's move forward. I told you

622
00:39:19,840 --> 00:39:23,560
Speaker 1: it was coming. I told you the Butcher was here. Okay,

623
00:39:23,960 --> 00:39:27,960
Speaker 1: coming up next on the I Am Rappaport Stereo podcast,

624
00:39:28,160 --> 00:39:33,200
Speaker 1: Buffalo's Finest. That's right, I said, Buffalo's Finest from Grisel

625
00:39:33,320 --> 00:39:37,399
Speaker 1: the Records, Benny the motherfucking Butcher. The Butcher is here.

626
00:39:37,560 --> 00:39:41,040
Speaker 1: I am Wrappport Stereo podcast when my guy, Benny the Butcher,

627
00:39:41,280 --> 00:39:48,680
Speaker 1: check him out. Now, let's go check check yeah, yeah, yeah, yeah,

628
00:39:48,840 --> 00:39:53,280
Speaker 1: Butcher is here. The Butcher is in the fucking house

629
00:39:54,480 --> 00:39:58,759
Speaker 1: Benny the Butchers having come on, man, I appreciate it.

630
00:39:58,800 --> 00:40:02,600
Speaker 1: I appreciate it. Um, I'm a fan, you know, I

631
00:40:02,440 --> 00:40:04,359
Speaker 1: I uh. I. First I have to say my man

632
00:40:04,480 --> 00:40:07,000
Speaker 1: bar who I think you came and he's the biggest

633
00:40:07,000 --> 00:40:10,320
Speaker 1: fan of Griselda the movement. All you guys. He fucked

634
00:40:10,320 --> 00:40:12,399
Speaker 1: with you guys, and he hit me. You guys hit

635
00:40:12,440 --> 00:40:16,160
Speaker 1: me to you guys a few years ago, and uh,

636
00:40:16,239 --> 00:40:19,440
Speaker 1: you know, I remember the first thing that came in

637
00:40:19,520 --> 00:40:22,040
Speaker 1: my mind when when I heard that, Like, I don't

638
00:40:22,040 --> 00:40:23,600
Speaker 1: remember who it was, it was one of you guys,

639
00:40:23,640 --> 00:40:28,000
Speaker 1: but it was like, you guys are like old souls,

640
00:40:28,000 --> 00:40:30,359
Speaker 1: Like I don't know how old you are, but you

641
00:40:30,360 --> 00:40:33,520
Speaker 1: you know, you brought this. You know, I'm critical of

642
00:40:33,600 --> 00:40:35,320
Speaker 1: hip hop, you know, and I'm critical of music and

643
00:40:35,360 --> 00:40:37,840
Speaker 1: ship like that, but you guys brought this essence. This

644
00:40:38,040 --> 00:40:43,840
Speaker 1: sound is griminess, you know, this this culture, this this violence,

645
00:40:44,080 --> 00:40:47,400
Speaker 1: you know, this slick talk back to hip hop. And

646
00:40:47,480 --> 00:40:49,080
Speaker 1: I was like, who the funk are these guys like?

647
00:40:49,080 --> 00:40:52,440
Speaker 1: When he's like Buffalo. So, first of all, Buffalo, Like

648
00:40:52,560 --> 00:40:54,480
Speaker 1: most people, what we think of Buffalo, we think of

649
00:40:54,480 --> 00:40:58,000
Speaker 1: obviously the Buffalo Bills. I think of the movie Buffalo

650
00:40:58,080 --> 00:41:00,759
Speaker 1: sixty six. I think of Rob on Couch because I

651
00:41:00,760 --> 00:41:03,160
Speaker 1: think he's from Buffalo. We think of Buffalo Wings. But

652
00:41:03,280 --> 00:41:06,520
Speaker 1: the last thing that we Rick James, who made street

653
00:41:06,640 --> 00:41:11,440
Speaker 1: music ri So, so how what the fund is? Like?

654
00:41:11,520 --> 00:41:13,200
Speaker 1: It's almost like, I mean, listen, I grew up in

655
00:41:13,239 --> 00:41:15,799
Speaker 1: New York City. When Woo Tank brought Staaten Island, which

656
00:41:15,840 --> 00:41:18,640
Speaker 1: is it's forty five minutes from where I live, we

657
00:41:18,640 --> 00:41:21,560
Speaker 1: were like, where is this place? So what the fund

658
00:41:21,640 --> 00:41:25,759
Speaker 1: is going on? In Buffalo? Man, it's like a grimy town. Right.

659
00:41:27,320 --> 00:41:30,000
Speaker 1: It's East coast because it's it's New York state, but

660
00:41:30,840 --> 00:41:33,319
Speaker 1: it's like a little Midwestern you know what I'm saying

661
00:41:33,520 --> 00:41:38,120
Speaker 1: in terms of what location. What I'm saying location, we

662
00:41:38,200 --> 00:41:40,399
Speaker 1: got our own identity, you know what I'm saying. People

663
00:41:40,440 --> 00:41:42,840
Speaker 1: we talk the way we talk, you know what I'm saying,

664
00:41:42,840 --> 00:41:45,520
Speaker 1: Like the Bills is our team, you know what I mean.

665
00:41:45,840 --> 00:41:48,600
Speaker 1: Buffalo Wings was good food there, so we're like it's

666
00:41:48,640 --> 00:41:51,160
Speaker 1: our own world up there. It's a grimy fucking town

667
00:41:51,200 --> 00:41:54,200
Speaker 1: because it's like it's poor, you know what I mean.

668
00:41:54,280 --> 00:41:56,440
Speaker 1: And and and it's a lot of talent up there.

669
00:41:56,480 --> 00:41:58,520
Speaker 1: But growing up in Buffalo and what I'm saying I

670
00:41:58,560 --> 00:41:59,840
Speaker 1: loved it, you know what I mean, I loved it. It

671
00:41:59,760 --> 00:42:01,640
Speaker 1: It made me who I am. But it's like one

672
00:42:01,680 --> 00:42:04,960
Speaker 1: of them small town, small town vibes. And what I'm saying,

673
00:42:04,960 --> 00:42:07,000
Speaker 1: where the streets is really the streets? You know what

674
00:42:07,040 --> 00:42:10,799
Speaker 1: I'm saying is it's not a lot of it's not gentrified. Yeah,

675
00:42:10,960 --> 00:42:13,359
Speaker 1: there's none of that going on, and and and it's

676
00:42:13,560 --> 00:42:15,600
Speaker 1: there's not a lot of business is there or nothing

677
00:42:15,640 --> 00:42:17,480
Speaker 1: like that. So it's like it's like the middle of

678
00:42:17,520 --> 00:42:20,839
Speaker 1: nowhere almost, But it's like the dopest people come out

679
00:42:20,880 --> 00:42:22,839
Speaker 1: of there, you know what I mean? So who else?

680
00:42:22,960 --> 00:42:25,800
Speaker 1: Who else is from Buffalo? Like that? I just went service,

681
00:42:25,840 --> 00:42:28,279
Speaker 1: But like, who what else is from Buffalo? We don't

682
00:42:28,280 --> 00:42:31,239
Speaker 1: know that that Buffalo is proud of. Let me see,

683
00:42:31,400 --> 00:42:35,800
Speaker 1: let me see. Uh you know Jaws? Jaws is from Buffalo.

684
00:42:36,239 --> 00:42:39,120
Speaker 1: Who played for the dude who died used to be

685
00:42:39,160 --> 00:42:42,520
Speaker 1: the reporter on ESPN, played for the Eagles. Okay, Jaworski,

686
00:42:43,640 --> 00:42:46,880
Speaker 1: he's from Buffalo. Uh man, I'm trying to think. Man,

687
00:42:46,880 --> 00:42:49,680
Speaker 1: there's a lot of dudes from Buffalo. They say, Brian

688
00:42:49,760 --> 00:42:52,560
Speaker 1: mcknights from Buffalo. They said that somebody bumped it to him. No,

689
00:42:52,640 --> 00:42:53,960
Speaker 1: and he denied it, so I don't give it. I

690
00:42:53,960 --> 00:42:55,600
Speaker 1: don't give him his credit or no. And then and

691
00:42:55,600 --> 00:42:58,000
Speaker 1: then hip hop and Buffalo, like you guys put this,

692
00:42:58,200 --> 00:43:01,920
Speaker 1: it's like when when uh sugging shruggish bones bones slugs harmony,

693
00:43:01,920 --> 00:43:04,480
Speaker 1: when like you were like we were like Cleveland, what

694
00:43:04,520 --> 00:43:06,400
Speaker 1: the fund is? You know? And it was like I

695
00:43:06,480 --> 00:43:10,160
Speaker 1: never even associated fucking Cleveland with anything. So when you

696
00:43:10,200 --> 00:43:13,160
Speaker 1: were like hip hop from Buffalo, it's such a hard

697
00:43:13,200 --> 00:43:15,160
Speaker 1: way to get discovered in music. You could be right

698
00:43:15,200 --> 00:43:18,120
Speaker 1: and fucking Manhattan. You could be writing Los Angeles in Chicago.

699
00:43:18,600 --> 00:43:22,160
Speaker 1: So to push out of Buffalo to get your music, Uh,

700
00:43:22,320 --> 00:43:24,040
Speaker 1: talk to me about that journey. I know there's and

701
00:43:24,080 --> 00:43:25,719
Speaker 1: then I want to break down like the group and

702
00:43:25,719 --> 00:43:28,440
Speaker 1: the crew of like just talk to me, like how

703
00:43:28,480 --> 00:43:30,040
Speaker 1: do you get out of Buffalo and journals of getting

704
00:43:30,040 --> 00:43:32,439
Speaker 1: the music heard? Seeing a lot of people don't don't

705
00:43:32,480 --> 00:43:36,319
Speaker 1: realize how hard that was coming from Buffalo. Also doing

706
00:43:36,320 --> 00:43:39,000
Speaker 1: the type of music we're doing. It's a long grime.

707
00:43:39,480 --> 00:43:41,520
Speaker 1: It's a long grind. You gotta stick with it, and

708
00:43:41,560 --> 00:43:43,320
Speaker 1: you gotta be on your A game, you know what

709
00:43:43,320 --> 00:43:45,719
Speaker 1: I'm saying. And it got to be pure. So I

710
00:43:45,760 --> 00:43:47,719
Speaker 1: think I think we just did it like that. You know,

711
00:43:47,760 --> 00:43:50,239
Speaker 1: west Side Gun, he he'd a master, the mind of

712
00:43:50,239 --> 00:43:52,520
Speaker 1: the ship, he'd the architect, and he a person who

713
00:43:52,640 --> 00:43:55,960
Speaker 1: just the quality. We kept it. We kept it all quality,

714
00:43:56,280 --> 00:43:57,719
Speaker 1: you know what I'm saying with the beats from Darren

715
00:43:57,800 --> 00:43:59,719
Speaker 1: Journey and just staying at you know what I'm saying

716
00:43:59,760 --> 00:44:01,120
Speaker 1: a lot of people don't know. But each of us

717
00:44:01,200 --> 00:44:04,520
Speaker 1: got a long history underground in the game. We've been

718
00:44:04,600 --> 00:44:07,920
Speaker 1: Buffalo legends and like Western New York, Upstate New York,

719
00:44:07,920 --> 00:44:10,200
Speaker 1: we've been legends doing shows. People been having to pay

720
00:44:10,320 --> 00:44:11,960
Speaker 1: if you wanted us on the song. People been having

721
00:44:11,960 --> 00:44:14,040
Speaker 1: to pay us for verses for the last ten years. Okay,

722
00:44:14,080 --> 00:44:16,640
Speaker 1: so it's been ten years. And when you say Gun

723
00:44:16,719 --> 00:44:20,279
Speaker 1: is the is the mastermind? Explain why? Like explain his

724
00:44:20,480 --> 00:44:23,640
Speaker 1: role in terms of your guidance of you guys. Well,

725
00:44:23,680 --> 00:44:28,160
Speaker 1: basically at Conway, Conway is the general what I'm saying.

726
00:44:28,200 --> 00:44:32,200
Speaker 1: So basically Conway was rapping and doing his thing, and

727
00:44:32,200 --> 00:44:34,560
Speaker 1: and west really wasn't rapping more so, he was just

728
00:44:34,600 --> 00:44:38,640
Speaker 1: black behind the scenes. And like managing Conway, Conway end

729
00:44:38,719 --> 00:44:40,920
Speaker 1: up getting shot. How how many years ago was at

730
00:44:42,000 --> 00:44:45,880
Speaker 1: two thousand twelve twelve, So he had already been rhyming

731
00:44:45,920 --> 00:44:48,520
Speaker 1: when he when he after he got before he got jail. Yeah,

732
00:44:48,560 --> 00:44:51,200
Speaker 1: he was a fucking legend from I mean, battling niggas

733
00:44:51,200 --> 00:44:53,399
Speaker 1: in the nineties, you know what I'm saying to uh,

734
00:44:53,520 --> 00:44:56,680
Speaker 1: just doing mixed tapes in the town. So yeah, he

735
00:44:56,719 --> 00:44:59,880
Speaker 1: was already like a legend in the town waiting before that.

736
00:45:00,600 --> 00:45:04,719
Speaker 1: So after after Conway got shot, West really stepped up

737
00:45:04,760 --> 00:45:06,719
Speaker 1: into play. What I'm saying, it was doing more to

738
00:45:06,760 --> 00:45:09,200
Speaker 1: wrapping it and taking care more to business white me

739
00:45:09,280 --> 00:45:10,759
Speaker 1: at the same time, I'm still doing it, but I'm

740
00:45:10,800 --> 00:45:12,239
Speaker 1: in They're not a prison at the same time, so

741
00:45:12,520 --> 00:45:14,400
Speaker 1: I can't like get a I can't like get my

742
00:45:14,480 --> 00:45:17,239
Speaker 1: feet held firmly down, you know what I'm saying. So

743
00:45:17,560 --> 00:45:20,359
Speaker 1: it's like when West grind it up with this Griselta ship.

744
00:45:20,400 --> 00:45:22,040
Speaker 1: He did the hoodies and it went and it went

745
00:45:22,160 --> 00:45:25,279
Speaker 1: hand in hand and and and he just had a

746
00:45:25,360 --> 00:45:27,879
Speaker 1: situation and he was just letting me know. He was like, yo, Buzz,

747
00:45:28,000 --> 00:45:29,839
Speaker 1: come come to him saying, I want to sign you that.

748
00:45:30,280 --> 00:45:31,640
Speaker 1: And I knew what he was doing, and he was

749
00:45:31,640 --> 00:45:34,480
Speaker 1: already hitting me for features like a fly guy I

750
00:45:34,520 --> 00:45:38,279
Speaker 1: got on that album. I tell people that album got

751
00:45:38,360 --> 00:45:40,759
Speaker 1: us here. You know what I'm saying. The album got

752
00:45:40,800 --> 00:45:43,279
Speaker 1: us here. That was like that was like the ten

753
00:45:43,360 --> 00:45:45,080
Speaker 1: to talk three of the end, you know what I'm saying.

754
00:45:45,600 --> 00:45:48,200
Speaker 1: And and every when the album came out, a lot

755
00:45:48,239 --> 00:45:51,840
Speaker 1: of people started looking towards West his way, okay, was

756
00:45:51,880 --> 00:45:54,880
Speaker 1: looking towards Conway's way in my way, And then I

757
00:45:54,960 --> 00:45:57,560
Speaker 1: knew I just started feeding the streets after that, you

758
00:45:57,600 --> 00:45:59,360
Speaker 1: know what I mean? So hell yeah, man West he

759
00:45:59,400 --> 00:46:01,320
Speaker 1: put anything and gather he don wan who sat downs,

760
00:46:01,880 --> 00:46:03,719
Speaker 1: got to deal with shady and you know what I'm saying,

761
00:46:03,880 --> 00:46:07,279
Speaker 1: and put us along with it. Okay, So what is Griselda?

762
00:46:07,280 --> 00:46:09,759
Speaker 1: Who is Griselda? Is it Griselda Records? Is It's just

763
00:46:10,080 --> 00:46:14,080
Speaker 1: like what is Griselda? Specifically? It's interesting because you know,

764
00:46:14,840 --> 00:46:17,000
Speaker 1: like I referenced Wou Tang, I referenced Mob Deep, I

765
00:46:17,040 --> 00:46:19,319
Speaker 1: referenced the Locks, but Wou Tang not to put you

766
00:46:19,360 --> 00:46:21,640
Speaker 1: like like you have to accomplish what they accomplished, because

767
00:46:21,640 --> 00:46:23,960
Speaker 1: it's such so much. But just in terms of everybody's

768
00:46:24,000 --> 00:46:26,239
Speaker 1: got their own identity obviously was under Wood, but then

769
00:46:26,320 --> 00:46:28,919
Speaker 1: you and at the time with Wou Tang, there wasn't

770
00:46:28,960 --> 00:46:30,960
Speaker 1: like you could follow so much. But you guys also

771
00:46:31,040 --> 00:46:34,200
Speaker 1: don't put all your details out, which kind of makes

772
00:46:34,200 --> 00:46:36,839
Speaker 1: it a puzzle, which I liked. So break it down

773
00:46:36,840 --> 00:46:38,200
Speaker 1: as much as you want to break it down, or

774
00:46:38,239 --> 00:46:40,399
Speaker 1: you can't. Okay, Okay, yeah, I can break it right down.

775
00:46:40,719 --> 00:46:42,799
Speaker 1: You know what I'm saying. We're not a group. West

776
00:46:42,800 --> 00:46:45,759
Speaker 1: and Conway they brothers. You know what I'm saying. Oh

777
00:46:45,760 --> 00:46:48,080
Speaker 1: I didn't know that. And those are my cousins. We

778
00:46:48,200 --> 00:46:51,799
Speaker 1: are family, you know what I'm saying. Everybody is related.

779
00:46:51,840 --> 00:46:54,760
Speaker 1: So West was doing West was doing his thing, Conway

780
00:46:54,840 --> 00:46:57,160
Speaker 1: was doing his thing, and then they decided to bring

781
00:46:57,200 --> 00:46:59,239
Speaker 1: me along. So we like each individual artist, you know

782
00:46:59,280 --> 00:47:03,400
Speaker 1: what I'm saying. You know, I got my crew BSF

783
00:47:03,440 --> 00:47:06,040
Speaker 1: and I'm saying the Black Soprano family. Dudes who be

784
00:47:06,040 --> 00:47:08,000
Speaker 1: with me? You know what I'm saying, Rick High, Duffel Bag,

785
00:47:08,120 --> 00:47:11,360
Speaker 1: Shaye city boy what I'm saying, And we all and

786
00:47:11,360 --> 00:47:13,960
Speaker 1: we all the team because we all been together, like

787
00:47:14,000 --> 00:47:17,120
Speaker 1: these dudes know Western Conway like I know him, you

788
00:47:17,120 --> 00:47:19,720
Speaker 1: know what I'm saying. So it was like everybody been around.

789
00:47:19,800 --> 00:47:22,799
Speaker 1: It's like the Rick right standing right here, like what's

790
00:47:22,800 --> 00:47:25,680
Speaker 1: his man too? Conways his people too, and those my cousins,

791
00:47:25,719 --> 00:47:27,759
Speaker 1: and so it's like we all family, we've been here.

792
00:47:27,760 --> 00:47:31,560
Speaker 1: So it was like just in a situation where my

793
00:47:31,600 --> 00:47:33,759
Speaker 1: paperwork with Griselda is not like you know what I'm saying,

794
00:47:33,760 --> 00:47:36,200
Speaker 1: like Yo, Benny, I'm signing you gotta do this, dude

795
00:47:36,200 --> 00:47:37,920
Speaker 1: that and that. It's like I got a record there,

796
00:47:37,920 --> 00:47:40,239
Speaker 1: We're about to be come on, come on, buzz like

797
00:47:40,280 --> 00:47:41,880
Speaker 1: that type of ship and you got the record deal.

798
00:47:41,960 --> 00:47:45,080
Speaker 1: So Griselda, So who is signed to Shady? It's it's

799
00:47:45,239 --> 00:47:47,279
Speaker 1: it's Shady record And how did that funk? I mean

800
00:47:47,320 --> 00:47:51,200
Speaker 1: that's like it's like fucking having been recruited by Michael

801
00:47:51,280 --> 00:47:53,560
Speaker 1: Jordan's right, that's a fact. That's a big I mean

802
00:47:53,560 --> 00:47:55,440
Speaker 1: there's a few of them, but that's like there's a

803
00:47:55,480 --> 00:47:57,600
Speaker 1: few people like Shady Records, and when he puts his

804
00:47:57,680 --> 00:48:02,920
Speaker 1: finger on somebody, his his track chartis huge Shady. Uh,

805
00:48:03,040 --> 00:48:06,120
Speaker 1: what's side? Gunned Conway signed a Shady and that came about,

806
00:48:06,760 --> 00:48:09,400
Speaker 1: like the album fly Guy. That came about because he

807
00:48:09,440 --> 00:48:11,759
Speaker 1: already had Danny Brown on the album. Right, he had

808
00:48:11,800 --> 00:48:14,600
Speaker 1: Action Bronson on that album. Right. Uh, these are the

809
00:48:14,680 --> 00:48:19,040
Speaker 1: dudes who was being managed by Paul Right, what I'm

810
00:48:19,080 --> 00:48:22,080
Speaker 1: saying by Paul's company. So it was a thing where

811
00:48:22,120 --> 00:48:23,879
Speaker 1: he was talking about management, you know what I'm saying.

812
00:48:23,880 --> 00:48:28,160
Speaker 1: So it ended up turning into a deal. Okay, So

813
00:48:28,520 --> 00:48:30,640
Speaker 1: I mean and where you guys like tripping the funk

814
00:48:30,680 --> 00:48:33,080
Speaker 1: out that you got sided, Like have you met himinem yeah,

815
00:48:33,080 --> 00:48:35,080
Speaker 1: hell yeah, hell yeah, hell yeah. So like when you

816
00:48:35,120 --> 00:48:37,400
Speaker 1: when you like when when you get from all the

817
00:48:37,400 --> 00:48:40,600
Speaker 1: ship you've been through personally and and Conway. You know,

818
00:48:40,840 --> 00:48:42,440
Speaker 1: I wanted to get both you guys the other day

819
00:48:42,480 --> 00:48:44,200
Speaker 1: but we couldn't do it time much. But all the

820
00:48:44,200 --> 00:48:46,719
Speaker 1: ships you guys have been through in your life, the good,

821
00:48:46,760 --> 00:48:49,800
Speaker 1: the bad, and the ugly, the crime to him getting

822
00:48:49,800 --> 00:48:52,000
Speaker 1: shot to being arrested, all the ship. And then you're

823
00:48:52,040 --> 00:48:54,399
Speaker 1: like with fucking him and him like just meeting him,

824
00:48:54,440 --> 00:48:57,040
Speaker 1: like because even if you didn't sign him, just him

825
00:48:57,080 --> 00:49:00,319
Speaker 1: meeting you, he's interested. Are you like tripping the count

826
00:49:00,400 --> 00:49:02,799
Speaker 1: every day? Like even what I'm saying you, I'm a

827
00:49:02,840 --> 00:49:04,200
Speaker 1: fan of you know what I'm saying that we're just

828
00:49:04,280 --> 00:49:06,799
Speaker 1: kicking it just like your style. I'm like, damn, like

829
00:49:08,120 --> 00:49:11,520
Speaker 1: Michael Rapp reporters my home boy. That's crazy. So but

830
00:49:11,880 --> 00:49:13,239
Speaker 1: I'm just taking it one day at a time and

831
00:49:13,520 --> 00:49:15,560
Speaker 1: you know Royce always say this. Royce told me, don't

832
00:49:15,600 --> 00:49:17,200
Speaker 1: stop and smell the roses, man, because if you've got

833
00:49:17,239 --> 00:49:19,560
Speaker 1: time to stop and smell the roses, you ain't working.

834
00:49:19,600 --> 00:49:22,640
Speaker 1: So I'm just working and enjoying every moment. But it's crazy,

835
00:49:22,680 --> 00:49:23,960
Speaker 1: you know what I'm saying, And we grind it up

836
00:49:24,000 --> 00:49:25,759
Speaker 1: to it. I tell people my age all the time.

837
00:49:25,760 --> 00:49:27,600
Speaker 1: I'm thirty four years old and I and I've been

838
00:49:27,600 --> 00:49:31,839
Speaker 1: doing this since I was about about fourteen. Got you,

839
00:49:31,840 --> 00:49:34,759
Speaker 1: you know what I'm saying. So I thought in my town,

840
00:49:34,800 --> 00:49:36,759
Speaker 1: I was projected to be here ten years ago. I

841
00:49:36,800 --> 00:49:38,799
Speaker 1: got you, But it didn't happen like that. Maybe I

842
00:49:38,840 --> 00:49:41,000
Speaker 1: wasn't ready or maybe I didn't put it enough work.

843
00:49:41,040 --> 00:49:43,200
Speaker 1: But so that's why when you said we old souls

844
00:49:43,320 --> 00:49:45,799
Speaker 1: is like niggas just grown as men, know what I'm saying.

845
00:49:45,800 --> 00:49:49,319
Speaker 1: But teenage kids, I got it was different. We're not

846
00:49:49,440 --> 00:49:51,680
Speaker 1: We're not coming to this for the money or for

847
00:49:51,719 --> 00:49:54,840
Speaker 1: the littingess. Is just pure culture and we understand what

848
00:49:54,960 --> 00:49:56,960
Speaker 1: it took to get here. So we're not wasting no

849
00:49:57,120 --> 00:49:59,040
Speaker 1: time and we're not taking ship for granted. You know

850
00:49:59,040 --> 00:50:01,400
Speaker 1: what I mean. U, I gotta ask you because it

851
00:50:01,520 --> 00:50:05,520
Speaker 1: just happened, and it's on everybody. Nipsey Hustle. Uh, talk

852
00:50:05,600 --> 00:50:08,680
Speaker 1: to me about what his music, man, and just what

853
00:50:08,840 --> 00:50:12,080
Speaker 1: happened and how it must have affected you and and

854
00:50:12,160 --> 00:50:15,000
Speaker 1: it's affected everybody you know. And and he he was

855
00:50:15,040 --> 00:50:19,239
Speaker 1: all about independent grind, independent grind and his story. Now everybody, Uh,

856
00:50:19,239 --> 00:50:21,520
Speaker 1: if you were familiar with it, people have become more familiar.

857
00:50:21,800 --> 00:50:24,360
Speaker 1: Just talk about what that meant to have it happened,

858
00:50:24,360 --> 00:50:27,360
Speaker 1: and it probably bugged you out because you know, you

859
00:50:27,400 --> 00:50:30,479
Speaker 1: see somebody so successful and then something so crazy that

860
00:50:30,400 --> 00:50:34,200
Speaker 1: that happens. Nip is a poster boy for guys like me.

861
00:50:34,560 --> 00:50:36,919
Speaker 1: And I'm saying guys like me still in was still

862
00:50:36,960 --> 00:50:39,520
Speaker 1: in the hood and the trench was watching Nip like damn,

863
00:50:39,600 --> 00:50:41,759
Speaker 1: if he could do it, I could do it. I'm saying.

864
00:50:41,760 --> 00:50:45,520
Speaker 1: He represented dudes like me and to see him like

865
00:50:45,840 --> 00:50:47,200
Speaker 1: take it to where he took it, you know what

866
00:50:47,200 --> 00:50:49,520
Speaker 1: I'm saying that the relationships that he had off music

867
00:50:49,560 --> 00:50:51,440
Speaker 1: in the game that he was given, it was like

868
00:50:51,760 --> 00:50:53,440
Speaker 1: you know how they say, if somebody make it that

869
00:50:53,560 --> 00:50:55,280
Speaker 1: that's a point for us. Man, that was like fifty

870
00:50:55,280 --> 00:50:57,600
Speaker 1: points for us. I'm saying because he was respecting so

871
00:50:57,640 --> 00:50:59,840
Speaker 1: many circles and he was a game member, so he

872
00:50:59,880 --> 00:51:01,920
Speaker 1: was shooing you the other side of that ship. And

873
00:51:01,960 --> 00:51:03,640
Speaker 1: it affects you because it's like damn, you know what

874
00:51:03,680 --> 00:51:06,160
Speaker 1: I'm saying. It just brings you back to reality. You know,

875
00:51:06,200 --> 00:51:07,960
Speaker 1: I'm you know how ship brings you because we I

876
00:51:08,000 --> 00:51:10,120
Speaker 1: do shows all the time. You know, we're security, we're

877
00:51:10,160 --> 00:51:12,160
Speaker 1: moving like this, but ship like that brings you back

878
00:51:12,160 --> 00:51:14,440
Speaker 1: to reality, you know what I mean. Like, even though

879
00:51:14,480 --> 00:51:16,600
Speaker 1: it had nothing to do with me, my team tightened

880
00:51:16,640 --> 00:51:19,040
Speaker 1: up security, it affected people that way, you know what

881
00:51:19,040 --> 00:51:21,600
Speaker 1: I mean, Something over here could affect how how my

882
00:51:21,680 --> 00:51:24,360
Speaker 1: team works out. I was watching, I was on Twitter,

883
00:51:24,400 --> 00:51:27,760
Speaker 1: and I've seen uh currency put up. How when it happened,

884
00:51:27,800 --> 00:51:30,920
Speaker 1: his father came to his office and was standing outside

885
00:51:30,960 --> 00:51:33,640
Speaker 1: with the hammer on him, and until he worked all day,

886
00:51:33,719 --> 00:51:35,840
Speaker 1: until he left out and pulled out to put his

887
00:51:35,880 --> 00:51:37,960
Speaker 1: car out just when it happened. Sort of affected everybody

888
00:51:38,000 --> 00:51:40,040
Speaker 1: in that type of way, and it just funked up.

889
00:51:40,080 --> 00:51:43,439
Speaker 1: But Nipsey that he was a hustler man. He's gonna

890
00:51:43,440 --> 00:51:45,960
Speaker 1: live forever big just because of what he represented. Man.

891
00:51:46,160 --> 00:51:49,160
Speaker 1: He represented for millions of dudes in the streets who

892
00:51:49,480 --> 00:51:51,080
Speaker 1: who want to be that who never going to be

893
00:51:51,160 --> 00:51:53,239
Speaker 1: that he had to live through him, you know what

894
00:51:53,280 --> 00:51:55,160
Speaker 1: I'm saying. So that was an L. That was an

895
00:51:55,280 --> 00:51:59,640
Speaker 1: L for all of us. God bless God, bless your dad. Absolutely. Um.

896
00:51:59,680 --> 00:52:03,279
Speaker 1: All right, So the sound of what you're doing, what

897
00:52:03,360 --> 00:52:05,480
Speaker 1: are like you? I mean like you can hear you,

898
00:52:05,600 --> 00:52:08,239
Speaker 1: hear d block you here, mob deep you like? What

899
00:52:08,400 --> 00:52:10,600
Speaker 1: is your reference point of what you're trying to do?

900
00:52:10,640 --> 00:52:14,839
Speaker 1: You particularly like Tanna Talk three is like and also

901
00:52:14,880 --> 00:52:17,720
Speaker 1: the thing I like about your ship is that each

902
00:52:17,760 --> 00:52:20,719
Speaker 1: one is getting better and better and except you started high,

903
00:52:20,960 --> 00:52:23,440
Speaker 1: but like Tanna Talk was like, in my opinion, your

904
00:52:23,480 --> 00:52:25,400
Speaker 1: best ship right right, it was. It was, and a

905
00:52:25,400 --> 00:52:33,160
Speaker 1: lot of people opinion my my references ninety two to

906
00:52:33,320 --> 00:52:36,640
Speaker 1: two two. That's my reference That music, you know what

907
00:52:36,680 --> 00:52:38,960
Speaker 1: I'm saying, The East Coast music. That's what I grew

908
00:52:39,040 --> 00:52:41,040
Speaker 1: up off of. That's what I was listening to. That's

909
00:52:41,040 --> 00:52:43,400
Speaker 1: why I'm not That's why I'm trying to put Jews

910
00:52:43,400 --> 00:52:45,560
Speaker 1: into music. And I'm trying to make it like it

911
00:52:45,680 --> 00:52:47,640
Speaker 1: sounds like you know what I mean, that mar Fioso ship,

912
00:52:47,960 --> 00:52:52,160
Speaker 1: the g raps, the mob, the reasonable doubt, holes and

913
00:52:52,520 --> 00:52:54,480
Speaker 1: even the later on holes and biggie and you know

914
00:52:54,520 --> 00:52:57,360
Speaker 1: what I'm saying, And who shot your ship? And in

915
00:52:57,480 --> 00:53:00,440
Speaker 1: poking and just all that that nineties are, Man, that

916
00:53:00,480 --> 00:53:04,480
Speaker 1: ship was rich with with just lyricism and just production.

917
00:53:04,560 --> 00:53:05,680
Speaker 1: You know what I'm saying that that's what That's what

918
00:53:05,719 --> 00:53:08,080
Speaker 1: the funk we grew up off of. And and who

919
00:53:08,120 --> 00:53:10,120
Speaker 1: how do you reach out like you had Alchemists too?

920
00:53:10,160 --> 00:53:12,359
Speaker 1: Did he do all of Tanna talk? He did half

921
00:53:12,360 --> 00:53:13,880
Speaker 1: of He did like half of it? So how does

922
00:53:13,880 --> 00:53:16,439
Speaker 1: he like how he's a motherfucker like he's fucking good?

923
00:53:16,480 --> 00:53:19,120
Speaker 1: Like how did that come about? And how are you

924
00:53:19,160 --> 00:53:22,880
Speaker 1: reaching out to people, uh to produce songs? And how

925
00:53:22,920 --> 00:53:25,000
Speaker 1: does it work? Like how are you picking talks? Because also,

926
00:53:25,360 --> 00:53:27,600
Speaker 1: like the project that I saw you guys working on

927
00:53:27,640 --> 00:53:29,440
Speaker 1: the other day, you guys put on a lot of

928
00:53:29,440 --> 00:53:32,799
Speaker 1: fucking music, like a lot of fun, which I like that,

929
00:53:32,880 --> 00:53:36,360
Speaker 1: Like you're not being precious, like you're you're going you're rocking.

930
00:53:36,840 --> 00:53:40,520
Speaker 1: You know, it's not um, it's it's not precious, you know,

931
00:53:40,640 --> 00:53:42,480
Speaker 1: not to say that it's not valuable, but it's not

932
00:53:42,520 --> 00:53:44,560
Speaker 1: like you're like, oh, I gotta wait till this moment,

933
00:53:44,600 --> 00:53:47,600
Speaker 1: like you get the moment is happening it's it's not here,

934
00:53:47,640 --> 00:53:49,520
Speaker 1: it's it's happening right in front of That's why we

935
00:53:49,560 --> 00:53:54,040
Speaker 1: do that though, because everybody don't catch everything, so sometimes

936
00:53:54,760 --> 00:53:57,200
Speaker 1: they might miss that. Okay, like Tanna Talk three. You

937
00:53:57,200 --> 00:53:59,440
Speaker 1: know how many people be like, yo, this is my

938
00:53:59,480 --> 00:54:01,520
Speaker 1: first time ever here, or you're on Tenda Top three

939
00:54:01,520 --> 00:54:03,480
Speaker 1: and I love it. They don't even know about Butcher

940
00:54:03,520 --> 00:54:05,680
Speaker 1: and State Roys or a friend of ours. They don't

941
00:54:05,680 --> 00:54:08,600
Speaker 1: know about none of that. So it's just like, whoever

942
00:54:08,600 --> 00:54:10,360
Speaker 1: I didn't catch on Tenna Top three, I'm about to

943
00:54:10,360 --> 00:54:12,279
Speaker 1: catch him again, they probably heard of me, so I'm

944
00:54:12,280 --> 00:54:14,200
Speaker 1: about to shoot. I'm about to catch him again. And

945
00:54:14,760 --> 00:54:18,680
Speaker 1: the relationship with Al came from through Grizelda, because fucking

946
00:54:18,840 --> 00:54:20,920
Speaker 1: I was damn near Griselda, now what I'm saying. He

947
00:54:20,960 --> 00:54:24,960
Speaker 1: produced on Conway Ship, he produced on West Ship, he

948
00:54:25,120 --> 00:54:27,600
Speaker 1: produced with Derringer. They got a good relationship, and he

949
00:54:27,640 --> 00:54:30,719
Speaker 1: produced on my album. So it's like I was I was.

950
00:54:30,920 --> 00:54:34,040
Speaker 1: I was introduced to Al through West Side Gun at

951
00:54:34,080 --> 00:54:37,000
Speaker 1: the house at the lab, and you know what I mean,

952
00:54:37,480 --> 00:54:39,839
Speaker 1: my first day meeting him, he was playing a beat

953
00:54:39,880 --> 00:54:42,040
Speaker 1: for West and West was like man been in sounds

954
00:54:42,040 --> 00:54:43,880
Speaker 1: crazy on that, you know, he threw me to alley

955
00:54:43,880 --> 00:54:45,680
Speaker 1: you and I dunked it. You know what I'm saying

956
00:54:45,680 --> 00:54:49,319
Speaker 1: that that's fifty two that's on my album. And how

957
00:54:49,440 --> 00:54:52,680
Speaker 1: is that working? Like with Gunn doing his ship and

958
00:54:52,760 --> 00:54:55,319
Speaker 1: Conway doing his ship and you're doing your like you

959
00:54:55,440 --> 00:54:58,040
Speaker 1: guys rock on each other's albums, Like how does that work?

960
00:54:58,080 --> 00:55:00,160
Speaker 1: Like is it just organic or like you he or

961
00:55:00,200 --> 00:55:02,560
Speaker 1: something You're like, y'all want to get Conway on this,

962
00:55:02,760 --> 00:55:06,000
Speaker 1: Like how does that work? Yeah, it's like like you said,

963
00:55:06,000 --> 00:55:08,719
Speaker 1: it's both ways. I might hear something want Conway on

964
00:55:08,719 --> 00:55:11,200
Speaker 1: it or West or hear someone me on it, and

965
00:55:11,440 --> 00:55:13,200
Speaker 1: or we might set out to do something like we're

966
00:55:13,200 --> 00:55:14,719
Speaker 1: doing a project right now and it's coming out on

967
00:55:14,760 --> 00:55:16,640
Speaker 1: Shady you know what I'm saying. It's called what was

968
00:55:16,640 --> 00:55:19,200
Speaker 1: Shane Gonna Do? What I'm saying, that's my brother Machine's

969
00:55:19,200 --> 00:55:23,160
Speaker 1: Gonna Black, And it's just synergy because like I said,

970
00:55:23,200 --> 00:55:26,359
Speaker 1: like we've literally been rapping together for a long time

971
00:55:26,440 --> 00:55:29,800
Speaker 1: before anybody here together as a group doing ship together.

972
00:55:29,840 --> 00:55:31,960
Speaker 1: And what I'm saying, so it's like it's almost natural.

973
00:55:31,960 --> 00:55:33,439
Speaker 1: It's how to explain it, you know what I'm saying.

974
00:55:34,440 --> 00:55:36,200
Speaker 1: Me and Conway go back and forth he hearing me

975
00:55:36,239 --> 00:55:37,600
Speaker 1: on something, send this to me. He knows what I'm

976
00:55:37,640 --> 00:55:39,680
Speaker 1: gonna do. So it's like it's almost natural the way

977
00:55:39,719 --> 00:55:41,279
Speaker 1: we do this. You guys could tell, like, Yo, this

978
00:55:41,360 --> 00:55:43,799
Speaker 1: is a good joy for him. This is so in

979
00:55:43,920 --> 00:55:48,160
Speaker 1: terms of uh, I've heard rumors of a project with

980
00:55:48,280 --> 00:55:51,960
Speaker 1: Premiere DJ. Premiere is that announced? Is that official? Is

981
00:55:51,960 --> 00:55:55,319
Speaker 1: that just a rumor? That's a rumor. Now, what if

982
00:55:55,320 --> 00:55:57,879
Speaker 1: the rumors said about this, Like, based on what you've

983
00:55:57,880 --> 00:55:59,960
Speaker 1: heard about the rumors, what if the rumors said about

984
00:56:00,280 --> 00:56:03,399
Speaker 1: a project, because that to me perfect The rumor said,

985
00:56:03,440 --> 00:56:07,720
Speaker 1: if we do a project like that, these rap niggers

986
00:56:07,719 --> 00:56:10,880
Speaker 1: could go nightnight. You know what I'm saying that that

987
00:56:11,160 --> 00:56:14,120
Speaker 1: I have if a Premo and Riselda, that would be

988
00:56:14,160 --> 00:56:17,279
Speaker 1: fucking crazy. But that rumor came about from we did

989
00:56:17,320 --> 00:56:20,600
Speaker 1: one song with him and he promoted on the song.

990
00:56:20,680 --> 00:56:23,319
Speaker 1: So people say it seemed Premo and Griselda and went

991
00:56:23,360 --> 00:56:24,960
Speaker 1: fucking crazy, you know what I'm saying. But that song

992
00:56:25,040 --> 00:56:27,239
Speaker 1: about to come out, it's UT's coming out, it's coming out.

993
00:56:27,280 --> 00:56:29,799
Speaker 1: So but there's only been one song actually done that

994
00:56:29,880 --> 00:56:33,279
Speaker 1: we did together. And how was that to get a

995
00:56:33,280 --> 00:56:38,440
Speaker 1: Premier beat? That's fucking nuts. Like Primo, like Primo, Like

996
00:56:38,760 --> 00:56:41,239
Speaker 1: that's a matchmate in heaven in terms of like your

997
00:56:41,239 --> 00:56:43,920
Speaker 1: guys sounded and like his beat, that's bucketless ship for me,

998
00:56:44,000 --> 00:56:47,080
Speaker 1: you know what I'm saying. That's why we're leaving that

999
00:56:47,160 --> 00:56:49,120
Speaker 1: play in the playbook. Like his way too early for

1000
00:56:49,440 --> 00:56:50,720
Speaker 1: you know what I mean to me? In my opinion,

1001
00:56:50,920 --> 00:56:54,680
Speaker 1: it's way too early for Griselda and uh, Premo ship.

1002
00:56:54,760 --> 00:56:58,879
Speaker 1: Why do you say that? Because it's like other it's

1003
00:56:58,960 --> 00:57:00,920
Speaker 1: other players in the play that we're gonna call in

1004
00:57:01,320 --> 00:57:03,680
Speaker 1: before we before we do something like that, we gotta

1005
00:57:03,680 --> 00:57:07,040
Speaker 1: be like bigger. In my opinion, I got youigger for that,

1006
00:57:07,239 --> 00:57:09,400
Speaker 1: for that high quality of music. How that's gonna sound?

1007
00:57:09,440 --> 00:57:12,160
Speaker 1: That gotta be for everybody. Like I said, everybody don't

1008
00:57:12,160 --> 00:57:14,120
Speaker 1: catch everything. The people gotta catch that. I got you.

1009
00:57:14,239 --> 00:57:16,960
Speaker 1: We got more grinding to do, so we have all

1010
00:57:17,000 --> 00:57:18,840
Speaker 1: eyes on us. That's a play you throwing us all

1011
00:57:18,880 --> 00:57:20,800
Speaker 1: eyes on you. I got you. Know what I'm saying.

1012
00:57:20,840 --> 00:57:23,360
Speaker 1: I got you. That makes sense? Um? And what about

1013
00:57:24,280 --> 00:57:28,880
Speaker 1: fifty cent? Uh? You know his crew? Your crew shady?

1014
00:57:29,240 --> 00:57:33,000
Speaker 1: Now has there been any discussion even philosophically, like you

1015
00:57:33,040 --> 00:57:35,520
Speaker 1: know you get g unit. They haven't been rocking for

1016
00:57:35,560 --> 00:57:37,800
Speaker 1: a minute, they've been sort of disband or whatever the

1017
00:57:37,840 --> 00:57:40,720
Speaker 1: fun is going on with them. You're everybody's got everybody's

1018
00:57:40,720 --> 00:57:43,560
Speaker 1: phone number, everybody. What about the idea of a Griselda

1019
00:57:43,640 --> 00:57:46,120
Speaker 1: g unit like that would be? That would be a

1020
00:57:46,240 --> 00:57:49,920
Speaker 1: very fantastic, very exciting thing. Like has that been a rumor?

1021
00:57:49,960 --> 00:57:52,520
Speaker 1: Has that been put out there? The streets are gonna

1022
00:57:52,520 --> 00:57:54,120
Speaker 1: get a taste or something like that. That's all I

1023
00:57:54,160 --> 00:57:56,080
Speaker 1: can say. This year real soon, and they're gonna be

1024
00:57:56,080 --> 00:57:58,040
Speaker 1: happy when they get it. What I'm saying, it's gonna be.

1025
00:57:58,080 --> 00:58:00,000
Speaker 1: It's gonna be a little more so what happened. It's

1026
00:58:00,040 --> 00:58:02,959
Speaker 1: gonna be crazy, trust me, it's gonna be nuts. Okay. Now,

1027
00:58:03,320 --> 00:58:06,720
Speaker 1: one thing that, um, I think it's interesting because there's

1028
00:58:06,760 --> 00:58:10,240
Speaker 1: so much gloss in hip hop right now. I mean

1029
00:58:10,280 --> 00:58:12,600
Speaker 1: there's like there's like two or three different genres of

1030
00:58:12,680 --> 00:58:14,840
Speaker 1: fucking music. And every day I'm hearing about some new

1031
00:58:14,880 --> 00:58:17,720
Speaker 1: ship and I've stopped listening to a lot of it.

1032
00:58:17,720 --> 00:58:19,600
Speaker 1: I've given up. I don't even try because I'm like,

1033
00:58:19,640 --> 00:58:22,160
Speaker 1: this is just gonna make me frustrated. This is gonna

1034
00:58:22,200 --> 00:58:25,680
Speaker 1: just make me, uh say, some ship on Instagram and

1035
00:58:25,720 --> 00:58:28,760
Speaker 1: stuff like that. When you when you see like so

1036
00:58:28,840 --> 00:58:30,400
Speaker 1: much of the I don't even know what the word

1037
00:58:30,480 --> 00:58:32,880
Speaker 1: is like this, I call it cynthy To me, it's

1038
00:58:32,880 --> 00:58:35,640
Speaker 1: cynthy guys like you know, there's big artists who you

1039
00:58:35,680 --> 00:58:37,480
Speaker 1: don't even know there are real voices because they have

1040
00:58:37,560 --> 00:58:40,440
Speaker 1: these components to their voices that they add on the

1041
00:58:40,480 --> 00:58:43,240
Speaker 1: computer plug ins and plug ins like and there, it's

1042
00:58:43,280 --> 00:58:47,600
Speaker 1: not a real voice. And you see how quick that

1043
00:58:47,760 --> 00:58:49,960
Speaker 1: is to to take off, Like these guys just take

1044
00:58:50,000 --> 00:58:52,760
Speaker 1: off out of nowhere and like the music to me,

1045
00:58:52,800 --> 00:58:55,200
Speaker 1: and I know it sounds I know I sound old

1046
00:58:55,200 --> 00:58:58,480
Speaker 1: by saying this. It sounds the fucking scene when you

1047
00:58:58,560 --> 00:59:00,400
Speaker 1: see that and you see like the money, any train

1048
00:59:00,480 --> 00:59:02,400
Speaker 1: of that, Like why don't you go we'll fuck it.

1049
00:59:02,640 --> 00:59:05,520
Speaker 1: Let's clean ourselves up, Let's fucking dance around like assholes

1050
00:59:05,520 --> 00:59:07,360
Speaker 1: and do this because this is the easy way. Do

1051
00:59:07,400 --> 00:59:08,840
Speaker 1: you know what I'm saying? Yeah, yeah, I feel you.

1052
00:59:08,880 --> 00:59:10,920
Speaker 1: I feel you, But we can't do nothing like that.

1053
00:59:10,960 --> 00:59:13,760
Speaker 1: First and foremost, like I said, I'm a grown ass man.

1054
00:59:14,560 --> 00:59:17,400
Speaker 1: And second of all, it's it's more about the money.

1055
00:59:17,440 --> 00:59:20,760
Speaker 1: To me, I'm saying because Griselda, nobody in Griselda is

1056
00:59:20,800 --> 00:59:22,800
Speaker 1: missing any males. You know what I'm saying, We ain't starving,

1057
00:59:23,080 --> 00:59:25,080
Speaker 1: niggas is getting bread. So it was like, you know

1058
00:59:25,080 --> 00:59:26,680
Speaker 1: what I mean is we're gonna sell our soul to

1059
00:59:26,760 --> 00:59:28,760
Speaker 1: get more bread. Like that don't make no sense to me.

1060
00:59:28,880 --> 00:59:30,600
Speaker 1: And I don't think you guys can fake it anyway.

1061
00:59:30,680 --> 00:59:33,560
Speaker 1: And and and the respect, like when I tell you

1062
00:59:34,440 --> 00:59:37,480
Speaker 1: like the respect the people that I met and they

1063
00:59:37,520 --> 00:59:39,280
Speaker 1: tell me that they listen to my lum and I like,

1064
00:59:39,440 --> 00:59:41,480
Speaker 1: and they like it, and and they they want to

1065
00:59:41,520 --> 00:59:44,560
Speaker 1: work for me from yo, that's like that's worth like

1066
00:59:44,680 --> 00:59:46,640
Speaker 1: millions of dollars. And I swear to God like I'm

1067
00:59:46,760 --> 00:59:48,640
Speaker 1: I'm I'm a fan, like I'm a hip hop guy.

1068
00:59:48,720 --> 00:59:51,400
Speaker 1: You know what I'm like, I grew up like studying

1069
00:59:51,480 --> 00:59:53,960
Speaker 1: hip hop, my pops listening to hip hop like this,

1070
00:59:54,080 --> 00:59:56,600
Speaker 1: I'm living my dream every day, you know what I'm saying.

1071
00:59:56,600 --> 00:59:58,800
Speaker 1: It's like I don't feel like I gotta do more.

1072
00:59:58,880 --> 01:00:00,480
Speaker 1: You know. People tell me that, like, yo, you need

1073
01:00:00,480 --> 01:00:03,120
Speaker 1: a radio record, Like I actually don't need a radio record,

1074
01:00:03,600 --> 01:00:05,560
Speaker 1: you know. I mean, it would behoove the radio to

1075
01:00:05,640 --> 01:00:09,120
Speaker 1: play some of our ship because we I gotta I got,

1076
01:00:09,120 --> 01:00:11,800
Speaker 1: I got a ton of streams, and my people and

1077
01:00:11,800 --> 01:00:14,560
Speaker 1: the people go to my ship to listen to my music,

1078
01:00:14,840 --> 01:00:16,400
Speaker 1: they don't play it on the radio, so it would

1079
01:00:16,440 --> 01:00:19,120
Speaker 1: maybe behoove the radio to play our ship, but they don't,

1080
01:00:19,120 --> 01:00:21,080
Speaker 1: and we're not tripping because people find on music in

1081
01:00:21,080 --> 01:00:23,480
Speaker 1: a different way. Everything is not for everybody, you know

1082
01:00:23,480 --> 01:00:27,080
Speaker 1: what I'm saying. The shows is always sold out? What

1083
01:00:27,280 --> 01:00:29,120
Speaker 1: kind of crowd you're after shows? Because I haven't been

1084
01:00:29,160 --> 01:00:31,120
Speaker 1: at a show, like what kind of crowd because I

1085
01:00:31,120 --> 01:00:33,760
Speaker 1: feel like it would be like it's it just reminds

1086
01:00:33,800 --> 01:00:36,480
Speaker 1: me of like old Woo Tank, like before they were big,

1087
01:00:36,520 --> 01:00:39,240
Speaker 1: Like like what kind of people are at these shows? Man?

1088
01:00:39,360 --> 01:00:45,640
Speaker 1: It's all types of people. It's black, white, Mexican, fucking hippies,

1089
01:00:46,280 --> 01:00:49,800
Speaker 1: U nine to five working dudes, gangsters, you know what

1090
01:00:49,880 --> 01:00:53,800
Speaker 1: I'm saying. It's like chick sprinkled through the crowd, you

1091
01:00:53,840 --> 01:00:56,440
Speaker 1: know what I mean. Like I don't know him. It's

1092
01:00:56,480 --> 01:01:00,720
Speaker 1: crazy like regular working dudes and nerds, like real ship athletes.

1093
01:01:01,320 --> 01:01:03,000
Speaker 1: What I'm saying, it's like the dude I just just

1094
01:01:03,040 --> 01:01:05,240
Speaker 1: do I don't know. I forgot that, I forgot his name.

1095
01:01:05,800 --> 01:01:07,480
Speaker 1: I'm like, damn, this nigga like my ship and I'm

1096
01:01:07,520 --> 01:01:09,920
Speaker 1: like I'm like this Nigga played for the Cowboys. You

1097
01:01:09,960 --> 01:01:12,800
Speaker 1: know what I'm saying, Like, dudes repost my ship pro Skater,

1098
01:01:12,960 --> 01:01:14,880
Speaker 1: So like, those are people who show up to the shows.

1099
01:01:15,280 --> 01:01:17,240
Speaker 1: And I was telling my kids that earlier, was like,

1100
01:01:18,240 --> 01:01:20,720
Speaker 1: that's the thing about this type of music. Our fans

1101
01:01:20,920 --> 01:01:23,680
Speaker 1: are somebody what I'm saying, It's not fifteen year old

1102
01:01:23,720 --> 01:01:26,000
Speaker 1: little fucking Johnny. You know what I'm saying. It's like

1103
01:01:26,080 --> 01:01:28,600
Speaker 1: somebody like a CEO of a fucking company. You know

1104
01:01:28,600 --> 01:01:30,919
Speaker 1: what I'm saying, who like our music. It's grown people

1105
01:01:30,920 --> 01:01:34,120
Speaker 1: in music. I like that about that. I agree you.

1106
01:01:34,120 --> 01:01:36,320
Speaker 1: You guys have worked with so many good people. You

1107
01:01:36,360 --> 01:01:39,080
Speaker 1: got who certified from Ray Kuon, he gave you love,

1108
01:01:39,520 --> 01:01:44,200
Speaker 1: you worked you know before he passed, Prodigy, Alchemists ninth one.

1109
01:01:44,360 --> 01:01:46,240
Speaker 1: Like what does it mean to you to have those

1110
01:01:46,280 --> 01:01:49,040
Speaker 1: those kinds of people you know, d Block you were,

1111
01:01:49,200 --> 01:01:51,400
Speaker 1: you know, what does it mean for you, like just

1112
01:01:52,040 --> 01:01:55,760
Speaker 1: to have that sort of you know, that certification from

1113
01:01:55,840 --> 01:01:57,840
Speaker 1: guys like that that you're probably fucking fans that you

1114
01:01:57,880 --> 01:02:00,720
Speaker 1: could probably recite all this ship right everything. You know

1115
01:02:00,720 --> 01:02:02,120
Speaker 1: what I'm saying, That's what I was talking about. That's

1116
01:02:02,160 --> 01:02:05,480
Speaker 1: that's worth more than a million dollars because you can't.

1117
01:02:05,960 --> 01:02:10,720
Speaker 1: It's hired the name. The last time those guys stamp something,

1118
01:02:10,840 --> 01:02:15,080
Speaker 1: all of those guys from MOB to D block the

1119
01:02:15,160 --> 01:02:20,240
Speaker 1: woo eminem Hove, it's Hove reach out. Like if you

1120
01:02:20,320 --> 01:02:23,360
Speaker 1: heard from Hove in any way, shape or form. Last

1121
01:02:23,360 --> 01:02:25,160
Speaker 1: time I talked about what I said something about hold

1122
01:02:25,200 --> 01:02:27,640
Speaker 1: on the microphone that she was on every fucking blog,

1123
01:02:28,680 --> 01:02:30,200
Speaker 1: what did you say? What was the thing you said

1124
01:02:30,240 --> 01:02:33,040
Speaker 1: the last time you said something about it? I said

1125
01:02:33,040 --> 01:02:34,800
Speaker 1: that he told me I that I shouldn't do the

1126
01:02:34,800 --> 01:02:38,560
Speaker 1: double x uh cover that you shouldn't. It's like a curse,

1127
01:02:39,440 --> 01:02:41,840
Speaker 1: not like it's like a curse. Basically, it's like it's

1128
01:02:41,880 --> 01:02:43,680
Speaker 1: not for me, you know what I'm saying. It's almost

1129
01:02:43,720 --> 01:02:46,440
Speaker 1: like it's not for me. Did he tell you this

1130
01:02:47,280 --> 01:02:49,200
Speaker 1: in person? Or did he tell you this on text? Like?

1131
01:02:49,240 --> 01:02:51,400
Speaker 1: How did that that you said that you already said

1132
01:02:51,520 --> 01:02:53,680
Speaker 1: because I don't fish for quotes, but I didn't hear

1133
01:02:53,720 --> 01:02:56,080
Speaker 1: that when you articulated that and it got all over

1134
01:02:56,120 --> 01:03:00,480
Speaker 1: the blocks. How is that articulated to you in person?

1135
01:03:01,040 --> 01:03:05,120
Speaker 1: That's fucking crazy. I mean, jay Z is gotten so

1136
01:03:05,240 --> 01:03:09,800
Speaker 1: big it's almost like fucking Steve Jobs just's like, oh,

1137
01:03:10,120 --> 01:03:13,000
Speaker 1: like in person, you know what I mean, He's so big.

1138
01:03:13,480 --> 01:03:16,600
Speaker 1: I mean, and he's his music. It means so much

1139
01:03:16,680 --> 01:03:18,919
Speaker 1: and and it's just I mean, he's do you guys

1140
01:03:19,000 --> 01:03:20,480
Speaker 1: when you were young in terms of like you know,

1141
01:03:20,560 --> 01:03:23,040
Speaker 1: he can't you know the independent ship and Rockefella and

1142
01:03:23,720 --> 01:03:26,240
Speaker 1: you know it's crazy and getting all those co signs

1143
01:03:26,640 --> 01:03:29,480
Speaker 1: make me feel like, okay, like huh, I am the ship.

1144
01:03:29,640 --> 01:03:34,040
Speaker 1: That ship it is coming out, Yes, that ship fucking crazy.

1145
01:03:34,120 --> 01:03:37,280
Speaker 1: Like he told me that in person. What I'm saying,

1146
01:03:37,600 --> 01:03:39,600
Speaker 1: Ray called me is great. Ray Kawon called me a

1147
01:03:39,600 --> 01:03:42,560
Speaker 1: little bro. Ghost Face caught me on the phone like yeah, yeah,

1148
01:03:42,680 --> 01:03:44,960
Speaker 1: your ship. I don't be listening to nigger ship, but

1149
01:03:45,000 --> 01:03:47,400
Speaker 1: I listened to your ship. Yeah yeah, I'm working with it.

1150
01:03:47,600 --> 01:03:50,840
Speaker 1: I'm like, yeah, work, were you bugging? Like like ghost

1151
01:03:50,920 --> 01:03:53,440
Speaker 1: Face called called the phone. I'm just this was just

1152
01:03:53,520 --> 01:03:55,920
Speaker 1: little me here still. And I'm saying I'm not like,

1153
01:03:56,160 --> 01:03:58,320
Speaker 1: I'm just I'm new to this ship. So enjoining it

1154
01:03:58,400 --> 01:04:02,320
Speaker 1: and all of that is worth way more than these

1155
01:04:02,400 --> 01:04:05,120
Speaker 1: dudes doing because they never get that I understand what

1156
01:04:05,160 --> 01:04:06,680
Speaker 1: I'm saying that they and they know they could stand

1157
01:04:06,720 --> 01:04:09,200
Speaker 1: in the room with me and be looking around like

1158
01:04:09,800 --> 01:04:12,760
Speaker 1: and with those guys, and I in the kind of

1159
01:04:12,840 --> 01:04:14,960
Speaker 1: the conversation would be about us, you know what I'm

1160
01:04:15,000 --> 01:04:17,720
Speaker 1: saying that, not about them. I got you, So you're

1161
01:04:17,760 --> 01:04:19,720
Speaker 1: writing process. I was in the studio the other day

1162
01:04:19,720 --> 01:04:21,520
Speaker 1: and I was you know, as much as I've loved

1163
01:04:21,600 --> 01:04:24,120
Speaker 1: hip hop, I've only had the opportunity to be in

1164
01:04:24,240 --> 01:04:26,720
Speaker 1: the studio with a few people over the years, and

1165
01:04:26,760 --> 01:04:29,360
Speaker 1: I'm always I'm always tripped out by it. Because the

1166
01:04:29,600 --> 01:04:32,400
Speaker 1: end product of what fans listen to, whatever it is, good,

1167
01:04:32,480 --> 01:04:35,120
Speaker 1: bad or in difference, little this one, little that one,

1168
01:04:35,200 --> 01:04:38,240
Speaker 1: it doesn't matter. But the end product we hear when

1169
01:04:38,280 --> 01:04:40,800
Speaker 1: you actually see and I actually saw this in my

1170
01:04:40,800 --> 01:04:43,720
Speaker 1: own eyes. I saw the beat being made. I saw

1171
01:04:43,880 --> 01:04:46,560
Speaker 1: you come into the studio, I saw Conway come into

1172
01:04:46,600 --> 01:04:48,800
Speaker 1: the studio, and then I saw a song being made.

1173
01:04:49,120 --> 01:04:51,240
Speaker 1: And I didn't see a pen. Now, one thing is

1174
01:04:52,040 --> 01:04:54,560
Speaker 1: one thing I thought jay Z and Biggie the worst

1175
01:04:54,600 --> 01:04:56,600
Speaker 1: thing they ever did for hip hop. Would say they

1176
01:04:56,600 --> 01:04:59,240
Speaker 1: didn't write. That's the worst thing they did. That's the

1177
01:04:59,280 --> 01:05:01,240
Speaker 1: worst thing. I say that with all do people got

1178
01:05:01,280 --> 01:05:03,840
Speaker 1: trendy with that. What I'm saying, not everybody could do that.

1179
01:05:04,560 --> 01:05:06,160
Speaker 1: So I mean that with all due respect. But like

1180
01:05:06,240 --> 01:05:07,560
Speaker 1: when that was put out, there was like, well he

1181
01:05:07,640 --> 01:05:10,480
Speaker 1: didn't write I don't need but I watched I saw

1182
01:05:10,600 --> 01:05:12,640
Speaker 1: you for like it was like two hours listening to

1183
01:05:12,720 --> 01:05:15,760
Speaker 1: the beat, circling around and then leave kind of break

1184
01:05:15,800 --> 01:05:17,600
Speaker 1: out of you know, in conversation, and then go back

1185
01:05:17,640 --> 01:05:19,880
Speaker 1: into it, never write anything down. And then I think

1186
01:05:19,880 --> 01:05:21,600
Speaker 1: I saw you. You know you spit it to your

1187
01:05:21,680 --> 01:05:23,760
Speaker 1: man like you just kind of shared it with him,

1188
01:05:24,040 --> 01:05:26,040
Speaker 1: like kind of like just getting it out. I don't

1189
01:05:26,080 --> 01:05:29,240
Speaker 1: know how the scientists because I, I mean, I'm an actor.

1190
01:05:29,320 --> 01:05:32,520
Speaker 1: I can't remember even really good lines like that. Like

1191
01:05:32,600 --> 01:05:34,560
Speaker 1: I was thinking, I was like I couldn't dude, Like

1192
01:05:34,560 --> 01:05:37,280
Speaker 1: I couldn't make up the rest. So what is your

1193
01:05:37,360 --> 01:05:39,960
Speaker 1: process like in terms of that, Like because that tripped

1194
01:05:40,000 --> 01:05:41,800
Speaker 1: me out to wy and Conway did the same thing,

1195
01:05:41,920 --> 01:05:45,200
Speaker 1: like he's absorbing it, you know. Uh, but when you

1196
01:05:45,360 --> 01:05:49,000
Speaker 1: first when you did the first take of it, like

1197
01:05:49,120 --> 01:05:52,840
Speaker 1: it was a a well thought out verse, How does

1198
01:05:52,920 --> 01:05:57,560
Speaker 1: that work? It's like it's like a puzzle and and

1199
01:05:57,800 --> 01:05:59,440
Speaker 1: and somebody asked me, like, yo, how you do that?

1200
01:06:00,040 --> 01:06:02,680
Speaker 1: Remember the words? It's like walking with a flashlight if

1201
01:06:02,720 --> 01:06:04,960
Speaker 1: I'm on the second bar, I don't know. I don't.

1202
01:06:05,000 --> 01:06:07,880
Speaker 1: I don't know the sixth or eighth bar in my brain.

1203
01:06:08,200 --> 01:06:10,920
Speaker 1: But when I get to the sixth to the fifth bar,

1204
01:06:11,080 --> 01:06:12,480
Speaker 1: I can see. I can see the sixth one with

1205
01:06:12,520 --> 01:06:13,800
Speaker 1: the flash like you know what I'm saying. It's like

1206
01:06:14,120 --> 01:06:15,600
Speaker 1: walking in the dark room with a flash, like you

1207
01:06:15,640 --> 01:06:17,320
Speaker 1: don't know it's a dresser right there toil you you

1208
01:06:17,360 --> 01:06:18,480
Speaker 1: see it a little bit of it, like, oh, it's

1209
01:06:18,480 --> 01:06:21,360
Speaker 1: a dresser right there. So in that pieces every bar

1210
01:06:21,520 --> 01:06:24,080
Speaker 1: together what I'm saying. And I used to write with

1211
01:06:24,160 --> 01:06:27,160
Speaker 1: a pen. I'll tell people this is but I've always

1212
01:06:27,200 --> 01:06:29,439
Speaker 1: been a feeling due. I'll hear the beat, oh ship,

1213
01:06:29,560 --> 01:06:31,320
Speaker 1: and then I go right like a couple of bars,

1214
01:06:31,360 --> 01:06:32,880
Speaker 1: and then I write it. You used to go write

1215
01:06:32,880 --> 01:06:34,960
Speaker 1: it down on the paper, but thanks to fucking my

1216
01:06:35,040 --> 01:06:36,880
Speaker 1: train of thoughts, so I just stopped going to the paper,

1217
01:06:36,920 --> 01:06:38,200
Speaker 1: you know what I'm saying. I felt like going to

1218
01:06:38,240 --> 01:06:40,240
Speaker 1: the paper slowed me down. And then it was all

1219
01:06:40,240 --> 01:06:42,120
Speaker 1: the time. I write half the version down and then

1220
01:06:42,160 --> 01:06:44,200
Speaker 1: I'm ready to finish the verses like I'm starting all

1221
01:06:44,240 --> 01:06:46,840
Speaker 1: over again. You know what I mean? The paper, But

1222
01:06:47,360 --> 01:06:51,120
Speaker 1: so when you're actually getting to the booth, do you

1223
01:06:51,320 --> 01:06:54,400
Speaker 1: know what you're gonna say you you you're not. It's

1224
01:06:54,400 --> 01:06:56,760
Speaker 1: not freestyling. No no, no, that's not freestyle, and it's

1225
01:06:56,760 --> 01:06:58,840
Speaker 1: not freestyle. It's in your head and you're just getting

1226
01:06:58,880 --> 01:07:01,320
Speaker 1: it out exactly and exactly do you have Have there

1227
01:07:01,400 --> 01:07:04,600
Speaker 1: been any lines on any songs where when you said

1228
01:07:04,640 --> 01:07:07,360
Speaker 1: you get to the second bar, uh, you don't really

1229
01:07:07,400 --> 01:07:10,240
Speaker 1: see the eighth bar until you get to the seventh bar.

1230
01:07:10,880 --> 01:07:12,840
Speaker 1: Is there any references that you can make, like on

1231
01:07:12,920 --> 01:07:15,560
Speaker 1: a specific zone, We're like, well, bar number twelve. I

1232
01:07:15,600 --> 01:07:17,320
Speaker 1: didn't see that coming, but that was some ship. It

1233
01:07:17,440 --> 01:07:20,080
Speaker 1: just sort of came out because it's like I imagine,

1234
01:07:20,120 --> 01:07:21,800
Speaker 1: it's like being a good like it's like being a

1235
01:07:21,840 --> 01:07:23,680
Speaker 1: good ball player, like you see a guy like I

1236
01:07:23,760 --> 01:07:26,000
Speaker 1: was talking to my wife Steph Curry made some crazy shots.

1237
01:07:26,040 --> 01:07:28,160
Speaker 1: She said, is that luck or is that practice? I said,

1238
01:07:28,200 --> 01:07:30,720
Speaker 1: it's a combination of both. He's made the shot before,

1239
01:07:31,480 --> 01:07:34,720
Speaker 1: but maybe never liked that. Yeah. See, And that's my thing.

1240
01:07:34,920 --> 01:07:39,000
Speaker 1: It's a thin line between a good bar and some bullshit.

1241
01:07:39,400 --> 01:07:42,360
Speaker 1: I mean, because some dudes go overboard. But it's like, man,

1242
01:07:42,400 --> 01:07:44,400
Speaker 1: it's like walking with a flash like my nigga and

1243
01:07:45,040 --> 01:07:47,880
Speaker 1: and I feel I feel like when I write like

1244
01:07:48,000 --> 01:07:50,439
Speaker 1: that that's when of my most creative because you said,

1245
01:07:50,480 --> 01:07:52,640
Speaker 1: like you said, I'm walking around like I don't like

1246
01:07:52,720 --> 01:07:54,200
Speaker 1: to do it in front of people. I don't like

1247
01:07:54,280 --> 01:07:56,520
Speaker 1: people to hear it until I'm done, so I don't

1248
01:07:56,560 --> 01:07:58,520
Speaker 1: like people coming and listening to it. So that's why

1249
01:07:58,560 --> 01:07:59,880
Speaker 1: when I spit it to my man, I'm just like

1250
01:08:00,040 --> 01:08:01,520
Speaker 1: in his ear, I'm just giving it the one person.

1251
01:08:01,600 --> 01:08:03,520
Speaker 1: It's a room full of people, I'm just wrapping it

1252
01:08:03,600 --> 01:08:05,640
Speaker 1: to one person. I caught that, but I said, I

1253
01:08:05,840 --> 01:08:07,520
Speaker 1: knew exactly what it was. It was almost like you

1254
01:08:07,560 --> 01:08:09,840
Speaker 1: were like it was like a test run exactly. It

1255
01:08:09,960 --> 01:08:12,080
Speaker 1: was like you're vomiting it out to like that's like

1256
01:08:12,160 --> 01:08:14,400
Speaker 1: the way to get it on paper, Like probably once

1257
01:08:14,480 --> 01:08:16,640
Speaker 1: you say it once, it goes to memory in a

1258
01:08:16,720 --> 01:08:19,400
Speaker 1: weird one. That's what I do. Like the verse be done.

1259
01:08:19,479 --> 01:08:23,400
Speaker 1: Half the time, I'm I'm spending going over the verse

1260
01:08:23,560 --> 01:08:25,599
Speaker 1: again again and again in my head so I can

1261
01:08:25,680 --> 01:08:28,840
Speaker 1: remember it. Right, I'm being repetitive with it again and

1262
01:08:28,880 --> 01:08:30,840
Speaker 1: again and again and again. What I'm saying like it's

1263
01:08:30,880 --> 01:08:33,479
Speaker 1: tricky though, I don't forgot better ship than these dudes

1264
01:08:33,600 --> 01:08:35,720
Speaker 1: ever wrote in a whole life, right, you know what

1265
01:08:35,760 --> 01:08:37,960
Speaker 1: I'm saying, like sometimes on the law ship because you

1266
01:08:38,040 --> 01:08:40,160
Speaker 1: get buyers. You might be anywhere. You might think of

1267
01:08:40,240 --> 01:08:42,800
Speaker 1: some ship, or I might be in a studio, right

1268
01:08:42,840 --> 01:08:44,160
Speaker 1: and some ship in the middle of that you Like

1269
01:08:44,200 --> 01:08:45,800
Speaker 1: I said, it takes some time in the middle of that, like, Yo,

1270
01:08:45,880 --> 01:08:47,800
Speaker 1: let's go get something to eat. I go get back, Like,

1271
01:08:47,880 --> 01:08:50,000
Speaker 1: oh ship, What the funk was I saying? Fucking start

1272
01:08:50,080 --> 01:08:52,280
Speaker 1: over you like you'll have to like if it doesn't

1273
01:08:52,280 --> 01:08:55,040
Speaker 1: go to memory, like you'll just start again. Yeah, yeah, yeah,

1274
01:08:55,280 --> 01:08:56,800
Speaker 1: what I'm saying. All right, So I want to talk

1275
01:08:56,800 --> 01:08:59,160
Speaker 1: to you just specifically about a couple of your songs

1276
01:08:59,720 --> 01:09:01,600
Speaker 1: and just the process and just walk me through it

1277
01:09:01,640 --> 01:09:05,040
Speaker 1: because India, I love that song, and I love the

1278
01:09:05,200 --> 01:09:07,080
Speaker 1: flow of it. I love the cadence of it, and

1279
01:09:07,640 --> 01:09:10,599
Speaker 1: it's just such a it's such a a classic fucking

1280
01:09:10,640 --> 01:09:13,560
Speaker 1: boom bap song, and so so to talk to me

1281
01:09:13,600 --> 01:09:15,800
Speaker 1: about that song, like what you remember when the first

1282
01:09:15,800 --> 01:09:17,639
Speaker 1: time you heard the beat? Who made the beat? Where

1283
01:09:17,680 --> 01:09:21,679
Speaker 1: were you? And break that song down? Choote made the beat,

1284
01:09:21,880 --> 01:09:24,080
Speaker 1: Chope the producer made to beat here from Rochester. Shout

1285
01:09:24,080 --> 01:09:26,320
Speaker 1: out to Chute uh Me and him got good chemistry.

1286
01:09:26,360 --> 01:09:27,600
Speaker 1: He sent me to beat and I heard. As soon

1287
01:09:27,640 --> 01:09:29,360
Speaker 1: as I heard the beat, I knew I wanted to

1288
01:09:29,880 --> 01:09:31,920
Speaker 1: tell a deep story on the beat. As soon as

1289
01:09:31,960 --> 01:09:36,280
Speaker 1: I heard it, I started off. Actually it was inspired.

1290
01:09:36,920 --> 01:09:40,400
Speaker 1: It was inspired like by Conway he got the cow

1291
01:09:40,520 --> 01:09:42,960
Speaker 1: and he was talking about my brother when my brother

1292
01:09:43,000 --> 01:09:45,800
Speaker 1: passed Machine Gonna Black, how that made him feel and

1293
01:09:45,880 --> 01:09:48,320
Speaker 1: He's say a line he was like, he don't know

1294
01:09:48,360 --> 01:09:50,760
Speaker 1: who did it, and it ate his pride, you know

1295
01:09:50,760 --> 01:09:54,360
Speaker 1: what I'm saying. And then and I'm like, damn, he

1296
01:09:54,520 --> 01:09:56,439
Speaker 1: expressed feelings in that song that he never sat down

1297
01:09:56,479 --> 01:09:58,880
Speaker 1: and told me. And that was basically me doing the

1298
01:09:58,960 --> 01:10:02,080
Speaker 1: same thing on India. Was just like venting on the song,

1299
01:10:02,640 --> 01:10:05,639
Speaker 1: venting and then you know what I'm saying. Like I said,

1300
01:10:05,640 --> 01:10:08,080
Speaker 1: I said the part about my girl, and then I

1301
01:10:08,200 --> 01:10:09,720
Speaker 1: asked her the name of the song and she named

1302
01:10:09,760 --> 01:10:11,960
Speaker 1: it after her. And it's like a lot of rail

1303
01:10:12,040 --> 01:10:15,160
Speaker 1: ship in that song talking about my brother. I just

1304
01:10:15,240 --> 01:10:19,439
Speaker 1: like to be real transparent into music because that's so relatable.

1305
01:10:19,439 --> 01:10:21,080
Speaker 1: People tell me I'm relatable all the time, you know

1306
01:10:21,120 --> 01:10:24,120
Speaker 1: what I mean, Because that's a good fucking word transparent

1307
01:10:24,200 --> 01:10:26,599
Speaker 1: in it. Yeah, yeah, yeah, I like that. They got

1308
01:10:26,720 --> 01:10:30,120
Speaker 1: used to handouts. I always stand out with my own cloth,

1309
01:10:30,240 --> 01:10:32,680
Speaker 1: became my own boss. That's how you branch out. You

1310
01:10:32,840 --> 01:10:35,320
Speaker 1: never put the work with me. And certainly I can't

1311
01:10:35,360 --> 01:10:37,840
Speaker 1: box do that tramp spot and No. Three, I ran

1312
01:10:38,000 --> 01:10:40,639
Speaker 1: like a slam route because I was slinking older niggas

1313
01:10:40,800 --> 01:10:43,080
Speaker 1: book bag and dough was in it. Mans pulled the

1314
01:10:43,160 --> 01:10:46,080
Speaker 1: silver with it. She was my co defendant cousin. And

1315
01:10:46,160 --> 01:10:48,599
Speaker 1: I'll be going and I'm coping with it. And before

1316
01:10:48,640 --> 01:10:50,880
Speaker 1: he died we had a chat. But before that we

1317
01:10:51,160 --> 01:10:53,800
Speaker 1: spoke a minute. It was so what shit he did?

1318
01:10:54,000 --> 01:10:56,439
Speaker 1: Oh what shout? I said? I s but this last

1319
01:10:56,479 --> 01:10:59,040
Speaker 1: words to me, bro hold your hand like you feel

1320
01:10:59,080 --> 01:11:01,280
Speaker 1: like you know me, like you know you can. I

1321
01:11:01,360 --> 01:11:05,280
Speaker 1: tweeted this other day. These dudes make full length albums

1322
01:11:06,960 --> 01:11:08,720
Speaker 1: and you you could listen to the whole thing, and

1323
01:11:08,800 --> 01:11:11,360
Speaker 1: you still don't know nothing about this dude. You don't

1324
01:11:11,360 --> 01:11:15,280
Speaker 1: know nothing personal about this guy. And that that wasn't

1325
01:11:15,320 --> 01:11:17,120
Speaker 1: the formula when I grew up. You know what I'm saying.

1326
01:11:17,240 --> 01:11:18,800
Speaker 1: It went to something like I said, I don't I don't.

1327
01:11:19,040 --> 01:11:21,320
Speaker 1: I don't nag these young niggas about how they make

1328
01:11:21,360 --> 01:11:23,599
Speaker 1: their music. That's what it is, what I'm saying. Maybe

1329
01:11:23,600 --> 01:11:25,000
Speaker 1: they don't give a funk if we like it or not.

1330
01:11:25,400 --> 01:11:27,920
Speaker 1: It is what it is. But there's nothing personal in

1331
01:11:27,960 --> 01:11:29,519
Speaker 1: the music. And you know what I mean, I really

1332
01:11:29,560 --> 01:11:32,760
Speaker 1: don't care to hear all that hippie hoppity ship. If

1333
01:11:32,760 --> 01:11:35,519
Speaker 1: you're not saying nothing, I'm still a lyric. I agree, man,

1334
01:11:36,080 --> 01:11:38,560
Speaker 1: I agree that there's gotta be some fucking balance. It

1335
01:11:38,680 --> 01:11:41,160
Speaker 1: gotta be. It gotta be. You can make your joints.

1336
01:11:41,400 --> 01:11:43,360
Speaker 1: Just gotta be some funking Who are you? What are you?

1337
01:11:43,720 --> 01:11:47,040
Speaker 1: And don't be standing around like like you like you

1338
01:11:47,160 --> 01:11:49,840
Speaker 1: that guy just because you let all some streams and

1339
01:11:49,880 --> 01:11:52,599
Speaker 1: ship nort be standing around comparing yourself to the greats

1340
01:11:52,920 --> 01:11:56,920
Speaker 1: because of that, because that's so disrespect I'm saying, that's disrespectful.

1341
01:11:56,920 --> 01:12:01,200
Speaker 1: I agree, I agree, I really agree with that. Um

1342
01:12:01,600 --> 01:12:04,240
Speaker 1: all right, So Indy, that's a fucking dope song. Like

1343
01:12:04,360 --> 01:12:06,320
Speaker 1: I just loved it, the emotion in it and the

1344
01:12:06,439 --> 01:12:09,880
Speaker 1: beat of it. UM song off Tanna Talk which got

1345
01:12:09,920 --> 01:12:14,680
Speaker 1: a lot of excitement. It's a great title. Hole. Tell me,

1346
01:12:14,880 --> 01:12:17,840
Speaker 1: likeere how that song, like what you remember about how

1347
01:12:17,920 --> 01:12:22,599
Speaker 1: that song came to fruition? Uh? When Derrener made the beat,

1348
01:12:23,040 --> 01:12:24,439
Speaker 1: it was like, Yo, it's son like some like some

1349
01:12:24,520 --> 01:12:29,040
Speaker 1: reasonable dogs ship and then I got like ninety seven holes.

1350
01:12:29,840 --> 01:12:32,439
Speaker 1: That's stuck in my head and I wanted to like

1351
01:12:33,680 --> 01:12:35,880
Speaker 1: make a hook that's said nineties seven holes, but I

1352
01:12:36,040 --> 01:12:37,840
Speaker 1: never did. But I through the rap, I just kept

1353
01:12:37,840 --> 01:12:42,000
Speaker 1: saying nineties seven hold because like me, that's like nineties

1354
01:12:42,000 --> 01:12:44,400
Speaker 1: seven hole is like a few years ago Nipsey Hustle.

1355
01:12:44,760 --> 01:12:47,240
Speaker 1: You know what I'm saying, And it's like those those

1356
01:12:47,960 --> 01:12:50,000
Speaker 1: it's like what's master P at the time. You know

1357
01:12:50,000 --> 01:12:51,840
Speaker 1: what I'm saying, And that's what I feel like, that's

1358
01:12:51,880 --> 01:12:53,840
Speaker 1: what I'm doing. I'm not like saying I'm jay Z

1359
01:12:53,960 --> 01:12:55,600
Speaker 1: and comparing myself to jay Z. I'm saying it's like

1360
01:12:55,600 --> 01:12:57,880
Speaker 1: I'm an independent brother out here and I'm eating. I

1361
01:12:57,920 --> 01:12:59,760
Speaker 1: don't need a record label or nothing like that, and

1362
01:12:59,800 --> 01:13:02,320
Speaker 1: I'm making my moles and and they're like, I'm like

1363
01:13:03,280 --> 01:13:05,720
Speaker 1: like one move away from being the biggest ship in

1364
01:13:05,800 --> 01:13:07,840
Speaker 1: hip hop. You know what I'm saying, And that's like

1365
01:13:07,960 --> 01:13:10,320
Speaker 1: nineties seven hold right before he made that transition. That's

1366
01:13:10,400 --> 01:13:12,840
Speaker 1: what I really mean by that song. Look, I was

1367
01:13:12,920 --> 01:13:15,360
Speaker 1: born in the eighty four, but I'm like nineties seven holds.

1368
01:13:15,479 --> 01:13:17,679
Speaker 1: I went platinum all from Brick. I cooked them nineties

1369
01:13:17,720 --> 01:13:20,080
Speaker 1: seventh sold. Yeah, I know the streets is watching saw

1370
01:13:20,120 --> 01:13:22,840
Speaker 1: him holly skeptical while I'm at in my career, went

1371
01:13:22,920 --> 01:13:25,519
Speaker 1: hit and not be set. The gold Duck tape for

1372
01:13:25,640 --> 01:13:28,280
Speaker 1: the blocks like tap for the strap, Bentley in the

1373
01:13:28,400 --> 01:13:31,200
Speaker 1: parking lot ash trade for the pack, had dreams of

1374
01:13:31,320 --> 01:13:34,320
Speaker 1: retiring and burying the money back when I was shown

1375
01:13:34,520 --> 01:13:38,160
Speaker 1: with more experience the Money Club or my George Township,

1376
01:13:38,320 --> 01:13:41,280
Speaker 1: Rocky Blue Lawyer. When they snatched my niggers up, I

1377
01:13:41,360 --> 01:13:43,800
Speaker 1: got a new lawyer. They start off young, so they

1378
01:13:43,880 --> 01:13:46,479
Speaker 1: shoot for you. I grew them soon they become their

1379
01:13:46,520 --> 01:13:50,680
Speaker 1: own bosses and recruit for you. I like that. Um.

1380
01:13:51,080 --> 01:13:53,639
Speaker 1: And then the Pesci is what's the title? Pesci? Joe

1381
01:13:53,680 --> 01:13:56,760
Speaker 1: Pesci thirty eight, okay, and Joe Pesci thirty eight because

1382
01:13:56,840 --> 01:13:59,640
Speaker 1: I love your whole crew. Well, well, Gun is with

1383
01:13:59,760 --> 01:14:03,200
Speaker 1: the wrestling ship, which is just out there, and and

1384
01:14:04,120 --> 01:14:06,720
Speaker 1: he paid thirteen thousand hours for front row seat at

1385
01:14:06,760 --> 01:14:10,800
Speaker 1: the fucking wrestleman. Yes, he's really about that. He's just

1386
01:14:10,960 --> 01:14:12,840
Speaker 1: told me. Man, I probably could have got him hooked up.

1387
01:14:12,840 --> 01:14:14,200
Speaker 1: I don't know if in the front row, but I

1388
01:14:14,240 --> 01:14:16,960
Speaker 1: guess he he probably was happy to pay that third, Yeah,

1389
01:14:16,960 --> 01:14:19,240
Speaker 1: he wanted to be on TV. He's on that wrestling ship.

1390
01:14:19,560 --> 01:14:21,720
Speaker 1: He want every time you go to that ship to

1391
01:14:21,720 --> 01:14:25,040
Speaker 1: be on TV. He's in fucking wrestling ship. But that's

1392
01:14:25,040 --> 01:14:27,160
Speaker 1: part of growing up. We like you to say. All

1393
01:14:27,200 --> 01:14:29,680
Speaker 1: the time. We used to watch that his kids all

1394
01:14:29,720 --> 01:14:31,840
Speaker 1: the time. Pizza. I remember, we used to have had

1395
01:14:31,840 --> 01:14:35,560
Speaker 1: a homemade pizza be over there ordering food maybe, and

1396
01:14:35,960 --> 01:14:38,200
Speaker 1: every every fucking pay per view event we watched that

1397
01:14:38,280 --> 01:14:39,760
Speaker 1: as kids. And when I was over there at the

1398
01:14:39,800 --> 01:14:41,360
Speaker 1: house with him, so I know I know where that

1399
01:14:41,960 --> 01:14:43,479
Speaker 1: what place he's coming from. With that, it's like the

1400
01:14:43,520 --> 01:14:46,120
Speaker 1: karate with wood tang right right exactly, but you know,

1401
01:14:46,240 --> 01:14:48,360
Speaker 1: you could just feel it's like something like it's genuine

1402
01:14:48,400 --> 01:14:51,360
Speaker 1: and like the references and the h my man mean

1403
01:14:51,520 --> 01:14:54,000
Speaker 1: gene on the on the tracks and like that. Um

1404
01:14:54,160 --> 01:14:56,960
Speaker 1: all right, So the Pesci thirty eight break that song

1405
01:14:57,080 --> 01:15:02,400
Speaker 1: down Joe Pesci thirty eight, I basically named named it

1406
01:15:02,479 --> 01:15:05,080
Speaker 1: that because I got to like the Mafio so filed

1407
01:15:05,120 --> 01:15:08,599
Speaker 1: from that beat the sample damner, Oh my fucking goodness,

1408
01:15:08,680 --> 01:15:10,280
Speaker 1: he killed that, and that's like one of my favorite

1409
01:15:10,320 --> 01:15:12,679
Speaker 1: songs on the album. And I was being real lyrical

1410
01:15:12,760 --> 01:15:16,640
Speaker 1: on the song and basically just telling the story. You

1411
01:15:16,680 --> 01:15:21,040
Speaker 1: know what I'm saying, Like about how the transition. I

1412
01:15:21,120 --> 01:15:24,120
Speaker 1: wrote that a week I wrote that a week from

1413
01:15:24,160 --> 01:15:27,080
Speaker 1: moving when I signed my Griselta dell. I moved out

1414
01:15:27,120 --> 01:15:30,479
Speaker 1: the projects in Buffalo to the house in Atlanta and

1415
01:15:30,560 --> 01:15:32,680
Speaker 1: signed my deal with Griselta the next day. You know

1416
01:15:32,680 --> 01:15:36,840
Speaker 1: what I'm saying, I got me. I got a whole

1417
01:15:36,960 --> 01:15:39,280
Speaker 1: lot of ship was going on around me before that.

1418
01:15:40,000 --> 01:15:41,200
Speaker 1: To get to where I'm at, I had to like

1419
01:15:41,280 --> 01:15:44,240
Speaker 1: close my eyes on and turn my head and my

1420
01:15:44,360 --> 01:15:46,639
Speaker 1: back on a whole lot of ships. Huh. I did

1421
01:15:47,000 --> 01:15:49,960
Speaker 1: in terms of like like street ship and like just

1422
01:15:50,160 --> 01:15:53,679
Speaker 1: ties and connections and old No, I don't say friends,

1423
01:15:53,760 --> 01:15:55,559
Speaker 1: but like at a certain point, like if you're really

1424
01:15:55,600 --> 01:15:59,320
Speaker 1: gonna move forward, right, you have to. And I heard

1425
01:15:59,680 --> 01:16:02,720
Speaker 1: I heard Jeez say that, like Yo to do this,

1426
01:16:02,840 --> 01:16:05,160
Speaker 1: I had to do that. I heard Black Youngster say.

1427
01:16:05,280 --> 01:16:07,200
Speaker 1: I heard a lot of rappers say. But I never

1428
01:16:07,240 --> 01:16:11,280
Speaker 1: believed it was true. I never believed they literally meant that.

1429
01:16:11,360 --> 01:16:13,640
Speaker 1: But me, I didn't, like I said, I'll tell you,

1430
01:16:13,760 --> 01:16:15,320
Speaker 1: but I've been I've been doing this ship for years.

1431
01:16:15,360 --> 01:16:19,920
Speaker 1: I've been nice for years. Nothing really happened to this

1432
01:16:20,080 --> 01:16:22,559
Speaker 1: level from me until I wasn't selling dope no more

1433
01:16:23,120 --> 01:16:25,240
Speaker 1: what I'm saying, until I wasn't doing that, till this

1434
01:16:25,400 --> 01:16:28,160
Speaker 1: really was my everyday focus now musically my every day

1435
01:16:28,160 --> 01:16:29,800
Speaker 1: focus for a minute. But it was other ship too.

1436
01:16:30,000 --> 01:16:31,840
Speaker 1: I got you, what I'm saying, Until I put all

1437
01:16:31,880 --> 01:16:33,840
Speaker 1: of that down, I turned my back on it, and

1438
01:16:34,120 --> 01:16:38,120
Speaker 1: around the time where my whole team was eating you

1439
01:16:38,160 --> 01:16:39,719
Speaker 1: know what I mean, and it was late. I didn't

1440
01:16:39,720 --> 01:16:42,439
Speaker 1: have to do that. It wasn't about it wasn't about

1441
01:16:43,120 --> 01:16:45,120
Speaker 1: money thing. It was a focused thing. I got you,

1442
01:16:45,800 --> 01:16:47,280
Speaker 1: so you know, I mean, that's what I chose to

1443
01:16:47,360 --> 01:16:50,240
Speaker 1: do and saw a karma thing right right right. You know,

1444
01:16:50,280 --> 01:16:53,280
Speaker 1: I've never been in that position, but it just it

1445
01:16:53,439 --> 01:16:56,000
Speaker 1: just seems like when you have anything, whether it's street

1446
01:16:56,040 --> 01:16:59,599
Speaker 1: ship which is obviously dangerous and serious, or just bad

1447
01:16:59,680 --> 01:17:02,479
Speaker 1: people or a bad girlfriend or bad friends, and they're

1448
01:17:02,520 --> 01:17:05,679
Speaker 1: pulling you when you sometimes you gotta fucking step forward

1449
01:17:05,880 --> 01:17:09,519
Speaker 1: because you can't be living trying to be with Somebody

1450
01:17:09,600 --> 01:17:11,240
Speaker 1: wants you to be. Your homeboys might want you to

1451
01:17:11,280 --> 01:17:13,720
Speaker 1: be a gangster or a hustler. Your girlfriend might want

1452
01:17:13,720 --> 01:17:16,000
Speaker 1: you to be a dude who come in, I mean,

1453
01:17:16,040 --> 01:17:18,080
Speaker 1: working nine or five, live a sotal life. Just be

1454
01:17:18,160 --> 01:17:20,400
Speaker 1: a good boyfriend and her. And what I'm saying, your

1455
01:17:20,479 --> 01:17:22,320
Speaker 1: kids just might want you to be a regular father.

1456
01:17:22,479 --> 01:17:24,719
Speaker 1: Your mom might just want you to You gotta figure

1457
01:17:24,720 --> 01:17:26,920
Speaker 1: out what you want to do with yourself. What I'm

1458
01:17:26,920 --> 01:17:29,200
Speaker 1: saying that once I figured out, Okay, I gotta I gotta,

1459
01:17:29,240 --> 01:17:30,920
Speaker 1: I gotta do what I need to do for myself,

1460
01:17:31,240 --> 01:17:33,120
Speaker 1: what I really want to do. And we had to

1461
01:17:33,200 --> 01:17:34,800
Speaker 1: deal on the table, like I've been grinding for this

1462
01:17:34,840 --> 01:17:36,479
Speaker 1: ship in my whole life. And West looked me in

1463
01:17:36,520 --> 01:17:38,280
Speaker 1: my eyes like, yo, buzz, I'm about to sign a deal.

1464
01:17:38,920 --> 01:17:41,200
Speaker 1: Situation happened where I was supposed to be somewhere and

1465
01:17:41,240 --> 01:17:42,960
Speaker 1: I wasn't there, and he was like, yo, it was

1466
01:17:43,000 --> 01:17:44,680
Speaker 1: about some money I respected. And I'm like, yeah, it

1467
01:17:44,720 --> 01:17:46,760
Speaker 1: was about some money. Of course. Then he told me

1468
01:17:46,840 --> 01:17:48,320
Speaker 1: when when I told him that, he knew what it was.

1469
01:17:48,360 --> 01:17:49,479
Speaker 1: So he told me it was like, Yo, you don't

1470
01:17:49,479 --> 01:17:52,439
Speaker 1: want to get caught doing nothing. I'm about to sign

1471
01:17:52,479 --> 01:17:55,519
Speaker 1: a record deal. He never told me that he'd probably

1472
01:17:55,560 --> 01:17:57,800
Speaker 1: been was talking to Paul in him. He never did.

1473
01:17:57,840 --> 01:17:59,880
Speaker 1: He never told me that though when he's seen what

1474
01:18:00,120 --> 01:18:02,240
Speaker 1: was still doing, he kind of felt like he had

1475
01:18:02,280 --> 01:18:04,760
Speaker 1: to tell like, yo, this, this is what's going on.

1476
01:18:04,880 --> 01:18:07,720
Speaker 1: You better chill. You said that the song right right?

1477
01:18:08,360 --> 01:18:11,360
Speaker 1: I like that and I fell back, Like when he

1478
01:18:11,400 --> 01:18:13,840
Speaker 1: told me that, I had a flash in my head

1479
01:18:14,000 --> 01:18:16,160
Speaker 1: like being in prison watching them on the TV, and

1480
01:18:16,200 --> 01:18:17,960
Speaker 1: I'm like that, sh scared the funk out of me,

1481
01:18:18,040 --> 01:18:19,400
Speaker 1: you know what I'm saying. And I fell back from that.

1482
01:18:19,840 --> 01:18:22,640
Speaker 1: I got you and I appreciate that. Um. All right,

1483
01:18:22,720 --> 01:18:26,040
Speaker 1: So as of now, you, Benny the Butcher, does not

1484
01:18:26,200 --> 01:18:28,600
Speaker 1: have a record deal. No, no, no, that's crazy. So

1485
01:18:28,680 --> 01:18:32,280
Speaker 1: you put all this music out independently, all right. Two questions.

1486
01:18:32,760 --> 01:18:34,880
Speaker 1: All the ship that you must have learned about the

1487
01:18:34,960 --> 01:18:37,400
Speaker 1: music business. And obviously the music business has changed since

1488
01:18:37,479 --> 01:18:40,760
Speaker 1: you were fourteen, you know, and with the streaming and

1489
01:18:40,800 --> 01:18:43,559
Speaker 1: all that ship. But in the in the last few years,

1490
01:18:43,640 --> 01:18:47,080
Speaker 1: everything that you've learned about the record business, what what's

1491
01:18:47,120 --> 01:18:49,840
Speaker 1: the biggest surprise just in terms of the business of it, Like,

1492
01:18:49,920 --> 01:18:51,599
Speaker 1: what's the thing you were like, funk If I knew

1493
01:18:51,680 --> 01:18:55,200
Speaker 1: this five years ago, I could have been you know,

1494
01:18:55,880 --> 01:18:58,439
Speaker 1: skated ahead just in terms of the business, not you personally,

1495
01:18:58,520 --> 01:19:01,400
Speaker 1: but like this business works like this m M. I

1496
01:19:01,400 --> 01:19:04,760
Speaker 1: would say a lot of guys in a local and

1497
01:19:04,840 --> 01:19:09,240
Speaker 1: an underground position. They work to get a record deal.

1498
01:19:10,160 --> 01:19:12,280
Speaker 1: You don't gotta do that. You can start right then

1499
01:19:12,320 --> 01:19:14,000
Speaker 1: and there, like a lot of dudes just putting in work,

1500
01:19:14,040 --> 01:19:16,639
Speaker 1: trying to get the label's attention. You don't. You don't

1501
01:19:16,680 --> 01:19:18,240
Speaker 1: do that. You get the streets attention, You get the

1502
01:19:18,240 --> 01:19:23,960
Speaker 1: fans attention. Uh networking, going to these shows, going to

1503
01:19:24,040 --> 01:19:28,360
Speaker 1: these events, linking with artists, artists working, putting quality music out,

1504
01:19:28,360 --> 01:19:31,719
Speaker 1: putting quality videos out, looking apart. This is a business.

1505
01:19:31,760 --> 01:19:33,560
Speaker 1: You know what I'm saying that you once you get in,

1506
01:19:33,760 --> 01:19:37,639
Speaker 1: Like if somebody start decide to be a rapper tomorrow,

1507
01:19:38,400 --> 01:19:41,439
Speaker 1: nobody's gonna look at you like you just you started tomorrow.

1508
01:19:41,479 --> 01:19:43,719
Speaker 1: So I'm i'm I'm I'm gonna buy your tape for charity.

1509
01:19:43,800 --> 01:19:46,680
Speaker 1: You know, you automatically against Drake. Now, you know what

1510
01:19:46,720 --> 01:19:48,960
Speaker 1: I'm saying. If you just if you jump in this pool,

1511
01:19:49,120 --> 01:19:51,679
Speaker 1: it's sharks in here. You automatically against the biggest names,

1512
01:19:52,000 --> 01:19:55,160
Speaker 1: and nobody cared that that you're a local MC. Nobody.

1513
01:19:55,280 --> 01:19:57,280
Speaker 1: This is not a charity event. They want to see

1514
01:19:57,320 --> 01:19:59,280
Speaker 1: you shooting the dope videos. They want to see you

1515
01:19:59,320 --> 01:20:01,240
Speaker 1: working with the dope. It's getting a dope interview So

1516
01:20:01,479 --> 01:20:03,920
Speaker 1: whatever you gotta do to make that happen, which is networking,

1517
01:20:04,600 --> 01:20:06,760
Speaker 1: you gotta run down on these DJs. You gotta have.

1518
01:20:07,120 --> 01:20:09,840
Speaker 1: When I say DJs, I mean it like the For me,

1519
01:20:09,920 --> 01:20:13,280
Speaker 1: it's like the static selectors and and and the Lord

1520
01:20:13,439 --> 01:20:16,240
Speaker 1: seares and what I'm saying, Uh Gray Rizzy, you know

1521
01:20:16,280 --> 01:20:17,960
Speaker 1: what I'm saying. Those those who are funk with so

1522
01:20:18,080 --> 01:20:19,479
Speaker 1: like dudes. If you're trying to get them dudes or

1523
01:20:19,479 --> 01:20:21,720
Speaker 1: anybody to play your music, you gotta run down on

1524
01:20:21,800 --> 01:20:23,400
Speaker 1: those dudes, and you gotta like, yo, this is me,

1525
01:20:23,520 --> 01:20:25,439
Speaker 1: That's what I'm doing. So they might not play your music,

1526
01:20:25,520 --> 01:20:27,680
Speaker 1: but they look like, oh, this is due working, and

1527
01:20:27,720 --> 01:20:29,320
Speaker 1: they might spread the world, and that might be even

1528
01:20:29,360 --> 01:20:31,000
Speaker 1: better than playing your music. They might spread the word

1529
01:20:31,040 --> 01:20:33,240
Speaker 1: to somebody else that's gonna spread your music, or that's

1530
01:20:33,240 --> 01:20:34,960
Speaker 1: gonna book you for a show. You know, there's no

1531
01:20:35,120 --> 01:20:37,760
Speaker 1: easy way into the ship. It's no easy way, and

1532
01:20:37,840 --> 01:20:40,720
Speaker 1: there's no blueprint, there's no there's no rule book. Will

1533
01:20:40,760 --> 01:20:43,160
Speaker 1: work for you, will not automatically work for me. You

1534
01:20:43,200 --> 01:20:44,479
Speaker 1: know what I'm saying. It will work for me, and

1535
01:20:44,600 --> 01:20:47,080
Speaker 1: I automatically work for this person. So it's just about

1536
01:20:47,400 --> 01:20:49,320
Speaker 1: crossing all your teas and dining on your eyes and

1537
01:20:49,439 --> 01:20:52,240
Speaker 1: doing everything, covering everything so you can't say you left

1538
01:20:52,280 --> 01:20:54,439
Speaker 1: the stone unturned. That's what I do. I got you.

1539
01:20:54,920 --> 01:20:57,360
Speaker 1: I'm doing I'm doing interviews. You gotta show over here.

1540
01:20:57,360 --> 01:21:00,599
Speaker 1: I'm going to the show. I'm working with differentist. I'm

1541
01:21:00,680 --> 01:21:02,559
Speaker 1: up for anything. You know what I'm saying. I'm grinding

1542
01:21:02,560 --> 01:21:04,639
Speaker 1: it right, and you're ready to spit all the time.

1543
01:21:04,760 --> 01:21:07,120
Speaker 1: You know what I'm saying all the time. I like that. Um,

1544
01:21:07,439 --> 01:21:09,920
Speaker 1: all right, you don't have a record deal. What will

1545
01:21:10,000 --> 01:21:12,200
Speaker 1: make that happen? When will that happen? And what what

1546
01:21:12,280 --> 01:21:14,840
Speaker 1: do you foresee it happening? Like? How do you foresee

1547
01:21:14,880 --> 01:21:20,120
Speaker 1: it happening? Soon? Soon? Soon? You know what I'm saying. Soon?

1548
01:21:20,880 --> 01:21:24,040
Speaker 1: All right? Well, listen, I funk with you guys, and

1549
01:21:24,160 --> 01:21:27,240
Speaker 1: after meeting you guys and watching you rock and your

1550
01:21:27,280 --> 01:21:31,599
Speaker 1: whole ship, I wish you, guys, absolutely nothing but the best,

1551
01:21:32,120 --> 01:21:36,160
Speaker 1: nothing but success. Um Wait, my final question, I have

1552
01:21:36,280 --> 01:21:37,840
Speaker 1: to ask you this because you seem to be so

1553
01:21:38,000 --> 01:21:40,120
Speaker 1: in the movies and sopranos and all that ship. If

1554
01:21:40,120 --> 01:21:44,800
Speaker 1: I say, Benny the Butcher's top five films of all time,

1555
01:21:44,880 --> 01:21:47,160
Speaker 1: you your top five favorite films? I got I have

1556
01:21:47,240 --> 01:21:49,639
Speaker 1: to imagine King of New York, Gangs of New York

1557
01:21:49,760 --> 01:21:53,439
Speaker 1: is in there, no no, no, to be honest with you,

1558
01:21:53,479 --> 01:21:56,479
Speaker 1: give me your give me your top five films. It

1559
01:21:56,520 --> 01:21:59,639
Speaker 1: could be anything. You could be like School Days, Top

1560
01:21:59,720 --> 01:22:07,120
Speaker 1: five this it's casino okay, good Fellas, Uh, the Temptations,

1561
01:22:08,080 --> 01:22:11,080
Speaker 1: you know what I mean. Uh, she's like Boys in

1562
01:22:11,160 --> 01:22:14,400
Speaker 1: the Hood, Minutes of Society. Even that's fine, but I

1563
01:22:14,520 --> 01:22:18,680
Speaker 1: go a butterfly effect, you know what I'm saying. She's like,

1564
01:22:18,760 --> 01:22:21,280
Speaker 1: that was my ship. That was my ship, like thee

1565
01:22:21,600 --> 01:22:26,120
Speaker 1: like all these like romantic comedies Jennifer Andiston. Uh, because

1566
01:22:26,160 --> 01:22:28,439
Speaker 1: you're funk with it. You guys all have the gangster

1567
01:22:28,560 --> 01:22:31,320
Speaker 1: references and I love all that ship. And I'm I

1568
01:22:31,439 --> 01:22:33,479
Speaker 1: said this to you. I think I said it to you,

1569
01:22:33,560 --> 01:22:35,759
Speaker 1: but I definitely told it to your man, Tony DeNiro.

1570
01:22:36,320 --> 01:22:38,880
Speaker 1: I'm down for whatever. Like if if I want to

1571
01:22:38,880 --> 01:22:42,200
Speaker 1: be on one of your joints and do something down

1572
01:22:42,280 --> 01:22:44,880
Speaker 1: for whatever, we can do the casino walk, like, oh,

1573
01:22:44,960 --> 01:22:47,519
Speaker 1: these fucking cock suckers and that's gonna be crazy. Down

1574
01:22:47,640 --> 01:22:51,200
Speaker 1: for whatever, because he is right, but it's done. I

1575
01:22:51,320 --> 01:22:53,479
Speaker 1: come up to Buffalo, get some fucking pizza and all

1576
01:22:53,560 --> 01:22:56,240
Speaker 1: that Lenova's man shoutout, Lenova's the best fucking piece of

1577
01:22:56,320 --> 01:22:59,479
Speaker 1: wings in Buffalo. Absolutely so, Yo, sincerely, I wish you

1578
01:22:59,520 --> 01:23:01,400
Speaker 1: guys nothing of but the lack man. Thank you. I

1579
01:23:01,439 --> 01:23:08,320
Speaker 1: appreciate they need a butcher the butchers here all right, Yo,

1580
01:23:08,680 --> 01:23:10,120
Speaker 1: I told you it was gonna be a good one.

1581
01:23:11,240 --> 01:23:14,839
Speaker 1: Follow Benny the Butcher. Follow who is Conway, Conway the Machine,

1582
01:23:15,080 --> 01:23:18,080
Speaker 1: West Side Gun. Look up Griselda Records. These guys are

1583
01:23:18,200 --> 01:23:22,080
Speaker 1: coming for the hip hop Grimy Crown. They deserve it.

1584
01:23:22,240 --> 01:23:25,000
Speaker 1: They're busting their asses. They love this ship. They put

1585
01:23:25,080 --> 01:23:28,599
Speaker 1: on a good show. They do the damn thing. Benny

1586
01:23:28,680 --> 01:23:30,200
Speaker 1: the Butcher, thank you for rocking with me on the

1587
01:23:30,240 --> 01:23:33,040
Speaker 1: I M Rapports Stereo podcast. I can't wait to be

1588
01:23:33,120 --> 01:23:35,200
Speaker 1: in one of your videos. He's all about that gangster ship,

1589
01:23:35,600 --> 01:23:39,439
Speaker 1: Gamester spoofs that black soprano family life. This is what

1590
01:23:39,520 --> 01:23:41,680
Speaker 1: more can I say? It's a big body. I am

1591
01:23:41,760 --> 01:23:44,519
Speaker 1: rapp Reports Stereo Podcast. Miles Jordan, Please do me a favorite.

1592
01:23:44,560 --> 01:23:46,080
Speaker 1: Take me out of here with something real nice, yes,

1593
01:23:46,360 --> 01:23:49,000
Speaker 1: some real proper but most important, yes, you know what

1594
01:23:49,200 --> 01:23:52,479
Speaker 1: the funk I need? I need something real funny. I'm

1595
01:23:52,520 --> 01:24:05,240
Speaker 1: done the U the boteto