WEBVTT - Tech of Ghostbusters

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<v Speaker 1>With Technology with tech Stuff from dot Com. Hey there, everybody,

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<v Speaker 1>this is Jonathan Strickling with tech Stuff. Today. I have

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<v Speaker 1>a very special guest, someone that I've been looking forward

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<v Speaker 1>to having on the show, Troy Benjamin, who is an

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<v Speaker 1>author extraordinaire and uh knows all sorts of things about

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<v Speaker 1>geeky stuff. I could be quizzing him about Iron Man

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<v Speaker 1>right now, or talking about the intricacies of Shield. But

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<v Speaker 1>today we're gonna look at a particularly spooky topic, the

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<v Speaker 1>tech of Ghostbusters, because we have the Ghostbusters Ectomobile Owner's

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<v Speaker 1>Workshop Manual, a book that I have a had a

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<v Speaker 1>chance to look at and have enjoyed thoroughly. Mr Benjamin,

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<v Speaker 1>Welcome to tech Stuff. Hello Jonathan, thanks for having me

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<v Speaker 1>on man. That's now I hear that that title is

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<v Speaker 1>such a mouthful, the Ghostbusters Ectomobile Owners Workshop. We should

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<v Speaker 1>have really come up with an acronym or something there.

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<v Speaker 1>In true Shield fashion, we should have come up with

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<v Speaker 1>something shorter. I love that, you know in the on

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<v Speaker 1>the cover that I have, it has the all the

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<v Speaker 1>different designations for all the different ectomobiles as well, so

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<v Speaker 1>it's so it's even more complex than that. I love

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<v Speaker 1>it because you look at this and just from the

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<v Speaker 1>look of it, it looks like a workshop manual, you know,

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<v Speaker 1>it has that appearance. You've got the nice uh diagram

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<v Speaker 1>of the ECTO one, the classic Ecto one on the cover.

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<v Speaker 1>And before we jump into how this book came about

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<v Speaker 1>and and the research you did, just from a casual perspective, guys,

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<v Speaker 1>this is a book that's got tons of illustrations and

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<v Speaker 1>photographs from the films. It's got lots of close ups

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<v Speaker 1>of stuff that you would only have glimpsed at if

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<v Speaker 1>you had been watching the movies. So if you're a

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<v Speaker 1>fan end of the films like I am, this is

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<v Speaker 1>a real treat because you get a chance to actually

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<v Speaker 1>look at some of this stuff that you would really

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<v Speaker 1>only see in passing. So let's let's talk about this.

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<v Speaker 1>So how did this book come about? Before we we

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<v Speaker 1>talked about the tech itself. Yeah, I mean, so this

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<v Speaker 1>book um probably about this time last year. What happened

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<v Speaker 1>was I I'm a big Ghostbusters nerd. I I do

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<v Speaker 1>a fan podcast called The Interdimensional Cross Rip and that's

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<v Speaker 1>a weekly show. And you know if I've run a

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<v Speaker 1>fan website since six now, so, uh, Ghostbusters certainly in

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<v Speaker 1>in terms of my adult life has really continued to

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<v Speaker 1>resonate as it did back when you know, I was

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<v Speaker 1>a kid and I was running around with my Kennor

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<v Speaker 1>proton pack and and trap and everything, and uh, you know,

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<v Speaker 1>it's it's it's kind of carried through. So I've kind

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<v Speaker 1>of been steeped in the lore, and with the new

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<v Speaker 1>movie that came out, had really gotten in touch with

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<v Speaker 1>the good the good folks at Ghost Corps, which is

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<v Speaker 1>Ivan Rightman production company, and uh, you know, they when

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<v Speaker 1>the new movie came out, they were doing a lot

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<v Speaker 1>of events. I had worked with them and and kind

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<v Speaker 1>of consulted on some stuff and done some you know,

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<v Speaker 1>live shows and and things to help them promote the movie.

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<v Speaker 1>And uh, you know, on the side, I also I

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<v Speaker 1>write books for Marvel. I've been writing Agents of Shield

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<v Speaker 1>Declassified and several of these you know, big collectors books,

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<v Speaker 1>these big hardcovers, and so, you know, just in casual conversation,

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<v Speaker 1>I was talking with them and I said, you know,

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<v Speaker 1>I really I've always wanted to do you know, like

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<v Speaker 1>a like a technical manual or like a visual history

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<v Speaker 1>guide or you know something, because there's so many cool

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<v Speaker 1>there's so much cool gear in the in the films,

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<v Speaker 1>and there's all these little nuanced parts that places like

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<v Speaker 1>Ghostbusters fans, the website where prop replica builders, they just

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<v Speaker 1>pour over every single detail and try to figure out

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<v Speaker 1>what is that little knob, what is that little like

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<v Speaker 1>elbow that's on there. I want to find that original part,

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<v Speaker 1>and I want to source so that my my proton

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<v Speaker 1>pack is as accurate as humanly possible. And so I said,

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<v Speaker 1>we gotta we gotta do like an official like reference

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<v Speaker 1>manual for everybody. We have to put something together that

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<v Speaker 1>if you are building your proton pack replica or your

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<v Speaker 1>your replica ectomobile, this is your guide. This is your

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<v Speaker 1>your bible, so to speak. And you know that there

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<v Speaker 1>was sort of the stroking of the chins and the

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<v Speaker 1>you know Eric Reich, who's the great associate producer there,

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<v Speaker 1>he kind of goes, hmmm, yeah, I like that idea.

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<v Speaker 1>Unbeknownst to me, they had already been talking with Inside

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<v Speaker 1>Editions about doing something like that, and they were looking

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<v Speaker 1>for an author. So um, again, like every good Hollywood story,

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<v Speaker 1>it's right place, right time, and just happen happening to

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<v Speaker 1>say the right things. I guess. So uh So last

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<v Speaker 1>fall they said oh, we're doing this. It's it's not

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<v Speaker 1>a it's not a visual history guide. It's more of

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<v Speaker 1>a like a technical manual, you know, like the hands

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<v Speaker 1>manuals that you get at the workshops. Now you go

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<v Speaker 1>to an auto parts store and they have one for

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<v Speaker 1>every car. How do you rebuild your carburetor? How do

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<v Speaker 1>you change out your tires? That kind of thing. I said,

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<v Speaker 1>Oh my god, that's such a great idea. It would

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<v Speaker 1>be great to kind of incorporate, like make that a

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<v Speaker 1>technical manual. Like I don't know, I start Star Trek,

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<v Speaker 1>the next generation, even the classic Star Trek, They've always

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<v Speaker 1>had these great technical manuals. Where how does a phaser work,

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<v Speaker 1>how do you operate a phaser? How do you operate

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<v Speaker 1>a transporter? How long does it take you to climb

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<v Speaker 1>through a Jeffreys to yes, exactly? And how long did

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<v Speaker 1>they build those Jeffreys tubes on the set? Not that

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<v Speaker 1>long one section? But uh but yeah. So that kind

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<v Speaker 1>of began the conversations with both Sony Publishing and and

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<v Speaker 1>Ghost Corps and and inside additions as to what is

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<v Speaker 1>this book, what are we gonna do? How do we

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<v Speaker 1>make this interesting? You know, for for the die hard

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<v Speaker 1>fans who already know a lot of this information. For

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<v Speaker 1>the casual fans who are going to be walking by,

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<v Speaker 1>you know, at their local Barnes and Noble or whatever,

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<v Speaker 1>and and they say, oh, ghost Bus, there's ectomobile manual

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<v Speaker 1>and they pick it up and they go whoop nop,

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<v Speaker 1>too nerdy putting that down. You know, No, we want

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<v Speaker 1>you to, we want to be engaged. We want you to,

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<v Speaker 1>uh you know, have have something there that's entertaining for

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<v Speaker 1>you too. So that was it was a very short

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<v Speaker 1>conversation because they had a very as many things do,

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<v Speaker 1>they had a very short production schedule, and they needed

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<v Speaker 1>something right away. So uh yeah, that's that's kind of

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<v Speaker 1>how it came about. And the tone of this for

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<v Speaker 1>those who want to know, it's written as if it

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<v Speaker 1>is in the Ghostbusters universe. It talks about all the

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<v Speaker 1>different equipment and uh it does you know, you do

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<v Speaker 1>refer to the the items in our world that have

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<v Speaker 1>been repurposed and tweaked within Ghostbusters. You know, Egon has

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<v Speaker 1>made some changes to the to the equipment or whatever

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<v Speaker 1>it may be in order to make it work within

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<v Speaker 1>the Ghostbusters world. But it does mean that you can

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<v Speaker 1>actually look at this guide and see where many of

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<v Speaker 1>these items originated. And that's pretty cool too. Also it

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<v Speaker 1>means that you've worked in some great little jokes that

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<v Speaker 1>are are provided by the various characters, often in little

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<v Speaker 1>notes that are on like post it notes throughout the book,

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<v Speaker 1>so you get the commentary from the Ghostbusters themselves. And

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<v Speaker 1>I also love I mean, we were chatting just before

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<v Speaker 1>we started recording about how and when I was younger,

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<v Speaker 1>I played the Ghostbusters RPG a bit and one of

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<v Speaker 1>the elements of that, one of the big parts of

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<v Speaker 1>that was this idea of Ghostbusters franchising, and they talk

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<v Speaker 1>about that obviously in the first movie, and they talk

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<v Speaker 1>about the franchise rights would make the millionaires. And so

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<v Speaker 1>this book also goes to that perspective as well. Like

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<v Speaker 1>you you're opening up your own ghost Ghostbusters franchise, Well,

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<v Speaker 1>here are some of the guidelines you should follow. And

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<v Speaker 1>I like all of that. I love that there's that

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<v Speaker 1>flavor in it. So I assume that since you were

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<v Speaker 1>working from the get go with with people very closely

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<v Speaker 1>attached to the beloved movies themselves, that you had a

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<v Speaker 1>lot of really great access to things like the production

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<v Speaker 1>photos and and maybe some reference photos and that sort

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<v Speaker 1>of thing, right, Yeah, I mean, and and beyond the photos,

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<v Speaker 1>access to the actual cars themselves. You know, people that

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<v Speaker 1>were going by on the Sony Studio tour would often

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<v Speaker 1>catch the unfortunate site of my rear end in my

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<v Speaker 1>feet sticking out of the car because I was on

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<v Speaker 1>the floor of the car trying to take a photo

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<v Speaker 1>of the seabed radio that's up on the ceiling and

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<v Speaker 1>trying to figure out what model it was, and uh,

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<v Speaker 1>you know, it was it was. It was a whole

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<v Speaker 1>lot of fun to kind of dissect these cars and

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<v Speaker 1>get in there and find all of those details. But

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<v Speaker 1>uh but yeah, I mean, it's it's interesting. You mentioned

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<v Speaker 1>the tone, and that was that was something that we

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<v Speaker 1>struggled with because technical manuals not inherently funny pieces of literature.

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<v Speaker 1>So uh, you know, I one of the things that

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<v Speaker 1>really appealed to me about this project was here's all

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<v Speaker 1>these things that are on top of the car. You know,

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<v Speaker 1>they've got the roof rack and there's all of these

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<v Speaker 1>great uh um you know, a kutreman. He's got all

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<v Speaker 1>of these these gadgets and ghack and stuff. What does

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<v Speaker 1>it do? I have no idea I've known Ghostbusters now

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<v Speaker 1>for thirty plus years, and I have no idea what

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<v Speaker 1>any of the stuff does. Um. And so I I

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<v Speaker 1>dove into it, and I started thinking of all the

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<v Speaker 1>theoretical sciences and all of how things would work, and

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<v Speaker 1>how this component would tie to this component and what

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<v Speaker 1>purpose they would deserve. Um. But then you start losing

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<v Speaker 1>the humor, and you, I don't know, it starts getting

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<v Speaker 1>two technical, it starts getting too bogged down in the

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<v Speaker 1>lore and the technical jargon. Uh. And so that's really

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<v Speaker 1>where my co author, Mark Sumarak, who worked on Proton

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<v Speaker 1>Proton Pack, see it's all it's ingrained in me. Power Pack,

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<v Speaker 1>the Marvel comic book, not the Nuclear Accelerator. Uh. He

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<v Speaker 1>worked on power Pack and Guardians of the Galaxy and

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<v Speaker 1>and a lot of Marvel titles. And uh so he

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<v Speaker 1>came in and he did a really great comedy punch

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<v Speaker 1>up and and really helped me because I had put

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<v Speaker 1>those sticky notes, those post it notes all over the place,

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<v Speaker 1>and you know, he came in and did a really

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<v Speaker 1>great comedy pass and making those just really shine. UM.

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<v Speaker 1>So yeah, tone tone was really difficult because you know,

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<v Speaker 1>we we can only say that you can destroy the

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<v Speaker 1>world with a component so many times before you're like, Okay,

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<v Speaker 1>I got it. I'm on page twenty and you've said

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<v Speaker 1>that this will blow everything up. I got it. That's

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<v Speaker 1>not funny. What else you got in here? So? Um

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<v Speaker 1>it was. It was really really tricky trying to find

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<v Speaker 1>that right tone right, And of course, I mean Ghostbusters

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<v Speaker 1>the film is brilliant in many ways, but one of

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<v Speaker 1>the ways I love it is that the way they

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<v Speaker 1>produced that film, the way that film rolls out and

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<v Speaker 1>and unfolds in front of the viewer. Unless you're just

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<v Speaker 1>a truly persnickety kind of of audience member, at least

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<v Speaker 1>for that first viewing, you don't really start to question

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<v Speaker 1>where did they get this equipment? How did they build it?

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<v Speaker 1>How do you build up a portable particle accelerator that

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<v Speaker 1>can fit on your back and not crush you. How

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<v Speaker 1>do you get the super conductive true magnets cold enough

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<v Speaker 1>to accelerate a particle at near the speed of light.

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<v Speaker 1>I mean, they're all these little technical questions that if

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<v Speaker 1>you were really thinking about it, you'd be like, well,

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<v Speaker 1>but the movie it doesn't that's not important, right. The

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<v Speaker 1>the the gear is fascinating because it really is cool

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<v Speaker 1>to look at, and it creates they had great effects

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<v Speaker 1>that went along with it, and it makes you want

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<v Speaker 1>to know more about it, but it's not important for

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<v Speaker 1>the story. So for the purpose of the movie, you

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<v Speaker 1>can just watch it and they can have a little

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<v Speaker 1>casual line about something and they don't even have to

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<v Speaker 1>just they don't have to justify it as long as

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<v Speaker 1>it works within the context of the story. And and

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<v Speaker 1>that's perfectly fine. I find I I like, I like

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<v Speaker 1>a hard science fiction, but I also like stuff that

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<v Speaker 1>doesn't take the hard science fiction route as long as

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<v Speaker 1>it as long as everything works for the story. So

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<v Speaker 1>then so your job then is to come around and

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<v Speaker 1>take this stuff that gets casual mentioned or sometimes no

0:11:58.440 --> 0:12:01.040
<v Speaker 1>mention at all. It's just some thing that shows up

0:12:01.320 --> 0:12:04.079
<v Speaker 1>on screen or it just happens to be part of

0:12:04.200 --> 0:12:07.120
<v Speaker 1>the car that was never really meant to to get

0:12:07.200 --> 0:12:09.120
<v Speaker 1>more than maybe a casual glance, and you have to

0:12:09.160 --> 0:12:12.959
<v Speaker 1>give it a purpose. Yeah, and and you take a

0:12:13.000 --> 0:12:14.839
<v Speaker 1>little bit of the mystery out of it, which is

0:12:16.200 --> 0:12:18.640
<v Speaker 1>uh for for those of us that pour over every detail,

0:12:18.720 --> 0:12:21.400
<v Speaker 1>that's that's great. But then you know, uh, you and

0:12:21.440 --> 0:12:23.839
<v Speaker 1>I were talking offline about lightsabers. You know, As a kid,

0:12:23.880 --> 0:12:25.880
<v Speaker 1>you're like, oh, man, a lightsaber is the coolest thing.

0:12:26.720 --> 0:12:29.199
<v Speaker 1>But then you start thinking, it's like the magic sort

0:12:29.240 --> 0:12:31.800
<v Speaker 1>of comes from you wondering how it works, what what's

0:12:31.840 --> 0:12:33.480
<v Speaker 1>in there that's powering it. And then of course you

0:12:33.520 --> 0:12:35.120
<v Speaker 1>read the books and you know it's khyber crystals and

0:12:35.200 --> 0:12:37.680
<v Speaker 1>these are a long Jedi tradition and blah blahlah blah,

0:12:38.000 --> 0:12:39.360
<v Speaker 1>and it sort of takes a little bit of the

0:12:39.440 --> 0:12:41.760
<v Speaker 1>mystery out. So you have to be careful too. You

0:12:41.840 --> 0:12:46.360
<v Speaker 1>don't want to delude things to a point where you

0:12:46.440 --> 0:12:49.560
<v Speaker 1>know there's not there's not a little room for interpretation too,

0:12:49.640 --> 0:12:54.400
<v Speaker 1>because that's what fans since since they saw this movie

0:12:54.480 --> 0:12:57.280
<v Speaker 1>up on the big screen, have been, oh, how does

0:12:57.360 --> 0:12:59.559
<v Speaker 1>that work? How how is the lightning shooting out of

0:12:59.640 --> 0:13:03.959
<v Speaker 1>this one? Right now? I don't understand the reasoning or

0:13:04.000 --> 0:13:08.840
<v Speaker 1>the actual technical reason behind it, but it looks cool

0:13:09.120 --> 0:13:11.160
<v Speaker 1>and they're catching ghosts with it, and that's all that matters.

0:13:11.240 --> 0:13:13.120
<v Speaker 1>You can't You have to have that suspension of disbelief

0:13:13.240 --> 0:13:16.079
<v Speaker 1>so that you keep moving forward and you're able to

0:13:16.120 --> 0:13:18.160
<v Speaker 1>believe the the stay Puff marshmallow Man is walking down

0:13:18.160 --> 0:13:20.319
<v Speaker 1>the streets of Manhattan. So yeah, it was it was.

0:13:20.520 --> 0:13:22.920
<v Speaker 1>It was kind of it was fun in a way

0:13:23.040 --> 0:13:26.080
<v Speaker 1>to put on a certain hat and be like, well,

0:13:26.120 --> 0:13:27.960
<v Speaker 1>why would they have this on top of the car,

0:13:28.240 --> 0:13:30.560
<v Speaker 1>and what would it be connected to and for what purpose?

0:13:30.640 --> 0:13:33.400
<v Speaker 1>You know, why would Egon and Ray have decked this

0:13:33.600 --> 0:13:36.599
<v Speaker 1>car out with a missile guidance system? And you have

0:13:36.720 --> 0:13:39.599
<v Speaker 1>to sit and think of the like theoretical science behind it.

0:13:40.559 --> 0:13:42.319
<v Speaker 1>That's a probably a bad example because we have a

0:13:42.440 --> 0:13:43.880
<v Speaker 1>joke in there that they put that in there for

0:13:43.920 --> 0:13:46.400
<v Speaker 1>when the e p A inspects them. They just want

0:13:46.440 --> 0:13:48.920
<v Speaker 1>to freak them out by having a Tomahawk missile guidance

0:13:48.920 --> 0:13:50.680
<v Speaker 1>system in there, just to keep them on their toes.

0:13:50.800 --> 0:13:54.400
<v Speaker 1>But um, you know, it's it's tough, and but it's

0:13:54.400 --> 0:13:56.000
<v Speaker 1>also a lot of fun because you can sort of

0:13:56.040 --> 0:14:01.200
<v Speaker 1>reverse engineer like the cross section sensitivity analysis unit which

0:14:01.240 --> 0:14:03.760
<v Speaker 1>is on the top of the car made by Texas Instruments,

0:14:04.559 --> 0:14:07.599
<v Speaker 1>and you go, well, that was that was used to

0:14:08.200 --> 0:14:10.880
<v Speaker 1>to filter out radar data. You know, if if you've

0:14:10.880 --> 0:14:14.040
<v Speaker 1>got a radar sweep, that's filtering things out because they're

0:14:14.080 --> 0:14:18.480
<v Speaker 1>looking for ballistics, missiles, are incoming aircraft. Uh, it's it's

0:14:18.559 --> 0:14:22.040
<v Speaker 1>sifting through that data and then giving you a refined result.

0:14:22.680 --> 0:14:25.480
<v Speaker 1>Oh they could use that, Like what if what if

0:14:25.560 --> 0:14:28.640
<v Speaker 1>they had this p k E detection array that you've

0:14:28.680 --> 0:14:32.240
<v Speaker 1>got every single human being on the planet has some

0:14:32.360 --> 0:14:34.320
<v Speaker 1>sort of a soul or some sort of an essence

0:14:34.360 --> 0:14:36.920
<v Speaker 1>that they're projecting. How do you weed out the ghosts

0:14:37.000 --> 0:14:39.640
<v Speaker 1>from that? You know? Oh, and then things just like

0:14:39.800 --> 0:14:43.200
<v Speaker 1>kind of slowly start being you connect the dots between

0:14:43.280 --> 0:14:46.040
<v Speaker 1>them all and uh. That that was. That was a

0:14:46.080 --> 0:14:48.680
<v Speaker 1>lot of fun. That was. It was like being a detective,

0:14:48.760 --> 0:14:53.360
<v Speaker 1>a reverse engineering detective. Yeah. I liked it being the

0:14:53.840 --> 0:14:56.360
<v Speaker 1>techno geek that I am. I loved reading about this

0:14:56.640 --> 0:15:01.400
<v Speaker 1>and seeing that connectivity because see seeing you refer to

0:15:02.120 --> 0:15:05.280
<v Speaker 1>gadgets and what they actually do in our real world

0:15:05.360 --> 0:15:08.040
<v Speaker 1>and what they are for. And then saying, all right, well,

0:15:08.280 --> 0:15:10.640
<v Speaker 1>if we start from that premise, can we apply that

0:15:10.880 --> 0:15:13.120
<v Speaker 1>by tweaking it a little bit. Let's say that someone

0:15:13.280 --> 0:15:20.160
<v Speaker 1>has has ascertained that ghosts have a particular uh quality

0:15:20.280 --> 0:15:23.480
<v Speaker 1>to them. That would we would need to separate the

0:15:23.600 --> 0:15:26.760
<v Speaker 1>signal from the noise. How how could we take this

0:15:26.880 --> 0:15:28.640
<v Speaker 1>thing and then tweak it and we'll get to to

0:15:29.080 --> 0:15:33.360
<v Speaker 1>the the negative spectral particles? Because that, I think is

0:15:33.680 --> 0:15:36.400
<v Speaker 1>all right. Let me let me just say, Troy, if

0:15:36.440 --> 0:15:39.760
<v Speaker 1>I may call you, Troy, I am. I am so

0:15:40.000 --> 0:15:43.160
<v Speaker 1>thankful now to know why they are called proton packs,

0:15:44.160 --> 0:15:48.240
<v Speaker 1>because because it makes so much sense in the mythology

0:15:48.360 --> 0:15:51.800
<v Speaker 1>you've set up in this book. So uh, for I mean,

0:15:51.840 --> 0:15:54.960
<v Speaker 1>a proton obviously is positively charged particle. It's also you

0:15:55.000 --> 0:15:57.480
<v Speaker 1>can call it just a hydrogen ion because a hydrogen

0:15:57.520 --> 0:15:59.560
<v Speaker 1>atom is a proton and an electron. If you strip

0:15:59.640 --> 0:16:01.720
<v Speaker 1>the elect trono way, you now have a charged ion,

0:16:02.200 --> 0:16:05.160
<v Speaker 1>thus a proton. This is what particle accelerators do. It's

0:16:05.200 --> 0:16:08.280
<v Speaker 1>what like the the large hadron collider has has a

0:16:09.320 --> 0:16:13.840
<v Speaker 1>proton collider. And so having that, I had never even

0:16:13.960 --> 0:16:17.280
<v Speaker 1>questioned why they were called proton packs ever and just

0:16:17.360 --> 0:16:19.800
<v Speaker 1>didn't even occur. And you have the whole explanation of

0:16:19.840 --> 0:16:22.360
<v Speaker 1>where the hydrogen gases, which makes sense you would have

0:16:22.400 --> 0:16:24.400
<v Speaker 1>to strip the electrons from the hydrogen to create the

0:16:24.440 --> 0:16:27.600
<v Speaker 1>protons less they have hydrogen ions, and that you accelerate

0:16:27.680 --> 0:16:29.320
<v Speaker 1>these and then you just have a gun that's shooting

0:16:29.360 --> 0:16:34.240
<v Speaker 1>these particles, and why would you use protons. So having

0:16:34.360 --> 0:16:39.440
<v Speaker 1>ghosts have negatively charged particles makes it makes so much sense, right, Yeah,

0:16:39.520 --> 0:16:42.200
<v Speaker 1>I mean, and so you're you're sharing in the glee

0:16:42.280 --> 0:16:43.840
<v Speaker 1>that I had when I was figuring all of this

0:16:43.880 --> 0:16:46.200
<v Speaker 1>stuff out. And and thanks to uh AN m I

0:16:46.280 --> 0:16:49.080
<v Speaker 1>T Professor Dr James Maxwell, who had done a lot

0:16:49.120 --> 0:16:52.600
<v Speaker 1>of the research for the new movie and had written

0:16:52.600 --> 0:16:55.080
<v Speaker 1>a dissertation about all of this stuff. And he he

0:16:55.200 --> 0:16:56.800
<v Speaker 1>sent me all of his research and let me go

0:16:57.000 --> 0:17:00.360
<v Speaker 1>through it and and sort of translated into layman terms.

0:17:00.440 --> 0:17:02.400
<v Speaker 1>So he had sort of started this path. And then

0:17:02.440 --> 0:17:05.600
<v Speaker 1>again I started putting the pieces together. Um, you know

0:17:05.880 --> 0:17:08.880
<v Speaker 1>how if you're shooting a ghost with a proton pack,

0:17:09.359 --> 0:17:13.760
<v Speaker 1>and if it's comprised of negative electrons, why does it

0:17:13.840 --> 0:17:16.800
<v Speaker 1>get tired? Oh, well, it's being hit by positive energy.

0:17:16.880 --> 0:17:18.800
<v Speaker 1>Of course it's going to be getting tired because it's

0:17:18.880 --> 0:17:22.119
<v Speaker 1>decaying at a more at a rapid rate um and

0:17:22.440 --> 0:17:24.680
<v Speaker 1>and a lot of that was so fun again getting

0:17:24.680 --> 0:17:26.760
<v Speaker 1>into this. Now you can see why my editor was like, Troy,

0:17:26.760 --> 0:17:28.439
<v Speaker 1>it's not funny enough, Like what are you doing man?

0:17:28.480 --> 0:17:30.920
<v Speaker 1>You're talking about this reads like a physics book. But

0:17:31.080 --> 0:17:33.240
<v Speaker 1>it was so interesting and so exciting to me that

0:17:33.320 --> 0:17:35.480
<v Speaker 1>it's it's hard not to get into it. Yeah, why

0:17:35.560 --> 0:17:38.400
<v Speaker 1>why did they call it a proton pack? Why? Why

0:17:38.680 --> 0:17:41.240
<v Speaker 1>does the ghost get contained in the trap and they

0:17:41.280 --> 0:17:43.280
<v Speaker 1>can't get out, Like, what what is it in the

0:17:43.400 --> 0:17:46.879
<v Speaker 1>technology there that keeps them locked in? Um And and

0:17:47.200 --> 0:17:50.800
<v Speaker 1>also how do they adapt that for bigger ghosts, for

0:17:50.880 --> 0:17:56.400
<v Speaker 1>more powerful ghosts, for uh And and if it's exuding radiation,

0:17:56.920 --> 0:17:58.880
<v Speaker 1>how are they combating that? You know, there's a whole

0:17:58.960 --> 0:18:01.640
<v Speaker 1>lot of those levels that were just so much fun

0:18:01.720 --> 0:18:05.800
<v Speaker 1>to dive into, and like, you know, the reality of

0:18:05.880 --> 0:18:09.680
<v Speaker 1>it is Steven Dane, uh And and John to Cure,

0:18:09.760 --> 0:18:11.920
<v Speaker 1>the production designer on the film, they just went to

0:18:11.960 --> 0:18:15.240
<v Speaker 1>apex in in Pasadena and grabbed all of this technical

0:18:15.280 --> 0:18:18.439
<v Speaker 1>stuff that like NASA, JPL or somebody had just tossed

0:18:18.440 --> 0:18:21.160
<v Speaker 1>out into the garbage, and they're just grabbing stuff in there.

0:18:21.160 --> 0:18:23.200
<v Speaker 1>Put oh, that looks cool, that's got some great lights,

0:18:23.280 --> 0:18:25.600
<v Speaker 1>and that looks like a great control panel, and they're

0:18:25.600 --> 0:18:28.959
<v Speaker 1>they're pulling and cludging all of this stuff together. They

0:18:29.000 --> 0:18:31.960
<v Speaker 1>weren't thinking about I mean, I'm sure in a certain

0:18:32.000 --> 0:18:34.520
<v Speaker 1>sense like Ron Cobb, they were thinking about how things

0:18:34.640 --> 0:18:37.680
<v Speaker 1>work and okay, that needs to control that thing, but

0:18:37.760 --> 0:18:41.760
<v Speaker 1>they weren't thinking about this level of detail at that point.

0:18:41.880 --> 0:18:43.800
<v Speaker 1>So sure it was it was cool to kind of

0:18:43.880 --> 0:18:46.800
<v Speaker 1>help them now thirty years later and be like, oh,

0:18:47.040 --> 0:18:49.120
<v Speaker 1>you did that on purpose. That's why that's the hair,

0:18:49.440 --> 0:18:51.280
<v Speaker 1>you know, right, And then they can they can sit

0:18:51.359 --> 0:18:54.080
<v Speaker 1>back and say, well, yes I did, when in reality

0:18:54.080 --> 0:18:56.320
<v Speaker 1>it was just like this thing looks cool on top

0:18:56.400 --> 0:18:59.640
<v Speaker 1>of this car, and uh and and ultimately like, hell,

0:19:00.560 --> 0:19:03.040
<v Speaker 1>you know, subconsciously I must have known that this was

0:19:03.359 --> 0:19:07.920
<v Speaker 1>connected to sonar and therefore, but with some gentle tweaking,

0:19:08.200 --> 0:19:10.680
<v Speaker 1>you could have it to listen for ghosts instead of

0:19:10.920 --> 0:19:13.920
<v Speaker 1>you know, for anything else. Yeah, I like that. I

0:19:14.000 --> 0:19:16.840
<v Speaker 1>mean I've been I have been known to claim credit

0:19:17.200 --> 0:19:21.840
<v Speaker 1>for brilliant deductions I have made without knowing about it.

0:19:22.240 --> 0:19:26.320
<v Speaker 1>So so I am not above such things myself. Uh yeah,

0:19:26.440 --> 0:19:30.280
<v Speaker 1>I I found that really really entertaining to to dive

0:19:30.359 --> 0:19:32.359
<v Speaker 1>into that. It also, I mean, once you once you

0:19:32.480 --> 0:19:35.919
<v Speaker 1>come down to that explanation where you know, you you think, well,

0:19:35.960 --> 0:19:39.520
<v Speaker 1>if you're tackling something that's supernatural with science, you've got

0:19:39.640 --> 0:19:43.440
<v Speaker 1>to find some scientific basis somewhere for for the two

0:19:43.520 --> 0:19:47.399
<v Speaker 1>to meet, right, you know, otherwise you you have I

0:19:47.520 --> 0:19:50.480
<v Speaker 1>fight your magic with science and and ultimately you can't

0:19:50.520 --> 0:19:53.720
<v Speaker 1>really you can't really see anything useful then, right, So,

0:19:54.720 --> 0:19:56.719
<v Speaker 1>but once you made that determination of all right, well

0:19:56.760 --> 0:19:59.920
<v Speaker 1>we're getting to work from the the foundation of these

0:20:00.040 --> 0:20:03.959
<v Speaker 1>ghosts having some some spectral energy that has a negative

0:20:04.040 --> 0:20:07.280
<v Speaker 1>charge to it. That's great because the word negative has

0:20:07.320 --> 0:20:11.359
<v Speaker 1>so many different connotations. There's one one connotation in engineering

0:20:11.520 --> 0:20:14.040
<v Speaker 1>or physics and a totally different one obviously if you're

0:20:14.040 --> 0:20:16.639
<v Speaker 1>just using it as a regular adjective. And not only that,

0:20:16.840 --> 0:20:20.720
<v Speaker 1>but it meant that you could then explain other things

0:20:20.840 --> 0:20:24.080
<v Speaker 1>that they talk about where they just casually mentioned the

0:20:24.200 --> 0:20:28.080
<v Speaker 1>different classes of ghosts, and and then you think, well,

0:20:28.240 --> 0:20:32.159
<v Speaker 1>now now we have something quantifiable that we can measure.

0:20:32.240 --> 0:20:36.840
<v Speaker 1>We can measure, say, the the magnitude of a negative charge,

0:20:37.240 --> 0:20:40.800
<v Speaker 1>and then the tools we use to detect these things

0:20:41.240 --> 0:20:45.520
<v Speaker 1>suddenly become much more easy for us to explain from

0:20:45.640 --> 0:20:49.800
<v Speaker 1>even just a theoretical technical point of one of my favorites,

0:20:50.240 --> 0:20:52.280
<v Speaker 1>and I want to know some of your favorites too,

0:20:52.320 --> 0:20:55.600
<v Speaker 1>but one of one of my favorites were the goggles,

0:20:56.240 --> 0:21:00.200
<v Speaker 1>and because you talk about how it provides it's a

0:21:00.280 --> 0:21:03.160
<v Speaker 1>heads up display or HUD for the p k A meter,

0:21:03.600 --> 0:21:06.240
<v Speaker 1>and that it gives you information, but you also and

0:21:06.280 --> 0:21:07.959
<v Speaker 1>I'm so glad you did, because I was thinking as

0:21:07.960 --> 0:21:10.920
<v Speaker 1>I was reading the description you point out how it's similar.

0:21:11.119 --> 0:21:14.560
<v Speaker 1>In fact, it's based off of night vision goggles, and

0:21:14.840 --> 0:21:18.080
<v Speaker 1>the whole the whole premise by night vision is that

0:21:18.280 --> 0:21:22.119
<v Speaker 1>it's taking light that we as humans are incapable of seeing,

0:21:22.280 --> 0:21:25.280
<v Speaker 1>you know, infrared light. We cannot we cannot see that light,

0:21:25.720 --> 0:21:27.399
<v Speaker 1>but it has It takes that light and then it

0:21:27.480 --> 0:21:32.960
<v Speaker 1>has to use algorithms. Actually, it's using technology to convert

0:21:33.040 --> 0:21:35.719
<v Speaker 1>that into light we can see, so that we can

0:21:35.800 --> 0:21:38.920
<v Speaker 1>actually view stuff in darkness when otherwise we could not.

0:21:39.400 --> 0:21:42.119
<v Speaker 1>It's kind of like what NASA uses with their telescopes.

0:21:42.160 --> 0:21:45.040
<v Speaker 1>They use near infrared telescopes. They then you'll see on

0:21:45.160 --> 0:21:48.800
<v Speaker 1>any NASA picture where they've used those telescopes that they

0:21:48.840 --> 0:21:53.200
<v Speaker 1>will indicate that they've used various UH enhancements in order

0:21:53.320 --> 0:21:56.040
<v Speaker 1>for us to be able to appreciate what is we're

0:21:56.040 --> 0:21:59.440
<v Speaker 1>actually looking at their using various colors. And in the

0:21:59.520 --> 0:22:04.000
<v Speaker 1>world of Sbusters, you explain that this technology has been

0:22:04.000 --> 0:22:09.720
<v Speaker 1>tweaked to be able to view various UH otherworldly supernatural

0:22:09.880 --> 0:22:12.920
<v Speaker 1>creatures ranging from poulter Geist all the way up to

0:22:13.320 --> 0:22:18.080
<v Speaker 1>you know, deities that that normally would be invisible. But

0:22:18.200 --> 0:22:20.879
<v Speaker 1>this is because because it can interpret that data, it

0:22:20.960 --> 0:22:26.440
<v Speaker 1>can then project essentially an image that we could perceive ourselves.

0:22:27.359 --> 0:22:30.600
<v Speaker 1>And I thought that's so clever. I love that explanation

0:22:30.800 --> 0:22:34.160
<v Speaker 1>because again, it is based on something that really does

0:22:34.280 --> 0:22:36.639
<v Speaker 1>exist out there. It's something that we've been using for

0:22:36.760 --> 0:22:39.560
<v Speaker 1>decades now, and it's just that people don't necessarily think about.

0:22:39.560 --> 0:22:42.280
<v Speaker 1>They just think, oh, when I put these goggles on,

0:22:42.800 --> 0:22:45.680
<v Speaker 1>I can see in the dark. Yeah. Yeah, And it

0:22:45.760 --> 0:22:47.879
<v Speaker 1>makes a certain amount of sense that if you, if

0:22:47.920 --> 0:22:51.040
<v Speaker 1>you put yourself in the shoes of Egan Spangler, he's

0:22:51.080 --> 0:22:54.719
<v Speaker 1>probably looking at technology that previously exists and wondering how

0:22:54.840 --> 0:22:56.760
<v Speaker 1>he can adapt that to the needs that they have

0:22:56.880 --> 0:22:59.600
<v Speaker 1>as quickly as they can. Because in the movie they're

0:22:59.600 --> 0:23:03.760
<v Speaker 1>small business takes off quite literally overnight, so he has

0:23:03.800 --> 0:23:06.239
<v Speaker 1>to go out and find, oh, oh, there they are

0:23:06.240 --> 0:23:08.879
<v Speaker 1>these night vision goggles that have been decommissioned by by

0:23:08.920 --> 0:23:12.080
<v Speaker 1>the army. I know that they have these sensor rods

0:23:12.160 --> 0:23:14.399
<v Speaker 1>on them. If I just tweak the sensor rods, they

0:23:14.440 --> 0:23:18.760
<v Speaker 1>won't be detecting infrared or heat or or heat signatures

0:23:18.840 --> 0:23:21.600
<v Speaker 1>things like that. They'll start detecting the decay of those

0:23:21.680 --> 0:23:24.119
<v Speaker 1>negative electrons that are out there, and we can we

0:23:24.160 --> 0:23:27.120
<v Speaker 1>can sort of quantify that and visually put that into

0:23:27.160 --> 0:23:29.479
<v Speaker 1>our ghostbusters eyes so that they can help track these

0:23:29.520 --> 0:23:33.200
<v Speaker 1>things down totally. But then the funny thing about this stuff,

0:23:33.240 --> 0:23:35.600
<v Speaker 1>and and even on those two particular pages in the

0:23:35.680 --> 0:23:41.080
<v Speaker 1>book you find the designers of the film, we're just

0:23:41.200 --> 0:23:44.240
<v Speaker 1>doing things because they looked cool, because it made a

0:23:44.280 --> 0:23:47.040
<v Speaker 1>certain amount of sense that like, when he's looking around

0:23:47.080 --> 0:23:51.359
<v Speaker 1>the ballroom, you know, the numbers in the corner are moving,

0:23:51.560 --> 0:23:54.879
<v Speaker 1>and when they lock in on Slimer, it locks into

0:23:55.160 --> 0:23:58.120
<v Speaker 1>a certain value. But what we found was, as he's

0:23:58.160 --> 0:24:01.359
<v Speaker 1>looking around the room, the value on the numbers is higher,

0:24:02.000 --> 0:24:04.200
<v Speaker 1>and then when he locks in on Slimer, the value

0:24:04.240 --> 0:24:06.240
<v Speaker 1>on the numbers is lower. So we had to figure

0:24:06.280 --> 0:24:09.600
<v Speaker 1>out this way, which it was totally counterintuitive. You know,

0:24:10.040 --> 0:24:13.120
<v Speaker 1>why would when he's looking around the room and it's

0:24:13.160 --> 0:24:17.080
<v Speaker 1>at like three thousand, when you then find Slimer and

0:24:17.160 --> 0:24:19.520
<v Speaker 1>it's at one thousand, why why does it become lower?

0:24:19.560 --> 0:24:23.440
<v Speaker 1>And so we kind of had to help them with

0:24:23.520 --> 0:24:27.040
<v Speaker 1>a little bit of a gap in their logic or

0:24:27.320 --> 0:24:29.000
<v Speaker 1>or in in the way that they had sort of

0:24:29.119 --> 0:24:32.600
<v Speaker 1>defined things, and say, oh, okay, the closer you get

0:24:32.640 --> 0:24:36.080
<v Speaker 1>to zero, the more powerful the entity is. And that's

0:24:36.520 --> 0:24:39.120
<v Speaker 1>you know, if you are. If you see a zeroed

0:24:39.160 --> 0:24:41.639
<v Speaker 1>out number in that corner, you're probably looking at the

0:24:41.760 --> 0:24:43.520
<v Speaker 1>end of the world, you know, when they're the the

0:24:44.160 --> 0:24:46.280
<v Speaker 1>temple rooftop looking at Goes or the Goes are and

0:24:46.359 --> 0:24:48.040
<v Speaker 1>if you were to throw those goggles on there, it

0:24:48.080 --> 0:24:51.359
<v Speaker 1>would be a zero number, a negative number. Uh. And

0:24:51.440 --> 0:24:54.720
<v Speaker 1>then when you get to Slimer, it's still fairly low.

0:24:55.000 --> 0:24:57.800
<v Speaker 1>It's in the you know, I think it's thirteen thirty five,

0:24:57.960 --> 0:25:00.720
<v Speaker 1>thirteen thirty three. Oh shoot, I'm gonna it killed. On

0:25:00.760 --> 0:25:03.080
<v Speaker 1>the forums, I think it's thirteen thirty three. When they

0:25:03.119 --> 0:25:06.840
<v Speaker 1>walk in, uh to Slimer it is thirteen thirty three

0:25:06.880 --> 0:25:09.840
<v Speaker 1>point five. Yes, all right, man, I'm so glad you

0:25:10.119 --> 0:25:14.480
<v Speaker 1>you had that. But so yeah, so so figuring out okay,

0:25:14.600 --> 0:25:17.359
<v Speaker 1>so the class the classification system that they're defining these

0:25:17.400 --> 0:25:22.720
<v Speaker 1>ghosts by, maybe that thirteen area is about a class

0:25:22.800 --> 0:25:24.840
<v Speaker 1>four or a class five, and kind of going from

0:25:24.920 --> 0:25:28.680
<v Speaker 1>there and then building around that because that's the only

0:25:28.760 --> 0:25:31.640
<v Speaker 1>number that we've defined in the context of the film.

0:25:31.720 --> 0:25:34.440
<v Speaker 1>Of course, you watch the cartoons. There's all the cool

0:25:34.480 --> 0:25:36.639
<v Speaker 1>gag and stuff in the cartoons, but it's a little different. So,

0:25:37.560 --> 0:25:41.199
<v Speaker 1>you know, it's it's finding finding those little stepping stones

0:25:41.320 --> 0:25:43.640
<v Speaker 1>and then building out from that. We know that slimer

0:25:44.160 --> 0:25:48.119
<v Speaker 1>is in the dred range, let's say that you know

0:25:48.359 --> 0:25:52.359
<v Speaker 1>something more like m I think what we ended up

0:25:52.400 --> 0:25:54.399
<v Speaker 1>doing is like in the five hundred range, that's like

0:25:54.480 --> 0:25:59.480
<v Speaker 1>a class seven like that's that's a huge metaspector that

0:25:59.760 --> 0:26:04.320
<v Speaker 1>is uh, probably not the friendliest and probably doing some

0:26:04.440 --> 0:26:07.200
<v Speaker 1>damage to you, uh, and then building out that chart

0:26:07.240 --> 0:26:08.800
<v Speaker 1>from there. So we we We've got a lot of

0:26:08.880 --> 0:26:11.399
<v Speaker 1>proof readers that came back on the book and they said, well,

0:26:11.480 --> 0:26:14.720
<v Speaker 1>this doesn't make sense. Wouldn't zero be like normal zero?

0:26:14.800 --> 0:26:17.240
<v Speaker 1>It should start at zero and it should go up,

0:26:17.440 --> 0:26:19.560
<v Speaker 1>you know that once you get to five thousand, that

0:26:19.640 --> 0:26:21.680
<v Speaker 1>should be the biggest entity. And it's like, well, yeah,

0:26:21.760 --> 0:26:24.960
<v Speaker 1>but we're helping out the movie again. Here are helping

0:26:25.760 --> 0:26:30.040
<v Speaker 1>helping them apply this this logic and and this sort

0:26:30.080 --> 0:26:33.760
<v Speaker 1>of procedure to their stuff. And so hopefully that communicates well.

0:26:33.880 --> 0:26:36.440
<v Speaker 1>And then also again like you were saying, hopefully, you

0:26:36.520 --> 0:26:38.360
<v Speaker 1>know Ivan rightman looks at this and he's like, yeah,

0:26:38.400 --> 0:26:40.640
<v Speaker 1>that's that's what I intended the entire time. Yes, of course,

0:26:40.960 --> 0:26:43.000
<v Speaker 1>that's that's the intention all along. Well, the nice thing

0:26:43.119 --> 0:26:45.680
<v Speaker 1>is there is there is precedence in the world of

0:26:45.800 --> 0:26:50.600
<v Speaker 1>science where someone has made a decision where the scale

0:26:50.800 --> 0:26:53.960
<v Speaker 1>as it goes up is measuring an effect that goes

0:26:54.119 --> 0:26:56.720
<v Speaker 1>down unless you are looking at the world at atopsy

0:26:56.800 --> 0:27:01.680
<v Speaker 1>turvy way. So for example, celsius, originally one was freezing,

0:27:01.800 --> 0:27:04.440
<v Speaker 1>and then you'd go up to zero to boiling. So

0:27:04.960 --> 0:27:06.399
<v Speaker 1>you look at that and you're thinking, are you just

0:27:06.520 --> 0:27:10.480
<v Speaker 1>saying that like that that you're saying it's less cold

0:27:10.640 --> 0:27:14.680
<v Speaker 1>until it gets to very much not cold? How does

0:27:14.720 --> 0:27:18.720
<v Speaker 1>that make sense otherwise? Or zero is just really hot

0:27:18.920 --> 0:27:20.680
<v Speaker 1>and then the higher you go, the colder it is.

0:27:20.760 --> 0:27:24.040
<v Speaker 1>Are you thinking elevation? What where's your thinking in this Celsius?

0:27:25.160 --> 0:27:28.040
<v Speaker 1>So that's that's that was I'm glad you latched onto

0:27:28.080 --> 0:27:32.000
<v Speaker 1>that because that's that was my my simplistic not scientific

0:27:32.119 --> 0:27:35.760
<v Speaker 1>reasoning behind it was a percent is normal is okay,

0:27:37.119 --> 0:27:39.920
<v Speaker 1>and when you hit zero percent things are crazy. You

0:27:40.040 --> 0:27:42.159
<v Speaker 1>are looking at the end of the world as you

0:27:42.280 --> 0:27:45.119
<v Speaker 1>know it. That's that's how we kind of went about it. So,

0:27:45.480 --> 0:27:48.520
<v Speaker 1>so since I was talking about my favorite being the goggles,

0:27:48.560 --> 0:27:51.120
<v Speaker 1>do you have a particular piece of equipment that, out

0:27:51.200 --> 0:27:53.159
<v Speaker 1>of all of it is is your favorite. I mean,

0:27:53.200 --> 0:27:55.280
<v Speaker 1>I know it's hard to say when you're working on

0:27:55.480 --> 0:27:58.639
<v Speaker 1>each individual little piece, but yeah, I mean it's it

0:27:58.800 --> 0:28:01.520
<v Speaker 1>is hard, I would say, just on a at a

0:28:01.560 --> 0:28:04.800
<v Speaker 1>fifty thou foot view. Just getting to dive into the

0:28:04.880 --> 0:28:07.360
<v Speaker 1>Ecto one A from the second movie was a whole

0:28:07.400 --> 0:28:10.800
<v Speaker 1>lot of fun because that was, you know, the second movie.

0:28:10.840 --> 0:28:13.960
<v Speaker 1>They never showed the inside of the car in the film,

0:28:14.000 --> 0:28:16.199
<v Speaker 1>and of course because they had the that Ecto one

0:28:16.240 --> 0:28:18.880
<v Speaker 1>A out at Universal Studios Florida. As kids, we would

0:28:18.920 --> 0:28:20.680
<v Speaker 1>climb in there and we would see stuff and you'd

0:28:20.720 --> 0:28:22.840
<v Speaker 1>see photos of oh my god, there's a computer in there,

0:28:22.840 --> 0:28:25.160
<v Speaker 1>and there's all of this great equipment that you never

0:28:25.280 --> 0:28:27.280
<v Speaker 1>see in the actual film that they don't do anything

0:28:27.400 --> 0:28:32.199
<v Speaker 1>with in the actual films. So, um, we I may

0:28:32.240 --> 0:28:35.720
<v Speaker 1>be divulging too much, Eric maybe ready with the sniper

0:28:35.800 --> 0:28:38.200
<v Speaker 1>rifle here, but we we did dive into what is

0:28:38.360 --> 0:28:40.960
<v Speaker 1>left of the Ecto one A there in the process

0:28:41.000 --> 0:28:43.880
<v Speaker 1>of hopefully restoring that car. Uh, and I was able

0:28:43.960 --> 0:28:46.840
<v Speaker 1>to just dive in and see, oh my, that's that's

0:28:46.880 --> 0:28:51.080
<v Speaker 1>a Trio Tech centrifuge, and that's that's like a clock,

0:28:51.160 --> 0:28:54.520
<v Speaker 1>power controller, and all of these tiny details that nobody's

0:28:54.560 --> 0:28:58.640
<v Speaker 1>ever really seen because it's not photographed, it's not documented. Well, um,

0:28:58.840 --> 0:29:01.200
<v Speaker 1>and so we were able to pull those components out,

0:29:01.880 --> 0:29:04.800
<v Speaker 1>and to me, it was like an archaeological dig finding

0:29:04.880 --> 0:29:07.240
<v Speaker 1>all of these these things and you'd you'd pull out this,

0:29:07.640 --> 0:29:10.600
<v Speaker 1>it looked like garbage and you go, oh, that's this

0:29:10.880 --> 0:29:14.360
<v Speaker 1>part of the big white pill looking cylinder that's on

0:29:14.400 --> 0:29:17.800
<v Speaker 1>the back of the car. Um. So I think on

0:29:17.920 --> 0:29:20.320
<v Speaker 1>a on a on a broad view, that that's my

0:29:20.440 --> 0:29:23.880
<v Speaker 1>favorite part of this book. But uh, if I were

0:29:23.920 --> 0:29:29.080
<v Speaker 1>to pick one component, I would say it's the tu sniffer, which, uh,

0:29:29.400 --> 0:29:32.840
<v Speaker 1>it has been long debated among fans as to what

0:29:33.320 --> 0:29:35.360
<v Speaker 1>it's the thing that's on top of the original car

0:29:35.560 --> 0:29:37.840
<v Speaker 1>that looks like a double barreled shot a red double

0:29:37.880 --> 0:29:41.840
<v Speaker 1>barreled shotgun. And uh, you know in a deleted scene

0:29:42.000 --> 0:29:44.880
<v Speaker 1>from the movie, a cop is coming to write a

0:29:44.920 --> 0:29:46.600
<v Speaker 1>ticket and put it on the windshield of the car,

0:29:46.840 --> 0:29:50.120
<v Speaker 1>and that that sniffer sort of turns and acts like eyeballs,

0:29:50.160 --> 0:29:53.440
<v Speaker 1>like it's following the cop around and he can't quite dodge.

0:29:53.480 --> 0:29:56.480
<v Speaker 1>It's it's gaze. And we said, wow, that we could

0:29:56.560 --> 0:29:59.080
<v Speaker 1>go with that. It could be like a sensor device

0:29:59.200 --> 0:30:01.120
<v Speaker 1>if the car was are normal or had some sort

0:30:01.160 --> 0:30:05.440
<v Speaker 1>of of you know, blues mobile powers. But let's let's

0:30:05.480 --> 0:30:09.360
<v Speaker 1>set that aside, and again let's start thinking about how

0:30:09.480 --> 0:30:12.920
<v Speaker 1>this would be useful to the Ghostbusters. Why would they

0:30:12.960 --> 0:30:15.480
<v Speaker 1>put that on the car and with for what purposes?

0:30:15.680 --> 0:30:20.680
<v Speaker 1>And so finally getting to say what that particular piece

0:30:20.840 --> 0:30:23.520
<v Speaker 1>of the roof rack was was a whole lot of

0:30:23.560 --> 0:30:25.720
<v Speaker 1>fun um. And we do get a good joke in

0:30:25.720 --> 0:30:27.800
<v Speaker 1>there about it looking like Egan's nose and that's why

0:30:27.840 --> 0:30:30.520
<v Speaker 1>they called it a sniffer. But uh, yeah, I think

0:30:30.560 --> 0:30:33.520
<v Speaker 1>I think that's probably the one because we were finally

0:30:33.520 --> 0:30:36.480
<v Speaker 1>getting to define stuff that that fans have have wondered

0:30:36.480 --> 0:30:38.680
<v Speaker 1>about for a long time. And it's all Ghost Corp. Approved.

0:30:38.800 --> 0:30:47.200
<v Speaker 1>So it's cannon guys. Now, such power, such amazing power. Power.

0:30:47.920 --> 0:30:50.200
<v Speaker 1>And after you came from Marvel, did you not learn

0:30:50.520 --> 0:30:54.440
<v Speaker 1>with great power comes great responsibility? And no, I know, Ben,

0:30:54.760 --> 0:30:59.280
<v Speaker 1>I know, but um yeah, it's uh, it's it's one

0:30:59.280 --> 0:31:02.000
<v Speaker 1>of those things where and we were very careful. There

0:31:02.080 --> 0:31:04.600
<v Speaker 1>were a few things in there where we didn't want

0:31:04.600 --> 0:31:07.440
<v Speaker 1>to get too carried away. There's uh, I think I've

0:31:07.480 --> 0:31:09.760
<v Speaker 1>said it before, but there's a hose that's on the

0:31:09.880 --> 0:31:13.000
<v Speaker 1>uniforms where if you if you look in the original film,

0:31:13.040 --> 0:31:15.000
<v Speaker 1>they have these yellow hoses that kind of look like

0:31:15.040 --> 0:31:17.360
<v Speaker 1>they go out from around the waist area kind of

0:31:17.480 --> 0:31:20.760
<v Speaker 1>down to about mid thigh with with a little plug.

0:31:21.200 --> 0:31:24.200
<v Speaker 1>And but unfortunately, and Harold Ramos has joked a whole

0:31:24.200 --> 0:31:26.800
<v Speaker 1>lot about it, they made the hoses yellow. So everybody

0:31:27.120 --> 0:31:29.600
<v Speaker 1>everybody's thinking, like, do they have cathos? What are they

0:31:29.640 --> 0:31:33.840
<v Speaker 1>walking around with these hoses that kind of very conspicuously

0:31:33.960 --> 0:31:37.160
<v Speaker 1>go from around the growing area down to this part

0:31:37.200 --> 0:31:40.200
<v Speaker 1>that's by their knee, and uh, you know they've they've

0:31:40.240 --> 0:31:42.960
<v Speaker 1>joked about well, you know, you see stuff and sometimes

0:31:43.000 --> 0:31:46.760
<v Speaker 1>things happen. Um. But so so we we thought about

0:31:46.800 --> 0:31:49.840
<v Speaker 1>actually defining that and what it what its purpose was,

0:31:50.600 --> 0:31:52.760
<v Speaker 1>and that that's one of those where I was like, Eric,

0:31:52.840 --> 0:31:55.280
<v Speaker 1>should we finally tell people what this is? And He's like, no,

0:31:55.440 --> 0:31:57.120
<v Speaker 1>let's leave that one up to the imagination for a

0:31:57.200 --> 0:32:01.080
<v Speaker 1>little while. That's amazing. Well, one of the things I

0:32:01.160 --> 0:32:04.480
<v Speaker 1>wanted to talk about was, you know, interesting stuff that

0:32:04.840 --> 0:32:07.320
<v Speaker 1>that I think a lot of people don't necessarily realize,

0:32:07.400 --> 0:32:11.280
<v Speaker 1>especially because the world of cars is so different today.

0:32:11.960 --> 0:32:14.640
<v Speaker 1>And that's you know, when you talk about the Ecto

0:32:14.760 --> 0:32:17.959
<v Speaker 1>one and the fact that It's essentially it's a it's

0:32:18.000 --> 0:32:22.520
<v Speaker 1>a type of Cadillac. But in that time, Cadillac would

0:32:22.560 --> 0:32:28.280
<v Speaker 1>create these chassiss that other car manufacturers, like specialized car manufacturers,

0:32:28.320 --> 0:32:31.080
<v Speaker 1>would end up taking, and then they would make their

0:32:31.160 --> 0:32:35.320
<v Speaker 1>own uh models built on top of those basic chassis,

0:32:35.440 --> 0:32:38.360
<v Speaker 1>which is why you could end up with several cars

0:32:38.400 --> 0:32:40.479
<v Speaker 1>that look very different from one another, but they all

0:32:40.560 --> 0:32:45.080
<v Speaker 1>are worked on the same basic foundation. And and and

0:32:45.280 --> 0:32:48.520
<v Speaker 1>why this this fifty nine Miller meter is so difficult

0:32:48.560 --> 0:32:50.600
<v Speaker 1>to find because they only made a certain amount of them,

0:32:50.720 --> 0:32:55.200
<v Speaker 1>but other manufacturers made very similar looking cars. Uh, you know,

0:32:55.440 --> 0:32:59.200
<v Speaker 1>and and fans have similarly can converted those into ectomobiles too.

0:32:59.360 --> 0:33:03.840
<v Speaker 1>But yeah, the Miller Meteor car, I mean it has

0:33:04.720 --> 0:33:07.360
<v Speaker 1>because of Ghostbusters. It's so iconic. I think it's kind

0:33:07.400 --> 0:33:09.240
<v Speaker 1>of like the DeLorean from Back to the Future. You

0:33:09.320 --> 0:33:11.760
<v Speaker 1>see that vehicle and your and that's another great example

0:33:11.840 --> 0:33:14.719
<v Speaker 1>of a car where there was uh not on purpose,

0:33:14.840 --> 0:33:17.520
<v Speaker 1>but there was a limited number of them. And uh,

0:33:18.200 --> 0:33:20.640
<v Speaker 1>it's it's really neat to get a little bit of

0:33:20.680 --> 0:33:23.160
<v Speaker 1>a look behind that, because you know, you don't typically

0:33:23.280 --> 0:33:25.200
<v Speaker 1>see that kind of stuff. Now, you don't really see

0:33:25.560 --> 0:33:29.320
<v Speaker 1>a car company creating a basic found, you know, chassis

0:33:29.440 --> 0:33:32.200
<v Speaker 1>that other companies are using to make other vehicles. Now

0:33:32.240 --> 0:33:34.520
<v Speaker 1>you might find a car company that makes a chassis

0:33:34.640 --> 0:33:36.960
<v Speaker 1>for their line of vehicles and then they build different

0:33:37.000 --> 0:33:39.400
<v Speaker 1>bodies on top of it. But that's the kind of

0:33:39.440 --> 0:33:41.320
<v Speaker 1>stuff you can find out with this book, as you

0:33:41.440 --> 0:33:46.160
<v Speaker 1>learn more about that basic technology that was used uh

0:33:46.320 --> 0:33:50.160
<v Speaker 1>in in the film, and obviously learn more about the

0:33:50.680 --> 0:33:53.600
<v Speaker 1>the Ecto one from the new film as well, so,

0:33:53.760 --> 0:33:57.200
<v Speaker 1>which is of course a totally different car. It's uh

0:33:57.360 --> 0:34:00.920
<v Speaker 1>so that was really cool. I also love the idea

0:34:01.160 --> 0:34:04.600
<v Speaker 1>of going into things like like the concept of plasma

0:34:04.720 --> 0:34:08.800
<v Speaker 1>plasma being the most plentiful of all the forms of

0:34:09.080 --> 0:34:11.960
<v Speaker 1>of of matter out there, although you know, most of

0:34:12.080 --> 0:34:14.000
<v Speaker 1>us don't think of it that way because we don't

0:34:14.120 --> 0:34:16.000
<v Speaker 1>tend to run into a whole lot of it here

0:34:16.040 --> 0:34:18.920
<v Speaker 1>on earth. But absolutely, you look at your nearby stars,

0:34:18.960 --> 0:34:22.439
<v Speaker 1>they're lousy with the stuff. So uh And of course

0:34:22.480 --> 0:34:25.279
<v Speaker 1>that's ionized gas. It's it's a gas that actually can

0:34:25.440 --> 0:34:27.839
<v Speaker 1>carry an electric current. And I love that you talk

0:34:27.880 --> 0:34:30.600
<v Speaker 1>about it being a plasma that comes out from the

0:34:31.040 --> 0:34:35.040
<v Speaker 1>the the wands of the proton packs, uh because that

0:34:35.160 --> 0:34:38.600
<v Speaker 1>also helps when you see the lines of electricity going

0:34:38.680 --> 0:34:40.480
<v Speaker 1>up and down. You think, oh, well, of course it's

0:34:40.520 --> 0:34:43.359
<v Speaker 1>a it's an ionized gas. It can carry an electric current.

0:34:43.440 --> 0:34:45.759
<v Speaker 1>That makes perfect sense that that there moves. It moves

0:34:45.800 --> 0:34:48.200
<v Speaker 1>in a wavelength like sound too, you know, so that

0:34:49.120 --> 0:34:51.200
<v Speaker 1>because it's coming out with such force that you've got

0:34:51.360 --> 0:34:54.160
<v Speaker 1>that wave pattern that is happening, and and getting to

0:34:54.280 --> 0:34:57.200
<v Speaker 1>explain why everything is the way that it is. That

0:34:57.400 --> 0:34:58.960
<v Speaker 1>that was a whole lot of fun and and that's

0:34:59.320 --> 0:35:01.160
<v Speaker 1>that's one of the things that is still rooted in

0:35:01.840 --> 0:35:05.000
<v Speaker 1>the original research that Michael C. Gross did for the film. Uh,

0:35:05.320 --> 0:35:07.600
<v Speaker 1>and he was very detailed because they had to when

0:35:07.600 --> 0:35:11.000
<v Speaker 1>they were animating things come up with that logic that okay,

0:35:11.120 --> 0:35:14.640
<v Speaker 1>it originates at at at the ghost or at the

0:35:14.760 --> 0:35:16.919
<v Speaker 1>wall or the bar or whatever they end up hitting

0:35:17.080 --> 0:35:21.360
<v Speaker 1>with this this particle thrower. Um. And so you you

0:35:21.480 --> 0:35:24.120
<v Speaker 1>can watch if you step through frame by frame, you

0:35:24.239 --> 0:35:29.719
<v Speaker 1>see the light beam start on where it ends and

0:35:29.840 --> 0:35:31.960
<v Speaker 1>then go back to the emitter. So it's it's like

0:35:32.120 --> 0:35:34.040
<v Speaker 1>a bolt of lightning. You you see it hit the

0:35:34.080 --> 0:35:36.439
<v Speaker 1>ground first and and go up back into the sky

0:35:36.640 --> 0:35:40.760
<v Speaker 1>kind of thing. And so, um, yeah, it's it's all there. Everything,

0:35:40.840 --> 0:35:42.840
<v Speaker 1>all of the breadcrumbs were left For us, it was

0:35:42.920 --> 0:35:46.000
<v Speaker 1>just kind of putting the pieces together and you know, well,

0:35:46.040 --> 0:35:48.359
<v Speaker 1>it's an ionized gas, it's plasma, and it's it's being

0:35:48.400 --> 0:35:50.840
<v Speaker 1>based in hydrogen. And trying to figure out all of

0:35:51.840 --> 0:35:54.520
<v Speaker 1>all of the technical details behind it was was a

0:35:54.600 --> 0:35:57.360
<v Speaker 1>lot of fun. Yeah, I very much appreciate all that.

0:35:57.480 --> 0:35:59.360
<v Speaker 1>As I was reading it, I just kept thinking, like,

0:35:59.800 --> 0:36:03.840
<v Speaker 1>it so nice to see something that is is referring

0:36:04.000 --> 0:36:07.480
<v Speaker 1>enough to the tech and science that we really know

0:36:07.960 --> 0:36:11.759
<v Speaker 1>that people who are interested in recreating the uh, the

0:36:11.840 --> 0:36:15.160
<v Speaker 1>effects by going out and finding as many similar objects

0:36:15.200 --> 0:36:17.120
<v Speaker 1>out there as possible in order to make their own

0:36:17.200 --> 0:36:20.480
<v Speaker 1>ECTO one or to make their own proton pack. That's interesting.

0:36:20.640 --> 0:36:23.800
<v Speaker 1>But it's also cool that it can introduce people into

0:36:24.080 --> 0:36:27.520
<v Speaker 1>realms of science that perhaps they didn't know they were

0:36:27.560 --> 0:36:30.839
<v Speaker 1>interested in, and then they can legitimately start to learn

0:36:30.920 --> 0:36:35.040
<v Speaker 1>more about physics. They can learn more about particle physics,

0:36:35.120 --> 0:36:38.680
<v Speaker 1>in particular about electro magnetism. Uh. And even like some

0:36:38.760 --> 0:36:41.760
<v Speaker 1>of the equipment and you have like sonar detectors, radar detectors,

0:36:41.960 --> 0:36:43.759
<v Speaker 1>it's amazing that they were able to get hold of

0:36:43.800 --> 0:36:48.000
<v Speaker 1>all that that junk equipment because some of the stuff

0:36:48.120 --> 0:36:51.480
<v Speaker 1>is like I mean, some of it was was pretty

0:36:51.880 --> 0:36:54.279
<v Speaker 1>top secret military stuff back in the day. I mean,

0:36:54.360 --> 0:36:56.640
<v Speaker 1>and it's just sitting in a junk yard in three

0:36:56.760 --> 0:36:59.160
<v Speaker 1>when they're doing pre production, Like, yeah, this was kind

0:36:59.160 --> 0:37:01.759
<v Speaker 1>of scary that you could go to any place and

0:37:01.840 --> 0:37:04.320
<v Speaker 1>pick this stuff up. But yeah, yeah, you know, twenty

0:37:04.400 --> 0:37:06.400
<v Speaker 1>years ago you wouldn't be allowed to know what this was.

0:37:06.520 --> 0:37:08.960
<v Speaker 1>And now here it is just laying around right next

0:37:08.960 --> 0:37:11.160
<v Speaker 1>to a whole bunch of copies of of the Atari

0:37:11.200 --> 0:37:16.120
<v Speaker 1>twenty et. The Extraterrestrial's right there, there's your Tomahawk Missile

0:37:16.120 --> 0:37:20.279
<v Speaker 1>Guidance System cartridge. Oh what a world we live in.

0:37:20.880 --> 0:37:26.240
<v Speaker 1>Uh So, exploring this and and going through this experience,

0:37:26.239 --> 0:37:29.800
<v Speaker 1>I'm sure it was really a rewarding experience for you

0:37:30.080 --> 0:37:31.640
<v Speaker 1>and uh and we know we've talked about some of

0:37:31.719 --> 0:37:35.840
<v Speaker 1>the favorite stuff. Were there anythings in particular that you

0:37:35.960 --> 0:37:39.359
<v Speaker 1>found a real challenge while you were researching and trying

0:37:39.400 --> 0:37:41.200
<v Speaker 1>to figure out, all right, how do I how do

0:37:41.320 --> 0:37:44.239
<v Speaker 1>I make this fit? For instance, I would say that

0:37:44.680 --> 0:37:46.160
<v Speaker 1>one of the ones that would have jumped out at me,

0:37:46.320 --> 0:37:49.960
<v Speaker 1>you have an illustration of some sonar canisters, And if

0:37:50.000 --> 0:37:51.960
<v Speaker 1>I had seen that immediately, I would have thought, well,

0:37:52.040 --> 0:37:55.959
<v Speaker 1>what the heck am I gonna do with these things. Yeah, yeah,

0:37:56.120 --> 0:38:01.480
<v Speaker 1>I mean, uh, there's there's a naval sona buoy. Uh

0:38:01.719 --> 0:38:05.719
<v Speaker 1>that's and and Star Trek fans will notice it because

0:38:05.880 --> 0:38:08.040
<v Speaker 1>it used to be the proton torpedoes that they would

0:38:08.120 --> 0:38:11.760
<v Speaker 1>use in I think all the way through Next Generation.

0:38:11.840 --> 0:38:13.600
<v Speaker 1>You still see them in some of the cargo bays

0:38:13.640 --> 0:38:17.760
<v Speaker 1>and next Generation, but so so that that exterior case

0:38:18.480 --> 0:38:20.800
<v Speaker 1>is something that they would use just as as cargo

0:38:20.960 --> 0:38:24.360
<v Speaker 1>around the ships and things like that. And my guess

0:38:24.640 --> 0:38:30.200
<v Speaker 1>is that on on Ghostbusters too, they happened to go

0:38:30.320 --> 0:38:33.160
<v Speaker 1>to whoever sourced those two Star Trek about that time.

0:38:33.200 --> 0:38:35.160
<v Speaker 1>It was eighty nine, so it makes sense they were

0:38:35.200 --> 0:38:37.440
<v Speaker 1>working on I think that was Star Trek five at

0:38:37.520 --> 0:38:39.360
<v Speaker 1>that point. And again, you do you see these in

0:38:39.440 --> 0:38:43.120
<v Speaker 1>those films, Um, so they probably, oh, that looks futuristic.

0:38:43.120 --> 0:38:44.560
<v Speaker 1>We're gonna put that on the side of the car.

0:38:44.760 --> 0:38:47.480
<v Speaker 1>It looks a whole lot more futuristic than you know,

0:38:47.600 --> 0:38:49.600
<v Speaker 1>the first movie. They've got these storage tubes that you

0:38:49.640 --> 0:38:52.400
<v Speaker 1>see on plumbers vans, and so they swapped one of

0:38:52.480 --> 0:38:56.799
<v Speaker 1>those out with this this sona buoy, and I had

0:38:56.840 --> 0:39:01.880
<v Speaker 1>to I had to think why, for what purpose? And

0:39:02.320 --> 0:39:05.560
<v Speaker 1>and knowing that what's in there is a sonar a

0:39:05.640 --> 0:39:09.000
<v Speaker 1>booty that they would use in submarines and things like that. Well,

0:39:09.080 --> 0:39:13.200
<v Speaker 1>why why would they use that? But then again kind

0:39:13.239 --> 0:39:16.719
<v Speaker 1>of reverse engineering and and and thinking, like one of

0:39:16.800 --> 0:39:19.880
<v Speaker 1>the biggest differentiations between the Ecto one A and the

0:39:20.000 --> 0:39:22.960
<v Speaker 1>Ecto one from the original film was the digital age.

0:39:23.000 --> 0:39:25.080
<v Speaker 1>They moved from analog to digital. So you see a

0:39:25.160 --> 0:39:27.640
<v Speaker 1>satellite dish on the top, you see a personal computer

0:39:27.760 --> 0:39:31.560
<v Speaker 1>inside the car. Um So they're they're upgrading things. They're

0:39:31.600 --> 0:39:34.400
<v Speaker 1>going through the components that are on the car, and

0:39:34.480 --> 0:39:36.560
<v Speaker 1>if you look at things that are missing, you can think, oh,

0:39:37.239 --> 0:39:40.880
<v Speaker 1>they replaced something on the original car with the sona booty.

0:39:40.920 --> 0:39:44.719
<v Speaker 1>And then I had to go, uh to the library

0:39:45.040 --> 0:39:47.279
<v Speaker 1>and figure out what these buoys did and what they

0:39:47.360 --> 0:39:50.400
<v Speaker 1>use them for, and again kind of start to reverse

0:39:50.440 --> 0:39:53.400
<v Speaker 1>engineer that as to why Egon Spangler would build that

0:39:53.520 --> 0:39:57.279
<v Speaker 1>into his p KU detection array. But it ended up

0:39:57.280 --> 0:39:59.480
<v Speaker 1>working out pretty well, but that that was a tricky one.

0:40:01.120 --> 0:40:05.360
<v Speaker 1>And also you know, getting Ian Morris who is the illustrator,

0:40:05.400 --> 0:40:09.759
<v Speaker 1>and he's awesome, he works, uh, he is actually a

0:40:09.960 --> 0:40:14.400
<v Speaker 1>Haynes manual illustrator by trade, so he's he's actually diving

0:40:14.440 --> 0:40:17.920
<v Speaker 1>into the real cars, doing the engines, doing the cutaways, um.

0:40:18.120 --> 0:40:19.520
<v Speaker 1>And so it was a lot of fun working with

0:40:19.680 --> 0:40:22.520
<v Speaker 1>him saying, oh, no, Ian, there's a wall there. You

0:40:22.640 --> 0:40:25.439
<v Speaker 1>can't you can't build this electro magnet around there because

0:40:25.480 --> 0:40:27.560
<v Speaker 1>there's a cartridge and there's a wall. And he goes, oh,

0:40:28.160 --> 0:40:29.800
<v Speaker 1>I didn't know that. All right, great, thanks mate, and

0:40:29.800 --> 0:40:33.680
<v Speaker 1>he would kind of like revise things. UM. So I

0:40:33.719 --> 0:40:38.400
<v Speaker 1>would send Ian this, uh, just reference of Okay, here's

0:40:38.440 --> 0:40:41.040
<v Speaker 1>the deal. There's this thing on the car on the

0:40:41.120 --> 0:40:43.480
<v Speaker 1>outside and it looks like this, but what we want

0:40:43.520 --> 0:40:46.080
<v Speaker 1>to do is illustrate what's inside. And it looks like this.

0:40:46.239 --> 0:40:47.840
<v Speaker 1>You don't have reference for that. Let me help you.

0:40:47.880 --> 0:40:51.320
<v Speaker 1>And he goes, wait, so there's a thing inside a

0:40:51.440 --> 0:40:54.440
<v Speaker 1>thing here. I don't, Troy, you're crazy. I don't. I

0:40:54.480 --> 0:40:56.640
<v Speaker 1>don't understand this. And so I'd have to say like, oh, okay,

0:40:56.719 --> 0:40:59.439
<v Speaker 1>look that is the weather proof container that the booy

0:40:59.520 --> 0:41:02.120
<v Speaker 1>goes in at Like when you go when you go

0:41:02.160 --> 0:41:03.719
<v Speaker 1>to the mountains and you've got skis but you've got

0:41:03.760 --> 0:41:05.200
<v Speaker 1>to get on an air plane, you put your skis

0:41:05.239 --> 0:41:08.800
<v Speaker 1>into one of those hard clamshell cases. That's what this is.

0:41:09.560 --> 0:41:12.319
<v Speaker 1>Why they did that on the car um. Maybe it's

0:41:12.360 --> 0:41:15.359
<v Speaker 1>not waterproof. Yeah, that's the ticket. It's not waterproof, even

0:41:15.360 --> 0:41:18.200
<v Speaker 1>though it's an underwater booie. Don't worry about it. We'll

0:41:18.200 --> 0:41:20.040
<v Speaker 1>figure that out later. But so that I'm trying to

0:41:20.120 --> 0:41:23.400
<v Speaker 1>help him kind of figure things out too, So that

0:41:23.560 --> 0:41:26.600
<v Speaker 1>that was that was also a challenge, you know, having

0:41:26.680 --> 0:41:29.360
<v Speaker 1>to describe what's in your head to an illustrator and

0:41:29.840 --> 0:41:32.480
<v Speaker 1>uh and and a technical illustrator at that. So it

0:41:32.560 --> 0:41:34.359
<v Speaker 1>had to make sense. It had to be put together.

0:41:34.440 --> 0:41:36.520
<v Speaker 1>It couldn't just be like, you know, it's a it's

0:41:36.560 --> 0:41:39.400
<v Speaker 1>a circle, you know for kids. There was just no

0:41:39.520 --> 0:41:41.800
<v Speaker 1>way to to communicate that to him. You had to

0:41:41.840 --> 0:41:46.040
<v Speaker 1>tell him exact details. I appreciate your Hudsucker proxy reference,

0:41:46.719 --> 0:41:50.799
<v Speaker 1>you know for kids, big Coen Brothers fan here. So uh, well,

0:41:51.840 --> 0:41:55.400
<v Speaker 1>I can completely appreciate that. My father is an author

0:41:55.640 --> 0:41:59.839
<v Speaker 1>and he has written extensively in science fiction and has

0:42:00.000 --> 0:42:03.200
<v Speaker 1>worked with illustrators as well, and so he has told

0:42:03.200 --> 0:42:05.400
<v Speaker 1>me stories that are very similar. He's also he's actually

0:42:05.520 --> 0:42:09.359
<v Speaker 1>written for Star Trek. So yeah, so I I've I've

0:42:09.840 --> 0:42:13.040
<v Speaker 1>lived through this my my life as well. I've seen

0:42:13.080 --> 0:42:14.880
<v Speaker 1>it from that side. So it's cool to talk to

0:42:14.960 --> 0:42:18.120
<v Speaker 1>someone else who also has had these experiences. It's really

0:42:18.320 --> 0:42:21.160
<v Speaker 1>it's really interesting to learn about it from Ghostbusters because

0:42:21.200 --> 0:42:23.440
<v Speaker 1>that's the property that I love, but I've never had

0:42:23.520 --> 0:42:26.960
<v Speaker 1>any other connection to apart from just being being a

0:42:27.120 --> 0:42:30.800
<v Speaker 1>fan of it. Um I. I also think that it

0:42:30.880 --> 0:42:33.000
<v Speaker 1>works really well within the context. This kind of gets

0:42:33.040 --> 0:42:35.120
<v Speaker 1>it into film critiquing, which is not what this episode

0:42:35.160 --> 0:42:37.719
<v Speaker 1>is about. But I don't care. Uh, it's my show.

0:42:38.320 --> 0:42:43.000
<v Speaker 1>Um I think it also works. Something that serves you

0:42:43.160 --> 0:42:46.080
<v Speaker 1>well as the author is that in the film, the

0:42:46.120 --> 0:42:49.880
<v Speaker 1>Ghostbusters are essentially they're exterminators, right, They're not, you know,

0:42:49.960 --> 0:42:53.239
<v Speaker 1>they're scientists and they're the Egon in particular is a

0:42:53.280 --> 0:42:56.960
<v Speaker 1>brilliant engineer. But they are they It comes down that

0:42:57.040 --> 0:43:01.600
<v Speaker 1>they are. They are ghost exterminant eaters are ghostbusters and

0:43:02.120 --> 0:43:04.800
<v Speaker 1>and as such, one, it gives you a little license

0:43:04.920 --> 0:43:06.919
<v Speaker 1>for things to be a little you know, Jerry Rigged

0:43:06.960 --> 0:43:10.600
<v Speaker 1>and Jenkie because they're they're glorified exterminators. And too, it

0:43:10.719 --> 0:43:13.400
<v Speaker 1>does make sense that you would have people say, well,

0:43:13.440 --> 0:43:18.760
<v Speaker 1>let's repurpose technology, because one, I don't have the access

0:43:18.840 --> 0:43:20.320
<v Speaker 1>to a lab where I'm going to be able to

0:43:20.360 --> 0:43:22.320
<v Speaker 1>do the R and D and the production and the

0:43:22.400 --> 0:43:25.640
<v Speaker 1>manufacturing of all of these pieces of equipment we need

0:43:26.200 --> 0:43:28.319
<v Speaker 1>and be that would be way too expensive anyway, Let's

0:43:28.360 --> 0:43:30.960
<v Speaker 1>buy stuff that's cheap and then we'll just change it.

0:43:31.360 --> 0:43:35.360
<v Speaker 1>Like from from a movie like within the universe of Ghostbusters.

0:43:35.440 --> 0:43:37.680
<v Speaker 1>It makes sense because you're talking of again about a

0:43:37.760 --> 0:43:41.200
<v Speaker 1>small business. They they you know, put all the mortgages

0:43:41.320 --> 0:43:44.239
<v Speaker 1>on to raise house in order to afford starting it,

0:43:44.680 --> 0:43:48.400
<v Speaker 1>and they don't have the money to build particle accelerators

0:43:48.560 --> 0:43:51.040
<v Speaker 1>with brands. It's all found. I mean, you look at

0:43:51.080 --> 0:43:53.719
<v Speaker 1>they throw this device on Louis Tully's head, and it's

0:43:53.760 --> 0:43:55.680
<v Speaker 1>a calendar, you know, it's a calendar with a bunch

0:43:55.680 --> 0:43:57.640
<v Speaker 1>of electrodes and wires and stuff hanging out of it.

0:43:57.680 --> 0:43:59.520
<v Speaker 1>And it makes sense because it's just stuff they found

0:43:59.560 --> 0:44:02.239
<v Speaker 1>and they know it. It's a conductive material um and

0:44:02.400 --> 0:44:03.919
<v Speaker 1>and that's one of the things that the new movie

0:44:03.960 --> 0:44:06.520
<v Speaker 1>I think got right was, you know, Jillian Holtzman is

0:44:06.520 --> 0:44:08.640
<v Speaker 1>a dumpster diver. She goes in and she finds these

0:44:08.719 --> 0:44:11.239
<v Speaker 1>lead pipes and she wants to turn them into proton shotguns.

0:44:11.360 --> 0:44:14.839
<v Speaker 1>That's that's the the spirit essentially of what the first

0:44:14.880 --> 0:44:18.279
<v Speaker 1>film was. It's this found garbage that people have thrown

0:44:18.320 --> 0:44:27.600
<v Speaker 1>away that they've turned into treasure. Yeah, and I like

0:44:27.800 --> 0:44:31.360
<v Speaker 1>that also when we get into the later films, I

0:44:31.480 --> 0:44:34.200
<v Speaker 1>like that they were thinking about how they would update

0:44:34.680 --> 0:44:37.680
<v Speaker 1>the technology. As you pointed out, between Ghostbusters one and

0:44:37.719 --> 0:44:40.840
<v Speaker 1>Ghostbusters Too, they went from analog to more digital. They

0:44:40.880 --> 0:44:43.680
<v Speaker 1>had computers, and so the design of things started to

0:44:43.800 --> 0:44:46.759
<v Speaker 1>change a little bit, not so dramatically that it's no

0:44:46.920 --> 0:44:50.640
<v Speaker 1>longer recognizable as Ghostbusters, but it has changed. Whereas and

0:44:50.719 --> 0:44:53.560
<v Speaker 1>then we get into the the latest film where you

0:44:53.640 --> 0:44:57.240
<v Speaker 1>start getting the printed circuit board as a more important

0:44:57.280 --> 0:45:00.040
<v Speaker 1>motif and some of the elements and and a of

0:45:00.080 --> 0:45:05.479
<v Speaker 1>course obviously circuit boards transistors that transformed electronics. It's something

0:45:05.560 --> 0:45:08.800
<v Speaker 1>that has allowed for maniaturization. And in the context of

0:45:08.920 --> 0:45:12.360
<v Speaker 1>the film, you get to see the different variations of

0:45:12.600 --> 0:45:16.160
<v Speaker 1>the proton packs and with the last one being the

0:45:16.200 --> 0:45:20.560
<v Speaker 1>most compact and at least according to canon, the lightest

0:45:20.680 --> 0:45:24.040
<v Speaker 1>of the three. Yeah. The evolution of technology, yeah, yeah,

0:45:24.040 --> 0:45:26.399
<v Speaker 1>So it's great to see that reflected as well within

0:45:26.480 --> 0:45:29.919
<v Speaker 1>the mythology of the world. It's it's nice to see

0:45:29.960 --> 0:45:33.800
<v Speaker 1>something that's consistent with the way the world actually works,

0:45:34.000 --> 0:45:36.239
<v Speaker 1>you know, and it's not just oh well, this looks cool.

0:45:36.480 --> 0:45:38.840
<v Speaker 1>We don't have to worry about justifying it. It actually

0:45:38.960 --> 0:45:42.960
<v Speaker 1>it actually works logically as well. Uh. Also, if just

0:45:43.160 --> 0:45:46.240
<v Speaker 1>an aside, I really dug the fact that the different

0:45:46.840 --> 0:45:50.200
<v Speaker 1>variations of the proton packs in the latest film had

0:45:50.480 --> 0:45:55.600
<v Speaker 1>special code names that relate relate to a particular author.

0:45:55.719 --> 0:45:57.719
<v Speaker 1>But I don't want to give it away for people

0:45:57.760 --> 0:45:59.600
<v Speaker 1>who want to get the book and find out who

0:45:59.680 --> 0:46:02.399
<v Speaker 1>it is for themselves, I will say it is very

0:46:02.480 --> 0:46:06.440
<v Speaker 1>appropriately Halloween themed. It is. It's very appropriate. And then

0:46:06.440 --> 0:46:08.719
<v Speaker 1>we also got another great joke in there from the

0:46:08.800 --> 0:46:11.120
<v Speaker 1>scientist of the group saying that they wish they had

0:46:11.160 --> 0:46:14.400
<v Speaker 1>been named after more, you know, highly esteemed scientific minds.

0:46:14.560 --> 0:46:17.279
<v Speaker 1>But uh, you know, that's that's that's one of my

0:46:17.360 --> 0:46:19.600
<v Speaker 1>favorite little again, the little things that you kind of

0:46:19.640 --> 0:46:22.280
<v Speaker 1>put in there to add a little bit of levity

0:46:22.360 --> 0:46:24.880
<v Speaker 1>to it, because it is we're talking about the evolution

0:46:24.920 --> 0:46:29.239
<v Speaker 1>of these packs, uh, and and the miniaturization of the technology,

0:46:29.360 --> 0:46:30.880
<v Speaker 1>but you also want to add a little bit of

0:46:31.000 --> 0:46:33.759
<v Speaker 1>that that special sauce in there that makes it kind

0:46:33.760 --> 0:46:36.280
<v Speaker 1>of amusing and fun. And oh that's right. It's a technical,

0:46:36.400 --> 0:46:38.879
<v Speaker 1>technical manual, but I'm having fun reading it. And that's

0:46:39.480 --> 0:46:41.560
<v Speaker 1>that's one of those things that's in there. Yeah, yeah,

0:46:41.640 --> 0:46:43.399
<v Speaker 1>I like it a lot. I mean I've also read

0:46:43.440 --> 0:46:46.040
<v Speaker 1>through technical manuals for things like the Star Trek universe,

0:46:46.120 --> 0:46:48.600
<v Speaker 1>and those are really interesting too, especially the ones the

0:46:48.840 --> 0:46:54.080
<v Speaker 1>the gadgets that are dependent upon very theoretical science things

0:46:54.160 --> 0:46:57.800
<v Speaker 1>like nanotechnology, that that we're still in the infancy for

0:46:57.920 --> 0:46:59.560
<v Speaker 1>most of that stuff, and we really don't know if

0:46:59.600 --> 0:47:04.080
<v Speaker 1>we're ever going to get those nanobot style uh at

0:47:04.160 --> 0:47:07.239
<v Speaker 1>atomic assemblers that will be able to build stuff out

0:47:07.280 --> 0:47:10.480
<v Speaker 1>of raw material the way. Yeah, because yeah, once you

0:47:10.560 --> 0:47:12.839
<v Speaker 1>get the replicator, it's game over. Right, You've you've you're

0:47:12.880 --> 0:47:19.719
<v Speaker 1>in a post scarcity environment. Yeah, I'm good. Yeah, yeah, hot,

0:47:19.920 --> 0:47:22.920
<v Speaker 1>I do want that. Yes, same here. But it was

0:47:23.160 --> 0:47:25.279
<v Speaker 1>it was fun to see that and again see it

0:47:25.400 --> 0:47:28.760
<v Speaker 1>within the Voice of the world, like they're they're little

0:47:28.800 --> 0:47:31.840
<v Speaker 1>bits and pieces where you can hear like this is

0:47:31.960 --> 0:47:35.040
<v Speaker 1>this is raised kind of way of communicating this or

0:47:35.239 --> 0:47:38.760
<v Speaker 1>this is how they would have written the workshop manual

0:47:38.880 --> 0:47:42.080
<v Speaker 1>because there's just a little bit of a reverence there,

0:47:42.160 --> 0:47:46.200
<v Speaker 1>but it's it's it's subtle. It's not like beating you

0:47:46.320 --> 0:47:49.440
<v Speaker 1>over the head with it. Yeah. So that's what I

0:47:49.480 --> 0:47:52.759
<v Speaker 1>also appreciate was that it had that tone because you

0:47:52.920 --> 0:47:55.000
<v Speaker 1>make a good point, you have to walk that fine line.

0:47:55.040 --> 0:47:58.360
<v Speaker 1>You can't go super zaney because if you do, then

0:47:58.400 --> 0:48:00.279
<v Speaker 1>you're not really saying anything useful. But if you go

0:48:01.120 --> 0:48:05.720
<v Speaker 1>total technical manual, it's so dry that only the hard

0:48:05.920 --> 0:48:08.680
<v Speaker 1>the hardest of the hard cores. Yeah, I gotta one.

0:48:09.280 --> 0:48:10.759
<v Speaker 1>Oh my god, I mean, I'm I'm so glad to

0:48:10.800 --> 0:48:12.440
<v Speaker 1>hear you saying this because you're you're one of the

0:48:12.480 --> 0:48:14.120
<v Speaker 1>first people that's seen it and been able to be

0:48:14.160 --> 0:48:17.080
<v Speaker 1>analytical about it in this way. And again, the tone

0:48:17.160 --> 0:48:19.160
<v Speaker 1>on the book was one of the hardest things to

0:48:19.200 --> 0:48:22.360
<v Speaker 1>struggle with. And I had I had done a draft.

0:48:22.440 --> 0:48:25.600
<v Speaker 1>I don't even think I made it through a full draft. Um,

0:48:25.880 --> 0:48:28.640
<v Speaker 1>it was more from like Peter Bankman's kind of snarky

0:48:29.520 --> 0:48:34.239
<v Speaker 1>you know, the trademark Bill Murray Wit where you know

0:48:34.400 --> 0:48:38.240
<v Speaker 1>he was making quips, and it was it just didn't

0:48:38.320 --> 0:48:42.920
<v Speaker 1>read correctly when it talks about cynical all, how all

0:48:43.000 --> 0:48:45.120
<v Speaker 1>the different types of equipment can get you girls that

0:48:45.239 --> 0:48:48.400
<v Speaker 1>kind of thing. Yeah exactly, yeah exactly, And and it

0:48:48.480 --> 0:48:50.320
<v Speaker 1>made more sense to let him sort of chime in

0:48:50.360 --> 0:48:53.239
<v Speaker 1>and get the one liners, uh, you know, the in

0:48:53.480 --> 0:48:55.640
<v Speaker 1>in true Bill Murray fashion, he tries to get the

0:48:55.760 --> 0:48:59.000
<v Speaker 1>last word in um and then so then we moved

0:48:59.040 --> 0:49:04.040
<v Speaker 1>to a more kind of Egon Spangler um voice for

0:49:04.080 --> 0:49:05.680
<v Speaker 1>the for just for the main, for the meat of

0:49:05.800 --> 0:49:07.800
<v Speaker 1>the book. And it just it's too technical, you know,

0:49:07.920 --> 0:49:11.640
<v Speaker 1>it's too you get you get too wound up in things.

0:49:11.719 --> 0:49:15.360
<v Speaker 1>And he starts going into these technical jargon paragraphs that

0:49:15.440 --> 0:49:16.799
<v Speaker 1>are dense, and it's not a whole lot of fun

0:49:16.880 --> 0:49:20.200
<v Speaker 1>to read. But what what I found was writing from

0:49:20.400 --> 0:49:23.719
<v Speaker 1>raise point of view, um, you know where he's so

0:49:24.400 --> 0:49:27.800
<v Speaker 1>he's so enthusiastic about everything and everything is just very endearing.

0:49:28.000 --> 0:49:30.880
<v Speaker 1>He loves the fact that this piece of technology is

0:49:30.960 --> 0:49:33.000
<v Speaker 1>in his car and he wants to tell you why,

0:49:33.840 --> 0:49:37.080
<v Speaker 1>um and and that once once we sort of like

0:49:37.200 --> 0:49:40.520
<v Speaker 1>tuned into that frequency, that's when the book started coming

0:49:40.560 --> 0:49:42.360
<v Speaker 1>together because it made a whole lot of sense. This

0:49:42.560 --> 0:49:45.040
<v Speaker 1>is race Dance, And he's got an intro in the

0:49:45.120 --> 0:49:47.600
<v Speaker 1>beginning because we we wanted to make sure that everybody

0:49:47.680 --> 0:49:49.960
<v Speaker 1>knew like he's he's super proud of this book. He's

0:49:50.000 --> 0:49:52.680
<v Speaker 1>proud of all of the equipment that they are licensing

0:49:52.719 --> 0:49:56.000
<v Speaker 1>out to all of these franchise ees. Um and and

0:49:56.120 --> 0:50:00.279
<v Speaker 1>then hopefully your enthusiasm. It's hopefully it's infectious. Hopefully you're

0:50:00.320 --> 0:50:02.719
<v Speaker 1>reading it you're like, oh, oh that's really cool. Oh

0:50:02.800 --> 0:50:05.000
<v Speaker 1>that makes a whole lot of sense. Oh that's so funny.

0:50:05.040 --> 0:50:08.200
<v Speaker 1>Why why they did that? Now I know, and I'm

0:50:08.239 --> 0:50:11.680
<v Speaker 1>hoping that that little bit of you know, this is great.

0:50:11.880 --> 0:50:14.160
<v Speaker 1>We we gotta stay here. I'm gonna go get my stuff.

0:50:14.280 --> 0:50:17.080
<v Speaker 1>Like I want that same sort of enthusiasm to be

0:50:17.160 --> 0:50:20.759
<v Speaker 1>conveyed through the books. So I'm I'm breathing a very

0:50:20.840 --> 0:50:23.480
<v Speaker 1>heavy sigh of relief and say all of these things.

0:50:23.520 --> 0:50:25.840
<v Speaker 1>I guess that's what I'm saying. Well, I think anyone

0:50:26.000 --> 0:50:29.360
<v Speaker 1>who has that level of of fandom for Ghostbusters and

0:50:29.440 --> 0:50:33.000
<v Speaker 1>they really want to have this. You know, we've seen

0:50:33.080 --> 0:50:37.520
<v Speaker 1>lots of of supplemental materials that go towards the supernatural

0:50:37.640 --> 0:50:39.359
<v Speaker 1>side of the things. But to go to something where

0:50:39.400 --> 0:50:42.279
<v Speaker 1>you're looking at the tech side and it it's not

0:50:42.440 --> 0:50:45.759
<v Speaker 1>just being explained away as uh, you know, it's it's

0:50:45.840 --> 0:50:49.120
<v Speaker 1>essentially magic, but we're giving it a scientific name. It's

0:50:49.280 --> 0:50:50.920
<v Speaker 1>it's really cool to see that, because I mean, there

0:50:51.080 --> 0:50:52.600
<v Speaker 1>is a lot of signs and I'm not taking away

0:50:52.680 --> 0:50:55.080
<v Speaker 1>from science fiction authors who do this because again, if

0:50:55.120 --> 0:50:57.000
<v Speaker 1>the story is the most important thing. That's really what

0:50:57.120 --> 0:51:01.080
<v Speaker 1>I care about. But it is really easy to write

0:51:01.120 --> 0:51:02.719
<v Speaker 1>a thing of a jigger and say this is the

0:51:03.239 --> 0:51:06.320
<v Speaker 1>you know, you do do what Futurama did. You just

0:51:06.440 --> 0:51:08.719
<v Speaker 1>take whatever the thing does, and then you put an

0:51:08.920 --> 0:51:11.000
<v Speaker 1>er at the end of the name of it, and

0:51:11.120 --> 0:51:13.600
<v Speaker 1>that's what it is, a thing longen er, and then

0:51:13.840 --> 0:51:16.960
<v Speaker 1>that's the thing. Uh, you could do that, So I

0:51:17.120 --> 0:51:20.360
<v Speaker 1>appreciate that this is UH taking that extra step. I

0:51:20.440 --> 0:51:24.480
<v Speaker 1>also am very eager to show this book off to UH.

0:51:24.719 --> 0:51:28.320
<v Speaker 1>We have a a a car expert here at the

0:51:28.400 --> 0:51:32.520
<v Speaker 1>office who loves he loves to talk about movie cars

0:51:33.040 --> 0:51:35.719
<v Speaker 1>in and so I think he's really gonna be thrilled.

0:51:35.760 --> 0:51:38.040
<v Speaker 1>I haven't shown it to him yet because I wanted

0:51:38.120 --> 0:51:40.960
<v Speaker 1>to all for myself until we had this interview. But

0:51:41.760 --> 0:51:43.439
<v Speaker 1>but then I will show it off to him because

0:51:43.440 --> 0:51:45.440
<v Speaker 1>I think he's really gonna dig it. That's Scott Benjamin,

0:51:45.560 --> 0:51:49.080
<v Speaker 1>so he's he's a huge UH car buff and and

0:51:49.239 --> 0:51:52.719
<v Speaker 1>knows far more than I ever will about vehicles. Yeah,

0:51:52.840 --> 0:51:55.960
<v Speaker 1>so he'll be very because that was the other thing too,

0:51:56.080 --> 0:51:57.719
<v Speaker 1>is you know there's a page that we talked about

0:51:57.719 --> 0:52:01.120
<v Speaker 1>the tires, the engine, oil, maintenance, and things like that. Um,

0:52:01.960 --> 0:52:04.400
<v Speaker 1>which it's all true. I mean again, my goal of

0:52:04.600 --> 0:52:09.200
<v Speaker 1>every uh Ghostbusters fan that has their own ecutomobile replica,

0:52:09.200 --> 0:52:11.399
<v Speaker 1>I want this in their glove box because it's all real.

0:52:11.680 --> 0:52:13.839
<v Speaker 1>This is this is that's what your tire pressure needs

0:52:13.920 --> 0:52:16.000
<v Speaker 1>to be. Uh, this is when you need to check

0:52:16.040 --> 0:52:19.920
<v Speaker 1>your oil. Um it's hopefully knock on my desk here.

0:52:20.760 --> 0:52:24.560
<v Speaker 1>Hopefully it's all completely technologically proof that you can go

0:52:24.719 --> 0:52:27.480
<v Speaker 1>in there and oh yeah, the the tires need to

0:52:27.480 --> 0:52:30.200
<v Speaker 1>be at thirty p s I and and things like that. Um.

0:52:30.719 --> 0:52:34.400
<v Speaker 1>So again, going back to tone being such a difficult

0:52:34.440 --> 0:52:37.160
<v Speaker 1>thing on this, I wanted car enthusiasts to have something

0:52:37.200 --> 0:52:38.600
<v Speaker 1>in here, and that's kind of the reason we went

0:52:38.640 --> 0:52:40.959
<v Speaker 1>into the history of the Miller Meteor and talking about

0:52:41.000 --> 0:52:45.000
<v Speaker 1>those chassis builds that they would do, and and even

0:52:45.080 --> 0:52:48.200
<v Speaker 1>going in and describing, you know, the difference between Miller

0:52:48.280 --> 0:52:51.320
<v Speaker 1>Meteor made three different coaches, the Landau, the Future and

0:52:51.360 --> 0:52:55.040
<v Speaker 1>the Sentinel, and helping people that that don't really know

0:52:55.160 --> 0:52:58.320
<v Speaker 1>the difference between those three. You know, hopefully when you

0:52:58.400 --> 0:52:59.719
<v Speaker 1>see a car out on the road or you go

0:52:59.800 --> 0:53:01.400
<v Speaker 1>to a car show, you can look now at a

0:53:01.440 --> 0:53:03.359
<v Speaker 1>car and be like, oh, that's a future and here's why.

0:53:04.120 --> 0:53:08.640
<v Speaker 1>Um so yeah. Getting getting the getting the car and

0:53:08.760 --> 0:53:11.400
<v Speaker 1>driver crowd interested in this too was was a big

0:53:11.520 --> 0:53:14.520
<v Speaker 1>challenge because I'm I'm not a big car guy. My

0:53:14.640 --> 0:53:16.319
<v Speaker 1>dad taught me how to change my own and change

0:53:16.360 --> 0:53:17.960
<v Speaker 1>my tires and that's about all that I can do.

0:53:18.680 --> 0:53:22.640
<v Speaker 1>But you know, especially after working on this book, I

0:53:22.719 --> 0:53:25.200
<v Speaker 1>have such a great respect and I love the classic

0:53:25.280 --> 0:53:29.320
<v Speaker 1>car enthusiast now because they keep these machines from the

0:53:29.680 --> 0:53:34.120
<v Speaker 1>fifties and the sixties, uh, still running and still pristine

0:53:34.200 --> 0:53:36.719
<v Speaker 1>in their original conditions. And it's hard work, especially when

0:53:36.760 --> 0:53:39.000
<v Speaker 1>they're not making these replacement parts anymore. They've got to

0:53:39.480 --> 0:53:44.560
<v Speaker 1>keep these things fine tuned. So I can't call myself

0:53:44.680 --> 0:53:46.279
<v Speaker 1>a car guy, but I feel like I am a

0:53:46.320 --> 0:53:48.200
<v Speaker 1>car guy after this, Like I I know how this

0:53:48.320 --> 0:53:50.120
<v Speaker 1>car works. I feel like I can tell you. I

0:53:50.200 --> 0:53:51.960
<v Speaker 1>feel like I can help you do some maintenance on

0:53:52.080 --> 0:53:53.560
<v Speaker 1>it and that, and that's kind of the goal. I

0:53:53.600 --> 0:53:56.120
<v Speaker 1>want you guys to read it and think that you

0:53:56.200 --> 0:53:59.000
<v Speaker 1>can do maintenance on the actomobile. Well. I think it's

0:53:59.040 --> 0:54:01.239
<v Speaker 1>great because I was telling a friend of mine that

0:54:01.480 --> 0:54:03.560
<v Speaker 1>I was going to have this conversation with you, and

0:54:03.680 --> 0:54:05.759
<v Speaker 1>the first thing she asked me, and I am not

0:54:06.040 --> 0:54:09.239
<v Speaker 1>making this up, was what's the tire pressure for the

0:54:09.360 --> 0:54:11.880
<v Speaker 1>ectol one. I said, I can actually tell you that

0:54:12.480 --> 0:54:17.680
<v Speaker 1>because in the beginning of the books, right, so I

0:54:17.840 --> 0:54:20.200
<v Speaker 1>was like, I said, I've got that detail. She was

0:54:20.280 --> 0:54:22.400
<v Speaker 1>even asking me, like, so so hard the tires the

0:54:22.480 --> 0:54:24.400
<v Speaker 1>same and Ecto one and Ecto one, am and no

0:54:24.520 --> 0:54:28.319
<v Speaker 1>they are not. Let me tell you why because that's

0:54:28.360 --> 0:54:30.839
<v Speaker 1>explained in the book too. We why did the white

0:54:30.840 --> 0:54:34.440
<v Speaker 1>wall tires go away? Well, we explain that, um, And

0:54:34.840 --> 0:54:36.680
<v Speaker 1>uh yeah, I mean it's it is. It's very much

0:54:36.719 --> 0:54:40.440
<v Speaker 1>a car manual. It it's funny, it's a technical manual.

0:54:40.560 --> 0:54:44.879
<v Speaker 1>It's an entertaining book for Ghostbusters fans. It's a car manual. Um.

0:54:45.120 --> 0:54:47.560
<v Speaker 1>It's a reference book for people that need to have

0:54:47.760 --> 0:54:50.480
<v Speaker 1>something to look at when they're doing prop replica replicas.

0:54:51.120 --> 0:54:53.000
<v Speaker 1>So kind of like the shield books that I'm doing.

0:54:53.480 --> 0:54:56.399
<v Speaker 1>It has to serve so many different purposes, and then

0:54:57.080 --> 0:54:59.080
<v Speaker 1>having to hit a page count makes it really difficult

0:54:59.080 --> 0:55:00.719
<v Speaker 1>because one of the joke that I wanted to put

0:55:00.760 --> 0:55:02.719
<v Speaker 1>in there was at the very back of the book,

0:55:02.800 --> 0:55:05.400
<v Speaker 1>every car manual has those blank pages with the lines

0:55:05.440 --> 0:55:08.440
<v Speaker 1>for you to to mark down all of your maintenance um.

0:55:08.640 --> 0:55:11.800
<v Speaker 1>I I wanted to and was unsuccessful in pitching have

0:55:12.280 --> 0:55:14.760
<v Speaker 1>two or three pages in the back that had those lines,

0:55:14.840 --> 0:55:18.279
<v Speaker 1>but then had handwritten notes of uh, you know, a

0:55:18.400 --> 0:55:23.400
<v Speaker 1>paranormal specter spit ectoplasmic goo at the siren, stripped all

0:55:23.440 --> 0:55:27.160
<v Speaker 1>of the chrome away from it, replaced chrome with a

0:55:27.280 --> 0:55:30.160
<v Speaker 1>spray paint until further chrome is available. You know that

0:55:30.320 --> 0:55:33.399
<v Speaker 1>like putting those things down there that I thought would

0:55:33.400 --> 0:55:35.040
<v Speaker 1>be a whole lot of fun for fans to like, Oh,

0:55:35.120 --> 0:55:38.320
<v Speaker 1>what would would have maintenance log on an ectomobile look like?

0:55:38.560 --> 0:55:40.920
<v Speaker 1>You know what? What are the terrible things that happened

0:55:40.960 --> 0:55:43.319
<v Speaker 1>to them that they had to deal with? The wear

0:55:43.360 --> 0:55:45.200
<v Speaker 1>and tear. The wear and tear on that car would

0:55:45.200 --> 0:55:47.880
<v Speaker 1>be very different from your average vehicle, Yes it would.

0:55:48.360 --> 0:55:50.480
<v Speaker 1>So the good news is a lot of that trickled

0:55:50.600 --> 0:55:54.560
<v Speaker 1>into the actual UM, the pages of the actual text,

0:55:54.640 --> 0:55:58.720
<v Speaker 1>because you know, there's a sound replicator on the original

0:55:58.800 --> 0:56:04.279
<v Speaker 1>car UM and we surmised, okay that because the car

0:56:04.360 --> 0:56:08.640
<v Speaker 1>has such a distinctive siren, that's what feeds the federal

0:56:08.719 --> 0:56:10.839
<v Speaker 1>siren that's on the front of the car. But then

0:56:10.880 --> 0:56:12.480
<v Speaker 1>I also wanted to put something in there about the

0:56:12.560 --> 0:56:15.320
<v Speaker 1>Jersey Devil, which we know has an affinity for certain sounds,

0:56:15.360 --> 0:56:18.480
<v Speaker 1>and they can have the Jersey Devil be chased out

0:56:18.520 --> 0:56:20.600
<v Speaker 1>of town because it's drawn to the sound and it's

0:56:20.680 --> 0:56:23.600
<v Speaker 1>it's following it. So, uh, you know, we we worked

0:56:23.719 --> 0:56:26.600
<v Speaker 1>that in there. That was something that was originally in

0:56:26.680 --> 0:56:28.440
<v Speaker 1>the handwritten notes in the back of the book and

0:56:28.600 --> 0:56:31.080
<v Speaker 1>and kind of got worked into the text. But yeah,

0:56:31.080 --> 0:56:32.319
<v Speaker 1>it was tough, and and we had a whole lot

0:56:32.360 --> 0:56:35.240
<v Speaker 1>of stuff on the firehouse that just got cut for space.

0:56:35.600 --> 0:56:40.920
<v Speaker 1>Um so there sequel maybe, I don't know. I mean,

0:56:41.280 --> 0:56:45.160
<v Speaker 1>you know, the potential for the whole franchise stuff. I mean,

0:56:45.200 --> 0:56:48.160
<v Speaker 1>there's a lot of stuff you could cover. Uh. Yeah,

0:56:48.440 --> 0:56:50.640
<v Speaker 1>And and you know, we talked about how in the

0:56:51.360 --> 0:56:54.880
<v Speaker 1>in the you know, before we started recording, about the RPG.

0:56:55.120 --> 0:56:57.520
<v Speaker 1>The beauty of that is, of course, you know, whenever

0:56:57.560 --> 0:56:59.279
<v Speaker 1>you're making any kind of role playing game, you have

0:56:59.400 --> 0:57:01.239
<v Speaker 1>to build out you have to build out the world

0:57:01.280 --> 0:57:04.839
<v Speaker 1>sort of as you have done. Uh. Usually people take

0:57:05.280 --> 0:57:08.839
<v Speaker 1>less of a technical mind towards that. You know, it's

0:57:09.200 --> 0:57:11.719
<v Speaker 1>they want to make stuff that's going to be great

0:57:11.760 --> 0:57:15.280
<v Speaker 1>for game play purposes, but doesn't necessarily have to reflect

0:57:15.440 --> 0:57:18.040
<v Speaker 1>the real world. In fact, it really doesn't have to

0:57:18.080 --> 0:57:21.000
<v Speaker 1>reflect the role world at all. But the problem of

0:57:21.080 --> 0:57:24.560
<v Speaker 1>course with that is that you know, those explanations aren't

0:57:24.840 --> 0:57:27.560
<v Speaker 1>really know, they're not confirmed anywhere else. It's not like

0:57:27.640 --> 0:57:29.720
<v Speaker 1>they're canon. So you might be able to use that

0:57:29.960 --> 0:57:32.560
<v Speaker 1>as inspiration on jumping off point, but it could very

0:57:32.600 --> 0:57:34.800
<v Speaker 1>well be that you look at and you think, well,

0:57:35.120 --> 0:57:37.200
<v Speaker 1>that's not gonna fit with everything else. So I can't

0:57:37.320 --> 0:57:42.120
<v Speaker 1>really adopt that that approach, I mean, and it's tough.

0:57:42.280 --> 0:57:45.720
<v Speaker 1>You know, the the role playing games, the g b

0:57:45.880 --> 0:57:47.800
<v Speaker 1>I role playing games, that was a whole lot of

0:57:47.840 --> 0:57:49.480
<v Speaker 1>fun to go into those and just sort of use

0:57:49.560 --> 0:57:55.600
<v Speaker 1>those as inspiration for tone and content, and because I

0:57:56.240 --> 0:57:58.160
<v Speaker 1>loved and adore those as well, and I still have

0:57:59.600 --> 0:58:02.760
<v Speaker 1>my podcast co host Chris Stewart was kind enough to

0:58:02.760 --> 0:58:04.520
<v Speaker 1>send me some of the expansion books that I didn't

0:58:04.520 --> 0:58:07.200
<v Speaker 1>have too, so it's I'm kind of diving back into it.

0:58:07.360 --> 0:58:10.720
<v Speaker 1>But um but you know, yeah, and in the cartoon,

0:58:10.960 --> 0:58:15.080
<v Speaker 1>because there were a hundred and said a whole lot

0:58:15.120 --> 0:58:18.600
<v Speaker 1>of episodes of the cartoon. Um, but all of the

0:58:18.680 --> 0:58:20.720
<v Speaker 1>gear was used mainly as like a da a sex

0:58:20.760 --> 0:58:24.120
<v Speaker 1>machia too. All of a sudden there would be a

0:58:24.240 --> 0:58:26.280
<v Speaker 1>gyrocopter that came out of the car and you'd be like, well,

0:58:26.280 --> 0:58:29.280
<v Speaker 1>what how did that get there? Or you know, the

0:58:29.760 --> 0:58:33.479
<v Speaker 1>storage tube would sort of unfold and become a chair

0:58:33.640 --> 0:58:36.600
<v Speaker 1>that they could sit on, kind of you know, suicide

0:58:36.640 --> 0:58:38.760
<v Speaker 1>Gunner style, and he'd go, oh, that's cool, but that

0:58:38.920 --> 0:58:41.560
<v Speaker 1>doesn't make any practical sense. Why would you do that?

0:58:41.720 --> 0:58:45.680
<v Speaker 1>It just obviously it inhabits the same universe as Inspector Gadget.

0:58:45.920 --> 0:58:48.520
<v Speaker 1>It really does. It really does, and but it makes

0:58:48.520 --> 0:58:50.320
<v Speaker 1>sense for a Saturday Morning cartoon that they had to

0:58:50.400 --> 0:58:53.120
<v Speaker 1>have all of these things that would progress the plot,

0:58:53.360 --> 0:58:55.640
<v Speaker 1>that would be more toy toy edics so that they

0:58:55.680 --> 0:58:58.160
<v Speaker 1>could add it onto the Kenner toys. Um. So we

0:58:58.840 --> 0:59:03.400
<v Speaker 1>we didn't really raw too much save for a couple

0:59:03.480 --> 0:59:06.760
<v Speaker 1>of things. There are some nods to um one of

0:59:06.880 --> 0:59:11.440
<v Speaker 1>my favorite real Ghostbusters vehicles, uh, the the Ecto two.

0:59:11.560 --> 0:59:15.000
<v Speaker 1>There's there's a little bit in there about that. Um.

0:59:15.960 --> 0:59:19.560
<v Speaker 1>But yeah, we we tried to steer away from because again,

0:59:19.600 --> 0:59:22.920
<v Speaker 1>you can just get so caught up in trying to

0:59:22.960 --> 0:59:25.600
<v Speaker 1>figure out, well, oh, in this episode it does this,

0:59:25.800 --> 0:59:28.120
<v Speaker 1>but then in this episode it does something totally different.

0:59:28.280 --> 0:59:30.160
<v Speaker 1>So we kind of had to stick more towards the movies,

0:59:30.800 --> 0:59:33.160
<v Speaker 1>um and and the role playing games. We're kind of

0:59:33.240 --> 0:59:34.800
<v Speaker 1>the same way. You know, the role playing games were

0:59:34.800 --> 0:59:40.800
<v Speaker 1>written before cellular technology, before personal computers, before all of

0:59:40.880 --> 0:59:44.320
<v Speaker 1>the stuff that I know, like the Ghostbusters Resurrection. Guys,

0:59:44.360 --> 0:59:46.840
<v Speaker 1>they've rewritten all of the rules and they've rewritten all

0:59:46.880 --> 0:59:50.840
<v Speaker 1>of the character sheets because well, you need to have

0:59:51.000 --> 0:59:53.280
<v Speaker 1>more challenges. You're living in a modern world. You can't

0:59:53.320 --> 0:59:55.200
<v Speaker 1>go back to the eighties. As much fun as it

0:59:55.320 --> 0:59:57.960
<v Speaker 1>is to be nostalgic about that time, you want to

0:59:58.000 --> 1:00:01.880
<v Speaker 1>have more challenges, more modern day challenge just so it was,

1:00:02.000 --> 1:00:05.960
<v Speaker 1>it was tough, and uh, you know, it's also from

1:00:06.040 --> 1:00:09.880
<v Speaker 1>an audience perspective. Obviously, you want to aim for the

1:00:10.000 --> 1:00:12.840
<v Speaker 1>widest audience you can so that they can appreciate it.

1:00:12.880 --> 1:00:15.959
<v Speaker 1>And if you if you start including stuff from further

1:00:16.080 --> 1:00:18.360
<v Speaker 1>afield from the movies, then you then you start you

1:00:18.400 --> 1:00:21.720
<v Speaker 1>start losing people because fewer and fewer of them have

1:00:21.880 --> 1:00:25.960
<v Speaker 1>any experience with that particular material. Right, So you start

1:00:26.000 --> 1:00:28.760
<v Speaker 1>with the films because those the I would argue that

1:00:28.920 --> 1:00:32.600
<v Speaker 1>I'm pretty sure those are the the versions of the

1:00:32.680 --> 1:00:36.840
<v Speaker 1>Ghostbusters that most people have encountered. Uh, and then that

1:00:37.040 --> 1:00:39.080
<v Speaker 1>number starts to drop off when you start looking like

1:00:39.160 --> 1:00:41.880
<v Speaker 1>the cartoons probably is the next biggest. And then I

1:00:41.920 --> 1:00:45.080
<v Speaker 1>would argue are the role playing games and the video games.

1:00:45.240 --> 1:00:49.480
<v Speaker 1>Video games are probably smaller and smaller, and whereas all

1:00:49.520 --> 1:00:52.160
<v Speaker 1>that material is still out there, so there's no reason

1:00:52.200 --> 1:00:54.800
<v Speaker 1>why people can't go out and also enjoy that. I mean,

1:00:54.880 --> 1:00:56.520
<v Speaker 1>the role playing game stuff, a lot of that is

1:00:56.560 --> 1:00:58.600
<v Speaker 1>out of print, so that might end up looking for,

1:00:58.760 --> 1:01:01.600
<v Speaker 1>you know, stuff then and use game stores and things

1:01:01.680 --> 1:01:04.400
<v Speaker 1>like that. But you know, the video games, the computer

1:01:04.480 --> 1:01:06.400
<v Speaker 1>games and stuff, those are still out there as well,

1:01:06.920 --> 1:01:11.440
<v Speaker 1>so there's there's plenty for fans to to enjoy. But

1:01:12.040 --> 1:01:14.600
<v Speaker 1>this in particular I like, again, I love it that

1:01:14.720 --> 1:01:17.080
<v Speaker 1>it's that it's tied to our real world. I love

1:01:17.160 --> 1:01:21.440
<v Speaker 1>that you have sourced as many of those gadgets as

1:01:21.520 --> 1:01:23.680
<v Speaker 1>possible so people can actually look into and see what

1:01:23.840 --> 1:01:28.160
<v Speaker 1>they were really intended for. Uh So I'm very appreciative

1:01:28.200 --> 1:01:31.560
<v Speaker 1>of this. Oh well, thank you. Yeah, that's uh And

1:01:31.720 --> 1:01:34.480
<v Speaker 1>and that was selfishly just because I wanted to know

1:01:34.520 --> 1:01:36.840
<v Speaker 1>what every component is. And also, again, if you're out

1:01:36.880 --> 1:01:39.560
<v Speaker 1>there and you happen to come across the fifty nine

1:01:39.960 --> 1:01:42.160
<v Speaker 1>Miller meteor and you want to build your own replica. Well,

1:01:42.240 --> 1:01:45.360
<v Speaker 1>now you know that that's the spotlight that you need

1:01:45.440 --> 1:01:48.040
<v Speaker 1>to get, and that's the dimensions of the storage tube

1:01:48.080 --> 1:01:51.160
<v Speaker 1>that's on the side. Um. A lot of these things

1:01:51.240 --> 1:01:53.800
<v Speaker 1>that we know fans have poured over details and in

1:01:53.920 --> 1:01:57.280
<v Speaker 1>the very last page of the book has a huge

1:01:57.280 --> 1:01:59.720
<v Speaker 1>amount of special thanks to people because over the course

1:01:59.800 --> 1:02:02.960
<v Speaker 1>of already some years, this book would not have been

1:02:03.000 --> 1:02:06.880
<v Speaker 1>possible without those fans because they have found the clippered valves,

1:02:06.920 --> 1:02:10.720
<v Speaker 1>they've found uh, the lagree elbows. They they sourced all

1:02:10.800 --> 1:02:13.919
<v Speaker 1>of these things over the course of you know, thirty

1:02:14.000 --> 1:02:16.720
<v Speaker 1>some years, where the Internet actually helped crowdsourcing those parts

1:02:16.760 --> 1:02:20.240
<v Speaker 1>and those components, and um, you know, being that we

1:02:20.360 --> 1:02:22.400
<v Speaker 1>had to relatively write this in a short amount of time,

1:02:22.520 --> 1:02:25.720
<v Speaker 1>I am so indebted to all of those fans because

1:02:26.080 --> 1:02:27.880
<v Speaker 1>they did a whole lot of that legwork. This book

1:02:27.880 --> 1:02:30.280
<v Speaker 1>would have taken another two or three years had not

1:02:30.600 --> 1:02:33.360
<v Speaker 1>a lot of that stuff been done. So Um. But

1:02:33.440 --> 1:02:35.320
<v Speaker 1>the good news is we're able to identify stuff that

1:02:35.400 --> 1:02:37.680
<v Speaker 1>they haven't too. So when you pick this up, well,

1:02:37.720 --> 1:02:39.840
<v Speaker 1>now you know that that's a pile siren and you know,

1:02:40.800 --> 1:02:43.360
<v Speaker 1>especially again on the ecto of one A, here's all

1:02:43.400 --> 1:02:46.560
<v Speaker 1>of those components with their exact model numbers, their exact makes,

1:02:46.600 --> 1:02:49.680
<v Speaker 1>their exact dimensions, So even if you can't find it,

1:02:49.800 --> 1:02:53.600
<v Speaker 1>you can probably recreate it. Um. So yeah, it's a

1:02:55.240 --> 1:02:57.800
<v Speaker 1>I mean, that's I just hope that the level of

1:02:57.880 --> 1:03:01.080
<v Speaker 1>detail comes through, uh to every and everybody finds something

1:03:01.200 --> 1:03:04.280
<v Speaker 1>different within the paages of the book that they enjoy. Yeah.

1:03:04.320 --> 1:03:08.280
<v Speaker 1>I I certainly think that there's there's plenty for your

1:03:08.600 --> 1:03:12.560
<v Speaker 1>your Ghostbusters fans to pour through with this book. Troy Benjamin,

1:03:12.720 --> 1:03:15.880
<v Speaker 1>thank you so much for joining my show. The book

1:03:16.080 --> 1:03:21.480
<v Speaker 1>is Ghostbusters Ectomobile Owners Workshop Manual. It really is a

1:03:21.560 --> 1:03:23.600
<v Speaker 1>treat to look through this, So make sure you pick

1:03:23.640 --> 1:03:26.000
<v Speaker 1>one up for the Ghostbusters fan in your life, and

1:03:26.280 --> 1:03:28.280
<v Speaker 1>might want to get one for yourself too because it's

1:03:28.280 --> 1:03:32.400
<v Speaker 1>a really good read. Excellent, Thanks Jonathan. Thanks again to

1:03:32.480 --> 1:03:35.720
<v Speaker 1>Troy Benjamin for joining us on this episode of Tech Stuff.

1:03:35.760 --> 1:03:38.280
<v Speaker 1>I very much appreciate his time. It was a lot

1:03:38.360 --> 1:03:41.480
<v Speaker 1>of fun exploring the world of Ghostbusters and and kind

1:03:41.520 --> 1:03:45.800
<v Speaker 1>of reverse engineering the the science of ghosts in this

1:03:45.960 --> 1:03:49.400
<v Speaker 1>fictional universe. Uh. Those who have listened to tech Stuff

1:03:49.400 --> 1:03:51.360
<v Speaker 1>for a long time, you guys know how I feel

1:03:51.400 --> 1:03:54.440
<v Speaker 1>about the whole ghost hunting thing, so being able to

1:03:54.480 --> 1:03:56.880
<v Speaker 1>talk about it from a standpoint of all right, we're

1:03:56.920 --> 1:04:00.520
<v Speaker 1>starting with this fictional world, how do we explain how

1:04:00.640 --> 1:04:04.480
<v Speaker 1>this technology actually interacts with ghosts? And then coming up

1:04:04.600 --> 1:04:08.880
<v Speaker 1>with semi quasi scientific explanations actually is a lot of fun.

1:04:09.200 --> 1:04:11.720
<v Speaker 1>So I very much enjoyed this conversation. If you guys

1:04:11.800 --> 1:04:16.080
<v Speaker 1>have any suggestions for future episodes of tech Stuff, tell

1:04:16.120 --> 1:04:18.440
<v Speaker 1>you what, Send me a message, write me an email

1:04:18.560 --> 1:04:21.320
<v Speaker 1>tech Stuff at how stuff works dot com, or drop

1:04:21.400 --> 1:04:23.720
<v Speaker 1>me a line on Twitter or Facebook. The handle it

1:04:23.800 --> 1:04:27.320
<v Speaker 1>both of those tech stuff hs W. Remember you can

1:04:27.360 --> 1:04:30.280
<v Speaker 1>watch me record this show live on Wednesdays and Fridays

1:04:30.320 --> 1:04:33.560
<v Speaker 1>over at twitch dot tv slash tech stuff. And before

1:04:33.600 --> 1:04:35.919
<v Speaker 1>I go, I have to wish you all a very

1:04:36.000 --> 1:04:39.320
<v Speaker 1>happy Halloween. I hope you guys get lots of nice

1:04:39.600 --> 1:04:45.360
<v Speaker 1>treats out there. I'll be going around dressed as a

1:04:45.440 --> 1:04:55.440
<v Speaker 1>ghostbuster and I'll talk to you again really soon for

1:04:55.600 --> 1:04:57.920
<v Speaker 1>more on this and thousands of other topics. Because it

1:04:58.000 --> 1:05:04.520
<v Speaker 1>how staff works dot com and wh who