1 00:00:08,840 --> 00:00:17,759 Speaker 1: Advice. Welcome to the Naughty Bird Night Show. I'm your 2 00:00:17,800 --> 00:00:21,319 Speaker 1: host from Shooter. It's Friday, which means our dear friend 3 00:00:21,440 --> 00:00:23,880 Speaker 1: Corey Andrew joins us. He hasn't been here for a 4 00:00:23,960 --> 00:00:28,240 Speaker 1: couple of weeks, but thank goodness he's back today. Hey Corey, 5 00:00:28,240 --> 00:00:30,319 Speaker 1: how are you my friend? I am fine and I 6 00:00:30,320 --> 00:00:35,279 Speaker 1: am back with bills on. I love your bells. Welcome, 7 00:00:35,360 --> 00:00:37,800 Speaker 1: Welcome back. Are you ready to jump into the gossip. 8 00:00:37,880 --> 00:00:40,240 Speaker 1: We've got a lot to get to today. What time 9 00:00:40,280 --> 00:00:44,360 Speaker 1: is it, my friends? It is tea time, really disturbing 10 00:00:44,560 --> 00:00:46,559 Speaker 1: story to report at the top of the show. We 11 00:00:46,600 --> 00:00:49,440 Speaker 1: try to keep this podcast happy, happy, happy, and full 12 00:00:49,440 --> 00:00:51,960 Speaker 1: of lots of dishy fun celebrity stories. But this is 13 00:00:51,960 --> 00:00:54,760 Speaker 1: the big story of the day. Chris Nough, who plays 14 00:00:54,880 --> 00:00:58,240 Speaker 1: Mr Big on Sex and the City, has been accused 15 00:00:58,280 --> 00:01:03,040 Speaker 1: of a sexual assault two different women. The Hollywood Reporter 16 00:01:03,160 --> 00:01:06,880 Speaker 1: have dug deep into this, and they claim the two 17 00:01:06,920 --> 00:01:11,680 Speaker 1: women were assaulted by Mr Big. The allegations have been 18 00:01:11,800 --> 00:01:18,280 Speaker 1: totally denied, categorically denied by Chris and his legal team. However, 19 00:01:18,800 --> 00:01:21,800 Speaker 1: the Hollywood Reporter still went to print with these stories, 20 00:01:21,840 --> 00:01:25,160 Speaker 1: which show you they did have to pass certain legal 21 00:01:25,240 --> 00:01:28,200 Speaker 1: criterias to put them out there. I'm told they have 22 00:01:28,319 --> 00:01:32,840 Speaker 1: been thoroughly, thoroughly investigated. The two ladies who have not 23 00:01:32,920 --> 00:01:36,320 Speaker 1: been named, but we should make this really clear. Some 24 00:01:36,360 --> 00:01:39,440 Speaker 1: people are saying they're anonymous. That's not true. The Hollywood 25 00:01:39,480 --> 00:01:43,040 Speaker 1: Reporter knows exactly who these two ladies are. They've seen 26 00:01:43,080 --> 00:01:46,319 Speaker 1: phone records, they've seen texts, they've seen emails, they have 27 00:01:46,520 --> 00:01:52,320 Speaker 1: seen evidence. However, they have chosen not to reveal their names. 28 00:01:52,320 --> 00:01:55,440 Speaker 1: So that's just a little distinction there. They do know 29 00:01:55,880 --> 00:01:59,840 Speaker 1: who this is, and so they have given both ladies 30 00:02:00,200 --> 00:02:03,000 Speaker 1: a different name in the story. The stories are too 31 00:02:03,000 --> 00:02:05,600 Speaker 1: horrific to go into details on this show, but I 32 00:02:05,640 --> 00:02:08,760 Speaker 1: can tell you the picture that he's painted is really 33 00:02:08,800 --> 00:02:13,400 Speaker 1: really ugly violent, including an alleged rape. What do you 34 00:02:13,400 --> 00:02:16,720 Speaker 1: think you know? Rob. It's such a tricky situation because 35 00:02:16,800 --> 00:02:19,720 Speaker 1: a situation where all people who have accused someone of 36 00:02:19,760 --> 00:02:22,680 Speaker 1: this should be heard. Everyone's story should be heard. But 37 00:02:22,760 --> 00:02:25,040 Speaker 1: at the same time, by default, we can as a 38 00:02:25,080 --> 00:02:29,680 Speaker 1: society just completely automatically condemn someone as it being truth 39 00:02:30,240 --> 00:02:32,400 Speaker 1: because we don't know. So I think women have to 40 00:02:32,440 --> 00:02:34,840 Speaker 1: be heard, and they have to give Chris his opportunity 41 00:02:34,880 --> 00:02:37,240 Speaker 1: to defend himself and defend his honor as well if 42 00:02:37,240 --> 00:02:39,720 Speaker 1: he thinks they're lying. And um, it's just it's just 43 00:02:39,760 --> 00:02:41,760 Speaker 1: too violentle to really make a judgment. But I think 44 00:02:41,760 --> 00:02:45,520 Speaker 1: that people are innocent, intel proven guilty. I hear what 45 00:02:45,600 --> 00:02:48,359 Speaker 1: you say. And it's very very early on in this story. 46 00:02:48,400 --> 00:02:50,880 Speaker 1: This story is going to evolve, it's going to change. However, 47 00:02:51,200 --> 00:02:54,880 Speaker 1: already another person has come forward saying she had an 48 00:02:54,880 --> 00:02:58,400 Speaker 1: awful experience with chrisnof too. She's actually named and so, 49 00:02:58,600 --> 00:03:04,399 Speaker 1: her name is Zoa Lister Jones. She outlines experiences while 50 00:03:04,480 --> 00:03:07,480 Speaker 1: she was working in a New York City club owned 51 00:03:07,560 --> 00:03:09,600 Speaker 1: by the Sex and the City star when she was 52 00:03:09,639 --> 00:03:12,240 Speaker 1: in her twenties. Then she finally made an appearance on 53 00:03:12,320 --> 00:03:14,320 Speaker 1: Law and Order. We forget that as well as this 54 00:03:14,480 --> 00:03:16,840 Speaker 1: huge here Sex and the City, he's also the start 55 00:03:16,919 --> 00:03:19,440 Speaker 1: of Law and Order. She said it was an inappropriate 56 00:03:19,480 --> 00:03:23,240 Speaker 1: behavior on the set of Law and Order, and Peloton 57 00:03:23,440 --> 00:03:29,040 Speaker 1: has scrapped Chris Nathias and after these allegations were made, 58 00:03:29,160 --> 00:03:32,400 Speaker 1: So at the moment we're all really really looking into this. 59 00:03:32,840 --> 00:03:36,560 Speaker 1: Accusations have been made, now they are being investigated. But 60 00:03:36,640 --> 00:03:39,400 Speaker 1: I have to say one more time, really credit to 61 00:03:39,440 --> 00:03:42,560 Speaker 1: the Hollywood reporter here. I actually know the reporter who 62 00:03:42,560 --> 00:03:46,320 Speaker 1: wrote this story, and she's phenomenal. This is not a 63 00:03:46,440 --> 00:03:50,280 Speaker 1: silly gossip story. This is not fifty words. It's a 64 00:03:50,320 --> 00:03:54,800 Speaker 1: massive story. The details are really, really scary, and they 65 00:03:54,840 --> 00:03:59,080 Speaker 1: are there. And so we'll keep on top of this story. Hey, 66 00:03:59,160 --> 00:04:00,760 Speaker 1: let's move along. Call are you what are you working on? 67 00:04:00,800 --> 00:04:05,040 Speaker 1: My friends? Yes? Well, board changing gears here. So Bruce 68 00:04:05,080 --> 00:04:10,320 Speaker 1: Springsteen sells his publishing Catalog to Sony for five million 69 00:04:11,280 --> 00:04:15,000 Speaker 1: dollar US. Well, that's half a billion. I love this 70 00:04:15,120 --> 00:04:16,880 Speaker 1: story and so but let me tell you what's going 71 00:04:16,920 --> 00:04:19,159 Speaker 1: on first. So Bruce has sold his Masters to Sony 72 00:04:19,279 --> 00:04:22,279 Speaker 1: Music and It's publishing to Sony Music Publishing in a 73 00:04:22,320 --> 00:04:26,400 Speaker 1: combined deal. According to Billboard sources, so his album Catalog 74 00:04:26,440 --> 00:04:29,920 Speaker 1: has sold sixty five point five million in the US. 75 00:04:29,960 --> 00:04:32,599 Speaker 1: Springsteen is the latest in a long line of veteran 76 00:04:32,680 --> 00:04:35,480 Speaker 1: artists who have parted ways with their publishing rights in 77 00:04:35,520 --> 00:04:38,520 Speaker 1: the past couple of years. And that list includes Bob Dylan, 78 00:04:38,600 --> 00:04:44,359 Speaker 1: Paul Simon, Stevie Nicks, Lindsey Buckingham, Nick Fleetwood, Shakira, and 79 00:04:44,640 --> 00:04:47,960 Speaker 1: David Crosby. Yeah. Now, many of these deals are put 80 00:04:48,000 --> 00:04:51,080 Speaker 1: together after the pandemic brought live music to a stop. 81 00:04:51,120 --> 00:04:54,480 Speaker 1: So all these guys and girls, these veteran artists, they 82 00:04:54,480 --> 00:04:59,360 Speaker 1: were not able to make income their normal income streams 83 00:04:59,360 --> 00:05:02,000 Speaker 1: because they weren't able to go out and perform. Another 84 00:05:02,080 --> 00:05:04,440 Speaker 1: positive component I think of this story, though, is that 85 00:05:04,480 --> 00:05:06,640 Speaker 1: many of these artists, they get these deals and they 86 00:05:06,680 --> 00:05:10,400 Speaker 1: can personally oversee the publishing deals before let's say they 87 00:05:10,400 --> 00:05:13,920 Speaker 1: pass away, and then that task goes on to their heirs. 88 00:05:14,120 --> 00:05:18,280 Speaker 1: That yeah. So, for example, Bruce Springsteen is very particular 89 00:05:18,320 --> 00:05:21,839 Speaker 1: about his music being used in politicals. Yes, and so 90 00:05:22,200 --> 00:05:24,240 Speaker 1: you know he can negotiate. Now, Okay, I'm gonna sell 91 00:05:24,279 --> 00:05:26,840 Speaker 1: you this, but for the rest of its existence on earth, 92 00:05:27,000 --> 00:05:29,839 Speaker 1: it cannot appear in x y Z to promote x 93 00:05:29,920 --> 00:05:31,760 Speaker 1: y Z. And so it gives them a lot of power. 94 00:05:31,800 --> 00:05:33,440 Speaker 1: But I want to ask you, like, you know, don't 95 00:05:33,480 --> 00:05:35,280 Speaker 1: you think it's amazing? Rob Like, he's a little boy 96 00:05:35,279 --> 00:05:37,760 Speaker 1: from Jersey, Bruce Springstein, who had a dream, right, He's 97 00:05:37,760 --> 00:05:39,839 Speaker 1: sitting in his little bedroom as a kid, want to 98 00:05:39,839 --> 00:05:42,560 Speaker 1: be a rock star. And now he's like, what seventy year, 99 00:05:42,560 --> 00:05:45,120 Speaker 1: I guess, and someone's going to give him half a 100 00:05:45,279 --> 00:05:50,840 Speaker 1: billion dollars his little dream. And I mean, well, I 101 00:05:50,880 --> 00:05:52,560 Speaker 1: love it. I love it. Just gives to show you 102 00:05:52,600 --> 00:05:54,200 Speaker 1: and I think a lot of people don't realize this. 103 00:05:54,520 --> 00:05:57,080 Speaker 1: The money in music, you realize it. Corey as an 104 00:05:57,160 --> 00:06:00,880 Speaker 1: artist's in the song writing. Basically, when you hit somebody's publishing, 105 00:06:01,120 --> 00:06:04,040 Speaker 1: that means that they wrote the song. So the artist 106 00:06:04,120 --> 00:06:06,680 Speaker 1: doesn't have any publishing. The person that recorded the song 107 00:06:07,000 --> 00:06:09,680 Speaker 1: does not have any publishing. The person that has the 108 00:06:09,680 --> 00:06:13,080 Speaker 1: publishing is the songwriters. Now I'm married to a songwriter, 109 00:06:13,320 --> 00:06:16,239 Speaker 1: so I actually understand this pretty well. Bruce has kept 110 00:06:16,279 --> 00:06:19,360 Speaker 1: his publishing. So Barry Manilow, who wrote Bruce wrote most 111 00:06:19,400 --> 00:06:22,160 Speaker 1: of his songs with, has sold his publishing. Bruce did not, 112 00:06:22,600 --> 00:06:25,359 Speaker 1: which means I get it. You and me are going 113 00:06:25,440 --> 00:06:28,760 Speaker 1: to be living in Boca. But I do like the 114 00:06:28,760 --> 00:06:33,200 Speaker 1: fact that Bruce sold it when he's still young enough 115 00:06:33,440 --> 00:06:38,200 Speaker 1: to enjoy this money and enjoy this success. You don't 116 00:06:38,200 --> 00:06:41,039 Speaker 1: want to go to your grave struggling that. Let's be clear, 117 00:06:41,080 --> 00:06:43,599 Speaker 1: Bruce is not struggling at all. But that sort of 118 00:06:43,640 --> 00:06:46,440 Speaker 1: money now he can change the world. He can set 119 00:06:46,520 --> 00:06:48,960 Speaker 1: up a foundation. He now instead of giving it to 120 00:06:49,040 --> 00:06:52,480 Speaker 1: his heirs, they don't really need this. It's his money. 121 00:06:52,720 --> 00:06:55,680 Speaker 1: He should sell his and enjoy the money. I think 122 00:06:55,720 --> 00:06:58,760 Speaker 1: it's up to him, it's he does and sell it 123 00:06:59,040 --> 00:07:01,080 Speaker 1: and set up a fan dation because that sort of 124 00:07:01,120 --> 00:07:04,440 Speaker 1: money is life changing. Now they already have an amazing life, 125 00:07:04,640 --> 00:07:06,479 Speaker 1: but with that sort of money, you can change other 126 00:07:06,520 --> 00:07:09,359 Speaker 1: people's a lot of lives. And instead of changing the 127 00:07:09,400 --> 00:07:12,960 Speaker 1: lives of your two kids or your dog or your rabbits, 128 00:07:13,360 --> 00:07:17,920 Speaker 1: change the lives of people that really really needed. I 129 00:07:18,000 --> 00:07:20,720 Speaker 1: gotta be honest here. We're honest on this show. And 130 00:07:20,760 --> 00:07:23,720 Speaker 1: if anything God forbid happened to Bruce, my life doesn't 131 00:07:23,760 --> 00:07:26,840 Speaker 1: really need his publishing. Are set up a Bruce Susmon 132 00:07:26,960 --> 00:07:31,480 Speaker 1: Foundation to help young songwriters. That's what I want his 133 00:07:31,600 --> 00:07:35,600 Speaker 1: legacy to be, not me and you eating cake up Bartmos. 134 00:07:35,720 --> 00:07:38,560 Speaker 1: We can already afford that we're doing okay, and so 135 00:07:38,640 --> 00:07:40,760 Speaker 1: I just love this. It's going to be really interesting 136 00:07:41,160 --> 00:07:43,920 Speaker 1: to see what Springsteen does with this money, because I 137 00:07:43,960 --> 00:07:48,280 Speaker 1: predict he's going to do something really really important. Five 138 00:07:48,400 --> 00:07:55,480 Speaker 1: hundred Nell and oh yeah, COmON buyed. Moving along, So 139 00:07:55,760 --> 00:07:58,440 Speaker 1: Ryan Seacrest is opening up about that health scared that 140 00:07:58,480 --> 00:08:01,680 Speaker 1: he seemed to have, but he doesn't really tell us 141 00:08:01,720 --> 00:08:05,080 Speaker 1: much about it. So for years Ryan has been dubbed 142 00:08:05,560 --> 00:08:07,760 Speaker 1: the busiest man in show business. I think we can 143 00:08:07,760 --> 00:08:10,400 Speaker 1: agree on that with all his jobs. So I remember 144 00:08:10,440 --> 00:08:13,920 Speaker 1: when he was filming the Idol finale, Ryan suddenly had 145 00:08:13,960 --> 00:08:17,320 Speaker 1: trouble reading the teleprompter and his speech seemed to be 146 00:08:17,320 --> 00:08:20,040 Speaker 1: a little slew and it had a lot seemed to 147 00:08:20,120 --> 00:08:23,600 Speaker 1: be like a droopy I And this prompted a lot 148 00:08:23,600 --> 00:08:27,360 Speaker 1: of social media to speculate that Ryan had had a stroke. 149 00:08:27,520 --> 00:08:30,480 Speaker 1: Now at the time, his rep denied it, but he 150 00:08:30,520 --> 00:08:33,839 Speaker 1: did not appear the next day on Live with Kelly 151 00:08:33,840 --> 00:08:36,439 Speaker 1: and Ryan, so this sort of got much bigger. He's 152 00:08:36,520 --> 00:08:39,400 Speaker 1: finally been asked about it by the Wall Street Journal. 153 00:08:39,440 --> 00:08:43,400 Speaker 1: He said it's personal, but I definitely knew I needed 154 00:08:43,440 --> 00:08:47,880 Speaker 1: to slow down, he continued, quote, I had just burned 155 00:08:48,000 --> 00:08:53,199 Speaker 1: myself out. I was absolutely beat and fatigued and just 156 00:08:53,360 --> 00:08:58,880 Speaker 1: wasn't letting myself accept that. Now I do. Does your body, 157 00:08:58,960 --> 00:09:02,960 Speaker 1: Corey tell you went to slow down? You know it does, 158 00:09:03,040 --> 00:09:05,520 Speaker 1: but it's usually in the form of I just go 159 00:09:05,640 --> 00:09:07,920 Speaker 1: to sleep because my body is tired, and my eye 160 00:09:07,920 --> 00:09:10,760 Speaker 1: doesn't droop, my speech doesn't slur, and I don't have 161 00:09:10,880 --> 00:09:13,960 Speaker 1: problems with my vision. You know, the Hollywood game is 162 00:09:14,000 --> 00:09:16,480 Speaker 1: really particular where people will not invest in you or 163 00:09:16,559 --> 00:09:19,280 Speaker 1: hiring you for projects if they think you're in medical risk. 164 00:09:19,600 --> 00:09:22,240 Speaker 1: That does sound more serious to me. Then Oh, I 165 00:09:22,280 --> 00:09:24,480 Speaker 1: just needed some rest. But I get why he's not 166 00:09:24,679 --> 00:09:27,200 Speaker 1: admitting that because in his line of work, it could 167 00:09:27,240 --> 00:09:30,280 Speaker 1: end your career to be a health risk, right. Yeah. 168 00:09:30,480 --> 00:09:33,600 Speaker 1: What's really interesting about this interview to me is how 169 00:09:33,640 --> 00:09:36,160 Speaker 1: little he says. They asked him this question, and he 170 00:09:36,240 --> 00:09:39,880 Speaker 1: doesn't really give them an answer. It's a it's sort 171 00:09:39,880 --> 00:09:43,440 Speaker 1: of like a strange answer, it's personal, and then he 172 00:09:43,480 --> 00:09:45,680 Speaker 1: tells us a little bit about it. So we still 173 00:09:45,679 --> 00:09:47,960 Speaker 1: don't really know what happened. But I do like the 174 00:09:48,000 --> 00:09:50,800 Speaker 1: fact that he's listening to his body. Our bodies are amazing. 175 00:09:50,920 --> 00:09:53,960 Speaker 1: We think our iPhones are the best piece of machinery. 176 00:09:54,840 --> 00:09:57,520 Speaker 1: It's not true. Your body is listened to. Gosh. I 177 00:09:57,600 --> 00:09:59,360 Speaker 1: remember one so I's coupab of us into a TV 178 00:09:59,440 --> 00:10:01,400 Speaker 1: show I was doing in the morning show and my 179 00:10:01,440 --> 00:10:03,640 Speaker 1: hair started to fall out. And I have great hair, 180 00:10:03,679 --> 00:10:05,440 Speaker 1: I have like fur on the top of my head, 181 00:10:05,640 --> 00:10:08,320 Speaker 1: and I started to get like little patches where my 182 00:10:08,480 --> 00:10:10,960 Speaker 1: the person doing my head was like pulled me to 183 00:10:11,000 --> 00:10:13,400 Speaker 1: one side and was like, are you okay? And I 184 00:10:13,440 --> 00:10:15,680 Speaker 1: saw a doctor. I went to see a specialist, and 185 00:10:15,720 --> 00:10:17,480 Speaker 1: you know what it was. I was just run down. 186 00:10:17,600 --> 00:10:19,760 Speaker 1: I was just I wasn't stressed because I didn't get 187 00:10:19,800 --> 00:10:22,839 Speaker 1: nervous by it. I was stressed about how much I 188 00:10:22,880 --> 00:10:25,400 Speaker 1: had taken on. So I took on a show, but 189 00:10:25,440 --> 00:10:27,600 Speaker 1: I didn't get rid of anything else. And so when 190 00:10:27,600 --> 00:10:30,559 Speaker 1: you keep adding, and you keep adding and you get 191 00:10:30,600 --> 00:10:33,959 Speaker 1: that's the key. And so now when something comes into 192 00:10:34,000 --> 00:10:36,320 Speaker 1: my life, I have to set you to myself, even 193 00:10:36,320 --> 00:10:38,599 Speaker 1: with friends new friends, I have to say, gosh, to 194 00:10:38,679 --> 00:10:41,040 Speaker 1: make room for this, do I have to get rid 195 00:10:41,080 --> 00:10:43,400 Speaker 1: of something else? And often the answer is yes. And 196 00:10:43,440 --> 00:10:46,200 Speaker 1: then the big question is what do I want? Do 197 00:10:46,280 --> 00:10:48,760 Speaker 1: I want this or do I want that? And to 198 00:10:48,760 --> 00:10:52,080 Speaker 1: be honest, I like what I'm doing. I do I 199 00:10:52,080 --> 00:10:54,640 Speaker 1: don't want any I don't think this piece of the pie, 200 00:10:54,920 --> 00:10:58,160 Speaker 1: of this little pie is big enough for me. What 201 00:10:58,400 --> 00:11:01,760 Speaker 1: is going on with Claire Rolly from The Bachelor? Yes, 202 00:11:01,880 --> 00:11:05,920 Speaker 1: and this shady Claire Honey so Bachelorett's Claire Crawley. She 203 00:11:06,040 --> 00:11:10,680 Speaker 1: shades her ex Dale Losses acting debut, which is so funny. So, 204 00:11:10,720 --> 00:11:13,080 Speaker 1: almost three months after the couple called it quits for 205 00:11:13,120 --> 00:11:16,040 Speaker 1: the second time the former Bachelor star, she appeared to 206 00:11:16,080 --> 00:11:18,840 Speaker 1: throw shade at her ex fiance when she made an 207 00:11:18,880 --> 00:11:23,000 Speaker 1: eyebrow raising remark about acting raised the Graham story. She 208 00:11:23,040 --> 00:11:26,360 Speaker 1: wrote Sauna plus emails alongside a shot of herself in 209 00:11:26,360 --> 00:11:29,520 Speaker 1: the steam room, and she continued to write for the record, 210 00:11:29,559 --> 00:11:32,600 Speaker 1: you guys can stop sending me all the acting real clips. 211 00:11:32,840 --> 00:11:36,640 Speaker 1: I had a front row seat to it since day one. 212 00:11:37,040 --> 00:11:40,559 Speaker 1: She's claiming that he was acting since day How about that? 213 00:11:40,800 --> 00:11:43,640 Speaker 1: So Bachelor Nation fans suspected that she was, of course, 214 00:11:43,679 --> 00:11:48,160 Speaker 1: referring to Dale's upcoming film, Love Game Match. Claire's comment 215 00:11:48,240 --> 00:11:51,079 Speaker 1: came just a day after the trailer for the romantic 216 00:11:51,080 --> 00:11:57,840 Speaker 1: comedy was released on line. Yeah, this is shady. Actually, 217 00:11:58,240 --> 00:12:00,320 Speaker 1: this brings us to my pole question of the day. 218 00:12:00,520 --> 00:12:02,760 Speaker 1: So normally we do the poll question right at the 219 00:12:02,800 --> 00:12:04,680 Speaker 1: top of the show after our lead story, but he 220 00:12:04,679 --> 00:12:07,839 Speaker 1: didn't feel appropriate to be asking a pole about Chris not, 221 00:12:08,240 --> 00:12:10,679 Speaker 1: so we moved it down to this story. So what 222 00:12:10,880 --> 00:12:15,080 Speaker 1: do you think Bachelor Claire Crawley seems to be shading 223 00:12:15,120 --> 00:12:17,760 Speaker 1: her acts? Don mass I think she really is. Let's 224 00:12:17,800 --> 00:12:20,240 Speaker 1: be honest about this. She's shading him, so he's got 225 00:12:20,240 --> 00:12:23,080 Speaker 1: his acting debut, and she's being shady about it, saying 226 00:12:23,360 --> 00:12:26,600 Speaker 1: he was always an actor. What do you think about this? 227 00:12:26,679 --> 00:12:29,600 Speaker 1: Do you think it's funny, funny, it could be funny, 228 00:12:29,720 --> 00:12:31,760 Speaker 1: or do you think it's petty? Do you think it's petty? Hey? 229 00:12:31,800 --> 00:12:34,439 Speaker 1: Go votes on our Twitter page at Naughty Night or 230 00:12:34,559 --> 00:12:37,760 Speaker 1: Facebook page which is Naughty Gossip and Messire to check 231 00:12:37,760 --> 00:12:41,120 Speaker 1: back a Monday here to hear your results quickly before 232 00:12:41,120 --> 00:12:44,240 Speaker 1: we go to break. Queen Elizabeth's has canceled her pre 233 00:12:44,440 --> 00:12:49,080 Speaker 1: Christmas lunch over COVID concerns from the UK. COVID is 234 00:12:49,200 --> 00:12:54,440 Speaker 1: absolutely soaring, and just to be extra conscious here, they've 235 00:12:54,480 --> 00:12:58,280 Speaker 1: decided that the Queen will cancel her pre Christmas lunch 236 00:12:58,559 --> 00:13:01,640 Speaker 1: with her family. She ninety five, and she's been spent 237 00:13:01,800 --> 00:13:05,680 Speaker 1: spending the majority of the pandemic at Windsor Castle. Now 238 00:13:05,800 --> 00:13:07,800 Speaker 1: she's going to be doing this not only for her 239 00:13:07,840 --> 00:13:10,960 Speaker 1: own safety, I'm told, but also to send a message 240 00:13:11,240 --> 00:13:15,760 Speaker 1: to the whole United Kingdom. If the Queen is meeting 241 00:13:15,800 --> 00:13:19,320 Speaker 1: with her family and meeting with big parties, and yet 242 00:13:19,320 --> 00:13:22,559 Speaker 1: the rest of the country is told is asked to 243 00:13:22,720 --> 00:13:25,760 Speaker 1: sort of be much more careful. It doesn't set a 244 00:13:25,920 --> 00:13:28,640 Speaker 1: very good example. And what I love about Queen Queen 245 00:13:28,679 --> 00:13:32,480 Speaker 1: Elizabeth is she really is somebody who walks the walk. 246 00:13:32,679 --> 00:13:35,240 Speaker 1: She is not one of those people who tells you 247 00:13:35,320 --> 00:13:38,200 Speaker 1: what to do and then does something different herself. Goodness knows, 248 00:13:38,200 --> 00:13:40,160 Speaker 1: we know a lot of people like that, so I 249 00:13:40,200 --> 00:13:43,640 Speaker 1: think they and they don't walk the walk. So Queen 250 00:13:43,640 --> 00:13:47,880 Speaker 1: Elizabeth is not going to be having a big Christmas. 251 00:13:47,920 --> 00:13:49,920 Speaker 1: We're going to take a quick break and we will 252 00:13:49,960 --> 00:13:56,520 Speaker 1: have a big rest of a welcome back to them. 253 00:13:56,640 --> 00:13:59,400 Speaker 1: I share your host round with their dear friend Corey Andrew. Hey, Corey, 254 00:13:59,440 --> 00:14:03,920 Speaker 1: let's get too pole. Thank you darling, you do a 255 00:14:03,960 --> 00:14:07,839 Speaker 1: great fan. Ben a Fleg said that he probably would 256 00:14:07,840 --> 00:14:11,120 Speaker 1: still be drinking if he hadn't separated from his ex 257 00:14:11,200 --> 00:14:15,800 Speaker 1: wife Jennifer Garner. Does he owe her an apology? Let's 258 00:14:15,840 --> 00:14:20,000 Speaker 1: have a look, said yes, I am totally totally with 259 00:14:20,080 --> 00:14:23,480 Speaker 1: the majority here. Ben. Stop saying you didn't say it. 260 00:14:23,920 --> 00:14:27,640 Speaker 1: Stop saying that it was misinterpreted. Stop saying it was 261 00:14:27,720 --> 00:14:31,040 Speaker 1: taken out of context. You said on the radio on 262 00:14:31,280 --> 00:14:35,440 Speaker 1: live show. We heard it. Now, just say sorry. I 263 00:14:35,480 --> 00:14:38,600 Speaker 1: think sorry is such a powerful word. I'm mess up 264 00:14:38,680 --> 00:14:43,400 Speaker 1: all the time, and instead of now, my instinct used 265 00:14:43,400 --> 00:14:45,200 Speaker 1: to be to to not tell the truth, or to 266 00:14:45,240 --> 00:14:47,400 Speaker 1: dig myself out of it or be evasive. Now I 267 00:14:47,520 --> 00:14:51,760 Speaker 1: stop and I say I'm sorry. Ben. If you say that, 268 00:14:51,920 --> 00:14:54,280 Speaker 1: we'll forgive you. We can move on. We all make mistakes. 269 00:14:54,640 --> 00:14:56,600 Speaker 1: I agree with the majority. Don't forget to vote on 270 00:14:56,640 --> 00:14:58,920 Speaker 1: today's pole. Go away to the page had naughtyies room 271 00:14:59,480 --> 00:15:03,240 Speaker 1: and face my paget's naughty gossip and messieur to check 272 00:15:03,280 --> 00:15:06,520 Speaker 1: back on Monday to hear your results. And now it's 273 00:15:06,600 --> 00:15:14,720 Speaker 1: time for the Yes. Well, this is a very sweet story. 274 00:15:14,760 --> 00:15:17,760 Speaker 1: So it's you know, it's why Tom Holland and Zendaia 275 00:15:17,880 --> 00:15:23,400 Speaker 1: are against Spider Man sex scenes. So Tom says, I 276 00:15:23,440 --> 00:15:26,200 Speaker 1: don't think it's appropriate for the Spider Man franchise. No, 277 00:15:26,320 --> 00:15:28,720 Speaker 1: we're still very much young kids. Should there be a 278 00:15:28,760 --> 00:15:31,200 Speaker 1: future for this character, maybe one day we will explore that, 279 00:15:31,240 --> 00:15:33,360 Speaker 1: But at the moment, this is a film about celebrating 280 00:15:33,400 --> 00:15:37,560 Speaker 1: friendships and young love. Holland's co star and real life girlfriends, 281 00:15:37,560 --> 00:15:40,280 Speaker 1: and Dia says Peter Parker is like a little brother. 282 00:15:40,320 --> 00:15:42,440 Speaker 1: Nobody will have to see Peter Parker having sex, Okay, 283 00:15:42,640 --> 00:15:46,760 Speaker 1: that will be horrible. So although you know there's a 284 00:15:46,800 --> 00:15:48,880 Speaker 1: lot of like fan fiction forms out there, where they're 285 00:15:48,880 --> 00:15:55,680 Speaker 1: saying all kinds of stuff about from those I like this, 286 00:15:55,760 --> 00:15:57,800 Speaker 1: and I think it is so delightful that Tom ands 287 00:15:57,840 --> 00:16:01,880 Speaker 1: Anda are talking about this. It get them more more 288 00:16:01,920 --> 00:16:04,000 Speaker 1: people into the cinema if there were more racy. I 289 00:16:04,040 --> 00:16:06,880 Speaker 1: think in a world where we're all encouraged to show 290 00:16:06,920 --> 00:16:10,040 Speaker 1: a little bit more stint to get more album sales, 291 00:16:10,160 --> 00:16:13,080 Speaker 1: or more ticket sales or more magazine sales, it's nice 292 00:16:13,080 --> 00:16:16,680 Speaker 1: that these two are really aware of who their audience is. 293 00:16:16,960 --> 00:16:19,560 Speaker 1: And the story doesn't need that. It just doesn't need that. 294 00:16:19,600 --> 00:16:22,760 Speaker 1: This story is not about that. It's about so many 295 00:16:22,840 --> 00:16:25,880 Speaker 1: other things. Hey, and nicest of the day. I can't 296 00:16:25,920 --> 00:16:28,720 Speaker 1: wait to see the films night And now I know 297 00:16:28,840 --> 00:16:32,920 Speaker 1: he is the day. Jeff Garlin is leaving The Goldbergs 298 00:16:32,960 --> 00:16:37,400 Speaker 1: after an investigation into him so Jeff abruptly left the 299 00:16:37,560 --> 00:16:43,160 Speaker 1: sitcom following an invest negation into alleged abusive behavior on set. 300 00:16:43,480 --> 00:16:46,960 Speaker 1: According to sources, this was a mutual decision that he 301 00:16:47,040 --> 00:16:51,120 Speaker 1: did not return. Insiders are telling me he made jokes 302 00:16:51,280 --> 00:16:55,240 Speaker 1: on the set that were considered in appropriate. He's been 303 00:16:55,240 --> 00:16:59,400 Speaker 1: the subject of a human resources department probe over the 304 00:16:59,440 --> 00:17:03,280 Speaker 1: last couple of yours. He has been extremely verbally and 305 00:17:03,600 --> 00:17:07,560 Speaker 1: emotionally abusive. Gone of the days where screamers are allowed 306 00:17:07,600 --> 00:17:09,960 Speaker 1: to be our bosses. I've worked with people who have 307 00:17:10,080 --> 00:17:14,800 Speaker 1: been really verbally abusive to me, Cory, screaming, shouting, throwing things. 308 00:17:15,280 --> 00:17:19,560 Speaker 1: You can't do that anymore. Stop stop. Time is up, Hey, 309 00:17:19,600 --> 00:17:24,160 Speaker 1: before we go, let's have a moment of rob rama. 310 00:17:24,640 --> 00:17:28,920 Speaker 1: So paining hides beneath every single wound that you have, 311 00:17:29,440 --> 00:17:33,040 Speaker 1: and until you have forgiven, it's only a scabb away 312 00:17:33,640 --> 00:17:37,880 Speaker 1: from being exposed. Now. It takes time to heal, which 313 00:17:37,960 --> 00:17:41,680 Speaker 1: is why you don't have a minute to lose true forgiveness. 314 00:17:42,280 --> 00:17:46,720 Speaker 1: It's the only way that you can truly heal yourself. 315 00:17:47,520 --> 00:17:50,240 Speaker 1: So good, so good, Rob, Yes, I agree, And we 316 00:17:50,280 --> 00:17:52,800 Speaker 1: don't give ourselves that opportunity to heal. We continue to 317 00:17:52,840 --> 00:17:56,159 Speaker 1: pile on and and and and abuse ourselves emotionally. But 318 00:17:56,200 --> 00:17:59,359 Speaker 1: it's okay to admit that you have a pass and 319 00:17:59,440 --> 00:18:01,840 Speaker 1: the trauma the pairs, but work on it and move 320 00:18:02,040 --> 00:18:04,280 Speaker 1: beyond it. So yeah, I've done a lot of work 321 00:18:04,320 --> 00:18:08,479 Speaker 1: on this, Corey. I now know my emotional scars, my 322 00:18:08,560 --> 00:18:12,760 Speaker 1: emotional wounds, as well as I know the wounds on 323 00:18:12,920 --> 00:18:16,119 Speaker 1: my body, like I know where the scars are on 324 00:18:16,240 --> 00:18:20,520 Speaker 1: my flesh. Now I know where the wounds are in 325 00:18:20,720 --> 00:18:25,520 Speaker 1: my heart, and I know too that they're always gonna 326 00:18:25,640 --> 00:18:28,440 Speaker 1: be there. Like I said, they are just one scab 327 00:18:28,880 --> 00:18:32,800 Speaker 1: from being exposed again unless you deal with them. So 328 00:18:33,000 --> 00:18:36,200 Speaker 1: my wounds were always there. Once I started to deal 329 00:18:36,280 --> 00:18:41,160 Speaker 1: with them, then that scab scab healed, and then I 330 00:18:41,240 --> 00:18:46,440 Speaker 1: became freer, healed those emotional wounds. Hey, that's it for 331 00:18:46,560 --> 00:18:49,560 Speaker 1: this week, my friends, Thank you for less and answer. 332 00:18:49,600 --> 00:18:52,200 Speaker 1: They're not even nice with Rob and Corey Shower a 333 00:18:52,320 --> 00:18:56,800 Speaker 1: production of I Heart Radio that sounds lovely. Don't forget 334 00:18:56,840 --> 00:18:59,639 Speaker 1: to subscribe on the I Heeart Radio Appapple podcast wherever 335 00:18:59,680 --> 00:19:01,640 Speaker 1: you listen. Leave us a regee if you can. They 336 00:19:01,800 --> 00:19:05,120 Speaker 1: really help. And remember altogether now, if you are going 337 00:19:05,160 --> 00:19:15,000 Speaker 1: to go take care of everybody, it's gone even nice 338 00:19:15,160 --> 00:19:16,719 Speaker 1: with Bro