1 00:00:00,120 --> 00:00:02,400 Speaker 1: Coming up at the top of the hour, right about 2 00:00:02,440 --> 00:00:05,760 Speaker 1: four minutes after. It's my Strawberry letter for today, subject 3 00:00:05,800 --> 00:00:11,640 Speaker 1: my Champagne dreams and his beer budget. That is the subject. 4 00:00:11,640 --> 00:00:14,680 Speaker 1: But right now, the nephew in the building with today's prank, 5 00:00:14,760 --> 00:00:18,239 Speaker 1: phone call what you got Shelly. I'd like to call 6 00:00:18,360 --> 00:00:23,040 Speaker 1: this Sebastian. That's what I would like to call this prank. 7 00:00:23,079 --> 00:00:29,000 Speaker 1: This brank is called Sebastian. Okay, alright, just one word. 8 00:00:30,960 --> 00:00:35,360 Speaker 1: That is how Sebastian speaks. It is Sebastian. All right, 9 00:00:36,000 --> 00:00:40,240 Speaker 1: the name is Sebastian. Everyone's saying it's Sebastian, Sebastian, Sebastian, 10 00:00:41,280 --> 00:00:46,879 Speaker 1: that Sebastian. No, not Sebastian, It's Sebastian. Okay. Now I 11 00:00:46,960 --> 00:00:49,279 Speaker 1: want you all to buckle up and hold on tight 12 00:00:49,360 --> 00:00:53,440 Speaker 1: because we're gonna run that prank. And it's called what Sebastian. 13 00:00:57,480 --> 00:00:59,400 Speaker 1: Come on, set up till you're here. We go can't 14 00:00:59,480 --> 00:01:07,840 Speaker 1: run it. Hello, Hello, I wish to speak with a Mr. Please, Hello, sir. 15 00:01:08,680 --> 00:01:12,959 Speaker 1: My name is Sebastian. I am with the Art Institute 16 00:01:13,560 --> 00:01:16,640 Speaker 1: and I wanted to give you a call about um. 17 00:01:16,680 --> 00:01:18,880 Speaker 1: I have a huge showing coming up where I am 18 00:01:19,040 --> 00:01:22,800 Speaker 1: going to be displaying my portfolio and all of my 19 00:01:22,920 --> 00:01:25,240 Speaker 1: drawings within it. But I have one drawing that I 20 00:01:25,319 --> 00:01:28,119 Speaker 1: am looking to display that I have not put on 21 00:01:28,200 --> 00:01:32,720 Speaker 1: canvas yet, and I'm looking to take something of essence 22 00:01:32,760 --> 00:01:34,600 Speaker 1: to put on canvas, and I want to call you 23 00:01:34,640 --> 00:01:37,800 Speaker 1: about getting permission. Wait, hold on, doll, just to stop 24 00:01:37,840 --> 00:01:39,679 Speaker 1: you right now, I don't do that, all right. I'm 25 00:01:39,720 --> 00:01:43,119 Speaker 1: not a model. That's not my profession, So you would 26 00:01:43,160 --> 00:01:44,839 Speaker 1: not waste your time no more. You know what I'm saying. 27 00:01:44,880 --> 00:01:48,440 Speaker 1: Just go ahead, Mr. Mr. I don't think you understand 28 00:01:48,600 --> 00:01:52,280 Speaker 1: that my showing is gonna have some very important people there. 29 00:01:52,840 --> 00:01:56,160 Speaker 1: I am, like I said before with Art Institute, and 30 00:01:56,880 --> 00:01:59,520 Speaker 1: I said, I don't do that. That's not me. I 31 00:01:59,520 --> 00:02:01,960 Speaker 1: mean I had you know, what, would you just calling 32 00:02:02,000 --> 00:02:04,440 Speaker 1: folks up you was solicited or something? I mean y'all 33 00:02:04,480 --> 00:02:06,440 Speaker 1: just randomly picking out folks and trying to trying to 34 00:02:06,440 --> 00:02:10,600 Speaker 1: get them the model look sir. Mr. No, I'm not 35 00:02:10,720 --> 00:02:14,000 Speaker 1: just randomly calling people. I actually have done research in 36 00:02:14,080 --> 00:02:16,520 Speaker 1: order to get your number. What what I'm doing is, 37 00:02:16,560 --> 00:02:20,560 Speaker 1: I'm not calling you as far being a model that 38 00:02:20,560 --> 00:02:23,760 Speaker 1: I'm going to portray on canvas, but you have something 39 00:02:23,840 --> 00:02:27,760 Speaker 1: far more greater visually that I would like to hold 40 00:02:27,960 --> 00:02:33,200 Speaker 1: on canvas. Now you're married to your wife is at 41 00:02:33,240 --> 00:02:36,600 Speaker 1: my car. The whole whoa, whoa, whoa dub No for 42 00:02:36,800 --> 00:02:39,600 Speaker 1: who is this seriously? Because I can get my number. 43 00:02:40,160 --> 00:02:42,280 Speaker 1: I get my number because you're talking about my wife 44 00:02:42,320 --> 00:02:45,960 Speaker 1: and stuff. I know my wife. My name is Sebastian. 45 00:02:46,200 --> 00:02:49,760 Speaker 1: I am with Art Institute. What I'm trying to do 46 00:02:49,840 --> 00:02:52,720 Speaker 1: with capturing and and mortalize the beauty of essence on 47 00:02:52,880 --> 00:02:56,120 Speaker 1: canda lies okay yo, for real thought, you just can't. 48 00:02:56,560 --> 00:02:59,639 Speaker 1: You don't talk about my wife, all right, So I'm 49 00:02:59,680 --> 00:03:03,520 Speaker 1: not not calling in a negative manner towards your wife. 50 00:03:03,560 --> 00:03:07,240 Speaker 1: I want to I want to mortalize her and capture 51 00:03:07,280 --> 00:03:11,200 Speaker 1: her on canvas, the beauties that she beholds. I've seen 52 00:03:11,240 --> 00:03:14,640 Speaker 1: your wife several times, you guys reside, whoa, whoa, whoa, 53 00:03:14,760 --> 00:03:16,760 Speaker 1: you see my wife? But wait, what do you see 54 00:03:16,800 --> 00:03:18,360 Speaker 1: my wife at? What? Why do you? Why are you? 55 00:03:18,520 --> 00:03:21,080 Speaker 1: Why are you watching my wife? I've seen her. She 56 00:03:21,080 --> 00:03:23,280 Speaker 1: she shops on a hundred and set in hall Im. 57 00:03:23,320 --> 00:03:25,959 Speaker 1: I've seen her so many times there, and she holds 58 00:03:26,000 --> 00:03:28,160 Speaker 1: all the beauty that an artist would like to put 59 00:03:28,200 --> 00:03:31,080 Speaker 1: on Kansas. Like I said, before. I have a huge 60 00:03:31,080 --> 00:03:33,600 Speaker 1: showing and you're welcome to come out as well. That's 61 00:03:33,600 --> 00:03:35,880 Speaker 1: gonna be so many important people there. But I wanted 62 00:03:36,280 --> 00:03:39,840 Speaker 1: to call and get permission from you about painting your wife. No, 63 00:03:40,280 --> 00:03:42,120 Speaker 1: you ain't got that permission. Play well, you just can't. 64 00:03:42,320 --> 00:03:45,920 Speaker 1: You just can't go around following my wife and trying 65 00:03:45,960 --> 00:03:48,720 Speaker 1: to motalize or whatever. I just said. All right, so, 66 00:03:49,800 --> 00:03:51,800 Speaker 1: but I would like to let you know I have 67 00:03:51,960 --> 00:03:58,160 Speaker 1: taken the liberty myself. I have painted your wife's head. Joe, 68 00:03:58,440 --> 00:04:00,520 Speaker 1: you have lost your damn mind. You can't be just 69 00:04:00,560 --> 00:04:04,040 Speaker 1: walking around here payton folks headed. You gotta get permission 70 00:04:04,040 --> 00:04:06,880 Speaker 1: for that. What's wrong with you? But if you are crazy, 71 00:04:07,080 --> 00:04:10,360 Speaker 1: you don't understand your wife holds the essence that every 72 00:04:10,440 --> 00:04:13,160 Speaker 1: artist wants. I don't care what he holds. You can't 73 00:04:13,160 --> 00:04:16,880 Speaker 1: be going around payton folks heads. Wrong with you, sir, 74 00:04:17,240 --> 00:04:19,720 Speaker 1: That's the reason why I'm calling, trying to get permission 75 00:04:19,839 --> 00:04:22,840 Speaker 1: from you. I, Sebastian, want to put your wife on 76 00:04:23,040 --> 00:04:26,320 Speaker 1: canvas because she holds the essence that every artist wants 77 00:04:26,320 --> 00:04:30,039 Speaker 1: to behold. She mortalized the beauty of Cannon, whoa hold 78 00:04:30,040 --> 00:04:32,080 Speaker 1: of God, hold of the hold of God. You're telling 79 00:04:32,080 --> 00:04:38,200 Speaker 1: me you're walking around column painting my wife's head? Is that? What? 80 00:04:38,200 --> 00:04:42,080 Speaker 1: What are you doing? Dudek too, I'm only trying to 81 00:04:42,120 --> 00:04:46,560 Speaker 1: complete my folio. Oh no, your portfolio here, listen to it. 82 00:04:46,960 --> 00:04:49,200 Speaker 1: If I see my wife's head anywhere, I don't care 83 00:04:49,279 --> 00:04:52,040 Speaker 1: new tape of magazine. I don't care where Bill or wherever. Yo, 84 00:04:52,160 --> 00:04:54,480 Speaker 1: I'm gonna find your I'm gonna whoop you. Do you 85 00:04:54,560 --> 00:04:56,960 Speaker 1: understand what I'm saying to you. I'm gonna see did 86 00:04:56,960 --> 00:04:59,520 Speaker 1: you you understand that? Sir? I don't want to have 87 00:04:59,600 --> 00:05:05,479 Speaker 1: a do with you. Sir, here's a doll. They do 88 00:05:05,920 --> 00:05:09,960 Speaker 1: what they do? In fact? What name is a bast ship? 89 00:05:10,120 --> 00:05:13,599 Speaker 1: Who come name is? That's a baship? Sir. All I 90 00:05:13,680 --> 00:05:16,480 Speaker 1: want to do is paint your wife in her rawist 91 00:05:16,600 --> 00:05:20,960 Speaker 1: and purest foe. That's all. There's a law and purist 92 00:05:21,000 --> 00:05:24,240 Speaker 1: for me. What what do you want? Seriously, I want 93 00:05:24,279 --> 00:05:28,680 Speaker 1: to paint your wife. I want to paint her in 94 00:05:28,720 --> 00:05:33,200 Speaker 1: the nude. How do you watch your my No, he's 95 00:05:33,240 --> 00:05:36,640 Speaker 1: not enough. That's what you should do. Tell me where 96 00:05:36,680 --> 00:05:38,440 Speaker 1: you as you want to paint something, I'll give you 97 00:05:38,480 --> 00:05:42,560 Speaker 1: something to pay. Tell me where you ask what? Read me? 98 00:05:42,720 --> 00:05:46,160 Speaker 1: What five that's what's up. I want to whoop your 99 00:05:46,839 --> 00:05:51,159 Speaker 1: read me, meet me, paint me, paint me. You want 100 00:05:51,200 --> 00:05:53,360 Speaker 1: your mind? Tell what you wanna paint my wife in 101 00:05:53,400 --> 00:05:55,960 Speaker 1: a new It's gonna take them brush you to stick 102 00:05:56,000 --> 00:06:00,280 Speaker 1: them up your mr. She lose the essence at every sin. 103 00:06:00,600 --> 00:06:03,400 Speaker 1: I'll give up what she whold asked. I'll give us 104 00:06:04,000 --> 00:06:08,520 Speaker 1: ask me like that, sir, I must ask you. Do 105 00:06:08,600 --> 00:06:11,080 Speaker 1: you think that you are the only person that has 106 00:06:11,120 --> 00:06:13,480 Speaker 1: seen your wife in the news. Surely that's been men 107 00:06:13,640 --> 00:06:16,080 Speaker 1: before you that have seen her in the neet that 108 00:06:17,080 --> 00:06:19,040 Speaker 1: for you and my wife ain't no more you call 109 00:06:19,120 --> 00:06:21,679 Speaker 1: my wife? Is that what she's saying? Are you married 110 00:06:21,720 --> 00:06:25,120 Speaker 1: my wife? You? I want to pay your wife and 111 00:06:25,160 --> 00:06:28,560 Speaker 1: the beauty that she bought and on canvas. Did you 112 00:06:28,680 --> 00:06:32,839 Speaker 1: want understand? I just said, you know, I told you 113 00:06:33,040 --> 00:06:37,320 Speaker 1: meet me on the corner of on and claim power. 114 00:06:37,839 --> 00:06:43,400 Speaker 1: I got one more thing. I just say, life else saying, Neshew, 115 00:06:43,600 --> 00:06:46,960 Speaker 1: coming from the Steve arm In Morning show, you just 116 00:06:47,240 --> 00:06:53,400 Speaker 1: got pay by your boy. What what this is is? 117 00:06:53,640 --> 00:06:57,120 Speaker 1: This is neverhew, this nephew timing for the Steve Harmar marts. 118 00:06:57,160 --> 00:07:06,799 Speaker 1: Yoe oh oh man, y'all man, y'allah. I was moving 119 00:07:06,920 --> 00:07:12,760 Speaker 1: fusion here, dude, time you've got me dog oh? Man? Yeah, 120 00:07:13,280 --> 00:07:20,200 Speaker 1: it was Sebastiana. Yeah, dude, you get some bashard. I 121 00:07:20,280 --> 00:07:25,240 Speaker 1: was about to move with y'all and Sebashid. I was 122 00:07:25,360 --> 00:07:29,440 Speaker 1: to paintbrushes and always about the paint autumn with ya. 123 00:07:30,800 --> 00:07:33,280 Speaker 1: He told me, Man, he said, Man, he said he 124 00:07:33,480 --> 00:07:38,280 Speaker 1: loved his wife. Kid, I said, let me let me 125 00:07:38,320 --> 00:07:44,440 Speaker 1: say this right now, he loves you. Let me get 126 00:07:44,480 --> 00:07:46,920 Speaker 1: one more thing from you. Man, what is the baddest 127 00:07:47,000 --> 00:07:52,160 Speaker 1: I'm talking about the baddest radio show in the land. Yeah, man, 128 00:07:52,200 --> 00:08:01,200 Speaker 1: it's Steve Harvey in the Loaning Show. Baby Boy, you 129 00:08:01,240 --> 00:08:07,760 Speaker 1: did man went ovations, sir, Like dude, Man, he said, 130 00:08:07,840 --> 00:08:17,040 Speaker 1: a dude that you say what blank called themselves? I 131 00:08:17,120 --> 00:08:20,600 Speaker 1: bet I see my wife head by the newspaper if 132 00:08:20,640 --> 00:08:27,120 Speaker 1: I did, no, man, but I liked them. Yeah, I 133 00:08:27,160 --> 00:08:34,640 Speaker 1: like that New York. Right. I'm not a model. That 134 00:08:34,760 --> 00:08:40,520 Speaker 1: is not my professional Yeah. I don't even start with me. Man. Hey, 135 00:08:40,559 --> 00:08:43,440 Speaker 1: all the second Friday, w d A S and myself, 136 00:08:43,480 --> 00:08:46,320 Speaker 1: we're putting on the Summer swore A hosted by one 137 00:08:46,360 --> 00:08:49,319 Speaker 1: and only yours truly nephew Timmy. The Grand Ballroom, thirty 138 00:08:49,559 --> 00:08:54,280 Speaker 1: oh one, First District Plaza in Philadelphia, Pennsylvania. Sounds like 139 00:08:54,400 --> 00:08:57,880 Speaker 1: Philly to me. It's the capit Conclad coming to town 140 00:08:58,120 --> 00:09:01,320 Speaker 1: and I am throwing a party with radio station w 141 00:09:01,480 --> 00:09:03,440 Speaker 1: d A s. Baby, you don't want this, I mean, 142 00:09:03,440 --> 00:09:05,360 Speaker 1: you don't want to miss this. You want your tickets 143 00:09:05,559 --> 00:09:08,320 Speaker 1: right now. Go to w d A s fm dot com. 144 00:09:08,440 --> 00:09:10,880 Speaker 1: All right, thank enough. You up next, Strawberry letter for 145 00:09:11,080 --> 00:09:14,800 Speaker 1: today's subject my champagne dreams and his beer budget. We'll 146 00:09:14,800 --> 00:09:16,160 Speaker 1: get into it right after this