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Speaker 2: The volume.

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Speaker 3: Willie in the Moon and the Moonhoun, she can move

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Speaker 3: down the drive and it doesn't drive.

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Speaker 2: That does to a set of us.

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Speaker 4: Yeah, yeah, she playing a lottery with the kiddy, don't

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Speaker 4: end up doing t Yeah, but the way that they

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Speaker 4: put out the side man swe does see two medions

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Speaker 4: on a free kick, set up the camera, let's make

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Speaker 4: a free take competition and put the bits in the

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Speaker 4: sweet sticks.

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Speaker 2: Baby you know, said baby Houston Houst. What's up baby?

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Speaker 2: Not baby d that's Maris. I I posted a fly.

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Speaker 5: I don't really know who Maris is. I know I

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Speaker 5: know Demarius, I don't know who Maris is. I know

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Speaker 5: who Baby D is.

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Speaker 6: People very close to me call me Maress.

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Speaker 7: Okay me, y'all ain't really on the first nickname basis

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Speaker 7: like that, y'all know my work.

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Speaker 5: We're not on the first nickname basis. Me and Rory

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Speaker 5: are not on first nickname base my work.

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Speaker 7: Name, and y'all know my government name. Y'all don't know

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Speaker 7: what like the streets called me.

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Speaker 2: You act like it's all you did was take away

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Speaker 2: at d n E.

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Speaker 3: That's what you did.

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Speaker 7: It's different, that's all you did. Got a different energy,

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Speaker 7: they different street code.

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Speaker 3: They only know that, yo, Baby D. So how was

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Speaker 3: your first of all? It's good to see you, see Josh.

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Speaker 2: How you doing on a party fly? I mean, yo,

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Speaker 2: y'all don't know about it? Secret?

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Speaker 3: Yeah, obviously we were. We were going.

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Speaker 5: We were in La working for beats what shout out

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Speaker 5: to everybody. Then came out to the BT media room,

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Speaker 5: got to see some friendly faces, old and familiar.

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Speaker 2: And some people were asking where the Maras was and

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Speaker 2: we were like, oh, she was in the budget chair

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Speaker 2: right there.

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Speaker 5: For took out her gig. Yeah, she went to burgers

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Speaker 5: and bottles. It's sure enough. While we in La. You know,

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Speaker 5: I'm going through you know, the phone, and that's sometimes

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Speaker 5: I've seen the DMC what they saying, cursing me out

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Speaker 5: whatever I see? Yo, baby did out here burgers and bottles,

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Speaker 5: looking like something going crazy on? Like what they're like, Yeah,

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Speaker 5: y'all got to get her from around that desk. I

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Speaker 5: was like, what baby with you with? First of all,

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Speaker 5: what was you wearing?

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Speaker 3: I had on?

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Speaker 7: I had on my god Peach Design designed me a shirt.

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Speaker 7: I had a shirt that said baby D on it

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Speaker 7: with my little doll. You guys know about about my doll.

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Speaker 7: And I just had on some some Levi's shorts that

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Speaker 7: Levi you know, cut for me.

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Speaker 2: And at some point, no, why I feel that at

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Speaker 2: one point when I saw you doing cartwheels in the

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Speaker 2: end zone, I felt like it was a different outid.

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Speaker 6: No, it was short shorts and a crop top.

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Speaker 3: Okay, shorts and the crop. BABYD was thinking about that

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Speaker 3: outfit all week and she was juicing. You know, it

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Speaker 3: is juice. And I said, your baby, go ahead, man,

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Speaker 3: you're gonna squeeze.

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Speaker 2: Ye little ass.

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Speaker 3: And that thing.

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Speaker 2: She took chat GTT as a trainer and it works, okay, bab.

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Speaker 3: So you had fun at burgers and bottles. I was.

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Speaker 2: I had the ball.

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Speaker 7: The event went off without a hitch. It was It

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Speaker 7: was perfect. It was absolutely perfect.

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Speaker 3: I was the weather held up.

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Speaker 7: No, it rained a little bit, but niggas had umbrellas.

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Speaker 7: We didn't care like we were having a ball.

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Speaker 2: And you weren't bottles, you know, ga either you were

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Speaker 2: under the stage.

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Speaker 6: Yeah. But I went out.

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Speaker 7: I went out and was when I could touch the people.

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Speaker 3: Yeah, I went out, shut in touch to people, took

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Speaker 3: some photos.

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Speaker 7: I went out when I could, and you know, I

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Speaker 7: saw a couple of new Rory and Mow fans there.

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Speaker 6: They were very sweet.

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Speaker 3: They saw you too. They let me know, this is

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Speaker 3: why we're talking about this. They let me their tickets.

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Speaker 3: They let me know that you were.

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Speaker 5: You know that you were, you were in the building

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Speaker 5: and attendance, and that you were very sweet.

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Speaker 3: You were very nice and.

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Speaker 5: Said, okay, baby do you were out there? She holding the

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Speaker 5: flag high, she doing her thing.

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Speaker 7: We had a good time. You guys gotta definitely come

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Speaker 7: next year. Rory was supposed to be there with me

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Speaker 7: this year, but E t weekend.

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Speaker 2: I definitely went.

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Speaker 7: If we weren't a bet, yeah, I had I had

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Speaker 7: a ball. Y'all seen me krt willing through the field.

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Speaker 7: I had a ball, you know. I'm here to tell

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Speaker 7: y'all know for everybody that go to burgers and bottles

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Speaker 7: that there's the women have been.

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Speaker 3: The women have thighs.

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Speaker 5: And I didn't know it was burgers, bottles and thighs though, Baby,

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Speaker 5: I just thought it was burgers and I don't see

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Speaker 5: a burger all bottle.

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Speaker 2: Yeah. What's funny is I had a woman that Demaris

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Speaker 2: sort of recently met so doesn't know her that well,

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Speaker 2: and saw one of these photos and said, I see

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Speaker 2: Demarus is doing the red hair thing. And I was like, listen,

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Speaker 2: you don't know red hair, man, you don't know that

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Speaker 2: was a different That's when I met to Mary. That

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Speaker 2: was a different era. That's blood, baby. I didn't she

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Speaker 2: saw the photo before I saw it, and I thought

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Speaker 2: to myself, mediate like, wait, they unleashed redheaded debarrass at

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Speaker 2: that part.

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Speaker 5: He was thought that he was a blood that's Rory.

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Speaker 3: No, Rory, I had to Rory.

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Speaker 6: Alex came to me the next day. Alex came to

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Speaker 6: my house.

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Speaker 7: She said, you need to take that fucking red hair

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Speaker 7: out immediately.

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Speaker 3: Yeah, it was times, but you electing, you was cutting up, baby,

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Speaker 3: what you was doing just a different person.

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Speaker 2: That's why you don't know where toxic situation ship like

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Speaker 2: for sure.

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Speaker 5: And then I come in here, you singing mariahs Mariah scientists,

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Speaker 5: blue burning Blue. That's all you've been singing for the

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Speaker 5: past twenty seven minutes. Like I know what that means.

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Speaker 5: What's his name? Where he's from? Live in Brooklyn?

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Speaker 6: Don't kiss me off.

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Speaker 3: I'm sorry, I know what that means.

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Speaker 5: My bad, you doc Queen's nigga queens.

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Speaker 7: There's no there is nobody there's he could have been Vernon.

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Speaker 7: You never know, there is nobody there.

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Speaker 2: You put somebody from the Vernon, not money earning.

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Speaker 5: You ain't me somebody in money earning Mount Vernon, baby,

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Speaker 5: d Now we're not doing that.

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Speaker 2: Please. He definitely lied like Denzel mount his street.

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Speaker 3: Yeah, history sign is yeah. You know what they got

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Speaker 3: the local jo, they got the brown streets.

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Speaker 2: So yo.

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Speaker 7: Anyway, the event went off, Well, these women do these

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Speaker 7: things where they walking up the niggas and like dapping

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Speaker 7: up the tens. Let me tell you hold something. Next

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Speaker 7: year one of you bitches dap up my tin?

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Speaker 2: Yo, Yo, what is happening right now?

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Speaker 5: She just said she ain't meet nobody in money earned it.

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Speaker 5: You talk about somebody dap up my doves.

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Speaker 2: Alex was taking out that red hair because the red

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Speaker 2: hair demeris I know would not stand for that.

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Speaker 7: Yo, dapping bitches? Was that I'm booking at videos? Bitches

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Speaker 7: dapping up to dap up my ten next year and

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Speaker 7: barn sure Berger's and bottles.

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Speaker 2: Why you ain't dapping first?

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Speaker 3: Then?

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Speaker 5: Yeah, you're supposed to take your dom and put them

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Speaker 5: in your pocket going on, that's your problem.

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Speaker 7: We had a ball, we had we had a we

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Speaker 7: had a great grandle time.

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Speaker 3: I'm glad you shout out to Yeah.

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Speaker 7: It was over five thousand people there at the even

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Speaker 7: went off out a hitch other than some people shaking

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Speaker 7: the burning Blue.

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Speaker 3: At one point everything shaking the burning blue.

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Speaker 7: Niggas was shaking the burning Blue. I said, what the

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Speaker 7: fuck is going on?

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Speaker 5: Everybody just cheating? That's why anybody cheating and lying to

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Speaker 5: each other. That's what it is. If y'all stop cheating

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Speaker 5: and lying to each other and life would be better.

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Speaker 5: You wonder why you stretched your face keep breaking out

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Speaker 5: in all kind of shit.

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Speaker 3: Y'all lying and cheating to each.

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Speaker 2: Other with phones in your hand anything can be captured. Yeah,

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Speaker 2: but I'm glad you had a good time, had a

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Speaker 2: good time when we were sitting at BT on Sunday.

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Speaker 2: That was what was keeping me entertained, was just her

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Speaker 2: ig story. And I'm in her close friends. So I

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Speaker 2: saw like some ass shaking video. Yo.

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Speaker 3: Why I'm not in your close friends, baby, d I'm yours.

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Speaker 3: I don't have a close friend.

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Speaker 2: You think Mall is a close friends You think that.

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Speaker 2: I think you knows how to turn that on. Yeah,

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Speaker 2: like you think I have.

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Speaker 3: Close friends on this girl, I'm close friends.

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Speaker 6: I close friends.

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Speaker 2: Yeah, I want to see what's going on. But I

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Speaker 2: did some creepy ship while we was at BT. So

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Speaker 2: she posted you screen recorded a close room. No, oh,

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Speaker 2: mentally that I did. Okay, she posted some woman shaking

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Speaker 2: ass in an amazing way, like she got on some

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Speaker 2: like director Spike Lee angles and ship like it was.

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Speaker 7: It was.

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Speaker 3: Yeah, he could see cervix.

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Speaker 2: Yeah, it was a very very very well put together

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Speaker 2: video from both ends, all parties involved, no notes. I

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Speaker 2: thought it was great. I found myself then on her

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Speaker 2: I g story trying to match what the outfit of

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Speaker 2: that girl was so.

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Speaker 3: I can try to you was on your CS. You

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Speaker 3: was trying to.

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Speaker 2: Her her friends. I was like, all right, that girl

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Speaker 2: close friends. I was like, black tights, I can't see it.

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Speaker 7: I just I just sent it to Josh. Josh could

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Speaker 7: pull it up. She won't mind y'all playing it on here, But.

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Speaker 3: After having your close friends, she won't mind having.

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Speaker 7: Any broadcast because people won't know who she is. They

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Speaker 7: won't really be able to find.

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Speaker 2: They're going to go to the photo recap on Berger's

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Speaker 2: Boules website and fire. Yeah.

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Speaker 3: Yeah, just like I used to go on this seven days,

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Speaker 3: seven nights.

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Speaker 7: Yo, finding acuties on seven days, seven nights.

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Speaker 3: Hit it, Josh.

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Speaker 2: Remember this is why I wasn't paying attention during being

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Speaker 2: team was okay? Yeah, then I was trying to find

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Speaker 2: her head scarf. Couldn't I couldn't find that the whole

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Speaker 2: play together, Okay, yeah, okay, then I'm just going through

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Speaker 2: like America's followers.

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Speaker 7: Yeah, but yeah, I did miss you guys and l A.

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Speaker 7: It was a couple of people y'all interview that was

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Speaker 7: pressing me, Like, Yo, where you at.

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Speaker 3: A couple of people that we we're gonna get.

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Speaker 7: To Rory No, but anyway, oh yeah that is true. Yeah, yeah,

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Speaker 7: a few.

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Speaker 3: There was a few that was that was looking for

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Speaker 3: baby d not the interview.

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Speaker 5: Oh no, they were looking for something not Okay, I

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Speaker 5: get it, I get it. Well, before we get into it,

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Speaker 5: we want to send the rest in peace pres condolences

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Speaker 5: to the family of Ananda Luis. If you're an eighties

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Speaker 5: baby like myself, Ananda Luis was a big part of

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Speaker 5: the of the crib of the house coming home from school,

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Speaker 5: watching teen Summit, most a lot of shows on BT

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Speaker 5: then obviously she was a VJ for t r L

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Speaker 5: had MTV. Ananda Lewis was probably one of my earliest crushes,

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Speaker 5: television crushes. I may have a post of Ananda Luis

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Speaker 5: on my locked in high school. That's you know was

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Speaker 5: she was just one of those TV personalities that every

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Speaker 5: boy just was in in love with. Beautiful, beautiful spirit,

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Speaker 5: super talented. I had a chance to actually have a

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Speaker 5: conversation with her a couple of years ago and just

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Speaker 5: give her flowers and tell her how much you know,

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Speaker 5: she meant to me growing up and the shows that

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Speaker 5: she was hosting like it really kind of helped helped

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Speaker 5: growing up in New York as a kid. You know,

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Speaker 5: a lot of the shows on BT. And it was

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Speaker 5: funny because when we were interviewing people, I was asking

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Speaker 5: what are some of the earliest memories of BT, and

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Speaker 5: teen Summit was in video soul was probably some of mine. Yeah,

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Speaker 5: and then we get the news Tuesday that it was

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Speaker 5: a Wednesday Wednesday that no Lewis that's the way, So

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Speaker 5: rest in peace to Nonda Lewis, you know, again, just

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Speaker 5: a beautiful person, beautiful spirit, beautiful energy. Was definitely saddened

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Speaker 5: to hear about her passion. And I'm pretty sure that

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Speaker 5: BT is gonna tribute and honor her in a very

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Speaker 5: special way because she was a.

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Speaker 3: Very big part of BT in a very early stages.

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Speaker 2: Yeah. Absolutely, And while we were at the BT Awards,

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Speaker 2: Slidestone passed away as well.

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Speaker 3: Yes, the legendary slid Stone.

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Speaker 2: Rest in peace changed the entire world. Yeah, it was.

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Speaker 2: It was definitely two back to back heavy losses surrounding

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Speaker 2: everything in music and BET to begin with. So, you know,

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Speaker 2: rest of peace and condolences to their family.

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Speaker 3: Absolutely.

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Speaker 2: Yes, it's I hope BT, you know, has the time

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Speaker 2: to properly do something for her. But yeah, it was

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Speaker 2: a it was a very BG weekend to say that, very.

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Speaker 5: BT weekend, we were at Beat the BT Awards in

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Speaker 5: the media room once again. This year we got a

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Speaker 5: chance to have some conversations with a few people. Uh

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Speaker 5: saw a lot of old friends. Yeah, absolutely that we

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Speaker 5: haven't seen that I haven't seen in a minute. So

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Speaker 5: it was cool to see the people.

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Speaker 2: And yeah, no, we're we're gonna get straight to the bullshit.

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Speaker 2: But right before we do that off Road featuring Massego

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Speaker 2: and Freddie Gibbs, second single for my second album out

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Speaker 2: right Now There you Go. Peach played it at the

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Speaker 2: beginning of the episode. Yeah, I feel like I always

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Speaker 2: forget to plug shit dig plug everyone else's ship.

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Speaker 3: Yeah ship. And gotta gott a Heat Rock coming with

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Speaker 3: Vince Can I say that?

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Speaker 2: Sure? Okay, got it, he's independant. There's not a major stop,

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Speaker 2: all right, cool? Got a Heat Rock Coming with Vince

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Speaker 2: Staples was well. I was.

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Speaker 5: I was honored and privileged enough to be invited to

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Speaker 5: a Rory studio session.

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Speaker 2: You are a fly on the wall. I was a

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Speaker 2: fly on the wall.

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Speaker 5: I was a fly on the wall, went out to

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Speaker 5: the to the studio. Rory had a session with Vince

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Speaker 5: in l a while we were there.

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Speaker 2: That was my first was a podcast and it's no listen.

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Speaker 5: Anytime you in a room with Vince Staples, just prepared

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Speaker 5: to have a conversation that's gonna be funny, educational, insightful.

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Speaker 5: D Vince is just one of my favorite people for artists.

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Speaker 5: He's just one of my favorite people. Anytime I get

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Speaker 5: a chance to see Vince and kick it with him,

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Speaker 5: it's it's always fun. And I didn't have Vince's number,

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Speaker 5: so I showed them my phone. I had two old

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Speaker 5: numbers for Vincent. He sold those numbers, just started laughing.

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Speaker 5: He said, you know, I changed my number every month.

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Speaker 5: I'm like, I didn't know that, Vince, But thank you

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Speaker 5: for I'll just.

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Speaker 2: Get random yes this is yes, yes or random DMS

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Speaker 2: hey changing my number like he's one of those but.

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Speaker 5: You gotta you gotta you gotta you gotta heat rock

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Speaker 5: coming with him. No, that's a really good record.

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Speaker 3: I like that record.

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Speaker 2: Definitely excited about that. So it's a productive, productive week.

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Speaker 2: I mean, I feel like with the off Road record,

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Speaker 2: am I allowed to do the cheesy ship like, yo,

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Speaker 2: I think we got one?

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Speaker 3: Is that the name of it? Off Road?

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Speaker 2: Yes is the name of the record. Not with Vince. No, No,

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Speaker 2: it gives out now the summer record.

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Speaker 3: I'm a good record.

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Speaker 2: Dare I say? I mean it's probably song the summer already. Right,

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Speaker 2: it's been out for Yeah, it's been out for four hours.

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Speaker 5: I met to this. It's it's been eighty eight degrees today.

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Speaker 5: I think your song set off to something that.

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Speaker 2: It was raining all of May. It was when I

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Speaker 2: was trying to, you know, work with the labels to

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Speaker 2: put it out. It was raining the entire time. Now,

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Speaker 2: the moment it got cleared, son came up sunshine eighty

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Speaker 2: eight degrees beautiful today and pretty much the premise of

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Speaker 2: the day after tomorrow you set off.

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Speaker 3: You started the summer with that record. Rory, you got

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Speaker 3: to take that credit.

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Speaker 2: My father went through the snow from Philly to New

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Speaker 2: York to save the record. Yeah, and it ended Global Warming,

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Speaker 2: the stupidest fucking movie anyways. Off road available now. All

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Speaker 2: DSPs shot out to give the Missago. Thank you guys,

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Speaker 2: so so so much.

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Speaker 3: Sego happy birthday and Massago too. You celebrated a birthday

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Speaker 3: a couple of days.

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Speaker 2: A cool yeah, produced by child myself and my man Hawk,

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Speaker 2: who's an incredible horn player. He actually did the horns

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Speaker 2: like one of our live shows. So okay, yeah, you know,

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Speaker 2: excited about that one third single. Soon it's coming together.

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Speaker 2: But there was a lot of hey, yo, we need

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Speaker 2: to connect and get a session at the BET Awards.

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Speaker 2: I boy, did I small talk my fucking life away. Yeah,

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Speaker 2: you know the first day. So I got there early,

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Speaker 2: early on the first day, just because we didn't know

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Speaker 2: what the setup was going to be, and you know,

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Speaker 2: wanted to make sure peage was good. I had some

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Speaker 2: equipment because we split, you know, that whole ship within

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Speaker 2: five minutes before anyone even got there. I went and

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Speaker 2: sat back in the car because I was tired of

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Speaker 2: small talking. I sat in a hot car instead of

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Speaker 2: wanting to just talk to people.

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Speaker 5: Yeah, damn, well Berg said fake kicking it. What he said,

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Speaker 5: He like a lot of fake kicking it this weekend.

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Speaker 2: The amount of time and like the amount of people

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Speaker 2: that just walk by and don't even ask you if

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Speaker 2: they can record your face.

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Speaker 3: Yeah, like just doing this Like no, But it was

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Speaker 3: a content We were in a content hub.

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Speaker 5: It was a lot of interviews, and then there was

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Speaker 5: interviews away from the interviews, and then it was just

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Speaker 5: bts and it was everybody had a camera everybody had,

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Speaker 5: you know, some some some content to create. But I

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Speaker 5: like the you know we did this is our second

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Speaker 5: time doing it. I like the vibe of it though,

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Speaker 5: because it is it is fun to kind of have.

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Speaker 5: It's like, you know, media day at the Souper. You know,

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Speaker 5: everybody's in the room. You gotta kind of go around,

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Speaker 5: get an interviews, this, that and the third. But it's

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Speaker 5: a little different now because you know, through our platform world,

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Speaker 5: we've been able to make personal relationships and connections with people,

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Speaker 5: So it makes the interview thing kind of fun and cool.

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Speaker 2: And a lot of things that happened relief from them too. Yeah, like, yeah,

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Speaker 2: I have a good tell me album.

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Speaker 5: We're not trying to get nobody jammed up and no conversations,

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Speaker 5: just here to kick it bet weekend, here to have fun.

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Speaker 5: It was fun to have people walk past us we

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Speaker 5: were interviewing, yelling at us, saying what's up that we

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Speaker 5: actually didn't interview, but still, you know, show love.

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Speaker 3: So it was cool. We had a good time in

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Speaker 3: the intermedia room.

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Speaker 2: Do you feel like cash Doll purposely skipped over us?

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Speaker 2: I just felt like she was busy. I feel like

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Speaker 2: she's in a relationship. Everything maybe that's like you know all,

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Speaker 2: she didn't. All relationships have rules like not nothing crazy,

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00:16:50,960 --> 00:16:53,000
Speaker 2: but just some some things. You know, you may be

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Speaker 2: on that list.

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Speaker 6: Yeah, like you can't interview with niggas that want to

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Speaker 6: fuck you, bro.

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Speaker 2: Which I think is on her man's behalf. And I

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Speaker 2: think that's a very fair rule to have a relationship.

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Speaker 5: When when did I ever say that you thought it though? Well,

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Speaker 5: I mean, you can't kill me from my thoughts, I

399
00:17:08,520 --> 00:17:09,840
Speaker 5: mean made you can kill me for what I say.

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Speaker 3: I didn't say.

401
00:17:10,320 --> 00:17:11,920
Speaker 2: There's some things that you ever heard the term safe

402
00:17:11,960 --> 00:17:13,520
Speaker 2: to assume that when safe.

403
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Speaker 5: That's a safety. Yeah, that's a safe safe assumption. Absolutely no,

404
00:17:17,920 --> 00:17:20,399
Speaker 5: she looked cash looked great. Didn't get a chance to

405
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Speaker 5: kick it with hell, but she looked great.

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Speaker 2: Let's just let's go with the elephant the roomant. I

407
00:17:26,359 --> 00:17:28,880
Speaker 2: forgot who we were finishing up recording with. I stood

408
00:17:28,960 --> 00:17:31,000
Speaker 2: up for a second and somebody tapped me on the

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Speaker 2: shoulder and said, hey, I got Ravon right over here,

410
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Speaker 2: would you? Isn't it out like that? He was out.

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Speaker 2: It's not an elephant like it's out. I know what

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00:17:39,960 --> 00:17:42,639
Speaker 2: I want to give, Like the the behind the scenes

413
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Speaker 2: version of leading up to that, and I was like, yeah,

414
00:17:45,720 --> 00:17:49,120
Speaker 2: of course, because even though you know, some things were said,

415
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Speaker 2: I never thought it was like any type of on

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Speaker 2: site situation.

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Speaker 5: No, man, that was that was never the energy from

418
00:17:58,040 --> 00:18:01,119
Speaker 5: from us or from me. Never did energy. You know,

419
00:18:01,160 --> 00:18:03,399
Speaker 5: I understood what the whole situation was with the battle

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Speaker 5: and last the last year in hip hop, everybody picking

421
00:18:06,280 --> 00:18:10,720
Speaker 5: a side and then obviously the Joey Badass versus what

422
00:18:10,840 --> 00:18:12,800
Speaker 5: the Joey Badass twenty v one we can call it that,

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00:18:13,880 --> 00:18:15,600
Speaker 5: even though you know, some guys from New York jumped

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Speaker 5: in and kind of expressed their opinions as well.

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Speaker 2: But the raven one goes a bit deeper because that

426
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Speaker 2: that was before the entire battle, Like he was saying

427
00:18:23,440 --> 00:18:26,480
Speaker 2: shit on Twitter a year and a half ago when

428
00:18:26,840 --> 00:18:29,240
Speaker 2: the battle was happening. Yeah, that was just some odd stuff.

429
00:18:29,280 --> 00:18:31,360
Speaker 2: But when his manager said that to me, I was like, yeah, cool,

430
00:18:31,800 --> 00:18:33,520
Speaker 2: let me talk see Males okay with it, which I

431
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Speaker 2: figured you would have been.

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Speaker 5: But I'll talk to anybody, man, I don't I'm not

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Speaker 5: one of those people that you know, I'm like, nah,

434
00:18:39,240 --> 00:18:41,000
Speaker 5: I'm not talking to Well, there's some people I will

435
00:18:41,080 --> 00:18:41,480
Speaker 5: never talk to.

436
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Speaker 3: But Rayvaughn is not on that list. It never was.

437
00:18:45,160 --> 00:18:47,200
Speaker 3: But we had a good conversation off Mike before we

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Speaker 3: even sat down.

439
00:18:48,440 --> 00:18:51,600
Speaker 2: I could tell that all all parties energies were on

440
00:18:51,720 --> 00:18:54,000
Speaker 2: the same page of like, nobody really feels a way

441
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Speaker 2: right here.

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00:18:54,800 --> 00:18:54,960
Speaker 7: Man.

443
00:18:55,040 --> 00:18:57,040
Speaker 3: Listen, man, I don't think there's anybody that.

444
00:18:58,720 --> 00:19:01,680
Speaker 5: Could ever take something I say like and really like,

445
00:19:01,840 --> 00:19:05,400
Speaker 5: you know, want to throw hands or get physical, because.

446
00:19:05,160 --> 00:19:08,080
Speaker 2: I'm just saying in general of like we took this

447
00:19:08,200 --> 00:19:09,760
Speaker 2: too far with words and this is going to.

448
00:19:09,760 --> 00:19:12,600
Speaker 3: Be like awkward. Yeah, no, I don't. I don't think

449
00:19:12,600 --> 00:19:12,800
Speaker 3: it was.

450
00:19:13,280 --> 00:19:16,600
Speaker 2: We're trying to make them, Like with Ravon, someone is

451
00:19:16,680 --> 00:19:18,560
Speaker 2: trying to make a moment out of this to double

452
00:19:18,640 --> 00:19:20,840
Speaker 2: down on the disrespect and then it's like, all right,

453
00:19:20,880 --> 00:19:22,399
Speaker 2: what the fuck? Yeah, And I didn't get any of

454
00:19:22,440 --> 00:19:24,960
Speaker 2: that energy. We were obviously not with that energy.

455
00:19:25,000 --> 00:19:29,200
Speaker 5: And never know, but after after meeting Ravon finally and

456
00:19:29,359 --> 00:19:32,040
Speaker 5: us having a conversation before we actually sat down and recorded,

457
00:19:32,600 --> 00:19:33,240
Speaker 5: it was the same.

458
00:19:33,400 --> 00:19:34,760
Speaker 3: You know, It's the same everywhere. Man.

459
00:19:34,840 --> 00:19:37,240
Speaker 5: You see guys that you have a little you know,

460
00:19:37,440 --> 00:19:39,920
Speaker 5: back and forth with online that doesn't go you know,

461
00:19:40,040 --> 00:19:43,440
Speaker 5: too far into disrespect. Ship talking is cool. I'm with

462
00:19:43,560 --> 00:19:46,840
Speaker 5: shit talking, but I never felt like it was like,

463
00:19:46,960 --> 00:19:49,879
Speaker 5: you know, too disrespectful. And then you know, once Ravon

464
00:19:50,000 --> 00:19:52,879
Speaker 5: walked up, it was laughs, it was DAPs, it was

465
00:19:53,480 --> 00:19:55,399
Speaker 5: you know, it's just it's raps man, It's just you

466
00:19:55,440 --> 00:19:57,000
Speaker 5: know what I'm saying. And I was like, I totally,

467
00:19:57,119 --> 00:19:58,920
Speaker 5: I totally get it. I totally understand. It's nothing but

468
00:19:59,040 --> 00:20:02,120
Speaker 5: respect for me. I understood the situation and the moment

469
00:20:02,160 --> 00:20:04,240
Speaker 5: I understood. You know, it was just that energy. It

470
00:20:04,320 --> 00:20:07,200
Speaker 5: was a very competitive, very I'm on this side, you

471
00:20:07,359 --> 00:20:09,240
Speaker 5: on that side type of thing, which is fine.

472
00:20:09,280 --> 00:20:11,480
Speaker 3: Like I think that we can have those moments and.

473
00:20:11,560 --> 00:20:14,359
Speaker 5: Have those those those those times where you know, we

474
00:20:14,480 --> 00:20:16,920
Speaker 5: have to pick a side, but still when we see

475
00:20:16,920 --> 00:20:19,119
Speaker 5: each other and we come together, it can still be respect,

476
00:20:19,200 --> 00:20:20,680
Speaker 5: it can still be love, It could still be a

477
00:20:20,720 --> 00:20:23,399
Speaker 5: great conversation. Like I think we need to remove that

478
00:20:23,560 --> 00:20:26,800
Speaker 5: aspect of you know, well, if you picked this out

479
00:20:26,880 --> 00:20:28,440
Speaker 5: or you said this about me, then when I see you,

480
00:20:28,520 --> 00:20:28,760
Speaker 5: it's on.

481
00:20:29,800 --> 00:20:31,399
Speaker 2: I mean, you just stupid. Do you feel like you

482
00:20:31,480 --> 00:20:32,920
Speaker 2: are the joy bad Ass of podcasting?

483
00:20:33,400 --> 00:20:33,440
Speaker 3: No?

484
00:20:33,960 --> 00:20:35,560
Speaker 2: I feel like both of you guys were jumped by

485
00:20:35,600 --> 00:20:38,320
Speaker 2: the West Coast and you have been you know, confronting

486
00:20:39,560 --> 00:20:40,359
Speaker 2: healthy at that.

487
00:20:40,760 --> 00:20:42,600
Speaker 5: I love what Ravon said to me. He said, you know,

488
00:20:42,920 --> 00:20:45,960
Speaker 5: I only said something to you because I respect you,

489
00:20:46,280 --> 00:20:46,919
Speaker 5: and yeah, but she.

490
00:20:46,960 --> 00:20:49,040
Speaker 2: Was also saying with the battle of like because I

491
00:20:49,080 --> 00:20:50,680
Speaker 2: think we asked him why he didn't reply to certain people.

492
00:20:50,720 --> 00:20:52,760
Speaker 2: He's like, well, I don't like respect their reps exactly,

493
00:20:52,880 --> 00:20:54,680
Speaker 2: so you're not reply. I understand it.

494
00:20:54,760 --> 00:20:54,879
Speaker 3: Man.

495
00:20:55,200 --> 00:20:57,600
Speaker 5: Again, I'm a little older than you know, you guys,

496
00:20:58,160 --> 00:21:00,200
Speaker 5: I've been around a few more summers than you, so

497
00:21:00,240 --> 00:21:03,960
Speaker 5: I understand when it's something that's really intense and really

498
00:21:04,080 --> 00:21:06,320
Speaker 5: you know, can be something crazy, and then when it's

499
00:21:06,359 --> 00:21:08,600
Speaker 5: just words and just you know, the moment, like, I

500
00:21:08,680 --> 00:21:11,560
Speaker 5: never felt any ill feelings towards Rayvon, you know I'm saying,

501
00:21:11,560 --> 00:21:13,480
Speaker 5: obviously I spoke to his talent before any of this,

502
00:21:14,040 --> 00:21:15,959
Speaker 5: with his LA League's freestyle. I still think he has

503
00:21:16,000 --> 00:21:18,320
Speaker 5: one of the best ones. And I never had no

504
00:21:18,359 --> 00:21:20,680
Speaker 5: ill feelings. I understood with the moment was he's tde

505
00:21:21,000 --> 00:21:23,040
Speaker 5: I get it. I totally understand. It was great to

506
00:21:23,119 --> 00:21:25,240
Speaker 5: finally meet him face to face and have a conversation

507
00:21:25,760 --> 00:21:28,960
Speaker 5: on and off Mike, and you know, we're looking forward

508
00:21:29,000 --> 00:21:30,320
Speaker 5: to having him here in the studio when he's in

509
00:21:30,400 --> 00:21:31,280
Speaker 5: New York next time.

510
00:21:31,480 --> 00:21:35,119
Speaker 2: Peg accused me of being a little chippy in the beginning,

511
00:21:35,160 --> 00:21:36,280
Speaker 2: like I was trying to start problems.

512
00:21:36,760 --> 00:21:38,200
Speaker 3: Well that's the white boy, and you love to see

513
00:21:38,200 --> 00:21:39,600
Speaker 3: black on black crime. I can't believe.

514
00:21:39,680 --> 00:21:41,760
Speaker 2: Nah, I was defending my man's who happens to be black?

515
00:21:43,640 --> 00:21:45,879
Speaker 3: Ally? Who's ally?

516
00:21:46,000 --> 00:21:49,960
Speaker 2: Well, I mean Ray Ray's black two. Oh yeah, I

517
00:21:50,000 --> 00:21:53,200
Speaker 2: don't know if you notice, Yeah, I'm Moll's ally. I'm not.

518
00:21:53,560 --> 00:21:55,280
Speaker 5: Yeah, yeah no, But it was it was you know,

519
00:21:56,280 --> 00:21:58,120
Speaker 5: I understood what you were doing, but it was again,

520
00:21:58,240 --> 00:21:59,960
Speaker 5: let's get it all out. We're here, face to face,

521
00:22:00,080 --> 00:22:03,080
Speaker 5: let's talk about it. You tweeted this, Rayvaughon, you said

522
00:22:03,119 --> 00:22:05,919
Speaker 5: this in your ROMs. We said, baby box me.

523
00:22:05,960 --> 00:22:08,320
Speaker 7: Up like a team movie, box up like packet see

524
00:22:08,359 --> 00:22:10,159
Speaker 7: me personally, it was a good bar. It was a

525
00:22:10,200 --> 00:22:12,040
Speaker 7: good bar out depressed, you know, y'all was cool.

526
00:22:13,680 --> 00:22:16,360
Speaker 3: Boxing like like what it was a bar?

527
00:22:16,880 --> 00:22:16,920
Speaker 1: What?

528
00:22:17,880 --> 00:22:19,800
Speaker 5: I don't wrap I talked, so I can't really. You know,

529
00:22:19,840 --> 00:22:22,120
Speaker 5: if I rap, I would have round a booth that night.

530
00:22:22,440 --> 00:22:24,240
Speaker 5: If I was a rapping Rayvons, I would have found

531
00:22:24,240 --> 00:22:24,800
Speaker 5: a booth that night.

532
00:22:24,840 --> 00:22:26,480
Speaker 3: And you know what I'm saying. But we had a

533
00:22:26,520 --> 00:22:27,560
Speaker 3: conversation about.

534
00:22:27,320 --> 00:22:29,120
Speaker 2: But then there's no win for losing in that situation

535
00:22:29,240 --> 00:22:31,760
Speaker 2: because you're in front of cameras in the BT media

536
00:22:31,840 --> 00:22:33,440
Speaker 2: room and it's like, all right, so you say you

537
00:22:33,440 --> 00:22:35,479
Speaker 2: can box me, and it's like we're doing this here,

538
00:22:36,080 --> 00:22:37,560
Speaker 2: like then you just look weird.

539
00:22:37,640 --> 00:22:42,040
Speaker 3: Regardless, that's a fun y'all, y'all know me a little

540
00:22:42,040 --> 00:22:42,600
Speaker 3: bit of that album.

541
00:22:43,080 --> 00:22:46,800
Speaker 5: Y'all would never if Rayvon sat down with aggressive energy,

542
00:22:46,840 --> 00:22:48,280
Speaker 5: I would have laughed and just looked at him like

543
00:22:48,920 --> 00:22:49,920
Speaker 5: I got cologne on it.

544
00:22:50,040 --> 00:22:53,320
Speaker 3: We had BT, what are we doing, Like we're gonna

545
00:22:53,320 --> 00:22:55,240
Speaker 3: do this right here? Like come on, fam, like you

546
00:22:55,280 --> 00:22:56,760
Speaker 3: know what I mean? Like we're not doing so to

547
00:22:56,880 --> 00:22:58,240
Speaker 3: exit like we were in our boost.

548
00:22:58,560 --> 00:23:00,359
Speaker 2: If you got it shake in with somebody and you

549
00:23:00,400 --> 00:23:02,600
Speaker 2: wanted to leave before the cops came, show me an

550
00:23:02,600 --> 00:23:04,440
Speaker 2: exit plan. Let's take you about an hour and a

551
00:23:04,480 --> 00:23:05,199
Speaker 2: half to get out of here.

552
00:23:05,240 --> 00:23:07,680
Speaker 5: Remember, but listen, it was nothing but the energy in

553
00:23:07,720 --> 00:23:10,720
Speaker 5: the room was nothing but positive the entire weekend.

554
00:23:10,920 --> 00:23:13,280
Speaker 2: And then imagine trying to escape before the cops came

555
00:23:13,440 --> 00:23:15,320
Speaker 2: and you had to small talk with everyone on your

556
00:23:15,320 --> 00:23:17,680
Speaker 2: way out, like listen, I just knocked somebody out. I

557
00:23:17,720 --> 00:23:18,200
Speaker 2: need to leave.

558
00:23:18,359 --> 00:23:20,000
Speaker 5: Yeah, Nah, it was It was never gonna be that,

559
00:23:20,160 --> 00:23:21,639
Speaker 5: not for me, like I and I didn't feel like

560
00:23:21,720 --> 00:23:26,840
Speaker 5: it was that from Rayvaughon, but team shout out to

561
00:23:27,480 --> 00:23:28,960
Speaker 5: take it on the West Azike.

562
00:23:29,520 --> 00:23:30,119
Speaker 2: I really liked that.

563
00:23:30,200 --> 00:23:31,040
Speaker 3: In a conversation with.

564
00:23:31,400 --> 00:23:33,440
Speaker 2: I like him a lot. I like his music and

565
00:23:33,720 --> 00:23:35,879
Speaker 2: like I said, he was my favorite feature on gn X.

566
00:23:36,320 --> 00:23:38,199
Speaker 2: I like him as a person. I had never met him.

567
00:23:38,840 --> 00:23:41,840
Speaker 5: Cool guy, very cool energy, very very good energy about him.

568
00:23:42,920 --> 00:23:45,480
Speaker 5: He's one of the people that we sat and talked

569
00:23:45,480 --> 00:23:48,920
Speaker 5: with that aside from you know, his his ability, his

570
00:23:49,080 --> 00:23:51,159
Speaker 5: rapping ability. He's one of the people now that I'm

571
00:23:51,240 --> 00:23:53,480
Speaker 5: kind of paying more attention to just because I like

572
00:23:53,600 --> 00:23:55,200
Speaker 5: his energy and I like him as a person, Like

573
00:23:55,280 --> 00:23:56,280
Speaker 5: I thought he was pretty cool.

574
00:23:57,400 --> 00:24:01,560
Speaker 2: Berg aka hit Maker he uh he roy Lex Peede

575
00:24:01,600 --> 00:24:05,560
Speaker 2: me definitely happened. I thought we had made amends for

576
00:24:05,680 --> 00:24:08,000
Speaker 2: my mistake, and you know, Berg and I had had

577
00:24:08,400 --> 00:24:11,200
Speaker 2: a rocky moment as close friends, and I thought we

578
00:24:11,280 --> 00:24:13,159
Speaker 2: had squashed it. But he brought her up right back

579
00:24:13,200 --> 00:24:16,240
Speaker 2: on Mike like he wasn't over. I was like, oh,

580
00:24:16,320 --> 00:24:19,399
Speaker 2: this is Alex Fel was that face since that we

581
00:24:19,520 --> 00:24:20,320
Speaker 2: had been on face hime?

582
00:24:21,000 --> 00:24:21,720
Speaker 3: Well, no, that's all.

583
00:24:22,400 --> 00:24:24,480
Speaker 2: I'm glad The funny thing is I wanted to bring

584
00:24:24,520 --> 00:24:27,000
Speaker 2: it up on Mike, but I would have preferred it.

585
00:24:27,080 --> 00:24:28,879
Speaker 3: He did want to do it, yea, he beat you

586
00:24:28,960 --> 00:24:29,119
Speaker 3: to it.

587
00:24:29,160 --> 00:24:30,840
Speaker 2: I wouldn't have. I wanted him to bring it up.

588
00:24:30,960 --> 00:24:34,400
Speaker 5: Because I you know, and he did and yeah, great conversation,

589
00:24:34,600 --> 00:24:37,159
Speaker 5: and I apologized again, Yeah, as you should what you

590
00:24:37,200 --> 00:24:37,560
Speaker 5: do wrong.

591
00:24:39,800 --> 00:24:44,159
Speaker 2: My intentions were not like malicious. But then when it

592
00:24:44,280 --> 00:24:46,280
Speaker 2: was explaining to me after I understood why Berg felt way.

593
00:24:46,600 --> 00:24:50,199
Speaker 2: I was with hit Boy in Baisley in the studio

594
00:24:50,640 --> 00:24:54,320
Speaker 2: and he played me his like control producer version off

595
00:24:54,400 --> 00:24:56,679
Speaker 2: the Alan Hippoy tape where he like, this is all

596
00:24:56,680 --> 00:24:59,840
Speaker 2: the producers. So I hit He was like, I can't

597
00:25:00,040 --> 00:25:03,800
Speaker 2: put this out, Like could you post this on your Instagram,

598
00:25:04,080 --> 00:25:06,520
Speaker 2: like as a way for a rollout thing? So I said, yeah,

599
00:25:06,520 --> 00:25:08,120
Speaker 2: but let me hit Burg because Berg is my mass

600
00:25:08,240 --> 00:25:09,919
Speaker 2: Like you saying his name, I just want to make

601
00:25:09,960 --> 00:25:13,800
Speaker 2: sure he's cool with that, because you know that's my guy. Yeah,

602
00:25:14,760 --> 00:25:17,080
Speaker 2: get on the phone with Berg, play it over the speaker.

603
00:25:17,240 --> 00:25:19,000
Speaker 2: I don't even think Berg necessarily heard the whole thing,

604
00:25:19,040 --> 00:25:21,560
Speaker 2: but he was like, it's cool, bro, it's whatever. But

605
00:25:21,720 --> 00:25:23,600
Speaker 2: there's a line in there that talks about a certain

606
00:25:23,640 --> 00:25:27,440
Speaker 2: situation with Berg and like a chain and that whole shit,

607
00:25:27,720 --> 00:25:29,960
Speaker 2: which was like a real situation. So I get why

608
00:25:30,000 --> 00:25:32,960
Speaker 2: Berg felt away like he was dissing the producers on

609
00:25:33,080 --> 00:25:35,680
Speaker 2: some music shit. You said something personal about me, yeah,

610
00:25:36,040 --> 00:25:38,280
Speaker 2: and then yeah, Berg barred me up. He said, oh

611
00:25:38,680 --> 00:25:41,280
Speaker 2: you got you got the clout. You needed a lot

612
00:25:41,359 --> 00:25:44,480
Speaker 2: of mic drops in my text that night were fun.

613
00:25:44,640 --> 00:25:47,320
Speaker 2: But you know, well, yeah you do.

614
00:25:47,480 --> 00:25:49,080
Speaker 3: That was a bad call on your behalf.

615
00:25:50,119 --> 00:25:52,520
Speaker 2: I didn't view it that way, and I did call him,

616
00:25:52,560 --> 00:25:55,320
Speaker 2: so I thought it was okay. Yeah, but in retrospect, yes,

617
00:25:55,480 --> 00:25:56,240
Speaker 2: I woud feel way to it.

618
00:25:56,280 --> 00:25:56,800
Speaker 3: But that's the right.

619
00:25:57,280 --> 00:26:00,239
Speaker 5: You make mistakes and things happen. But you then meet

620
00:26:00,320 --> 00:26:02,360
Speaker 5: up at BT weekend and sit down with an old

621
00:26:02,440 --> 00:26:04,520
Speaker 5: friend and of course you got to throw that shot

622
00:26:04,560 --> 00:26:06,679
Speaker 5: out there. But then we have a conversation to realize, yo.

623
00:26:06,760 --> 00:26:08,600
Speaker 5: So it's still all love, nothing but respect for Bert.

624
00:26:08,760 --> 00:26:10,520
Speaker 5: Shout out to Burg, shout out to his new artist

625
00:26:10,920 --> 00:26:14,880
Speaker 5: toy En and was it von e ron E. Yeah,

626
00:26:14,960 --> 00:26:16,560
Speaker 5: I couldn't really hear when he was talking, like, you know,

627
00:26:16,640 --> 00:26:18,159
Speaker 5: you got that R and B shit is you know,

628
00:26:18,359 --> 00:26:20,600
Speaker 5: R and B niggas talk with like a real smooth.

629
00:26:20,960 --> 00:26:23,639
Speaker 2: I went and looked up Shorty's record with Vice Cartell

630
00:26:23,960 --> 00:26:26,119
Speaker 2: first She's dope, Yeah, and she just put out some

631
00:26:26,160 --> 00:26:29,480
Speaker 2: new music I think yesterday, two days ago. Berg is

632
00:26:29,480 --> 00:26:32,640
Speaker 2: a great ear but also has a great eye for talent. Yeah,

633
00:26:32,760 --> 00:26:34,880
Speaker 2: knowing when somebody's gonna be nice. So she's she's fire.

634
00:26:35,040 --> 00:26:37,280
Speaker 2: But it was cool. Joy was great.

635
00:26:37,760 --> 00:26:37,840
Speaker 4: Uh.

636
00:26:38,040 --> 00:26:39,879
Speaker 5: Shout out to Joey Taylor. Definitely want to have her

637
00:26:39,960 --> 00:26:44,160
Speaker 5: on uh sometimes sometimes soon to talk don't know ball, Yeah,

638
00:26:44,200 --> 00:26:45,440
Speaker 5: with Joey, I think that would be great.

639
00:26:45,680 --> 00:26:49,800
Speaker 2: But we did not go to the actual awards, y'all run.

640
00:26:50,600 --> 00:26:50,639
Speaker 4: No.

641
00:26:50,920 --> 00:26:53,320
Speaker 2: They gave us tickets on on Sunday Day Hendry tickets,

642
00:26:54,280 --> 00:26:56,000
Speaker 2: but it was black tie and I didn't come prepared

643
00:26:56,000 --> 00:26:57,399
Speaker 2: and I wasn't about to just go rush out and

644
00:26:57,480 --> 00:27:00,840
Speaker 2: get that on a Sunday night and morning, and I

645
00:27:00,920 --> 00:27:02,439
Speaker 2: just wanted to get home. But I mean I did

646
00:27:02,520 --> 00:27:05,000
Speaker 2: watch the awards. I thought they were great. I thought

647
00:27:05,000 --> 00:27:07,200
Speaker 2: it was a great way to you know, honor the anniversary.

648
00:27:08,320 --> 00:27:10,320
Speaker 2: Shout out to Ashley too one on six and Parks Sports.

649
00:27:10,840 --> 00:27:11,840
Speaker 2: I think that's incredible.

650
00:27:12,760 --> 00:27:14,720
Speaker 3: Shout out to Ashley Nicole. Yeah, it was.

651
00:27:14,800 --> 00:27:15,360
Speaker 2: It was great.

652
00:27:15,400 --> 00:27:17,640
Speaker 3: Preparing Cam Newton correct. Yeah, that's dope.

653
00:27:18,040 --> 00:27:19,240
Speaker 2: Did you watch the awards because I know we were

654
00:27:19,280 --> 00:27:21,320
Speaker 2: in the air. I went to watch the clips on YouTube.

655
00:27:21,400 --> 00:27:23,159
Speaker 3: I saw I saw all the clips on YouTube. I

656
00:27:23,200 --> 00:27:26,119
Speaker 3: didn't see the show live though, but I saw the

657
00:27:26,119 --> 00:27:26,879
Speaker 3: clips on YouTube.

658
00:27:26,960 --> 00:27:29,440
Speaker 2: Yeah, but no, shout out to everyone. You know that

659
00:27:29,640 --> 00:27:33,960
Speaker 2: that was honored, performed one awards coten relations with Jamie Fox,

660
00:27:34,240 --> 00:27:36,479
Speaker 2: Yeah he had. They had Stevie one to give him

661
00:27:36,520 --> 00:27:40,679
Speaker 2: an award and still didn't give Stevie. Listen, man, listen man,

662
00:27:40,720 --> 00:27:40,960
Speaker 2: b T.

663
00:27:41,119 --> 00:27:43,119
Speaker 3: I love y'all, Thank y'all for a beautiful weekend.

664
00:27:44,720 --> 00:27:45,359
Speaker 2: I get that.

665
00:27:45,480 --> 00:27:48,600
Speaker 5: Y'all gave Stevie the first in augurule award of the

666
00:27:48,640 --> 00:27:49,679
Speaker 5: first BT Awards.

667
00:27:49,760 --> 00:27:51,560
Speaker 3: I gave him. I don't even know what the name

668
00:27:51,560 --> 00:27:53,720
Speaker 3: of it was, but it wasn't the Lifetime Achievement Award.

669
00:27:54,880 --> 00:27:57,800
Speaker 5: We gotta do Stevie right, y'all had Elton John go

670
00:27:57,880 --> 00:28:00,159
Speaker 5: out there seeing Steve, Jamie Fox made fun to.

671
00:28:00,240 --> 00:28:03,280
Speaker 2: Him, Steve al all of that cool.

672
00:28:03,600 --> 00:28:05,800
Speaker 5: Let's do it right though, Let's get Let's get STEVEE

673
00:28:05,960 --> 00:28:10,320
Speaker 5: got achieve more. Let's get saying Stevie got achieve Yeah,

674
00:28:11,240 --> 00:28:13,239
Speaker 5: he ain't doing enough. Still, Someone on the checklist man,

675
00:28:13,440 --> 00:28:15,520
Speaker 5: listen man. But yeah, I think we gotta we gotta

676
00:28:15,600 --> 00:28:16,600
Speaker 5: honor Stevie the right way.

677
00:28:16,680 --> 00:28:16,960
Speaker 4: B T.

678
00:28:18,200 --> 00:28:21,920
Speaker 5: We got to create some a big moment for who

679
00:28:22,119 --> 00:28:25,960
Speaker 5: is probably the and Rory would agree, the one of,

680
00:28:26,240 --> 00:28:29,920
Speaker 5: if not the greatest musician who has ever lived.

681
00:28:30,240 --> 00:28:33,000
Speaker 3: Uh Stevie wonder Like, we have to on him the

682
00:28:33,080 --> 00:28:33,400
Speaker 3: right way.

683
00:28:34,680 --> 00:28:41,040
Speaker 2: I completely agree. And while that was happening, you did

684
00:28:41,160 --> 00:28:42,840
Speaker 2: drop a bomb on Twitter, which I do want to

685
00:28:42,880 --> 00:28:45,560
Speaker 2: get to, but I did want your review of my

686
00:28:45,760 --> 00:28:48,480
Speaker 2: performance this go round rather than last year when I

687
00:28:48,600 --> 00:28:50,280
Speaker 2: was sitting with a blank stare because I had found

688
00:28:50,280 --> 00:28:53,560
Speaker 2: out Kia was pregnant four hours before we had to

689
00:28:53,600 --> 00:28:54,200
Speaker 2: do media room.

690
00:28:54,480 --> 00:28:55,920
Speaker 3: Are you a little more sociated ship?

691
00:28:56,600 --> 00:28:58,880
Speaker 5: Your energy was a little more you know, present, He

692
00:28:59,000 --> 00:29:01,760
Speaker 5: was more socialoting seemed like you were being as socially

693
00:29:01,800 --> 00:29:04,360
Speaker 5: awkward as the first year we went. It seemed like

694
00:29:04,400 --> 00:29:08,360
Speaker 5: you were more engaged with people. So yeah, you definitely

695
00:29:08,440 --> 00:29:12,480
Speaker 5: this this Rory was definitely a more upbeat in the

696
00:29:12,560 --> 00:29:14,440
Speaker 5: moment in tune, Rory.

697
00:29:14,800 --> 00:29:17,840
Speaker 2: Yeah, I definitely had the blank stare, like, all right,

698
00:29:17,880 --> 00:29:19,640
Speaker 2: so I just found out and then I just left

699
00:29:20,040 --> 00:29:22,480
Speaker 2: to go to the pet Awards and I'm already the

700
00:29:22,520 --> 00:29:26,160
Speaker 2: worst spother ever heard. And I think he was sick.

701
00:29:26,400 --> 00:29:29,160
Speaker 2: I was sick as yeah, yeah, yeah, yeah it was

702
00:29:29,240 --> 00:29:30,720
Speaker 2: that was just an interesting.

703
00:29:30,480 --> 00:29:32,719
Speaker 5: Yeah, no, you were sick. It was a lot going

704
00:29:32,800 --> 00:29:35,320
Speaker 5: on for you know this This this time felt more,

705
00:29:35,520 --> 00:29:38,120
Speaker 5: felt more. I felt more energy and more like, Okay,

706
00:29:38,280 --> 00:29:41,160
Speaker 5: I'm actually in here, I'm in the moment. So yeah,

707
00:29:41,320 --> 00:29:41,920
Speaker 5: good job man.

708
00:29:42,080 --> 00:29:46,200
Speaker 2: So so we got home on Monday, and then Tuesday

709
00:29:46,280 --> 00:29:48,320
Speaker 2: rolls around. I'm just, you know, scrolling through the timeline

710
00:29:48,360 --> 00:29:50,760
Speaker 2: like I usually do, trying to catch up on stuff

711
00:29:50,760 --> 00:29:53,640
Speaker 2: because you know, we missed a lot. We were busy.

712
00:29:54,400 --> 00:29:57,760
Speaker 2: And I see this this tweet that Iceman got a

713
00:29:57,840 --> 00:30:01,600
Speaker 2: bomb with some money emojis, and I thought, I is

714
00:30:01,680 --> 00:30:03,680
Speaker 2: Marvel doing a reboot. I did not know exactly what

715
00:30:03,840 --> 00:30:06,760
Speaker 2: you were talking about until every single blog picked that up.

716
00:30:06,880 --> 00:30:11,280
Speaker 2: As Drake has a huge disc coming against Kendrick Lamar

717
00:30:11,360 --> 00:30:13,560
Speaker 2: that's going to ruin his career. Is that what blog?

718
00:30:13,640 --> 00:30:13,840
Speaker 8: That's what?

719
00:30:13,920 --> 00:30:18,040
Speaker 2: That's what all the blogs took that it's not over.

720
00:30:18,440 --> 00:30:24,640
Speaker 2: Mal confirms that way at you because you broke this news.

721
00:30:25,040 --> 00:30:27,680
Speaker 2: Is that a nickname you gave him? Per Se, I

722
00:30:27,800 --> 00:30:30,080
Speaker 2: was not aware. I know the boy, I know Champagne Poppy.

723
00:30:32,560 --> 00:30:36,840
Speaker 2: I know six God, I know uh, Jimmy Wheelchair Jimmy.

724
00:30:37,480 --> 00:30:40,360
Speaker 2: I know a lot of Drake aliases. I even know

725
00:30:40,480 --> 00:30:43,640
Speaker 2: some of his crew, and there in their names. I

726
00:30:43,760 --> 00:30:48,040
Speaker 2: have yet to hear Iceman. When did he name himself that?

727
00:30:48,760 --> 00:30:49,120
Speaker 2: I don't know.

728
00:30:49,200 --> 00:30:50,080
Speaker 3: That's the name of the album?

729
00:30:50,440 --> 00:30:52,440
Speaker 2: That is that confirmed? Yeah?

730
00:30:52,440 --> 00:30:54,520
Speaker 3: I think he confirmed that. Okay, that's the name of

731
00:30:54,560 --> 00:30:54,920
Speaker 3: the album.

732
00:30:57,200 --> 00:31:00,120
Speaker 5: Probably has a lot of meanings, I'm sure, uh, but

733
00:31:00,200 --> 00:31:01,720
Speaker 5: that that is the name of the of the album

734
00:31:02,000 --> 00:31:04,040
Speaker 5: got you. At least I think that's the name of

735
00:31:04,040 --> 00:31:05,600
Speaker 5: the album. I believe that's the name of the album.

736
00:31:05,880 --> 00:31:08,960
Speaker 2: I mean, I would I prefer I mean, I just

737
00:31:09,000 --> 00:31:10,760
Speaker 2: prefer to call him Drake. But if I have to

738
00:31:10,880 --> 00:31:14,360
Speaker 2: go with a nickname, allbread it to me is weird

739
00:31:14,360 --> 00:31:16,840
Speaker 2: because we're not friends. I feel like that's only reserved

740
00:31:16,880 --> 00:31:20,320
Speaker 2: for women. That's sort of know him. M Champagne. Poppy

741
00:31:20,400 --> 00:31:22,000
Speaker 2: is just to like, I can't I can't call him

742
00:31:22,040 --> 00:31:25,400
Speaker 2: that Iceman. I don't know yet. I still think I'm

743
00:31:25,440 --> 00:31:28,960
Speaker 2: gonna go with Drake, but it's a little better with

744
00:31:29,040 --> 00:31:32,240
Speaker 2: the nicknames. I'm not gonna call him Scorpion. No, I

745
00:31:32,280 --> 00:31:34,480
Speaker 2: think that's the name of the album. Okay, you know,

746
00:31:34,600 --> 00:31:37,520
Speaker 2: is their meaning behind us? I'm pretty sure there is.

747
00:31:37,840 --> 00:31:40,800
Speaker 5: I mean, obviously, you know him being from the colder

748
00:31:40,920 --> 00:31:44,480
Speaker 5: region in the north of Toronto, Canadon, gotcha.

749
00:31:44,840 --> 00:31:46,320
Speaker 3: I think they might. It might have a lot to

750
00:31:46,400 --> 00:31:46,880
Speaker 3: do with his.

751
00:31:49,440 --> 00:31:52,280
Speaker 5: Kind of like we spoke about after the whole battle

752
00:31:52,320 --> 00:31:56,240
Speaker 5: went down, kind of becoming more cold, more standoffish.

753
00:31:55,840 --> 00:31:59,840
Speaker 2: And isolated, isolated. You got that one for free, that

754
00:32:00,080 --> 00:32:00,360
Speaker 2: the intro.

755
00:32:00,880 --> 00:32:02,400
Speaker 5: Yeah, I think that that may have something to do

756
00:32:02,440 --> 00:32:04,640
Speaker 5: with it as well, too, Like he's he's not as

757
00:32:04,800 --> 00:32:07,520
Speaker 5: warm and as embracing as he once was to people,

758
00:32:09,200 --> 00:32:11,200
Speaker 5: so he might be a little cold, a little standoffish.

759
00:32:11,560 --> 00:32:13,480
Speaker 2: Now. I came in here to ask some questions, but

760
00:32:13,560 --> 00:32:15,560
Speaker 2: I am in a few group chats with you behind

761
00:32:15,600 --> 00:32:18,800
Speaker 2: the scenes, and when those people asked, you didn't even reply.

762
00:32:19,200 --> 00:32:20,640
Speaker 2: So I don't know how much I'm gonna get out

763
00:32:20,640 --> 00:32:23,520
Speaker 2: of you on camera. As far as this entire thing.

764
00:32:24,400 --> 00:32:27,440
Speaker 2: Did you hear a record? Is that what you're referring

765
00:32:27,480 --> 00:32:30,520
Speaker 2: to by bomb? Is it in relation to the battle

766
00:32:30,600 --> 00:32:32,200
Speaker 2: or is it in relation to he just has a

767
00:32:32,320 --> 00:32:35,440
Speaker 2: great record coming. Is this a red button moment?

768
00:32:36,080 --> 00:32:38,400
Speaker 5: No, the battle is over. I think I don't think

769
00:32:38,480 --> 00:32:42,120
Speaker 5: his mind or his energy is in that space anymore.

770
00:32:42,120 --> 00:32:44,400
Speaker 5: I think this is a you know, this is the

771
00:32:44,480 --> 00:32:48,680
Speaker 5: official moving on, moving past that. That's in my rear view.

772
00:32:49,440 --> 00:32:54,240
Speaker 5: Just good, just great music, okay, just great music. Yeah,

773
00:32:54,320 --> 00:32:56,680
Speaker 5: so this tweet was a Iceman got a bomb. I mean,

774
00:32:56,840 --> 00:32:59,920
Speaker 5: it has nothing to do. It's not a battle going

775
00:33:00,120 --> 00:33:01,880
Speaker 5: that Kendrick Bond. I don't know why blogs. You know,

776
00:33:01,960 --> 00:33:04,760
Speaker 5: well I know that, but no, it's not that. This

777
00:33:04,880 --> 00:33:09,320
Speaker 5: is this is just great music, this particular record. I

778
00:33:09,360 --> 00:33:11,600
Speaker 5: think maybe the record, well, I know this record is

779
00:33:11,600 --> 00:33:13,280
Speaker 5: gonna go number one. It's just that type of record,

780
00:33:13,680 --> 00:33:16,680
Speaker 5: and obviously he will surpass. I think Michael Jackson was

781
00:33:16,960 --> 00:33:17,760
Speaker 5: his next number one.

782
00:33:18,240 --> 00:33:22,280
Speaker 2: Okay, so yeah, well I'm excited to hear music. You

783
00:33:22,440 --> 00:33:24,520
Speaker 2: do you do know what happens at this point right

784
00:33:24,560 --> 00:33:25,520
Speaker 2: when you post stuff.

785
00:33:25,240 --> 00:33:30,200
Speaker 5: Like this, maybe a little bit okay, I like doing

786
00:33:30,240 --> 00:33:31,760
Speaker 5: she didn't you know, I don't really tweet much. I

787
00:33:31,840 --> 00:33:33,280
Speaker 5: like shaking up the tomline.

788
00:33:32,960 --> 00:33:35,400
Speaker 2: And then a little l like one point eight million views.

789
00:33:35,360 --> 00:33:37,360
Speaker 5: Going back, going back to when when decks in the

790
00:33:37,480 --> 00:33:39,960
Speaker 5: you know what I'm saying, the induction induction stove in

791
00:33:40,000 --> 00:33:40,320
Speaker 5: the crib.

792
00:33:40,400 --> 00:33:41,800
Speaker 3: You know, you gotta win dex that thing after you

793
00:33:41,840 --> 00:33:42,760
Speaker 3: wipe it off, you know what I mean.

794
00:33:43,000 --> 00:33:45,320
Speaker 2: I will just say this, this podcast in general is

795
00:33:45,400 --> 00:33:47,760
Speaker 2: completely hypocritical because all I do is talk about how

796
00:33:47,960 --> 00:33:49,920
Speaker 2: this battle like actually kind of ruined hip hop, and

797
00:33:49,960 --> 00:33:51,480
Speaker 2: I think it's made media weird. I think it's made

798
00:33:51,480 --> 00:33:53,320
Speaker 2: the fans weird. I wish we'd all stop talking about it.

799
00:33:53,360 --> 00:33:55,520
Speaker 2: But then I do ship like, hey, djhad you want

800
00:33:55,520 --> 00:33:59,640
Speaker 2: to battle mall on on camera? And then obviously this

801
00:33:59,760 --> 00:34:02,560
Speaker 2: is this tweet, which you know, I'm happy you're the

802
00:34:02,640 --> 00:34:04,840
Speaker 2: one breaking this news, but of course it's going to

803
00:34:04,880 --> 00:34:07,760
Speaker 2: be tied to the beef. No one read that and

804
00:34:07,840 --> 00:34:10,600
Speaker 2: was like, oh, we're gonna get a Drake album that's

805
00:34:10,640 --> 00:34:12,480
Speaker 2: focused on the future and not what's going on in

806
00:34:12,520 --> 00:34:12,880
Speaker 2: the past.

807
00:34:13,280 --> 00:34:14,760
Speaker 3: No, he might be mad at me for that tweet,

808
00:34:14,800 --> 00:34:15,959
Speaker 3: but it's all good. I just can't.

809
00:34:16,000 --> 00:34:17,640
Speaker 5: I mean, I was listening to this record and it

810
00:34:17,800 --> 00:34:21,760
Speaker 5: was just like Jesus Christ, like big record, big record,

811
00:34:22,080 --> 00:34:24,000
Speaker 5: But yeah, I mean that's all it was.

812
00:34:24,239 --> 00:34:25,560
Speaker 3: He calls nothing to do with the beat? Is it

813
00:34:25,560 --> 00:34:26,359
Speaker 3: an ass shaking record?

814
00:34:26,440 --> 00:34:28,759
Speaker 2: Like, oh, yeah, you can shake ass to it, but

815
00:34:28,800 --> 00:34:31,080
Speaker 2: it's not, you know, it's I mean, I got to

816
00:34:31,080 --> 00:34:33,840
Speaker 2: shake some mass to some time. Stamp Records. Well, I

817
00:34:33,920 --> 00:34:36,080
Speaker 2: mean how you're feeling like, you know, that's if that's

818
00:34:36,120 --> 00:34:38,840
Speaker 2: your thing, Rory, not even Dallas just gets me. It

819
00:34:39,000 --> 00:34:40,400
Speaker 2: gets me, moving, gets the body.

820
00:34:40,800 --> 00:34:42,480
Speaker 3: Yeah, you start joging for sure.

821
00:34:43,800 --> 00:34:45,160
Speaker 2: Looks like Americans close fronts.

822
00:34:45,239 --> 00:34:48,239
Speaker 5: Yeah, man, nah, big big record, great record. I think

823
00:34:48,239 --> 00:34:50,120
Speaker 5: it's the perfect sentiment moving forward.

824
00:34:51,239 --> 00:34:52,759
Speaker 3: Yeah. And I'm just I'm just happy, man, I'm just

825
00:34:52,760 --> 00:34:56,000
Speaker 3: happy that, you know, we got some good, some new, good,

826
00:34:56,520 --> 00:34:57,480
Speaker 3: good music on the way.

827
00:34:58,239 --> 00:35:02,800
Speaker 2: Well, while we stay in young Money. On Friday, the

828
00:35:03,280 --> 00:35:07,440
Speaker 2: Carter six, seven, eight, nine, ten. I'm not good with

829
00:35:07,560 --> 00:35:12,560
Speaker 2: Roman numerals after five, like I'm good with the one, two, three, four.

830
00:35:12,680 --> 00:35:16,160
Speaker 5: Sometimes we get tricky because Rocky four is one of

831
00:35:16,200 --> 00:35:18,560
Speaker 5: my favorite movies. That's why I know five is just

832
00:35:18,640 --> 00:35:21,560
Speaker 5: the V So I like that, I know, But after that, dude,

833
00:35:21,560 --> 00:35:24,359
Speaker 5: I this could be eleven for all my fucking know. Yeah,

834
00:35:24,760 --> 00:35:26,120
Speaker 5: Carter six dropped on Friday.

835
00:35:27,480 --> 00:35:30,719
Speaker 2: I know it's it sounded like an excuse in the

836
00:35:30,840 --> 00:35:32,600
Speaker 2: media room with the amount of people off Mike. They

837
00:35:32,600 --> 00:35:33,759
Speaker 2: were saying what you think of I was like, I

838
00:35:33,840 --> 00:35:37,040
Speaker 2: really haven't had time to listen, and everyone thinks when

839
00:35:37,040 --> 00:35:38,680
Speaker 2: you say that, you're trying to be polite and saying

840
00:35:38,680 --> 00:35:41,680
Speaker 2: as trash, I hadn't, but I did end up listening

841
00:35:41,719 --> 00:35:44,640
Speaker 2: to the Carter six. And while I may share some

842
00:35:45,520 --> 00:35:48,160
Speaker 2: sentiments that the Timeline did for the entire weekend, which

843
00:35:48,280 --> 00:35:53,200
Speaker 2: was I don't just trying to ruin a legends legacy

844
00:35:54,000 --> 00:35:57,279
Speaker 2: off of projects. It's not as fucking bad as y'all

845
00:35:57,280 --> 00:35:57,840
Speaker 2: made it seem to be.

846
00:35:58,719 --> 00:35:58,960
Speaker 8: It is.

847
00:35:59,239 --> 00:36:02,200
Speaker 2: The production is a little all over the place, and yes,

848
00:36:02,840 --> 00:36:06,359
Speaker 2: we do know Wayne to experiment, but sometimes experiments go bad,

849
00:36:06,480 --> 00:36:09,799
Speaker 2: and sometimes you should take that experiment and go, well,

850
00:36:09,840 --> 00:36:11,680
Speaker 2: we tried it, let's delete it.

851
00:36:11,880 --> 00:36:12,080
Speaker 3: Yeah.

852
00:36:12,440 --> 00:36:14,600
Speaker 2: Yes, I had some moments on there for sure, but

853
00:36:14,760 --> 00:36:17,800
Speaker 2: it was not as fucking bad as we made this

854
00:36:17,960 --> 00:36:19,759
Speaker 2: out to be. On the Timeline, Like I was going

855
00:36:19,840 --> 00:36:23,919
Speaker 2: into that thinking this was horrendous, yea, and the first

856
00:36:23,960 --> 00:36:26,799
Speaker 2: two records, I was like, this is dope and then

857
00:36:26,880 --> 00:36:30,040
Speaker 2: started to take a few turns. But I don't with

858
00:36:30,200 --> 00:36:33,960
Speaker 2: certain rappers. And maybe it's a little hypocritical because I

859
00:36:34,800 --> 00:36:38,160
Speaker 2: am very critical of Eminem and I think his first

860
00:36:38,320 --> 00:36:41,200
Speaker 2: four five albums are incredible. After that, it just is

861
00:36:41,239 --> 00:36:45,080
Speaker 2: a shit show. Wayne. Shouldn't Wayne get a little bit

862
00:36:45,160 --> 00:36:48,560
Speaker 2: more grace from us if he does drop a dud, Like,

863
00:36:48,760 --> 00:36:51,839
Speaker 2: I don't what do we expect outside of Nas and Hove?

864
00:36:52,760 --> 00:36:55,719
Speaker 2: How have we seen hip hop age well as far

865
00:36:55,760 --> 00:36:56,880
Speaker 2: as desography.

866
00:36:56,440 --> 00:36:58,600
Speaker 5: Though, But that's the thing, Rory. When you're like you said,

867
00:36:58,800 --> 00:37:01,120
Speaker 5: Nads and Hove, you put them. You put those names

868
00:37:01,160 --> 00:37:03,520
Speaker 5: out there in regards to Lil Wayne, So you're you're

869
00:37:03,520 --> 00:37:06,600
Speaker 5: putting little Wayne in a space where these are the

870
00:37:06,680 --> 00:37:10,040
Speaker 5: best of the best. So when you're in the responsibility

871
00:37:10,080 --> 00:37:11,560
Speaker 5: comes with that when you're deemed one of the best

872
00:37:11,600 --> 00:37:13,640
Speaker 5: of the best. Some people have him as being the

873
00:37:13,680 --> 00:37:14,520
Speaker 5: greatest rapper ever.

874
00:37:14,800 --> 00:37:17,719
Speaker 3: Some people have him being, you know, better.

875
00:37:17,520 --> 00:37:20,440
Speaker 5: Than jay Z, better than Nads, better than whoever you

876
00:37:20,600 --> 00:37:22,760
Speaker 5: have at the top. Some people have Wayne number one.

877
00:37:22,800 --> 00:37:24,919
Speaker 2: And while I don't agree with that, I can see

878
00:37:25,239 --> 00:37:27,239
Speaker 2: somewhat of a certain age and where they were in

879
00:37:27,280 --> 00:37:30,040
Speaker 2: their life liking Wayne more than a Hove. And I

880
00:37:30,120 --> 00:37:34,480
Speaker 2: think he's done enough to be in the goat conversations.

881
00:37:34,640 --> 00:37:36,480
Speaker 2: I just don't think he's better than over Nas, but

882
00:37:37,080 --> 00:37:37,520
Speaker 2: he's there.

883
00:37:38,280 --> 00:37:40,880
Speaker 6: What nothing, Sorry, I'm sorry, I'm listening.

884
00:37:41,719 --> 00:37:45,680
Speaker 2: So yeah, I think I think M's last. However, many

885
00:37:45,719 --> 00:37:48,319
Speaker 2: albums have kind of fucking sucked. I think you could

886
00:37:48,320 --> 00:37:49,960
Speaker 2: maybe even make a case that m may have more

887
00:37:50,000 --> 00:37:53,520
Speaker 2: bad albums than good ones, but based on that run

888
00:37:53,560 --> 00:37:55,680
Speaker 2: that he had, if somebody said Eminem is the greatest

889
00:37:55,760 --> 00:37:57,680
Speaker 2: rapper of all time or should be in the goat conversation,

890
00:37:58,040 --> 00:38:00,120
Speaker 2: I mean I'd say, yes, you have every I have

891
00:38:00,160 --> 00:38:03,760
Speaker 2: to say that. So I think Wayne deserves that same grace,

892
00:38:03,920 --> 00:38:07,560
Speaker 2: even though this may have not been up to bar Well.

893
00:38:07,560 --> 00:38:09,359
Speaker 5: That's why I'm always on the side of Tom Will

894
00:38:09,360 --> 00:38:13,960
Speaker 5: Always Tell, and I'm with people saying Wayne is their

895
00:38:14,120 --> 00:38:16,960
Speaker 5: favorite rapper. But when you get into the field of

896
00:38:17,000 --> 00:38:19,960
Speaker 5: saying Wayne is the greatest rapper, that's why I always

897
00:38:19,960 --> 00:38:21,000
Speaker 5: get people push back like.

898
00:38:22,640 --> 00:38:25,680
Speaker 3: He can be your favorite rapper. Fine, I'm totally fine

899
00:38:25,680 --> 00:38:25,880
Speaker 3: with that.

900
00:38:26,600 --> 00:38:29,840
Speaker 5: But when you start saying he's the greatest rapper, and

901
00:38:29,920 --> 00:38:32,080
Speaker 5: then now we can go to catalog, we can go

902
00:38:32,200 --> 00:38:33,920
Speaker 5: to you know, songs, we can go to things that

903
00:38:33,960 --> 00:38:37,080
Speaker 5: can kind of like make this more realistic and more reality,

904
00:38:38,239 --> 00:38:41,040
Speaker 5: and when you get to somebody like Wayne, I always

905
00:38:41,040 --> 00:38:44,640
Speaker 5: felt like Wayne could rap. No argument there. I just

906
00:38:44,719 --> 00:38:48,280
Speaker 5: never felt like Wayne was as great of an artist

907
00:38:48,520 --> 00:38:51,200
Speaker 5: or rapper as some happen. He's one of my favorites

908
00:38:51,239 --> 00:38:54,280
Speaker 5: personal favorites, for sure, but when you start talking about

909
00:38:54,520 --> 00:38:56,680
Speaker 5: the greatest of all time the goat conversation.

910
00:38:57,960 --> 00:39:02,200
Speaker 2: Well, I mean, that's all objective, but I think it

911
00:39:02,280 --> 00:39:04,200
Speaker 2: is objective. I feel like, even in a non objective way,

912
00:39:04,200 --> 00:39:06,360
Speaker 2: I think Wayne should be in that conversation, which to

913
00:39:06,440 --> 00:39:09,880
Speaker 2: me gives him the grace of not doing what the

914
00:39:09,960 --> 00:39:13,080
Speaker 2: internet did over the weekend based.

915
00:39:12,840 --> 00:39:16,000
Speaker 5: Off Nah, nobody's nobody's exempt from the greats, exempt from

916
00:39:16,040 --> 00:39:16,359
Speaker 5: that rory.

917
00:39:16,440 --> 00:39:17,640
Speaker 3: You're never exempt from that, you know.

918
00:39:17,640 --> 00:39:20,400
Speaker 2: I'm saying, he out, hear me out. I feel like

919
00:39:20,960 --> 00:39:23,160
Speaker 2: Wayne also being from the era where you have to

920
00:39:23,200 --> 00:39:26,800
Speaker 2: have so much output, whereas Nas and Hove in the

921
00:39:26,840 --> 00:39:29,239
Speaker 2: beginning and middle of their career, they were in the

922
00:39:29,320 --> 00:39:31,480
Speaker 2: regular album cycle shit, where it's like I put an

923
00:39:31,480 --> 00:39:33,320
Speaker 2: album out, I go on to her, I disappear for

924
00:39:33,360 --> 00:39:37,000
Speaker 2: a year, rinse and repeat. Wayne was at the time

925
00:39:37,040 --> 00:39:38,680
Speaker 2: where you had to put out three mixtapes while you

926
00:39:38,760 --> 00:39:41,640
Speaker 2: were rolling out your album. Like, his output was based

927
00:39:41,680 --> 00:39:42,960
Speaker 2: off the era he was in, and when you have

928
00:39:43,120 --> 00:39:45,880
Speaker 2: so much output, there's a high chance that some of

929
00:39:45,960 --> 00:39:49,600
Speaker 2: it may suck. So I don't think it's an even

930
00:39:49,640 --> 00:39:52,600
Speaker 2: embarrassing can then, I remember when I was a teenager,

931
00:39:53,920 --> 00:39:56,120
Speaker 2: when Nas, when I was a teenager was the time

932
00:39:56,160 --> 00:39:59,759
Speaker 2: when people started to question NAS A bit. I was.

933
00:40:00,120 --> 00:40:02,880
Speaker 2: I was young for the golden erab Nas still madic.

934
00:40:02,960 --> 00:40:04,960
Speaker 2: I was young. I was like the first NAS project,

935
00:40:05,000 --> 00:40:08,000
Speaker 2: I like, remember was there the entire thing? Godson was great,

936
00:40:08,040 --> 00:40:10,400
Speaker 2: but one Streets Disciple, which I think is a good

937
00:40:10,400 --> 00:40:13,640
Speaker 2: album hip hop is dead Untitled that Run. Even though

938
00:40:13,719 --> 00:40:16,879
Speaker 2: I like those projects, people from your era were like, Nah,

939
00:40:16,920 --> 00:40:19,560
Speaker 2: that ain't it. But I never saw anyone Wayne, No

940
00:40:19,640 --> 00:40:23,320
Speaker 2: I'm saying Nash, I never saw anyone completely shit in

941
00:40:23,640 --> 00:40:28,640
Speaker 2: discredit NAS's entire legacy the week that Untitled came out,

942
00:40:29,000 --> 00:40:31,359
Speaker 2: mm hmm. And I just think it's unfair what people

943
00:40:31,360 --> 00:40:34,239
Speaker 2: are doing. Wayne. If you dislike it, cool, I feel you.

944
00:40:34,360 --> 00:40:36,000
Speaker 2: I get it, and it's okay to say that artists

945
00:40:36,040 --> 00:40:38,239
Speaker 2: to be judged. But I saw like it was a

946
00:40:38,480 --> 00:40:42,759
Speaker 2: next level of Wayne teardown. Yeah, none of Carter two

947
00:40:42,840 --> 00:40:43,400
Speaker 2: doesn't exist.

948
00:40:43,520 --> 00:40:45,360
Speaker 5: Like I think that that would happen from any of

949
00:40:45,400 --> 00:40:47,040
Speaker 5: the greats. I think right now Nas put out a

950
00:40:47,120 --> 00:40:48,840
Speaker 5: dud that Tomline would kill him. I think right now

951
00:40:49,000 --> 00:40:50,960
Speaker 5: Jay Z dropped the dud that Tomlin would kill him.

952
00:40:50,960 --> 00:40:52,920
Speaker 5: I think right now, if Drake dropped the dud, the

953
00:40:53,000 --> 00:40:55,360
Speaker 5: Tomline would go I think that's reserved for the greats,

954
00:40:55,440 --> 00:40:58,120
Speaker 5: Like the greats are not supposed to drop duds. That's

955
00:40:58,160 --> 00:40:59,960
Speaker 5: just that's just what comes with being labeled as one

956
00:41:00,080 --> 00:41:01,800
Speaker 5: of the goats. You can't drop a dont now. You

957
00:41:01,840 --> 00:41:04,440
Speaker 5: don't got to drop a classic every time out. We're

958
00:41:04,480 --> 00:41:07,840
Speaker 5: not saying, give us a classic album every time you release.

959
00:41:08,840 --> 00:41:11,759
Speaker 5: But I can't sit here and give Wayne any you know,

960
00:41:12,600 --> 00:41:16,000
Speaker 5: an any rope and any slack. When we watched NAS

961
00:41:16,040 --> 00:41:18,200
Speaker 5: put out six albums that were incredible.

962
00:41:18,160 --> 00:41:20,400
Speaker 2: I agree, So this is this is That's why I

963
00:41:20,440 --> 00:41:22,840
Speaker 2: try to bring up the time when we didn't know

964
00:41:23,000 --> 00:41:24,400
Speaker 2: the run that he was going to go on with

965
00:41:24,520 --> 00:41:27,799
Speaker 2: King Disease and Magic, like before we got to Life

966
00:41:27,920 --> 00:41:31,440
Speaker 2: is Good, which I think is a cult classic, that

967
00:41:31,640 --> 00:41:35,080
Speaker 2: those three albums before that, Everyone's like, well, I mean

968
00:41:35,239 --> 00:41:38,000
Speaker 2: he's still NAS, but like this is just the latter

969
00:41:38,080 --> 00:41:40,120
Speaker 2: half of his career. We thought at that time, Yeah,

970
00:41:40,640 --> 00:41:42,520
Speaker 2: why can't we just give that same grace to Way.

971
00:41:42,680 --> 00:41:44,200
Speaker 2: I don't like it either, but that doesn't mean I'm

972
00:41:44,239 --> 00:41:47,400
Speaker 2: shitting on his entire existence. Yeah, everything he's ever done.

973
00:41:47,320 --> 00:41:48,040
Speaker 3: You can't shit on.

974
00:41:48,239 --> 00:41:51,800
Speaker 5: You can't anybody trying to shoot on Wayne's entire existence

975
00:41:51,840 --> 00:41:54,920
Speaker 5: in careers. Just you're just looking for attention on the

976
00:41:54,960 --> 00:41:57,120
Speaker 5: timeline and trying to row people up. But you know,

977
00:41:57,239 --> 00:41:59,000
Speaker 5: Wayne is still one of the goats. He's still one

978
00:41:59,000 --> 00:42:01,440
Speaker 5: of the greatest. He's still a little Wayne. Let's let's

979
00:42:01,520 --> 00:42:04,200
Speaker 5: keep that very clear. I just think that, you know,

980
00:42:04,440 --> 00:42:08,000
Speaker 5: the timeline heard the latest project and weren't happy with it,

981
00:42:08,120 --> 00:42:11,640
Speaker 5: didn't like it. You know, expected more, expected better from Wayne.

982
00:42:11,880 --> 00:42:13,600
Speaker 2: Some production was just all over the place.

983
00:42:14,719 --> 00:42:17,320
Speaker 5: But that but those are things that you know, again,

984
00:42:17,960 --> 00:42:19,480
Speaker 5: when you want you create art and put it out,

985
00:42:19,920 --> 00:42:22,319
Speaker 5: the consumers will you know, they will judge it, they

986
00:42:22,360 --> 00:42:24,960
Speaker 5: will give you up their opinion on it. A lot

987
00:42:25,000 --> 00:42:26,879
Speaker 5: of people didn't like the project. I've seen some people

988
00:42:26,920 --> 00:42:30,040
Speaker 5: that did. But that's not make any mistake about it.

989
00:42:30,120 --> 00:42:30,919
Speaker 5: It's still little Wayne.

990
00:42:31,360 --> 00:42:35,000
Speaker 3: At least it wasn't Ai. That's a whole other conversation.

991
00:42:35,800 --> 00:42:38,400
Speaker 5: Like, at least Wayne is actually still writing and still rapping,

992
00:42:38,480 --> 00:42:39,640
Speaker 5: and it's still him.

993
00:42:40,040 --> 00:42:41,440
Speaker 2: Like I'm just picking the experiment.

994
00:42:41,640 --> 00:42:43,160
Speaker 3: Look at what we had. Well, we're just grateful for that.

995
00:42:43,320 --> 00:42:46,200
Speaker 5: We're grateful that the artist actually got into booth and

996
00:42:46,440 --> 00:42:49,800
Speaker 5: actually spit some bars into the microphone. Like we're just

997
00:42:49,880 --> 00:42:52,239
Speaker 5: grateful for that. But there's a couple jumps on there.

998
00:42:52,239 --> 00:42:53,839
Speaker 5: I like the Flex Up I believe it's called flex

999
00:42:53,920 --> 00:42:54,360
Speaker 5: Up record.

1000
00:42:54,960 --> 00:42:55,080
Speaker 4: Uh.

1001
00:42:55,400 --> 00:42:58,560
Speaker 5: It was another one that I liked, but a lot,

1002
00:42:58,600 --> 00:42:59,920
Speaker 5: you know, a lot of it I probably won't go

1003
00:43:00,160 --> 00:43:01,640
Speaker 5: back to, but those those two.

1004
00:43:01,760 --> 00:43:03,360
Speaker 3: It flecks up. And it was another one that I

1005
00:43:03,480 --> 00:43:03,840
Speaker 3: really like.

1006
00:43:04,360 --> 00:43:06,120
Speaker 2: Bell was walking to the Carter first of you joint

1007
00:43:06,160 --> 00:43:07,520
Speaker 2: Welcome to the Car, I think, or that one. I

1008
00:43:07,600 --> 00:43:09,439
Speaker 2: like that Yo Ban from n O. I didn't fully

1009
00:43:09,520 --> 00:43:12,719
Speaker 2: understand because he's already smoked the band from TV be

1010
00:43:12,960 --> 00:43:13,680
Speaker 2: on No Ceilings.

1011
00:43:13,880 --> 00:43:16,000
Speaker 3: Yeah, Like I just don't get it.

1012
00:43:16,640 --> 00:43:18,800
Speaker 2: But I mean, I thought it was great that Nicky

1013
00:43:19,040 --> 00:43:21,720
Speaker 2: came right away when when the hate train was happening

1014
00:43:21,840 --> 00:43:25,359
Speaker 2: and remixed it within twenty four hours. Like I think

1015
00:43:25,440 --> 00:43:27,840
Speaker 2: their relationship is cool to watch because and hip I

1016
00:43:28,120 --> 00:43:31,920
Speaker 2: usually this many years in between two artists and one

1017
00:43:32,719 --> 00:43:36,839
Speaker 2: signed you that's usually a shit show, Like there's beef

1018
00:43:36,880 --> 00:43:39,840
Speaker 2: at that point. Everyone hates each other. People doing Vlad interviews,

1019
00:43:39,880 --> 00:43:42,680
Speaker 2: Like I love that Nikki still you know, whatever Wayne needs,

1020
00:43:42,719 --> 00:43:45,160
Speaker 2: she's showing up because she understands what Wayne you know,

1021
00:43:45,280 --> 00:43:47,200
Speaker 2: did for her, which she talks about constantly.

1022
00:43:47,280 --> 00:43:49,800
Speaker 3: Oh man, we talk and I talk about that constant.

1023
00:43:49,840 --> 00:43:53,560
Speaker 2: I admired Nikki for always making sure everyone knows what

1024
00:43:53,640 --> 00:43:57,719
Speaker 2: Wayne did for everybody Wayne Wayne, I appreciate Nickcky does

1025
00:43:57,760 --> 00:43:58,000
Speaker 2: that type.

1026
00:43:58,200 --> 00:44:00,400
Speaker 5: Wayne is forever one of my favorite people for what

1027
00:44:00,520 --> 00:44:03,560
Speaker 5: he did when it came to Nicky and Drake, Like

1028
00:44:03,800 --> 00:44:06,719
Speaker 5: for him to be Lil Wayne and just have those

1029
00:44:06,760 --> 00:44:09,440
Speaker 5: who are assigned to him, but then for him to

1030
00:44:09,560 --> 00:44:14,160
Speaker 5: have the ability to tuck his ego because he's Lil Wayne,

1031
00:44:14,800 --> 00:44:16,560
Speaker 5: but for him to tuck his ego, move out the

1032
00:44:16,560 --> 00:44:18,759
Speaker 5: way and allow Nikki to become Nicki and allowed Drake

1033
00:44:18,800 --> 00:44:21,839
Speaker 5: to become Drake. That speaks to Lil Wayne the man

1034
00:44:22,160 --> 00:44:26,200
Speaker 5: more than it speaks to Lil Wayne the artist yet.

1035
00:44:27,760 --> 00:44:31,440
Speaker 2: More. I'm tired of seeing ads for phone plans and go, Wow,

1036
00:44:31,480 --> 00:44:33,840
Speaker 2: that's a great price, and then I sign up, and

1037
00:44:33,880 --> 00:44:35,239
Speaker 2: then at the end of the month I get my

1038
00:44:35,360 --> 00:44:37,800
Speaker 2: bill and it is way higher. That is done with

1039
00:44:37,880 --> 00:44:41,480
Speaker 2: boost Mobile. You pay twenty five dollars a month forever.

1040
00:44:41,880 --> 00:44:45,320
Speaker 2: That's unlimited talk, text and data just at twenty five dollars.

1041
00:44:45,520 --> 00:44:47,879
Speaker 5: Five G speed is not available in all areas. After

1042
00:44:47,960 --> 00:44:51,279
Speaker 5: thirty GB, customers may experience slower speeds. Customers will pay

1043
00:44:51,320 --> 00:44:53,160
Speaker 5: twenty five dollars a month as long as they remain

1044
00:44:53,239 --> 00:44:54,680
Speaker 5: active on the Boost Unlimited plan.

1045
00:45:00,640 --> 00:45:04,279
Speaker 2: Well, I love your prediction of what Timberland is going

1046
00:45:04,320 --> 00:45:05,759
Speaker 2: to do with Tata. Do you think he'll get out

1047
00:45:05,800 --> 00:45:07,880
Speaker 2: the way and just let her download?

1048
00:45:08,840 --> 00:45:10,879
Speaker 3: I think that's what you do with Ai'll.

1049
00:45:12,719 --> 00:45:15,320
Speaker 2: Y'all got no ego with Ta, you can do it.

1050
00:45:15,560 --> 00:45:17,600
Speaker 3: Just just just upload the beat and let Tata do

1051
00:45:17,680 --> 00:45:18,239
Speaker 3: what she want to do.

1052
00:45:18,480 --> 00:45:20,359
Speaker 2: Like you know that, cause I had to play catch

1053
00:45:20,440 --> 00:45:23,040
Speaker 2: up over the weekend. Of course, that caused a lot

1054
00:45:23,400 --> 00:45:26,560
Speaker 2: within not just hip hop, but the producer community. Timberlin

1055
00:45:26,600 --> 00:45:30,200
Speaker 2: announced that he has his new AI artists partnered with

1056
00:45:31,400 --> 00:45:34,920
Speaker 2: with Stage zero I believe it is, and he's introducing

1057
00:45:34,960 --> 00:45:42,120
Speaker 2: Tata that is a living learning music artist. They tried

1058
00:45:42,160 --> 00:45:43,680
Speaker 2: to flip it in the press release that it's not

1059
00:45:43,840 --> 00:45:45,759
Speaker 2: AI to the point that I started reading like, oh,

1060
00:45:45,800 --> 00:45:48,279
Speaker 2: wait is an artists that they're using AI with, And

1061
00:45:48,360 --> 00:45:49,640
Speaker 2: then I got to the end of the articles like, no,

1062
00:45:49,719 --> 00:45:52,200
Speaker 2: this is a made up person. They said she's They

1063
00:45:52,239 --> 00:45:54,200
Speaker 2: said she's living and breathing. No she's not.

1064
00:45:54,400 --> 00:45:56,800
Speaker 5: She's not an avatar, she is not a character. She

1065
00:45:57,000 --> 00:46:02,919
Speaker 5: is Tata is a living learning autonomous music artists. Autonomous

1066
00:46:03,040 --> 00:46:05,239
Speaker 5: music artist. He wrote this for them too, built with

1067
00:46:05,600 --> 00:46:07,759
Speaker 5: wrote this, Tata is the start of something bigger. You

1068
00:46:07,800 --> 00:46:10,600
Speaker 5: don't say she's the first artist of a new generation.

1069
00:46:10,880 --> 00:46:13,960
Speaker 5: A pop is the next A pop is the next

1070
00:46:14,040 --> 00:46:18,319
Speaker 5: cultural evolution, and Tata is its first icon.

1071
00:46:19,360 --> 00:46:22,120
Speaker 3: Yeah, I saw uh as I knew I would. I

1072
00:46:22,160 --> 00:46:24,640
Speaker 3: saw Guru on a I g live.

1073
00:46:24,960 --> 00:46:27,880
Speaker 2: Shouts to Guru. Also a great example of you can

1074
00:46:28,680 --> 00:46:31,959
Speaker 2: have just honest conversation with each other without dispect because

1075
00:46:32,520 --> 00:46:34,520
Speaker 2: it is not, of course, but I love that Guru.

1076
00:46:34,760 --> 00:46:38,320
Speaker 2: Like even in the comment he left under this release

1077
00:46:38,560 --> 00:46:40,719
Speaker 2: of how this is problematic, Like, Tim, I love you.

1078
00:46:40,760 --> 00:46:42,080
Speaker 2: I'm having this. I want to have this conversation with

1079
00:46:42,160 --> 00:46:42,879
Speaker 2: you because I love.

1080
00:46:42,800 --> 00:46:46,160
Speaker 3: You and all of us we all love and respect

1081
00:46:46,200 --> 00:46:48,520
Speaker 3: and appreciate it. To take that information, Yeah, it has

1082
00:46:48,600 --> 00:46:50,479
Speaker 3: given us. That goes without saying.

1083
00:46:50,600 --> 00:46:52,600
Speaker 5: I gave Timbling the thumbs down when we sit with

1084
00:46:52,719 --> 00:46:55,360
Speaker 5: JD and I asked him about this at BT weekend.

1085
00:46:55,360 --> 00:46:57,080
Speaker 5: I still give Tim a thumbs Now, Tim Timbla is

1086
00:46:57,160 --> 00:46:59,440
Speaker 5: not supposed to be attached to a part of any

1087
00:46:59,480 --> 00:47:01,920
Speaker 5: of this. Is this is not the way we want

1088
00:47:01,960 --> 00:47:04,279
Speaker 5: to go with the music. We are already with the

1089
00:47:04,360 --> 00:47:06,719
Speaker 5: music industry and the music business being the way it is,

1090
00:47:06,760 --> 00:47:08,680
Speaker 5: in random way, its is for us to now be

1091
00:47:08,760 --> 00:47:13,359
Speaker 5: implementing artists and songs and music to this type of technology.

1092
00:47:14,120 --> 00:47:16,239
Speaker 5: I just don't think Tim Bland's brand should be a

1093
00:47:16,280 --> 00:47:16,640
Speaker 5: part of this.

1094
00:47:17,040 --> 00:47:21,920
Speaker 2: I mean, Swiz brought up an interesting point that I

1095
00:47:22,560 --> 00:47:25,200
Speaker 2: guess I agree, because I do not agree. I'm on

1096
00:47:25,400 --> 00:47:27,560
Speaker 2: the side of Guru with everything that he said about

1097
00:47:28,719 --> 00:47:33,080
Speaker 2: how these AI artists are legitimally just digesting catalogs of

1098
00:47:33,239 --> 00:47:36,400
Speaker 2: music to create how good they are, and no artists

1099
00:47:36,400 --> 00:47:38,759
Speaker 2: a producer, we don't even know what they're using. Like

1100
00:47:38,960 --> 00:47:41,920
Speaker 2: you can legitimately upload an entire catalog to create this

1101
00:47:42,280 --> 00:47:46,719
Speaker 2: a shit with no back end to the artists at all. Like,

1102
00:47:47,000 --> 00:47:48,719
Speaker 2: how is that fair if I give you jay z

1103
00:47:48,840 --> 00:47:51,240
Speaker 2: and Na's computer and they're like, they have the ability

1104
00:47:51,360 --> 00:47:53,920
Speaker 2: to be just as good as fucking insane, right, and

1105
00:47:54,040 --> 00:47:56,440
Speaker 2: you don't give credit to any of the artists. Very

1106
00:47:56,880 --> 00:48:00,640
Speaker 2: detrimental to the community of creatives. But I do see

1107
00:48:00,640 --> 00:48:03,640
Speaker 2: what Swizz is saying on the tech side, This AI

1108
00:48:03,719 --> 00:48:06,959
Speaker 2: shit is happening regardless, and you even saw he didn't

1109
00:48:06,960 --> 00:48:08,520
Speaker 2: mention this part, but I knew what he was getting

1110
00:48:08,560 --> 00:48:13,560
Speaker 2: at Black artists were late on the streaming side. We

1111
00:48:13,640 --> 00:48:15,680
Speaker 2: even saw what would Hove had to do with title

1112
00:48:15,760 --> 00:48:17,480
Speaker 2: to try to keep up with what was going on

1113
00:48:17,560 --> 00:48:19,920
Speaker 2: with Spotify and Apple and how everything was switching to streaming.

1114
00:48:20,960 --> 00:48:24,560
Speaker 2: Everybody's late. If the white artists are already going to

1115
00:48:24,680 --> 00:48:28,759
Speaker 2: use it and are ahead of it, why can't Tim

1116
00:48:28,840 --> 00:48:30,839
Speaker 2: get in there as well? Because it's going to happen.

1117
00:48:31,640 --> 00:48:33,080
Speaker 3: Yeah, but that don't mean a lot of shit.

1118
00:48:33,120 --> 00:48:34,800
Speaker 2: And when the rules start to change the way streaming

1119
00:48:34,840 --> 00:48:37,400
Speaker 2: has where that is the only way the biggest community

1120
00:48:37,640 --> 00:48:40,360
Speaker 2: consumes music. Yeah, a lot of people thought streaming may

1121
00:48:40,400 --> 00:48:42,759
Speaker 2: be detrimental and weren't getting paid enough, and there was

1122
00:48:43,040 --> 00:48:45,239
Speaker 2: different slides of who's getting paid this and paid that.

1123
00:48:46,160 --> 00:48:48,520
Speaker 2: If you don't set the rules now and make sure

1124
00:48:48,600 --> 00:48:52,080
Speaker 2: that all the communities are represented and everything is fair

1125
00:48:52,120 --> 00:48:54,840
Speaker 2: in this, it could get even crazier when AI becomes

1126
00:48:54,880 --> 00:48:56,880
Speaker 2: the standard the way streaming became the standard.

1127
00:48:57,160 --> 00:48:57,359
Speaker 3: Yeah.

1128
00:48:57,480 --> 00:48:59,279
Speaker 2: And I'm not saying Tim is doing this because he

1129
00:48:59,280 --> 00:49:01,040
Speaker 2: definitely didn't mention that in the fucking press release, Like

1130
00:49:01,120 --> 00:49:03,520
Speaker 2: this is to make sure black creatives are taken care of.

1131
00:49:03,800 --> 00:49:09,160
Speaker 2: This bitch is a k pop video game, and no

1132
00:49:09,280 --> 00:49:11,399
Speaker 2: dispect to k pop yet I've been attacked by enough

1133
00:49:11,960 --> 00:49:15,399
Speaker 2: I was, I was gonna say, been attacked by enough

1134
00:49:15,440 --> 00:49:18,600
Speaker 2: groups over the past few months. I think it is

1135
00:49:18,640 --> 00:49:21,160
Speaker 2: safe to say that K pop is very much influenced

1136
00:49:21,200 --> 00:49:24,520
Speaker 2: by black culture. Is that a crazy statement? No, you

1137
00:49:24,560 --> 00:49:27,680
Speaker 2: could make the statement a bit crazier than the word influenced.

1138
00:49:28,360 --> 00:49:32,480
Speaker 2: But with that said, I see what'sw wass the saying.

1139
00:49:32,800 --> 00:49:35,600
Speaker 2: I don't think that's Tim's intentions at all, But I don't.

1140
00:49:35,680 --> 00:49:39,600
Speaker 5: I don't think that Timbaland Swiss, any of our greatest

1141
00:49:39,680 --> 00:49:43,840
Speaker 5: producers and musicians have to do anything with AI artists.

1142
00:49:44,239 --> 00:49:45,640
Speaker 3: I don't think. I don't think they have to at

1143
00:49:45,640 --> 00:49:50,160
Speaker 3: all at all. I get I get AI as a

1144
00:49:50,239 --> 00:49:52,239
Speaker 3: technology that is here, that is happening and all of this.

1145
00:49:52,360 --> 00:49:52,759
Speaker 2: I get that.

1146
00:49:53,320 --> 00:49:56,800
Speaker 5: But when it comes to musicians and making music and

1147
00:49:56,880 --> 00:50:01,080
Speaker 5: things like that, God bless is so oh. I find

1148
00:50:01,120 --> 00:50:04,040
Speaker 5: it very hard to even fathom or think that Quincy

1149
00:50:04,160 --> 00:50:07,840
Speaker 5: Jones would have ever been a part of anything like this.

1150
00:50:10,480 --> 00:50:11,440
Speaker 2: Yeah, I mean, I don't know.

1151
00:50:11,680 --> 00:50:13,799
Speaker 5: I don't think Stevie Wonder is Stevie Wonder will ever

1152
00:50:13,920 --> 00:50:16,799
Speaker 5: lend his musical ability to anything AI.

1153
00:50:16,920 --> 00:50:17,600
Speaker 3: I don't think so.

1154
00:50:18,080 --> 00:50:21,280
Speaker 2: But yeah, I agree, But you don't know the Stevie

1155
00:50:21,360 --> 00:50:26,480
Speaker 2: Wonder that is born in twenty twenty two, and this

1156
00:50:26,760 --> 00:50:30,680
Speaker 2: is already close to what a standard is with certain

1157
00:50:30,800 --> 00:50:33,799
Speaker 2: music business twenty twenty five. When that kid grows up

1158
00:50:34,520 --> 00:50:37,840
Speaker 2: in this era, that's all they'll know, Like it'll just

1159
00:50:37,920 --> 00:50:40,839
Speaker 2: be it. Like if Stevie was born in twenty twenty

1160
00:50:40,920 --> 00:50:43,600
Speaker 2: five and then in fifteen years when he started to

1161
00:50:43,719 --> 00:50:45,640
Speaker 2: like want to become an artist, this is going to

1162
00:50:45,680 --> 00:50:46,240
Speaker 2: be a standard.

1163
00:50:46,320 --> 00:50:48,520
Speaker 5: So I don't know Steve would have been like, Nope,

1164
00:50:48,680 --> 00:50:50,279
Speaker 5: I don't I don't believe. Yes, I think I think

1165
00:50:50,320 --> 00:50:50,960
Speaker 5: it's keys for.

1166
00:50:51,040 --> 00:50:54,160
Speaker 2: Me, Like he'd be coming up in a society, in

1167
00:50:54,239 --> 00:50:57,279
Speaker 2: a music world where this wasn't taboo. This is just

1168
00:50:57,719 --> 00:51:00,279
Speaker 2: what's being taught to you. I don't think so, I

1169
00:51:00,360 --> 00:51:01,960
Speaker 2: hope not. I hope I'm wrong about that, but.

1170
00:51:02,200 --> 00:51:04,960
Speaker 5: Yeah, because I don't think that. I don't shit, I

1171
00:51:04,960 --> 00:51:07,319
Speaker 5: don't think you would ever do anything with a AI.

1172
00:51:07,400 --> 00:51:09,280
Speaker 2: But I see, I don't know that because even before,

1173
00:51:09,440 --> 00:51:11,720
Speaker 2: like I love the paywall shit, and I think streaming

1174
00:51:11,960 --> 00:51:14,600
Speaker 2: is that's right, we talked, We've been talking for ten

1175
00:51:14,680 --> 00:51:18,160
Speaker 2: years about how much it fucks over artists. I have

1176
00:51:18,280 --> 00:51:20,640
Speaker 2: to use it like it's it's in it's the era

1177
00:51:20,800 --> 00:51:22,960
Speaker 2: that I'm in. And a kid, yeah, a kid that

1178
00:51:23,120 --> 00:51:24,160
Speaker 2: wasn't in the streaming.

1179
00:51:25,440 --> 00:51:27,719
Speaker 5: That's different than having an AI artist that's not a

1180
00:51:27,760 --> 00:51:31,160
Speaker 5: real person and you just implement your musicianship. And as

1181
00:51:31,200 --> 00:51:33,839
Speaker 5: Timbling goes and takes his production and puts it into

1182
00:51:33,880 --> 00:51:36,480
Speaker 5: a file and they tak an artist running through a program,

1183
00:51:37,400 --> 00:51:39,600
Speaker 5: I can't even call it artist AI running through a

1184
00:51:39,640 --> 00:51:41,480
Speaker 5: program and now you have a record.

1185
00:51:41,960 --> 00:51:42,520
Speaker 3: I just don't.

1186
00:51:42,880 --> 00:51:46,840
Speaker 5: There's so many musicians that we're taking We're taking the

1187
00:51:46,960 --> 00:51:49,799
Speaker 5: soul out of music. We're taking the soul a lot

1188
00:51:49,840 --> 00:51:52,520
Speaker 5: of musicianship, we're taking the soul out of artistry. Like

1189
00:51:53,200 --> 00:51:55,919
Speaker 5: if we're just going to use a program to create

1190
00:51:56,000 --> 00:51:58,200
Speaker 5: a song and to create it's like, I just don't.

1191
00:51:58,400 --> 00:52:01,040
Speaker 5: There are a lot of musicians that I think young

1192
00:52:01,239 --> 00:52:03,879
Speaker 5: musicians that I don't think would ever be a part

1193
00:52:03,920 --> 00:52:04,600
Speaker 5: of anything like this.

1194
00:52:04,800 --> 00:52:05,719
Speaker 3: I don't. I just don't see it.

1195
00:52:06,000 --> 00:52:08,600
Speaker 2: Yeah, I mean I saw a lot of other people

1196
00:52:08,640 --> 00:52:11,520
Speaker 2: that are very much pro AI and it's here now,

1197
00:52:11,680 --> 00:52:13,480
Speaker 2: so I'm gonna utilize it and I'm not gonna be

1198
00:52:13,520 --> 00:52:16,200
Speaker 2: left behind. Say this is what people said about sampling,

1199
00:52:16,280 --> 00:52:18,399
Speaker 2: is what people said about autotune. Yeah, it was said,

1200
00:52:18,440 --> 00:52:20,880
Speaker 2: but this is Apple's and bowling balls like I can

1201
00:52:20,960 --> 00:52:26,120
Speaker 2: see why some artists were mad about sampling outside of

1202
00:52:26,160 --> 00:52:28,520
Speaker 2: it if you were actually stealing, but just how it

1203
00:52:28,600 --> 00:52:31,120
Speaker 2: took away from music. And even when Prince said, at

1204
00:52:31,160 --> 00:52:32,839
Speaker 2: what point we're gonna get that the sample is being

1205
00:52:32,880 --> 00:52:34,840
Speaker 2: sampled by the sample of the sample, but print sampled

1206
00:52:34,880 --> 00:52:36,360
Speaker 2: as well, but he was just saying, it's getting a

1207
00:52:36,360 --> 00:52:37,120
Speaker 2: little too ridiculous.

1208
00:52:37,160 --> 00:52:37,279
Speaker 7: Now.

1209
00:52:37,640 --> 00:52:40,560
Speaker 2: Auto tune as well, that was frowned upon, even though

1210
00:52:40,560 --> 00:52:43,400
Speaker 2: people were using autotuned at a very light level and

1211
00:52:43,440 --> 00:52:45,560
Speaker 2: no one knew when when all the way up it

1212
00:52:45,719 --> 00:52:48,439
Speaker 2: was killed. And now it's a standard. I still don't

1213
00:52:48,440 --> 00:52:50,600
Speaker 2: think it's the same as as Tata.

1214
00:52:51,160 --> 00:52:53,399
Speaker 5: Yeah, but it's a standard. It's a standard for people

1215
00:52:53,520 --> 00:52:57,239
Speaker 5: that can't really perform to a certain level. AutoTunes as

1216
00:52:57,280 --> 00:53:01,400
Speaker 5: a standard for somebody that can't singing key, somebody that

1217
00:53:01,520 --> 00:53:04,439
Speaker 5: can't stay on tune, somebody that it's okay, you felt

1218
00:53:04,520 --> 00:53:05,400
Speaker 5: this is kind of out of key.

1219
00:53:05,520 --> 00:53:06,560
Speaker 3: His no was a little flat.

1220
00:53:07,120 --> 00:53:10,000
Speaker 5: Let me this technology to adjust it to make it

1221
00:53:10,080 --> 00:53:14,800
Speaker 5: sound good. Whitney Houston didn't have that problem. No, Beyonce

1222
00:53:14,920 --> 00:53:18,200
Speaker 5: doesn't have that problem. Sure, like you have the great.

1223
00:53:18,239 --> 00:53:20,040
Speaker 5: So Jazzmin Sullivan is not auto.

1224
00:53:19,920 --> 00:53:23,880
Speaker 3: Tuned, but there's also musicality is not auto tuned.

1225
00:53:24,400 --> 00:53:26,960
Speaker 2: Fair and I think there that's a stat that they

1226
00:53:27,080 --> 00:53:29,040
Speaker 2: have and should be proud of, and we should honor

1227
00:53:29,080 --> 00:53:31,040
Speaker 2: and make sure that people know that they get their

1228
00:53:31,080 --> 00:53:34,839
Speaker 2: own musicians. There's music that I love that uses some tune.

1229
00:53:34,920 --> 00:53:36,759
Speaker 5: I'm not I'm not saying this. I'm not saying this.

1230
00:53:37,360 --> 00:53:39,040
Speaker 5: I'm not saying this music that doesn't use it that

1231
00:53:39,120 --> 00:53:41,920
Speaker 5: isn't good. I'm just saying it's not the standard.

1232
00:53:42,000 --> 00:53:44,359
Speaker 2: I've heard Kendrick Drake and Cole use a ship ton

1233
00:53:44,400 --> 00:53:45,319
Speaker 2: of tune on stuff that I've.

1234
00:53:45,239 --> 00:53:47,840
Speaker 3: Loved, absolutely, but it's not the standard.

1235
00:53:48,360 --> 00:53:52,800
Speaker 7: Yeah, not the complete sound of auto tune, but auto

1236
00:53:52,880 --> 00:53:55,640
Speaker 7: tune being used originally before people started turning it all

1237
00:53:55,640 --> 00:53:57,160
Speaker 7: the way up, what it was used for to clear

1238
00:53:57,280 --> 00:53:59,520
Speaker 7: up like a couple of crackly vocals. People have been

1239
00:53:59,600 --> 00:54:01,680
Speaker 7: I'm sure Beyonce has used it before. I'm sure Jasmin

1240
00:54:01,680 --> 00:54:02,120
Speaker 7: has used them.

1241
00:54:02,160 --> 00:54:04,239
Speaker 2: I'm sure in Beyonce's settings right now there is some tune.

1242
00:54:04,400 --> 00:54:05,439
Speaker 3: Yeah, that's that's yeah.

1243
00:54:05,880 --> 00:54:08,680
Speaker 6: Like so it's just because people are using it more

1244
00:54:08,800 --> 00:54:09,440
Speaker 6: and more.

1245
00:54:10,360 --> 00:54:12,480
Speaker 3: Respectful to Beyonce. I don't think she uses auto tune

1246
00:54:12,480 --> 00:54:13,800
Speaker 3: at all on any of her vocals.

1247
00:54:14,360 --> 00:54:17,840
Speaker 2: I don't know. I can't say for I'm sure for certain,

1248
00:54:17,960 --> 00:54:20,359
Speaker 2: but they they're mixing.

1249
00:54:20,800 --> 00:54:23,600
Speaker 5: Vocals or something different. I don't think anybody has to

1250
00:54:23,680 --> 00:54:25,320
Speaker 5: pitch correct Beyonce's vocals.

1251
00:54:25,920 --> 00:54:26,200
Speaker 2: I don't.

1252
00:54:26,200 --> 00:54:26,759
Speaker 3: I just don't think so.

1253
00:54:26,840 --> 00:54:27,480
Speaker 2: I don't feel like so.

1254
00:54:27,640 --> 00:54:29,840
Speaker 6: I feel like every artist has a bad day sometimes.

1255
00:54:30,400 --> 00:54:32,239
Speaker 3: Yeah, but I'm saying Beyonce's bad days, she would just

1256
00:54:32,239 --> 00:54:34,799
Speaker 3: come back on a good day. Okay, that's that's listen.

1257
00:54:34,840 --> 00:54:37,319
Speaker 2: I don't know that's I mean even with I'll never

1258
00:54:37,360 --> 00:54:40,120
Speaker 2: sit here to pretend to know every last thing about

1259
00:54:40,440 --> 00:54:42,640
Speaker 2: mixing and mastering. But no matter what, in this era,

1260
00:54:42,760 --> 00:54:45,960
Speaker 2: if you are cutting through pro tools, it's like almost

1261
00:54:45,960 --> 00:54:48,960
Speaker 2: automatic is going to smooth out some stuff no matter

1262
00:54:49,040 --> 00:54:51,400
Speaker 2: who you are. I get. I get there's gonna be

1263
00:54:51,480 --> 00:54:52,920
Speaker 2: a touch somewhere.

1264
00:54:52,960 --> 00:54:55,560
Speaker 3: I get that. I get that part of it. But

1265
00:54:55,760 --> 00:54:57,839
Speaker 3: you know the auto tune I'm talking, oh yeah, for sure,

1266
00:54:58,080 --> 00:55:00,680
Speaker 3: like the artists, but you know the tune them.

1267
00:55:02,239 --> 00:55:04,719
Speaker 2: I think it works where it works, like I don't

1268
00:55:04,719 --> 00:55:08,120
Speaker 2: know what did anyone think Zap and Rogers like that

1269
00:55:08,400 --> 00:55:11,279
Speaker 2: was talkbox was used in a creative way in that

1270
00:55:11,360 --> 00:55:13,319
Speaker 2: even though it's straight auto tuning, you.

1271
00:55:13,320 --> 00:55:16,000
Speaker 3: Know, because that was the sound. Yeah, exact sound.

1272
00:55:16,160 --> 00:55:18,239
Speaker 2: Yeah, playing it through the keyboard, like there's it takes

1273
00:55:18,280 --> 00:55:20,640
Speaker 2: fucking talent, and what I think t Paying can really

1274
00:55:20,680 --> 00:55:22,839
Speaker 2: sing for real? I think it just makes the type

1275
00:55:22,840 --> 00:55:24,360
Speaker 2: of music he was making sound cooler.

1276
00:55:24,600 --> 00:55:27,280
Speaker 3: Speaking of t paining, Peach, Peach had the most random

1277
00:55:29,040 --> 00:55:31,360
Speaker 3: his LA trip. Peach texts me, you.

1278
00:55:31,440 --> 00:55:35,360
Speaker 2: Ran in a Teddy Bender ass peace per text me.

1279
00:55:35,560 --> 00:55:37,640
Speaker 3: That's one of my goats, So Peace text me, right.

1280
00:55:37,680 --> 00:55:40,560
Speaker 5: Piece, Peach goes. Peach goes, because this is why I

1281
00:55:40,600 --> 00:55:43,399
Speaker 5: love peage man. He's just the most random text there,

1282
00:55:43,520 --> 00:55:44,840
Speaker 5: Like whatever, Peace text me.

1283
00:55:45,160 --> 00:55:45,560
Speaker 3: It's gonna be.

1284
00:55:46,000 --> 00:55:47,640
Speaker 2: But he asked you to do in the hotel, so

1285
00:55:47,760 --> 00:55:50,720
Speaker 2: he goes. So p says, oh yeah the cannonball contest.

1286
00:55:51,000 --> 00:55:52,319
Speaker 2: Yeah yeah he So we.

1287
00:55:52,360 --> 00:55:55,800
Speaker 5: Get to La, so Page goes your mall cannonball contest

1288
00:55:55,880 --> 00:55:59,239
Speaker 5: in thirty question mark question mark. So I'm like, Peach,

1289
00:55:59,320 --> 00:56:01,160
Speaker 5: first of all, why do you have to prepare.

1290
00:56:03,560 --> 00:56:03,799
Speaker 2: Before?

1291
00:56:03,880 --> 00:56:03,920
Speaker 8: No?

1292
00:56:04,000 --> 00:56:04,320
Speaker 2: I get it.

1293
00:56:04,360 --> 00:56:06,680
Speaker 3: He broke it down for me. Gotta do some light callesthetics.

1294
00:56:07,000 --> 00:56:07,440
Speaker 3: I got it.

1295
00:56:08,320 --> 00:56:12,000
Speaker 5: So Peach text me, he goes you at the hotel.

1296
00:56:12,360 --> 00:56:15,520
Speaker 5: Now this is where my PTSD kicks in, because when

1297
00:56:15,560 --> 00:56:19,680
Speaker 5: somebody asked me if I'm somewhere, I'm automatically thinking either

1298
00:56:19,719 --> 00:56:23,440
Speaker 5: something happened or something is getting ready to happen. So

1299
00:56:23,640 --> 00:56:25,400
Speaker 5: pe text me, Yo, you at the hold. I said, Noah,

1300
00:56:25,480 --> 00:56:28,160
Speaker 5: not yet. You good because you know that again, P

1301
00:56:28,320 --> 00:56:31,719
Speaker 5: I gotta make sure. Yeah, just talking with T Paint

1302
00:56:31,760 --> 00:56:32,120
Speaker 5: at the bar.

1303
00:56:32,320 --> 00:56:33,239
Speaker 3: Pull up? Yo.

1304
00:56:34,960 --> 00:56:35,520
Speaker 2: I read that.

1305
00:56:36,160 --> 00:56:38,000
Speaker 3: Yeah, just talking with T Paint at the bar.

1306
00:56:38,160 --> 00:56:38,600
Speaker 2: Pull up.

1307
00:56:39,040 --> 00:56:41,080
Speaker 3: I'm like, Yo, that's so random, right.

1308
00:56:41,080 --> 00:56:43,320
Speaker 2: Why like save money and stay at my cousins so

1309
00:56:43,640 --> 00:56:44,080
Speaker 2: so so.

1310
00:56:44,280 --> 00:56:47,040
Speaker 3: Then I get to the hotel. P just still at

1311
00:56:47,080 --> 00:56:49,120
Speaker 3: the bar with a mutual friend.

1312
00:56:49,200 --> 00:56:50,319
Speaker 2: He got some drinks to drink him.

1313
00:56:51,000 --> 00:56:53,560
Speaker 3: He drank the Peach may have drink he made. He

1314
00:56:53,640 --> 00:56:54,640
Speaker 3: may he may have, he may have.

1315
00:56:54,800 --> 00:56:56,600
Speaker 5: Peach may have drunk every bar at that, for every

1316
00:56:56,640 --> 00:56:59,000
Speaker 5: every bit at that at that bar. I get back

1317
00:56:59,000 --> 00:57:01,400
Speaker 5: to the hotel, paid the mutual friends and we all talking.

1318
00:57:02,280 --> 00:57:04,239
Speaker 5: I go to some I'm time going to shut it down.

1319
00:57:04,400 --> 00:57:06,960
Speaker 5: I get upstairs. I get to the room. Peach text me,

1320
00:57:07,040 --> 00:57:11,880
Speaker 5: he goes, T I is down here now. I'm like, Peach,

1321
00:57:12,040 --> 00:57:13,319
Speaker 5: just go to your fucking room.

1322
00:57:13,480 --> 00:57:14,840
Speaker 2: Man, Like, how do you go?

1323
00:57:14,960 --> 00:57:17,840
Speaker 3: From T Pain one hour and now you're at the

1324
00:57:17,920 --> 00:57:18,760
Speaker 3: bar with fucking tea.

1325
00:57:18,880 --> 00:57:21,000
Speaker 2: I was genuinely doing a one on six in part countdown.

1326
00:57:21,080 --> 00:57:24,680
Speaker 3: Yeah, I'm like, your you've been at a bar too

1327
00:57:24,800 --> 00:57:28,080
Speaker 3: long to be sitting there with T Pain and then Ti,

1328
00:57:28,280 --> 00:57:30,640
Speaker 3: you have been there too many hours, sir, It's time

1329
00:57:30,680 --> 00:57:34,320
Speaker 3: to go to your fucking room. Man's just go to

1330
00:57:34,400 --> 00:57:35,000
Speaker 3: your room, man.

1331
00:57:35,240 --> 00:57:37,040
Speaker 2: Yeah, I had no I mean obviously outside of the

1332
00:57:37,080 --> 00:57:40,040
Speaker 2: media room. I know, like celebrity sightings, because I didn't

1333
00:57:40,040 --> 00:57:42,640
Speaker 2: do the hotel thing. Lola Brook was on my flight

1334
00:57:42,720 --> 00:57:43,560
Speaker 2: as far as it went.

1335
00:57:44,640 --> 00:57:47,480
Speaker 3: Shout the low at the media room. I saw her

1336
00:57:47,520 --> 00:57:48,480
Speaker 3: outside of the media room.

1337
00:57:48,560 --> 00:57:49,560
Speaker 2: Yeah, I want to talk to her.

1338
00:57:49,680 --> 00:57:49,800
Speaker 3: You know.

1339
00:57:49,880 --> 00:57:52,080
Speaker 2: It was cool. Trinerdad James was really cool. But I've

1340
00:57:52,120 --> 00:57:53,800
Speaker 2: been telling you all that. Yeah, I met him a

1341
00:57:53,840 --> 00:57:55,680
Speaker 2: few years ago and we've had a cool relationship. Like

1342
00:57:56,240 --> 00:57:57,000
Speaker 2: it was really cool.

1343
00:57:57,040 --> 00:57:59,440
Speaker 3: Man. It was good to meet Trinidad James and kicking

1344
00:57:59,480 --> 00:57:59,720
Speaker 3: with him.

1345
00:57:59,720 --> 00:57:59,800
Speaker 1: Man.

1346
00:57:59,800 --> 00:58:00,760
Speaker 3: He was he was really cool.

1347
00:58:01,080 --> 00:58:05,720
Speaker 2: He's he just happens to have an album, like he

1348
00:58:05,920 --> 00:58:07,800
Speaker 2: was gonna be good no matter what what he was

1349
00:58:07,840 --> 00:58:11,320
Speaker 2: doing between fashion, between business, like he just also happened

1350
00:58:11,320 --> 00:58:13,120
Speaker 2: to wrap at one point. Yeah, he's a great guy.

1351
00:58:13,160 --> 00:58:14,280
Speaker 3: I gotta hit him. I'm death.

1352
00:58:14,320 --> 00:58:16,200
Speaker 5: I wanted to check out his history in Atlanta. I

1353
00:58:16,280 --> 00:58:18,520
Speaker 5: know he got some some sneakers, some pieces in there

1354
00:58:18,560 --> 00:58:20,120
Speaker 5: that I might want. So definitely hit him up and

1355
00:58:20,160 --> 00:58:21,000
Speaker 5: next time I Atlanta.

1356
00:58:21,200 --> 00:58:24,520
Speaker 2: There was outside of some artists, there was some there

1357
00:58:24,600 --> 00:58:27,520
Speaker 2: was some action in there. I mean we didn't have

1358
00:58:27,560 --> 00:58:29,200
Speaker 2: any time. Like all we could do was look.

1359
00:58:29,120 --> 00:58:30,960
Speaker 3: There for work. We was there to do the lord's work. Man,

1360
00:58:31,440 --> 00:58:32,520
Speaker 3: We was just there to do the lords.

1361
00:58:33,200 --> 00:58:34,440
Speaker 2: This is how, this is how I know that the

1362
00:58:34,560 --> 00:58:38,280
Speaker 2: standard is in Hell for men as well, not just

1363
00:58:38,360 --> 00:58:41,360
Speaker 2: for women. There was one girl there that was in

1364
00:58:41,480 --> 00:58:43,880
Speaker 2: She was in her her bet working get up with

1365
00:58:44,000 --> 00:58:48,320
Speaker 2: the sweatsuit and the fucking microphones and all that ship

1366
00:58:48,360 --> 00:58:50,600
Speaker 2: and running around pieces of paper. I was like, who

1367
00:58:50,680 --> 00:58:54,360
Speaker 2: the fuck is that? Then you showed up and she

1368
00:58:54,440 --> 00:58:56,400
Speaker 2: walked by again. He went who the fuck is that?

1369
00:58:57,200 --> 00:58:59,240
Speaker 2: And I said, and she has a job.

1370
00:58:59,640 --> 00:59:02,000
Speaker 3: Yeah. So it's like, look where we're at, like men

1371
00:59:02,160 --> 00:59:03,680
Speaker 3: just happy that a woman has a job like you.

1372
00:59:05,040 --> 00:59:07,120
Speaker 5: Actually she has a job, get her work. Just she

1373
00:59:07,320 --> 00:59:09,800
Speaker 5: just she was just walking running around work and I'm like,

1374
00:59:09,880 --> 00:59:11,040
Speaker 5: she's actually on the clock.

1375
00:59:11,240 --> 00:59:12,560
Speaker 2: Like I wanted to rub her feet.

1376
00:59:12,640 --> 00:59:15,120
Speaker 5: Yeah, this is the type of woman you you go

1377
00:59:15,200 --> 00:59:17,640
Speaker 5: home burnt on the bath for and you make sure

1378
00:59:17,680 --> 00:59:20,160
Speaker 5: the kitchen is clean, the food already done, like cook.

1379
00:59:20,520 --> 00:59:21,920
Speaker 3: This is the type of woman that you know. She's

1380
00:59:22,000 --> 00:59:23,120
Speaker 3: at work a baby.

1381
00:59:23,160 --> 00:59:23,919
Speaker 2: How was your day?

1382
00:59:24,840 --> 00:59:26,840
Speaker 5: You other skeezers out here that's just doing last years

1383
00:59:26,840 --> 00:59:29,000
Speaker 5: till my work life is a good show. Out the way,

1384
00:59:29,240 --> 00:59:29,880
Speaker 5: get out of the way.

1385
00:59:30,000 --> 00:59:31,200
Speaker 2: Very difficult to put lashes on.

1386
00:59:31,600 --> 00:59:33,320
Speaker 3: Oh no, it is difficult to lash and that.

1387
00:59:33,480 --> 00:59:35,480
Speaker 2: Like surgical thing they use that terrifies me.

1388
00:59:35,760 --> 00:59:35,960
Speaker 3: Yeah.

1389
00:59:36,400 --> 00:59:38,520
Speaker 2: Yeah, the last seon. I mean, shout out to all

1390
00:59:38,520 --> 00:59:38,920
Speaker 2: the last tick.

1391
00:59:38,960 --> 00:59:39,280
Speaker 3: Shout out.

1392
00:59:39,360 --> 00:59:41,880
Speaker 5: Shout out to anybody that is doing their thing work

1393
00:59:41,960 --> 00:59:44,120
Speaker 5: and have their own company business.

1394
00:59:44,600 --> 00:59:47,439
Speaker 3: It's not easy. I support anybody that is independently working.

1395
00:59:47,440 --> 00:59:49,160
Speaker 6: You keep bringing up the last tech. Did a last

1396
00:59:49,200 --> 00:59:49,960
Speaker 6: tech break your heart?

1397
00:59:50,280 --> 00:59:50,919
Speaker 3: Break my heart?

1398
00:59:51,560 --> 00:59:52,760
Speaker 2: I mean, I feel like that's happened to all of

1399
00:59:52,840 --> 00:59:53,080
Speaker 2: us now.

1400
00:59:53,200 --> 00:59:55,320
Speaker 5: If a last tech broke my heart at my age,

1401
00:59:55,520 --> 00:59:58,400
Speaker 5: baby D I failed and like, okay, but in the past, no,

1402
00:59:58,760 --> 01:00:00,720
Speaker 5: a lash teck has never broken herd. I don't think

1403
01:00:00,760 --> 01:00:02,840
Speaker 5: the last tick has the ability to break my.

1404
01:00:03,160 --> 01:00:06,320
Speaker 3: She he don't know, you don't know break my heart.

1405
01:00:06,360 --> 01:00:07,360
Speaker 3: That don't be the one.

1406
01:00:07,400 --> 01:00:08,080
Speaker 2: Good hours too.

1407
01:00:08,760 --> 01:00:10,560
Speaker 3: I'm a vet baby. Dial keep telling you. There's a

1408
01:00:10,560 --> 01:00:12,480
Speaker 3: lot of things that I'm already I'm past as on.

1409
01:00:12,760 --> 01:00:15,600
Speaker 2: There was one girl with her actual ass out and

1410
01:00:15,680 --> 01:00:16,960
Speaker 2: like I'm not even saying it, like the Taste away

1411
01:00:16,960 --> 01:00:18,440
Speaker 2: where there's like some tights, it's part of the fit.

1412
01:00:18,560 --> 01:00:21,920
Speaker 2: Like she had raw Like I could see that skin

1413
01:00:22,320 --> 01:00:24,680
Speaker 2: ass out hanging out of her dress, and I'm thinking,

1414
01:00:24,800 --> 01:00:26,880
Speaker 2: you know, she's an artist and doing the artist thing.

1415
01:00:27,120 --> 01:00:29,440
Speaker 2: I get it. I didn't see her doing one interview.

1416
01:00:30,120 --> 01:00:31,920
Speaker 2: An hour passed and I was like, Oh, she's just she'

1417
01:00:32,000 --> 01:00:34,360
Speaker 2: in't here selling ass. Oh she ain't sit down with

1418
01:00:34,360 --> 01:00:34,720
Speaker 2: one person.

1419
01:00:34,880 --> 01:00:37,840
Speaker 3: She's working. She's not working the awards, she's working something else,

1420
01:00:38,480 --> 01:00:41,280
Speaker 3: having your whole at the media every just working at

1421
01:00:41,320 --> 01:00:47,920
Speaker 3: midnight training to joine period job. It's at the whole time.

1422
01:00:47,920 --> 01:00:49,200
Speaker 2: I was waiting for Trading to go, Hey, you want

1423
01:00:49,200 --> 01:00:49,600
Speaker 2: to talk to her?

1424
01:00:50,120 --> 01:00:52,800
Speaker 5: I want no, Yeah, listen, you gotta work. I'm not

1425
01:00:52,880 --> 01:00:55,080
Speaker 5: mad anybody that's working doing anything, I don't care what

1426
01:00:55,200 --> 01:00:55,400
Speaker 5: it is.

1427
01:00:55,480 --> 01:00:55,920
Speaker 2: Salute you.

1428
01:00:56,320 --> 01:00:57,960
Speaker 5: It's hard to get up every day and actually do

1429
01:00:58,080 --> 01:01:00,680
Speaker 5: something for yourself and work, and so definitely shout out

1430
01:01:00,680 --> 01:01:02,520
Speaker 5: to anybody that's working, really working.

1431
01:01:02,600 --> 01:01:06,280
Speaker 2: Yeah, shout out shout out to publicists. Man, that's that's

1432
01:01:06,400 --> 01:01:09,360
Speaker 2: that's an annoying job as well on days like that

1433
01:01:09,680 --> 01:01:11,200
Speaker 2: because I know you you guys don't want to do

1434
01:01:11,200 --> 01:01:13,280
Speaker 2: a small talk shit either, but that's your gig in

1435
01:01:13,800 --> 01:01:14,240
Speaker 2: that room.

1436
01:01:14,440 --> 01:01:16,960
Speaker 5: That was the one thing that I did, uh, you know,

1437
01:01:17,200 --> 01:01:19,960
Speaker 5: observe in the media room the ship was that you know,

1438
01:01:20,040 --> 01:01:22,439
Speaker 5: we don't really because I guess we're in it, rory,

1439
01:01:23,440 --> 01:01:27,400
Speaker 5: we don't really look at exactly how many moving parts

1440
01:01:27,480 --> 01:01:29,600
Speaker 5: and people and things that are actually in play and

1441
01:01:29,720 --> 01:01:32,240
Speaker 5: working a lot of the times because we know so

1442
01:01:32,280 --> 01:01:34,320
Speaker 5: many people on a personal level, it's like no, but

1443
01:01:34,400 --> 01:01:36,120
Speaker 5: she's here working or he's here working, like you know

1444
01:01:36,160 --> 01:01:36,400
Speaker 5: what I mean.

1445
01:01:36,480 --> 01:01:38,480
Speaker 3: So you got to give respect to that. Man.

1446
01:01:38,520 --> 01:01:41,200
Speaker 5: It's good to see people actually doing something and you know,

1447
01:01:41,400 --> 01:01:43,800
Speaker 5: just just trying because it's it's hard for a lot

1448
01:01:43,800 --> 01:01:45,439
Speaker 5: of people to get up every day and just try

1449
01:01:46,000 --> 01:01:47,600
Speaker 5: to do something like you know, we all just in

1450
01:01:47,680 --> 01:01:50,720
Speaker 5: our own bubble sometimes. But got to give respecting grace

1451
01:01:50,760 --> 01:01:52,360
Speaker 5: to people for just waking up every day and trying.

1452
01:01:52,640 --> 01:01:54,439
Speaker 2: I have a question for you and we can close, bet,

1453
01:01:54,560 --> 01:01:57,800
Speaker 2: but I meant to actually ask you this, like on text.

1454
01:01:57,760 --> 01:02:00,520
Speaker 5: Or on air, but let's do it so on text,

1455
01:02:00,720 --> 01:02:02,240
Speaker 5: So you meant to ask me on text and in

1456
01:02:02,320 --> 01:02:04,920
Speaker 5: the practice of our home and and but now you're like,

1457
01:02:05,000 --> 01:02:07,320
Speaker 5: fucking let's bring it here to our hundreds of millions

1458
01:02:07,360 --> 01:02:08,080
Speaker 5: of viewers and listening.

1459
01:02:08,120 --> 01:02:10,640
Speaker 2: Okay, because it because it reminded me when you said

1460
01:02:10,680 --> 01:02:13,480
Speaker 2: so many moving parts. PR is a huge part of

1461
01:02:13,880 --> 01:02:17,360
Speaker 2: an artist life and also an artist being very good

1462
01:02:17,360 --> 01:02:19,440
Speaker 2: at PR as well talking to people who looking in

1463
01:02:19,480 --> 01:02:22,280
Speaker 2: my eyes, having real conversations connect, like actually doing the

1464
01:02:22,360 --> 01:02:27,080
Speaker 2: networking thing in the right way. Meeting Amory was amazing

1465
01:02:27,200 --> 01:02:30,320
Speaker 2: and so fucking cool. M h. Do you think she's

1466
01:02:30,600 --> 01:02:32,680
Speaker 2: a fan of our podcast or she says that to everyone?

1467
01:02:33,000 --> 01:02:35,040
Speaker 2: Because she made me believe we were supposed to stay

1468
01:02:35,040 --> 01:02:37,000
Speaker 2: with her, but schedules, more so on our end than

1469
01:02:37,040 --> 01:02:39,040
Speaker 2: it was hers, didn't work out. And you know, we

1470
01:02:39,080 --> 01:02:42,760
Speaker 2: talked about doing an episode up here. It went past

1471
01:02:42,920 --> 01:02:45,200
Speaker 2: small talk, and I saw she did the same with you.

1472
01:02:45,320 --> 01:02:47,920
Speaker 2: I was like, all right, she's either really good at

1473
01:02:48,160 --> 01:02:51,440
Speaker 2: the other side of being an artist, or maybe she

1474
01:02:51,680 --> 01:02:54,560
Speaker 2: likes our show. I think that, I said, like it

1475
01:02:54,840 --> 01:02:56,720
Speaker 2: sat with me on the car rise was like she

1476
01:02:56,800 --> 01:02:57,880
Speaker 2: probably says that to everybody.

1477
01:02:58,200 --> 01:03:00,400
Speaker 3: No, she probably. I mean she made me feel like

1478
01:03:00,640 --> 01:03:02,800
Speaker 3: like she listened, but she made me feel seen. As

1479
01:03:02,840 --> 01:03:03,680
Speaker 3: soon as I walked in.

1480
01:03:03,760 --> 01:03:07,280
Speaker 5: She was like, Hey, I'm so sad that you guys

1481
01:03:07,320 --> 01:03:08,800
Speaker 5: are leaving. I wanted to sit down, but I'm going

1482
01:03:08,840 --> 01:03:10,160
Speaker 5: to be in New York and I was just leaving.

1483
01:03:09,960 --> 01:03:13,440
Speaker 3: At Amy like not, ma, I wish you were. That.

1484
01:03:13,560 --> 01:03:16,880
Speaker 2: It was was different than any industry small talk, to

1485
01:03:17,000 --> 01:03:19,040
Speaker 2: the point that I wasn't sure if I was being played.

1486
01:03:19,480 --> 01:03:21,680
Speaker 5: Yeah, no, I don't like if she was brief walk

1487
01:03:22,040 --> 01:03:24,120
Speaker 5: it felt it felt genuine. It felt it felt genuine

1488
01:03:24,160 --> 01:03:25,760
Speaker 5: from her. But I you know, I am looking forward

1489
01:03:25,800 --> 01:03:27,800
Speaker 5: to sitting down talking with her. At the timeline was

1490
01:03:27,880 --> 01:03:30,920
Speaker 5: killing Amory for her tiny death performance, and I want

1491
01:03:30,960 --> 01:03:32,640
Speaker 5: to sit down and talk to Amine about it, just

1492
01:03:32,720 --> 01:03:34,480
Speaker 5: like you know. Listen, man, let's we could talk about it.

1493
01:03:34,720 --> 01:03:36,520
Speaker 5: Like you said, sometimes people have days where they just

1494
01:03:37,000 --> 01:03:39,160
Speaker 5: it's not it wasn't a good day. Let's talk about

1495
01:03:39,160 --> 01:03:41,560
Speaker 5: the not so good days. We all have them, right,

1496
01:03:41,920 --> 01:03:44,120
Speaker 5: She still ain't Marie, when that shit come on, we

1497
01:03:44,200 --> 01:03:47,640
Speaker 5: still gonna shake gas, the burgers and bottles.

1498
01:03:47,880 --> 01:03:52,600
Speaker 3: There you go, shout out to Amy rito.

1499
01:03:52,680 --> 01:03:55,600
Speaker 2: She was sweet, though, did you get anything else or

1500
01:03:55,680 --> 01:03:58,000
Speaker 2: you were just media room and like, did you hit

1501
01:03:58,000 --> 01:03:58,560
Speaker 2: any events?

1502
01:03:59,200 --> 01:03:59,720
Speaker 3: Nah? I didn't.

1503
01:03:59,720 --> 01:04:02,720
Speaker 2: I didn't and we went to uh I show.

1504
01:04:02,760 --> 01:04:04,400
Speaker 5: Shout out to Sean. Shawn is the only person that

1505
01:04:04,440 --> 01:04:06,080
Speaker 5: could ever get me to go to a club these days.

1506
01:04:06,440 --> 01:04:08,680
Speaker 5: He was doing a party that was literally two blocks

1507
01:04:08,720 --> 01:04:11,560
Speaker 5: from the hotel. I literally walked from my hotel to

1508
01:04:11,640 --> 01:04:14,320
Speaker 5: the club, sat with Sean for about an hour, kicked

1509
01:04:14,320 --> 01:04:14,680
Speaker 5: it with him.

1510
01:04:14,720 --> 01:04:16,000
Speaker 3: Always good to see my guy, Sean.

1511
01:04:16,840 --> 01:04:19,480
Speaker 5: But I got so high that I started getting anxiety

1512
01:04:19,480 --> 01:04:22,040
Speaker 5: and that hasn't happened in a long time, and everybody

1513
01:04:22,120 --> 01:04:22,800
Speaker 5: felt like the ops.

1514
01:04:22,800 --> 01:04:26,200
Speaker 3: So I had to leave. Okay, Yeah, I thought I

1515
01:04:26,280 --> 01:04:29,120
Speaker 3: was the only person that happens to Oh no, no, no, no, no, no.

1516
01:04:29,400 --> 01:04:31,320
Speaker 3: If baby, if you ever see me, just leave somewhere.

1517
01:04:31,960 --> 01:04:34,320
Speaker 5: Just nock locked eyes with somebody in nfl opps and

1518
01:04:34,400 --> 01:04:37,040
Speaker 5: I'm like, nah, yeah, like let me get out of here.

1519
01:04:37,360 --> 01:04:39,440
Speaker 3: I should go left, Like, let me just go back

1520
01:04:39,480 --> 01:04:40,000
Speaker 3: to my room.

1521
01:04:40,120 --> 01:04:42,520
Speaker 5: So I just but I was laughing once I got

1522
01:04:42,560 --> 01:04:46,160
Speaker 5: out the club because I'm like, I'm literally walking to

1523
01:04:46,320 --> 01:04:48,600
Speaker 5: my hotel from the club, Like this is crazy, Like

1524
01:04:49,160 --> 01:04:50,840
Speaker 5: only Sean could get me to do something like that.

1525
01:04:50,960 --> 01:04:52,320
Speaker 3: So I went to Shawn's party.

1526
01:04:52,360 --> 01:04:52,720
Speaker 8: That was.

1527
01:04:54,680 --> 01:04:57,760
Speaker 3: Sunday night. Sunday night, went to Shawn's party, and.

1528
01:04:57,840 --> 01:05:01,880
Speaker 2: My immature ass in those situations at Shawn's party confront

1529
01:05:01,960 --> 01:05:04,120
Speaker 2: ops and ruined the party for everybody.

1530
01:05:04,240 --> 01:05:06,320
Speaker 5: Nah, But it wasn't no ops. I was just anxious.

1531
01:05:06,400 --> 01:05:08,280
Speaker 5: I had smoked some really good weed and I was

1532
01:05:08,400 --> 01:05:09,240
Speaker 5: just like, oh no.

1533
01:05:09,760 --> 01:05:11,400
Speaker 2: Last time. I was well, not last time. But when

1534
01:05:11,440 --> 01:05:13,120
Speaker 2: I was at Highlight Room, that was an op and

1535
01:05:13,280 --> 01:05:16,400
Speaker 2: he was talking. He was just doing it passive agrestling

1536
01:05:16,400 --> 01:05:18,440
Speaker 2: from table to table, not knowing that those people were

1537
01:05:18,480 --> 01:05:20,280
Speaker 2: going from that table to Yo, you got an issue

1538
01:05:20,280 --> 01:05:22,600
Speaker 2: with him. I was like, I guess I do now, Yeah,

1539
01:05:22,840 --> 01:05:25,560
Speaker 2: damn yeah. Sewan had to break that one up. I

1540
01:05:25,600 --> 01:05:26,000
Speaker 2: felt bad.

1541
01:05:26,600 --> 01:05:29,200
Speaker 5: It's cool his event. Shout out to Sean and Shawn.

1542
01:05:29,360 --> 01:05:31,080
Speaker 5: I told Sean said, Sean, you're the only person that

1543
01:05:31,120 --> 01:05:32,600
Speaker 5: could get me to go to the club. I do

1544
01:05:32,760 --> 01:05:33,680
Speaker 5: not go to clothes at all.

1545
01:05:34,120 --> 01:05:36,080
Speaker 2: Yeah. I mean, I didn't feel bad that I didn't

1546
01:05:36,080 --> 01:05:38,360
Speaker 2: go to one single event, But you know, I don't

1547
01:05:38,360 --> 01:05:39,960
Speaker 2: know Jerker Joe Off I would have liked to go

1548
01:05:40,040 --> 01:05:42,080
Speaker 2: to that was walking distance that I still was too tired.

1549
01:05:42,360 --> 01:05:43,840
Speaker 3: I was supposed to shout out to Belly.

1550
01:05:44,000 --> 01:05:45,600
Speaker 5: I tried to make it my point to see Belly

1551
01:05:45,600 --> 01:05:48,760
Speaker 5: anytime I'm in La go by the studio, kicking with him.

1552
01:05:48,960 --> 01:05:52,760
Speaker 3: I was Friday night. I was supposed to go to

1553
01:05:52,800 --> 01:05:55,760
Speaker 3: his crib. I was just so tired. I called myself

1554
01:05:55,800 --> 01:05:58,480
Speaker 3: taking a nap. Around nine o'clock. Woke up. It was

1555
01:05:58,560 --> 01:06:00,960
Speaker 3: like three point thirty in the morning. Every light was on,

1556
01:06:01,120 --> 01:06:04,160
Speaker 3: bathroom light was on. It was just bad man. Shout

1557
01:06:04,160 --> 01:06:05,360
Speaker 3: out the bellied or I didn't get to see my

1558
01:06:05,400 --> 01:06:06,720
Speaker 3: god his trip, but shout out to my guy.

1559
01:06:06,920 --> 01:06:09,560
Speaker 2: Yeah, I'm sorry. There is one more bet thing we

1560
01:06:09,720 --> 01:06:11,120
Speaker 2: have to get to. How did we not talk about

1561
01:06:11,160 --> 01:06:12,160
Speaker 2: this earlier.

1562
01:06:12,760 --> 01:06:14,520
Speaker 3: The biggest news out of the BT Awards.

1563
01:06:14,720 --> 01:06:16,240
Speaker 2: Yea, I gotta leave my guy Wile alone.

1564
01:06:16,760 --> 01:06:20,400
Speaker 5: Yeah, I think he had had a day. He did

1565
01:06:20,440 --> 01:06:23,680
Speaker 5: this to himself though he did. Yeah, man, he wasn't.

1566
01:06:23,920 --> 01:06:26,560
Speaker 5: Wile ain't supposed to approach Ky about no ship like

1567
01:06:26,640 --> 01:06:28,200
Speaker 5: that man about what they was.

1568
01:06:28,240 --> 01:06:31,000
Speaker 2: Passing making him look crazy. Oh all right, Well that's

1569
01:06:31,040 --> 01:06:33,680
Speaker 2: the end. Let's let's start the beginning for those that

1570
01:06:33,960 --> 01:06:36,080
Speaker 2: that weren't aware while he was already in heat with

1571
01:06:36,120 --> 01:06:38,400
Speaker 2: the Kendrick fans for the entire day, and then he

1572
01:06:38,520 --> 01:06:41,000
Speaker 2: was at the BT Awards. Looked like him and Ki

1573
01:06:41,080 --> 01:06:43,160
Speaker 2: were both in some type of parking garage, probably staying

1574
01:06:43,160 --> 01:06:46,080
Speaker 2: in the same spot and past each other, and KYI

1575
01:06:46,320 --> 01:06:48,120
Speaker 2: was doing the live stream, gets back in his car

1576
01:06:48,520 --> 01:06:53,680
Speaker 2: after dapping Wiley and talking about Nintendo. His man says

1577
01:06:53,960 --> 01:06:56,360
Speaker 2: that was as well as the comments, and Kyle was like,

1578
01:06:56,440 --> 01:07:01,160
Speaker 2: what does he do? And then wile A already having

1579
01:07:01,160 --> 01:07:04,960
Speaker 2: a rough morning, continues for the remainder of the day

1580
01:07:06,360 --> 01:07:09,320
Speaker 2: of just Walley talk all over the timeline. I felt,

1581
01:07:09,640 --> 01:07:12,600
Speaker 2: what did do after that? Exist?

1582
01:07:13,960 --> 01:07:14,080
Speaker 1: Oh?

1583
01:07:14,160 --> 01:07:14,840
Speaker 3: I didn't. I didn't.

1584
01:07:14,880 --> 01:07:17,200
Speaker 5: I just know he looked crazy for approaching Kyle like that.

1585
01:07:17,480 --> 01:07:19,480
Speaker 5: And y'all know, I fuck Wiley, that's my nigga. But

1586
01:07:20,920 --> 01:07:23,440
Speaker 5: while not supposed to approach kyb out nothing like that,

1587
01:07:23,680 --> 01:07:27,200
Speaker 5: Like Kyle's not Kile is not supposed to know who

1588
01:07:27,720 --> 01:07:29,400
Speaker 5: is if we're being honest.

1589
01:07:29,440 --> 01:07:32,040
Speaker 3: He probably knows his name, but not his face. And

1590
01:07:32,120 --> 01:07:34,240
Speaker 3: I don't think that that's that crazy. No, he didn't

1591
01:07:34,240 --> 01:07:35,720
Speaker 3: even know. He didn't even know what no, because when

1592
01:07:35,720 --> 01:07:37,040
Speaker 3: they told him what was, he was like, what what

1593
01:07:37,120 --> 01:07:37,520
Speaker 3: does he do?

1594
01:07:38,000 --> 01:07:40,440
Speaker 5: K didn't I didn't know that he didn't, but he's

1595
01:07:40,520 --> 01:07:44,120
Speaker 5: not supposed to know who is. Yeah, he was like

1596
01:07:44,240 --> 01:07:45,800
Speaker 5: Wally like because then the chat he was like that

1597
01:07:46,120 --> 01:07:48,480
Speaker 5: was Wally. He's like, he's like, what does he do?

1598
01:07:48,720 --> 01:07:50,520
Speaker 2: At first, I thought it was like somewhat of a bit,

1599
01:07:51,760 --> 01:07:53,560
Speaker 2: but then I think they just capitalized on it because

1600
01:07:53,560 --> 01:07:56,040
Speaker 2: it became a Nintendo AD. So shout out to Walla

1601
01:07:56,240 --> 01:07:58,320
Speaker 2: and Kyle for taking that situation and I think making

1602
01:07:58,400 --> 01:08:01,240
Speaker 2: some money off of it because they clipped that shit

1603
01:08:01,320 --> 01:08:03,080
Speaker 2: and it kept putting ad everywhere.

1604
01:08:03,560 --> 01:08:05,760
Speaker 3: Well because while was playing a Nintendo when yeah, no,

1605
01:08:05,840 --> 01:08:09,440
Speaker 3: that's what they were talking about as well. Yeah, but yeah, no, Le,

1606
01:08:09,640 --> 01:08:10,640
Speaker 3: he wasn't supposed to do that.

1607
01:08:11,120 --> 01:08:13,680
Speaker 2: Maybe the timing, but you know, in those environments like

1608
01:08:15,040 --> 01:08:16,800
Speaker 2: it's tough. But he was in the middle of talking

1609
01:08:16,800 --> 01:08:19,960
Speaker 2: to Stup. I can see the map perspective, but I

1610
01:08:20,000 --> 01:08:21,560
Speaker 2: guess Way maybe didn't think the mic was on.

1611
01:08:22,040 --> 01:08:27,720
Speaker 5: But even if he didn't, you know, shout out to

1612
01:08:27,760 --> 01:08:31,360
Speaker 5: Kyle Bronch legend. But I mean, Kyle not supposed to

1613
01:08:31,400 --> 01:08:32,120
Speaker 5: know Whyley why?

1614
01:08:32,160 --> 01:08:33,519
Speaker 2: I know, I understand it's twent three years old. I

1615
01:08:33,520 --> 01:08:35,840
Speaker 2: gu yeah, but that's what I'm saying, But what at

1616
01:08:35,880 --> 01:08:38,760
Speaker 2: what point? Because again, I have made peace with that

1617
01:08:39,000 --> 01:08:42,919
Speaker 2: media used to be music fans. Now they're fans of entertainment.

1618
01:08:43,680 --> 01:08:46,600
Speaker 2: They're not music fans. They're fans of entertainment, and the

1619
01:08:46,680 --> 01:08:49,679
Speaker 2: fans of them are fans of entertainment. They're not fans

1620
01:08:49,720 --> 01:08:52,160
Speaker 2: of music. If that music becomes entertainment i e. A

1621
01:08:52,240 --> 01:08:55,599
Speaker 2: rat battle, they're fans of it. The new media people

1622
01:08:55,640 --> 01:08:58,599
Speaker 2: are not like you think Aiden Ross was like really

1623
01:08:59,439 --> 01:09:01,960
Speaker 2: as a kid, like engulfed in the music. Do you

1624
01:09:02,040 --> 01:09:04,280
Speaker 2: think all the top streamers were music fans going on?

1625
01:09:04,320 --> 01:09:04,640
Speaker 8: No, no, no.

1626
01:09:04,720 --> 01:09:07,160
Speaker 2: But here's the thing though, But I still think that's

1627
01:09:07,200 --> 01:09:09,519
Speaker 2: crazy that in this space. And it's not a Kai

1628
01:09:09,640 --> 01:09:11,920
Speaker 2: thing in particular. And I'm not saying every single streamer

1629
01:09:12,760 --> 01:09:15,960
Speaker 2: needs to go fucking study from kras one to now

1630
01:09:16,080 --> 01:09:20,120
Speaker 2: or anything like that, but for all the streamers to

1631
01:09:20,320 --> 01:09:22,200
Speaker 2: be so much in the hip hop space when it's

1632
01:09:22,240 --> 01:09:25,880
Speaker 2: convenient and gets clicks, you should have some type of

1633
01:09:25,960 --> 01:09:28,559
Speaker 2: knowledge and respect for certain things. And I'm not saying

1634
01:09:28,600 --> 01:09:30,439
Speaker 2: specifically with the Kai and wil A thing, but it

1635
01:09:30,600 --> 01:09:32,760
Speaker 2: is an example where I saw was like, he's twenty three,

1636
01:09:32,760 --> 01:09:34,640
Speaker 2: and I get that point, but there's no way you

1637
01:09:34,680 --> 01:09:36,960
Speaker 2: could throw on bad lotus flower Bomb and Kai has

1638
01:09:37,000 --> 01:09:37,679
Speaker 2: never heard that song.

1639
01:09:38,760 --> 01:09:40,360
Speaker 5: Rory, there's a lot of songs you're throwing right now.

1640
01:09:40,400 --> 01:09:42,040
Speaker 5: But if the artists walked in the room, I wouldn't

1641
01:09:42,040 --> 01:09:44,559
Speaker 5: know they were for sure. What are we talking about?

1642
01:09:45,000 --> 01:09:47,400
Speaker 2: Yeah, but I'm saying it was an example, not specifically

1643
01:09:47,439 --> 01:09:49,439
Speaker 2: with Kai, but more so with a lot of the

1644
01:09:49,520 --> 01:09:53,519
Speaker 2: streamers that there is no real actual knowledge of anything

1645
01:09:53,640 --> 01:09:53,960
Speaker 2: going on.

1646
01:09:54,400 --> 01:09:56,479
Speaker 5: And I cannot blame and not blame that on these

1647
01:09:56,720 --> 01:09:58,960
Speaker 5: rappists for going on these streams, jumping on these streams

1648
01:09:59,000 --> 01:10:00,960
Speaker 5: with niggas who don't know wh y'all aw, but y'all

1649
01:10:01,000 --> 01:10:03,240
Speaker 5: want to use their platform to pump y'all shit.

1650
01:10:03,800 --> 01:10:05,960
Speaker 3: These young things is in their fucking house, in their basement,

1651
01:10:06,280 --> 01:10:08,400
Speaker 3: just turning their camera on. They're not supposed to know,

1652
01:10:08,520 --> 01:10:12,440
Speaker 3: you niggas. What Kyle might not know Whoel COOLJ.

1653
01:10:12,320 --> 01:10:14,360
Speaker 5: Is if he walked past them, Yes, and that I

1654
01:10:14,479 --> 01:10:18,840
Speaker 5: was the first fucking rap superstar. So like it's not listen, man,

1655
01:10:19,520 --> 01:10:20,560
Speaker 5: We got to get to a point where we just

1656
01:10:20,640 --> 01:10:23,120
Speaker 5: understood listen, we ain't as famous and that's fine.

1657
01:10:23,200 --> 01:10:25,000
Speaker 3: Like who gives a fuck about that shit?

1658
01:10:25,160 --> 01:10:27,160
Speaker 5: Like Kyle didn't do anything wrong, He just did he

1659
01:10:27,280 --> 01:10:29,800
Speaker 5: genuinely didn't know whoile A was, and that's fine. I

1660
01:10:30,000 --> 01:10:32,240
Speaker 5: just think that while shouldn't have approached him like you

1661
01:10:32,320 --> 01:10:34,960
Speaker 5: got you making you made me look crazy, I think

1662
01:10:35,200 --> 01:10:38,320
Speaker 5: you think because should have approched him and said, damn, bro,

1663
01:10:38,439 --> 01:10:39,720
Speaker 5: you don't know who I am and just made it

1664
01:10:39,800 --> 01:10:42,760
Speaker 5: a fun, like light moment, like like I'm gonna send

1665
01:10:42,760 --> 01:10:45,519
Speaker 5: you some of my music, Like listen to my music.

1666
01:10:45,920 --> 01:10:47,400
Speaker 3: This is who I am, this is what I do.

1667
01:10:48,240 --> 01:10:50,000
Speaker 7: Or he could have, I wouldn't have did that. I

1668
01:10:50,040 --> 01:10:52,160
Speaker 7: would have did it more like, damn, y'all, I'm really unk.

1669
01:10:52,200 --> 01:10:54,479
Speaker 7: I'm really unk out here like something. But to approach

1670
01:10:54,479 --> 01:10:56,160
Speaker 7: to me be like, yo, you got me looking crazy?

1671
01:10:56,840 --> 01:11:00,160
Speaker 3: Yeah? Nah, bro, you don't approach Kyle like that like

1672
01:11:00,280 --> 01:11:02,559
Speaker 3: he's a young boy, like he don't he not support

1673
01:11:03,000 --> 01:11:05,080
Speaker 3: I don't know if Kyle would know Nas if NAS

1674
01:11:05,120 --> 01:11:07,080
Speaker 3: walk past them. Okay, No, I think you dragging that

1675
01:11:07,080 --> 01:11:09,680
Speaker 3: a little bit. I think you're dragging it. Honestly, I

1676
01:11:09,720 --> 01:11:11,320
Speaker 3: really don't you think I'm dragging it.

1677
01:11:11,400 --> 01:11:13,720
Speaker 7: I think you're dragging it. There's a very and this

1678
01:11:13,840 --> 01:11:15,920
Speaker 7: is not disrespectful. While they we all know, there's a

1679
01:11:16,080 --> 01:11:17,000
Speaker 7: very big difference.

1680
01:11:17,120 --> 01:11:19,200
Speaker 5: But I think if NAS was in that same situation

1681
01:11:19,400 --> 01:11:21,880
Speaker 5: in that parking lot, and he walked right past Kyle

1682
01:11:21,920 --> 01:11:23,120
Speaker 5: while Kyle was walking to his car.

1683
01:11:23,479 --> 01:11:25,120
Speaker 3: I don't think Kyle would have recognized that that was.

1684
01:11:25,160 --> 01:11:26,559
Speaker 2: Not and I don't think Nas would have recognized.

1685
01:11:27,200 --> 01:11:29,360
Speaker 7: I think that that's different because Nas is from New

1686
01:11:29,439 --> 01:11:31,120
Speaker 7: York and Kai is from New York. I think it's

1687
01:11:31,160 --> 01:11:32,080
Speaker 7: a little bit different.

1688
01:11:32,240 --> 01:11:32,680
Speaker 6: Nas is.

1689
01:11:32,720 --> 01:11:35,360
Speaker 7: Also, it's like jay Z and then Nas, Like you

1690
01:11:35,520 --> 01:11:37,439
Speaker 7: know what jay Z and Nas look like. You might

1691
01:11:37,560 --> 01:11:39,559
Speaker 7: not know the rest of them. Yeah, but the people

1692
01:11:39,720 --> 01:11:41,559
Speaker 7: you know who they are, and you know who they are.

1693
01:11:41,640 --> 01:11:44,160
Speaker 7: But let me tell you something, when you see these

1694
01:11:44,240 --> 01:11:44,920
Speaker 7: people for the.

1695
01:11:44,960 --> 01:11:47,479
Speaker 3: First time in peron life, Yeah, sometimes you wore right

1696
01:11:47,520 --> 01:11:50,439
Speaker 3: past that was who, Like, oh shit, I did that

1697
01:11:50,520 --> 01:11:51,679
Speaker 3: a lot this week at BT.

1698
01:11:52,120 --> 01:11:53,240
Speaker 2: Yeah, I was like, that's who.

1699
01:11:53,439 --> 01:11:55,679
Speaker 3: Like damn, Like she a lot smaller than I thought

1700
01:11:55,720 --> 01:11:56,679
Speaker 3: she was, Like she's tiny.

1701
01:11:56,920 --> 01:11:58,400
Speaker 2: Yeah, yeah, you know what I'm saying.

1702
01:11:58,479 --> 01:12:02,559
Speaker 5: It happens like I don't again, that's you know, it's

1703
01:12:02,600 --> 01:12:04,400
Speaker 5: just it just it just comes across the way. It's

1704
01:12:04,400 --> 01:12:07,519
Speaker 5: almost like it's almost like your ego is saying that

1705
01:12:07,560 --> 01:12:09,120
Speaker 5: people are supposed to know who you are some as

1706
01:12:09,160 --> 01:12:09,519
Speaker 5: they see you.

1707
01:12:10,680 --> 01:12:12,519
Speaker 2: And I felt that, but that's just that ego.

1708
01:12:12,640 --> 01:12:14,800
Speaker 5: That's the nasty But that's the nasty stigma that comes

1709
01:12:14,880 --> 01:12:17,839
Speaker 5: with an interaction like that. It's like, are people supposed

1710
01:12:17,880 --> 01:12:19,599
Speaker 5: to know who you are? You feel like he's supposed

1711
01:12:19,640 --> 01:12:21,280
Speaker 5: to know you? Why do you feel like he's supposed

1712
01:12:21,280 --> 01:12:23,960
Speaker 5: to know you? I can, I mean, I can disagree

1713
01:12:23,960 --> 01:12:24,280
Speaker 5: with the move.

1714
01:12:24,280 --> 01:12:25,840
Speaker 2: I don't think it was the right time to say

1715
01:12:25,880 --> 01:12:28,479
Speaker 2: that at all, but I can respect what was going

1716
01:12:28,520 --> 01:12:31,479
Speaker 2: on that day, Like that was a long fucking day

1717
01:12:31,560 --> 01:12:34,120
Speaker 2: for what And we already know. I don't know what

1718
01:12:34,200 --> 01:12:38,400
Speaker 2: else was going on outspoken while a has been how

1719
01:12:38,439 --> 01:12:41,200
Speaker 2: he's felt about his career and the credit and flowers

1720
01:12:41,240 --> 01:12:45,000
Speaker 2: that he has deserved and maybe hasn't gotten. Yeah, it

1721
01:12:45,080 --> 01:12:47,280
Speaker 2: was already it was a long day on the timeline

1722
01:12:47,400 --> 01:12:47,720
Speaker 2: for a while.

1723
01:12:47,920 --> 01:12:50,840
Speaker 3: Yeah, else all the way, I don't know, I know

1724
01:12:50,880 --> 01:12:51,799
Speaker 3: what else you talked about.

1725
01:12:51,680 --> 01:12:54,320
Speaker 2: Clips was a lot of the Kendrick situation, like and

1726
01:12:54,400 --> 01:12:59,439
Speaker 2: we already know again post battle how stands are. So

1727
01:12:59,720 --> 01:13:01,559
Speaker 2: it was it was a long day of killing Walle.

1728
01:13:02,240 --> 01:13:05,800
Speaker 2: And then I'm sure Walle after all that put his

1729
01:13:05,880 --> 01:13:07,680
Speaker 2: phone down, got a suit on. I was like, all right,

1730
01:13:08,400 --> 01:13:12,599
Speaker 2: be outside, at least your little drink, will have fun

1731
01:13:12,640 --> 01:13:14,720
Speaker 2: at the BT Awards. Let me put my phone down,

1732
01:13:14,880 --> 01:13:17,000
Speaker 2: it's been a long day. And then you go and

1733
01:13:17,160 --> 01:13:19,400
Speaker 2: run in the fucking guy on your way out of

1734
01:13:19,439 --> 01:13:21,680
Speaker 2: the hotel and then open your phone when you get

1735
01:13:21,680 --> 01:13:23,800
Speaker 2: to the awards, like all right.

1736
01:13:24,120 --> 01:13:25,240
Speaker 3: Like he don't know, he don't know who he didn't

1737
01:13:25,280 --> 01:13:25,720
Speaker 3: know who you were.

1738
01:13:26,520 --> 01:13:29,439
Speaker 2: It happens, man, Yeah, I feel for Walle like, yeah,

1739
01:13:30,360 --> 01:13:32,320
Speaker 2: I think it was a lot going on that day

1740
01:13:32,560 --> 01:13:35,560
Speaker 2: for him on socials while he's in the midst of

1741
01:13:35,720 --> 01:13:38,240
Speaker 2: trying to be seen because he's putting music out like

1742
01:13:38,320 --> 01:13:40,800
Speaker 2: he's purposely doing you know.

1743
01:13:40,960 --> 01:13:42,600
Speaker 5: But then here That's why I said I would have

1744
01:13:42,640 --> 01:13:45,800
Speaker 5: approached that differently from wal It goes from Yo, you

1745
01:13:45,840 --> 01:13:48,840
Speaker 5: didn't know who it was, bro, all right, listen, we're

1746
01:13:48,840 --> 01:13:50,559
Speaker 5: gonna we're gonna sit down, We're gonna we're gonna.

1747
01:13:50,560 --> 01:13:52,360
Speaker 3: I'm gonna show you who I am. I'm gonna teach

1748
01:13:52,360 --> 01:13:52,760
Speaker 3: you about wait.

1749
01:13:52,840 --> 01:13:54,360
Speaker 2: I mean he did say we'll chop it up later.

1750
01:13:54,479 --> 01:13:56,800
Speaker 2: But I think the first initial part of like, yeah,

1751
01:13:56,800 --> 01:13:59,160
Speaker 2: you got me out here looking crazy and no, to me,

1752
01:13:59,280 --> 01:14:01,600
Speaker 2: that's a little unfair because I doesn't know who you are,

1753
01:14:01,680 --> 01:14:02,760
Speaker 2: Like that's not coy.

1754
01:14:02,640 --> 01:14:04,000
Speaker 3: But that's why I'm different.

1755
01:14:04,840 --> 01:14:07,720
Speaker 5: What Kyle did didn't have while looking crazy, well, while

1756
01:14:07,760 --> 01:14:10,160
Speaker 5: they did after that while.

1757
01:14:10,120 --> 01:14:14,560
Speaker 2: Looking crazy, But he was where the conversation started. And

1758
01:14:14,680 --> 01:14:17,800
Speaker 2: I still look at entertainers as human beings that have

1759
01:14:17,920 --> 01:14:23,519
Speaker 2: fucking feelings. The conversation immediately after that moment turned to

1760
01:14:23,600 --> 01:14:28,439
Speaker 2: the timeline telling everyone why Kai should not know, while

1761
01:14:28,760 --> 01:14:32,160
Speaker 2: in a very negative way, like it was just shitting

1762
01:14:32,160 --> 01:14:34,519
Speaker 2: on Wile, like why would Kai know while a he's this, this, this.

1763
01:14:34,640 --> 01:14:36,320
Speaker 3: This, like all the but that's you know, those are

1764
01:14:36,400 --> 01:14:38,080
Speaker 3: those people. They don't know what I'm saying.

1765
01:14:39,439 --> 01:14:42,120
Speaker 2: Online thrashing before because while he was on Twitter all

1766
01:14:42,160 --> 01:14:44,200
Speaker 2: day replying to people with the Kendrick shit like he

1767
01:14:45,000 --> 01:14:48,759
Speaker 2: and of course it takes two like while they engulfed

1768
01:14:48,840 --> 01:14:50,519
Speaker 2: himself in there, but he's done that his whole career

1769
01:14:50,600 --> 01:14:53,840
Speaker 2: and we know that. So yeah, it was just a

1770
01:14:53,920 --> 01:14:55,519
Speaker 2: back to back difference. I wish why.

1771
01:14:55,520 --> 01:14:58,439
Speaker 5: I wish people had got a chance to experience and

1772
01:14:58,520 --> 01:15:01,720
Speaker 5: meet while ay the way, I've the nicest, coolest guy,

1773
01:15:02,080 --> 01:15:04,599
Speaker 5: one of the coolest, most humble.

1774
01:15:06,080 --> 01:15:07,599
Speaker 2: I think, you know, it's hilarious.

1775
01:15:07,680 --> 01:15:10,080
Speaker 5: I think Wile is underrated for sure as an artists,

1776
01:15:10,120 --> 01:15:13,360
Speaker 5: definitely underrated. His catalog and his ability is way better

1777
01:15:13,400 --> 01:15:14,880
Speaker 5: than a lot of these other dudes that y'all run

1778
01:15:14,920 --> 01:15:17,439
Speaker 5: to the timeline and praise like, but that's a whole

1779
01:15:17,520 --> 01:15:19,240
Speaker 5: nother story for a whole nother episode.

1780
01:15:19,439 --> 01:15:23,160
Speaker 2: While doesn't lie when he says all these things, y'all

1781
01:15:23,160 --> 01:15:24,880
Speaker 2: just don't like the way he says it or goes

1782
01:15:25,080 --> 01:15:27,400
Speaker 2: because people, it's not like he's lying.

1783
01:15:27,520 --> 01:15:29,680
Speaker 5: People are looking for a reason to not like wil A,

1784
01:15:30,200 --> 01:15:32,519
Speaker 5: which is okay, cool, that's people are gonna not like you.

1785
01:15:32,600 --> 01:15:33,280
Speaker 3: Some people love you.

1786
01:15:33,960 --> 01:15:36,240
Speaker 5: My thing with wil A is focus more on the

1787
01:15:36,280 --> 01:15:39,160
Speaker 5: people that love you and support you and think you dope.

1788
01:15:39,880 --> 01:15:42,160
Speaker 5: The people that got negative shit to say that, you know,

1789
01:15:42,320 --> 01:15:45,680
Speaker 5: try to play you, that's that's gonna happen. Let them

1790
01:15:45,680 --> 01:15:48,200
Speaker 5: people do that amongst themselves. You don't have to involve

1791
01:15:48,240 --> 01:15:51,040
Speaker 5: yourself in that. Focus on the people that fuck with you.

1792
01:15:51,200 --> 01:15:53,600
Speaker 5: Focus on your people that support you and show up

1793
01:15:53,640 --> 01:15:56,120
Speaker 5: for you and speak highly of your name and rooms

1794
01:15:56,160 --> 01:15:56,720
Speaker 5: that you're not in.

1795
01:15:56,880 --> 01:16:00,120
Speaker 3: And that's what you lock in on these fucking because.

1796
01:16:00,000 --> 01:16:01,560
Speaker 5: Half of these niggas online and if half of you

1797
01:16:01,760 --> 01:16:04,479
Speaker 5: responding to Box half the time, fake Paige is fake

1798
01:16:04,560 --> 01:16:07,160
Speaker 5: profiles like you, fuck all of that shit.

1799
01:16:07,840 --> 01:16:10,759
Speaker 2: Yeah, And I mean that was part of false profits

1800
01:16:10,840 --> 01:16:12,920
Speaker 2: with Cole and I feel like people have been saying

1801
01:16:12,920 --> 01:16:16,200
Speaker 2: that to le A behind the scenes and on the

1802
01:16:16,240 --> 01:16:17,559
Speaker 2: mic for years.

1803
01:16:17,800 --> 01:16:17,960
Speaker 4: Yeah.

1804
01:16:18,040 --> 01:16:20,760
Speaker 2: Man, but I can see the side of this is

1805
01:16:20,840 --> 01:16:24,479
Speaker 2: your art. Of course, you're gonna take it personal when

1806
01:16:24,560 --> 01:16:27,160
Speaker 2: things you feel like you deserve are not met or

1807
01:16:27,240 --> 01:16:30,200
Speaker 2: not acknowledged, you're gonna deal with. Yeah, but it's still

1808
01:16:30,240 --> 01:16:33,800
Speaker 2: your heart the way to kaydo. Like, yeah, I again,

1809
01:16:33,840 --> 01:16:35,240
Speaker 2: I thought it was wrong with saying you have me

1810
01:16:35,320 --> 01:16:37,080
Speaker 2: looking crazy out here because I don't. I didn't do

1811
01:16:37,200 --> 01:16:39,560
Speaker 2: anything malicious, Like, no, it was he just doesn't know.

1812
01:16:39,680 --> 01:16:41,519
Speaker 2: He is just like he really just didn't know that. Now,

1813
01:16:42,360 --> 01:16:44,519
Speaker 2: it's not like he went like he was shitting on wale.

1814
01:16:44,600 --> 01:16:45,200
Speaker 2: He just didn't know.

1815
01:16:45,760 --> 01:16:47,679
Speaker 5: And again, you meet you see people, you meet people

1816
01:16:47,800 --> 01:16:49,880
Speaker 5: in personal seeing them for the first time in person.

1817
01:16:50,920 --> 01:16:52,760
Speaker 3: You may know their music and you know, but when

1818
01:16:52,760 --> 01:16:54,519
Speaker 3: you see them, you're like, oh shit, that's who that is.

1819
01:16:54,600 --> 01:16:57,599
Speaker 5: I've done that with people that I actively talk about

1820
01:16:57,640 --> 01:17:00,080
Speaker 5: in support, but when I see them sometime in real life, like,

1821
01:17:00,120 --> 01:17:01,000
Speaker 5: oh ship, I didn't know that.

1822
01:17:01,120 --> 01:17:03,000
Speaker 2: Was you know, It's this is the reverse for me

1823
01:17:03,080 --> 01:17:06,280
Speaker 2: now with the new artists, I'm just like, oh, yeah,

1824
01:17:06,280 --> 01:17:08,599
Speaker 2: I heard that song. That's what that's the Oh you knew, niggas.

1825
01:17:08,640 --> 01:17:13,519
Speaker 2: I don't know y'all at all. Oh no recognized the song. Yallo,

1826
01:17:13,720 --> 01:17:13,960
Speaker 2: that's it?

1827
01:17:14,040 --> 01:17:16,439
Speaker 3: Oh okay, that's dope, Like you know, but half of you.

1828
01:17:17,040 --> 01:17:19,200
Speaker 2: Speaking of some of the Wikipedia pages they put in

1829
01:17:19,240 --> 01:17:21,000
Speaker 2: front of us of the media room, I was, I still.

1830
01:17:20,800 --> 01:17:22,560
Speaker 3: Don't know what this is, yo, the little whipping the

1831
01:17:23,000 --> 01:17:26,519
Speaker 3: kid he got twenty years for a body, Silento, that

1832
01:17:26,640 --> 01:17:29,960
Speaker 3: push that's he just got sentenced though.

1833
01:17:29,960 --> 01:17:31,559
Speaker 2: Oh yeah, but he twenty twenty one.

1834
01:17:31,880 --> 01:17:34,040
Speaker 3: Say he got arrested his cousins though he was.

1835
01:17:34,080 --> 01:17:38,160
Speaker 2: Arrested, he killed his cousin. Yeah, Silent, I missed that.

1836
01:17:38,560 --> 01:17:40,439
Speaker 3: He just got twenty Yeah, they hit him with a

1837
01:17:40,600 --> 01:17:45,600
Speaker 3: twenty piece thirty thirty piece no fries whipping.

1838
01:17:45,360 --> 01:17:48,480
Speaker 6: They no fries is fucking crazy.

1839
01:17:48,560 --> 01:17:51,439
Speaker 3: Yo whipping naye and you know what fun he got

1840
01:17:51,560 --> 01:17:52,960
Speaker 3: thirty Yeah, you know how crazy.

1841
01:17:53,040 --> 01:17:53,880
Speaker 2: I read that.

1842
01:17:53,960 --> 01:17:55,240
Speaker 3: I was like, this has to be a joke.

1843
01:17:56,320 --> 01:17:57,360
Speaker 2: It's like, yo, this is the book.

1844
01:17:57,560 --> 01:18:00,720
Speaker 3: This was like he was like the first he might

1845
01:18:00,760 --> 01:18:02,040
Speaker 3: have been in first stream rap.

1846
01:18:01,960 --> 01:18:06,680
Speaker 2: For like, wait, hold on, because I've seen that. I've

1847
01:18:06,760 --> 01:18:10,439
Speaker 2: seen that mugshot before and the whole time I thought

1848
01:18:10,479 --> 01:18:12,600
Speaker 2: that was who's a guy that that?

1849
01:18:12,960 --> 01:18:13,160
Speaker 1: I know?

1850
01:18:13,560 --> 01:18:15,200
Speaker 2: I got a body then went on the run and

1851
01:18:15,320 --> 01:18:17,240
Speaker 2: caught another body while he was on the run making

1852
01:18:17,320 --> 01:18:18,360
Speaker 2: music about being on the run.

1853
01:18:19,640 --> 01:18:20,720
Speaker 3: Dude, that was Hurricane Chris.

1854
01:18:21,720 --> 01:18:26,040
Speaker 2: Hurricane Chris is free. Oh my god, he was just

1855
01:18:26,080 --> 01:18:26,840
Speaker 2: beating with fifty.

1856
01:18:28,000 --> 01:18:29,519
Speaker 3: Hurricane Chris was before fifty.

1857
01:18:29,800 --> 01:18:32,560
Speaker 2: Yeah, he ain't like the fifty came to Louisiana.

1858
01:18:32,080 --> 01:18:33,840
Speaker 3: And I do remember that.

1859
01:18:33,960 --> 01:18:37,120
Speaker 2: So it's not Hurricane Chris. I'm talking no Hurricane Carter.

1860
01:18:37,240 --> 01:18:37,799
Speaker 2: But he was innocent.

1861
01:18:37,920 --> 01:18:41,200
Speaker 3: No, yeah, free him, Yeah, he's free.

1862
01:18:41,640 --> 01:18:45,000
Speaker 2: Tak The whole time I saw that nay nay mugshot,

1863
01:18:45,880 --> 01:18:47,160
Speaker 2: I thought that was the other guy.

1864
01:18:47,680 --> 01:18:49,360
Speaker 3: Yeah, okay, And.

1865
01:18:49,400 --> 01:18:51,519
Speaker 2: Maybe I'm proposing myself that all black people look like.

1866
01:18:51,800 --> 01:18:54,080
Speaker 3: I said, we don't all look alike like that, you know.

1867
01:18:54,120 --> 01:18:56,320
Speaker 5: That's what I got my mugshots mixed up. Yeah, don't

1868
01:18:56,320 --> 01:18:58,320
Speaker 5: get your mug shots. Wait, and we don't all have

1869
01:18:58,439 --> 01:18:58,960
Speaker 5: mug shots.

1870
01:18:59,400 --> 01:19:02,599
Speaker 2: Yeah, the whippy guys catching bodies, yo.

1871
01:19:02,840 --> 01:19:07,880
Speaker 3: Silent though silent though silent though, yes, what it is now?

1872
01:19:08,200 --> 01:19:10,800
Speaker 3: Geek killed his cousin. I was like, what the fuck

1873
01:19:10,920 --> 01:19:11,400
Speaker 3: is going on?

1874
01:19:12,120 --> 01:19:18,559
Speaker 5: Thirty years silent though, Yo, the sol when the silent

1875
01:19:18,640 --> 01:19:19,759
Speaker 5: doos is catching bodies.

1876
01:19:20,880 --> 01:19:22,960
Speaker 2: I mean to call back to our AI conversation. I

1877
01:19:23,040 --> 01:19:25,080
Speaker 2: want to make light of murder at all, but clearly,

1878
01:19:25,200 --> 01:19:27,479
Speaker 2: like you said, the rollout for the younger artists, if

1879
01:19:27,479 --> 01:19:30,560
Speaker 2: they called a body, do we think that Tata like

1880
01:19:30,640 --> 01:19:32,800
Speaker 2: if shit isn't moving on the first album, Tim is

1881
01:19:32,840 --> 01:19:35,479
Speaker 2: gonna have her mark somebody like another AI artist, like

1882
01:19:35,520 --> 01:19:36,759
Speaker 2: blow up somebody else's computer.

1883
01:19:37,040 --> 01:19:39,880
Speaker 3: Yeah, they's gonna shut down virus.

1884
01:19:40,040 --> 01:19:42,360
Speaker 2: I fired your hard drive, his whole.

1885
01:19:42,240 --> 01:19:44,799
Speaker 3: Hard drive, give him that LimeWire virus.

1886
01:19:45,080 --> 01:19:48,479
Speaker 2: Yo, tats out on the run as as an AI person.

1887
01:19:48,720 --> 01:19:50,400
Speaker 3: They can't find it in the system like you were.

1888
01:19:50,479 --> 01:19:53,479
Speaker 2: Is she like Apple has been investigating everything.

1889
01:19:53,600 --> 01:19:54,519
Speaker 3: You can't find it no way.

1890
01:19:54,520 --> 01:19:55,160
Speaker 2: What's in best by?

1891
01:19:55,479 --> 01:19:55,679
Speaker 3: Yeah?

1892
01:19:56,000 --> 01:19:58,479
Speaker 2: Uh geek squad, y know, we got geeks squad.

1893
01:19:59,240 --> 01:19:59,880
Speaker 3: They can't find it.

1894
01:20:00,360 --> 01:20:02,000
Speaker 2: Apple care nothing.

1895
01:20:02,360 --> 01:20:05,760
Speaker 3: Damn man, my man, silent though, man, thirty joints. That

1896
01:20:06,000 --> 01:20:08,240
Speaker 3: is crazy. That's a crazy story to know he in

1897
01:20:08,400 --> 01:20:09,320
Speaker 3: his life ended up like that.

1898
01:20:09,680 --> 01:20:12,920
Speaker 2: I can I can never imagine just hearing somebody tell

1899
01:20:12,960 --> 01:20:14,080
Speaker 2: me thirty years.

1900
01:20:15,000 --> 01:20:19,400
Speaker 3: Thirty that was wild this. I learned my lessons soon

1901
01:20:19,439 --> 01:20:21,040
Speaker 3: as you say thirty years. I won't do it again.

1902
01:20:22,280 --> 01:20:24,760
Speaker 5: You ain't got to put no rehabit necessary. I'm good,

1903
01:20:24,880 --> 01:20:27,439
Speaker 5: I am, I am saved, changed man, I am delivered.

1904
01:20:28,080 --> 01:20:29,240
Speaker 5: I will never do that again.

1905
01:20:29,400 --> 01:20:30,000
Speaker 3: Thirty years.

1906
01:20:30,280 --> 01:20:33,000
Speaker 5: Yeah, that was that was crazy todd about about him though. Man,

1907
01:20:33,200 --> 01:20:35,280
Speaker 5: such a like fun song. They played at it like

1908
01:20:35,320 --> 01:20:38,080
Speaker 5: every cookout. If the kids love that whipping they name.

1909
01:20:38,760 --> 01:20:39,519
Speaker 6: The kids love that.

1910
01:20:39,640 --> 01:20:42,640
Speaker 5: You can't play Yeah, you can't play whipping Nana at

1911
01:20:42,640 --> 01:20:43,040
Speaker 5: the cookout.

1912
01:20:43,080 --> 01:20:47,800
Speaker 3: No, he got thirty years. He killed somebody, dude, solid though.

1913
01:20:48,160 --> 01:20:50,280
Speaker 2: I mean, but the kids were dancing to Mitch catching

1914
01:20:50,280 --> 01:20:50,599
Speaker 2: a body.

1915
01:20:51,640 --> 01:20:53,320
Speaker 3: Yeah, that's different. That's different. That's different.

1916
01:20:53,479 --> 01:20:54,840
Speaker 2: What's different different?

1917
01:20:54,920 --> 01:20:55,439
Speaker 3: It's different?

1918
01:20:56,160 --> 01:20:58,320
Speaker 5: How's it different? Because this is a song that just different.

1919
01:20:58,360 --> 01:21:01,280
Speaker 5: The energy in the song Whipping Nay had nothing to violence.

1920
01:21:01,920 --> 01:21:04,040
Speaker 2: We didn't understand the tantra.

1921
01:21:04,800 --> 01:21:05,120
Speaker 3: Clearly.

1922
01:21:05,200 --> 01:21:07,200
Speaker 5: I didn't know Silent was out here like that. I

1923
01:21:07,280 --> 01:21:09,320
Speaker 5: didn't know he was a little more literal with his

1924
01:21:09,880 --> 01:21:10,320
Speaker 5: Bobby was.

1925
01:21:10,360 --> 01:21:11,760
Speaker 2: Leting you know exactly what it was. This is who

1926
01:21:11,800 --> 01:21:12,000
Speaker 2: he is.

1927
01:21:12,439 --> 01:21:15,439
Speaker 5: What he did was no discrepancies about what Bobby was doing.

1928
01:21:15,720 --> 01:21:19,439
Speaker 5: But Silent, though, I didn't know Silento was out of here,

1929
01:21:19,920 --> 01:21:21,599
Speaker 5: laying laying the murder game down.

1930
01:21:22,160 --> 01:21:24,080
Speaker 3: That is crazy when I read that ship. Look what

1931
01:21:25,280 --> 01:21:28,559
Speaker 3: whipping they they got thirty years damn.

1932
01:21:28,680 --> 01:21:30,160
Speaker 2: Would you have thought the same about Q when he

1933
01:21:30,240 --> 01:21:31,080
Speaker 2: was djaying and juice.

1934
01:21:31,800 --> 01:21:32,599
Speaker 3: He didn't do nothing.

1935
01:21:32,800 --> 01:21:34,920
Speaker 2: He was there, he robbed the liquor store. He was

1936
01:21:35,640 --> 01:21:36,479
Speaker 2: in between seconds.

1937
01:21:36,640 --> 01:21:40,040
Speaker 3: But you know who your man went crazy?

1938
01:21:40,439 --> 01:21:42,880
Speaker 2: My man? No, I mean yeah, that shit man.

1939
01:21:42,920 --> 01:21:45,920
Speaker 3: He went crazy and you know Q was dead, but

1940
01:21:46,040 --> 01:21:48,120
Speaker 3: he and he ain't killed old man will As he

1941
01:21:48,160 --> 01:21:48,800
Speaker 3: didn't shoot him.

1942
01:21:49,479 --> 01:21:53,439
Speaker 2: You know you ain't have to do that. Man said

1943
01:21:53,479 --> 01:21:56,080
Speaker 2: your name fat boy knew he was said today.

1944
01:21:58,040 --> 01:21:59,479
Speaker 3: Classic movie Juice as.

1945
01:21:59,360 --> 01:22:03,280
Speaker 2: Also, I love that after committing a murder and robbery,

1946
01:22:03,560 --> 01:22:07,600
Speaker 2: you run into a dead end the alley. They just

1947
01:22:07,640 --> 01:22:11,040
Speaker 2: went to a dead end. Yeah, if anybody followed, like

1948
01:22:11,120 --> 01:22:13,559
Speaker 2: where are we going? Now, that's the stupidest getaway. Playing

1949
01:22:13,560 --> 01:22:15,400
Speaker 2: a home they jumped and they went to abandoned building

1950
01:22:16,200 --> 01:22:17,840
Speaker 2: with a dead end. Yeah, they hit the gun that

1951
01:22:18,360 --> 01:22:20,960
Speaker 2: went to the bandoned building. I'm holding the gun. No,

1952
01:22:21,080 --> 01:22:22,080
Speaker 2: we're throwing that in the river.

1953
01:22:22,320 --> 01:22:24,479
Speaker 3: Likega. Bishop was like, Raheem's dead.

1954
01:22:24,840 --> 01:22:28,120
Speaker 2: Nigga, you killed Nigga. I just saw it.

1955
01:22:28,200 --> 01:22:31,760
Speaker 3: It's funny as ship Raheem's dead and somebody killed old

1956
01:22:31,800 --> 01:22:33,719
Speaker 3: man quill As it was shoot nigga.

1957
01:22:33,880 --> 01:22:35,760
Speaker 7: That was one of our favorite sketches that I ever

1958
01:22:36,120 --> 01:22:39,080
Speaker 7: that I that we ever did, was you sketch you

1959
01:22:39,200 --> 01:22:39,600
Speaker 7: murdered that?

1960
01:22:40,160 --> 01:22:42,720
Speaker 2: Oh my crib h, we did that. That was very

1961
01:22:42,840 --> 01:22:45,840
Speaker 2: very very funny. And how you how you get ahead

1962
01:22:45,880 --> 01:22:48,760
Speaker 2: of like the cops to tell the crime like they

1963
01:22:48,800 --> 01:22:50,680
Speaker 2: went to grab Q. I got it.

1964
01:22:51,040 --> 01:22:56,040
Speaker 5: He was a Q No Like, Yo, Raheem's dead and

1965
01:22:56,200 --> 01:22:58,240
Speaker 5: somebody killed old man Quilla.

1966
01:22:58,439 --> 01:23:02,040
Speaker 2: And you man, comrade, your best friend, your man's nikd

1967
01:23:02,800 --> 01:23:08,240
Speaker 2: fuck out of here. No, may you ever been out

1968
01:23:08,280 --> 01:23:09,800
Speaker 2: to dinner? They asked you to pay the check, they'll

1969
01:23:09,800 --> 01:23:12,160
Speaker 2: say they get you back later. It's over for that.

1970
01:23:12,280 --> 01:23:13,360
Speaker 3: Yeah, we're not playing those games.

1971
01:23:13,479 --> 01:23:13,599
Speaker 8: Nah.

1972
01:23:13,800 --> 01:23:15,920
Speaker 2: Everyone has cash app. And if you don't have cash app,

1973
01:23:16,320 --> 01:23:17,200
Speaker 2: there's something wrong with you.

1974
01:23:17,360 --> 01:23:19,000
Speaker 3: If you don't have cash ap, you're not at my dinner.

1975
01:23:19,160 --> 01:23:19,760
Speaker 3: That is a fact.

1976
01:23:20,160 --> 01:23:22,120
Speaker 2: And there's no way that we're splitting this. No, you

1977
01:23:22,160 --> 01:23:24,160
Speaker 2: can cash at me right now, actually show me right

1978
01:23:24,240 --> 01:23:25,000
Speaker 2: right in front of your face.

1979
01:23:25,040 --> 01:23:25,720
Speaker 3: Send now, send it.

1980
01:23:25,920 --> 01:23:28,720
Speaker 2: And I use this trick when a random number texts me,

1981
01:23:28,760 --> 01:23:30,640
Speaker 2: because I know everyone has cash App, I put that

1982
01:23:30,760 --> 01:23:32,600
Speaker 2: number into cash app and I can see who's texting me.

1983
01:23:32,760 --> 01:23:33,080
Speaker 3: There you go.

1984
01:23:33,200 --> 01:23:35,680
Speaker 2: It saves a lot of time and a lot of

1985
01:23:35,720 --> 01:23:39,479
Speaker 2: weird conversations. If, for whatever insane reason, you don't already

1986
01:23:39,520 --> 01:23:42,599
Speaker 2: have Cash App, just download it from your phone's app store,

1987
01:23:42,640 --> 01:23:45,960
Speaker 2: sign up, enter our code Rory mal Ten in your profile,

1988
01:23:46,080 --> 01:23:48,639
Speaker 2: Send five dollars to a friend, and you'll get ten

1989
01:23:48,920 --> 01:23:50,360
Speaker 2: dollars just for getting started.

1990
01:23:50,680 --> 01:23:53,120
Speaker 5: Full limited time only new Cash app users can use

1991
01:23:53,160 --> 01:23:55,920
Speaker 5: our exclusive code to earn some additional cash for real.

1992
01:23:56,200 --> 01:23:59,080
Speaker 3: There's no catch. Just download Cash app and sign up, use.

1993
01:23:59,000 --> 01:24:02,240
Speaker 5: Our exclusive referral cold Rory Malton and your profile, send

1994
01:24:02,320 --> 01:24:04,840
Speaker 5: five dollars to a friend within fourteen days and you'll

1995
01:24:04,880 --> 01:24:06,280
Speaker 5: get ten dollars dropped right.

1996
01:24:06,160 --> 01:24:07,759
Speaker 3: Into your account. Terms applied.

1997
01:24:07,840 --> 01:24:08,400
Speaker 2: That's money.

1998
01:24:08,640 --> 01:24:09,599
Speaker 3: That's cash at.

1999
01:24:15,160 --> 01:24:15,280
Speaker 1: All.

2000
01:24:15,400 --> 01:24:15,479
Speaker 2: Right?

2001
01:24:15,520 --> 01:24:16,560
Speaker 3: Do we have voicemails?

2002
01:24:16,680 --> 01:24:20,519
Speaker 2: Yes? You have got mail sponsored by Row.

2003
01:24:20,920 --> 01:24:22,120
Speaker 3: Row will help you grow Rory.

2004
01:24:22,320 --> 01:24:25,000
Speaker 2: You cannot spell Rory without Row.

2005
01:24:25,240 --> 01:24:26,439
Speaker 3: That is a fact to you.

2006
01:24:26,560 --> 01:24:30,280
Speaker 8: Go yo, what it is ministerr Boycliff calling in from

2007
01:24:30,320 --> 01:24:33,160
Speaker 8: East Texas. Man, shout out to the pod. Love what

2008
01:24:33,280 --> 01:24:36,000
Speaker 8: y'all do? Bro, Keep doing what y'all doing? But I

2009
01:24:36,080 --> 01:24:39,880
Speaker 8: need some homey advice. So Homie just separated from his

2010
01:24:40,000 --> 01:24:44,160
Speaker 8: wife for preference. We probably met our wives around the

2011
01:24:44,200 --> 01:24:47,240
Speaker 8: same time. We was young, probably like twenty four to

2012
01:24:47,280 --> 01:24:50,240
Speaker 8: twenty five something like that. We're thirty now, turning thirty

2013
01:24:50,280 --> 01:24:53,080
Speaker 8: one this year. So my nigga's back out on the streets.

2014
01:24:53,120 --> 01:24:56,240
Speaker 8: You know what I'm saying. She took his twenties now

2015
01:24:56,320 --> 01:25:00,360
Speaker 8: he has his thirties type shit. But anyway, Bro, it's

2016
01:25:00,520 --> 01:25:03,560
Speaker 8: like I'm trying to I'm trying to figure out what

2017
01:25:03,680 --> 01:25:05,880
Speaker 8: to tell my bro. Man, I'm trying to. I'm trying to,

2018
01:25:06,000 --> 01:25:07,840
Speaker 8: like I'm giving him all the like you know what

2019
01:25:07,840 --> 01:25:10,080
Speaker 8: I'm saying, the regular gud vice type shit, like, bro,

2020
01:25:10,400 --> 01:25:12,200
Speaker 8: get greater or later, Bro, keep your head up, you

2021
01:25:12,240 --> 01:25:13,960
Speaker 8: know what I'm saying. Keep you know what I'm saying.

2022
01:25:13,960 --> 01:25:15,519
Speaker 8: And he wasn't that fucked up, but you know, it's

2023
01:25:15,560 --> 01:25:18,200
Speaker 8: a whole lifestyle change or whatever. And if I'm being

2024
01:25:18,240 --> 01:25:20,280
Speaker 8: for real, bro, this was a situation we kind of

2025
01:25:20,360 --> 01:25:23,240
Speaker 8: knew it was coming. Like he the last to know

2026
01:25:23,400 --> 01:25:26,800
Speaker 8: type shit. But like he's straight, Bro, my nigga, don't

2027
01:25:26,840 --> 01:25:29,280
Speaker 8: bounce back. He'll be all right in time type shit.

2028
01:25:29,360 --> 01:25:31,760
Speaker 8: But uh, what advice should I give to homie. Man,

2029
01:25:31,760 --> 01:25:34,160
Speaker 8: should I just be like, you know, knock down the

2030
01:25:34,200 --> 01:25:35,320
Speaker 8: first thing you see walking?

2031
01:25:35,400 --> 01:25:35,479
Speaker 2: Bro?

2032
01:25:35,600 --> 01:25:37,320
Speaker 8: You know what I'm saying, Just to get the wing

2033
01:25:37,520 --> 01:25:41,439
Speaker 8: underneath his wings type shit? But I don't know it. Also, though,

2034
01:25:41,720 --> 01:25:44,000
Speaker 8: he to homie, that's kind of like the serial monogamous,

2035
01:25:44,120 --> 01:25:47,400
Speaker 8: like my nigga loves a relationship. I'm like, Bro, just chill, hummy,

2036
01:25:47,560 --> 01:25:48,680
Speaker 8: like you know what I'm saying, But I don't know.

2037
01:25:49,400 --> 01:25:52,040
Speaker 8: So I kind of I'm trying to like my nigga, like, bro,

2038
01:25:52,280 --> 01:25:53,840
Speaker 8: you know, focus on you type shit?

2039
01:25:54,000 --> 01:25:54,080
Speaker 1: Or what?

2040
01:25:54,800 --> 01:25:54,920
Speaker 4: Man?

2041
01:25:54,960 --> 01:25:56,679
Speaker 8: What should I be telling the homie at this time?

2042
01:25:56,760 --> 01:25:56,880
Speaker 3: Bro?

2043
01:25:57,520 --> 01:25:57,720
Speaker 8: Love?

2044
01:25:58,840 --> 01:26:01,640
Speaker 2: I mean, should we gear the ad more towards the

2045
01:26:01,760 --> 01:26:03,840
Speaker 2: gentleman that left the voicemail because he's going to be

2046
01:26:03,880 --> 01:26:05,760
Speaker 2: the one that's gonna end up in some hot water

2047
01:26:06,560 --> 01:26:10,120
Speaker 2: if his man's goes out. You have to understand his

2048
01:26:10,280 --> 01:26:12,920
Speaker 2: girl looked at his friend as this was the couple

2049
01:26:12,960 --> 01:26:15,479
Speaker 2: that we hung out with as a safe guy. We're

2050
01:26:15,520 --> 01:26:18,719
Speaker 2: both engaged. I'm sure the girls probably relatively got along

2051
01:26:18,960 --> 01:26:21,240
Speaker 2: like this. I know, if he's going out with him,

2052
01:26:21,640 --> 01:26:24,200
Speaker 2: everything's cool because that's also an engaged guy, and I'll

2053
01:26:24,200 --> 01:26:27,760
Speaker 2: be doing bullshit that friend now if he hits the

2054
01:26:27,760 --> 01:26:31,280
Speaker 2: streets heavy, his fiance is gonna look at him weird,

2055
01:26:31,360 --> 01:26:33,360
Speaker 2: like what y'all doing out there? That's not the safe

2056
01:26:33,360 --> 01:26:36,160
Speaker 2: friend anymore. He should be very careful and how he

2057
01:26:36,320 --> 01:26:39,360
Speaker 2: moves with his friend because that's going to cause arguments

2058
01:26:39,360 --> 01:26:40,320
Speaker 2: in the house for sure.

2059
01:26:40,800 --> 01:26:43,600
Speaker 5: The idea of hitting the streets just sound crazy to me,

2060
01:26:44,800 --> 01:26:49,479
Speaker 5: Like it's just so nasty out there right now, hitting

2061
01:26:49,560 --> 01:26:51,920
Speaker 5: the streets for what, Nigga, if you could get your girl,

2062
01:26:52,000 --> 01:26:52,800
Speaker 5: go get her back.

2063
01:26:53,960 --> 01:26:56,280
Speaker 2: I mean, I don't know. In twenty twenty five, is

2064
01:26:56,600 --> 01:27:01,120
Speaker 2: thirty one like that crazy to be newly single. Back

2065
01:27:01,160 --> 01:27:02,800
Speaker 2: in the day, it probably was, but like I don't

2066
01:27:03,200 --> 01:27:05,479
Speaker 2: people are getting married at least up here. I know

2067
01:27:05,520 --> 01:27:08,280
Speaker 2: the South is probably a little different, but people aren't

2068
01:27:08,920 --> 01:27:12,200
Speaker 2: getting married that early anymore. Like it's not that it's

2069
01:27:12,280 --> 01:27:14,360
Speaker 2: not that crazy at all to get back out there

2070
01:27:14,400 --> 01:27:14,840
Speaker 2: at thirty one.

2071
01:27:14,880 --> 01:27:17,639
Speaker 5: I feel like, especially like man should get back out there,

2072
01:27:17,720 --> 01:27:18,840
Speaker 5: Like where are we getting to?

2073
01:27:19,200 --> 01:27:19,840
Speaker 3: Like what are we doing?

2074
01:27:20,000 --> 01:27:20,240
Speaker 4: We are?

2075
01:27:20,280 --> 01:27:20,519
Speaker 2: We are?

2076
01:27:20,560 --> 01:27:21,800
Speaker 3: We are we in the club scene?

2077
01:27:21,880 --> 01:27:22,040
Speaker 4: Are we?

2078
01:27:22,200 --> 01:27:23,840
Speaker 2: Like you could be in the club at that thirty one?

2079
01:27:24,040 --> 01:27:25,639
Speaker 2: You can be, but I don't know if you want

2080
01:27:25,680 --> 01:27:26,120
Speaker 2: to be though.

2081
01:27:26,680 --> 01:27:30,800
Speaker 3: Ah, But based on the type of club, Like where

2082
01:27:30,840 --> 01:27:33,920
Speaker 3: do people go, Like, what's a good club to go to?

2083
01:27:34,360 --> 01:27:36,840
Speaker 6: Well, New York has no clubs, right, so like if you're.

2084
01:27:36,720 --> 01:27:38,760
Speaker 5: Down south, you said that she didn't tried to move on,

2085
01:27:38,960 --> 01:27:41,280
Speaker 5: Like New York has no clubs. That is crazy to

2086
01:27:41,320 --> 01:27:42,719
Speaker 5: say that this is New York City.

2087
01:27:42,560 --> 01:27:43,200
Speaker 3: Were talking about.

2088
01:27:43,520 --> 01:27:45,360
Speaker 2: I mean the fact that Little Sisters had this run

2089
01:27:45,560 --> 01:27:48,680
Speaker 2: tells me that because before a club that have two years,

2090
01:27:48,720 --> 01:27:50,000
Speaker 2: they changed the name and be like, yo, that used

2091
01:27:50,000 --> 01:27:52,280
Speaker 2: to be CA now room now was this? It's just

2092
01:27:52,360 --> 01:27:55,800
Speaker 2: Little Sisters just got like that decade run right now.

2093
01:27:56,080 --> 01:27:57,840
Speaker 5: Yeah, that's it's It's I don't know, man, I mean,

2094
01:27:57,920 --> 01:27:59,760
Speaker 5: you know, being being thirty one and being single is

2095
01:27:59,760 --> 01:28:02,960
Speaker 5: not a bad thing, I guess. Just be careful of

2096
01:28:03,160 --> 01:28:05,880
Speaker 5: where you place your energy though. Don't go out there

2097
01:28:06,040 --> 01:28:08,000
Speaker 5: just try to jump into the mix.

2098
01:28:07,880 --> 01:28:10,439
Speaker 2: Of the fuck the first thing that you see, Yeah, don't.

2099
01:28:10,320 --> 01:28:12,080
Speaker 5: Do that, because that's how you're gonna bump your head.

2100
01:28:12,120 --> 01:28:14,439
Speaker 5: Don't don't do that. Slow down, go put it in

2101
01:28:14,479 --> 01:28:17,320
Speaker 5: the new true you know, just just take things easy.

2102
01:28:17,840 --> 01:28:21,000
Speaker 5: Go out there, you know, observe the landscape, you know,

2103
01:28:21,080 --> 01:28:23,200
Speaker 5: for learn the lingo. You know what I'm saying, Like

2104
01:28:23,240 --> 01:28:25,600
Speaker 5: you gotta learn the lingos. Yeah, because you you in

2105
01:28:25,680 --> 01:28:27,800
Speaker 5: the new this is new territory for you. Even your

2106
01:28:27,800 --> 01:28:30,599
Speaker 5: whole twenties, you was in a committed relationship. Now you're

2107
01:28:30,600 --> 01:28:32,960
Speaker 5: in your thirties. You don't want to just be out

2108
01:28:33,000 --> 01:28:35,840
Speaker 5: there just doing anything like you still got to kind

2109
01:28:35,880 --> 01:28:37,600
Speaker 5: of you know what I'm saying, preserve your legacy a

2110
01:28:37,640 --> 01:28:38,000
Speaker 5: little bit.

2111
01:28:38,640 --> 01:28:40,920
Speaker 2: Yeah, and if he's on the serial monogamous shit, like,

2112
01:28:41,920 --> 01:28:45,320
Speaker 2: don't go out there and not fuck the first thing wife,

2113
01:28:45,360 --> 01:28:46,280
Speaker 2: the first thing that you see.

2114
01:28:46,560 --> 01:28:48,800
Speaker 5: Yeah, that's what I only So just go down here,

2115
01:28:48,840 --> 01:28:52,120
Speaker 5: go out there, observe, make sure you know who you around,

2116
01:28:52,160 --> 01:28:52,920
Speaker 5: who you're talking to.

2117
01:28:53,680 --> 01:28:56,000
Speaker 3: Don't get caught up with the wrong type of women,

2118
01:28:56,280 --> 01:28:57,360
Speaker 3: Like it's it's tough man.

2119
01:28:57,560 --> 01:29:01,080
Speaker 2: Maybe even to get your feet wet. Spin the block

2120
01:29:01,760 --> 01:29:03,559
Speaker 2: with a girl you can trust that's just gonna clown

2121
01:29:03,600 --> 01:29:05,040
Speaker 2: you for the first night of saying I told you

2122
01:29:05,640 --> 01:29:07,840
Speaker 2: it wouldn't work out with that bitch, welcome home.

2123
01:29:07,960 --> 01:29:09,519
Speaker 5: But we spind the black with he was in the

2124
01:29:09,600 --> 01:29:12,160
Speaker 5: relationship his whole twenties. You spend the block with somebody, find.

2125
01:29:12,080 --> 01:29:14,360
Speaker 2: I said, five twenty five they met their fiances. I

2126
01:29:14,400 --> 01:29:17,200
Speaker 2: think he said, Okay, they're thirty one now, so I'm

2127
01:29:17,240 --> 01:29:18,920
Speaker 2: sure in his early twenties there was one girl that

2128
01:29:19,080 --> 01:29:20,960
Speaker 2: that he was walking like somebody you could trust that.

2129
01:29:20,960 --> 01:29:23,360
Speaker 6: Don't spend the block. Learn from me and Rory. Don't

2130
01:29:23,360 --> 01:29:23,880
Speaker 6: spend the block.

2131
01:29:23,920 --> 01:29:25,840
Speaker 2: But it makes you comfortable coming out of something that.

2132
01:29:26,760 --> 01:29:28,720
Speaker 3: Don't try to talk over that. R Let let let

2133
01:29:28,760 --> 01:29:30,560
Speaker 3: the marriage what she said, Let that breathe trying to

2134
01:29:30,600 --> 01:29:32,320
Speaker 3: pass it. No, no, no, no, we're not getting past

2135
01:29:32,720 --> 01:29:33,120
Speaker 3: the subject.

2136
01:29:33,200 --> 01:29:33,719
Speaker 2: Let that breathe.

2137
01:29:33,720 --> 01:29:35,280
Speaker 3: That's what she just opened a bottle of red wine.

2138
01:29:35,360 --> 01:29:36,559
Speaker 3: Let that breathe for a second.

2139
01:29:38,400 --> 01:29:40,679
Speaker 6: Learn from you, and learn from me and Rory.

2140
01:29:40,840 --> 01:29:44,120
Speaker 3: Spind it now. I promise you. I promise you. We

2141
01:29:44,200 --> 01:29:46,400
Speaker 3: on a whole new avenue now, Nigga.

2142
01:29:49,280 --> 01:29:55,400
Speaker 2: Bottle baby, because she takes her ass to one Burger,

2143
01:29:55,880 --> 01:29:57,479
Speaker 2: one cartwheel and Denzel till.

2144
01:29:57,760 --> 01:29:57,960
Speaker 3: Yeah.

2145
01:29:58,120 --> 01:30:01,120
Speaker 2: Now, all of a sudden, nobody better not dim.

2146
01:30:03,200 --> 01:30:03,760
Speaker 7: With yo.

2147
01:30:04,120 --> 01:30:04,559
Speaker 6: What's up?

2148
01:30:05,439 --> 01:30:09,479
Speaker 7: We got new blocks Mount Vernon before. It's whole new

2149
01:30:09,560 --> 01:30:11,719
Speaker 7: niggas there. I ain't never seen them niggas before.

2150
01:30:12,520 --> 01:30:14,640
Speaker 5: Fuck the block, baby, I'm gonna tell you right now,

2151
01:30:14,680 --> 01:30:16,360
Speaker 5: if I see you hanging out with Mount Vernon, I'm

2152
01:30:16,360 --> 01:30:17,720
Speaker 5: whooping your ass'm.

2153
01:30:19,280 --> 01:30:21,559
Speaker 2: She gets your ass out of here, get.

2154
01:30:21,439 --> 01:30:22,200
Speaker 3: Out of Mount Vernon.

2155
01:30:22,360 --> 01:30:25,479
Speaker 2: She's talking like this is some other land. That ship

2156
01:30:25,560 --> 01:30:26,120
Speaker 2: is up the saw.

2157
01:30:27,720 --> 01:30:31,320
Speaker 7: Them niggas ain't ship just like us. That's finegas hate

2158
01:30:31,360 --> 01:30:34,760
Speaker 7: ship smell. I got a new smell, tied the same

2159
01:30:34,840 --> 01:30:35,320
Speaker 7: old ship.

2160
01:30:35,640 --> 01:30:37,960
Speaker 5: Them niggas got front yards and backyards. I will say

2161
01:30:37,960 --> 01:30:39,280
Speaker 5: that the niggas Maulverna got and.

2162
01:30:39,280 --> 01:30:41,240
Speaker 2: They take the metro nor if we take the like.

2163
01:30:42,200 --> 01:30:44,200
Speaker 2: I get why they would want to feel a little

2164
01:30:44,240 --> 01:30:45,800
Speaker 2: difference a little bit, but they still ain't ship.

2165
01:30:45,880 --> 01:30:47,559
Speaker 3: Though I know a bunch of niggas maut Verna ain't ship.

2166
01:30:47,680 --> 01:30:48,120
Speaker 3: That's fine.

2167
01:30:48,200 --> 01:30:51,280
Speaker 7: But to Rory's point, just Rory telling you to spend

2168
01:30:51,320 --> 01:30:53,120
Speaker 7: the block because that's what he would do, and me

2169
01:30:53,200 --> 01:30:55,280
Speaker 7: and him have both learned not to do that anymore.

2170
01:30:55,680 --> 01:30:57,040
Speaker 6: Because you're a new person.

2171
01:30:57,160 --> 01:30:59,040
Speaker 7: Go be a new person, Go meet new people, Go

2172
01:30:59,280 --> 01:31:01,439
Speaker 7: enjoy your life trying to go backwards and relive the

2173
01:31:01,479 --> 01:31:03,719
Speaker 7: glory days and living your comfort ways.

2174
01:31:03,840 --> 01:31:05,439
Speaker 6: Don't spin the block. I'm telling you.

2175
01:31:05,560 --> 01:31:07,400
Speaker 2: I'm not saying spin the block the way you and

2176
01:31:07,479 --> 01:31:12,599
Speaker 2: I may have where that then becames the other relationship. Yeah,

2177
01:31:12,840 --> 01:31:14,080
Speaker 2: like you spend the block. It's like, all right, Well

2178
01:31:14,080 --> 01:31:15,439
Speaker 2: that didn't work out. So now I'm in a relationship

2179
01:31:15,439 --> 01:31:16,800
Speaker 2: with the girl I was with before. I'm not saying that,

2180
01:31:17,160 --> 01:31:18,960
Speaker 2: saying to get your feet wet because you haven't you

2181
01:31:19,160 --> 01:31:22,000
Speaker 2: been outside fucking a stranger. It can be a little weird.

2182
01:31:22,920 --> 01:31:25,519
Speaker 2: Fuck someone you can trust. That type of spinning the block.

2183
01:31:25,680 --> 01:31:28,719
Speaker 2: I'm making it a thing that's scary either way. Thirty

2184
01:31:28,840 --> 01:31:31,280
Speaker 2: one not saying a ten year toxic relationship. No, no,

2185
01:31:31,320 --> 01:31:34,840
Speaker 2: no should follow this because you spun the block. But

2186
01:31:35,600 --> 01:31:40,160
Speaker 2: you know somebody that you know what their pussy sells like, you.

2187
01:31:40,160 --> 01:31:42,280
Speaker 5: Have some type of record with them, you can you know.

2188
01:31:42,400 --> 01:31:44,840
Speaker 5: It's just it's a little comfort zone there, not going

2189
01:31:44,920 --> 01:31:45,599
Speaker 5: in cold.

2190
01:31:45,439 --> 01:31:46,920
Speaker 2: And just you're gonna tease you for a little bit,

2191
01:31:47,000 --> 01:31:48,320
Speaker 2: but that's that comes with it.

2192
01:31:48,600 --> 01:31:50,439
Speaker 3: Yeah, No, I'm wrong with a little teas when you

2193
01:31:50,560 --> 01:31:52,799
Speaker 3: newly single, but get the blood going.

2194
01:31:53,439 --> 01:31:55,080
Speaker 2: Or I mean, I don't know, man, I don't know

2195
01:31:55,160 --> 01:31:57,560
Speaker 2: your personality. Maybe the best way to get out of

2196
01:31:57,600 --> 01:32:00,479
Speaker 2: your serial monogamous shit and this break up is to

2197
01:32:00,600 --> 01:32:02,719
Speaker 2: just go to fuck a bunch of random civilians.

2198
01:32:03,200 --> 01:32:06,040
Speaker 3: Mm hmm, all listen to some sugar free.

2199
01:32:07,600 --> 01:32:08,080
Speaker 2: Take that over.

2200
01:32:08,760 --> 01:32:11,240
Speaker 3: You gotta just play sugar free. He'll tell you exactly

2201
01:32:11,280 --> 01:32:11,760
Speaker 3: how to move.

2202
01:32:12,160 --> 01:32:14,519
Speaker 2: But I mean again, I'm nervous for his friend because

2203
01:32:14,520 --> 01:32:17,880
Speaker 2: if if his decision is to go out and you know,

2204
01:32:18,040 --> 01:32:20,360
Speaker 2: find some random new pussy and really get out there,

2205
01:32:20,360 --> 01:32:21,920
Speaker 2: he's gonna he's gonna need his mans with him, and

2206
01:32:22,000 --> 01:32:24,479
Speaker 2: that puts you in a compromising situation. Yeah, and you know,

2207
01:32:24,600 --> 01:32:27,200
Speaker 2: like what if if your girl still talks to his

2208
01:32:27,400 --> 01:32:31,559
Speaker 2: ex Like, that's rough. I don't want to be.

2209
01:32:31,560 --> 01:32:34,320
Speaker 3: Involved in that. Yeah, man, I don't know who.

2210
01:32:34,200 --> 01:32:37,760
Speaker 2: Got who in the divorce. That's always rough too.

2211
01:32:38,000 --> 01:32:39,720
Speaker 3: You got to ride with you man, no matter what.

2212
01:32:40,200 --> 01:32:43,600
Speaker 2: No, of course, but we've even had voicemails about that

2213
01:32:43,720 --> 01:32:45,599
Speaker 2: type of situation where he had to like quietly talk

2214
01:32:45,680 --> 01:32:48,640
Speaker 2: to his man's because his wife was like, no, we

2215
01:32:48,840 --> 01:32:51,280
Speaker 2: got the girl in the divorce. You don't fuck with

2216
01:32:51,360 --> 01:32:51,760
Speaker 2: him no more.

2217
01:32:52,680 --> 01:32:54,439
Speaker 3: I wish my girl would tell me you don't fuck

2218
01:32:54,479 --> 01:32:55,559
Speaker 3: with him? Are my man?

2219
01:32:55,920 --> 01:32:57,639
Speaker 2: I've never datedly a girl that I think I think

2220
01:32:57,640 --> 01:33:00,800
Speaker 2: would do that with your homegirl, that's pretty common.

2221
01:33:02,320 --> 01:33:03,680
Speaker 7: If my girl was to be like, yo, nah, we

2222
01:33:03,760 --> 01:33:06,360
Speaker 7: ain't what we off that? What if what if he

2223
01:33:06,439 --> 01:33:09,519
Speaker 7: violated her gave her something she can't get rid of?

2224
01:33:10,080 --> 01:33:12,600
Speaker 2: Oh nah, I see, well that's crazy that's out of

2225
01:33:12,640 --> 01:33:13,760
Speaker 2: your hands at that point.

2226
01:33:13,800 --> 01:33:15,880
Speaker 3: It's like, Yo, your son, you would like yeah, and no,

2227
01:33:16,000 --> 01:33:17,120
Speaker 3: you can't come back in my house.

2228
01:33:17,240 --> 01:33:19,920
Speaker 2: Like and the fact that you thought you could gig, you.

2229
01:33:19,960 --> 01:33:20,360
Speaker 3: Can't do that.

2230
01:33:20,520 --> 01:33:22,200
Speaker 6: Or he had a baby on her, like that's wow,

2231
01:33:22,280 --> 01:33:22,840
Speaker 6: you can't do that.

2232
01:33:23,400 --> 01:33:28,480
Speaker 3: Noah. Now baby is different a baby versus an STD.

2233
01:33:28,840 --> 01:33:30,720
Speaker 2: Both they're both things that stay with you.

2234
01:33:31,160 --> 01:33:32,920
Speaker 3: Yeah, but it basically not a transmitted disease.

2235
01:33:33,000 --> 01:33:36,120
Speaker 2: Bro. Like, that's not like I've met some kids that

2236
01:33:36,200 --> 01:33:37,759
Speaker 2: I feel like, Nah.

2237
01:33:37,640 --> 01:33:38,679
Speaker 3: I beg y'all look crazy.

2238
01:33:39,560 --> 01:33:41,720
Speaker 6: Just he just told you tomorrow was throwing ship on

2239
01:33:41,800 --> 01:33:42,320
Speaker 6: his walls.

2240
01:33:42,160 --> 01:33:46,240
Speaker 2: The other day talking about home She's giving us some

2241
01:33:46,320 --> 01:33:47,880
Speaker 2: colors about other people's kids.

2242
01:33:48,880 --> 01:33:49,040
Speaker 4: Nah.

2243
01:33:49,080 --> 01:33:53,360
Speaker 3: But I I mean if if my homeboy was dating

2244
01:33:53,640 --> 01:33:56,160
Speaker 3: my girl's best friend and kind of was like, you know,

2245
01:33:56,960 --> 01:33:59,160
Speaker 3: that type of situation and he had a baby.

2246
01:33:58,920 --> 01:34:01,519
Speaker 2: On her, that's yeah, you probably have to stay out

2247
01:34:01,520 --> 01:34:03,200
Speaker 2: of that one. That's kind of nuts.

2248
01:34:04,680 --> 01:34:06,479
Speaker 3: But I'm not going to stop talking my homeboy forever

2249
01:34:06,560 --> 01:34:06,880
Speaker 3: though I'm not.

2250
01:34:06,920 --> 01:34:10,360
Speaker 2: They're in they're engaged, and he has a cheet says

2251
01:34:10,400 --> 01:34:13,920
Speaker 2: a child's well, they're engaged. That's yes, that's that's that's past.

2252
01:34:14,040 --> 01:34:15,760
Speaker 2: Ghannahe I'm sorry, So.

2253
01:34:15,760 --> 01:34:17,280
Speaker 3: You wouldn't you would never talk to him again.

2254
01:34:18,040 --> 01:34:21,240
Speaker 2: That would be a weird relationship. If my wife friends

2255
01:34:21,320 --> 01:34:23,840
Speaker 2: with like that was that was our crew of the

2256
01:34:23,880 --> 01:34:25,640
Speaker 2: four of us for five years. Yeah, that's a very

2257
01:34:25,640 --> 01:34:26,400
Speaker 2: awkward situation.

2258
01:34:26,439 --> 01:34:27,960
Speaker 3: I'm not saying he could come to the crib and

2259
01:34:28,000 --> 01:34:29,960
Speaker 3: still kick it with you while you're I'm not saying.

2260
01:34:29,880 --> 01:34:31,880
Speaker 2: Like, imagine, but you would never talk to him. No,

2261
01:34:32,000 --> 01:34:33,920
Speaker 2: I'm not saying, OK, but I'm saying to be a

2262
01:34:34,400 --> 01:34:36,519
Speaker 2: tough situation to navigate. Like, imagine you come home from

2263
01:34:36,560 --> 01:34:39,559
Speaker 2: work and your wife and his ex are chilling because

2264
01:34:39,560 --> 01:34:42,799
Speaker 2: everyone was friends, and it's like, yo, what you doing tomorrow?

2265
01:34:43,040 --> 01:34:46,800
Speaker 2: I'm going to his baby shower. Like it's weird. Yeah,

2266
01:34:46,800 --> 01:34:48,559
Speaker 2: I'm not saying it'd be a weird situation.

2267
01:34:48,680 --> 01:34:50,799
Speaker 5: He probably couldn't come back in my house because obviously

2268
01:34:50,880 --> 01:34:53,080
Speaker 5: my girl wouldn't want to see him in our house,

2269
01:34:53,360 --> 01:34:53,559
Speaker 5: you know.

2270
01:34:54,360 --> 01:34:56,800
Speaker 7: And she can he can't bring the new bitch round, Neiva,

2271
01:34:58,080 --> 01:35:01,200
Speaker 7: don't bring your new bitch round around who around me?

2272
01:35:01,920 --> 01:35:05,160
Speaker 2: You can't have your If he goes my girl, my girl.

2273
01:35:04,960 --> 01:35:06,519
Speaker 3: Would never probably hang out.

2274
01:35:06,720 --> 01:35:06,920
Speaker 2: Yeah.

2275
01:35:07,080 --> 01:35:09,680
Speaker 5: Now if if if the game is on and he

2276
01:35:09,800 --> 01:35:11,479
Speaker 5: having something at the cribby, like you're all pull up.

2277
01:35:11,920 --> 01:35:13,240
Speaker 3: I'm not gonna not go to my man.

2278
01:35:13,360 --> 01:35:15,439
Speaker 5: Really, you definitely could, but he can't come to he

2279
01:35:15,560 --> 01:35:17,680
Speaker 5: can't be around my girl like me and that you know,

2280
01:35:17,760 --> 01:35:19,240
Speaker 5: he can't hang out with me and my girl no more.

2281
01:35:19,240 --> 01:35:20,839
Speaker 2: And again this went back to one of the voicemails.

2282
01:35:20,880 --> 01:35:24,280
Speaker 2: But then like when life situations happened. Let's say he's

2283
01:35:24,320 --> 01:35:28,120
Speaker 2: married to his wife, they have a kid. Now I can't, like,

2284
01:35:28,200 --> 01:35:30,840
Speaker 2: can I invite my man's to our baby shower, because

2285
01:35:30,840 --> 01:35:32,360
Speaker 2: that's gonna be awkward having both of them there.

2286
01:35:34,080 --> 01:35:37,960
Speaker 7: I feel like that happens so often though in that scenario,

2287
01:35:38,080 --> 01:35:40,519
Speaker 7: well not that exact scenario, but like when they're.

2288
01:35:40,640 --> 01:35:43,280
Speaker 2: Like I've been in that situation for sure, where you

2289
01:35:43,360 --> 01:35:46,240
Speaker 2: know there's mutual friends with ex'es and you guys end

2290
01:35:46,320 --> 01:35:50,280
Speaker 2: up at the same life events like birthday parties, baby showers, funerals.

2291
01:35:50,520 --> 01:35:54,320
Speaker 2: Funerals are always the awkward one because like like you're

2292
01:35:54,320 --> 01:35:56,320
Speaker 2: trying to mourn, but then it's always in the like, fuck,

2293
01:35:56,360 --> 01:35:57,000
Speaker 2: she's here too.

2294
01:35:57,400 --> 01:35:58,760
Speaker 3: I gotta put that ship on and come to the

2295
01:35:58,800 --> 01:35:59,400
Speaker 3: funeral because I.

2296
01:35:59,400 --> 01:36:02,599
Speaker 2: Know myke's gonna be Yeah, morning, two things here.

2297
01:36:02,840 --> 01:36:05,920
Speaker 5: I told you about the time my childhood friend like

2298
01:36:06,360 --> 01:36:08,719
Speaker 5: didn't invite me to their wedding.

2299
01:36:09,680 --> 01:36:11,840
Speaker 3: Yeah, because that's not crazy to y'all.

2300
01:36:12,080 --> 01:36:16,640
Speaker 2: It is. It is like how close were y'all like

2301
01:36:16,960 --> 01:36:19,400
Speaker 2: at the time, we were closed, We grew up together.

2302
01:36:19,439 --> 01:36:21,280
Speaker 5: We all grew up together, but me and her dated

2303
01:36:21,400 --> 01:36:23,439
Speaker 5: at one point, you know a little bit, and then

2304
01:36:23,479 --> 01:36:24,080
Speaker 5: they got together.

2305
01:36:24,200 --> 01:36:26,360
Speaker 2: Like it's left out like one of the biggest Yeah,

2306
01:36:26,400 --> 01:36:28,360
Speaker 2: but that elements of that entire thing. At first, I

2307
01:36:28,479 --> 01:36:30,360
Speaker 2: was like, this guy sounds like a real asshole. Now

2308
01:36:30,479 --> 01:36:32,639
Speaker 2: this guy sounds like someone's trying to have a peaceful wedding.

2309
01:36:33,439 --> 01:36:35,439
Speaker 5: But why would it not be peaceful? Though, Like I'm

2310
01:36:35,479 --> 01:36:39,720
Speaker 5: not going yeah, but this was before they got together. Though,

2311
01:36:39,920 --> 01:36:41,280
Speaker 5: this was years before they got together.

2312
01:36:41,920 --> 01:36:42,960
Speaker 2: I can see it being awkward.

2313
01:36:43,800 --> 01:36:46,320
Speaker 7: He's he's saying me, awkward. If it was that awkward,

2314
01:36:46,439 --> 01:36:49,320
Speaker 7: you shouldn't have got with her. If it was that awkward,

2315
01:36:49,360 --> 01:36:50,200
Speaker 7: shouldn't Like.

2316
01:36:50,160 --> 01:36:52,800
Speaker 3: If it's to the point where you feel like because

2317
01:36:52,960 --> 01:36:55,639
Speaker 3: it ain't awkward for me, Like it's all week. Yeah, man,

2318
01:36:55,720 --> 01:36:57,360
Speaker 3: we was kid, we were teenagers, bro, Like you know

2319
01:36:57,400 --> 01:36:58,719
Speaker 3: what I'm saying, Like, what the we talking about?

2320
01:36:58,840 --> 01:37:01,519
Speaker 2: I mean, what if they're what if both of them

2321
01:37:01,560 --> 01:37:04,360
Speaker 2: were fine with it, and maybe he actually had slept

2322
01:37:04,439 --> 01:37:07,920
Speaker 2: with one of her friends before, but they could passed

2323
01:37:07,920 --> 01:37:10,920
Speaker 2: the past type ship. But then the rule is nobody

2324
01:37:10,960 --> 01:37:12,960
Speaker 2: at the wedding that you fucked, and you just you

2325
01:37:13,040 --> 01:37:13,840
Speaker 2: folded into the mix.

2326
01:37:15,000 --> 01:37:16,680
Speaker 7: Maybe you were one of a couple on a list

2327
01:37:16,880 --> 01:37:19,759
Speaker 7: that I'm sure that's a lot of couple people's wedding

2328
01:37:19,880 --> 01:37:21,960
Speaker 7: rule nobody like even if.

2329
01:37:21,840 --> 01:37:24,200
Speaker 2: That's your friend like I, but still just not that

2330
01:37:24,400 --> 01:37:27,519
Speaker 2: at the wedding. I don't know. Did you ever talk

2331
01:37:27,560 --> 01:37:32,280
Speaker 2: to him about it? No, Okay, I found out. I

2332
01:37:32,320 --> 01:37:35,320
Speaker 2: mean it could have been a plate thing. I don't know,

2333
01:37:35,360 --> 01:37:37,880
Speaker 2: because it costs extra. You're the only vegan and now

2334
01:37:38,040 --> 01:37:41,040
Speaker 2: the chef has to make one way for someone else.

2335
01:37:43,080 --> 01:37:45,640
Speaker 2: Motherfucker like they got they got a deal from the

2336
01:37:45,680 --> 01:37:48,479
Speaker 2: place and there was no vegan. I wasn't vegan at

2337
01:37:48,520 --> 01:37:51,360
Speaker 2: the time for the second time, the time they got married,

2338
01:37:51,360 --> 01:37:55,400
Speaker 2: I was not vegan, pescatary whatever the fuck I wasn't either, No,

2339
01:37:55,479 --> 01:37:55,800
Speaker 2: I wasn't.

2340
01:37:55,800 --> 01:37:58,160
Speaker 3: I wasn't bestar. I was still eating chicken and shit

2341
01:37:59,400 --> 01:38:00,400
Speaker 3: it's some years ago.

2342
01:38:01,040 --> 01:38:04,120
Speaker 7: Well, I mean, what is our expensive Like if you

2343
01:38:04,160 --> 01:38:06,840
Speaker 7: got to leave somebody off It's like, I'm not gonna

2344
01:38:06,840 --> 01:38:08,800
Speaker 7: take my mary off so that the nigga you fuck

2345
01:38:08,840 --> 01:38:12,920
Speaker 7: could be there, Like no, like somebody something. Everybody can't come. Yeah,

2346
01:38:13,080 --> 01:38:15,000
Speaker 7: open bar, limit four hundred people. Everybody can't come.

2347
01:38:15,080 --> 01:38:16,640
Speaker 3: I mean, I'm not mad, but it is.

2348
01:38:16,760 --> 01:38:20,200
Speaker 2: It was kind of like word like, Okay, have you

2349
01:38:20,280 --> 01:38:22,760
Speaker 2: ever had the opposite of why am I invited to

2350
01:38:22,840 --> 01:38:23,240
Speaker 2: this wedding?

2351
01:38:23,320 --> 01:38:23,799
Speaker 3: Absolutely?

2352
01:38:23,800 --> 01:38:26,840
Speaker 2: And then it's happen to me twice, and I felt weird,

2353
01:38:26,920 --> 01:38:29,680
Speaker 2: like if I don't go, that's like rude, it's so

2354
01:38:29,760 --> 01:38:31,120
Speaker 2: on invice you to their wedding they're paying for Like

2355
01:38:31,720 --> 01:38:35,519
Speaker 2: that's rude as fuss, don't RSVP. And then I got

2356
01:38:35,680 --> 01:38:37,439
Speaker 2: and I got there and doubled down on my feeling

2357
01:38:37,520 --> 01:38:38,080
Speaker 2: why am I here?

2358
01:38:38,640 --> 01:38:38,880
Speaker 8: Yeah?

2359
01:38:39,080 --> 01:38:41,760
Speaker 2: Why would you invite me here? We are not close

2360
01:38:41,800 --> 01:38:42,040
Speaker 2: at all?

2361
01:38:42,160 --> 01:38:44,040
Speaker 6: Well, some people don't have anybody to invite.

2362
01:38:44,600 --> 01:38:45,960
Speaker 2: There was like five hundred people that way.

2363
01:38:45,960 --> 01:38:47,679
Speaker 3: If you ain't got nobody invite to your wedding, shouldn't

2364
01:38:47,680 --> 01:38:49,400
Speaker 3: be having a wedding. Just go to the fucking Justice

2365
01:38:49,439 --> 01:38:51,120
Speaker 3: of Peace City Hall and do that shit and getting

2366
01:38:51,120 --> 01:38:51,400
Speaker 3: over with it.

2367
01:38:51,800 --> 01:38:53,479
Speaker 7: If y'all was beefing at that wind and y'all should

2368
01:38:53,479 --> 01:38:55,960
Speaker 7: have been fighting at that wedding. Why why would you

2369
01:38:55,960 --> 01:38:56,720
Speaker 7: bring that to somebody else?

2370
01:38:56,760 --> 01:39:05,080
Speaker 2: Clubs A spot on impression? Yo, wait, Baddy's Africa hold

2371
01:39:05,120 --> 01:39:07,040
Speaker 2: on caught up? How the fuck do we forget to

2372
01:39:07,120 --> 01:39:08,479
Speaker 2: add this to the BT story.

2373
01:39:08,680 --> 01:39:12,800
Speaker 3: Shout out t b Man, Domin the Body Shout out

2374
01:39:12,800 --> 01:39:13,519
Speaker 3: to dimond Man.

2375
01:39:13,560 --> 01:39:15,400
Speaker 5: It was such a pleasure meeting that. She's super cool.

2376
01:39:15,680 --> 01:39:17,320
Speaker 5: I felt like she would be the watching watching the show.

2377
01:39:17,320 --> 01:39:18,439
Speaker 5: I feelt like she would be really cool.

2378
01:39:18,600 --> 01:39:21,400
Speaker 2: Me and Peace. We're trying to see if the footage

2379
01:39:21,400 --> 01:39:23,880
Speaker 2: would work. We was mid interview. Who are we talking to?

2380
01:39:25,120 --> 01:39:27,000
Speaker 2: We're song Lrussell and then you just in the middle

2381
01:39:27,120 --> 01:39:30,760
Speaker 2: just started screaming. I think you might have stood up.

2382
01:39:30,760 --> 01:39:34,200
Speaker 2: You ain't want to add a frame we had just

2383
01:39:34,240 --> 01:39:34,560
Speaker 2: wrapped in.

2384
01:39:34,680 --> 01:39:36,320
Speaker 5: He was like, you gotta come down. Yeah, she had

2385
01:39:36,320 --> 01:39:38,160
Speaker 5: walked over. Shout out to my girl, dom In the

2386
01:39:38,200 --> 01:39:40,320
Speaker 5: Body Man. She was really cool talking to her man.

2387
01:39:40,360 --> 01:39:42,280
Speaker 5: She got a she had a new song coming out

2388
01:39:43,600 --> 01:39:45,200
Speaker 5: and when she next time she's in New York, she's

2389
01:39:45,200 --> 01:39:46,400
Speaker 5: so much she wants to say she want to stop

2390
01:39:46,439 --> 01:39:48,320
Speaker 5: by and come come see us, come kick it with us.

2391
01:39:48,360 --> 01:39:49,160
Speaker 3: So I'm looking forward to that.

2392
01:39:49,320 --> 01:39:53,880
Speaker 2: Okay, So I started Baddy's Africa last night, yes, which

2393
01:39:54,240 --> 01:39:58,519
Speaker 2: which I texted you. Yes, it's crazy and and because

2394
01:39:58,560 --> 01:40:00,280
Speaker 2: you know it's similar to like Curb. You can started

2395
01:40:00,320 --> 01:40:03,000
Speaker 2: at any episode. I started at three because I did

2396
01:40:03,080 --> 01:40:05,719
Speaker 2: want to watch the episode of them fighting for the beds.

2397
01:40:07,920 --> 01:40:10,920
Speaker 2: It might be the most offensive show I've ever seen.

2398
01:40:11,320 --> 01:40:17,160
Speaker 2: DeMars in Africa in the backyard right at the Batty's house. Yes,

2399
01:40:17,600 --> 01:40:21,280
Speaker 2: they have a bunch of Africans standing there in the

2400
01:40:21,320 --> 01:40:24,640
Speaker 2: whole get up with the face paint. They might as

2401
01:40:24,640 --> 01:40:26,720
Speaker 2: well have a spear. There's the whole crew of them

2402
01:40:27,400 --> 01:40:30,639
Speaker 2: as the circle just to watch them fight.

2403
01:40:30,960 --> 01:40:32,040
Speaker 3: They might as well had a spear.

2404
01:40:32,120 --> 01:40:33,760
Speaker 2: I don't know if I like that. I'm saying it

2405
01:40:33,840 --> 01:40:40,040
Speaker 2: was the stereotypical.

2406
01:40:37,160 --> 01:40:38,519
Speaker 5: That was the white is looking at it, and let

2407
01:40:38,560 --> 01:40:40,320
Speaker 5: me break it down to Demarus, Demarus. What it was

2408
01:40:40,520 --> 01:40:42,280
Speaker 5: was there was a bunch of kids from a program

2409
01:40:42,400 --> 01:40:45,360
Speaker 5: that are dancers and singers, and they were welcoming the

2410
01:40:45,400 --> 01:40:48,120
Speaker 5: Batties to the Batty house. And they were standing in

2411
01:40:48,240 --> 01:40:51,400
Speaker 5: the backyard and they had on their costumes that they

2412
01:40:51,520 --> 01:40:54,120
Speaker 5: perform in. Rory is making it sound like these people

2413
01:40:54,120 --> 01:40:56,320
Speaker 5: were in the middle of the fucking jungle hunting for

2414
01:40:56,360 --> 01:40:58,479
Speaker 5: their food a very nice house.

2415
01:40:58,360 --> 01:41:02,679
Speaker 2: I'm saying. They then took after their dance and made

2416
01:41:02,720 --> 01:41:06,519
Speaker 2: it the circle at recess to fighting while all of

2417
01:41:06,560 --> 01:41:09,759
Speaker 2: these kids look petrified but did not break character.

2418
01:41:09,960 --> 01:41:12,360
Speaker 3: That was awkward that episode. Yeah, they fighting in front

2419
01:41:12,360 --> 01:41:14,040
Speaker 3: of those kids like that, Like, yeah, that was crazy.

2420
01:41:15,800 --> 01:41:16,280
Speaker 3: It was all right.

2421
01:41:16,400 --> 01:41:18,759
Speaker 2: It was a little too on the nose for Baddies Africa,

2422
01:41:18,800 --> 01:41:20,680
Speaker 2: That's what I'm saying. Like they took the two that

2423
01:41:21,040 --> 01:41:22,040
Speaker 2: didn't match it.

2424
01:41:22,720 --> 01:41:25,880
Speaker 5: Yeah, man, it's the greatest right now, I'm all caught

2425
01:41:25,960 --> 01:41:30,240
Speaker 5: up who was fighting last night and I watched it.

2426
01:41:30,439 --> 01:41:32,560
Speaker 2: It was like pretty much if the middle of the

2427
01:41:32,640 --> 01:41:35,479
Speaker 2: movie Blood Diamonds just broke into a bunch of women

2428
01:41:35,560 --> 01:41:37,360
Speaker 2: from America beating the shit out of each other in

2429
01:41:37,400 --> 01:41:39,439
Speaker 2: the village. Yeah, that's what the show is.

2430
01:41:39,560 --> 01:41:40,640
Speaker 3: Gotta love it, got it love.

2431
01:41:40,680 --> 01:41:42,880
Speaker 5: But I am looking forward to Dimond coming on the

2432
01:41:42,880 --> 01:41:46,160
Speaker 5: show sitting now so we can really talk everything baddies

2433
01:41:46,240 --> 01:41:47,320
Speaker 5: and and have some fun.

2434
01:41:48,439 --> 01:41:51,720
Speaker 2: And we did, uh did that interview come out yet

2435
01:41:51,800 --> 01:41:54,719
Speaker 2: or that that'll be over the weekend. Over the weekend,

2436
01:41:56,880 --> 01:42:00,280
Speaker 2: we we did bring up to her about at minimum mall,

2437
01:42:00,720 --> 01:42:03,840
Speaker 2: you know, being involved with the reunion and being in

2438
01:42:03,920 --> 01:42:06,560
Speaker 2: the crowd with with lights.

2439
01:42:06,760 --> 01:42:09,439
Speaker 3: Bobby Lights, Rory, gonna keep bringing that up.

2440
01:42:09,560 --> 01:42:10,160
Speaker 2: He's the host.

2441
01:42:10,400 --> 01:42:12,080
Speaker 3: They're gonna keep bringing that here, Gonna keep.

2442
01:42:11,960 --> 01:42:15,040
Speaker 2: You people that are host. It's always the last name Light,

2443
01:42:15,200 --> 01:42:17,760
Speaker 2: MC Light, Bobby Lights, like Malls.

2444
01:42:17,320 --> 01:42:20,800
Speaker 3: Two people my last name and my last name made lights.

2445
01:42:20,880 --> 01:42:24,280
Speaker 2: So that as Daylight has been to r L battles

2446
01:42:24,280 --> 01:42:27,200
Speaker 2: that he wasn't performing in. He was just in the crowd.

2447
01:42:28,520 --> 01:42:30,599
Speaker 2: Is Daylight? Okay? Sure's fine?

2448
01:42:30,920 --> 01:42:31,320
Speaker 3: Right nothing.

2449
01:42:31,520 --> 01:42:33,560
Speaker 2: I actually was kind of shocked. I know that's not

2450
01:42:33,640 --> 01:42:35,200
Speaker 2: his thing, the media room stuff, but I was actually

2451
01:42:35,280 --> 01:42:36,080
Speaker 2: kind of shocked Daylight.

2452
01:42:35,960 --> 01:42:36,599
Speaker 3: Didn't do something.

2453
01:42:36,880 --> 01:42:39,160
Speaker 2: Really I didn't expect to see Daylight. Daylight is not

2454
01:42:39,360 --> 01:42:39,760
Speaker 2: the whole thing.

2455
01:42:39,960 --> 01:42:41,720
Speaker 5: So yeah, but he don't really be outside like that.

2456
01:42:41,840 --> 01:42:43,840
Speaker 5: He not mixing and mingling like that though. Yeah, that's

2457
01:42:43,920 --> 01:42:45,559
Speaker 5: never been Daylights. That's not part of his brain.

2458
01:42:45,960 --> 01:42:49,840
Speaker 2: Well, hopefully when the reunion is filmed, Mall Lights will

2459
01:42:49,880 --> 01:42:52,400
Speaker 2: be there. I will be, you know, hopefully a plus

2460
01:42:52,520 --> 01:42:55,080
Speaker 2: one if they don't have me a mic, but I'll

2461
01:42:55,120 --> 01:42:56,160
Speaker 2: be there in my Zoo's T shirt.

2462
01:42:56,800 --> 01:42:58,960
Speaker 3: Yeah you got the Zoos security T shirt.

2463
01:42:59,240 --> 01:43:01,360
Speaker 2: You feel like if it's if something you have to

2464
01:43:01,400 --> 01:43:07,880
Speaker 2: pay for on subscription should be blurred. You want to

2465
01:43:07,920 --> 01:43:10,439
Speaker 2: see baddies titties every time they fight. I'm like, you

2466
01:43:10,479 --> 01:43:13,200
Speaker 2: guys are too horny. You too horny girls fighting and

2467
01:43:13,280 --> 01:43:14,880
Speaker 2: you want to see titties? Like, what's wrong with That's

2468
01:43:14,880 --> 01:43:15,439
Speaker 2: you too horny?

2469
01:43:16,400 --> 01:43:18,400
Speaker 7: That's not even consent. If they wanted their titties out,

2470
01:43:18,439 --> 01:43:19,400
Speaker 7: they would show you their.

2471
01:43:19,280 --> 01:43:21,280
Speaker 2: Titty I'm not saying there should be something in the

2472
01:43:21,320 --> 01:43:24,080
Speaker 2: clause that your naked body has to be there if

2473
01:43:24,080 --> 01:43:27,400
Speaker 2: you don't want it. You know, they allowed cursing, they

2474
01:43:27,479 --> 01:43:31,080
Speaker 2: allowed explicit content, so you should see some some you know,

2475
01:43:31,160 --> 01:43:34,240
Speaker 2: some of them on the reunion. I wouldn't minded it.

2476
01:43:36,120 --> 01:43:37,639
Speaker 3: We'll talk to you on a couple of days.

2477
01:43:37,800 --> 01:43:37,960
Speaker 4: Man.

2478
01:43:38,360 --> 01:43:40,360
Speaker 3: Good, good to be back home. Good to be back

2479
01:43:40,360 --> 01:43:40,840
Speaker 3: in the city.

2480
01:43:41,720 --> 01:43:42,080
Speaker 2: Baby D.

2481
01:43:42,280 --> 01:43:44,240
Speaker 5: I'm watching you. Like I said, I better not catch

2482
01:43:44,240 --> 01:43:46,800
Speaker 5: you in the Vernon this weekend, but I would be.

2483
01:43:46,920 --> 01:43:48,559
Speaker 5: I will had to make sure the homies got their

2484
01:43:48,600 --> 01:43:50,160
Speaker 5: eye out to make sure you're safe. If you're so

2485
01:43:50,280 --> 01:43:52,960
Speaker 5: happen to be in the Vernon doing whatever it is

2486
01:43:53,439 --> 01:43:56,840
Speaker 5: doing the Lawd's work in Mount Vernon because they need it.

2487
01:43:57,200 --> 01:43:58,760
Speaker 3: We'll talk to you on a couple of days. Be safe,

2488
01:43:58,800 --> 01:44:03,320
Speaker 3: Be blessed that he's a gentle piece. No Willian now