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Speaker 1: So you know it's an all nighter because I'm there.

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Speaker 1: I'm in there in the office with Charlie Wilson and

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Speaker 1: we're and we're doing war. It's a war, and.

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Speaker 2: It's not a war of punching and guns. Yeah, it's

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Speaker 2: we're paper filing, isn't it.

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Speaker 1: It is in a way. And if Charlie's involved, then

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Speaker 1: you know that also gams are going to be involved

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Speaker 1: as well. Oh yeah, guy is obsessed with the female gams.

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Speaker 1: He yeah, he's uh, he's a gam gam having some

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Speaker 1: kind of effect. One.

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Speaker 2: Yeah, those gams appearould extend all the way from the

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Speaker 2: hips down past the buttet the gas going to end?

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Speaker 2: She is the end of the games coming anytime soon?

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Speaker 2: Or am I gonna absolutely pass out? So we Yeah,

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Speaker 2: so anyway, we filed the papers and.

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Speaker 1: We won the war. Oh yes, what wasn't what was

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Speaker 1: kind of the prize of that? The I think we

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Speaker 1: must have invaded Iraq or something. Hey, welcome to Hollywood

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Speaker 1: Handbook and Insider's Guide to Kicking butted draping names in

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Speaker 1: the red carpet lineback hallways of this industry that we

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Speaker 1: call showbiz. And it's so true, isn't it? That it

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Speaker 1: is showbiz. Sorry, what's true that it is showbiz. The name,

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Speaker 1: the title of the show is true, and it is

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Speaker 1: us putting on a show and making money. And it's

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Speaker 1: for cash, yes, and the and the hallways, and it

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Speaker 1: is an industry as well.

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Speaker 2: And this room, if you are facing the building, we're

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Speaker 2: in the back.

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Speaker 1: Yeah, you know, James Adomia. It's a it's kind of

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Speaker 1: a postmodern power office. To be in the back with

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Speaker 1: no windows. Oh yeah, it would be too obvious. And

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Speaker 1: I would say even baby boomerish to have the one

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Speaker 1: that faces the windows, the corner window. Yeah, yeah, yeah, yeah.

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Speaker 1: I still do the thing where I take meetings in here,

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Speaker 1: and when I and I have to do a big

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Speaker 1: think about something, I'll stand up and I'll kind of

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Speaker 1: fold my hands behind my back and I'll walk over

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Speaker 1: to the partition here and I look out at the view,

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Speaker 1: which is usually just engineer Jordan, sometimes chef Kevitt, but

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Speaker 1: it's it's just something lesser than you to stare at,

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Speaker 1: and they look like ants.

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Speaker 2: I don't have to do because I'm always practicing my putting.

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Speaker 2: I'm just I'm knocking it down the carpet into an

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Speaker 2: open water glass on its side, and then I'll turn

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Speaker 2: and I'll say tell me your name again to the

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Speaker 2: person who I've invited to my office for a meeting.

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Speaker 1: Now, James, you have been here before and you are

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Speaker 1: doing podcasts. Yeah, you never have done this podcast. I never,

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Speaker 1: and we've wont We've We've obviously talked about it for

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Speaker 1: you for years. For several seasons, we talked about it.

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Speaker 2: Yes, we've been hungry for it. And the season finally,

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Speaker 2: I'm satiating the great yearning that was inside me this

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Speaker 2: whole time, because I was like, when we started the show,

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Speaker 2: I said, we've got to have James, and we.

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Speaker 1: Obviously we hang out at the Soho House and everything. Yeah,

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Speaker 1: we're always in there for the lunch and we repel off.

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Speaker 1: It's so interesting. It's so interesting when your professional life

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Speaker 1: finally sort of opens up in you know, and shows

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Speaker 1: part of what your off stage personal life. It's like, Yeah,

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Speaker 1: for me, they're one and the same. When I do

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Speaker 1: hang out with people, it is for when I have

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Speaker 1: like social chats, Yes it is, I am casting you

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Speaker 1: all content in my head, it is all content. But

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Speaker 1: we were more authentic. I think people look down on

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Speaker 1: that by saying, oh it should be separate. You should

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Speaker 1: be one person at home with your family and friends

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Speaker 1: in another in your business space. And I go, well,

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Speaker 1: I'm just me all the time, which is my family

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Speaker 1: and friends are dollar signs to me, and I am

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Speaker 1: trying to get them into my bank account somehow. So

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Speaker 1: that's that. So like after you like a totally, it's relatable.

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Speaker 1: It's relatable as as f It's almost like a porky

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Speaker 1: pig cartoon where somebody stares at him and they can

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Speaker 1: just see a turkey or whatever. Yeah, you see dollar signs.

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Speaker 1: It's I'm on board with that. Why don't they just

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Speaker 1: picture him as like a pig, like a roast pig.

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Speaker 1: I might be confusing two different No, you're right, it's

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Speaker 1: like they like the cartoons.

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Speaker 2: When people see the tart of into a turkey, it

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Speaker 2: does feel like they're working harder than they need.

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Speaker 1: But James, there's a step there in the writing that

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Speaker 1: could easily be yeah, it is already pig.

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Speaker 2: So but is that what makes it so genius? In

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Speaker 2: these cartoons that stick with us? Would I even remember

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Speaker 2: if it had made him?

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Speaker 1: And they can't make those anymore. It's so sad what

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Speaker 1: happened to Daffy Duck. That is fucked up. It was

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Speaker 1: such a great career and then he was killed like that.

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Speaker 2: Yeah, and killed again afterwards, which is so distretational.

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Speaker 1: Well, yes, then it's like it's like a second death.

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Speaker 1: Let the man rest. Yeah, his ripe cord didn't, Paul,

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Speaker 1: this was, of course. And I think Roger Rabbit m hm,

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Speaker 1: where uh aren't they? It's bugs Bunny and Mickey Mouse. Yeah,

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Speaker 1: and I think maybe Daffy shows up too, or maybe

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Speaker 1: they didn't get him in the shot because he was

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Speaker 1: plummeting dirt. They're switching packs, they're switching parachutes, right, you

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Speaker 1: take this one, James. We do we play roles, don't we? Uh?

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Speaker 1: In our lives and you play It's funny you say

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Speaker 1: that I do characters. I have played roles, you know,

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Speaker 1: I would say, you know, everybody has like a mantra. Yes,

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Speaker 1: and one that sticks with me is not telling mine? Sorry,

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Speaker 1: go ahead, Well you're not supposed to saying mine. You're

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Speaker 1: supposed to be secret about it. Okay, Sure, So this

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Speaker 1: isn't an informal you know, this isn't This isn't a

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Speaker 1: frank when you're just hanging out. Yeah, sure, sure, Yeah,

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Speaker 1: anybody can know my mantra. Yeah, this is uh. I

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Speaker 1: don't tell people off mic, but this is actually uh.

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Speaker 1: I have this printed out and I had it framed,

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Speaker 1: and it's sort of you know, people have those motivational

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Speaker 1: things you can get straight from the frame store with

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Speaker 1: like different size letters. I have one of those with

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Speaker 1: this Oscar Wild quote where you said a man's first

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Speaker 1: duty is to pose. Huh. And this is mantra and

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Speaker 1: I have that. I had it framed, uh in that

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Speaker 1: kind of iconic frame font and I haven't put it

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Speaker 1: up on the wall yet. It's still down. It's actually

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Speaker 1: behind some other paintings that I haven't gotten to. It's down,

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Speaker 1: it's on the floor, but it's waiting to put it up.

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Speaker 1: I haven't decided if I'm staying. So it sounds like

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Speaker 1: you have a floor and a wall at home. Yep, okay,

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Speaker 1: And that's little trip. My matra is the toys are

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Speaker 1: back in town. M M M. Mine is feed by Frankenstein.

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Speaker 3: Uh?

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Speaker 1: Is that from a Frankenberry? No? Nothing, Let me try

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Speaker 1: and explain this. Nothing really is from Frankenberry. Oh they

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Speaker 1: ripped it off. Well, it is a cereal and so

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Speaker 1: you can't words cannot be from the cereal Frankenberry. There

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Speaker 1: is something Frankenberry acid reflux. There's there's a big quote

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Speaker 1: pages on IMDb about all the ingredients and Frankenberry has

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Speaker 1: an Imdbanberry is IMDb count Chocula. The cereal does well.

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Speaker 1: I stand and you go to memorable quotes because the

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Speaker 1: those properties are the source material for the short lifts,

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Speaker 1: Dark reboot of Frankenberry, the Dark Cereal Universe. Yes, yes, yes,

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Speaker 1: where they got Javier Bardam to play frank and Berry. Yeah, okay,

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Speaker 1: that's too much nice. Angelina Jolie was bride of Frankenberry.

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Speaker 1: Is that right? Briefly, I'm I'm wrong. I think yes,

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Speaker 1: I think she I think she was. I'm wrong. Tell me, Sean,

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Speaker 1: you're wrong, and I will go home. If I'm wrong.

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Speaker 1: It happened, Yeah, I will say though, has it happened? Yeah?

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Speaker 1: She was the bride offers, always there. She was the

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Speaker 1: bride of Frankenberry. And then that's that they had the

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Speaker 1: talent to like take a piece of cereal and like

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Speaker 1: huck it really hard in an arc and it would

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Speaker 1: kind of go through someone's It would it would like

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Speaker 1: slice through someone's mouth. You could go around, yeah, around

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Speaker 1: like a circle, and instead of taking off time to

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Speaker 1: just step over a little bit, which kills if you've

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Speaker 1: been if you've ever been standing like that?

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Speaker 2: Have you ever been standing? I know not everyone at

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Speaker 2: home has done this, but if you've been standing and

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Speaker 2: there's something in between you and what you're looking at,

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Speaker 2: and you.

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Speaker 1: Try to move over trying to shoot a Frankenberry.

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Speaker 2: If you're trying to shoot a franken Berry through him

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Speaker 2: and you move over, that kills.

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Speaker 1: Be aware. Be aware when you're standing in a parabolic

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Speaker 1: line adjacent to somebody else that might also be a

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Speaker 1: valid target. Somebody a breakfast grievance. What were we? We

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Speaker 1: were we we talked about the Cereal universe. Oh yeah,

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Speaker 1: James plays these roles, these roles. Hey, I'll play a role.

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Speaker 1: But no no no no no no no no no

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Speaker 1: no no no. You come over, come over for dinner,

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Speaker 1: and I make the best where I serve the best

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Speaker 1: role there must. Then there's a third kind of role

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Speaker 1: as well, which is uhs, roll is better? Uh yes,

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Speaker 1: you know, I've had I'm blessed. Office is a bus

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Speaker 1: career and honestly, I love I love the challenging performances

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Speaker 1: I've had a chance to bring to life. Yeah, and

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Speaker 1: I do want to talk about that, not now and

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Speaker 1: not on this show, but that kind of this conversation

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Speaker 1: sounds really good because kind of the default, that's kind

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Speaker 1: of the default, sort of like that's just what I

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Speaker 1: say whenever I'm talking about my roles. Here's who I

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Speaker 1: want to talk to on this podcast. Jim's only man.

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Speaker 1: I talk to Jim's Jim see if he's in there

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Speaker 1: is Jim's Can Jims come out and play because we

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Speaker 1: should have mounts. Jim's grounded rounded.

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Speaker 2: That's that sounds like the gym's I know, always to

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Speaker 2: some sort of monkey business.

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Speaker 1: Let's talk about Wall. I did Stone Wall when I

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Speaker 1: was at the Actors studio. You did the movie stone Wall? Yes, uh?

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Speaker 1: And I filmed the final scene. It was cut out

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Speaker 1: of the final roland Memeeric cut me out of the

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Speaker 1: final edit of it. I guess because he probably wanted

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Speaker 1: you to like come to set, and I double booked.

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Speaker 1: I double booked, and I can't turn down Lipton, right,

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Speaker 1: and they to commemorates there to commemorate the stone Wall

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Speaker 1: rights in a way, that erases I can't. I was

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Speaker 1: on board with doing the movie, but I'm like, you

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Speaker 1: have to adapt to my schedule. Right.

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Speaker 2: Collaboration, you know, we're all supposed to be meeting each

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Speaker 2: other where we're at. Yeah, that's where you find them

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Speaker 2: good stuff in the middle in between. You know, I

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Speaker 2: like my idea, but I love your idea. That's how

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Speaker 2: I approach this stuff.

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Speaker 1: Can we make the big announcement? Please? You have this podcast?

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Speaker 1: Oh thank you, that is coming is going to be

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Speaker 1: out by the time people are listening to this. And

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Speaker 1: the name there's a podcasts as follows, and we are

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Speaker 1: saying the name and it is this podcast. It's called

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Speaker 1: you have a Slight. I want to say this. You

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Speaker 1: have a title, that's the formal title in the Library

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Speaker 1: of Congress. You have vocal fraud. This is all still

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Speaker 1: part of it. You have there's like a it's it's

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Speaker 1: not directly broadcast. This is there's a slight radio delay

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Speaker 1: of several days or maybe a couple of weeks between

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Speaker 1: recording and when it comes out, just to make sure

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Speaker 1: that the sensors can leep out anything that needs to

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Speaker 1: be well.

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Speaker 2: We're compressing the sound as well. We compress this one

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Speaker 2: but high and.

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Speaker 1: The low end is being cut off. Yeah, the podcast

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Speaker 1: is I think this is all still part of the Yeah,

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Speaker 1: I'm glad. I'm glad you guys recited it correctly. The

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Speaker 1: podcast is called The Under Culture with James Adomian m

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Speaker 1: HM and as Alan go Fungus exactly exactly, it can

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Speaker 1: be right right. It's meant to evoke that kind of

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Speaker 1: Vincent Price Mildew commercials from the eighties, which were obviously

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Speaker 1: very influential on so many of us. Oh yes, that's

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Speaker 1: why I got into podcast. Can be its fungus, tilex brands,

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Speaker 1: tile cleaners dead. I think those are canonical Vincent Price.

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Speaker 1: Oh yeah, projects. Oh yeah, that's it starts with that.

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Speaker 1: That's his origins. Also and Frank and Weeny, which is

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Speaker 1: also part of the Dark the New Dark Universe. Yeah,

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Speaker 1: this is all on IMDb pro. You don't see these

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Speaker 1: on regular civilian I m dB, but you see it

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Speaker 1: on a m d P. You know. Yes, And he

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Speaker 1: was Atward says or hands as dad. The thing that

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Speaker 1: you want to announce this podcast is just these characters. Correct, Well,

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Speaker 1: I tell you about I could even say it in

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Speaker 1: a less I could even say it in a less

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Speaker 1: enticing way. I would love to hear you dry. Yeah

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Speaker 1: it is. It's just you know, it's just this shuffle.

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Speaker 1: It's shuffling a few voices around, okay, slapping a few inflections,

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Speaker 1: and you did an idea. You know, you get in there,

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Speaker 1: you know you see if it works. Paprion pretending and

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Speaker 1: then is it slap it out there, Patreon and just

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Speaker 1: go and then collect it. Goofs. It's my life's work,

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Speaker 1: is it goofs and gas and some there are no goofs.

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Speaker 1: I'm actually I don't believe as an artist and doing goofs,

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Speaker 1: but gaffs. Gaffs. Mostly you will lay down a big

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Speaker 1: gaff every once in a while. Yes, domestic USA, made

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Speaker 1: in America. Wow, okay, gap factor. Wow that people don't

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Speaker 1: know when you talk about like shuffling voices around, you

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Speaker 1: do this thing like before you do like a voice.

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Speaker 1: We see you the kind of pacing up and down

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Speaker 1: there and you do kind of do like a shimmy around.

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Speaker 1: I get a character for weeks. I do if I'm

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Speaker 1: gonna do a in Surprise or Bernie Sanders or whoever,

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Speaker 1: I'm like, I'm like Daniel d Lewis. Yeah, Abraham Lincoln

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Speaker 1: or or when he played the guy from Last of

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Speaker 1: the Mohicans. We had to take a break character, I

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Speaker 1: will find you, that's the name of the character. We

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Speaker 1: had to take a break before you did even even

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Speaker 1: just before you did that voice right now we cut

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Speaker 1: it out. You had to take a really long time.

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Speaker 1: Two I appre watch, go watch the movie the smoothness

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Speaker 1: that you edited. You edited it in. Each time we

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Speaker 1: do one of those, you actually we have to pause

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Speaker 1: and edit it back in and take a really long

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Speaker 1: time for you to watch the whole movie. I come

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Speaker 1: back in here to see you guys again. Thank you.

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Speaker 1: It's I've had a lot of stuff happened to me

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Speaker 1: in between that was bad. But this is kind of

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Speaker 1: like a safe don't necessarily know that part of my

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Speaker 1: public facing person because.

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Speaker 2: They or that part of Last the Mohicans, they don't

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Speaker 2: necessarily know it.

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Speaker 1: Go find you again. Okay, Wow, it does doesn't seem

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Speaker 1: worth the really long time. It's like, it's fine. I

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Speaker 1: just wish you would do it for what you want

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Speaker 1: to just do you want to do it on the fly,

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Speaker 1: you want to just guess I would rather if it's

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Speaker 1: going to be that short, I guess I would rather

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Speaker 1: not do it at all. Well, that's what I'm going

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Speaker 1: to start to be doing on this new project because

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Speaker 1: I'm tired. That's for for this reason. I am tired

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Speaker 1: of the preparation, the costumes, the makeup. I go into

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Speaker 1: heavy makeup, even for stuff that's just in an audio format.

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Speaker 1: I go into make up like like like a wharf

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Speaker 1: from Star Trek level make up all day. I have

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Speaker 1: to come in at five am sometimes just to get

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Speaker 1: a make up for a podcast, and people don't Ear

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Speaker 1: Wolf haven't necessarily seen this side of it, and I

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Speaker 1: was glad to have this opportunity to introduce this sort

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Speaker 1: of some springboarding. I'm sort of like, I'm pivoting. You know.

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Speaker 1: One of my favorite words that people say a lot

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Speaker 1: in Hollywood is pivot. We're actually pivoting from that, We're

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Speaker 1: pivoting from left, We're pivoting. Yeah, time to pivot. It's pivot.

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Speaker 1: Time pivoting. I think Obama said it in a speech,

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Speaker 1: and then everyone in Hollywood started saying, and we're actually pivoting.

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Speaker 1: Jearing me, pivot he pivoted, Yeah, pivoted to stand up.

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Speaker 1: Mm hmmm, we all do, but people on Earwolf don't

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Speaker 1: necessarily know that I have done a lot of these

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Speaker 1: characters because there's so much preparation involved. I've kept it

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Speaker 1: for other uh you know, other places where I have

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Speaker 1: enough time, black box theaters and stuff like that. Yes,

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Speaker 1: I love it. So we're trying to develop a technique

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Speaker 1: for me be able to do it faster on this

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Speaker 1: new podcast. So obviously people have heard me as myself

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Speaker 1: on Earwolf and different shows. We've always been We've always

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Speaker 1: on a different a different show in the same work. Yeah,

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Speaker 1: and we've always been you know, we've always been through

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Speaker 1: the wall. It's always a happy hello. Yes, But we

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Speaker 1: talked about it was best for me to come on

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Speaker 1: here and save an appearance on Hollywood Handbook for a

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Speaker 1: big for a big dismount. Yes, yes, So I'm no

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Speaker 1: longer going to be the James. That's the James. You are,

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Speaker 1: your voice basically shedding your birth personality. Aren't we all?

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Speaker 1: Aren't we all shedding our shelves? Well, every seven years,

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Speaker 1: it's we have completely new cells. Wait a minute, you

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Speaker 1: say that's unique to me. You are doing it now? Yeah, yeah,

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Speaker 1: it's molting. I mean shedding is fine. The question is

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Speaker 1: is every new one abandoning their original personality to exclusively

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Speaker 1: do characters. I would say, no, most people are not

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Speaker 1: doing that, but you are. I think that we celebrate this. Look.

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Speaker 1: I agree with you on that, I would just make

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Speaker 1: I mean, I agree mostly. I would say that everyone

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Speaker 1: has the potential to do that, but sometimes the human

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Speaker 1: life is cut short or people don't aren't fully actualized

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Speaker 1: in a way.

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Speaker 2: That you're not getting hit by trains. Well, we talk

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Speaker 2: about that on this show. If you are at a

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Speaker 2: stoplight and the train appears to be far enough away

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Speaker 2: that you think you have time to get across the tracks,

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Speaker 2: please James, just can wait. No, don't forgot it now,

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Speaker 2: don't get it.

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Speaker 1: This is apparently the issue because we keep happy to

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Speaker 1: do these ads. They don't seem to be working. I

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Speaker 1: don't have a car. You know, it's even worse because

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Speaker 1: a car, and Summon says, will protect you with metal.

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Speaker 1: I work, I walk everywhere, or I take public transits.

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Speaker 1: So sometimes I've been in a train that was hesitating

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Speaker 1: about crossing world. That's terrible for the environment. If you're

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Speaker 1: out in open air all the time, do you know

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Speaker 1: that toxins and emissions you're putting out.

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Speaker 2: You're supposed to keep that trade a car. Then you

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Speaker 2: suck that car out and put it in like.

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Speaker 1: My lifeliters contained, just like my life, just from like

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Speaker 1: the human pits. Look, I make up for it by donating.

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Speaker 1: I donate. I donate to automotive charity. You're a carbon neutral.

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Speaker 1: I'm carbon non aggressive. Have you been scooting around? I do,

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Speaker 1: and I sometimes you come up on a border alone

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Speaker 1: or even a lift scooter at the crossing. In those situations,

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Speaker 1: I'm like gunn it because so I do want to

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Speaker 1: get something out there. I am becoming known as the

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Speaker 1: scooty Cuty around town. Yes, and people are yelling this

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Speaker 1: at me from their cars. I just want since you

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Speaker 1: are you're the it boy, yes, since you are scooting

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Speaker 1: as well, I just want to like you. I didn't

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Speaker 1: start this, but that title is currently not available. Scooty Cuty,

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Speaker 1: the scooty Cuty, the Skewty, the Skewty Cuty, the scooty

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Speaker 1: Scuty Cuty. Yes, so let's get back to respect that.

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Speaker 1: Do you want your own your own name scooter titles

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Speaker 1: scoot mcmaary potentially bird boy. You're so you're only on Yeah,

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Speaker 1: I'm in debut with that one. Yeah, yeah, it sounds

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Speaker 1: like it could be the bird box. It's good if

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Speaker 1: the rhyme mm hmm. Unfortunately the only thing that rhymes

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Speaker 1: with yeah, it's the only word that you can't that

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Speaker 1: you can use, and you can't want to do that,

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Speaker 1: you know, the bird turd? Yeah? Are you going through

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Speaker 1: the alphabet? You don't want to be Scoot mcmaary. He

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Speaker 1: was so good in all those movies.

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Speaker 2: Well, speaking of he was in True Detective. We're very

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Speaker 2: in of course Scoot document.

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Speaker 1: Is would be a very good corner to stake out

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Speaker 1: and take it from him and then charge a hefty

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Speaker 1: price when he needs it.

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Speaker 2: Yes, I wanted to say that we're so influenced by

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Speaker 2: season one of True Detective, and we actually do think

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Speaker 2: time is a flat circle, which is why our hello

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Speaker 2: to you is also our goodbye. When we see a show,

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Speaker 2: we're meeting James, but we're also getting rid of James.

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Speaker 1: Who's James?

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Speaker 2: I want to meet the under fungus?

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Speaker 1: Uh, you know, I want to pull that, if you

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Speaker 1: don't mind, I want to pull that for the exhibit

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Speaker 1: on the under culture that's going to go up at

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Speaker 1: the Museum of Radio and Television. Yes, I thought that

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Speaker 1: was a are you really not doing that? It's a

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Speaker 1: public quote, it's under fifteen words. I think public quotes. Yes, yeah,

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Speaker 1: at this point a lot of my quotes are public quotes,

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Speaker 1: and I just have to start dealing with that. May

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Speaker 1: I have a scooter name by any chance? Yeah? What

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Speaker 1: would you like it to be? Probably the Lime Marita? Okay,

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Speaker 1: Lime Marita, I think so. Yeah, you're the Lime Marina,

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Speaker 1: which they sell in cans, in big cans sometimes. And

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Speaker 1: I'll tell you what you have in common with Premiere

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Speaker 1: lime juice and much too sweet a charge for your

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Speaker 1: Lime scooter. It's true, I am too sweet. Yeah, so

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Speaker 1: I'll be the Limerita.

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Speaker 2: As the Limerita and Scoot Ackerman come trugging down the

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Speaker 2: street here to meet up with the scooty cutie man,

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Speaker 2: what a freaking afternoon.

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Speaker 1: We could go? I mean, we could go scoot off

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Speaker 1: and find some abandoned house, uh huh. And we could

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Speaker 1: do like Hardy Hardy Boys adventures. If it's on the

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Speaker 1: top of a hill and we can't get up, we

399
00:23:39,960 --> 00:23:42,840
Speaker 1: would be limited actually sort of geographically, if it's at

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Speaker 1: the bottom of a hill, walk out downhill adventures, and

401
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Speaker 1: then we probably have to ditch the scooters and get

402
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Speaker 1: a ride back up we started downhill adventures.

403
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Speaker 2: The adventure will have sure, and in the back of

404
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Speaker 2: our mind the whole time will be thinking.

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Speaker 1: God, that's gonna be a pain the ass we get

406
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Speaker 1: out of here. You gotta get back out. Did you

407
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Speaker 1: see if the there's if there, you can go around?

408
00:24:02,320 --> 00:24:05,080
Speaker 1: I'm going to be thinking that. Well, since we're saying

409
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Speaker 1: goodbye to We're original Gym, we're moving on to another chapter.

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00:24:10,600 --> 00:24:13,400
Speaker 1: We're turning a page. Yeah, do we want to sort

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Speaker 1: of go back through some of the highlights of Yeah,

412
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Speaker 1: you want to. You've brought this I just basically a

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Speaker 1: whole bit. I just wanted to turn the page. Yeah,

414
00:24:22,320 --> 00:24:25,679
Speaker 1: oh okay, but you also do have so many pages

415
00:24:25,720 --> 00:24:29,040
Speaker 1: here of your accomplishments. Now is the time to share

416
00:24:29,160 --> 00:24:33,199
Speaker 1: because none of these characters know who you are, and

417
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Speaker 1: so when the procedure is complete, the original Gyms will

418
00:24:37,119 --> 00:24:39,159
Speaker 1: not exist. That's true, There is going to be a

419
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Speaker 1: procedure his secrets because Bernie will be saying, who is Gyms?

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Speaker 1: It's it's I guess it's it's. This is a safe

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00:24:49,359 --> 00:24:52,679
Speaker 1: place to announce it. Yeah, I'm going to be having

422
00:24:53,400 --> 00:24:56,399
Speaker 1: it's it's it's it's some of a surgical procedure. It's

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Speaker 1: the semi surgical procedure. It's done through acupressure. But it's

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00:25:01,480 --> 00:25:07,000
Speaker 1: going to be it's it's a it's an acupressure psychic

425
00:25:07,680 --> 00:25:12,720
Speaker 1: sort of tantric procedure that's going to I'm gonna I'm

426
00:25:12,720 --> 00:25:16,679
Speaker 1: going to spend less of my waking time as my

427
00:25:16,880 --> 00:25:19,240
Speaker 1: persona that people have known me as for so long,

428
00:25:19,840 --> 00:25:22,040
Speaker 1: and that's gonna in gyms, and it's going to be

429
00:25:22,160 --> 00:25:26,479
Speaker 1: taken over more by some of these characters. And some

430
00:25:26,520 --> 00:25:31,679
Speaker 1: of them are. They range from being tolerated to being

431
00:25:32,840 --> 00:25:36,320
Speaker 1: being very controversial. Sure, so I want to lean into that.

432
00:25:36,680 --> 00:25:40,119
Speaker 1: Not tolerated, not tolerated. None of them are beloved, but

433
00:25:40,160 --> 00:25:40,840
Speaker 1: some of them are.

434
00:25:40,880 --> 00:25:46,360
Speaker 2: Some of them are really tolerated, really tolerated for extensive

435
00:25:46,480 --> 00:25:50,439
Speaker 2: periods of time, and others have questioned, highly controversial, And

436
00:25:50,440 --> 00:25:52,520
Speaker 2: I would say some of them are studied. Some of

437
00:25:52,520 --> 00:25:55,640
Speaker 2: these characters are studied, and I want to lean more

438
00:25:55,640 --> 00:25:58,680
Speaker 2: into that. And in order to be able to do

439
00:25:58,720 --> 00:26:00,920
Speaker 2: them in a rapid way, to be able to switch

440
00:26:00,960 --> 00:26:04,160
Speaker 2: from one character to another, something had to give. And

441
00:26:04,200 --> 00:26:07,320
Speaker 2: what that was was my my actual my being myself.

442
00:26:07,400 --> 00:26:11,879
Speaker 1: You gotta shut off because the problem is you you

443
00:26:11,920 --> 00:26:15,320
Speaker 1: taking the journey to become these characters. Yeah, the bridge

444
00:26:15,320 --> 00:26:18,320
Speaker 1: there is that you're starting as you. If you start

445
00:26:18,600 --> 00:26:23,200
Speaker 1: as nothing, then you can instantly become the faster. It's

446
00:26:23,280 --> 00:26:27,600
Speaker 1: almost like it's it's just fine tuning engineering like a

447
00:26:27,640 --> 00:26:30,720
Speaker 1: Tesla automobile or something where you can, you know, switch

448
00:26:30,760 --> 00:26:32,919
Speaker 1: gears faster. And as far as I know, that's the

449
00:26:32,960 --> 00:26:36,240
Speaker 1: main technological leap that Tesla, that Elon Musk has made

450
00:26:36,280 --> 00:26:38,359
Speaker 1: with Tesla is just being able to switch gears faster,

451
00:26:38,480 --> 00:26:41,080
Speaker 1: gears change a little bit quicker. I think that's what

452
00:26:41,119 --> 00:26:45,680
Speaker 1: a Tesla is. It's quicker than a bike. It's not

453
00:26:45,680 --> 00:26:49,080
Speaker 1: then a car. I just want people to be clear

454
00:26:49,320 --> 00:26:52,040
Speaker 1: what you're what are you asking? You're asking too much this,

455
00:26:52,359 --> 00:26:56,840
Speaker 1: yeah you're at I mean obviously no, you should be

456
00:26:56,840 --> 00:27:00,320
Speaker 1: comparing its breaking technology, but out, yeah, you're asking too much.

457
00:27:00,320 --> 00:27:03,720
Speaker 1: I think to expect it to compete with other cars. Yes,

458
00:27:03,960 --> 00:27:06,040
Speaker 1: and this is like we're getting into technology stuff. But

459
00:27:06,200 --> 00:27:09,440
Speaker 1: and in terms of the procedure we do, it's like accupressure.

460
00:27:09,440 --> 00:27:12,240
Speaker 1: People are like, what are these terms like mean basically pressure.

461
00:27:12,320 --> 00:27:15,440
Speaker 1: It's like you're you're it's basically your You are putting

462
00:27:15,520 --> 00:27:18,359
Speaker 1: your brain in a Panini machine, right, I mean like

463
00:27:18,480 --> 00:27:22,320
Speaker 1: in a lot of ways, yeah, well physically literally yeah yeah,

464
00:27:22,440 --> 00:27:24,399
Speaker 1: in a lot of ways you are because well, and

465
00:27:24,440 --> 00:27:30,680
Speaker 1: that's the white purpose in accupressure machine. Your brain is known, Yes,

466
00:27:31,560 --> 00:27:32,400
Speaker 1: in accupressure.

467
00:27:32,600 --> 00:27:35,480
Speaker 2: I've studied a little bit of Eastern medicine, your brain

468
00:27:35,760 --> 00:27:40,280
Speaker 2: is known as from a Bustin and New York from

469
00:27:40,600 --> 00:27:44,960
Speaker 2: uh yes, exactly, from the East coast really more uh

470
00:27:45,560 --> 00:27:51,600
Speaker 2: Tallahassee and Dover. But but your brain is what's known

471
00:27:51,640 --> 00:27:56,640
Speaker 2: as your personality meridian. And putting that in a Panini

472
00:27:56,680 --> 00:28:01,040
Speaker 2: press and setting it to sort of a soft grill

473
00:28:01,160 --> 00:28:03,399
Speaker 2: the way you would see her a scallop perhaps.

474
00:28:03,000 --> 00:28:04,320
Speaker 1: In a Panini press.

475
00:28:05,960 --> 00:28:08,160
Speaker 2: Is just the right amount that you don't do any

476
00:28:08,200 --> 00:28:10,400
Speaker 2: permanent damage in terms of like you'll still be able to.

477
00:28:10,359 --> 00:28:16,000
Speaker 1: Talk, walk, gaff but in many ways I'll still have

478
00:28:16,040 --> 00:28:23,320
Speaker 1: a lot of the personality ticks. Some more that one

479
00:28:23,359 --> 00:28:30,400
Speaker 1: of the side effects could be irreversible physical ticks about

480
00:28:30,440 --> 00:28:35,840
Speaker 1: funny ones. Either way, I'm prepared. I think that the

481
00:28:35,880 --> 00:28:39,520
Speaker 1: response to this is already from what we've been announcing

482
00:28:39,560 --> 00:28:45,280
Speaker 1: and slowly rolling out with our partners overwhelmingly overwhelmingly positive

483
00:28:45,320 --> 00:28:49,240
Speaker 1: to negative. And so we're confident that there will be

484
00:28:49,280 --> 00:28:51,560
Speaker 1: a team that will be able to help smooth over

485
00:28:51,600 --> 00:28:55,920
Speaker 1: some of those anything, anything that's anything where there's a

486
00:28:55,960 --> 00:28:57,800
Speaker 1: lag time, anything that I can just see in the

487
00:28:57,880 --> 00:29:01,120
Speaker 1: other room there people are really losing their ship. I'd

488
00:29:01,120 --> 00:29:03,360
Speaker 1: be there. They might be checking their phones and looking

489
00:29:03,360 --> 00:29:03,960
Speaker 1: at something else.

490
00:29:04,040 --> 00:29:06,280
Speaker 2: Some people are Yeah, some were looking at their phone,

491
00:29:06,280 --> 00:29:07,360
Speaker 2: but some were losing it.

492
00:29:08,080 --> 00:29:10,640
Speaker 1: You guys have a gallery. There's a large gallery of

493
00:29:10,640 --> 00:29:15,800
Speaker 1: observers that you have. Yeah. Are they now focus group?

494
00:29:16,280 --> 00:29:19,120
Speaker 1: Their focus group? Focus group? Yeah, I have the dial

495
00:29:19,160 --> 00:29:21,680
Speaker 1: and they're just cranking it up. Man. When you're saying

496
00:29:21,680 --> 00:29:24,600
Speaker 1: some of your ship about the and there's family members

497
00:29:24,600 --> 00:29:27,840
Speaker 1: of the victims that come behind the two way mirror

498
00:29:27,920 --> 00:29:30,800
Speaker 1: just to look through from the train. Yes, victims, the

499
00:29:30,880 --> 00:29:33,760
Speaker 1: victims of your podcast. And it's cruel teeth. Yeah, and

500
00:29:33,800 --> 00:29:35,600
Speaker 1: they'll just point at us and then just sort of

501
00:29:35,640 --> 00:29:39,080
Speaker 1: move on. But there they are for the for the

502
00:29:39,120 --> 00:29:41,040
Speaker 1: guys with the dial. You know, that's how I'll sometimes

503
00:29:41,120 --> 00:29:44,520
Speaker 1: like take my arms and sort of press by pecks

504
00:29:44,560 --> 00:29:48,160
Speaker 1: together a little bit that gives the dial a little goose,

505
00:29:48,840 --> 00:29:51,560
Speaker 1: you know what I mean? The dial. Yes, the dial.

506
00:29:52,480 --> 00:29:55,200
Speaker 1: It's focused your own podcast.

507
00:29:55,840 --> 00:29:58,160
Speaker 2: If they like what we're doing on the podcast, they'll

508
00:29:58,200 --> 00:29:59,600
Speaker 2: turn that dial all the way to the right.

509
00:29:59,720 --> 00:30:02,680
Speaker 1: And if they're not, like to bless your heart for

510
00:30:02,800 --> 00:30:07,320
Speaker 1: not having had to deal with this. Nothing shocks me anymore. Uh.

511
00:30:07,960 --> 00:30:12,720
Speaker 2: The the secret to doing your own podcast is, of course,

512
00:30:13,040 --> 00:30:13,880
Speaker 2: keeping it visual.

513
00:30:14,000 --> 00:30:16,840
Speaker 1: Like hey said, squeezing your pecks together. I've learned a

514
00:30:16,840 --> 00:30:19,000
Speaker 1: lot from Yeah, I've learned a lot from you guys

515
00:30:19,000 --> 00:30:21,880
Speaker 1: from reading the descriptions of the episodes. Yes, it can

516
00:30:22,000 --> 00:30:28,400
Speaker 1: be very I don't have time to listen description, but

517
00:30:28,440 --> 00:30:30,440
Speaker 1: I do. I read the descriptions, and that's just like

518
00:30:30,440 --> 00:30:33,320
Speaker 1: the shorthand how I catch up with things. Oh sure,

519
00:30:33,720 --> 00:30:38,360
Speaker 1: and so I've learned a lot seeing how people in

520
00:30:38,440 --> 00:30:40,320
Speaker 1: shorthand describe what you guys do on the show.

521
00:30:40,440 --> 00:30:43,680
Speaker 2: The guy who's winning at Jeopardy right now, James Holsauer,

522
00:30:44,080 --> 00:30:44,960
Speaker 2: was saying that I.

523
00:30:44,880 --> 00:30:50,120
Speaker 1: Think Alex Trebek is really winning at Jeopardy, thank you. Okay,

524
00:30:50,720 --> 00:30:53,040
Speaker 1: it's a lot more impressive almost no mean for shot

525
00:30:53,160 --> 00:30:57,640
Speaker 1: and not say that there's a lot more impressive than

526
00:30:57,680 --> 00:31:02,280
Speaker 1: his run on the other game shows he used to do. Yeah, yeah,

527
00:31:02,600 --> 00:31:05,080
Speaker 1: it's it's he's doing a better job at that because

528
00:31:05,080 --> 00:31:07,720
Speaker 1: he didn't do those for very long. What is what

529
00:31:07,920 --> 00:31:08,880
Speaker 1: is the show? Now?

530
00:31:09,720 --> 00:31:16,120
Speaker 2: We're just gonna spit on Trebek's resume. That's the fucking show.

531
00:31:17,000 --> 00:31:18,400
Speaker 2: I'm sorry he was saying.

532
00:31:18,160 --> 00:31:20,360
Speaker 1: That you were that's not what I'm host like, you're

533
00:31:20,440 --> 00:31:23,880
Speaker 1: trying to turn it back on him. But but Jim's

534
00:31:23,880 --> 00:31:26,560
Speaker 1: was giving all credit. You were acting like James was

535
00:31:26,560 --> 00:31:29,040
Speaker 1: like the best guy to ever do Jeopardy, and he's

536
00:31:29,080 --> 00:31:30,560
Speaker 1: saying that it's Alex Trebek.

537
00:31:30,680 --> 00:31:34,440
Speaker 2: I was saying I was complimenting James's study technique and

538
00:31:34,480 --> 00:31:38,720
Speaker 2: saying that James told me through my TV screen that

539
00:31:38,720 --> 00:31:40,959
Speaker 2: one of the ways he prepped for Jeopardy was to

540
00:31:41,000 --> 00:31:43,680
Speaker 2: study in the children's section of the library, because it's

541
00:31:43,680 --> 00:31:46,239
Speaker 2: mostly just pictures and one sentence of the fact that

542
00:31:46,280 --> 00:31:49,000
Speaker 2: you need to learn huh, and that you reading the

543
00:31:49,040 --> 00:31:51,360
Speaker 2: descriptions of the episode and probably seeing a picture of

544
00:31:51,440 --> 00:31:53,960
Speaker 2: us with our arm around someone or standing near someone

545
00:31:54,000 --> 00:31:57,440
Speaker 2: who we barely know, uh, is maybe a better way

546
00:31:57,440 --> 00:32:00,160
Speaker 2: to absorb the feeling of the show than listening the

547
00:32:00,200 --> 00:32:01,040
Speaker 2: fucking episodes.

548
00:32:01,240 --> 00:32:03,960
Speaker 1: Yeah, and I think that method of study is a

549
00:32:04,000 --> 00:32:06,120
Speaker 1: great way to for anything. I think if we're going

550
00:32:06,200 --> 00:32:09,520
Speaker 1: to take big evolutionary leaps as a human species. It's

551
00:32:09,520 --> 00:32:13,320
Speaker 1: not going to be from knowing great depths about the

552
00:32:13,560 --> 00:32:19,240
Speaker 1: uh vast quantities of knowledge. It's going to be about

553
00:32:19,640 --> 00:32:24,160
Speaker 1: knowing like almost like like a match card game level

554
00:32:24,240 --> 00:32:25,880
Speaker 1: of Oh, just like this.

555
00:32:25,960 --> 00:32:28,760
Speaker 2: G like I know where all these countries are in

556
00:32:28,760 --> 00:32:30,360
Speaker 2: relation to what's your favorite podcast?

557
00:32:30,360 --> 00:32:34,640
Speaker 1: Read the description and look at the picture. I'm a

558
00:32:34,680 --> 00:32:40,360
Speaker 1: big fan of the description of WTF. It's great description.

559
00:32:40,520 --> 00:32:48,640
Speaker 1: The descriptioneers what the fucking Years? I My favorite is,

560
00:32:48,720 --> 00:32:53,280
Speaker 1: of course Doe Boys. I love to admire how, especially

561
00:32:53,320 --> 00:32:57,640
Speaker 1: in the picture, how Nick Wiger has developed a picture

562
00:32:57,760 --> 00:33:01,000
Speaker 1: pose where he can do two thumbs up and that

563
00:33:01,280 --> 00:33:05,480
Speaker 1: allows him to not touch anybody? Does Nick Wager not

564
00:33:05,720 --> 00:33:09,040
Speaker 1: like touching people based on the fact that he's developed

565
00:33:09,080 --> 00:33:13,320
Speaker 1: those toles right too? Because why out? I mean the

566
00:33:13,360 --> 00:33:16,280
Speaker 1: two thumbs up thing, Well, now he can't put his

567
00:33:16,400 --> 00:33:17,600
Speaker 1: arm around anybody he's.

568
00:33:17,440 --> 00:33:20,160
Speaker 2: Got to do the Imagine how rude you would feel

569
00:33:20,200 --> 00:33:22,760
Speaker 2: asking for one of those thumbs to go down just

570
00:33:22,840 --> 00:33:23,280
Speaker 2: so you.

571
00:33:23,160 --> 00:33:28,760
Speaker 1: Can have what a squeeze. I like to I like

572
00:33:28,800 --> 00:33:32,000
Speaker 1: to go ahead and hug people or do like transactions

573
00:33:32,000 --> 00:33:35,640
Speaker 1: at a coffee shop with thumbs up. Oh yeah, okay,

574
00:33:35,720 --> 00:33:38,160
Speaker 1: so so everyone knows all the time that I'm being positive.

575
00:33:38,240 --> 00:33:42,280
Speaker 1: You will pay for food with a thumbs up. Yeah,

576
00:33:42,440 --> 00:33:45,800
Speaker 1: And it takes a little bit longer, yeah, because if

577
00:33:45,840 --> 00:33:48,320
Speaker 1: you slip at all, then suddenly the thumbs up has

578
00:33:48,320 --> 00:33:51,440
Speaker 1: blended down into whatever finger mash you. Yes, so you

579
00:33:51,560 --> 00:33:54,360
Speaker 1: have to cost money to go through your pockets and stuff.

580
00:33:54,360 --> 00:33:56,800
Speaker 1: It's a little bit of pawing. Yeah, you should if

581
00:33:56,840 --> 00:33:58,720
Speaker 1: you want to, you can try it sometime. It's actually

582
00:33:59,760 --> 00:34:03,920
Speaker 1: it actually helps with hand, well FuMB my coordination. Really.

583
00:34:04,280 --> 00:34:07,200
Speaker 1: I guess it would help to basically wear your pants

584
00:34:07,320 --> 00:34:10,000
Speaker 1: upside down. So then the money is already kind of

585
00:34:10,040 --> 00:34:11,080
Speaker 1: falling out a little bit.

586
00:34:11,239 --> 00:34:13,080
Speaker 2: Well, I keep the money in the bandages that I'm

587
00:34:13,160 --> 00:34:14,440
Speaker 2: using to hold my thumbs up.

588
00:34:15,040 --> 00:34:18,239
Speaker 1: Oh, you actually do it with you use the help

589
00:34:18,280 --> 00:34:21,040
Speaker 1: of like tape wrap. Yeah.

590
00:34:20,719 --> 00:34:24,120
Speaker 2: I strap a spandage or whatever around my thumbs to

591
00:34:24,200 --> 00:34:26,400
Speaker 2: lock them in that position, and they'll keep a little

592
00:34:26,400 --> 00:34:28,160
Speaker 2: cash in there, and I'll sort of work it out

593
00:34:28,160 --> 00:34:30,120
Speaker 2: with my mouth and while the cashier waits.

594
00:34:30,320 --> 00:34:32,200
Speaker 1: And it's very positive and people have to wait a

595
00:34:32,200 --> 00:34:33,319
Speaker 1: little bit longer.

596
00:34:33,719 --> 00:34:37,720
Speaker 2: Yeah, but they're waiting in this super pleasant environment where

597
00:34:37,840 --> 00:34:41,600
Speaker 2: everyone's being completely positive and double thumbs itch.

598
00:34:41,960 --> 00:34:45,680
Speaker 1: They're being thumbs up at. It's so nice that you'll

599
00:34:45,719 --> 00:34:48,719
Speaker 1: have this sort of historical document of the stuff that

600
00:34:48,800 --> 00:34:51,440
Speaker 1: you used to do, and we're just kind of getting

601
00:34:51,480 --> 00:34:55,440
Speaker 1: it all on record. I'm yes, before the procedure, the

602
00:34:55,520 --> 00:34:58,840
Speaker 1: character procedure. I am collecting it into a series of

603
00:34:58,880 --> 00:35:06,720
Speaker 1: scrap books. I learned from actually I learned from Hugh Hefner.

604
00:35:06,760 --> 00:35:10,279
Speaker 1: I heard that, Yeah, and I read the description when

605
00:35:10,320 --> 00:35:17,200
Speaker 1: he died. I just read the blurbs. What is our obituary?

606
00:35:17,360 --> 00:35:21,760
Speaker 1: Not basically our final podcast description. It's like a retrospective

607
00:35:21,920 --> 00:35:24,640
Speaker 1: coming up blurb. But I looked at that and it

608
00:35:24,680 --> 00:35:26,879
Speaker 1: was one of the interesting things. Actually, probably the most

609
00:35:26,920 --> 00:35:29,720
Speaker 1: interesting about him that I saw was that he made

610
00:35:30,200 --> 00:35:35,480
Speaker 1: scrap books of memorable things that happened. Really and so

611
00:35:35,719 --> 00:35:39,480
Speaker 1: we're doing that. Okay, are you sure? Are you possibly

612
00:35:39,520 --> 00:35:44,680
Speaker 1: thinking of a magazine? I just wanted I like, like,

613
00:35:44,760 --> 00:35:47,560
Speaker 1: when you say that he made these scrap books, I

614
00:35:47,600 --> 00:35:51,560
Speaker 1: wonder if you are getting confused that he was basically

615
00:35:51,600 --> 00:35:55,080
Speaker 1: a guy who published a magazine. Were the scrap books

616
00:35:55,080 --> 00:36:00,960
Speaker 1: that you photographs and then blurbs and photographs you lay

617
00:36:01,000 --> 00:36:03,759
Speaker 1: them out. We're very detailed with like a with an

618
00:36:04,480 --> 00:36:08,120
Speaker 1: exacto knife. Yes, and you lay it out with and

619
00:36:08,160 --> 00:36:10,239
Speaker 1: you glue it down very flat and try to make

620
00:36:10,239 --> 00:36:12,320
Speaker 1: sure there's no bubbles in the air or any and

621
00:36:12,640 --> 00:36:16,640
Speaker 1: then and there's a very very high resolution photocopying process

622
00:36:17,360 --> 00:36:19,480
Speaker 1: that makes it. And then you can print it onto

623
00:36:19,520 --> 00:36:26,239
Speaker 1: a very thin paper, yeah, very thin, crinkly paper. And

624
00:36:26,280 --> 00:36:29,560
Speaker 1: then basically there's there's four pages that form a sheet

625
00:36:29,800 --> 00:36:31,520
Speaker 1: and they're stapled in the middle and you fold them

626
00:36:31,560 --> 00:36:33,680
Speaker 1: over and that way your scrap book can be distributed

627
00:36:34,440 --> 00:36:36,640
Speaker 1: and anybody that wants to share them. And the stuff

628
00:36:36,640 --> 00:36:39,920
Speaker 1: that is happening to him, like you said, is mostly

629
00:36:39,960 --> 00:36:42,040
Speaker 1: frankly nude gams.

630
00:36:42,120 --> 00:36:44,680
Speaker 2: Yeah, well, or people have been to his house. Really,

631
00:36:44,880 --> 00:36:47,279
Speaker 2: it's just like company that he had over a lot

632
00:36:47,320 --> 00:36:50,360
Speaker 2: of times. There's gams, some of Charlie Wilson's favorite gams.

633
00:36:50,400 --> 00:36:54,040
Speaker 1: Sometimes you want to remember a great ad that you

634
00:36:54,120 --> 00:36:58,239
Speaker 1: saw in print and yeah, just remind you. You want

635
00:36:58,280 --> 00:37:01,840
Speaker 1: to remember the fun time you had with yeah smoking

636
00:37:01,880 --> 00:37:08,560
Speaker 1: menthol cigarettes sound like a peer, yeah yeah, or American Airlines,

637
00:37:08,719 --> 00:37:12,240
Speaker 1: or sometimes there would be like a cute little story

638
00:37:12,320 --> 00:37:15,600
Speaker 1: you would read in like Reader's Digest or something about

639
00:37:15,640 --> 00:37:19,120
Speaker 1: from some some some guy who's like, here, I'll I'll

640
00:37:19,120 --> 00:37:22,719
Speaker 1: tell you how it is. Yeah, you chuck that book. Yeah,

641
00:37:22,719 --> 00:37:25,400
Speaker 1: and you would just sort of just save that memory

642
00:37:25,400 --> 00:37:27,359
Speaker 1: in the scrap book and then you can sell it,

643
00:37:27,600 --> 00:37:29,800
Speaker 1: you know, to anybody who wants to share the memories

644
00:37:29,840 --> 00:37:31,759
Speaker 1: with you. I do want to leave time for you

645
00:37:31,840 --> 00:37:37,160
Speaker 1: to summarize your time, so we can't out. But we're

646
00:37:37,440 --> 00:37:39,760
Speaker 1: almost out of time for you to summarize your career,

647
00:37:39,880 --> 00:37:42,319
Speaker 1: and we do want to get just a little bit

648
00:37:42,320 --> 00:37:45,040
Speaker 1: more of it. So well, a lot of a lot

649
00:37:45,080 --> 00:37:48,280
Speaker 1: of this will live online in the James Domian Archives.

650
00:37:49,040 --> 00:37:55,560
Speaker 1: Oh online archives. Yeah, it's being it's being curated by

651
00:37:55,880 --> 00:38:01,040
Speaker 1: it's actually being curated by archive dot org, the way

652
00:38:01,040 --> 00:38:05,719
Speaker 1: Back Machine. Yeah, they're actually unfortunately I heard that they're

653
00:38:05,719 --> 00:38:09,640
Speaker 1: in danger of like being bought and terminated. But until

654
00:38:09,680 --> 00:38:12,359
Speaker 1: that happens, this will be a permanent archive that lives there. Kevin,

655
00:38:12,360 --> 00:38:14,560
Speaker 1: am I not giving you enough of a good picture?

656
00:38:16,040 --> 00:38:18,799
Speaker 1: Well that's not gonna change. You're standing there with a

657
00:38:18,840 --> 00:38:22,240
Speaker 1: camera until my hair, I know this is a he whispered.

658
00:38:22,280 --> 00:38:24,480
Speaker 1: Your hair is kind of messy. It's unpleasant for you

659
00:38:24,520 --> 00:38:26,359
Speaker 1: guys to be going through this right now. But as

660
00:38:26,440 --> 00:38:29,160
Speaker 1: a fan of the descriptions of the podcast. When you

661
00:38:29,239 --> 00:38:31,840
Speaker 1: see these real moments in the room.

662
00:38:32,040 --> 00:38:34,680
Speaker 2: This, you see the photos get taken, you gotta be

663
00:38:34,760 --> 00:38:35,359
Speaker 2: fanning out.

664
00:38:35,520 --> 00:38:39,000
Speaker 1: Yeah, I really, I really am. You see what it's like. Wow,

665
00:38:39,040 --> 00:38:41,120
Speaker 1: I'm on the other side of the scrap book. That's

666
00:38:41,160 --> 00:38:43,640
Speaker 1: how you get the Yeah, and how were my photos?

667
00:38:44,000 --> 00:38:47,719
Speaker 1: Everything's good? It's from my helmet? Should I wear? Are

668
00:38:47,760 --> 00:38:51,200
Speaker 1: my helmets? So I can be the scooty cutie and

669
00:38:51,239 --> 00:38:54,680
Speaker 1: you can just go ahead and start just like get

670
00:38:54,719 --> 00:39:00,439
Speaker 1: into just we gotta get this all on pace. Rip it. Yeah,

671
00:39:00,440 --> 00:39:06,480
Speaker 1: obviously there's My career has uh, it's it's been storied.

672
00:39:07,080 --> 00:39:13,480
Speaker 1: Spin it out. I've been on TV and I've done plays,

673
00:39:14,239 --> 00:39:18,560
Speaker 1: so that I wanted to ask about, how the heck

674
00:39:18,640 --> 00:39:21,680
Speaker 1: did you do that? It was a lot of work, Yeah,

675
00:39:21,680 --> 00:39:23,239
Speaker 1: to try to pull off at the same time, to

676
00:39:23,320 --> 00:39:26,359
Speaker 1: do so much of so much play at the same time.

677
00:39:27,000 --> 00:39:33,720
Speaker 1: Play and also a completely different media switching gears intoing

678
00:39:35,000 --> 00:39:39,760
Speaker 1: movies talk about play and also TV, which is movies

679
00:39:39,800 --> 00:39:43,720
Speaker 1: that are less important and more poorly written.

680
00:39:43,760 --> 00:39:47,799
Speaker 2: I guess, hey, pal, I think actually some of the

681
00:39:47,840 --> 00:39:50,440
Speaker 2: best writing out there is on TV right now.

682
00:39:51,160 --> 00:39:53,560
Speaker 1: Anybody say that you ever see uh.

683
00:39:53,760 --> 00:40:00,879
Speaker 3: Ghosted, go ahead and check for your I saw that one.

684
00:40:01,680 --> 00:40:04,719
Speaker 3: A little episode called lockdown might have been written.

685
00:40:04,440 --> 00:40:07,319
Speaker 1: By somebody you'd be interested in. I do think that

686
00:40:07,560 --> 00:40:09,799
Speaker 1: episode five because they had to keep him in the

687
00:40:09,880 --> 00:40:11,280
Speaker 1: room for the early ones.

688
00:40:11,480 --> 00:40:15,600
Speaker 2: Yes that yes, people go, oh high ringing writer in

689
00:40:15,640 --> 00:40:17,520
Speaker 2: there when you have gotten one of the first two

690
00:40:17,600 --> 00:40:17,919
Speaker 2: or three.

691
00:40:18,480 --> 00:40:21,080
Speaker 1: No, they need me there at the beginning. I think

692
00:40:21,120 --> 00:40:24,160
Speaker 1: that bar of the room bar rescue ranks right up

693
00:40:24,200 --> 00:40:27,560
Speaker 1: there with some of the greatest works of like Kubrick

694
00:40:27,640 --> 00:40:31,920
Speaker 1: and Tarkowski. I think it's high high art.

695
00:40:33,560 --> 00:40:37,880
Speaker 2: Uh well, speaking of high art.

696
00:40:37,880 --> 00:40:43,080
Speaker 1: It's called marriage rescuing. Oh, I saw that. I saw that. Yeah,

697
00:40:43,200 --> 00:40:46,160
Speaker 1: it's for I guess people that are married to get

698
00:40:46,280 --> 00:40:49,280
Speaker 1: yelled at ta. Yeah.

699
00:40:49,320 --> 00:40:52,880
Speaker 2: And so he's like, maybe the secret to the happy

700
00:40:52,920 --> 00:40:54,720
Speaker 2: marriage is a round ice cube.

701
00:40:55,400 --> 00:40:58,040
Speaker 1: Mmm, something that he would offer them a lot. Your

702
00:40:58,160 --> 00:41:04,600
Speaker 1: bedroom needs more TV. Thank you for editing that so smoothly.

703
00:41:06,800 --> 00:41:09,799
Speaker 1: You really do have a helmet, yeah, nutcase on it.

704
00:41:09,840 --> 00:41:11,920
Speaker 1: And don't even think of saying that I am a

705
00:41:12,000 --> 00:41:20,040
Speaker 1: nut case. I wasn't going to. Is that a skiing helmet? No,

706
00:41:20,080 --> 00:41:23,880
Speaker 1: it's not a skiing helmet unless I'm it's going downhill.

707
00:41:23,960 --> 00:41:26,640
Speaker 1: It's an all purse anything skiing helmet off your ski

708
00:41:26,719 --> 00:41:29,879
Speaker 1: in it. Yeah, they should have a lift that when

709
00:41:29,920 --> 00:41:33,440
Speaker 1: we do thank you scooter adventures downhill, there's lifts that

710
00:41:33,520 --> 00:41:35,840
Speaker 1: takes you back up. There should be a city lift

711
00:41:36,000 --> 00:41:38,240
Speaker 1: and then you choose your own adventures either.

712
00:41:38,120 --> 00:41:40,520
Speaker 2: Way or are you read this should have a ski

713
00:41:40,640 --> 00:41:41,960
Speaker 2: lift next to it.

714
00:41:41,960 --> 00:41:43,520
Speaker 1: It doesn't have to be one with like a It

715
00:41:43,520 --> 00:41:45,160
Speaker 1: doesn't have to be a chair lift. It can just

716
00:41:45,200 --> 00:41:46,680
Speaker 1: be one of those ones where I hold on to

717
00:41:46,760 --> 00:41:49,680
Speaker 1: the rope jlyft is that what it's called, or a

718
00:41:49,719 --> 00:41:53,920
Speaker 1: te lift and kind of squeeze the scooter between my legs. Yeah,

719
00:41:54,360 --> 00:41:56,360
Speaker 1: and then you have You could even go shopping and

720
00:41:56,400 --> 00:41:58,360
Speaker 1: have your grocery bags and stuff and then be like

721
00:41:58,400 --> 00:42:01,919
Speaker 1: hold on, hold on, hold on, hold on, Yeah, time

722
00:42:02,000 --> 00:42:04,960
Speaker 1: I the rope and then just kind of hold on

723
00:42:05,080 --> 00:42:08,200
Speaker 1: and to accomplish all that, Yeah, a bunch of grocery bags,

724
00:42:08,239 --> 00:42:11,840
Speaker 1: a scooter getting on a lift with your thumbs up. Yeah,

725
00:42:12,120 --> 00:42:16,280
Speaker 1: either taped or you know, through physical acuity.

726
00:42:16,480 --> 00:42:20,160
Speaker 2: How insane must the change and quality of life for

727
00:42:20,320 --> 00:42:23,759
Speaker 2: skiers have been when they put chair lifts in everywhere?

728
00:42:24,680 --> 00:42:28,439
Speaker 1: You know what I mean? Instead like that's probably where

729
00:42:28,480 --> 00:42:29,640
Speaker 1: society peaked.

730
00:42:30,520 --> 00:42:34,120
Speaker 2: Yeah, I just feel like that was maybe the most

731
00:42:34,200 --> 00:42:37,560
Speaker 2: drastic quality of life increase for a group of humans.

732
00:42:38,520 --> 00:42:41,160
Speaker 1: Well before that has happened. Before that, they were just

733
00:42:41,200 --> 00:42:46,960
Speaker 1: walking in Norway. Skiing was like a terrible chore must

734
00:42:47,880 --> 00:42:49,840
Speaker 1: You would leave your skis down at the bottom of

735
00:42:49,880 --> 00:42:52,400
Speaker 1: the hill and then you have to make new ones

736
00:42:52,800 --> 00:42:56,480
Speaker 1: every time. It's honestly like the the equivalent of you

737
00:42:56,520 --> 00:43:01,239
Speaker 1: doing impressions now where you have to yeah, where you

738
00:43:01,320 --> 00:43:05,799
Speaker 1: have to like stop everything that you're doing and go

739
00:43:05,960 --> 00:43:08,560
Speaker 1: do like this incredibly long problem.

740
00:43:08,520 --> 00:43:12,360
Speaker 2: Multi day commitment to then have what amounts to a

741
00:43:12,480 --> 00:43:13,240
Speaker 2: minute of fun.

742
00:43:18,200 --> 00:43:22,880
Speaker 1: It probably had its origins in in you know, running

743
00:43:22,880 --> 00:43:26,160
Speaker 1: to reach people the same way that the entertainment does,

744
00:43:27,520 --> 00:43:31,200
Speaker 1: wanting to reach people, wanting to take these stories. There

745
00:43:31,239 --> 00:43:35,120
Speaker 1: are stories and take stories that we grew up with.

746
00:43:35,200 --> 00:43:39,000
Speaker 1: Take these stories, these these narratives, these story arcs like

747
00:43:39,480 --> 00:43:44,000
Speaker 1: like Winnie the Pooh, and honestly doesn't work what I'm

748
00:43:44,000 --> 00:43:48,320
Speaker 1: saying with any specifics. There's no specific No, it's just specific.

749
00:43:48,440 --> 00:43:50,960
Speaker 1: It's the way that it's the way that sort of

750
00:43:51,040 --> 00:43:55,439
Speaker 1: I think great filmmakers and great television makers when they

751
00:43:55,640 --> 00:44:00,399
Speaker 1: are trying to brag and yet also, you know, not right,

752
00:44:00,400 --> 00:44:02,440
Speaker 1: because that turned some people off. But he said, these

753
00:44:02,440 --> 00:44:04,640
Speaker 1: are the stories of our lives. These are these are

754
00:44:04,680 --> 00:44:06,719
Speaker 1: these stories, and it's just an honor to be able

755
00:44:06,760 --> 00:44:10,839
Speaker 1: to to share them, carry this tradition of story. And

756
00:44:10,840 --> 00:44:12,520
Speaker 1: what you that when you say it like that, what

757
00:44:12,640 --> 00:44:14,320
Speaker 1: you leave out is the fact that you're making a

758
00:44:14,360 --> 00:44:18,560
Speaker 1: lot of money from it. That you're like that, you're

759
00:44:18,600 --> 00:44:20,920
Speaker 1: treating people harshly to pull it off or whatever, and

760
00:44:20,960 --> 00:44:23,120
Speaker 1: you're not good at it, but also not good at it,

761
00:44:23,120 --> 00:44:25,480
Speaker 1: you know, and the show you're making is But when

762
00:44:25,480 --> 00:44:27,360
Speaker 1: I think about people don't like it, you can always

763
00:44:27,400 --> 00:44:29,960
Speaker 1: blame the stories, blame the myths that you put it from.

764
00:44:30,080 --> 00:44:30,760
Speaker 1: When I think.

765
00:44:30,640 --> 00:44:37,359
Speaker 2: About episode one oh five of Ghost at Lockdown, you know,

766
00:44:37,440 --> 00:44:41,000
Speaker 2: for me, that was never about the money. You know,

767
00:44:41,120 --> 00:44:44,080
Speaker 2: that was at the absolute furthest from my mind was

768
00:44:44,080 --> 00:44:50,000
Speaker 2: the money. Now, it was honoring the characters. Any Carver

769
00:44:51,440 --> 00:44:52,400
Speaker 2: weapons specialist.

770
00:44:52,440 --> 00:44:56,120
Speaker 1: Now, when I hear an episode title lockdown, my head

771
00:44:56,200 --> 00:45:01,640
Speaker 1: goes to uh bottle episode trying to save a little

772
00:45:01,640 --> 00:45:08,680
Speaker 1: budget on this one? Okay, yes, and no, what's locking

773
00:45:08,680 --> 00:45:15,520
Speaker 1: them down? A freaking creature? Okay, being the ghost? The

774
00:45:15,560 --> 00:45:19,200
Speaker 1: title is a bit of a misnomber. It was not

775
00:45:19,360 --> 00:45:23,680
Speaker 1: ghosts specifically they were dealing with in most or in

776
00:45:23,719 --> 00:45:27,759
Speaker 1: fact any of the episodes, but there was sort of

777
00:45:27,760 --> 00:45:30,719
Speaker 1: a supernatural element, and you'll agree that ghosts are like that.

778
00:45:31,000 --> 00:45:32,800
Speaker 1: It would have been really nice if at the time

779
00:45:32,960 --> 00:45:36,640
Speaker 1: there were like a cool phrase in the zeitgeist that

780
00:45:37,200 --> 00:45:41,799
Speaker 1: was something like alien, because that imagine that would have

781
00:45:41,960 --> 00:45:49,400
Speaker 1: done a lot for us, Yes, or like funny X files.

782
00:45:50,040 --> 00:45:50,960
Speaker 1: If that had been.

783
00:45:52,480 --> 00:45:55,399
Speaker 2: Like somebody stopped texting you they go like, ah, eh,

784
00:45:56,120 --> 00:45:59,160
Speaker 2: freaking jerk, just funny X files to me, And then

785
00:45:59,320 --> 00:46:03,760
Speaker 2: that that would have It's so easy have more easily

786
00:46:03,800 --> 00:46:07,000
Speaker 2: transitioned into what we were trying to do there.

787
00:46:07,600 --> 00:46:10,600
Speaker 1: Your name of your show, sure certainly is based on

788
00:46:11,280 --> 00:46:15,240
Speaker 1: like a cool phrase. Under Culture was actually the last

789
00:46:15,320 --> 00:46:18,800
Speaker 1: phrase that hadn't been taken up. It's the last title

790
00:46:18,960 --> 00:46:23,520
Speaker 1: by a band or a website. There is another thing

791
00:46:23,560 --> 00:46:29,080
Speaker 1: called the underculture. Sure, and it's yeah, it's it's you know,

792
00:46:29,480 --> 00:46:33,719
Speaker 1: well it's a restaurant in London. Yeah, yeah, sure. And

793
00:46:33,760 --> 00:46:36,320
Speaker 1: what do they serve mushrooms and fungus. It's a fungus.

794
00:46:38,200 --> 00:46:42,439
Speaker 1: Have you thought about what the last thing they they get?

795
00:46:42,520 --> 00:46:46,360
Speaker 1: They get bad marks they get poor rather poor marks.

796
00:46:47,200 --> 00:46:53,160
Speaker 1: No think John taverg got to pop in over there. Yeah, guys,

797
00:46:53,160 --> 00:46:57,640
Speaker 1: come on, you do it well. See you tried to

798
00:46:57,640 --> 00:47:01,520
Speaker 1: do it live just now. That's why we don't. He

799
00:47:01,560 --> 00:47:07,360
Speaker 1: didn't take the people start. You hit on my wife.

800
00:47:08,120 --> 00:47:10,920
Speaker 1: My wife came in here because I told her to

801
00:47:11,120 --> 00:47:14,120
Speaker 1: flirt with you. And then you don't hit on my wife.

802
00:47:14,719 --> 00:47:20,920
Speaker 1: You call this a bar. You're disgusting. That's I mean,

803
00:47:20,960 --> 00:47:24,600
Speaker 1: that took a while longer, but a long time arguably

804
00:47:24,920 --> 00:47:29,239
Speaker 1: no better it was. It was a little better. Thank you,

805
00:47:29,719 --> 00:47:32,040
Speaker 1: thank you. What is the last thing they're gonna do?

806
00:47:32,080 --> 00:47:35,960
Speaker 1: The listener hears that. The listener hears that, dude or

807
00:47:36,000 --> 00:47:39,319
Speaker 1: the reader of the ye're saying thank you. Yeah, what's

808
00:47:39,360 --> 00:47:41,360
Speaker 1: the last thing you're gonna do? Is Jim? Thank you

809
00:47:41,360 --> 00:47:42,080
Speaker 1: to that as well?

810
00:47:42,200 --> 00:47:46,040
Speaker 2: Yeah, what's Jim's big farewell Viking funeral for Jim's personality?

811
00:47:46,320 --> 00:47:53,200
Speaker 1: Yeah, you know they did that with odoris Arungus from

812
00:47:53,239 --> 00:47:58,839
Speaker 1: from that great bandar Thank you, thank you. I can't

813
00:47:58,840 --> 00:48:02,560
Speaker 1: believe that I forgot and remember, I guess that is

814
00:48:02,640 --> 00:48:05,200
Speaker 1: pretty weird. Most people, it's the other way. Most people.

815
00:48:05,239 --> 00:48:08,440
Speaker 1: It's the guy from gar Uh. Yeah, they did a

816
00:48:08,520 --> 00:48:14,239
Speaker 1: Viking funeral for his for his personal and and I've

817
00:48:14,320 --> 00:48:16,799
Speaker 1: always like that would be so attractive to me. But

818
00:48:16,880 --> 00:48:20,200
Speaker 1: to get rid of my real person and only become

819
00:48:20,560 --> 00:48:25,240
Speaker 1: the shell and only become a sleeker, faster operating version

820
00:48:25,400 --> 00:48:28,799
Speaker 1: of these characters that I've shifted into so laboriously, Yeah,

821
00:48:29,920 --> 00:48:34,000
Speaker 1: I think I I always liked the aesthetic of the

822
00:48:34,000 --> 00:48:36,879
Speaker 1: the fire funeral that Darth Vader gets at the end

823
00:48:36,920 --> 00:48:41,480
Speaker 1: of the Star Wars originals, and I want to do that,

824
00:48:41,600 --> 00:48:46,160
Speaker 1: but it's my real physical body him. It's like being

825
00:48:46,680 --> 00:48:49,600
Speaker 1: in lava basically, Isn't that what kind of happens to him?

826
00:48:49,760 --> 00:48:53,040
Speaker 1: He goes into the love that's standard wood Pire funeral Pyre,

827
00:48:53,320 --> 00:48:57,399
Speaker 1: Oh okay, are you thinking of determinator? Yeah? I think,

828
00:48:57,440 --> 00:48:59,880
Speaker 1: well he gives it thumbs up. Ah, I mean that

829
00:49:00,040 --> 00:49:03,080
Speaker 1: it is what I would you go down? Yeah, you'd

830
00:49:03,080 --> 00:49:06,799
Speaker 1: be thumbs up. Lowered they did there. That was an

831
00:49:06,840 --> 00:49:12,080
Speaker 1: alternate version where they lower Darth Vader into lava. That

832
00:49:13,000 --> 00:49:15,960
Speaker 1: multi steel. I guess it is the terminator and it's

833
00:49:16,000 --> 00:49:19,879
Speaker 1: the thumbs up. It's the thumbs up, but it's taped. Yeah,

834
00:49:19,960 --> 00:49:23,040
Speaker 1: you can tell. What's the last thing you're gonna say?

835
00:49:23,480 --> 00:49:28,920
Speaker 1: As James Well, I guess this is an interesting part

836
00:49:29,000 --> 00:49:33,359
Speaker 1: because some of that is up to you. Guys, this

837
00:49:33,440 --> 00:49:35,839
Speaker 1: is the big dismount. Well, yeah, I know, but but

838
00:49:35,920 --> 00:49:38,520
Speaker 1: we don't have we haven't been telling you what to say.

839
00:49:39,080 --> 00:49:46,080
Speaker 1: I'm always tried feel I don't take direction. I don't

840
00:49:46,120 --> 00:49:50,160
Speaker 1: take direction unless I'm ostentatiously taking direction. And how does

841
00:49:50,200 --> 00:49:54,279
Speaker 1: that work when you are ostentatiously taking direction? What does

842
00:49:54,320 --> 00:49:57,560
Speaker 1: that sound like? It sounds like, oh, well, then if

843
00:49:57,600 --> 00:49:59,000
Speaker 1: you know so much, you can tell me how to

844
00:49:59,000 --> 00:50:03,440
Speaker 1: do it, right. I think a lot of this is

845
00:50:03,480 --> 00:50:05,359
Speaker 1: in your hands. I think that a lot of this

846
00:50:05,400 --> 00:50:07,279
Speaker 1: is in the hands of the final edits. We get

847
00:50:07,280 --> 00:50:10,640
Speaker 1: to those magical creatures behind the glass. Sure, they get

848
00:50:10,680 --> 00:50:14,000
Speaker 1: to decide. They could pull you saying thank you for example,

849
00:50:15,000 --> 00:50:17,280
Speaker 1: like five minutes ago, and that could be the last

850
00:50:17,320 --> 00:50:20,480
Speaker 1: thing that anyone ever hears you say. And it's I

851
00:50:20,520 --> 00:50:23,880
Speaker 1: almost embraced this mystery. Wow, I almost. I don't to me,

852
00:50:24,960 --> 00:50:28,640
Speaker 1: someone who's thought about these issues and these stories and

853
00:50:28,760 --> 00:50:33,160
Speaker 1: the Smiths and these characters so much, I don't need

854
00:50:33,200 --> 00:50:35,799
Speaker 1: the closure. I don't need to answer for me. The

855
00:50:35,920 --> 00:50:39,319
Speaker 1: journey is the journey, okay, And you don't want it

856
00:50:39,320 --> 00:50:44,839
Speaker 1: to be something funny, Like, how could it be? How

857
00:50:44,920 --> 00:50:46,080
Speaker 1: could how could it be?

858
00:50:48,680 --> 00:50:52,880
Speaker 2: When people ask me, like, why wasn't that last podcast

859
00:50:52,920 --> 00:50:53,880
Speaker 2: episode you did funny?

860
00:50:54,800 --> 00:50:58,080
Speaker 1: I go, how could it be? Honestly, how could it be?

861
00:50:58,480 --> 00:51:00,440
Speaker 1: What would have been? What would have been? And making

862
00:51:00,480 --> 00:51:04,840
Speaker 1: it funny? Certainly not something I'm doing. Yeah, they shouldn't.

863
00:51:05,160 --> 00:51:07,319
Speaker 1: I mean, he's has a lot of other stuff going on.

864
00:51:07,360 --> 00:51:12,160
Speaker 1: You saw in the description. You saw the description about

865
00:51:12,160 --> 00:51:12,920
Speaker 1: what it was going to be.

866
00:51:13,719 --> 00:51:16,160
Speaker 2: Yeah, I want to take a page out of James's book. Yeah,

867
00:51:16,800 --> 00:51:19,279
Speaker 2: read the description, scroll on.

868
00:51:20,400 --> 00:51:21,920
Speaker 1: It helps you to be able to talk about it.

869
00:51:23,080 --> 00:51:24,520
Speaker 1: But yeah, I'm gonna be it. I'm gonna be at

870
00:51:24,560 --> 00:51:27,719
Speaker 1: under culture. We've got uh, we've got six weeks before

871
00:51:27,760 --> 00:51:30,920
Speaker 1: that starts to fail and break down and think yeah,

872
00:51:31,880 --> 00:51:34,040
Speaker 1: so by and so by the time people are hearing this, Yeah,

873
00:51:34,360 --> 00:51:38,160
Speaker 1: four weeks until it fails. Well maybe even maybe even

874
00:51:38,239 --> 00:51:41,719
Speaker 1: rounding right about rounding third base? Just okay? Yeah, And

875
00:51:41,840 --> 00:51:44,000
Speaker 1: is there a way to get your the old parts

876
00:51:44,040 --> 00:51:46,680
Speaker 1: of your brain? Backer? Like, have you thought about that?

877
00:51:48,040 --> 00:51:51,600
Speaker 1: It is a it's a semi permanent procedure, so it

878
00:51:51,600 --> 00:51:59,040
Speaker 1: would take it would take massive levels of like therapeutic meditation. Yeah,

879
00:51:59,200 --> 00:52:04,239
Speaker 1: so you can Paninia sandwich. Well, what happens is there's

880
00:52:04,280 --> 00:52:07,759
Speaker 1: almost like a George Foreman grill where the fat runs out,

881
00:52:07,800 --> 00:52:11,840
Speaker 1: except that's my individual They're squeezing out of my ears

882
00:52:11,840 --> 00:52:16,840
Speaker 1: and stuff will be like it'll be the parts of

883
00:52:17,080 --> 00:52:19,800
Speaker 1: me that that people know as me, which to me,

884
00:52:20,360 --> 00:52:22,960
Speaker 1: I think I've had a great run. You know. I

885
00:52:23,040 --> 00:52:25,479
Speaker 1: think all you have to do is you take the

886
00:52:25,680 --> 00:52:29,279
Speaker 1: part that dripped out, you pour it back on the

887
00:52:29,320 --> 00:52:33,840
Speaker 1: stair brain that'sl and you basically put it in horrid

888
00:52:34,000 --> 00:52:36,160
Speaker 1: like you put it in vertically, you know how it's

889
00:52:36,200 --> 00:52:38,080
Speaker 1: been kind of made flat. You just kind of stand

890
00:52:38,120 --> 00:52:40,600
Speaker 1: it up and then you press it again and the

891
00:52:41,640 --> 00:52:45,040
Speaker 1: shape a little bit. Yeah. I am going to keep

892
00:52:45,080 --> 00:52:48,520
Speaker 1: the runoff in uh, not in the freezer because that

893
00:52:48,600 --> 00:52:50,440
Speaker 1: might chemically change it, but just in the back of

894
00:52:50,440 --> 00:52:53,920
Speaker 1: the refrigerator and so maybe it'll congeal a little bit. Yeah,

895
00:52:54,200 --> 00:52:55,959
Speaker 1: and you'll be able to see some You'll be able

896
00:52:55,960 --> 00:52:58,640
Speaker 1: to see like my glasses, it'll.

897
00:53:00,160 --> 00:53:00,319
Speaker 3: You know.

898
00:53:00,600 --> 00:53:05,600
Speaker 1: Yeah, this is also a lasic simultaneous. I'm hoping. I'm

899
00:53:05,640 --> 00:53:08,240
Speaker 1: hoping that it's like a cartoon like when, for example,

900
00:53:08,360 --> 00:53:13,640
Speaker 1: Orco gets dehydrated or whatever from the cartoons Orco was

901
00:53:13,680 --> 00:53:18,160
Speaker 1: also in guar uh to make you remember that the

902
00:53:18,239 --> 00:53:21,160
Speaker 1: character is still the character. There's whatever distinguishing thing, like

903
00:53:21,200 --> 00:53:23,560
Speaker 1: the glasses in the eyes are still on the glass

904
00:53:23,600 --> 00:53:25,920
Speaker 1: of whatever. Can I offer you a life hack? Please

905
00:53:26,440 --> 00:53:30,120
Speaker 1: take the take the runoff and put it in the

906
00:53:30,160 --> 00:53:35,040
Speaker 1: ice cube tray, and then it's flavoring your bloodies and

907
00:53:35,080 --> 00:53:39,080
Speaker 1: each little each little ice cube will have a mustache

908
00:53:39,239 --> 00:53:43,960
Speaker 1: and glass, but they're still staying cold without putting like

909
00:53:44,000 --> 00:53:46,640
Speaker 1: the warm runoff in there. Oh, you put some of

910
00:53:46,640 --> 00:53:50,360
Speaker 1: that in a lamerita, and then somebody can have a

911
00:53:50,400 --> 00:53:52,440
Speaker 1: little you know, if you want, if you want to

912
00:53:52,480 --> 00:53:54,120
Speaker 1: drink on the rocks, you can have a little bit

913
00:53:54,120 --> 00:53:58,640
Speaker 1: of a little bit of gems. Thank you, Jims. I

914
00:53:58,680 --> 00:54:05,360
Speaker 1: believe I'll have a cazadoris and gym. Bye, Hollywood, Hamburg,

915
00:54:14,840 --> 00:54:15,160
Speaker 1: mhm