WEBVTT - Time Flies ("Goodbye" S3 EP 22)

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<v Speaker 1>And That's what You Really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what You Really miss podcast.

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<v Speaker 2>Hello Dun Dun Dune and we've made it.

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<v Speaker 1>Jenna, Oh my god, we're here.

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<v Speaker 2>Can you believe it?

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<v Speaker 3>I actually can't. It's flown by.

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<v Speaker 2>I just feel like like pumping the brakes.

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<v Speaker 1>I am excited for four them. I'm not gonna lie,

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<v Speaker 1>but this is crazy.

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<v Speaker 3>We're three or three? That's crazy.

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<v Speaker 1>We are sprinting through this show. It feels like are

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<v Speaker 1>we Yeah? It certainly feels that way.

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<v Speaker 2>And also because the last few episodes have just been

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<v Speaker 2>so like full of anticipation. Yes, so I've just wanted

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<v Speaker 2>to keep going. Say, it's just been speeding up. Same, Well,

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<v Speaker 2>we're sting. I met myself to an episode a week.

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<v Speaker 1>But I get like I do like one and a half.

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<v Speaker 4>I do one and then half of the second the

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<v Speaker 4>next one, same exacts.

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<v Speaker 1>Okay, Well, here we are is the season three episode

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<v Speaker 1>twenty two, and this is goodbye. And this is crazy

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<v Speaker 1>because it feels like a series finale. It feels like

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<v Speaker 1>a very real goodbye. It did feel that way as

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<v Speaker 1>well when we shot it, did it? Oh yeah, in

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<v Speaker 1>very particular, I'm okay. It made me feel like the

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<v Speaker 1>end of the series, like how I felt then. That's

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<v Speaker 1>what I kept thinking of, and that's what it felt

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<v Speaker 1>like while we were shooting in as well. To me,

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<v Speaker 1>We'll get there.

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<v Speaker 2>So this is season three, episode twenty two Goodbye, the

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<v Speaker 2>season three finale. It aired on May twenty second, twenty twelve.

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<v Speaker 2>That's a lot of twos. The number one movie in

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<v Speaker 2>the country was Avengers per huge. Somebody used to know

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<v Speaker 2>it was still the number one song per huge, but Jenna,

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<v Speaker 2>there was some great Glee news this week.

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<v Speaker 1>There was. It was very exciting. On May fourteenth, it

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<v Speaker 1>was announced that Kate Hudson and Sarah Jisca Parker would

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<v Speaker 1>be joining Are You Kidding for season four, both multi

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<v Speaker 1>episode arcs, and also they announced that our show would

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<v Speaker 1>be moving to Thursday nights and the new season would

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<v Speaker 1>be a show within a show since key characters were graduating.

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<v Speaker 1>Now Kevin is the numbers guy. What did you feel

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<v Speaker 1>or do you remember what you thought when we moved

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<v Speaker 1>to Thursday nights?

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<v Speaker 2>Was that a good thing or a bad thing? Moving

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<v Speaker 2>dates is always tricky? Yeah, And I remember being like,

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<v Speaker 2>because our numbers started to go down. So it's sort

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<v Speaker 2>of like a how can we get this re energized?

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<v Speaker 2>And so they moved you to a Thursday. I don't

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<v Speaker 2>remember what we were paired with, but they usually it's

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<v Speaker 2>like because we were following American Idol for a while

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<v Speaker 2>and then we didn't need a lead in because we

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<v Speaker 2>were a big show, and then we became the leading

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<v Speaker 2>they moved us an hour earlier X Factor, Yes happened,

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<v Speaker 2>and the X Factor didn't do well. It did not,

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<v Speaker 2>but it was a lot of me every Thursday night

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<v Speaker 2>because I was doing these Pepsi commercials. That's had every

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<v Speaker 2>like ad break for X Factor, and then it was Glee,

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<v Speaker 2>so we.

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<v Speaker 1>Love that for you. Yeah, I love you doing Pepsi commercials.

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<v Speaker 1>It's like Britney Spears is doing her Honestly, it was

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<v Speaker 1>the biggest dream come true when because also like why

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<v Speaker 1>would they pick me out of all the Glee cats?

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<v Speaker 1>Like someone they approached me? They did?

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<v Speaker 2>Could you could have literally I'm number eight on the

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<v Speaker 2>call sheet. You had one through seven to go through.

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<v Speaker 2>It was very strange and because yes, growing up like

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<v Speaker 2>the pop stars did the Pepsi commercials huge, huge, huge.

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<v Speaker 2>It was bad though, just a quick little story about

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<v Speaker 2>this because it was like one of the biggest dreams

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<v Speaker 2>come true. So I did the first commercial in New York.

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<v Speaker 2>It was fine, great, whatever, then like we want to

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<v Speaker 2>do more. It's like yes, And so I shot until

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<v Speaker 2>I don't know, nine or ten at night on a Friday,

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<v Speaker 2>got on a red eye, flew to New York. They

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<v Speaker 2>had never they never sent me the script for the

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<v Speaker 2>new and you know, when you do these types of things,

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<v Speaker 2>it's a lot of jargon, like talking about contests, talking

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<v Speaker 2>about like whatever it may be.

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<v Speaker 3>This was like walking backstage and stuff. Right, yes, that's right.

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<v Speaker 2>And so I was. I landed at like JFK wherever

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<v Speaker 2>I opened my phone, I have an email of and

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<v Speaker 2>I'm going straight from the airport to set God Kevin Jenna.

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<v Speaker 2>It was so much dialogue and I was by that

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<v Speaker 2>point we were like pretty quick at memorizing.

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<v Speaker 3>Yeah, yeah, yeah.

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<v Speaker 2>And because it was not a character, so there's no

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<v Speaker 2>story to it, which helps you memorize. It's just words

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<v Speaker 2>and nothing was staking and you know how, I am

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<v Speaker 2>on no sleep, I am not well, and so I was.

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<v Speaker 2>It's one of the most unprofessional experiences of my life

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<v Speaker 2>on my part because I could not deliver. I understand

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<v Speaker 2>that feeling. Oh my guys, I'm going to need some

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<v Speaker 2>cheat sheets, so can we. So then we just had

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<v Speaker 2>to print them out and like put them on this

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<v Speaker 2>little thing in front of me, and I was just reading,

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<v Speaker 2>Oh my god, like glazed over. Just hey, we used

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<v Speaker 2>them to be and pepsi commercials. Truly, that's the worst though,

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<v Speaker 2>I guess. I just I was like, you know, to

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<v Speaker 2>do those things, you have to go through all these

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<v Speaker 2>corporate like people to sign off on it, and there

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<v Speaker 2>you are, finally doing it, and you can't say your words.

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<v Speaker 1>Get it together? Well, getting them that morning also adds

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<v Speaker 1>stress and adrenaline, and it's never a good thing.

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<v Speaker 2>Yeah, because so like they pay you a good amount

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<v Speaker 2>of money for those things, and totally that makes you

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<v Speaker 2>just like, oh, that's stupid, Okay, I have to make

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<v Speaker 2>sure I really show up and do it.

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<v Speaker 3>Totally.

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<v Speaker 1>There's one of those that happens on Glee with like

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<v Speaker 1>some lines that I have. It's like a big monologue

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<v Speaker 1>and I couldn't get through it and I was sweating

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<v Speaker 1>and people had to like read it to me, which

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<v Speaker 1>started making it even worse. We'll get there at some point,

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<v Speaker 1>I'm sure it's coming anyway. This was directed by the

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<v Speaker 1>one and only Brad foul Chuck and in some of

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<v Speaker 1>these bat behind the scenes videos he looks so funny,

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<v Speaker 1>like so young. He's got scruff and really long hair,

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<v Speaker 1>and I was like, is that Brad? Yeah, after writing

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<v Speaker 1>twenty two episodes, that's what you look like. Yeah, that's

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<v Speaker 1>exactly two exceptional. This was also directed by Brad and

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<v Speaker 1>written by Bradfeulchuk. On the page, we have the wonderful

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<v Speaker 1>glorias to have fun and these songs are great.

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<v Speaker 2>They're great, and they're so many good songs.

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<v Speaker 1>It's great. There's some grains on that. Okay, so we

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<v Speaker 1>are forever young. I'll remember, I remember. Oh you get

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<v Speaker 1>what you give. Everyone gets an every time in my

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<v Speaker 1>life Glory Days. We got a Bruce Springsteen one in there.

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<v Speaker 2>Finally for Brad, he had a direct one.

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<v Speaker 1>We're using Roots before Branches and sit Down. Rocking the

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<v Speaker 1>Boat was also featured, which we did again did you

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<v Speaker 1>see my Life?

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<v Speaker 2>Sure sounded like it.

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<v Speaker 1>Yeah, it sounded like we're saying about live.

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<v Speaker 3>Can't find it this feeling.

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<v Speaker 1>Arispeed Bagman was also a flashback and single Ladies.

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<v Speaker 2>It's a lot of music. Something we've learned because I

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<v Speaker 2>might have. You and I had a strong visceral reaction

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<v Speaker 2>to when Jake Shane was on talking about Roots before Branches.

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<v Speaker 1>Right, and we were like, is this a reun joy

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<v Speaker 1>run Kevin, Yeah, where fans have really let their voices

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<v Speaker 1>be heard on this one and Roots before Branches.

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<v Speaker 2>Is like a beloved song by the fans.

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<v Speaker 1>Now, Okay, I understand it's a Rachel Berry song. It's

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<v Speaker 1>beautifully sung. It's a pretty song. I think attaching yourself

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<v Speaker 1>to the actual moment in which it was shot and

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<v Speaker 1>how it was written also lends to the the love

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<v Speaker 1>for it because it's Rachel's. It's Rachel's moment. She's saying goodbye.

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<v Speaker 1>It was a wildly dramatic, beautiful scene between her and Finn,

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<v Speaker 1>and then we get to New York and she's walking

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<v Speaker 1>through the New York City streets looking like Mary Tyler Moore,

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<v Speaker 1>I meets Barbara streisand so like, I get it, I

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<v Speaker 1>get it, I get it.

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<v Speaker 2>I was confused because I did not remember the specifics

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<v Speaker 2>of it, and watching it was like.

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<v Speaker 1>All I remember was that stupid train station that was

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<v Speaker 1>our last day off for this episode.

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<v Speaker 2>We were so like when we're waving by. We're all

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<v Speaker 2>saying things to each other, like bye, are we done yet?

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<v Speaker 1>We had a lot of waiting around that day. There's

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<v Speaker 1>not a lot to be done. We were blocked out.

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<v Speaker 1>I also somebody stole some costumes from the previous episode,

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<v Speaker 1>and I was like, well, I really love this coat,

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<v Speaker 1>so I took the coat.

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<v Speaker 3>Good.

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<v Speaker 1>It's a blue coat. It's really cute.

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<v Speaker 3>You still have it.

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<v Speaker 1>No, I don't still have it. It's got stained coffee

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<v Speaker 1>stains on it. But I did take the coat. I

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<v Speaker 1>did it, and I think I had the approval. I

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<v Speaker 1>didn't do what that person did. But anyway, that's all

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<v Speaker 1>I remember from that train station and the photo we

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<v Speaker 1>have of us holding up three the three fingers for

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<v Speaker 1>the season three. Okay, we'll get to it for branches.

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<v Speaker 1>But there's a lot of good stuff about this episode.

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<v Speaker 2>Here we go. So this episode in the US aired

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<v Speaker 2>an hour later than usual because of the American Idol finale,

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<v Speaker 2>so strong lead in there.

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<v Speaker 1>Gloria Stephan makes a special guest appearance as Marie Bell

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<v Speaker 1>Lopez and Santana's mom, and she talks and talks to

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<v Speaker 1>play her mom. As early as November of two thousand

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<v Speaker 1>and eleven after I Kissed a Girl aired, Gloria tweeted,

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<v Speaker 1>did anyone seekle last night? Santana could really use a

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<v Speaker 1>sympathetic mommy right about now, don't you think? She literally

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<v Speaker 1>put herself in and said, cast me royalty.

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<v Speaker 2>She is royalty? I mean yes, how crazy? And she

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<v Speaker 2>comes back later on. Obviously, Ryan noted this episode initially

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<v Speaker 2>ran fifteen minutes too long. Because of this, there are

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<v Speaker 2>quite a few deleted scenes that didn't make the.

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<v Speaker 1>Cut, including one of Fouteina and Mike Tana. Mike did

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<v Speaker 1>a scene where his dad I'd apologize this and tells

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<v Speaker 1>him he's really proud of him and that they're in

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<v Speaker 1>full support, and it was a really sweet scene. I

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<v Speaker 1>totally get it. Not really needed, like fifteen minutes long,

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<v Speaker 1>we're getting cut, We're getting got cut.

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<v Speaker 3>But that's sweet.

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<v Speaker 1>Yeah. Sweet. A scene between Puck and Quinn studying the

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<v Speaker 1>library was also cut. In addition, there was also a

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<v Speaker 1>scene where was reading a message Rachel wrote new yearbook

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<v Speaker 1>that was cut, and then also the Mic and Tina

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<v Speaker 1>scene where's parents give him that the graduation present.

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<v Speaker 2>However, consolation Prize, the curtain Rachel scene, and the Mica

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<v Speaker 2>Tina scenes were uploaded to YouTube, so.

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<v Speaker 1>We're obviously good enough to make it to YouTube.

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<v Speaker 2>That's right, you made it. This is the first finale

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<v Speaker 2>not to contain new directions competing in a show choir competition.

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<v Speaker 2>It could have ended last episode. That's the truth the season.

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<v Speaker 2>But as a viewer, I know I keep bringing up

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<v Speaker 2>Game of Thrones, but it was the only show that

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<v Speaker 2>I felt like gave me two finales because something crazy

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<v Speaker 2>penultimate episode and then so much more happened in the

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<v Speaker 2>next episode in a different way. And that's how this

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<v Speaker 2>felt to me, the.

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<v Speaker 3>Episode or the Yes, I totally agree with you.

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<v Speaker 1>I totally agree. Kurt's graduation gown is accessorized with an

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<v Speaker 1>insect broach, which of course is probably from Lou's brilliant

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<v Speaker 1>mind that he wore on his sweater the one that

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<v Speaker 1>he wore during Defying Gravity in season one.

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<v Speaker 2>That I love that one too, Yeah, that was so sweet.

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<v Speaker 2>Rachel's pink suitcases identical to the one and showmance where

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<v Speaker 2>Fenn helps her carry the case.

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<v Speaker 1>I love that realistically, like, who's getting new suitcases that age?

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<v Speaker 1>So I appreciate that this is the last episode which

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<v Speaker 1>worry appears physically. That is so weird. You're saying good

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<v Speaker 1>bye to.

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<v Speaker 3>A lot of people that I don't actually remember.

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<v Speaker 1>Saying goodbye to.

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<v Speaker 2>That is very strange.

0:13:05.280 --> 0:13:07.160
<v Speaker 1>Like we had a whole life after this Kevin on

0:13:07.240 --> 0:13:09.240
<v Speaker 1>the show, and other people had other lives.

0:13:09.679 --> 0:13:10.360
<v Speaker 3>Isn't that weird?

0:13:12.000 --> 0:13:18.679
<v Speaker 2>It really boggles my mind because it doesn't feel like that.

0:13:19.200 --> 0:13:19.880
<v Speaker 3>No, not at all.

0:13:20.679 --> 0:13:23.040
<v Speaker 2>It's very strange because that is the reality of it.

0:13:23.080 --> 0:13:25.680
<v Speaker 2>That is the fact of it, that this is it

0:13:26.440 --> 0:13:28.360
<v Speaker 2>for some of these people, but.

0:13:28.360 --> 0:13:30.600
<v Speaker 1>We see them all so much.

0:13:30.760 --> 0:13:35.239
<v Speaker 2>Yes, Like I don't understand how that was true possible

0:13:35.640 --> 0:13:39.000
<v Speaker 2>because you also, we've built these bonds so quickly with

0:13:39.080 --> 0:13:45.360
<v Speaker 2>people right and right, Like Damien feels like he was

0:13:45.400 --> 0:13:47.920
<v Speaker 2>in the entire show exactly.

0:13:48.080 --> 0:13:50.840
<v Speaker 1>I'm like, this is a nons like he just started right.

0:13:51.200 --> 0:13:54.680
<v Speaker 3>That is very weird, Okay, very weird.

0:13:55.160 --> 0:13:59.360
<v Speaker 1>Yeah, he does appear, reappear and already stream in season four.

0:13:59.520 --> 0:14:02.040
<v Speaker 2>That's right, already bring him back, bring him back.

0:14:02.440 --> 0:14:03.800
<v Speaker 1>Of course, it would be Kevin to bring all his

0:14:03.880 --> 0:14:07.680
<v Speaker 1>friends back. This is the last episode to credit Diana

0:14:07.720 --> 0:14:09.920
<v Speaker 1>and jama A series regulars.

0:14:10.280 --> 0:14:17.120
<v Speaker 2>What did we not know what was going on on

0:14:17.160 --> 0:14:18.200
<v Speaker 2>the show we were in.

0:14:18.880 --> 0:14:20.240
<v Speaker 1>I don't think we knew because I don't think a

0:14:20.240 --> 0:14:22.440
<v Speaker 1>lot of people knew, to be honest, that's.

0:14:22.240 --> 0:14:25.200
<v Speaker 2>Probably sure the summer. There were negotiations going on over

0:14:25.240 --> 0:14:26.080
<v Speaker 2>the summer. I am sure.

0:14:26.160 --> 0:14:27.960
<v Speaker 1>Yeah, Well we knew Diana was kind of on our

0:14:28.000 --> 0:14:31.320
<v Speaker 1>way out and jam abough that's a surprise to me.

0:14:32.240 --> 0:14:35.880
<v Speaker 1>They become guest stars for the future, which is so weird,

0:14:37.840 --> 0:14:40.400
<v Speaker 1>and Cord on the opposite end, Actually, this is the

0:14:40.440 --> 0:14:42.360
<v Speaker 1>last episode that he is a guest star and he

0:14:42.400 --> 0:14:44.920
<v Speaker 1>becomes a series regular, which makes that makes sense to me.

0:14:45.280 --> 0:14:57.720
<v Speaker 2>Yes, the Priority number one helped the kids fire from

0:14:57.760 --> 0:15:00.880
<v Speaker 2>the pilot reappears in Will's office and there's.

0:15:00.720 --> 0:15:05.480
<v Speaker 1>A lot of sentimental moments in this episode. This is

0:15:05.920 --> 0:15:08.120
<v Speaker 1>the second time where Finn breaks up with his girlfriend

0:15:08.200 --> 0:15:10.000
<v Speaker 1>in the car. The first time was in Tierro when

0:15:10.000 --> 0:15:12.400
<v Speaker 1>he broke up with Quinn. It felt familiar, it did.

0:15:13.160 --> 0:15:15.200
<v Speaker 1>I like that he's got a he's got a way

0:15:15.240 --> 0:15:21.320
<v Speaker 1>of doing things. The first season finale, where the final

0:15:21.320 --> 0:15:25.320
<v Speaker 1>scene is not in the choir room, Santana's mom mentions

0:15:25.320 --> 0:15:27.360
<v Speaker 1>that she used to dress up his uncle Jesse from

0:15:27.440 --> 0:15:32.080
<v Speaker 1>Full House on Halloween. Uncle Jesse was obviously played by

0:15:32.120 --> 0:15:36.720
<v Speaker 1>the beloved John Stamos, who also played Carl on our

0:15:36.760 --> 0:15:38.240
<v Speaker 1>show another.

0:15:38.880 --> 0:15:42.320
<v Speaker 2>John Stamos is just very popular in this writer's room.

0:15:42.480 --> 0:15:46.480
<v Speaker 4>He's popular in real life. Yeah, everybody loves Everybody loves

0:15:46.520 --> 0:15:49.000
<v Speaker 4>John Stamos. When Rachel arrives in New York, she is

0:15:49.040 --> 0:15:52.680
<v Speaker 4>shown leaving Grand Central Station, which is used for commuter trains,

0:15:52.920 --> 0:15:56.840
<v Speaker 4>Amtrak trains, or Rachel would have been taken to from

0:15:57.000 --> 0:15:59.000
<v Speaker 4>Lima is the tent station.

0:15:59.680 --> 0:16:01.720
<v Speaker 1>He love that because I know that, and I also

0:16:01.920 --> 0:16:04.280
<v Speaker 1>was like, why is she taking a train? And in

0:16:04.320 --> 0:16:07.560
<v Speaker 1>the behind the scenes Brad says the train was more romantic,

0:16:07.680 --> 0:16:10.200
<v Speaker 1>especially with Finn running after a train and not running

0:16:10.200 --> 0:16:12.960
<v Speaker 1>after an airplane, so like, yeah, it was very good,

0:16:13.440 --> 0:16:16.320
<v Speaker 1>but I would I was like, she's really going to

0:16:16.400 --> 0:16:19.040
<v Speaker 1>take a train from Ohio New York.

0:16:19.920 --> 0:16:25.320
<v Speaker 2>It is much more romantic and cinematic. Totally makes sense. Yeah.

0:16:25.400 --> 0:16:27.280
<v Speaker 1>In the scene where Finn and his mother are discussing

0:16:27.320 --> 0:16:30.720
<v Speaker 1>Finn's father's service in the army, Sinn is holding a

0:16:30.760 --> 0:16:35.400
<v Speaker 1>picture of his father, whose uniform has a US Marines

0:16:35.480 --> 0:16:39.160
<v Speaker 1>tabs across the pocket, and the Marine Corps startdant pin

0:16:39.240 --> 0:16:39.920
<v Speaker 1>beneath the ship.

0:16:45.600 --> 0:16:49.880
<v Speaker 3>Oh shit, I love that. That's really good.

0:16:51.680 --> 0:16:55.040
<v Speaker 2>Okay, so the official summary this one actually makes sense.

0:16:55.160 --> 0:16:59.160
<v Speaker 2>This time. Oh good, graduation is finally here in McKinley

0:16:59.280 --> 0:17:02.440
<v Speaker 2>High's class of twenty twelve looks to the past and

0:17:02.600 --> 0:17:05.080
<v Speaker 2>present while contemplating the future.

0:17:05.520 --> 0:17:06.120
<v Speaker 1>Oh my god.

0:17:06.240 --> 0:17:08.359
<v Speaker 2>Okay, let's get into it, Jenna, all.

0:17:08.320 --> 0:17:09.119
<v Speaker 3>Right, let's talk about it.

0:17:09.160 --> 0:17:11.919
<v Speaker 1>So over. The whole thing is about saying goodbye, right,

0:17:11.960 --> 0:17:14.280
<v Speaker 1>the seniors saying goodbye. They're passing on the torch to

0:17:14.320 --> 0:17:18.199
<v Speaker 1>the juniors. It's all really beautiful. But we're learning throughout

0:17:18.240 --> 0:17:22.240
<v Speaker 1>this whole episode where people are headed right, So it's

0:17:22.240 --> 0:17:26.400
<v Speaker 1>time to say goodbye, and mister Shue has one last

0:17:26.440 --> 0:17:29.880
<v Speaker 1>assignment for everybody for the national winning glee Club, if

0:17:29.920 --> 0:17:36.679
<v Speaker 1>you will, that's right, it already tells us. So he

0:17:36.800 --> 0:17:39.520
<v Speaker 1>kicks it off with a song where he sings to us.

0:17:39.840 --> 0:17:43.159
<v Speaker 2>He sings at the most emotional moments he does. He

0:17:43.200 --> 0:17:46.320
<v Speaker 2>pulls out that guitar. Are ke any plays? I think

0:17:46.440 --> 0:17:49.879
<v Speaker 2>I want to talk about the overall feeling of this episode. Okay, great,

0:17:50.040 --> 0:17:54.159
<v Speaker 2>let's do it. Because the thing that I was just

0:17:54.280 --> 0:17:58.960
<v Speaker 2>really taken it back by was how consistent and thorough

0:17:59.480 --> 0:18:05.400
<v Speaker 2>the feelings were of leaving something behind it like really

0:18:05.480 --> 0:18:09.000
<v Speaker 2>encapsulated that for me in every scene, every scene and

0:18:09.040 --> 0:18:13.920
<v Speaker 2>everyone obviously is dealing with different things, but that through

0:18:14.000 --> 0:18:19.320
<v Speaker 2>line of like growing up in the sadness of like

0:18:19.440 --> 0:18:22.000
<v Speaker 2>moving on from this time that you love. You think

0:18:22.040 --> 0:18:25.119
<v Speaker 2>this is the peak of your life thus far. You

0:18:25.160 --> 0:18:27.840
<v Speaker 2>don't know what's ahead of you. And so it's this

0:18:27.960 --> 0:18:31.200
<v Speaker 2>really emotional thing because yes, this is the this is

0:18:31.240 --> 0:18:33.439
<v Speaker 2>the last time they're all together. They're all going to

0:18:33.440 --> 0:18:36.080
<v Speaker 2>be in class together. This is also on the podcast,

0:18:36.080 --> 0:18:37.639
<v Speaker 2>the last time we're all going to talk about the

0:18:37.680 --> 0:18:44.640
<v Speaker 2>glee club in this form. Weird, It's very strange, and

0:18:44.680 --> 0:18:47.399
<v Speaker 2>I think just like in real life, you know, some

0:18:47.520 --> 0:18:52.400
<v Speaker 2>of these moments are marked by the characters like Sue,

0:18:52.400 --> 0:18:58.040
<v Speaker 2>Selvester and Quinn. Like those moments where the characters that

0:18:58.080 --> 0:19:02.560
<v Speaker 2>you've seen grow the most, it really hits you. And

0:19:02.600 --> 0:19:06.920
<v Speaker 2>I feel like it was written in such a beautiful.

0:19:06.520 --> 0:19:09.920
<v Speaker 1>Way because it's directed with like the heart that rad

0:19:10.680 --> 0:19:11.320
<v Speaker 1>cast and.

0:19:12.119 --> 0:19:13.800
<v Speaker 2>It made us, you know, we were just talking about

0:19:13.800 --> 0:19:16.720
<v Speaker 2>it made us think of those times which then the

0:19:16.840 --> 0:19:17.960
<v Speaker 2>show is doing its job.

0:19:19.160 --> 0:19:21.840
<v Speaker 3>It was a really effective episode. You're totally right.

0:19:22.119 --> 0:19:27.080
<v Speaker 2>I just watched the Young Royals series finale on Netflix

0:19:27.600 --> 0:19:29.280
<v Speaker 2>and then they have a documentary and it was very

0:19:29.280 --> 0:19:31.960
<v Speaker 2>emotional because obviously, like we've been through a similar thing

0:19:33.160 --> 0:19:37.280
<v Speaker 2>and it's a very specific experience, and it was the

0:19:37.280 --> 0:19:39.199
<v Speaker 2>same thing. I watched these back to back and I

0:19:39.240 --> 0:19:41.800
<v Speaker 2>was like, this is too much all at once. I

0:19:41.800 --> 0:19:46.240
<v Speaker 2>don't know what I was thinking, but it's really and

0:19:46.320 --> 0:19:48.520
<v Speaker 2>being able to compare those where that's a high school

0:19:48.520 --> 0:19:53.680
<v Speaker 2>show saying goodbye in the finale and this was too

0:19:53.960 --> 0:19:55.240
<v Speaker 2>like we did a good job.

0:19:56.200 --> 0:19:59.240
<v Speaker 1>We did, they did, and it was it was just

0:19:59.240 --> 0:20:02.360
<v Speaker 1>really it was also sentimental and nostalgic, like they did

0:20:02.400 --> 0:20:04.520
<v Speaker 1>a lot of that flashback. They did a lot of

0:20:04.640 --> 0:20:06.800
<v Speaker 1>really good things with the relationships, like you said, like

0:20:06.840 --> 0:20:11.280
<v Speaker 1>Sue and Quinn and Finn and Rachel, that brought us

0:20:11.320 --> 0:20:14.399
<v Speaker 1>back to the early days of Glee when you just

0:20:14.520 --> 0:20:18.760
<v Speaker 1>started to fall in love with these people. Yeah, Brad

0:20:18.760 --> 0:20:21.760
<v Speaker 1>did an excellent job at executing that. And then also,

0:20:21.960 --> 0:20:26.399
<v Speaker 1>I think is what made Glee so special in work.

0:20:26.680 --> 0:20:28.480
<v Speaker 1>There was a part of it that was the chemistry

0:20:28.480 --> 0:20:31.439
<v Speaker 1>of the cast, right, the chemistry of this group that

0:20:31.560 --> 0:20:34.440
<v Speaker 1>was learning about each other as we were starting out

0:20:34.480 --> 0:20:39.399
<v Speaker 1>and all becoming you know, this was becoming huge, and

0:20:39.440 --> 0:20:41.360
<v Speaker 1>then we have to say goodbye to that that thing

0:20:41.440 --> 0:20:46.879
<v Speaker 1>we knew and the thing I remember the most was

0:20:48.600 --> 0:20:50.800
<v Speaker 1>the feeling that we had when we were shooting. It

0:20:50.920 --> 0:20:54.360
<v Speaker 1>was very similar to the feeling that you got when

0:20:54.400 --> 0:21:01.760
<v Speaker 1>we watched it this time around, because the we really

0:21:01.760 --> 0:21:04.960
<v Speaker 1>didn't know what was coming. All we knew was the

0:21:05.080 --> 0:21:08.760
<v Speaker 1>end of something, and it was hard to say and

0:21:08.800 --> 0:21:11.040
<v Speaker 1>like I was nervous having like hearing there were new

0:21:11.240 --> 0:21:12.960
<v Speaker 1>they were casting new kids.

0:21:13.240 --> 0:21:15.280
<v Speaker 3>Like that was so scary for me.

0:21:17.240 --> 0:21:20.480
<v Speaker 1>Because you create this bond with all these people and

0:21:20.520 --> 0:21:25.280
<v Speaker 1>then you're like severing ties on screen at least, and I.

0:21:25.200 --> 0:21:27.880
<v Speaker 3>Remember, you get what you give.

0:21:30.280 --> 0:21:33.600
<v Speaker 1>Not wanting to weep, but weeping like Lea was weeping,

0:21:33.680 --> 0:21:37.399
<v Speaker 1>Vanessa was weeping. We were all crying really hard, and

0:21:37.520 --> 0:21:39.159
<v Speaker 1>Zach and Brooke were there and they're like, this is

0:21:39.160 --> 0:21:40.800
<v Speaker 1>the last time you were ever gonna perform together. And

0:21:40.800 --> 0:21:42.960
<v Speaker 1>then they left the room and we started shooting that

0:21:42.960 --> 0:21:47.080
<v Speaker 1>that's right, and you're like, literally, my jaw was on

0:21:47.119 --> 0:21:50.520
<v Speaker 1>the ground. I'm a crier already, So this like wasn't

0:21:50.560 --> 0:21:54.800
<v Speaker 1>good for me. It was beautiful. It was like a

0:21:54.840 --> 0:21:58.040
<v Speaker 1>real celebration of the thing that we created together. And

0:21:58.280 --> 0:22:01.119
<v Speaker 1>throughout the whole episode you could se see like wet

0:22:01.119 --> 0:22:02.159
<v Speaker 1>eyes everywhere.

0:22:02.160 --> 0:22:04.960
<v Speaker 3>You could tell in Leah's face, like everywhere.

0:22:05.040 --> 0:22:09.400
<v Speaker 2>That was that when she's watching in my Yes, in

0:22:09.440 --> 0:22:15.000
<v Speaker 2>my life, Yes, like, oh that's real, Leah crying, that's totally.

0:22:14.960 --> 0:22:18.320
<v Speaker 1>Even Diana crying a bunch Like it was. It was

0:22:18.359 --> 0:22:21.280
<v Speaker 1>a really emotional time for us, Like it did feel

0:22:21.320 --> 0:22:23.240
<v Speaker 1>like a series finale in some way.

0:22:23.400 --> 0:22:26.680
<v Speaker 2>And the show meant that much to us, and our

0:22:26.760 --> 0:22:29.119
<v Speaker 2>bond and what we had been a part of to

0:22:29.160 --> 0:22:31.959
<v Speaker 2>create after that point meant that much to us, Like

0:22:32.000 --> 0:22:37.840
<v Speaker 2>we loved doing this. It's it, And I think that's

0:22:37.880 --> 0:22:40.560
<v Speaker 2>part of like what this journey on the podcast is

0:22:40.560 --> 0:22:44.600
<v Speaker 2>is where I feel like that story has been forgotten

0:22:44.640 --> 0:22:48.680
<v Speaker 2>even by some of our own where like watching this episode,

0:22:48.720 --> 0:22:52.360
<v Speaker 2>it's like we like those are real tears. We were

0:22:52.400 --> 0:22:55.440
<v Speaker 2>so upset and also so proud, and it felt very

0:22:55.480 --> 0:22:58.720
<v Speaker 2>reminiscent of graduating school at some point, whether it's high

0:22:58.760 --> 0:23:02.119
<v Speaker 2>school or college, where half of you doesn't want to

0:23:02.160 --> 0:23:05.439
<v Speaker 2>let it go. It's like, oh, these are my people,

0:23:05.480 --> 0:23:07.440
<v Speaker 2>this is my family, This is where I feel comfortable

0:23:07.480 --> 0:23:10.439
<v Speaker 2>and seeing they get me and look at all we've

0:23:10.440 --> 0:23:13.159
<v Speaker 2>accomplished together. But then the other half of you is like,

0:23:14.119 --> 0:23:17.960
<v Speaker 2>I can't wait to get out of here because I'm

0:23:18.000 --> 0:23:21.080
<v Speaker 2>so excited for what's next, and not in a you know,

0:23:21.240 --> 0:23:23.040
<v Speaker 2>a bad way, but I'm just so excited and you

0:23:23.560 --> 0:23:25.560
<v Speaker 2>feel that in this and I think looking at everyone's

0:23:25.560 --> 0:23:29.920
<v Speaker 2>faces and different scenes, it's one of two emotions people

0:23:29.960 --> 0:23:30.439
<v Speaker 2>are feeling.

0:23:30.920 --> 0:23:34.080
<v Speaker 1>It was really bittersweet for us, but because also like

0:23:34.760 --> 0:23:38.880
<v Speaker 1>the hit, the wheels had already come off by this point,

0:23:39.280 --> 0:23:42.080
<v Speaker 1>people had lost their minds, people made their way back,

0:23:42.920 --> 0:23:46.240
<v Speaker 1>and then to know that this was ending, you're like,

0:23:46.720 --> 0:23:48.280
<v Speaker 1>it's almost like in high school, and you're like, what

0:23:48.920 --> 0:23:50.120
<v Speaker 1>would I have done differently?

0:23:50.680 --> 0:23:51.920
<v Speaker 3>Is there anything I would have done?

0:23:51.960 --> 0:23:54.080
<v Speaker 1>Because it's the first real time, I think is in

0:23:54.160 --> 0:23:58.960
<v Speaker 1>it you're emerging adulthood where you're leaving something really profound

0:23:58.960 --> 0:24:02.760
<v Speaker 1>behind and you're entering like a real new chapter. This

0:24:02.840 --> 0:24:06.960
<v Speaker 1>isn't like, oh, like you're entering adulthood in a lot

0:24:06.960 --> 0:24:10.640
<v Speaker 1>of ways. And so for me, it was like, oh,

0:24:10.800 --> 0:24:13.400
<v Speaker 1>what would I have done different? Would I appreciated this more?

0:24:13.440 --> 0:24:15.919
<v Speaker 1>Would I have taken more time with these people? Like

0:24:16.080 --> 0:24:16.680
<v Speaker 1>all of it?

0:24:16.680 --> 0:24:18.400
<v Speaker 3>It just you could feel.

0:24:19.040 --> 0:24:22.119
<v Speaker 1>Those feelings, especially after the wheels had come off, and

0:24:22.119 --> 0:24:23.600
<v Speaker 1>then they're like, oh, I'm going to miss this.

0:24:24.000 --> 0:24:26.800
<v Speaker 2>Yeah, And it's hard to balance too, because this is

0:24:26.880 --> 0:24:30.920
<v Speaker 2>after nine full months of shooting, and so we're aired

0:24:31.080 --> 0:24:32.120
<v Speaker 2>really tired.

0:24:32.320 --> 0:24:34.480
<v Speaker 1>After coming off a tour and coming off for season

0:24:34.520 --> 0:24:36.760
<v Speaker 1>and coming up, we're exhausted. We're really tired.

0:24:36.800 --> 0:24:41.399
<v Speaker 2>I've really done this marathon since the pilot aired, Yes,

0:24:41.680 --> 0:24:46.359
<v Speaker 2>and this was our first hiatus, proper hiatus. And then

0:24:46.920 --> 0:24:48.320
<v Speaker 2>things are not going to be the same when we

0:24:48.359 --> 0:24:50.520
<v Speaker 2>come back, and we don't know what that's going to

0:24:50.560 --> 0:24:54.520
<v Speaker 2>look like. Correct, And so even for us, we knew

0:24:54.560 --> 0:24:57.800
<v Speaker 2>we'd still be in the choir room, but what does

0:24:57.840 --> 0:25:01.920
<v Speaker 2>that feel like because half of our best friends aren't

0:25:01.960 --> 0:25:05.080
<v Speaker 2>going to be there? And what does that mean for story?

0:25:05.200 --> 0:25:07.280
<v Speaker 2>And what does that mean for Are people still going

0:25:07.359 --> 0:25:08.000
<v Speaker 2>to like this show?

0:25:08.760 --> 0:25:09.359
<v Speaker 3>New Blood?

0:25:10.080 --> 0:25:11.320
<v Speaker 2>Yeah?

0:25:11.400 --> 0:25:16.560
<v Speaker 3>Whoo, it's this one? This one really I didn't.

0:25:16.600 --> 0:25:20.360
<v Speaker 1>I don't think I remembered how much was how much

0:25:20.359 --> 0:25:23.000
<v Speaker 1>emotion was in this episode. I was like, oh Nationals,

0:25:23.000 --> 0:25:25.560
<v Speaker 1>we won. This is saying goodbye Lee. It like Rachel

0:25:25.560 --> 0:25:27.640
<v Speaker 1>getting on the train like that's it, And I was.

0:25:27.600 --> 0:25:30.119
<v Speaker 2>Like, oh shit, very much the same.

0:25:30.480 --> 0:25:33.639
<v Speaker 1>The ones I remember the most were you Get what

0:25:33.720 --> 0:25:37.800
<v Speaker 1>You Give and Ruth before Branshaws.

0:25:39.200 --> 0:25:41.800
<v Speaker 2>Yeah, same, I remember in my life, like I think

0:25:41.840 --> 0:25:47.520
<v Speaker 2>we did those the same day. We were just right right,

0:25:48.440 --> 0:25:51.120
<v Speaker 2>But I also in the beginning of this episode, because

0:25:51.160 --> 0:25:54.080
<v Speaker 2>there's it makes so much sense knowing that this episode

0:25:54.119 --> 0:25:57.399
<v Speaker 2>is fifteen minutes too long, because we get the start

0:25:57.400 --> 0:26:00.680
<v Speaker 2>of it is a little rough, like chop chop, and

0:26:00.680 --> 0:26:02.040
<v Speaker 2>all of a sudden we're in a lesson and all

0:26:02.080 --> 0:26:05.960
<v Speaker 2>of a sudden people are singing. It was very quick, totally,

0:26:06.200 --> 0:26:08.560
<v Speaker 2>but I know, Corey like just coming with all the

0:26:08.720 --> 0:26:09.679
<v Speaker 2>energy like this.

0:26:09.800 --> 0:26:10.720
<v Speaker 4>Is yer Glee Club.

0:26:11.560 --> 0:26:12.600
<v Speaker 2>I see that.

0:26:12.480 --> 0:26:15.919
<v Speaker 1>Whole thing and just now, do you remember them surprising

0:26:16.000 --> 0:26:18.840
<v Speaker 1>us in some way, like pulling us down and us

0:26:18.920 --> 0:26:21.520
<v Speaker 1>not remember like there was something about it being a

0:26:21.520 --> 0:26:24.399
<v Speaker 1>little unrehearsed, and I can't remember what it was, but

0:26:24.440 --> 0:26:26.560
<v Speaker 1>it might have been them bringing us in the circle,

0:26:27.320 --> 0:26:29.760
<v Speaker 1>like I don't remember. Maybe it was just Zack and

0:26:29.760 --> 0:26:32.560
<v Speaker 1>Brook saying the thing that they said, but I remember

0:26:32.560 --> 0:26:35.440
<v Speaker 1>feeling like surprised by that performance.

0:26:39.520 --> 0:26:42.000
<v Speaker 2>I don't know, I don't I don't remember, but I

0:26:42.080 --> 0:26:44.240
<v Speaker 2>feel like I remember Zach and Brook saying that and

0:26:44.240 --> 0:26:45.640
<v Speaker 2>then leaving and then.

0:26:45.600 --> 0:26:50.080
<v Speaker 1>Vanessa just crying, yes, cry, like really hard crying.

0:26:59.080 --> 0:27:00.639
<v Speaker 2>So I think the best to go through a lot

0:27:00.680 --> 0:27:03.800
<v Speaker 2>of this episode is to just go through are people

0:27:03.800 --> 0:27:04.679
<v Speaker 2>who are graduating?

0:27:04.840 --> 0:27:07.159
<v Speaker 1>Yeah, I wants to give him a nod and a

0:27:07.359 --> 0:27:14.199
<v Speaker 1>yeah in a wave. Okay, bye bye. So Mike, Tina's

0:27:14.240 --> 0:27:16.679
<v Speaker 1>sweet boyfriend of many years, is going away.

0:27:16.720 --> 0:27:17.600
<v Speaker 3>He's graduating.

0:27:17.920 --> 0:27:22.879
<v Speaker 1>He receives a scholarship to Jeffrey Ballet in Chicago. I

0:27:22.880 --> 0:27:24.520
<v Speaker 1>think he was supposed to go to Alvan Aley School

0:27:24.800 --> 0:27:30.920
<v Speaker 1>and he he gets accepted to a ballet company which

0:27:31.000 --> 0:27:38.040
<v Speaker 1>is very prestigious. Also to note when they shot these scenes,

0:27:38.040 --> 0:27:43.600
<v Speaker 1>when Santana is getting the being told where everybody's going

0:27:43.720 --> 0:27:47.040
<v Speaker 1>to perform, and Mercedes getting which we'll get to getting

0:27:47.040 --> 0:27:49.720
<v Speaker 1>the recording contract in Santana's going like, oh my god,

0:27:49.760 --> 0:27:51.520
<v Speaker 1>what am I? What am I doing? I shouldn't be

0:27:51.520 --> 0:27:55.320
<v Speaker 1>going to Kentucky. I get what Brad was trying to

0:27:55.320 --> 0:27:57.240
<v Speaker 1>do with like looking down the barrel. It's like it's

0:27:57.280 --> 0:28:00.119
<v Speaker 1>like you're looking into Santana's eyes, but it is so

0:28:00.400 --> 0:28:03.200
<v Speaker 1>out of the Glee style. It feels like something Brad

0:28:03.240 --> 0:28:05.760
<v Speaker 1>Beeker would do, but like it just didn't. It didn't

0:28:05.840 --> 0:28:07.520
<v Speaker 1>quite have the effect that I would hope because it

0:28:07.560 --> 0:28:11.320
<v Speaker 1>was a little out of left field for me. I

0:28:11.359 --> 0:28:13.280
<v Speaker 1>was like, what are they doing? Why are they looking

0:28:13.320 --> 0:28:19.280
<v Speaker 1>at me? But anyway, it Mike gets to go to

0:28:19.480 --> 0:28:22.640
<v Speaker 1>Jeoffrey Ballet. And then also this sweet scene that got

0:28:22.680 --> 0:28:25.960
<v Speaker 1>caught on YouTube where his dad is giving him his

0:28:26.040 --> 0:28:31.159
<v Speaker 1>graduation present and they're supporting their you know, children and

0:28:31.200 --> 0:28:35.440
<v Speaker 1>the arts, and it's just and his dad actually looking

0:28:35.520 --> 0:28:37.320
<v Speaker 1>him in the eyes and telling him he's proud of him.

0:28:38.040 --> 0:28:41.120
<v Speaker 1>Jane's like, my work here is done. Now go a bitch,

0:28:41.120 --> 0:28:46.880
<v Speaker 1>it's my turn. Free, b free. Uh So that's Mike.

0:28:47.080 --> 0:28:48.760
<v Speaker 1>That's where Mike is is headed.

0:28:48.920 --> 0:28:52.520
<v Speaker 2>I loved this little segment though, of Santana learning what

0:28:52.560 --> 0:28:55.360
<v Speaker 2>everybody's doing, because it was also obviously a great way

0:28:55.400 --> 0:28:57.120
<v Speaker 2>for us to find out what everybody's doing.

0:28:59.440 --> 0:29:04.160
<v Speaker 3>Great, So happy for you, very funny, very funny.

0:29:04.200 --> 0:29:07.120
<v Speaker 2>So yeah, Mercedes gets a recording. This doesn't make any sense.

0:29:07.800 --> 0:29:09.560
<v Speaker 2>And Jenna, one day we are going to make a

0:29:09.640 --> 0:29:13.320
<v Speaker 2>musical and we're going to represent the musical industry properly,

0:29:13.640 --> 0:29:17.120
<v Speaker 2>because I have yet to see a musical movie or

0:29:17.240 --> 0:29:20.800
<v Speaker 2>TV show that talks about the music business correct the

0:29:20.880 --> 0:29:25.040
<v Speaker 2>way it actually works. Yes, right, But anyway, Mercedes got

0:29:25.080 --> 0:29:27.720
<v Speaker 2>a recording contract as a backup singer on an indie

0:29:27.800 --> 0:29:30.520
<v Speaker 2>label and we'll be taking classes at the UCLA Extension.

0:29:31.400 --> 0:29:35.800
<v Speaker 1>Okay, cool, unless she's still taking classes. She don't need them,

0:29:35.800 --> 0:29:40.320
<v Speaker 1>but she unless she's well rounded. And then you know,

0:29:40.400 --> 0:29:42.200
<v Speaker 1>heading to Santana, which this is all through the eyes

0:29:42.200 --> 0:29:44.200
<v Speaker 1>of her learning about all these people, which is then

0:29:44.280 --> 0:29:49.280
<v Speaker 1>informing us. She realizes that Brittany got her into Louisville,

0:29:49.320 --> 0:29:52.440
<v Speaker 1>but she would rather move to New York. She's a star.

0:29:52.920 --> 0:29:57.480
<v Speaker 1>She doesn't know why she's going to Kentucky. And then

0:29:57.480 --> 0:30:05.480
<v Speaker 1>we get to go meet Laios Staffa, the woman, the legend, herself,

0:30:05.560 --> 0:30:11.520
<v Speaker 1>the icon, and her mom. Her mom is against it

0:30:11.760 --> 0:30:14.760
<v Speaker 1>at first, saying like, you can do all that, you

0:30:14.800 --> 0:30:16.920
<v Speaker 1>just got to go get your collar's degree first, right,

0:30:17.280 --> 0:30:20.400
<v Speaker 1>which is what her lost parents are saying, exactly.

0:30:19.920 --> 0:30:21.920
<v Speaker 2>I do the thing I didn't have the opportunity to do.

0:30:22.440 --> 0:30:27.480
<v Speaker 1>Yeah, which, look, I have to say as a parent

0:30:28.040 --> 0:30:31.400
<v Speaker 1>and as an actor myself, i'd say the same thing.

0:30:31.720 --> 0:30:33.920
<v Speaker 2>Yeah, it's almost impossible not to feel that way.

0:30:34.760 --> 0:30:37.000
<v Speaker 1>And I can't tell her what to do at that point,

0:30:37.080 --> 0:30:39.280
<v Speaker 1>Like she's going to follow her intuition and she's going

0:30:39.360 --> 0:30:40.360
<v Speaker 1>to do what she's going to do, and she's going

0:30:40.400 --> 0:30:43.800
<v Speaker 1>to live her life. But like, listen to your mother's.

0:30:45.240 --> 0:30:50.280
<v Speaker 2>I mean that it sucks. As you get older, you

0:30:50.320 --> 0:30:54.960
<v Speaker 2>realize where your parents are coming those conversations. Unfortunately, Yes,

0:30:55.600 --> 0:31:02.200
<v Speaker 2>how do you reconcile that though, because because like, yes,

0:31:02.880 --> 0:31:08.160
<v Speaker 2>that makes sense as the parent who's in their thirties, forties,

0:31:08.160 --> 0:31:12.560
<v Speaker 2>fifties and has have and has lived a life, seen it,

0:31:12.800 --> 0:31:14.920
<v Speaker 2>Who've seen it? But then.

0:31:16.800 --> 0:31:19.800
<v Speaker 3>You're putting all your shit onto the kid. Yeah, and

0:31:19.840 --> 0:31:22.080
<v Speaker 3>you can't. You can't tell a kid not to follow

0:31:22.080 --> 0:31:24.000
<v Speaker 3>their heart and then tell them what to do. You

0:31:24.040 --> 0:31:25.160
<v Speaker 3>have to Your job as.

0:31:25.080 --> 0:31:28.840
<v Speaker 1>A parent is to guide and advise and set them

0:31:28.920 --> 0:31:31.959
<v Speaker 1>up for the best they're set them up for success

0:31:32.000 --> 0:31:35.000
<v Speaker 1>as best as possible, and then you have to relinquish control.

0:31:35.120 --> 0:31:38.400
<v Speaker 3>That's the truth. So I get it. I see what

0:31:38.480 --> 0:31:38.840
<v Speaker 3>you're saying.

0:31:38.920 --> 0:31:41.720
<v Speaker 1>There is a there's a fine mind.

0:31:42.000 --> 0:31:45.400
<v Speaker 2>It's very hard though, as a parent to relinquish control

0:31:45.480 --> 0:31:48.600
<v Speaker 2>because you because you have lived though, you do have

0:31:48.680 --> 0:31:51.959
<v Speaker 2>some sense you know what's ahead in life. But also

0:31:52.640 --> 0:31:55.560
<v Speaker 2>you are speaking from a much more pragmatic and sometimes

0:31:55.680 --> 0:31:59.440
<v Speaker 2>more limited point of view because you know life's challenges

0:31:59.640 --> 0:32:05.000
<v Speaker 2>posed to the young person who doesn't have Yes, it's like,

0:32:05.280 --> 0:32:09.720
<v Speaker 2>why stunt that because you don't know? I appreciate that exactly.

0:32:10.200 --> 0:32:12.000
<v Speaker 2>It really is a fine line.

0:32:11.560 --> 0:32:14.520
<v Speaker 1>I don't know what I would do in that case,

0:32:14.560 --> 0:32:16.840
<v Speaker 1>I don't know how hard I would push. Yeah, I

0:32:16.880 --> 0:32:20.200
<v Speaker 1>could only share my experience of what I've seen and

0:32:20.240 --> 0:32:22.720
<v Speaker 1>where I was and then say like, do the best

0:32:22.720 --> 0:32:24.320
<v Speaker 1>with your information that you were given.

0:32:24.880 --> 0:32:26.200
<v Speaker 3>Yeah, that's it. That's all you can do.

0:32:26.440 --> 0:32:28.560
<v Speaker 2>So I think that scene was also very effective because

0:32:28.600 --> 0:32:32.000
<v Speaker 2>she goes from you know, talking about like Santana's a boy.

0:32:32.480 --> 0:32:34.160
<v Speaker 2>She's like, well, you don't want someone in your life

0:32:34.200 --> 0:32:37.880
<v Speaker 2>who doesn't support who doesn't support you, and then immediately goes, no,

0:32:38.400 --> 0:32:44.680
<v Speaker 2>you have to go to call It's.

0:32:42.160 --> 0:32:47.120
<v Speaker 1>True, so true. She does this eventually come around. It's

0:32:47.160 --> 0:32:49.600
<v Speaker 1>a really nice scene that they have at the lockers

0:32:49.640 --> 0:32:55.360
<v Speaker 1>where she says she gives her her graduation gift of

0:32:55.400 --> 0:32:58.160
<v Speaker 1>the money she saved over you know, many years for college,

0:32:58.200 --> 0:33:01.800
<v Speaker 1>which is really sweet, and she sees for she says,

0:33:01.960 --> 0:33:04.400
<v Speaker 1>she gives her blessing to use it for to go

0:33:04.440 --> 0:33:05.600
<v Speaker 1>to New York and call her dreams.

0:33:06.040 --> 0:33:07.520
<v Speaker 2>She pays this whole time.

0:33:08.800 --> 0:33:13.800
<v Speaker 3>Right, They are really good together. They're really good together.

0:33:15.640 --> 0:33:19.000
<v Speaker 1>They're both very also very good on their own, and

0:33:19.040 --> 0:33:21.040
<v Speaker 1>so it's like they just like make each other better.

0:33:21.240 --> 0:33:23.680
<v Speaker 2>It's brilliant. And so the other thing we learned during

0:33:23.680 --> 0:33:29.800
<v Speaker 2>that meal is that Brittany will not be graduating because

0:33:29.840 --> 0:33:33.320
<v Speaker 2>she has failed every class because she didn't attend them

0:33:33.760 --> 0:33:38.640
<v Speaker 2>and has a zero point zero GPA. Now, if this

0:33:38.760 --> 0:33:41.360
<v Speaker 2>were true, she would not be allowed in glee club.

0:33:41.760 --> 0:33:44.760
<v Speaker 2>She would not be on the cheerios like she'd be

0:33:44.800 --> 0:33:50.320
<v Speaker 2>on academic probation. Right, I don't know if there's that, Well,

0:33:50.360 --> 0:33:52.560
<v Speaker 2>I guess you're right. I went to look, I went

0:33:52.640 --> 0:33:55.680
<v Speaker 2>to that. Yeah, you're right, you're right, you're right, or

0:33:55.680 --> 0:33:59.080
<v Speaker 2>some kind of extra school punishment.

0:34:00.640 --> 0:34:05.480
<v Speaker 1>It is glee. I don't think Heather knew though that

0:34:05.600 --> 0:34:07.320
<v Speaker 1>this was happening until she read the script.

0:34:08.239 --> 0:34:09.120
<v Speaker 2>Yeah, it sounds right.

0:34:09.800 --> 0:34:12.320
<v Speaker 1>I remember her thinking she was graduating and then realized

0:34:12.360 --> 0:34:15.160
<v Speaker 1>that she was staying back. For me selfishly, I'm glad

0:34:15.160 --> 0:34:16.040
<v Speaker 1>that she stayed back.

0:34:16.160 --> 0:34:18.719
<v Speaker 2>But oh yeah, we were trying to hold on.

0:34:20.880 --> 0:34:23.320
<v Speaker 1>You got Dren, you had Cord, and now we got Heather.

0:34:23.440 --> 0:34:25.520
<v Speaker 1>We're like, thank god, let's keep keep them coming. We

0:34:25.520 --> 0:34:32.160
<v Speaker 1>have Vanessa, crucial for Heather to be there. So Brittany's

0:34:32.200 --> 0:34:35.040
<v Speaker 1>not graduating, she's staying back. Okay, So Quinn is off

0:34:35.040 --> 0:34:39.560
<v Speaker 1>to yell and she's reflecting on all of her Oh

0:34:39.600 --> 0:34:42.400
<v Speaker 1>the gifts high school is given to her, so she

0:34:42.719 --> 0:34:44.640
<v Speaker 1>you know, wants to pay it forward and give it back.

0:34:47.920 --> 0:34:51.319
<v Speaker 1>This metro North she and from New York is very

0:34:51.320 --> 0:34:55.080
<v Speaker 1>funny to me. I don't know, so that they can

0:34:55.160 --> 0:34:55.759
<v Speaker 1>visit each other.

0:34:56.239 --> 0:34:58.000
<v Speaker 2>Yeah, I don't know.

0:34:58.040 --> 0:34:58.920
<v Speaker 3>If this was just like.

0:35:00.920 --> 0:35:03.040
<v Speaker 1>The writers being like, don't worry, we're still going to

0:35:03.080 --> 0:35:03.600
<v Speaker 1>see Quinn.

0:35:04.800 --> 0:35:09.040
<v Speaker 2>I think I remember that.

0:35:09.040 --> 0:35:09.920
<v Speaker 3>We're their way of.

0:35:09.880 --> 0:35:12.040
<v Speaker 1>Being like in case I has to come back, and

0:35:12.160 --> 0:35:13.040
<v Speaker 1>we're just planning the.

0:35:13.000 --> 0:35:17.600
<v Speaker 2>Seed because travel has always been a huge impediment in

0:35:17.640 --> 0:35:21.440
<v Speaker 2>this show, and so if we can solve the issue

0:35:21.440 --> 0:35:24.160
<v Speaker 2>of travel and affording it, then.

0:35:24.239 --> 0:35:30.560
<v Speaker 1>You're going we can see our characters exactly. And then

0:35:30.600 --> 0:35:34.080
<v Speaker 1>she has that really really nice scene so she gets

0:35:34.160 --> 0:35:38.759
<v Speaker 1>the uniform. She looks great in this scene too. I

0:35:38.760 --> 0:35:40.439
<v Speaker 1>love that dress she's wearing.

0:35:41.120 --> 0:35:43.640
<v Speaker 2>I mean the whole time, like the hair, she's.

0:35:43.920 --> 0:35:45.879
<v Speaker 1>Looking ready for y'all, Ready for y'all.

0:35:46.160 --> 0:35:53.400
<v Speaker 2>I mean, Sue oh John is really just I was

0:35:53.440 --> 0:35:57.680
<v Speaker 2>sitting in awe watching that scene because part of me

0:35:57.800 --> 0:36:01.200
<v Speaker 2>is like, why Sue so nice? Still, like it's been weeks,

0:36:01.760 --> 0:36:05.359
<v Speaker 2>she's so nice. But I also love it. And when

0:36:05.440 --> 0:36:09.239
<v Speaker 2>Jane gets up and like walks around her desk to

0:36:09.400 --> 0:36:13.399
<v Speaker 2>get closer to her to talk to her. She does

0:36:13.440 --> 0:36:18.040
<v Speaker 2>that Sue look where she looks terrifying but still man

0:36:18.239 --> 0:36:22.560
<v Speaker 2>manages to like come off sweet and caring and thoughtful.

0:36:23.200 --> 0:36:30.840
<v Speaker 2>And it was just like a really like beautiful understated performance. Yeah, agreed,

0:36:31.160 --> 0:36:33.960
<v Speaker 2>where a lot of times because especially in this episode

0:36:33.960 --> 0:36:38.279
<v Speaker 2>where there's so much happening, Yeah, where you know, people

0:36:38.360 --> 0:36:41.600
<v Speaker 2>are just good and Jane is just and.

0:36:41.560 --> 0:36:44.239
<v Speaker 1>The two of them like where they started from and

0:36:44.280 --> 0:36:46.359
<v Speaker 1>the arc of where we're taking them now, they're both

0:36:46.440 --> 0:36:50.200
<v Speaker 1>like kind to each other and being nice and paying

0:36:50.239 --> 0:36:53.920
<v Speaker 1>it forward. And like, I think it's the scene we

0:36:54.040 --> 0:36:56.719
<v Speaker 1>had to see to close out Quinn's storyline. You know,

0:36:56.760 --> 0:36:59.600
<v Speaker 1>that's where she started, was the villain, and you know

0:36:59.719 --> 0:37:01.440
<v Speaker 1>she's choice put through the.

0:37:03.520 --> 0:37:04.200
<v Speaker 3>Just put through it.

0:37:04.239 --> 0:37:09.640
<v Speaker 1>At least she really was a steviee showing so I

0:37:09.680 --> 0:37:12.120
<v Speaker 1>thought was an important team to get them together and

0:37:12.160 --> 0:37:12.600
<v Speaker 1>see that.

0:37:12.760 --> 0:37:15.839
<v Speaker 2>The other thing Quinn does she helps Puck study for

0:37:15.880 --> 0:37:19.640
<v Speaker 2>his test because he's scared, and her way to do that,

0:37:19.719 --> 0:37:22.120
<v Speaker 2>to give back is to just give him a little kiss,

0:37:22.640 --> 0:37:25.719
<v Speaker 2>because she gives a little talking to like what are

0:37:25.760 --> 0:37:30.600
<v Speaker 2>you doing? You used to rule the school? You caught

0:37:30.640 --> 0:37:34.200
<v Speaker 2>the football score, the touchdown, of the one game you

0:37:34.200 --> 0:37:39.080
<v Speaker 2>guys won their sophomore year, So that seems to work.

0:37:39.480 --> 0:37:42.600
<v Speaker 2>He graduates or he gets a C minus on the test.

0:37:42.600 --> 0:37:45.719
<v Speaker 2>Everybody waiting outside the door is really sweet. I just

0:37:45.760 --> 0:37:49.160
<v Speaker 2>have to say, it felt like everyone had such a

0:37:49.320 --> 0:37:52.839
<v Speaker 2>nice closing conclusion.

0:37:53.120 --> 0:37:57.759
<v Speaker 1>Totally totally and like he got his mojo back, Like

0:37:57.800 --> 0:38:01.400
<v Speaker 1>that's Puck. That was like, it's very It's just everything

0:38:01.520 --> 0:38:04.120
<v Speaker 1>was like in line with their characters. It was like

0:38:04.239 --> 0:38:06.160
<v Speaker 1>really nice. It was like bringing us back to like

0:38:06.880 --> 0:38:11.560
<v Speaker 1>the pilot almost almost sweet hurt.

0:38:12.520 --> 0:38:14.160
<v Speaker 3>It's really sweet. It's all really sweet.

0:38:14.360 --> 0:38:17.080
<v Speaker 1>So he dedicates his song that he sings to the

0:38:17.160 --> 0:38:19.880
<v Speaker 1>men of the glee club for actions accepting him as

0:38:20.280 --> 0:38:26.520
<v Speaker 1>for who he is and was what is song called

0:38:26.760 --> 0:38:31.680
<v Speaker 1>I'll Remember which love that. Yeah, it's great for him too,

0:38:33.080 --> 0:38:35.799
<v Speaker 1>and I love that. It's just he's just planted there

0:38:35.920 --> 0:38:39.520
<v Speaker 1>and it's just emotion. It's what Chris does best. Put

0:38:39.600 --> 0:38:41.719
<v Speaker 1>him in the middle with the little spotlight one tier.

0:38:41.960 --> 0:38:46.480
<v Speaker 1>He's like good to go, but he is. Blaine is

0:38:46.520 --> 0:38:49.759
<v Speaker 1>a little feeling a little insecure about their relationship.

0:38:50.920 --> 0:38:53.920
<v Speaker 2>Well, yeah, there has not been enough talk about what

0:38:54.040 --> 0:38:56.719
<v Speaker 2>is going to happen, right, and.

0:38:56.680 --> 0:38:57.600
<v Speaker 3>Blaine's staying here.

0:38:58.080 --> 0:39:03.279
<v Speaker 1>He's here, and he reasures that they're going to stay

0:39:03.280 --> 0:39:09.080
<v Speaker 1>together forever, even when Kurt goes to New York, and

0:39:09.120 --> 0:39:14.440
<v Speaker 1>that is the precursor to the Finn and Rachel of

0:39:14.480 --> 0:39:18.239
<v Speaker 1>it all, which includes Kurt because they decide that they

0:39:18.239 --> 0:39:21.399
<v Speaker 1>are going to wait for their acceptance letters to open

0:39:21.440 --> 0:39:26.760
<v Speaker 1>them all together. Right, Everybody had a really beautiful closing

0:39:27.800 --> 0:39:31.640
<v Speaker 1>of this episode. In this episode and then we get

0:39:31.640 --> 0:39:32.400
<v Speaker 1>to Finn and Rachel.

0:39:33.000 --> 0:39:36.920
<v Speaker 2>I love that. I thought it was really sweet to

0:39:36.960 --> 0:39:39.680
<v Speaker 2>the Glee Club, the kids that are staying did the

0:39:39.719 --> 0:39:43.439
<v Speaker 2>song and dedicated it to Finn, and I paid their

0:39:43.520 --> 0:39:50.120
<v Speaker 2>respects because they are right where it's tales all the time.

0:39:50.080 --> 0:39:50.800
<v Speaker 1>That guy.

0:39:52.280 --> 0:39:58.520
<v Speaker 2>Wouldn't become that guy right normally, like Finn has really

0:39:58.560 --> 0:40:01.400
<v Speaker 2>been for better or for worse, hasn't been perfect, but

0:40:01.600 --> 0:40:04.279
<v Speaker 2>has been the leader, has kept him on track and

0:40:04.400 --> 0:40:08.719
<v Speaker 2>has made all these different misfits get along, manage all

0:40:08.719 --> 0:40:14.000
<v Speaker 2>these personalities and all the personal stuff going on in

0:40:14.000 --> 0:40:16.239
<v Speaker 2>his life at the same time. And so I thought

0:40:16.239 --> 0:40:18.719
<v Speaker 2>that was really really special that they did that.

0:40:20.280 --> 0:40:23.560
<v Speaker 3>Additionally, the scene between mister Shoe and him when he

0:40:23.600 --> 0:40:26.000
<v Speaker 3>admits like how he got him into k club and

0:40:26.400 --> 0:40:28.520
<v Speaker 3>the flashback of him in the shower, always one of

0:40:28.560 --> 0:40:32.760
<v Speaker 3>my favorite scenes, and then Finn's reaction to him saying

0:40:32.800 --> 0:40:34.200
<v Speaker 3>like that makes you even cooler.

0:40:34.280 --> 0:40:37.920
<v Speaker 1>It was like, so great, this is the truly, really

0:40:37.920 --> 0:40:39.800
<v Speaker 1>really funny I loved it.

0:40:40.080 --> 0:40:44.440
<v Speaker 2>Do you think it was because it was the last episode,

0:40:45.239 --> 0:40:48.759
<v Speaker 2>so everyone felt that, But I felt like in these

0:40:48.800 --> 0:40:55.480
<v Speaker 2>scenes everyone was just a little looser, like like the emotions,

0:40:55.520 --> 0:40:58.560
<v Speaker 2>whether it's comedy or drama, was just more on the

0:40:58.600 --> 0:41:00.680
<v Speaker 2>surface in a good way.

0:41:01.239 --> 0:41:07.239
<v Speaker 1>That's interesting. That is an interesting observation and question. There's

0:41:07.239 --> 0:41:09.520
<v Speaker 1>almost like everybody's just leaving it all on the table.

0:41:10.080 --> 0:41:11.799
<v Speaker 2>Yeah, And I guess it also feels like we know,

0:41:11.800 --> 0:41:16.000
<v Speaker 2>when you graduate high school, you have done the thing.

0:41:16.080 --> 0:41:17.680
<v Speaker 2>So when you see your teachers and like you're no

0:41:17.719 --> 0:41:22.719
<v Speaker 2>longer my teacher this last night, like I've graduated, I've

0:41:22.920 --> 0:41:25.799
<v Speaker 2>accomplished it. So there's also that feeling like a lot

0:41:25.800 --> 0:41:29.920
<v Speaker 2>of these conversations are like we have now matured, we

0:41:30.000 --> 0:41:33.960
<v Speaker 2>have accomplished that we were here to accomplish, and now

0:41:34.440 --> 0:41:39.080
<v Speaker 2>we're out, and so the really job the dynamics change.

0:41:38.960 --> 0:41:42.279
<v Speaker 1>Right, change right now, You're right, That's why I think

0:41:42.320 --> 0:41:44.759
<v Speaker 1>mister Shud did that. Yeah, it was a good Yeah,

0:41:45.239 --> 0:41:49.880
<v Speaker 1>really good. Then is really feeling confident after his audition

0:41:50.000 --> 0:41:52.759
<v Speaker 1>with James Slipton, which is great, and love that he

0:41:52.800 --> 0:41:55.320
<v Speaker 1>made a cameo, especially after them being on the Actors Studio,

0:41:57.520 --> 0:42:01.840
<v Speaker 1>and he's feeling really good about his mark he's left

0:42:01.960 --> 0:42:06.600
<v Speaker 1>and feeling confident about getting into school.

0:42:07.880 --> 0:42:10.360
<v Speaker 2>I was really hoping we were going to see the monologue.

0:42:11.560 --> 0:42:16.480
<v Speaker 1>That I'm glad we didn't. That isn't Corey is wildly

0:42:16.680 --> 0:42:19.560
<v Speaker 1>capable of it or Finn is. It's just that I

0:42:20.320 --> 0:42:23.239
<v Speaker 1>I'd like to leave it to the note. Yeah, I

0:42:23.320 --> 0:42:24.759
<v Speaker 1>was worried. I was like, this is going to be

0:42:25.480 --> 0:42:33.399
<v Speaker 1>very uncomfortable. I think to watch totally. Unfortunately, Finn and

0:42:33.480 --> 0:42:35.480
<v Speaker 1>Kurt both don't get into school.

0:42:36.080 --> 0:42:38.520
<v Speaker 3>Spoiler that Rachel does.

0:42:41.120 --> 0:42:48.440
<v Speaker 2>Let me talk about their reactions here. Yes, yes, in

0:42:48.440 --> 0:42:52.680
<v Speaker 2>an episode that is moving at lightning speed, everything just

0:42:52.800 --> 0:42:58.600
<v Speaker 2>comes to his halt and Finn and Kurt not immediately

0:42:58.600 --> 0:43:02.680
<v Speaker 2>faking their happiness for her phenomenal.

0:43:03.200 --> 0:43:05.280
<v Speaker 3>Truly, but I think that was Brad.

0:43:05.440 --> 0:43:09.920
<v Speaker 1>I think the truth is the stakes are so high

0:43:10.120 --> 0:43:13.360
<v Speaker 1>for them that like, this isn't a moment where you

0:43:13.480 --> 0:43:16.560
<v Speaker 1>pretend to be happy for Rachel. And also because Rachel's like,

0:43:16.680 --> 0:43:19.200
<v Speaker 1>what do I do now both of my people are

0:43:19.239 --> 0:43:24.960
<v Speaker 1>not going what happens like and why she decides that

0:43:25.000 --> 0:43:29.640
<v Speaker 1>she's going to defer. I loved it. I love the

0:43:29.680 --> 0:43:31.480
<v Speaker 1>honesty of the scene. I loved it.

0:43:31.680 --> 0:43:33.719
<v Speaker 3>I thought it was great. And it was also like.

0:43:33.680 --> 0:43:36.520
<v Speaker 1>That pausing moment where you're like, let's all take a wreath.

0:43:37.360 --> 0:43:40.480
<v Speaker 2>There's a lot of I think it's also so effective

0:43:40.480 --> 0:43:43.040
<v Speaker 2>in this type of show where everything is so over

0:43:43.040 --> 0:43:45.480
<v Speaker 2>the top a lot of the time, that when we

0:43:45.520 --> 0:43:47.960
<v Speaker 2>do throw in those sort of grounding moments, they're even

0:43:48.520 --> 0:43:51.040
<v Speaker 2>more effective because of what it's against the rest of

0:43:51.040 --> 0:44:03.319
<v Speaker 2>the episode.

0:44:00.080 --> 0:44:02.600
<v Speaker 1>Rachel thinks that they're about to go get married. They're

0:44:02.640 --> 0:44:04.839
<v Speaker 1>picking out wedding chairs, which, by the way, I don't

0:44:04.880 --> 0:44:07.279
<v Speaker 1>know why they have wedding chairs in the school. It's

0:44:07.280 --> 0:44:09.239
<v Speaker 1>probably a budget thing. They decided they could do this

0:44:09.320 --> 0:44:14.280
<v Speaker 1>and not have to have another location to build. Wedding

0:44:14.320 --> 0:44:19.440
<v Speaker 1>chairs are important, I will say. But Rachel thinks the

0:44:19.480 --> 0:44:23.440
<v Speaker 1>Finn's taking her to go get married, and they're in

0:44:23.480 --> 0:44:26.920
<v Speaker 1>the car and she says, okay, you my wedding dress.

0:44:27.080 --> 0:44:31.440
<v Speaker 1>You've got everything I need takes to the train station.

0:44:32.160 --> 0:44:36.400
<v Speaker 1>This scene. I don't know if it's because of the

0:44:36.440 --> 0:44:40.200
<v Speaker 1>out the devastating outcome of which we will.

0:44:41.480 --> 0:44:43.560
<v Speaker 3>Well we know now in hindsight is happening.

0:44:43.719 --> 0:44:48.520
<v Speaker 1>But this, this scene was especially devastating for me to

0:44:48.520 --> 0:44:55.399
<v Speaker 1>watch this time number one, because Corey's so damn good

0:44:55.480 --> 0:45:01.439
<v Speaker 1>and so is Leah. But Corey like, oh god, it's

0:45:01.440 --> 0:45:08.200
<v Speaker 1>so good, it's so good. But then just knowing like

0:45:10.400 --> 0:45:14.200
<v Speaker 1>the future, it made it like tragic, so tragic for

0:45:14.280 --> 0:45:19.400
<v Speaker 1>me to watch. I felt like we were actually saying goodbye,

0:45:19.719 --> 0:45:20.239
<v Speaker 1>and I was.

0:45:22.200 --> 0:45:23.919
<v Speaker 3>I was really moved by their performances.

0:45:23.960 --> 0:45:27.279
<v Speaker 1>I was really moved by how they wrote Finn and

0:45:27.400 --> 0:45:30.160
<v Speaker 1>like the I think I was like in that moment

0:45:30.200 --> 0:45:32.759
<v Speaker 1>watching it warning the sadness of like not being able

0:45:32.800 --> 0:45:37.160
<v Speaker 1>to see Corey do more work like that. Mm hmm

0:45:39.560 --> 0:45:40.239
<v Speaker 1>if that makes sense.

0:45:42.520 --> 0:45:50.480
<v Speaker 2>Yeah, it was like a work. Yeah, those that scene

0:45:50.480 --> 0:45:55.920
<v Speaker 2>in the car, it goes from your typical like are

0:45:55.960 --> 0:45:58.640
<v Speaker 2>you breaking up with me right now? Like sort of

0:45:58.680 --> 0:46:02.080
<v Speaker 2>you know we've seen that moment and movies before, and

0:46:02.120 --> 0:46:04.640
<v Speaker 2>then it swaps when she starts crying and is like

0:46:04.680 --> 0:46:08.200
<v Speaker 2>I can't believe this is happening right now. And there's

0:46:08.200 --> 0:46:12.080
<v Speaker 2>like a certain way that Leah cries that devastating yeah,

0:46:12.120 --> 0:46:16.719
<v Speaker 2>and then to wait, you're joining the military. Are you crazy? Yes?

0:46:17.360 --> 0:46:20.640
<v Speaker 2>And it is just like what is what is happening?

0:46:21.760 --> 0:46:24.799
<v Speaker 2>He took us on a journey and it was great

0:46:24.840 --> 0:46:27.680
<v Speaker 2>because how many times have you been in conversations like

0:46:27.719 --> 0:46:29.680
<v Speaker 2>when you're young like that with people and you're in

0:46:29.719 --> 0:46:32.279
<v Speaker 2>relationships and you might be breaking up or you don't

0:46:32.320 --> 0:46:35.680
<v Speaker 2>know what's going on, and things just completely spiral because

0:46:35.719 --> 0:46:42.080
<v Speaker 2>everybody's acting from their like irrational point of view and

0:46:41.440 --> 0:46:45.680
<v Speaker 2>there and they're naive, tape off, they're young, they don't

0:46:45.800 --> 0:46:47.320
<v Speaker 2>He's like, of course, that makes so much sense to

0:46:47.400 --> 0:46:49.960
<v Speaker 2>him to go join the army, and that's what he

0:46:50.000 --> 0:46:52.160
<v Speaker 2>has to do. And he's protecting her because he's always

0:46:52.160 --> 0:46:54.520
<v Speaker 2>the leader, he's always the person who is trying to

0:46:54.520 --> 0:46:58.239
<v Speaker 2>protect everyone around him. So in one way, he's two

0:46:58.239 --> 0:46:59.920
<v Speaker 2>words of one stone. If he goes to the arm

0:47:00.120 --> 0:47:02.879
<v Speaker 2>me they can't get married and she has to go.

0:47:03.440 --> 0:47:05.160
<v Speaker 2>And then he's also going to clear his dad's name.

0:47:05.960 --> 0:47:07.839
<v Speaker 1>And I also like to have the wherewithal A though

0:47:07.840 --> 0:47:10.680
<v Speaker 1>in the maturity I guess like it's in the writing though,

0:47:10.719 --> 0:47:13.560
<v Speaker 1>like Finn has to have that maturity like of being

0:47:13.600 --> 0:47:17.399
<v Speaker 1>like are you are you one hundred percent and her

0:47:17.440 --> 0:47:20.240
<v Speaker 1>being like actually not one hundred percent maybe a ninety percent,

0:47:21.440 --> 0:47:26.359
<v Speaker 1>him going I am one hundred percent like and I

0:47:26.400 --> 0:47:27.960
<v Speaker 1>know you're going to be more than you are, so

0:47:28.080 --> 0:47:31.000
<v Speaker 1>like that was like the betrait of him letting her

0:47:31.080 --> 0:47:37.239
<v Speaker 1>go as hard as it is. It broke me. Yeah,

0:47:37.280 --> 0:47:41.200
<v Speaker 1>it was really the writing, the performance. The whole thing

0:47:41.400 --> 0:47:46.239
<v Speaker 1>from both of them was like so excellent, really really

0:47:46.239 --> 0:47:53.080
<v Speaker 1>good m hm, and then into branches into him chasing

0:47:53.120 --> 0:47:55.520
<v Speaker 1>the train, and then into Lea turning round.

0:47:55.760 --> 0:48:01.120
<v Speaker 2>I was not well, was Leah crying three quarters of

0:48:01.160 --> 0:48:05.640
<v Speaker 2>this song? And so emotion? Do you know the technical

0:48:05.760 --> 0:48:08.680
<v Speaker 2>ability but you have to have to be able to

0:48:08.680 --> 0:48:11.680
<v Speaker 2>do that. You're singing at one and a half times

0:48:11.680 --> 0:48:14.480
<v Speaker 2>of speed, so it sounds crazy, but you're still so

0:48:14.640 --> 0:48:18.080
<v Speaker 2>full of emotion that you were bawling. That is insane.

0:48:18.120 --> 0:48:23.040
<v Speaker 3>Shit, it was so good. It was so good.

0:48:24.640 --> 0:48:27.040
<v Speaker 2>That is absolutely wild.

0:48:27.920 --> 0:48:30.560
<v Speaker 1>And there we are acting like hooligans out on the

0:48:30.600 --> 0:48:32.440
<v Speaker 1>side of the road, assholes.

0:48:32.760 --> 0:48:39.799
<v Speaker 3>We were schools, like, we're not performance.

0:48:40.200 --> 0:48:44.040
<v Speaker 2>Yeah, I remember, we were just like rating crafty eating

0:48:44.160 --> 0:48:45.200
<v Speaker 2>everything in sight.

0:48:47.400 --> 0:48:53.000
<v Speaker 1>I don't know anyway, I what a beautifully done finale

0:48:53.320 --> 0:48:58.600
<v Speaker 1>of that, Like that last quarter of the episode. Really,

0:48:58.800 --> 0:49:02.560
<v Speaker 1>it really is really locked in at some point. Yes,

0:49:02.760 --> 0:49:04.960
<v Speaker 1>it totally does. And that's to Brad. We should text

0:49:05.040 --> 0:49:06.439
<v Speaker 1>him and till and it's really good.

0:49:08.040 --> 0:49:11.080
<v Speaker 2>Shout out to my horse jacket that I'm wearing at

0:49:11.080 --> 0:49:15.000
<v Speaker 2>the train station because it's so out of place. It

0:49:15.120 --> 0:49:18.480
<v Speaker 2>was a really great episode. These last few episodes have

0:49:18.680 --> 0:49:19.880
<v Speaker 2>been solid.

0:49:20.040 --> 0:49:20.480
<v Speaker 3>I get it.

0:49:20.520 --> 0:49:22.799
<v Speaker 1>Look you guys, you said it. You said season three

0:49:22.920 --> 0:49:25.120
<v Speaker 1>was going to be really great. I believed you to

0:49:25.160 --> 0:49:26.840
<v Speaker 1>an extent. I don't think I could have believed you

0:49:26.920 --> 0:49:29.440
<v Speaker 1>to this extent until I experienced it myself.

0:49:29.480 --> 0:49:30.359
<v Speaker 3>I don't know if you agree with.

0:49:30.400 --> 0:49:33.520
<v Speaker 1>Kevinan, but like I truly am, Like, wow.

0:49:34.719 --> 0:49:37.160
<v Speaker 2>I am too. But mostly it makes me feel worried

0:49:37.200 --> 0:49:42.040
<v Speaker 2>for next season because those same people were like, watch out.

0:49:43.239 --> 0:49:47.520
<v Speaker 1>Well, I believe them. I know when they speak, we listen. Yeah,

0:49:48.280 --> 0:49:53.359
<v Speaker 1>that's they prove themselves to be trust pretty okay, let's

0:49:53.360 --> 0:49:58.600
<v Speaker 1>crede these performances. Okay, whoever young okay?

0:50:00.040 --> 0:50:07.239
<v Speaker 2>P plus yeah okay, I remember A minus ay minus you.

0:50:07.200 --> 0:50:11.400
<v Speaker 1>Can get what you gave A plus A oh in

0:50:11.440 --> 0:50:14.800
<v Speaker 1>my life minus okay.

0:50:15.200 --> 0:50:18.760
<v Speaker 3>Glory days when you to talk about graduation.

0:50:21.320 --> 0:50:24.440
<v Speaker 1>Really cute, really cute. Also, like no other people graduating,

0:50:24.800 --> 0:50:25.880
<v Speaker 1>just our friends.

0:50:26.440 --> 0:50:28.799
<v Speaker 2>Yeah, there's nobody else in the school. That each got

0:50:28.840 --> 0:50:31.280
<v Speaker 2>their own little intro through the curtain, which is really cute.

0:50:32.440 --> 0:50:34.560
<v Speaker 2>It was also just sad, and I was also very

0:50:34.880 --> 0:50:37.719
<v Speaker 2>amazed that they could time out the song for when

0:50:38.480 --> 0:50:41.680
<v Speaker 2>Mark and Corey were walking out to accept their diplomas

0:50:42.200 --> 0:50:44.319
<v Speaker 2>on the correct line. How do you how do you

0:50:44.320 --> 0:50:44.959
<v Speaker 2>plan that out?

0:50:46.840 --> 0:50:48.440
<v Speaker 3>We actually don't know. That's a really good question.

0:50:48.480 --> 0:50:49.080
<v Speaker 1>That's very good.

0:50:49.280 --> 0:50:51.080
<v Speaker 2>That's what I think about what I'm watching.

0:50:54.600 --> 0:50:59.440
<v Speaker 3>Graduation was fun glory days. I give it a A.

0:51:00.400 --> 0:51:00.680
<v Speaker 1>Yeah.

0:51:00.800 --> 0:51:01.719
<v Speaker 2>I was really happy for me.

0:51:02.040 --> 0:51:05.000
<v Speaker 1>I mean the plus Yes, yes he made it. But

0:51:05.120 --> 0:51:07.600
<v Speaker 1>you know, Brad has said, look, Lee is not Bruce Springshane.

0:51:07.640 --> 0:51:10.120
<v Speaker 1>He knew, he knew his audience. He knows like he's like,

0:51:10.200 --> 0:51:12.719
<v Speaker 1>of course I want it, but like you know, there's

0:51:12.719 --> 0:51:14.000
<v Speaker 1>only certain places that fit.

0:51:14.080 --> 0:51:17.160
<v Speaker 2>That fits, So I just I don't, you know, completely

0:51:17.160 --> 0:51:19.239
<v Speaker 2>agree with that, even though he is one of the

0:51:19.280 --> 0:51:22.640
<v Speaker 2>creators of the show, just because we did so much

0:51:23.600 --> 0:51:27.120
<v Speaker 2>like Journey that you wouldn't think kids would be into,

0:51:27.840 --> 0:51:29.880
<v Speaker 2>but they were sure, sure.

0:51:29.760 --> 0:51:33.200
<v Speaker 1>Sure, sure, But Journey has that moving feeling and not

0:51:33.280 --> 0:51:37.600
<v Speaker 1>that Bruce doesn't, but more so it set the tone

0:51:37.600 --> 0:51:39.840
<v Speaker 1>and we did don't stop belaving. That's what I I

0:51:40.239 --> 0:51:42.279
<v Speaker 1>that's why for Journey, I don't know, but you can

0:51:42.320 --> 0:51:43.960
<v Speaker 1>be right too. I agree, like I think we have

0:51:44.000 --> 0:51:48.480
<v Speaker 1>to get people more credit for, you know, appreciating good music.

0:51:48.880 --> 0:51:51.000
<v Speaker 2>I do. Also, though, it's like you want to be

0:51:51.040 --> 0:51:55.000
<v Speaker 2>protective of, like that's Bruce Brings's is number one. It's

0:51:55.000 --> 0:51:57.799
<v Speaker 2>like you need to be protective of that, you know,

0:51:58.000 --> 0:52:02.400
<v Speaker 2>totally bruster for branch Is. I wouldn't have thought this

0:52:02.400 --> 0:52:05.920
<v Speaker 2>before watching it, but I think it's an A plus

0:52:05.960 --> 0:52:06.239
<v Speaker 2>for me.

0:52:07.160 --> 0:52:11.680
<v Speaker 1>Oh my god, that's not what I was expecting from you.

0:52:12.440 --> 0:52:16.760
<v Speaker 1>I am surprised. I surprised myself as well. I am.

0:52:17.080 --> 0:52:18.480
<v Speaker 1>I think I go with an A. I don't know

0:52:18.640 --> 0:52:21.200
<v Speaker 1>a plus, but I it's close.

0:52:21.080 --> 0:52:24.439
<v Speaker 2>Right because I do have I do have a hard

0:52:24.480 --> 0:52:27.719
<v Speaker 2>time when people just start singing.

0:52:28.560 --> 0:52:30.480
<v Speaker 3>Right right out of that scene.

0:52:30.640 --> 0:52:34.400
<v Speaker 2>That scene, Yes, it was a little hard for me. However,

0:52:35.440 --> 0:52:38.480
<v Speaker 2>once you get into it, it's beautiful.

0:52:38.600 --> 0:52:38.920
<v Speaker 1>Yes.

0:52:40.440 --> 0:52:43.640
<v Speaker 2>Also, she got New York of shooting random locations.

0:52:43.800 --> 0:52:45.879
<v Speaker 3>Oh yeah, I remember that. She was very excited about it.

0:52:47.719 --> 0:52:48.600
<v Speaker 2>Did they do that after?

0:52:48.760 --> 0:52:51.560
<v Speaker 1>I think they did it around up front, so if

0:52:51.560 --> 0:52:55.480
<v Speaker 1>I'm not mistaken, I don't remember. But maybe she was

0:52:55.520 --> 0:52:58.480
<v Speaker 1>already there for a front I can't remember. Okay, yeah

0:52:58.480 --> 0:53:02.960
<v Speaker 1>it was in May, so friends are in May. Okay.

0:53:04.760 --> 0:53:06.560
<v Speaker 1>I love that she was through New York. I love

0:53:06.600 --> 0:53:08.960
<v Speaker 1>that we got a tour through New York. I'm I'm,

0:53:09.280 --> 0:53:10.960
<v Speaker 1>I appreciate it. But like.

0:53:12.480 --> 0:53:14.880
<v Speaker 3>Literally got her going through all.

0:53:14.760 --> 0:53:17.520
<v Speaker 2>Of with the pink suitcase. I go, where are you

0:53:17.600 --> 0:53:19.480
<v Speaker 2>going in the same outfit?

0:53:19.560 --> 0:53:22.359
<v Speaker 1>I was like, this would have taken hours and she's

0:53:22.360 --> 0:53:23.360
<v Speaker 1>look in fresh and fine.

0:53:23.440 --> 0:53:26.799
<v Speaker 3>So I just love are yeah, yeah, yeah?

0:53:26.920 --> 0:53:27.520
<v Speaker 1>Are your feet?

0:53:27.560 --> 0:53:28.399
<v Speaker 3>Do your feed her.

0:53:29.960 --> 0:53:31.520
<v Speaker 2>Tonight? Like? What is the plan.

0:53:33.520 --> 0:53:37.839
<v Speaker 1>Literally on being put physically on the train coming off

0:53:37.880 --> 0:53:38.080
<v Speaker 1>of it?

0:53:39.640 --> 0:53:40.080
<v Speaker 3>Anyway?

0:53:40.239 --> 0:53:45.759
<v Speaker 1>Okay, let's do some tarty takes. Okay, there weren't a

0:53:45.840 --> 0:53:50.239
<v Speaker 1>ton for me this Like, no, I don't know, I

0:53:50.280 --> 0:53:53.040
<v Speaker 1>don't know. I don't I don't have any I don't know.

0:53:53.040 --> 0:53:54.680
<v Speaker 3>If I do either. Okay.

0:53:55.280 --> 0:53:59.840
<v Speaker 2>Wow, it took three seasons, okay, three seasons.

0:54:00.160 --> 0:54:02.759
<v Speaker 3>Wait to finish this season with no auchiese.

0:54:02.840 --> 0:54:07.200
<v Speaker 1>Okay, Oh, we forgot to talk about Bert's single Ladies.

0:54:07.520 --> 0:54:09.520
<v Speaker 2>That's that's we'll talk about it right now.

0:54:10.360 --> 0:54:14.719
<v Speaker 1>Okay, because it's the best danceman for sure. Was how

0:54:14.840 --> 0:54:17.040
<v Speaker 1>cute and sweet was that? I mean, we had to have.

0:54:17.000 --> 0:54:19.160
<v Speaker 2>A Burton Kirk moment and you just get that one

0:54:19.200 --> 0:54:22.719
<v Speaker 2>quick shout of Carol in the graduation. I just need

0:54:22.719 --> 0:54:26.759
<v Speaker 2>more of him doing that. So much happened in this episode.

0:54:27.360 --> 0:54:28.160
<v Speaker 2>It is crazy.

0:54:28.520 --> 0:54:30.480
<v Speaker 1>I forgot about that. I was like, oh, yeah, we

0:54:30.440 --> 0:54:32.160
<v Speaker 1>got to do this again.

0:54:32.480 --> 0:54:34.000
<v Speaker 2>Yeah, how was that? Did you have to have a

0:54:34.040 --> 0:54:35.120
<v Speaker 2>little brush up rehearsal?

0:54:36.120 --> 0:54:39.000
<v Speaker 1>Yeah, I mean you know how, there's just like gave

0:54:39.040 --> 0:54:40.759
<v Speaker 1>it to me and I was like, great, I heard good.

0:54:41.320 --> 0:54:44.080
<v Speaker 1>And it was more about supporting Mike O'Malley anyway, like

0:54:44.280 --> 0:54:49.120
<v Speaker 1>we weren't trying to be you know, great beyond this moment.

0:54:49.680 --> 0:54:51.800
<v Speaker 1>It was very cute though it was really for the story,

0:54:52.040 --> 0:54:58.719
<v Speaker 1>so great, great damn smooths bye Michael Melly. The best song,

0:55:00.040 --> 0:55:02.960
<v Speaker 1>Oh yeah what you get?

0:55:03.880 --> 0:55:08.040
<v Speaker 2>Yeah, I think that's right. Performance by prop I want

0:55:08.040 --> 0:55:12.680
<v Speaker 2>to say the little tassels on the caps because they

0:55:12.680 --> 0:55:16.000
<v Speaker 2>were really in there. There's a point of moving them

0:55:16.000 --> 0:55:19.280
<v Speaker 2>from one side to the other. I loved an Amber.

0:55:19.400 --> 0:55:22.080
<v Speaker 2>I'm going like fixed marks. I think it was.

0:55:24.320 --> 0:55:24.840
<v Speaker 1>It was great.

0:55:24.960 --> 0:55:33.399
<v Speaker 3>I'm going to Quentin's Metro North Pals best line. There's

0:55:33.400 --> 0:55:36.920
<v Speaker 3>a lot in this and in this scene, this wild scene,

0:55:37.160 --> 0:55:41.640
<v Speaker 3>yes is wild.

0:55:41.880 --> 0:55:43.600
<v Speaker 2>I mean she Roz was the only one who was

0:55:43.640 --> 0:55:45.520
<v Speaker 2>firing off one liners this episode.

0:55:47.160 --> 0:55:50.720
<v Speaker 1>She says, Ross, that's quite an accomplishment for a pregnant

0:55:50.760 --> 0:55:53.320
<v Speaker 1>woman who's askedes so well, just went high school in months?

0:55:53.440 --> 0:55:58.000
<v Speaker 2>Yeah, I think that's mine. Like that is incredible. There's

0:55:58.040 --> 0:56:03.800
<v Speaker 2>also I don't know, every time Finn speaks in this episode,

0:56:03.840 --> 0:56:06.080
<v Speaker 2>it's something really beautiful.

0:56:07.200 --> 0:56:11.440
<v Speaker 3>Yes, very important and impactful.

0:56:11.800 --> 0:56:14.080
<v Speaker 2>Sue does get in one more dig She says, well,

0:56:14.120 --> 0:56:17.200
<v Speaker 2>you think of chlorine brasl Washington, which means one of

0:56:17.280 --> 0:56:19.680
<v Speaker 2>two things. Either you just returned from the peroxide factory

0:56:19.680 --> 0:56:22.920
<v Speaker 2>where you spent the afternoon having your hair olmet refurnished,

0:56:24.080 --> 0:56:26.120
<v Speaker 2>or you've given up trying to steal my cheerios and

0:56:26.160 --> 0:56:27.600
<v Speaker 2>you're back in the pool where you belong.

0:56:28.880 --> 0:56:34.920
<v Speaker 3>Oh my god, that's funny. That's funny.

0:56:35.640 --> 0:56:37.640
<v Speaker 2>I did like the one about the vampire baby as well.

0:56:38.640 --> 0:56:43.720
<v Speaker 1>Yes, now, okay, look, the one out she I could

0:56:43.760 --> 0:56:47.239
<v Speaker 1>say is that we are shaming some old woman for

0:56:47.320 --> 0:56:48.080
<v Speaker 1>being pregnant.

0:56:49.160 --> 0:56:52.360
<v Speaker 3>But it is a saturn and Sue is much older.

0:56:52.480 --> 0:56:57.919
<v Speaker 1>This is not like somebody who really is like would

0:56:57.920 --> 0:57:01.960
<v Speaker 1>be having a baby at this time. So look, I

0:57:01.960 --> 0:57:04.680
<v Speaker 1>don't want to shame women from having babies too late.

0:57:05.960 --> 0:57:08.120
<v Speaker 1>It's like my one thing, right.

0:57:08.400 --> 0:57:14.160
<v Speaker 2>Fair, it does make for some good comedy though, truly,

0:57:14.560 --> 0:57:15.280
<v Speaker 2>That's what I'm saying.

0:57:15.280 --> 0:57:18.040
<v Speaker 1>This is like beyond that point, right, We've like passed

0:57:18.120 --> 0:57:23.560
<v Speaker 1>that point of like I don't know, okay, Morman's MVP.

0:57:28.880 --> 0:57:33.920
<v Speaker 1>I think Lea and Corey. Yeah, they really brought that

0:57:33.960 --> 0:57:41.960
<v Speaker 1>bitch home. They really did. I'm like, okay, all right, what.

0:57:42.120 --> 0:57:43.680
<v Speaker 2>An episode.

0:57:45.360 --> 0:57:51.520
<v Speaker 1>Excellent, excellent, excellent, excellent finish too season three? Yeah, Well,

0:57:51.560 --> 0:57:54.240
<v Speaker 1>there you have it, Kevin. We have made it.

0:57:54.760 --> 0:57:57.920
<v Speaker 2>After three seasons of television and looking forward to more

0:57:58.360 --> 0:58:02.720
<v Speaker 2>the three more found a TikTok this week is from

0:58:03.120 --> 0:58:08.720
<v Speaker 2>Pink Tea Bags Kim on TikTok and it is about

0:58:08.960 --> 0:58:12.880
<v Speaker 2>name a show with better guest stars than Lee. And

0:58:12.920 --> 0:58:17.160
<v Speaker 2>it's two again, and it's of just all the insane

0:58:17.280 --> 0:58:25.040
<v Speaker 2>guest stars we had on the show yet show the Skylar,

0:58:25.720 --> 0:58:31.800
<v Speaker 2>Kate Hudson, GP Grant, Matt Boehmer, Adam Lambert, Demie Levado.

0:58:31.960 --> 0:58:37.400
<v Speaker 1>Ricky Martin, Kristin Chano, ed Neil Patrick Harris, and Gina

0:58:37.480 --> 0:58:41.360
<v Speaker 1>then Zi out like we did it stay most, we did.

0:58:41.200 --> 0:58:48.600
<v Speaker 2>It so many people. Katie Sagall, Oh my god, Jennifer Coolidge,

0:58:48.840 --> 0:58:58.040
<v Speaker 2>Gina Gershawn, Lindsay Lohan, x Lee Rex. We really did it.

0:58:58.160 --> 0:59:00.640
<v Speaker 3>Well, you guys. Thanks for sticking with this for season three.

0:59:00.800 --> 0:59:02.360
<v Speaker 3>You spoke, we listened.

0:59:02.920 --> 0:59:03.439
<v Speaker 1>You were right.

0:59:05.960 --> 0:59:06.920
<v Speaker 2>You were very much right.

0:59:07.400 --> 0:59:10.920
<v Speaker 1>This is very exciting and also let us know what

0:59:10.920 --> 0:59:11.720
<v Speaker 1>you think before.

0:59:11.840 --> 0:59:15.280
<v Speaker 2>And like, can we is there anything to look forward

0:59:15.360 --> 0:59:18.240
<v Speaker 2>to and for? Can we set something? L us tell

0:59:18.320 --> 0:59:22.480
<v Speaker 2>us goal posts here to work towards, look forward to.

0:59:23.480 --> 0:59:28.320
<v Speaker 2>Tina becomes a diva good, yeah, I like it. Stand

0:59:28.360 --> 0:59:29.440
<v Speaker 2>in your power, Jenna.

0:59:30.800 --> 0:59:34.760
<v Speaker 3>She does all right. Thanks for joining us. That's what

0:59:34.800 --> 0:59:37.800
<v Speaker 3>you really missed after three full seasons.

0:59:38.120 --> 0:59:41.480
<v Speaker 2>See ya. Thanks for listening and follow us on Instagram

0:59:41.680 --> 0:59:44.080
<v Speaker 2>at and that's what you really miss pod. Make sure

0:59:44.120 --> 0:59:46.240
<v Speaker 2>to write us a review and leave us five stars.

0:59:46.400 --> 0:59:47.120
<v Speaker 2>See you next time,