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Speaker 1: And That's what You Really missed with Jenna.

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Speaker 2: And Kevin An iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You Really miss podcast.

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Speaker 2: Hello Dun Dun Dune and we've made it.

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Speaker 1: Jenna, Oh my god, we're here.

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Speaker 2: Can you believe it?

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Speaker 3: I actually can't. It's flown by.

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Speaker 2: I just feel like like pumping the brakes.

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Speaker 1: I am excited for four them. I'm not gonna lie,

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Speaker 1: but this is crazy.

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Speaker 3: We're three or three? That's crazy.

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Speaker 1: We are sprinting through this show. It feels like are

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Speaker 1: we Yeah? It certainly feels that way.

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Speaker 2: And also because the last few episodes have just been

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Speaker 2: so like full of anticipation. Yes, so I've just wanted

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Speaker 2: to keep going. Say, it's just been speeding up. Same, Well,

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Speaker 2: we're sting. I met myself to an episode a week.

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Speaker 1: But I get like I do like one and a half.

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Speaker 4: I do one and then half of the second the

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Speaker 4: next one, same exacts.

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Speaker 1: Okay, Well, here we are is the season three episode

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Speaker 1: twenty two, and this is goodbye. And this is crazy

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Speaker 1: because it feels like a series finale. It feels like

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Speaker 1: a very real goodbye. It did feel that way as

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Speaker 1: well when we shot it, did it? Oh yeah, in

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Speaker 1: very particular, I'm okay. It made me feel like the

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Speaker 1: end of the series, like how I felt then. That's

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Speaker 1: what I kept thinking of, and that's what it felt

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Speaker 1: like while we were shooting in as well. To me,

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Speaker 1: We'll get there.

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Speaker 2: So this is season three, episode twenty two Goodbye, the

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Speaker 2: season three finale. It aired on May twenty second, twenty twelve.

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Speaker 2: That's a lot of twos. The number one movie in

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Speaker 2: the country was Avengers per huge. Somebody used to know

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Speaker 2: it was still the number one song per huge, but Jenna,

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Speaker 2: there was some great Glee news this week.

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Speaker 1: There was. It was very exciting. On May fourteenth, it

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Speaker 1: was announced that Kate Hudson and Sarah Jisca Parker would

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Speaker 1: be joining Are You Kidding for season four, both multi

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Speaker 1: episode arcs, and also they announced that our show would

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Speaker 1: be moving to Thursday nights and the new season would

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Speaker 1: be a show within a show since key characters were graduating.

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Speaker 1: Now Kevin is the numbers guy. What did you feel

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Speaker 1: or do you remember what you thought when we moved

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Speaker 1: to Thursday nights?

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Speaker 2: Was that a good thing or a bad thing? Moving

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Speaker 2: dates is always tricky? Yeah, And I remember being like,

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Speaker 2: because our numbers started to go down. So it's sort

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Speaker 2: of like a how can we get this re energized?

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Speaker 2: And so they moved you to a Thursday. I don't

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Speaker 2: remember what we were paired with, but they usually it's

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Speaker 2: like because we were following American Idol for a while

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Speaker 2: and then we didn't need a lead in because we

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Speaker 2: were a big show, and then we became the leading

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Speaker 2: they moved us an hour earlier X Factor, Yes happened,

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Speaker 2: and the X Factor didn't do well. It did not,

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Speaker 2: but it was a lot of me every Thursday night

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Speaker 2: because I was doing these Pepsi commercials. That's had every

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Speaker 2: like ad break for X Factor, and then it was Glee,

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Speaker 2: so we.

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Speaker 1: Love that for you. Yeah, I love you doing Pepsi commercials.

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Speaker 1: It's like Britney Spears is doing her Honestly, it was

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Speaker 1: the biggest dream come true when because also like why

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Speaker 1: would they pick me out of all the Glee cats?

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Speaker 1: Like someone they approached me? They did?

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Speaker 2: Could you could have literally I'm number eight on the

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Speaker 2: call sheet. You had one through seven to go through.

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Speaker 2: It was very strange and because yes, growing up like

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Speaker 2: the pop stars did the Pepsi commercials huge, huge, huge.

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Speaker 2: It was bad though, just a quick little story about

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Speaker 2: this because it was like one of the biggest dreams

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Speaker 2: come true. So I did the first commercial in New York.

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Speaker 2: It was fine, great, whatever, then like we want to

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Speaker 2: do more. It's like yes, And so I shot until

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Speaker 2: I don't know, nine or ten at night on a Friday,

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Speaker 2: got on a red eye, flew to New York. They

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Speaker 2: had never they never sent me the script for the

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Speaker 2: new and you know, when you do these types of things,

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Speaker 2: it's a lot of jargon, like talking about contests, talking

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Speaker 2: about like whatever it may be.

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Speaker 3: This was like walking backstage and stuff. Right, yes, that's right.

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Speaker 2: And so I was. I landed at like JFK wherever

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Speaker 2: I opened my phone, I have an email of and

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Speaker 2: I'm going straight from the airport to set God Kevin Jenna.

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Speaker 2: It was so much dialogue and I was by that

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Speaker 2: point we were like pretty quick at memorizing.

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Speaker 3: Yeah, yeah, yeah.

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Speaker 2: And because it was not a character, so there's no

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Speaker 2: story to it, which helps you memorize. It's just words

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Speaker 2: and nothing was staking and you know how, I am

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Speaker 2: on no sleep, I am not well, and so I was.

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Speaker 2: It's one of the most unprofessional experiences of my life

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Speaker 2: on my part because I could not deliver. I understand

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Speaker 2: that feeling. Oh my guys, I'm going to need some

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Speaker 2: cheat sheets, so can we. So then we just had

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Speaker 2: to print them out and like put them on this

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Speaker 2: little thing in front of me, and I was just reading,

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Speaker 2: Oh my god, like glazed over. Just hey, we used

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Speaker 2: them to be and pepsi commercials. Truly, that's the worst though,

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Speaker 2: I guess. I just I was like, you know, to

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Speaker 2: do those things, you have to go through all these

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Speaker 2: corporate like people to sign off on it, and there

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Speaker 2: you are, finally doing it, and you can't say your words.

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Speaker 1: Get it together? Well, getting them that morning also adds

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Speaker 1: stress and adrenaline, and it's never a good thing.

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Speaker 2: Yeah, because so like they pay you a good amount

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Speaker 2: of money for those things, and totally that makes you

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Speaker 2: just like, oh, that's stupid, Okay, I have to make

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Speaker 2: sure I really show up and do it.

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Speaker 3: Totally.

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Speaker 1: There's one of those that happens on Glee with like

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Speaker 1: some lines that I have. It's like a big monologue

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Speaker 1: and I couldn't get through it and I was sweating

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Speaker 1: and people had to like read it to me, which

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Speaker 1: started making it even worse. We'll get there at some point,

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Speaker 1: I'm sure it's coming anyway. This was directed by the

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Speaker 1: one and only Brad foul Chuck and in some of

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Speaker 1: these bat behind the scenes videos he looks so funny,

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Speaker 1: like so young. He's got scruff and really long hair,

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Speaker 1: and I was like, is that Brad? Yeah, after writing

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Speaker 1: twenty two episodes, that's what you look like. Yeah, that's

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Speaker 1: exactly two exceptional. This was also directed by Brad and

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Speaker 1: written by Bradfeulchuk. On the page, we have the wonderful

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Speaker 1: glorias to have fun and these songs are great.

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Speaker 2: They're great, and they're so many good songs.

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Speaker 1: It's great. There's some grains on that. Okay, so we

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Speaker 1: are forever young. I'll remember, I remember. Oh you get

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Speaker 1: what you give. Everyone gets an every time in my

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Speaker 1: life Glory Days. We got a Bruce Springsteen one in there.

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Speaker 2: Finally for Brad, he had a direct one.

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Speaker 1: We're using Roots before Branches and sit Down. Rocking the

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Speaker 1: Boat was also featured, which we did again did you

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Speaker 1: see my Life?

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Speaker 2: Sure sounded like it.

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Speaker 1: Yeah, it sounded like we're saying about live.

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Speaker 3: Can't find it this feeling.

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Speaker 1: Arispeed Bagman was also a flashback and single Ladies.

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Speaker 2: It's a lot of music. Something we've learned because I

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Speaker 2: might have. You and I had a strong visceral reaction

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Speaker 2: to when Jake Shane was on talking about Roots before Branches.

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Speaker 1: Right, and we were like, is this a reun joy

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Speaker 1: run Kevin, Yeah, where fans have really let their voices

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Speaker 1: be heard on this one and Roots before Branches.

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Speaker 2: Is like a beloved song by the fans.

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Speaker 1: Now, Okay, I understand it's a Rachel Berry song. It's

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Speaker 1: beautifully sung. It's a pretty song. I think attaching yourself

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Speaker 1: to the actual moment in which it was shot and

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Speaker 1: how it was written also lends to the the love

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Speaker 1: for it because it's Rachel's. It's Rachel's moment. She's saying goodbye.

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Speaker 1: It was a wildly dramatic, beautiful scene between her and Finn,

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Speaker 1: and then we get to New York and she's walking

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Speaker 1: through the New York City streets looking like Mary Tyler Moore,

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Speaker 1: I meets Barbara streisand so like, I get it, I

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Speaker 1: get it, I get it.

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Speaker 2: I was confused because I did not remember the specifics

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Speaker 2: of it, and watching it was like.

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Speaker 1: All I remember was that stupid train station that was

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Speaker 1: our last day off for this episode.

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Speaker 2: We were so like when we're waving by. We're all

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Speaker 2: saying things to each other, like bye, are we done yet?

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Speaker 1: We had a lot of waiting around that day. There's

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Speaker 1: not a lot to be done. We were blocked out.

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Speaker 1: I also somebody stole some costumes from the previous episode,

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Speaker 1: and I was like, well, I really love this coat,

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Speaker 1: so I took the coat.

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Speaker 3: Good.

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Speaker 1: It's a blue coat. It's really cute.

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Speaker 3: You still have it.

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Speaker 1: No, I don't still have it. It's got stained coffee

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Speaker 1: stains on it. But I did take the coat. I

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Speaker 1: did it, and I think I had the approval. I

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Speaker 1: didn't do what that person did. But anyway, that's all

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Speaker 1: I remember from that train station and the photo we

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Speaker 1: have of us holding up three the three fingers for

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Speaker 1: the season three. Okay, we'll get to it for branches.

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Speaker 1: But there's a lot of good stuff about this episode.

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Speaker 2: Here we go. So this episode in the US aired

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Speaker 2: an hour later than usual because of the American Idol finale,

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Speaker 2: so strong lead in there.

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Speaker 1: Gloria Stephan makes a special guest appearance as Marie Bell

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Speaker 1: Lopez and Santana's mom, and she talks and talks to

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Speaker 1: play her mom. As early as November of two thousand

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Speaker 1: and eleven after I Kissed a Girl aired, Gloria tweeted,

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Speaker 1: did anyone seekle last night? Santana could really use a

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Speaker 1: sympathetic mommy right about now, don't you think? She literally

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Speaker 1: put herself in and said, cast me royalty.

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Speaker 2: She is royalty? I mean yes, how crazy? And she

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Speaker 2: comes back later on. Obviously, Ryan noted this episode initially

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Speaker 2: ran fifteen minutes too long. Because of this, there are

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Speaker 2: quite a few deleted scenes that didn't make the.

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Speaker 1: Cut, including one of Fouteina and Mike Tana. Mike did

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Speaker 1: a scene where his dad I'd apologize this and tells

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Speaker 1: him he's really proud of him and that they're in

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Speaker 1: full support, and it was a really sweet scene. I

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Speaker 1: totally get it. Not really needed, like fifteen minutes long,

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Speaker 1: we're getting cut, We're getting got cut.

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Speaker 3: But that's sweet.

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Speaker 1: Yeah. Sweet. A scene between Puck and Quinn studying the

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Speaker 1: library was also cut. In addition, there was also a

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Speaker 1: scene where was reading a message Rachel wrote new yearbook

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Speaker 1: that was cut, and then also the Mic and Tina

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Speaker 1: scene where's parents give him that the graduation present.

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Speaker 2: However, consolation Prize, the curtain Rachel scene, and the Mica

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Speaker 2: Tina scenes were uploaded to YouTube, so.

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Speaker 1: We're obviously good enough to make it to YouTube.

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Speaker 2: That's right, you made it. This is the first finale

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Speaker 2: not to contain new directions competing in a show choir competition.

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Speaker 2: It could have ended last episode. That's the truth the season.

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Speaker 2: But as a viewer, I know I keep bringing up

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Speaker 2: Game of Thrones, but it was the only show that

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Speaker 2: I felt like gave me two finales because something crazy

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Speaker 2: penultimate episode and then so much more happened in the

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Speaker 2: next episode in a different way. And that's how this

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Speaker 2: felt to me, the.

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Speaker 3: Episode or the Yes, I totally agree with you.

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Speaker 1: I totally agree. Kurt's graduation gown is accessorized with an

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Speaker 1: insect broach, which of course is probably from Lou's brilliant

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Speaker 1: mind that he wore on his sweater the one that

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Speaker 1: he wore during Defying Gravity in season one.

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Speaker 2: That I love that one too, Yeah, that was so sweet.

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Speaker 2: Rachel's pink suitcases identical to the one and showmance where

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Speaker 2: Fenn helps her carry the case.

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Speaker 1: I love that realistically, like, who's getting new suitcases that age?

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Speaker 1: So I appreciate that this is the last episode which

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Speaker 1: worry appears physically. That is so weird. You're saying good

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Speaker 1: bye to.

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Speaker 3: A lot of people that I don't actually remember.

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Speaker 1: Saying goodbye to.

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Speaker 2: That is very strange.

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Speaker 1: Like we had a whole life after this Kevin on

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Speaker 1: the show, and other people had other lives.

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Speaker 3: Isn't that weird?

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Speaker 2: It really boggles my mind because it doesn't feel like that.

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Speaker 3: No, not at all.

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Speaker 2: It's very strange because that is the reality of it.

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Speaker 2: That is the fact of it, that this is it

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Speaker 2: for some of these people, but.

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Speaker 1: We see them all so much.

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Speaker 2: Yes, Like I don't understand how that was true possible

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Speaker 2: because you also, we've built these bonds so quickly with

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Speaker 2: people right and right, Like Damien feels like he was

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Speaker 2: in the entire show exactly.

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Speaker 1: I'm like, this is a nons like he just started right.

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Speaker 3: That is very weird, Okay, very weird.

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Speaker 1: Yeah, he does appear, reappear and already stream in season four.

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Speaker 2: That's right, already bring him back, bring him back.

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Speaker 1: Of course, it would be Kevin to bring all his

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Speaker 1: friends back. This is the last episode to credit Diana

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Speaker 1: and jama A series regulars.

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Speaker 2: What did we not know what was going on on

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Speaker 2: the show we were in.

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Speaker 1: I don't think we knew because I don't think a

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Speaker 1: lot of people knew, to be honest, that's.

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Speaker 2: Probably sure the summer. There were negotiations going on over

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Speaker 2: the summer. I am sure.

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Speaker 1: Yeah, Well we knew Diana was kind of on our

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Speaker 1: way out and jam abough that's a surprise to me.

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Speaker 1: They become guest stars for the future, which is so weird,

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Speaker 1: and Cord on the opposite end, Actually, this is the

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Speaker 1: last episode that he is a guest star and he

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Speaker 1: becomes a series regular, which makes that makes sense to me.

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Speaker 2: Yes, the Priority number one helped the kids fire from

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Speaker 2: the pilot reappears in Will's office and there's.

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Speaker 1: A lot of sentimental moments in this episode. This is

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Speaker 1: the second time where Finn breaks up with his girlfriend

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Speaker 1: in the car. The first time was in Tierro when

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Speaker 1: he broke up with Quinn. It felt familiar, it did.

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Speaker 1: I like that he's got a he's got a way

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Speaker 1: of doing things. The first season finale, where the final

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Speaker 1: scene is not in the choir room, Santana's mom mentions

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Speaker 1: that she used to dress up his uncle Jesse from

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Speaker 1: Full House on Halloween. Uncle Jesse was obviously played by

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Speaker 1: the beloved John Stamos, who also played Carl on our

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Speaker 1: show another.

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Speaker 2: John Stamos is just very popular in this writer's room.

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Speaker 4: He's popular in real life. Yeah, everybody loves Everybody loves

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Speaker 4: John Stamos. When Rachel arrives in New York, she is

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Speaker 4: shown leaving Grand Central Station, which is used for commuter trains,

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Speaker 4: Amtrak trains, or Rachel would have been taken to from

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Speaker 4: Lima is the tent station.

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Speaker 1: He love that because I know that, and I also

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Speaker 1: was like, why is she taking a train? And in

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Speaker 1: the behind the scenes Brad says the train was more romantic,

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Speaker 1: especially with Finn running after a train and not running

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Speaker 1: after an airplane, so like, yeah, it was very good,

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Speaker 1: but I would I was like, she's really going to

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Speaker 1: take a train from Ohio New York.

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Speaker 2: It is much more romantic and cinematic. Totally makes sense. Yeah.

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Speaker 1: In the scene where Finn and his mother are discussing

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Speaker 1: Finn's father's service in the army, Sinn is holding a

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Speaker 1: picture of his father, whose uniform has a US Marines

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Speaker 1: tabs across the pocket, and the Marine Corps startdant pin

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Speaker 1: beneath the ship.

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Speaker 3: Oh shit, I love that. That's really good.

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Speaker 2: Okay, so the official summary this one actually makes sense.

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Speaker 2: This time. Oh good, graduation is finally here in McKinley

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Speaker 2: High's class of twenty twelve looks to the past and

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Speaker 2: present while contemplating the future.

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Speaker 1: Oh my god.

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Speaker 2: Okay, let's get into it, Jenna, all.

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Speaker 3: Right, let's talk about it.

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Speaker 1: So over. The whole thing is about saying goodbye, right,

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Speaker 1: the seniors saying goodbye. They're passing on the torch to

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Speaker 1: the juniors. It's all really beautiful. But we're learning throughout

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Speaker 1: this whole episode where people are headed right, So it's

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Speaker 1: time to say goodbye, and mister Shue has one last

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Speaker 1: assignment for everybody for the national winning glee Club, if

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Speaker 1: you will, that's right, it already tells us. So he

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Speaker 1: kicks it off with a song where he sings to us.

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Speaker 2: He sings at the most emotional moments he does. He

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Speaker 2: pulls out that guitar. Are ke any plays? I think

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Speaker 2: I want to talk about the overall feeling of this episode. Okay, great,

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Speaker 2: let's do it. Because the thing that I was just

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Speaker 2: really taken it back by was how consistent and thorough

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Speaker 2: the feelings were of leaving something behind it like really

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Speaker 2: encapsulated that for me in every scene, every scene and

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Speaker 2: everyone obviously is dealing with different things, but that through

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Speaker 2: line of like growing up in the sadness of like

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Speaker 2: moving on from this time that you love. You think

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Speaker 2: this is the peak of your life thus far. You

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Speaker 2: don't know what's ahead of you. And so it's this

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Speaker 2: really emotional thing because yes, this is the this is

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Speaker 2: the last time they're all together. They're all going to

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Speaker 2: be in class together. This is also on the podcast,

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Speaker 2: the last time we're all going to talk about the

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Speaker 2: glee club in this form. Weird, It's very strange, and

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Speaker 2: I think just like in real life, you know, some

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Speaker 2: of these moments are marked by the characters like Sue,

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Speaker 2: Selvester and Quinn. Like those moments where the characters that

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Speaker 2: you've seen grow the most, it really hits you. And

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Speaker 2: I feel like it was written in such a beautiful.

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Speaker 1: Way because it's directed with like the heart that rad

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Speaker 1: cast and.

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Speaker 2: It made us, you know, we were just talking about

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Speaker 2: it made us think of those times which then the

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Speaker 2: show is doing its job.

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Speaker 3: It was a really effective episode. You're totally right.

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Speaker 2: I just watched the Young Royals series finale on Netflix

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Speaker 2: and then they have a documentary and it was very

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Speaker 2: emotional because obviously, like we've been through a similar thing

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Speaker 2: and it's a very specific experience, and it was the

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Speaker 2: same thing. I watched these back to back and I

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Speaker 2: was like, this is too much all at once. I

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Speaker 2: don't know what I was thinking, but it's really and

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Speaker 2: being able to compare those where that's a high school

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Speaker 2: show saying goodbye in the finale and this was too

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Speaker 2: like we did a good job.

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Speaker 1: We did, they did, and it was it was just

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Speaker 1: really it was also sentimental and nostalgic, like they did

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Speaker 1: a lot of that flashback. They did a lot of

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Speaker 1: really good things with the relationships, like you said, like

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Speaker 1: Sue and Quinn and Finn and Rachel, that brought us

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Speaker 1: back to the early days of Glee when you just

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Speaker 1: started to fall in love with these people. Yeah, Brad

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Speaker 1: did an excellent job at executing that. And then also,

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Speaker 1: I think is what made Glee so special in work.

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Speaker 1: There was a part of it that was the chemistry

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Speaker 1: of the cast, right, the chemistry of this group that

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Speaker 1: was learning about each other as we were starting out

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Speaker 1: and all becoming you know, this was becoming huge, and

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Speaker 1: then we have to say goodbye to that that thing

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Speaker 1: we knew and the thing I remember the most was

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Speaker 1: the feeling that we had when we were shooting. It

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Speaker 1: was very similar to the feeling that you got when

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Speaker 1: we watched it this time around, because the we really

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Speaker 1: didn't know what was coming. All we knew was the

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Speaker 1: end of something, and it was hard to say and

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Speaker 1: like I was nervous having like hearing there were new

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Speaker 1: they were casting new kids.

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Speaker 3: Like that was so scary for me.

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Speaker 1: Because you create this bond with all these people and

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Speaker 1: then you're like severing ties on screen at least, and I.

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Speaker 3: Remember, you get what you give.

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Speaker 1: Not wanting to weep, but weeping like Lea was weeping,

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Speaker 1: Vanessa was weeping. We were all crying really hard, and

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Speaker 1: Zach and Brooke were there and they're like, this is

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Speaker 1: the last time you were ever gonna perform together. And

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Speaker 1: then they left the room and we started shooting that

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Speaker 1: that's right, and you're like, literally, my jaw was on

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Speaker 1: the ground. I'm a crier already, So this like wasn't

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Speaker 1: good for me. It was beautiful. It was like a

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Speaker 1: real celebration of the thing that we created together. And

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Speaker 1: throughout the whole episode you could se see like wet

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Speaker 1: eyes everywhere.

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00:22:02,160 --> 00:22:04,960
Speaker 3: You could tell in Leah's face, like everywhere.

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Speaker 2: That was that when she's watching in my Yes, in

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Speaker 2: my life, Yes, like, oh that's real, Leah crying, that's totally.

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Speaker 1: Even Diana crying a bunch Like it was. It was

389
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Speaker 1: a really emotional time for us, Like it did feel

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Speaker 1: like a series finale in some way.

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Speaker 2: And the show meant that much to us, and our

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Speaker 2: bond and what we had been a part of to

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00:22:29,160 --> 00:22:31,959
Speaker 2: create after that point meant that much to us, Like

394
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Speaker 2: we loved doing this. It's it, And I think that's

395
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Speaker 2: part of like what this journey on the podcast is

396
00:22:40,560 --> 00:22:44,600
Speaker 2: is where I feel like that story has been forgotten

397
00:22:44,640 --> 00:22:48,680
Speaker 2: even by some of our own where like watching this episode,

398
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Speaker 2: it's like we like those are real tears. We were

399
00:22:52,400 --> 00:22:55,440
Speaker 2: so upset and also so proud, and it felt very

400
00:22:55,480 --> 00:22:58,720
Speaker 2: reminiscent of graduating school at some point, whether it's high

401
00:22:58,760 --> 00:23:02,119
Speaker 2: school or college, where half of you doesn't want to

402
00:23:02,160 --> 00:23:05,439
Speaker 2: let it go. It's like, oh, these are my people,

403
00:23:05,480 --> 00:23:07,440
Speaker 2: this is my family, This is where I feel comfortable

404
00:23:07,480 --> 00:23:10,439
Speaker 2: and seeing they get me and look at all we've

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00:23:10,440 --> 00:23:13,159
Speaker 2: accomplished together. But then the other half of you is like,

406
00:23:14,119 --> 00:23:17,960
Speaker 2: I can't wait to get out of here because I'm

407
00:23:18,000 --> 00:23:21,080
Speaker 2: so excited for what's next, and not in a you know,

408
00:23:21,240 --> 00:23:23,040
Speaker 2: a bad way, but I'm just so excited and you

409
00:23:23,560 --> 00:23:25,560
Speaker 2: feel that in this and I think looking at everyone's

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00:23:25,560 --> 00:23:29,920
Speaker 2: faces and different scenes, it's one of two emotions people

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Speaker 2: are feeling.

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Speaker 1: It was really bittersweet for us, but because also like

413
00:23:34,760 --> 00:23:38,880
Speaker 1: the hit, the wheels had already come off by this point,

414
00:23:39,280 --> 00:23:42,080
Speaker 1: people had lost their minds, people made their way back,

415
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Speaker 1: and then to know that this was ending, you're like,

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00:23:46,720 --> 00:23:48,280
Speaker 1: it's almost like in high school, and you're like, what

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Speaker 1: would I have done differently?

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Speaker 3: Is there anything I would have done?

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Speaker 1: Because it's the first real time, I think is in

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Speaker 1: it you're emerging adulthood where you're leaving something really profound

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Speaker 1: behind and you're entering like a real new chapter. This

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00:24:02,840 --> 00:24:06,960
Speaker 1: isn't like, oh, like you're entering adulthood in a lot

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Speaker 1: of ways. And so for me, it was like, oh,

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Speaker 1: what would I have done different? Would I appreciated this more?

425
00:24:13,440 --> 00:24:15,919
Speaker 1: Would I have taken more time with these people? Like

426
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Speaker 1: all of it?

427
00:24:16,680 --> 00:24:18,400
Speaker 3: It just you could feel.

428
00:24:19,040 --> 00:24:22,119
Speaker 1: Those feelings, especially after the wheels had come off, and

429
00:24:22,119 --> 00:24:23,600
Speaker 1: then they're like, oh, I'm going to miss this.

430
00:24:24,000 --> 00:24:26,800
Speaker 2: Yeah, And it's hard to balance too, because this is

431
00:24:26,880 --> 00:24:30,920
Speaker 2: after nine full months of shooting, and so we're aired

432
00:24:31,080 --> 00:24:32,120
Speaker 2: really tired.

433
00:24:32,320 --> 00:24:34,480
Speaker 1: After coming off a tour and coming off for season

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00:24:34,520 --> 00:24:36,760
Speaker 1: and coming up, we're exhausted. We're really tired.

435
00:24:36,800 --> 00:24:41,399
Speaker 2: I've really done this marathon since the pilot aired, Yes,

436
00:24:41,680 --> 00:24:46,359
Speaker 2: and this was our first hiatus, proper hiatus. And then

437
00:24:46,920 --> 00:24:48,320
Speaker 2: things are not going to be the same when we

438
00:24:48,359 --> 00:24:50,520
Speaker 2: come back, and we don't know what that's going to

439
00:24:50,560 --> 00:24:54,520
Speaker 2: look like. Correct, And so even for us, we knew

440
00:24:54,560 --> 00:24:57,800
Speaker 2: we'd still be in the choir room, but what does

441
00:24:57,840 --> 00:25:01,920
Speaker 2: that feel like because half of our best friends aren't

442
00:25:01,960 --> 00:25:05,080
Speaker 2: going to be there? And what does that mean for story?

443
00:25:05,200 --> 00:25:07,280
Speaker 2: And what does that mean for Are people still going

444
00:25:07,359 --> 00:25:08,000
Speaker 2: to like this show?

445
00:25:08,760 --> 00:25:09,359
Speaker 3: New Blood?

446
00:25:10,080 --> 00:25:11,320
Speaker 2: Yeah?

447
00:25:11,400 --> 00:25:16,560
Speaker 3: Whoo, it's this one? This one really I didn't.

448
00:25:16,600 --> 00:25:20,360
Speaker 1: I don't think I remembered how much was how much

449
00:25:20,359 --> 00:25:23,000
Speaker 1: emotion was in this episode. I was like, oh Nationals,

450
00:25:23,000 --> 00:25:25,560
Speaker 1: we won. This is saying goodbye Lee. It like Rachel

451
00:25:25,560 --> 00:25:27,640
Speaker 1: getting on the train like that's it, And I was.

452
00:25:27,600 --> 00:25:30,119
Speaker 2: Like, oh shit, very much the same.

453
00:25:30,480 --> 00:25:33,639
Speaker 1: The ones I remember the most were you Get what

454
00:25:33,720 --> 00:25:37,800
Speaker 1: You Give and Ruth before Branshaws.

455
00:25:39,200 --> 00:25:41,800
Speaker 2: Yeah, same, I remember in my life, like I think

456
00:25:41,840 --> 00:25:47,520
Speaker 2: we did those the same day. We were just right right,

457
00:25:48,440 --> 00:25:51,120
Speaker 2: But I also in the beginning of this episode, because

458
00:25:51,160 --> 00:25:54,080
Speaker 2: there's it makes so much sense knowing that this episode

459
00:25:54,119 --> 00:25:57,399
Speaker 2: is fifteen minutes too long, because we get the start

460
00:25:57,400 --> 00:26:00,680
Speaker 2: of it is a little rough, like chop chop, and

461
00:26:00,680 --> 00:26:02,040
Speaker 2: all of a sudden we're in a lesson and all

462
00:26:02,080 --> 00:26:05,960
Speaker 2: of a sudden people are singing. It was very quick, totally,

463
00:26:06,200 --> 00:26:08,560
Speaker 2: but I know, Corey like just coming with all the

464
00:26:08,720 --> 00:26:09,679
Speaker 2: energy like this.

465
00:26:09,800 --> 00:26:10,720
Speaker 4: Is yer Glee Club.

466
00:26:11,560 --> 00:26:12,600
Speaker 2: I see that.

467
00:26:12,480 --> 00:26:15,919
Speaker 1: Whole thing and just now, do you remember them surprising

468
00:26:16,000 --> 00:26:18,840
Speaker 1: us in some way, like pulling us down and us

469
00:26:18,920 --> 00:26:21,520
Speaker 1: not remember like there was something about it being a

470
00:26:21,520 --> 00:26:24,399
Speaker 1: little unrehearsed, and I can't remember what it was, but

471
00:26:24,440 --> 00:26:26,560
Speaker 1: it might have been them bringing us in the circle,

472
00:26:27,320 --> 00:26:29,760
Speaker 1: like I don't remember. Maybe it was just Zack and

473
00:26:29,760 --> 00:26:32,560
Speaker 1: Brook saying the thing that they said, but I remember

474
00:26:32,560 --> 00:26:35,440
Speaker 1: feeling like surprised by that performance.

475
00:26:39,520 --> 00:26:42,000
Speaker 2: I don't know, I don't I don't remember, but I

476
00:26:42,080 --> 00:26:44,240
Speaker 2: feel like I remember Zach and Brook saying that and

477
00:26:44,240 --> 00:26:45,640
Speaker 2: then leaving and then.

478
00:26:45,600 --> 00:26:50,080
Speaker 1: Vanessa just crying, yes, cry, like really hard crying.

479
00:26:59,080 --> 00:27:00,639
Speaker 2: So I think the best to go through a lot

480
00:27:00,680 --> 00:27:03,800
Speaker 2: of this episode is to just go through are people

481
00:27:03,800 --> 00:27:04,679
Speaker 2: who are graduating?

482
00:27:04,840 --> 00:27:07,159
Speaker 1: Yeah, I wants to give him a nod and a

483
00:27:07,359 --> 00:27:14,199
Speaker 1: yeah in a wave. Okay, bye bye. So Mike, Tina's

484
00:27:14,240 --> 00:27:16,679
Speaker 1: sweet boyfriend of many years, is going away.

485
00:27:16,720 --> 00:27:17,600
Speaker 3: He's graduating.

486
00:27:17,920 --> 00:27:22,879
Speaker 1: He receives a scholarship to Jeffrey Ballet in Chicago. I

487
00:27:22,880 --> 00:27:24,520
Speaker 1: think he was supposed to go to Alvan Aley School

488
00:27:24,800 --> 00:27:30,920
Speaker 1: and he he gets accepted to a ballet company which

489
00:27:31,000 --> 00:27:38,040
Speaker 1: is very prestigious. Also to note when they shot these scenes,

490
00:27:38,040 --> 00:27:43,600
Speaker 1: when Santana is getting the being told where everybody's going

491
00:27:43,720 --> 00:27:47,040
Speaker 1: to perform, and Mercedes getting which we'll get to getting

492
00:27:47,040 --> 00:27:49,720
Speaker 1: the recording contract in Santana's going like, oh my god,

493
00:27:49,760 --> 00:27:51,520
Speaker 1: what am I? What am I doing? I shouldn't be

494
00:27:51,520 --> 00:27:55,320
Speaker 1: going to Kentucky. I get what Brad was trying to

495
00:27:55,320 --> 00:27:57,240
Speaker 1: do with like looking down the barrel. It's like it's

496
00:27:57,280 --> 00:28:00,119
Speaker 1: like you're looking into Santana's eyes, but it is so

497
00:28:00,400 --> 00:28:03,200
Speaker 1: out of the Glee style. It feels like something Brad

498
00:28:03,240 --> 00:28:05,760
Speaker 1: Beeker would do, but like it just didn't. It didn't

499
00:28:05,840 --> 00:28:07,520
Speaker 1: quite have the effect that I would hope because it

500
00:28:07,560 --> 00:28:11,320
Speaker 1: was a little out of left field for me. I

501
00:28:11,359 --> 00:28:13,280
Speaker 1: was like, what are they doing? Why are they looking

502
00:28:13,320 --> 00:28:19,280
Speaker 1: at me? But anyway, it Mike gets to go to

503
00:28:19,480 --> 00:28:22,640
Speaker 1: Jeoffrey Ballet. And then also this sweet scene that got

504
00:28:22,680 --> 00:28:25,960
Speaker 1: caught on YouTube where his dad is giving him his

505
00:28:26,040 --> 00:28:31,159
Speaker 1: graduation present and they're supporting their you know, children and

506
00:28:31,200 --> 00:28:35,440
Speaker 1: the arts, and it's just and his dad actually looking

507
00:28:35,520 --> 00:28:37,320
Speaker 1: him in the eyes and telling him he's proud of him.

508
00:28:38,040 --> 00:28:41,120
Speaker 1: Jane's like, my work here is done. Now go a bitch,

509
00:28:41,120 --> 00:28:46,880
Speaker 1: it's my turn. Free, b free. Uh So that's Mike.

510
00:28:47,080 --> 00:28:48,760
Speaker 1: That's where Mike is is headed.

511
00:28:48,920 --> 00:28:52,520
Speaker 2: I loved this little segment though, of Santana learning what

512
00:28:52,560 --> 00:28:55,360
Speaker 2: everybody's doing, because it was also obviously a great way

513
00:28:55,400 --> 00:28:57,120
Speaker 2: for us to find out what everybody's doing.

514
00:28:59,440 --> 00:29:04,160
Speaker 3: Great, So happy for you, very funny, very funny.

515
00:29:04,200 --> 00:29:07,120
Speaker 2: So yeah, Mercedes gets a recording. This doesn't make any sense.

516
00:29:07,800 --> 00:29:09,560
Speaker 2: And Jenna, one day we are going to make a

517
00:29:09,640 --> 00:29:13,320
Speaker 2: musical and we're going to represent the musical industry properly,

518
00:29:13,640 --> 00:29:17,120
Speaker 2: because I have yet to see a musical movie or

519
00:29:17,240 --> 00:29:20,800
Speaker 2: TV show that talks about the music business correct the

520
00:29:20,880 --> 00:29:25,040
Speaker 2: way it actually works. Yes, right, But anyway, Mercedes got

521
00:29:25,080 --> 00:29:27,720
Speaker 2: a recording contract as a backup singer on an indie

522
00:29:27,800 --> 00:29:30,520
Speaker 2: label and we'll be taking classes at the UCLA Extension.

523
00:29:31,400 --> 00:29:35,800
Speaker 1: Okay, cool, unless she's still taking classes. She don't need them,

524
00:29:35,800 --> 00:29:40,320
Speaker 1: but she unless she's well rounded. And then you know,

525
00:29:40,400 --> 00:29:42,200
Speaker 1: heading to Santana, which this is all through the eyes

526
00:29:42,200 --> 00:29:44,200
Speaker 1: of her learning about all these people, which is then

527
00:29:44,280 --> 00:29:49,280
Speaker 1: informing us. She realizes that Brittany got her into Louisville,

528
00:29:49,320 --> 00:29:52,440
Speaker 1: but she would rather move to New York. She's a star.

529
00:29:52,920 --> 00:29:57,480
Speaker 1: She doesn't know why she's going to Kentucky. And then

530
00:29:57,480 --> 00:30:05,480
Speaker 1: we get to go meet Laios Staffa, the woman, the legend, herself,

531
00:30:05,560 --> 00:30:11,520
Speaker 1: the icon, and her mom. Her mom is against it

532
00:30:11,760 --> 00:30:14,760
Speaker 1: at first, saying like, you can do all that, you

533
00:30:14,800 --> 00:30:16,920
Speaker 1: just got to go get your collar's degree first, right,

534
00:30:17,280 --> 00:30:20,400
Speaker 1: which is what her lost parents are saying, exactly.

535
00:30:19,920 --> 00:30:21,920
Speaker 2: I do the thing I didn't have the opportunity to do.

536
00:30:22,440 --> 00:30:27,480
Speaker 1: Yeah, which, look, I have to say as a parent

537
00:30:28,040 --> 00:30:31,400
Speaker 1: and as an actor myself, i'd say the same thing.

538
00:30:31,720 --> 00:30:33,920
Speaker 2: Yeah, it's almost impossible not to feel that way.

539
00:30:34,760 --> 00:30:37,000
Speaker 1: And I can't tell her what to do at that point,

540
00:30:37,080 --> 00:30:39,280
Speaker 1: Like she's going to follow her intuition and she's going

541
00:30:39,360 --> 00:30:40,360
Speaker 1: to do what she's going to do, and she's going

542
00:30:40,400 --> 00:30:43,800
Speaker 1: to live her life. But like, listen to your mother's.

543
00:30:45,240 --> 00:30:50,280
Speaker 2: I mean that it sucks. As you get older, you

544
00:30:50,320 --> 00:30:54,960
Speaker 2: realize where your parents are coming those conversations. Unfortunately, Yes,

545
00:30:55,600 --> 00:31:02,200
Speaker 2: how do you reconcile that though, because because like, yes,

546
00:31:02,880 --> 00:31:08,160
Speaker 2: that makes sense as the parent who's in their thirties, forties,

547
00:31:08,160 --> 00:31:12,560
Speaker 2: fifties and has have and has lived a life, seen it,

548
00:31:12,800 --> 00:31:14,920
Speaker 2: Who've seen it? But then.

549
00:31:16,800 --> 00:31:19,800
Speaker 3: You're putting all your shit onto the kid. Yeah, and

550
00:31:19,840 --> 00:31:22,080
Speaker 3: you can't. You can't tell a kid not to follow

551
00:31:22,080 --> 00:31:24,000
Speaker 3: their heart and then tell them what to do. You

552
00:31:24,040 --> 00:31:25,160
Speaker 3: have to Your job as.

553
00:31:25,080 --> 00:31:28,840
Speaker 1: A parent is to guide and advise and set them

554
00:31:28,920 --> 00:31:31,959
Speaker 1: up for the best they're set them up for success

555
00:31:32,000 --> 00:31:35,000
Speaker 1: as best as possible, and then you have to relinquish control.

556
00:31:35,120 --> 00:31:38,400
Speaker 3: That's the truth. So I get it. I see what

557
00:31:38,480 --> 00:31:38,840
Speaker 3: you're saying.

558
00:31:38,920 --> 00:31:41,720
Speaker 1: There is a there's a fine mind.

559
00:31:42,000 --> 00:31:45,400
Speaker 2: It's very hard though, as a parent to relinquish control

560
00:31:45,480 --> 00:31:48,600
Speaker 2: because you because you have lived though, you do have

561
00:31:48,680 --> 00:31:51,959
Speaker 2: some sense you know what's ahead in life. But also

562
00:31:52,640 --> 00:31:55,560
Speaker 2: you are speaking from a much more pragmatic and sometimes

563
00:31:55,680 --> 00:31:59,440
Speaker 2: more limited point of view because you know life's challenges

564
00:31:59,640 --> 00:32:05,000
Speaker 2: posed to the young person who doesn't have Yes, it's like,

565
00:32:05,280 --> 00:32:09,720
Speaker 2: why stunt that because you don't know? I appreciate that exactly.

566
00:32:10,200 --> 00:32:12,000
Speaker 2: It really is a fine line.

567
00:32:11,560 --> 00:32:14,520
Speaker 1: I don't know what I would do in that case,

568
00:32:14,560 --> 00:32:16,840
Speaker 1: I don't know how hard I would push. Yeah, I

569
00:32:16,880 --> 00:32:20,200
Speaker 1: could only share my experience of what I've seen and

570
00:32:20,240 --> 00:32:22,720
Speaker 1: where I was and then say like, do the best

571
00:32:22,720 --> 00:32:24,320
Speaker 1: with your information that you were given.

572
00:32:24,880 --> 00:32:26,200
Speaker 3: Yeah, that's it. That's all you can do.

573
00:32:26,440 --> 00:32:28,560
Speaker 2: So I think that scene was also very effective because

574
00:32:28,600 --> 00:32:32,000
Speaker 2: she goes from you know, talking about like Santana's a boy.

575
00:32:32,480 --> 00:32:34,160
Speaker 2: She's like, well, you don't want someone in your life

576
00:32:34,200 --> 00:32:37,880
Speaker 2: who doesn't support who doesn't support you, and then immediately goes, no,

577
00:32:38,400 --> 00:32:44,680
Speaker 2: you have to go to call It's.

578
00:32:42,160 --> 00:32:47,120
Speaker 1: True, so true. She does this eventually come around. It's

579
00:32:47,160 --> 00:32:49,600
Speaker 1: a really nice scene that they have at the lockers

580
00:32:49,640 --> 00:32:55,360
Speaker 1: where she says she gives her her graduation gift of

581
00:32:55,400 --> 00:32:58,160
Speaker 1: the money she saved over you know, many years for college,

582
00:32:58,200 --> 00:33:01,800
Speaker 1: which is really sweet, and she sees for she says,

583
00:33:01,960 --> 00:33:04,400
Speaker 1: she gives her blessing to use it for to go

584
00:33:04,440 --> 00:33:05,600
Speaker 1: to New York and call her dreams.

585
00:33:06,040 --> 00:33:07,520
Speaker 2: She pays this whole time.

586
00:33:08,800 --> 00:33:13,800
Speaker 3: Right, They are really good together. They're really good together.

587
00:33:15,640 --> 00:33:19,000
Speaker 1: They're both very also very good on their own, and

588
00:33:19,040 --> 00:33:21,040
Speaker 1: so it's like they just like make each other better.

589
00:33:21,240 --> 00:33:23,680
Speaker 2: It's brilliant. And so the other thing we learned during

590
00:33:23,680 --> 00:33:29,800
Speaker 2: that meal is that Brittany will not be graduating because

591
00:33:29,840 --> 00:33:33,320
Speaker 2: she has failed every class because she didn't attend them

592
00:33:33,760 --> 00:33:38,640
Speaker 2: and has a zero point zero GPA. Now, if this

593
00:33:38,760 --> 00:33:41,360
Speaker 2: were true, she would not be allowed in glee club.

594
00:33:41,760 --> 00:33:44,760
Speaker 2: She would not be on the cheerios like she'd be

595
00:33:44,800 --> 00:33:50,320
Speaker 2: on academic probation. Right, I don't know if there's that, Well,

596
00:33:50,360 --> 00:33:52,560
Speaker 2: I guess you're right. I went to look, I went

597
00:33:52,640 --> 00:33:55,680
Speaker 2: to that. Yeah, you're right, you're right, you're right, or

598
00:33:55,680 --> 00:33:59,080
Speaker 2: some kind of extra school punishment.

599
00:34:00,640 --> 00:34:05,480
Speaker 1: It is glee. I don't think Heather knew though that

600
00:34:05,600 --> 00:34:07,320
Speaker 1: this was happening until she read the script.

601
00:34:08,239 --> 00:34:09,120
Speaker 2: Yeah, it sounds right.

602
00:34:09,800 --> 00:34:12,320
Speaker 1: I remember her thinking she was graduating and then realized

603
00:34:12,360 --> 00:34:15,160
Speaker 1: that she was staying back. For me selfishly, I'm glad

604
00:34:15,160 --> 00:34:16,040
Speaker 1: that she stayed back.

605
00:34:16,160 --> 00:34:18,719
Speaker 2: But oh yeah, we were trying to hold on.

606
00:34:20,880 --> 00:34:23,320
Speaker 1: You got Dren, you had Cord, and now we got Heather.

607
00:34:23,440 --> 00:34:25,520
Speaker 1: We're like, thank god, let's keep keep them coming. We

608
00:34:25,520 --> 00:34:32,160
Speaker 1: have Vanessa, crucial for Heather to be there. So Brittany's

609
00:34:32,200 --> 00:34:35,040
Speaker 1: not graduating, she's staying back. Okay, So Quinn is off

610
00:34:35,040 --> 00:34:39,560
Speaker 1: to yell and she's reflecting on all of her Oh

611
00:34:39,600 --> 00:34:42,400
Speaker 1: the gifts high school is given to her, so she

612
00:34:42,719 --> 00:34:44,640
Speaker 1: you know, wants to pay it forward and give it back.

613
00:34:47,920 --> 00:34:51,319
Speaker 1: This metro North she and from New York is very

614
00:34:51,320 --> 00:34:55,080
Speaker 1: funny to me. I don't know, so that they can

615
00:34:55,160 --> 00:34:55,759
Speaker 1: visit each other.

616
00:34:56,239 --> 00:34:58,000
Speaker 2: Yeah, I don't know.

617
00:34:58,040 --> 00:34:58,920
Speaker 3: If this was just like.

618
00:35:00,920 --> 00:35:03,040
Speaker 1: The writers being like, don't worry, we're still going to

619
00:35:03,080 --> 00:35:03,600
Speaker 1: see Quinn.

620
00:35:04,800 --> 00:35:09,040
Speaker 2: I think I remember that.

621
00:35:09,040 --> 00:35:09,920
Speaker 3: We're their way of.

622
00:35:09,880 --> 00:35:12,040
Speaker 1: Being like in case I has to come back, and

623
00:35:12,160 --> 00:35:13,040
Speaker 1: we're just planning the.

624
00:35:13,000 --> 00:35:17,600
Speaker 2: Seed because travel has always been a huge impediment in

625
00:35:17,640 --> 00:35:21,440
Speaker 2: this show, and so if we can solve the issue

626
00:35:21,440 --> 00:35:24,160
Speaker 2: of travel and affording it, then.

627
00:35:24,239 --> 00:35:30,560
Speaker 1: You're going we can see our characters exactly. And then

628
00:35:30,600 --> 00:35:34,080
Speaker 1: she has that really really nice scene so she gets

629
00:35:34,160 --> 00:35:38,759
Speaker 1: the uniform. She looks great in this scene too. I

630
00:35:38,760 --> 00:35:40,439
Speaker 1: love that dress she's wearing.

631
00:35:41,120 --> 00:35:43,640
Speaker 2: I mean the whole time, like the hair, she's.

632
00:35:43,920 --> 00:35:45,879
Speaker 1: Looking ready for y'all, Ready for y'all.

633
00:35:46,160 --> 00:35:53,400
Speaker 2: I mean, Sue oh John is really just I was

634
00:35:53,440 --> 00:35:57,680
Speaker 2: sitting in awe watching that scene because part of me

635
00:35:57,800 --> 00:36:01,200
Speaker 2: is like, why Sue so nice? Still, like it's been weeks,

636
00:36:01,760 --> 00:36:05,359
Speaker 2: she's so nice. But I also love it. And when

637
00:36:05,440 --> 00:36:09,239
Speaker 2: Jane gets up and like walks around her desk to

638
00:36:09,400 --> 00:36:13,399
Speaker 2: get closer to her to talk to her. She does

639
00:36:13,440 --> 00:36:18,040
Speaker 2: that Sue look where she looks terrifying but still man

640
00:36:18,239 --> 00:36:22,560
Speaker 2: manages to like come off sweet and caring and thoughtful.

641
00:36:23,200 --> 00:36:30,840
Speaker 2: And it was just like a really like beautiful understated performance. Yeah, agreed,

642
00:36:31,160 --> 00:36:33,960
Speaker 2: where a lot of times because especially in this episode

643
00:36:33,960 --> 00:36:38,279
Speaker 2: where there's so much happening, Yeah, where you know, people

644
00:36:38,360 --> 00:36:41,600
Speaker 2: are just good and Jane is just and.

645
00:36:41,560 --> 00:36:44,239
Speaker 1: The two of them like where they started from and

646
00:36:44,280 --> 00:36:46,359
Speaker 1: the arc of where we're taking them now, they're both

647
00:36:46,440 --> 00:36:50,200
Speaker 1: like kind to each other and being nice and paying

648
00:36:50,239 --> 00:36:53,920
Speaker 1: it forward. And like, I think it's the scene we

649
00:36:54,040 --> 00:36:56,719
Speaker 1: had to see to close out Quinn's storyline. You know,

650
00:36:56,760 --> 00:36:59,600
Speaker 1: that's where she started, was the villain, and you know

651
00:36:59,719 --> 00:37:01,440
Speaker 1: she's choice put through the.

652
00:37:03,520 --> 00:37:04,200
Speaker 3: Just put through it.

653
00:37:04,239 --> 00:37:09,640
Speaker 1: At least she really was a steviee showing so I

654
00:37:09,680 --> 00:37:12,120
Speaker 1: thought was an important team to get them together and

655
00:37:12,160 --> 00:37:12,600
Speaker 1: see that.

656
00:37:12,760 --> 00:37:15,839
Speaker 2: The other thing Quinn does she helps Puck study for

657
00:37:15,880 --> 00:37:19,640
Speaker 2: his test because he's scared, and her way to do that,

658
00:37:19,719 --> 00:37:22,120
Speaker 2: to give back is to just give him a little kiss,

659
00:37:22,640 --> 00:37:25,719
Speaker 2: because she gives a little talking to like what are

660
00:37:25,760 --> 00:37:30,600
Speaker 2: you doing? You used to rule the school? You caught

661
00:37:30,640 --> 00:37:34,200
Speaker 2: the football score, the touchdown, of the one game you

662
00:37:34,200 --> 00:37:39,080
Speaker 2: guys won their sophomore year, So that seems to work.

663
00:37:39,480 --> 00:37:42,600
Speaker 2: He graduates or he gets a C minus on the test.

664
00:37:42,600 --> 00:37:45,719
Speaker 2: Everybody waiting outside the door is really sweet. I just

665
00:37:45,760 --> 00:37:49,160
Speaker 2: have to say, it felt like everyone had such a

666
00:37:49,320 --> 00:37:52,839
Speaker 2: nice closing conclusion.

667
00:37:53,120 --> 00:37:57,759
Speaker 1: Totally totally and like he got his mojo back, Like

668
00:37:57,800 --> 00:38:01,400
Speaker 1: that's Puck. That was like, it's very It's just everything

669
00:38:01,520 --> 00:38:04,120
Speaker 1: was like in line with their characters. It was like

670
00:38:04,239 --> 00:38:06,160
Speaker 1: really nice. It was like bringing us back to like

671
00:38:06,880 --> 00:38:11,560
Speaker 1: the pilot almost almost sweet hurt.

672
00:38:12,520 --> 00:38:14,160
Speaker 3: It's really sweet. It's all really sweet.

673
00:38:14,360 --> 00:38:17,080
Speaker 1: So he dedicates his song that he sings to the

674
00:38:17,160 --> 00:38:19,880
Speaker 1: men of the glee club for actions accepting him as

675
00:38:20,280 --> 00:38:26,520
Speaker 1: for who he is and was what is song called

676
00:38:26,760 --> 00:38:31,680
Speaker 1: I'll Remember which love that. Yeah, it's great for him too,

677
00:38:33,080 --> 00:38:35,799
Speaker 1: and I love that. It's just he's just planted there

678
00:38:35,920 --> 00:38:39,520
Speaker 1: and it's just emotion. It's what Chris does best. Put

679
00:38:39,600 --> 00:38:41,719
Speaker 1: him in the middle with the little spotlight one tier.

680
00:38:41,960 --> 00:38:46,480
Speaker 1: He's like good to go, but he is. Blaine is

681
00:38:46,520 --> 00:38:49,759
Speaker 1: a little feeling a little insecure about their relationship.

682
00:38:50,920 --> 00:38:53,920
Speaker 2: Well, yeah, there has not been enough talk about what

683
00:38:54,040 --> 00:38:56,719
Speaker 2: is going to happen, right, and.

684
00:38:56,680 --> 00:38:57,600
Speaker 3: Blaine's staying here.

685
00:38:58,080 --> 00:39:03,279
Speaker 1: He's here, and he reasures that they're going to stay

686
00:39:03,280 --> 00:39:09,080
Speaker 1: together forever, even when Kurt goes to New York, and

687
00:39:09,120 --> 00:39:14,440
Speaker 1: that is the precursor to the Finn and Rachel of

688
00:39:14,480 --> 00:39:18,239
Speaker 1: it all, which includes Kurt because they decide that they

689
00:39:18,239 --> 00:39:21,399
Speaker 1: are going to wait for their acceptance letters to open

690
00:39:21,440 --> 00:39:26,760
Speaker 1: them all together. Right, Everybody had a really beautiful closing

691
00:39:27,800 --> 00:39:31,640
Speaker 1: of this episode. In this episode and then we get

692
00:39:31,640 --> 00:39:32,400
Speaker 1: to Finn and Rachel.

693
00:39:33,000 --> 00:39:36,920
Speaker 2: I love that. I thought it was really sweet to

694
00:39:36,960 --> 00:39:39,680
Speaker 2: the Glee Club, the kids that are staying did the

695
00:39:39,719 --> 00:39:43,439
Speaker 2: song and dedicated it to Finn, and I paid their

696
00:39:43,520 --> 00:39:50,120
Speaker 2: respects because they are right where it's tales all the time.

697
00:39:50,080 --> 00:39:50,800
Speaker 1: That guy.

698
00:39:52,280 --> 00:39:58,520
Speaker 2: Wouldn't become that guy right normally, like Finn has really

699
00:39:58,560 --> 00:40:01,400
Speaker 2: been for better or for worse, hasn't been perfect, but

700
00:40:01,600 --> 00:40:04,279
Speaker 2: has been the leader, has kept him on track and

701
00:40:04,400 --> 00:40:08,719
Speaker 2: has made all these different misfits get along, manage all

702
00:40:08,719 --> 00:40:14,000
Speaker 2: these personalities and all the personal stuff going on in

703
00:40:14,000 --> 00:40:16,239
Speaker 2: his life at the same time. And so I thought

704
00:40:16,239 --> 00:40:18,719
Speaker 2: that was really really special that they did that.

705
00:40:20,280 --> 00:40:23,560
Speaker 3: Additionally, the scene between mister Shoe and him when he

706
00:40:23,600 --> 00:40:26,000
Speaker 3: admits like how he got him into k club and

707
00:40:26,400 --> 00:40:28,520
Speaker 3: the flashback of him in the shower, always one of

708
00:40:28,560 --> 00:40:32,760
Speaker 3: my favorite scenes, and then Finn's reaction to him saying

709
00:40:32,800 --> 00:40:34,200
Speaker 3: like that makes you even cooler.

710
00:40:34,280 --> 00:40:37,920
Speaker 1: It was like, so great, this is the truly, really

711
00:40:37,920 --> 00:40:39,800
Speaker 1: really funny I loved it.

712
00:40:40,080 --> 00:40:44,440
Speaker 2: Do you think it was because it was the last episode,

713
00:40:45,239 --> 00:40:48,759
Speaker 2: so everyone felt that, But I felt like in these

714
00:40:48,800 --> 00:40:55,480
Speaker 2: scenes everyone was just a little looser, like like the emotions,

715
00:40:55,520 --> 00:40:58,560
Speaker 2: whether it's comedy or drama, was just more on the

716
00:40:58,600 --> 00:41:00,680
Speaker 2: surface in a good way.

717
00:41:01,239 --> 00:41:07,239
Speaker 1: That's interesting. That is an interesting observation and question. There's

718
00:41:07,239 --> 00:41:09,520
Speaker 1: almost like everybody's just leaving it all on the table.

719
00:41:10,080 --> 00:41:11,799
Speaker 2: Yeah, And I guess it also feels like we know,

720
00:41:11,800 --> 00:41:16,000
Speaker 2: when you graduate high school, you have done the thing.

721
00:41:16,080 --> 00:41:17,680
Speaker 2: So when you see your teachers and like you're no

722
00:41:17,719 --> 00:41:22,719
Speaker 2: longer my teacher this last night, like I've graduated, I've

723
00:41:22,920 --> 00:41:25,799
Speaker 2: accomplished it. So there's also that feeling like a lot

724
00:41:25,800 --> 00:41:29,920
Speaker 2: of these conversations are like we have now matured, we

725
00:41:30,000 --> 00:41:33,960
Speaker 2: have accomplished that we were here to accomplish, and now

726
00:41:34,440 --> 00:41:39,080
Speaker 2: we're out, and so the really job the dynamics change.

727
00:41:38,960 --> 00:41:42,279
Speaker 1: Right, change right now, You're right, That's why I think

728
00:41:42,320 --> 00:41:44,759
Speaker 1: mister Shud did that. Yeah, it was a good Yeah,

729
00:41:45,239 --> 00:41:49,880
Speaker 1: really good. Then is really feeling confident after his audition

730
00:41:50,000 --> 00:41:52,759
Speaker 1: with James Slipton, which is great, and love that he

731
00:41:52,800 --> 00:41:55,320
Speaker 1: made a cameo, especially after them being on the Actors Studio,

732
00:41:57,520 --> 00:42:01,840
Speaker 1: and he's feeling really good about his mark he's left

733
00:42:01,960 --> 00:42:06,600
Speaker 1: and feeling confident about getting into school.

734
00:42:07,880 --> 00:42:10,360
Speaker 2: I was really hoping we were going to see the monologue.

735
00:42:11,560 --> 00:42:16,480
Speaker 1: That I'm glad we didn't. That isn't Corey is wildly

736
00:42:16,680 --> 00:42:19,560
Speaker 1: capable of it or Finn is. It's just that I

737
00:42:20,320 --> 00:42:23,239
Speaker 1: I'd like to leave it to the note. Yeah, I

738
00:42:23,320 --> 00:42:24,759
Speaker 1: was worried. I was like, this is going to be

739
00:42:25,480 --> 00:42:33,399
Speaker 1: very uncomfortable. I think to watch totally. Unfortunately, Finn and

740
00:42:33,480 --> 00:42:35,480
Speaker 1: Kurt both don't get into school.

741
00:42:36,080 --> 00:42:38,520
Speaker 3: Spoiler that Rachel does.

742
00:42:41,120 --> 00:42:48,440
Speaker 2: Let me talk about their reactions here. Yes, yes, in

743
00:42:48,440 --> 00:42:52,680
Speaker 2: an episode that is moving at lightning speed, everything just

744
00:42:52,800 --> 00:42:58,600
Speaker 2: comes to his halt and Finn and Kurt not immediately

745
00:42:58,600 --> 00:43:02,680
Speaker 2: faking their happiness for her phenomenal.

746
00:43:03,200 --> 00:43:05,280
Speaker 3: Truly, but I think that was Brad.

747
00:43:05,440 --> 00:43:09,920
Speaker 1: I think the truth is the stakes are so high

748
00:43:10,120 --> 00:43:13,360
Speaker 1: for them that like, this isn't a moment where you

749
00:43:13,480 --> 00:43:16,560
Speaker 1: pretend to be happy for Rachel. And also because Rachel's like,

750
00:43:16,680 --> 00:43:19,200
Speaker 1: what do I do now both of my people are

751
00:43:19,239 --> 00:43:24,960
Speaker 1: not going what happens like and why she decides that

752
00:43:25,000 --> 00:43:29,640
Speaker 1: she's going to defer. I loved it. I love the

753
00:43:29,680 --> 00:43:31,480
Speaker 1: honesty of the scene. I loved it.

754
00:43:31,680 --> 00:43:33,719
Speaker 3: I thought it was great. And it was also like.

755
00:43:33,680 --> 00:43:36,520
Speaker 1: That pausing moment where you're like, let's all take a wreath.

756
00:43:37,360 --> 00:43:40,480
Speaker 2: There's a lot of I think it's also so effective

757
00:43:40,480 --> 00:43:43,040
Speaker 2: in this type of show where everything is so over

758
00:43:43,040 --> 00:43:45,480
Speaker 2: the top a lot of the time, that when we

759
00:43:45,520 --> 00:43:47,960
Speaker 2: do throw in those sort of grounding moments, they're even

760
00:43:48,520 --> 00:43:51,040
Speaker 2: more effective because of what it's against the rest of

761
00:43:51,040 --> 00:44:03,319
Speaker 2: the episode.

762
00:44:00,080 --> 00:44:02,600
Speaker 1: Rachel thinks that they're about to go get married. They're

763
00:44:02,640 --> 00:44:04,839
Speaker 1: picking out wedding chairs, which, by the way, I don't

764
00:44:04,880 --> 00:44:07,279
Speaker 1: know why they have wedding chairs in the school. It's

765
00:44:07,280 --> 00:44:09,239
Speaker 1: probably a budget thing. They decided they could do this

766
00:44:09,320 --> 00:44:14,280
Speaker 1: and not have to have another location to build. Wedding

767
00:44:14,320 --> 00:44:19,440
Speaker 1: chairs are important, I will say. But Rachel thinks the

768
00:44:19,480 --> 00:44:23,440
Speaker 1: Finn's taking her to go get married, and they're in

769
00:44:23,480 --> 00:44:26,920
Speaker 1: the car and she says, okay, you my wedding dress.

770
00:44:27,080 --> 00:44:31,440
Speaker 1: You've got everything I need takes to the train station.

771
00:44:32,160 --> 00:44:36,400
Speaker 1: This scene. I don't know if it's because of the

772
00:44:36,440 --> 00:44:40,200
Speaker 1: out the devastating outcome of which we will.

773
00:44:41,480 --> 00:44:43,560
Speaker 3: Well we know now in hindsight is happening.

774
00:44:43,719 --> 00:44:48,520
Speaker 1: But this, this scene was especially devastating for me to

775
00:44:48,520 --> 00:44:55,399
Speaker 1: watch this time number one, because Corey's so damn good

776
00:44:55,480 --> 00:45:01,439
Speaker 1: and so is Leah. But Corey like, oh god, it's

777
00:45:01,440 --> 00:45:08,200
Speaker 1: so good, it's so good. But then just knowing like

778
00:45:10,400 --> 00:45:14,200
Speaker 1: the future, it made it like tragic, so tragic for

779
00:45:14,280 --> 00:45:19,400
Speaker 1: me to watch. I felt like we were actually saying goodbye,

780
00:45:19,719 --> 00:45:20,239
Speaker 1: and I was.

781
00:45:22,200 --> 00:45:23,919
Speaker 3: I was really moved by their performances.

782
00:45:23,960 --> 00:45:27,279
Speaker 1: I was really moved by how they wrote Finn and

783
00:45:27,400 --> 00:45:30,160
Speaker 1: like the I think I was like in that moment

784
00:45:30,200 --> 00:45:32,759
Speaker 1: watching it warning the sadness of like not being able

785
00:45:32,800 --> 00:45:37,160
Speaker 1: to see Corey do more work like that. Mm hmm

786
00:45:39,560 --> 00:45:40,239
Speaker 1: if that makes sense.

787
00:45:42,520 --> 00:45:50,480
Speaker 2: Yeah, it was like a work. Yeah, those that scene

788
00:45:50,480 --> 00:45:55,920
Speaker 2: in the car, it goes from your typical like are

789
00:45:55,960 --> 00:45:58,640
Speaker 2: you breaking up with me right now? Like sort of

790
00:45:58,680 --> 00:46:02,080
Speaker 2: you know we've seen that moment and movies before, and

791
00:46:02,120 --> 00:46:04,640
Speaker 2: then it swaps when she starts crying and is like

792
00:46:04,680 --> 00:46:08,200
Speaker 2: I can't believe this is happening right now. And there's

793
00:46:08,200 --> 00:46:12,080
Speaker 2: like a certain way that Leah cries that devastating yeah,

794
00:46:12,120 --> 00:46:16,719
Speaker 2: and then to wait, you're joining the military. Are you crazy? Yes?

795
00:46:17,360 --> 00:46:20,640
Speaker 2: And it is just like what is what is happening?

796
00:46:21,760 --> 00:46:24,799
Speaker 2: He took us on a journey and it was great

797
00:46:24,840 --> 00:46:27,680
Speaker 2: because how many times have you been in conversations like

798
00:46:27,719 --> 00:46:29,680
Speaker 2: when you're young like that with people and you're in

799
00:46:29,719 --> 00:46:32,279
Speaker 2: relationships and you might be breaking up or you don't

800
00:46:32,320 --> 00:46:35,680
Speaker 2: know what's going on, and things just completely spiral because

801
00:46:35,719 --> 00:46:42,080
Speaker 2: everybody's acting from their like irrational point of view and

802
00:46:41,440 --> 00:46:45,680
Speaker 2: there and they're naive, tape off, they're young, they don't

803
00:46:45,800 --> 00:46:47,320
Speaker 2: He's like, of course, that makes so much sense to

804
00:46:47,400 --> 00:46:49,960
Speaker 2: him to go join the army, and that's what he

805
00:46:50,000 --> 00:46:52,160
Speaker 2: has to do. And he's protecting her because he's always

806
00:46:52,160 --> 00:46:54,520
Speaker 2: the leader, he's always the person who is trying to

807
00:46:54,520 --> 00:46:58,239
Speaker 2: protect everyone around him. So in one way, he's two

808
00:46:58,239 --> 00:46:59,920
Speaker 2: words of one stone. If he goes to the arm

809
00:47:00,120 --> 00:47:02,879
Speaker 2: me they can't get married and she has to go.

810
00:47:03,440 --> 00:47:05,160
Speaker 2: And then he's also going to clear his dad's name.

811
00:47:05,960 --> 00:47:07,839
Speaker 1: And I also like to have the wherewithal A though

812
00:47:07,840 --> 00:47:10,680
Speaker 1: in the maturity I guess like it's in the writing though,

813
00:47:10,719 --> 00:47:13,560
Speaker 1: like Finn has to have that maturity like of being

814
00:47:13,600 --> 00:47:17,399
Speaker 1: like are you are you one hundred percent and her

815
00:47:17,440 --> 00:47:20,240
Speaker 1: being like actually not one hundred percent maybe a ninety percent,

816
00:47:21,440 --> 00:47:26,359
Speaker 1: him going I am one hundred percent like and I

817
00:47:26,400 --> 00:47:27,960
Speaker 1: know you're going to be more than you are, so

818
00:47:28,080 --> 00:47:31,000
Speaker 1: like that was like the betrait of him letting her

819
00:47:31,080 --> 00:47:37,239
Speaker 1: go as hard as it is. It broke me. Yeah,

820
00:47:37,280 --> 00:47:41,200
Speaker 1: it was really the writing, the performance. The whole thing

821
00:47:41,400 --> 00:47:46,239
Speaker 1: from both of them was like so excellent, really really

822
00:47:46,239 --> 00:47:53,080
Speaker 1: good m hm, and then into branches into him chasing

823
00:47:53,120 --> 00:47:55,520
Speaker 1: the train, and then into Lea turning round.

824
00:47:55,760 --> 00:48:01,120
Speaker 2: I was not well, was Leah crying three quarters of

825
00:48:01,160 --> 00:48:05,640
Speaker 2: this song? And so emotion? Do you know the technical

826
00:48:05,760 --> 00:48:08,680
Speaker 2: ability but you have to have to be able to

827
00:48:08,680 --> 00:48:11,680
Speaker 2: do that. You're singing at one and a half times

828
00:48:11,680 --> 00:48:14,480
Speaker 2: of speed, so it sounds crazy, but you're still so

829
00:48:14,640 --> 00:48:18,080
Speaker 2: full of emotion that you were bawling. That is insane.

830
00:48:18,120 --> 00:48:23,040
Speaker 3: Shit, it was so good. It was so good.

831
00:48:24,640 --> 00:48:27,040
Speaker 2: That is absolutely wild.

832
00:48:27,920 --> 00:48:30,560
Speaker 1: And there we are acting like hooligans out on the

833
00:48:30,600 --> 00:48:32,440
Speaker 1: side of the road, assholes.

834
00:48:32,760 --> 00:48:39,799
Speaker 3: We were schools, like, we're not performance.

835
00:48:40,200 --> 00:48:44,040
Speaker 2: Yeah, I remember, we were just like rating crafty eating

836
00:48:44,160 --> 00:48:45,200
Speaker 2: everything in sight.

837
00:48:47,400 --> 00:48:53,000
Speaker 1: I don't know anyway, I what a beautifully done finale

838
00:48:53,320 --> 00:48:58,600
Speaker 1: of that, Like that last quarter of the episode. Really,

839
00:48:58,800 --> 00:49:02,560
Speaker 1: it really is really locked in at some point. Yes,

840
00:49:02,760 --> 00:49:04,960
Speaker 1: it totally does. And that's to Brad. We should text

841
00:49:05,040 --> 00:49:06,439
Speaker 1: him and till and it's really good.

842
00:49:08,040 --> 00:49:11,080
Speaker 2: Shout out to my horse jacket that I'm wearing at

843
00:49:11,080 --> 00:49:15,000
Speaker 2: the train station because it's so out of place. It

844
00:49:15,120 --> 00:49:18,480
Speaker 2: was a really great episode. These last few episodes have

845
00:49:18,680 --> 00:49:19,880
Speaker 2: been solid.

846
00:49:20,040 --> 00:49:20,480
Speaker 3: I get it.

847
00:49:20,520 --> 00:49:22,799
Speaker 1: Look you guys, you said it. You said season three

848
00:49:22,920 --> 00:49:25,120
Speaker 1: was going to be really great. I believed you to

849
00:49:25,160 --> 00:49:26,840
Speaker 1: an extent. I don't think I could have believed you

850
00:49:26,920 --> 00:49:29,440
Speaker 1: to this extent until I experienced it myself.

851
00:49:29,480 --> 00:49:30,359
Speaker 3: I don't know if you agree with.

852
00:49:30,400 --> 00:49:33,520
Speaker 1: Kevinan, but like I truly am, Like, wow.

853
00:49:34,719 --> 00:49:37,160
Speaker 2: I am too. But mostly it makes me feel worried

854
00:49:37,200 --> 00:49:42,040
Speaker 2: for next season because those same people were like, watch out.

855
00:49:43,239 --> 00:49:47,520
Speaker 1: Well, I believe them. I know when they speak, we listen. Yeah,

856
00:49:48,280 --> 00:49:53,359
Speaker 1: that's they prove themselves to be trust pretty okay, let's

857
00:49:53,360 --> 00:49:58,600
Speaker 1: crede these performances. Okay, whoever young okay?

858
00:50:00,040 --> 00:50:07,239
Speaker 2: P plus yeah okay, I remember A minus ay minus you.

859
00:50:07,200 --> 00:50:11,400
Speaker 1: Can get what you gave A plus A oh in

860
00:50:11,440 --> 00:50:14,800
Speaker 1: my life minus okay.

861
00:50:15,200 --> 00:50:18,760
Speaker 3: Glory days when you to talk about graduation.

862
00:50:21,320 --> 00:50:24,440
Speaker 1: Really cute, really cute. Also, like no other people graduating,

863
00:50:24,800 --> 00:50:25,880
Speaker 1: just our friends.

864
00:50:26,440 --> 00:50:28,799
Speaker 2: Yeah, there's nobody else in the school. That each got

865
00:50:28,840 --> 00:50:31,280
Speaker 2: their own little intro through the curtain, which is really cute.

866
00:50:32,440 --> 00:50:34,560
Speaker 2: It was also just sad, and I was also very

867
00:50:34,880 --> 00:50:37,719
Speaker 2: amazed that they could time out the song for when

868
00:50:38,480 --> 00:50:41,680
Speaker 2: Mark and Corey were walking out to accept their diplomas

869
00:50:42,200 --> 00:50:44,319
Speaker 2: on the correct line. How do you how do you

870
00:50:44,320 --> 00:50:44,959
Speaker 2: plan that out?

871
00:50:46,840 --> 00:50:48,440
Speaker 3: We actually don't know. That's a really good question.

872
00:50:48,480 --> 00:50:49,080
Speaker 1: That's very good.

873
00:50:49,280 --> 00:50:51,080
Speaker 2: That's what I think about what I'm watching.

874
00:50:54,600 --> 00:50:59,440
Speaker 3: Graduation was fun glory days. I give it a A.

875
00:51:00,400 --> 00:51:00,680
Speaker 1: Yeah.

876
00:51:00,800 --> 00:51:01,719
Speaker 2: I was really happy for me.

877
00:51:02,040 --> 00:51:05,000
Speaker 1: I mean the plus Yes, yes he made it. But

878
00:51:05,120 --> 00:51:07,600
Speaker 1: you know, Brad has said, look, Lee is not Bruce Springshane.

879
00:51:07,640 --> 00:51:10,120
Speaker 1: He knew, he knew his audience. He knows like he's like,

880
00:51:10,200 --> 00:51:12,719
Speaker 1: of course I want it, but like you know, there's

881
00:51:12,719 --> 00:51:14,000
Speaker 1: only certain places that fit.

882
00:51:14,080 --> 00:51:17,160
Speaker 2: That fits, So I just I don't, you know, completely

883
00:51:17,160 --> 00:51:19,239
Speaker 2: agree with that, even though he is one of the

884
00:51:19,280 --> 00:51:22,640
Speaker 2: creators of the show, just because we did so much

885
00:51:23,600 --> 00:51:27,120
Speaker 2: like Journey that you wouldn't think kids would be into,

886
00:51:27,840 --> 00:51:29,880
Speaker 2: but they were sure, sure.

887
00:51:29,760 --> 00:51:33,200
Speaker 1: Sure, sure, But Journey has that moving feeling and not

888
00:51:33,280 --> 00:51:37,600
Speaker 1: that Bruce doesn't, but more so it set the tone

889
00:51:37,600 --> 00:51:39,840
Speaker 1: and we did don't stop belaving. That's what I I

890
00:51:40,239 --> 00:51:42,279
Speaker 1: that's why for Journey, I don't know, but you can

891
00:51:42,320 --> 00:51:43,960
Speaker 1: be right too. I agree, like I think we have

892
00:51:44,000 --> 00:51:48,480
Speaker 1: to get people more credit for, you know, appreciating good music.

893
00:51:48,880 --> 00:51:51,000
Speaker 2: I do. Also, though, it's like you want to be

894
00:51:51,040 --> 00:51:55,000
Speaker 2: protective of, like that's Bruce Brings's is number one. It's

895
00:51:55,000 --> 00:51:57,799
Speaker 2: like you need to be protective of that, you know,

896
00:51:58,000 --> 00:52:02,400
Speaker 2: totally bruster for branch Is. I wouldn't have thought this

897
00:52:02,400 --> 00:52:05,920
Speaker 2: before watching it, but I think it's an A plus

898
00:52:05,960 --> 00:52:06,239
Speaker 2: for me.

899
00:52:07,160 --> 00:52:11,680
Speaker 1: Oh my god, that's not what I was expecting from you.

900
00:52:12,440 --> 00:52:16,760
Speaker 1: I am surprised. I surprised myself as well. I am.

901
00:52:17,080 --> 00:52:18,480
Speaker 1: I think I go with an A. I don't know

902
00:52:18,640 --> 00:52:21,200
Speaker 1: a plus, but I it's close.

903
00:52:21,080 --> 00:52:24,439
Speaker 2: Right because I do have I do have a hard

904
00:52:24,480 --> 00:52:27,719
Speaker 2: time when people just start singing.

905
00:52:28,560 --> 00:52:30,480
Speaker 3: Right right out of that scene.

906
00:52:30,640 --> 00:52:34,400
Speaker 2: That scene, Yes, it was a little hard for me. However,

907
00:52:35,440 --> 00:52:38,480
Speaker 2: once you get into it, it's beautiful.

908
00:52:38,600 --> 00:52:38,920
Speaker 1: Yes.

909
00:52:40,440 --> 00:52:43,640
Speaker 2: Also, she got New York of shooting random locations.

910
00:52:43,800 --> 00:52:45,879
Speaker 3: Oh yeah, I remember that. She was very excited about it.

911
00:52:47,719 --> 00:52:48,600
Speaker 2: Did they do that after?

912
00:52:48,760 --> 00:52:51,560
Speaker 1: I think they did it around up front, so if

913
00:52:51,560 --> 00:52:55,480
Speaker 1: I'm not mistaken, I don't remember. But maybe she was

914
00:52:55,520 --> 00:52:58,480
Speaker 1: already there for a front I can't remember. Okay, yeah

915
00:52:58,480 --> 00:53:02,960
Speaker 1: it was in May, so friends are in May. Okay.

916
00:53:04,760 --> 00:53:06,560
Speaker 1: I love that she was through New York. I love

917
00:53:06,600 --> 00:53:08,960
Speaker 1: that we got a tour through New York. I'm I'm,

918
00:53:09,280 --> 00:53:10,960
Speaker 1: I appreciate it. But like.

919
00:53:12,480 --> 00:53:14,880
Speaker 3: Literally got her going through all.

920
00:53:14,760 --> 00:53:17,520
Speaker 2: Of with the pink suitcase. I go, where are you

921
00:53:17,600 --> 00:53:19,480
Speaker 2: going in the same outfit?

922
00:53:19,560 --> 00:53:22,359
Speaker 1: I was like, this would have taken hours and she's

923
00:53:22,360 --> 00:53:23,360
Speaker 1: look in fresh and fine.

924
00:53:23,440 --> 00:53:26,799
Speaker 3: So I just love are yeah, yeah, yeah?

925
00:53:26,920 --> 00:53:27,520
Speaker 1: Are your feet?

926
00:53:27,560 --> 00:53:28,399
Speaker 3: Do your feed her.

927
00:53:29,960 --> 00:53:31,520
Speaker 2: Tonight? Like? What is the plan.

928
00:53:33,520 --> 00:53:37,839
Speaker 1: Literally on being put physically on the train coming off

929
00:53:37,880 --> 00:53:38,080
Speaker 1: of it?

930
00:53:39,640 --> 00:53:40,080
Speaker 3: Anyway?

931
00:53:40,239 --> 00:53:45,759
Speaker 1: Okay, let's do some tarty takes. Okay, there weren't a

932
00:53:45,840 --> 00:53:50,239
Speaker 1: ton for me this Like, no, I don't know, I

933
00:53:50,280 --> 00:53:53,040
Speaker 1: don't know. I don't I don't have any I don't know.

934
00:53:53,040 --> 00:53:54,680
Speaker 3: If I do either. Okay.

935
00:53:55,280 --> 00:53:59,840
Speaker 2: Wow, it took three seasons, okay, three seasons.

936
00:54:00,160 --> 00:54:02,759
Speaker 3: Wait to finish this season with no auchiese.

937
00:54:02,840 --> 00:54:07,200
Speaker 1: Okay, Oh, we forgot to talk about Bert's single Ladies.

938
00:54:07,520 --> 00:54:09,520
Speaker 2: That's that's we'll talk about it right now.

939
00:54:10,360 --> 00:54:14,719
Speaker 1: Okay, because it's the best danceman for sure. Was how

940
00:54:14,840 --> 00:54:17,040
Speaker 1: cute and sweet was that? I mean, we had to have.

941
00:54:17,000 --> 00:54:19,160
Speaker 2: A Burton Kirk moment and you just get that one

942
00:54:19,200 --> 00:54:22,719
Speaker 2: quick shout of Carol in the graduation. I just need

943
00:54:22,719 --> 00:54:26,759
Speaker 2: more of him doing that. So much happened in this episode.

944
00:54:27,360 --> 00:54:28,160
Speaker 2: It is crazy.

945
00:54:28,520 --> 00:54:30,480
Speaker 1: I forgot about that. I was like, oh, yeah, we

946
00:54:30,440 --> 00:54:32,160
Speaker 1: got to do this again.

947
00:54:32,480 --> 00:54:34,000
Speaker 2: Yeah, how was that? Did you have to have a

948
00:54:34,040 --> 00:54:35,120
Speaker 2: little brush up rehearsal?

949
00:54:36,120 --> 00:54:39,000
Speaker 1: Yeah, I mean you know how, there's just like gave

950
00:54:39,040 --> 00:54:40,759
Speaker 1: it to me and I was like, great, I heard good.

951
00:54:41,320 --> 00:54:44,080
Speaker 1: And it was more about supporting Mike O'Malley anyway, like

952
00:54:44,280 --> 00:54:49,120
Speaker 1: we weren't trying to be you know, great beyond this moment.

953
00:54:49,680 --> 00:54:51,800
Speaker 1: It was very cute though it was really for the story,

954
00:54:52,040 --> 00:54:58,719
Speaker 1: so great, great damn smooths bye Michael Melly. The best song,

955
00:55:00,040 --> 00:55:02,960
Speaker 1: Oh yeah what you get?

956
00:55:03,880 --> 00:55:08,040
Speaker 2: Yeah, I think that's right. Performance by prop I want

957
00:55:08,040 --> 00:55:12,680
Speaker 2: to say the little tassels on the caps because they

958
00:55:12,680 --> 00:55:16,000
Speaker 2: were really in there. There's a point of moving them

959
00:55:16,000 --> 00:55:19,280
Speaker 2: from one side to the other. I loved an Amber.

960
00:55:19,400 --> 00:55:22,080
Speaker 2: I'm going like fixed marks. I think it was.

961
00:55:24,320 --> 00:55:24,840
Speaker 1: It was great.

962
00:55:24,960 --> 00:55:33,399
Speaker 3: I'm going to Quentin's Metro North Pals best line. There's

963
00:55:33,400 --> 00:55:36,920
Speaker 3: a lot in this and in this scene, this wild scene,

964
00:55:37,160 --> 00:55:41,640
Speaker 3: yes is wild.

965
00:55:41,880 --> 00:55:43,600
Speaker 2: I mean she Roz was the only one who was

966
00:55:43,640 --> 00:55:45,520
Speaker 2: firing off one liners this episode.

967
00:55:47,160 --> 00:55:50,720
Speaker 1: She says, Ross, that's quite an accomplishment for a pregnant

968
00:55:50,760 --> 00:55:53,320
Speaker 1: woman who's askedes so well, just went high school in months?

969
00:55:53,440 --> 00:55:58,000
Speaker 2: Yeah, I think that's mine. Like that is incredible. There's

970
00:55:58,040 --> 00:56:03,800
Speaker 2: also I don't know, every time Finn speaks in this episode,

971
00:56:03,840 --> 00:56:06,080
Speaker 2: it's something really beautiful.

972
00:56:07,200 --> 00:56:11,440
Speaker 3: Yes, very important and impactful.

973
00:56:11,800 --> 00:56:14,080
Speaker 2: Sue does get in one more dig She says, well,

974
00:56:14,120 --> 00:56:17,200
Speaker 2: you think of chlorine brasl Washington, which means one of

975
00:56:17,280 --> 00:56:19,680
Speaker 2: two things. Either you just returned from the peroxide factory

976
00:56:19,680 --> 00:56:22,920
Speaker 2: where you spent the afternoon having your hair olmet refurnished,

977
00:56:24,080 --> 00:56:26,120
Speaker 2: or you've given up trying to steal my cheerios and

978
00:56:26,160 --> 00:56:27,600
Speaker 2: you're back in the pool where you belong.

979
00:56:28,880 --> 00:56:34,920
Speaker 3: Oh my god, that's funny. That's funny.

980
00:56:35,640 --> 00:56:37,640
Speaker 2: I did like the one about the vampire baby as well.

981
00:56:38,640 --> 00:56:43,720
Speaker 1: Yes, now, okay, look, the one out she I could

982
00:56:43,760 --> 00:56:47,239
Speaker 1: say is that we are shaming some old woman for

983
00:56:47,320 --> 00:56:48,080
Speaker 1: being pregnant.

984
00:56:49,160 --> 00:56:52,360
Speaker 3: But it is a saturn and Sue is much older.

985
00:56:52,480 --> 00:56:57,919
Speaker 1: This is not like somebody who really is like would

986
00:56:57,920 --> 00:57:01,960
Speaker 1: be having a baby at this time. So look, I

987
00:57:01,960 --> 00:57:04,680
Speaker 1: don't want to shame women from having babies too late.

988
00:57:05,960 --> 00:57:08,120
Speaker 1: It's like my one thing, right.

989
00:57:08,400 --> 00:57:14,160
Speaker 2: Fair, it does make for some good comedy though, truly,

990
00:57:14,560 --> 00:57:15,280
Speaker 2: That's what I'm saying.

991
00:57:15,280 --> 00:57:18,040
Speaker 1: This is like beyond that point, right, We've like passed

992
00:57:18,120 --> 00:57:23,560
Speaker 1: that point of like I don't know, okay, Morman's MVP.

993
00:57:28,880 --> 00:57:33,920
Speaker 1: I think Lea and Corey. Yeah, they really brought that

994
00:57:33,960 --> 00:57:41,960
Speaker 1: bitch home. They really did. I'm like, okay, all right, what.

995
00:57:42,120 --> 00:57:43,680
Speaker 2: An episode.

996
00:57:45,360 --> 00:57:51,520
Speaker 1: Excellent, excellent, excellent, excellent finish too season three? Yeah, Well,

997
00:57:51,560 --> 00:57:54,240
Speaker 1: there you have it, Kevin. We have made it.

998
00:57:54,760 --> 00:57:57,920
Speaker 2: After three seasons of television and looking forward to more

999
00:57:58,360 --> 00:58:02,720
Speaker 2: the three more found a TikTok this week is from

1000
00:58:03,120 --> 00:58:08,720
Speaker 2: Pink Tea Bags Kim on TikTok and it is about

1001
00:58:08,960 --> 00:58:12,880
Speaker 2: name a show with better guest stars than Lee. And

1002
00:58:12,920 --> 00:58:17,160
Speaker 2: it's two again, and it's of just all the insane

1003
00:58:17,280 --> 00:58:25,040
Speaker 2: guest stars we had on the show yet show the Skylar,

1004
00:58:25,720 --> 00:58:31,800
Speaker 2: Kate Hudson, GP Grant, Matt Boehmer, Adam Lambert, Demie Levado.

1005
00:58:31,960 --> 00:58:37,400
Speaker 1: Ricky Martin, Kristin Chano, ed Neil Patrick Harris, and Gina

1006
00:58:37,480 --> 00:58:41,360
Speaker 1: then Zi out like we did it stay most, we did.

1007
00:58:41,200 --> 00:58:48,600
Speaker 2: It so many people. Katie Sagall, Oh my god, Jennifer Coolidge,

1008
00:58:48,840 --> 00:58:58,040
Speaker 2: Gina Gershawn, Lindsay Lohan, x Lee Rex. We really did it.

1009
00:58:58,160 --> 00:59:00,640
Speaker 3: Well, you guys. Thanks for sticking with this for season three.

1010
00:59:00,800 --> 00:59:02,360
Speaker 3: You spoke, we listened.

1011
00:59:02,920 --> 00:59:03,439
Speaker 1: You were right.

1012
00:59:05,960 --> 00:59:06,920
Speaker 2: You were very much right.

1013
00:59:07,400 --> 00:59:10,920
Speaker 1: This is very exciting and also let us know what

1014
00:59:10,920 --> 00:59:11,720
Speaker 1: you think before.

1015
00:59:11,840 --> 00:59:15,280
Speaker 2: And like, can we is there anything to look forward

1016
00:59:15,360 --> 00:59:18,240
Speaker 2: to and for? Can we set something? L us tell

1017
00:59:18,320 --> 00:59:22,480
Speaker 2: us goal posts here to work towards, look forward to.

1018
00:59:23,480 --> 00:59:28,320
Speaker 2: Tina becomes a diva good, yeah, I like it. Stand

1019
00:59:28,360 --> 00:59:29,440
Speaker 2: in your power, Jenna.

1020
00:59:30,800 --> 00:59:34,760
Speaker 3: She does all right. Thanks for joining us. That's what

1021
00:59:34,800 --> 00:59:37,800
Speaker 3: you really missed after three full seasons.

1022
00:59:38,120 --> 00:59:41,480
Speaker 2: See ya. Thanks for listening and follow us on Instagram

1023
00:59:41,680 --> 00:59:44,080
Speaker 2: at and that's what you really miss pod. Make sure

1024
00:59:44,120 --> 00:59:46,240
Speaker 2: to write us a review and leave us five stars.

1025
00:59:46,400 --> 00:59:47,120
Speaker 2: See you next time,