WEBVTT - #555 - Tash

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<v Speaker 1>Hey, Yo, what's up with it?

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<v Speaker 2>This boy task right here for the world famous alcoholists

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<v Speaker 2>and right about now I'm telling them a boot Leg

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<v Speaker 2>cav podcast.

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<v Speaker 3>Ay, before we start the episode, we're gonna remind everybody, man,

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<v Speaker 3>we got one of the biggest radio shows in the country,

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<v Speaker 3>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 3>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 3>we've been able to add. Man, we want to give

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<v Speaker 3>a shout out to ninety three point nine to Beat

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<v Speaker 3>in Honolulu. That's right, Hawaii, we over there going crazy.

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<v Speaker 3>I also want to give a shout out Hot ninety

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<v Speaker 3>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 3>Also want to give a shout out to Wild ninety

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<v Speaker 3>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 3>We also just got the good folks in Bakersfield at

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<v Speaker 3>Hot one O four seven. So we're going crazy on

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<v Speaker 3>the radio with my partner James Andre Jefferson Junior for

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<v Speaker 3>the Bootleg keV Show. So make sure you tune in

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<v Speaker 3>and you can listen anywhere on that iHeart Radio app.

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<v Speaker 3>That's right, let's get into the interview. Bootleg CAB Podcast

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<v Speaker 3>special guests in here, the legend tash tash what's going on?

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<v Speaker 1>Oh man, same fight, dimming around, just working man, working, working, working, just.

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<v Speaker 2>As people might know, and everything from the group of alcoholics,

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<v Speaker 2>of course, and as people might know that a lot

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<v Speaker 2>of that that that living up to the image caught

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<v Speaker 2>up to me.

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<v Speaker 3>So are you trying to tell me that a member

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<v Speaker 3>of the alcoholics is not drinking as much as.

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<v Speaker 1>This sober halics that's what we call it. You guys

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<v Speaker 1>are sober holics.

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<v Speaker 3>Now, we don't really drink like that.

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<v Speaker 2>When that it took a toll like twenty something years

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<v Speaker 2>of just every single night as a party, every single

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<v Speaker 2>day you wake up as a party, every time you

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<v Speaker 2>got something you know to do that day. Uh, you know,

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<v Speaker 2>drinking is involved with it some kind of way. So

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<v Speaker 2>you know, I had to, you know, kick back and

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<v Speaker 2>and pull on the rains like Santa Claus slowed down

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<v Speaker 2>a little bit.

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<v Speaker 3>So I always wondered this because you guys are amazing

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<v Speaker 3>m season. I mean you, I mean, damn dude. You

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<v Speaker 3>guys got classic albums. You guys have your fingerprints on

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<v Speaker 3>so much of this West Coast shit that people don't

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<v Speaker 3>even realize it's insane. But was ever a certain point

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<v Speaker 3>in time where y'all got like two or three albums

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<v Speaker 3>in where you were like, I know, because I know

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<v Speaker 3>you guys went from the Alcoholics to the Licks right right,

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<v Speaker 3>were you guys regretted just going all in with the

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<v Speaker 3>alcoholics thing?

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<v Speaker 2>I mean, you know, with a name like the Alcoholics.

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<v Speaker 2>First of all, we was a young group, kind of

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<v Speaker 2>sure and everything, so people miscing screwed the word alcoholics

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<v Speaker 2>with like the bomb in the streets, with the little

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<v Speaker 2>you know, the three dollars vodka and all this. You know,

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<v Speaker 2>they they took the name and we got boycott, not boycott,

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<v Speaker 2>but we called it. We got banned from a lot

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<v Speaker 2>of shit like we had. We got invited to Soul

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<v Speaker 2>Train and then we showed up there and they saw

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<v Speaker 2>the name and they was like, hold on, we can't

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<v Speaker 2>put Alcoholics on national TV. And like we we couldn't

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<v Speaker 2>tour with trycoll Quest through the Bible Belt because of

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<v Speaker 2>the name, and a lot of TV shows and shit

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<v Speaker 2>turned it down because it was like we're trying to

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<v Speaker 2>get away from the negative word alcoholics, you know what

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<v Speaker 2>I'm saying. But we spelled it different and told motherfuckers

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<v Speaker 2>that we you know, we're really anti drinking and driving.

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<v Speaker 2>We had a lot of positive ship to say too,

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<v Speaker 2>but that get overlooked.

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<v Speaker 3>You know, but did you did you guys? I mean,

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<v Speaker 3>obviously everyone should be getting triagered to driving, but I

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<v Speaker 3>can imagine once you guys start losing out on ship,

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<v Speaker 3>it's like okay.

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<v Speaker 2>Yeah, but see that's whatened that ship backfire too, because

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<v Speaker 2>when we I don't know if somebody's idea was, let's

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<v Speaker 2>change the name. Since they called us the Licks. You know,

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<v Speaker 2>it's the Licks, baby, it's the Licks. They call us

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<v Speaker 2>that anyway, let's change the name officially to the Alcoholics.

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<v Speaker 2>So we did that for one album, which was a

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<v Speaker 2>disaster because nobody that really fucked with us on the

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<v Speaker 2>alcohol you know what I'm saying with the experience, right yeah,

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<v Speaker 2>XO experience, we call ourselves the Licks, and it did

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<v Speaker 2>not work because we got no more you know, say,

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<v Speaker 2>we didn't get it else that we wasn't getting as

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<v Speaker 2>the Alcoholics.

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<v Speaker 3>So that was the last album on Loud.

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<v Speaker 2>I don't know, I get I get mixed up, man,

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<v Speaker 2>but that was that was the single. Yeah you can yeh,

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<v Speaker 2>and actually it was it wasn't. That was the most

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<v Speaker 2>selling single that we ever put out. It was one

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<v Speaker 2>that tongue vibe for sure.

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<v Speaker 3>So and that was like, oh one, I don't it

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<v Speaker 3>was around I'm just trying to think of my head

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<v Speaker 3>what year of school I was in.

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<v Speaker 1>We we've been over here.

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<v Speaker 2>We got signed in ninety three, so a lot of

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<v Speaker 2>the dates and times and like that due to you

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<v Speaker 2>know what, I was all this. I get mixed up

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<v Speaker 2>because I know time pierce. Like when we told with

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<v Speaker 2>Big I know that was ninety six, ninety five before

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<v Speaker 2>he passed, right, And then it's kind of like it's

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<v Speaker 2>kind of like I get things. I got all the

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<v Speaker 2>memories of my head, but the day got time.

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<v Speaker 3>You got to like work backwards, you remember what.

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<v Speaker 2>I got to remember a physical thing, what was happening

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<v Speaker 2>right then to know what day and time it was?

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<v Speaker 3>Though? How did you Eat Swift and Jerrow initially meet

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<v Speaker 3>back in the day.

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<v Speaker 1>Man East Swift?

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<v Speaker 2>We was We was already rocking as a group called

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<v Speaker 2>Task Is Swift in the eighties and East Swift met

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<v Speaker 2>Jay roll Through. I don't know if it was cousin

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<v Speaker 2>keV or we got home with named cousin Kevin. I

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<v Speaker 2>think he bought Jo to the table and we met

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<v Speaker 2>J Rowd.

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<v Speaker 3>That's what.

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<v Speaker 2>That's what the King T's and the you know mixed

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<v Speaker 2>Matter of Space DJ Pools and we started you know,

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<v Speaker 2>running with them, and it just turned into were just

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<v Speaker 2>part of the you know we Telor wanted to do

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<v Speaker 2>a Taylor's King T by the way, he wanted to

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<v Speaker 2>do like a posse thing like he was.

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<v Speaker 1>He had an album coming out and.

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<v Speaker 2>Instead of That's why I always say We're forever grateful

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<v Speaker 2>Tuning because instead of putting out his single as just

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<v Speaker 2>King T and everything, he said, nah, I got this

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<v Speaker 2>group called the Alcoholics.

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<v Speaker 1>I want to put them on.

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<v Speaker 2>So his first single on the Active Full album or

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<v Speaker 2>the Trifling album, he featured the Alcoholics. And really that's

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<v Speaker 2>how we got our start and never looked back, and.

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<v Speaker 3>Never looked back. Where year was that? What youre was

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<v Speaker 3>the King T? Well, I guess you would have to

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<v Speaker 3>do a lot of drunken DISCREMT.

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<v Speaker 1>No, we started, we started runing with King T.

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<v Speaker 2>The first time I really kicked it with him was

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<v Speaker 2>the act of full videos at the liquor Store.

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<v Speaker 1>I'm in that motherfucker somewhere. It says I got to

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<v Speaker 1>look back.

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<v Speaker 2>But from that point on and then East Swift got

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<v Speaker 2>hired on a random He was already DJing for Me

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<v Speaker 2>and Jro. Me and Jael had a demo you know

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<v Speaker 2>this and that, and King T had a DJ named

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<v Speaker 2>Keith Cooley.

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<v Speaker 3>I know you've rather the name Keith Cooley.

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<v Speaker 1>Yeah, she shot out on the thing. And I don't

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<v Speaker 1>know what happened with Keith Cooley.

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<v Speaker 2>But the night before Teeler was going on tour with

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<v Speaker 2>n W A Scarface, I mean n W A Ghetto

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<v Speaker 2>Boys and all this, something happened with Keith Cooley.

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<v Speaker 3>With Tiler needed to DJ, and Swift.

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<v Speaker 2>Just happened to be over there cutting his head because

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<v Speaker 2>Swift he good on the cuts, but he cuts, you know,

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<v Speaker 2>so he he basically was cutting King T's hair. It's

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<v Speaker 2>God's work and shit, Tiler needed the DJ right then,

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<v Speaker 2>so he Swift went to go cut.

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<v Speaker 3>King T's hair, came back with a DJ and job.

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<v Speaker 2>Yeah, and he packed his ship up because I was

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<v Speaker 2>living with Swift and it's pops and ship at the time,

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<v Speaker 2>and so he packed his shit up and went on

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<v Speaker 2>the road with King T and never looked back.

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<v Speaker 3>You know, that is amazing. So when I was a kid.

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<v Speaker 3>My best friend's name is rams. It's Rockers little brother

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<v Speaker 3>from Dilated. I know, I know, yes, So listen. So

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<v Speaker 3>Ramses came to LA when he was sixteen seventeen. I'm

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<v Speaker 3>like twelve. So he's died brother too, yeah, like baby

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<v Speaker 3>and buddy and everybody. So yeah, so listen. So he

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<v Speaker 3>comes back from LA and he's like, Yo, my brother's

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<v Speaker 3>in this rapt because you know, Rock's dad is Pope,

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<v Speaker 3>had a lot of children, you know what I'm saying.

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<v Speaker 3>So he comes he comes back from this trip to

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<v Speaker 3>beat his brother and shit. And then he's telling me

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<v Speaker 3>and he's like, bro, I was hanging out with the

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<v Speaker 3>exhibiting alcoholics and and did one of y'all have an iraq?

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<v Speaker 1>Yeah? He's like I had a gold thing.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 3>So so I'm hearing all this shit and not at

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<v Speaker 3>the time, I'm like twelve years old, you know what

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<v Speaker 3>I'm saying. And uh. And so that's when I got

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<v Speaker 3>like exposed to like the liquor cruit thing, you know

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<v Speaker 3>what I'm saying. And then I met Raka like right

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<v Speaker 3>when the platform dropped. Wow. And then when an expansion

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<v Speaker 3>team came out, we took a road trip out here

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<v Speaker 3>and we went to like uh Fat Beats, and we

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<v Speaker 3>went to the I'm Released party and it was just

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<v Speaker 3>but but I got so like I was like entrenched

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<v Speaker 3>and being like a fan of like y'all exhibit and

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<v Speaker 3>obviously Dilated and all that ship and yeah. So it's

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<v Speaker 3>like it's crazy because you because Liquid Crew has so

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<v Speaker 3>much to do with like so much amazing parts of

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<v Speaker 3>like la hip hop. You know what I'm saying. Between

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<v Speaker 3>you guys obviously King T the Architect and the Far Eye,

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<v Speaker 3>and you know, I feel like Dilate is kind of

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<v Speaker 3>like quasi Liquid Crew. Yeah.

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<v Speaker 1>They I don't know if there was a liquor Crew,

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<v Speaker 1>but they be everywhere.

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<v Speaker 3>Like you open up that Focused Daily booklet, you see

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<v Speaker 3>evidence in there with a lot of hair and rockets

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<v Speaker 3>in there. Yeah.

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<v Speaker 2>I still keep a tune with EV all the time

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<v Speaker 2>and we're working on something actually. But I'm just proud

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<v Speaker 2>of them, you know what I'm saying, because we all

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<v Speaker 2>kind of started together, right and I see what V

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<v Speaker 2>went well, RockA went with, the group went with this

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<v Speaker 2>and that, and you know it's it's amazing. I like

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<v Speaker 2>to watch It's like watching a plant grow. It takes

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<v Speaker 2>some time. But as you see it, you know, and

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<v Speaker 2>I just think that like EB is underrated man, oh

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<v Speaker 2>my god.

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<v Speaker 3>For sure. It's almost like he hates being Like Evidence

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<v Speaker 3>is such a talented guy. He would prefer to just

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<v Speaker 3>make music and no one knew who the fuck he

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<v Speaker 3>is exactly.

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<v Speaker 2>Like that's what it is, like he he's like an

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<v Speaker 2>introvert for sure, you know, talented.

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<v Speaker 1>Shout out to Alchemist too, it.

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<v Speaker 3>Was yeah, man, shout out my favorite producers right now

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<v Speaker 3>for sure. So, uh, you guys, how at what point

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<v Speaker 3>in time? Because signing Aloud in nineteen ninety three is very,

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<v Speaker 3>very very early. That's pre wou Tang.

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<v Speaker 2>That's why I might think were the first group, but

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<v Speaker 2>technically we not, though who is uh let me see?

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<v Speaker 2>Uh it was a group called mad Cap okay, okay,

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<v Speaker 2>drop the album before we did, and then they signed

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<v Speaker 2>Twisted and Twisted what happy with his contact?

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<v Speaker 1>He said, fuck this shit, he did his own thing,

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<v Speaker 1>so we can't.

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<v Speaker 3>Right after that, So that's crazy ninety three. That's like

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<v Speaker 3>that's like ground floor loud record shit.

0:09:59.480 --> 0:10:01.920
<v Speaker 2>Yeah, that's what I still talked to Steve. You know

0:10:02.520 --> 0:10:05.160
<v Speaker 2>a lot of loud records in the house last night.

0:10:05.840 --> 0:10:09.080
<v Speaker 2>There was was there in case. I know, we went

0:10:09.120 --> 0:10:11.840
<v Speaker 2>to the exhibits album release party last night. He was

0:10:11.720 --> 0:10:14.360
<v Speaker 2>it was text but what.

0:10:14.320 --> 0:10:14.839
<v Speaker 1>Was I saying?

0:10:15.880 --> 0:10:18.120
<v Speaker 2>All the like it was a whole Loud section there

0:10:18.280 --> 0:10:22.000
<v Speaker 2>was Yeah, so no shout out, Noah, Oti Arlene, a

0:10:22.040 --> 0:10:23.000
<v Speaker 2>bunch of people from Loud.

0:10:23.120 --> 0:10:26.439
<v Speaker 3>Like so, you guys like it's crazy because we think

0:10:26.480 --> 0:10:29.040
<v Speaker 3>of Loud as like such a East Coast label and

0:10:29.040 --> 0:10:32.960
<v Speaker 3>of course, like obviously in spirit it is and you know, tang,

0:10:33.040 --> 0:10:35.240
<v Speaker 3>big pun, et cetera, et cetera. But you're one of

0:10:35.280 --> 0:10:40.439
<v Speaker 3>the first groups exhibit is you know, at the speed

0:10:40.480 --> 0:10:45.480
<v Speaker 3>of life, restless, forty days, forty nights. What what How

0:10:45.480 --> 0:10:48.960
<v Speaker 3>did you guys end up getting like Steve Steve's attention

0:10:49.080 --> 0:10:51.200
<v Speaker 3>and like like was that something where he was like

0:10:51.240 --> 0:10:54.080
<v Speaker 3>out out west looking for talent or about us? Yeah,

0:10:55.880 --> 0:10:57.360
<v Speaker 3>let me get this story straight too.

0:10:58.080 --> 0:10:59.840
<v Speaker 1>Basically it was a guy about the name of Fabi

0:11:00.040 --> 0:11:00.400
<v Speaker 1>and Dub.

0:11:01.080 --> 0:11:03.920
<v Speaker 2>We called him Fade and he was real close with

0:11:03.960 --> 0:11:05.880
<v Speaker 2>Swift us you know this, and that he's a love

0:11:05.920 --> 0:11:06.240
<v Speaker 2>war ship.

0:11:06.280 --> 0:11:08.480
<v Speaker 1>We to make these demos and you know, me and

0:11:08.520 --> 0:11:11.920
<v Speaker 1>Je was the flood, the l a underground seeing.

0:11:11.920 --> 0:11:13.520
<v Speaker 2>Swift was a DJ. He was a popular DJ. He

0:11:13.600 --> 0:11:16.719
<v Speaker 2>was getting booked for like colleges us. We're young though,

0:11:17.040 --> 0:11:22.520
<v Speaker 2>So basically we went to mad Cap was already on Loud,

0:11:22.559 --> 0:11:25.600
<v Speaker 2>and we went to a studio session in Pasadenas somewhere,

0:11:26.720 --> 0:11:29.199
<v Speaker 2>and during that studio session we played Fade the demo

0:11:29.360 --> 0:11:31.679
<v Speaker 2>and he was like Steve Ripkins right hand man at

0:11:31.679 --> 0:11:34.200
<v Speaker 2>the time. Actually, first he got us to deal with

0:11:34.360 --> 0:11:37.840
<v Speaker 2>He got us a deal with Freeway Rick. Yes, Freeway

0:11:37.920 --> 0:11:38.920
<v Speaker 2>Rick not Rick Wall.

0:11:38.880 --> 0:11:41.679
<v Speaker 3>Was the one who interviewed I've interviewed Freeway Rick Ross too.

0:11:41.960 --> 0:11:44.000
<v Speaker 3>I just saw him at Snoop Savanthia the other night,

0:11:44.240 --> 0:11:46.520
<v Speaker 3>no big extras event. But yeah, so you guys actually

0:11:46.520 --> 0:11:48.040
<v Speaker 3>had to deal with Freeway Cross first.

0:11:48.200 --> 0:11:50.080
<v Speaker 2>If you look on Drink Champs and all the rest

0:11:50.120 --> 0:11:51.839
<v Speaker 2>of the podcasts that he do, he alway shout us out.

0:11:51.960 --> 0:11:53.920
<v Speaker 3>Yeah, I was just close to the alcoholics.

0:11:54.280 --> 0:11:56.560
<v Speaker 2>But what happened was he got locked up right you know,

0:11:56.640 --> 0:11:59.640
<v Speaker 2>during this time, and he called from prison and he

0:12:00.040 --> 0:12:01.920
<v Speaker 2>heard through the grapevine and we had some something else

0:12:01.960 --> 0:12:04.679
<v Speaker 2>going on with this Loud record label or something like that.

0:12:05.320 --> 0:12:07.280
<v Speaker 2>It was his blessing. He said, man, go get it.

0:12:07.280 --> 0:12:08.600
<v Speaker 2>I don't want to nothe just just take it to

0:12:08.640 --> 0:12:11.360
<v Speaker 2>the top. You know, and this and that, and but

0:12:11.360 --> 0:12:13.920
<v Speaker 2>then he ended up getting out this and that, so

0:12:14.360 --> 0:12:16.319
<v Speaker 2>you know, shout out freeway with man. I just see

0:12:16.400 --> 0:12:18.400
<v Speaker 2>him in Vegas about I don't know how long ago,

0:12:18.440 --> 0:12:19.200
<v Speaker 2>but you know.

0:12:19.280 --> 0:12:21.280
<v Speaker 3>Yeah, yeah, I know he had told me he was

0:12:21.320 --> 0:12:23.960
<v Speaker 3>doing he was doing some like back behind the scenes

0:12:24.000 --> 0:12:26.240
<v Speaker 3>financing on some big artists too, like I think you

0:12:26.320 --> 0:12:28.319
<v Speaker 3>need a baker, like a lot of.

0:12:28.320 --> 0:12:30.520
<v Speaker 2>Real like he always got his hands in something. He

0:12:30.559 --> 0:12:32.720
<v Speaker 2>was selling his book. Well that what I said, taking

0:12:32.840 --> 0:12:33.400
<v Speaker 2>me a free book.

0:12:33.480 --> 0:12:39.480
<v Speaker 3>Yeah, he's a hustler, bro, that's evident. But no, but yeah,

0:12:39.480 --> 0:12:41.880
<v Speaker 3>I mean obviously, I mean he's known for that. They

0:12:41.960 --> 0:12:43.640
<v Speaker 3>kind of stole his life story and did the TV

0:12:43.679 --> 0:12:48.000
<v Speaker 3>show great show, by the way, a great show. You

0:12:48.000 --> 0:12:51.480
<v Speaker 3>guys end up with loud. At what point in time

0:12:52.760 --> 0:12:56.640
<v Speaker 3>does exhibit come into the fold, And obviously you guys

0:12:56.679 --> 0:12:59.960
<v Speaker 3>had to have kind of made that introduction. I'm assuming because.

0:13:00.080 --> 0:13:03.480
<v Speaker 2>I think I don't remember the how you can I

0:13:03.520 --> 0:13:06.520
<v Speaker 2>remember that the Ziba was a he was aggressive, you

0:13:06.559 --> 0:13:07.079
<v Speaker 2>know what I'm saying.

0:13:07.400 --> 0:13:09.880
<v Speaker 1>And every time I have seen we want.

0:13:09.720 --> 0:13:12.400
<v Speaker 2>Some MC ship and Ziba used to get down like

0:13:12.440 --> 0:13:15.720
<v Speaker 2>he really like he he looked like that, but he

0:13:15.760 --> 0:13:17.240
<v Speaker 2>had like this path he had like a he was

0:13:17.280 --> 0:13:18.959
<v Speaker 2>smarter than a lot of people, you know what I mean,

0:13:19.400 --> 0:13:22.480
<v Speaker 2>Like he already knew what he wanted. We freestyle of life,

0:13:22.480 --> 0:13:24.000
<v Speaker 2>you know what I'm saying, Like we get picked up

0:13:24.000 --> 0:13:24.840
<v Speaker 2>by a label, that's cool.

0:13:24.840 --> 0:13:27.199
<v Speaker 1>If not, we're gonna do this. Unlet's see what happens

0:13:27.240 --> 0:13:27.480
<v Speaker 1>with this.

0:13:27.559 --> 0:13:29.880
<v Speaker 3>And that's a crazy statement. We freestyle of life. Yeah,

0:13:30.000 --> 0:13:34.880
<v Speaker 3>I like that. Here we are, it's worked out.

0:13:35.040 --> 0:13:38.160
<v Speaker 2>Yeah, so you know Zif he we we we were

0:13:38.200 --> 0:13:40.680
<v Speaker 2>just hanging around the underground circles and we all just

0:13:40.720 --> 0:13:43.280
<v Speaker 2>saw some MENI like and this and that, and he started,

0:13:43.440 --> 0:13:45.319
<v Speaker 2>you know, really hanging around with us. We start going

0:13:45.360 --> 0:13:48.360
<v Speaker 2>up to you know, Friday night flavors and all these

0:13:48.400 --> 0:13:50.240
<v Speaker 2>different things serving on them, and then we've got the

0:13:50.360 --> 0:13:53.439
<v Speaker 2>serving people in the clubs and it was just.

0:13:53.400 --> 0:13:57.840
<v Speaker 3>That when you used to like see rappers like rapping outside.

0:13:58.440 --> 0:14:01.600
<v Speaker 2>Once he became the yes zhibit man, he was like

0:14:01.720 --> 0:14:04.760
<v Speaker 2>he he I never seen nobody with a with a

0:14:05.960 --> 0:14:08.680
<v Speaker 2>determination is out the world for this, Like like he

0:14:08.760 --> 0:14:10.760
<v Speaker 2>knew he knew all this ship the ZIPB is doing

0:14:10.760 --> 0:14:12.360
<v Speaker 2>now he told us he was going to do this.

0:14:12.880 --> 0:14:14.320
<v Speaker 1>Then that was his plan.

0:14:14.400 --> 0:14:15.959
<v Speaker 2>Like we didn't have no plan and shout out to

0:14:16.000 --> 0:14:17.600
<v Speaker 2>his dad too was a big part of that too,

0:14:17.640 --> 0:14:21.280
<v Speaker 2>because he got a guidance with the military, upbringing and

0:14:21.280 --> 0:14:25.440
<v Speaker 2>stuff like that. Destructure I ain't never had no structure

0:14:25.520 --> 0:14:27.280
<v Speaker 2>like that. My dad got murdered when I was young,

0:14:27.400 --> 0:14:30.240
<v Speaker 2>you know, so I kind of been freestyle in that life,

0:14:30.280 --> 0:14:33.920
<v Speaker 2>you know, freestyle of life ever since. But shout out

0:14:33.920 --> 0:14:35.520
<v Speaker 2>Exhibit His album came out yesterday.

0:14:36.160 --> 0:14:36.840
<v Speaker 3>It's incredible.

0:14:36.960 --> 0:14:38.360
<v Speaker 1>Yeah, we went to the ship.

0:14:38.440 --> 0:14:41.240
<v Speaker 2>I'm I'm in my fifties, but man, we hit three

0:14:41.320 --> 0:14:45.240
<v Speaker 2>parties last night. Man, we went to Exhibits first, then

0:14:45.240 --> 0:14:47.760
<v Speaker 2>we went to Snoop Dogg party, and then we went

0:14:47.800 --> 0:14:48.320
<v Speaker 2>to the Busy.

0:14:48.560 --> 0:14:50.000
<v Speaker 1>I'm tripping. That's the day before yesterday.

0:14:50.200 --> 0:14:50.480
<v Speaker 3>That's all.

0:14:50.520 --> 0:14:52.640
<v Speaker 2>You ain't been asleep, But I say we were the

0:14:52.680 --> 0:14:54.480
<v Speaker 2>three live ass parties in one night.

0:14:54.640 --> 0:14:57.080
<v Speaker 3>Yeah, yeah, yeah, because Exhibited two Things did one of

0:14:57.080 --> 0:14:59.600
<v Speaker 3>the night before, and then Snoop did yeah.

0:14:59.600 --> 0:15:02.000
<v Speaker 1>Night before we went to Zibit Things. We went to

0:15:02.080 --> 0:15:02.800
<v Speaker 1>Snoop Dogg Things.

0:15:02.840 --> 0:15:06.480
<v Speaker 2>Shout out snow Too returned my text snope and I

0:15:06.520 --> 0:15:07.320
<v Speaker 2>saw y'all say what up?

0:15:07.400 --> 0:15:08.800
<v Speaker 1>Yeah yeah, so and then.

0:15:09.760 --> 0:15:15.200
<v Speaker 2>We went to uh the Far Side and the hieroglyphic.

0:15:15.240 --> 0:15:17.760
<v Speaker 2>I mean the Souls of Mischief went platinum the same week,

0:15:17.840 --> 0:15:18.480
<v Speaker 2>like two weeks ago.

0:15:18.520 --> 0:15:20.360
<v Speaker 3>Oh shit, so they had a big party for them.

0:15:20.360 --> 0:15:24.960
<v Speaker 2>Shout out shinne swoops, rise casts will I am.

0:15:24.000 --> 0:15:25.640
<v Speaker 3>That's crazy. I didn't know that that was it. I

0:15:25.680 --> 0:15:27.360
<v Speaker 3>would have went to that party too, funck shout to

0:15:27.360 --> 0:15:28.680
<v Speaker 3>the far side and hiro.

0:15:28.720 --> 0:15:31.680
<v Speaker 2>Yeah, let's say that's how the shit be tripping me out, Like,

0:15:31.680 --> 0:15:34.720
<v Speaker 2>how y'all go platinum the same week thirty years later?

0:15:35.880 --> 0:15:38.080
<v Speaker 2>I thought it passing me by ben platinum long time ago.

0:15:38.160 --> 0:15:39.920
<v Speaker 3>But you know what it is, a lot of those

0:15:39.960 --> 0:15:44.440
<v Speaker 3>like older records, they're probably technically platinum in gold. It's

0:15:44.640 --> 0:15:49.040
<v Speaker 3>the label they have to like there's some sort of

0:15:49.080 --> 0:15:52.280
<v Speaker 3>like where the label has to reach out to oria

0:15:52.440 --> 0:15:55.240
<v Speaker 3>A to make sure it's certified. That like because my

0:15:55.320 --> 0:15:57.160
<v Speaker 3>homie had a record, they're actually up on the wall

0:15:57.160 --> 0:15:59.320
<v Speaker 3>over there. They're both gold and like they were gold

0:15:59.360 --> 0:16:03.040
<v Speaker 3>forever and uh, but he was waiting on his label

0:16:03.080 --> 0:16:06.400
<v Speaker 3>to like, I don't know, make get a certified or whatever.

0:16:06.640 --> 0:16:10.040
<v Speaker 3>But yeah, like passing me by should be fucking platinum,

0:16:10.120 --> 0:16:11.480
<v Speaker 3>Like what are we talking about?

0:16:11.520 --> 0:16:13.200
<v Speaker 2>While I was assuming and then on top of that,

0:16:13.240 --> 0:16:16.160
<v Speaker 2>it's like like like how do you judge, Like, how

0:16:16.160 --> 0:16:18.840
<v Speaker 2>do you like there's no more physical copies, So if

0:16:18.840 --> 0:16:21.640
<v Speaker 2>you sold eight hundred thousand physical copies, what are they

0:16:21.640 --> 0:16:22.480
<v Speaker 2>selling now to make.

0:16:22.440 --> 0:16:25.640
<v Speaker 3>Yeah that I don't there's a certain amount of streams

0:16:25.640 --> 0:16:27.480
<v Speaker 3>that equal and album sale. I want to say it's

0:16:28.600 --> 0:16:31.040
<v Speaker 3>I want to say it's fifteen hundred strings equals on album.

0:16:30.840 --> 0:16:33.000
<v Speaker 1>Sale fifteen other strange.

0:16:33.960 --> 0:16:35.360
<v Speaker 3>I don't want to be don't put that in black

0:16:35.400 --> 0:16:36.640
<v Speaker 3>and white, but I think it's something like that.

0:16:36.640 --> 0:16:38.960
<v Speaker 2>That's ridiculous. But anyway, we need to take our shit back.

0:16:38.960 --> 0:16:39.480
<v Speaker 2>That's what I say.

0:16:39.560 --> 0:16:41.800
<v Speaker 3>That's why it's like, you know, like the direct to

0:16:41.960 --> 0:16:44.720
<v Speaker 3>fan ship is making a comeback. You know where it's

0:16:44.720 --> 0:16:47.760
<v Speaker 3>like if you got a fan base, like fuck the platforms,

0:16:47.800 --> 0:16:50.160
<v Speaker 3>Like obviously you want your ship up for everybody, but

0:16:50.840 --> 0:16:53.080
<v Speaker 3>you want to be able to like have that direct

0:16:53.120 --> 0:16:56.119
<v Speaker 3>connection to fans where they spend money with you.

0:16:56.120 --> 0:16:57.760
<v Speaker 2>You don't you have to be doing right now? We

0:16:58.040 --> 0:17:00.280
<v Speaker 2>ask that right now. I got a whole independent thing

0:17:00.360 --> 0:17:02.720
<v Speaker 2>going on. Did you hear the record?

0:17:03.360 --> 0:17:06.960
<v Speaker 3>Yes? I love the video by the way, Okay, yeah,

0:17:08.240 --> 0:17:08.920
<v Speaker 3>did a great job.

0:17:09.280 --> 0:17:12.920
<v Speaker 2>Shot out to Nate, Nate the great bag God, my

0:17:13.040 --> 0:17:13.640
<v Speaker 2>husband and wife.

0:17:14.720 --> 0:17:19.520
<v Speaker 3>That's what I appreciate it. Yeah, yeah, I mean you're back,

0:17:19.560 --> 0:17:20.880
<v Speaker 3>man said, I see you running around.

0:17:21.320 --> 0:17:23.280
<v Speaker 2>Yeah, I'm trying to, you know, get back into Google because,

0:17:23.280 --> 0:17:24.800
<v Speaker 2>like I said, I took a little hiatus just to

0:17:24.800 --> 0:17:30.840
<v Speaker 2>get my shit together, you know, sober holic, Yeah, smokaholic, smokaholics.

0:17:30.920 --> 0:17:35.240
<v Speaker 3>Yeah. Yeah, but no, it's crazy because like I you know, uh,

0:17:35.480 --> 0:17:41.760
<v Speaker 3>I think back to like your your like uh when

0:17:41.760 --> 0:17:44.880
<v Speaker 3>I think atash bro used to be like a superhero

0:17:44.920 --> 0:17:46.479
<v Speaker 3>to me, dog like he used to be with it

0:17:47.040 --> 0:17:48.800
<v Speaker 3>now like for like Wrap Life is one of the

0:17:48.800 --> 0:17:52.560
<v Speaker 3>most fucking and it's a perfect album. It's a fucking classic.

0:17:52.640 --> 0:17:57.200
<v Speaker 3>It's it's one of them ones man. Yeah, and it's

0:17:57.240 --> 0:17:59.199
<v Speaker 3>slept on like for people who don't know, like go

0:17:59.480 --> 0:18:02.000
<v Speaker 3>fucking go run and get tash rap Life. That ship

0:18:02.160 --> 0:18:06.240
<v Speaker 3>is from track one to the end. It is amazing.

0:18:06.280 --> 0:18:09.280
<v Speaker 2>Ple check that man shout out the same mooning Malik Levy,

0:18:09.359 --> 0:18:11.720
<v Speaker 2>Steve Riskin, Rich, Isaacson.

0:18:12.640 --> 0:18:17.440
<v Speaker 3>What because that came after Liquidation, right, because Liquidation came

0:18:17.480 --> 0:18:20.680
<v Speaker 3>out and then at the time table Okay, yeah, yeah,

0:18:20.680 --> 0:18:21.680
<v Speaker 3>it came out after Liquidation.

0:18:21.920 --> 0:18:24.159
<v Speaker 1>It came out after yeah, yeah, yeah, because I.

0:18:24.160 --> 0:18:27.240
<v Speaker 3>Want to say rap Life was ninety nine. It was yeah,

0:18:27.280 --> 0:18:27.880
<v Speaker 3>so you do that.

0:18:28.520 --> 0:18:30.639
<v Speaker 1>I got a song called smoke Fest ninety nine on it.

0:18:31.040 --> 0:18:32.879
<v Speaker 1>Cast shout, I was gonna say without cast I was

0:18:32.880 --> 0:18:33.439
<v Speaker 1>looking right there.

0:18:33.480 --> 0:18:38.080
<v Speaker 3>Okay, yes, sir? What what what was the thought process

0:18:38.240 --> 0:18:41.720
<v Speaker 3>you guys? Drop Liquidation? Uh? Hip Hop Drunkies was a

0:18:41.720 --> 0:18:43.440
<v Speaker 3>big record for you guys? Shout at what I want

0:18:43.440 --> 0:18:46.960
<v Speaker 3>to get into that too? What what what motivated you

0:18:47.000 --> 0:18:49.000
<v Speaker 3>to say I gotta I gotta get a solo one off?

0:18:49.760 --> 0:18:51.840
<v Speaker 2>I mean to tell you the two we started out

0:18:51.880 --> 0:18:55.119
<v Speaker 2>as solo artists as before, right, I met Jo and

0:18:55.160 --> 0:18:57.000
<v Speaker 2>everything and the funny Boy bout me and j was

0:18:57.000 --> 0:18:59.160
<v Speaker 2>never supposed to do out group, but none of thee

0:18:59.440 --> 0:19:01.080
<v Speaker 2>It was like Task.

0:19:00.960 --> 0:19:02.520
<v Speaker 3>Was over here, j Row was over here. We have

0:19:02.640 --> 0:19:03.440
<v Speaker 3>other people's crew.

0:19:03.640 --> 0:19:06.240
<v Speaker 1>Yeah, it was a crew. And then we made a demo.

0:19:07.800 --> 0:19:10.280
<v Speaker 2>Called I Guess Funky, and we did one called Past

0:19:10.320 --> 0:19:12.640
<v Speaker 2>the Joint And I had to be like eighty eight

0:19:12.760 --> 0:19:14.680
<v Speaker 2>eighty nine or something like this.

0:19:15.080 --> 0:19:17.800
<v Speaker 3>Yeah, are old? I was born in eighty seven?

0:19:17.880 --> 0:19:20.360
<v Speaker 1>Are you serious? God? Damn, that's where the baby face

0:19:20.400 --> 0:19:21.040
<v Speaker 1>come from. Then?

0:19:21.560 --> 0:19:25.320
<v Speaker 2>All right, well but anyway, we did this demo tape.

0:19:25.400 --> 0:19:27.440
<v Speaker 2>Oh no, actually we did a song called I Guess

0:19:27.480 --> 0:19:31.320
<v Speaker 2>Funky and we used the Roger like the the sample

0:19:31.359 --> 0:19:35.680
<v Speaker 2>from Rogers Zapp and Roger. People went crazy for the song,

0:19:35.760 --> 0:19:37.080
<v Speaker 2>so they said, may y'all got to do more.

0:19:37.160 --> 0:19:39.560
<v Speaker 1>So we did a couple. We did one called Past

0:19:39.560 --> 0:19:40.240
<v Speaker 1>the Joints.

0:19:39.960 --> 0:19:41.879
<v Speaker 2>So we was ahead of the curve before all the weed,

0:19:42.200 --> 0:19:46.119
<v Speaker 2>you know what I'm saying, like, uh, past the joint

0:19:46.280 --> 0:19:49.240
<v Speaker 2>And then it was unanimous, like everybody was like, y'all

0:19:49.280 --> 0:19:52.320
<v Speaker 2>sound so different that y'all should do more shit together

0:19:52.400 --> 0:19:53.920
<v Speaker 2>because it's like, you know, when you hear groups and

0:19:53.920 --> 0:19:56.960
<v Speaker 2>ship like that's in effects and a lot of groups

0:19:57.000 --> 0:19:59.000
<v Speaker 2>they rapped, you can tell they have the same day

0:19:59.000 --> 0:20:00.800
<v Speaker 2>in the group because they rapped similar you know what

0:20:00.800 --> 0:20:03.679
<v Speaker 2>I'm saying, like EPM D. You know, of course, so

0:20:03.840 --> 0:20:06.600
<v Speaker 2>j Row style and my style was like ying and

0:20:06.680 --> 0:20:09.720
<v Speaker 2>yang night and day or whatever whatever, So you know,

0:20:09.800 --> 0:20:12.840
<v Speaker 2>I think that's what made people pay attention to it.

0:20:12.960 --> 0:20:16.160
<v Speaker 3>Kind of yeah, you know, rap life was like, uh man,

0:20:17.040 --> 0:20:18.520
<v Speaker 3>just stellar, stellar body of work.

0:20:18.920 --> 0:20:20.080
<v Speaker 1>Thank you, thank you, thank you.

0:20:20.560 --> 0:20:23.960
<v Speaker 2>Actually, Steve Ripkins Pops Jewels had a lot to do

0:20:24.000 --> 0:20:27.159
<v Speaker 2>with that too. A word Western piece, Yes, you know,

0:20:27.200 --> 0:20:29.000
<v Speaker 2>that's who got me over there. On Sony You all this,

0:20:29.760 --> 0:20:32.960
<v Speaker 2>but Rap Life was like a I was trying to

0:20:33.000 --> 0:20:34.879
<v Speaker 2>do something I was trying to do. I had a

0:20:34.880 --> 0:20:37.520
<v Speaker 2>concept for the album because, like you said, everybody thought

0:20:37.520 --> 0:20:40.040
<v Speaker 2>it was from New York and so what I wanted

0:20:40.080 --> 0:20:43.680
<v Speaker 2>to do was show people that we cool with New

0:20:43.760 --> 0:20:45.840
<v Speaker 2>Yorkers and we got a style from the West Coast

0:20:45.840 --> 0:20:46.760
<v Speaker 2>that they love over there.

0:20:46.800 --> 0:20:48.520
<v Speaker 3>So I was trying to unify this city or whatever.

0:20:48.600 --> 0:20:50.800
<v Speaker 3>R right, Well, ray Ward was on the album, you right.

0:20:50.880 --> 0:20:55.680
<v Speaker 2>If We started out with a lot of the alcoholic

0:20:55.920 --> 0:21:01.560
<v Speaker 2>wool tang mob d of course Big One, so we

0:21:01.560 --> 0:21:03.159
<v Speaker 2>we we're cool with all these new and they got

0:21:03.200 --> 0:21:04.959
<v Speaker 2>an LA office, so we used to be up there

0:21:04.960 --> 0:21:08.440
<v Speaker 2>every day. You know what I'm saying. But what was

0:21:08.480 --> 0:21:09.959
<v Speaker 2>I saying that was that was the beauty of it.

0:21:09.960 --> 0:21:12.439
<v Speaker 2>It was like we had this East Coast, you know,

0:21:12.520 --> 0:21:15.320
<v Speaker 2>international love and everything. They ain't really like gangster rapper

0:21:15.359 --> 0:21:17.600
<v Speaker 2>kind of pigeonhole for LA, Like this is what LA

0:21:17.680 --> 0:21:18.040
<v Speaker 2>sounds like.

0:21:18.080 --> 0:21:20.200
<v Speaker 3>No, for sure, you guys had your own thing going.

0:21:20.200 --> 0:21:22.920
<v Speaker 2>Each Swift on the beach, Yes, and then with Rap

0:21:22.960 --> 0:21:25.600
<v Speaker 2>Life and everything. What I tried to do was I

0:21:25.600 --> 0:21:28.280
<v Speaker 2>wanted to come with a single myself. This one song,

0:21:29.040 --> 0:21:32.479
<v Speaker 2>remember the song on there when I with the actually

0:21:32.480 --> 0:21:34.400
<v Speaker 2>Doctor Dan and the exhibit and ended up using it.

0:21:34.440 --> 0:21:39.760
<v Speaker 2>But I have one first, but the Dunk Dune d D.

0:21:40.440 --> 0:21:42.280
<v Speaker 2>I had a song that was about to be my single,

0:21:42.920 --> 0:21:45.840
<v Speaker 2>and then I don't know how it happened, but rock

0:21:45.880 --> 0:21:47.880
<v Speaker 2>Wiler that we with Redman and them did the beat.

0:21:48.160 --> 0:21:49.359
<v Speaker 2>So we had it all set up for me that

0:21:49.440 --> 0:21:51.000
<v Speaker 2>to be my single, and then all of a sudden,

0:21:51.400 --> 0:21:52.440
<v Speaker 2>Snooping and dropped the.

0:21:52.520 --> 0:21:53.760
<v Speaker 3>Dre dropped the same.

0:21:53.840 --> 0:21:57.119
<v Speaker 1>Champel was like, hold up time, we can't do this.

0:21:57.200 --> 0:21:58.800
<v Speaker 2>So we had to go back to the drawing board

0:21:58.960 --> 0:22:01.000
<v Speaker 2>and I said, let's do the one with Ray Kuan.

0:22:01.240 --> 0:22:02.960
<v Speaker 2>And what the plan was. I was gonna come up

0:22:03.000 --> 0:22:04.680
<v Speaker 2>with the song with Ray Kuan, let him know that

0:22:05.280 --> 0:22:05.600
<v Speaker 2>you know.

0:22:05.600 --> 0:22:08.680
<v Speaker 3>We the song is actually called rap like it's called

0:22:08.760 --> 0:22:09.200
<v Speaker 3>rap Life.

0:22:09.400 --> 0:22:10.840
<v Speaker 2>And then I wanted to come right back with the

0:22:10.920 --> 0:22:14.600
<v Speaker 2>song I did with Snooping them Snoop, I mean snoop zip.

0:22:14.640 --> 0:22:16.679
<v Speaker 2>I did a song called Jesus G's with Me Snoop

0:22:16.760 --> 0:22:20.720
<v Speaker 2>corrupt zibit. And I'm trying to sew you know that

0:22:20.720 --> 0:22:22.920
<v Speaker 2>that I get down with anybody, you know, no matter

0:22:22.920 --> 0:22:25.760
<v Speaker 2>who it is, and that said backfire. Once I did that,

0:22:25.840 --> 0:22:29.000
<v Speaker 2>everyone I dropped this ta with Ray Kuan. Everybody's thinking

0:22:29.000 --> 0:22:30.520
<v Speaker 2>I'm from New York for some reason, even though I

0:22:30.560 --> 0:22:32.399
<v Speaker 2>filmed it right here Inglewood.

0:22:32.000 --> 0:22:34.120
<v Speaker 1>That the race track is crazy, got.

0:22:34.000 --> 0:22:36.200
<v Speaker 2>Dayton's and all kinds of la sitting there, they still

0:22:36.200 --> 0:22:38.520
<v Speaker 2>say he wants me from New York. So I don't

0:22:38.560 --> 0:22:40.600
<v Speaker 2>know what they had to do with anything else, but

0:22:41.280 --> 0:22:42.800
<v Speaker 2>I got that stamp a long time ago.

0:22:43.320 --> 0:22:48.199
<v Speaker 3>What you guys have been on some legendary tours you

0:22:48.240 --> 0:22:51.520
<v Speaker 3>mentioned obviously to him with Big Right. I remember you

0:22:51.520 --> 0:22:55.000
<v Speaker 3>guys to Wutang too right, Yeah Tang? And what was

0:22:55.040 --> 0:22:57.320
<v Speaker 3>the other it was? Who else was on that tour

0:22:58.000 --> 0:22:58.800
<v Speaker 3>that was just allowed?

0:22:58.800 --> 0:23:00.240
<v Speaker 2>When it was on the first tour with Wo saying

0:23:00.240 --> 0:23:04.040
<v Speaker 2>I was a promotional tour And imagine like you got

0:23:04.080 --> 0:23:05.080
<v Speaker 2>twelve like I saw.

0:23:04.960 --> 0:23:08.199
<v Speaker 3>You guys did like a huge festival. I feel like

0:23:08.320 --> 0:23:08.840
<v Speaker 3>that was like.

0:23:08.840 --> 0:23:10.480
<v Speaker 1>We do a lot of shit that people don't. It

0:23:10.520 --> 0:23:11.920
<v Speaker 1>goes under the radar. I don't know why.

0:23:12.000 --> 0:23:15.320
<v Speaker 3>What was it like though, you're the West Coast group,

0:23:15.400 --> 0:23:19.200
<v Speaker 3>but you're touring with Big Right. This is after Ready

0:23:19.240 --> 0:23:19.560
<v Speaker 3>to Die.

0:23:19.720 --> 0:23:22.720
<v Speaker 2>Yes, First of all, House Biggie, he only had two

0:23:22.760 --> 0:23:25.560
<v Speaker 2>albums First of all, what's that like, Biggie.

0:23:25.760 --> 0:23:26.960
<v Speaker 1>That's why, man, when all the.

0:23:28.480 --> 0:23:30.840
<v Speaker 2>Static and the beef and all the East West shit

0:23:30.880 --> 0:23:32.640
<v Speaker 2>and all that shit, you gotta understand that we don't

0:23:32.640 --> 0:23:36.800
<v Speaker 2>build like long lasting relationships with people from the East

0:23:36.800 --> 0:23:39.399
<v Speaker 2>before that. So we wasn't we wasn't about to just

0:23:39.520 --> 0:23:41.640
<v Speaker 2>jump in because really I knew that it was not

0:23:41.680 --> 0:23:44.560
<v Speaker 2>true about the Biggie setting up Pock and all that.

0:23:44.920 --> 0:23:46.840
<v Speaker 2>We know that was bullshit off the rip. So we

0:23:47.000 --> 0:23:49.520
<v Speaker 2>just you know, basically, we just played, you know, I

0:23:49.520 --> 0:23:51.560
<v Speaker 2>played the fence. We just played the background when it

0:23:51.560 --> 0:23:53.920
<v Speaker 2>was jumping. Because they asked us to go on this

0:23:54.040 --> 0:23:56.960
<v Speaker 2>tour and they hand picked us, you know what I mean.

0:23:57.480 --> 0:24:00.280
<v Speaker 2>So they got love for the West Coast, but I don't.

0:24:00.400 --> 0:24:02.320
<v Speaker 2>I don't get another people's politics and shit like that.

0:24:02.440 --> 0:24:04.280
<v Speaker 2>But it was weird because it was the only West

0:24:04.280 --> 0:24:05.280
<v Speaker 2>Coast group on the tour.

0:24:06.600 --> 0:24:08.520
<v Speaker 3>How as big as a dude though, man.

0:24:08.440 --> 0:24:10.840
<v Speaker 2>Like hilarious, man like you know, like he was the

0:24:10.880 --> 0:24:12.920
<v Speaker 2>biggest King T fan. He used to tell us every

0:24:13.000 --> 0:24:14.920
<v Speaker 2>day like like where's King T.

0:24:15.040 --> 0:24:17.159
<v Speaker 1>I'll come in here with you. I forgot why wasn't on

0:24:17.160 --> 0:24:17.480
<v Speaker 1>the tour.

0:24:17.560 --> 0:24:21.199
<v Speaker 2>But Biggie was like reciting his lyrics every day like

0:24:21.240 --> 0:24:25.440
<v Speaker 2>he was like a super duper you know, king t fan.

0:24:25.600 --> 0:24:27.320
<v Speaker 3>You know, did he ever try to hang with you

0:24:27.359 --> 0:24:28.439
<v Speaker 3>guys when they came to drinking?

0:24:29.040 --> 0:24:31.760
<v Speaker 2>Nah, he knew better than that. But he's a smoke

0:24:31.800 --> 0:24:34.439
<v Speaker 2>a lot. I see, he wasn't known as a drinker.

0:24:35.640 --> 0:24:37.800
<v Speaker 2>He smoked, and back then I wasn't really smoking that much,

0:24:37.800 --> 0:24:39.000
<v Speaker 2>so I'd be high drunk.

0:24:39.160 --> 0:24:41.480
<v Speaker 1>You know. We got a lot of tours like.

0:24:44.160 --> 0:24:47.840
<v Speaker 3>Yeah, yeah, yeah, and then uh, you guys obviously have

0:24:47.920 --> 0:24:51.159
<v Speaker 3>such a great relationship and working relationship with Woo. I

0:24:51.200 --> 0:24:55.120
<v Speaker 3>know y'all kind of helped helped get them on the

0:24:55.200 --> 0:25:02.480
<v Speaker 3>on the radar alloud and ship od Uh. I feel

0:25:02.560 --> 0:25:06.480
<v Speaker 3>like was kind of like I feel like he was

0:25:06.560 --> 0:25:09.639
<v Speaker 3>like your spirit animal, Like when like in a weird

0:25:09.760 --> 0:25:13.480
<v Speaker 3>like reverse universe, ODB and Tash on a record could

0:25:13.480 --> 0:25:15.439
<v Speaker 3>have been the same person, Like you guys have like

0:25:15.480 --> 0:25:17.879
<v Speaker 3>a very unique style of rapping and like very like

0:25:17.920 --> 0:25:20.359
<v Speaker 3>you know what I'm saying, Like that's so well, what

0:25:21.080 --> 0:25:23.200
<v Speaker 3>was what was it like? Just just just being being

0:25:23.200 --> 0:25:25.600
<v Speaker 3>close with a guy like ODB man Like he was.

0:25:25.600 --> 0:25:28.320
<v Speaker 2>Just like a different breed of person, like he just

0:25:29.400 --> 0:25:32.000
<v Speaker 2>how do you say it? Like he he lived free,

0:25:32.160 --> 0:25:34.080
<v Speaker 2>you know what I mean, until he got locked up,

0:25:34.080 --> 0:25:36.520
<v Speaker 2>But he was free as a bird. He just did

0:25:36.520 --> 0:25:40.439
<v Speaker 2>what he wanted to, said what he wanted to, you know,

0:25:40.480 --> 0:25:42.320
<v Speaker 2>like anything else. When you when you when you get

0:25:42.320 --> 0:25:44.560
<v Speaker 2>a toxicated and you get too intoxicated, it starts to

0:25:44.560 --> 0:25:46.520
<v Speaker 2>be a problem. You know what I'm saying, And this

0:25:46.560 --> 0:25:48.800
<v Speaker 2>and that. But as far as him as a spirit

0:25:48.920 --> 0:25:51.960
<v Speaker 2>and as far as his his character and his values

0:25:51.960 --> 0:25:54.480
<v Speaker 2>and morals and ship like that, he's you can't beat

0:25:54.480 --> 0:26:02.000
<v Speaker 2>the odb man. And it's sad how things played out. Damn,

0:26:02.000 --> 0:26:04.280
<v Speaker 2>you got me thinking, Man, I won't know what to say,

0:26:04.320 --> 0:26:06.240
<v Speaker 2>you know what I mean? He was just wonderful kind man,

0:26:06.440 --> 0:26:07.360
<v Speaker 2>one of the kind.

0:26:07.520 --> 0:26:09.400
<v Speaker 3>Any crazy road stories with Wu Tang.

0:26:09.440 --> 0:26:11.360
<v Speaker 2>See that's why I was like, I can't do that

0:26:12.000 --> 0:26:16.399
<v Speaker 2>Wolf Tang in general. Just I mean ship, everybody does that.

0:26:16.400 --> 0:26:18.760
<v Speaker 2>I have said these allion times like the ones and ship.

0:26:18.800 --> 0:26:24.520
<v Speaker 2>But ah, man, I remember one time and me and

0:26:24.560 --> 0:26:26.320
<v Speaker 2>Meph we said we weren't gonna tell. As a matter

0:26:26.359 --> 0:26:28.720
<v Speaker 2>of fact, I can't even tell this story. Put it

0:26:28.800 --> 0:26:31.120
<v Speaker 2>this way, mefing man got hands. He beat up a pimp.

0:26:31.200 --> 0:26:32.880
<v Speaker 2>One time he beat up a pimp.

0:26:33.000 --> 0:26:34.840
<v Speaker 1>That's how I can't say that, you.

0:26:34.760 --> 0:26:36.960
<v Speaker 3>Know, because I don't know what nigga situations is.

0:26:37.280 --> 0:26:39.320
<v Speaker 2>That's how you get sucked up with mother talking though

0:26:39.359 --> 0:26:41.719
<v Speaker 2>you today he's supposed to be talking. But we had

0:26:41.880 --> 0:26:43.359
<v Speaker 2>a lot of a lot of great times with Wolf

0:26:43.359 --> 0:26:45.320
<v Speaker 2>Tang and ship like that. We all married with children now,

0:26:45.400 --> 0:26:46.240
<v Speaker 2>so I can't tell you that.

0:26:46.400 --> 0:26:47.760
<v Speaker 3>All you gotta know is Mathew Man beat up a

0:26:47.840 --> 0:26:48.600
<v Speaker 3>pimp road.

0:26:48.680 --> 0:26:51.200
<v Speaker 2>Yeah, see met the man got hands in the circumstances

0:26:51.200 --> 0:26:54.560
<v Speaker 2>in which every reason too. Man, if I told you

0:26:54.560 --> 0:26:56.639
<v Speaker 2>the circus, that's why meth said, don't ever tell nobody

0:26:56.720 --> 0:26:57.400
<v Speaker 2>this story and ship.

0:26:57.480 --> 0:27:00.359
<v Speaker 3>But I heard him tell the motherfucker somewhere. Oh he

0:27:00.400 --> 0:27:00.760
<v Speaker 3>told it.

0:27:00.840 --> 0:27:04.359
<v Speaker 1>Yeah, but he ain't give me permission too, So that's it.

0:27:04.480 --> 0:27:06.479
<v Speaker 1>He married. I mean, not gonna see I'm talking too much.

0:27:06.520 --> 0:27:08.440
<v Speaker 1>Shot to anyway, shout out the meth Man.

0:27:10.040 --> 0:27:12.240
<v Speaker 2>All like I say is just like we was there

0:27:13.119 --> 0:27:14.760
<v Speaker 2>and just like I said, watching a plant grow and

0:27:14.760 --> 0:27:17.480
<v Speaker 2>everything like when we went on that first promotional tour,

0:27:18.600 --> 0:27:20.320
<v Speaker 2>I didn't see the shit working like it, did, You

0:27:20.359 --> 0:27:22.520
<v Speaker 2>know what I'm saying. Because you got ten people with

0:27:22.560 --> 0:27:25.520
<v Speaker 2>different personalities hoosters, you know what I'm saying, They're not

0:27:25.600 --> 0:27:28.280
<v Speaker 2>used to a promotional tour that we don't get paid for.

0:27:28.320 --> 0:27:29.480
<v Speaker 1>This were just promoted for.

0:27:29.520 --> 0:27:31.560
<v Speaker 2>Loud recording, the albums coming out and this, and so

0:27:31.560 --> 0:27:33.200
<v Speaker 2>it just led to a whole bunch of just.

0:27:33.400 --> 0:27:35.159
<v Speaker 3>Well, I mean we got a little bit of like

0:27:35.359 --> 0:27:39.520
<v Speaker 3>that what's that documentary that came out the show? Remember

0:27:39.600 --> 0:27:42.480
<v Speaker 3>the show Big was in it. But you kind of

0:27:42.520 --> 0:27:43.879
<v Speaker 3>saw a little bit. I mean, when you have like

0:27:43.920 --> 0:27:46.399
<v Speaker 3>you said, when you got ten people, nine people, whatever

0:27:46.440 --> 0:27:49.400
<v Speaker 3>it is, it's like there's just no way that there's

0:27:49.440 --> 0:27:50.840
<v Speaker 3>not going to be like shit going on.

0:27:51.000 --> 0:27:52.920
<v Speaker 2>Yeah, and then a lot of times that everybody got

0:27:52.920 --> 0:27:55.320
<v Speaker 2>their own life. So people, you know, it'll be eight

0:27:55.359 --> 0:27:57.520
<v Speaker 2>of them and then two of them's at home doing right.

0:27:57.600 --> 0:28:00.800
<v Speaker 2>I just to trip off Ghosts man, ghosts, peoples and ship.

0:28:00.840 --> 0:28:02.879
<v Speaker 2>But ghost was like intriguing to me because it's the

0:28:02.880 --> 0:28:04.120
<v Speaker 2>way the map this back when he used to way

0:28:04.119 --> 0:28:06.199
<v Speaker 2>the math everywhere and sit like that. I was like this,

0:28:06.920 --> 0:28:08.239
<v Speaker 2>you know what I'm saying. I was just looking like

0:28:08.920 --> 0:28:10.800
<v Speaker 2>they different. They got it, man, they got it.

0:28:11.200 --> 0:28:13.040
<v Speaker 3>So you were on the first promo run where you

0:28:13.119 --> 0:28:15.680
<v Speaker 3>guys are are you guys pushing coast to coast or

0:28:15.720 --> 0:28:17.480
<v Speaker 3>twenty one and over with with them at that time.

0:28:17.640 --> 0:28:18.000
<v Speaker 3>Twenty one.

0:28:18.080 --> 0:28:21.280
<v Speaker 2>Now we're pushing we're pushing twenty one over. I don't

0:28:21.280 --> 0:28:22.920
<v Speaker 2>know if it came out yet, but I know Make

0:28:23.000 --> 0:28:26.199
<v Speaker 2>Room is the Lick Baby, Yeah, that was out, and

0:28:26.240 --> 0:28:29.040
<v Speaker 2>then then they're pushing Meta Man and Protect your Neck,

0:28:29.600 --> 0:28:32.120
<v Speaker 2>got it. So it's before the first albums came out.

0:28:32.440 --> 0:28:33.720
<v Speaker 3>Damn. That's crazy, dude.

0:28:33.800 --> 0:28:35.919
<v Speaker 2>Yeah, And it would just be like like like everybody

0:28:35.960 --> 0:28:38.840
<v Speaker 2>knew that Wu Tang was going to do something, but

0:28:38.920 --> 0:28:39.800
<v Speaker 2>I didn't know it was gonna be.

0:28:39.800 --> 0:28:43.560
<v Speaker 1>The biggest group to ever like this cultural klys I did.

0:28:43.640 --> 0:28:46.480
<v Speaker 3>They got their own Nikes and there's a Wu Tang

0:28:46.600 --> 0:28:47.160
<v Speaker 3>video game.

0:28:47.200 --> 0:28:50.120
<v Speaker 1>Incredible man, Hit Kwan. Everybody had their own nicks.

0:28:50.160 --> 0:28:51.880
<v Speaker 2>It was interesting, you know what I'm saying, Like having

0:28:52.440 --> 0:28:55.240
<v Speaker 2>all these personalities all different, you know what I mean, who.

0:28:55.040 --> 0:28:57.239
<v Speaker 3>Did you bond with the most on the road? Who

0:28:57.320 --> 0:28:59.440
<v Speaker 3>did y'all have like the most, like the biggest bond

0:28:59.480 --> 0:29:01.400
<v Speaker 3>with out hanging when you guys are on that run.

0:29:02.240 --> 0:29:06.360
<v Speaker 2>Back then, I probably say I just wanted to probably

0:29:06.400 --> 0:29:12.960
<v Speaker 2>O dB yeah after wow, you know, but but we

0:29:13.040 --> 0:29:15.560
<v Speaker 2>all bill we pours with all of them, like Ray Kwan,

0:29:15.640 --> 0:29:21.280
<v Speaker 2>that's my boy, shout out the way Meth, Me and

0:29:21.360 --> 0:29:23.560
<v Speaker 2>Meth was club Matthews to get out of bitches, though,

0:29:23.600 --> 0:29:25.640
<v Speaker 2>like for some reason he was like the flys and

0:29:25.680 --> 0:29:26.200
<v Speaker 2>ship like.

0:29:26.200 --> 0:29:28.160
<v Speaker 3>Yeah, I mean like that's kind of like you know

0:29:28.360 --> 0:29:28.680
<v Speaker 3>he was.

0:29:28.960 --> 0:29:30.440
<v Speaker 1>Yeah, everybody wanted Meth.

0:29:31.040 --> 0:29:34.640
<v Speaker 2>But that's what's up though, But but I got my

0:29:34.680 --> 0:29:36.200
<v Speaker 2>own story with all of them for sure.

0:29:36.920 --> 0:29:42.280
<v Speaker 3>Was yo was h shout out to uh On. You

0:29:42.320 --> 0:29:44.040
<v Speaker 3>mentioned the song a little bit earlier on Rap Life.

0:29:44.080 --> 0:29:46.200
<v Speaker 3>You had Outcasts on Smoke Fast ninety nine trying to

0:29:46.240 --> 0:29:50.440
<v Speaker 3>fill the agony to what if that's it is a

0:29:50.520 --> 0:29:54.240
<v Speaker 3>crazy like just to think back, like you had ray

0:29:54.320 --> 0:29:57.640
<v Speaker 3>Corn on that motherfucking album Outcast. Did you an outcast

0:29:57.720 --> 0:30:00.200
<v Speaker 3>have like already like a relationship or was it something

0:30:00.200 --> 0:30:01.400
<v Speaker 3>where you were like, ya, I'm working on an album. I

0:30:01.400 --> 0:30:02.760
<v Speaker 3>want to get outcast to reach out.

0:30:02.960 --> 0:30:07.280
<v Speaker 2>Yeah, like like rest in peace to reco away everything.

0:30:07.360 --> 0:30:10.400
<v Speaker 1>But he used to like this back before, like the

0:30:10.440 --> 0:30:12.200
<v Speaker 1>smartphones and all this shit and everything. But he just

0:30:12.200 --> 0:30:13.960
<v Speaker 1>show me so much love. He's like, anytime you come

0:30:14.000 --> 0:30:14.960
<v Speaker 1>to Atlanta.

0:30:15.320 --> 0:30:16.080
<v Speaker 3>Organized noise man.

0:30:16.120 --> 0:30:17.640
<v Speaker 1>Yeah, but this is back when the Freaknick Remember the

0:30:17.640 --> 0:30:19.120
<v Speaker 1>freak Nick I listen.

0:30:19.320 --> 0:30:21.040
<v Speaker 3>I was born in nineteen eighty seven. I've only heard

0:30:21.040 --> 0:30:21.360
<v Speaker 3>about that.

0:30:21.440 --> 0:30:23.040
<v Speaker 1>Okay, damn, I keep forgetting you.

0:30:23.240 --> 0:30:25.160
<v Speaker 3>But of course, of course I know what the Freaknick is.

0:30:25.200 --> 0:30:26.760
<v Speaker 2>Yes, but I used to go out there Atlanta and

0:30:26.760 --> 0:30:28.960
<v Speaker 2>funk with them during that them times and shit, and

0:30:29.480 --> 0:30:31.320
<v Speaker 2>they just open their doors to us.

0:30:31.200 --> 0:30:32.800
<v Speaker 3>And you know what was the freaknick?

0:30:32.920 --> 0:30:36.400
<v Speaker 1>Like, oh man, it was freaky. It was like before

0:30:36.440 --> 0:30:37.080
<v Speaker 1>social media.

0:30:37.280 --> 0:30:38.680
<v Speaker 3>You know, yeah, it was.

0:30:38.640 --> 0:30:42.840
<v Speaker 2>A trip because it was like not I'm gonna say lawless,

0:30:42.880 --> 0:30:44.720
<v Speaker 2>not lawless as far as crimes and shit, let that go.

0:30:44.800 --> 0:30:47.080
<v Speaker 2>But it's like the whole city got took over by that.

0:30:47.160 --> 0:30:48.000
<v Speaker 3>There's just no rules.

0:30:48.080 --> 0:30:50.640
<v Speaker 2>Yeah by this this this, this freaknik shit. It was

0:30:50.680 --> 0:30:53.080
<v Speaker 2>just cracking everywhere you went in Atlanta. It was crazy.

0:30:53.120 --> 0:30:54.800
<v Speaker 2>I got thrown it. I went a couple of years

0:30:54.800 --> 0:30:56.440
<v Speaker 2>in the whole and one one year I got thrown

0:30:56.440 --> 0:30:57.840
<v Speaker 2>in jail right when I got off the plane. And

0:30:58.160 --> 0:30:59.760
<v Speaker 2>why to listen to Freaknick through.

0:30:59.640 --> 0:31:01.040
<v Speaker 3>The like they're waiting for you.

0:31:01.120 --> 0:31:02.320
<v Speaker 1>I don't know what happened.

0:31:02.440 --> 0:31:04.080
<v Speaker 2>Was somewhere and the next thing I know him in

0:31:04.160 --> 0:31:07.400
<v Speaker 2>jail and you could kind of see like they had

0:31:07.400 --> 0:31:09.680
<v Speaker 2>these little windows of the jail everybody taking turns looking

0:31:09.680 --> 0:31:12.040
<v Speaker 2>at it. Because the freaknick was going on right outside

0:31:12.080 --> 0:31:12.960
<v Speaker 2>of the jail.

0:31:13.160 --> 0:31:13.960
<v Speaker 3>They lied me up for the.

0:31:13.960 --> 0:31:17.200
<v Speaker 1>Weekend and ship until you missed out that one. Yeah,

0:31:17.240 --> 0:31:18.640
<v Speaker 1>but that was just one of the mini.

0:31:19.920 --> 0:31:21.960
<v Speaker 3>I know you're working on you just like you said,

0:31:21.960 --> 0:31:24.040
<v Speaker 3>you just dropped the new song, sir, you are you

0:31:24.080 --> 0:31:25.720
<v Speaker 3>working on a new album? Are you? What do you?

0:31:25.960 --> 0:31:26.320
<v Speaker 1>Yeah?

0:31:26.520 --> 0:31:28.720
<v Speaker 2>Yeah, well, actually I got a bunch of albums worth

0:31:28.800 --> 0:31:30.440
<v Speaker 2>shit ready to go and everything. I'm just looking for

0:31:30.480 --> 0:31:34.040
<v Speaker 2>the right the right situation, I guess, you know. So

0:31:35.160 --> 0:31:37.120
<v Speaker 2>I dropped this song right here. It took legs of

0:31:37.200 --> 0:31:39.000
<v Speaker 2>I mean groo legs of his own. It's called Attention

0:31:39.120 --> 0:31:42.920
<v Speaker 2>as a Drug and if you hear it, we we

0:31:43.000 --> 0:31:47.000
<v Speaker 2>sampled a sample that try call Quest used before. Right,

0:31:47.600 --> 0:31:51.680
<v Speaker 2>So with that being said, it's only right for the

0:31:51.680 --> 0:31:53.280
<v Speaker 2>remix and shit I had to do, you know, get

0:31:53.280 --> 0:31:56.320
<v Speaker 2>somebody from Tried, So I got q Tip on the remix,

0:31:56.440 --> 0:31:58.880
<v Speaker 2>I got Exhibit on the remix, I got King T

0:31:59.040 --> 0:32:01.000
<v Speaker 2>and the Licks on the remix, Dang the Far Why,

0:32:01.560 --> 0:32:03.880
<v Speaker 2>and I got Sway in the Morning doing the intro

0:32:04.040 --> 0:32:05.160
<v Speaker 2>at the intro and everything.

0:32:05.240 --> 0:32:07.880
<v Speaker 3>So everybody that heard said it is about to be.

0:32:07.840 --> 0:32:08.720
<v Speaker 1>The song of the summer.

0:32:09.880 --> 0:32:11.200
<v Speaker 3>So you got the Far on there.

0:32:11.280 --> 0:32:13.160
<v Speaker 1>Yeah, the Far is on it too. He set it off.

0:32:13.520 --> 0:32:18.600
<v Speaker 3>Man. Focused Daily is such a great album. You guys

0:32:18.600 --> 0:32:20.560
<v Speaker 3>should do, Like I feel like there should be like

0:32:20.600 --> 0:32:25.360
<v Speaker 3>a uh we never got a Liquid Crew album. You

0:32:25.360 --> 0:32:27.440
<v Speaker 3>guys should come together and just be like, hey.

0:32:27.600 --> 0:32:29.520
<v Speaker 1>That's my bucket list. Man, it's hard to get.

0:32:29.600 --> 0:32:31.719
<v Speaker 3>Did y'all ever like even kick the idea around of

0:32:31.720 --> 0:32:32.800
<v Speaker 3>like doing like a compilation.

0:32:33.160 --> 0:32:36.880
<v Speaker 1>Yeah, we did, and I think that it's still gonna happen.

0:32:37.040 --> 0:32:39.960
<v Speaker 2>But I just think that everybody that was a vested

0:32:40.520 --> 0:32:44.200
<v Speaker 2>initially because you have understand like Madly was in the

0:32:44.200 --> 0:32:46.720
<v Speaker 2>Liquor Cool he went on the dude, you know, mad

0:32:46.800 --> 0:32:49.920
<v Speaker 2>living shit, he out of here multi and shut out

0:32:49.920 --> 0:32:50.160
<v Speaker 2>the map.

0:32:50.200 --> 0:32:51.160
<v Speaker 3>By the way, I didn't know that.

0:32:51.520 --> 0:32:51.920
<v Speaker 1>You don't know that.

0:32:52.000 --> 0:32:53.680
<v Speaker 3>When I think of the Liquid Crew, I think, if

0:32:53.880 --> 0:32:56.320
<v Speaker 3>you guys king t X, we took.

0:32:56.240 --> 0:32:57.640
<v Speaker 1>Him on the fuck we went. We went on the

0:32:57.640 --> 0:32:58.120
<v Speaker 1>Warp Tour.

0:32:58.200 --> 0:33:00.920
<v Speaker 2>We took That's crazy, by the way, we took the

0:33:00.960 --> 0:33:04.280
<v Speaker 2>Liquor Cool with Is, We took Exhibit we took Mad Live,

0:33:04.440 --> 0:33:08.360
<v Speaker 2>the Farwide, filled the Agony Recipes, Beef and Dontrell.

0:33:09.280 --> 0:33:10.719
<v Speaker 1>We took all these people and they just ended up

0:33:10.720 --> 0:33:11.520
<v Speaker 1>being superstars.

0:33:12.040 --> 0:33:16.160
<v Speaker 3>Mad It's crazy, one of the most prolific.

0:33:16.160 --> 0:33:17.400
<v Speaker 1>That's what they It's crazy.

0:33:17.440 --> 0:33:17.880
<v Speaker 3>I was there.

0:33:17.920 --> 0:33:20.000
<v Speaker 2>That's another one. I was there when he was just

0:33:20.320 --> 0:33:22.280
<v Speaker 2>getting his feet wet in the thing shout out to

0:33:22.320 --> 0:33:22.640
<v Speaker 2>his brother.

0:33:22.680 --> 0:33:25.720
<v Speaker 3>Oh no too, Yeah, Oh that was incredible. Man? Were

0:33:25.760 --> 0:33:29.520
<v Speaker 3>you like? Was his beat always like super unique? Alway?

0:33:29.680 --> 0:33:31.520
<v Speaker 2>When I met him, That's what happened, like Jack. I

0:33:31.600 --> 0:33:34.000
<v Speaker 2>met Jack first, and he gave me a demo of

0:33:34.080 --> 0:33:37.200
<v Speaker 2>the loop Pack. I think it was a loop packed demo.

0:33:37.560 --> 0:33:39.360
<v Speaker 2>I know they was thinking about. I don't know if

0:33:39.360 --> 0:33:41.520
<v Speaker 2>there's just something independent before that, but I remember when

0:33:41.520 --> 0:33:46.520
<v Speaker 2>I heard it, excuse me, mad Lib mad lists production

0:33:46.720 --> 0:33:49.600
<v Speaker 2>reminded me of e Swift, like it had that that

0:33:49.760 --> 0:33:50.160
<v Speaker 2>sounds like.

0:33:50.160 --> 0:33:51.600
<v Speaker 1>Something something producers and ship like.

0:33:51.600 --> 0:33:53.400
<v Speaker 2>If you hear that beat, you could tell that damn

0:33:53.520 --> 0:33:55.800
<v Speaker 2>before you even know who did the beat. And that's

0:33:55.840 --> 0:33:59.320
<v Speaker 2>what Mad lived. It struck me as a like a

0:33:59.400 --> 0:34:01.840
<v Speaker 2>DJ put like he got something different. So I just

0:34:01.920 --> 0:34:04.000
<v Speaker 2>drive the ox now daily and you know, pick him

0:34:04.040 --> 0:34:06.800
<v Speaker 2>up bring run he Mad. I mean, uh, Mad live,

0:34:06.840 --> 0:34:09.480
<v Speaker 2>believe it or not dead? A couple did they say

0:34:09.480 --> 0:34:11.160
<v Speaker 2>twenty one and Over is our classic album?

0:34:11.280 --> 0:34:11.400
<v Speaker 3>Right?

0:34:11.960 --> 0:34:13.600
<v Speaker 2>People don't know that Mad Lift did a couple of

0:34:13.640 --> 0:34:16.879
<v Speaker 2>joints on there Make Mary Jane, He's Smoke the song,

0:34:17.560 --> 0:34:19.399
<v Speaker 2>turned the Party out, a couple other ones, and then

0:34:19.400 --> 0:34:21.160
<v Speaker 2>he did a lot on the second album, Too Coast

0:34:21.160 --> 0:34:24.279
<v Speaker 2>to Coast right album, but out of the madd we

0:34:24.320 --> 0:34:28.040
<v Speaker 2>just did a benefit concert because he fire relief concert

0:34:28.040 --> 0:34:29.439
<v Speaker 2>and everything for him a couple of weeks ago.

0:34:29.480 --> 0:34:32.239
<v Speaker 3>Man, I just you know, obviously there's things that you

0:34:32.280 --> 0:34:34.680
<v Speaker 3>can replace, you know, and then there's things you can't replace. Yeah,

0:34:34.719 --> 0:34:37.359
<v Speaker 3>that's a that's the fact, which is rough. I can

0:34:37.480 --> 0:34:39.640
<v Speaker 3>just imagine all the music you know that he had

0:34:39.680 --> 0:34:41.360
<v Speaker 3>had just on hard.

0:34:41.239 --> 0:34:46.440
<v Speaker 2>Drives and yeah, he he just he's just a talented dude.

0:34:46.600 --> 0:34:49.000
<v Speaker 3>Man. Like, Yeah, I met I met him a couple

0:34:49.000 --> 0:34:51.600
<v Speaker 3>of times with Freddy and uh, I just you know,

0:34:51.640 --> 0:34:54.759
<v Speaker 3>I feel like he's like a I feel like he's

0:34:54.800 --> 0:34:56.640
<v Speaker 3>like an enigma, you know what I'm saying. Like he's

0:34:56.680 --> 0:35:00.560
<v Speaker 3>like he's like he's like a like a shadow. It's

0:35:00.560 --> 0:35:02.080
<v Speaker 3>got an aura, That's what I'm saying.

0:35:02.800 --> 0:35:04.560
<v Speaker 1>And he don't pick up the phone. But nobody was

0:35:04.560 --> 0:35:08.319
<v Speaker 1>like the Wizard of Oz or something, right, right, right.

0:35:09.560 --> 0:35:11.200
<v Speaker 3>Yeah, it's crazy. They said that he did like all

0:35:11.239 --> 0:35:14.960
<v Speaker 3>the beats for a bandana on a fucking iPad, And

0:35:15.000 --> 0:35:16.799
<v Speaker 3>I was like, I believe it because that fools just

0:35:16.840 --> 0:35:19.360
<v Speaker 3>so crazy, Like it's not about the tools.

0:35:20.520 --> 0:35:22.520
<v Speaker 1>He's an amazing motherfucker. I'll tell you that.

0:35:22.600 --> 0:35:29.080
<v Speaker 3>Yeah, that's crazy man for you. Uh I always you know,

0:35:29.239 --> 0:35:31.160
<v Speaker 3>I feel like when we talk about West Coast hip

0:35:31.200 --> 0:35:35.479
<v Speaker 3>hop the era of and you guys were a little

0:35:35.480 --> 0:35:37.920
<v Speaker 3>bit more commercial than what I'm about to make it.

0:35:38.000 --> 0:35:41.120
<v Speaker 3>But there was like this kind of like this underground

0:35:41.520 --> 0:35:43.920
<v Speaker 3>l a movement that was that that that got a

0:35:43.920 --> 0:35:45.839
<v Speaker 3>lot of people signed the major labels.

0:35:46.960 --> 0:35:47.719
<v Speaker 1>Good Life and all that.

0:35:48.040 --> 0:35:50.919
<v Speaker 3>I'm obviously like guys like yourself, like the Dilated Ship

0:35:51.040 --> 0:35:53.839
<v Speaker 3>like you mentioned Luke Pac. Obviously there's then there was

0:35:53.880 --> 0:35:55.400
<v Speaker 3>like J five and there.

0:35:55.360 --> 0:35:57.919
<v Speaker 1>Was Michael nine.

0:35:58.200 --> 0:36:04.040
<v Speaker 3>Yeah you know yeah, Freestyle Fellowship, Planet Asia, fucking Roscoe.

0:36:04.280 --> 0:36:06.640
<v Speaker 1>How do you know about this eighty seven?

0:36:07.560 --> 0:36:10.799
<v Speaker 3>Because I'm telling you, I'm a fucking hip hop head. Bro.

0:36:10.880 --> 0:36:12.920
<v Speaker 3>I came when I was thirteen. I came out here

0:36:12.960 --> 0:36:15.400
<v Speaker 3>and hung out at Fat Beats with record Iris.

0:36:15.880 --> 0:36:19.239
<v Speaker 2>We need more than him man. The seventh, like the

0:36:19.280 --> 0:36:21.320
<v Speaker 2>shit you talking about it? That happened like two years.

0:36:21.160 --> 0:36:23.879
<v Speaker 1>After he was born. Yeah, actually doing he was born.

0:36:23.920 --> 0:36:26.160
<v Speaker 3>But but no, but it's it's crazy because like there's

0:36:26.239 --> 0:36:29.439
<v Speaker 3>like this there's this huge like scene in LA where

0:36:29.440 --> 0:36:34.320
<v Speaker 3>it was like just a lot of dope, backpack boom

0:36:34.360 --> 0:36:38.280
<v Speaker 3>back ill rap ship that wasn't gangster rap exactly right,

0:36:38.480 --> 0:36:40.560
<v Speaker 3>but it didn't mean that you got like you guys

0:36:40.560 --> 0:36:43.960
<v Speaker 3>are on Loud, the far was on Capital or delicious. Fine,

0:36:44.000 --> 0:36:46.040
<v Speaker 3>who did the what what did it focus did? Oh,

0:36:46.080 --> 0:36:51.080
<v Speaker 3>Tommy boy, Tommy Boy, you know, Dilators on fucking Capitol Records.

0:36:51.400 --> 0:36:55.120
<v Speaker 3>J five is fucking J five man, so Charlie Tuna

0:36:55.160 --> 0:36:55.839
<v Speaker 3>and all those guys.

0:36:55.880 --> 0:36:58.920
<v Speaker 1>And this was the from my albums A Beat, a Killed.

0:36:59.480 --> 0:37:02.319
<v Speaker 3>Man, Shot a Kill shout out to Cut Chemists, New Mark.

0:37:03.760 --> 0:37:06.920
<v Speaker 3>But there was like this huge just like other side

0:37:06.960 --> 0:37:10.279
<v Speaker 3>of what what you know, LA hip hop was that

0:37:10.320 --> 0:37:13.280
<v Speaker 3>I feel like, for whatever reason, like fast forward to today,

0:37:13.320 --> 0:37:15.000
<v Speaker 3>like I feel like it doesn't get talked about it enough,

0:37:15.080 --> 0:37:17.160
<v Speaker 3>doesn't get enough love, you know what I'm saying. I

0:37:17.200 --> 0:37:18.799
<v Speaker 3>feel like it was so important though, and it was

0:37:18.800 --> 0:37:21.040
<v Speaker 3>like there's so much good music, so many incredible artists

0:37:21.080 --> 0:37:23.799
<v Speaker 3>that came out of that era. Do you do you

0:37:23.800 --> 0:37:26.439
<v Speaker 3>feel like that that kind of scene in LA gets

0:37:26.520 --> 0:37:27.680
<v Speaker 3>the flowers it deserves.

0:37:27.880 --> 0:37:30.439
<v Speaker 1>And today I got a soul coming out.

0:37:30.680 --> 0:37:34.640
<v Speaker 2>It's it's not a podcast, it's actual so yeah that

0:37:34.680 --> 0:37:37.600
<v Speaker 2>it kind of addresses that it's called underrated and what

0:37:37.640 --> 0:37:40.799
<v Speaker 2>it is is like it's basically so I created that.

0:37:40.920 --> 0:37:41.879
<v Speaker 3>Basically, I just.

0:37:41.840 --> 0:37:45.239
<v Speaker 1>Wanted to put the sign on anything underrated don't have

0:37:45.280 --> 0:37:47.040
<v Speaker 1>to be music. They don't have to be rappers and

0:37:47.040 --> 0:37:49.839
<v Speaker 1>singers and this that it could be a you name

0:37:49.880 --> 0:37:52.560
<v Speaker 1>it restaurant, right that everybody lines up around the corner,

0:37:53.880 --> 0:37:55.760
<v Speaker 1>but a lot of people don't even know this place exists,

0:37:55.760 --> 0:37:57.200
<v Speaker 1>you know what I'm saying, And there gotta be a

0:37:57.239 --> 0:38:00.799
<v Speaker 1>reason for that. So we're just trying to get you know,

0:38:00.880 --> 0:38:04.040
<v Speaker 1>people to the to tap in with who we think

0:38:04.120 --> 0:38:07.759
<v Speaker 1>is underrated. So shot some episodes and everything, Like I said,

0:38:07.800 --> 0:38:10.719
<v Speaker 1>shout out you know Alchemist jay Worthy. The first one

0:38:10.760 --> 0:38:11.640
<v Speaker 1>that come out, it's gonna be.

0:38:11.680 --> 0:38:14.520
<v Speaker 2>About the alcoholics, because that's all we've been called ever since.

0:38:14.560 --> 0:38:17.439
<v Speaker 2>We you know, had to deal with Like everybody sees

0:38:17.560 --> 0:38:19.680
<v Speaker 2>the body of work that we did, right, we got

0:38:19.680 --> 0:38:21.680
<v Speaker 2>songs with who you know, They got songs with wool Tang,

0:38:22.200 --> 0:38:23.680
<v Speaker 2>then turn around to do a song with for real,

0:38:24.440 --> 0:38:27.160
<v Speaker 2>they do a song with kid rock crazy to do

0:38:27.280 --> 0:38:27.680
<v Speaker 2>a song with.

0:38:28.440 --> 0:38:29.799
<v Speaker 1>I mean we did it.

0:38:29.840 --> 0:38:34.040
<v Speaker 2>I tried to do an album called what's the name

0:38:34.080 --> 0:38:36.480
<v Speaker 2>of the album? I forgot the name of the motherfucker,

0:38:36.520 --> 0:38:38.200
<v Speaker 2>But I just put my features on.

0:38:38.120 --> 0:38:40.240
<v Speaker 3>It, you know what I'm saying. Oh, so all features,

0:38:40.280 --> 0:38:40.960
<v Speaker 3>all features.

0:38:41.080 --> 0:38:43.400
<v Speaker 2>That's just because people might know that we did a

0:38:43.440 --> 0:38:46.319
<v Speaker 2>song with Snoop, but not mind know we did a

0:38:46.320 --> 0:38:47.680
<v Speaker 2>song with whoever.

0:38:47.800 --> 0:38:49.120
<v Speaker 3>You know what I'm saying. What was the kid rock

0:38:49.200 --> 0:38:50.840
<v Speaker 3>song on that loud rock compilation?

0:38:51.080 --> 0:38:53.040
<v Speaker 1>Nah, he just did a beat that was sugar rad.

0:38:53.120 --> 0:38:53.799
<v Speaker 1>I was Sugar Rated.

0:38:54.080 --> 0:38:57.560
<v Speaker 3>Yeah, yeah, I remember, like it was like a random

0:38:57.640 --> 0:39:00.480
<v Speaker 3>album that if you find it by it because it's

0:39:00.480 --> 0:39:03.759
<v Speaker 3>just rad. It was like some blue buff dude on

0:39:03.800 --> 0:39:05.920
<v Speaker 3>the cover, like a cartoon, and like it had a

0:39:05.920 --> 0:39:07.960
<v Speaker 3>bunch of loud artists like doing songs around.

0:39:08.040 --> 0:39:09.399
<v Speaker 1>You know, I don't even know it they did.

0:39:09.719 --> 0:39:11.080
<v Speaker 2>I was I don't know where it was that when

0:39:11.080 --> 0:39:14.040
<v Speaker 2>they did it, but they are you you coming rapping

0:39:14.080 --> 0:39:16.160
<v Speaker 2>at the end because they did the song without me.

0:39:16.200 --> 0:39:17.360
<v Speaker 1>I don't know what it was that when they So

0:39:17.400 --> 0:39:18.000
<v Speaker 1>you guys did.

0:39:17.920 --> 0:39:20.480
<v Speaker 3>Your guys' records with Sugar Red. Yeah, yeah, it was

0:39:20.560 --> 0:39:23.000
<v Speaker 3>like so it was some of them. Ships were very random.

0:39:23.160 --> 0:39:25.239
<v Speaker 3>It was kind of like the you know, Lincoln Park

0:39:25.280 --> 0:39:27.680
<v Speaker 3>and jay Z did it, but y'all like loud and

0:39:27.719 --> 0:39:30.600
<v Speaker 3>that did it, you know, fuck five years earlier.

0:39:30.760 --> 0:39:34.359
<v Speaker 2>That's funny you mentioned that because my boy EFN called

0:39:34.360 --> 0:39:37.000
<v Speaker 2>me yesterday tried to the drink champs here. Now he

0:39:37.000 --> 0:39:38.360
<v Speaker 2>didn't call me, hit me on the text, and he

0:39:38.440 --> 0:39:41.719
<v Speaker 2>just said he interviewed Lincoln Park and they said that

0:39:42.640 --> 0:39:45.279
<v Speaker 2>we were the alcoholics, were a big influence to them.

0:39:45.640 --> 0:39:48.080
<v Speaker 3>Yeah, because I mean low key like Mike Shinoda.

0:39:47.920 --> 0:39:50.799
<v Speaker 1>Is like a Mike, Yes, and then he said that,

0:39:50.920 --> 0:39:52.120
<v Speaker 1>so I just reached out.

0:39:52.200 --> 0:39:54.560
<v Speaker 3>We just reached out like yesterday and trying to get

0:39:54.560 --> 0:39:56.200
<v Speaker 3>in touch with him. Yeah, he was a part of

0:39:56.440 --> 0:39:59.480
<v Speaker 3>uh what I'm trying to think of a rap group.

0:39:59.520 --> 0:40:02.120
<v Speaker 3>He was runn and around with that was like an

0:40:02.200 --> 0:40:05.399
<v Speaker 3>underground like backpack fucking because he had this four minor

0:40:05.400 --> 0:40:07.160
<v Speaker 3>album and I remember there's all kinds of like backpack

0:40:07.320 --> 0:40:08.920
<v Speaker 3>la shit on. That was like what the fuck, Like,

0:40:08.960 --> 0:40:11.279
<v Speaker 3>who the fuck Mike, Mike should just tapped in.

0:40:11.600 --> 0:40:15.080
<v Speaker 2>Yeah, but he but EFN said he wanted to get

0:40:15.080 --> 0:40:16.960
<v Speaker 2>in touch with us, So we're doing that right now.

0:40:16.960 --> 0:40:18.600
<v Speaker 1>Socoholic Lincoln Park.

0:40:19.280 --> 0:40:22.000
<v Speaker 3>That'd be big Man, that'd be big. Yeah, it's crazy

0:40:22.000 --> 0:40:23.520
<v Speaker 3>because just that era of music. I think it's like

0:40:23.520 --> 0:40:25.560
<v Speaker 3>your album. I think the J five Ship, I think,

0:40:26.239 --> 0:40:28.440
<v Speaker 3>you know, Expansion Team is a classic to me.

0:40:28.600 --> 0:40:31.680
<v Speaker 4>What's going on with Phil the Agony Man, little cousin

0:40:31.760 --> 0:40:32.359
<v Speaker 4>phiel Man?

0:40:32.480 --> 0:40:35.880
<v Speaker 2>He actually big cousin Phil. He he chilling man. I

0:40:35.920 --> 0:40:37.320
<v Speaker 2>just saw him couple of weeks ago and everything.

0:40:37.520 --> 0:40:39.719
<v Speaker 3>He's put some fucking music Outum, that's what I feel,

0:40:39.760 --> 0:40:40.359
<v Speaker 3>the Agony Bro.

0:40:40.560 --> 0:40:42.920
<v Speaker 2>He sent me some incredible shit and I'm asking what

0:40:42.960 --> 0:40:46.120
<v Speaker 2>he's waiting on. But like we, like you said, that's

0:40:46.160 --> 0:40:47.680
<v Speaker 2>who I was hopping it up with about the Liquid

0:40:47.719 --> 0:40:50.160
<v Speaker 2>Cool album and shit. And there's a lot of associates that,

0:40:51.320 --> 0:40:53.000
<v Speaker 2>even if they don't use the word liquid creul and

0:40:53.040 --> 0:40:53.759
<v Speaker 2>everything like crime.

0:40:53.840 --> 0:40:56.000
<v Speaker 1>Don you know what I'm saying. Of course, you know

0:40:57.080 --> 0:40:58.680
<v Speaker 1>a bunch of people that cry.

0:40:58.640 --> 0:41:00.480
<v Speaker 3>On an exhibit? Are they good? Now? I guess that's

0:41:00.480 --> 0:41:01.279
<v Speaker 3>an exhibit question.

0:41:02.239 --> 0:41:03.280
<v Speaker 1>I don't even know this beefing.

0:41:04.719 --> 0:41:10.000
<v Speaker 3>The strong arm steady thing happened, and you know, yeah

0:41:10.040 --> 0:41:12.600
<v Speaker 3>that was something back that so long ago you would

0:41:12.600 --> 0:41:13.560
<v Speaker 3>think it doesn't matter.

0:41:13.719 --> 0:41:15.280
<v Speaker 1>And if I ain't here what happened?

0:41:15.280 --> 0:41:17.279
<v Speaker 2>And probably I don't know, man, but anyway, I know

0:41:17.320 --> 0:41:20.759
<v Speaker 2>everybody good and good spaces and everything, like I just

0:41:20.760 --> 0:41:23.200
<v Speaker 2>send Quinn a uh mad live thing and everything.

0:41:23.320 --> 0:41:25.239
<v Speaker 3>Yeah, he's incredible and he's acting. Now.

0:41:25.320 --> 0:41:27.320
<v Speaker 2>Yeah, that's what I'm saying. It's something about this liquid

0:41:27.360 --> 0:41:29.439
<v Speaker 2>cool shit. We don't breathe failures, you know what I'm saying,

0:41:29.560 --> 0:41:31.399
<v Speaker 2>something about you know, so.

0:41:31.520 --> 0:41:33.520
<v Speaker 3>You guys in the best you can do. Your guys,

0:41:33.520 --> 0:41:36.680
<v Speaker 3>biggest single in terms of sales, right, just the labels

0:41:36.680 --> 0:41:38.800
<v Speaker 3>say hey we got we like at that time Forrel's

0:41:38.800 --> 0:41:41.960
<v Speaker 3>hottest fish Grease Neptunes are on fucking fire. Is that

0:41:42.080 --> 0:41:44.440
<v Speaker 3>like a thing where like the labels like, yo, we

0:41:44.520 --> 0:41:47.440
<v Speaker 3>got to get y'all with the Neptunes or nationally.

0:41:47.280 --> 0:41:49.480
<v Speaker 2>That's what That's what I tip off of how people's go.

0:41:49.960 --> 0:41:52.919
<v Speaker 2>They grow into their own self, I guess. But when

0:41:52.960 --> 0:41:57.520
<v Speaker 2>we met for real, he requested us. He was like,

0:41:57.600 --> 0:41:58.719
<v Speaker 2>I want to do I don't know if he went

0:41:58.800 --> 0:42:01.279
<v Speaker 2>in the Steve rif Swift or whatever, but he said

0:42:01.320 --> 0:42:03.040
<v Speaker 2>Alcoholic is one of his favorite groups and he would

0:42:03.080 --> 0:42:03.760
<v Speaker 2>love to do something.

0:42:04.640 --> 0:42:05.160
<v Speaker 1>And then he.

0:42:05.160 --> 0:42:06.759
<v Speaker 2>Called somebody and said I got this beat that I

0:42:06.800 --> 0:42:09.120
<v Speaker 2>no is gonna be a hit record. And it sounds

0:42:09.120 --> 0:42:11.120
<v Speaker 2>perfect for that. Then when he played it, it ain't

0:42:11.160 --> 0:42:13.840
<v Speaker 2>sound let nothing like what we was expected because he

0:42:13.880 --> 0:42:16.400
<v Speaker 2>was fresh off of like like the clips, grinding and

0:42:16.440 --> 0:42:18.439
<v Speaker 2>all that, so I expect to hear some of that.

0:42:18.680 --> 0:42:20.200
<v Speaker 2>And then when he played the ship, we went to

0:42:20.600 --> 0:42:22.720
<v Speaker 2>Virginia to Pharrell studio.

0:42:22.920 --> 0:42:23.839
<v Speaker 3>We flew out there to do.

0:42:23.800 --> 0:42:27.359
<v Speaker 1>The song with him, right, and I can honestly say

0:42:27.400 --> 0:42:28.360
<v Speaker 1>I ain't seen him since.

0:42:28.400 --> 0:42:30.480
<v Speaker 3>But I got a record.

0:42:30.520 --> 0:42:32.520
<v Speaker 1>Though, yeah, we got a record. But it's like, but

0:42:32.640 --> 0:42:34.760
<v Speaker 1>you see what he grew into, Like he the face

0:42:34.840 --> 0:42:37.560
<v Speaker 1>of Lois with Gucci's. I don't know what he's doing.

0:42:37.600 --> 0:42:40.000
<v Speaker 1>Look I think Louis, but shout out to Pharrell. Though. Man,

0:42:40.000 --> 0:42:42.279
<v Speaker 1>it's like, you know, I got a chance to work

0:42:42.280 --> 0:42:42.840
<v Speaker 1>with a legend.

0:42:43.080 --> 0:42:46.319
<v Speaker 3>You know, it's crazy to think about like everybody off

0:42:46.400 --> 0:42:49.640
<v Speaker 3>work with like Stoles p fucking the list on.

0:42:51.239 --> 0:42:55.000
<v Speaker 1>Real And I mean this some pretty.

0:42:54.719 --> 0:42:59.479
<v Speaker 3>Wild Would you ever? Did you ever entertain uh, doing

0:42:59.520 --> 0:43:02.000
<v Speaker 3>a sequel to Rap life.

0:43:03.160 --> 0:43:06.200
<v Speaker 1>Like a rap like part two? I might call the Douces.

0:43:07.000 --> 0:43:10.360
<v Speaker 2>It has been a minute because now I'm living a

0:43:10.400 --> 0:43:13.439
<v Speaker 2>different rap life, you know what I mean. I don't

0:43:13.440 --> 0:43:14.919
<v Speaker 2>want to call it square because I still be having

0:43:14.960 --> 0:43:17.360
<v Speaker 2>fun with my life. It's just I cut out the drinking.

0:43:17.440 --> 0:43:20.520
<v Speaker 2>It just seemed like a lot of parties are more boring,

0:43:20.719 --> 0:43:21.359
<v Speaker 2>you know what I'm saying.

0:43:21.560 --> 0:43:24.520
<v Speaker 3>Do you feel like you getting sober has like just

0:43:24.640 --> 0:43:26.759
<v Speaker 3>improved the quality of life in terms of just like

0:43:26.760 --> 0:43:29.080
<v Speaker 3>because I feel like, man, that alcohol, it weighs on

0:43:29.120 --> 0:43:29.399
<v Speaker 3>your bath.

0:43:30.120 --> 0:43:32.360
<v Speaker 1>You got to see a lot of the That's what

0:43:32.440 --> 0:43:33.000
<v Speaker 1>my problem was.

0:43:33.040 --> 0:43:33.480
<v Speaker 3>It was like.

0:43:35.080 --> 0:43:38.960
<v Speaker 2>I was so blessed to, you know, with the loud

0:43:39.000 --> 0:43:40.839
<v Speaker 2>situation and this and that. Then I didn solo.

0:43:41.400 --> 0:43:44.439
<v Speaker 1>I was just so blessed to just just be one

0:43:44.480 --> 0:43:46.319
<v Speaker 1>of the millions, Like you know what I'm saying, one

0:43:46.360 --> 0:43:49.399
<v Speaker 1>of millions kind of you know, I got money, I'm young,

0:43:50.040 --> 0:43:52.399
<v Speaker 1>I ain't an ugly motherfucker. We got calls, we got jewel,

0:43:52.440 --> 0:43:52.920
<v Speaker 1>we got all this.

0:43:53.000 --> 0:43:55.879
<v Speaker 2>And when you get, you know, into that thrown into

0:43:55.960 --> 0:43:57.640
<v Speaker 2>that cycle, it's like you're.

0:43:57.440 --> 0:43:59.160
<v Speaker 1>Living up to the image now, you know what I'm saying.

0:43:59.280 --> 0:44:02.800
<v Speaker 2>Every car got be a vet or every house gotta

0:44:02.840 --> 0:44:05.040
<v Speaker 2>be big or it ain't really you know.

0:44:05.440 --> 0:44:07.240
<v Speaker 1>So I just tried to keep up with the Joneses.

0:44:08.400 --> 0:44:11.680
<v Speaker 1>The Joneses, they should have you fucked up in that

0:44:13.040 --> 0:44:14.839
<v Speaker 1>trying to keep up with the Jones that have your

0:44:14.960 --> 0:44:16.399
<v Speaker 1>as homeless.

0:44:16.840 --> 0:44:20.719
<v Speaker 3>Yo, you guys did the Taylor Swift thing. What's that

0:44:21.120 --> 0:44:24.120
<v Speaker 3>where you guys re recorded clash.

0:44:24.200 --> 0:44:25.680
<v Speaker 2>We were going through this big thing with that. Let me

0:44:25.800 --> 0:44:29.160
<v Speaker 2>let me explain that right there, we did and it was.

0:44:29.120 --> 0:44:30.879
<v Speaker 3>The same thing Taylor Swift did. That's right, man. She

0:44:30.880 --> 0:44:32.360
<v Speaker 3>she re recorded all her old albums.

0:44:32.400 --> 0:44:35.160
<v Speaker 1>Okay, this is east with not Taylor's Taylor Swift.

0:44:34.840 --> 0:44:37.359
<v Speaker 3>The biggest artists in the world. She did the same.

0:44:37.760 --> 0:44:41.560
<v Speaker 3>She didn't she had the mastss thing going, so she recorded.

0:44:41.760 --> 0:44:44.200
<v Speaker 3>She re recorded her first like three albums, right, and

0:44:44.200 --> 0:44:45.120
<v Speaker 3>they all went number one.

0:44:45.280 --> 0:44:48.920
<v Speaker 2>I was just saying as a coincident that Swifts did

0:44:48.920 --> 0:44:52.840
<v Speaker 2>the same exactly. But but what they did they wanted

0:44:52.840 --> 0:44:55.000
<v Speaker 2>to get one of the songs. I think Clail Patrick

0:44:55.040 --> 0:44:56.520
<v Speaker 2>of the record label wanted to get one of the

0:44:56.520 --> 0:44:58.480
<v Speaker 2>songs in a movie or something like that. And then

0:44:58.480 --> 0:45:00.359
<v Speaker 2>they presented it to us to do it, to re

0:45:00.239 --> 0:45:02.600
<v Speaker 2>record the shit, and they said they had a live

0:45:02.680 --> 0:45:04.960
<v Speaker 2>band that could we play the songs and shit, And

0:45:04.960 --> 0:45:08.839
<v Speaker 2>I was like, okay, well, and then we Swift ended

0:45:08.880 --> 0:45:10.919
<v Speaker 2>up stripping all the tracks down so the band would

0:45:10.960 --> 0:45:13.719
<v Speaker 2>have something like a reference right to play. And this

0:45:13.760 --> 0:45:16.920
<v Speaker 2>and that, and then we did we did our vocals

0:45:17.280 --> 0:45:20.040
<v Speaker 2>and we sent them to the record label, and I

0:45:20.040 --> 0:45:21.560
<v Speaker 2>don't know what happened. They just sent it as long

0:45:21.600 --> 0:45:24.080
<v Speaker 2>as apology and all this, but they ended up putting

0:45:24.120 --> 0:45:28.279
<v Speaker 2>out the stripped down version that Swift sent to them

0:45:28.400 --> 0:45:30.560
<v Speaker 2>to replay on accident. I don't know what they hell

0:45:30.640 --> 0:45:32.520
<v Speaker 2>or whatever, but we got some shit going on with

0:45:32.560 --> 0:45:32.880
<v Speaker 2>them like.

0:45:33.320 --> 0:45:35.680
<v Speaker 3>That, because when I saw it, I was like, oh,

0:45:35.719 --> 0:45:38.360
<v Speaker 3>you guys, man, mean, I don't know if your master's

0:45:38.400 --> 0:45:40.440
<v Speaker 3>situation will loud, but a lot of times if an

0:45:40.480 --> 0:45:42.200
<v Speaker 3>artist does that, it's like, yeah, we're gonna put out

0:45:42.200 --> 0:45:46.480
<v Speaker 3>our classics re record them, so we own the masters technically.

0:45:46.920 --> 0:45:48.920
<v Speaker 3>So it wasn't that that was that kind of the

0:45:48.960 --> 0:45:50.719
<v Speaker 3>player though. Yeah, But it was like.

0:45:52.280 --> 0:45:54.600
<v Speaker 2>The version that they put out they still had simples

0:45:54.600 --> 0:45:56.279
<v Speaker 2>in it, so it didn't make no sense, Like why

0:45:56.320 --> 0:45:56.520
<v Speaker 2>is up?

0:45:56.760 --> 0:45:57.480
<v Speaker 1>How did this happen?

0:45:57.480 --> 0:45:59.880
<v Speaker 2>You know what I'm saying. But they cleared it up

0:46:00.040 --> 0:46:01.880
<v Speaker 2>out so they I think that they've already put up

0:46:01.880 --> 0:46:07.160
<v Speaker 2>the the correct versions and everything. So I really ain't

0:46:07.160 --> 0:46:09.120
<v Speaker 2>paying attention going I have so much shit going on

0:46:09.280 --> 0:46:12.200
<v Speaker 2>right even you know, look up, but shout out clear

0:46:12.280 --> 0:46:14.280
<v Speaker 2>Patrick Record suave the far side.

0:46:14.600 --> 0:46:18.480
<v Speaker 3>Are you? Are you putting out the solo stuff independently?

0:46:19.200 --> 0:46:21.200
<v Speaker 2>That's what I'm I'm waiting for my I want my

0:46:21.239 --> 0:46:23.520
<v Speaker 2>next move to be my best move. So I got

0:46:23.600 --> 0:46:25.399
<v Speaker 2>some killer ship, so I don't want to just put

0:46:25.440 --> 0:46:27.719
<v Speaker 2>it out and you know nobody hears it.

0:46:27.760 --> 0:46:28.760
<v Speaker 1>You know what I'm saying for sure?

0:46:29.239 --> 0:46:30.839
<v Speaker 3>You know I think what you got to do, man

0:46:31.000 --> 0:46:33.360
<v Speaker 3>is you got to do it independently. But you you

0:46:33.440 --> 0:46:35.480
<v Speaker 3>have to partner with someone on vinyls exactly.

0:46:35.520 --> 0:46:36.880
<v Speaker 1>Okay, So yes.

0:46:37.680 --> 0:46:40.960
<v Speaker 3>You're you're, you're, you're you're. I mean where you're gonna

0:46:40.960 --> 0:46:43.680
<v Speaker 3>be able to hit the lick is vinyls cassette games,

0:46:43.960 --> 0:46:45.719
<v Speaker 3>because what your fans are gonna want to buy it

0:46:45.840 --> 0:46:47.240
<v Speaker 3>like Collect collected.

0:46:47.560 --> 0:46:50.600
<v Speaker 2>But whether you play a vinyl if it doesn't map bro, listen,

0:46:51.160 --> 0:46:52.799
<v Speaker 2>Vinyls you got all mapped out.

0:46:52.840 --> 0:46:56.080
<v Speaker 3>Like I'm telling you right now, Vinyls out selling everything.

0:46:56.320 --> 0:46:57.000
<v Speaker 1>That's what it's doing.

0:46:57.480 --> 0:47:01.600
<v Speaker 3>If you go to Target, there's no CD, there's vinyls.

0:47:01.719 --> 0:47:04.480
<v Speaker 3>The vinyl aisle at Target is cracking. There's like this

0:47:04.600 --> 0:47:10.560
<v Speaker 3>whole entire because now fans any Target, you go to

0:47:11.239 --> 0:47:13.600
<v Speaker 3>go to the where the electronics are and the books

0:47:13.640 --> 0:47:15.279
<v Speaker 3>there's a giant vinyl area.

0:47:16.440 --> 0:47:19.320
<v Speaker 1>I've been targeting. Sometimes you gotta do a vinyl.

0:47:19.560 --> 0:47:23.000
<v Speaker 3>Make sure all of your branding is like use your

0:47:23.000 --> 0:47:25.960
<v Speaker 3>old logo like you want, like you want your fans

0:47:26.000 --> 0:47:28.319
<v Speaker 3>to be like at the end of the day, like

0:47:29.440 --> 0:47:32.120
<v Speaker 3>your fans want to collect something because they can stream

0:47:32.120 --> 0:47:35.239
<v Speaker 3>it all day. That's the thing. Nowadays, it's like it's

0:47:35.320 --> 0:47:37.080
<v Speaker 3>it's it's like you can stream the album, but the

0:47:37.120 --> 0:47:39.759
<v Speaker 3>fans still want to own something, so you got to

0:47:39.800 --> 0:47:40.680
<v Speaker 3>give them something to own.

0:47:40.760 --> 0:47:43.160
<v Speaker 2>You feel me like I just looked at it, like

0:47:43.200 --> 0:47:44.920
<v Speaker 2>if you ain't got no turntables, what you're gonna do

0:47:44.960 --> 0:47:45.200
<v Speaker 2>with it?

0:47:45.280 --> 0:47:47.880
<v Speaker 3>But but look now, when I tell you you're finna

0:47:47.880 --> 0:47:51.439
<v Speaker 3>go to Target, go to Walmart, You'll see the vinyl

0:47:51.480 --> 0:47:54.359
<v Speaker 3>with Walmart. It's a lot, bro. It's it's the it's

0:47:54.400 --> 0:48:00.080
<v Speaker 3>the it's so like guys like Freddy and al and

0:48:00.160 --> 0:48:04.920
<v Speaker 3>all these guys are making millions of dollars, Like ask Alchemists.

0:48:04.920 --> 0:48:09.000
<v Speaker 3>Alchemist makes millions of dollars yl I'm talking about He'll

0:48:09.040 --> 0:48:12.560
<v Speaker 3>sell a vinyl with just beats and that shit sells

0:48:12.560 --> 0:48:15.440
<v Speaker 3>the fuck out. So you got it. I'm telling you,

0:48:15.480 --> 0:48:18.719
<v Speaker 3>whatever you do next, collaborate with someone to the distribution

0:48:18.800 --> 0:48:23.160
<v Speaker 3>on vinyl evidence go ahead, yeah, hit ev hit out whoever.

0:48:23.760 --> 0:48:25.520
<v Speaker 3>You could do it with Empire they do the vinyl thing.

0:48:25.960 --> 0:48:28.080
<v Speaker 3>Or you could and then do like a super limited

0:48:28.120 --> 0:48:30.880
<v Speaker 3>run like cassette tapes and then you'll bro that she'll

0:48:30.920 --> 0:48:31.279
<v Speaker 3>sell out.

0:48:32.080 --> 0:48:34.120
<v Speaker 1>I thought the vinyl only sold overseas with some reason.

0:48:34.160 --> 0:48:35.560
<v Speaker 3>No, no, no, no, no it is.

0:48:35.800 --> 0:48:36.960
<v Speaker 1>And then it set tle.

0:48:37.200 --> 0:48:39.040
<v Speaker 3>My son is nineteen years old and has like two

0:48:39.120 --> 0:48:43.799
<v Speaker 3>hundred vinyls. He collects vinyls. Wow. Yeah. And now like

0:48:43.840 --> 0:48:47.080
<v Speaker 3>the turntables that they're making nowadays, you know, back in

0:48:47.120 --> 0:48:48.680
<v Speaker 3>the day you had to have run a turntable and

0:48:48.680 --> 0:48:52.400
<v Speaker 3>do a motherfucking am tool. No, they got usbat turntables

0:48:52.400 --> 0:48:52.680
<v Speaker 3>for these.

0:48:53.280 --> 0:48:54.360
<v Speaker 1>Bro, that's the tea cold.

0:48:55.600 --> 0:48:58.799
<v Speaker 3>No, it's it's crazy. Yeah, you got you would murder it.

0:48:59.160 --> 0:49:01.040
<v Speaker 3>So whatever you do next, it's got to have a vinyl.

0:49:01.080 --> 0:49:02.680
<v Speaker 3>So if you're doing an album, if it's a rap

0:49:02.760 --> 0:49:04.320
<v Speaker 3>live two, make sure.

0:49:04.160 --> 0:49:07.439
<v Speaker 1>That our work is you got to map down there.

0:49:07.520 --> 0:49:09.759
<v Speaker 1>You might be my silent partner six figure bag. You're

0:49:09.800 --> 0:49:12.120
<v Speaker 1>just sitting there just waiting for you.

0:49:12.200 --> 0:49:14.239
<v Speaker 3>Yeah, for sure. Like that's the thing. It's like I

0:49:14.280 --> 0:49:17.320
<v Speaker 3>was like, like the and the thing is too. With

0:49:17.400 --> 0:49:20.319
<v Speaker 3>the with the record shit is like you have to

0:49:20.400 --> 0:49:23.319
<v Speaker 3>plan it out because the record plants are like three

0:49:23.360 --> 0:49:27.319
<v Speaker 3>months behind. That's why when like Kendrick did the super Bowl,

0:49:27.400 --> 0:49:29.840
<v Speaker 3>they planned it out perfectly, where his so gn X

0:49:29.840 --> 0:49:35.360
<v Speaker 3>have been out for months, but the vinyls dropped denied

0:49:35.360 --> 0:49:38.200
<v Speaker 3>to the super Bowl and then bitches he he sold

0:49:38.239 --> 0:49:40.319
<v Speaker 3>another one hundred thousand units just because he sold one

0:49:40.360 --> 0:49:41.920
<v Speaker 3>hundred thousand pieces of a vinyl.

0:49:42.760 --> 0:49:43.600
<v Speaker 1>Yeah that's perfect.

0:49:43.840 --> 0:49:46.440
<v Speaker 3>Now you gotta do the vinyl shit man, especially Yeah, yeah,

0:49:46.600 --> 0:49:48.440
<v Speaker 3>it'll go crazy. And then if you guys ever do

0:49:48.520 --> 0:49:51.839
<v Speaker 3>like any talk shit. I don't know what Loud's doing,

0:49:51.840 --> 0:49:53.799
<v Speaker 3>but I would tell Loud to reissue, like, yeah, we

0:49:53.800 --> 0:49:55.640
<v Speaker 3>should do like a I don't know at what point

0:49:55.640 --> 0:49:57.720
<v Speaker 3>in time the big a big anniversary for like twenty

0:49:57.719 --> 0:49:59.879
<v Speaker 3>one and over, but.

0:50:00.080 --> 0:50:01.680
<v Speaker 2>I think I think it's like after a certain amount

0:50:01.680 --> 0:50:04.440
<v Speaker 2>of years we own the rights to fuck it.

0:50:04.840 --> 0:50:08.360
<v Speaker 3>I would. I would do like a super limited edition

0:50:08.560 --> 0:50:12.160
<v Speaker 3>twenty one and over vinyl pressing. It will sell out. Listen,

0:50:12.360 --> 0:50:13.480
<v Speaker 3>it'll sell out.

0:50:13.719 --> 0:50:15.680
<v Speaker 1>That's what we're doing with the that's what we're supposed

0:50:15.719 --> 0:50:17.120
<v Speaker 1>to do with the the one.

0:50:17.239 --> 0:50:19.440
<v Speaker 3>The re release, I'm.

0:50:19.320 --> 0:50:22.080
<v Speaker 1>Saying, ah, yeah, like the Vinyl.

0:50:22.560 --> 0:50:24.960
<v Speaker 3>Fans that like collect ship and they want to support

0:50:25.000 --> 0:50:27.759
<v Speaker 3>you guys. Man Like, So yeah, dude, I don't know

0:50:27.760 --> 0:50:29.760
<v Speaker 3>if ABB still does vinal stuff.

0:50:29.960 --> 0:50:31.960
<v Speaker 1>But it's not a contract we signed with Clio Patrick.

0:50:32.000 --> 0:50:36.520
<v Speaker 1>Vinyl was in there to make the money because streaming

0:50:36.600 --> 0:50:37.399
<v Speaker 1>is whatever, dude.

0:50:37.600 --> 0:50:40.880
<v Speaker 3>Like if you're like a like, like like any artist

0:50:40.880 --> 0:50:43.600
<v Speaker 3>that's independent, it's like yo, when you throw your shit

0:50:43.680 --> 0:50:45.920
<v Speaker 3>up on streaming, it's it's like an advertisement so that

0:50:46.040 --> 0:50:47.800
<v Speaker 3>people can come and spend money with you at the

0:50:47.840 --> 0:50:50.799
<v Speaker 3>shows or merch or whatever. So so do you have

0:50:50.800 --> 0:50:52.920
<v Speaker 3>a timetable the new songs out, but do you have

0:50:52.960 --> 0:50:55.440
<v Speaker 3>a timetable on when you think you want to put

0:50:55.480 --> 0:50:58.520
<v Speaker 3>another solo project out? Like you said, you're trying to

0:50:58.520 --> 0:50:59.000
<v Speaker 3>figure that out.

0:50:59.080 --> 0:51:01.239
<v Speaker 1>I'm gonna drop two more, gonna drop this remix, like.

0:51:01.200 --> 0:51:04.080
<v Speaker 2>I said, with a big remix, Yes, yes, yes, but

0:51:04.280 --> 0:51:07.439
<v Speaker 2>we got big big it's gonna crack.

0:51:07.520 --> 0:51:11.160
<v Speaker 1>But I got a shoot. I being a song called

0:51:11.960 --> 0:51:12.520
<v Speaker 1>Shoe Fits.

0:51:12.560 --> 0:51:15.200
<v Speaker 2>It's called if the Shoe Fits, And that's just like

0:51:15.200 --> 0:51:16.960
<v Speaker 2>some tasks like all my MC ship, you know what

0:51:17.000 --> 0:51:20.359
<v Speaker 2>I mean. There's like an inspirational song just about kind

0:51:20.360 --> 0:51:22.960
<v Speaker 2>of like the old task that's having fun, rambling, you know,

0:51:23.280 --> 0:51:26.440
<v Speaker 2>just talking about my life and everything. And after that,

0:51:26.760 --> 0:51:28.399
<v Speaker 2>I see a lot of a lot of tour days

0:51:28.400 --> 0:51:30.720
<v Speaker 2>coming up, you know what I'm saying, the alcoholics and solo,

0:51:31.120 --> 0:51:32.879
<v Speaker 2>solo and ship. So I'm gonna be on the road

0:51:33.239 --> 0:51:37.120
<v Speaker 2>to like Christmas fire and looking for more. So, but

0:51:37.480 --> 0:51:40.000
<v Speaker 2>anybody out there on some on a difference on a

0:51:40.080 --> 0:51:43.520
<v Speaker 2>side note and everything, I am looking for some management.

0:51:43.560 --> 0:51:44.200
<v Speaker 1>You know what I'm saying.

0:51:44.760 --> 0:51:46.919
<v Speaker 2>And what I mean by that is just like I'm

0:51:46.920 --> 0:51:49.000
<v Speaker 2>handling them my career. You know what I'm saying. It's

0:51:49.040 --> 0:51:52.080
<v Speaker 2>just I can't manage myself and do the music, yeah,

0:51:52.160 --> 0:51:53.680
<v Speaker 2>and do all this other shs. I got my hands

0:51:53.760 --> 0:51:56.239
<v Speaker 2>a lot of cookie jars. So anybody out there to

0:51:56.320 --> 0:51:58.920
<v Speaker 2>see that, they hear the attention is a drug. And

0:51:59.120 --> 0:52:00.759
<v Speaker 2>you know, like the remix has no home yet, you

0:52:00.800 --> 0:52:02.120
<v Speaker 2>know what I'm saying. I mean, he's always got a

0:52:02.120 --> 0:52:03.799
<v Speaker 2>home if you put it out. Independent for sure, but

0:52:04.120 --> 0:52:07.000
<v Speaker 2>you know, I just see the bigger picture. So get

0:52:07.000 --> 0:52:08.640
<v Speaker 2>at me, Bo cash Man.

0:52:08.680 --> 0:52:12.920
<v Speaker 3>I appreciate you pulling up new song is out, Go

0:52:13.000 --> 0:52:15.759
<v Speaker 3>support it, go street, run it up and uh the

0:52:15.840 --> 0:52:17.040
<v Speaker 3>videos out, Yes, sir.

0:52:17.080 --> 0:52:20.400
<v Speaker 1>Shout out to Dave Sapel and Fatty Lumpkin.

0:52:21.400 --> 0:52:22.520
<v Speaker 3>Shout Dave Chappelle.

0:52:22.960 --> 0:52:24.480
<v Speaker 2>I had to say that guy had to chest to

0:52:24.520 --> 0:52:26.319
<v Speaker 2>go to his quib, I mean, not his quib. But

0:52:26.600 --> 0:52:29.200
<v Speaker 2>he lives in this little town called Yellow Springs in Ohio.

0:52:29.320 --> 0:52:31.440
<v Speaker 3>Yeah. Yeah, he's like his compound.

0:52:31.040 --> 0:52:32.879
<v Speaker 2>Right, Yes, and he invited me out to come out

0:52:33.040 --> 0:52:34.640
<v Speaker 2>and hang out with him for a couple of hours

0:52:34.640 --> 0:52:35.600
<v Speaker 2>of this shit, and it was crazy.

0:52:35.920 --> 0:52:37.440
<v Speaker 3>Yeah, I've heard, I've only heard about it, but it

0:52:37.440 --> 0:52:38.880
<v Speaker 3>looks I mean, I've had a few homies who were

0:52:38.920 --> 0:52:41.400
<v Speaker 3>going there during COVID to watch on his shows. Yeah,

0:52:41.440 --> 0:52:42.840
<v Speaker 3>and I heard it's amazing.

0:52:43.040 --> 0:52:43.839
<v Speaker 1>Yeah, it's dope shit.

0:52:43.920 --> 0:52:45.520
<v Speaker 2>But the crazy part is that one of the rules

0:52:45.600 --> 0:52:49.040
<v Speaker 2>is you can't videotape, right, So that's why I said,

0:52:49.040 --> 0:52:51.719
<v Speaker 2>shout out Dave Schapelle. I can't post nothing of this

0:52:51.760 --> 0:52:54.560
<v Speaker 2>and that. But it's incredible though. Man, you got this

0:52:54.600 --> 0:52:58.000
<v Speaker 2>little town on lot Yellow Springs. Yes, so this is

0:52:58.000 --> 0:53:01.080
<v Speaker 2>his new movie, Oh fire. Shout out to Chappelle.

0:53:01.160 --> 0:53:04.440
<v Speaker 3>Man, Yeah, he's got at Harriet's in West Hollywood. It's

0:53:04.440 --> 0:53:07.239
<v Speaker 3>at the top of one hotel. Uh. Yes, it's on

0:53:07.320 --> 0:53:09.759
<v Speaker 3>corner there. It's called Chappelle's Corner. Wow. So you get

0:53:09.760 --> 0:53:10.640
<v Speaker 3>like sat that's.

0:53:10.520 --> 0:53:11.800
<v Speaker 1>What if you go to this town. I got the

0:53:11.880 --> 0:53:13.160
<v Speaker 1>video camera right here.

0:53:13.320 --> 0:53:15.480
<v Speaker 2>I saw you the town that they got spelled logo

0:53:15.640 --> 0:53:17.760
<v Speaker 2>like stores and.

0:53:17.239 --> 0:53:18.280
<v Speaker 3>Oh that's like his town.

0:53:18.360 --> 0:53:22.680
<v Speaker 1>Damn it, that's like is sepel Ville. That's great, dude though.

0:53:22.719 --> 0:53:25.600
<v Speaker 2>Man's just you know, he told us a lot of

0:53:25.640 --> 0:53:27.320
<v Speaker 2>love that didn't have to just me and my cousin

0:53:27.360 --> 0:53:28.560
<v Speaker 2>and shout out Jay Ross.

0:53:28.840 --> 0:53:32.000
<v Speaker 3>Yeah, Boom, I appreciate you pulling up. Man. Can't I

0:53:32.040 --> 0:53:33.320
<v Speaker 3>wait to hear what you got in the store. I

0:53:33.360 --> 0:53:34.200
<v Speaker 3>can't wait for the remix.

0:53:34.239 --> 0:53:37.799
<v Speaker 1>It sounds crazy, so we clicked hit you with it.

0:53:37.880 --> 0:53:38.680
<v Speaker 3>Boom, My guy.

0:53:39.239 --> 0:53:44.640
<v Speaker 4>Tash Rico Yes her wrapping up Bootleg cap podcast Faster

0:53:44.680 --> 0:53:45.760
<v Speaker 4>than the Hurry by Boy Boom