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Speaker 1: Hey, Yo, what's up with it?

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Speaker 2: This boy task right here for the world famous alcoholists

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Speaker 2: and right about now I'm telling them a boot Leg

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Speaker 2: cav podcast.

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Speaker 3: Ay, before we start the episode, we're gonna remind everybody, man,

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Speaker 3: we got one of the biggest radio shows in the country,

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Speaker 3: syndicated in almost one hundred cities all over. Shout out

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Speaker 3: to iHeartRadio. All right, some of the latest cities that

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Speaker 3: we've been able to add. Man, we want to give

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Speaker 3: a shout out to ninety three point nine to Beat

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Speaker 3: in Honolulu. That's right, Hawaii, we over there going crazy.

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Speaker 3: I also want to give a shout out Hot ninety

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Speaker 3: eight three and Tucson. Shout out to Tucson going crazy.

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Speaker 3: Also want to give a shout out to Wild ninety

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Speaker 3: four one in Tampa going crazy. We just got Richmond.

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Speaker 3: We also just got the good folks in Bakersfield at

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Speaker 3: Hot one O four seven. So we're going crazy on

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Speaker 3: the radio with my partner James Andre Jefferson Junior for

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Speaker 3: the Bootleg keV Show. So make sure you tune in

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Speaker 3: and you can listen anywhere on that iHeart Radio app.

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Speaker 3: That's right, let's get into the interview. Bootleg CAB Podcast

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Speaker 3: special guests in here, the legend tash tash what's going on?

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Speaker 1: Oh man, same fight, dimming around, just working man, working, working, working, just.

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Speaker 2: As people might know, and everything from the group of alcoholics,

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Speaker 2: of course, and as people might know that a lot

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Speaker 2: of that that that living up to the image caught

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Speaker 2: up to me.

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Speaker 3: So are you trying to tell me that a member

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Speaker 3: of the alcoholics is not drinking as much as.

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Speaker 1: This sober halics that's what we call it. You guys

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Speaker 1: are sober holics.

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Speaker 3: Now, we don't really drink like that.

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Speaker 2: When that it took a toll like twenty something years

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Speaker 2: of just every single night as a party, every single

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Speaker 2: day you wake up as a party, every time you

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Speaker 2: got something you know to do that day. Uh, you know,

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Speaker 2: drinking is involved with it some kind of way. So

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Speaker 2: you know, I had to, you know, kick back and

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Speaker 2: and pull on the rains like Santa Claus slowed down

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Speaker 2: a little bit.

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Speaker 3: So I always wondered this because you guys are amazing

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Speaker 3: m season. I mean you, I mean, damn dude. You

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Speaker 3: guys got classic albums. You guys have your fingerprints on

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Speaker 3: so much of this West Coast shit that people don't

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Speaker 3: even realize it's insane. But was ever a certain point

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Speaker 3: in time where y'all got like two or three albums

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Speaker 3: in where you were like, I know, because I know

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Speaker 3: you guys went from the Alcoholics to the Licks right right,

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Speaker 3: were you guys regretted just going all in with the

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Speaker 3: alcoholics thing?

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Speaker 2: I mean, you know, with a name like the Alcoholics.

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Speaker 2: First of all, we was a young group, kind of

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Speaker 2: sure and everything, so people miscing screwed the word alcoholics

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Speaker 2: with like the bomb in the streets, with the little

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Speaker 2: you know, the three dollars vodka and all this. You know,

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Speaker 2: they they took the name and we got boycott, not boycott,

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Speaker 2: but we called it. We got banned from a lot

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Speaker 2: of shit like we had. We got invited to Soul

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Speaker 2: Train and then we showed up there and they saw

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Speaker 2: the name and they was like, hold on, we can't

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Speaker 2: put Alcoholics on national TV. And like we we couldn't

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Speaker 2: tour with trycoll Quest through the Bible Belt because of

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Speaker 2: the name, and a lot of TV shows and shit

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Speaker 2: turned it down because it was like we're trying to

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Speaker 2: get away from the negative word alcoholics, you know what

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Speaker 2: I'm saying. But we spelled it different and told motherfuckers

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Speaker 2: that we you know, we're really anti drinking and driving.

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Speaker 2: We had a lot of positive ship to say too,

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Speaker 2: but that get overlooked.

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Speaker 3: You know, but did you did you guys? I mean,

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Speaker 3: obviously everyone should be getting triagered to driving, but I

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Speaker 3: can imagine once you guys start losing out on ship,

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Speaker 3: it's like okay.

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Speaker 2: Yeah, but see that's whatened that ship backfire too, because

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Speaker 2: when we I don't know if somebody's idea was, let's

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Speaker 2: change the name. Since they called us the Licks. You know,

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Speaker 2: it's the Licks, baby, it's the Licks. They call us

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Speaker 2: that anyway, let's change the name officially to the Alcoholics.

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Speaker 2: So we did that for one album, which was a

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Speaker 2: disaster because nobody that really fucked with us on the

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Speaker 2: alcohol you know what I'm saying with the experience, right yeah,

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Speaker 2: XO experience, we call ourselves the Licks, and it did

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Speaker 2: not work because we got no more you know, say,

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Speaker 2: we didn't get it else that we wasn't getting as

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Speaker 2: the Alcoholics.

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Speaker 3: So that was the last album on Loud.

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Speaker 2: I don't know, I get I get mixed up, man,

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Speaker 2: but that was that was the single. Yeah you can yeh,

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Speaker 2: and actually it was it wasn't. That was the most

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Speaker 2: selling single that we ever put out. It was one

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Speaker 2: that tongue vibe for sure.

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Speaker 3: So and that was like, oh one, I don't it

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Speaker 3: was around I'm just trying to think of my head

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Speaker 3: what year of school I was in.

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Speaker 1: We we've been over here.

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Speaker 2: We got signed in ninety three, so a lot of

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Speaker 2: the dates and times and like that due to you

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Speaker 2: know what, I was all this. I get mixed up

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Speaker 2: because I know time pierce. Like when we told with

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Speaker 2: Big I know that was ninety six, ninety five before

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Speaker 2: he passed, right, And then it's kind of like it's

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Speaker 2: kind of like I get things. I got all the

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Speaker 2: memories of my head, but the day got time.

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Speaker 3: You got to like work backwards, you remember what.

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Speaker 2: I got to remember a physical thing, what was happening

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Speaker 2: right then to know what day and time it was?

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Speaker 3: Though? How did you Eat Swift and Jerrow initially meet

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Speaker 3: back in the day.

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Speaker 1: Man East Swift?

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Speaker 2: We was We was already rocking as a group called

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Speaker 2: Task Is Swift in the eighties and East Swift met

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Speaker 2: Jay roll Through. I don't know if it was cousin

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Speaker 2: keV or we got home with named cousin Kevin. I

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Speaker 2: think he bought Jo to the table and we met

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Speaker 2: J Rowd.

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Speaker 3: That's what.

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Speaker 2: That's what the King T's and the you know mixed

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Speaker 2: Matter of Space DJ Pools and we started you know,

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Speaker 2: running with them, and it just turned into were just

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Speaker 2: part of the you know we Telor wanted to do

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Speaker 2: a Taylor's King T by the way, he wanted to

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Speaker 2: do like a posse thing like he was.

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Speaker 1: He had an album coming out and.

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Speaker 2: Instead of That's why I always say We're forever grateful

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Speaker 2: Tuning because instead of putting out his single as just

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Speaker 2: King T and everything, he said, nah, I got this

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Speaker 2: group called the Alcoholics.

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Speaker 1: I want to put them on.

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Speaker 2: So his first single on the Active Full album or

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Speaker 2: the Trifling album, he featured the Alcoholics. And really that's

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Speaker 2: how we got our start and never looked back, and.

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Speaker 3: Never looked back. Where year was that? What youre was

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Speaker 3: the King T? Well, I guess you would have to

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Speaker 3: do a lot of drunken DISCREMT.

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Speaker 1: No, we started, we started runing with King T.

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Speaker 2: The first time I really kicked it with him was

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Speaker 2: the act of full videos at the liquor Store.

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Speaker 1: I'm in that motherfucker somewhere. It says I got to

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Speaker 1: look back.

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Speaker 2: But from that point on and then East Swift got

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Speaker 2: hired on a random He was already DJing for Me

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Speaker 2: and Jro. Me and Jael had a demo you know

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Speaker 2: this and that, and King T had a DJ named

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Speaker 2: Keith Cooley.

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Speaker 3: I know you've rather the name Keith Cooley.

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Speaker 1: Yeah, she shot out on the thing. And I don't

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Speaker 1: know what happened with Keith Cooley.

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Speaker 2: But the night before Teeler was going on tour with

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Speaker 2: n W A Scarface, I mean n W A Ghetto

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Speaker 2: Boys and all this, something happened with Keith Cooley.

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Speaker 3: With Tiler needed to DJ, and Swift.

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Speaker 2: Just happened to be over there cutting his head because

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Speaker 2: Swift he good on the cuts, but he cuts, you know,

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Speaker 2: so he he basically was cutting King T's hair. It's

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Speaker 2: God's work and shit, Tiler needed the DJ right then,

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Speaker 2: so he Swift went to go cut.

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Speaker 3: King T's hair, came back with a DJ and job.

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Speaker 2: Yeah, and he packed his ship up because I was

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Speaker 2: living with Swift and it's pops and ship at the time,

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Speaker 2: and so he packed his shit up and went on

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Speaker 2: the road with King T and never looked back.

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Speaker 3: You know, that is amazing. So when I was a kid.

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Speaker 3: My best friend's name is rams. It's Rockers little brother

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Speaker 3: from Dilated. I know, I know, yes, So listen. So

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Speaker 3: Ramses came to LA when he was sixteen seventeen. I'm

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Speaker 3: like twelve. So he's died brother too, yeah, like baby

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Speaker 3: and buddy and everybody. So yeah, so listen. So he

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Speaker 3: comes back from LA and he's like, Yo, my brother's

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Speaker 3: in this rapt because you know, Rock's dad is Pope,

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Speaker 3: had a lot of children, you know what I'm saying.

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Speaker 3: So he comes he comes back from this trip to

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Speaker 3: beat his brother and shit. And then he's telling me

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Speaker 3: and he's like, bro, I was hanging out with the

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Speaker 3: exhibiting alcoholics and and did one of y'all have an iraq?

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Speaker 1: Yeah? He's like I had a gold thing.

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Speaker 3: Yeah.

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Speaker 1: Yeah.

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Speaker 3: So so I'm hearing all this shit and not at

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Speaker 3: the time, I'm like twelve years old, you know what

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Speaker 3: I'm saying. And uh. And so that's when I got

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Speaker 3: like exposed to like the liquor cruit thing, you know

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Speaker 3: what I'm saying. And then I met Raka like right

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Speaker 3: when the platform dropped. Wow. And then when an expansion

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Speaker 3: team came out, we took a road trip out here

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Speaker 3: and we went to like uh Fat Beats, and we

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Speaker 3: went to the I'm Released party and it was just

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Speaker 3: but but I got so like I was like entrenched

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Speaker 3: and being like a fan of like y'all exhibit and

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Speaker 3: obviously Dilated and all that ship and yeah. So it's

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Speaker 3: like it's crazy because you because Liquid Crew has so

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Speaker 3: much to do with like so much amazing parts of

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Speaker 3: like la hip hop. You know what I'm saying. Between

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Speaker 3: you guys obviously King T the Architect and the Far Eye,

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Speaker 3: and you know, I feel like Dilate is kind of

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Speaker 3: like quasi Liquid Crew. Yeah.

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Speaker 1: They I don't know if there was a liquor Crew,

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Speaker 1: but they be everywhere.

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Speaker 3: Like you open up that Focused Daily booklet, you see

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Speaker 3: evidence in there with a lot of hair and rockets

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Speaker 3: in there. Yeah.

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Speaker 2: I still keep a tune with EV all the time

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Speaker 2: and we're working on something actually. But I'm just proud

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Speaker 2: of them, you know what I'm saying, because we all

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Speaker 2: kind of started together, right and I see what V

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Speaker 2: went well, RockA went with, the group went with this

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Speaker 2: and that, and you know it's it's amazing. I like

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Speaker 2: to watch It's like watching a plant grow. It takes

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Speaker 2: some time. But as you see it, you know, and

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Speaker 2: I just think that like EB is underrated man, oh

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Speaker 2: my god.

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Speaker 3: For sure. It's almost like he hates being Like Evidence

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Speaker 3: is such a talented guy. He would prefer to just

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Speaker 3: make music and no one knew who the fuck he

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Speaker 3: is exactly.

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Speaker 2: Like that's what it is, like he he's like an

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Speaker 2: introvert for sure, you know, talented.

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Speaker 1: Shout out to Alchemist too, it.

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Speaker 3: Was yeah, man, shout out my favorite producers right now

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Speaker 3: for sure. So, uh, you guys, how at what point

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Speaker 3: in time? Because signing Aloud in nineteen ninety three is very,

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Speaker 3: very very early. That's pre wou Tang.

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Speaker 2: That's why I might think were the first group, but

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Speaker 2: technically we not, though who is uh let me see?

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Speaker 2: Uh it was a group called mad Cap okay, okay,

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Speaker 2: drop the album before we did, and then they signed

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Speaker 2: Twisted and Twisted what happy with his contact?

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Speaker 1: He said, fuck this shit, he did his own thing,

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Speaker 1: so we can't.

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Speaker 3: Right after that, So that's crazy ninety three. That's like

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Speaker 3: that's like ground floor loud record shit.

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Speaker 2: Yeah, that's what I still talked to Steve. You know

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Speaker 2: a lot of loud records in the house last night.

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Speaker 2: There was was there in case. I know, we went

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Speaker 2: to the exhibits album release party last night. He was

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Speaker 2: it was text but what.

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Speaker 1: Was I saying?

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Speaker 2: All the like it was a whole Loud section there

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Speaker 2: was Yeah, so no shout out, Noah, Oti Arlene, a

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Speaker 2: bunch of people from Loud.

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Speaker 3: Like so, you guys like it's crazy because we think

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Speaker 3: of Loud as like such a East Coast label and

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Speaker 3: of course, like obviously in spirit it is and you know, tang,

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Speaker 3: big pun, et cetera, et cetera. But you're one of

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Speaker 3: the first groups exhibit is you know, at the speed

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Speaker 3: of life, restless, forty days, forty nights. What what How

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Speaker 3: did you guys end up getting like Steve Steve's attention

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Speaker 3: and like like was that something where he was like

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Speaker 3: out out west looking for talent or about us? Yeah,

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Speaker 3: let me get this story straight too.

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Speaker 1: Basically it was a guy about the name of Fabi

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Speaker 1: and Dub.

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Speaker 2: We called him Fade and he was real close with

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Speaker 2: Swift us you know this, and that he's a love

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Speaker 2: war ship.

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Speaker 1: We to make these demos and you know, me and

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Speaker 1: Je was the flood, the l a underground seeing.

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Speaker 2: Swift was a DJ. He was a popular DJ. He

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Speaker 2: was getting booked for like colleges us. We're young though,

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Speaker 2: So basically we went to mad Cap was already on Loud,

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Speaker 2: and we went to a studio session in Pasadenas somewhere,

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Speaker 2: and during that studio session we played Fade the demo

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Speaker 2: and he was like Steve Ripkins right hand man at

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Speaker 2: the time. Actually, first he got us to deal with

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Speaker 2: He got us a deal with Freeway Rick. Yes, Freeway

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Speaker 2: Rick not Rick Wall.

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Speaker 3: Was the one who interviewed I've interviewed Freeway Rick Ross too.

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Speaker 3: I just saw him at Snoop Savanthia the other night,

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Speaker 3: no big extras event. But yeah, so you guys actually

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Speaker 3: had to deal with Freeway Cross first.

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Speaker 2: If you look on Drink Champs and all the rest

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Speaker 2: of the podcasts that he do, he alway shout us out.

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Speaker 3: Yeah, I was just close to the alcoholics.

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Speaker 2: But what happened was he got locked up right you know,

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Speaker 2: during this time, and he called from prison and he

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Speaker 2: heard through the grapevine and we had some something else

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Speaker 2: going on with this Loud record label or something like that.

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Speaker 2: It was his blessing. He said, man, go get it.

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Speaker 2: I don't want to nothe just just take it to

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Speaker 2: the top. You know, and this and that, and but

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Speaker 2: then he ended up getting out this and that, so

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Speaker 2: you know, shout out freeway with man. I just see

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Speaker 2: him in Vegas about I don't know how long ago,

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Speaker 2: but you know.

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Speaker 3: Yeah, yeah, I know he had told me he was

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Speaker 3: doing he was doing some like back behind the scenes

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Speaker 3: financing on some big artists too, like I think you

287
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Speaker 3: need a baker, like a lot of.

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Speaker 2: Real like he always got his hands in something. He

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Speaker 2: was selling his book. Well that what I said, taking

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Speaker 2: me a free book.

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Speaker 3: Yeah, he's a hustler, bro, that's evident. But no, but yeah,

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Speaker 3: I mean obviously, I mean he's known for that. They

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Speaker 3: kind of stole his life story and did the TV

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Speaker 3: show great show, by the way, a great show. You

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Speaker 3: guys end up with loud. At what point in time

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Speaker 3: does exhibit come into the fold, And obviously you guys

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Speaker 3: had to have kind of made that introduction. I'm assuming because.

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Speaker 2: I think I don't remember the how you can I

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Speaker 2: remember that the Ziba was a he was aggressive, you

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Speaker 2: know what I'm saying.

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Speaker 1: And every time I have seen we want.

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Speaker 2: Some MC ship and Ziba used to get down like

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Speaker 2: he really like he he looked like that, but he

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Speaker 2: had like this path he had like a he was

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Speaker 2: smarter than a lot of people, you know what I mean,

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Speaker 2: Like he already knew what he wanted. We freestyle of life,

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Speaker 2: you know what I'm saying, Like we get picked up

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Speaker 2: by a label, that's cool.

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Speaker 1: If not, we're gonna do this. Unlet's see what happens

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Speaker 1: with this.

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Speaker 3: And that's a crazy statement. We freestyle of life. Yeah,

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Speaker 3: I like that. Here we are, it's worked out.

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Speaker 2: Yeah, so you know Zif he we we we were

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Speaker 2: just hanging around the underground circles and we all just

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Speaker 2: saw some MENI like and this and that, and he started,

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Speaker 2: you know, really hanging around with us. We start going

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Speaker 2: up to you know, Friday night flavors and all these

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Speaker 2: different things serving on them, and then we've got the

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Speaker 2: serving people in the clubs and it was just.

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Speaker 3: That when you used to like see rappers like rapping outside.

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Speaker 2: Once he became the yes zhibit man, he was like

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Speaker 2: he he I never seen nobody with a with a

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Speaker 2: determination is out the world for this, Like like he

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Speaker 2: knew he knew all this ship the ZIPB is doing

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Speaker 2: now he told us he was going to do this.

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Speaker 1: Then that was his plan.

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Speaker 2: Like we didn't have no plan and shout out to

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00:14:16,000 --> 00:14:17,600
Speaker 2: his dad too was a big part of that too,

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Speaker 2: because he got a guidance with the military, upbringing and

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Speaker 2: stuff like that. Destructure I ain't never had no structure

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Speaker 2: like that. My dad got murdered when I was young,

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Speaker 2: you know, so I kind of been freestyle in that life,

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Speaker 2: you know, freestyle of life ever since. But shout out

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00:14:33,920 --> 00:14:35,520
Speaker 2: Exhibit His album came out yesterday.

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Speaker 3: It's incredible.

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Speaker 1: Yeah, we went to the ship.

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00:14:38,440 --> 00:14:41,240
Speaker 2: I'm I'm in my fifties, but man, we hit three

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00:14:41,320 --> 00:14:45,240
Speaker 2: parties last night. Man, we went to Exhibits first, then

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Speaker 2: we went to Snoop Dogg party, and then we went

340
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Speaker 2: to the Busy.

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Speaker 1: I'm tripping. That's the day before yesterday.

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Speaker 3: That's all.

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Speaker 2: You ain't been asleep, But I say we were the

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Speaker 2: three live ass parties in one night.

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Speaker 3: Yeah, yeah, yeah, because Exhibited two Things did one of

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Speaker 3: the night before, and then Snoop did yeah.

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Speaker 1: Night before we went to Zibit Things. We went to

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Speaker 1: Snoop Dogg Things.

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Speaker 2: Shout out snow Too returned my text snope and I

350
00:15:06,520 --> 00:15:07,320
Speaker 2: saw y'all say what up?

351
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Speaker 1: Yeah yeah, so and then.

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Speaker 2: We went to uh the Far Side and the hieroglyphic.

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Speaker 2: I mean the Souls of Mischief went platinum the same week,

354
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Speaker 2: like two weeks ago.

355
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Speaker 3: Oh shit, so they had a big party for them.

356
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Speaker 2: Shout out shinne swoops, rise casts will I am.

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00:15:24,000 --> 00:15:25,640
Speaker 3: That's crazy. I didn't know that that was it. I

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00:15:25,680 --> 00:15:27,360
Speaker 3: would have went to that party too, funck shout to

359
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Speaker 3: the far side and hiro.

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00:15:28,720 --> 00:15:31,680
Speaker 2: Yeah, let's say that's how the shit be tripping me out, Like,

361
00:15:31,680 --> 00:15:34,720
Speaker 2: how y'all go platinum the same week thirty years later?

362
00:15:35,880 --> 00:15:38,080
Speaker 2: I thought it passing me by ben platinum long time ago.

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Speaker 3: But you know what it is, a lot of those

364
00:15:39,960 --> 00:15:44,440
Speaker 3: like older records, they're probably technically platinum in gold. It's

365
00:15:44,640 --> 00:15:49,040
Speaker 3: the label they have to like there's some sort of

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00:15:49,080 --> 00:15:52,280
Speaker 3: like where the label has to reach out to oria

367
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Speaker 3: A to make sure it's certified. That like because my

368
00:15:55,320 --> 00:15:57,160
Speaker 3: homie had a record, they're actually up on the wall

369
00:15:57,160 --> 00:15:59,320
Speaker 3: over there. They're both gold and like they were gold

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00:15:59,360 --> 00:16:03,040
Speaker 3: forever and uh, but he was waiting on his label

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00:16:03,080 --> 00:16:06,400
Speaker 3: to like, I don't know, make get a certified or whatever.

372
00:16:06,640 --> 00:16:10,040
Speaker 3: But yeah, like passing me by should be fucking platinum,

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Speaker 3: Like what are we talking about?

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Speaker 2: While I was assuming and then on top of that,

375
00:16:13,240 --> 00:16:16,160
Speaker 2: it's like like like how do you judge, Like, how

376
00:16:16,160 --> 00:16:18,840
Speaker 2: do you like there's no more physical copies, So if

377
00:16:18,840 --> 00:16:21,640
Speaker 2: you sold eight hundred thousand physical copies, what are they

378
00:16:21,640 --> 00:16:22,480
Speaker 2: selling now to make.

379
00:16:22,440 --> 00:16:25,640
Speaker 3: Yeah that I don't there's a certain amount of streams

380
00:16:25,640 --> 00:16:27,480
Speaker 3: that equal and album sale. I want to say it's

381
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Speaker 3: I want to say it's fifteen hundred strings equals on album.

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Speaker 1: Sale fifteen other strange.

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Speaker 3: I don't want to be don't put that in black

384
00:16:35,400 --> 00:16:36,640
Speaker 3: and white, but I think it's something like that.

385
00:16:36,640 --> 00:16:38,960
Speaker 2: That's ridiculous. But anyway, we need to take our shit back.

386
00:16:38,960 --> 00:16:39,480
Speaker 2: That's what I say.

387
00:16:39,560 --> 00:16:41,800
Speaker 3: That's why it's like, you know, like the direct to

388
00:16:41,960 --> 00:16:44,720
Speaker 3: fan ship is making a comeback. You know where it's

389
00:16:44,720 --> 00:16:47,760
Speaker 3: like if you got a fan base, like fuck the platforms,

390
00:16:47,800 --> 00:16:50,160
Speaker 3: Like obviously you want your ship up for everybody, but

391
00:16:50,840 --> 00:16:53,080
Speaker 3: you want to be able to like have that direct

392
00:16:53,120 --> 00:16:56,119
Speaker 3: connection to fans where they spend money with you.

393
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Speaker 2: You don't you have to be doing right now? We

394
00:16:58,040 --> 00:17:00,280
Speaker 2: ask that right now. I got a whole independent thing

395
00:17:00,360 --> 00:17:02,720
Speaker 2: going on. Did you hear the record?

396
00:17:03,360 --> 00:17:06,960
Speaker 3: Yes? I love the video by the way, Okay, yeah,

397
00:17:08,240 --> 00:17:08,920
Speaker 3: did a great job.

398
00:17:09,280 --> 00:17:12,920
Speaker 2: Shot out to Nate, Nate the great bag God, my

399
00:17:13,040 --> 00:17:13,640
Speaker 2: husband and wife.

400
00:17:14,720 --> 00:17:19,520
Speaker 3: That's what I appreciate it. Yeah, yeah, I mean you're back,

401
00:17:19,560 --> 00:17:20,880
Speaker 3: man said, I see you running around.

402
00:17:21,320 --> 00:17:23,280
Speaker 2: Yeah, I'm trying to, you know, get back into Google because,

403
00:17:23,280 --> 00:17:24,800
Speaker 2: like I said, I took a little hiatus just to

404
00:17:24,800 --> 00:17:30,840
Speaker 2: get my shit together, you know, sober holic, Yeah, smokaholic, smokaholics.

405
00:17:30,920 --> 00:17:35,240
Speaker 3: Yeah. Yeah, but no, it's crazy because like I you know, uh,

406
00:17:35,480 --> 00:17:41,760
Speaker 3: I think back to like your your like uh when

407
00:17:41,760 --> 00:17:44,880
Speaker 3: I think atash bro used to be like a superhero

408
00:17:44,920 --> 00:17:46,479
Speaker 3: to me, dog like he used to be with it

409
00:17:47,040 --> 00:17:48,800
Speaker 3: now like for like Wrap Life is one of the

410
00:17:48,800 --> 00:17:52,560
Speaker 3: most fucking and it's a perfect album. It's a fucking classic.

411
00:17:52,640 --> 00:17:57,200
Speaker 3: It's it's one of them ones man. Yeah, and it's

412
00:17:57,240 --> 00:17:59,199
Speaker 3: slept on like for people who don't know, like go

413
00:17:59,480 --> 00:18:02,000
Speaker 3: fucking go run and get tash rap Life. That ship

414
00:18:02,160 --> 00:18:06,240
Speaker 3: is from track one to the end. It is amazing.

415
00:18:06,280 --> 00:18:09,280
Speaker 2: Ple check that man shout out the same mooning Malik Levy,

416
00:18:09,359 --> 00:18:11,720
Speaker 2: Steve Riskin, Rich, Isaacson.

417
00:18:12,640 --> 00:18:17,440
Speaker 3: What because that came after Liquidation, right, because Liquidation came

418
00:18:17,480 --> 00:18:20,680
Speaker 3: out and then at the time table Okay, yeah, yeah,

419
00:18:20,680 --> 00:18:21,680
Speaker 3: it came out after Liquidation.

420
00:18:21,920 --> 00:18:24,159
Speaker 1: It came out after yeah, yeah, yeah, because I.

421
00:18:24,160 --> 00:18:27,240
Speaker 3: Want to say rap Life was ninety nine. It was yeah,

422
00:18:27,280 --> 00:18:27,880
Speaker 3: so you do that.

423
00:18:28,520 --> 00:18:30,639
Speaker 1: I got a song called smoke Fest ninety nine on it.

424
00:18:31,040 --> 00:18:32,879
Speaker 1: Cast shout, I was gonna say without cast I was

425
00:18:32,880 --> 00:18:33,439
Speaker 1: looking right there.

426
00:18:33,480 --> 00:18:38,080
Speaker 3: Okay, yes, sir? What what what was the thought process

427
00:18:38,240 --> 00:18:41,720
Speaker 3: you guys? Drop Liquidation? Uh? Hip Hop Drunkies was a

428
00:18:41,720 --> 00:18:43,440
Speaker 3: big record for you guys? Shout at what I want

429
00:18:43,440 --> 00:18:46,960
Speaker 3: to get into that too? What what what motivated you

430
00:18:47,000 --> 00:18:49,000
Speaker 3: to say I gotta I gotta get a solo one off?

431
00:18:49,760 --> 00:18:51,840
Speaker 2: I mean to tell you the two we started out

432
00:18:51,880 --> 00:18:55,119
Speaker 2: as solo artists as before, right, I met Jo and

433
00:18:55,160 --> 00:18:57,000
Speaker 2: everything and the funny Boy bout me and j was

434
00:18:57,000 --> 00:18:59,160
Speaker 2: never supposed to do out group, but none of thee

435
00:18:59,440 --> 00:19:01,080
Speaker 2: It was like Task.

436
00:19:00,960 --> 00:19:02,520
Speaker 3: Was over here, j Row was over here. We have

437
00:19:02,640 --> 00:19:03,440
Speaker 3: other people's crew.

438
00:19:03,640 --> 00:19:06,240
Speaker 1: Yeah, it was a crew. And then we made a demo.

439
00:19:07,800 --> 00:19:10,280
Speaker 2: Called I Guess Funky, and we did one called Past

440
00:19:10,320 --> 00:19:12,640
Speaker 2: the Joint And I had to be like eighty eight

441
00:19:12,760 --> 00:19:14,680
Speaker 2: eighty nine or something like this.

442
00:19:15,080 --> 00:19:17,800
Speaker 3: Yeah, are old? I was born in eighty seven?

443
00:19:17,880 --> 00:19:20,360
Speaker 1: Are you serious? God? Damn, that's where the baby face

444
00:19:20,400 --> 00:19:21,040
Speaker 1: come from. Then?

445
00:19:21,560 --> 00:19:25,320
Speaker 2: All right, well but anyway, we did this demo tape.

446
00:19:25,400 --> 00:19:27,440
Speaker 2: Oh no, actually we did a song called I Guess

447
00:19:27,480 --> 00:19:31,320
Speaker 2: Funky and we used the Roger like the the sample

448
00:19:31,359 --> 00:19:35,680
Speaker 2: from Rogers Zapp and Roger. People went crazy for the song,

449
00:19:35,760 --> 00:19:37,080
Speaker 2: so they said, may y'all got to do more.

450
00:19:37,160 --> 00:19:39,560
Speaker 1: So we did a couple. We did one called Past

451
00:19:39,560 --> 00:19:40,240
Speaker 1: the Joints.

452
00:19:39,960 --> 00:19:41,879
Speaker 2: So we was ahead of the curve before all the weed,

453
00:19:42,200 --> 00:19:46,119
Speaker 2: you know what I'm saying, like, uh, past the joint

454
00:19:46,280 --> 00:19:49,240
Speaker 2: And then it was unanimous, like everybody was like, y'all

455
00:19:49,280 --> 00:19:52,320
Speaker 2: sound so different that y'all should do more shit together

456
00:19:52,400 --> 00:19:53,920
Speaker 2: because it's like, you know, when you hear groups and

457
00:19:53,920 --> 00:19:56,960
Speaker 2: ship like that's in effects and a lot of groups

458
00:19:57,000 --> 00:19:59,000
Speaker 2: they rapped, you can tell they have the same day

459
00:19:59,000 --> 00:20:00,800
Speaker 2: in the group because they rapped similar you know what

460
00:20:00,800 --> 00:20:03,679
Speaker 2: I'm saying, like EPM D. You know, of course, so

461
00:20:03,840 --> 00:20:06,600
Speaker 2: j Row style and my style was like ying and

462
00:20:06,680 --> 00:20:09,720
Speaker 2: yang night and day or whatever whatever, So you know,

463
00:20:09,800 --> 00:20:12,840
Speaker 2: I think that's what made people pay attention to it.

464
00:20:12,960 --> 00:20:16,160
Speaker 3: Kind of yeah, you know, rap life was like, uh man,

465
00:20:17,040 --> 00:20:18,520
Speaker 3: just stellar, stellar body of work.

466
00:20:18,920 --> 00:20:20,080
Speaker 1: Thank you, thank you, thank you.

467
00:20:20,560 --> 00:20:23,960
Speaker 2: Actually, Steve Ripkins Pops Jewels had a lot to do

468
00:20:24,000 --> 00:20:27,159
Speaker 2: with that too. A word Western piece, Yes, you know,

469
00:20:27,200 --> 00:20:29,000
Speaker 2: that's who got me over there. On Sony You all this,

470
00:20:29,760 --> 00:20:32,960
Speaker 2: but Rap Life was like a I was trying to

471
00:20:33,000 --> 00:20:34,879
Speaker 2: do something I was trying to do. I had a

472
00:20:34,880 --> 00:20:37,520
Speaker 2: concept for the album because, like you said, everybody thought

473
00:20:37,520 --> 00:20:40,040
Speaker 2: it was from New York and so what I wanted

474
00:20:40,080 --> 00:20:43,680
Speaker 2: to do was show people that we cool with New

475
00:20:43,760 --> 00:20:45,840
Speaker 2: Yorkers and we got a style from the West Coast

476
00:20:45,840 --> 00:20:46,760
Speaker 2: that they love over there.

477
00:20:46,800 --> 00:20:48,520
Speaker 3: So I was trying to unify this city or whatever.

478
00:20:48,600 --> 00:20:50,800
Speaker 3: R right, Well, ray Ward was on the album, you right.

479
00:20:50,880 --> 00:20:55,680
Speaker 2: If We started out with a lot of the alcoholic

480
00:20:55,920 --> 00:21:01,560
Speaker 2: wool tang mob d of course Big One, so we

481
00:21:01,560 --> 00:21:03,159
Speaker 2: we we're cool with all these new and they got

482
00:21:03,200 --> 00:21:04,959
Speaker 2: an LA office, so we used to be up there

483
00:21:04,960 --> 00:21:08,440
Speaker 2: every day. You know what I'm saying. But what was

484
00:21:08,480 --> 00:21:09,959
Speaker 2: I saying that was that was the beauty of it.

485
00:21:09,960 --> 00:21:12,439
Speaker 2: It was like we had this East Coast, you know,

486
00:21:12,520 --> 00:21:15,320
Speaker 2: international love and everything. They ain't really like gangster rapper

487
00:21:15,359 --> 00:21:17,600
Speaker 2: kind of pigeonhole for LA, Like this is what LA

488
00:21:17,680 --> 00:21:18,040
Speaker 2: sounds like.

489
00:21:18,080 --> 00:21:20,200
Speaker 3: No, for sure, you guys had your own thing going.

490
00:21:20,200 --> 00:21:22,920
Speaker 2: Each Swift on the beach, Yes, and then with Rap

491
00:21:22,960 --> 00:21:25,600
Speaker 2: Life and everything. What I tried to do was I

492
00:21:25,600 --> 00:21:28,280
Speaker 2: wanted to come with a single myself. This one song,

493
00:21:29,040 --> 00:21:32,479
Speaker 2: remember the song on there when I with the actually

494
00:21:32,480 --> 00:21:34,400
Speaker 2: Doctor Dan and the exhibit and ended up using it.

495
00:21:34,440 --> 00:21:39,760
Speaker 2: But I have one first, but the Dunk Dune d D.

496
00:21:40,440 --> 00:21:42,280
Speaker 2: I had a song that was about to be my single,

497
00:21:42,920 --> 00:21:45,840
Speaker 2: and then I don't know how it happened, but rock

498
00:21:45,880 --> 00:21:47,880
Speaker 2: Wiler that we with Redman and them did the beat.

499
00:21:48,160 --> 00:21:49,359
Speaker 2: So we had it all set up for me that

500
00:21:49,440 --> 00:21:51,000
Speaker 2: to be my single, and then all of a sudden,

501
00:21:51,400 --> 00:21:52,440
Speaker 2: Snooping and dropped the.

502
00:21:52,520 --> 00:21:53,760
Speaker 3: Dre dropped the same.

503
00:21:53,840 --> 00:21:57,119
Speaker 1: Champel was like, hold up time, we can't do this.

504
00:21:57,200 --> 00:21:58,800
Speaker 2: So we had to go back to the drawing board

505
00:21:58,960 --> 00:22:01,000
Speaker 2: and I said, let's do the one with Ray Kuan.

506
00:22:01,240 --> 00:22:02,960
Speaker 2: And what the plan was. I was gonna come up

507
00:22:03,000 --> 00:22:04,680
Speaker 2: with the song with Ray Kuan, let him know that

508
00:22:05,280 --> 00:22:05,600
Speaker 2: you know.

509
00:22:05,600 --> 00:22:08,680
Speaker 3: We the song is actually called rap like it's called

510
00:22:08,760 --> 00:22:09,200
Speaker 3: rap Life.

511
00:22:09,400 --> 00:22:10,840
Speaker 2: And then I wanted to come right back with the

512
00:22:10,920 --> 00:22:14,600
Speaker 2: song I did with Snooping them Snoop, I mean snoop zip.

513
00:22:14,640 --> 00:22:16,679
Speaker 2: I did a song called Jesus G's with Me Snoop

514
00:22:16,760 --> 00:22:20,720
Speaker 2: corrupt zibit. And I'm trying to sew you know that

515
00:22:20,720 --> 00:22:22,920
Speaker 2: that I get down with anybody, you know, no matter

516
00:22:22,920 --> 00:22:25,760
Speaker 2: who it is, and that said backfire. Once I did that,

517
00:22:25,840 --> 00:22:29,000
Speaker 2: everyone I dropped this ta with Ray Kuan. Everybody's thinking

518
00:22:29,000 --> 00:22:30,520
Speaker 2: I'm from New York for some reason, even though I

519
00:22:30,560 --> 00:22:32,399
Speaker 2: filmed it right here Inglewood.

520
00:22:32,000 --> 00:22:34,120
Speaker 1: That the race track is crazy, got.

521
00:22:34,000 --> 00:22:36,200
Speaker 2: Dayton's and all kinds of la sitting there, they still

522
00:22:36,200 --> 00:22:38,520
Speaker 2: say he wants me from New York. So I don't

523
00:22:38,560 --> 00:22:40,600
Speaker 2: know what they had to do with anything else, but

524
00:22:41,280 --> 00:22:42,800
Speaker 2: I got that stamp a long time ago.

525
00:22:43,320 --> 00:22:48,199
Speaker 3: What you guys have been on some legendary tours you

526
00:22:48,240 --> 00:22:51,520
Speaker 3: mentioned obviously to him with Big Right. I remember you

527
00:22:51,520 --> 00:22:55,000
Speaker 3: guys to Wutang too right, Yeah Tang? And what was

528
00:22:55,040 --> 00:22:57,320
Speaker 3: the other it was? Who else was on that tour

529
00:22:58,000 --> 00:22:58,800
Speaker 3: that was just allowed?

530
00:22:58,800 --> 00:23:00,240
Speaker 2: When it was on the first tour with Wo saying

531
00:23:00,240 --> 00:23:04,040
Speaker 2: I was a promotional tour And imagine like you got

532
00:23:04,080 --> 00:23:05,080
Speaker 2: twelve like I saw.

533
00:23:04,960 --> 00:23:08,199
Speaker 3: You guys did like a huge festival. I feel like

534
00:23:08,320 --> 00:23:08,840
Speaker 3: that was like.

535
00:23:08,840 --> 00:23:10,480
Speaker 1: We do a lot of shit that people don't. It

536
00:23:10,520 --> 00:23:11,920
Speaker 1: goes under the radar. I don't know why.

537
00:23:12,000 --> 00:23:15,320
Speaker 3: What was it like though, you're the West Coast group,

538
00:23:15,400 --> 00:23:19,200
Speaker 3: but you're touring with Big Right. This is after Ready

539
00:23:19,240 --> 00:23:19,560
Speaker 3: to Die.

540
00:23:19,720 --> 00:23:22,720
Speaker 2: Yes, First of all, House Biggie, he only had two

541
00:23:22,760 --> 00:23:25,560
Speaker 2: albums First of all, what's that like, Biggie.

542
00:23:25,760 --> 00:23:26,960
Speaker 1: That's why, man, when all the.

543
00:23:28,480 --> 00:23:30,840
Speaker 2: Static and the beef and all the East West shit

544
00:23:30,880 --> 00:23:32,640
Speaker 2: and all that shit, you gotta understand that we don't

545
00:23:32,640 --> 00:23:36,800
Speaker 2: build like long lasting relationships with people from the East

546
00:23:36,800 --> 00:23:39,399
Speaker 2: before that. So we wasn't we wasn't about to just

547
00:23:39,520 --> 00:23:41,640
Speaker 2: jump in because really I knew that it was not

548
00:23:41,680 --> 00:23:44,560
Speaker 2: true about the Biggie setting up Pock and all that.

549
00:23:44,920 --> 00:23:46,840
Speaker 2: We know that was bullshit off the rip. So we

550
00:23:47,000 --> 00:23:49,520
Speaker 2: just you know, basically, we just played, you know, I

551
00:23:49,520 --> 00:23:51,560
Speaker 2: played the fence. We just played the background when it

552
00:23:51,560 --> 00:23:53,920
Speaker 2: was jumping. Because they asked us to go on this

553
00:23:54,040 --> 00:23:56,960
Speaker 2: tour and they hand picked us, you know what I mean.

554
00:23:57,480 --> 00:24:00,280
Speaker 2: So they got love for the West Coast, but I don't.

555
00:24:00,400 --> 00:24:02,320
Speaker 2: I don't get another people's politics and shit like that.

556
00:24:02,440 --> 00:24:04,280
Speaker 2: But it was weird because it was the only West

557
00:24:04,280 --> 00:24:05,280
Speaker 2: Coast group on the tour.

558
00:24:06,600 --> 00:24:08,520
Speaker 3: How as big as a dude though, man.

559
00:24:08,440 --> 00:24:10,840
Speaker 2: Like hilarious, man like you know, like he was the

560
00:24:10,880 --> 00:24:12,920
Speaker 2: biggest King T fan. He used to tell us every

561
00:24:13,000 --> 00:24:14,920
Speaker 2: day like like where's King T.

562
00:24:15,040 --> 00:24:17,159
Speaker 1: I'll come in here with you. I forgot why wasn't on

563
00:24:17,160 --> 00:24:17,480
Speaker 1: the tour.

564
00:24:17,560 --> 00:24:21,199
Speaker 2: But Biggie was like reciting his lyrics every day like

565
00:24:21,240 --> 00:24:25,440
Speaker 2: he was like a super duper you know, king t fan.

566
00:24:25,600 --> 00:24:27,320
Speaker 3: You know, did he ever try to hang with you

567
00:24:27,359 --> 00:24:28,439
Speaker 3: guys when they came to drinking?

568
00:24:29,040 --> 00:24:31,760
Speaker 2: Nah, he knew better than that. But he's a smoke

569
00:24:31,800 --> 00:24:34,439
Speaker 2: a lot. I see, he wasn't known as a drinker.

570
00:24:35,640 --> 00:24:37,800
Speaker 2: He smoked, and back then I wasn't really smoking that much,

571
00:24:37,800 --> 00:24:39,000
Speaker 2: so I'd be high drunk.

572
00:24:39,160 --> 00:24:41,480
Speaker 1: You know. We got a lot of tours like.

573
00:24:44,160 --> 00:24:47,840
Speaker 3: Yeah, yeah, yeah, and then uh, you guys obviously have

574
00:24:47,920 --> 00:24:51,159
Speaker 3: such a great relationship and working relationship with Woo. I

575
00:24:51,200 --> 00:24:55,120
Speaker 3: know y'all kind of helped helped get them on the

576
00:24:55,200 --> 00:25:02,480
Speaker 3: on the radar alloud and ship od Uh. I feel

577
00:25:02,560 --> 00:25:06,480
Speaker 3: like was kind of like I feel like he was

578
00:25:06,560 --> 00:25:09,639
Speaker 3: like your spirit animal, Like when like in a weird

579
00:25:09,760 --> 00:25:13,480
Speaker 3: like reverse universe, ODB and Tash on a record could

580
00:25:13,480 --> 00:25:15,439
Speaker 3: have been the same person, Like you guys have like

581
00:25:15,480 --> 00:25:17,879
Speaker 3: a very unique style of rapping and like very like

582
00:25:17,920 --> 00:25:20,359
Speaker 3: you know what I'm saying, Like that's so well, what

583
00:25:21,080 --> 00:25:23,200
Speaker 3: was what was it like? Just just just being being

584
00:25:23,200 --> 00:25:25,600
Speaker 3: close with a guy like ODB man Like he was.

585
00:25:25,600 --> 00:25:28,320
Speaker 2: Just like a different breed of person, like he just

586
00:25:29,400 --> 00:25:32,000
Speaker 2: how do you say it? Like he he lived free,

587
00:25:32,160 --> 00:25:34,080
Speaker 2: you know what I mean, until he got locked up,

588
00:25:34,080 --> 00:25:36,520
Speaker 2: But he was free as a bird. He just did

589
00:25:36,520 --> 00:25:40,439
Speaker 2: what he wanted to, said what he wanted to, you know,

590
00:25:40,480 --> 00:25:42,320
Speaker 2: like anything else. When you when you when you get

591
00:25:42,320 --> 00:25:44,560
Speaker 2: a toxicated and you get too intoxicated, it starts to

592
00:25:44,560 --> 00:25:46,520
Speaker 2: be a problem. You know what I'm saying, And this

593
00:25:46,560 --> 00:25:48,800
Speaker 2: and that. But as far as him as a spirit

594
00:25:48,920 --> 00:25:51,960
Speaker 2: and as far as his his character and his values

595
00:25:51,960 --> 00:25:54,480
Speaker 2: and morals and ship like that, he's you can't beat

596
00:25:54,480 --> 00:26:02,000
Speaker 2: the odb man. And it's sad how things played out. Damn,

597
00:26:02,000 --> 00:26:04,280
Speaker 2: you got me thinking, Man, I won't know what to say,

598
00:26:04,320 --> 00:26:06,240
Speaker 2: you know what I mean? He was just wonderful kind man,

599
00:26:06,440 --> 00:26:07,360
Speaker 2: one of the kind.

600
00:26:07,520 --> 00:26:09,400
Speaker 3: Any crazy road stories with Wu Tang.

601
00:26:09,440 --> 00:26:11,360
Speaker 2: See that's why I was like, I can't do that

602
00:26:12,000 --> 00:26:16,399
Speaker 2: Wolf Tang in general. Just I mean ship, everybody does that.

603
00:26:16,400 --> 00:26:18,760
Speaker 2: I have said these allion times like the ones and ship.

604
00:26:18,800 --> 00:26:24,520
Speaker 2: But ah, man, I remember one time and me and

605
00:26:24,560 --> 00:26:26,320
Speaker 2: Meph we said we weren't gonna tell. As a matter

606
00:26:26,359 --> 00:26:28,720
Speaker 2: of fact, I can't even tell this story. Put it

607
00:26:28,800 --> 00:26:31,120
Speaker 2: this way, mefing man got hands. He beat up a pimp.

608
00:26:31,200 --> 00:26:32,880
Speaker 2: One time he beat up a pimp.

609
00:26:33,000 --> 00:26:34,840
Speaker 1: That's how I can't say that, you.

610
00:26:34,760 --> 00:26:36,960
Speaker 3: Know, because I don't know what nigga situations is.

611
00:26:37,280 --> 00:26:39,320
Speaker 2: That's how you get sucked up with mother talking though

612
00:26:39,359 --> 00:26:41,719
Speaker 2: you today he's supposed to be talking. But we had

613
00:26:41,880 --> 00:26:43,359
Speaker 2: a lot of a lot of great times with Wolf

614
00:26:43,359 --> 00:26:45,320
Speaker 2: Tang and ship like that. We all married with children now,

615
00:26:45,400 --> 00:26:46,240
Speaker 2: so I can't tell you that.

616
00:26:46,400 --> 00:26:47,760
Speaker 3: All you gotta know is Mathew Man beat up a

617
00:26:47,840 --> 00:26:48,600
Speaker 3: pimp road.

618
00:26:48,680 --> 00:26:51,200
Speaker 2: Yeah, see met the man got hands in the circumstances

619
00:26:51,200 --> 00:26:54,560
Speaker 2: in which every reason too. Man, if I told you

620
00:26:54,560 --> 00:26:56,639
Speaker 2: the circus, that's why meth said, don't ever tell nobody

621
00:26:56,720 --> 00:26:57,400
Speaker 2: this story and ship.

622
00:26:57,480 --> 00:27:00,359
Speaker 3: But I heard him tell the motherfucker somewhere. Oh he

623
00:27:00,400 --> 00:27:00,760
Speaker 3: told it.

624
00:27:00,840 --> 00:27:04,359
Speaker 1: Yeah, but he ain't give me permission too, So that's it.

625
00:27:04,480 --> 00:27:06,479
Speaker 1: He married. I mean, not gonna see I'm talking too much.

626
00:27:06,520 --> 00:27:08,440
Speaker 1: Shot to anyway, shout out the meth Man.

627
00:27:10,040 --> 00:27:12,240
Speaker 2: All like I say is just like we was there

628
00:27:13,119 --> 00:27:14,760
Speaker 2: and just like I said, watching a plant grow and

629
00:27:14,760 --> 00:27:17,480
Speaker 2: everything like when we went on that first promotional tour,

630
00:27:18,600 --> 00:27:20,320
Speaker 2: I didn't see the shit working like it, did, You

631
00:27:20,359 --> 00:27:22,520
Speaker 2: know what I'm saying. Because you got ten people with

632
00:27:22,560 --> 00:27:25,520
Speaker 2: different personalities hoosters, you know what I'm saying, They're not

633
00:27:25,600 --> 00:27:28,280
Speaker 2: used to a promotional tour that we don't get paid for.

634
00:27:28,320 --> 00:27:29,480
Speaker 1: This were just promoted for.

635
00:27:29,520 --> 00:27:31,560
Speaker 2: Loud recording, the albums coming out and this, and so

636
00:27:31,560 --> 00:27:33,200
Speaker 2: it just led to a whole bunch of just.

637
00:27:33,400 --> 00:27:35,159
Speaker 3: Well, I mean we got a little bit of like

638
00:27:35,359 --> 00:27:39,520
Speaker 3: that what's that documentary that came out the show? Remember

639
00:27:39,600 --> 00:27:42,480
Speaker 3: the show Big was in it. But you kind of

640
00:27:42,520 --> 00:27:43,879
Speaker 3: saw a little bit. I mean, when you have like

641
00:27:43,920 --> 00:27:46,399
Speaker 3: you said, when you got ten people, nine people, whatever

642
00:27:46,440 --> 00:27:49,400
Speaker 3: it is, it's like there's just no way that there's

643
00:27:49,440 --> 00:27:50,840
Speaker 3: not going to be like shit going on.

644
00:27:51,000 --> 00:27:52,920
Speaker 2: Yeah, and then a lot of times that everybody got

645
00:27:52,920 --> 00:27:55,320
Speaker 2: their own life. So people, you know, it'll be eight

646
00:27:55,359 --> 00:27:57,520
Speaker 2: of them and then two of them's at home doing right.

647
00:27:57,600 --> 00:28:00,800
Speaker 2: I just to trip off Ghosts man, ghosts, peoples and ship.

648
00:28:00,840 --> 00:28:02,879
Speaker 2: But ghost was like intriguing to me because it's the

649
00:28:02,880 --> 00:28:04,120
Speaker 2: way the map this back when he used to way

650
00:28:04,119 --> 00:28:06,199
Speaker 2: the math everywhere and sit like that. I was like this,

651
00:28:06,920 --> 00:28:08,239
Speaker 2: you know what I'm saying. I was just looking like

652
00:28:08,920 --> 00:28:10,800
Speaker 2: they different. They got it, man, they got it.

653
00:28:11,200 --> 00:28:13,040
Speaker 3: So you were on the first promo run where you

654
00:28:13,119 --> 00:28:15,680
Speaker 3: guys are are you guys pushing coast to coast or

655
00:28:15,720 --> 00:28:17,480
Speaker 3: twenty one and over with with them at that time.

656
00:28:17,640 --> 00:28:18,000
Speaker 3: Twenty one.

657
00:28:18,080 --> 00:28:21,280
Speaker 2: Now we're pushing we're pushing twenty one over. I don't

658
00:28:21,280 --> 00:28:22,920
Speaker 2: know if it came out yet, but I know Make

659
00:28:23,000 --> 00:28:26,199
Speaker 2: Room is the Lick Baby, Yeah, that was out, and

660
00:28:26,240 --> 00:28:29,040
Speaker 2: then then they're pushing Meta Man and Protect your Neck,

661
00:28:29,600 --> 00:28:32,120
Speaker 2: got it. So it's before the first albums came out.

662
00:28:32,440 --> 00:28:33,720
Speaker 3: Damn. That's crazy, dude.

663
00:28:33,800 --> 00:28:35,919
Speaker 2: Yeah, And it would just be like like like everybody

664
00:28:35,960 --> 00:28:38,840
Speaker 2: knew that Wu Tang was going to do something, but

665
00:28:38,920 --> 00:28:39,800
Speaker 2: I didn't know it was gonna be.

666
00:28:39,800 --> 00:28:43,560
Speaker 1: The biggest group to ever like this cultural klys I did.

667
00:28:43,640 --> 00:28:46,480
Speaker 3: They got their own Nikes and there's a Wu Tang

668
00:28:46,600 --> 00:28:47,160
Speaker 3: video game.

669
00:28:47,200 --> 00:28:50,120
Speaker 1: Incredible man, Hit Kwan. Everybody had their own nicks.

670
00:28:50,160 --> 00:28:51,880
Speaker 2: It was interesting, you know what I'm saying, Like having

671
00:28:52,440 --> 00:28:55,240
Speaker 2: all these personalities all different, you know what I mean, who.

672
00:28:55,040 --> 00:28:57,239
Speaker 3: Did you bond with the most on the road? Who

673
00:28:57,320 --> 00:28:59,440
Speaker 3: did y'all have like the most, like the biggest bond

674
00:28:59,480 --> 00:29:01,400
Speaker 3: with out hanging when you guys are on that run.

675
00:29:02,240 --> 00:29:06,360
Speaker 2: Back then, I probably say I just wanted to probably

676
00:29:06,400 --> 00:29:12,960
Speaker 2: O dB yeah after wow, you know, but but we

677
00:29:13,040 --> 00:29:15,560
Speaker 2: all bill we pours with all of them, like Ray Kwan,

678
00:29:15,640 --> 00:29:21,280
Speaker 2: that's my boy, shout out the way Meth, Me and

679
00:29:21,360 --> 00:29:23,560
Speaker 2: Meth was club Matthews to get out of bitches, though,

680
00:29:23,600 --> 00:29:25,640
Speaker 2: like for some reason he was like the flys and

681
00:29:25,680 --> 00:29:26,200
Speaker 2: ship like.

682
00:29:26,200 --> 00:29:28,160
Speaker 3: Yeah, I mean like that's kind of like you know

683
00:29:28,360 --> 00:29:28,680
Speaker 3: he was.

684
00:29:28,960 --> 00:29:30,440
Speaker 1: Yeah, everybody wanted Meth.

685
00:29:31,040 --> 00:29:34,640
Speaker 2: But that's what's up though, But but I got my

686
00:29:34,680 --> 00:29:36,200
Speaker 2: own story with all of them for sure.

687
00:29:36,920 --> 00:29:42,280
Speaker 3: Was yo was h shout out to uh On. You

688
00:29:42,320 --> 00:29:44,040
Speaker 3: mentioned the song a little bit earlier on Rap Life.

689
00:29:44,080 --> 00:29:46,200
Speaker 3: You had Outcasts on Smoke Fast ninety nine trying to

690
00:29:46,240 --> 00:29:50,440
Speaker 3: fill the agony to what if that's it is a

691
00:29:50,520 --> 00:29:54,240
Speaker 3: crazy like just to think back, like you had ray

692
00:29:54,320 --> 00:29:57,640
Speaker 3: Corn on that motherfucking album Outcast. Did you an outcast

693
00:29:57,720 --> 00:30:00,200
Speaker 3: have like already like a relationship or was it something

694
00:30:00,200 --> 00:30:01,400
Speaker 3: where you were like, ya, I'm working on an album. I

695
00:30:01,400 --> 00:30:02,760
Speaker 3: want to get outcast to reach out.

696
00:30:02,960 --> 00:30:07,280
Speaker 2: Yeah, like like rest in peace to reco away everything.

697
00:30:07,360 --> 00:30:10,400
Speaker 1: But he used to like this back before, like the

698
00:30:10,440 --> 00:30:12,200
Speaker 1: smartphones and all this shit and everything. But he just

699
00:30:12,200 --> 00:30:13,960
Speaker 1: show me so much love. He's like, anytime you come

700
00:30:14,000 --> 00:30:14,960
Speaker 1: to Atlanta.

701
00:30:15,320 --> 00:30:16,080
Speaker 3: Organized noise man.

702
00:30:16,120 --> 00:30:17,640
Speaker 1: Yeah, but this is back when the Freaknick Remember the

703
00:30:17,640 --> 00:30:19,120
Speaker 1: freak Nick I listen.

704
00:30:19,320 --> 00:30:21,040
Speaker 3: I was born in nineteen eighty seven. I've only heard

705
00:30:21,040 --> 00:30:21,360
Speaker 3: about that.

706
00:30:21,440 --> 00:30:23,040
Speaker 1: Okay, damn, I keep forgetting you.

707
00:30:23,240 --> 00:30:25,160
Speaker 3: But of course, of course I know what the Freaknick is.

708
00:30:25,200 --> 00:30:26,760
Speaker 2: Yes, but I used to go out there Atlanta and

709
00:30:26,760 --> 00:30:28,960
Speaker 2: funk with them during that them times and shit, and

710
00:30:29,480 --> 00:30:31,320
Speaker 2: they just open their doors to us.

711
00:30:31,200 --> 00:30:32,800
Speaker 3: And you know what was the freaknick?

712
00:30:32,920 --> 00:30:36,400
Speaker 1: Like, oh man, it was freaky. It was like before

713
00:30:36,440 --> 00:30:37,080
Speaker 1: social media.

714
00:30:37,280 --> 00:30:38,680
Speaker 3: You know, yeah, it was.

715
00:30:38,640 --> 00:30:42,840
Speaker 2: A trip because it was like not I'm gonna say lawless,

716
00:30:42,880 --> 00:30:44,720
Speaker 2: not lawless as far as crimes and shit, let that go.

717
00:30:44,800 --> 00:30:47,080
Speaker 2: But it's like the whole city got took over by that.

718
00:30:47,160 --> 00:30:48,000
Speaker 3: There's just no rules.

719
00:30:48,080 --> 00:30:50,640
Speaker 2: Yeah by this this this, this freaknik shit. It was

720
00:30:50,680 --> 00:30:53,080
Speaker 2: just cracking everywhere you went in Atlanta. It was crazy.

721
00:30:53,120 --> 00:30:54,800
Speaker 2: I got thrown it. I went a couple of years

722
00:30:54,800 --> 00:30:56,440
Speaker 2: in the whole and one one year I got thrown

723
00:30:56,440 --> 00:30:57,840
Speaker 2: in jail right when I got off the plane. And

724
00:30:58,160 --> 00:30:59,760
Speaker 2: why to listen to Freaknick through.

725
00:30:59,640 --> 00:31:01,040
Speaker 3: The like they're waiting for you.

726
00:31:01,120 --> 00:31:02,320
Speaker 1: I don't know what happened.

727
00:31:02,440 --> 00:31:04,080
Speaker 2: Was somewhere and the next thing I know him in

728
00:31:04,160 --> 00:31:07,400
Speaker 2: jail and you could kind of see like they had

729
00:31:07,400 --> 00:31:09,680
Speaker 2: these little windows of the jail everybody taking turns looking

730
00:31:09,680 --> 00:31:12,040
Speaker 2: at it. Because the freaknick was going on right outside

731
00:31:12,080 --> 00:31:12,960
Speaker 2: of the jail.

732
00:31:13,160 --> 00:31:13,960
Speaker 3: They lied me up for the.

733
00:31:13,960 --> 00:31:17,200
Speaker 1: Weekend and ship until you missed out that one. Yeah,

734
00:31:17,240 --> 00:31:18,640
Speaker 1: but that was just one of the mini.

735
00:31:19,920 --> 00:31:21,960
Speaker 3: I know you're working on you just like you said,

736
00:31:21,960 --> 00:31:24,040
Speaker 3: you just dropped the new song, sir, you are you

737
00:31:24,080 --> 00:31:25,720
Speaker 3: working on a new album? Are you? What do you?

738
00:31:25,960 --> 00:31:26,320
Speaker 1: Yeah?

739
00:31:26,520 --> 00:31:28,720
Speaker 2: Yeah, well, actually I got a bunch of albums worth

740
00:31:28,800 --> 00:31:30,440
Speaker 2: shit ready to go and everything. I'm just looking for

741
00:31:30,480 --> 00:31:34,040
Speaker 2: the right the right situation, I guess, you know. So

742
00:31:35,160 --> 00:31:37,120
Speaker 2: I dropped this song right here. It took legs of

743
00:31:37,200 --> 00:31:39,000
Speaker 2: I mean groo legs of his own. It's called Attention

744
00:31:39,120 --> 00:31:42,920
Speaker 2: as a Drug and if you hear it, we we

745
00:31:43,000 --> 00:31:47,000
Speaker 2: sampled a sample that try call Quest used before. Right,

746
00:31:47,600 --> 00:31:51,680
Speaker 2: So with that being said, it's only right for the

747
00:31:51,680 --> 00:31:53,280
Speaker 2: remix and shit I had to do, you know, get

748
00:31:53,280 --> 00:31:56,320
Speaker 2: somebody from Tried, So I got q Tip on the remix,

749
00:31:56,440 --> 00:31:58,880
Speaker 2: I got Exhibit on the remix, I got King T

750
00:31:59,040 --> 00:32:01,000
Speaker 2: and the Licks on the remix, Dang the Far Why,

751
00:32:01,560 --> 00:32:03,880
Speaker 2: and I got Sway in the Morning doing the intro

752
00:32:04,040 --> 00:32:05,160
Speaker 2: at the intro and everything.

753
00:32:05,240 --> 00:32:07,880
Speaker 3: So everybody that heard said it is about to be.

754
00:32:07,840 --> 00:32:08,720
Speaker 1: The song of the summer.

755
00:32:09,880 --> 00:32:11,200
Speaker 3: So you got the Far on there.

756
00:32:11,280 --> 00:32:13,160
Speaker 1: Yeah, the Far is on it too. He set it off.

757
00:32:13,520 --> 00:32:18,600
Speaker 3: Man. Focused Daily is such a great album. You guys

758
00:32:18,600 --> 00:32:20,560
Speaker 3: should do, Like I feel like there should be like

759
00:32:20,600 --> 00:32:25,360
Speaker 3: a uh we never got a Liquid Crew album. You

760
00:32:25,360 --> 00:32:27,440
Speaker 3: guys should come together and just be like, hey.

761
00:32:27,600 --> 00:32:29,520
Speaker 1: That's my bucket list. Man, it's hard to get.

762
00:32:29,600 --> 00:32:31,719
Speaker 3: Did y'all ever like even kick the idea around of

763
00:32:31,720 --> 00:32:32,800
Speaker 3: like doing like a compilation.

764
00:32:33,160 --> 00:32:36,880
Speaker 1: Yeah, we did, and I think that it's still gonna happen.

765
00:32:37,040 --> 00:32:39,960
Speaker 2: But I just think that everybody that was a vested

766
00:32:40,520 --> 00:32:44,200
Speaker 2: initially because you have understand like Madly was in the

767
00:32:44,200 --> 00:32:46,720
Speaker 2: Liquor Cool he went on the dude, you know, mad

768
00:32:46,800 --> 00:32:49,920
Speaker 2: living shit, he out of here multi and shut out

769
00:32:49,920 --> 00:32:50,160
Speaker 2: the map.

770
00:32:50,200 --> 00:32:51,160
Speaker 3: By the way, I didn't know that.

771
00:32:51,520 --> 00:32:51,920
Speaker 1: You don't know that.

772
00:32:52,000 --> 00:32:53,680
Speaker 3: When I think of the Liquid Crew, I think, if

773
00:32:53,880 --> 00:32:56,320
Speaker 3: you guys king t X, we took.

774
00:32:56,240 --> 00:32:57,640
Speaker 1: Him on the fuck we went. We went on the

775
00:32:57,640 --> 00:32:58,120
Speaker 1: Warp Tour.

776
00:32:58,200 --> 00:33:00,920
Speaker 2: We took That's crazy, by the way, we took the

777
00:33:00,960 --> 00:33:04,280
Speaker 2: Liquor Cool with Is, We took Exhibit we took Mad Live,

778
00:33:04,440 --> 00:33:08,360
Speaker 2: the Farwide, filled the Agony Recipes, Beef and Dontrell.

779
00:33:09,280 --> 00:33:10,719
Speaker 1: We took all these people and they just ended up

780
00:33:10,720 --> 00:33:11,520
Speaker 1: being superstars.

781
00:33:12,040 --> 00:33:16,160
Speaker 3: Mad It's crazy, one of the most prolific.

782
00:33:16,160 --> 00:33:17,400
Speaker 1: That's what they It's crazy.

783
00:33:17,440 --> 00:33:17,880
Speaker 3: I was there.

784
00:33:17,920 --> 00:33:20,000
Speaker 2: That's another one. I was there when he was just

785
00:33:20,320 --> 00:33:22,280
Speaker 2: getting his feet wet in the thing shout out to

786
00:33:22,320 --> 00:33:22,640
Speaker 2: his brother.

787
00:33:22,680 --> 00:33:25,720
Speaker 3: Oh no too, Yeah, Oh that was incredible. Man? Were

788
00:33:25,760 --> 00:33:29,520
Speaker 3: you like? Was his beat always like super unique? Alway?

789
00:33:29,680 --> 00:33:31,520
Speaker 2: When I met him, That's what happened, like Jack. I

790
00:33:31,600 --> 00:33:34,000
Speaker 2: met Jack first, and he gave me a demo of

791
00:33:34,080 --> 00:33:37,200
Speaker 2: the loop Pack. I think it was a loop packed demo.

792
00:33:37,560 --> 00:33:39,360
Speaker 2: I know they was thinking about. I don't know if

793
00:33:39,360 --> 00:33:41,520
Speaker 2: there's just something independent before that, but I remember when

794
00:33:41,520 --> 00:33:46,520
Speaker 2: I heard it, excuse me, mad Lib mad lists production

795
00:33:46,720 --> 00:33:49,600
Speaker 2: reminded me of e Swift, like it had that that

796
00:33:49,760 --> 00:33:50,160
Speaker 2: sounds like.

797
00:33:50,160 --> 00:33:51,600
Speaker 1: Something something producers and ship like.

798
00:33:51,600 --> 00:33:53,400
Speaker 2: If you hear that beat, you could tell that damn

799
00:33:53,520 --> 00:33:55,800
Speaker 2: before you even know who did the beat. And that's

800
00:33:55,840 --> 00:33:59,320
Speaker 2: what Mad lived. It struck me as a like a

801
00:33:59,400 --> 00:34:01,840
Speaker 2: DJ put like he got something different. So I just

802
00:34:01,920 --> 00:34:04,000
Speaker 2: drive the ox now daily and you know, pick him

803
00:34:04,040 --> 00:34:06,800
Speaker 2: up bring run he Mad. I mean, uh, Mad live,

804
00:34:06,840 --> 00:34:09,480
Speaker 2: believe it or not dead? A couple did they say

805
00:34:09,480 --> 00:34:11,160
Speaker 2: twenty one and Over is our classic album?

806
00:34:11,280 --> 00:34:11,400
Speaker 3: Right?

807
00:34:11,960 --> 00:34:13,600
Speaker 2: People don't know that Mad Lift did a couple of

808
00:34:13,640 --> 00:34:16,879
Speaker 2: joints on there Make Mary Jane, He's Smoke the song,

809
00:34:17,560 --> 00:34:19,399
Speaker 2: turned the Party out, a couple other ones, and then

810
00:34:19,400 --> 00:34:21,160
Speaker 2: he did a lot on the second album, Too Coast

811
00:34:21,160 --> 00:34:24,279
Speaker 2: to Coast right album, but out of the madd we

812
00:34:24,320 --> 00:34:28,040
Speaker 2: just did a benefit concert because he fire relief concert

813
00:34:28,040 --> 00:34:29,439
Speaker 2: and everything for him a couple of weeks ago.

814
00:34:29,480 --> 00:34:32,239
Speaker 3: Man, I just you know, obviously there's things that you

815
00:34:32,280 --> 00:34:34,680
Speaker 3: can replace, you know, and then there's things you can't replace. Yeah,

816
00:34:34,719 --> 00:34:37,359
Speaker 3: that's a that's the fact, which is rough. I can

817
00:34:37,480 --> 00:34:39,640
Speaker 3: just imagine all the music you know that he had

818
00:34:39,680 --> 00:34:41,360
Speaker 3: had just on hard.

819
00:34:41,239 --> 00:34:46,440
Speaker 2: Drives and yeah, he he just he's just a talented dude.

820
00:34:46,600 --> 00:34:49,000
Speaker 3: Man. Like, Yeah, I met I met him a couple

821
00:34:49,000 --> 00:34:51,600
Speaker 3: of times with Freddy and uh, I just you know,

822
00:34:51,640 --> 00:34:54,759
Speaker 3: I feel like he's like a I feel like he's

823
00:34:54,800 --> 00:34:56,640
Speaker 3: like an enigma, you know what I'm saying. Like he's

824
00:34:56,680 --> 00:35:00,560
Speaker 3: like he's like he's like a like a shadow. It's

825
00:35:00,560 --> 00:35:02,080
Speaker 3: got an aura, That's what I'm saying.

826
00:35:02,800 --> 00:35:04,560
Speaker 1: And he don't pick up the phone. But nobody was

827
00:35:04,560 --> 00:35:08,319
Speaker 1: like the Wizard of Oz or something, right, right, right.

828
00:35:09,560 --> 00:35:11,200
Speaker 3: Yeah, it's crazy. They said that he did like all

829
00:35:11,239 --> 00:35:14,960
Speaker 3: the beats for a bandana on a fucking iPad, And

830
00:35:15,000 --> 00:35:16,799
Speaker 3: I was like, I believe it because that fools just

831
00:35:16,840 --> 00:35:19,360
Speaker 3: so crazy, Like it's not about the tools.

832
00:35:20,520 --> 00:35:22,520
Speaker 1: He's an amazing motherfucker. I'll tell you that.

833
00:35:22,600 --> 00:35:29,080
Speaker 3: Yeah, that's crazy man for you. Uh I always you know,

834
00:35:29,239 --> 00:35:31,160
Speaker 3: I feel like when we talk about West Coast hip

835
00:35:31,200 --> 00:35:35,479
Speaker 3: hop the era of and you guys were a little

836
00:35:35,480 --> 00:35:37,920
Speaker 3: bit more commercial than what I'm about to make it.

837
00:35:38,000 --> 00:35:41,120
Speaker 3: But there was like this kind of like this underground

838
00:35:41,520 --> 00:35:43,920
Speaker 3: l a movement that was that that that got a

839
00:35:43,920 --> 00:35:45,839
Speaker 3: lot of people signed the major labels.

840
00:35:46,960 --> 00:35:47,719
Speaker 1: Good Life and all that.

841
00:35:48,040 --> 00:35:50,919
Speaker 3: I'm obviously like guys like yourself, like the Dilated Ship

842
00:35:51,040 --> 00:35:53,839
Speaker 3: like you mentioned Luke Pac. Obviously there's then there was

843
00:35:53,880 --> 00:35:55,400
Speaker 3: like J five and there.

844
00:35:55,360 --> 00:35:57,919
Speaker 1: Was Michael nine.

845
00:35:58,200 --> 00:36:04,040
Speaker 3: Yeah you know yeah, Freestyle Fellowship, Planet Asia, fucking Roscoe.

846
00:36:04,280 --> 00:36:06,640
Speaker 1: How do you know about this eighty seven?

847
00:36:07,560 --> 00:36:10,799
Speaker 3: Because I'm telling you, I'm a fucking hip hop head. Bro.

848
00:36:10,880 --> 00:36:12,920
Speaker 3: I came when I was thirteen. I came out here

849
00:36:12,960 --> 00:36:15,400
Speaker 3: and hung out at Fat Beats with record Iris.

850
00:36:15,880 --> 00:36:19,239
Speaker 2: We need more than him man. The seventh, like the

851
00:36:19,280 --> 00:36:21,320
Speaker 2: shit you talking about it? That happened like two years.

852
00:36:21,160 --> 00:36:23,879
Speaker 1: After he was born. Yeah, actually doing he was born.

853
00:36:23,920 --> 00:36:26,160
Speaker 3: But but no, but it's it's crazy because like there's

854
00:36:26,239 --> 00:36:29,439
Speaker 3: like this there's this huge like scene in LA where

855
00:36:29,440 --> 00:36:34,320
Speaker 3: it was like just a lot of dope, backpack boom

856
00:36:34,360 --> 00:36:38,280
Speaker 3: back ill rap ship that wasn't gangster rap exactly right,

857
00:36:38,480 --> 00:36:40,560
Speaker 3: but it didn't mean that you got like you guys

858
00:36:40,560 --> 00:36:43,960
Speaker 3: are on Loud, the far was on Capital or delicious. Fine,

859
00:36:44,000 --> 00:36:46,040
Speaker 3: who did the what what did it focus did? Oh,

860
00:36:46,080 --> 00:36:51,080
Speaker 3: Tommy boy, Tommy Boy, you know, Dilators on fucking Capitol Records.

861
00:36:51,400 --> 00:36:55,120
Speaker 3: J five is fucking J five man, so Charlie Tuna

862
00:36:55,160 --> 00:36:55,839
Speaker 3: and all those guys.

863
00:36:55,880 --> 00:36:58,920
Speaker 1: And this was the from my albums A Beat, a Killed.

864
00:36:59,480 --> 00:37:02,319
Speaker 3: Man, Shot a Kill shout out to Cut Chemists, New Mark.

865
00:37:03,760 --> 00:37:06,920
Speaker 3: But there was like this huge just like other side

866
00:37:06,960 --> 00:37:10,279
Speaker 3: of what what you know, LA hip hop was that

867
00:37:10,320 --> 00:37:13,280
Speaker 3: I feel like, for whatever reason, like fast forward to today,

868
00:37:13,320 --> 00:37:15,000
Speaker 3: like I feel like it doesn't get talked about it enough,

869
00:37:15,080 --> 00:37:17,160
Speaker 3: doesn't get enough love, you know what I'm saying. I

870
00:37:17,200 --> 00:37:18,799
Speaker 3: feel like it was so important though, and it was

871
00:37:18,800 --> 00:37:21,040
Speaker 3: like there's so much good music, so many incredible artists

872
00:37:21,080 --> 00:37:23,799
Speaker 3: that came out of that era. Do you do you

873
00:37:23,800 --> 00:37:26,439
Speaker 3: feel like that that kind of scene in LA gets

874
00:37:26,520 --> 00:37:27,680
Speaker 3: the flowers it deserves.

875
00:37:27,880 --> 00:37:30,439
Speaker 1: And today I got a soul coming out.

876
00:37:30,680 --> 00:37:34,640
Speaker 2: It's it's not a podcast, it's actual so yeah that

877
00:37:34,680 --> 00:37:37,600
Speaker 2: it kind of addresses that it's called underrated and what

878
00:37:37,640 --> 00:37:40,799
Speaker 2: it is is like it's basically so I created that.

879
00:37:40,920 --> 00:37:41,879
Speaker 3: Basically, I just.

880
00:37:41,840 --> 00:37:45,239
Speaker 1: Wanted to put the sign on anything underrated don't have

881
00:37:45,280 --> 00:37:47,040
Speaker 1: to be music. They don't have to be rappers and

882
00:37:47,040 --> 00:37:49,839
Speaker 1: singers and this that it could be a you name

883
00:37:49,880 --> 00:37:52,560
Speaker 1: it restaurant, right that everybody lines up around the corner,

884
00:37:53,880 --> 00:37:55,760
Speaker 1: but a lot of people don't even know this place exists,

885
00:37:55,760 --> 00:37:57,200
Speaker 1: you know what I'm saying, And there gotta be a

886
00:37:57,239 --> 00:38:00,799
Speaker 1: reason for that. So we're just trying to get you know,

887
00:38:00,880 --> 00:38:04,040
Speaker 1: people to the to tap in with who we think

888
00:38:04,120 --> 00:38:07,759
Speaker 1: is underrated. So shot some episodes and everything, Like I said,

889
00:38:07,800 --> 00:38:10,719
Speaker 1: shout out you know Alchemist jay Worthy. The first one

890
00:38:10,760 --> 00:38:11,640
Speaker 1: that come out, it's gonna be.

891
00:38:11,680 --> 00:38:14,520
Speaker 2: About the alcoholics, because that's all we've been called ever since.

892
00:38:14,560 --> 00:38:17,439
Speaker 2: We you know, had to deal with Like everybody sees

893
00:38:17,560 --> 00:38:19,680
Speaker 2: the body of work that we did, right, we got

894
00:38:19,680 --> 00:38:21,680
Speaker 2: songs with who you know, They got songs with wool Tang,

895
00:38:22,200 --> 00:38:23,680
Speaker 2: then turn around to do a song with for real,

896
00:38:24,440 --> 00:38:27,160
Speaker 2: they do a song with kid rock crazy to do

897
00:38:27,280 --> 00:38:27,680
Speaker 2: a song with.

898
00:38:28,440 --> 00:38:29,799
Speaker 1: I mean we did it.

899
00:38:29,840 --> 00:38:34,040
Speaker 2: I tried to do an album called what's the name

900
00:38:34,080 --> 00:38:36,480
Speaker 2: of the album? I forgot the name of the motherfucker,

901
00:38:36,520 --> 00:38:38,200
Speaker 2: But I just put my features on.

902
00:38:38,120 --> 00:38:40,240
Speaker 3: It, you know what I'm saying. Oh, so all features,

903
00:38:40,280 --> 00:38:40,960
Speaker 3: all features.

904
00:38:41,080 --> 00:38:43,400
Speaker 2: That's just because people might know that we did a

905
00:38:43,440 --> 00:38:46,319
Speaker 2: song with Snoop, but not mind know we did a

906
00:38:46,320 --> 00:38:47,680
Speaker 2: song with whoever.

907
00:38:47,800 --> 00:38:49,120
Speaker 3: You know what I'm saying. What was the kid rock

908
00:38:49,200 --> 00:38:50,840
Speaker 3: song on that loud rock compilation?

909
00:38:51,080 --> 00:38:53,040
Speaker 1: Nah, he just did a beat that was sugar rad.

910
00:38:53,120 --> 00:38:53,799
Speaker 1: I was Sugar Rated.

911
00:38:54,080 --> 00:38:57,560
Speaker 3: Yeah, yeah, I remember, like it was like a random

912
00:38:57,640 --> 00:39:00,480
Speaker 3: album that if you find it by it because it's

913
00:39:00,480 --> 00:39:03,759
Speaker 3: just rad. It was like some blue buff dude on

914
00:39:03,800 --> 00:39:05,920
Speaker 3: the cover, like a cartoon, and like it had a

915
00:39:05,920 --> 00:39:07,960
Speaker 3: bunch of loud artists like doing songs around.

916
00:39:08,040 --> 00:39:09,399
Speaker 1: You know, I don't even know it they did.

917
00:39:09,719 --> 00:39:11,080
Speaker 2: I was I don't know where it was that when

918
00:39:11,080 --> 00:39:14,040
Speaker 2: they did it, but they are you you coming rapping

919
00:39:14,080 --> 00:39:16,160
Speaker 2: at the end because they did the song without me.

920
00:39:16,200 --> 00:39:17,360
Speaker 1: I don't know what it was that when they So

921
00:39:17,400 --> 00:39:18,000
Speaker 1: you guys did.

922
00:39:17,920 --> 00:39:20,480
Speaker 3: Your guys' records with Sugar Red. Yeah, yeah, it was

923
00:39:20,560 --> 00:39:23,000
Speaker 3: like so it was some of them. Ships were very random.

924
00:39:23,160 --> 00:39:25,239
Speaker 3: It was kind of like the you know, Lincoln Park

925
00:39:25,280 --> 00:39:27,680
Speaker 3: and jay Z did it, but y'all like loud and

926
00:39:27,719 --> 00:39:30,600
Speaker 3: that did it, you know, fuck five years earlier.

927
00:39:30,760 --> 00:39:34,359
Speaker 2: That's funny you mentioned that because my boy EFN called

928
00:39:34,360 --> 00:39:37,000
Speaker 2: me yesterday tried to the drink champs here. Now he

929
00:39:37,000 --> 00:39:38,360
Speaker 2: didn't call me, hit me on the text, and he

930
00:39:38,440 --> 00:39:41,719
Speaker 2: just said he interviewed Lincoln Park and they said that

931
00:39:42,640 --> 00:39:45,279
Speaker 2: we were the alcoholics, were a big influence to them.

932
00:39:45,640 --> 00:39:48,080
Speaker 3: Yeah, because I mean low key like Mike Shinoda.

933
00:39:47,920 --> 00:39:50,799
Speaker 1: Is like a Mike, Yes, and then he said that,

934
00:39:50,920 --> 00:39:52,120
Speaker 1: so I just reached out.

935
00:39:52,200 --> 00:39:54,560
Speaker 3: We just reached out like yesterday and trying to get

936
00:39:54,560 --> 00:39:56,200
Speaker 3: in touch with him. Yeah, he was a part of

937
00:39:56,440 --> 00:39:59,480
Speaker 3: uh what I'm trying to think of a rap group.

938
00:39:59,520 --> 00:40:02,120
Speaker 3: He was runn and around with that was like an

939
00:40:02,200 --> 00:40:05,399
Speaker 3: underground like backpack fucking because he had this four minor

940
00:40:05,400 --> 00:40:07,160
Speaker 3: album and I remember there's all kinds of like backpack

941
00:40:07,320 --> 00:40:08,920
Speaker 3: la shit on. That was like what the fuck, Like,

942
00:40:08,960 --> 00:40:11,279
Speaker 3: who the fuck Mike, Mike should just tapped in.

943
00:40:11,600 --> 00:40:15,080
Speaker 2: Yeah, but he but EFN said he wanted to get

944
00:40:15,080 --> 00:40:16,960
Speaker 2: in touch with us, So we're doing that right now.

945
00:40:16,960 --> 00:40:18,600
Speaker 1: Socoholic Lincoln Park.

946
00:40:19,280 --> 00:40:22,000
Speaker 3: That'd be big Man, that'd be big. Yeah, it's crazy

947
00:40:22,000 --> 00:40:23,520
Speaker 3: because just that era of music. I think it's like

948
00:40:23,520 --> 00:40:25,560
Speaker 3: your album. I think the J five Ship, I think,

949
00:40:26,239 --> 00:40:28,440
Speaker 3: you know, Expansion Team is a classic to me.

950
00:40:28,600 --> 00:40:31,680
Speaker 4: What's going on with Phil the Agony Man, little cousin

951
00:40:31,760 --> 00:40:32,359
Speaker 4: phiel Man?

952
00:40:32,480 --> 00:40:35,880
Speaker 2: He actually big cousin Phil. He he chilling man. I

953
00:40:35,920 --> 00:40:37,320
Speaker 2: just saw him couple of weeks ago and everything.

954
00:40:37,520 --> 00:40:39,719
Speaker 3: He's put some fucking music Outum, that's what I feel,

955
00:40:39,760 --> 00:40:40,359
Speaker 3: the Agony Bro.

956
00:40:40,560 --> 00:40:42,920
Speaker 2: He sent me some incredible shit and I'm asking what

957
00:40:42,960 --> 00:40:46,120
Speaker 2: he's waiting on. But like we, like you said, that's

958
00:40:46,160 --> 00:40:47,680
Speaker 2: who I was hopping it up with about the Liquid

959
00:40:47,719 --> 00:40:50,160
Speaker 2: Cool album and shit. And there's a lot of associates that,

960
00:40:51,320 --> 00:40:53,000
Speaker 2: even if they don't use the word liquid creul and

961
00:40:53,040 --> 00:40:53,759
Speaker 2: everything like crime.

962
00:40:53,840 --> 00:40:56,000
Speaker 1: Don you know what I'm saying. Of course, you know

963
00:40:57,080 --> 00:40:58,680
Speaker 1: a bunch of people that cry.

964
00:40:58,640 --> 00:41:00,480
Speaker 3: On an exhibit? Are they good? Now? I guess that's

965
00:41:00,480 --> 00:41:01,279
Speaker 3: an exhibit question.

966
00:41:02,239 --> 00:41:03,280
Speaker 1: I don't even know this beefing.

967
00:41:04,719 --> 00:41:10,000
Speaker 3: The strong arm steady thing happened, and you know, yeah

968
00:41:10,040 --> 00:41:12,600
Speaker 3: that was something back that so long ago you would

969
00:41:12,600 --> 00:41:13,560
Speaker 3: think it doesn't matter.

970
00:41:13,719 --> 00:41:15,280
Speaker 1: And if I ain't here what happened?

971
00:41:15,280 --> 00:41:17,279
Speaker 2: And probably I don't know, man, but anyway, I know

972
00:41:17,320 --> 00:41:20,759
Speaker 2: everybody good and good spaces and everything, like I just

973
00:41:20,760 --> 00:41:23,200
Speaker 2: send Quinn a uh mad live thing and everything.

974
00:41:23,320 --> 00:41:25,239
Speaker 3: Yeah, he's incredible and he's acting. Now.

975
00:41:25,320 --> 00:41:27,320
Speaker 2: Yeah, that's what I'm saying. It's something about this liquid

976
00:41:27,360 --> 00:41:29,439
Speaker 2: cool shit. We don't breathe failures, you know what I'm saying,

977
00:41:29,560 --> 00:41:31,399
Speaker 2: something about you know, so.

978
00:41:31,520 --> 00:41:33,520
Speaker 3: You guys in the best you can do. Your guys,

979
00:41:33,520 --> 00:41:36,680
Speaker 3: biggest single in terms of sales, right, just the labels

980
00:41:36,680 --> 00:41:38,800
Speaker 3: say hey we got we like at that time Forrel's

981
00:41:38,800 --> 00:41:41,960
Speaker 3: hottest fish Grease Neptunes are on fucking fire. Is that

982
00:41:42,080 --> 00:41:44,440
Speaker 3: like a thing where like the labels like, yo, we

983
00:41:44,520 --> 00:41:47,440
Speaker 3: got to get y'all with the Neptunes or nationally.

984
00:41:47,280 --> 00:41:49,480
Speaker 2: That's what That's what I tip off of how people's go.

985
00:41:49,960 --> 00:41:52,919
Speaker 2: They grow into their own self, I guess. But when

986
00:41:52,960 --> 00:41:57,520
Speaker 2: we met for real, he requested us. He was like,

987
00:41:57,600 --> 00:41:58,719
Speaker 2: I want to do I don't know if he went

988
00:41:58,800 --> 00:42:01,279
Speaker 2: in the Steve rif Swift or whatever, but he said

989
00:42:01,320 --> 00:42:03,040
Speaker 2: Alcoholic is one of his favorite groups and he would

990
00:42:03,080 --> 00:42:03,760
Speaker 2: love to do something.

991
00:42:04,640 --> 00:42:05,160
Speaker 1: And then he.

992
00:42:05,160 --> 00:42:06,759
Speaker 2: Called somebody and said I got this beat that I

993
00:42:06,800 --> 00:42:09,120
Speaker 2: no is gonna be a hit record. And it sounds

994
00:42:09,120 --> 00:42:11,120
Speaker 2: perfect for that. Then when he played it, it ain't

995
00:42:11,160 --> 00:42:13,840
Speaker 2: sound let nothing like what we was expected because he

996
00:42:13,880 --> 00:42:16,400
Speaker 2: was fresh off of like like the clips, grinding and

997
00:42:16,440 --> 00:42:18,439
Speaker 2: all that, so I expect to hear some of that.

998
00:42:18,680 --> 00:42:20,200
Speaker 2: And then when he played the ship, we went to

999
00:42:20,600 --> 00:42:22,720
Speaker 2: Virginia to Pharrell studio.

1000
00:42:22,920 --> 00:42:23,839
Speaker 3: We flew out there to do.

1001
00:42:23,800 --> 00:42:27,359
Speaker 1: The song with him, right, and I can honestly say

1002
00:42:27,400 --> 00:42:28,360
Speaker 1: I ain't seen him since.

1003
00:42:28,400 --> 00:42:30,480
Speaker 3: But I got a record.

1004
00:42:30,520 --> 00:42:32,520
Speaker 1: Though, yeah, we got a record. But it's like, but

1005
00:42:32,640 --> 00:42:34,760
Speaker 1: you see what he grew into, Like he the face

1006
00:42:34,840 --> 00:42:37,560
Speaker 1: of Lois with Gucci's. I don't know what he's doing.

1007
00:42:37,600 --> 00:42:40,000
Speaker 1: Look I think Louis, but shout out to Pharrell. Though. Man,

1008
00:42:40,000 --> 00:42:42,279
Speaker 1: it's like, you know, I got a chance to work

1009
00:42:42,280 --> 00:42:42,840
Speaker 1: with a legend.

1010
00:42:43,080 --> 00:42:46,319
Speaker 3: You know, it's crazy to think about like everybody off

1011
00:42:46,400 --> 00:42:49,640
Speaker 3: work with like Stoles p fucking the list on.

1012
00:42:51,239 --> 00:42:55,000
Speaker 1: Real And I mean this some pretty.

1013
00:42:54,719 --> 00:42:59,479
Speaker 3: Wild Would you ever? Did you ever entertain uh, doing

1014
00:42:59,520 --> 00:43:02,000
Speaker 3: a sequel to Rap life.

1015
00:43:03,160 --> 00:43:06,200
Speaker 1: Like a rap like part two? I might call the Douces.

1016
00:43:07,000 --> 00:43:10,360
Speaker 2: It has been a minute because now I'm living a

1017
00:43:10,400 --> 00:43:13,439
Speaker 2: different rap life, you know what I mean. I don't

1018
00:43:13,440 --> 00:43:14,919
Speaker 2: want to call it square because I still be having

1019
00:43:14,960 --> 00:43:17,360
Speaker 2: fun with my life. It's just I cut out the drinking.

1020
00:43:17,440 --> 00:43:20,520
Speaker 2: It just seemed like a lot of parties are more boring,

1021
00:43:20,719 --> 00:43:21,359
Speaker 2: you know what I'm saying.

1022
00:43:21,560 --> 00:43:24,520
Speaker 3: Do you feel like you getting sober has like just

1023
00:43:24,640 --> 00:43:26,759
Speaker 3: improved the quality of life in terms of just like

1024
00:43:26,760 --> 00:43:29,080
Speaker 3: because I feel like, man, that alcohol, it weighs on

1025
00:43:29,120 --> 00:43:29,399
Speaker 3: your bath.

1026
00:43:30,120 --> 00:43:32,360
Speaker 1: You got to see a lot of the That's what

1027
00:43:32,440 --> 00:43:33,000
Speaker 1: my problem was.

1028
00:43:33,040 --> 00:43:33,480
Speaker 3: It was like.

1029
00:43:35,080 --> 00:43:38,960
Speaker 2: I was so blessed to, you know, with the loud

1030
00:43:39,000 --> 00:43:40,839
Speaker 2: situation and this and that. Then I didn solo.

1031
00:43:41,400 --> 00:43:44,439
Speaker 1: I was just so blessed to just just be one

1032
00:43:44,480 --> 00:43:46,319
Speaker 1: of the millions, Like you know what I'm saying, one

1033
00:43:46,360 --> 00:43:49,399
Speaker 1: of millions kind of you know, I got money, I'm young,

1034
00:43:50,040 --> 00:43:52,399
Speaker 1: I ain't an ugly motherfucker. We got calls, we got jewel,

1035
00:43:52,440 --> 00:43:52,920
Speaker 1: we got all this.

1036
00:43:53,000 --> 00:43:55,879
Speaker 2: And when you get, you know, into that thrown into

1037
00:43:55,960 --> 00:43:57,640
Speaker 2: that cycle, it's like you're.

1038
00:43:57,440 --> 00:43:59,160
Speaker 1: Living up to the image now, you know what I'm saying.

1039
00:43:59,280 --> 00:44:02,800
Speaker 2: Every car got be a vet or every house gotta

1040
00:44:02,840 --> 00:44:05,040
Speaker 2: be big or it ain't really you know.

1041
00:44:05,440 --> 00:44:07,240
Speaker 1: So I just tried to keep up with the Joneses.

1042
00:44:08,400 --> 00:44:11,680
Speaker 1: The Joneses, they should have you fucked up in that

1043
00:44:13,040 --> 00:44:14,839
Speaker 1: trying to keep up with the Jones that have your

1044
00:44:14,960 --> 00:44:16,399
Speaker 1: as homeless.

1045
00:44:16,840 --> 00:44:20,719
Speaker 3: Yo, you guys did the Taylor Swift thing. What's that

1046
00:44:21,120 --> 00:44:24,120
Speaker 3: where you guys re recorded clash.

1047
00:44:24,200 --> 00:44:25,680
Speaker 2: We were going through this big thing with that. Let me

1048
00:44:25,800 --> 00:44:29,160
Speaker 2: let me explain that right there, we did and it was.

1049
00:44:29,120 --> 00:44:30,879
Speaker 3: The same thing Taylor Swift did. That's right, man. She

1050
00:44:30,880 --> 00:44:32,360
Speaker 3: she re recorded all her old albums.

1051
00:44:32,400 --> 00:44:35,160
Speaker 1: Okay, this is east with not Taylor's Taylor Swift.

1052
00:44:34,840 --> 00:44:37,359
Speaker 3: The biggest artists in the world. She did the same.

1053
00:44:37,760 --> 00:44:41,560
Speaker 3: She didn't she had the mastss thing going, so she recorded.

1054
00:44:41,760 --> 00:44:44,200
Speaker 3: She re recorded her first like three albums, right, and

1055
00:44:44,200 --> 00:44:45,120
Speaker 3: they all went number one.

1056
00:44:45,280 --> 00:44:48,920
Speaker 2: I was just saying as a coincident that Swifts did

1057
00:44:48,920 --> 00:44:52,840
Speaker 2: the same exactly. But but what they did they wanted

1058
00:44:52,840 --> 00:44:55,000
Speaker 2: to get one of the songs. I think Clail Patrick

1059
00:44:55,040 --> 00:44:56,520
Speaker 2: of the record label wanted to get one of the

1060
00:44:56,520 --> 00:44:58,480
Speaker 2: songs in a movie or something like that. And then

1061
00:44:58,480 --> 00:45:00,359
Speaker 2: they presented it to us to do it, to re

1062
00:45:00,239 --> 00:45:02,600
Speaker 2: record the shit, and they said they had a live

1063
00:45:02,680 --> 00:45:04,960
Speaker 2: band that could we play the songs and shit, And

1064
00:45:04,960 --> 00:45:08,839
Speaker 2: I was like, okay, well, and then we Swift ended

1065
00:45:08,880 --> 00:45:10,919
Speaker 2: up stripping all the tracks down so the band would

1066
00:45:10,960 --> 00:45:13,719
Speaker 2: have something like a reference right to play. And this

1067
00:45:13,760 --> 00:45:16,920
Speaker 2: and that, and then we did we did our vocals

1068
00:45:17,280 --> 00:45:20,040
Speaker 2: and we sent them to the record label, and I

1069
00:45:20,040 --> 00:45:21,560
Speaker 2: don't know what happened. They just sent it as long

1070
00:45:21,600 --> 00:45:24,080
Speaker 2: as apology and all this, but they ended up putting

1071
00:45:24,120 --> 00:45:28,279
Speaker 2: out the stripped down version that Swift sent to them

1072
00:45:28,400 --> 00:45:30,560
Speaker 2: to replay on accident. I don't know what they hell

1073
00:45:30,640 --> 00:45:32,520
Speaker 2: or whatever, but we got some shit going on with

1074
00:45:32,560 --> 00:45:32,880
Speaker 2: them like.

1075
00:45:33,320 --> 00:45:35,680
Speaker 3: That, because when I saw it, I was like, oh,

1076
00:45:35,719 --> 00:45:38,360
Speaker 3: you guys, man, mean, I don't know if your master's

1077
00:45:38,400 --> 00:45:40,440
Speaker 3: situation will loud, but a lot of times if an

1078
00:45:40,480 --> 00:45:42,200
Speaker 3: artist does that, it's like, yeah, we're gonna put out

1079
00:45:42,200 --> 00:45:46,480
Speaker 3: our classics re record them, so we own the masters technically.

1080
00:45:46,920 --> 00:45:48,920
Speaker 3: So it wasn't that that was that kind of the

1081
00:45:48,960 --> 00:45:50,719
Speaker 3: player though. Yeah, But it was like.

1082
00:45:52,280 --> 00:45:54,600
Speaker 2: The version that they put out they still had simples

1083
00:45:54,600 --> 00:45:56,279
Speaker 2: in it, so it didn't make no sense, Like why

1084
00:45:56,320 --> 00:45:56,520
Speaker 2: is up?

1085
00:45:56,760 --> 00:45:57,480
Speaker 1: How did this happen?

1086
00:45:57,480 --> 00:45:59,880
Speaker 2: You know what I'm saying. But they cleared it up

1087
00:46:00,040 --> 00:46:01,880
Speaker 2: out so they I think that they've already put up

1088
00:46:01,880 --> 00:46:07,160
Speaker 2: the the correct versions and everything. So I really ain't

1089
00:46:07,160 --> 00:46:09,120
Speaker 2: paying attention going I have so much shit going on

1090
00:46:09,280 --> 00:46:12,200
Speaker 2: right even you know, look up, but shout out clear

1091
00:46:12,280 --> 00:46:14,280
Speaker 2: Patrick Record suave the far side.

1092
00:46:14,600 --> 00:46:18,480
Speaker 3: Are you? Are you putting out the solo stuff independently?

1093
00:46:19,200 --> 00:46:21,200
Speaker 2: That's what I'm I'm waiting for my I want my

1094
00:46:21,239 --> 00:46:23,520
Speaker 2: next move to be my best move. So I got

1095
00:46:23,600 --> 00:46:25,399
Speaker 2: some killer ship, so I don't want to just put

1096
00:46:25,440 --> 00:46:27,719
Speaker 2: it out and you know nobody hears it.

1097
00:46:27,760 --> 00:46:28,760
Speaker 1: You know what I'm saying for sure?

1098
00:46:29,239 --> 00:46:30,839
Speaker 3: You know I think what you got to do, man

1099
00:46:31,000 --> 00:46:33,360
Speaker 3: is you got to do it independently. But you you

1100
00:46:33,440 --> 00:46:35,480
Speaker 3: have to partner with someone on vinyls exactly.

1101
00:46:35,520 --> 00:46:36,880
Speaker 1: Okay, So yes.

1102
00:46:37,680 --> 00:46:40,960
Speaker 3: You're you're, you're, you're you're. I mean where you're gonna

1103
00:46:40,960 --> 00:46:43,680
Speaker 3: be able to hit the lick is vinyls cassette games,

1104
00:46:43,960 --> 00:46:45,719
Speaker 3: because what your fans are gonna want to buy it

1105
00:46:45,840 --> 00:46:47,240
Speaker 3: like Collect collected.

1106
00:46:47,560 --> 00:46:50,600
Speaker 2: But whether you play a vinyl if it doesn't map bro, listen,

1107
00:46:51,160 --> 00:46:52,799
Speaker 2: Vinyls you got all mapped out.

1108
00:46:52,840 --> 00:46:56,080
Speaker 3: Like I'm telling you right now, Vinyls out selling everything.

1109
00:46:56,320 --> 00:46:57,000
Speaker 1: That's what it's doing.

1110
00:46:57,480 --> 00:47:01,600
Speaker 3: If you go to Target, there's no CD, there's vinyls.

1111
00:47:01,719 --> 00:47:04,480
Speaker 3: The vinyl aisle at Target is cracking. There's like this

1112
00:47:04,600 --> 00:47:10,560
Speaker 3: whole entire because now fans any Target, you go to

1113
00:47:11,239 --> 00:47:13,600
Speaker 3: go to the where the electronics are and the books

1114
00:47:13,640 --> 00:47:15,279
Speaker 3: there's a giant vinyl area.

1115
00:47:16,440 --> 00:47:19,320
Speaker 1: I've been targeting. Sometimes you gotta do a vinyl.

1116
00:47:19,560 --> 00:47:23,000
Speaker 3: Make sure all of your branding is like use your

1117
00:47:23,000 --> 00:47:25,960
Speaker 3: old logo like you want, like you want your fans

1118
00:47:26,000 --> 00:47:28,319
Speaker 3: to be like at the end of the day, like

1119
00:47:29,440 --> 00:47:32,120
Speaker 3: your fans want to collect something because they can stream

1120
00:47:32,120 --> 00:47:35,239
Speaker 3: it all day. That's the thing. Nowadays, it's like it's

1121
00:47:35,320 --> 00:47:37,080
Speaker 3: it's it's like you can stream the album, but the

1122
00:47:37,120 --> 00:47:39,759
Speaker 3: fans still want to own something, so you got to

1123
00:47:39,800 --> 00:47:40,680
Speaker 3: give them something to own.

1124
00:47:40,760 --> 00:47:43,160
Speaker 2: You feel me like I just looked at it, like

1125
00:47:43,200 --> 00:47:44,920
Speaker 2: if you ain't got no turntables, what you're gonna do

1126
00:47:44,960 --> 00:47:45,200
Speaker 2: with it?

1127
00:47:45,280 --> 00:47:47,880
Speaker 3: But but look now, when I tell you you're finna

1128
00:47:47,880 --> 00:47:51,439
Speaker 3: go to Target, go to Walmart, You'll see the vinyl

1129
00:47:51,480 --> 00:47:54,359
Speaker 3: with Walmart. It's a lot, bro. It's it's the it's

1130
00:47:54,400 --> 00:48:00,080
Speaker 3: the it's so like guys like Freddy and al and

1131
00:48:00,160 --> 00:48:04,920
Speaker 3: all these guys are making millions of dollars, Like ask Alchemists.

1132
00:48:04,920 --> 00:48:09,000
Speaker 3: Alchemist makes millions of dollars yl I'm talking about He'll

1133
00:48:09,040 --> 00:48:12,560
Speaker 3: sell a vinyl with just beats and that shit sells

1134
00:48:12,560 --> 00:48:15,440
Speaker 3: the fuck out. So you got it. I'm telling you,

1135
00:48:15,480 --> 00:48:18,719
Speaker 3: whatever you do next, collaborate with someone to the distribution

1136
00:48:18,800 --> 00:48:23,160
Speaker 3: on vinyl evidence go ahead, yeah, hit ev hit out whoever.

1137
00:48:23,760 --> 00:48:25,520
Speaker 3: You could do it with Empire they do the vinyl thing.

1138
00:48:25,960 --> 00:48:28,080
Speaker 3: Or you could and then do like a super limited

1139
00:48:28,120 --> 00:48:30,880
Speaker 3: run like cassette tapes and then you'll bro that she'll

1140
00:48:30,920 --> 00:48:31,279
Speaker 3: sell out.

1141
00:48:32,080 --> 00:48:34,120
Speaker 1: I thought the vinyl only sold overseas with some reason.

1142
00:48:34,160 --> 00:48:35,560
Speaker 3: No, no, no, no, no it is.

1143
00:48:35,800 --> 00:48:36,960
Speaker 1: And then it set tle.

1144
00:48:37,200 --> 00:48:39,040
Speaker 3: My son is nineteen years old and has like two

1145
00:48:39,120 --> 00:48:43,799
Speaker 3: hundred vinyls. He collects vinyls. Wow. Yeah. And now like

1146
00:48:43,840 --> 00:48:47,080
Speaker 3: the turntables that they're making nowadays, you know, back in

1147
00:48:47,120 --> 00:48:48,680
Speaker 3: the day you had to have run a turntable and

1148
00:48:48,680 --> 00:48:52,400
Speaker 3: do a motherfucking am tool. No, they got usbat turntables

1149
00:48:52,400 --> 00:48:52,680
Speaker 3: for these.

1150
00:48:53,280 --> 00:48:54,360
Speaker 1: Bro, that's the tea cold.

1151
00:48:55,600 --> 00:48:58,799
Speaker 3: No, it's it's crazy. Yeah, you got you would murder it.

1152
00:48:59,160 --> 00:49:01,040
Speaker 3: So whatever you do next, it's got to have a vinyl.

1153
00:49:01,080 --> 00:49:02,680
Speaker 3: So if you're doing an album, if it's a rap

1154
00:49:02,760 --> 00:49:04,320
Speaker 3: live two, make sure.

1155
00:49:04,160 --> 00:49:07,439
Speaker 1: That our work is you got to map down there.

1156
00:49:07,520 --> 00:49:09,759
Speaker 1: You might be my silent partner six figure bag. You're

1157
00:49:09,800 --> 00:49:12,120
Speaker 1: just sitting there just waiting for you.

1158
00:49:12,200 --> 00:49:14,239
Speaker 3: Yeah, for sure. Like that's the thing. It's like I

1159
00:49:14,280 --> 00:49:17,320
Speaker 3: was like, like the and the thing is too. With

1160
00:49:17,400 --> 00:49:20,319
Speaker 3: the with the record shit is like you have to

1161
00:49:20,400 --> 00:49:23,319
Speaker 3: plan it out because the record plants are like three

1162
00:49:23,360 --> 00:49:27,319
Speaker 3: months behind. That's why when like Kendrick did the super Bowl,

1163
00:49:27,400 --> 00:49:29,840
Speaker 3: they planned it out perfectly, where his so gn X

1164
00:49:29,840 --> 00:49:35,360
Speaker 3: have been out for months, but the vinyls dropped denied

1165
00:49:35,360 --> 00:49:38,200
Speaker 3: to the super Bowl and then bitches he he sold

1166
00:49:38,239 --> 00:49:40,319
Speaker 3: another one hundred thousand units just because he sold one

1167
00:49:40,360 --> 00:49:41,920
Speaker 3: hundred thousand pieces of a vinyl.

1168
00:49:42,760 --> 00:49:43,600
Speaker 1: Yeah that's perfect.

1169
00:49:43,840 --> 00:49:46,440
Speaker 3: Now you gotta do the vinyl shit man, especially Yeah, yeah,

1170
00:49:46,600 --> 00:49:48,440
Speaker 3: it'll go crazy. And then if you guys ever do

1171
00:49:48,520 --> 00:49:51,839
Speaker 3: like any talk shit. I don't know what Loud's doing,

1172
00:49:51,840 --> 00:49:53,799
Speaker 3: but I would tell Loud to reissue, like, yeah, we

1173
00:49:53,800 --> 00:49:55,640
Speaker 3: should do like a I don't know at what point

1174
00:49:55,640 --> 00:49:57,720
Speaker 3: in time the big a big anniversary for like twenty

1175
00:49:57,719 --> 00:49:59,879
Speaker 3: one and over, but.

1176
00:50:00,080 --> 00:50:01,680
Speaker 2: I think I think it's like after a certain amount

1177
00:50:01,680 --> 00:50:04,440
Speaker 2: of years we own the rights to fuck it.

1178
00:50:04,840 --> 00:50:08,360
Speaker 3: I would. I would do like a super limited edition

1179
00:50:08,560 --> 00:50:12,160
Speaker 3: twenty one and over vinyl pressing. It will sell out. Listen,

1180
00:50:12,360 --> 00:50:13,480
Speaker 3: it'll sell out.

1181
00:50:13,719 --> 00:50:15,680
Speaker 1: That's what we're doing with the that's what we're supposed

1182
00:50:15,719 --> 00:50:17,120
Speaker 1: to do with the the one.

1183
00:50:17,239 --> 00:50:19,440
Speaker 3: The re release, I'm.

1184
00:50:19,320 --> 00:50:22,080
Speaker 1: Saying, ah, yeah, like the Vinyl.

1185
00:50:22,560 --> 00:50:24,960
Speaker 3: Fans that like collect ship and they want to support

1186
00:50:25,000 --> 00:50:27,759
Speaker 3: you guys. Man Like, So yeah, dude, I don't know

1187
00:50:27,760 --> 00:50:29,760
Speaker 3: if ABB still does vinal stuff.

1188
00:50:29,960 --> 00:50:31,960
Speaker 1: But it's not a contract we signed with Clio Patrick.

1189
00:50:32,000 --> 00:50:36,520
Speaker 1: Vinyl was in there to make the money because streaming

1190
00:50:36,600 --> 00:50:37,399
Speaker 1: is whatever, dude.

1191
00:50:37,600 --> 00:50:40,880
Speaker 3: Like if you're like a like, like like any artist

1192
00:50:40,880 --> 00:50:43,600
Speaker 3: that's independent, it's like yo, when you throw your shit

1193
00:50:43,680 --> 00:50:45,920
Speaker 3: up on streaming, it's it's like an advertisement so that

1194
00:50:46,040 --> 00:50:47,800
Speaker 3: people can come and spend money with you at the

1195
00:50:47,840 --> 00:50:50,799
Speaker 3: shows or merch or whatever. So so do you have

1196
00:50:50,800 --> 00:50:52,920
Speaker 3: a timetable the new songs out, but do you have

1197
00:50:52,960 --> 00:50:55,440
Speaker 3: a timetable on when you think you want to put

1198
00:50:55,480 --> 00:50:58,520
Speaker 3: another solo project out? Like you said, you're trying to

1199
00:50:58,520 --> 00:50:59,000
Speaker 3: figure that out.

1200
00:50:59,080 --> 00:51:01,239
Speaker 1: I'm gonna drop two more, gonna drop this remix, like.

1201
00:51:01,200 --> 00:51:04,080
Speaker 2: I said, with a big remix, Yes, yes, yes, but

1202
00:51:04,280 --> 00:51:07,439
Speaker 2: we got big big it's gonna crack.

1203
00:51:07,520 --> 00:51:11,160
Speaker 1: But I got a shoot. I being a song called

1204
00:51:11,960 --> 00:51:12,520
Speaker 1: Shoe Fits.

1205
00:51:12,560 --> 00:51:15,200
Speaker 2: It's called if the Shoe Fits, And that's just like

1206
00:51:15,200 --> 00:51:16,960
Speaker 2: some tasks like all my MC ship, you know what

1207
00:51:17,000 --> 00:51:20,359
Speaker 2: I mean. There's like an inspirational song just about kind

1208
00:51:20,360 --> 00:51:22,960
Speaker 2: of like the old task that's having fun, rambling, you know,

1209
00:51:23,280 --> 00:51:26,440
Speaker 2: just talking about my life and everything. And after that,

1210
00:51:26,760 --> 00:51:28,399
Speaker 2: I see a lot of a lot of tour days

1211
00:51:28,400 --> 00:51:30,720
Speaker 2: coming up, you know what I'm saying, the alcoholics and solo,

1212
00:51:31,120 --> 00:51:32,879
Speaker 2: solo and ship. So I'm gonna be on the road

1213
00:51:33,239 --> 00:51:37,120
Speaker 2: to like Christmas fire and looking for more. So, but

1214
00:51:37,480 --> 00:51:40,000
Speaker 2: anybody out there on some on a difference on a

1215
00:51:40,080 --> 00:51:43,520
Speaker 2: side note and everything, I am looking for some management.

1216
00:51:43,560 --> 00:51:44,200
Speaker 1: You know what I'm saying.

1217
00:51:44,760 --> 00:51:46,919
Speaker 2: And what I mean by that is just like I'm

1218
00:51:46,920 --> 00:51:49,000
Speaker 2: handling them my career. You know what I'm saying. It's

1219
00:51:49,040 --> 00:51:52,080
Speaker 2: just I can't manage myself and do the music, yeah,

1220
00:51:52,160 --> 00:51:53,680
Speaker 2: and do all this other shs. I got my hands

1221
00:51:53,760 --> 00:51:56,239
Speaker 2: a lot of cookie jars. So anybody out there to

1222
00:51:56,320 --> 00:51:58,920
Speaker 2: see that, they hear the attention is a drug. And

1223
00:51:59,120 --> 00:52:00,759
Speaker 2: you know, like the remix has no home yet, you

1224
00:52:00,800 --> 00:52:02,120
Speaker 2: know what I'm saying. I mean, he's always got a

1225
00:52:02,120 --> 00:52:03,799
Speaker 2: home if you put it out. Independent for sure, but

1226
00:52:04,120 --> 00:52:07,000
Speaker 2: you know, I just see the bigger picture. So get

1227
00:52:07,000 --> 00:52:08,640
Speaker 2: at me, Bo cash Man.

1228
00:52:08,680 --> 00:52:12,920
Speaker 3: I appreciate you pulling up new song is out, Go

1229
00:52:13,000 --> 00:52:15,759
Speaker 3: support it, go street, run it up and uh the

1230
00:52:15,840 --> 00:52:17,040
Speaker 3: videos out, Yes, sir.

1231
00:52:17,080 --> 00:52:20,400
Speaker 1: Shout out to Dave Sapel and Fatty Lumpkin.

1232
00:52:21,400 --> 00:52:22,520
Speaker 3: Shout Dave Chappelle.

1233
00:52:22,960 --> 00:52:24,480
Speaker 2: I had to say that guy had to chest to

1234
00:52:24,520 --> 00:52:26,319
Speaker 2: go to his quib, I mean, not his quib. But

1235
00:52:26,600 --> 00:52:29,200
Speaker 2: he lives in this little town called Yellow Springs in Ohio.

1236
00:52:29,320 --> 00:52:31,440
Speaker 3: Yeah. Yeah, he's like his compound.

1237
00:52:31,040 --> 00:52:32,879
Speaker 2: Right, Yes, and he invited me out to come out

1238
00:52:33,040 --> 00:52:34,640
Speaker 2: and hang out with him for a couple of hours

1239
00:52:34,640 --> 00:52:35,600
Speaker 2: of this shit, and it was crazy.

1240
00:52:35,920 --> 00:52:37,440
Speaker 3: Yeah, I've heard, I've only heard about it, but it

1241
00:52:37,440 --> 00:52:38,880
Speaker 3: looks I mean, I've had a few homies who were

1242
00:52:38,920 --> 00:52:41,400
Speaker 3: going there during COVID to watch on his shows. Yeah,

1243
00:52:41,440 --> 00:52:42,840
Speaker 3: and I heard it's amazing.

1244
00:52:43,040 --> 00:52:43,839
Speaker 1: Yeah, it's dope shit.

1245
00:52:43,920 --> 00:52:45,520
Speaker 2: But the crazy part is that one of the rules

1246
00:52:45,600 --> 00:52:49,040
Speaker 2: is you can't videotape, right, So that's why I said,

1247
00:52:49,040 --> 00:52:51,719
Speaker 2: shout out Dave Schapelle. I can't post nothing of this

1248
00:52:51,760 --> 00:52:54,560
Speaker 2: and that. But it's incredible though. Man, you got this

1249
00:52:54,600 --> 00:52:58,000
Speaker 2: little town on lot Yellow Springs. Yes, so this is

1250
00:52:58,000 --> 00:53:01,080
Speaker 2: his new movie, Oh fire. Shout out to Chappelle.

1251
00:53:01,160 --> 00:53:04,440
Speaker 3: Man, Yeah, he's got at Harriet's in West Hollywood. It's

1252
00:53:04,440 --> 00:53:07,239
Speaker 3: at the top of one hotel. Uh. Yes, it's on

1253
00:53:07,320 --> 00:53:09,759
Speaker 3: corner there. It's called Chappelle's Corner. Wow. So you get

1254
00:53:09,760 --> 00:53:10,640
Speaker 3: like sat that's.

1255
00:53:10,520 --> 00:53:11,800
Speaker 1: What if you go to this town. I got the

1256
00:53:11,880 --> 00:53:13,160
Speaker 1: video camera right here.

1257
00:53:13,320 --> 00:53:15,480
Speaker 2: I saw you the town that they got spelled logo

1258
00:53:15,640 --> 00:53:17,760
Speaker 2: like stores and.

1259
00:53:17,239 --> 00:53:18,280
Speaker 3: Oh that's like his town.

1260
00:53:18,360 --> 00:53:22,680
Speaker 1: Damn it, that's like is sepel Ville. That's great, dude though.

1261
00:53:22,719 --> 00:53:25,600
Speaker 2: Man's just you know, he told us a lot of

1262
00:53:25,640 --> 00:53:27,320
Speaker 2: love that didn't have to just me and my cousin

1263
00:53:27,360 --> 00:53:28,560
Speaker 2: and shout out Jay Ross.

1264
00:53:28,840 --> 00:53:32,000
Speaker 3: Yeah, Boom, I appreciate you pulling up. Man. Can't I

1265
00:53:32,040 --> 00:53:33,320
Speaker 3: wait to hear what you got in the store. I

1266
00:53:33,360 --> 00:53:34,200
Speaker 3: can't wait for the remix.

1267
00:53:34,239 --> 00:53:37,799
Speaker 1: It sounds crazy, so we clicked hit you with it.

1268
00:53:37,880 --> 00:53:38,680
Speaker 3: Boom, My guy.

1269
00:53:39,239 --> 00:53:44,640
Speaker 4: Tash Rico Yes her wrapping up Bootleg cap podcast Faster

1270
00:53:44,680 --> 00:53:45,760
Speaker 4: than the Hurry by Boy Boom