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Speaker 1: Motherfucking mini episode, mini episode, motherfucking mini episode.

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Speaker 2: And he knows I'm unfaithful, and I don't remember the

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Speaker 2: words of the lyrics, but you know what the fuck

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Speaker 2: I'm trying to do. What up little Mama said, gentiles

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Speaker 2: are like there?

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Speaker 3: It is.

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Speaker 2: Welcome to another phenomenal episode of My Mama Told.

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Speaker 3: Me the podcast. It dives deep into the pockets of

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Speaker 3: black conspiracy theories.

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Speaker 2: And we finally worked to approve the motherfucking theories that

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Speaker 2: you motherfuckers have at home. It's a motherfucking mini episode.

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Speaker 3: Yes, sir, and let's get right back into it. We're

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Speaker 3: back Baby Blue round two. If you listened to the

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Speaker 3: mini last year, you heard last year, Let excuse me,

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Speaker 3: excuse me. I'm fired up. I'm fucking fired up right now.

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Speaker 3: I'm fired up right now. You heard about my girlfriend's

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Speaker 3: controversial take on Blue. I expanded on it a little bit. Basically,

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Speaker 3: the take was my girl. We were talking about Disney

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Speaker 3: movies and I said that the character Blue of Jungle

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Speaker 3: Book Fame really struck a chord with me as a child,

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Speaker 3: really a big part in my development as a man.

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Speaker 3: And she said that's troubling because Blue kind of was

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Speaker 3: like a lot of black man stereotypes. And I said, bitch,

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Speaker 3: you get out of my mind. Oh Mitchell, girl, crazy

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Speaker 3: tumtoring about.

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Speaker 1: No.

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Speaker 3: We had an argument. I talked about it briefly last

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Speaker 3: week on the episode I did myself that was, you know,

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Speaker 3: just kind of if you listen to it's just sort

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Speaker 3: of me spiraling out emotionally for ten to fifteen minutes.

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Speaker 3: But now we have like Ston back to hear what

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Speaker 3: he thinks about Blue, arguably what I would say, one

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Speaker 3: of the greatest characters in animated history.

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Speaker 2: I don't disagree that he isn't a great character. I

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Speaker 2: think he's I hate that. No, I'm saying, I think

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Speaker 2: you're so hurt you can't even hear. You're like you're

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Speaker 2: like blinded, ear blinded by like the rage filling up

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Speaker 2: inside of you.

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Speaker 3: Oh, don't get it twisted. It's also visually blinded I

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Speaker 3: see anything.

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Speaker 2: This is the first I'm hearing about this Blue controversy.

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Speaker 2: I I was not aware that this was the thing

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Speaker 2: you and your girl were having such intense fights about.

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Speaker 2: And I will say that I'm a big fan of Blue,

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Speaker 2: but I don't fully disagree with her about this assessment

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Speaker 2: of where Blue comes from fun guy, really big fan

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Speaker 2: Bare Necessities goes hard. My daughter loves that song. That said,

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Speaker 2: I definitely think that the White writers, which I'm absolutely

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Speaker 2: certain they were of nineteen sixty seven, when concocting Blue,

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Speaker 2: sat back and said, how can we write a jigaboo

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Speaker 2: without calling him a jigaboo? I know, we'll make it rhyme,

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Speaker 2: but lou that.

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Speaker 3: Is pure conjecture, for you're putting things on. He wasn't

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Speaker 3: even if it was the coon was King Louie.

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Speaker 2: Oh I And okay, first of all, I'm a big

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Speaker 2: fan of King Louis too, about the deep Deep I

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Speaker 2: swing as boo the one, Yeah, No, I love that.

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Speaker 2: I love King Louis. And I would say that that

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Speaker 2: certainly King Louie's intentions were rooted in a type of cooning.

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Speaker 2: He wanted to be like the man, he wanted to

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Speaker 2: walk just like the other man. He was tired of

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Speaker 2: monkey and around. All that that said, I don't think

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Speaker 2: that when I say that it's based off of stereotypes,

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Speaker 2: that I presume that cooning is a part of the

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Speaker 2: stereotypes that are connected to Blue.

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Speaker 3: I think that. I mean, first of all, I would

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Speaker 3: be remiss if I did not mention really great King

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Speaker 3: Lily impression. Oh thank you?

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Speaker 2: Yeah, no, really, I know the words to that song too.

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Speaker 3: I'll say this.

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Speaker 2: I think that blue stereotypes feel less about a want

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Speaker 2: for whiteness as much as sort of what the original

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Speaker 2: expectations of the black Man were, which is lazy, sort

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Speaker 2: of good for nothing, like a lot of life.

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Speaker 3: I don't think that he was lazy, a good for nothing.

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Speaker 3: He was just a minimalist. He took Mowgli under his wing.

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Speaker 3: He had to do that. He was the king of

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Speaker 3: the jungle up there. He didn't have to take in

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Speaker 3: this fucking gangly as kid. He could have kept you

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Speaker 3: and eating those prickly pairs and shit like that. He

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Speaker 3: was a good man who had a kind heart, who

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Speaker 3: opened his world to this child and tried to show

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Speaker 3: him the ways of the jungle. And then now we're

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Speaker 3: now he's lazy. Why because he likes to scratch up

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Speaker 3: against the tree. You ever rupt your back on a

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Speaker 3: brick wall, it feels good. Guess what? Guess what? The

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Speaker 3: call me jiggaboo boy. Then because that man, that ship,

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Speaker 3: that ship was fundamental to me. It was fundamental to

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Speaker 3: me between that entailspind pillars of like who I decided

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Speaker 3: to be as a man.

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Speaker 2: I think Jiggaboo Bory that we're right. I think we're

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Speaker 2: We're not not saying the same thing. I do think

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Speaker 2: that like he can be this formative person for you.

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Speaker 2: But I'm saying that the intention that these writers went

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Speaker 2: in with was very much degradation to or at least

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Speaker 2: mockery of the black Man. I think that he's objectively

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Speaker 2: a lazy character. That's what he That's that's sort of

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Speaker 2: his point.

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Speaker 3: Lazy to take in someone who's not your candon cared

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Speaker 3: for them because I'm sorry, is that lazy to care

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Speaker 3: for him?

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Speaker 2: He lost him immediately.

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Speaker 3: Oh, because he doesn't know how to care for a child.

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Speaker 3: He's it's a different skill set. He's already backwards to

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Speaker 3: get this little fucking.

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Speaker 2: Man, have to take him fucking but guard.

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Speaker 3: Here's what I do know. You have watched The Jungle

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Speaker 3: Book more recently than I. I will own up to

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Speaker 3: that because I didn't remember that, dude. But let's let

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Speaker 3: me walk you through the story of the Jungle re

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Speaker 3: walk me through that's that's probably important. Wolves. He's raised

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Speaker 3: by wolves.

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Speaker 2: He lives as a yeah, and there's a bunch of them.

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Speaker 3: Yeah, and and they out of fear.

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Speaker 2: Do you think the wolves were white people? I don't know.

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Speaker 2: Uh that that's the sense I get is that they

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Speaker 2: are sort of like, uh, they're white people, but with

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Speaker 2: limited resources, and that's yeah, they're like poor. Yeah, he's

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Speaker 2: being raised by these rednecks who basically are like, look,

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Speaker 2: we did the best we could with you, but at

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Speaker 2: the threat of this tiger coming, we we gotta we

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Speaker 2: can't keep doing this. And then Bagheera, who for some

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Speaker 2: reason is just by the way that they would raise

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Speaker 2: them and then abandon them, like.

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Speaker 3: You are our son until you couldn't be our son anymore. Yeah,

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Speaker 3: you're one thing missing, and all of a sudden.

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Speaker 2: You're making it real hot for the wolves we actually

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Speaker 2: care about. So, uh, you gotta go, big boy.

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Speaker 3: You were you were always different than us. Yeah.

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Speaker 2: I don't know if you noticed, but you walk on

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Speaker 2: two feet and we walk on floors. So he's out.

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Speaker 2: But they they basically hand Mowgli off to Bagheera, who

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Speaker 2: volunteers to sort of guide him to where he knows

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Speaker 2: the people live. He he's gonna take him back to

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Speaker 2: man's society.

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Speaker 3: So Bagheera was gonna take him home.

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Speaker 2: Bagheera's job in the Jungle Book is to guide him

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Speaker 2: back to the home he didn't know he belonged to,

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Speaker 2: and in that process, him and Mowgli have a lot

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Speaker 2: of infighting because Bagheera is uptight and expects Mowgli to

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Speaker 2: just follow the rules, and Mowgli's a little kid who's

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Speaker 2: running around half naked doing wild shit, and in doing

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Speaker 2: that he bumps into Blue, and Blue's instinctive is to

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Speaker 2: be like, fuck, Bagheera, I'm about to show you how

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Speaker 2: real niggas live, and it's by floating in the water

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Speaker 2: and eating prickly pairs and shit. That's this whole thing

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Speaker 2: is like, we ain't got to listen to boring ass Bagheera.

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Speaker 2: Look at me.

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Speaker 3: I don't shower, I don't shave.

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Speaker 2: Don't I just kick it.

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Speaker 3: Don't come from being dirty, Bro, You're using the tools

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Speaker 3: of the oppressor. And I don't like this, bro, Bro,

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Speaker 3: for real, for real, you didn't say anything about how

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Speaker 3: the wolves clean themselves. They lick each other to clean.

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Speaker 3: Look now you're coming from my man, I don't shower,

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Speaker 3: that's you. You're coming in with some bias.

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Speaker 2: You're right that that part maybe was a little biased,

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Speaker 2: and I'll take I'll walk that back. You objected, sustained,

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Speaker 2: You're correct. He there's no evidence of how he cleans

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Speaker 2: himself in it. And in fact, of all the animals,

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Speaker 2: he's probably in the water the most of the animals

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Speaker 2: throughout this story.

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Speaker 3: Okay, And what what is the big issue with blues lifestyle.

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Speaker 3: It's not so much to the lifestyle. Although he is lazy,

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Speaker 3: he mostly just spends the and he brags about it.

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Speaker 3: He spends the whole day singing and eating and not

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Speaker 3: really dealing with any of life, the cares of the world.

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Speaker 3: That's essentially what the Bare Necessities is about. You need

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Speaker 3: just the things that make you happy and ignore the

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Speaker 3: thing that make you stressed. And he says that directly

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Speaker 3: to Mogli, and Mogli's like, hell yeah. And then immediately, I.

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Speaker 2: Want to be very clear, immediately upon singing this song

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Speaker 2: with Blue, he is kidnapped by a group of wild

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Speaker 2: apes monkeys, although led by a single ape king Louis,

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Speaker 2: who then kidnap him and take him back to this castle,

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Speaker 2: this throne, where they demand that he teach them to

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Speaker 2: make fire. He's also kidnapped by a snake who wants

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Speaker 2: to eat him. Periodically throughout the story, constantly he is

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Speaker 2: sort of finding himself in danger and Blue from other minorities,

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Speaker 2: and Blue, who adopted him, who demanded that he take

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Speaker 2: on this responsibility, does very little to actually prevent any

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Speaker 2: of the danger that comes to him and moreover, to

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Speaker 2: help him out of the danger that he's in. Players

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Speaker 2: fuck up, even with King Louis, he was kidnapped. Let's

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Speaker 2: review this because when he's kidnapped by King Louis, King

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Speaker 2: Louis demands that he teaches that Mowgli teach him how

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Speaker 2: to make man's fire. That's what he wants is to

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Speaker 2: be able to like basically become like a to make

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Speaker 2: his way into man's society by learning to make fire.

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Speaker 2: But even in that process, they recognize that he's been kidnapped.

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Speaker 2: They sneak into this castle to save Mowgli, and the

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Speaker 2: reason they struggle to say Mowgli is because Blue hears

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Speaker 2: a jazz song so hot that he turns himself into

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Speaker 2: a monkey. He puts on monkey like a coconut. He

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Speaker 2: puts two coconuts over his lip and a skirt he

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Speaker 2: wears a dress. My man, he wears a fi dress

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Speaker 2: so that he could look like an ape and dance

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Speaker 2: to this song alongside King Louie. This is not an

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Speaker 2: upstanding gentleman. This is a knigga.

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Speaker 3: I'm gonna be honest. I gotta text my girlfriend, you

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Speaker 3: are an apology man. Honestly, at the end of the day,

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Speaker 3: when I hear all that, it just makes me hurt

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Speaker 3: that that's who I was really drawn to in that

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Speaker 3: whole movie. This is this what you wanted to be?

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Speaker 3: It was if I had to pick Wan. Yeah, I

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Speaker 3: will say, and this was a lot of my argument

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Speaker 3: towards her. I'm sorry. Is that A lot of the

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Speaker 3: blue that I am referencing is the ballue from the

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Speaker 3: hit series Talesman.

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Speaker 2: Which I think is a very different ballue. I think

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Speaker 2: that's very different.

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Speaker 3: He's a business owner. He takes care of his nephew

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Speaker 3: and sister even though he doesn't have to. He puts

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Speaker 3: his family on Louis works for him fighting pirates. Yeah,

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Speaker 3: he's a very valiant man. I do think that that

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Speaker 3: is the blue that kind of I identify with the most,

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Speaker 3: and that I was lashing out in retaliation to thinking

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Speaker 3: that she was coming for that Blue, the Blue in

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Speaker 3: the Jungle Book. Yeah, man, it's that's that's that's that's

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Speaker 3: a tough pill to swallow. I forgot about don't do

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Speaker 3: that because because the tals been Blue still exists. Yeah,

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Speaker 3: but I think that we with more screen time than

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Speaker 3: the I'm gonna watch tales I have Disney. I'm watching

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Speaker 3: it right after this.

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Speaker 2: I'll say this, I think that's more like a multiverse

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Speaker 2: theory than it is the same character. I think that that's. Yeah,

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Speaker 2: this is a world where like.

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Speaker 3: A nephew like the Blue family.

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Speaker 2: Yeah, maybe it's generations down the line where it's like, oh,

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Speaker 2: you mean the dude I was named after. Yeah, well

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Speaker 2: I'm a little different than him, you know what I mean,

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Speaker 2: Like I'm a I'm a different guide than whoever that was.

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Speaker 3: Man, this is difficult, but you know, life's about growth,

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Speaker 3: you know, sometimes your own I think, you know, you know,

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Speaker 3: in retro it doesn't take from the fact that I did.

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Speaker 3: Even from Jungle Book, that has always been my favorite character.

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Speaker 3: He's a fun character. He's a really cool guy. Fun guy.

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Speaker 2: We're calling upon you because we have we have new merch.

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Speaker 2: We have very exciting merch that we are now selling

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Speaker 2: and it's it's fucking great. We love it so much.

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Speaker 3: Just sleek, it's sexy. Come on, you want to tell

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Speaker 3: them what we have? Yeah, we have three different types

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Speaker 3: of hats, which is really fun. We have a two

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Speaker 3: tone hat, an alien dad hat, the traditional logo in

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Speaker 3: black and khaki. Then we have the enamel pin with

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Speaker 3: an alien who has a koofie on it. Since my

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Speaker 3: mama told me. And then we have t shirts that

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Speaker 3: say proud little Mama, which is who you are.

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Speaker 2: Yeah, you can buy the merch now go to ma

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Speaker 2: Mama told me dot Merchcentral dot com and we want

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Speaker 2: you to have all the sweet stuff, So get it.

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Speaker 2: You know, I've grown to connect to the most out

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Speaker 2: of that story is sheer.

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Speaker 3: Con figure you are, bro? What's wrong with you? I'm

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Speaker 3: gonna be honest. Kan had a point.

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Speaker 2: You, Khan had a couple of points.

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Speaker 3: I think I said that on the other episode that

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Speaker 3: that was what you were gonna like. Bro, listen, I

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Speaker 3: go talk to somebody.

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Speaker 2: I'm right about this. Let me remind you what seered

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Speaker 2: con story is sheer con you do? Sheer Kan was

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Speaker 2: a tiger who had been severely hurt injured by the

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Speaker 2: attack of a man, a hunter had had hurt him,

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Speaker 2: and then he recognized the scar on his face and

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Speaker 2: the fire and he had been burned in the In

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Speaker 2: the original, I think he had been burned by fire,

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Speaker 2: and in the in the new one he had that

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Speaker 2: scar from having been attacked by us and shit. But

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Speaker 2: the point is is that shar Khan's main motivation was

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Speaker 2: being like, our jungle has balance. It has balance that

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Speaker 2: we all need to recognize and respect. And this little motherfucker,

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Speaker 2: this little weird human being who don't belong here, is

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Speaker 2: fucking up the balance. He's making it so that our

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Speaker 2: shit ain't working the way it's supposed to. He's gonna

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Speaker 2: make it so that more human beings come back and

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Speaker 2: threaten all of our lives. We all owe it to

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Speaker 2: each other to kill this little motherfucker so that we

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Speaker 2: can get back to being jungle animals the way we're

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Speaker 2: supposed to be. And while I recognize that that violence

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Speaker 2: is not ideal, I do also recognize that that's just

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Speaker 2: a militant man doing what needed to be done, rather

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Speaker 2: than sitting back and hoping that the man above us

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Speaker 2: does the right thing simply because it's supposed to be done.

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Speaker 3: Damn, this is I gotta go back and watch this movie, bro.

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Speaker 3: And also what's going on? What is this movie really about?

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Speaker 2: That's a hard question. I don't think that an.

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Speaker 3: Animal farm animal farm type of movie, you know what

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Speaker 3: I mean? I never thought about it on these levels,

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Speaker 3: But now that we're speaking about it, it's not. It

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Speaker 3: wasn't written like allegory, right, It's just written as a

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Speaker 3: book about the jungle.

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Speaker 2: I don't know, because I do think there was an

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Speaker 2: original jungle book, right, Like the film is based off

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Speaker 2: of an actual like story, and I don't know if

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Speaker 2: that story was meant to be allegorical or if it

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Speaker 2: was just like, no, what if a little brown boy

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Speaker 2: lived in a jungle and were raised by wolves? And

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Speaker 2: because some of it is stupid, right, there are no

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Speaker 2: bears and wolves in a jungle with tigers and snakes

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Speaker 2: and shit.

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Speaker 3: That's not how that was. Okay. So it was written

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Speaker 3: by Richard Kipling.

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Speaker 2: Who I'm sure if we looked up any information about him,

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Speaker 2: he'd be a good guy.

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Speaker 3: Well, he wrote White Man's Burden. Okay, that's what is

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Speaker 3: that about? Niggas? What is the wing about? I don't know.

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Speaker 3: I mean, I'm mean about The Jungle Book. I read

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Speaker 3: about The White Man's Right. So it's in India, so

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Speaker 3: it's already about colonialism somewhat, right, mm hmm. So a

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Speaker 3: major theme of the book is abandonment followed by fostering,

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Speaker 3: as in the Life of Moguli, echoing Kipling's own childhood. Okay, okay, yeah.

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Speaker 2: The The White Man's Burden is a poem about the

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Speaker 2: Philippine American War eighteen ninety nine and nineteen oh two

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Speaker 2: that exhorts the United States to assume colonial control of

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Speaker 2: the Filipino people and their country. And The White Man's

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Speaker 2: Burden Kipling encouraged the American annexation and colonization of the

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Speaker 2: Philippine Islands, a Pacific Ocean archipelago conquered in the Three

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Speaker 2: Month Spanish American War. And basically he's They describe him

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Speaker 2: as an imperialist poet. Yeah, this is a man.

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Speaker 3: I didn't know that was the type of poet. Imperialists

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Speaker 3: like poetry. I mean it guess back then everybody liked it.

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Speaker 2: Yeah, this is about There's literally a picture on the

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Speaker 2: Wikipedia of a white man holding up some sort of

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Speaker 2: jungle black and I have no other way of describing that. Character,

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Speaker 2: I'm gonna if I can, I'm gonna send it to

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Speaker 2: you guys. But it's literally him holding up this this

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Speaker 2: jungle black and it's saying that it's I want to

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Speaker 2: make sure I get this quote right. It's saying civilizing

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Speaker 2: the unwilling savage is the description of the the what's

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Speaker 2: happening in this picture. So no, I don't think that

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Speaker 2: this was a story written by a good man who

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Speaker 2: had good intentions for black people, who are brown people

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Speaker 2: in general at all.

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Speaker 3: I mean, here's this. A major theme in the book

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Speaker 3: is abandonment followed by fostering, as in the Life of Moguli,

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Speaker 3: echoing Kipling's old childhood. The theme has echoed in The

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Speaker 3: triumphlah blah blah blah blah. Another important theme is of

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Speaker 3: law and freedom. The stories are not about animal behavior,

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Speaker 3: still less about the Darwinian struggle for survival, but about

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Speaker 3: human archetypes and animal forms. They teach respect for authority, obedience,

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Speaker 3: and knowing one's place in society with the law of

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Speaker 3: the jungle, but the stories also illustrate the freedom to

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Speaker 3: move between different worlds, such as when Mogli moves between

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Speaker 3: the jungle of the village Critics have also noted the

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Speaker 3: essential wildness and lawless energies, and the stories reflecting the

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Speaker 3: irresponsible side of human nature. Yeah.

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Speaker 2: I don't think that he wrote Blue with good intentions,

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Speaker 2: my man.

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Speaker 3: God damn it can't a little boy just like a bear.

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Speaker 3: He was mostly.

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Speaker 2: I don't think they. Yeah, he's not a good guy.

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Speaker 2: I don't think that he was writing for that way

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Speaker 2: to lift him up. I think he was like, yeah,

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Speaker 2: you know, some niggas are fun, but you can't trust him,

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Speaker 2: and you certainly don't want your kids raised by them.

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Speaker 3: Well, in the same way that we took the scraps

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Speaker 3: and made soul food, I took Blue and built a

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Speaker 3: fairly responsible life around him.

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Speaker 2: Yeah, you built a father figure out of h out

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Speaker 2: of the chitlings of cartoon world.

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Speaker 3: You gotta relax. That's maybe that Okay, that is the

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Speaker 3: neatest thing anyone's ever said to me. That's probably that's

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Speaker 3: that's that's way worse than saying you were born at home.

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Speaker 2: Yeah, this bear could be my dad.

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Speaker 3: Look at this baby.

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Speaker 4: I got pretty damp. Clay Richard Kipley don't want me, man,

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Speaker 4: but was like, I gotta go.

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Speaker 3: I'm drum man. I knew where it was. I'm drunk,

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Speaker 3: I been eating.

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Speaker 2: I didn't want this, it just happened. I think, man,

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Speaker 2: you felt I love the pair of a bear and

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Speaker 2: that's a lot to wrestle with. Man, But I I

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Speaker 2: encourage everyone out there to really review whether or not

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Speaker 2: sheer Khan is the bad guy and said, movie, I

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Speaker 2: get it, we're rooting for a tiger to not kill

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Speaker 2: a human being. But if you can get past that

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Speaker 2: part of it, that he's a murderer and a child

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Speaker 2: murderer at that, you'll find a pretty good guy on

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Speaker 2: the other side of it.

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Speaker 3: That's so funny. Wow, this was This was dark and complicated. Also,

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Speaker 3: he grew up in India. Yeah, but not the India

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Speaker 3: that it was supposed to be. No, no, no, I

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Speaker 3: mean he's like he was like on the on the

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Speaker 3: forefront of colonialism. Yeah.

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Speaker 2: I think this was very much a story of the

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Speaker 2: colonized and being like, look at them living amongst the animals.

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Speaker 2: I bet these animals could teach them a thing or

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Speaker 2: two about what it means to be a person. Man,

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Speaker 2: God damn well, I said that motherfucker write a song.

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Speaker 3: Huh? Come on? So catchy.

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Speaker 2: Reached the top end and had to stop. And that's

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Speaker 2: what's bothering me. I want to be a man, man

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Speaker 2: cub and stroll right into town and think just like

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Speaker 2: the other men. I'm tied of monking around. Oh oh

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Speaker 2: oh man. Yeah no, thank got Goofy's still there for me.

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Speaker 3: Yeah, no, Goofy.

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Speaker 2: There's no bad history with Goofy. Don't look it up,

398
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Speaker 2: but there's no bad history with Goofy.

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Speaker 3: A lot of my problem is we were talking about

400
00:24:32,320 --> 00:24:34,720
Speaker 3: this because obviously this conversation went on for days. I

401
00:24:34,720 --> 00:24:37,080
Speaker 3: couldn't keep it. I was kind of more of a

402
00:24:37,119 --> 00:24:38,359
Speaker 3: Pete guy anyways.

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Speaker 2: Fuck that's he's way meaner than talking fucking sheer Kan.

404
00:24:43,920 --> 00:24:48,760
Speaker 2: What Pete is way meaner than shear Kan. Pete is balling,

405
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Speaker 2: Pete is he hater?

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Speaker 3: Pete was a business owner, bitch paid off his house.

407
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Speaker 3: Bad little Puerto Rican bache nigga was I had the

408
00:25:01,920 --> 00:25:04,439
Speaker 3: big as r V with a basketball court. Pete was

409
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Speaker 3: doing it up.

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Speaker 2: When's the last time you watched a GOV movie?

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Speaker 3: Three days ago? You you were ready for I wasn't.

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Speaker 2: I'm surprised, I'll be honest, I'm surprised you're advocating as

413
00:25:18,720 --> 00:25:21,520
Speaker 2: it was a different past but but I'll keep going.

414
00:25:21,920 --> 00:25:25,920
Speaker 2: You're advocating for him, as if the entire movie isn't

415
00:25:26,000 --> 00:25:29,679
Speaker 2: hinged on him, just being a hater against him.

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Speaker 3: Here's what I'm saying. He is a man who pulled

417
00:25:33,720 --> 00:25:38,720
Speaker 3: himself up by his bootstraps. Did he vote for Trump? Yeah, okay,

418
00:25:38,880 --> 00:25:41,280
Speaker 3: there's some mystery in his history.

419
00:25:40,840 --> 00:25:45,159
Speaker 2: Does he think Cosby did it? No? No, he doesn't

420
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Speaker 2: think Cosby.

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Speaker 3: But you see a black man who got a business,

422
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Speaker 3: built a life for himself, and appreciates the finer things

423
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Speaker 3: in life. The nigga had a pulling alli in his RV.

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Speaker 2: He did have a bowling RV. Come on and a

425
00:26:00,119 --> 00:26:01,280
Speaker 2: swimming at the top.

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Speaker 3: Gave us man, Goofy a little job. Goofy is is

427
00:26:05,640 --> 00:26:10,480
Speaker 3: incompetent that that's not what you grew up next door

428
00:26:10,520 --> 00:26:12,440
Speaker 3: to me. Come on over here, We're gonna I got

429
00:26:12,480 --> 00:26:14,600
Speaker 3: your little job. But see that's where you fucked up.

430
00:26:14,760 --> 00:26:16,840
Speaker 3: Because he can he can talk to children.

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Speaker 2: Yeah, because he was really good at that job that

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Speaker 2: he gave them, and Pete was really bad at the

433
00:26:21,600 --> 00:26:23,000
Speaker 2: job that Pete gave him.

434
00:26:23,280 --> 00:26:29,720
Speaker 3: Yeah, because he's not a worker, he's a bos Delegating

435
00:26:29,840 --> 00:26:31,399
Speaker 3: is its own skill.

436
00:26:31,480 --> 00:26:35,240
Speaker 5: All right, And you say, so, I don't think the

437
00:26:35,359 --> 00:26:39,320
Speaker 5: lesson a. We all have problems, like we're all we're

438
00:26:39,359 --> 00:26:43,280
Speaker 5: all dealing with it. Okay, you're a bad guy, I'm lazy.

439
00:26:43,560 --> 00:26:44,400
Speaker 5: We have issues.

440
00:26:44,560 --> 00:26:47,119
Speaker 2: Yeah, no, we got problems for sure. You're you're blue.

441
00:26:47,200 --> 00:26:51,720
Speaker 2: I'm sure Khan and and what and what none of us.

442
00:26:54,000 --> 00:26:57,440
Speaker 2: I don't know what Olivia is, but but it's probably Bagheera.

443
00:26:57,480 --> 00:27:00,800
Speaker 3: I think you gotta be Bagheera here. Olivia tell you

444
00:27:00,840 --> 00:27:03,119
Speaker 3: that because you're trying to keep us on track.

445
00:27:03,320 --> 00:27:05,879
Speaker 2: You're just always trying to keep the business going. And

446
00:27:06,359 --> 00:27:08,720
Speaker 2: unfortunately that's a real Bagheera ass strait.

447
00:27:09,400 --> 00:27:15,399
Speaker 3: Yeah, and Will Ferrell is mowtly, our.

448
00:27:15,359 --> 00:27:18,640
Speaker 2: Sweet little Indian boy, Will Ferrell.

449
00:27:23,680 --> 00:27:26,960
Speaker 3: Oh man, this one was a real wild ride. Man.

450
00:27:27,080 --> 00:27:29,280
Speaker 2: Now, we talked. We talked it through and I hope

451
00:27:29,320 --> 00:27:32,760
Speaker 2: that you feel we Although I don't think you feel better,

452
00:27:32,800 --> 00:27:37,159
Speaker 2: you at least feel like maybe peace has been found

453
00:27:37,160 --> 00:27:37,840
Speaker 2: inside of this.

454
00:27:39,320 --> 00:27:44,520
Speaker 3: I feel, yeah, you know, I have to tick a

455
00:27:44,560 --> 00:27:48,879
Speaker 3: walk or whatever, really sit with some things. But ultimately,

456
00:27:48,960 --> 00:27:51,200
Speaker 3: you know, I'm glad we had this talk.

457
00:27:51,359 --> 00:27:54,600
Speaker 2: Sometimes needing to apologize to my wife makes us closer,

458
00:27:54,840 --> 00:27:55,440
Speaker 2: you know what I mean?

459
00:27:55,760 --> 00:27:56,760
Speaker 3: I get that for sure.

460
00:27:56,960 --> 00:28:01,119
Speaker 2: Sometimes Yeah, you just gotta be like, Yeah, I recognized

461
00:28:01,160 --> 00:28:05,040
Speaker 2: where I failed and I want to be better, and.

462
00:28:04,720 --> 00:28:06,320
Speaker 3: I'm sorry for yelling in bed.

463
00:28:06,720 --> 00:28:09,639
Speaker 2: Yeah I want to listen more and talk less.

464
00:28:09,720 --> 00:28:15,800
Speaker 3: And yeah, yeah, I'm sorry for feeling attacked and screaming

465
00:28:15,800 --> 00:28:18,200
Speaker 3: at you in the morning.

466
00:28:18,359 --> 00:28:22,920
Speaker 2: Hey, when I pushed the trashcan over, I see now

467
00:28:22,960 --> 00:28:24,160
Speaker 2: that that was too much.

468
00:28:24,320 --> 00:28:25,080
Speaker 3: On my hot head.

469
00:28:25,160 --> 00:28:28,280
Speaker 2: You know that. But I would never hit you. I

470
00:28:28,320 --> 00:28:29,320
Speaker 2: would never hit you.

471
00:28:29,400 --> 00:28:30,680
Speaker 3: WHOA, that wasn't even up for grabs.

472
00:28:30,680 --> 00:28:42,240
Speaker 6: Don't do that, yo, that's not you What that means?

473
00:28:43,400 --> 00:28:43,800
Speaker 3: Oh?

474
00:28:43,880 --> 00:28:44,120
Speaker 1: Man?

475
00:28:44,520 --> 00:28:46,440
Speaker 2: Well, can you tell the people where they can find

476
00:28:46,480 --> 00:28:47,280
Speaker 2: you on what cool.

477
00:28:47,120 --> 00:28:48,080
Speaker 3: Shit you got going on?

478
00:28:53,040 --> 00:28:55,520
Speaker 2: See, I still got what I got in me.

479
00:28:55,680 --> 00:28:58,920
Speaker 3: I can't fix that, no, sane, that's I think. That's

480
00:28:58,960 --> 00:29:03,239
Speaker 3: ultimately the thing about the show is that we are

481
00:29:03,440 --> 00:29:05,800
Speaker 3: just who we are, man. But we're all trying, and

482
00:29:05,840 --> 00:29:07,920
Speaker 3: that's really all you can do out there. Just try

483
00:29:08,040 --> 00:29:11,400
Speaker 3: every day, try to get a little bit better every day. Yeah,

484
00:29:11,560 --> 00:29:17,959
Speaker 3: don't your girl, and don't hit or your boy or

485
00:29:18,000 --> 00:29:18,360
Speaker 3: your boy.

486
00:29:18,400 --> 00:29:21,520
Speaker 2: Don't hit each other, I think is key each other.

487
00:29:21,680 --> 00:29:24,320
Speaker 3: Don't hit Yeah, you have a daughter, I'm sure you

488
00:29:24,360 --> 00:29:26,160
Speaker 3: have to say it sometimes, don't bite, don't hit.

489
00:29:26,680 --> 00:29:30,480
Speaker 2: Yeah, she doesn't bite. She she has hit in the past,

490
00:29:30,520 --> 00:29:32,560
Speaker 2: but I think she's past that for the most part.

491
00:29:32,640 --> 00:29:34,080
Speaker 2: She doesn't really hit anymore.

492
00:29:34,680 --> 00:29:36,760
Speaker 3: Okay, it's not like she's not like a hitter.

493
00:29:37,400 --> 00:29:41,480
Speaker 2: No, my daughter, I think, is going to be an

494
00:29:41,480 --> 00:29:45,320
Speaker 2: emotional abuser if I were to guess like her daddy.

495
00:29:45,680 --> 00:29:46,560
Speaker 3: Just like her daddy.

496
00:29:46,680 --> 00:29:50,480
Speaker 2: She she torments me in ways that I never anticipated

497
00:29:50,520 --> 00:29:52,040
Speaker 2: a small child could torment me.

498
00:29:52,160 --> 00:29:55,600
Speaker 3: But yet here we are, and I don't know how

499
00:29:55,640 --> 00:29:56,200
Speaker 3: you fix that.

500
00:29:56,280 --> 00:29:59,600
Speaker 2: There's no like quick catchphrase or being like, hey, don't

501
00:30:00,080 --> 00:30:05,360
Speaker 2: don't gaslight, don't don't love momby your father.

502
00:30:08,000 --> 00:30:10,880
Speaker 3: Man, Bro, you're going through it and just beating my

503
00:30:10,960 --> 00:30:14,959
Speaker 3: ass in a different kind of way. Uh, it's complicated

504
00:30:14,960 --> 00:30:17,480
Speaker 3: out here, you know it is. You want to tell

505
00:30:17,480 --> 00:30:20,040
Speaker 3: other people.

506
00:30:18,080 --> 00:30:18,160
Speaker 1: You.

507
00:30:21,120 --> 00:30:23,000
Speaker 2: Didn't finish telling them where they can find you?

508
00:30:23,320 --> 00:30:26,280
Speaker 3: Oh cool, got joke City seven on Instagram? Watch Royal

509
00:30:26,320 --> 00:30:30,520
Speaker 3: Crackers on Max. You know that all my stuff is

510
00:30:30,560 --> 00:30:32,400
Speaker 3: on Instagram, so you find it over there.

511
00:30:33,080 --> 00:30:38,040
Speaker 2: At Langston Herman on on all the different social media apps.

512
00:30:38,480 --> 00:30:40,280
Speaker 2: And if you want to send us your own drops,

513
00:30:40,280 --> 00:30:44,080
Speaker 2: your own conspiracies, if you want to advocate for maybe

514
00:30:44,120 --> 00:30:46,440
Speaker 2: some of the characters of the Jungle Book that we

515
00:30:47,080 --> 00:30:48,960
Speaker 2: we put smirched. If you want to prove to me

516
00:30:49,040 --> 00:30:52,000
Speaker 2: why Shirkan was incorrect in the story, send it all

517
00:30:52,000 --> 00:30:54,760
Speaker 2: to my Mama pod at gmail dot com. If you

518
00:30:54,760 --> 00:30:56,920
Speaker 2: want to buy merch, by it at my Mama told

519
00:30:56,960 --> 00:30:59,560
Speaker 2: me dot merch Central dot com. And if you want

520
00:30:59,560 --> 00:31:04,200
Speaker 2: to see us live May fifth, the Comedy Store, seven pm.

521
00:31:04,240 --> 00:31:07,760
Speaker 2: We will be a part of the Netflix is a

522
00:31:07,920 --> 00:31:12,600
Speaker 2: Joke Festival, the only still live festival for a comedy

523
00:31:12,640 --> 00:31:17,280
Speaker 2: available just for laughs is dead, but Netflix is a

524
00:31:17,360 --> 00:31:20,320
Speaker 2: Joke is still alive, and guess what, we are a

525
00:31:20,360 --> 00:31:22,080
Speaker 2: part of it. We would love for you to be there.

526
00:31:22,120 --> 00:31:25,560
Speaker 2: It's gonna be a great show. That's everything that I

527
00:31:25,600 --> 00:31:28,440
Speaker 2: think you need to do as far as I'm concerned.

528
00:31:29,120 --> 00:31:29,720
Speaker 3: Bye, bitch.

529
00:31:33,440 --> 00:31:39,040
Speaker 1: Well, the fucking mini are Sol Mini episode, Well, the

530
00:31:39,120 --> 00:31:49,600
Speaker 1: fucking Miniere Sol. Well, the fucking mini are Solf Mini episode. Well,

531
00:31:49,640 --> 00:31:52,880
Speaker 1: the fucking mini are a Sol