WEBVTT - Janelle Monáe & Nate Wonder

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<v Speaker 1>Pushkin. Janelle Mona's had a lot to smile about this

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<v Speaker 1>year after a run of successful albums over the last decade,

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<v Speaker 1>and June she released her fourth album, The Age of Pleasure.

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<v Speaker 1>It's an important project. Not only was it just nominated

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<v Speaker 1>for two Grammys, including the Album of the Year, but

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<v Speaker 1>it's also signaled a big tone shift for Janelle, whose

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<v Speaker 1>past albums have centered in part around a recurring character

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<v Speaker 1>named Cindy Mayweather, an android who represents society's new other. Esthetically,

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<v Speaker 1>Janelle has also always been pretty buttoned up. For her

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<v Speaker 1>first few album releases, she made a point of always

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<v Speaker 1>appearing in public in some iteration of a tuxedo. But

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<v Speaker 1>for the Age of Pleasure, she literally stripped down to

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<v Speaker 1>almost nothing, flanting a newfound freedom centered around black joy, pleasure,

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<v Speaker 1>and acceptance. On today's episode on Poolside, having a conversation

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<v Speaker 1>with Jenemo and her longtime musical partner Nate Wonder, who

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<v Speaker 1>also co produced and co wrote this new record along

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<v Speaker 1>with her others, We're after a creative home base in

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<v Speaker 1>the Hollywood Hills called Wonderland. Nate explains how the Age

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<v Speaker 1>of Pleasure album started with the simple conceit of wanting

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<v Speaker 1>to make Janelle Monet smile. Jane also talks about why

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<v Speaker 1>she decided to ditch your career in musical theater after

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<v Speaker 1>college and how the Grace Jones ended up topless in

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<v Speaker 1>Wonderland's now infamous pool. This is broken record liner notes

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<v Speaker 1>for the digital Age. I'm justin Mitchman. Here's my conversation

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<v Speaker 1>with Nate Wonder and Janelle Monette. Happy birthday, Thank you

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<v Speaker 1>Rammy nomination.

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<v Speaker 2>Yes, album of the Year.

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<v Speaker 1>Yeah, it's like two in a row.

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<v Speaker 2>Now, I know that's a big deal. I know it's

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<v Speaker 2>a big deal.

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<v Speaker 3>I'm still just so humbled, very big.

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<v Speaker 1>Not just progressive R and B album, but like album

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<v Speaker 1>of the year, Like that's some crazy.

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<v Speaker 2>That's wild.

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<v Speaker 3>Yeah.

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<v Speaker 4>I watched a lot of my here get it and

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<v Speaker 4>be on that stage, and like it's really a dream

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<v Speaker 4>to be able to not just shine light on the

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<v Speaker 4>work that I do. But you know, Nate's here as well.

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<v Speaker 4>He worked heavily on the music and production and writing

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<v Speaker 4>with me and everybody else who you know was a

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<v Speaker 4>part of the album. They get recognized too. So that's

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<v Speaker 4>the beautiful thing about being in that category.

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<v Speaker 1>Yeah, no, absolutely, Yeah. I wanted to ask about the

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<v Speaker 1>collaborative since I have the pleasure of both of you guys,

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<v Speaker 1>which is it feels special to me. So I was

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<v Speaker 1>curious about how you guys collaborate on it. I mean,

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<v Speaker 1>you guys been working together a long time.

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<v Speaker 4>First of all, every project, every album since my EPs,

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<v Speaker 4>where I was selling them out of the trunk of

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<v Speaker 4>my car in Atlanta. We've been able to have, you know,

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<v Speaker 4>a creative bond and just like evolution together and it's

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<v Speaker 4>just been really a fun ride. Lots of fun things

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<v Speaker 4>happen in the studio. It feels like family, it feels intentional.

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<v Speaker 2>Absolutely.

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<v Speaker 1>Where were you both at when you guys first met

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<v Speaker 1>in Atlanta?

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<v Speaker 2>We met at Morehouse Janelle was she was living like

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<v Speaker 2>in the.

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<v Speaker 4>Area, Parson Street, Yeah, boarding house next to Club Woody

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<v Speaker 4>in auc Club Woody is.

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<v Speaker 2>The name of the library.

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<v Speaker 5>Okay, you go there though, because it's in the middle

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<v Speaker 5>of all three campuses, it's kind of like a club.

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<v Speaker 1>You never know in Atlanta what that could be exactly.

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<v Speaker 5>It's actually actually the university library. And she would throw

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<v Speaker 5>shows on the steps. And I was just out of college.

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<v Speaker 5>I had lost my scholarship in my junior year of

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<v Speaker 5>college because I was writing music, And so after I graduated,

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<v Speaker 5>like I could really take the time to focus on

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<v Speaker 5>my music the way I wanted to.

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<v Speaker 1>So in college you knew that like music was where

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<v Speaker 1>you were focused, That's where your attention was.

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<v Speaker 3>But why did you lose it? What happened?

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<v Speaker 4>You need to tell him exactly a moment that will

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<v Speaker 4>let you know how serious you.

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<v Speaker 5>I mean, I had I had two full scholarships to school,

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<v Speaker 5>and I lost both of them because I.

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<v Speaker 1>How do you have to how do you get two.

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<v Speaker 5>NASA gave me a scholarship and the school gave me

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<v Speaker 5>a scholarship separately, and I just had both of them.

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<v Speaker 2>I had one like as a backup, I guess idea.

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<v Speaker 5>But I was in a math test and I was

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<v Speaker 5>doing well on the test except for like in the

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<v Speaker 5>middle of the test, I had this song come to

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<v Speaker 5>me and I just felt compelled to get up, and

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<v Speaker 5>I went to my dorm room and I wrote the

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<v Speaker 5>song and I did not finish the test, and it

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<v Speaker 5>caused my GPA to crater.

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<v Speaker 2>And that's why I lost my scholarship.

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<v Speaker 3>Yay was that And that's how we got to make music.

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<v Speaker 1>I mean, thank god he lost his NaSTA and scholarship.

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<v Speaker 1>I mean, in any other scenario, that's a tragedy. Yeah,

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<v Speaker 1>but it seems to have been the right path.

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<v Speaker 5>It tragic at the time too. After I realized that happened.

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<v Speaker 5>In the moment, it felt like, this is what you're

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<v Speaker 5>supposed to be doing. You need to just listen to this.

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<v Speaker 1>Was that common for you to just up and leave

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<v Speaker 1>whatever you were doing, wherever you were at, whoever you

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<v Speaker 1>were with, YO, get an idea.

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<v Speaker 5>Yeah, but not a test. It had not happened like

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<v Speaker 5>that was something that cost me so much.

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<v Speaker 1>Yeah, in the movie of your life was a pretty

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<v Speaker 1>high stake, you know.

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<v Speaker 5>What I mean, it was, and it felt like a

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<v Speaker 5>big mistake afterwards. For a little while, it felt like, wow,

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<v Speaker 5>that was crazy.

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<v Speaker 2>Yeah. Yeah. My dad was like, you're crazy. You absolutely

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<v Speaker 2>lost your mind.

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<v Speaker 1>Were your parents academically folks, like, I mean, I don't

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<v Speaker 1>know how you get a scholarship.

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<v Speaker 2>My dad has a doctorate in music.

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<v Speaker 5>Actually, wow, And he wasn't active in music in that

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<v Speaker 5>kind of way.

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<v Speaker 2>He's a professor, so he's yes, he's.

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<v Speaker 1>Yeah, you grew up with a lot of theory and things.

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<v Speaker 5>I grew up watching him write music composed and like

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<v Speaker 5>he was writing operas and all that kind of stuff,

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<v Speaker 5>and like, so I saw that growing up, and I

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<v Speaker 5>learned a lot of instruments kind of I got introduced

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<v Speaker 5>to a lot of instruments early on, and I got

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<v Speaker 5>introduced to the idea of composition very early.

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<v Speaker 2>But he was not. He was like that it is dumb,

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<v Speaker 2>just so we could be clear, that's dumb.

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<v Speaker 1>Did you know him at the time.

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<v Speaker 3>I didn't know. You didn't know each other.

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<v Speaker 4>That was you know, I met him after he probably

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<v Speaker 4>did some healing from the traumatic experience of losing your scholarships.

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<v Speaker 2>I learned how to focus. That's what I learned from that.

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<v Speaker 5>I always hold that as like a lesson in focus

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<v Speaker 5>what it takes.

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<v Speaker 1>Focus on the thing at hand, or focus on the

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<v Speaker 1>creativity that's taking away.

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<v Speaker 5>Actually, you know, you know it's interesting, like it's just

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<v Speaker 5>pick something and do that thing. So the idea of

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<v Speaker 5>the multitasking and all that kind of stuff, I understood

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<v Speaker 5>how detrimental that could be to whatever the dream that

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<v Speaker 5>I had was. So if it was music, like I

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<v Speaker 5>know that, Like the feeling I had when I was

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<v Speaker 5>in the class asked, was, hey, you're not pursuing the

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<v Speaker 5>thing that you're supposed to be pursuing right now, and

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<v Speaker 5>you are going to feel sick about that at some

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<v Speaker 5>point in time. Right now, you feel sick, so you

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<v Speaker 5>need to go write that song. Later on, I felt like, okay,

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<v Speaker 5>I but I made a commitment and so you know,

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<v Speaker 5>it's about just commitment, focus not being distracted. And when

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<v Speaker 5>I finished college, I was like, Okay, now I'm going

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<v Speaker 5>to focus and I wanted to do that.

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<v Speaker 1>You did finish, yes, and you paid.

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<v Speaker 2>Yeah, I had to pay my last year.

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<v Speaker 5>Yeah, that's what I'm saying.

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<v Speaker 2>Hey, last year, I got a scholarship for part of it.

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<v Speaker 2>I got a scholarship to go live in Spain, so

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<v Speaker 2>they paid me to go.

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<v Speaker 5>I did get another scholarship too, smart man, But I.

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<v Speaker 3>And tell them what you know what?

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<v Speaker 4>Tell them what you got that scholarship in Spanish, which

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<v Speaker 4>I suck it. I failed Spanish high.

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<v Speaker 1>School year, but major Spanish class.

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<v Speaker 3>Major in Spanish.

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<v Speaker 1>Yeah, did you study any music Spanish music while you

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<v Speaker 1>were in Spain?

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<v Speaker 2>No?

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<v Speaker 5>I studied Spanish art and architecture actually, And so when

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<v Speaker 5>I went to Spain, I was like, let me not

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<v Speaker 5>pursue music right now, let me focus. I'm not going

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<v Speaker 5>to bring any of my instruments, like I would never

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<v Speaker 5>not have a guitar in my hand. And so I

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<v Speaker 5>was like, I'm going to go to Spain. I'm not

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<v Speaker 5>going to have any instruments. I'm going to focus and

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<v Speaker 5>I'm going to just do what I'm here to do.

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<v Speaker 5>And I went there, and what was crazy is that

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<v Speaker 5>the place that I lived was directly next to a

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<v Speaker 5>music conservatory. So I would wake up and this girl

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<v Speaker 5>would play the flute every morning. It would wake me

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<v Speaker 5>up every morning. I would hear musicians playing all day,

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<v Speaker 5>and I was like, man, I got so I was there.

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<v Speaker 5>I bought a flute and like taught myself to play

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<v Speaker 5>the flute, but that was it. I was like, let

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<v Speaker 5>me just that's small enough.

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<v Speaker 1>Yeah, that's more of a hobby than a real pstick pursuit. Similarly,

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<v Speaker 1>you early on were kind of like possessed by creativity, right,

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<v Speaker 1>I like that possessed.

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<v Speaker 4>Yes, there was never a time where I wasn't singing.

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<v Speaker 4>I don't remember like singing, acting, partying, doing exactly what

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<v Speaker 4>it is that I'm doing. I was talking to a

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<v Speaker 4>friend and she reminded me, she was like, remember in

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<v Speaker 4>sixth grade when we used to throw these parties and

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<v Speaker 4>you would charge a dollar for people to get in,

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<v Speaker 4>and I skipped school to hand out flyers.

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<v Speaker 3>It was a whole thing.

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<v Speaker 4>But at that same time, I was on every talent

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<v Speaker 4>show stage in Kansas City, in every musical theater production.

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<v Speaker 4>And you know, it's morphed into concerts now and the

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<v Speaker 4>age of pleasure album and being driven by by just

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<v Speaker 4>the things that I love. I'm so thankful that I

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<v Speaker 4>still can do that. And for me when I went

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<v Speaker 4>to school in New York after you know, after high school,

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<v Speaker 4>went to school in New York, and I thought, oh,

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<v Speaker 4>I want to do musical theater. As soon as I

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<v Speaker 4>got out there and started going to sea plays and stuff,

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<v Speaker 4>I was like, man, ugh, I'm not excited about any

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<v Speaker 4>of the roles that they're offering.

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<v Speaker 3>You know, people that look like me.

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<v Speaker 1>What were you What kind of roles were you getting?

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<v Speaker 4>Well, we couldn't really audition, but like there was no

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<v Speaker 4>there was maybe one strong black woman leading something there

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<v Speaker 4>was not right now, Broadway has changed, like it' it's

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<v Speaker 4>it's a lot more diverse, a lot more stories, a

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<v Speaker 4>lot more uniqueness. And the only thing, because I'm from Kansas,

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<v Speaker 4>the only thing I think people saw me doing was

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<v Speaker 4>the Whiz, and the Whiz wasn't on Broadway, and I'm

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<v Speaker 4>just like, I love the Whiz, but where is the

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<v Speaker 4>new energy, the new stories? And I had so much

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<v Speaker 4>bubbling because I'm a writer as well, and I decided that,

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<v Speaker 4>you know, I was going to quit. So I quit

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<v Speaker 4>school in New York. Everybody thought I was crazy too.

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<v Speaker 4>That was my like you're crazy moment, because coming from Kansas,

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<v Speaker 4>such a small town, They're like.

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<v Speaker 3>Wow, You're in New York. You're living the dream.

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<v Speaker 4>And little do they know, I was sleeping in the

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<v Speaker 4>same bed as my cousin because I could not afford

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<v Speaker 4>housing there, and so I was commuting from like a

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<v Speaker 4>hundred and forty of an Amsterdam the like seventy second

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<v Speaker 4>and Broadway every single day, Monday through Friday. Wow, I mean,

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<v Speaker 4>I learned a lot about surviving. And I was just like,

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<v Speaker 4>you know, poor, but excited about the arts and excited

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<v Speaker 4>about finally figuring out what did Janelle Robinson have to say?

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<v Speaker 4>Because I wasn't even going by Janelle mone I had

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<v Speaker 4>not tapped into the center the core of what I

0:11:33.396 --> 0:11:35.076
<v Speaker 4>had to say because I was spending so much time

0:11:35.116 --> 0:11:36.956
<v Speaker 4>singing everybody else's songs.

0:11:37.396 --> 0:11:40.116
<v Speaker 1>Why the transition of Janell Moe then from Janelle Robinson.

0:11:40.116 --> 0:11:43.796
<v Speaker 1>What about that felt more like the authentic place to

0:11:43.836 --> 0:11:44.436
<v Speaker 1>create farm.

0:11:45.196 --> 0:11:48.196
<v Speaker 4>Well, I knew about the painter mone and I always

0:11:48.196 --> 0:11:51.236
<v Speaker 4>thought like, that's that's a great artist name, and it

0:11:51.356 --> 0:11:53.396
<v Speaker 4>just so happens to be my real name. My middle

0:11:53.436 --> 0:11:57.556
<v Speaker 4>name is none. My aunt actually she was like Janelle Monet,

0:11:57.996 --> 0:12:00.436
<v Speaker 4>Janelle Monee. She calls me that all the time, like

0:12:00.476 --> 0:12:03.596
<v Speaker 4>when she sees me, and it just it sucks.

0:12:04.316 --> 0:12:06.276
<v Speaker 1>Even before, so it wasn't like I was a kid

0:12:06.516 --> 0:12:09.196
<v Speaker 1>like your family and where you come from, none.

0:12:08.996 --> 0:12:12.876
<v Speaker 4>Of I just thought Monnette felt like an artist's name

0:12:13.676 --> 0:12:16.396
<v Speaker 4>and it was my name, and it was like, yeah, okay,

0:12:16.756 --> 0:12:19.996
<v Speaker 4>I get to reinvent you know who, what I can be,

0:12:20.156 --> 0:12:21.796
<v Speaker 4>how I can say it, how I see myself.

0:12:21.796 --> 0:12:23.116
<v Speaker 3>And it was so great.

0:12:23.116 --> 0:12:24.836
<v Speaker 4>So that's when I moved to Atlanta, and that's when

0:12:25.116 --> 0:12:28.076
<v Speaker 4>I met Nate Rocket Wonder, I met Chuck Lightning, I

0:12:28.076 --> 0:12:31.156
<v Speaker 4>met Michael Moore, who were all still working together. They

0:12:31.196 --> 0:12:34.276
<v Speaker 4>were at Morehouse. They ran this arts collective called the

0:12:34.356 --> 0:12:38.156
<v Speaker 4>Dark Tower Project, and they would bring musicians, poets to

0:12:38.236 --> 0:12:41.076
<v Speaker 4>Morehouse and I was one of the people who performed

0:12:41.876 --> 0:12:44.356
<v Speaker 4>that night, and I just saw this kind of black

0:12:44.396 --> 0:12:48.796
<v Speaker 4>cosmopolitan in Atlanta, Like it was just this melting pot

0:12:48.836 --> 0:12:53.156
<v Speaker 4>of just excellence and creativity and freedom of expression. I

0:12:53.156 --> 0:12:55.716
<v Speaker 4>had never seen anything like it, and I wanted to

0:12:55.796 --> 0:12:58.356
<v Speaker 4>be around that, and I wanted to make music for them.

0:12:59.076 --> 0:13:00.716
<v Speaker 4>That's who I wanted to make music for. And so

0:13:00.836 --> 0:13:02.596
<v Speaker 4>when I started to write, I would sit out, like

0:13:02.676 --> 0:13:04.796
<v Speaker 4>Nate was saying, I would sit on the library steps

0:13:05.076 --> 0:13:07.436
<v Speaker 4>of Club Woody and I would just play guitar, sing

0:13:07.436 --> 0:13:10.396
<v Speaker 4>my songs. People will walk by, some would stop and listen,

0:13:10.436 --> 0:13:11.356
<v Speaker 4>some would keep moving.

0:13:11.756 --> 0:13:13.036
<v Speaker 3>I would go to dorm lounge.

0:13:12.836 --> 0:13:14.636
<v Speaker 4>And sit on the couch and give before like to

0:13:14.876 --> 0:13:18.076
<v Speaker 4>anybody that would listen. I was, I was like, I

0:13:18.076 --> 0:13:19.676
<v Speaker 4>don't give a damn. I have to know.

0:13:20.436 --> 0:13:21.156
<v Speaker 3>Is this for me?

0:13:21.516 --> 0:13:21.796
<v Speaker 1>Yeah?

0:13:21.836 --> 0:13:23.636
<v Speaker 4>Like, do you guys like what I have to say?

0:13:23.796 --> 0:13:28.396
<v Speaker 4>Like can I make my purpose and passion and also

0:13:28.716 --> 0:13:29.876
<v Speaker 4>career aligne.

0:13:29.996 --> 0:13:32.396
<v Speaker 1>Yeah, that's a scary time because you don't you don't

0:13:32.476 --> 0:13:34.156
<v Speaker 1>really know that. And we have the confidence to not

0:13:34.236 --> 0:13:37.156
<v Speaker 1>necessarily care, but you don't at times don't really know.

0:13:37.716 --> 0:13:38.396
<v Speaker 1>You don't know.

0:13:39.556 --> 0:13:42.196
<v Speaker 5>Like one of the reasons why we really connected was because,

0:13:42.236 --> 0:13:45.236
<v Speaker 5>like I know it sounds very basic, but.

0:13:45.956 --> 0:13:47.956
<v Speaker 2>We love art.

0:13:48.316 --> 0:13:53.516
<v Speaker 5>And I think that we were inspired by meeting other

0:13:53.516 --> 0:13:56.476
<v Speaker 5>people who loved art, like really would just like fall

0:13:56.516 --> 0:13:56.996
<v Speaker 5>in love.

0:13:56.836 --> 0:13:59.396
<v Speaker 2>With art, you know, just be obsessed over it.

0:14:00.156 --> 0:14:03.556
<v Speaker 5>Just sit up all day and think about something that

0:14:03.596 --> 0:14:06.196
<v Speaker 5>they read or a painting that they.

0:14:06.116 --> 0:14:09.876
<v Speaker 2>Saw, or just a song, just sit and cry to

0:14:09.916 --> 0:14:11.076
<v Speaker 2>a song. And just like.

0:14:12.516 --> 0:14:15.956
<v Speaker 5>I know that Janelle and I have a very spiritual

0:14:15.996 --> 0:14:22.036
<v Speaker 5>connection that music, it really is like the catalyst for

0:14:22.156 --> 0:14:26.436
<v Speaker 5>that and it catalyzes it all the time. It's something

0:14:26.476 --> 0:14:31.436
<v Speaker 5>that I know that we can always tap into. Like

0:14:31.516 --> 0:14:34.876
<v Speaker 5>besides being like good thought partners and like you know,

0:14:35.196 --> 0:14:38.076
<v Speaker 5>there are wonderful myriad things about Janelle that make her

0:14:38.076 --> 0:14:41.516
<v Speaker 5>a great like human being. But on a musical level,

0:14:42.236 --> 0:14:47.156
<v Speaker 5>she is very passionate about music, Like if I play

0:14:47.276 --> 0:14:52.156
<v Speaker 5>certain chords, it can make her cry. And that is

0:14:52.156 --> 0:14:54.316
<v Speaker 5>something that also happens to me, Like I can hear

0:14:54.396 --> 0:14:56.636
<v Speaker 5>certain songs certain chords, and it doesn't have to do

0:14:56.716 --> 0:14:59.796
<v Speaker 5>it necessarily the lyrics. Always sometimes the lyrics, yes, and

0:14:59.836 --> 0:15:02.436
<v Speaker 5>poetry is beautiful and that's another you know, but just

0:15:02.516 --> 0:15:08.276
<v Speaker 5>like music and just being really just emotionally brought to

0:15:08.636 --> 0:15:14.516
<v Speaker 5>your knee ease over how good music can be. And

0:15:14.556 --> 0:15:17.756
<v Speaker 5>we've shared so many of those moments, and that was

0:15:17.796 --> 0:15:20.716
<v Speaker 5>like the beginning of that time where we got to

0:15:20.796 --> 0:15:25.916
<v Speaker 5>really just pass music back and forth and be shocked

0:15:27.036 --> 0:15:30.036
<v Speaker 5>and just sit in awe with.

0:15:29.996 --> 0:15:32.436
<v Speaker 2>Each other as we would just listen to what could

0:15:32.476 --> 0:15:33.076
<v Speaker 2>be done.

0:15:33.596 --> 0:15:36.276
<v Speaker 4>I think one of the things that I loved early on,

0:15:36.516 --> 0:15:38.956
<v Speaker 4>and the reason why I think we've worked so well

0:15:38.996 --> 0:15:43.316
<v Speaker 4>together musically, is because Nate is a student of music,

0:15:43.476 --> 0:15:45.796
<v Speaker 4>and so when it comes to like anything that I

0:15:45.836 --> 0:15:49.236
<v Speaker 4>want to do, there's nothing we can't do, from string

0:15:49.396 --> 0:15:56.636
<v Speaker 4>arrangements to core progressions, horn arrangements, melodies, Like there's no genre.

0:15:57.356 --> 0:16:00.516
<v Speaker 4>We've been genres with each album. You know, it's all

0:16:00.556 --> 0:16:03.876
<v Speaker 4>about how do we create our own musical language.

0:16:03.916 --> 0:16:04.596
<v Speaker 3>And I love that.

0:16:04.676 --> 0:16:08.556
<v Speaker 4>I always have to feel pushed and stretched, and I

0:16:08.596 --> 0:16:11.516
<v Speaker 4>think that's what is the exciting thing, because it's like

0:16:12.356 --> 0:16:18.636
<v Speaker 4>we literally have the the mind and the student heart,

0:16:18.836 --> 0:16:20.116
<v Speaker 4>Like we never stop.

0:16:19.956 --> 0:16:22.116
<v Speaker 1>Being student, always at the beginning.

0:16:22.236 --> 0:16:26.436
<v Speaker 4>Always it's always a new whiteboard, you know, the ideas

0:16:26.516 --> 0:16:27.556
<v Speaker 4>ready to be put down.

0:16:27.796 --> 0:16:29.476
<v Speaker 1>It sounds to me like you guys are just always

0:16:29.516 --> 0:16:34.276
<v Speaker 1>creating things, regardless of like there's an album, dude, or

0:16:34.556 --> 0:16:36.196
<v Speaker 1>you know, or it's been a minute or you know,

0:16:36.276 --> 0:16:39.076
<v Speaker 1>it's like, it's just that's how you guys are inhabiting life.

0:16:39.116 --> 0:16:42.156
<v Speaker 1>It's just creating every day or you know, the days

0:16:42.196 --> 0:16:43.516
<v Speaker 1>that it feels right to do. Right.

0:16:43.956 --> 0:16:46.996
<v Speaker 4>Yeah, I mean I didn't get into music because of

0:16:47.076 --> 0:16:51.396
<v Speaker 4>awards or because of you know, recognition or anything like that.

0:16:51.476 --> 0:16:55.156
<v Speaker 4>Music is truly healing. I need music like I need

0:16:55.196 --> 0:16:57.716
<v Speaker 4>a song in my darkest hours. I need a song

0:16:57.756 --> 0:17:01.156
<v Speaker 4>in my most celebratory stage. I need a song when

0:17:01.556 --> 0:17:04.036
<v Speaker 4>you know, I want to communicate something that my own

0:17:04.076 --> 0:17:06.796
<v Speaker 4>words can't say, and I need to be able to

0:17:06.836 --> 0:17:09.356
<v Speaker 4>write when I'm feeling frustrated or when I'm like it's

0:17:09.396 --> 0:17:13.116
<v Speaker 4>a way. It has helped my mental health so much, Yeah,

0:17:13.516 --> 0:17:14.196
<v Speaker 4>so much.

0:17:14.436 --> 0:17:17.196
<v Speaker 1>You know, when I was listening again for like the

0:17:17.276 --> 0:17:20.476
<v Speaker 1>umpteenth time this morning on a wat to the Age

0:17:20.516 --> 0:17:23.796
<v Speaker 1>of Pleasure, I was wondering listening to it, it might

0:17:23.796 --> 0:17:27.036
<v Speaker 1>be a possible question to answer, but whether these songs

0:17:27.076 --> 0:17:30.836
<v Speaker 1>were for you or for other people, because I in

0:17:30.876 --> 0:17:32.236
<v Speaker 1>a way I've realized as I've been listening to it,

0:17:32.236 --> 0:17:35.196
<v Speaker 1>I've been taking it as like you giving mantras to me.

0:17:36.716 --> 0:17:38.236
<v Speaker 1>I love that, but it occurred to me to the

0:17:38.316 --> 0:17:40.556
<v Speaker 1>I'm like, maybe you needed to write this for you too,

0:17:40.596 --> 0:17:43.436
<v Speaker 1>and I don't know how you were approaching.

0:17:43.036 --> 0:17:44.836
<v Speaker 3>That, but it's for all of us.

0:17:45.076 --> 0:17:47.036
<v Speaker 4>It's for us, and that means a lot to hear

0:17:47.076 --> 0:17:49.756
<v Speaker 4>you say that, because I think one of the most

0:17:49.796 --> 0:17:52.876
<v Speaker 4>important things as an artist is your ability to communicate.

0:17:53.836 --> 0:17:56.996
<v Speaker 4>And as much as I can, you know, say like, oh,

0:17:57.036 --> 0:17:59.516
<v Speaker 4>I just want to do an album and I want

0:17:59.516 --> 0:18:02.156
<v Speaker 4>this just for myself and I me to listen to it.

0:18:02.516 --> 0:18:06.276
<v Speaker 4>That's not my truth. I actually want everybody to feel

0:18:06.476 --> 0:18:09.036
<v Speaker 4>like this is their soundtrack to their life. This is

0:18:09.196 --> 0:18:12.076
<v Speaker 4>curating their thoughts and their feelings. They are part of

0:18:12.116 --> 0:18:14.756
<v Speaker 4>my community. We're a part of each other's community, and

0:18:14.876 --> 0:18:18.036
<v Speaker 4>all of us are growing and healing and moving together

0:18:18.156 --> 0:18:21.716
<v Speaker 4>and sharing something that they can tap into anytime they

0:18:21.756 --> 0:18:25.836
<v Speaker 4>want to. And it's funny because you're here. This is

0:18:25.916 --> 0:18:30.356
<v Speaker 4>exactly what inspired the album, this space, having this space

0:18:30.436 --> 0:18:34.916
<v Speaker 4>filled with black and brown and you know, just beautiful

0:18:34.916 --> 0:18:39.396
<v Speaker 4>people across the diaspora here, seeing them smiling, seeing the

0:18:39.516 --> 0:18:41.916
<v Speaker 4>joy and their spirits and their hearts. During the time

0:18:41.996 --> 0:18:47.076
<v Speaker 4>where everybody thought the world was ending, I mean every dayandemic.

0:18:49.076 --> 0:18:51.676
<v Speaker 4>We created Wonderland West during the pandemic. It was one

0:18:51.676 --> 0:18:54.436
<v Speaker 4>of the most scary things ever because I grew up

0:18:54.796 --> 0:18:57.356
<v Speaker 4>my parents didn't own a home. We were either in

0:18:57.356 --> 0:18:59.636
<v Speaker 4>like a duplex or you know, we live with my

0:18:59.716 --> 0:19:03.956
<v Speaker 4>grandmother and they were working class, like making ends meet,

0:19:04.596 --> 0:19:06.356
<v Speaker 4>but live in check to check. So when it was

0:19:06.396 --> 0:19:09.116
<v Speaker 4>time for all of us to contribute and figure out

0:19:09.156 --> 0:19:13.276
<v Speaker 4>where we were going to migrate with Wonderland, it was like, okay,

0:19:13.316 --> 0:19:15.916
<v Speaker 4>are we ready to all? Am I ready to invest

0:19:16.316 --> 0:19:18.076
<v Speaker 4>in our next creative endeavor?

0:19:18.516 --> 0:19:21.116
<v Speaker 3>Yes? I am, But we're in the middle of a pandemic.

0:19:21.316 --> 0:19:22.236
<v Speaker 3>What does that mean?

0:19:23.116 --> 0:19:28.916
<v Speaker 4>And luckily we knew the person who was trying to

0:19:28.956 --> 0:19:32.676
<v Speaker 4>sell the space, and they were just like, there's nobody

0:19:32.676 --> 0:19:33.996
<v Speaker 4>else I want to have this space.

0:19:35.116 --> 0:19:39.036
<v Speaker 3>And it worked out and it came right to you. Yeah,

0:19:39.196 --> 0:19:39.636
<v Speaker 3>it did.

0:19:40.036 --> 0:19:41.596
<v Speaker 4>But it was also scary because a lot of things

0:19:41.636 --> 0:19:44.316
<v Speaker 4>were being canceled For me. My job is to go

0:19:44.396 --> 0:19:47.716
<v Speaker 4>out into the world and travel and you know, try

0:19:47.756 --> 0:19:48.836
<v Speaker 4>to heal people through music.

0:19:48.876 --> 0:19:50.116
<v Speaker 3>But I couldn't do that.

0:19:50.556 --> 0:19:54.556
<v Speaker 1>So you come from growing up a certain amount of insecurity. Yeah,

0:19:54.636 --> 0:19:56.756
<v Speaker 1>and it's you know, the successful career you've had, it's

0:19:56.756 --> 0:19:58.716
<v Speaker 1>hard to imagine that. But you know, as soon as

0:19:58.756 --> 0:20:00.596
<v Speaker 1>you start to feel that a little bit insecurity again.

0:20:00.716 --> 0:20:05.236
<v Speaker 1>I know from my own life, like all of a sudden, Yeah,

0:20:05.556 --> 0:20:07.156
<v Speaker 1>I mean, where was your mind that?

0:20:07.276 --> 0:20:08.956
<v Speaker 2>With all of that, I.

0:20:08.916 --> 0:20:12.156
<v Speaker 4>Think the pandemic reminded me just how much music means

0:20:12.156 --> 0:20:15.356
<v Speaker 4>to me as a person, not as a career path,

0:20:15.476 --> 0:20:18.276
<v Speaker 4>not as you know, the artists that people know and

0:20:18.636 --> 0:20:20.636
<v Speaker 4>come to the concerts and see, but as a human

0:20:21.436 --> 0:20:23.876
<v Speaker 4>android having this Earth experience.

0:20:23.996 --> 0:20:25.716
<v Speaker 3>I need music. I need to create.

0:20:26.236 --> 0:20:28.316
<v Speaker 4>During that time, not only were we working on music,

0:20:28.356 --> 0:20:31.276
<v Speaker 4>but I also wrote a book called The Memory Librarian.

0:20:31.556 --> 0:20:35.196
<v Speaker 4>I was just doing anything creative that would would help

0:20:35.236 --> 0:20:38.756
<v Speaker 4>me feel better, because to go from moving around so

0:20:38.876 --> 0:20:41.796
<v Speaker 4>much to just being still it was tough.

0:20:42.156 --> 0:20:44.276
<v Speaker 3>It was tough for me. How was it for you, Nate?

0:20:44.596 --> 0:20:44.916
<v Speaker 2>Yeah?

0:20:45.676 --> 0:20:49.796
<v Speaker 5>You know, art has this weird responsibility of trying to

0:20:49.796 --> 0:20:53.916
<v Speaker 5>document and explain the human experience a little bit more

0:20:54.036 --> 0:20:57.236
<v Speaker 5>and kind of just like on Earth, a little bit

0:20:57.276 --> 0:20:59.316
<v Speaker 5>more about what it means to be human. And I

0:20:59.316 --> 0:21:01.836
<v Speaker 5>think that so many of us were finding out a

0:21:01.876 --> 0:21:03.996
<v Speaker 5>lot more about what it meant to be human, Yeah,

0:21:04.316 --> 0:21:07.476
<v Speaker 5>like a lot about the mortality of it, even though

0:21:07.516 --> 0:21:12.756
<v Speaker 5>we weren't necessarily in or didn't consider ourselves vulnerable in

0:21:12.796 --> 0:21:14.356
<v Speaker 5>that kind of way. I think a lot of us

0:21:14.436 --> 0:21:20.916
<v Speaker 5>looked at ourselves as more vulnerable to death. And I

0:21:20.916 --> 0:21:23.556
<v Speaker 5>think that that was a very real consideration that we

0:21:23.636 --> 0:21:27.076
<v Speaker 5>all kind of had to deal with it differently. And

0:21:27.116 --> 0:21:29.916
<v Speaker 5>I think that human experience is a very unique one

0:21:30.996 --> 0:21:33.436
<v Speaker 5>that kind of felt like okay, so what is the

0:21:33.476 --> 0:21:37.076
<v Speaker 5>response to that, and how do you talk about this

0:21:37.756 --> 0:21:41.116
<v Speaker 5>in healthy ways? And how do you explore and understand

0:21:41.196 --> 0:21:45.116
<v Speaker 5>more about it? So I think that like part of

0:21:45.156 --> 0:21:47.716
<v Speaker 5>what we were trying to do was just face that

0:21:49.076 --> 0:21:52.796
<v Speaker 5>in an honest way. When you talk about like the affirmations,

0:21:53.956 --> 0:21:58.556
<v Speaker 5>I mean that was very intentional, because part of just

0:21:58.596 --> 0:22:03.116
<v Speaker 5>confronting death is like being able to turn your head

0:22:03.116 --> 0:22:06.556
<v Speaker 5>and be like not today, and then you kind of

0:22:06.636 --> 0:22:08.356
<v Speaker 5>are like okay, so then what does that mean? And

0:22:08.356 --> 0:22:10.716
<v Speaker 5>it's kind of like, okay, live and so then how

0:22:10.756 --> 0:22:15.156
<v Speaker 5>do you live in a way that honors the life experience?

0:22:15.196 --> 0:22:18.796
<v Speaker 5>And it's like, hey, okay, I'm here, I'm here now,

0:22:19.396 --> 0:22:21.076
<v Speaker 5>you know. And you hear these stories about the Roaring

0:22:21.116 --> 0:22:25.236
<v Speaker 5>twenties when people are kind of like getting through the depressions.

0:22:25.516 --> 0:22:28.396
<v Speaker 5>It's so much going on and they're like you and

0:22:28.396 --> 0:22:31.316
<v Speaker 5>they've made it through a pandemic, right, and you have

0:22:31.436 --> 0:22:35.756
<v Speaker 5>the guilt and so much of that goes into just

0:22:35.756 --> 0:22:40.756
<v Speaker 5>just your human experience, and it's those affirmations were like

0:22:40.916 --> 0:22:45.276
<v Speaker 5>just the small attempts to just undergird just the everyday

0:22:46.076 --> 0:22:48.276
<v Speaker 5>thing that's kind of like pushing you down and kind

0:22:48.276 --> 0:22:49.356
<v Speaker 5>of be like, all right, I'm.

0:22:49.196 --> 0:22:49.956
<v Speaker 2>Gonna get back up.

0:22:50.476 --> 0:22:52.276
<v Speaker 5>You know when Janelle says like I used to walk

0:22:52.276 --> 0:22:55.116
<v Speaker 5>into the room head down, you know, it's just that

0:22:55.356 --> 0:22:57.676
<v Speaker 5>feeling of I used to walk into the room head

0:22:57.716 --> 0:23:01.836
<v Speaker 5>down and being like that's I'm leaving that and now

0:23:01.996 --> 0:23:05.716
<v Speaker 5>I'm onto this next stage of myself.

0:23:06.396 --> 0:23:09.076
<v Speaker 4>I think in the I think it was a priva

0:23:09.636 --> 0:23:12.236
<v Speaker 4>to be still because during that time, I mean, as

0:23:12.276 --> 0:23:13.916
<v Speaker 4>we know, a lot of people were getting laid off

0:23:13.916 --> 0:23:16.276
<v Speaker 4>from work, a lot of people were losing their families

0:23:16.676 --> 0:23:20.836
<v Speaker 4>passing away. And as much as it was sad that

0:23:20.916 --> 0:23:23.596
<v Speaker 4>I couldn't go and be the artist that I wanted

0:23:23.596 --> 0:23:25.436
<v Speaker 4>to be out into the world, there were so many

0:23:25.476 --> 0:23:29.156
<v Speaker 4>other people who had it worse than us. In that stillness,

0:23:29.236 --> 0:23:31.956
<v Speaker 4>I said, well, what can I do. I know, we

0:23:31.956 --> 0:23:34.836
<v Speaker 4>were in LA and we got the opportunity to feed

0:23:34.956 --> 0:23:38.396
<v Speaker 4>and give out over thirty five thousand meals throughout Won

0:23:38.476 --> 0:23:42.276
<v Speaker 4>to Lunch program, and so we did that for like months,

0:23:42.276 --> 0:23:46.276
<v Speaker 4>and months and months, and I think that connectivity back

0:23:46.316 --> 0:23:50.596
<v Speaker 4>to humanity really let us know what kind of affirmations

0:23:50.596 --> 0:23:54.116
<v Speaker 4>are people needed and what I needed as well. And

0:23:54.156 --> 0:23:56.876
<v Speaker 4>I think to answer your question, we were very intentional

0:23:56.916 --> 0:23:59.076
<v Speaker 4>about that, and I think Float really kicked it off.

0:23:59.476 --> 0:23:59.996
<v Speaker 3>Like I used to.

0:23:59.996 --> 0:24:01.956
<v Speaker 4>Walk into the room head down out on walk Now

0:24:01.956 --> 0:24:04.596
<v Speaker 4>if Float, I got an opportunity in that stillness to

0:24:05.276 --> 0:24:09.436
<v Speaker 4>deal with childhood trauma that I had not help with

0:24:10.396 --> 0:24:14.436
<v Speaker 4>that because because I was moving around so much, I didn't.

0:24:14.476 --> 0:24:18.116
<v Speaker 4>It was like, Okay, you know something's not right, but

0:24:18.156 --> 0:24:21.036
<v Speaker 4>I don't have time to deal with it. And in

0:24:21.076 --> 0:24:26.076
<v Speaker 4>that discovering and peeling back the layers of the rejection

0:24:26.316 --> 0:24:31.036
<v Speaker 4>and abandonment that I felt early on get into the

0:24:31.116 --> 0:24:34.636
<v Speaker 4>root of it, my spirit started to get lighter because

0:24:34.636 --> 0:24:37.876
<v Speaker 4>I knew. I was like, oh, okay, so I can

0:24:37.916 --> 0:24:41.556
<v Speaker 4>become better and more evolved as a person now. And

0:24:41.596 --> 0:24:43.716
<v Speaker 4>I feel so empowered now that I know.

0:24:43.756 --> 0:24:44.796
<v Speaker 3>What was going on with me.

0:24:45.836 --> 0:24:49.196
<v Speaker 4>And when you heal as a as a person, all

0:24:49.236 --> 0:24:51.436
<v Speaker 4>of that seeks into your music and your art. My

0:24:51.556 --> 0:24:55.676
<v Speaker 4>art is a reflection of who I am, and I'm

0:24:55.676 --> 0:24:57.956
<v Speaker 4>so thankful for that, because all I wanted to do

0:24:58.156 --> 0:25:01.596
<v Speaker 4>was give more people affirmations because I know I wouldn't

0:25:01.676 --> 0:25:03.996
<v Speaker 4>only want When I would have conversations with people, they

0:25:04.036 --> 0:25:08.116
<v Speaker 4>would say the same thing, like, man, I have to

0:25:08.196 --> 0:25:09.836
<v Speaker 4>let go of this. I have to let go of that,

0:25:10.276 --> 0:25:12.236
<v Speaker 4>you know, And so float was that thing. It was

0:25:12.276 --> 0:25:15.076
<v Speaker 4>like once you let go of the heaviness that you've

0:25:15.076 --> 0:25:17.796
<v Speaker 4>been carrying on your back that you didn't didn't have

0:25:17.836 --> 0:25:19.836
<v Speaker 4>to carry, and you just find you're finding out like, oh,

0:25:20.236 --> 0:25:22.076
<v Speaker 4>I have a way to get all of this off

0:25:22.116 --> 0:25:24.876
<v Speaker 4>of me now. It felt like I wanted to celebrate

0:25:24.916 --> 0:25:28.596
<v Speaker 4>as a new person, like I feel like I definitely,

0:25:29.236 --> 0:25:31.396
<v Speaker 4>you know, shed a lot of skin, turned a new leaf.

0:25:32.036 --> 0:25:37.196
<v Speaker 4>And obviously it's a constant, you know, journey, But once

0:25:37.236 --> 0:25:39.996
<v Speaker 4>I tapped into it, I got really inspired to write

0:25:39.996 --> 0:25:40.436
<v Speaker 4>about it.

0:25:42.236 --> 0:25:43.996
<v Speaker 1>After a quick break, we'll come back with more of

0:25:44.036 --> 0:25:51.956
<v Speaker 1>my conversation with Jennel Monet and Nate Wonder. We're back

0:25:51.996 --> 0:25:55.996
<v Speaker 1>with Jennel mone and Nate Wonder. Once you put the

0:25:56.036 --> 0:25:58.316
<v Speaker 1>album out, how did you guys feel about the response

0:25:58.356 --> 0:26:02.156
<v Speaker 1>to it. You know, obviously we're very vulnerable, and I

0:26:02.156 --> 0:26:06.396
<v Speaker 1>feel like that was like a big point of conversation

0:26:06.636 --> 0:26:10.356
<v Speaker 1>around that. But was it Sometimes you do things feeling

0:26:10.396 --> 0:26:11.876
<v Speaker 1>like that's the right thing to do, and then it's like,

0:26:11.876 --> 0:26:15.116
<v Speaker 1>oh shit, I got to talk about this, Like how

0:26:15.236 --> 0:26:18.116
<v Speaker 1>was the process of going out and talking about the

0:26:18.156 --> 0:26:21.156
<v Speaker 1>album and getting people's responses to the project?

0:26:21.836 --> 0:26:24.796
<v Speaker 4>You know, I think it's a beautiful thing that when

0:26:24.796 --> 0:26:27.596
<v Speaker 4>people see themselves reflected, that was the most beautiful thing.

0:26:27.636 --> 0:26:29.156
<v Speaker 4>I think a lot of people coming up to me,

0:26:29.676 --> 0:26:32.276
<v Speaker 4>some of them whispering, some of them more vocal about it,

0:26:32.356 --> 0:26:37.196
<v Speaker 4>like thank you so much, you know, for sharing more

0:26:37.236 --> 0:26:39.876
<v Speaker 4>of who you are. There's this quote by betha and

0:26:39.916 --> 0:26:42.116
<v Speaker 4>Hardest and this as you know, people don't change that

0:26:42.236 --> 0:26:45.116
<v Speaker 4>become more of who they are. And what I got

0:26:45.116 --> 0:26:48.556
<v Speaker 4>an opportunity to do is become more of who I

0:26:48.596 --> 0:26:51.476
<v Speaker 4>am and write about it and write about it with

0:26:51.516 --> 0:26:53.596
<v Speaker 4>other people who were discovering more about who they were

0:26:54.236 --> 0:26:56.996
<v Speaker 4>and us having a safe space that was really important.

0:26:56.996 --> 0:27:00.156
<v Speaker 4>I think with an album called The Age of Pleasure,

0:27:00.196 --> 0:27:03.436
<v Speaker 4>there is no pleasure without safety. When we don't feel

0:27:03.476 --> 0:27:06.476
<v Speaker 4>safe and taking care of you cannot be free in

0:27:06.516 --> 0:27:08.556
<v Speaker 4>the way that you move or express yourselves.

0:27:08.556 --> 0:27:11.236
<v Speaker 1>At least from me to your point earlier about unpacking

0:27:11.236 --> 0:27:12.916
<v Speaker 1>a lot of the dramas and stuff, just feeling safe

0:27:12.916 --> 0:27:15.556
<v Speaker 1>within yourself too exactly, you know what I mean exactly.

0:27:16.036 --> 0:27:19.556
<v Speaker 4>I feel a lot more. Mmm, how do I put it?

0:27:20.876 --> 0:27:23.796
<v Speaker 4>I did put it. I see a float. I feel

0:27:23.836 --> 0:27:28.796
<v Speaker 4>like I've like floated in anything that used to bother me.

0:27:29.356 --> 0:27:32.076
<v Speaker 4>It doesn't touch me to say. It's kind of scary

0:27:32.156 --> 0:27:34.156
<v Speaker 4>and also really really awesome.

0:27:34.596 --> 0:27:37.716
<v Speaker 1>Yeah, how was it writing on this record with Janelle?

0:27:38.076 --> 0:27:41.316
<v Speaker 1>With given the just the way the songs were coming out,

0:27:41.636 --> 0:27:41.956
<v Speaker 1>it was.

0:27:41.916 --> 0:27:42.716
<v Speaker 2>A real blessing.

0:27:43.436 --> 0:27:46.796
<v Speaker 5>Before we started working on that album, I remember I

0:27:46.956 --> 0:27:50.676
<v Speaker 5>told my management team that I really wanted to focus

0:27:50.836 --> 0:27:54.716
<v Speaker 5>this time that I have right now on making music

0:27:55.356 --> 0:28:01.916
<v Speaker 5>for black women and black non binary folks. I want

0:28:01.956 --> 0:28:04.636
<v Speaker 5>to make music that makes them smile, Like, I want

0:28:04.636 --> 0:28:07.596
<v Speaker 5>to make music for them specifically, like I really just

0:28:07.636 --> 0:28:11.756
<v Speaker 5>want to be of service to that community. And there's

0:28:11.836 --> 0:28:16.276
<v Speaker 5>so many reasons why. But one reason is because when

0:28:16.316 --> 0:28:19.236
<v Speaker 5>I go to the grocery store as like a little

0:28:19.276 --> 0:28:21.596
<v Speaker 5>side I.

0:28:24.156 --> 0:28:24.996
<v Speaker 2>Do it. I love it.

0:28:25.836 --> 0:28:26.436
<v Speaker 3>This is great.

0:28:26.556 --> 0:28:32.996
<v Speaker 4>I love it because I do not like going used

0:28:32.996 --> 0:28:34.636
<v Speaker 4>to have me in the grocery store way too long.

0:28:34.716 --> 0:28:36.076
<v Speaker 4>It's like I'm ready to go home.

0:28:37.436 --> 0:28:39.636
<v Speaker 5>So anyway, but when I would go and I see

0:28:40.036 --> 0:28:42.956
<v Speaker 5>like black women at the grocery store smiling.

0:28:43.876 --> 0:28:45.916
<v Speaker 2>It just makes me feel a certain way.

0:28:46.436 --> 0:28:48.396
<v Speaker 5>And sometimes it'll be like when a certain song would

0:28:48.396 --> 0:28:50.916
<v Speaker 5>come on, it would be like you see them singing

0:28:51.036 --> 0:28:55.156
<v Speaker 5>their song and it's like, man, so good. And Janelle,

0:28:55.156 --> 0:28:58.876
<v Speaker 5>of course, has like done so much work as a

0:28:58.956 --> 0:29:04.516
<v Speaker 5>leading voice in terms of activism, in terms of being

0:29:04.516 --> 0:29:07.356
<v Speaker 5>on the right side of history, in terms of speaking

0:29:07.516 --> 0:29:14.036
<v Speaker 5>up for marginalized people, early to early always it's been herself.

0:29:15.036 --> 0:29:18.396
<v Speaker 5>But I also was thinking about how much that can

0:29:18.436 --> 0:29:22.476
<v Speaker 5>weigh on a person, And I told you now, I said,

0:29:22.556 --> 0:29:25.796
<v Speaker 5>I really like for your next time, I would really

0:29:25.876 --> 0:29:29.636
<v Speaker 5>love I would love to see you smile more like

0:29:29.676 --> 0:29:31.556
<v Speaker 5>I would love to just see you smile, Like it

0:29:31.636 --> 0:29:34.636
<v Speaker 5>really would mean so much. I think that you smiling

0:29:35.116 --> 0:29:38.076
<v Speaker 5>is a really special thing. I love when I see

0:29:38.116 --> 0:29:41.836
<v Speaker 5>you smile, and I would love to see what that

0:29:42.076 --> 0:29:45.516
<v Speaker 5>energy is to like really put that into a space.

0:29:45.716 --> 0:29:47.716
<v Speaker 4>And I hadn't really considered that. And I looked at

0:29:47.716 --> 0:29:50.756
<v Speaker 4>all my album covers and I was like, I'm really

0:29:50.796 --> 0:29:51.396
<v Speaker 4>not smiling.

0:29:51.796 --> 0:29:53.676
<v Speaker 1>Kind of fuck with you for a second, Yeah, I was.

0:29:53.636 --> 0:29:56.956
<v Speaker 4>Like, what what is going on? Like from the Arcandroid

0:29:57.116 --> 0:30:02.116
<v Speaker 4>to Electric Lady to Dirty Computer, And if you look

0:30:02.156 --> 0:30:07.356
<v Speaker 4>at the cover for the Age of Pleasure. I am

0:30:07.356 --> 0:30:12.196
<v Speaker 4>writing this pool swimming topless and smiling.

0:30:13.156 --> 0:30:17.076
<v Speaker 5>Yeah, you know, it's a layered idea, but I do

0:30:17.236 --> 0:30:22.116
<v Speaker 5>think that giving somebody something that makes them want to

0:30:22.196 --> 0:30:28.636
<v Speaker 5>smile is its own resistance. It's its own protest, it's

0:30:28.676 --> 0:30:32.796
<v Speaker 5>its own like giving people affirmations is its own version.

0:30:33.156 --> 0:30:36.396
<v Speaker 5>It's a certain form of work, it's a certain type

0:30:36.396 --> 0:30:36.916
<v Speaker 5>of healing.

0:30:37.796 --> 0:30:40.756
<v Speaker 1>And so it's pleasure like yeah, you like it's like

0:30:40.876 --> 0:30:42.516
<v Speaker 1>I want you to smile. It's like to your point

0:30:42.556 --> 0:30:45.156
<v Speaker 1>then too, it's like only I smile, like I want

0:30:45.196 --> 0:30:48.436
<v Speaker 1>top in this pool right and smiled, And it's like

0:30:48.596 --> 0:30:52.276
<v Speaker 1>both of those things are can be subversive, can't be

0:30:52.316 --> 0:30:53.476
<v Speaker 1>absolutely you know what I mean?

0:30:53.756 --> 0:30:56.796
<v Speaker 5>Absolutely it is to make an album called The Age

0:30:56.836 --> 0:30:59.836
<v Speaker 5>of Pleasure in the middle of a pandemic is a

0:30:59.956 --> 0:31:03.916
<v Speaker 5>subversive piece of art because it is just kind of

0:31:03.916 --> 0:31:07.676
<v Speaker 5>being like, no, it's just like because there's been you know,

0:31:07.716 --> 0:31:10.716
<v Speaker 5>when you're dealing with so much trauma from elections to

0:31:10.996 --> 0:31:15.676
<v Speaker 5>it's so much that happens, and it feels like your

0:31:15.836 --> 0:31:18.076
<v Speaker 5>energy when you wake up is going to be stolen

0:31:18.116 --> 0:31:18.396
<v Speaker 5>from you.

0:31:18.676 --> 0:31:22.756
<v Speaker 1>Yeah, yeah, it feels like, yeah, you're dolen, right, It's

0:31:22.796 --> 0:31:25.436
<v Speaker 1>not yours.

0:31:24.596 --> 0:31:28.076
<v Speaker 5>Exactly, and so it was like a big like, no,

0:31:28.956 --> 0:31:31.156
<v Speaker 5>you cannot have all of my day.

0:31:31.596 --> 0:31:33.396
<v Speaker 2>Yeah, you cannot have all of my time.

0:31:33.996 --> 0:31:37.676
<v Speaker 5>I'm going to take some time to enjoy life as

0:31:37.716 --> 0:31:40.396
<v Speaker 5>best as I can under whatever the circumstances that I

0:31:40.476 --> 0:31:44.036
<v Speaker 5>have are. I'm going to try my best to do

0:31:44.396 --> 0:31:48.476
<v Speaker 5>what I can to appreciate this moment, as simple as

0:31:48.516 --> 0:31:51.156
<v Speaker 5>it may be. And what I think that we were

0:31:51.276 --> 0:31:56.876
<v Speaker 5>finding in the writing process was that just having time

0:31:56.956 --> 0:32:00.356
<v Speaker 5>to hang out with your friends was the thing that

0:32:00.436 --> 0:32:05.436
<v Speaker 5>we needed the most. Just seeking time to appreciate each other,

0:32:06.236 --> 0:32:08.676
<v Speaker 5>to smile at each other, to laugh with each other,

0:32:09.276 --> 0:32:11.716
<v Speaker 5>to do like the simple stuff with each other felt

0:32:11.756 --> 0:32:16.116
<v Speaker 5>like this is like worth my time way more than

0:32:16.156 --> 0:32:18.476
<v Speaker 5>whatever that other thing was that was driving me and

0:32:18.676 --> 0:32:20.236
<v Speaker 5>decentering my joy.

0:32:20.716 --> 0:32:21.076
<v Speaker 3>Yeah.

0:32:21.196 --> 0:32:23.236
<v Speaker 4>Yeah, I mean that's what that stuff does, right, Like

0:32:23.276 --> 0:32:25.676
<v Speaker 4>when you think about racism, when you think about sexism,

0:32:25.676 --> 0:32:29.676
<v Speaker 4>when you think about homophobia, all of it. It literally,

0:32:30.516 --> 0:32:33.956
<v Speaker 4>in addition to just being you know, pure evil work,

0:32:34.476 --> 0:32:37.956
<v Speaker 4>it distracts you from living your life because you spend

0:32:37.956 --> 0:32:41.156
<v Speaker 4>so much time fighting. And I definitely found myself and

0:32:41.156 --> 0:32:42.596
<v Speaker 4>I know I'm not the only one. There were so

0:32:42.636 --> 0:32:44.916
<v Speaker 4>many of my friends and people who were out marching.

0:32:45.316 --> 0:32:47.596
<v Speaker 4>You know, you have to understand George Floyd had been murdered.

0:32:47.996 --> 0:32:50.596
<v Speaker 4>It was so much. Breonna Taylor, it was so much.

0:32:50.596 --> 0:32:52.916
<v Speaker 4>And I was working with say her name and I

0:32:52.996 --> 0:32:57.436
<v Speaker 4>put out you know, protest music. It was so heavy, man,

0:32:57.556 --> 0:32:59.196
<v Speaker 4>and I was like, somebody has to do the work.

0:32:59.236 --> 0:33:02.236
<v Speaker 4>But I think balance is important, and what I was

0:33:02.276 --> 0:33:05.596
<v Speaker 4>realizing is I was not getting the balance that I needed.

0:33:06.196 --> 0:33:08.876
<v Speaker 4>And so once we made a decision to not center

0:33:09.556 --> 0:33:13.316
<v Speaker 4>white supremacy, to not center you know, all all of

0:33:13.356 --> 0:33:16.956
<v Speaker 4>the things that again come to distract and destroy and

0:33:16.996 --> 0:33:19.716
<v Speaker 4>stop us from just living our lives as humans, having

0:33:19.716 --> 0:33:23.516
<v Speaker 4>this earth experience and be clear and stand on that.

0:33:23.516 --> 0:33:27.276
<v Speaker 4>That's when I feel like the songwriting got focused. And

0:33:27.316 --> 0:33:29.956
<v Speaker 4>with this project, I said, I want to make music

0:33:30.036 --> 0:33:33.036
<v Speaker 4>for that community, for that community of folks who suffer

0:33:33.116 --> 0:33:34.996
<v Speaker 4>time poverty, Like they don't have time.

0:33:35.556 --> 0:33:36.556
<v Speaker 1>It's a great phrase.

0:33:37.276 --> 0:33:39.756
<v Speaker 4>It's a real thing in our community. People don't have

0:33:40.276 --> 0:33:44.316
<v Speaker 4>the time or the leisure time to just be you

0:33:44.316 --> 0:33:46.596
<v Speaker 4>know what I'm saying, to just be one with their

0:33:46.636 --> 0:33:49.036
<v Speaker 4>friends or their families, because you spend so much time working,

0:33:49.076 --> 0:33:51.636
<v Speaker 4>you spending so much time fighting, and it's like when

0:33:51.636 --> 0:33:53.316
<v Speaker 4>do we say, Okay, well we're going to carve out

0:33:53.356 --> 0:33:55.756
<v Speaker 4>this little space for us. And so I said, I

0:33:56.316 --> 0:33:59.956
<v Speaker 4>want to create music that we can all listen to

0:34:00.356 --> 0:34:03.316
<v Speaker 4>take with us whole with us. That is the balance

0:34:04.196 --> 0:34:08.396
<v Speaker 4>in everything that we're dealing with. And if the people

0:34:08.396 --> 0:34:11.476
<v Speaker 4>that I invite or are not dancing to these songs,

0:34:12.876 --> 0:34:15.636
<v Speaker 4>if they are not moving, if they're not trying to shazam,

0:34:15.756 --> 0:34:19.316
<v Speaker 4>if they're not asking who is that, then it's not working.

0:34:19.756 --> 0:34:22.356
<v Speaker 4>It's not like I want them to really really really

0:34:22.396 --> 0:34:25.236
<v Speaker 4>really love this music. Obviously we have to love it right,

0:34:25.876 --> 0:34:28.356
<v Speaker 4>but it was so important that the community people we

0:34:28.356 --> 0:34:29.396
<v Speaker 4>were writing.

0:34:29.076 --> 0:34:30.396
<v Speaker 3>It for loved it.

0:34:30.916 --> 0:34:33.916
<v Speaker 4>And that's how we put together the Age of Pleasure.

0:34:34.436 --> 0:34:37.796
<v Speaker 4>We had Nona Quabina who worked on some of the music,

0:34:37.836 --> 0:34:41.196
<v Speaker 4>who's also a DJ, and our friends with everyday people.

0:34:41.196 --> 0:34:43.116
<v Speaker 3>I don't know if you know about everyday people parties.

0:34:43.356 --> 0:34:46.316
<v Speaker 1>I've not bet, but like I have to give a

0:34:46.316 --> 0:34:50.436
<v Speaker 1>shout out Pleasure Science. I've been working hard.

0:34:51.036 --> 0:34:53.076
<v Speaker 4>I have to give them a shout out because during

0:34:53.076 --> 0:34:55.636
<v Speaker 4>the pandemic, they couldn't find a place, you know, to

0:34:55.676 --> 0:34:57.996
<v Speaker 4>have their parties. And when I say parties, it's not

0:34:58.196 --> 0:35:02.196
<v Speaker 4>just like I mean everybody's dancing and singing and having

0:35:02.236 --> 0:35:04.436
<v Speaker 4>a good time, but people are feeding each other at

0:35:04.436 --> 0:35:06.476
<v Speaker 4>the parties like their food vendors.

0:35:06.796 --> 0:35:07.916
<v Speaker 3>It's the diaspora.

0:35:07.996 --> 0:35:13.516
<v Speaker 4>It's Pan African is from around the globe from you know, Nigeria, Ghana,

0:35:13.916 --> 0:35:18.436
<v Speaker 4>the Caribbeans, Jamaica, Atlanta, New York, LA and Cape verd

0:35:18.756 --> 0:35:22.316
<v Speaker 4>like all in one place. It's just nothing like going

0:35:22.356 --> 0:35:24.116
<v Speaker 4>to their parties. And so when they asked they had

0:35:24.116 --> 0:35:26.396
<v Speaker 4>come by Wonderland, they were like, you know, they were

0:35:26.436 --> 0:35:28.556
<v Speaker 4>having a hard time getting the space, and we were like,

0:35:28.796 --> 0:35:33.676
<v Speaker 4>come here, shoot, let's figure it out because we're we're

0:35:33.676 --> 0:35:35.916
<v Speaker 4>going through it too, like not being able to see people,

0:35:36.596 --> 0:35:37.596
<v Speaker 4>like how can we do this?

0:35:37.716 --> 0:35:39.916
<v Speaker 3>And that was a was it a bob?

0:35:40.036 --> 0:35:42.796
<v Speaker 1>You had to know who was coming or okay, right?

0:35:42.916 --> 0:35:43.236
<v Speaker 3>For sure?

0:35:43.276 --> 0:35:45.396
<v Speaker 1>It was very small because I would be a little.

0:35:45.396 --> 0:35:47.116
<v Speaker 3>Yeah it was. We needed to know.

0:35:47.356 --> 0:35:48.516
<v Speaker 2>It was small and it was safe.

0:35:48.756 --> 0:35:51.636
<v Speaker 4>Yeah, safe and small, And and that's where the music

0:35:51.716 --> 0:35:54.836
<v Speaker 4>was tested first hearing all of the backstory.

0:35:55.556 --> 0:35:57.116
<v Speaker 1>I'm just gonna say it because I feel like it's

0:35:57.116 --> 0:36:01.636
<v Speaker 1>even in the music, like a more human album. It's

0:36:01.676 --> 0:36:03.916
<v Speaker 1>funny because as we're moving into an age now more

0:36:03.996 --> 0:36:06.596
<v Speaker 1>the future looks a little bleaker in terms of technology.

0:36:06.956 --> 0:36:10.236
<v Speaker 1>I feel like you might have called that a little early.

0:36:11.036 --> 0:36:15.196
<v Speaker 1>And it feels like the project away from computer and

0:36:15.716 --> 0:36:18.836
<v Speaker 1>arch Android and Metropolis and like this tomorrow it feels

0:36:18.876 --> 0:36:23.596
<v Speaker 1>like Janelle the person you know, or it feels like

0:36:23.676 --> 0:36:25.956
<v Speaker 1>to me listening to it, like I even just feel

0:36:25.956 --> 0:36:27.756
<v Speaker 1>myself coming a lot more, just feeling more than me,

0:36:27.956 --> 0:36:29.276
<v Speaker 1>you know what I mean. I know a lot of

0:36:29.316 --> 0:36:31.956
<v Speaker 1>people who've listened to the record, a lot of friends,

0:36:31.956 --> 0:36:34.636
<v Speaker 1>a lot of people. They're saying that like it makes

0:36:34.676 --> 0:36:38.476
<v Speaker 1>them feel a particular way as a living creature, you know.

0:36:39.436 --> 0:36:43.196
<v Speaker 5>Yeah, you know, from the beginning, there was this conversation

0:36:43.316 --> 0:36:48.356
<v Speaker 5>around android rights. Yeah, and Cindy was always being was

0:36:48.396 --> 0:36:52.596
<v Speaker 5>always fighting to be perceived as a human and to

0:36:52.596 --> 0:36:55.436
<v Speaker 5>be respected as a human. So I guess there's a

0:36:55.476 --> 0:36:59.756
<v Speaker 5>certain truthfulness to being like, yeah, you're a human and

0:36:59.836 --> 0:37:00.476
<v Speaker 5>kind of being like.

0:37:00.756 --> 0:37:04.916
<v Speaker 4>Yeah, finally, I mean the definition of an android. And

0:37:04.956 --> 0:37:06.996
<v Speaker 4>if you're listening and you don't know any of my work,

0:37:07.036 --> 0:37:10.476
<v Speaker 4>it's rooted around Cindy May whether who represents the other

0:37:10.716 --> 0:37:13.676
<v Speaker 4>and the other is a parallel, you know, the android

0:37:13.756 --> 0:37:17.036
<v Speaker 4>is a parallel to black folks to you know, marginalize

0:37:17.076 --> 0:37:20.996
<v Speaker 4>folks that I want to amplify, the voices I want

0:37:20.996 --> 0:37:24.236
<v Speaker 4>to amplify and the music I want to write. The

0:37:24.276 --> 0:37:29.076
<v Speaker 4>definition of an android is a robot developing human characteristics.

0:37:29.356 --> 0:37:32.916
<v Speaker 4>So I really think it tells such a continuation of

0:37:32.956 --> 0:37:37.596
<v Speaker 4>beautiful continuation of the story, and it's not finished. It's

0:37:37.676 --> 0:37:40.996
<v Speaker 4>very trippy to see because when I put out Metropolis,

0:37:41.036 --> 0:37:43.876
<v Speaker 4>we were reading The Singularity is near by Ray Kurzweil,

0:37:44.436 --> 0:37:46.636
<v Speaker 4>and if you haven't read that, please do. But it

0:37:46.676 --> 0:37:48.836
<v Speaker 4>talks about this moment that we're having with AI, and

0:37:48.876 --> 0:37:51.356
<v Speaker 4>it talks about the singularity of like not being able

0:37:51.396 --> 0:37:56.676
<v Speaker 4>to differentiate AI recording the song by Janelle Monne or

0:37:56.756 --> 0:38:01.196
<v Speaker 4>Janelle Monet really mapping out that voice. And it's so

0:38:01.316 --> 0:38:05.236
<v Speaker 4>interesting that it's happening now. And when I think about

0:38:05.236 --> 0:38:08.996
<v Speaker 4>the album, how I hate to say it, we knew

0:38:08.996 --> 0:38:15.196
<v Speaker 4>that that when this moment of integration happens, humans were

0:38:15.236 --> 0:38:17.396
<v Speaker 4>going to be frantic about it, as you can see

0:38:17.436 --> 0:38:19.596
<v Speaker 4>right now, Like it's a lot going on in my

0:38:19.716 --> 0:38:23.956
<v Speaker 4>business when it comes to using the likeness of an

0:38:23.996 --> 0:38:29.236
<v Speaker 4>actor's face without paying them, like AIS in that conversation heavily,

0:38:29.276 --> 0:38:31.716
<v Speaker 4>and people are afraid and they're scared and I totally

0:38:32.596 --> 0:38:34.996
<v Speaker 4>get that, and I also think that there needs to

0:38:35.036 --> 0:38:38.276
<v Speaker 4>be more conversation and more laws and things rules to

0:38:38.436 --> 0:38:41.236
<v Speaker 4>really be agreed upon, because not all humans.

0:38:40.876 --> 0:38:43.556
<v Speaker 3>Are bad and not all AI is bad.

0:38:43.636 --> 0:38:45.116
<v Speaker 4>So I think that there needs to be a real

0:38:45.276 --> 0:38:50.356
<v Speaker 4>conversation around who's programming AI. But the thing that I

0:38:50.436 --> 0:38:53.396
<v Speaker 4>realized in knowing that the Singularity was going to happen

0:38:53.796 --> 0:38:56.636
<v Speaker 4>was that it's nothing like that human in human connection.

0:38:57.716 --> 0:39:00.436
<v Speaker 4>It was so important for us to gather and have

0:39:00.516 --> 0:39:05.756
<v Speaker 4>experiences that cannot be created by AI. We can only

0:39:05.836 --> 0:39:10.676
<v Speaker 4>have these the barbecue experiences, you know, sharing food together,

0:39:11.796 --> 0:39:14.316
<v Speaker 4>wrapping our arms around each other, being there for each other,

0:39:14.356 --> 0:39:19.476
<v Speaker 4>and these times, these are moments that humans have such

0:39:19.556 --> 0:39:23.276
<v Speaker 4>a deep connection to and can talk about in ways

0:39:23.316 --> 0:39:26.156
<v Speaker 4>that AI can. And that was my hope too, is

0:39:26.196 --> 0:39:30.476
<v Speaker 4>to encourage more community, to encourage people to be with

0:39:30.556 --> 0:39:34.476
<v Speaker 4>each other like our stories are all we have. It

0:39:34.556 --> 0:39:37.476
<v Speaker 4>is our stories that will set us apart and continue

0:39:37.516 --> 0:39:39.796
<v Speaker 4>to make us believe in humanity again.

0:39:40.596 --> 0:39:44.676
<v Speaker 1>Yeah, how have you guys playing guitar on the steps,

0:39:44.956 --> 0:39:47.036
<v Speaker 1>barely finishing college, having to shot out some money to

0:39:47.116 --> 0:39:51.196
<v Speaker 1>do it? You guys found each other over those years,

0:39:51.236 --> 0:39:53.796
<v Speaker 1>you guys have amassed a body of work, all very

0:39:53.836 --> 0:39:56.276
<v Speaker 1>different from each other, genre less. As you said from

0:39:56.316 --> 0:40:01.516
<v Speaker 1>the beginning, money comes success time, new people, new relationships,

0:40:01.556 --> 0:40:06.396
<v Speaker 1>new opportunities. It's incredible to me that you guys have

0:40:06.476 --> 0:40:08.756
<v Speaker 1>managed to stay close.

0:40:09.156 --> 0:40:17.196
<v Speaker 6>There you go, Yeah, separate the legal entity of the

0:40:17.236 --> 0:40:20.836
<v Speaker 6>Rolling Stones, you know, it's like, yeah, I have no

0:40:20.996 --> 0:40:22.356
<v Speaker 6>real responsibility to each other.

0:40:23.956 --> 0:40:24.836
<v Speaker 2>We do, but we do.

0:40:24.996 --> 0:40:28.196
<v Speaker 3>Yeah, but that's very I'm happy that you brought that up.

0:40:28.236 --> 0:40:29.236
<v Speaker 3>It's so true.

0:40:29.276 --> 0:40:31.996
<v Speaker 4>And when I look at some of the collectives, and

0:40:32.276 --> 0:40:34.076
<v Speaker 4>you know, we don't have to dig into names, but

0:40:34.276 --> 0:40:38.796
<v Speaker 4>even even some of the most iconic collectives ended up

0:40:38.836 --> 0:40:41.676
<v Speaker 4>not working with each other anymore. And I just remember

0:40:41.716 --> 0:40:44.596
<v Speaker 4>the time when they were and how that felt, and

0:40:45.076 --> 0:40:47.596
<v Speaker 4>how I felt when it wasn't the case anymore. And

0:40:47.636 --> 0:40:51.596
<v Speaker 4>I just it always was important to me to nurture

0:40:51.636 --> 0:40:54.756
<v Speaker 4>my relationships, like I invest in people, you know, not

0:40:54.876 --> 0:40:59.556
<v Speaker 4>because they're of course, everybody is very talented, but I

0:40:59.556 --> 0:41:02.876
<v Speaker 4>think they're really really great people who happened to be

0:41:03.076 --> 0:41:06.316
<v Speaker 4>very talented. And when you come from a big family

0:41:06.396 --> 0:41:09.756
<v Speaker 4>like me, I have forty nine first cousins, so I

0:41:09.876 --> 0:41:12.996
<v Speaker 4>was brought into a community, you know that runs through

0:41:12.996 --> 0:41:17.276
<v Speaker 4>my blood. And it's loyalty, and it's growth and transparency

0:41:17.436 --> 0:41:21.796
<v Speaker 4>and communication and all those things in respect as somebody

0:41:21.836 --> 0:41:25.476
<v Speaker 4>who has ideas, obviously, I'll always have the final say

0:41:25.516 --> 0:41:27.596
<v Speaker 4>if we're working on something with what I want to do,

0:41:27.716 --> 0:41:28.556
<v Speaker 4>you know, on my music.

0:41:28.916 --> 0:41:30.516
<v Speaker 3>But I love listening.

0:41:30.716 --> 0:41:33.356
<v Speaker 4>I love being able to hear how Nate's mind is working,

0:41:33.436 --> 0:41:36.236
<v Speaker 4>to hear how Chuck's mind is working. Since a bueno

0:41:36.396 --> 0:41:40.156
<v Speaker 4>is thinking none no, like I love to see how

0:41:40.156 --> 0:41:44.636
<v Speaker 4>they interpret certain things and how they sharpen my sword

0:41:44.916 --> 0:41:47.356
<v Speaker 4>you know when it is time to creatively fight for

0:41:47.396 --> 0:41:47.876
<v Speaker 4>an idea.

0:41:49.756 --> 0:41:50.396
<v Speaker 3>So I love that.

0:41:50.516 --> 0:41:55.756
<v Speaker 4>I love what this community has done, not just for

0:41:55.876 --> 0:41:56.916
<v Speaker 4>me before the rest of the.

0:41:56.876 --> 0:42:02.676
<v Speaker 5>World quests love for us aside a few years ago

0:42:03.196 --> 0:42:06.276
<v Speaker 5>and he was like, listen, man, you guys have something

0:42:06.316 --> 0:42:10.436
<v Speaker 5>really really special. But just so you know the most

0:42:10.436 --> 0:42:13.796
<v Speaker 5>important thing you guys can do, just trust me on this.

0:42:14.076 --> 0:42:19.156
<v Speaker 5>Just stay together. Just stay together. And he went through

0:42:19.196 --> 0:42:22.396
<v Speaker 5>his stories of what happened, like all the things that

0:42:22.516 --> 0:42:26.556
<v Speaker 5>happen to you can change you. But just know that

0:42:26.596 --> 0:42:29.036
<v Speaker 5>you guys have something very special and it's worth protecting.

0:42:29.396 --> 0:42:34.196
<v Speaker 5>Stay together. Don't get distracted by whatever else comes. Just

0:42:34.236 --> 0:42:38.276
<v Speaker 5>stay together. And the other thing is that we have

0:42:38.436 --> 0:42:43.756
<v Speaker 5>this credo, a Wonderland credo that was written a long time.

0:42:43.556 --> 0:42:45.876
<v Speaker 2>Ago, like very very early.

0:42:45.956 --> 0:42:51.516
<v Speaker 5>And in there it discusses our responsibility to each other

0:42:52.476 --> 0:42:54.876
<v Speaker 5>and to our broader community, but.

0:42:54.956 --> 0:42:57.036
<v Speaker 2>Specifically to each other.

0:42:57.836 --> 0:43:00.236
<v Speaker 5>How we need to take care of each other, how

0:43:00.276 --> 0:43:03.836
<v Speaker 5>we need to look after each other. Those basic things

0:43:03.956 --> 0:43:08.076
<v Speaker 5>are written into our credo of how we understand Wonderland.

0:43:09.276 --> 0:43:13.036
<v Speaker 5>Like at its foundation it must at least be a

0:43:13.036 --> 0:43:18.196
<v Speaker 5>community or artists can be taken care of and of

0:43:18.236 --> 0:43:20.476
<v Speaker 5>course challenge each other around our ideas, but that we

0:43:20.516 --> 0:43:23.436
<v Speaker 5>feel at least safe to have our ideas.

0:43:23.636 --> 0:43:26.876
<v Speaker 4>Yeah, that's how you make your best music again, when

0:43:26.916 --> 0:43:29.436
<v Speaker 4>you feel safe with the people that you're with, Like

0:43:29.476 --> 0:43:34.076
<v Speaker 4>when you feel like you can just go there and

0:43:34.916 --> 0:43:38.156
<v Speaker 4>try new shit out like fall in love with music,

0:43:38.156 --> 0:43:39.556
<v Speaker 4>fall in love with art, And I think that's what

0:43:39.556 --> 0:43:40.916
<v Speaker 4>we love at our core.

0:43:41.436 --> 0:43:44.276
<v Speaker 1>First of all, you guys are living the dream. I

0:43:44.276 --> 0:43:47.316
<v Speaker 1>mean that you guys found each other. It's hard.

0:43:47.796 --> 0:43:52.236
<v Speaker 3>Let me say, it is hard work. It is not easy.

0:43:52.836 --> 0:43:54.676
<v Speaker 2>Art is hard.

0:43:54.756 --> 0:43:59.396
<v Speaker 4>Depending on what process you're in, it can be frustrating

0:43:59.596 --> 0:44:02.636
<v Speaker 4>and just like you can lose your confidence and second

0:44:02.716 --> 0:44:05.276
<v Speaker 4>guess yourself, or you could be having the best time

0:44:05.316 --> 0:44:06.876
<v Speaker 4>of your life. You wake back up and listen to

0:44:06.916 --> 0:44:10.436
<v Speaker 4>that demo or you wrote the night before, you're like, oh,

0:44:10.436 --> 0:44:13.396
<v Speaker 4>this ship is fire, like thank God, and you play

0:44:13.396 --> 0:44:15.436
<v Speaker 4>it for people outside you know, who were not a

0:44:15.476 --> 0:44:18.076
<v Speaker 4>part of the process, and you get that feedback. It

0:44:18.076 --> 0:44:21.676
<v Speaker 4>can be disappointing or it can be like, Yes, when

0:44:21.716 --> 0:44:21.876
<v Speaker 4>do you.

0:44:21.916 --> 0:44:23.956
<v Speaker 1>Start playing stuff for Is it usually like earlier in

0:44:23.996 --> 0:44:26.556
<v Speaker 1>the process, or is it like.

0:44:25.916 --> 0:44:27.596
<v Speaker 3>I try to play as early as possible.

0:44:27.916 --> 0:44:29.556
<v Speaker 2>I like people seeing in the studio when I'm working

0:44:29.556 --> 0:44:29.956
<v Speaker 2>on music.

0:44:29.996 --> 0:44:30.596
<v Speaker 1>I gotta feel that.

0:44:31.196 --> 0:44:32.396
<v Speaker 3>Yeah, he's different. I don't know.

0:44:33.116 --> 0:44:35.476
<v Speaker 4>But but with Age of Pleasure, I was more open.

0:44:35.756 --> 0:44:38.156
<v Speaker 4>But with all my other albums I would be in

0:44:38.196 --> 0:44:40.516
<v Speaker 4>their engineering myself. I engineer myself a lot on this

0:44:40.556 --> 0:44:41.156
<v Speaker 4>project too.

0:44:41.596 --> 0:44:43.276
<v Speaker 1>Yeah, just because you wanted to be.

0:44:43.036 --> 0:44:46.076
<v Speaker 5>Because I needed When she goes in, yah, it's like

0:44:46.516 --> 0:44:50.796
<v Speaker 5>close it and Janelle go in there and will engineer.

0:44:50.876 --> 0:44:52.796
<v Speaker 4>And then I'll call them back in like once I

0:44:52.836 --> 0:44:55.356
<v Speaker 4>have all my takes that I feel like are highlighted

0:44:55.436 --> 0:44:58.156
<v Speaker 4>and good, or I'll ask them to highlight in green,

0:44:58.276 --> 0:45:00.716
<v Speaker 4>like which ones you think are the best. But I'm

0:45:00.716 --> 0:45:03.436
<v Speaker 4>always searching for that feeling, and sometimes I need to

0:45:03.436 --> 0:45:04.676
<v Speaker 4>be alone to get that feeling.

0:45:05.156 --> 0:45:08.356
<v Speaker 1>Yeah, we're gonna pause for another quick break and then

0:45:08.396 --> 0:45:11.636
<v Speaker 1>come back with more from Nate Wonder and Janelle Monee.

0:45:16.076 --> 0:45:18.516
<v Speaker 1>We're back with the rest of my conversation with Nate

0:45:18.596 --> 0:45:22.436
<v Speaker 1>Wonder and Janelle Monee. We were talking about the diaspora

0:45:22.476 --> 0:45:26.116
<v Speaker 1>earlier and one of the beautiful that on the album

0:45:26.596 --> 0:45:30.116
<v Speaker 1>Daspa was like really represented from Sam Coudie, Yes to

0:45:31.076 --> 0:45:35.436
<v Speaker 1>uh to Sister Nancy, Nancy Grace Jones, uh.

0:45:39.036 --> 0:45:44.556
<v Speaker 2>K K Doms Unlimited.

0:45:44.796 --> 0:45:47.676
<v Speaker 3>From Atlanta to Ghana, to Nigeria to Jamaica and so on.

0:45:47.716 --> 0:45:50.236
<v Speaker 2>I mean, it's just we're so friends on there.

0:45:50.596 --> 0:45:52.316
<v Speaker 3>Yeah, some of the musicians talking.

0:45:52.756 --> 0:45:55.156
<v Speaker 1>Yeah, and what did those come from?

0:45:55.236 --> 0:45:58.436
<v Speaker 4>Corey hen from us so French the French seventy five

0:45:58.716 --> 0:46:03.436
<v Speaker 4>is us in New Orleans during Essence Fest, not this

0:46:03.556 --> 0:46:06.916
<v Speaker 4>year but last year and we were we woke up

0:46:06.956 --> 0:46:09.596
<v Speaker 4>and we started talking about the night that we had

0:46:10.116 --> 0:46:12.316
<v Speaker 4>and it was my first it was like my first

0:46:12.396 --> 0:46:15.516
<v Speaker 4>time getting beads and so if you've been to New Orleans,

0:46:15.596 --> 0:46:18.916
<v Speaker 4>you know what getting your beads means. Like it's so

0:46:19.116 --> 0:46:21.116
<v Speaker 4>fun and I was, it was so liberating and just

0:46:21.116 --> 0:46:28.236
<v Speaker 4>really I know, right, it involves you going down on

0:46:28.796 --> 0:46:31.716
<v Speaker 4>in the French quarters and if you lift your shirt up,

0:46:31.756 --> 0:46:33.436
<v Speaker 4>they would throw you some beads. And it's a part

0:46:33.516 --> 0:46:36.716
<v Speaker 4>of the New Orleans culture. Fun and it was freeing

0:46:36.756 --> 0:46:38.876
<v Speaker 4>because as somebody who's like, oh my god.

0:46:38.876 --> 0:46:40.956
<v Speaker 3>I'm famous, they can't do these things. I'll end up.

0:46:41.156 --> 0:46:46.636
<v Speaker 4>And nobody even really posted it until like years later. No, no, no,

0:46:46.636 --> 0:46:50.276
<v Speaker 4>nobody found it. Actually, nobody found that video. Maybe one person.

0:46:50.676 --> 0:46:54.556
<v Speaker 4>No no, no, no, not not my beads. Oh I've done that.

0:46:54.476 --> 0:46:55.356
<v Speaker 3>On several occasions.

0:46:55.356 --> 0:46:59.836
<v Speaker 4>No, it's really the beads want too. I thought, okay,

0:46:59.956 --> 0:47:03.116
<v Speaker 4>well that's awesome. It made me smile. Remember I said

0:47:03.116 --> 0:47:07.396
<v Speaker 4>this album we are smiling. This season, we are smiling.

0:47:08.196 --> 0:47:11.676
<v Speaker 4>And that being said, I wanted to just have authentic

0:47:11.716 --> 0:47:14.076
<v Speaker 4>conversations with my friends and I just asked them it

0:47:14.116 --> 0:47:17.476
<v Speaker 4>was okay if I press record, and it's just it

0:47:17.516 --> 0:47:21.436
<v Speaker 4>was authentic because the people who were there, they're really

0:47:21.476 --> 0:47:23.996
<v Speaker 4>my friends. And so to have these conversations with the

0:47:24.036 --> 0:47:28.516
<v Speaker 4>people who are directly involved in inspiring the songs and

0:47:28.556 --> 0:47:30.436
<v Speaker 4>the song writings. They were all in the studio when

0:47:30.436 --> 0:47:32.756
<v Speaker 4>we were writing them. They were the first people that

0:47:32.836 --> 0:47:34.436
<v Speaker 4>I think everybody on the interview they were some of

0:47:34.436 --> 0:47:36.436
<v Speaker 4>the first people that heard the songs. So when we

0:47:36.476 --> 0:47:40.356
<v Speaker 4>did Float to Champagne Shit, those were their ellipstic lover

0:47:40.916 --> 0:47:43.916
<v Speaker 4>Like when we were writing those songs, I always looked

0:47:43.916 --> 0:47:46.716
<v Speaker 4>at how they moved. I always looked at the body language.

0:47:46.716 --> 0:47:49.036
<v Speaker 4>I always looked at like when they would go play

0:47:49.076 --> 0:47:51.636
<v Speaker 4>other artists songs, what they asked to play this song again,

0:47:52.116 --> 0:47:55.076
<v Speaker 4>because I liked their taste and I knew that they

0:47:55.116 --> 0:47:59.876
<v Speaker 4>were like key in helping us nurture that audience that

0:47:59.916 --> 0:48:00.596
<v Speaker 4>we wanted.

0:48:00.596 --> 0:48:02.836
<v Speaker 1>Like what we would example, something you might have tweeked it.

0:48:03.396 --> 0:48:06.236
<v Speaker 1>So you're looking at your friends playing on they might

0:48:06.276 --> 0:48:10.836
<v Speaker 1>not quite groove the way you expect. Yeah, so what

0:48:10.876 --> 0:48:12.876
<v Speaker 1>do you do? You just go back in and you

0:48:12.916 --> 0:48:13.476
<v Speaker 1>know what, I.

0:48:13.396 --> 0:48:15.236
<v Speaker 3>Don't feel like we had a lot of those moments

0:48:15.236 --> 0:48:15.436
<v Speaker 3>with it.

0:48:15.716 --> 0:48:18.156
<v Speaker 5>Only I know one song that that happened with and

0:48:18.196 --> 0:48:20.796
<v Speaker 5>we changed. It didn't come we were in the middle

0:48:20.796 --> 0:48:21.996
<v Speaker 5>of trying to figure the song out.

0:48:22.356 --> 0:48:23.156
<v Speaker 2>It was hot.

0:48:23.356 --> 0:48:25.036
<v Speaker 1>Okay, YEA changed that one.

0:48:25.156 --> 0:48:26.756
<v Speaker 3>Yeah, that was a lot.

0:48:27.596 --> 0:48:31.716
<v Speaker 4>Yeah, there's actually a David Bowie vocal that was supposed

0:48:31.716 --> 0:48:32.236
<v Speaker 4>to go on that.

0:48:32.676 --> 0:48:34.556
<v Speaker 5>It was a quote from an interview that he had

0:48:34.596 --> 0:48:38.596
<v Speaker 5>done that right after right after Janelle says, uh, they

0:48:38.596 --> 0:48:41.396
<v Speaker 5>say I look better than David Bowie and the moon

0:48:41.436 --> 0:48:42.276
<v Speaker 5>Age Dream.

0:48:42.876 --> 0:48:44.036
<v Speaker 2>There's this quote line.

0:48:44.076 --> 0:48:45.196
<v Speaker 1>I love that line.

0:48:45.076 --> 0:48:49.836
<v Speaker 2>Because I think Edward had taken us to the movies.

0:48:49.516 --> 0:48:53.716
<v Speaker 5>To see moon Aed's day Dream because he knew Janelle

0:48:53.756 --> 0:48:54.436
<v Speaker 5>was a huge fan.

0:48:54.676 --> 0:48:57.876
<v Speaker 3>I oh, you took everybody.

0:48:57.876 --> 0:49:01.156
<v Speaker 5>I'm sorry, you took everybody to see the David boy

0:49:01.196 --> 0:49:02.476
<v Speaker 5>film moon AG's day Dream.

0:49:02.516 --> 0:49:03.676
<v Speaker 1>You said Edward Norton.

0:49:03.916 --> 0:49:06.596
<v Speaker 4>Yeah, because we had just so when I when we

0:49:06.636 --> 0:49:09.676
<v Speaker 4>wrote the Age of Pleasure. Right before that, I just

0:49:10.196 --> 0:49:15.316
<v Speaker 4>filmed The Glass Onion and we were in Greece and Serbia,

0:49:15.796 --> 0:49:18.956
<v Speaker 4>and I was having Nate send me music there because

0:49:18.996 --> 0:49:22.956
<v Speaker 4>I was like, when I get back, I'm writing this album. Yeah,

0:49:22.996 --> 0:49:26.116
<v Speaker 4>I'm writing this album. I'm so inspired. I know I'm

0:49:26.276 --> 0:49:29.916
<v Speaker 4>clear on where I am, who I am, and what.

0:49:29.836 --> 0:49:30.436
<v Speaker 3>I need to do.

0:49:30.916 --> 0:49:32.676
<v Speaker 4>And so he sent me all the music of some

0:49:32.716 --> 0:49:34.716
<v Speaker 4>of the musical beds and I picked what I loved

0:49:34.756 --> 0:49:37.316
<v Speaker 4>and liked. As soon as I got back, I was

0:49:37.316 --> 0:49:37.876
<v Speaker 4>in the studio.

0:49:37.956 --> 0:49:40.276
<v Speaker 1>It's poetic that you're working on the Glass Onion and

0:49:40.316 --> 0:49:41.836
<v Speaker 1>you're coming clear about.

0:49:41.556 --> 0:49:42.236
<v Speaker 2>Who you are.

0:49:43.076 --> 0:49:43.316
<v Speaker 1>Clear.

0:49:44.716 --> 0:49:51.956
<v Speaker 4>It's like pull back the layer. Yeah, So David boy quote.

0:49:51.956 --> 0:49:55.076
<v Speaker 4>It says, I think it's terribly dangerous for an artist

0:49:55.156 --> 0:49:57.156
<v Speaker 4>to fulfill other people's expectations.

0:49:57.596 --> 0:49:58.956
<v Speaker 3>If you feel safe.

0:49:58.676 --> 0:50:01.596
<v Speaker 4>In the area you're working in, you're not working in

0:50:01.636 --> 0:50:05.556
<v Speaker 4>the right area. Always go a little further into the water.

0:50:06.316 --> 0:50:09.556
<v Speaker 4>Then you feel you're capable of being in a little

0:50:10.236 --> 0:50:13.716
<v Speaker 4>bit out of your own depth. And when you don't

0:50:13.756 --> 0:50:16.556
<v Speaker 4>feel that your feet are quite touching the bottom, you're

0:50:16.596 --> 0:50:19.756
<v Speaker 4>just about in the right place to do something exciting.

0:50:20.316 --> 0:50:22.756
<v Speaker 5>Yeah, So that was the end of that was the

0:50:22.836 --> 0:50:24.836
<v Speaker 5>quote that was on the in the record.

0:50:24.876 --> 0:50:26.036
<v Speaker 3>We should put that back in time.

0:50:26.836 --> 0:50:28.756
<v Speaker 5>It was great, but of course, like when you're at

0:50:28.756 --> 0:50:32.116
<v Speaker 5>a party, you may not want to go into the like.

0:50:32.236 --> 0:50:33.196
<v Speaker 3>Yeah, it was just like.

0:50:35.116 --> 0:50:35.516
<v Speaker 1>Appreciate.

0:50:36.876 --> 0:50:42.876
<v Speaker 3>I don't know if you've seen it, but it's really incredible.

0:50:43.996 --> 0:50:47.756
<v Speaker 4>Because this is somebody who, like myself, you know, is

0:50:47.796 --> 0:50:52.316
<v Speaker 4>a world builder. Yeah, and somebody who believed like Ziggy

0:50:52.356 --> 0:50:55.276
<v Speaker 4>Starred Us and the Spiders from Mars, gave me the

0:50:55.356 --> 0:50:58.796
<v Speaker 4>courage to do Cindy Mayweather in Metropolis and the Arc

0:50:58.876 --> 0:51:03.756
<v Speaker 4>Android and to create these versions of ourselves, you know,

0:51:04.076 --> 0:51:09.996
<v Speaker 4>these thousand versions of myself and we're all fine. That's

0:51:10.036 --> 0:51:12.076
<v Speaker 4>if you don't know that's from Phenomenal on the Age

0:51:12.116 --> 0:51:14.996
<v Speaker 4>of Pleasure. Sorry, so so to be able to watch

0:51:15.116 --> 0:51:17.916
<v Speaker 4>him say, I know that I could be Ziggie Startles

0:51:17.916 --> 0:51:21.316
<v Speaker 4>for the rest of my life, or I can become

0:51:21.356 --> 0:51:23.556
<v Speaker 4>more of who I am and give you that and

0:51:23.596 --> 0:51:26.436
<v Speaker 4>not be afraid, you know, to break it down and

0:51:26.516 --> 0:51:29.796
<v Speaker 4>rebuild and reimagine who I can be. So that really

0:51:29.836 --> 0:51:31.756
<v Speaker 4>also helped inspire me as well.

0:51:32.476 --> 0:51:34.236
<v Speaker 1>Did you ever get a chance to meet him?

0:51:34.876 --> 0:51:37.836
<v Speaker 4>I feel like I did. I feel like our spirits

0:51:37.876 --> 0:51:40.516
<v Speaker 4>absolutely met each other. I know that he knew who

0:51:40.556 --> 0:51:43.236
<v Speaker 4>I was because I did a cover of heroes and

0:51:43.276 --> 0:51:45.916
<v Speaker 4>his wife Emon told me and he had to clear it.

0:51:46.196 --> 0:51:48.916
<v Speaker 4>And his wife told me that he really loved me,

0:51:49.436 --> 0:51:51.156
<v Speaker 4>And I was like, oh, I wish I could have

0:51:51.356 --> 0:51:52.956
<v Speaker 4>told him how much I really loved him. But I

0:51:53.036 --> 0:51:55.036
<v Speaker 4>think he knows it. They are aware.

0:51:55.476 --> 0:51:59.956
<v Speaker 1>Yeah, did you putty naturally fall into I mean, twenty nineteen,

0:51:59.996 --> 0:52:03.036
<v Speaker 1>you feeling like you want to start writing for women

0:52:03.996 --> 0:52:08.316
<v Speaker 1>people calor non binary folk. Was it easy to slide

0:52:08.356 --> 0:52:10.196
<v Speaker 1>into that mentality? Was it easy to stike?

0:52:11.436 --> 0:52:15.196
<v Speaker 5>I felt compelled and again, and when I feel compelled,

0:52:15.276 --> 0:52:16.876
<v Speaker 5>I'm like, man, I'm doing it?

0:52:16.916 --> 0:52:19.396
<v Speaker 1>Was it a messy star did it feel always right.

0:52:19.396 --> 0:52:21.556
<v Speaker 3>Or natural to fill myself playlist?

0:52:21.636 --> 0:52:23.356
<v Speaker 2>Yeah? Oh yeah, that really encouraged me.

0:52:23.436 --> 0:52:25.916
<v Speaker 4>Yeah, I mean both of us had the same thought.

0:52:26.396 --> 0:52:28.676
<v Speaker 4>So we were listening to Spotify. We had an opportunity

0:52:28.716 --> 0:52:30.356
<v Speaker 4>to listen to a lot of music. I start back

0:52:30.396 --> 0:52:33.676
<v Speaker 4>working out and there were a lot of black women

0:52:33.756 --> 0:52:38.356
<v Speaker 4>on this playlist that were just like sounding extra liberated

0:52:38.436 --> 0:52:44.356
<v Speaker 4>and super tapped into their well of honesty and truth

0:52:44.476 --> 0:52:49.796
<v Speaker 4>and sensuality and sexuality and grit and softness and hardness.

0:52:49.836 --> 0:52:53.636
<v Speaker 4>Like I loved hearing that all on one playlist, and

0:52:53.676 --> 0:52:57.396
<v Speaker 4>it encouraged me to tap into my many different sides.

0:52:57.436 --> 0:53:00.316
<v Speaker 4>And I think Nate would see me listening to Filling

0:53:00.316 --> 0:53:04.436
<v Speaker 4>myself playlists around the studio and as I was working out,

0:53:04.476 --> 0:53:07.116
<v Speaker 4>and it was like, I've never remembered and that's the

0:53:07.116 --> 0:53:11.196
<v Speaker 4>beautiful thing with playlists and really curate your own world,

0:53:11.956 --> 0:53:14.596
<v Speaker 4>your own soundtrack. And when I felt that vibe, I

0:53:14.636 --> 0:53:16.316
<v Speaker 4>was like, I want more of this, and I want

0:53:16.316 --> 0:53:18.796
<v Speaker 4>the people that are listening to this who are feeling

0:53:19.436 --> 0:53:24.036
<v Speaker 4>like they have not been able to walk in their

0:53:24.116 --> 0:53:28.636
<v Speaker 4>greatness as black women, as non bininary folks, as marginalized people.

0:53:28.756 --> 0:53:31.756
<v Speaker 3>They haven't been able to really own all of them.

0:53:32.276 --> 0:53:34.836
<v Speaker 4>I want to lead by example and I want I

0:53:34.876 --> 0:53:37.356
<v Speaker 4>want to highlight them. I want and highlight them by

0:53:37.396 --> 0:53:39.596
<v Speaker 4>creating music that speaks to their hearts.

0:53:39.716 --> 0:53:40.796
<v Speaker 2>Yeah, yeah, you.

0:53:40.796 --> 0:53:44.636
<v Speaker 1>Know, I got your daughters, and I don't want them

0:53:44.676 --> 0:53:48.396
<v Speaker 1>to feel ashamed of pleasure or whatever, like as they

0:53:48.396 --> 0:53:51.556
<v Speaker 1>get older and ornot and it's like, ye, but society

0:53:51.596 --> 0:53:52.156
<v Speaker 1>for so you.

0:53:52.156 --> 0:53:55.876
<v Speaker 5>Know, and it's still that it's still a lot of

0:53:55.916 --> 0:53:57.916
<v Speaker 5>work to be done in that area. But you know,

0:53:57.996 --> 0:54:02.836
<v Speaker 5>one of the things I noted was that playlist. Like

0:54:03.516 --> 0:54:06.996
<v Speaker 5>when you go to like a rap Caviaar or the

0:54:07.116 --> 0:54:09.996
<v Speaker 5>other like big hip hop, the biggest hip hop playlist,

0:54:10.316 --> 0:54:12.876
<v Speaker 5>sometimes they'll even have like a woman on the cover.

0:54:13.436 --> 0:54:17.876
<v Speaker 5>But then you go through the actual playlist, it literally,

0:54:17.916 --> 0:54:19.876
<v Speaker 5>out of one hundred songs, it might be like three

0:54:20.836 --> 0:54:24.196
<v Speaker 5>songs by women, and it really I just took so

0:54:24.276 --> 0:54:25.356
<v Speaker 5>much issue with it.

0:54:26.236 --> 0:54:28.356
<v Speaker 2>I was just like, this is wild.

0:54:28.956 --> 0:54:31.236
<v Speaker 5>Yeah, Like literally they'll put Megan thee Stallion on the

0:54:31.276 --> 0:54:33.396
<v Speaker 5>cover of it, and then I to go like down

0:54:33.876 --> 0:54:35.556
<v Speaker 5>thirty songs to get to her song.

0:54:35.676 --> 0:54:37.876
<v Speaker 2>It's like, this is graz this is wow.

0:54:38.076 --> 0:54:39.876
<v Speaker 4>And that was another reason why we wanted to make

0:54:39.876 --> 0:54:43.916
<v Speaker 4>sure that you know, black women were represented on this

0:54:43.956 --> 0:54:51.956
<v Speaker 4>project generationally, from Dochi to you know, the King of Jamaica, Grace.

0:54:51.756 --> 0:54:55.676
<v Speaker 1>Jones, Grace's albums really album Come on exactly. Yeah, ridiculous.

0:54:55.756 --> 0:54:56.596
<v Speaker 3>Let me tell you she.

0:54:57.276 --> 0:54:59.356
<v Speaker 4>I spent seventy two hours with Grace Jones. That's how

0:54:59.396 --> 0:55:00.196
<v Speaker 4>we got her on the album.

0:55:00.316 --> 0:55:02.956
<v Speaker 1>I was going to sall you got it, you don't money.

0:55:03.876 --> 0:55:08.156
<v Speaker 3>I'm still like just.

0:55:06.996 --> 0:55:10.556
<v Speaker 4>Bowing down to her. Seventy two hours with her where

0:55:10.556 --> 0:55:11.596
<v Speaker 4>I was like, oh my god.

0:55:12.196 --> 0:55:12.716
<v Speaker 1>Come together.

0:55:13.036 --> 0:55:17.116
<v Speaker 4>So I went to her at the Hollywood Bowl and

0:55:17.996 --> 0:55:20.356
<v Speaker 4>I ended up. She was somehow it's like her life

0:55:20.396 --> 0:55:22.996
<v Speaker 4>on her last songs and they were calling people on stage,

0:55:23.036 --> 0:55:24.916
<v Speaker 4>and of course I'm a jump on stage.

0:55:25.436 --> 0:55:26.556
<v Speaker 3>And if you look online.

0:55:27.156 --> 0:55:29.836
<v Speaker 4>If you look online, you will see there's a video

0:55:30.076 --> 0:55:33.676
<v Speaker 4>of me running through Grace Jones' legs, her smacking my

0:55:33.836 --> 0:55:38.516
<v Speaker 4>ass us, dancing like just being the free spirits that

0:55:38.596 --> 0:55:41.916
<v Speaker 4>we are. And I had met her years back, but

0:55:41.996 --> 0:55:44.916
<v Speaker 4>we didn't really get to connect. And she did call me.

0:55:45.036 --> 0:55:47.156
<v Speaker 4>She called me years back, and I was so shocked.

0:55:47.156 --> 0:55:47.996
<v Speaker 3>I was like, how does she.

0:55:47.956 --> 0:55:50.156
<v Speaker 4>Even get my number? And she just called me and

0:55:50.236 --> 0:55:52.236
<v Speaker 4>she told me she loved me, and I was just like,

0:55:52.396 --> 0:55:55.636
<v Speaker 4>I love you, but we never got to connect again

0:55:55.676 --> 0:55:58.196
<v Speaker 4>after that. I think maybe she changed her number, you know,

0:55:58.396 --> 0:56:01.116
<v Speaker 4>maybe she just went to another planet for the springtime.

0:56:01.156 --> 0:56:02.996
<v Speaker 3>Who knows, it's Grace Jones.

0:56:03.356 --> 0:56:06.196
<v Speaker 4>And so when she came this time though, we went

0:56:06.196 --> 0:56:09.036
<v Speaker 4>backstage and we really connected and she she was.

0:56:08.996 --> 0:56:10.636
<v Speaker 3>Just like hugging me.

0:56:10.716 --> 0:56:13.276
<v Speaker 4>I was hugging her, and she was just saying, you know,

0:56:13.356 --> 0:56:16.556
<v Speaker 4>I'm in town for a few days. She invited me

0:56:16.716 --> 0:56:18.556
<v Speaker 4>to her hotel where they had like a small little

0:56:18.556 --> 0:56:21.356
<v Speaker 4>gathering to celebrate her incredible performance live.

0:56:21.596 --> 0:56:25.436
<v Speaker 3>If you ever get a chance, go see her. She nobody,

0:56:25.596 --> 0:56:26.556
<v Speaker 3>nobody touches her.

0:56:26.636 --> 0:56:28.476
<v Speaker 1>I regret not going. I was going to supposed to

0:56:28.516 --> 0:56:28.836
<v Speaker 1>go to that.

0:56:29.396 --> 0:56:31.236
<v Speaker 3>Always you just always say yes.

0:56:31.716 --> 0:56:34.756
<v Speaker 4>And so that night when we went back to her hotel,

0:56:34.836 --> 0:56:36.796
<v Speaker 4>I was like, you know, I you know, I had

0:56:36.796 --> 0:56:39.476
<v Speaker 4>to leave, and I just said, I'm just gonna invite

0:56:39.516 --> 0:56:42.916
<v Speaker 4>her to Wonderland. What she can just say no, and

0:56:42.956 --> 0:56:44.996
<v Speaker 4>if she says no, I'll be like yes. Grace Jones

0:56:44.996 --> 0:56:46.436
<v Speaker 4>told me no, Yes.

0:56:47.996 --> 0:56:48.476
<v Speaker 3>So great.

0:56:48.916 --> 0:56:51.636
<v Speaker 4>And so I said, listen, I have to leave, but

0:56:51.876 --> 0:56:53.716
<v Speaker 4>I don't know, you know what your schedule is tomorrow,

0:56:53.756 --> 0:56:55.836
<v Speaker 4>but I would love to have you for lunch at

0:56:55.876 --> 0:56:58.276
<v Speaker 4>Wonderland at our studio and she was like, is there

0:56:58.316 --> 0:57:02.196
<v Speaker 4>a pool there? And I was like, indeed, there is

0:57:02.236 --> 0:57:04.756
<v Speaker 4>a pool. And then she was like, okay, I will

0:57:04.836 --> 0:57:07.956
<v Speaker 4>call you. I'm gonna come, and I just I was

0:57:07.956 --> 0:57:10.356
<v Speaker 4>like okay, And I was like, she says this to everybody,

0:57:10.436 --> 0:57:12.596
<v Speaker 4>I'm sure because she doesn't want to hurt anybody's feelings.

0:57:13.316 --> 0:57:15.156
<v Speaker 3>And she called.

0:57:15.676 --> 0:57:19.076
<v Speaker 4>She had she had her assistant text and asked if

0:57:19.116 --> 0:57:21.676
<v Speaker 4>it was a heated pool. If they but she swims

0:57:21.716 --> 0:57:25.156
<v Speaker 4>every day, is her exercise? And I asked them, well,

0:57:25.196 --> 0:57:27.276
<v Speaker 4>what does she drink? What does she Like, Like, I'm scrambling,

0:57:27.316 --> 0:57:29.236
<v Speaker 4>I'm like, how am I going to host Grace Jones?

0:57:29.716 --> 0:57:32.756
<v Speaker 3>Everybody? We need to have a meeting, right go to

0:57:32.756 --> 0:57:33.876
<v Speaker 3>the grocery store? What are we doing?

0:57:34.676 --> 0:57:37.236
<v Speaker 4>And he sends me this list like her wine list

0:57:37.436 --> 0:57:39.916
<v Speaker 4>is immaculate, her champagne list is immaculate.

0:57:40.236 --> 0:57:43.796
<v Speaker 3>And so she came over and we really had lunch

0:57:43.876 --> 0:57:46.236
<v Speaker 3>and we really got in this pool.

0:57:46.916 --> 0:57:49.276
<v Speaker 4>She took her top off. Just I mean, I know,

0:57:49.316 --> 0:57:52.116
<v Speaker 4>we're talking a lot about all of the toplessness, which

0:57:52.236 --> 0:57:54.876
<v Speaker 4>which is really great because as we know, we live

0:57:54.876 --> 0:57:57.356
<v Speaker 4>in a world where there's a double standard. Yeah, you

0:57:57.396 --> 0:58:01.236
<v Speaker 4>know where The liberation that Grace has been able to

0:58:01.276 --> 0:58:05.236
<v Speaker 4>do did not come with open arms, you know.

0:58:05.316 --> 0:58:06.596
<v Speaker 3>It came with a lot of scrutiny.

0:58:06.676 --> 0:58:09.836
<v Speaker 4>This is somebody who was raised under a pastor, you know,

0:58:09.916 --> 0:58:12.916
<v Speaker 4>who was a bishop and in a very conservative community.

0:58:12.956 --> 0:58:14.756
<v Speaker 4>And for her to say I'm gonna live my mother

0:58:14.796 --> 0:58:19.196
<v Speaker 4>fucking life and to show us that like that was

0:58:19.236 --> 0:58:22.476
<v Speaker 4>all I needed to see and hear. And she she

0:58:22.676 --> 0:58:25.396
<v Speaker 4>really by being her and by hanging out with her

0:58:25.396 --> 0:58:27.796
<v Speaker 4>and her encouraging me to be me, and sitting in

0:58:27.836 --> 0:58:30.396
<v Speaker 4>the studio listening to the songs, like her getting up

0:58:30.476 --> 0:58:34.036
<v Speaker 4>dancing and moving and telling us which one she loved

0:58:34.076 --> 0:58:37.796
<v Speaker 4>and what like her hearing the instruments and talking about

0:58:37.836 --> 0:58:40.876
<v Speaker 4>that like she is a musical genius. It was all

0:58:40.876 --> 0:58:42.036
<v Speaker 4>the affirmation I needed.

0:58:42.716 --> 0:58:44.596
<v Speaker 1>First of all, her taking off her top of your

0:58:44.636 --> 0:58:47.036
<v Speaker 1>pool is a real legendary, what an honor, you know

0:58:47.116 --> 0:58:48.716
<v Speaker 1>what I mean? You curated this.

0:58:48.756 --> 0:58:50.076
<v Speaker 3>It's just a typical Tuesday for her.

0:58:50.156 --> 0:58:50.356
<v Speaker 2>Yeah.

0:58:51.956 --> 0:58:53.196
<v Speaker 1>But then so then you pull in the studio when

0:58:53.236 --> 0:58:55.516
<v Speaker 1>she's listening. You asked her to Yeah.

0:58:55.636 --> 0:58:57.156
<v Speaker 4>I was like, I told her, I said I would

0:58:57.196 --> 0:58:58.756
<v Speaker 4>love to get you, you know, on our project.

0:58:58.796 --> 0:59:00.476
<v Speaker 3>She was like, Okay, well where is it.

0:59:00.996 --> 0:59:02.956
<v Speaker 4>And I was like, well, since you asked, there's a

0:59:02.956 --> 0:59:05.596
<v Speaker 4>studio right in here, and so we went in there.

0:59:05.836 --> 0:59:09.276
<v Speaker 4>And but I will say recording Grace Jones because I

0:59:09.356 --> 0:59:13.596
<v Speaker 4>had to wrangle her in it is like having the

0:59:13.596 --> 0:59:18.036
<v Speaker 4>most beautiful panther in the studio that then turns into

0:59:18.116 --> 0:59:22.516
<v Speaker 4>a tiger that then turns into like a bird with

0:59:22.596 --> 0:59:25.516
<v Speaker 4>the biggest wings that will flap around and you just

0:59:25.636 --> 0:59:29.116
<v Speaker 4>you cannot contain that energy. You just have to have

0:59:29.236 --> 0:59:32.356
<v Speaker 4>everything on record and get what you can. Wow, you

0:59:32.396 --> 0:59:34.476
<v Speaker 4>know what I'm saying. You can't really tell her what

0:59:34.556 --> 0:59:36.516
<v Speaker 4>to do. But even in the moments where I was like, Okay,

0:59:36.516 --> 0:59:38.316
<v Speaker 4>can you do more of this or do more of that,

0:59:38.436 --> 0:59:41.036
<v Speaker 4>or no, say it like this, or talk French because

0:59:41.076 --> 0:59:43.756
<v Speaker 4>she speaks French fluently, and that's what we and that

0:59:43.876 --> 0:59:46.396
<v Speaker 4>was the thing that I said, Oh, that's the sexy

0:59:46.436 --> 0:59:48.716
<v Speaker 4>shit that I want on this project, because I don't

0:59:48.716 --> 0:59:50.356
<v Speaker 4>think we've really gotten a chance to hear her in

0:59:50.396 --> 0:59:53.036
<v Speaker 4>that way. And we've actually recorded more, like I have

0:59:53.116 --> 0:59:59.796
<v Speaker 4>at least two hours of recording with Grace job definitely,

0:59:56.996 --> 1:00:02.116
<v Speaker 4>and I really really want to. She's working on her album,

1:00:02.116 --> 1:00:04.076
<v Speaker 4>which is going to also be incredible. She played us

1:00:04.076 --> 1:00:07.276
<v Speaker 4>her album like I got to hear Grace Jones's album.

1:00:07.316 --> 1:00:08.996
<v Speaker 3>We did. It's really beautiful.

1:00:09.796 --> 1:00:13.996
<v Speaker 1>That's incredible. Well man, you got I mean the fact

1:00:14.036 --> 1:00:18.276
<v Speaker 1>that you went as far as to pull Grace Jones

1:00:18.276 --> 1:00:21.116
<v Speaker 1>in the studio for your album. Nothing we can say

1:00:21.196 --> 1:00:24.076
<v Speaker 1>but thank you. There's nothing we could say but thank

1:00:24.116 --> 1:00:28.956
<v Speaker 1>you and congratulations on not just the Grammy, but congratulations

1:00:28.996 --> 1:00:30.356
<v Speaker 1>for that, but just what I've seen and do to

1:00:30.356 --> 1:00:32.636
<v Speaker 1>people's spirits over the last eight months.

1:00:32.796 --> 1:00:36.716
<v Speaker 3>You know, that's all we want. It's incredible, that's all

1:00:36.756 --> 1:00:38.036
<v Speaker 3>we want. Thank you so much.

1:00:38.956 --> 1:00:40.796
<v Speaker 1>Can I ask her not to put you on the spot?

1:00:40.916 --> 1:00:41.036
<v Speaker 2>Man?

1:00:41.956 --> 1:00:43.716
<v Speaker 1>I love We're far enough from heaven.

1:00:46.596 --> 1:00:47.956
<v Speaker 3>You are a Deep Cotton fan.

1:00:48.076 --> 1:00:51.876
<v Speaker 1>I fucking love Deep Cotton. I don't know where the

1:00:52.236 --> 1:00:53.316
<v Speaker 1>lost my copy.

1:00:53.036 --> 1:00:55.716
<v Speaker 3>Of I Love This You Are. I knew I liked you,

1:00:55.756 --> 1:00:58.116
<v Speaker 3>but now I love you. I love this is my.

1:00:58.116 --> 1:01:01.396
<v Speaker 1>Ship, this song is I feel like I don't even

1:01:01.596 --> 1:01:02.996
<v Speaker 1>I don't know how to explain my love of this.

1:01:03.156 --> 1:01:05.316
<v Speaker 3>So good, it's really good.

1:01:09.516 --> 1:01:10.796
<v Speaker 4>Now we can freak out.

1:01:11.356 --> 1:01:11.996
<v Speaker 3>So well done.

1:01:12.036 --> 1:01:15.876
<v Speaker 7>You use the brandons to pick out you can join

1:01:15.996 --> 1:01:22.876
<v Speaker 7>it sh bang bang, you can't learning them heaving.

1:01:23.036 --> 1:01:25.996
<v Speaker 1>Now we can bring out there's some broad doesn't here's

1:01:26.036 --> 1:01:26.636
<v Speaker 1>a veranda.

1:01:26.676 --> 1:01:29.716
<v Speaker 2>It wants to break out. There's a killer and all

1:01:29.836 --> 1:01:32.796
<v Speaker 2>that is much and it all bang bang go. It's

1:01:32.876 --> 1:01:35.716
<v Speaker 2>jars and it's so good on more you can see it.

1:01:35.836 --> 1:01:39.516
<v Speaker 3>You can dealing now until right as well, kiss the

1:01:39.676 --> 1:01:40.876
<v Speaker 3>monster lighting up.

1:01:40.756 --> 1:01:41.396
<v Speaker 7>To your dad.

1:01:41.796 --> 1:01:43.476
<v Speaker 1>You don't think cash you all? I got it?

1:01:45.476 --> 1:01:48.236
<v Speaker 2>Just take your burthers man didn't tell some stories in here?

1:01:48.436 --> 1:01:49.356
<v Speaker 1>And who can cook?

1:01:49.516 --> 1:01:50.236
<v Speaker 2>Who can clean?

1:01:50.396 --> 1:01:51.756
<v Speaker 1>Who will pay the fence?

1:01:52.076 --> 1:01:52.836
<v Speaker 2>Who can cook?

1:01:52.956 --> 1:01:53.676
<v Speaker 7>Who can clean?

1:01:53.836 --> 1:01:55.196
<v Speaker 1>Who will pay the fence?

1:01:55.516 --> 1:01:56.236
<v Speaker 2>Who can cook?

1:01:56.356 --> 1:01:57.116
<v Speaker 3>Who can clean?

1:01:57.236 --> 1:02:02.956
<v Speaker 1>Who can paint the fence? I will? I will far

1:02:03.196 --> 1:02:05.396
<v Speaker 1>enough from evan. Now we can break out.

1:02:05.796 --> 1:02:07.436
<v Speaker 2>Yeah we're fire, nothing heaving.

1:02:07.556 --> 1:02:08.836
<v Speaker 1>Now we can break out.

1:02:09.236 --> 1:02:16.276
<v Speaker 5>Yeah, freak out, Yeah we're freak out.

1:02:22.676 --> 1:02:23.836
<v Speaker 3>You have excellent tastes.

1:02:23.956 --> 1:02:24.436
<v Speaker 2>I love that.

1:02:27.276 --> 1:02:27.756
<v Speaker 1>They like.

1:02:28.116 --> 1:02:30.756
<v Speaker 4>When I heard their song, actually, when Nate was saying,

1:02:30.836 --> 1:02:34.556
<v Speaker 4>like he met me performing on the library steps with

1:02:34.596 --> 1:02:37.996
<v Speaker 4>the guitar, I was heavily just like on some acoustic

1:02:39.076 --> 1:02:41.916
<v Speaker 4>big afro I guess you would say.

1:02:41.876 --> 1:02:42.996
<v Speaker 3>Neo soul vibes.

1:02:43.556 --> 1:02:46.556
<v Speaker 4>And when I heard their music it changed my whole life.

1:02:46.596 --> 1:02:49.236
<v Speaker 4>It changed the way I saw us because I hadn't

1:02:49.276 --> 1:02:51.996
<v Speaker 4>seen I mean with the exception of like Andre, because NARLS.

1:02:52.036 --> 1:02:55.196
<v Speaker 3>Barkley wasn't even around at that time. But with the

1:02:55.276 --> 1:02:56.916
<v Speaker 3>exception of like the Love Below and what.

1:02:57.036 --> 1:02:59.676
<v Speaker 4>Andre was doing and you know, some some some indie

1:02:59.756 --> 1:03:04.436
<v Speaker 4>artists in Atlanta, nobody was stretching and it's sounding good,

1:03:04.636 --> 1:03:08.036
<v Speaker 4>like it was either too alternative for me to get to,

1:03:08.276 --> 1:03:11.516
<v Speaker 4>you know, to get into, and there was no melody.

1:03:11.316 --> 1:03:12.116
<v Speaker 3>There was no soul.

1:03:13.036 --> 1:03:16.036
<v Speaker 4>But when I heard their stuff, I was like, it

1:03:16.156 --> 1:03:17.916
<v Speaker 4>was up temp. There were there were like up tempo

1:03:18.036 --> 1:03:21.356
<v Speaker 4>records that sounded like Japanese funk.

1:03:21.636 --> 1:03:23.396
<v Speaker 3>I don't know, that's the best way to describe it.

1:03:23.836 --> 1:03:25.596
<v Speaker 4>And all I knew was like, I want to make

1:03:25.676 --> 1:03:27.716
<v Speaker 4>music like that, and so that I really have to

1:03:27.796 --> 1:03:31.756
<v Speaker 4>credit Deep Cott for why I like up tempo songs

1:03:31.756 --> 1:03:33.716
<v Speaker 4>and why I make up tempo music and stretch.

1:03:34.036 --> 1:03:36.636
<v Speaker 1>When it comes to genre, textures are incredible. No one really,

1:03:36.956 --> 1:03:39.716
<v Speaker 1>no one really plays like acoustic like that, like an

1:03:39.796 --> 1:03:44.516
<v Speaker 1>up It sounds like some Frank Black like it's it's weird,

1:03:44.636 --> 1:03:45.596
<v Speaker 1>bizarre like phrase.

1:03:46.836 --> 1:03:52.476
<v Speaker 4>Chuck is an incredible writer, imminator, like their their partnership.

1:03:52.196 --> 1:03:56.116
<v Speaker 5>We actually had it's crazy. We actually are finishing our

1:03:56.116 --> 1:03:58.876
<v Speaker 5>album right now. We actually just got the album cover

1:03:59.116 --> 1:04:00.116
<v Speaker 5>done for it and everything.

1:04:01.276 --> 1:04:03.516
<v Speaker 3>Yeah, they're coming out, what is coming true?

1:04:03.636 --> 1:04:03.836
<v Speaker 1>Yeah?

1:04:07.036 --> 1:04:07.996
<v Speaker 2>Yeah, yeah.

1:04:08.076 --> 1:04:09.916
<v Speaker 5>I love that song because I love the line who

1:04:09.996 --> 1:04:11.796
<v Speaker 5>can cook, who can clean? Who will paint the fence?

1:04:12.716 --> 1:04:14.316
<v Speaker 5>I mean, there's so many other things about the song

1:04:14.356 --> 1:04:16.236
<v Speaker 5>that are great, but also who can cook, who can clean?

1:04:16.236 --> 1:04:17.036
<v Speaker 2>Who will paint the fence?

1:04:17.276 --> 1:04:19.676
<v Speaker 5>Because it takes like this idea of like taking over

1:04:19.756 --> 1:04:21.836
<v Speaker 5>the mansion, tell some stories and there and all that

1:04:21.916 --> 1:04:24.476
<v Speaker 5>kind of stuff, which is cool idea, right, but then

1:04:24.676 --> 1:04:27.636
<v Speaker 5>like it's the responsibilities that you have to each other,

1:04:27.876 --> 1:04:30.276
<v Speaker 5>like who's who can cook, who can clean, who will

1:04:30.276 --> 1:04:33.476
<v Speaker 5>paint the like who's doing the real work that it

1:04:33.556 --> 1:04:36.396
<v Speaker 5>takes to like stay alive. So we can, you know,

1:04:36.636 --> 1:04:38.356
<v Speaker 5>take over this match and tell some stories.

1:04:38.476 --> 1:04:43.076
<v Speaker 1>I love it. Thanks so much, guys, Thank you so much, creative,

1:04:43.156 --> 1:04:49.556
<v Speaker 1>Thank you. This is beautiful, incredible. Thanks to Janemo, n

1:04:49.556 --> 1:04:51.836
<v Speaker 1>A and Nate wonder for the invite to Wonderland to

1:04:51.956 --> 1:04:55.636
<v Speaker 1>chat about her latest album, The Age of Pleasure. You

1:04:55.716 --> 1:04:57.836
<v Speaker 1>can hear it along with our other favorite songs of

1:04:57.916 --> 1:05:01.276
<v Speaker 1>Jennemales and Nate Wonders on a playlist at Broken record

1:05:01.356 --> 1:05:05.476
<v Speaker 1>podcast dot com. Subscribe to our YouTube channel at YouTube

1:05:05.516 --> 1:05:08.276
<v Speaker 1>dot com slash broken Record podcast, where you can find

1:05:08.396 --> 1:05:11.316
<v Speaker 1>all of our new episodes. You can follow us on

1:05:11.396 --> 1:05:15.236
<v Speaker 1>Twitter at broken Record. Broken Record is produced and edited

1:05:15.316 --> 1:05:18.076
<v Speaker 1>by Leah Rose, with marketing help from Eric Sandler and

1:05:18.156 --> 1:05:22.436
<v Speaker 1>Jordan McMillan. Our engineer is Ben Tollinay. Broken Record is

1:05:22.436 --> 1:05:25.756
<v Speaker 1>a production of Pushkin Industries. If you love this show

1:05:25.916 --> 1:05:30.436
<v Speaker 1>and others from Pushkin, consider subscribing to Pushkin Plus. Pushkin

1:05:30.476 --> 1:05:33.476
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1:05:40.956 --> 1:05:43.516
<v Speaker 1>like this show, please remember to share, rate, and review

1:05:43.636 --> 1:05:46.716
<v Speaker 1>us on your podcast app. Our theme Music's back Anny Beats.

1:05:46.956 --> 1:05:47.956
<v Speaker 2>I'm justin Richmond.