WEBVTT - No Comment From the Bug House: When Ezra Pound Was Charged With Treason

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<v Speaker 1>Welcome to Criminalia, a production of Shonda land audio in

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<v Speaker 1>partnership with I heart radiom. Ezra pound was an American

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<v Speaker 1>expat poet and intellectual who was a major figure of

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<v Speaker 1>the modernist literary movement in the Early To mid twentieth century.

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<v Speaker 1>He was also a fascist collaborator and anti semi who

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<v Speaker 1>was arrested for treason against the United States where his

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<v Speaker 1>radio broadcasts during the Second World War. Welcome to Criminalia.

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<v Speaker 1>I'm Maria Tremarqui and I'm holly FRY. Ezra Weston loomas

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<v Speaker 1>pound was born on October in the small town of Hailey, Idaho.

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<v Speaker 1>He was the only child of homer loomas pound, of

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<v Speaker 1>Federal Land Office official, and Isabel Weston. When Ezra was

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<v Speaker 1>only a few years old, the family moved east and

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<v Speaker 1>in June of eighteen eighty nine, following homer's appointment to

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<v Speaker 1>the United States Mint in Philadelphia, they settled in nearby Wincote, Pennsylvania.

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<v Speaker 1>It said that Ezra was eleven when he published his

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<v Speaker 1>first poem, Elmer. At the age of fifteen he told

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<v Speaker 1>his parents he wanted to be a poet. Ezra attended

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<v Speaker 1>Cheltenham Military Academy just outside Philadelphia. He went on to

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<v Speaker 1>attend the University of Pennsylvania for two years, from nineteen

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<v Speaker 1>o one to nineteen o three, and it's there where

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<v Speaker 1>he met the now famous poet William Carlos Williams, who

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<v Speaker 1>became a lifelong friend. He graduated with a degree in

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<v Speaker 1>philosophy from Hamilton College in Clinton, New York in nineteen

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<v Speaker 1>o five, the four returning to the University of Pennsylvania

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<v Speaker 1>for Graduate School. He immersed himself in English literature and

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<v Speaker 1>Grammar and studied Latin Greek, French, Italian, German Spanish. He

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<v Speaker 1>received his masters in June of nineteen O six, but

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<v Speaker 1>withdrew from the university while working towards his doctorate. At

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<v Speaker 1>the start of the academic year of nineteen o seven,

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<v Speaker 1>pound began work as a professor of Romance Languages at

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<v Speaker 1>Wabash Presbyterian College in Crawfordsville, Indiana. It's widely described that

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<v Speaker 1>Ezra had begun to affect a quote, Bohemian manner by

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<v Speaker 1>this time. The details of what exactly that meant are

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<v Speaker 1>not clear, but it is clear that his career in

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<v Speaker 1>academia didn't fit with his art and his lifestyle and

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<v Speaker 1>his work as a professor came to an end not

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<v Speaker 1>long after it began. Another version of this story suggests

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<v Speaker 1>that he lost his position after six months, after having

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<v Speaker 1>been accused of hosting a woman in his room overnight.

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<v Speaker 1>Other versions of this story suggests he just wasn't what

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<v Speaker 1>they were looking for. But in February of Nineteen O eight,

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<v Speaker 1>with eighty dollars in his pocket and the manuscript of

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<v Speaker 1>a book of poems that had been rejected by at

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<v Speaker 1>least one American publisher, he set off for Europe. When

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<v Speaker 1>pound arrived in London, he taught, lectured and published reviews.

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<v Speaker 1>That same year he self published his first book, a

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<v Speaker 1>collection of poems and titled a Loom Spento, translated by pound.

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<v Speaker 1>As with tapers quenched, he would go on to have

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<v Speaker 1>more than seventy books published in his lifetime. In nineteen

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<v Speaker 1>o nine, pound found the success as a writer that

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<v Speaker 1>he had been hoping for. He published three books. Personni

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<v Speaker 1>in nineteen o nine, exultations, also in nineteen o nine,

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<v Speaker 1>and in the spirit of romance, this last one a

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<v Speaker 1>book of critical essays based on lectures he had given

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<v Speaker 1>during his early days in London. wrote one reviewer. Quote

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<v Speaker 1>pound is that rare thing among modern poets, a scholar.

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<v Speaker 1>He was an American poet and critic, but pound had

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<v Speaker 1>no trouble finding work overseas. He became a foreign editor

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<v Speaker 1>of a handful of American literary magazines. In London. He

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<v Speaker 1>became friends with other influential writers and critics of the time,

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<v Speaker 1>including w Yates Ford, madox Ford, Percy Wyndham, Lewis and

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<v Speaker 1>James Joyce. He promoted and also occasionally edited the works

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<v Speaker 1>of many now famous poets and novelists, including Yates, Joyce

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<v Speaker 1>and Ernest Hemingway, Robert Frost and D H Lawrence. It's

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<v Speaker 1>pounds revisions, guidance and heavy handed editing that shaped t

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<v Speaker 1>s Eliot's famous poem the waste land, which is regarded

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<v Speaker 1>today as one of the most important poems of the

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<v Speaker 1>twentieth century. Pound basically became involved in a whole lot

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<v Speaker 1>of literary activities. He was also co editor of blast,

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<v Speaker 1>the short lived literary magazine of a London based modernist

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<v Speaker 1>art movement known as Vorticism. Only two issues were published

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<v Speaker 1>before that magazine folded, though. He was the London editor

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<v Speaker 1>of the American Literary magazine Little Review and a Paris

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<v Speaker 1>correspondent for transcendentalist magazine the dial. He wrote numerous reviews

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<v Speaker 1>for a variety of publications, including new age magazine inspired

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<v Speaker 1>by British Socialist Organization called the Fabian Society, the EGOIST,

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<v Speaker 1>which was a London literary magazine that claimed to quote

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<v Speaker 1>recognize no taboos, and Poetry magazine. His friend and fellow poet,

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<v Speaker 1>T s Eliot would later note, of pound quote. During

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<v Speaker 1>a crucial decade in the history of modern literature, approximately

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<v Speaker 1>nineteen twelve to nineteen two, pound was the most influential

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<v Speaker 1>and in some ways the best critic in England or America.

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<v Speaker 1>Ezra also continued to publish collections of his own poetry,

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<v Speaker 1>including Lustra, which came out in nineteen sixteen, and homage

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<v Speaker 1>to sextus Propertius in nineteen nineteen. In nineteen twenty he

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<v Speaker 1>published the poem Hugh Selwyn Mobberly, which is considered a

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<v Speaker 1>turning point in his writing career. But it was in

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<v Speaker 1>nineteen fourteen when Ezra moved to Rapolo, Italy, where he

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<v Speaker 1>began writing the now famous poem the Kantos. For nearly

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<v Speaker 1>fifty years he focused on this encyclopedic narrative poem. It

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<v Speaker 1>is comprised of a hundred and sixteen sections, each of

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<v Speaker 1>which is a canto. In addition to the famous Kantos,

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<v Speaker 1>pound is best known for advancing a modernist movement in

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<v Speaker 1>English and American literature, a movement that he and others

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<v Speaker 1>called Imagism, which signaled a new literary direction in poetry.

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<v Speaker 1>The core idea of this movement was to stress clarity,

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<v Speaker 1>precision and economy of language in writing and to shed

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<v Speaker 1>the sentiment and narrative that had shaped Victorian and romantic poetry.

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<v Speaker 1>Writers were encouraged to forego traditional rhyme and meter in

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<v Speaker 1>order to in pounds words, quote, compose in the sequence

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<v Speaker 1>of the musical phrase, not in the sequence of the metronome.

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<v Speaker 1>His challenge to other artists was to quote, make it new.

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<v Speaker 1>Part of his direction consisted of maxims, including quote. Do

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<v Speaker 1>Not Retell in mediocre verse what has already been done

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<v Speaker 1>in good prose and quote. Use No superfluous word, no

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<v Speaker 1>adjective which does not reveal something. Imagesn't reflected similar changes

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<v Speaker 1>happening in other art forms at the time, most notably

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<v Speaker 1>with painting and the cubist movement. Pound may have been

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<v Speaker 1>the leader of a literary movement, but it's reported he

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<v Speaker 1>became quite frustrated he couldn't have total control over it.

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<v Speaker 1>We are going to take a break for a word

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<v Speaker 1>from our sponsor, and when we're back we will see

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<v Speaker 1>another side of Ezra pound to talk about. Welcome back

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<v Speaker 1>to Criminalia. Brace yourselves. The side of Ezra pound we're

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<v Speaker 1>going to talk about now is a side of hate

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<v Speaker 1>and ignorance, and it's what got him charged with treason.

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<v Speaker 1>You already have guessed as much, but heads up, we're

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<v Speaker 1>talking about some pretty volatile hate speech in this segment.

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<v Speaker 1>There is no denying Ezra pound's influence on American poetry,

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<v Speaker 1>but there is also no denying that Ezra pound was

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<v Speaker 1>a fascist and an anti semi and by the time

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<v Speaker 1>the Second World War began, he had grown to blame

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<v Speaker 1>the practice of usury, which he believed to be propagated

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<v Speaker 1>by a secret network of Jewish bankers, for all of

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<v Speaker 1>the evils afflicting the world. He strongly supported Benito Mussolini,

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<v Speaker 1>who he believed shared his economic views, and held private

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<v Speaker 1>audiences with the dictator during the war. He delivered pro

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<v Speaker 1>axis and Anti Jewish broadcasts four times a week between

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<v Speaker 1>nineteen and nine on shortwave radio aimed at America to

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<v Speaker 1>improve American sympathy for Italian fascism. In January nine. At

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<v Speaker 1>that time Italy had joined the war were but the

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<v Speaker 1>United States wouldn't. Until December that year, his calling card

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<v Speaker 1>quote Europe, calling pound, speaking as a pound speaking came

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<v Speaker 1>over the airwaves. Pound recorded more than one hundred shortwave

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<v Speaker 1>broadcasts from Rome, each criticizing United States President Franklin, D Roosevelt,

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<v Speaker 1>Roosevelt's family and the Jewish community. Pound warned the white

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<v Speaker 1>race was, quote, going towards total extinction. In one show,

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<v Speaker 1>he suggested hanging President Roosevelt, adding, quote, if you can

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<v Speaker 1>do it by do legal process. He praised Hitler's mind

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<v Speaker 1>COMP and urged his listeners to familiarize themselves with the

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<v Speaker 1>Protocols of the Elders of Zion, a widely distributed fabricated

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<v Speaker 1>anti Semitic text describing a Jewish plan for global domination.

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<v Speaker 1>He collaborated with Mussolini's fascist regime and he often parroted

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<v Speaker 1>fascist propaganda talking points on his show. Pound was paid

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<v Speaker 1>for his services urging America to stay out of the war.

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<v Speaker 1>Shortly after the attack on Pearl Harbor, which is when

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<v Speaker 1>the United States did enter the war. He stated on

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<v Speaker 1>his show quote, America could have stayed out of the war.

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<v Speaker 1>If America had stayed neutral, the war would now be over.

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<v Speaker 1>For the United States to be making war on Italy

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<v Speaker 1>and on Europe is just plain damn nonsense, and for

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<v Speaker 1>this state of things, Franklin Roosevelt is, more than any other,

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<v Speaker 1>one man responsible. The broadcasts were transcribed by a United

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<v Speaker 1>States Foreign Broadcast Monitoring Service listening station. Those transcriptions directly

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<v Speaker 1>led to his post war arrest in nine for treason.

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<v Speaker 1>It was in nineteen forty three when United States Attorney

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<v Speaker 1>General Francis Fiddle indicted pound and absentia for treason against

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<v Speaker 1>the United States. Treason is the only crime to find

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<v Speaker 1>in the United States Constitution, as we've talked about earlier

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<v Speaker 1>this season more than once, and it reads us. So

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<v Speaker 1>I'm going to remind us all. Treason against the United

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<v Speaker 1>States shall consist only in levying war against them or

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<v Speaker 1>in adhering to their enemies, giving them aid and comfort.

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<v Speaker 1>No person shall be convicted of treason unless on the

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<v Speaker 1>testimony of two witnesses to the same overt act or

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<v Speaker 1>on confession in open court. So there it is, and

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<v Speaker 1>we can move along. Pound answered the charge by writing

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<v Speaker 1>a letter to biddle, and we quote. I do not

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<v Speaker 1>believe that the simple fact of speaking over the radio

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<v Speaker 1>can in itself constitute treason. I think that must depend

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<v Speaker 1>on what is said. I obtained the concession to speak

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<v Speaker 1>over Rome radio with the following proviso, namely that nothing

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<v Speaker 1>should be asked to me contrary to my conscience or

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<v Speaker 1>contrary to my duties as an American citizen. I have

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<v Speaker 1>not spoken with regard to the SWAR, but in protest

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<v Speaker 1>against a system which creates one more after another. I

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<v Speaker 1>have not spoken to the troops and have not suggested

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<v Speaker 1>that the troops should mutiny or revolt. Pound was arrested

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<v Speaker 1>in Genoa, Italy, by the United States Army. The FBI

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<v Speaker 1>searched the residents where pound had been living when he

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<v Speaker 1>was arrested and removed more than seven thousand articles, letters

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<v Speaker 1>and other documents that were classified and then used as

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<v Speaker 1>evidence against him. Some versions of his arrest story suggest

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<v Speaker 1>he turned himself into American military officials, or maybe it

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<v Speaker 1>was that he went to Italian authorities to tell them

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<v Speaker 1>he had heard they were looking for him. Either way,

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<v Speaker 1>pound was arrested and two weeks after Nazi Germany surrendered

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<v Speaker 1>to the Allies. He was brought to the United States

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<v Speaker 1>Army Disciplinary Training Center north of Pisa, Italy. He would

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<v Speaker 1>be returned to the United States to sand trial, but

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<v Speaker 1>that would come later. We are going to take a

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<v Speaker 1>break here for a word from our sponsor, and when

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<v Speaker 1>we return we're going to talk about treason and the

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<v Speaker 1>insanity defense. Welcome back to Criminalia. Let's talk about pounds trial,

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<v Speaker 1>and it may not be what you're expecting. In Pisa,

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<v Speaker 1>pound was placed in what we're known as the quote,

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<v Speaker 1>death cells, which were a series of six by six

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<v Speaker 1>FT outdoor steal cages lit by floodlights. It's reported that

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<v Speaker 1>engineers reinforced pounds cage with heavier steal than usual just

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<v Speaker 1>to keep out anyone trying to rescue him. During his

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<v Speaker 1>time there, he spent three weeks in isolation, sleeping on

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<v Speaker 1>the concrete. He was denied exercise and communication, except for

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<v Speaker 1>talks with a chaplain. After two and a half weeks,

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<v Speaker 1>it's reported that he began to break down under the stress.

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<v Speaker 1>Pound later said, quote, Ha, I was a dangerous criminal.

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<v Speaker 1>He continued, quote. They thought I was a dangerous wild

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<v Speaker 1>man and were scared of me. I had a guard

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<v Speaker 1>night and day, and when they built a cage out

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<v Speaker 1>of iron mats from airplane runways and put me in

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<v Speaker 1>the cage for the merriment of all, they posted a

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<v Speaker 1>guard outside. Soldiers used to come up to the cage

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<v Speaker 1>and look at me. Some of them brought me food.

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<v Speaker 1>Old As was a prize exhibit. It is in this

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<v Speaker 1>place where he actually produced one of his most famous works,

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<v Speaker 1>the Pison. Kantos pound was returned to the United States

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<v Speaker 1>and indicted for treason on November of the accusation he

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<v Speaker 1>betrayed his country. He stated it was a quote damn

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<v Speaker 1>fool idea and that he was, he insisted, trying to

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<v Speaker 1>save it. His insistence he was saving his country and

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<v Speaker 1>its constitution became part of the nine sentence report compiled

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<v Speaker 1>by a board of psychiatrists appointed by the court, three

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<v Speaker 1>for the government and one retained by pounds defense lawyer,

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<v Speaker 1>Julian Cornell. It was a statement that helped determine his fate,

0:15:19.840 --> 0:15:23.440
<v Speaker 1>but really not how he'd hoped. Included in their report,

0:15:23.520 --> 0:15:27.640
<v Speaker 1>they remarked on his quote uncertain living, his being quote

0:15:27.680 --> 0:15:31.800
<v Speaker 1>eccentric and his quote advancing years. They called him quote

0:15:31.800 --> 0:15:36.680
<v Speaker 1>abnormally grandiose, which actually we found many reports that backed

0:15:36.720 --> 0:15:39.480
<v Speaker 1>this description of pound as a larger than life character.

0:15:39.720 --> 0:15:44.480
<v Speaker 1>Outside the courtroom, one of the psychiatrists, Dr Wendell Munsey,

0:15:44.600 --> 0:15:47.960
<v Speaker 1>testified that, on the evidence of excerpts from the CONTOS

0:15:47.960 --> 0:15:51.760
<v Speaker 1>and pounds other writings, he judged that quote, there has

0:15:51.800 --> 0:15:54.800
<v Speaker 1>been for a number of years a deterioration of the

0:15:54.840 --> 0:15:59.680
<v Speaker 1>mental processes. The board's unanimous opinion was that the defendant

0:15:59.800 --> 0:16:03.760
<v Speaker 1>was quote, mentally unfit to advise properly with counsel or

0:16:03.800 --> 0:16:09.800
<v Speaker 1>to participate intelligibly in his own defense. Archibald McLeish, a

0:16:09.920 --> 0:16:13.800
<v Speaker 1>three time Pulitzer Prize winning writer and contemporary of pound,

0:16:13.960 --> 0:16:16.520
<v Speaker 1>said of the case. Quote, it is pretty clear that

0:16:16.560 --> 0:16:20.800
<v Speaker 1>poor old Ezra is quite quite Balmy. On the basis

0:16:20.840 --> 0:16:23.360
<v Speaker 1>of the testimony from the board, he was ruled unfit

0:16:23.440 --> 0:16:27.680
<v Speaker 1>to stand trial. In December of n sixty year old

0:16:27.720 --> 0:16:31.840
<v Speaker 1>pound was committed to St Elizabeth's Psychiatric Hospital in Washington

0:16:31.920 --> 0:16:34.840
<v Speaker 1>D C, where, it was ordered he would receive treatment

0:16:34.920 --> 0:16:38.800
<v Speaker 1>until he might become mentally competent to stand trial. If

0:16:38.800 --> 0:16:41.280
<v Speaker 1>he had been fit to stand trial and was convicted,

0:16:41.840 --> 0:16:45.600
<v Speaker 1>pound would have likely faced the death penalty for the

0:16:45.680 --> 0:16:48.600
<v Speaker 1>first thirteen months of his confinement, pound was held at

0:16:48.600 --> 0:16:53.200
<v Speaker 1>Howard Hall, the hospital's maximum security ward, an area enclosed

0:16:53.200 --> 0:16:56.160
<v Speaker 1>by a twenty two FT concrete perimeter wall used to

0:16:56.200 --> 0:17:01.200
<v Speaker 1>house the quote, violent and criminally insane of his situation.

0:17:01.320 --> 0:17:05.000
<v Speaker 1>Pound later said quote. I met a very pleasant chat.

0:17:05.600 --> 0:17:09.439
<v Speaker 1>We had many interesting conversations. He seemed no crazier than I.

0:17:10.240 --> 0:17:12.639
<v Speaker 1>When I found out that he had been committed for

0:17:12.720 --> 0:17:18.679
<v Speaker 1>killing his wife, I reconsidered my position. In early ninety seven,

0:17:18.840 --> 0:17:21.520
<v Speaker 1>pound was moved to what was known as center building.

0:17:21.920 --> 0:17:25.120
<v Speaker 1>It was a less fortified area and those there were

0:17:25.119 --> 0:17:28.959
<v Speaker 1>granted more leeway in receiving visitors, and a lot of

0:17:29.040 --> 0:17:32.359
<v Speaker 1>people wanted to see him, from his longtime friends to

0:17:32.560 --> 0:17:36.440
<v Speaker 1>young poets who just wanted to meet him. Then something

0:17:36.480 --> 0:17:39.119
<v Speaker 1>a bit out of the ordinary happened that drew a

0:17:39.240 --> 0:17:44.600
<v Speaker 1>lot of attention to Ezra during his confinement. In Ninety nine,

0:17:44.720 --> 0:17:49.080
<v Speaker 1>pound was awarded the Bull Engine Prize. The jury, interested

0:17:49.200 --> 0:17:54.080
<v Speaker 1>in recognizing his enormous poetic achievements and influence, overlooked his

0:17:54.119 --> 0:17:58.119
<v Speaker 1>political agenda and treason trial and bestowed the literary honor

0:17:58.240 --> 0:18:02.480
<v Speaker 1>upon him for the poison Kanto's work that the prestigious

0:18:02.480 --> 0:18:05.440
<v Speaker 1>prize was given to a fascist who was being held

0:18:05.480 --> 0:18:10.440
<v Speaker 1>for treason against America, triggered a pretty major controversy, not

0:18:10.560 --> 0:18:14.240
<v Speaker 1>just among the literary crowd but also in Congress. The

0:18:14.280 --> 0:18:16.919
<v Speaker 1>bull engine prize at the time was awarded by the

0:18:17.000 --> 0:18:21.919
<v Speaker 1>Library of Congress. Congressman Jacob K Javits of New York wrote, quote,

0:18:22.160 --> 0:18:26.320
<v Speaker 1>after having read the editorial treason's strange fruit, I am

0:18:26.359 --> 0:18:29.840
<v Speaker 1>particularly concerned about the awarding of the Bull Engin Library

0:18:29.840 --> 0:18:33.320
<v Speaker 1>of Congress award of one thousand dollars to Ezra pound.

0:18:34.119 --> 0:18:37.120
<v Speaker 1>I would very much appreciate learning how the fellows who

0:18:37.160 --> 0:18:40.320
<v Speaker 1>make this award were chosen, who they are and the

0:18:40.359 --> 0:18:45.760
<v Speaker 1>basis of their selection. Another congressman, James T Patterson of Connecticut,

0:18:45.920 --> 0:18:50.000
<v Speaker 1>addressed the House regarding the award recipient, stating, quote. Should

0:18:50.000 --> 0:18:55.359
<v Speaker 1>we encourage the activities in literature of moral lepers? Javits

0:18:55.480 --> 0:18:58.800
<v Speaker 1>called for an investigation, saying, quote. Must we not be

0:18:58.920 --> 0:19:04.000
<v Speaker 1>equally diligent to investigate the infiltration of fascist ideas, especially

0:19:04.080 --> 0:19:07.760
<v Speaker 1>in so August and institution as the Library of Congress?

0:19:08.680 --> 0:19:11.439
<v Speaker 1>The matter went before the Congressional Joint Committee on the

0:19:11.480 --> 0:19:15.240
<v Speaker 1>Library of Congress, whose chairman was Senator Theodore F Green

0:19:15.320 --> 0:19:19.520
<v Speaker 1>of Rhode Island. The committee did not convene to investigate anything,

0:19:19.600 --> 0:19:23.000
<v Speaker 1>not really. What they wanted was a resolution to the problem,

0:19:23.080 --> 0:19:27.280
<v Speaker 1>and quickly it was decided that the library of Congress

0:19:27.280 --> 0:19:31.960
<v Speaker 1>would abstain from giving prizes or awards. Senator Green told

0:19:31.960 --> 0:19:34.520
<v Speaker 1>the press, quote, I think it is a bad policy

0:19:34.600 --> 0:19:37.840
<v Speaker 1>for the government to give prizes and awards, especially in

0:19:37.920 --> 0:19:41.399
<v Speaker 1>matters of taste. For those curious, because you may know

0:19:41.600 --> 0:19:45.119
<v Speaker 1>that this prize still exists, the bull engine prizes now

0:19:45.160 --> 0:19:49.880
<v Speaker 1>awarded through the Yale University Library. No one questioned whether

0:19:50.000 --> 0:19:53.920
<v Speaker 1>or not the work was suitable for the award. It

0:19:53.960 --> 0:19:57.880
<v Speaker 1>was generally agreed yes, yes, it was. It was about pound,

0:19:58.359 --> 0:20:02.879
<v Speaker 1>his politics and his acts against the United States. Ernest

0:20:02.920 --> 0:20:07.080
<v Speaker 1>Hemingway wrote of the poem quote. The best of pounds writing,

0:20:07.400 --> 0:20:10.280
<v Speaker 1>and it is in the contents, will last as long

0:20:10.320 --> 0:20:13.760
<v Speaker 1>as there is any literature. But, as Luther H Evans

0:20:13.760 --> 0:20:17.000
<v Speaker 1>of the Library of Congress later observed, quote, the award

0:20:17.080 --> 0:20:21.920
<v Speaker 1>possessed that bizarre quality that makes news. Along with excited

0:20:21.960 --> 0:20:26.560
<v Speaker 1>reports and dignant editorials appeared in the press. Teasing out

0:20:26.600 --> 0:20:30.040
<v Speaker 1>the artist from the fascist and anti semi proved difficult

0:20:30.080 --> 0:20:32.360
<v Speaker 1>for some who had come to love his poetry and

0:20:32.440 --> 0:20:36.320
<v Speaker 1>followed his literary movement. The New York Times reacted to

0:20:36.359 --> 0:20:40.359
<v Speaker 1>pound receiving the award with this headline, quote. Pound in

0:20:40.440 --> 0:20:43.800
<v Speaker 1>Mental Clinic Wins Prize for poetry penned and treason cell.

0:20:45.000 --> 0:20:48.320
<v Speaker 1>An editorial in The New York Herald Tribune stated, quote.

0:20:48.760 --> 0:20:52.440
<v Speaker 1>This emphasis on an objective criterion of beauty and excellence,

0:20:52.520 --> 0:20:56.240
<v Speaker 1>akin to belief in an objective truth, is fundamental to

0:20:56.320 --> 0:20:59.960
<v Speaker 1>a free and rational society. In maintaining it, the judges

0:21:00.160 --> 0:21:02.560
<v Speaker 1>acted in the only way that is open to men

0:21:02.600 --> 0:21:07.399
<v Speaker 1>who are sensitive to a later verdict of history. In

0:21:07.440 --> 0:21:09.960
<v Speaker 1>that same edition of the Tribune, though, poet and critic

0:21:10.040 --> 0:21:13.879
<v Speaker 1>Lewis under Meyer called the Pison Kantos quote a rag

0:21:13.960 --> 0:21:17.720
<v Speaker 1>bag and tail end of pound at his worst. It

0:21:17.840 --> 0:21:21.600
<v Speaker 1>shows a very disordered mind, one affected by the seeds

0:21:21.600 --> 0:21:25.919
<v Speaker 1>of Fascism pullets. Her prizewinning poet, Robert Hillier, thought the

0:21:25.960 --> 0:21:31.240
<v Speaker 1>award quote regrettable. For aesthetic rather than political reasons, he

0:21:31.440 --> 0:21:34.680
<v Speaker 1>continued quote. I never saw anything to admire, not one

0:21:34.760 --> 0:21:39.240
<v Speaker 1>line in pound. Poet Robert Frost called pound quote possibly

0:21:39.320 --> 0:21:44.440
<v Speaker 1>crazy but more likely criminal. Pound, upon being told he

0:21:44.480 --> 0:21:46.920
<v Speaker 1>had won this prize, prepared a statement for the press.

0:21:47.720 --> 0:21:51.040
<v Speaker 1>No comment from the Bug House, that was his nickname

0:21:51.040 --> 0:21:54.399
<v Speaker 1>for St Elizabeth's, but then he decided not to release

0:21:54.440 --> 0:21:59.520
<v Speaker 1>that statement. Eventually, while at St Elizabeth's, pound was granted

0:21:59.520 --> 0:22:02.480
<v Speaker 1>permission to spend time out on the grounds, where he

0:22:02.520 --> 0:22:05.160
<v Speaker 1>would lecture two groups of eager young poets who called

0:22:05.200 --> 0:22:10.080
<v Speaker 1>themselves the asrologists. Author Daniel Swift describes this in his

0:22:10.160 --> 0:22:13.440
<v Speaker 1>book the Bug House, the poetry, politics and madness of

0:22:13.520 --> 0:22:18.320
<v Speaker 1>Ezra pound as, quote, the world's least Orthodox Literary Salon

0:22:18.560 --> 0:22:23.320
<v Speaker 1>convened by a Fascist held in a lunatic asylum. Fellow

0:22:23.359 --> 0:22:26.639
<v Speaker 1>poets and authors rallied around Ezra Pound and, please for

0:22:26.760 --> 0:22:30.639
<v Speaker 1>his freedom, kept a constant awareness of his situation. In

0:22:30.680 --> 0:22:33.560
<v Speaker 1>the new directions booklet of tributes to pound that was

0:22:33.600 --> 0:22:37.680
<v Speaker 1>written for his birthday, Ernest Hemingway wrote, quote. Will Gladly

0:22:37.800 --> 0:22:40.320
<v Speaker 1>pay tribute to Ezra but what I would like to

0:22:40.400 --> 0:22:42.640
<v Speaker 1>do is get him the hell out of St Elizabeth's,

0:22:42.880 --> 0:22:45.639
<v Speaker 1>have him given a passport and allow him to return

0:22:45.680 --> 0:22:48.119
<v Speaker 1>to Italy, where he has justly valued as a poet.

0:22:48.800 --> 0:22:50.960
<v Speaker 1>I believe he made bad mistakes in the war and

0:22:51.040 --> 0:22:54.440
<v Speaker 1>continuing to broadcast for that Sad Mussolini. After we were

0:22:54.480 --> 0:22:57.560
<v Speaker 1>fighting him, but I also believe that he has paid

0:22:57.600 --> 0:23:00.840
<v Speaker 1>for them in full and has continued finement is a

0:23:00.880 --> 0:23:06.959
<v Speaker 1>cruel and unusual punishment. Playwright Arthur Miller took a different stance, writing, quote,

0:23:07.240 --> 0:23:11.159
<v Speaker 1>a greater calamity cannot befall the art than that Ezra pound,

0:23:11.359 --> 0:23:15.080
<v Speaker 1>the Mussolini mouthpiece, should be welcomed back as an arbiter

0:23:15.240 --> 0:23:19.159
<v Speaker 1>of American letters. There are a few versions of the

0:23:19.240 --> 0:23:23.240
<v Speaker 1>story of his release. The popular version is that pounds

0:23:23.240 --> 0:23:26.879
<v Speaker 1>release happened because of a kind of unofficial pardon after

0:23:26.920 --> 0:23:29.720
<v Speaker 1>a long running campaign on behalf of his fellow writers

0:23:29.720 --> 0:23:34.800
<v Speaker 1>and artists, including prominent names like Franklin, right, Igor Stravinsky,

0:23:34.920 --> 0:23:39.840
<v Speaker 1>William Carlos Williams and Hemingway. After he won the Nobel

0:23:39.880 --> 0:23:43.159
<v Speaker 1>Prize in literature in Nineteen fifty four, Hemingway referred to

0:23:43.240 --> 0:23:46.320
<v Speaker 1>pound in his speech, saying, quote, this would be a

0:23:46.359 --> 0:23:50.879
<v Speaker 1>good year to release poets. Pound was a leading figure

0:23:50.920 --> 0:23:54.120
<v Speaker 1>in a prominent and important literary movement and those who

0:23:54.160 --> 0:23:59.199
<v Speaker 1>followed him, it seems, did so despite his sins. On

0:23:59.320 --> 0:24:04.840
<v Speaker 1>April Eighteenth, United States Federal District Court Judge Belietha laws,

0:24:05.200 --> 0:24:11.199
<v Speaker 1>who coincidentally, oversaw pounds treason trial as well dismissed the

0:24:11.240 --> 0:24:13.760
<v Speaker 1>indictment for treason that had been lodged more than a

0:24:13.800 --> 0:24:18.600
<v Speaker 1>decade prior against Ezra. His immediate released from St Elizabeth

0:24:18.720 --> 0:24:22.360
<v Speaker 1>after thirteen years was ordered. He was released in May,

0:24:22.640 --> 0:24:26.040
<v Speaker 1>and the United States Justice Department did not oppose the

0:24:26.040 --> 0:24:30.040
<v Speaker 1>motion permitting pound to promptly sail for Italy, the country

0:24:30.040 --> 0:24:33.600
<v Speaker 1>that he considered his home. He lived in Venice until

0:24:33.640 --> 0:24:37.520
<v Speaker 1>his death on November one nineteen seventy two. What I

0:24:37.560 --> 0:24:40.639
<v Speaker 1>can say about pound is what a ride with this

0:24:40.680 --> 0:24:50.440
<v Speaker 1>guy right. He's a complicated dude for this perfecty poor

0:24:51.440 --> 0:24:54.879
<v Speaker 1>I wanted to do something extra delicious because there is

0:24:54.920 --> 0:24:58.120
<v Speaker 1>this thing where it is hard to read about people

0:24:58.160 --> 0:25:02.040
<v Speaker 1>who are often lauded as really great eats and discover

0:25:02.200 --> 0:25:05.000
<v Speaker 1>that they were in some ways train wrecks or that

0:25:05.080 --> 0:25:08.440
<v Speaker 1>they just did they had a very stupid bad view

0:25:08.480 --> 0:25:12.760
<v Speaker 1>on something, when you otherwise consider them kind of a genius.

0:25:12.760 --> 0:25:15.600
<v Speaker 1>It's problematic. So I wanted to make something that was

0:25:15.680 --> 0:25:18.399
<v Speaker 1>very delicious to help take that edge off, and I

0:25:18.440 --> 0:25:23.240
<v Speaker 1>also started thinking about literary cocktails. Have you ever had

0:25:23.280 --> 0:25:26.399
<v Speaker 1>a drink called the last word? Okay, no, but I

0:25:27.080 --> 0:25:30.200
<v Speaker 1>have a love where you're going here. Because years ago

0:25:30.920 --> 0:25:33.639
<v Speaker 1>my father sent me a book. That's basically the title

0:25:33.680 --> 0:25:37.920
<v Speaker 1>of the book. It's like dinners from famous literary works

0:25:38.119 --> 0:25:42.400
<v Speaker 1>and cocktails. So the last word is a cocktail that's

0:25:42.480 --> 0:25:45.320
<v Speaker 1>quite old. It predates prohibition, so it was around in

0:25:45.359 --> 0:25:48.560
<v Speaker 1>the nineteen teens, and it is usually made in the

0:25:48.600 --> 0:25:52.680
<v Speaker 1>following way. Three quarters of announce of dry GIN, three

0:25:52.760 --> 0:25:56.840
<v Speaker 1>quarters of announce of Maraschino liqueur, the Italian pronunciation, since

0:25:56.880 --> 0:26:00.600
<v Speaker 1>it's Ezra, is Mariskino, so we'll go with that. Three

0:26:00.680 --> 0:26:03.720
<v Speaker 1>quarters of announce of green chartreuse and three quarters ann

0:26:03.720 --> 0:26:07.560
<v Speaker 1>ounce of fresh lime juice. This is a delicious cocktown.

0:26:08.960 --> 0:26:12.240
<v Speaker 1>We are not doing quite this one for today because

0:26:12.240 --> 0:26:15.400
<v Speaker 1>we want to tweak it and make it as Ra's words.

0:26:15.440 --> 0:26:19.240
<v Speaker 1>I wanted to make it even a little sweeter. I

0:26:19.320 --> 0:26:23.960
<v Speaker 1>love Chartreuse to a dangerous degree. However, that's kind of

0:26:23.960 --> 0:26:27.200
<v Speaker 1>an expensive spirit to keep on hand if you only

0:26:27.320 --> 0:26:30.960
<v Speaker 1>use it from time to time. Absolutely yeah, and it's

0:26:30.960 --> 0:26:34.080
<v Speaker 1>also one that not everybody can get locally super easily. Some,

0:26:34.280 --> 0:26:36.400
<v Speaker 1>not all, liquor stores are going to carry chartreuse, so

0:26:36.880 --> 0:26:39.400
<v Speaker 1>I wanted to do a twist on this that includes

0:26:39.480 --> 0:26:43.440
<v Speaker 1>the basics but subs out that chartreuse for another delicious

0:26:43.520 --> 0:26:46.000
<v Speaker 1>thing that we have had on the show enough times

0:26:46.040 --> 0:26:48.560
<v Speaker 1>the people that follow along probably have it, and even

0:26:48.600 --> 0:26:51.040
<v Speaker 1>if you don't, it's pretty easy to get so for

0:26:51.080 --> 0:26:54.359
<v Speaker 1>Ezra's which we are calling Ezra's words instead of the

0:26:54.440 --> 0:26:57.480
<v Speaker 1>last word, because Ezra's words were a mixed bag. And

0:26:57.480 --> 0:27:00.080
<v Speaker 1>while I don't normally like Jim I'm learning to of

0:27:00.119 --> 0:27:05.960
<v Speaker 1>it and I love this cocktail so so. This one

0:27:06.119 --> 0:27:09.280
<v Speaker 1>is three quarters of Ann Ounce of dry gin, three

0:27:09.359 --> 0:27:12.639
<v Speaker 1>quarters of an ounce of Mariskino liqueur, you're gonna keep that,

0:27:12.680 --> 0:27:15.280
<v Speaker 1>three quarters of announce of fresh lime juice and, instead

0:27:15.320 --> 0:27:18.840
<v Speaker 1>of the Chartreuse, three quarters of an ounce of elder

0:27:18.880 --> 0:27:23.320
<v Speaker 1>flower liqueur. Come on, shake a shake it again, pour

0:27:23.359 --> 0:27:25.040
<v Speaker 1>it into a chilled glass. We've done a few of

0:27:25.040 --> 0:27:28.639
<v Speaker 1>those lately. This is such a beautiful sip. The Mariskuino

0:27:28.840 --> 0:27:31.720
<v Speaker 1>and the elder flower are both pretty sweet, but because

0:27:31.720 --> 0:27:34.639
<v Speaker 1>the dry gin is not at all to me, it

0:27:34.680 --> 0:27:38.160
<v Speaker 1>doesn't feel very cloying Lee sweet. Depending on your tolerance

0:27:38.240 --> 0:27:40.760
<v Speaker 1>for sweet drinks, you might find it very sweet. You

0:27:40.760 --> 0:27:42.800
<v Speaker 1>can always up the lime juice to help counter that

0:27:42.840 --> 0:27:47.879
<v Speaker 1>as well, if you wanted to. I love this drink

0:27:48.160 --> 0:27:51.320
<v Speaker 1>and love it like I said, it's just super yummy

0:27:51.359 --> 0:27:53.359
<v Speaker 1>and I like it because it's not a huge drink.

0:27:53.880 --> 0:27:56.879
<v Speaker 1>We recently did the Sydney Riley, which that is a

0:27:56.880 --> 0:27:59.600
<v Speaker 1>lot of spirit, and this has a lot of spirit,

0:27:59.680 --> 0:28:03.439
<v Speaker 1>but it doesn't feel quite so dangerous as it's not

0:28:03.560 --> 0:28:06.600
<v Speaker 1>as many ounces. The mocktail for this is another one

0:28:06.640 --> 0:28:09.840
<v Speaker 1>where we got a step completely away, because everything in

0:28:09.880 --> 0:28:12.800
<v Speaker 1>this except the lime juice is an alcohol. So for

0:28:12.840 --> 0:28:15.760
<v Speaker 1>the mock tail you're going to use, say, measurements three

0:28:15.840 --> 0:28:17.720
<v Speaker 1>quarters of announce of everything, which I love because that

0:28:17.760 --> 0:28:21.400
<v Speaker 1>also keeps it simple. If you want to also throttle

0:28:21.520 --> 0:28:23.280
<v Speaker 1>up or down on your volume, you don't have to

0:28:23.359 --> 0:28:26.040
<v Speaker 1>do any mass you just match all of your measures.

0:28:26.080 --> 0:28:29.640
<v Speaker 1>So for this you're gonna do Ginger Beer for one

0:28:29.680 --> 0:28:32.879
<v Speaker 1>of them, Cherry Syrup, for one of them, elder flower

0:28:32.960 --> 0:28:36.199
<v Speaker 1>syrup and lime juice. The reason I went with ginger

0:28:36.200 --> 0:28:38.520
<v Speaker 1>beer is because it does have that kind of cutting.

0:28:38.600 --> 0:28:41.320
<v Speaker 1>I would go with a very bity ginger beer because

0:28:41.360 --> 0:28:44.200
<v Speaker 1>it's gonna help counter the sweetness of two kinds of syrups.

0:28:44.240 --> 0:28:47.280
<v Speaker 1>That sounds like a delicious mocktail. Yeah, again, you can

0:28:47.320 --> 0:28:50.080
<v Speaker 1>throttle up your lime juice if you want. You can

0:28:50.120 --> 0:28:52.280
<v Speaker 1>increase the amount of ginger beer if you want it

0:28:52.400 --> 0:28:56.240
<v Speaker 1>even like a softer sweetness, just very refreshing. This one

0:28:56.320 --> 0:28:58.240
<v Speaker 1>is like the one that I want to carry around

0:28:58.280 --> 0:29:00.840
<v Speaker 1>over ice, like all day long. It'll like a garden party.

0:29:01.040 --> 0:29:03.959
<v Speaker 1>It is sweet and Yummy and it's I don't know.

0:29:04.000 --> 0:29:05.800
<v Speaker 1>It just makes me think of things that are far

0:29:05.840 --> 0:29:09.280
<v Speaker 1>more delightful than anyone committing treason and then claiming that

0:29:09.320 --> 0:29:11.920
<v Speaker 1>they didn't commit treason because clearly they don't understand the

0:29:11.960 --> 0:29:17.000
<v Speaker 1>definition of treason. Oh, I said that out loud. I

0:29:17.040 --> 0:29:19.920
<v Speaker 1>don't think you understand what the maybe read the definition

0:29:19.920 --> 0:29:24.240
<v Speaker 1>in the constitution. You didn't. You did exactly what it said.

0:29:24.840 --> 0:29:30.840
<v Speaker 1>I said. Terrible thing you did. You did support an enemy.

0:29:30.920 --> 0:29:36.160
<v Speaker 1>You did anyway. So that is as risk words both

0:29:36.200 --> 0:29:39.800
<v Speaker 1>sweet and sour and some way, but they come out

0:29:39.800 --> 0:29:42.880
<v Speaker 1>delicious in this instance, which would be a way better

0:29:42.960 --> 0:29:45.880
<v Speaker 1>legacy if it were me, I would think, than some

0:29:46.000 --> 0:29:49.480
<v Speaker 1>of the foolish things that Ezra pound did. The EGO

0:29:49.600 --> 0:29:51.640
<v Speaker 1>is a wild thing. You can make you believe that

0:29:51.720 --> 0:29:54.880
<v Speaker 1>you are right, even when all evidence says otherwise, even

0:29:54.880 --> 0:29:58.720
<v Speaker 1>when your train is on the very wrong track. That's

0:29:58.840 --> 0:30:02.520
<v Speaker 1>that's my Harry on. As rebound, we hope that if

0:30:02.560 --> 0:30:04.720
<v Speaker 1>you make this you enjoy sipping it, whether it be

0:30:04.840 --> 0:30:07.920
<v Speaker 1>it's alcoholic or non alcoholic version, and we also want

0:30:07.920 --> 0:30:10.080
<v Speaker 1>to thank you for spending this time with us and

0:30:10.440 --> 0:30:12.400
<v Speaker 1>we hope that we have you back again next week

0:30:12.400 --> 0:30:17.360
<v Speaker 1>for more discussion of history's crimes. And I promise they're

0:30:17.400 --> 0:30:28.760
<v Speaker 1>always going to be more drinks. CRIMINALIA is a production

0:30:28.760 --> 0:30:31.480
<v Speaker 1>of Shonda land audio in partnership with I heart radio.

0:30:31.880 --> 0:30:35.200
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