WEBVTT - An Answer to the Offness

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<v Speaker 1>Family Secrets is a production of iHeartRadio. One afternoon, I

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<v Speaker 1>was listening to Derek DelGaudio, a master of sleight of hand,

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<v Speaker 1>on NPR. He talked about secrets, their weight, their heft.

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<v Speaker 1>He talked about how carrying them affects your breathing, your speech,

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<v Speaker 1>your movements. You have to remember who knows what. You

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<v Speaker 1>have to remember which versions of the stories you've told

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<v Speaker 1>and to whom and when. If you tell the truth,

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<v Speaker 1>there's nothing to keep straight, nothing to work at. The

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<v Speaker 1>truth isn't easy, but it's simple. What I wanted from

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<v Speaker 1>my husband was the truth. I asked for it, and

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<v Speaker 1>I waited for it, and eventually I stopped waiting. What

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<v Speaker 1>I was given was something different. It was shaped like,

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<v Speaker 1>It's not what you think. It held the weight of

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<v Speaker 1>You don't understand. How did I not see the heft?

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<v Speaker 1>How did I not hear it? The question I keep

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<v Speaker 1>asking myself is the same question we ask about someone

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<v Speaker 1>who's good at sleight of hand? How did he do that?

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<v Speaker 2>That's Maggie Smith, poet, writer, editor, and teacher. Maggie's is

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<v Speaker 2>a story about secrecy and betrayal, deep inner knowing, groundedness,

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<v Speaker 2>and grace. Ultimately, It's the story of a woman coming

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<v Speaker 2>into her own. This episode was recorded in front of

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<v Speaker 2>a live audience at the Miami Book Fair at Miami

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<v Speaker 2>Dade College in Miami, Florida. I'm Danny Shapiro, and this

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<v Speaker 2>is Family Secrets. The secrets that are kept from us,

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<v Speaker 2>the secrets we keep from others, and the secrets we

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<v Speaker 2>keep from ourselves. So much of your story has to

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<v Speaker 2>do with the secrets that we keep from ourselves. There

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<v Speaker 2>are other kinds of secrets within it, too, But that

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<v Speaker 2>feeling of knowing and yet not being able to apprehend,

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<v Speaker 2>not being able to quite touch what's really happening, because

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<v Speaker 2>it's too scary, it's too frightening.

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<v Speaker 3>It's too dangerous.

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<v Speaker 4>But I want to start way back at the very beginning.

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<v Speaker 4>But the question that I always start with in Family Secrets,

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<v Speaker 4>which is tell me about the landscape of your childhood.

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<v Speaker 4>There's a line in your book which is, if you

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<v Speaker 4>opened me up, you'd find Ohio.

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<v Speaker 1>It's true, Yeah, the heart of it all, I'll live

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<v Speaker 1>in my hometown. Basically, I grew up in central Ohio,

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<v Speaker 1>in the Columbus, Ohio area. I'm the oldest of three girls.

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<v Speaker 1>I have two younger sisters each two years apart, so

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<v Speaker 1>we're stairsteps. My parents still live in the house I

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<v Speaker 1>grew up in, and I have Sunday dinner there every Sunday,

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<v Speaker 1>except when I'm at the Miami Book Fair and I

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<v Speaker 1>won't make it back in time for Sunday dinners. I

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<v Speaker 1>had honestly a really traditional, blissfully boring childhood. You know,

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<v Speaker 1>I was born in seventy seven. I'm a gen xer.

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<v Speaker 1>I grew up in the eighties, your parents being able

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<v Speaker 1>to reach you when you were out playing, so we

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<v Speaker 1>would just sort of leave on our bikes in the morning,

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<v Speaker 1>come back at meals kind of scuffed up, and that

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<v Speaker 1>was pretty much it. I was bookish, as you can

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<v Speaker 1>probably imagine, an introverted, and when I wasn't playing with

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<v Speaker 1>my friends, I was either reading, listening to music, or

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<v Speaker 1>doing jigsaw puzzles in my bedroom. I was not cool.

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<v Speaker 3>It's so much better to get cooler later, wasn't it.

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<v Speaker 1>I mean, yeah, I definitely did not peak early, let's

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<v Speaker 1>just put it that way.

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<v Speaker 4>So when you were in that sort of blissfully boring

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<v Speaker 4>childhood and this very stable kind of extended family family situation,

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<v Speaker 4>how did the feeling of that stability impact you as

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<v Speaker 4>a child.

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<v Speaker 1>Honestly, I think it was just sort of the air

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<v Speaker 1>I breathed and the water I swam in, So I

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<v Speaker 1>don't think I recognized it as anything special. Now, as

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<v Speaker 1>an adult, I realized there's a sort of novelty to

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<v Speaker 1>having almost my entire extended family live in the same place,

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<v Speaker 1>and to all get together, and to have dinners thirteen

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<v Speaker 1>people on the weekends. It's not the norm. I think

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<v Speaker 1>it's not very twenty first century for sure, and maybe

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<v Speaker 1>not very twentieth century in a lot of ways. But

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<v Speaker 1>at the time it didn't seem strange to me, and

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<v Speaker 1>in fact, it probably didn't prepare me well for what

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<v Speaker 1>my own adult life would would look like.

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<v Speaker 4>Did you ever think about leaving or did you always

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<v Speaker 4>know that you would stay in Ohio?

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<v Speaker 1>I tried. I guess I would like to be like, no,

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<v Speaker 1>I'm so rooted. I never wanted to leave.

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<v Speaker 3>I did.

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<v Speaker 1>I considered MFA programs very far away from home, and

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<v Speaker 1>then a fellowship kept me, kept me in Columbus at

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<v Speaker 1>Ohio State, and since then, you know how it is.

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<v Speaker 1>You stay someplace and you meet someone, and then you

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<v Speaker 1>have kids, and then they're in school and then you

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<v Speaker 1>have a mortgage, and then your parents start aging, and

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<v Speaker 1>so I don't think when I was twenty, I didn't

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<v Speaker 1>really necessarily imagine my self living in Columbus, Ohio when

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<v Speaker 1>I was forty six, But here I am. I met

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<v Speaker 1>my husband at Ohio Wesleyan actually, which is where I

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<v Speaker 1>went to undergrad. I would have been nineteen or twenty.

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<v Speaker 3>And you were both in a creative writing workshop, that's right.

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<v Speaker 1>I think we had a couple of other classes together

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<v Speaker 1>in the English department before that class, but that was

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<v Speaker 1>the sort of smallest seminar, and that was around the

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<v Speaker 1>time that we became good friends.

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<v Speaker 4>And did you both know that you wanted futures as

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<v Speaker 4>writers at that point?

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<v Speaker 1>I knew when I was in college that I always

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<v Speaker 1>wanted to write, and then I probably always would because

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<v Speaker 1>I had been doing it for, you know, five or

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<v Speaker 1>six years already, and it didn't seem like something I

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<v Speaker 1>could quit even if I wanted to. I didn't know

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<v Speaker 1>what my work would be, though, and in my mind

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<v Speaker 1>it was still pretty separate. I need to find a

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<v Speaker 1>job in the world eventually, and also I'm going to

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<v Speaker 1>be a writer, and it's still kind of strange to me.

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<v Speaker 1>That those things have braided together in the ways that

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<v Speaker 1>they have, and I don't know what he thought he

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<v Speaker 1>was going to do.

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<v Speaker 3>It's interesting.

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<v Speaker 4>I mean, being a writer is something that we are,

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<v Speaker 4>not something that we aim for.

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<v Speaker 3>It's not a career choice. I think.

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<v Speaker 4>I don't think there's a writer out there who would say,

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<v Speaker 4>you know, when they were a little kid, that they

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<v Speaker 4>knew that they were going to build their life toward that,

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<v Speaker 4>because how do you know how to do that?

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<v Speaker 1>That seems terribly impractical. I'm a Midwesterner. That's not something

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<v Speaker 1>we do.

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<v Speaker 4>So in a way, it sounds like you initially replicate

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<v Speaker 4>that kind of solid family history by choosing the person

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<v Speaker 4>that you were going to be with very young, you know,

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<v Speaker 4>very young for your generation, and sticking sticking to him.

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<v Speaker 3>Yeah.

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<v Speaker 1>I mean I really did think that what I was

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<v Speaker 1>building would end up looking a lot like what my

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<v Speaker 1>parents had in some ways and probably not in others,

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<v Speaker 1>because I'm not my mother.

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<v Speaker 3>Tell me a little bit about your mother.

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<v Speaker 1>Oh my gosh, she's a firecracker. I love my mom.

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<v Speaker 1>My mom is someone I talked to almost every day.

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<v Speaker 1>She married my dad when she was twenty had me

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<v Speaker 1>at twenty four. My sister at twenty six, my other

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<v Speaker 1>sister at twenty eight. She was a stay at home

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<v Speaker 1>mom until we were old enough to get off the

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<v Speaker 1>school bus and get ourselves into the house, and so

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<v Speaker 1>she went back to work at some point, but even

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<v Speaker 1>then she was still the mom. So if I was sick,

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<v Speaker 1>she took care of me. If I needed food, she

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<v Speaker 1>made it, If there was laundry to be done, Mom

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<v Speaker 1>was the person you TalkTalk to. You if you need

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<v Speaker 1>a permission for something, you clear it with Mom. She

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<v Speaker 1>was sort of the CEO. And my dad went to

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<v Speaker 1>work every day and was sort of probably blissfully unaware

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<v Speaker 1>of most of what was going on. And so if

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<v Speaker 1>I wanted to do something I wasn't supposed to do,

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<v Speaker 1>I'd ask Dad, right like Mom probably wouldn't say no

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<v Speaker 1>because she knows, but Dad doesn't know, so maybe Dad'll

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<v Speaker 1>clear me for this. So he was, I mean, hilarious

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<v Speaker 1>and I'm very close to my dad, but a very

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<v Speaker 1>classic arrangement where the caretaking was very much my mother's

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<v Speaker 1>job and not my father's. Like I don't think he

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<v Speaker 1>changed a diaper until he had grandkids, and that was

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<v Speaker 1>a big deal when he finally did.

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<v Speaker 4>But when you say that you imagined a life that

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<v Speaker 4>was somewhat like your mom's but not But you're not

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<v Speaker 4>your mom. I think part of what we're talking about

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<v Speaker 4>here is that your mom really wanted That was what

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<v Speaker 4>she wanted. Yes, that was that she wanted to be

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<v Speaker 4>a wife and a mom and to raise this family.

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<v Speaker 4>And so there was nothing conflicted about that.

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<v Speaker 1>No, nothing conflicted at all. I mean, if you asked

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<v Speaker 1>my mom today, what did you want to be when

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<v Speaker 1>you grew up, she would say a mom and she

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<v Speaker 1>got to do it. So there wasn't that kind of

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<v Speaker 1>push and pull. And when she went back to work,

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<v Speaker 1>it was because she needed to and because we were

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<v Speaker 1>at school all day. But it wasn't because she had

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<v Speaker 1>some grand design on a career. You know, she's recently

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<v Speaker 1>retired and is so happy hanging out with her girlfriends

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<v Speaker 1>during the day and like traveling and doing all these things.

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<v Speaker 1>And I wish she had just been able to do

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<v Speaker 1>more of that. But yeah, I thought I could copy

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<v Speaker 1>paste my childhood into my home and have a completely

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<v Speaker 1>different kind of career. By the time my mom had

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<v Speaker 1>three kids at twenty eight, and I had just published

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<v Speaker 1>my first book to finish graduate school and didn't have

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<v Speaker 1>kids and was just getting married then. So the idea

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<v Speaker 1>that I could just replicate that template and sort of

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<v Speaker 1>overlay it on my life all these years later now

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<v Speaker 1>seems a little naive, But at the time I was like, sure,

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<v Speaker 1>it can look exactly like that, except I'll be doing

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<v Speaker 1>all these other things too.

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<v Speaker 2>Right.

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<v Speaker 4>Well, it's such a classic and such a relatable story,

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<v Speaker 4>I think that because how else do we know, right,

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<v Speaker 4>I mean, we can only know what we were raised

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<v Speaker 4>with and what our hopes and dreams might be. And

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<v Speaker 4>why can't we quote unquote have it all?

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<v Speaker 1>Have it all?

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<v Speaker 2>Maggie and her husband embark on their lives together. She

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<v Speaker 2>finishes graduate school, he goes to law school. Maggie's first

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<v Speaker 2>book comes out, and they move into a house painted

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<v Speaker 2>the very optimistic color of Perrywinkle blue.

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<v Speaker 1>I just actually painted the house charcoal gray. It's not

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<v Speaker 1>Perrywinkle anymore. So it's like now it's sort of memorialized

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<v Speaker 1>as a Periwinkle house.

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<v Speaker 3>There's a metaphor in there somewhere.

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<v Speaker 1>Isn't there. Yeah, And there's a metaphor in everything.

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<v Speaker 2>True.

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<v Speaker 4>Tell me about the search for the house, because you

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<v Speaker 4>write about that in this book, And there's something that's

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<v Speaker 4>so lovely and hopeful about looking for the place that

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<v Speaker 4>you're going to just start your life as a young adult.

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<v Speaker 3>Yeah.

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<v Speaker 1>I think my daughter Violet was one when we were

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<v Speaker 1>looking for houses because we'd been renting and the woman

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<v Speaker 1>we were renting from was putting the house on the

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<v Speaker 1>market and we couldn't afford to buy that house. It

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<v Speaker 1>was big Victorian and German village in this historic neighborhood,

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<v Speaker 1>and so we thought, Okay, now we have to buy

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<v Speaker 1>the house in the school district where we think we're

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<v Speaker 1>going to send her to kindergarten, even though she's one,

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<v Speaker 1>because that's how you do it, right, you do the thing.

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<v Speaker 1>And I thought, well, I still want to live in

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<v Speaker 1>a walkable neighborhood because all these years we've lived in

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<v Speaker 1>neighborhoods we can walk to a bookstore, a coffee shop,

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<v Speaker 1>a post office. You know. I didn't want to replicate

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<v Speaker 1>that part of my childhood and be out in the

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<v Speaker 1>suburbs and have to get in the car to go anywhere.

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<v Speaker 1>And so it came down to two things. One, we

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<v Speaker 1>visited this house on this street, and the house is

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<v Speaker 1>a very beloved money pit that I continue to work

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<v Speaker 1>on year after year earmarking and moving things around, like

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<v Speaker 1>is it the bathroom year or the roof year. But

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<v Speaker 1>I was completely charmed by it because there are like

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<v Speaker 1>thirty four windows in my house. It's all glass. The

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<v Speaker 1>whole street is a tunnel of sycamores or London plane trees,

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<v Speaker 1>which are kind of cousins, and in the summer they

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<v Speaker 1>make this arch of green and so it looks like

0:13:53.880 --> 0:13:57.200
<v Speaker 1>you're driving down this tunnel of trees. And it seems like,

0:13:57.240 --> 0:13:59.400
<v Speaker 1>of course, such a poetic thing to do to buy

0:13:59.440 --> 0:14:01.320
<v Speaker 1>a money pit of a house on a street with

0:14:01.360 --> 0:14:06.120
<v Speaker 1>a tunnel of sycamore trees. But that's exactly what we did.

0:14:06.360 --> 0:14:09.600
<v Speaker 1>And we also chose that house because it's Caddy corner

0:14:10.120 --> 0:14:13.280
<v Speaker 1>across the street from one of my best friends. I

0:14:13.320 --> 0:14:17.640
<v Speaker 1>love the house. It's just home. It's a constant project,

0:14:18.559 --> 0:14:21.120
<v Speaker 1>but there's lots of light and lots of trees and

0:14:21.160 --> 0:14:26.080
<v Speaker 1>friendly dogs and then albino squirrel. And I know it

0:14:26.120 --> 0:14:30.280
<v Speaker 1>sounds like I'm snow white. It's not that ucolic. You know.

0:14:30.400 --> 0:14:33.240
<v Speaker 1>Things are constantly breaking, but I love it.

0:14:36.360 --> 0:14:55.200
<v Speaker 2>We'll be right back. Prior to this big hopeful move,

0:14:55.640 --> 0:14:58.160
<v Speaker 2>Maggie and her husband are still renting their home in

0:14:58.240 --> 0:15:02.800
<v Speaker 2>German Village when Violet is born. After Violet's birth, Maggie

0:15:02.880 --> 0:15:06.520
<v Speaker 2>has an extremely difficult time. She doesn't even realize what

0:15:06.560 --> 0:15:10.520
<v Speaker 2>plagues her postpartum depression until she has it for the

0:15:10.560 --> 0:15:12.200
<v Speaker 2>second time years later.

0:15:15.160 --> 0:15:20.400
<v Speaker 1>I had pretty serious postpartum depression after Violet was born,

0:15:20.760 --> 0:15:22.800
<v Speaker 1>and we lived in the house in German Village then,

0:15:23.440 --> 0:15:25.800
<v Speaker 1>and I was just a shell of a human being.

0:15:25.840 --> 0:15:31.080
<v Speaker 1>I actually cut my maternity leave short because I couldn't

0:15:31.480 --> 0:15:34.760
<v Speaker 1>cope anymore. I actually chose to go back and sit

0:15:34.840 --> 0:15:39.360
<v Speaker 1>in a cubicle to just have a different kind of

0:15:39.440 --> 0:15:43.200
<v Speaker 1>day than I was having with a colicky child feeling

0:15:43.440 --> 0:15:44.120
<v Speaker 1>that bad.

0:15:44.960 --> 0:15:47.720
<v Speaker 4>So I wonder, Maggie, you know, is in not knowing,

0:15:47.880 --> 0:15:51.560
<v Speaker 4>which I think is so true of people who are

0:15:51.600 --> 0:15:56.160
<v Speaker 4>suffering from something that they haven't experienced before. The instinct

0:15:56.280 --> 0:16:00.640
<v Speaker 4>is to think it's my baby's colloquy, or I'm impatient,

0:16:00.960 --> 0:16:03.160
<v Speaker 4>or there must be something wrong with me that I'm

0:16:03.160 --> 0:16:06.240
<v Speaker 4>not handling this better, and not to go to the

0:16:06.280 --> 0:16:11.320
<v Speaker 4>place of self compassion of maybe there really is something

0:16:11.360 --> 0:16:14.560
<v Speaker 4>going on that isn't my fault.

0:16:15.160 --> 0:16:18.320
<v Speaker 1>Yeah, I think that's right. I remember at one point,

0:16:18.400 --> 0:16:19.920
<v Speaker 1>and maybe it was my mother or one of my

0:16:20.040 --> 0:16:24.400
<v Speaker 1>sisters said, you don't talk about any of this with

0:16:24.480 --> 0:16:29.920
<v Speaker 1>any joy. You seem miserable and stressed out. And I mean,

0:16:30.000 --> 0:16:32.840
<v Speaker 1>granted I wasn't sleeping, but no parent sleeps, and a

0:16:32.840 --> 0:16:36.200
<v Speaker 1>lot of them still seem okay. And it didn't occur

0:16:36.240 --> 0:16:38.000
<v Speaker 1>to me that the way I was feeling was any

0:16:38.800 --> 0:16:41.480
<v Speaker 1>different from what anyone else was feeling. And one of them,

0:16:41.520 --> 0:16:44.080
<v Speaker 1>I remember, said to me, you need to go to

0:16:44.120 --> 0:16:46.560
<v Speaker 1>your doctor, like this isn't normal to feel this way,

0:16:46.600 --> 0:16:51.360
<v Speaker 1>and I remember saying something like there's no pill for

0:16:52.080 --> 0:16:56.320
<v Speaker 1>no sleep and a baby with acid reflux and colic

0:16:56.480 --> 0:17:00.280
<v Speaker 1>and a dairy allergy, like that's just my life and

0:17:00.320 --> 0:17:02.960
<v Speaker 1>there's nothing that anyone can do to make it any different.

0:17:03.240 --> 0:17:05.960
<v Speaker 1>But of course that was me speaking from a place

0:17:06.000 --> 0:17:08.879
<v Speaker 1>of not being well. And I know now that no,

0:17:09.320 --> 0:17:12.920
<v Speaker 1>those material aspects of my life would not have changed,

0:17:13.040 --> 0:17:15.840
<v Speaker 1>and probably if I had taken a bit of something

0:17:16.200 --> 0:17:18.760
<v Speaker 1>prescribed to me by a medical professional, I would have

0:17:18.920 --> 0:17:24.120
<v Speaker 1>been able to manage those bits better, because I then did.

0:17:24.200 --> 0:17:25.080
<v Speaker 1>When my son was.

0:17:25.000 --> 0:17:28.200
<v Speaker 3>Born, and that was also a year of not writing.

0:17:28.880 --> 0:17:30.879
<v Speaker 1>It was a whole year of not writing, and I

0:17:30.920 --> 0:17:33.199
<v Speaker 1>think about that, I'm like, well, no wonder I was depressed.

0:17:33.359 --> 0:17:35.199
<v Speaker 1>I had a baby. It didn't go the way I

0:17:35.240 --> 0:17:39.320
<v Speaker 1>thought it would. I thought, where's my bundle of joy?

0:17:39.480 --> 0:17:42.480
<v Speaker 1>This child screams at me all the time. I feel

0:17:42.520 --> 0:17:45.040
<v Speaker 1>like screaming all the time, but have the decency not to.

0:17:45.960 --> 0:17:50.280
<v Speaker 1>The poems are not happening. My husband is in law school,

0:17:51.520 --> 0:17:56.120
<v Speaker 1>and that's very demanding on his time. Even having family support,

0:17:56.240 --> 0:17:58.439
<v Speaker 1>even being in a place where I had lots of

0:17:58.440 --> 0:18:01.440
<v Speaker 1>people checking on me and coming over, bringing soup and

0:18:01.480 --> 0:18:05.120
<v Speaker 1>doing all the things. I couldn't get to a place

0:18:05.160 --> 0:18:09.919
<v Speaker 1>where anything was cooking up there for a year.

0:18:10.200 --> 0:18:14.480
<v Speaker 4>Which is a vicious cycle, right, because I think for writers,

0:18:15.640 --> 0:18:19.359
<v Speaker 4>for poets, that feeling of It's one of my favorite

0:18:19.440 --> 0:18:22.280
<v Speaker 4>quotes from Joan Didion in her essay y I write,

0:18:22.480 --> 0:18:24.840
<v Speaker 4>if I had the remotest access to my own mind,

0:18:25.240 --> 0:18:26.359
<v Speaker 4>I never would have become a writer.

0:18:27.280 --> 0:18:29.400
<v Speaker 3>I write in order to understand.

0:18:28.920 --> 0:18:32.399
<v Speaker 4>What I think, what I feel, what I fear. And

0:18:32.440 --> 0:18:35.560
<v Speaker 4>there's no other path, there's no other way to get

0:18:35.600 --> 0:18:38.040
<v Speaker 4>at that. So to be feeling all that and not

0:18:38.240 --> 0:18:42.560
<v Speaker 4>have the tool to not be the instrument of being

0:18:42.600 --> 0:18:44.919
<v Speaker 4>able to do that kind of work is just a

0:18:44.960 --> 0:18:47.040
<v Speaker 4>prescription for disaster.

0:18:47.640 --> 0:18:49.520
<v Speaker 1>Yeah, I think about that now. And I'm like, why

0:18:49.640 --> 0:18:52.960
<v Speaker 1>wasn't I even journaling through that time? And I really wasn't.

0:18:53.040 --> 0:18:56.040
<v Speaker 1>The only writing I think I even have to this

0:18:56.160 --> 0:19:02.280
<v Speaker 1>day from that first year are lists, like nerotic lists

0:19:02.400 --> 0:19:06.240
<v Speaker 1>of when she slept or didn't sleep, what she ate,

0:19:06.320 --> 0:19:10.439
<v Speaker 1>and how much the color of her poop, because this

0:19:10.560 --> 0:19:13.719
<v Speaker 1>is what we do with newborns, you know. I just

0:19:13.920 --> 0:19:18.200
<v Speaker 1>was sort of like looking for patterns in anything she did,

0:19:19.200 --> 0:19:23.640
<v Speaker 1>thinking that if I can just find this pattern that,

0:19:23.720 --> 0:19:26.520
<v Speaker 1>like if she eats this and this, then she'll sleep,

0:19:26.640 --> 0:19:28.800
<v Speaker 1>if she does this and this, if I do this

0:19:29.000 --> 0:19:31.679
<v Speaker 1>then this, looking for some way to make sense of

0:19:31.760 --> 0:19:35.640
<v Speaker 1>it all. And it was just lists and charts and

0:19:35.760 --> 0:19:38.919
<v Speaker 1>nothing of any import really.

0:19:40.280 --> 0:19:42.600
<v Speaker 4>You know, in reading your book, I was experiencing it

0:19:42.640 --> 0:19:51.399
<v Speaker 4>as this kind of slow erosion of identity, of intimacy,

0:19:52.240 --> 0:19:56.520
<v Speaker 4>of both intimacy in your marriage but intimacy with yourself.

0:19:56.880 --> 0:19:57.400
<v Speaker 1>Yeah.

0:19:57.440 --> 0:20:01.040
<v Speaker 4>So there's this, there's this period of which you go

0:20:01.119 --> 0:20:05.040
<v Speaker 4>through this postpartum depression. Then you move into the Periwinkle

0:20:05.119 --> 0:20:12.359
<v Speaker 4>House and you suffer two miscarriages. Yeah, in trying to

0:20:13.320 --> 0:20:16.960
<v Speaker 4>have another child and for Violet to have a sibling.

0:20:18.240 --> 0:20:21.560
<v Speaker 1>Yeah, And of course I didn't know until after my

0:20:21.720 --> 0:20:26.480
<v Speaker 1>son was born, and I had postpartum depression again. I thought,

0:20:26.480 --> 0:20:29.399
<v Speaker 1>what are the odds? And he was colicky again and

0:20:29.440 --> 0:20:31.760
<v Speaker 1>had asked reflux, and I thought, what are the odds

0:20:31.760 --> 0:20:34.439
<v Speaker 1>that lightning will strike twice? Surely it will be different

0:20:34.480 --> 0:20:37.919
<v Speaker 1>the second time. And it was not. And I only

0:20:37.960 --> 0:20:42.400
<v Speaker 1>found out later that, you know, miscarriage is a huge

0:20:43.160 --> 0:20:48.800
<v Speaker 1>sort of predisposing condition for postpartum because of course it is.

0:20:49.000 --> 0:20:51.320
<v Speaker 1>I mean, being pregnant three times in a year and

0:20:51.359 --> 0:20:55.880
<v Speaker 1>a half does pretty wild things to your hormones and

0:20:55.960 --> 0:21:01.119
<v Speaker 1>also your grieving and terrified, and so the even the

0:21:01.680 --> 0:21:05.440
<v Speaker 1>sort of joy of pregnancy of even finally getting pregnant

0:21:05.480 --> 0:21:08.680
<v Speaker 1>and thinking is this going to stick? Is this going

0:21:08.720 --> 0:21:15.400
<v Speaker 1>to happen? I never relaxed that entire you know, ten months,

0:21:16.320 --> 0:21:19.120
<v Speaker 1>I never relaxed. Every day I woke up and thought,

0:21:19.119 --> 0:21:20.840
<v Speaker 1>this is the day. There's not going to be a heartbeat,

0:21:20.840 --> 0:21:23.200
<v Speaker 1>this is the day. There's going to be blood, this

0:21:23.280 --> 0:21:27.359
<v Speaker 1>is the day. And so it really it changed me

0:21:27.840 --> 0:21:32.639
<v Speaker 1>in ways I probably can't even articulate or understand myself.

0:21:33.040 --> 0:21:36.600
<v Speaker 1>It made me a very fearful person. I didn't trust

0:21:36.680 --> 0:21:41.399
<v Speaker 1>my body, and I didn't trust my mind. You know,

0:21:41.560 --> 0:21:43.359
<v Speaker 1>I didn't know what kind of mom I would be

0:21:43.400 --> 0:21:48.000
<v Speaker 1>the second time around, because I knew what happened the

0:21:48.040 --> 0:21:51.840
<v Speaker 1>first time, and so when rhet was born, it didn't

0:21:51.880 --> 0:21:55.480
<v Speaker 1>take very long for things to go downhill. And the

0:21:55.560 --> 0:21:59.879
<v Speaker 1>difference was I went to the doctor and it got better.

0:22:00.520 --> 0:22:03.040
<v Speaker 1>And that also gave me a little bit of regret

0:22:03.200 --> 0:22:07.000
<v Speaker 1>I would say about what didn't happen the first time,

0:22:07.040 --> 0:22:09.160
<v Speaker 1>because I thought, God, I didn't have to feel that way.

0:22:09.760 --> 0:22:11.280
<v Speaker 1>I didn't have to go through that.

0:22:12.800 --> 0:22:16.480
<v Speaker 4>There's a point where you realize that you become more

0:22:16.640 --> 0:22:21.600
<v Speaker 4>mom than wife. And it was also a period. You

0:22:21.640 --> 0:22:23.399
<v Speaker 4>didn't write this, but it was my sense that you

0:22:23.440 --> 0:22:26.960
<v Speaker 4>became more mom than poet, more mom than Maggie.

0:22:27.240 --> 0:22:30.639
<v Speaker 1>Yes, that became my primary identity. And I think there

0:22:30.640 --> 0:22:35.840
<v Speaker 1>are probably people listening who can relate to that sort

0:22:35.880 --> 0:22:40.199
<v Speaker 1>of eclipsing of the self that happens, particularly when your

0:22:40.280 --> 0:22:45.359
<v Speaker 1>children are small and need you for everything, including food,

0:22:45.880 --> 0:22:50.960
<v Speaker 1>like you are the person keeping them alive, and that

0:22:51.080 --> 0:22:56.680
<v Speaker 1>kind of daily, ongoing responsibility sort of shoves everything else

0:22:56.760 --> 0:23:01.560
<v Speaker 1>into the margins of the page, I suppose, And of

0:23:01.600 --> 0:23:04.440
<v Speaker 1>course I think this happens in marriages. You know some

0:23:04.520 --> 0:23:09.120
<v Speaker 1>of the and I you know, I think in general

0:23:09.240 --> 0:23:12.080
<v Speaker 1>my writing and my children are the greatest blessings of

0:23:12.119 --> 0:23:15.800
<v Speaker 1>my life. I feel both of them are sort of

0:23:15.840 --> 0:23:19.960
<v Speaker 1>miraculous to me. I in some ways have no idea

0:23:19.960 --> 0:23:22.800
<v Speaker 1>how that all happened. I mean, I know how it happened,

0:23:23.800 --> 0:23:27.000
<v Speaker 1>but I really in some ways don't. Like these human

0:23:27.080 --> 0:23:29.879
<v Speaker 1>beings live here now in my house and have their

0:23:29.960 --> 0:23:32.960
<v Speaker 1>own personalities in their own lives, and these pieces of

0:23:33.000 --> 0:23:37.159
<v Speaker 1>writing like come to me, like occur to me, and

0:23:37.200 --> 0:23:39.879
<v Speaker 1>then grow and unfold, and all of this still seems

0:23:40.080 --> 0:23:44.880
<v Speaker 1>very much like magic to me. That the greatest blessings

0:23:44.880 --> 0:23:47.080
<v Speaker 1>of my life. And I think they're also the things

0:23:47.080 --> 0:23:53.200
<v Speaker 1>that were hardest on my partnership in a lot of ways,

0:23:54.000 --> 0:23:58.520
<v Speaker 1>and probably because of the demands on my time right

0:23:58.680 --> 0:24:01.120
<v Speaker 1>and not just but bandwidth.

0:24:05.040 --> 0:24:08.760
<v Speaker 2>During these years of young motherhood when Maggie's kids are little,

0:24:09.280 --> 0:24:11.720
<v Speaker 2>she has a job as an editor. Her husband is

0:24:11.760 --> 0:24:14.399
<v Speaker 2>working long hours as an associate in a law firm.

0:24:15.160 --> 0:24:17.359
<v Speaker 2>There's not a lot of time for her real work,

0:24:17.640 --> 0:24:21.440
<v Speaker 2>which is writing poems. She writes whenever she can grab

0:24:21.480 --> 0:24:24.840
<v Speaker 2>the time, in coffee shops, late at night, in the

0:24:24.840 --> 0:24:29.840
<v Speaker 2>school pickup line, the car. One day, when Violet and

0:24:29.920 --> 0:24:34.200
<v Speaker 2>Redd are seven and three, Maggie writes a poem titled

0:24:34.520 --> 0:24:38.960
<v Speaker 2>good Bones, and that poem changes everything.

0:24:40.359 --> 0:24:43.560
<v Speaker 1>I had a preschooler who was going off to part

0:24:43.600 --> 0:24:46.640
<v Speaker 1>time preschool a couple days a week where I could

0:24:46.640 --> 0:24:49.760
<v Speaker 1>get a little writing done, and I think I was

0:24:49.880 --> 0:24:53.959
<v Speaker 1>in either kindergarten or first grade at that point, so

0:24:54.000 --> 0:24:57.119
<v Speaker 1>she was gone all day so I could get a

0:24:57.160 --> 0:24:59.359
<v Speaker 1>little bit more done. I was working from home. I

0:24:59.400 --> 0:25:01.680
<v Speaker 1>had quit my job and was freelancing, so I was

0:25:01.720 --> 0:25:03.480
<v Speaker 1>still working as an editor, but I was doing it

0:25:03.520 --> 0:25:07.240
<v Speaker 1>from my house, so as long as Rhett was at preschool,

0:25:08.000 --> 0:25:12.200
<v Speaker 1>I had a little bit of space. And that's around

0:25:12.240 --> 0:25:14.320
<v Speaker 1>the time that I wrote Good Bones.

0:25:15.320 --> 0:25:19.320
<v Speaker 4>It also strikes me that good Bones, as is true

0:25:19.320 --> 0:25:22.400
<v Speaker 4>of other of your poems, is about being a mother.

0:25:22.840 --> 0:25:25.800
<v Speaker 4>It was the gift of being a mother meets the

0:25:25.840 --> 0:25:26.879
<v Speaker 4>gift of being a poet.

0:25:28.320 --> 0:25:31.840
<v Speaker 1>I couldn't have written that poem without them. Really, anything

0:25:31.880 --> 0:25:34.320
<v Speaker 1>I've written since they were born, I couldn't have written

0:25:34.359 --> 0:25:38.240
<v Speaker 1>without them, in part because some of it's actually collaborative work,

0:25:38.480 --> 0:25:40.360
<v Speaker 1>like they will give me the idea, they will give

0:25:40.359 --> 0:25:43.320
<v Speaker 1>me a line of dialogue or a metaphor. But also

0:25:43.480 --> 0:25:47.320
<v Speaker 1>they've changed who I am as a person. So the

0:25:47.359 --> 0:25:49.520
<v Speaker 1>work that comes out of me since they've been in

0:25:49.560 --> 0:25:53.480
<v Speaker 1>the world is work that they made possible, which is

0:25:53.640 --> 0:25:55.040
<v Speaker 1>pretty wild to think about.

0:25:55.920 --> 0:25:57.760
<v Speaker 3>Yeah, it is and beautiful.

0:25:59.200 --> 0:26:03.639
<v Speaker 1>Thanks kids, I'll forgive you that colic. Yeah, they're like,

0:26:03.680 --> 0:26:08.879
<v Speaker 1>where's our allowance? Where are the residuals? Mom? Good Bones

0:26:09.000 --> 0:26:14.680
<v Speaker 1>was published online in June of twenty sixteen. I had

0:26:14.720 --> 0:26:17.919
<v Speaker 1>submitted it the year before it was rejected a few places.

0:26:18.440 --> 0:26:22.480
<v Speaker 1>A journal named Waxwing picked it up, and then they

0:26:22.520 --> 0:26:25.959
<v Speaker 1>did what journals do, which is slated for later publication.

0:26:26.240 --> 0:26:28.359
<v Speaker 1>So I don't even think I knew exactly when it

0:26:28.440 --> 0:26:30.760
<v Speaker 1>was coming out. It was just like spring or summer

0:26:30.800 --> 0:26:34.400
<v Speaker 1>of next year, so I forgot about it. It came

0:26:34.520 --> 0:26:38.119
<v Speaker 1>out that week in June, and that was the week

0:26:38.200 --> 0:26:44.679
<v Speaker 1>of the Pulse nightclub massacre, and that same week in

0:26:45.040 --> 0:26:50.920
<v Speaker 1>England Brexit madness was picking up, and a member of Parliament,

0:26:51.000 --> 0:26:54.679
<v Speaker 1>Joe Cox, who was a young mother of young children herself,

0:26:55.240 --> 0:26:58.960
<v Speaker 1>was murdered in northern England that same week, and so

0:27:00.080 --> 0:27:03.719
<v Speaker 1>the poem was published online, not in a print magazine.

0:27:03.760 --> 0:27:06.840
<v Speaker 1>And because it was published online the week that two

0:27:07.080 --> 0:27:13.600
<v Speaker 1>terrible things happened and two different continents, people started sharing

0:27:13.640 --> 0:27:19.760
<v Speaker 1>it and I it just absolutely caught and took off

0:27:19.880 --> 0:27:23.120
<v Speaker 1>in ways that I mean. I was pushing a stroller

0:27:23.240 --> 0:27:28.159
<v Speaker 1>around my neighborhood and the BBC was reaching out. I

0:27:28.200 --> 0:27:32.879
<v Speaker 1>didn't have an agent, I didn't have media training. I

0:27:33.200 --> 0:27:37.480
<v Speaker 1>just had a cell phone, and like a non napping

0:27:37.520 --> 0:27:40.679
<v Speaker 1>three year old, I really didn't know what to do

0:27:40.760 --> 0:27:46.240
<v Speaker 1>with it. It was the strangest lightning strike still really

0:27:46.560 --> 0:27:49.240
<v Speaker 1>of my life.

0:27:48.200 --> 0:27:51.800
<v Speaker 4>And it just kept building and building. At one point,

0:27:52.280 --> 0:27:55.920
<v Speaker 4>you're told that Meryl Streep read it at a benefit.

0:27:56.200 --> 0:27:59.520
<v Speaker 1>Yeah. I found that out because my now friend say

0:27:59.760 --> 0:28:06.520
<v Speaker 1>Joe tweeted, like, Yo, Maggie, Meryl Streep just read good

0:28:06.520 --> 0:28:10.639
<v Speaker 1>Bones at the Academy of American Poets gala at Lincoln Center.

0:28:11.200 --> 0:28:13.360
<v Speaker 1>And I had walked into my house and looked at

0:28:13.359 --> 0:28:17.880
<v Speaker 1>my phone and thought, I'm sorry, who did what? I'm

0:28:17.920 --> 0:28:21.240
<v Speaker 1>sure actually that was a lot more colorful language that

0:28:21.440 --> 0:28:24.439
<v Speaker 1>was used, but I was like, I'm sorry, my words

0:28:24.440 --> 0:28:29.720
<v Speaker 1>were in MARYL. Streep's perfect mouth, in that voice. I

0:28:29.760 --> 0:28:37.280
<v Speaker 1>mean again, I'm a poet, working a regular job, parenting

0:28:37.280 --> 0:28:40.800
<v Speaker 1>two kids, living in Central Ohio. Like, I just can't

0:28:40.960 --> 0:28:46.080
<v Speaker 1>stress enough how outside of the literary world I felt

0:28:46.800 --> 0:28:52.360
<v Speaker 1>it was incredibly bizarre and then it was on Madam's Secretary, Right, Yeah,

0:28:52.440 --> 0:28:52.840
<v Speaker 1>I mean.

0:28:52.720 --> 0:28:54.840
<v Speaker 3>It was just it took on a life of its own.

0:28:54.880 --> 0:28:56.960
<v Speaker 1>It took on a life of its own, and I

0:28:56.960 --> 0:28:59.600
<v Speaker 1>would meet people and they would say, oh my gosh,

0:28:59.760 --> 0:29:03.400
<v Speaker 1>I love your poem, and I had the sense not

0:29:03.440 --> 0:29:08.080
<v Speaker 1>to say which one, but it became. I mean, I

0:29:08.200 --> 0:29:11.440
<v Speaker 1>joke now that it's hard to give a reading and

0:29:11.520 --> 0:29:15.440
<v Speaker 1>not read Good Bones because it's kind of my free bird. Right.

0:29:17.640 --> 0:29:21.760
<v Speaker 4>What was it like in your marriage during that time?

0:29:22.600 --> 0:29:26.760
<v Speaker 4>You do at one point write that your marriage was

0:29:26.840 --> 0:29:33.080
<v Speaker 4>never the same after that, meaning after the viral sensation

0:29:33.400 --> 0:29:34.120
<v Speaker 4>of Good Bones.

0:29:35.400 --> 0:29:38.320
<v Speaker 1>Yeah, that poem changed my life in both beautiful and

0:29:38.440 --> 0:29:41.840
<v Speaker 1>terrible ways, which is funny because the poem itself is

0:29:41.880 --> 0:29:45.160
<v Speaker 1>about the world being sort of equal parts beautiful and terrible,

0:29:45.760 --> 0:29:48.600
<v Speaker 1>and the impact that that poem had on my life

0:29:49.520 --> 0:29:51.680
<v Speaker 1>was equal parts beautiful and terrible.

0:29:51.720 --> 0:29:52.240
<v Speaker 3>It had a.

0:29:52.160 --> 0:29:56.479
<v Speaker 1>Beautiful impact on my writing life and a pretty terrible

0:29:56.520 --> 0:29:59.880
<v Speaker 1>impact on my personal life. Maybe it's just that the

0:30:00.040 --> 0:30:05.600
<v Speaker 1>sudden attention and the sort of invitation or opportunity to

0:30:05.760 --> 0:30:08.600
<v Speaker 1>lean into my writing life and to spend more time

0:30:09.240 --> 0:30:13.000
<v Speaker 1>on writing, and maybe that was the crux. You know,

0:30:13.160 --> 0:30:16.160
<v Speaker 1>suddenly I can come to a book festival. Suddenly I'm

0:30:16.160 --> 0:30:19.000
<v Speaker 1>getting invited to go to a university to give a

0:30:19.040 --> 0:30:22.520
<v Speaker 1>reading or teach for a week someplace. Suddenly I had

0:30:22.520 --> 0:30:25.520
<v Speaker 1>a lecture agent, you know, who would help get me

0:30:25.760 --> 0:30:29.800
<v Speaker 1>speaking engagements or send me around the country or the

0:30:29.840 --> 0:30:33.880
<v Speaker 1>world to get to be a writer in the world,

0:30:34.280 --> 0:30:38.760
<v Speaker 1>not just at my local Starbucks between naps. It was

0:30:38.800 --> 0:30:42.240
<v Speaker 1>such a blessing, but it also meant as a primary caregiver,

0:30:42.720 --> 0:30:46.400
<v Speaker 1>not being available all the time, right, and needing to

0:30:46.480 --> 0:30:52.680
<v Speaker 1>kind of recalibrate some things in my relationship to say, like, hey, okay,

0:30:52.800 --> 0:30:54.280
<v Speaker 1>kind of like my mom was a stay at home

0:30:54.280 --> 0:30:56.480
<v Speaker 1>mom for a while, right, and then eventually she went

0:30:56.560 --> 0:30:59.200
<v Speaker 1>back to work. But she did that by choice because

0:30:59.200 --> 0:31:03.280
<v Speaker 1>we weren't sort of in her hair as much anymore.

0:31:03.640 --> 0:31:06.120
<v Speaker 1>I still had at least one child who was very

0:31:06.200 --> 0:31:09.000
<v Speaker 1>young at the time and who was not in full

0:31:09.040 --> 0:31:12.360
<v Speaker 1>time daycare, and so getting away was a lot of

0:31:12.720 --> 0:31:16.400
<v Speaker 1>a kind of a logistical nightmare for me Personally.

0:31:17.800 --> 0:31:22.800
<v Speaker 4>You were going to be the primary caregiver and write

0:31:22.840 --> 0:31:26.600
<v Speaker 4>your poems on the side, and you know, this was

0:31:26.640 --> 0:31:30.320
<v Speaker 4>sort of the shape of your life that suddenly got disrupted.

0:31:30.720 --> 0:31:34.360
<v Speaker 1>Yeah, this wasn't the deal, right, This wasn't the deal,

0:31:34.640 --> 0:31:37.840
<v Speaker 1>Like the deal was one of us goes to work

0:31:37.880 --> 0:31:41.000
<v Speaker 1>and the other one works but also manages the children.

0:31:41.440 --> 0:31:44.480
<v Speaker 1>And if that's not happening, then that's not the deal.

0:31:45.560 --> 0:31:48.400
<v Speaker 1>And I think that's part of the strain. And yet

0:31:48.480 --> 0:31:51.000
<v Speaker 1>when I think about it, if I'm really honest with

0:31:51.040 --> 0:31:53.440
<v Speaker 1>myself and I do try, I do try to be

0:31:54.040 --> 0:31:57.520
<v Speaker 1>I think, Okay, well, what if I had traveled for

0:31:57.640 --> 0:32:02.880
<v Speaker 1>pharmaceutical sales. What if it had been incredibly lucrative, which frankly,

0:32:03.000 --> 0:32:06.920
<v Speaker 1>poetry isn't. What if it had taken me out of

0:32:06.960 --> 0:32:10.600
<v Speaker 1>my home on a regular basis but had nothing to

0:32:10.600 --> 0:32:13.160
<v Speaker 1>do with art making, had nothing to do with writing,

0:32:14.000 --> 0:32:16.200
<v Speaker 1>It had nothing to do with like being on stage

0:32:16.960 --> 0:32:20.040
<v Speaker 1>or signing books or doing anything that seemed fun or

0:32:20.120 --> 0:32:23.640
<v Speaker 1>attention seeking. Maybe it still would have been a problem

0:32:23.840 --> 0:32:26.480
<v Speaker 1>because it would have been an inconvenience that I don't

0:32:26.480 --> 0:32:28.560
<v Speaker 1>think it would have been the same kind of problem.

0:32:28.840 --> 0:32:32.520
<v Speaker 1>I think it was the perfect storm of a dream

0:32:32.600 --> 0:32:38.400
<v Speaker 1>being realized and not being able to sort of hold

0:32:38.480 --> 0:32:41.760
<v Speaker 1>up my end of the bargain quote unquote as far

0:32:41.800 --> 0:32:47.120
<v Speaker 1>as how much caregiving I could do on a daily basis.

0:32:50.200 --> 0:33:09.880
<v Speaker 2>We'll be back in a moment with more family secrets.

0:33:10.960 --> 0:33:13.760
<v Speaker 2>Maggie's husband isn't prepared to do some of the caretaking

0:33:13.800 --> 0:33:17.480
<v Speaker 2>without her. Once, when she's at a book festival, he

0:33:17.600 --> 0:33:20.000
<v Speaker 2>calls to tell her she needs to come home. Rhet

0:33:20.120 --> 0:33:24.800
<v Speaker 2>has a fever. Maggie, more mom than poet, tries to

0:33:24.800 --> 0:33:28.200
<v Speaker 2>get a last minute flight home, but she can't. Her

0:33:28.280 --> 0:33:30.680
<v Speaker 2>husband is left to muddle through this one on his own.

0:33:31.920 --> 0:33:34.719
<v Speaker 2>This is just one instance in which the rift between

0:33:34.720 --> 0:33:39.200
<v Speaker 2>Maggie and her husband deepens. Something's in the air, something's

0:33:39.320 --> 0:33:43.560
<v Speaker 2>not right. A while later, when Maggie is back home,

0:33:44.160 --> 0:33:48.200
<v Speaker 2>her family is asleep and she's awake. Downstairs, she sees

0:33:48.360 --> 0:33:52.440
<v Speaker 2>her husband's briefcase just sitting there. He's just come home

0:33:52.480 --> 0:33:56.320
<v Speaker 2>from a business trip. She's never done this before, but

0:33:56.360 --> 0:33:59.720
<v Speaker 2>something tells her to go over to that briefcase and

0:33:59.800 --> 0:34:02.400
<v Speaker 2>take a look, so she does.

0:34:04.240 --> 0:34:07.880
<v Speaker 1>I hate that I did that. It's hard to admit

0:34:07.960 --> 0:34:13.040
<v Speaker 1>that you snooped into someone else's personal belongings that didn't

0:34:13.040 --> 0:34:17.480
<v Speaker 1>belong to you. Although I don't know, I suppose if

0:34:17.520 --> 0:34:19.680
<v Speaker 1>I had an open bag in my house, which I

0:34:19.719 --> 0:34:22.600
<v Speaker 1>often do now, my kids would probably be rifling through

0:34:22.600 --> 0:34:25.719
<v Speaker 1>it for gum or post it notes. Or something. So

0:34:26.440 --> 0:34:30.880
<v Speaker 1>maybe there's not quite the expectation of privacy in a

0:34:30.920 --> 0:34:33.480
<v Speaker 1>home where you have stuff lying around all the time.

0:34:33.920 --> 0:34:38.279
<v Speaker 4>But you know what, snooping makes such an appearance on

0:34:38.320 --> 0:34:39.640
<v Speaker 4>this podcast.

0:34:39.760 --> 0:34:42.439
<v Speaker 3>In so many as in life.

0:34:42.200 --> 0:34:45.880
<v Speaker 4>So many episodes, to the point where I had to

0:34:45.920 --> 0:34:48.440
<v Speaker 4>at a certain point thing to myself, why is this

0:34:48.640 --> 0:34:51.760
<v Speaker 4>constantly coming up? Does everyone just simply snoop?

0:34:51.840 --> 0:34:51.920
<v Speaker 1>Do?

0:34:52.440 --> 0:34:54.040
<v Speaker 3>Is it to snoop? You know, to be human as

0:34:54.120 --> 0:34:54.600
<v Speaker 3>to snoop?

0:34:55.200 --> 0:34:59.799
<v Speaker 4>I actually think when there is a secret that's somewhere

0:34:59.840 --> 0:35:04.719
<v Speaker 4>in in the atmosphere, that's lurking somewhere, we know it

0:35:04.760 --> 0:35:11.400
<v Speaker 4>without being able to sink it, and it's almost a

0:35:11.520 --> 0:35:15.920
<v Speaker 4>self protective thing to do. I'm not going to find

0:35:16.040 --> 0:35:17.839
<v Speaker 4>this out, this thing that I don't even know what

0:35:17.840 --> 0:35:19.719
<v Speaker 4>it is. I just know that there's something that I

0:35:19.760 --> 0:35:24.080
<v Speaker 4>need to know, and that seems to be the impulse.

0:35:24.760 --> 0:35:27.719
<v Speaker 1>Yeah, I mean it's sort of like Spidey sense, you know,

0:35:27.880 --> 0:35:29.880
<v Speaker 1>like there's just some kind of prickle that tells you

0:35:29.960 --> 0:35:33.120
<v Speaker 1>something's off. Like I don't know what it is, but

0:35:33.160 --> 0:35:36.839
<v Speaker 1>something feels off, and likely there's no answer to the

0:35:36.880 --> 0:35:43.000
<v Speaker 1>offness in this bag, but it's here, So I'm going

0:35:43.040 --> 0:35:45.680
<v Speaker 1>to look and see if there's an answer to the offness.

0:35:46.280 --> 0:35:47.279
<v Speaker 3>There was, and there was.

0:35:48.000 --> 0:35:51.320
<v Speaker 1>There was an answer to the offness in the bag.

0:35:52.200 --> 0:35:53.520
<v Speaker 3>So what did you find in the bag?

0:35:53.800 --> 0:36:00.360
<v Speaker 1>I found a postcard addressed to a woman's name with

0:36:00.440 --> 0:36:02.600
<v Speaker 1>an address, so it had not been sent, like it

0:36:03.160 --> 0:36:05.399
<v Speaker 1>was ready to mail, but it had not been sent

0:36:06.360 --> 0:36:10.960
<v Speaker 1>in my husband's handwriting, addressed to a woman's name in

0:36:11.040 --> 0:36:13.920
<v Speaker 1>the place he had just visited and had been visiting

0:36:14.000 --> 0:36:20.839
<v Speaker 1>frequently for work. And then I kept looking because I thought, well,

0:36:20.840 --> 0:36:26.759
<v Speaker 1>maybe there's more glutton for punishment. And I do this.

0:36:26.840 --> 0:36:29.480
<v Speaker 1>I keep a book in my bag. I like to

0:36:29.520 --> 0:36:33.600
<v Speaker 1>have a notebook, and so did he. And so I

0:36:33.680 --> 0:36:36.520
<v Speaker 1>opened the blank book and sort of flipping through the pages,

0:36:37.440 --> 0:36:43.799
<v Speaker 1>and I flipped to the last entry and read basically

0:36:44.200 --> 0:36:48.160
<v Speaker 1>a kind of journal entry about taking a walk with

0:36:48.280 --> 0:36:53.160
<v Speaker 1>this particular person and being in her house. And so

0:36:53.200 --> 0:36:56.640
<v Speaker 1>I thought, okay, this is actually happening. And at first

0:36:56.680 --> 0:36:58.840
<v Speaker 1>I was telling myself, maybe these are ideas for like

0:36:58.880 --> 0:37:02.240
<v Speaker 1>a piece of writing, you know, like maybe it's a

0:37:02.280 --> 0:37:07.080
<v Speaker 1>novel start or a play, or this is a short story.

0:37:08.160 --> 0:37:10.160
<v Speaker 1>Of course it was not a short story.

0:37:11.600 --> 0:37:14.799
<v Speaker 4>And there was also a pine cone that he had

0:37:14.840 --> 0:37:17.560
<v Speaker 4>brought back with him for your kids.

0:37:17.880 --> 0:37:21.279
<v Speaker 1>Yeah, so Rhet likes to collect nature treasures. So on

0:37:21.360 --> 0:37:23.680
<v Speaker 1>his last business trip, he had brought a pine cone

0:37:23.719 --> 0:37:29.400
<v Speaker 1>home as a souvenir, and the postcard and the entry

0:37:29.440 --> 0:37:33.239
<v Speaker 1>both referenced the pine cone, and so then I knew

0:37:33.239 --> 0:37:36.839
<v Speaker 1>that the pine cone was actually something picked up with

0:37:36.960 --> 0:37:41.440
<v Speaker 1>this other individual and then brought home to our house.

0:37:42.960 --> 0:37:46.480
<v Speaker 3>So in that moment, what did it feel like in

0:37:46.520 --> 0:37:47.560
<v Speaker 3>your body?

0:37:48.000 --> 0:37:50.680
<v Speaker 1>I don't know that I was in my body. Honestly,

0:37:50.760 --> 0:37:56.520
<v Speaker 1>I have such a hazy recollection. I mean I remember

0:37:56.600 --> 0:37:59.920
<v Speaker 1>standing there, I remember finding it, I remember going upstairs

0:38:00.120 --> 0:38:04.359
<v Speaker 1>like I have almost sort of polaroid or you know,

0:38:04.440 --> 0:38:07.680
<v Speaker 1>like flashes, almost like jump cuts in a film, but

0:38:07.719 --> 0:38:10.560
<v Speaker 1>nothing I could actually stitch together. And I'm sure that

0:38:10.719 --> 0:38:15.680
<v Speaker 1>is just protective, like we're just not gonna catalog all

0:38:15.719 --> 0:38:19.279
<v Speaker 1>of that in great detail for reasons that make perfect sense.

0:38:20.680 --> 0:38:25.240
<v Speaker 4>So in that state, you went upstairs and you woke

0:38:25.360 --> 0:38:27.480
<v Speaker 4>him up, and.

0:38:28.760 --> 0:38:30.960
<v Speaker 3>What did you share with him in that moment?

0:38:31.160 --> 0:38:34.359
<v Speaker 1>I think I just yelled something like who is fill

0:38:34.440 --> 0:38:41.000
<v Speaker 1>in name on postcard? I brought up the postcard that night,

0:38:41.080 --> 0:38:43.000
<v Speaker 1>but did not tell him that I had looked in

0:38:43.040 --> 0:38:47.040
<v Speaker 1>the notebook, in part because I just really what I

0:38:47.080 --> 0:38:49.600
<v Speaker 1>wanted was for him to tell me the truth. And

0:38:49.640 --> 0:38:53.439
<v Speaker 1>so I kind of held that back and thought, i'll

0:38:53.480 --> 0:38:55.840
<v Speaker 1>know if he's telling me the truth if he discloses,

0:38:56.960 --> 0:38:59.160
<v Speaker 1>because now I can ask questions based on what I

0:38:59.200 --> 0:39:02.000
<v Speaker 1>know from these page and if he doesn't tell me

0:39:02.040 --> 0:39:06.200
<v Speaker 1>the truth, I'll know. I mean, I watch a lot

0:39:06.200 --> 0:39:10.440
<v Speaker 1>of true crime, so I just thought, now i'll know,

0:39:10.719 --> 0:39:12.919
<v Speaker 1>like I'm going to know if I'm being if there's

0:39:12.920 --> 0:39:15.399
<v Speaker 1>some gas lighting here, if there's some something else going

0:39:15.440 --> 0:39:18.680
<v Speaker 1>on here. And so I didn't bring up the journal,

0:39:18.840 --> 0:39:20.720
<v Speaker 1>and he didn't bring up the journal, and so then

0:39:20.800 --> 0:39:22.640
<v Speaker 1>I just thought, you know, we'll get to that eventually.

0:39:23.280 --> 0:39:27.200
<v Speaker 1>But the next day I did the same thing. I

0:39:27.239 --> 0:39:30.960
<v Speaker 1>repeated my actions. I went back into the bag. The

0:39:31.000 --> 0:39:34.520
<v Speaker 1>postcard was gone. Who knows, maybe it was mailed. I

0:39:34.560 --> 0:39:37.319
<v Speaker 1>really don't know. I don't know whatever happened to that.

0:39:37.960 --> 0:39:41.400
<v Speaker 1>And when I opened the pages of the journal, I

0:39:41.440 --> 0:39:45.080
<v Speaker 1>flipped to the last entry, and the pages were gone,

0:39:45.120 --> 0:39:46.880
<v Speaker 1>like you could see where there had been pages, and

0:39:46.920 --> 0:39:50.800
<v Speaker 1>they had been not ripped out, but like surgically removed,

0:39:50.920 --> 0:39:55.040
<v Speaker 1>like with the exact o knife.

0:39:55.280 --> 0:39:58.960
<v Speaker 2>Now it's Maggie who is keeping a secret. She doesn't

0:39:59.000 --> 0:40:02.680
<v Speaker 2>tell her husband she's seen those pages that she knows,

0:40:03.400 --> 0:40:07.239
<v Speaker 2>she doesn't say anything at all. The temperature at home

0:40:07.320 --> 0:40:11.040
<v Speaker 2>is chili. Whenever they do communicate, it's about the kids.

0:40:12.200 --> 0:40:15.240
<v Speaker 2>They go to couple's therapy, but even there they refrain

0:40:15.320 --> 0:40:19.120
<v Speaker 2>from talking about the enormous elephant in the room. Maggie

0:40:19.120 --> 0:40:21.919
<v Speaker 2>does not tell the couple's therapist what she's found out.

0:40:22.880 --> 0:40:25.360
<v Speaker 2>This might be the most logical space for an issue

0:40:25.400 --> 0:40:30.080
<v Speaker 2>like this to surface, but still it remains buried. Instead,

0:40:30.360 --> 0:40:35.240
<v Speaker 2>with their therapist, they discuss all the rudimentary baseline marital tension,

0:40:35.680 --> 0:40:39.240
<v Speaker 2>which Maggie's husband believes to be effectively her fault.

0:40:42.040 --> 0:40:46.000
<v Speaker 1>We go to counseling because I found these things. And

0:40:46.040 --> 0:40:50.160
<v Speaker 1>then in counseling we talk about that he's unhappy because

0:40:50.320 --> 0:40:54.120
<v Speaker 1>my career is taking up too much space, and I

0:40:54.160 --> 0:40:56.640
<v Speaker 1>don't bring up the fact that we're actually there for

0:40:56.680 --> 0:40:59.600
<v Speaker 1>this other reason, and we don't talk about it at all.

0:41:00.840 --> 0:41:02.600
<v Speaker 3>So what really struck me about that?

0:41:02.920 --> 0:41:05.520
<v Speaker 1>I'm asking because I'm just like, that's absurd.

0:41:05.840 --> 0:41:11.279
<v Speaker 4>Like the doubleness of the secret keeping here. So you

0:41:11.440 --> 0:41:15.319
<v Speaker 4>discover a secret in the form of this postcard and

0:41:15.320 --> 0:41:21.120
<v Speaker 4>this journal entry, and then you keep the secret your husband,

0:41:21.120 --> 0:41:23.560
<v Speaker 4>and you don't speak about it. You don't tell your mother,

0:41:23.680 --> 0:41:26.360
<v Speaker 4>who you're very close to, You barely tell any friends.

0:41:26.960 --> 0:41:29.399
<v Speaker 4>You certainly don't tell your children, and you don't tell

0:41:29.440 --> 0:41:34.160
<v Speaker 4>the therapist. No, what were you waiting for? Or maybe

0:41:34.160 --> 0:41:37.760
<v Speaker 4>another way of putting it is, when we don't speak

0:41:37.760 --> 0:41:43.200
<v Speaker 4>of something of that magnitude, usually thrumbing underneath that is.

0:41:45.320 --> 0:41:50.319
<v Speaker 1>Fear. Fear. Yeah, I think I was trying to keep

0:41:50.360 --> 0:41:54.120
<v Speaker 1>it intact, and so if I didn't tell my mother

0:41:54.239 --> 0:41:57.919
<v Speaker 1>what was going on, then she would never find out

0:41:57.920 --> 0:42:00.759
<v Speaker 1>what had happened. And therefore, when I I fixed it,

0:42:00.840 --> 0:42:04.680
<v Speaker 1>because I could fix it, I could fix it and

0:42:04.680 --> 0:42:06.279
<v Speaker 1>then she'd never have to know and it would never

0:42:06.320 --> 0:42:09.680
<v Speaker 1>affect their relationship. Because I really thought I could fix

0:42:09.719 --> 0:42:14.360
<v Speaker 1>it by fixing my own behavior. And if I fixed

0:42:14.400 --> 0:42:16.759
<v Speaker 1>it by fixing my own behavior, then no one would

0:42:16.800 --> 0:42:20.080
<v Speaker 1>ever have to know, and it wouldn't ripple, and we

0:42:20.120 --> 0:42:25.360
<v Speaker 1>could just go back to life being fine, and then

0:42:25.480 --> 0:42:27.680
<v Speaker 1>no one would have any hard feelings or ill will.

0:42:28.440 --> 0:42:32.160
<v Speaker 1>I didn't tell the counselor because I thought it would

0:42:32.440 --> 0:42:38.480
<v Speaker 1>anger him, my ex husband. I just remember thinking, I

0:42:38.520 --> 0:42:43.239
<v Speaker 1>feel like I'm holding this live grenade of all of

0:42:43.280 --> 0:42:48.200
<v Speaker 1>this knowledge, and if I speak up, it's like pulling

0:42:48.239 --> 0:42:48.600
<v Speaker 1>the pin.

0:42:49.760 --> 0:42:50.600
<v Speaker 3>And if I just.

0:42:50.640 --> 0:42:56.480
<v Speaker 1>Stay small and be as agreeable as possible, it breaks

0:42:56.520 --> 0:42:58.960
<v Speaker 1>my heart to say it now, Like if I just

0:42:59.040 --> 0:43:02.960
<v Speaker 1>make myself very sack small and acquiesced it as much

0:43:03.000 --> 0:43:07.360
<v Speaker 1>as humanly possible and basically bargain away everything that feels

0:43:07.440 --> 0:43:11.200
<v Speaker 1>essential to me as a human being, then maybe we

0:43:11.239 --> 0:43:13.040
<v Speaker 1>can make it work and then no one has to know.

0:43:14.719 --> 0:43:18.879
<v Speaker 4>But the thing about secrets is they won't stay. No,

0:43:19.040 --> 0:43:23.319
<v Speaker 4>they won't. Another guest on the podcast said something that

0:43:23.400 --> 0:43:25.560
<v Speaker 4>I thought was just so perfect about what it is

0:43:25.600 --> 0:43:27.440
<v Speaker 4>to keep a secret, which is when you bury a secret,

0:43:27.520 --> 0:43:32.880
<v Speaker 4>you bury it alive, right, And this thing was alive

0:43:33.560 --> 0:43:34.760
<v Speaker 4>and wasn't going to go away.

0:43:35.520 --> 0:43:37.600
<v Speaker 1>No it was not. I mean I did get to

0:43:37.640 --> 0:43:42.400
<v Speaker 1>a point where eventually I realized that all of the

0:43:42.560 --> 0:43:46.880
<v Speaker 1>acquiescing wasn't getting me anywhere, Like it wasn't actually like

0:43:46.960 --> 0:43:51.040
<v Speaker 1>canceling speaking engagements and agreeing not to travel and being

0:43:51.160 --> 0:43:53.799
<v Speaker 1>kind and cooking meals and taking the kids out like

0:43:53.840 --> 0:43:56.600
<v Speaker 1>it didn't matter. I could be the sort of best

0:43:56.719 --> 0:44:00.600
<v Speaker 1>version of myself, or not the best version of myself,

0:44:00.600 --> 0:44:04.720
<v Speaker 1>but the best version of myself. I thought that he wanted,

0:44:05.480 --> 0:44:08.920
<v Speaker 1>and it actually didn't change his behavior toward me, And

0:44:08.960 --> 0:44:10.719
<v Speaker 1>so I thought, why am I doing all of this

0:44:10.800 --> 0:44:16.720
<v Speaker 1>for nothing? Like it just feels pointless. And it struck

0:44:16.760 --> 0:44:20.480
<v Speaker 1>me eventually that it wasn't going to be enough. And

0:44:20.560 --> 0:44:22.680
<v Speaker 1>I think I also came around to the idea that

0:44:22.680 --> 0:44:26.839
<v Speaker 1>if your partner would happily let you let go of

0:44:26.920 --> 0:44:31.719
<v Speaker 1>things that matter a lot to you, then probably it's

0:44:31.760 --> 0:44:36.080
<v Speaker 1>not worth salvaging anyway. And so I talked to my

0:44:36.200 --> 0:44:39.880
<v Speaker 1>mom and then finally I just unloaded one day and

0:44:41.040 --> 0:44:42.960
<v Speaker 1>counseling and just said, by the way, I don't know

0:44:43.000 --> 0:44:46.360
<v Speaker 1>why we're this is a total charade.

0:44:47.320 --> 0:44:49.120
<v Speaker 3>That therapist must have been dumbfounded.

0:44:49.600 --> 0:44:51.720
<v Speaker 1>Why have you been coming in here for months taking

0:44:51.760 --> 0:44:54.200
<v Speaker 1>the blame and acting like it's all about that you're

0:44:54.239 --> 0:44:56.200
<v Speaker 1>not enough of a stay at home parent.

0:44:59.760 --> 0:45:02.360
<v Speaker 2>That the charade is over and done with, so is

0:45:02.400 --> 0:45:07.200
<v Speaker 2>the marriage. After a lengthy separation, Maggie's soon to be

0:45:07.239 --> 0:45:10.560
<v Speaker 2>ex husband moves in with the address see of the postcard.

0:45:12.040 --> 0:45:16.160
<v Speaker 2>He communicates with Maggie only by email updates. In one

0:45:16.200 --> 0:45:18.279
<v Speaker 2>of these, he lets her know that he will be

0:45:18.320 --> 0:45:21.080
<v Speaker 2>moving five hundred miles away.

0:45:23.440 --> 0:45:27.480
<v Speaker 4>This is so much a story of the coming hole

0:45:28.400 --> 0:45:35.719
<v Speaker 4>and these sharp fragments and this sort of puzzle like

0:45:35.840 --> 0:45:41.160
<v Speaker 4>structure of trying to come to an understanding of what happened.

0:45:41.880 --> 0:45:45.280
<v Speaker 4>My friend Andrea Debuse a bunch of years ago, Andrea

0:45:45.360 --> 0:45:48.799
<v Speaker 4>is talking about memoir, and he said, the question in

0:45:48.880 --> 0:45:53.319
<v Speaker 4>memoir is not what happened. The question in memoir is

0:45:53.360 --> 0:45:55.200
<v Speaker 4>what the fuck happened?

0:45:57.080 --> 0:45:58.040
<v Speaker 1>I like him already.

0:45:58.239 --> 0:46:03.640
<v Speaker 4>Yeah, And you're asking yourself that question, right, And in

0:46:03.800 --> 0:46:07.719
<v Speaker 4>asking yourself that question again and again, you're doing the

0:46:07.760 --> 0:46:13.240
<v Speaker 4>hard and profound work of knitting together all of yourselves

0:46:13.400 --> 0:46:15.480
<v Speaker 4>over time. This is the work that we all have

0:46:15.560 --> 0:46:18.319
<v Speaker 4>to do. Hopefully we do it, you know, until we

0:46:18.360 --> 0:46:21.960
<v Speaker 4>take our last breath. Is we're reconciling ourselves with all

0:46:22.000 --> 0:46:24.640
<v Speaker 4>of the different selves we've ever been. So that twenty

0:46:24.760 --> 0:46:28.360
<v Speaker 4>year old who met that, you know, that young woman

0:46:28.440 --> 0:46:31.960
<v Speaker 4>who wanted to replicate her life, and then the woman

0:46:32.000 --> 0:46:35.239
<v Speaker 4>that you became, and the mother and the wife, and

0:46:35.320 --> 0:46:39.359
<v Speaker 4>the poet and the grown ass woman you know who's

0:46:39.400 --> 0:46:42.399
<v Speaker 4>actually just putting together a life of meaning. And there's

0:46:42.520 --> 0:46:45.840
<v Speaker 4>so much in this book about making meaning that I

0:46:45.880 --> 0:46:51.080
<v Speaker 4>think is really extraordinary.

0:46:51.840 --> 0:46:55.680
<v Speaker 2>Here's Maddie reading one of her poems. This one is

0:46:55.760 --> 0:46:59.440
<v Speaker 2>titled Bride.

0:47:00.640 --> 0:47:06.120
<v Speaker 1>How long have I been wed to myself? Calling myself darling,

0:47:06.840 --> 0:47:12.000
<v Speaker 1>dressing for my own pleasure each morning, choosing perfume to

0:47:12.160 --> 0:47:16.799
<v Speaker 1>turn me on? How long have I been alone in

0:47:16.920 --> 0:47:21.640
<v Speaker 1>this house? But not alone? Married less to the man

0:47:21.960 --> 0:47:26.440
<v Speaker 1>than to the woman silvering with the mirror. I know

0:47:26.680 --> 0:47:30.439
<v Speaker 1>the kind of wife I need, and I become her,

0:47:31.400 --> 0:47:34.720
<v Speaker 1>the one who will leave this earth. At the same

0:47:34.960 --> 0:47:40.080
<v Speaker 1>instant I do, I am my own bride. Lifting the

0:47:40.200 --> 0:47:45.799
<v Speaker 1>veil to see my face, Darling, I say, I have

0:47:45.920 --> 0:47:49.040
<v Speaker 1>waited for you all my life.

0:47:49.400 --> 0:47:53.080
<v Speaker 3>Thank you, Thank you.

0:48:07.600 --> 0:48:11.400
<v Speaker 2>Family Secrets is a production of iHeartRadio. Molly Zacre is

0:48:11.400 --> 0:48:14.600
<v Speaker 2>the story editor and Dylan Fagan is the executive producer.

0:48:15.280 --> 0:48:18.120
<v Speaker 2>This episode was recorded in front of a live audience

0:48:18.200 --> 0:48:21.399
<v Speaker 2>at the Miami Book Fair. The interview was engineered by

0:48:21.440 --> 0:48:24.640
<v Speaker 2>Mitch Mormon. If you have a family secret you'd like

0:48:24.680 --> 0:48:27.320
<v Speaker 2>to share, please leave us a voicemail and your story

0:48:27.360 --> 0:48:30.719
<v Speaker 2>could appear on an upcoming episode. Our number is one

0:48:30.920 --> 0:48:35.040
<v Speaker 2>eight eight eight Secret zero. That's the number zero. You

0:48:35.080 --> 0:48:39.759
<v Speaker 2>can also find me on Instagram at Danny Rider. And

0:48:40.120 --> 0:48:41.680
<v Speaker 2>if you'd like to know more about the story that

0:48:41.760 --> 0:48:45.239
<v Speaker 2>inspired this podcast, check out my memoir Inheritance.

0:48:59.120 --> 0:49:02.319
<v Speaker 4>For more podcasts us from iHeartRadio, visit the iHeartRadio app,

0:49:02.440 --> 0:49:05.480
<v Speaker 4>Apple Podcasts, or wherever you listen to your favorite shows.