WEBVTT - Episode 465 w/ Anderson .Paak

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<v Speaker 1>He is drinks chess, motherfucking podcast man.

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<v Speaker 2>He's a legendary queen's rapper. He ain't agreed as your

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<v Speaker 2>boy in O r E. He's a Miami hip hop mioneer.

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<v Speaker 2>Put up his DJ E f N.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players you me and.

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<v Speaker 2>The most professional unprofessional podcast and your number one source

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<v Speaker 2>for drunk drink chans mo DS New Year c that's

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<v Speaker 2>it's time for drink champions. Drink up, motherfuck mother? Would

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<v Speaker 2>it good? Be hoping you would have shill be. This

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<v Speaker 2>is your boy and R what up his dj E

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<v Speaker 2>f N And this is middle of taping Crazy War. Now.

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<v Speaker 1>His brother's a legend. We've been trying to get him

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<v Speaker 1>for a long time. They said he came out two

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<v Speaker 1>thousand and twelve, but his freshman year couple is about

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<v Speaker 1>to hit ten years.

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<v Speaker 2>We're going to talk about that.

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<v Speaker 1>We're going to talk about that Super Bowl stage, We're

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<v Speaker 1>gonna talk about them six Grammys. We're gonna talk about

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<v Speaker 1>this legend. Non Grammy.

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<v Speaker 2>Was fucked up. In case you don't know, now, I

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<v Speaker 2>had my first hip.

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<v Speaker 1>Hop name was MC Yahoo with the ball to Bean

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<v Speaker 1>and he was yeah, I know was fucked up, but

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<v Speaker 1>you up there with me.

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<v Speaker 2>Your ship was Breezy Loved Joy. Yeah, you know it's

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<v Speaker 2>a much better name. Okay, I get you that, but

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<v Speaker 2>so that was your first man, Yeah, that was my

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<v Speaker 2>first name. I was like, yeah, it's gonna get all

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<v Speaker 2>the hose Breezy Loved Joy. It was already called me

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<v Speaker 2>Breezy when I was just a kid. It's twelve years

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<v Speaker 2>old and I was a big, chubby kid. I was

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<v Speaker 2>farting all the time, and my brother in law was like,

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<v Speaker 2>I'm gonna call you Breezy. He's from he was from Brooklyn.

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<v Speaker 2>He was like, call you Breezy right, because you're false

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<v Speaker 2>be crazy. And then when I got into like high school,

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<v Speaker 2>I was like, I'm gonna at the love Joy right

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<v Speaker 2>because that's gonna get the ladies. When I started writing

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<v Speaker 2>music on my first little demo tapes, and that's what

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<v Speaker 2>I went with for years. And then my manager was like,

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<v Speaker 2>you need to change that ship when you going to

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<v Speaker 2>meet Doctor Dre. Yeah, I was like, I got five

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<v Speaker 2>hundred Instagram followers. I don't need to change shit. I'm

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<v Speaker 2>on but and he was like, you're gonna really meet

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<v Speaker 2>doctor Dre one day and say my name is Breeze

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<v Speaker 2>Love Joy and I was like, damn, so I changed it.

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<v Speaker 2>Two years later I was signing Dre. It was like

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<v Speaker 2>it was crazy and you went with your own name.

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<v Speaker 2>M hmm, okay, mosset people in my my name. My

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<v Speaker 2>government name is Brandon Park Anderson. Wow, it's Korean and white.

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<v Speaker 2>I guess I don't know what it is. But my

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<v Speaker 2>mom they thought it was gonna be a girl. So

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<v Speaker 2>it was gonna ga me Brenda. And I came out

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<v Speaker 2>the g the man that I am right, and they

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<v Speaker 2>said Brandon right and uh. And then I just switched

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<v Speaker 2>it up. I went by Anderson Pat and then I

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<v Speaker 2>changed the denunciation of Pack because my manager was like,

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<v Speaker 2>you need them guessing, you need them talking. They won't

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<v Speaker 2>know if it's Pack Park, they won't know if you

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<v Speaker 2>want man a group. And I was like all right,

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<v Speaker 2>and I did it Anderson Pack and uh yeah it was.

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<v Speaker 2>It took a little bit, like rebranded for a little bit,

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<v Speaker 2>but it was. It kind of just all the line.

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<v Speaker 2>It was perfect time and after that I just kept

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<v Speaker 2>going with it.

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<v Speaker 1>All right, now we heard you drinking constants to almost

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<v Speaker 1>it's natural Tila day tomorrow, right, let's let's get it.

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<v Speaker 2>Let's get it. Jump on it.

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<v Speaker 1>Well, I'm gonna celebrate you drinking soccer drinking. Yes, he's.

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<v Speaker 2>Right. I just came from and you've been to Korea.

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<v Speaker 2>The share, Thank thank you. I have been to Korea

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<v Speaker 2>several times because I heard your son speaks fluent Korean. Yeah,

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<v Speaker 2>and laws of Korean, his grandparents, his mom, the whole

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<v Speaker 2>house Korean. I'll be like, you're black too, But little nigga,

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<v Speaker 2>now you like to get looked now, but what's the

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<v Speaker 2>Korean Virgin of saki? What's the course?

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<v Speaker 3>So long as you remember kept sake my mom gave

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<v Speaker 3>me because she went to Korean.

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<v Speaker 2>You brought it. You like it? I love it. I

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<v Speaker 2>get it.

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<v Speaker 1>That nas restaurant Cocotte with the caviar and chicken spot

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<v Speaker 1>and they didn't have saki, so I asked and they

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<v Speaker 1>was like, we have the Korean Virgin of Saki and

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<v Speaker 1>what's it called again?

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<v Speaker 2>Sold you that? Yeah? Okay, it's like vodka. But you're

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<v Speaker 2>not you're not Korean yourself. I am so. My mom

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<v Speaker 2>is actually born in Korea. She was adopted in Korea,

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<v Speaker 2>so she was found. Her and my uncle were found

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<v Speaker 2>during the Korean War in the fifties when the when

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<v Speaker 2>the whole place was going crazy and they were abandoned

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<v Speaker 2>kids they assumed from you know, a military American and

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<v Speaker 2>a Korean mom, and they were found and then brought

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<v Speaker 2>over to the Stags. My mom grew up black adopted

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<v Speaker 2>parents who were also in the military. She grew up

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<v Speaker 2>and Compton moved to South Central and when she was

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<v Speaker 2>you know, late thirties, she was living in Oxnar. So

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<v Speaker 2>she had me and my little sister, but she grew

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<v Speaker 2>up in La. My pops was from Philly. Wow. Black

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<v Speaker 2>from Philly. Yeah, yeah, so I'm Blatan.

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<v Speaker 4>I'm from Malaysian's black Asian.

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<v Speaker 2>We're from Malaysia. Son our people knees war Obama claiming nigga.

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<v Speaker 1>So how I you said your mom from Compton? How

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<v Speaker 1>did y'all get to Oxnard? How you can pronounce it?

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<v Speaker 1>Sar California?

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<v Speaker 2>Where's that at? It's a little north to La. You

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<v Speaker 2>go one on one north towards Santa Barbara. The first

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<v Speaker 2>time the album calabasas like past Calabasay. Yeah, Interrey County.

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<v Speaker 2>It's nice and it's it's a little more secluded, but

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<v Speaker 2>it's by the beach, but you know, more people moving

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<v Speaker 2>there now, but back then it was a lot of

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<v Speaker 2>people would be there because of the military base while

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<v Speaker 2>he was there, and you get a lot of military

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<v Speaker 2>people there, a lot of retirees, and a lot of

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<v Speaker 2>agricultures out there, so it was a lot of Latinos,

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<v Speaker 2>a lot of Mexicans and Salvadorians because it's all like strawberries.

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<v Speaker 2>You can grow everything there, so the majority of it

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<v Speaker 2>is agriculture and like immigrants that be over there working

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<v Speaker 2>and my mom strawberries. Yeah, that's how my mom winded

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<v Speaker 2>up over there. She got gifted a business for her.

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<v Speaker 2>One of her friends gave her a strawberry standing. He's

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<v Speaker 2>going to take over, and he's like, take this. You

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<v Speaker 2>ain't doing she was like doing junior college. She had

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<v Speaker 2>two kids already. She was like it, you know, And

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<v Speaker 2>then she did that and it got bigger and bigger

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<v Speaker 2>every year. And by the time she always worked for herself, Yeah,

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<v Speaker 2>entrepreneur from the job. And then she met my dad

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<v Speaker 2>and they started doing that together. And then my that

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<v Speaker 2>didn't work out. My pops went to prison when I was,

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<v Speaker 2>you know, rearely young, six or seven. But then she

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<v Speaker 2>continued to go and married again, and they got into

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<v Speaker 2>the same business and by the time we was high school,

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<v Speaker 2>you know, it was a multi million dollar business.

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<v Speaker 1>You know what the illness about you is, I always

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<v Speaker 1>kind of see you smile, right, yeah, And to me,

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<v Speaker 1>I'm scared of people who smile. Right, I'm going to

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<v Speaker 1>tell you why they want to protect their peace. That's

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<v Speaker 1>what that means for persons.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, So I'm saying, like, you know, I don't mean scared,

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<v Speaker 1>like you know what I mean. What I mean is

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<v Speaker 1>like this guy, Like if you see somebody smile, it's like,

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<v Speaker 1>that's that's the person you don't want to break their peace.

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<v Speaker 2>And I didn't know that.

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<v Speaker 1>And when I you know, saught researchings you and I

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<v Speaker 1>realized both of your parents went to jail, right.

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<v Speaker 2>Wow, Yeah, both of them did stretches in congentry. My

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<v Speaker 2>mom's uh was seven and a half years of Corona

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<v Speaker 2>State and my stepdad uh did about a year lest

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<v Speaker 2>But yeah, the same business as she did. You know,

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<v Speaker 2>she ended up getting in over her head kind of case.

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<v Speaker 2>It's like they had crazy like uh, you know, counts

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<v Speaker 2>against her. She she pled guilty, took a plea, and

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<v Speaker 2>she did seven and a half state and did that ship,

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<v Speaker 2>got went in got her degree. Both of your parents

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<v Speaker 2>the same time. H Yeah, it's a separate time now

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<v Speaker 2>they were locked the same time. Wow, this was my

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<v Speaker 2>stepdad and he came in around when I was like

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<v Speaker 2>six or seven, so and all the way till I

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<v Speaker 2>was about in high school. But yeah, they boke up

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<v Speaker 2>put it in the same time. And I was like

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<v Speaker 2>senior in high school, like I thought I was about

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<v Speaker 2>to be like I was making beats already, DJing I was.

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<v Speaker 2>I was like, I'm about to be signed to Rockefeller,

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<v Speaker 2>be the youngest over there. I'm gonna do this. And

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<v Speaker 2>then that happened senior year and everything just upside down.

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<v Speaker 2>My sisters had to move in and everybody was just

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<v Speaker 2>scrambling tryning. Me and my little sister were still in

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<v Speaker 2>high school. So how many siblings told, I got three

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<v Speaker 2>sisters from my mom and it's two older sisters, Ronnie

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<v Speaker 2>and Camille. Shout out to Ronnie, Camille and my little

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<v Speaker 2>sister Fielding And that's who we grew up in house with.

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<v Speaker 2>I was the only boy and I'm the middle and

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<v Speaker 2>so that must have been a rough time for us. Yeah,

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<v Speaker 2>it was tough, but we're all really close. So everybody

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<v Speaker 2>banded together. And once I graduated, I was like, Okay,

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<v Speaker 2>I'm not signed yet, I'm gonna get a job. So

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<v Speaker 2>I moved out. And it's when you worked in the

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<v Speaker 2>weed all working everywhere we farm. I did groceries, I

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<v Speaker 2>did assistant living, sold shoes, sneakers, sold weed. It was

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<v Speaker 2>the worst weed dealer. Yeah, you smoke with getting robbed,

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<v Speaker 2>just yeah, just getting.

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<v Speaker 5>No negotiating, no negotiating skills.

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<v Speaker 2>It was going all off botes and you gotta pay

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<v Speaker 2>other people. The niggas are trimed, like damn, I have

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<v Speaker 2>no gun. It's just chilling. Yeah. It was just I

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<v Speaker 2>was just having fun out there. Yeah. But then eventually

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<v Speaker 2>I got in my right lane in my right mind,

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<v Speaker 2>like I'm gonna do music.

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<v Speaker 1>So California, like from what we always know is like

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<v Speaker 1>heavily gang populated, was oxen arg Yeah, heavily ganged, Yeah.

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<v Speaker 2>Heavily Yeah. Growing up, that's all I knew. That's all

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<v Speaker 2>I knew growing up. When I was coming up. My

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<v Speaker 2>earliest memories of hanging with my cousins, you know, they

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<v Speaker 2>were gang bangers and they were always you know, beefing

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<v Speaker 2>with different people in the neighborhood, and I remember people

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<v Speaker 2>always going in and out of jail, are you know,

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<v Speaker 2>getting you know, hooked on drugs? And early on they

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<v Speaker 2>were like all the gang members I knew were early

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<v Speaker 2>on there. We used to say, like you were different, Yeah,

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<v Speaker 2>because you don't let you belong in the game, not

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<v Speaker 2>at all, not in the least bit. Funny though, Like

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<v Speaker 2>the music that I love the most is the most

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<v Speaker 2>gang bang, and it's like shooting.

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<v Speaker 1>Always Snoop Dogg ceed one time when when you cross.

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<v Speaker 2>Whatever, you know, Like since I was little, I was

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<v Speaker 2>listening to Snoop, you know, for show and tell. I

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<v Speaker 2>used to learn every lyric and just rap you know

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<v Speaker 2>the song you know, and that would be my show

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<v Speaker 2>and tell. And I was obsessed with hip hop. My

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<v Speaker 2>sister would to have all the tapes and I was

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<v Speaker 2>obsessed with everything and that she was obsessed with and

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<v Speaker 2>that was what my meter was for cool. So I

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<v Speaker 2>was like yeah, But all the early people that were

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<v Speaker 2>in that life were like, you're special, You're talented. I

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<v Speaker 2>used to just sit and they and they like do it,

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<v Speaker 2>and I just dance. I'll do all the kid and

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<v Speaker 2>play like Chriss Cross like I would do all that

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<v Speaker 2>I was such an entertainer. I wanted to just entertain.

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<v Speaker 2>I'll do the Bobby Brown, I do the I put

0:11:53.640 --> 0:11:55.440
<v Speaker 2>the jacket over and I do. It would be like

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<v Speaker 2>a every day a party for my family, and I

0:11:57.880 --> 0:12:00.079
<v Speaker 2>would be just entertaining Michael Jackson. I'll be flip and

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<v Speaker 2>all over the place. And so there was like boom.

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<v Speaker 2>And then when I started playing drums, I started getting

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<v Speaker 2>interested in music. Though there was like really like, you

0:12:07.200 --> 0:12:09.400
<v Speaker 2>ain't not this ain't for you. You stick with that.

0:12:09.480 --> 0:12:11.000
<v Speaker 2>You know when you started playing drums, that was in

0:12:11.040 --> 0:12:11.360
<v Speaker 2>the church.

0:12:12.040 --> 0:12:14.000
<v Speaker 1>So was that a three sixty moment for you when

0:12:14.440 --> 0:12:18.199
<v Speaker 1>the super Bowl when you on the drums, because it's

0:12:18.200 --> 0:12:20.040
<v Speaker 1>like that's where you started out in the church. But

0:12:20.080 --> 0:12:23.160
<v Speaker 1>look at you on the biggest stage in the world,

0:12:23.320 --> 0:12:25.160
<v Speaker 1>and you you know, you're.

0:12:25.000 --> 0:12:27.439
<v Speaker 2>Going back to how you started. How was that moment

0:12:27.440 --> 0:12:30.160
<v Speaker 2>for you? Cheers? The super Bowl? The super Bowl? It

0:12:30.200 --> 0:12:32.000
<v Speaker 2>was the moment. Crap it up for that. That's that's

0:12:32.040 --> 0:12:35.640
<v Speaker 2>why it makes it.

0:12:35.679 --> 0:12:38.600
<v Speaker 1>Scott's thoughts must have been sitting back like, man, this morning, sucker,

0:12:38.840 --> 0:12:41.480
<v Speaker 1>how he getting invited on stage?

0:12:42.440 --> 0:12:47.800
<v Speaker 2>Lang Lang, But yeah, this's cribbed that moment. Shout out

0:12:47.840 --> 0:12:51.120
<v Speaker 2>to Scott's story and got my man, hell ya just playing.

0:12:51.400 --> 0:12:54.760
<v Speaker 2>But you know that joke was fun. That's my dad jokes, buddy.

0:12:55.559 --> 0:12:58.720
<v Speaker 2>I had had what you're about to be left off

0:12:58.760 --> 0:12:59.920
<v Speaker 2>that motherfucker like I got.

0:13:00.480 --> 0:13:02.199
<v Speaker 1>We had Scott to talk about it on here, and

0:13:02.360 --> 0:13:04.079
<v Speaker 1>we had Dre talk about it on here, and I

0:13:04.200 --> 0:13:08.280
<v Speaker 1>asked Dre particularly. I asked, Dre, did you think you

0:13:08.360 --> 0:13:09.800
<v Speaker 1>missed somebody off of the stage.

0:13:10.000 --> 0:13:10.719
<v Speaker 2>And he looked at me.

0:13:10.800 --> 0:13:12.800
<v Speaker 1>It's the hardest part of the interview, in my opinion.

0:13:12.840 --> 0:13:15.319
<v Speaker 1>He looked at me and was like no, And I said.

0:13:15.240 --> 0:13:18.280
<v Speaker 2>Oh ship he was?

0:13:18.440 --> 0:13:18.679
<v Speaker 6>He was?

0:13:19.080 --> 0:13:22.679
<v Speaker 2>I had They had already dropped the flyer for the

0:13:22.800 --> 0:13:27.040
<v Speaker 2>Super Bowl, right, I was not on that ship. I

0:13:27.240 --> 0:13:30.280
<v Speaker 2>hit Dre direct, Dre, what the fuck? Let me get

0:13:30.360 --> 0:13:32.319
<v Speaker 2>on that joint, Let me play drums something, let me

0:13:32.400 --> 0:13:34.719
<v Speaker 2>you know, I got I can get in there. Some

0:13:34.800 --> 0:13:37.200
<v Speaker 2>ways said hey, it's all good. I made my own flyer.

0:13:37.600 --> 0:13:46.000
<v Speaker 2>I superimposed myself on that ship long ago, ten years ago.

0:13:47.040 --> 0:13:49.360
<v Speaker 2>That ship was before you. I put my I my people.

0:13:49.440 --> 0:13:50.880
<v Speaker 2>I'm like, look, you gotta figure it out. I threw it.

0:13:50.960 --> 0:13:53.439
<v Speaker 2>I threw myself on there. I was like, yo, it's good.

0:13:53.559 --> 0:13:55.240
<v Speaker 2>Like He's like we're gonna find something for you guys

0:13:55.280 --> 0:13:57.320
<v Speaker 2>like that. I'm puting myself on the fly. I'm gonna

0:13:57.360 --> 0:13:59.480
<v Speaker 2>just take a few liberties. I'm gonna just throw myself

0:13:59.520 --> 0:14:01.360
<v Speaker 2>on there. And I showed it to him. He started

0:14:01.400 --> 0:14:03.400
<v Speaker 2>cracking up. He was like, make sure they know it's

0:14:03.400 --> 0:14:05.000
<v Speaker 2>a joke. I was like, that's all good. I'm a

0:14:05.120 --> 0:14:09.880
<v Speaker 2>post it And I was on that ship. Next thing

0:14:09.920 --> 0:14:14.559
<v Speaker 2>you know, I was waiting manifest it. Manifest It's not

0:14:14.600 --> 0:14:16.640
<v Speaker 2>make it till you make it, it's bring it to

0:14:19.120 --> 0:14:20.920
<v Speaker 2>see it all the way through. Yeah, shout out to

0:14:21.160 --> 0:14:22.960
<v Speaker 2>shoutut to everybody that was on it. Let me ask you,

0:14:23.000 --> 0:14:26.760
<v Speaker 2>though you actually got the call, what was it that

0:14:26.880 --> 0:14:27.080
<v Speaker 2>you for?

0:14:28.600 --> 0:14:29.160
<v Speaker 3>I did.

0:14:38.080 --> 0:14:41.080
<v Speaker 2>All right, I'm in you know, that was pretty much

0:14:41.280 --> 0:14:42.680
<v Speaker 2>just of V And next thing you know, I'm at

0:14:42.720 --> 0:14:45.400
<v Speaker 2>rehearsals and he's like, I got this idea. You're going

0:14:45.560 --> 0:14:47.400
<v Speaker 2>you're down to play for Marshall, you know, like, and

0:14:47.480 --> 0:14:52.360
<v Speaker 2>I'm like, let's do it, like lose yourself and the

0:14:52.440 --> 0:14:54.880
<v Speaker 2>fun the part was that I was rehearsing for the

0:14:55.040 --> 0:14:58.080
<v Speaker 2>Silk Sonic ship at the same time we was rehearsing

0:14:58.120 --> 0:15:01.720
<v Speaker 2>for your residency. If you went to the LA Residency,

0:15:02.400 --> 0:15:05.280
<v Speaker 2>that was. We were rehearsing for that at the same time,

0:15:05.320 --> 0:15:06.800
<v Speaker 2>and I feel like we only had like a month

0:15:06.880 --> 0:15:08.880
<v Speaker 2>to get the show right, and we did a month

0:15:08.920 --> 0:15:12.720
<v Speaker 2>straight and I had to keep telling Bruno's like, I

0:15:12.760 --> 0:15:15.840
<v Speaker 2>gotta go for Super Bowl rehearsal. I got to leave early,

0:15:15.920 --> 0:15:18.400
<v Speaker 2>you know, and so and both of them are just

0:15:18.560 --> 0:15:22.680
<v Speaker 2>like they're so phixiated on having the greatest show. And

0:15:22.720 --> 0:15:24.320
<v Speaker 2>that's why they do have the greatest show, because they

0:15:24.400 --> 0:15:27.520
<v Speaker 2>really work at it. And Dre's no exception, and he

0:15:27.720 --> 0:15:30.200
<v Speaker 2>was getting these rehearsals in and they put together an

0:15:30.240 --> 0:15:34.400
<v Speaker 2>amazing show. And I was able to sneak in like

0:15:34.640 --> 0:15:36.560
<v Speaker 2>really two or three rehearsals with Dre and them, and

0:15:36.600 --> 0:15:40.920
<v Speaker 2>they shut out. To my boy, that was the MD

0:15:41.120 --> 0:15:44.560
<v Speaker 2>over there. Oh my god, I'm I'm drinking and smoking,

0:15:44.640 --> 0:15:46.840
<v Speaker 2>but you know, charge it to my heart, no man,

0:15:47.800 --> 0:15:51.200
<v Speaker 2>But you know, my boy Adam Blackstone, who put together

0:15:51.280 --> 0:15:53.600
<v Speaker 2>the show is incredible in his band, and he took

0:15:53.680 --> 0:15:55.560
<v Speaker 2>care of me and got me where I was comfortable

0:15:55.760 --> 0:15:58.640
<v Speaker 2>I could jump in there and also get back in rehearsal.

0:15:58.720 --> 0:16:00.680
<v Speaker 2>So on we had to do the Super Bowl. It

0:16:00.800 --> 0:16:05.760
<v Speaker 2>was insane because right before we go on to the field,

0:16:05.960 --> 0:16:08.200
<v Speaker 2>you know, we're like on the side of the field,

0:16:08.240 --> 0:16:10.440
<v Speaker 2>and you know they get like thirty seconds to set

0:16:10.520 --> 0:16:14.080
<v Speaker 2>up stage or whatever. Wait thirty seconds, I mean something

0:16:14.200 --> 0:16:18.240
<v Speaker 2>like that. Yeah, and I'm here and you know, you

0:16:18.360 --> 0:16:20.520
<v Speaker 2>put your in theres in and you can hear everybody talking,

0:16:20.600 --> 0:16:23.040
<v Speaker 2>and like it's seconds before we go up and I

0:16:23.120 --> 0:16:27.400
<v Speaker 2>hear snoop go he go to Dre, Hey, cuz is

0:16:27.440 --> 0:16:31.160
<v Speaker 2>it Lotti dotty doar dotty dotty doll? And Dre goes

0:16:31.200 --> 0:16:40.840
<v Speaker 2>what and then five four slights off them? Oh my god,

0:16:41.400 --> 0:16:44.240
<v Speaker 2>And I'm playing to lose yourself. You don't even get

0:16:44.280 --> 0:16:47.240
<v Speaker 2>one shot. I'm like, could you not drop your sticks?

0:16:47.320 --> 0:16:47.440
<v Speaker 3>Bro?

0:16:47.680 --> 0:16:50.400
<v Speaker 2>This is like the biggest thing. And it was just incredible, man,

0:16:50.600 --> 0:16:53.560
<v Speaker 2>like the way they orchestrated it and it went off

0:16:53.600 --> 0:16:55.240
<v Speaker 2>without it hit you. It was it was that was

0:16:55.440 --> 0:16:58.680
<v Speaker 2>a big moment for sure, and everybody was like, I

0:16:58.840 --> 0:17:01.680
<v Speaker 2>was like, should I smile? You know when I'm damn,

0:17:01.720 --> 0:17:03.120
<v Speaker 2>I couldn't help it, and I'm like, I'm gonna be

0:17:03.160 --> 0:17:05.000
<v Speaker 2>straight facing. And then as you can see, I had

0:17:05.040 --> 0:17:06.640
<v Speaker 2>the biggest fucking smile the whole time.

0:17:07.320 --> 0:17:07.560
<v Speaker 3>Yeah.

0:17:07.920 --> 0:17:10.200
<v Speaker 2>I tried. I just I was hired. So did he

0:17:10.240 --> 0:17:15.320
<v Speaker 2>say I blocked out. I don't even know. I think

0:17:15.400 --> 0:17:16.480
<v Speaker 2>he's lotty dot he died.

0:17:17.680 --> 0:17:20.879
<v Speaker 3>Yeah, But go back to when you get your hands

0:17:20.920 --> 0:17:24.320
<v Speaker 3>on drums, how is that presented to you in the church?

0:17:24.440 --> 0:17:27.280
<v Speaker 3>Like what how did you get drawn into drums yourself?

0:17:28.359 --> 0:17:34.200
<v Speaker 2>I started playing drums because I wanted a girlfriend or something,

0:17:34.240 --> 0:17:37.240
<v Speaker 2>you know, I wanted girls, you know, like I was

0:17:37.280 --> 0:17:40.680
<v Speaker 2>getting into twelve thirteen and everybody had a thing, and

0:17:40.760 --> 0:17:43.120
<v Speaker 2>I thought I was gonna be NBA player. I thought

0:17:43.160 --> 0:17:46.200
<v Speaker 2>I was going to be like a wrestler like all

0:17:46.280 --> 0:17:49.159
<v Speaker 2>these things. And I was, you know, drawing, and I

0:17:49.240 --> 0:17:51.359
<v Speaker 2>wanted to be in a cartoon like I wanted. I

0:17:51.480 --> 0:17:53.119
<v Speaker 2>was like, well, I couldn't like be a cartoon, but

0:17:53.240 --> 0:17:55.400
<v Speaker 2>I was like I need to do something. And then

0:17:55.440 --> 0:17:58.600
<v Speaker 2>I was like I love music and I was very percussive,

0:17:59.680 --> 0:18:03.480
<v Speaker 2>and the drums were the one thing that when I

0:18:03.560 --> 0:18:06.159
<v Speaker 2>got on it was like second nature, like I never

0:18:06.280 --> 0:18:09.240
<v Speaker 2>had to really overthink it. So that's why I stuck

0:18:09.280 --> 0:18:11.760
<v Speaker 2>with it, and so it's naturally. Yeah, in sixth grade,

0:18:11.880 --> 0:18:14.920
<v Speaker 2>I started playing in like orchestra band and it was cool.

0:18:15.160 --> 0:18:17.159
<v Speaker 2>I was about to quit, but then my step pops

0:18:17.320 --> 0:18:19.080
<v Speaker 2>I came home one dan he had a drum set

0:18:19.840 --> 0:18:21.480
<v Speaker 2>and he was playing prints and I didn't even know

0:18:21.560 --> 0:18:24.000
<v Speaker 2>he played drums, and like, I was like, okay, the

0:18:24.080 --> 0:18:26.440
<v Speaker 2>full drum kit, that that might be more of my thing.

0:18:27.840 --> 0:18:30.840
<v Speaker 2>And he was just always jamming. He wouldn't let me

0:18:30.880 --> 0:18:32.479
<v Speaker 2>get on the drum kit for a minute, and then

0:18:32.560 --> 0:18:34.200
<v Speaker 2>he finally got off and I hopped on and I

0:18:34.280 --> 0:18:38.240
<v Speaker 2>started playing, and it was just like, man, a few minutes,

0:18:38.480 --> 0:18:40.119
<v Speaker 2>I was getting it. I had the mechanics, and my

0:18:40.200 --> 0:18:41.760
<v Speaker 2>mom was hopped out of the room and was like,

0:18:41.880 --> 0:18:43.840
<v Speaker 2>you're crazy. My mom was a really big critic, you know,

0:18:43.960 --> 0:18:45.720
<v Speaker 2>and she was like, that's you got it. She was

0:18:45.840 --> 0:18:48.720
<v Speaker 2>dancing and shit. So I was like, okay, I can't

0:18:48.720 --> 0:18:50.600
<v Speaker 2>make people dance and shit, so I'm gonna keep doing it.

0:18:50.600 --> 0:18:54.399
<v Speaker 2>And I kept learning all her records or when the Fire, Frankie,

0:18:54.480 --> 0:19:00.280
<v Speaker 2>Beverly and Al Green and you know, yeah, she was

0:19:00.359 --> 0:19:05.119
<v Speaker 2>just yeah, she had booklets to see me d drums,

0:19:05.520 --> 0:19:09.000
<v Speaker 2>learned this, learn this, I mean everything, Freddy Jackson, Heavy

0:19:09.040 --> 0:19:13.840
<v Speaker 2>D Tony, Tony Tony, like so much stuff. And then

0:19:13.880 --> 0:19:15.919
<v Speaker 2>I started, you know, getting older and listening myself. Then

0:19:16.160 --> 0:19:18.119
<v Speaker 2>my god sister came through. She's like, you need to

0:19:18.160 --> 0:19:20.719
<v Speaker 2>go play at church. That's where all the musicians at

0:19:20.720 --> 0:19:23.520
<v Speaker 2>you playing drums, Oh you're ready, you need to play

0:19:23.560 --> 0:19:25.920
<v Speaker 2>at church. And we never been to church for that.

0:19:26.000 --> 0:19:28.000
<v Speaker 2>I was like twelve and my mom grew up in

0:19:28.080 --> 0:19:31.119
<v Speaker 2>the church house her parents, her father was a pastor,

0:19:31.280 --> 0:19:35.880
<v Speaker 2>but they she never really made us go to church

0:19:36.000 --> 0:19:38.960
<v Speaker 2>like that. And so when I was invited by my godsister,

0:19:39.080 --> 0:19:42.160
<v Speaker 2>it was because the music initially, and when I went,

0:19:42.280 --> 0:19:44.600
<v Speaker 2>I saw the best music and saw the best players.

0:19:44.640 --> 0:19:48.439
<v Speaker 2>And then I was you know, under people that were

0:19:48.480 --> 0:19:52.359
<v Speaker 2>reading the word and and the best like mentors and stuff,

0:19:52.359 --> 0:19:54.160
<v Speaker 2>and they were just taking me in. And I got

0:19:54.480 --> 0:19:56.159
<v Speaker 2>a bunch of kids that are my age that were

0:19:56.200 --> 0:19:58.520
<v Speaker 2>going to church too, So that became like my little network,

0:19:58.600 --> 0:20:02.440
<v Speaker 2>my social network, and that was everything. That's where I learned.

0:20:02.560 --> 0:20:05.160
<v Speaker 2>Like that was like my camp. You know, like every

0:20:05.240 --> 0:20:06.359
<v Speaker 2>day I was, I'm a church.

0:20:06.320 --> 0:20:10.840
<v Speaker 1>Kid, and you could head a soul and in your

0:20:11.000 --> 0:20:13.480
<v Speaker 1>voice you could tell that you had to start early

0:20:13.560 --> 0:20:14.040
<v Speaker 1>in the church.

0:20:14.160 --> 0:20:16.000
<v Speaker 2>Yeah, that was it. And they didn't let me play

0:20:16.040 --> 0:20:19.040
<v Speaker 2>ship like for years. I was just just a drum

0:20:19.160 --> 0:20:21.080
<v Speaker 2>staring at the drums a long time.

0:20:21.200 --> 0:20:21.400
<v Speaker 3>Yeah.

0:20:21.480 --> 0:20:25.880
<v Speaker 2>He was the bench for the yeah, and then then

0:20:26.240 --> 0:20:29.480
<v Speaker 2>for commuting commuting or offering, you might get a chance

0:20:29.520 --> 0:20:32.520
<v Speaker 2>to play. Come on, little nigg and you play. You

0:20:32.600 --> 0:20:34.719
<v Speaker 2>fuck up one time, get off, get off, and they

0:20:34.800 --> 0:20:37.639
<v Speaker 2>embarrassed you for the next guy come in, you know,

0:20:37.720 --> 0:20:41.280
<v Speaker 2>And that's what it was about. You're playing, you know. Uh,

0:20:42.600 --> 0:20:44.960
<v Speaker 2>I think DeAngelo said this one time. It's not for

0:20:45.040 --> 0:20:47.840
<v Speaker 2>any former fashion. It's to glorify God. And you're a vessel,

0:20:48.000 --> 0:20:53.160
<v Speaker 2>so any little thing, you know, it's like it's very sacred.

0:20:53.240 --> 0:20:57.159
<v Speaker 2>So uh, you get the best musicians and eventually you

0:20:57.560 --> 0:21:01.440
<v Speaker 2>you're able to play more and more. You know. It's

0:21:01.480 --> 0:21:03.159
<v Speaker 2>like training and practice hours.

0:21:03.400 --> 0:21:03.480
<v Speaker 7>Ye.

0:21:03.720 --> 0:21:05.760
<v Speaker 2>Playing in the church is crazy. And I was there

0:21:05.800 --> 0:21:08.840
<v Speaker 2>every day of the week down there. It's like Monday

0:21:08.960 --> 0:21:12.480
<v Speaker 2>youth service and choir rehearsal at eight o'clock eleven o'clock.

0:21:12.520 --> 0:21:16.080
<v Speaker 2>Then we travel, you know, shout out to Jerse Mitchell.

0:21:16.480 --> 0:21:19.199
<v Speaker 2>I was me and an organist. And that was how

0:21:19.280 --> 0:21:21.080
<v Speaker 2>I played. Grew up playing for years all the way

0:21:21.119 --> 0:21:23.040
<v Speaker 2>until I was in my late twenties, until I couldn't

0:21:23.040 --> 0:21:24.840
<v Speaker 2>do it any more. That that was how I got

0:21:24.880 --> 0:21:27.080
<v Speaker 2>paid Every week when I didn't have a job, I

0:21:27.119 --> 0:21:29.960
<v Speaker 2>could always play at the church. I was literally feeding

0:21:30.000 --> 0:21:34.159
<v Speaker 2>my kid with that like it's yeah, that's it was

0:21:34.359 --> 0:21:35.200
<v Speaker 2>my everything for sure.

0:21:38.720 --> 0:21:42.000
<v Speaker 1>So did you ever find out from Boosie Collins with

0:21:42.480 --> 0:21:44.120
<v Speaker 1>the Silk Sonic really mean.

0:21:44.800 --> 0:21:47.480
<v Speaker 2>We just riding with this? You got to ask Bruno,

0:21:48.720 --> 0:21:52.600
<v Speaker 2>Well it was Bruno, Yeah, okay, and it was like

0:21:52.920 --> 0:21:56.800
<v Speaker 2>true he named he Yeah, like they came together. But

0:21:56.960 --> 0:22:00.320
<v Speaker 2>I think, you know, Bootsy solidified it, you know, saying

0:22:00.920 --> 0:22:04.240
<v Speaker 2>like he really like put a stamp on it and

0:22:04.320 --> 0:22:09.000
<v Speaker 2>we couldn't do nothing without his blessing first. But you know,

0:22:10.480 --> 0:22:13.760
<v Speaker 2>he is like such a mastermind man. He's really a

0:22:13.880 --> 0:22:18.480
<v Speaker 2>visionary and a perfectionist and is a dude that is

0:22:18.960 --> 0:22:22.879
<v Speaker 2>cut from the same claw. Another musician knows about playing

0:22:22.880 --> 0:22:25.240
<v Speaker 2>in Church, it was about show biz from an early

0:22:25.400 --> 0:22:29.320
<v Speaker 2>on point, you know, playing when he was like imitating

0:22:29.400 --> 0:22:31.920
<v Speaker 2>Elvis in a full family band since he was like

0:22:32.080 --> 0:22:34.959
<v Speaker 2>six seven. You know, like that's some shit right there.

0:22:35.119 --> 0:22:37.159
<v Speaker 2>So he comes from a different side of it, so

0:22:37.320 --> 0:22:40.159
<v Speaker 2>he knows. I don't know, he's just really good with

0:22:40.800 --> 0:22:44.960
<v Speaker 2>the not only constructing these songs and putting in the

0:22:45.040 --> 0:22:46.960
<v Speaker 2>work to make it happen, but also how is it

0:22:47.040 --> 0:22:50.280
<v Speaker 2>going to look, how we're gonna position it, what suits

0:22:50.400 --> 0:22:54.119
<v Speaker 2>what kind of kyo? Like now, let's really drive it home.

0:22:54.200 --> 0:22:56.200
<v Speaker 2>Let's show them how to dance to it, like listen.

0:22:56.520 --> 0:22:59.320
<v Speaker 2>You know. So this is a whole other part that

0:23:00.480 --> 0:23:02.439
<v Speaker 2>I learned a lot from, you know, in that process

0:23:02.720 --> 0:23:05.600
<v Speaker 2>with Silk Sonic. And we didn't have ship else to do.

0:23:05.640 --> 0:23:08.320
<v Speaker 2>It was cod COVID. There's nothing else to do. So

0:23:08.440 --> 0:23:12.000
<v Speaker 2>that's probably why it was perfect. And that's how you

0:23:12.080 --> 0:23:14.600
<v Speaker 2>can ever get that back. Things weren't fun like it

0:23:14.640 --> 0:23:16.760
<v Speaker 2>looked fun. Yeah, we were having so much fun. Some

0:23:16.880 --> 0:23:19.639
<v Speaker 2>days we just pull up not a single bit of

0:23:19.720 --> 0:23:22.280
<v Speaker 2>work with to get done and we're just laughing talking

0:23:22.359 --> 0:23:26.000
<v Speaker 2>ship and uh, next day we try to do something

0:23:26.000 --> 0:23:28.320
<v Speaker 2>because this day we just laughed all fucking day. And

0:23:28.440 --> 0:23:32.000
<v Speaker 2>I think that's that's rare. You meet people that's rare

0:23:32.080 --> 0:23:34.280
<v Speaker 2>that in the in the industry. When he works this long.

0:23:34.359 --> 0:23:37.480
<v Speaker 2>I've been blessed work now in the double digit digits,

0:23:37.520 --> 0:23:39.320
<v Speaker 2>and it's like to meet people that are you in

0:23:39.400 --> 0:23:41.440
<v Speaker 2>your your peer group that are like that still and

0:23:41.560 --> 0:23:44.280
<v Speaker 2>have that passion for it and still want to win. Uh,

0:23:45.080 --> 0:23:49.800
<v Speaker 2>it's refreshing and it's like something you cherish. Now let's

0:23:49.800 --> 0:23:52.479
<v Speaker 2>talk about you just use the word perfection. Right.

0:23:53.960 --> 0:23:57.600
<v Speaker 1>One of the people that's known for perfection is doctor Dre.

0:23:58.080 --> 0:24:00.480
<v Speaker 1>Like I've heard doctor Dre made you people.

0:24:00.280 --> 0:24:00.560
<v Speaker 6>Come to this.

0:24:00.640 --> 0:24:01.320
<v Speaker 2>Have you work with him?

0:24:01.480 --> 0:24:03.200
<v Speaker 1>Yes, I have, But I worked with him early on

0:24:03.240 --> 0:24:05.359
<v Speaker 1>in nineteen ninety seven. I told him, told him that

0:24:05.359 --> 0:24:07.040
<v Speaker 1>he didn't even remember that's how dope his life is.

0:24:08.200 --> 0:24:12.840
<v Speaker 1>He was like, word, I remember that track. Remember this

0:24:13.000 --> 0:24:16.000
<v Speaker 1>was a track call I'm leaving on the Firm album.

0:24:16.320 --> 0:24:21.000
<v Speaker 1>I was, so, I'm asking you, has it ever been

0:24:21.080 --> 0:24:25.040
<v Speaker 1>frustrated or you always respect the process? Because I heard

0:24:25.200 --> 0:24:27.520
<v Speaker 1>like like perfection, perfection. I heard you have people come

0:24:27.600 --> 0:24:29.760
<v Speaker 1>back ten times to get one. I heard you guys

0:24:29.800 --> 0:24:35.560
<v Speaker 1>battle perfection. Yeah, yeah, I think it's it's about the growth.

0:24:35.680 --> 0:24:40.000
<v Speaker 2>I think when I started with him, you know, twenty fifteen,

0:24:41.320 --> 0:24:43.320
<v Speaker 2>I was just really excited to be in there with

0:24:44.080 --> 0:24:47.639
<v Speaker 2>Like I couldn't tell you how crazy the energy is

0:24:47.760 --> 0:24:50.800
<v Speaker 2>to where someone that grows up in southern California grows

0:24:50.880 --> 0:24:54.159
<v Speaker 2>up where I come from. And to actually make it

0:24:54.440 --> 0:24:57.360
<v Speaker 2>to Dre, that was like making it to the top

0:24:57.400 --> 0:25:00.399
<v Speaker 2>of it, Like that's the top and maybe see that

0:25:00.480 --> 0:25:02.800
<v Speaker 2>might be universal thing Like even though I come from

0:25:02.800 --> 0:25:04.720
<v Speaker 2>the West Coast, there's I know, there's this from New York.

0:25:04.760 --> 0:25:09.320
<v Speaker 2>I feel that we're all over the world. That Quincy Jones, yeah, everything.

0:25:09.119 --> 0:25:11.960
<v Speaker 1>So arguably the best producer of one of the most

0:25:12.040 --> 0:25:13.040
<v Speaker 1>legendary groups, you know.

0:25:13.119 --> 0:25:16.119
<v Speaker 2>Right, So to be in a studio, let alone be

0:25:16.240 --> 0:25:19.920
<v Speaker 2>signed by him, Like I'm telling you, I never in

0:25:20.040 --> 0:25:23.720
<v Speaker 2>my wildest dreams. So when I was just getting in

0:25:23.800 --> 0:25:25.679
<v Speaker 2>the studio with him, when he was working on Compton,

0:25:25.720 --> 0:25:29.400
<v Speaker 2>he was inviting me over. Man, that was just that's

0:25:29.400 --> 0:25:31.640
<v Speaker 2>the first time I were together comped and op. Yeah,

0:25:31.680 --> 0:25:33.480
<v Speaker 2>it really put a battery in my back. It gave

0:25:33.520 --> 0:25:36.399
<v Speaker 2>me a gusto that I needed because before that I

0:25:36.440 --> 0:25:37.840
<v Speaker 2>didn't think I was going to get to meet him.

0:25:37.840 --> 0:25:39.280
<v Speaker 2>I think I was going to get to work with him.

0:25:41.000 --> 0:25:43.600
<v Speaker 2>You know, coming up as a writer in LA you

0:25:43.720 --> 0:25:47.560
<v Speaker 2>always got hit up to do uh detok sessions and

0:25:47.680 --> 0:25:50.080
<v Speaker 2>work on stuff that you know, the mic may or

0:25:50.119 --> 0:25:53.080
<v Speaker 2>not come out, and it was just always a thing.

0:25:53.240 --> 0:25:57.080
<v Speaker 2>And so when I actually I almost missed the opportunity

0:25:57.160 --> 0:25:59.440
<v Speaker 2>to work with him because I you know, I was

0:25:59.520 --> 0:26:03.480
<v Speaker 2>thinking that oh that already came and went, you know,

0:26:03.720 --> 0:26:07.280
<v Speaker 2>and it was such an idiot that almost like you know,

0:26:07.440 --> 0:26:09.399
<v Speaker 2>let that was that close to letting the opportunity to

0:26:09.440 --> 0:26:11.120
<v Speaker 2>go because I was thinking, like Nah, he ain't gonna

0:26:11.119 --> 0:26:13.160
<v Speaker 2>be at the studio. I don't I've got my own

0:26:13.200 --> 0:26:15.920
<v Speaker 2>thing going. I don't need to go and work on this. Yeah,

0:26:16.040 --> 0:26:18.560
<v Speaker 2>you know at the time, you know, and my manager

0:26:18.680 --> 0:26:21.280
<v Speaker 2>was like, are you you have to five hundred follow us? Okay,

0:26:21.920 --> 0:26:29.720
<v Speaker 2>you know, get spike it double, but no, I was

0:26:29.840 --> 0:26:32.159
<v Speaker 2>just like nah. And then he was like, dude, you go, bro,

0:26:32.400 --> 0:26:34.560
<v Speaker 2>like just go, you know, And then I went and

0:26:34.680 --> 0:26:37.560
<v Speaker 2>it was like wow, right there first two people on me,

0:26:37.720 --> 0:26:40.080
<v Speaker 2>Dre and DC, because then you have a record out,

0:26:40.160 --> 0:26:41.920
<v Speaker 2>and they didn't play it for him. I did have

0:26:41.960 --> 0:26:43.879
<v Speaker 2>a record. It was bubbling. It was like, you know,

0:26:44.720 --> 0:26:46.640
<v Speaker 2>floating around. I had a single out. I don't even

0:26:46.680 --> 0:26:48.280
<v Speaker 2>know if it was officially out or what, but I

0:26:48.359 --> 0:26:51.160
<v Speaker 2>think it was out. Actually had a record out through

0:26:51.160 --> 0:26:53.840
<v Speaker 2>Stones Throw, through another group called No Worries. Shut up

0:26:53.840 --> 0:26:55.640
<v Speaker 2>to my brother and you had to play it for him.

0:26:56.000 --> 0:26:58.080
<v Speaker 2>You were nervous a ship. And I got invited and

0:26:58.200 --> 0:27:00.359
<v Speaker 2>he was there, and so I went into the studio

0:27:00.359 --> 0:27:02.960
<v Speaker 2>I was working with. He was working on the project

0:27:03.240 --> 0:27:05.520
<v Speaker 2>called Compton, and he was working with these two writers

0:27:05.840 --> 0:27:10.920
<v Speaker 2>Mezo my Dog till this day in JT. Incredible writers

0:27:11.680 --> 0:27:15.040
<v Speaker 2>and they were like going crazy. They were playing me

0:27:15.080 --> 0:27:16.720
<v Speaker 2>the music that they were working on for Dre and

0:27:16.760 --> 0:27:18.680
<v Speaker 2>it was incredible and they were like, Yo, we love

0:27:18.720 --> 0:27:20.679
<v Speaker 2>your song Swayed and that was the song I had,

0:27:20.720 --> 0:27:23.639
<v Speaker 2>Bubbling and that's the song I had and it was

0:27:23.680 --> 0:27:26.080
<v Speaker 2>a single, and he was like, we love this and

0:27:26.480 --> 0:27:29.040
<v Speaker 2>we want to play it for Dre and I was

0:27:29.080 --> 0:27:31.800
<v Speaker 2>like heard it yet. Yeah. I was like, well, let's

0:27:31.840 --> 0:27:33.679
<v Speaker 2>make some new shit, you know, let's get him excited

0:27:33.680 --> 0:27:35.720
<v Speaker 2>about something else, you know, in casey don't like it.

0:27:36.240 --> 0:27:38.000
<v Speaker 2>And they're like, now fucked out. We bringing him in here.

0:27:38.359 --> 0:27:41.560
<v Speaker 2>We brought him in. He was like, what the fuck

0:27:41.720 --> 0:27:48.639
<v Speaker 2>was that. It's one of those anytime you get the

0:27:48.680 --> 0:27:52.560
<v Speaker 2>two thumbs up you did something crazy right, and he

0:27:52.760 --> 0:27:56.000
<v Speaker 2>just would have stopped playing it, and it was just

0:27:56.160 --> 0:27:59.159
<v Speaker 2>like wow. He just cranked it up. And after like

0:27:59.200 --> 0:28:01.760
<v Speaker 2>three or four times playing it, he's like, let's let's

0:28:01.800 --> 0:28:04.600
<v Speaker 2>do something new. And we must have made like three

0:28:04.680 --> 0:28:06.720
<v Speaker 2>or four records that night, all in the day's work

0:28:06.760 --> 0:28:09.640
<v Speaker 2>we did that night. Yeah, we did a bunch of shit.

0:28:10.520 --> 0:28:12.560
<v Speaker 2>And then it came back the next day. He did

0:28:12.680 --> 0:28:15.200
<v Speaker 2>more and more and just like kept working. We kept

0:28:15.240 --> 0:28:17.520
<v Speaker 2>working on you know, the first track and building it

0:28:17.600 --> 0:28:20.560
<v Speaker 2>and trying different ways he wanted to do. They're playing

0:28:20.560 --> 0:28:22.600
<v Speaker 2>with the production, and then I just kept coming. I

0:28:22.640 --> 0:28:25.639
<v Speaker 2>would just some days I would go I wouldn't do anything.

0:28:25.640 --> 0:28:27.600
<v Speaker 2>I just watch and other writers would come in, other

0:28:27.840 --> 0:28:31.080
<v Speaker 2>artists would come in and record, and I would just

0:28:31.119 --> 0:28:33.639
<v Speaker 2>shoot the ship with the producers. And then I was, uh,

0:28:33.760 --> 0:28:35.800
<v Speaker 2>some days I do like three or four gems like

0:28:36.440 --> 0:28:41.480
<v Speaker 2>crazy stuff. And next thing you know, I wake up

0:28:41.520 --> 0:28:45.120
<v Speaker 2>and the album's out and my mom counting's out. It's

0:28:45.200 --> 0:28:47.520
<v Speaker 2>on iTunes and my mom like five records, and then

0:28:47.560 --> 0:28:50.920
<v Speaker 2>it updates them on six records. Then they was calling

0:28:50.960 --> 0:28:57.320
<v Speaker 2>me six pack track. Nothing was ever the same, No.

0:28:57.480 --> 0:28:57.680
<v Speaker 1>It was.

0:28:57.840 --> 0:29:01.120
<v Speaker 2>It was crazy. Yeah, how dope does that feel?

0:29:01.200 --> 0:29:04.200
<v Speaker 1>Because it's also been rumored that Dre would make a

0:29:04.240 --> 0:29:05.240
<v Speaker 1>whole album with somebody.

0:29:05.520 --> 0:29:08.920
<v Speaker 2>You never know if that was, Like he actually put

0:29:08.960 --> 0:29:10.800
<v Speaker 2>it out and I didn't have an album out. Really,

0:29:11.120 --> 0:29:13.600
<v Speaker 2>I had this my first album. I venished and I

0:29:13.680 --> 0:29:16.560
<v Speaker 2>had to single out. But then Boom Compton came out

0:29:16.640 --> 0:29:18.800
<v Speaker 2>and I didn't even have my album out. Like I

0:29:18.960 --> 0:29:20.400
<v Speaker 2>was like, ship, I need something to go off.

0:29:20.560 --> 0:29:23.280
<v Speaker 1>I heard him L did a whole album, and no

0:29:23.360 --> 0:29:25.560
<v Speaker 1>one wanted a bunch of people did stuff like what

0:29:25.680 --> 0:29:30.760
<v Speaker 1>I'm saying like it's l L like that's right if

0:29:30.800 --> 0:29:32.800
<v Speaker 1>I came a sign to the label. So when it

0:29:32.880 --> 0:29:36.000
<v Speaker 1>actually comes out, you are you like, fuck.

0:29:35.840 --> 0:29:38.680
<v Speaker 2>Yeah, I made it. Yeah I'm different. I'm different, off Rid,

0:29:38.800 --> 0:29:41.080
<v Speaker 2>because I think that was the beauty of it. It's

0:29:41.120 --> 0:29:43.720
<v Speaker 2>like your ex girl and be like hey, bitch calling me.

0:29:49.800 --> 0:29:53.320
<v Speaker 2>I was married. I always had my oldest you know,

0:29:53.360 --> 0:29:56.680
<v Speaker 2>it was getting older, and I was like yes, perfect,

0:29:56.720 --> 0:30:00.600
<v Speaker 2>like thank God, like something's happening, you know, like man,

0:30:00.720 --> 0:30:03.320
<v Speaker 2>and I wasn't signed. I was boom, he was crazy

0:30:03.400 --> 0:30:06.320
<v Speaker 2>put it out. Surprise. Drop had the movie. He had

0:30:06.360 --> 0:30:10.440
<v Speaker 2>the motion and was like, no, check him out when

0:30:10.560 --> 0:30:12.600
<v Speaker 2>he had the motion and I was like wow. And

0:30:12.720 --> 0:30:15.600
<v Speaker 2>I couldn't buy a deal before that, we was going everywhere.

0:30:15.840 --> 0:30:18.880
<v Speaker 1>So let me ask you, did you stick with aftermath

0:30:18.920 --> 0:30:20.920
<v Speaker 1>because he felt loyal, You felt you felt.

0:30:20.680 --> 0:30:23.240
<v Speaker 2>Like you deserved it, like like this this guy really

0:30:23.280 --> 0:30:26.240
<v Speaker 2>gave you a shot. Absolutely absolutely, because he he put

0:30:26.320 --> 0:30:29.760
<v Speaker 2>his he put his cards forward, you know, and I

0:30:29.840 --> 0:30:32.800
<v Speaker 2>feel like he put hisself out there and kind of showed,

0:30:32.880 --> 0:30:35.200
<v Speaker 2>you know, gave it that that CO sign when a

0:30:35.240 --> 0:30:38.560
<v Speaker 2>CO sign really meant something, you know, like, uh, that's

0:30:38.760 --> 0:30:41.440
<v Speaker 2>That's what he did for me and before anybody else.

0:30:41.640 --> 0:30:44.560
<v Speaker 2>So now I felt like, so, now you're gonna go

0:30:44.760 --> 0:30:47.720
<v Speaker 2>sign to somebody else now after he didn't put the

0:30:47.800 --> 0:30:50.960
<v Speaker 2>do with the motion did that, and and also I

0:30:51.120 --> 0:30:53.800
<v Speaker 2>wasn't signing, and so I got to really figure out

0:30:53.840 --> 0:30:56.840
<v Speaker 2>that choice for myself, you know. And it was dope

0:30:56.880 --> 0:30:59.760
<v Speaker 2>because I had another deal with Stone Throw on the

0:31:00.000 --> 0:31:01.560
<v Speaker 2>Diferent Group. That's what I was about to ask, so

0:31:01.600 --> 0:31:03.640
<v Speaker 2>I could always do no worry stuff, which is the

0:31:03.760 --> 0:31:06.040
<v Speaker 2>reason why how he found me. So I could always

0:31:06.080 --> 0:31:08.560
<v Speaker 2>have that that has nothing to do with anybody but

0:31:08.720 --> 0:31:12.400
<v Speaker 2>me and my brother and in Stone's Throw, and then

0:31:12.400 --> 0:31:15.000
<v Speaker 2>I could do Anderson Path for whoever I wanted to

0:31:15.040 --> 0:31:16.920
<v Speaker 2>do it with. And I was like, wow, that's the

0:31:17.160 --> 0:31:19.680
<v Speaker 2>hitting me of what I always wanted, Like, did any

0:31:19.760 --> 0:31:22.760
<v Speaker 2>other label offer you as a soul that nobody had

0:31:22.920 --> 0:31:26.520
<v Speaker 2>no offers on table until after dre Okay. So the

0:31:26.600 --> 0:31:29.040
<v Speaker 2>album came out. Then I got all these everyone, all

0:31:29.080 --> 0:31:31.640
<v Speaker 2>these medias at that point, and one was dope business.

0:31:31.640 --> 0:31:37.320
<v Speaker 2>Now I had other producers, all these everybody want to

0:31:37.360 --> 0:31:43.480
<v Speaker 2>circle back, and I felt I'm pulling up I'm ordering ship,

0:31:44.040 --> 0:31:50.000
<v Speaker 2>you know. Before we saw Sushi. Yeah, so it was

0:31:50.120 --> 0:31:52.560
<v Speaker 2>it was dope, but now it was really cool. Is

0:31:52.560 --> 0:31:54.880
<v Speaker 2>I had all these like uh because I had a

0:31:54.920 --> 0:31:58.320
<v Speaker 2>halfway done album. Malibu at the time was about halfway done,

0:31:58.360 --> 0:32:01.160
<v Speaker 2>and I started reaching out now to these other producers

0:32:01.200 --> 0:32:03.480
<v Speaker 2>that I didn't want to work with, matl Lib Ninth Wonder,

0:32:04.400 --> 0:32:08.400
<v Speaker 2>High Tech and started finishing at the rest of the album,

0:32:08.800 --> 0:32:13.160
<v Speaker 2>you know, DJ Khalil, and it gave it, gave it

0:32:13.240 --> 0:32:15.280
<v Speaker 2>the texture that it needed to finish up the rest

0:32:15.280 --> 0:32:16.920
<v Speaker 2>of the album. And I got to do that and

0:32:17.040 --> 0:32:17.720
<v Speaker 2>I was a sign.

0:32:17.840 --> 0:32:18.280
<v Speaker 3>And then.

0:32:20.120 --> 0:32:23.120
<v Speaker 2>When I came with the album, Dre was like, I

0:32:23.200 --> 0:32:24.800
<v Speaker 2>want to do a brand new album with you. So

0:32:24.880 --> 0:32:28.080
<v Speaker 2>I was like, all right, well I got Malibu. I'll

0:32:28.160 --> 0:32:30.520
<v Speaker 2>drop that indie, you know. So I got to drop

0:32:30.640 --> 0:32:34.680
<v Speaker 2>Malibu Indie with my partners that I was already working with,

0:32:36.200 --> 0:32:40.240
<v Speaker 2>the Empire. Yeah, and at the time Art Club and

0:32:41.080 --> 0:32:44.520
<v Speaker 2>Obe which was party to Magazai. Okay, go ahead, go ahead.

0:32:44.600 --> 0:32:47.560
<v Speaker 2>So they put the first two albums out Steel Wool

0:32:48.120 --> 0:32:50.160
<v Speaker 2>and it was like a bunch of moers on there,

0:32:50.200 --> 0:32:51.920
<v Speaker 2>you know. But when you make a movie and be

0:32:51.960 --> 0:32:53.880
<v Speaker 2>a bunch of moviders, I got to be involved. So

0:32:54.640 --> 0:32:56.520
<v Speaker 2>it's the same thing with some of these first records.

0:32:56.560 --> 0:32:58.760
<v Speaker 2>But yeah, we got to do that, you know, and

0:33:00.200 --> 0:33:04.520
<v Speaker 2>and I got to put out Malibu and tour. I

0:33:04.640 --> 0:33:07.240
<v Speaker 2>toured forever after that, and then we did Tiny Desk

0:33:07.240 --> 0:33:09.920
<v Speaker 2>and then it just blew from there and people were

0:33:09.960 --> 0:33:12.240
<v Speaker 2>seeing that, oh he's different, could play instruments, and so

0:33:12.960 --> 0:33:15.520
<v Speaker 2>it was cool to be under Dre. Under with all

0:33:15.560 --> 0:33:18.640
<v Speaker 2>this people saying you'll never drop all this stuff, And honestly,

0:33:18.760 --> 0:33:21.000
<v Speaker 2>I never stopped dropping. I never stopped just doing it.

0:33:21.080 --> 0:33:23.920
<v Speaker 2>As soon as I was with Dre, he set the presence,

0:33:24.000 --> 0:33:26.800
<v Speaker 2>He set the standard while by him dropping his project

0:33:27.000 --> 0:33:30.360
<v Speaker 2>Boom off Red, he was always working. I had all

0:33:30.400 --> 0:33:32.920
<v Speaker 2>those records over there. I got to do my own

0:33:32.960 --> 0:33:35.560
<v Speaker 2>indie record, and then I got to then sitting down

0:33:35.640 --> 0:33:38.600
<v Speaker 2>with Dre again, let's sign out after everything I've been

0:33:38.680 --> 0:33:40.480
<v Speaker 2>on the road, everything, I got my bread, you know,

0:33:40.680 --> 0:33:43.400
<v Speaker 2>like everything's good, let's sign and let's do it, and

0:33:43.920 --> 0:33:45.440
<v Speaker 2>now let's make an album. And I got to sit

0:33:45.560 --> 0:33:47.720
<v Speaker 2>there with him and make my next album ax SNAr

0:33:48.560 --> 0:33:50.280
<v Speaker 2>And that was some of the funniest name in your

0:33:50.320 --> 0:33:58.280
<v Speaker 2>hood and you got Dre producing it. Come on City

0:33:58.520 --> 0:33:59.680
<v Speaker 2>like man, it was beautiful.

0:34:00.080 --> 0:34:02.200
<v Speaker 3>I'm sure for someone to have that where you were

0:34:02.200 --> 0:34:04.920
<v Speaker 3>able to put out all this music independently as well, Yo,

0:34:05.160 --> 0:34:06.760
<v Speaker 3>like that having.

0:34:06.600 --> 0:34:08.359
<v Speaker 2>All would have blocked you from doing that. Don't tell

0:34:08.400 --> 0:34:13.600
<v Speaker 2>too many people, dray Hat that's how you know, right

0:34:13.760 --> 0:34:14.880
<v Speaker 2>right right, because he can.

0:34:15.160 --> 0:34:16.799
<v Speaker 3>And the fact that he put out that record without

0:34:16.840 --> 0:34:18.600
<v Speaker 3>signing you, because he would have been we're not putting this.

0:34:20.120 --> 0:34:23.279
<v Speaker 2>Never blocked man. Never none of that. Man, And it's

0:34:23.360 --> 0:34:26.839
<v Speaker 2>always working man, and even incorporates me in so much stuff.

0:34:26.840 --> 0:34:29.000
<v Speaker 2>I'm on g t A because like all my in

0:34:29.080 --> 0:34:31.000
<v Speaker 2>g t A, I don't even like last time I

0:34:31.080 --> 0:34:33.480
<v Speaker 2>played it was like the camp, the Bird's eye view

0:34:33.600 --> 0:34:36.080
<v Speaker 2>drink and now I'm in the fucking video game and

0:34:36.120 --> 0:34:40.080
<v Speaker 2>ship like man, that was beautiful. Man like pops out

0:34:40.440 --> 0:34:45.680
<v Speaker 2>Coachella shows like I mean, just that's my dog. Yeah,

0:34:46.080 --> 0:34:50.799
<v Speaker 2>they shout out to Jay. Our show is about giving people.

0:34:50.840 --> 0:34:52.920
<v Speaker 1>They flowers, what they could smell them, They to us

0:34:52.960 --> 0:34:54.360
<v Speaker 1>what they could tell them, and they drinks while they

0:34:54.360 --> 0:34:54.920
<v Speaker 1>can drink them.

0:34:55.080 --> 0:34:56.640
<v Speaker 2>We want to give your flowers. Man, We know you

0:34:56.719 --> 0:35:03.680
<v Speaker 2>got nine grand. You want to give you your goddamn novel.

0:35:04.800 --> 0:35:13.200
<v Speaker 2>Got a little light yea making ship? There you go.

0:35:15.120 --> 0:35:18.319
<v Speaker 2>Do you ever reflect on your success and be like, yeah,

0:35:19.239 --> 0:35:21.680
<v Speaker 2>you're to pull up in Delta one lounge right right, right,

0:35:21.760 --> 0:35:26.040
<v Speaker 2>right right, But I ain't got a scan ship here.

0:35:28.360 --> 0:35:34.919
<v Speaker 2>I want sushi siro. I need it. Yeah, we're really

0:35:35.000 --> 0:35:37.680
<v Speaker 2>feeling that ship. Like you know, it's usually at the airport.

0:35:38.560 --> 0:35:41.440
<v Speaker 2>You get to see how successful or not successful you are,

0:35:42.280 --> 0:35:46.440
<v Speaker 2>and it's good to say let you know. And everyone's

0:35:46.440 --> 0:35:50.360
<v Speaker 2>gonna let you know, fans or lack thereof or you know, drivers.

0:35:50.520 --> 0:35:52.680
<v Speaker 2>It's all about the people and it's great, and like

0:35:53.200 --> 0:35:55.880
<v Speaker 2>I love it when I'm able to meet people and

0:35:56.040 --> 0:35:58.960
<v Speaker 2>they lose their ship, like you know. And then sometimes

0:35:59.000 --> 0:36:01.520
<v Speaker 2>I'll be with my mom. You know, my kid is

0:36:01.600 --> 0:36:04.840
<v Speaker 2>now fourteen. He got friends and we go out and

0:36:06.040 --> 0:36:08.320
<v Speaker 2>sometimes people geek out and it's like, you know, the

0:36:08.719 --> 0:36:13.840
<v Speaker 2>kids are like okay, yeah, yeah, I told you, I

0:36:14.000 --> 0:36:20.800
<v Speaker 2>really but this is great, man, Like I love it

0:36:20.920 --> 0:36:23.359
<v Speaker 2>and it's like it's dope to be like I feel

0:36:23.440 --> 0:36:25.800
<v Speaker 2>like there's still such a way as to go, and

0:36:26.000 --> 0:36:30.440
<v Speaker 2>I love having fun with it. The journey's been sick, man,

0:36:30.600 --> 0:36:33.600
<v Speaker 2>Like you know, I like getting into new ship. I've

0:36:33.600 --> 0:36:36.960
<v Speaker 2>been doing a lot of DJing and getting into film.

0:36:37.239 --> 0:36:40.279
<v Speaker 2>I'm doing a movie with my son and we shot

0:36:40.320 --> 0:36:45.680
<v Speaker 2>it already. It's been you know, doing the film festival circuit,

0:36:45.760 --> 0:36:48.520
<v Speaker 2>but it'll be out next year in theaters. You and

0:36:48.600 --> 0:36:52.359
<v Speaker 2>your son. Yeah, we shot a whole film, like you guys,

0:36:52.400 --> 0:36:53.520
<v Speaker 2>independently a little bit.

0:36:53.600 --> 0:36:55.160
<v Speaker 1>You speak a little bit of Korean. Yeah, I got

0:36:55.239 --> 0:36:57.120
<v Speaker 1>to mess me up seeing a black person to speak Korean.

0:37:00.440 --> 0:37:10.200
<v Speaker 2>Man, and yeah, yeah, niggas feel me. If you feel me,

0:37:10.320 --> 0:37:15.560
<v Speaker 2>you know what that meant. That's universal. Even niggas know

0:37:15.640 --> 0:37:18.239
<v Speaker 2>what that meant. You don't know what you know? Yeah,

0:37:19.480 --> 0:37:22.640
<v Speaker 2>like that could only mean one day, fuck wrong with you.

0:37:24.840 --> 0:37:30.560
<v Speaker 2>It's a universe. It's almost Jamaican right, Yeah, yeah, a

0:37:30.840 --> 0:37:34.960
<v Speaker 2>little dependence. That's they'll be saying that. That's when his

0:37:35.080 --> 0:37:38.479
<v Speaker 2>mom get real mad. Yeah, I ain't gonna tell you again.

0:37:38.640 --> 0:37:41.600
<v Speaker 2>That's some more like yeah, I know a little bit,

0:37:41.640 --> 0:37:43.880
<v Speaker 2>but yeah, we did a whole movie independently. I directed it,

0:37:44.000 --> 0:37:47.799
<v Speaker 2>co wrote. Shout out to kayl Amazon Stampede, Live Nation

0:37:48.760 --> 0:37:52.680
<v Speaker 2>a lula Est. You know, we put together a film.

0:37:52.880 --> 0:37:54.480
<v Speaker 2>I pitched him a film. I got to do it

0:37:54.600 --> 0:37:58.480
<v Speaker 2>and it's gonna be out And it's like that was

0:37:58.600 --> 0:38:02.680
<v Speaker 2>one of the hardest most like creatively feeling things, man,

0:38:03.160 --> 0:38:05.920
<v Speaker 2>and to do with my son it's like that.

0:38:08.960 --> 0:38:12.279
<v Speaker 1>We spoke about the album Mallible. Well I want to

0:38:12.400 --> 0:38:14.440
<v Speaker 1>I want to speak about the place Malible for a second.

0:38:15.320 --> 0:38:18.040
<v Speaker 1>Malible was one of my favorite places on Earth. Mallible

0:38:18.120 --> 0:38:20.880
<v Speaker 1>doesn't even seem like it's in California, right, It seems

0:38:20.920 --> 0:38:25.080
<v Speaker 1>like it's in another state. So yeah, it almost seems

0:38:25.120 --> 0:38:30.320
<v Speaker 1>like a la version of Hawaii, right, absolutely love. I

0:38:30.320 --> 0:38:32.520
<v Speaker 1>haven't even seen you in and Mallible one time. It's

0:38:32.560 --> 0:38:36.080
<v Speaker 1>driving around with the drop I always see then, that's why,

0:38:36.120 --> 0:38:42.520
<v Speaker 1>that's that's why. Yeah, what made you want to name

0:38:42.880 --> 0:38:45.000
<v Speaker 1>the independent album Mallible?

0:38:46.000 --> 0:38:48.360
<v Speaker 2>You know, I was going with the scene because I

0:38:48.480 --> 0:38:51.160
<v Speaker 2>was making my albums like I wanted to make it

0:38:51.280 --> 0:38:53.120
<v Speaker 2>like a series where people could follow along, like how

0:38:53.920 --> 0:38:56.399
<v Speaker 2>people were doing the mixtapes. You know, they kept their

0:38:56.600 --> 0:38:58.640
<v Speaker 2>audience because they it was like insta grils and it

0:38:58.760 --> 0:39:01.239
<v Speaker 2>was always uh, sorry for the way, or like the

0:39:01.400 --> 0:39:05.080
<v Speaker 2>name title, you know, and yeah connected. So I was

0:39:05.160 --> 0:39:08.160
<v Speaker 2>like okay, and I was into doing I didn't want

0:39:08.200 --> 0:39:09.800
<v Speaker 2>to get boxed in either because I like to do

0:39:09.960 --> 0:39:11.319
<v Speaker 2>R and B, but I knew I would get bored

0:39:11.360 --> 0:39:12.720
<v Speaker 2>to that and I would like to do some house

0:39:13.040 --> 0:39:16.040
<v Speaker 2>sometimes rock funk, you know, switch it up, so I

0:39:16.080 --> 0:39:17.800
<v Speaker 2>would have all these records. A lot of times I

0:39:17.880 --> 0:39:19.719
<v Speaker 2>sit on my record four or five years before I

0:39:19.800 --> 0:39:22.320
<v Speaker 2>put them out, you know, on average, you know. So

0:39:22.440 --> 0:39:24.480
<v Speaker 2>I had a lot of these these songs, even from

0:39:24.520 --> 0:39:27.120
<v Speaker 2>Alibou when I had Venice, and Venice came out first,

0:39:27.200 --> 0:39:29.000
<v Speaker 2>but I was just kind of sitting on them, still

0:39:29.080 --> 0:39:32.080
<v Speaker 2>working on them. But I had these songs that were

0:39:32.160 --> 0:39:35.719
<v Speaker 2>like more electronic based, more lay up temple. Some of

0:39:35.800 --> 0:39:37.840
<v Speaker 2>them were dance tempo, some of them were trapped. I

0:39:37.920 --> 0:39:41.400
<v Speaker 2>was playing around with like, uh, auto tune this on

0:39:41.520 --> 0:39:45.040
<v Speaker 2>this first record. So I was like this, I want

0:39:45.120 --> 0:39:47.120
<v Speaker 2>to take them on a journey. So I'm gonna start them.

0:39:47.520 --> 0:39:50.160
<v Speaker 2>I'm gonna put my albums in beaches and beach form

0:39:50.200 --> 0:39:52.080
<v Speaker 2>and then they could follow me. Then I have the

0:39:52.600 --> 0:39:54.800
<v Speaker 2>luxury to kind of when I go to Malibu, that

0:39:54.880 --> 0:39:58.320
<v Speaker 2>could be my like serious like bluesy it's more you know,

0:39:59.040 --> 0:40:01.480
<v Speaker 2>serious tone, and like I saved these, but Venice is

0:40:01.520 --> 0:40:03.600
<v Speaker 2>more like turned up. You can buy some drugs, you

0:40:03.640 --> 0:40:06.560
<v Speaker 2>can go cert you can go take some LSD, you

0:40:06.560 --> 0:40:09.080
<v Speaker 2>can do some trip out, you know, and so there's

0:40:09.320 --> 0:40:11.440
<v Speaker 2>that album is more of that. And then I was like,

0:40:11.560 --> 0:40:14.759
<v Speaker 2>but I'm won't take them on this journey. We're gonna

0:40:14.920 --> 0:40:16.719
<v Speaker 2>go up the coast and get a little more into

0:40:16.800 --> 0:40:21.799
<v Speaker 2>No Boo, different vibe for different Sashimi, Yellow Tale now

0:40:21.960 --> 0:40:30.359
<v Speaker 2>yeah yeah, so turn it down, not too much Ada

0:40:30.400 --> 0:40:32.920
<v Speaker 2>Waits on this one. Yeah yeah. So then we started

0:40:32.960 --> 0:40:35.160
<v Speaker 2>doing that and I had more like introspective joints and

0:40:35.239 --> 0:40:37.640
<v Speaker 2>songs that I was like, really, I didn't I didn't

0:40:37.680 --> 0:40:39.160
<v Speaker 2>know if I could put out because I was like

0:40:39.400 --> 0:40:41.480
<v Speaker 2>a little too like I felt a little too shy

0:40:41.520 --> 0:40:45.000
<v Speaker 2>about them for something. They were a little too vulnerable.

0:40:45.080 --> 0:40:47.399
<v Speaker 2>But by the time I was on to make that album,

0:40:47.440 --> 0:40:49.319
<v Speaker 2>I was like, yeah, it's perfect timing. And I had

0:40:49.880 --> 0:40:53.000
<v Speaker 2>other songs that I was gathering, you know, am I

0:40:53.120 --> 0:40:55.759
<v Speaker 2>wrong and everything? So I made it made sense with

0:40:55.840 --> 0:40:59.080
<v Speaker 2>the environment, and I was just continuing on the series

0:40:59.120 --> 0:41:01.680
<v Speaker 2>of going up north. So I knew the next one

0:41:01.680 --> 0:41:03.880
<v Speaker 2>would be ox Star, the next one would be Venture,

0:41:04.640 --> 0:41:07.240
<v Speaker 2>you know, and that would be like kind of something

0:41:07.320 --> 0:41:10.600
<v Speaker 2>to So the album is named after beaches. Yeah, I

0:41:10.680 --> 0:41:12.600
<v Speaker 2>keep going, Where should I go next? Likes to beach?

0:41:12.800 --> 0:41:16.480
<v Speaker 2>Just keep going. You're here. You can't come to the

0:41:16.560 --> 0:41:20.200
<v Speaker 2>county line. You can't shot in Miami from from there, right,

0:41:20.719 --> 0:41:23.719
<v Speaker 2>I mean you have to cross Mexico or Texas or something.

0:41:23.960 --> 0:41:28.320
<v Speaker 2>Ship we got. You gotta go to San Diego, not

0:41:28.440 --> 0:41:29.680
<v Speaker 2>that way. If you want to stay in water, you

0:41:29.719 --> 0:41:33.160
<v Speaker 2>gotta all the way to Panama Canal Fu. I'm in Panama,

0:41:33.360 --> 0:41:40.040
<v Speaker 2>Panama's Fire. Make the whole movie. Yes, all right, we'll

0:41:40.080 --> 0:41:46.080
<v Speaker 2>talk through lawyers, so uh quick, Thomas, let's go. Let's

0:41:46.080 --> 0:41:46.279
<v Speaker 2>do it.

0:41:48.600 --> 0:41:50.560
<v Speaker 3>All right now, this is our drinking game. M you

0:41:50.680 --> 0:41:54.520
<v Speaker 3>seem as before. We're gonna give you two choices, this

0:41:54.760 --> 0:41:58.560
<v Speaker 3>versus this, that or this. If you pick one of them,

0:41:59.040 --> 0:42:01.920
<v Speaker 3>you don't have to drink. Nobody drinks. So if you

0:42:02.000 --> 0:42:05.399
<v Speaker 3>decide to politically correct answer, you say both or neither

0:42:05.400 --> 0:42:07.000
<v Speaker 3>of the two, then we drink.

0:42:07.120 --> 0:42:11.440
<v Speaker 2>Okays, no comment. You know, if you have any stories

0:42:11.480 --> 0:42:12.080
<v Speaker 2>about you, this is.

0:42:12.040 --> 0:42:14.399
<v Speaker 1>Really about bringing up stories about the people places we're

0:42:14.400 --> 0:42:15.840
<v Speaker 1>talking about, if you know them, if you don't know

0:42:16.239 --> 0:42:17.520
<v Speaker 1>about the drinks.

0:42:17.560 --> 0:42:18.960
<v Speaker 2>Ready, yeah, I'm gonna.

0:42:23.520 --> 0:42:27.880
<v Speaker 1>Ready like this first one, Doctor Dre or Quincy Jones.

0:42:29.800 --> 0:42:33.120
<v Speaker 1>It's whatever criteria to you. Whatever someone made better macaroni

0:42:33.160 --> 0:42:34.480
<v Speaker 1>and cheese one day, that's.

0:42:34.520 --> 0:42:39.440
<v Speaker 2>Why you like them more, Doctor Dre. Okay, that's I

0:42:39.560 --> 0:42:41.800
<v Speaker 2>just never got to work with Quincy. And I've always

0:42:41.880 --> 0:42:45.759
<v Speaker 2>adorned in a worship Quincy never got to work with them.

0:42:46.360 --> 0:42:48.880
<v Speaker 2>Rest in peace to the icon of legend. That's right,

0:42:49.080 --> 0:42:53.040
<v Speaker 2>you got And also this trajectory is a life that

0:42:53.120 --> 0:42:55.800
<v Speaker 2>I would like to live. Is like just how that

0:42:55.920 --> 0:42:57.759
<v Speaker 2>went down as an artist and the people that he

0:42:57.840 --> 0:42:59.759
<v Speaker 2>got to touch and work with in the array of

0:43:00.080 --> 0:43:02.960
<v Speaker 2>you RaSE to live that long and then its kids

0:43:03.080 --> 0:43:05.719
<v Speaker 2>and then everything like wow, like that was That's what

0:43:05.960 --> 0:43:07.680
<v Speaker 2>I mean. Who wouldn't want that kind of life? And

0:43:07.800 --> 0:43:14.520
<v Speaker 2>so bless up, you know, taking Yeah, yeah, really both

0:43:15.760 --> 0:43:16.279
<v Speaker 2>shout to d.

0:43:18.719 --> 0:43:23.560
<v Speaker 8>Tupac or Hustle dang No, we just gotta take a

0:43:23.600 --> 0:43:32.439
<v Speaker 8>shot stuck cheers mm hmm, Snoop dog or the game.

0:43:34.040 --> 0:43:40.000
<v Speaker 2>Uh, we're gonna go Snoop Dogg because first of all,

0:43:40.080 --> 0:43:43.000
<v Speaker 2>that is too tad to us all and one of

0:43:43.080 --> 0:43:46.239
<v Speaker 2>the biggest inspirations you know period. We're gonna also take

0:43:46.280 --> 0:43:49.800
<v Speaker 2>a shot too because don't kill me game. That's my

0:43:49.920 --> 0:43:53.760
<v Speaker 2>dog too. But you know, Snoop is our that's our superhero,

0:43:54.000 --> 0:43:56.279
<v Speaker 2>like that's the game a malleable lot. Yeah, yeah, We're

0:43:56.520 --> 0:43:58.960
<v Speaker 2>we're gonna have to say it. Yeah yeah, So when

0:43:59.000 --> 0:44:04.520
<v Speaker 2>you say Snoop too, right, he said, to we all

0:44:04.560 --> 0:44:10.520
<v Speaker 2>agree with stiff, so we all take it up, said

0:44:12.600 --> 0:44:13.320
<v Speaker 2>Stevie Wonder.

0:44:13.480 --> 0:44:18.759
<v Speaker 3>Marvin Gayeh, Stevie Wonder, I say, Stevie frid you.

0:44:18.760 --> 0:44:20.480
<v Speaker 1>See did you see what Stevie got on the stage

0:44:20.520 --> 0:44:22.440
<v Speaker 1>and the front like that he could see, he would know.

0:44:22.520 --> 0:44:24.560
<v Speaker 2>He addressed it like just right. I was tired of

0:44:24.840 --> 0:44:31.160
<v Speaker 2>niggas bro like, stop with all that ship for all

0:44:31.239 --> 0:44:32.840
<v Speaker 2>of y'all. Still you know.

0:44:33.920 --> 0:44:36.560
<v Speaker 1>Shock came on the show and we was like, yo,

0:44:36.640 --> 0:44:39.959
<v Speaker 1>do you think Stevie wonder? Because see and he said

0:44:40.000 --> 0:44:42.160
<v Speaker 1>that Stevie Wonder. He said they lived in the same

0:44:42.200 --> 0:44:44.880
<v Speaker 1>building at one time. God he can put us up.

0:44:45.360 --> 0:44:48.920
<v Speaker 1>And he said that Stevie, he got elevated that the

0:44:48.960 --> 0:44:50.880
<v Speaker 1>button was already pressed like Stevie used to go to

0:44:51.000 --> 0:44:51.359
<v Speaker 1>his floor.

0:44:51.800 --> 0:44:54.600
<v Speaker 2>And then he said, what's up big deson, like as

0:44:54.640 --> 0:44:55.160
<v Speaker 2>he walked in.

0:44:55.600 --> 0:44:59.319
<v Speaker 1>Now, it's not that far fresh, it's not that far

0:44:59.400 --> 0:45:02.840
<v Speaker 1>first because they say people who who can't see.

0:45:04.320 --> 0:45:07.000
<v Speaker 2>So like obviously you know, but who said it was

0:45:07.040 --> 0:45:09.960
<v Speaker 2>a George cleaner, wasn't it? Said he crosses there was

0:45:10.480 --> 0:45:12.279
<v Speaker 2>the street of the street. They seen him, of course

0:45:12.360 --> 0:45:17.520
<v Speaker 2>there all on this show. Stenses are heightened. Yeah, it's

0:45:17.520 --> 0:45:19.800
<v Speaker 2>a little busy street by yourself. You can hear that

0:45:19.840 --> 0:45:26.120
<v Speaker 2>ship before he comes. He's seen the matrix. They like

0:45:26.160 --> 0:45:28.200
<v Speaker 2>it's a highway. I was clinking that.

0:45:30.000 --> 0:45:30.239
<v Speaker 3>Yeah.

0:45:30.920 --> 0:45:33.919
<v Speaker 2>And plus people don't stop see Stevie crossing you thinking

0:45:33.960 --> 0:45:38.480
<v Speaker 2>what you're gonna do. That's a good point. Yeah, yeah

0:45:39.640 --> 0:45:44.680
<v Speaker 2>he clear and ship. Yeah that's bless a good point.

0:45:44.880 --> 0:45:45.680
<v Speaker 2>That's a great point.

0:45:46.320 --> 0:45:50.000
<v Speaker 3>Street him bro that one twenty one Savage or Kodak Black.

0:45:51.040 --> 0:45:59.840
<v Speaker 2>Uh, let's yeah, that's tough to both, okay, but but

0:46:00.000 --> 0:46:03.319
<v Speaker 2>but uh yeah it's from he's from Florida, right, Yeah, man,

0:46:03.360 --> 0:46:11.400
<v Speaker 2>he got man. He's a soulful Dudelige Mariah Mariah and

0:46:11.480 --> 0:46:22.000
<v Speaker 2>I'll drink to that, m j or Prince And if

0:46:22.000 --> 0:46:26.239
<v Speaker 2>you got any stories, please please. I wish I could

0:46:26.280 --> 0:46:29.000
<v Speaker 2>say I've met one of them or either, but no,

0:46:29.320 --> 0:46:32.239
<v Speaker 2>I never got to meet him. Uh but some of

0:46:32.280 --> 0:46:36.000
<v Speaker 2>my biggest inspirations. And it's I don't know, because I

0:46:36.040 --> 0:46:37.960
<v Speaker 2>feel like if I would have met Princey, I feel

0:46:38.000 --> 0:46:42.640
<v Speaker 2>like he wouldn't liked me. He would he just yeah,

0:46:42.680 --> 0:46:45.000
<v Speaker 2>he would have just did some sort of psychological thing

0:46:45.120 --> 0:46:47.239
<v Speaker 2>to me, would have done anyway he would have liked

0:46:47.280 --> 0:46:49.359
<v Speaker 2>to play because I would have been such a fan too,

0:46:49.600 --> 0:46:51.840
<v Speaker 2>like or maybe I don't even know, Like I wouldn't

0:46:51.840 --> 0:46:53.279
<v Speaker 2>know how to take it if I would have met him,

0:46:53.280 --> 0:46:55.000
<v Speaker 2>and I know he would have just had fun with that,

0:46:55.200 --> 0:46:58.000
<v Speaker 2>but maybe he would have really been you know, cool,

0:46:58.080 --> 0:47:06.320
<v Speaker 2>because took you to take I don't know. And then Michael,

0:47:06.480 --> 0:47:08.880
<v Speaker 2>you know what is Yeah, So I don't even know

0:47:08.960 --> 0:47:11.120
<v Speaker 2>how I could even my brain could even function like

0:47:11.960 --> 0:47:15.120
<v Speaker 2>Michael like that was like the fit of me. So

0:47:17.440 --> 0:47:19.920
<v Speaker 2>I just say both because you know, Prince I got

0:47:19.960 --> 0:47:21.960
<v Speaker 2>so much fluck for because really, man, you look at

0:47:22.000 --> 0:47:24.320
<v Speaker 2>Prince how he did it and how he was playing

0:47:24.400 --> 0:47:26.640
<v Speaker 2>everything and how he did it with his business acumen

0:47:26.800 --> 0:47:30.600
<v Speaker 2>and was such a had a punk rock attitude from

0:47:30.640 --> 0:47:34.640
<v Speaker 2>the jump and didn't take no ship and was very

0:47:38.520 --> 0:47:44.600
<v Speaker 2>and another and Michael the same, you know, different juggernauts

0:47:44.600 --> 0:47:48.160
<v Speaker 2>at that business. So you never had a character all

0:47:48.239 --> 0:47:55.680
<v Speaker 2>in the ship production fashion performance. So it's tough, man.

0:47:55.840 --> 0:47:57.880
<v Speaker 2>So you heard about day Beef. That's what I was

0:47:58.080 --> 0:48:01.680
<v Speaker 2>gonna say. It's getting more epic as the time goes by.

0:48:02.080 --> 0:48:04.359
<v Speaker 2>You hear the story. Yeah, will I am on there?

0:48:04.600 --> 0:48:06.560
<v Speaker 2>Will I am Oh? Yeah, that was a great story.

0:48:06.719 --> 0:48:09.799
<v Speaker 1>I am invites him to the show to his show,

0:48:09.840 --> 0:48:11.080
<v Speaker 1>I believe a Black Eyed Peas show.

0:48:12.000 --> 0:48:14.080
<v Speaker 2>And he tells him what is it.

0:48:14.800 --> 0:48:18.560
<v Speaker 1>He tells Mike that Prince is going to be there, Well,

0:48:18.600 --> 0:48:21.520
<v Speaker 1>Prince was on the show. The Prince is going to

0:48:21.560 --> 0:48:24.080
<v Speaker 1>be there. It was Prince's show, and he was going

0:48:24.160 --> 0:48:25.920
<v Speaker 1>to go okay, And he says, A mean he said that.

0:48:26.000 --> 0:48:31.160
<v Speaker 1>He said that, Mike, Prince is such a meaning. Imagine

0:48:31.480 --> 0:48:34.080
<v Speaker 1>about this. You know the fact that they didn't get

0:48:34.120 --> 0:48:41.000
<v Speaker 1>along is so much It makes sense right, like because

0:48:41.040 --> 0:48:44.600
<v Speaker 1>I mean, there would have been a lot of sensitivity, flash.

0:48:44.360 --> 0:48:47.200
<v Speaker 2>Of the icons. Yeah, and and did you see the

0:48:48.080 --> 0:48:52.279
<v Speaker 2>the World documentary? Michael was pressure there too. I'll play

0:48:52.320 --> 0:48:59.160
<v Speaker 2>a solo. That's it. Guitar solo. Come on, Prince, everybody here,

0:48:59.200 --> 0:49:04.680
<v Speaker 2>we got some hennessy, nah niggas. Let me let me

0:49:04.760 --> 0:49:06.480
<v Speaker 2>tell me, let me ask you do you think this?

0:49:06.640 --> 0:49:10.719
<v Speaker 2>This is my theory. I could be totally wrong.

0:49:10.800 --> 0:49:16.239
<v Speaker 1>I have no inside information, but in my mind, Mike

0:49:16.800 --> 0:49:19.040
<v Speaker 1>and Prince were both gangsters.

0:49:20.880 --> 0:49:25.960
<v Speaker 2>Both yea yeah, like they didn't play bro like that

0:49:26.600 --> 0:49:29.880
<v Speaker 2>level that bar is a gangst the level man like

0:49:30.040 --> 0:49:32.560
<v Speaker 2>this some of them. I don't know if you think

0:49:32.600 --> 0:49:35.279
<v Speaker 2>we ever have that again? No, No, I don't know. No,

0:49:35.480 --> 0:49:37.960
<v Speaker 2>I don't think they were coming out at the same time.

0:49:38.040 --> 0:49:41.680
<v Speaker 3>You know they were, Yes, yes, not that That not

0:49:41.800 --> 0:49:43.239
<v Speaker 3>the way that was. That was a different time, a

0:49:43.280 --> 0:49:45.279
<v Speaker 3>different era, different technology about it.

0:49:45.600 --> 0:49:47.680
<v Speaker 2>I'm sitting right here and we'll just gonna say that

0:49:47.719 --> 0:49:53.680
<v Speaker 2>ain't gonna never happen again. It's different. It's a different play, guys.

0:49:54.760 --> 0:50:00.080
<v Speaker 1>Just crip sized, bro, it's different. Take a shot for

0:50:00.160 --> 0:50:04.719
<v Speaker 1>my own stuff. Hold on the game, right, let's go.

0:50:06.960 --> 0:50:07.719
<v Speaker 8>Yeah, you.

0:50:11.400 --> 0:50:17.720
<v Speaker 2>Very close. Four four four that's the time. Okay, alright,

0:50:17.880 --> 0:50:24.360
<v Speaker 2>fifty center eminem? What was the question again? Fifty every center? Eminem?

0:50:24.880 --> 0:50:30.279
<v Speaker 2>Oh man, let's drink to both. Okay, I'm into that.

0:50:30.480 --> 0:50:36.239
<v Speaker 2>That's that takes a soccle Okay, up chairs oh man,

0:50:36.520 --> 0:50:42.319
<v Speaker 2>mm hmm okay, yeah, okay, you know what I'm saying.

0:50:42.480 --> 0:50:46.880
<v Speaker 2>You know what I'm saying. Who's with it? Okay? Well,

0:50:46.960 --> 0:50:51.239
<v Speaker 2>chump Rock, Wow, chump Rock jumps upon the scene. If

0:50:51.280 --> 0:50:59.520
<v Speaker 2>I were the green, that's a cast jam right man,

0:50:59.680 --> 0:51:04.319
<v Speaker 2>that's I've got nothing love for you. But you look

0:51:04.360 --> 0:51:11.439
<v Speaker 2>at censors right now. Yeah, you know he was cut.

0:51:11.600 --> 0:51:13.520
<v Speaker 2>We got to walk. It is gonna go crazy with

0:51:13.600 --> 0:51:14.239
<v Speaker 2>this type of ship.

0:51:14.320 --> 0:51:19.239
<v Speaker 1>Yea, And people like yeah, but when we had DJ

0:51:19.440 --> 0:51:21.600
<v Speaker 1>Quick up here and he was like, nah, man, he

0:51:21.760 --> 0:51:25.239
<v Speaker 1>wasn't throwing up blood friendly ship and I was just like,

0:51:25.360 --> 0:51:26.000
<v Speaker 1>oh he ship.

0:51:26.120 --> 0:51:29.600
<v Speaker 2>Like DJ Quick didn't like that, Like, I mean, look

0:51:30.360 --> 0:51:33.759
<v Speaker 2>he expected Mike. He was like, wow, some ship. But

0:51:33.840 --> 0:51:37.360
<v Speaker 2>he was like man at that time, not cool he was,

0:51:43.440 --> 0:51:45.120
<v Speaker 2>and you know he got the money to push the

0:51:45.200 --> 0:51:47.399
<v Speaker 2>bun like damn.

0:51:47.600 --> 0:51:49.719
<v Speaker 3>You heard the story where his voice that he would

0:51:49.800 --> 0:51:51.680
<v Speaker 3>change it. I don't know if it's true. Yeah, that's

0:51:51.719 --> 0:51:54.360
<v Speaker 3>what I heard about. He would talk normally. It was

0:51:54.400 --> 0:51:57.920
<v Speaker 3>going on, Yeah, what's going on?

0:51:58.760 --> 0:52:03.040
<v Speaker 2>It was Mike. You called him, Hello, it's Michael him

0:52:03.080 --> 0:52:08.919
<v Speaker 2>nigga going on. So it's not just money nigga heavy

0:52:08.960 --> 0:52:14.440
<v Speaker 2>D I say heavy d Okay, Yeah, I like this

0:52:14.560 --> 0:52:18.640
<v Speaker 2>one yay or for real? For well, I mean day

0:52:18.760 --> 0:52:21.360
<v Speaker 2>that's tough too. I mean I know everybody's like, I

0:52:21.440 --> 0:52:23.560
<v Speaker 2>feel like he's from their school too. Yeah, I mean

0:52:23.840 --> 0:52:25.879
<v Speaker 2>like kind of guys. No, no, no, like now I'm

0:52:25.920 --> 0:52:29.720
<v Speaker 2>drinking stuff. But I know everyone's phild has their opinion

0:52:29.760 --> 0:52:33.360
<v Speaker 2>about you know, both artists and stuff. But all I

0:52:33.480 --> 0:52:35.560
<v Speaker 2>know is like I was in high school and both

0:52:35.600 --> 0:52:38.799
<v Speaker 2>of them were putting out stuff again, so it's like, man,

0:52:38.880 --> 0:52:41.400
<v Speaker 2>these are like people we looked at like wrestlers. Like

0:52:41.600 --> 0:52:43.719
<v Speaker 2>this is like to be in high school and all

0:52:43.760 --> 0:52:46.279
<v Speaker 2>this music is coming out when like I was on

0:52:46.320 --> 0:52:48.400
<v Speaker 2>the West Coast like trying to convince people like you

0:52:48.480 --> 0:52:50.840
<v Speaker 2>know how Kanye is, it's gonna be sick, like he

0:52:51.040 --> 0:52:54.839
<v Speaker 2>really wraps and produces, and you know when we when

0:52:54.840 --> 0:52:57.120
<v Speaker 2>you can really look at the booklets and yeah he

0:52:57.200 --> 0:52:59.959
<v Speaker 2>did this, and Bink did this and like just blaz

0:53:00.280 --> 0:53:02.640
<v Speaker 2>and but he was also rapping and he was putting

0:53:02.680 --> 0:53:05.320
<v Speaker 2>on mixtapes. And then Pharrell then he teams of Parrell.

0:53:05.360 --> 0:53:08.000
<v Speaker 2>Then he remember when he shows up and Frell's trying

0:53:08.040 --> 0:53:10.840
<v Speaker 2>to tell him like, you know, Forrell's the hottest dude too.

0:53:11.280 --> 0:53:13.759
<v Speaker 2>Pharrell still sits there and like listens to him and

0:53:13.920 --> 0:53:17.880
<v Speaker 2>even Frell knows that it was crazy and give him

0:53:17.920 --> 0:53:23.160
<v Speaker 2>advice through the wire. Yeah yeah, but into the underground,

0:53:23.320 --> 0:53:26.320
<v Speaker 2>Yeah did you know? I just just you know, remember

0:53:26.360 --> 0:53:27.920
<v Speaker 2>all this stuff coming out at the same time. So

0:53:29.080 --> 0:53:30.800
<v Speaker 2>it sounds like we're taking a shot. I think we

0:53:30.880 --> 0:53:39.160
<v Speaker 2>take a shot, all right, cool, say, okay, that's the

0:53:39.239 --> 0:53:44.319
<v Speaker 2>one Bruno Mars or the weekend Bruno Okay, and I'll

0:53:44.360 --> 0:53:46.640
<v Speaker 2>drink to the I love it. I love it. Loyalty

0:53:46.719 --> 0:53:53.200
<v Speaker 2>to my dogs, to my dogs, Yachti or Denzel Curry.

0:53:55.000 --> 0:53:55.200
<v Speaker 6>Wow.

0:53:57.800 --> 0:53:59.640
<v Speaker 2>Shout out to both of them because they was both

0:53:59.680 --> 0:54:02.799
<v Speaker 2>on my my freshman class and they're both doing well

0:54:03.520 --> 0:54:08.600
<v Speaker 2>killing it. I saw Yachty open for Tyler with my

0:54:08.719 --> 0:54:12.280
<v Speaker 2>son because my son was he's obsessed with Tyler's fourteen.

0:54:12.920 --> 0:54:14.319
<v Speaker 2>So we got to see Yati. We got to see

0:54:14.400 --> 0:54:20.279
<v Speaker 2>Paris Parish, Cali, Paris, and Yady killed it and he

0:54:20.440 --> 0:54:23.600
<v Speaker 2>was fucking. I didn't realize Nigga got hit, and I

0:54:23.760 --> 0:54:27.480
<v Speaker 2>was like, damn. It was like my first little Twitter beef,

0:54:27.880 --> 0:54:34.200
<v Speaker 2>like years ago, Niggaven got rich. Now, No, yeah, that

0:54:34.320 --> 0:54:37.040
<v Speaker 2>was funny. I've early on it was like when he

0:54:37.239 --> 0:54:39.720
<v Speaker 2>was like coming out, you know, he had some views

0:54:39.719 --> 0:54:43.080
<v Speaker 2>about Tupacer about hip hop, and I responded to something

0:54:43.120 --> 0:54:44.640
<v Speaker 2>and I was like the first time I seen him, like,

0:54:44.680 --> 0:54:46.800
<v Speaker 2>oh shit, she could get taken out of you know

0:54:47.239 --> 0:54:50.800
<v Speaker 2>and callowing up and stuff, and then everybody goes on

0:54:50.880 --> 0:54:52.400
<v Speaker 2>their way, you know. And I've seen her since then

0:54:52.480 --> 0:54:55.719
<v Speaker 2>and he's super cool and we're good. But I got

0:54:55.800 --> 0:54:57.800
<v Speaker 2>to see full circle him go from that, you know,

0:54:57.880 --> 0:55:00.440
<v Speaker 2>when people were kind of I feel like people in

0:55:00.520 --> 0:55:02.919
<v Speaker 2>my joint in my class where people were already trying

0:55:02.960 --> 0:55:05.440
<v Speaker 2>to get them out early and kind of saying they

0:55:05.480 --> 0:55:08.400
<v Speaker 2>wouldn't last and stuff, And now they've become you know,

0:55:08.560 --> 0:55:09.960
<v Speaker 2>now my kids, don't you know?

0:55:10.280 --> 0:55:14.960
<v Speaker 1>And by the way, that twenty sixteen cover, like it's

0:55:15.040 --> 0:55:17.640
<v Speaker 1>like mainly all of y'all are still here. It aged

0:55:17.800 --> 0:55:20.480
<v Speaker 1>very well, It aged very well. Like it's it's like

0:55:21.760 --> 0:55:26.279
<v Speaker 1>I would say, ninety eight percent.

0:55:26.160 --> 0:55:28.560
<v Speaker 3>Of might be one of the last ones that aged well,

0:55:28.640 --> 0:55:30.840
<v Speaker 3>to be honest with, who might be one of the

0:55:30.960 --> 0:55:33.279
<v Speaker 3>last one of the last age age as well?

0:55:33.520 --> 0:55:35.399
<v Speaker 1>That's why I put that in an intro the twenty

0:55:35.440 --> 0:55:38.719
<v Speaker 1>sixty Yeah, my twenty sixteen fresh Yeah, yeah, everybody on

0:55:38.800 --> 0:55:41.759
<v Speaker 1>the twenty sixty cover all of this reunion show.

0:55:41.880 --> 0:55:45.480
<v Speaker 2>Come on, we got to talk to Live nation, right well,

0:55:45.480 --> 0:55:54.880
<v Speaker 2>we're talking about y'all. Open up. I knock them down, Okay, Schoolboy,

0:55:54.960 --> 0:56:00.319
<v Speaker 2>cre Jay Rock, Wow, both my dogs. That's dirty so little.

0:56:01.239 --> 0:56:04.520
<v Speaker 2>I ain't got man, I can't keep us fun. You

0:56:04.600 --> 0:56:07.960
<v Speaker 2>got right there, okay, right, okay, Yeah, this is this

0:56:08.080 --> 0:56:10.400
<v Speaker 2>is a little solid, a little bit. That's right.

0:56:11.200 --> 0:56:13.480
<v Speaker 1>I gotta say. Is that the killer you're switching it up?

0:56:14.680 --> 0:56:17.080
<v Speaker 1>You make a match, Okay, Okay, you're going crazy.

0:56:17.160 --> 0:56:21.280
<v Speaker 2>I'm blazing. You gotta piece both sides.

0:56:21.280 --> 0:56:24.879
<v Speaker 1>Right, and a little bit of Mexican too, because yeah, yeah,

0:56:25.600 --> 0:56:26.399
<v Speaker 1>because of the the quila.

0:56:26.560 --> 0:56:29.520
<v Speaker 2>Yeah, it's a good one. You TV raps or rap city?

0:56:30.160 --> 0:56:33.400
<v Speaker 2>Whoa I say rap city. That's why I grew up

0:56:33.440 --> 0:56:36.560
<v Speaker 2>on I know you're in wraps. That's like to hit

0:56:37.239 --> 0:56:47.439
<v Speaker 2>you doing stuff on the tu I got a piece

0:56:47.440 --> 0:56:57.720
<v Speaker 2>so sick. It's always one hundred twenty five like some numbers.

0:56:57.719 --> 0:57:03.280
<v Speaker 2>They gotta tripping, nothing sad. I get to look impression.

0:57:04.480 --> 0:57:08.200
<v Speaker 2>You got to do a sessment of the city, the

0:57:08.239 --> 0:57:12.520
<v Speaker 2>story about Yeah, the time, don't make it like that

0:57:14.960 --> 0:57:18.120
<v Speaker 2>saying I have to say I rap city, big tigger

0:57:18.200 --> 0:57:21.800
<v Speaker 2>and in the freestyles like that's what I remember, like

0:57:22.240 --> 0:57:24.600
<v Speaker 2>everybody like do it coming and doing the freestyles with

0:57:24.760 --> 0:57:31.040
<v Speaker 2>like two rags and like he did, Yeah, D bring

0:57:31.160 --> 0:57:34.440
<v Speaker 2>up the same. It's a quick time because you do

0:57:34.560 --> 0:57:39.000
<v Speaker 2>be rapping. But what do you like more? Rapping or singing?

0:57:39.200 --> 0:57:44.040
<v Speaker 2>If you say both, we drinking. It just depends on

0:57:44.120 --> 0:57:53.080
<v Speaker 2>how many women are present. And there's two here. I'm

0:57:53.120 --> 0:57:57.000
<v Speaker 2>pretty sure you're gonna go with rapping here we're here.

0:57:57.200 --> 0:57:58.040
<v Speaker 2>I'm like, come on.

0:57:58.600 --> 0:58:01.080
<v Speaker 5>When I was like singing, there's another thing in here

0:58:01.160 --> 0:58:05.120
<v Speaker 5>with this will happen? You have to married people, don't

0:58:05.680 --> 0:58:09.440
<v Speaker 5>right that b to be versatile, yes, huh. And it

0:58:09.600 --> 0:58:12.800
<v Speaker 5>just depends, man. I think like naturally, I always I

0:58:12.960 --> 0:58:15.600
<v Speaker 5>want to rap. It's just like it's like talking. It's

0:58:15.680 --> 0:58:19.200
<v Speaker 5>like you know the thing you know you just always

0:58:19.320 --> 0:58:21.520
<v Speaker 5>rap like I love it. I fell in love with

0:58:21.600 --> 0:58:23.120
<v Speaker 5>it from an early early age.

0:58:23.440 --> 0:58:24.720
<v Speaker 1>Are you're good at it? It's not a lot of

0:58:24.760 --> 0:58:27.120
<v Speaker 1>people who raps sing that's actually good at.

0:58:27.080 --> 0:58:29.800
<v Speaker 2>I mean, he just did nineteen eighty seven rap right now. Second.

0:58:30.240 --> 0:58:31.919
<v Speaker 2>It's how good he go He could go back coming

0:58:32.000 --> 0:58:36.240
<v Speaker 2>from you. Yes, everything, Thank you solo, Thank you, man

0:58:36.320 --> 0:58:39.840
<v Speaker 2>one entrepreneur, mann ri E Bro, thank you for showing

0:58:39.920 --> 0:58:43.280
<v Speaker 2>us how to rap on Neptune's beats. Goddamn. Okay, be

0:58:43.480 --> 0:58:44.160
<v Speaker 2>a connoisseur.

0:58:44.760 --> 0:58:47.959
<v Speaker 1>That's right, all right, but hold on, so we picked

0:58:48.000 --> 0:58:53.520
<v Speaker 1>that right, you discovered suck all right, But this is

0:58:53.640 --> 0:58:55.560
<v Speaker 1>this is a good one. And again you got it.

0:58:56.080 --> 0:58:59.040
<v Speaker 2>Earth Winning Fire or the Osslie Brothers, Oh.

0:59:01.280 --> 0:59:01.480
<v Speaker 6>Day.

0:59:03.880 --> 0:59:09.000
<v Speaker 2>I'm most say Earth when a fire, you know, because

0:59:09.000 --> 0:59:11.920
<v Speaker 2>they joined squeaky clean like Ronald Is probably can't perform

0:59:12.000 --> 0:59:15.520
<v Speaker 2>some of them. Mark Kelly joints all the time. So

0:59:16.160 --> 0:59:19.400
<v Speaker 2>you gotta think you got to know they just play

0:59:19.480 --> 0:59:22.960
<v Speaker 2>all they said. Sometimes you know big makes a BIG's

0:59:22.960 --> 0:59:26.040
<v Speaker 2>got a pivot here there. Yeah, yeah, you can still

0:59:26.080 --> 0:59:31.760
<v Speaker 2>do it. Yeah, but earth from the fire squeak clean now, okay,

0:59:32.960 --> 0:59:36.600
<v Speaker 2>but so it's a mood thing. But I'm gonna say

0:59:36.600 --> 0:59:39.680
<v Speaker 2>it from the fire. Okay. So we took we picked

0:59:39.840 --> 0:59:42.640
<v Speaker 2>from drinking, but we didn't get he's the only one

0:59:42.680 --> 0:59:43.600
<v Speaker 2>that drinks what he says.

0:59:44.240 --> 0:59:47.600
<v Speaker 1>We didn't get rapping, and we didn't answer rapping or singing,

0:59:47.680 --> 0:59:51.800
<v Speaker 1>he said, depending on how many. Yeah, yeah, but period overall.

0:59:52.040 --> 0:59:55.800
<v Speaker 1>Let's make sure that both both. Yeah, all right, I

0:59:55.960 --> 0:59:57.920
<v Speaker 1>like that. All right, So were taking a shop for that?

0:59:58.440 --> 0:59:58.680
<v Speaker 2>Sure?

1:00:00.720 --> 1:00:07.520
<v Speaker 3>Okay, Oh like this one, Richie Smokey Robinson, smoke Dog.

1:00:08.040 --> 1:00:11.560
<v Speaker 2>You got records with Smokey rob Yeah, how does that happen? Bro?

1:00:12.440 --> 1:00:15.320
<v Speaker 2>How the fuck do you get in contact with Smoky? Exactly?

1:00:15.440 --> 1:00:18.920
<v Speaker 2>Do you get? You do text a fireplace? So that's

1:00:20.600 --> 1:00:23.640
<v Speaker 2>got to be a fireplace, like I feel like him

1:00:23.680 --> 1:00:27.880
<v Speaker 2>live in a fireplace. I'm sorry, I'm sorry. You got

1:00:27.920 --> 1:00:33.400
<v Speaker 2>the forever backdrop. He's that guy. Yeah, so how do

1:00:33.520 --> 1:00:35.760
<v Speaker 2>you get in contact? That was and we reached out.

1:00:35.840 --> 1:00:38.720
<v Speaker 2>That was the Drake card was reached out. You know,

1:00:39.200 --> 1:00:41.320
<v Speaker 2>I had all hands on deck. My manager Adrian Miller

1:00:41.360 --> 1:00:43.960
<v Speaker 2>at the time, he was like, yeah, I had a

1:00:44.040 --> 1:00:47.080
<v Speaker 2>song that we was working on. I was like, we

1:00:47.120 --> 1:00:52.560
<v Speaker 2>should get smoky for this, and uh, Adrian and hit

1:00:52.640 --> 1:00:55.080
<v Speaker 2>him up and he was there. He was like, man,

1:00:55.120 --> 1:00:57.760
<v Speaker 2>my daughter loves you. I was like, okay, hell yeah,

1:00:57.840 --> 1:01:00.520
<v Speaker 2>and he was like, let me hit a song. I'm

1:01:00.840 --> 1:01:03.440
<v Speaker 2>getting there. I play on the song. It's like, just

1:01:03.520 --> 1:01:06.640
<v Speaker 2>cut it off. You gotta make love to them with

1:01:06.800 --> 1:01:10.440
<v Speaker 2>these words, baby, like I'm doing it right. And so

1:01:10.520 --> 1:01:14.840
<v Speaker 2>it's like, just print me a CD CDR one instrumental

1:01:15.120 --> 1:01:17.640
<v Speaker 2>one without the licks, and I'm gonna come back. I'm

1:01:17.640 --> 1:01:20.160
<v Speaker 2>gonna fix it. And then he came back and he

1:01:20.320 --> 1:01:22.520
<v Speaker 2>changed the words, but he kept the melody and we

1:01:22.680 --> 1:01:26.320
<v Speaker 2>had like all this raunchy ship and he just up

1:01:26.560 --> 1:01:29.040
<v Speaker 2>yeah and kept the same melody and then we cut

1:01:29.080 --> 1:01:39.840
<v Speaker 2>it and that was gold record. Yeah, Jesus, is there

1:01:39.880 --> 1:01:42.640
<v Speaker 2>any plans to try to work with Lina Richie. I

1:01:42.680 --> 1:01:44.760
<v Speaker 2>would love to work with Lina Richie Lino, Let's do

1:01:44.840 --> 1:01:46.480
<v Speaker 2>an album, let me let me produce. So I got

1:01:46.520 --> 1:01:49.240
<v Speaker 2>a great team. Let's do it. I know you've got

1:01:49.320 --> 1:01:54.920
<v Speaker 2>a huge budget. Let's do Mexico. As we talking about,

1:01:55.720 --> 1:01:58.040
<v Speaker 2>the more we talk about it, like like listen, let's

1:01:58.160 --> 1:02:02.880
<v Speaker 2>make it happen. Line fools with me. Yeah, I see Richie?

1:02:03.120 --> 1:02:03.240
<v Speaker 1>Uh?

1:02:04.600 --> 1:02:04.680
<v Speaker 6>Was that?

1:02:04.840 --> 1:02:05.080
<v Speaker 2>What's that?

1:02:05.200 --> 1:02:07.760
<v Speaker 1>What's that restaurant downstairs from the Soho House at the

1:02:07.840 --> 1:02:11.200
<v Speaker 1>Soho House in Amoullable, the Shole House downtown.

1:02:13.600 --> 1:02:15.840
<v Speaker 2>I'm not Sherry Roscos No, no, no, no, no no.

1:02:16.160 --> 1:02:18.400
<v Speaker 2>What does that ship? I'm not? It wasn't.

1:02:18.560 --> 1:02:22.560
<v Speaker 1>Uh. I forget people gonna fry me for this. But anyway,

1:02:22.960 --> 1:02:26.360
<v Speaker 1>I seen Lionel Richie, and so I came there night

1:02:26.400 --> 1:02:29.920
<v Speaker 1>before and the lady was like, Nori, I have two

1:02:30.000 --> 1:02:33.959
<v Speaker 1>tables open right now. So I said, okay. She said

1:02:34.240 --> 1:02:39.600
<v Speaker 1>one next to line of Richie and one where you

1:02:39.720 --> 1:02:43.360
<v Speaker 1>sat last night. So which table do you want?

1:02:44.480 --> 1:02:44.720
<v Speaker 2>Let me.

1:02:50.000 --> 1:02:52.480
<v Speaker 1>And I walked in and I called my mom. It's

1:02:52.520 --> 1:02:54.640
<v Speaker 1>how much it was. It was legendary for me to

1:02:54.720 --> 1:02:57.640
<v Speaker 1>meet Richie. I called my mom and I was like, mom,

1:02:58.200 --> 1:02:59.280
<v Speaker 1>are you a line of Richie?

1:02:59.360 --> 1:02:59.560
<v Speaker 2>Fan?

1:03:00.160 --> 1:03:02.960
<v Speaker 1>In my mother's voice, she was just like, oh baby.

1:03:03.560 --> 1:03:05.040
<v Speaker 1>Once he said that, I said, I'm going to get

1:03:05.080 --> 1:03:06.520
<v Speaker 1>a lot of picture.

1:03:06.960 --> 1:03:08.360
<v Speaker 2>So I stood there. I had a big I had

1:03:08.400 --> 1:03:10.560
<v Speaker 2>the big chain on, so I pulled the big chain

1:03:10.640 --> 1:03:14.400
<v Speaker 2>out just I know, was like, yo, you know.

1:03:16.000 --> 1:03:18.920
<v Speaker 1>That's Nori. So we said, Hi, I send him a

1:03:19.000 --> 1:03:21.040
<v Speaker 1>bottle of wine. I never forget this. Rest in peace.

1:03:21.080 --> 1:03:24.720
<v Speaker 1>Havain Hawa was with me. Send them a bottle of wine.

1:03:26.160 --> 1:03:29.960
<v Speaker 1>He ordered the most expensive bottle on the menu, but

1:03:30.120 --> 1:03:32.880
<v Speaker 1>I already had committed. I was like, I'm in, and

1:03:33.000 --> 1:03:36.120
<v Speaker 1>he took like full SIPs of that ship and left it.

1:03:37.280 --> 1:03:39.640
<v Speaker 1>And as he left, I went and got that wine.

1:03:41.560 --> 1:03:43.640
<v Speaker 1>I wouldn't have got back my bottle. He didn't give

1:03:43.640 --> 1:03:45.440
<v Speaker 1>a buck, but that was legendary for me. Me and

1:03:45.640 --> 1:03:53.240
<v Speaker 1>motherfucker might know Richie Okay, okay, okay, you get this one.

1:03:54.040 --> 1:03:59.000
<v Speaker 2>I'm not even open. Okay, canay Ico or Alicia Keys

1:04:00.520 --> 1:04:05.960
<v Speaker 2>Shout out to both. Jane I've known for years. We

1:04:06.160 --> 1:04:11.280
<v Speaker 2>said the same manager. Shout out to taz uh love Janey,

1:04:11.480 --> 1:04:16.160
<v Speaker 2>love Alicia. I haven't worked really with Alicia, but I

1:04:16.240 --> 1:04:18.360
<v Speaker 2>got to work with Jane a couple of times. We

1:04:18.400 --> 1:04:23.640
<v Speaker 2>haven't put anything out, but we've worked. And you know, Jane,

1:04:24.040 --> 1:04:27.200
<v Speaker 2>that's West Coast, you know, so I feel like you're certain,

1:04:27.480 --> 1:04:32.120
<v Speaker 2>But it's tough because I could hear you and you know,

1:04:32.560 --> 1:04:35.240
<v Speaker 2>real musician. Like again, I remember where I was when

1:04:35.240 --> 1:04:39.360
<v Speaker 2>I first heard her too. You know, I think she

1:04:39.480 --> 1:04:42.840
<v Speaker 2>kind of paved the way to I'm gonna say, Alicia,

1:04:43.800 --> 1:04:47.080
<v Speaker 2>because shout out to the people that paved the way. Right, Okay,

1:04:48.320 --> 1:04:50.240
<v Speaker 2>you don't got to a shot. But with you, I know,

1:04:50.640 --> 1:04:53.920
<v Speaker 2>he's like, I'm gonna ask. I'm not gonna.

1:04:56.240 --> 1:04:58.960
<v Speaker 1>That's my boy twist thing. All right, cool, I'm taking

1:04:59.000 --> 1:05:01.840
<v Speaker 1>a shot, all right, al Green of Curtis Mayfield.

1:05:02.520 --> 1:05:07.680
<v Speaker 2>Wow, y'all crazy man both So now we've got to

1:05:09.960 --> 1:05:17.120
<v Speaker 2>we've yes, man, Yeah, I love this one. We gotta

1:05:17.120 --> 1:05:30.640
<v Speaker 2>take there you go show, Chris Brown, I think this

1:05:30.720 --> 1:05:40.440
<v Speaker 2>is a good danity. This is insufferable, but again like okay,

1:05:40.640 --> 1:05:43.240
<v Speaker 2>this is what it is, like you gotta give it

1:05:43.320 --> 1:05:46.600
<v Speaker 2>to us show, just because where it starts, you know,

1:05:46.840 --> 1:05:52.280
<v Speaker 2>like again the blueprint. You know, you got to work

1:05:52.320 --> 1:05:56.280
<v Speaker 2>with all the greats too, amazing songs and to be

1:05:56.400 --> 1:05:58.680
<v Speaker 2>able to still be doing it be relevant now at

1:05:58.720 --> 1:06:01.280
<v Speaker 2>his age, is still doing it at a high level,

1:06:01.720 --> 1:06:04.040
<v Speaker 2>very high level. Both of them are doing the high levels.

1:06:06.240 --> 1:06:10.400
<v Speaker 2>But I feel like, you know, ushers solidified. He's he's

1:06:10.480 --> 1:06:12.720
<v Speaker 2>done so much stuff. Now he's you know, just continue

1:06:12.720 --> 1:06:16.760
<v Speaker 2>to continue to keep his legend known and continue to

1:06:16.760 --> 1:06:18.760
<v Speaker 2>making new stuff. And I feel like Chris is still

1:06:19.080 --> 1:06:20.840
<v Speaker 2>we yet to be seen even what he's going to

1:06:20.920 --> 1:06:24.760
<v Speaker 2>do in the future. So I just feel like, you know,

1:06:25.160 --> 1:06:28.720
<v Speaker 2>props the both again. But yeah, ushers just like, yeah,

1:06:29.600 --> 1:06:33.080
<v Speaker 2>I want to tell everybody was doing that sideways side

1:06:33.120 --> 1:06:38.800
<v Speaker 2>away ship, sideways moonwalk joint, you know, yeah, take a

1:06:38.840 --> 1:06:44.320
<v Speaker 2>shoe off, the niggas, you know, all that gliding and

1:06:45.280 --> 1:06:49.000
<v Speaker 2>he's singing the niggas bitches right now feeding cherries. I

1:06:49.040 --> 1:06:53.280
<v Speaker 2>don't even understand. It's a part of hard life. See

1:06:53.320 --> 1:06:55.160
<v Speaker 2>that every time opening up, it's a it's a bit

1:06:55.680 --> 1:07:01.480
<v Speaker 2>eating cherries. If you bring your girl there. Never were

1:07:01.480 --> 1:07:05.840
<v Speaker 2>going to circus of leg We're gonna going on to anything.

1:07:06.520 --> 1:07:10.400
<v Speaker 2>Just not doing show. I mean it looks a little

1:07:10.440 --> 1:07:13.760
<v Speaker 2>crazy like some other ship. The girl in front of

1:07:13.840 --> 1:07:30.360
<v Speaker 2>you going like that, what show you think? In no way?

1:07:30.560 --> 1:07:33.120
<v Speaker 2>I love respect with gouble mus I looked. I was like,

1:07:33.240 --> 1:07:35.880
<v Speaker 2>wait a minute, you're just going to let that and

1:07:36.200 --> 1:07:40.840
<v Speaker 2>that's love. I'm not sure what that is. Didn't didn't

1:07:40.880 --> 1:07:43.640
<v Speaker 2>he break up a whole like he just went on

1:07:43.760 --> 1:07:47.840
<v Speaker 2>the work I don't know, it's really his fault. It's

1:07:47.920 --> 1:07:50.880
<v Speaker 2>not his doults, it's not his fault. Yeah, the home girl.

1:07:51.240 --> 1:07:54.480
<v Speaker 2>Everyone has a choice to make this girl, you know

1:07:54.560 --> 1:08:04.560
<v Speaker 2>what his fall pig like, oh boy, we throw his

1:08:04.640 --> 1:08:06.480
<v Speaker 2>whole relationship by the day, Like, man.

1:08:07.080 --> 1:08:10.840
<v Speaker 1>You don't have the dog out, you know, and you've

1:08:10.920 --> 1:08:15.800
<v Speaker 1>got roses and strawberry and stuff you like.

1:08:16.400 --> 1:08:20.840
<v Speaker 2>And he's doing it smooth too, like he like like

1:08:21.360 --> 1:08:23.040
<v Speaker 2>he's like taking a foul shot, like you know what

1:08:23.080 --> 1:08:25.400
<v Speaker 2>I'm saying with the first coat on a three pointer.

1:08:25.800 --> 1:08:27.200
<v Speaker 2>He coming in for the layoffs.

1:08:27.760 --> 1:08:33.120
<v Speaker 1>He like this the layoff, Like, I mean, man ship,

1:08:33.200 --> 1:08:37.040
<v Speaker 1>we ain't going on a yeah, anything with that, Okay,

1:08:38.160 --> 1:08:38.880
<v Speaker 1>I respect that.

1:08:39.040 --> 1:08:39.160
<v Speaker 6>Man.

1:08:39.479 --> 1:08:45.360
<v Speaker 2>The source of double Legs. Oh, the source or Double Excel.

1:08:46.479 --> 1:08:52.000
<v Speaker 2>Yeah that's tough, I say, the source. Yeah really five mics, Yeah,

1:08:52.920 --> 1:08:56.080
<v Speaker 2>give me five micsn you never got five mics. I did.

1:08:56.200 --> 1:08:59.760
<v Speaker 2>I don't know if they were doing it. I love

1:09:00.040 --> 1:09:03.439
<v Speaker 2>love your passion. Yeah, we want to go back to it.

1:09:03.479 --> 1:09:05.840
<v Speaker 2>I think she get an honorary go back and get

1:09:05.880 --> 1:09:11.360
<v Speaker 2>you to retaant. Yeah yeah, no, that was it for

1:09:11.560 --> 1:09:16.760
<v Speaker 2>the stores and like all those iconic covers mm hmm. Yeah,

1:09:16.880 --> 1:09:21.240
<v Speaker 2>that that was just missed it. But I'm probably on

1:09:21.320 --> 1:09:26.840
<v Speaker 2>a digital cover somewhere for sure. And that's dope too, man.

1:09:26.960 --> 1:09:27.799
<v Speaker 2>But that's the coaching.

1:09:27.840 --> 1:09:27.960
<v Speaker 1>Man.

1:09:28.040 --> 1:09:30.720
<v Speaker 2>So I grew up collecting and taking all those like

1:09:31.200 --> 1:09:33.760
<v Speaker 2>putting them on my wall. Did you did you buy

1:09:34.000 --> 1:09:36.000
<v Speaker 2>the fake jewelry from the back of the source? I didn't.

1:09:36.040 --> 1:09:40.639
<v Speaker 2>I didn't the tail end of it, but I didn't.

1:09:40.720 --> 1:09:43.240
<v Speaker 2>Unders But I didn't.

1:09:43.720 --> 1:09:46.200
<v Speaker 1>Because they would do They would do wo tang pieces

1:09:46.560 --> 1:09:49.120
<v Speaker 1>like you know, like you know, just you know, yeah,

1:09:49.600 --> 1:09:50.400
<v Speaker 1>pieces like that.

1:09:50.880 --> 1:09:52.439
<v Speaker 2>I bought my first turn tables on the back of

1:09:52.520 --> 1:09:54.280
<v Speaker 2>the source. Was that the bootleg section.

1:09:54.560 --> 1:09:58.280
<v Speaker 3>No, they had a DJ starter kit. Oh that's it

1:09:58.320 --> 1:10:00.120
<v Speaker 3>was affordable. It was going to do the pop are

1:10:00.160 --> 1:10:01.719
<v Speaker 3>Geminis in a scratch Master.

1:10:01.920 --> 1:10:03.880
<v Speaker 2>You gotta do that right now. Very frugal with jewelry.

1:10:03.920 --> 1:10:05.800
<v Speaker 2>I'm very cheap. A lot of my jewelry has been

1:10:05.840 --> 1:10:10.080
<v Speaker 2>given to me. I just yeah, by majority for my birthday.

1:10:10.400 --> 1:10:12.479
<v Speaker 2>You're going to see it. I'm gonna I appreciate it,

1:10:13.200 --> 1:10:13.640
<v Speaker 2>I wear it.

1:10:15.080 --> 1:10:22.439
<v Speaker 1>I think we should make no noise to that. Yeah, okay,

1:10:22.520 --> 1:10:24.120
<v Speaker 1>this is the last one. We're gonna jump in back

1:10:24.120 --> 1:10:24.559
<v Speaker 1>into day and.

1:10:24.520 --> 1:10:25.840
<v Speaker 2>You got to take a shot for whatever you say.

1:10:26.479 --> 1:10:31.920
<v Speaker 1>Jesus even persuaded the witness you say, you don't leaves

1:10:32.960 --> 1:10:33.639
<v Speaker 1>doing this whole.

1:10:34.080 --> 1:10:35.960
<v Speaker 2>He likes that you drink every shot. He likes that.

1:10:36.560 --> 1:10:47.559
<v Speaker 2>Uh loyalty or respect? Whoa yo? Both for sure? Yes

1:10:49.360 --> 1:10:58.200
<v Speaker 2>h h salute no one. No motherfucking grammys yo. Right?

1:10:58.520 --> 1:11:00.760
<v Speaker 2>What the fuck does that shift? Does they get old?

1:11:02.880 --> 1:11:04.680
<v Speaker 2>Like when you have one and you have two and

1:11:04.800 --> 1:11:10.040
<v Speaker 2>you have three? Yeah? Four? No, it doesn't. Blessings with

1:11:10.120 --> 1:11:12.040
<v Speaker 2>me is I've gotten to do it with all kinds

1:11:12.040 --> 1:11:14.639
<v Speaker 2>of different acts, you know, across three different acts, from

1:11:14.680 --> 1:11:18.960
<v Speaker 2>Anderson Pact myself to then doing it with uh Silk

1:11:19.000 --> 1:11:23.240
<v Speaker 2>Sonic and then most recently with No Worries. So uh,

1:11:23.479 --> 1:11:26.519
<v Speaker 2>it's a different journey every time. So it's a different experience,

1:11:26.640 --> 1:11:30.439
<v Speaker 2>different experience, and to be, you know, for these albums

1:11:30.520 --> 1:11:34.320
<v Speaker 2>to be to receive Grammys from you know, the peers

1:11:34.320 --> 1:11:36.320
<v Speaker 2>and the voters and all that stuff. It's it's amazing,

1:11:36.520 --> 1:11:39.519
<v Speaker 2>but yeah, can it get could you know? That could

1:11:39.560 --> 1:11:42.280
<v Speaker 2>easily turn into oh this is why I do it now,

1:11:42.479 --> 1:11:44.679
<v Speaker 2>you know, and then the music you know, it could

1:11:44.720 --> 1:11:47.680
<v Speaker 2>also make you real lazy, you know really yeah, in

1:11:47.760 --> 1:11:51.960
<v Speaker 2>the sense, uh, you know, if you think that if

1:11:52.000 --> 1:11:54.120
<v Speaker 2>you start to think that that's why you have to

1:11:54.200 --> 1:11:55.960
<v Speaker 2>do it while you have to make the music in

1:11:56.120 --> 1:12:00.920
<v Speaker 2>order to reach these deadlines or to do something right right, Yeah,

1:12:01.400 --> 1:12:05.360
<v Speaker 2>that could drain on your creativity and uh, your natural

1:12:05.720 --> 1:12:08.240
<v Speaker 2>trajection as where you might could go if you weren't

1:12:08.240 --> 1:12:11.240
<v Speaker 2>thinking about that. And that's what I want to get

1:12:11.280 --> 1:12:13.120
<v Speaker 2>to as an artist is where I'm not thinking about

1:12:13.160 --> 1:12:16.640
<v Speaker 2>none of that. I'm just creating and I'm able to, uh,

1:12:17.320 --> 1:12:19.880
<v Speaker 2>you know, put it in the best posture it needs

1:12:19.920 --> 1:12:22.679
<v Speaker 2>to be, to bring it out to the people because

1:12:22.680 --> 1:12:25.599
<v Speaker 2>I've well thought about it and everything, and and I'm

1:12:25.640 --> 1:12:27.840
<v Speaker 2>able to tour it and do so much stuff with it.

1:12:27.920 --> 1:12:30.759
<v Speaker 2>And if it gets acknowledged by anything from the Grammys anybody,

1:12:30.840 --> 1:12:34.759
<v Speaker 2>it's great, you know, but it's uh, it's not like, Okay,

1:12:34.920 --> 1:12:36.840
<v Speaker 2>now we have to do it for this reason only,

1:12:36.880 --> 1:12:39.040
<v Speaker 2>and if we don't get one, it means that it's

1:12:39.080 --> 1:12:41.439
<v Speaker 2>a failure. It's like, it's not it's not that. But

1:12:42.160 --> 1:12:46.200
<v Speaker 2>to be able to have those, it's like, yes, fucking huge.

1:12:47.600 --> 1:12:52.400
<v Speaker 3>Yeah, it's not even you have one or too. It's

1:12:52.439 --> 1:12:54.240
<v Speaker 3>like the amount is crazy, you know what I'm saying.

1:12:54.360 --> 1:13:10.920
<v Speaker 3>People don't need to get one, right, yeah. Yeah, now

1:13:10.960 --> 1:13:15.400
<v Speaker 3>another unicorn. You got to work with Andre three thousand. Yeah,

1:13:16.520 --> 1:13:21.920
<v Speaker 3>first off, I'm knowing Andre D thousands for twenty seven years.

1:13:23.400 --> 1:13:26.759
<v Speaker 3>I'm no outcast big boy for twenty seven years. Andre

1:13:26.920 --> 1:13:30.200
<v Speaker 3>D thousand is the most mysterious man on earth, That's right.

1:13:31.640 --> 1:13:33.400
<v Speaker 3>How did you get him?

1:13:34.560 --> 1:13:36.559
<v Speaker 1>Because he doesn't even he doesn't even lay a verse

1:13:36.600 --> 1:13:39.400
<v Speaker 1>for outcasts at this point, like, how.

1:13:39.360 --> 1:13:42.680
<v Speaker 2>Do you get him? Andre? Hundreds of thousands because that's

1:13:42.720 --> 1:13:45.240
<v Speaker 2>what you have to pay to get that verse cleared? Okay, wow?

1:13:45.560 --> 1:13:51.439
<v Speaker 2>And then he gets inspired, miraculously, miraculously finds the spiray

1:13:54.640 --> 1:13:57.240
<v Speaker 2>you have to pay for that bird, bro, I ain't.

1:13:57.320 --> 1:13:59.280
<v Speaker 2>I ain't think he charged he did? You get to

1:13:59.360 --> 1:14:03.200
<v Speaker 2>hang out with you? It's a fluega, nigga. How many

1:14:03.320 --> 1:14:06.720
<v Speaker 2>verses this nigga calculated? That don't even got to come out?

1:14:08.200 --> 1:14:10.439
<v Speaker 2>Only a couple of niggas walk around with the flute.

1:14:10.880 --> 1:14:14.360
<v Speaker 2>Niggas is rich. You gotta be insane or rich three

1:14:14.600 --> 1:14:17.040
<v Speaker 2>features and paid for the flu life. You're paying for

1:14:17.120 --> 1:14:19.880
<v Speaker 2>the lore nigga. If I put it out, if I

1:14:20.000 --> 1:14:22.400
<v Speaker 2>might want to just not put it out. Still, that

1:14:22.680 --> 1:14:26.240
<v Speaker 2>check got a clear bro, right, So you know he's

1:14:26.320 --> 1:14:29.640
<v Speaker 2>just he moved with the wind. Yes, circle, you know

1:14:30.080 --> 1:14:32.519
<v Speaker 2>I love that. It's a flute mystique. It's a mystique

1:14:32.880 --> 1:14:36.160
<v Speaker 2>money well spent. Yes, most rappers low state mystique because

1:14:36.160 --> 1:14:39.720
<v Speaker 2>of Instagram. That's it. He didn't play himself out, same overalls,

1:14:40.920 --> 1:14:44.679
<v Speaker 2>same little Jordan threes and he just out here beard

1:14:45.600 --> 1:14:48.959
<v Speaker 2>him in Japan, right, same flue, same Jordan's, same overalls.

1:14:50.000 --> 1:14:52.880
<v Speaker 2>Thatagine how Hi the barbera in years right, he's just

1:14:52.960 --> 1:14:56.240
<v Speaker 2>in there, no tape matchingouts, money he's saving, no taper,

1:14:56.360 --> 1:14:59.960
<v Speaker 2>none of that. I'm free, now get off me freedom.

1:15:00.320 --> 1:15:02.280
<v Speaker 2>He shout out to our barbers with you know, yeah,

1:15:02.439 --> 1:15:06.080
<v Speaker 2>well no one hundred fifty three hundred for it to

1:15:06.160 --> 1:15:07.920
<v Speaker 2>the fifteen hundred he does not.

1:15:08.080 --> 1:15:13.680
<v Speaker 1>We wantredfty thousands just in case we want Tom and we.

1:15:13.800 --> 1:15:19.960
<v Speaker 2>Got yeah yeah, yeah, yeah yeah yeah, And I got him. Yeah.

1:15:20.040 --> 1:15:22.280
<v Speaker 2>So I was like, yo, hundred, I got of records

1:15:22.320 --> 1:15:25.320
<v Speaker 2>and he came through and he was like, all right,

1:15:25.360 --> 1:15:27.680
<v Speaker 2>I want to hear the beat. And I played him

1:15:27.720 --> 1:15:29.280
<v Speaker 2>like a bunch of records and he's like, I like

1:15:29.360 --> 1:15:32.440
<v Speaker 2>this one like that. He can't get what a composition,

1:15:32.560 --> 1:15:35.200
<v Speaker 2>but but yeah it's real, like we did all that

1:15:35.760 --> 1:15:37.040
<v Speaker 2>and this is when I was working with Dre and

1:15:37.439 --> 1:15:41.400
<v Speaker 2>this is now working on Venture album, and I was

1:15:41.479 --> 1:15:43.320
<v Speaker 2>working on both of them at the same time. When

1:15:43.320 --> 1:15:45.400
<v Speaker 2>I did Ox started Venture, I did them all at

1:15:45.439 --> 1:15:48.720
<v Speaker 2>DRE studio at Record one one Yeah okay, and so

1:15:48.920 --> 1:15:50.960
<v Speaker 2>this is where they did all these iconic records, you know,

1:15:51.160 --> 1:15:54.120
<v Speaker 2>not the Aftermath records, and I think Michael Day records

1:15:54.160 --> 1:15:56.960
<v Speaker 2>there too, So I was like having a field day there,

1:15:57.080 --> 1:15:58.640
<v Speaker 2>first time I ever really had a budget to do

1:15:58.720 --> 1:16:02.000
<v Speaker 2>an album, so top of the line studio working and

1:16:02.520 --> 1:16:03.599
<v Speaker 2>have both rooms going.

1:16:03.680 --> 1:16:04.080
<v Speaker 8>And then.

1:16:05.479 --> 1:16:08.320
<v Speaker 2>I started seeing that it was I had a different

1:16:08.400 --> 1:16:10.439
<v Speaker 2>kind of music. One was a little harder edge, one

1:16:10.520 --> 1:16:12.960
<v Speaker 2>was more arm beat. So I started separating. I was like, oh,

1:16:12.960 --> 1:16:14.800
<v Speaker 2>I got another beach. I could do Venture after this,

1:16:14.960 --> 1:16:18.320
<v Speaker 2>you know, double back. And so I had this joint

1:16:18.360 --> 1:16:20.439
<v Speaker 2>that I wanted to open up the album with, which

1:16:20.600 --> 1:16:22.120
<v Speaker 2>was come Home. And I played it for him and

1:16:22.160 --> 1:16:24.200
<v Speaker 2>he loved it, and then he was he was like cool,

1:16:24.280 --> 1:16:26.160
<v Speaker 2>let me write to it. So that he was like,

1:16:26.960 --> 1:16:29.560
<v Speaker 2>let me write to and yeah Andre. So I was

1:16:29.600 --> 1:16:31.360
<v Speaker 2>like that, We're going to get out the room, you know,

1:16:31.960 --> 1:16:34.320
<v Speaker 2>uh Andre, everybody was there. So we got out the

1:16:34.400 --> 1:16:36.680
<v Speaker 2>room and he would be in there for hours and

1:16:36.920 --> 1:16:40.840
<v Speaker 2>is this sage burning? No sage this him in his book. Okay, okay,

1:16:40.920 --> 1:16:45.680
<v Speaker 2>no sage. He wanted to be saved. But okay, there

1:16:45.760 --> 1:16:48.519
<v Speaker 2>was sage burning for Leake. Let's take up the story.

1:16:48.760 --> 1:16:57.880
<v Speaker 2>Sage a little maybe outfit. I'm talking chickens the ship

1:16:58.640 --> 1:17:01.880
<v Speaker 2>and he gets to write and some ship. I said,

1:17:01.960 --> 1:17:06.000
<v Speaker 2>God damn. Andre. He said I'll be back. I said, huh,

1:17:07.080 --> 1:17:09.679
<v Speaker 2>I'll be back tomorrow. I think I'll be ready. I said, okay,

1:17:09.960 --> 1:17:14.880
<v Speaker 2>show you're right, thank you very much, thank you, thank you.

1:17:16.040 --> 1:17:18.280
<v Speaker 2>Next day we come in. He's right on time. Three

1:17:18.360 --> 1:17:22.439
<v Speaker 2>p m. Same beat, Andre, load up the beat, snee.

1:17:22.439 --> 1:17:25.839
<v Speaker 2>A little privacy goes in there. You know, sage is burning.

1:17:27.800 --> 1:17:33.280
<v Speaker 2>I'll say, the shaman's still there. The shaman's there before me.

1:17:33.520 --> 1:17:37.519
<v Speaker 2>It's a little funky, but I'm rocking with him. I

1:17:37.640 --> 1:17:41.400
<v Speaker 2>walk out. No, six hours later, you ready to do this.

1:17:41.479 --> 1:17:44.559
<v Speaker 2>I'm gonna come back tomorrow. Oh, I say, God damn.

1:17:45.479 --> 1:17:49.400
<v Speaker 2>That's how DMX just do people bad, all right? Third day,

1:17:49.800 --> 1:17:53.240
<v Speaker 2>come back trump. Third days is what they usually in

1:17:53.280 --> 1:17:56.320
<v Speaker 2>the business. We say third days the charm and you

1:17:56.360 --> 1:18:01.120
<v Speaker 2>can go, I'm gonna come back, I say, God damn.

1:18:01.120 --> 1:18:04.080
<v Speaker 2>All right. So I'm I'm fatigued. Now I'm thinking about

1:18:04.080 --> 1:18:06.680
<v Speaker 2>how much is the cost? Yeah, that's a lot. You

1:18:06.720 --> 1:18:08.920
<v Speaker 2>start to think about Bill. I gotta go, So I

1:18:08.960 --> 1:18:10.400
<v Speaker 2>got to hit the road. So I go on tour,

1:18:10.840 --> 1:18:14.240
<v Speaker 2>double back, go back on tour, do a few gays,

1:18:14.800 --> 1:18:17.479
<v Speaker 2>get on my feet. I hit Italy, were about to

1:18:17.479 --> 1:18:19.519
<v Speaker 2>play Italy. I get it. Look at my email, Andre

1:18:19.640 --> 1:18:23.160
<v Speaker 2>three thousand verse, boom, he send it. I send the email.

1:18:24.320 --> 1:18:26.519
<v Speaker 2>I could see the little audio. I'm like, and it's

1:18:26.560 --> 1:18:30.639
<v Speaker 2>an empty three or it's away. Okay, I'm afraid because

1:18:30.680 --> 1:18:32.800
<v Speaker 2>that would be I'd be like, damn, what I's gotta

1:18:32.840 --> 1:18:33.120
<v Speaker 2>be good?

1:18:33.160 --> 1:18:33.400
<v Speaker 3>If not.

1:18:35.080 --> 1:18:39.960
<v Speaker 2>Like, what if you don't like? Yeah? What if you

1:18:40.000 --> 1:18:40.320
<v Speaker 2>don't like?

1:18:40.439 --> 1:18:43.840
<v Speaker 3>And what do you like? The first?

1:18:45.400 --> 1:18:49.560
<v Speaker 2>Yeah, I was just taking right, I'm taking it. I'm like,

1:18:49.920 --> 1:18:52.160
<v Speaker 2>I'll take Osca. It's great. It's amazing.

1:18:52.160 --> 1:18:54.400
<v Speaker 9>What he really would have been like the Scooby Do

1:18:54.520 --> 1:19:09.320
<v Speaker 9>Boo Bries school coming three ready to blow, showing that

1:19:09.400 --> 1:19:09.960
<v Speaker 9>one to kill.

1:19:12.000 --> 1:19:15.439
<v Speaker 2>I would have been got crazy. Yeah, but he didn't

1:19:15.479 --> 1:19:19.760
<v Speaker 2>do that. He destroyed it. Yeah, he did a crazy verse.

1:19:19.880 --> 1:19:21.479
<v Speaker 2>And I listened to revery from my show, and we

1:19:21.640 --> 1:19:24.560
<v Speaker 2>we were the honest to God, I never told me

1:19:24.600 --> 1:19:27.600
<v Speaker 2>about this, but honestly, guy, we did. We were like,

1:19:27.920 --> 1:19:32.320
<v Speaker 2>first listen, like, all right, we're not back, like because

1:19:32.320 --> 1:19:34.200
<v Speaker 2>it was so intricing. It was crazy. If you listen

1:19:34.280 --> 1:19:36.519
<v Speaker 2>to his very spitting, it's like a love song. Then

1:19:36.520 --> 1:19:40.560
<v Speaker 2>he comes in, you know, and it was just like

1:19:40.680 --> 1:19:42.600
<v Speaker 2>when we first heard it, it blew our minds. That

1:19:42.800 --> 1:19:47.720
<v Speaker 2>was like, all right, one more time, like and it

1:19:47.800 --> 1:19:50.800
<v Speaker 2>took a while to like even just process it, and

1:19:53.000 --> 1:19:54.840
<v Speaker 2>but I had had the verse. I was like, wow,

1:19:55.080 --> 1:19:57.920
<v Speaker 2>we got the joint and I started, you know, yeah,

1:19:57.960 --> 1:20:01.040
<v Speaker 2>I started producing it took it's at the verse, and

1:20:01.120 --> 1:20:03.200
<v Speaker 2>we you know, we worked the production around it a

1:20:03.240 --> 1:20:06.600
<v Speaker 2>little more slightly, and then uh, it was time to go.

1:20:06.720 --> 1:20:09.559
<v Speaker 2>And then we loved it. Everybody loved it. And then

1:20:11.120 --> 1:20:14.439
<v Speaker 2>like right before it was about to drop, he was like,

1:20:14.640 --> 1:20:16.920
<v Speaker 2>I don't want to drop Andre hit me three K

1:20:17.160 --> 1:20:18.360
<v Speaker 2>and he was like, I don't want to drop it.

1:20:18.720 --> 1:20:21.200
<v Speaker 2>I was like, He's like, I think I'm not adding

1:20:21.240 --> 1:20:23.160
<v Speaker 2>to it. I'm not adding to the song. It doesn't

1:20:23.200 --> 1:20:26.160
<v Speaker 2>need me. I'm like, it's about to drop. Holy Ship,

1:20:26.800 --> 1:20:31.200
<v Speaker 2>it's too late. Yeah, sorry, can't help you, Mike. Yeah, no, no,

1:20:34.840 --> 1:20:37.240
<v Speaker 2>what he said he said added him to the song.

1:20:37.840 --> 1:20:39.280
<v Speaker 2>You know, he said he's not adding to it, like

1:20:39.280 --> 1:20:41.599
<v Speaker 2>he's not making it better. It was like, take me off.

1:20:41.600 --> 1:20:48.840
<v Speaker 2>I want to be off of it. Whow said yeah yeah.

1:20:48.920 --> 1:20:51.800
<v Speaker 2>So I was like, fuck, so I did the one

1:20:51.840 --> 1:20:53.800
<v Speaker 2>thing I get. I hate I hate the other Dre

1:20:53.960 --> 1:20:58.439
<v Speaker 2>doctor Dre. I was like, Dre, we we're gonna do this.

1:20:58.560 --> 1:21:01.200
<v Speaker 2>Sounds like it's something you need to bring up the

1:21:01.240 --> 1:21:09.160
<v Speaker 2>two dres dalk you man, you guys got something. You

1:21:09.200 --> 1:21:11.280
<v Speaker 2>guys have something in common. You guys need to mention

1:21:11.320 --> 1:21:18.320
<v Speaker 2>it after so they yeah, see Andrea and came in

1:21:18.439 --> 1:21:25.760
<v Speaker 2>here and how it went down, Little Nick, we we

1:21:29.000 --> 1:21:35.160
<v Speaker 2>stick on my name and then it came out. It talked,

1:21:35.200 --> 1:21:37.240
<v Speaker 2>they talked it over. You got a call and the

1:21:37.320 --> 1:21:39.519
<v Speaker 2>next thing that was out and in this history, it's

1:21:39.560 --> 1:21:41.960
<v Speaker 2>like we got then to take it all to the

1:21:42.000 --> 1:21:45.480
<v Speaker 2>next level. We get a Grammy for that song specifically,

1:21:50.880 --> 1:21:52.679
<v Speaker 2>and that's the Grammy I keep in my mom's house.

1:21:53.080 --> 1:21:56.280
<v Speaker 2>I love you Mom. Damn, are y'all getting robbed? Like

1:21:56.400 --> 1:22:03.080
<v Speaker 2>the do you guys share the location? They just they

1:22:03.240 --> 1:22:05.439
<v Speaker 2>just move in, All right, don't get me involved in

1:22:05.479 --> 1:22:09.360
<v Speaker 2>none of this ship. We haven't efficient Molly, where's my

1:22:10.360 --> 1:22:14.479
<v Speaker 2>other white girls. Yeah we're good, right, you see a

1:22:14.479 --> 1:22:18.200
<v Speaker 2>few white people here. Still we good get some coffee out.

1:22:20.160 --> 1:22:23.679
<v Speaker 2>Oh man, it's a good thing that dread the line. Yes, yeah,

1:22:23.800 --> 1:22:27.439
<v Speaker 2>that's amazing man. Yeah I got the Grammy. God blessed

1:22:27.479 --> 1:22:29.760
<v Speaker 2>everyone involved, and that was such a great thing to

1:22:29.840 --> 1:22:31.320
<v Speaker 2>be able to not only have the verse with the

1:22:31.400 --> 1:22:36.639
<v Speaker 2>Grammy real song. Did you speak to Yeah yeah afterwards? Yeah, man,

1:22:36.880 --> 1:22:40.200
<v Speaker 2>just so humble, just like he just was just like wow,

1:22:40.320 --> 1:22:41.680
<v Speaker 2>you know, we both for like a whole you know,

1:22:41.880 --> 1:22:44.680
<v Speaker 2>y'all never like went back on the story. Remember how

1:22:44.760 --> 1:22:46.479
<v Speaker 2>this wind? Then, No, he's gonna hit you if you're

1:22:46.479 --> 1:22:49.679
<v Speaker 2>talking texting me now after he watches this little nigga,

1:22:49.680 --> 1:22:55.280
<v Speaker 2>I hang, Howard Wind, I don't even know you talk

1:22:55.439 --> 1:22:59.040
<v Speaker 2>like that. You're gonna get voicemen of just flups. It's

1:22:59.080 --> 1:22:59.840
<v Speaker 2>gonna be a little eary.

1:23:00.120 --> 1:23:00.640
<v Speaker 3>We we we.

1:23:05.800 --> 1:23:08.519
<v Speaker 10>How much of Andre Fan we're gonna be at nobu.

1:23:08.920 --> 1:23:11.840
<v Speaker 10>The flu album is hard to me, I mean ibout

1:23:15.040 --> 1:23:20.280
<v Speaker 10>hard to it Like that to me is what's doing

1:23:20.360 --> 1:23:23.200
<v Speaker 10>Like he's like, give everybody a chance.

1:23:24.880 --> 1:23:27.000
<v Speaker 1>I gotta give everybody a chance when somebody's trying to

1:23:27.000 --> 1:23:29.400
<v Speaker 1>break them all right, I can't sit back and be like,

1:23:29.760 --> 1:23:30.479
<v Speaker 1>I'm judged them.

1:23:30.960 --> 1:23:34.760
<v Speaker 2>Okay, yeah, it's all right, you can't judge it, and

1:23:35.040 --> 1:23:37.040
<v Speaker 2>especially that kind of stuff where you could be obviously

1:23:37.120 --> 1:23:39.200
<v Speaker 2>doing one thing you completely just be like, nah, we're

1:23:39.200 --> 1:23:41.400
<v Speaker 2>gonna take it here. That's the most pump.

1:23:41.840 --> 1:23:41.880
<v Speaker 3>No.

1:23:42.080 --> 1:23:44.760
<v Speaker 2>Yeah, he also rock and roll ship you could do,

1:23:44.880 --> 1:23:47.639
<v Speaker 2>you know, and be playing and like in the middle,

1:23:47.880 --> 1:23:49.759
<v Speaker 2>like you could catch him anywhere, like that's crazy.

1:23:49.840 --> 1:23:52.240
<v Speaker 1>So he'd be at a gas station playing or whatever.

1:23:52.640 --> 1:23:56.400
<v Speaker 1>The only thing I'm concerned with right now. You got

1:23:56.600 --> 1:24:00.760
<v Speaker 1>a hit record. Cool smoking out the window and you

1:24:00.840 --> 1:24:01.960
<v Speaker 1>did smoke no endo?

1:24:02.160 --> 1:24:09.360
<v Speaker 2>Okay, can I get you out? Tell him out? Can

1:24:09.439 --> 1:24:11.880
<v Speaker 2>I get a crush? Can I get the tobacco I

1:24:12.000 --> 1:24:14.640
<v Speaker 2>asked for you? Like, what are we talking about? You

1:24:14.800 --> 1:24:22.439
<v Speaker 2>smoked European? You're a rockstar business I still waiting on

1:24:22.520 --> 1:24:23.240
<v Speaker 2>the credit joints.

1:24:24.640 --> 1:24:28.920
<v Speaker 1>Rockstar that remember, somebody rolled tobacco him. He got the

1:24:29.000 --> 1:24:33.040
<v Speaker 1>worst tobacco ever him and jajahel the best sunny d

1:24:33.200 --> 1:24:33.479
<v Speaker 1>B T.

1:24:33.840 --> 1:24:36.200
<v Speaker 2>You don't. But he got a cigarette American spirit. Him

1:24:36.240 --> 1:24:39.720
<v Speaker 2>and Da got a newport in this month. You want

1:24:39.760 --> 1:24:46.000
<v Speaker 2>his tobacco that's American? Yes, thank you? Don't give them

1:24:46.040 --> 1:24:48.479
<v Speaker 2>no more money? Though, come on, let's edit this out.

1:24:49.000 --> 1:24:51.760
<v Speaker 1>Let's let's talk about smoking out the window, because there's

1:24:51.800 --> 1:24:56.360
<v Speaker 1>a part where you say about to show you okay,

1:24:56.400 --> 1:24:59.400
<v Speaker 1>all right, cool, this is that European Let's let's show him.

1:25:00.040 --> 1:25:01.679
<v Speaker 2>This is how they cut off the cruise.

1:25:01.760 --> 1:25:01.840
<v Speaker 6>Bro.

1:25:02.360 --> 1:25:07.120
<v Speaker 2>Yeah, that's that cruise shiprul ship split. Well, who said it?

1:25:07.200 --> 1:25:16.120
<v Speaker 2>That's right? Huh yeah, huh spliff, okay, stuffing slid. Yeah,

1:25:16.160 --> 1:25:21.400
<v Speaker 2>we all know. Give it up for that. I want

1:25:21.920 --> 1:25:26.519
<v Speaker 2>I want to are you smoking that my love the name.

1:25:26.640 --> 1:25:31.240
<v Speaker 1>Smoking blood Yeah yeahs oldchoo California ship to smoking a

1:25:31.280 --> 1:25:33.639
<v Speaker 1>Philly Philly Blood California.

1:25:36.520 --> 1:25:37.840
<v Speaker 2>Yeah yeah, yeah yeah you can't.

1:25:38.200 --> 1:25:41.040
<v Speaker 7>I am not elevating my some some might up side.

1:25:44.800 --> 1:25:54.479
<v Speaker 7>I mean, hindu, I was thinking about, Yeah, you got

1:25:54.560 --> 1:25:59.960
<v Speaker 7>signed on them. What we need definitely don't need the press.

1:26:00.120 --> 1:26:04.519
<v Speaker 7>Niggas listen killing yes, especially on the drums or you.

1:26:05.040 --> 1:26:07.240
<v Speaker 2>None of them niggas is playing doing that kind of ship.

1:26:07.320 --> 1:26:11.559
<v Speaker 2>You ain't rolling a long time, nobody. I gotta tell

1:26:15.960 --> 1:26:19.120
<v Speaker 2>let me roll. Bro. You know you're talking about your

1:26:19.240 --> 1:26:28.240
<v Speaker 2>nineties niggas. Bro, Bro, you ain't been the PJ is

1:26:28.320 --> 1:26:32.880
<v Speaker 2>in saying all right, you're good. I'm getting used to

1:26:32.920 --> 1:26:40.639
<v Speaker 2>the captain. Pressure, gotta make crach.

1:26:40.720 --> 1:26:42.479
<v Speaker 1>But you've been rolling for two hours. So me and

1:26:42.560 --> 1:26:45.400
<v Speaker 1>E f N is from the beginning the way I'll

1:26:45.439 --> 1:26:45.720
<v Speaker 1>tell you this.

1:26:46.160 --> 1:26:49.599
<v Speaker 2>Did I tell you? Did I tell you? I did?

1:26:49.680 --> 1:26:52.960
<v Speaker 1>I bet against him? But you know we haven't got

1:26:53.040 --> 1:26:54.680
<v Speaker 1>it really bet we didn't really better? No, no, no,

1:26:54.920 --> 1:26:58.720
<v Speaker 1>we have two things right, right? We always from who?

1:26:58.880 --> 1:26:59.960
<v Speaker 1>From from what you dream?

1:27:00.200 --> 1:27:00.320
<v Speaker 3>Right?

1:27:00.400 --> 1:27:01.960
<v Speaker 1>We always judge the artist and was like, yo, what

1:27:02.400 --> 1:27:04.160
<v Speaker 1>you didn't really drink it? And if they're gonna really

1:27:04.240 --> 1:27:06.160
<v Speaker 1>drink it, that's one because they order it and they

1:27:06.160 --> 1:27:06.760
<v Speaker 1>don't doak ship.

1:27:07.120 --> 1:27:10.920
<v Speaker 2>But got a son, I said. I said, he's coming late,

1:27:11.680 --> 1:27:15.679
<v Speaker 2>and what I do? You can't early fifteen minutes?

1:27:15.800 --> 1:27:23.320
<v Speaker 1>Yeah, let's make some And I got your phone number.

1:27:23.360 --> 1:27:25.000
<v Speaker 1>Me and you're okay, we speak to each other.

1:27:25.320 --> 1:27:27.479
<v Speaker 2>And I bet against you, bro, that's one of my

1:27:27.600 --> 1:27:39.080
<v Speaker 2>phone numbers. Okay, shut me down. Ain't about get there now.

1:27:39.120 --> 1:27:41.000
<v Speaker 2>He's cool with the road when you get there now

1:27:41.400 --> 1:27:46.360
<v Speaker 2>that Bruce Lee wiship. I'm taking a shot for that man,

1:27:46.400 --> 1:27:49.040
<v Speaker 2>see me. I like to be fashionally late. Yeah, nah,

1:27:49.880 --> 1:27:53.519
<v Speaker 2>especially early. Yo. I was very impressed. Yes, I was

1:27:53.600 --> 1:28:00.720
<v Speaker 2>very impressed. All right, Okay, we're taking a shot to look. Oh, yes,

1:28:02.520 --> 1:28:07.400
<v Speaker 2>you don't know, I mean yeah, yeah, I like, come on,

1:28:08.080 --> 1:28:10.120
<v Speaker 2>that's the second drink you took my sockey. Come on,

1:28:11.400 --> 1:28:17.200
<v Speaker 2>all right, let's go. Let's do you ever want to

1:28:17.240 --> 1:28:20.599
<v Speaker 2>write my mahuana? Please? Please? It is rum based. I'll

1:28:20.680 --> 1:28:22.760
<v Speaker 2>right give him a shot here, put it in one

1:28:22.840 --> 1:28:24.280
<v Speaker 2>of these. I'm not gonna lie.

1:28:26.880 --> 1:28:27.080
<v Speaker 3>Down.

1:28:28.000 --> 1:28:29.320
<v Speaker 2>I know he's gonna start turning off.

1:28:30.200 --> 1:28:32.920
<v Speaker 1>You're not gonna be putting other ship in my only

1:28:33.000 --> 1:28:34.360
<v Speaker 1>sockey cars.

1:28:34.800 --> 1:28:39.040
<v Speaker 2>Yeah, yeah, only socking goes, my sockey comes. Okay, what torch?

1:28:39.920 --> 1:28:45.320
<v Speaker 2>So give him a shutout? Just some smore about WinCE

1:28:46.520 --> 1:28:52.280
<v Speaker 2>I spoke about, yes, yes, absolutely, come on, yeah yeah

1:28:52.840 --> 1:28:54.360
<v Speaker 2>your little nap, Yeah.

1:28:56.160 --> 1:29:01.160
<v Speaker 1>We spoke about it. Yeah, okay, okay, let's talk about

1:29:01.240 --> 1:29:06.719
<v Speaker 1>leave the door open now, okay, here you go ahead.

1:29:08.040 --> 1:29:11.640
<v Speaker 1>I got a whole roller, so let's talk about that.

1:29:11.680 --> 1:29:25.920
<v Speaker 2>How did him but we got there? There there? Come on,

1:29:26.800 --> 1:29:30.320
<v Speaker 2>appreciate you too, they come, he got you. You need

1:29:30.360 --> 1:29:38.519
<v Speaker 2>another one man, right, hippie mood hippy look at yeah,

1:29:40.120 --> 1:29:46.720
<v Speaker 2>hell yeah you're hippy. That's right. So one of us.

1:29:47.240 --> 1:29:53.360
<v Speaker 2>They're not like us. So leave the door open. How

1:29:53.400 --> 1:29:58.760
<v Speaker 2>did that get get created? So the door Opened was

1:29:58.840 --> 1:30:05.320
<v Speaker 2>during COVID and yeah, can you hear me my number

1:30:05.400 --> 1:30:09.360
<v Speaker 2>one world hit song lead to draw Open. We make

1:30:09.400 --> 1:30:13.920
<v Speaker 2>some noise that mom, Bro, that's the first. That's my

1:30:14.040 --> 1:30:16.160
<v Speaker 2>first number one hit. And I went number one twice

1:30:16.200 --> 1:30:18.920
<v Speaker 2>and that's it. I mean like I got one and

1:30:19.840 --> 1:30:23.360
<v Speaker 2>I'm telling you you know it's I've been done records underground,

1:30:23.520 --> 1:30:25.439
<v Speaker 2>you know, semi records. It's that way if you ever

1:30:25.520 --> 1:30:27.720
<v Speaker 2>had a hit record. Man, everybody knows the ain't no

1:30:27.800 --> 1:30:29.880
<v Speaker 2>feeling like having a current hit record. When that ship

1:30:30.000 --> 1:30:32.200
<v Speaker 2>is playing and it says it all the time, he

1:30:32.280 --> 1:30:36.040
<v Speaker 2>says it all the time, Oh please, please please, Yes,

1:30:36.280 --> 1:30:38.200
<v Speaker 2>it is the greatest feeling. And then when you did

1:30:38.240 --> 1:30:41.720
<v Speaker 2>it with no comfort, like it's real like instrument. No,

1:30:41.800 --> 1:30:43.400
<v Speaker 2>you didn't have to you know, it ain't something I

1:30:43.520 --> 1:30:46.880
<v Speaker 2>gotta be like he was enforcing, like I can't keep

1:30:46.960 --> 1:30:49.120
<v Speaker 2>this up or something, you know, and and it looked

1:30:49.160 --> 1:30:51.479
<v Speaker 2>good and you got to do it, and everywhere you

1:30:51.640 --> 1:30:55.760
<v Speaker 2>go like you know, all I'm talking old, ask motherfuckers

1:30:55.800 --> 1:30:57.800
<v Speaker 2>it's to young, like you know, it's like one of

1:30:57.840 --> 1:31:01.759
<v Speaker 2>those records. It's like, yeah, like that's what it is about.

1:31:01.920 --> 1:31:04.200
<v Speaker 2>And that's how you know. Bruno was like, this is

1:31:04.240 --> 1:31:06.959
<v Speaker 2>the songs. These are this type of music that's superstar

1:31:07.080 --> 1:31:09.760
<v Speaker 2>sing That's what that's That's how he went into we

1:31:09.880 --> 1:31:11.840
<v Speaker 2>went into making and like when he said we're gonna

1:31:11.840 --> 1:31:14.559
<v Speaker 2>make album because that this leaders draw up and came later.

1:31:14.640 --> 1:31:17.200
<v Speaker 2>But he was like, it's music that superstar saying We're

1:31:17.240 --> 1:31:19.639
<v Speaker 2>gonna go in here and make some ship. Nobody's doing

1:31:19.640 --> 1:31:21.320
<v Speaker 2>this sh it. No more like us like that can

1:31:21.400 --> 1:31:22.800
<v Speaker 2>do it, you know, and pull it off like that.

1:31:23.000 --> 1:31:27.040
<v Speaker 2>And I was like, let's go, bro. He was. I

1:31:27.280 --> 1:31:30.000
<v Speaker 2>was like, you like big rock star ship, yeah, you know,

1:31:30.439 --> 1:31:31.640
<v Speaker 2>and he was like, I don't know how to do

1:31:31.680 --> 1:31:33.800
<v Speaker 2>it one way. It was like and remind me of

1:31:33.960 --> 1:31:36.320
<v Speaker 2>like at the same time I was I was watching like, uh,

1:31:36.920 --> 1:31:39.640
<v Speaker 2>Last Dance, you know, the Michael Jordan ship, and I

1:31:39.760 --> 1:31:42.360
<v Speaker 2>was like, oh yeah, he's like Michael and I was like,

1:31:42.439 --> 1:31:46.519
<v Speaker 2>I ain't gonna be pipping now. This is the Netflix ship.

1:31:46.760 --> 1:31:51.639
<v Speaker 2>Yeah in COVID. Yeah that'ship covid. But I'm robbin. You're

1:31:51.640 --> 1:31:53.960
<v Speaker 2>gonna have to wake me up and be hungover some days.

1:31:54.760 --> 1:31:58.200
<v Speaker 2>I'm in Miami now yeah yeah yeah, but you still

1:31:58.320 --> 1:32:00.360
<v Speaker 2>you know, you know, you needed that are making came

1:32:00.479 --> 1:32:02.360
<v Speaker 2>and did it kind of got you know, it was

1:32:02.720 --> 1:32:05.920
<v Speaker 2>still I don't know what worked and so and he had,

1:32:06.160 --> 1:32:09.040
<v Speaker 2>you know, same Bruno same. We had an incredible team

1:32:09.439 --> 1:32:12.559
<v Speaker 2>for these records that we put together. Shout out to Chucky,

1:32:12.640 --> 1:32:16.080
<v Speaker 2>his engineer, who was getting all the real seventy sounds,

1:32:16.160 --> 1:32:19.840
<v Speaker 2>all the mics, all the real drum heads, all the shit.

1:32:20.080 --> 1:32:23.160
<v Speaker 2>Like it's from the rude to the tutor, Like these

1:32:23.200 --> 1:32:26.439
<v Speaker 2>records were built from real musicians that love the art.

1:32:26.560 --> 1:32:29.880
<v Speaker 2>That like, we're getting every detail so that we could

1:32:29.960 --> 1:32:35.040
<v Speaker 2>make something current that had you know, that had to feel,

1:32:35.160 --> 1:32:37.519
<v Speaker 2>but we could take it somewhere too. But how did

1:32:37.560 --> 1:32:39.519
<v Speaker 2>they do it? What was they really doing these things on?

1:32:39.640 --> 1:32:39.800
<v Speaker 3>You know?

1:32:40.040 --> 1:32:42.000
<v Speaker 2>That was the part that went into it, and the

1:32:42.479 --> 1:32:44.599
<v Speaker 2>troubleshooting that went into it, and that was the beauty.

1:32:45.120 --> 1:32:47.320
<v Speaker 2>Like how many different versions we did of the bridge

1:32:47.960 --> 1:32:52.000
<v Speaker 2>and trying to get their drum sound and the mix

1:32:53.320 --> 1:32:57.479
<v Speaker 2>We did so many fucking mixes where one day we

1:32:57.720 --> 1:33:01.439
<v Speaker 2>just boycotted against Bruno, like we don't have to do this,

1:33:01.880 --> 1:33:06.840
<v Speaker 2>said he was like, but even more like dude, one song, bro,

1:33:07.160 --> 1:33:11.560
<v Speaker 2>even dre will bounce around when he might bust the

1:33:11.720 --> 1:33:13.120
<v Speaker 2>bust the rhyme is gonna at least come in and

1:33:13.160 --> 1:33:15.479
<v Speaker 2>they're gonna do four or five tracks. You know, the

1:33:15.640 --> 1:33:17.519
<v Speaker 2>game might show up, they're gonna do ship like you know,

1:33:17.600 --> 1:33:20.040
<v Speaker 2>he's gonna do what you saying. One one is because

1:33:23.600 --> 1:33:28.000
<v Speaker 2>month for months, that was crazy months. And then we

1:33:28.120 --> 1:33:30.600
<v Speaker 2>go maybe we go to chap into something else, and

1:33:30.600 --> 1:33:32.320
<v Speaker 2>then you can't sleep when we're still working on and

1:33:32.360 --> 1:33:35.080
<v Speaker 2>then leave the door trying to get one part of it,

1:33:35.280 --> 1:33:37.280
<v Speaker 2>like the bridge or maybe we think we have it,

1:33:37.360 --> 1:33:39.439
<v Speaker 2>but then like we mix it and it's like, why

1:33:39.479 --> 1:33:41.240
<v Speaker 2>does it sound like that? And it's like, okay, we

1:33:41.320 --> 1:33:44.400
<v Speaker 2>need to replay the drum again. Like now every when

1:33:44.439 --> 1:33:46.600
<v Speaker 2>we mix it. We didn't have nothing to hide behind it.

1:33:46.640 --> 1:33:48.600
<v Speaker 2>It's not like a bunch of processing or anything on

1:33:48.680 --> 1:33:51.280
<v Speaker 2>the album. It's just we're just playing on it. Were

1:33:51.280 --> 1:33:53.120
<v Speaker 2>playing the drum. Yeah, So when we mix it, we

1:33:53.200 --> 1:33:55.320
<v Speaker 2>got to mix it loud, so all the we got

1:33:55.400 --> 1:33:57.360
<v Speaker 2>to make sure it's loud. Now you can hear everything.

1:33:57.439 --> 1:34:00.240
<v Speaker 2>So now it's like it hurts, you know, And why

1:34:00.240 --> 1:34:03.320
<v Speaker 2>does it hurt? Because you guys need to remc replay,

1:34:03.560 --> 1:34:06.160
<v Speaker 2>don't play so loud, maybe do something different, you know.

1:34:06.640 --> 1:34:09.680
<v Speaker 2>And so we played with that so many times and

1:34:09.760 --> 1:34:11.560
<v Speaker 2>then sometimes we would start playing with that when we

1:34:11.600 --> 1:34:14.080
<v Speaker 2>remake the Whole Bridge again and all this stuff, and

1:34:14.120 --> 1:34:15.800
<v Speaker 2>then it's just like, oh my god, everyone's about to

1:34:15.840 --> 1:34:16.519
<v Speaker 2>lose their mind.

1:34:16.600 --> 1:34:16.760
<v Speaker 3>You know.

1:34:17.320 --> 1:34:24.360
<v Speaker 2>Meanwhile, Niggas is dropping every week, like hey, something just

1:34:24.439 --> 1:34:26.800
<v Speaker 2>drop going by, you know, like damn, what should be

1:34:26.920 --> 1:34:30.200
<v Speaker 2>out right now, you know, like hold on, just trying

1:34:30.200 --> 1:34:32.080
<v Speaker 2>to get this breege right. Yeah, so I was like

1:34:32.200 --> 1:34:34.880
<v Speaker 2>ship and then when it was right boom, it was

1:34:34.960 --> 1:34:39.439
<v Speaker 2>on Gucci suits, Grammys, everything red carpet. You show up

1:34:39.439 --> 1:34:42.320
<v Speaker 2>with Bruno is red and all says. At that point, yeah,

1:34:43.040 --> 1:34:44.240
<v Speaker 2>he was like, I'm gonna sure, I'm gonna show you

1:34:44.240 --> 1:34:46.320
<v Speaker 2>how to do this shit like this all. You know,

1:34:46.439 --> 1:34:49.439
<v Speaker 2>he got joy out of like having someone that he

1:34:49.479 --> 1:34:52.360
<v Speaker 2>could do it with, a partner that was he respected

1:34:52.439 --> 1:34:54.720
<v Speaker 2>just as much, and that they was making new music with,

1:34:54.880 --> 1:34:56.800
<v Speaker 2>and that we could have fun. If you see all

1:34:56.840 --> 1:34:59.639
<v Speaker 2>the stuff that we did, we're having the time interview,

1:35:00.040 --> 1:35:03.080
<v Speaker 2>I started wearing a wig, bob wig. I should have

1:35:03.080 --> 1:35:06.559
<v Speaker 2>brought them motherfucker to night, but the humidity they would

1:35:06.560 --> 1:35:10.320
<v Speaker 2>have sucked up the wig too. But it was the

1:35:10.400 --> 1:35:12.040
<v Speaker 2>time of our lives and we were just having fun.

1:35:12.280 --> 1:35:20.920
<v Speaker 2>Drinking rum was drinking that rum too? Is this it's

1:35:21.040 --> 1:35:25.439
<v Speaker 2>made a clean See, I can see that's money. Let's

1:35:25.520 --> 1:35:28.040
<v Speaker 2>go trip the still. You can make it. Do a

1:35:28.080 --> 1:35:33.760
<v Speaker 2>spell with this ship. Mm hmm. I mean you got

1:35:33.840 --> 1:35:39.840
<v Speaker 2>something in comment. I want gay between and a halfs.

1:35:41.040 --> 1:35:43.559
<v Speaker 1>The mean you got something else in common. I heard

1:35:43.640 --> 1:35:46.400
<v Speaker 1>you don't fuck with edibles. I took some before I

1:35:46.479 --> 1:35:48.000
<v Speaker 1>did this, for better worse.

1:35:48.200 --> 1:35:48.519
<v Speaker 3>I did.

1:35:49.240 --> 1:35:50.800
<v Speaker 2>Really, I took one and I was like, it's not

1:35:50.960 --> 1:35:55.040
<v Speaker 2>really working. Let me take three more. Oh, because I

1:35:55.120 --> 1:35:55.960
<v Speaker 2>heard the story.

1:35:55.680 --> 1:35:58.000
<v Speaker 1>Of you on the on the first class airplane while

1:35:58.160 --> 1:36:01.400
<v Speaker 1>I thought I was gonna die, and you did it

1:36:01.720 --> 1:36:02.400
<v Speaker 1>again today.

1:36:03.120 --> 1:36:06.560
<v Speaker 2>Let's smoke some more. No wonder it took you so

1:36:06.720 --> 1:36:11.240
<v Speaker 2>long to get that ship. You need a little taste

1:36:11.280 --> 1:36:14.880
<v Speaker 2>of that. So I thought you sworn off edibles. I did,

1:36:14.920 --> 1:36:16.200
<v Speaker 2>but I was like, you know what, let me just

1:36:16.280 --> 1:36:18.600
<v Speaker 2>go here, and this seems like a great format to

1:36:18.680 --> 1:36:26.000
<v Speaker 2>do it. Edible, take care of me.

1:36:26.960 --> 1:36:33.080
<v Speaker 6>Trus trust yes, trust yes. We all like having grammys, right,

1:36:33.560 --> 1:36:38.719
<v Speaker 6>yes you can have. If this interview is looking good, He's.

1:36:38.560 --> 1:36:44.640
<v Speaker 1>Like he's going to send you one a right, you

1:36:44.760 --> 1:36:48.000
<v Speaker 1>gotta asking me and all the question you have the

1:36:48.080 --> 1:36:50.520
<v Speaker 1>hottest chicken in the game, wearing.

1:36:50.320 --> 1:36:59.920
<v Speaker 2>Your chill swear you shade real stop.

1:37:00.320 --> 1:37:02.160
<v Speaker 1>No, I mean you know what I'm saying, Like, that's

1:37:02.280 --> 1:37:04.200
<v Speaker 1>that's that's the thing, Like you know what I mean,

1:37:04.880 --> 1:37:05.840
<v Speaker 1>you know, you know, you.

1:37:05.840 --> 1:37:11.080
<v Speaker 2>Know just how married like a motherfucker. I just don't

1:37:11.120 --> 1:37:11.960
<v Speaker 2>have to get that wide.

1:37:12.439 --> 1:37:17.840
<v Speaker 1>No, I understanding that that's what you like. I'm gonna

1:37:17.880 --> 1:37:20.280
<v Speaker 1>lie because everybody was like, whoa.

1:37:21.880 --> 1:37:29.000
<v Speaker 2>Lime is now up greted, Like I don't want to.

1:37:28.960 --> 1:37:30.400
<v Speaker 1>Say it like that, but I want to saying that

1:37:30.880 --> 1:37:33.640
<v Speaker 1>you know you like you look like you wan a

1:37:33.680 --> 1:37:35.400
<v Speaker 1>different you, like you joined Illuminati.

1:37:36.439 --> 1:37:41.800
<v Speaker 2>Man, I'm sorry. I had a vision of love. You

1:37:41.880 --> 1:37:47.439
<v Speaker 2>had a vision it was more yes. And my vision

1:37:47.760 --> 1:37:49.280
<v Speaker 2>was to work with the greatest and I got to

1:37:49.360 --> 1:37:51.360
<v Speaker 2>work with ran Carry and I never was like it

1:37:51.439 --> 1:37:53.719
<v Speaker 2>just keeps getting better and better. I have to admit

1:37:53.920 --> 1:38:06.599
<v Speaker 2>it's getting better. That's say you work with great people,

1:38:07.080 --> 1:38:09.600
<v Speaker 2>take it serious, and then you're getting inspired by and

1:38:10.280 --> 1:38:14.360
<v Speaker 2>the new album is amazing and working. You know. It's

1:38:15.600 --> 1:38:17.840
<v Speaker 2>We're so happy for you, thank you man. We are

1:38:17.920 --> 1:38:19.640
<v Speaker 2>happy for you. Man. I'm happy for you guys. I

1:38:19.680 --> 1:38:21.040
<v Speaker 2>can't wait for you all to hear this. You can't

1:38:21.040 --> 1:38:24.880
<v Speaker 2>flip it on us. Right now, just like this is

1:38:25.120 --> 1:38:28.120
<v Speaker 2>this is your moment. Yeah, I know.

1:38:30.760 --> 1:38:33.840
<v Speaker 1>With second hand feelings. What's that like second hand smoke?

1:38:34.160 --> 1:38:37.639
<v Speaker 1>Like yeah, but get you like, that's that's real. Ship

1:38:37.760 --> 1:38:40.880
<v Speaker 1>man like sometimes you got to go up to go up,

1:38:44.720 --> 1:38:46.720
<v Speaker 1>you go off to go off.

1:38:46.920 --> 1:38:50.040
<v Speaker 2>Man, Hey man, you went up. As artists, we got

1:38:50.080 --> 1:38:53.040
<v Speaker 2>a special type of that's right, you went out.

1:38:53.960 --> 1:38:58.040
<v Speaker 1>You went to the opposite gab of go congratulations, enjoy

1:38:58.160 --> 1:38:58.639
<v Speaker 1>the moment.

1:38:58.760 --> 1:39:13.800
<v Speaker 2>It's a beautiful things. I like that stuff which you drink.

1:39:15.439 --> 1:39:24.720
<v Speaker 2>Our company is called Wana King. Yeah. I forgot the

1:39:25.200 --> 1:39:32.880
<v Speaker 2>uh obviously want the company. Yeah, and the dreaming we'll

1:39:32.920 --> 1:39:36.200
<v Speaker 2>be in uh, we're hitting the market soon. So we're

1:39:36.200 --> 1:39:38.640
<v Speaker 2>bouncing around right now. We're bouncing around. Let's describe it

1:39:39.400 --> 1:39:45.800
<v Speaker 2>right now. It's so random. I got shout out to Japan.

1:39:45.920 --> 1:39:48.720
<v Speaker 2>They got the most random hip hop stores, super bout Legs,

1:39:48.880 --> 1:39:54.280
<v Speaker 2>super boot leg. Yeah, it's the most obscure like like

1:39:54.960 --> 1:39:57.479
<v Speaker 2>collection of records. But it looks like it's like Japanese

1:39:57.520 --> 1:39:59.920
<v Speaker 2>import records. I love it. I was like, this is

1:40:00.120 --> 1:40:04.280
<v Speaker 2>right for this perfect framed up right. It's great for

1:40:04.400 --> 1:40:06.640
<v Speaker 2>the show. The monitors. Yeah, but I can tell like

1:40:06.960 --> 1:40:07.439
<v Speaker 2>a lot.

1:40:07.360 --> 1:40:08.800
<v Speaker 1>Of these artists are going to hit me and be

1:40:08.880 --> 1:40:10.720
<v Speaker 1>like I didn't get paid, but none of that, And

1:40:10.800 --> 1:40:11.400
<v Speaker 1>that's what I'm saying.

1:40:11.760 --> 1:40:14.000
<v Speaker 2>So I like to keep a little collateral. So you're

1:40:14.000 --> 1:40:16.760
<v Speaker 2>really gonna put this out. I got them written, so

1:40:16.880 --> 1:40:19.800
<v Speaker 2>let's make sure the edit is good. We can actually

1:40:19.880 --> 1:40:25.760
<v Speaker 2>have a good time. Nice. We're gonna is so much

1:40:26.360 --> 1:40:33.840
<v Speaker 2>you think you would somewhere. I want this to come out.

1:40:34.560 --> 1:40:35.960
<v Speaker 2>It's coming out coming out.

1:40:36.479 --> 1:40:36.639
<v Speaker 3>Nice.

1:40:36.800 --> 1:40:40.560
<v Speaker 4>You know we're dropping it tomorrow, right, We'll see what

1:40:42.520 --> 1:40:43.840
<v Speaker 4>you find says about that.

1:40:47.680 --> 1:40:53.599
<v Speaker 2>Gonna be negotiate with. She's gonna get to ring it off.

1:40:54.520 --> 1:40:55.960
<v Speaker 2>By the way, I don't know who got my light.

1:40:56.920 --> 1:41:03.719
<v Speaker 2>That's me. Oh my god, let's talk about animals. Wanna

1:41:03.720 --> 1:41:10.320
<v Speaker 2>comp down album mm DJ premiere and doctor Drew else

1:41:10.400 --> 1:41:11.080
<v Speaker 2>could do it to you?

1:41:11.200 --> 1:41:14.280
<v Speaker 1>How do you get to work with dut God? This

1:41:14.479 --> 1:41:17.519
<v Speaker 1>is told awesome, Lena, be quiet, it's all charmed life,

1:41:17.640 --> 1:41:19.760
<v Speaker 1>Like I don't know, God is so good man.

1:41:19.920 --> 1:41:22.639
<v Speaker 2>Like I'm just in there maneuvering and just like these

1:41:22.680 --> 1:41:25.280
<v Speaker 2>things happen, bro, like I trip out on myself, like

1:41:26.439 --> 1:41:28.680
<v Speaker 2>and that was happening again early on when I was

1:41:28.760 --> 1:41:31.519
<v Speaker 2>just going in there fucking with Dre, just being there

1:41:31.760 --> 1:41:34.160
<v Speaker 2>every night. I wasn't worried about if I got on

1:41:34.240 --> 1:41:35.560
<v Speaker 2>the mic, if I didn't get on the mic. I

1:41:35.680 --> 1:41:37.400
<v Speaker 2>was just in the studio. I didn't care, like I

1:41:37.520 --> 1:41:41.600
<v Speaker 2>was a studio rat. And then whenever I could, what's up.

1:41:41.640 --> 1:41:43.360
<v Speaker 2>We're working on this so and so I was gonna

1:41:43.439 --> 1:41:46.240
<v Speaker 2>sing it. Okay, we're writing like everyone's writing like it's crazy,

1:41:46.360 --> 1:41:50.479
<v Speaker 2>like crazy because new artists are coming up. It's a

1:41:50.520 --> 1:41:53.040
<v Speaker 2>great energy in there and it's all Dre. Everyone's like,

1:41:53.640 --> 1:41:55.679
<v Speaker 2>you know Dre. You want to give the best performance,

1:41:55.720 --> 1:42:00.040
<v Speaker 2>the best everything. So I was already working with I

1:42:00.160 --> 1:42:02.759
<v Speaker 2>got a thing where I worked with Premiere in Europe

1:42:02.920 --> 1:42:08.400
<v Speaker 2>again through knowledge where far as a compident, yes, really

1:42:08.400 --> 1:42:10.559
<v Speaker 2>we got to think in Germany with boiler Room, where

1:42:10.600 --> 1:42:12.759
<v Speaker 2>we did this thing and I'm starting not Germany, Russia.

1:42:13.240 --> 1:42:15.200
<v Speaker 2>We went to Russia with boiler Room. And one of

1:42:15.240 --> 1:42:17.400
<v Speaker 2>the things is that I worked with Premiere like it

1:42:17.479 --> 1:42:19.000
<v Speaker 2>was a part of the thing because Premiere was on

1:42:19.080 --> 1:42:20.559
<v Speaker 2>the gig, and that we did our first song there

1:42:20.640 --> 1:42:23.120
<v Speaker 2>with this other kid from Russia. And that's where we

1:42:23.479 --> 1:42:26.040
<v Speaker 2>our relationship started and we started building. And then when

1:42:26.080 --> 1:42:27.600
<v Speaker 2>I started working Dre, it was like you're working with

1:42:27.680 --> 1:42:29.760
<v Speaker 2>Dre Bremia, so I hit him up and he came through.

1:42:30.360 --> 1:42:32.880
<v Speaker 2>They go way back. They started geeking out. I'm hearing

1:42:32.920 --> 1:42:35.360
<v Speaker 2>about you know, they talking about records and like all

1:42:35.439 --> 1:42:39.400
<v Speaker 2>this stuff. Yeah, I want to understand what you're trying

1:42:39.439 --> 1:42:39.680
<v Speaker 2>to say.

1:42:39.800 --> 1:42:40.040
<v Speaker 6>Just now.

1:42:40.880 --> 1:42:45.400
<v Speaker 1>You just said that obviously Dre and Premier knew each

1:42:45.439 --> 1:42:50.280
<v Speaker 1>other quiet, but you were the initial reconnection.

1:42:50.640 --> 1:42:54.920
<v Speaker 2>Yeah, because I had did two records with Premiere in Russia,

1:42:55.000 --> 1:42:56.760
<v Speaker 2>and one of them I didn't use for the things,

1:42:56.840 --> 1:42:59.519
<v Speaker 2>so that was that was ended up being animals and

1:42:59.640 --> 1:43:02.920
<v Speaker 2>I had that record and it was these old sneakers.

1:43:03.000 --> 1:43:08.560
<v Speaker 2>It was like all the whole ship and uh, I

1:43:08.720 --> 1:43:10.439
<v Speaker 2>was playing records for Dre and he was like this

1:43:10.600 --> 1:43:13.000
<v Speaker 2>is crazy. I was like, it's Premiere. Like he's like yeah,

1:43:13.040 --> 1:43:17.000
<v Speaker 2>having yes, yes, that's another one dude. People give it

1:43:17.080 --> 1:43:19.720
<v Speaker 2>up to like shout out to Premiere like he's the one,

1:43:20.600 --> 1:43:23.640
<v Speaker 2>another one universal that they all give it up from

1:43:23.640 --> 1:43:25.160
<v Speaker 2>Alchemist everybody, that's the god.

1:43:25.280 --> 1:43:25.439
<v Speaker 1>You know.

1:43:25.600 --> 1:43:29.080
<v Speaker 2>So uh it's great, you know, and there's only your

1:43:29.880 --> 1:43:33.640
<v Speaker 2>yeah shot stick a shot. And I've been around to

1:43:33.680 --> 1:43:38.519
<v Speaker 2>see people like thank god, I've been around to see

1:43:38.640 --> 1:43:40.960
<v Speaker 2>this happen where people like Premiere and drag in the

1:43:40.960 --> 1:43:42.960
<v Speaker 2>studio and they are both geeking out and you see

1:43:43.040 --> 1:43:44.960
<v Speaker 2>that these are just dude, two dudes that are like

1:43:45.120 --> 1:43:49.479
<v Speaker 2>Vinyl heads sample Craig Diggers, camaraderie between them, that's what

1:43:49.600 --> 1:43:52.040
<v Speaker 2>they are, you know, kids that like You see that

1:43:52.200 --> 1:43:56.400
<v Speaker 2>and it's like whoa, and it's like that all comes back.

1:43:56.479 --> 1:43:58.479
<v Speaker 2>And then I've seen it happen when I saw Q

1:43:58.640 --> 1:44:01.720
<v Speaker 2>Tip and Dre and it's like same thing. Man, very

1:44:01.760 --> 1:44:04.000
<v Speaker 2>few people where I could see university. Everyone has that

1:44:04.439 --> 1:44:05.280
<v Speaker 2>mutual respect for.

1:44:05.400 --> 1:44:06.800
<v Speaker 3>In that era, you know.

1:44:08.640 --> 1:44:10.200
<v Speaker 2>And so yeah, I had the record, brought it to

1:44:10.280 --> 1:44:12.800
<v Speaker 2>Dre and and uh, Drey started working with it, and

1:44:12.880 --> 1:44:15.439
<v Speaker 2>then he brought Premiere in to scratch and to start

1:44:16.160 --> 1:44:18.679
<v Speaker 2>building the beat, and then they started clapping on the beat,

1:44:18.760 --> 1:44:22.360
<v Speaker 2>and uh that was that. I think it ended up

1:44:22.479 --> 1:44:24.599
<v Speaker 2>just being me on the record, right, because they tried

1:44:24.640 --> 1:44:27.640
<v Speaker 2>some features on there too, but I think it's just me.

1:44:28.720 --> 1:44:30.880
<v Speaker 2>But yeah, it was and it was like, you know,

1:44:31.080 --> 1:44:33.920
<v Speaker 2>Similio good. It was like a social commentary of what

1:44:34.120 --> 1:44:37.479
<v Speaker 2>was going on at the time. And I like those

1:44:37.560 --> 1:44:40.519
<v Speaker 2>records too. You know, we're due for a record like that.

1:44:41.400 --> 1:44:43.760
<v Speaker 2>You do a record. I'm working Premiere to do a

1:44:43.800 --> 1:44:46.680
<v Speaker 2>record together. Yeah, I want to get another one like

1:44:46.800 --> 1:44:50.760
<v Speaker 2>no album a project. Yeah, that would be crazy. Wait

1:44:50.840 --> 1:44:54.200
<v Speaker 2>in line, I don't know, we're.

1:44:54.040 --> 1:45:01.880
<v Speaker 1>Talking about Premier. Answered, that makes annoy and you great?

1:45:03.920 --> 1:45:08.320
<v Speaker 2>Now Premiere be first up? What about Alchemists or supposed

1:45:08.360 --> 1:45:11.840
<v Speaker 2>to have Alchemists? And you said you're already but the

1:45:11.880 --> 1:45:12.599
<v Speaker 2>whole whole album?

1:45:12.680 --> 1:45:12.800
<v Speaker 3>Though?

1:45:12.840 --> 1:45:15.920
<v Speaker 2>Who you want Premiere? I just I mean, that's what

1:45:16.000 --> 1:45:19.200
<v Speaker 2>I'm thinking in this moment. But yeah, Mad Live is amazing.

1:45:19.400 --> 1:45:23.040
<v Speaker 2>Are you saying who's our choice? Who is all choice?

1:45:23.080 --> 1:45:23.120
<v Speaker 6>Be?

1:45:23.240 --> 1:45:24.800
<v Speaker 2>For me to do a whole album? Me right now?

1:45:25.360 --> 1:45:34.040
<v Speaker 1>Wise, Premiere, Premiere, I would say Premiere. I would say

1:45:34.360 --> 1:45:37.680
<v Speaker 1>just as my second choice. Alchemist. I just love that,

1:45:37.800 --> 1:45:38.360
<v Speaker 1>Venice Beach.

1:45:38.600 --> 1:45:41.400
<v Speaker 2>I can see the Alchemist centers. You guess, yes, you're

1:45:41.400 --> 1:45:51.160
<v Speaker 2>an Alchemist live album. So no one's making money taking

1:45:51.720 --> 1:45:54.160
<v Speaker 2>What do you want to split that between? How many?

1:45:54.360 --> 1:45:57.280
<v Speaker 2>What do you want to hear? What are you doing album?

1:45:58.479 --> 1:46:00.760
<v Speaker 2>I like the Flu album. I'm doing something. I gotta

1:46:00.760 --> 1:46:04.639
<v Speaker 2>do something. Let's do the shot for that. I want

1:46:04.680 --> 1:46:07.720
<v Speaker 2>you to do just a production album. I gotta do

1:46:07.840 --> 1:46:13.120
<v Speaker 2>something just instrumental drums, beat breaks. Yeah, I was just something.

1:46:13.200 --> 1:46:16.200
<v Speaker 2>I was just swigging no shots, you know, like you

1:46:16.280 --> 1:46:21.200
<v Speaker 2>hear ship clinking in the back cheers. So I just

1:46:21.280 --> 1:46:24.200
<v Speaker 2>want to point out those rings. This is crazy. I

1:46:24.280 --> 1:46:27.559
<v Speaker 2>walk a lot of jewels and rings. See the fun

1:46:27.680 --> 1:46:33.240
<v Speaker 2>going on twenty five right here? Easy for is that dollars?

1:46:33.479 --> 1:46:36.880
<v Speaker 2>That's like a fuck you to the heaters. Take a dive, O.

1:46:37.479 --> 1:46:40.479
<v Speaker 2>You see what's going on? They watch wings just one

1:46:40.560 --> 1:46:43.759
<v Speaker 2>hundred buck fifty one hundred, one hundred. It's all porcelain,

1:46:45.080 --> 1:46:53.040
<v Speaker 2>but from wrong fire. Stupid important dollars. Right, you do

1:46:53.160 --> 1:46:56.560
<v Speaker 2>the math. I'm not another guy. I'm just I'm just

1:46:56.640 --> 1:47:10.920
<v Speaker 2>pointing out this. Yeah, at that point, so let's let's

1:47:10.920 --> 1:47:16.720
<v Speaker 2>talk about coming down? Yeah? Are we talking about off

1:47:16.800 --> 1:47:22.400
<v Speaker 2>the high? Off the high? What are we were coming down?

1:47:24.240 --> 1:47:26.280
<v Speaker 2>I don't ever want to come down off the charum life,

1:47:26.360 --> 1:47:29.040
<v Speaker 2>you know, off the blessings and this good time. You know,

1:47:29.160 --> 1:47:31.040
<v Speaker 2>it's like, you know, you don't want the party to stop.

1:47:31.760 --> 1:47:33.720
<v Speaker 2>And I'm having a great time and I still am.

1:47:33.760 --> 1:47:35.519
<v Speaker 2>Even when I wrote that record, it was like the

1:47:35.880 --> 1:47:37.640
<v Speaker 2>epitome of what I was going through, and I was

1:47:37.800 --> 1:47:40.519
<v Speaker 2>doing all this stuff with all these people. I was like,

1:47:40.640 --> 1:47:41.960
<v Speaker 2>that was that was the last song I did for

1:47:42.040 --> 1:47:44.680
<v Speaker 2>the record. So I was having a great time, and

1:47:44.800 --> 1:47:46.400
<v Speaker 2>I didn't want I didn't want the party to stop.

1:47:47.040 --> 1:47:49.599
<v Speaker 2>You know, you work so hard to get to this level,

1:47:52.000 --> 1:47:55.439
<v Speaker 2>but bliss, you know absolutely to work on stop. You know,

1:47:56.760 --> 1:48:03.960
<v Speaker 2>speaking about party, you're the party. Oh I believe Nellie's birthday? Yeah?

1:48:04.000 --> 1:48:04.200
<v Speaker 6>I did.

1:48:04.720 --> 1:48:05.639
<v Speaker 2>Was it Nellie's birthday?

1:48:05.800 --> 1:48:06.000
<v Speaker 6>Yeah?

1:48:06.400 --> 1:48:11.280
<v Speaker 2>And Vegas Shanty surprised him, hit at all his closest

1:48:11.320 --> 1:48:14.800
<v Speaker 2>friends and put together a really nice event for him

1:48:15.040 --> 1:48:19.760
<v Speaker 2>in Vegas. I didn't know they was filming a reality show.

1:48:19.920 --> 1:48:22.640
<v Speaker 2>But I got some time in the reality show too,

1:48:22.760 --> 1:48:28.719
<v Speaker 2>So I want my check. Let me get the lighter, Okay,

1:48:29.680 --> 1:48:34.439
<v Speaker 2>I want a reoccurring role now. Yeah, but that was

1:48:34.479 --> 1:48:37.240
<v Speaker 2>an honor to be called, huge honor to be in

1:48:37.320 --> 1:48:40.400
<v Speaker 2>that that lineup. I mean, she had everybody pulled up

1:48:40.439 --> 1:48:43.000
<v Speaker 2>and it's great, man Like Jermaine Brie was like hosting.

1:48:43.080 --> 1:48:47.320
<v Speaker 2>It had everybody there, man, Lloyd, it was. It was beautiful.

1:48:47.880 --> 1:48:51.680
<v Speaker 2>It's beautiful. Anybody ever throw a birthday party for.

1:48:51.720 --> 1:48:52.080
<v Speaker 6>You like that?

1:48:53.520 --> 1:48:56.320
<v Speaker 2>For you that you did for I thought my own

1:48:56.360 --> 1:49:00.719
<v Speaker 2>birthday party right, been that nigga for some minutes. Ship

1:49:02.439 --> 1:49:08.960
<v Speaker 2>It's like party now.

1:49:09.160 --> 1:49:12.960
<v Speaker 1>But bro, man, I'm gonna be honest. I'm proud of

1:49:14.439 --> 1:49:16.320
<v Speaker 1>I'm proud of your story. Like you know, you know

1:49:16.400 --> 1:49:19.280
<v Speaker 1>when you hear your story or you like could google

1:49:19.520 --> 1:49:24.640
<v Speaker 1>your story. Right, it starts out with you know, turmoil.

1:49:25.560 --> 1:49:30.360
<v Speaker 1>You know you have two parents, us in jail. So

1:49:30.760 --> 1:49:33.439
<v Speaker 1>one would think, damn, man, this guy is supposed to

1:49:33.479 --> 1:49:39.120
<v Speaker 1>be he can't be a winner like right, And the

1:49:39.200 --> 1:49:42.719
<v Speaker 1>fact is you you flip the rocks, so you flip

1:49:42.840 --> 1:49:43.879
<v Speaker 1>the everything.

1:49:44.080 --> 1:49:47.840
<v Speaker 2>And the fact that I love like not only me,

1:49:48.120 --> 1:49:49.639
<v Speaker 2>like everyone. We love your smile.

1:49:49.800 --> 1:49:54.719
<v Speaker 1>You smile, bro, And like I said, I'm not fool

1:49:54.720 --> 1:49:56.760
<v Speaker 1>about a smile because I smile a lot. And the

1:49:56.800 --> 1:49:58.600
<v Speaker 1>reason why I smile a lot because I know what

1:49:58.720 --> 1:50:01.400
<v Speaker 1>I've been through. I'm so happy to be where I'm

1:50:01.439 --> 1:50:05.160
<v Speaker 1>at right and without you telling me that, I could

1:50:05.200 --> 1:50:07.960
<v Speaker 1>tell that that that that you that same person like

1:50:08.040 --> 1:50:12.560
<v Speaker 1>we we that people that we probably wasn't meant to

1:50:12.680 --> 1:50:15.880
<v Speaker 1>be here, but we're here and we beat the odds

1:50:16.040 --> 1:50:20.760
<v Speaker 1>so much that that smile is like, of course, so

1:50:20.920 --> 1:50:21.519
<v Speaker 1>I relate to you.

1:50:22.479 --> 1:50:25.280
<v Speaker 2>They just know, just even know, man, I related to

1:50:25.360 --> 1:50:31.120
<v Speaker 2>that people because I related related to be in the odds.

1:50:31.800 --> 1:50:32.960
<v Speaker 2>But now let me ask you.

1:50:35.400 --> 1:50:37.920
<v Speaker 1>You know, we got exhibit from over here, we got

1:50:38.000 --> 1:50:41.120
<v Speaker 1>you know, game from over here. Everybody's from California, ox

1:50:41.200 --> 1:50:44.960
<v Speaker 1>nod Is is a town that people didn't really know.

1:50:45.240 --> 1:50:45.360
<v Speaker 2>Right.

1:50:46.600 --> 1:50:48.720
<v Speaker 1>Is there ever a time where you doubted yourself and

1:50:48.920 --> 1:50:54.560
<v Speaker 1>was like, man, no one is gonna understand you know

1:50:54.600 --> 1:50:54.920
<v Speaker 1>what I mean?

1:50:55.040 --> 1:51:00.040
<v Speaker 2>Like has there ever been to you the time it

1:51:00.160 --> 1:51:02.560
<v Speaker 2>wasn't making sense money wise, monetary wise, you know, and

1:51:02.640 --> 1:51:07.000
<v Speaker 2>I had kid, Yeah, and that was the big battle.

1:51:07.040 --> 1:51:10.559
<v Speaker 2>It's like that's the artist's battle. That's that's every artist's battle.

1:51:11.360 --> 1:51:15.080
<v Speaker 2>And it's like, you know, what do you do at

1:51:15.120 --> 1:51:18.360
<v Speaker 2>that point where some artists know how to switch it

1:51:18.439 --> 1:51:20.920
<v Speaker 2>over and become an entrepreneur at that point? And see, okay,

1:51:21.040 --> 1:51:23.320
<v Speaker 2>this is about if I want to do this for

1:51:23.400 --> 1:51:25.040
<v Speaker 2>a living, it's going to be a certain amount of

1:51:25.080 --> 1:51:28.080
<v Speaker 2>business acumen. I need to go into this with branding

1:51:28.200 --> 1:51:31.160
<v Speaker 2>and I'm going to really especially a family, YEP. I

1:51:31.240 --> 1:51:33.240
<v Speaker 2>need to at least organize how this is coming through

1:51:33.400 --> 1:51:35.680
<v Speaker 2>funneling and all this stuff. Right, How young is it

1:51:35.760 --> 1:51:37.800
<v Speaker 2>that you have your family? Man? Like, how I sound

1:51:37.880 --> 1:51:40.800
<v Speaker 2>like twenty four that you had your first kid? Yeh,

1:51:40.920 --> 1:51:44.360
<v Speaker 2>twenty four? And were you know at the gates you know?

1:51:44.840 --> 1:51:49.640
<v Speaker 2>And my wife was straight from Korea and didn't have

1:51:49.720 --> 1:51:51.840
<v Speaker 2>any family out here. My family was her family. We

1:51:52.000 --> 1:51:54.160
<v Speaker 2>just all bandoned together and just made it happen, you know,

1:51:54.960 --> 1:51:57.559
<v Speaker 2>and supported you all supported, watched the kid full time.

1:51:57.600 --> 1:51:59.960
<v Speaker 2>I was out there hustling, you know, I would do show.

1:52:00.640 --> 1:52:02.240
<v Speaker 2>I started the band that I play with now, the

1:52:02.280 --> 1:52:09.120
<v Speaker 2>Free National shout outs to the Free National shout out. Yeah,

1:52:09.160 --> 1:52:11.360
<v Speaker 2>take a shot for Free Nationally. Let's do it. Let's

1:52:11.400 --> 1:52:19.280
<v Speaker 2>do it right. Yes, yeah, banded with my brothers, started

1:52:19.320 --> 1:52:20.960
<v Speaker 2>a band and was like, Okay, we're gonna take the

1:52:20.960 --> 1:52:25.280
<v Speaker 2>ship serious. We're gonna start getting our show together. And

1:52:25.439 --> 1:52:27.160
<v Speaker 2>we became we got a bad ass show. And then

1:52:27.360 --> 1:52:32.800
<v Speaker 2>that's when things started happening. But yeah, that was it

1:52:32.920 --> 1:52:38.479
<v Speaker 2>was pivotal with the kids and uh, growing up critical, Yeah,

1:52:38.520 --> 1:52:43.720
<v Speaker 2>it's critical. What was your question again? He was just

1:52:43.840 --> 1:52:45.760
<v Speaker 2>saying that I had to hustle from the ground up.

1:52:45.960 --> 1:52:49.400
<v Speaker 2>I mean yeah, that was kind of looking for we

1:52:50.040 --> 1:52:53.200
<v Speaker 2>was on week I was on the government assistant.

1:52:55.080 --> 1:52:55.240
<v Speaker 6>Yeah.

1:52:55.320 --> 1:52:57.520
<v Speaker 2>Yeah, well it was like the milk, you get the groceries,

1:52:57.560 --> 1:52:59.439
<v Speaker 2>you know you can you can get a little check.

1:53:00.120 --> 1:53:02.080
<v Speaker 2>Now you're just saying, did you doubt yourself being Oh

1:53:02.120 --> 1:53:06.000
<v Speaker 2>I doubt it? Yes, I did. Taking the bus yeah,

1:53:06.560 --> 1:53:08.519
<v Speaker 2>not really, you know, kind of like where you know from,

1:53:08.560 --> 1:53:10.320
<v Speaker 2>you know what, but coming from oxthow I had the

1:53:10.360 --> 1:53:12.360
<v Speaker 2>battery went back because when I was coming up, I

1:53:12.520 --> 1:53:14.519
<v Speaker 2>was like, you know what, I grew up that knowing

1:53:14.560 --> 1:53:16.680
<v Speaker 2>that Mallet was from Oxnard. I know that we had

1:53:16.680 --> 1:53:20.680
<v Speaker 2>a big impact. Yes, yes, Matt is from Oxnard and

1:53:20.800 --> 1:53:24.880
<v Speaker 2>one of our biggest heroes, and that is an incredible producer. Absolutely,

1:53:25.040 --> 1:53:31.200
<v Speaker 2>he's an MC two. Absolutely lupak oh No, like the whole.

1:53:31.080 --> 1:53:34.000
<v Speaker 4>There's a whole what's this alter egos?

1:53:35.320 --> 1:53:37.960
<v Speaker 2>So I was like, Oxnard got it, so I'm going

1:53:38.040 --> 1:53:39.360
<v Speaker 2>to be you know. I was like, I want to

1:53:39.400 --> 1:53:41.960
<v Speaker 2>be next coming out, you know, and to show that

1:53:42.160 --> 1:53:44.000
<v Speaker 2>we got you. You know, it was already on the

1:53:44.040 --> 1:53:46.560
<v Speaker 2>map as far as I was concerned through that, and

1:53:46.640 --> 1:53:48.640
<v Speaker 2>so I was just trying to, you know, continue to

1:53:49.280 --> 1:53:50.840
<v Speaker 2>raise the bar with it. But I wanted to go

1:53:50.920 --> 1:53:52.840
<v Speaker 2>to l A. I was determined. I was like, I

1:53:52.920 --> 1:53:55.120
<v Speaker 2>want to get out of Oxnard. When I was coming

1:53:55.200 --> 1:53:57.840
<v Speaker 2>up in high school, I see I was born in

1:53:57.960 --> 1:54:02.479
<v Speaker 2>Saint John's UH Hospital in Auxnard in eighty six and

1:54:02.560 --> 1:54:04.600
<v Speaker 2>I stayed there till about seven years old. Then I

1:54:04.680 --> 1:54:07.000
<v Speaker 2>moved a venture and that's where I did like middle school,

1:54:07.520 --> 1:54:10.240
<v Speaker 2>high school, everything, and that's just the suburb over Then

1:54:10.280 --> 1:54:12.479
<v Speaker 2>I started playing drums in church and Auxnard and this

1:54:12.640 --> 1:54:14.960
<v Speaker 2>is all the same, you know to me, but it's

1:54:15.040 --> 1:54:18.720
<v Speaker 2>very different too, Auxnord Venture. But I always wanted to

1:54:18.760 --> 1:54:20.760
<v Speaker 2>be like, I'm from Oxnard, you know, because it's like

1:54:20.880 --> 1:54:23.160
<v Speaker 2>that's where the souls are, you know. But I got

1:54:23.200 --> 1:54:26.640
<v Speaker 2>love for the whole county. But yeah, I was like,

1:54:26.760 --> 1:54:28.560
<v Speaker 2>I want to go to la though, because there is

1:54:28.640 --> 1:54:30.760
<v Speaker 2>not enough out here, you know. I was playing the

1:54:30.800 --> 1:54:33.160
<v Speaker 2>shows in Oxnard Venture and it being nobody there, yeah,

1:54:33.200 --> 1:54:34.640
<v Speaker 2>you had to go in. And so I was like,

1:54:34.800 --> 1:54:37.360
<v Speaker 2>is this really for me? You know, like it's not.

1:54:37.440 --> 1:54:39.560
<v Speaker 2>I can't pay I can't support my family with this.

1:54:39.680 --> 1:54:41.840
<v Speaker 2>Maybe I should try to at this point switch over

1:54:42.080 --> 1:54:45.440
<v Speaker 2>at it's now or never. I do something different right now,

1:54:45.480 --> 1:54:48.720
<v Speaker 2>I'll be good by the time I'm thirty something, you know.

1:54:49.680 --> 1:54:53.080
<v Speaker 2>But I was like, I'm just gonna do it. I

1:54:53.160 --> 1:54:55.280
<v Speaker 2>couldn't not do it, you know, Like I said, it's

1:54:55.320 --> 1:54:57.680
<v Speaker 2>like breathing. You are always going to want to do

1:54:57.800 --> 1:55:02.120
<v Speaker 2>something musically creative, do doing something in that. And when

1:55:02.160 --> 1:55:04.240
<v Speaker 2>I came to l A, I found out like how

1:55:04.280 --> 1:55:07.640
<v Speaker 2>good I was at drums at being a live musician

1:55:07.760 --> 1:55:10.800
<v Speaker 2>and how much I had to learn about and I

1:55:10.880 --> 1:55:12.400
<v Speaker 2>had so much to know about, and it was like

1:55:12.480 --> 1:55:14.360
<v Speaker 2>a field day because I was going to this music

1:55:14.400 --> 1:55:18.080
<v Speaker 2>college and everything. My mind was being blown. So I

1:55:18.200 --> 1:55:20.720
<v Speaker 2>was like, okay, it gave me the battery, like I'm

1:55:20.720 --> 1:55:23.000
<v Speaker 2>gonna do it. And I met Jose My, my guitar player,

1:55:23.040 --> 1:55:25.360
<v Speaker 2>and he was like from San Diego. He was going

1:55:25.400 --> 1:55:27.280
<v Speaker 2>through the same thing, and we were just banding together

1:55:27.320 --> 1:55:30.440
<v Speaker 2>and we're like playing these shitty ass gigs man getting

1:55:30.600 --> 1:55:34.680
<v Speaker 2>fucked over, you know, getting not paying nothing, and but

1:55:34.800 --> 1:55:39.520
<v Speaker 2>we loved it. We loved waking up smoking weed just

1:55:39.600 --> 1:55:42.200
<v Speaker 2>as good as this. You know, our weed was a

1:55:42.240 --> 1:55:42.680
<v Speaker 2>little better.

1:55:42.760 --> 1:55:49.480
<v Speaker 1>But this shot for coming up days. Come on, take

1:55:49.480 --> 1:55:51.280
<v Speaker 1>a shot for your coming up days. That's some of

1:55:52.280 --> 1:55:57.600
<v Speaker 1>it was sudden to be look, look big. You wanted

1:55:57.640 --> 1:56:02.080
<v Speaker 1>to sitting around Now, this is the good Mama wuana.

1:56:02.240 --> 1:56:03.240
<v Speaker 1>That's the one that's made in.

1:56:03.240 --> 1:56:08.200
<v Speaker 2>The shower, not to tell it's the moonshine. I like

1:56:08.320 --> 1:56:10.920
<v Speaker 2>it continue I was coming up, but it was great,

1:56:11.000 --> 1:56:12.880
<v Speaker 2>So I did think about stopping though, But I have

1:56:12.960 --> 1:56:14.960
<v Speaker 2>some good friends that helped me out there, like keep going,

1:56:15.040 --> 1:56:16.720
<v Speaker 2>bro do it for us at least we love. We

1:56:16.800 --> 1:56:20.480
<v Speaker 2>had doubts, Yeah, the way I stopped stop a full

1:56:20.560 --> 1:56:22.360
<v Speaker 2>on quick a couple of times where I was trying

1:56:22.360 --> 1:56:24.520
<v Speaker 2>to work the jobs. Yeah, you can't. If you can't

1:56:24.560 --> 1:56:27.480
<v Speaker 2>provide for your family, you're going to be doubt yourself. Yeah,

1:56:27.720 --> 1:56:30.480
<v Speaker 2>but then you had to know that to be real myself.

1:56:30.600 --> 1:56:32.040
<v Speaker 2>I was like, this is what I was born to do.

1:56:32.160 --> 1:56:34.320
<v Speaker 2>I want to do this. I'm going to make it work.

1:56:34.400 --> 1:56:38.320
<v Speaker 2>I'm figure this out. Can't be that hard, you know,

1:56:38.640 --> 1:56:40.840
<v Speaker 2>and I'm glad I did. And it was really like

1:56:40.960 --> 1:56:43.920
<v Speaker 2>the people I had it was really supportive, you know

1:56:44.040 --> 1:56:45.920
<v Speaker 2>that were like you, like, we love your smile. Would

1:56:46.000 --> 1:56:48.160
<v Speaker 2>keep doing it even if you got to stay in

1:56:48.200 --> 1:56:51.960
<v Speaker 2>our spot, use our studio, shut out to dumbfound it

1:56:52.080 --> 1:56:55.560
<v Speaker 2>Johnny Park, you know, like people that were Shafi Kusin

1:56:56.280 --> 1:56:59.040
<v Speaker 2>saw raw Omas like that. People were very supportive of

1:56:59.120 --> 1:57:00.960
<v Speaker 2>helping me grow and taking me.

1:57:01.000 --> 1:57:06.480
<v Speaker 3>Over throwdot because I know that they didn't it come

1:57:06.520 --> 1:57:07.320
<v Speaker 3>to I had.

1:57:07.240 --> 1:57:09.640
<v Speaker 2>That song Swayed before I got the stone Throw, and

1:57:09.800 --> 1:57:12.920
<v Speaker 2>we were dipping around on SoundCloud because there are dope

1:57:13.000 --> 1:57:14.760
<v Speaker 2>labels from people that don't know. Yeah, so that was

1:57:14.760 --> 1:57:16.920
<v Speaker 2>what mad Li was on so Knowledge was already signed

1:57:16.960 --> 1:57:19.080
<v Speaker 2>to stone Throw. So I was like I met Knowledge

1:57:19.120 --> 1:57:21.280
<v Speaker 2>and we did Swede and I was like, yo, Knowledge,

1:57:21.440 --> 1:57:24.080
<v Speaker 2>play this for them, like let's get a deal. He

1:57:24.240 --> 1:57:25.760
<v Speaker 2>was like, let's start a group. We started the same

1:57:25.840 --> 1:57:27.840
<v Speaker 2>thing like Albruno did. Let's start a group, same thing.

1:57:29.200 --> 1:57:33.080
<v Speaker 2>We started a group called No Worries and we had

1:57:33.120 --> 1:57:35.320
<v Speaker 2>that song, but it wasn't officially out. Was just bouncing

1:57:35.320 --> 1:57:39.280
<v Speaker 2>around SoundCloud and band camp and stuff, and they obviously

1:57:39.360 --> 1:57:41.360
<v Speaker 2>saw the talent, they saw us perform it, and then

1:57:41.360 --> 1:57:43.960
<v Speaker 2>they were like cool, swoop it up. They signed that group.

1:57:44.440 --> 1:57:45.800
<v Speaker 2>They were the one to put it out on Wax

1:57:45.880 --> 1:57:49.040
<v Speaker 2>and got it going stuth By Southwest. We started pushing it.

1:57:49.440 --> 1:57:56.440
<v Speaker 2>So labels like that, yes, brow Yeah, I'm telling you, bro,

1:57:56.960 --> 1:57:59.920
<v Speaker 2>because that's what it is. Because a lot of art

1:58:00.160 --> 1:58:02.120
<v Speaker 2>to get into labels now they don't know it's a partnership,

1:58:02.240 --> 1:58:04.040
<v Speaker 2>like they got to be bringing something disable too. If

1:58:04.040 --> 1:58:06.960
<v Speaker 2>you're a artist that haves no like no way to

1:58:07.640 --> 1:58:09.520
<v Speaker 2>it doesn't translate where you're doing this to translate to

1:58:09.560 --> 1:58:12.720
<v Speaker 2>tours or two units sold or anything like that or

1:58:12.720 --> 1:58:16.200
<v Speaker 2>getting you in these places, then uh, I don't know.

1:58:16.320 --> 1:58:17.680
<v Speaker 2>I don't know what you're doing it. Maybe you're just

1:58:17.760 --> 1:58:20.320
<v Speaker 2>doing it for yourself, you know, but if you partner

1:58:20.400 --> 1:58:22.320
<v Speaker 2>with people, then these are people that usually can help

1:58:22.360 --> 1:58:24.640
<v Speaker 2>you get to that and you're aligned. You guys got

1:58:24.720 --> 1:58:28.680
<v Speaker 2>to understanding like minded and they're doing it. They're curating vinyl.

1:58:28.760 --> 1:58:30.200
<v Speaker 2>They put my ship on vinyl. They got it and

1:58:30.280 --> 1:58:32.800
<v Speaker 2>they got me. That ship bubbled into enough where it

1:58:32.880 --> 1:58:34.400
<v Speaker 2>got to those writers that got me into dre and

1:58:34.480 --> 1:58:37.080
<v Speaker 2>it was like because they have some always equity because

1:58:37.080 --> 1:58:41.000
<v Speaker 2>of what they've been doing. Yeah, yeah, that's it. So yeah,

1:58:41.160 --> 1:58:43.520
<v Speaker 2>got blessed ones throw and we did that and uh,

1:58:44.400 --> 1:58:49.800
<v Speaker 2>we just we went we went for it. So let

1:58:49.840 --> 1:58:50.640
<v Speaker 2>me ask you a question.

1:58:51.720 --> 1:58:54.560
<v Speaker 1>This probably should have been in me in Quick Time

1:58:54.640 --> 1:58:59.280
<v Speaker 1>or slim, but I'll ask you now, independent or major.

1:59:01.000 --> 1:59:05.120
<v Speaker 2>This depends on what you want to do, what you negotiate,

1:59:06.600 --> 1:59:08.920
<v Speaker 2>if you need a major to do what you need

1:59:09.000 --> 1:59:12.040
<v Speaker 2>to do, if you see that working and what you're doing.

1:59:12.160 --> 1:59:14.520
<v Speaker 2>As an artist, the artist has to really know what

1:59:15.120 --> 1:59:17.920
<v Speaker 2>the whole ins and outs, what they want, what they want. Okay,

1:59:18.040 --> 1:59:20.280
<v Speaker 2>there's no more, there's no more of this, Like you know,

1:59:21.080 --> 1:59:25.040
<v Speaker 2>I was a child. I mean some of them. Yeah,

1:59:25.160 --> 1:59:26.760
<v Speaker 2>like you just did it or maybe you know some

1:59:26.880 --> 1:59:28.760
<v Speaker 2>of those that needed that little oomph and then they

1:59:28.840 --> 1:59:30.440
<v Speaker 2>got them to the thing and then it may happen.

1:59:30.520 --> 1:59:35.120
<v Speaker 2>So everybody I've ever been involved with, I have, I

1:59:35.200 --> 1:59:38.640
<v Speaker 2>got paperwork with them even as I go, and that

1:59:38.760 --> 1:59:41.200
<v Speaker 2>I have had to pay off, you know, slowly, and

1:59:41.280 --> 1:59:44.160
<v Speaker 2>now to become like free, you know eventually, you know,

1:59:44.320 --> 1:59:49.240
<v Speaker 2>now the pros from people that maybe were managed labels

1:59:49.760 --> 1:59:52.280
<v Speaker 2>paying off that, you know. But to be blessed to

1:59:52.360 --> 1:59:55.040
<v Speaker 2>have the masters of my first two albums already, you

1:59:55.080 --> 1:59:56.880
<v Speaker 2>know what I'm saying, and see that and then get

1:59:56.920 --> 1:59:58.360
<v Speaker 2>a deal where I worked out with Dre where I

1:59:58.400 --> 2:00:01.080
<v Speaker 2>can eventually get my masters for all ship. It's like,

2:00:01.640 --> 2:00:03.560
<v Speaker 2>you know, all that shit is cool. And then sometimes

2:00:03.640 --> 2:00:06.120
<v Speaker 2>Dre he'll be like, you can own the master on

2:00:06.240 --> 2:00:08.440
<v Speaker 2>that on a single and then that joint gets picked

2:00:08.520 --> 2:00:12.200
<v Speaker 2>up for speak the songs bubble about the other day

2:00:12.320 --> 2:00:15.400
<v Speaker 2>about the the licensing a couple of joints I own

2:00:15.480 --> 2:00:18.160
<v Speaker 2>outright singles that I get things were crazy that goes

2:00:18.200 --> 2:00:21.320
<v Speaker 2>straight you know, straight from my kid. Uh No, but

2:00:21.440 --> 2:00:23.440
<v Speaker 2>that I was signed to Dre for that he said,

2:00:23.480 --> 2:00:25.400
<v Speaker 2>you can keep that one whatever, keep the mask on

2:00:25.480 --> 2:00:28.880
<v Speaker 2>that he produced, not produced, no, no, but yeah, but

2:00:29.000 --> 2:00:29.720
<v Speaker 2>but that you know, I.

2:00:29.800 --> 2:00:33.520
<v Speaker 4>Was while I was signing oversea.

2:00:33.880 --> 2:00:36.840
<v Speaker 2>Okay, yeah, I mean he could easily. I have to

2:00:36.920 --> 2:00:40.000
<v Speaker 2>clear everything through Drake, you know, and I have everything

2:00:40.120 --> 2:00:41.680
<v Speaker 2>is still very much like a label. So it's like

2:00:41.960 --> 2:00:44.920
<v Speaker 2>he keeps the quality control of his artists, you know. So, uh,

2:00:45.320 --> 2:00:47.640
<v Speaker 2>you still have to clear stuff. And now it's like,

2:00:47.800 --> 2:00:50.280
<v Speaker 2>you know, he's been like, hey, this one, I like,

2:00:50.360 --> 2:00:52.920
<v Speaker 2>this one is for you, blah blah blah. And so

2:00:53.200 --> 2:00:55.440
<v Speaker 2>it's like to have some of those and to have

2:00:55.640 --> 2:00:58.040
<v Speaker 2>the first two, it's like it's it's really dope man.

2:00:58.120 --> 2:01:02.640
<v Speaker 2>And and uh uh, I think that you I've been

2:01:02.720 --> 2:01:04.320
<v Speaker 2>blessed to be able to have the versatility to work

2:01:04.320 --> 2:01:07.240
<v Speaker 2>with both. I've done major, I've done the indie. I've

2:01:07.280 --> 2:01:09.720
<v Speaker 2>gotten the dude go back and go back to do

2:01:09.800 --> 2:01:12.080
<v Speaker 2>indy with my band the Free Nationals. Let their album

2:01:12.120 --> 2:01:14.520
<v Speaker 2>come out with an indie Empire. I've been working with

2:01:14.600 --> 2:01:18.840
<v Speaker 2>Empire for years. Shout out to Gazi and Animo. Yeah,

2:01:19.280 --> 2:01:22.640
<v Speaker 2>got gold platinum records with them on the indie tip

2:01:23.360 --> 2:01:26.840
<v Speaker 2>and with my with my record label, ape Ship, and

2:01:27.640 --> 2:01:30.560
<v Speaker 2>I just uh yeah, I got my own record label,

2:01:30.600 --> 2:01:35.880
<v Speaker 2>ape Ship A ship Yeah, Anderson past Empire Ship dip

2:01:35.960 --> 2:01:40.080
<v Speaker 2>Ship Records. Yeah no, no, Ape Ship aph Yeah. And

2:01:40.560 --> 2:01:43.080
<v Speaker 2>I got I signed in my band. I got Ray Khalil.

2:01:43.680 --> 2:01:46.280
<v Speaker 2>I got this other group called still Beans. He's like

2:01:46.320 --> 2:01:48.800
<v Speaker 2>a one man band, but we got records out there.

2:01:49.000 --> 2:01:52.200
<v Speaker 2>And I've been able to play with both with with

2:01:52.480 --> 2:01:54.920
<v Speaker 2>with the indie and the major. And I think it's

2:01:55.880 --> 2:01:58.080
<v Speaker 2>it's all about the artists. What you want get You

2:01:58.120 --> 2:01:59.960
<v Speaker 2>don't get what you deserve, you get what you negotiate.

2:02:00.280 --> 2:02:08.440
<v Speaker 2>So absolutely Sonic, what label? What that did that drop on?

2:02:09.720 --> 2:02:12.520
<v Speaker 2>It never dropped off? You see the chain remains? Oh

2:02:12.640 --> 2:02:17.000
<v Speaker 2>see yeah, yeah, yeah, yeah, anything. We can tell you

2:02:17.040 --> 2:02:21.360
<v Speaker 2>the label right now. Just look at Atlantic. Oh okay.

2:02:22.680 --> 2:02:27.880
<v Speaker 1>And that's when after Math stop being a major. Correct No,

2:02:28.680 --> 2:02:29.640
<v Speaker 1>because after.

2:02:29.520 --> 2:02:33.920
<v Speaker 2>Math after Math has some very messing with Apple and

2:02:34.360 --> 2:02:37.400
<v Speaker 2>in the school they made the cell after Math is

2:02:37.400 --> 2:02:39.959
<v Speaker 2>the indie label still gets to do what the distribution

2:02:40.120 --> 2:02:44.760
<v Speaker 2>whoever they want to do. Yes, And the last thing

2:02:44.840 --> 2:02:47.240
<v Speaker 2>that they did which was very successful was the was

2:02:47.440 --> 2:02:51.160
<v Speaker 2>Silk Sonic. But then with the Atlantic, so was that

2:02:51.680 --> 2:02:54.560
<v Speaker 2>they killed it? Did you have to one idea to know?

2:02:54.880 --> 2:02:58.120
<v Speaker 2>Everybody was down? Everybody was good? I was like, you know,

2:02:58.200 --> 2:03:00.000
<v Speaker 2>Dre would preferred me to work on my own stuff.

2:03:00.720 --> 2:03:03.440
<v Speaker 2>He wants me to work on Anderson pat that. Yeah,

2:03:03.520 --> 2:03:05.320
<v Speaker 2>he wants to like do your thing. This is great.

2:03:05.360 --> 2:03:08.240
<v Speaker 2>I keep doing that. I do a lot of collaborative efforts.

2:03:08.720 --> 2:03:11.000
<v Speaker 2>If you look at a lot of my records always collapse.

2:03:12.640 --> 2:03:14.440
<v Speaker 2>That's been my thing. I love it. It's not fun

2:03:14.520 --> 2:03:16.520
<v Speaker 2>unless I'm like working. I like working with other people.

2:03:16.680 --> 2:03:19.400
<v Speaker 2>It's like that's where it's fun for me. And so

2:03:20.840 --> 2:03:22.080
<v Speaker 2>but when it's time for me to work on my

2:03:22.160 --> 2:03:23.920
<v Speaker 2>own ship, it gets a little like I don't care,

2:03:24.240 --> 2:03:25.920
<v Speaker 2>I pee a little, I take a little more time,

2:03:26.040 --> 2:03:29.120
<v Speaker 2>and it gets a little more methodical and stuff. But

2:03:29.280 --> 2:03:31.760
<v Speaker 2>I love when I can work in a duo or

2:03:31.840 --> 2:03:33.840
<v Speaker 2>something like that. You know, I don't know, that's something

2:03:33.960 --> 2:03:38.840
<v Speaker 2>to my brain. Yeah, and so yeah, I told Dre

2:03:39.000 --> 2:03:40.840
<v Speaker 2>and he was with it, and then we played him

2:03:41.120 --> 2:03:44.520
<v Speaker 2>leader open and it was like yeah crazy and then

2:03:44.560 --> 2:03:47.640
<v Speaker 2>you we was doing the Residency and it was just

2:03:48.320 --> 2:03:52.080
<v Speaker 2>I didn't I didn't know that. Yeah, absolutely, and then

2:03:52.240 --> 2:03:56.160
<v Speaker 2>uh and Julie at Atlantic at the time, I mean

2:03:56.200 --> 2:04:01.040
<v Speaker 2>it was it was fucking It was an incredible Julie Greenwall. Yeah, yes,

2:04:01.960 --> 2:04:05.920
<v Speaker 2>Judy Green was solid. Right, So so who the he

2:04:06.160 --> 2:04:09.320
<v Speaker 2>was was under What was it Judy Green, Mike Kaiser,

2:04:11.160 --> 2:04:14.560
<v Speaker 2>I'm so terrible names with Julie, black dude, and like

2:04:14.800 --> 2:04:18.040
<v Speaker 2>some other people. Yeah, there was a black guy for sure.

2:04:19.400 --> 2:04:25.680
<v Speaker 2>The classes. Yes, that's my brother. I bleed for that.

2:04:28.080 --> 2:04:32.280
<v Speaker 2>Do you remember like lows? Okay, let's just chill. I

2:04:32.280 --> 2:04:34.240
<v Speaker 2>don't know. I don't want to get I don't know

2:04:34.320 --> 2:04:37.440
<v Speaker 2>who was exactly, but I was there. You getting way

2:04:37.440 --> 2:04:42.720
<v Speaker 2>too much money? You don't know. You just know you're

2:04:42.760 --> 2:04:43.960
<v Speaker 2>getting way too much money.

2:04:44.440 --> 2:04:46.720
<v Speaker 1>That's where it seems, and that's you know what, That's

2:04:46.760 --> 2:04:58.480
<v Speaker 1>a beautiful that's beautiful. So is there anything in this industry.

2:05:00.680 --> 2:05:12.120
<v Speaker 2>That's you regret? I mean my double excel freestyle was

2:05:12.120 --> 2:05:20.120
<v Speaker 2>a bit cringe, but I don't regret it. I just

2:05:21.240 --> 2:05:27.280
<v Speaker 2>could have been in a better outfit and that's all say,

2:05:27.440 --> 2:05:30.920
<v Speaker 2>no regrets. I think it's great, man, I look back.

2:05:31.040 --> 2:05:32.920
<v Speaker 2>I just love that I'm able to learn from my

2:05:33.120 --> 2:05:36.720
<v Speaker 2>mistakes and failures. I think that's the best part about

2:05:36.760 --> 2:05:38.640
<v Speaker 2>this whole thing, you know, learning in front of those,

2:05:38.880 --> 2:05:42.520
<v Speaker 2>enjoying those moments too, soaking those in and then moving on,

2:05:42.680 --> 2:05:45.640
<v Speaker 2>learning how to get better and enjoying the ride, being

2:05:45.720 --> 2:05:49.280
<v Speaker 2>open to new stuff, being okay, with not being the

2:05:49.400 --> 2:05:52.760
<v Speaker 2>best in the room with something and just like learning

2:05:52.800 --> 2:05:55.560
<v Speaker 2>about other people and trying to keep growing and learning

2:05:55.560 --> 2:05:58.480
<v Speaker 2>and that's it, and try to keep your dogs that

2:05:58.600 --> 2:06:01.320
<v Speaker 2>your way. It's tough, man. You know, you don't make

2:06:01.440 --> 2:06:02.400
<v Speaker 2>new friends these days.

2:06:03.240 --> 2:06:03.400
<v Speaker 6>You know.

2:06:03.600 --> 2:06:06.280
<v Speaker 2>I'm really like, I'm grateful for y'all having this platform.

2:06:06.440 --> 2:06:10.360
<v Speaker 2>You know, I always see you, you know, yeah, yeah,

2:06:11.360 --> 2:06:12.760
<v Speaker 2>take that light back because you ain't trying to.

2:06:14.320 --> 2:06:16.360
<v Speaker 3>Hey man, you're saying some nice words about us, and

2:06:16.920 --> 2:06:18.680
<v Speaker 3>this is why niggas can't express it.

2:06:19.720 --> 2:06:20.800
<v Speaker 2>That's why we need therapy.

2:06:20.920 --> 2:06:21.000
<v Speaker 3>Bro.

2:06:21.880 --> 2:06:25.760
<v Speaker 2>I just anxiety. At the same time, I want to

2:06:25.840 --> 2:06:30.320
<v Speaker 2>delight my blood. I like you, Thank you. I know.

2:06:30.720 --> 2:06:33.960
<v Speaker 2>No man like you. Man, No, man, I'm gonna be

2:06:34.040 --> 2:06:41.880
<v Speaker 2>honest with you. Man, You're You're a legend. We've been

2:06:41.960 --> 2:06:44.720
<v Speaker 2>you know, you know me and you got a relationship.

2:06:44.800 --> 2:06:46.320
<v Speaker 1>I've been trying to get you on here because I

2:06:46.360 --> 2:06:49.000
<v Speaker 1>want to give your flowers. And that's the thing about

2:06:49.360 --> 2:06:52.960
<v Speaker 1>our culture is most of us don't really do that.

2:06:53.160 --> 2:06:56.080
<v Speaker 1>Like it takes nothing from me as a man to

2:06:56.200 --> 2:06:59.320
<v Speaker 1>tell you how much I appreciate you as a man,

2:06:59.760 --> 2:07:02.000
<v Speaker 1>you know what I'm saying, Like, it doesn't take nothing

2:07:02.000 --> 2:07:04.040
<v Speaker 1>away from me. It doesn't take nothing away from us.

2:07:04.080 --> 2:07:06.240
<v Speaker 1>And that's what our show was about. Our show is

2:07:06.280 --> 2:07:09.360
<v Speaker 1>about giving people and making people know how much the

2:07:09.440 --> 2:07:14.240
<v Speaker 1>culture appreciate you. And god damn it, we appreciate you

2:07:14.400 --> 2:07:22.640
<v Speaker 1>motherfucker all right. And and it's not like you know,

2:07:22.800 --> 2:07:24.480
<v Speaker 1>you deserve this ship, you know what I'm saying, Like

2:07:24.880 --> 2:07:26.520
<v Speaker 1>I've been seeing you for years and me and you've

2:07:26.560 --> 2:07:28.640
<v Speaker 1>been kicking it and I'm just like, yo, I just

2:07:28.680 --> 2:07:31.560
<v Speaker 1>want to give you. I want you to understand, you know,

2:07:31.960 --> 2:07:34.200
<v Speaker 1>our play and watch your fans gonna when you your

2:07:34.240 --> 2:07:36.640
<v Speaker 1>fans see this, they're gonna be like, yo, wow, I'm

2:07:36.640 --> 2:07:37.320
<v Speaker 1>gonna take care of you.

2:07:37.520 --> 2:07:41.400
<v Speaker 2>Right, Yes, of course, you know we're great, you know, because.

2:07:41.480 --> 2:07:44.440
<v Speaker 3>It down a little bit a little bit, but you

2:07:44.520 --> 2:07:46.600
<v Speaker 3>got to understand we can't edit it down a lot

2:07:46.640 --> 2:07:46.800
<v Speaker 3>of it.

2:07:47.560 --> 2:07:47.720
<v Speaker 2>You know.

2:07:47.880 --> 2:07:53.160
<v Speaker 1>I watched you on like every interview you did, and

2:07:53.280 --> 2:07:59.000
<v Speaker 1>your story, like you know, has kind of it's been told,

2:07:59.040 --> 2:08:01.120
<v Speaker 1>but it's you've been and you've been telling it with

2:08:01.240 --> 2:08:04.800
<v Speaker 1>a smile on your face, right, So people might not

2:08:04.920 --> 2:08:09.920
<v Speaker 1>take it as serious as what it really is. Like

2:08:10.440 --> 2:08:16.760
<v Speaker 1>they're not aware read that your parents both did a

2:08:16.840 --> 2:08:24.120
<v Speaker 1>bid one seven years the other fourteen years. That doesn't

2:08:24.240 --> 2:08:27.320
<v Speaker 1>sound like a man who smiles, Like who smiles to me?

2:08:28.720 --> 2:08:32.560
<v Speaker 1>And when I see you on an off camera and

2:08:32.720 --> 2:08:38.520
<v Speaker 1>you smiling, that shit is the ultimate version of success

2:08:39.480 --> 2:08:42.000
<v Speaker 1>to me. To me, this is what I'm trying to

2:08:42.040 --> 2:08:48.880
<v Speaker 1>tell you. It's because you know, had I been through

2:08:49.360 --> 2:08:52.840
<v Speaker 1>that exact thing, I might I might have not been

2:08:52.880 --> 2:08:57.680
<v Speaker 1>able to smile as confident as you. And you do

2:08:59.040 --> 2:09:03.800
<v Speaker 1>smile confident it do in like three different groups. You

2:09:03.960 --> 2:09:10.440
<v Speaker 1>tored like a wrestler and you just live life. And

2:09:10.520 --> 2:09:12.160
<v Speaker 1>I want to say, that's something that I admire.

2:09:13.080 --> 2:09:13.360
<v Speaker 2>That's a.

2:09:15.240 --> 2:09:19.520
<v Speaker 1>Forget a rapper, forget an artist, forget an entertainer. I

2:09:19.600 --> 2:09:23.640
<v Speaker 1>admired as a man. It's a man. The ship that

2:09:23.720 --> 2:09:27.400
<v Speaker 1>you've been through and how you approach life and you

2:09:27.520 --> 2:09:31.800
<v Speaker 1>look forward. I solute you rather.

2:09:38.760 --> 2:09:41.360
<v Speaker 2>Big time. I got one more shot. Let's let's do you.

2:09:41.960 --> 2:09:43.960
<v Speaker 1>You got to, you got to, you got a little

2:09:44.000 --> 2:09:52.760
<v Speaker 1>too little bookorean mm hmm.

2:09:53.800 --> 2:09:55.320
<v Speaker 2>Told you got more in common than you think.

2:09:56.920 --> 2:09:59.680
<v Speaker 1>So And just for the last things that we know,

2:10:00.080 --> 2:10:04.120
<v Speaker 1>last shot, Yeah, one last shot before we get Is

2:10:04.160 --> 2:10:05.480
<v Speaker 1>it anything you want to say your fans?

2:10:05.520 --> 2:10:07.920
<v Speaker 2>Because I love you, Thank you so much for your patience,

2:10:07.960 --> 2:10:10.600
<v Speaker 2>Thanks for riding with me. Thanks for just you know,

2:10:10.840 --> 2:10:11.560
<v Speaker 2>grinding with me.

2:10:12.320 --> 2:10:12.440
<v Speaker 6>Uh.

2:10:13.000 --> 2:10:16.760
<v Speaker 2>I'm enjoying the ride. And I love you nothing without you.

2:10:17.120 --> 2:10:20.320
<v Speaker 2>I got so much stuff on the way. Uh. And

2:10:21.240 --> 2:10:22.840
<v Speaker 2>just know that I'm going to be taking care of

2:10:22.920 --> 2:10:25.920
<v Speaker 2>y'all because y'all taking care of me. And shout out

2:10:25.960 --> 2:10:30.840
<v Speaker 2>to my family, my my baby's soul shine. Uh, hey on,

2:10:32.080 --> 2:10:39.800
<v Speaker 2>shout out to Ronnie, Willie Camille, Paris night, Kenya Kayla

2:10:40.520 --> 2:10:53.040
<v Speaker 2>Kaylannie Kendrick. Uh Carousel, Who was you shying out? That

2:10:53.200 --> 2:11:10.560
<v Speaker 2>got real? You want a couple that came in earlier? Okay, bro,

2:11:11.640 --> 2:11:17.800
<v Speaker 2>thank you so much. And one more thing, by the way,

2:11:18.440 --> 2:11:20.840
<v Speaker 2>this is your house whenever you want to come back.

2:11:20.880 --> 2:11:27.000
<v Speaker 1>Take this last. Yeah, I've got three shots. Okay, take

2:11:27.000 --> 2:11:34.720
<v Speaker 1>a hockey. Thanks guys chez. Then I got one more.

2:11:34.800 --> 2:11:37.200
<v Speaker 1>You got a s killer right there. Killer with the

2:11:37.320 --> 2:11:38.560
<v Speaker 1>one more let me pour up.

2:11:38.880 --> 2:11:47.600
<v Speaker 2>Yeah on the flight you gotta flight's awful. Sorry for you, sir, goddamn.

2:11:50.400 --> 2:11:53.720
<v Speaker 3>Drink Champs is a drink Champs ll C production hosts

2:11:53.760 --> 2:11:55.680
<v Speaker 3>and executive producers n O. R.

2:11:55.760 --> 2:11:56.840
<v Speaker 2>E and d J. E.

2:11:57.080 --> 2:11:57.360
<v Speaker 3>F N.

2:11:58.520 --> 2:11:59.320
<v Speaker 2>Listen to Drink.

2:11:59.200 --> 2:12:03.480
<v Speaker 3>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2:12:03.640 --> 2:12:07.400
<v Speaker 3>get your podcasts. Thanks for joining us for another episode

2:12:07.440 --> 2:12:10.080
<v Speaker 3>of Drink Champs, hosted by Yours truly, dj e f

2:12:10.240 --> 2:12:12.360
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2:12:12.400 --> 2:12:14.880
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2:12:21.120 --> 2:12:24.840
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2:12:25.360 --> 2:12:27.760
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2:12:28.160 --> 2:12:31.360
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