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Speaker 1: He is drinks chess, motherfucking podcast man.

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Speaker 2: He's a legendary queen's rapper. He ain't agreed as your

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Speaker 2: boy in O r E. He's a Miami hip hop mioneer.

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Speaker 2: Put up his DJ E f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players you me and.

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Speaker 2: The most professional unprofessional podcast and your number one source

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Speaker 2: for drunk drink chans mo DS New Year c that's

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Speaker 2: it's time for drink champions. Drink up, motherfuck mother? Would

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Speaker 2: it good? Be hoping you would have shill be. This

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Speaker 2: is your boy and R what up his dj E

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Speaker 2: f N And this is middle of taping Crazy War. Now.

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Speaker 1: His brother's a legend. We've been trying to get him

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Speaker 1: for a long time. They said he came out two

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Speaker 1: thousand and twelve, but his freshman year couple is about

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Speaker 1: to hit ten years.

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Speaker 2: We're going to talk about that.

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Speaker 1: We're going to talk about that Super Bowl stage, We're

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Speaker 1: gonna talk about them six Grammys. We're gonna talk about

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Speaker 1: this legend. Non Grammy.

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Speaker 2: Was fucked up. In case you don't know, now, I

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Speaker 2: had my first hip.

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Speaker 1: Hop name was MC Yahoo with the ball to Bean

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Speaker 1: and he was yeah, I know was fucked up, but

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Speaker 1: you up there with me.

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Speaker 2: Your ship was Breezy Loved Joy. Yeah, you know it's

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Speaker 2: a much better name. Okay, I get you that, but

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Speaker 2: so that was your first man, Yeah, that was my

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Speaker 2: first name. I was like, yeah, it's gonna get all

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Speaker 2: the hose Breezy Loved Joy. It was already called me

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Speaker 2: Breezy when I was just a kid. It's twelve years

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Speaker 2: old and I was a big, chubby kid. I was

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Speaker 2: farting all the time, and my brother in law was like,

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Speaker 2: I'm gonna call you Breezy. He's from he was from Brooklyn.

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Speaker 2: He was like, call you Breezy right, because you're false

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Speaker 2: be crazy. And then when I got into like high school,

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Speaker 2: I was like, I'm gonna at the love Joy right

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Speaker 2: because that's gonna get the ladies. When I started writing

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Speaker 2: music on my first little demo tapes, and that's what

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Speaker 2: I went with for years. And then my manager was like,

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Speaker 2: you need to change that ship when you going to

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Speaker 2: meet Doctor Dre. Yeah, I was like, I got five

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Speaker 2: hundred Instagram followers. I don't need to change shit. I'm

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Speaker 2: on but and he was like, you're gonna really meet

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Speaker 2: doctor Dre one day and say my name is Breeze

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Speaker 2: Love Joy and I was like, damn, so I changed it.

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Speaker 2: Two years later I was signing Dre. It was like

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Speaker 2: it was crazy and you went with your own name.

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Speaker 2: M hmm, okay, mosset people in my my name. My

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Speaker 2: government name is Brandon Park Anderson. Wow, it's Korean and white.

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Speaker 2: I guess I don't know what it is. But my

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Speaker 2: mom they thought it was gonna be a girl. So

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Speaker 2: it was gonna ga me Brenda. And I came out

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Speaker 2: the g the man that I am right, and they

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Speaker 2: said Brandon right and uh. And then I just switched

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Speaker 2: it up. I went by Anderson Pat and then I

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Speaker 2: changed the denunciation of Pack because my manager was like,

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Speaker 2: you need them guessing, you need them talking. They won't

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Speaker 2: know if it's Pack Park, they won't know if you

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Speaker 2: want man a group. And I was like all right,

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Speaker 2: and I did it Anderson Pack and uh yeah it was.

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Speaker 2: It took a little bit, like rebranded for a little bit,

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Speaker 2: but it was. It kind of just all the line.

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Speaker 2: It was perfect time and after that I just kept

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Speaker 2: going with it.

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Speaker 1: All right, now we heard you drinking constants to almost

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Speaker 1: it's natural Tila day tomorrow, right, let's let's get it.

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Speaker 2: Let's get it. Jump on it.

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Speaker 1: Well, I'm gonna celebrate you drinking soccer drinking. Yes, he's.

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Speaker 2: Right. I just came from and you've been to Korea.

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Speaker 2: The share, Thank thank you. I have been to Korea

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Speaker 2: several times because I heard your son speaks fluent Korean. Yeah,

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Speaker 2: and laws of Korean, his grandparents, his mom, the whole

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Speaker 2: house Korean. I'll be like, you're black too, But little nigga,

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Speaker 2: now you like to get looked now, but what's the

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Speaker 2: Korean Virgin of saki? What's the course?

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Speaker 3: So long as you remember kept sake my mom gave

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Speaker 3: me because she went to Korean.

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Speaker 2: You brought it. You like it? I love it. I

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Speaker 2: get it.

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Speaker 1: That nas restaurant Cocotte with the caviar and chicken spot

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Speaker 1: and they didn't have saki, so I asked and they

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Speaker 1: was like, we have the Korean Virgin of Saki and

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Speaker 1: what's it called again?

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Speaker 2: Sold you that? Yeah? Okay, it's like vodka. But you're

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Speaker 2: not you're not Korean yourself. I am so. My mom

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Speaker 2: is actually born in Korea. She was adopted in Korea,

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Speaker 2: so she was found. Her and my uncle were found

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Speaker 2: during the Korean War in the fifties when the when

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Speaker 2: the whole place was going crazy and they were abandoned

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Speaker 2: kids they assumed from you know, a military American and

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Speaker 2: a Korean mom, and they were found and then brought

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Speaker 2: over to the Stags. My mom grew up black adopted

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Speaker 2: parents who were also in the military. She grew up

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Speaker 2: and Compton moved to South Central and when she was

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Speaker 2: you know, late thirties, she was living in Oxnar. So

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Speaker 2: she had me and my little sister, but she grew

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Speaker 2: up in La. My pops was from Philly. Wow. Black

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Speaker 2: from Philly. Yeah, yeah, so I'm Blatan.

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Speaker 4: I'm from Malaysian's black Asian.

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Speaker 2: We're from Malaysia. Son our people knees war Obama claiming nigga.

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Speaker 1: So how I you said your mom from Compton? How

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Speaker 1: did y'all get to Oxnard? How you can pronounce it?

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Speaker 1: Sar California?

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Speaker 2: Where's that at? It's a little north to La. You

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Speaker 2: go one on one north towards Santa Barbara. The first

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Speaker 2: time the album calabasas like past Calabasay. Yeah, Interrey County.

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Speaker 2: It's nice and it's it's a little more secluded, but

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Speaker 2: it's by the beach, but you know, more people moving

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Speaker 2: there now, but back then it was a lot of

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Speaker 2: people would be there because of the military base while

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Speaker 2: he was there, and you get a lot of military

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Speaker 2: people there, a lot of retirees, and a lot of

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Speaker 2: agricultures out there, so it was a lot of Latinos,

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Speaker 2: a lot of Mexicans and Salvadorians because it's all like strawberries.

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Speaker 2: You can grow everything there, so the majority of it

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Speaker 2: is agriculture and like immigrants that be over there working

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Speaker 2: and my mom strawberries. Yeah, that's how my mom winded

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Speaker 2: up over there. She got gifted a business for her.

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Speaker 2: One of her friends gave her a strawberry standing. He's

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Speaker 2: going to take over, and he's like, take this. You

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Speaker 2: ain't doing she was like doing junior college. She had

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Speaker 2: two kids already. She was like it, you know, And

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Speaker 2: then she did that and it got bigger and bigger

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Speaker 2: every year. And by the time she always worked for herself, Yeah,

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Speaker 2: entrepreneur from the job. And then she met my dad

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Speaker 2: and they started doing that together. And then my that

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Speaker 2: didn't work out. My pops went to prison when I was,

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Speaker 2: you know, rearely young, six or seven. But then she

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Speaker 2: continued to go and married again, and they got into

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Speaker 2: the same business and by the time we was high school,

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Speaker 2: you know, it was a multi million dollar business.

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Speaker 1: You know what the illness about you is, I always

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Speaker 1: kind of see you smile, right, yeah, And to me,

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Speaker 1: I'm scared of people who smile. Right, I'm going to

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Speaker 1: tell you why they want to protect their peace. That's

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Speaker 1: what that means for persons.

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Speaker 2: Yeah.

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Speaker 1: Yeah, So I'm saying, like, you know, I don't mean scared,

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Speaker 1: like you know what I mean. What I mean is

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Speaker 1: like this guy, Like if you see somebody smile, it's like,

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Speaker 1: that's that's the person you don't want to break their peace.

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Speaker 2: And I didn't know that.

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Speaker 1: And when I you know, saught researchings you and I

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Speaker 1: realized both of your parents went to jail, right.

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Speaker 2: Wow, Yeah, both of them did stretches in congentry. My

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Speaker 2: mom's uh was seven and a half years of Corona

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Speaker 2: State and my stepdad uh did about a year lest

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Speaker 2: But yeah, the same business as she did. You know,

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Speaker 2: she ended up getting in over her head kind of case.

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Speaker 2: It's like they had crazy like uh, you know, counts

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Speaker 2: against her. She she pled guilty, took a plea, and

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Speaker 2: she did seven and a half state and did that ship,

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Speaker 2: got went in got her degree. Both of your parents

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Speaker 2: the same time. H Yeah, it's a separate time now

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Speaker 2: they were locked the same time. Wow, this was my

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Speaker 2: stepdad and he came in around when I was like

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Speaker 2: six or seven, so and all the way till I

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Speaker 2: was about in high school. But yeah, they boke up

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Speaker 2: put it in the same time. And I was like

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Speaker 2: senior in high school, like I thought I was about

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Speaker 2: to be like I was making beats already, DJing I was.

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Speaker 2: I was like, I'm about to be signed to Rockefeller,

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Speaker 2: be the youngest over there. I'm gonna do this. And

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Speaker 2: then that happened senior year and everything just upside down.

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Speaker 2: My sisters had to move in and everybody was just

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Speaker 2: scrambling tryning. Me and my little sister were still in

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Speaker 2: high school. So how many siblings told, I got three

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Speaker 2: sisters from my mom and it's two older sisters, Ronnie

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Speaker 2: and Camille. Shout out to Ronnie, Camille and my little

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Speaker 2: sister Fielding And that's who we grew up in house with.

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Speaker 2: I was the only boy and I'm the middle and

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Speaker 2: so that must have been a rough time for us. Yeah,

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Speaker 2: it was tough, but we're all really close. So everybody

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Speaker 2: banded together. And once I graduated, I was like, Okay,

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Speaker 2: I'm not signed yet, I'm gonna get a job. So

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Speaker 2: I moved out. And it's when you worked in the

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Speaker 2: weed all working everywhere we farm. I did groceries, I

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Speaker 2: did assistant living, sold shoes, sneakers, sold weed. It was

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Speaker 2: the worst weed dealer. Yeah, you smoke with getting robbed,

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Speaker 2: just yeah, just getting.

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Speaker 5: No negotiating, no negotiating skills.

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Speaker 2: It was going all off botes and you gotta pay

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Speaker 2: other people. The niggas are trimed, like damn, I have

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Speaker 2: no gun. It's just chilling. Yeah. It was just I

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Speaker 2: was just having fun out there. Yeah. But then eventually

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Speaker 2: I got in my right lane in my right mind,

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Speaker 2: like I'm gonna do music.

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Speaker 1: So California, like from what we always know is like

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Speaker 1: heavily gang populated, was oxen arg Yeah, heavily ganged, Yeah.

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Speaker 2: Heavily Yeah. Growing up, that's all I knew. That's all

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Speaker 2: I knew growing up. When I was coming up. My

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Speaker 2: earliest memories of hanging with my cousins, you know, they

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Speaker 2: were gang bangers and they were always you know, beefing

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Speaker 2: with different people in the neighborhood, and I remember people

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Speaker 2: always going in and out of jail, are you know,

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Speaker 2: getting you know, hooked on drugs? And early on they

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Speaker 2: were like all the gang members I knew were early

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Speaker 2: on there. We used to say, like you were different, Yeah,

200
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Speaker 2: because you don't let you belong in the game, not

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Speaker 2: at all, not in the least bit. Funny though, Like

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Speaker 2: the music that I love the most is the most

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Speaker 2: gang bang, and it's like shooting.

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Speaker 1: Always Snoop Dogg ceed one time when when you cross.

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Speaker 2: Whatever, you know, Like since I was little, I was

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Speaker 2: listening to Snoop, you know, for show and tell. I

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Speaker 2: used to learn every lyric and just rap you know

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Speaker 2: the song you know, and that would be my show

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Speaker 2: and tell. And I was obsessed with hip hop. My

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Speaker 2: sister would to have all the tapes and I was

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Speaker 2: obsessed with everything and that she was obsessed with and

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Speaker 2: that was what my meter was for cool. So I

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Speaker 2: was like yeah, But all the early people that were

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Speaker 2: in that life were like, you're special, You're talented. I

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Speaker 2: used to just sit and they and they like do it,

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Speaker 2: and I just dance. I'll do all the kid and

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Speaker 2: play like Chriss Cross like I would do all that

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Speaker 2: I was such an entertainer. I wanted to just entertain.

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Speaker 2: I'll do the Bobby Brown, I do the I put

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Speaker 2: the jacket over and I do. It would be like

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Speaker 2: a every day a party for my family, and I

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Speaker 2: would be just entertaining Michael Jackson. I'll be flip and

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Speaker 2: all over the place. And so there was like boom.

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Speaker 2: And then when I started playing drums, I started getting

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Speaker 2: interested in music. Though there was like really like, you

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Speaker 2: ain't not this ain't for you. You stick with that.

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Speaker 2: You know when you started playing drums, that was in

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Speaker 2: the church.

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Speaker 1: So was that a three sixty moment for you when

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Speaker 1: the super Bowl when you on the drums, because it's

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Speaker 1: like that's where you started out in the church. But

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Speaker 1: look at you on the biggest stage in the world,

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Speaker 1: and you you know, you're.

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Speaker 2: Going back to how you started. How was that moment

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Speaker 2: for you? Cheers? The super Bowl? The super Bowl? It

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Speaker 2: was the moment. Crap it up for that. That's that's

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Speaker 2: why it makes it.

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Speaker 1: Scott's thoughts must have been sitting back like, man, this morning, sucker,

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Speaker 1: how he getting invited on stage?

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Speaker 2: Lang Lang, But yeah, this's cribbed that moment. Shout out

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Speaker 2: to Scott's story and got my man, hell ya just playing.

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Speaker 2: But you know that joke was fun. That's my dad jokes, buddy.

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Speaker 2: I had had what you're about to be left off

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Speaker 2: that motherfucker like I got.

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Speaker 1: We had Scott to talk about it on here, and

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Speaker 1: we had Dre talk about it on here, and I

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Speaker 1: asked Dre particularly. I asked, Dre, did you think you

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Speaker 1: missed somebody off of the stage.

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Speaker 2: And he looked at me.

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Speaker 1: It's the hardest part of the interview, in my opinion.

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Speaker 1: He looked at me and was like no, And I said.

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Speaker 2: Oh ship he was?

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Speaker 6: He was?

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Speaker 2: I had They had already dropped the flyer for the

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Speaker 2: Super Bowl, right, I was not on that ship. I

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Speaker 2: hit Dre direct, Dre, what the fuck? Let me get

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Speaker 2: on that joint, Let me play drums something, let me

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Speaker 2: you know, I got I can get in there. Some

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Speaker 2: ways said hey, it's all good. I made my own flyer.

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Speaker 2: I superimposed myself on that ship long ago, ten years ago.

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Speaker 2: That ship was before you. I put my I my people.

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Speaker 2: I'm like, look, you gotta figure it out. I threw it.

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Speaker 2: I threw myself on there. I was like, yo, it's good.

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Speaker 2: Like He's like we're gonna find something for you guys

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Speaker 2: like that. I'm puting myself on the fly. I'm gonna

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Speaker 2: just take a few liberties. I'm gonna just throw myself

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Speaker 2: on there. And I showed it to him. He started

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Speaker 2: cracking up. He was like, make sure they know it's

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Speaker 2: a joke. I was like, that's all good. I'm a

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Speaker 2: post it And I was on that ship. Next thing

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Speaker 2: you know, I was waiting manifest it. Manifest It's not

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Speaker 2: make it till you make it, it's bring it to

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Speaker 2: see it all the way through. Yeah, shout out to

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Speaker 2: shoutut to everybody that was on it. Let me ask you,

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Speaker 2: though you actually got the call, what was it that

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Speaker 2: you for?

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Speaker 3: I did.

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Speaker 2: All right, I'm in you know, that was pretty much

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Speaker 2: just of V And next thing you know, I'm at

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Speaker 2: rehearsals and he's like, I got this idea. You're going

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Speaker 2: you're down to play for Marshall, you know, like, and

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Speaker 2: I'm like, let's do it, like lose yourself and the

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Speaker 2: fun the part was that I was rehearsing for the

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Speaker 2: Silk Sonic ship at the same time we was rehearsing

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Speaker 2: for your residency. If you went to the LA Residency,

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Speaker 2: that was. We were rehearsing for that at the same time,

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Speaker 2: and I feel like we only had like a month

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Speaker 2: to get the show right, and we did a month

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Speaker 2: straight and I had to keep telling Bruno's like, I

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Speaker 2: gotta go for Super Bowl rehearsal. I got to leave early,

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Speaker 2: you know, and so and both of them are just

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Speaker 2: like they're so phixiated on having the greatest show. And

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Speaker 2: that's why they do have the greatest show, because they

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Speaker 2: really work at it. And Dre's no exception, and he

295
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Speaker 2: was getting these rehearsals in and they put together an

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Speaker 2: amazing show. And I was able to sneak in like

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Speaker 2: really two or three rehearsals with Dre and them, and

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Speaker 2: they shut out. To my boy, that was the MD

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Speaker 2: over there. Oh my god, I'm I'm drinking and smoking,

300
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Speaker 2: but you know, charge it to my heart, no man,

301
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Speaker 2: But you know, my boy Adam Blackstone, who put together

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Speaker 2: the show is incredible in his band, and he took

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Speaker 2: care of me and got me where I was comfortable

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Speaker 2: I could jump in there and also get back in rehearsal.

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Speaker 2: So on we had to do the Super Bowl. It

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Speaker 2: was insane because right before we go on to the field,

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Speaker 2: you know, we're like on the side of the field,

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Speaker 2: and you know they get like thirty seconds to set

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Speaker 2: up stage or whatever. Wait thirty seconds, I mean something

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Speaker 2: like that. Yeah, and I'm here and you know, you

311
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Speaker 2: put your in theres in and you can hear everybody talking,

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Speaker 2: and like it's seconds before we go up and I

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Speaker 2: hear snoop go he go to Dre, Hey, cuz is

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Speaker 2: it Lotti dotty doar dotty dotty doll? And Dre goes

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Speaker 2: what and then five four slights off them? Oh my god,

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Speaker 2: And I'm playing to lose yourself. You don't even get

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Speaker 2: one shot. I'm like, could you not drop your sticks?

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Speaker 3: Bro?

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Speaker 2: This is like the biggest thing. And it was just incredible, man,

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Speaker 2: like the way they orchestrated it and it went off

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Speaker 2: without it hit you. It was it was that was

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Speaker 2: a big moment for sure, and everybody was like, I

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Speaker 2: was like, should I smile? You know when I'm damn,

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Speaker 2: I couldn't help it, and I'm like, I'm gonna be

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Speaker 2: straight facing. And then as you can see, I had

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Speaker 2: the biggest fucking smile the whole time.

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Speaker 3: Yeah.

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Speaker 2: I tried. I just I was hired. So did he

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Speaker 2: say I blocked out. I don't even know. I think

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Speaker 2: he's lotty dot he died.

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Speaker 3: Yeah, But go back to when you get your hands

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Speaker 3: on drums, how is that presented to you in the church?

333
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Speaker 3: Like what how did you get drawn into drums yourself?

334
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Speaker 2: I started playing drums because I wanted a girlfriend or something,

335
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Speaker 2: you know, I wanted girls, you know, like I was

336
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Speaker 2: getting into twelve thirteen and everybody had a thing, and

337
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Speaker 2: I thought I was gonna be NBA player. I thought

338
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Speaker 2: I was going to be like a wrestler like all

339
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Speaker 2: these things. And I was, you know, drawing, and I

340
00:17:49,240 --> 00:17:51,359
Speaker 2: wanted to be in a cartoon like I wanted. I

341
00:17:51,480 --> 00:17:53,119
Speaker 2: was like, well, I couldn't like be a cartoon, but

342
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Speaker 2: I was like I need to do something. And then

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Speaker 2: I was like I love music and I was very percussive,

344
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Speaker 2: and the drums were the one thing that when I

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Speaker 2: got on it was like second nature, like I never

346
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Speaker 2: had to really overthink it. So that's why I stuck

347
00:18:09,280 --> 00:18:11,760
Speaker 2: with it, and so it's naturally. Yeah, in sixth grade,

348
00:18:11,880 --> 00:18:14,920
Speaker 2: I started playing in like orchestra band and it was cool.

349
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Speaker 2: I was about to quit, but then my step pops

350
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Speaker 2: I came home one dan he had a drum set

351
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Speaker 2: and he was playing prints and I didn't even know

352
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Speaker 2: he played drums, and like, I was like, okay, the

353
00:18:24,080 --> 00:18:26,440
Speaker 2: full drum kit, that that might be more of my thing.

354
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Speaker 2: And he was just always jamming. He wouldn't let me

355
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Speaker 2: get on the drum kit for a minute, and then

356
00:18:32,560 --> 00:18:34,200
Speaker 2: he finally got off and I hopped on and I

357
00:18:34,280 --> 00:18:38,240
Speaker 2: started playing, and it was just like, man, a few minutes,

358
00:18:38,480 --> 00:18:40,119
Speaker 2: I was getting it. I had the mechanics, and my

359
00:18:40,200 --> 00:18:41,760
Speaker 2: mom was hopped out of the room and was like,

360
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Speaker 2: you're crazy. My mom was a really big critic, you know,

361
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Speaker 2: and she was like, that's you got it. She was

362
00:18:45,840 --> 00:18:48,720
Speaker 2: dancing and shit. So I was like, okay, I can't

363
00:18:48,720 --> 00:18:50,600
Speaker 2: make people dance and shit, so I'm gonna keep doing it.

364
00:18:50,600 --> 00:18:54,399
Speaker 2: And I kept learning all her records or when the Fire, Frankie,

365
00:18:54,480 --> 00:19:00,280
Speaker 2: Beverly and Al Green and you know, yeah, she was

366
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Speaker 2: just yeah, she had booklets to see me d drums,

367
00:19:05,520 --> 00:19:09,000
Speaker 2: learned this, learn this, I mean everything, Freddy Jackson, Heavy

368
00:19:09,040 --> 00:19:13,840
Speaker 2: D Tony, Tony Tony, like so much stuff. And then

369
00:19:13,880 --> 00:19:15,919
Speaker 2: I started, you know, getting older and listening myself. Then

370
00:19:16,160 --> 00:19:18,119
Speaker 2: my god sister came through. She's like, you need to

371
00:19:18,160 --> 00:19:20,719
Speaker 2: go play at church. That's where all the musicians at

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Speaker 2: you playing drums, Oh you're ready, you need to play

373
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Speaker 2: at church. And we never been to church for that.

374
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Speaker 2: I was like twelve and my mom grew up in

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Speaker 2: the church house her parents, her father was a pastor,

376
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Speaker 2: but they she never really made us go to church

377
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Speaker 2: like that. And so when I was invited by my godsister,

378
00:19:39,080 --> 00:19:42,160
Speaker 2: it was because the music initially, and when I went,

379
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Speaker 2: I saw the best music and saw the best players.

380
00:19:44,640 --> 00:19:48,439
Speaker 2: And then I was you know, under people that were

381
00:19:48,480 --> 00:19:52,359
Speaker 2: reading the word and and the best like mentors and stuff,

382
00:19:52,359 --> 00:19:54,160
Speaker 2: and they were just taking me in. And I got

383
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Speaker 2: a bunch of kids that are my age that were

384
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Speaker 2: going to church too, So that became like my little network,

385
00:19:58,600 --> 00:20:02,440
Speaker 2: my social network, and that was everything. That's where I learned.

386
00:20:02,560 --> 00:20:05,160
Speaker 2: Like that was like my camp. You know, like every

387
00:20:05,240 --> 00:20:06,359
Speaker 2: day I was, I'm a church.

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Speaker 1: Kid, and you could head a soul and in your

389
00:20:11,000 --> 00:20:13,480
Speaker 1: voice you could tell that you had to start early

390
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Speaker 1: in the church.

391
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Speaker 2: Yeah, that was it. And they didn't let me play

392
00:20:16,040 --> 00:20:19,040
Speaker 2: ship like for years. I was just just a drum

393
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Speaker 2: staring at the drums a long time.

394
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Speaker 3: Yeah.

395
00:20:21,480 --> 00:20:25,880
Speaker 2: He was the bench for the yeah, and then then

396
00:20:26,240 --> 00:20:29,480
Speaker 2: for commuting commuting or offering, you might get a chance

397
00:20:29,520 --> 00:20:32,520
Speaker 2: to play. Come on, little nigg and you play. You

398
00:20:32,600 --> 00:20:34,719
Speaker 2: fuck up one time, get off, get off, and they

399
00:20:34,800 --> 00:20:37,639
Speaker 2: embarrassed you for the next guy come in, you know,

400
00:20:37,720 --> 00:20:41,280
Speaker 2: And that's what it was about. You're playing, you know. Uh,

401
00:20:42,600 --> 00:20:44,960
Speaker 2: I think DeAngelo said this one time. It's not for

402
00:20:45,040 --> 00:20:47,840
Speaker 2: any former fashion. It's to glorify God. And you're a vessel,

403
00:20:48,000 --> 00:20:53,160
Speaker 2: so any little thing, you know, it's like it's very sacred.

404
00:20:53,240 --> 00:20:57,159
Speaker 2: So uh, you get the best musicians and eventually you

405
00:20:57,560 --> 00:21:01,440
Speaker 2: you're able to play more and more. You know. It's

406
00:21:01,480 --> 00:21:03,159
Speaker 2: like training and practice hours.

407
00:21:03,400 --> 00:21:03,480
Speaker 7: Ye.

408
00:21:03,720 --> 00:21:05,760
Speaker 2: Playing in the church is crazy. And I was there

409
00:21:05,800 --> 00:21:08,840
Speaker 2: every day of the week down there. It's like Monday

410
00:21:08,960 --> 00:21:12,480
Speaker 2: youth service and choir rehearsal at eight o'clock eleven o'clock.

411
00:21:12,520 --> 00:21:16,080
Speaker 2: Then we travel, you know, shout out to Jerse Mitchell.

412
00:21:16,480 --> 00:21:19,199
Speaker 2: I was me and an organist. And that was how

413
00:21:19,280 --> 00:21:21,080
Speaker 2: I played. Grew up playing for years all the way

414
00:21:21,119 --> 00:21:23,040
Speaker 2: until I was in my late twenties, until I couldn't

415
00:21:23,040 --> 00:21:24,840
Speaker 2: do it any more. That that was how I got

416
00:21:24,880 --> 00:21:27,080
Speaker 2: paid Every week when I didn't have a job, I

417
00:21:27,119 --> 00:21:29,960
Speaker 2: could always play at the church. I was literally feeding

418
00:21:30,000 --> 00:21:34,159
Speaker 2: my kid with that like it's yeah, that's it was

419
00:21:34,359 --> 00:21:35,200
Speaker 2: my everything for sure.

420
00:21:38,720 --> 00:21:42,000
Speaker 1: So did you ever find out from Boosie Collins with

421
00:21:42,480 --> 00:21:44,120
Speaker 1: the Silk Sonic really mean.

422
00:21:44,800 --> 00:21:47,480
Speaker 2: We just riding with this? You got to ask Bruno,

423
00:21:48,720 --> 00:21:52,600
Speaker 2: Well it was Bruno, Yeah, okay, and it was like

424
00:21:52,920 --> 00:21:56,800
Speaker 2: true he named he Yeah, like they came together. But

425
00:21:56,960 --> 00:22:00,320
Speaker 2: I think, you know, Bootsy solidified it, you know, saying

426
00:22:00,920 --> 00:22:04,240
Speaker 2: like he really like put a stamp on it and

427
00:22:04,320 --> 00:22:09,000
Speaker 2: we couldn't do nothing without his blessing first. But you know,

428
00:22:10,480 --> 00:22:13,760
Speaker 2: he is like such a mastermind man. He's really a

429
00:22:13,880 --> 00:22:18,480
Speaker 2: visionary and a perfectionist and is a dude that is

430
00:22:18,960 --> 00:22:22,879
Speaker 2: cut from the same claw. Another musician knows about playing

431
00:22:22,880 --> 00:22:25,240
Speaker 2: in Church, it was about show biz from an early

432
00:22:25,400 --> 00:22:29,320
Speaker 2: on point, you know, playing when he was like imitating

433
00:22:29,400 --> 00:22:31,920
Speaker 2: Elvis in a full family band since he was like

434
00:22:32,080 --> 00:22:34,959
Speaker 2: six seven. You know, like that's some shit right there.

435
00:22:35,119 --> 00:22:37,159
Speaker 2: So he comes from a different side of it, so

436
00:22:37,320 --> 00:22:40,159
Speaker 2: he knows. I don't know, he's just really good with

437
00:22:40,800 --> 00:22:44,960
Speaker 2: the not only constructing these songs and putting in the

438
00:22:45,040 --> 00:22:46,960
Speaker 2: work to make it happen, but also how is it

439
00:22:47,040 --> 00:22:50,280
Speaker 2: going to look, how we're gonna position it, what suits

440
00:22:50,400 --> 00:22:54,119
Speaker 2: what kind of kyo? Like now, let's really drive it home.

441
00:22:54,200 --> 00:22:56,200
Speaker 2: Let's show them how to dance to it, like listen.

442
00:22:56,520 --> 00:22:59,320
Speaker 2: You know. So this is a whole other part that

443
00:23:00,480 --> 00:23:02,439
Speaker 2: I learned a lot from, you know, in that process

444
00:23:02,720 --> 00:23:05,600
Speaker 2: with Silk Sonic. And we didn't have ship else to do.

445
00:23:05,640 --> 00:23:08,320
Speaker 2: It was cod COVID. There's nothing else to do. So

446
00:23:08,440 --> 00:23:12,000
Speaker 2: that's probably why it was perfect. And that's how you

447
00:23:12,080 --> 00:23:14,600
Speaker 2: can ever get that back. Things weren't fun like it

448
00:23:14,640 --> 00:23:16,760
Speaker 2: looked fun. Yeah, we were having so much fun. Some

449
00:23:16,880 --> 00:23:19,639
Speaker 2: days we just pull up not a single bit of

450
00:23:19,720 --> 00:23:22,280
Speaker 2: work with to get done and we're just laughing talking

451
00:23:22,359 --> 00:23:26,000
Speaker 2: ship and uh, next day we try to do something

452
00:23:26,000 --> 00:23:28,320
Speaker 2: because this day we just laughed all fucking day. And

453
00:23:28,440 --> 00:23:32,000
Speaker 2: I think that's that's rare. You meet people that's rare

454
00:23:32,080 --> 00:23:34,280
Speaker 2: that in the in the industry. When he works this long.

455
00:23:34,359 --> 00:23:37,480
Speaker 2: I've been blessed work now in the double digit digits,

456
00:23:37,520 --> 00:23:39,320
Speaker 2: and it's like to meet people that are you in

457
00:23:39,400 --> 00:23:41,440
Speaker 2: your your peer group that are like that still and

458
00:23:41,560 --> 00:23:44,280
Speaker 2: have that passion for it and still want to win. Uh,

459
00:23:45,080 --> 00:23:49,800
Speaker 2: it's refreshing and it's like something you cherish. Now let's

460
00:23:49,800 --> 00:23:52,479
Speaker 2: talk about you just use the word perfection. Right.

461
00:23:53,960 --> 00:23:57,600
Speaker 1: One of the people that's known for perfection is doctor Dre.

462
00:23:58,080 --> 00:24:00,480
Speaker 1: Like I've heard doctor Dre made you people.

463
00:24:00,280 --> 00:24:00,560
Speaker 6: Come to this.

464
00:24:00,640 --> 00:24:01,320
Speaker 2: Have you work with him?

465
00:24:01,480 --> 00:24:03,200
Speaker 1: Yes, I have, But I worked with him early on

466
00:24:03,240 --> 00:24:05,359
Speaker 1: in nineteen ninety seven. I told him, told him that

467
00:24:05,359 --> 00:24:07,040
Speaker 1: he didn't even remember that's how dope his life is.

468
00:24:08,200 --> 00:24:12,840
Speaker 1: He was like, word, I remember that track. Remember this

469
00:24:13,000 --> 00:24:16,000
Speaker 1: was a track call I'm leaving on the Firm album.

470
00:24:16,320 --> 00:24:21,000
Speaker 1: I was, so, I'm asking you, has it ever been

471
00:24:21,080 --> 00:24:25,040
Speaker 1: frustrated or you always respect the process? Because I heard

472
00:24:25,200 --> 00:24:27,520
Speaker 1: like like perfection, perfection. I heard you have people come

473
00:24:27,600 --> 00:24:29,760
Speaker 1: back ten times to get one. I heard you guys

474
00:24:29,800 --> 00:24:35,560
Speaker 1: battle perfection. Yeah, yeah, I think it's it's about the growth.

475
00:24:35,680 --> 00:24:40,000
Speaker 2: I think when I started with him, you know, twenty fifteen,

476
00:24:41,320 --> 00:24:43,320
Speaker 2: I was just really excited to be in there with

477
00:24:44,080 --> 00:24:47,639
Speaker 2: Like I couldn't tell you how crazy the energy is

478
00:24:47,760 --> 00:24:50,800
Speaker 2: to where someone that grows up in southern California grows

479
00:24:50,880 --> 00:24:54,159
Speaker 2: up where I come from. And to actually make it

480
00:24:54,440 --> 00:24:57,360
Speaker 2: to Dre, that was like making it to the top

481
00:24:57,400 --> 00:25:00,399
Speaker 2: of it, Like that's the top and maybe see that

482
00:25:00,480 --> 00:25:02,800
Speaker 2: might be universal thing Like even though I come from

483
00:25:02,800 --> 00:25:04,720
Speaker 2: the West Coast, there's I know, there's this from New York.

484
00:25:04,760 --> 00:25:09,320
Speaker 2: I feel that we're all over the world. That Quincy Jones, yeah, everything.

485
00:25:09,119 --> 00:25:11,960
Speaker 1: So arguably the best producer of one of the most

486
00:25:12,040 --> 00:25:13,040
Speaker 1: legendary groups, you know.

487
00:25:13,119 --> 00:25:16,119
Speaker 2: Right, So to be in a studio, let alone be

488
00:25:16,240 --> 00:25:19,920
Speaker 2: signed by him, Like I'm telling you, I never in

489
00:25:20,040 --> 00:25:23,720
Speaker 2: my wildest dreams. So when I was just getting in

490
00:25:23,800 --> 00:25:25,679
Speaker 2: the studio with him, when he was working on Compton,

491
00:25:25,720 --> 00:25:29,400
Speaker 2: he was inviting me over. Man, that was just that's

492
00:25:29,400 --> 00:25:31,640
Speaker 2: the first time I were together comped and op. Yeah,

493
00:25:31,680 --> 00:25:33,480
Speaker 2: it really put a battery in my back. It gave

494
00:25:33,520 --> 00:25:36,399
Speaker 2: me a gusto that I needed because before that I

495
00:25:36,440 --> 00:25:37,840
Speaker 2: didn't think I was going to get to meet him.

496
00:25:37,840 --> 00:25:39,280
Speaker 2: I think I was going to get to work with him.

497
00:25:41,000 --> 00:25:43,600
Speaker 2: You know, coming up as a writer in LA you

498
00:25:43,720 --> 00:25:47,560
Speaker 2: always got hit up to do uh detok sessions and

499
00:25:47,680 --> 00:25:50,080
Speaker 2: work on stuff that you know, the mic may or

500
00:25:50,119 --> 00:25:53,080
Speaker 2: not come out, and it was just always a thing.

501
00:25:53,240 --> 00:25:57,080
Speaker 2: And so when I actually I almost missed the opportunity

502
00:25:57,160 --> 00:25:59,440
Speaker 2: to work with him because I you know, I was

503
00:25:59,520 --> 00:26:03,480
Speaker 2: thinking that oh that already came and went, you know,

504
00:26:03,720 --> 00:26:07,280
Speaker 2: and it was such an idiot that almost like you know,

505
00:26:07,440 --> 00:26:09,399
Speaker 2: let that was that close to letting the opportunity to

506
00:26:09,440 --> 00:26:11,120
Speaker 2: go because I was thinking, like Nah, he ain't gonna

507
00:26:11,119 --> 00:26:13,160
Speaker 2: be at the studio. I don't I've got my own

508
00:26:13,200 --> 00:26:15,920
Speaker 2: thing going. I don't need to go and work on this. Yeah,

509
00:26:16,040 --> 00:26:18,560
Speaker 2: you know at the time, you know, and my manager

510
00:26:18,680 --> 00:26:21,280
Speaker 2: was like, are you you have to five hundred follow us? Okay,

511
00:26:21,920 --> 00:26:29,720
Speaker 2: you know, get spike it double, but no, I was

512
00:26:29,840 --> 00:26:32,159
Speaker 2: just like nah. And then he was like, dude, you go, bro,

513
00:26:32,400 --> 00:26:34,560
Speaker 2: like just go, you know, And then I went and

514
00:26:34,680 --> 00:26:37,560
Speaker 2: it was like wow, right there first two people on me,

515
00:26:37,720 --> 00:26:40,080
Speaker 2: Dre and DC, because then you have a record out,

516
00:26:40,160 --> 00:26:41,920
Speaker 2: and they didn't play it for him. I did have

517
00:26:41,960 --> 00:26:43,879
Speaker 2: a record. It was bubbling. It was like, you know,

518
00:26:44,720 --> 00:26:46,640
Speaker 2: floating around. I had a single out. I don't even

519
00:26:46,680 --> 00:26:48,280
Speaker 2: know if it was officially out or what, but I

520
00:26:48,359 --> 00:26:51,160
Speaker 2: think it was out. Actually had a record out through

521
00:26:51,160 --> 00:26:53,840
Speaker 2: Stones Throw, through another group called No Worries. Shut up

522
00:26:53,840 --> 00:26:55,640
Speaker 2: to my brother and you had to play it for him.

523
00:26:56,000 --> 00:26:58,080
Speaker 2: You were nervous a ship. And I got invited and

524
00:26:58,200 --> 00:27:00,359
Speaker 2: he was there, and so I went into the studio

525
00:27:00,359 --> 00:27:02,960
Speaker 2: I was working with. He was working on the project

526
00:27:03,240 --> 00:27:05,520
Speaker 2: called Compton, and he was working with these two writers

527
00:27:05,840 --> 00:27:10,920
Speaker 2: Mezo my Dog till this day in JT. Incredible writers

528
00:27:11,680 --> 00:27:15,040
Speaker 2: and they were like going crazy. They were playing me

529
00:27:15,080 --> 00:27:16,720
Speaker 2: the music that they were working on for Dre and

530
00:27:16,760 --> 00:27:18,680
Speaker 2: it was incredible and they were like, Yo, we love

531
00:27:18,720 --> 00:27:20,679
Speaker 2: your song Swayed and that was the song I had,

532
00:27:20,720 --> 00:27:23,639
Speaker 2: Bubbling and that's the song I had and it was

533
00:27:23,680 --> 00:27:26,080
Speaker 2: a single, and he was like, we love this and

534
00:27:26,480 --> 00:27:29,040
Speaker 2: we want to play it for Dre and I was

535
00:27:29,080 --> 00:27:31,800
Speaker 2: like heard it yet. Yeah. I was like, well, let's

536
00:27:31,840 --> 00:27:33,679
Speaker 2: make some new shit, you know, let's get him excited

537
00:27:33,680 --> 00:27:35,720
Speaker 2: about something else, you know, in casey don't like it.

538
00:27:36,240 --> 00:27:38,000
Speaker 2: And they're like, now fucked out. We bringing him in here.

539
00:27:38,359 --> 00:27:41,560
Speaker 2: We brought him in. He was like, what the fuck

540
00:27:41,720 --> 00:27:48,639
Speaker 2: was that. It's one of those anytime you get the

541
00:27:48,680 --> 00:27:52,560
Speaker 2: two thumbs up you did something crazy right, and he

542
00:27:52,760 --> 00:27:56,000
Speaker 2: just would have stopped playing it, and it was just

543
00:27:56,160 --> 00:27:59,159
Speaker 2: like wow. He just cranked it up. And after like

544
00:27:59,200 --> 00:28:01,760
Speaker 2: three or four times playing it, he's like, let's let's

545
00:28:01,800 --> 00:28:04,600
Speaker 2: do something new. And we must have made like three

546
00:28:04,680 --> 00:28:06,720
Speaker 2: or four records that night, all in the day's work

547
00:28:06,760 --> 00:28:09,640
Speaker 2: we did that night. Yeah, we did a bunch of shit.

548
00:28:10,520 --> 00:28:12,560
Speaker 2: And then it came back the next day. He did

549
00:28:12,680 --> 00:28:15,200
Speaker 2: more and more and just like kept working. We kept

550
00:28:15,240 --> 00:28:17,520
Speaker 2: working on you know, the first track and building it

551
00:28:17,600 --> 00:28:20,560
Speaker 2: and trying different ways he wanted to do. They're playing

552
00:28:20,560 --> 00:28:22,600
Speaker 2: with the production, and then I just kept coming. I

553
00:28:22,640 --> 00:28:25,639
Speaker 2: would just some days I would go I wouldn't do anything.

554
00:28:25,640 --> 00:28:27,600
Speaker 2: I just watch and other writers would come in, other

555
00:28:27,840 --> 00:28:31,080
Speaker 2: artists would come in and record, and I would just

556
00:28:31,119 --> 00:28:33,639
Speaker 2: shoot the ship with the producers. And then I was, uh,

557
00:28:33,760 --> 00:28:35,800
Speaker 2: some days I do like three or four gems like

558
00:28:36,440 --> 00:28:41,480
Speaker 2: crazy stuff. And next thing you know, I wake up

559
00:28:41,520 --> 00:28:45,120
Speaker 2: and the album's out and my mom counting's out. It's

560
00:28:45,200 --> 00:28:47,520
Speaker 2: on iTunes and my mom like five records, and then

561
00:28:47,560 --> 00:28:50,920
Speaker 2: it updates them on six records. Then they was calling

562
00:28:50,960 --> 00:28:57,320
Speaker 2: me six pack track. Nothing was ever the same, No.

563
00:28:57,480 --> 00:28:57,680
Speaker 1: It was.

564
00:28:57,840 --> 00:29:01,120
Speaker 2: It was crazy. Yeah, how dope does that feel?

565
00:29:01,200 --> 00:29:04,200
Speaker 1: Because it's also been rumored that Dre would make a

566
00:29:04,240 --> 00:29:05,240
Speaker 1: whole album with somebody.

567
00:29:05,520 --> 00:29:08,920
Speaker 2: You never know if that was, Like he actually put

568
00:29:08,960 --> 00:29:10,800
Speaker 2: it out and I didn't have an album out. Really,

569
00:29:11,120 --> 00:29:13,600
Speaker 2: I had this my first album. I venished and I

570
00:29:13,680 --> 00:29:16,560
Speaker 2: had to single out. But then Boom Compton came out

571
00:29:16,640 --> 00:29:18,800
Speaker 2: and I didn't even have my album out. Like I

572
00:29:18,960 --> 00:29:20,400
Speaker 2: was like, ship, I need something to go off.

573
00:29:20,560 --> 00:29:23,280
Speaker 1: I heard him L did a whole album, and no

574
00:29:23,360 --> 00:29:25,560
Speaker 1: one wanted a bunch of people did stuff like what

575
00:29:25,680 --> 00:29:30,760
Speaker 1: I'm saying like it's l L like that's right if

576
00:29:30,800 --> 00:29:32,800
Speaker 1: I came a sign to the label. So when it

577
00:29:32,880 --> 00:29:36,000
Speaker 1: actually comes out, you are you like, fuck.

578
00:29:35,840 --> 00:29:38,680
Speaker 2: Yeah, I made it. Yeah I'm different. I'm different, off Rid,

579
00:29:38,800 --> 00:29:41,080
Speaker 2: because I think that was the beauty of it. It's

580
00:29:41,120 --> 00:29:43,720
Speaker 2: like your ex girl and be like hey, bitch calling me.

581
00:29:49,800 --> 00:29:53,320
Speaker 2: I was married. I always had my oldest you know,

582
00:29:53,360 --> 00:29:56,680
Speaker 2: it was getting older, and I was like yes, perfect,

583
00:29:56,720 --> 00:30:00,600
Speaker 2: like thank God, like something's happening, you know, like man,

584
00:30:00,720 --> 00:30:03,320
Speaker 2: and I wasn't signed. I was boom, he was crazy

585
00:30:03,400 --> 00:30:06,320
Speaker 2: put it out. Surprise. Drop had the movie. He had

586
00:30:06,360 --> 00:30:10,440
Speaker 2: the motion and was like, no, check him out when

587
00:30:10,560 --> 00:30:12,600
Speaker 2: he had the motion and I was like wow. And

588
00:30:12,720 --> 00:30:15,600
Speaker 2: I couldn't buy a deal before that, we was going everywhere.

589
00:30:15,840 --> 00:30:18,880
Speaker 1: So let me ask you, did you stick with aftermath

590
00:30:18,920 --> 00:30:20,920
Speaker 1: because he felt loyal, You felt you felt.

591
00:30:20,680 --> 00:30:23,240
Speaker 2: Like you deserved it, like like this this guy really

592
00:30:23,280 --> 00:30:26,240
Speaker 2: gave you a shot. Absolutely absolutely, because he he put

593
00:30:26,320 --> 00:30:29,760
Speaker 2: his he put his cards forward, you know, and I

594
00:30:29,840 --> 00:30:32,800
Speaker 2: feel like he put hisself out there and kind of showed,

595
00:30:32,880 --> 00:30:35,200
Speaker 2: you know, gave it that that CO sign when a

596
00:30:35,240 --> 00:30:38,560
Speaker 2: CO sign really meant something, you know, like, uh, that's

597
00:30:38,760 --> 00:30:41,440
Speaker 2: That's what he did for me and before anybody else.

598
00:30:41,640 --> 00:30:44,560
Speaker 2: So now I felt like, so, now you're gonna go

599
00:30:44,760 --> 00:30:47,720
Speaker 2: sign to somebody else now after he didn't put the

600
00:30:47,800 --> 00:30:50,960
Speaker 2: do with the motion did that, and and also I

601
00:30:51,120 --> 00:30:53,800
Speaker 2: wasn't signing, and so I got to really figure out

602
00:30:53,840 --> 00:30:56,840
Speaker 2: that choice for myself, you know. And it was dope

603
00:30:56,880 --> 00:30:59,760
Speaker 2: because I had another deal with Stone Throw on the

604
00:31:00,000 --> 00:31:01,560
Speaker 2: Diferent Group. That's what I was about to ask, so

605
00:31:01,600 --> 00:31:03,640
Speaker 2: I could always do no worry stuff, which is the

606
00:31:03,760 --> 00:31:06,040
Speaker 2: reason why how he found me. So I could always

607
00:31:06,080 --> 00:31:08,560
Speaker 2: have that that has nothing to do with anybody but

608
00:31:08,720 --> 00:31:12,400
Speaker 2: me and my brother and in Stone's Throw, and then

609
00:31:12,400 --> 00:31:15,000
Speaker 2: I could do Anderson Path for whoever I wanted to

610
00:31:15,040 --> 00:31:16,920
Speaker 2: do it with. And I was like, wow, that's the

611
00:31:17,160 --> 00:31:19,680
Speaker 2: hitting me of what I always wanted, Like, did any

612
00:31:19,760 --> 00:31:22,760
Speaker 2: other label offer you as a soul that nobody had

613
00:31:22,920 --> 00:31:26,520
Speaker 2: no offers on table until after dre Okay. So the

614
00:31:26,600 --> 00:31:29,040
Speaker 2: album came out. Then I got all these everyone, all

615
00:31:29,080 --> 00:31:31,640
Speaker 2: these medias at that point, and one was dope business.

616
00:31:31,640 --> 00:31:37,320
Speaker 2: Now I had other producers, all these everybody want to

617
00:31:37,360 --> 00:31:43,480
Speaker 2: circle back, and I felt I'm pulling up I'm ordering ship,

618
00:31:44,040 --> 00:31:50,000
Speaker 2: you know. Before we saw Sushi. Yeah, so it was

619
00:31:50,120 --> 00:31:52,560
Speaker 2: it was dope, but now it was really cool. Is

620
00:31:52,560 --> 00:31:54,880
Speaker 2: I had all these like uh because I had a

621
00:31:54,920 --> 00:31:58,320
Speaker 2: halfway done album. Malibu at the time was about halfway done,

622
00:31:58,360 --> 00:32:01,160
Speaker 2: and I started reaching out now to these other producers

623
00:32:01,200 --> 00:32:03,480
Speaker 2: that I didn't want to work with, matl Lib Ninth Wonder,

624
00:32:04,400 --> 00:32:08,400
Speaker 2: High Tech and started finishing at the rest of the album,

625
00:32:08,800 --> 00:32:13,160
Speaker 2: you know, DJ Khalil, and it gave it, gave it

626
00:32:13,240 --> 00:32:15,280
Speaker 2: the texture that it needed to finish up the rest

627
00:32:15,280 --> 00:32:16,920
Speaker 2: of the album. And I got to do that and

628
00:32:17,040 --> 00:32:17,720
Speaker 2: I was a sign.

629
00:32:17,840 --> 00:32:18,280
Speaker 3: And then.

630
00:32:20,120 --> 00:32:23,120
Speaker 2: When I came with the album, Dre was like, I

631
00:32:23,200 --> 00:32:24,800
Speaker 2: want to do a brand new album with you. So

632
00:32:24,880 --> 00:32:28,080
Speaker 2: I was like, all right, well I got Malibu. I'll

633
00:32:28,160 --> 00:32:30,520
Speaker 2: drop that indie, you know. So I got to drop

634
00:32:30,640 --> 00:32:34,680
Speaker 2: Malibu Indie with my partners that I was already working with,

635
00:32:36,200 --> 00:32:40,240
Speaker 2: the Empire. Yeah, and at the time Art Club and

636
00:32:41,080 --> 00:32:44,520
Speaker 2: Obe which was party to Magazai. Okay, go ahead, go ahead.

637
00:32:44,600 --> 00:32:47,560
Speaker 2: So they put the first two albums out Steel Wool

638
00:32:48,120 --> 00:32:50,160
Speaker 2: and it was like a bunch of moers on there,

639
00:32:50,200 --> 00:32:51,920
Speaker 2: you know. But when you make a movie and be

640
00:32:51,960 --> 00:32:53,880
Speaker 2: a bunch of moviders, I got to be involved. So

641
00:32:54,640 --> 00:32:56,520
Speaker 2: it's the same thing with some of these first records.

642
00:32:56,560 --> 00:32:58,760
Speaker 2: But yeah, we got to do that, you know, and

643
00:33:00,200 --> 00:33:04,520
Speaker 2: and I got to put out Malibu and tour. I

644
00:33:04,640 --> 00:33:07,240
Speaker 2: toured forever after that, and then we did Tiny Desk

645
00:33:07,240 --> 00:33:09,920
Speaker 2: and then it just blew from there and people were

646
00:33:09,960 --> 00:33:12,240
Speaker 2: seeing that, oh he's different, could play instruments, and so

647
00:33:12,960 --> 00:33:15,520
Speaker 2: it was cool to be under Dre. Under with all

648
00:33:15,560 --> 00:33:18,640
Speaker 2: this people saying you'll never drop all this stuff, And honestly,

649
00:33:18,760 --> 00:33:21,000
Speaker 2: I never stopped dropping. I never stopped just doing it.

650
00:33:21,080 --> 00:33:23,920
Speaker 2: As soon as I was with Dre, he set the presence,

651
00:33:24,000 --> 00:33:26,800
Speaker 2: He set the standard while by him dropping his project

652
00:33:27,000 --> 00:33:30,360
Speaker 2: Boom off Red, he was always working. I had all

653
00:33:30,400 --> 00:33:32,920
Speaker 2: those records over there. I got to do my own

654
00:33:32,960 --> 00:33:35,560
Speaker 2: indie record, and then I got to then sitting down

655
00:33:35,640 --> 00:33:38,600
Speaker 2: with Dre again, let's sign out after everything I've been

656
00:33:38,680 --> 00:33:40,480
Speaker 2: on the road, everything, I got my bread, you know,

657
00:33:40,680 --> 00:33:43,400
Speaker 2: like everything's good, let's sign and let's do it, and

658
00:33:43,920 --> 00:33:45,440
Speaker 2: now let's make an album. And I got to sit

659
00:33:45,560 --> 00:33:47,720
Speaker 2: there with him and make my next album ax SNAr

660
00:33:48,560 --> 00:33:50,280
Speaker 2: And that was some of the funniest name in your

661
00:33:50,320 --> 00:33:58,280
Speaker 2: hood and you got Dre producing it. Come on City

662
00:33:58,520 --> 00:33:59,680
Speaker 2: like man, it was beautiful.

663
00:34:00,080 --> 00:34:02,200
Speaker 3: I'm sure for someone to have that where you were

664
00:34:02,200 --> 00:34:04,920
Speaker 3: able to put out all this music independently as well, Yo,

665
00:34:05,160 --> 00:34:06,760
Speaker 3: like that having.

666
00:34:06,600 --> 00:34:08,359
Speaker 2: All would have blocked you from doing that. Don't tell

667
00:34:08,400 --> 00:34:13,600
Speaker 2: too many people, dray Hat that's how you know, right

668
00:34:13,760 --> 00:34:14,880
Speaker 2: right right, because he can.

669
00:34:15,160 --> 00:34:16,799
Speaker 3: And the fact that he put out that record without

670
00:34:16,840 --> 00:34:18,600
Speaker 3: signing you, because he would have been we're not putting this.

671
00:34:20,120 --> 00:34:23,279
Speaker 2: Never blocked man. Never none of that. Man, And it's

672
00:34:23,360 --> 00:34:26,839
Speaker 2: always working man, and even incorporates me in so much stuff.

673
00:34:26,840 --> 00:34:29,000
Speaker 2: I'm on g t A because like all my in

674
00:34:29,080 --> 00:34:31,000
Speaker 2: g t A, I don't even like last time I

675
00:34:31,080 --> 00:34:33,480
Speaker 2: played it was like the camp, the Bird's eye view

676
00:34:33,600 --> 00:34:36,080
Speaker 2: drink and now I'm in the fucking video game and

677
00:34:36,120 --> 00:34:40,080
Speaker 2: ship like man, that was beautiful. Man like pops out

678
00:34:40,440 --> 00:34:45,680
Speaker 2: Coachella shows like I mean, just that's my dog. Yeah,

679
00:34:46,080 --> 00:34:50,799
Speaker 2: they shout out to Jay. Our show is about giving people.

680
00:34:50,840 --> 00:34:52,920
Speaker 1: They flowers, what they could smell them, They to us

681
00:34:52,960 --> 00:34:54,360
Speaker 1: what they could tell them, and they drinks while they

682
00:34:54,360 --> 00:34:54,920
Speaker 1: can drink them.

683
00:34:55,080 --> 00:34:56,640
Speaker 2: We want to give your flowers. Man, We know you

684
00:34:56,719 --> 00:35:03,680
Speaker 2: got nine grand. You want to give you your goddamn novel.

685
00:35:04,800 --> 00:35:13,200
Speaker 2: Got a little light yea making ship? There you go.

686
00:35:15,120 --> 00:35:18,319
Speaker 2: Do you ever reflect on your success and be like, yeah,

687
00:35:19,239 --> 00:35:21,680
Speaker 2: you're to pull up in Delta one lounge right right, right,

688
00:35:21,760 --> 00:35:26,040
Speaker 2: right right, But I ain't got a scan ship here.

689
00:35:28,360 --> 00:35:34,919
Speaker 2: I want sushi siro. I need it. Yeah, we're really

690
00:35:35,000 --> 00:35:37,680
Speaker 2: feeling that ship. Like you know, it's usually at the airport.

691
00:35:38,560 --> 00:35:41,440
Speaker 2: You get to see how successful or not successful you are,

692
00:35:42,280 --> 00:35:46,440
Speaker 2: and it's good to say let you know. And everyone's

693
00:35:46,440 --> 00:35:50,360
Speaker 2: gonna let you know, fans or lack thereof or you know, drivers.

694
00:35:50,520 --> 00:35:52,680
Speaker 2: It's all about the people and it's great, and like

695
00:35:53,200 --> 00:35:55,880
Speaker 2: I love it when I'm able to meet people and

696
00:35:56,040 --> 00:35:58,960
Speaker 2: they lose their ship, like you know. And then sometimes

697
00:35:59,000 --> 00:36:01,520
Speaker 2: I'll be with my mom. You know, my kid is

698
00:36:01,600 --> 00:36:04,840
Speaker 2: now fourteen. He got friends and we go out and

699
00:36:06,040 --> 00:36:08,320
Speaker 2: sometimes people geek out and it's like, you know, the

700
00:36:08,719 --> 00:36:13,840
Speaker 2: kids are like okay, yeah, yeah, I told you, I

701
00:36:14,000 --> 00:36:20,800
Speaker 2: really but this is great, man, Like I love it

702
00:36:20,920 --> 00:36:23,359
Speaker 2: and it's like it's dope to be like I feel

703
00:36:23,440 --> 00:36:25,800
Speaker 2: like there's still such a way as to go, and

704
00:36:26,000 --> 00:36:30,440
Speaker 2: I love having fun with it. The journey's been sick, man,

705
00:36:30,600 --> 00:36:33,600
Speaker 2: Like you know, I like getting into new ship. I've

706
00:36:33,600 --> 00:36:36,960
Speaker 2: been doing a lot of DJing and getting into film.

707
00:36:37,239 --> 00:36:40,279
Speaker 2: I'm doing a movie with my son and we shot

708
00:36:40,320 --> 00:36:45,680
Speaker 2: it already. It's been you know, doing the film festival circuit,

709
00:36:45,760 --> 00:36:48,520
Speaker 2: but it'll be out next year in theaters. You and

710
00:36:48,600 --> 00:36:52,359
Speaker 2: your son. Yeah, we shot a whole film, like you guys,

711
00:36:52,400 --> 00:36:53,520
Speaker 2: independently a little bit.

712
00:36:53,600 --> 00:36:55,160
Speaker 1: You speak a little bit of Korean. Yeah, I got

713
00:36:55,239 --> 00:36:57,120
Speaker 1: to mess me up seeing a black person to speak Korean.

714
00:37:00,440 --> 00:37:10,200
Speaker 2: Man, and yeah, yeah, niggas feel me. If you feel me,

715
00:37:10,320 --> 00:37:15,560
Speaker 2: you know what that meant. That's universal. Even niggas know

716
00:37:15,640 --> 00:37:18,239
Speaker 2: what that meant. You don't know what you know? Yeah,

717
00:37:19,480 --> 00:37:22,640
Speaker 2: like that could only mean one day, fuck wrong with you.

718
00:37:24,840 --> 00:37:30,560
Speaker 2: It's a universe. It's almost Jamaican right, Yeah, yeah, a

719
00:37:30,840 --> 00:37:34,960
Speaker 2: little dependence. That's they'll be saying that. That's when his

720
00:37:35,080 --> 00:37:38,479
Speaker 2: mom get real mad. Yeah, I ain't gonna tell you again.

721
00:37:38,640 --> 00:37:41,600
Speaker 2: That's some more like yeah, I know a little bit,

722
00:37:41,640 --> 00:37:43,880
Speaker 2: but yeah, we did a whole movie independently. I directed it,

723
00:37:44,000 --> 00:37:47,799
Speaker 2: co wrote. Shout out to kayl Amazon Stampede, Live Nation

724
00:37:48,760 --> 00:37:52,680
Speaker 2: a lula Est. You know, we put together a film.

725
00:37:52,880 --> 00:37:54,480
Speaker 2: I pitched him a film. I got to do it

726
00:37:54,600 --> 00:37:58,480
Speaker 2: and it's gonna be out And it's like that was

727
00:37:58,600 --> 00:38:02,680
Speaker 2: one of the hardest most like creatively feeling things, man,

728
00:38:03,160 --> 00:38:05,920
Speaker 2: and to do with my son it's like that.

729
00:38:08,960 --> 00:38:12,279
Speaker 1: We spoke about the album Mallible. Well I want to

730
00:38:12,400 --> 00:38:14,440
Speaker 1: I want to speak about the place Malible for a second.

731
00:38:15,320 --> 00:38:18,040
Speaker 1: Malible was one of my favorite places on Earth. Mallible

732
00:38:18,120 --> 00:38:20,880
Speaker 1: doesn't even seem like it's in California, right, It seems

733
00:38:20,920 --> 00:38:25,080
Speaker 1: like it's in another state. So yeah, it almost seems

734
00:38:25,120 --> 00:38:30,320
Speaker 1: like a la version of Hawaii, right, absolutely love. I

735
00:38:30,320 --> 00:38:32,520
Speaker 1: haven't even seen you in and Mallible one time. It's

736
00:38:32,560 --> 00:38:36,080
Speaker 1: driving around with the drop I always see then, that's why,

737
00:38:36,120 --> 00:38:42,520
Speaker 1: that's that's why. Yeah, what made you want to name

738
00:38:42,880 --> 00:38:45,000
Speaker 1: the independent album Mallible?

739
00:38:46,000 --> 00:38:48,360
Speaker 2: You know, I was going with the scene because I

740
00:38:48,480 --> 00:38:51,160
Speaker 2: was making my albums like I wanted to make it

741
00:38:51,280 --> 00:38:53,120
Speaker 2: like a series where people could follow along, like how

742
00:38:53,920 --> 00:38:56,399
Speaker 2: people were doing the mixtapes. You know, they kept their

743
00:38:56,600 --> 00:38:58,640
Speaker 2: audience because they it was like insta grils and it

744
00:38:58,760 --> 00:39:01,239
Speaker 2: was always uh, sorry for the way, or like the

745
00:39:01,400 --> 00:39:05,080
Speaker 2: name title, you know, and yeah connected. So I was

746
00:39:05,160 --> 00:39:08,160
Speaker 2: like okay, and I was into doing I didn't want

747
00:39:08,200 --> 00:39:09,800
Speaker 2: to get boxed in either because I like to do

748
00:39:09,960 --> 00:39:11,319
Speaker 2: R and B, but I knew I would get bored

749
00:39:11,360 --> 00:39:12,720
Speaker 2: to that and I would like to do some house

750
00:39:13,040 --> 00:39:16,040
Speaker 2: sometimes rock funk, you know, switch it up, so I

751
00:39:16,080 --> 00:39:17,800
Speaker 2: would have all these records. A lot of times I

752
00:39:17,880 --> 00:39:19,719
Speaker 2: sit on my record four or five years before I

753
00:39:19,800 --> 00:39:22,320
Speaker 2: put them out, you know, on average, you know. So

754
00:39:22,440 --> 00:39:24,480
Speaker 2: I had a lot of these these songs, even from

755
00:39:24,520 --> 00:39:27,120
Speaker 2: Alibou when I had Venice, and Venice came out first,

756
00:39:27,200 --> 00:39:29,000
Speaker 2: but I was just kind of sitting on them, still

757
00:39:29,080 --> 00:39:32,080
Speaker 2: working on them. But I had these songs that were

758
00:39:32,160 --> 00:39:35,719
Speaker 2: like more electronic based, more lay up temple. Some of

759
00:39:35,800 --> 00:39:37,840
Speaker 2: them were dance tempo, some of them were trapped. I

760
00:39:37,920 --> 00:39:41,400
Speaker 2: was playing around with like, uh, auto tune this on

761
00:39:41,520 --> 00:39:45,040
Speaker 2: this first record. So I was like this, I want

762
00:39:45,120 --> 00:39:47,120
Speaker 2: to take them on a journey. So I'm gonna start them.

763
00:39:47,520 --> 00:39:50,160
Speaker 2: I'm gonna put my albums in beaches and beach form

764
00:39:50,200 --> 00:39:52,080
Speaker 2: and then they could follow me. Then I have the

765
00:39:52,600 --> 00:39:54,800
Speaker 2: luxury to kind of when I go to Malibu, that

766
00:39:54,880 --> 00:39:58,320
Speaker 2: could be my like serious like bluesy it's more you know,

767
00:39:59,040 --> 00:40:01,480
Speaker 2: serious tone, and like I saved these, but Venice is

768
00:40:01,520 --> 00:40:03,600
Speaker 2: more like turned up. You can buy some drugs, you

769
00:40:03,640 --> 00:40:06,560
Speaker 2: can go cert you can go take some LSD, you

770
00:40:06,560 --> 00:40:09,080
Speaker 2: can do some trip out, you know, and so there's

771
00:40:09,320 --> 00:40:11,440
Speaker 2: that album is more of that. And then I was like,

772
00:40:11,560 --> 00:40:14,759
Speaker 2: but I'm won't take them on this journey. We're gonna

773
00:40:14,920 --> 00:40:16,719
Speaker 2: go up the coast and get a little more into

774
00:40:16,800 --> 00:40:21,799
Speaker 2: No Boo, different vibe for different Sashimi, Yellow Tale now

775
00:40:21,960 --> 00:40:30,359
Speaker 2: yeah yeah, so turn it down, not too much Ada

776
00:40:30,400 --> 00:40:32,920
Speaker 2: Waits on this one. Yeah yeah. So then we started

777
00:40:32,960 --> 00:40:35,160
Speaker 2: doing that and I had more like introspective joints and

778
00:40:35,239 --> 00:40:37,640
Speaker 2: songs that I was like, really, I didn't I didn't

779
00:40:37,680 --> 00:40:39,160
Speaker 2: know if I could put out because I was like

780
00:40:39,400 --> 00:40:41,480
Speaker 2: a little too like I felt a little too shy

781
00:40:41,520 --> 00:40:45,000
Speaker 2: about them for something. They were a little too vulnerable.

782
00:40:45,080 --> 00:40:47,399
Speaker 2: But by the time I was on to make that album,

783
00:40:47,440 --> 00:40:49,319
Speaker 2: I was like, yeah, it's perfect timing. And I had

784
00:40:49,880 --> 00:40:53,000
Speaker 2: other songs that I was gathering, you know, am I

785
00:40:53,120 --> 00:40:55,759
Speaker 2: wrong and everything? So I made it made sense with

786
00:40:55,840 --> 00:40:59,080
Speaker 2: the environment, and I was just continuing on the series

787
00:40:59,120 --> 00:41:01,680
Speaker 2: of going up north. So I knew the next one

788
00:41:01,680 --> 00:41:03,880
Speaker 2: would be ox Star, the next one would be Venture,

789
00:41:04,640 --> 00:41:07,240
Speaker 2: you know, and that would be like kind of something

790
00:41:07,320 --> 00:41:10,600
Speaker 2: to So the album is named after beaches. Yeah, I

791
00:41:10,680 --> 00:41:12,600
Speaker 2: keep going, Where should I go next? Likes to beach?

792
00:41:12,800 --> 00:41:16,480
Speaker 2: Just keep going. You're here. You can't come to the

793
00:41:16,560 --> 00:41:20,200
Speaker 2: county line. You can't shot in Miami from from there, right,

794
00:41:20,719 --> 00:41:23,719
Speaker 2: I mean you have to cross Mexico or Texas or something.

795
00:41:23,960 --> 00:41:28,320
Speaker 2: Ship we got. You gotta go to San Diego, not

796
00:41:28,440 --> 00:41:29,680
Speaker 2: that way. If you want to stay in water, you

797
00:41:29,719 --> 00:41:33,160
Speaker 2: gotta all the way to Panama Canal Fu. I'm in Panama,

798
00:41:33,360 --> 00:41:40,040
Speaker 2: Panama's Fire. Make the whole movie. Yes, all right, we'll

799
00:41:40,080 --> 00:41:46,080
Speaker 2: talk through lawyers, so uh quick, Thomas, let's go. Let's

800
00:41:46,080 --> 00:41:46,279
Speaker 2: do it.

801
00:41:48,600 --> 00:41:50,560
Speaker 3: All right now, this is our drinking game. M you

802
00:41:50,680 --> 00:41:54,520
Speaker 3: seem as before. We're gonna give you two choices, this

803
00:41:54,760 --> 00:41:58,560
Speaker 3: versus this, that or this. If you pick one of them,

804
00:41:59,040 --> 00:42:01,920
Speaker 3: you don't have to drink. Nobody drinks. So if you

805
00:42:02,000 --> 00:42:05,399
Speaker 3: decide to politically correct answer, you say both or neither

806
00:42:05,400 --> 00:42:07,000
Speaker 3: of the two, then we drink.

807
00:42:07,120 --> 00:42:11,440
Speaker 2: Okays, no comment. You know, if you have any stories

808
00:42:11,480 --> 00:42:12,080
Speaker 2: about you, this is.

809
00:42:12,040 --> 00:42:14,399
Speaker 1: Really about bringing up stories about the people places we're

810
00:42:14,400 --> 00:42:15,840
Speaker 1: talking about, if you know them, if you don't know

811
00:42:16,239 --> 00:42:17,520
Speaker 1: about the drinks.

812
00:42:17,560 --> 00:42:18,960
Speaker 2: Ready, yeah, I'm gonna.

813
00:42:23,520 --> 00:42:27,880
Speaker 1: Ready like this first one, Doctor Dre or Quincy Jones.

814
00:42:29,800 --> 00:42:33,120
Speaker 1: It's whatever criteria to you. Whatever someone made better macaroni

815
00:42:33,160 --> 00:42:34,480
Speaker 1: and cheese one day, that's.

816
00:42:34,520 --> 00:42:39,440
Speaker 2: Why you like them more, Doctor Dre. Okay, that's I

817
00:42:39,560 --> 00:42:41,800
Speaker 2: just never got to work with Quincy. And I've always

818
00:42:41,880 --> 00:42:45,759
Speaker 2: adorned in a worship Quincy never got to work with them.

819
00:42:46,360 --> 00:42:48,880
Speaker 2: Rest in peace to the icon of legend. That's right,

820
00:42:49,080 --> 00:42:53,040
Speaker 2: you got And also this trajectory is a life that

821
00:42:53,120 --> 00:42:55,800
Speaker 2: I would like to live. Is like just how that

822
00:42:55,920 --> 00:42:57,759
Speaker 2: went down as an artist and the people that he

823
00:42:57,840 --> 00:42:59,759
Speaker 2: got to touch and work with in the array of

824
00:43:00,080 --> 00:43:02,960
Speaker 2: you RaSE to live that long and then its kids

825
00:43:03,080 --> 00:43:05,719
Speaker 2: and then everything like wow, like that was That's what

826
00:43:05,960 --> 00:43:07,680
Speaker 2: I mean. Who wouldn't want that kind of life? And

827
00:43:07,800 --> 00:43:14,520
Speaker 2: so bless up, you know, taking Yeah, yeah, really both

828
00:43:15,760 --> 00:43:16,279
Speaker 2: shout to d.

829
00:43:18,719 --> 00:43:23,560
Speaker 8: Tupac or Hustle dang No, we just gotta take a

830
00:43:23,600 --> 00:43:32,439
Speaker 8: shot stuck cheers mm hmm, Snoop dog or the game.

831
00:43:34,040 --> 00:43:40,000
Speaker 2: Uh, we're gonna go Snoop Dogg because first of all,

832
00:43:40,080 --> 00:43:43,000
Speaker 2: that is too tad to us all and one of

833
00:43:43,080 --> 00:43:46,239
Speaker 2: the biggest inspirations you know period. We're gonna also take

834
00:43:46,280 --> 00:43:49,800
Speaker 2: a shot too because don't kill me game. That's my

835
00:43:49,920 --> 00:43:53,760
Speaker 2: dog too. But you know, Snoop is our that's our superhero,

836
00:43:54,000 --> 00:43:56,279
Speaker 2: like that's the game a malleable lot. Yeah, yeah, We're

837
00:43:56,520 --> 00:43:58,960
Speaker 2: we're gonna have to say it. Yeah yeah, So when

838
00:43:59,000 --> 00:44:04,520
Speaker 2: you say Snoop too, right, he said, to we all

839
00:44:04,560 --> 00:44:10,520
Speaker 2: agree with stiff, so we all take it up, said

840
00:44:12,600 --> 00:44:13,320
Speaker 2: Stevie Wonder.

841
00:44:13,480 --> 00:44:18,759
Speaker 3: Marvin Gayeh, Stevie Wonder, I say, Stevie frid you.

842
00:44:18,760 --> 00:44:20,480
Speaker 1: See did you see what Stevie got on the stage

843
00:44:20,520 --> 00:44:22,440
Speaker 1: and the front like that he could see, he would know.

844
00:44:22,520 --> 00:44:24,560
Speaker 2: He addressed it like just right. I was tired of

845
00:44:24,840 --> 00:44:31,160
Speaker 2: niggas bro like, stop with all that ship for all

846
00:44:31,239 --> 00:44:32,840
Speaker 2: of y'all. Still you know.

847
00:44:33,920 --> 00:44:36,560
Speaker 1: Shock came on the show and we was like, yo,

848
00:44:36,640 --> 00:44:39,959
Speaker 1: do you think Stevie wonder? Because see and he said

849
00:44:40,000 --> 00:44:42,160
Speaker 1: that Stevie Wonder. He said they lived in the same

850
00:44:42,200 --> 00:44:44,880
Speaker 1: building at one time. God he can put us up.

851
00:44:45,360 --> 00:44:48,920
Speaker 1: And he said that Stevie, he got elevated that the

852
00:44:48,960 --> 00:44:50,880
Speaker 1: button was already pressed like Stevie used to go to

853
00:44:51,000 --> 00:44:51,359
Speaker 1: his floor.

854
00:44:51,800 --> 00:44:54,600
Speaker 2: And then he said, what's up big deson, like as

855
00:44:54,640 --> 00:44:55,160
Speaker 2: he walked in.

856
00:44:55,600 --> 00:44:59,319
Speaker 1: Now, it's not that far fresh, it's not that far

857
00:44:59,400 --> 00:45:02,840
Speaker 1: first because they say people who who can't see.

858
00:45:04,320 --> 00:45:07,000
Speaker 2: So like obviously you know, but who said it was

859
00:45:07,040 --> 00:45:09,960
Speaker 2: a George cleaner, wasn't it? Said he crosses there was

860
00:45:10,480 --> 00:45:12,279
Speaker 2: the street of the street. They seen him, of course

861
00:45:12,360 --> 00:45:17,520
Speaker 2: there all on this show. Stenses are heightened. Yeah, it's

862
00:45:17,520 --> 00:45:19,800
Speaker 2: a little busy street by yourself. You can hear that

863
00:45:19,840 --> 00:45:26,120
Speaker 2: ship before he comes. He's seen the matrix. They like

864
00:45:26,160 --> 00:45:28,200
Speaker 2: it's a highway. I was clinking that.

865
00:45:30,000 --> 00:45:30,239
Speaker 3: Yeah.

866
00:45:30,920 --> 00:45:33,919
Speaker 2: And plus people don't stop see Stevie crossing you thinking

867
00:45:33,960 --> 00:45:38,480
Speaker 2: what you're gonna do. That's a good point. Yeah, yeah

868
00:45:39,640 --> 00:45:44,680
Speaker 2: he clear and ship. Yeah that's bless a good point.

869
00:45:44,880 --> 00:45:45,680
Speaker 2: That's a great point.

870
00:45:46,320 --> 00:45:50,000
Speaker 3: Street him bro that one twenty one Savage or Kodak Black.

871
00:45:51,040 --> 00:45:59,840
Speaker 2: Uh, let's yeah, that's tough to both, okay, but but

872
00:46:00,000 --> 00:46:03,319
Speaker 2: but uh yeah it's from he's from Florida, right, Yeah, man,

873
00:46:03,360 --> 00:46:11,400
Speaker 2: he got man. He's a soulful Dudelige Mariah Mariah and

874
00:46:11,480 --> 00:46:22,000
Speaker 2: I'll drink to that, m j or Prince And if

875
00:46:22,000 --> 00:46:26,239
Speaker 2: you got any stories, please please. I wish I could

876
00:46:26,280 --> 00:46:29,000
Speaker 2: say I've met one of them or either, but no,

877
00:46:29,320 --> 00:46:32,239
Speaker 2: I never got to meet him. Uh but some of

878
00:46:32,280 --> 00:46:36,000
Speaker 2: my biggest inspirations. And it's I don't know, because I

879
00:46:36,040 --> 00:46:37,960
Speaker 2: feel like if I would have met Princey, I feel

880
00:46:38,000 --> 00:46:42,640
Speaker 2: like he wouldn't liked me. He would he just yeah,

881
00:46:42,680 --> 00:46:45,000
Speaker 2: he would have just did some sort of psychological thing

882
00:46:45,120 --> 00:46:47,239
Speaker 2: to me, would have done anyway he would have liked

883
00:46:47,280 --> 00:46:49,359
Speaker 2: to play because I would have been such a fan too,

884
00:46:49,600 --> 00:46:51,840
Speaker 2: like or maybe I don't even know, Like I wouldn't

885
00:46:51,840 --> 00:46:53,279
Speaker 2: know how to take it if I would have met him,

886
00:46:53,280 --> 00:46:55,000
Speaker 2: and I know he would have just had fun with that,

887
00:46:55,200 --> 00:46:58,000
Speaker 2: but maybe he would have really been you know, cool,

888
00:46:58,080 --> 00:47:06,320
Speaker 2: because took you to take I don't know. And then Michael,

889
00:47:06,480 --> 00:47:08,880
Speaker 2: you know what is Yeah, So I don't even know

890
00:47:08,960 --> 00:47:11,120
Speaker 2: how I could even my brain could even function like

891
00:47:11,960 --> 00:47:15,120
Speaker 2: Michael like that was like the fit of me. So

892
00:47:17,440 --> 00:47:19,920
Speaker 2: I just say both because you know, Prince I got

893
00:47:19,960 --> 00:47:21,960
Speaker 2: so much fluck for because really, man, you look at

894
00:47:22,000 --> 00:47:24,320
Speaker 2: Prince how he did it and how he was playing

895
00:47:24,400 --> 00:47:26,640
Speaker 2: everything and how he did it with his business acumen

896
00:47:26,800 --> 00:47:30,600
Speaker 2: and was such a had a punk rock attitude from

897
00:47:30,640 --> 00:47:34,640
Speaker 2: the jump and didn't take no ship and was very

898
00:47:38,520 --> 00:47:44,600
Speaker 2: and another and Michael the same, you know, different juggernauts

899
00:47:44,600 --> 00:47:48,160
Speaker 2: at that business. So you never had a character all

900
00:47:48,239 --> 00:47:55,680
Speaker 2: in the ship production fashion performance. So it's tough, man.

901
00:47:55,840 --> 00:47:57,880
Speaker 2: So you heard about day Beef. That's what I was

902
00:47:58,080 --> 00:48:01,680
Speaker 2: gonna say. It's getting more epic as the time goes by.

903
00:48:02,080 --> 00:48:04,359
Speaker 2: You hear the story. Yeah, will I am on there?

904
00:48:04,600 --> 00:48:06,560
Speaker 2: Will I am Oh? Yeah, that was a great story.

905
00:48:06,719 --> 00:48:09,799
Speaker 1: I am invites him to the show to his show,

906
00:48:09,840 --> 00:48:11,080
Speaker 1: I believe a Black Eyed Peas show.

907
00:48:12,000 --> 00:48:14,080
Speaker 2: And he tells him what is it.

908
00:48:14,800 --> 00:48:18,560
Speaker 1: He tells Mike that Prince is going to be there, Well,

909
00:48:18,600 --> 00:48:21,520
Speaker 1: Prince was on the show. The Prince is going to

910
00:48:21,560 --> 00:48:24,080
Speaker 1: be there. It was Prince's show, and he was going

911
00:48:24,160 --> 00:48:25,920
Speaker 1: to go okay, And he says, A mean he said that.

912
00:48:26,000 --> 00:48:31,160
Speaker 1: He said that, Mike, Prince is such a meaning. Imagine

913
00:48:31,480 --> 00:48:34,080
Speaker 1: about this. You know the fact that they didn't get

914
00:48:34,120 --> 00:48:41,000
Speaker 1: along is so much It makes sense right, like because

915
00:48:41,040 --> 00:48:44,600
Speaker 1: I mean, there would have been a lot of sensitivity, flash.

916
00:48:44,360 --> 00:48:47,200
Speaker 2: Of the icons. Yeah, and and did you see the

917
00:48:48,080 --> 00:48:52,279
Speaker 2: the World documentary? Michael was pressure there too. I'll play

918
00:48:52,320 --> 00:48:59,160
Speaker 2: a solo. That's it. Guitar solo. Come on, Prince, everybody here,

919
00:48:59,200 --> 00:49:04,680
Speaker 2: we got some hennessy, nah niggas. Let me let me

920
00:49:04,760 --> 00:49:06,480
Speaker 2: tell me, let me ask you do you think this?

921
00:49:06,640 --> 00:49:10,719
Speaker 2: This is my theory. I could be totally wrong.

922
00:49:10,800 --> 00:49:16,239
Speaker 1: I have no inside information, but in my mind, Mike

923
00:49:16,800 --> 00:49:19,040
Speaker 1: and Prince were both gangsters.

924
00:49:20,880 --> 00:49:25,960
Speaker 2: Both yea yeah, like they didn't play bro like that

925
00:49:26,600 --> 00:49:29,880
Speaker 2: level that bar is a gangst the level man like

926
00:49:30,040 --> 00:49:32,560
Speaker 2: this some of them. I don't know if you think

927
00:49:32,600 --> 00:49:35,279
Speaker 2: we ever have that again? No, No, I don't know. No,

928
00:49:35,480 --> 00:49:37,960
Speaker 2: I don't think they were coming out at the same time.

929
00:49:38,040 --> 00:49:41,680
Speaker 3: You know they were, Yes, yes, not that That not

930
00:49:41,800 --> 00:49:43,239
Speaker 3: the way that was. That was a different time, a

931
00:49:43,280 --> 00:49:45,279
Speaker 3: different era, different technology about it.

932
00:49:45,600 --> 00:49:47,680
Speaker 2: I'm sitting right here and we'll just gonna say that

933
00:49:47,719 --> 00:49:53,680
Speaker 2: ain't gonna never happen again. It's different. It's a different play, guys.

934
00:49:54,760 --> 00:50:00,080
Speaker 1: Just crip sized, bro, it's different. Take a shot for

935
00:50:00,160 --> 00:50:04,719
Speaker 1: my own stuff. Hold on the game, right, let's go.

936
00:50:06,960 --> 00:50:07,719
Speaker 8: Yeah, you.

937
00:50:11,400 --> 00:50:17,720
Speaker 2: Very close. Four four four that's the time. Okay, alright,

938
00:50:17,880 --> 00:50:24,360
Speaker 2: fifty center eminem? What was the question again? Fifty every center? Eminem?

939
00:50:24,880 --> 00:50:30,279
Speaker 2: Oh man, let's drink to both. Okay, I'm into that.

940
00:50:30,480 --> 00:50:36,239
Speaker 2: That's that takes a soccle Okay, up chairs oh man,

941
00:50:36,520 --> 00:50:42,319
Speaker 2: mm hmm okay, yeah, okay, you know what I'm saying.

942
00:50:42,480 --> 00:50:46,880
Speaker 2: You know what I'm saying. Who's with it? Okay? Well,

943
00:50:46,960 --> 00:50:51,239
Speaker 2: chump Rock, Wow, chump Rock jumps upon the scene. If

944
00:50:51,280 --> 00:50:59,520
Speaker 2: I were the green, that's a cast jam right man,

945
00:50:59,680 --> 00:51:04,319
Speaker 2: that's I've got nothing love for you. But you look

946
00:51:04,360 --> 00:51:11,439
Speaker 2: at censors right now. Yeah, you know he was cut.

947
00:51:11,600 --> 00:51:13,520
Speaker 2: We got to walk. It is gonna go crazy with

948
00:51:13,600 --> 00:51:14,239
Speaker 2: this type of ship.

949
00:51:14,320 --> 00:51:19,239
Speaker 1: Yea, And people like yeah, but when we had DJ

950
00:51:19,440 --> 00:51:21,600
Speaker 1: Quick up here and he was like, nah, man, he

951
00:51:21,760 --> 00:51:25,239
Speaker 1: wasn't throwing up blood friendly ship and I was just like,

952
00:51:25,360 --> 00:51:26,000
Speaker 1: oh he ship.

953
00:51:26,120 --> 00:51:29,600
Speaker 2: Like DJ Quick didn't like that, Like, I mean, look

954
00:51:30,360 --> 00:51:33,759
Speaker 2: he expected Mike. He was like, wow, some ship. But

955
00:51:33,840 --> 00:51:37,360
Speaker 2: he was like man at that time, not cool he was,

956
00:51:43,440 --> 00:51:45,120
Speaker 2: and you know he got the money to push the

957
00:51:45,200 --> 00:51:47,399
Speaker 2: bun like damn.

958
00:51:47,600 --> 00:51:49,719
Speaker 3: You heard the story where his voice that he would

959
00:51:49,800 --> 00:51:51,680
Speaker 3: change it. I don't know if it's true. Yeah, that's

960
00:51:51,719 --> 00:51:54,360
Speaker 3: what I heard about. He would talk normally. It was

961
00:51:54,400 --> 00:51:57,920
Speaker 3: going on, Yeah, what's going on?

962
00:51:58,760 --> 00:52:03,040
Speaker 2: It was Mike. You called him, Hello, it's Michael him

963
00:52:03,080 --> 00:52:08,919
Speaker 2: nigga going on. So it's not just money nigga heavy

964
00:52:08,960 --> 00:52:14,440
Speaker 2: D I say heavy d Okay, Yeah, I like this

965
00:52:14,560 --> 00:52:18,640
Speaker 2: one yay or for real? For well, I mean day

966
00:52:18,760 --> 00:52:21,360
Speaker 2: that's tough too. I mean I know everybody's like, I

967
00:52:21,440 --> 00:52:23,560
Speaker 2: feel like he's from their school too. Yeah, I mean

968
00:52:23,840 --> 00:52:25,879
Speaker 2: like kind of guys. No, no, no, like now I'm

969
00:52:25,920 --> 00:52:29,720
Speaker 2: drinking stuff. But I know everyone's phild has their opinion

970
00:52:29,760 --> 00:52:33,360
Speaker 2: about you know, both artists and stuff. But all I

971
00:52:33,480 --> 00:52:35,560
Speaker 2: know is like I was in high school and both

972
00:52:35,600 --> 00:52:38,799
Speaker 2: of them were putting out stuff again, so it's like, man,

973
00:52:38,880 --> 00:52:41,400
Speaker 2: these are like people we looked at like wrestlers. Like

974
00:52:41,600 --> 00:52:43,719
Speaker 2: this is like to be in high school and all

975
00:52:43,760 --> 00:52:46,279
Speaker 2: this music is coming out when like I was on

976
00:52:46,320 --> 00:52:48,400
Speaker 2: the West Coast like trying to convince people like you

977
00:52:48,480 --> 00:52:50,840
Speaker 2: know how Kanye is, it's gonna be sick, like he

978
00:52:51,040 --> 00:52:54,839
Speaker 2: really wraps and produces, and you know when we when

979
00:52:54,840 --> 00:52:57,120
Speaker 2: you can really look at the booklets and yeah he

980
00:52:57,200 --> 00:52:59,959
Speaker 2: did this, and Bink did this and like just blaz

981
00:53:00,280 --> 00:53:02,640
Speaker 2: and but he was also rapping and he was putting

982
00:53:02,680 --> 00:53:05,320
Speaker 2: on mixtapes. And then Pharrell then he teams of Parrell.

983
00:53:05,360 --> 00:53:08,000
Speaker 2: Then he remember when he shows up and Frell's trying

984
00:53:08,040 --> 00:53:10,840
Speaker 2: to tell him like, you know, Forrell's the hottest dude too.

985
00:53:11,280 --> 00:53:13,759
Speaker 2: Pharrell still sits there and like listens to him and

986
00:53:13,920 --> 00:53:17,880
Speaker 2: even Frell knows that it was crazy and give him

987
00:53:17,920 --> 00:53:23,160
Speaker 2: advice through the wire. Yeah yeah, but into the underground,

988
00:53:23,320 --> 00:53:26,320
Speaker 2: Yeah did you know? I just just you know, remember

989
00:53:26,360 --> 00:53:27,920
Speaker 2: all this stuff coming out at the same time. So

990
00:53:29,080 --> 00:53:30,800
Speaker 2: it sounds like we're taking a shot. I think we

991
00:53:30,880 --> 00:53:39,160
Speaker 2: take a shot, all right, cool, say, okay, that's the

992
00:53:39,239 --> 00:53:44,319
Speaker 2: one Bruno Mars or the weekend Bruno Okay, and I'll

993
00:53:44,360 --> 00:53:46,640
Speaker 2: drink to the I love it. I love it. Loyalty

994
00:53:46,719 --> 00:53:53,200
Speaker 2: to my dogs, to my dogs, Yachti or Denzel Curry.

995
00:53:55,000 --> 00:53:55,200
Speaker 6: Wow.

996
00:53:57,800 --> 00:53:59,640
Speaker 2: Shout out to both of them because they was both

997
00:53:59,680 --> 00:54:02,799
Speaker 2: on my my freshman class and they're both doing well

998
00:54:03,520 --> 00:54:08,600
Speaker 2: killing it. I saw Yachty open for Tyler with my

999
00:54:08,719 --> 00:54:12,280
Speaker 2: son because my son was he's obsessed with Tyler's fourteen.

1000
00:54:12,920 --> 00:54:14,319
Speaker 2: So we got to see Yati. We got to see

1001
00:54:14,400 --> 00:54:20,279
Speaker 2: Paris Parish, Cali, Paris, and Yady killed it and he

1002
00:54:20,440 --> 00:54:23,600
Speaker 2: was fucking. I didn't realize Nigga got hit, and I

1003
00:54:23,760 --> 00:54:27,480
Speaker 2: was like, damn. It was like my first little Twitter beef,

1004
00:54:27,880 --> 00:54:34,200
Speaker 2: like years ago, Niggaven got rich. Now, No, yeah, that

1005
00:54:34,320 --> 00:54:37,040
Speaker 2: was funny. I've early on it was like when he

1006
00:54:37,239 --> 00:54:39,720
Speaker 2: was like coming out, you know, he had some views

1007
00:54:39,719 --> 00:54:43,080
Speaker 2: about Tupacer about hip hop, and I responded to something

1008
00:54:43,120 --> 00:54:44,640
Speaker 2: and I was like the first time I seen him, like,

1009
00:54:44,680 --> 00:54:46,800
Speaker 2: oh shit, she could get taken out of you know

1010
00:54:47,239 --> 00:54:50,800
Speaker 2: and callowing up and stuff, and then everybody goes on

1011
00:54:50,880 --> 00:54:52,400
Speaker 2: their way, you know. And I've seen her since then

1012
00:54:52,480 --> 00:54:55,719
Speaker 2: and he's super cool and we're good. But I got

1013
00:54:55,800 --> 00:54:57,800
Speaker 2: to see full circle him go from that, you know,

1014
00:54:57,880 --> 00:55:00,440
Speaker 2: when people were kind of I feel like people in

1015
00:55:00,520 --> 00:55:02,919
Speaker 2: my joint in my class where people were already trying

1016
00:55:02,960 --> 00:55:05,440
Speaker 2: to get them out early and kind of saying they

1017
00:55:05,480 --> 00:55:08,400
Speaker 2: wouldn't last and stuff, And now they've become you know,

1018
00:55:08,560 --> 00:55:09,960
Speaker 2: now my kids, don't you know?

1019
00:55:10,280 --> 00:55:14,960
Speaker 1: And by the way, that twenty sixteen cover, like it's

1020
00:55:15,040 --> 00:55:17,640
Speaker 1: like mainly all of y'all are still here. It aged

1021
00:55:17,800 --> 00:55:20,480
Speaker 1: very well, It aged very well. Like it's it's like

1022
00:55:21,760 --> 00:55:26,279
Speaker 1: I would say, ninety eight percent.

1023
00:55:26,160 --> 00:55:28,560
Speaker 3: Of might be one of the last ones that aged well,

1024
00:55:28,640 --> 00:55:30,840
Speaker 3: to be honest with, who might be one of the

1025
00:55:30,960 --> 00:55:33,279
Speaker 3: last one of the last age age as well?

1026
00:55:33,520 --> 00:55:35,399
Speaker 1: That's why I put that in an intro the twenty

1027
00:55:35,440 --> 00:55:38,719
Speaker 1: sixty Yeah, my twenty sixteen fresh Yeah, yeah, everybody on

1028
00:55:38,800 --> 00:55:41,759
Speaker 1: the twenty sixty cover all of this reunion show.

1029
00:55:41,880 --> 00:55:45,480
Speaker 2: Come on, we got to talk to Live nation, right well,

1030
00:55:45,480 --> 00:55:54,880
Speaker 2: we're talking about y'all. Open up. I knock them down, Okay, Schoolboy,

1031
00:55:54,960 --> 00:56:00,319
Speaker 2: cre Jay Rock, Wow, both my dogs. That's dirty so little.

1032
00:56:01,239 --> 00:56:04,520
Speaker 2: I ain't got man, I can't keep us fun. You

1033
00:56:04,600 --> 00:56:07,960
Speaker 2: got right there, okay, right, okay, Yeah, this is this

1034
00:56:08,080 --> 00:56:10,400
Speaker 2: is a little solid, a little bit. That's right.

1035
00:56:11,200 --> 00:56:13,480
Speaker 1: I gotta say. Is that the killer you're switching it up?

1036
00:56:14,680 --> 00:56:17,080
Speaker 1: You make a match, Okay, Okay, you're going crazy.

1037
00:56:17,160 --> 00:56:21,280
Speaker 2: I'm blazing. You gotta piece both sides.

1038
00:56:21,280 --> 00:56:24,879
Speaker 1: Right, and a little bit of Mexican too, because yeah, yeah,

1039
00:56:25,600 --> 00:56:26,399
Speaker 1: because of the the quila.

1040
00:56:26,560 --> 00:56:29,520
Speaker 2: Yeah, it's a good one. You TV raps or rap city?

1041
00:56:30,160 --> 00:56:33,400
Speaker 2: Whoa I say rap city. That's why I grew up

1042
00:56:33,440 --> 00:56:36,560
Speaker 2: on I know you're in wraps. That's like to hit

1043
00:56:37,239 --> 00:56:47,439
Speaker 2: you doing stuff on the tu I got a piece

1044
00:56:47,440 --> 00:56:57,720
Speaker 2: so sick. It's always one hundred twenty five like some numbers.

1045
00:56:57,719 --> 00:57:03,280
Speaker 2: They gotta tripping, nothing sad. I get to look impression.

1046
00:57:04,480 --> 00:57:08,200
Speaker 2: You got to do a sessment of the city, the

1047
00:57:08,239 --> 00:57:12,520
Speaker 2: story about Yeah, the time, don't make it like that

1048
00:57:14,960 --> 00:57:18,120
Speaker 2: saying I have to say I rap city, big tigger

1049
00:57:18,200 --> 00:57:21,800
Speaker 2: and in the freestyles like that's what I remember, like

1050
00:57:22,240 --> 00:57:24,600
Speaker 2: everybody like do it coming and doing the freestyles with

1051
00:57:24,760 --> 00:57:31,040
Speaker 2: like two rags and like he did, Yeah, D bring

1052
00:57:31,160 --> 00:57:34,440
Speaker 2: up the same. It's a quick time because you do

1053
00:57:34,560 --> 00:57:39,000
Speaker 2: be rapping. But what do you like more? Rapping or singing?

1054
00:57:39,200 --> 00:57:44,040
Speaker 2: If you say both, we drinking. It just depends on

1055
00:57:44,120 --> 00:57:53,080
Speaker 2: how many women are present. And there's two here. I'm

1056
00:57:53,120 --> 00:57:57,000
Speaker 2: pretty sure you're gonna go with rapping here we're here.

1057
00:57:57,200 --> 00:57:58,040
Speaker 2: I'm like, come on.

1058
00:57:58,600 --> 00:58:01,080
Speaker 5: When I was like singing, there's another thing in here

1059
00:58:01,160 --> 00:58:05,120
Speaker 5: with this will happen? You have to married people, don't

1060
00:58:05,680 --> 00:58:09,440
Speaker 5: right that b to be versatile, yes, huh. And it

1061
00:58:09,600 --> 00:58:12,800
Speaker 5: just depends, man. I think like naturally, I always I

1062
00:58:12,960 --> 00:58:15,600
Speaker 5: want to rap. It's just like it's like talking. It's

1063
00:58:15,680 --> 00:58:19,200
Speaker 5: like you know the thing you know you just always

1064
00:58:19,320 --> 00:58:21,520
Speaker 5: rap like I love it. I fell in love with

1065
00:58:21,600 --> 00:58:23,120
Speaker 5: it from an early early age.

1066
00:58:23,440 --> 00:58:24,720
Speaker 1: Are you're good at it? It's not a lot of

1067
00:58:24,760 --> 00:58:27,120
Speaker 1: people who raps sing that's actually good at.

1068
00:58:27,080 --> 00:58:29,800
Speaker 2: I mean, he just did nineteen eighty seven rap right now. Second.

1069
00:58:30,240 --> 00:58:31,919
Speaker 2: It's how good he go He could go back coming

1070
00:58:32,000 --> 00:58:36,240
Speaker 2: from you. Yes, everything, Thank you solo, Thank you, man

1071
00:58:36,320 --> 00:58:39,840
Speaker 2: one entrepreneur, mann ri E Bro, thank you for showing

1072
00:58:39,920 --> 00:58:43,280
Speaker 2: us how to rap on Neptune's beats. Goddamn. Okay, be

1073
00:58:43,480 --> 00:58:44,160
Speaker 2: a connoisseur.

1074
00:58:44,760 --> 00:58:47,959
Speaker 1: That's right, all right, but hold on, so we picked

1075
00:58:48,000 --> 00:58:53,520
Speaker 1: that right, you discovered suck all right, But this is

1076
00:58:53,640 --> 00:58:55,560
Speaker 1: this is a good one. And again you got it.

1077
00:58:56,080 --> 00:58:59,040
Speaker 2: Earth Winning Fire or the Osslie Brothers, Oh.

1078
00:59:01,280 --> 00:59:01,480
Speaker 6: Day.

1079
00:59:03,880 --> 00:59:09,000
Speaker 2: I'm most say Earth when a fire, you know, because

1080
00:59:09,000 --> 00:59:11,920
Speaker 2: they joined squeaky clean like Ronald Is probably can't perform

1081
00:59:12,000 --> 00:59:15,520
Speaker 2: some of them. Mark Kelly joints all the time. So

1082
00:59:16,160 --> 00:59:19,400
Speaker 2: you gotta think you got to know they just play

1083
00:59:19,480 --> 00:59:22,960
Speaker 2: all they said. Sometimes you know big makes a BIG's

1084
00:59:22,960 --> 00:59:26,040
Speaker 2: got a pivot here there. Yeah, yeah, you can still

1085
00:59:26,080 --> 00:59:31,760
Speaker 2: do it. Yeah, but earth from the fire squeak clean now, okay,

1086
00:59:32,960 --> 00:59:36,600
Speaker 2: but so it's a mood thing. But I'm gonna say

1087
00:59:36,600 --> 00:59:39,680
Speaker 2: it from the fire. Okay. So we took we picked

1088
00:59:39,840 --> 00:59:42,640
Speaker 2: from drinking, but we didn't get he's the only one

1089
00:59:42,680 --> 00:59:43,600
Speaker 2: that drinks what he says.

1090
00:59:44,240 --> 00:59:47,600
Speaker 1: We didn't get rapping, and we didn't answer rapping or singing,

1091
00:59:47,680 --> 00:59:51,800
Speaker 1: he said, depending on how many. Yeah, yeah, but period overall.

1092
00:59:52,040 --> 00:59:55,800
Speaker 1: Let's make sure that both both. Yeah, all right, I

1093
00:59:55,960 --> 00:59:57,920
Speaker 1: like that. All right, So were taking a shop for that?

1094
00:59:58,440 --> 00:59:58,680
Speaker 2: Sure?

1095
01:00:00,720 --> 01:00:07,520
Speaker 3: Okay, Oh like this one, Richie Smokey Robinson, smoke Dog.

1096
01:00:08,040 --> 01:00:11,560
Speaker 2: You got records with Smokey rob Yeah, how does that happen? Bro?

1097
01:00:12,440 --> 01:00:15,320
Speaker 2: How the fuck do you get in contact with Smoky? Exactly?

1098
01:00:15,440 --> 01:00:18,920
Speaker 2: Do you get? You do text a fireplace? So that's

1099
01:00:20,600 --> 01:00:23,640
Speaker 2: got to be a fireplace, like I feel like him

1100
01:00:23,680 --> 01:00:27,880
Speaker 2: live in a fireplace. I'm sorry, I'm sorry. You got

1101
01:00:27,920 --> 01:00:33,400
Speaker 2: the forever backdrop. He's that guy. Yeah, so how do

1102
01:00:33,520 --> 01:00:35,760
Speaker 2: you get in contact? That was and we reached out.

1103
01:00:35,840 --> 01:00:38,720
Speaker 2: That was the Drake card was reached out. You know,

1104
01:00:39,200 --> 01:00:41,320
Speaker 2: I had all hands on deck. My manager Adrian Miller

1105
01:00:41,360 --> 01:00:43,960
Speaker 2: at the time, he was like, yeah, I had a

1106
01:00:44,040 --> 01:00:47,080
Speaker 2: song that we was working on. I was like, we

1107
01:00:47,120 --> 01:00:52,560
Speaker 2: should get smoky for this, and uh, Adrian and hit

1108
01:00:52,640 --> 01:00:55,080
Speaker 2: him up and he was there. He was like, man,

1109
01:00:55,120 --> 01:00:57,760
Speaker 2: my daughter loves you. I was like, okay, hell yeah,

1110
01:00:57,840 --> 01:01:00,520
Speaker 2: and he was like, let me hit a song. I'm

1111
01:01:00,840 --> 01:01:03,440
Speaker 2: getting there. I play on the song. It's like, just

1112
01:01:03,520 --> 01:01:06,640
Speaker 2: cut it off. You gotta make love to them with

1113
01:01:06,800 --> 01:01:10,440
Speaker 2: these words, baby, like I'm doing it right. And so

1114
01:01:10,520 --> 01:01:14,840
Speaker 2: it's like, just print me a CD CDR one instrumental

1115
01:01:15,120 --> 01:01:17,640
Speaker 2: one without the licks, and I'm gonna come back. I'm

1116
01:01:17,640 --> 01:01:20,160
Speaker 2: gonna fix it. And then he came back and he

1117
01:01:20,320 --> 01:01:22,520
Speaker 2: changed the words, but he kept the melody and we

1118
01:01:22,680 --> 01:01:26,320
Speaker 2: had like all this raunchy ship and he just up

1119
01:01:26,560 --> 01:01:29,040
Speaker 2: yeah and kept the same melody and then we cut

1120
01:01:29,080 --> 01:01:39,840
Speaker 2: it and that was gold record. Yeah, Jesus, is there

1121
01:01:39,880 --> 01:01:42,640
Speaker 2: any plans to try to work with Lina Richie. I

1122
01:01:42,680 --> 01:01:44,760
Speaker 2: would love to work with Lina Richie Lino, Let's do

1123
01:01:44,840 --> 01:01:46,480
Speaker 2: an album, let me let me produce. So I got

1124
01:01:46,520 --> 01:01:49,240
Speaker 2: a great team. Let's do it. I know you've got

1125
01:01:49,320 --> 01:01:54,920
Speaker 2: a huge budget. Let's do Mexico. As we talking about,

1126
01:01:55,720 --> 01:01:58,040
Speaker 2: the more we talk about it, like like listen, let's

1127
01:01:58,160 --> 01:02:02,880
Speaker 2: make it happen. Line fools with me. Yeah, I see Richie?

1128
01:02:03,120 --> 01:02:03,240
Speaker 1: Uh?

1129
01:02:04,600 --> 01:02:04,680
Speaker 6: Was that?

1130
01:02:04,840 --> 01:02:05,080
Speaker 2: What's that?

1131
01:02:05,200 --> 01:02:07,760
Speaker 1: What's that restaurant downstairs from the Soho House at the

1132
01:02:07,840 --> 01:02:11,200
Speaker 1: Soho House in Amoullable, the Shole House downtown.

1133
01:02:13,600 --> 01:02:15,840
Speaker 2: I'm not Sherry Roscos No, no, no, no, no no.

1134
01:02:16,160 --> 01:02:18,400
Speaker 2: What does that ship? I'm not? It wasn't.

1135
01:02:18,560 --> 01:02:22,560
Speaker 1: Uh. I forget people gonna fry me for this. But anyway,

1136
01:02:22,960 --> 01:02:26,360
Speaker 1: I seen Lionel Richie, and so I came there night

1137
01:02:26,400 --> 01:02:29,920
Speaker 1: before and the lady was like, Nori, I have two

1138
01:02:30,000 --> 01:02:33,959
Speaker 1: tables open right now. So I said, okay. She said

1139
01:02:34,240 --> 01:02:39,600
Speaker 1: one next to line of Richie and one where you

1140
01:02:39,720 --> 01:02:43,360
Speaker 1: sat last night. So which table do you want?

1141
01:02:44,480 --> 01:02:44,720
Speaker 2: Let me.

1142
01:02:50,000 --> 01:02:52,480
Speaker 1: And I walked in and I called my mom. It's

1143
01:02:52,520 --> 01:02:54,640
Speaker 1: how much it was. It was legendary for me to

1144
01:02:54,720 --> 01:02:57,640
Speaker 1: meet Richie. I called my mom and I was like, mom,

1145
01:02:58,200 --> 01:02:59,280
Speaker 1: are you a line of Richie?

1146
01:02:59,360 --> 01:02:59,560
Speaker 2: Fan?

1147
01:03:00,160 --> 01:03:02,960
Speaker 1: In my mother's voice, she was just like, oh baby.

1148
01:03:03,560 --> 01:03:05,040
Speaker 1: Once he said that, I said, I'm going to get

1149
01:03:05,080 --> 01:03:06,520
Speaker 1: a lot of picture.

1150
01:03:06,960 --> 01:03:08,360
Speaker 2: So I stood there. I had a big I had

1151
01:03:08,400 --> 01:03:10,560
Speaker 2: the big chain on, so I pulled the big chain

1152
01:03:10,640 --> 01:03:14,400
Speaker 2: out just I know, was like, yo, you know.

1153
01:03:16,000 --> 01:03:18,920
Speaker 1: That's Nori. So we said, Hi, I send him a

1154
01:03:19,000 --> 01:03:21,040
Speaker 1: bottle of wine. I never forget this. Rest in peace.

1155
01:03:21,080 --> 01:03:24,720
Speaker 1: Havain Hawa was with me. Send them a bottle of wine.

1156
01:03:26,160 --> 01:03:29,960
Speaker 1: He ordered the most expensive bottle on the menu, but

1157
01:03:30,120 --> 01:03:32,880
Speaker 1: I already had committed. I was like, I'm in, and

1158
01:03:33,000 --> 01:03:36,120
Speaker 1: he took like full SIPs of that ship and left it.

1159
01:03:37,280 --> 01:03:39,640
Speaker 1: And as he left, I went and got that wine.

1160
01:03:41,560 --> 01:03:43,640
Speaker 1: I wouldn't have got back my bottle. He didn't give

1161
01:03:43,640 --> 01:03:45,440
Speaker 1: a buck, but that was legendary for me. Me and

1162
01:03:45,640 --> 01:03:53,240
Speaker 1: motherfucker might know Richie Okay, okay, okay, you get this one.

1163
01:03:54,040 --> 01:03:59,000
Speaker 2: I'm not even open. Okay, canay Ico or Alicia Keys

1164
01:04:00,520 --> 01:04:05,960
Speaker 2: Shout out to both. Jane I've known for years. We

1165
01:04:06,160 --> 01:04:11,280
Speaker 2: said the same manager. Shout out to taz uh love Janey,

1166
01:04:11,480 --> 01:04:16,160
Speaker 2: love Alicia. I haven't worked really with Alicia, but I

1167
01:04:16,240 --> 01:04:18,360
Speaker 2: got to work with Jane a couple of times. We

1168
01:04:18,400 --> 01:04:23,640
Speaker 2: haven't put anything out, but we've worked. And you know, Jane,

1169
01:04:24,040 --> 01:04:27,200
Speaker 2: that's West Coast, you know, so I feel like you're certain,

1170
01:04:27,480 --> 01:04:32,120
Speaker 2: But it's tough because I could hear you and you know,

1171
01:04:32,560 --> 01:04:35,240
Speaker 2: real musician. Like again, I remember where I was when

1172
01:04:35,240 --> 01:04:39,360
Speaker 2: I first heard her too. You know, I think she

1173
01:04:39,480 --> 01:04:42,840
Speaker 2: kind of paved the way to I'm gonna say, Alicia,

1174
01:04:43,800 --> 01:04:47,080
Speaker 2: because shout out to the people that paved the way. Right, Okay,

1175
01:04:48,320 --> 01:04:50,240
Speaker 2: you don't got to a shot. But with you, I know,

1176
01:04:50,640 --> 01:04:53,920
Speaker 2: he's like, I'm gonna ask. I'm not gonna.

1177
01:04:56,240 --> 01:04:58,960
Speaker 1: That's my boy twist thing. All right, cool, I'm taking

1178
01:04:59,000 --> 01:05:01,840
Speaker 1: a shot, all right, al Green of Curtis Mayfield.

1179
01:05:02,520 --> 01:05:07,680
Speaker 2: Wow, y'all crazy man both So now we've got to

1180
01:05:09,960 --> 01:05:17,120
Speaker 2: we've yes, man, Yeah, I love this one. We gotta

1181
01:05:17,120 --> 01:05:30,640
Speaker 2: take there you go show, Chris Brown, I think this

1182
01:05:30,720 --> 01:05:40,440
Speaker 2: is a good danity. This is insufferable, but again like okay,

1183
01:05:40,640 --> 01:05:43,240
Speaker 2: this is what it is, like you gotta give it

1184
01:05:43,320 --> 01:05:46,600
Speaker 2: to us show, just because where it starts, you know,

1185
01:05:46,840 --> 01:05:52,280
Speaker 2: like again the blueprint. You know, you got to work

1186
01:05:52,320 --> 01:05:56,280
Speaker 2: with all the greats too, amazing songs and to be

1187
01:05:56,400 --> 01:05:58,680
Speaker 2: able to still be doing it be relevant now at

1188
01:05:58,720 --> 01:06:01,280
Speaker 2: his age, is still doing it at a high level,

1189
01:06:01,720 --> 01:06:04,040
Speaker 2: very high level. Both of them are doing the high levels.

1190
01:06:06,240 --> 01:06:10,400
Speaker 2: But I feel like, you know, ushers solidified. He's he's

1191
01:06:10,480 --> 01:06:12,720
Speaker 2: done so much stuff. Now he's you know, just continue

1192
01:06:12,720 --> 01:06:16,760
Speaker 2: to continue to keep his legend known and continue to

1193
01:06:16,760 --> 01:06:18,760
Speaker 2: making new stuff. And I feel like Chris is still

1194
01:06:19,080 --> 01:06:20,840
Speaker 2: we yet to be seen even what he's going to

1195
01:06:20,920 --> 01:06:24,760
Speaker 2: do in the future. So I just feel like, you know,

1196
01:06:25,160 --> 01:06:28,720
Speaker 2: props the both again. But yeah, ushers just like, yeah,

1197
01:06:29,600 --> 01:06:33,080
Speaker 2: I want to tell everybody was doing that sideways side

1198
01:06:33,120 --> 01:06:38,800
Speaker 2: away ship, sideways moonwalk joint, you know, yeah, take a

1199
01:06:38,840 --> 01:06:44,320
Speaker 2: shoe off, the niggas, you know, all that gliding and

1200
01:06:45,280 --> 01:06:49,000
Speaker 2: he's singing the niggas bitches right now feeding cherries. I

1201
01:06:49,040 --> 01:06:53,280
Speaker 2: don't even understand. It's a part of hard life. See

1202
01:06:53,320 --> 01:06:55,160
Speaker 2: that every time opening up, it's a it's a bit

1203
01:06:55,680 --> 01:07:01,480
Speaker 2: eating cherries. If you bring your girl there. Never were

1204
01:07:01,480 --> 01:07:05,840
Speaker 2: going to circus of leg We're gonna going on to anything.

1205
01:07:06,520 --> 01:07:10,400
Speaker 2: Just not doing show. I mean it looks a little

1206
01:07:10,440 --> 01:07:13,760
Speaker 2: crazy like some other ship. The girl in front of

1207
01:07:13,840 --> 01:07:30,360
Speaker 2: you going like that, what show you think? In no way?

1208
01:07:30,560 --> 01:07:33,120
Speaker 2: I love respect with gouble mus I looked. I was like,

1209
01:07:33,240 --> 01:07:35,880
Speaker 2: wait a minute, you're just going to let that and

1210
01:07:36,200 --> 01:07:40,840
Speaker 2: that's love. I'm not sure what that is. Didn't didn't

1211
01:07:40,880 --> 01:07:43,640
Speaker 2: he break up a whole like he just went on

1212
01:07:43,760 --> 01:07:47,840
Speaker 2: the work I don't know, it's really his fault. It's

1213
01:07:47,920 --> 01:07:50,880
Speaker 2: not his doults, it's not his fault. Yeah, the home girl.

1214
01:07:51,240 --> 01:07:54,480
Speaker 2: Everyone has a choice to make this girl, you know

1215
01:07:54,560 --> 01:08:04,560
Speaker 2: what his fall pig like, oh boy, we throw his

1216
01:08:04,640 --> 01:08:06,480
Speaker 2: whole relationship by the day, Like, man.

1217
01:08:07,080 --> 01:08:10,840
Speaker 1: You don't have the dog out, you know, and you've

1218
01:08:10,920 --> 01:08:15,800
Speaker 1: got roses and strawberry and stuff you like.

1219
01:08:16,400 --> 01:08:20,840
Speaker 2: And he's doing it smooth too, like he like like

1220
01:08:21,360 --> 01:08:23,040
Speaker 2: he's like taking a foul shot, like you know what

1221
01:08:23,080 --> 01:08:25,400
Speaker 2: I'm saying with the first coat on a three pointer.

1222
01:08:25,800 --> 01:08:27,200
Speaker 2: He coming in for the layoffs.

1223
01:08:27,760 --> 01:08:33,120
Speaker 1: He like this the layoff, Like, I mean, man ship,

1224
01:08:33,200 --> 01:08:37,040
Speaker 1: we ain't going on a yeah, anything with that, Okay,

1225
01:08:38,160 --> 01:08:38,880
Speaker 1: I respect that.

1226
01:08:39,040 --> 01:08:39,160
Speaker 6: Man.

1227
01:08:39,479 --> 01:08:45,360
Speaker 2: The source of double Legs. Oh, the source or Double Excel.

1228
01:08:46,479 --> 01:08:52,000
Speaker 2: Yeah that's tough, I say, the source. Yeah really five mics, Yeah,

1229
01:08:52,920 --> 01:08:56,080
Speaker 2: give me five micsn you never got five mics. I did.

1230
01:08:56,200 --> 01:08:59,760
Speaker 2: I don't know if they were doing it. I love

1231
01:09:00,040 --> 01:09:03,439
Speaker 2: love your passion. Yeah, we want to go back to it.

1232
01:09:03,479 --> 01:09:05,840
Speaker 2: I think she get an honorary go back and get

1233
01:09:05,880 --> 01:09:11,360
Speaker 2: you to retaant. Yeah yeah, no, that was it for

1234
01:09:11,560 --> 01:09:16,760
Speaker 2: the stores and like all those iconic covers mm hmm. Yeah,

1235
01:09:16,880 --> 01:09:21,240
Speaker 2: that that was just missed it. But I'm probably on

1236
01:09:21,320 --> 01:09:26,840
Speaker 2: a digital cover somewhere for sure. And that's dope too, man.

1237
01:09:26,960 --> 01:09:27,799
Speaker 2: But that's the coaching.

1238
01:09:27,840 --> 01:09:27,960
Speaker 1: Man.

1239
01:09:28,040 --> 01:09:30,720
Speaker 2: So I grew up collecting and taking all those like

1240
01:09:31,200 --> 01:09:33,760
Speaker 2: putting them on my wall. Did you did you buy

1241
01:09:34,000 --> 01:09:36,000
Speaker 2: the fake jewelry from the back of the source? I didn't.

1242
01:09:36,040 --> 01:09:40,639
Speaker 2: I didn't the tail end of it, but I didn't.

1243
01:09:40,720 --> 01:09:43,240
Speaker 2: Unders But I didn't.

1244
01:09:43,720 --> 01:09:46,200
Speaker 1: Because they would do They would do wo tang pieces

1245
01:09:46,560 --> 01:09:49,120
Speaker 1: like you know, like you know, just you know, yeah,

1246
01:09:49,600 --> 01:09:50,400
Speaker 1: pieces like that.

1247
01:09:50,880 --> 01:09:52,439
Speaker 2: I bought my first turn tables on the back of

1248
01:09:52,520 --> 01:09:54,280
Speaker 2: the source. Was that the bootleg section.

1249
01:09:54,560 --> 01:09:58,280
Speaker 3: No, they had a DJ starter kit. Oh that's it

1250
01:09:58,320 --> 01:10:00,120
Speaker 3: was affordable. It was going to do the pop are

1251
01:10:00,160 --> 01:10:01,719
Speaker 3: Geminis in a scratch Master.

1252
01:10:01,920 --> 01:10:03,880
Speaker 2: You gotta do that right now. Very frugal with jewelry.

1253
01:10:03,920 --> 01:10:05,800
Speaker 2: I'm very cheap. A lot of my jewelry has been

1254
01:10:05,840 --> 01:10:10,080
Speaker 2: given to me. I just yeah, by majority for my birthday.

1255
01:10:10,400 --> 01:10:12,479
Speaker 2: You're going to see it. I'm gonna I appreciate it,

1256
01:10:13,200 --> 01:10:13,640
Speaker 2: I wear it.

1257
01:10:15,080 --> 01:10:22,439
Speaker 1: I think we should make no noise to that. Yeah, okay,

1258
01:10:22,520 --> 01:10:24,120
Speaker 1: this is the last one. We're gonna jump in back

1259
01:10:24,120 --> 01:10:24,559
Speaker 1: into day and.

1260
01:10:24,520 --> 01:10:25,840
Speaker 2: You got to take a shot for whatever you say.

1261
01:10:26,479 --> 01:10:31,920
Speaker 1: Jesus even persuaded the witness you say, you don't leaves

1262
01:10:32,960 --> 01:10:33,639
Speaker 1: doing this whole.

1263
01:10:34,080 --> 01:10:35,960
Speaker 2: He likes that you drink every shot. He likes that.

1264
01:10:36,560 --> 01:10:47,559
Speaker 2: Uh loyalty or respect? Whoa yo? Both for sure? Yes

1265
01:10:49,360 --> 01:10:58,200
Speaker 2: h h salute no one. No motherfucking grammys yo. Right?

1266
01:10:58,520 --> 01:11:00,760
Speaker 2: What the fuck does that shift? Does they get old?

1267
01:11:02,880 --> 01:11:04,680
Speaker 2: Like when you have one and you have two and

1268
01:11:04,800 --> 01:11:10,040
Speaker 2: you have three? Yeah? Four? No, it doesn't. Blessings with

1269
01:11:10,120 --> 01:11:12,040
Speaker 2: me is I've gotten to do it with all kinds

1270
01:11:12,040 --> 01:11:14,639
Speaker 2: of different acts, you know, across three different acts, from

1271
01:11:14,680 --> 01:11:18,960
Speaker 2: Anderson Pact myself to then doing it with uh Silk

1272
01:11:19,000 --> 01:11:23,240
Speaker 2: Sonic and then most recently with No Worries. So uh,

1273
01:11:23,479 --> 01:11:26,519
Speaker 2: it's a different journey every time. So it's a different experience,

1274
01:11:26,640 --> 01:11:30,439
Speaker 2: different experience, and to be, you know, for these albums

1275
01:11:30,520 --> 01:11:34,320
Speaker 2: to be to receive Grammys from you know, the peers

1276
01:11:34,320 --> 01:11:36,320
Speaker 2: and the voters and all that stuff. It's it's amazing,

1277
01:11:36,520 --> 01:11:39,519
Speaker 2: but yeah, can it get could you know? That could

1278
01:11:39,560 --> 01:11:42,280
Speaker 2: easily turn into oh this is why I do it now,

1279
01:11:42,479 --> 01:11:44,679
Speaker 2: you know, and then the music you know, it could

1280
01:11:44,720 --> 01:11:47,680
Speaker 2: also make you real lazy, you know really yeah, in

1281
01:11:47,760 --> 01:11:51,960
Speaker 2: the sense, uh, you know, if you think that if

1282
01:11:52,000 --> 01:11:54,120
Speaker 2: you start to think that that's why you have to

1283
01:11:54,200 --> 01:11:55,960
Speaker 2: do it while you have to make the music in

1284
01:11:56,120 --> 01:12:00,920
Speaker 2: order to reach these deadlines or to do something right right, Yeah,

1285
01:12:01,400 --> 01:12:05,360
Speaker 2: that could drain on your creativity and uh, your natural

1286
01:12:05,720 --> 01:12:08,240
Speaker 2: trajection as where you might could go if you weren't

1287
01:12:08,240 --> 01:12:11,240
Speaker 2: thinking about that. And that's what I want to get

1288
01:12:11,280 --> 01:12:13,120
Speaker 2: to as an artist is where I'm not thinking about

1289
01:12:13,160 --> 01:12:16,640
Speaker 2: none of that. I'm just creating and I'm able to, uh,

1290
01:12:17,320 --> 01:12:19,880
Speaker 2: you know, put it in the best posture it needs

1291
01:12:19,920 --> 01:12:22,679
Speaker 2: to be, to bring it out to the people because

1292
01:12:22,680 --> 01:12:25,599
Speaker 2: I've well thought about it and everything, and and I'm

1293
01:12:25,640 --> 01:12:27,840
Speaker 2: able to tour it and do so much stuff with it.

1294
01:12:27,920 --> 01:12:30,759
Speaker 2: And if it gets acknowledged by anything from the Grammys anybody,

1295
01:12:30,840 --> 01:12:34,759
Speaker 2: it's great, you know, but it's uh, it's not like, Okay,

1296
01:12:34,920 --> 01:12:36,840
Speaker 2: now we have to do it for this reason only,

1297
01:12:36,880 --> 01:12:39,040
Speaker 2: and if we don't get one, it means that it's

1298
01:12:39,080 --> 01:12:41,439
Speaker 2: a failure. It's like, it's not it's not that. But

1299
01:12:42,160 --> 01:12:46,200
Speaker 2: to be able to have those, it's like, yes, fucking huge.

1300
01:12:47,600 --> 01:12:52,400
Speaker 3: Yeah, it's not even you have one or too. It's

1301
01:12:52,439 --> 01:12:54,240
Speaker 3: like the amount is crazy, you know what I'm saying.

1302
01:12:54,360 --> 01:13:10,920
Speaker 3: People don't need to get one, right, yeah. Yeah, now

1303
01:13:10,960 --> 01:13:15,400
Speaker 3: another unicorn. You got to work with Andre three thousand. Yeah,

1304
01:13:16,520 --> 01:13:21,920
Speaker 3: first off, I'm knowing Andre D thousands for twenty seven years.

1305
01:13:23,400 --> 01:13:26,759
Speaker 3: I'm no outcast big boy for twenty seven years. Andre

1306
01:13:26,920 --> 01:13:30,200
Speaker 3: D thousand is the most mysterious man on earth, That's right.

1307
01:13:31,640 --> 01:13:33,400
Speaker 3: How did you get him?

1308
01:13:34,560 --> 01:13:36,559
Speaker 1: Because he doesn't even he doesn't even lay a verse

1309
01:13:36,600 --> 01:13:39,400
Speaker 1: for outcasts at this point, like, how.

1310
01:13:39,360 --> 01:13:42,680
Speaker 2: Do you get him? Andre? Hundreds of thousands because that's

1311
01:13:42,720 --> 01:13:45,240
Speaker 2: what you have to pay to get that verse cleared? Okay, wow?

1312
01:13:45,560 --> 01:13:51,439
Speaker 2: And then he gets inspired, miraculously, miraculously finds the spiray

1313
01:13:54,640 --> 01:13:57,240
Speaker 2: you have to pay for that bird, bro, I ain't.

1314
01:13:57,320 --> 01:13:59,280
Speaker 2: I ain't think he charged he did? You get to

1315
01:13:59,360 --> 01:14:03,200
Speaker 2: hang out with you? It's a fluega, nigga. How many

1316
01:14:03,320 --> 01:14:06,720
Speaker 2: verses this nigga calculated? That don't even got to come out?

1317
01:14:08,200 --> 01:14:10,439
Speaker 2: Only a couple of niggas walk around with the flute.

1318
01:14:10,880 --> 01:14:14,360
Speaker 2: Niggas is rich. You gotta be insane or rich three

1319
01:14:14,600 --> 01:14:17,040
Speaker 2: features and paid for the flu life. You're paying for

1320
01:14:17,120 --> 01:14:19,880
Speaker 2: the lore nigga. If I put it out, if I

1321
01:14:20,000 --> 01:14:22,400
Speaker 2: might want to just not put it out. Still, that

1322
01:14:22,680 --> 01:14:26,240
Speaker 2: check got a clear bro, right, So you know he's

1323
01:14:26,320 --> 01:14:29,640
Speaker 2: just he moved with the wind. Yes, circle, you know

1324
01:14:30,080 --> 01:14:32,519
Speaker 2: I love that. It's a flute mystique. It's a mystique

1325
01:14:32,880 --> 01:14:36,160
Speaker 2: money well spent. Yes, most rappers low state mystique because

1326
01:14:36,160 --> 01:14:39,720
Speaker 2: of Instagram. That's it. He didn't play himself out, same overalls,

1327
01:14:40,920 --> 01:14:44,679
Speaker 2: same little Jordan threes and he just out here beard

1328
01:14:45,600 --> 01:14:48,959
Speaker 2: him in Japan, right, same flue, same Jordan's, same overalls.

1329
01:14:50,000 --> 01:14:52,880
Speaker 2: Thatagine how Hi the barbera in years right, he's just

1330
01:14:52,960 --> 01:14:56,240
Speaker 2: in there, no tape matchingouts, money he's saving, no taper,

1331
01:14:56,360 --> 01:14:59,960
Speaker 2: none of that. I'm free, now get off me freedom.

1332
01:15:00,320 --> 01:15:02,280
Speaker 2: He shout out to our barbers with you know, yeah,

1333
01:15:02,439 --> 01:15:06,080
Speaker 2: well no one hundred fifty three hundred for it to

1334
01:15:06,160 --> 01:15:07,920
Speaker 2: the fifteen hundred he does not.

1335
01:15:08,080 --> 01:15:13,680
Speaker 1: We wantredfty thousands just in case we want Tom and we.

1336
01:15:13,800 --> 01:15:19,960
Speaker 2: Got yeah yeah, yeah, yeah yeah yeah, And I got him. Yeah.

1337
01:15:20,040 --> 01:15:22,280
Speaker 2: So I was like, yo, hundred, I got of records

1338
01:15:22,320 --> 01:15:25,320
Speaker 2: and he came through and he was like, all right,

1339
01:15:25,360 --> 01:15:27,680
Speaker 2: I want to hear the beat. And I played him

1340
01:15:27,720 --> 01:15:29,280
Speaker 2: like a bunch of records and he's like, I like

1341
01:15:29,360 --> 01:15:32,440
Speaker 2: this one like that. He can't get what a composition,

1342
01:15:32,560 --> 01:15:35,200
Speaker 2: but but yeah it's real, like we did all that

1343
01:15:35,760 --> 01:15:37,040
Speaker 2: and this is when I was working with Dre and

1344
01:15:37,439 --> 01:15:41,400
Speaker 2: this is now working on Venture album, and I was

1345
01:15:41,479 --> 01:15:43,320
Speaker 2: working on both of them at the same time. When

1346
01:15:43,320 --> 01:15:45,400
Speaker 2: I did Ox started Venture, I did them all at

1347
01:15:45,439 --> 01:15:48,720
Speaker 2: DRE studio at Record one one Yeah okay, and so

1348
01:15:48,920 --> 01:15:50,960
Speaker 2: this is where they did all these iconic records, you know,

1349
01:15:51,160 --> 01:15:54,120
Speaker 2: not the Aftermath records, and I think Michael Day records

1350
01:15:54,160 --> 01:15:56,960
Speaker 2: there too, So I was like having a field day there,

1351
01:15:57,080 --> 01:15:58,640
Speaker 2: first time I ever really had a budget to do

1352
01:15:58,720 --> 01:16:02,000
Speaker 2: an album, so top of the line studio working and

1353
01:16:02,520 --> 01:16:03,599
Speaker 2: have both rooms going.

1354
01:16:03,680 --> 01:16:04,080
Speaker 8: And then.

1355
01:16:05,479 --> 01:16:08,320
Speaker 2: I started seeing that it was I had a different

1356
01:16:08,400 --> 01:16:10,439
Speaker 2: kind of music. One was a little harder edge, one

1357
01:16:10,520 --> 01:16:12,960
Speaker 2: was more arm beat. So I started separating. I was like, oh,

1358
01:16:12,960 --> 01:16:14,800
Speaker 2: I got another beach. I could do Venture after this,

1359
01:16:14,960 --> 01:16:18,320
Speaker 2: you know, double back. And so I had this joint

1360
01:16:18,360 --> 01:16:20,439
Speaker 2: that I wanted to open up the album with, which

1361
01:16:20,600 --> 01:16:22,120
Speaker 2: was come Home. And I played it for him and

1362
01:16:22,160 --> 01:16:24,200
Speaker 2: he loved it, and then he was he was like cool,

1363
01:16:24,280 --> 01:16:26,160
Speaker 2: let me write to it. So that he was like,

1364
01:16:26,960 --> 01:16:29,560
Speaker 2: let me write to and yeah Andre. So I was

1365
01:16:29,600 --> 01:16:31,360
Speaker 2: like that, We're going to get out the room, you know,

1366
01:16:31,960 --> 01:16:34,320
Speaker 2: uh Andre, everybody was there. So we got out the

1367
01:16:34,400 --> 01:16:36,680
Speaker 2: room and he would be in there for hours and

1368
01:16:36,920 --> 01:16:40,840
Speaker 2: is this sage burning? No sage this him in his book. Okay, okay,

1369
01:16:40,920 --> 01:16:45,680
Speaker 2: no sage. He wanted to be saved. But okay, there

1370
01:16:45,760 --> 01:16:48,519
Speaker 2: was sage burning for Leake. Let's take up the story.

1371
01:16:48,760 --> 01:16:57,880
Speaker 2: Sage a little maybe outfit. I'm talking chickens the ship

1372
01:16:58,640 --> 01:17:01,880
Speaker 2: and he gets to write and some ship. I said,

1373
01:17:01,960 --> 01:17:06,000
Speaker 2: God damn. Andre. He said I'll be back. I said, huh,

1374
01:17:07,080 --> 01:17:09,679
Speaker 2: I'll be back tomorrow. I think I'll be ready. I said, okay,

1375
01:17:09,960 --> 01:17:14,880
Speaker 2: show you're right, thank you very much, thank you, thank you.

1376
01:17:16,040 --> 01:17:18,280
Speaker 2: Next day we come in. He's right on time. Three

1377
01:17:18,360 --> 01:17:22,439
Speaker 2: p m. Same beat, Andre, load up the beat, snee.

1378
01:17:22,439 --> 01:17:25,839
Speaker 2: A little privacy goes in there. You know, sage is burning.

1379
01:17:27,800 --> 01:17:33,280
Speaker 2: I'll say, the shaman's still there. The shaman's there before me.

1380
01:17:33,520 --> 01:17:37,519
Speaker 2: It's a little funky, but I'm rocking with him. I

1381
01:17:37,640 --> 01:17:41,400
Speaker 2: walk out. No, six hours later, you ready to do this.

1382
01:17:41,479 --> 01:17:44,559
Speaker 2: I'm gonna come back tomorrow. Oh, I say, God damn.

1383
01:17:45,479 --> 01:17:49,400
Speaker 2: That's how DMX just do people bad, all right? Third day,

1384
01:17:49,800 --> 01:17:53,240
Speaker 2: come back trump. Third days is what they usually in

1385
01:17:53,280 --> 01:17:56,320
Speaker 2: the business. We say third days the charm and you

1386
01:17:56,360 --> 01:18:01,120
Speaker 2: can go, I'm gonna come back, I say, God damn.

1387
01:18:01,120 --> 01:18:04,080
Speaker 2: All right. So I'm I'm fatigued. Now I'm thinking about

1388
01:18:04,080 --> 01:18:06,680
Speaker 2: how much is the cost? Yeah, that's a lot. You

1389
01:18:06,720 --> 01:18:08,920
Speaker 2: start to think about Bill. I gotta go, So I

1390
01:18:08,960 --> 01:18:10,400
Speaker 2: got to hit the road. So I go on tour,

1391
01:18:10,840 --> 01:18:14,240
Speaker 2: double back, go back on tour, do a few gays,

1392
01:18:14,800 --> 01:18:17,479
Speaker 2: get on my feet. I hit Italy, were about to

1393
01:18:17,479 --> 01:18:19,519
Speaker 2: play Italy. I get it. Look at my email, Andre

1394
01:18:19,640 --> 01:18:23,160
Speaker 2: three thousand verse, boom, he send it. I send the email.

1395
01:18:24,320 --> 01:18:26,519
Speaker 2: I could see the little audio. I'm like, and it's

1396
01:18:26,560 --> 01:18:30,639
Speaker 2: an empty three or it's away. Okay, I'm afraid because

1397
01:18:30,680 --> 01:18:32,800
Speaker 2: that would be I'd be like, damn, what I's gotta

1398
01:18:32,840 --> 01:18:33,120
Speaker 2: be good?

1399
01:18:33,160 --> 01:18:33,400
Speaker 3: If not.

1400
01:18:35,080 --> 01:18:39,960
Speaker 2: Like, what if you don't like? Yeah? What if you

1401
01:18:40,000 --> 01:18:40,320
Speaker 2: don't like?

1402
01:18:40,439 --> 01:18:43,840
Speaker 3: And what do you like? The first?

1403
01:18:45,400 --> 01:18:49,560
Speaker 2: Yeah, I was just taking right, I'm taking it. I'm like,

1404
01:18:49,920 --> 01:18:52,160
Speaker 2: I'll take Osca. It's great. It's amazing.

1405
01:18:52,160 --> 01:18:54,400
Speaker 9: What he really would have been like the Scooby Do

1406
01:18:54,520 --> 01:19:09,320
Speaker 9: Boo Bries school coming three ready to blow, showing that

1407
01:19:09,400 --> 01:19:09,960
Speaker 9: one to kill.

1408
01:19:12,000 --> 01:19:15,439
Speaker 2: I would have been got crazy. Yeah, but he didn't

1409
01:19:15,479 --> 01:19:19,760
Speaker 2: do that. He destroyed it. Yeah, he did a crazy verse.

1410
01:19:19,880 --> 01:19:21,479
Speaker 2: And I listened to revery from my show, and we

1411
01:19:21,640 --> 01:19:24,560
Speaker 2: we were the honest to God, I never told me

1412
01:19:24,600 --> 01:19:27,600
Speaker 2: about this, but honestly, guy, we did. We were like,

1413
01:19:27,920 --> 01:19:32,320
Speaker 2: first listen, like, all right, we're not back, like because

1414
01:19:32,320 --> 01:19:34,200
Speaker 2: it was so intricing. It was crazy. If you listen

1415
01:19:34,280 --> 01:19:36,519
Speaker 2: to his very spitting, it's like a love song. Then

1416
01:19:36,520 --> 01:19:40,560
Speaker 2: he comes in, you know, and it was just like

1417
01:19:40,680 --> 01:19:42,600
Speaker 2: when we first heard it, it blew our minds. That

1418
01:19:42,800 --> 01:19:47,720
Speaker 2: was like, all right, one more time, like and it

1419
01:19:47,800 --> 01:19:50,800
Speaker 2: took a while to like even just process it, and

1420
01:19:53,000 --> 01:19:54,840
Speaker 2: but I had had the verse. I was like, wow,

1421
01:19:55,080 --> 01:19:57,920
Speaker 2: we got the joint and I started, you know, yeah,

1422
01:19:57,960 --> 01:20:01,040
Speaker 2: I started producing it took it's at the verse, and

1423
01:20:01,120 --> 01:20:03,200
Speaker 2: we you know, we worked the production around it a

1424
01:20:03,240 --> 01:20:06,600
Speaker 2: little more slightly, and then uh, it was time to go.

1425
01:20:06,720 --> 01:20:09,559
Speaker 2: And then we loved it. Everybody loved it. And then

1426
01:20:11,120 --> 01:20:14,439
Speaker 2: like right before it was about to drop, he was like,

1427
01:20:14,640 --> 01:20:16,920
Speaker 2: I don't want to drop Andre hit me three K

1428
01:20:17,160 --> 01:20:18,360
Speaker 2: and he was like, I don't want to drop it.

1429
01:20:18,720 --> 01:20:21,200
Speaker 2: I was like, He's like, I think I'm not adding

1430
01:20:21,240 --> 01:20:23,160
Speaker 2: to it. I'm not adding to the song. It doesn't

1431
01:20:23,200 --> 01:20:26,160
Speaker 2: need me. I'm like, it's about to drop. Holy Ship,

1432
01:20:26,800 --> 01:20:31,200
Speaker 2: it's too late. Yeah, sorry, can't help you, Mike. Yeah, no, no,

1433
01:20:34,840 --> 01:20:37,240
Speaker 2: what he said he said added him to the song.

1434
01:20:37,840 --> 01:20:39,280
Speaker 2: You know, he said he's not adding to it, like

1435
01:20:39,280 --> 01:20:41,599
Speaker 2: he's not making it better. It was like, take me off.

1436
01:20:41,600 --> 01:20:48,840
Speaker 2: I want to be off of it. Whow said yeah yeah.

1437
01:20:48,920 --> 01:20:51,800
Speaker 2: So I was like, fuck, so I did the one

1438
01:20:51,840 --> 01:20:53,800
Speaker 2: thing I get. I hate I hate the other Dre

1439
01:20:53,960 --> 01:20:58,439
Speaker 2: doctor Dre. I was like, Dre, we we're gonna do this.

1440
01:20:58,560 --> 01:21:01,200
Speaker 2: Sounds like it's something you need to bring up the

1441
01:21:01,240 --> 01:21:09,160
Speaker 2: two dres dalk you man, you guys got something. You

1442
01:21:09,200 --> 01:21:11,280
Speaker 2: guys have something in common. You guys need to mention

1443
01:21:11,320 --> 01:21:18,320
Speaker 2: it after so they yeah, see Andrea and came in

1444
01:21:18,439 --> 01:21:25,760
Speaker 2: here and how it went down, Little Nick, we we

1445
01:21:29,000 --> 01:21:35,160
Speaker 2: stick on my name and then it came out. It talked,

1446
01:21:35,200 --> 01:21:37,240
Speaker 2: they talked it over. You got a call and the

1447
01:21:37,320 --> 01:21:39,519
Speaker 2: next thing that was out and in this history, it's

1448
01:21:39,560 --> 01:21:41,960
Speaker 2: like we got then to take it all to the

1449
01:21:42,000 --> 01:21:45,480
Speaker 2: next level. We get a Grammy for that song specifically,

1450
01:21:50,880 --> 01:21:52,679
Speaker 2: and that's the Grammy I keep in my mom's house.

1451
01:21:53,080 --> 01:21:56,280
Speaker 2: I love you Mom. Damn, are y'all getting robbed? Like

1452
01:21:56,400 --> 01:22:03,080
Speaker 2: the do you guys share the location? They just they

1453
01:22:03,240 --> 01:22:05,439
Speaker 2: just move in, All right, don't get me involved in

1454
01:22:05,479 --> 01:22:09,360
Speaker 2: none of this ship. We haven't efficient Molly, where's my

1455
01:22:10,360 --> 01:22:14,479
Speaker 2: other white girls. Yeah we're good, right, you see a

1456
01:22:14,479 --> 01:22:18,200
Speaker 2: few white people here. Still we good get some coffee out.

1457
01:22:20,160 --> 01:22:23,679
Speaker 2: Oh man, it's a good thing that dread the line. Yes, yeah,

1458
01:22:23,800 --> 01:22:27,439
Speaker 2: that's amazing man. Yeah I got the Grammy. God blessed

1459
01:22:27,479 --> 01:22:29,760
Speaker 2: everyone involved, and that was such a great thing to

1460
01:22:29,840 --> 01:22:31,320
Speaker 2: be able to not only have the verse with the

1461
01:22:31,400 --> 01:22:36,639
Speaker 2: Grammy real song. Did you speak to Yeah yeah afterwards? Yeah, man,

1462
01:22:36,880 --> 01:22:40,200
Speaker 2: just so humble, just like he just was just like wow,

1463
01:22:40,320 --> 01:22:41,680
Speaker 2: you know, we both for like a whole you know,

1464
01:22:41,880 --> 01:22:44,680
Speaker 2: y'all never like went back on the story. Remember how

1465
01:22:44,760 --> 01:22:46,479
Speaker 2: this wind? Then, No, he's gonna hit you if you're

1466
01:22:46,479 --> 01:22:49,679
Speaker 2: talking texting me now after he watches this little nigga,

1467
01:22:49,680 --> 01:22:55,280
Speaker 2: I hang, Howard Wind, I don't even know you talk

1468
01:22:55,439 --> 01:22:59,040
Speaker 2: like that. You're gonna get voicemen of just flups. It's

1469
01:22:59,080 --> 01:22:59,840
Speaker 2: gonna be a little eary.

1470
01:23:00,120 --> 01:23:00,640
Speaker 3: We we we.

1471
01:23:05,800 --> 01:23:08,519
Speaker 10: How much of Andre Fan we're gonna be at nobu.

1472
01:23:08,920 --> 01:23:11,840
Speaker 10: The flu album is hard to me, I mean ibout

1473
01:23:15,040 --> 01:23:20,280
Speaker 10: hard to it Like that to me is what's doing

1474
01:23:20,360 --> 01:23:23,200
Speaker 10: Like he's like, give everybody a chance.

1475
01:23:24,880 --> 01:23:27,000
Speaker 1: I gotta give everybody a chance when somebody's trying to

1476
01:23:27,000 --> 01:23:29,400
Speaker 1: break them all right, I can't sit back and be like,

1477
01:23:29,760 --> 01:23:30,479
Speaker 1: I'm judged them.

1478
01:23:30,960 --> 01:23:34,760
Speaker 2: Okay, yeah, it's all right, you can't judge it, and

1479
01:23:35,040 --> 01:23:37,040
Speaker 2: especially that kind of stuff where you could be obviously

1480
01:23:37,120 --> 01:23:39,200
Speaker 2: doing one thing you completely just be like, nah, we're

1481
01:23:39,200 --> 01:23:41,400
Speaker 2: gonna take it here. That's the most pump.

1482
01:23:41,840 --> 01:23:41,880
Speaker 3: No.

1483
01:23:42,080 --> 01:23:44,760
Speaker 2: Yeah, he also rock and roll ship you could do,

1484
01:23:44,880 --> 01:23:47,639
Speaker 2: you know, and be playing and like in the middle,

1485
01:23:47,880 --> 01:23:49,759
Speaker 2: like you could catch him anywhere, like that's crazy.

1486
01:23:49,840 --> 01:23:52,240
Speaker 1: So he'd be at a gas station playing or whatever.

1487
01:23:52,640 --> 01:23:56,400
Speaker 1: The only thing I'm concerned with right now. You got

1488
01:23:56,600 --> 01:24:00,760
Speaker 1: a hit record. Cool smoking out the window and you

1489
01:24:00,840 --> 01:24:01,960
Speaker 1: did smoke no endo?

1490
01:24:02,160 --> 01:24:09,360
Speaker 2: Okay, can I get you out? Tell him out? Can

1491
01:24:09,439 --> 01:24:11,880
Speaker 2: I get a crush? Can I get the tobacco I

1492
01:24:12,000 --> 01:24:14,640
Speaker 2: asked for you? Like, what are we talking about? You

1493
01:24:14,800 --> 01:24:22,439
Speaker 2: smoked European? You're a rockstar business I still waiting on

1494
01:24:22,520 --> 01:24:23,240
Speaker 2: the credit joints.

1495
01:24:24,640 --> 01:24:28,920
Speaker 1: Rockstar that remember, somebody rolled tobacco him. He got the

1496
01:24:29,000 --> 01:24:33,040
Speaker 1: worst tobacco ever him and jajahel the best sunny d

1497
01:24:33,200 --> 01:24:33,479
Speaker 1: B T.

1498
01:24:33,840 --> 01:24:36,200
Speaker 2: You don't. But he got a cigarette American spirit. Him

1499
01:24:36,240 --> 01:24:39,720
Speaker 2: and Da got a newport in this month. You want

1500
01:24:39,760 --> 01:24:46,000
Speaker 2: his tobacco that's American? Yes, thank you? Don't give them

1501
01:24:46,040 --> 01:24:48,479
Speaker 2: no more money? Though, come on, let's edit this out.

1502
01:24:49,000 --> 01:24:51,760
Speaker 1: Let's let's talk about smoking out the window, because there's

1503
01:24:51,800 --> 01:24:56,360
Speaker 1: a part where you say about to show you okay,

1504
01:24:56,400 --> 01:24:59,400
Speaker 1: all right, cool, this is that European Let's let's show him.

1505
01:25:00,040 --> 01:25:01,679
Speaker 2: This is how they cut off the cruise.

1506
01:25:01,760 --> 01:25:01,840
Speaker 6: Bro.

1507
01:25:02,360 --> 01:25:07,120
Speaker 2: Yeah, that's that cruise shiprul ship split. Well, who said it?

1508
01:25:07,200 --> 01:25:16,120
Speaker 2: That's right? Huh yeah, huh spliff, okay, stuffing slid. Yeah,

1509
01:25:16,160 --> 01:25:21,400
Speaker 2: we all know. Give it up for that. I want

1510
01:25:21,920 --> 01:25:26,519
Speaker 2: I want to are you smoking that my love the name.

1511
01:25:26,640 --> 01:25:31,240
Speaker 1: Smoking blood Yeah yeahs oldchoo California ship to smoking a

1512
01:25:31,280 --> 01:25:33,639
Speaker 1: Philly Philly Blood California.

1513
01:25:36,520 --> 01:25:37,840
Speaker 2: Yeah yeah, yeah yeah you can't.

1514
01:25:38,200 --> 01:25:41,040
Speaker 7: I am not elevating my some some might up side.

1515
01:25:44,800 --> 01:25:54,479
Speaker 7: I mean, hindu, I was thinking about, Yeah, you got

1516
01:25:54,560 --> 01:25:59,960
Speaker 7: signed on them. What we need definitely don't need the press.

1517
01:26:00,120 --> 01:26:04,519
Speaker 7: Niggas listen killing yes, especially on the drums or you.

1518
01:26:05,040 --> 01:26:07,240
Speaker 2: None of them niggas is playing doing that kind of ship.

1519
01:26:07,320 --> 01:26:11,559
Speaker 2: You ain't rolling a long time, nobody. I gotta tell

1520
01:26:15,960 --> 01:26:19,120
Speaker 2: let me roll. Bro. You know you're talking about your

1521
01:26:19,240 --> 01:26:28,240
Speaker 2: nineties niggas. Bro, Bro, you ain't been the PJ is

1522
01:26:28,320 --> 01:26:32,880
Speaker 2: in saying all right, you're good. I'm getting used to

1523
01:26:32,920 --> 01:26:40,639
Speaker 2: the captain. Pressure, gotta make crach.

1524
01:26:40,720 --> 01:26:42,479
Speaker 1: But you've been rolling for two hours. So me and

1525
01:26:42,560 --> 01:26:45,400
Speaker 1: E f N is from the beginning the way I'll

1526
01:26:45,439 --> 01:26:45,720
Speaker 1: tell you this.

1527
01:26:46,160 --> 01:26:49,599
Speaker 2: Did I tell you? Did I tell you? I did?

1528
01:26:49,680 --> 01:26:52,960
Speaker 1: I bet against him? But you know we haven't got

1529
01:26:53,040 --> 01:26:54,680
Speaker 1: it really bet we didn't really better? No, no, no,

1530
01:26:54,920 --> 01:26:58,720
Speaker 1: we have two things right, right? We always from who?

1531
01:26:58,880 --> 01:26:59,960
Speaker 1: From from what you dream?

1532
01:27:00,200 --> 01:27:00,320
Speaker 3: Right?

1533
01:27:00,400 --> 01:27:01,960
Speaker 1: We always judge the artist and was like, yo, what

1534
01:27:02,400 --> 01:27:04,160
Speaker 1: you didn't really drink it? And if they're gonna really

1535
01:27:04,240 --> 01:27:06,160
Speaker 1: drink it, that's one because they order it and they

1536
01:27:06,160 --> 01:27:06,760
Speaker 1: don't doak ship.

1537
01:27:07,120 --> 01:27:10,920
Speaker 2: But got a son, I said. I said, he's coming late,

1538
01:27:11,680 --> 01:27:15,679
Speaker 2: and what I do? You can't early fifteen minutes?

1539
01:27:15,800 --> 01:27:23,320
Speaker 1: Yeah, let's make some And I got your phone number.

1540
01:27:23,360 --> 01:27:25,000
Speaker 1: Me and you're okay, we speak to each other.

1541
01:27:25,320 --> 01:27:27,479
Speaker 2: And I bet against you, bro, that's one of my

1542
01:27:27,600 --> 01:27:39,080
Speaker 2: phone numbers. Okay, shut me down. Ain't about get there now.

1543
01:27:39,120 --> 01:27:41,000
Speaker 2: He's cool with the road when you get there now

1544
01:27:41,400 --> 01:27:46,360
Speaker 2: that Bruce Lee wiship. I'm taking a shot for that man,

1545
01:27:46,400 --> 01:27:49,040
Speaker 2: see me. I like to be fashionally late. Yeah, nah,

1546
01:27:49,880 --> 01:27:53,519
Speaker 2: especially early. Yo. I was very impressed. Yes, I was

1547
01:27:53,600 --> 01:28:00,720
Speaker 2: very impressed. All right, Okay, we're taking a shot to look. Oh, yes,

1548
01:28:02,520 --> 01:28:07,400
Speaker 2: you don't know, I mean yeah, yeah, I like, come on,

1549
01:28:08,080 --> 01:28:10,120
Speaker 2: that's the second drink you took my sockey. Come on,

1550
01:28:11,400 --> 01:28:17,200
Speaker 2: all right, let's go. Let's do you ever want to

1551
01:28:17,240 --> 01:28:20,599
Speaker 2: write my mahuana? Please? Please? It is rum based. I'll

1552
01:28:20,680 --> 01:28:22,760
Speaker 2: right give him a shot here, put it in one

1553
01:28:22,840 --> 01:28:24,280
Speaker 2: of these. I'm not gonna lie.

1554
01:28:26,880 --> 01:28:27,080
Speaker 3: Down.

1555
01:28:28,000 --> 01:28:29,320
Speaker 2: I know he's gonna start turning off.

1556
01:28:30,200 --> 01:28:32,920
Speaker 1: You're not gonna be putting other ship in my only

1557
01:28:33,000 --> 01:28:34,360
Speaker 1: sockey cars.

1558
01:28:34,800 --> 01:28:39,040
Speaker 2: Yeah, yeah, only socking goes, my sockey comes. Okay, what torch?

1559
01:28:39,920 --> 01:28:45,320
Speaker 2: So give him a shutout? Just some smore about WinCE

1560
01:28:46,520 --> 01:28:52,280
Speaker 2: I spoke about, yes, yes, absolutely, come on, yeah yeah

1561
01:28:52,840 --> 01:28:54,360
Speaker 2: your little nap, Yeah.

1562
01:28:56,160 --> 01:29:01,160
Speaker 1: We spoke about it. Yeah, okay, okay, let's talk about

1563
01:29:01,240 --> 01:29:06,719
Speaker 1: leave the door open now, okay, here you go ahead.

1564
01:29:08,040 --> 01:29:11,640
Speaker 1: I got a whole roller, so let's talk about that.

1565
01:29:11,680 --> 01:29:25,920
Speaker 2: How did him but we got there? There there? Come on,

1566
01:29:26,800 --> 01:29:30,320
Speaker 2: appreciate you too, they come, he got you. You need

1567
01:29:30,360 --> 01:29:38,519
Speaker 2: another one man, right, hippie mood hippy look at yeah,

1568
01:29:40,120 --> 01:29:46,720
Speaker 2: hell yeah you're hippy. That's right. So one of us.

1569
01:29:47,240 --> 01:29:53,360
Speaker 2: They're not like us. So leave the door open. How

1570
01:29:53,400 --> 01:29:58,760
Speaker 2: did that get get created? So the door Opened was

1571
01:29:58,840 --> 01:30:05,320
Speaker 2: during COVID and yeah, can you hear me my number

1572
01:30:05,400 --> 01:30:09,360
Speaker 2: one world hit song lead to draw Open. We make

1573
01:30:09,400 --> 01:30:13,920
Speaker 2: some noise that mom, Bro, that's the first. That's my

1574
01:30:14,040 --> 01:30:16,160
Speaker 2: first number one hit. And I went number one twice

1575
01:30:16,200 --> 01:30:18,920
Speaker 2: and that's it. I mean like I got one and

1576
01:30:19,840 --> 01:30:23,360
Speaker 2: I'm telling you you know it's I've been done records underground,

1577
01:30:23,520 --> 01:30:25,439
Speaker 2: you know, semi records. It's that way if you ever

1578
01:30:25,520 --> 01:30:27,720
Speaker 2: had a hit record. Man, everybody knows the ain't no

1579
01:30:27,800 --> 01:30:29,880
Speaker 2: feeling like having a current hit record. When that ship

1580
01:30:30,000 --> 01:30:32,200
Speaker 2: is playing and it says it all the time, he

1581
01:30:32,280 --> 01:30:36,040
Speaker 2: says it all the time, Oh please, please please, Yes,

1582
01:30:36,280 --> 01:30:38,200
Speaker 2: it is the greatest feeling. And then when you did

1583
01:30:38,240 --> 01:30:41,720
Speaker 2: it with no comfort, like it's real like instrument. No,

1584
01:30:41,800 --> 01:30:43,400
Speaker 2: you didn't have to you know, it ain't something I

1585
01:30:43,520 --> 01:30:46,880
Speaker 2: gotta be like he was enforcing, like I can't keep

1586
01:30:46,960 --> 01:30:49,120
Speaker 2: this up or something, you know, and and it looked

1587
01:30:49,160 --> 01:30:51,479
Speaker 2: good and you got to do it, and everywhere you

1588
01:30:51,640 --> 01:30:55,760
Speaker 2: go like you know, all I'm talking old, ask motherfuckers

1589
01:30:55,800 --> 01:30:57,800
Speaker 2: it's to young, like you know, it's like one of

1590
01:30:57,840 --> 01:31:01,759
Speaker 2: those records. It's like, yeah, like that's what it is about.

1591
01:31:01,920 --> 01:31:04,200
Speaker 2: And that's how you know. Bruno was like, this is

1592
01:31:04,240 --> 01:31:06,959
Speaker 2: the songs. These are this type of music that's superstar

1593
01:31:07,080 --> 01:31:09,760
Speaker 2: sing That's what that's That's how he went into we

1594
01:31:09,880 --> 01:31:11,840
Speaker 2: went into making and like when he said we're gonna

1595
01:31:11,840 --> 01:31:14,559
Speaker 2: make album because that this leaders draw up and came later.

1596
01:31:14,640 --> 01:31:17,200
Speaker 2: But he was like, it's music that superstar saying We're

1597
01:31:17,240 --> 01:31:19,639
Speaker 2: gonna go in here and make some ship. Nobody's doing

1598
01:31:19,640 --> 01:31:21,320
Speaker 2: this sh it. No more like us like that can

1599
01:31:21,400 --> 01:31:22,800
Speaker 2: do it, you know, and pull it off like that.

1600
01:31:23,000 --> 01:31:27,040
Speaker 2: And I was like, let's go, bro. He was. I

1601
01:31:27,280 --> 01:31:30,000
Speaker 2: was like, you like big rock star ship, yeah, you know,

1602
01:31:30,439 --> 01:31:31,640
Speaker 2: and he was like, I don't know how to do

1603
01:31:31,680 --> 01:31:33,800
Speaker 2: it one way. It was like and remind me of

1604
01:31:33,960 --> 01:31:36,320
Speaker 2: like at the same time I was I was watching like, uh,

1605
01:31:36,920 --> 01:31:39,640
Speaker 2: Last Dance, you know, the Michael Jordan ship, and I

1606
01:31:39,760 --> 01:31:42,360
Speaker 2: was like, oh yeah, he's like Michael and I was like,

1607
01:31:42,439 --> 01:31:46,519
Speaker 2: I ain't gonna be pipping now. This is the Netflix ship.

1608
01:31:46,760 --> 01:31:51,639
Speaker 2: Yeah in COVID. Yeah that'ship covid. But I'm robbin. You're

1609
01:31:51,640 --> 01:31:53,960
Speaker 2: gonna have to wake me up and be hungover some days.

1610
01:31:54,760 --> 01:31:58,200
Speaker 2: I'm in Miami now yeah yeah yeah, but you still

1611
01:31:58,320 --> 01:32:00,360
Speaker 2: you know, you know, you needed that are making came

1612
01:32:00,479 --> 01:32:02,360
Speaker 2: and did it kind of got you know, it was

1613
01:32:02,720 --> 01:32:05,920
Speaker 2: still I don't know what worked and so and he had,

1614
01:32:06,160 --> 01:32:09,040
Speaker 2: you know, same Bruno same. We had an incredible team

1615
01:32:09,439 --> 01:32:12,559
Speaker 2: for these records that we put together. Shout out to Chucky,

1616
01:32:12,640 --> 01:32:16,080
Speaker 2: his engineer, who was getting all the real seventy sounds,

1617
01:32:16,160 --> 01:32:19,840
Speaker 2: all the mics, all the real drum heads, all the shit.

1618
01:32:20,080 --> 01:32:23,160
Speaker 2: Like it's from the rude to the tutor, Like these

1619
01:32:23,200 --> 01:32:26,439
Speaker 2: records were built from real musicians that love the art.

1620
01:32:26,560 --> 01:32:29,880
Speaker 2: That like, we're getting every detail so that we could

1621
01:32:29,960 --> 01:32:35,040
Speaker 2: make something current that had you know, that had to feel,

1622
01:32:35,160 --> 01:32:37,519
Speaker 2: but we could take it somewhere too. But how did

1623
01:32:37,560 --> 01:32:39,519
Speaker 2: they do it? What was they really doing these things on?

1624
01:32:39,640 --> 01:32:39,800
Speaker 3: You know?

1625
01:32:40,040 --> 01:32:42,000
Speaker 2: That was the part that went into it, and the

1626
01:32:42,479 --> 01:32:44,599
Speaker 2: troubleshooting that went into it, and that was the beauty.

1627
01:32:45,120 --> 01:32:47,320
Speaker 2: Like how many different versions we did of the bridge

1628
01:32:47,960 --> 01:32:52,000
Speaker 2: and trying to get their drum sound and the mix

1629
01:32:53,320 --> 01:32:57,479
Speaker 2: We did so many fucking mixes where one day we

1630
01:32:57,720 --> 01:33:01,439
Speaker 2: just boycotted against Bruno, like we don't have to do this,

1631
01:33:01,880 --> 01:33:06,840
Speaker 2: said he was like, but even more like dude, one song, bro,

1632
01:33:07,160 --> 01:33:11,560
Speaker 2: even dre will bounce around when he might bust the

1633
01:33:11,720 --> 01:33:13,120
Speaker 2: bust the rhyme is gonna at least come in and

1634
01:33:13,160 --> 01:33:15,479
Speaker 2: they're gonna do four or five tracks. You know, the

1635
01:33:15,640 --> 01:33:17,519
Speaker 2: game might show up, they're gonna do ship like you know,

1636
01:33:17,600 --> 01:33:20,040
Speaker 2: he's gonna do what you saying. One one is because

1637
01:33:23,600 --> 01:33:28,000
Speaker 2: month for months, that was crazy months. And then we

1638
01:33:28,120 --> 01:33:30,600
Speaker 2: go maybe we go to chap into something else, and

1639
01:33:30,600 --> 01:33:32,320
Speaker 2: then you can't sleep when we're still working on and

1640
01:33:32,360 --> 01:33:35,080
Speaker 2: then leave the door trying to get one part of it,

1641
01:33:35,280 --> 01:33:37,280
Speaker 2: like the bridge or maybe we think we have it,

1642
01:33:37,360 --> 01:33:39,439
Speaker 2: but then like we mix it and it's like, why

1643
01:33:39,479 --> 01:33:41,240
Speaker 2: does it sound like that? And it's like, okay, we

1644
01:33:41,320 --> 01:33:44,400
Speaker 2: need to replay the drum again. Like now every when

1645
01:33:44,439 --> 01:33:46,600
Speaker 2: we mix it. We didn't have nothing to hide behind it.

1646
01:33:46,640 --> 01:33:48,600
Speaker 2: It's not like a bunch of processing or anything on

1647
01:33:48,680 --> 01:33:51,280
Speaker 2: the album. It's just we're just playing on it. Were

1648
01:33:51,280 --> 01:33:53,120
Speaker 2: playing the drum. Yeah, So when we mix it, we

1649
01:33:53,200 --> 01:33:55,320
Speaker 2: got to mix it loud, so all the we got

1650
01:33:55,400 --> 01:33:57,360
Speaker 2: to make sure it's loud. Now you can hear everything.

1651
01:33:57,439 --> 01:34:00,240
Speaker 2: So now it's like it hurts, you know, And why

1652
01:34:00,240 --> 01:34:03,320
Speaker 2: does it hurt? Because you guys need to remc replay,

1653
01:34:03,560 --> 01:34:06,160
Speaker 2: don't play so loud, maybe do something different, you know.

1654
01:34:06,640 --> 01:34:09,680
Speaker 2: And so we played with that so many times and

1655
01:34:09,760 --> 01:34:11,560
Speaker 2: then sometimes we would start playing with that when we

1656
01:34:11,600 --> 01:34:14,080
Speaker 2: remake the Whole Bridge again and all this stuff, and

1657
01:34:14,120 --> 01:34:15,800
Speaker 2: then it's just like, oh my god, everyone's about to

1658
01:34:15,840 --> 01:34:16,519
Speaker 2: lose their mind.

1659
01:34:16,600 --> 01:34:16,760
Speaker 3: You know.

1660
01:34:17,320 --> 01:34:24,360
Speaker 2: Meanwhile, Niggas is dropping every week, like hey, something just

1661
01:34:24,439 --> 01:34:26,800
Speaker 2: drop going by, you know, like damn, what should be

1662
01:34:26,920 --> 01:34:30,200
Speaker 2: out right now, you know, like hold on, just trying

1663
01:34:30,200 --> 01:34:32,080
Speaker 2: to get this breege right. Yeah, so I was like

1664
01:34:32,200 --> 01:34:34,880
Speaker 2: ship and then when it was right boom, it was

1665
01:34:34,960 --> 01:34:39,439
Speaker 2: on Gucci suits, Grammys, everything red carpet. You show up

1666
01:34:39,439 --> 01:34:42,320
Speaker 2: with Bruno is red and all says. At that point, yeah,

1667
01:34:43,040 --> 01:34:44,240
Speaker 2: he was like, I'm gonna sure, I'm gonna show you

1668
01:34:44,240 --> 01:34:46,320
Speaker 2: how to do this shit like this all. You know,

1669
01:34:46,439 --> 01:34:49,439
Speaker 2: he got joy out of like having someone that he

1670
01:34:49,479 --> 01:34:52,360
Speaker 2: could do it with, a partner that was he respected

1671
01:34:52,439 --> 01:34:54,720
Speaker 2: just as much, and that they was making new music with,

1672
01:34:54,880 --> 01:34:56,800
Speaker 2: and that we could have fun. If you see all

1673
01:34:56,840 --> 01:34:59,639
Speaker 2: the stuff that we did, we're having the time interview,

1674
01:35:00,040 --> 01:35:03,080
Speaker 2: I started wearing a wig, bob wig. I should have

1675
01:35:03,080 --> 01:35:06,559
Speaker 2: brought them motherfucker to night, but the humidity they would

1676
01:35:06,560 --> 01:35:10,320
Speaker 2: have sucked up the wig too. But it was the

1677
01:35:10,400 --> 01:35:12,040
Speaker 2: time of our lives and we were just having fun.

1678
01:35:12,280 --> 01:35:20,920
Speaker 2: Drinking rum was drinking that rum too? Is this it's

1679
01:35:21,040 --> 01:35:25,439
Speaker 2: made a clean See, I can see that's money. Let's

1680
01:35:25,520 --> 01:35:28,040
Speaker 2: go trip the still. You can make it. Do a

1681
01:35:28,080 --> 01:35:33,760
Speaker 2: spell with this ship. Mm hmm. I mean you got

1682
01:35:33,840 --> 01:35:39,840
Speaker 2: something in comment. I want gay between and a halfs.

1683
01:35:41,040 --> 01:35:43,559
Speaker 1: The mean you got something else in common. I heard

1684
01:35:43,640 --> 01:35:46,400
Speaker 1: you don't fuck with edibles. I took some before I

1685
01:35:46,479 --> 01:35:48,000
Speaker 1: did this, for better worse.

1686
01:35:48,200 --> 01:35:48,519
Speaker 3: I did.

1687
01:35:49,240 --> 01:35:50,800
Speaker 2: Really, I took one and I was like, it's not

1688
01:35:50,960 --> 01:35:55,040
Speaker 2: really working. Let me take three more. Oh, because I

1689
01:35:55,120 --> 01:35:55,960
Speaker 2: heard the story.

1690
01:35:55,680 --> 01:35:58,000
Speaker 1: Of you on the on the first class airplane while

1691
01:35:58,160 --> 01:36:01,400
Speaker 1: I thought I was gonna die, and you did it

1692
01:36:01,720 --> 01:36:02,400
Speaker 1: again today.

1693
01:36:03,120 --> 01:36:06,560
Speaker 2: Let's smoke some more. No wonder it took you so

1694
01:36:06,720 --> 01:36:11,240
Speaker 2: long to get that ship. You need a little taste

1695
01:36:11,280 --> 01:36:14,880
Speaker 2: of that. So I thought you sworn off edibles. I did,

1696
01:36:14,920 --> 01:36:16,200
Speaker 2: but I was like, you know what, let me just

1697
01:36:16,280 --> 01:36:18,600
Speaker 2: go here, and this seems like a great format to

1698
01:36:18,680 --> 01:36:26,000
Speaker 2: do it. Edible, take care of me.

1699
01:36:26,960 --> 01:36:33,080
Speaker 6: Trus trust yes, trust yes. We all like having grammys, right,

1700
01:36:33,560 --> 01:36:38,719
Speaker 6: yes you can have. If this interview is looking good, He's.

1701
01:36:38,560 --> 01:36:44,640
Speaker 1: Like he's going to send you one a right, you

1702
01:36:44,760 --> 01:36:48,000
Speaker 1: gotta asking me and all the question you have the

1703
01:36:48,080 --> 01:36:50,520
Speaker 1: hottest chicken in the game, wearing.

1704
01:36:50,320 --> 01:36:59,920
Speaker 2: Your chill swear you shade real stop.

1705
01:37:00,320 --> 01:37:02,160
Speaker 1: No, I mean you know what I'm saying, Like, that's

1706
01:37:02,280 --> 01:37:04,200
Speaker 1: that's that's the thing, Like you know what I mean,

1707
01:37:04,880 --> 01:37:05,840
Speaker 1: you know, you know, you.

1708
01:37:05,840 --> 01:37:11,080
Speaker 2: Know just how married like a motherfucker. I just don't

1709
01:37:11,120 --> 01:37:11,960
Speaker 2: have to get that wide.

1710
01:37:12,439 --> 01:37:17,840
Speaker 1: No, I understanding that that's what you like. I'm gonna

1711
01:37:17,880 --> 01:37:20,280
Speaker 1: lie because everybody was like, whoa.

1712
01:37:21,880 --> 01:37:29,000
Speaker 2: Lime is now up greted, Like I don't want to.

1713
01:37:28,960 --> 01:37:30,400
Speaker 1: Say it like that, but I want to saying that

1714
01:37:30,880 --> 01:37:33,640
Speaker 1: you know you like you look like you wan a

1715
01:37:33,680 --> 01:37:35,400
Speaker 1: different you, like you joined Illuminati.

1716
01:37:36,439 --> 01:37:41,800
Speaker 2: Man, I'm sorry. I had a vision of love. You

1717
01:37:41,880 --> 01:37:47,439
Speaker 2: had a vision it was more yes. And my vision

1718
01:37:47,760 --> 01:37:49,280
Speaker 2: was to work with the greatest and I got to

1719
01:37:49,360 --> 01:37:51,360
Speaker 2: work with ran Carry and I never was like it

1720
01:37:51,439 --> 01:37:53,719
Speaker 2: just keeps getting better and better. I have to admit

1721
01:37:53,920 --> 01:38:06,599
Speaker 2: it's getting better. That's say you work with great people,

1722
01:38:07,080 --> 01:38:09,600
Speaker 2: take it serious, and then you're getting inspired by and

1723
01:38:10,280 --> 01:38:14,360
Speaker 2: the new album is amazing and working. You know. It's

1724
01:38:15,600 --> 01:38:17,840
Speaker 2: We're so happy for you, thank you man. We are

1725
01:38:17,920 --> 01:38:19,640
Speaker 2: happy for you. Man. I'm happy for you guys. I

1726
01:38:19,680 --> 01:38:21,040
Speaker 2: can't wait for you all to hear this. You can't

1727
01:38:21,040 --> 01:38:24,880
Speaker 2: flip it on us. Right now, just like this is

1728
01:38:25,120 --> 01:38:28,120
Speaker 2: this is your moment. Yeah, I know.

1729
01:38:30,760 --> 01:38:33,840
Speaker 1: With second hand feelings. What's that like second hand smoke?

1730
01:38:34,160 --> 01:38:37,639
Speaker 1: Like yeah, but get you like, that's that's real. Ship

1731
01:38:37,760 --> 01:38:40,880
Speaker 1: man like sometimes you got to go up to go up,

1732
01:38:44,720 --> 01:38:46,720
Speaker 1: you go off to go off.

1733
01:38:46,920 --> 01:38:50,040
Speaker 2: Man, Hey man, you went up. As artists, we got

1734
01:38:50,080 --> 01:38:53,040
Speaker 2: a special type of that's right, you went out.

1735
01:38:53,960 --> 01:38:58,040
Speaker 1: You went to the opposite gab of go congratulations, enjoy

1736
01:38:58,160 --> 01:38:58,639
Speaker 1: the moment.

1737
01:38:58,760 --> 01:39:13,800
Speaker 2: It's a beautiful things. I like that stuff which you drink.

1738
01:39:15,439 --> 01:39:24,720
Speaker 2: Our company is called Wana King. Yeah. I forgot the

1739
01:39:25,200 --> 01:39:32,880
Speaker 2: uh obviously want the company. Yeah, and the dreaming we'll

1740
01:39:32,920 --> 01:39:36,200
Speaker 2: be in uh, we're hitting the market soon. So we're

1741
01:39:36,200 --> 01:39:38,640
Speaker 2: bouncing around right now. We're bouncing around. Let's describe it

1742
01:39:39,400 --> 01:39:45,800
Speaker 2: right now. It's so random. I got shout out to Japan.

1743
01:39:45,920 --> 01:39:48,720
Speaker 2: They got the most random hip hop stores, super bout Legs,

1744
01:39:48,880 --> 01:39:54,280
Speaker 2: super boot leg. Yeah, it's the most obscure like like

1745
01:39:54,960 --> 01:39:57,479
Speaker 2: collection of records. But it looks like it's like Japanese

1746
01:39:57,520 --> 01:39:59,920
Speaker 2: import records. I love it. I was like, this is

1747
01:40:00,120 --> 01:40:04,280
Speaker 2: right for this perfect framed up right. It's great for

1748
01:40:04,400 --> 01:40:06,640
Speaker 2: the show. The monitors. Yeah, but I can tell like

1749
01:40:06,960 --> 01:40:07,439
Speaker 2: a lot.

1750
01:40:07,360 --> 01:40:08,800
Speaker 1: Of these artists are going to hit me and be

1751
01:40:08,880 --> 01:40:10,720
Speaker 1: like I didn't get paid, but none of that, And

1752
01:40:10,800 --> 01:40:11,400
Speaker 1: that's what I'm saying.

1753
01:40:11,760 --> 01:40:14,000
Speaker 2: So I like to keep a little collateral. So you're

1754
01:40:14,000 --> 01:40:16,760
Speaker 2: really gonna put this out. I got them written, so

1755
01:40:16,880 --> 01:40:19,800
Speaker 2: let's make sure the edit is good. We can actually

1756
01:40:19,880 --> 01:40:25,760
Speaker 2: have a good time. Nice. We're gonna is so much

1757
01:40:26,360 --> 01:40:33,840
Speaker 2: you think you would somewhere. I want this to come out.

1758
01:40:34,560 --> 01:40:35,960
Speaker 2: It's coming out coming out.

1759
01:40:36,479 --> 01:40:36,639
Speaker 3: Nice.

1760
01:40:36,800 --> 01:40:40,560
Speaker 4: You know we're dropping it tomorrow, right, We'll see what

1761
01:40:42,520 --> 01:40:43,840
Speaker 4: you find says about that.

1762
01:40:47,680 --> 01:40:53,599
Speaker 2: Gonna be negotiate with. She's gonna get to ring it off.

1763
01:40:54,520 --> 01:40:55,960
Speaker 2: By the way, I don't know who got my light.

1764
01:40:56,920 --> 01:41:03,719
Speaker 2: That's me. Oh my god, let's talk about animals. Wanna

1765
01:41:03,720 --> 01:41:10,320
Speaker 2: comp down album mm DJ premiere and doctor Drew else

1766
01:41:10,400 --> 01:41:11,080
Speaker 2: could do it to you?

1767
01:41:11,200 --> 01:41:14,280
Speaker 1: How do you get to work with dut God? This

1768
01:41:14,479 --> 01:41:17,519
Speaker 1: is told awesome, Lena, be quiet, it's all charmed life,

1769
01:41:17,640 --> 01:41:19,760
Speaker 1: Like I don't know, God is so good man.

1770
01:41:19,920 --> 01:41:22,639
Speaker 2: Like I'm just in there maneuvering and just like these

1771
01:41:22,680 --> 01:41:25,280
Speaker 2: things happen, bro, like I trip out on myself, like

1772
01:41:26,439 --> 01:41:28,680
Speaker 2: and that was happening again early on when I was

1773
01:41:28,760 --> 01:41:31,519
Speaker 2: just going in there fucking with Dre, just being there

1774
01:41:31,760 --> 01:41:34,160
Speaker 2: every night. I wasn't worried about if I got on

1775
01:41:34,240 --> 01:41:35,560
Speaker 2: the mic, if I didn't get on the mic. I

1776
01:41:35,680 --> 01:41:37,400
Speaker 2: was just in the studio. I didn't care, like I

1777
01:41:37,520 --> 01:41:41,600
Speaker 2: was a studio rat. And then whenever I could, what's up.

1778
01:41:41,640 --> 01:41:43,360
Speaker 2: We're working on this so and so I was gonna

1779
01:41:43,439 --> 01:41:46,240
Speaker 2: sing it. Okay, we're writing like everyone's writing like it's crazy,

1780
01:41:46,360 --> 01:41:50,479
Speaker 2: like crazy because new artists are coming up. It's a

1781
01:41:50,520 --> 01:41:53,040
Speaker 2: great energy in there and it's all Dre. Everyone's like,

1782
01:41:53,640 --> 01:41:55,679
Speaker 2: you know Dre. You want to give the best performance,

1783
01:41:55,720 --> 01:42:00,040
Speaker 2: the best everything. So I was already working with I

1784
01:42:00,160 --> 01:42:02,759
Speaker 2: got a thing where I worked with Premiere in Europe

1785
01:42:02,920 --> 01:42:08,400
Speaker 2: again through knowledge where far as a compident, yes, really

1786
01:42:08,400 --> 01:42:10,559
Speaker 2: we got to think in Germany with boiler Room, where

1787
01:42:10,600 --> 01:42:12,759
Speaker 2: we did this thing and I'm starting not Germany, Russia.

1788
01:42:13,240 --> 01:42:15,200
Speaker 2: We went to Russia with boiler Room. And one of

1789
01:42:15,240 --> 01:42:17,400
Speaker 2: the things is that I worked with Premiere like it

1790
01:42:17,479 --> 01:42:19,000
Speaker 2: was a part of the thing because Premiere was on

1791
01:42:19,080 --> 01:42:20,559
Speaker 2: the gig, and that we did our first song there

1792
01:42:20,640 --> 01:42:23,120
Speaker 2: with this other kid from Russia. And that's where we

1793
01:42:23,479 --> 01:42:26,040
Speaker 2: our relationship started and we started building. And then when

1794
01:42:26,080 --> 01:42:27,600
Speaker 2: I started working Dre, it was like you're working with

1795
01:42:27,680 --> 01:42:29,760
Speaker 2: Dre Bremia, so I hit him up and he came through.

1796
01:42:30,360 --> 01:42:32,880
Speaker 2: They go way back. They started geeking out. I'm hearing

1797
01:42:32,920 --> 01:42:35,360
Speaker 2: about you know, they talking about records and like all

1798
01:42:35,439 --> 01:42:39,400
Speaker 2: this stuff. Yeah, I want to understand what you're trying

1799
01:42:39,439 --> 01:42:39,680
Speaker 2: to say.

1800
01:42:39,800 --> 01:42:40,040
Speaker 6: Just now.

1801
01:42:40,880 --> 01:42:45,400
Speaker 1: You just said that obviously Dre and Premier knew each

1802
01:42:45,439 --> 01:42:50,280
Speaker 1: other quiet, but you were the initial reconnection.

1803
01:42:50,640 --> 01:42:54,920
Speaker 2: Yeah, because I had did two records with Premiere in Russia,

1804
01:42:55,000 --> 01:42:56,760
Speaker 2: and one of them I didn't use for the things,

1805
01:42:56,840 --> 01:42:59,519
Speaker 2: so that was that was ended up being animals and

1806
01:42:59,640 --> 01:43:02,920
Speaker 2: I had that record and it was these old sneakers.

1807
01:43:03,000 --> 01:43:08,560
Speaker 2: It was like all the whole ship and uh, I

1808
01:43:08,720 --> 01:43:10,439
Speaker 2: was playing records for Dre and he was like this

1809
01:43:10,600 --> 01:43:13,000
Speaker 2: is crazy. I was like, it's Premiere. Like he's like yeah,

1810
01:43:13,040 --> 01:43:17,000
Speaker 2: having yes, yes, that's another one dude. People give it

1811
01:43:17,080 --> 01:43:19,720
Speaker 2: up to like shout out to Premiere like he's the one,

1812
01:43:20,600 --> 01:43:23,640
Speaker 2: another one universal that they all give it up from

1813
01:43:23,640 --> 01:43:25,160
Speaker 2: Alchemist everybody, that's the god.

1814
01:43:25,280 --> 01:43:25,439
Speaker 1: You know.

1815
01:43:25,600 --> 01:43:29,080
Speaker 2: So uh it's great, you know, and there's only your

1816
01:43:29,880 --> 01:43:33,640
Speaker 2: yeah shot stick a shot. And I've been around to

1817
01:43:33,680 --> 01:43:38,519
Speaker 2: see people like thank god, I've been around to see

1818
01:43:38,640 --> 01:43:40,960
Speaker 2: this happen where people like Premiere and drag in the

1819
01:43:40,960 --> 01:43:42,960
Speaker 2: studio and they are both geeking out and you see

1820
01:43:43,040 --> 01:43:44,960
Speaker 2: that these are just dude, two dudes that are like

1821
01:43:45,120 --> 01:43:49,479
Speaker 2: Vinyl heads sample Craig Diggers, camaraderie between them, that's what

1822
01:43:49,600 --> 01:43:52,040
Speaker 2: they are, you know, kids that like You see that

1823
01:43:52,200 --> 01:43:56,400
Speaker 2: and it's like whoa, and it's like that all comes back.

1824
01:43:56,479 --> 01:43:58,479
Speaker 2: And then I've seen it happen when I saw Q

1825
01:43:58,640 --> 01:44:01,720
Speaker 2: Tip and Dre and it's like same thing. Man, very

1826
01:44:01,760 --> 01:44:04,000
Speaker 2: few people where I could see university. Everyone has that

1827
01:44:04,439 --> 01:44:05,280
Speaker 2: mutual respect for.

1828
01:44:05,400 --> 01:44:06,800
Speaker 3: In that era, you know.

1829
01:44:08,640 --> 01:44:10,200
Speaker 2: And so yeah, I had the record, brought it to

1830
01:44:10,280 --> 01:44:12,800
Speaker 2: Dre and and uh, Drey started working with it, and

1831
01:44:12,880 --> 01:44:15,439
Speaker 2: then he brought Premiere in to scratch and to start

1832
01:44:16,160 --> 01:44:18,679
Speaker 2: building the beat, and then they started clapping on the beat,

1833
01:44:18,760 --> 01:44:22,360
Speaker 2: and uh that was that. I think it ended up

1834
01:44:22,479 --> 01:44:24,599
Speaker 2: just being me on the record, right, because they tried

1835
01:44:24,640 --> 01:44:27,640
Speaker 2: some features on there too, but I think it's just me.

1836
01:44:28,720 --> 01:44:30,880
Speaker 2: But yeah, it was and it was like, you know,

1837
01:44:31,080 --> 01:44:33,920
Speaker 2: Similio good. It was like a social commentary of what

1838
01:44:34,120 --> 01:44:37,479
Speaker 2: was going on at the time. And I like those

1839
01:44:37,560 --> 01:44:40,519
Speaker 2: records too. You know, we're due for a record like that.

1840
01:44:41,400 --> 01:44:43,760
Speaker 2: You do a record. I'm working Premiere to do a

1841
01:44:43,800 --> 01:44:46,680
Speaker 2: record together. Yeah, I want to get another one like

1842
01:44:46,800 --> 01:44:50,760
Speaker 2: no album a project. Yeah, that would be crazy. Wait

1843
01:44:50,840 --> 01:44:54,200
Speaker 2: in line, I don't know, we're.

1844
01:44:54,040 --> 01:45:01,880
Speaker 1: Talking about Premier. Answered, that makes annoy and you great?

1845
01:45:03,920 --> 01:45:08,320
Speaker 2: Now Premiere be first up? What about Alchemists or supposed

1846
01:45:08,360 --> 01:45:11,840
Speaker 2: to have Alchemists? And you said you're already but the

1847
01:45:11,880 --> 01:45:12,599
Speaker 2: whole whole album?

1848
01:45:12,680 --> 01:45:12,800
Speaker 3: Though?

1849
01:45:12,840 --> 01:45:15,920
Speaker 2: Who you want Premiere? I just I mean, that's what

1850
01:45:16,000 --> 01:45:19,200
Speaker 2: I'm thinking in this moment. But yeah, Mad Live is amazing.

1851
01:45:19,400 --> 01:45:23,040
Speaker 2: Are you saying who's our choice? Who is all choice?

1852
01:45:23,080 --> 01:45:23,120
Speaker 6: Be?

1853
01:45:23,240 --> 01:45:24,800
Speaker 2: For me to do a whole album? Me right now?

1854
01:45:25,360 --> 01:45:34,040
Speaker 1: Wise, Premiere, Premiere, I would say Premiere. I would say

1855
01:45:34,360 --> 01:45:37,680
Speaker 1: just as my second choice. Alchemist. I just love that,

1856
01:45:37,800 --> 01:45:38,360
Speaker 1: Venice Beach.

1857
01:45:38,600 --> 01:45:41,400
Speaker 2: I can see the Alchemist centers. You guess, yes, you're

1858
01:45:41,400 --> 01:45:51,160
Speaker 2: an Alchemist live album. So no one's making money taking

1859
01:45:51,720 --> 01:45:54,160
Speaker 2: What do you want to split that between? How many?

1860
01:45:54,360 --> 01:45:57,280
Speaker 2: What do you want to hear? What are you doing album?

1861
01:45:58,479 --> 01:46:00,760
Speaker 2: I like the Flu album. I'm doing something. I gotta

1862
01:46:00,760 --> 01:46:04,639
Speaker 2: do something. Let's do the shot for that. I want

1863
01:46:04,680 --> 01:46:07,720
Speaker 2: you to do just a production album. I gotta do

1864
01:46:07,840 --> 01:46:13,120
Speaker 2: something just instrumental drums, beat breaks. Yeah, I was just something.

1865
01:46:13,200 --> 01:46:16,200
Speaker 2: I was just swigging no shots, you know, like you

1866
01:46:16,280 --> 01:46:21,200
Speaker 2: hear ship clinking in the back cheers. So I just

1867
01:46:21,280 --> 01:46:24,200
Speaker 2: want to point out those rings. This is crazy. I

1868
01:46:24,280 --> 01:46:27,559
Speaker 2: walk a lot of jewels and rings. See the fun

1869
01:46:27,680 --> 01:46:33,240
Speaker 2: going on twenty five right here? Easy for is that dollars?

1870
01:46:33,479 --> 01:46:36,880
Speaker 2: That's like a fuck you to the heaters. Take a dive, O.

1871
01:46:37,479 --> 01:46:40,479
Speaker 2: You see what's going on? They watch wings just one

1872
01:46:40,560 --> 01:46:43,759
Speaker 2: hundred buck fifty one hundred, one hundred. It's all porcelain,

1873
01:46:45,080 --> 01:46:53,040
Speaker 2: but from wrong fire. Stupid important dollars. Right, you do

1874
01:46:53,160 --> 01:46:56,560
Speaker 2: the math. I'm not another guy. I'm just I'm just

1875
01:46:56,640 --> 01:47:10,920
Speaker 2: pointing out this. Yeah, at that point, so let's let's

1876
01:47:10,920 --> 01:47:16,720
Speaker 2: talk about coming down? Yeah? Are we talking about off

1877
01:47:16,800 --> 01:47:22,400
Speaker 2: the high? Off the high? What are we were coming down?

1878
01:47:24,240 --> 01:47:26,280
Speaker 2: I don't ever want to come down off the charum life,

1879
01:47:26,360 --> 01:47:29,040
Speaker 2: you know, off the blessings and this good time. You know,

1880
01:47:29,160 --> 01:47:31,040
Speaker 2: it's like, you know, you don't want the party to stop.

1881
01:47:31,760 --> 01:47:33,720
Speaker 2: And I'm having a great time and I still am.

1882
01:47:33,760 --> 01:47:35,519
Speaker 2: Even when I wrote that record, it was like the

1883
01:47:35,880 --> 01:47:37,640
Speaker 2: epitome of what I was going through, and I was

1884
01:47:37,800 --> 01:47:40,519
Speaker 2: doing all this stuff with all these people. I was like,

1885
01:47:40,640 --> 01:47:41,960
Speaker 2: that was that was the last song I did for

1886
01:47:42,040 --> 01:47:44,680
Speaker 2: the record. So I was having a great time, and

1887
01:47:44,800 --> 01:47:46,400
Speaker 2: I didn't want I didn't want the party to stop.

1888
01:47:47,040 --> 01:47:49,599
Speaker 2: You know, you work so hard to get to this level,

1889
01:47:52,000 --> 01:47:55,439
Speaker 2: but bliss, you know absolutely to work on stop. You know,

1890
01:47:56,760 --> 01:48:03,960
Speaker 2: speaking about party, you're the party. Oh I believe Nellie's birthday? Yeah?

1891
01:48:04,000 --> 01:48:04,200
Speaker 6: I did.

1892
01:48:04,720 --> 01:48:05,639
Speaker 2: Was it Nellie's birthday?

1893
01:48:05,800 --> 01:48:06,000
Speaker 6: Yeah?

1894
01:48:06,400 --> 01:48:11,280
Speaker 2: And Vegas Shanty surprised him, hit at all his closest

1895
01:48:11,320 --> 01:48:14,800
Speaker 2: friends and put together a really nice event for him

1896
01:48:15,040 --> 01:48:19,760
Speaker 2: in Vegas. I didn't know they was filming a reality show.

1897
01:48:19,920 --> 01:48:22,640
Speaker 2: But I got some time in the reality show too,

1898
01:48:22,760 --> 01:48:28,719
Speaker 2: So I want my check. Let me get the lighter, Okay,

1899
01:48:29,680 --> 01:48:34,439
Speaker 2: I want a reoccurring role now. Yeah, but that was

1900
01:48:34,479 --> 01:48:37,240
Speaker 2: an honor to be called, huge honor to be in

1901
01:48:37,320 --> 01:48:40,400
Speaker 2: that that lineup. I mean, she had everybody pulled up

1902
01:48:40,439 --> 01:48:43,000
Speaker 2: and it's great, man Like Jermaine Brie was like hosting.

1903
01:48:43,080 --> 01:48:47,320
Speaker 2: It had everybody there, man, Lloyd, it was. It was beautiful.

1904
01:48:47,880 --> 01:48:51,680
Speaker 2: It's beautiful. Anybody ever throw a birthday party for.

1905
01:48:51,720 --> 01:48:52,080
Speaker 6: You like that?

1906
01:48:53,520 --> 01:48:56,320
Speaker 2: For you that you did for I thought my own

1907
01:48:56,360 --> 01:49:00,719
Speaker 2: birthday party right, been that nigga for some minutes. Ship

1908
01:49:02,439 --> 01:49:08,960
Speaker 2: It's like party now.

1909
01:49:09,160 --> 01:49:12,960
Speaker 1: But bro, man, I'm gonna be honest. I'm proud of

1910
01:49:14,439 --> 01:49:16,320
Speaker 1: I'm proud of your story. Like you know, you know

1911
01:49:16,400 --> 01:49:19,280
Speaker 1: when you hear your story or you like could google

1912
01:49:19,520 --> 01:49:24,640
Speaker 1: your story. Right, it starts out with you know, turmoil.

1913
01:49:25,560 --> 01:49:30,360
Speaker 1: You know you have two parents, us in jail. So

1914
01:49:30,760 --> 01:49:33,439
Speaker 1: one would think, damn, man, this guy is supposed to

1915
01:49:33,479 --> 01:49:39,120
Speaker 1: be he can't be a winner like right, And the

1916
01:49:39,200 --> 01:49:42,719
Speaker 1: fact is you you flip the rocks, so you flip

1917
01:49:42,840 --> 01:49:43,879
Speaker 1: the everything.

1918
01:49:44,080 --> 01:49:47,840
Speaker 2: And the fact that I love like not only me,

1919
01:49:48,120 --> 01:49:49,639
Speaker 2: like everyone. We love your smile.

1920
01:49:49,800 --> 01:49:54,719
Speaker 1: You smile, bro, And like I said, I'm not fool

1921
01:49:54,720 --> 01:49:56,760
Speaker 1: about a smile because I smile a lot. And the

1922
01:49:56,800 --> 01:49:58,600
Speaker 1: reason why I smile a lot because I know what

1923
01:49:58,720 --> 01:50:01,400
Speaker 1: I've been through. I'm so happy to be where I'm

1924
01:50:01,439 --> 01:50:05,160
Speaker 1: at right and without you telling me that, I could

1925
01:50:05,200 --> 01:50:07,960
Speaker 1: tell that that that that you that same person like

1926
01:50:08,040 --> 01:50:12,560
Speaker 1: we we that people that we probably wasn't meant to

1927
01:50:12,680 --> 01:50:15,880
Speaker 1: be here, but we're here and we beat the odds

1928
01:50:16,040 --> 01:50:20,760
Speaker 1: so much that that smile is like, of course, so

1929
01:50:20,920 --> 01:50:21,519
Speaker 1: I relate to you.

1930
01:50:22,479 --> 01:50:25,280
Speaker 2: They just know, just even know, man, I related to

1931
01:50:25,360 --> 01:50:31,120
Speaker 2: that people because I related related to be in the odds.

1932
01:50:31,800 --> 01:50:32,960
Speaker 2: But now let me ask you.

1933
01:50:35,400 --> 01:50:37,920
Speaker 1: You know, we got exhibit from over here, we got

1934
01:50:38,000 --> 01:50:41,120
Speaker 1: you know, game from over here. Everybody's from California, ox

1935
01:50:41,200 --> 01:50:44,960
Speaker 1: nod Is is a town that people didn't really know.

1936
01:50:45,240 --> 01:50:45,360
Speaker 2: Right.

1937
01:50:46,600 --> 01:50:48,720
Speaker 1: Is there ever a time where you doubted yourself and

1938
01:50:48,920 --> 01:50:54,560
Speaker 1: was like, man, no one is gonna understand you know

1939
01:50:54,600 --> 01:50:54,920
Speaker 1: what I mean?

1940
01:50:55,040 --> 01:51:00,040
Speaker 2: Like has there ever been to you the time it

1941
01:51:00,160 --> 01:51:02,560
Speaker 2: wasn't making sense money wise, monetary wise, you know, and

1942
01:51:02,640 --> 01:51:07,000
Speaker 2: I had kid, Yeah, and that was the big battle.

1943
01:51:07,040 --> 01:51:10,559
Speaker 2: It's like that's the artist's battle. That's that's every artist's battle.

1944
01:51:11,360 --> 01:51:15,080
Speaker 2: And it's like, you know, what do you do at

1945
01:51:15,120 --> 01:51:18,360
Speaker 2: that point where some artists know how to switch it

1946
01:51:18,439 --> 01:51:20,920
Speaker 2: over and become an entrepreneur at that point? And see, okay,

1947
01:51:21,040 --> 01:51:23,320
Speaker 2: this is about if I want to do this for

1948
01:51:23,400 --> 01:51:25,040
Speaker 2: a living, it's going to be a certain amount of

1949
01:51:25,080 --> 01:51:28,080
Speaker 2: business acumen. I need to go into this with branding

1950
01:51:28,200 --> 01:51:31,160
Speaker 2: and I'm going to really especially a family, YEP. I

1951
01:51:31,240 --> 01:51:33,240
Speaker 2: need to at least organize how this is coming through

1952
01:51:33,400 --> 01:51:35,680
Speaker 2: funneling and all this stuff. Right, How young is it

1953
01:51:35,760 --> 01:51:37,800
Speaker 2: that you have your family? Man? Like, how I sound

1954
01:51:37,880 --> 01:51:40,800
Speaker 2: like twenty four that you had your first kid? Yeh,

1955
01:51:40,920 --> 01:51:44,360
Speaker 2: twenty four? And were you know at the gates you know?

1956
01:51:44,840 --> 01:51:49,640
Speaker 2: And my wife was straight from Korea and didn't have

1957
01:51:49,720 --> 01:51:51,840
Speaker 2: any family out here. My family was her family. We

1958
01:51:52,000 --> 01:51:54,160
Speaker 2: just all bandoned together and just made it happen, you know,

1959
01:51:54,960 --> 01:51:57,559
Speaker 2: and supported you all supported, watched the kid full time.

1960
01:51:57,600 --> 01:51:59,960
Speaker 2: I was out there hustling, you know, I would do show.

1961
01:52:00,640 --> 01:52:02,240
Speaker 2: I started the band that I play with now, the

1962
01:52:02,280 --> 01:52:09,120
Speaker 2: Free National shout outs to the Free National shout out. Yeah,

1963
01:52:09,160 --> 01:52:11,360
Speaker 2: take a shot for Free Nationally. Let's do it. Let's

1964
01:52:11,400 --> 01:52:19,280
Speaker 2: do it right. Yes, yeah, banded with my brothers, started

1965
01:52:19,320 --> 01:52:20,960
Speaker 2: a band and was like, Okay, we're gonna take the

1966
01:52:20,960 --> 01:52:25,280
Speaker 2: ship serious. We're gonna start getting our show together. And

1967
01:52:25,439 --> 01:52:27,160
Speaker 2: we became we got a bad ass show. And then

1968
01:52:27,360 --> 01:52:32,800
Speaker 2: that's when things started happening. But yeah, that was it

1969
01:52:32,920 --> 01:52:38,479
Speaker 2: was pivotal with the kids and uh, growing up critical, Yeah,

1970
01:52:38,520 --> 01:52:43,720
Speaker 2: it's critical. What was your question again? He was just

1971
01:52:43,840 --> 01:52:45,760
Speaker 2: saying that I had to hustle from the ground up.

1972
01:52:45,960 --> 01:52:49,400
Speaker 2: I mean yeah, that was kind of looking for we

1973
01:52:50,040 --> 01:52:53,200
Speaker 2: was on week I was on the government assistant.

1974
01:52:55,080 --> 01:52:55,240
Speaker 6: Yeah.

1975
01:52:55,320 --> 01:52:57,520
Speaker 2: Yeah, well it was like the milk, you get the groceries,

1976
01:52:57,560 --> 01:52:59,439
Speaker 2: you know you can you can get a little check.

1977
01:53:00,120 --> 01:53:02,080
Speaker 2: Now you're just saying, did you doubt yourself being Oh

1978
01:53:02,120 --> 01:53:06,000
Speaker 2: I doubt it? Yes, I did. Taking the bus yeah,

1979
01:53:06,560 --> 01:53:08,519
Speaker 2: not really, you know, kind of like where you know from,

1980
01:53:08,560 --> 01:53:10,320
Speaker 2: you know what, but coming from oxthow I had the

1981
01:53:10,360 --> 01:53:12,360
Speaker 2: battery went back because when I was coming up, I

1982
01:53:12,520 --> 01:53:14,519
Speaker 2: was like, you know what, I grew up that knowing

1983
01:53:14,560 --> 01:53:16,680
Speaker 2: that Mallet was from Oxnard. I know that we had

1984
01:53:16,680 --> 01:53:20,680
Speaker 2: a big impact. Yes, yes, Matt is from Oxnard and

1985
01:53:20,800 --> 01:53:24,880
Speaker 2: one of our biggest heroes, and that is an incredible producer. Absolutely,

1986
01:53:25,040 --> 01:53:31,200
Speaker 2: he's an MC two. Absolutely lupak oh No, like the whole.

1987
01:53:31,080 --> 01:53:34,000
Speaker 4: There's a whole what's this alter egos?

1988
01:53:35,320 --> 01:53:37,960
Speaker 2: So I was like, Oxnard got it, so I'm going

1989
01:53:38,040 --> 01:53:39,360
Speaker 2: to be you know. I was like, I want to

1990
01:53:39,400 --> 01:53:41,960
Speaker 2: be next coming out, you know, and to show that

1991
01:53:42,160 --> 01:53:44,000
Speaker 2: we got you. You know, it was already on the

1992
01:53:44,040 --> 01:53:46,560
Speaker 2: map as far as I was concerned through that, and

1993
01:53:46,640 --> 01:53:48,640
Speaker 2: so I was just trying to, you know, continue to

1994
01:53:49,280 --> 01:53:50,840
Speaker 2: raise the bar with it. But I wanted to go

1995
01:53:50,920 --> 01:53:52,840
Speaker 2: to l A. I was determined. I was like, I

1996
01:53:52,920 --> 01:53:55,120
Speaker 2: want to get out of Oxnard. When I was coming

1997
01:53:55,200 --> 01:53:57,840
Speaker 2: up in high school, I see I was born in

1998
01:53:57,960 --> 01:54:02,479
Speaker 2: Saint John's UH Hospital in Auxnard in eighty six and

1999
01:54:02,560 --> 01:54:04,600
Speaker 2: I stayed there till about seven years old. Then I

2000
01:54:04,680 --> 01:54:07,000
Speaker 2: moved a venture and that's where I did like middle school,

2001
01:54:07,520 --> 01:54:10,240
Speaker 2: high school, everything, and that's just the suburb over Then

2002
01:54:10,280 --> 01:54:12,479
Speaker 2: I started playing drums in church and Auxnard and this

2003
01:54:12,640 --> 01:54:14,960
Speaker 2: is all the same, you know to me, but it's

2004
01:54:15,040 --> 01:54:18,720
Speaker 2: very different too, Auxnord Venture. But I always wanted to

2005
01:54:18,760 --> 01:54:20,760
Speaker 2: be like, I'm from Oxnard, you know, because it's like

2006
01:54:20,880 --> 01:54:23,160
Speaker 2: that's where the souls are, you know. But I got

2007
01:54:23,200 --> 01:54:26,640
Speaker 2: love for the whole county. But yeah, I was like,

2008
01:54:26,760 --> 01:54:28,560
Speaker 2: I want to go to la though, because there is

2009
01:54:28,640 --> 01:54:30,760
Speaker 2: not enough out here, you know. I was playing the

2010
01:54:30,800 --> 01:54:33,160
Speaker 2: shows in Oxnard Venture and it being nobody there, yeah,

2011
01:54:33,200 --> 01:54:34,640
Speaker 2: you had to go in. And so I was like,

2012
01:54:34,800 --> 01:54:37,360
Speaker 2: is this really for me? You know, like it's not.

2013
01:54:37,440 --> 01:54:39,560
Speaker 2: I can't pay I can't support my family with this.

2014
01:54:39,680 --> 01:54:41,840
Speaker 2: Maybe I should try to at this point switch over

2015
01:54:42,080 --> 01:54:45,440
Speaker 2: at it's now or never. I do something different right now,

2016
01:54:45,480 --> 01:54:48,720
Speaker 2: I'll be good by the time I'm thirty something, you know.

2017
01:54:49,680 --> 01:54:53,080
Speaker 2: But I was like, I'm just gonna do it. I

2018
01:54:53,160 --> 01:54:55,280
Speaker 2: couldn't not do it, you know, Like I said, it's

2019
01:54:55,320 --> 01:54:57,680
Speaker 2: like breathing. You are always going to want to do

2020
01:54:57,800 --> 01:55:02,120
Speaker 2: something musically creative, do doing something in that. And when

2021
01:55:02,160 --> 01:55:04,240
Speaker 2: I came to l A, I found out like how

2022
01:55:04,280 --> 01:55:07,640
Speaker 2: good I was at drums at being a live musician

2023
01:55:07,760 --> 01:55:10,800
Speaker 2: and how much I had to learn about and I

2024
01:55:10,880 --> 01:55:12,400
Speaker 2: had so much to know about, and it was like

2025
01:55:12,480 --> 01:55:14,360
Speaker 2: a field day because I was going to this music

2026
01:55:14,400 --> 01:55:18,080
Speaker 2: college and everything. My mind was being blown. So I

2027
01:55:18,200 --> 01:55:20,720
Speaker 2: was like, okay, it gave me the battery, like I'm

2028
01:55:20,720 --> 01:55:23,000
Speaker 2: gonna do it. And I met Jose My, my guitar player,

2029
01:55:23,040 --> 01:55:25,360
Speaker 2: and he was like from San Diego. He was going

2030
01:55:25,400 --> 01:55:27,280
Speaker 2: through the same thing, and we were just banding together

2031
01:55:27,320 --> 01:55:30,440
Speaker 2: and we're like playing these shitty ass gigs man getting

2032
01:55:30,600 --> 01:55:34,680
Speaker 2: fucked over, you know, getting not paying nothing, and but

2033
01:55:34,800 --> 01:55:39,520
Speaker 2: we loved it. We loved waking up smoking weed just

2034
01:55:39,600 --> 01:55:42,200
Speaker 2: as good as this. You know, our weed was a

2035
01:55:42,240 --> 01:55:42,680
Speaker 2: little better.

2036
01:55:42,760 --> 01:55:49,480
Speaker 1: But this shot for coming up days. Come on, take

2037
01:55:49,480 --> 01:55:51,280
Speaker 1: a shot for your coming up days. That's some of

2038
01:55:52,280 --> 01:55:57,600
Speaker 1: it was sudden to be look, look big. You wanted

2039
01:55:57,640 --> 01:56:02,080
Speaker 1: to sitting around Now, this is the good Mama wuana.

2040
01:56:02,240 --> 01:56:03,240
Speaker 1: That's the one that's made in.

2041
01:56:03,240 --> 01:56:08,200
Speaker 2: The shower, not to tell it's the moonshine. I like

2042
01:56:08,320 --> 01:56:10,920
Speaker 2: it continue I was coming up, but it was great,

2043
01:56:11,000 --> 01:56:12,880
Speaker 2: So I did think about stopping though, But I have

2044
01:56:12,960 --> 01:56:14,960
Speaker 2: some good friends that helped me out there, like keep going,

2045
01:56:15,040 --> 01:56:16,720
Speaker 2: bro do it for us at least we love. We

2046
01:56:16,800 --> 01:56:20,480
Speaker 2: had doubts, Yeah, the way I stopped stop a full

2047
01:56:20,560 --> 01:56:22,360
Speaker 2: on quick a couple of times where I was trying

2048
01:56:22,360 --> 01:56:24,520
Speaker 2: to work the jobs. Yeah, you can't. If you can't

2049
01:56:24,560 --> 01:56:27,480
Speaker 2: provide for your family, you're going to be doubt yourself. Yeah,

2050
01:56:27,720 --> 01:56:30,480
Speaker 2: but then you had to know that to be real myself.

2051
01:56:30,600 --> 01:56:32,040
Speaker 2: I was like, this is what I was born to do.

2052
01:56:32,160 --> 01:56:34,320
Speaker 2: I want to do this. I'm going to make it work.

2053
01:56:34,400 --> 01:56:38,320
Speaker 2: I'm figure this out. Can't be that hard, you know,

2054
01:56:38,640 --> 01:56:40,840
Speaker 2: and I'm glad I did. And it was really like

2055
01:56:40,960 --> 01:56:43,920
Speaker 2: the people I had it was really supportive, you know

2056
01:56:44,040 --> 01:56:45,920
Speaker 2: that were like you, like, we love your smile. Would

2057
01:56:46,000 --> 01:56:48,160
Speaker 2: keep doing it even if you got to stay in

2058
01:56:48,200 --> 01:56:51,960
Speaker 2: our spot, use our studio, shut out to dumbfound it

2059
01:56:52,080 --> 01:56:55,560
Speaker 2: Johnny Park, you know, like people that were Shafi Kusin

2060
01:56:56,280 --> 01:56:59,040
Speaker 2: saw raw Omas like that. People were very supportive of

2061
01:56:59,120 --> 01:57:00,960
Speaker 2: helping me grow and taking me.

2062
01:57:01,000 --> 01:57:06,480
Speaker 3: Over throwdot because I know that they didn't it come

2063
01:57:06,520 --> 01:57:07,320
Speaker 3: to I had.

2064
01:57:07,240 --> 01:57:09,640
Speaker 2: That song Swayed before I got the stone Throw, and

2065
01:57:09,800 --> 01:57:12,920
Speaker 2: we were dipping around on SoundCloud because there are dope

2066
01:57:13,000 --> 01:57:14,760
Speaker 2: labels from people that don't know. Yeah, so that was

2067
01:57:14,760 --> 01:57:16,920
Speaker 2: what mad Li was on so Knowledge was already signed

2068
01:57:16,960 --> 01:57:19,080
Speaker 2: to stone Throw. So I was like I met Knowledge

2069
01:57:19,120 --> 01:57:21,280
Speaker 2: and we did Swede and I was like, yo, Knowledge,

2070
01:57:21,440 --> 01:57:24,080
Speaker 2: play this for them, like let's get a deal. He

2071
01:57:24,240 --> 01:57:25,760
Speaker 2: was like, let's start a group. We started the same

2072
01:57:25,840 --> 01:57:27,840
Speaker 2: thing like Albruno did. Let's start a group, same thing.

2073
01:57:29,200 --> 01:57:33,080
Speaker 2: We started a group called No Worries and we had

2074
01:57:33,120 --> 01:57:35,320
Speaker 2: that song, but it wasn't officially out. Was just bouncing

2075
01:57:35,320 --> 01:57:39,280
Speaker 2: around SoundCloud and band camp and stuff, and they obviously

2076
01:57:39,360 --> 01:57:41,360
Speaker 2: saw the talent, they saw us perform it, and then

2077
01:57:41,360 --> 01:57:43,960
Speaker 2: they were like cool, swoop it up. They signed that group.

2078
01:57:44,440 --> 01:57:45,800
Speaker 2: They were the one to put it out on Wax

2079
01:57:45,880 --> 01:57:49,040
Speaker 2: and got it going stuth By Southwest. We started pushing it.

2080
01:57:49,440 --> 01:57:56,440
Speaker 2: So labels like that, yes, brow Yeah, I'm telling you, bro,

2081
01:57:56,960 --> 01:57:59,920
Speaker 2: because that's what it is. Because a lot of art

2082
01:58:00,160 --> 01:58:02,120
Speaker 2: to get into labels now they don't know it's a partnership,

2083
01:58:02,240 --> 01:58:04,040
Speaker 2: like they got to be bringing something disable too. If

2084
01:58:04,040 --> 01:58:06,960
Speaker 2: you're a artist that haves no like no way to

2085
01:58:07,640 --> 01:58:09,520
Speaker 2: it doesn't translate where you're doing this to translate to

2086
01:58:09,560 --> 01:58:12,720
Speaker 2: tours or two units sold or anything like that or

2087
01:58:12,720 --> 01:58:16,200
Speaker 2: getting you in these places, then uh, I don't know.

2088
01:58:16,320 --> 01:58:17,680
Speaker 2: I don't know what you're doing it. Maybe you're just

2089
01:58:17,760 --> 01:58:20,320
Speaker 2: doing it for yourself, you know, but if you partner

2090
01:58:20,400 --> 01:58:22,320
Speaker 2: with people, then these are people that usually can help

2091
01:58:22,360 --> 01:58:24,640
Speaker 2: you get to that and you're aligned. You guys got

2092
01:58:24,720 --> 01:58:28,680
Speaker 2: to understanding like minded and they're doing it. They're curating vinyl.

2093
01:58:28,760 --> 01:58:30,200
Speaker 2: They put my ship on vinyl. They got it and

2094
01:58:30,280 --> 01:58:32,800
Speaker 2: they got me. That ship bubbled into enough where it

2095
01:58:32,880 --> 01:58:34,400
Speaker 2: got to those writers that got me into dre and

2096
01:58:34,480 --> 01:58:37,080
Speaker 2: it was like because they have some always equity because

2097
01:58:37,080 --> 01:58:41,000
Speaker 2: of what they've been doing. Yeah, yeah, that's it. So yeah,

2098
01:58:41,160 --> 01:58:43,520
Speaker 2: got blessed ones throw and we did that and uh,

2099
01:58:44,400 --> 01:58:49,800
Speaker 2: we just we went we went for it. So let

2100
01:58:49,840 --> 01:58:50,640
Speaker 2: me ask you a question.

2101
01:58:51,720 --> 01:58:54,560
Speaker 1: This probably should have been in me in Quick Time

2102
01:58:54,640 --> 01:58:59,280
Speaker 1: or slim, but I'll ask you now, independent or major.

2103
01:59:01,000 --> 01:59:05,120
Speaker 2: This depends on what you want to do, what you negotiate,

2104
01:59:06,600 --> 01:59:08,920
Speaker 2: if you need a major to do what you need

2105
01:59:09,000 --> 01:59:12,040
Speaker 2: to do, if you see that working and what you're doing.

2106
01:59:12,160 --> 01:59:14,520
Speaker 2: As an artist, the artist has to really know what

2107
01:59:15,120 --> 01:59:17,920
Speaker 2: the whole ins and outs, what they want, what they want. Okay,

2108
01:59:18,040 --> 01:59:20,280
Speaker 2: there's no more, there's no more of this, Like you know,

2109
01:59:21,080 --> 01:59:25,040
Speaker 2: I was a child. I mean some of them. Yeah,

2110
01:59:25,160 --> 01:59:26,760
Speaker 2: like you just did it or maybe you know some

2111
01:59:26,880 --> 01:59:28,760
Speaker 2: of those that needed that little oomph and then they

2112
01:59:28,840 --> 01:59:30,440
Speaker 2: got them to the thing and then it may happen.

2113
01:59:30,520 --> 01:59:35,120
Speaker 2: So everybody I've ever been involved with, I have, I

2114
01:59:35,200 --> 01:59:38,640
Speaker 2: got paperwork with them even as I go, and that

2115
01:59:38,760 --> 01:59:41,200
Speaker 2: I have had to pay off, you know, slowly, and

2116
01:59:41,280 --> 01:59:44,160
Speaker 2: now to become like free, you know eventually, you know,

2117
01:59:44,320 --> 01:59:49,240
Speaker 2: now the pros from people that maybe were managed labels

2118
01:59:49,760 --> 01:59:52,280
Speaker 2: paying off that, you know. But to be blessed to

2119
01:59:52,360 --> 01:59:55,040
Speaker 2: have the masters of my first two albums already, you

2120
01:59:55,080 --> 01:59:56,880
Speaker 2: know what I'm saying, and see that and then get

2121
01:59:56,920 --> 01:59:58,360
Speaker 2: a deal where I worked out with Dre where I

2122
01:59:58,400 --> 02:00:01,080
Speaker 2: can eventually get my masters for all ship. It's like,

2123
02:00:01,640 --> 02:00:03,560
Speaker 2: you know, all that shit is cool. And then sometimes

2124
02:00:03,640 --> 02:00:06,120
Speaker 2: Dre he'll be like, you can own the master on

2125
02:00:06,240 --> 02:00:08,440
Speaker 2: that on a single and then that joint gets picked

2126
02:00:08,520 --> 02:00:12,200
Speaker 2: up for speak the songs bubble about the other day

2127
02:00:12,320 --> 02:00:15,400
Speaker 2: about the the licensing a couple of joints I own

2128
02:00:15,480 --> 02:00:18,160
Speaker 2: outright singles that I get things were crazy that goes

2129
02:00:18,200 --> 02:00:21,320
Speaker 2: straight you know, straight from my kid. Uh No, but

2130
02:00:21,440 --> 02:00:23,440
Speaker 2: that I was signed to Dre for that he said,

2131
02:00:23,480 --> 02:00:25,400
Speaker 2: you can keep that one whatever, keep the mask on

2132
02:00:25,480 --> 02:00:28,880
Speaker 2: that he produced, not produced, no, no, but yeah, but

2133
02:00:29,000 --> 02:00:29,720
Speaker 2: but that you know, I.

2134
02:00:29,800 --> 02:00:33,520
Speaker 4: Was while I was signing oversea.

2135
02:00:33,880 --> 02:00:36,840
Speaker 2: Okay, yeah, I mean he could easily. I have to

2136
02:00:36,920 --> 02:00:40,000
Speaker 2: clear everything through Drake, you know, and I have everything

2137
02:00:40,120 --> 02:00:41,680
Speaker 2: is still very much like a label. So it's like

2138
02:00:41,960 --> 02:00:44,920
Speaker 2: he keeps the quality control of his artists, you know. So, uh,

2139
02:00:45,320 --> 02:00:47,640
Speaker 2: you still have to clear stuff. And now it's like,

2140
02:00:47,800 --> 02:00:50,280
Speaker 2: you know, he's been like, hey, this one, I like,

2141
02:00:50,360 --> 02:00:52,920
Speaker 2: this one is for you, blah blah blah. And so

2142
02:00:53,200 --> 02:00:55,440
Speaker 2: it's like to have some of those and to have

2143
02:00:55,640 --> 02:00:58,040
Speaker 2: the first two, it's like it's it's really dope man.

2144
02:00:58,120 --> 02:01:02,640
Speaker 2: And and uh uh, I think that you I've been

2145
02:01:02,720 --> 02:01:04,320
Speaker 2: blessed to be able to have the versatility to work

2146
02:01:04,320 --> 02:01:07,240
Speaker 2: with both. I've done major, I've done the indie. I've

2147
02:01:07,280 --> 02:01:09,720
Speaker 2: gotten the dude go back and go back to do

2148
02:01:09,800 --> 02:01:12,080
Speaker 2: indy with my band the Free Nationals. Let their album

2149
02:01:12,120 --> 02:01:14,520
Speaker 2: come out with an indie Empire. I've been working with

2150
02:01:14,600 --> 02:01:18,840
Speaker 2: Empire for years. Shout out to Gazi and Animo. Yeah,

2151
02:01:19,280 --> 02:01:22,640
Speaker 2: got gold platinum records with them on the indie tip

2152
02:01:23,360 --> 02:01:26,840
Speaker 2: and with my with my record label, ape Ship, and

2153
02:01:27,640 --> 02:01:30,560
Speaker 2: I just uh yeah, I got my own record label,

2154
02:01:30,600 --> 02:01:35,880
Speaker 2: ape Ship A ship Yeah, Anderson past Empire Ship dip

2155
02:01:35,960 --> 02:01:40,080
Speaker 2: Ship Records. Yeah no, no, Ape Ship aph Yeah. And

2156
02:01:40,560 --> 02:01:43,080
Speaker 2: I got I signed in my band. I got Ray Khalil.

2157
02:01:43,680 --> 02:01:46,280
Speaker 2: I got this other group called still Beans. He's like

2158
02:01:46,320 --> 02:01:48,800
Speaker 2: a one man band, but we got records out there.

2159
02:01:49,000 --> 02:01:52,200
Speaker 2: And I've been able to play with both with with

2160
02:01:52,480 --> 02:01:54,920
Speaker 2: with the indie and the major. And I think it's

2161
02:01:55,880 --> 02:01:58,080
Speaker 2: it's all about the artists. What you want get You

2162
02:01:58,120 --> 02:01:59,960
Speaker 2: don't get what you deserve, you get what you negotiate.

2163
02:02:00,280 --> 02:02:08,440
Speaker 2: So absolutely Sonic, what label? What that did that drop on?

2164
02:02:09,720 --> 02:02:12,520
Speaker 2: It never dropped off? You see the chain remains? Oh

2165
02:02:12,640 --> 02:02:17,000
Speaker 2: see yeah, yeah, yeah, yeah, anything. We can tell you

2166
02:02:17,040 --> 02:02:21,360
Speaker 2: the label right now. Just look at Atlantic. Oh okay.

2167
02:02:22,680 --> 02:02:27,880
Speaker 1: And that's when after Math stop being a major. Correct No,

2168
02:02:28,680 --> 02:02:29,640
Speaker 1: because after.

2169
02:02:29,520 --> 02:02:33,920
Speaker 2: Math after Math has some very messing with Apple and

2170
02:02:34,360 --> 02:02:37,400
Speaker 2: in the school they made the cell after Math is

2171
02:02:37,400 --> 02:02:39,959
Speaker 2: the indie label still gets to do what the distribution

2172
02:02:40,120 --> 02:02:44,760
Speaker 2: whoever they want to do. Yes, And the last thing

2173
02:02:44,840 --> 02:02:47,240
Speaker 2: that they did which was very successful was the was

2174
02:02:47,440 --> 02:02:51,160
Speaker 2: Silk Sonic. But then with the Atlantic, so was that

2175
02:02:51,680 --> 02:02:54,560
Speaker 2: they killed it? Did you have to one idea to know?

2176
02:02:54,880 --> 02:02:58,120
Speaker 2: Everybody was down? Everybody was good? I was like, you know,

2177
02:02:58,200 --> 02:03:00,000
Speaker 2: Dre would preferred me to work on my own stuff.

2178
02:03:00,720 --> 02:03:03,440
Speaker 2: He wants me to work on Anderson pat that. Yeah,

2179
02:03:03,520 --> 02:03:05,320
Speaker 2: he wants to like do your thing. This is great.

2180
02:03:05,360 --> 02:03:08,240
Speaker 2: I keep doing that. I do a lot of collaborative efforts.

2181
02:03:08,720 --> 02:03:11,000
Speaker 2: If you look at a lot of my records always collapse.

2182
02:03:12,640 --> 02:03:14,440
Speaker 2: That's been my thing. I love it. It's not fun

2183
02:03:14,520 --> 02:03:16,520
Speaker 2: unless I'm like working. I like working with other people.

2184
02:03:16,680 --> 02:03:19,400
Speaker 2: It's like that's where it's fun for me. And so

2185
02:03:20,840 --> 02:03:22,080
Speaker 2: but when it's time for me to work on my

2186
02:03:22,160 --> 02:03:23,920
Speaker 2: own ship, it gets a little like I don't care,

2187
02:03:24,240 --> 02:03:25,920
Speaker 2: I pee a little, I take a little more time,

2188
02:03:26,040 --> 02:03:29,120
Speaker 2: and it gets a little more methodical and stuff. But

2189
02:03:29,280 --> 02:03:31,760
Speaker 2: I love when I can work in a duo or

2190
02:03:31,840 --> 02:03:33,840
Speaker 2: something like that. You know, I don't know, that's something

2191
02:03:33,960 --> 02:03:38,840
Speaker 2: to my brain. Yeah, and so yeah, I told Dre

2192
02:03:39,000 --> 02:03:40,840
Speaker 2: and he was with it, and then we played him

2193
02:03:41,120 --> 02:03:44,520
Speaker 2: leader open and it was like yeah crazy and then

2194
02:03:44,560 --> 02:03:47,640
Speaker 2: you we was doing the Residency and it was just

2195
02:03:48,320 --> 02:03:52,080
Speaker 2: I didn't I didn't know that. Yeah, absolutely, and then

2196
02:03:52,240 --> 02:03:56,160
Speaker 2: uh and Julie at Atlantic at the time, I mean

2197
02:03:56,200 --> 02:04:01,040
Speaker 2: it was it was fucking It was an incredible Julie Greenwall. Yeah, yes,

2198
02:04:01,960 --> 02:04:05,920
Speaker 2: Judy Green was solid. Right, So so who the he

2199
02:04:06,160 --> 02:04:09,320
Speaker 2: was was under What was it Judy Green, Mike Kaiser,

2200
02:04:11,160 --> 02:04:14,560
Speaker 2: I'm so terrible names with Julie, black dude, and like

2201
02:04:14,800 --> 02:04:18,040
Speaker 2: some other people. Yeah, there was a black guy for sure.

2202
02:04:19,400 --> 02:04:25,680
Speaker 2: The classes. Yes, that's my brother. I bleed for that.

2203
02:04:28,080 --> 02:04:32,280
Speaker 2: Do you remember like lows? Okay, let's just chill. I

2204
02:04:32,280 --> 02:04:34,240
Speaker 2: don't know. I don't want to get I don't know

2205
02:04:34,320 --> 02:04:37,440
Speaker 2: who was exactly, but I was there. You getting way

2206
02:04:37,440 --> 02:04:42,720
Speaker 2: too much money? You don't know. You just know you're

2207
02:04:42,760 --> 02:04:43,960
Speaker 2: getting way too much money.

2208
02:04:44,440 --> 02:04:46,720
Speaker 1: That's where it seems, and that's you know what, That's

2209
02:04:46,760 --> 02:04:58,480
Speaker 1: a beautiful that's beautiful. So is there anything in this industry.

2210
02:05:00,680 --> 02:05:12,120
Speaker 2: That's you regret? I mean my double excel freestyle was

2211
02:05:12,120 --> 02:05:20,120
Speaker 2: a bit cringe, but I don't regret it. I just

2212
02:05:21,240 --> 02:05:27,280
Speaker 2: could have been in a better outfit and that's all say,

2213
02:05:27,440 --> 02:05:30,920
Speaker 2: no regrets. I think it's great, man, I look back.

2214
02:05:31,040 --> 02:05:32,920
Speaker 2: I just love that I'm able to learn from my

2215
02:05:33,120 --> 02:05:36,720
Speaker 2: mistakes and failures. I think that's the best part about

2216
02:05:36,760 --> 02:05:38,640
Speaker 2: this whole thing, you know, learning in front of those,

2217
02:05:38,880 --> 02:05:42,520
Speaker 2: enjoying those moments too, soaking those in and then moving on,

2218
02:05:42,680 --> 02:05:45,640
Speaker 2: learning how to get better and enjoying the ride, being

2219
02:05:45,720 --> 02:05:49,280
Speaker 2: open to new stuff, being okay, with not being the

2220
02:05:49,400 --> 02:05:52,760
Speaker 2: best in the room with something and just like learning

2221
02:05:52,800 --> 02:05:55,560
Speaker 2: about other people and trying to keep growing and learning

2222
02:05:55,560 --> 02:05:58,480
Speaker 2: and that's it, and try to keep your dogs that

2223
02:05:58,600 --> 02:06:01,320
Speaker 2: your way. It's tough, man. You know, you don't make

2224
02:06:01,440 --> 02:06:02,400
Speaker 2: new friends these days.

2225
02:06:03,240 --> 02:06:03,400
Speaker 6: You know.

2226
02:06:03,600 --> 02:06:06,280
Speaker 2: I'm really like, I'm grateful for y'all having this platform.

2227
02:06:06,440 --> 02:06:10,360
Speaker 2: You know, I always see you, you know, yeah, yeah,

2228
02:06:11,360 --> 02:06:12,760
Speaker 2: take that light back because you ain't trying to.

2229
02:06:14,320 --> 02:06:16,360
Speaker 3: Hey man, you're saying some nice words about us, and

2230
02:06:16,920 --> 02:06:18,680
Speaker 3: this is why niggas can't express it.

2231
02:06:19,720 --> 02:06:20,800
Speaker 2: That's why we need therapy.

2232
02:06:20,920 --> 02:06:21,000
Speaker 3: Bro.

2233
02:06:21,880 --> 02:06:25,760
Speaker 2: I just anxiety. At the same time, I want to

2234
02:06:25,840 --> 02:06:30,320
Speaker 2: delight my blood. I like you, Thank you. I know.

2235
02:06:30,720 --> 02:06:33,960
Speaker 2: No man like you. Man, No, man, I'm gonna be

2236
02:06:34,040 --> 02:06:41,880
Speaker 2: honest with you. Man, You're You're a legend. We've been

2237
02:06:41,960 --> 02:06:44,720
Speaker 2: you know, you know me and you got a relationship.

2238
02:06:44,800 --> 02:06:46,320
Speaker 1: I've been trying to get you on here because I

2239
02:06:46,360 --> 02:06:49,000
Speaker 1: want to give your flowers. And that's the thing about

2240
02:06:49,360 --> 02:06:52,960
Speaker 1: our culture is most of us don't really do that.

2241
02:06:53,160 --> 02:06:56,080
Speaker 1: Like it takes nothing from me as a man to

2242
02:06:56,200 --> 02:06:59,320
Speaker 1: tell you how much I appreciate you as a man,

2243
02:06:59,760 --> 02:07:02,000
Speaker 1: you know what I'm saying, Like, it doesn't take nothing

2244
02:07:02,000 --> 02:07:04,040
Speaker 1: away from me. It doesn't take nothing away from us.

2245
02:07:04,080 --> 02:07:06,240
Speaker 1: And that's what our show was about. Our show is

2246
02:07:06,280 --> 02:07:09,360
Speaker 1: about giving people and making people know how much the

2247
02:07:09,440 --> 02:07:14,240
Speaker 1: culture appreciate you. And god damn it, we appreciate you

2248
02:07:14,400 --> 02:07:22,640
Speaker 1: motherfucker all right. And and it's not like you know,

2249
02:07:22,800 --> 02:07:24,480
Speaker 1: you deserve this ship, you know what I'm saying, Like

2250
02:07:24,880 --> 02:07:26,520
Speaker 1: I've been seeing you for years and me and you've

2251
02:07:26,560 --> 02:07:28,640
Speaker 1: been kicking it and I'm just like, yo, I just

2252
02:07:28,680 --> 02:07:31,560
Speaker 1: want to give you. I want you to understand, you know,

2253
02:07:31,960 --> 02:07:34,200
Speaker 1: our play and watch your fans gonna when you your

2254
02:07:34,240 --> 02:07:36,640
Speaker 1: fans see this, they're gonna be like, yo, wow, I'm

2255
02:07:36,640 --> 02:07:37,320
Speaker 1: gonna take care of you.

2256
02:07:37,520 --> 02:07:41,400
Speaker 2: Right, Yes, of course, you know we're great, you know, because.

2257
02:07:41,480 --> 02:07:44,440
Speaker 3: It down a little bit a little bit, but you

2258
02:07:44,520 --> 02:07:46,600
Speaker 3: got to understand we can't edit it down a lot

2259
02:07:46,640 --> 02:07:46,800
Speaker 3: of it.

2260
02:07:47,560 --> 02:07:47,720
Speaker 2: You know.

2261
02:07:47,880 --> 02:07:53,160
Speaker 1: I watched you on like every interview you did, and

2262
02:07:53,280 --> 02:07:59,000
Speaker 1: your story, like you know, has kind of it's been told,

2263
02:07:59,040 --> 02:08:01,120
Speaker 1: but it's you've been and you've been telling it with

2264
02:08:01,240 --> 02:08:04,800
Speaker 1: a smile on your face, right, So people might not

2265
02:08:04,920 --> 02:08:09,920
Speaker 1: take it as serious as what it really is. Like

2266
02:08:10,440 --> 02:08:16,760
Speaker 1: they're not aware read that your parents both did a

2267
02:08:16,840 --> 02:08:24,120
Speaker 1: bid one seven years the other fourteen years. That doesn't

2268
02:08:24,240 --> 02:08:27,320
Speaker 1: sound like a man who smiles, Like who smiles to me?

2269
02:08:28,720 --> 02:08:32,560
Speaker 1: And when I see you on an off camera and

2270
02:08:32,720 --> 02:08:38,520
Speaker 1: you smiling, that shit is the ultimate version of success

2271
02:08:39,480 --> 02:08:42,000
Speaker 1: to me. To me, this is what I'm trying to

2272
02:08:42,040 --> 02:08:48,880
Speaker 1: tell you. It's because you know, had I been through

2273
02:08:49,360 --> 02:08:52,840
Speaker 1: that exact thing, I might I might have not been

2274
02:08:52,880 --> 02:08:57,680
Speaker 1: able to smile as confident as you. And you do

2275
02:08:59,040 --> 02:09:03,800
Speaker 1: smile confident it do in like three different groups. You

2276
02:09:03,960 --> 02:09:10,440
Speaker 1: tored like a wrestler and you just live life. And

2277
02:09:10,520 --> 02:09:12,160
Speaker 1: I want to say, that's something that I admire.

2278
02:09:13,080 --> 02:09:13,360
Speaker 2: That's a.

2279
02:09:15,240 --> 02:09:19,520
Speaker 1: Forget a rapper, forget an artist, forget an entertainer. I

2280
02:09:19,600 --> 02:09:23,640
Speaker 1: admired as a man. It's a man. The ship that

2281
02:09:23,720 --> 02:09:27,400
Speaker 1: you've been through and how you approach life and you

2282
02:09:27,520 --> 02:09:31,800
Speaker 1: look forward. I solute you rather.

2283
02:09:38,760 --> 02:09:41,360
Speaker 2: Big time. I got one more shot. Let's let's do you.

2284
02:09:41,960 --> 02:09:43,960
Speaker 1: You got to, you got to, you got a little

2285
02:09:44,000 --> 02:09:52,760
Speaker 1: too little bookorean mm hmm.

2286
02:09:53,800 --> 02:09:55,320
Speaker 2: Told you got more in common than you think.

2287
02:09:56,920 --> 02:09:59,680
Speaker 1: So And just for the last things that we know,

2288
02:10:00,080 --> 02:10:04,120
Speaker 1: last shot, Yeah, one last shot before we get Is

2289
02:10:04,160 --> 02:10:05,480
Speaker 1: it anything you want to say your fans?

2290
02:10:05,520 --> 02:10:07,920
Speaker 2: Because I love you, Thank you so much for your patience,

2291
02:10:07,960 --> 02:10:10,600
Speaker 2: Thanks for riding with me. Thanks for just you know,

2292
02:10:10,840 --> 02:10:11,560
Speaker 2: grinding with me.

2293
02:10:12,320 --> 02:10:12,440
Speaker 6: Uh.

2294
02:10:13,000 --> 02:10:16,760
Speaker 2: I'm enjoying the ride. And I love you nothing without you.

2295
02:10:17,120 --> 02:10:20,320
Speaker 2: I got so much stuff on the way. Uh. And

2296
02:10:21,240 --> 02:10:22,840
Speaker 2: just know that I'm going to be taking care of

2297
02:10:22,920 --> 02:10:25,920
Speaker 2: y'all because y'all taking care of me. And shout out

2298
02:10:25,960 --> 02:10:30,840
Speaker 2: to my family, my my baby's soul shine. Uh, hey on,

2299
02:10:32,080 --> 02:10:39,800
Speaker 2: shout out to Ronnie, Willie Camille, Paris night, Kenya Kayla

2300
02:10:40,520 --> 02:10:53,040
Speaker 2: Kaylannie Kendrick. Uh Carousel, Who was you shying out? That

2301
02:10:53,200 --> 02:11:10,560
Speaker 2: got real? You want a couple that came in earlier? Okay, bro,

2302
02:11:11,640 --> 02:11:17,800
Speaker 2: thank you so much. And one more thing, by the way,

2303
02:11:18,440 --> 02:11:20,840
Speaker 2: this is your house whenever you want to come back.

2304
02:11:20,880 --> 02:11:27,000
Speaker 1: Take this last. Yeah, I've got three shots. Okay, take

2305
02:11:27,000 --> 02:11:34,720
Speaker 1: a hockey. Thanks guys chez. Then I got one more.

2306
02:11:34,800 --> 02:11:37,200
Speaker 1: You got a s killer right there. Killer with the

2307
02:11:37,320 --> 02:11:38,560
Speaker 1: one more let me pour up.

2308
02:11:38,880 --> 02:11:47,600
Speaker 2: Yeah on the flight you gotta flight's awful. Sorry for you, sir, goddamn.

2309
02:11:50,400 --> 02:11:53,720
Speaker 3: Drink Champs is a drink Champs ll C production hosts

2310
02:11:53,760 --> 02:11:55,680
Speaker 3: and executive producers n O. R.

2311
02:11:55,760 --> 02:11:56,840
Speaker 2: E and d J. E.

2312
02:11:57,080 --> 02:11:57,360
Speaker 3: F N.

2313
02:11:58,520 --> 02:11:59,320
Speaker 2: Listen to Drink.

2314
02:11:59,200 --> 02:12:03,480
Speaker 3: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2315
02:12:03,640 --> 02:12:07,400
Speaker 3: get your podcasts. Thanks for joining us for another episode

2316
02:12:07,440 --> 02:12:10,080
Speaker 3: of Drink Champs, hosted by Yours truly, dj e f

2317
02:12:10,240 --> 02:12:12,360
Speaker 3: N and n O r E. Please make sure to

2318
02:12:12,400 --> 02:12:14,880
Speaker 3: follow us on all our socials that's at drink Champs

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Speaker 3: across all platforms at the Real noriegon ig at Noriega

2320
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Speaker 3: on Twitter, mineus at.

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Speaker 2: Who's Crazy on ig at dj e f N on Twitter,

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Speaker 2: and

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Speaker 3: Most importantly, stay up to date with the latest releases,

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Speaker 3: news and merch by going to drink Champs dot com