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Speaker 1: So it's the day doctor who looks at his chart

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Speaker 1: seeing as it mean of us, you should really be

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Speaker 1: drinking more water.

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Speaker 2: Than I go. I'd rather be drinking your daughter. And

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Speaker 2: I kissed his daughter, deep kiss, and he had to

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Speaker 2: give it up. Here comes Haze and Sean.

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Speaker 1: Hollywood. Hey, welcome to Hollywood, had bucket. It's that guy's

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Speaker 1: a kicking button dropping names of the red carpet lineback

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Speaker 1: hallways of this industry we call showbiz. Another great week

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Speaker 1: in Hollywood, Sean and I did a lot of movies

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Speaker 1: and we did TV.

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Speaker 2: Starting to feel like a broken record with how many

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Speaker 2: great weeks in Hollywood. We're having good movies, good TV

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Speaker 2: that we are doing.

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Speaker 1: And everyone loved it, except every once in a while

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Speaker 1: you'll come across someone who does not like your work.

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Speaker 2: Well, this show is primarily meant to educate, and unfortunately

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Speaker 2: not everyone learns the same way. Some people are visual learners,

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Speaker 2: or some people are more auditory, and so sometimes when

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Speaker 2: someone's so stupid or so thick headed that they can't

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Speaker 2: fucking get it from the simple way we explain shit,

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Speaker 2: we have to dive back in and just address them

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Speaker 2: directly and just really try to get some of these

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Speaker 2: stupid morons on the right page.

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Speaker 1: And so the way that a lot of our listeners

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Speaker 1: communicate with us is through positive iTunes reviews, and occasionally

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Speaker 1: we get some that are not as positive, and we

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Speaker 1: like to sort of go through them now and talk

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Speaker 1: to them specifically and sort of drive home exactly why

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Speaker 1: what they think is not right.

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Speaker 2: Yes, and this is a segment we like to do, called.

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Speaker 1: Wrong, So let's get right into it. The first one

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Speaker 1: from user iTunes user mister Brandon Ray. The subject of

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Speaker 1: his one star review is boring and the text is

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Speaker 1: and rude. So the so the whole message of this

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Speaker 1: review is boring and rude in reference to our show Wrong.

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Speaker 1: That's actually not right, because our show is actually not

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Speaker 1: really boring at all. We do a lot of exciting

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Speaker 1: things on it, and the guests we get are very

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Speaker 1: famous and impressive in their own right.

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Speaker 2: And interesting people do saying good stuff.

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Speaker 1: And to the point of us being rude, that's actually

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Speaker 1: not right either. We're actually very polite, and we wouldn't

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Speaker 1: have gotten to the place we are in our careers

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Speaker 1: by being rude, because that's not how you accomplish anything.

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Speaker 2: Rude people don't get to keep lurking. They end up

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Speaker 2: like Mickey Rourke, and.

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Speaker 1: We actually make no room for rudeness in our own lives.

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Speaker 1: We keep rudeness at arm's length, and I like Mickey.

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Speaker 1: So mister Brandon Ray in this case thought something that

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Speaker 1: was wrong and he put it on iTunes and embarrassed himself.

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Speaker 2: If you want to stop feeling embarrassed anyone that we

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Speaker 2: talked to, take the review of iTunes. I look the

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Speaker 2: other way. I won't hold a grudge, but it's embarrassing

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Speaker 2: for you to have that up there because it's wrong.

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Speaker 1: Here's user the Timothy Michael with a one star review

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Speaker 1: with the subject line missing the mark. The Timothy Michael says,

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Speaker 1: I'm a big fan of a lot of Earwolf podcasts,

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Speaker 1: but these guys just can't seem to get it right.

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Speaker 1: The constant paradoxical banter gets boring fast and isn't even funny.

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Speaker 1: Listening to a couple of dudes make jokes by mispronouncing names, titles,

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Speaker 1: and making up stories about the entertainment industry is dumb.

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Speaker 1: Changing the title from their field reality show podcast doesn't

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Speaker 1: make up for the fact that they lack comedic talent,

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Speaker 1: and that's wrong. Yes, that's actually clearly wrong. We actually do.

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Speaker 1: He says that we can't seem to get it right,

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Speaker 1: But the truth is we actually do get it right

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Speaker 1: on a very consistent basis.

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Speaker 2: We're getting it right. And the funny thing is he's

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Speaker 2: getting it wrong. And I would say that the paradoxical

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Speaker 2: banter really plays into the postmodern feel. And he thinks

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Speaker 2: we're making up stories about show business, but really we're

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Speaker 2: telling stories about show business.

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Speaker 1: Yeah, so what he thinks that we're doing, the fact

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Speaker 1: that he thinks it is dumb, it's not even the

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Speaker 1: thing that he thinks it is. Yes, So I wonder

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Speaker 1: what is actually dumb? Is it the guy who who

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Speaker 1: thinks the podcast is what is something else?

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Speaker 2: Or is it the guy who knows what the podcast is?

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Speaker 2: What is something that it really is? And that's not dumb.

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Speaker 2: So then whoever thinks that's wrong is the one and wrong?

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Speaker 1: Oh, I wonder which one is dumb about that? Between

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Speaker 1: that too, And we didn't change the title from our

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Speaker 1: failed reality show podcast. We actually did a whole different podcast,

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Speaker 1: and so that's not the same thing.

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Speaker 2: And it didn't really failed, it just wasn't very popular.

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Speaker 1: Let's read the review from user B. Phillips thirty five.

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Speaker 1: His one star review, the subject is not entertaining, unoriginal

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Speaker 1: and just bad. B Phillips thirty five says, I have

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Speaker 1: tried many time to give this podcast a chance because

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Speaker 1: the get great guests, but I don't find Hayes or

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Speaker 1: Seawan funny or intelligent. They seem to be doing some

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Speaker 1: kind of bit and are just really bad at it.

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Speaker 1: So wrong, that really is so wrong, because the thing

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Speaker 1: that is right about it is that we do get

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Speaker 1: great guests. But to think that our guests are great

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Speaker 1: but we're not great is actually wrong. That's wrong.

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Speaker 2: And I think what might be happening for B. Phillips

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Speaker 2: is he doesn't fucking get it.

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Speaker 1: Yes, I think that in this case he thought some

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Speaker 1: thing wrong because he said that we aren't funnier intelligent.

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Speaker 1: And what's confusing about that is that we are very

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Speaker 1: funny and very intelligent, and so is the podcast.

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Speaker 2: And we're smart and funny, and we're being smart, funny

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Speaker 2: and intelligent on the podcast and with each other and

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Speaker 2: with great guests, and that's what we get.

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Speaker 1: Here's user KBC one four seven. His one star review

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Speaker 1: is surprise this is an ear Wolf podcast. KBC one

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Speaker 1: four seven says incredibly hacky and mind numbingly boring. They

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Speaker 1: made episodes with some of my favorite podcast guests unlistenable

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Speaker 1: and wrong.

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Speaker 2: No we're not No, we're not fucking no, we're not hacky.

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Speaker 2: This isn't boring you, Okay if you don't like those

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Speaker 2: guests on here, you don't like those guests.

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Speaker 1: Yeah, because we bring out the best in our guests,

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Speaker 1: which sometimes aren't even that good. So when you think

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Speaker 1: that they're your favorites, it's because of us and because

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Speaker 1: of how much you like us. And it's actually very listenable,

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Speaker 1: and it's people's favorite thing to listen to.

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Speaker 2: And let's be honest, the guests aren't even always that good.

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Speaker 2: We're so good, that's what's good.

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Speaker 1: Here's Apartment three four two with a one star review.

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Speaker 3: So many.

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Speaker 1: Here's Apartment three four to two with a one star review,

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Speaker 1: subject Hollywood Handbook. Yeah we know it's on the Hollywood

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Speaker 1: Handbook page. Apartment three four to two says, first time

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Speaker 1: listener in the first episode that I listened to is

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Speaker 1: a clip from the Jake Johnson episode. Probably not the

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Speaker 1: best first episode for new listeners to hear. I'm sure

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Speaker 1: you will have lots of listeners who will find this

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Speaker 1: podcast great, but I will not be listening to the rest.

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Speaker 1: Unsubscribe a wrong, that was.

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Speaker 3: The first episode.

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Speaker 1: Yeah, you said that probably was not the best first

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Speaker 1: episode for new listeners to hear, but it actually was

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Speaker 1: because it's the first episode that we did. Yeah, and

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Speaker 1: good thing. You're sure that we will have lots of

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Speaker 1: listeners who will find this podcast great because I'm sure

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Speaker 1: about that too.

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Speaker 2: I'm sure too they love it.

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Speaker 1: And you unsubscribed, but that's not even how you do that.

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Speaker 1: You wrote unsubscribe in your message, but you actually have

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Speaker 1: to click the button.

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Speaker 2: You have to actually physically do it. iTunes doesn't read

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Speaker 2: your review and then unsubscribe you from the review you

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Speaker 2: wrote unsubscribin.

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Speaker 1: It's so, why are we supposed to listen to a

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Speaker 1: guy who doesn't even know how to use the.

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Speaker 2: Keyboarder or if his computer is even there.

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Speaker 1: Here's a cop Here's a review from I Listen Faster

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Speaker 1: that this is a two star review with the subject

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Speaker 1: not for my time. I Listen Faster says the pace

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Speaker 1: of this podcast is too slow for me. Conversation doesn't

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Speaker 1: lead anywhere guests, airtime is extremely short and without substance disappointed? Meh,

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Speaker 1: not returning?

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Speaker 2: What is this Skuy's thing with Slow and Fast?

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Speaker 3: Wrong?

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Speaker 2: This podcast is great, people love this. Look You're slow

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Speaker 2: and Fast thing is weird? I listen faster? This podcast

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Speaker 2: too slow? Just figure it out.

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Speaker 1: What are these fast podcasts out there that you really like?

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Speaker 2: Yeah? And how are you listening to them faster than me?

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Speaker 2: I don't think so. I think you're an insane person.

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Speaker 1: And so when you said you were disappointed, that was

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Speaker 1: actually wrong and you liked it and everyone else did too.

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Speaker 2: Some of these people are stupid, but this guy's insane.

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Speaker 1: So that was ant wrong. We also wanted to take

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Speaker 1: a little time to talk about sort of a sea

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Speaker 1: change that's going on in Hollywood and the entire industry

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Speaker 1: that not a lot of people are willing to speak on.

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Speaker 1: But Sean and I wanted to win from a personal perspective. Historically,

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Speaker 1: in this business and show business and in all business,

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Speaker 1: the people running the operation are the cool kids.

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Speaker 2: The jocks, the bullies, the greasers.

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Speaker 1: Yes, those have been the traditional people who are in

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Speaker 1: charge of what the future of Hollywood is and media

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Speaker 1: and things like that. But that's finally starting to change

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Speaker 1: because of computers and because of wireless. It seems like

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Speaker 1: nerds are really starting to run the show. And you

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Speaker 1: would almost go far so far as to say that

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Speaker 1: nerds rule.

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Speaker 2: Nerds rule, And I even have thought of saying at

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Speaker 2: one point that this era is the revenge of the nerds,

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Speaker 2: and they're taking revenge on some of the other types

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Speaker 2: of people that you mentioned.

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Speaker 1: And so what you might be saying, you hear a

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Speaker 1: saying nerds rule. You're here saying that right now is

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Speaker 1: revenge of the nerds. But you think to yourself, well,

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Speaker 1: Seana Hayes, who are are you to say anything about this?

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Speaker 1: You're not nerds, Shanza Jock and Hayes, you're a greaser.

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Speaker 1: Confession time, Confession time, we're actually huge nerds.

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Speaker 2: I actually am a huge nerd, and Hayes' is one too,

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Speaker 2: And it's not something that we've been willing to be

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Speaker 2: so public about, but we are such big nerds.

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Speaker 1: Sean and I love sci fi, we love computer games.

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Speaker 1: We are good at sports, but like we're not. We're

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Speaker 1: not like superior about it.

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Speaker 2: No, and we just understand the statistics of it too.

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Speaker 1: That's part of what we love so much about it.

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Speaker 2: Yes, And whether it's an underground show that almost no

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Speaker 2: one knows about, like Game of Thrones or a Walking Dead,

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Speaker 2: and I'm curled up just watching it, going, oh, they

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Speaker 2: made this just for me and only me, and maybe

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Speaker 2: Hayes watch and a couple of our other nerd friends.

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Speaker 1: And some of my favorite movies are nerd movies. I

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Speaker 1: love Star Wars one, I love Star Wars two, and

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Speaker 1: I love Star Wars three. Then I've seen them all.

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Speaker 2: How about the Avengers?

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Speaker 1: God?

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Speaker 2: Does it get nerdier than this? A comic book and

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Speaker 2: a movie made into one thing. Yes, And that is

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Speaker 2: some of the stuff that we're watching that we don't

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Speaker 2: actually tell people that we're watching. Because it's been scary

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Speaker 2: to be a nerd before.

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Speaker 1: It's sometimes scary to be bullied in Hollywood, and to

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Speaker 1: say that you like fantasy books and you use computers

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Speaker 1: really well and you surf the internet.

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Speaker 2: Just liking gadgets is enough to get you shoved in

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Speaker 2: a locker and a wedgie put over your head and

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Speaker 2: put in the toilet bowl.

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Speaker 1: But those days are over, and now nerds are in charge,

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Speaker 1: and we are actually huge nerds too.

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Speaker 2: And it's time for us to confess. And we don't

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Speaker 2: want to tell tales out of school. But we have

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Speaker 2: friends who are nerds.

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Speaker 1: Yes, we have a lot of friends who are nerds.

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Speaker 1: Olivia Munn big huge nerd g. She loves playing computer

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Speaker 1: games with us. She's obsessed with space stuff.

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Speaker 2: And I know computer games aren't cool, but that's what

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Speaker 2: we're saying. It's not about being cool now. I play

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Speaker 2: my computer games on my Xbox. Uh, you know that's me.

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Speaker 2: I'm just soen real nerd.

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Speaker 1: Who else do we know who's a big nerd?

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Speaker 2: Oh, well, he's gonna be pissed. Yeah, Chris Hardwick is

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Speaker 2: actually nerdy.

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Speaker 1: He's actually a really big nerd. You would think that

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Speaker 1: he wasn't a nerd because he hosted singled Out in

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Speaker 1: the nineties and he was in like kind of a

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Speaker 1: musical comedy duo. But the truth is he's one of

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Speaker 1: the biggest nerd other and sometimes he's even a little

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Speaker 1: bit too nerdy for us.

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Speaker 2: He did get too nerdy for Hayes once and I

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Speaker 2: was mad at Hayes for a week, and then he

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Speaker 2: got too nerdy for me right after that, and I understood.

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Speaker 1: He was nerding out. What we call it about We

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Speaker 1: invented that the Harry Potter books term and I love

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Speaker 1: Harry Potter stuff. I love it. But he was talking

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Speaker 1: about different things in the books that I haven't read

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Speaker 1: and stuff that didn't actually get over into the movies,

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Speaker 1: and it was like, you might be getting a little

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Speaker 1: too nerdy for me. I hate being a muggle, Yes,

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Speaker 1: so Sean and I wish that we wouldn't be muggles anymore,

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Speaker 1: and that we would be Harry Potters.

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Speaker 2: If only we were Harry Potters, and if only we

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Speaker 2: had some of those powers or that big bird, you know.

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Speaker 2: And that's so fun about being a nerd. Is it's

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Speaker 2: actually cool to have your imagination and to think about

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Speaker 2: having that big bird or and be, you know, talking

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Speaker 2: to all those other guys.

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Speaker 1: So take a hike, bullies, This business is no place

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Speaker 1: for you anymore. In the town isn't big enough for

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Speaker 1: the nerds and all the bullies. And now it's the

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Speaker 1: nerds of town.

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Speaker 2: It's just gonna be just all of us, all of us,

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Speaker 2: the nerds and me and Hayes, Oliviamon, JJ Abraham and

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Speaker 2: all and Chris and all our big, big tittied cosplay girls.

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Speaker 2: And that's what's truly nerdy.

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Speaker 1: Yes, I love shoving my face in between two huge

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Speaker 1: nerd titties. Yes, and they don't get any nerdier than

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Speaker 1: the ones that are really big.

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Speaker 2: Really big and fake. And you have to have an

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Speaker 2: anime wig on. Yes, I love anime. We have a

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Speaker 2: really great guess coming in today, a really great guest,

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Speaker 2: a fresh face. His name's Lamar and Morris. He's a

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Speaker 2: TV star on The New Girl and he also has

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Speaker 2: never been on any other ear Wolf podcast.

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Speaker 1: So we always liked the tradition.

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Speaker 2: We like to take a second, like to take the

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Speaker 2: time to tell all the other podcasts to get way

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Speaker 2: down there and to really suck on these.

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Speaker 1: And so let's look at who's first in line to

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Speaker 1: suck on these. It looks like a comedy bang bang.

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Speaker 2: A comedy bang bang, more like comedy boo hoo. You're

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Speaker 2: sad you don't have this good guest and you have

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Speaker 2: to cry about it, and you should.

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Speaker 1: What about Kevin Pollack's chat show? I guess this week

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Speaker 1: it's Kevin Pollock's bad show because he got some old,

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Speaker 1: tired guest who everyone's sick of, and we got Lamar

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Speaker 1: Morris who's never been on an ear Wolf podcast before.

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Speaker 1: So Kevin Pollack, I guess you can suck on these.

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Speaker 1: Uh and uh, Next is NERD Poker? Yes, NERD poker.

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Speaker 1: How about NERD go fuck yourself? You have a fucking

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Speaker 1: good guest. We have a good guest. We've got Lemore

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Speaker 1: and Morris. What are you fucking doing poker? Poking around,

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Speaker 1: poking your own asshole with your fucking.

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Speaker 3: Bullshit.

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Speaker 1: So that's that one's next. So now that everybody's sucked

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Speaker 1: on these, we'll go to we'll go to a the

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Speaker 1: quick commercial break and we'll come back with Well Moore

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Speaker 1: and Morris from The New Girl on Hollywood Handbook, Hollywood Hammer.

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Speaker 2: Camel with then re climate change right here, and I've

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Speaker 2: pushed my cony.

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Speaker 1: Oh wow, what do you saying?

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Speaker 2: He actually said that that wasn't clean.

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Speaker 1: You've been pinning a lot of people up against the

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Speaker 1: wall lately. I like it.

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Speaker 2: Hey, what up?

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Speaker 1: What up? Welcome back to Hollywood Handbook and Insider's Guide

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Speaker 1: to Kicking button, dropping names in the red carpet lineback

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Speaker 1: hallways of this industry week All Showbiz. Really exciting guest

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Speaker 1: today Lamore and Morris from the Newsgirl is here.

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Speaker 3: A new Girl, New Girl.

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Speaker 1: I know all about it, and I love the show,

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Speaker 1: and I love you on it.

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Speaker 3: Thank you, man, thank you.

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Speaker 1: There's actually a story from how you guys, you and

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Speaker 1: Sean met, like how you know each other that I

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Speaker 1: guess sort of gets into what we want to want

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Speaker 1: to talk about today.

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Speaker 2: Yeah, I mean, well, Lamour and I have a you know,

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Speaker 2: we have a shared history a little bit. We started

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Speaker 2: out as artists in our business, and ultimately the commerce

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Speaker 2: got ahold of us and we have had to make

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Speaker 2: some vices that are for money and not for art.

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Speaker 2: But we used to do commercials together.

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Speaker 3: We did. We did commercial films, yes, thirty seconds of

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Speaker 3: honestly truth, you know, as opposed to what we do now.

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Speaker 3: It's like you said, the commerce will get a hold

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Speaker 3: of you, but got to put a roof over your head. Man.

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Speaker 1: Exactly. You start having a bunch of kids and the

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Speaker 1: wife starts saying, when are you gonna actually do something

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Speaker 1: with yourself.

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Speaker 3: You kind of just want to go like in pardon

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Speaker 3: my French, but you kind of want to just go bitch.

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Speaker 1: That's right, But you can't say that anymore as the

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Speaker 1: kids are around. Yes there was a time when that

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Speaker 1: was okay, but the PC police are around and you

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Speaker 1: can't just say bitch anymore.

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Speaker 4: Man, I wish you could, man, uh, if only we

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Speaker 4: could still say bitch like we all used to say

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Speaker 4: and liked to say.

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Speaker 2: Yeah, And I think that it is actually the point

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Speaker 2: where the PC police have gone too far. Yes, because

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Speaker 2: that is a word that was useful and could mean

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Speaker 2: a lot of things.

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Speaker 3: One because you knew, like if you heard bitch and

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Speaker 3: you were a bitch, you your ears perked up and

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Speaker 3: you knew exactly who we're talking about exactly.

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Speaker 1: And now the fact that you can't say that, you

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Speaker 1: can only say like, hey, yeah, and then everyone everyone

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Speaker 1: turns around and sometimes not even the bitch no way

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Speaker 1: to differentiate anymore.

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Speaker 2: And so it is it's something that the PC police

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Speaker 2: are trying to do, is to make us all just

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Speaker 2: one thing. And you know else who tried to do

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Speaker 2: that is is Hitler?

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Speaker 3: That Hitler? Oh yeah for sure.

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Speaker 2: And so in a way, the PC police are actually

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Speaker 2: Hitler now.

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Speaker 1: And it's like now you can't even call Hitler a bitch, no,

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Speaker 1: because of these things. So it's like it's Hitler good,

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Speaker 1: you like Hitler.

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Speaker 2: Yeah, all of a sudden, everybody thinks Hitler's cool, He's

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Speaker 2: not a bitch, you know, or some of the other

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Speaker 2: things that we used to call him some of the

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Speaker 2: other words that I won't say right now, but that

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Speaker 2: I will say off air shower by myself because I'm

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Speaker 2: still my own man in one place.

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Speaker 1: But more and talk about some of the passion commercial

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Speaker 1: films that you what are you most proud of? Sort

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Speaker 1: of from your career.

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Speaker 3: Let's see, there was a commercial that I did back

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Speaker 3: in two thousand and nine, yes, the Golden Age, I mean,

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Speaker 3: are you gotta be kid me? It was the year

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Speaker 3: of the commercial film and I think I believe it

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Speaker 3: was right after I met you. I think it was

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Speaker 3: a Las Vegas commercial that I did, which was which

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00:21:38,040 --> 00:21:40,200
Speaker 3: is great. It was an extended It wasn't thirty seconds,

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Speaker 3: it was about two minutes.

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Speaker 2: God when they were experimenting with that.

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Speaker 3: Yeah, that was awesome. And because it was such a

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Speaker 3: passion project, I let them buy me out on it,

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Speaker 3: so I just I didn't. It wasn't about the money

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Speaker 3: for me. So wow, they aired a lot.

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Speaker 2: It must not have been. Yeah, yeah, And I remember

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Speaker 2: when you were you had just fallen in love with

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00:22:04,080 --> 00:22:07,440
Speaker 2: the Miller Lite big mouth bottles, Oh my goodness, and

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Speaker 2: and you were talking to me you said, these big

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00:22:10,480 --> 00:22:13,320
Speaker 2: mouth bottles are so great. I've got to let people

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Speaker 2: know about them. And how did we let people know

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00:22:15,480 --> 00:22:18,080
Speaker 2: about things back then? As we make commercial films, make

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Speaker 2: commercial films.

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Speaker 3: This one was great. It was a lovely actress that

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Speaker 3: I worked with named Treon. I mean, talk about a

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Speaker 3: scene partner. You know, she she gave, she listened, I gave.

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Speaker 3: I listened. It was almost as if we were making love.

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Speaker 3: But so you know, the kids could see it and

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Speaker 3: we could have them let them know about the big

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Speaker 3: mouth bottle, yes, without promoting sex, you know.

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00:22:42,600 --> 00:22:45,120
Speaker 5: And listening is such a big part of making love. Yes,

401
00:22:45,160 --> 00:22:49,480
Speaker 5: it is, it is. It's a huge part of making love.

402
00:22:50,359 --> 00:22:53,800
Speaker 5: You want to know who's down there. Yeah, you want

403
00:22:53,800 --> 00:22:55,840
Speaker 5: to know who's inside you mm hmm.

404
00:22:56,240 --> 00:22:58,320
Speaker 3: And when you when when some it's like what what's

405
00:22:58,359 --> 00:23:00,960
Speaker 3: it called when you when you shout and then someone

406
00:23:01,040 --> 00:23:02,840
Speaker 3: with the road call or whatever you call it?

407
00:23:03,240 --> 00:23:04,080
Speaker 2: Yeah, an echo?

408
00:23:04,280 --> 00:23:08,600
Speaker 3: Yeah, who's exactly to an echo? Whose is this? If

409
00:23:08,600 --> 00:23:10,800
Speaker 3: you don't know, like, if you don't hear, who's is this?

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00:23:11,560 --> 00:23:14,960
Speaker 1: It's good to check in every once in a while. Yeah,

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00:23:15,080 --> 00:23:18,119
Speaker 1: in case it's somebody else, in case it's somebody different

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Speaker 1: from who it was at the beginning too.

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Speaker 3: Which happens a lot honestly in that commercial community. You know, Yes,

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00:23:24,920 --> 00:23:27,360
Speaker 3: it gets pretty wild, man, it's a little incestuous.

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00:23:27,760 --> 00:23:31,800
Speaker 1: Sure. Do you remember some of your favorite quote We

416
00:23:31,840 --> 00:23:34,080
Speaker 1: all know them, but your favorite quotes from your from

417
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Speaker 1: some of your films.

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00:23:35,400 --> 00:23:38,240
Speaker 3: One of them, let's see I said to a girl,

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Speaker 3: I said, hey, Yeah, you know, and hey is a

420
00:23:44,119 --> 00:23:46,840
Speaker 3: big worry. It's three letters depending on how you spell it,

421
00:23:46,880 --> 00:23:49,560
Speaker 3: but it's it's it's it's your very universal no matter

422
00:23:49,600 --> 00:23:52,680
Speaker 3: who you're talking to, Hey, like you said earlier, everyone

423
00:23:52,720 --> 00:23:54,720
Speaker 3: can turn around. But in this case, I was speaking

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Speaker 3: to one woman and one woman in particular, and she

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Speaker 3: knew exactly who I was talking to.

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Speaker 2: And you fit so much in that.

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00:24:00,560 --> 00:24:05,280
Speaker 1: Yeah, yes, and you still remember, however many years I

428
00:24:05,280 --> 00:24:08,359
Speaker 1: think that one was mid twenty ten. Yeah, but you

429
00:24:08,400 --> 00:24:12,240
Speaker 1: still have the exact same like it's like you're doing

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Speaker 1: it today.

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00:24:13,040 --> 00:24:20,280
Speaker 3: Yeah, it's for Chili's, just for Chili's. I remember that one.

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Speaker 1: Well, you, I know you want to get back into

433
00:24:24,840 --> 00:24:27,680
Speaker 1: that side of your I mean we all do. Yeah,

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00:24:27,680 --> 00:24:28,160
Speaker 1: you know what I mean.

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Speaker 3: It's such a This business can be overwhelming a bit,

436
00:24:31,960 --> 00:24:33,720
Speaker 3: and sometimes you want to just take a step back

437
00:24:33,760 --> 00:24:35,960
Speaker 3: and go back to what you love. You know, it's

438
00:24:36,000 --> 00:24:38,560
Speaker 3: like that first love, that first girlfriend you had, that

439
00:24:38,600 --> 00:24:41,880
Speaker 3: first wife you've ever had, that first mistress you've ever had.

440
00:24:41,920 --> 00:24:43,120
Speaker 3: It's like you want to go back to.

441
00:24:43,080 --> 00:24:46,680
Speaker 1: That, you can't. There's nothing like that first wife exactly,

442
00:24:46,800 --> 00:24:47,080
Speaker 1: you know.

443
00:24:47,400 --> 00:24:51,159
Speaker 2: No, the first and the first wife, I always say,

444
00:24:52,480 --> 00:24:57,199
Speaker 2: is very special. And so to me, the idea of

445
00:24:57,240 --> 00:24:59,920
Speaker 2: going back to my first wife commercials before I want

446
00:25:00,119 --> 00:25:02,880
Speaker 2: up having to do theater, Broadway theater, before I wind

447
00:25:02,960 --> 00:25:08,399
Speaker 2: up having to do films, and before even TVs is

448
00:25:09,080 --> 00:25:14,719
Speaker 2: so important that I'm jealous of Lamarne because he's getting

449
00:25:14,720 --> 00:25:15,440
Speaker 2: offers now.

450
00:25:15,800 --> 00:25:20,840
Speaker 1: Yes, often, right, And you sent us some scripts for

451
00:25:20,840 --> 00:25:24,120
Speaker 1: for for some of the commercial films you're looking at doing,

452
00:25:24,160 --> 00:25:26,720
Speaker 1: and we thought we would just perform some of them

453
00:25:26,800 --> 00:25:31,840
Speaker 1: now and maybe workshop with them a little bit and.

454
00:25:31,080 --> 00:25:32,880
Speaker 2: And help pick out because you want to you want

455
00:25:32,920 --> 00:25:34,360
Speaker 2: it to be the right project when you go.

456
00:25:34,359 --> 00:25:39,080
Speaker 3: Back right right, exactly, there's one. Do you guys have

457
00:25:39,160 --> 00:25:41,600
Speaker 3: them here or you want I can just tell you

458
00:25:42,280 --> 00:25:42,600
Speaker 3: we have.

459
00:25:42,880 --> 00:25:44,520
Speaker 1: Walk because we have one or two of them. I mean,

460
00:25:44,560 --> 00:25:46,080
Speaker 1: if you want to walk us through and yeah that

461
00:25:46,119 --> 00:25:49,720
Speaker 1: you want to do specifically, sure, there's one.

462
00:25:50,359 --> 00:25:54,560
Speaker 3: There's a it's a futuristic pop Eyes commercial. You know

463
00:25:54,600 --> 00:25:57,280
Speaker 3: the woman that's in the Popeyes commercials, Now, she's uh,

464
00:25:57,800 --> 00:25:59,120
Speaker 3: I mean no.

465
00:25:59,119 --> 00:25:59,560
Speaker 1: I don't.

466
00:26:00,200 --> 00:26:04,280
Speaker 3: I mean now, I'm not against I'm not against you know,

467
00:26:05,520 --> 00:26:10,280
Speaker 3: broad commercial film acting. But she it just takes the cake.

468
00:26:10,640 --> 00:26:13,840
Speaker 3: I mean, I think these commercials Tyler Perry directed, and

469
00:26:13,840 --> 00:26:17,439
Speaker 3: she's I mean as coonish as you can possibly be.

470
00:26:17,840 --> 00:26:20,160
Speaker 3: And because we're in the future, I think we want

471
00:26:20,200 --> 00:26:22,040
Speaker 3: to step things up a little bit and not be

472
00:26:22,160 --> 00:26:25,880
Speaker 3: as cooney with the futuristic Popey's commercial. But this time

473
00:26:25,880 --> 00:26:28,639
Speaker 3: we unleash this motherfucker and she can I say, motherfucker.

474
00:26:28,840 --> 00:26:30,280
Speaker 2: Oh yeah, anything you are.

475
00:26:30,280 --> 00:26:34,280
Speaker 3: Okay, we unleash it. We unleash it. Now, imagine this

476
00:26:34,320 --> 00:26:39,080
Speaker 3: old slave woman selling chicken. But she's in the future

477
00:26:39,880 --> 00:26:44,760
Speaker 3: where chickens are obsolete and the chickens are hard to

478
00:26:44,760 --> 00:26:48,119
Speaker 3: come by, yes, and chickens are have a mind of

479
00:26:48,119 --> 00:26:54,920
Speaker 3: their own and chickens are no longer chickens and so

480
00:26:55,000 --> 00:27:01,880
Speaker 3: what are they? Chickens are people. Yeah, So what we've

481
00:27:01,920 --> 00:27:08,720
Speaker 3: done with Popeyes is reversed time. So as opposed to

482
00:27:08,800 --> 00:27:12,120
Speaker 3: eating chickens and sounding like an old timey slave, it's

483
00:27:12,119 --> 00:27:14,600
Speaker 3: the future. Well, we still sound like an old timey slave.

484
00:27:14,680 --> 00:27:20,199
Speaker 3: But chickens are people, so we are enslaving ourselves. But

485
00:27:20,240 --> 00:27:23,480
Speaker 3: we also eat ourselves, we fry ourselves.

486
00:27:23,560 --> 00:27:26,520
Speaker 1: So let's do the script for that commercial, Sean, you

487
00:27:26,560 --> 00:27:29,200
Speaker 1: have the side for the old timey slave woman.

488
00:27:29,800 --> 00:27:35,159
Speaker 2: That's right, yeah, I do, and Lamar and you of

489
00:27:35,200 --> 00:27:37,679
Speaker 2: course have this. You'll be playing the role of my master.

490
00:27:38,000 --> 00:27:41,040
Speaker 3: Yes, yes, this is a role that I've been dying

491
00:27:41,080 --> 00:27:41,480
Speaker 3: to play.

492
00:27:41,520 --> 00:27:44,960
Speaker 1: Okay, And I would just play the backing track.

493
00:27:45,440 --> 00:27:57,680
Speaker 2: Great oo yum n I'm scram no, I'm naw, I'm yummy. People.

494
00:27:57,960 --> 00:27:59,480
Speaker 1: What you're doing out there now, y'all?

495
00:28:00,400 --> 00:28:02,520
Speaker 3: You know damn well, you're supposed to be in that kitchen,

496
00:28:02,600 --> 00:28:10,280
Speaker 3: cool kidd whoops. Twelve years of Popeyes. Twelve years of Popeyes.

497
00:28:10,920 --> 00:28:13,960
Speaker 2: Now, I think that would be a good, a good

498
00:28:15,160 --> 00:28:18,440
Speaker 2: first foot back into the biz. But I don't want

499
00:28:18,440 --> 00:28:19,400
Speaker 2: to rush judgment.

500
00:28:19,760 --> 00:28:22,160
Speaker 3: Okay, So you.

501
00:28:22,080 --> 00:28:24,159
Speaker 2: Would send us a script for another commercial that I

502
00:28:24,200 --> 00:28:27,680
Speaker 2: thought sounded good. But I have a note, and it's

503
00:28:27,800 --> 00:28:32,360
Speaker 2: You're on the New Girl bus. You're riding the bus

504
00:28:32,440 --> 00:28:36,120
Speaker 2: into the studio and a bunch of Happy Endings fans

505
00:28:36,119 --> 00:28:38,520
Speaker 2: are outside and they're screaming at you.

506
00:28:38,560 --> 00:28:38,840
Speaker 1: Guys.

507
00:28:38,840 --> 00:28:42,960
Speaker 2: And they're like, you're washed up, we don't like mister Schmidt,

508
00:28:43,520 --> 00:28:50,000
Speaker 2: or they miss Penny and you're leaning against and we

509
00:28:50,200 --> 00:28:52,880
Speaker 2: zoom in on the headphones you have on and hear

510
00:28:53,000 --> 00:28:57,480
Speaker 2: what you're hearing inside there, and then heyes, if you

511
00:28:57,520 --> 00:29:01,320
Speaker 2: want to play what he's hearing.

512
00:29:08,840 --> 00:29:09,960
Speaker 1: And why this song.

513
00:29:14,480 --> 00:29:19,560
Speaker 3: Nelly is what we like to call the innovator of

514
00:29:19,680 --> 00:29:27,240
Speaker 3: some of his old music, to some of which most

515
00:29:27,320 --> 00:29:33,560
Speaker 3: people when when I was getting abused by the happy

516
00:29:33,680 --> 00:29:38,240
Speaker 3: end of his fans, the old friends fans and the

517
00:29:38,320 --> 00:29:40,800
Speaker 3: TV fans that would say to you, you're washed up,

518
00:29:40,840 --> 00:29:44,000
Speaker 3: and I'm like, I just started. You know, that kind

519
00:29:44,040 --> 00:29:48,320
Speaker 3: of abuse is something that only Nelly can Nelly can

520
00:29:48,400 --> 00:29:50,440
Speaker 3: speak to because I'm not sure if you notice he

521
00:29:50,440 --> 00:29:52,520
Speaker 3: he created the trend of the band aid on the face,

522
00:29:53,160 --> 00:29:56,120
Speaker 3: which symbolizes a bump and a bruise, which is which

523
00:29:56,160 --> 00:30:00,520
Speaker 3: symbolizes a bump in the road, which symbolizes you.

524
00:30:00,480 --> 00:30:04,000
Speaker 2: Know, so this all makes sense to me. You're on

525
00:30:04,040 --> 00:30:06,440
Speaker 2: a bumpy road. You've maybe even got a band aid

526
00:30:06,520 --> 00:30:09,400
Speaker 2: on your face. You're listening to that song. They're yelling stuff.

527
00:30:09,400 --> 00:30:11,800
Speaker 2: You drown them out. You hear what you want to hear.

528
00:30:12,440 --> 00:30:14,800
Speaker 2: You hear the Nelly song and then you take a

529
00:30:14,840 --> 00:30:18,280
Speaker 2: big bite of a Cadbury cream egg and then you

530
00:30:18,320 --> 00:30:20,280
Speaker 2: look at the camera and in the script you say,

531
00:30:22,000 --> 00:30:28,360
Speaker 2: Easter's coming. To me, it seems like it should be

532
00:30:28,480 --> 00:30:29,760
Speaker 2: a headphones commercial.

533
00:30:30,560 --> 00:30:38,959
Speaker 3: Yeah, I mean it should be. Why would you think otherwise, Well, well,

534
00:30:39,080 --> 00:30:41,280
Speaker 3: it's it's seeming like it's. Oh, it's seeming like.

535
00:30:41,280 --> 00:30:44,000
Speaker 2: That and feels like maybe a Cadbury cream egg commercial.

536
00:30:44,360 --> 00:30:47,240
Speaker 3: No, because what happens is with commercial films, what they

537
00:30:47,640 --> 00:30:49,720
Speaker 3: what they allow you to do, is to speak to

538
00:30:50,360 --> 00:30:55,440
Speaker 3: what's currently going on. That that Cadbury creamegg was really

539
00:30:55,480 --> 00:31:01,360
Speaker 3: good and Easter was coming. Oh okay, you know, I'm

540
00:31:01,360 --> 00:31:03,720
Speaker 3: not gonna lie to the to the to the fans.

541
00:31:03,400 --> 00:31:06,720
Speaker 1: And act like that was not a good Cadbury kreame egg.

542
00:31:07,080 --> 00:31:10,480
Speaker 3: As good as hell and Easter is coming, you know

543
00:31:10,520 --> 00:31:12,800
Speaker 3: what I mean, Like you gotta. Had it been Halloween,

544
00:31:12,880 --> 00:31:15,000
Speaker 3: I might have looked at the camera and said trick

545
00:31:15,080 --> 00:31:18,160
Speaker 3: or treat, motherfucker. But I didn't. I didn't.

546
00:31:18,240 --> 00:31:19,920
Speaker 2: And what kind of candy are you taking a bite

547
00:31:19,920 --> 00:31:20,560
Speaker 2: of in that one?

548
00:31:20,720 --> 00:31:25,560
Speaker 3: One of those soft marshmallowy ghosts. Oh love Pep's ghosts,

549
00:31:26,320 --> 00:31:29,080
Speaker 3: Peep Peep. I was gonna take a bite out of

550
00:31:29,120 --> 00:31:32,800
Speaker 3: a peep, you know, because that would have symbolized the

551
00:31:32,800 --> 00:31:35,360
Speaker 3: fact that I can't hear a peep from all the

552
00:31:35,400 --> 00:31:37,080
Speaker 3: fans that hate me.

553
00:31:37,920 --> 00:31:44,360
Speaker 1: Now, your policy you sort of innovated using profanity in commercials, yes,

554
00:31:44,920 --> 00:31:47,880
Speaker 1: and refusing to take it out and ending up having

555
00:31:47,920 --> 00:31:50,640
Speaker 1: to pay a lot of fines for about the money

556
00:31:51,080 --> 00:31:52,880
Speaker 1: for saying motherfucker.

557
00:31:53,000 --> 00:31:55,480
Speaker 3: Not about the money. Yeah, it's not about the money

558
00:31:55,480 --> 00:31:58,600
Speaker 3: for me. Honestly, It's about truth about real life. It's

559
00:31:58,600 --> 00:32:01,560
Speaker 3: about letting these kids know because at the end of

560
00:32:01,600 --> 00:32:04,680
Speaker 3: the day, it's all about these kids. No note, express yourself.

561
00:32:05,200 --> 00:32:07,680
Speaker 3: If you feel like there's a fucking a tank, is

562
00:32:07,720 --> 00:32:10,040
Speaker 3: a shit in the tank, let it out man.

563
00:32:10,480 --> 00:32:14,000
Speaker 1: Now because it can actually be really danger Yeah. Yeah.

564
00:32:14,040 --> 00:32:18,280
Speaker 2: Now with the with the kids, you do a lot

565
00:32:18,320 --> 00:32:20,880
Speaker 2: of charity work with kids. Do you want to talk

566
00:32:20,920 --> 00:32:22,720
Speaker 2: about that at all? Do you want to speak on that.

567
00:32:22,840 --> 00:32:25,320
Speaker 3: I have a charity that I'm running. Uh, it's kind

568
00:32:25,360 --> 00:32:27,520
Speaker 3: of like the Boys and Girls Club, But it's like

569
00:32:27,640 --> 00:32:30,400
Speaker 3: it's just like the boys Club, so well, get together,

570
00:32:30,520 --> 00:32:33,880
Speaker 3: you know what I mean. He's likely drink awesome with

571
00:32:33,960 --> 00:32:34,680
Speaker 3: the little kids.

572
00:32:34,880 --> 00:32:38,480
Speaker 1: Yeah, there's nowhere for kids to do that now, Yeah.

573
00:32:38,400 --> 00:32:40,640
Speaker 3: They don't have that. They could some of them home,

574
00:32:40,720 --> 00:32:42,959
Speaker 3: and you know, I commend those parents on allowing them

575
00:32:43,000 --> 00:32:44,440
Speaker 3: to do it at home in a nice space. But

576
00:32:45,080 --> 00:32:46,640
Speaker 3: this is what we get together a large group of

577
00:32:46,680 --> 00:32:48,760
Speaker 3: kids and let them know, Hey, did I get high?

578
00:32:49,160 --> 00:32:49,640
Speaker 3: Do it here?

579
00:32:49,680 --> 00:32:49,880
Speaker 1: Man?

580
00:32:50,040 --> 00:32:53,840
Speaker 3: Do it under our supervision? You know what I mean? Yes?

581
00:32:53,960 --> 00:32:56,520
Speaker 1: And you doing it? I was really impressive. You do

582
00:32:56,560 --> 00:33:01,320
Speaker 1: it during school because schools are not safe these days,

583
00:33:01,320 --> 00:33:03,880
Speaker 1: and getting those kids into the safe space instead of

584
00:33:03,920 --> 00:33:06,200
Speaker 1: going to somewhere where they might get her exactly. It

585
00:33:06,280 --> 00:33:07,320
Speaker 1: is really admirable.

586
00:33:07,440 --> 00:33:11,760
Speaker 3: Exactly. A lot of school shootings going on, a lot

587
00:33:11,760 --> 00:33:15,040
Speaker 3: of craziness, man, and you're against that. I'm against that.

588
00:33:15,520 --> 00:33:17,040
Speaker 3: I'm against school shootings.

589
00:33:17,320 --> 00:33:19,440
Speaker 1: Speak on that. We don't want to take a position

590
00:33:19,480 --> 00:33:23,280
Speaker 1: on this show the stuff that Lemren says, like his

591
00:33:23,480 --> 00:33:25,800
Speaker 1: position on that that's your you know, just because we

592
00:33:25,880 --> 00:33:27,800
Speaker 1: have this whole network going and if we say, like

593
00:33:27,920 --> 00:33:29,200
Speaker 1: you know, we don't want to say we're for or

594
00:33:29,280 --> 00:33:30,320
Speaker 1: against school shootings.

595
00:33:30,880 --> 00:33:32,400
Speaker 3: It is I'll stand up right now.

596
00:33:32,440 --> 00:33:34,160
Speaker 1: It's a controversy right now, we know.

597
00:33:34,240 --> 00:33:35,880
Speaker 3: Well I would imagine, but I'll stand up right now.

598
00:33:35,920 --> 00:33:38,480
Speaker 3: You'll show and tell you I'm against school shootings. I

599
00:33:38,520 --> 00:33:40,240
Speaker 3: don't care. I don't care who has anything to say

600
00:33:40,240 --> 00:33:40,640
Speaker 3: about it.

601
00:33:41,360 --> 00:33:43,520
Speaker 2: I don't care, and we won't have anything to say

602
00:33:43,560 --> 00:33:46,760
Speaker 2: about it because we're neither against nor for school shootings.

603
00:33:47,640 --> 00:33:50,040
Speaker 2: There are a lot of good ars that they happen,

604
00:33:50,360 --> 00:33:52,080
Speaker 2: and we want to hear both sides of it, a

605
00:33:52,120 --> 00:33:53,960
Speaker 2: lot of good art decisions on both sides.

606
00:33:54,440 --> 00:33:55,120
Speaker 3: I'm biased.

607
00:33:55,880 --> 00:33:57,760
Speaker 1: Should we dig into the popcorn gallery?

608
00:33:57,880 --> 00:34:01,880
Speaker 2: Yes, let's get in there. Oh wait, I'm sorry, I

609
00:34:01,920 --> 00:34:05,560
Speaker 2: think we add one more commercial thing where you've actually

610
00:34:05,560 --> 00:34:11,280
Speaker 2: gotten a very lucrative offer to be the Domino's pizza tracker. Right, Yes,

611
00:34:11,960 --> 00:34:15,000
Speaker 2: I guess the way that's supposed to work is people

612
00:34:15,120 --> 00:34:19,600
Speaker 2: call you and you sort of let them know what's

613
00:34:19,640 --> 00:34:20,720
Speaker 2: going on with their pizza.

614
00:34:20,960 --> 00:34:21,160
Speaker 1: Yeah.

615
00:34:21,360 --> 00:34:26,759
Speaker 2: Yeah, okay, So let's right now, bring you inside that

616
00:34:26,880 --> 00:34:42,400
Speaker 2: Domino's pizza commercial. Okay. Beepop boop bee boopo breing Hello, Hello, lemarn,

617
00:34:42,640 --> 00:34:45,440
Speaker 2: Yes me, what's up? Hey? I ordered my pizza?

618
00:34:45,920 --> 00:34:46,040
Speaker 1: Uh?

619
00:34:46,480 --> 00:34:49,239
Speaker 2: I don't know, like fifteen minutes ago, you did?

620
00:34:49,320 --> 00:34:49,640
Speaker 1: You did?

621
00:34:49,680 --> 00:34:49,879
Speaker 2: Hold?

622
00:34:50,800 --> 00:34:55,200
Speaker 1: Hold? You get?

623
00:34:55,239 --> 00:34:56,680
Speaker 3: What'd you get your pizza? You get?

624
00:34:57,840 --> 00:34:58,040
Speaker 1: Yeah?

625
00:34:58,080 --> 00:35:03,719
Speaker 2: Pepperoni, green peppers and the green peppers. Yes, all the

626
00:35:03,760 --> 00:35:04,719
Speaker 2: flavors that we like.

627
00:35:05,160 --> 00:35:08,319
Speaker 3: So is uh a boy in your house right now?

628
00:35:08,320 --> 00:35:09,359
Speaker 3: You still live at the same place?

629
00:35:09,840 --> 00:35:12,520
Speaker 2: Bring it back? Yeah, same place I lived. I called

630
00:35:12,920 --> 00:35:14,000
Speaker 2: yea cool? Cool?

631
00:35:14,040 --> 00:35:17,160
Speaker 3: Cool he should be to assume you'll dope every No dogs,

632
00:35:17,160 --> 00:35:18,520
Speaker 3: nothing like that. So you could just come right on,

633
00:35:19,000 --> 00:35:19,719
Speaker 3: knock on the door and.

634
00:35:20,120 --> 00:35:22,680
Speaker 2: Cool I have I do have a dog and he

635
00:35:22,719 --> 00:35:23,560
Speaker 2: can knock on the door.

636
00:35:23,640 --> 00:35:27,239
Speaker 3: You okay, cool, will come me back. If anything, it

637
00:35:27,239 --> 00:35:28,359
Speaker 3: should be a text dog don't call.

638
00:35:28,360 --> 00:35:35,040
Speaker 2: Me okay, all right, have a good sleep, lamorn to me.

639
00:35:35,160 --> 00:35:35,880
Speaker 2: That's the winner.

640
00:35:39,360 --> 00:35:42,680
Speaker 1: And how much did you end up uh taking home

641
00:35:42,719 --> 00:35:43,720
Speaker 1: for that spot?

642
00:35:43,800 --> 00:35:46,840
Speaker 3: For that that spot, let's say I owe them about

643
00:35:48,640 --> 00:35:52,399
Speaker 3: fourteen I had fourteen hundred pizzas for I owe them

644
00:35:52,400 --> 00:35:54,200
Speaker 3: fourteen hundred pizzas for that one.

645
00:35:55,200 --> 00:35:57,760
Speaker 1: Let's dig into the Popcorn Gallery. This is a segment

646
00:35:57,800 --> 00:36:02,640
Speaker 1: where we have some fans of ours who are fans

647
00:36:02,640 --> 00:36:04,120
Speaker 1: of yours who are listening to our show, and they

648
00:36:04,160 --> 00:36:07,600
Speaker 1: have questions for you. They've submitted them to us. It's

649
00:36:07,640 --> 00:36:11,080
Speaker 1: like the Peanut Gallery, but at movies one of the

650
00:36:11,080 --> 00:36:14,840
Speaker 1: most popular food that they sell is popcorn, and so

651
00:36:14,920 --> 00:36:17,520
Speaker 1: we've named this segment the Popcorn Gallery. It's sort of

652
00:36:17,520 --> 00:36:18,799
Speaker 1: a play at.

653
00:36:18,719 --> 00:36:21,520
Speaker 2: The Peanut Gallery. People don't eat peanuts at the movies

654
00:36:21,760 --> 00:36:23,200
Speaker 2: as much as they eat popcorn.

655
00:36:23,400 --> 00:36:25,240
Speaker 3: I eat more almonds at the movies.

656
00:36:25,440 --> 00:36:28,480
Speaker 2: Okay, so is that the segment? So is it the

657
00:36:28,520 --> 00:36:29,960
Speaker 2: almond Gallery this week?

658
00:36:30,520 --> 00:36:37,040
Speaker 3: Maybe chocolate covered almonds from the Yarclight? Fuck the arc Light?

659
00:36:37,880 --> 00:36:40,200
Speaker 3: They maybe miss a movie once, and I'm so mad

660
00:36:40,200 --> 00:36:40,680
Speaker 3: at I'm.

661
00:36:40,520 --> 00:36:42,560
Speaker 2: Sorry speak on that. What happened at the Ark?

662
00:36:42,920 --> 00:36:44,759
Speaker 3: Let me tell you, man. I went to the arc Light,

663
00:36:44,800 --> 00:36:47,440
Speaker 3: and I think I was trying to watch it was

664
00:36:47,480 --> 00:36:51,040
Speaker 3: one of those like what names of like inspirational black

665
00:36:51,080 --> 00:36:53,759
Speaker 3: movies that have come out recently, The Help. Nope, I

666
00:36:53,760 --> 00:36:57,480
Speaker 3: didn't see that one. Was it The Butler? Not Butler? Yeah, No,

667
00:36:58,040 --> 00:37:00,400
Speaker 3: it might have been the No, it was something later. Anyway,

668
00:37:00,520 --> 00:37:04,239
Speaker 3: I was trying to go see this movie and and

669
00:37:04,360 --> 00:37:10,960
Speaker 3: I get there and Avatar Avatar Nope. And I couldn't

670
00:37:11,560 --> 00:37:13,680
Speaker 3: wait in line for a very long time, and the

671
00:37:13,719 --> 00:37:15,719
Speaker 3: machines were broken, and I was like, okay, I got

672
00:37:15,760 --> 00:37:19,320
Speaker 3: ten minutes. One guy goes, come over here, come over here,

673
00:37:19,480 --> 00:37:21,160
Speaker 3: and I go, okay, great, I want to see this movie.

674
00:37:21,160 --> 00:37:23,719
Speaker 3: He goes, oh, man, it's starting in six minutes or

675
00:37:23,719 --> 00:37:25,799
Speaker 3: five minutes. I can't let you in. I'm like, it's

676
00:37:25,840 --> 00:37:27,640
Speaker 3: starting in five minutes. I can get to my seat

677
00:37:27,640 --> 00:37:29,680
Speaker 3: in five minutes and I'm with my girl at the time,

678
00:37:30,320 --> 00:37:32,759
Speaker 3: and they would not let me in. I move over

679
00:37:32,840 --> 00:37:35,399
Speaker 3: to another guy the movie it's about a minute away,

680
00:37:35,440 --> 00:37:39,000
Speaker 3: and the guy goes, ah, man, I would have I

681
00:37:39,040 --> 00:37:41,040
Speaker 3: would have let you in. You know, if you've been

682
00:37:41,080 --> 00:37:43,360
Speaker 3: here at five minutes, say maybe, but now it's like

683
00:37:43,400 --> 00:37:46,680
Speaker 3: one minute. I'm like, well, that guy right there just

684
00:37:46,719 --> 00:37:48,319
Speaker 3: told me it was five minutes and he couldn't let

685
00:37:48,360 --> 00:37:50,799
Speaker 3: me in. He was like, everyone's different, you know. I'm like,

686
00:37:50,800 --> 00:37:52,600
Speaker 3: so oh, so he just used his own discretion and

687
00:37:52,680 --> 00:37:54,560
Speaker 3: just felt like I don't want to let him in

688
00:37:54,640 --> 00:37:57,360
Speaker 3: because I feel like, as a moviegoer, if you walked in,

689
00:37:57,400 --> 00:37:59,320
Speaker 3: you would disturb my beginning.

690
00:37:58,880 --> 00:38:01,759
Speaker 1: Of the of the film that pissed me off and

691
00:38:01,960 --> 00:38:03,919
Speaker 1: was at the end of that relationship.

692
00:38:04,400 --> 00:38:06,080
Speaker 3: Yeah, I haven't been back to that theater since.

693
00:38:07,600 --> 00:38:08,839
Speaker 2: And why'd you make that up?

694
00:38:10,120 --> 00:38:14,160
Speaker 3: That's true? Okay, that's what It just seems a little

695
00:38:14,280 --> 00:38:16,719
Speaker 3: far fetched, but that's one hundred percent. So I go

696
00:38:16,760 --> 00:38:21,680
Speaker 3: to the AMC AMC theaters located it, the Grove located it.

697
00:38:23,360 --> 00:38:25,040
Speaker 1: They don't know a lot of the people who listen

698
00:38:25,280 --> 00:38:29,319
Speaker 1: to this, I guess live in like states like Wyoming

699
00:38:29,360 --> 00:38:30,399
Speaker 1: and AMC.

700
00:38:30,200 --> 00:38:31,000
Speaker 3: Theaters over there.

701
00:38:31,080 --> 00:38:36,120
Speaker 1: No, they just go they watch movies standing outside of sears. Yes,

702
00:38:36,239 --> 00:38:37,000
Speaker 1: they play them on.

703
00:38:37,040 --> 00:38:39,879
Speaker 2: They see the movies about two years later, and they

704
00:38:39,920 --> 00:38:42,200
Speaker 2: watch them on a bunch of screens with no volume,

705
00:38:42,800 --> 00:38:44,960
Speaker 2: and they stand in the TV section of a sears.

706
00:38:46,600 --> 00:38:49,319
Speaker 2: And that's all over Wyoming and some of the other

707
00:38:49,360 --> 00:38:51,680
Speaker 2: shitty states where people listen to this, but it's fun

708
00:38:51,680 --> 00:38:53,239
Speaker 2: for them to get it with no end to a

709
00:38:53,239 --> 00:38:55,719
Speaker 2: place where you can actually go to a movie theater.

710
00:38:55,640 --> 00:38:56,760
Speaker 1: Buy a ticket and.

711
00:38:56,840 --> 00:39:00,640
Speaker 2: See buy a ticket by popcorn or possibly and and

712
00:39:00,760 --> 00:39:02,200
Speaker 2: get into it.

713
00:39:02,200 --> 00:39:04,320
Speaker 3: I'm sorry about that for all those who out in Wyoming.

714
00:39:04,320 --> 00:39:06,359
Speaker 3: This is movie coming out called I Robi. Y'all should

715
00:39:06,400 --> 00:39:09,360
Speaker 3: check it out. It's gonna be hot William Smith.

716
00:39:09,920 --> 00:39:13,480
Speaker 1: Anyway, Well, let's uh, let's reach into the chocolate covered

717
00:39:13,480 --> 00:39:21,800
Speaker 1: almond bag. This is a question from our listener, Gregy.

718
00:39:22,320 --> 00:39:26,160
Speaker 1: Gregy asks mister Morris, do you make a lot of money?

719
00:39:28,600 --> 00:39:31,000
Speaker 3: Is he serious? Let me tell you how I woke

720
00:39:31,080 --> 00:39:35,680
Speaker 3: up today. It's a Brazilian girl. I'm right, it's a

721
00:39:35,719 --> 00:39:39,840
Speaker 3: Puerto Rican girl on my left. That's how I woke up. Wow,

722
00:39:40,719 --> 00:39:44,040
Speaker 3: And they ain't cheap. They're the most expensive.

723
00:39:44,120 --> 00:39:46,800
Speaker 2: Yeah, those are the two most expensive kinds of girls.

724
00:39:46,880 --> 00:39:51,359
Speaker 3: Yeah, Brazilian, Puerto Rican Man. Because you don't just feed them,

725
00:39:51,360 --> 00:39:52,760
Speaker 3: you gotta feed their families.

726
00:39:52,400 --> 00:39:54,400
Speaker 1: Too, very big families.

727
00:39:54,400 --> 00:39:57,160
Speaker 3: Culturally, Yeah, culturally it's like having It's like giving a

728
00:39:57,160 --> 00:40:00,680
Speaker 3: dowry just for sex. I don't I want to marry you.

729
00:40:00,760 --> 00:40:03,640
Speaker 3: I just want you to leave. Gives them money of

730
00:40:03,640 --> 00:40:03,920
Speaker 3: a goat.

731
00:40:05,280 --> 00:40:09,040
Speaker 1: Well, that's a good answer to that question. Here's a

732
00:40:09,160 --> 00:40:13,799
Speaker 1: question from show show bro La marn best band ever?

733
00:40:14,000 --> 00:40:15,200
Speaker 1: Eagles are Tom Petty?

734
00:40:15,320 --> 00:40:15,840
Speaker 3: Coldplay?

735
00:40:16,360 --> 00:40:20,080
Speaker 1: Next, here's a question from Chanson.

736
00:40:20,520 --> 00:40:23,080
Speaker 3: Actually, you know, I take that pet Eagles.

737
00:40:25,239 --> 00:40:25,759
Speaker 1: That's right.

738
00:40:26,719 --> 00:40:28,920
Speaker 3: That's the right answer. Yes, okay, cool.

739
00:40:29,000 --> 00:40:30,839
Speaker 2: And I'll and I would take it one step further

740
00:40:30,920 --> 00:40:35,560
Speaker 2: and actually say Tom Petty that's also right.

741
00:40:36,160 --> 00:40:39,240
Speaker 3: Then I would I would take it another step further.

742
00:40:39,640 --> 00:40:42,879
Speaker 3: They go Who are those guys? That's what makes them

743
00:40:42,920 --> 00:40:43,440
Speaker 3: so good?

744
00:40:43,960 --> 00:40:46,239
Speaker 1: You know, it's the kind of thing where if you

745
00:40:46,320 --> 00:40:49,880
Speaker 1: know a band's name, they're not doing it ray exactly.

746
00:40:50,000 --> 00:40:52,160
Speaker 1: You know, you don't want to know who they.

747
00:40:52,080 --> 00:40:54,960
Speaker 4: Are exactly, because then it's not about the music. It's

748
00:40:54,960 --> 00:40:58,440
Speaker 4: about the name of the something. You people focus on

749
00:40:58,480 --> 00:41:01,759
Speaker 4: that too much. Yes, what does it mean? What does

750
00:41:01,760 --> 00:41:03,800
Speaker 4: a death cab mean for beauty?

751
00:41:04,440 --> 00:41:06,640
Speaker 1: That's kind of scary, Like I won't listen to them

752
00:41:06,640 --> 00:41:09,759
Speaker 1: because like it's such a scary idea death cab.

753
00:41:09,880 --> 00:41:12,759
Speaker 2: It's terrifying. And I listened to music to escape, and

754
00:41:12,800 --> 00:41:16,000
Speaker 2: I listen to music to center, and I don't listen

755
00:41:16,000 --> 00:41:18,560
Speaker 2: to it to feel scared, like as if I'm looking

756
00:41:18,600 --> 00:41:20,000
Speaker 2: at a Frankenstein or something.

757
00:41:20,000 --> 00:41:22,440
Speaker 1: I don't want a song to send shivers down my spine,

758
00:41:22,560 --> 00:41:23,160
Speaker 1: you know what I mean?

759
00:41:23,360 --> 00:41:27,840
Speaker 3: You speak on that shivers a song by Colblay, you.

760
00:41:27,840 --> 00:41:31,600
Speaker 1: Want to sing it, do your shiver?

761
00:41:35,000 --> 00:41:36,400
Speaker 3: I mean, you have it in your computer. You can

762
00:41:36,440 --> 00:41:38,480
Speaker 3: probably tell me if I'm wunky or not. You know,

763
00:41:38,680 --> 00:41:39,880
Speaker 3: I don't do music anymore.

764
00:41:39,920 --> 00:41:43,440
Speaker 1: That's what iTunes shows me and says that you're on key. Yeah. Yeah, man,

765
00:41:47,560 --> 00:41:52,440
Speaker 1: here's a question from Chansen. Well morn, since you're in Hollywood,

766
00:41:52,440 --> 00:41:54,080
Speaker 1: who is your favorite Jewish person?

767
00:41:54,719 --> 00:41:57,080
Speaker 3: I have a question for Chansen. Is that your real name?

768
00:41:57,800 --> 00:42:00,600
Speaker 1: I think that is actually his real name, and I

769
00:42:00,600 --> 00:42:02,160
Speaker 1: think it's on his license plate.

770
00:42:02,840 --> 00:42:04,879
Speaker 3: On his license plate, so that makes it legit. Yeah,

771
00:42:04,960 --> 00:42:09,240
Speaker 3: all right, Chanson, who's my favorite Jewish person? Jewish person

772
00:42:09,320 --> 00:42:10,000
Speaker 3: in Hollywood?

773
00:42:10,840 --> 00:42:13,880
Speaker 1: Or it doesn't say in Hollywood and in general, I

774
00:42:13,880 --> 00:42:15,440
Speaker 1: guess it can also be from history.

775
00:42:16,320 --> 00:42:23,160
Speaker 3: Oh man, oh man. Uh, there's a guy named Jeremy. Man, Jeremy,

776
00:42:23,239 --> 00:42:26,360
Speaker 3: Jeremy and get you anything. You mean, you got a problem,

777
00:42:26,400 --> 00:42:29,040
Speaker 3: you got a headache, you got like this bump on

778
00:42:29,080 --> 00:42:31,520
Speaker 3: your and you don't want to go to the hospital.

779
00:42:31,640 --> 00:42:33,040
Speaker 3: Do you want a guy that come over and check

780
00:42:33,040 --> 00:42:33,600
Speaker 3: it out? Jeremy?

781
00:42:33,680 --> 00:42:33,800
Speaker 1: Know what?

782
00:42:33,840 --> 00:42:35,640
Speaker 3: Guy didn't come over and check it out? And it

783
00:42:35,680 --> 00:42:37,640
Speaker 3: goes through your insurance too, So it's good.

784
00:42:38,000 --> 00:42:40,720
Speaker 1: Last thing you want is when you get a bump

785
00:42:40,760 --> 00:42:44,960
Speaker 1: on your uh, to go to the hospital and TMC

786
00:42:45,200 --> 00:42:48,640
Speaker 1: is there next morning. Guess who's got a bump on

787
00:42:48,719 --> 00:42:52,280
Speaker 1: his lamarn does exactly.

788
00:42:52,360 --> 00:42:54,000
Speaker 3: You don't want that, you don't want You don't want

789
00:42:54,000 --> 00:42:56,320
Speaker 3: those kinds of problems. So you call Jeremy, and Jeremy

790
00:42:56,360 --> 00:42:58,440
Speaker 3: be like, man, look, I can take care of you

791
00:42:58,680 --> 00:43:00,759
Speaker 3: myself if you want me to. Or I know a

792
00:43:00,800 --> 00:43:04,160
Speaker 3: guy you know, and he can go right through your insurance.

793
00:43:03,800 --> 00:43:06,040
Speaker 2: And it goes through your insurance. It sounds like Jeremy

794
00:43:06,040 --> 00:43:06,720
Speaker 2: knows a doctor.

795
00:43:07,239 --> 00:43:08,399
Speaker 3: Yeah, yep.

796
00:43:10,000 --> 00:43:12,360
Speaker 1: The chances. Follow up question is that, why don't you

797
00:43:12,520 --> 00:43:15,320
Speaker 1: like all of them?

798
00:43:15,440 --> 00:43:20,280
Speaker 3: I know another guy. I know another guy, Benny. Benny's

799
00:43:20,280 --> 00:43:25,480
Speaker 3: a real asshole. Now, yeah he is Jewish, right, you

800
00:43:25,480 --> 00:43:29,400
Speaker 3: know what I mean? Betty don't know nobody. So you

801
00:43:29,480 --> 00:43:31,480
Speaker 3: got a problem. You can't go to Betty because you're

802
00:43:31,480 --> 00:43:33,239
Speaker 3: like Benny. Man, I'm like, I broke up with my

803
00:43:33,280 --> 00:43:36,239
Speaker 3: girl and my head hurts, and you know I got

804
00:43:36,360 --> 00:43:39,000
Speaker 3: I'm sick of at this bump of my room. Benny's like,

805
00:43:40,800 --> 00:43:46,000
Speaker 3: Betty just goes go get pizza. Hey, Betty, Benny don't

806
00:43:46,000 --> 00:43:49,360
Speaker 3: pay for nothing. Betty's cheap. That's not that's not a

807
00:43:49,400 --> 00:43:51,680
Speaker 3: play on, you know, the whole Jewish stereotype.

808
00:43:51,719 --> 00:43:54,359
Speaker 1: This is Benny's broke, but him eating pizza is sort

809
00:43:54,400 --> 00:43:57,640
Speaker 1: of a play like Jewish guys are already.

810
00:43:58,520 --> 00:44:04,240
Speaker 3: Geeze the pipperon, very Jewish, very Jewish, that little stuff.

811
00:44:04,360 --> 00:44:09,719
Speaker 1: Chris La Mauren, thank you so much for joining us

812
00:44:09,719 --> 00:44:10,240
Speaker 1: on the show.

813
00:44:10,320 --> 00:44:11,040
Speaker 3: Thanks for having me.

814
00:44:11,080 --> 00:44:13,640
Speaker 1: Man. Do you have anything you'd like to plug.

815
00:44:15,280 --> 00:44:19,719
Speaker 3: I'm about to do a fourteen hundred city tour, yeah,

816
00:44:19,840 --> 00:44:23,399
Speaker 3: to promote my new book. Wow. My book is called

817
00:44:23,440 --> 00:44:26,600
Speaker 3: how to Be in a Successfully Failed Relationship.

818
00:44:28,400 --> 00:44:32,879
Speaker 1: I got a chance to read it. It's very long, yeah,

819
00:44:32,880 --> 00:44:34,600
Speaker 1: but it couldn't really be any shorter.

820
00:44:34,800 --> 00:44:37,960
Speaker 3: It couldn't, you know, because it chronicles every type of

821
00:44:37,960 --> 00:44:41,520
Speaker 3: woman that I've dated, and there's a lot, you know,

822
00:44:41,560 --> 00:44:44,640
Speaker 3: and all types, and why they most of them were whores,

823
00:44:45,560 --> 00:44:49,960
Speaker 3: and how to be in that relationship when it's clearly failed,

824
00:44:50,160 --> 00:44:53,080
Speaker 3: and how to get out of that relationship. How it's

825
00:44:53,239 --> 00:44:55,799
Speaker 3: the art of self sabotage. It teaches you.

826
00:44:56,200 --> 00:44:58,520
Speaker 2: Now, as a follow up, we did give most of

827
00:44:58,560 --> 00:45:04,880
Speaker 2: your phone number out our Jake Johnson episode. Has that

828
00:45:04,920 --> 00:45:06,160
Speaker 2: caused any problems for you?

829
00:45:08,560 --> 00:45:13,399
Speaker 3: A lot of well, well, part of my book, part

830
00:45:13,400 --> 00:45:15,360
Speaker 3: of my book in the Art of Self sabotage. A

831
00:45:15,400 --> 00:45:18,640
Speaker 3: lot of it had a lot to do with outside circumstances.

832
00:45:18,640 --> 00:45:20,480
Speaker 3: One of those circumstances being the fact that you guys

833
00:45:20,520 --> 00:45:22,640
Speaker 3: gave out part of my phone number. So I had

834
00:45:22,680 --> 00:45:25,920
Speaker 3: all kinds of people calling me at strange hours, you

835
00:45:25,960 --> 00:45:28,319
Speaker 3: know what I mean, which really upset my girl. She

836
00:45:28,520 --> 00:45:31,080
Speaker 3: left me, you know, to somebody with a less known

837
00:45:31,160 --> 00:45:35,200
Speaker 3: phone number, and so it caused problems in that I

838
00:45:35,480 --> 00:45:37,719
Speaker 3: can't go down the street without somebody going, oh, it's

839
00:45:37,800 --> 00:45:39,759
Speaker 3: up three to one, oh, and I'm like Damn man,

840
00:45:39,760 --> 00:45:42,080
Speaker 3: it's hard. It really is hard. I'm not known, as

841
00:45:42,120 --> 00:45:43,640
Speaker 3: you know, for who I want to be known as

842
00:45:43,920 --> 00:45:47,279
Speaker 3: commercial artists. I'm more known as that. That's the three one.

843
00:45:47,320 --> 00:45:50,280
Speaker 3: Oh dude. You know it sucks that everybody knows yourrier

844
00:45:50,360 --> 00:45:52,600
Speaker 3: code and the last four digits of your number.

845
00:45:53,000 --> 00:45:55,360
Speaker 1: Well, we're sorry that Jack Johnson did that to you.

846
00:45:56,080 --> 00:45:57,120
Speaker 3: Jack is a real asshole.

847
00:45:57,239 --> 00:46:00,239
Speaker 1: We had to run it because it's just good for

848
00:46:00,320 --> 00:46:01,480
Speaker 1: the CHET, it's better for the.

849
00:46:01,480 --> 00:46:04,719
Speaker 2: Chefs journalists, as responsible journalists. It was important.

850
00:46:05,200 --> 00:46:07,960
Speaker 1: But we couldn't really cut it out. That would be dishonest.

851
00:46:07,960 --> 00:46:09,680
Speaker 1: And I know you wouldn't like that.

852
00:46:09,800 --> 00:46:11,480
Speaker 3: No, I would. You know what I mean, because again,

853
00:46:11,520 --> 00:46:13,360
Speaker 3: you guys are sentered in truth and I know and

854
00:46:13,400 --> 00:46:16,080
Speaker 3: I know Sean from a place of truth. Yes, you

855
00:46:16,120 --> 00:46:16,560
Speaker 3: know what I mean.

856
00:46:16,600 --> 00:46:19,880
Speaker 2: And yes the iron Man LG phone commercial.

857
00:46:19,480 --> 00:46:22,360
Speaker 3: That's right, I mean, which in my opinion, was one

858
00:46:22,400 --> 00:46:25,320
Speaker 3: of the greatest things I'd ever seen. Sure, his his

859
00:46:25,320 --> 00:46:28,600
Speaker 3: his acting was so believable because what you stop it.

860
00:46:29,000 --> 00:46:30,719
Speaker 3: What happens in the commercial if you haven't seen it,

861
00:46:30,760 --> 00:46:33,360
Speaker 3: is that iron Man is behind him.

862
00:46:33,960 --> 00:46:34,560
Speaker 2: We were there.

863
00:46:35,200 --> 00:46:37,640
Speaker 3: He wasn't really behind him, you know, That's why they

864
00:46:37,640 --> 00:46:40,320
Speaker 3: didn't use cutaways to the other actors because they knew

865
00:46:40,560 --> 00:46:43,080
Speaker 3: we weren't believable and we weren't grounded in truth. Sewan

866
00:46:43,160 --> 00:46:45,040
Speaker 3: was grounded in truth and that was my first listen

867
00:46:45,280 --> 00:46:47,640
Speaker 3: my first lesson on being grounded in truth.

868
00:46:47,719 --> 00:46:49,520
Speaker 2: You guys, I'm getting embarrassed.

869
00:46:49,960 --> 00:46:56,080
Speaker 1: You're getting hard dude, greatest on iTunes, talk to us

870
00:46:56,080 --> 00:46:59,040
Speaker 1: on our forums. Please buy the pro version of our podcast.

871
00:46:59,600 --> 00:47:03,960
Speaker 1: Skiz bought the pro version last week and as part

872
00:47:04,000 --> 00:47:07,160
Speaker 1: of his bonus, he gets a medical advice from Lamour

873
00:47:07,239 --> 00:47:09,000
Speaker 1: and Morris for Schizolo.

874
00:47:09,760 --> 00:47:13,200
Speaker 3: Honestly, bro like, alcohol gets rid of everything. You got

875
00:47:13,200 --> 00:47:15,759
Speaker 3: a problem, Dip it in alcohol. She ain't smelling right,

876
00:47:15,920 --> 00:47:18,640
Speaker 3: dip her in alcohol. You know a lot of times

877
00:47:18,680 --> 00:47:22,560
Speaker 3: people focus so much of their attention on prevention. Yes,

878
00:47:22,800 --> 00:47:27,080
Speaker 3: I'm not about prevention. I'm about forgiveness. You know what

879
00:47:27,080 --> 00:47:30,279
Speaker 3: I mean? Yes, like, oh, should have done that?

880
00:47:30,520 --> 00:47:33,280
Speaker 2: Ask for forgiveness, not for prevention. Yeah, exactly.

881
00:47:33,680 --> 00:47:35,279
Speaker 3: So if you had a problem, man, just rub some

882
00:47:35,320 --> 00:47:37,759
Speaker 3: rubbing alcohol on it. You don't got that at home,

883
00:47:38,440 --> 00:47:42,160
Speaker 3: you know, little little vodka might do the trick. Little

884
00:47:42,160 --> 00:47:46,360
Speaker 3: whiskey perhaps, Bye bye.

885
00:47:50,880 --> 00:47:57,040
Speaker 1: Ham.

886
00:47:57,080 --> 00:48:00,000
Speaker 6: This has been an Earwook Media production. Executive producers Jeff

887
00:48:00,040 --> 00:48:12,520
Speaker 6: Alrick and Scott Ackerman. For more information, visit earwolf dot com.

888
00:48:07,800 --> 00:48:18,560
Speaker 3: Ear Warf Radio Boom dot com, The worf Dead