1
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Speaker 1: Hit the back flip and then dipped up the sex.

2
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Speaker 1: Your girl having sex. She looking at me like, lows

3
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Speaker 1: what we're doing next? We might play the mox. Yeah,

4
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Speaker 1: I got one from my ex. That's the egg box.

5
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Speaker 1: I picked the door locks nigga soon hot, I take

6
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Speaker 1: a shot of the motherfucking gin again. I'm gonna win

7
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Speaker 1: putting the dig all day. Enough wind now once again

8
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Speaker 1: when I come with some more, kick in the front

9
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Speaker 1: door and turn on the stereo. Hey, I meant to

10
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Speaker 1: say turn the radio own, but you ain't gonna even

11
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Speaker 1: be on that bitch A tattoo on your arm of

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Speaker 1: your mom, I mean you no harm. If I'm a

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Speaker 1: walk up and I'm coming with some armajm, I might

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Speaker 1: order pieces. I might get to the more you black.

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Speaker 1: It's cheaper right. Yeah, I got the cute party they

16
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Speaker 1: got onto that ship, Ludy John's dirty Berger. Get the

17
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Speaker 1: fucking warned early my flow ready and Mary got that

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Speaker 1: word slavery record is Demomitions of Derby. If a routs

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Speaker 1: of Herbie Kirby, I left him on the journey Hospitals,

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Speaker 1: Devil's Advocate, excellent attorney love Craft Country, I get neked

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Speaker 1: on the journey my ball's d I'm pulling out my dick,

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Speaker 1: Gregory chain saw Nasterka milling and face leather Defessorvey Hat

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Speaker 1: go back starter. Jack is a damn coup n little

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Speaker 1: greet So everything got the sound four eyes that second

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Speaker 1: half I've been around Smoke, King of Pop, Trooper ball

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Speaker 1: Shot and then the Crown Group, Brown Focus, something that

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Speaker 1: ets from slavery and I'm a ball wherever Ohio players

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Speaker 1: Rea prayers to the church on the boom. I mastered it.

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Speaker 1: They were put disaster niggas blast from his Wolf. Okay, yeah,

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Speaker 1: okayes boes niggat and I has never seen in the

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Speaker 1: time I see him. Were on a different scene. Hey

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Speaker 1: you know what I mean? Why don't I speak from

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Speaker 1: the bay with them? Y'all of beans inside of that

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Speaker 1: sing mixed you the same that I've seen them, type

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Speaker 1: of niggative whining. Jackon fans to flip the jeans and

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Speaker 1: keep it clean and pull up just what you need

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Speaker 1: and then hit it all in the spleen with the pen.

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Speaker 1: You seing the scene with the pain all of it,

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Speaker 1: pleaing with the pen. Had an old chick named Janie.

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Speaker 1: She kept her house clean. She made a whole lot

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Speaker 1: of college grad Come on. That ship had a lot

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Speaker 1: of stand Come on, she took the pot off the top,

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Speaker 1: top off the pot. His name Scott. Come on, I'm

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Speaker 1: on live right now on my I gan doing it.

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Speaker 1: I putting out that smoke as my face. I'm getting

46
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Speaker 1: contact will not gonna. I'm telling you, man, because I'd

47
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Speaker 1: be in the kid. You're trying to fry chicken wing

48
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Speaker 1: and ship red in the hot sung to keep it real.

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Speaker 1: Just is nigga ship because that's how I really feel.

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Speaker 1: You got a headache, take a head bill and then

51
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Speaker 1: take a nap, and then really chilli. I mean I

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Speaker 1: stayed highing in the light bill. You even know what

53
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Speaker 1: that is. That's the biggest bill most niggas got. It

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Speaker 1: ain't really been the same since Pop got shot. Y'all

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Speaker 1: be letting niggas get away with everything. Seeing the niggas

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Speaker 1: grab the nigga person touches three stout, y'all. See why, man,

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Speaker 1: a little bro, I did your trap? Ship? Man, this

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Speaker 1: as supposed to be. We got all types of things

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Speaker 1: going on in here today. You know what I'm saying.

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Speaker 1: We got a lot to celebrate. Just found out eighty

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Speaker 1: five South Show was rated the blackest show on Earth.

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Speaker 1: This is the blackest show. I want this show black

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Speaker 1: is hell? Comment were in here? You know what? Today

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Speaker 1: we got some very special guests in the trap with

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Speaker 1: us today. I don't know if you have been in

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Speaker 1: jail for the last twelve fifteen summers or if the

67
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Speaker 1: TV just been broken, you just don't watch ship what

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Speaker 1: people are doing great things. But this is nigg right

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Speaker 1: here has been part of a lot of great black legs,

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Speaker 1: from the movies, to the television show to the Impressions two.

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Speaker 1: So train to Wilding, now to ship, Meet the Blacks,

72
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Speaker 1: Meet the Blacks again. Actually I wasn't in there. Oh well,

73
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Speaker 1: they should have put you in the ship Wilding now

74
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Speaker 1: a little now, think it was on the first episode

75
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Speaker 1: before it was the episode ladies to get hit with us?

76
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Speaker 1: Who this goes on? And though your lix goes on

77
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Speaker 1: in though big fan, uh my man, Brady Lewis is

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Speaker 1: a him with us today. Don't act like you don't

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Speaker 1: see him all over in the talking s things of

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Speaker 1: that nature. And then we got America's favorite hood chick,

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Speaker 1: MoMA is in here with us too. You see how

82
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Speaker 1: I put this ship together. There's such a well rounded cast.

83
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Speaker 1: The first of all, this is your first time in

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Speaker 1: the trap, so welcome to the trap. Marvin Gate is

85
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Speaker 1: in attendance with us today. Also my forever coast. I

86
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Speaker 1: don't even need to turn around and look. Marvin is

87
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Speaker 1: always in my soul, so I appreciate this presence. Yeah

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Speaker 1: right here, man, what's been going on? How you living?

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Speaker 1: I'm living good man. Pandemic been good to me. I'm

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Speaker 1: still I'm healthy. Hell yeah, free as a motherfucker. Been

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Speaker 1: seeing you popping in in on all these interviewers giving

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Speaker 1: the backstories, and I was up late watching Soul trained

93
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Speaker 1: clips and ship like that, Like what's the ship? You did?

94
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Speaker 1: Like the TV wanted some ship, Like, nig what ain't

95
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Speaker 1: you talking about? This? Didn't come out doing this ship?

96
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Speaker 1: I was like, Spaghettibody, Hey, ain't your Apollo clip that

97
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Speaker 1: went viral on Facebook again this week? Heavy man? Yeah,

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Speaker 1: so you got a lot of history, But how did

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Speaker 1: you get started with the entertainment? Dancing? Really, dancing has

100
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Speaker 1: always been my my my thing, and dancing is what

101
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Speaker 1: put me on stage first. Yeah. So by the time

102
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Speaker 1: Death Comedy Jam came around, I saw I saw hip

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Speaker 1: hop and comedy merge and the hip hop I was

104
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Speaker 1: there part of that. The only missing link was was

105
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Speaker 1: comedy for me. So when I saw comedians like Cool

106
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Speaker 1: Bubba Ice going then, and at the time, I wasn't

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Speaker 1: a comedian. I didn't even I didn't even know I

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Speaker 1: could do comedy. It wasn't an aspiration. But when I

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Speaker 1: saw him go on and do all impressions, I was like, oh, Ship,

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Speaker 1: I've been doing voices since I was a kid. I'm

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Speaker 1: a dancer. I know how to work a stage. So

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Speaker 1: I just started trying Ship and uh, and that's how

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Speaker 1: I got in. Man, you've been killing it with the impression.

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Speaker 1: What's the number on it now? Like, how many impressions

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Speaker 1: do you? Would you say you do? I have no

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Speaker 1: idea because some people I forget I do and I

117
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Speaker 1: just don't do them in a while, and then somebody

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Speaker 1: knew would come up, like I just randomly did um

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Speaker 1: d J Cassidy on the Versus re enactment. But it's

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Speaker 1: not like I had a spot on impression of him.

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Speaker 1: I would just I had the glasses that had and

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Speaker 1: when he was DJ for Keith and Bobby Brown versus. Yeah,

123
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Speaker 1: I just came out doing wacking Ship and everybody was

124
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Speaker 1: dying off of that ship. That's serious that you and

125
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Speaker 1: Spice Adams created where y'all recreate the verses the after show. Yeah,

126
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Speaker 1: like how did that ship come up? When Teddy and

127
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Speaker 1: baby Face walked up? When they when Teddy Browny had

128
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Speaker 1: all the bad WiFi. That's really where we decided to

129
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Speaker 1: do it. We was like, man, we should spook this ship.

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Speaker 1: They gotta let Teddy go again. He didn't do No,

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Speaker 1: it's some real ship. They gotta let Teddy go again.

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Speaker 1: He got a whole another set of hits that he

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Speaker 1: didn't get. The youth he left. He gotta go again,

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Speaker 1: got to go through. They don't matter. He got enough

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Speaker 1: to where he could go again. Yeah, he could go again.

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Speaker 1: Factuals that versus ship really been interesting though, Bro, they're

137
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Speaker 1: glad at night. Who she went again? Oh yeah, miss Patty.

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Speaker 1: That was a good one drink that I got to

139
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Speaker 1: get soldier by on this bitch. He cain't been on here,

140
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Speaker 1: ain't been here. This is this is prime time Soldier

141
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Speaker 1: Boy entertainment right here. He should be on here. I'm saying, bro,

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Speaker 1: this is get my text. I know one of your

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Speaker 1: nicks in here. No Soldier Boy don't get bide drast

144
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Speaker 1: being the first rather to do the ship will be

145
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Speaker 1: some heavy hitters on here. Then we got you all

146
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Speaker 1: on you. Thank you, my nigga. You was on the

147
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Speaker 1: real death comedy jam. I actually was. That was my

148
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Speaker 1: first comedy experience, nigga. I was in a in a

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Speaker 1: room full of legends. I mean, that's that's if you

150
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Speaker 1: know anything about your spirit. That's when you know guy

151
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Speaker 1: talking to you saying you made the right decision. When

152
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Speaker 1: you look to your left, you see sergect entertainer. You

153
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Speaker 1: just to your right, you see James Andy Brown, you

154
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Speaker 1: see Jamie Fox, you see Russell Simmons, you see everyone

155
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Speaker 1: Who's who, Chris Rock, everybody was in there in this

156
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Speaker 1: one room. Yeah. So I was like, all right, I

157
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Speaker 1: got some I got some work to do. I got

158
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Speaker 1: a journey in front of me. But I feel like

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Speaker 1: I made the right decision. It's crazy that meet the

160
00:10:01,440 --> 00:10:04,679
Speaker 1: black ship taking off too. That was the third one,

161
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Speaker 1: A second one, I don't know, I think dumb Part two. Yeah,

162
00:10:10,160 --> 00:10:13,720
Speaker 1: it's part too, the scary joint. We have some legendary

163
00:10:13,840 --> 00:10:17,600
Speaker 1: scenes have ben and it's like ship hitting different, especially

164
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Speaker 1: with social social media. That's the one yeah. You know

165
00:10:20,800 --> 00:10:27,320
Speaker 1: I'm talking. I can't run this ship. Yeah right right,

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Speaker 1: And you know these movies is hitting different now because

167
00:10:31,320 --> 00:10:34,719
Speaker 1: now these clips getting like all this fucking use that

168
00:10:34,840 --> 00:10:37,800
Speaker 1: you never thought they would. Every time you like click

169
00:10:37,840 --> 00:10:40,679
Speaker 1: on some ship, it's some motherfucker's posting comments and then

170
00:10:40,760 --> 00:10:44,000
Speaker 1: clips and videos and ship especially they're like, good with that.

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Speaker 1: I don't give my fun, right, Yeah, we have Phoenix.

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00:10:49,320 --> 00:10:53,000
Speaker 1: When the White Boy did that ship Restaurant Hill two

173
00:10:53,000 --> 00:10:55,480
Speaker 1: weeks ago down, he was like, I don't give up.

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00:10:55,600 --> 00:10:57,400
Speaker 1: He said it perfect like the White Man, but I

175
00:10:57,400 --> 00:11:02,600
Speaker 1: don't give a key. Just walked up loud, loud as hell,

176
00:11:02,760 --> 00:11:05,120
Speaker 1: like he was one of them that was real inconsiderate

177
00:11:05,120 --> 00:11:07,360
Speaker 1: because he just left y'all with that bit, just left

178
00:11:07,520 --> 00:11:09,400
Speaker 1: like everybody in the restaurant don't know what the fun

179
00:11:09,520 --> 00:11:11,360
Speaker 1: going on. But he looked back, but he looked back

180
00:11:11,400 --> 00:11:13,560
Speaker 1: when he shipped. When he to do, he looked back.

181
00:11:13,600 --> 00:11:18,200
Speaker 1: The next ye'll be hurt him. Yeah, so y'all been

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Speaker 1: on the road and ship. Yeah, shout out to this

183
00:11:20,559 --> 00:11:24,360
Speaker 1: boy man Brandon Lewis just niked cold blood. We're gonna

184
00:11:24,400 --> 00:11:26,960
Speaker 1: road for what three or four years? Night, Yeah, I've

185
00:11:27,000 --> 00:11:29,320
Speaker 1: been doing that nig when he wasn't ship. I knew

186
00:11:29,320 --> 00:11:33,000
Speaker 1: Carlos Miller when we did MTV Your Mama exactly. Nick

187
00:11:33,040 --> 00:11:36,319
Speaker 1: didn't even have a line up nothing. How far we

188
00:11:36,440 --> 00:11:38,800
Speaker 1: go back, all the way back, far back, And I

189
00:11:38,880 --> 00:11:41,480
Speaker 1: thought Hollywood was gonna be calling my fucking phone when

190
00:11:41,520 --> 00:11:47,080
Speaker 1: I did that show. Take it so long that didn't

191
00:11:47,120 --> 00:11:49,280
Speaker 1: nobody to give a funk about that show, not even

192
00:11:49,320 --> 00:11:53,960
Speaker 1: the people who watched it. How many times have y'all

193
00:11:54,000 --> 00:11:56,079
Speaker 1: had that job though? When he was like, Oh, this

194
00:11:56,120 --> 00:12:00,040
Speaker 1: is just it's about to be the one. Everything a

195
00:12:00,080 --> 00:12:05,120
Speaker 1: good time. You're sitting here, Yeah, I'm telling you we're

196
00:12:05,160 --> 00:12:07,880
Speaker 1: gonna get you on to do you in here with

197
00:12:08,120 --> 00:12:13,360
Speaker 1: Apia on this ship. Somebody like skin couch. What you'll

198
00:12:13,400 --> 00:12:23,000
Speaker 1: do for it? Deficient couch? You know. Now we're here, though, man,

199
00:12:23,120 --> 00:12:25,200
Speaker 1: I'm glad to be here. I'm proud of what y'all doing.

200
00:12:25,880 --> 00:12:28,160
Speaker 1: I remember me you had a convo, you trying to

201
00:12:28,200 --> 00:12:30,880
Speaker 1: figure some sh out and then here you all. I'm

202
00:12:30,920 --> 00:12:33,760
Speaker 1: still trying to We're gonna have to have another one. Man.

203
00:12:34,960 --> 00:12:37,079
Speaker 1: Let me know. I'm telling you, ship is getting so

204
00:12:37,200 --> 00:12:41,559
Speaker 1: weird right now. I'm having come on man dilemma. Well,

205
00:12:41,600 --> 00:12:44,480
Speaker 1: I'm always I'm always an ear. You know what I'm saying.

206
00:12:45,040 --> 00:12:48,360
Speaker 1: I don't know everything. Hey man, you know better enough.

207
00:12:49,120 --> 00:12:52,240
Speaker 1: I know enough to help a little bro. Man, How

208
00:12:52,280 --> 00:12:57,120
Speaker 1: are you going good with Nick? Bro? Like he was

209
00:12:57,240 --> 00:12:59,480
Speaker 1: one of those ones you had a lot to do

210
00:12:59,600 --> 00:13:03,719
Speaker 1: with the started that ship though he said that he

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Speaker 1: built the show for niggas like me. But I still

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Speaker 1: had the audition five times for that ship. That's the

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Speaker 1: type of ship they knew. I wish I could say yeah,

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Speaker 1: now he just called and it was a rap, but

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Speaker 1: it almost wasn't shout out the DJ d rap, my boy.

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Speaker 1: He fought for that's my guy. Yeah. Derek was inside

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Speaker 1: the room in the office and he was like, Yo,

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Speaker 1: why y'are not just booking this nigga aphion? Since day one,

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Speaker 1: he was the one that was like advocating um. But

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Speaker 1: again Nick came to me. I saw him in Vegas

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Speaker 1: one time. He was like, He's like, now I got

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Speaker 1: a show for you, man, I'm gonna call you next

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Speaker 1: week MTV. You got you know. He did say you

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Speaker 1: went to audition, but it's built for you. We were

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Speaker 1: ready for you. But I was like, why am I auditioning?

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Speaker 1: And it had the people in the room had the

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Speaker 1: people in the room wasn't like incredible, you know what

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Speaker 1: I'm saying, I'm freestounding. You would just going, you know

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Speaker 1: exactly what I'm saying. Yeah, so low, I'm in the

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Speaker 1: audition room and I just black guy. I'm freestyle and

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Speaker 1: I'm talking about the producers in the back of whom

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Speaker 1: I'll talk about now. I don't even know that at

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Speaker 1: the time I was talking about the shorts, I was

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Speaker 1: roasting niggas and just pointing at them, and it was

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Speaker 1: all like, oh my god, Oh my god. Three more

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Speaker 1: auditions later, nig Like I thought, I just did my

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Speaker 1: eight mile eminem ship, like just just really killed it.

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Speaker 1: And uh nah. But but you know what I learned

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Speaker 1: is this everything is a journey and you gotta you

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Speaker 1: gotta remove all bitterness from the journey. And here's why

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Speaker 1: I say that, because you well know that there's some

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Speaker 1: funk that can go on on the on the business

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Speaker 1: side of things, and and you have to remember that

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Speaker 1: it's a business. We always think it's personal ship, but

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Speaker 1: when it's business, you have to literally look at yourself

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Speaker 1: as as this fucking bottle. It's a product, and people

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Speaker 1: are making a decision based on that product whether they

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Speaker 1: want that product on their shelf or not. And so

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Speaker 1: I used to be sensitive about a lot of ship.

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Speaker 1: I used to be personal about a lot of ship.

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Speaker 1: And then I finally was like, oh, okay, you don't

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Speaker 1: You're just making a decision about my product. And you

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Speaker 1: think that removing my my the product from the shelf

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Speaker 1: is gonna discontinue sales. But you don't understand that I

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Speaker 1: manufactured this product and I know the distributors that's gonna

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Speaker 1: and I don't need my ship in there, everybody. I

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Speaker 1: don't need my ship in that particular store. So that's

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Speaker 1: that's my my outlook on on this whole thing. You know,

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Speaker 1: all the tour days out, all them out, hold all

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Speaker 1: them up, show dot com. Yesuse I'm talking about ask

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Speaker 1: me what can I getsually not in my podcast? Right

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Speaker 1: all the way, these are the shows that we're gonna

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Speaker 1: do as long as the world stay open. So get

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Speaker 1: your tickets. So if the world open, then we're gonna come.

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Speaker 1: And if it closed, you already got your tickets, so

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Speaker 1: we're gonna come with it. Open back up, come to

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Speaker 1: your house all the way. Hey, look all right. The

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Speaker 1: seventh August in Greenville, South Carolina at the Bond secul

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Speaker 1: Welles Center fourteen Inville, North Carolina at the Crown College Seat.

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Speaker 1: You didn't get what we're going now save somebody now

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Speaker 1: show live Jacksonville floor and the bastarn. You know what

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Speaker 1: we're gonna. What we're gonna to the west side, the

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Speaker 1: top of the west Side, all the way Seattle, Washington.

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Speaker 1: Put him on the glass home up baby got back.

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Speaker 1: Then certain makes a lap show had to Washington. We

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Speaker 1: had the watch Moon. Then that's October first. In October second,

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Speaker 1: we're in Sacramento time and then that's at the Memorial Auditory.

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Speaker 1: You need the nine. We're back at the bottom of

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Speaker 1: the map of Tallahassee. We had the Donald Tucker Civic Center.

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Speaker 1: That's October twenty. That's October. Then on then November. We

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Speaker 1: got some days then to what we're gonna November still

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Speaker 1: North Charleston, South Carolina. North Charleston. Right that woman and

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Speaker 1: get no break. We're gonna Green Broth, greens Borough, North Carolina,

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Speaker 1: graines borrow cons y'all better sell out. They come come

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Speaker 1: up with an Every time y'all see me in Greensboro,

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Speaker 1: Y'll be like when you're coming to green Borough when

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Speaker 1: you're coming to Greenboro and y'allo with her green Boro, Yeah,

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Speaker 1: eleven six. I expect to see all y'all to be

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Speaker 1: coming up to me in four seasons small with at

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Speaker 1: the show. So please Greensboro. Collis what damn the Atlanta

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Speaker 1: they're gonna keep asking us about? Yeah, yeah, information shot

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Speaker 1: a little to day just walking on your homes. Yeah,

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Speaker 1: I don't know who gonna pick it from now this

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Speaker 1: if now going down him? Hey bottom tickets. We're not

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Speaker 1: playing with y'all. We mean we're doing a lot, doing

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Speaker 1: a lot, but shout out the Nike like, don't don't

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Speaker 1: the auditionship was it was, you know, tedious whatever, But

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Speaker 1: he gave me the platform to to be where I

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Speaker 1: am today. Like I've said that publicly, I've said that

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Speaker 1: in his face. I said it a while and now

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Speaker 1: I said it. I've never shied away from giving Nikes

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Speaker 1: flowers and ship. They ain't never got ship to do

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Speaker 1: with him. Bringing it back to what I was saying,

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Speaker 1: it's not it's never a personal thing. Yeah, that's the part,

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Speaker 1: like other decision makers involved, that's the board better. Will

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Speaker 1: you just be like who said that? It may be

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Speaker 1: like because they can't nobody that's the ship. That's my

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Speaker 1: frustration is don't nobody no ship on some real niggas. Yeah,

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Speaker 1: they can't tell you where this ship came from. Like, well,

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Speaker 1: they said, who said that? Point them out to me.

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Speaker 1: I want to talk to that person that said that.

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Speaker 1: And they don't do that in Hollywood, they passed the book. No, no,

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Speaker 1: what Carlos, you need to calm down. I don't you

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Speaker 1: need to calm down. Just just be Look, it's all

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Speaker 1: gonna be good. It's not who said it though, but

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Speaker 1: they won't like they won't even tell me who fired me.

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Speaker 1: They still there. I know, I still gonna probably see

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Speaker 1: him every day. I'm as craziest part of yea, the

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Speaker 1: same motherucker's who don't want you to. I gotta be

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Speaker 1: with you every day. Make them sick? What was the

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Speaker 1: first one? When I be having fun, I'd be having

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Speaker 1: extra fun. I don't give a funk what it is.

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Speaker 1: It's like I don't give laughing. Then I'm extra laughing.

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Speaker 1: I'm I'm extras fuck whatever it is, just you're gonna

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Speaker 1: see me in abundance. Was people shocked when you came back? Yeah,

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Speaker 1: Nicks was crying. Not the motherfucking cas nigga just worked there.

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Speaker 1: That's how I knew. When I came and all them

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Speaker 1: came the camera men, you know, motherfucking camera me and

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Speaker 1: all that loose cramming ship, I was like it was

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Speaker 1: white people crying, Damne, just their favorite nigga. That's hard

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Speaker 1: that you flipped it, man, You flipped the opportunity in

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Speaker 1: the best way possible. You Chico d She y'all really

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Speaker 1: have built an empire off of what that platform provided

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Speaker 1: for you. Now, I don't know, I don't know the

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00:20:43,600 --> 00:20:46,800
Speaker 1: ins and outs of your journey, of the story. But again,

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Speaker 1: I'm just talking about from what I'm seeing from the

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Speaker 1: outside looking in my journey. You listen to Rick Ross, Yeah,

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Speaker 1: Rick Ross got the coldest land about all that some

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Speaker 1: all this ship up. I would always tell my niggas,

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Speaker 1: but ain't nobody tell you some of that. Mola Na's

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Speaker 1: gotta line. He said, I got no game. It's just

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Speaker 1: some bitches understand my story. Let us sit here, don't

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Speaker 1: listen to nobody. I thought this nigger had one too nothing.

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Speaker 1: I'm like, Damn, that was a d he got no games.

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Speaker 1: I'm still thinking about when I didn't get the thousand

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Speaker 1: dollars on MTV When he said cut, I thought this

347
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Speaker 1: money was mine. You didn't get the money. What happened?

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Speaker 1: They was like I had it in my hand. I

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Speaker 1: was like, I got my thousand dollars and it was like,

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Speaker 1: ain't cut. They tried to grab ut like this mine.

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Speaker 1: They're like no, We're gonna give a check. I'm like, no,

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Speaker 1: it's over. You're like no. We was talking for that

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Speaker 1: ship for like a solid minute and then it was

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Speaker 1: like it took like a hundred eighty days. Yeah, I'm like,

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Speaker 1: why I take some round for a thousand dollars. I

356
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Speaker 1: don't know that shows some good for holding the money

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Speaker 1: in the past. That's what I learned to be inside

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Speaker 1: and tell you asked what job I get, every job,

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Speaker 1: every one of them. Yeah, I don't get fun what

360
00:22:04,480 --> 00:22:07,040
Speaker 1: it is night. I thought all of them was the one.

361
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Speaker 1: But now that I see, you gotta have a whole

362
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Speaker 1: bunch of little ones and then get a big one.

363
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Speaker 1: But you never can't tell which is gonna be that one.

364
00:22:15,480 --> 00:22:17,320
Speaker 1: You think something's gonna be little, and then that ship

365
00:22:17,400 --> 00:22:20,440
Speaker 1: blow the funk up. You never know. I'm talking about

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Speaker 1: the one that the people who are making the movie're

367
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Speaker 1: gonna believe gonna be the big one where it's like

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00:22:24,480 --> 00:22:27,040
Speaker 1: some nice money up front. It ain't like them some

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Speaker 1: comeback money where you can get booked off some appearances

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Speaker 1: and ship. I'm talking about right fun what the people

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Speaker 1: think is the one, the one that's the one for me,

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00:22:35,560 --> 00:22:38,320
Speaker 1: that big gass check it and that movie was terrible,

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Speaker 1: Like nick I made seventeen billion dollars, that's the one. Yeah,

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Speaker 1: you know that movie, Like that's some bullshit. But it's

375
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Speaker 1: like you get a good deal on the back end.

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Speaker 1: And then, like you said, the ship that nobody expected

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00:22:50,920 --> 00:22:54,000
Speaker 1: to be the ship and oh yeah yeah. The next

378
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Speaker 1: thing you know, you're in the notebook to Crying and

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Speaker 1: Dance and you're the most well known Nick ever. That's it.

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Speaker 1: That back and be loved it, though, I love that.

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Speaker 1: You don't pay me shut up front, give me back

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Speaker 1: in points. I ain't sticking aground along. I'm gonna hit

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00:23:09,560 --> 00:23:11,480
Speaker 1: me al and get the funk on. I'm not even

384
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Speaker 1: gonna give the industry a chance to not like me.

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Speaker 1: I'm leaving what's that number, that about twenty million. I'm

386
00:23:19,320 --> 00:23:25,920
Speaker 1: going to Mississippi and never hit me again. Rights pay

387
00:23:26,000 --> 00:23:28,600
Speaker 1: the taxes amount I don't believe you though, I'm telling

388
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Speaker 1: you I'm not staying. You know, you may not stay

389
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Speaker 1: in the traditional industry, But I see you being on

390
00:23:33,760 --> 00:23:36,200
Speaker 1: some Chappelle ship. You're gonna get a shipload of land

391
00:23:36,240 --> 00:23:38,680
Speaker 1: in Mississippi and you're gonna have a gang of shows.

392
00:23:38,680 --> 00:23:40,920
Speaker 1: You're gonna bring niggas out there. I am, and do

393
00:23:41,000 --> 00:23:43,399
Speaker 1: it on your turn. They gotta come see me. Twenty

394
00:23:43,400 --> 00:23:49,000
Speaker 1: million dollars you own? Miss No, Okay, do you understand

395
00:23:49,040 --> 00:23:50,640
Speaker 1: that there's even a lot of money. It's an old

396
00:23:50,640 --> 00:23:55,639
Speaker 1: white lady in Mississippi with twenty million dollars because she

397
00:23:55,720 --> 00:23:59,000
Speaker 1: collects shopping bags. No, she's just been rich old life.

398
00:23:59,840 --> 00:24:05,720
Speaker 1: She get me a couple of ms out this game,

399
00:24:05,800 --> 00:24:10,560
Speaker 1: then I'm dipping. Get I'm gonna just move to my

400
00:24:10,720 --> 00:24:14,480
Speaker 1: land and get fat. Give me a dog in a

401
00:24:15,119 --> 00:24:18,560
Speaker 1: lady with some nice titties. I'm out of here. Fuck

402
00:24:18,680 --> 00:24:22,040
Speaker 1: this ship. I'm still in this table. When I leave,

403
00:24:22,240 --> 00:24:24,320
Speaker 1: I'm gonna get you one. If you one one, Yeah,

404
00:24:24,480 --> 00:24:28,240
Speaker 1: I send it to you. I need that this ship dope, man.

405
00:24:29,119 --> 00:24:31,720
Speaker 1: Oh yeah, this is a black owned joining black Yeah.

406
00:24:32,000 --> 00:24:36,760
Speaker 1: What type of test Dolly parton? Titi isn't Uh, it's

407
00:24:36,800 --> 00:24:42,680
Speaker 1: too dollar parts, Yeah exactly, I'm talking about. I don't know.

408
00:24:42,840 --> 00:24:45,040
Speaker 1: I think the ones that last the longest be like

409
00:24:45,160 --> 00:24:48,399
Speaker 1: the church lady titty. We know you melonated who was

410
00:24:48,640 --> 00:24:51,200
Speaker 1: who was black? Who was a black woman with famous titties.

411
00:24:51,920 --> 00:24:56,920
Speaker 1: There's a lot of black women with fam grandis known

412
00:24:56,920 --> 00:24:59,640
Speaker 1: for tis fam grandmother for face. I ain't never thought

413
00:24:59,640 --> 00:25:04,159
Speaker 1: at shot, no what I'm saying dollar point, y'all know

414
00:25:04,320 --> 00:25:12,680
Speaker 1: that's titties. You say who the most famous? She was

415
00:25:12,800 --> 00:25:16,080
Speaker 1: most famous? Who was the most famous black woman known

416
00:25:16,160 --> 00:25:18,840
Speaker 1: for tes dollar Park? Right now, right now? And no period?

417
00:25:19,240 --> 00:25:26,800
Speaker 1: I never know, right Frank, you think got the part?

418
00:25:26,840 --> 00:25:30,159
Speaker 1: He'd be like, I'm thinking, I'm thinking Jill Scott got

419
00:25:30,240 --> 00:25:33,520
Speaker 1: the title right now. Then we saw them. I think

420
00:25:33,600 --> 00:25:38,040
Speaker 1: Jill got the title right now, had him for a minute.

421
00:25:38,080 --> 00:25:40,040
Speaker 1: No one has been labeled, No black woman has been

422
00:25:40,119 --> 00:25:42,680
Speaker 1: labeled as the titty woman. Because they told us to stop.

423
00:25:42,800 --> 00:25:45,280
Speaker 1: They remember, they said we was over sexualizing the women,

424
00:25:45,680 --> 00:25:48,840
Speaker 1: so then we couldn't really as the crown, the titty crown.

425
00:25:49,320 --> 00:25:51,440
Speaker 1: Right as soon as you said, part titties, that's too

426
00:25:51,520 --> 00:25:55,480
Speaker 1: big exactly, seeing look you just said too big titties,

427
00:25:56,960 --> 00:25:58,879
Speaker 1: Foxy Brown, he said, oh, she's fine. That's just a

428
00:25:59,200 --> 00:26:03,239
Speaker 1: that's an ideal woman shaping everything. Scott. I can get

429
00:26:03,280 --> 00:26:05,000
Speaker 1: you up, I can get you out a little bit,

430
00:26:05,040 --> 00:26:07,560
Speaker 1: but still scotting on her face. I'm still trying to

431
00:26:07,640 --> 00:26:12,240
Speaker 1: think that we overlooked somebody. Quev gotta be living single Coeler.

432
00:26:13,680 --> 00:26:15,719
Speaker 1: I think when she played best, yeah, she pulled them

433
00:26:15,760 --> 00:26:19,520
Speaker 1: out and then it's like, no, nobody like I never

434
00:26:19,600 --> 00:26:22,919
Speaker 1: disrespect them to this, but I feel like they're nice

435
00:26:22,960 --> 00:26:24,480
Speaker 1: and titties. It just wasn't a good scene for the

436
00:26:24,560 --> 00:26:26,600
Speaker 1: ty I don't think that. I think that that was

437
00:26:26,680 --> 00:26:28,719
Speaker 1: as good as that was gonna good. I don't even

438
00:26:28,760 --> 00:26:30,520
Speaker 1: know if it's gonna summer day. You don't want to

439
00:26:30,560 --> 00:26:34,239
Speaker 1: take a picture down trying to TISSI might lift them,

440
00:26:34,400 --> 00:26:36,480
Speaker 1: not saying nothing was wrong with them titties, but those

441
00:26:36,520 --> 00:26:38,640
Speaker 1: are not the ones that they led me to leave.

442
00:26:38,800 --> 00:26:43,520
Speaker 1: They was gonna be I was deceived, they was They

443
00:26:43,600 --> 00:26:47,119
Speaker 1: was cool, but you know that was a real titties.

444
00:26:48,040 --> 00:26:50,879
Speaker 1: Don't sit up, and I'm not mad at that. I

445
00:26:50,920 --> 00:26:54,240
Speaker 1: don't give if you look like torpedoes. Just show up

446
00:26:54,280 --> 00:26:56,600
Speaker 1: with what I expected you to have, like what you

447
00:26:56,760 --> 00:26:59,720
Speaker 1: led me up to. Believe them, those titties that ship

448
00:26:59,840 --> 00:27:02,920
Speaker 1: had in those movies. Those weren't contigious titties. Those was

449
00:27:03,119 --> 00:27:08,560
Speaker 1: the other ones. I didn't you brought it back? Yeah,

450
00:27:09,680 --> 00:27:14,520
Speaker 1: what are you gonna? I heard it? You don't know.

451
00:27:15,080 --> 00:27:17,680
Speaker 1: She'd just be saying a lot of wild ship. That's

452
00:27:17,720 --> 00:27:21,200
Speaker 1: why I love it. She would be saying any fucking

453
00:27:21,280 --> 00:27:24,560
Speaker 1: thing she got the world saying the mad thing, Mathew,

454
00:27:25,640 --> 00:27:30,200
Speaker 1: the what pussy path? Ready? What you gonna have a

455
00:27:30,359 --> 00:27:35,199
Speaker 1: PEPs mare? He don't. I've never been, but have been furried.

456
00:27:37,040 --> 00:27:40,320
Speaker 1: Weren't ready for the bad You ain't shot one before,

457
00:27:41,480 --> 00:27:44,119
Speaker 1: so you would have you had a full day and

458
00:27:44,560 --> 00:27:47,080
Speaker 1: humid Philly streets, and you wouldn't get your path after that?

459
00:27:48,240 --> 00:27:51,000
Speaker 1: His name talking about path, right, So you got to

460
00:27:51,040 --> 00:27:53,680
Speaker 1: open up that. But I'm still gonna let you do

461
00:27:53,800 --> 00:27:55,840
Speaker 1: the path because you ain't ready play me like this,

462
00:27:55,920 --> 00:28:00,480
Speaker 1: pussy stay right, because I don't know. I thought long day.

463
00:28:00,600 --> 00:28:04,840
Speaker 1: I don't give how Yeah, it smells like smell like

464
00:28:05,040 --> 00:28:09,320
Speaker 1: under on pit after a gym working. Now I drink

465
00:28:09,359 --> 00:28:12,240
Speaker 1: water and ship. Yeah, but after a long, sweat and

466
00:28:12,320 --> 00:28:16,240
Speaker 1: human day I've been I know Philly, Philly humid is walking.

467
00:28:17,240 --> 00:28:19,080
Speaker 1: It's a lot of that. It's a lot of cubation

468
00:28:19,160 --> 00:28:22,160
Speaker 1: that's going on, and your pussy meat, and so there's

469
00:28:22,200 --> 00:28:24,200
Speaker 1: a lot of black streets. You could drink all the

470
00:28:24,240 --> 00:28:27,080
Speaker 1: water you want, but that sweat and that salt, it's

471
00:28:27,080 --> 00:28:33,280
Speaker 1: gonna create motherfucking spam in your pants. Call it what

472
00:28:33,320 --> 00:28:38,160
Speaker 1: you want, but it's gonna knock on the guy, MATEO,

473
00:28:38,360 --> 00:28:45,000
Speaker 1: my the gough. When you say women said it's hard,

474
00:28:45,040 --> 00:28:48,600
Speaker 1: you gotta be like, let's go exactly you with it,

475
00:28:49,080 --> 00:28:51,880
Speaker 1: but you gotta think it's a little hesitation, but it's like,

476
00:28:52,280 --> 00:28:56,760
Speaker 1: come on, you know it is what it is. What's

477
00:28:56,760 --> 00:28:58,440
Speaker 1: hard is after you lead a club like y'all have

478
00:28:58,480 --> 00:29:00,440
Speaker 1: been dancing on each other all night, you're gonna you're

479
00:29:00,440 --> 00:29:02,680
Speaker 1: gonna pop it, for sure. But as but as a man,

480
00:29:02,720 --> 00:29:05,080
Speaker 1: wudn't want to hear that. That's why I like, when

481
00:29:05,120 --> 00:29:07,480
Speaker 1: you say tar, you would be like chill like chicken,

482
00:29:08,240 --> 00:29:10,160
Speaker 1: keeping nose up. But when you say tar, you like,

483
00:29:10,360 --> 00:29:15,760
Speaker 1: come over, you're still popping after exactly like it's gonna

484
00:29:15,760 --> 00:29:18,440
Speaker 1: be a quick thing. It's gonna be like you could

485
00:29:18,440 --> 00:29:22,640
Speaker 1: have did without the tart comed up. But she's smoking

486
00:29:22,680 --> 00:29:26,440
Speaker 1: the blood. He know he danced, so he's been in

487
00:29:26,520 --> 00:29:30,440
Speaker 1: the club dancing with a chick. I know, we've been sweating, sweating,

488
00:29:30,560 --> 00:29:32,720
Speaker 1: and we leave and we get it popping. Well, if

489
00:29:32,760 --> 00:29:35,520
Speaker 1: I know that you don't stay on the regular basis.

490
00:29:36,840 --> 00:29:42,600
Speaker 1: But I've been dancing with you, dance with a lot

491
00:29:42,640 --> 00:29:50,239
Speaker 1: of women and us to get it with a ask sweats. Yeah, yeah, right,

492
00:29:50,680 --> 00:29:54,720
Speaker 1: that's the Niggs got it easier, bron When do y'all

493
00:29:54,840 --> 00:30:00,800
Speaker 1: come up with routine? Because there's a nigg with a

494
00:30:00,920 --> 00:30:06,000
Speaker 1: dad like, yeah, they just gathering the in the in

495
00:30:06,080 --> 00:30:10,440
Speaker 1: the garage, in the hallway, secret me to be like,

496
00:30:10,480 --> 00:30:15,440
Speaker 1: I think, if I do this, you do this? After

497
00:30:15,520 --> 00:30:18,240
Speaker 1: that movie? Oh you went there, about to go here

498
00:30:22,120 --> 00:30:28,320
Speaker 1: all of that ship, I mean not anymore. But you

499
00:30:28,400 --> 00:30:30,640
Speaker 1: do realize that we live in a time where you

500
00:30:30,760 --> 00:30:33,680
Speaker 1: can make money just going to people's wedding and dancing.

501
00:30:35,480 --> 00:30:37,520
Speaker 1: You know, made the fans. You're guy like eighth bro,

502
00:30:37,960 --> 00:30:40,960
Speaker 1: Like the reception is gonna be crazy. How much to

503
00:30:41,080 --> 00:30:44,200
Speaker 1: get you to come fucking battle me in front of

504
00:30:44,240 --> 00:30:48,160
Speaker 1: my wife? In front of my wife, Dude, I got

505
00:30:48,240 --> 00:30:53,080
Speaker 1: fifteen grand her pops sucking loaded man. Just coming away

506
00:30:53,320 --> 00:30:56,360
Speaker 1: with and fucking battle me. That's all I want. And

507
00:30:56,440 --> 00:30:58,920
Speaker 1: then y'all come up with a routine and ship. Oh

508
00:30:59,120 --> 00:31:01,080
Speaker 1: that's not a routine. You just give me that fifteam

509
00:31:01,080 --> 00:31:10,080
Speaker 1: and I'll come smoke you real quick. You win on

510
00:31:10,160 --> 00:31:15,040
Speaker 1: that special day. The dancing niggas are for real, for real.

511
00:31:16,400 --> 00:31:19,880
Speaker 1: It's too competitive, nig I can't let you. You gotta

512
00:31:19,960 --> 00:31:24,280
Speaker 1: beat me for real in your tux pop. You gotta

513
00:31:24,400 --> 00:31:26,920
Speaker 1: beat me, nigger. You're paying me fifteen. I'm gonna take

514
00:31:26,960 --> 00:31:30,560
Speaker 1: the fifteen. I'm gonna eat your food and then I'm

515
00:31:30,560 --> 00:31:32,360
Speaker 1: gonna beat you in the battle. So what's the one

516
00:31:32,400 --> 00:31:35,440
Speaker 1: song like dance? What's what's your song that you can't resist?

517
00:31:35,600 --> 00:31:40,880
Speaker 1: Like I gotta dance? Just just begun, Jimmy Caster? Who

518
00:31:41,360 --> 00:31:48,520
Speaker 1: who playing? Who is that? Somebody played Jimmy Caster? Just

519
00:31:48,720 --> 00:31:52,640
Speaker 1: begun and you'll understand what I'm talking about. Your youngs

520
00:31:52,680 --> 00:31:57,840
Speaker 1: in here. Y'all know ship. But look here's the thing

521
00:31:58,400 --> 00:32:02,120
Speaker 1: I said, some mystical ship. You'll year chuck Mary. That

522
00:32:02,240 --> 00:32:09,480
Speaker 1: sounds like Jimmy Caster, long time coming, commercially play that

523
00:32:09,520 --> 00:32:12,520
Speaker 1: ship and see what happened. They don't know what's gonna

524
00:32:12,520 --> 00:32:17,000
Speaker 1: get up and be like, oh ship, turn that ships

525
00:32:17,000 --> 00:32:20,520
Speaker 1: some breakdown and turn it up, turn up? He said,

526
00:32:20,720 --> 00:32:30,400
Speaker 1: Know who this fucking table get? That's some carboarded ship.

527
00:32:32,280 --> 00:32:34,840
Speaker 1: I standing back like this, that's some whole ship. That's

528
00:32:34,840 --> 00:32:38,480
Speaker 1: what Rap first came out. Just think and telling his name.

529
00:32:42,520 --> 00:32:44,280
Speaker 1: That's enough of game. But the old ship we're gonna

530
00:32:44,320 --> 00:32:50,320
Speaker 1: get flagged, Jimmy Caster suit ship out of every fucking game.

531
00:32:51,680 --> 00:32:55,120
Speaker 1: Nobody told him to make my song rap song? Anyway?

532
00:32:55,880 --> 00:33:01,960
Speaker 1: What is that here? Nick? Some bunks songs. Yeah, that's

533
00:33:01,960 --> 00:33:04,520
Speaker 1: sounds like a b row of a Dolte movie when

534
00:33:04,560 --> 00:33:09,280
Speaker 1: they're going through packing ship. It's been in all of them,

535
00:33:10,440 --> 00:33:13,400
Speaker 1: that song. Let's tell me about the legendary dance battle

536
00:33:13,480 --> 00:33:15,760
Speaker 1: you had. We don't get to hear a lot of

537
00:33:15,840 --> 00:33:21,479
Speaker 1: these stories. There was one in Raleigh, North Carolina. Okay, well,

538
00:33:21,560 --> 00:33:24,240
Speaker 1: me and my boys almost died because of the bay

539
00:33:24,640 --> 00:33:28,520
Speaker 1: that was too dark. No, you gotta hear why why

540
00:33:28,680 --> 00:33:33,560
Speaker 1: this legendary though? So we three niggas the Apollo footage,

541
00:33:33,720 --> 00:33:36,160
Speaker 1: the same three niggas, me and the twins. We went

542
00:33:36,240 --> 00:33:39,240
Speaker 1: to Raleigh because back the time, that's when you knew

543
00:33:39,520 --> 00:33:42,880
Speaker 1: who was who in different cities and ship, so you

544
00:33:42,960 --> 00:33:44,680
Speaker 1: know who the who the crews were, or you knew

545
00:33:44,720 --> 00:33:47,959
Speaker 1: we had dope dancers. So we was out in Raleigh

546
00:33:47,960 --> 00:33:49,440
Speaker 1: hanging out with some chicks and they was like, yo,

547
00:33:49,520 --> 00:33:50,880
Speaker 1: let's go to the club. It was like, yeah, we

548
00:33:50,960 --> 00:33:52,280
Speaker 1: need to go to the club. We want to see

549
00:33:52,760 --> 00:33:55,680
Speaker 1: who your dancers are. So anyway, we're in the club

550
00:33:57,080 --> 00:33:59,640
Speaker 1: and you know, the club looks a lot like this,

551
00:33:59,800 --> 00:34:04,720
Speaker 1: but times A hunted the niggas is you know a

552
00:34:04,760 --> 00:34:07,440
Speaker 1: little more golden. Ship changed and ship. It was a

553
00:34:07,480 --> 00:34:11,279
Speaker 1: lot of that. Um. So we're in the club all night,

554
00:34:11,680 --> 00:34:13,400
Speaker 1: were with these chicks. But we will break off and

555
00:34:13,440 --> 00:34:15,680
Speaker 1: we start ciphering. We dance and we're doing all our flips.

556
00:34:15,719 --> 00:34:19,040
Speaker 1: We're doing all our ship. There's three niggas on three

557
00:34:19,080 --> 00:34:25,120
Speaker 1: different sides of the club doing flips with mc hammer

558
00:34:25,160 --> 00:34:31,440
Speaker 1: shoes with silver tips on it. Now we had this slippers.

559
00:34:33,239 --> 00:34:35,359
Speaker 1: I couldn't do that ship. So you're killing them. You're

560
00:34:35,400 --> 00:34:38,560
Speaker 1: doing you know, when you start dancing, everybody form a

561
00:34:38,600 --> 00:34:41,640
Speaker 1: big as circle. So we we were in Aytown, were

562
00:34:41,640 --> 00:34:43,480
Speaker 1: in the club. We've never been here before, so we

563
00:34:43,600 --> 00:34:46,600
Speaker 1: was already taking a risk doing that ship. And so

564
00:34:46,840 --> 00:34:49,480
Speaker 1: literally the song the same song we danced to an

565
00:34:49,520 --> 00:34:53,520
Speaker 1: Apollo It's called Hot Music by Soho. DJ put this

566
00:34:53,520 --> 00:34:55,680
Speaker 1: Ship on. This is like two hours into the club night.

567
00:34:56,200 --> 00:34:58,720
Speaker 1: DJ put this Ship on. We literally see the whole

568
00:34:59,000 --> 00:35:03,960
Speaker 1: club follow these other three niggas in a wave. They

569
00:35:04,040 --> 00:35:05,880
Speaker 1: came right over to us. So they've been plotting that

570
00:35:05,920 --> 00:35:09,080
Speaker 1: ship all night. So the nigga dancing and ship, he

571
00:35:09,520 --> 00:35:12,800
Speaker 1: he know one they could do a quick flip and

572
00:35:12,920 --> 00:35:16,080
Speaker 1: landing a split. And the twins and self taught gymnasts,

573
00:35:16,480 --> 00:35:18,839
Speaker 1: they niggatimers. They used to flip off their MoMA house

574
00:35:18,960 --> 00:35:21,439
Speaker 1: self talk, so didn't even looked at each other and laugh.

575
00:35:21,920 --> 00:35:25,160
Speaker 1: And one of the twins start flipping in one place

576
00:35:25,400 --> 00:35:34,239
Speaker 1: like he just kept rotate handspring back eleven times in

577
00:35:34,320 --> 00:35:36,880
Speaker 1: front of this nigga. We started beating. These niggas is

578
00:35:36,960 --> 00:35:40,400
Speaker 1: so bad. They were sitting Indian style in the service

579
00:35:41,080 --> 00:35:43,759
Speaker 1: watching us with a bunch of thugs niggas behind them.

580
00:35:44,160 --> 00:35:47,720
Speaker 1: The thug niggas was mad that they niggas were sitting

581
00:35:47,760 --> 00:35:49,920
Speaker 1: down there like men. Get out there and get these niggers.

582
00:35:50,960 --> 00:35:54,719
Speaker 1: So one of them, the twins out there dancing. One

583
00:35:54,800 --> 00:35:58,880
Speaker 1: of them starts to swing on the twin. The twin

584
00:35:59,800 --> 00:36:03,160
Speaker 1: on some mayweather ship. He didn't even see the nig

585
00:36:03,239 --> 00:36:05,840
Speaker 1: he's bothering him, And you didn't tell me this nigga

586
00:36:05,880 --> 00:36:10,560
Speaker 1: out danced and nigga punching and you man just trying

587
00:36:10,560 --> 00:36:12,239
Speaker 1: to hit the nigg out of anger and this needed

588
00:36:13,560 --> 00:36:16,799
Speaker 1: I can't even know he fighting. Man, what the fund

589
00:36:16,960 --> 00:36:23,279
Speaker 1: was doing every swing talent. So I see the ship

590
00:36:24,120 --> 00:36:26,399
Speaker 1: and I'm like, fun, it's about to go down. We're

591
00:36:26,400 --> 00:36:29,320
Speaker 1: beIN a die. So out of nowhere, I Bruce Lenroy

592
00:36:29,440 --> 00:36:33,520
Speaker 1: kicked this nigg in the back. No, I kicked the

593
00:36:33,560 --> 00:36:36,960
Speaker 1: nigga that's trying to touch him, because to me, I'm like, oh,

594
00:36:37,000 --> 00:36:39,759
Speaker 1: we're in the fighting now because he's swinging, somebody's gonna

595
00:36:39,760 --> 00:36:42,040
Speaker 1: swing on me next. Well, I kicked this nigg at

596
00:36:42,040 --> 00:36:44,799
Speaker 1: the back and he went like this, and I see

597
00:36:44,800 --> 00:36:49,719
Speaker 1: all the niggas in the back taking their ship and

598
00:36:49,880 --> 00:36:53,239
Speaker 1: then uh, security came and you know, we lived, but

599
00:36:54,520 --> 00:36:59,880
Speaker 1: it almost it could have got dicey. They got all

600
00:37:00,000 --> 00:37:02,360
Speaker 1: of the stories I ever heard about some niggas dancing

601
00:37:02,400 --> 00:37:07,200
Speaker 1: that I ain't never heard death being involved. That nigga

602
00:37:07,320 --> 00:37:10,680
Speaker 1: was still backflipping when this whole ship was going walk

603
00:37:10,760 --> 00:37:14,840
Speaker 1: out that jow. No, No, we we had to get security.

604
00:37:15,719 --> 00:37:18,520
Speaker 1: And I backed up against the wall because I was like,

605
00:37:19,320 --> 00:37:22,000
Speaker 1: if it's gonna come at me, I don't want nobody to. Yeah,

606
00:37:22,320 --> 00:37:25,400
Speaker 1: I was like the coldest part about the end of

607
00:37:25,760 --> 00:37:27,480
Speaker 1: somebody in the comment is gonna be like I was

608
00:37:27,560 --> 00:37:32,719
Speaker 1: at the club that night, yea, at the club name

609
00:37:32,760 --> 00:37:37,120
Speaker 1: and everything that was club that bit used to be wrong,

610
00:37:37,200 --> 00:37:41,759
Speaker 1: and nigga came in there dancing real good, got the ashwood. No,

611
00:37:42,440 --> 00:37:44,560
Speaker 1: it really went down like that. It sounds far fetched,

612
00:37:44,600 --> 00:37:46,960
Speaker 1: but we lived through that ship and that. There was

613
00:37:47,000 --> 00:37:50,560
Speaker 1: no prokilling niggas up there. I believe it. Another day

614
00:37:58,480 --> 00:38:06,560
Speaker 1: like another day, North Carolina, Nigga ley Ley, North Carolina.

615
00:38:13,800 --> 00:38:17,000
Speaker 1: They always be real. I'm Fox with North Carolina in

616
00:38:17,040 --> 00:38:19,359
Speaker 1: the real. It's some good ass food up there. It's

617
00:38:19,400 --> 00:38:23,319
Speaker 1: that barbecue ship that I like. Um, they got good

618
00:38:23,360 --> 00:38:25,600
Speaker 1: barbecue at the airport in there. That's the best ship

619
00:38:25,719 --> 00:38:32,360
Speaker 1: in there. But they do barbecue spots. That Charlotte Airport

620
00:38:32,480 --> 00:38:37,160
Speaker 1: needs to move to Atlanta. Fox with that ship. You

621
00:38:37,200 --> 00:38:39,360
Speaker 1: get that barbecue and you go sitting on the rocket chairs,

622
00:38:42,640 --> 00:38:46,840
Speaker 1: big white rocking chairs in the window. We're paring on

623
00:38:46,920 --> 00:38:50,480
Speaker 1: the full way better, you think so, you're just trying

624
00:38:50,520 --> 00:38:52,680
Speaker 1: to find any reason not to like Atlanta, And that's

625
00:38:52,719 --> 00:38:58,400
Speaker 1: some bullshit. Mac and Cheese, Eat everybody macaroni. You know that.

626
00:38:58,600 --> 00:39:00,719
Speaker 1: You think you're just gonna just because it's a black city,

627
00:39:00,760 --> 00:39:04,160
Speaker 1: you could just pull up eating people. No, it don't

628
00:39:04,160 --> 00:39:07,000
Speaker 1: work like that moment. It's just like you probably can't

629
00:39:07,040 --> 00:39:11,560
Speaker 1: eat everybody cheese stead exactly. There's a good point. What's

630
00:39:11,600 --> 00:39:14,120
Speaker 1: your favorite cheese steak place in the poppy store? Like

631
00:39:14,200 --> 00:39:16,279
Speaker 1: hood stores? Puerto Rico is a little bit so it

632
00:39:16,320 --> 00:39:21,880
Speaker 1: didn't None of the chains was pretty good out of

633
00:39:21,880 --> 00:39:24,439
Speaker 1: all the chur spots. But you got a Southooly cheese.

634
00:39:24,520 --> 00:39:26,720
Speaker 1: You got a North from you cheese southfully is winds

635
00:39:27,360 --> 00:39:33,480
Speaker 1: that orange cheese Northfoley as white cheese mayonnaise. Which is

636
00:39:33,640 --> 00:39:35,600
Speaker 1: which is better for you? The white of the yellow

637
00:39:35,680 --> 00:39:41,719
Speaker 1: cheese from Okay, it's Philodevia is a rough city. It's

638
00:39:41,719 --> 00:39:44,520
Speaker 1: a great city. They only bullshit, but they show a

639
00:39:44,600 --> 00:39:49,800
Speaker 1: lot of love. That a warner the hell Yeah. I

640
00:39:49,960 --> 00:39:51,840
Speaker 1: felt so out of place. One time I went to

641
00:39:51,920 --> 00:39:54,600
Speaker 1: fill outs in the barbomshop and I was sitting there.

642
00:39:55,440 --> 00:39:58,800
Speaker 1: Nick was cutting my ship and then everybody in the

643
00:39:58,840 --> 00:40:04,239
Speaker 1: baboshop started praying and I was just sitting up. I'm

644
00:40:04,239 --> 00:40:08,080
Speaker 1: talking about the entire ball shop, the nigga everybody Muslims right,

645
00:40:08,440 --> 00:40:12,040
Speaker 1: all love. I was like, ain't even gonna ask me

646
00:40:12,120 --> 00:40:17,160
Speaker 1: if I wanted, all right, suck me. Then they got

647
00:40:18,560 --> 00:40:20,399
Speaker 1: get down. They did, and I felt like they kind

648
00:40:20,440 --> 00:40:27,480
Speaker 1: of was disappointed that the whole mood changed them. You're

649
00:40:27,480 --> 00:40:34,400
Speaker 1: down here working, yeah, comedy theater all weekend. How's that?

650
00:40:34,640 --> 00:40:39,399
Speaker 1: How's that? How's Atlanta like? Respond after seeing the nigga

651
00:40:39,440 --> 00:40:41,480
Speaker 1: they've been watching for so long? You know this sit

652
00:40:42,200 --> 00:40:44,040
Speaker 1: A lot of niggas come here and they just do

653
00:40:44,160 --> 00:40:47,680
Speaker 1: the first part and then they leave. That's the fans.

654
00:40:47,719 --> 00:40:49,600
Speaker 1: You want to be in front of the rough crowd.

655
00:40:50,840 --> 00:40:53,440
Speaker 1: I think we didn't get a bad rep though. It's

656
00:40:53,440 --> 00:40:57,720
Speaker 1: always loved. It's always I don't play Atlanta that often.

657
00:40:57,840 --> 00:41:00,520
Speaker 1: We should every time I'm about to be doing more,

658
00:41:00,640 --> 00:41:02,600
Speaker 1: but this is one of them. Markets was like, if

659
00:41:02,640 --> 00:41:06,719
Speaker 1: they funk with you, they let you rock. Anytime I'm here,

660
00:41:06,800 --> 00:41:10,680
Speaker 1: I get loved. Whereabout go um? And I've been coming

661
00:41:10,719 --> 00:41:18,399
Speaker 1: to Atlanta since since I left North Carolina, so um.

662
00:41:18,600 --> 00:41:21,480
Speaker 1: I love l A. That's where I lived there. I

663
00:41:21,600 --> 00:41:23,120
Speaker 1: love l A. I love to visit New York. I

664
00:41:23,160 --> 00:41:25,200
Speaker 1: can't live in New York. It's too it's too fast

665
00:41:25,239 --> 00:41:28,959
Speaker 1: paced for me. I'll be tired after like six hours

666
00:41:29,120 --> 00:41:31,319
Speaker 1: in New York because you know they have forty things

667
00:41:31,360 --> 00:41:34,000
Speaker 1: once you touched down. I don't really do too much ship.

668
00:41:34,160 --> 00:41:36,919
Speaker 1: That's one thing about it. I go to New York,

669
00:41:37,800 --> 00:41:39,880
Speaker 1: I just I give up in the middle of like

670
00:41:40,000 --> 00:41:44,200
Speaker 1: fun man, who gotta walking again? I'm not going down

671
00:41:44,280 --> 00:41:49,480
Speaker 1: all them stuff. Really do everything once. It's a lot.

672
00:41:49,719 --> 00:41:52,640
Speaker 1: It's a lot for me, a lot to do. But

673
00:41:53,040 --> 00:41:55,680
Speaker 1: I'm the South. I'm used to motherfucker's being that way.

674
00:41:55,760 --> 00:42:00,680
Speaker 1: It's too much motherfucker's for me. It's fast. It looks like, Yeah,

675
00:42:00,800 --> 00:42:03,680
Speaker 1: the thing about Atlantic, everybody's moving. Ain't nobody really staying

676
00:42:03,680 --> 00:42:05,759
Speaker 1: in one place too long? But in New York it's

677
00:42:05,760 --> 00:42:09,960
Speaker 1: a lot of niggas lingering, a lot of lingering as niggers,

678
00:42:10,640 --> 00:42:14,840
Speaker 1: a lot of niggas walking Like trying to fight me

679
00:42:14,880 --> 00:42:18,600
Speaker 1: because I wouldn't turn down is really a finger that

680
00:42:18,880 --> 00:42:21,000
Speaker 1: you don't want to hear my weed out. They do

681
00:42:21,120 --> 00:42:23,920
Speaker 1: get offended by that. New York niggs get offended. If

682
00:42:23,920 --> 00:42:26,480
Speaker 1: you don't even buy that weeds, they'll just give it

683
00:42:26,560 --> 00:42:28,919
Speaker 1: to you. Yeah, I know you didn't want to funk

684
00:42:28,960 --> 00:42:31,000
Speaker 1: with me, but I'm just saying, just take this on me.

685
00:42:31,600 --> 00:42:38,680
Speaker 1: No nigga, relaxed your bag dirty never abody Nick from

686
00:42:38,680 --> 00:42:41,160
Speaker 1: a nigga the bag dirty like the bag looked like

687
00:42:41,239 --> 00:42:45,680
Speaker 1: it's been handled too much. You're sell aphone cloudy, then yeah,

688
00:42:45,680 --> 00:42:48,239
Speaker 1: I don't funk with that. That means he's been trying

689
00:42:48,280 --> 00:42:50,239
Speaker 1: to sell it for a long time and anybody bought it.

690
00:42:53,400 --> 00:42:55,160
Speaker 1: I don't even get spoil y'all out there with the

691
00:42:55,239 --> 00:43:00,239
Speaker 1: medical weed and ship ship with the college what some

692
00:43:00,400 --> 00:43:04,160
Speaker 1: of them? Ain't it just from the felon. I think

693
00:43:04,239 --> 00:43:07,719
Speaker 1: you just like hood niggas anyway, MoMA. So when you

694
00:43:07,880 --> 00:43:13,040
Speaker 1: like hood niggas, they weed hit better. Yeah, you just

695
00:43:13,160 --> 00:43:20,719
Speaker 1: like you. I think ain't got just good. Just give me,

696
00:43:20,880 --> 00:43:24,640
Speaker 1: just just give me the house blood. That's your hit

697
00:43:24,719 --> 00:43:27,759
Speaker 1: to me. I like the dispensary weed though, because they're

698
00:43:27,760 --> 00:43:30,239
Speaker 1: like the lot of niggas. Don't leave when you're back

699
00:43:30,320 --> 00:43:34,520
Speaker 1: weed from what you're all about to do that, bro,

700
00:43:35,400 --> 00:43:39,840
Speaker 1: keep it anytime you called the weed man, l a.

701
00:43:39,920 --> 00:43:41,719
Speaker 1: They want to hang out the shop. Y'all got some

702
00:43:41,800 --> 00:43:46,719
Speaker 1: little cutie over here on bro, we got enough for us.

703
00:43:48,239 --> 00:43:54,960
Speaker 1: Ain't nothing extra laft over here, jaw and play me

704
00:43:55,000 --> 00:43:57,920
Speaker 1: some pepper man. You want Caprica water? Something good, man,

705
00:43:58,080 --> 00:44:02,440
Speaker 1: I'm sitting with my little water. What you want? I

706
00:44:02,480 --> 00:44:03,960
Speaker 1: knew you want the one you just didn't want to

707
00:44:04,000 --> 00:44:06,799
Speaker 1: say this ship gets don't always be trying to act

708
00:44:06,880 --> 00:44:11,399
Speaker 1: like they don't want to compreciate. Why didn't by the gallon? Who?

709
00:44:15,200 --> 00:44:17,120
Speaker 1: I thought you had a bigger as water? I just

710
00:44:17,239 --> 00:44:21,840
Speaker 1: like free ship. Get my bag. We're about to switch

711
00:44:21,920 --> 00:44:24,319
Speaker 1: the cool aid because we've been drinking Capri Sun too

712
00:44:24,440 --> 00:44:26,960
Speaker 1: long and they sucking with him, so we're about to

713
00:44:26,960 --> 00:44:30,600
Speaker 1: switch our ship drink. I can't see. I saw a

714
00:44:30,640 --> 00:44:32,440
Speaker 1: bit on YouTube cut that open. It was due to

715
00:44:32,560 --> 00:44:36,719
Speaker 1: in it. I don't believe that Google it fake? What

716
00:44:37,000 --> 00:44:39,799
Speaker 1: was it was? Brown ship inside of the free Sun.

717
00:44:41,440 --> 00:44:45,560
Speaker 1: You can't see because you can't. Bottom is free. If

718
00:44:45,640 --> 00:44:47,480
Speaker 1: I think they made the bottom clear because of the

719
00:44:48,239 --> 00:44:52,960
Speaker 1: and no rats or nothing in this bitch, no roaches,

720
00:44:53,680 --> 00:45:01,400
Speaker 1: then I favor see the ball two more some I

721
00:45:01,480 --> 00:45:04,080
Speaker 1: bought towards a lot thirty First, it's my first time.

722
00:45:04,800 --> 00:45:09,960
Speaker 1: You're gonna stand up what you're doing? Really, I'm a comedian.

723
00:45:10,000 --> 00:45:14,640
Speaker 1: I'm gonna be in your town one Really the mat

724
00:45:16,920 --> 00:45:20,800
Speaker 1: young Billy and Lena got the best comedy crowds. You

725
00:45:20,880 --> 00:45:24,279
Speaker 1: think so, But I think we've got water down like

726
00:45:24,400 --> 00:45:26,640
Speaker 1: the old up town days when they used to boom.

727
00:45:27,400 --> 00:45:29,640
Speaker 1: That was the best crowd. That wasn't the best crowd.

728
00:45:30,719 --> 00:45:34,000
Speaker 1: That was stressful because I think if because if you

729
00:45:34,200 --> 00:45:36,920
Speaker 1: made it it was funny. No, I ain't mean it

730
00:45:37,040 --> 00:45:38,759
Speaker 1: was funny. They might have just been too tired to

731
00:45:38,800 --> 00:45:42,400
Speaker 1: boo you because they didn't boot everybody. I've seen a

732
00:45:42,480 --> 00:45:44,160
Speaker 1: lot of niggas didn't get booed, but a lot of

733
00:45:44,280 --> 00:45:47,400
Speaker 1: niggas didn't do good came up in them. Wait, so

734
00:45:47,480 --> 00:45:50,040
Speaker 1: the crowd was just too top Now they were saving

735
00:45:50,080 --> 00:45:53,239
Speaker 1: the boot the Atlanta crab like, who Nick, don't move him? Wait? Wait, wait,

736
00:45:53,280 --> 00:45:57,040
Speaker 1: wait wait, we got to think were really he ain't

737
00:45:57,080 --> 00:46:00,759
Speaker 1: the worst, I ain't the worst. Ain't to bed, but

738
00:46:00,840 --> 00:46:03,160
Speaker 1: the trust me save you move. You're gonna need your

739
00:46:03,239 --> 00:46:07,840
Speaker 1: energy for this next nigger. Yeah up town, I gotto

740
00:46:08,040 --> 00:46:13,040
Speaker 1: my second show, your second show, second show. I haven't

741
00:46:13,080 --> 00:46:16,080
Speaker 1: had a bad crusher. Yeah, it's scary for me. I

742
00:46:16,080 --> 00:46:19,239
Speaker 1: feel like I should have already. I had a really

743
00:46:19,360 --> 00:46:21,600
Speaker 1: bad Now you're like when nobody laughs or they're not like,

744
00:46:22,360 --> 00:46:23,680
Speaker 1: you know what I mean? I got bad times that

745
00:46:24,520 --> 00:46:27,359
Speaker 1: make them laugh, like working at it. I haven't had

746
00:46:27,440 --> 00:46:32,920
Speaker 1: him flop yet. You gotta make these people laugh. You

747
00:46:33,040 --> 00:46:35,799
Speaker 1: get to them flops be coming, though, don't. I think

748
00:46:35,800 --> 00:46:38,040
Speaker 1: it's part of it, even doing it three or four

749
00:46:38,080 --> 00:46:42,320
Speaker 1: your triers. Yeah, safe for comedians. If you get boomed,

750
00:46:43,400 --> 00:46:48,000
Speaker 1: leave leave. But I walk off the home. Like if

751
00:46:48,040 --> 00:46:50,840
Speaker 1: you're doing bad and you leave, I always want nobody

752
00:46:50,840 --> 00:46:53,520
Speaker 1: to be mad at you. I swell like drop because

753
00:46:53,520 --> 00:46:56,360
Speaker 1: they want don't don't drop the like comedians are do

754
00:46:56,600 --> 00:47:00,439
Speaker 1: bad and then they'll come and sit like in next

755
00:47:00,440 --> 00:47:03,279
Speaker 1: to you and it's like bad energy. It's like, get away, bro,

756
00:47:03,600 --> 00:47:06,440
Speaker 1: if you bomb and stay away from the stopped, like,

757
00:47:06,560 --> 00:47:11,279
Speaker 1: get away from shrap them, don't go. Don't ball's set

758
00:47:12,600 --> 00:47:18,960
Speaker 1: and finishing finishing set, get the because they don't want

759
00:47:18,960 --> 00:47:20,520
Speaker 1: you want to do you curse them out first. No,

760
00:47:25,320 --> 00:47:28,000
Speaker 1: I haven't played down already. If you're feeling it. If

761
00:47:28,040 --> 00:47:30,839
Speaker 1: you're feeling it, I always bring a cousin. You gotta

762
00:47:30,880 --> 00:47:33,200
Speaker 1: back me off. That bitch blah blah blah Bird did

763
00:47:33,280 --> 00:47:34,920
Speaker 1: that one time. He was getting bulled and he just

764
00:47:34,920 --> 00:47:37,320
Speaker 1: started cussing everybody out and they started laughing. That's but

765
00:47:37,560 --> 00:47:40,520
Speaker 1: everybody can't do that. I can fight a little bit,

766
00:47:40,760 --> 00:47:43,279
Speaker 1: and he white. You're white, don't you know the guy?

767
00:47:43,320 --> 00:47:48,960
Speaker 1: I like to see comedians bomb because I know how

768
00:47:49,040 --> 00:47:51,040
Speaker 1: hard this ship is. As hard as Funk and everybody

769
00:47:51,080 --> 00:47:55,239
Speaker 1: think they can do. When I say a nigga dying,

770
00:47:56,200 --> 00:47:58,879
Speaker 1: I go get front, bro. I like to just watch

771
00:47:59,000 --> 00:48:03,160
Speaker 1: them die every nighood, Like when the nigga's dying, like

772
00:48:03,280 --> 00:48:05,759
Speaker 1: I can stop me. I got to see this nigga done.

773
00:48:06,320 --> 00:48:07,920
Speaker 1: And then when they get off of stage and they

774
00:48:07,960 --> 00:48:10,920
Speaker 1: start talking to us like a ghost, it's talking to you. Damn.

775
00:48:11,000 --> 00:48:14,960
Speaker 1: That's cool. And that's the evil side. That's never a comedian, no,

776
00:48:15,080 --> 00:48:16,759
Speaker 1: like they're like to see a nigga because it's hard. Bro,

777
00:48:16,840 --> 00:48:19,840
Speaker 1: this is hard everybody. When I see a comedian bombing

778
00:48:19,880 --> 00:48:22,440
Speaker 1: that ship, crush my spirit. I'll be like, trade you

779
00:48:22,480 --> 00:48:27,080
Speaker 1: other and then the I don't want to see that

780
00:48:27,480 --> 00:48:33,360
Speaker 1: second embarrassment for them. Yeah, especially if there's one of

781
00:48:33,440 --> 00:48:36,560
Speaker 1: the dog Now when it's when it's when it's a comedian,

782
00:48:36,640 --> 00:48:39,560
Speaker 1: I know, I'm like, damn, no, I don't go back. No,

783
00:48:39,680 --> 00:48:41,680
Speaker 1: you're like watching your homies now. I don't like watching

784
00:48:41,680 --> 00:48:45,200
Speaker 1: my homies like watching like watching comedians. They think they're

785
00:48:45,280 --> 00:48:48,960
Speaker 1: nice and then they go die. Okay needs to come

786
00:48:49,040 --> 00:48:52,240
Speaker 1: up to us. And I'm known for the giving niggas

787
00:48:52,280 --> 00:48:54,200
Speaker 1: to Mike, Like they'd be like your a comedian. I'm

788
00:48:54,600 --> 00:48:59,439
Speaker 1: I'm like, oh word, high five, get that quick five

789
00:48:59,520 --> 00:49:02,600
Speaker 1: because the check the mat because they'll be talking. You

790
00:49:02,680 --> 00:49:05,719
Speaker 1: can dine right, you can dine three minutes, you can

791
00:49:05,800 --> 00:49:07,799
Speaker 1: die really two minutes. I don't think almost every time

792
00:49:07,880 --> 00:49:10,000
Speaker 1: take the mic right, and I think we've only had

793
00:49:10,080 --> 00:49:15,879
Speaker 1: like maybe one or two that was nice everyone everyone else,

794
00:49:16,040 --> 00:49:20,200
Speaker 1: Yeah you got. You don't want them to blow up

795
00:49:20,239 --> 00:49:26,080
Speaker 1: and be like, yeah, calose bits now, I'm really ship

796
00:49:27,400 --> 00:49:30,080
Speaker 1: trying to stop my career. Man. You know that's going

797
00:49:30,160 --> 00:49:32,440
Speaker 1: on the ground for show for sure. I used to

798
00:49:32,480 --> 00:49:36,040
Speaker 1: host comedy shows. Nigger could come up and bomb and

799
00:49:36,200 --> 00:49:39,560
Speaker 1: don't have one complete joke and get on stage and bomb.

800
00:49:39,680 --> 00:49:41,840
Speaker 1: It was like, yeah, the nigga Colos ain't bring me

801
00:49:41,960 --> 00:49:44,759
Speaker 1: up right, man, he can't tell him who I was.

802
00:49:45,000 --> 00:49:48,279
Speaker 1: You know, he didn't say nothing, you know what I'm like. Yeah,

803
00:49:48,560 --> 00:49:50,880
Speaker 1: then the nigga had did two minutes right before I

804
00:49:50,960 --> 00:49:54,120
Speaker 1: came up, so he had I was on the whole

805
00:49:54,120 --> 00:49:57,400
Speaker 1: another vibe mixed that ship with what he said, and

806
00:49:57,440 --> 00:49:59,640
Speaker 1: then he bring me up right and the DJ ain't

807
00:49:59,680 --> 00:50:02,200
Speaker 1: play my song and the Michaels sucking up a little bit.

808
00:50:02,280 --> 00:50:06,880
Speaker 1: So man, all the bomb excuses, all the excuse. This

809
00:50:07,320 --> 00:50:09,400
Speaker 1: this the funniest ship to hear. When the nigga bombing

810
00:50:10,760 --> 00:50:17,160
Speaker 1: right handed Mike Man bomb, when the nigga bomb this

811
00:50:17,239 --> 00:50:19,560
Speaker 1: was the nigga always say, don't matter who it is,

812
00:50:19,800 --> 00:50:23,120
Speaker 1: nigga be bummed. Nigga always said, yeah, man, I just

813
00:50:23,239 --> 00:50:24,880
Speaker 1: came up here to show my nigga call or some

814
00:50:25,000 --> 00:50:36,720
Speaker 1: love man man, nigga. Man. About the social media comics,

815
00:50:36,880 --> 00:50:39,279
Speaker 1: like people come up this the thing about it, leave

816
00:50:39,360 --> 00:50:44,200
Speaker 1: him alone. That's you can't Just like somebody is telling

817
00:50:44,239 --> 00:50:46,640
Speaker 1: all the social media comedians that they have to go

818
00:50:46,800 --> 00:50:49,719
Speaker 1: do stand up comedy. If you're not a stand up comedian,

819
00:50:49,840 --> 00:50:53,520
Speaker 1: don't let nobody talk you into that ship. But they're

820
00:50:53,520 --> 00:50:57,279
Speaker 1: going for the bag. I don't blame me because someone

821
00:50:57,280 --> 00:50:59,399
Speaker 1: I'm making a lot of money. They stupid. Then these

822
00:50:59,480 --> 00:51:01,920
Speaker 1: people got sucking demand. If people want to book you

823
00:51:02,040 --> 00:51:05,040
Speaker 1: and you do sketches on social media, dud, they just

824
00:51:05,120 --> 00:51:07,120
Speaker 1: need to know that you're coming to do sketches. Then

825
00:51:07,840 --> 00:51:10,560
Speaker 1: shoot sketches in front of these motherfucker's and put everybody

826
00:51:10,640 --> 00:51:13,680
Speaker 1: who was gonna boo you in the goddamn sketch. Don't

827
00:51:13,760 --> 00:51:16,040
Speaker 1: let these people book you for an hour of comedy.

828
00:51:16,040 --> 00:51:18,200
Speaker 1: If you ain't never did a minute a comedy. I

829
00:51:18,280 --> 00:51:21,480
Speaker 1: show up at these motherfucking schools with a production team. Yeah,

830
00:51:21,520 --> 00:51:23,799
Speaker 1: we're shooting sketches this whole time. I'm gonna need these

831
00:51:23,880 --> 00:51:25,759
Speaker 1: people over here to put these black T shirts off.

832
00:51:26,160 --> 00:51:28,879
Speaker 1: And y'all, okay, this was job do what the funk

833
00:51:28,920 --> 00:51:31,920
Speaker 1: you've been doing? Why would you goddamn let somebody talk

834
00:51:31,960 --> 00:51:34,840
Speaker 1: you out the hustle that you've been on. Man, I

835
00:51:35,080 --> 00:51:37,919
Speaker 1: go to the book these motherfucker colleges and be like, look,

836
00:51:37,960 --> 00:51:40,080
Speaker 1: I don't do no stand up comment, but I would

837
00:51:40,120 --> 00:51:42,400
Speaker 1: come and be on campus for two hours and I

838
00:51:42,520 --> 00:51:44,680
Speaker 1: shoot some sketches with some students in mouth the bit

839
00:51:45,040 --> 00:51:47,120
Speaker 1: because it's gonna get more promotion that way. If the

840
00:51:47,160 --> 00:51:49,600
Speaker 1: ship go my way, then if somebody to say, man,

841
00:51:49,680 --> 00:51:52,719
Speaker 1: then they came to school and bomb like no, Then

842
00:51:52,800 --> 00:51:54,759
Speaker 1: they came to the school and turned this bitch up

843
00:51:54,840 --> 00:51:59,279
Speaker 1: and we went viral. Nig, why wouldn't you man ship

844
00:51:59,480 --> 00:52:01,880
Speaker 1: bron I understand up the meeting. I'm not about to

845
00:52:01,960 --> 00:52:04,239
Speaker 1: let these people and say, okay, low, we need you

846
00:52:04,280 --> 00:52:09,880
Speaker 1: for the homecoming fashion show. Don't curbs all that that.

847
00:52:10,120 --> 00:52:13,080
Speaker 1: Don't don't buck me. If you watching the ship that

848
00:52:13,160 --> 00:52:15,719
Speaker 1: I say, And why would you bring me somewhere that

849
00:52:15,840 --> 00:52:18,080
Speaker 1: you don't want me to say this ship? Like the

850
00:52:18,440 --> 00:52:22,359
Speaker 1: stop hiring comedians and trying to tell them what to say? Hey,

851
00:52:22,680 --> 00:52:24,840
Speaker 1: could you watch the beaches? What could not be some

852
00:52:25,000 --> 00:52:30,920
Speaker 1: many benches in here? I mean, we're find with the language.

853
00:52:30,920 --> 00:52:35,880
Speaker 1: Just don't call them hose they fucking ain't they the

854
00:52:36,120 --> 00:52:41,719
Speaker 1: kids in the show? They holding baby at it. I

855
00:52:41,760 --> 00:52:43,560
Speaker 1: feel like I'm a lover of comedy. I feel like

856
00:52:44,040 --> 00:52:47,000
Speaker 1: the comedians I watched coming up told jokes in little

857
00:52:47,040 --> 00:52:50,880
Speaker 1: clubs for fifteens and years whatever. People like me. I

858
00:52:50,960 --> 00:52:53,440
Speaker 1: went violent from the beginning. So it's like if I said, Yo,

859
00:52:53,560 --> 00:52:55,799
Speaker 1: meet me and Baltimore, they're gonna mee me in Baltimore. Yeah,

860
00:52:56,120 --> 00:52:58,640
Speaker 1: but you gotta do something they do. Here's the thing

861
00:52:59,520 --> 00:53:03,000
Speaker 1: you You get booked for forty five minutes. You gotta do.

862
00:53:03,560 --> 00:53:06,120
Speaker 1: That's that's the contract. Comedy clubs. It's forty five minutes.

863
00:53:06,640 --> 00:53:09,320
Speaker 1: That's that's the minimum. Or at least tell these motherfuckers

864
00:53:10,040 --> 00:53:13,120
Speaker 1: keep it real. I don't do no stand. I needed

865
00:53:16,480 --> 00:53:23,480
Speaker 1: take at anybody getting what's that though? You know I'm

866
00:53:23,560 --> 00:53:25,879
Speaker 1: going to its fall me like the streets so I'm

867
00:53:25,920 --> 00:53:28,120
Speaker 1: getting the venue, I'm getting the security. It's my ship.

868
00:53:28,200 --> 00:53:31,200
Speaker 1: I'm booked myself because niggas ain't calling me. I did

869
00:53:31,280 --> 00:53:33,680
Speaker 1: the punch line in Philadelphia, sucked the punch line up.

870
00:53:33,880 --> 00:53:38,640
Speaker 1: The niggas wasn't gonna call me, call me. Get on

871
00:53:38,719 --> 00:53:41,400
Speaker 1: top of it being I'm mail dominating. I'm a viral comedian.

872
00:53:41,480 --> 00:53:44,560
Speaker 1: So the comedians that's locally me, they're not inviting or

873
00:53:44,680 --> 00:53:49,439
Speaker 1: one and I you know how many of these people

874
00:53:49,520 --> 00:53:51,560
Speaker 1: who you think supposed to call you don't have no

875
00:53:51,719 --> 00:53:54,200
Speaker 1: idea you even want to do coming call you. I'm

876
00:53:54,239 --> 00:53:57,120
Speaker 1: saying I have came and really been like, Yo, Finn

877
00:53:57,160 --> 00:53:58,840
Speaker 1: of yours, you're a legend year I want to hoping

878
00:53:58,880 --> 00:54:01,600
Speaker 1: for you. Tell them that you're up. When you told

879
00:54:01,640 --> 00:54:06,480
Speaker 1: them that Philadelphi. It's not like like sometimes you've been talking.

880
00:54:06,520 --> 00:54:10,719
Speaker 1: I think you're gonna give at the beat. Yeah, ain't

881
00:54:10,719 --> 00:54:12,840
Speaker 1: nobody's gonna be like you. You won't open for me.

882
00:54:15,160 --> 00:54:18,279
Speaker 1: You hopeful go out there and do your bet. I'll

883
00:54:18,280 --> 00:54:21,160
Speaker 1: do the rist. But here's what I say about social

884
00:54:21,200 --> 00:54:23,799
Speaker 1: media comedians, because it's two different things. I agree with y'all,

885
00:54:23,880 --> 00:54:26,040
Speaker 1: Like if you're not a stand up comedian and you

886
00:54:26,760 --> 00:54:29,279
Speaker 1: getting booked to do an hour in the headline, you

887
00:54:29,360 --> 00:54:31,720
Speaker 1: should be smart enough to not do that. You should

888
00:54:31,800 --> 00:54:34,480
Speaker 1: do what your strongest, that you should take a thousand

889
00:54:34,520 --> 00:54:37,120
Speaker 1: dollars of that deposit money that they sent you and

890
00:54:37,239 --> 00:54:40,320
Speaker 1: hiring negative write you some material. But like some of

891
00:54:40,320 --> 00:54:42,799
Speaker 1: them do, though some of them do, but he's still

892
00:54:42,840 --> 00:54:45,439
Speaker 1: you're not gonna be nice even with somebody writing your ship.

893
00:54:45,960 --> 00:54:48,200
Speaker 1: It takes some season and to be on stage for

894
00:54:48,320 --> 00:54:50,879
Speaker 1: a whole hour, but at least you've ever enough ship

895
00:54:51,000 --> 00:54:53,480
Speaker 1: to say when you get there, if you remember it,

896
00:54:53,520 --> 00:54:55,279
Speaker 1: because you will be so goddamn nervous because you're not

897
00:54:55,320 --> 00:54:58,399
Speaker 1: conditioned for it. It's like having a boxer to come

898
00:54:58,480 --> 00:55:00,880
Speaker 1: in a professional box to show you all the punches,

899
00:55:01,520 --> 00:55:04,120
Speaker 1: but you're getting that goddamn ring for the first thirty seconds.

900
00:55:04,160 --> 00:55:09,680
Speaker 1: You're gonna be gassed. Advocate for none because I don't

901
00:55:09,680 --> 00:55:13,280
Speaker 1: say we don't say this. Look. There's also the question

902
00:55:13,360 --> 00:55:15,960
Speaker 1: that I always get, like do you think the social

903
00:55:16,000 --> 00:55:21,359
Speaker 1: media comedians are funny? And my thing is, yeah, there's

904
00:55:21,400 --> 00:55:23,120
Speaker 1: some who are funny, and there's something who are not

905
00:55:23,440 --> 00:55:25,920
Speaker 1: the same way coming up in the deaf comedy jam

906
00:55:26,040 --> 00:55:28,040
Speaker 1: era or whatever are you're in, who are. You know,

907
00:55:28,160 --> 00:55:30,600
Speaker 1: we're supposed to be the realist and the traditional era.

908
00:55:31,040 --> 00:55:33,319
Speaker 1: There was garbage niggas then too, and there was great

909
00:55:33,400 --> 00:55:36,719
Speaker 1: niggas then too. So every era, whatever platform you use,

910
00:55:36,880 --> 00:55:40,440
Speaker 1: there's going to be the good and the bad. You know,

911
00:55:40,640 --> 00:55:43,520
Speaker 1: if if hip hop niggas, if if if hip hop

912
00:55:43,600 --> 00:55:47,520
Speaker 1: niggas would have stopped when the seventies band niggers like nah,

913
00:55:47,640 --> 00:55:49,919
Speaker 1: y'all just gonna be a fat y'all cheating and y'all

914
00:55:50,000 --> 00:55:52,560
Speaker 1: using our music and y'all just spitting words over it

915
00:55:52,640 --> 00:55:54,919
Speaker 1: and that's not real music. If they would have listened

916
00:55:54,960 --> 00:55:57,279
Speaker 1: to that ship and got discouraged and stopped doing it,

917
00:55:57,640 --> 00:55:59,920
Speaker 1: we wouldn't be sitting here. Who would be sitting in

918
00:55:59,920 --> 00:56:04,359
Speaker 1: the room because hip hop, even though they didn't like it, fine,

919
00:56:04,480 --> 00:56:06,600
Speaker 1: now they're getting with it now that you know, real

920
00:56:06,719 --> 00:56:10,560
Speaker 1: musicians left that day, Real musicians like man I under

921
00:56:10,600 --> 00:56:13,600
Speaker 1: stand up comedian and sometimes I'd be I'd be wanting

922
00:56:13,600 --> 00:56:15,480
Speaker 1: to do some ship too, because then they just look

923
00:56:15,560 --> 00:56:17,280
Speaker 1: like that having a lot of fun and them sketches

924
00:56:17,320 --> 00:56:21,520
Speaker 1: the real titties and ship they be having the only fans. Girls,

925
00:56:23,120 --> 00:56:29,359
Speaker 1: they'd be slapping girls, they'd be getting to touch real

926
00:56:29,440 --> 00:56:33,160
Speaker 1: buys in them sches. I actually like to. That was

927
00:56:33,239 --> 00:56:35,840
Speaker 1: the but the stand up comedian to be like them sketches.

928
00:56:36,560 --> 00:56:39,520
Speaker 1: They got new punch. Let's see, I do sketch, just

929
00:56:39,640 --> 00:56:42,799
Speaker 1: got nice pretty visuals. I do it all. That's the thing.

930
00:56:43,120 --> 00:56:46,160
Speaker 1: I'll be like them sketches. But you gotta. But it's

931
00:56:46,200 --> 00:56:49,360
Speaker 1: like it's almost like the new you see, they do skits,

932
00:56:49,480 --> 00:56:55,120
Speaker 1: they do live in color schools. So we do sketches

933
00:56:55,960 --> 00:56:59,399
Speaker 1: minutes long. Yeah, that's why I mean spices. So that's

934
00:56:59,440 --> 00:57:03,320
Speaker 1: the real different doing to as a baby baby exactly

935
00:57:05,440 --> 00:57:10,400
Speaker 1: unless and specifically not it's funny exactly because it's not

936
00:57:10,480 --> 00:57:12,400
Speaker 1: as well thought out for me to do a sketch.

937
00:57:12,520 --> 00:57:15,240
Speaker 1: I needed to be creative, need to people call me sketches.

938
00:57:15,360 --> 00:57:17,080
Speaker 1: I have to be the baby man. We're gonna knock

939
00:57:17,160 --> 00:57:19,000
Speaker 1: it off on the shelf of Walmart and we're gonna

940
00:57:19,040 --> 00:57:21,400
Speaker 1: get put out, like that's really what people bring it.

941
00:57:21,520 --> 00:57:23,480
Speaker 1: It's like for me, I needed to. I was I

942
00:57:23,640 --> 00:57:27,040
Speaker 1: was happy to be a lawyer or a doctor or

943
00:57:27,160 --> 00:57:30,280
Speaker 1: somebody respectable in the community with the saying nails yep,

944
00:57:30,760 --> 00:57:35,600
Speaker 1: because it will be so unbelievably believable. I'm scared of him.

945
00:57:35,640 --> 00:57:37,560
Speaker 1: But I like them. I feel like you could be

946
00:57:37,600 --> 00:57:40,680
Speaker 1: in a movie. It's like I'm talking the bus driver

947
00:57:40,800 --> 00:57:44,640
Speaker 1: with a big booty, Like they put you in a

948
00:57:44,720 --> 00:57:46,480
Speaker 1: movie with some white people. You're just gonna have to

949
00:57:46,520 --> 00:57:50,080
Speaker 1: be aggressive black woman giving them life advice. Like look, look, bitch,

950
00:57:50,360 --> 00:57:53,160
Speaker 1: they like that, Go get your man. Exactly. You need

951
00:57:53,160 --> 00:57:55,439
Speaker 1: to take over. You're being fold movies doing this ship.

952
00:57:56,640 --> 00:58:01,440
Speaker 1: But hey, it'll be hard. White people love aggressive black

953
00:58:01,480 --> 00:58:03,560
Speaker 1: women in their face trying to give them life advice.

954
00:58:04,720 --> 00:58:06,840
Speaker 1: And somebody got to get punched in the face. That's

955
00:58:06,880 --> 00:58:09,000
Speaker 1: why people love anything we do. We set the tone

956
00:58:09,080 --> 00:58:11,080
Speaker 1: for everything in the culture, and we make things. I'm

957
00:58:11,080 --> 00:58:14,000
Speaker 1: about I'm about to find a way to manipulate racism

958
00:58:14,040 --> 00:58:16,040
Speaker 1: to my event. That's why we'll talk about people the

959
00:58:16,040 --> 00:58:18,680
Speaker 1: big wigs saying no. How can the big wigue say no.

960
00:58:19,040 --> 00:58:21,280
Speaker 1: We create the culture, We control the culture. I think

961
00:58:21,320 --> 00:58:25,160
Speaker 1: things are changing that way is started tricking white people,

962
00:58:26,320 --> 00:58:29,080
Speaker 1: start tricking white people into doing ship that we don't

963
00:58:29,120 --> 00:58:31,040
Speaker 1: even like, just to see if they're gonna really do

964
00:58:31,160 --> 00:58:34,120
Speaker 1: control of the finance. But we got to start doing

965
00:58:34,200 --> 00:58:37,080
Speaker 1: some wilder ship, is all I'm saying. Do you like

966
00:58:37,240 --> 00:58:39,880
Speaker 1: It's been our whole plot like next winner. I feel

967
00:58:39,920 --> 00:58:42,480
Speaker 1: like Nigga said, just dressed like cowboys, the whole winner

968
00:58:42,520 --> 00:58:45,920
Speaker 1: I'm talking about all the way down, unannounced, surprised. And

969
00:58:46,000 --> 00:58:48,720
Speaker 1: then just then when white people started doing it like

970
00:58:48,840 --> 00:58:51,080
Speaker 1: we do, just stopped doing that ship all of a sudden,

971
00:58:51,080 --> 00:58:59,440
Speaker 1: they're like, like that, some motherfucking chicken hants a something

972
00:58:59,600 --> 00:59:04,720
Speaker 1: something outrageous. So we can clearly see that's stelling this nik.

973
00:59:04,920 --> 00:59:06,920
Speaker 1: We started wearing chicken hats and next thing you look

974
00:59:07,040 --> 00:59:09,880
Speaker 1: up Louis buton chicken hats, it's twenty five homes, don't.

975
00:59:10,320 --> 00:59:12,880
Speaker 1: It's just I don't know the body. Look at bodies.

976
00:59:12,920 --> 00:59:15,640
Speaker 1: Look at what white women's bodies now, their lips, their

977
00:59:15,720 --> 00:59:18,480
Speaker 1: hips there they like we already know. But even our

978
00:59:18,600 --> 00:59:21,320
Speaker 1: skinny women finding in their skinny women. We can take

979
00:59:22,000 --> 00:59:26,160
Speaker 1: all the plastic surgery women. We'll take a hundred skinny

980
00:59:26,200 --> 00:59:29,080
Speaker 1: black women and put them up against a hundred skinny

981
00:59:29,120 --> 00:59:32,440
Speaker 1: white women. No surgery, no maga, We're still gonna win.

982
00:59:34,920 --> 00:59:37,720
Speaker 1: Up Man, Carlos Miller of the eighty five South Show,

983
00:59:37,760 --> 00:59:40,600
Speaker 1: and I appreciate you checking out my guests Apon Crockett,

984
00:59:40,640 --> 00:59:44,280
Speaker 1: Brandon Lewis, and Mona Love. We're not through yet. Click

985
00:59:44,360 --> 00:59:46,120
Speaker 1: the link so you can check out Part two of

986
00:59:46,240 --> 00:59:49,560
Speaker 1: this interview with my special guests. That's right click that link.

987
00:59:49,800 --> 00:59:50,320
Speaker 1: Part two