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Speaker 1: This is Shaquille O'Neill. Do you ever scream at your printer,

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Speaker 1: at Epson dot com. Ninety two percent of households that

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Speaker 1: terms at one peloton dot com. Slash Home. That's This

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Speaker 1: podcast is supported by Morgan Stanley. What do you get

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Speaker 1: from the Morgan Stanley client experience Listening more than talking,

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Speaker 1: and a personalized plan to guide you through a changing world.

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Speaker 1: To learn more of visit Morgan Stanley dot com, slash

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Speaker 1: y US Investing Involved Risk, Morgan Stanley, Smith Barney LLC.

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Speaker 1: This is it Up There Podcast. I want to say welcome,

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Speaker 1: thank you for being here. You could be in the

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Speaker 1: way in the world. I got this new sound board

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Speaker 1: from Role, so I'm just getting used to it. I

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Speaker 1: want to thank Ed Batter for being here. Man, you

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Speaker 1: know who you're rocking with Big Loan. It's Up There podcast.

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Speaker 1: Fastest going podcasts in the world, biggest show in the world.

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Speaker 1: The Coaches Elevated, the Coaches Information Spot, the Coaches Entertainment Hub,

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Speaker 1: the Coaches everything you're dealing with it looking at it

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Speaker 1: in front of us. So I want to thank you,

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Speaker 1: welcome you, and say listen. If you ain't being here before,

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Speaker 1: make sure you come back here. This is what we're

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Speaker 1: doing agriculture at right. A lot of people doing a

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Speaker 1: lot of things, and we respect a lot of things

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Speaker 1: in the game. But over here, over here, just a

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Speaker 1: little something different than were loud about that because it

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Speaker 1: took us longer. Right, it's hard to coach saying something

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Speaker 1: that's different than you, because different than you may change

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Speaker 1: the whole algorithm. But moving forward, man, if you're right,

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Speaker 1: then you might supporter. Go to patreon dot com. It's

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Speaker 1: up the podcast. Make sure you get their support. The vibrations.

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Speaker 1: We gotta heavy court week, so we're gonna talk about

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Speaker 1: some of the Gunner situation. Gunna and thug NBA. Young

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Speaker 1: boy went to court this week and beat the Fizz.

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Speaker 1: We got lawyers for workers calling in a little later

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Speaker 1: to kind of explain to us some of that. And

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Speaker 1: he was there in the atmosphere because we lose so much.

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Speaker 1: When one of us winning, it's viewed like a Canarian

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Speaker 1: the coal mine, right. But we're gonna talk to him

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Speaker 1: about his feelings and you know what it was like

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Speaker 1: and how rare it is to beat the fizz and

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Speaker 1: things of that nature, and so we'll move forward from that.

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Speaker 1: I want to be clear to the people ahead of me,

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Speaker 1: beside me, under me, working with me, working against me,

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Speaker 1: influenced by me, disturbed by me, confused by me, interrupted

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Speaker 1: by me, all of y'all that anyone within the sound

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Speaker 1: of my voice. I want to let you guys know

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Speaker 1: that there is no one that's working harder than me.

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Speaker 1: There is no circumstance that can keep me out of

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Speaker 1: a situation and where the goal that I've put in

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Speaker 1: place is going to be interrupted. I want to be

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Speaker 1: clear my communication because the standards need to be clear.

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Speaker 1: We ain't sneaking and doing nothing, you know, and if

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Speaker 1: you say something, they make it harder. Let them make

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Speaker 1: it harder. They don't stop us from what we're doing,

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Speaker 1: because what also we're doing simultaneously we lighten the files

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Speaker 1: and other young knags out there trying to figure out

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Speaker 1: a way to get gone. The industry is a dog hole.

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Speaker 1: You can pull your money in the industry and not

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Speaker 1: getting no results. You gotta know where to pull your money.

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Speaker 1: You gotta know what a goal, how to look at it,

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Speaker 1: what a risk assessment. You can't do proper risk assessment

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Speaker 1: without any information. At that point, you're going by your

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Speaker 1: gut and your money is involved. If you ain't got

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Speaker 1: a lot of it, you better be careful going by

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Speaker 1: your gut because the results of that can leave you

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Speaker 1: in a situation that you can't come back from in

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Speaker 1: a way that's effective at that second. So you may

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Speaker 1: gotta fight back. As I look at media and I

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Speaker 1: look at coach, and I look at some of the

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Speaker 1: people that's talking and putting their opinions out and speaking

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Speaker 1: on things that they haven't encountered, I find it interesting.

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Speaker 1: I find it so interesting because for me, I honestly

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Speaker 1: feel like there's too many star players on the bench,

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Speaker 1: and there's too many bench players with starring roles. So

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Speaker 1: somewhere the algorithm is off. But I think the algorithm

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Speaker 1: is off because it's ain't. You see, they want me

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Speaker 1: to believe it. They got where they at because of

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Speaker 1: their talent that they know how, but they was just

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Speaker 1: the first ones. But I stand by what I say

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Speaker 1: when I say leading the race, ain't winning the race.

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Speaker 1: Eyes open, because right when you get tired of to

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Speaker 1: might kid stride, that little distance you had on him

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Speaker 1: is closing. Then it's closing, then it's closing. You didn't

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Speaker 1: got tired, he just called stride. I like to tell

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Speaker 1: people in regards to this industry, in regards to this

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Speaker 1: legally moving around, I'm a baby in this. I'm excited

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Speaker 1: about every little thing. So for me, they gotta deal

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Speaker 1: with the fire that come with that. Yeah, get a

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Speaker 1: million dollar chicken. Oh yeah, this is what they're doing

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Speaker 1: for that. Oh this is how we right, So that

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Speaker 1: that sparked a different kind of fire. But it's way

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Speaker 1: too many star players on the bench, and too many

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Speaker 1: bench players with starting roles. You got it, can't dribble

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Speaker 1: handling the ball, you got it, can't pass a quarterback.

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Speaker 1: And we're talking about in regards to business in the game.

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Speaker 1: You got ns in position that they ain't watch the

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Speaker 1: film tape to be in. They ain't. They ain't even

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Speaker 1: in a situation to see the play coming. And that's

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Speaker 1: why you see the lack of assists because a lot

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Speaker 1: of going for the point guard role because of the page.

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Speaker 1: That's a test to it. And you can get the

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Speaker 1: start and roll and it might accept you if you're

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Speaker 1: a little shoulder and you can bend it a little bit.

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Speaker 1: A tall dude can play point right, So it's a

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Speaker 1: it's a and when I'm saying is you got to

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Speaker 1: keep up with the game. I'm putting down right, But

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Speaker 1: people go try to be the point guard to attach

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Speaker 1: themselves to the pay. They don't understand that the job

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Speaker 1: got necessities. The job got standards. The job says that

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Speaker 1: you're a point guard. You post to facilitate plays. And

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Speaker 1: so now you got a lot of point guards in

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Speaker 1: position that don't know how to pass. They look in

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Speaker 1: the skull and they've been granted the point guard position.

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Speaker 1: That's why the industry and is entertainment so up. They

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Speaker 1: look at it like giving a handoff is a handout.

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Speaker 1: And then you got others that try to shoot down

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Speaker 1: what you're doing and put you in the trick bad man.

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Speaker 1: You ain't don't be doing that. That ain't cool to do.

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Speaker 1: Ain't what you ain't cool to do? Whatever you doing,

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Speaker 1: I don't think cool that you has got on. I

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Speaker 1: don't think they don't. That ain't nothing to me. I

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Speaker 1: don't like this. I'm on my own type of thing,

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Speaker 1: you understand. But they won't trick me out of doing

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Speaker 1: what they've allowed seeing then to do. They won't trick

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Speaker 1: me out of doing what they've allowed TMZ to do.

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Speaker 1: They won't trick me out of doing what they've allowed

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Speaker 1: Fox to do. But when I talk about it, they

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Speaker 1: want to act as if I come from a place

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Speaker 1: where that ain't necessary. I'm looking for the money and

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Speaker 1: the information I got the past out the folks. I know.

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Speaker 1: Guard called me to be a point guard. You're never

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Speaker 1: looking to skull. Point guards get the skull when it's necessary.

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Speaker 1: And he's a score. But he must know that he

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Speaker 1: got to make assists too in that position, right, you

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Speaker 1: gotta get it to the center. Some of them that

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Speaker 1: ain't as talented as you. You know what I'm saying.

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Speaker 1: He ain't got the ability to go in these rooms,

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Speaker 1: in and out these rooms like you. He a sinner

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Speaker 1: in regards to the infrastructure entertainment, but you gotta know

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Speaker 1: how to get in a position, get some money with

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Speaker 1: him and getting him the ball. So when he scoed

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Speaker 1: something gone your stat sheet as well. Ain't make sure

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Speaker 1: you're being it right. But I'm saying this game is

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Speaker 1: so man because they got people in position that I

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Speaker 1: don't really respect their opinion no more. And I say

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Speaker 1: that respectfully. I don't think I'm better than anyone. I

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Speaker 1: just think I'm obsessive, so I know more about these

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Speaker 1: things than almost anyone, right, That's all I do. It's

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Speaker 1: gonna be rough to get around, but I want the

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Speaker 1: young to know that the revolution will be weaponized. Yeah,

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Speaker 1: the revolution will be weaponige. They're gonna put you in

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Speaker 1: a position or well, because they may know a little

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Speaker 1: bit more than you see if you talk to me.

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Speaker 1: I'm always telling my people I'm in bluetooth mode. Don't

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Speaker 1: never look at me like I know nothing. I mean

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Speaker 1: discovery mode. Everywhere I'm man, I'm looking for the information.

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Speaker 1: Ain't nothing else for me to do. I know the information.

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Speaker 1: The money goes with that, and with the money, I

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Speaker 1: know what to do with it because I got the

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Speaker 1: information with it. A lot of y'all searching for the money.

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Speaker 1: One of my biggest messages be to the young that

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Speaker 1: the money go with the information. You don't hear people

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Speaker 1: tell you that. I mean, you're starting to hear people

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Speaker 1: re brand the way they do things. And you know,

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Speaker 1: I'm I'm grateful to be influential in the market, right,

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Speaker 1: but the information go with the money. You ain't got

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Speaker 1: to chase the money. You know what I'm saying. You

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Speaker 1: ain't got to the information go with the money. I

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Speaker 1: won't let these weaponize the revolution on me, though. I

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Speaker 1: don't care. How do you feel about what I'm doing

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Speaker 1: and how they think about my brain and my platform.

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Speaker 1: I know what I'm doing. I'm playing a tech game,

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Speaker 1: y'all playing, and my retention is high. My retention probably

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Speaker 1: the highest in the game. The people that come to

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Speaker 1: me once I get them, once they bite the apple

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Speaker 1: is done, they then I know that to be something

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Speaker 1: that's very valuable in the space. But I also see

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Speaker 1: how they try to blur the lines and what's gossip

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Speaker 1: and what's entertaining, and what's this and that, And I

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Speaker 1: want to be clear to the people that's speaking indirectly

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Speaker 1: the big loan. I don't give a high nobody thing.

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Speaker 1: Let me say that again. Maybe I need to bag

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Speaker 1: about the mic soon to make sure it comes through

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Speaker 1: real clean. I don't give a feel about what it

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Speaker 1: is I do, what it is I bring to the game.

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Speaker 1: Whoever it is that I've interrupted, or the algorithm that

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Speaker 1: I've added, if it's interrupted your plans or made you

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Speaker 1: feel as though now you don't have the shot that

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Speaker 1: you had, I want you to know that I don't

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Speaker 1: give a fun how you feel about my hustle, my

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Speaker 1: hustle post of tricking the If you've been tricking the

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Speaker 1: game and providing the people nothing and I'm getting closer,

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Speaker 1: you post to feel away, and I come from the streets.

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Speaker 1: I know how they ignore the price is high in mine.

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Speaker 1: He can't compete. I'm dealing with a product he ain't

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Speaker 1: got im cheap around here for this. You run around

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Speaker 1: here trying to tell them your quality better and they

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Speaker 1: seeing that I've got the same, all better for cheaper.

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Speaker 1: I don't argue with is they can't understand manufacturing and

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Speaker 1: the way I do. They don't understand communication and the

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Speaker 1: way I do. They don't understand history and the way

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Speaker 1: I do. They don't understand how to articulate the ideas

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Speaker 1: and the way I do. I don't give a with

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Speaker 1: them tighten thing. The people I'm worried about it is

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Speaker 1: the people I can draw motivation from. Yo, let's start

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Speaker 1: this story. Man if y'all if you listen all the time.

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Speaker 1: Last week, I told y'all that, you know, the city

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Speaker 1: is now becoming a city of what dudes is. And

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Speaker 1: I'm from Nashville. So I was home for a week

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Speaker 1: and I was driving downtown area and a dude through

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Speaker 1: something at my car right and it was just a man.

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Speaker 1: I get out and we you know, we we get

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Speaker 1: into a real quick But then I got to telling

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Speaker 1: all my people, like, Yo, the city growing, they're doing

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Speaker 1: the law because in LA they get out like the

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Speaker 1: dudes or grab your car them. Does it? So for me,

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Speaker 1: you know? And I instantly said, man, don't go in

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Speaker 1: the trick bag. I got too much going on. It's

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Speaker 1: too much involved in me, too much investment in this

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Speaker 1: For me to be in a situation involved myself in

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Speaker 1: even being on the other side of winning or losing,

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Speaker 1: My loss mean more than his loss. And sometimes you

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Speaker 1: gotta weigh that up. Right, if I lose, it's worth this,

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Speaker 1: If he lose, it's worth that. Right. If I get

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Speaker 1: out beat him up, that's cool. But that don't wait

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Speaker 1: none he get out, beat me up and then kill

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Speaker 1: me or something there. Look at everybody that fall victim

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Speaker 1: or feel the affix of that. You understand what I'm saying.

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Speaker 1: So I sometimes you gotta weigh those things up. And again,

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Speaker 1: I always talk about risk assessment, but I want to

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Speaker 1: be clear with everyone that I'm always imperfect. I ain't

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Speaker 1: just got it all together. I understand something, but I

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Speaker 1: ain't know what near the perfect dude. So for me,

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Speaker 1: I pull over and get out the car. But I

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Speaker 1: ain't even tell my mama, Man, I was a mistake.

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Speaker 1: And my mama always on the side of man, if

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Speaker 1: they ain't hit you, just get out of there. Kill

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Speaker 1: them if they get close enough to seem like they're

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Speaker 1: gonna hurt you, but try to avoid it at all.

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Speaker 1: Calls right, that's always her vibe, and so she's saying, like, yo,

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Speaker 1: why you get out? There was dune and for me,

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Speaker 1: I already called her with the energy like yo, man,

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Speaker 1: I don't know what I would think. Get out of

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Speaker 1: the car. That dude could have made his man up

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Speaker 1: that morning, like whoever stopped right here, I'm gunning they

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Speaker 1: been down And unfortunately I would have been a stop

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Speaker 1: right there and then being gunned down because I was

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Speaker 1: rid it, but I wasn't read it if he would

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Speaker 1: have just walked up and boomed because he said something

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Speaker 1: right now. With that being said, there was an Olympian

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Speaker 1: name Kim Glass. For those of you who underwhere she

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Speaker 1: was attacked, I think in La bob Ball that just

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Speaker 1: came up to her with that type of energy and

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Speaker 1: hit her with something. Let's listen to what she said.

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Speaker 1: I'm doing this video because I have a lot of

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Speaker 1: messages coming in and I don't want to have to

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Speaker 1: repeat myself. And I appreciate all the love, and I'm

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Speaker 1: sure it's just going to get out and around, so

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Speaker 1: I might as well let you guys know what happened yesterday.

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Speaker 1: I was in downtown LA and I had a lunch.

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Speaker 1: As I was leaving lunch, I was outside and I

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Speaker 1: was saying goodbye to a friend and as homeless man

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Speaker 1: ran up. He had something in his hand on He

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Speaker 1: was the other side of the car in the street,

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Speaker 1: and he just like looked at me with some pretty

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Speaker 1: fateful eyes. And as I turned to go tell my friend,

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Speaker 1: I think something's like wrong with him, and I think

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Speaker 1: he's going to hit the car. Before I knew it,

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Speaker 1: a big metal bolt like pipe hit me in my

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Speaker 1: hit me right here here. I just happened so fast

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Speaker 1: he literally flung it from the street, so he was

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Speaker 1: not even close to me at all. Kind of took

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Speaker 1: me down and out and they got him and they

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Speaker 1: held him down. Shops came, ambulance came. You know. Right now,

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Speaker 1: it looks like my vision will be okay. And um,

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Speaker 1: I got really great stitching from the doctor. I have

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Speaker 1: just amazing friends of family around me and supporting me,

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Speaker 1: and that's been the best part. I do have multiple

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Speaker 1: fractures up here in a small one here, but my

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Speaker 1: friends have been family amazing, and I just wanted to

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Speaker 1: let you guys know what happened because I know it's

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Speaker 1: going to get out and I'm getting a lot of

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Speaker 1: messages and I love you guys so much, and just

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Speaker 1: know that I'm okay, and I hope you guys have

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Speaker 1: an awesome weekend. And shout out to these eyelashes that

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Speaker 1: have been on ever since. I don't know who made these,

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Speaker 1: but can I get a deal because you guys are awesome? Man, Yo, Bro,

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Speaker 1: that's a different thing right there. Like yo, if you're

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Speaker 1: watching that video, man, you see her, I like, man,

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Speaker 1: I couldn't imagine if that was my mother, my sister,

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Speaker 1: my child, my old lady, somebody that I love. Man.

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Speaker 1: And this stuff that's this is America. This is what

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Speaker 1: they're doing for nothing. This is the level of drugs.

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Speaker 1: It's being put in the street. Man, It's having people

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Speaker 1: doing this hill and it ain't gonna stop. It's really

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Speaker 1: out of control. There's no way to stop it. It's

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Speaker 1: too big business. It ain't no way to stop it.

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Speaker 1: You understand. If they stop that, they I think they

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Speaker 1: blow up a lot of people's undercover things. That they

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Speaker 1: have going on. There's no way to stop it. And

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Speaker 1: those biggest cities like LA. When we was out in

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Speaker 1: LA riding around like see, because I'm from the South,

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Speaker 1: so we got a different and I'm sure the LA

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Speaker 1: people like the gang bangers in LA, they ain't got

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Speaker 1: this type vibe. But I'm from the South, where you know,

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Speaker 1: we all get out of smack you about doors. So

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Speaker 1: as I see a dude, I'm telling my people that's

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Speaker 1: with me, he bet not touch his car. So I

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Speaker 1: ain't knowing. They got a little they outside all day,

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Speaker 1: people doing construction in Folk, picking up the boats that

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Speaker 1: they're making. The bridge with them ain't gonna move. It's

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Speaker 1: certain little boats that go on like train tracks and

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Speaker 1: bridge boats and construction foundation boats that them them them

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Speaker 1: homeless people. I have those that's weapons, and they don't

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Speaker 1: got to be close there, just stowed like she said,

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Speaker 1: and hit you in your face. Swell all let up.

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Speaker 1: I couldn't imagine that being somebody I love, bro. But

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Speaker 1: then you got to say, how could she fight against it?

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Speaker 1: I'm not sure. I think she kind of explained what

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Speaker 1: else happened. Let's see, give me a second, Let's see

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Speaker 1: if we can find a video the videos via Inside Edition.

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Speaker 1: Sorry exclusive olympian Kim Glass in cheers. She tells Inside

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Speaker 1: Edition new details out her horrific attack by a homeless

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Speaker 1: man that left her face bruised and battered. I have

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Speaker 1: a stitch here or two, and then I have multiple

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Speaker 1: fractures in my orbital bone here and then a microfracture

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Speaker 1: down here. She breaks down thinking about how the attack

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Speaker 1: could have been even worse. I could have fell hit

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Speaker 1: my head and there could have been some brain hemerging.

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Speaker 1: New footage shows the blood splattered sidewalk and an injured

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Speaker 1: Kim right after the senseless assault. Pastor buys are trying

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Speaker 1: to stop the bleeding. Her alleged attacker is pinned to

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Speaker 1: the ground. Kim had just had lunch in downtown LA

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Speaker 1: when she says, the homeless man clabbored her with a

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Speaker 1: metal pipe for no reason. He scurried up like this,

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Speaker 1: and he looked at me like this, and it was

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Speaker 1: just like it was like rage in his eyes. Then wham,

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Speaker 1: all of a sudden, I just go bam, and I'm

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Speaker 1: just like and I'm like, oh snap, and I just

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Speaker 1: fell straight down to the ground. Kim won a silver

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Speaker 1: medal playing volleyball at the two thousand and eight Olympics

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Speaker 1: in Beijing. She often posts motivational and workout videos on Instagram.

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Speaker 1: The six foot three wonder Woman never imagined she'd be

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Speaker 1: in the spotlight as a crime victim. Kim says she's

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Speaker 1: grateful to the strangers who stopped to help. Good Samaritan

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Speaker 1: Benson Parks, pinned down the homeless man charged in the

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Speaker 1: unprovoked assault. Inside Edition brought Kim and the total stranger together.

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Speaker 1: I heard her screaming, I jump out. I'm like, what's

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Speaker 1: going on. I'm like, I gut instantly mad. It's beautiful. Honestly,

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Speaker 1: it's just beautiful because it's just like you didn't have

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Speaker 1: to stop, and it just warms me up just to

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Speaker 1: know that, like, there are people out there that don't

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Speaker 1: turn a blind ee. Sorry, exclusive so much blood on

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Speaker 1: the ground right there, that was that's heavy. I don't know.

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Speaker 1: I started apart like this. I might should have left

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Speaker 1: this in the back. I don't know. But we'll we'll,

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Speaker 1: we'll Craig get up after this. But that's heavy. Man.

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Speaker 1: It is good to see black men, Like I said,

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Speaker 1: some people just like, oh you're playing and just think

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Speaker 1: man like she had no defense on that. And that's

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Speaker 1: the same thing the white dude did to me through

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Speaker 1: something at the car. I pulls over, he run up

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Speaker 1: and scream you want a flower girl with your power

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Speaker 1: with ball like he's gone on in the head and

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Speaker 1: I'm looking in his eyes like, man, I blow your

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Speaker 1: shot off right here, and I'm looking in his face like,

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Speaker 1: don't move, strange bro, and then he grabbed the car.

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Speaker 1: I get out to like yo, bro like but all

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Speaker 1: of that could have got me hit with a pipe

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Speaker 1: or something playing, and then I'd have been in jail,

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Speaker 1: you know what I'm saying. And so now don't never

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Speaker 1: I hate that for her, And first of all, let

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Speaker 1: me focus on that hate that for her, man, and

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Speaker 1: that that situation being at the hands of a black dude.

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Speaker 1: And if you're watching the video seeing what he looked like,

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Speaker 1: old dude and hit that woman like that, man, Wow,

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Speaker 1: let's move on. When I talk, I gotta know that

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Speaker 1: I'm feeding a lot of people. I'm starting to know

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Speaker 1: my audience is getting bigger and people are learning from

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Speaker 1: this stuff. And so when you feed a lot of people,

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Speaker 1: you gotta be aware of that. And so I gotta

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Speaker 1: do something to stretch it. You see, when America feeds

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Speaker 1: four hundred million people, maybe three, four or five times

399
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Speaker 1: a day, they do something to circumvent the quality and

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Speaker 1: then to capture the whole mark and the people that's

401
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Speaker 1: quality conscious, they add something in the mix. They called that.

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Speaker 1: They call it organic. Right, right now, you're dealing with

403
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Speaker 1: the organic part of it. I still gotta figure out

404
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Speaker 1: how to get on those blog sites and in that

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Speaker 1: world where the headlines capture what it is I brain.

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Speaker 1: But what I won't allow them to do, it's capture

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Speaker 1: my identity. Luckily, for me, I'm prepared in a way

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Speaker 1: that gives me a specific set of skills. So I'm

409
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Speaker 1: able to navigate in a way maybe no one else can. Right,

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Speaker 1: you can do certain moves no one else can because

411
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Speaker 1: you came up a certain way or your viewpoint was

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Speaker 1: a certain way on the push up. And so as

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Speaker 1: I'm feeding more people, I gotta figure what's my trade off?

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Speaker 1: Is it time? Is it quality? What do I trade

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Speaker 1: off to feed more people? I can do anything but

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Speaker 1: add preservatives. I'm not going to add preservatives in the

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Speaker 1: mix of this. Right, this right here is organic. This

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Speaker 1: is the real thing. So we're gonna keep it that way.

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Speaker 1: But what do I do to capture the people? How

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Speaker 1: do I stretch this out in a way that's effective

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Speaker 1: for me and my partner? So we make millions of

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Speaker 1: dollars within the next twelve months, what do we do?

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Speaker 1: What's the effective approach? Not that is talk about, but

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Speaker 1: I tell you what I know, my content and my

425
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Speaker 1: conversations will lead the way. And so now we're searching

426
00:22:40,320 --> 00:22:42,439
Speaker 1: for eyeballs. Now we're in a position of what we

427
00:22:42,480 --> 00:22:44,320
Speaker 1: got to promote it and put it up in front

428
00:22:44,359 --> 00:22:47,080
Speaker 1: of people and make people because the conversion rate is

429
00:22:47,160 --> 00:22:49,560
Speaker 1: how on what this is? You sure to somebody? They

430
00:22:49,680 --> 00:22:51,840
Speaker 1: usually say I want to follow that or I want

431
00:22:51,840 --> 00:22:54,880
Speaker 1: to be hit at or right. And so we're doing

432
00:22:54,920 --> 00:22:57,399
Speaker 1: good as far as our demo is concerned. And I

433
00:22:57,440 --> 00:23:00,440
Speaker 1: haven't stretched the jacket out right. So on first adding

434
00:23:00,440 --> 00:23:04,200
Speaker 1: to the hip hop algorithm, then I will add at

435
00:23:04,200 --> 00:23:07,359
Speaker 1: the same time though simultaneously with me adding to the

436
00:23:07,480 --> 00:23:12,000
Speaker 1: hip hop algorithm, I'm adding to podcast algorithm by doing

437
00:23:12,040 --> 00:23:15,720
Speaker 1: it by myself. Before me, that's people like Bill Burr

438
00:23:16,160 --> 00:23:18,360
Speaker 1: that do it by myself. But you gotta know, look

439
00:23:18,400 --> 00:23:20,879
Speaker 1: at what he's worth and look how talented he is

440
00:23:22,040 --> 00:23:25,040
Speaker 1: we're talking Bill Burr Comic, were talking get up there

441
00:23:25,040 --> 00:23:28,159
Speaker 1: in rent for two hours, like it's nothing right. But

442
00:23:28,240 --> 00:23:30,640
Speaker 1: y'all don't respect the game in that way. But I'm

443
00:23:30,680 --> 00:23:33,919
Speaker 1: adding that element to podcasting. Then on top of that,

444
00:23:34,520 --> 00:23:38,639
Speaker 1: I'm adding to hip hop podcasting in that subcategory. But

445
00:23:38,680 --> 00:23:41,200
Speaker 1: when I get done with that, I add to podcasting

446
00:23:41,200 --> 00:23:44,280
Speaker 1: as a whole. I add to the whole game. But

447
00:23:44,400 --> 00:23:46,800
Speaker 1: I gotta be empowered to do so. I cannot do

448
00:23:46,920 --> 00:23:49,639
Speaker 1: it without being in power. Right. I can do a

449
00:23:49,640 --> 00:23:52,879
Speaker 1: lot without being in power because I'm empowered by myself.

450
00:23:54,000 --> 00:23:56,280
Speaker 1: But my partners put me in the right position and

451
00:23:56,359 --> 00:23:59,320
Speaker 1: we'll blow this thing up to eight nine figures. But

452
00:23:59,400 --> 00:24:02,760
Speaker 1: the hardest part of staying organic because you gotta trade

453
00:24:02,840 --> 00:24:06,199
Speaker 1: something for the audience. And y'all pick this game, but

454
00:24:06,240 --> 00:24:09,040
Speaker 1: I'm putting down those It's out there working on things, right.

455
00:24:09,080 --> 00:24:10,840
Speaker 1: I know a lot of y'all chair picked the game.

456
00:24:10,960 --> 00:24:13,040
Speaker 1: Y'all don't support me. Y'all just come here because I

457
00:24:13,119 --> 00:24:16,000
Speaker 1: talk good and I'm helping you figure out whatever that

458
00:24:16,119 --> 00:24:18,000
Speaker 1: little shit is you're doing. And you ought to be

459
00:24:18,040 --> 00:24:21,399
Speaker 1: ashamed of yourself, right, you call yourself gotten money. You

460
00:24:21,440 --> 00:24:24,520
Speaker 1: ain't supporting nothing but let's move on because either way

461
00:24:24,560 --> 00:24:27,760
Speaker 1: I make self make figures out of I'm telling you that.

462
00:24:28,440 --> 00:24:32,479
Speaker 1: But anyway, I can't trade something for nothing. There's no

463
00:24:32,600 --> 00:24:37,359
Speaker 1: feeling like four thousand shares on something and all of

464
00:24:37,400 --> 00:24:40,440
Speaker 1: them like, yo, you're the truth, bro, this is real.

465
00:24:40,560 --> 00:24:42,320
Speaker 1: I never thought about it like that. Like it's a

466
00:24:42,359 --> 00:24:44,359
Speaker 1: lot of women that come on there and be like, man,

467
00:24:44,560 --> 00:24:47,000
Speaker 1: you just explain that. I didn't know what that means

468
00:24:47,040 --> 00:24:50,879
Speaker 1: when people said that, and that be what I'm you know, understanding.

469
00:24:50,920 --> 00:24:53,360
Speaker 1: My place here is a little bit is to kind

470
00:24:53,400 --> 00:24:56,399
Speaker 1: of break down what we're looking at. And if you

471
00:24:56,480 --> 00:24:59,800
Speaker 1: pay attention, I'm changing how people are podcasting. I'm changing it.

472
00:25:00,520 --> 00:25:03,159
Speaker 1: See they moved away. I ain't talking about I'll let

473
00:25:03,280 --> 00:25:06,240
Speaker 1: but they seeing me and everybody with what I'm talking about.

474
00:25:06,440 --> 00:25:08,240
Speaker 1: Now they got to come back and talk about this

475
00:25:08,400 --> 00:25:11,480
Speaker 1: kind of I'm bringing it back to what now? Bring

476
00:25:11,520 --> 00:25:14,080
Speaker 1: it back? Y'all was trying to run off and no,

477
00:25:14,440 --> 00:25:16,920
Speaker 1: bring it back or I'm gonna take everybody the audience

478
00:25:16,960 --> 00:25:19,439
Speaker 1: brain that shack and some people that's planned in this.

479
00:25:19,840 --> 00:25:22,120
Speaker 1: But some of the big boys started to not give

480
00:25:22,160 --> 00:25:25,520
Speaker 1: a about a fight breaking out because they didn't know

481
00:25:25,560 --> 00:25:28,000
Speaker 1: how to approach it. I'm showing them how to approach it.

482
00:25:28,240 --> 00:25:30,280
Speaker 1: Believe what I'm telling you, My mind is in the

483
00:25:30,400 --> 00:25:33,800
Speaker 1: right position. I see them taking what I'm doing. I

484
00:25:33,880 --> 00:25:36,680
Speaker 1: see them taking my approach. I want to speak on

485
00:25:36,720 --> 00:25:40,879
Speaker 1: this funk Flex and Conway the Machine. I want to

486
00:25:40,920 --> 00:25:44,080
Speaker 1: say thank you the Conway for furthering the conversation that

487
00:25:44,200 --> 00:25:48,640
Speaker 1: I've been having on this up that podcast in regards

488
00:25:48,680 --> 00:25:51,760
Speaker 1: to If you listen to me, you know I've spoke

489
00:25:51,800 --> 00:25:53,720
Speaker 1: on this. Let me introduce the topic and then we'll

490
00:25:53,720 --> 00:25:56,359
Speaker 1: get to this. Conway the Machine and funk Flex have

491
00:25:56,480 --> 00:25:59,439
Speaker 1: now got into it. Conway says that, Yo, funk Flex,

492
00:25:59,760 --> 00:26:02,880
Speaker 1: y'all dudes, it's old, y'all washed up. Y'all really ain't

493
00:26:02,880 --> 00:26:06,320
Speaker 1: paying attention. And again this is something that I reiterate

494
00:26:06,359 --> 00:26:09,199
Speaker 1: on this up their podcast. If you're listening to me,

495
00:26:09,320 --> 00:26:11,760
Speaker 1: you heard a couple of weeks ago me speak about yo,

496
00:26:12,920 --> 00:26:16,640
Speaker 1: don't get out there, barber chill. They will not man.

497
00:26:16,760 --> 00:26:19,240
Speaker 1: Somebody else wont to have cut like I went down

498
00:26:19,320 --> 00:26:22,119
Speaker 1: that role with it, just kind of explaining and a

499
00:26:22,160 --> 00:26:24,440
Speaker 1: couple of those clips have went viral, and so that's

500
00:26:24,440 --> 00:26:27,399
Speaker 1: why you see people further in that conversation. Right. I

501
00:26:27,480 --> 00:26:30,280
Speaker 1: specifically spoke on people like Flex and some of them

502
00:26:30,320 --> 00:26:33,600
Speaker 1: people that are legends, but they don't understand that innovation

503
00:26:33,680 --> 00:26:37,040
Speaker 1: comes from the middle or the bottom. That's just how

504
00:26:37,080 --> 00:26:38,919
Speaker 1: this worked, right, And so when you've been at the

505
00:26:38,960 --> 00:26:41,760
Speaker 1: top so long, no matter if your heart is still leting,

506
00:26:42,080 --> 00:26:46,160
Speaker 1: your skills doesn't diminish. Yeah, no matter if your heart

507
00:26:46,200 --> 00:26:48,640
Speaker 1: still letting, your skills doesn't diminish. You know how many

508
00:26:48,760 --> 00:26:51,399
Speaker 1: NBA players that still got the heart the ball, but

509
00:26:51,520 --> 00:26:54,640
Speaker 1: they jumper won't fall to save them, legs hurt when

510
00:26:54,640 --> 00:26:56,920
Speaker 1: they get up after playing four games in a row.

511
00:26:57,160 --> 00:26:59,280
Speaker 1: They can't get out there and do it no more.

512
00:26:59,480 --> 00:27:03,320
Speaker 1: And the same way in regards to music. It ain't physical,

513
00:27:03,640 --> 00:27:07,240
Speaker 1: but your algorithm is off. What you think is hiding,

514
00:27:07,320 --> 00:27:09,760
Speaker 1: what you think is not that sound you're looking for

515
00:27:09,880 --> 00:27:12,600
Speaker 1: them for you to coach saying it. It's no longer

516
00:27:12,680 --> 00:27:14,800
Speaker 1: in that position. So now a lot of them old

517
00:27:14,880 --> 00:27:19,320
Speaker 1: dudes are just leaning towards the numbers because they don't

518
00:27:19,359 --> 00:27:22,919
Speaker 1: got no vision. They don't really understand what they're looking at.

519
00:27:22,960 --> 00:27:25,359
Speaker 1: And so I've always talked about it, right, I've always

520
00:27:25,359 --> 00:27:28,080
Speaker 1: spoke on it. And Conway the Machine came out and

521
00:27:28,119 --> 00:27:31,679
Speaker 1: said this, let's take a look New York. My opinion, man,

522
00:27:31,760 --> 00:27:33,840
Speaker 1: ya gotta get them old names about the way like

523
00:27:33,920 --> 00:27:37,520
Speaker 1: flexing them, man, y'all man them gatekeepers that that y'all

524
00:27:37,560 --> 00:27:40,000
Speaker 1: got up there. Man, that's that's trying to dictate, like

525
00:27:40,760 --> 00:27:43,520
Speaker 1: who who who? You know what I'm saying, like, come on,

526
00:27:43,600 --> 00:27:46,320
Speaker 1: bron good thing. I don't need y'all because if I

527
00:27:46,440 --> 00:27:49,800
Speaker 1: needed you, just fix stifling my growth. Y'all. Don't play

528
00:27:49,880 --> 00:27:52,720
Speaker 1: my ship such one you got on Wendy Williams showing

529
00:27:52,720 --> 00:27:56,800
Speaker 1: the Crime Turn TV and like said what you said,

530
00:27:57,640 --> 00:28:00,639
Speaker 1: flex every chance you get. You you said that you

531
00:28:00,680 --> 00:28:05,040
Speaker 1: gotta stand on night, which you didn't like showing us

532
00:28:05,040 --> 00:28:07,680
Speaker 1: Like I want to make that clear, goes you know

533
00:28:07,720 --> 00:28:09,280
Speaker 1: what I'm saying. So what I told you when I

534
00:28:09,359 --> 00:28:13,119
Speaker 1: saying like you say nothing that ain't his motion. You

535
00:28:13,119 --> 00:28:17,359
Speaker 1: don't listen to that. But it's like what do you

536
00:28:17,560 --> 00:28:20,840
Speaker 1: listen to them? Bro? It's clear what you listen to.

537
00:28:22,280 --> 00:28:25,040
Speaker 1: You want to try to name letting popular in the

538
00:28:25,119 --> 00:28:28,600
Speaker 1: club and you know all that shit, that's what you do.

539
00:28:28,920 --> 00:28:32,359
Speaker 1: You know what I'm saying. That's the problem. We gotta

540
00:28:32,400 --> 00:28:37,600
Speaker 1: get rid of yarn. That's some new new young tapped

541
00:28:37,680 --> 00:28:40,960
Speaker 1: in really tapped in with the streets, be the DJ's

542
00:28:41,000 --> 00:28:43,440
Speaker 1: and run that ship there at Hot ninety seven and

543
00:28:43,480 --> 00:28:46,320
Speaker 1: all that ship and I love Hot nine, you know

544
00:28:46,360 --> 00:28:49,000
Speaker 1: what I'm saying, all of them with the e bro,

545
00:28:49,120 --> 00:28:51,800
Speaker 1: everybody like I put all that hot night the seven

546
00:28:51,920 --> 00:28:58,440
Speaker 1: loved me. But like flex and I don't understand like

547
00:28:59,320 --> 00:29:03,480
Speaker 1: the shitty saying, like people really take that run with

548
00:29:03,600 --> 00:29:09,920
Speaker 1: us sometimes, Bro, like you get on there talking about

549
00:29:10,000 --> 00:29:13,520
Speaker 1: me for him. Man really in the clouds, really tapped in,

550
00:29:13,640 --> 00:29:16,840
Speaker 1: really know the new y'all don't even looking for new illness.

551
00:29:18,320 --> 00:29:20,920
Speaker 1: I don't even looking for new illness. Y'a don't even

552
00:29:20,920 --> 00:29:22,959
Speaker 1: know who who knew it hot? Right now, I'll becoming

553
00:29:23,000 --> 00:29:28,600
Speaker 1: you'll no check that making noise of brook Hey, I mean,

554
00:29:31,960 --> 00:29:35,640
Speaker 1: but he ain't lie. If you're looking at the screen,

555
00:29:35,640 --> 00:29:38,280
Speaker 1: it's just funk Flix responding to what we just played

556
00:29:38,320 --> 00:29:44,240
Speaker 1: with Conway. He tags him at who is Conway? Haha.

557
00:29:44,440 --> 00:29:47,320
Speaker 1: So let's begin. You managed by rock Nation, jay Z

558
00:29:47,480 --> 00:29:52,080
Speaker 1: signed the Sad Shady Records, Eminem distributed by Interscope major label.

559
00:29:52,640 --> 00:29:56,600
Speaker 1: You're your team have had a feature from jay Z, Eminem,

560
00:29:56,640 --> 00:29:59,720
Speaker 1: Little Wayne, Jacole, Jada Kiss, Travis Scott, French, Montana and

561
00:29:59,800 --> 00:30:02,840
Speaker 1: more or wasn't you on Kanye Don the album? And

562
00:30:02,960 --> 00:30:07,520
Speaker 1: along this he's putting smiley emojis, laughing out loud emojis, right,

563
00:30:08,000 --> 00:30:10,600
Speaker 1: so he's letting you know like this is his way

564
00:30:10,600 --> 00:30:14,120
Speaker 1: of responding back. I'm gonna give you the advice that

565
00:30:14,200 --> 00:30:18,920
Speaker 1: Paul Rosenberg should have gave you. You're forty plus bars rapper,

566
00:30:19,000 --> 00:30:23,000
Speaker 1: sorry lyricists that has had every resource possible. If you

567
00:30:23,040 --> 00:30:25,560
Speaker 1: are not happy with your career as of today, with

568
00:30:25,600 --> 00:30:28,080
Speaker 1: all them co sids, I think you have piqued my guy.

569
00:30:28,440 --> 00:30:30,880
Speaker 1: What do you think You're only gonna take this as

570
00:30:30,960 --> 00:30:33,400
Speaker 1: disrespect because truth might be a bit much for you.

571
00:30:33,480 --> 00:30:36,959
Speaker 1: Signed Grandpaul Wheelchair Bandit Warm Milk General, I might need

572
00:30:37,000 --> 00:30:39,760
Speaker 1: a podcast what y'all think? First, let me put in

573
00:30:39,760 --> 00:30:42,560
Speaker 1: the context. While Flix is a gatekeeper, a lot of

574
00:30:42,560 --> 00:30:45,680
Speaker 1: people are coming out see because media guys want to

575
00:30:45,680 --> 00:30:49,360
Speaker 1: trick the audience into thinking that that it should be

576
00:30:49,440 --> 00:30:52,960
Speaker 1: no movement, that should be no update, because if they're

577
00:30:52,960 --> 00:30:54,920
Speaker 1: in the league, why would they want you to say, Yo,

578
00:30:55,040 --> 00:30:57,640
Speaker 1: we want to see somebody else talk to jay Z. Now,

579
00:30:57,720 --> 00:31:00,200
Speaker 1: we want to see somebody else to talk to Kanye Now,

580
00:31:00,240 --> 00:31:02,720
Speaker 1: we want to see somebody else sitting next to Diddy QC.

581
00:31:03,240 --> 00:31:05,680
Speaker 1: You want to sit somebody else sitting next to them? Dudes,

582
00:31:05,960 --> 00:31:07,960
Speaker 1: why would they want to say that when they get

583
00:31:08,000 --> 00:31:11,120
Speaker 1: paid for sitting next to those people. So they're never

584
00:31:11,160 --> 00:31:16,200
Speaker 1: gonna embrace change when they're in the league. So you

585
00:31:16,240 --> 00:31:18,360
Speaker 1: hear a lot of people say why why they're worried

586
00:31:18,360 --> 00:31:21,280
Speaker 1: about Flex man. He's not someone that should be. He's

587
00:31:21,320 --> 00:31:24,200
Speaker 1: not a gatekeeper. They won't. They want to confuse you

588
00:31:24,280 --> 00:31:28,080
Speaker 1: about what a gatekeeper is. They want you to think

589
00:31:28,120 --> 00:31:31,680
Speaker 1: that it's about record sales. They want you to think

590
00:31:31,680 --> 00:31:35,360
Speaker 1: that it's about anything outside of audience. I keep telling

591
00:31:35,360 --> 00:31:38,840
Speaker 1: you it's about access to audience. Funk Flex has an

592
00:31:39,280 --> 00:31:44,200
Speaker 1: access to a hip hop audience that digests hip hop.

593
00:31:44,640 --> 00:31:46,880
Speaker 1: These people want to hear balls. They want to hear

594
00:31:47,000 --> 00:31:50,080
Speaker 1: exactly what I got the offer right, And we ain't

595
00:31:50,120 --> 00:31:52,680
Speaker 1: talking about what you're feeling. I'm looking past you your

596
00:31:52,720 --> 00:31:55,640
Speaker 1: audience right. So a lot of people are trying to

597
00:31:55,640 --> 00:31:58,480
Speaker 1: blur the lines like, yo, he's not a gatekeeper. He can't.

598
00:31:58,520 --> 00:32:00,480
Speaker 1: You don't need him to do any thing, and you

599
00:32:00,560 --> 00:32:03,640
Speaker 1: don't need him to do anything, but the idea that

600
00:32:03,680 --> 00:32:06,840
Speaker 1: you say he's not a gatekeeper to access to a

601
00:32:06,920 --> 00:32:09,840
Speaker 1: certain type of audience would be a lie. I want

602
00:32:09,840 --> 00:32:12,280
Speaker 1: to speak on people saying as well, to Yo, you

603
00:32:12,360 --> 00:32:14,720
Speaker 1: can't play what you want. Man, Flex is on the radio.

604
00:32:14,840 --> 00:32:18,120
Speaker 1: He can't play. That's a lie. That's a lie. But

605
00:32:18,200 --> 00:32:21,000
Speaker 1: let's entertain it. Let's entertain it that you can't play

606
00:32:21,040 --> 00:32:23,040
Speaker 1: what you want. And then you run down this whole

607
00:32:23,080 --> 00:32:25,760
Speaker 1: list of signed by eminem, managed by Jay z Co,

608
00:32:25,960 --> 00:32:28,800
Speaker 1: signed by this verse for Nick. All of those accolades

609
00:32:28,840 --> 00:32:30,959
Speaker 1: you use those two pitch to the radio, Yo, this

610
00:32:31,040 --> 00:32:33,160
Speaker 1: is why we should be playing a New York artist.

611
00:32:33,240 --> 00:32:36,120
Speaker 1: This dude is from New York with these accolades. So

612
00:32:36,200 --> 00:32:38,680
Speaker 1: what you used as bad could have been used for

613
00:32:38,760 --> 00:32:41,960
Speaker 1: good in the program directors, which I don't think it's

614
00:32:41,960 --> 00:32:44,680
Speaker 1: an issue. Now. What I do think you can find

615
00:32:44,760 --> 00:32:47,400
Speaker 1: trouble is the BPM or the style of song and

616
00:32:47,520 --> 00:32:50,400
Speaker 1: things like that. Maybe that's something to speak about. But

617
00:32:50,880 --> 00:32:54,479
Speaker 1: the idea that that flex doesn't control access to an

618
00:32:54,480 --> 00:32:57,680
Speaker 1: audience is absurd, and I won't let people continue to

619
00:32:57,800 --> 00:33:01,080
Speaker 1: confuse the audience like that. You want to go on flex,

620
00:33:01,400 --> 00:33:06,400
Speaker 1: That's what Jay went, That's what being a segar WENTI flex,

621
00:33:06,480 --> 00:33:08,160
Speaker 1: That's why I want to get up there. That's the

622
00:33:08,200 --> 00:33:10,880
Speaker 1: same thing with the Grammy. It ain't because they calling

623
00:33:10,920 --> 00:33:15,000
Speaker 1: this because Yo, Michael Jackson had wanted the kanye Ja.

624
00:33:15,480 --> 00:33:17,719
Speaker 1: I'll leave. People don't accept it then, and then they

625
00:33:17,800 --> 00:33:19,880
Speaker 1: might tell you now it ain't nothing no more. I

626
00:33:19,920 --> 00:33:21,840
Speaker 1: know you're saying that, but you got one, so I

627
00:33:21,920 --> 00:33:26,320
Speaker 1: won't one. That's what inspired me, you understand. And so

628
00:33:26,400 --> 00:33:28,920
Speaker 1: after this, Flex went on to respond to Conway on

629
00:33:28,960 --> 00:33:30,760
Speaker 1: High ninety seven. Let's play a little bit of that.

630
00:33:31,160 --> 00:33:35,400
Speaker 1: I should know that Hilda and I think Conway have

631
00:33:35,520 --> 00:33:40,120
Speaker 1: an issue. No, it is his name. Oh, Conway's Inglis.

632
00:33:40,200 --> 00:33:44,560
Speaker 1: I should know that. I should know that, hr that's all.

633
00:33:44,560 --> 00:33:47,280
Speaker 1: I should know that. You're right. I should know you know, listen,

634
00:33:47,560 --> 00:33:51,400
Speaker 1: I should know that Conway's Ingrizelda right? And who wants

635
00:33:51,400 --> 00:33:57,240
Speaker 1: his ingrizolda Benny Butcher shout to him. West sud Gun

636
00:33:57,280 --> 00:33:59,240
Speaker 1: shot to him, Hey, guys, you on our ninety seven.

637
00:34:03,280 --> 00:34:07,920
Speaker 1: So I guess they're they're upset. Um they feel I

638
00:34:07,920 --> 00:34:12,680
Speaker 1: don't support them, and UM I am old and you're right. Listen,

639
00:34:13,239 --> 00:34:16,399
Speaker 1: these guys, what are they like? Multi platinum? I think?

640
00:34:16,440 --> 00:34:20,279
Speaker 1: Are they multi platinum? Worldwide touring type artists? I mean,

641
00:34:20,320 --> 00:34:25,000
Speaker 1: I get it. These millionaires, these guys are millionaires. No,

642
00:34:25,280 --> 00:34:29,200
Speaker 1: I'm just saying, like, listen, I thought they are. I

643
00:34:29,239 --> 00:34:32,080
Speaker 1: think they're big artists. They said a lot of records.

644
00:34:32,360 --> 00:34:36,520
Speaker 1: I'm so confused on why they care about a DJ

645
00:34:36,760 --> 00:34:40,520
Speaker 1: like me. Who's I mean, I'm old, I'm out of touch.

646
00:34:41,239 --> 00:34:43,560
Speaker 1: I'm being honest. I feel the same way about myself.

647
00:34:44,080 --> 00:34:47,800
Speaker 1: I'm not aware or know what's going on in the street.

648
00:34:48,040 --> 00:34:52,600
Speaker 1: So I can't help them. I guys, I cannot help you.

649
00:34:52,760 --> 00:34:56,359
Speaker 1: So I don't even know why shout the DJ sus one.

650
00:34:56,480 --> 00:34:59,440
Speaker 1: I can't figure out if they're saying that. Sus One

651
00:34:59,520 --> 00:35:02,120
Speaker 1: said I'm slick. I think he said he didn't know

652
00:35:02,160 --> 00:35:07,279
Speaker 1: who they were. Oh oh oh, I thought that he.

653
00:35:07,600 --> 00:35:10,680
Speaker 1: I couldn't. I couldn't really understand what they do meant

654
00:35:11,280 --> 00:35:14,600
Speaker 1: there was a while back, okay, I mean, look, Griselda,

655
00:35:14,760 --> 00:35:19,799
Speaker 1: Michael Jackson, it's the same thing. It's the same thing.

656
00:35:22,560 --> 00:35:28,239
Speaker 1: But Griselda, Michael Jackson, Michael Jackson, Griselda, you know, Drake, Griselda,

657
00:35:28,360 --> 00:35:32,520
Speaker 1: Griselda Drake, it's the same thing. Listen at me at

658
00:35:32,600 --> 00:35:35,600
Speaker 1: funk flex if if I don't understand this Griselda thing,

659
00:35:36,320 --> 00:35:38,719
Speaker 1: um and I don't listen, I don't know where they

660
00:35:38,760 --> 00:35:41,080
Speaker 1: get the I don't think they're garbage. I know somebody

661
00:35:41,080 --> 00:35:43,520
Speaker 1: said that, I think that they're wick. Oh they came

662
00:35:43,520 --> 00:35:45,759
Speaker 1: with the freestyle and they feel they didn't get enough

663
00:35:45,840 --> 00:35:52,640
Speaker 1: energy out of me, grown men, grown man man, Flex

664
00:35:52,680 --> 00:35:57,600
Speaker 1: didn't give me enough energy? Man pause, pause, I don't

665
00:35:58,360 --> 00:36:04,120
Speaker 1: I'm sorry. And let's and again for my down South audience,

666
00:36:04,960 --> 00:36:07,920
Speaker 1: going on Flex is a legendary thing, right or for

667
00:36:08,040 --> 00:36:10,879
Speaker 1: my worldwide audience. People who are outside of New Yorker

668
00:36:10,960 --> 00:36:14,879
Speaker 1: may not understand what the legends went there. A lot

669
00:36:14,880 --> 00:36:19,720
Speaker 1: of people, a lot of people got their confidence boosted

670
00:36:19,800 --> 00:36:23,319
Speaker 1: and birthed all for what they've done on Flex in

671
00:36:23,400 --> 00:36:27,320
Speaker 1: some of those other New York radio stations. So they're staple,

672
00:36:27,400 --> 00:36:29,759
Speaker 1: They're like a legacy act. They're like something on the

673
00:36:29,800 --> 00:36:32,160
Speaker 1: bucket list you want to do. And so when you

674
00:36:32,239 --> 00:36:34,920
Speaker 1: hear them say that he didn't give them no energy,

675
00:36:34,960 --> 00:36:37,400
Speaker 1: I wouldn't looked at the freestyle because I saw that

676
00:36:37,480 --> 00:36:40,360
Speaker 1: on the internet. In that freestyle, he was just looking

677
00:36:40,440 --> 00:36:43,000
Speaker 1: kind of crazy. He wasn't giving them no type of love.

678
00:36:43,200 --> 00:36:48,200
Speaker 1: He was looking like and they was wrapping their hard

679
00:36:48,239 --> 00:36:51,080
Speaker 1: out and they was killing it. And then some other things,

680
00:36:51,120 --> 00:36:53,120
Speaker 1: you know, you might see flex react in a way

681
00:36:53,160 --> 00:36:55,920
Speaker 1: that's like, oh, hit the table and do all of that.

682
00:36:56,040 --> 00:36:59,560
Speaker 1: So people are like, yo, man, what was that? And

683
00:36:59,680 --> 00:37:04,479
Speaker 1: that went viral? Right him sitting there like that. He's

684
00:37:04,520 --> 00:37:06,680
Speaker 1: had a couple of times where his reaction to wrap

685
00:37:06,760 --> 00:37:10,840
Speaker 1: bars have went viral, like with um. The one with

686
00:37:10,960 --> 00:37:14,399
Speaker 1: Designer was real bad, like he was looking like what

687
00:37:14,520 --> 00:37:17,120
Speaker 1: is you doing? What you may hear people say, yo,

688
00:37:17,200 --> 00:37:20,400
Speaker 1: don't point out flex. And while I agree with that,

689
00:37:20,440 --> 00:37:22,600
Speaker 1: because I always say that as media as a whole

690
00:37:22,680 --> 00:37:25,759
Speaker 1: that acts a certain way, there's a certain algorithm for

691
00:37:25,920 --> 00:37:30,560
Speaker 1: media that I would find unfavorable to elevation. Right, you

692
00:37:30,600 --> 00:37:33,280
Speaker 1: may not get closer to your dreams and your goals

693
00:37:33,400 --> 00:37:36,239
Speaker 1: paying attention to that algorithm that they've set forth for

694
00:37:36,320 --> 00:37:39,360
Speaker 1: most black people. Right. But we're trying to interrupt that

695
00:37:39,480 --> 00:37:42,120
Speaker 1: a little bit. But while that's the case, I don't

696
00:37:42,160 --> 00:37:44,919
Speaker 1: agree with saying that you can't use flex. Some people

697
00:37:45,000 --> 00:37:47,040
Speaker 1: come out and say, yo, don't use flex. Man, just

698
00:37:47,120 --> 00:37:50,360
Speaker 1: say that as a blanket statement. And the big people,

699
00:37:50,360 --> 00:37:53,040
Speaker 1: the powerful people, or the people that's in this space,

700
00:37:53,080 --> 00:37:55,319
Speaker 1: they want you to use blanket statements because they can

701
00:37:55,400 --> 00:37:59,040
Speaker 1: hide behind those. Yeah, you know what to do with

702
00:37:59,080 --> 00:38:02,799
Speaker 1: a blanket. Don't you under up blanket. You can't get

703
00:38:02,880 --> 00:38:06,560
Speaker 1: up under direct statement, but a blanket statement you can

704
00:38:06,640 --> 00:38:09,239
Speaker 1: kind of hide behind that. And so they always want

705
00:38:09,239 --> 00:38:11,480
Speaker 1: you to not don't point nobody out, don't say who

706
00:38:11,800 --> 00:38:16,200
Speaker 1: stealing the money? Then just say they're stealing the money. Now,

707
00:38:16,280 --> 00:38:18,479
Speaker 1: don't tell them who, don't don't tell them who taking

708
00:38:18,520 --> 00:38:21,160
Speaker 1: out the entertainment people money. Just say that it's being

709
00:38:21,200 --> 00:38:26,040
Speaker 1: too don't tell them that. They just say that it's happening, right,

710
00:38:26,080 --> 00:38:28,279
Speaker 1: So they want you to live in that way. And

711
00:38:28,320 --> 00:38:30,400
Speaker 1: then on top of that, that's what humans do. We

712
00:38:30,560 --> 00:38:34,279
Speaker 1: use examples. If you eat frog legs and they say

713
00:38:34,320 --> 00:38:37,279
Speaker 1: what it tastes like, they're gonna say chicken. They're gonna

714
00:38:37,320 --> 00:38:39,280
Speaker 1: try to put you in a mind frame or something

715
00:38:39,280 --> 00:38:43,440
Speaker 1: that you might know that's close to this. You understand me.

716
00:38:43,560 --> 00:38:47,480
Speaker 1: So they're saying, yo, flex people like that, y'all tripping, right,

717
00:38:47,560 --> 00:38:50,880
Speaker 1: That's what we do. We use examples. That's what human

718
00:38:50,960 --> 00:38:53,680
Speaker 1: beings do. But again, let me be clear what this is.

719
00:38:53,719 --> 00:38:55,719
Speaker 1: This ain't a personal move. This is an access to

720
00:38:55,760 --> 00:38:58,960
Speaker 1: audience move. This is yo, bro, you got the audience

721
00:38:59,000 --> 00:39:01,440
Speaker 1: over there. That's a little fight that I'm really killing

722
00:39:01,480 --> 00:39:04,719
Speaker 1: it with the ball thing right. If flex is right,

723
00:39:04,760 --> 00:39:08,440
Speaker 1: then we that's a moment. That's a moment in hip hop, right,

724
00:39:08,640 --> 00:39:11,799
Speaker 1: let's that moment we're trying to create that moment. You

725
00:39:11,880 --> 00:39:15,040
Speaker 1: understand and and you hear people like Joe, you know,

726
00:39:15,160 --> 00:39:18,080
Speaker 1: Joe Budden say that everybody needs to stay in that lane.

727
00:39:18,360 --> 00:39:20,600
Speaker 1: I don't see how people say that. I see I'm

728
00:39:20,640 --> 00:39:23,719
Speaker 1: paying attention to the game. You can't say everybody needs

729
00:39:23,719 --> 00:39:25,759
Speaker 1: to stand in their lane when if that's the case,

730
00:39:25,800 --> 00:39:28,600
Speaker 1: you'll still be somewhat torn for twenty five hundred scream

731
00:39:28,640 --> 00:39:31,920
Speaker 1: and pump it up. Everybody don't need to stand in

732
00:39:31,920 --> 00:39:34,640
Speaker 1: their lane. We don't need to marginalize black people in

733
00:39:34,760 --> 00:39:37,040
Speaker 1: that way. If that's the case, you wouldn't have never

734
00:39:37,080 --> 00:39:39,600
Speaker 1: been in the life that you in now doing well

735
00:39:39,680 --> 00:39:42,160
Speaker 1: with your podcast. But you were able to spend from

736
00:39:42,239 --> 00:39:45,040
Speaker 1: wrapping go that way. People are gonna have to spend

737
00:39:45,080 --> 00:39:47,640
Speaker 1: from things and go another way and be allowed that

738
00:39:47,840 --> 00:39:50,520
Speaker 1: grace to do so. So I find it strange when

739
00:39:50,520 --> 00:39:53,919
Speaker 1: people say, yo, just stay in your lane. Everybody gotta

740
00:39:53,960 --> 00:39:56,040
Speaker 1: stay in their lane. Now, we don't gotta stay in

741
00:39:56,080 --> 00:39:59,680
Speaker 1: our lane. It don't help nobody else, It don't hurt

742
00:39:59,719 --> 00:40:02,160
Speaker 1: nobody else. If I crashed my whip, that's my will.

743
00:40:03,040 --> 00:40:04,440
Speaker 1: You know what I'm saying. So if I want to

744
00:40:04,440 --> 00:40:06,200
Speaker 1: get over here and see how good I am in

745
00:40:06,360 --> 00:40:08,640
Speaker 1: take get over here and see how good I am

746
00:40:08,640 --> 00:40:11,960
Speaker 1: in comedy or whatever it might be. Can do that,

747
00:40:13,000 --> 00:40:16,200
Speaker 1: and I don't need nobody telling me what I can't do.

748
00:40:17,080 --> 00:40:19,960
Speaker 1: But the game is to be put down and picked up.

749
00:40:20,160 --> 00:40:22,839
Speaker 1: Make sure you're doing one of them. But again it's

750
00:40:22,880 --> 00:40:26,520
Speaker 1: about the old fashioned hand though. See people they want

751
00:40:26,520 --> 00:40:28,560
Speaker 1: to tell you, man, what do you want me to do? Man? Well,

752
00:40:28,640 --> 00:40:32,880
Speaker 1: let's just access to audiences. These this audiences customers we

753
00:40:33,000 --> 00:40:36,480
Speaker 1: know like who they think they're tricking, simpleton? Who they

754
00:40:36,560 --> 00:40:39,200
Speaker 1: think they the dudes is simpletons? Man, who they think

755
00:40:39,200 --> 00:40:41,920
Speaker 1: they're tricking. When you got access to the audience, you

756
00:40:41,960 --> 00:40:44,719
Speaker 1: got access to the eyeballs. They pay with the eyeballs.

757
00:40:44,760 --> 00:40:47,680
Speaker 1: I got their trade. More So, I can't respect when

758
00:40:47,680 --> 00:40:49,960
Speaker 1: somebody like flex it, I can't do nothing for you.

759
00:40:50,000 --> 00:40:51,960
Speaker 1: That ain't true, And he knows that ain't true. He's

760
00:40:52,000 --> 00:40:54,960
Speaker 1: just playing into the narrative of people saying you old

761
00:40:55,040 --> 00:40:57,640
Speaker 1: and this and that. You might can't catapult nobody, but

762
00:40:57,719 --> 00:41:01,440
Speaker 1: you can capsule a mother that and create that moment.

763
00:41:01,960 --> 00:41:05,080
Speaker 1: I'm frustrated with people saying he's not a gatekeeper because Yea,

764
00:41:05,120 --> 00:41:07,919
Speaker 1: it's other ways in the game. Nobody's saying it ain't

765
00:41:07,960 --> 00:41:10,759
Speaker 1: other ways in the game. That's not the thing. Or

766
00:41:10,840 --> 00:41:13,640
Speaker 1: can you get in the club that ain't the thing. Yeah,

767
00:41:13,680 --> 00:41:16,319
Speaker 1: you can get in the club. But the game doesn't change. Now,

768
00:41:16,320 --> 00:41:19,040
Speaker 1: it's about the audience. It's about to cry, what club

769
00:41:19,120 --> 00:41:23,280
Speaker 1: can you get in? Oh, that funk Master, Flex Club,

770
00:41:23,320 --> 00:41:27,040
Speaker 1: that High ninety seven club, that Breakfast Club, them big

771
00:41:27,080 --> 00:41:31,240
Speaker 1: boy clubs, if they let you in them. See, be careful,

772
00:41:31,280 --> 00:41:33,799
Speaker 1: play attention to people's words. You can get in the club, man,

773
00:41:33,800 --> 00:41:35,839
Speaker 1: it's all kind of ways in the game. But yeah,

774
00:41:35,880 --> 00:41:39,279
Speaker 1: but where they're placing me at in the game, man,

775
00:41:39,360 --> 00:41:41,640
Speaker 1: you can easily get a deal. You can easily get

776
00:41:41,680 --> 00:41:45,080
Speaker 1: a deal. Yeah, a deal from who though? And what's

777
00:41:45,120 --> 00:41:49,080
Speaker 1: the terms and conditions? You understand? But they don't. They

778
00:41:49,120 --> 00:41:52,640
Speaker 1: just they just be talking. And I agree a little

779
00:41:52,680 --> 00:41:55,160
Speaker 1: bit with people saying that everything has a place, because

780
00:41:55,160 --> 00:41:58,280
Speaker 1: it does. Radio has a place, media has a place,

781
00:41:58,400 --> 00:42:03,240
Speaker 1: DJ's have a place, mixtures have a place, product placement

782
00:42:03,320 --> 00:42:05,719
Speaker 1: and all these things, market and all this stuff has

783
00:42:05,760 --> 00:42:08,799
Speaker 1: a place right in the game. But one thing I

784
00:42:08,920 --> 00:42:11,919
Speaker 1: know about radio that if it wasn't making no money,

785
00:42:11,960 --> 00:42:15,080
Speaker 1: it had been done dissolved. So I know everybody say

786
00:42:15,200 --> 00:42:17,200
Speaker 1: radio ain't getting nothing no more. You ain't got to

787
00:42:17,200 --> 00:42:20,440
Speaker 1: worry about radio. Man, forget radio radio, this, radio that.

788
00:42:20,760 --> 00:42:22,920
Speaker 1: But if radio wasn't making no money, it had been

789
00:42:22,960 --> 00:42:25,239
Speaker 1: out of here by now. You wouldn't still be able

790
00:42:25,280 --> 00:42:28,399
Speaker 1: to go on your thing and hear people talking all day.

791
00:42:28,440 --> 00:42:30,480
Speaker 1: And they still paying people in the rate that they're

792
00:42:30,480 --> 00:42:34,239
Speaker 1: paying people. So it's sustaining something. It's doing something, and

793
00:42:34,360 --> 00:42:36,359
Speaker 1: whatever it's doing, we need to herr up and see

794
00:42:36,360 --> 00:42:38,840
Speaker 1: what it is. So they shut it down and we

795
00:42:38,960 --> 00:42:41,880
Speaker 1: miss all that game that's being put down because however

796
00:42:41,920 --> 00:42:44,279
Speaker 1: they run in the radio. Is how everybody that has

797
00:42:44,280 --> 00:42:48,040
Speaker 1: a podcast network need to be paying closer attention because

798
00:42:48,080 --> 00:42:51,040
Speaker 1: I've already been playing close attention. But I'm giving y'all

799
00:42:51,040 --> 00:42:53,960
Speaker 1: that high level game, yo. So on this up there podcast,

800
00:42:54,080 --> 00:42:56,719
Speaker 1: y'all know, I'd like to talk about the business. I

801
00:42:56,840 --> 00:42:59,400
Speaker 1: like to get in communication with the people that understand

802
00:42:59,480 --> 00:43:03,520
Speaker 1: things right. We hand picked the people we involved ourselves with, man,

803
00:43:03,560 --> 00:43:06,839
Speaker 1: and today we got the infamous lawyers for workers on

804
00:43:06,880 --> 00:43:09,880
Speaker 1: the phone. If you don't know mo mo is someone

805
00:43:10,000 --> 00:43:12,800
Speaker 1: that when these cases happen, he kind of gets on

806
00:43:13,280 --> 00:43:15,520
Speaker 1: straight on the ball and speaks about it from a

807
00:43:15,600 --> 00:43:19,879
Speaker 1: lawyer perspective. Always gives a very unique approach. And we're

808
00:43:19,920 --> 00:43:21,719
Speaker 1: gonna tap in with him a little bit and see

809
00:43:21,760 --> 00:43:24,880
Speaker 1: his thinking about being at the NBA Young Boy trial,

810
00:43:25,280 --> 00:43:28,719
Speaker 1: what he feels about Gunna, what he feels about thug

811
00:43:28,800 --> 00:43:32,640
Speaker 1: lyrics in cases, how young boy beat, the trial, where

812
00:43:32,640 --> 00:43:35,440
Speaker 1: he stands now, and just a bunch of other things.

813
00:43:35,440 --> 00:43:37,440
Speaker 1: So we're gonna have a quick talk with him on

814
00:43:37,480 --> 00:43:40,080
Speaker 1: this episode and then we'll be right back. Let's get

815
00:43:40,160 --> 00:43:43,120
Speaker 1: him on the line. I'm good, brother, Thanks for having

816
00:43:43,120 --> 00:43:45,879
Speaker 1: me on. No problem at all, man. We always tap

817
00:43:45,960 --> 00:43:48,120
Speaker 1: in with you. I know the coach and knows your voice,

818
00:43:48,120 --> 00:43:51,200
Speaker 1: and if they don't, they'll get used to it. I

819
00:43:51,320 --> 00:43:53,880
Speaker 1: know you were at the NBA Young Boy trial. Can

820
00:43:53,960 --> 00:43:55,840
Speaker 1: you just kind of give me a little bit about

821
00:43:55,840 --> 00:44:00,520
Speaker 1: the atmosphere at the trial? It was like every trial, man,

822
00:44:00,520 --> 00:44:03,200
Speaker 1: It was tense because a man's freedom is on the line.

823
00:44:03,440 --> 00:44:06,920
Speaker 1: You know, he was facing felon in possession cases in

824
00:44:07,000 --> 00:44:11,200
Speaker 1: federal court have a maximum of ten years. Now, every

825
00:44:11,280 --> 00:44:15,320
Speaker 1: individual defendant is going to get a different federal sentencing

826
00:44:15,400 --> 00:44:18,360
Speaker 1: guidelines score and depending on what your score is is

827
00:44:18,400 --> 00:44:21,360
Speaker 1: how many years out of that ten you actually faced.

828
00:44:21,440 --> 00:44:25,880
Speaker 1: So for any defendant to Max's ten, but based on

829
00:44:25,960 --> 00:44:29,640
Speaker 1: your factors, your prior arrests, your prior convictions, you're going

830
00:44:29,680 --> 00:44:31,520
Speaker 1: to get a score and then you're facing something. So

831
00:44:31,680 --> 00:44:35,279
Speaker 1: young boy he was facing like five years because he's

832
00:44:35,360 --> 00:44:40,360
Speaker 1: got prior violent crime felony convictions. So if he caught

833
00:44:40,360 --> 00:44:44,040
Speaker 1: a guilty in that case yesterday, there was a chance

834
00:44:44,080 --> 00:44:46,480
Speaker 1: they remanned them. They'd take him off house to arrest.

835
00:44:46,800 --> 00:44:48,799
Speaker 1: They would have put the cups on him right after

836
00:44:48,800 --> 00:44:50,640
Speaker 1: the verdict was read. They would have walked him into

837
00:44:50,719 --> 00:44:52,480
Speaker 1: the back and they would have locked him up. And

838
00:44:52,520 --> 00:44:56,160
Speaker 1: then he's looking at sentencing where there's a very realistic

839
00:44:56,200 --> 00:45:00,279
Speaker 1: shot at him getting five years. So Lone, it was tense, man,

840
00:45:00,520 --> 00:45:03,360
Speaker 1: And I know, like I said, in these cases, we

841
00:45:03,560 --> 00:45:06,160
Speaker 1: tend to not get a fair shot. With the FIDS,

842
00:45:06,160 --> 00:45:09,080
Speaker 1: it's a little more cleaner approach and cleaner process than

843
00:45:09,120 --> 00:45:13,320
Speaker 1: the state. I think they're a little uncomfortable with the loss.

844
00:45:13,640 --> 00:45:16,719
Speaker 1: But I've heard you say that that it was a

845
00:45:17,080 --> 00:45:20,319
Speaker 1: the jury did have what appeared to be his peers.

846
00:45:20,160 --> 00:45:23,400
Speaker 1: It helped me understand how you came to that conclusion.

847
00:45:25,400 --> 00:45:30,480
Speaker 1: So this was Los Angeles County, and the citizens of

848
00:45:30,520 --> 00:45:34,000
Speaker 1: Los Angeles County are a pretty diverse set. There was

849
00:45:34,040 --> 00:45:39,960
Speaker 1: a big range of races, occupations, ages. I was a

850
00:45:39,960 --> 00:45:43,319
Speaker 1: little disappointed at the fact that, to my eye, I

851
00:45:43,360 --> 00:45:46,640
Speaker 1: didn't see a lot of African Americans and the potential jurors.

852
00:45:47,880 --> 00:45:50,239
Speaker 1: But overall, you know, I thought the jury was a

853
00:45:50,320 --> 00:45:52,960
Speaker 1: jury of his peers. Look, with the state and federal

854
00:45:53,080 --> 00:45:57,759
Speaker 1: both systems are hard loon. With state, you know, there's

855
00:45:57,920 --> 00:46:00,399
Speaker 1: a little bit more opportunity to please argue in there's

856
00:46:00,400 --> 00:46:05,080
Speaker 1: a little more flexibility with the sentencing. The the sentences

857
00:46:05,120 --> 00:46:08,640
Speaker 1: aren't as high. The football numbers aren't there, right, But

858
00:46:08,960 --> 00:46:12,120
Speaker 1: you run into some stuff where the judges maybe aren't

859
00:46:12,160 --> 00:46:14,600
Speaker 1: as good as the federal judges, and sometimes you don't

860
00:46:14,640 --> 00:46:17,279
Speaker 1: really get fair rulings. You know, rap lyrics might get

861
00:46:17,360 --> 00:46:19,560
Speaker 1: used against you. I think a lot easier in state

862
00:46:19,600 --> 00:46:22,040
Speaker 1: court than a federal court. A state court could deny

863
00:46:22,080 --> 00:46:25,000
Speaker 1: you're bond a lot easier than a federal court. So

864
00:46:25,080 --> 00:46:28,600
Speaker 1: in that sense, you know, um, that's one difference. But

865
00:46:28,680 --> 00:46:30,920
Speaker 1: then the federal court, I mean, you don't want to

866
00:46:30,960 --> 00:46:34,120
Speaker 1: be there either because the sentencing is so high. You

867
00:46:34,200 --> 00:46:37,640
Speaker 1: talked about being in possession of it's too high man,

868
00:46:38,040 --> 00:46:40,680
Speaker 1: So yeah, you get you get a real smart judge

869
00:46:40,719 --> 00:46:42,600
Speaker 1: who's going to really look at the law and be

870
00:46:42,760 --> 00:46:45,120
Speaker 1: very strict with what evidence they can use against you.

871
00:46:45,520 --> 00:46:48,520
Speaker 1: But the stakes they really up on the sentencing, So

872
00:46:48,560 --> 00:46:50,360
Speaker 1: it's both of them are just not a place you

873
00:46:50,440 --> 00:46:53,399
Speaker 1: want to be, right And for the audience who may

874
00:46:53,440 --> 00:46:55,640
Speaker 1: be living under a rock or kiss this at a

875
00:46:55,680 --> 00:46:58,319
Speaker 1: different time, they may run this own TV at some

876
00:46:58,920 --> 00:47:02,080
Speaker 1: point in time, can you kind of explain us, explain

877
00:47:02,200 --> 00:47:05,799
Speaker 1: to the audience the evidence that they had on this

878
00:47:05,840 --> 00:47:08,719
Speaker 1: particular case with NBA Young Boy. So that was a

879
00:47:08,719 --> 00:47:13,640
Speaker 1: little bit of the Lawyers for Worker interview. That exclusive

880
00:47:13,680 --> 00:47:17,760
Speaker 1: episode is available on Patreon. We talked about Gunna Thug

881
00:47:18,680 --> 00:47:22,279
Speaker 1: NBA Young Boy the whole nine, and I'm gonna talk

882
00:47:22,320 --> 00:47:24,960
Speaker 1: about Gunna Thug NBA Young Boy a little later. Right now,

883
00:47:24,960 --> 00:47:29,880
Speaker 1: I want to just talk about south Side went on

884
00:47:30,000 --> 00:47:33,560
Speaker 1: million dollars worth a game, and everybody that watches me,

885
00:47:33,680 --> 00:47:36,880
Speaker 1: you know, my position is to try to maintain a

886
00:47:37,200 --> 00:47:41,759
Speaker 1: certain level of continuity in regards to our understanding of

887
00:47:42,320 --> 00:47:46,719
Speaker 1: position in power. Those two things run hand in hand, right,

888
00:47:47,600 --> 00:47:51,759
Speaker 1: usually the position you in come with some level of power, right,

889
00:47:51,880 --> 00:47:53,840
Speaker 1: no matter if it's a little level of power. I

890
00:47:53,840 --> 00:47:56,840
Speaker 1: spoke about a few weeks ago. I try to be

891
00:47:57,800 --> 00:48:00,160
Speaker 1: cognizant of the people that was around me when I

892
00:48:00,200 --> 00:48:04,080
Speaker 1: beat the odds, when the universe opened up from me. Right.

893
00:48:04,120 --> 00:48:06,200
Speaker 1: I think there's something to be said about the people

894
00:48:06,200 --> 00:48:09,440
Speaker 1: that's in your circle when things start to go right

895
00:48:09,560 --> 00:48:12,560
Speaker 1: for you, right, the energy that's provided to you, and

896
00:48:12,600 --> 00:48:14,800
Speaker 1: things of that nature. And so I look at things

897
00:48:14,840 --> 00:48:16,959
Speaker 1: like that, and like I say, I know the chef

898
00:48:17,040 --> 00:48:20,400
Speaker 1: got family. I know the way they got family. The

899
00:48:20,480 --> 00:48:24,680
Speaker 1: dishman got family, to beat man got family, the cameraman

900
00:48:24,880 --> 00:48:27,760
Speaker 1: got family, the sound got all these people got family,

901
00:48:29,120 --> 00:48:32,640
Speaker 1: you know. And that's something Some of these billionaire characters are.

902
00:48:32,719 --> 00:48:35,040
Speaker 1: Some of these guys that got a lot of money.

903
00:48:35,080 --> 00:48:39,600
Speaker 1: These dudes are weird characters, man Like. They want to

904
00:48:39,600 --> 00:48:42,160
Speaker 1: be seen and heard, They want to be loudest, they

905
00:48:42,160 --> 00:48:45,520
Speaker 1: want to be look at my girl and this and that. Right,

906
00:48:45,920 --> 00:48:49,040
Speaker 1: I'm hustling, so I'm putting game down, and so sometimes

907
00:48:49,320 --> 00:48:52,759
Speaker 1: I'm watching everything. My brain says to me, though, Loom,

908
00:48:52,800 --> 00:48:54,759
Speaker 1: We're in a good position. As long as you can

909
00:48:54,880 --> 00:48:59,279
Speaker 1: control you everything in the world, and there ain't no

910
00:48:59,360 --> 00:49:02,160
Speaker 1: different than nobody else. It's in my hands right now,

911
00:49:02,840 --> 00:49:06,719
Speaker 1: the position everything it's in my hand, I can ruin it,

912
00:49:06,840 --> 00:49:08,879
Speaker 1: or I can make sure that this thing turns into

913
00:49:08,920 --> 00:49:11,000
Speaker 1: what I told y'all it was going to turn into.

914
00:49:11,040 --> 00:49:14,439
Speaker 1: And of course I'll do that. But oftentimes we look

915
00:49:14,480 --> 00:49:19,040
Speaker 1: over the opportunities that we're faced with, Like right now,

916
00:49:20,960 --> 00:49:24,040
Speaker 1: think about the audience you got, Think about the money

917
00:49:24,040 --> 00:49:29,239
Speaker 1: you make, Think about the time you're spending doing things

918
00:49:29,320 --> 00:49:33,919
Speaker 1: that can make your tomorrow better than your yesterday. Are

919
00:49:33,960 --> 00:49:37,320
Speaker 1: you really depositing enough into those things where in a

920
00:49:37,440 --> 00:49:40,960
Speaker 1: year you can withdraw from it and not affected in

921
00:49:41,000 --> 00:49:47,200
Speaker 1: a way where it crumbles. Are you depositing in anything

922
00:49:47,320 --> 00:49:50,640
Speaker 1: in your life? When I look at podcasting, when I

923
00:49:50,680 --> 00:49:53,879
Speaker 1: look at what I'm doing, the consistency, the level of it,

924
00:49:54,280 --> 00:49:57,120
Speaker 1: what I put into it has become a lifestyle for me,

925
00:49:58,400 --> 00:50:01,239
Speaker 1: I used to didn't understand when sir podcasts, dudes will

926
00:50:01,280 --> 00:50:04,640
Speaker 1: be like, Yo, my life is like a podcast, and

927
00:50:04,719 --> 00:50:07,520
Speaker 1: on my patren I'm gonna start taking y'all behind the scenes,

928
00:50:07,600 --> 00:50:11,359
Speaker 1: even as I like how I'm maybe look at an

929
00:50:11,360 --> 00:50:13,319
Speaker 1: interview and I stopping and be like, what the fuck

930
00:50:13,440 --> 00:50:15,160
Speaker 1: was that why did they say that? And what does

931
00:50:15,160 --> 00:50:17,839
Speaker 1: that mean? Like my fans gonna start to be able

932
00:50:17,880 --> 00:50:20,600
Speaker 1: to be in that think tink with me and why

933
00:50:20,640 --> 00:50:24,520
Speaker 1: I'm really just looking at straw right before we you know,

934
00:50:24,640 --> 00:50:27,920
Speaker 1: even come to the part because sometimes we gotta find

935
00:50:28,080 --> 00:50:31,520
Speaker 1: where in the interview we want to speak about, right,

936
00:50:31,600 --> 00:50:33,720
Speaker 1: like we're about to listen to the eight Away Mafia

937
00:50:33,760 --> 00:50:36,400
Speaker 1: with me and I'll work a game. So what I'll

938
00:50:36,440 --> 00:50:39,720
Speaker 1: do is and this is for my Patreon people. Man, y'all,

939
00:50:40,080 --> 00:50:41,920
Speaker 1: I'm gonna take care of y'all. Gonna sist something to

940
00:50:42,000 --> 00:50:44,600
Speaker 1: the side for y'all in this game, man, Like you

941
00:50:44,640 --> 00:50:47,239
Speaker 1: gotta keep your eyes open, keep your hustle strong man.

942
00:50:47,400 --> 00:50:49,920
Speaker 1: Nobody gonna believe what you're saying. They ain't gonna think

943
00:50:49,960 --> 00:50:52,360
Speaker 1: it could happen. I'm telling you for show man, I

944
00:50:52,480 --> 00:50:54,439
Speaker 1: luckily to have some money coming out of the street.

945
00:50:54,560 --> 00:50:57,160
Speaker 1: Didn't nobody to believe what I was doing. But I

946
00:50:57,280 --> 00:50:59,840
Speaker 1: was telling my people the other day like part of

947
00:50:59,840 --> 00:51:02,280
Speaker 1: it was because I always played dumb in the street.

948
00:51:03,160 --> 00:51:05,120
Speaker 1: You know what I'm saying, And that's that's the greatest

949
00:51:05,120 --> 00:51:07,160
Speaker 1: story River told. When I ever really get to sit

950
00:51:07,200 --> 00:51:13,200
Speaker 1: down and divulge, how really I tricked the streets. It's

951
00:51:13,200 --> 00:51:15,439
Speaker 1: gonna be a hell of a thing. So let's get

952
00:51:15,440 --> 00:51:17,520
Speaker 1: to this interview. Eight Away Mafia went on me and

953
00:51:17,560 --> 00:51:20,040
Speaker 1: I was worth a game, spoke with Wallow and Gilly.

954
00:51:20,960 --> 00:51:23,239
Speaker 1: Gilly got in a certain kind of bag that day.

955
00:51:23,320 --> 00:51:26,160
Speaker 1: I'm not sure if it's because eight Away is down

956
00:51:26,200 --> 00:51:28,200
Speaker 1: in in Miami and he knew the Miami people to

957
00:51:28,280 --> 00:51:30,279
Speaker 1: watch it, or he just felt like that day, I'm

958
00:51:30,280 --> 00:51:34,640
Speaker 1: coming with what I'm coming with, right, because evidently him

959
00:51:34,640 --> 00:51:37,040
Speaker 1: and Ross had something. We'll get to that after this part.

960
00:51:37,120 --> 00:51:39,920
Speaker 1: But this particular interview for people who don't know, eight

961
00:51:39,960 --> 00:51:43,040
Speaker 1: Away Mafia is instrumental in making a lot of young

962
00:51:43,120 --> 00:51:45,840
Speaker 1: thug beats. He part of the he you know around

963
00:51:45,840 --> 00:51:48,560
Speaker 1: that crew like Metro Booming and all those people with

964
00:51:48,680 --> 00:51:51,160
Speaker 1: the young thug and the futures of the world and

965
00:51:51,200 --> 00:51:54,279
Speaker 1: the gunners of the world, that whole scene right there.

966
00:51:55,000 --> 00:51:57,200
Speaker 1: They got rich together. So all them people was in

967
00:51:57,239 --> 00:52:00,319
Speaker 1: the hudder together, a beautiful thing, hustling good down. So

968
00:52:00,640 --> 00:52:02,600
Speaker 1: he was able to get some money in that. But

969
00:52:02,880 --> 00:52:08,239
Speaker 1: in this particular episode with them, he spoke about I'm

970
00:52:08,400 --> 00:52:12,560
Speaker 1: rich phase and see a lot of people don't know

971
00:52:12,719 --> 00:52:16,839
Speaker 1: getting money ain't the thing. Getting money. You can get

972
00:52:16,960 --> 00:52:21,840
Speaker 1: rich out of here? Can you stay rich out of him? Yo?

973
00:52:22,000 --> 00:52:24,799
Speaker 1: I'm gonna tell you it's a lot going on. Every day.

974
00:52:24,840 --> 00:52:27,399
Speaker 1: I got something I count and call me. I'll risk

975
00:52:27,480 --> 00:52:31,160
Speaker 1: sen something. This over here, over there, I taxes over here. Hey,

976
00:52:31,160 --> 00:52:33,600
Speaker 1: you ain't paid the property taxes over there? You need

977
00:52:33,600 --> 00:52:36,080
Speaker 1: to go hand list this car right here, just done something.

978
00:52:36,080 --> 00:52:39,200
Speaker 1: I need to fix that. One didn't want a tesla?

979
00:52:39,239 --> 00:52:41,359
Speaker 1: And this and it and then and then I'm still

980
00:52:41,360 --> 00:52:44,799
Speaker 1: a podcast. Then I'm booking flights. Then I gotta go here,

981
00:52:44,840 --> 00:52:47,640
Speaker 1: I gotta go there, interviews then, But I know it's

982
00:52:47,680 --> 00:52:51,200
Speaker 1: gonna come out in the rents. I know it's gonna

983
00:52:51,200 --> 00:52:53,080
Speaker 1: come out in the rints. Ain't no better feeling than

984
00:52:53,120 --> 00:52:56,840
Speaker 1: knowing you cooking a good meal. See. The problem is

985
00:52:57,120 --> 00:52:59,400
Speaker 1: you don't look at your like that because you know,

986
00:52:59,520 --> 00:53:01,920
Speaker 1: damn what, you don't know how to cook. And I

987
00:53:02,040 --> 00:53:04,560
Speaker 1: know I'm in the kitchen with this podcast thing. I'm

988
00:53:04,560 --> 00:53:07,279
Speaker 1: in the kitchen with this game of life right now.

989
00:53:07,320 --> 00:53:09,000
Speaker 1: I know I know how to whip up a hell

990
00:53:09,040 --> 00:53:11,480
Speaker 1: of a meal. I was doing it in the project,

991
00:53:11,680 --> 00:53:14,680
Speaker 1: so I know, with these kind of attributes and access,

992
00:53:14,880 --> 00:53:16,759
Speaker 1: I'm a whip a hell of meal up, and so

993
00:53:16,800 --> 00:53:20,480
Speaker 1: I moved with that con For then you're looking at

994
00:53:20,480 --> 00:53:24,560
Speaker 1: a hustle when where everybody beside him was hustling cheaper

995
00:53:24,640 --> 00:53:27,880
Speaker 1: dinning with plugs and certain things. My dollars went to

996
00:53:27,960 --> 00:53:30,879
Speaker 1: the figs. So I had to figure out how to man.

997
00:53:31,120 --> 00:53:34,920
Speaker 1: I'm telling you, they can't with this ship. Man, they

998
00:53:35,000 --> 00:53:37,879
Speaker 1: gonna have to figure out how to team up this ship.

999
00:53:38,680 --> 00:53:40,560
Speaker 1: But let's listen to a little bit of this interview

1000
00:53:40,560 --> 00:53:43,000
Speaker 1: and then will speak about it the same way you're saying,

1001
00:53:43,040 --> 00:53:45,120
Speaker 1: like you learned from experience. I learned that from experience,

1002
00:53:45,200 --> 00:53:47,720
Speaker 1: Like yeah, I didn't. I didn't got rich and Smith

1003
00:53:47,760 --> 00:53:51,120
Speaker 1: all that got rich again, Smith Dollar tax Man was on.

1004
00:53:51,840 --> 00:53:53,799
Speaker 1: That was the last time. Now I'm over rich, Like

1005
00:53:53,800 --> 00:54:01,160
Speaker 1: you know what I'm saying, I'm I'm getting money, but

1006
00:54:01,160 --> 00:54:02,920
Speaker 1: I don't up though, And that's how I learned. Like

1007
00:54:02,920 --> 00:54:04,600
Speaker 1: what I'm what I'm saying, I felt because I had

1008
00:54:04,640 --> 00:54:06,560
Speaker 1: a lot of people around me, and when I felt

1009
00:54:06,600 --> 00:54:08,319
Speaker 1: none of them people ain't here. They're the same people

1010
00:54:08,360 --> 00:54:10,320
Speaker 1: I was around me before I was broke, you know

1011
00:54:10,320 --> 00:54:12,279
Speaker 1: what I'm saying. So I learned my lesson from that ship,

1012
00:54:12,360 --> 00:54:15,120
Speaker 1: Like I don't lost their thing and nobody went there.

1013
00:54:15,280 --> 00:54:17,839
Speaker 1: Even my girl left me, like everything just went wrong.

1014
00:54:17,880 --> 00:54:20,200
Speaker 1: Like you feel what I'm saying, They gonna bounce back. Wow,

1015
00:54:20,280 --> 00:54:22,600
Speaker 1: brazy like some brazy you know what I'm saying. When

1016
00:54:23,239 --> 00:54:25,560
Speaker 1: once once you you know what, OLG, everybody go through

1017
00:54:25,600 --> 00:54:27,200
Speaker 1: that I'm rich stage. You know what I'm saying, Like

1018
00:54:27,719 --> 00:54:30,080
Speaker 1: at the same time I went through that I'm rich stage.

1019
00:54:30,120 --> 00:54:32,880
Speaker 1: But trust me, it's always a situation that's gonna humble

1020
00:54:32,880 --> 00:54:35,040
Speaker 1: and that I rich I'm rich stage, you know what

1021
00:54:35,040 --> 00:54:37,520
Speaker 1: I'm saying. Like I had a very humbling year. But

1022
00:54:37,560 --> 00:54:40,960
Speaker 1: I look at that year now like damn, Like I mean,

1023
00:54:41,000 --> 00:54:42,719
Speaker 1: like I am really who I am? Like I look

1024
00:54:42,760 --> 00:54:44,600
Speaker 1: at this like I was supposed to go through that,

1025
00:54:44,640 --> 00:54:46,239
Speaker 1: Like you know what I'm saying. So you hear him

1026
00:54:46,280 --> 00:54:49,840
Speaker 1: speak about that a lot of times. You hear people

1027
00:54:50,200 --> 00:54:54,279
Speaker 1: had those struggles with money. I remember talking to Antoine

1028
00:54:54,360 --> 00:54:58,840
Speaker 1: Walker Um a few months back and just listening to

1029
00:54:58,920 --> 00:55:02,840
Speaker 1: his story about hunting ten million, hundred thirty million and

1030
00:55:03,880 --> 00:55:07,200
Speaker 1: getting into that recession with the housing crisis and how

1031
00:55:08,000 --> 00:55:10,399
Speaker 1: it kind of placed him in a bad circumstance. But

1032
00:55:10,840 --> 00:55:16,080
Speaker 1: money is a tool. Money is a very unique thing,

1033
00:55:17,440 --> 00:55:21,799
Speaker 1: right because the access that it grants you. But the

1034
00:55:21,960 --> 00:55:25,080
Speaker 1: unique thing about money is that no matter how much

1035
00:55:25,120 --> 00:55:27,440
Speaker 1: you got of it, they can find a way to

1036
00:55:27,600 --> 00:55:33,520
Speaker 1: help you spending right the tax thing, that's loopholes. Right,

1037
00:55:33,640 --> 00:55:36,120
Speaker 1: So people are getting way better with the text thing,

1038
00:55:36,840 --> 00:55:40,840
Speaker 1: playing literally almost zero dollars by spending that money and

1039
00:55:40,880 --> 00:55:43,480
Speaker 1: funnily doing different things and writing it off in the

1040
00:55:43,480 --> 00:55:49,240
Speaker 1: loopholes that's available. But say you say you got, especially

1041
00:55:49,280 --> 00:55:51,239
Speaker 1: the little wrap money. But let's stretch it out. Say

1042
00:55:51,239 --> 00:55:55,120
Speaker 1: you got like like Elon Musk, say you got a

1043
00:55:55,160 --> 00:55:58,759
Speaker 1: couple hundred billion, Oh they got Yo buy Twitter. That's

1044
00:55:58,760 --> 00:56:03,319
Speaker 1: fifty billion, Yo buy thirty percent of Apple? That body

1045
00:56:03,440 --> 00:56:07,080
Speaker 1: be such and such billions some of you like, you

1046
00:56:07,120 --> 00:56:10,960
Speaker 1: can spend all of that Now, if you spend it

1047
00:56:11,000 --> 00:56:14,680
Speaker 1: in that way, you continue to do business and make money.

1048
00:56:14,680 --> 00:56:19,440
Speaker 1: Here's the trick. You can be a billion dollar consumer.

1049
00:56:19,600 --> 00:56:22,080
Speaker 1: You can be a millionaire consume when you can be

1050
00:56:22,440 --> 00:56:24,480
Speaker 1: with a lot of money, but you ain't got a

1051
00:56:24,480 --> 00:56:27,680
Speaker 1: lot of hustle you be. You can be a that

1052
00:56:27,920 --> 00:56:31,920
Speaker 1: can scoll but won't scoll. You understand, you could be

1053
00:56:31,960 --> 00:56:34,839
Speaker 1: a it can shoot but won't get the ball because

1054
00:56:34,880 --> 00:56:37,480
Speaker 1: you ain't got no hustle, no ability to get open. Right,

1055
00:56:37,520 --> 00:56:40,239
Speaker 1: So you may got some money, but boy, you ain't

1056
00:56:40,280 --> 00:56:42,600
Speaker 1: got the mindset. So when the man set, don't go

1057
00:56:42,640 --> 00:56:45,360
Speaker 1: with the money. You just a rich consumer. You just

1058
00:56:45,440 --> 00:56:48,680
Speaker 1: run around bang at a high price. Ryan used to

1059
00:56:48,719 --> 00:56:51,000
Speaker 1: be white T shirts. Now it's just goot your shirts

1060
00:56:51,040 --> 00:56:53,600
Speaker 1: every day. You're just gonna do that. You're never gonna

1061
00:56:53,680 --> 00:56:57,239
Speaker 1: use the money as the tool that it's intended to

1062
00:56:57,280 --> 00:57:00,680
Speaker 1: be used as. It's almost like if you get a

1063
00:57:00,680 --> 00:57:03,719
Speaker 1: certain amount of money, it should come with some understanding

1064
00:57:03,760 --> 00:57:06,440
Speaker 1: of how to keep you at that level. But if

1065
00:57:06,480 --> 00:57:08,520
Speaker 1: you look at people that win the lottery, that's some

1066
00:57:08,560 --> 00:57:10,760
Speaker 1: of the people that they don't know how to sustain.

1067
00:57:10,880 --> 00:57:12,839
Speaker 1: So they get that money and they come right back

1068
00:57:12,880 --> 00:57:16,240
Speaker 1: down because they just a consumer with a lot of money.

1069
00:57:16,520 --> 00:57:19,080
Speaker 1: So instead of buying one bill a day, there by

1070
00:57:19,160 --> 00:57:22,680
Speaker 1: bill for the whole block today and every day, and right,

1071
00:57:22,720 --> 00:57:25,600
Speaker 1: they're just up to annie with whatever they're doing. It's

1072
00:57:25,640 --> 00:57:28,520
Speaker 1: almost like we intend on what other people are gonna

1073
00:57:28,520 --> 00:57:31,400
Speaker 1: look at us, like, right, so we get the money

1074
00:57:31,400 --> 00:57:33,520
Speaker 1: and we know we pull up in that may back.

1075
00:57:34,840 --> 00:57:37,640
Speaker 1: Everybody out there gonna say somebody's in the may back.

1076
00:57:37,680 --> 00:57:41,680
Speaker 1: And something about that feeling is what is being chased

1077
00:57:41,800 --> 00:57:47,840
Speaker 1: by people, you know, and with rappers continuing up to Annie. Right. Oh,

1078
00:57:47,920 --> 00:57:51,080
Speaker 1: he went and got the may back. So I went

1079
00:57:51,120 --> 00:57:54,120
Speaker 1: and got a may back with such a such in size.

1080
00:57:54,600 --> 00:57:57,240
Speaker 1: Then I put the forges on it. And then I

1081
00:57:57,320 --> 00:58:00,040
Speaker 1: want to bring my mayback and my rolls Roys and

1082
00:58:00,160 --> 00:58:02,520
Speaker 1: my Lamborghini out to the club. About three of them

1083
00:58:02,520 --> 00:58:05,120
Speaker 1: big boys sit him out in the front, right. So

1084
00:58:05,160 --> 00:58:07,000
Speaker 1: he got this three out there, now home and said

1085
00:58:07,200 --> 00:58:09,200
Speaker 1: he had this three out there last week. Next week

1086
00:58:09,200 --> 00:58:12,560
Speaker 1: we're coming without five. You know how we come, right,

1087
00:58:12,600 --> 00:58:14,960
Speaker 1: So it's something about the feeling from other people. It

1088
00:58:15,000 --> 00:58:17,720
Speaker 1: ain't even necessarily your own thing, because you know you

1089
00:58:17,840 --> 00:58:19,960
Speaker 1: got these calls. You know you got enough money to

1090
00:58:20,000 --> 00:58:22,600
Speaker 1: buy the big necklace or the big disc or the

1091
00:58:22,600 --> 00:58:26,840
Speaker 1: big Dad. And even me as a podcaster, it's a

1092
00:58:26,960 --> 00:58:32,000
Speaker 1: very selfish behavior, right, And I know people get a

1093
00:58:32,000 --> 00:58:34,200
Speaker 1: lot from me, man, And I always want to keep

1094
00:58:34,240 --> 00:58:36,680
Speaker 1: in perspective that I'm in bluetooth mode. I ain't no

1095
00:58:36,760 --> 00:58:41,520
Speaker 1: better than nobody, nobody. Loon still go off. Loon ain't

1096
00:58:41,520 --> 00:58:47,080
Speaker 1: got it all. Loon stell is a ball of mistakes, right,

1097
00:58:47,160 --> 00:58:52,360
Speaker 1: Balloon paying attention. The difference. The difference is I'm obsessed

1098
00:58:52,400 --> 00:58:57,480
Speaker 1: with elevation. I'm paying attention to the details of this

1099
00:58:57,640 --> 00:59:01,320
Speaker 1: thing called life, and I'm trying to convince myself and

1100
00:59:01,440 --> 00:59:04,080
Speaker 1: motivate myself into doing the things that I know to

1101
00:59:04,160 --> 00:59:06,640
Speaker 1: be what need to be done, because a lot of

1102
00:59:06,640 --> 00:59:08,480
Speaker 1: times we can know what need to be done and

1103
00:59:08,560 --> 00:59:11,560
Speaker 1: not be doing it right. I'm smart enough to know

1104
00:59:11,600 --> 00:59:13,760
Speaker 1: what need to be done. Now, there's some things I'm

1105
00:59:13,760 --> 00:59:17,000
Speaker 1: locked in on laser focus, can't none move to die.

1106
00:59:17,680 --> 00:59:19,960
Speaker 1: But there's other things that I'm saying, Yo, I can

1107
00:59:20,000 --> 00:59:23,600
Speaker 1: tighten that up, and I'll tighten that up in a minute,

1108
00:59:23,880 --> 00:59:25,800
Speaker 1: you know. But I want to get closer to those

1109
00:59:25,840 --> 00:59:30,480
Speaker 1: things as well and continue to learn. But money is

1110
00:59:30,520 --> 00:59:33,240
Speaker 1: a tool and it should be respected. He used as such,

1111
00:59:33,560 --> 00:59:35,880
Speaker 1: I think a lot of people don't understand and listen.

1112
00:59:36,280 --> 00:59:38,880
Speaker 1: Let's listen to a little more, all right. So that

1113
00:59:39,000 --> 00:59:41,160
Speaker 1: was that was a little bit of the south Side part.

1114
00:59:41,240 --> 00:59:43,800
Speaker 1: Now this is what things get interesting for those of

1115
00:59:43,840 --> 00:59:46,560
Speaker 1: your underwear. Gilly the Kid and Rick Ross have been

1116
00:59:46,600 --> 00:59:49,840
Speaker 1: going at it on this episode that I cited earlier

1117
00:59:49,920 --> 00:59:54,200
Speaker 1: with eight or eight. He mentioned some things about Rick Ross.

1118
00:59:54,240 --> 00:59:56,800
Speaker 1: We're gonna get into that portion of that video and

1119
00:59:56,840 --> 01:00:01,320
Speaker 1: then we'll respond to that it's your old yeah, and

1120
01:00:01,320 --> 01:00:05,000
Speaker 1: I'm gonna keep your old name some game too. When

1121
01:00:05,040 --> 01:00:07,760
Speaker 1: y'all stop hearing the roar of the crowd, stop the

1122
01:00:07,840 --> 01:00:10,160
Speaker 1: coming another is on social media because you don't hear

1123
01:00:10,160 --> 01:00:12,240
Speaker 1: the roar of the crowd. No more get bad because

1124
01:00:13,200 --> 01:00:17,040
Speaker 1: like dok, you had your turn over with you're old.

1125
01:00:17,360 --> 01:00:20,439
Speaker 1: Now invest in real estate or something, do something something else,

1126
01:00:20,880 --> 01:00:25,360
Speaker 1: something these young right, That's why we who we is

1127
01:00:25,360 --> 01:00:27,840
Speaker 1: because we embraced the young nun for show, while the

1128
01:00:27,840 --> 01:00:30,080
Speaker 1: rest of these old names running around trying to hate

1129
01:00:30,120 --> 01:00:32,120
Speaker 1: on the young nuns. Why would we make our Joe

1130
01:00:32,240 --> 01:00:34,760
Speaker 1: about not about the name on tomorrow. But that's why

1131
01:00:34,760 --> 01:00:36,120
Speaker 1: I look at Jay the way I look at Jay,

1132
01:00:36,160 --> 01:00:39,919
Speaker 1: like these old still be out here forty six years old,

1133
01:00:39,920 --> 01:00:44,160
Speaker 1: but showing watches in the video, Dude, like that, did

1134
01:00:44,160 --> 01:00:48,200
Speaker 1: you just show a watching you forty six years old?

1135
01:00:49,360 --> 01:00:51,840
Speaker 1: You've been telling us you had money for twenty five years.

1136
01:00:52,040 --> 01:01:00,000
Speaker 1: We know you got money. Goofy sit you, goofy down. Mate. Yeah,

1137
01:01:00,120 --> 01:01:02,439
Speaker 1: never comment on got to do with me though, because

1138
01:01:02,480 --> 01:01:07,000
Speaker 1: you know when you see me, I'm the same with you.

1139
01:01:07,040 --> 01:01:10,560
Speaker 1: Get rough real real. Yeah, don't let me see you

1140
01:01:10,640 --> 01:01:13,479
Speaker 1: buying new cows now, man, you know, I ain't gonna

1141
01:01:13,480 --> 01:01:16,080
Speaker 1: go one of my house different but for me to

1142
01:01:16,120 --> 01:01:19,000
Speaker 1: buy cows or old national like hell now, but I

1143
01:01:19,040 --> 01:01:26,600
Speaker 1: ain't whenever the crowd going bro be the same for

1144
01:01:27,240 --> 01:01:31,760
Speaker 1: always is vicious man always, So I don't know why

1145
01:01:31,800 --> 01:01:35,360
Speaker 1: I didn't think about it. Wallowe works with you too,

1146
01:01:35,440 --> 01:01:37,160
Speaker 1: so they went in and took that off. But of

1147
01:01:37,160 --> 01:01:40,520
Speaker 1: course it's on land here. It is these old They

1148
01:01:40,560 --> 01:01:42,400
Speaker 1: don't hear the roar of the crowd no more, and

1149
01:01:42,480 --> 01:01:44,840
Speaker 1: they still think the world's gonna come back. So they'd

1150
01:01:44,840 --> 01:01:47,200
Speaker 1: be on Instagram and they be on social media doing

1151
01:01:47,280 --> 01:01:50,360
Speaker 1: dumb sh it, just buder cow and all this. Um,

1152
01:01:54,280 --> 01:01:55,800
Speaker 1: you know I was gonna bake you seeing you in

1153
01:01:55,880 --> 01:01:59,600
Speaker 1: them comments, I was gonna bake your goofy. Yeah, wrong

1154
01:01:59,640 --> 01:02:01,960
Speaker 1: with you of a comment on nothing about me when

1155
01:02:02,000 --> 01:02:08,040
Speaker 1: you used to be a CEO when But you know

1156
01:02:08,080 --> 01:02:10,240
Speaker 1: I was gonna bake your dumb I just sport the

1157
01:02:10,360 --> 01:02:14,960
Speaker 1: kill well before would you buy a cow? Yeah, but

1158
01:02:15,160 --> 01:02:18,680
Speaker 1: I'm gonna keep reading. Now you know he's old. They're

1159
01:02:18,760 --> 01:02:22,040
Speaker 1: mad at me because I tell him ain't gonna do nothing.

1160
01:02:23,760 --> 01:02:26,000
Speaker 1: He ain't said it. I said it, he ain't said it.

1161
01:02:26,080 --> 01:02:32,040
Speaker 1: US said okay, yeah, beat me, Giddy, stop playing that man,

1162
01:02:33,920 --> 01:02:36,480
Speaker 1: all right? So that was the video of Gilly. That

1163
01:02:36,640 --> 01:02:39,920
Speaker 1: was a raced offline. Now the circumstances are a couple

1164
01:02:39,960 --> 01:02:43,200
Speaker 1: of months ago, Gilly the Kid was on the podcast. Um,

1165
01:02:43,320 --> 01:02:45,680
Speaker 1: I'm sorry, young lady, I forgot your name. I don't

1166
01:02:45,680 --> 01:02:47,760
Speaker 1: make sure to put it in the description or something,

1167
01:02:47,800 --> 01:02:51,440
Speaker 1: because I know how important that is to get credit

1168
01:02:51,480 --> 01:02:53,640
Speaker 1: for those interviews. So I apologize for that. But he

1169
01:02:53,880 --> 01:02:56,960
Speaker 1: went on the podcast and he spoke about running into

1170
01:02:57,000 --> 01:02:59,760
Speaker 1: little Wayne somewhere and he said he ran in a

1171
01:02:59,800 --> 01:03:02,439
Speaker 1: little Wayne or energy was weird and Wayne got out

1172
01:03:02,440 --> 01:03:04,800
Speaker 1: of there. So the internet took there. Oh man, he

1173
01:03:04,920 --> 01:03:07,680
Speaker 1: ran Wayne out. Wayne. He might have said. He might

1174
01:03:07,680 --> 01:03:09,640
Speaker 1: have said something like that that he ran them out,

1175
01:03:09,680 --> 01:03:12,280
Speaker 1: or he just ran out for something. He said something

1176
01:03:12,320 --> 01:03:15,480
Speaker 1: like that. So the internet took that. And then McMain

1177
01:03:15,640 --> 01:03:18,560
Speaker 1: ended up having a video. So McMain put a video

1178
01:03:18,640 --> 01:03:22,360
Speaker 1: out and was like, you came in, saw Wayne, he

1179
01:03:22,400 --> 01:03:25,120
Speaker 1: was in the room, he didn't run nowhere whatever. And

1180
01:03:25,240 --> 01:03:27,919
Speaker 1: Rick Ross must have commented under there and said something

1181
01:03:27,960 --> 01:03:30,240
Speaker 1: about his phone the on he or fraud or something

1182
01:03:30,280 --> 01:03:32,640
Speaker 1: like that, and so Gilly took note of that. And

1183
01:03:32,720 --> 01:03:36,360
Speaker 1: then now he's addressing it now. I want to just

1184
01:03:36,400 --> 01:03:40,840
Speaker 1: address the thing about the Kyle down here in the South,

1185
01:03:41,560 --> 01:03:44,320
Speaker 1: and I think everywhere, just some places don't have the

1186
01:03:44,400 --> 01:03:47,360
Speaker 1: land to be able to do so there's very lucrative

1187
01:03:47,440 --> 01:03:51,560
Speaker 1: tax loopholes that if you may get like some bees

1188
01:03:51,760 --> 01:03:55,240
Speaker 1: or ants or or you know, Kyle or you doing

1189
01:03:55,280 --> 01:03:59,480
Speaker 1: some kind of agriculture there to where you saved a

1190
01:03:59,600 --> 01:04:01,600
Speaker 1: whole lot of money on your taxes. So it's a

1191
01:04:01,680 --> 01:04:04,960
Speaker 1: tax loophole to be able to do something like that.

1192
01:04:04,960 --> 01:04:07,480
Speaker 1: That's when you're trying to make, you make money to

1193
01:04:07,600 --> 01:04:09,760
Speaker 1: try not to give it to them, so you try

1194
01:04:09,800 --> 01:04:12,320
Speaker 1: to save it in a way, right, So you structure

1195
01:04:12,360 --> 01:04:14,560
Speaker 1: those things in a way where it's profitable for you.

1196
01:04:14,600 --> 01:04:17,200
Speaker 1: And I think that's the play. Before I put that

1197
01:04:17,360 --> 01:04:20,840
Speaker 1: video up, let me just point something out. When people

1198
01:04:20,960 --> 01:04:23,440
Speaker 1: respect or think they may need you, look how they

1199
01:04:23,480 --> 01:04:27,120
Speaker 1: frame it right When that was Gilly and Ross. Gilly

1200
01:04:27,200 --> 01:04:31,760
Speaker 1: said Ross's name specifically speaking to Ross. And you've seen

1201
01:04:31,840 --> 01:04:35,600
Speaker 1: blogs say it was it was a sneak. This the truth? Like,

1202
01:04:35,680 --> 01:04:37,680
Speaker 1: if the truth is the truth, that wasn't a sneak this.

1203
01:04:37,760 --> 01:04:39,800
Speaker 1: You ain't did nothing wrong by saying he come at

1204
01:04:39,880 --> 01:04:42,600
Speaker 1: Rick Ross. But what you would do, is you would

1205
01:04:42,640 --> 01:04:45,600
Speaker 1: take something that you can't even verify about some of

1206
01:04:45,600 --> 01:04:48,520
Speaker 1: these other people and push those narratives. So when I

1207
01:04:48,600 --> 01:04:52,640
Speaker 1: see the media reacting that way, right, meaning with Gilly,

1208
01:04:52,720 --> 01:04:56,680
Speaker 1: when they take that and say that it's a sneak this,

1209
01:04:56,920 --> 01:04:59,680
Speaker 1: or maybe he sneaked this, and right, like a sneak

1210
01:04:59,760 --> 01:05:03,800
Speaker 1: this meaning you can duck a sneak this because you

1211
01:05:03,800 --> 01:05:07,040
Speaker 1: can be like, it's not directed. I don't respect it, right,

1212
01:05:07,280 --> 01:05:10,480
Speaker 1: So Gilly, get up under ax. Now it ain't a

1213
01:05:10,560 --> 01:05:13,360
Speaker 1: sneak this. I said his name. You know what I'm saying,

1214
01:05:13,360 --> 01:05:15,800
Speaker 1: because he's letting it be. I'm addressing that dude about

1215
01:05:15,880 --> 01:05:18,360
Speaker 1: him what he'd done. But then Ross came out and

1216
01:05:18,400 --> 01:05:22,720
Speaker 1: put this just had a beautiful idea, a boss idea.

1217
01:05:22,800 --> 01:05:28,000
Speaker 1: I'm gonna start a podcast. Yeah, I'm gonna start a podcast,

1218
01:05:30,320 --> 01:05:33,480
Speaker 1: dead serious. And guess what. I want you to help

1219
01:05:33,520 --> 01:05:36,520
Speaker 1: me name my podcast. And if I decide to use

1220
01:05:36,560 --> 01:05:39,000
Speaker 1: your name, guess what, I'm gonna bless you with the

1221
01:05:39,040 --> 01:05:42,720
Speaker 1: whole trinity. I'm gonna make sure you get a bad

1222
01:05:42,840 --> 01:05:48,400
Speaker 1: at bottom, make sure you get a vot, make sure

1223
01:05:48,440 --> 01:05:55,000
Speaker 1: you get a bamboo bottom, and of course mc queen

1224
01:05:55,120 --> 01:05:59,080
Speaker 1: and a violet fall bottom, big business opportunity for you.

1225
01:05:59,720 --> 01:06:05,360
Speaker 1: Rick Ross starting a podcast, yo, he the king of

1226
01:06:05,480 --> 01:06:09,160
Speaker 1: brand integration. Both of these dudes have a very unique

1227
01:06:09,160 --> 01:06:12,840
Speaker 1: way of communicating. The high level communicate. Its different styles, though,

1228
01:06:13,320 --> 01:06:17,200
Speaker 1: and styles make fights, right. So, and when I'm talking fights,

1229
01:06:17,240 --> 01:06:19,720
Speaker 1: I meaning just you see how they're taking shots at

1230
01:06:19,720 --> 01:06:22,800
Speaker 1: each other. How they both that stay style. Gillick got

1231
01:06:22,800 --> 01:06:28,520
Speaker 1: a more hyper aggressive style, you know, animated style. Rick

1232
01:06:28,640 --> 01:06:32,400
Speaker 1: Ross got more to laid back sneaking, sneaking, punching you

1233
01:06:33,320 --> 01:06:35,840
Speaker 1: with little information and little game in there. You know

1234
01:06:35,880 --> 01:06:38,280
Speaker 1: what I'm saying. So you watch them too, to them

1235
01:06:38,320 --> 01:06:40,640
Speaker 1: two dudes do that, man and go at it. You know,

1236
01:06:40,720 --> 01:06:43,560
Speaker 1: I don't think it'll turn into violence. It should never

1237
01:06:43,640 --> 01:06:46,480
Speaker 1: turn into violence. You know, them two older dudes in

1238
01:06:46,520 --> 01:06:49,120
Speaker 1: the game. They look stupid doing something like that. So

1239
01:06:49,160 --> 01:06:50,840
Speaker 1: I don't think it to do that. What I think

1240
01:06:50,880 --> 01:06:53,680
Speaker 1: it'll be is Ross may start a podcast and be like, Yo,

1241
01:06:53,720 --> 01:06:56,760
Speaker 1: I'm over here being tedious and fucking with y'all. Now

1242
01:06:57,240 --> 01:07:00,080
Speaker 1: I'm interviewing the same people, and shit, I'm doing that.

1243
01:07:00,000 --> 01:07:02,680
Speaker 1: That might be what he's gonna try to do, you know.

1244
01:07:02,960 --> 01:07:07,080
Speaker 1: But it didn't stop there because I think Ross would

1245
01:07:07,520 --> 01:07:10,080
Speaker 1: retweet certain things where they would say Trie and I

1246
01:07:10,200 --> 01:07:13,400
Speaker 1: were for game, and you know it was one that

1247
01:07:13,520 --> 01:07:16,520
Speaker 1: was dope. I said, man, I gotta give dude kudos

1248
01:07:16,600 --> 01:07:20,040
Speaker 1: on them. When he said named it Kyle Casual as

1249
01:07:20,080 --> 01:07:22,640
Speaker 1: a war, I said, that was dope. I gave him.

1250
01:07:22,680 --> 01:07:24,600
Speaker 1: I gave him props under that. I said that was

1251
01:07:24,680 --> 01:07:28,200
Speaker 1: dope because the Kyle thing that you know, that was dope,

1252
01:07:28,240 --> 01:07:31,120
Speaker 1: even though you know that ain't a long term name,

1253
01:07:31,200 --> 01:07:33,760
Speaker 1: I don't think, but in the moment of what was

1254
01:07:33,800 --> 01:07:38,120
Speaker 1: going on, I acknowledged that creativity in that moment, right,

1255
01:07:39,400 --> 01:07:42,560
Speaker 1: But that again, that's not where it stopped. Gilly then

1256
01:07:42,640 --> 01:07:45,640
Speaker 1: responded to some of the reposts or some of the things,

1257
01:07:45,680 --> 01:07:48,160
Speaker 1: at least that's what I think he's responded to. And

1258
01:07:48,240 --> 01:07:49,960
Speaker 1: this is what he said. If you're looking at the

1259
01:07:50,000 --> 01:07:54,080
Speaker 1: screen supposed from Gilly the Kid, I got the name

1260
01:07:54,120 --> 01:07:58,160
Speaker 1: for your podcast, rich fev Aka to Mickey Mouse show,

1261
01:07:58,520 --> 01:08:01,440
Speaker 1: your history ain't right with me. You better leave that alone.

1262
01:08:01,480 --> 01:08:04,000
Speaker 1: So he got the picture of Rick Ross as a

1263
01:08:04,120 --> 01:08:07,320
Speaker 1: CEO will Lock It Up podcast with Rick Ross. Be

1264
01:08:07,320 --> 01:08:10,520
Speaker 1: gave you the real game. When I spend more money

1265
01:08:10,560 --> 01:08:13,680
Speaker 1: on my cow huffs, then you're doing your wife and

1266
01:08:13,800 --> 01:08:17,040
Speaker 1: kids every money you should take take notes, but more importantly,

1267
01:08:18,200 --> 01:08:23,439
Speaker 1: meet my bell. This is my beat. So Ross mentioned

1268
01:08:23,439 --> 01:08:26,040
Speaker 1: that right, say that. Hey man, I spend more money

1269
01:08:26,080 --> 01:08:28,799
Speaker 1: on my cow hoffs. Didn't you spend on your kids?

1270
01:08:29,360 --> 01:08:32,599
Speaker 1: And so you know Giller, We're gonna come back and

1271
01:08:33,040 --> 01:08:35,479
Speaker 1: after we hear what Gillis said, we'll speak on it

1272
01:08:35,520 --> 01:08:38,559
Speaker 1: and then we'll move on. Listen, Man, I'm only gonna

1273
01:08:38,560 --> 01:08:41,559
Speaker 1: tell you this one time. Ross, you better stop playing

1274
01:08:41,560 --> 01:08:44,320
Speaker 1: with me. Man, you hit me and mind your fucking

1275
01:08:44,400 --> 01:08:47,400
Speaker 1: business man because you went on a bigger Instagram page

1276
01:08:47,479 --> 01:08:50,240
Speaker 1: commenting about me, calling me out my name for no

1277
01:08:50,400 --> 01:08:52,920
Speaker 1: more reason at all. This is how they get started.

1278
01:08:53,120 --> 01:08:55,920
Speaker 1: So I'm gonna tell you again, Man, lead me to Flane. Man,

1279
01:08:56,280 --> 01:08:59,040
Speaker 1: I see your little folk video. I spend more money

1280
01:08:59,120 --> 01:09:02,160
Speaker 1: on my cows hoofs then you spend on your waif

1281
01:09:02,400 --> 01:09:05,720
Speaker 1: You're probably right because I ain't bought our quarter. She

1282
01:09:06,120 --> 01:09:08,120
Speaker 1: with me because who I'm blessed to being, not because

1283
01:09:08,160 --> 01:09:11,920
Speaker 1: I bless her with a fee. But ain't you putt

1284
01:09:12,000 --> 01:09:14,160
Speaker 1: molly yol in their drink and she needn't know it?

1285
01:09:15,479 --> 01:09:20,360
Speaker 1: God damned Ricky rape humph. Stop talking about money, man,

1286
01:09:20,439 --> 01:09:23,360
Speaker 1: because money don't unlae the lane. There's a lot of

1287
01:09:23,479 --> 01:09:25,519
Speaker 1: suck acting. It's all here with money and you on

1288
01:09:25,640 --> 01:09:27,880
Speaker 1: the list. Matter of fact that you're the captain of

1289
01:09:27,960 --> 01:09:31,800
Speaker 1: the Suckers with Money Association of America. And we ain't impressed.

1290
01:09:32,280 --> 01:09:35,839
Speaker 1: So mind your business because that's your problem. You're always

1291
01:09:35,880 --> 01:09:38,280
Speaker 1: minding the business. She was minding bird man business some

1292
01:09:38,360 --> 01:09:40,639
Speaker 1: years back when you was running around somebo. Give Kelly

1293
01:09:40,720 --> 01:09:43,120
Speaker 1: the many yo, when you give me the money, yo

1294
01:09:43,320 --> 01:09:47,679
Speaker 1: him because you got him in a nineteen fourteen slave deal,

1295
01:09:48,080 --> 01:09:50,960
Speaker 1: a Harriet Tupman joint that he signed when he was

1296
01:09:51,120 --> 01:09:55,200
Speaker 1: nineteen and now we're thirty five. I thought you said,

1297
01:09:55,360 --> 01:09:58,280
Speaker 1: o bosis when they're guarantee we girl, we eat? Or

1298
01:09:58,320 --> 01:10:01,240
Speaker 1: why you ain't renegotiating with a real Thank god he's

1299
01:10:01,439 --> 01:10:04,559
Speaker 1: with them white boys. He frowned me boot busting and

1300
01:10:04,600 --> 01:10:07,280
Speaker 1: disgusted with you. He's a hell of a businessman, though,

1301
01:10:07,400 --> 01:10:10,800
Speaker 1: salute to your meek. But stop talking about money man,

1302
01:10:11,160 --> 01:10:13,880
Speaker 1: and stop pushing that bell air on because they don't

1303
01:10:13,960 --> 01:10:17,040
Speaker 1: drink that show no more. They cut the ice electric

1304
01:10:17,120 --> 01:10:20,559
Speaker 1: blue battle and they cut the land green battle. They're

1305
01:10:20,600 --> 01:10:24,200
Speaker 1: flute in the air like a laden's conflict. We don't

1306
01:10:24,200 --> 01:10:26,439
Speaker 1: give a f We don't want it, man, don't drink

1307
01:10:26,479 --> 01:10:29,759
Speaker 1: that shop man and slow upon them damn lemon peppers,

1308
01:10:29,800 --> 01:10:32,200
Speaker 1: because you're about a six piece away from a heart attack.

1309
01:10:32,920 --> 01:10:36,840
Speaker 1: Your crib is immaculum. I'm talking about your crib is

1310
01:10:36,880 --> 01:10:42,120
Speaker 1: one of one unbelievable. But the whole Atlanta knew you

1311
01:10:42,200 --> 01:10:46,800
Speaker 1: lived dead smacking the hood right off Old National, two

1312
01:10:46,840 --> 01:10:49,880
Speaker 1: blocks away from the blackest wall mart in the state.

1313
01:10:50,360 --> 01:10:52,320
Speaker 1: You ain't had a good night's sleep since you moved

1314
01:10:52,320 --> 01:10:54,080
Speaker 1: in that motherfu you're not always in the land of

1315
01:10:54,120 --> 01:10:57,040
Speaker 1: breaking houses. You learned about them jumping your wall every night.

1316
01:10:58,160 --> 01:11:01,360
Speaker 1: I mean, the only real story here is The interesting

1317
01:11:01,439 --> 01:11:04,880
Speaker 1: part is I didn't know Meek signed that deal at

1318
01:11:04,960 --> 01:11:08,400
Speaker 1: nineteen and he's still in it. That's an interesting thing.

1319
01:11:10,760 --> 01:11:15,360
Speaker 1: Can't be because he hasn't recouped. I don't know. That's

1320
01:11:15,400 --> 01:11:17,920
Speaker 1: a that's an interesting thing. I don't know if that's true.

1321
01:11:18,120 --> 01:11:21,040
Speaker 1: What he said with that, that's that's really interesting. I

1322
01:11:21,080 --> 01:11:25,040
Speaker 1: want to look into that. Um, them dudes going at it. Man,

1323
01:11:25,320 --> 01:11:28,400
Speaker 1: you know, I don't know where this goes to. You know,

1324
01:11:30,000 --> 01:11:33,920
Speaker 1: very unique way to have to approach someone that has

1325
01:11:34,000 --> 01:11:38,160
Speaker 1: proven that they're financially stable, right, so you see, you

1326
01:11:38,240 --> 01:11:41,840
Speaker 1: gotta take that off the table. That's like a superpower,

1327
01:11:43,400 --> 01:11:46,880
Speaker 1: you know what I'm saying. So when you get into

1328
01:11:47,000 --> 01:11:48,760
Speaker 1: with somebody like that, you want to kind of take

1329
01:11:48,760 --> 01:11:51,240
Speaker 1: that off the table, roster that out of his hand,

1330
01:11:51,439 --> 01:11:55,000
Speaker 1: you know, and hope that you're able to point out

1331
01:11:55,040 --> 01:11:58,120
Speaker 1: some other things and that Meek Meal thing is as

1332
01:11:58,120 --> 01:12:01,120
Speaker 1: a hell of a situation. Side of that, that house

1333
01:12:01,240 --> 01:12:03,559
Speaker 1: is beautiful. That house is a hell of a home.

1334
01:12:05,080 --> 01:12:06,439
Speaker 1: The house is a hell of a home. I think

1335
01:12:06,439 --> 01:12:08,519
Speaker 1: he got his own security and all that there, but

1336
01:12:08,600 --> 01:12:11,080
Speaker 1: that that's a that's a hell of a situation. Man.

1337
01:12:11,160 --> 01:12:14,640
Speaker 1: We are We hope them dudes can sit down and

1338
01:12:14,680 --> 01:12:17,519
Speaker 1: speak about it. But the question I have is what

1339
01:12:17,560 --> 01:12:20,120
Speaker 1: do you do when you stop rapping? I think Ross

1340
01:12:20,200 --> 01:12:22,840
Speaker 1: has given a great example of how to transition out

1341
01:12:22,840 --> 01:12:27,719
Speaker 1: of rap if we don't view you know, that contract

1342
01:12:27,800 --> 01:12:30,479
Speaker 1: dispute or whatever that situation with Meek is, if we

1343
01:12:30,520 --> 01:12:33,400
Speaker 1: look at him just transitioning out of wrap and still

1344
01:12:33,439 --> 01:12:37,280
Speaker 1: being able to maintain some income in a way, I

1345
01:12:37,320 --> 01:12:40,960
Speaker 1: think it's undeniable what he's been able to do without

1346
01:12:41,040 --> 01:12:44,360
Speaker 1: the mic being on right. So I think he's worked

1347
01:12:44,400 --> 01:12:47,360
Speaker 1: itself in a very unique position, right coming from the

1348
01:12:47,360 --> 01:12:49,960
Speaker 1: South being able to work his way up. I think

1349
01:12:49,960 --> 01:12:51,920
Speaker 1: he's been lucre. I think he's made a lot of

1350
01:12:52,000 --> 01:12:57,080
Speaker 1: money and those liquor deals, right, you see, no matter

1351
01:12:57,120 --> 01:13:00,400
Speaker 1: what he gonna he gonna incorporate that brand, gonna do

1352
01:13:00,439 --> 01:13:03,400
Speaker 1: brain integration, no matter what. Put the brander man, you

1353
01:13:03,439 --> 01:13:06,280
Speaker 1: get a bottle, you get this bottle and bell let board.

1354
01:13:06,640 --> 01:13:08,800
Speaker 1: I see another thing he's doing. I said, Oh, that's

1355
01:13:08,840 --> 01:13:12,839
Speaker 1: good game. He telling people, man, you know, make yourself

1356
01:13:12,880 --> 01:13:14,800
Speaker 1: a brand and bass to the hymna. Know you want

1357
01:13:14,800 --> 01:13:17,200
Speaker 1: to get down. So that's you're getting free post free

1358
01:13:17,240 --> 01:13:20,479
Speaker 1: marketing all across the country like that, you know. So

1359
01:13:20,680 --> 01:13:22,479
Speaker 1: I see some of the game and I say, Yo,

1360
01:13:22,560 --> 01:13:25,760
Speaker 1: they putting real game down. And he's been able to

1361
01:13:25,800 --> 01:13:31,559
Speaker 1: sustain a certain interest, a certain level of culture equity,

1362
01:13:32,040 --> 01:13:35,120
Speaker 1: you know, as he's not been dropping or has been

1363
01:13:35,200 --> 01:13:38,400
Speaker 1: as hot as he once was and still being able

1364
01:13:38,439 --> 01:13:40,880
Speaker 1: to be viewed or look like. He's been able to

1365
01:13:42,000 --> 01:13:44,439
Speaker 1: keep going up in regards to a standards of living.

1366
01:13:44,520 --> 01:13:47,280
Speaker 1: So I don't really know, Like I think this is

1367
01:13:47,320 --> 01:13:50,639
Speaker 1: interesting because Gilli is also now worked his way into

1368
01:13:50,680 --> 01:13:53,960
Speaker 1: a very unique space in podcasting where he's making money

1369
01:13:53,960 --> 01:13:56,559
Speaker 1: and doing well in that space right, Willow is next

1370
01:13:56,600 --> 01:14:00,120
Speaker 1: to him doing well. So I mean, these are two

1371
01:14:00,200 --> 01:14:02,599
Speaker 1: dudes just financially in a good place and they just

1372
01:14:02,800 --> 01:14:05,800
Speaker 1: they just boxing what they were is. You know, I

1373
01:14:05,920 --> 01:14:08,760
Speaker 1: think that. I think it's a good conversation to be had,

1374
01:14:09,280 --> 01:14:11,599
Speaker 1: you know. But the c O thing that The interesting

1375
01:14:11,640 --> 01:14:14,760
Speaker 1: thing I know about the Internet, and I think we

1376
01:14:14,880 --> 01:14:19,479
Speaker 1: all are learning, is they forget, right, they forget. So

1377
01:14:19,840 --> 01:14:22,559
Speaker 1: when you bring up something that you thought everybody knew,

1378
01:14:22,600 --> 01:14:25,360
Speaker 1: and they'd be like what that was? The like what

1379
01:14:25,600 --> 01:14:28,240
Speaker 1: that was? The city? People don't they don't be known,

1380
01:14:29,040 --> 01:14:30,920
Speaker 1: you know what I'm saying, that was ten years ago

1381
01:14:31,040 --> 01:14:33,960
Speaker 1: or something. It's like people don't be remembering that, you

1382
01:14:34,000 --> 01:14:36,439
Speaker 1: know what I'm saying. So he bringing certain things back up,

1383
01:14:36,479 --> 01:14:39,240
Speaker 1: It's gonna wake certain people up, Like what you mean, bro?

1384
01:14:39,320 --> 01:14:42,440
Speaker 1: What that? What's that? You know? Some of them youngsters.

1385
01:14:42,720 --> 01:14:46,160
Speaker 1: Speaking of Meek Mill, he's been in the news as well.

1386
01:14:46,240 --> 01:14:51,040
Speaker 1: This week, reports came out that he has dissolved this

1387
01:14:51,200 --> 01:14:55,280
Speaker 1: relationship with Rock Nation in regards to management and he'll

1388
01:14:55,320 --> 01:14:58,200
Speaker 1: be moving forward going in separate ways, and the Internet

1389
01:14:58,200 --> 01:15:02,240
Speaker 1: went into a firestorm. Meet me or leave jay Z

1390
01:15:02,479 --> 01:15:04,960
Speaker 1: jay Z and meet Meal no longer this and that

1391
01:15:05,120 --> 01:15:08,439
Speaker 1: meet mealing and he had to come out and tweet

1392
01:15:08,520 --> 01:15:12,960
Speaker 1: some things and realign and readjust to what he wanted

1393
01:15:13,000 --> 01:15:15,280
Speaker 1: people to understand. Like, Yo, me and Hole got other

1394
01:15:15,320 --> 01:15:19,439
Speaker 1: bed and were good. There's foul with him, you know.

1395
01:15:19,840 --> 01:15:22,400
Speaker 1: Them dudes really trying to help me do things and

1396
01:15:23,400 --> 01:15:27,400
Speaker 1: amplify my voice in a way that it's unmatched. But

1397
01:15:27,439 --> 01:15:29,400
Speaker 1: I want to gamble a little bit with this thing.

1398
01:15:30,479 --> 01:15:32,400
Speaker 1: I want to put a little bit more chips up

1399
01:15:32,439 --> 01:15:35,400
Speaker 1: to the table, right. I want to deal with a

1400
01:15:35,439 --> 01:15:37,840
Speaker 1: different dealer, see if I can get a different kind

1401
01:15:37,880 --> 01:15:41,000
Speaker 1: of hand. Right. I believe I know when I'm doing

1402
01:15:41,080 --> 01:15:43,759
Speaker 1: at this point. Trust me to fly, got my wings.

1403
01:15:45,040 --> 01:15:47,240
Speaker 1: And that's the problem with some people. They don't know

1404
01:15:47,280 --> 01:15:49,759
Speaker 1: when to fly. And so when you put the work

1405
01:15:49,800 --> 01:15:51,880
Speaker 1: in and you look at the work and you say, yo,

1406
01:15:52,439 --> 01:15:55,439
Speaker 1: I've studied what they've done with my brand, how they've

1407
01:15:55,479 --> 01:15:59,080
Speaker 1: done it, the channels they went through. I've along the

1408
01:15:59,120 --> 01:16:02,720
Speaker 1: way grabbed whatever resources that I thought would be necessary

1409
01:16:02,800 --> 01:16:06,120
Speaker 1: for me to excel in this next step. Because when

1410
01:16:06,160 --> 01:16:09,280
Speaker 1: you get into this entertainment game, you understand and see

1411
01:16:09,320 --> 01:16:13,080
Speaker 1: that a lot of wasteful spending is happening. There's a

1412
01:16:13,080 --> 01:16:17,479
Speaker 1: lot of ineffective things. Right. They have some networks and

1413
01:16:17,560 --> 01:16:20,760
Speaker 1: shows that if you pay attention, you can tell that

1414
01:16:20,840 --> 01:16:24,200
Speaker 1: they're spending ad money to drive a lot of these numbers,

1415
01:16:24,200 --> 01:16:27,840
Speaker 1: specially on YouTube. Right, And the first come out and

1416
01:16:27,880 --> 01:16:30,760
Speaker 1: they have a certain amount, then you look two days

1417
01:16:30,840 --> 01:16:33,600
Speaker 1: later and they're putting it in front of stuff and

1418
01:16:33,600 --> 01:16:36,479
Speaker 1: they're running their adds, which is a good thing, but

1419
01:16:36,600 --> 01:16:45,200
Speaker 1: the culture equity that it portrays it may be deceiving. Right.

1420
01:16:45,280 --> 01:16:47,519
Speaker 1: You can look at it and think that yo, that

1421
01:16:48,360 --> 01:16:53,960
Speaker 1: situation is a big platform or great podcast and not

1422
01:16:54,080 --> 01:16:56,960
Speaker 1: really understand how they're willing it together. And it's so

1423
01:16:57,000 --> 01:17:00,680
Speaker 1: important to understand how the pieces made. I preach to

1424
01:17:00,800 --> 01:17:05,120
Speaker 1: my people, don't let these people keep selling your hand tossed.

1425
01:17:07,040 --> 01:17:11,679
Speaker 1: And I'm talking in regards to information. Don't let people

1426
01:17:11,760 --> 01:17:16,320
Speaker 1: keep bringing you that interpretation of things. Right, Help me

1427
01:17:16,439 --> 01:17:21,120
Speaker 1: understand things so I can view it with my view,

1428
01:17:21,200 --> 01:17:25,559
Speaker 1: with my lands, I may see something you don't see. Dreams.

1429
01:17:25,600 --> 01:17:27,680
Speaker 1: Just let us from God, so I might see it

1430
01:17:27,720 --> 01:17:30,040
Speaker 1: a different way. That risk that you think is we

1431
01:17:30,160 --> 01:17:32,559
Speaker 1: should never make, I may say that that's the one

1432
01:17:32,640 --> 01:17:35,280
Speaker 1: we need to do. This innovation inside of their risk.

1433
01:17:36,680 --> 01:17:39,800
Speaker 1: An innovation fix a problem and to become of something

1434
01:17:39,840 --> 01:17:41,599
Speaker 1: would a beat next to it? You got to fix

1435
01:17:41,640 --> 01:17:46,800
Speaker 1: a problem or hustle super hard. Right, So again this

1436
01:17:46,920 --> 01:17:50,080
Speaker 1: is high level game. I also want people that who

1437
01:17:50,120 --> 01:17:53,040
Speaker 1: don't understand the business to understand that rappers get in

1438
01:17:53,040 --> 01:17:56,080
Speaker 1: a situation where as people say, well why would they

1439
01:17:56,160 --> 01:17:58,920
Speaker 1: keep meek off festivals or why would they keep what

1440
01:17:59,080 --> 01:18:05,360
Speaker 1: happens is everything that you don't do a fix your negotiation. Right.

1441
01:18:05,400 --> 01:18:07,559
Speaker 1: So if you don't see me on Rolling Loud, if

1442
01:18:07,600 --> 01:18:10,120
Speaker 1: you don't see me getting these certain looks that the

1443
01:18:10,240 --> 01:18:14,439
Speaker 1: label provides you, right, Not that I can't do it myself.

1444
01:18:14,479 --> 01:18:17,160
Speaker 1: I probably could a little more of a headache, but

1445
01:18:18,960 --> 01:18:22,320
Speaker 1: certain times, and certain festivals and certain things, the label

1446
01:18:22,400 --> 01:18:26,120
Speaker 1: provides that luxury, right. That label provides the placement on

1447
01:18:26,160 --> 01:18:29,519
Speaker 1: the playlist, The label provides looks over here and over there.

1448
01:18:30,160 --> 01:18:33,479
Speaker 1: And so when you're coming up on a renegotiation, and

1449
01:18:33,640 --> 01:18:36,959
Speaker 1: jay Z spoke about this in length on Twitter spaces,

1450
01:18:37,439 --> 01:18:39,840
Speaker 1: or when you're coming up to a renegotiation, why what

1451
01:18:40,040 --> 01:18:42,120
Speaker 1: we want to pump you back up? Why what we

1452
01:18:42,200 --> 01:18:47,480
Speaker 1: want to breathe life into a situation that's gonna leverage

1453
01:18:47,880 --> 01:18:52,400
Speaker 1: that expose your own us. Right. And also if you're

1454
01:18:52,439 --> 01:18:54,519
Speaker 1: in here with a little bit more information than you

1455
01:18:54,600 --> 01:18:59,280
Speaker 1: had last time and leverage that's uncomfortable for the people

1456
01:18:59,280 --> 01:19:01,320
Speaker 1: that's used to act in a certain way, or we

1457
01:19:01,479 --> 01:19:06,280
Speaker 1: used to wrapp us believing in certain contracts or or

1458
01:19:06,400 --> 01:19:09,640
Speaker 1: certain companies are operating in good faith even in the

1459
01:19:09,840 --> 01:19:14,000
Speaker 1: entertainment industry, or understand it's very little good faith. Even

1460
01:19:14,040 --> 01:19:17,160
Speaker 1: when you speak about people that rep to the coach

1461
01:19:17,240 --> 01:19:19,800
Speaker 1: and rep all, it is very little good faith. You

1462
01:19:19,840 --> 01:19:23,200
Speaker 1: have to have a high level understanding of what's going on. Man,

1463
01:19:23,320 --> 01:19:26,800
Speaker 1: did me listening to man the horrible decisions put me

1464
01:19:26,840 --> 01:19:28,880
Speaker 1: on something said, listen, don't let them trick you with

1465
01:19:28,960 --> 01:19:32,800
Speaker 1: the marketing game. The lawyer need to put in the

1466
01:19:32,920 --> 01:19:37,760
Speaker 1: contract verifiable marketing right, meaning we need we need to

1467
01:19:37,800 --> 01:19:40,519
Speaker 1: see where that money's going, right, receipts or whatever that

1468
01:19:40,720 --> 01:19:43,519
Speaker 1: is in regards to knowing where the money being spend.

1469
01:19:43,600 --> 01:19:45,880
Speaker 1: That because sometimes they hit you with a twenty thousand

1470
01:19:45,920 --> 01:19:48,840
Speaker 1: dollars marketing thing and then you say, well, what was

1471
01:19:48,880 --> 01:19:52,519
Speaker 1: it spent that? Well across all socials? Okay with where

1472
01:19:52,960 --> 01:19:55,720
Speaker 1: let's get those numbers in because I also I want

1473
01:19:55,720 --> 01:19:58,200
Speaker 1: to run it back in marketing and you already got

1474
01:19:58,640 --> 01:20:03,200
Speaker 1: my demographic down pack, right, and so the collaboration tool,

1475
01:20:04,400 --> 01:20:07,680
Speaker 1: it's what we need to really start to activate in

1476
01:20:07,720 --> 01:20:10,960
Speaker 1: a different way. And sometimes you gotta represent yourself for

1477
01:20:11,080 --> 01:20:15,200
Speaker 1: you to activate that collaboration tool, right. And some of

1478
01:20:15,200 --> 01:20:19,200
Speaker 1: the biggest names in the game on your side means

1479
01:20:19,240 --> 01:20:21,960
Speaker 1: a lot. And that coach sign stands firm in a

1480
01:20:21,960 --> 01:20:26,360
Speaker 1: lot of places. But to be one of them, you

1481
01:20:26,479 --> 01:20:32,479
Speaker 1: might gotta do what they did, which is separate from

1482
01:20:32,479 --> 01:20:37,519
Speaker 1: the pack, you know, and and figure out what this

1483
01:20:37,680 --> 01:20:43,960
Speaker 1: thing is gone. Let's talk about NBA Young Boy NBA

1484
01:20:43,960 --> 01:20:47,240
Speaker 1: A young boy beat the fiends right again. We got

1485
01:20:47,280 --> 01:20:49,799
Speaker 1: lawyers for workers Mo who was there on the scene

1486
01:20:49,840 --> 01:20:53,000
Speaker 1: in the courtroom announcing out to the fans. They went

1487
01:20:53,080 --> 01:20:57,200
Speaker 1: crazy with him. He actually had a conversation with young boy,

1488
01:20:57,320 --> 01:21:00,280
Speaker 1: interviewed the lawyers right there with the lawyers. He was

1489
01:21:00,400 --> 01:21:04,960
Speaker 1: there on the scene um collaboration with the lawyers. If

1490
01:21:04,960 --> 01:21:07,680
Speaker 1: you paid attention, he had a team of lawyers and

1491
01:21:08,240 --> 01:21:10,720
Speaker 1: according to Mode, that were high power lawyers. If you

1492
01:21:10,720 --> 01:21:13,360
Speaker 1: haven't listened to that episode right now, it's on Patreon.

1493
01:21:13,439 --> 01:21:18,760
Speaker 1: That video and audio is on Patreon, and man, it's

1494
01:21:18,880 --> 01:21:21,360
Speaker 1: it's a dope conversation. It's about a lot of this stuff.

1495
01:21:21,400 --> 01:21:24,720
Speaker 1: But we're gonna deal with with with NBA young boy.

1496
01:21:24,760 --> 01:21:29,559
Speaker 1: He was charged with a felon with a fire all

1497
01:21:30,360 --> 01:21:32,920
Speaker 1: and this is one of the federal cases he has too, right,

1498
01:21:33,000 --> 01:21:35,559
Speaker 1: So this when he beat. The jury in this case

1499
01:21:35,720 --> 01:21:38,720
Speaker 1: paid close attention. I'm not sure that they got the

1500
01:21:38,800 --> 01:21:41,760
Speaker 1: details they were looking for the convict young boy on

1501
01:21:41,920 --> 01:21:50,959
Speaker 1: such a complex matter, right that the constructive possession attempt

1502
01:21:51,160 --> 01:21:55,240
Speaker 1: is a very interesting approach, right because you got to

1503
01:21:55,280 --> 01:21:57,240
Speaker 1: say that I know it was there and intend to

1504
01:21:57,400 --> 01:22:00,000
Speaker 1: use it or something like that. So it's a very

1505
01:22:00,040 --> 01:22:04,280
Speaker 1: every slippery things not as easy as you would think, right.

1506
01:22:04,320 --> 01:22:08,680
Speaker 1: And so anyway, and also the judge was very no nonsense,

1507
01:22:08,720 --> 01:22:11,400
Speaker 1: didn't let the lyrics in, didn't let them do certain things,

1508
01:22:11,479 --> 01:22:14,800
Speaker 1: didn't you know. It was just the judge was very

1509
01:22:14,880 --> 01:22:17,479
Speaker 1: different than the judges and Thug and gunner case. And

1510
01:22:17,520 --> 01:22:19,759
Speaker 1: me and MO talked about that and why that difference

1511
01:22:19,840 --> 01:22:23,360
Speaker 1: is so apparent. This judge did not allow for any

1512
01:22:23,520 --> 01:22:27,639
Speaker 1: bull It was nothing going that she was not gonna Yo,

1513
01:22:27,720 --> 01:22:30,240
Speaker 1: then lyrics throw that out. That means nothing with these

1514
01:22:30,280 --> 01:22:32,439
Speaker 1: pictures on social media, that has nothing to do with

1515
01:22:32,439 --> 01:22:35,599
Speaker 1: this gun. No, that's nothing, right, So they were they

1516
01:22:35,600 --> 01:22:39,840
Speaker 1: were pressing down. He beat the Feds and he got

1517
01:22:39,840 --> 01:22:41,880
Speaker 1: to face them again. If they let them beat them twice,

1518
01:22:41,960 --> 01:22:44,720
Speaker 1: being the lawyer talked about that as well. If they

1519
01:22:44,800 --> 01:22:47,280
Speaker 1: let the NBA young boy beat them twice, that's something

1520
01:22:47,439 --> 01:22:49,840
Speaker 1: that's some different kind of cloud they're gonna give him.

1521
01:22:50,600 --> 01:22:52,360
Speaker 1: You know, I asked the lawyer, do you think they're

1522
01:22:52,360 --> 01:22:55,040
Speaker 1: gonna cheat? Because I know they don't want to take

1523
01:22:55,080 --> 01:22:59,040
Speaker 1: two losses. I'll be honest and I said this, This

1524
01:22:59,320 --> 01:23:02,080
Speaker 1: NBA Young or trial showed a lot of you rapp some.

1525
01:23:02,240 --> 01:23:05,640
Speaker 1: I'm gonna keep it all way honest with you. I

1526
01:23:05,720 --> 01:23:09,400
Speaker 1: think Baby might be the only one that got that

1527
01:23:09,560 --> 01:23:14,320
Speaker 1: type that Mike got that if something ever happened knock

1528
01:23:14,400 --> 01:23:17,479
Speaker 1: on wood woon. That's another thing they're doing this this

1529
01:23:17,920 --> 01:23:21,240
Speaker 1: unfortunate in the media. It's this person. Yes, she said,

1530
01:23:21,280 --> 01:23:23,120
Speaker 1: she's gonna indic some people. We know who it is.

1531
01:23:23,120 --> 01:23:26,720
Speaker 1: Oh my god. Yeah, they're weird. Run hey folk here man,

1532
01:23:26,760 --> 01:23:31,720
Speaker 1: he folk here, weird de fol weird. Hum. Then he

1533
01:23:32,360 --> 01:23:34,840
Speaker 1: ain't got a chance to ever go to jail talking

1534
01:23:34,880 --> 01:23:38,640
Speaker 1: about it. Nick wish that on me. Stop saying my

1535
01:23:38,760 --> 01:23:43,120
Speaker 1: name with this, Stop posting that. You know what I'm saying.

1536
01:23:43,160 --> 01:23:46,160
Speaker 1: Stop doing that, then y'all be wanting me to come

1537
01:23:46,200 --> 01:23:49,120
Speaker 1: sit down and talk to y'all. Man, y'all wishing man,

1538
01:23:49,200 --> 01:23:51,880
Speaker 1: Come on, man, that's a whole another thing. We're gonna

1539
01:23:51,880 --> 01:23:54,120
Speaker 1: get to that in a second. But this trial with

1540
01:23:54,320 --> 01:23:57,080
Speaker 1: NBA young boys showed me something that he bigger than

1541
01:23:57,120 --> 01:24:00,320
Speaker 1: I thought he and he bigger than a lot of

1542
01:24:00,360 --> 01:24:04,120
Speaker 1: you wrapped. I'm gonna keep it real. Them boy that

1543
01:24:04,760 --> 01:24:07,240
Speaker 1: fans out said the court room like what. He had

1544
01:24:07,280 --> 01:24:10,479
Speaker 1: to break out and run. They chasing him just to

1545
01:24:10,560 --> 01:24:12,839
Speaker 1: try to touch him, get an autograph, get a picture

1546
01:24:13,240 --> 01:24:15,800
Speaker 1: like they touching him and screaming, oh my God and

1547
01:24:15,960 --> 01:24:19,240
Speaker 1: falling out, And I'm thinking, like, hey, yo, I thought

1548
01:24:19,240 --> 01:24:23,360
Speaker 1: it was an internet thing. Man, I swear I thought

1549
01:24:23,400 --> 01:24:27,360
Speaker 1: it was a night. He's real, according to what I'm

1550
01:24:27,400 --> 01:24:31,080
Speaker 1: seeing that assuming all these people out there is real,

1551
01:24:31,160 --> 01:24:34,560
Speaker 1: and now this is the truth I'm saying. Then it

1552
01:24:34,680 --> 01:24:38,559
Speaker 1: looked a little more stronger then I thought he was.

1553
01:24:38,760 --> 01:24:41,680
Speaker 1: Now I know he's strong, but God, that hit a

1554
01:24:41,680 --> 01:24:44,439
Speaker 1: little more strong, and Loan thought he was. The fans

1555
01:24:44,439 --> 01:24:47,400
Speaker 1: showing up outside court like that, man, y'all fans got

1556
01:24:47,400 --> 01:24:49,639
Speaker 1: to show up, man, y'all people going down, they need

1557
01:24:49,720 --> 01:24:53,680
Speaker 1: y'all voices liud man. They need y'all fans live. They

1558
01:24:53,760 --> 01:24:56,960
Speaker 1: need y'all liud not doing no. I don't let me

1559
01:24:57,000 --> 01:25:00,920
Speaker 1: make sure I'm clearing something. I have corporate sponsors. I

1560
01:25:01,000 --> 01:25:03,760
Speaker 1: don't endorse going anyway and tearing up anything. And I'm

1561
01:25:03,800 --> 01:25:09,160
Speaker 1: not encouraging anything outside of a peaceful protest to bring

1562
01:25:09,200 --> 01:25:14,800
Speaker 1: awareness to some of these subjects. Right. But I think

1563
01:25:14,840 --> 01:25:17,080
Speaker 1: that the fans are too quiet on some of these

1564
01:25:17,200 --> 01:25:19,600
Speaker 1: artists that they claim they love. Y'all gotta get a

1565
01:25:19,640 --> 01:25:22,920
Speaker 1: little louder because they need y'all Right now, y'all gotta

1566
01:25:22,960 --> 01:25:25,839
Speaker 1: know how important it is for y'all to call and say,

1567
01:25:26,080 --> 01:25:28,759
Speaker 1: you know whatever, we need to sign and get it done,

1568
01:25:29,680 --> 01:25:32,960
Speaker 1: letting them folks know you're paying attention. You know. But

1569
01:25:33,080 --> 01:25:35,800
Speaker 1: some people that might turn on, like oh like old

1570
01:25:35,800 --> 01:25:39,519
Speaker 1: girl Old Da and Folton counting seemed like she would

1571
01:25:39,560 --> 01:25:42,360
Speaker 1: get turned on if anybody start bringing it to her.

1572
01:25:42,439 --> 01:25:47,920
Speaker 1: Do step. I ain't never seen nobody announce an indictment

1573
01:25:47,960 --> 01:25:50,599
Speaker 1: in six to day. How are you going to announce

1574
01:25:50,600 --> 01:25:52,840
Speaker 1: the indictment? What kind of is that you're telling me?

1575
01:25:52,880 --> 01:25:56,080
Speaker 1: This ain't a media game. Y'all can't be talking to

1576
01:25:56,160 --> 01:25:58,759
Speaker 1: me like that. I know y'all playing a media game.

1577
01:25:59,240 --> 01:26:02,400
Speaker 1: I know y'all at different intentions. This ain't all police work.

1578
01:26:02,560 --> 01:26:05,840
Speaker 1: This some petted work. Yeah, it's some petted work in there.

1579
01:26:05,840 --> 01:26:10,000
Speaker 1: This ain't all police work. You're announcing Rico's man. Who

1580
01:26:10,160 --> 01:26:14,160
Speaker 1: doing that? Announcing a charge just broad as a Rico

1581
01:26:14,600 --> 01:26:19,439
Speaker 1: got the whole Every black rapper scared, you got, every

1582
01:26:19,520 --> 01:26:22,720
Speaker 1: black rapper scared to death, can't say nothing because you

1583
01:26:22,800 --> 01:26:25,040
Speaker 1: cut out scanning them. In sixty days, you're gonna see

1584
01:26:25,040 --> 01:26:28,840
Speaker 1: some more. And I battle with this question with myself.

1585
01:26:30,080 --> 01:26:33,200
Speaker 1: I said, Loan, should rappers be saying it right now?

1586
01:26:33,360 --> 01:26:38,880
Speaker 1: Just loud about them, not for them? But yo, I

1587
01:26:38,920 --> 01:26:41,559
Speaker 1: ain't doing no shows to everybody. Go sign this petition

1588
01:26:41,560 --> 01:26:44,120
Speaker 1: about lyrics in court to Georgia, or I ain't doing

1589
01:26:44,240 --> 01:26:46,800
Speaker 1: or just lyrics in corp period on a federal level.

1590
01:26:47,400 --> 01:26:49,600
Speaker 1: I ain't doing nothing to everybody going down here or

1591
01:26:50,080 --> 01:26:52,240
Speaker 1: using a If you do this right, then you get

1592
01:26:52,280 --> 01:26:55,840
Speaker 1: this shirt and this like man using that because I

1593
01:26:55,960 --> 01:26:57,840
Speaker 1: think what's happening. There is a lot of rappers in

1594
01:26:57,880 --> 01:27:00,639
Speaker 1: the line of being quiet about thug and because they're

1595
01:27:00,640 --> 01:27:03,600
Speaker 1: scared the police gonna get them. They said, boy, you

1596
01:27:03,640 --> 01:27:05,679
Speaker 1: know she pitty. You talk about it, but she gonna

1597
01:27:05,680 --> 01:27:09,360
Speaker 1: get you if she coming, she coming home. I want

1598
01:27:09,360 --> 01:27:12,519
Speaker 1: to let her know if she coming, she coming, Ain't

1599
01:27:12,520 --> 01:27:15,479
Speaker 1: no talking or nothing like getting this gonna she coming home?

1600
01:27:15,880 --> 01:27:18,439
Speaker 1: So why you can you better use your voice? Because

1601
01:27:18,439 --> 01:27:20,479
Speaker 1: we see what they're doing a gun in thug Non

1602
01:27:20,760 --> 01:27:25,000
Speaker 1: ain't a camera there? Then folks ain't em on camera

1603
01:27:25,080 --> 01:27:27,120
Speaker 1: doing gonna bond. That's why I was trying to wait

1604
01:27:27,160 --> 01:27:29,719
Speaker 1: to really dive into it, because I wanted to look

1605
01:27:29,920 --> 01:27:32,639
Speaker 1: and see the mannerisms and what's going on in court.

1606
01:27:32,720 --> 01:27:35,960
Speaker 1: What is the lawyer's mannerism, the prosecution, what are they saying?

1607
01:27:36,160 --> 01:27:39,519
Speaker 1: Ain't no, ain't no video? I asked the lawyer that

1608
01:27:39,600 --> 01:27:41,200
Speaker 1: was out there were young boy about it on the

1609
01:27:41,280 --> 01:27:43,720
Speaker 1: on the other episode, you gotta go listen. I'm like,

1610
01:27:43,760 --> 01:27:45,720
Speaker 1: why is it like that for thug and Gunna? Why

1611
01:27:45,880 --> 01:27:48,760
Speaker 1: isn't it Is that a tactic? You know? He told

1612
01:27:48,760 --> 01:27:51,200
Speaker 1: me in federal court you can't record, but it states

1613
01:27:51,200 --> 01:27:55,040
Speaker 1: you can. So what why wasn't it any cameras? There's

1614
01:27:55,080 --> 01:27:57,600
Speaker 1: no other reason you can tell me. You you announced

1615
01:27:57,600 --> 01:28:02,439
Speaker 1: that outside of fear, there's no You want these guys

1616
01:28:02,479 --> 01:28:04,960
Speaker 1: to be scared. You want these guys to be and

1617
01:28:05,240 --> 01:28:08,040
Speaker 1: I'm telling you I think that I'm almost certain and

1618
01:28:08,120 --> 01:28:10,600
Speaker 1: I don't want to say but but but boy, I

1619
01:28:10,680 --> 01:28:14,360
Speaker 1: thought long and hard about should wrap an Atlanta god

1620
01:28:14,439 --> 01:28:17,120
Speaker 1: and be using their voices while they can band together,

1621
01:28:17,680 --> 01:28:20,720
Speaker 1: try to get some fight back while you can clean up.

1622
01:28:21,000 --> 01:28:23,840
Speaker 1: But fight back why you can, because if she coming,

1623
01:28:23,960 --> 01:28:28,080
Speaker 1: she coming. I don't think if you be quiet, she

1624
01:28:28,120 --> 01:28:30,360
Speaker 1: ain't gonna say. I don't think it's now. I think

1625
01:28:30,400 --> 01:28:33,240
Speaker 1: it's too later. If you be quiet home, she ain't coming.

1626
01:28:33,840 --> 01:28:36,040
Speaker 1: I don't think it's I think whoever she got under

1627
01:28:36,080 --> 01:28:39,559
Speaker 1: surveillance been under surveillance, and if she coming, she coming.

1628
01:28:40,160 --> 01:28:42,800
Speaker 1: So I'm thinking like I might use my shop to

1629
01:28:42,920 --> 01:28:47,360
Speaker 1: be like, man, these people manded people trying to if

1630
01:28:47,439 --> 01:28:50,880
Speaker 1: it was me, come on this up there podcast right

1631
01:28:51,880 --> 01:28:54,240
Speaker 1: because I'm a thinking right so if it was me,

1632
01:28:54,360 --> 01:28:57,439
Speaker 1: my whole thing is I'll be reaching out the loom. Hey,

1633
01:28:57,520 --> 01:29:00,599
Speaker 1: broad need to get on the podcast. Bet, I'm gonna

1634
01:29:00,600 --> 01:29:03,519
Speaker 1: bring you on the podcast. We're gonna explain why rappids camp,

1635
01:29:03,920 --> 01:29:05,880
Speaker 1: why lyrics is brought up in the way and they

1636
01:29:05,960 --> 01:29:08,559
Speaker 1: not mean they really don't mean what they mean. This

1637
01:29:08,640 --> 01:29:11,840
Speaker 1: is right now, need to be done right now. Reach

1638
01:29:11,920 --> 01:29:14,479
Speaker 1: out to Loon right now. We need to be doing

1639
01:29:14,520 --> 01:29:16,960
Speaker 1: this now, sitting down, yo, man, you know, and you

1640
01:29:17,040 --> 01:29:19,960
Speaker 1: need to be telling me keep it real. You need

1641
01:29:20,000 --> 01:29:21,960
Speaker 1: to be telling me Loan, I'd be just coming over.

1642
01:29:22,439 --> 01:29:25,080
Speaker 1: You know. I'm just almost like a painter brod just

1643
01:29:25,160 --> 01:29:28,200
Speaker 1: being there. We just need to dive into that right.

1644
01:29:28,360 --> 01:29:30,680
Speaker 1: Give you a chance to get your side of the

1645
01:29:30,800 --> 01:29:34,519
Speaker 1: narrative out there, because that being quiet gonna let her

1646
01:29:34,560 --> 01:29:36,479
Speaker 1: be able to use the lyrics. And I'll let it

1647
01:29:36,600 --> 01:29:38,479
Speaker 1: gets you in the way that you ain't gonna bay

1648
01:29:38,560 --> 01:29:40,760
Speaker 1: to get out. But you come sitting next to Loon,

1649
01:29:40,840 --> 01:29:44,120
Speaker 1: Let Loon frame at this. Let us have a real

1650
01:29:44,160 --> 01:29:48,200
Speaker 1: conversation so the public can understand exactly what this is.

1651
01:29:49,320 --> 01:29:52,759
Speaker 1: Not nothing to criminate nobody. We're talking just combo about

1652
01:29:52,800 --> 01:29:57,080
Speaker 1: what lyrics see us home. But everybody want to be quiet,

1653
01:29:57,240 --> 01:29:59,400
Speaker 1: thank you man, Just be quiet, y'all. Sh shut up?

1654
01:29:59,400 --> 01:30:05,720
Speaker 1: Anybody shut down? Nah, This ain't that we posted. Be

1655
01:30:05,920 --> 01:30:08,240
Speaker 1: you posted to get with savage thinkers like me. Come

1656
01:30:08,280 --> 01:30:10,880
Speaker 1: sit down with me. This is my idea. Come sit

1657
01:30:10,920 --> 01:30:13,560
Speaker 1: down with Loon. Let me frame some questions, frame of

1658
01:30:13,640 --> 01:30:17,120
Speaker 1: atmosphere where we can talk about how faith lyrics saw

1659
01:30:17,800 --> 01:30:19,640
Speaker 1: and let me talk about that with some of the

1660
01:30:19,720 --> 01:30:23,360
Speaker 1: realists in the game, and that's how we save our brothers.

1661
01:30:24,120 --> 01:30:27,559
Speaker 1: And also how you give yourself a chance with your

1662
01:30:27,640 --> 01:30:30,960
Speaker 1: narrative to be painted if need be later down the road.

1663
01:30:31,000 --> 01:30:33,559
Speaker 1: Because it seemed like they're taking things that we're using

1664
01:30:33,640 --> 01:30:36,679
Speaker 1: this entertainment and using this so you need to start

1665
01:30:36,720 --> 01:30:39,040
Speaker 1: planning some shit out there that you are able to use.

1666
01:30:39,920 --> 01:30:43,760
Speaker 1: But NBA young boy had five six lawyers, right, and

1667
01:30:43,840 --> 01:30:47,519
Speaker 1: I was thinking of myself he still had that one

1668
01:30:47,560 --> 01:30:49,920
Speaker 1: and knew him from Bad and Rule And a lot

1669
01:30:49,960 --> 01:30:51,920
Speaker 1: of people know that you know your little lawyer from

1670
01:30:51,920 --> 01:30:55,639
Speaker 1: Baton Rouge cool, but default Wade they high power next

1671
01:30:55,680 --> 01:30:58,040
Speaker 1: to him, right, But you keep the one from Bad

1672
01:30:58,080 --> 01:31:00,439
Speaker 1: and Rule to your little small town because he represent

1673
01:31:00,520 --> 01:31:03,600
Speaker 1: your best centrist. He really know you. So if anything,

1674
01:31:03,720 --> 01:31:08,160
Speaker 1: if nothing but keep on mind it. You gotta you

1675
01:31:08,200 --> 01:31:11,600
Speaker 1: gotta represent your best entriest in the huddle, and you

1676
01:31:11,640 --> 01:31:14,880
Speaker 1: need to pay him to stay in the huddle. See

1677
01:31:14,880 --> 01:31:17,839
Speaker 1: that be the problem to the Silvie. They don't understand

1678
01:31:17,880 --> 01:31:21,439
Speaker 1: that being a creative is a team sported, but it's

1679
01:31:21,439 --> 01:31:26,160
Speaker 1: an independent film. It's a team sport, but it's an

1680
01:31:26,200 --> 01:31:29,200
Speaker 1: independent film, meaning you pour from your brothers. And when

1681
01:31:29,200 --> 01:31:31,280
Speaker 1: your energy go up with these people, you're in a

1682
01:31:31,320 --> 01:31:33,880
Speaker 1: better creative mood. And when they go down over here,

1683
01:31:34,120 --> 01:31:36,679
Speaker 1: when you wake up this way, is this good? Right?

1684
01:31:36,720 --> 01:31:43,080
Speaker 1: And so your environment matters to your creative ability. But

1685
01:31:43,439 --> 01:31:45,640
Speaker 1: don't want to pay for those things. I keep telling you,

1686
01:31:45,640 --> 01:31:47,600
Speaker 1: if Dick Gregor was still alive, I pay him to

1687
01:31:47,600 --> 01:31:50,120
Speaker 1: stay next to me, the kind of mind I got.

1688
01:31:50,760 --> 01:31:52,800
Speaker 1: If I can find a dude the thing like me

1689
01:31:52,960 --> 01:31:55,280
Speaker 1: or just man, I'm paying hey, stay right here, man,

1690
01:31:55,400 --> 01:31:58,600
Speaker 1: just I'm gonna payment because still sharp and steal and

1691
01:31:58,640 --> 01:32:01,559
Speaker 1: I know see they don't understand that. They think many

1692
01:32:01,720 --> 01:32:06,960
Speaker 1: brown for nothing. No, sir, we're playing mental gymnastics. Y'all

1693
01:32:07,000 --> 01:32:10,400
Speaker 1: don't know nothing about that. The money is a byproduct

1694
01:32:10,400 --> 01:32:12,559
Speaker 1: of that. Y'all don't know nothing about that. You ain't

1695
01:32:12,600 --> 01:32:15,920
Speaker 1: read enough catch up Mustard. But last week I spoke

1696
01:32:15,920 --> 01:32:18,960
Speaker 1: about the Gunning thug situation from a media perspective. I

1697
01:32:19,040 --> 01:32:22,960
Speaker 1: was disappointed that the media regurgitated some of this information

1698
01:32:23,000 --> 01:32:26,160
Speaker 1: that had me feeling strange. Right, this lady was called

1699
01:32:26,200 --> 01:32:28,559
Speaker 1: with weed for Ghanna, and some of it was for Ghanna,

1700
01:32:28,640 --> 01:32:31,439
Speaker 1: and you know he's very dangerous, and these things just

1701
01:32:31,520 --> 01:32:33,479
Speaker 1: had me feeling a certain way, And so I spoke

1702
01:32:33,520 --> 01:32:37,280
Speaker 1: about why y'all didn't question anything. Why doesn't black media

1703
01:32:37,439 --> 01:32:40,280
Speaker 1: question when these people go against our folks in a

1704
01:32:40,320 --> 01:32:42,680
Speaker 1: certain way, right, why don't we at least present the

1705
01:32:42,720 --> 01:32:46,559
Speaker 1: other side, not lie in, not sugarcoat and not hand picking,

1706
01:32:46,680 --> 01:32:50,560
Speaker 1: not do none of that, old suckers, but not indulging

1707
01:32:50,760 --> 01:32:56,480
Speaker 1: already made media, y'all letting the oppressor right the headline,

1708
01:32:56,520 --> 01:33:01,679
Speaker 1: and then y'all just regurgitating and calling the black media.

1709
01:33:02,040 --> 01:33:04,720
Speaker 1: Now we gotta create the headline. We gotta frame that

1710
01:33:04,840 --> 01:33:11,280
Speaker 1: whole subject in a way that's inclusive, right and represents

1711
01:33:11,840 --> 01:33:15,280
Speaker 1: what I'm thinking of the situation could be. But it's

1712
01:33:15,280 --> 01:33:19,360
Speaker 1: a lot of lazy media and clickbait journalism. It's almost

1713
01:33:19,400 --> 01:33:24,400
Speaker 1: like now I see this new blog type thing emerging

1714
01:33:24,479 --> 01:33:30,080
Speaker 1: where they're creating these moments around like relationships or children,

1715
01:33:30,120 --> 01:33:33,120
Speaker 1: like the McDonald's moment. I see another one going around them.

1716
01:33:33,240 --> 01:33:35,200
Speaker 1: They don't want to pay the he don't want to

1717
01:33:35,200 --> 01:33:38,479
Speaker 1: pay for the dinner for the friends, Like these things

1718
01:33:38,479 --> 01:33:42,919
Speaker 1: are fake. That's number one, right, But it's I'm interested

1719
01:33:43,000 --> 01:33:47,280
Speaker 1: in understanding how they penetrate, they move so quickly and

1720
01:33:47,280 --> 01:33:49,479
Speaker 1: get a level of marketing that. I'm just I don't

1721
01:33:49,560 --> 01:33:54,200
Speaker 1: understand some of these subjects and things can't break the barrier,

1722
01:33:54,240 --> 01:33:57,800
Speaker 1: but these things seem to be doing just this instantly boom.

1723
01:33:57,840 --> 01:34:00,920
Speaker 1: I was just disappointed in media, especially to be that

1724
01:34:01,040 --> 01:34:04,679
Speaker 1: loud about regurgitated headlines and then not show up down

1725
01:34:04,760 --> 01:34:07,080
Speaker 1: there with a camera. Somebody gotta tell me why they're

1726
01:34:07,080 --> 01:34:09,880
Speaker 1: doing that. Somebody got to explain to me. Y'all. Gotta

1727
01:34:09,880 --> 01:34:12,519
Speaker 1: get some cameras down there, y'all payment I come down

1728
01:34:12,520 --> 01:34:14,920
Speaker 1: and do it. Y'all gotta get some people in their

1729
01:34:14,960 --> 01:34:17,880
Speaker 1: courtroom to at least fielm what's going on, feelm how

1730
01:34:17,920 --> 01:34:21,960
Speaker 1: they're treating the home boards or something like all the rabbits.

1731
01:34:22,000 --> 01:34:25,760
Speaker 1: Y'all gotta get folks in these when Lucia go to court,

1732
01:34:25,800 --> 01:34:28,880
Speaker 1: when anybody goes, y'all gotta get some coverage down there. Man,

1733
01:34:29,400 --> 01:34:32,679
Speaker 1: y'all ain't gonna change nothing. Just on the outside being quiet,

1734
01:34:32,760 --> 01:34:34,800
Speaker 1: that ain't gonna do nothing. Let me kind of get

1735
01:34:34,880 --> 01:34:37,840
Speaker 1: into what I think about what they have against Thug

1736
01:34:37,880 --> 01:34:40,040
Speaker 1: and Gunna with the RICO. I always look at this

1737
01:34:40,120 --> 01:34:43,679
Speaker 1: case and again I'm confused as to how they're using

1738
01:34:43,680 --> 01:34:46,640
Speaker 1: it right me and lawyers for work or spoke about.

1739
01:34:46,680 --> 01:34:51,040
Speaker 1: This is groundbreaking behavior in regards to the application of

1740
01:34:51,160 --> 01:34:55,200
Speaker 1: the reco Right, this is very unique approaching. This is

1741
01:34:55,240 --> 01:34:58,160
Speaker 1: not something that's ever been done before. Right, And we

1742
01:34:58,200 --> 01:35:00,680
Speaker 1: want to be clear with that because that's I what

1743
01:35:00,800 --> 01:35:03,880
Speaker 1: do you have to compare it to? Right. So sometimes

1744
01:35:04,080 --> 01:35:06,320
Speaker 1: a law has benefited so long and used in a

1745
01:35:06,360 --> 01:35:08,320
Speaker 1: certain way that you can be like, no, they've already

1746
01:35:08,320 --> 01:35:10,920
Speaker 1: been through this in nineteen eighty one, here's the case number.

1747
01:35:11,200 --> 01:35:13,920
Speaker 1: They overturned it. Because this is used in a way

1748
01:35:13,920 --> 01:35:17,120
Speaker 1: where I'm not sure it's ever been used. So that's

1749
01:35:17,320 --> 01:35:20,080
Speaker 1: very important. That allows you to misuse it because the

1750
01:35:20,240 --> 01:35:23,960
Speaker 1: understanding isn't there. Right, it's the first time being done,

1751
01:35:24,040 --> 01:35:26,280
Speaker 1: so we kind of don't know how to defend it.

1752
01:35:26,520 --> 01:35:28,640
Speaker 1: We don't know what the appeal to look like. We

1753
01:35:28,680 --> 01:35:30,960
Speaker 1: don't know what you're willing to give us for something

1754
01:35:31,000 --> 01:35:34,040
Speaker 1: that you really can't prove. The judicial system is set

1755
01:35:34,120 --> 01:35:38,599
Speaker 1: up on evidence. Evidence is very important, it's actually the

1756
01:35:38,640 --> 01:35:41,519
Speaker 1: most important. But then you gotta know they play whatever

1757
01:35:41,560 --> 01:35:45,320
Speaker 1: itden is because evidence usually when you think about evidence,

1758
01:35:45,360 --> 01:35:48,680
Speaker 1: you think about what happened, right, But evidence ain't what

1759
01:35:48,800 --> 01:35:52,120
Speaker 1: happened because sometimes just because it happened don't mean to

1760
01:35:52,240 --> 01:35:54,040
Speaker 1: make it in court, and just because it made it

1761
01:35:54,080 --> 01:35:57,439
Speaker 1: in court don't necessarily mean that it happens. So it's

1762
01:35:57,439 --> 01:36:00,880
Speaker 1: a weird thing that goes on with this evidence thing

1763
01:36:01,000 --> 01:36:03,400
Speaker 1: that they use. That's why they're able to loosely use

1764
01:36:03,479 --> 01:36:07,400
Speaker 1: these lyrics without any crimes attest to most of them,

1765
01:36:07,640 --> 01:36:11,599
Speaker 1: Like we're riding with snipers. They didn't say we poured

1766
01:36:11,720 --> 01:36:15,160
Speaker 1: over a car with snipers in it, and this is

1767
01:36:15,200 --> 01:36:18,920
Speaker 1: the evidence. On June twenty second, car was put over

1768
01:36:19,000 --> 01:36:21,639
Speaker 1: behind rappers such and such they had snipers in it,

1769
01:36:22,400 --> 01:36:25,559
Speaker 1: prepared to go. They ain't never done that, but they're

1770
01:36:25,560 --> 01:36:29,559
Speaker 1: able to use that they have snipers. It's like, Yo,

1771
01:36:30,240 --> 01:36:33,120
Speaker 1: this is how they are able to apply this law.

1772
01:36:34,400 --> 01:36:36,320
Speaker 1: But it is important for me to speak on it

1773
01:36:36,360 --> 01:36:39,080
Speaker 1: because again I think Folton County is doing a tremendous

1774
01:36:39,200 --> 01:36:43,679
Speaker 1: job and abusing their power. They're playing a very interesting

1775
01:36:43,720 --> 01:36:46,680
Speaker 1: game and shut up or we'll lock you up. It's

1776
01:36:46,760 --> 01:36:50,080
Speaker 1: what the atmosphere feels like coming from Folton County. It's

1777
01:36:50,120 --> 01:36:53,280
Speaker 1: almost like d bol kind of behavior, like you will

1778
01:36:53,360 --> 01:36:56,200
Speaker 1: be next rich dude will come get you and ruin

1779
01:36:56,320 --> 01:37:00,160
Speaker 1: your life if you say something about this case. So

1780
01:37:00,240 --> 01:37:02,840
Speaker 1: say something about a lot like it's a it's a

1781
01:37:02,880 --> 01:37:05,400
Speaker 1: weird thing, man, and them dudes just man, they're going

1782
01:37:05,479 --> 01:37:09,200
Speaker 1: through it down there. And you see Kodak Black just

1783
01:37:09,280 --> 01:37:12,679
Speaker 1: got they hit him with trafficking. They overreaching with these laws.

1784
01:37:12,960 --> 01:37:14,760
Speaker 1: I know they just want some money from them, but

1785
01:37:14,800 --> 01:37:16,880
Speaker 1: the law probably say if it's this much money and

1786
01:37:17,000 --> 01:37:19,800
Speaker 1: this much then this is considered this when you know

1787
01:37:19,880 --> 01:37:23,120
Speaker 1: the dude ain't. It's just it's it's ugly. But this

1788
01:37:23,200 --> 01:37:26,200
Speaker 1: is how they're applying the laws against specifically rappers. And

1789
01:37:26,280 --> 01:37:28,800
Speaker 1: we need people to look into that. We need colleges

1790
01:37:28,800 --> 01:37:32,280
Speaker 1: and institutions to look into this and come with some

1791
01:37:32,400 --> 01:37:35,880
Speaker 1: real data we can present. Somebody has to fund these

1792
01:37:36,000 --> 01:37:39,880
Speaker 1: kind of operations. I want to really have a home

1793
01:37:39,960 --> 01:37:42,320
Speaker 1: to understand and the why I believe the no camera

1794
01:37:42,400 --> 01:37:48,479
Speaker 1: thing is a trick, because it's important to understand that

1795
01:37:48,960 --> 01:37:51,559
Speaker 1: if we're able to get cameras in these courtrooms, we

1796
01:37:51,640 --> 01:37:56,760
Speaker 1: may affect the so called jury because we would like

1797
01:37:56,960 --> 01:37:59,240
Speaker 1: to and in a perfect world being a place where

1798
01:37:59,240 --> 01:38:02,880
Speaker 1: the jury is affected. But they're playing the media game,

1799
01:38:03,200 --> 01:38:05,680
Speaker 1: hence why they always put these little things out. She

1800
01:38:05,800 --> 01:38:08,240
Speaker 1: got caught with weeds. Some girl was bringing this in

1801
01:38:08,400 --> 01:38:11,400
Speaker 1: for this person or this person was caught with drones

1802
01:38:11,520 --> 01:38:14,640
Speaker 1: coming out? What did we yo, where's the proof you

1803
01:38:14,720 --> 01:38:17,120
Speaker 1: catch a drone with his name on it? Like? What

1804
01:38:17,160 --> 01:38:20,879
Speaker 1: are we doing? And also the court of public opinion

1805
01:38:21,479 --> 01:38:27,360
Speaker 1: is very important to this jury that maybe on these cases, right,

1806
01:38:27,439 --> 01:38:30,400
Speaker 1: you might got a jury that's that's been affected by

1807
01:38:30,439 --> 01:38:33,439
Speaker 1: some of these headlines that's been able to go out. Wow,

1808
01:38:33,520 --> 01:38:35,599
Speaker 1: they got people trying to sneak stuff in like this

1809
01:38:35,680 --> 01:38:39,639
Speaker 1: is a game. So while we only playing that game

1810
01:38:39,840 --> 01:38:43,519
Speaker 1: when they want to get negative stuff out, why isn't

1811
01:38:43,560 --> 01:38:48,599
Speaker 1: it a camera in the courtroom analyzing the case? Because

1812
01:38:48,640 --> 01:38:51,280
Speaker 1: I talked to one is homeboards and he made a

1813
01:38:51,320 --> 01:38:54,160
Speaker 1: great point to me, said, long, how they denied gun

1814
01:38:54,240 --> 01:38:56,760
Speaker 1: his bond and he turned itself in and everything he knew,

1815
01:38:57,960 --> 01:39:01,760
Speaker 1: they ain't even bringing that up, yo, dude, maker have

1816
01:39:01,840 --> 01:39:04,400
Speaker 1: got on a private or summon shooting got out of here,

1817
01:39:05,160 --> 01:39:09,240
Speaker 1: dude when it turned itself in, then y'all got him

1818
01:39:09,240 --> 01:39:12,840
Speaker 1: on very limited involvement. He go up for a barn.

1819
01:39:13,120 --> 01:39:15,719
Speaker 1: Y'all come out saying, hey, for you to think about

1820
01:39:15,720 --> 01:39:17,640
Speaker 1: the barn. Somebody had been trying to sneak stuff in

1821
01:39:17,720 --> 01:39:22,040
Speaker 1: here for him? When was this? You know, it's just

1822
01:39:23,560 --> 01:39:26,760
Speaker 1: it's very erratic behavior. And you hear me talk about

1823
01:39:26,800 --> 01:39:29,280
Speaker 1: how playing the media game with the announcement of in

1824
01:39:29,400 --> 01:39:34,240
Speaker 1: sixty days, it's gonna be another right, But it ain't

1825
01:39:34,240 --> 01:39:40,400
Speaker 1: a game. You're taking black men from their families. If

1826
01:39:40,439 --> 01:39:44,640
Speaker 1: you're using crimes, use your crimes, but don't use the

1827
01:39:44,720 --> 01:39:48,880
Speaker 1: lyrics when you're using the world. See our skin folks,

1828
01:39:48,880 --> 01:39:52,599
Speaker 1: ain't you kin folks when you're black and you understand

1829
01:39:52,640 --> 01:39:56,800
Speaker 1: the terminology or you even understand influence. I know your

1830
01:39:57,240 --> 01:39:59,760
Speaker 1: boyfriend probably one of them kind of dudes. They're gonna

1831
01:39:59,760 --> 01:40:02,519
Speaker 1: do nothing, but he gonna puffing, puffing, look tough when

1832
01:40:02,560 --> 01:40:05,240
Speaker 1: somebody tell them they're gonna shmack him. But he ain't

1833
01:40:05,280 --> 01:40:09,000
Speaker 1: gonna do nothing, and you love him. So you know

1834
01:40:09,200 --> 01:40:12,360
Speaker 1: everybody ain't doing what they saying they do. But now

1835
01:40:12,560 --> 01:40:15,000
Speaker 1: y'all using these lyrics. And if you if you got

1836
01:40:15,000 --> 01:40:21,000
Speaker 1: the crimes presented crimes, don't wish it up. Hey there's

1837
01:40:21,000 --> 01:40:23,240
Speaker 1: some crimes over here, but hey, listen to what they said. Boy,

1838
01:40:23,280 --> 01:40:26,040
Speaker 1: this is how we know some of them crimes was them. Nah,

1839
01:40:26,880 --> 01:40:29,400
Speaker 1: let me speak about this point. The DA and Folton

1840
01:40:29,479 --> 01:40:31,880
Speaker 1: County came out and said, in sixty days, you'll see

1841
01:40:31,880 --> 01:40:35,839
Speaker 1: two high level indictments, and all of the media started

1842
01:40:35,880 --> 01:40:37,519
Speaker 1: to say who they thought they were to be and

1843
01:40:37,560 --> 01:40:40,920
Speaker 1: who you know was on the lists, who they felt

1844
01:40:40,920 --> 01:40:42,880
Speaker 1: like was And for me, I wouldn't do that. I'm

1845
01:40:42,920 --> 01:40:44,920
Speaker 1: not gonna say who was on my list and all

1846
01:40:44,960 --> 01:40:48,440
Speaker 1: of that, because when you create those kind of expectations,

1847
01:40:48,479 --> 01:40:52,280
Speaker 1: just imagine somebody cloud chasing see the whole internet say

1848
01:40:52,320 --> 01:40:54,160
Speaker 1: it should be this person. Oh lord, don't let it

1849
01:40:54,200 --> 01:40:56,200
Speaker 1: be this person. Don't let it be and she's sitting

1850
01:40:56,240 --> 01:40:58,479
Speaker 1: back like, that's who I want to get the person

1851
01:40:58,520 --> 01:41:00,559
Speaker 1: they don't want me to get. I don't know why

1852
01:41:00,640 --> 01:41:04,280
Speaker 1: y'all do that. That'd be it'd be weird, man key.

1853
01:41:04,360 --> 01:41:07,360
Speaker 1: Things that she said was high profile cases. She didn't

1854
01:41:07,360 --> 01:41:09,920
Speaker 1: say rappers, but everybody went to rappers because she is

1855
01:41:09,960 --> 01:41:12,559
Speaker 1: talking and rappers. If I was a rapper, I gonna

1856
01:41:12,640 --> 01:41:17,640
Speaker 1: start detoxing or something just in case I'll be on

1857
01:41:17,680 --> 01:41:19,920
Speaker 1: the free I'd be in the free world on some detox.

1858
01:41:20,360 --> 01:41:22,280
Speaker 1: I tried to get that together. If I was on

1859
01:41:22,360 --> 01:41:25,679
Speaker 1: some or because some of them on drinking all leading,

1860
01:41:25,720 --> 01:41:28,000
Speaker 1: they make them first ninety days kind of hard in

1861
01:41:28,000 --> 01:41:30,840
Speaker 1: their jail. But again, I believe rappers should drop their

1862
01:41:30,960 --> 01:41:33,080
Speaker 1: nuts and speak on it. Why they can speak on

1863
01:41:33,120 --> 01:41:36,559
Speaker 1: the why they out here stop working or influence their

1864
01:41:36,600 --> 01:41:39,320
Speaker 1: fans to create some noise about this man, because it

1865
01:41:39,360 --> 01:41:41,920
Speaker 1: ain't gonna stop, and it ain't gonna be no be quiet,

1866
01:41:41,960 --> 01:41:45,400
Speaker 1: and she ain't coming. She on some mothers. She reaching

1867
01:41:45,479 --> 01:41:49,400
Speaker 1: and overreaching and painting pictures of sh without evidence and

1868
01:41:49,760 --> 01:41:52,599
Speaker 1: indicting folks that mixing them up. Some of the folks

1869
01:41:52,640 --> 01:41:55,160
Speaker 1: over here done some crimes and then you knew you

1870
01:41:55,360 --> 01:41:57,639
Speaker 1: make you a part of the his game. See here's

1871
01:41:57,680 --> 01:42:01,320
Speaker 1: the trick. Get you when some of your homeboys, some

1872
01:42:01,400 --> 01:42:04,240
Speaker 1: of your homeboys, commit a crime, make y'all a gang,

1873
01:42:04,320 --> 01:42:06,599
Speaker 1: make you the leader of the gang. Say that your

1874
01:42:06,600 --> 01:42:10,960
Speaker 1: homeboys crimes were the further the gang. But I believe

1875
01:42:11,000 --> 01:42:14,200
Speaker 1: without statements, it may be hard, but it ruins your life.

1876
01:42:15,200 --> 01:42:19,400
Speaker 1: It stops your life. Right. And also I heard academics

1877
01:42:19,439 --> 01:42:22,200
Speaker 1: say that there was a good point said that they're

1878
01:42:22,200 --> 01:42:24,200
Speaker 1: not gonna be able to drop new music because they're

1879
01:42:24,280 --> 01:42:29,120
Speaker 1: using the lyrics against them, and so their artistic ability

1880
01:42:29,120 --> 01:42:31,800
Speaker 1: and their artistic freedom has been tooking from them because

1881
01:42:31,840 --> 01:42:35,519
Speaker 1: they would go in this booth, this elaborate studio and

1882
01:42:35,560 --> 01:42:40,120
Speaker 1: create these moments right where they wrapped to a culture

1883
01:42:40,120 --> 01:42:44,120
Speaker 1: of listening fans about a numerous amounts of things. You know,

1884
01:42:45,680 --> 01:42:48,759
Speaker 1: go get some of the most absurd lyrics. Would dude say,

1885
01:42:49,120 --> 01:42:52,599
Speaker 1: I'm climbing over the moon and whatever, just saying in

1886
01:42:52,640 --> 01:42:54,920
Speaker 1: that way, it ain't no way they're doing that. But

1887
01:42:55,479 --> 01:42:58,439
Speaker 1: you know, they create these moments in the studio. But

1888
01:42:58,520 --> 01:43:02,160
Speaker 1: I'm gonna be honest with you with this lady announcing

1889
01:43:02,240 --> 01:43:05,160
Speaker 1: this indictment, which I think is one of the most embarrassing,

1890
01:43:05,800 --> 01:43:08,439
Speaker 1: cloud chasy kind of things that a da can do

1891
01:43:08,520 --> 01:43:11,920
Speaker 1: in Folkon County. She announces that in sixty days there'll

1892
01:43:12,000 --> 01:43:14,960
Speaker 1: be two more high profile cases. If I was a

1893
01:43:15,040 --> 01:43:18,760
Speaker 1: rapper on in fifty eight days, I'm going to out

1894
01:43:18,800 --> 01:43:23,120
Speaker 1: the country for six months. Yeah, fifty day days are

1895
01:43:23,160 --> 01:43:25,439
Speaker 1: going tour. I'm out the country for nine months now.

1896
01:43:25,439 --> 01:43:28,519
Speaker 1: I'm in Turkey, I mean Ireland. Naw I didn't Yeah,

1897
01:43:28,600 --> 01:43:31,000
Speaker 1: I didn't speak no indictment. I got out out the

1898
01:43:31,000 --> 01:43:34,400
Speaker 1: country tour, you know what I'm saying. So yeah, man,

1899
01:43:34,720 --> 01:43:36,639
Speaker 1: and I'm a rid out the country. You know, i'thing

1900
01:43:36,720 --> 01:43:39,200
Speaker 1: going out the country now and they are playing the

1901
01:43:39,280 --> 01:43:42,000
Speaker 1: tour and then I just move around from there just

1902
01:43:42,120 --> 01:43:44,960
Speaker 1: to see what's going on. Man, negotiate me a bond.

1903
01:43:45,040 --> 01:43:48,160
Speaker 1: She playing with people lyrics, Man, it really feels like

1904
01:43:48,240 --> 01:43:50,360
Speaker 1: they're trying to take a line of down. It feels

1905
01:43:50,400 --> 01:43:53,760
Speaker 1: like they're trying to take that city, the rappers in

1906
01:43:53,840 --> 01:43:57,760
Speaker 1: that city, the urban scene in that city, in cent

1907
01:43:57,840 --> 01:44:00,360
Speaker 1: a tornado through it. There was something I saw the

1908
01:44:00,400 --> 01:44:02,720
Speaker 1: other day and I'm not even from Atlanta, but a

1909
01:44:02,720 --> 01:44:08,160
Speaker 1: lot of people our followers I saw that, but love it.

1910
01:44:08,200 --> 01:44:09,840
Speaker 1: That does The part is I think a name is

1911
01:44:09,920 --> 01:44:13,400
Speaker 1: Shannon King or Shannon King on Instagram or miss Shannon

1912
01:44:13,520 --> 01:44:16,960
Speaker 1: or something like that. Excuse me for getting your name wrong.

1913
01:44:17,040 --> 01:44:21,040
Speaker 1: But she had posted that they have a new law

1914
01:44:21,080 --> 01:44:23,120
Speaker 1: that they're trying to pass that if two people get

1915
01:44:23,120 --> 01:44:26,080
Speaker 1: injured at a party at your business, that they get

1916
01:44:26,120 --> 01:44:29,440
Speaker 1: to shut you down for good or something like that.

1917
01:44:29,439 --> 01:44:33,400
Speaker 1: That's a hip hop thing. They don't even classify bar

1918
01:44:33,520 --> 01:44:36,080
Speaker 1: fights the same like a white boy bar fight. They

1919
01:44:36,120 --> 01:44:38,920
Speaker 1: don't classify that the same right, no matter what happens.

1920
01:44:39,479 --> 01:44:43,760
Speaker 1: But that's an attack on nightlife. That's an attack on

1921
01:44:43,840 --> 01:44:46,800
Speaker 1: this scene that everybody loves in Atlanta, right, And That's

1922
01:44:46,800 --> 01:44:49,479
Speaker 1: what I'm trying to say. She hasn't She's put an

1923
01:44:49,520 --> 01:44:54,320
Speaker 1: attack on those people who are influential in that space,

1924
01:44:54,400 --> 01:44:57,599
Speaker 1: and she's been able to convince people who don't know

1925
01:44:57,720 --> 01:45:01,000
Speaker 1: any better or don't know these rappers that they're dangerous,

1926
01:45:01,040 --> 01:45:06,040
Speaker 1: that they're committing all these crimes without actually applying evidence

1927
01:45:06,120 --> 01:45:09,200
Speaker 1: to him. And I'm not saying either way. I'm just

1928
01:45:09,280 --> 01:45:12,519
Speaker 1: saying I thought the judicial system was set up in

1929
01:45:12,560 --> 01:45:16,920
Speaker 1: a way what you have to apply crimes as part

1930
01:45:16,960 --> 01:45:21,560
Speaker 1: of your evidence or evidence to point to your crimes,

1931
01:45:21,920 --> 01:45:24,400
Speaker 1: right there has to be something there and you can't

1932
01:45:24,439 --> 01:45:27,760
Speaker 1: just be in here saying they are followed by snipers

1933
01:45:27,760 --> 01:45:30,559
Speaker 1: and you have not arrest anyone with the credentials of

1934
01:45:30,640 --> 01:45:35,120
Speaker 1: a sniper. That's how I feel about that. My understanding,

1935
01:45:35,200 --> 01:45:38,640
Speaker 1: my very limited understanding of the law. But again, she

1936
01:45:38,680 --> 01:45:42,280
Speaker 1: didn't say rappers, you guys, so stop putting that on

1937
01:45:42,360 --> 01:45:46,160
Speaker 1: a rapper. Maybe it's not a rapper. She said, two

1938
01:45:46,280 --> 01:45:51,200
Speaker 1: high profile cases. But don't give somebody cloud chasing the

1939
01:45:51,320 --> 01:45:56,000
Speaker 1: ability to get some cloud right now, all these blocks

1940
01:45:56,120 --> 01:45:59,200
Speaker 1: wensually went up, with all these names. I'm like, Yo,

1941
01:45:59,320 --> 01:46:01,720
Speaker 1: this is a year space I'm trying to get in.

1942
01:46:02,680 --> 01:46:06,680
Speaker 1: I gotta I had a handle this cal Man right,

1943
01:46:06,720 --> 01:46:09,800
Speaker 1: because I'm I'm I'm I'm on a thin line information

1944
01:46:09,840 --> 01:46:13,320
Speaker 1: and entertainment. I ain't playing that game. I see him though,

1945
01:46:13,360 --> 01:46:15,479
Speaker 1: as I'm walking through the tunnel, I see him playing

1946
01:46:15,520 --> 01:46:18,280
Speaker 1: that game. That's a that's an ugly game to be

1947
01:46:18,360 --> 01:46:21,960
Speaker 1: stuck in. Man, don't wish the jail on a dude. Man,

1948
01:46:22,080 --> 01:46:25,760
Speaker 1: Come on, y'all, she said, two high profile cases. We

1949
01:46:25,880 --> 01:46:28,200
Speaker 1: know she's talking and rappers. I see the thinking. I

1950
01:46:28,280 --> 01:46:30,479
Speaker 1: see the line of thinking. But you're not gonna get

1951
01:46:30,520 --> 01:46:33,800
Speaker 1: me somewhat guessing on who's going to jail for twenty years?

1952
01:46:34,960 --> 01:46:39,040
Speaker 1: Who's she talking by y'all knowing that she cloud chasing

1953
01:46:39,120 --> 01:46:42,879
Speaker 1: by announcing it. Let's talk about this. Whack was a hundred,

1954
01:46:44,040 --> 01:46:48,360
Speaker 1: So Wack one hundred supposedly got into a brawl at

1955
01:46:48,400 --> 01:46:52,160
Speaker 1: a concert. At a game concert with the Rolling Sixties,

1956
01:46:52,680 --> 01:46:55,320
Speaker 1: a guy named Tiny Draws ran up on him again

1957
01:46:56,000 --> 01:46:58,200
Speaker 1: out of the West Coach you always named at the

1958
01:47:00,160 --> 01:47:03,519
Speaker 1: Big Home. If you're affiliated, it's the understanding that I have.

1959
01:47:03,760 --> 01:47:08,280
Speaker 1: And and so for those of you, Draws is big

1960
01:47:08,320 --> 01:47:12,200
Speaker 1: you and show Tiny Draws from outside looking in based

1961
01:47:12,240 --> 01:47:15,640
Speaker 1: on what my understanding would be would be of some lineage,

1962
01:47:17,479 --> 01:47:21,479
Speaker 1: you know, in regards to the neighborhood. And I always

1963
01:47:21,520 --> 01:47:24,080
Speaker 1: have said that Whack one hundred has invited a lot

1964
01:47:24,120 --> 01:47:29,800
Speaker 1: of unwarranted issues because a clubhouse in the Internet, you know,

1965
01:47:29,960 --> 01:47:32,080
Speaker 1: unless there were issues behind the scenes and he just

1966
01:47:32,080 --> 01:47:35,040
Speaker 1: brought them to the light. I always said, you need

1967
01:47:35,080 --> 01:47:39,880
Speaker 1: to be careful not to be defending an invisible throne, right,

1968
01:47:40,040 --> 01:47:42,200
Speaker 1: dealing with the Internet. A lot of these dudes is

1969
01:47:43,360 --> 01:47:47,160
Speaker 1: defending invisible thrones, right, these little positions as the winner

1970
01:47:47,200 --> 01:47:50,000
Speaker 1: on these little social sites, so the person that get

1971
01:47:50,040 --> 01:47:53,080
Speaker 1: the most clicks and likes. These things are starting to

1972
01:47:53,120 --> 01:47:56,240
Speaker 1: really affect the metavers is starting to affect the universe.

1973
01:47:57,800 --> 01:48:01,400
Speaker 1: And as we watch these two words I emerge is

1974
01:48:01,439 --> 01:48:05,760
Speaker 1: just interesting to see how situations like this occur. Right,

1975
01:48:05,840 --> 01:48:09,439
Speaker 1: So this seems to have evolved from some internet to

1976
01:48:09,600 --> 01:48:13,439
Speaker 1: now this is street. Seems to be like some streaked

1977
01:48:13,520 --> 01:48:16,960
Speaker 1: beef with this now right all these other things. Is

1978
01:48:17,000 --> 01:48:18,920
Speaker 1: like it's a fab one one on one when I

1979
01:48:19,040 --> 01:48:21,680
Speaker 1: kitch you me and you would get the nazis Like,

1980
01:48:21,840 --> 01:48:23,960
Speaker 1: now some people want to talk to you about some

1981
01:48:24,040 --> 01:48:28,200
Speaker 1: things you said. They you know, and it's like now

1982
01:48:28,600 --> 01:48:32,800
Speaker 1: you're on defense, and sometimes your defense make you move

1983
01:48:32,920 --> 01:48:37,000
Speaker 1: totally different. So the word came out that Yo Wat

1984
01:48:37,080 --> 01:48:39,519
Speaker 1: got into a fight them dudes ran upon him, hit

1985
01:48:39,560 --> 01:48:41,479
Speaker 1: him in the head. He jumped off stage and ran

1986
01:48:41,880 --> 01:48:45,320
Speaker 1: so Wack went the clubhouse and spoke about it. The

1987
01:48:45,439 --> 01:48:48,280
Speaker 1: interesting thing about this conversation I'm about to play you

1988
01:48:48,520 --> 01:48:51,400
Speaker 1: is is that when he spoke about it, the dude

1989
01:48:51,439 --> 01:48:57,840
Speaker 1: who actually allegedly hit him shows up. Let's listen. If

1990
01:48:57,840 --> 01:49:01,120
Speaker 1: we're gonna do what we always did coming from our era,

1991
01:49:01,520 --> 01:49:03,320
Speaker 1: you're gonna let them get out of it. Then we

1992
01:49:03,400 --> 01:49:06,559
Speaker 1: get to it. I didn't jump in my mouth car

1993
01:49:06,560 --> 01:49:09,599
Speaker 1: and speed off behind my family. I got them through

1994
01:49:10,600 --> 01:49:17,280
Speaker 1: and nah, I got all that. I got you on that.

1995
01:49:17,360 --> 01:49:20,160
Speaker 1: All that's solid. But I'm saying you said a brother

1996
01:49:20,320 --> 01:49:25,280
Speaker 1: from another set, not yours, put his neck out there

1997
01:49:26,520 --> 01:49:29,800
Speaker 1: to let you. Then he from him said he needed

1998
01:49:29,840 --> 01:49:32,479
Speaker 1: to be dealt with. He from me from them, say

1999
01:49:32,760 --> 01:49:36,400
Speaker 1: here a snake, I'll never trust that. It ain't about trust.

2000
01:49:36,439 --> 01:49:38,240
Speaker 1: But you had your family and he gave you a

2001
01:49:38,240 --> 01:49:40,800
Speaker 1: shot out wi you Nah bro here, we won't think

2002
01:49:40,880 --> 01:49:42,960
Speaker 1: he just let he let me know for a reason.

2003
01:49:43,280 --> 01:49:45,280
Speaker 1: But he played the fifty two because he go on

2004
01:49:45,479 --> 01:49:49,160
Speaker 1: stage and act like he was also mother. Catch that

2005
01:49:49,240 --> 01:49:52,000
Speaker 1: little ain't nothing. He I'm gonna I know what I'm

2006
01:49:52,000 --> 01:49:54,000
Speaker 1: gonna do with him. But I'll catch up with him.

2007
01:49:54,040 --> 01:49:57,000
Speaker 1: I've been knowing that twenty something years. He's I ain't

2008
01:49:57,040 --> 01:49:59,680
Speaker 1: too much I can do one't even eighty pounds. He's

2009
01:49:59,680 --> 01:50:03,200
Speaker 1: all acoholic. He we have sieges and ship ready because

2010
01:50:03,200 --> 01:50:05,639
Speaker 1: it health is bad. I'll catch you. I'll know where

2011
01:50:05,680 --> 01:50:08,799
Speaker 1: to do it. I ain't say my life, bro, because

2012
01:50:08,800 --> 01:50:13,920
Speaker 1: you gotta remember this, bro, it's my event. I got

2013
01:50:13,960 --> 01:50:18,400
Speaker 1: there before the security got there. I'm really just eliminating

2014
01:50:18,720 --> 01:50:22,400
Speaker 1: what could happen to a bunch of innocents. David Ones

2015
01:50:22,479 --> 01:50:25,240
Speaker 1: got search coming in there, not me and not us

2016
01:50:25,240 --> 01:50:27,800
Speaker 1: what you're talking about. It's my event. I'm in the

2017
01:50:27,880 --> 01:50:31,680
Speaker 1: building at thirty before the security in the metal detectors

2018
01:50:31,680 --> 01:50:34,960
Speaker 1: come on. So what I'm doing is removing myself and

2019
01:50:35,120 --> 01:50:38,479
Speaker 1: my soldiers from a situation where nowhere could go day

2020
01:50:38,520 --> 01:50:40,880
Speaker 1: in there wide open. We ain't what you're talking about.

2021
01:50:41,120 --> 01:50:44,400
Speaker 1: I took it out to a more clear playing field.

2022
01:50:45,439 --> 01:50:48,120
Speaker 1: I ain't into the innocent people catching these slugs. But

2023
01:50:48,520 --> 01:50:50,320
Speaker 1: you know how it go the other way, go the

2024
01:50:50,360 --> 01:50:53,479
Speaker 1: other way. Either way. I was either way, I was straight.

2025
01:50:53,720 --> 01:50:56,880
Speaker 1: I wasn't I wasn't slipping. I ain't never slipping. You're

2026
01:50:56,880 --> 01:51:04,479
Speaker 1: a liar here again. So at the end of the day,

2027
01:51:04,760 --> 01:51:09,720
Speaker 1: what kills me? It's it's amazing how y'all want to

2028
01:51:09,720 --> 01:51:13,160
Speaker 1: see yourself happening to whack man? If you if you that,

2029
01:51:13,479 --> 01:51:18,760
Speaker 1: if you yo, yo listen. So I come in here

2030
01:51:18,760 --> 01:51:21,240
Speaker 1: to listen to y'all answer a few of y'all questions.

2031
01:51:21,600 --> 01:51:24,599
Speaker 1: But I'm not having no backing forth. But noice that's

2032
01:51:24,680 --> 01:51:29,240
Speaker 1: already on with y'all went to the internet. Y'all could

2033
01:51:29,240 --> 01:51:31,360
Speaker 1: have kept it off the internet. Let it be what

2034
01:51:31,479 --> 01:51:37,519
Speaker 1: it is. Put that on pole route. Who am I

2035
01:51:37,560 --> 01:51:40,439
Speaker 1: even talking to you? Talking to tiny draw Put that

2036
01:51:40,479 --> 01:51:42,800
Speaker 1: on about robust? Get that looked me in my face?

2037
01:51:43,200 --> 01:51:45,880
Speaker 1: Put that on pout. Hey, Look, look all you gotta

2038
01:51:45,920 --> 01:51:47,559
Speaker 1: do because we ain't gonna do no yelling. We ain't

2039
01:51:47,600 --> 01:51:50,760
Speaker 1: gotta do none of that. Bro. Put that on you though, Bro,

2040
01:51:51,040 --> 01:51:54,639
Speaker 1: this is tiny drawings. Cash, Well, what are we talking about?

2041
01:51:54,800 --> 01:51:57,160
Speaker 1: We talk about what happened when you walked up them stairs.

2042
01:51:57,479 --> 01:52:00,960
Speaker 1: Put that on route. What happened? You didn't get smacked

2043
01:52:00,960 --> 01:52:03,040
Speaker 1: in your head and you didn't get something you can't

2044
01:52:03,120 --> 01:52:06,439
Speaker 1: touch me? Put that on Peru. Why you you want

2045
01:52:06,479 --> 01:52:08,840
Speaker 1: me to put that on parroo Hey, you didn't then

2046
01:52:08,960 --> 01:52:13,120
Speaker 1: you wouldn't know what bro put that parole, then you

2047
01:52:13,120 --> 01:52:16,479
Speaker 1: wouldn't know the damn Look, I'm not bitch. You all

2048
01:52:17,040 --> 01:52:19,680
Speaker 1: drew down on you. Put everything that smack you in

2049
01:52:19,760 --> 01:52:23,679
Speaker 1: your head? Put that time my head? Where you put

2050
01:52:23,720 --> 01:52:26,840
Speaker 1: that on PIU? Put that on Pa. You didn't run

2051
01:52:26,880 --> 01:52:30,360
Speaker 1: on that stage. Put you with my eyes. I put

2052
01:52:30,400 --> 01:52:33,000
Speaker 1: that on hot bro in my head, on my eyes.

2053
01:52:33,360 --> 01:52:36,040
Speaker 1: I put that on your mom. Put that on pi

2054
01:52:36,200 --> 01:52:39,479
Speaker 1: roof brow. That's all you gotta do. I wouldn't put

2055
01:52:39,520 --> 01:52:45,200
Speaker 1: everywhere p put that on and small your mama. Put

2056
01:52:45,240 --> 01:52:51,360
Speaker 1: that on parrou. That's all you got doing. Look you

2057
01:52:51,439 --> 01:52:54,400
Speaker 1: know what time it is? It's fine while you on

2058
01:52:54,479 --> 01:52:56,439
Speaker 1: the end and there. Yeah, man, come on, you know

2059
01:52:56,479 --> 01:52:58,840
Speaker 1: what time it is? That time? Why you don't know

2060
01:52:58,880 --> 01:53:06,160
Speaker 1: what time it is? To stop all the games for

2061
01:53:06,240 --> 01:53:09,719
Speaker 1: God so early? That that happened to you in the garage,

2062
01:53:09,920 --> 01:53:15,559
Speaker 1: and what happened to you in that way, the two

2063
01:53:15,600 --> 01:53:18,640
Speaker 1: things that happened to you you got me in the

2064
01:53:18,640 --> 01:53:23,519
Speaker 1: garage back stage, Nick, two different intent in the garage.

2065
01:53:23,880 --> 01:53:25,800
Speaker 1: Let me put some context around and why are you

2066
01:53:25,840 --> 01:53:30,040
Speaker 1: listening to this? You must understand that when you go

2067
01:53:30,160 --> 01:53:32,559
Speaker 1: to saying things about nipsy and all them dudes. Right,

2068
01:53:32,600 --> 01:53:35,880
Speaker 1: so they're part of the Rolling Sixties. Then the Rolling

2069
01:53:35,920 --> 01:53:38,280
Speaker 1: Sixties one of the biggest games out there. We're gonna

2070
01:53:38,280 --> 01:53:41,000
Speaker 1: get bigger on the part and speak about game coach

2071
01:53:41,080 --> 01:53:43,559
Speaker 1: and all of that, but Rolling Sixties one of the

2072
01:53:43,600 --> 01:53:49,640
Speaker 1: biggest neighborhoods out there. And so there means there's a

2073
01:53:49,640 --> 01:53:52,400
Speaker 1: lot of people that's looking for you. If you disrespect them,

2074
01:53:52,439 --> 01:53:55,439
Speaker 1: it might have obligation to try to figure out or

2075
01:53:55,960 --> 01:54:01,120
Speaker 1: make some kind of example out of what you've been saying. Right,

2076
01:54:01,360 --> 01:54:03,760
Speaker 1: and um, it seems like he's caught itself in a

2077
01:54:03,840 --> 01:54:06,599
Speaker 1: situation where now you got those dudes on them. As

2078
01:54:06,640 --> 01:54:08,840
Speaker 1: you hear dude say this the first time, this won't

2079
01:54:08,880 --> 01:54:12,519
Speaker 1: be the last. It's like they gotta embarrass you. They

2080
01:54:12,560 --> 01:54:15,200
Speaker 1: gotta bring that persona down that you got. And that's

2081
01:54:15,240 --> 01:54:17,240
Speaker 1: what I was saying. You don't want to never create

2082
01:54:17,320 --> 01:54:21,200
Speaker 1: that because now that becomes a trophy. And you don't

2083
01:54:21,200 --> 01:54:23,840
Speaker 1: never want cheese on your head like a pack of fan.

2084
01:54:24,000 --> 01:54:26,400
Speaker 1: You don't never want money on your here. You don't

2085
01:54:26,439 --> 01:54:29,240
Speaker 1: never want to look like a target, right, you don't

2086
01:54:29,280 --> 01:54:34,120
Speaker 1: never if you can, if you can avoid it, to

2087
01:54:34,240 --> 01:54:37,600
Speaker 1: some people, you're gonna look like a target. That's just

2088
01:54:37,680 --> 01:54:41,880
Speaker 1: how life go. But you don't want to will your

2089
01:54:41,920 --> 01:54:46,040
Speaker 1: way in a position where you is defending an invisible throne.

2090
01:54:48,240 --> 01:54:51,080
Speaker 1: Telling you nothing. You won't hear cap it, what happened

2091
01:54:51,080 --> 01:54:57,680
Speaker 1: to me? Tell you nothing ain't happen, because tell me

2092
01:54:57,760 --> 01:55:01,360
Speaker 1: what happened to me? And right we came down the stairs.

2093
01:55:01,520 --> 01:55:03,360
Speaker 1: You was coming up the stairs. You was when you

2094
01:55:03,400 --> 01:55:06,120
Speaker 1: was with Kanye West, wasn't you. He had just walked

2095
01:55:06,160 --> 01:55:08,839
Speaker 1: on stage. You thought he was about to walk the stairs.

2096
01:55:09,120 --> 01:55:12,120
Speaker 1: We met right there at the stairway. We didn't say

2097
01:55:12,160 --> 01:55:14,320
Speaker 1: no words. We cracked you in your head on neighborhood

2098
01:55:14,360 --> 01:55:19,480
Speaker 1: crip put the walking about putting that on blue? What

2099
01:55:19,520 --> 01:55:26,600
Speaker 1: happened that? Bro? How that I'm not doing all this weird?

2100
01:55:26,840 --> 01:55:29,400
Speaker 1: But that a day you say that happened on the stairs,

2101
01:55:29,400 --> 01:55:32,200
Speaker 1: and watch it what happened? And it happened on the stairs, Nick,

2102
01:55:32,400 --> 01:55:35,840
Speaker 1: and then you would happen into the stage. You to talk,

2103
01:55:36,120 --> 01:55:42,040
Speaker 1: brother established something man, Look what go ahead, go ahead,

2104
01:55:42,040 --> 01:55:45,160
Speaker 1: get your lives off. Lit't putting nothing on poe rue

2105
01:55:45,160 --> 01:55:50,160
Speaker 1: though that's p keep pole Roue out your mouth. I'm

2106
01:55:50,160 --> 01:55:51,880
Speaker 1: gonna keep saying that you ain't gonna do. Now you

2107
01:55:51,920 --> 01:55:54,680
Speaker 1: have the chance to do something, mister standoff. Bro, was

2108
01:55:54,680 --> 01:55:57,440
Speaker 1: twenty of y'all. It wasn't twenty of us on my

2109
01:55:57,520 --> 01:55:59,920
Speaker 1: mom moves, Nigga, you were talking about the parking garage.

2110
01:56:00,280 --> 01:56:03,200
Speaker 1: Any of it was, Man, it wasn't twenty of us. Money.

2111
01:56:03,760 --> 01:56:06,520
Speaker 1: It wasn't before I put the video it was money.

2112
01:56:06,640 --> 01:56:09,120
Speaker 1: It wasn't the lies. Bro put that on six, so

2113
01:56:09,320 --> 01:56:12,280
Speaker 1: I left the video. Wasn't twenty of us, Nick? It twenty.

2114
01:56:12,360 --> 01:56:17,200
Speaker 1: Nick was not twenty knicks in that mind convenue. It

2115
01:56:17,240 --> 01:56:21,640
Speaker 1: was not twenty and thats not twenty And I want

2116
01:56:21,680 --> 01:56:24,840
Speaker 1: to make its weird, but I won't release this footage. Yeah,

2117
01:56:24,880 --> 01:56:29,200
Speaker 1: release it, so at least you release like you see

2118
01:56:29,240 --> 01:56:33,600
Speaker 1: what's gonna release? Someone nip you weird? Y'all? Ain't Bro,

2119
01:56:33,680 --> 01:56:39,440
Speaker 1: We got nobody got me he's weird. You keep on

2120
01:56:39,600 --> 01:56:42,640
Speaker 1: the streets? Are you saying the footage on this up?

2121
01:56:42,920 --> 01:56:44,800
Speaker 1: And were gonna keep holding that you in the streets?

2122
01:56:44,920 --> 01:56:47,440
Speaker 1: You ain't for the holid name? All right? We already

2123
01:56:47,440 --> 01:56:52,880
Speaker 1: wet it already. And it wasn't how you nick. Why

2124
01:56:52,960 --> 01:56:55,720
Speaker 1: you didn't get that show? Why didn't you know the

2125
01:56:55,720 --> 01:56:58,440
Speaker 1: way you left the venue early? It is just to

2126
01:56:58,440 --> 01:57:00,760
Speaker 1: put that on long beach. Don't tell you nigga your

2127
01:57:00,840 --> 01:57:03,600
Speaker 1: artist game came to dejab food and came to the

2128
01:57:03,640 --> 01:57:06,000
Speaker 1: strip cut with the Roman the sixties? You get that

2129
01:57:06,080 --> 01:57:09,440
Speaker 1: to you this it's hilarious. Man. Let me ask you

2130
01:57:09,480 --> 01:57:13,880
Speaker 1: a question here game come to day, don't game and

2131
01:57:14,000 --> 01:57:17,920
Speaker 1: party with the Roman signals already booked for Dajabo? Who

2132
01:57:18,000 --> 01:57:21,160
Speaker 1: you who you think booked them? You weird though? Who

2133
01:57:21,200 --> 01:57:23,600
Speaker 1: you think booked them? Weird though? You didn't book him?

2134
01:57:23,640 --> 01:57:25,400
Speaker 1: So who wore the think booked the weird? You know?

2135
01:57:25,560 --> 01:57:28,560
Speaker 1: You looked me in my eyes? Who you got? And

2136
01:57:28,640 --> 01:57:31,000
Speaker 1: you got SI? Who looked me in my eye? Ain't got?

2137
01:57:31,120 --> 01:57:33,800
Speaker 1: Ain't man? Venue? I'm six? So I looked at your eyes.

2138
01:57:33,880 --> 01:57:37,480
Speaker 1: You got smack? Did you say something? Man? I smacked you?

2139
01:57:37,600 --> 01:57:40,840
Speaker 1: It was yours when you walked in that venue. Did

2140
01:57:40,880 --> 01:57:43,320
Speaker 1: you say you don't get you don't get your go

2141
01:57:43,480 --> 01:57:46,000
Speaker 1: get your little tall black friend that pop face save

2142
01:57:46,120 --> 01:57:49,440
Speaker 1: your life? Did you say what jo don't get little

2143
01:57:49,440 --> 01:57:53,040
Speaker 1: for your eyes? Come on? What happened after your face?

2144
01:57:53,120 --> 01:57:55,520
Speaker 1: You didn't way? What happened after we sucked? You said

2145
01:57:55,520 --> 01:57:58,200
Speaker 1: a swamp on you? You stood you had to stand off?

2146
01:57:58,400 --> 01:58:02,760
Speaker 1: What happened after that? Bro? Did nobody swing onna be

2147
01:58:02,760 --> 01:58:05,800
Speaker 1: down here. So where you said the swag on you?

2148
01:58:06,360 --> 01:58:09,360
Speaker 1: It came out. We're talking about bro man, come on

2149
01:58:09,440 --> 01:58:11,440
Speaker 1: because you know what Tommy is. Well you wouldn't. You can't.

2150
01:58:11,520 --> 01:58:14,640
Speaker 1: Pladies lose you caper. You can't the case with me?

2151
01:58:15,080 --> 01:58:18,360
Speaker 1: Well you into the I don't look at you dead

2152
01:58:18,400 --> 01:58:20,960
Speaker 1: in your eyes when you are you You got smacked

2153
01:58:20,960 --> 01:58:25,040
Speaker 1: bro as this woman. W Hey bro, you didn't want it.

2154
01:58:25,240 --> 01:58:28,000
Speaker 1: You got to put that on room. Put that on

2155
01:58:28,040 --> 01:58:30,040
Speaker 1: power room. You didn't get sick. Watch your mouth, bro,

2156
01:58:30,200 --> 01:58:32,840
Speaker 1: put that put that on poper you watch your mouth.

2157
01:58:33,200 --> 01:58:38,400
Speaker 1: I don't get keep telling you to put it on

2158
01:58:38,640 --> 01:58:42,880
Speaker 1: my room. Hey bro? That hey Brook? That shot you? Bro?

2159
01:58:43,480 --> 01:58:47,200
Speaker 1: Hey Bro, that ain't enemy. Hey that is an enemy.

2160
01:58:47,360 --> 01:58:51,800
Speaker 1: He can't, Hey bro, he me to put on my set.

2161
01:58:52,040 --> 01:58:56,200
Speaker 1: It don't work like that screaming what I want to

2162
01:58:56,280 --> 01:59:02,040
Speaker 1: scring You don't even know, un and what you talk about.

2163
01:59:02,040 --> 01:59:04,800
Speaker 1: You was with your wife. The kids that said he

2164
01:59:04,920 --> 01:59:07,360
Speaker 1: was in the BMW truck park white behind you. He

2165
01:59:07,400 --> 01:59:09,760
Speaker 1: hadn't said you with solo bolow which one is it?

2166
01:59:09,880 --> 01:59:12,280
Speaker 1: Nick uh? The kids from the two different cards? You

2167
01:59:12,360 --> 01:59:16,640
Speaker 1: stupid set up? You lying, but it's something you lying

2168
01:59:16,880 --> 01:59:20,360
Speaker 1: are you dumb sonh Young back, you boy, if you

2169
01:59:20,400 --> 01:59:23,600
Speaker 1: didn't see my daughter hun Young back. Let's talk about

2170
01:59:23,600 --> 01:59:26,080
Speaker 1: a little back who's bad. I don't know you know

2171
01:59:26,120 --> 01:59:29,360
Speaker 1: who back is? Do know back? Who back in is?

2172
01:59:29,960 --> 01:59:32,320
Speaker 1: I don't know who that. You know exactly who back? You?

2173
01:59:32,400 --> 01:59:36,320
Speaker 1: Stop playing this game? Yeah? You know about Marky Mark,

2174
01:59:36,680 --> 01:59:39,200
Speaker 1: You know about stutter Box, you know about the dog back.

2175
01:59:40,040 --> 01:59:45,080
Speaker 1: Stop playing these games. Stop playing these games. No, he

2176
01:59:45,040 --> 01:59:48,040
Speaker 1: didn't stop playing these games. Old on what stutter Box

2177
01:59:48,120 --> 01:59:50,480
Speaker 1: got to doing stuff? You know exactly what I'm talking about.

2178
01:59:50,480 --> 01:59:53,440
Speaker 1: You're saying, I'm on paperwork. Yeah, bro, in my life,

2179
01:59:53,520 --> 01:59:56,360
Speaker 1: put that on wax on FA, that on Parro. You

2180
01:59:56,480 --> 01:59:59,919
Speaker 1: know that on six, So wack on six, you're on paperwork.

2181
02:00:00,120 --> 02:00:06,720
Speaker 1: Put that on put on man that you not on

2182
02:00:06,760 --> 02:00:09,640
Speaker 1: that case. But it put that on Poule that you're

2183
02:00:09,640 --> 02:00:11,560
Speaker 1: not on that case. You know, I'm the one got

2184
02:00:11,560 --> 02:00:15,320
Speaker 1: told put that on Paru that none of them put

2185
02:00:15,360 --> 02:00:19,720
Speaker 1: that on Paru. Didn't make statements that get in there.

2186
02:00:20,840 --> 02:00:29,560
Speaker 1: That means you, Now you gotta you know coming You

2187
02:00:29,600 --> 02:00:34,040
Speaker 1: know exactly where bro, you you know exactly coming back? Bro.

2188
02:00:34,640 --> 02:00:38,600
Speaker 1: A little back called murder Rot watch this Mantle. This

2189
02:00:38,800 --> 02:00:42,480
Speaker 1: seemed to spilled outside of then in that it seemed

2190
02:00:42,520 --> 02:00:46,760
Speaker 1: to be going in a very bad direction. Um, now

2191
02:00:46,840 --> 02:00:51,800
Speaker 1: it seems to be some sort of fair game going

2192
02:00:51,920 --> 02:00:55,640
Speaker 1: on in which boundaries was in place prior to a

2193
02:00:55,640 --> 02:00:58,240
Speaker 1: lot of these interactions that went viral, a lot of

2194
02:00:58,240 --> 02:01:03,400
Speaker 1: these conversations, a lot of these things. And the other

2195
02:01:03,440 --> 02:01:05,880
Speaker 1: week when Big You came out and said came no,

2196
02:01:07,520 --> 02:01:11,720
Speaker 1: show my name and apologize, you kind of felt the

2197
02:01:11,840 --> 02:01:15,640
Speaker 1: energy of like, nah, this is you didn't say some

2198
02:01:15,720 --> 02:01:21,400
Speaker 1: things in front of the world that that's uncomfortable, you

2199
02:01:21,440 --> 02:01:25,160
Speaker 1: know what I'm saying. So it seemed like that now

2200
02:01:25,520 --> 02:01:28,560
Speaker 1: they want to see you about that the internet being

2201
02:01:28,600 --> 02:01:32,600
Speaker 1: the Internet. They pop out with a video. Hold on,

2202
02:01:32,680 --> 02:01:38,120
Speaker 1: y'all here they vers got shocked out, ran to the front,

2203
02:01:38,120 --> 02:01:40,600
Speaker 1: and jumped off game stage. They let out that bull

2204
02:01:41,480 --> 02:01:45,960
Speaker 1: officially a buster. What's your version of virgin is man?

2205
02:01:46,160 --> 02:01:49,200
Speaker 1: Kylie Rods put the money and bombs on it. Oh,

2206
02:01:49,400 --> 02:01:52,680
Speaker 1: we ain't doing your names now? When doing your name

2207
02:01:52,880 --> 02:01:56,440
Speaker 1: he put them bar He got his money when doing

2208
02:01:56,440 --> 02:02:04,840
Speaker 1: your name. The names now good, y'all listen. He gonna

2209
02:02:04,840 --> 02:02:07,440
Speaker 1: remember the no vote, y'all, Remember nothing else in his luck.

2210
02:02:07,640 --> 02:02:11,160
Speaker 1: Remember the vote, and remember who you don't remember. Oh

2211
02:02:11,160 --> 02:02:13,920
Speaker 1: he he gonna remember nothing nothing. He's saying names and

2212
02:02:14,000 --> 02:02:17,760
Speaker 1: you know he stakes. So you don't talk about love,

2213
02:02:18,840 --> 02:02:25,320
Speaker 1: no mo butt off his motherfuck artist, stage strike mark

2214
02:02:25,560 --> 02:02:29,200
Speaker 1: y'all here it went down. I didn't get it. I

2215
02:02:29,240 --> 02:02:31,560
Speaker 1: couldn't get it faster now, I couldn't get my phone

2216
02:02:31,720 --> 02:02:39,000
Speaker 1: up like one hundred guy, we not to put on him.

2217
02:02:39,520 --> 02:03:01,520
Speaker 1: So this about this is town look like so those

2218
02:03:01,520 --> 02:03:03,839
Speaker 1: who are a couple of videos that were found online.

2219
02:03:03,880 --> 02:03:07,960
Speaker 1: Those videos were a part of that whole situation. I

2220
02:03:08,000 --> 02:03:13,000
Speaker 1: think the bigger loss or the bigger takeaway from this

2221
02:03:14,200 --> 02:03:17,440
Speaker 1: is that the relationships that have been lost due to

2222
02:03:17,600 --> 02:03:23,080
Speaker 1: just the access to a microphone. See, there's also arn't

2223
02:03:23,160 --> 02:03:27,600
Speaker 1: in speaking on the mic without speaking on the mic, right,

2224
02:03:27,720 --> 02:03:31,680
Speaker 1: divulging enough but not too much, enjoying your time on top,

2225
02:03:31,720 --> 02:03:36,480
Speaker 1: but not falling in love with it, enjoying your time

2226
02:03:36,520 --> 02:03:39,720
Speaker 1: on vacation, but understand work is back again next week.

2227
02:03:40,040 --> 02:03:44,280
Speaker 1: You can't fall in love with these invisible chairs, man,

2228
02:03:45,520 --> 02:03:49,200
Speaker 1: all these musical chairs. That's why you can't not embrace

2229
02:03:49,280 --> 02:03:51,560
Speaker 1: the people in front of you or behind you, because

2230
02:03:51,640 --> 02:03:54,400
Speaker 1: all these musical chairs, at some point that person gonna

2231
02:03:54,400 --> 02:03:56,600
Speaker 1: be on top. You're gonna be needing them for something.

2232
02:03:56,600 --> 02:04:00,240
Speaker 1: That's just how it works, man. Unfortunate or fortunate it

2233
02:04:00,320 --> 02:04:03,440
Speaker 1: for people. That's actually a fortunate thing. The people that

2234
02:04:03,520 --> 02:04:05,680
Speaker 1: work hard will get there just to take time, and

2235
02:04:05,720 --> 02:04:09,160
Speaker 1: it's a slow burn. It ain't a fast break. But

2236
02:04:09,520 --> 02:04:11,600
Speaker 1: I hate to see that man the relationship that have

2237
02:04:11,680 --> 02:04:15,360
Speaker 1: been templed with with him in Big You. With this situation,

2238
02:04:15,440 --> 02:04:19,560
Speaker 1: it's been very unfortunate. It's one of the most sad

2239
02:04:19,560 --> 02:04:22,520
Speaker 1: things to see is that the crip and of Blood

2240
02:04:22,600 --> 02:04:25,760
Speaker 1: was what we thought was close, and now it's been

2241
02:04:25,840 --> 02:04:29,640
Speaker 1: severed and there's actually things happening behind those two guys

2242
02:04:29,720 --> 02:04:32,800
Speaker 1: running into it. But the level of things that's been said,

2243
02:04:32,880 --> 02:04:35,800
Speaker 1: you gotta be like, oh, man, let me break this

2244
02:04:35,880 --> 02:04:38,920
Speaker 1: down to man. In business, they respect the dollar and

2245
02:04:39,080 --> 02:04:43,320
Speaker 1: we often go to the voting table without emotion. So

2246
02:04:43,480 --> 02:04:46,320
Speaker 1: last week I spoke about Brittany grind and again my

2247
02:04:46,520 --> 02:04:49,040
Speaker 1: heart goes out to that sister, as she has been

2248
02:04:49,640 --> 02:04:52,160
Speaker 1: chosen to be a political prison. It's not even a

2249
02:04:52,160 --> 02:04:55,480
Speaker 1: fair trade. They're trying to trade this woman for arms dealer,

2250
02:04:56,000 --> 02:04:58,880
Speaker 1: a guy that will get people bombs and things like that.

2251
02:04:58,920 --> 02:05:02,800
Speaker 1: They want to trade NBA basketball player, one of the

2252
02:05:02,840 --> 02:05:07,920
Speaker 1: most famous female athletes that America has at this point

2253
02:05:08,160 --> 02:05:11,040
Speaker 1: and trade her for arms dealer that will give people

2254
02:05:12,480 --> 02:05:16,240
Speaker 1: missiles and things of that nature. It's a very unreasonable trade,

2255
02:05:16,320 --> 02:05:18,240
Speaker 1: but this is what they're trying to do. She's a

2256
02:05:18,280 --> 02:05:22,080
Speaker 1: political prisoner. They just gave us six more months. But

2257
02:05:22,160 --> 02:05:24,160
Speaker 1: when I spoke, and I spoke about man, I wish

2258
02:05:24,160 --> 02:05:26,200
Speaker 1: we can find a way to do this without bringing

2259
02:05:26,280 --> 02:05:29,320
Speaker 1: Lebron in it, or bringing another athlete in it that's

2260
02:05:29,400 --> 02:05:31,520
Speaker 1: of our color. And the reason I said that, and

2261
02:05:31,600 --> 02:05:33,640
Speaker 1: I'll get a little more into it because he can

2262
02:05:33,680 --> 02:05:37,480
Speaker 1: get blurry, it can get muddy, foggy, So it's important

2263
02:05:37,480 --> 02:05:40,000
Speaker 1: that I kind of drill it down a little more.

2264
02:05:40,280 --> 02:05:42,640
Speaker 1: The reason I say that is not because I believe

2265
02:05:42,760 --> 02:05:46,720
Speaker 1: Lebron is better than her from a moral standpoint. And

2266
02:05:46,760 --> 02:05:50,080
Speaker 1: I think it's important we not lose focus. Right, Let's

2267
02:05:50,120 --> 02:05:53,040
Speaker 1: point out the real differences, because it can get confusing

2268
02:05:53,560 --> 02:05:56,040
Speaker 1: and on the outside you can say, well, they're both black,

2269
02:05:56,120 --> 02:05:58,440
Speaker 1: they are the same. And as much as we would

2270
02:05:58,520 --> 02:06:00,800
Speaker 1: hope that could be the cases that it's that simple.

2271
02:06:00,840 --> 02:06:04,160
Speaker 1: It's a very complex equation that we're dealing with. Right,

2272
02:06:04,200 --> 02:06:06,200
Speaker 1: So when we look at them, they're both black, that

2273
02:06:06,440 --> 02:06:08,760
Speaker 1: is right, that is something that we can agree on.

2274
02:06:09,160 --> 02:06:11,600
Speaker 1: But Lebron, and this is why I said we gotta

2275
02:06:11,640 --> 02:06:14,600
Speaker 1: give credit when it's due. Lebron is one of the

2276
02:06:14,600 --> 02:06:18,720
Speaker 1: biggest corporations in America, just him, his name, his brand,

2277
02:06:19,120 --> 02:06:21,640
Speaker 1: one of the biggest corporations in America. So that's a

2278
02:06:21,680 --> 02:06:24,680
Speaker 1: business movement what we need and what we've always asked

2279
02:06:24,680 --> 02:06:28,680
Speaker 1: for its moral moves. It's a business move to reach

2280
02:06:28,720 --> 02:06:31,400
Speaker 1: out and get somebody like a Lebron. Although it's unfair,

2281
02:06:31,400 --> 02:06:34,080
Speaker 1: and it can become, it can become it can be

2282
02:06:34,240 --> 02:06:39,360
Speaker 1: viewed as unfair, right because it seems to not It's

2283
02:06:39,400 --> 02:06:42,200
Speaker 1: hard to understand how one person can weigh more than

2284
02:06:42,280 --> 02:06:45,560
Speaker 1: the other in terms of morality, and that's not what

2285
02:06:45,680 --> 02:06:48,560
Speaker 1: they're weighing it against. They're weighing it based on business.

2286
02:06:48,840 --> 02:06:52,120
Speaker 1: Lebron being captured in that way would mean that a

2287
02:06:52,160 --> 02:06:55,080
Speaker 1: lot of these businesses would be affected. And as weird

2288
02:06:55,120 --> 02:06:58,320
Speaker 1: as that sounds, America moves by the beat of their

2289
02:06:58,360 --> 02:07:02,560
Speaker 1: own drum, and that interested in money and at some

2290
02:07:02,680 --> 02:07:07,160
Speaker 1: point that may be the Achilles heal. Hypothetically, if they

2291
02:07:07,160 --> 02:07:09,720
Speaker 1: did have Lebron and they've seen them go and get Lebron,

2292
02:07:10,400 --> 02:07:12,600
Speaker 1: some blacks to be confused that they went and got

2293
02:07:12,600 --> 02:07:14,400
Speaker 1: a black man. Now they went and got one of

2294
02:07:14,440 --> 02:07:19,800
Speaker 1: the largest businesses that America has to offer. There's a

2295
02:07:19,800 --> 02:07:22,160
Speaker 1: lot of blacks that are getting left over there. We

2296
02:07:22,160 --> 02:07:25,760
Speaker 1: were lucky that they got asap about it. There. It's

2297
02:07:25,760 --> 02:07:28,320
Speaker 1: a situation where you can get lost in that, especially

2298
02:07:28,360 --> 02:07:33,000
Speaker 1: when they're asking for those things. And again, she got

2299
02:07:33,040 --> 02:07:35,760
Speaker 1: six months before a trial, and she's pleading and big

2300
02:07:35,800 --> 02:07:39,120
Speaker 1: and then I just think it falls on death fears. Unfortunately.

2301
02:07:39,240 --> 02:07:41,680
Speaker 1: Then people are interested in what they're interested in, and

2302
02:07:41,720 --> 02:07:46,120
Speaker 1: they don't have emotions. They have emotions, but not in

2303
02:07:46,160 --> 02:07:49,200
Speaker 1: the same way that Americans have emotions. Americans in the

2304
02:07:49,240 --> 02:07:57,320
Speaker 1: Western world have developed a certain attitude, a certain bravado

2305
02:07:57,480 --> 02:08:00,520
Speaker 1: about them that the rest of the world doesn't share.

2306
02:08:00,600 --> 02:08:02,960
Speaker 1: I remember when I'm at the country, a lot of

2307
02:08:02,960 --> 02:08:06,000
Speaker 1: these other countries don't even respect personal space. Be like, yo,

2308
02:08:06,040 --> 02:08:08,480
Speaker 1: you're too close, my boy. They'd be like, Yo, this

2309
02:08:08,600 --> 02:08:12,080
Speaker 1: is just normal, man. They drive you think they're driving crazy. Now,

2310
02:08:12,160 --> 02:08:15,080
Speaker 1: this is how we get down down here. America has

2311
02:08:15,120 --> 02:08:21,040
Speaker 1: created this bubble around each person, and it's it's getting

2312
02:08:21,160 --> 02:08:23,560
Speaker 1: That bubble is getting bigger and bigger. As you see,

2313
02:08:24,240 --> 02:08:26,600
Speaker 1: they're adding to that bubble where you can get under

2314
02:08:26,680 --> 02:08:30,480
Speaker 1: certain bubbles and be able to carve your way out

2315
02:08:30,520 --> 02:08:34,080
Speaker 1: of society or carve your way into society in a

2316
02:08:34,120 --> 02:08:37,120
Speaker 1: way that's effective for your little bubble, no matter who

2317
02:08:38,280 --> 02:08:41,240
Speaker 1: it's detrimental for. But we're asking for a moral move

2318
02:08:41,320 --> 02:08:44,080
Speaker 1: when we have for Brittan it back, and we're asking

2319
02:08:44,200 --> 02:08:46,880
Speaker 1: Joe Biden for a moral move when he did the

2320
02:08:46,960 --> 02:08:52,000
Speaker 1: three strike long yo to see Joe Biden up there,

2321
02:08:52,040 --> 02:08:54,840
Speaker 1: man hurts my feelings in sometimes like this is the

2322
02:08:54,920 --> 02:08:58,120
Speaker 1: leader of the country that's going the wrong way and

2323
02:08:58,680 --> 02:09:03,600
Speaker 1: reading to tell a prompted read line twice. He read

2324
02:09:03,680 --> 02:09:08,320
Speaker 1: the teller prompter and read the line twice. Bro he

2325
02:09:08,480 --> 02:09:11,879
Speaker 1: read the line that says, read that line, repeat that phrase.

2326
02:09:11,960 --> 02:09:14,800
Speaker 1: It might have been something like, and America is as

2327
02:09:14,840 --> 02:09:17,840
Speaker 1: great as it'll ever be. And he's supposed to say again,

2328
02:09:18,160 --> 02:09:21,200
Speaker 1: and America is as great as it ever been, But

2329
02:09:21,280 --> 02:09:24,720
Speaker 1: instead he said, and America is as great as it

2330
02:09:24,880 --> 02:09:28,880
Speaker 1: ever been, repeat line twice, and we know and he

2331
02:09:29,000 --> 02:09:32,680
Speaker 1: just kept going. He's oblivious to I just made a mistake.

2332
02:09:33,320 --> 02:09:35,920
Speaker 1: One time he come about the ponent, went the wrong way,

2333
02:09:36,000 --> 02:09:38,320
Speaker 1: stuck his hand out with nobody right there. I'm like

2334
02:09:38,360 --> 02:09:42,960
Speaker 1: this gotta be fake. They can't tell me this is real, bro, Like,

2335
02:09:43,080 --> 02:09:46,960
Speaker 1: this can't be what we have, bro, Like, come on, y'all,

2336
02:09:47,200 --> 02:09:49,400
Speaker 1: let me speak about this too. Boots has got his

2337
02:09:49,480 --> 02:09:52,600
Speaker 1: Instagram page took him again and he's fighting losing battle.

2338
02:09:53,040 --> 02:09:55,040
Speaker 1: What's gonna happen to Boost? And I'm trying to give

2339
02:09:55,120 --> 02:09:56,960
Speaker 1: him a little game. If he don't know, the people

2340
02:09:57,000 --> 02:09:59,440
Speaker 1: around him don't know, they're gonna put the robots on him.

2341
02:10:00,120 --> 02:10:02,560
Speaker 1: What has happened is when they shadow band or they

2342
02:10:02,560 --> 02:10:06,080
Speaker 1: flag you or something, they put you under really surveillance

2343
02:10:06,120 --> 02:10:09,040
Speaker 1: for negative comments or negative debts or negative debt. And

2344
02:10:09,080 --> 02:10:12,840
Speaker 1: so what happens is now that you go because let

2345
02:10:12,880 --> 02:10:15,080
Speaker 1: me frame it for those of who you are underwhere

2346
02:10:15,160 --> 02:10:18,960
Speaker 1: bootsey Instagram page was took and Bootsey went on a

2347
02:10:19,080 --> 02:10:21,720
Speaker 1: random Twitter because he was upset. A lot of the

2348
02:10:21,800 --> 02:10:24,960
Speaker 1: money that these artists make is tied to the Instagram.

2349
02:10:25,040 --> 02:10:28,080
Speaker 1: The influence is tied to the Instagram. Rarely do they

2350
02:10:28,120 --> 02:10:31,560
Speaker 1: grab things off Twitter and past it on Instagram or

2351
02:10:31,600 --> 02:10:35,800
Speaker 1: some of these other sites. What people post on Instagram

2352
02:10:35,840 --> 02:10:39,320
Speaker 1: translates in the media as news a lot of times.

2353
02:10:39,520 --> 02:10:42,040
Speaker 1: Twitter two Twitter has his own world where it happens,

2354
02:10:42,040 --> 02:10:45,120
Speaker 1: but Instagram in a way where video and picture is

2355
02:10:45,200 --> 02:10:52,360
Speaker 1: involved with it. But that for personality like Bootsey, that

2356
02:10:52,560 --> 02:10:56,560
Speaker 1: is a very important tool to have. And he had

2357
02:10:56,680 --> 02:10:59,280
Speaker 1: ten million followers at one time, then build one up

2358
02:10:59,280 --> 02:11:02,120
Speaker 1: to three. Got that took two, took and this when

2359
02:11:02,120 --> 02:11:04,160
Speaker 1: I think was out about up to one and got

2360
02:11:04,200 --> 02:11:06,920
Speaker 1: it too. So he goes on a rant talk about

2361
02:11:06,960 --> 02:11:10,680
Speaker 1: their kids, their wife, they husband, saying that let their

2362
02:11:10,720 --> 02:11:13,040
Speaker 1: family die. I said, Oh, they're gonna put thee He

2363
02:11:13,040 --> 02:11:15,440
Speaker 1: don't understand. They got the robottles on them. They can

2364
02:11:15,520 --> 02:11:18,680
Speaker 1: put the algorithm against you, right, not that they can

2365
02:11:18,760 --> 02:11:21,120
Speaker 1: hide you because if shade Room then post you, that's cool.

2366
02:11:21,160 --> 02:11:24,880
Speaker 1: They can even make that go away. They can make

2367
02:11:24,880 --> 02:11:27,680
Speaker 1: it where if booshit pop up on shade Room. They

2368
02:11:27,800 --> 02:11:30,840
Speaker 1: blackballed him for six months, they will stop posting him

2369
02:11:31,720 --> 02:11:33,840
Speaker 1: like they're gonna start going to that route to get

2370
02:11:33,920 --> 02:11:36,640
Speaker 1: rid of his loud voice, because he'd be loud when

2371
02:11:36,680 --> 02:11:39,280
Speaker 1: he when they when they're doing bad like that, he

2372
02:11:39,400 --> 02:11:41,560
Speaker 1: come out with some ship. But I'm telling you that

2373
02:11:41,800 --> 02:11:46,280
Speaker 1: they have such a sophisticated algorithm and a sophisticated approach

2374
02:11:46,600 --> 02:11:49,560
Speaker 1: to how they could take these pages down, lift these

2375
02:11:49,600 --> 02:11:55,400
Speaker 1: pages up, black ball shadow band um increase decrease. Some

2376
02:11:55,480 --> 02:11:58,360
Speaker 1: of these platforms, man or some of these pages, they

2377
02:11:58,360 --> 02:12:01,320
Speaker 1: have the ability to influence in real way, and so

2378
02:12:01,760 --> 02:12:05,520
Speaker 1: they can interfere with that. And these people ain't losing

2379
02:12:05,560 --> 02:12:08,280
Speaker 1: their bag to stay cool with nobody. This has business,

2380
02:12:08,280 --> 02:12:11,040
Speaker 1: so they will stop posting bullshit. But what I'm saying

2381
02:12:11,200 --> 02:12:13,440
Speaker 1: is they can literally do something like that, and I

2382
02:12:13,480 --> 02:12:15,400
Speaker 1: think you need to be on the lookout for that.

2383
02:12:15,400 --> 02:12:18,000
Speaker 1: That's a real thing, man, my opinion. Have to think

2384
02:12:18,040 --> 02:12:20,280
Speaker 1: about that. Let's talk about this and then we'll get

2385
02:12:20,280 --> 02:12:23,280
Speaker 1: out of here for the day. Gay y'all along part.

2386
02:12:23,400 --> 02:12:25,839
Speaker 1: I know y'all appreciate it makes you here the Patreon

2387
02:12:25,960 --> 02:12:30,440
Speaker 1: to show that Blue Face Blue Face and Christine Rock

2388
02:12:31,360 --> 02:12:34,160
Speaker 1: I always watch this relationship. I don't speak about it

2389
02:12:34,200 --> 02:12:37,320
Speaker 1: a lot because love is love, and I know love

2390
02:12:37,440 --> 02:12:40,360
Speaker 1: is a weird place. It's agreement that we make with

2391
02:12:40,400 --> 02:12:42,800
Speaker 1: each other that I put you in a category that

2392
02:12:42,920 --> 02:12:46,080
Speaker 1: it's very rare that people can get into. I put

2393
02:12:46,080 --> 02:12:48,200
Speaker 1: you in a category that the people that I share

2394
02:12:48,280 --> 02:12:51,400
Speaker 1: blood with on in that same category. I try to

2395
02:12:51,520 --> 02:12:55,400
Speaker 1: separate you from other people in the way. So I

2396
02:12:55,480 --> 02:12:57,560
Speaker 1: try to tell you I love you and be involved

2397
02:12:57,560 --> 02:12:59,960
Speaker 1: with you and show you. I love you in way

2398
02:13:00,160 --> 02:13:02,400
Speaker 1: is right. So love is slippery and it's a place.

2399
02:13:02,400 --> 02:13:06,480
Speaker 1: It's a weird thing. When I watched this gird that's

2400
02:13:06,520 --> 02:13:08,839
Speaker 1: in love with blue Face and some of the antics

2401
02:13:08,840 --> 02:13:11,280
Speaker 1: and things that came along with her, one thing is

2402
02:13:11,320 --> 02:13:16,000
Speaker 1: clear that she's loved this guy. For me, I asked myself, Loan,

2403
02:13:16,080 --> 02:13:20,520
Speaker 1: how far do you let a girl go? Right? Because

2404
02:13:20,560 --> 02:13:23,440
Speaker 1: blue Face is dealing with I believe he loves her,

2405
02:13:25,240 --> 02:13:28,240
Speaker 1: but I don't think he's taken an account. That's she's

2406
02:13:28,280 --> 02:13:31,520
Speaker 1: cutting off all her avenues to leave, and that's what

2407
02:13:31,680 --> 02:13:34,080
Speaker 1: scares a man the most. Sweetheart, don't go to cutting

2408
02:13:34,080 --> 02:13:37,600
Speaker 1: off all the avenue. Well, I'm gonna let my house go. No, ma'am,

2409
02:13:37,680 --> 02:13:39,880
Speaker 1: keep your house. I got the all the bills over here.

2410
02:13:40,000 --> 02:13:42,720
Speaker 1: Keep your house. Though a matter of fact, he goes

2411
02:13:42,720 --> 02:13:47,000
Speaker 1: someone on that keep that now, don't know. Don't cut

2412
02:13:47,040 --> 02:13:49,600
Speaker 1: off your avenues to where we have to part ways.

2413
02:13:49,640 --> 02:13:52,640
Speaker 1: It's an easy process. This girl wouldn't put blue Face

2414
02:13:52,720 --> 02:13:55,120
Speaker 1: on her tooth. Man, how I'm gonna leave you and

2415
02:13:55,200 --> 02:13:57,200
Speaker 1: you got me on your mouth like head man, don't

2416
02:13:57,240 --> 02:14:00,160
Speaker 1: never show up with me on your teeth. Man, you

2417
02:14:00,200 --> 02:14:02,240
Speaker 1: don't piss me off showing up with some kind of

2418
02:14:02,280 --> 02:14:05,360
Speaker 1: picture me on your tooth. Man, that ain't proper. You

2419
02:14:05,440 --> 02:14:07,680
Speaker 1: thought that were flattering to me? And don't piss me

2420
02:14:07,760 --> 02:14:10,720
Speaker 1: out Now I don't show up black cat to me.

2421
02:14:10,840 --> 02:14:13,800
Speaker 1: Sweet it Now I love you, but now I don't

2422
02:14:13,800 --> 02:14:16,640
Speaker 1: show up with me on your tooth. Now you got

2423
02:14:16,680 --> 02:14:19,000
Speaker 1: my name in my face and that w it's cool

2424
02:14:19,080 --> 02:14:21,480
Speaker 1: the me and your mouth like it. It ain't that

2425
02:14:21,520 --> 02:14:24,120
Speaker 1: ain't proper. I ain't without that. You're cutting off your

2426
02:14:24,200 --> 02:14:26,880
Speaker 1: chances to be able to leave me. Now I'm gonna

2427
02:14:26,920 --> 02:14:30,040
Speaker 1: be stuck with you, and stuck ain't never good. I

2428
02:14:30,040 --> 02:14:34,040
Speaker 1: don't give where you're stuck at. It ain't fine. You

2429
02:14:34,080 --> 02:14:38,280
Speaker 1: can be stuck anyway. Get old. No, I want the

2430
02:14:38,360 --> 02:14:40,400
Speaker 1: freedom to leave it, but I don't want to leave.

2431
02:14:41,320 --> 02:14:43,840
Speaker 1: Love is the ability to go, but don't want to go,

2432
02:14:45,240 --> 02:14:47,880
Speaker 1: not man, I'm gonna feel bad for leaving. Shouting man,

2433
02:14:48,080 --> 02:14:51,040
Speaker 1: she got me on her tooth man, tattoos all on

2434
02:14:51,080 --> 02:14:56,560
Speaker 1: her face and my nick manna. But I also know

2435
02:14:56,680 --> 02:14:59,520
Speaker 1: you got them some girls that manam tattoos don't mean

2436
02:14:59,560 --> 02:15:03,200
Speaker 1: a mother thing. In ten point one seconds, they had

2437
02:15:03,280 --> 02:15:08,480
Speaker 1: him shit covered up with something else. Right, So sometimes

2438
02:15:08,480 --> 02:15:13,040
Speaker 1: you be too emotionally attaching the tattoo thing is game, y'all.

2439
02:15:13,040 --> 02:15:15,360
Speaker 1: Don't want to have that conversation. I'm gonna wait to

2440
02:15:15,440 --> 02:15:17,400
Speaker 1: get when I get some of these girls on here

2441
02:15:17,680 --> 02:15:20,320
Speaker 1: that doesn't gotta do tattooed name. Some of that be

2442
02:15:20,560 --> 02:15:25,160
Speaker 1: game now, some of that be the tricker. But I

2443
02:15:25,240 --> 02:15:28,280
Speaker 1: think it's rough. When the girl just cut off all

2444
02:15:28,320 --> 02:15:32,280
Speaker 1: her avenues to leave, it's like, damn, you feeling my

2445
02:15:32,440 --> 02:15:36,280
Speaker 1: conscience like I I'm anna leave, Like damn. That's why

2446
02:15:36,280 --> 02:15:38,680
Speaker 1: i'd be saying, like she took the being, She took

2447
02:15:38,680 --> 02:15:42,240
Speaker 1: the h she took the dude being's truck off at

2448
02:15:42,240 --> 02:15:44,600
Speaker 1: the corner. She didn't knock people loud and shit and

2449
02:15:44,760 --> 02:15:47,720
Speaker 1: done shit and win against Waggon's manager to win against

2450
02:15:47,720 --> 02:15:50,520
Speaker 1: his people. But he loved he with a It's clearly

2451
02:15:51,240 --> 02:15:54,400
Speaker 1: that ain't fake. It ain't a fake thing. What I'm

2452
02:15:54,440 --> 02:15:57,280
Speaker 1: just saying, Damn, baby, you might be not. I don't

2453
02:15:57,320 --> 02:16:00,400
Speaker 1: want to feel like you. You're forcing me to high

2454
02:16:00,400 --> 02:16:03,120
Speaker 1: motherfucking force you now be now even hard. Let me

2455
02:16:03,160 --> 02:16:05,680
Speaker 1: move on from them and just speak about relationship. A

2456
02:16:05,840 --> 02:16:10,360
Speaker 1: muff can kind of force you into a corner, into

2457
02:16:10,400 --> 02:16:14,000
Speaker 1: a corner three now where you gotta take the shot.

2458
02:16:14,600 --> 02:16:17,480
Speaker 1: You know what I'm saying. Start just showing up every

2459
02:16:17,560 --> 02:16:20,760
Speaker 1: day getting your name tattooed on them. Then got your

2460
02:16:20,840 --> 02:16:23,480
Speaker 1: key made. You know what I'm saying. This thing. You

2461
02:16:23,520 --> 02:16:28,480
Speaker 1: know y'all together. Now, when y'all together to keep See

2462
02:16:28,520 --> 02:16:30,360
Speaker 1: that's the thing. What do you do as a woman

2463
02:16:30,400 --> 02:16:34,640
Speaker 1: to keep yo? Man? Which you do? Those things work?

2464
02:16:37,240 --> 02:16:40,680
Speaker 1: I know? If you my woman, like you're a grown woman,

2465
02:16:40,720 --> 02:16:43,600
Speaker 1: you my woman, and my name and facing summit is

2466
02:16:43,640 --> 02:16:45,920
Speaker 1: on that thing and I'm hitting it, it means something.

2467
02:16:46,040 --> 02:16:50,039
Speaker 1: It'd be it'd be a powerful little thing. But it

2468
02:16:50,080 --> 02:16:53,360
Speaker 1: don't be powerful enough for you not to let get that.

2469
02:16:54,160 --> 02:16:56,440
Speaker 1: There's a lot of women that are still letting hit

2470
02:16:56,520 --> 02:17:01,520
Speaker 1: that with Johnny ridden on nass, smacking Johnny on that

2471
02:17:01,640 --> 02:17:06,920
Speaker 1: mouth name Lee Roy. You understand. So sometimes them girls

2472
02:17:06,920 --> 02:17:09,800
Speaker 1: ain't right, but sometimes it means something to the dude

2473
02:17:09,800 --> 02:17:11,320
Speaker 1: to see it. That's why I say a lot of

2474
02:17:11,360 --> 02:17:16,040
Speaker 1: time that tattooed this game. But Christine Rock probably got

2475
02:17:16,040 --> 02:17:19,120
Speaker 1: five tattoos and she's becoming a little start on right

2476
02:17:19,320 --> 02:17:22,320
Speaker 1: or I mean Lisa staining career in the entertainment space.

2477
02:17:22,560 --> 02:17:25,400
Speaker 1: Shout out ZEUS Network as the home of Joscelyn Cabaret.

2478
02:17:25,440 --> 02:17:27,720
Speaker 1: I got a couple of day people following me shout

2479
02:17:27,760 --> 02:17:31,480
Speaker 1: out to them, Um, she's on a couple of shows

2480
02:17:31,520 --> 02:17:34,040
Speaker 1: over there, she's on another show. So she's getting chicks

2481
02:17:34,040 --> 02:17:36,560
Speaker 1: for doing little things. Then she'd be saying things like

2482
02:17:36,600 --> 02:17:38,240
Speaker 1: I get my chicks and I give it all to

2483
02:17:38,400 --> 02:17:41,440
Speaker 1: him and my dude, and it's like, yo, that's rough, man,

2484
02:17:42,000 --> 02:17:44,360
Speaker 1: Like you know, maybe he'd be with her for life,

2485
02:17:44,440 --> 02:17:49,680
Speaker 1: but that can end bad, you know when you when

2486
02:17:49,720 --> 02:17:55,120
Speaker 1: you have a woman that's really really really putting that

2487
02:17:55,200 --> 02:17:58,360
Speaker 1: much faith in you, because you're putting a lot of

2488
02:17:58,360 --> 02:18:00,600
Speaker 1: faith in me not to make a mistake unless we

2489
02:18:00,680 --> 02:18:04,400
Speaker 1: gotta understood, sweetheart, I ain't God. Now I'm gonna I

2490
02:18:04,560 --> 02:18:07,760
Speaker 1: might go left at any minute, and I might try

2491
02:18:07,800 --> 02:18:11,120
Speaker 1: to come back and come back proper. But boy, you

2492
02:18:11,160 --> 02:18:12,959
Speaker 1: don't need to be putting out of in me like

2493
02:18:13,040 --> 02:18:16,000
Speaker 1: I ain't gonna make no mistake or now that's a

2494
02:18:16,000 --> 02:18:18,199
Speaker 1: lot of pressure home, Like I don't be. I don't

2495
02:18:18,240 --> 02:18:20,280
Speaker 1: be wanting that. But love will make you throw away

2496
02:18:20,320 --> 02:18:22,800
Speaker 1: you come and since we know that, I just don't

2497
02:18:22,800 --> 02:18:25,080
Speaker 1: want a woman to cut off our access to leading

2498
02:18:25,080 --> 02:18:28,080
Speaker 1: me right. Hey, baby, you got you got me on

2499
02:18:28,120 --> 02:18:30,520
Speaker 1: your tooth. How you gonna smile, let another and me

2500
02:18:30,600 --> 02:18:32,960
Speaker 1: off your teeth now because you might have to leave

2501
02:18:33,000 --> 02:18:36,080
Speaker 1: it in a moment. I ain't no prisoner, love. It's

2502
02:18:36,120 --> 02:18:40,160
Speaker 1: some expectations on us to expand. Yeah, if we can't expand,

2503
02:18:40,240 --> 02:18:43,080
Speaker 1: I just got the dissolve. I'm dealing with people that's

2504
02:18:43,120 --> 02:18:47,119
Speaker 1: interested in my expansion. Nah. I don't want the Chrysler

2505
02:18:47,160 --> 02:18:49,039
Speaker 1: that look like the bidding. I want the bndle it

2506
02:18:49,160 --> 02:18:52,480
Speaker 1: did it told y'alls that I'm one of them. So

2507
02:18:52,520 --> 02:18:55,800
Speaker 1: if this ain't helping me expand, if this ain't complimenting me,

2508
02:18:55,840 --> 02:18:58,600
Speaker 1: if this ain't putting me in situations where it can

2509
02:18:58,720 --> 02:19:01,160
Speaker 1: advance my conference, and so what it is, I have

2510
02:19:01,400 --> 02:19:04,320
Speaker 1: gone because that's what I'm willing to provide. One thing

2511
02:19:04,400 --> 02:19:06,680
Speaker 1: about a person, they never need to ask for something

2512
02:19:06,680 --> 02:19:10,520
Speaker 1: they're willing to provide, nor ask for something that they

2513
02:19:10,600 --> 02:19:14,760
Speaker 1: can't provide. I'm comfortable with what my requests are because

2514
02:19:14,800 --> 02:19:17,720
Speaker 1: I know what it is I provide. See a lot

2515
02:19:17,720 --> 02:19:20,680
Speaker 1: of y'all are uncomfortable asking for five million because you

2516
02:19:20,720 --> 02:19:23,039
Speaker 1: know you're not gonna work the five million and walk

2517
02:19:23,080 --> 02:19:26,640
Speaker 1: it down. A lot of y'all uncomfortable asking will you

2518
02:19:26,760 --> 02:19:29,439
Speaker 1: marry me? Because you know you ain't got the credentials

2519
02:19:29,440 --> 02:19:33,360
Speaker 1: to be no husband. A lot of y'all uncomfortable asking hey,

2520
02:19:33,400 --> 02:19:35,360
Speaker 1: baby girl, can I take you on a date or

2521
02:19:35,360 --> 02:19:37,920
Speaker 1: can I come? That's why I was talking about last week.

2522
02:19:38,959 --> 02:19:41,520
Speaker 1: It's uncomfortable saying, yo, can I come to the party?

2523
02:19:43,280 --> 02:19:45,800
Speaker 1: You know what I'm saying, And they make them react

2524
02:19:45,840 --> 02:19:49,280
Speaker 1: in a certain way, and so now we treat each

2525
02:19:49,280 --> 02:19:52,280
Speaker 1: other bad. I want to be clear with my supporter

2526
02:19:54,360 --> 02:19:56,840
Speaker 1: that through this journey, right, this journey that I'm on,

2527
02:19:57,000 --> 02:20:01,240
Speaker 1: I believe in me. As I get around the winners

2528
02:20:01,240 --> 02:20:04,800
Speaker 1: to getting money in the game, I see how different

2529
02:20:04,800 --> 02:20:09,840
Speaker 1: the atmosphere is. Be limitless when you're around the right

2530
02:20:09,920 --> 02:20:13,920
Speaker 1: people right, there ain't no ten on it. People think

2531
02:20:13,920 --> 02:20:19,000
Speaker 1: about their dreams as attainable versus not reachable, and a

2532
02:20:19,040 --> 02:20:22,120
Speaker 1: lot of times believe in its sixty seventy eighty percent

2533
02:20:22,120 --> 02:20:25,400
Speaker 1: of what's needed for you to even get past the threshold,

2534
02:20:25,800 --> 02:20:28,280
Speaker 1: whether you delusion or not, you need to be in

2535
02:20:28,280 --> 02:20:30,680
Speaker 1: a position to believe you can go to the next level.

2536
02:20:31,200 --> 02:20:33,920
Speaker 1: You gotta sit with the winners. The conversation is different.

2537
02:20:35,480 --> 02:20:37,920
Speaker 1: We talk about ideas. On this side, we try to

2538
02:20:38,000 --> 02:20:41,240
Speaker 1: live by the code and stay next to information while

2539
02:20:41,240 --> 02:20:43,160
Speaker 1: people hate on us and try to box us at

2540
02:20:43,160 --> 02:20:47,199
Speaker 1: the gossip in Yo. If I wanted to gossip by gossip,

2541
02:20:47,240 --> 02:20:49,520
Speaker 1: ain't nothing nobody gonna do about it. But I'm dealing

2542
02:20:49,520 --> 02:20:53,520
Speaker 1: with information that my people know that. But it's important

2543
02:20:53,520 --> 02:20:57,720
Speaker 1: I sacrifice the luxury I had of being in stealth

2544
02:20:57,800 --> 02:21:02,800
Speaker 1: mold for the information I being on the forefront. Life

2545
02:21:02,800 --> 02:21:05,520
Speaker 1: has been good. I respect the journey. I got a

2546
02:21:05,560 --> 02:21:07,440
Speaker 1: long way to go, a lot of work to put in,

2547
02:21:07,480 --> 02:21:09,720
Speaker 1: and I got great people on my team. I trust

2548
02:21:09,760 --> 02:21:13,959
Speaker 1: the process. I trust the process. I've read the ingredients.

2549
02:21:14,040 --> 02:21:16,720
Speaker 1: She and I got everyone of the ingredients times ten.

2550
02:21:18,080 --> 02:21:20,800
Speaker 1: I'm prepared to do this ten times over and comfortable

2551
02:21:20,920 --> 02:21:23,240
Speaker 1: enough to do it fifteen or twenty before I think

2552
02:21:23,280 --> 02:21:26,480
Speaker 1: about what I've been doing, and I thank y'all. Man,

2553
02:21:28,720 --> 02:21:32,760
Speaker 1: I'm on this journey, man. You know, so many people

2554
02:21:32,840 --> 02:21:36,039
Speaker 1: calling and celebrities hit me every day, so many people

2555
02:21:36,120 --> 02:21:41,400
Speaker 1: reaching out to me. It's like it's just a waiting

2556
02:21:41,480 --> 02:21:44,119
Speaker 1: game at this point. Man. But if you're here right now,

2557
02:21:44,160 --> 02:21:46,160
Speaker 1: I thank you because you hit the You had the

2558
02:21:46,280 --> 02:21:49,400
Speaker 1: right time, like you here to watch it change from

2559
02:21:49,440 --> 02:21:51,560
Speaker 1: this to what it's gonna be like some people that

2560
02:21:51,720 --> 02:21:54,119
Speaker 1: come after it is what it is, but we celebrate

2561
02:21:54,160 --> 02:21:56,120
Speaker 1: the people that's hit then and supporting us in a

2562
02:21:56,160 --> 02:22:00,959
Speaker 1: real way. Speaking of that, I do have some clothing

2563
02:22:01,040 --> 02:22:03,360
Speaker 1: line that just dropped, or a new merch item to

2564
02:22:03,480 --> 02:22:06,000
Speaker 1: just drop. I expect for people who's been through some

2565
02:22:06,080 --> 02:22:09,000
Speaker 1: of these things to get some of the taglines from

2566
02:22:09,000 --> 02:22:14,440
Speaker 1: my culture conversation line that I've launched right in which

2567
02:22:14,600 --> 02:22:16,720
Speaker 1: I may say something and then they'll take it and

2568
02:22:16,760 --> 02:22:19,080
Speaker 1: put it on the shirt. One of those lines is

2569
02:22:19,080 --> 02:22:21,400
Speaker 1: the FIDS didn't get Man, and that's now on the shirt.

2570
02:22:22,560 --> 02:22:26,200
Speaker 1: And although that may be looking at boasting, that's looking

2571
02:22:26,200 --> 02:22:29,720
Speaker 1: at it as yo. I went and hustle and didn't

2572
02:22:29,840 --> 02:22:33,240
Speaker 1: and didn't have to worry about the Federal penitentiary, like

2573
02:22:33,360 --> 02:22:35,760
Speaker 1: whether I got Man from real estate, whether I got

2574
02:22:35,800 --> 02:22:39,119
Speaker 1: Man from you know, they didn't because what they're doing

2575
02:22:39,240 --> 02:22:41,879
Speaker 1: is capturing your people, your family, and they're taking their

2576
02:22:41,920 --> 02:22:45,000
Speaker 1: money and their resources, right And I just want to

2577
02:22:45,040 --> 02:22:47,200
Speaker 1: stand up and say, Yo, the FIDS didn't get mine.

2578
02:22:47,280 --> 02:22:49,480
Speaker 1: We didn't have to go that route. We want another route.

2579
02:22:50,200 --> 02:22:54,760
Speaker 1: The FIDS can't get mine legal, you know what I'm saying,

2580
02:22:54,760 --> 02:22:56,840
Speaker 1: And we want to celebrate that in the coach and

2581
02:22:56,879 --> 02:22:59,000
Speaker 1: when we can do that, Man we can really feel,

2582
02:22:59,280 --> 02:23:02,280
Speaker 1: in my opinion, and better right because they need to

2583
02:23:02,320 --> 02:23:05,480
Speaker 1: see young helping each other, young coming up and saying, Yo,

2584
02:23:05,520 --> 02:23:08,440
Speaker 1: I ain't had none. Last year home hit my DM

2585
02:23:08,440 --> 02:23:10,960
Speaker 1: made a call and then folk cut me a chick.

2586
02:23:11,080 --> 02:23:14,360
Speaker 1: Not that I will for nothing, don't nobody deserves something

2587
02:23:14,360 --> 02:23:18,240
Speaker 1: for nothing? Now one of you, now, one of you

2588
02:23:18,640 --> 02:23:22,480
Speaker 1: deserve something for none. You thank you deserves something for none.

2589
02:23:22,520 --> 02:23:25,480
Speaker 1: Need to go somewhere in high Yo. I'm a firm

2590
02:23:25,520 --> 02:23:28,160
Speaker 1: believer in putting the game down. It's up that podcast.

2591
02:23:28,240 --> 02:23:32,240
Speaker 1: Make sure you come to Patreon to check out the

2592
02:23:32,360 --> 02:23:35,480
Speaker 1: Lawyers for Workers episode mold. The person that was there

2593
02:23:35,520 --> 02:23:37,960
Speaker 1: with young boy when he beat the case, that helped

2594
02:23:37,959 --> 02:23:40,160
Speaker 1: his legal team spoke to his legal team. That is

2595
02:23:40,160 --> 02:23:42,760
Speaker 1: out right now, great conversation. Make sure you come get that.

2596
02:23:42,959 --> 02:23:45,119
Speaker 1: Make sure you get the FIDS and get my emerged.

2597
02:23:45,400 --> 02:23:48,280
Speaker 1: Make sure you hit loan up man and let's let's build.

2598
02:23:48,360 --> 02:23:50,800
Speaker 1: Let's get it going, man, It's up that podcast. Fashion

2599
02:23:50,840 --> 02:23:53,840
Speaker 1: is growing in the Royal Man on God and Gang

2600
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Speaker 1: Go celebrate fifty years of the Timberland original Yellow Boot

2601
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Speaker 1: and the culture that made it an The Timberland Hip

2602
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Speaker 1: Hop Royalty Boot remixes the classic and a glorious purple

2603
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Speaker 1: waterproof leather where premium crafted details inspired by the four

2604
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Speaker 1: pillars of hip hop, DJing, graffiti and seeing and breakdancing.

2605
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Speaker 1: Get Years and select stores or at Timberland dot com.

2606
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Speaker 1: Available in men's, women's, and youth sizes. Timberland built for

2607
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Speaker 1: the bold. At State Farm, we're committed to uplifting black futures.

2608
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Speaker 1: In collaboration with organizations like one hundred Black Men and

2609
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Speaker 1: National Urban League. State Farm provides high school students with

2610
02:24:37,360 --> 02:24:41,039
Speaker 1: the opportunity to learn and apply best practice strategies for

2611
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Speaker 1: saving and investing, all while offering academic support, life skills,

2612
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Speaker 1: and exposure to college access programs to prepare these students

2613
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Speaker 1: for life after high school. Check out one hundred black

2614
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Speaker 1: Men dot org and NUL dot org to donate and

2615
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Speaker 1: learn more. Like a good neighbor, State Farm is there.

2616
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Speaker 1: At State Farm, we're committed to uplifting black futures in

2617
02:25:07,360 --> 02:25:11,600
Speaker 1: collaboration with organizations like one hundred Black Men and National

2618
02:25:11,720 --> 02:25:14,720
Speaker 1: Urban League. State Farm provides high school students with the

2619
02:25:14,760 --> 02:25:18,760
Speaker 1: opportunity to learn and apply best practice strategies for saving

2620
02:25:18,800 --> 02:25:23,039
Speaker 1: and investing, all while offering academic support, life skills, and

2621
02:25:23,120 --> 02:25:26,560
Speaker 1: exposure to college access programs to prepare these students for

2622
02:25:26,680 --> 02:25:30,160
Speaker 1: life after high school. Check out one hundred black Men

2623
02:25:30,280 --> 02:25:34,680
Speaker 1: dot org and NUL dot org to donate and learn more.

2624
02:25:35,120 --> 02:25:41,640
Speaker 1: Like a good neighbor, State Farm is there. At State Farm,

2625
02:25:41,760 --> 02:25:46,600
Speaker 1: We're committed to uplifting black futures in collaboration with organizations

2626
02:25:46,680 --> 02:25:49,960
Speaker 1: like one hundred Black Men and National Urban League. State

2627
02:25:50,000 --> 02:25:53,199
Speaker 1: Farm provides high school students with the opportunity to learn

2628
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Speaker 1: and apply best practice strategies for saving and investing, all

2629
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Speaker 1: while offering academic support, life skill and exposure to college

2630
02:26:01,440 --> 02:26:05,320
Speaker 1: access programs. To prepare these students for life after high school.

2631
02:26:05,840 --> 02:26:09,360
Speaker 1: Check out one hundred black Men dot org and NUL

2632
02:26:09,520 --> 02:26:13,160
Speaker 1: dot org to donate and learn more. Like a good neighbor,

2633
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Speaker 1: State farm is there At State Farm. We're committed to

2634
02:26:19,879 --> 02:26:24,680
Speaker 1: uplifting black futures in collaboration with organizations like one hundred

2635
02:26:24,680 --> 02:26:28,200
Speaker 1: Black Men and National Urban League. State Farm provides high

2636
02:26:28,200 --> 02:26:31,440
Speaker 1: school students with the opportunity to learn and apply best

2637
02:26:31,440 --> 02:26:36,279
Speaker 1: practice strategies for saving and investing, all while offering academic support,

2638
02:26:36,680 --> 02:26:40,119
Speaker 1: life skills, and exposure to college access programs to prepare

2639
02:26:40,240 --> 02:26:43,800
Speaker 1: these students for life after high school. Check out one

2640
02:26:43,879 --> 02:26:47,880
Speaker 1: hundred black Men dot org and NUL dot org to

2641
02:26:48,120 --> 02:26:51,160
Speaker 1: donate and learn more. Like a good neighbor, State Farm

2642
02:26:51,240 --> 02:26:58,000
Speaker 1: is there. At State Farm, We're committed to uplifting black

2643
02:26:58,080 --> 02:27:02,400
Speaker 1: futures in collaboration with organizations like one hundred Black Men

2644
02:27:02,720 --> 02:27:06,200
Speaker 1: and National Urban League. State Farm provides high school students

2645
02:27:06,240 --> 02:27:09,760
Speaker 1: with the opportunity to learn and apply best practice strategies

2646
02:27:09,959 --> 02:27:14,640
Speaker 1: for saving and investing, all while offering academic support, life skills,

2647
02:27:14,720 --> 02:27:18,160
Speaker 1: and exposure to college access programs to prepare these students

2648
02:27:18,240 --> 02:27:21,680
Speaker 1: for life after high school. Check out one hundred black

2649
02:27:21,720 --> 02:27:25,840
Speaker 1: Men dot org and NUL dot org to donate and

2650
02:27:25,959 --> 02:27:28,800
Speaker 1: learn more. Like a good neighbor, State Farm is there.

2651
02:27:32,560 --> 02:27:36,320
Speaker 1: At State Farm, We're committed to uplifting black futures in

2652
02:27:36,400 --> 02:27:40,600
Speaker 1: collaboration with organizations like one hundred Black Men and National

2653
02:27:40,720 --> 02:27:43,720
Speaker 1: Urban League. State Farm provides high school students with the

2654
02:27:43,760 --> 02:27:47,760
Speaker 1: opportunity to learn and apply best practice strategies for saving

2655
02:27:47,800 --> 02:27:52,039
Speaker 1: and investing, all while offering academic support, life skills, and

2656
02:27:52,160 --> 02:27:55,600
Speaker 1: exposure to college access programs to prepare these students for

2657
02:27:55,680 --> 02:27:59,160
Speaker 1: life after high school. Check out one hundred black Men

2658
02:27:59,240 --> 02:28:03,000
Speaker 1: dot org and n u L dot org to donate

2659
02:28:03,000 --> 02:28:05,800
Speaker 1: and learn more like a good neighbor state farm, is

2660
02:28:05,840 --> 02:28:06,040
Speaker 1: there