WEBVTT - The Golf Man. Barry Grimes 

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<v Speaker 1>The big bummer too. Of those fucker's ruined his logo

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<v Speaker 1>and it just fucking that's that's the hardest thing to that.

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<v Speaker 1>That just kills me, It really does. They changed the logo.

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<v Speaker 1>Oh my god, Maddie, we should do it before and

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<v Speaker 1>after because they totally ruined me. Oh no, heartbreaking. They

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<v Speaker 1>changed the golf man put pants on him more than

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<v Speaker 1>one dude, more than once. It was like it was

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<v Speaker 1>like a chick that does bad botox and she keeps

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<v Speaker 1>going and it's seriously, what I mean, don't put that

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<v Speaker 1>on anything, man, do not. You gotta watch what you

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<v Speaker 1>say with Maddie because he kind of can fucking coming

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<v Speaker 1>submarine another log fi. Nobody here here is get time.

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<v Speaker 1>M H. Welcome to the fire Pit with Matt Chanella.

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<v Speaker 1>We're back at the fire Pit, which always feels good.

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<v Speaker 1>We've been busy interviewing and editing season two, which will

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<v Speaker 1>start dropping lead February. Among other things, you'll be hearing

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<v Speaker 1>tributes to Charlie Sifford, Tony Gwynn, and longtime colleague and

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<v Speaker 1>friend Tim Rosafort. Haven't in reporting your story was like

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<v Speaker 1>having rock heell Welch is your waitress. It's like I

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<v Speaker 1>can't do any better than that. I mean, you just

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<v Speaker 1>keep on coming back to the table, sweetheart. It asked me.

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<v Speaker 1>If I want to water refill eleven times between now

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<v Speaker 1>and in midnight, that would be just fine. Plus stories

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<v Speaker 1>from Nancy Lopez, Jack Nicholas, Arnold Palmer and Lanny Watkins

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<v Speaker 1>on Ben Hogan. Yes there's dear Landy and clothes with

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<v Speaker 1>my check for war dollars for your skins. Yesterday, with

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<v Speaker 1>all the confusion of our intruder, I simply forgot this.

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<v Speaker 1>I can't imagine this fellow doing that. It was my

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<v Speaker 1>first experience of this kind. I really didn't know how

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<v Speaker 1>to handle the situation except to just quit. Hopefully we

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<v Speaker 1>can all have another game soon. All my good wishes

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<v Speaker 1>for you at the US open at Marian. I know

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<v Speaker 1>you can win it best, Ben. We've also just launched

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<v Speaker 1>the Firepit Collective dot com where you can find all

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<v Speaker 1>of the content will be producing, which will include this

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<v Speaker 1>podcast plus journeys traditional travel stories to destinations all over

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<v Speaker 1>the world. Plus we're bringing back The Ambush, which is

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<v Speaker 1>a new digital series celebrating the venue, your itinerary, best practices,

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<v Speaker 1>and your buddy strip planner. The camaraderie and the unique

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<v Speaker 1>traditions of your trip. Submit your trip at Firepit Collective

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<v Speaker 1>dot com and you and your crew might be next.

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<v Speaker 1>We'll all so be producing features on people, places or

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<v Speaker 1>things that deserve a closer look. And I'm back to

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<v Speaker 1>writing a blog on destinations, developments, architecture, rankings and trends

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<v Speaker 1>in the golf and travel industry. We also added the

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<v Speaker 1>Pitch Shop, which is where you can buy fire Pit

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<v Speaker 1>merchandise as well as shop Preferred partners and cool ship

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<v Speaker 1>I think you should be aware of. But for now,

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<v Speaker 1>with yet another mini pod, we're helping our friends at

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<v Speaker 1>links So celebrate and honor the life of Barry Grimes, who,

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<v Speaker 1>at the age of six, died of brain cancer last year.

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<v Speaker 1>As you probably heard in season one of The fire

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<v Speaker 1>Pit in the episode which told the story about the

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<v Speaker 1>building of Ashworth, Barry Grimes was critical to the development

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<v Speaker 1>and success of that brand, a brand I was in

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<v Speaker 1>love with as a kid. I never got to meet

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<v Speaker 1>Barry grind but I've now heard a lot about him.

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<v Speaker 1>He has survived by his wife Kristen, and his two sons, Paul,

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<v Speaker 1>who was a freshman at a s U and chart

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<v Speaker 1>a junior in high school. In this podcast, you'll hear

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<v Speaker 1>why Barry Grimes was so special, and at the end

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<v Speaker 1>of the stories, you can hear about how you can

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<v Speaker 1>help the cause. We start with Jeff Cunningham, who, along

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<v Speaker 1>with John Ashworth, is the co creator of Links Soul.

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<v Speaker 1>When I say Barry Grimes, Jeff, what do you say, oh, man,

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<v Speaker 1>um genius? Probably first, Honestly, I've only met a couple

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<v Speaker 1>people in that that I put in that rank, and

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<v Speaker 1>I have them like and a little file in my head.

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<v Speaker 1>Somebody that, no matter what they do, I just always

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<v Speaker 1>looked up to and right off the bat, I mean,

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<v Speaker 1>Barry just had that. I wasn't all Berry. I was fourteen.

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<v Speaker 1>I think when I met him probably um, right off

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<v Speaker 1>the bat. I've just never seen anybody like him. He's

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<v Speaker 1>just mesmerizing. If I don't meet Barry Grimes in L

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<v Speaker 1>A and seven, We're not having this conversation. John Ashworth

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<v Speaker 1>with more background on his buddy Berry. You know he

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<v Speaker 1>had you know, he had longer hair than I do now.

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<v Speaker 1>He had long hair beard. Uh. He was from Alabama.

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<v Speaker 1>He only went to like maybe a year and a

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<v Speaker 1>half of college, then dropped out and drove out to

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<v Speaker 1>l A because he was an artist and he wanted

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<v Speaker 1>to be in l A where the action was. And

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<v Speaker 1>he did not have one lick of an accent. He

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<v Speaker 1>grew up in Alabama, you know, born and raised. You

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<v Speaker 1>would have thought he was from l A. He could

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<v Speaker 1>play the guitar like crazy, you know. Uh, he could

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<v Speaker 1>draw and paint and he was funny. He was so

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<v Speaker 1>down to earth and just would talk to anybody and listened,

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<v Speaker 1>and and doing film and that whole world pre computer

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<v Speaker 1>set up graphic. He could do all that and did

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<v Speaker 1>that like our first ads were like film that you

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<v Speaker 1>would do and then send off to the magazine. And

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<v Speaker 1>Jeff with more on why Berry was so special. Creativity

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<v Speaker 1>relied so much on intuition, and it's so much intuition,

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<v Speaker 1>but you can also get into a technical role with

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<v Speaker 1>it too. Barry had this balance between the technical and

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<v Speaker 1>the intuitive that you can really only find in like

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<v Speaker 1>Jedi Masters, Jimi Hendrix. Like it's that level of where

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<v Speaker 1>you've mastered the technical so well that it fuels your

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<v Speaker 1>intuition and they work together in this harmony that you know,

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<v Speaker 1>become something else. It's like Ben Hogan is like it's

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<v Speaker 1>it's it's expertise, really, but it's it's it's to another level.

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<v Speaker 1>So it's like, and you see it an art all

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<v Speaker 1>the time. You see people that are really intuitive but

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<v Speaker 1>they're technical, they just crap. Or you see people that

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<v Speaker 1>get really technical and they lose the field. And so photos, music, golf, swings,

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<v Speaker 1>everything gets really tight, you know, and we've all experienced

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<v Speaker 1>that before, and you you know, you lose that touch.

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<v Speaker 1>Barry had that ability to no is technical stuff inside

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<v Speaker 1>out and backwards. Best I've ever seen a computer, best

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<v Speaker 1>I've ever seen with a camera, any machinery, anything, there

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<v Speaker 1>was new inside out and backwards. He took the time

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<v Speaker 1>to know exactly why every bit of that thing did

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<v Speaker 1>what it did, which people don't do anymore, and then

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<v Speaker 1>kept his whole creativity the entire time too, which is

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<v Speaker 1>just like you just don't see that. I mean, you know,

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<v Speaker 1>and when you do, it's special, it's and it's and

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<v Speaker 1>it changes the face of things. And that's what Barry did.

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<v Speaker 1>I mean, he changed the face of all these things.

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<v Speaker 1>He's influencing people still and they might not even know

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<v Speaker 1>they're being influenced. But if you've noticed that all these

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<v Speaker 1>photographers right now in golf that are starting to look

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<v Speaker 1>a certain way of whatever whatever. A lot of that

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<v Speaker 1>stems from Barry. You know. Still, but back to seven

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<v Speaker 1>for a second, when John Ashworth needed some help developing

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<v Speaker 1>his apparel idea. Here he is now on how he

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<v Speaker 1>met Barry and why it was such a great fit.

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<v Speaker 1>His friend of mine is going, I need to get

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<v Speaker 1>a graphic artist. You know, this friend of mine that

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<v Speaker 1>was a golfer. Lane Morey is his name, you know.

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<v Speaker 1>He lived in l A And I go, Lane, I

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<v Speaker 1>need I need to find it. He goes, Hey, I

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<v Speaker 1>got this buddy of mine, Barry Grimes, who works at

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<v Speaker 1>NBC Studios and he likes golf and he went to Scotland.

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<v Speaker 1>And I go, great, give me his number. So it

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<v Speaker 1>gives me his number. I called Barry and I'm explaining

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<v Speaker 1>about go Barry. You know, I'm trying to do this

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<v Speaker 1>new clothing line, and I wanted to be sort of like,

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<v Speaker 1>you know, old school meets new school. I'm really into

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<v Speaker 1>walking and you know, the traditions of the game, but

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<v Speaker 1>I wanted to be hip and modern. And you know,

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<v Speaker 1>I'm just telling all this stuff, like, you know, I

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<v Speaker 1>love Scotland. I've never been to Scotland. I've never been

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<v Speaker 1>to Scotland. I love Scotland, he goes, I've been to Scotland.

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<v Speaker 1>You know. It's like, you know, so we're just talking

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<v Speaker 1>on the phone, and unbeknownst to me, he's actually, you know,

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<v Speaker 1>as artists do, he's actually stoodling in sketching. He actually

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<v Speaker 1>drew the golf Man from that Converse station. The Ashworth brand,

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<v Speaker 1>and specifically the golf Man logo, had an immediate impact

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<v Speaker 1>on otherwise stagnant golf apparel industry. For more, we hear

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<v Speaker 1>now from Jim Nance, Fred Couples and then John Cook,

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<v Speaker 1>three of the original Ashworth Ambassadors. Let me just take

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<v Speaker 1>this opportunity to to add that Barry Grimes was someone

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<v Speaker 1>who really captured the look of Ashworth two. He just

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<v Speaker 1>his artistic flare and his ability to even create the

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<v Speaker 1>golf Man logo. I mean, the golf Man logo was

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<v Speaker 1>basically scratched on the back of a paper napkin, and

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<v Speaker 1>that logo became a universal symbol for people that cared

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<v Speaker 1>about the game of golf. The logo is incredible. Um

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<v Speaker 1>it's it's I mean, can you argue I can't think

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<v Speaker 1>of another There are a lot of great legs. Don't

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<v Speaker 1>get me wrong, but the Ashworth logo was something you know,

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<v Speaker 1>Johnny oh Now with with his bordon and a guy

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<v Speaker 1>standing standing next to it is a phenomenal logo, but

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<v Speaker 1>I don't think it beats the Ashworth logo now golf Man.

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<v Speaker 1>The golf Man was iconic. That symbolism went beyond guys

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<v Speaker 1>on TV wearing the product. It evolved into what Ashworth

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<v Speaker 1>called the Ardage Book, an annual fashion magazine or style

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<v Speaker 1>book that showcased a year of memorable imagery of the

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<v Speaker 1>Ashworth Ambassadors, more from Nance, Couples and Cook on the

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<v Speaker 1>photo shoots. Well, John came up with the idea of

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<v Speaker 1>we ought to have the Yardage Book and we can

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<v Speaker 1>make it into almost like a magazine. We can distribute

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<v Speaker 1>at the green Grass, all the shops, and we can

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<v Speaker 1>tell stories in their right articles and in the body

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<v Speaker 1>of that of that magazine. We can also have some

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<v Speaker 1>pretty cool photos and we can also put them on

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<v Speaker 1>our hand tags. The photo shoots. You know, there's a guy,

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<v Speaker 1>Barry Grimes, who's who's really really he's not doing that

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<v Speaker 1>well right now. And I told John the other day

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<v Speaker 1>and I texted Barry and I said Barry. This is

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<v Speaker 1>nothing to do with you being ill. I said, you

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<v Speaker 1>were by far the most fun of anything I've ever

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<v Speaker 1>done in golf, and you made the shoot so easy.

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<v Speaker 1>And I get a little edgy because you know, I

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<v Speaker 1>don't like kind of taking pictures and doing all that.

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<v Speaker 1>And we did so many weird things, John and so

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<v Speaker 1>many fun things that uh, I think Ashworth knew you

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<v Speaker 1>know what John Cook and I liked, and we wrote

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<v Speaker 1>in cars and then of course later on Ernie Els

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<v Speaker 1>hopped in and of course one and open wearing the clothing,

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<v Speaker 1>and this thing just took off and and now everyone

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<v Speaker 1>has the same kind of clothing. It's it's it's been

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<v Speaker 1>a wild ride and started way back in eight seven.

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<v Speaker 1>You never shot at me this stuff in digital, like

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<v Speaker 1>the idea I was thinking about Vegi, Like I go

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<v Speaker 1>out and I shoot a thousand shots for a photo shoot.

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<v Speaker 1>Barry took maybe five rolls of film and that the most,

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<v Speaker 1>and it's like thirty pictures at a time, and he

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<v Speaker 1>got all those shots. I mean, I used to be

0:12:00.120 --> 0:12:03.360
<v Speaker 1>so stressed out because you know, I mean, you take

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<v Speaker 1>this film, you know when you put it, there's those

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<v Speaker 1>big four by five cameras or wherever they were, and

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<v Speaker 1>you know, you had to have the setting right, you

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<v Speaker 1>had to have a meter write, it had to be

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<v Speaker 1>loaded right, you know, and then you'd have to take

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<v Speaker 1>it and do it and market and put in a

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<v Speaker 1>plastic bag, and you know it was like kind of stressful.

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<v Speaker 1>Really when you're on a photo shooting, you got two

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<v Speaker 1>hours and kind of figure out what to do. And

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<v Speaker 1>the photo shoots were just an amazing experience because it

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<v Speaker 1>wouldn't be anything like you would think of a photo

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<v Speaker 1>shoot would be. Like remember the shot of Fred and

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<v Speaker 1>the water that was the second time, totally dude Barry

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<v Speaker 1>put it was we didn't have a water housing and

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<v Speaker 1>he was like, let's get I wanted because it was

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<v Speaker 1>rain gear or whatever. And he was like he got

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<v Speaker 1>Fred in the pool and because he didn't have a

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<v Speaker 1>waterhouse and he has biggest glass camera. You know, it's

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<v Speaker 1>like camera was an aquarium from my house. He put it,

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<v Speaker 1>no I know, and you put it in the aquarium,

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<v Speaker 1>steal the the aquarium and put it in the aquarium

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<v Speaker 1>and went underwater with the aquarium and shot Fred through

0:13:05.640 --> 0:13:11.240
<v Speaker 1>an aquarium. Cool, unreable. Ash Worth really took care of

0:13:11.360 --> 0:13:12.880
<v Speaker 1>us and I can tell you right now. I did

0:13:12.920 --> 0:13:17.240
<v Speaker 1>a few photo shoots in some areas that, uh, they

0:13:17.320 --> 0:13:20.800
<v Speaker 1>got no clearance. You know, John Ashworth and Berry would

0:13:20.840 --> 0:13:22.959
<v Speaker 1>go find a spot. I'm sure you've seen it where

0:13:22.960 --> 0:13:25.000
<v Speaker 1>I'm hitting on the railroad tracks. I can tell you

0:13:25.600 --> 0:13:28.880
<v Speaker 1>two or three times we hopped off the railroad tracks

0:13:29.240 --> 0:13:32.080
<v Speaker 1>down underneath it. The train would go. Buy in Dallas

0:13:32.559 --> 0:13:36.160
<v Speaker 1>and it's probably you know, I I have the shot somewhere.

0:13:36.880 --> 0:13:40.000
<v Speaker 1>We went through Palm Springs with Cookie and I living there.

0:13:40.120 --> 0:13:43.200
<v Speaker 1>We were in areas that you know, like like, well,

0:13:43.200 --> 0:13:45.240
<v Speaker 1>if the cops come, we just pack up our stuff

0:13:45.280 --> 0:13:47.839
<v Speaker 1>and leave. And I'm like, so are we you know,

0:13:47.960 --> 0:13:50.719
<v Speaker 1>are we supposed to be here? We we don't know,

0:13:51.360 --> 0:13:54.640
<v Speaker 1>you know. So all of it was was really kind

0:13:54.679 --> 0:13:59.719
<v Speaker 1>of fun and it was not nerve rat it was

0:13:59.840 --> 0:14:02.719
<v Speaker 1>just it was just entertainment. It was never boring. And

0:14:03.040 --> 0:14:06.120
<v Speaker 1>trust me, as you get older, you know some sometimes

0:14:06.160 --> 0:14:08.319
<v Speaker 1>you don't want to do things. But John and I

0:14:08.600 --> 0:14:12.520
<v Speaker 1>and then Ernie Els and Mark we the we were

0:14:12.600 --> 0:14:15.400
<v Speaker 1>the guys leading. But really John Ashworth led us and

0:14:15.679 --> 0:14:19.840
<v Speaker 1>and Barry Grinds what a photographer, and he made us

0:14:19.920 --> 0:14:23.360
<v Speaker 1>look like golfers but cool guys too, and I you know,

0:14:23.400 --> 0:14:25.800
<v Speaker 1>I don't usually say that, but I felt like kind

0:14:25.800 --> 0:14:28.760
<v Speaker 1>of a cool guy. We still that's that's still the

0:14:28.800 --> 0:14:33.000
<v Speaker 1>model for every but the model is not shooting on

0:14:33.080 --> 0:14:35.440
<v Speaker 1>a golf course and getting as gritty. And at first

0:14:35.520 --> 0:14:37.760
<v Speaker 1>I was kind of like, really, we're gonna go to

0:14:37.880 --> 0:14:41.520
<v Speaker 1>this warehouse that there's shipped all over the ground whatever,

0:14:42.360 --> 0:14:45.640
<v Speaker 1>And then yeah, it's like, okay, let's go against the grain.

0:14:45.960 --> 0:14:48.360
<v Speaker 1>You know, it's not gonna look like anybody else. I mean,

0:14:49.320 --> 0:14:51.760
<v Speaker 1>we actually did the hall the black and white stuff

0:14:51.800 --> 0:14:54.920
<v Speaker 1>because A we couldn't afford color. It was twice as expensive,

0:14:54.960 --> 0:14:59.200
<v Speaker 1>but b it just looks so cool because it just

0:14:59.320 --> 0:15:02.360
<v Speaker 1>stood out. It didn't look like any stupid ads you

0:15:02.400 --> 0:15:04.880
<v Speaker 1>know that were some guy in a golf course with

0:15:04.960 --> 0:15:08.200
<v Speaker 1>a red sweater on and you know, perfect green grass

0:15:08.400 --> 0:15:12.360
<v Speaker 1>or whatever. Obviously, whatever they did and how they did

0:15:12.440 --> 0:15:17.440
<v Speaker 1>it was working. The Ashworth brand achieved rock star status.

0:15:18.480 --> 0:15:22.160
<v Speaker 1>Couples won the Masters, cook was winning multiple tour events,

0:15:22.560 --> 0:15:27.080
<v Speaker 1>els won several major championships wearing Ashworth. From selling shirts

0:15:27.120 --> 0:15:30.480
<v Speaker 1>out of John Ashworth's trunk, both he and Barry built

0:15:30.680 --> 0:15:33.640
<v Speaker 1>a ninety million dollar business. You know, it was just

0:15:33.760 --> 0:15:36.960
<v Speaker 1>sort of a period of time where everything lined up.

0:15:37.200 --> 0:15:39.720
<v Speaker 1>You know, everything just clicked into place. I mean, and

0:15:40.320 --> 0:15:42.560
<v Speaker 1>without even thinking about it or knowing. It was just

0:15:42.720 --> 0:15:46.920
<v Speaker 1>sort of this timing of everything happening. And you know,

0:15:47.400 --> 0:15:50.040
<v Speaker 1>it's a ton of hard work, but it was just

0:15:50.320 --> 0:15:55.640
<v Speaker 1>all happening. That was then this is now more from

0:15:55.720 --> 0:16:00.520
<v Speaker 1>Jeff Cunningham. John told me that you are too link

0:16:00.600 --> 0:16:03.880
<v Speaker 1>soul what Barry was to Ashworth. What's that mean to you?

0:16:04.920 --> 0:16:08.360
<v Speaker 1>That's a ton, Yeah, I could see that. And it's interesting.

0:16:08.520 --> 0:16:12.640
<v Speaker 1>Ashworth was so much Barry's baby, like there was no

0:16:12.880 --> 0:16:15.360
<v Speaker 1>I mean, you know, we talked honestly about going back

0:16:15.400 --> 0:16:17.840
<v Speaker 1>to Ashworth and and fixing it up, and I was

0:16:17.920 --> 0:16:19.920
<v Speaker 1>thinking on my head, you just you can't do it

0:16:19.960 --> 0:16:23.960
<v Speaker 1>without Barry, like it was his thing. And and John

0:16:24.000 --> 0:16:27.120
<v Speaker 1>and him, they they had that I I learned. I mean,

0:16:27.440 --> 0:16:31.200
<v Speaker 1>Ashworth for me was grad school for this and where

0:16:31.480 --> 0:16:34.360
<v Speaker 1>all this stemmed from. But that was his baby and

0:16:34.560 --> 0:16:36.520
<v Speaker 1>and as much as this is my baby and John's

0:16:36.560 --> 0:16:40.120
<v Speaker 1>baby too. So I asked Jeff how and why Barry

0:16:40.240 --> 0:16:43.920
<v Speaker 1>still influences his design and photography. It's funny because I

0:16:43.960 --> 0:16:46.360
<v Speaker 1>still have his voice in my head pretty much daily,

0:16:46.520 --> 0:16:49.680
<v Speaker 1>especially in photography and graphic design, because it wasn't just

0:16:49.720 --> 0:16:53.200
<v Speaker 1>photography with Barry, he knew graphic design. Maybe I don't know.

0:16:53.280 --> 0:16:55.680
<v Speaker 1>Johnny would say he probably knew that better. I mean,

0:16:56.320 --> 0:17:00.040
<v Speaker 1>I didn't even know anything about fonts and type a

0:17:00.040 --> 0:17:02.160
<v Speaker 1>graphy and all these things. And Very study that stuff

0:17:02.320 --> 0:17:06.320
<v Speaker 1>endlessly and could point out he knew every single font

0:17:06.520 --> 0:17:08.399
<v Speaker 1>that ever showed up and everything. He could name it,

0:17:08.920 --> 0:17:12.320
<v Speaker 1>every every part of it. And he and he could

0:17:12.320 --> 0:17:16.560
<v Speaker 1>see when things were imperfect. And you know, it's one

0:17:16.560 --> 0:17:18.000
<v Speaker 1>of those things that could drive you crazy. And I

0:17:18.080 --> 0:17:20.520
<v Speaker 1>think that very kind of went crazy with it a

0:17:20.560 --> 0:17:23.399
<v Speaker 1>little bit sometimes. But at the same time, it pushes

0:17:23.440 --> 0:17:25.520
<v Speaker 1>me in my head all the time, like what would

0:17:25.520 --> 0:17:27.840
<v Speaker 1>Bury do here? Like is he would he keep going?

0:17:28.119 --> 0:17:30.080
<v Speaker 1>Would this be? You know, am I willing to put

0:17:30.160 --> 0:17:32.960
<v Speaker 1>this in the world looking like this? Or should I

0:17:32.960 --> 0:17:35.840
<v Speaker 1>actually take another hour at two o'clock in the morning

0:17:36.000 --> 0:17:39.360
<v Speaker 1>and make this thing look even one step better? Did

0:17:39.400 --> 0:17:42.000
<v Speaker 1>you get a chance to ever communicate to him what

0:17:42.240 --> 0:17:44.120
<v Speaker 1>he meant to you? Did you ever get a chance

0:17:44.240 --> 0:17:47.040
<v Speaker 1>before he left to just, you know, let him know

0:17:47.200 --> 0:17:50.040
<v Speaker 1>how much you appreciated him or what he meant to you.

0:17:50.520 --> 0:17:55.600
<v Speaker 1>I didn't. I didn't, and I and it's it's it's

0:17:55.840 --> 0:17:58.520
<v Speaker 1>usually something that would haunt me. But it doesn't haunt

0:17:58.560 --> 0:18:03.119
<v Speaker 1>me because I feel like he at some point because

0:18:03.240 --> 0:18:07.240
<v Speaker 1>I've I've followed him so much and and it's so

0:18:07.400 --> 0:18:10.480
<v Speaker 1>clear how he changed my photography and my graphic design

0:18:10.560 --> 0:18:14.040
<v Speaker 1>all the time. But I think in the end he

0:18:14.160 --> 0:18:16.920
<v Speaker 1>probably had to see all that as an homage in

0:18:16.960 --> 0:18:19.520
<v Speaker 1>a way I would if I were him, because I

0:18:19.560 --> 0:18:21.720
<v Speaker 1>mean it was very clear and I and I just

0:18:22.119 --> 0:18:23.840
<v Speaker 1>felt like he knew that for some reason. And I

0:18:23.920 --> 0:18:25.800
<v Speaker 1>feel like he knows that now wherever he is. I

0:18:25.920 --> 0:18:28.200
<v Speaker 1>just I feel like he's still out there guiding things.

0:18:28.400 --> 0:18:32.399
<v Speaker 1>So yeah, I asked John Ashworth if he thought Barry

0:18:32.440 --> 0:18:36.560
<v Speaker 1>Grimes left this world feeling respected and appreciated. He was

0:18:36.640 --> 0:18:39.400
<v Speaker 1>struggling with brain cancer, so you never know what's going

0:18:39.480 --> 0:18:42.040
<v Speaker 1>on what's really important. I don't know how much that

0:18:42.240 --> 0:18:44.320
<v Speaker 1>was important to him. You know, he has two kids

0:18:44.440 --> 0:18:47.879
<v Speaker 1>and two beautiful kids, a beautiful wife, and that's why

0:18:47.960 --> 0:18:50.560
<v Speaker 1>we're you know, Jeff and I. It's Jeff's idea, which

0:18:50.600 --> 0:18:53.200
<v Speaker 1>is a fabulous idea to take one of his photographs

0:18:53.920 --> 0:18:56.200
<v Speaker 1>it's timeless, and put it into a T shirt so

0:18:56.320 --> 0:18:58.920
<v Speaker 1>that we could actually you know, they're going through a

0:18:58.960 --> 0:19:03.600
<v Speaker 1>big transition. Obviously, they don't have their key breadwinner, and

0:19:04.119 --> 0:19:06.600
<v Speaker 1>you know, kids are in college, senior in high school,

0:19:06.680 --> 0:19:09.680
<v Speaker 1>so you know, we're trying to raise some money just

0:19:09.800 --> 0:19:11.760
<v Speaker 1>to just to help him out a bit. So I

0:19:11.920 --> 0:19:14.639
<v Speaker 1>I you know, I think, you know, I think he

0:19:14.800 --> 0:19:17.840
<v Speaker 1>was very secure with what his talent was and how

0:19:17.960 --> 0:19:22.040
<v Speaker 1>he was respected. For sure, Um, I'm not sure, you know,

0:19:22.400 --> 0:19:23.800
<v Speaker 1>at that point in his life. It was a big

0:19:23.880 --> 0:19:27.960
<v Speaker 1>priority to to realize that. You know, I was lucky.

0:19:28.000 --> 0:19:31.200
<v Speaker 1>I got a chance to kind of spend a fair

0:19:31.240 --> 0:19:33.920
<v Speaker 1>amount of time, you know, towards the end with him,

0:19:34.160 --> 0:19:37.320
<v Speaker 1>and uh, I felt like he was pretty, he was

0:19:37.359 --> 0:19:40.680
<v Speaker 1>in a good place. You know, something like that shouldn't

0:19:40.680 --> 0:19:44.040
<v Speaker 1>happen to anybody, but you know, it's shouldn't have happened

0:19:44.080 --> 0:19:47.479
<v Speaker 1>to him. Link Soul has used the making and selling

0:19:47.560 --> 0:19:51.919
<v Speaker 1>of T shirts to contribute to a worthy cause. Unfortunately,

0:19:52.320 --> 0:19:56.680
<v Speaker 1>lately they've had several worthy causes and with your help,

0:19:57.440 --> 0:20:01.400
<v Speaker 1>they're making a difference. But we've reached this this new

0:20:01.520 --> 0:20:05.000
<v Speaker 1>thing with Links Soul in this Corona year, COVID year,

0:20:05.800 --> 0:20:08.000
<v Speaker 1>where you know, we're starting to realize. But it's always

0:20:08.040 --> 0:20:10.040
<v Speaker 1>kind of been a goal of ours to to give

0:20:10.080 --> 0:20:13.359
<v Speaker 1>back as many ways we possibly can um with what

0:20:13.520 --> 0:20:17.080
<v Speaker 1>we make and what we're good at. So it's been

0:20:17.200 --> 0:20:21.080
<v Speaker 1>working this year with the charity T shirts for COVID

0:20:21.160 --> 0:20:25.200
<v Speaker 1>Relief and make part of War Foundation, all that stuff

0:20:25.280 --> 0:20:27.959
<v Speaker 1>we've you know, we're raised like three dollars this year

0:20:28.160 --> 0:20:30.399
<v Speaker 1>just through three T shirt designs and plus you know

0:20:30.640 --> 0:20:32.800
<v Speaker 1>like Johnson and over and over again links. So it

0:20:32.800 --> 0:20:36.680
<v Speaker 1>wouldn't be here, This wouldn't be happening if it wasn't

0:20:36.720 --> 0:20:39.159
<v Speaker 1>for Barry too. So it's the least we can do.

0:20:39.760 --> 0:20:42.280
<v Speaker 1>The Barry Grames photograph they chose to put on the

0:20:42.359 --> 0:20:44.920
<v Speaker 1>T shirt is a pin flag whipping in the wind.

0:20:45.119 --> 0:20:47.040
<v Speaker 1>For me, it's a strong one. I think it's just

0:20:47.240 --> 0:20:51.480
<v Speaker 1>catches soul and it catches um, you know, time and

0:20:51.800 --> 0:20:54.720
<v Speaker 1>golf and everything in one little moment. You know that

0:20:55.080 --> 0:20:56.760
<v Speaker 1>those brief little things you see, And that's what he

0:20:56.880 --> 0:20:59.080
<v Speaker 1>was so good at, was all those things we see

0:20:59.119 --> 0:21:02.200
<v Speaker 1>as golfers when we're walking around, you know, before Instagram,

0:21:02.280 --> 0:21:06.240
<v Speaker 1>before all this stuff. Barry caught all those things that

0:21:06.560 --> 0:21:08.240
<v Speaker 1>you know. That's what that's what made it, That's what

0:21:08.320 --> 0:21:10.800
<v Speaker 1>made the ashworth two is that like he was catching

0:21:10.840 --> 0:21:14.560
<v Speaker 1>those soulful moments in the moment that we all see

0:21:14.600 --> 0:21:16.480
<v Speaker 1>when we're walking around plan but we just didn't ever

0:21:16.560 --> 0:21:18.800
<v Speaker 1>get on film. And Barry started capturing when all those

0:21:18.840 --> 0:21:20.840
<v Speaker 1>and putting them out and joining people, and they were like, oh, yeah,

0:21:21.160 --> 0:21:22.720
<v Speaker 1>I love that about golf. I love the way the

0:21:22.800 --> 0:21:25.480
<v Speaker 1>shadow hits that bunker right there, you know, at this

0:21:25.600 --> 0:21:29.480
<v Speaker 1>time of day, etcetera. We didn't have a million Instagram

0:21:29.520 --> 0:21:31.240
<v Speaker 1>accounts to see all this stuff all over the place,

0:21:31.320 --> 0:21:34.240
<v Speaker 1>so you know, he was He was the o g

0:21:35.080 --> 0:21:38.600
<v Speaker 1>It is a beautiful it's a beautiful photograph, have an

0:21:38.800 --> 0:21:44.280
<v Speaker 1>esoteric sort of timeless, otherworldly look to it, and it

0:21:44.520 --> 0:21:49.200
<v Speaker 1>is very quintessential Barry Grimes too, isn't Yeah for sure.

0:21:52.920 --> 0:21:56.119
<v Speaker 1>So let's pour some out for Barry Grimes to his

0:21:56.240 --> 0:22:02.439
<v Speaker 1>life a legacy and his family. To purchase the Grimes

0:22:02.480 --> 0:22:05.680
<v Speaker 1>T shirt, go to link soul dot com. All proceeds

0:22:05.720 --> 0:22:09.959
<v Speaker 1>will help Barry's family and their future On behalf of Kristen,

0:22:10.560 --> 0:22:13.840
<v Speaker 1>Paul and Charlie, thank you for your support of one

0:22:13.880 --> 0:22:19.240
<v Speaker 1>of golf's greatest influencers. Lastly, and on a lighter note,

0:22:20.119 --> 0:22:22.560
<v Speaker 1>one more quick reflection of memory from John and Jeff.

0:22:22.840 --> 0:22:25.160
<v Speaker 1>I don't know it was. We had so much fun

0:22:25.280 --> 0:22:30.000
<v Speaker 1>together too. Honestly, we had so much freaking fun just

0:22:30.960 --> 0:22:33.600
<v Speaker 1>figuring it out as we went and like bouncing ship

0:22:33.760 --> 0:22:36.080
<v Speaker 1>off and I'd be up at his you know, I

0:22:36.720 --> 0:22:39.240
<v Speaker 1>we we'd always pull all nighters because you know, we're

0:22:39.240 --> 0:22:43.000
<v Speaker 1>trying to lay out either the catalog or something print

0:22:43.080 --> 0:22:47.080
<v Speaker 1>wise or do you know whatever, usually catalog or annual report.

0:22:47.160 --> 0:22:48.920
<v Speaker 1>Being a public company, we had to do an annual

0:22:48.960 --> 0:22:54.440
<v Speaker 1>report anyway, and he was he was kind of a procrastinator.

0:22:54.600 --> 0:22:59.680
<v Speaker 1>With the best we got, we called it OPT to

0:22:59.800 --> 0:23:04.680
<v Speaker 1>my eazy that was it wasn't procrastination. We feel like

0:23:04.800 --> 0:23:07.359
<v Speaker 1>we'd get the most out of it the closer we

0:23:07.480 --> 0:23:08.600
<v Speaker 1>came to the dentaline