1 00:00:03,720 --> 00:00:06,640 Speaker 1: The big bummer too. Of those fucker's ruined his logo 2 00:00:06,720 --> 00:00:10,719 Speaker 1: and it just fucking that's that's the hardest thing to that. 3 00:00:11,240 --> 00:00:15,680 Speaker 1: That just kills me, It really does. They changed the logo. 4 00:00:15,920 --> 00:00:18,880 Speaker 1: Oh my god, Maddie, we should do it before and 5 00:00:18,960 --> 00:00:25,239 Speaker 1: after because they totally ruined me. Oh no, heartbreaking. They 6 00:00:25,400 --> 00:00:29,400 Speaker 1: changed the golf man put pants on him more than 7 00:00:29,480 --> 00:00:32,000 Speaker 1: one dude, more than once. It was like it was 8 00:00:32,040 --> 00:00:34,480 Speaker 1: like a chick that does bad botox and she keeps 9 00:00:34,479 --> 00:00:38,839 Speaker 1: going and it's seriously, what I mean, don't put that 10 00:00:38,920 --> 00:00:42,879 Speaker 1: on anything, man, do not. You gotta watch what you 11 00:00:42,960 --> 00:00:45,720 Speaker 1: say with Maddie because he kind of can fucking coming 12 00:00:45,840 --> 00:00:59,080 Speaker 1: submarine another log fi. Nobody here here is get time. 13 00:01:00,040 --> 00:01:05,000 Speaker 1: M H. Welcome to the fire Pit with Matt Chanella. 14 00:01:05,800 --> 00:01:08,560 Speaker 1: We're back at the fire Pit, which always feels good. 15 00:01:09,319 --> 00:01:12,240 Speaker 1: We've been busy interviewing and editing season two, which will 16 00:01:12,240 --> 00:01:16,320 Speaker 1: start dropping lead February. Among other things, you'll be hearing 17 00:01:16,520 --> 00:01:21,160 Speaker 1: tributes to Charlie Sifford, Tony Gwynn, and longtime colleague and 18 00:01:21,280 --> 00:01:26,400 Speaker 1: friend Tim Rosafort. Haven't in reporting your story was like 19 00:01:27,120 --> 00:01:33,000 Speaker 1: having rock heell Welch is your waitress. It's like I 20 00:01:33,200 --> 00:01:38,520 Speaker 1: can't do any better than that. I mean, you just 21 00:01:38,680 --> 00:01:43,000 Speaker 1: keep on coming back to the table, sweetheart. It asked me. 22 00:01:43,040 --> 00:01:46,200 Speaker 1: If I want to water refill eleven times between now 23 00:01:46,360 --> 00:01:50,520 Speaker 1: and in midnight, that would be just fine. Plus stories 24 00:01:50,520 --> 00:01:55,640 Speaker 1: from Nancy Lopez, Jack Nicholas, Arnold Palmer and Lanny Watkins 25 00:01:55,720 --> 00:01:59,240 Speaker 1: on Ben Hogan. Yes there's dear Landy and clothes with 26 00:01:59,320 --> 00:02:02,840 Speaker 1: my check for war dollars for your skins. Yesterday, with 27 00:02:03,000 --> 00:02:06,120 Speaker 1: all the confusion of our intruder, I simply forgot this. 28 00:02:06,960 --> 00:02:10,679 Speaker 1: I can't imagine this fellow doing that. It was my 29 00:02:10,840 --> 00:02:13,640 Speaker 1: first experience of this kind. I really didn't know how 30 00:02:13,720 --> 00:02:17,840 Speaker 1: to handle the situation except to just quit. Hopefully we 31 00:02:17,919 --> 00:02:21,120 Speaker 1: can all have another game soon. All my good wishes 32 00:02:21,200 --> 00:02:23,639 Speaker 1: for you at the US open at Marian. I know 33 00:02:23,800 --> 00:02:27,760 Speaker 1: you can win it best, Ben. We've also just launched 34 00:02:27,880 --> 00:02:30,919 Speaker 1: the Firepit Collective dot com where you can find all 35 00:02:30,960 --> 00:02:33,600 Speaker 1: of the content will be producing, which will include this 36 00:02:33,760 --> 00:02:38,880 Speaker 1: podcast plus journeys traditional travel stories to destinations all over 37 00:02:38,919 --> 00:02:42,919 Speaker 1: the world. Plus we're bringing back The Ambush, which is 38 00:02:42,960 --> 00:02:48,120 Speaker 1: a new digital series celebrating the venue, your itinerary, best practices, 39 00:02:48,200 --> 00:02:51,440 Speaker 1: and your buddy strip planner. The camaraderie and the unique 40 00:02:51,520 --> 00:02:55,280 Speaker 1: traditions of your trip. Submit your trip at Firepit Collective 41 00:02:55,320 --> 00:02:57,840 Speaker 1: dot com and you and your crew might be next. 42 00:02:59,600 --> 00:03:02,280 Speaker 1: We'll all so be producing features on people, places or 43 00:03:02,360 --> 00:03:05,760 Speaker 1: things that deserve a closer look. And I'm back to 44 00:03:05,840 --> 00:03:10,480 Speaker 1: writing a blog on destinations, developments, architecture, rankings and trends 45 00:03:10,520 --> 00:03:13,600 Speaker 1: in the golf and travel industry. We also added the 46 00:03:13,639 --> 00:03:15,919 Speaker 1: Pitch Shop, which is where you can buy fire Pit 47 00:03:16,040 --> 00:03:20,880 Speaker 1: merchandise as well as shop Preferred partners and cool ship 48 00:03:21,080 --> 00:03:23,560 Speaker 1: I think you should be aware of. But for now, 49 00:03:23,840 --> 00:03:26,520 Speaker 1: with yet another mini pod, we're helping our friends at 50 00:03:26,560 --> 00:03:30,480 Speaker 1: links So celebrate and honor the life of Barry Grimes, who, 51 00:03:30,720 --> 00:03:34,320 Speaker 1: at the age of six, died of brain cancer last year. 52 00:03:35,600 --> 00:03:37,560 Speaker 1: As you probably heard in season one of The fire 53 00:03:37,600 --> 00:03:40,120 Speaker 1: Pit in the episode which told the story about the 54 00:03:40,160 --> 00:03:43,960 Speaker 1: building of Ashworth, Barry Grimes was critical to the development 55 00:03:44,080 --> 00:03:47,200 Speaker 1: and success of that brand, a brand I was in 56 00:03:47,280 --> 00:03:49,880 Speaker 1: love with as a kid. I never got to meet 57 00:03:49,920 --> 00:03:52,920 Speaker 1: Barry grind but I've now heard a lot about him. 58 00:03:53,600 --> 00:03:57,360 Speaker 1: He has survived by his wife Kristen, and his two sons, Paul, 59 00:03:57,600 --> 00:03:59,920 Speaker 1: who was a freshman at a s U and chart 60 00:04:00,640 --> 00:04:04,200 Speaker 1: a junior in high school. In this podcast, you'll hear 61 00:04:04,240 --> 00:04:07,320 Speaker 1: why Barry Grimes was so special, and at the end 62 00:04:07,360 --> 00:04:09,600 Speaker 1: of the stories, you can hear about how you can 63 00:04:09,680 --> 00:04:13,400 Speaker 1: help the cause. We start with Jeff Cunningham, who, along 64 00:04:13,480 --> 00:04:16,400 Speaker 1: with John Ashworth, is the co creator of Links Soul. 65 00:04:17,000 --> 00:04:20,840 Speaker 1: When I say Barry Grimes, Jeff, what do you say, oh, man, 66 00:04:21,240 --> 00:04:26,440 Speaker 1: um genius? Probably first, Honestly, I've only met a couple 67 00:04:27,520 --> 00:04:29,280 Speaker 1: people in that that I put in that rank, and 68 00:04:29,360 --> 00:04:31,839 Speaker 1: I have them like and a little file in my head. 69 00:04:32,160 --> 00:04:34,159 Speaker 1: Somebody that, no matter what they do, I just always 70 00:04:34,200 --> 00:04:36,600 Speaker 1: looked up to and right off the bat, I mean, 71 00:04:37,360 --> 00:04:41,000 Speaker 1: Barry just had that. I wasn't all Berry. I was fourteen. 72 00:04:41,040 --> 00:04:44,560 Speaker 1: I think when I met him probably um, right off 73 00:04:44,600 --> 00:04:47,039 Speaker 1: the bat. I've just never seen anybody like him. He's 74 00:04:47,080 --> 00:04:50,600 Speaker 1: just mesmerizing. If I don't meet Barry Grimes in L 75 00:04:50,680 --> 00:04:59,400 Speaker 1: A and seven, We're not having this conversation. John Ashworth 76 00:04:59,560 --> 00:05:04,560 Speaker 1: with more background on his buddy Berry. You know he 77 00:05:04,640 --> 00:05:06,440 Speaker 1: had you know, he had longer hair than I do now. 78 00:05:06,520 --> 00:05:10,599 Speaker 1: He had long hair beard. Uh. He was from Alabama. 79 00:05:11,800 --> 00:05:14,120 Speaker 1: He only went to like maybe a year and a 80 00:05:14,160 --> 00:05:16,600 Speaker 1: half of college, then dropped out and drove out to 81 00:05:16,839 --> 00:05:19,039 Speaker 1: l A because he was an artist and he wanted 82 00:05:19,080 --> 00:05:20,640 Speaker 1: to be in l A where the action was. And 83 00:05:21,400 --> 00:05:25,160 Speaker 1: he did not have one lick of an accent. He 84 00:05:25,320 --> 00:05:28,280 Speaker 1: grew up in Alabama, you know, born and raised. You 85 00:05:28,320 --> 00:05:30,640 Speaker 1: would have thought he was from l A. He could 86 00:05:30,680 --> 00:05:35,159 Speaker 1: play the guitar like crazy, you know. Uh, he could 87 00:05:35,240 --> 00:05:38,560 Speaker 1: draw and paint and he was funny. He was so 88 00:05:38,839 --> 00:05:42,400 Speaker 1: down to earth and just would talk to anybody and listened, 89 00:05:42,560 --> 00:05:47,080 Speaker 1: and and doing film and that whole world pre computer 90 00:05:47,320 --> 00:05:50,480 Speaker 1: set up graphic. He could do all that and did 91 00:05:50,600 --> 00:05:54,480 Speaker 1: that like our first ads were like film that you 92 00:05:54,520 --> 00:05:58,280 Speaker 1: would do and then send off to the magazine. And 93 00:05:58,400 --> 00:06:02,080 Speaker 1: Jeff with more on why Berry was so special. Creativity 94 00:06:02,120 --> 00:06:06,080 Speaker 1: relied so much on intuition, and it's so much intuition, 95 00:06:06,160 --> 00:06:08,200 Speaker 1: but you can also get into a technical role with 96 00:06:08,279 --> 00:06:12,000 Speaker 1: it too. Barry had this balance between the technical and 97 00:06:12,080 --> 00:06:14,600 Speaker 1: the intuitive that you can really only find in like 98 00:06:15,400 --> 00:06:19,520 Speaker 1: Jedi Masters, Jimi Hendrix. Like it's that level of where 99 00:06:19,560 --> 00:06:23,440 Speaker 1: you've mastered the technical so well that it fuels your 100 00:06:23,440 --> 00:06:26,480 Speaker 1: intuition and they work together in this harmony that you know, 101 00:06:26,640 --> 00:06:28,960 Speaker 1: become something else. It's like Ben Hogan is like it's 102 00:06:29,880 --> 00:06:33,600 Speaker 1: it's it's expertise, really, but it's it's it's to another level. 103 00:06:33,680 --> 00:06:35,360 Speaker 1: So it's like, and you see it an art all 104 00:06:35,360 --> 00:06:37,640 Speaker 1: the time. You see people that are really intuitive but 105 00:06:37,720 --> 00:06:40,600 Speaker 1: they're technical, they just crap. Or you see people that 106 00:06:40,760 --> 00:06:46,760 Speaker 1: get really technical and they lose the field. And so photos, music, golf, swings, 107 00:06:46,800 --> 00:06:50,279 Speaker 1: everything gets really tight, you know, and we've all experienced 108 00:06:50,320 --> 00:06:53,599 Speaker 1: that before, and you you know, you lose that touch. 109 00:06:54,680 --> 00:07:01,039 Speaker 1: Barry had that ability to no is technical stuff inside 110 00:07:01,080 --> 00:07:03,440 Speaker 1: out and backwards. Best I've ever seen a computer, best 111 00:07:03,480 --> 00:07:06,760 Speaker 1: I've ever seen with a camera, any machinery, anything, there 112 00:07:06,920 --> 00:07:09,000 Speaker 1: was new inside out and backwards. He took the time 113 00:07:09,040 --> 00:07:11,880 Speaker 1: to know exactly why every bit of that thing did 114 00:07:12,000 --> 00:07:16,280 Speaker 1: what it did, which people don't do anymore, and then 115 00:07:16,920 --> 00:07:19,880 Speaker 1: kept his whole creativity the entire time too, which is 116 00:07:20,080 --> 00:07:23,960 Speaker 1: just like you just don't see that. I mean, you know, 117 00:07:24,360 --> 00:07:26,680 Speaker 1: and when you do, it's special, it's and it's and 118 00:07:26,760 --> 00:07:28,720 Speaker 1: it changes the face of things. And that's what Barry did. 119 00:07:28,760 --> 00:07:31,040 Speaker 1: I mean, he changed the face of all these things. 120 00:07:31,080 --> 00:07:34,200 Speaker 1: He's influencing people still and they might not even know 121 00:07:34,240 --> 00:07:35,800 Speaker 1: they're being influenced. But if you've noticed that all these 122 00:07:35,840 --> 00:07:38,320 Speaker 1: photographers right now in golf that are starting to look 123 00:07:38,320 --> 00:07:40,320 Speaker 1: a certain way of whatever whatever. A lot of that 124 00:07:40,400 --> 00:07:45,720 Speaker 1: stems from Barry. You know. Still, but back to seven 125 00:07:45,800 --> 00:07:49,280 Speaker 1: for a second, when John Ashworth needed some help developing 126 00:07:49,440 --> 00:07:53,240 Speaker 1: his apparel idea. Here he is now on how he 127 00:07:53,400 --> 00:07:56,200 Speaker 1: met Barry and why it was such a great fit. 128 00:07:57,040 --> 00:07:58,840 Speaker 1: His friend of mine is going, I need to get 129 00:07:58,880 --> 00:08:00,760 Speaker 1: a graphic artist. You know, this friend of mine that 130 00:08:00,840 --> 00:08:04,400 Speaker 1: was a golfer. Lane Morey is his name, you know. 131 00:08:04,520 --> 00:08:05,960 Speaker 1: He lived in l A And I go, Lane, I 132 00:08:06,040 --> 00:08:07,760 Speaker 1: need I need to find it. He goes, Hey, I 133 00:08:07,800 --> 00:08:11,080 Speaker 1: got this buddy of mine, Barry Grimes, who works at 134 00:08:11,240 --> 00:08:16,680 Speaker 1: NBC Studios and he likes golf and he went to Scotland. 135 00:08:16,840 --> 00:08:19,160 Speaker 1: And I go, great, give me his number. So it 136 00:08:19,200 --> 00:08:23,280 Speaker 1: gives me his number. I called Barry and I'm explaining 137 00:08:23,320 --> 00:08:24,880 Speaker 1: about go Barry. You know, I'm trying to do this 138 00:08:25,040 --> 00:08:28,760 Speaker 1: new clothing line, and I wanted to be sort of like, 139 00:08:29,200 --> 00:08:33,680 Speaker 1: you know, old school meets new school. I'm really into 140 00:08:33,800 --> 00:08:36,839 Speaker 1: walking and you know, the traditions of the game, but 141 00:08:36,960 --> 00:08:39,880 Speaker 1: I wanted to be hip and modern. And you know, 142 00:08:39,920 --> 00:08:41,800 Speaker 1: I'm just telling all this stuff, like, you know, I 143 00:08:41,960 --> 00:08:44,080 Speaker 1: love Scotland. I've never been to Scotland. I've never been 144 00:08:44,120 --> 00:08:46,240 Speaker 1: to Scotland. I love Scotland, he goes, I've been to Scotland. 145 00:08:46,360 --> 00:08:48,600 Speaker 1: You know. It's like, you know, so we're just talking 146 00:08:48,640 --> 00:08:52,760 Speaker 1: on the phone, and unbeknownst to me, he's actually, you know, 147 00:08:52,840 --> 00:08:56,360 Speaker 1: as artists do, he's actually stoodling in sketching. He actually 148 00:08:56,640 --> 00:09:02,000 Speaker 1: drew the golf Man from that Converse station. The Ashworth brand, 149 00:09:02,080 --> 00:09:05,920 Speaker 1: and specifically the golf Man logo, had an immediate impact 150 00:09:06,160 --> 00:09:10,960 Speaker 1: on otherwise stagnant golf apparel industry. For more, we hear 151 00:09:11,040 --> 00:09:15,280 Speaker 1: now from Jim Nance, Fred Couples and then John Cook, 152 00:09:15,880 --> 00:09:19,120 Speaker 1: three of the original Ashworth Ambassadors. Let me just take 153 00:09:19,160 --> 00:09:23,360 Speaker 1: this opportunity to to add that Barry Grimes was someone 154 00:09:23,559 --> 00:09:27,599 Speaker 1: who really captured the look of Ashworth two. He just 155 00:09:28,520 --> 00:09:33,760 Speaker 1: his artistic flare and his ability to even create the 156 00:09:33,800 --> 00:09:36,760 Speaker 1: golf Man logo. I mean, the golf Man logo was 157 00:09:36,880 --> 00:09:39,800 Speaker 1: basically scratched on the back of a paper napkin, and 158 00:09:39,920 --> 00:09:43,120 Speaker 1: that logo became a universal symbol for people that cared 159 00:09:43,120 --> 00:09:47,480 Speaker 1: about the game of golf. The logo is incredible. Um 160 00:09:48,200 --> 00:09:52,439 Speaker 1: it's it's I mean, can you argue I can't think 161 00:09:52,480 --> 00:09:54,560 Speaker 1: of another There are a lot of great legs. Don't 162 00:09:54,559 --> 00:09:57,920 Speaker 1: get me wrong, but the Ashworth logo was something you know, 163 00:09:58,040 --> 00:10:01,559 Speaker 1: Johnny oh Now with with his bordon and a guy 164 00:10:01,679 --> 00:10:04,520 Speaker 1: standing standing next to it is a phenomenal logo, but 165 00:10:04,600 --> 00:10:07,520 Speaker 1: I don't think it beats the Ashworth logo now golf Man. 166 00:10:07,720 --> 00:10:12,800 Speaker 1: The golf Man was iconic. That symbolism went beyond guys 167 00:10:12,920 --> 00:10:16,920 Speaker 1: on TV wearing the product. It evolved into what Ashworth 168 00:10:17,000 --> 00:10:21,040 Speaker 1: called the Ardage Book, an annual fashion magazine or style 169 00:10:21,120 --> 00:10:24,520 Speaker 1: book that showcased a year of memorable imagery of the 170 00:10:24,640 --> 00:10:30,319 Speaker 1: Ashworth Ambassadors, more from Nance, Couples and Cook on the 171 00:10:30,400 --> 00:10:33,079 Speaker 1: photo shoots. Well, John came up with the idea of 172 00:10:33,200 --> 00:10:36,480 Speaker 1: we ought to have the Yardage Book and we can 173 00:10:36,600 --> 00:10:39,079 Speaker 1: make it into almost like a magazine. We can distribute 174 00:10:39,120 --> 00:10:41,560 Speaker 1: at the green Grass, all the shops, and we can 175 00:10:41,600 --> 00:10:45,439 Speaker 1: tell stories in their right articles and in the body 176 00:10:45,559 --> 00:10:49,199 Speaker 1: of that of that magazine. We can also have some 177 00:10:49,240 --> 00:10:51,040 Speaker 1: pretty cool photos and we can also put them on 178 00:10:51,080 --> 00:10:55,760 Speaker 1: our hand tags. The photo shoots. You know, there's a guy, 179 00:10:55,880 --> 00:10:59,360 Speaker 1: Barry Grimes, who's who's really really he's not doing that 180 00:10:59,480 --> 00:11:01,920 Speaker 1: well right now. And I told John the other day 181 00:11:02,480 --> 00:11:04,319 Speaker 1: and I texted Barry and I said Barry. This is 182 00:11:04,440 --> 00:11:07,040 Speaker 1: nothing to do with you being ill. I said, you 183 00:11:07,160 --> 00:11:10,679 Speaker 1: were by far the most fun of anything I've ever 184 00:11:10,760 --> 00:11:13,640 Speaker 1: done in golf, and you made the shoot so easy. 185 00:11:13,720 --> 00:11:15,839 Speaker 1: And I get a little edgy because you know, I 186 00:11:16,200 --> 00:11:19,319 Speaker 1: don't like kind of taking pictures and doing all that. 187 00:11:19,440 --> 00:11:21,719 Speaker 1: And we did so many weird things, John and so 188 00:11:21,840 --> 00:11:26,040 Speaker 1: many fun things that uh, I think Ashworth knew you 189 00:11:26,120 --> 00:11:28,200 Speaker 1: know what John Cook and I liked, and we wrote 190 00:11:28,240 --> 00:11:30,760 Speaker 1: in cars and then of course later on Ernie Els 191 00:11:30,760 --> 00:11:34,679 Speaker 1: hopped in and of course one and open wearing the clothing, 192 00:11:34,800 --> 00:11:38,679 Speaker 1: and this thing just took off and and now everyone 193 00:11:39,240 --> 00:11:42,280 Speaker 1: has the same kind of clothing. It's it's it's been 194 00:11:42,320 --> 00:11:44,880 Speaker 1: a wild ride and started way back in eight seven. 195 00:11:45,200 --> 00:11:46,880 Speaker 1: You never shot at me this stuff in digital, like 196 00:11:46,960 --> 00:11:48,880 Speaker 1: the idea I was thinking about Vegi, Like I go 197 00:11:48,960 --> 00:11:51,280 Speaker 1: out and I shoot a thousand shots for a photo shoot. 198 00:11:51,720 --> 00:11:55,679 Speaker 1: Barry took maybe five rolls of film and that the most, 199 00:11:56,080 --> 00:11:57,920 Speaker 1: and it's like thirty pictures at a time, and he 200 00:11:58,320 --> 00:11:59,920 Speaker 1: got all those shots. I mean, I used to be 201 00:12:00,120 --> 00:12:03,360 Speaker 1: so stressed out because you know, I mean, you take 202 00:12:03,440 --> 00:12:05,560 Speaker 1: this film, you know when you put it, there's those 203 00:12:05,640 --> 00:12:08,280 Speaker 1: big four by five cameras or wherever they were, and 204 00:12:08,760 --> 00:12:11,800 Speaker 1: you know, you had to have the setting right, you 205 00:12:11,880 --> 00:12:14,160 Speaker 1: had to have a meter write, it had to be 206 00:12:14,280 --> 00:12:16,880 Speaker 1: loaded right, you know, and then you'd have to take 207 00:12:16,960 --> 00:12:19,280 Speaker 1: it and do it and market and put in a 208 00:12:19,600 --> 00:12:22,439 Speaker 1: plastic bag, and you know it was like kind of stressful. 209 00:12:22,480 --> 00:12:24,960 Speaker 1: Really when you're on a photo shooting, you got two 210 00:12:25,040 --> 00:12:26,800 Speaker 1: hours and kind of figure out what to do. And 211 00:12:27,160 --> 00:12:32,120 Speaker 1: the photo shoots were just an amazing experience because it 212 00:12:32,160 --> 00:12:34,760 Speaker 1: wouldn't be anything like you would think of a photo 213 00:12:34,840 --> 00:12:37,240 Speaker 1: shoot would be. Like remember the shot of Fred and 214 00:12:37,280 --> 00:12:40,480 Speaker 1: the water that was the second time, totally dude Barry 215 00:12:40,520 --> 00:12:43,520 Speaker 1: put it was we didn't have a water housing and 216 00:12:43,720 --> 00:12:45,520 Speaker 1: he was like, let's get I wanted because it was 217 00:12:45,720 --> 00:12:47,679 Speaker 1: rain gear or whatever. And he was like he got 218 00:12:47,760 --> 00:12:50,439 Speaker 1: Fred in the pool and because he didn't have a 219 00:12:50,520 --> 00:12:53,240 Speaker 1: waterhouse and he has biggest glass camera. You know, it's 220 00:12:53,280 --> 00:12:57,559 Speaker 1: like camera was an aquarium from my house. He put it, 221 00:12:57,600 --> 00:12:59,360 Speaker 1: no I know, and you put it in the aquarium, 222 00:12:59,520 --> 00:13:01,960 Speaker 1: steal the the aquarium and put it in the aquarium 223 00:13:01,960 --> 00:13:05,600 Speaker 1: and went underwater with the aquarium and shot Fred through 224 00:13:05,640 --> 00:13:11,240 Speaker 1: an aquarium. Cool, unreable. Ash Worth really took care of 225 00:13:11,360 --> 00:13:12,880 Speaker 1: us and I can tell you right now. I did 226 00:13:12,920 --> 00:13:17,240 Speaker 1: a few photo shoots in some areas that, uh, they 227 00:13:17,320 --> 00:13:20,800 Speaker 1: got no clearance. You know, John Ashworth and Berry would 228 00:13:20,840 --> 00:13:22,959 Speaker 1: go find a spot. I'm sure you've seen it where 229 00:13:22,960 --> 00:13:25,000 Speaker 1: I'm hitting on the railroad tracks. I can tell you 230 00:13:25,600 --> 00:13:28,880 Speaker 1: two or three times we hopped off the railroad tracks 231 00:13:29,240 --> 00:13:32,080 Speaker 1: down underneath it. The train would go. Buy in Dallas 232 00:13:32,559 --> 00:13:36,160 Speaker 1: and it's probably you know, I I have the shot somewhere. 233 00:13:36,880 --> 00:13:40,000 Speaker 1: We went through Palm Springs with Cookie and I living there. 234 00:13:40,120 --> 00:13:43,200 Speaker 1: We were in areas that you know, like like, well, 235 00:13:43,200 --> 00:13:45,240 Speaker 1: if the cops come, we just pack up our stuff 236 00:13:45,280 --> 00:13:47,839 Speaker 1: and leave. And I'm like, so are we you know, 237 00:13:47,960 --> 00:13:50,719 Speaker 1: are we supposed to be here? We we don't know, 238 00:13:51,360 --> 00:13:54,640 Speaker 1: you know. So all of it was was really kind 239 00:13:54,679 --> 00:13:59,719 Speaker 1: of fun and it was not nerve rat it was 240 00:13:59,840 --> 00:14:02,719 Speaker 1: just it was just entertainment. It was never boring. And 241 00:14:03,040 --> 00:14:06,120 Speaker 1: trust me, as you get older, you know some sometimes 242 00:14:06,160 --> 00:14:08,319 Speaker 1: you don't want to do things. But John and I 243 00:14:08,600 --> 00:14:12,520 Speaker 1: and then Ernie Els and Mark we the we were 244 00:14:12,600 --> 00:14:15,400 Speaker 1: the guys leading. But really John Ashworth led us and 245 00:14:15,679 --> 00:14:19,840 Speaker 1: and Barry Grinds what a photographer, and he made us 246 00:14:19,920 --> 00:14:23,360 Speaker 1: look like golfers but cool guys too, and I you know, 247 00:14:23,400 --> 00:14:25,800 Speaker 1: I don't usually say that, but I felt like kind 248 00:14:25,800 --> 00:14:28,760 Speaker 1: of a cool guy. We still that's that's still the 249 00:14:28,800 --> 00:14:33,000 Speaker 1: model for every but the model is not shooting on 250 00:14:33,080 --> 00:14:35,440 Speaker 1: a golf course and getting as gritty. And at first 251 00:14:35,520 --> 00:14:37,760 Speaker 1: I was kind of like, really, we're gonna go to 252 00:14:37,880 --> 00:14:41,520 Speaker 1: this warehouse that there's shipped all over the ground whatever, 253 00:14:42,360 --> 00:14:45,640 Speaker 1: And then yeah, it's like, okay, let's go against the grain. 254 00:14:45,960 --> 00:14:48,360 Speaker 1: You know, it's not gonna look like anybody else. I mean, 255 00:14:49,320 --> 00:14:51,760 Speaker 1: we actually did the hall the black and white stuff 256 00:14:51,800 --> 00:14:54,920 Speaker 1: because A we couldn't afford color. It was twice as expensive, 257 00:14:54,960 --> 00:14:59,200 Speaker 1: but b it just looks so cool because it just 258 00:14:59,320 --> 00:15:02,360 Speaker 1: stood out. It didn't look like any stupid ads you 259 00:15:02,400 --> 00:15:04,880 Speaker 1: know that were some guy in a golf course with 260 00:15:04,960 --> 00:15:08,200 Speaker 1: a red sweater on and you know, perfect green grass 261 00:15:08,400 --> 00:15:12,360 Speaker 1: or whatever. Obviously, whatever they did and how they did 262 00:15:12,440 --> 00:15:17,440 Speaker 1: it was working. The Ashworth brand achieved rock star status. 263 00:15:18,480 --> 00:15:22,160 Speaker 1: Couples won the Masters, cook was winning multiple tour events, 264 00:15:22,560 --> 00:15:27,080 Speaker 1: els won several major championships wearing Ashworth. From selling shirts 265 00:15:27,120 --> 00:15:30,480 Speaker 1: out of John Ashworth's trunk, both he and Barry built 266 00:15:30,680 --> 00:15:33,640 Speaker 1: a ninety million dollar business. You know, it was just 267 00:15:33,760 --> 00:15:36,960 Speaker 1: sort of a period of time where everything lined up. 268 00:15:37,200 --> 00:15:39,720 Speaker 1: You know, everything just clicked into place. I mean, and 269 00:15:40,320 --> 00:15:42,560 Speaker 1: without even thinking about it or knowing. It was just 270 00:15:42,720 --> 00:15:46,920 Speaker 1: sort of this timing of everything happening. And you know, 271 00:15:47,400 --> 00:15:50,040 Speaker 1: it's a ton of hard work, but it was just 272 00:15:50,320 --> 00:15:55,640 Speaker 1: all happening. That was then this is now more from 273 00:15:55,720 --> 00:16:00,520 Speaker 1: Jeff Cunningham. John told me that you are too link 274 00:16:00,600 --> 00:16:03,880 Speaker 1: soul what Barry was to Ashworth. What's that mean to you? 275 00:16:04,920 --> 00:16:08,360 Speaker 1: That's a ton, Yeah, I could see that. And it's interesting. 276 00:16:08,520 --> 00:16:12,640 Speaker 1: Ashworth was so much Barry's baby, like there was no 277 00:16:12,880 --> 00:16:15,360 Speaker 1: I mean, you know, we talked honestly about going back 278 00:16:15,400 --> 00:16:17,840 Speaker 1: to Ashworth and and fixing it up, and I was 279 00:16:17,920 --> 00:16:19,920 Speaker 1: thinking on my head, you just you can't do it 280 00:16:19,960 --> 00:16:23,960 Speaker 1: without Barry, like it was his thing. And and John 281 00:16:24,000 --> 00:16:27,120 Speaker 1: and him, they they had that I I learned. I mean, 282 00:16:27,440 --> 00:16:31,200 Speaker 1: Ashworth for me was grad school for this and where 283 00:16:31,480 --> 00:16:34,360 Speaker 1: all this stemmed from. But that was his baby and 284 00:16:34,560 --> 00:16:36,520 Speaker 1: and as much as this is my baby and John's 285 00:16:36,560 --> 00:16:40,120 Speaker 1: baby too. So I asked Jeff how and why Barry 286 00:16:40,240 --> 00:16:43,920 Speaker 1: still influences his design and photography. It's funny because I 287 00:16:43,960 --> 00:16:46,360 Speaker 1: still have his voice in my head pretty much daily, 288 00:16:46,520 --> 00:16:49,680 Speaker 1: especially in photography and graphic design, because it wasn't just 289 00:16:49,720 --> 00:16:53,200 Speaker 1: photography with Barry, he knew graphic design. Maybe I don't know. 290 00:16:53,280 --> 00:16:55,680 Speaker 1: Johnny would say he probably knew that better. I mean, 291 00:16:56,320 --> 00:17:00,040 Speaker 1: I didn't even know anything about fonts and type a 292 00:17:00,040 --> 00:17:02,160 Speaker 1: graphy and all these things. And Very study that stuff 293 00:17:02,320 --> 00:17:06,320 Speaker 1: endlessly and could point out he knew every single font 294 00:17:06,520 --> 00:17:08,399 Speaker 1: that ever showed up and everything. He could name it, 295 00:17:08,920 --> 00:17:12,320 Speaker 1: every every part of it. And he and he could 296 00:17:12,320 --> 00:17:16,560 Speaker 1: see when things were imperfect. And you know, it's one 297 00:17:16,560 --> 00:17:18,000 Speaker 1: of those things that could drive you crazy. And I 298 00:17:18,080 --> 00:17:20,520 Speaker 1: think that very kind of went crazy with it a 299 00:17:20,560 --> 00:17:23,399 Speaker 1: little bit sometimes. But at the same time, it pushes 300 00:17:23,440 --> 00:17:25,520 Speaker 1: me in my head all the time, like what would 301 00:17:25,520 --> 00:17:27,840 Speaker 1: Bury do here? Like is he would he keep going? 302 00:17:28,119 --> 00:17:30,080 Speaker 1: Would this be? You know, am I willing to put 303 00:17:30,160 --> 00:17:32,960 Speaker 1: this in the world looking like this? Or should I 304 00:17:32,960 --> 00:17:35,840 Speaker 1: actually take another hour at two o'clock in the morning 305 00:17:36,000 --> 00:17:39,360 Speaker 1: and make this thing look even one step better? Did 306 00:17:39,400 --> 00:17:42,000 Speaker 1: you get a chance to ever communicate to him what 307 00:17:42,240 --> 00:17:44,120 Speaker 1: he meant to you? Did you ever get a chance 308 00:17:44,240 --> 00:17:47,040 Speaker 1: before he left to just, you know, let him know 309 00:17:47,200 --> 00:17:50,040 Speaker 1: how much you appreciated him or what he meant to you. 310 00:17:50,520 --> 00:17:55,600 Speaker 1: I didn't. I didn't, and I and it's it's it's 311 00:17:55,840 --> 00:17:58,520 Speaker 1: usually something that would haunt me. But it doesn't haunt 312 00:17:58,560 --> 00:18:03,119 Speaker 1: me because I feel like he at some point because 313 00:18:03,240 --> 00:18:07,240 Speaker 1: I've I've followed him so much and and it's so 314 00:18:07,400 --> 00:18:10,480 Speaker 1: clear how he changed my photography and my graphic design 315 00:18:10,560 --> 00:18:14,040 Speaker 1: all the time. But I think in the end he 316 00:18:14,160 --> 00:18:16,920 Speaker 1: probably had to see all that as an homage in 317 00:18:16,960 --> 00:18:19,520 Speaker 1: a way I would if I were him, because I 318 00:18:19,560 --> 00:18:21,720 Speaker 1: mean it was very clear and I and I just 319 00:18:22,119 --> 00:18:23,840 Speaker 1: felt like he knew that for some reason. And I 320 00:18:23,920 --> 00:18:25,800 Speaker 1: feel like he knows that now wherever he is. I 321 00:18:25,920 --> 00:18:28,200 Speaker 1: just I feel like he's still out there guiding things. 322 00:18:28,400 --> 00:18:32,399 Speaker 1: So yeah, I asked John Ashworth if he thought Barry 323 00:18:32,440 --> 00:18:36,560 Speaker 1: Grimes left this world feeling respected and appreciated. He was 324 00:18:36,640 --> 00:18:39,400 Speaker 1: struggling with brain cancer, so you never know what's going 325 00:18:39,480 --> 00:18:42,040 Speaker 1: on what's really important. I don't know how much that 326 00:18:42,240 --> 00:18:44,320 Speaker 1: was important to him. You know, he has two kids 327 00:18:44,440 --> 00:18:47,879 Speaker 1: and two beautiful kids, a beautiful wife, and that's why 328 00:18:47,960 --> 00:18:50,560 Speaker 1: we're you know, Jeff and I. It's Jeff's idea, which 329 00:18:50,600 --> 00:18:53,200 Speaker 1: is a fabulous idea to take one of his photographs 330 00:18:53,920 --> 00:18:56,200 Speaker 1: it's timeless, and put it into a T shirt so 331 00:18:56,320 --> 00:18:58,920 Speaker 1: that we could actually you know, they're going through a 332 00:18:58,960 --> 00:19:03,600 Speaker 1: big transition. Obviously, they don't have their key breadwinner, and 333 00:19:04,119 --> 00:19:06,600 Speaker 1: you know, kids are in college, senior in high school, 334 00:19:06,680 --> 00:19:09,680 Speaker 1: so you know, we're trying to raise some money just 335 00:19:09,800 --> 00:19:11,760 Speaker 1: to just to help him out a bit. So I 336 00:19:11,920 --> 00:19:14,639 Speaker 1: I you know, I think, you know, I think he 337 00:19:14,800 --> 00:19:17,840 Speaker 1: was very secure with what his talent was and how 338 00:19:17,960 --> 00:19:22,040 Speaker 1: he was respected. For sure, Um, I'm not sure, you know, 339 00:19:22,400 --> 00:19:23,800 Speaker 1: at that point in his life. It was a big 340 00:19:23,880 --> 00:19:27,960 Speaker 1: priority to to realize that. You know, I was lucky. 341 00:19:28,000 --> 00:19:31,200 Speaker 1: I got a chance to kind of spend a fair 342 00:19:31,240 --> 00:19:33,920 Speaker 1: amount of time, you know, towards the end with him, 343 00:19:34,160 --> 00:19:37,320 Speaker 1: and uh, I felt like he was pretty, he was 344 00:19:37,359 --> 00:19:40,680 Speaker 1: in a good place. You know, something like that shouldn't 345 00:19:40,680 --> 00:19:44,040 Speaker 1: happen to anybody, but you know, it's shouldn't have happened 346 00:19:44,080 --> 00:19:47,479 Speaker 1: to him. Link Soul has used the making and selling 347 00:19:47,560 --> 00:19:51,919 Speaker 1: of T shirts to contribute to a worthy cause. Unfortunately, 348 00:19:52,320 --> 00:19:56,680 Speaker 1: lately they've had several worthy causes and with your help, 349 00:19:57,440 --> 00:20:01,400 Speaker 1: they're making a difference. But we've reached this this new 350 00:20:01,520 --> 00:20:05,000 Speaker 1: thing with Links Soul in this Corona year, COVID year, 351 00:20:05,800 --> 00:20:08,000 Speaker 1: where you know, we're starting to realize. But it's always 352 00:20:08,040 --> 00:20:10,040 Speaker 1: kind of been a goal of ours to to give 353 00:20:10,080 --> 00:20:13,359 Speaker 1: back as many ways we possibly can um with what 354 00:20:13,520 --> 00:20:17,080 Speaker 1: we make and what we're good at. So it's been 355 00:20:17,200 --> 00:20:21,080 Speaker 1: working this year with the charity T shirts for COVID 356 00:20:21,160 --> 00:20:25,200 Speaker 1: Relief and make part of War Foundation, all that stuff 357 00:20:25,280 --> 00:20:27,959 Speaker 1: we've you know, we're raised like three dollars this year 358 00:20:28,160 --> 00:20:30,399 Speaker 1: just through three T shirt designs and plus you know 359 00:20:30,640 --> 00:20:32,800 Speaker 1: like Johnson and over and over again links. So it 360 00:20:32,800 --> 00:20:36,680 Speaker 1: wouldn't be here, This wouldn't be happening if it wasn't 361 00:20:36,720 --> 00:20:39,159 Speaker 1: for Barry too. So it's the least we can do. 362 00:20:39,760 --> 00:20:42,280 Speaker 1: The Barry Grames photograph they chose to put on the 363 00:20:42,359 --> 00:20:44,920 Speaker 1: T shirt is a pin flag whipping in the wind. 364 00:20:45,119 --> 00:20:47,040 Speaker 1: For me, it's a strong one. I think it's just 365 00:20:47,240 --> 00:20:51,480 Speaker 1: catches soul and it catches um, you know, time and 366 00:20:51,800 --> 00:20:54,720 Speaker 1: golf and everything in one little moment. You know that 367 00:20:55,080 --> 00:20:56,760 Speaker 1: those brief little things you see, And that's what he 368 00:20:56,880 --> 00:20:59,080 Speaker 1: was so good at, was all those things we see 369 00:20:59,119 --> 00:21:02,200 Speaker 1: as golfers when we're walking around, you know, before Instagram, 370 00:21:02,280 --> 00:21:06,240 Speaker 1: before all this stuff. Barry caught all those things that 371 00:21:06,560 --> 00:21:08,240 Speaker 1: you know. That's what that's what made it, That's what 372 00:21:08,320 --> 00:21:10,800 Speaker 1: made the ashworth two is that like he was catching 373 00:21:10,840 --> 00:21:14,560 Speaker 1: those soulful moments in the moment that we all see 374 00:21:14,600 --> 00:21:16,480 Speaker 1: when we're walking around plan but we just didn't ever 375 00:21:16,560 --> 00:21:18,800 Speaker 1: get on film. And Barry started capturing when all those 376 00:21:18,840 --> 00:21:20,840 Speaker 1: and putting them out and joining people, and they were like, oh, yeah, 377 00:21:21,160 --> 00:21:22,720 Speaker 1: I love that about golf. I love the way the 378 00:21:22,800 --> 00:21:25,480 Speaker 1: shadow hits that bunker right there, you know, at this 379 00:21:25,600 --> 00:21:29,480 Speaker 1: time of day, etcetera. We didn't have a million Instagram 380 00:21:29,520 --> 00:21:31,240 Speaker 1: accounts to see all this stuff all over the place, 381 00:21:31,320 --> 00:21:34,240 Speaker 1: so you know, he was He was the o g 382 00:21:35,080 --> 00:21:38,600 Speaker 1: It is a beautiful it's a beautiful photograph, have an 383 00:21:38,800 --> 00:21:44,280 Speaker 1: esoteric sort of timeless, otherworldly look to it, and it 384 00:21:44,520 --> 00:21:49,200 Speaker 1: is very quintessential Barry Grimes too, isn't Yeah for sure. 385 00:21:52,920 --> 00:21:56,119 Speaker 1: So let's pour some out for Barry Grimes to his 386 00:21:56,240 --> 00:22:02,439 Speaker 1: life a legacy and his family. To purchase the Grimes 387 00:22:02,480 --> 00:22:05,680 Speaker 1: T shirt, go to link soul dot com. All proceeds 388 00:22:05,720 --> 00:22:09,959 Speaker 1: will help Barry's family and their future On behalf of Kristen, 389 00:22:10,560 --> 00:22:13,840 Speaker 1: Paul and Charlie, thank you for your support of one 390 00:22:13,880 --> 00:22:19,240 Speaker 1: of golf's greatest influencers. Lastly, and on a lighter note, 391 00:22:20,119 --> 00:22:22,560 Speaker 1: one more quick reflection of memory from John and Jeff. 392 00:22:22,840 --> 00:22:25,160 Speaker 1: I don't know it was. We had so much fun 393 00:22:25,280 --> 00:22:30,000 Speaker 1: together too. Honestly, we had so much freaking fun just 394 00:22:30,960 --> 00:22:33,600 Speaker 1: figuring it out as we went and like bouncing ship 395 00:22:33,760 --> 00:22:36,080 Speaker 1: off and I'd be up at his you know, I 396 00:22:36,720 --> 00:22:39,240 Speaker 1: we we'd always pull all nighters because you know, we're 397 00:22:39,240 --> 00:22:43,000 Speaker 1: trying to lay out either the catalog or something print 398 00:22:43,080 --> 00:22:47,080 Speaker 1: wise or do you know whatever, usually catalog or annual report. 399 00:22:47,160 --> 00:22:48,920 Speaker 1: Being a public company, we had to do an annual 400 00:22:48,960 --> 00:22:54,440 Speaker 1: report anyway, and he was he was kind of a procrastinator. 401 00:22:54,600 --> 00:22:59,680 Speaker 1: With the best we got, we called it OPT to 402 00:22:59,800 --> 00:23:04,680 Speaker 1: my eazy that was it wasn't procrastination. We feel like 403 00:23:04,800 --> 00:23:07,359 Speaker 1: we'd get the most out of it the closer we 404 00:23:07,480 --> 00:23:08,600 Speaker 1: came to the dentaline