WEBVTT - Ep3 | Uncanny Valley

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<v Speaker 1>In request created by Michael Freiberg, a production of I

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<v Speaker 1>Heart Radio and Astro Media. Listen with headphones for three

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<v Speaker 1>D audio. The gate that's gauntlet ahead of the tunnel corridor,

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<v Speaker 1>three drop gates, and a final swing gate with archers

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<v Speaker 1>and spearman guard in the exit. Our only hope is

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<v Speaker 1>to clear it. The fourth shuts keep running a don't

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<v Speaker 1>stop until we're saving the desert sands. That's the landing

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<v Speaker 1>rub us. There one more to go into the final

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<v Speaker 1>Blackstone swing gate, but that's we're beginning to down. We'll

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<v Speaker 1>do a single file. I'll leave the way Love go Serious,

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<v Speaker 1>come on, third game, Serious Lee trapped behind the drop gate,

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<v Speaker 1>don't worry. Serious, we'll get you out. On what happened

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<v Speaker 1>third Gateail bunchetions it didn't. Then it dropped immediately too late.

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<v Speaker 1>By the time we managed get Serious free, the doors

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<v Speaker 1>of the final swing hit will have already close shut,

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<v Speaker 1>sealing us inside of you. The drop gates driving. But

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<v Speaker 1>why no time for questions. As soon as Serious sway right,

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<v Speaker 1>the final swing gate is so open, listen. The best

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<v Speaker 1>chance we have of making the best of guards outside

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<v Speaker 1>is to spread out the dunes and six agg as

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<v Speaker 1>we run follow my lead. Okay, see, I'm ever your

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<v Speaker 1>side down. Get that fiery something drop, go keep moving,

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<v Speaker 1>run towards the seting sun downs a chance to escape,

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<v Speaker 1>Give them safe passage onto the dudes. I secured the

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<v Speaker 1>gate with them, But sir, you're letting them get away.

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<v Speaker 1>So to be it an arrow or spear through the

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<v Speaker 1>head is too good for these three? A quick and

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<v Speaker 1>painless death. What would be the fun? Let them get

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<v Speaker 1>lost in the desert and sucking either water plumbs this time? Ah?

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<v Speaker 1>Are you too? Okay? From the fall, I'm a face

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<v Speaker 1>full of sand like you're just serious? Okay, technically I'm

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<v Speaker 1>still mobile. Then, Welcome to the Azrael desert. We're lucky

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<v Speaker 1>we made it here alive. Our number one priorities should

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<v Speaker 1>be finding a path back to the main route that

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<v Speaker 1>leads to them all layer all we have of the

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<v Speaker 1>supplies on our back, so we'll have to be resourceful

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<v Speaker 1>if we plan to survive out here. Speaking of which,

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<v Speaker 1>we're in the desert. Are we surveying the immediate grounds?

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<v Speaker 1>We appear to be standing at the bottom of a

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<v Speaker 1>deep and narrow chasm of valley. To be precise, to

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<v Speaker 1>our rear and sides are towering rock face too steep

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<v Speaker 1>to scale without proper equipment. In the distance, at the

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<v Speaker 1>other end of the valley, there's some sort of unidentifiable

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<v Speaker 1>black land mass. I venture to call it a small

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<v Speaker 1>mountain and silhouette, but I can't be certain from so

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<v Speaker 1>far away. Map. Indeed, only we had a map, I

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<v Speaker 1>could pinpoint our location in the desert. Map. Oh, what

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<v Speaker 1>do you have there? The map? Yes, serious, you grabbed

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<v Speaker 1>it off the gate man's desk before we left. Let

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<v Speaker 1>me take a look. M h, it's all here, the

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<v Speaker 1>main route across the desert leading to the Molair, the

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<v Speaker 1>baobab tree marking its location, and a pathway from atop

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<v Speaker 1>these cliffs to guide us there. It plots out everything

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<v Speaker 1>required to find our way to the mole Air, recover

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<v Speaker 1>the satellite dish, and complete the agency's mission. Everything that is,

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<v Speaker 1>except for a current location. This valley is missing from

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<v Speaker 1>the maps diagram. The unidentified black land mass. Assuming it's

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<v Speaker 1>a mountain, it could have a trail leading out of

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<v Speaker 1>the valley. With terrain, we can actually climb. Well, it's possible,

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<v Speaker 1>but that's the only path forward. We have to keep moving,

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<v Speaker 1>keep trying to find a way out. Sure, either good.

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<v Speaker 1>Let's get a move on then. Now, as long as

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<v Speaker 1>we're traveling through uncharted territory, it's imperative we remain on

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<v Speaker 1>high alert of our surroundings. Otherwise, could we expose ourselves

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<v Speaker 1>to unwelcome surprises and may fail to identify opportunities along

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<v Speaker 1>the way. And need I remind you too, it's only

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<v Speaker 1>a matter of time until we run out of food

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<v Speaker 1>and water, our hope of escape dwindles, and we end

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<v Speaker 1>up trapped in this valley with no way out. Stop

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<v Speaker 1>my toe on this pesky rock. Wait, that's not a

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<v Speaker 1>rock either. It's a cock show. What's a cock shell

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<v Speaker 1>doing in the middle of the desert. Serious? Here, Hold

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<v Speaker 1>it's your ear and listen, you can hear the ocean.

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<v Speaker 1>Oh wait, pretty pink? Serious? Alright, serious, knock it off.

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<v Speaker 1>This is exactly the kind of negligence I warned about.

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<v Speaker 1>Serious as antics may have given away our position. He's

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<v Speaker 1>just having some fun. Besides, we're the only ones down here.

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<v Speaker 1>Good reason. Still, we need to proceed with the utmost

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<v Speaker 1>caution until we confirm we're indeed alone. Despite what seems

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<v Speaker 1>like a foregone conclusion, who knows what could be lurking

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<v Speaker 1>in this valley. I'll tell you what's lurking in this

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<v Speaker 1>valley right now, sand rocks and the grating sound of

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<v Speaker 1>your serious, I said, knock it off, the serious, No

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<v Speaker 1>make sound? Where did that come from? I have a

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<v Speaker 1>theory either, but I'll need you to be absolutely quiet

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<v Speaker 1>as Serious sounds the shell again. Go ahead, blow the

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<v Speaker 1>shell A three four, Serious come here for a moment.

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<v Speaker 1>This mission maybe too much for Logo. He's been acting

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<v Speaker 1>weird since we met him, and the fall probably pushed

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<v Speaker 1>him over the edge. Keep an eye on him. Big brands,

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<v Speaker 1>more fragile logo. It's all going to be okay. We're

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<v Speaker 1>gonna get you some help, and you can stop counting now.

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<v Speaker 1>Precisely as hypothesized, Serious sounded a final time. Hum him.

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<v Speaker 1>I guess serious Blue into the shell. I started counting

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<v Speaker 1>seconds in my head. I'm confirming it now, but I

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<v Speaker 1>believe we're about five miles away from the black Land

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<v Speaker 1>Mass at the valley's end. How do you figure? And

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<v Speaker 1>what about the sound we just heard? Where did that

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<v Speaker 1>come from? It's an echo. It's all quite logical. As

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<v Speaker 1>observers at ground level, our lineup sight is limited to

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<v Speaker 1>roughly three miles beyond which objects seemingly vanished past the horizon.

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<v Speaker 1>The only reason we can identify the Black land mass

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<v Speaker 1>the head is due to its great height, allowing us

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<v Speaker 1>to make out the mountaintop while it's base remains hidden

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<v Speaker 1>from view. Sound, however, is unencumbered by these optical limitations.

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<v Speaker 1>When serious blows through the cock shell, the sound travels

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<v Speaker 1>all the way to the black mountain mass in the distance,

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<v Speaker 1>and then returns to us as a reflection of the

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<v Speaker 1>original signal echo. Precisely, and given that the speed of

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<v Speaker 1>sound and dry air is roughly three three per second,

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<v Speaker 1>I can calculate our distance from the mountain working through

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<v Speaker 1>the formula speed of sound equals distance divided by time,

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<v Speaker 1>and then having the answer to account for our one

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<v Speaker 1>way direction of travel, brings us to the five mile

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<v Speaker 1>marker I alluded to, which is the total distance to

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<v Speaker 1>our path of escape and wherein life the basis of

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<v Speaker 1>the reverberation of sounds throughout the valley magic not magic math,

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<v Speaker 1>and like before, the sound should be coming back to us.

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<v Speaker 1>Intent nine eight seven sounds like you're off by a

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<v Speaker 1>few seconds must be a rounding error. No, I stand

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<v Speaker 1>by it. Total return time for the sound is a

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<v Speaker 1>function of its distance travel. That can only mean one thing.

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<v Speaker 1>The Black Mountain Mass, whatever it is, is moving towards us. Ah. Oh,

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<v Speaker 1>then let's get a move on. Come on, but didn't

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<v Speaker 1>you hear what I said? We could stay here and

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<v Speaker 1>wait for it to come to us, or we can

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<v Speaker 1>go and face it head on. I choose onwards and upwards. Serious,

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<v Speaker 1>wait for me. Since we're proceeding forward, it's important to

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<v Speaker 1>note that every five second reduction and echo return time

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<v Speaker 1>corresponds to approximately half a mile nearer in distance. So

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<v Speaker 1>the sooner the echo returns, the closer we are noting.

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<v Speaker 1>Serious sound the shell from time to times, so we

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<v Speaker 1>know how far we are away from the Black Mountain Mass. Now,

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<v Speaker 1>if we could only reach a higher vantage with increased

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<v Speaker 1>range of sight, we might be able to identify the

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<v Speaker 1>nature of the approaching object and even chart out a

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<v Speaker 1>path back to the main route. We'll be on the

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<v Speaker 1>lookout anything else. No, let's just hope that Black Mountain

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<v Speaker 1>Mass doesn't speed up. Oh, no, logo, I think I'm

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<v Speaker 1>starting to lose it. My eyes are deceiving me. Too

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<v Speaker 1>serious informations, too much. Step man, snap over on the right,

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<v Speaker 1>on that nearby isolated cliff, side. I see a beam

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<v Speaker 1>of light coming from what looks like a lighthouse. There's

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<v Speaker 1>even steps car up into the rock face leading up

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<v Speaker 1>to it from the valley. It must be a symbol

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<v Speaker 1>for my subconscious. Do I go into the light or

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<v Speaker 1>run away from it? Lighthouse on lone cliff? Serious, you

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<v Speaker 1>see it too, see logo? Don't be so dramatic. Thanks,

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<v Speaker 1>you're looking up all right, you're right the lighthouse. There's

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<v Speaker 1>our higher advantage point. I bet we can restock on

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<v Speaker 1>supplies too. There may even be a way to call

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<v Speaker 1>for help. We're saved. Well I didn't quite save that,

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<v Speaker 1>but we're saved. We're saved. I'm going into the light. Ah,

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<v Speaker 1>come on, serious Logo's head into that light like I'm

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<v Speaker 1>off the flame. We might have to save him from

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<v Speaker 1>getting burned. Here we are the lighthouse. Hello, anyone home?

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<v Speaker 1>No answer? Serious, No, don't do it. The doors unlocked.

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<v Speaker 1>Make sure to be on your best behavior when we

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<v Speaker 1>meet the lighthouse keeper. Were lucky. We'll learn the fastest

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<v Speaker 1>way out of this value back to the main route.

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<v Speaker 1>This place is all run down, it's full of cobwebs

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<v Speaker 1>of all Then that door, it must lead to the

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<v Speaker 1>keeper's quarters. Wait, before we enter, it would be wise

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<v Speaker 1>to formulate a plan. One of us should stay behind

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<v Speaker 1>at the lighthouse to try and mind for supplies and

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<v Speaker 1>information from the benefit of this hidvantage point. That way,

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<v Speaker 1>the other two compare up and continue exploring the valley

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<v Speaker 1>and share their findings upon return. Okay, how do you

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<v Speaker 1>propose we split up? It should be merit based. Serious.

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<v Speaker 1>You're a natural tracker. You can locate trails or detect

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<v Speaker 1>hidden dangerous and your talents are best utilized down on

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<v Speaker 1>the valley floor. Either you're you're you like to talk

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<v Speaker 1>a lot, so you should be a little bit quick

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<v Speaker 1>friends out of any hostile strangers encountered out in the valley.

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<v Speaker 1>As for me, well, I'm an intellectual. I could ingratiate

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<v Speaker 1>myself with the keepers. I'm sure this lighthouse is full

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<v Speaker 1>of complex machinery that requires a lot of technical know

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<v Speaker 1>how and a scientific knowledge to operate things that would

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<v Speaker 1>be painfully boring to the average individual. For the sake

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<v Speaker 1>of the team, I volunteered to stay be hide. Oh

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<v Speaker 1>how brave of you? Logo? Serious? Do you agree to

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<v Speaker 1>our hero's proposal? Chicken hardball baw baw deal Waiting One

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<v Speaker 1>last thing? What if I need to protect myself when

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<v Speaker 1>I'm alone. Can I borrow a weapon? We don't travel

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<v Speaker 1>with weapons, remember, but you do go emissions that take

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<v Speaker 1>you to places like this. What do you mean you

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<v Speaker 1>don't travel with weapons? We found bringing weapons into unfamiliar

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<v Speaker 1>places just invite trouble. Besides serious protects us. Now let's

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<v Speaker 1>go in MS. How nice? How long you're just in time?

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<v Speaker 1>Thank you? We're aching. You were expecting us? No, oh,

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<v Speaker 1>it kind of sounded like you were. How good of

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<v Speaker 1>you to come? If I don't, you'd be early. I'd

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<v Speaker 1>have finished tidying up. We don't mind. But wait, we

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<v Speaker 1>didn't plan to come here. We happened here by chance

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<v Speaker 1>and a little late. If you ask me. It's tea time,

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<v Speaker 1>but I'm afraid it hasn't much left. Please help yourselves

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<v Speaker 1>way ahead of you. Now that you're here, we can

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<v Speaker 1>finally start. Okay, Oh, I'm ether. This is why are

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<v Speaker 1>we fellows? Logo and big guys serious? And I'm shullock.

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<v Speaker 1>Have a seat, So tell us, Sherlock. Why is there

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<v Speaker 1>a lighthouse out here in the desert? The lighthouse? Why

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<v Speaker 1>is it overlooking the desert? The lighthouse? Desert? I don't

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<v Speaker 1>follow the building we're in right now. Normally it'd be

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<v Speaker 1>overlooking an ocean, but instead it's here in the desert.

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<v Speaker 1>Oh yes, that lighthouse. Well, let's see, it's a long story. Ah,

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<v Speaker 1>you were saying, what the story you were gonna tell us?

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<v Speaker 1>The story behind the lighthouse? Oh yes, back to the

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<v Speaker 1>days when it was wet all over. At the time,

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<v Speaker 1>I was a sail stationed on the s S. Pangaea.

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<v Speaker 1>Beauty of the vessel, fabulous true, love them like they

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<v Speaker 1>have a family, which they were. I come from a

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<v Speaker 1>long line of seafars, bus and tame the wall. Next

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<v Speaker 1>thing I know, we're surrounded, and then cannon bar blood

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<v Speaker 1>right in the hole caused us to bear up bos

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<v Speaker 1>and we never had a chance. Once we hit that

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<v Speaker 1>ice bag. They say n an icebread lies beneath the

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<v Speaker 1>water service, and one hundred percent of the time I

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<v Speaker 1>found that to be true. I'll tell you. It took

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<v Speaker 1>us grab and to get those anvils back on board

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<v Speaker 1>the ark. But I digressed. We were gone. Just then

0:14:32.400 --> 0:14:35.600
<v Speaker 1>we saw the guiding light of this lighthouse and swam ashore.

0:14:36.320 --> 0:14:38.800
<v Speaker 1>We made it to our new home, and over time

0:14:39.120 --> 0:14:46.720
<v Speaker 1>I became its captain. What eventually came to darkness that

0:14:47.000 --> 0:14:50.760
<v Speaker 1>covered the land. The water turned to vapor and was

0:14:50.800 --> 0:14:55.440
<v Speaker 1>sucked up by the night sky. Then it got hot,

0:14:56.320 --> 0:15:02.320
<v Speaker 1>real hot. That's try eat red toe stick together and

0:15:02.560 --> 0:15:08.120
<v Speaker 1>lips shut. I started sweating. I felt moisture pulling up

0:15:08.120 --> 0:15:12.880
<v Speaker 1>on my brow, maybe thirsty, So I decided to come in.

0:15:12.920 --> 0:15:16.960
<v Speaker 1>He makes some nice tea. Then you three walked in.

0:15:18.640 --> 0:15:21.000
<v Speaker 1>How in considerate of me? Let me get you a refill?

0:15:22.000 --> 0:15:29.040
<v Speaker 1>S No, I am, I'm all right, nonsense, I insist

0:15:29.320 --> 0:15:32.240
<v Speaker 1>more tea would be lovely. About the lighthouse, though, how

0:15:32.280 --> 0:15:35.640
<v Speaker 1>long has it been here? Shoot? About as long as

0:15:35.680 --> 0:15:39.120
<v Speaker 1>I can remember, I reckon since the dawn of time.

0:15:39.160 --> 0:15:46.960
<v Speaker 1>It's so that dang grandfather taunting me for an eternity,

0:15:47.360 --> 0:15:53.720
<v Speaker 1>TikTok TikTok, calling my name, trying to hypnotize me with

0:15:53.800 --> 0:16:01.240
<v Speaker 1>its golden rock. Sherlock, Sherlock, prodding me with a pointy hands,

0:16:01.880 --> 0:16:07.960
<v Speaker 1>old croc old croc driving me cuckle goockle. Why I

0:16:08.080 --> 0:16:11.040
<v Speaker 1>ought to rip your hands right up and break your face?

0:16:16.480 --> 0:16:23.720
<v Speaker 1>Who's killing time? Now? Grandfather? Okay, where will we serious?

0:16:23.760 --> 0:16:28.120
<v Speaker 1>And I were dressed on our way up leaving so soon,

0:16:28.320 --> 0:16:30.240
<v Speaker 1>really wish we could say, but we have business back

0:16:30.240 --> 0:16:34.520
<v Speaker 1>down in the valley. Wait, great meeting me too. I

0:16:34.520 --> 0:16:40.720
<v Speaker 1>should also be your best behavior logo. Remember you're a guest. No, please,

0:16:40.880 --> 0:16:44.520
<v Speaker 1>don't leave me alone with this insane lee, gracious host.

0:16:49.760 --> 0:17:04.680
<v Speaker 1>So do you like being a lighthouse keeper? There's something

0:17:04.760 --> 0:17:12.680
<v Speaker 1>off with Sherlock. He's a little but scatter brain. You

0:17:12.840 --> 0:17:16.720
<v Speaker 1>dodged a bullet with that one. Hey, keep sounding the

0:17:16.800 --> 0:17:19.040
<v Speaker 1>shell while we walk. Someone could think it's a distress

0:17:19.080 --> 0:17:30.560
<v Speaker 1>signal when we come to our rescues. Well, serious, it's

0:17:30.680 --> 0:17:33.800
<v Speaker 1>just us too again, out on a mission. Just like

0:17:33.880 --> 0:17:39.800
<v Speaker 1>old times. We're a long way from imperiod. We go

0:17:40.000 --> 0:17:44.720
<v Speaker 1>home soon. Yeah, assuming logo actually knows what he's talking about.

0:17:44.760 --> 0:17:47.680
<v Speaker 1>With that astronomy, mumbo jumbo can show us how to

0:17:47.720 --> 0:17:51.399
<v Speaker 1>reach imperiod by following the eclipses path of totality dress

0:17:51.560 --> 0:17:56.520
<v Speaker 1>logo logo Smart, I know, but I just can't stop

0:17:56.600 --> 0:18:03.040
<v Speaker 1>thinking about it. The day we returned home, part of

0:18:03.119 --> 0:18:06.199
<v Speaker 1>me worries that maybe we've been gone too long, too

0:18:06.280 --> 0:18:08.840
<v Speaker 1>much time has passed. We'll get back and everything will

0:18:08.880 --> 0:18:11.280
<v Speaker 1>be different. At home, we knew that people were trying

0:18:11.320 --> 0:18:15.159
<v Speaker 1>to save all have changed so much so they might

0:18:15.200 --> 0:18:19.840
<v Speaker 1>as well be strangers in some foreign land. Another part

0:18:19.920 --> 0:18:21.480
<v Speaker 1>of me worries that we'll get back and find that

0:18:21.600 --> 0:18:25.439
<v Speaker 1>nothing is different. The people in places preserved same as before,

0:18:26.080 --> 0:18:29.440
<v Speaker 1>but Imperia no longer feels like home because we're the

0:18:29.480 --> 0:18:34.280
<v Speaker 1>ones who have changed. Hear that the sound returned more quickly.

0:18:34.560 --> 0:18:45.080
<v Speaker 1>The black mass must be getting closer. Ah, what is

0:18:45.119 --> 0:18:54.240
<v Speaker 1>the series? Spot? Something traps white flat thorough like follow?

0:18:58.080 --> 0:19:04.199
<v Speaker 1>Where do you think leads? M flowers? Field of white flowers?

0:19:05.920 --> 0:19:09.960
<v Speaker 1>A serious? You know what this means? There must be

0:19:10.080 --> 0:19:28.920
<v Speaker 1>water nearby, but now vultures free block. I guess there's wrong,

0:19:29.160 --> 0:19:36.240
<v Speaker 1>doesn't after all? That makes begamating cold? Can't running good?

0:19:36.280 --> 0:19:45.080
<v Speaker 1>To resist? Ignore it, don't engage, keep moving, Hi, stop running,

0:19:45.200 --> 0:19:50.479
<v Speaker 1>but will open byre do it? Do it? I think

0:19:50.520 --> 0:19:55.280
<v Speaker 1>they're bluffing or they actually have a gun. Gun scared tactics,

0:19:55.560 --> 0:19:58.000
<v Speaker 1>No way, it's looting. You can't get bullets in this hemisphere,

0:20:00.080 --> 0:20:03.159
<v Speaker 1>for it's a warning shop, and I'm warning you. I

0:20:03.280 --> 0:20:09.760
<v Speaker 1>never missed twice. I stand corrected. You don't fire, We'll cooperate.

0:20:11.160 --> 0:20:13.560
<v Speaker 1>How about a compromise. If you want oil, we can

0:20:13.640 --> 0:20:18.200
<v Speaker 1>get you oil. We've got oil. And it ain't just

0:20:18.359 --> 0:20:22.159
<v Speaker 1>for fueling, neither it's for burning. It's the amulet. You've

0:20:22.160 --> 0:20:25.560
<v Speaker 1>got paid by thinking it. Menched my host a rather nicely.

0:20:25.680 --> 0:20:30.360
<v Speaker 1>Don't either his life nor his amulate our eyes to tea.

0:20:30.840 --> 0:20:37.400
<v Speaker 1>They're only tess want this service? Fine? And where am i? Men?

0:20:38.240 --> 0:20:42.600
<v Speaker 1>Allow me to make a proper introduction. I'm fat chief

0:20:42.640 --> 0:20:46.560
<v Speaker 1>alchemist of the Necronos. Please here a Zipper and Luna,

0:20:47.320 --> 0:20:51.760
<v Speaker 1>sunken charls. We welcome you to our hello grounds, the

0:20:51.920 --> 0:20:54.800
<v Speaker 1>valley of the shadow of Death. We'll make ourselves right

0:20:54.880 --> 0:20:59.560
<v Speaker 1>en up. Check out the big man. Looks like we've

0:20:59.560 --> 0:21:03.879
<v Speaker 1>got ourselve green dumb came across all flowers? Did you

0:21:04.680 --> 0:21:09.200
<v Speaker 1>pretty unknown? They only grow here in the billy Something

0:21:09.240 --> 0:21:14.360
<v Speaker 1>about the nutrients in the soil, our own organic fertilize

0:21:15.480 --> 0:21:18.639
<v Speaker 1>the blood of heathens. And if you peel back at

0:21:18.680 --> 0:21:22.159
<v Speaker 1>the petals, you'll find a secret in side. When the

0:21:22.200 --> 0:21:27.440
<v Speaker 1>flower dies, it releases spools. Just one taste of the

0:21:27.520 --> 0:21:30.639
<v Speaker 1>interior risk will bring you closer to the inner truth.

0:21:31.040 --> 0:21:33.960
<v Speaker 1>We're not here for your flowers. Oh, we're not worried

0:21:33.960 --> 0:21:39.560
<v Speaker 1>about that. What do you want? It's what our master designs.

0:21:40.040 --> 0:21:45.320
<v Speaker 1>Your master. You'll meet her soon enough, Zeppa, Luna, load

0:21:45.400 --> 0:21:52.880
<v Speaker 1>up Chicago for transport. Give me arist of time there,

0:21:53.320 --> 0:22:10.879
<v Speaker 1>get to walk in walking, You're walking. Oh God, we

0:22:10.920 --> 0:22:15.840
<v Speaker 1>can't believe. I'm better ask Sherlock for help, as either says,

0:22:16.280 --> 0:22:21.200
<v Speaker 1>desperate times call for desperate measures. Sherlock, my travel companions

0:22:21.200 --> 0:22:24.800
<v Speaker 1>and I are experiencing some navigational difficulties. Our map of

0:22:24.840 --> 0:22:27.880
<v Speaker 1>the surrounding area is incomplete, and while I can overlook

0:22:27.880 --> 0:22:31.560
<v Speaker 1>a few missing topographical features and contour lines, the valley's

0:22:31.560 --> 0:22:35.280
<v Speaker 1>absence renders the map inadequate as a cartographic guide. Since

0:22:35.400 --> 0:22:37.840
<v Speaker 1>you reside here, it would be highly agreeable if you

0:22:37.840 --> 0:22:39.959
<v Speaker 1>would please direct me to the nearest path leading out

0:22:40.000 --> 0:22:44.879
<v Speaker 1>of the valley. So you're seeking direction in life, I

0:22:45.160 --> 0:22:48.840
<v Speaker 1>suppose you could say that be aware what lies in

0:22:49.000 --> 0:22:53.880
<v Speaker 1>the desert, What lies there? The black viper, the call

0:22:54.000 --> 0:22:59.200
<v Speaker 1>of the void shadows. People can spend a lifetime chasing echoes.

0:22:59.760 --> 0:23:04.920
<v Speaker 1>So I'm getting lost along the way Others others fine,

0:23:05.040 --> 0:23:08.600
<v Speaker 1>what they were hoping to hear? Which is the song

0:23:08.760 --> 0:23:11.960
<v Speaker 1>stress at the end of the tune? Do you know

0:23:12.200 --> 0:23:16.880
<v Speaker 1>who's behind your lullaby? I'm sorry, but I can't interpret

0:23:16.920 --> 0:23:27.120
<v Speaker 1>your cryptic language. Simplize, symbolize, simplize. Look, here's the map.

0:23:27.640 --> 0:23:30.800
<v Speaker 1>How about you point to our current locations, and we'll

0:23:30.880 --> 0:23:34.480
<v Speaker 1>use that as a reference marker. Oh me, but I'm

0:23:34.560 --> 0:23:39.680
<v Speaker 1>not even here right now, of course not. Do you

0:23:39.800 --> 0:23:44.000
<v Speaker 1>have any travel insight or just more in a nonsense. Well,

0:23:44.080 --> 0:23:47.760
<v Speaker 1>I'm a traveler too, you know, a time traveler. I

0:23:48.080 --> 0:23:50.960
<v Speaker 1>live in the future. I dwell in the past. You

0:23:51.080 --> 0:23:58.959
<v Speaker 1>won't find me in the present. Now, what are you doing? Drawing?

0:24:00.480 --> 0:24:05.280
<v Speaker 1>Is your path forward? A circle? You drew a circle

0:24:05.800 --> 0:24:09.000
<v Speaker 1>that which has no beginning, has no end. Bound to

0:24:09.119 --> 0:24:13.720
<v Speaker 1>repeat this endless loop we are I'm hunger insatiable, like

0:24:13.920 --> 0:24:17.240
<v Speaker 1>the serpent that face on its own toe. I can't

0:24:17.280 --> 0:24:23.720
<v Speaker 1>take much more of this. The problem you faces You're

0:24:23.800 --> 0:24:31.520
<v Speaker 1>too smart for your own good. What well your problem?

0:24:32.920 --> 0:24:35.600
<v Speaker 1>Your problem is that you don't make any sense. I

0:24:35.640 --> 0:24:37.600
<v Speaker 1>can't even understand you because of the way you speak.

0:24:37.720 --> 0:24:41.399
<v Speaker 1>Talk without rhythm, don't alert the priest. Walk without rhythm,

0:24:41.560 --> 0:24:48.600
<v Speaker 1>don't attract the beast. Walk without rhythm, don't attract the beast, sherlock.

0:24:49.160 --> 0:24:50.920
<v Speaker 1>If you didn't want to help, then you should have

0:24:51.000 --> 0:24:56.160
<v Speaker 1>just said, so, okay, I'm headed up to the observation

0:24:56.200 --> 0:24:57.640
<v Speaker 1>deck so I can get a view of the valley.

0:24:57.680 --> 0:24:59.720
<v Speaker 1>At least then this visit will have the more something

0:25:00.119 --> 0:25:14.040
<v Speaker 1>true about living down. High Priestess Nadia, we brought you

0:25:14.160 --> 0:25:17.640
<v Speaker 1>two outsiders, caught them trespassing in the near the gardens.

0:25:17.880 --> 0:25:23.000
<v Speaker 1>You too, what do you call yourselves? I'm ether, that's serious.

0:25:24.320 --> 0:25:29.760
<v Speaker 1>We stumbled here by accidents, Ether serious, how fortunate an accident.

0:25:30.440 --> 0:25:34.600
<v Speaker 1>You're just in time. The moon's almost at zena. Our

0:25:34.720 --> 0:25:40.200
<v Speaker 1>ceremony is about to begin. Fang, Zephyr Luna, show our

0:25:40.359 --> 0:25:44.119
<v Speaker 1>guests of honor to the observation brig where they may

0:25:44.200 --> 0:25:50.719
<v Speaker 1>be whole the awakening at one Cypriestess, you heard her

0:25:51.080 --> 0:25:55.440
<v Speaker 1>prepare to get walking. Now. The big one had with

0:25:55.520 --> 0:25:58.080
<v Speaker 1>him this comb shell. I took it so he wouldn't

0:25:58.080 --> 0:26:01.840
<v Speaker 1>disrupt the ceremony. I want to tell, said how rarefined.

0:26:03.040 --> 0:26:05.200
<v Speaker 1>Let him hold on to it. I don't think it's

0:26:05.200 --> 0:26:08.040
<v Speaker 1>a good idea to an outsider being position of an

0:26:08.080 --> 0:26:10.760
<v Speaker 1>instrument during the ceremony. Yet you think it wise to

0:26:10.880 --> 0:26:15.680
<v Speaker 1>talk back to your High Priestess. Sorry, Fang, question my

0:26:15.880 --> 0:26:20.680
<v Speaker 1>command again and I'll ensure you die and unholy death.

0:26:21.960 --> 0:26:26.360
<v Speaker 1>Luna return the shell to him right away. High Priestess,

0:26:26.880 --> 0:26:32.160
<v Speaker 1>here serious, I invite you to join us and honoring

0:26:32.240 --> 0:26:36.200
<v Speaker 1>our master with your music, the sound of your shell

0:26:36.359 --> 0:26:42.879
<v Speaker 1>will add to the symphony of the summoning a h

0:26:49.240 --> 0:26:52.840
<v Speaker 1>Now take them away to the brig my pleasure. High Priestess,

0:26:53.680 --> 0:27:05.479
<v Speaker 1>you too, get a move on. Even from up here

0:27:05.520 --> 0:27:07.840
<v Speaker 1>on the observation deck, I still can't quite make out

0:27:07.880 --> 0:27:10.359
<v Speaker 1>with that black masses. The distance is too far away,

0:27:10.400 --> 0:27:14.920
<v Speaker 1>and it's dark and foggy out. Now where's it headed?

0:27:15.480 --> 0:27:21.080
<v Speaker 1>Retract the optical magna fog? Sherlock, When did you come

0:27:21.160 --> 0:27:25.080
<v Speaker 1>up here? But yes, good idea. If I adjust the

0:27:25.119 --> 0:27:27.640
<v Speaker 1>beacons angle to refocus the light upon our immediate vicinity,

0:27:27.760 --> 0:27:30.159
<v Speaker 1>at least I can observe if anything of notice happening

0:27:30.160 --> 0:27:41.359
<v Speaker 1>on the valley floor contracting, contracting testing, ocular realignment. Oh

0:27:41.480 --> 0:27:45.480
<v Speaker 1>no either and serious. It looks like they're in trouble, Sherlock.

0:27:45.960 --> 0:27:48.159
<v Speaker 1>Those people down there, they'll see the light and know

0:27:48.320 --> 0:27:51.440
<v Speaker 1>someone's up here. Will they come for you me? No,

0:27:52.520 --> 0:27:57.080
<v Speaker 1>I'm nobody, and you can't hurt someone with nobody. I'm

0:27:57.119 --> 0:28:02.160
<v Speaker 1>a ghost and I hoped myself, so I think they'll

0:28:02.200 --> 0:28:05.800
<v Speaker 1>leave you alone. People come to the lighthouse looking for

0:28:05.960 --> 0:28:10.160
<v Speaker 1>the key to Sherlock, but they lack the right frame

0:28:10.200 --> 0:28:13.680
<v Speaker 1>of mind to open the door within. You know, I

0:28:13.920 --> 0:28:17.680
<v Speaker 1>used to be just like you. I remember it like

0:28:17.800 --> 0:28:21.800
<v Speaker 1>it was tomorrow. In a future life, I was the

0:28:21.920 --> 0:28:27.040
<v Speaker 1>queen of the odd country. Then she took everything from me. H.

0:28:28.359 --> 0:28:31.879
<v Speaker 1>She lives in the walls of my attic, and she

0:28:32.160 --> 0:28:37.359
<v Speaker 1>kills me every night, sherlock. When she visits you turned

0:28:37.400 --> 0:28:40.760
<v Speaker 1>down her offer. The Golden Goose comes with a noose.

0:28:41.480 --> 0:28:44.560
<v Speaker 1>Once she catches you shall never let loose. She hunts

0:28:44.640 --> 0:28:48.560
<v Speaker 1>the game. You're paying her game. Only yourself to blame

0:28:49.000 --> 0:28:55.960
<v Speaker 1>when she drives you insane. I've said too much. Please

0:28:56.040 --> 0:29:04.160
<v Speaker 1>look at come on, get moving, he says. No way

0:29:04.200 --> 0:29:07.880
<v Speaker 1>to treat your guests of honor? Now is it? You

0:29:08.000 --> 0:29:10.360
<v Speaker 1>made me waste my last bullet on a warning shot.

0:29:11.040 --> 0:29:13.480
<v Speaker 1>Now you're gonna wish it was you I wasted instead.

0:29:14.560 --> 0:29:20.360
<v Speaker 1>Zippa the brig. The door to the cage is open,

0:29:20.520 --> 0:29:34.200
<v Speaker 1>and the waiting filler up. You too, get it perfect fit.

0:29:37.400 --> 0:29:43.160
<v Speaker 1>Don't be said you too, I'm jealous. After all, you've

0:29:43.240 --> 0:29:46.080
<v Speaker 1>got a front row view of the ceremony. Hi Priestess

0:29:46.440 --> 0:29:51.560
<v Speaker 1>approaches how our guests doing sitting pretty in the brig?

0:29:52.160 --> 0:29:56.720
<v Speaker 1>They ain't going nowhere? Thank go prepare the tribute for

0:29:56.800 --> 0:30:02.040
<v Speaker 1>the awakening. Hi, Hi Priestess Luna Zefyr ready the grounds.

0:30:02.600 --> 0:30:06.400
<v Speaker 1>I'll speak with our guests and enlighten them on a ritual.

0:30:07.080 --> 0:30:12.240
<v Speaker 1>It will be our honor comes after her, My fortunate sons,

0:30:12.840 --> 0:30:16.400
<v Speaker 1>Your arrival is a good omen a. Few outsiders ever

0:30:16.480 --> 0:30:21.640
<v Speaker 1>witnessed the glory of our master's work, Your master. Where

0:30:21.640 --> 0:30:32.320
<v Speaker 1>do you serve the one true savior? Umbra? Why? Yes,

0:30:33.080 --> 0:30:35.680
<v Speaker 1>she is the last bastion of truth in a world

0:30:35.880 --> 0:30:39.800
<v Speaker 1>full of lies. Umbra, and only Umbra will lead us

0:30:39.840 --> 0:30:45.000
<v Speaker 1>into suffering and deliver us to salvation. Why why would

0:30:45.040 --> 0:30:48.160
<v Speaker 1>you choose to worship something that brings you suffering. Suffering

0:30:49.000 --> 0:30:57.960
<v Speaker 1>is glorious, It's divine, There is truth, it's suffering. I

0:30:58.040 --> 0:31:03.160
<v Speaker 1>don't understand you choose to suffer room either life is suffering.

0:31:03.640 --> 0:31:07.160
<v Speaker 1>From the moment you enter this world, you're born a prisoner,

0:31:08.160 --> 0:31:11.520
<v Speaker 1>condemned to a life with no reason for being, no

0:31:11.800 --> 0:31:16.080
<v Speaker 1>deeper meaning, no higher purpose. Where you search for answers,

0:31:16.680 --> 0:31:20.680
<v Speaker 1>you find only questions. The wise among us see the

0:31:20.760 --> 0:31:25.240
<v Speaker 1>life for what it truly is, a cruel joke played

0:31:25.280 --> 0:31:30.240
<v Speaker 1>in a cold world apathetic to our existence. Some get

0:31:30.320 --> 0:31:34.480
<v Speaker 1>sick and never get well. Others lose their sanity and

0:31:34.640 --> 0:31:39.280
<v Speaker 1>stay lost in their minds. The lucky few pass silently

0:31:39.760 --> 0:31:42.960
<v Speaker 1>into the night. You're wrong. There's more to life than that.

0:31:43.760 --> 0:31:46.840
<v Speaker 1>There has to be. The only constant in life is

0:31:47.000 --> 0:31:53.360
<v Speaker 1>chaos and suffering. The only certainty death. Beyond that, it's

0:31:53.440 --> 0:31:58.200
<v Speaker 1>just a seat. You see ether in a futile attempt

0:31:58.280 --> 0:32:01.400
<v Speaker 1>to make sense of it. All wickedest lie people tell

0:32:01.480 --> 0:32:04.760
<v Speaker 1>themselves is that they have no control over their lives,

0:32:05.160 --> 0:32:08.400
<v Speaker 1>that they're too weak to influence their destiny, that they

0:32:08.440 --> 0:32:10.800
<v Speaker 1>have no choice but to suffer at the whims of

0:32:10.920 --> 0:32:17.320
<v Speaker 1>fate and fortune. But they're wrong. We can choose. We

0:32:17.920 --> 0:32:21.880
<v Speaker 1>can submit to the chaos. We can choose to suffer.

0:32:22.280 --> 0:32:25.920
<v Speaker 1>We can embrace death, and in that there is freedom.

0:32:26.320 --> 0:32:30.640
<v Speaker 1>In that lies the path to salvation. That's your answer.

0:32:31.040 --> 0:32:35.520
<v Speaker 1>Give up, We give in, We give in to what

0:32:35.760 --> 0:32:40.719
<v Speaker 1>is real. We give in to Umbra, willingly surrendered to her.

0:32:41.200 --> 0:32:45.200
<v Speaker 1>To commit yourself to Umbra makes you invincible, for then

0:32:45.360 --> 0:32:49.280
<v Speaker 1>nothing else can hurt you. It's the only sane choice

0:32:49.360 --> 0:32:57.120
<v Speaker 1>in this insane world. You may not understand, but there

0:32:57.280 --> 0:33:02.960
<v Speaker 1>is pleasure to despair, a relief from torment, a solace

0:33:03.160 --> 0:33:11.320
<v Speaker 1>and suffering. Through Umbra, we may rest in peace, High Priestess,

0:33:11.640 --> 0:33:14.160
<v Speaker 1>we arranged the grounds and identified the source of the

0:33:14.280 --> 0:33:17.400
<v Speaker 1>light that intrudes upon our sacred rights. It stems from

0:33:17.440 --> 0:33:20.920
<v Speaker 1>atop the southern cliff, the old lighthouse. I'll gather the

0:33:20.960 --> 0:33:24.360
<v Speaker 1>others and put it out. No, my child. On the contrary,

0:33:25.080 --> 0:33:28.280
<v Speaker 1>let it shine a light on our master's glory. Is

0:33:28.320 --> 0:33:32.200
<v Speaker 1>the lighthouse not worth searching for? First tributes fit for offering?

0:33:32.400 --> 0:33:34.880
<v Speaker 1>I've paid a visit to the beacon before, and spoken

0:33:34.920 --> 0:33:38.680
<v Speaker 1>with its keeper. There was nothing left for Umbra to possess.

0:33:39.040 --> 0:33:42.400
<v Speaker 1>As you say, let the light illuminate our ceremony, so

0:33:42.600 --> 0:33:47.160
<v Speaker 1>all may bear witness to her glory, Big man, blow

0:33:47.360 --> 0:34:00.880
<v Speaker 1>your shell for Umbra. Ah. Do it's serious, High Priestess.

0:34:01.560 --> 0:34:03.880
<v Speaker 1>The tribute is secured and has been branded with the

0:34:03.960 --> 0:34:08.480
<v Speaker 1>mark of possession. He's ready to be received. Good. Inoculate

0:34:08.600 --> 0:34:12.080
<v Speaker 1>him with the elixir one drop of sweet white flower

0:34:12.239 --> 0:34:15.799
<v Speaker 1>nectar to open his mind to the inner truth. Hear

0:34:15.880 --> 0:34:22.760
<v Speaker 1>that voice, give him a taste of the risen serious

0:34:23.040 --> 0:34:44.200
<v Speaker 1>the black mass. It must be close, it begins, What

0:34:44.320 --> 0:34:47.520
<v Speaker 1>do I do? What do I do? Either and serious

0:34:47.640 --> 0:34:49.640
<v Speaker 1>or in danger? Down there? Even if they fend off

0:34:49.640 --> 0:34:52.400
<v Speaker 1>the assailants, the black mass is still getting closer. I

0:34:52.480 --> 0:34:56.160
<v Speaker 1>ever heard a sound you can't come here that echoes

0:34:56.239 --> 0:35:00.920
<v Speaker 1>in your years, drawn in by the pitch hands, fixed

0:35:01.320 --> 0:35:05.040
<v Speaker 1>in frequency. That must be it. Sound. Sound must be

0:35:05.120 --> 0:35:07.440
<v Speaker 1>what's attracting the black mask, like when it hurd the

0:35:07.480 --> 0:35:09.560
<v Speaker 1>horn of the cock shell. I can try to lure

0:35:09.560 --> 0:35:11.360
<v Speaker 1>it away to the cliffs here and keep either in

0:35:11.440 --> 0:35:14.320
<v Speaker 1>serious safe. Does this lighthouse have a fog horn? It

0:35:14.440 --> 0:35:18.560
<v Speaker 1>does great? Where is it? Service room upstairs? In the attic?

0:35:18.960 --> 0:35:23.439
<v Speaker 1>The attic, of course, anything else I should know about

0:35:23.440 --> 0:35:26.319
<v Speaker 1>the fog horn? Fog fog one is broken. The fog

0:35:26.400 --> 0:35:30.040
<v Speaker 1>horn is broken, Yes, sorry, broken? How do I fix it?

0:35:30.400 --> 0:35:33.640
<v Speaker 1>You're searching for the right answer, but asking the wrong question.

0:35:33.880 --> 0:35:36.680
<v Speaker 1>What please? My friends are in big trouble and there

0:35:36.760 --> 0:35:39.000
<v Speaker 1>isn't much time. That fog horn might be the only

0:35:39.080 --> 0:35:41.040
<v Speaker 1>thing that can save them. Tell me how to fix it.

0:35:41.239 --> 0:35:44.040
<v Speaker 1>I don't think you understand the nature of the problem.

0:35:44.680 --> 0:35:47.160
<v Speaker 1>It's not the break in the horn. It's the tear

0:35:47.320 --> 0:35:50.320
<v Speaker 1>in the sky, the rupture in the ground, the fracture

0:35:50.360 --> 0:35:53.879
<v Speaker 1>in the fabric that ripples through what. We are out

0:35:53.920 --> 0:35:56.840
<v Speaker 1>of sync with the world, but we're made of the

0:35:56.920 --> 0:35:59.960
<v Speaker 1>world too. To set everything right, we need to risk

0:36:00.040 --> 0:36:04.680
<v Speaker 1>store balance in ourselves and our universe. Fix the world. Okay,

0:36:05.200 --> 0:36:07.759
<v Speaker 1>but first the fog horn. Where do I start? It

0:36:07.880 --> 0:36:11.040
<v Speaker 1>all begins with a big bang, a tug of the

0:36:11.120 --> 0:36:14.719
<v Speaker 1>pull cord, a flash in the pan that'll fire up

0:36:14.760 --> 0:36:17.759
<v Speaker 1>the engine and get the mantel rotating again as it

0:36:17.840 --> 0:36:20.800
<v Speaker 1>should be, and you will be on your way. Okay,

0:36:21.600 --> 0:36:24.239
<v Speaker 1>but give a schematic or manual of some sort. You're

0:36:24.280 --> 0:36:26.520
<v Speaker 1>the lighthouse keeper. You must have dealt with this before.

0:36:26.760 --> 0:36:29.720
<v Speaker 1>It's all been set into motions. Since the world began

0:36:29.920 --> 0:36:33.920
<v Speaker 1>spinning on its axis. We to cycle around this wheel

0:36:34.040 --> 0:36:38.040
<v Speaker 1>we call existence, passing through the three phases birth, life,

0:36:38.280 --> 0:36:42.600
<v Speaker 1>and death. Round and round and round we go. Maybe

0:36:42.640 --> 0:36:45.640
<v Speaker 1>I am asking the wrong question. How do I restore

0:36:45.680 --> 0:36:48.360
<v Speaker 1>balance to our universe and save the world? You find

0:36:48.600 --> 0:36:52.640
<v Speaker 1>the folk rum. See the world seesaws back and forth,

0:36:52.760 --> 0:36:55.960
<v Speaker 1>back and forth between order and chaos, chaos and order,

0:36:56.320 --> 0:36:58.759
<v Speaker 1>But everything that goes up must come down. To set

0:36:58.800 --> 0:37:01.560
<v Speaker 1>everything right and restore balance in our universe, find the

0:37:01.680 --> 0:37:05.040
<v Speaker 1>fulgrum and make it level. Is that all you have

0:37:05.160 --> 0:37:07.640
<v Speaker 1>to say? And when the time is right, flip the

0:37:07.719 --> 0:37:10.960
<v Speaker 1>switch and listen to the harmony of the spheres plays out.

0:37:11.600 --> 0:37:13.080
<v Speaker 1>How will I know when the time is right? The

0:37:13.160 --> 0:37:17.240
<v Speaker 1>intuition of course, what am I doing? What a waste

0:37:17.280 --> 0:37:19.960
<v Speaker 1>of time? That grandfather clock was right. You're just a

0:37:20.040 --> 0:37:30.520
<v Speaker 1>crazy old crock now. And remember, don't forget. In the

0:37:30.680 --> 0:37:33.840
<v Speaker 1>hour of the blood Moon and the pale Blue, we

0:37:34.040 --> 0:37:38.919
<v Speaker 1>summon the Umbra, are one true master. Heed the call

0:37:39.040 --> 0:37:43.440
<v Speaker 1>of the necronauts, Travelers to the Intra, Guardians of the

0:37:43.640 --> 0:37:47.520
<v Speaker 1>Valley of the Shadow of Death, Martyrs for your possession,

0:37:48.120 --> 0:37:51.239
<v Speaker 1>Show us the path home to your inner kingdom, for

0:37:51.400 --> 0:37:55.760
<v Speaker 1>we have lost our way on this terrestrial plane. Shatter

0:37:55.880 --> 0:37:59.800
<v Speaker 1>the grand allusion and reveal to us our true selves

0:38:00.200 --> 0:38:05.080
<v Speaker 1>so we may finally see what's real. Illuminate our final

0:38:05.200 --> 0:38:08.520
<v Speaker 1>resting place, and we shall be born again in your

0:38:08.640 --> 0:38:13.040
<v Speaker 1>fertile womb, immortal and death. We live to carry on

0:38:13.280 --> 0:38:24.799
<v Speaker 1>your name. The sunken child is blessed with the Holy Few.

0:38:27.560 --> 0:38:30.680
<v Speaker 1>We offer you a tribute so you may rise from

0:38:30.719 --> 0:38:35.239
<v Speaker 1>your eternal slumber, a dormant vessel bound to your will.

0:38:35.960 --> 0:38:40.600
<v Speaker 1>Fill his vacant head with your sacred knowledge, Flow through

0:38:40.719 --> 0:38:45.279
<v Speaker 1>his veins with your blackest bile. Move his lips so

0:38:45.440 --> 0:38:48.759
<v Speaker 1>he may speak the words that open the hidden door

0:38:48.920 --> 0:38:53.600
<v Speaker 1>to the Intra. Oh yes, oh yes, possess, I feel

0:38:53.640 --> 0:38:58.840
<v Speaker 1>her awakening within. See through his charcoal eyes, manifest in

0:38:59.000 --> 0:39:02.960
<v Speaker 1>his weighty mind, mind his spirit as yours to incarnate.

0:39:03.840 --> 0:39:09.520
<v Speaker 1>Use his body as you wish. Bring forward the night fire,

0:39:10.080 --> 0:39:15.120
<v Speaker 1>carry the torches to the sacrificial pire. O Umbra, take

0:39:15.160 --> 0:39:18.840
<v Speaker 1>me home. I'm ready to be received, burned away my weakness,

0:39:19.280 --> 0:39:22.319
<v Speaker 1>rise from my ashes. Show me the one true path,

0:39:22.480 --> 0:39:26.000
<v Speaker 1>and I will follow you into the night. We pray

0:39:26.160 --> 0:39:30.040
<v Speaker 1>to thee, save me from myself and set me free.

0:39:30.560 --> 0:39:35.440
<v Speaker 1>You sleep inside my soul. Awaken me, turned out to

0:39:35.520 --> 0:39:40.680
<v Speaker 1>SIMI fire. Stop stop the ceremony. How dare you went

0:39:40.760 --> 0:39:48.040
<v Speaker 1>to feel the dear? That's not the way to channel Umbra.

0:39:48.360 --> 0:39:55.040
<v Speaker 1>It won't work, Trust me, I said, why now, this

0:39:55.200 --> 0:39:57.719
<v Speaker 1>can't be the first time you performed the ceremony as

0:39:57.840 --> 0:40:01.560
<v Speaker 1>Umbra ever awakened. I'll did you the meaning of silence

0:40:02.080 --> 0:40:08.839
<v Speaker 1>that speake. Stop the ceremony. You have our ears. Either

0:40:09.840 --> 0:40:15.319
<v Speaker 1>enlighten us with your hidden wisdom, but pick your words carefully. Oh,

0:40:15.440 --> 0:40:19.040
<v Speaker 1>they'll be your last. You said it yourself. You worship

0:40:19.120 --> 0:40:22.040
<v Speaker 1>the pain and suffering Umber brings. You'd like nothing more

0:40:22.120 --> 0:40:24.640
<v Speaker 1>than for her to possess your soul, the one true

0:40:24.680 --> 0:40:28.200
<v Speaker 1>path home. Then your words are meaningless. The sunken child,

0:40:28.320 --> 0:40:33.160
<v Speaker 1>suffering and illusion. The ceremony a lie. No, Dear, how

0:40:33.239 --> 0:40:35.880
<v Speaker 1>can you let a prisoner talk like this? He's just

0:40:36.040 --> 0:40:39.040
<v Speaker 1>a heathen? Does he speak for the High Priestess? Hold

0:40:39.120 --> 0:40:41.600
<v Speaker 1>your tongue, fang Or, I will hold it for you.

0:40:42.560 --> 0:40:45.400
<v Speaker 1>Finish what you were saying. Umber of feeds off suffering,

0:40:45.840 --> 0:40:48.799
<v Speaker 1>but you necronouts welcome death and hopes of channeling her,

0:40:49.120 --> 0:40:52.880
<v Speaker 1>which means for you it's not suffering at all. It's pleasure.

0:40:53.680 --> 0:40:57.040
<v Speaker 1>That's why Umber won't awaken. You don't know true suffering.

0:40:58.760 --> 0:41:04.440
<v Speaker 1>What can speak? This sunken child, like all the others,

0:41:04.760 --> 0:41:07.000
<v Speaker 1>will give his life in vain for a promise that

0:41:07.120 --> 0:41:09.920
<v Speaker 1>can't be kept. How can any of you call yourselves

0:41:09.960 --> 0:41:13.080
<v Speaker 1>your master's true servants when all you offer Umbra is

0:41:13.200 --> 0:41:18.000
<v Speaker 1>false suffering. So spare the life of the sunken child,

0:41:18.280 --> 0:41:21.799
<v Speaker 1>and in this charade, release us and preserve your honor

0:41:21.880 --> 0:41:30.080
<v Speaker 1>before Umbra. That's the one true path home. Enough, release

0:41:30.160 --> 0:41:33.960
<v Speaker 1>our guests from the brig. You can't do it now,

0:41:34.160 --> 0:41:37.560
<v Speaker 1>fang Or, you will be left behind when we depart.

0:41:41.000 --> 0:41:44.000
<v Speaker 1>Gentle with untying our ropes. You heard the High Priests

0:41:44.440 --> 0:41:51.000
<v Speaker 1>for guests, Dear, thank you for understanding my partner and

0:41:51.080 --> 0:41:55.960
<v Speaker 1>I thank prepare these two for tribute. What it will

0:41:56.000 --> 0:42:00.120
<v Speaker 1>be my own a high priestess. Let's time with the

0:42:00.200 --> 0:42:12.399
<v Speaker 1>holy feel tie them to the sacrificial pie. But you're right,

0:42:13.080 --> 0:42:17.680
<v Speaker 1>we necronauts have nothing to offer our master. We'd already

0:42:17.719 --> 0:42:22.720
<v Speaker 1>give our lives, Willie Lane. But you, my surrogate childs,

0:42:23.320 --> 0:42:29.759
<v Speaker 1>you possess a gift that of true suffering. You are

0:42:29.840 --> 0:42:35.360
<v Speaker 1>our key to reaching the entry tribute. Secure to the pilet. Please,

0:42:36.120 --> 0:42:42.600
<v Speaker 1>you're making a mistake. We'll be needing this amulance where

0:42:42.600 --> 0:42:49.080
<v Speaker 1>you're going now, Etha, will you my amulance? You too

0:42:49.280 --> 0:42:54.560
<v Speaker 1>will serve as vessels for Umbrah's glory. Resumed the ceremony.

0:43:10.080 --> 0:43:13.239
<v Speaker 1>I'm sure the foghorn problem isn't anything. Some simple troubleshooting

0:43:13.280 --> 0:43:17.239
<v Speaker 1>can resolve. Engine. Probably just need some oil. Yeah that's right,

0:43:17.680 --> 0:43:20.120
<v Speaker 1>a little oil and all of everything up and running

0:43:20.120 --> 0:43:27.720
<v Speaker 1>in no time. Oh no, there's a lot more machinery

0:43:27.760 --> 0:43:35.560
<v Speaker 1>than I anticipated. Okay, okay, not a problem, no cause

0:43:35.640 --> 0:43:38.160
<v Speaker 1>for concern. I'll take a moment to survey the room

0:43:38.400 --> 0:43:45.120
<v Speaker 1>and explore the environment. M hm hm. There's there's some

0:43:45.239 --> 0:43:49.440
<v Speaker 1>complex mechanisms. Tubular devices, A stable of levers, pulleys, hand cranks,

0:43:49.600 --> 0:44:00.000
<v Speaker 1>and bats. They are bats. Okay, okay, it's really no problem.

0:44:00.920 --> 0:44:04.120
<v Speaker 1>I'll take a step by step, apply the scientific method,

0:44:04.400 --> 0:44:08.840
<v Speaker 1>and have a foghorn fixed and operational shortly. Mm hmmm,

0:44:09.640 --> 0:44:12.239
<v Speaker 1>I wonder what happens if I pull this lever and

0:44:12.400 --> 0:44:22.480
<v Speaker 1>press first steps. So with this step, how about if

0:44:22.520 --> 0:44:29.320
<v Speaker 1>I connect these two chords together? Photo photo photo. This

0:44:29.440 --> 0:44:32.320
<v Speaker 1>isn't working at all. I'm just randomly pulling levers and

0:44:32.360 --> 0:44:35.080
<v Speaker 1>pressing buttons. At this rate, it could take forever, and

0:44:35.200 --> 0:44:43.760
<v Speaker 1>by then it'd be too late. He's no more Hancko,

0:44:44.360 --> 0:44:48.000
<v Speaker 1>black mass disappear. We have bigger concerns at the moment.

0:44:49.680 --> 0:44:54.120
<v Speaker 1>Are one true master? We offer you these two tributes,

0:44:54.520 --> 0:44:59.400
<v Speaker 1>pure of mind and soul. They're real tears from real cries.

0:45:00.040 --> 0:45:04.120
<v Speaker 1>Will soon feel the whites of their eyes when we

0:45:04.239 --> 0:45:07.360
<v Speaker 1>wash them in the fire. They will burn most bright,

0:45:07.800 --> 0:45:12.360
<v Speaker 1>and their screams will bless the night. They will suffer

0:45:12.480 --> 0:45:17.719
<v Speaker 1>as our chosen martyrs bodies yours to possess and show

0:45:17.880 --> 0:45:27.520
<v Speaker 1>us the true path home to the Intra. They see

0:45:27.560 --> 0:45:44.080
<v Speaker 1>the staring him rang for the night by us. Come on, logo, think,

0:45:44.840 --> 0:45:46.960
<v Speaker 1>how is it that Sherlock was once able to operate

0:45:47.000 --> 0:45:49.800
<v Speaker 1>the fog horns complex machinery. There must be some method

0:45:49.840 --> 0:45:53.160
<v Speaker 1>to this madness. What was it he said about how

0:45:53.239 --> 0:45:55.920
<v Speaker 1>it starts. It all begins with a big bang, a

0:45:56.040 --> 0:45:58.160
<v Speaker 1>tug of the pull chord. That's as good a place

0:45:58.200 --> 0:46:03.400
<v Speaker 1>to start as any. H M. The engine. It's actually starting. Okay?

0:46:04.000 --> 0:46:07.080
<v Speaker 1>What was next? We to cycle around this wheel. We

0:46:07.160 --> 0:46:10.800
<v Speaker 1>call existence round and round and round we go the

0:46:10.920 --> 0:46:16.279
<v Speaker 1>hand wheel. Okay, hands in position ten and two. Let's

0:46:16.320 --> 0:46:26.920
<v Speaker 1>turn this wheel clockwise one, two, three. I hear the

0:46:26.920 --> 0:46:30.760
<v Speaker 1>smoke heating up through the clips. It's working. Then what okay?

0:46:31.000 --> 0:46:33.759
<v Speaker 1>The world seesaws back and forth between chaos and order.

0:46:33.960 --> 0:46:36.600
<v Speaker 1>To set everything right and restore the balance, find the

0:46:36.680 --> 0:46:41.520
<v Speaker 1>fulcrum and make it level. Here a metal beam resting

0:46:41.600 --> 0:46:44.880
<v Speaker 1>uneven upon its central pivot point or fulcrum. Next to

0:46:44.960 --> 0:46:48.600
<v Speaker 1>it are three steel weights of ten, five and fifteen pass.

0:46:49.320 --> 0:46:53.720
<v Speaker 1>I can s two sides equal to balance the beams.

0:46:56.680 --> 0:47:01.560
<v Speaker 1>The pressure gage is stabilizing, and when the time is right,

0:47:02.120 --> 0:47:04.480
<v Speaker 1>lit the switch and listen. It's the harmony of the

0:47:04.600 --> 0:47:08.759
<v Speaker 1>spears played out. I suppose that was as good a

0:47:08.800 --> 0:47:17.200
<v Speaker 1>time as henny. Here goes nothing. It's alive. It's alive,

0:47:17.880 --> 0:47:32.080
<v Speaker 1>my creation live, awaken up. Oh, I can from your

0:47:32.400 --> 0:47:39.960
<v Speaker 1>sleep my feeling, I feels her awakening. I can trip

0:47:40.080 --> 0:47:46.560
<v Speaker 1>you twitch five, Oh masta, break through the ground and

0:47:46.760 --> 0:47:50.760
<v Speaker 1>open avoid to swallow us home. Were welcome your return

0:47:51.760 --> 0:48:08.600
<v Speaker 1>phrase me to what's happening till your black worm? Now

0:48:16.880 --> 0:48:21.279
<v Speaker 1>it's too late. That team's gone, hip a Luna. Pull

0:48:21.360 --> 0:48:29.520
<v Speaker 1>back to the li ground. Let's side. Wait, don't leave

0:48:29.640 --> 0:48:35.960
<v Speaker 1>us tied tie you can keep you from the end

0:48:36.000 --> 0:48:38.560
<v Speaker 1>of don't to put it in. Say hi to a

0:48:38.719 --> 0:48:51.680
<v Speaker 1>faster I appy less, Let's go, black worm, come for

0:48:51.800 --> 0:48:59.120
<v Speaker 1>ouz ah serious, Sorry, this looks like the k Don't

0:48:59.160 --> 0:49:04.680
<v Speaker 1>be sad. Don't people at the bird. We'll worry for

0:49:04.840 --> 0:49:19.280
<v Speaker 1>you either, worm and follow horn, leave and go home.

0:49:20.080 --> 0:49:30.520
<v Speaker 1>We're saved, how Sherlock. I don't know if I'll ever

0:49:30.640 --> 0:49:33.920
<v Speaker 1>understand you. All that nonsense. It made sense. I'm off

0:49:33.960 --> 0:49:36.279
<v Speaker 1>to rescue my friends. I hope we meet again one day.

0:49:36.400 --> 0:49:38.520
<v Speaker 1>You can take my sand slid. It's in the basement.

0:49:38.840 --> 0:49:43.319
<v Speaker 1>Get you that quick up sure, stick to the eye

0:49:43.400 --> 0:50:05.600
<v Speaker 1>ground all about look good, no time for questions. Get

0:50:05.640 --> 0:50:15.279
<v Speaker 1>off too, there's no way out my mountain mask That

0:50:15.520 --> 0:50:19.320
<v Speaker 1>was worm leap yap a bally an. Now that the

0:50:19.360 --> 0:50:23.240
<v Speaker 1>worm has gone, that could be just crazy enough to work. Logo.

0:50:23.719 --> 0:50:26.600
<v Speaker 1>Don't get any wild ideas up one step ahead of yet,

0:50:29.080 --> 0:50:31.520
<v Speaker 1>as it look pretty tight. But if we can make

0:50:31.560 --> 0:50:33.400
<v Speaker 1>it through that slip in the valley rock, we might

0:50:33.480 --> 0:50:37.840
<v Speaker 1>be able to escape. Keep your legs and arms inside

0:50:37.880 --> 0:50:43.399
<v Speaker 1>the vehicle. It's about to get cozy. We're in time.

0:50:43.440 --> 0:50:45.759
<v Speaker 1>The crevice the walls is turning a narrow around us,

0:50:45.880 --> 0:50:48.440
<v Speaker 1>but the end is only a few yards ahead. Serious

0:50:48.920 --> 0:50:54.200
<v Speaker 1>three stings pop and selling that show a trust me,

0:50:55.840 --> 0:51:05.759
<v Speaker 1>now going to skip past that rock vile. We're finally free.

0:51:06.360 --> 0:51:15.239
<v Speaker 1>We made it through show dropt sand. Let it go.

0:51:15.880 --> 0:51:21.000
<v Speaker 1>It's great. I'm doing it. I'm really doing it. I'm

0:51:21.160 --> 0:51:24.080
<v Speaker 1>saving to day. Look at me, I'm a be David.

0:51:24.360 --> 0:51:29.799
<v Speaker 1>No helmet, no hardest, I'm trying without a mask. I flover. Oh,

0:51:32.640 --> 0:51:35.000
<v Speaker 1>we're out of gas. But now head to the high

0:51:35.040 --> 0:51:37.080
<v Speaker 1>ground leading out of the valley. We'll be safe their

0:51:37.120 --> 0:51:39.279
<v Speaker 1>once we're off the dune. The worm camp peers through

0:51:39.320 --> 0:51:47.640
<v Speaker 1>calcified rock. Who okay, but why are you walking like that? Oh?

0:51:47.960 --> 0:51:51.840
<v Speaker 1>I talk without rhythm. Don't alert the priest. Walk without rhythm,

0:51:52.160 --> 0:51:55.600
<v Speaker 1>don't attract the beast, come on, walk like me. Can't

0:51:55.640 --> 0:52:29.640
<v Speaker 1>beat him? Yeah, baby, Oh no, Please don't hurt them.

0:52:29.680 --> 0:52:32.440
<v Speaker 1>They're just pawns. They're just eating it in ponds in

0:52:32.520 --> 0:53:08.080
<v Speaker 1>this tragic game of life. Yeah. InterQuest created by Michael Freiberg,

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<v Speaker 1>a production of I Heart Radio and Astro Media Executive

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<v Speaker 1>produced by Michael Freiberg and I Hear Radio, co produced

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<v Speaker 1>by Adam Ramunda and Chelsea English. Sound design and mixed

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<v Speaker 1>by Dennis Dembeck. Music by Trey Toy. Performances by Matthew Brissard, Ether,

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<v Speaker 1>Mike Leaviovitz, Serious Mike Kaplan, Logo, Lucy poul Umbra featuring

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<v Speaker 1>Nick Nanny gate Man, Casey, James Lango, Sherlock, j P

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<v Speaker 1>mcdaide Fang, Mattie Smith, Zephyr, Tina Hesham, Luna, Nina tar Nader,

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<v Speaker 1>Joe List, Sunken Child. Director and head writer Michael Freiberg,

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<v Speaker 1>writers Tom Delgado and Will Julian, story editor Chelsea English,

0:53:56.880 --> 0:54:02.880
<v Speaker 1>dialogue editor Adam Ramunda. Additional music Matthew Blaca, fully post

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<v Speaker 1>red full cast and crew in the description. Find more

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<v Speaker 1>podcasts from my Heart Radio on the I Heart Radio app,

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<v Speaker 1>Apple podcast, or wherever you listen to podcasts.