1 00:00:06,360 --> 00:00:10,080 Speaker 1: In request created by Michael Freiberg, a production of I 2 00:00:10,200 --> 00:00:13,880 Speaker 1: Heart Radio and Astro Media. Listen with headphones for three 3 00:00:13,960 --> 00:00:21,040 Speaker 1: D audio. The gate that's gauntlet ahead of the tunnel corridor, 4 00:00:21,200 --> 00:00:23,720 Speaker 1: three drop gates, and a final swing gate with archers 5 00:00:23,760 --> 00:00:26,160 Speaker 1: and spearman guard in the exit. Our only hope is 6 00:00:26,239 --> 00:00:28,639 Speaker 1: to clear it. The fourth shuts keep running a don't 7 00:00:28,640 --> 00:00:32,000 Speaker 1: stop until we're saving the desert sands. That's the landing 8 00:00:39,200 --> 00:00:41,280 Speaker 1: rub us. There one more to go into the final 9 00:00:41,320 --> 00:00:44,160 Speaker 1: Blackstone swing gate, but that's we're beginning to down. We'll 10 00:00:44,200 --> 00:00:47,120 Speaker 1: do a single file. I'll leave the way Love go Serious, 11 00:00:47,159 --> 00:00:55,720 Speaker 1: come on, third game, Serious Lee trapped behind the drop gate, 12 00:00:55,800 --> 00:00:58,320 Speaker 1: don't worry. Serious, we'll get you out. On what happened 13 00:00:58,520 --> 00:01:02,960 Speaker 1: third Gateail bunchetions it didn't. Then it dropped immediately too late. 14 00:01:03,080 --> 00:01:05,160 Speaker 1: By the time we managed get Serious free, the doors 15 00:01:05,160 --> 00:01:07,000 Speaker 1: of the final swing hit will have already close shut, 16 00:01:07,120 --> 00:01:11,840 Speaker 1: sealing us inside of you. The drop gates driving. But 17 00:01:12,000 --> 00:01:16,200 Speaker 1: why no time for questions. As soon as Serious sway right, 18 00:01:18,680 --> 00:01:21,319 Speaker 1: the final swing gate is so open, listen. The best 19 00:01:21,360 --> 00:01:23,440 Speaker 1: chance we have of making the best of guards outside 20 00:01:23,520 --> 00:01:25,560 Speaker 1: is to spread out the dunes and six agg as 21 00:01:25,560 --> 00:01:29,080 Speaker 1: we run follow my lead. Okay, see, I'm ever your 22 00:01:29,080 --> 00:01:42,200 Speaker 1: side down. Get that fiery something drop, go keep moving, 23 00:01:42,280 --> 00:01:44,639 Speaker 1: run towards the seting sun downs a chance to escape, 24 00:01:45,560 --> 00:01:49,480 Speaker 1: Give them safe passage onto the dudes. I secured the 25 00:01:49,560 --> 00:01:52,400 Speaker 1: gate with them, But sir, you're letting them get away. 26 00:01:52,680 --> 00:01:56,040 Speaker 1: So to be it an arrow or spear through the 27 00:01:56,080 --> 00:01:59,000 Speaker 1: head is too good for these three? A quick and 28 00:01:59,040 --> 00:02:03,400 Speaker 1: painless death. What would be the fun? Let them get 29 00:02:03,520 --> 00:02:22,960 Speaker 1: lost in the desert and sucking either water plumbs this time? Ah? 30 00:02:23,000 --> 00:02:27,480 Speaker 1: Are you too? Okay? From the fall, I'm a face 31 00:02:27,600 --> 00:02:31,960 Speaker 1: full of sand like you're just serious? Okay, technically I'm 32 00:02:32,000 --> 00:02:35,840 Speaker 1: still mobile. Then, Welcome to the Azrael desert. We're lucky 33 00:02:35,880 --> 00:02:39,400 Speaker 1: we made it here alive. Our number one priorities should 34 00:02:39,400 --> 00:02:40,959 Speaker 1: be finding a path back to the main route that 35 00:02:41,040 --> 00:02:42,799 Speaker 1: leads to them all layer all we have of the 36 00:02:42,840 --> 00:02:45,160 Speaker 1: supplies on our back, so we'll have to be resourceful 37 00:02:45,160 --> 00:02:47,520 Speaker 1: if we plan to survive out here. Speaking of which, 38 00:02:47,680 --> 00:02:50,880 Speaker 1: we're in the desert. Are we surveying the immediate grounds? 39 00:02:50,919 --> 00:02:52,520 Speaker 1: We appear to be standing at the bottom of a 40 00:02:52,600 --> 00:02:55,440 Speaker 1: deep and narrow chasm of valley. To be precise, to 41 00:02:55,560 --> 00:02:58,240 Speaker 1: our rear and sides are towering rock face too steep 42 00:02:58,280 --> 00:03:00,800 Speaker 1: to scale without proper equipment. In the distance, at the 43 00:03:00,800 --> 00:03:03,320 Speaker 1: other end of the valley, there's some sort of unidentifiable 44 00:03:03,320 --> 00:03:05,760 Speaker 1: black land mass. I venture to call it a small 45 00:03:05,800 --> 00:03:07,880 Speaker 1: mountain and silhouette, but I can't be certain from so 46 00:03:07,919 --> 00:03:11,639 Speaker 1: far away. Map. Indeed, only we had a map, I 47 00:03:11,639 --> 00:03:16,720 Speaker 1: could pinpoint our location in the desert. Map. Oh, what 48 00:03:16,760 --> 00:03:19,919 Speaker 1: do you have there? The map? Yes, serious, you grabbed 49 00:03:19,919 --> 00:03:22,680 Speaker 1: it off the gate man's desk before we left. Let 50 00:03:22,680 --> 00:03:26,920 Speaker 1: me take a look. M h, it's all here, the 51 00:03:26,960 --> 00:03:29,200 Speaker 1: main route across the desert leading to the Molair, the 52 00:03:29,240 --> 00:03:32,120 Speaker 1: baobab tree marking its location, and a pathway from atop 53 00:03:32,200 --> 00:03:34,800 Speaker 1: these cliffs to guide us there. It plots out everything 54 00:03:34,840 --> 00:03:36,840 Speaker 1: required to find our way to the mole Air, recover 55 00:03:36,880 --> 00:03:41,160 Speaker 1: the satellite dish, and complete the agency's mission. Everything that is, 56 00:03:41,240 --> 00:03:44,720 Speaker 1: except for a current location. This valley is missing from 57 00:03:44,760 --> 00:03:49,640 Speaker 1: the maps diagram. The unidentified black land mass. Assuming it's 58 00:03:49,640 --> 00:03:51,320 Speaker 1: a mountain, it could have a trail leading out of 59 00:03:51,320 --> 00:03:55,040 Speaker 1: the valley. With terrain, we can actually climb. Well, it's possible, 60 00:03:55,200 --> 00:03:57,840 Speaker 1: but that's the only path forward. We have to keep moving, 61 00:03:58,080 --> 00:04:01,920 Speaker 1: keep trying to find a way out. Sure, either good. 62 00:04:02,000 --> 00:04:05,480 Speaker 1: Let's get a move on then. Now, as long as 63 00:04:05,480 --> 00:04:08,480 Speaker 1: we're traveling through uncharted territory, it's imperative we remain on 64 00:04:08,600 --> 00:04:11,720 Speaker 1: high alert of our surroundings. Otherwise, could we expose ourselves 65 00:04:11,720 --> 00:04:15,160 Speaker 1: to unwelcome surprises and may fail to identify opportunities along 66 00:04:15,200 --> 00:04:17,480 Speaker 1: the way. And need I remind you too, it's only 67 00:04:17,520 --> 00:04:19,159 Speaker 1: a matter of time until we run out of food 68 00:04:19,160 --> 00:04:21,560 Speaker 1: and water, our hope of escape dwindles, and we end 69 00:04:21,640 --> 00:04:25,640 Speaker 1: up trapped in this valley with no way out. Stop 70 00:04:25,720 --> 00:04:30,400 Speaker 1: my toe on this pesky rock. Wait, that's not a 71 00:04:30,480 --> 00:04:35,920 Speaker 1: rock either. It's a cock show. What's a cock shell 72 00:04:36,000 --> 00:04:38,960 Speaker 1: doing in the middle of the desert. Serious? Here, Hold 73 00:04:38,960 --> 00:04:43,120 Speaker 1: it's your ear and listen, you can hear the ocean. 74 00:04:43,440 --> 00:05:02,000 Speaker 1: Oh wait, pretty pink? Serious? Alright, serious, knock it off. 75 00:05:02,480 --> 00:05:05,000 Speaker 1: This is exactly the kind of negligence I warned about. 76 00:05:05,200 --> 00:05:07,960 Speaker 1: Serious as antics may have given away our position. He's 77 00:05:08,040 --> 00:05:11,159 Speaker 1: just having some fun. Besides, we're the only ones down here. 78 00:05:12,040 --> 00:05:16,320 Speaker 1: Good reason. Still, we need to proceed with the utmost 79 00:05:16,400 --> 00:05:19,479 Speaker 1: caution until we confirm we're indeed alone. Despite what seems 80 00:05:19,520 --> 00:05:21,839 Speaker 1: like a foregone conclusion, who knows what could be lurking 81 00:05:21,839 --> 00:05:24,520 Speaker 1: in this valley. I'll tell you what's lurking in this 82 00:05:24,600 --> 00:05:27,839 Speaker 1: valley right now, sand rocks and the grating sound of 83 00:05:27,880 --> 00:05:33,000 Speaker 1: your serious, I said, knock it off, the serious, No 84 00:05:33,160 --> 00:05:36,960 Speaker 1: make sound? Where did that come from? I have a 85 00:05:36,960 --> 00:05:39,400 Speaker 1: theory either, but I'll need you to be absolutely quiet 86 00:05:39,400 --> 00:05:42,680 Speaker 1: as Serious sounds the shell again. Go ahead, blow the 87 00:05:42,680 --> 00:05:51,800 Speaker 1: shell A three four, Serious come here for a moment. 88 00:05:53,040 --> 00:05:56,000 Speaker 1: This mission maybe too much for Logo. He's been acting 89 00:05:56,040 --> 00:05:58,200 Speaker 1: weird since we met him, and the fall probably pushed 90 00:05:58,240 --> 00:06:01,400 Speaker 1: him over the edge. Keep an eye on him. Big brands, 91 00:06:01,440 --> 00:06:06,520 Speaker 1: more fragile logo. It's all going to be okay. We're 92 00:06:06,560 --> 00:06:09,800 Speaker 1: gonna get you some help, and you can stop counting now. 93 00:06:14,320 --> 00:06:20,000 Speaker 1: Precisely as hypothesized, Serious sounded a final time. Hum him. 94 00:06:20,000 --> 00:06:26,799 Speaker 1: I guess serious Blue into the shell. I started counting 95 00:06:26,800 --> 00:06:29,120 Speaker 1: seconds in my head. I'm confirming it now, but I 96 00:06:29,120 --> 00:06:31,640 Speaker 1: believe we're about five miles away from the black Land 97 00:06:31,680 --> 00:06:35,159 Speaker 1: Mass at the valley's end. How do you figure? And 98 00:06:35,200 --> 00:06:36,680 Speaker 1: what about the sound we just heard? Where did that 99 00:06:36,720 --> 00:06:40,760 Speaker 1: come from? It's an echo. It's all quite logical. As 100 00:06:40,760 --> 00:06:43,320 Speaker 1: observers at ground level, our lineup sight is limited to 101 00:06:43,400 --> 00:06:46,919 Speaker 1: roughly three miles beyond which objects seemingly vanished past the horizon. 102 00:06:47,040 --> 00:06:49,000 Speaker 1: The only reason we can identify the Black land mass 103 00:06:49,040 --> 00:06:51,080 Speaker 1: the head is due to its great height, allowing us 104 00:06:51,080 --> 00:06:53,679 Speaker 1: to make out the mountaintop while it's base remains hidden 105 00:06:53,720 --> 00:06:57,800 Speaker 1: from view. Sound, however, is unencumbered by these optical limitations. 106 00:06:58,080 --> 00:07:01,080 Speaker 1: When serious blows through the cock shell, the sound travels 107 00:07:01,120 --> 00:07:02,960 Speaker 1: all the way to the black mountain mass in the distance, 108 00:07:03,040 --> 00:07:05,240 Speaker 1: and then returns to us as a reflection of the 109 00:07:05,240 --> 00:07:09,400 Speaker 1: original signal echo. Precisely, and given that the speed of 110 00:07:09,400 --> 00:07:12,679 Speaker 1: sound and dry air is roughly three three per second, 111 00:07:12,920 --> 00:07:15,880 Speaker 1: I can calculate our distance from the mountain working through 112 00:07:15,880 --> 00:07:18,840 Speaker 1: the formula speed of sound equals distance divided by time, 113 00:07:18,960 --> 00:07:21,160 Speaker 1: and then having the answer to account for our one 114 00:07:21,200 --> 00:07:23,480 Speaker 1: way direction of travel, brings us to the five mile 115 00:07:23,560 --> 00:07:25,880 Speaker 1: marker I alluded to, which is the total distance to 116 00:07:25,920 --> 00:07:28,120 Speaker 1: our path of escape and wherein life the basis of 117 00:07:28,160 --> 00:07:32,840 Speaker 1: the reverberation of sounds throughout the valley magic not magic math, 118 00:07:33,200 --> 00:07:35,320 Speaker 1: and like before, the sound should be coming back to us. 119 00:07:35,360 --> 00:07:39,480 Speaker 1: Intent nine eight seven sounds like you're off by a 120 00:07:39,480 --> 00:07:42,560 Speaker 1: few seconds must be a rounding error. No, I stand 121 00:07:42,560 --> 00:07:44,560 Speaker 1: by it. Total return time for the sound is a 122 00:07:44,640 --> 00:07:47,200 Speaker 1: function of its distance travel. That can only mean one thing. 123 00:07:47,440 --> 00:07:52,680 Speaker 1: The Black Mountain Mass, whatever it is, is moving towards us. Ah. Oh, 124 00:07:52,720 --> 00:07:55,360 Speaker 1: then let's get a move on. Come on, but didn't 125 00:07:55,360 --> 00:07:56,920 Speaker 1: you hear what I said? We could stay here and 126 00:07:56,920 --> 00:07:58,840 Speaker 1: wait for it to come to us, or we can 127 00:07:58,840 --> 00:08:03,960 Speaker 1: go and face it head on. I choose onwards and upwards. Serious, 128 00:08:04,760 --> 00:08:12,400 Speaker 1: wait for me. Since we're proceeding forward, it's important to 129 00:08:12,440 --> 00:08:15,080 Speaker 1: note that every five second reduction and echo return time 130 00:08:15,120 --> 00:08:18,560 Speaker 1: corresponds to approximately half a mile nearer in distance. So 131 00:08:18,640 --> 00:08:22,040 Speaker 1: the sooner the echo returns, the closer we are noting. 132 00:08:22,360 --> 00:08:24,800 Speaker 1: Serious sound the shell from time to times, so we 133 00:08:24,840 --> 00:08:27,880 Speaker 1: know how far we are away from the Black Mountain Mass. Now, 134 00:08:28,080 --> 00:08:30,840 Speaker 1: if we could only reach a higher vantage with increased 135 00:08:30,920 --> 00:08:32,839 Speaker 1: range of sight, we might be able to identify the 136 00:08:32,960 --> 00:08:35,120 Speaker 1: nature of the approaching object and even chart out a 137 00:08:35,200 --> 00:08:36,920 Speaker 1: path back to the main route. We'll be on the 138 00:08:36,920 --> 00:08:40,160 Speaker 1: lookout anything else. No, let's just hope that Black Mountain 139 00:08:40,160 --> 00:08:45,719 Speaker 1: Mass doesn't speed up. Oh, no, logo, I think I'm 140 00:08:45,720 --> 00:08:48,600 Speaker 1: starting to lose it. My eyes are deceiving me. Too 141 00:08:48,640 --> 00:08:54,080 Speaker 1: serious informations, too much. Step man, snap over on the right, 142 00:08:54,280 --> 00:08:56,680 Speaker 1: on that nearby isolated cliff, side. I see a beam 143 00:08:56,720 --> 00:08:59,240 Speaker 1: of light coming from what looks like a lighthouse. There's 144 00:08:59,240 --> 00:09:01,240 Speaker 1: even steps car up into the rock face leading up 145 00:09:01,240 --> 00:09:03,200 Speaker 1: to it from the valley. It must be a symbol 146 00:09:03,240 --> 00:09:05,440 Speaker 1: for my subconscious. Do I go into the light or 147 00:09:05,600 --> 00:09:11,080 Speaker 1: run away from it? Lighthouse on lone cliff? Serious, you 148 00:09:11,160 --> 00:09:15,200 Speaker 1: see it too, see logo? Don't be so dramatic. Thanks, 149 00:09:15,240 --> 00:09:18,680 Speaker 1: you're looking up all right, you're right the lighthouse. There's 150 00:09:18,679 --> 00:09:20,960 Speaker 1: our higher advantage point. I bet we can restock on 151 00:09:21,000 --> 00:09:23,160 Speaker 1: supplies too. There may even be a way to call 152 00:09:23,200 --> 00:09:27,000 Speaker 1: for help. We're saved. Well I didn't quite save that, 153 00:09:27,120 --> 00:09:37,160 Speaker 1: but we're saved. We're saved. I'm going into the light. Ah, 154 00:09:39,160 --> 00:09:42,079 Speaker 1: come on, serious Logo's head into that light like I'm 155 00:09:42,120 --> 00:09:44,120 Speaker 1: off the flame. We might have to save him from 156 00:09:44,160 --> 00:09:59,240 Speaker 1: getting burned. Here we are the lighthouse. Hello, anyone home? 157 00:10:00,760 --> 00:10:14,040 Speaker 1: No answer? Serious, No, don't do it. The doors unlocked. 158 00:10:15,640 --> 00:10:17,360 Speaker 1: Make sure to be on your best behavior when we 159 00:10:17,400 --> 00:10:20,360 Speaker 1: meet the lighthouse keeper. Were lucky. We'll learn the fastest 160 00:10:20,360 --> 00:10:22,080 Speaker 1: way out of this value back to the main route. 161 00:10:25,160 --> 00:10:28,440 Speaker 1: This place is all run down, it's full of cobwebs 162 00:10:28,480 --> 00:10:39,520 Speaker 1: of all Then that door, it must lead to the 163 00:10:39,559 --> 00:10:46,360 Speaker 1: keeper's quarters. Wait, before we enter, it would be wise 164 00:10:46,400 --> 00:10:49,319 Speaker 1: to formulate a plan. One of us should stay behind 165 00:10:49,320 --> 00:10:51,280 Speaker 1: at the lighthouse to try and mind for supplies and 166 00:10:51,320 --> 00:10:54,320 Speaker 1: information from the benefit of this hidvantage point. That way, 167 00:10:54,480 --> 00:10:57,240 Speaker 1: the other two compare up and continue exploring the valley 168 00:10:57,480 --> 00:11:02,000 Speaker 1: and share their findings upon return. Okay, how do you 169 00:11:02,080 --> 00:11:05,040 Speaker 1: propose we split up? It should be merit based. Serious. 170 00:11:05,200 --> 00:11:08,120 Speaker 1: You're a natural tracker. You can locate trails or detect 171 00:11:08,200 --> 00:11:10,480 Speaker 1: hidden dangerous and your talents are best utilized down on 172 00:11:10,520 --> 00:11:16,520 Speaker 1: the valley floor. Either you're you're you like to talk 173 00:11:16,559 --> 00:11:18,400 Speaker 1: a lot, so you should be a little bit quick 174 00:11:18,440 --> 00:11:21,160 Speaker 1: friends out of any hostile strangers encountered out in the valley. 175 00:11:21,400 --> 00:11:24,880 Speaker 1: As for me, well, I'm an intellectual. I could ingratiate 176 00:11:24,880 --> 00:11:27,439 Speaker 1: myself with the keepers. I'm sure this lighthouse is full 177 00:11:27,480 --> 00:11:29,679 Speaker 1: of complex machinery that requires a lot of technical know 178 00:11:29,800 --> 00:11:32,080 Speaker 1: how and a scientific knowledge to operate things that would 179 00:11:32,080 --> 00:11:35,080 Speaker 1: be painfully boring to the average individual. For the sake 180 00:11:35,160 --> 00:11:38,240 Speaker 1: of the team, I volunteered to stay be hide. Oh 181 00:11:38,280 --> 00:11:41,840 Speaker 1: how brave of you? Logo? Serious? Do you agree to 182 00:11:41,880 --> 00:11:52,120 Speaker 1: our hero's proposal? Chicken hardball baw baw deal Waiting One 183 00:11:52,200 --> 00:11:54,240 Speaker 1: last thing? What if I need to protect myself when 184 00:11:54,280 --> 00:11:57,760 Speaker 1: I'm alone. Can I borrow a weapon? We don't travel 185 00:11:57,800 --> 00:12:00,719 Speaker 1: with weapons, remember, but you do go emissions that take 186 00:12:00,720 --> 00:12:02,400 Speaker 1: you to places like this. What do you mean you 187 00:12:02,400 --> 00:12:05,559 Speaker 1: don't travel with weapons? We found bringing weapons into unfamiliar 188 00:12:05,600 --> 00:12:11,200 Speaker 1: places just invite trouble. Besides serious protects us. Now let's 189 00:12:11,200 --> 00:12:19,880 Speaker 1: go in MS. How nice? How long you're just in time? 190 00:12:21,280 --> 00:12:29,000 Speaker 1: Thank you? We're aching. You were expecting us? No, oh, 191 00:12:29,120 --> 00:12:31,720 Speaker 1: it kind of sounded like you were. How good of 192 00:12:31,760 --> 00:12:34,360 Speaker 1: you to come? If I don't, you'd be early. I'd 193 00:12:34,360 --> 00:12:38,000 Speaker 1: have finished tidying up. We don't mind. But wait, we 194 00:12:38,040 --> 00:12:40,440 Speaker 1: didn't plan to come here. We happened here by chance 195 00:12:40,559 --> 00:12:43,360 Speaker 1: and a little late. If you ask me. It's tea time, 196 00:12:43,760 --> 00:12:47,480 Speaker 1: but I'm afraid it hasn't much left. Please help yourselves 197 00:12:47,840 --> 00:12:52,240 Speaker 1: way ahead of you. Now that you're here, we can 198 00:12:52,360 --> 00:12:57,400 Speaker 1: finally start. Okay, Oh, I'm ether. This is why are 199 00:12:57,440 --> 00:13:01,080 Speaker 1: we fellows? Logo and big guys serious? And I'm shullock. 200 00:13:01,559 --> 00:13:07,280 Speaker 1: Have a seat, So tell us, Sherlock. Why is there 201 00:13:07,320 --> 00:13:10,720 Speaker 1: a lighthouse out here in the desert? The lighthouse? Why 202 00:13:10,760 --> 00:13:15,679 Speaker 1: is it overlooking the desert? The lighthouse? Desert? I don't 203 00:13:15,720 --> 00:13:19,360 Speaker 1: follow the building we're in right now. Normally it'd be 204 00:13:19,360 --> 00:13:21,959 Speaker 1: overlooking an ocean, but instead it's here in the desert. 205 00:13:23,040 --> 00:13:33,360 Speaker 1: Oh yes, that lighthouse. Well, let's see, it's a long story. Ah, 206 00:13:34,600 --> 00:13:38,640 Speaker 1: you were saying, what the story you were gonna tell us? 207 00:13:38,840 --> 00:13:42,800 Speaker 1: The story behind the lighthouse? Oh yes, back to the 208 00:13:42,880 --> 00:13:46,440 Speaker 1: days when it was wet all over. At the time, 209 00:13:46,559 --> 00:13:49,320 Speaker 1: I was a sail stationed on the s S. Pangaea. 210 00:13:49,840 --> 00:13:52,760 Speaker 1: Beauty of the vessel, fabulous true, love them like they 211 00:13:52,760 --> 00:13:55,360 Speaker 1: have a family, which they were. I come from a 212 00:13:55,360 --> 00:14:00,600 Speaker 1: long line of seafars, bus and tame the wall. Next 213 00:14:00,600 --> 00:14:11,000 Speaker 1: thing I know, we're surrounded, and then cannon bar blood 214 00:14:11,280 --> 00:14:14,040 Speaker 1: right in the hole caused us to bear up bos 215 00:14:14,200 --> 00:14:16,120 Speaker 1: and we never had a chance. Once we hit that 216 00:14:16,200 --> 00:14:20,000 Speaker 1: ice bag. They say n an icebread lies beneath the 217 00:14:20,000 --> 00:14:23,000 Speaker 1: water service, and one hundred percent of the time I 218 00:14:23,160 --> 00:14:25,920 Speaker 1: found that to be true. I'll tell you. It took 219 00:14:25,960 --> 00:14:27,960 Speaker 1: us grab and to get those anvils back on board 220 00:14:28,000 --> 00:14:32,360 Speaker 1: the ark. But I digressed. We were gone. Just then 221 00:14:32,400 --> 00:14:35,600 Speaker 1: we saw the guiding light of this lighthouse and swam ashore. 222 00:14:36,320 --> 00:14:38,800 Speaker 1: We made it to our new home, and over time 223 00:14:39,120 --> 00:14:46,720 Speaker 1: I became its captain. What eventually came to darkness that 224 00:14:47,000 --> 00:14:50,760 Speaker 1: covered the land. The water turned to vapor and was 225 00:14:50,800 --> 00:14:55,440 Speaker 1: sucked up by the night sky. Then it got hot, 226 00:14:56,320 --> 00:15:02,320 Speaker 1: real hot. That's try eat red toe stick together and 227 00:15:02,560 --> 00:15:08,120 Speaker 1: lips shut. I started sweating. I felt moisture pulling up 228 00:15:08,120 --> 00:15:12,880 Speaker 1: on my brow, maybe thirsty, So I decided to come in. 229 00:15:12,920 --> 00:15:16,960 Speaker 1: He makes some nice tea. Then you three walked in. 230 00:15:18,640 --> 00:15:21,000 Speaker 1: How in considerate of me? Let me get you a refill? 231 00:15:22,000 --> 00:15:29,040 Speaker 1: S No, I am, I'm all right, nonsense, I insist 232 00:15:29,320 --> 00:15:32,240 Speaker 1: more tea would be lovely. About the lighthouse, though, how 233 00:15:32,280 --> 00:15:35,640 Speaker 1: long has it been here? Shoot? About as long as 234 00:15:35,680 --> 00:15:39,120 Speaker 1: I can remember, I reckon since the dawn of time. 235 00:15:39,160 --> 00:15:46,960 Speaker 1: It's so that dang grandfather taunting me for an eternity, 236 00:15:47,360 --> 00:15:53,720 Speaker 1: TikTok TikTok, calling my name, trying to hypnotize me with 237 00:15:53,800 --> 00:16:01,240 Speaker 1: its golden rock. Sherlock, Sherlock, prodding me with a pointy hands, 238 00:16:01,880 --> 00:16:07,960 Speaker 1: old croc old croc driving me cuckle goockle. Why I 239 00:16:08,080 --> 00:16:11,040 Speaker 1: ought to rip your hands right up and break your face? 240 00:16:16,480 --> 00:16:23,720 Speaker 1: Who's killing time? Now? Grandfather? Okay, where will we serious? 241 00:16:23,760 --> 00:16:28,120 Speaker 1: And I were dressed on our way up leaving so soon, 242 00:16:28,320 --> 00:16:30,240 Speaker 1: really wish we could say, but we have business back 243 00:16:30,240 --> 00:16:34,520 Speaker 1: down in the valley. Wait, great meeting me too. I 244 00:16:34,520 --> 00:16:40,720 Speaker 1: should also be your best behavior logo. Remember you're a guest. No, please, 245 00:16:40,880 --> 00:16:44,520 Speaker 1: don't leave me alone with this insane lee, gracious host. 246 00:16:49,760 --> 00:17:04,680 Speaker 1: So do you like being a lighthouse keeper? There's something 247 00:17:04,760 --> 00:17:12,680 Speaker 1: off with Sherlock. He's a little but scatter brain. You 248 00:17:12,840 --> 00:17:16,720 Speaker 1: dodged a bullet with that one. Hey, keep sounding the 249 00:17:16,800 --> 00:17:19,040 Speaker 1: shell while we walk. Someone could think it's a distress 250 00:17:19,080 --> 00:17:30,560 Speaker 1: signal when we come to our rescues. Well, serious, it's 251 00:17:30,680 --> 00:17:33,800 Speaker 1: just us too again, out on a mission. Just like 252 00:17:33,880 --> 00:17:39,800 Speaker 1: old times. We're a long way from imperiod. We go 253 00:17:40,000 --> 00:17:44,720 Speaker 1: home soon. Yeah, assuming logo actually knows what he's talking about. 254 00:17:44,760 --> 00:17:47,680 Speaker 1: With that astronomy, mumbo jumbo can show us how to 255 00:17:47,720 --> 00:17:51,399 Speaker 1: reach imperiod by following the eclipses path of totality dress 256 00:17:51,560 --> 00:17:56,520 Speaker 1: logo logo Smart, I know, but I just can't stop 257 00:17:56,600 --> 00:18:03,040 Speaker 1: thinking about it. The day we returned home, part of 258 00:18:03,119 --> 00:18:06,199 Speaker 1: me worries that maybe we've been gone too long, too 259 00:18:06,280 --> 00:18:08,840 Speaker 1: much time has passed. We'll get back and everything will 260 00:18:08,880 --> 00:18:11,280 Speaker 1: be different. At home, we knew that people were trying 261 00:18:11,320 --> 00:18:15,159 Speaker 1: to save all have changed so much so they might 262 00:18:15,200 --> 00:18:19,840 Speaker 1: as well be strangers in some foreign land. Another part 263 00:18:19,920 --> 00:18:21,480 Speaker 1: of me worries that we'll get back and find that 264 00:18:21,600 --> 00:18:25,439 Speaker 1: nothing is different. The people in places preserved same as before, 265 00:18:26,080 --> 00:18:29,440 Speaker 1: but Imperia no longer feels like home because we're the 266 00:18:29,480 --> 00:18:34,280 Speaker 1: ones who have changed. Hear that the sound returned more quickly. 267 00:18:34,560 --> 00:18:45,080 Speaker 1: The black mass must be getting closer. Ah, what is 268 00:18:45,119 --> 00:18:54,240 Speaker 1: the series? Spot? Something traps white flat thorough like follow? 269 00:18:58,080 --> 00:19:04,199 Speaker 1: Where do you think leads? M flowers? Field of white flowers? 270 00:19:05,920 --> 00:19:09,960 Speaker 1: A serious? You know what this means? There must be 271 00:19:10,080 --> 00:19:28,920 Speaker 1: water nearby, but now vultures free block. I guess there's wrong, 272 00:19:29,160 --> 00:19:36,240 Speaker 1: doesn't after all? That makes begamating cold? Can't running good? 273 00:19:36,280 --> 00:19:45,080 Speaker 1: To resist? Ignore it, don't engage, keep moving, Hi, stop running, 274 00:19:45,200 --> 00:19:50,479 Speaker 1: but will open byre do it? Do it? I think 275 00:19:50,520 --> 00:19:55,280 Speaker 1: they're bluffing or they actually have a gun. Gun scared tactics, 276 00:19:55,560 --> 00:19:58,000 Speaker 1: No way, it's looting. You can't get bullets in this hemisphere, 277 00:20:00,080 --> 00:20:03,159 Speaker 1: for it's a warning shop, and I'm warning you. I 278 00:20:03,280 --> 00:20:09,760 Speaker 1: never missed twice. I stand corrected. You don't fire, We'll cooperate. 279 00:20:11,160 --> 00:20:13,560 Speaker 1: How about a compromise. If you want oil, we can 280 00:20:13,640 --> 00:20:18,200 Speaker 1: get you oil. We've got oil. And it ain't just 281 00:20:18,359 --> 00:20:22,159 Speaker 1: for fueling, neither it's for burning. It's the amulet. You've 282 00:20:22,160 --> 00:20:25,560 Speaker 1: got paid by thinking it. Menched my host a rather nicely. 283 00:20:25,680 --> 00:20:30,360 Speaker 1: Don't either his life nor his amulate our eyes to tea. 284 00:20:30,840 --> 00:20:37,400 Speaker 1: They're only tess want this service? Fine? And where am i? Men? 285 00:20:38,240 --> 00:20:42,600 Speaker 1: Allow me to make a proper introduction. I'm fat chief 286 00:20:42,640 --> 00:20:46,560 Speaker 1: alchemist of the Necronos. Please here a Zipper and Luna, 287 00:20:47,320 --> 00:20:51,760 Speaker 1: sunken charls. We welcome you to our hello grounds, the 288 00:20:51,920 --> 00:20:54,800 Speaker 1: valley of the shadow of Death. We'll make ourselves right 289 00:20:54,880 --> 00:20:59,560 Speaker 1: en up. Check out the big man. Looks like we've 290 00:20:59,560 --> 00:21:03,879 Speaker 1: got ourselve green dumb came across all flowers? Did you 291 00:21:04,680 --> 00:21:09,200 Speaker 1: pretty unknown? They only grow here in the billy Something 292 00:21:09,240 --> 00:21:14,360 Speaker 1: about the nutrients in the soil, our own organic fertilize 293 00:21:15,480 --> 00:21:18,639 Speaker 1: the blood of heathens. And if you peel back at 294 00:21:18,680 --> 00:21:22,159 Speaker 1: the petals, you'll find a secret in side. When the 295 00:21:22,200 --> 00:21:27,440 Speaker 1: flower dies, it releases spools. Just one taste of the 296 00:21:27,520 --> 00:21:30,639 Speaker 1: interior risk will bring you closer to the inner truth. 297 00:21:31,040 --> 00:21:33,960 Speaker 1: We're not here for your flowers. Oh, we're not worried 298 00:21:33,960 --> 00:21:39,560 Speaker 1: about that. What do you want? It's what our master designs. 299 00:21:40,040 --> 00:21:45,320 Speaker 1: Your master. You'll meet her soon enough, Zeppa, Luna, load 300 00:21:45,400 --> 00:21:52,880 Speaker 1: up Chicago for transport. Give me arist of time there, 301 00:21:53,320 --> 00:22:10,879 Speaker 1: get to walk in walking, You're walking. Oh God, we 302 00:22:10,920 --> 00:22:15,840 Speaker 1: can't believe. I'm better ask Sherlock for help, as either says, 303 00:22:16,280 --> 00:22:21,200 Speaker 1: desperate times call for desperate measures. Sherlock, my travel companions 304 00:22:21,200 --> 00:22:24,800 Speaker 1: and I are experiencing some navigational difficulties. Our map of 305 00:22:24,840 --> 00:22:27,880 Speaker 1: the surrounding area is incomplete, and while I can overlook 306 00:22:27,880 --> 00:22:31,560 Speaker 1: a few missing topographical features and contour lines, the valley's 307 00:22:31,560 --> 00:22:35,280 Speaker 1: absence renders the map inadequate as a cartographic guide. Since 308 00:22:35,400 --> 00:22:37,840 Speaker 1: you reside here, it would be highly agreeable if you 309 00:22:37,840 --> 00:22:39,959 Speaker 1: would please direct me to the nearest path leading out 310 00:22:40,000 --> 00:22:44,879 Speaker 1: of the valley. So you're seeking direction in life, I 311 00:22:45,160 --> 00:22:48,840 Speaker 1: suppose you could say that be aware what lies in 312 00:22:49,000 --> 00:22:53,880 Speaker 1: the desert, What lies there? The black viper, the call 313 00:22:54,000 --> 00:22:59,200 Speaker 1: of the void shadows. People can spend a lifetime chasing echoes. 314 00:22:59,760 --> 00:23:04,920 Speaker 1: So I'm getting lost along the way Others others fine, 315 00:23:05,040 --> 00:23:08,600 Speaker 1: what they were hoping to hear? Which is the song 316 00:23:08,760 --> 00:23:11,960 Speaker 1: stress at the end of the tune? Do you know 317 00:23:12,200 --> 00:23:16,880 Speaker 1: who's behind your lullaby? I'm sorry, but I can't interpret 318 00:23:16,920 --> 00:23:27,120 Speaker 1: your cryptic language. Simplize, symbolize, simplize. Look, here's the map. 319 00:23:27,640 --> 00:23:30,800 Speaker 1: How about you point to our current locations, and we'll 320 00:23:30,880 --> 00:23:34,480 Speaker 1: use that as a reference marker. Oh me, but I'm 321 00:23:34,560 --> 00:23:39,680 Speaker 1: not even here right now, of course not. Do you 322 00:23:39,800 --> 00:23:44,000 Speaker 1: have any travel insight or just more in a nonsense. Well, 323 00:23:44,080 --> 00:23:47,760 Speaker 1: I'm a traveler too, you know, a time traveler. I 324 00:23:48,080 --> 00:23:50,960 Speaker 1: live in the future. I dwell in the past. You 325 00:23:51,080 --> 00:23:58,959 Speaker 1: won't find me in the present. Now, what are you doing? Drawing? 326 00:24:00,480 --> 00:24:05,280 Speaker 1: Is your path forward? A circle? You drew a circle 327 00:24:05,800 --> 00:24:09,000 Speaker 1: that which has no beginning, has no end. Bound to 328 00:24:09,119 --> 00:24:13,720 Speaker 1: repeat this endless loop we are I'm hunger insatiable, like 329 00:24:13,920 --> 00:24:17,240 Speaker 1: the serpent that face on its own toe. I can't 330 00:24:17,280 --> 00:24:23,720 Speaker 1: take much more of this. The problem you faces You're 331 00:24:23,800 --> 00:24:31,520 Speaker 1: too smart for your own good. What well your problem? 332 00:24:32,920 --> 00:24:35,600 Speaker 1: Your problem is that you don't make any sense. I 333 00:24:35,640 --> 00:24:37,600 Speaker 1: can't even understand you because of the way you speak. 334 00:24:37,720 --> 00:24:41,399 Speaker 1: Talk without rhythm, don't alert the priest. Walk without rhythm, 335 00:24:41,560 --> 00:24:48,600 Speaker 1: don't attract the beast. Walk without rhythm, don't attract the beast, sherlock. 336 00:24:49,160 --> 00:24:50,920 Speaker 1: If you didn't want to help, then you should have 337 00:24:51,000 --> 00:24:56,160 Speaker 1: just said, so, okay, I'm headed up to the observation 338 00:24:56,200 --> 00:24:57,640 Speaker 1: deck so I can get a view of the valley. 339 00:24:57,680 --> 00:24:59,720 Speaker 1: At least then this visit will have the more something 340 00:25:00,119 --> 00:25:14,040 Speaker 1: true about living down. High Priestess Nadia, we brought you 341 00:25:14,160 --> 00:25:17,640 Speaker 1: two outsiders, caught them trespassing in the near the gardens. 342 00:25:17,880 --> 00:25:23,000 Speaker 1: You too, what do you call yourselves? I'm ether, that's serious. 343 00:25:24,320 --> 00:25:29,760 Speaker 1: We stumbled here by accidents, Ether serious, how fortunate an accident. 344 00:25:30,440 --> 00:25:34,600 Speaker 1: You're just in time. The moon's almost at zena. Our 345 00:25:34,720 --> 00:25:40,200 Speaker 1: ceremony is about to begin. Fang, Zephyr Luna, show our 346 00:25:40,359 --> 00:25:44,119 Speaker 1: guests of honor to the observation brig where they may 347 00:25:44,200 --> 00:25:50,719 Speaker 1: be whole the awakening at one Cypriestess, you heard her 348 00:25:51,080 --> 00:25:55,440 Speaker 1: prepare to get walking. Now. The big one had with 349 00:25:55,520 --> 00:25:58,080 Speaker 1: him this comb shell. I took it so he wouldn't 350 00:25:58,080 --> 00:26:01,840 Speaker 1: disrupt the ceremony. I want to tell, said how rarefined. 351 00:26:03,040 --> 00:26:05,200 Speaker 1: Let him hold on to it. I don't think it's 352 00:26:05,200 --> 00:26:08,040 Speaker 1: a good idea to an outsider being position of an 353 00:26:08,080 --> 00:26:10,760 Speaker 1: instrument during the ceremony. Yet you think it wise to 354 00:26:10,880 --> 00:26:15,680 Speaker 1: talk back to your High Priestess. Sorry, Fang, question my 355 00:26:15,880 --> 00:26:20,680 Speaker 1: command again and I'll ensure you die and unholy death. 356 00:26:21,960 --> 00:26:26,360 Speaker 1: Luna return the shell to him right away. High Priestess, 357 00:26:26,880 --> 00:26:32,160 Speaker 1: here serious, I invite you to join us and honoring 358 00:26:32,240 --> 00:26:36,200 Speaker 1: our master with your music, the sound of your shell 359 00:26:36,359 --> 00:26:42,879 Speaker 1: will add to the symphony of the summoning a h 360 00:26:49,240 --> 00:26:52,840 Speaker 1: Now take them away to the brig my pleasure. High Priestess, 361 00:26:53,680 --> 00:27:05,479 Speaker 1: you too, get a move on. Even from up here 362 00:27:05,520 --> 00:27:07,840 Speaker 1: on the observation deck, I still can't quite make out 363 00:27:07,880 --> 00:27:10,359 Speaker 1: with that black masses. The distance is too far away, 364 00:27:10,400 --> 00:27:14,920 Speaker 1: and it's dark and foggy out. Now where's it headed? 365 00:27:15,480 --> 00:27:21,080 Speaker 1: Retract the optical magna fog? Sherlock, When did you come 366 00:27:21,160 --> 00:27:25,080 Speaker 1: up here? But yes, good idea. If I adjust the 367 00:27:25,119 --> 00:27:27,640 Speaker 1: beacons angle to refocus the light upon our immediate vicinity, 368 00:27:27,760 --> 00:27:30,159 Speaker 1: at least I can observe if anything of notice happening 369 00:27:30,160 --> 00:27:41,359 Speaker 1: on the valley floor contracting, contracting testing, ocular realignment. Oh 370 00:27:41,480 --> 00:27:45,480 Speaker 1: no either and serious. It looks like they're in trouble, Sherlock. 371 00:27:45,960 --> 00:27:48,159 Speaker 1: Those people down there, they'll see the light and know 372 00:27:48,320 --> 00:27:51,440 Speaker 1: someone's up here. Will they come for you me? No, 373 00:27:52,520 --> 00:27:57,080 Speaker 1: I'm nobody, and you can't hurt someone with nobody. I'm 374 00:27:57,119 --> 00:28:02,160 Speaker 1: a ghost and I hoped myself, so I think they'll 375 00:28:02,200 --> 00:28:05,800 Speaker 1: leave you alone. People come to the lighthouse looking for 376 00:28:05,960 --> 00:28:10,160 Speaker 1: the key to Sherlock, but they lack the right frame 377 00:28:10,200 --> 00:28:13,680 Speaker 1: of mind to open the door within. You know, I 378 00:28:13,920 --> 00:28:17,680 Speaker 1: used to be just like you. I remember it like 379 00:28:17,800 --> 00:28:21,800 Speaker 1: it was tomorrow. In a future life, I was the 380 00:28:21,920 --> 00:28:27,040 Speaker 1: queen of the odd country. Then she took everything from me. H. 381 00:28:28,359 --> 00:28:31,879 Speaker 1: She lives in the walls of my attic, and she 382 00:28:32,160 --> 00:28:37,359 Speaker 1: kills me every night, sherlock. When she visits you turned 383 00:28:37,400 --> 00:28:40,760 Speaker 1: down her offer. The Golden Goose comes with a noose. 384 00:28:41,480 --> 00:28:44,560 Speaker 1: Once she catches you shall never let loose. She hunts 385 00:28:44,640 --> 00:28:48,560 Speaker 1: the game. You're paying her game. Only yourself to blame 386 00:28:49,000 --> 00:28:55,960 Speaker 1: when she drives you insane. I've said too much. Please 387 00:28:56,040 --> 00:29:04,160 Speaker 1: look at come on, get moving, he says. No way 388 00:29:04,200 --> 00:29:07,880 Speaker 1: to treat your guests of honor? Now is it? You 389 00:29:08,000 --> 00:29:10,360 Speaker 1: made me waste my last bullet on a warning shot. 390 00:29:11,040 --> 00:29:13,480 Speaker 1: Now you're gonna wish it was you I wasted instead. 391 00:29:14,560 --> 00:29:20,360 Speaker 1: Zippa the brig. The door to the cage is open, 392 00:29:20,520 --> 00:29:34,200 Speaker 1: and the waiting filler up. You too, get it perfect fit. 393 00:29:37,400 --> 00:29:43,160 Speaker 1: Don't be said you too, I'm jealous. After all, you've 394 00:29:43,240 --> 00:29:46,080 Speaker 1: got a front row view of the ceremony. Hi Priestess 395 00:29:46,440 --> 00:29:51,560 Speaker 1: approaches how our guests doing sitting pretty in the brig? 396 00:29:52,160 --> 00:29:56,720 Speaker 1: They ain't going nowhere? Thank go prepare the tribute for 397 00:29:56,800 --> 00:30:02,040 Speaker 1: the awakening. Hi, Hi Priestess Luna Zefyr ready the grounds. 398 00:30:02,600 --> 00:30:06,400 Speaker 1: I'll speak with our guests and enlighten them on a ritual. 399 00:30:07,080 --> 00:30:12,240 Speaker 1: It will be our honor comes after her, My fortunate sons, 400 00:30:12,840 --> 00:30:16,400 Speaker 1: Your arrival is a good omen a. Few outsiders ever 401 00:30:16,480 --> 00:30:21,640 Speaker 1: witnessed the glory of our master's work, Your master. Where 402 00:30:21,640 --> 00:30:32,320 Speaker 1: do you serve the one true savior? Umbra? Why? Yes, 403 00:30:33,080 --> 00:30:35,680 Speaker 1: she is the last bastion of truth in a world 404 00:30:35,880 --> 00:30:39,800 Speaker 1: full of lies. Umbra, and only Umbra will lead us 405 00:30:39,840 --> 00:30:45,000 Speaker 1: into suffering and deliver us to salvation. Why why would 406 00:30:45,040 --> 00:30:48,160 Speaker 1: you choose to worship something that brings you suffering. Suffering 407 00:30:49,000 --> 00:30:57,960 Speaker 1: is glorious, It's divine, There is truth, it's suffering. I 408 00:30:58,040 --> 00:31:03,160 Speaker 1: don't understand you choose to suffer room either life is suffering. 409 00:31:03,640 --> 00:31:07,160 Speaker 1: From the moment you enter this world, you're born a prisoner, 410 00:31:08,160 --> 00:31:11,520 Speaker 1: condemned to a life with no reason for being, no 411 00:31:11,800 --> 00:31:16,080 Speaker 1: deeper meaning, no higher purpose. Where you search for answers, 412 00:31:16,680 --> 00:31:20,680 Speaker 1: you find only questions. The wise among us see the 413 00:31:20,760 --> 00:31:25,240 Speaker 1: life for what it truly is, a cruel joke played 414 00:31:25,280 --> 00:31:30,240 Speaker 1: in a cold world apathetic to our existence. Some get 415 00:31:30,320 --> 00:31:34,480 Speaker 1: sick and never get well. Others lose their sanity and 416 00:31:34,640 --> 00:31:39,280 Speaker 1: stay lost in their minds. The lucky few pass silently 417 00:31:39,760 --> 00:31:42,960 Speaker 1: into the night. You're wrong. There's more to life than that. 418 00:31:43,760 --> 00:31:46,840 Speaker 1: There has to be. The only constant in life is 419 00:31:47,000 --> 00:31:53,360 Speaker 1: chaos and suffering. The only certainty death. Beyond that, it's 420 00:31:53,440 --> 00:31:58,200 Speaker 1: just a seat. You see ether in a futile attempt 421 00:31:58,280 --> 00:32:01,400 Speaker 1: to make sense of it. All wickedest lie people tell 422 00:32:01,480 --> 00:32:04,760 Speaker 1: themselves is that they have no control over their lives, 423 00:32:05,160 --> 00:32:08,400 Speaker 1: that they're too weak to influence their destiny, that they 424 00:32:08,440 --> 00:32:10,800 Speaker 1: have no choice but to suffer at the whims of 425 00:32:10,920 --> 00:32:17,320 Speaker 1: fate and fortune. But they're wrong. We can choose. We 426 00:32:17,920 --> 00:32:21,880 Speaker 1: can submit to the chaos. We can choose to suffer. 427 00:32:22,280 --> 00:32:25,920 Speaker 1: We can embrace death, and in that there is freedom. 428 00:32:26,320 --> 00:32:30,640 Speaker 1: In that lies the path to salvation. That's your answer. 429 00:32:31,040 --> 00:32:35,520 Speaker 1: Give up, We give in, We give in to what 430 00:32:35,760 --> 00:32:40,719 Speaker 1: is real. We give in to Umbra, willingly surrendered to her. 431 00:32:41,200 --> 00:32:45,200 Speaker 1: To commit yourself to Umbra makes you invincible, for then 432 00:32:45,360 --> 00:32:49,280 Speaker 1: nothing else can hurt you. It's the only sane choice 433 00:32:49,360 --> 00:32:57,120 Speaker 1: in this insane world. You may not understand, but there 434 00:32:57,280 --> 00:33:02,960 Speaker 1: is pleasure to despair, a relief from torment, a solace 435 00:33:03,160 --> 00:33:11,320 Speaker 1: and suffering. Through Umbra, we may rest in peace, High Priestess, 436 00:33:11,640 --> 00:33:14,160 Speaker 1: we arranged the grounds and identified the source of the 437 00:33:14,280 --> 00:33:17,400 Speaker 1: light that intrudes upon our sacred rights. It stems from 438 00:33:17,440 --> 00:33:20,920 Speaker 1: atop the southern cliff, the old lighthouse. I'll gather the 439 00:33:20,960 --> 00:33:24,360 Speaker 1: others and put it out. No, my child. On the contrary, 440 00:33:25,080 --> 00:33:28,280 Speaker 1: let it shine a light on our master's glory. Is 441 00:33:28,320 --> 00:33:32,200 Speaker 1: the lighthouse not worth searching for? First tributes fit for offering? 442 00:33:32,400 --> 00:33:34,880 Speaker 1: I've paid a visit to the beacon before, and spoken 443 00:33:34,920 --> 00:33:38,680 Speaker 1: with its keeper. There was nothing left for Umbra to possess. 444 00:33:39,040 --> 00:33:42,400 Speaker 1: As you say, let the light illuminate our ceremony, so 445 00:33:42,600 --> 00:33:47,160 Speaker 1: all may bear witness to her glory, Big man, blow 446 00:33:47,360 --> 00:34:00,880 Speaker 1: your shell for Umbra. Ah. Do it's serious, High Priestess. 447 00:34:01,560 --> 00:34:03,880 Speaker 1: The tribute is secured and has been branded with the 448 00:34:03,960 --> 00:34:08,480 Speaker 1: mark of possession. He's ready to be received. Good. Inoculate 449 00:34:08,600 --> 00:34:12,080 Speaker 1: him with the elixir one drop of sweet white flower 450 00:34:12,239 --> 00:34:15,799 Speaker 1: nectar to open his mind to the inner truth. Hear 451 00:34:15,880 --> 00:34:22,760 Speaker 1: that voice, give him a taste of the risen serious 452 00:34:23,040 --> 00:34:44,200 Speaker 1: the black mass. It must be close, it begins, What 453 00:34:44,320 --> 00:34:47,520 Speaker 1: do I do? What do I do? Either and serious 454 00:34:47,640 --> 00:34:49,640 Speaker 1: or in danger? Down there? Even if they fend off 455 00:34:49,640 --> 00:34:52,400 Speaker 1: the assailants, the black mass is still getting closer. I 456 00:34:52,480 --> 00:34:56,160 Speaker 1: ever heard a sound you can't come here that echoes 457 00:34:56,239 --> 00:35:00,920 Speaker 1: in your years, drawn in by the pitch hands, fixed 458 00:35:01,320 --> 00:35:05,040 Speaker 1: in frequency. That must be it. Sound. Sound must be 459 00:35:05,120 --> 00:35:07,440 Speaker 1: what's attracting the black mask, like when it hurd the 460 00:35:07,480 --> 00:35:09,560 Speaker 1: horn of the cock shell. I can try to lure 461 00:35:09,560 --> 00:35:11,360 Speaker 1: it away to the cliffs here and keep either in 462 00:35:11,440 --> 00:35:14,320 Speaker 1: serious safe. Does this lighthouse have a fog horn? It 463 00:35:14,440 --> 00:35:18,560 Speaker 1: does great? Where is it? Service room upstairs? In the attic? 464 00:35:18,960 --> 00:35:23,439 Speaker 1: The attic, of course, anything else I should know about 465 00:35:23,440 --> 00:35:26,319 Speaker 1: the fog horn? Fog fog one is broken. The fog 466 00:35:26,400 --> 00:35:30,040 Speaker 1: horn is broken, Yes, sorry, broken? How do I fix it? 467 00:35:30,400 --> 00:35:33,640 Speaker 1: You're searching for the right answer, but asking the wrong question. 468 00:35:33,880 --> 00:35:36,680 Speaker 1: What please? My friends are in big trouble and there 469 00:35:36,760 --> 00:35:39,000 Speaker 1: isn't much time. That fog horn might be the only 470 00:35:39,080 --> 00:35:41,040 Speaker 1: thing that can save them. Tell me how to fix it. 471 00:35:41,239 --> 00:35:44,040 Speaker 1: I don't think you understand the nature of the problem. 472 00:35:44,680 --> 00:35:47,160 Speaker 1: It's not the break in the horn. It's the tear 473 00:35:47,320 --> 00:35:50,320 Speaker 1: in the sky, the rupture in the ground, the fracture 474 00:35:50,360 --> 00:35:53,879 Speaker 1: in the fabric that ripples through what. We are out 475 00:35:53,920 --> 00:35:56,840 Speaker 1: of sync with the world, but we're made of the 476 00:35:56,920 --> 00:35:59,960 Speaker 1: world too. To set everything right, we need to risk 477 00:36:00,040 --> 00:36:04,680 Speaker 1: store balance in ourselves and our universe. Fix the world. Okay, 478 00:36:05,200 --> 00:36:07,759 Speaker 1: but first the fog horn. Where do I start? It 479 00:36:07,880 --> 00:36:11,040 Speaker 1: all begins with a big bang, a tug of the 480 00:36:11,120 --> 00:36:14,719 Speaker 1: pull cord, a flash in the pan that'll fire up 481 00:36:14,760 --> 00:36:17,759 Speaker 1: the engine and get the mantel rotating again as it 482 00:36:17,840 --> 00:36:20,800 Speaker 1: should be, and you will be on your way. Okay, 483 00:36:21,600 --> 00:36:24,239 Speaker 1: but give a schematic or manual of some sort. You're 484 00:36:24,280 --> 00:36:26,520 Speaker 1: the lighthouse keeper. You must have dealt with this before. 485 00:36:26,760 --> 00:36:29,720 Speaker 1: It's all been set into motions. Since the world began 486 00:36:29,920 --> 00:36:33,920 Speaker 1: spinning on its axis. We to cycle around this wheel 487 00:36:34,040 --> 00:36:38,040 Speaker 1: we call existence, passing through the three phases birth, life, 488 00:36:38,280 --> 00:36:42,600 Speaker 1: and death. Round and round and round we go. Maybe 489 00:36:42,640 --> 00:36:45,640 Speaker 1: I am asking the wrong question. How do I restore 490 00:36:45,680 --> 00:36:48,360 Speaker 1: balance to our universe and save the world? You find 491 00:36:48,600 --> 00:36:52,640 Speaker 1: the folk rum. See the world seesaws back and forth, 492 00:36:52,760 --> 00:36:55,960 Speaker 1: back and forth between order and chaos, chaos and order, 493 00:36:56,320 --> 00:36:58,759 Speaker 1: But everything that goes up must come down. To set 494 00:36:58,800 --> 00:37:01,560 Speaker 1: everything right and restore balance in our universe, find the 495 00:37:01,680 --> 00:37:05,040 Speaker 1: fulgrum and make it level. Is that all you have 496 00:37:05,160 --> 00:37:07,640 Speaker 1: to say? And when the time is right, flip the 497 00:37:07,719 --> 00:37:10,960 Speaker 1: switch and listen to the harmony of the spheres plays out. 498 00:37:11,600 --> 00:37:13,080 Speaker 1: How will I know when the time is right? The 499 00:37:13,160 --> 00:37:17,240 Speaker 1: intuition of course, what am I doing? What a waste 500 00:37:17,280 --> 00:37:19,960 Speaker 1: of time? That grandfather clock was right. You're just a 501 00:37:20,040 --> 00:37:30,520 Speaker 1: crazy old crock now. And remember, don't forget. In the 502 00:37:30,680 --> 00:37:33,840 Speaker 1: hour of the blood Moon and the pale Blue, we 503 00:37:34,040 --> 00:37:38,919 Speaker 1: summon the Umbra, are one true master. Heed the call 504 00:37:39,040 --> 00:37:43,440 Speaker 1: of the necronauts, Travelers to the Intra, Guardians of the 505 00:37:43,640 --> 00:37:47,520 Speaker 1: Valley of the Shadow of Death, Martyrs for your possession, 506 00:37:48,120 --> 00:37:51,239 Speaker 1: Show us the path home to your inner kingdom, for 507 00:37:51,400 --> 00:37:55,760 Speaker 1: we have lost our way on this terrestrial plane. Shatter 508 00:37:55,880 --> 00:37:59,800 Speaker 1: the grand allusion and reveal to us our true selves 509 00:38:00,200 --> 00:38:05,080 Speaker 1: so we may finally see what's real. Illuminate our final 510 00:38:05,200 --> 00:38:08,520 Speaker 1: resting place, and we shall be born again in your 511 00:38:08,640 --> 00:38:13,040 Speaker 1: fertile womb, immortal and death. We live to carry on 512 00:38:13,280 --> 00:38:24,799 Speaker 1: your name. The sunken child is blessed with the Holy Few. 513 00:38:27,560 --> 00:38:30,680 Speaker 1: We offer you a tribute so you may rise from 514 00:38:30,719 --> 00:38:35,239 Speaker 1: your eternal slumber, a dormant vessel bound to your will. 515 00:38:35,960 --> 00:38:40,600 Speaker 1: Fill his vacant head with your sacred knowledge, Flow through 516 00:38:40,719 --> 00:38:45,279 Speaker 1: his veins with your blackest bile. Move his lips so 517 00:38:45,440 --> 00:38:48,759 Speaker 1: he may speak the words that open the hidden door 518 00:38:48,920 --> 00:38:53,600 Speaker 1: to the Intra. Oh yes, oh yes, possess, I feel 519 00:38:53,640 --> 00:38:58,840 Speaker 1: her awakening within. See through his charcoal eyes, manifest in 520 00:38:59,000 --> 00:39:02,960 Speaker 1: his weighty mind, mind his spirit as yours to incarnate. 521 00:39:03,840 --> 00:39:09,520 Speaker 1: Use his body as you wish. Bring forward the night fire, 522 00:39:10,080 --> 00:39:15,120 Speaker 1: carry the torches to the sacrificial pire. O Umbra, take 523 00:39:15,160 --> 00:39:18,840 Speaker 1: me home. I'm ready to be received, burned away my weakness, 524 00:39:19,280 --> 00:39:22,319 Speaker 1: rise from my ashes. Show me the one true path, 525 00:39:22,480 --> 00:39:26,000 Speaker 1: and I will follow you into the night. We pray 526 00:39:26,160 --> 00:39:30,040 Speaker 1: to thee, save me from myself and set me free. 527 00:39:30,560 --> 00:39:35,440 Speaker 1: You sleep inside my soul. Awaken me, turned out to 528 00:39:35,520 --> 00:39:40,680 Speaker 1: SIMI fire. Stop stop the ceremony. How dare you went 529 00:39:40,760 --> 00:39:48,040 Speaker 1: to feel the dear? That's not the way to channel Umbra. 530 00:39:48,360 --> 00:39:55,040 Speaker 1: It won't work, Trust me, I said, why now, this 531 00:39:55,200 --> 00:39:57,719 Speaker 1: can't be the first time you performed the ceremony as 532 00:39:57,840 --> 00:40:01,560 Speaker 1: Umbra ever awakened. I'll did you the meaning of silence 533 00:40:02,080 --> 00:40:08,839 Speaker 1: that speake. Stop the ceremony. You have our ears. Either 534 00:40:09,840 --> 00:40:15,319 Speaker 1: enlighten us with your hidden wisdom, but pick your words carefully. Oh, 535 00:40:15,440 --> 00:40:19,040 Speaker 1: they'll be your last. You said it yourself. You worship 536 00:40:19,120 --> 00:40:22,040 Speaker 1: the pain and suffering Umber brings. You'd like nothing more 537 00:40:22,120 --> 00:40:24,640 Speaker 1: than for her to possess your soul, the one true 538 00:40:24,680 --> 00:40:28,200 Speaker 1: path home. Then your words are meaningless. The sunken child, 539 00:40:28,320 --> 00:40:33,160 Speaker 1: suffering and illusion. The ceremony a lie. No, Dear, how 540 00:40:33,239 --> 00:40:35,880 Speaker 1: can you let a prisoner talk like this? He's just 541 00:40:36,040 --> 00:40:39,040 Speaker 1: a heathen? Does he speak for the High Priestess? Hold 542 00:40:39,120 --> 00:40:41,600 Speaker 1: your tongue, fang Or, I will hold it for you. 543 00:40:42,560 --> 00:40:45,400 Speaker 1: Finish what you were saying. Umber of feeds off suffering, 544 00:40:45,840 --> 00:40:48,799 Speaker 1: but you necronouts welcome death and hopes of channeling her, 545 00:40:49,120 --> 00:40:52,880 Speaker 1: which means for you it's not suffering at all. It's pleasure. 546 00:40:53,680 --> 00:40:57,040 Speaker 1: That's why Umber won't awaken. You don't know true suffering. 547 00:40:58,760 --> 00:41:04,440 Speaker 1: What can speak? This sunken child, like all the others, 548 00:41:04,760 --> 00:41:07,000 Speaker 1: will give his life in vain for a promise that 549 00:41:07,120 --> 00:41:09,920 Speaker 1: can't be kept. How can any of you call yourselves 550 00:41:09,960 --> 00:41:13,080 Speaker 1: your master's true servants when all you offer Umbra is 551 00:41:13,200 --> 00:41:18,000 Speaker 1: false suffering. So spare the life of the sunken child, 552 00:41:18,280 --> 00:41:21,799 Speaker 1: and in this charade, release us and preserve your honor 553 00:41:21,880 --> 00:41:30,080 Speaker 1: before Umbra. That's the one true path home. Enough, release 554 00:41:30,160 --> 00:41:33,960 Speaker 1: our guests from the brig. You can't do it now, 555 00:41:34,160 --> 00:41:37,560 Speaker 1: fang Or, you will be left behind when we depart. 556 00:41:41,000 --> 00:41:44,000 Speaker 1: Gentle with untying our ropes. You heard the High Priests 557 00:41:44,440 --> 00:41:51,000 Speaker 1: for guests, Dear, thank you for understanding my partner and 558 00:41:51,080 --> 00:41:55,960 Speaker 1: I thank prepare these two for tribute. What it will 559 00:41:56,000 --> 00:42:00,120 Speaker 1: be my own a high priestess. Let's time with the 560 00:42:00,200 --> 00:42:12,399 Speaker 1: holy feel tie them to the sacrificial pie. But you're right, 561 00:42:13,080 --> 00:42:17,680 Speaker 1: we necronauts have nothing to offer our master. We'd already 562 00:42:17,719 --> 00:42:22,720 Speaker 1: give our lives, Willie Lane. But you, my surrogate childs, 563 00:42:23,320 --> 00:42:29,759 Speaker 1: you possess a gift that of true suffering. You are 564 00:42:29,840 --> 00:42:35,360 Speaker 1: our key to reaching the entry tribute. Secure to the pilet. Please, 565 00:42:36,120 --> 00:42:42,600 Speaker 1: you're making a mistake. We'll be needing this amulance where 566 00:42:42,600 --> 00:42:49,080 Speaker 1: you're going now, Etha, will you my amulance? You too 567 00:42:49,280 --> 00:42:54,560 Speaker 1: will serve as vessels for Umbrah's glory. Resumed the ceremony. 568 00:43:10,080 --> 00:43:13,239 Speaker 1: I'm sure the foghorn problem isn't anything. Some simple troubleshooting 569 00:43:13,280 --> 00:43:17,239 Speaker 1: can resolve. Engine. Probably just need some oil. Yeah that's right, 570 00:43:17,680 --> 00:43:20,120 Speaker 1: a little oil and all of everything up and running 571 00:43:20,120 --> 00:43:27,720 Speaker 1: in no time. Oh no, there's a lot more machinery 572 00:43:27,760 --> 00:43:35,560 Speaker 1: than I anticipated. Okay, okay, not a problem, no cause 573 00:43:35,640 --> 00:43:38,160 Speaker 1: for concern. I'll take a moment to survey the room 574 00:43:38,400 --> 00:43:45,120 Speaker 1: and explore the environment. M hm hm. There's there's some 575 00:43:45,239 --> 00:43:49,440 Speaker 1: complex mechanisms. Tubular devices, A stable of levers, pulleys, hand cranks, 576 00:43:49,600 --> 00:44:00,000 Speaker 1: and bats. They are bats. Okay, okay, it's really no problem. 577 00:44:00,920 --> 00:44:04,120 Speaker 1: I'll take a step by step, apply the scientific method, 578 00:44:04,400 --> 00:44:08,840 Speaker 1: and have a foghorn fixed and operational shortly. Mm hmmm, 579 00:44:09,640 --> 00:44:12,239 Speaker 1: I wonder what happens if I pull this lever and 580 00:44:12,400 --> 00:44:22,480 Speaker 1: press first steps. So with this step, how about if 581 00:44:22,520 --> 00:44:29,320 Speaker 1: I connect these two chords together? Photo photo photo. This 582 00:44:29,440 --> 00:44:32,320 Speaker 1: isn't working at all. I'm just randomly pulling levers and 583 00:44:32,360 --> 00:44:35,080 Speaker 1: pressing buttons. At this rate, it could take forever, and 584 00:44:35,200 --> 00:44:43,760 Speaker 1: by then it'd be too late. He's no more Hancko, 585 00:44:44,360 --> 00:44:48,000 Speaker 1: black mass disappear. We have bigger concerns at the moment. 586 00:44:49,680 --> 00:44:54,120 Speaker 1: Are one true master? We offer you these two tributes, 587 00:44:54,520 --> 00:44:59,400 Speaker 1: pure of mind and soul. They're real tears from real cries. 588 00:45:00,040 --> 00:45:04,120 Speaker 1: Will soon feel the whites of their eyes when we 589 00:45:04,239 --> 00:45:07,360 Speaker 1: wash them in the fire. They will burn most bright, 590 00:45:07,800 --> 00:45:12,360 Speaker 1: and their screams will bless the night. They will suffer 591 00:45:12,480 --> 00:45:17,719 Speaker 1: as our chosen martyrs bodies yours to possess and show 592 00:45:17,880 --> 00:45:27,520 Speaker 1: us the true path home to the Intra. They see 593 00:45:27,560 --> 00:45:44,080 Speaker 1: the staring him rang for the night by us. Come on, logo, think, 594 00:45:44,840 --> 00:45:46,960 Speaker 1: how is it that Sherlock was once able to operate 595 00:45:47,000 --> 00:45:49,800 Speaker 1: the fog horns complex machinery. There must be some method 596 00:45:49,840 --> 00:45:53,160 Speaker 1: to this madness. What was it he said about how 597 00:45:53,239 --> 00:45:55,920 Speaker 1: it starts. It all begins with a big bang, a 598 00:45:56,040 --> 00:45:58,160 Speaker 1: tug of the pull chord. That's as good a place 599 00:45:58,200 --> 00:46:03,400 Speaker 1: to start as any. H M. The engine. It's actually starting. Okay? 600 00:46:04,000 --> 00:46:07,080 Speaker 1: What was next? We to cycle around this wheel. We 601 00:46:07,160 --> 00:46:10,800 Speaker 1: call existence round and round and round we go the 602 00:46:10,920 --> 00:46:16,279 Speaker 1: hand wheel. Okay, hands in position ten and two. Let's 603 00:46:16,320 --> 00:46:26,920 Speaker 1: turn this wheel clockwise one, two, three. I hear the 604 00:46:26,920 --> 00:46:30,760 Speaker 1: smoke heating up through the clips. It's working. Then what okay? 605 00:46:31,000 --> 00:46:33,759 Speaker 1: The world seesaws back and forth between chaos and order. 606 00:46:33,960 --> 00:46:36,600 Speaker 1: To set everything right and restore the balance, find the 607 00:46:36,680 --> 00:46:41,520 Speaker 1: fulcrum and make it level. Here a metal beam resting 608 00:46:41,600 --> 00:46:44,880 Speaker 1: uneven upon its central pivot point or fulcrum. Next to 609 00:46:44,960 --> 00:46:48,600 Speaker 1: it are three steel weights of ten, five and fifteen pass. 610 00:46:49,320 --> 00:46:53,720 Speaker 1: I can s two sides equal to balance the beams. 611 00:46:56,680 --> 00:47:01,560 Speaker 1: The pressure gage is stabilizing, and when the time is right, 612 00:47:02,120 --> 00:47:04,480 Speaker 1: lit the switch and listen. It's the harmony of the 613 00:47:04,600 --> 00:47:08,759 Speaker 1: spears played out. I suppose that was as good a 614 00:47:08,800 --> 00:47:17,200 Speaker 1: time as henny. Here goes nothing. It's alive. It's alive, 615 00:47:17,880 --> 00:47:32,080 Speaker 1: my creation live, awaken up. Oh, I can from your 616 00:47:32,400 --> 00:47:39,960 Speaker 1: sleep my feeling, I feels her awakening. I can trip 617 00:47:40,080 --> 00:47:46,560 Speaker 1: you twitch five, Oh masta, break through the ground and 618 00:47:46,760 --> 00:47:50,760 Speaker 1: open avoid to swallow us home. Were welcome your return 619 00:47:51,760 --> 00:48:08,600 Speaker 1: phrase me to what's happening till your black worm? Now 620 00:48:16,880 --> 00:48:21,279 Speaker 1: it's too late. That team's gone, hip a Luna. Pull 621 00:48:21,360 --> 00:48:29,520 Speaker 1: back to the li ground. Let's side. Wait, don't leave 622 00:48:29,640 --> 00:48:35,960 Speaker 1: us tied tie you can keep you from the end 623 00:48:36,000 --> 00:48:38,560 Speaker 1: of don't to put it in. Say hi to a 624 00:48:38,719 --> 00:48:51,680 Speaker 1: faster I appy less, Let's go, black worm, come for 625 00:48:51,800 --> 00:48:59,120 Speaker 1: ouz ah serious, Sorry, this looks like the k Don't 626 00:48:59,160 --> 00:49:04,680 Speaker 1: be sad. Don't people at the bird. We'll worry for 627 00:49:04,840 --> 00:49:19,280 Speaker 1: you either, worm and follow horn, leave and go home. 628 00:49:20,080 --> 00:49:30,520 Speaker 1: We're saved, how Sherlock. I don't know if I'll ever 629 00:49:30,640 --> 00:49:33,920 Speaker 1: understand you. All that nonsense. It made sense. I'm off 630 00:49:33,960 --> 00:49:36,279 Speaker 1: to rescue my friends. I hope we meet again one day. 631 00:49:36,400 --> 00:49:38,520 Speaker 1: You can take my sand slid. It's in the basement. 632 00:49:38,840 --> 00:49:43,319 Speaker 1: Get you that quick up sure, stick to the eye 633 00:49:43,400 --> 00:50:05,600 Speaker 1: ground all about look good, no time for questions. Get 634 00:50:05,640 --> 00:50:15,279 Speaker 1: off too, there's no way out my mountain mask That 635 00:50:15,520 --> 00:50:19,320 Speaker 1: was worm leap yap a bally an. Now that the 636 00:50:19,360 --> 00:50:23,240 Speaker 1: worm has gone, that could be just crazy enough to work. Logo. 637 00:50:23,719 --> 00:50:26,600 Speaker 1: Don't get any wild ideas up one step ahead of yet, 638 00:50:29,080 --> 00:50:31,520 Speaker 1: as it look pretty tight. But if we can make 639 00:50:31,560 --> 00:50:33,400 Speaker 1: it through that slip in the valley rock, we might 640 00:50:33,480 --> 00:50:37,840 Speaker 1: be able to escape. Keep your legs and arms inside 641 00:50:37,880 --> 00:50:43,399 Speaker 1: the vehicle. It's about to get cozy. We're in time. 642 00:50:43,440 --> 00:50:45,759 Speaker 1: The crevice the walls is turning a narrow around us, 643 00:50:45,880 --> 00:50:48,440 Speaker 1: but the end is only a few yards ahead. Serious 644 00:50:48,920 --> 00:50:54,200 Speaker 1: three stings pop and selling that show a trust me, 645 00:50:55,840 --> 00:51:05,759 Speaker 1: now going to skip past that rock vile. We're finally free. 646 00:51:06,360 --> 00:51:15,239 Speaker 1: We made it through show dropt sand. Let it go. 647 00:51:15,880 --> 00:51:21,000 Speaker 1: It's great. I'm doing it. I'm really doing it. I'm 648 00:51:21,160 --> 00:51:24,080 Speaker 1: saving to day. Look at me, I'm a be David. 649 00:51:24,360 --> 00:51:29,799 Speaker 1: No helmet, no hardest, I'm trying without a mask. I flover. Oh, 650 00:51:32,640 --> 00:51:35,000 Speaker 1: we're out of gas. But now head to the high 651 00:51:35,040 --> 00:51:37,080 Speaker 1: ground leading out of the valley. We'll be safe their 652 00:51:37,120 --> 00:51:39,279 Speaker 1: once we're off the dune. The worm camp peers through 653 00:51:39,320 --> 00:51:47,640 Speaker 1: calcified rock. Who okay, but why are you walking like that? Oh? 654 00:51:47,960 --> 00:51:51,840 Speaker 1: I talk without rhythm. Don't alert the priest. Walk without rhythm, 655 00:51:52,160 --> 00:51:55,600 Speaker 1: don't attract the beast, come on, walk like me. Can't 656 00:51:55,640 --> 00:52:29,640 Speaker 1: beat him? Yeah, baby, Oh no, Please don't hurt them. 657 00:52:29,680 --> 00:52:32,440 Speaker 1: They're just pawns. They're just eating it in ponds in 658 00:52:32,520 --> 00:53:08,080 Speaker 1: this tragic game of life. Yeah. InterQuest created by Michael Freiberg, 659 00:53:08,440 --> 00:53:11,920 Speaker 1: a production of I Heart Radio and Astro Media Executive 660 00:53:11,960 --> 00:53:15,720 Speaker 1: produced by Michael Freiberg and I Hear Radio, co produced 661 00:53:15,840 --> 00:53:19,440 Speaker 1: by Adam Ramunda and Chelsea English. Sound design and mixed 662 00:53:19,480 --> 00:53:25,520 Speaker 1: by Dennis Dembeck. Music by Trey Toy. Performances by Matthew Brissard, Ether, 663 00:53:26,200 --> 00:53:32,960 Speaker 1: Mike Leaviovitz, Serious Mike Kaplan, Logo, Lucy poul Umbra featuring 664 00:53:33,480 --> 00:53:38,279 Speaker 1: Nick Nanny gate Man, Casey, James Lango, Sherlock, j P 665 00:53:38,440 --> 00:53:45,800 Speaker 1: mcdaide Fang, Mattie Smith, Zephyr, Tina Hesham, Luna, Nina tar Nader, 666 00:53:46,440 --> 00:53:50,840 Speaker 1: Joe List, Sunken Child. Director and head writer Michael Freiberg, 667 00:53:51,400 --> 00:53:56,400 Speaker 1: writers Tom Delgado and Will Julian, story editor Chelsea English, 668 00:53:56,880 --> 00:54:02,880 Speaker 1: dialogue editor Adam Ramunda. Additional music Matthew Blaca, fully post 669 00:54:02,960 --> 00:54:06,319 Speaker 1: red full cast and crew in the description. Find more 670 00:54:06,400 --> 00:54:09,080 Speaker 1: podcasts from my Heart Radio on the I Heart Radio app, 671 00:54:09,239 --> 00:54:11,800 Speaker 1: Apple podcast, or wherever you listen to podcasts.