WEBVTT - How Human Cannonballs Work

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<v Speaker 1>Brought to you by the reinvented two thousand twelve Camray.

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<v Speaker 1>It's ready. Are you welcome to stuff you should know

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<v Speaker 1>from house toff works dot com Kaboom and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark, There's Charles W. Chuck Bryant.

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<v Speaker 1>What are you doing now? You're doing the cheeks? Huh?

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<v Speaker 1>Have you ever captured that? Yeah? We did it once

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<v Speaker 1>and then people have asked occasionally liked the cheek thing again?

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<v Speaker 1>And I don't want to. I want to do it

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<v Speaker 1>like once every hundred and fifty shows. Literally that's a

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<v Speaker 1>good that's a good pace. I don't want to overdo that.

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<v Speaker 1>So that's that'll be the third time soon coming up,

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<v Speaker 1>I think so. Yeah, sure, four fifty right around the

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<v Speaker 1>corner head around company. Um, chuckers, have you ever had

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<v Speaker 1>kaboom cereal? No, dude, that was such a thing good? Um, No,

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<v Speaker 1>it wasn't good. The marshmallows were good. They it was

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<v Speaker 1>basically like Lucky Charms. I don't know who ripped off who,

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<v Speaker 1>but it was clown themed rather than you know, Irish themed.

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<v Speaker 1>That's genius. Yeah, But there was a clown on front

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<v Speaker 1>and he had a cannon and that's where the name

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<v Speaker 1>came from. Kaboom. It was a circus clown circus cannon.

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<v Speaker 1>But then they realized clowns where scary as heck most people,

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<v Speaker 1>so it failed miserably. I wrote this blog post recently.

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<v Speaker 1>Did you read it about it? Yeah, the clown giving

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<v Speaker 1>clown therapy. People seem to like it too. Yeah. I

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<v Speaker 1>thought it was a nice one. Um, that wasn't my intro.

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<v Speaker 1>My intro was about hunter te. Oh, well, let's hear it,

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<v Speaker 1>do you remember? Well, sure, you're probably gonna reference his

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<v Speaker 1>death wish. Yes, so he you know, he comes down

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<v Speaker 1>with the cancer and um shoots himself in the head.

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<v Speaker 1>And regardless of how you feel about suicide, what happened

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<v Speaker 1>next was his um As you said, I guess his

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<v Speaker 1>death wish, which you made in life. Ironically. Yeah, there's

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<v Speaker 1>two kinds of death wishes. There's a wish that you

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<v Speaker 1>make upon your death that you would like for things

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<v Speaker 1>to happen after you die, and then there's the jolly

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<v Speaker 1>Brunson death wish. Nice. That's good, good, Chuck bron Well,

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<v Speaker 1>that's a Simpsons character too, But it's the Simpsons character, right,

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<v Speaker 1>the mustachioed sales clerk yes, but he clearly references Gerald's Brunson. Um. Anyway,

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<v Speaker 1>what happened to Hunter T was he Um, he he

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<v Speaker 1>was cremated and he had his remains shot out of

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<v Speaker 1>a cannon. Have you seen it? Yeah? Thanks to Johnny

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<v Speaker 1>Depp helped that dream come true because he has tons

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<v Speaker 1>and tons of money to make that happen. Yes, he does.

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<v Speaker 1>It is quite a cannon too. Um. And we've talked

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<v Speaker 1>before about how I want my dead body shot out

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<v Speaker 1>of a cannon. We have indeed, Um, I'm not so

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<v Speaker 1>sure anymore. Maybe who knows? It would be after reading

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<v Speaker 1>this article and the physical requirements, it would be kind

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<v Speaker 1>of gruesome. It wouldn't be like unless they stiffened you

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<v Speaker 1>up somehow, you would come out in a big like

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<v Speaker 1>a dead body would. That's what I've always imagined though,

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<v Speaker 1>that's what I see flying through the air. I thought

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<v Speaker 1>you saw yourself like shooting through a rocket towards the storm. No,

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<v Speaker 1>like flopping like through the air and doing like half

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<v Speaker 1>somersaults and twists. Think it's gonna be naked too. I

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<v Speaker 1>was gonna land on the Kansas Prairie and let the

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<v Speaker 1>vultures finish me off. All right, We'll see idea, bring it.

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<v Speaker 1>I got a backyard for you. I think that's how

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<v Speaker 1>we met coop um he he offered. He was like, hey,

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<v Speaker 1>I I live in Kansas and I can get this done. Yeah, alright,

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<v Speaker 1>so we'll see. But I think that that's an image

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<v Speaker 1>that people can have in their head while we talk

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<v Speaker 1>about how human cannonballs work, right, because like you said,

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<v Speaker 1>there's a lot to it, but one of the things

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<v Speaker 1>that's not to it. And I think it's funny that,

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<v Speaker 1>um people wonder how this how you can shoot somebody

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<v Speaker 1>out of a cannon and the gunpowder doesn't blow them up.

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<v Speaker 1>There's no gunpowder, of course there's not. I don't understand

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<v Speaker 1>how someone cannot understand that intuitively. Yeah, because I think

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<v Speaker 1>people want to believe that they're being fired out of

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<v Speaker 1>a cannon instead of a a long piston enclosed in

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<v Speaker 1>a in a tube with a fake boom in a flash.

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<v Speaker 1>Yes for effect. Okay, so I guess it's the fake

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<v Speaker 1>boom in the flash they're they're buying it. Yeah, Well

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<v Speaker 1>that's the idea from the beginning. That was the idea,

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<v Speaker 1>so yes, and it has long roots back to the

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<v Speaker 1>nineteenth century, back to the UK which by the way

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<v Speaker 1>I've noticed. Did you notice from like this article in

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<v Speaker 1>doing any supplementary research, the UK is big into human cannonballs.

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<v Speaker 1>I think they're big one, just this whole circus experience.

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<v Speaker 1>They were the original showman. Yeah. Sure, they own the world.

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<v Speaker 1>Yeah that's true, you know, and they sold it. And

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<v Speaker 1>when you own the world, you have an obligation to

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<v Speaker 1>entertain the world, and they did so by human cannonballs. Specifically,

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<v Speaker 1>something called the projector is the is the I guess

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<v Speaker 1>grandfather of the human cannon ball cannon right, the Ferini

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<v Speaker 1>project Or seventy one, George Farini. Basically it was like

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<v Speaker 1>a we're like a catapult, like a spatula that would

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<v Speaker 1>just flip people and stop day and people would go

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<v Speaker 1>flopping and flying through the air. Yeah, oh god, I

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<v Speaker 1>regret this. Yeah. Uh. Specifically Lulu Um, who was a

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<v Speaker 1>man dressed as a woman, because that always adds to

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<v Speaker 1>the comic effect, right, put a dude in address and

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<v Speaker 1>he was the first person in America to get flapjacked

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<v Speaker 1>with Ferini's contraption. There. Yeah, and not only did he

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<v Speaker 1>do that, he was he sailed thirty ft into the

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<v Speaker 1>air and Um was caught by someone on a trampieze.

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<v Speaker 1>So as we go through this, I don't want any

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<v Speaker 1>just think about my dead body being shot onto the

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<v Speaker 1>Kansas Prairie. Uh. I want you to think about how

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<v Speaker 1>difficult it is to catch somebody on a trapeez who's

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<v Speaker 1>just been shot out of a cannon. While you're on

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<v Speaker 1>a trapeeze. You're swinging it just the right point, hitting

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<v Speaker 1>him just the right way, and then taking their for

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<v Speaker 1>momentum and yanking him another way on the trapeez. Yeah. Well,

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<v Speaker 1>this um, in fairness, Lulu wasn't caught by someone. She

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<v Speaker 1>he just actually grabbed hold of the trapeeze. But there

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<v Speaker 1>are people later on in this article who were caught

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<v Speaker 1>by people on the trampez. I just want to get

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<v Speaker 1>that so someone out there was like, no, no, Lulu.

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<v Speaker 1>I wonder there'd be one person who knew that. Um

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<v Speaker 1>so uh. The Farini projector was invented in eighteen seventy one.

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<v Speaker 1>It was obsolete by eighteen eighty because this is the

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<v Speaker 1>year that a fourteen year old girl named Rosa Marie

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<v Speaker 1>Richter whose stage name was Zazzle. All right, great great

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<v Speaker 1>grandmother to Andy Richter. No, I'm just kidding, um, great

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<v Speaker 1>stage name though, right Zazz. She's fourteen um and she,

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<v Speaker 1>at the behest of one P. T. Barnum climbed into

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<v Speaker 1>the first cannon human cannonball cannon um that that is

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<v Speaker 1>designed like today's modern cannons, and she was shot out

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<v Speaker 1>of it and um shortly after that, within a few performances,

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<v Speaker 1>she broke her back and was the first casualty of

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<v Speaker 1>the human cannonball in this first the first cannon used

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<v Speaker 1>the springs, and they employed the blast the fire in

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<v Speaker 1>the in the boom to make people thinking back then,

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<v Speaker 1>they probably really bought it. Oh how bad? You know,

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<v Speaker 1>people are so dumb back then. Uh. And there's a

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<v Speaker 1>very famous picture of her climbing into the cannon. It's

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<v Speaker 1>called like beautiful girl and huge gun or something like that.

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<v Speaker 1>I thought that our fore fathers like invented everything and

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<v Speaker 1>like built the world, and we're like, they're so dumb

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<v Speaker 1>stupid people. Yeah, well, it's harder and harder to build

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<v Speaker 1>and discover new things now because they're all that was

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<v Speaker 1>all the easy stuff, Like you and I could have

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<v Speaker 1>discovered all this stuff right now, it's just more and

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<v Speaker 1>more difficult. You have to really look for subtlety, right,

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<v Speaker 1>So we say, thanks to no one Um. So the

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<v Speaker 1>the late nineteenth century, is this the human cannonball idea

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<v Speaker 1>just takes off? Right, thanks to Dazzle, thanks to George Loyal.

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<v Speaker 1>He was the one who was shot out of a

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<v Speaker 1>cannon and would be caught by a woman on a

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<v Speaker 1>trap at the Yankee Robinson Circus. Right, Yes, that's incredibly difficult.

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<v Speaker 1>It is, And you think about it, like, I think

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<v Speaker 1>I've even seen that before, like in person, at at

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<v Speaker 1>a circus when I was a kid. Um. But now

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<v Speaker 1>that I've researched and read this, I'm like, I can't

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<v Speaker 1>imagine how difficult that has to be, how everything has

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<v Speaker 1>to be totally precise, and that these circus performers must

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<v Speaker 1>spend like all day practicing every day just to make sure. Yeah,

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<v Speaker 1>and not just the to the timing. There's a lot

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<v Speaker 1>of other stuff that you have to take into account. Right,

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<v Speaker 1>It's not just get in this cannon. We're gonna push

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<v Speaker 1>you out, no, Josh, Because the little sled that you're

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<v Speaker 1>basically in goes forward at a force of three thousand

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<v Speaker 1>and six thousand pounds per square inch of pressure. Right

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<v Speaker 1>that we should say pressed air is now the the

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<v Speaker 1>preferred means of shooting that little piston forward right, and

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<v Speaker 1>you're in a little capsule like imagine um Mark's egg,

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<v Speaker 1>but with the top cut off, so you're not you're

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<v Speaker 1>in the in the barrel in what amounts to a barrel,

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<v Speaker 1>a bullet in the barrel, a bullet with the top

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<v Speaker 1>cut off, and um that bullet is attached to the cannon.

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<v Speaker 1>So when the when the compressed air shoots it out,

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<v Speaker 1>the cannon stops, but you keep going, that's right, But

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<v Speaker 1>it shoots you out at a what did you say,

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<v Speaker 1>like three thousand to six thousand pounds per square inch

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<v Speaker 1>of pressure. Yeah, that produces some some force. That's a lot.

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<v Speaker 1>And that's why you can't just be like all limp.

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<v Speaker 1>You know, that would crush you. You know, you have

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<v Speaker 1>to be extremely strong and rigid, and your legs have

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<v Speaker 1>to be taught. Like. You can't just be like all right,

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<v Speaker 1>shoot shoot it off, or like your dead body. That's

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<v Speaker 1>why it would be so gruesome. I wonder if I

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<v Speaker 1>just explode in blood at the end of the can.

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<v Speaker 1>I don't know. Maybe, but with with the big daddy

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<v Speaker 1>cannons these days, you can go horizontally about two hundred

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<v Speaker 1>feet or vertically, which they say that's where the ooz

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<v Speaker 1>and ods come from as high as two hundred feet

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<v Speaker 1>uh and then speeds up to sixty to seventy. Right,

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<v Speaker 1>So you're hauling, you are hauling. Um, you're also under

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<v Speaker 1>some tremendous force, right, oh yes, so yeah, you've got

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<v Speaker 1>about nine ges during launch and twelve jess and impact

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<v Speaker 1>and we'll talk about that later. But chuck the dodoon

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<v Speaker 1>paw right, it's a roller coaster in Japan. It has

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<v Speaker 1>the highest acceleration. UM. It's a two point seven geezez. Yeah,

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<v Speaker 1>so imagine nine right, Yeah, this is a this is

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<v Speaker 1>a this is you're putting this human body under a

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<v Speaker 1>lot of stress, right then, yes, and you fly out

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<v Speaker 1>a long way. And that's why you have to take

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<v Speaker 1>into account the things we briefly mentioned like wind speed,

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<v Speaker 1>body weight, obstacles like the guy wires and the tent

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<v Speaker 1>for the net and the poles for the for the tent,

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<v Speaker 1>and we also we mentioned that in Sniper. Remember, yeah,

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<v Speaker 1>we're talking about the bullet trajectory, and they have to

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<v Speaker 1>take into account like humidity. So do people who set

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<v Speaker 1>up human cannonball cannons. And usually I get the impression

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<v Speaker 1>the human cannonball is the manager in charge of this

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<v Speaker 1>whole act. They don't just come out and they're like,

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<v Speaker 1>all right, I'll get in it already, did it right? Yeah,

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<v Speaker 1>And some carnie like puts out a cigarette's like it

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<v Speaker 1>looks good to me. Uh no, that's not the case. Um.

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<v Speaker 1>A lot of planning goes in because they make a point.

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<v Speaker 1>It's pretty easy to get into a cannon and get

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<v Speaker 1>shot out, although, like we said, you gotta be really

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<v Speaker 1>strong and stuff. But the landing part is the crucial part, obviously, right,

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<v Speaker 1>because of fifty byt net look pretty big when you're

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<v Speaker 1>standing on it, but when you're two hundred feet away

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<v Speaker 1>and two hundred feet up, it might look like a

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<v Speaker 1>postage damp to you. And I mean, this is a

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<v Speaker 1>big deal, and you want to hit that net. You

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<v Speaker 1>you want to hit it in just the right place

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<v Speaker 1>to sure. Um. Yeah, So to make sure that the

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<v Speaker 1>person hits the net, um, test dummies are used. The

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<v Speaker 1>test dummy is a human cannonball's best friend because you

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<v Speaker 1>can shoot a test dummy out as much as you

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<v Speaker 1>want until you figure out whether or not you've got

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<v Speaker 1>the barrel trajectory just right that the temperature is a problem.

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<v Speaker 1>What have you adjustments early, right, And so they just

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<v Speaker 1>shoot a test dummy at the net until they have

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<v Speaker 1>it just right, and then they I guess they feel

0:12:44.559 --> 0:12:47.520
<v Speaker 1>that they're confident they're going to try their luck at it. Yeah,

0:12:47.520 --> 0:12:49.040
<v Speaker 1>and like you said, you gotta hit the net at

0:12:49.040 --> 0:12:51.679
<v Speaker 1>the proper place too, which is generally the rear third,

0:12:51.840 --> 0:12:54.000
<v Speaker 1>because when you hit something going down in an angle

0:12:54.080 --> 0:12:57.680
<v Speaker 1>like that, you're gonna bounce backwards, not like pop straight

0:12:57.760 --> 0:12:59.760
<v Speaker 1>up or go forward. So you don't want to hit

0:12:59.800 --> 0:13:02.079
<v Speaker 1>it on the first third because then you'll bounce backwards

0:13:02.120 --> 0:13:05.120
<v Speaker 1>off the net. So yeah, it's pretty specific. It is

0:13:06.000 --> 0:13:12.440
<v Speaker 1>um So Chuck, who does this crazy circus people, circus families.

0:13:12.440 --> 0:13:16.440
<v Speaker 1>It's always families. Yeah, you know, like once you get

0:13:16.480 --> 0:13:19.520
<v Speaker 1>into circus then you've almost guaranteed that your kid is

0:13:19.520 --> 0:13:22.720
<v Speaker 1>going to do that. So you want to talk about

0:13:22.760 --> 0:13:25.200
<v Speaker 1>some of them, Well, yeah, the one I think I've

0:13:25.240 --> 0:13:30.200
<v Speaker 1>heard of these people even before this um this article,

0:13:30.720 --> 0:13:35.959
<v Speaker 1>But the Zucchini family Zacchini zucchini zucchini zacchinis have been

0:13:36.000 --> 0:13:39.160
<v Speaker 1>doing uh while, They've been performing in circuses since the

0:13:39.240 --> 0:13:42.760
<v Speaker 1>nineteen twenties, and apparently they stopped in the nineties They're like,

0:13:42.800 --> 0:13:45.600
<v Speaker 1>seventy years is enough for us. The Zipchinis are hanging

0:13:45.640 --> 0:13:50.079
<v Speaker 1>up our little fancy shoes right. Uh. And in that time, um,

0:13:50.160 --> 0:13:53.640
<v Speaker 1>there were seven brothers in the family. Five of them

0:13:53.960 --> 0:13:57.599
<v Speaker 1>became human cannonballs. And that's just the brothers. There was

0:13:57.640 --> 0:14:01.439
<v Speaker 1>also a sister to who human cannonballing. Yeah, I'm just

0:14:01.520 --> 0:14:03.760
<v Speaker 1>dying to know what those other two dudes. It's like

0:14:05.520 --> 0:14:09.960
<v Speaker 1>Eli and Peyton Manning's brother that most people go, there's

0:14:09.960 --> 0:14:13.479
<v Speaker 1>another brother, right, like, well, what does he do? He

0:14:13.480 --> 0:14:16.040
<v Speaker 1>he's the oldest budn't he And he's like he was

0:14:16.080 --> 0:14:18.199
<v Speaker 1>like a big man on campus at Old Miss, but

0:14:18.320 --> 0:14:20.920
<v Speaker 1>that was it. He didn't he just parted. Doesn't play

0:14:20.920 --> 0:14:28.720
<v Speaker 1>football though, so he's not beloved by his father Archie. Yeah,

0:14:28.920 --> 0:14:33.080
<v Speaker 1>so not true probably. Uh. They worked with the Ringling

0:14:33.120 --> 0:14:36.080
<v Speaker 1>brothers that the Zucchini's did, who obviously a big name

0:14:36.080 --> 0:14:39.520
<v Speaker 1>in circuses, and uh, they sort of pushed the envelope.

0:14:40.000 --> 0:14:42.720
<v Speaker 1>Hugo and Victor the brothers did a little double barrel

0:14:43.600 --> 0:14:48.600
<v Speaker 1>gag that went over pretty well, and Mario would get

0:14:48.640 --> 0:14:53.160
<v Speaker 1>shot over Ferris wheels, like two Ferris wheels, Mario Zucchini

0:14:53.760 --> 0:14:56.440
<v Speaker 1>two Ferris wheels, not on top of one another, No,

0:14:57.440 --> 0:15:00.320
<v Speaker 1>one after the other. That's quite a weird quite a beat.

0:15:00.760 --> 0:15:06.480
<v Speaker 1>And then um, John Weiss human bullet. Yeah, he started

0:15:06.480 --> 0:15:09.240
<v Speaker 1>out as a clown apparently, really, he did five years

0:15:09.240 --> 0:15:13.360
<v Speaker 1>as a clown and then made the very rare jump

0:15:13.480 --> 0:15:16.760
<v Speaker 1>to human cannonball, from clown to cannonball this year and

0:15:16.800 --> 0:15:25.520
<v Speaker 1>apparently his first first shot sent him six ft really, yeah, yeah,

0:15:25.600 --> 0:15:27.520
<v Speaker 1>that was his first Did you do it as a clown?

0:15:28.000 --> 0:15:30.400
<v Speaker 1>You know? I think that that would have been a

0:15:30.440 --> 0:15:35.480
<v Speaker 1>mockery to the human cannonball um tradition. Okay, yeah, I

0:15:35.520 --> 0:15:38.080
<v Speaker 1>don't want to do that. And then there's the Smith family,

0:15:38.640 --> 0:15:41.200
<v Speaker 1>also a very popular circus cannonball family. Did you talk

0:15:41.240 --> 0:15:44.360
<v Speaker 1>about John Weiss, Well, he was. He was one of

0:15:44.400 --> 0:15:47.720
<v Speaker 1>the most prolific cannonballers. Did he die doing it? No?

0:15:48.640 --> 0:15:51.680
<v Speaker 1>Did you mention how many times he's done it? Five thousand?

0:15:52.080 --> 0:15:54.640
<v Speaker 1>That is a lot of time to be shot out

0:15:54.640 --> 0:15:56.360
<v Speaker 1>of a cannon. I did just kind of breeze over

0:15:56.400 --> 0:16:01.280
<v Speaker 1>that five thousand times. And he started in nine teen seven. Yeah,

0:16:01.560 --> 0:16:03.360
<v Speaker 1>so he was doing it for a little while there.

0:16:03.400 --> 0:16:06.400
<v Speaker 1>For years, I guess he was doing it once a day,

0:16:06.480 --> 0:16:09.680
<v Speaker 1>six days a week, fifty weeks a year. Yeah, you're right,

0:16:09.720 --> 0:16:11.640
<v Speaker 1>that's a lot of blasts. There is a lot. That's

0:16:11.680 --> 0:16:14.120
<v Speaker 1>a lot of I mean, especially what we know about

0:16:14.200 --> 0:16:18.440
<v Speaker 1>what the pressure and it exerts on a body. I mean,

0:16:18.440 --> 0:16:21.720
<v Speaker 1>that's that's rough work. Yeah, and it's uh, I mean

0:16:21.720 --> 0:16:24.640
<v Speaker 1>we've pointed out how it is safe. But more than

0:16:24.680 --> 0:16:27.480
<v Speaker 1>thirty people have died doing this over the years. Okay,

0:16:27.520 --> 0:16:30.480
<v Speaker 1>so the that that that pops up in this article,

0:16:30.600 --> 0:16:34.680
<v Speaker 1>thirty people have died as human cannonballs. There's a British

0:16:34.680 --> 0:16:38.240
<v Speaker 1>historian who died a few years back. His name is A. H. Cox.

0:16:39.160 --> 0:16:43.160
<v Speaker 1>He Um says that there's been only about fifty people

0:16:43.360 --> 0:16:48.560
<v Speaker 1>to ever be human cannonballs. Thirty have died. Really, yeah,

0:16:48.920 --> 0:16:51.200
<v Speaker 1>I thought that's kind of significant enough to be put

0:16:51.240 --> 0:16:55.120
<v Speaker 1>into this article. Ward me off of human cannonballs. So

0:16:55.280 --> 0:16:58.160
<v Speaker 1>thirty out of fifty have died, and that's just who

0:16:58.240 --> 0:17:03.560
<v Speaker 1>died others, you know, like back, Zazzle broker back, Um, Yeah,

0:17:03.720 --> 0:17:12.280
<v Speaker 1>we'll get into that gruesomeness soon, zazz Alright, So back

0:17:12.320 --> 0:17:15.800
<v Speaker 1>to the Smith family. They are the modern um cannonball

0:17:15.840 --> 0:17:19.600
<v Speaker 1>family that are pretty awesome. Um. David Cannonball Smith Jr.

0:17:20.280 --> 0:17:23.080
<v Speaker 1>Has spent much of his life inside of a cannon. Yes,

0:17:23.240 --> 0:17:26.800
<v Speaker 1>have you been on their website? Pretty funny. He just

0:17:27.040 --> 0:17:31.240
<v Speaker 1>he's described as having a dynamic personality. I like that.

0:17:31.720 --> 0:17:33.960
<v Speaker 1>It's better than saying he has a dynamite personality to

0:17:34.040 --> 0:17:38.919
<v Speaker 1>be pretty bad. But David the Bullet Smith Jr. Is

0:17:38.920 --> 0:17:42.040
<v Speaker 1>a son and I'm sorry, he's the one with the dynamics. Okay,

0:17:42.080 --> 0:17:44.840
<v Speaker 1>his dad was a real snooze. I don't know. Uh,

0:17:44.920 --> 0:17:48.879
<v Speaker 1>he bested his dad's record of by flying a hundred

0:17:49.440 --> 0:17:54.560
<v Speaker 1>ft Yeah, but his dad still holds the highest. I

0:17:54.560 --> 0:18:00.280
<v Speaker 1>think two hundred and three two and that's friends outside

0:18:00.320 --> 0:18:03.440
<v Speaker 1>of America. That's one of those over two Ferris wheels. Yeah,

0:18:03.560 --> 0:18:06.560
<v Speaker 1>that's crazy. Yep. Oh, should you mention the DARPA thing.

0:18:06.560 --> 0:18:09.240
<v Speaker 1>I thought that was completely stupid and ridiculous. Did you

0:18:09.280 --> 0:18:13.280
<v Speaker 1>think so? Yeah? I think it's kind of cool. I

0:18:13.320 --> 0:18:16.520
<v Speaker 1>think if DARPA could perfect this, then it could take

0:18:16.560 --> 0:18:20.000
<v Speaker 1>the human cannonball art to a whole new level. Spill it.

0:18:20.119 --> 0:18:25.080
<v Speaker 1>But basically, DARPA the Defense Research Project, Right, there's an

0:18:25.080 --> 0:18:30.080
<v Speaker 1>a in there somewhere. Yes, thank you, Um they were

0:18:30.119 --> 0:18:33.879
<v Speaker 1>looking at I think they filed the patent for a

0:18:34.119 --> 0:18:38.680
<v Speaker 1>basically human cannonball cannon that has like a sled chair

0:18:39.320 --> 0:18:43.200
<v Speaker 1>right that shoots you up. I think they said they

0:18:43.200 --> 0:18:47.639
<v Speaker 1>can get a first responder special ops a firefighter on

0:18:47.760 --> 0:18:50.919
<v Speaker 1>top of a five story building in two seconds. So

0:18:51.000 --> 0:18:53.920
<v Speaker 1>basically their idea is to take the human cannonball concept

0:18:54.160 --> 0:18:56.399
<v Speaker 1>and just shoot people on top of buildings to go

0:18:56.520 --> 0:18:59.239
<v Speaker 1>fight fires or to go snipe people or whatever. So

0:18:59.280 --> 0:19:01.560
<v Speaker 1>I get that. It's the landing thing that they say

0:19:01.600 --> 0:19:04.000
<v Speaker 1>is the hardest part in real cannonballing. So what what's

0:19:04.000 --> 0:19:05.399
<v Speaker 1>going on there? Well, that's what I'm saying. I have

0:19:05.440 --> 0:19:07.480
<v Speaker 1>no idea. I don't know if they were like, well,

0:19:07.520 --> 0:19:09.399
<v Speaker 1>we've got this part, now, let's go figure out the

0:19:09.440 --> 0:19:12.880
<v Speaker 1>other part. But that's that's kind of the big um

0:19:13.240 --> 0:19:18.040
<v Speaker 1>joke or the big underscore among human cannonballers is it's

0:19:18.040 --> 0:19:20.800
<v Speaker 1>not a problem shooting somebody out of a cannon. It's

0:19:20.800 --> 0:19:23.879
<v Speaker 1>the landing that's the important part. Yeah, right, Or in

0:19:23.880 --> 0:19:27.119
<v Speaker 1>this case, if you're shooting someone on a building, if

0:19:27.160 --> 0:19:28.959
<v Speaker 1>you're off there, then it's all of a sudden, you're

0:19:29.000 --> 0:19:32.360
<v Speaker 1>a cartoon and you smack into the building and then

0:19:32.359 --> 0:19:35.960
<v Speaker 1>slide very slowly down, except unlike a cartoon, you leave

0:19:36.000 --> 0:19:38.560
<v Speaker 1>a trail of blood when you slide down. Yeah, And

0:19:38.600 --> 0:19:41.040
<v Speaker 1>you slide down fast and then there's more blood and

0:19:41.040 --> 0:19:44.800
<v Speaker 1>body parts on the street. Yes, which has happened. I'm

0:19:44.800 --> 0:19:47.320
<v Speaker 1>sure it has. There's there's been a lot of accidents.

0:19:47.359 --> 0:19:51.800
<v Speaker 1>As we've said, out of fifty, uh thirty human cannonballs

0:19:51.800 --> 0:19:56.320
<v Speaker 1>have died, right, it's a lot and um to to

0:19:56.400 --> 0:19:59.960
<v Speaker 1>prevent this. You know, these people stay in tiptop shape,

0:20:00.200 --> 0:20:03.320
<v Speaker 1>right Um. You have to work out your core. You

0:20:03.359 --> 0:20:04.960
<v Speaker 1>have to have a strong back. You need to be

0:20:05.000 --> 0:20:07.679
<v Speaker 1>able to brace yourself like you said, and really just

0:20:07.840 --> 0:20:10.520
<v Speaker 1>go totally rigid so when you're shot out, you don't

0:20:10.560 --> 0:20:13.440
<v Speaker 1>just you're not crushed. You need to become a projectile,

0:20:14.040 --> 0:20:15.920
<v Speaker 1>right um, because all you're wearing a helmet, maybe a

0:20:15.920 --> 0:20:19.320
<v Speaker 1>little padding. Yeah, but Alma's not gonna do much if

0:20:19.359 --> 0:20:22.879
<v Speaker 1>you miss your net, no, um, and the net is

0:20:23.040 --> 0:20:25.920
<v Speaker 1>very important. A lot of people use air bags as well,

0:20:26.040 --> 0:20:30.719
<v Speaker 1>right um. There was a guy who's named Elvin Bale

0:20:31.840 --> 0:20:35.640
<v Speaker 1>and it's the human Space Shuttle. He used air bags

0:20:35.880 --> 0:20:38.560
<v Speaker 1>and he is a victim of circumstance if there ever

0:20:38.640 --> 0:20:41.240
<v Speaker 1>has been one. Right. He was big in the seventies

0:20:41.280 --> 0:20:48.160
<v Speaker 1>and eighties until I believe seven, when he went through

0:20:48.160 --> 0:20:53.440
<v Speaker 1>all the the tests shot his crash test dummy out. Um,

0:20:53.560 --> 0:20:57.159
<v Speaker 1>it landed fine in these air bags where he calculated

0:20:57.200 --> 0:21:00.280
<v Speaker 1>they should be. And um, what he didn't know is

0:21:00.320 --> 0:21:03.880
<v Speaker 1>that his crash test dummy had gotten wet, which made

0:21:03.880 --> 0:21:08.320
<v Speaker 1>it much heavier, which completely changed the dynamics of its

0:21:08.680 --> 0:21:12.919
<v Speaker 1>test run. So when he shot himself out, he missed

0:21:12.960 --> 0:21:16.520
<v Speaker 1>the air bags right, he did, He was he sailed

0:21:16.600 --> 0:21:19.159
<v Speaker 1>right over him. This is in Hong Kong. And he

0:21:19.200 --> 0:21:21.720
<v Speaker 1>said that he knew quote, I could see where I

0:21:21.760 --> 0:21:24.040
<v Speaker 1>was going and that it was too far, too fast,

0:21:24.640 --> 0:21:27.720
<v Speaker 1>so he knew in mid air he was conscious enough

0:21:27.760 --> 0:21:30.360
<v Speaker 1>to be like, oh crap, I'm not going to hit

0:21:30.440 --> 0:21:33.520
<v Speaker 1>the air bag and apparently the dummy, because when I

0:21:33.520 --> 0:21:34.919
<v Speaker 1>read that, I was like, well, how does this happen

0:21:35.560 --> 0:21:37.399
<v Speaker 1>when that's the only safety thing you can do. How

0:21:37.400 --> 0:21:39.920
<v Speaker 1>do you have a soap dummy? Apparently it was left

0:21:39.960 --> 0:21:42.960
<v Speaker 1>in the rain and they're filled with sand, and so

0:21:43.640 --> 0:21:46.240
<v Speaker 1>the outside of it dried, and but the sand was

0:21:46.280 --> 0:21:48.280
<v Speaker 1>still wet on the inside, so it didn't like feel

0:21:48.280 --> 0:21:51.160
<v Speaker 1>wet to the touch when they were testing it, And

0:21:51.400 --> 0:21:53.639
<v Speaker 1>he said he remembered it feeling like it was in

0:21:53.720 --> 0:21:58.000
<v Speaker 1>slow motion and that his brain actually thought he could

0:21:58.000 --> 0:22:02.359
<v Speaker 1>solve this problem in mid airrow aerodynamically like do something

0:22:02.400 --> 0:22:05.399
<v Speaker 1>like I can do this and shorten the trip and

0:22:05.480 --> 0:22:08.480
<v Speaker 1>land upright, which might save me. But instead he overshot

0:22:08.480 --> 0:22:12.000
<v Speaker 1>it by just a few yards and slam feet first

0:22:12.040 --> 0:22:15.480
<v Speaker 1>into the floor, shattered his ankles, knee, a leg in

0:22:15.520 --> 0:22:20.040
<v Speaker 1>his spine, and he's paralyzed from the moist down and

0:22:20.080 --> 0:22:25.679
<v Speaker 1>that is very sad. Uh. He mentions the aerodynamics right, like,

0:22:25.760 --> 0:22:28.480
<v Speaker 1>there is a specific way you want to land. Yeah,

0:22:28.520 --> 0:22:31.200
<v Speaker 1>you want to do that little easy somersault and land

0:22:31.240 --> 0:22:36.040
<v Speaker 1>on your back, which is that's the way to land.

0:22:36.680 --> 0:22:40.560
<v Speaker 1>But you also said something, um, that brought to mind

0:22:40.600 --> 0:22:43.040
<v Speaker 1>the idea that this the g force that we talked

0:22:43.040 --> 0:22:46.560
<v Speaker 1>about earlier that's been shown to produce a loss of

0:22:46.600 --> 0:22:50.760
<v Speaker 1>consciousness and people. So that's another danger that you you know,

0:22:50.800 --> 0:22:53.080
<v Speaker 1>when you're sailing, you want to like stay like a

0:22:53.119 --> 0:22:56.679
<v Speaker 1>projectile and if you're blacked out, you're gonna be like

0:22:56.720 --> 0:23:02.960
<v Speaker 1>a dead body like you yes, um. And Elvin Bell

0:23:03.040 --> 0:23:05.800
<v Speaker 1>is not the only person that something horrible has happened

0:23:05.800 --> 0:23:11.440
<v Speaker 1>to obviously, Yeah, Matt Cranch just this year a month

0:23:11.680 --> 0:23:15.760
<v Speaker 1>in April. Yeah, he and this is just a nightmare scenario.

0:23:15.840 --> 0:23:18.320
<v Speaker 1>He got blasted off and right after he blasted off

0:23:18.440 --> 0:23:21.280
<v Speaker 1>the net collapsed. Yeah, so how does that happen? I

0:23:21.320 --> 0:23:24.639
<v Speaker 1>don't know, that's probably what he's asking. Well, he died,

0:23:24.880 --> 0:23:28.040
<v Speaker 1>He landed on his head and died. He did die,

0:23:28.119 --> 0:23:29.960
<v Speaker 1>so that is not what he's asking. That is what

0:23:30.160 --> 0:23:33.040
<v Speaker 1>his family is asking, probably via a lawsuit. It would

0:23:33.080 --> 0:23:35.600
<v Speaker 1>be my guest that was in Great Britain too very sad.

0:23:35.960 --> 0:23:40.439
<v Speaker 1>And remember I mentioned a Zichini's sister. Um, she the

0:23:40.560 --> 0:23:43.800
<v Speaker 1>Zichinis used to do these double barrels stunts where they

0:23:43.880 --> 0:23:46.080
<v Speaker 1>two would be shot out at the same time, usually

0:23:46.119 --> 0:23:49.640
<v Speaker 1>next to one another, right along parallel one another. Well,

0:23:49.760 --> 0:23:54.240
<v Speaker 1>she and another brother had a had an act where

0:23:54.280 --> 0:23:56.159
<v Speaker 1>they'd be shot in the same direction as when it

0:23:56.200 --> 0:23:58.520
<v Speaker 1>had passed by and like high five. Yeah, well they

0:23:58.600 --> 0:24:01.719
<v Speaker 1>collided and she broke her back. That's just a bad idea.

0:24:02.560 --> 0:24:04.480
<v Speaker 1>That was a bad idea. But the same thing is

0:24:04.480 --> 0:24:07.080
<v Speaker 1>that if you if you look at modern people, like

0:24:07.200 --> 0:24:12.640
<v Speaker 1>the modern cannonballers, they are safety conscious. Um they were

0:24:12.720 --> 0:24:16.920
<v Speaker 1>just like a net collapsed or the dummy was was wet,

0:24:17.760 --> 0:24:19.840
<v Speaker 1>which that that makes it even sadder to me. If

0:24:19.840 --> 0:24:23.200
<v Speaker 1>you could shot, you know, two ft into the air

0:24:23.359 --> 0:24:28.879
<v Speaker 1>at your brother sixty close break your back then something. Yeah,

0:24:29.200 --> 0:24:31.240
<v Speaker 1>that was part of the equation. I wonder how close

0:24:31.280 --> 0:24:35.040
<v Speaker 1>they intended to go to one another, because obviously the

0:24:35.080 --> 0:24:39.679
<v Speaker 1>closer the better, Like if they were apart, it's not

0:24:39.840 --> 0:24:42.200
<v Speaker 1>it's impressive. So they probably wanted to get it tight

0:24:42.800 --> 0:24:45.880
<v Speaker 1>for the effect. But can you imagine all of a sudden,

0:24:46.600 --> 0:24:50.040
<v Speaker 1>like when you see that coming straight at you probably

0:24:50.080 --> 0:24:53.000
<v Speaker 1>have the same realization, like a crap that I'm gonna

0:24:53.000 --> 0:24:58.760
<v Speaker 1>die by hitting my brother sister brother. Very sad. Yeah,

0:24:59.280 --> 0:25:02.119
<v Speaker 1>anything else, that's it? Man, I did a do we

0:25:02.119 --> 0:25:05.360
<v Speaker 1>ever did the thing on Daredevil's Uh no, I wrote

0:25:05.359 --> 0:25:07.359
<v Speaker 1>an article on Daredevil's and maybe we should do that

0:25:07.400 --> 0:25:09.440
<v Speaker 1>at some point. Or we've been talking about our Evil

0:25:09.560 --> 0:25:12.760
<v Speaker 1>Evil kin Evil podcasts. Maybe because he's a big part

0:25:12.760 --> 0:25:15.760
<v Speaker 1>of that one, maybe we can just cover it all songs.

0:25:15.920 --> 0:25:19.920
<v Speaker 1>Human cannonball, Yeah, we've got that one covered done. Okay, Well,

0:25:20.119 --> 0:25:22.959
<v Speaker 1>if you want to learn more about human cannonballs, including

0:25:23.359 --> 0:25:26.760
<v Speaker 1>how long it takes to accelerate a human cannonballer to

0:25:26.840 --> 0:25:29.440
<v Speaker 1>their top speed, do you want to know one bit

0:25:29.520 --> 0:25:33.000
<v Speaker 1>of a second? Really? Yeah? You can find all that

0:25:33.119 --> 0:25:37.600
<v Speaker 1>by typing human cannonball onto the search bart how stuff

0:25:37.600 --> 0:25:39.920
<v Speaker 1>works dot Com and from what you say, Chuck, it

0:25:39.960 --> 0:25:43.480
<v Speaker 1>sounds like that will bring up more than just one article. Yeah,

0:25:43.480 --> 0:25:46.920
<v Speaker 1>my daredevil sing like pop up Um, I said handy

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<v Speaker 1>search bar at house divorce dot com. That means it's

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<v Speaker 1>time for a listener mail. That's right, Josh, I'm gonna

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<v Speaker 1>call us underground Railroad. Uh, I'm writing in about underground Railroad.

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<v Speaker 1>Wanted to share a little bit of my childhood summers

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<v Speaker 1>in upstate New York. My great grandfather, Louis Loveland made

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<v Speaker 1>a home in Johnsburg, New York, in the Adirondacks. What's

0:26:11.160 --> 0:26:16.159
<v Speaker 1>so funny? Like you know him? Yeah, Louie. The home

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<v Speaker 1>itself is incredibly cool and haunted. There's a very cluttered

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<v Speaker 1>and dimly lit room hidden away behind the kitchen, which

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<v Speaker 1>has a small organ buried beneath h decade stored and

0:26:27.119 --> 0:26:30.440
<v Speaker 1>forgotten items. Family legend has it that the organ would

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<v Speaker 1>mysteriously start playing it all hours of the night thanks

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<v Speaker 1>to spirits. As if that weren't enough, there's a very

0:26:36.000 --> 0:26:39.080
<v Speaker 1>large barn behind the home, which has seen its better days.

0:26:39.160 --> 0:26:41.040
<v Speaker 1>My sister and I were always warned to be careful

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<v Speaker 1>when we went near the barn. Uh. The reason because

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<v Speaker 1>the earth beneath our feet could give away at any moment. Well,

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<v Speaker 1>this sounds a good, terrifying house. But there's a hidden

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<v Speaker 1>tunnel beneath the barn. Because there's a hidden tunnel beneath

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<v Speaker 1>the barn, running from the back of the home, below

0:26:55.840 --> 0:26:58.960
<v Speaker 1>the barn and out into the mountains, right next to

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<v Speaker 1>a strawberry patch that my great grandfather planned a hundred

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<v Speaker 1>years ago. The tunnel was a part of the underground railroad,

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<v Speaker 1>and I've been told it's one of the last stops

0:27:07.440 --> 0:27:09.679
<v Speaker 1>in the adder on decks that is still intact today,

0:27:10.280 --> 0:27:12.320
<v Speaker 1>although it varies. The tunnel is roughly three to four

0:27:12.359 --> 0:27:15.359
<v Speaker 1>ft below the ground, about five ft tall, four ft

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<v Speaker 1>wide and seventy five yards long, packed with dirt and rocks,

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<v Speaker 1>and an absolute death trap to navigate without a flashlight.

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<v Speaker 1>The entrance from the home it's just too dangerous to

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<v Speaker 1>use anymore. But there is a way to drop into

0:27:29.440 --> 0:27:31.520
<v Speaker 1>the tunnel vi a hidden door in the barn, as

0:27:31.560 --> 0:27:33.520
<v Speaker 1>long as you don't mind a many landslide of dirt

0:27:33.560 --> 0:27:36.119
<v Speaker 1>and hay following you into the tunnel, which I would

0:27:37.359 --> 0:27:39.119
<v Speaker 1>um that's it. Once you carefully make your way through

0:27:39.160 --> 0:27:43.640
<v Speaker 1>the tunnel, you emerge into sunlight and a strawberry field. Nice.

0:27:44.160 --> 0:27:47.760
<v Speaker 1>That's little treat if you're somebody A warm wet towel,

0:27:48.000 --> 0:27:52.040
<v Speaker 1>moist towel and that is from Alice in St. Louis. Wow.

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<v Speaker 1>Thanks Alice. You could do that, couldn't you? Chuck the

0:27:55.760 --> 0:28:00.320
<v Speaker 1>you've gone caving before. I could do that as long

0:28:00.359 --> 0:28:04.800
<v Speaker 1>as it's buttressed. I wonder if it is buttressed. If

0:28:04.880 --> 0:28:09.000
<v Speaker 1>Charles Bronson anything, do what it is? Uh. If you

0:28:09.400 --> 0:28:12.919
<v Speaker 1>have a great recipe for fresh strawberries, we want to

0:28:12.920 --> 0:28:15.840
<v Speaker 1>hear it. You can wrap it up in an email,

0:28:16.160 --> 0:28:20.080
<v Speaker 1>spanking on the bottom, kiss it good night, and send

0:28:20.080 --> 0:28:28.680
<v Speaker 1>it to Stuff Podcast at how stuff works dot com.

0:28:28.760 --> 0:28:31.320
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:28:31.400 --> 0:28:34.000
<v Speaker 1>from the Future. Join how Stuff Work staff as we

0:28:34.080 --> 0:28:40.520
<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow, brought

0:28:40.560 --> 0:28:43.760
<v Speaker 1>to you by the reinvented two thousand twelve camera. It's ready,

0:28:43.960 --> 0:28:44.360
<v Speaker 1>are you