1 00:00:01,000 --> 00:00:02,400 Speaker 1: Taking a Walk Nashville. 2 00:00:02,480 --> 00:00:05,680 Speaker 2: Hi, this is Sarah Harrelson, your host of Taking a 3 00:00:05,720 --> 00:00:09,520 Speaker 2: Walk Nashville, and I want to give a special shout 4 00:00:09,520 --> 00:00:15,480 Speaker 2: out to Sennheiser today. I am using their profile USB 5 00:00:15,680 --> 00:00:20,040 Speaker 2: podcast Mike, and I'm loving how versatile it is, how 6 00:00:20,079 --> 00:00:22,200 Speaker 2: it's sounding, and how it is on the go. So 7 00:00:22,280 --> 00:00:26,000 Speaker 2: thank you Senheiser. Today with me, I have a very 8 00:00:26,040 --> 00:00:31,880 Speaker 2: special guest, Mary go Shay. She is a Grammy nominated 9 00:00:32,080 --> 00:00:37,040 Speaker 2: American folk singer, songwriter and author. Her songs have been 10 00:00:37,120 --> 00:00:42,320 Speaker 2: covered by performers such as Tim McGraw, Blake Shelton, Kathy 11 00:00:42,400 --> 00:00:47,559 Speaker 2: Mattea Boy, George, Jimmy Buffett, Betty Levette, Candy Stayton, and 12 00:00:47,720 --> 00:00:52,040 Speaker 2: Amy Helm to name a few. Her Grammy nominated twenty 13 00:00:52,080 --> 00:00:56,720 Speaker 2: eighteen album Rifles and Rosary Beats was co written with 14 00:00:56,880 --> 00:01:01,440 Speaker 2: military veterans in their families. Join me as we dive 15 00:01:01,560 --> 00:01:03,080 Speaker 2: into her story today. 16 00:01:08,000 --> 00:01:11,520 Speaker 1: Welcome to Taking a Walk Nashville with your hosts singer 17 00:01:11,600 --> 00:01:13,399 Speaker 1: songwriter Sarah Harrelson. 18 00:01:13,600 --> 00:01:16,480 Speaker 2: Mary, thank you so much for being on Taking a 19 00:01:16,480 --> 00:01:23,000 Speaker 2: Walk Nashville today. So your roots run from Louisiana to Boston, 20 00:01:23,360 --> 00:01:28,360 Speaker 2: and you attended culinary school in Boston. Were you already 21 00:01:28,400 --> 00:01:31,760 Speaker 2: writing music at this time when you were in culinary 22 00:01:31,760 --> 00:01:36,080 Speaker 2: school or was Dixie Kitchen the name of the restaurant, 23 00:01:36,160 --> 00:01:38,360 Speaker 2: and also your first album, Was that kind of the 24 00:01:38,400 --> 00:01:41,639 Speaker 2: turning point for you to start your career in music. 25 00:01:42,400 --> 00:01:47,520 Speaker 3: Yeah, you know. I have a really unusual story in 26 00:01:47,600 --> 00:01:51,360 Speaker 3: terms of music business. Anyway, I was in the restaurant 27 00:01:51,360 --> 00:01:55,000 Speaker 3: business in Boston. I'm from Louisiana, and I made a 28 00:01:55,040 --> 00:01:58,400 Speaker 3: decision to go to chef school in the Boston area 29 00:01:58,720 --> 00:02:02,840 Speaker 3: to to get trained. I'd always worked in restaurants, but 30 00:02:02,960 --> 00:02:05,360 Speaker 3: I didn't have the culinary expertise I needed to be 31 00:02:05,400 --> 00:02:08,040 Speaker 3: a chef. I was more of a manager. So I 32 00:02:08,080 --> 00:02:11,400 Speaker 3: went to chef school and the lead chef and the 33 00:02:11,480 --> 00:02:15,280 Speaker 3: chef school told me that what I had to do 34 00:02:15,400 --> 00:02:18,640 Speaker 3: was follow my heart. And what I had in my heart, 35 00:02:18,680 --> 00:02:23,519 Speaker 3: he said, was Louisiana. So we found investors and ended 36 00:02:23,600 --> 00:02:26,160 Speaker 3: up with a Cajun style restaurant in Boston. And that 37 00:02:26,320 --> 00:02:32,400 Speaker 3: was nineteen ninety and so the Cajun style restaurant we 38 00:02:32,480 --> 00:02:37,040 Speaker 3: called Dixie Kitchen after the Little Feet song Dixie Chicken. 39 00:02:37,919 --> 00:02:40,080 Speaker 3: Loel George was a hero of mine and I loved 40 00:02:40,080 --> 00:02:42,400 Speaker 3: the Little Feet and that song came on when I 41 00:02:42,440 --> 00:02:44,640 Speaker 3: was trying to name the restaurant, and it's like, oh, 42 00:02:44,680 --> 00:02:49,839 Speaker 3: Dixie Chicken, Dixie Kitchen, And so we had a ten 43 00:02:49,960 --> 00:02:53,760 Speaker 3: year run with the Dixie Kitchen. After I graduated chef school, 44 00:02:54,800 --> 00:02:57,400 Speaker 3: well somewhere in there, I got sober. And after I 45 00:02:57,440 --> 00:03:01,079 Speaker 3: got sober, I started writing songs, and so I had 46 00:03:01,080 --> 00:03:04,639 Speaker 3: the restaurant before I ever became a songwriter. Uh. And 47 00:03:04,720 --> 00:03:09,080 Speaker 3: in the process of running and cooking at the restaurant, 48 00:03:09,080 --> 00:03:10,960 Speaker 3: I started going to open mics. I had a lot 49 00:03:10,960 --> 00:03:14,680 Speaker 3: of time on my hands having gotten sober, and I 50 00:03:14,720 --> 00:03:18,200 Speaker 3: fell passionately in love with music and songwriting. And I 51 00:03:18,200 --> 00:03:20,600 Speaker 3: mean I already was, but until I got sober, I 52 00:03:20,639 --> 00:03:25,000 Speaker 3: wasn't capable of writing songs. Writing songs for me takes 53 00:03:25,000 --> 00:03:31,440 Speaker 3: a quite a bit of focus, attention, and commitment, and 54 00:03:31,760 --> 00:03:33,880 Speaker 3: I was just a I could run a restaurant, but 55 00:03:33,880 --> 00:03:36,960 Speaker 3: I couldn't write a song. It's a if you ever 56 00:03:37,000 --> 00:03:40,560 Speaker 3: watched Anthony Bourdain, you could see how drunks and addicts 57 00:03:40,600 --> 00:03:44,400 Speaker 3: can run restaurants, but men, look, it's harder to focus 58 00:03:44,880 --> 00:03:48,640 Speaker 3: for long periods of time on on on mental work 59 00:03:48,800 --> 00:03:53,080 Speaker 3: like restaurants become physical work pretty quickly. Anyway, long story, short, 60 00:03:53,160 --> 00:03:55,400 Speaker 3: I became more in love with music and song than 61 00:03:56,120 --> 00:04:00,520 Speaker 3: then Jambalai and gumbo U. And so in two thousand 62 00:04:00,560 --> 00:04:04,640 Speaker 3: and one, I came to Nashville and I decided to 63 00:04:05,720 --> 00:04:08,240 Speaker 3: take a leap. I was forty years old, and that's 64 00:04:08,240 --> 00:04:12,560 Speaker 3: what makes my story unusual. Who starts at forty in music? Well, 65 00:04:12,600 --> 00:04:15,640 Speaker 3: I did, and you know what, I'm sixty four now. 66 00:04:15,920 --> 00:04:18,640 Speaker 3: I've been in Nashville since two thousand and one. I've 67 00:04:18,680 --> 00:04:21,760 Speaker 3: made a living making music since the day I got here. 68 00:04:22,080 --> 00:04:25,080 Speaker 3: I continue to and it's just been a real good 69 00:04:25,080 --> 00:04:28,599 Speaker 3: decision for me to commit full time, full on to 70 00:04:28,800 --> 00:04:29,600 Speaker 3: being a songwriter. 71 00:04:30,160 --> 00:04:32,960 Speaker 2: Well, and it takes so much time to run a 72 00:04:33,000 --> 00:04:35,720 Speaker 2: restaurant that it would be hard to focus on music 73 00:04:35,839 --> 00:04:39,840 Speaker 2: at the same time. I do still do a lot 74 00:04:39,880 --> 00:04:42,279 Speaker 2: of cooking today, or is it just something you do 75 00:04:42,360 --> 00:04:42,760 Speaker 2: for fun? 76 00:04:43,320 --> 00:04:47,960 Speaker 3: Nope, I don't really mess with it. I sort of 77 00:04:47,960 --> 00:04:50,479 Speaker 3: put it down and left it down. I mean, I 78 00:04:50,480 --> 00:04:53,600 Speaker 3: can do a dinner party, I can do basic stuff 79 00:04:53,640 --> 00:04:58,080 Speaker 3: around that kitchen, but I don't really have the passion 80 00:04:58,200 --> 00:05:02,120 Speaker 3: for it like I once did. And so I'm a 81 00:05:02,120 --> 00:05:08,839 Speaker 3: competent cook. I'm able to pull something together successfully, but 82 00:05:08,920 --> 00:05:11,440 Speaker 3: I don't really love it. And so I have my 83 00:05:11,480 --> 00:05:13,480 Speaker 3: favorite places I go to around town. We go out 84 00:05:13,520 --> 00:05:16,000 Speaker 3: to eat all the time, like we're spoiled in that way. 85 00:05:16,400 --> 00:05:18,760 Speaker 2: What are your favorite restaurants in Nashville? 86 00:05:19,040 --> 00:05:21,800 Speaker 3: Well, I, first of all like not to have to 87 00:05:21,880 --> 00:05:25,720 Speaker 3: fight parking, So let's start with Nashville has become a 88 00:05:25,720 --> 00:05:29,560 Speaker 3: major metropolitan area, and parking has become a major headache 89 00:05:30,080 --> 00:05:33,560 Speaker 3: like every other major metropolitan area. If the parking costs 90 00:05:33,600 --> 00:05:37,240 Speaker 3: more than the dinner, what are we doing? So I 91 00:05:37,360 --> 00:05:41,479 Speaker 3: like places that it's on the outskirts able to park 92 00:05:41,720 --> 00:05:45,400 Speaker 3: that tend to be I fancy restaurants that are owner operated, 93 00:05:46,160 --> 00:05:48,919 Speaker 3: where there's someone in the kitchen or in the dining 94 00:05:48,960 --> 00:05:51,359 Speaker 3: room that has their eyes on all things that owns 95 00:05:51,440 --> 00:05:55,240 Speaker 3: the place, and that those places tend to obviously not 96 00:05:55,320 --> 00:05:59,400 Speaker 3: be corporate, and they have something that I am drawn 97 00:05:59,440 --> 00:06:03,480 Speaker 3: to as a a former restaurant tour which is someone 98 00:06:03,520 --> 00:06:07,599 Speaker 3: who really loves their attachment to what they their hands 99 00:06:07,600 --> 00:06:11,560 Speaker 3: and their heart and the work is reflected in the restaurant. 100 00:06:11,880 --> 00:06:14,760 Speaker 3: So the places I tend to go to are like that. 101 00:06:15,960 --> 00:06:18,920 Speaker 3: My favorite of favorites is Margo's on the East Side. 102 00:06:19,400 --> 00:06:22,760 Speaker 3: There's a Gilly wasn't Dave Rowlins on a studio right 103 00:06:22,800 --> 00:06:25,760 Speaker 3: next to Margo's, a woodland studio, and in the studio 104 00:06:27,400 --> 00:06:30,320 Speaker 3: parking lot you spend like eight ten bucks and you 105 00:06:30,360 --> 00:06:34,560 Speaker 3: can get a parking spot easily. Just walk to Margos, 106 00:06:34,640 --> 00:06:38,600 Speaker 3: have a long, full meal. And she's always been an 107 00:06:38,600 --> 00:06:42,120 Speaker 3: extraordinary chef, and she's announced her retirement this summer. I 108 00:06:42,160 --> 00:06:44,760 Speaker 3: don't know. I don't know what's Nashville about Margo's for me, 109 00:06:44,839 --> 00:06:45,600 Speaker 3: I'm not sure. 110 00:06:46,000 --> 00:06:49,240 Speaker 2: Yeah, it's so many good restaurants and Nashtau including that one. 111 00:06:49,320 --> 00:06:52,200 Speaker 2: A lot of good casiun style restaurants here too. There's 112 00:06:52,560 --> 00:06:57,280 Speaker 2: voodoo gumbo I love over here in Belleville. But going 113 00:06:57,320 --> 00:07:00,120 Speaker 2: back to music, you know, you've received many awards for 114 00:07:00,200 --> 00:07:04,520 Speaker 2: your own music, have had many other artists cut your songs. 115 00:07:04,800 --> 00:07:08,440 Speaker 2: But did you ever think your music would take you 116 00:07:08,560 --> 00:07:13,240 Speaker 2: down this path or was music for you merely saving 117 00:07:13,280 --> 00:07:16,920 Speaker 2: you on your journey with sobriety. 118 00:07:17,280 --> 00:07:22,480 Speaker 3: Well it's interesting because I started later. I had no 119 00:07:22,560 --> 00:07:24,920 Speaker 3: idea if I could pull this off, when this would 120 00:07:25,000 --> 00:07:27,000 Speaker 3: be one one hell of a hat trick, If I 121 00:07:27,040 --> 00:07:31,600 Speaker 3: could start at forty, come to Nashville openly gay back 122 00:07:31,640 --> 00:07:36,200 Speaker 3: then was not exactly a career move in Nashville. When 123 00:07:36,240 --> 00:07:38,240 Speaker 3: I came here, they called this town the buckle of 124 00:07:38,280 --> 00:07:42,400 Speaker 3: the Bible Belt, and so I knew I had some 125 00:07:42,480 --> 00:07:47,160 Speaker 3: obstacles age and and and also being openly gay my 126 00:07:47,160 --> 00:07:50,040 Speaker 3: whole life. There was no closet big enough for this, 127 00:07:50,160 --> 00:07:53,520 Speaker 3: So I had to I had to overcome what I 128 00:07:53,600 --> 00:07:57,880 Speaker 3: think were obstacles, which which which turned out to not 129 00:07:58,000 --> 00:08:02,320 Speaker 3: be such a big deal. What I learned quickly about Nashville. Nashville, 130 00:08:02,360 --> 00:08:06,200 Speaker 3: if you have the songs, they let you in. So unfortunately, 131 00:08:06,280 --> 00:08:10,280 Speaker 3: I had some songs that opened doors and that allowed 132 00:08:10,360 --> 00:08:15,160 Speaker 3: me an opportunity to be invited in. And once I 133 00:08:15,200 --> 00:08:17,960 Speaker 3: got in, I was able to make the most of 134 00:08:17,960 --> 00:08:20,440 Speaker 3: the connections I made. And I think that's because of 135 00:08:20,520 --> 00:08:24,440 Speaker 3: my age and business experience that worked to my advant 136 00:08:24,600 --> 00:08:27,080 Speaker 3: My age worked to my advantage. And I think my 137 00:08:27,240 --> 00:08:31,720 Speaker 3: sexuality has very little or nothing to do with my music. 138 00:08:33,000 --> 00:08:35,480 Speaker 3: You know, I don't make music about sex. I make 139 00:08:35,559 --> 00:08:39,120 Speaker 3: music about the human heart, and it jumps over all 140 00:08:39,120 --> 00:08:43,040 Speaker 3: those things that we think divide us, they actually are 141 00:08:43,200 --> 00:08:48,720 Speaker 3: false constructs. Nobody has ever, I think, blocked me because 142 00:08:48,760 --> 00:08:51,160 Speaker 3: of who I am in Nashville. I think I've been 143 00:08:51,200 --> 00:08:54,440 Speaker 3: given opportunities based on my work and that that feels 144 00:08:54,480 --> 00:08:57,360 Speaker 3: fair to me. And so yeah, I came here with 145 00:08:57,400 --> 00:09:02,720 Speaker 3: some songs that that that helped me get in. 146 00:09:03,960 --> 00:09:06,440 Speaker 2: Well, I'm sure it's been so healing too, just being 147 00:09:06,440 --> 00:09:11,760 Speaker 2: able to write about your experiences with getting sober, being 148 00:09:11,920 --> 00:09:15,520 Speaker 2: openly gay, even just being maybe a female in the 149 00:09:15,640 --> 00:09:16,520 Speaker 2: music industry. 150 00:09:17,840 --> 00:09:22,400 Speaker 3: I always tell people that if I were pressed to 151 00:09:22,480 --> 00:09:28,640 Speaker 3: ask the real mountain to climb, it's not being gay, 152 00:09:28,640 --> 00:09:31,920 Speaker 3: it's being a woman. It's a very male oriented business, 153 00:09:32,640 --> 00:09:36,000 Speaker 3: and it's a very male dominated business, especially in Nashville. 154 00:09:37,120 --> 00:09:39,959 Speaker 3: But for me, music and song, as you have referenced 155 00:09:39,960 --> 00:09:42,520 Speaker 3: a couple of times now, have been more about healing, 156 00:09:43,080 --> 00:09:48,400 Speaker 3: about truth and beauty, about creating art over hits and commerce. 157 00:09:48,800 --> 00:09:52,080 Speaker 3: And because I'm focused on the art of song, I 158 00:09:52,120 --> 00:09:54,360 Speaker 3: have a different career than what you would think of 159 00:09:54,400 --> 00:09:58,640 Speaker 3: as a Nashville type career. I'm a troubadour. I traveled 160 00:09:58,679 --> 00:10:01,480 Speaker 3: the world with a guitar, a spotlight, and a bottle 161 00:10:01,480 --> 00:10:03,880 Speaker 3: of water, and I have stories and I tell them 162 00:10:04,280 --> 00:10:07,160 Speaker 3: and people connect to those stories, not in large numbers, 163 00:10:07,200 --> 00:10:09,840 Speaker 3: but in numbers large enough for me to not have 164 00:10:09,920 --> 00:10:15,079 Speaker 3: to do anything but that I've I've found music and 165 00:10:15,360 --> 00:10:18,360 Speaker 3: song to be very healing from me personally. But then 166 00:10:18,559 --> 00:10:20,240 Speaker 3: when you put it in the world with that as 167 00:10:20,280 --> 00:10:24,120 Speaker 3: your mission statement, it does things that other people appreciate 168 00:10:24,559 --> 00:10:28,959 Speaker 3: other than just entertainment. And so that's been my mission 169 00:10:29,040 --> 00:10:31,240 Speaker 3: and it's I think it's been a great source of 170 00:10:32,800 --> 00:10:36,400 Speaker 3: my success is that I'm not aiming for a marketplace 171 00:10:36,480 --> 00:10:40,120 Speaker 3: that's hit strict, that's hit driven. I'm a storyteller, and 172 00:10:40,160 --> 00:10:42,480 Speaker 3: if you can write and tell a good story, people 173 00:10:42,520 --> 00:10:45,959 Speaker 3: love stories. You know. We're just in the desert in 174 00:10:46,640 --> 00:10:49,800 Speaker 3: West Texas, in a old silver mining town and it's 175 00:10:49,800 --> 00:10:52,600 Speaker 3: just a bunch of cowboys and you know, mice and 176 00:10:52,679 --> 00:10:56,120 Speaker 3: rattlesnakes and we saw it tarantula and a lot of dust, 177 00:10:56,440 --> 00:11:01,800 Speaker 3: and you know, this is a remote, remote place to Linguo, Texas. 178 00:11:02,240 --> 00:11:05,400 Speaker 3: And I'm in this old theater that used to not 179 00:11:05,440 --> 00:11:09,360 Speaker 3: have a roof, called the Starlight Theater. It's half restaurant, 180 00:11:09,400 --> 00:11:12,680 Speaker 3: half bar. We're playing in the bar, and I watch 181 00:11:12,760 --> 00:11:15,800 Speaker 3: these cowboys like tough guys, these guys living out in 182 00:11:15,800 --> 00:11:19,360 Speaker 3: the elements. Once the stories I start telling the stories, 183 00:11:19,360 --> 00:11:23,520 Speaker 3: you can just see people almost become children listening to stories. 184 00:11:23,559 --> 00:11:28,840 Speaker 3: Stories captivate people. A story well, toad acrosses all boundaries 185 00:11:29,520 --> 00:11:31,800 Speaker 3: and I just know and believe in the magic of 186 00:11:31,960 --> 00:11:32,760 Speaker 3: good stories. 187 00:11:33,679 --> 00:11:35,840 Speaker 2: Yeah, I definitely agree with that, and I think that's 188 00:11:35,880 --> 00:11:39,480 Speaker 2: the key is to write songs that are not only 189 00:11:40,160 --> 00:11:43,680 Speaker 2: about your own experiences, but ones that other people can 190 00:11:44,080 --> 00:11:47,840 Speaker 2: relate to. And you definitely do that with blending genres 191 00:11:47,920 --> 00:11:50,280 Speaker 2: like country, Americana and folk. 192 00:11:51,320 --> 00:11:53,520 Speaker 1: We'll be right back with more of the Taking a 193 00:11:53,520 --> 00:12:01,599 Speaker 1: Walk Nashville Podcast. Welcome back to Take in a Walk Nashville. 194 00:12:02,800 --> 00:12:07,400 Speaker 2: Your twenty eighteen Grammy nominated album Rifles and Rosary Beads 195 00:12:07,440 --> 00:12:11,120 Speaker 2: that was co written with US veterans and their families, 196 00:12:11,320 --> 00:12:16,239 Speaker 2: arising out of your involvement with the organization Songwriting with Soldiers, 197 00:12:16,760 --> 00:12:19,600 Speaker 2: And you noted that every day, on average, twenty two 198 00:12:19,760 --> 00:12:24,119 Speaker 2: veterans commits suicide and a portion from this album benefits 199 00:12:24,160 --> 00:12:28,360 Speaker 2: this wonderful organization and how to be healing for the 200 00:12:28,440 --> 00:12:32,080 Speaker 2: veterans to be able to put their experiences and their 201 00:12:32,160 --> 00:12:36,280 Speaker 2: trauma into music. So how did you get involved with 202 00:12:36,440 --> 00:12:37,720 Speaker 2: Songwriting with Soldiers. 203 00:12:38,720 --> 00:12:42,319 Speaker 3: Yeah, you know, it's a nonprofit that was started by 204 00:12:42,360 --> 00:12:45,480 Speaker 3: a dear friend of mine named Darden Smith. He stumbled 205 00:12:45,520 --> 00:12:49,040 Speaker 3: on this opportunity to co write a song with someone 206 00:12:49,120 --> 00:12:53,559 Speaker 3: who was in the military, and he realized, Wow, there's 207 00:12:53,559 --> 00:12:59,720 Speaker 3: something here that feels powerful, these things that we find 208 00:12:59,760 --> 00:13:02,920 Speaker 3: each other connecting on. He thought he had nothing in 209 00:13:02,960 --> 00:13:07,360 Speaker 3: common with the soldier, with someone in the military, and 210 00:13:07,360 --> 00:13:10,320 Speaker 3: he found he had everything in common. And so that 211 00:13:10,480 --> 00:13:14,920 Speaker 3: was an illuminating moment for the songwriter. And so the 212 00:13:15,040 --> 00:13:19,040 Speaker 3: songs that we write with the veterans help us as 213 00:13:19,120 --> 00:13:22,200 Speaker 3: much as them. Really, we just find each other there. 214 00:13:22,760 --> 00:13:27,800 Speaker 3: And yeah, the the process is one of really truly 215 00:13:28,120 --> 00:13:31,360 Speaker 3: listening and connecting. And I would like to just sort 216 00:13:31,400 --> 00:13:34,360 Speaker 3: of put a fine point on the word healing. It 217 00:13:34,360 --> 00:13:38,040 Speaker 3: gets tossed around a lot, to the point of almost meaninglessness. 218 00:13:39,120 --> 00:13:44,280 Speaker 3: So I try not to say healing because it sounds slippery, 219 00:13:45,880 --> 00:13:50,120 Speaker 3: and I think of the process more as alchemy. A 220 00:13:50,240 --> 00:13:54,320 Speaker 3: song can take your darkest moment, the hardest thing you've 221 00:13:54,320 --> 00:13:58,959 Speaker 3: ever gone through, and turn it into something beautiful and 222 00:13:59,160 --> 00:14:04,520 Speaker 3: useful in the world. And that type of transformation is magic. 223 00:14:05,480 --> 00:14:08,280 Speaker 3: I mean, everybody knows that when you listen to the blues, 224 00:14:08,800 --> 00:14:13,800 Speaker 3: you feel better. That is a paradox. Why listening into sad, 225 00:14:13,880 --> 00:14:17,760 Speaker 3: slow songs about misery, why would that make me feel better? Well, 226 00:14:17,800 --> 00:14:21,880 Speaker 3: let's start with one. You know you're not alone. Two, 227 00:14:22,360 --> 00:14:25,640 Speaker 3: there is something about being seen, heard, and known in 228 00:14:25,680 --> 00:14:31,600 Speaker 3: a song that is a relief. So alchemy is a 229 00:14:31,800 --> 00:14:35,400 Speaker 3: magic that the arts can bring to people who are 230 00:14:35,400 --> 00:14:40,240 Speaker 3: dealing with heavy loads and trauma. And I love the 231 00:14:40,320 --> 00:14:44,440 Speaker 3: alchemy of songwriting. I teach a lot of songwriting now, 232 00:14:45,280 --> 00:14:49,080 Speaker 3: and what I find is that if we write about 233 00:14:49,160 --> 00:14:53,360 Speaker 3: personal stuff, we're only gonna have so far over reach. 234 00:14:54,120 --> 00:14:58,240 Speaker 3: If we write about deeply personal stuff, we hit what 235 00:14:58,480 --> 00:15:03,600 Speaker 3: is I think of the human experience that transcends the personal, 236 00:15:04,240 --> 00:15:06,920 Speaker 3: and this is where we find each other in the 237 00:15:06,960 --> 00:15:11,600 Speaker 3: stuff that's deeply personal that we tend to keep a 238 00:15:11,640 --> 00:15:16,240 Speaker 3: lid on because we don't know if it's something we 239 00:15:16,280 --> 00:15:20,120 Speaker 3: should even talk about. It's awkward, it's not something you 240 00:15:20,160 --> 00:15:24,280 Speaker 3: bring up at a dinner party or a barroom conversation. 241 00:15:25,160 --> 00:15:27,880 Speaker 3: But in a song, this is the appropriate place to 242 00:15:28,000 --> 00:15:31,640 Speaker 3: do it. And it transcends the self. It hits the 243 00:15:31,720 --> 00:15:34,840 Speaker 3: human condition, and that's where we meet and find each other, 244 00:15:34,880 --> 00:15:38,239 Speaker 3: and that's where we start to alchemize things and transformation 245 00:15:38,360 --> 00:15:39,000 Speaker 3: is possible. 246 00:15:39,640 --> 00:15:42,000 Speaker 2: Yeah. Yeah, I love that you bring that up. And 247 00:15:42,640 --> 00:15:45,760 Speaker 2: you know, when you're co writing with professional songwriters, you 248 00:15:45,840 --> 00:15:48,520 Speaker 2: get into a habit of opening up to each other. 249 00:15:48,560 --> 00:15:50,960 Speaker 2: But when you're co writing with veterans who maybe have 250 00:15:51,120 --> 00:15:54,640 Speaker 2: never written a song before, maybe it's hard with their 251 00:15:55,080 --> 00:15:59,760 Speaker 2: past experience to deeply open up. So did you find 252 00:16:00,120 --> 00:16:03,640 Speaker 2: that maybe it was hard to dig deep with them? 253 00:16:03,760 --> 00:16:08,320 Speaker 2: And what was your experience like putting their story into 254 00:16:08,560 --> 00:16:09,520 Speaker 2: lyrics and music. 255 00:16:10,160 --> 00:16:13,920 Speaker 3: It wasn't hard at all. And here's here's why the 256 00:16:13,960 --> 00:16:19,000 Speaker 3: songwriter in that scenario shows up as a midwife. We're 257 00:16:19,000 --> 00:16:25,040 Speaker 3: there to bear witness and and to patiently sit and listen. 258 00:16:25,960 --> 00:16:29,720 Speaker 3: And if you've ever really been listened to, I mean 259 00:16:29,760 --> 00:16:33,760 Speaker 3: people pay therapist two hundred dollars an hour to listen intensely, 260 00:16:34,400 --> 00:16:38,600 Speaker 3: if you've ever really truly deeply been listened to by 261 00:16:38,600 --> 00:16:42,320 Speaker 3: someone who's in non judgment of whatever they say is okay. 262 00:16:43,280 --> 00:16:47,680 Speaker 3: There there is no morality clause in songwriting. We're there 263 00:16:47,720 --> 00:16:51,800 Speaker 3: to listen, bear witness, and take what we hear and 264 00:16:51,880 --> 00:16:57,200 Speaker 3: turn it into melody and poetry and song. So so 265 00:16:57,960 --> 00:17:02,760 Speaker 3: they open up because the song opens them up. We 266 00:17:03,160 --> 00:17:06,359 Speaker 3: play start to play back what we hear them saying. 267 00:17:06,400 --> 00:17:09,479 Speaker 3: It's a mirror and the songwriter's job is to not 268 00:17:09,600 --> 00:17:15,280 Speaker 3: insert self. We know nothing, absolutely nothing about them or 269 00:17:15,400 --> 00:17:18,880 Speaker 3: about military service. So We're not gonna apply our own 270 00:17:18,920 --> 00:17:22,600 Speaker 3: experience to that. We're gonna take their experience and just 271 00:17:22,720 --> 00:17:26,560 Speaker 3: ask gentle questions so that we can better understand them 272 00:17:26,840 --> 00:17:29,439 Speaker 3: and write a better song. When you're truly witnessed and 273 00:17:29,480 --> 00:17:32,840 Speaker 3: heard and you know you're not judged, you'll talk maybe 274 00:17:32,880 --> 00:17:36,080 Speaker 3: not about feelings, but about experience, and the feelings will 275 00:17:36,160 --> 00:17:38,680 Speaker 3: come from the story of the experience. We don't need 276 00:17:38,720 --> 00:17:42,520 Speaker 3: to talk about feelings. We need to show and tell 277 00:17:42,840 --> 00:17:46,480 Speaker 3: the story. The feelings are a result of this story. 278 00:17:47,480 --> 00:17:50,560 Speaker 2: Yeah, I'm sure so beautiful being for them to be 279 00:17:50,640 --> 00:17:54,320 Speaker 2: able to hear their story come into life and something 280 00:17:54,320 --> 00:17:56,840 Speaker 2: they can listen to and have forever. 281 00:17:57,720 --> 00:18:03,760 Speaker 3: And it absolutely and it is a universal experience. That's 282 00:18:03,800 --> 00:18:07,119 Speaker 3: where the alchemy comes when they realize that their story 283 00:18:07,160 --> 00:18:12,040 Speaker 3: is not just theirs, it is a universal experience of 284 00:18:12,119 --> 00:18:14,360 Speaker 3: human beings who have been through what they've been through. 285 00:18:14,400 --> 00:18:17,560 Speaker 3: This is what happens, and this is how people feel 286 00:18:17,800 --> 00:18:23,119 Speaker 3: in that situation. That it de personalizes it, it universalizes it. 287 00:18:23,520 --> 00:18:26,879 Speaker 3: And they realize really quickly that telling their story in 288 00:18:26,960 --> 00:18:31,400 Speaker 3: their song helps other veterans, which is huge for them, 289 00:18:31,480 --> 00:18:35,480 Speaker 3: because our veterans here in this country are volunteers, they're 290 00:18:35,480 --> 00:18:39,240 Speaker 3: not drafted, and these people are fundamentally and intrinsically built 291 00:18:39,280 --> 00:18:42,199 Speaker 3: to serve. They want to serve, and if telling their 292 00:18:42,240 --> 00:18:45,639 Speaker 3: story is serving other veterans, they become much more willing 293 00:18:45,960 --> 00:18:49,080 Speaker 3: to do so. And it is serving other veterans. They 294 00:18:49,200 --> 00:18:51,600 Speaker 3: see themselves in these songs, and they know they're not alone. 295 00:18:51,600 --> 00:18:53,840 Speaker 3: This is the power of music and song. 296 00:18:54,320 --> 00:18:59,119 Speaker 2: Absolutely, that's so beautiful and such an important cause. In 297 00:18:59,160 --> 00:19:02,879 Speaker 2: addition to being an artist and songwriter, you are also 298 00:19:02,960 --> 00:19:06,600 Speaker 2: an author publishing your book Saved by a Song the 299 00:19:06,720 --> 00:19:10,359 Speaker 2: art and healing power of songwriting. I think this book 300 00:19:10,440 --> 00:19:12,960 Speaker 2: is for anyone who loves music or maybe they're going 301 00:19:13,000 --> 00:19:17,119 Speaker 2: through recovery themselves. So was it cathartic for you to 302 00:19:17,119 --> 00:19:20,520 Speaker 2: write about your story and book form and share it 303 00:19:20,560 --> 00:19:21,080 Speaker 2: with the world. 304 00:19:22,920 --> 00:19:28,320 Speaker 3: Maybe? I think more it was an organizing principle. After 305 00:19:28,480 --> 00:19:32,080 Speaker 3: teaching for decades and working with veterans for for ten 306 00:19:32,119 --> 00:19:40,159 Speaker 3: twelve years, I had a lot of experiences that taught 307 00:19:40,200 --> 00:19:46,920 Speaker 3: me things. So I learned a lot and maintaining sobriety 308 00:19:46,920 --> 00:19:51,760 Speaker 3: and recovery now for many, many decades, I've learned a lot. 309 00:19:51,840 --> 00:19:54,840 Speaker 3: And so the book is an organ you organize your 310 00:19:55,280 --> 00:19:58,680 Speaker 3: your understandings when you write a book, and so it 311 00:19:59,240 --> 00:20:02,560 Speaker 3: allowed me to to sort of go, oh, I see 312 00:20:02,720 --> 00:20:05,680 Speaker 3: this happened, led to this, led to this, which is 313 00:20:05,720 --> 00:20:07,920 Speaker 3: how I ended up here, which is where I wanted 314 00:20:07,960 --> 00:20:09,479 Speaker 3: to be all along. But I wouldn't have gotten here 315 00:20:09,520 --> 00:20:13,119 Speaker 3: without this and this. Writing your story helps you understand 316 00:20:13,160 --> 00:20:15,800 Speaker 3: your story, and I think it helps you to make 317 00:20:15,840 --> 00:20:22,160 Speaker 3: sense of who you are. So Catharsis is not exactly 318 00:20:22,200 --> 00:20:25,560 Speaker 3: the experience. Catharsis is more more from songs. I think 319 00:20:25,560 --> 00:20:28,200 Speaker 3: a book is an organizing principle in him, and I 320 00:20:28,240 --> 00:20:31,960 Speaker 3: think it's also an ambassador. My book is an ambassador 321 00:20:32,040 --> 00:20:35,040 Speaker 3: for me. It comes in before me, introduces me to people, 322 00:20:35,080 --> 00:20:37,480 Speaker 3: so they feel they already know me if they've read 323 00:20:37,480 --> 00:20:40,480 Speaker 3: the book, because they know what I know about me, 324 00:20:41,119 --> 00:20:43,359 Speaker 3: and also my understanding. The book is really about my 325 00:20:43,440 --> 00:20:48,080 Speaker 3: understanding of art ands and particularly song is a transformative 326 00:20:48,119 --> 00:20:50,480 Speaker 3: medium that's wonderful. 327 00:20:50,560 --> 00:20:52,000 Speaker 2: Where can people find this book? 328 00:20:52,440 --> 00:20:57,440 Speaker 3: Everywhere? You can get it anywhere you just Google saved 329 00:20:57,560 --> 00:21:00,560 Speaker 3: by a song. I have them on my way site 330 00:21:01,040 --> 00:21:05,159 Speaker 3: there Amazon, It's on Audible. Uh. The the book I 331 00:21:05,160 --> 00:21:08,840 Speaker 3: think is included if you have a Spotify account, you 332 00:21:08,840 --> 00:21:13,119 Speaker 3: can listen to it through Audible. These uh, you know 333 00:21:13,200 --> 00:21:17,480 Speaker 3: there there is a hundred ways to get the book, 334 00:21:18,240 --> 00:21:19,800 Speaker 3: or there are one hundred ways to get the book 335 00:21:19,840 --> 00:21:21,280 Speaker 3: if you just google it. It's everywhere. 336 00:21:21,520 --> 00:21:23,639 Speaker 2: Yeah, yeah, I hope people will go check it out. 337 00:21:23,760 --> 00:21:27,520 Speaker 2: And this year you have a busy tour schedule with 338 00:21:27,560 --> 00:21:30,720 Speaker 2: your partner Jamie Harris, who is also going to be 339 00:21:30,760 --> 00:21:34,160 Speaker 2: on Taking a Walk Nashville. Are you excited to keep 340 00:21:34,160 --> 00:21:35,480 Speaker 2: performing together this year? 341 00:21:35,880 --> 00:21:38,639 Speaker 3: Oh yeah, I can't wait to get it going again. 342 00:21:39,040 --> 00:21:41,520 Speaker 3: We've taken about five weeks off over the holidays. I'm 343 00:21:41,560 --> 00:21:45,240 Speaker 3: ready to. I'm ready to. We played in the Desert, 344 00:21:45,320 --> 00:21:46,960 Speaker 3: but that was one of I'm ready to be on 345 00:21:47,000 --> 00:21:49,879 Speaker 3: the road again. I like. I like my job a lot. 346 00:21:50,680 --> 00:21:54,399 Speaker 3: I like having Jamie with me. We we play and 347 00:21:54,440 --> 00:21:57,720 Speaker 3: sing together, and she'd also starts the shows with with 348 00:21:57,800 --> 00:22:01,560 Speaker 3: her own songs. It's it's a real privilege and blessing 349 00:22:01,600 --> 00:22:05,080 Speaker 3: to have a partner to travel with. UH. And we 350 00:22:05,119 --> 00:22:07,600 Speaker 3: do great out there, and we have a lot of fun. 351 00:22:08,280 --> 00:22:10,160 Speaker 3: We meet a lot of people and we see the world. 352 00:22:10,200 --> 00:22:15,680 Speaker 3: It's it's a it's such a I don't know, it's 353 00:22:15,680 --> 00:22:18,439 Speaker 3: a it's a dream come true. And and I couldn't 354 00:22:18,480 --> 00:22:23,879 Speaker 3: have imagined how good. Uh, this this would be. You know, 355 00:22:23,920 --> 00:22:25,800 Speaker 3: when I started all those years ago, I was just 356 00:22:25,880 --> 00:22:29,640 Speaker 3: hoping against hope that I could could pull this off 357 00:22:29,640 --> 00:22:31,320 Speaker 3: in a way that I didn't have to get another job. 358 00:22:31,400 --> 00:22:38,000 Speaker 3: I didn't I didn't have big, huge, massive dreams of 359 00:22:38,000 --> 00:22:43,120 Speaker 3: of of giant you know, success, and and and it's 360 00:22:43,240 --> 00:22:45,600 Speaker 3: gotten much bigger than I ever imagined it could. And 361 00:22:45,600 --> 00:22:48,280 Speaker 3: and I'm just deeply grateful that we get to keep going. 362 00:22:49,080 --> 00:22:52,000 Speaker 2: That's wonderful. Yeah, people can find all of your upcoming 363 00:22:52,280 --> 00:22:55,400 Speaker 2: show and tour dates on your website to see if 364 00:22:55,400 --> 00:23:00,359 Speaker 2: they're if you're playing in their area. Mary. My last 365 00:23:00,400 --> 00:23:03,760 Speaker 2: question I always love to ask my guests this, since 366 00:23:03,760 --> 00:23:06,199 Speaker 2: we're on taking a walk Nashville, do you have a 367 00:23:06,280 --> 00:23:10,119 Speaker 2: favorite place that you love to take a walk in Nashville. 368 00:23:11,320 --> 00:23:16,840 Speaker 3: Well, I tend to go to Warner Park. That is 369 00:23:17,600 --> 00:23:20,200 Speaker 3: a series of parks that were donated to the city 370 00:23:21,960 --> 00:23:25,760 Speaker 3: a century ago, I guess. And there's a Red Trail 371 00:23:25,840 --> 00:23:28,720 Speaker 3: which is four and a half miles deep into the woods, 372 00:23:28,800 --> 00:23:32,720 Speaker 3: quite hilly, always hard, and never an easy hike, but wow, 373 00:23:32,760 --> 00:23:37,199 Speaker 3: after you do it, you've done some aerobic hiking in 374 00:23:37,240 --> 00:23:40,520 Speaker 3: the deep woods. And it's twenty minutes from my house. 375 00:23:40,640 --> 00:23:44,680 Speaker 3: Maybe less with traffic, maybe fifteen with no traffic, I mean. 376 00:23:44,920 --> 00:23:46,919 Speaker 3: And then there's the White Trail at Warner Park that 377 00:23:47,000 --> 00:23:49,159 Speaker 3: you can get at the end of Bellemead Boulevard. You 378 00:23:49,240 --> 00:23:51,320 Speaker 3: just go on down. You see a flag pole of 379 00:23:51,359 --> 00:23:54,639 Speaker 3: American Flag Park and that's the White Trail. And the 380 00:23:54,680 --> 00:23:58,040 Speaker 3: White Trail is two and a half miles much less challenging, 381 00:23:58,720 --> 00:24:01,360 Speaker 3: but it's also hilly and uh, you know, might even 382 00:24:01,400 --> 00:24:05,199 Speaker 3: go there today. Uh, it's a beautiful walk in the 383 00:24:05,200 --> 00:24:10,879 Speaker 3: woods and it's very removed from development. So there's owls 384 00:24:10,960 --> 00:24:15,920 Speaker 3: and I'm stepping over snakes and there's just beautiful. Every 385 00:24:15,960 --> 00:24:19,320 Speaker 3: single day the forest changes and so there's there's a 386 00:24:19,640 --> 00:24:23,400 Speaker 3: nature that is untouched very close to the city. We're 387 00:24:23,480 --> 00:24:25,879 Speaker 3: very lucky to have Warner part that's my favorite hikes. 388 00:24:26,480 --> 00:24:29,600 Speaker 2: Yeah, those are absolutely two of my favorite trails. And 389 00:24:29,760 --> 00:24:32,560 Speaker 2: like you said, when the seasons changed, the trail even 390 00:24:32,560 --> 00:24:35,440 Speaker 2: looks different even if you've done it a few times. 391 00:24:35,520 --> 00:24:38,159 Speaker 2: But yeah, that that Red Trail. Once you get to 392 00:24:38,200 --> 00:24:42,320 Speaker 2: the end, you're tired of the hill. So it's great exercise, it's. 393 00:24:42,160 --> 00:24:47,000 Speaker 3: A real hike, and and it's got it it's got 394 00:24:47,040 --> 00:24:50,479 Speaker 3: such changing scenery as you go it's anything but boring. 395 00:24:51,280 --> 00:24:53,080 Speaker 3: I love it, but you do have to watch out, 396 00:24:53,200 --> 00:24:55,920 Speaker 3: especially in the spring. There are timber rattlesnakes out there. 397 00:24:56,240 --> 00:24:56,440 Speaker 2: Yeah. 398 00:24:56,960 --> 00:24:59,600 Speaker 3: I've come up on one once, what that was rattling. 399 00:25:00,520 --> 00:25:03,800 Speaker 3: And I've come up on one that was on the 400 00:25:03,800 --> 00:25:07,720 Speaker 3: trail as well, So you've got to keep it's smart 401 00:25:07,880 --> 00:25:10,600 Speaker 3: not to wear earbuds because the snake's when they rattle, 402 00:25:10,640 --> 00:25:14,000 Speaker 3: say hey, I don't want to hurt you, right the 403 00:25:14,119 --> 00:25:16,040 Speaker 3: hell away from me. You've got to be able to 404 00:25:16,080 --> 00:25:18,840 Speaker 3: hear them, especially in the spring as they're coming out 405 00:25:18,880 --> 00:25:21,840 Speaker 3: of their sleep. But you know, if you're aware, it's 406 00:25:22,840 --> 00:25:24,240 Speaker 3: a beautiful, beautiful place. 407 00:25:24,720 --> 00:25:27,200 Speaker 2: Yeah, I agree. You always one of my favorites and 408 00:25:27,280 --> 00:25:30,800 Speaker 2: the popular answer here on the podcast. Well, Mary, thank 409 00:25:30,800 --> 00:25:34,280 Speaker 2: you so much for being on Taking a Walk Nashville today. 410 00:25:34,400 --> 00:25:37,720 Speaker 2: I hope everyone will check out your music and books, 411 00:25:37,880 --> 00:25:40,200 Speaker 2: and I've appreciated having you on today. 412 00:25:40,440 --> 00:25:42,639 Speaker 3: It's nice speaking with you, Sarah, but thanks for having me. 413 00:25:44,440 --> 00:25:47,760 Speaker 1: Thanks for listening to Taking a Walk Nashville with Sarah Harrelson. 414 00:25:48,160 --> 00:25:52,120 Speaker 1: Please check out our other shows produced by Buzznight Media Productions, 415 00:25:52,760 --> 00:25:57,360 Speaker 1: Comedy Save Me and Music Saved Me hosted by Lynn Hoffman, 416 00:25:57,840 --> 00:26:01,399 Speaker 1: and Take it a Walk hosted by you Truly Buzznight. 417 00:26:02,040 --> 00:26:06,239 Speaker 1: All shows are available on Apple Podcasts, Spotify, and are 418 00:26:06,280 --> 00:26:08,360 Speaker 1: part of the iHeart podcast network