1 00:00:00,720 --> 00:00:19,160 Speaker 1: I Am all in again, Less You Gilmore Girls Gazette 2 00:00:19,160 --> 00:00:23,720 Speaker 1: with Amy Sugarman and Danielle Romo, an iHeartRadio podcast. 3 00:00:24,440 --> 00:00:27,720 Speaker 2: We are back for some parenthood Baby. This is Season one, 4 00:00:27,840 --> 00:00:32,400 Speaker 2: episode eight, Rubber Band Ball, All the Rubber Band Ball, 5 00:00:32,640 --> 00:00:37,239 Speaker 2: I know. The Braverman family is on Hilert when Amber's 6 00:00:37,280 --> 00:00:41,159 Speaker 2: ex boyfriend Damien arrives from Fresno. Zeke takes Adam on 7 00:00:41,200 --> 00:00:46,000 Speaker 2: a road trip for investment advice and so father son bonding. Meanwhile, 8 00:00:46,080 --> 00:00:48,600 Speaker 2: Julia and Joel worried that Sidney might be suffering from 9 00:00:48,600 --> 00:00:53,040 Speaker 2: Asperger's and Crosby wants to help plan Jabbar's birthday party. 10 00:00:53,440 --> 00:00:56,120 Speaker 3: There is a lot going on, all of stuff in. 11 00:00:56,040 --> 00:00:59,480 Speaker 2: Here, I know, and every storyline I love. 12 00:00:59,760 --> 00:01:02,720 Speaker 3: I just love. It's also good. Where do we start? 13 00:01:03,440 --> 00:01:06,280 Speaker 2: Okay, let's just talk about Crosby because I found it's 14 00:01:06,319 --> 00:01:07,920 Speaker 2: the easiest one for me to talk about because I 15 00:01:07,959 --> 00:01:10,000 Speaker 2: feel like I have thoughts about all the other day. 16 00:01:10,120 --> 00:01:11,560 Speaker 3: Give it, give it, give it. 17 00:01:12,040 --> 00:01:16,280 Speaker 2: Okay. So in this episode, it's Jabbar's birthday and it's 18 00:01:16,319 --> 00:01:20,679 Speaker 2: at Jasmine aka Joy Bryant's house and her family's there, 19 00:01:20,720 --> 00:01:25,559 Speaker 2: and she was like kind of making it a thing 20 00:01:25,840 --> 00:01:28,120 Speaker 2: that he invited his family in the sense that she 21 00:01:28,160 --> 00:01:29,119 Speaker 2: didn't want his family. 22 00:01:29,360 --> 00:01:31,759 Speaker 3: She's still like a little bitter. She's like a little 23 00:01:31,760 --> 00:01:38,320 Speaker 3: bit bitter about the lifeguard situation, you know upstairs makeout sash, right, 24 00:01:38,720 --> 00:01:43,160 Speaker 3: She's still kind of oh. And then she's very m 25 00:01:44,800 --> 00:01:47,880 Speaker 3: anti him being totally involved in the birthday. 26 00:01:47,480 --> 00:01:50,680 Speaker 2: Party, right, like she she just wanted him to show 27 00:01:50,760 --> 00:01:55,200 Speaker 2: up and be quiet like she did. She didn't want 28 00:01:55,320 --> 00:02:02,680 Speaker 2: him to do anything or involved or in my family, like. 29 00:02:02,720 --> 00:02:05,080 Speaker 3: She didn't you say at one point, like four of 30 00:02:05,120 --> 00:02:08,360 Speaker 3: your family members. He's like, what he is? Okay? 31 00:02:09,240 --> 00:02:12,840 Speaker 2: I think the thing that we have to understand. And 32 00:02:14,160 --> 00:02:17,040 Speaker 2: she's going through an adjustment period too, Right, she. 33 00:02:17,000 --> 00:02:19,520 Speaker 3: Has done her own, doing her own, doing. 34 00:02:19,400 --> 00:02:22,600 Speaker 2: Correct valid one hundred percent, but she has done everything 35 00:02:22,639 --> 00:02:25,760 Speaker 2: on her own for five years, so she has to adjust. 36 00:02:26,880 --> 00:02:28,600 Speaker 2: I don't I don't necessarily, I don't. 37 00:02:28,440 --> 00:02:30,600 Speaker 3: Know that she's done it on her own because she 38 00:02:30,639 --> 00:02:34,120 Speaker 3: has all that family that's so involved. She just literally 39 00:02:34,200 --> 00:02:37,680 Speaker 3: told them, I know, the dad bailed, and it's like. 40 00:02:39,360 --> 00:02:41,800 Speaker 2: She clearly has daddy issues, which she owned up to 41 00:02:42,080 --> 00:02:46,760 Speaker 2: that her dad abandoned her, and so she painted Crosbie 42 00:02:46,800 --> 00:02:50,919 Speaker 2: to be this bad guy. And I feel like part 43 00:02:51,040 --> 00:02:56,040 Speaker 2: of her wasn't expecting Crosbie to be so in. 44 00:02:56,760 --> 00:02:59,239 Speaker 3: Oh, that's a really interesting comment. 45 00:02:59,639 --> 00:03:03,919 Speaker 2: I think she kind of wanted to bring jabbar around 46 00:03:03,919 --> 00:03:05,720 Speaker 2: Crosby to say she did. 47 00:03:06,480 --> 00:03:10,280 Speaker 3: We don't really know why after five years. 48 00:03:10,080 --> 00:03:12,720 Speaker 2: Say, I feel like she had some kind of guilt. 49 00:03:12,760 --> 00:03:15,080 Speaker 2: I mean at five years old, I don't have a 50 00:03:15,080 --> 00:03:18,600 Speaker 2: five year old. But maybe he asked. I mean, even 51 00:03:18,800 --> 00:03:20,799 Speaker 2: in the toddler age that I'm going through right now, 52 00:03:21,040 --> 00:03:23,359 Speaker 2: daddy is a thing, you know what I mean. 53 00:03:23,320 --> 00:03:25,240 Speaker 3: So maybe he wanted to know you. 54 00:03:25,280 --> 00:03:28,399 Speaker 2: Probably was getting curious, like asking about his dad. Hey, 55 00:03:29,160 --> 00:03:29,880 Speaker 2: who is my day? 56 00:03:29,919 --> 00:03:33,400 Speaker 3: Maybe she felt more guilty lying to the kid than 57 00:03:33,440 --> 00:03:36,000 Speaker 3: her family, like she's not going to tell her own kid. Yeah, 58 00:03:36,000 --> 00:03:38,120 Speaker 3: your dad bailed, which is a complete lie. He didn't. 59 00:03:38,400 --> 00:03:41,720 Speaker 3: Now I do have a little bit of a Crosbie 60 00:03:42,240 --> 00:03:45,040 Speaker 3: because she said she called and he didn't call back. 61 00:03:45,440 --> 00:03:50,600 Speaker 3: Now that's not really nice. That's called ghosting, and it's 62 00:03:50,640 --> 00:03:55,400 Speaker 3: not really nice. He should have called back, all right, fair, 63 00:03:55,520 --> 00:03:57,840 Speaker 3: But she should have. She could have also said, hey, 64 00:03:58,000 --> 00:04:00,160 Speaker 3: I really have to tell you something important, you know 65 00:04:00,200 --> 00:04:03,040 Speaker 3: what I mean, like or hey, like you really. 66 00:04:03,200 --> 00:04:05,680 Speaker 2: Boys, Hey you got to call me back there. 67 00:04:06,600 --> 00:04:08,880 Speaker 3: So he should have called back, just because if you 68 00:04:09,720 --> 00:04:13,360 Speaker 3: sleep with a girl and they call you ghosting is rude. 69 00:04:13,840 --> 00:04:16,720 Speaker 3: I agree, that's just I'm just gonna I'm gonna stand on. 70 00:04:16,600 --> 00:04:19,840 Speaker 2: That hill, but valid hill to stand on. 71 00:04:21,120 --> 00:04:24,560 Speaker 3: But I if it's a competition of who's more wrong, 72 00:04:24,680 --> 00:04:25,440 Speaker 3: I'm going with her. 73 00:04:25,800 --> 00:04:30,200 Speaker 2: I I completely agree with you. I do kind of 74 00:04:30,440 --> 00:04:36,800 Speaker 2: love that there's something that she did wrong. I do because, yeah, 75 00:04:37,040 --> 00:04:39,040 Speaker 2: it gives her a little bit more character, and. 76 00:04:39,000 --> 00:04:41,839 Speaker 3: It gives him a leg in a situation too. 77 00:04:42,520 --> 00:04:46,080 Speaker 2: Yeah. I like that she uh that this episode, we 78 00:04:46,240 --> 00:04:48,960 Speaker 2: because she's been for the most we're kind of perfect 79 00:04:49,080 --> 00:04:54,600 Speaker 2: this whole series, and now we see I mean perfect 80 00:04:54,800 --> 00:04:56,640 Speaker 2: is a stretch of like a little bit of a 81 00:04:56,640 --> 00:04:58,840 Speaker 2: stretch because I understand she should not have kept her 82 00:04:58,839 --> 00:05:02,240 Speaker 2: son from her for his father, But outside of that, 83 00:05:02,360 --> 00:05:06,280 Speaker 2: she is a great mom. She yes, she is beautiful, 84 00:05:06,400 --> 00:05:07,040 Speaker 2: all the things. 85 00:05:07,160 --> 00:05:10,520 Speaker 3: It doesn't feel like she's asking him for money, correct, 86 00:05:10,960 --> 00:05:14,160 Speaker 3: all the things. So God, I just totally had like 87 00:05:14,680 --> 00:05:16,520 Speaker 3: the most random things come into my head while we 88 00:05:16,520 --> 00:05:20,680 Speaker 3: were talking. One is the performances. Once again, like these 89 00:05:20,720 --> 00:05:24,720 Speaker 3: people are so good at playing these characters or acting 90 00:05:24,800 --> 00:05:27,760 Speaker 3: in general. Like even the scene where they're shopping in 91 00:05:27,839 --> 00:05:31,600 Speaker 3: the you know party store. What's that poor party store 92 00:05:31,600 --> 00:05:32,640 Speaker 3: that's going out of business? 93 00:05:32,640 --> 00:05:33,279 Speaker 2: Party City? 94 00:05:33,440 --> 00:05:36,039 Speaker 3: Oh, poor thing. That's what it reminds me of party 95 00:05:36,920 --> 00:05:42,160 Speaker 3: a smaller version of Party City. Poor thing. So uh, 96 00:05:42,520 --> 00:05:45,720 Speaker 3: it didn't feel fake. The store looked real. Like all 97 00:05:45,760 --> 00:05:48,640 Speaker 3: these things that jar me when I'm watching a show, 98 00:05:48,720 --> 00:05:50,760 Speaker 3: none of it happened like it felt like a real 99 00:05:50,760 --> 00:05:53,920 Speaker 3: party store, and it felt like they weren't. Like, Okay, 100 00:05:53,960 --> 00:05:56,160 Speaker 3: then go pick up this thing and look at it 101 00:05:56,320 --> 00:05:58,760 Speaker 3: and then say this line. It just feels like real. 102 00:05:59,640 --> 00:06:01,800 Speaker 3: And I've thinking about other shows that I also watch 103 00:06:01,880 --> 00:06:05,680 Speaker 3: that I'm like, oh, that seemed kind of fakey, fake 104 00:06:05,839 --> 00:06:08,039 Speaker 3: or over the top. Like this show is just so 105 00:06:08,720 --> 00:06:11,880 Speaker 3: I will always use this word nuanced, like it's just 106 00:06:12,160 --> 00:06:13,880 Speaker 3: so good. 107 00:06:14,880 --> 00:06:18,520 Speaker 2: I agree? I agree? And what did you? 108 00:06:19,480 --> 00:06:20,919 Speaker 3: I don't want to sound like Scott, But how did 109 00:06:20,960 --> 00:06:22,479 Speaker 3: these people not all win Emmys? 110 00:06:22,800 --> 00:06:27,479 Speaker 2: I did Parent Hunt? Was it never nominated? 111 00:06:27,520 --> 00:06:27,800 Speaker 3: Think it? 112 00:06:28,160 --> 00:06:28,240 Speaker 2: No? 113 00:06:28,360 --> 00:06:32,360 Speaker 3: I think it had some award nominations and there might 114 00:06:32,360 --> 00:06:34,560 Speaker 3: have been like a Golden Globe win. I don't know. 115 00:06:34,960 --> 00:06:37,359 Speaker 3: Somebody can check. I think it's one. I think it 116 00:06:37,440 --> 00:06:41,520 Speaker 3: did more nominations than Gilmore Girls. I just feel like 117 00:06:41,600 --> 00:06:43,920 Speaker 3: it's just as good today, and then I think about 118 00:06:43,960 --> 00:06:46,000 Speaker 3: a reboot, like what if they brought it back? I 119 00:06:46,000 --> 00:06:48,800 Speaker 3: want to know where these people are. I love it anyway. 120 00:06:48,800 --> 00:06:52,120 Speaker 3: I love Also, shout out to everybody who doesn't want spoilers. 121 00:06:52,200 --> 00:06:54,680 Speaker 3: I'm not giving spoilers on a show that was from 122 00:06:54,760 --> 00:07:00,880 Speaker 3: fifteen years Sometimes, Okay, here's what I'll say. 123 00:07:01,240 --> 00:07:03,760 Speaker 2: Oh, Jason Riddle, Jamie Ridder, that's huge. 124 00:07:05,080 --> 00:07:08,880 Speaker 3: Of all the guest stars, I know, of all the characters, 125 00:07:09,000 --> 00:07:11,440 Speaker 3: Jason Ridder, but he is really good on it. So 126 00:07:12,040 --> 00:07:15,120 Speaker 3: a shout out to Matt Locke. Here's what I'm going 127 00:07:15,160 --> 00:07:20,000 Speaker 3: to say. Sometimes, when you're rewatching a show that was 128 00:07:20,040 --> 00:07:22,440 Speaker 3: on fifteen years ago, was it on fifteen years ago? 129 00:07:23,520 --> 00:07:27,360 Speaker 2: Five minus fifteen? Yes, fifteen years ago? 130 00:07:27,560 --> 00:07:31,840 Speaker 3: That's okay. Great. Sometimes you want to and you guys 131 00:07:31,840 --> 00:07:35,240 Speaker 3: can let us know if you absolutely hate this, and 132 00:07:35,320 --> 00:07:37,560 Speaker 3: I'll try to abide, but I will mess it up. 133 00:07:38,040 --> 00:07:41,840 Speaker 3: Sometimes you want like a little bird's eye view of 134 00:07:41,880 --> 00:07:45,080 Speaker 3: the whole series. Like sometimes when you're talking about it, 135 00:07:45,120 --> 00:07:49,360 Speaker 3: you want to go, oh, you know this guy comes back, 136 00:07:49,600 --> 00:07:51,400 Speaker 3: or like, hey, this is important even if you don't 137 00:07:51,440 --> 00:07:55,560 Speaker 3: think it is, or like hey, sometimes I feel that 138 00:07:55,600 --> 00:07:59,120 Speaker 3: way that it's okay to sort of dip your toe 139 00:07:59,120 --> 00:08:02,440 Speaker 3: into things that may happen in the future. But two 140 00:08:02,480 --> 00:08:04,920 Speaker 3: schools thought on the spoiler thing. But I'll be mindful. 141 00:08:04,960 --> 00:08:06,720 Speaker 3: I'll be mindful. I don't want to ruin it for Danielle. 142 00:08:06,720 --> 00:08:09,440 Speaker 3: But at the same time, sometimes, you know, we want 143 00:08:09,440 --> 00:08:10,440 Speaker 3: to have these conversations. 144 00:08:10,480 --> 00:08:14,600 Speaker 2: Don't need a spoiler to know that Jasmine and Crosby 145 00:08:14,640 --> 00:08:16,720 Speaker 2: will end up together at some point, at least making 146 00:08:16,760 --> 00:08:20,360 Speaker 2: out a little flirty floor relationship type of situation. 147 00:08:20,680 --> 00:08:24,240 Speaker 3: We shall see the rubber band ball. Here's why I 148 00:08:24,280 --> 00:08:27,880 Speaker 3: love this storyline, just the whole way it plays out. 149 00:08:28,040 --> 00:08:31,239 Speaker 2: And it intertwined every single family essentially, and. 150 00:08:32,280 --> 00:08:36,640 Speaker 3: You really get some insights into Monica Potter and Peter Krauseer, 151 00:08:36,679 --> 00:08:40,480 Speaker 3: Adam and Christina. I love that she admits to Adam 152 00:08:40,679 --> 00:08:44,360 Speaker 3: I was happy, you know, like to think that something's 153 00:08:44,400 --> 00:08:47,719 Speaker 3: wrong with their kid basically, and it's like I get that, 154 00:08:47,920 --> 00:08:50,560 Speaker 3: like it would be community, it would be all in 155 00:08:50,600 --> 00:08:52,760 Speaker 3: the family, Like I understand that. But it's the fact 156 00:08:52,800 --> 00:08:55,160 Speaker 3: that she admits it, and you see it a little 157 00:08:55,160 --> 00:08:58,760 Speaker 3: bit when she's like, oh, I didn't even tell them 158 00:08:58,800 --> 00:09:01,280 Speaker 3: he had a rubber band. I mean. 159 00:09:02,720 --> 00:09:06,200 Speaker 2: I knew, yeah, I there there's a lot here because 160 00:09:06,440 --> 00:09:11,000 Speaker 2: I completely agree with you with Christina being so relieve 161 00:09:11,760 --> 00:09:15,160 Speaker 2: that Julia came to her, and you know, there was 162 00:09:15,200 --> 00:09:19,280 Speaker 2: a lot there. I did. When it was all happening, 163 00:09:19,280 --> 00:09:22,000 Speaker 2: I was like, Julia's daughter's not gonna have askpergers. Something 164 00:09:22,080 --> 00:09:26,800 Speaker 2: else is different, you know. And so there is that 165 00:09:27,520 --> 00:09:32,640 Speaker 2: for one second, Christina thought that somebody else can relate 166 00:09:32,720 --> 00:09:33,640 Speaker 2: to her m h. 167 00:09:34,040 --> 00:09:35,520 Speaker 3: And that she was going to be in it with 168 00:09:35,559 --> 00:09:37,679 Speaker 3: someone else. And she was ahead in the game, right, 169 00:09:37,760 --> 00:09:38,720 Speaker 3: So she was she. 170 00:09:38,800 --> 00:09:41,000 Speaker 2: Was the teacher. Yeah, she was the one that's like, 171 00:09:41,040 --> 00:09:44,120 Speaker 2: I got I I'll give you all the advice, which 172 00:09:44,280 --> 00:09:47,440 Speaker 2: she didn't have, right, I mean she had friends whatever, 173 00:09:47,640 --> 00:09:51,079 Speaker 2: you know, but but really like no one in her 174 00:09:51,120 --> 00:09:53,520 Speaker 2: family knew what to do, you know when when she 175 00:09:53,679 --> 00:09:57,280 Speaker 2: saw some issues with Max and so, and I think 176 00:09:57,280 --> 00:09:57,880 Speaker 2: it really. 177 00:09:57,679 --> 00:10:00,280 Speaker 3: Had to diagnose because they didn't. 178 00:10:00,120 --> 00:10:02,720 Speaker 2: No, they didn't know whereas Julia. 179 00:10:02,360 --> 00:10:05,880 Speaker 3: Immediately was like, I better sort this out. Now. It's 180 00:10:06,000 --> 00:10:08,439 Speaker 3: very interesting to me that the doctor nobody could get 181 00:10:08,480 --> 00:10:13,920 Speaker 3: into is suddenly very available and suddenly he also the 182 00:10:14,040 --> 00:10:16,480 Speaker 3: doctor who tests you if you're gifted. Like it seems 183 00:10:16,520 --> 00:10:19,120 Speaker 3: a little different. 184 00:10:19,320 --> 00:10:22,440 Speaker 2: Right, And it's like nowadays, like you're waiting at least 185 00:10:22,440 --> 00:10:24,000 Speaker 2: eight months to get into a doctor like that. 186 00:10:24,360 --> 00:10:27,000 Speaker 3: They needed Crosby to get in. Now, maybe Crosby pulled 187 00:10:27,000 --> 00:10:30,720 Speaker 3: another favor, but still, it's like, right that doctor seemed 188 00:10:30,800 --> 00:10:31,800 Speaker 3: readily available. 189 00:10:32,520 --> 00:10:36,960 Speaker 2: But I I there was one part where Christina said 190 00:10:37,360 --> 00:10:42,680 Speaker 2: I didn't tell her about Max's ball, and there was 191 00:10:43,240 --> 00:10:46,880 Speaker 2: you know there I was like, oh, Christina, you know, 192 00:10:47,120 --> 00:10:51,160 Speaker 2: like she I think she was didn't want to stress 193 00:10:51,440 --> 00:10:54,000 Speaker 2: Julia out, But also I think I don't I don't 194 00:10:54,000 --> 00:10:55,360 Speaker 2: even I don't don't Max. 195 00:10:55,160 --> 00:10:57,040 Speaker 3: Ass his own rubber band ball. I don't know why 196 00:10:57,040 --> 00:11:01,079 Speaker 3: he needed to steal Sydney's. But still, well, I also 197 00:11:01,240 --> 00:11:06,360 Speaker 3: like that Sidney, you know, was a little imperfect, like 198 00:11:06,440 --> 00:11:09,240 Speaker 3: she's always very well behaved for the most part. 199 00:11:09,280 --> 00:11:12,040 Speaker 2: You know, but she was. 200 00:11:14,320 --> 00:11:16,800 Speaker 3: Misbehaving in school. And then I also like that she's like, 201 00:11:17,240 --> 00:11:19,120 Speaker 3: don't touch my rubber bandball. 202 00:11:20,360 --> 00:11:20,800 Speaker 2: Yeah. 203 00:11:21,080 --> 00:11:23,640 Speaker 3: I thought Julia handled that well though, like we're not 204 00:11:23,679 --> 00:11:26,320 Speaker 3: going to touch it, you know. Whatever it was she 205 00:11:26,400 --> 00:11:29,760 Speaker 3: was saying, yeah, good parents. They're all good parents in 206 00:11:29,800 --> 00:11:31,520 Speaker 3: this show, every single one of them. 207 00:11:31,800 --> 00:11:35,200 Speaker 2: I agree, And I mean so obviously we kind of 208 00:11:35,320 --> 00:11:38,080 Speaker 2: touched upon this, but I think, you know, the not 209 00:11:38,240 --> 00:11:41,640 Speaker 2: the payoff, but like the realization that Sidney is actually 210 00:11:41,679 --> 00:11:44,880 Speaker 2: gifted and she doesn't have Aspergers and she is just 211 00:11:45,000 --> 00:11:45,440 Speaker 2: bored in. 212 00:11:45,600 --> 00:11:49,040 Speaker 3: School, right, and then Julia doesn't want to tell her, 213 00:11:49,200 --> 00:11:50,560 Speaker 3: you know, and doesn't want to tell. 214 00:11:52,000 --> 00:11:56,080 Speaker 2: Yeah, I get it, I totally get it. She's like 215 00:11:56,360 --> 00:11:59,359 Speaker 2: she has to now go to her sister in Lawns. Actually, 216 00:12:01,000 --> 00:12:04,559 Speaker 2: you know, she doesn't have Asperger. She's just super gifted. 217 00:12:04,760 --> 00:12:08,080 Speaker 3: Like Joel's hiding in the kitchen and she's like, I 218 00:12:08,120 --> 00:12:10,280 Speaker 3: got this, I got this, and then she doesn't do 219 00:12:10,320 --> 00:12:12,360 Speaker 3: it and he's like, oh, yeah you did. You're really 220 00:12:12,400 --> 00:12:18,319 Speaker 3: strong there. Yeah. I like I love all the relationships. 221 00:12:18,400 --> 00:12:20,800 Speaker 3: I love the whole story, all of it. Okay, so 222 00:12:21,800 --> 00:12:25,680 Speaker 3: let's talk about Adam and Zeke because this is like, oh, 223 00:12:26,280 --> 00:12:27,319 Speaker 3: oh kind of rough. 224 00:12:27,640 --> 00:12:29,040 Speaker 2: It is very rough. 225 00:12:29,200 --> 00:12:34,240 Speaker 3: Got some money troubles, you know, he doesn't Oh. 226 00:12:33,880 --> 00:12:35,839 Speaker 2: My god, how does he have money troubles? But he 227 00:12:35,920 --> 00:12:39,000 Speaker 2: might be losing his house that Sarah is an Amber 228 00:12:39,120 --> 00:12:39,800 Speaker 2: are living in. 229 00:12:39,960 --> 00:12:42,760 Speaker 3: But it's also you see Camille and what does he 230 00:12:42,800 --> 00:12:47,320 Speaker 3: call her Millie? You see Camille knowing what's going on 231 00:12:47,920 --> 00:12:52,199 Speaker 3: and him not telling her. There's definitely trouble in Paradise 232 00:12:52,240 --> 00:12:53,600 Speaker 3: with those two right, like. 233 00:12:53,800 --> 00:12:57,880 Speaker 2: For sure some deep rooted scene. 234 00:12:58,120 --> 00:13:01,480 Speaker 3: Right, married a long time and there's some stuff there, right, 235 00:13:01,679 --> 00:13:05,880 Speaker 3: so you know, going to Adam. Also, I love how 236 00:13:05,920 --> 00:13:09,400 Speaker 3: they sort of really elude in this one perfect Adam. Oh, 237 00:13:09,480 --> 00:13:13,679 Speaker 3: perfect Adam. You know you do get there. We're getting 238 00:13:13,679 --> 00:13:15,680 Speaker 3: a bit more of that that Adam is really in 239 00:13:15,800 --> 00:13:16,880 Speaker 3: charge of this family. 240 00:13:17,000 --> 00:13:18,520 Speaker 2: That's why I think he's going to slip up with 241 00:13:18,840 --> 00:13:20,840 Speaker 2: Minka Kelly. 242 00:13:22,800 --> 00:13:27,199 Speaker 3: Just keep thinking that. That's oh no, so cliche. That's 243 00:13:27,240 --> 00:13:27,800 Speaker 3: so cliche. 244 00:13:28,160 --> 00:13:31,120 Speaker 2: I know. I just something Adam's going to slip. 245 00:13:30,960 --> 00:13:33,199 Speaker 3: Up some much. This show is too good for that 246 00:13:33,360 --> 00:13:38,800 Speaker 3: slip up. But anyway, so it was first of all, 247 00:13:38,800 --> 00:13:40,839 Speaker 3: the driving scenes were real, which I really appreciate. I 248 00:13:40,880 --> 00:13:44,400 Speaker 3: hate fake driving scenes. Also, the motel looked real, the 249 00:13:44,480 --> 00:13:46,640 Speaker 3: mall looked real. However, they shoot this, they make it 250 00:13:46,760 --> 00:13:48,960 Speaker 3: very real, and I am very grateful for that. 251 00:13:58,400 --> 00:14:01,920 Speaker 2: Can I just while you're talking about location, just say 252 00:14:01,920 --> 00:14:05,079 Speaker 2: something really quick obviously, So back in the day, I 253 00:14:05,160 --> 00:14:06,760 Speaker 2: used to work at NBC and I used to work 254 00:14:06,800 --> 00:14:10,160 Speaker 2: on the lot, and the Parenthood house is. 255 00:14:10,080 --> 00:14:15,280 Speaker 3: There, I Zeke's yeah, yeah, yeah, yeah, yeah. I figured 256 00:14:15,320 --> 00:14:16,520 Speaker 3: you can tell that's a set. 257 00:14:16,679 --> 00:14:19,960 Speaker 2: I for all the years I worked there, it was like, Oh, 258 00:14:19,960 --> 00:14:23,120 Speaker 2: that's the parent hunt House. And it dawned on me 259 00:14:24,240 --> 00:14:27,520 Speaker 2: when I was watching this episode, Oh I know, Oh 260 00:14:27,560 --> 00:14:32,720 Speaker 2: my god. I literally have never cared about that when 261 00:14:32,760 --> 00:14:34,760 Speaker 2: I was working there, never cared about it, and I 262 00:14:34,840 --> 00:14:38,200 Speaker 2: was like, oh this place your back. Yes, it was 263 00:14:38,320 --> 00:14:44,000 Speaker 2: wow to explain it. It's so the lot. If you've 264 00:14:44,000 --> 00:14:48,160 Speaker 2: been on the studio tour uh tram thing, you go 265 00:14:48,200 --> 00:14:50,200 Speaker 2: through all these places, you cannot get to the parent 266 00:14:50,240 --> 00:14:52,600 Speaker 2: hud House, Like the parent houd House is at the 267 00:14:52,720 --> 00:14:53,440 Speaker 2: very very. 268 00:14:53,320 --> 00:14:58,320 Speaker 3: Topic Universal Studios Tour when you're like, yeah, there's the 269 00:14:58,360 --> 00:15:02,520 Speaker 3: Psycho House, Yeah we threw down, Yeah, and then that 270 00:15:02,680 --> 00:15:04,080 Speaker 3: Tom Cruise movie. 271 00:15:03,960 --> 00:15:06,360 Speaker 2: Yep, for the world. It's all that stuff. 272 00:15:06,400 --> 00:15:09,280 Speaker 3: I love that tour, but I cannot go in that 273 00:15:09,360 --> 00:15:13,480 Speaker 3: tunnel with the swirlly thing. Oh the Mummy gives me no, 274 00:15:13,760 --> 00:15:17,400 Speaker 3: the Gorilla one, the King Kong one is more than 275 00:15:17,440 --> 00:15:19,440 Speaker 3: I can handle. With all those screens around me. It 276 00:15:19,560 --> 00:15:22,280 Speaker 3: just makes my entire body have a panic attack. But 277 00:15:22,560 --> 00:15:26,920 Speaker 3: does it still have that tunnel where it swirls. 278 00:15:26,400 --> 00:15:29,160 Speaker 2: And you think a really long time. 279 00:15:29,200 --> 00:15:31,560 Speaker 3: But I only go on that tour if it was 280 00:15:31,600 --> 00:15:33,800 Speaker 3: some sort of a VIP thing where I could skip 281 00:15:33,840 --> 00:15:36,520 Speaker 3: both of those things. I like the earthquake, do they 282 00:15:36,560 --> 00:15:37,920 Speaker 3: still have earthquakes? 283 00:15:38,880 --> 00:15:39,480 Speaker 2: The flood? 284 00:15:39,800 --> 00:15:44,120 Speaker 3: That one's less terrible, but that one with the King 285 00:15:44,240 --> 00:15:49,000 Speaker 3: Kong or some Oh my god, I'm actually like gonna 286 00:15:49,040 --> 00:15:50,720 Speaker 3: have a panic attack thinking about. It's just something that 287 00:15:50,800 --> 00:15:53,920 Speaker 3: happens to my brain. Like when I'm in those things. 288 00:15:54,880 --> 00:15:57,120 Speaker 3: Oh my god, I can't have screens all around me. 289 00:15:57,160 --> 00:15:57,920 Speaker 3: It just makes me. 290 00:15:58,280 --> 00:15:59,880 Speaker 2: I get that. But the point I was trying to make, 291 00:16:00,120 --> 00:16:02,440 Speaker 2: you can't go up to it. It's like you but 292 00:16:02,640 --> 00:16:05,520 Speaker 2: you did. I did with a golf cark and everything 293 00:16:05,520 --> 00:16:10,280 Speaker 2: because you go up this like dirt road essentially, Like. 294 00:16:10,920 --> 00:16:12,680 Speaker 3: Do we have any friends there still that could take 295 00:16:12,720 --> 00:16:15,080 Speaker 3: us out there? Of course? Can you ask? Let's see 296 00:16:15,080 --> 00:16:16,160 Speaker 3: if we can build there. 297 00:16:16,040 --> 00:16:17,840 Speaker 2: Whenever we want. You want to go tomorrow, we can 298 00:16:17,880 --> 00:16:18,320 Speaker 2: go tomorrow. 299 00:16:18,400 --> 00:16:20,360 Speaker 3: Oh I'm not in La tomorrow. But next time I'm 300 00:16:20,400 --> 00:16:21,960 Speaker 3: in La, let's go. 301 00:16:21,880 --> 00:16:24,040 Speaker 2: And take a photo. 302 00:16:25,040 --> 00:16:27,760 Speaker 3: Do they keep it the same with all that dirt? Yeah? 303 00:16:27,800 --> 00:16:30,360 Speaker 2: I mean when I was there, granted it's been I 304 00:16:30,360 --> 00:16:31,600 Speaker 2: don't even know how many years. 305 00:16:31,600 --> 00:16:32,960 Speaker 3: That's one of your friends. And see if the parent 306 00:16:32,960 --> 00:16:34,160 Speaker 3: hood house is still there. 307 00:16:34,520 --> 00:16:36,280 Speaker 2: Well, it has to be there. It was like kind 308 00:16:36,280 --> 00:16:38,920 Speaker 2: of a staple like people. I'm sure they use it 309 00:16:38,920 --> 00:16:43,000 Speaker 2: for other things. That is fake to me, as one 310 00:16:43,000 --> 00:16:45,360 Speaker 2: of the other's backyards looks real fake. I think it's 311 00:16:45,360 --> 00:16:49,080 Speaker 2: Adam and well it's like a it looks it's not 312 00:16:49,160 --> 00:16:50,400 Speaker 2: a set on a sound stage. 313 00:16:50,440 --> 00:16:55,320 Speaker 3: It's actually no I get building exterior, but Adams looks fake. 314 00:16:55,800 --> 00:17:01,600 Speaker 2: But I just missed the era of laurla LAURAA Lauren 315 00:17:01,680 --> 00:17:04,440 Speaker 2: Graham being on the lot with me when I. 316 00:17:04,640 --> 00:17:06,400 Speaker 3: Oh my god, I know you were there. What years 317 00:17:06,400 --> 00:17:06,639 Speaker 3: were you. 318 00:17:06,640 --> 00:17:08,720 Speaker 2: At NBC twenty fifteen. 319 00:17:08,880 --> 00:17:11,720 Speaker 3: Timelines are tough, I get it. So this was still on. 320 00:17:12,359 --> 00:17:15,040 Speaker 3: So this show was going when you were there. I 321 00:17:15,080 --> 00:17:17,720 Speaker 3: guess so because it's five years. How many seasons is 322 00:17:17,760 --> 00:17:20,320 Speaker 3: this thing five? Maybe it was sort of wrapping up 323 00:17:20,320 --> 00:17:21,040 Speaker 3: as you out there. 324 00:17:21,240 --> 00:17:25,119 Speaker 2: And Okay, one other fun tippit not something about me 325 00:17:25,400 --> 00:17:28,720 Speaker 2: working there, but just I was scrolling on my Instagram 326 00:17:28,720 --> 00:17:31,760 Speaker 2: this morning and I made a note that I need 327 00:17:31,760 --> 00:17:37,600 Speaker 2: to talk about this. That Berkeley, California is named the 328 00:17:37,640 --> 00:17:40,120 Speaker 2: healthiest place to live in the United States. 329 00:17:40,560 --> 00:17:44,720 Speaker 3: Wow, that is interesting and Berkeley is pretty great. I'm 330 00:17:44,720 --> 00:17:45,400 Speaker 3: not gonna lie. 331 00:17:45,600 --> 00:17:48,080 Speaker 2: Somebody has to look up. It was like USA today 332 00:17:48,200 --> 00:17:49,080 Speaker 2: or like one of those. 333 00:17:48,960 --> 00:17:51,159 Speaker 3: Because we're real kind of hippy dippy in Berkeley, so 334 00:17:51,200 --> 00:17:54,200 Speaker 3: we probably are eating really healthy. And if you first 335 00:17:54,240 --> 00:17:56,760 Speaker 3: of all, they always want to say San Pablo in 336 00:17:56,800 --> 00:17:59,720 Speaker 3: this show, everything exists on San Pablo. I'm not gonna 337 00:17:59,760 --> 00:18:05,240 Speaker 3: go with I'm gonna say everything exists on College, Shattick, Claremont, 338 00:18:06,080 --> 00:18:09,520 Speaker 3: few others. Right, San Pablo is far. I don't know 339 00:18:09,560 --> 00:18:12,520 Speaker 3: why they always reference it, but anyway, it's more like 340 00:18:12,680 --> 00:18:16,240 Speaker 3: Elsa Rito. But whatever, Berkeley gets sort of like a 341 00:18:16,600 --> 00:18:19,600 Speaker 3: I think people think things of Berkeley that aren't actually true. 342 00:18:20,640 --> 00:18:24,080 Speaker 2: According to the US News and World Report, so the 343 00:18:24,200 --> 00:18:27,320 Speaker 2: usnews dot com that is. That is a very reputable source. 344 00:18:27,520 --> 00:18:30,159 Speaker 3: Although I will say I was recently on the Stamford campus, 345 00:18:30,160 --> 00:18:31,520 Speaker 3: which I've only been on a few times. I've been 346 00:18:31,520 --> 00:18:35,960 Speaker 3: to football games there, but that's really beautiful. Stanford is beautiful. 347 00:18:36,560 --> 00:18:38,679 Speaker 3: Cal gets a bad rap, right, they think it's not 348 00:18:39,359 --> 00:18:42,399 Speaker 3: the campus isn't cool and Telegraph and it's not like 349 00:18:42,880 --> 00:18:46,480 Speaker 3: you know, Telegraph is a thing. It's a weird little street, 350 00:18:46,520 --> 00:18:50,320 Speaker 3: but it's actually really cool. But campus is beautiful. We 351 00:18:50,320 --> 00:18:53,760 Speaker 3: should take a field trip, Danielle. I like it all 352 00:18:53,760 --> 00:18:56,000 Speaker 3: come down to you and we'll go to the Braverman House, 353 00:18:56,160 --> 00:18:58,480 Speaker 3: and you come up. When can you not travel anymore? 354 00:18:58,520 --> 00:19:01,160 Speaker 2: We're hitting that point after July. 355 00:19:01,720 --> 00:19:02,320 Speaker 3: End of July. 356 00:19:02,680 --> 00:19:05,320 Speaker 2: Yeah, like, and I shouldn't be on a plane in August. 357 00:19:06,600 --> 00:19:08,119 Speaker 3: Oh, but you can travel in July. 358 00:19:09,200 --> 00:19:09,920 Speaker 2: I can come up. 359 00:19:10,800 --> 00:19:13,040 Speaker 3: You haven't raised your hand for the pickleball tournament. 360 00:19:13,119 --> 00:19:17,120 Speaker 2: But that's a that's a that's like, that's fine. 361 00:19:17,119 --> 00:19:19,000 Speaker 3: You can just come. You can just come to Berkeley. 362 00:19:19,200 --> 00:19:21,240 Speaker 3: We'll just go do the show. Oh my god, we 363 00:19:21,240 --> 00:19:23,600 Speaker 3: can do the show. We'll do the show live from Berkeley. 364 00:19:24,359 --> 00:19:25,600 Speaker 3: We can. I'll figure out. 365 00:19:25,640 --> 00:19:26,439 Speaker 2: I love it. I love it. 366 00:19:26,560 --> 00:19:30,399 Speaker 3: Let's do get back again. We're we're digressing. But Adam 367 00:19:30,440 --> 00:19:33,119 Speaker 3: and Zeke that is sort of a rough switching the 368 00:19:33,160 --> 00:19:38,679 Speaker 3: family dynamic. It's rough. Although I do love the motel scene. 369 00:19:39,400 --> 00:19:42,359 Speaker 3: I love the wait. The whole road trip was quite great. 370 00:19:52,320 --> 00:19:54,720 Speaker 3: Let's go up to Amber. I really want to go 371 00:19:54,760 --> 00:19:56,679 Speaker 3: to Amber. First of all, Damien is hot. I'm not 372 00:19:56,720 --> 00:19:57,520 Speaker 3: gonna lie. 373 00:19:57,680 --> 00:20:01,919 Speaker 2: Oh my god, y you you don't think I thought 374 00:20:02,040 --> 00:20:04,680 Speaker 2: he's a good looking young man. But I wouldn't say 375 00:20:04,720 --> 00:20:05,200 Speaker 2: he's hot. 376 00:20:05,600 --> 00:20:11,720 Speaker 3: It plays him, plays Damien. Eddie rio Saiko. Let's see 377 00:20:11,720 --> 00:20:14,120 Speaker 3: where Eddie is now? Let me. Just look him up 378 00:20:14,359 --> 00:20:18,679 Speaker 3: Rio Siico, Okay, Eddie, cute kid. He still looks like 379 00:20:18,720 --> 00:20:19,119 Speaker 3: a kid. 380 00:20:19,800 --> 00:20:22,240 Speaker 2: I want to now now, now you're making me a look. 381 00:20:22,560 --> 00:20:26,119 Speaker 3: Ze hates him. Zeke hates him, and nothing is funnier 382 00:20:26,240 --> 00:20:28,720 Speaker 3: than him coming up to the car. 383 00:20:29,200 --> 00:20:32,080 Speaker 2: Oh my god, Oh what you know who? He looks 384 00:20:32,119 --> 00:20:35,360 Speaker 2: like Milo nont Wolf. 385 00:20:36,600 --> 00:20:39,280 Speaker 3: He looks exactly likenat Wolf. That's weird. 386 00:20:39,920 --> 00:20:41,840 Speaker 2: I thought, Oh is that his brother or something? O? 387 00:20:42,160 --> 00:20:44,200 Speaker 3: That is weird. He looks exactly like him. 388 00:20:44,280 --> 00:20:47,280 Speaker 2: Oh wow, twinsy t's twinsies? 389 00:20:49,520 --> 00:20:50,800 Speaker 3: What was I going to say? 390 00:20:51,600 --> 00:20:52,000 Speaker 2: Bernie? 391 00:20:52,080 --> 00:20:54,640 Speaker 3: Right, it's they got caught in the shower. She's a 392 00:20:54,640 --> 00:20:56,840 Speaker 3: low screaming. Everybody's screaming. 393 00:20:57,680 --> 00:20:58,080 Speaker 2: Uh. 394 00:20:58,400 --> 00:21:04,280 Speaker 3: Then when so Damien is told to leave but then 395 00:21:04,400 --> 00:21:06,120 Speaker 3: basically takes a shower. 396 00:21:07,480 --> 00:21:10,760 Speaker 2: Yes, but the way he was told to leave, well, 397 00:21:10,800 --> 00:21:17,399 Speaker 2: I guess this happened after Zeke just literally handsome a 398 00:21:17,440 --> 00:21:20,040 Speaker 2: new one, like, gets in his car and is like, 399 00:21:20,920 --> 00:21:23,399 Speaker 2: here's twenty dollars, you better get out of town. And 400 00:21:23,440 --> 00:21:27,119 Speaker 2: he and basically Damien was like, oh, but I really 401 00:21:27,160 --> 00:21:30,680 Speaker 2: love Hamper. Oh well, and he was like I have 402 00:21:30,760 --> 00:21:31,400 Speaker 2: a temper. 403 00:21:32,119 --> 00:21:35,879 Speaker 3: He's so good, like would freak you out, like it's 404 00:21:35,920 --> 00:21:37,720 Speaker 3: not even the dad, it's the grandpa. 405 00:21:37,800 --> 00:21:40,399 Speaker 2: And I just like I would be so on my 406 00:21:40,480 --> 00:21:43,200 Speaker 2: way to back to where he came from. 407 00:21:44,760 --> 00:21:47,960 Speaker 3: And then I really love the scene between Sarah and 408 00:21:48,000 --> 00:21:54,480 Speaker 3: Camille that was like really unexpected and beautiful and she's like, 409 00:21:54,520 --> 00:21:57,920 Speaker 3: you're my special girl, right. 410 00:21:58,000 --> 00:22:02,360 Speaker 2: Yeah, she's the one that made her. Uh, she can 411 00:22:02,400 --> 00:22:03,960 Speaker 2: relate to the most, you know, like. 412 00:22:04,040 --> 00:22:06,280 Speaker 3: Yeah, And I thought that that was like, you know, 413 00:22:06,400 --> 00:22:10,800 Speaker 3: most moms with four kids don't say stuff like that, 414 00:22:11,040 --> 00:22:12,760 Speaker 3: And I thought, oh, that was cool. And she's like 415 00:22:12,760 --> 00:22:16,359 Speaker 3: it's not perfect Adam again, but I thought that was 416 00:22:16,400 --> 00:22:19,800 Speaker 3: really really beautiful. And I also thought, what an interesting 417 00:22:21,200 --> 00:22:23,280 Speaker 3: scene we haven't seen, do you know what I mean? 418 00:22:23,320 --> 00:22:27,240 Speaker 3: Like we haven't really seen them really come together, the 419 00:22:27,280 --> 00:22:28,320 Speaker 3: two of them, so I thought. 420 00:22:28,680 --> 00:22:32,679 Speaker 2: And also like, of all the Braverman's, Camille's kind of 421 00:22:32,680 --> 00:22:36,040 Speaker 2: the one we know the least about. Yeah. Yeah, I 422 00:22:36,040 --> 00:22:41,040 Speaker 2: feel like there's a she's she's an onion that is something. Yeah, 423 00:22:41,280 --> 00:22:45,000 Speaker 2: that's definitely like there's a lot you can tell her 424 00:22:45,080 --> 00:22:46,359 Speaker 2: characters super layered. 425 00:22:46,600 --> 00:22:48,600 Speaker 3: Yeah, good word onion on that. 426 00:22:49,280 --> 00:22:53,000 Speaker 2: And you like you get it in this episode a 427 00:22:53,080 --> 00:22:57,399 Speaker 2: little bit. I'm excited to see where what happens with Camille. 428 00:22:57,240 --> 00:22:59,320 Speaker 3: And I also thought, you know, it was good for 429 00:23:00,080 --> 00:23:03,000 Speaker 3: Sarah where she ended up with Amber. Now I feel 430 00:23:03,000 --> 00:23:05,399 Speaker 3: that no one knows that Amber did not take the SATs, 431 00:23:05,480 --> 00:23:07,520 Speaker 3: so I think that would be a problem. 432 00:23:08,720 --> 00:23:10,200 Speaker 2: It is a very good boy. 433 00:23:10,600 --> 00:23:14,840 Speaker 3: That's kind of major, but okay. But I thought, you know, look, 434 00:23:14,920 --> 00:23:17,479 Speaker 3: you're you're right, You're not gonna like The more you 435 00:23:17,560 --> 00:23:20,240 Speaker 3: like tighten up on a kid like that, the worse 436 00:23:20,280 --> 00:23:23,119 Speaker 3: it's gonna be. And I think Amber actually, inherently is 437 00:23:23,119 --> 00:23:25,560 Speaker 3: actually a pretty good kid. I don't know if they 438 00:23:25,560 --> 00:23:27,440 Speaker 3: think she even think they were drinking on the top 439 00:23:27,440 --> 00:23:28,600 Speaker 3: of that car. I feel like they were eating a 440 00:23:28,600 --> 00:23:31,880 Speaker 3: cupcake or something. They were eating the cake. That's right, 441 00:23:31,880 --> 00:23:35,199 Speaker 3: they were eating the cake that Lauren Graham gave to 442 00:23:35,240 --> 00:23:36,760 Speaker 3: her oh on the birthday. 443 00:23:36,720 --> 00:23:41,880 Speaker 2: Yep, I do think Amber is actually I do think 444 00:23:41,960 --> 00:23:45,040 Speaker 2: she's good. I do think she's a good kid. I 445 00:23:45,080 --> 00:23:48,080 Speaker 2: think she's just been through some stuff in her life. 446 00:23:48,119 --> 00:23:51,720 Speaker 2: She is a little bit rebellious, but not rebellious in 447 00:23:51,760 --> 00:23:53,840 Speaker 2: the sense that like I'm gonna steal a car. I 448 00:23:53,880 --> 00:23:56,919 Speaker 2: think she's just trying to find who she is. 449 00:23:57,520 --> 00:24:01,840 Speaker 3: We barely saw Whosy in this episode Sarah Ramos. Did 450 00:24:01,840 --> 00:24:03,879 Speaker 3: we really see her? She was at the birthday party, 451 00:24:04,320 --> 00:24:05,919 Speaker 3: but otherwise we didn't really get a lot of with 452 00:24:06,040 --> 00:24:09,560 Speaker 3: her in this one. You know Max's sister. 453 00:24:09,760 --> 00:24:12,879 Speaker 2: Yeah, Hattie Hattie, Yeah, I don't really remember. 454 00:24:12,960 --> 00:24:15,800 Speaker 3: I don't really as bad as Amber. Hattie was the 455 00:24:15,800 --> 00:24:18,640 Speaker 3: one smoking pot and doing bad stuff like Amber gets 456 00:24:18,640 --> 00:24:19,240 Speaker 3: the bad rap. 457 00:24:19,359 --> 00:24:21,719 Speaker 2: But yeah, that's true. 458 00:24:21,800 --> 00:24:23,200 Speaker 3: I feel like there's a little bit more we should 459 00:24:23,240 --> 00:24:25,520 Speaker 3: talk about with the birthday party and them watching the 460 00:24:25,560 --> 00:24:28,760 Speaker 3: birth video, which was like, oh, that was a cool one. 461 00:24:28,880 --> 00:24:34,800 Speaker 3: That is disgust Oh I didn't. I mean I didn't 462 00:24:34,840 --> 00:24:35,560 Speaker 3: see it. 463 00:24:36,280 --> 00:24:38,240 Speaker 2: You haven't been around my kid for five years, but 464 00:24:38,359 --> 00:24:41,240 Speaker 2: just watch him fly out of my vagina. 465 00:24:42,240 --> 00:24:46,040 Speaker 3: I think, if it's your kid, you're kind of stoked 466 00:24:46,040 --> 00:24:47,800 Speaker 3: to see him enter the world. 467 00:24:47,880 --> 00:24:53,040 Speaker 2: Okay, but like, okay, you just started talking to him yesterday, 468 00:24:53,200 --> 00:24:56,280 Speaker 2: like give it so dime. I was. 469 00:24:57,840 --> 00:25:01,119 Speaker 3: Totally fine with it. I didn't even think as that grows, 470 00:25:01,119 --> 00:25:03,520 Speaker 3: although I did think they did show the kid slimy right. 471 00:25:03,560 --> 00:25:06,879 Speaker 3: They definitely made him real. It was real. But I 472 00:25:06,920 --> 00:25:10,560 Speaker 3: love the birthday party. I love the whole Like in 473 00:25:10,600 --> 00:25:13,160 Speaker 3: the middle of the birthday party drama, the brother's all 474 00:25:13,160 --> 00:25:16,639 Speaker 3: mad and the you know, Jasmine has to cop to lying, 475 00:25:17,080 --> 00:25:19,480 Speaker 3: and then it's kind of like, oh great, we're all wondering. 476 00:25:19,720 --> 00:25:23,800 Speaker 2: I think that was a little like you guys, you're 477 00:25:23,880 --> 00:25:25,880 Speaker 2: just gonna be like, oh, you're the best guy ever. 478 00:25:25,960 --> 00:25:30,080 Speaker 3: Now. That was classic. And then Jabbar, where's the cake? 479 00:25:30,520 --> 00:25:35,480 Speaker 3: You know, like it breaks up the drama. Where's the cake? 480 00:25:35,560 --> 00:25:37,640 Speaker 3: Everybody loves Jabbar, you. 481 00:25:37,640 --> 00:25:39,560 Speaker 2: Know with it. 482 00:25:39,640 --> 00:25:41,399 Speaker 3: I was fine with it because this show doesn't do 483 00:25:41,480 --> 00:25:42,720 Speaker 3: that too much. 484 00:25:42,800 --> 00:25:45,280 Speaker 2: So I'm like, okay, I was fine with it too, 485 00:25:45,480 --> 00:25:46,800 Speaker 2: because I didn't get the end of the day they 486 00:25:46,880 --> 00:25:48,879 Speaker 2: all realized, all right, we all love Jabbar. Let's just 487 00:25:50,160 --> 00:25:54,160 Speaker 2: be adult here. Correct, Yeah, Jasmine, good old Jazz. 488 00:25:54,160 --> 00:25:57,479 Speaker 3: I want to give this episode hmmm, I'm gonna give 489 00:25:57,480 --> 00:25:59,879 Speaker 3: it a nine. It's not quite as good as all 490 00:25:59,880 --> 00:26:02,280 Speaker 3: the others, but still very very good. 491 00:26:02,800 --> 00:26:03,840 Speaker 2: I nine three. 492 00:26:04,520 --> 00:26:07,560 Speaker 3: I'm fine fine, I mean, I'm not gonna I almost 493 00:26:07,600 --> 00:26:09,800 Speaker 3: gave it a nine too, so I have nothing to 494 00:26:09,880 --> 00:26:10,280 Speaker 3: judge you. 495 00:26:11,119 --> 00:26:43,919 Speaker 2: All right, Well until next episode, Braverman's out. Hey, everybody, 496 00:26:43,960 --> 00:26:44,520 Speaker 2: until forget. 497 00:26:44,600 --> 00:26:48,680 Speaker 1: Follow us on Instagram at I Am All In podcast 498 00:26:48,760 --> 00:27:00,000 Speaker 1: and email us at Gilmore at iHeartRadio dot com.