1 00:00:04,800 --> 00:00:08,719 Speaker 1: You don't. You don't love yourself, You don't love yourself. 2 00:00:16,360 --> 00:00:20,759 Speaker 1: Dolls link up. We are here to talk about the 3 00:00:20,960 --> 00:00:26,119 Speaker 1: dievia doll herself, Megan or m Threegan as she is 4 00:00:26,200 --> 00:00:30,280 Speaker 1: known in some circles. We I feel like every like 5 00:00:31,240 --> 00:00:35,279 Speaker 1: month we anoint someone the deepa doll herself herself. Yet 6 00:00:35,400 --> 00:00:39,240 Speaker 1: maybe that should be a hat Honestly, maybe this month 7 00:00:39,280 --> 00:00:43,519 Speaker 1: that is literally a doll at Megan and Threegan. We 8 00:00:43,600 --> 00:00:46,760 Speaker 1: have both seen the new film and a lot of 9 00:00:46,880 --> 00:00:50,560 Speaker 1: y'all wanted us to talk about it, so we will 10 00:00:50,600 --> 00:00:53,080 Speaker 1: be talking about it today and other, you know, sort 11 00:00:53,120 --> 00:00:58,000 Speaker 1: of dumb horror movies that we love to watch. Because 12 00:00:58,040 --> 00:00:59,920 Speaker 1: this is like a virgin the show we'll give yes 13 00:01:00,040 --> 00:01:03,640 Speaker 1: based pop culture. Today's takes. I'm Rosdamino and I'm Fran Toronto. 14 00:01:05,520 --> 00:01:08,399 Speaker 1: Hi Fran. We are doing something that we almost never do, 15 00:01:08,480 --> 00:01:12,360 Speaker 1: which is recording our news segment in person, and something 16 00:01:12,360 --> 00:01:15,760 Speaker 1: else that we also never do, which is talk about 17 00:01:15,920 --> 00:01:19,240 Speaker 1: drag race. That's not true. We did talk about drag race, right, 18 00:01:19,360 --> 00:01:22,600 Speaker 1: but we we only talk about main season drag race, 19 00:01:22,640 --> 00:01:25,720 Speaker 1: which is to me kind of the only drag race 20 00:01:25,800 --> 00:01:28,959 Speaker 1: that exists, and even that is pushing at pushing it 21 00:01:28,959 --> 00:01:31,080 Speaker 1: because we don't want to be, as we've said before, 22 00:01:31,240 --> 00:01:35,040 Speaker 1: a drag Race recap high and several people slid into 23 00:01:35,040 --> 00:01:38,000 Speaker 1: our g ms to warn us not to do and 24 00:01:38,080 --> 00:01:40,480 Speaker 1: we were like, we are not becoming a drag Race podcast. 25 00:01:40,560 --> 00:01:44,920 Speaker 1: But obviously we both have watched the premiere of season fifteen, 26 00:01:45,040 --> 00:01:48,720 Speaker 1: so we want to give our upfront thoughts about the premiere, 27 00:01:48,800 --> 00:01:52,000 Speaker 1: about the queens, and then throughout the season, when we 28 00:01:52,040 --> 00:01:54,320 Speaker 1: feel moved, maybe we'll check in about it, but we 29 00:01:54,360 --> 00:01:58,400 Speaker 1: will not be doing weekly recaps or roocaps, and not 30 00:01:58,520 --> 00:02:00,480 Speaker 1: to tute our on Horn. It's like you hand get 31 00:02:00,480 --> 00:02:03,560 Speaker 1: like drag Race recaps anywhere, right, like all your other 32 00:02:03,600 --> 00:02:07,880 Speaker 1: culture podcast person about it. However, they're all like you know, 33 00:02:08,000 --> 00:02:10,840 Speaker 1: sis fag opinions, and so our opinion on this is 34 00:02:11,040 --> 00:02:18,920 Speaker 1: you know, nuanced, and there's I don't believe it. That's 35 00:02:18,960 --> 00:02:22,400 Speaker 1: when it comes to I uh am dying When I 36 00:02:22,440 --> 00:02:24,480 Speaker 1: saw when I when I saw that you you were 37 00:02:24,480 --> 00:02:27,640 Speaker 1: watching this season when you decided to you know, join in, 38 00:02:27,760 --> 00:02:30,520 Speaker 1: I was shook what I knew I was gonna. I 39 00:02:30,560 --> 00:02:34,200 Speaker 1: always watched the main season well because literally, like I 40 00:02:34,320 --> 00:02:36,480 Speaker 1: invited you to a drag Race screening on Thursday, and 41 00:02:36,480 --> 00:02:38,240 Speaker 1: you said, I do not want to be in a 42 00:02:38,320 --> 00:02:40,919 Speaker 1: room with people watching drag racers. But that's the difference. 43 00:02:41,000 --> 00:02:42,959 Speaker 1: I want to watch it at home alone. I don't 44 00:02:42,960 --> 00:02:47,880 Speaker 1: want to be in community with gay people watching. It. 45 00:02:48,000 --> 00:02:51,000 Speaker 1: Wasn't all um, it was not all men, luckily, um. 46 00:02:51,000 --> 00:02:53,799 Speaker 1: But I also have to I didn't understand that. I 47 00:02:53,840 --> 00:02:55,360 Speaker 1: thought you were just like I do not want to 48 00:02:55,400 --> 00:02:58,840 Speaker 1: be in a space where drag races present. Yeah, I 49 00:02:58,880 --> 00:03:01,560 Speaker 1: don't want to be around a bunch of watching I 50 00:03:01,639 --> 00:03:03,880 Speaker 1: understand it's not fun for me. I bought the season 51 00:03:03,880 --> 00:03:07,560 Speaker 1: pass on iTunes. I will be watching it every Saturday 52 00:03:07,639 --> 00:03:10,280 Speaker 1: or Sunday. Is it too redundant of a question for 53 00:03:10,320 --> 00:03:13,760 Speaker 1: me to ask? Like? What? What? Why you don't want 54 00:03:13,760 --> 00:03:16,240 Speaker 1: to be in a space watching it versus like watching? 55 00:03:16,280 --> 00:03:17,840 Speaker 1: Like why do you want to watch it at home? 56 00:03:18,000 --> 00:03:19,480 Speaker 1: And what do you not like about? And I'm not 57 00:03:19,560 --> 00:03:21,200 Speaker 1: making this about me. I'm saying, like you would never 58 00:03:21,200 --> 00:03:22,720 Speaker 1: go to a gay bar and watch it? I mean 59 00:03:22,800 --> 00:03:27,399 Speaker 1: I have so I was a very late joiner. I guess, well, 60 00:03:27,520 --> 00:03:30,880 Speaker 1: I mean we're on season fifteen, But I was. I 61 00:03:31,000 --> 00:03:35,280 Speaker 1: was a holdout, Like like even when I was very 62 00:03:35,320 --> 00:03:39,720 Speaker 1: involved in gay night life, I was very like my 63 00:03:39,840 --> 00:03:43,080 Speaker 1: things like I don't watch drag Race, and then um, 64 00:03:43,120 --> 00:03:46,080 Speaker 1: I did start watching it like weirdly enough at a 65 00:03:46,160 --> 00:03:49,720 Speaker 1: fairy sanctuary and it's very strange. Um that was the 66 00:03:49,720 --> 00:03:51,720 Speaker 1: first place I ever watched drag Race and what season 67 00:03:52,120 --> 00:03:56,680 Speaker 1: season seven? The first episode I ever watched was the 68 00:03:56,760 --> 00:03:59,760 Speaker 1: John Waters episode of season seven, which was like the 69 00:03:59,760 --> 00:04:02,600 Speaker 1: only in a good episode and otherwise kind of boring season, 70 00:04:03,040 --> 00:04:05,840 Speaker 1: which did give us some legends. But um, I did 71 00:04:05,960 --> 00:04:09,920 Speaker 1: enjoy watching drag Race in bars the first couple of 72 00:04:09,920 --> 00:04:12,800 Speaker 1: seasons that I watched it live, Like, um, I used 73 00:04:12,800 --> 00:04:17,200 Speaker 1: to watch it at Don Pedro at bath salts Um. 74 00:04:17,279 --> 00:04:22,800 Speaker 1: But it's you know, it's overwhelming. It's like, yes, it's 75 00:04:22,880 --> 00:04:25,840 Speaker 1: fun to be around people like screaming at the screen, 76 00:04:26,040 --> 00:04:29,800 Speaker 1: but it's like it becomes like a whole other thing 77 00:04:30,080 --> 00:04:32,920 Speaker 1: when you're watching it with people, and I just like, 78 00:04:33,000 --> 00:04:35,840 Speaker 1: I just wanted to enjoy it in the silence and 79 00:04:35,880 --> 00:04:39,120 Speaker 1: privacy of my own home. Yeah, my friend group and 80 00:04:39,160 --> 00:04:41,799 Speaker 1: I we also like, I like watching in bar settings, 81 00:04:41,839 --> 00:04:44,000 Speaker 1: but everyone else in my group is like it's too loud. 82 00:04:44,040 --> 00:04:46,160 Speaker 1: I can't hear any of the jokes. Everyone ruins it. 83 00:04:46,279 --> 00:04:48,919 Speaker 1: They talk over you know, what's going on because everyone's 84 00:04:48,920 --> 00:04:51,360 Speaker 1: trying to get their gaggon and the audience and everyone's 85 00:04:51,680 --> 00:04:56,039 Speaker 1: everyone thinks they're like funny, they're yeah, everyone thinks they're funny. Everyone, 86 00:04:56,279 --> 00:05:00,520 Speaker 1: And like, I have no patience for sis gay men 87 00:05:00,680 --> 00:05:04,280 Speaker 1: who think they know more about drag than drag queens. Yeah, 88 00:05:05,400 --> 00:05:08,360 Speaker 1: and like I don't need a guy in fucking Bnobo's 89 00:05:08,440 --> 00:05:12,400 Speaker 1: short being like her look is disgusting, that's not fashion. 90 00:05:12,720 --> 00:05:15,760 Speaker 1: It's like, babe, but you are not one to talk? 91 00:05:16,880 --> 00:05:20,840 Speaker 1: Is such an accurate drag I am? Okay, so I 92 00:05:20,880 --> 00:05:23,520 Speaker 1: have to say, you know, I am. I am a 93 00:05:23,600 --> 00:05:27,560 Speaker 1: drag race stand all, all of of course acknowledging all 94 00:05:27,600 --> 00:05:29,520 Speaker 1: the annoying things about drag race that come with it. 95 00:05:30,040 --> 00:05:33,040 Speaker 1: I went to our friend James scully Um from the 96 00:05:33,080 --> 00:05:35,359 Speaker 1: Fire Island movie invited me to the premiere, and so 97 00:05:35,520 --> 00:05:38,280 Speaker 1: I went to like the New York premier quote unquote 98 00:05:38,680 --> 00:05:42,000 Speaker 1: of drag Race, And it was at Regal Regal Cinema 99 00:05:42,040 --> 00:05:45,040 Speaker 1: Battery Park, like in that interesting like are that one, 100 00:05:45,320 --> 00:05:47,680 Speaker 1: And it was just the weirdest vibe. It was not 101 00:05:47,960 --> 00:05:51,159 Speaker 1: like an event then you kind of thing, and then 102 00:05:51,160 --> 00:05:54,880 Speaker 1: the after party it was overall like a lovely, lovely time. 103 00:05:54,880 --> 00:05:58,240 Speaker 1: And I loved the event and loved being there, but rose. 104 00:05:58,400 --> 00:06:01,080 Speaker 1: The after party for the Drag Race premiere was in 105 00:06:01,160 --> 00:06:04,760 Speaker 1: the center of the mall, at the Oculus, in the 106 00:06:04,880 --> 00:06:08,760 Speaker 1: whitest lighting, the brightest, widest lighting, and I'm like, why 107 00:06:08,800 --> 00:06:11,920 Speaker 1: would you put drag queens under this? I'm sure you know, 108 00:06:12,240 --> 00:06:16,680 Speaker 1: but is Yeah, there's like something going on where like 109 00:06:16,720 --> 00:06:21,240 Speaker 1: anytime Drag Race contestants convene, like the event planners always like, 110 00:06:21,560 --> 00:06:25,200 Speaker 1: let's put them in the overhead of overhead lights. Turn 111 00:06:25,279 --> 00:06:30,240 Speaker 1: the a c off. Oh my god. Anyways, Okay, dying 112 00:06:30,440 --> 00:06:34,040 Speaker 1: to know, initial takes, initial thoughts, favorites, like how did 113 00:06:34,040 --> 00:06:37,040 Speaker 1: you feel watching this episode? In this season, it's a 114 00:06:37,080 --> 00:06:40,400 Speaker 1: little different from usual seasons. I feel in what way 115 00:06:41,680 --> 00:06:44,440 Speaker 1: because it feels well, one, it's the hugest season ever, 116 00:06:44,560 --> 00:06:47,760 Speaker 1: most contestants ever. The premiere was split up in a 117 00:06:47,800 --> 00:06:51,000 Speaker 1: way that was like dynamically different than other premiers, and 118 00:06:51,120 --> 00:06:55,120 Speaker 1: I felt like, in a way that was more prominent 119 00:06:55,160 --> 00:06:58,560 Speaker 1: than other seasons. We're getting this kind of Instagram girls 120 00:06:58,720 --> 00:07:02,560 Speaker 1: versus like old schools, not even Instagram girls, TikTok girls. Yes, 121 00:07:02,640 --> 00:07:06,200 Speaker 1: now we are. We now have even progressed because the 122 00:07:06,240 --> 00:07:09,640 Speaker 1: whole like Instagram drag thing is old at this point. 123 00:07:09,640 --> 00:07:13,240 Speaker 1: Those are seasoned queens. That's like, you know, really like 124 00:07:13,360 --> 00:07:16,320 Speaker 1: talented social media queens who have already done the thing. 125 00:07:16,560 --> 00:07:19,800 Speaker 1: Now there's a whole other thing of like Amethyst coming 126 00:07:19,840 --> 00:07:23,120 Speaker 1: in saying I'm the first queen whoever went viral on TikTok. 127 00:07:23,160 --> 00:07:24,960 Speaker 1: It's like, I don't know that that's the thing yet. 128 00:07:25,000 --> 00:07:27,400 Speaker 1: Also just like I wouldn't if if that were me. 129 00:07:27,480 --> 00:07:29,200 Speaker 1: I mean, I loved Amethyst, but I was like, if 130 00:07:29,280 --> 00:07:31,960 Speaker 1: I were the first Instagram queen, I just would never 131 00:07:32,000 --> 00:07:35,680 Speaker 1: say that. I'm also glad that my algorithm never is 132 00:07:35,760 --> 00:07:39,200 Speaker 1: not aware of that. I'm glad I'm not being served, 133 00:07:39,440 --> 00:07:42,400 Speaker 1: you know, viral drag queens. I feel on TikTok. I 134 00:07:42,440 --> 00:07:44,200 Speaker 1: feel although now that I've said it, I'm sure it'll 135 00:07:44,240 --> 00:07:47,480 Speaker 1: come up the next time I phones away I turned 136 00:07:47,480 --> 00:07:49,640 Speaker 1: on I do not disturb. So I have to say 137 00:07:50,240 --> 00:07:52,800 Speaker 1: I'm very proud of the fact that I had never 138 00:07:52,840 --> 00:07:56,600 Speaker 1: heard of Sugar and Spice. Ever, I actually had seen 139 00:07:57,000 --> 00:07:59,680 Speaker 1: seen a video of their's before, because I don't know why. 140 00:07:59,720 --> 00:08:03,200 Speaker 1: I think maybe it was on Twitter. Can we start 141 00:08:03,240 --> 00:08:05,280 Speaker 1: with Sugar and Spice? What did you think? So I 142 00:08:05,320 --> 00:08:08,920 Speaker 1: actually think they're kind of furious. They are kind of furious. 143 00:08:09,000 --> 00:08:10,920 Speaker 1: I mean they came in. I was like, who are 144 00:08:10,960 --> 00:08:16,400 Speaker 1: these at as like fashion nova, you know girls, and 145 00:08:16,440 --> 00:08:19,440 Speaker 1: then you know, like I there were a couple of 146 00:08:19,440 --> 00:08:23,760 Speaker 1: moments where they like showed their ass a little bit, 147 00:08:23,840 --> 00:08:26,640 Speaker 1: I think in you know, talking about how long they 148 00:08:26,640 --> 00:08:29,000 Speaker 1: would take to get ready and like running around the 149 00:08:29,000 --> 00:08:33,040 Speaker 1: workroom not knowing where anything was. But also like that's drag, 150 00:08:33,160 --> 00:08:36,319 Speaker 1: I think, um it's I was watching the pit stop 151 00:08:36,400 --> 00:08:39,079 Speaker 1: yesterday and one of them said something about how drag 152 00:08:39,320 --> 00:08:41,440 Speaker 1: I think Jink said, drag queens are like gas. They 153 00:08:41,480 --> 00:08:44,319 Speaker 1: will fill any given space. So it's like to give 154 00:08:44,400 --> 00:08:46,360 Speaker 1: them half an hour to get ready, they'll get ready 155 00:08:46,400 --> 00:08:49,920 Speaker 1: in half an hour, four hours, they will take four hours. 156 00:08:49,960 --> 00:08:51,920 Speaker 1: And like, knowing a lot of drag queens, I know 157 00:08:52,000 --> 00:08:54,160 Speaker 1: that to be true, so like it doesn't surprise me 158 00:08:54,200 --> 00:08:55,760 Speaker 1: that they take a long time to get ready. But 159 00:08:56,600 --> 00:08:59,480 Speaker 1: when it came to the actual like work of drag, 160 00:09:00,080 --> 00:09:03,840 Speaker 1: they were kind of sickening. I thought Spices number with 161 00:09:03,880 --> 00:09:07,920 Speaker 1: the Coffin was actually really good. She and unlike a 162 00:09:07,920 --> 00:09:10,360 Speaker 1: lot of the lip sinkers for the Talent Show, she 163 00:09:10,520 --> 00:09:14,920 Speaker 1: was giving facial performance like she was emoting she was funny. 164 00:09:15,040 --> 00:09:17,640 Speaker 1: She got the jokes like obviously this whole song was 165 00:09:17,679 --> 00:09:21,680 Speaker 1: like written by a team. Probably as were like what 166 00:09:21,720 --> 00:09:28,040 Speaker 1: the fuck like Lucien or I really need I mean, 167 00:09:28,120 --> 00:09:30,640 Speaker 1: I don't know why girls keep doing original lip sn songs. 168 00:09:30,679 --> 00:09:34,040 Speaker 1: I mean Spice. I think they probably like give them like, Okay, 169 00:09:34,160 --> 00:09:37,240 Speaker 1: you can record this little lip sync number, or you 170 00:09:37,280 --> 00:09:41,480 Speaker 1: can figure something out yourself, and they like just I 171 00:09:41,520 --> 00:09:44,560 Speaker 1: actually would be very interested to get some kind of 172 00:09:44,600 --> 00:09:48,880 Speaker 1: behind the scenes look at how these things are produced, 173 00:09:48,880 --> 00:09:51,880 Speaker 1: but that might ruin the magic. A little um Sugar's 174 00:09:51,960 --> 00:09:54,200 Speaker 1: number was not as good to me, and I actually 175 00:09:54,240 --> 00:09:58,319 Speaker 1: was a little surprised by how positive the judge's reactions 176 00:09:58,360 --> 00:10:05,559 Speaker 1: to it were. But then their runway looks was it 177 00:10:05,679 --> 00:10:10,000 Speaker 1: was giving a little like leg Avenue Halloween costume, but 178 00:10:10,760 --> 00:10:14,359 Speaker 1: executed really well. I thought the bell look was amazing. 179 00:10:14,640 --> 00:10:17,120 Speaker 1: I thought, you know, obviously they were going to be safe, 180 00:10:17,160 --> 00:10:18,959 Speaker 1: but if they weren't going to be I felt like 181 00:10:19,000 --> 00:10:23,400 Speaker 1: Michelle would have dragged them for having corresponding costumes because 182 00:10:23,400 --> 00:10:26,240 Speaker 1: like when the when the aerial costume, when the aerial 183 00:10:26,360 --> 00:10:28,720 Speaker 1: look came out, I was like, oh, well, does the 184 00:10:28,760 --> 00:10:32,120 Speaker 1: area look look as good without the bell costume right, 185 00:10:32,120 --> 00:10:34,920 Speaker 1: and so like, what's their strategy outside of each other's 186 00:10:35,000 --> 00:10:36,960 Speaker 1: like some of the questions that are buzzing in my 187 00:10:36,960 --> 00:10:40,840 Speaker 1: head about sugar and spice. But I also immediately was like, oh, no, 188 00:10:40,960 --> 00:10:42,920 Speaker 1: do I stand And I think a lot of that 189 00:10:43,000 --> 00:10:45,280 Speaker 1: had to do with the fact that they entered the 190 00:10:45,280 --> 00:10:49,360 Speaker 1: workroom and they immediately cut themselves down. They like, they 191 00:10:49,800 --> 00:10:52,160 Speaker 1: made they made jokes at their own expense. They were 192 00:10:52,200 --> 00:10:55,320 Speaker 1: not they didn't take themselves too seriously, and they felt 193 00:10:55,440 --> 00:10:57,800 Speaker 1: pretty honest about the fact that they knew they had 194 00:10:57,840 --> 00:11:01,000 Speaker 1: to earn rapport and respect from their felt queens who 195 00:11:01,000 --> 00:11:02,640 Speaker 1: were who have been doing this on the ground for 196 00:11:02,679 --> 00:11:05,360 Speaker 1: so long, and I think that is the only way 197 00:11:05,400 --> 00:11:07,120 Speaker 1: they could have done it right. So they were very 198 00:11:07,120 --> 00:11:09,600 Speaker 1: self aware. I also did really like the moment where 199 00:11:09,640 --> 00:11:15,040 Speaker 1: they thought that Irene and Mistress hated each other and 200 00:11:15,080 --> 00:11:17,880 Speaker 1: they were like, no, you've just never been around literally 201 00:11:17,960 --> 00:11:21,320 Speaker 1: never experienced shade, And that's really interesting and so tell 202 00:11:21,720 --> 00:11:26,040 Speaker 1: I think that will be a very interesting um narrative 203 00:11:26,080 --> 00:11:28,240 Speaker 1: to see play out over the course of the season, 204 00:11:28,280 --> 00:11:31,120 Speaker 1: depending on how long they stick around. Is like them 205 00:11:31,200 --> 00:11:33,880 Speaker 1: for the first time being part of a sisterhood of 206 00:11:33,960 --> 00:11:37,440 Speaker 1: drag queens. And also I loved Irene and when Irene 207 00:11:37,559 --> 00:11:40,040 Speaker 1: was like I did, I'm sorry I did. And I 208 00:11:40,160 --> 00:11:42,760 Speaker 1: met her at the premier end, and my love for 209 00:11:42,840 --> 00:11:44,800 Speaker 1: Irene doubled down when I met her because she said 210 00:11:44,800 --> 00:11:48,200 Speaker 1: so many different funny things and but I um when 211 00:11:48,240 --> 00:11:49,960 Speaker 1: she was like when she said in the workfroom, she 212 00:11:50,040 --> 00:11:51,880 Speaker 1: was like, I have to be honest. Girls, like I 213 00:11:51,920 --> 00:11:54,000 Speaker 1: wish you would throw it back at me. I was 214 00:11:54,040 --> 00:11:56,920 Speaker 1: like me too, because like back in the days of 215 00:11:57,040 --> 00:12:01,000 Speaker 1: I just rewatched or I'm rewatching currently season re Raja's season, 216 00:12:01,040 --> 00:12:05,319 Speaker 1: I'm watching season five, babe. Okay. After after our Harri convo, 217 00:12:05,440 --> 00:12:07,800 Speaker 1: I was like, to go back to the Golden spoiler 218 00:12:07,840 --> 00:12:10,920 Speaker 1: alert we talk about it with Harri in the future 219 00:12:11,120 --> 00:12:15,360 Speaker 1: spoiler alert where we have an episode of coming Out. Yes, um, 220 00:12:15,640 --> 00:12:18,200 Speaker 1: I missed that shade. I missed that era of Shade. 221 00:12:18,200 --> 00:12:21,240 Speaker 1: And now the girls are way too cognizant of the 222 00:12:21,320 --> 00:12:23,240 Speaker 1: camera and how they're going to be perceived online or 223 00:12:23,280 --> 00:12:25,000 Speaker 1: get the villain at it, and so they don't want 224 00:12:25,000 --> 00:12:28,200 Speaker 1: to to throw it back. And I was like, no, Irene, yeah, 225 00:12:28,320 --> 00:12:30,560 Speaker 1: because like there's no worse people in the world than 226 00:12:30,640 --> 00:12:33,960 Speaker 1: drag Race exactly, and you know Irene, you know some 227 00:12:34,080 --> 00:12:36,080 Speaker 1: of her some of her things were not funny. That 228 00:12:36,120 --> 00:12:37,960 Speaker 1: which is the issue. It's like that's actually just like 229 00:12:38,040 --> 00:12:39,800 Speaker 1: rude and but like a lot of other most of 230 00:12:39,800 --> 00:12:42,400 Speaker 1: them were not funny. Also, after they after they got 231 00:12:42,400 --> 00:12:44,560 Speaker 1: out of Drag and she was like sitting on that table, 232 00:12:44,600 --> 00:12:46,280 Speaker 1: she was like, I can't wait for them to see 233 00:12:46,280 --> 00:12:48,199 Speaker 1: me and see how hot I am out of drag. 234 00:12:48,280 --> 00:12:51,120 Speaker 1: It's like, girl, I don't know if you're doing quite 235 00:12:51,120 --> 00:12:54,040 Speaker 1: what you think you're doing. I I like, well, yeah, 236 00:12:54,120 --> 00:12:56,040 Speaker 1: I mean you don't ever want to say that. Similar 237 00:12:56,080 --> 00:12:58,400 Speaker 1: with like Aura when or I thought Ura was obviously 238 00:12:58,400 --> 00:13:00,440 Speaker 1: the hottest, but when Ura was like I'm hot, And 239 00:13:00,960 --> 00:13:05,120 Speaker 1: when she said she you can't call yourself of the season. 240 00:13:05,240 --> 00:13:07,160 Speaker 1: Someone has to call you that really quickly. Can we 241 00:13:07,160 --> 00:13:09,760 Speaker 1: talk about Trade of the season because I thought Oura 242 00:13:09,880 --> 00:13:11,800 Speaker 1: was going to be it, but there are a lot 243 00:13:12,040 --> 00:13:14,080 Speaker 1: of rene of them. Or Trade of the season. Okay, 244 00:13:14,120 --> 00:13:17,560 Speaker 1: this is a fundamental mission of what trade is, because 245 00:13:17,679 --> 00:13:21,440 Speaker 1: trade is trade is unclockable, and all of these girls 246 00:13:21,480 --> 00:13:25,880 Speaker 1: are clocky t shots and I can say that Ura 247 00:13:26,160 --> 00:13:29,200 Speaker 1: is the most mask but yeah, I do tend to 248 00:13:29,320 --> 00:13:33,160 Speaker 1: agree with you. Well, this is a total creation of drags, 249 00:13:33,720 --> 00:13:38,120 Speaker 1: which is like the idea of the split between being 250 00:13:38,160 --> 00:13:41,040 Speaker 1: a queen and being a hot boy. Like this is 251 00:13:41,080 --> 00:13:44,040 Speaker 1: something Charlie has talked about before. It's like this is 252 00:13:44,640 --> 00:13:48,560 Speaker 1: like totally toxic, and I just think the queens who 253 00:13:48,600 --> 00:13:52,600 Speaker 1: are very preoccupied with being hot men out of drag 254 00:13:53,120 --> 00:13:58,240 Speaker 1: are really fucking annoying and like that is like not listen, 255 00:13:58,280 --> 00:14:00,280 Speaker 1: I'm not drag queen, but it's like not very true 256 00:14:00,600 --> 00:14:02,920 Speaker 1: to the legacy of drag. This idea of like the 257 00:14:03,000 --> 00:14:06,400 Speaker 1: split between you and your drag character. It's a very 258 00:14:06,520 --> 00:14:11,880 Speaker 1: Rupaulian invention and its just like it's not it's it's 259 00:14:11,920 --> 00:14:15,720 Speaker 1: giving misogyny a little bit, it is and it's giving 260 00:14:16,200 --> 00:14:18,960 Speaker 1: um oh, like do you even really care about drag 261 00:14:19,040 --> 00:14:22,120 Speaker 1: or you just like, you know, like a b F 262 00:14:22,240 --> 00:14:24,040 Speaker 1: A kid who was like, well, I guess I'm going 263 00:14:24,080 --> 00:14:26,120 Speaker 1: to be successful as a drag queen. And because I 264 00:14:26,160 --> 00:14:29,000 Speaker 1: can't get cast in like a pilot god. I mean 265 00:14:29,080 --> 00:14:31,040 Speaker 1: there's a lot of b A fake girls in this season, 266 00:14:31,080 --> 00:14:34,040 Speaker 1: but mar mar I have to talk about Marsha, but 267 00:14:34,080 --> 00:14:36,200 Speaker 1: like not to be that girl. Trade also is like 268 00:14:36,240 --> 00:14:38,840 Speaker 1: one of the many words within drag race lexicon that 269 00:14:38,960 --> 00:14:41,200 Speaker 1: has like come from black culture and so like when 270 00:14:41,440 --> 00:14:44,040 Speaker 1: when these like all these girls like try to use 271 00:14:44,080 --> 00:14:46,760 Speaker 1: it in this like very specific like TV way that 272 00:14:46,920 --> 00:14:49,320 Speaker 1: is not rooted in like how it's originally created, it's 273 00:14:49,360 --> 00:14:51,640 Speaker 1: just like not true. So not using the word trade though, 274 00:14:51,840 --> 00:14:53,200 Speaker 1: I will have to say, there are a lot of 275 00:14:53,360 --> 00:14:56,760 Speaker 1: hot queens, Like I think a Nietra is so fine. 276 00:14:56,800 --> 00:15:00,440 Speaker 1: I think is so fine. I mean he's like okay, yeah, 277 00:15:01,280 --> 00:15:06,280 Speaker 1: I thought actually that Amethyst was pretty cute and unfortunately, unfortunately, 278 00:15:06,400 --> 00:15:12,120 Speaker 1: unfortunately sugar. How much do you think people offer to 279 00:15:12,280 --> 00:15:16,760 Speaker 1: like them to like do you mean they like constantly 280 00:15:16,800 --> 00:15:18,720 Speaker 1: get like ingreious. I don't know. They were giving me 281 00:15:18,920 --> 00:15:22,600 Speaker 1: you know that video of the twins who were like 282 00:15:22,920 --> 00:15:24,840 Speaker 1: who are like on vacation. They're like, yeah, we want 283 00:15:24,880 --> 00:15:27,640 Speaker 1: you to come and funk us with that, Like that's 284 00:15:27,640 --> 00:15:30,480 Speaker 1: what they were giving me. What if Okay, this is 285 00:15:30,520 --> 00:15:34,240 Speaker 1: my conspiracy theory, is that one of them isn't gay 286 00:15:34,320 --> 00:15:36,960 Speaker 1: and they were like that and it's all marketing them. 287 00:15:37,000 --> 00:15:38,960 Speaker 1: They were like yeah, they were like, this will be 288 00:15:39,000 --> 00:15:41,880 Speaker 1: good for the brand for both drag queens. It's probably 289 00:15:41,920 --> 00:15:45,240 Speaker 1: sugar because sugar wasn't as good. Yeah, okay, that's a 290 00:15:45,240 --> 00:15:47,840 Speaker 1: great conspiracy theory, so we'll see how that plays out 291 00:15:47,840 --> 00:15:50,480 Speaker 1: over the course of the season. Um, I'm sorry, dear 292 00:15:50,600 --> 00:15:53,480 Speaker 1: visions that it's taken up, taken us this long to 293 00:15:53,920 --> 00:15:58,960 Speaker 1: talk about or to say the name Sasha Colby mother mother. 294 00:15:59,080 --> 00:16:01,440 Speaker 1: There was so a mother of her, and to show 295 00:16:01,520 --> 00:16:04,760 Speaker 1: up the way she did and the way they were 296 00:16:04,840 --> 00:16:07,520 Speaker 1: all gagged when she walked in the doors that they're like, 297 00:16:07,600 --> 00:16:09,880 Speaker 1: oh fuck, I guess I'm not winning this season. And 298 00:16:10,000 --> 00:16:12,720 Speaker 1: every drag queen's favorite drag queen is who she is. 299 00:16:12,800 --> 00:16:14,840 Speaker 1: She is. It's like how they say that so and 300 00:16:14,880 --> 00:16:17,680 Speaker 1: so is a comedians comedian, Sasha Colby is a drag 301 00:16:17,760 --> 00:16:21,520 Speaker 1: queen's drag queen exactly. And and if you have never 302 00:16:21,880 --> 00:16:25,800 Speaker 1: had the sublime experience of seeing Sasha perform in person, 303 00:16:26,960 --> 00:16:29,560 Speaker 1: I can only say that it is only in person 304 00:16:29,600 --> 00:16:33,040 Speaker 1: that you understand like the magnitude that Sasha carries like 305 00:16:33,120 --> 00:16:37,560 Speaker 1: she has a visceral emotionality that is a full body 306 00:16:37,600 --> 00:16:41,200 Speaker 1: and face performance. And she also, unlike all the other girls, 307 00:16:41,680 --> 00:16:45,360 Speaker 1: doesn't do kicks, turns, dips and splits as much as 308 00:16:45,400 --> 00:16:51,240 Speaker 1: she does interpretive like body horror, like super weird like 309 00:16:51,600 --> 00:16:54,280 Speaker 1: dancing that is like antithetical to a lot of like 310 00:16:54,360 --> 00:16:57,920 Speaker 1: drag style, which is why I think her performance and 311 00:16:57,960 --> 00:17:02,480 Speaker 1: the Talent Show didn't translate. It wasn't quite as as 312 00:17:02,520 --> 00:17:05,399 Speaker 1: like gaggy through the screen, but it was tell major 313 00:17:05,520 --> 00:17:08,040 Speaker 1: you can tell from the judges faces. Yeah you oh 314 00:17:08,119 --> 00:17:11,639 Speaker 1: the way Ariana was, you know, like I know that 315 00:17:11,680 --> 00:17:14,280 Speaker 1: if I was in a room watching that that I 316 00:17:14,320 --> 00:17:17,400 Speaker 1: would have been living. And here's the other thing. Sasha 317 00:17:17,600 --> 00:17:20,879 Speaker 1: like she's done that Cranberry's performance before, she had it 318 00:17:20,960 --> 00:17:24,080 Speaker 1: in her repertoire, like she knows she's not gonna blow 319 00:17:24,200 --> 00:17:26,080 Speaker 1: her all her tricks in the first go, like she's 320 00:17:26,080 --> 00:17:28,440 Speaker 1: going to save them so which which is glad she did. 321 00:17:28,520 --> 00:17:30,520 Speaker 1: It's smart. But I think some of the other girls 322 00:17:30,560 --> 00:17:34,720 Speaker 1: who don't have the kind of you know, um uh air, 323 00:17:35,600 --> 00:17:38,439 Speaker 1: don't have the legend around them that Sasha Kolby does 324 00:17:38,800 --> 00:17:40,760 Speaker 1: did need to come right up the gate and show 325 00:17:40,800 --> 00:17:43,640 Speaker 1: off their best ship like a Nietra who I mean 326 00:17:43,840 --> 00:17:46,920 Speaker 1: she tour tour deserve to win. I'm now in love 327 00:17:46,960 --> 00:17:49,200 Speaker 1: with her online and I followed her, and I really 328 00:17:49,320 --> 00:17:53,080 Speaker 1: I'm very very specific about who I follow on Instagram, 329 00:17:53,119 --> 00:17:56,040 Speaker 1: Like I'm I do not follow unless I have to, yes, you, 330 00:17:56,280 --> 00:17:58,880 Speaker 1: It's it's sort of the same way with real Housewives. 331 00:17:58,960 --> 00:18:01,480 Speaker 1: It's like it takes a yeah for me. I don't 332 00:18:01,520 --> 00:18:05,000 Speaker 1: mean I don't really follow direct people. I do sometimes, 333 00:18:05,160 --> 00:18:08,080 Speaker 1: especially during the season, and then I'm on follow laid 334 00:18:08,240 --> 00:18:10,159 Speaker 1: if you get annoying after a season over, but I 335 00:18:10,560 --> 00:18:14,040 Speaker 1: get annoying. I was already following Sasha and Jack's but 336 00:18:14,200 --> 00:18:16,840 Speaker 1: I did decide to follow Anitra because I was like, 337 00:18:17,000 --> 00:18:19,320 Speaker 1: I love your story. And I also don't know any 338 00:18:19,400 --> 00:18:39,439 Speaker 1: Vegas queens. But yeah, speaking of you know, girls that 339 00:18:39,480 --> 00:18:43,000 Speaker 1: have to prove themselves. Back to Marsha, Marsha, Marsha, she 340 00:18:43,200 --> 00:18:47,200 Speaker 1: surprised me. Yeah, I I thought it was very close 341 00:18:47,480 --> 00:18:51,320 Speaker 1: to Willow Hill's performance from last season. Was almost a 342 00:18:51,359 --> 00:18:55,560 Speaker 1: little too close. Yes, but she did something different, which 343 00:18:55,600 --> 00:18:58,479 Speaker 1: was the dance element, and she executed it well. And 344 00:18:58,520 --> 00:19:00,560 Speaker 1: I have to say when she came out, like, I 345 00:19:00,640 --> 00:19:03,160 Speaker 1: do like the look, I love the name. I think 346 00:19:03,160 --> 00:19:06,199 Speaker 1: it's very funny, and I hope that, especially in some 347 00:19:06,280 --> 00:19:08,919 Speaker 1: of the acting challenges, she will get a chance to 348 00:19:08,960 --> 00:19:11,359 Speaker 1: show up her b f A or whatever, but definitely 349 00:19:11,400 --> 00:19:14,880 Speaker 1: not her makeup skip No, I mean she was wearing 350 00:19:15,160 --> 00:19:18,200 Speaker 1: no makeing. Wait, baby, did you clock this? I mean, 351 00:19:18,800 --> 00:19:20,480 Speaker 1: this is like such a you and I thing. But 352 00:19:20,520 --> 00:19:24,159 Speaker 1: when Ari came in her idol Arianna and she was 353 00:19:24,200 --> 00:19:26,440 Speaker 1: like freaking out because this is like her favorite person. 354 00:19:26,400 --> 00:19:29,919 Speaker 1: She is like her her role model or whatever. Marcia 355 00:19:30,000 --> 00:19:32,280 Speaker 1: said to Ari, I'm wearing a full face of your 356 00:19:32,280 --> 00:19:35,720 Speaker 1: makeup right now, and I was like, babe, they don't 357 00:19:35,760 --> 00:19:38,640 Speaker 1: make foundations. Yes, I was like, honey, Ari, m beauty 358 00:19:38,960 --> 00:19:42,639 Speaker 1: is like daytime, like mall girl makeup, Like it's not 359 00:19:42,920 --> 00:19:45,919 Speaker 1: drag makeup like that. But it is good. It is. 360 00:19:45,960 --> 00:19:49,679 Speaker 1: It is yeah, um, But I love that they dragged 361 00:19:49,680 --> 00:19:52,240 Speaker 1: her immediately for like not having makeup on and also 362 00:19:52,320 --> 00:19:55,679 Speaker 1: saying she had an unstyled human unit. Again, it's like 363 00:19:55,880 --> 00:19:58,160 Speaker 1: a lot of those The first couple of girls who 364 00:19:58,160 --> 00:20:01,919 Speaker 1: walked in, it was give and because I'm rewatching season 365 00:20:01,960 --> 00:20:04,679 Speaker 1: five right now, and I also did watch the first 366 00:20:04,760 --> 00:20:08,720 Speaker 1: episode of season four, it was giving like old drag 367 00:20:08,800 --> 00:20:10,600 Speaker 1: race where they used to come in with shaking the 368 00:20:10,720 --> 00:20:14,000 Speaker 1: wigs on. Absolutely it was and no makeup and listen, 369 00:20:14,240 --> 00:20:16,280 Speaker 1: you know that we're I know that we're doing the 370 00:20:16,359 --> 00:20:18,760 Speaker 1: same thing that I was annoyed about before, which is 371 00:20:18,960 --> 00:20:21,560 Speaker 1: we are people who do not do and we are 372 00:20:21,640 --> 00:20:25,760 Speaker 1: giving our opinions on people who do the insane amount 373 00:20:25,800 --> 00:20:28,040 Speaker 1: of work that it takes to get into drags. So like, 374 00:20:28,400 --> 00:20:30,720 Speaker 1: please take everything we say with a grain of salt. 375 00:20:30,960 --> 00:20:34,160 Speaker 1: But also we are people who exist in very close 376 00:20:34,160 --> 00:20:36,000 Speaker 1: proximity to a lot of drag queens and have for 377 00:20:36,080 --> 00:20:39,480 Speaker 1: a long time, So like, our opinions are somewhat educated, 378 00:20:39,520 --> 00:20:43,119 Speaker 1: but also like we we know nothing. Actually, no, no, 379 00:20:43,119 --> 00:20:45,720 Speaker 1: no, no no, I I disagree. I disagree with that. I 380 00:20:45,760 --> 00:20:49,040 Speaker 1: think it is important, yes, to say like people that 381 00:20:49,119 --> 00:20:51,280 Speaker 1: don't do drag, like you need to understand your place 382 00:20:51,320 --> 00:20:54,879 Speaker 1: and criticizing drag. But you and I we know a 383 00:20:54,920 --> 00:20:57,440 Speaker 1: fucking lot about drag because we've been in that world 384 00:20:57,480 --> 00:21:00,439 Speaker 1: for a very long time. I actually think that not 385 00:21:00,520 --> 00:21:02,600 Speaker 1: to do I'm sorry. Maybe I'll only speak for myself, 386 00:21:02,720 --> 00:21:04,680 Speaker 1: but I do think that you and I have been 387 00:21:04,960 --> 00:21:07,159 Speaker 1: in nightlife for a very long time, and I personally 388 00:21:07,200 --> 00:21:10,320 Speaker 1: drag is my favorite art form. I've consumed it like 389 00:21:10,600 --> 00:21:14,399 Speaker 1: massively for years and years and have relationships and um 390 00:21:14,960 --> 00:21:17,520 Speaker 1: use and hire and work with so many queens that 391 00:21:17,960 --> 00:21:20,199 Speaker 1: you know, the majority of which have never been on 392 00:21:20,280 --> 00:21:23,760 Speaker 1: drag race. And so I do actually feel extremely qualified 393 00:21:23,800 --> 00:21:25,760 Speaker 1: in my opinion to talk about drag. I mean, I 394 00:21:25,800 --> 00:21:27,760 Speaker 1: feel qualified to talk about sort of the over but 395 00:21:27,800 --> 00:21:29,840 Speaker 1: I understand the sentiment of what I'm saying. I feel 396 00:21:29,880 --> 00:21:32,960 Speaker 1: qualified to talk about the overall performance, but like, I 397 00:21:33,080 --> 00:21:35,080 Speaker 1: just want everyone who listens to take it with a 398 00:21:35,119 --> 00:21:38,480 Speaker 1: grain of songs that talk about people's makeup and like 399 00:21:38,760 --> 00:21:42,240 Speaker 1: these skills that we absolutely could not replicate it. I'm 400 00:21:42,280 --> 00:21:44,959 Speaker 1: not saying we could. It's just as someone who has 401 00:21:45,000 --> 00:21:48,480 Speaker 1: spent a long time in proximity to drag queens, has 402 00:21:48,600 --> 00:21:52,919 Speaker 1: higher drag queens, has done drag before, has like worked 403 00:21:52,920 --> 00:21:55,800 Speaker 1: with people who have been on drag race. Like, yes, 404 00:21:55,880 --> 00:21:57,879 Speaker 1: I do feel like I can give my opinion, but 405 00:21:57,960 --> 00:22:00,400 Speaker 1: I also like, please always take that with a grain 406 00:22:00,440 --> 00:22:03,800 Speaker 1: of salt, because we are not working drag queens exactly, 407 00:22:03,880 --> 00:22:05,880 Speaker 1: and and to the effect of what you're saying, like 408 00:22:06,000 --> 00:22:11,360 Speaker 1: the experience of being on drag race is like terror, 409 00:22:11,440 --> 00:22:16,440 Speaker 1: Like it is like a physically emotionally mentally thing difficult 410 00:22:16,480 --> 00:22:18,560 Speaker 1: thing to do, and you have to do everything you're 411 00:22:18,600 --> 00:22:20,960 Speaker 1: good at and really compressed amount of time and a 412 00:22:21,000 --> 00:22:23,280 Speaker 1: really compressed amount of time under pressure in front of 413 00:22:23,280 --> 00:22:26,399 Speaker 1: people you don't know and cameras and you know, and 414 00:22:26,600 --> 00:22:28,600 Speaker 1: and just to be a drag queen without all that 415 00:22:28,640 --> 00:22:31,080 Speaker 1: stuff is hard enough, and so you know, that's I 416 00:22:31,119 --> 00:22:33,280 Speaker 1: think a great you know point. And all of you 417 00:22:33,320 --> 00:22:38,920 Speaker 1: watching drag Race at home, you absolutely can never give 418 00:22:38,960 --> 00:22:43,520 Speaker 1: your opinion about any drug queen ever, any drag queen online. 419 00:22:43,880 --> 00:22:46,920 Speaker 1: If you have not ever been somewhere where you saw 420 00:22:46,960 --> 00:22:49,840 Speaker 1: a drag queen before live and handed her at least 421 00:22:49,920 --> 00:22:53,920 Speaker 1: one dollar. If your only context or experience of drag 422 00:22:54,320 --> 00:22:58,200 Speaker 1: is watching drag Race at home, shut the funk up. Yeah, 423 00:22:58,240 --> 00:23:01,360 Speaker 1: And also sorry, like dry queens are under attack right now, 424 00:23:01,400 --> 00:23:04,280 Speaker 1: and we have inflation, so it's actually the minimum is 425 00:23:04,320 --> 00:23:07,400 Speaker 1: not a dollar tip, it's two dollars. With inflation, we've we've, 426 00:23:07,640 --> 00:23:11,320 Speaker 1: we've we have a dent inflation increase. Your minimum tip 427 00:23:11,440 --> 00:23:15,440 Speaker 1: is two dollars. And as we should always be reminding everyone, 428 00:23:15,640 --> 00:23:18,320 Speaker 1: when a new season of Drag Race comes around, support 429 00:23:18,359 --> 00:23:21,240 Speaker 1: your local queens in whatever way it is possible for 430 00:23:21,280 --> 00:23:23,639 Speaker 1: you to do so, whether that's going out to a 431 00:23:23,680 --> 00:23:27,600 Speaker 1: bar and tipping them, whether that's you know, tipping them 432 00:23:27,640 --> 00:23:32,159 Speaker 1: on Venmo or buying their merch or buying tickets to 433 00:23:32,200 --> 00:23:35,720 Speaker 1: their fucking drag Queen story hour. Also, sometimes people are 434 00:23:35,720 --> 00:23:37,439 Speaker 1: in the back of the crowd and they're holding up 435 00:23:37,440 --> 00:23:39,399 Speaker 1: the dollar and they're like, oh, if they're not going 436 00:23:39,440 --> 00:23:41,080 Speaker 1: to come get the dollar, then I'm not gonna It's 437 00:23:41,080 --> 00:23:44,399 Speaker 1: like no, crumple it up and throw it onto the stage, 438 00:23:44,480 --> 00:23:48,640 Speaker 1: like give them money. There are ways to give drag 439 00:23:48,720 --> 00:23:52,520 Speaker 1: queens money, and you should be doing that in ways 440 00:23:52,560 --> 00:23:59,240 Speaker 1: that aren't just giving repall money, pitiod. So I guess 441 00:23:59,520 --> 00:24:02,639 Speaker 1: we can lows the drag Race Library for now and 442 00:24:02,680 --> 00:24:07,679 Speaker 1: then maybe open up the Rose Oh yes, I wanted to. 443 00:24:07,760 --> 00:24:10,879 Speaker 1: We're in Rose's book corner right now, hear of it. 444 00:24:10,920 --> 00:24:12,240 Speaker 1: I feel like we should come up with like a 445 00:24:12,240 --> 00:24:17,320 Speaker 1: little like music musical, let's have a little a jingle. Um. 446 00:24:17,400 --> 00:24:22,080 Speaker 1: So I did mention this on our Instagram yesterday at 447 00:24:22,119 --> 00:24:25,359 Speaker 1: like a virgine. If you're not following it, you should be. 448 00:24:25,840 --> 00:24:30,280 Speaker 1: But I just started a new book and if you 449 00:24:30,359 --> 00:24:33,520 Speaker 1: all would like to read along. I'm not sure how 450 00:24:33,640 --> 00:24:36,760 Speaker 1: this Rose's Book Corner thing is going to work exactly, 451 00:24:36,800 --> 00:24:39,200 Speaker 1: but I think for now what we'll do is um 452 00:24:39,280 --> 00:24:42,719 Speaker 1: I picked I. I bought this book actually when we 453 00:24:42,720 --> 00:24:47,720 Speaker 1: were in San Francisco from from Fabuloso Um. It's called 454 00:24:47,760 --> 00:24:50,720 Speaker 1: man Hunt. It's by Gretcher Felker Martin. It's a sort 455 00:24:50,760 --> 00:24:57,720 Speaker 1: of post apocalyptic trans horror novel um about a sort 456 00:24:57,760 --> 00:25:00,399 Speaker 1: of zombie plague that has taken over the world, but 457 00:25:00,480 --> 00:25:04,480 Speaker 1: it only affects people with an excess of testosterone, so 458 00:25:04,520 --> 00:25:09,280 Speaker 1: like the only survivors are trans women and six women 459 00:25:10,080 --> 00:25:12,640 Speaker 1: and there's like a roving band of turfs hunting down 460 00:25:12,640 --> 00:25:16,200 Speaker 1: trans women. I just started it yesterday. It's really good 461 00:25:16,200 --> 00:25:20,240 Speaker 1: so far. So if you want to read along, um, 462 00:25:20,240 --> 00:25:23,119 Speaker 1: pick up the book, get it at the library or 463 00:25:23,240 --> 00:25:27,040 Speaker 1: like audiobook whatever, and in a few weeks I will 464 00:25:27,240 --> 00:25:30,639 Speaker 1: once I finished it, Um, I'll talk about the book 465 00:25:30,880 --> 00:25:34,040 Speaker 1: on the show. And that's just how we'll start the 466 00:25:34,119 --> 00:25:37,360 Speaker 1: year off with Rose's bookcorn. Yeah, and for the virgins. 467 00:25:37,400 --> 00:25:39,600 Speaker 1: You know, we're still figuring out the cadence of this thing, 468 00:25:39,640 --> 00:25:41,000 Speaker 1: So tell us, like what you want to do in 469 00:25:41,080 --> 00:25:43,040 Speaker 1: Rose's book Corner, and like what you want my part 470 00:25:43,040 --> 00:25:45,439 Speaker 1: to be in it? Because I famously cannot read at 471 00:25:45,480 --> 00:25:48,000 Speaker 1: the pace that Rose can, Like I can, I mean, 472 00:25:48,080 --> 00:25:49,639 Speaker 1: reading even a book a month and be hard for me, 473 00:25:49,720 --> 00:25:51,919 Speaker 1: but I will. You know, this book looks like an 474 00:25:51,960 --> 00:25:54,119 Speaker 1: easy read, and maybe I could try to read it 475 00:25:54,240 --> 00:25:57,280 Speaker 1: or also just read a great plot summary and contribute 476 00:25:57,320 --> 00:26:00,320 Speaker 1: that way. Very gross, Oh, I like I think I 477 00:26:00,320 --> 00:26:03,359 Speaker 1: can get into that, I can get into that. I'm 478 00:26:03,680 --> 00:26:07,720 Speaker 1: really excited myself am very gross. Okay, great, UM, and 479 00:26:07,920 --> 00:26:10,400 Speaker 1: uh is there anything else you're excited about and kind 480 00:26:10,400 --> 00:26:15,320 Speaker 1: of like gross genre stuff? Yeah. I actually this morning 481 00:26:15,400 --> 00:26:21,440 Speaker 1: watched the series premiere of Mayfair Witches on AMC plus 482 00:26:21,560 --> 00:26:26,040 Speaker 1: UM So. It is a new show that exists in 483 00:26:26,119 --> 00:26:31,440 Speaker 1: the same television universe as Interview with the Vampire. So 484 00:26:31,600 --> 00:26:36,840 Speaker 1: and Rice's two most famous book series are The Vampire Chronicles, 485 00:26:36,880 --> 00:26:39,320 Speaker 1: which Interview with the Vampire was the first of, and 486 00:26:39,359 --> 00:26:42,240 Speaker 1: then The Lives of the Mayfair Witches, which I've actually 487 00:26:42,240 --> 00:26:47,000 Speaker 1: never read. And so when and Rice before she died, 488 00:26:47,359 --> 00:26:52,720 Speaker 1: she and her son we're shopping this kind of package 489 00:26:52,840 --> 00:26:58,600 Speaker 1: for adaptation because they wanted to create a shared cinematic 490 00:26:58,720 --> 00:27:02,280 Speaker 1: universe so that these stories, because they are interconnected in 491 00:27:02,320 --> 00:27:06,400 Speaker 1: the writing, UM, could be told on screen in an 492 00:27:06,440 --> 00:27:10,360 Speaker 1: interconnected way. So Interview the Vampire came out last year. 493 00:27:10,520 --> 00:27:12,359 Speaker 1: It was, as we've talked about, it was one of 494 00:27:12,400 --> 00:27:17,399 Speaker 1: my favorite shows of possibly my favorite show two and 495 00:27:17,560 --> 00:27:22,879 Speaker 1: so this new series UM just started airing yesterday. It 496 00:27:23,080 --> 00:27:27,400 Speaker 1: is also set in New Orleans. It's about a neurosurgeon 497 00:27:27,560 --> 00:27:31,400 Speaker 1: who discovered who is adopted and discovers. She's part of 498 00:27:31,520 --> 00:27:36,600 Speaker 1: a long lineage of witches. Um It stars Alexandra Jadario 499 00:27:36,880 --> 00:27:39,960 Speaker 1: from the first season of White Lotus. She was the 500 00:27:40,040 --> 00:27:44,040 Speaker 1: young wife who was married to the like dick guy. Oh, 501 00:27:44,080 --> 00:27:46,480 Speaker 1: I literally forgot her performance. I'm not gonna lie, but 502 00:27:46,600 --> 00:27:49,040 Speaker 1: she's her whole thing is like she has really big 503 00:27:49,160 --> 00:27:53,720 Speaker 1: blue eyes. That's like her main. Tim Burton is about 504 00:27:53,760 --> 00:27:58,119 Speaker 1: to make a sequel about her. I'm sure. Also, Harry 505 00:27:58,160 --> 00:28:03,240 Speaker 1: Hamlin's in the show what wait are you fucking? Yeah, 506 00:28:03,280 --> 00:28:06,400 Speaker 1: Harry Hamlet. I would watch just for Harry is gonna 507 00:28:06,520 --> 00:28:08,480 Speaker 1: now that Lisa is not on a real houseves of 508 00:28:08,560 --> 00:28:11,600 Speaker 1: Beverly Hill, She's going to make a guest me. She 509 00:28:11,640 --> 00:28:15,480 Speaker 1: would be a great vampire. She um she really she 510 00:28:15,560 --> 00:28:18,919 Speaker 1: might be a vampire in real life. Did AMC like 511 00:28:19,000 --> 00:28:22,360 Speaker 1: buy a bunch of ann rice I P or something? Yeah, 512 00:28:22,440 --> 00:28:26,320 Speaker 1: that's as I was saying. They bought this shared universe. 513 00:28:26,359 --> 00:28:29,800 Speaker 1: They that's the whole thing that well, they bought these 514 00:28:29,880 --> 00:28:33,960 Speaker 1: two book properties um and and have created this thing 515 00:28:34,240 --> 00:28:38,040 Speaker 1: that they called the Immortal Universe. And so Interview with 516 00:28:38,080 --> 00:28:43,800 Speaker 1: the Vampire has been um was was renewed first second 517 00:28:43,840 --> 00:28:46,240 Speaker 1: season before the first season even came out, so that's 518 00:28:46,280 --> 00:28:54,760 Speaker 1: coming back probably not um and I think Mayfair Witches 519 00:28:55,160 --> 00:28:58,880 Speaker 1: will be probably. I know that they're adapting the first 520 00:28:58,960 --> 00:29:01,240 Speaker 1: book for the first see in and so we'll see 521 00:29:01,240 --> 00:29:03,800 Speaker 1: if this gets renewed, and it'll be interesting to watch 522 00:29:03,920 --> 00:29:07,400 Speaker 1: if maybe some characters we recognize from Interview with the 523 00:29:07,480 --> 00:29:12,120 Speaker 1: Vampire make appearances. Uh. There there was like a brief 524 00:29:12,160 --> 00:29:15,280 Speaker 1: mention of the Mayfair which is on one of the 525 00:29:15,320 --> 00:29:17,920 Speaker 1: early episodes of Interview the Vampire. I like to the 526 00:29:17,920 --> 00:29:20,520 Speaker 1: first episode. It was interesting, was very much setting up 527 00:29:20,960 --> 00:29:24,960 Speaker 1: all the different characters. There's a sort of like demon guy. 528 00:29:25,200 --> 00:29:29,360 Speaker 1: There's some like weird incest e stuff. Maybe I don't know. 529 00:29:29,440 --> 00:29:34,680 Speaker 1: I'm intrigued, uh, and will definitely be watching. All right, 530 00:29:53,920 --> 00:29:57,040 Speaker 1: so let's get this out of the way. If there's 531 00:29:57,080 --> 00:29:59,240 Speaker 1: a fight that needs to happen. What did you think 532 00:29:59,240 --> 00:30:02,440 Speaker 1: of Mega there is no fight. I loved it. I mean, 533 00:30:02,880 --> 00:30:04,920 Speaker 1: oh thank god, I don't think god it was so 534 00:30:05,000 --> 00:30:09,360 Speaker 1: worried really Okay, Look, I know I notoriously have like 535 00:30:09,480 --> 00:30:12,880 Speaker 1: feedback for like everything, but that's like, you know, not 536 00:30:13,040 --> 00:30:16,080 Speaker 1: always true. Like I feel like sometimes when when a 537 00:30:16,120 --> 00:30:19,160 Speaker 1: movie just delivers what it promises, like I don't have 538 00:30:19,240 --> 00:30:23,000 Speaker 1: other expectations like this is a movie about an animatronic 539 00:30:23,120 --> 00:30:26,600 Speaker 1: haunted AI doll, Like I'm not I'm not going to 540 00:30:26,720 --> 00:30:28,720 Speaker 1: come out of it trying to give it some sort 541 00:30:28,760 --> 00:30:33,720 Speaker 1: of like fucking like fu call like Michelle Fuco, kind 542 00:30:33,720 --> 00:30:37,520 Speaker 1: of like, you know, girl, you probably still will. But 543 00:30:37,680 --> 00:30:42,200 Speaker 1: it's not not even you always are trying to find 544 00:30:42,240 --> 00:30:44,640 Speaker 1: some nuanced take. It is just that we often have 545 00:30:44,840 --> 00:30:48,880 Speaker 1: the exact opposite opinion on things. Well, and just when 546 00:30:48,920 --> 00:30:51,840 Speaker 1: I left the movie theater being like I loved it, 547 00:30:51,880 --> 00:30:53,959 Speaker 1: I was like, oh no, did Fran hate it? I 548 00:30:54,040 --> 00:30:56,400 Speaker 1: know right, No, I loved it. I loved it. It 549 00:30:56,480 --> 00:31:00,280 Speaker 1: really delivered exactly what it promised, and it not to 550 00:31:00,480 --> 00:31:04,800 Speaker 1: stop entertainment, and it was also scary totally. When Ryan 551 00:31:04,840 --> 00:31:07,520 Speaker 1: and I my my friend Ryan and I left the movies, 552 00:31:07,680 --> 00:31:10,480 Speaker 1: he said, oh, I kind of thought the trailer was 553 00:31:10,520 --> 00:31:12,520 Speaker 1: better than the movie. And I said, no, but like 554 00:31:13,000 --> 00:31:17,120 Speaker 1: it was exactly what the trailer promised and nothing more. 555 00:31:17,320 --> 00:31:20,960 Speaker 1: And I loved that. You know, I actually do. Um, 556 00:31:21,000 --> 00:31:22,880 Speaker 1: I think all trailers are better than movies in a 557 00:31:22,880 --> 00:31:26,800 Speaker 1: lot of ways. Um, But I think to the effect 558 00:31:26,800 --> 00:31:29,280 Speaker 1: to what Ryan said, like I did walk out and 559 00:31:29,320 --> 00:31:33,480 Speaker 1: I thought to myself. The trailer did spoil almost all 560 00:31:33,520 --> 00:31:36,040 Speaker 1: of the best parts, but I also felt like if 561 00:31:36,120 --> 00:31:39,960 Speaker 1: the trailer hadn't shown Megan doing that dance, like we 562 00:31:40,000 --> 00:31:43,360 Speaker 1: wouldn't the internet when she would have, the Internet never 563 00:31:43,400 --> 00:31:45,320 Speaker 1: would have freaked out. So I can't really fault them 564 00:31:45,360 --> 00:31:47,680 Speaker 1: for that. I think that you know, um and it's 565 00:31:47,720 --> 00:31:51,360 Speaker 1: so funny, like I, okay, just on like just we're 566 00:31:51,400 --> 00:31:54,240 Speaker 1: talking about like the negative feedback loop and like how 567 00:31:54,280 --> 00:31:56,320 Speaker 1: we respond to things. I think Megan is actually a 568 00:31:56,320 --> 00:31:59,280 Speaker 1: great example of like why I always try to find 569 00:31:59,320 --> 00:32:02,040 Speaker 1: something to say. And it's like when we're talking about 570 00:32:02,040 --> 00:32:06,920 Speaker 1: something like that has just really been overextended in the 571 00:32:06,960 --> 00:32:10,440 Speaker 1: game meme universe, Like it's like Megan's really getting some 572 00:32:10,520 --> 00:32:15,640 Speaker 1: mileage on the faggot accounts. Okay, like when we when 573 00:32:15,680 --> 00:32:18,680 Speaker 1: we decided to do a podcast episode about it um 574 00:32:18,800 --> 00:32:22,400 Speaker 1: or anything that's in this kind of like category of culture. 575 00:32:23,080 --> 00:32:25,840 Speaker 1: I I, you and I both really want to like 576 00:32:25,920 --> 00:32:28,719 Speaker 1: add something new to the conversation, right, Like we're not 577 00:32:28,800 --> 00:32:30,160 Speaker 1: just we don't want to like get on here and 578 00:32:30,200 --> 00:32:35,600 Speaker 1: be like Megan slim mother, Oh my god mother, No 579 00:32:35,720 --> 00:32:39,120 Speaker 1: no no, no, it's not it's not virgins, it's not 580 00:32:39,160 --> 00:32:42,080 Speaker 1: but like the thing is, you know, that's usually why 581 00:32:42,080 --> 00:32:45,080 Speaker 1: I have this little tick, but just wanted to contextualize 582 00:32:45,080 --> 00:32:48,720 Speaker 1: that because Megan was genuinely good and I honestly I 583 00:32:48,760 --> 00:32:50,640 Speaker 1: want to know your like raw reactions. But one of 584 00:32:50,680 --> 00:32:55,040 Speaker 1: the first things that I responded to was the like 585 00:32:55,080 --> 00:32:57,920 Speaker 1: eleven year old girl that played the Megan doll and 586 00:32:58,080 --> 00:33:01,800 Speaker 1: like so many practical call effects in like the kind 587 00:33:01,840 --> 00:33:06,120 Speaker 1: of animatronics of Megan, Like it was so real and 588 00:33:06,160 --> 00:33:09,440 Speaker 1: I'm so glad that they didn't like use majority c 589 00:33:09,520 --> 00:33:11,240 Speaker 1: G I you know what I mean, Yes, it was. 590 00:33:11,360 --> 00:33:14,880 Speaker 1: It was a very um in a way simple movie, 591 00:33:15,000 --> 00:33:20,480 Speaker 1: a simple story about you know, humanity's own hubris um 592 00:33:20,520 --> 00:33:22,920 Speaker 1: coming to bite us in the ass or Alice and 593 00:33:22,960 --> 00:33:27,000 Speaker 1: Williams own hubris as a NEPO baby. I love that 594 00:33:27,040 --> 00:33:32,960 Speaker 1: Alison Williams just plays different versions of Marnie from Girls, 595 00:33:33,040 --> 00:33:35,320 Speaker 1: and in this movie she was Marnie if Marnie was 596 00:33:35,320 --> 00:33:39,960 Speaker 1: a scientist, which would never happen. But honestly, like it is, like, 597 00:33:40,280 --> 00:33:43,280 Speaker 1: she is genuinely great at it. And there are tons 598 00:33:43,400 --> 00:33:47,320 Speaker 1: of actresses across the board that do the same character 599 00:33:47,760 --> 00:33:50,960 Speaker 1: in different scenarios, and this is her character and she's 600 00:33:51,120 --> 00:33:55,160 Speaker 1: good at this. I loved the moment. Like, okay, well first, 601 00:33:55,200 --> 00:33:57,200 Speaker 1: before we get into it, I just want to, like 602 00:33:57,640 --> 00:34:00,200 Speaker 1: anyone listening, we are going to spoil this movie. Yes, 603 00:34:00,240 --> 00:34:03,400 Speaker 1: we're going to talk in depth about it, so spoilers, spoilers, 604 00:34:03,800 --> 00:34:06,200 Speaker 1: and then just like a quick synopsis if you haven't 605 00:34:06,200 --> 00:34:10,200 Speaker 1: seen it and don't care about spoilers. Megan is a 606 00:34:10,320 --> 00:34:16,000 Speaker 1: story about UM, a genius toy UM inventor played by 607 00:34:16,080 --> 00:34:20,560 Speaker 1: Alison Williams, whose UM sister and her husband die, leaving 608 00:34:20,600 --> 00:34:25,239 Speaker 1: her as the caregiver for their young daughter, who she 609 00:34:25,360 --> 00:34:27,480 Speaker 1: like doesn't really know how to relate to, so she 610 00:34:28,120 --> 00:34:32,680 Speaker 1: instead gives her with this experimental like AI robot doll 611 00:34:33,160 --> 00:34:38,320 Speaker 1: to be her new friend, and the doll is evil UM. 612 00:34:38,360 --> 00:34:41,720 Speaker 1: That is the basis of truly no no embellishments needed, 613 00:34:42,480 --> 00:34:45,200 Speaker 1: but like I loved just like the Alison Williams is 614 00:34:45,239 --> 00:34:49,040 Speaker 1: ums of UM, Like when she brought her home and uh, 615 00:34:49,200 --> 00:34:53,080 Speaker 1: the little girl whose name I truly cannot remember, UM 616 00:34:53,200 --> 00:34:55,960 Speaker 1: wanted to play with her collectible toys and Alison Williams 617 00:34:56,000 --> 00:34:59,360 Speaker 1: was like, oh you like you don't actually play with those? 618 00:34:59,440 --> 00:35:07,320 Speaker 1: And just so many little things like that. Alison. Also, 619 00:35:07,360 --> 00:35:09,760 Speaker 1: I have to say, I mean skipping very far ahead. 620 00:35:10,120 --> 00:35:14,320 Speaker 1: Halfway through the movie, I turned to Ryan and said, oh, 621 00:35:14,640 --> 00:35:17,600 Speaker 1: the they're gonna kill Megan with the robot that she 622 00:35:17,640 --> 00:35:21,040 Speaker 1: showed her in the Yeah, was like and Ryan was like, 623 00:35:21,160 --> 00:35:22,759 Speaker 1: can you not? And when we left, I was like, 624 00:35:23,000 --> 00:35:25,080 Speaker 1: it was the Chekhov's robot. I just call him, like 625 00:35:25,120 --> 00:35:29,240 Speaker 1: I see him, you know, like storytelling stories are so powerful, 626 00:35:29,800 --> 00:35:32,919 Speaker 1: and the narrative structure was right there. I didn't see 627 00:35:32,960 --> 00:35:35,480 Speaker 1: a lot of things coming, but I I, yeah, I 628 00:35:35,520 --> 00:35:37,640 Speaker 1: did see. I did see that coming, just because the 629 00:35:38,000 --> 00:35:41,279 Speaker 1: robot was so big. Um, But yeah, I'm on the 630 00:35:41,360 --> 00:35:45,640 Speaker 1: on the topic of Alison Williams, she is she was 631 00:35:45,840 --> 00:35:49,480 Speaker 1: a comically bad mom, like like it was like like 632 00:35:49,840 --> 00:35:53,120 Speaker 1: protective services like get in there, like it is actually 633 00:35:53,200 --> 00:35:56,479 Speaker 1: like comically the therapist was trying and in any sense, 634 00:35:56,480 --> 00:36:03,320 Speaker 1: so why didn't the therapist die? I don't know or remember, Um, 635 00:36:03,400 --> 00:36:05,000 Speaker 1: I don't know. I remember. There are a lot of 636 00:36:05,040 --> 00:36:09,000 Speaker 1: you know, like questions on the kind of you know, uh, 637 00:36:09,040 --> 00:36:10,439 Speaker 1: there are a lot of a lot of questions about 638 00:36:10,480 --> 00:36:12,239 Speaker 1: the plot that like I just didn't really bother asking. 639 00:36:12,280 --> 00:36:13,360 Speaker 1: I was just I don't know. I was like, I 640 00:36:13,360 --> 00:36:16,040 Speaker 1: don't care. I'm having a good time you know, um, 641 00:36:16,239 --> 00:36:20,000 Speaker 1: have you read this thing that apparently the movie was 642 00:36:20,040 --> 00:36:23,759 Speaker 1: originally um Gorrier and originally had an R rating, and 643 00:36:23,800 --> 00:36:26,680 Speaker 1: they made it PG thirteen so that more people would 644 00:36:26,680 --> 00:36:30,040 Speaker 1: be able to see it. Um, I would have liked 645 00:36:30,080 --> 00:36:34,480 Speaker 1: a version that had more kills, more gore. I agree, 646 00:36:34,560 --> 00:36:37,960 Speaker 1: I would have watched the director's cut. I'm glad that 647 00:36:38,360 --> 00:36:41,319 Speaker 1: it has as wide of an audience as it did, 648 00:36:41,400 --> 00:36:46,759 Speaker 1: because this is a record, Like the record for an 649 00:36:46,760 --> 00:36:48,480 Speaker 1: opening week like this in the first week of the 650 00:36:48,560 --> 00:36:51,200 Speaker 1: year has not been broken in a decade. It made 651 00:36:51,239 --> 00:36:55,120 Speaker 1: forty five million dollars this weekend, made more money than Babylon. 652 00:36:55,200 --> 00:36:59,480 Speaker 1: And I think that, well, Babylon's I mean, but I 653 00:36:59,200 --> 00:37:02,040 Speaker 1: I think that you know, this movie is going to 654 00:37:02,120 --> 00:37:04,800 Speaker 1: pave the way for so many more like spooky movies 655 00:37:04,840 --> 00:37:06,799 Speaker 1: like it, Like it's it's going to pave the way 656 00:37:06,840 --> 00:37:09,239 Speaker 1: for four more Megan movies. Yeah, that too, that too. 657 00:37:09,320 --> 00:37:11,560 Speaker 1: And I hope this this girl that plays her, I 658 00:37:11,600 --> 00:37:13,680 Speaker 1: can't even remember what her name is. It's like Jenna something, 659 00:37:13,680 --> 00:37:16,640 Speaker 1: but she's like, you know, this eleven year old like Jim, 660 00:37:16,880 --> 00:37:21,440 Speaker 1: like Olympic gymnast who apparently invented like a lot of 661 00:37:21,480 --> 00:37:25,520 Speaker 1: like the moves and mannerisms of Megan herself. Isn't that sick? Okay, well, 662 00:37:25,560 --> 00:37:27,640 Speaker 1: that we should keep an eye on her because she 663 00:37:27,719 --> 00:37:30,800 Speaker 1: might be a serial killer. I r L. Well, it's incredible, 664 00:37:30,840 --> 00:37:33,840 Speaker 1: Like she's really talented. Like Jenna Davis plays the voice 665 00:37:33,840 --> 00:37:37,440 Speaker 1: of Megan, Amy Donald plays the body. Amy Donald is 666 00:37:37,719 --> 00:37:40,640 Speaker 1: an eleven year old girl, and she was the one 667 00:37:40,760 --> 00:37:44,760 Speaker 1: who discovered that she could do this, like really creepy 668 00:37:44,840 --> 00:37:47,799 Speaker 1: running on all four. It's like she added that that 669 00:37:47,880 --> 00:37:50,960 Speaker 1: moment was incredible. She literally did that, and she added 670 00:37:51,000 --> 00:37:53,400 Speaker 1: that into the script. She did almost all of her 671 00:37:53,440 --> 00:37:56,759 Speaker 1: own stunts. She can she was she physically can do 672 00:37:56,800 --> 00:37:59,360 Speaker 1: a backbend and lift her body back up with just 673 00:37:59,560 --> 00:38:02,479 Speaker 1: her legs. Like she's the one that added these weird 674 00:38:02,600 --> 00:38:06,960 Speaker 1: held head tilts and like um and I guess apparently 675 00:38:07,000 --> 00:38:09,719 Speaker 1: like the animatronics face was not c G. I thought 676 00:38:09,719 --> 00:38:11,359 Speaker 1: it was c G I a lot of the time, 677 00:38:11,360 --> 00:38:13,960 Speaker 1: and apparently a lot of the time the face was 678 00:38:14,160 --> 00:38:19,840 Speaker 1: a literal prosthetic animatronic. Wow. I love practical effects. You 679 00:38:19,880 --> 00:38:23,200 Speaker 1: know what else? I love Megan's cover of Sia's Titanium, 680 00:38:23,600 --> 00:38:25,239 Speaker 1: which that was the best part of that. I think 681 00:38:25,600 --> 00:38:29,279 Speaker 1: it was. It was the Definitely. It was when the 682 00:38:29,400 --> 00:38:33,680 Speaker 1: audience when I saw it, laughed the hardest. I mean 683 00:38:33,680 --> 00:38:36,000 Speaker 1: there was It was so fun to see it in 684 00:38:36,040 --> 00:38:40,280 Speaker 1: a theater full of people, and everyone like clearly enjoyed 685 00:38:40,280 --> 00:38:43,080 Speaker 1: it so much. It was such a like no thoughts, 686 00:38:43,120 --> 00:38:46,400 Speaker 1: head empty, just vibes kind of movie, even though I 687 00:38:46,440 --> 00:38:50,239 Speaker 1: did find myself thinking, like when the movie ends, like 688 00:38:50,520 --> 00:38:54,160 Speaker 1: the next scene is Alison Williams and all of her 689 00:38:54,200 --> 00:38:57,319 Speaker 1: coworkers getting arrested and put in prison for the rest 690 00:38:57,320 --> 00:39:00,320 Speaker 1: of their lives and that little girl being taken to 691 00:39:00,400 --> 00:39:04,200 Speaker 1: foster care, because that was Alison Williams's fault. It was 692 00:39:04,280 --> 00:39:08,520 Speaker 1: she created a monster. She killed several people. Yeah, she 693 00:39:08,640 --> 00:39:10,840 Speaker 1: was just drinking her own juice, like her own genius, 694 00:39:10,880 --> 00:39:14,320 Speaker 1: I guess, just mad scientists kind of on her own supply. 695 00:39:14,560 --> 00:39:17,040 Speaker 1: I kind of wish the Alison Williams character had had 696 00:39:17,200 --> 00:39:20,440 Speaker 1: had been even crazier, Like I almost didn't want to 697 00:39:20,560 --> 00:39:22,480 Speaker 1: root for her, but the movie kind of wanted you 698 00:39:22,560 --> 00:39:24,480 Speaker 1: to root for her. But like, honestly, I was just 699 00:39:24,560 --> 00:39:26,680 Speaker 1: rooting for Megan pretty much the whole time. Like I 700 00:39:26,719 --> 00:39:29,360 Speaker 1: was like, you go, girl, like you have your motives down, 701 00:39:29,520 --> 00:39:33,839 Speaker 1: like she will she will return. Yeah, she absolutely will, 702 00:39:33,920 --> 00:39:36,000 Speaker 1: and I'm like I I honestly I was reading more 703 00:39:36,040 --> 00:39:38,920 Speaker 1: about just like how they kind of like piece this 704 00:39:39,000 --> 00:39:42,359 Speaker 1: doll together, and I'm thinking about, you know how you 705 00:39:42,400 --> 00:39:44,360 Speaker 1: said that that the movie was originally going to be 706 00:39:44,440 --> 00:39:47,280 Speaker 1: more violent, and I think that when they were trying 707 00:39:47,320 --> 00:39:50,400 Speaker 1: to like think about Megan as a character and like 708 00:39:50,600 --> 00:39:53,399 Speaker 1: what kind of things she would do. I think they 709 00:39:53,640 --> 00:39:57,040 Speaker 1: were so smart to make this like haunted doll. Like 710 00:39:57,200 --> 00:40:02,160 Speaker 1: her movements extremely minimal, like right, like she's silent when 711 00:40:02,239 --> 00:40:04,480 Speaker 1: she's when she needs to be silent, and like the 712 00:40:04,520 --> 00:40:08,120 Speaker 1: way they we're putting together the kind of personality of Megan, 713 00:40:08,160 --> 00:40:11,480 Speaker 1: they were like Megan. Every single thing that Megan does 714 00:40:11,680 --> 00:40:13,279 Speaker 1: and this is if you haven't seen the movie yet, 715 00:40:13,280 --> 00:40:15,879 Speaker 1: this is something to keep in mind. Every single thing 716 00:40:16,040 --> 00:40:20,359 Speaker 1: Megan does is a intentional and calculated and she would 717 00:40:20,400 --> 00:40:23,920 Speaker 1: not do or say anything unless it's in her like 718 00:40:24,000 --> 00:40:27,960 Speaker 1: programming benefit to like do it. And so that's why 719 00:40:28,160 --> 00:40:31,239 Speaker 1: like something like this like weird dance sequence is like 720 00:40:31,400 --> 00:40:35,160 Speaker 1: so genius because outside of without context, you're like, what 721 00:40:35,200 --> 00:40:37,560 Speaker 1: the fun is going on? But then with the like 722 00:40:37,840 --> 00:40:40,200 Speaker 1: in the context of the film, you're like, oh my god, 723 00:40:40,600 --> 00:40:44,640 Speaker 1: this like doll creature is like dancing to like distract 724 00:40:44,680 --> 00:40:48,640 Speaker 1: and disorient the person she's about to kill by pretending 725 00:40:48,680 --> 00:40:51,040 Speaker 1: to be just like a play doll. And it's like, 726 00:40:51,440 --> 00:40:54,439 Speaker 1: but it's also just it's also just for the gag. Yeah, 727 00:40:54,800 --> 00:40:56,840 Speaker 1: it's but but it's both. It like it's sold me 728 00:40:56,920 --> 00:40:59,600 Speaker 1: on both component of like the script and like the 729 00:40:59,640 --> 00:41:02,560 Speaker 1: soul shoal kind of viability and like market ability that 730 00:41:02,600 --> 00:41:04,879 Speaker 1: it has. And I think it's even cooler to know 731 00:41:05,480 --> 00:41:08,239 Speaker 1: that this eleven year old like kind of co choreographed 732 00:41:08,239 --> 00:41:11,120 Speaker 1: it and it wasn't in the original script. Um I 733 00:41:11,200 --> 00:41:15,160 Speaker 1: did love when she ripped that kid's ear off, and um, 734 00:41:15,440 --> 00:41:19,880 Speaker 1: children suck. That little boy was such a monster associopath. 735 00:41:20,600 --> 00:41:23,879 Speaker 1: And I'm glad that he's dead. I'm glad Megan killed him. 736 00:41:24,760 --> 00:41:28,960 Speaker 1: I am always happy when children are killed in movies. 737 00:41:30,480 --> 00:41:34,640 Speaker 1: It's funny, you know. I don't find the idea of 738 00:41:34,680 --> 00:41:39,520 Speaker 1: like killer dolls scary, Like Chucky was never scary to me. 739 00:41:40,400 --> 00:41:44,320 Speaker 1: I've never seen any of the Annabelle or Conjuring movies. 740 00:41:44,520 --> 00:41:50,640 Speaker 1: I don't think toys are scary. Um, Megan, you know, 741 00:41:51,200 --> 00:41:54,080 Speaker 1: she did maybe how to make me change my mind 742 00:41:54,080 --> 00:41:56,840 Speaker 1: a little bit. I think there is something about the 743 00:41:56,840 --> 00:42:02,360 Speaker 1: the Uncanny Valley of it all? Um, the Untranny Valley. Um, 744 00:42:02,520 --> 00:42:08,560 Speaker 1: are you saying there's certainly an argument argument that could 745 00:42:08,560 --> 00:42:12,879 Speaker 1: be made for Megan being trans of course, maybe that'll 746 00:42:12,960 --> 00:42:15,879 Speaker 1: be the second Maybe that will be the sequel. Maybe 747 00:42:15,920 --> 00:42:17,440 Speaker 1: I think at the end of the episode we should 748 00:42:17,440 --> 00:42:21,920 Speaker 1: we should plot out a Megan sequel. Okay, m Tougan, 749 00:42:22,920 --> 00:42:25,680 Speaker 1: but I I don't know. There there's something about how 750 00:42:26,360 --> 00:42:31,520 Speaker 1: humanoid she looks but without being human that is just 751 00:42:31,840 --> 00:42:36,879 Speaker 1: very unsettling. And you're so right. Her silence and her 752 00:42:37,040 --> 00:42:42,440 Speaker 1: stillness speak volumes every little every every time that she 753 00:42:42,640 --> 00:42:46,080 Speaker 1: was supposed to be shut down and you realized she wasn't. 754 00:42:46,680 --> 00:42:49,640 Speaker 1: Every time she would be somewhere and then the camera 755 00:42:49,640 --> 00:42:56,480 Speaker 1: would move and she was gone, was ooky, spooky, It was. 756 00:42:56,640 --> 00:43:00,439 Speaker 1: She was great. Megan is the moment, she is mother. 757 00:43:00,800 --> 00:43:04,680 Speaker 1: She is mother. Yeah. And honestly loved like the puppet work, 758 00:43:04,760 --> 00:43:06,759 Speaker 1: Like there was like puppets and like there was just 759 00:43:06,840 --> 00:43:08,440 Speaker 1: like so many different things where I was just like, 760 00:43:08,480 --> 00:43:11,000 Speaker 1: thank god they didn't like c G I the whole thing. 761 00:43:11,080 --> 00:43:15,279 Speaker 1: And like I actually was fiercely afraid of Chucky as 762 00:43:15,320 --> 00:43:19,440 Speaker 1: a child, unlike you, like Chucky definitely haunted many of 763 00:43:19,480 --> 00:43:21,560 Speaker 1: my dreams as a kid. And I never even saw 764 00:43:21,600 --> 00:43:23,520 Speaker 1: the movie. I've never seen the movie. I just like 765 00:43:23,560 --> 00:43:27,160 Speaker 1: saw commercials of it and was terrified. But Megan, I 766 00:43:27,200 --> 00:43:29,680 Speaker 1: think like I sat in it. I I sat in 767 00:43:29,680 --> 00:43:31,799 Speaker 1: the chair and I was I was there for like 768 00:43:32,400 --> 00:43:35,200 Speaker 1: the action, plaw and the laughs. Like I think the 769 00:43:35,239 --> 00:43:37,719 Speaker 1: movie delivered exactly what I thought it was going to, 770 00:43:37,920 --> 00:43:41,120 Speaker 1: and um, everything else was just Uncanny Valley, just as 771 00:43:41,120 --> 00:43:45,759 Speaker 1: you said, like psychological thriller, like really engaging visuals, like 772 00:43:46,239 --> 00:43:53,400 Speaker 1: surprisingly good thrills considering how absurd and gay and stupid 773 00:43:53,480 --> 00:43:56,359 Speaker 1: it is, you know what I mean? It was It 774 00:43:56,440 --> 00:44:02,000 Speaker 1: was exactly what it promised to be and I had 775 00:44:02,120 --> 00:44:06,200 Speaker 1: so much fun watching it. And um, apparently they are 776 00:44:06,280 --> 00:44:10,880 Speaker 1: talking about releasing a director's cut in theaters and I 777 00:44:10,880 --> 00:44:14,120 Speaker 1: would absolutely go see it again. I don't need to 778 00:44:14,160 --> 00:44:16,920 Speaker 1: see it again, but I'm very excited for the sequel. 779 00:44:33,560 --> 00:44:35,680 Speaker 1: You know, we're in that time of year where they 780 00:44:35,800 --> 00:44:39,080 Speaker 1: dump a lot of the sort of dumb scary movies. 781 00:44:39,440 --> 00:44:42,520 Speaker 1: Oh do they usually put those kind of do they do? 782 00:44:42,600 --> 00:44:46,560 Speaker 1: We call it spoopy? Did you introduce me to this term? Um? 783 00:44:46,600 --> 00:44:48,640 Speaker 1: I don't know if I introduced you to it. It's 784 00:44:48,680 --> 00:44:51,759 Speaker 1: it's a term that's been around for a while, so 785 00:44:52,000 --> 00:44:54,080 Speaker 1: but it is. It's it's you're saying they drop a 786 00:44:54,080 --> 00:44:56,880 Speaker 1: lot of spooky movies in January, which I didn't. Yeah, well, 787 00:44:56,920 --> 00:45:00,920 Speaker 1: like January February are famously where a lot of sort 788 00:45:00,960 --> 00:45:06,279 Speaker 1: of mid to low budget movies get released because it's 789 00:45:06,440 --> 00:45:12,720 Speaker 1: that dead space between um, the holidays where all the 790 00:45:12,800 --> 00:45:17,360 Speaker 1: big budget Awards movies come out, and then the spring, 791 00:45:17,440 --> 00:45:20,600 Speaker 1: which is when the kind of blockbuster movies like Marvel 792 00:45:20,640 --> 00:45:25,400 Speaker 1: movies start rolling out, and it traditionally has been like 793 00:45:25,480 --> 00:45:28,960 Speaker 1: a dumping ground for things that people thought would be 794 00:45:29,040 --> 00:45:31,879 Speaker 1: like big hits and then tested badly, so they get 795 00:45:31,920 --> 00:45:34,640 Speaker 1: kind of shuffled to the beginning of the year. But 796 00:45:34,760 --> 00:45:38,319 Speaker 1: then that leads that has led to some of those 797 00:45:38,360 --> 00:45:41,239 Speaker 1: films because there's not a lot of other things in 798 00:45:41,400 --> 00:45:46,600 Speaker 1: theaters being surprise hits like Megan Um or just being 799 00:45:46,719 --> 00:45:49,600 Speaker 1: total flops. Like one one movie I can think of 800 00:45:49,640 --> 00:45:52,520 Speaker 1: that was released at a similar time was have you 801 00:45:52,560 --> 00:45:55,279 Speaker 1: ever I know the answer to this, but have you 802 00:45:55,320 --> 00:45:57,760 Speaker 1: ever seen or heard of the film Hansel and Gretel 803 00:45:57,880 --> 00:46:01,960 Speaker 1: Witch Hunters? Yeah? Actually I have you've seen it? No, 804 00:46:02,040 --> 00:46:03,480 Speaker 1: I haven't seen it. Sorry, I've heard of it. I've 805 00:46:03,480 --> 00:46:06,799 Speaker 1: heard of Okay, you've heard of it. It is one 806 00:46:06,840 --> 00:46:10,160 Speaker 1: of my favorite movies. Oh it's good. No, it's horrible, 807 00:46:10,320 --> 00:46:13,080 Speaker 1: but it's but it's good bad, it's yeah, it's spooky. 808 00:46:13,320 --> 00:46:20,160 Speaker 1: It's um. It's Hansel and gretel Um. It's exactly what 809 00:46:20,920 --> 00:46:24,719 Speaker 1: is promised. It's um sort of scott steampunk vibes. It's 810 00:46:24,760 --> 00:46:28,480 Speaker 1: like Hansel and Gretel Um after they killed the witch 811 00:46:28,480 --> 00:46:31,320 Speaker 1: and the fairy tale, grew up to be witch hunters 812 00:46:31,400 --> 00:46:36,480 Speaker 1: and they hunt evil witches around and it's um. Famka Jesson, 813 00:46:37,120 --> 00:46:40,120 Speaker 1: who was Jean Gray and the original X Men films 814 00:46:40,280 --> 00:46:46,120 Speaker 1: is the main antagonist. It's lots of like UM really 815 00:46:46,239 --> 00:46:51,200 Speaker 1: like gross um special effects makeup to make the witches 816 00:46:51,239 --> 00:46:57,239 Speaker 1: look ugly, really dumb jokes, really anachronistic like um weapons 817 00:46:57,400 --> 00:47:02,320 Speaker 1: and action sequences. It's so dumb and funny and perfect. 818 00:47:02,560 --> 00:47:05,000 Speaker 1: And I love it. And it definitely was released like 819 00:47:05,120 --> 00:47:09,080 Speaker 1: in January of whatever year it came out. I don't 820 00:47:09,120 --> 00:47:11,719 Speaker 1: I don't really know anything about like the significance of 821 00:47:11,719 --> 00:47:13,719 Speaker 1: of when things are released in January, but like just 822 00:47:13,800 --> 00:47:16,920 Speaker 1: in general, like I want to see like the spooky 823 00:47:17,040 --> 00:47:20,840 Speaker 1: genre like be released with like increased frequency, right, like 824 00:47:21,120 --> 00:47:23,919 Speaker 1: in a post like get Out World, because I think 825 00:47:23,920 --> 00:47:26,640 Speaker 1: get Out maybe a little less spooky because it was 826 00:47:26,760 --> 00:47:31,320 Speaker 1: genuinely scary. Get Out had amazing jokes, and like I 827 00:47:31,320 --> 00:47:34,080 Speaker 1: I you know, watching that film, I remember just that 828 00:47:34,200 --> 00:47:40,000 Speaker 1: balance and and how things after it, like Mas for example, Um, 829 00:47:40,040 --> 00:47:42,080 Speaker 1: I mean one of the best films of all time, 830 00:47:42,239 --> 00:47:46,040 Speaker 1: please mam is incredible, or like you know this uh 831 00:47:46,160 --> 00:47:50,440 Speaker 1: or honestly with the resurgence of Jennifer's body or something 832 00:47:50,480 --> 00:47:52,600 Speaker 1: like Zombie Lander. Zombieland was like kind of a long 833 00:47:52,640 --> 00:47:54,520 Speaker 1: time ago, but like I just want more like it. 834 00:47:54,600 --> 00:47:57,160 Speaker 1: And so yeah, watching the trailers, like I was like, 835 00:47:57,200 --> 00:47:58,759 Speaker 1: oh my god, are we gonna get a trailer for 836 00:47:58,800 --> 00:48:01,239 Speaker 1: like Winnie Poo, Blood and Money or like there was 837 00:48:01,640 --> 00:48:03,680 Speaker 1: or also we got the rent Field trailer. I think 838 00:48:03,719 --> 00:48:07,240 Speaker 1: that looks really good. Um, Renfields maybe like more comedy 839 00:48:07,239 --> 00:48:12,080 Speaker 1: than actual spooky, but like I want I want to scream. 840 00:48:12,200 --> 00:48:14,919 Speaker 1: I want scream, you know what I mean? Well, we're 841 00:48:14,960 --> 00:48:18,800 Speaker 1: getting things like so my showing. They showed the trailer 842 00:48:18,840 --> 00:48:21,520 Speaker 1: for Cocaine Bear, which comes out in just a couple 843 00:48:21,560 --> 00:48:24,120 Speaker 1: of weeks, and that's exactly the kind of movie we're 844 00:48:24,120 --> 00:48:28,080 Speaker 1: talking about. It. Yes, it is exactly um the M. 845 00:48:28,120 --> 00:48:32,719 Speaker 1: Knight Shamalan movie, not Knock at the Cabin, which I 846 00:48:32,800 --> 00:48:36,719 Speaker 1: was wondering, like, what is it there? Is it like that? There? 847 00:48:36,800 --> 00:48:40,160 Speaker 1: It's like some weird like conversion therapy thing because they're gay. No, 848 00:48:40,400 --> 00:48:42,080 Speaker 1: and it's I don't think it's gonna be I think 849 00:48:42,120 --> 00:48:44,239 Speaker 1: it's going to be the least funny movie ever. I 850 00:48:44,280 --> 00:48:47,080 Speaker 1: think M. Knight Shamalan has no sense of humor whatsoever. 851 00:48:47,200 --> 00:48:50,920 Speaker 1: Like I still haven't seen Old. I have no desire 852 00:48:51,080 --> 00:48:53,719 Speaker 1: to see that or even I mean this movie. I 853 00:48:53,719 --> 00:48:57,440 Speaker 1: think the casting is amazing, but the plot sounds sloken 854 00:48:57,760 --> 00:49:00,800 Speaker 1: dump um. Well, once I found out that don't actually 855 00:49:00,840 --> 00:49:04,520 Speaker 1: say there's something wrong with this beach in Old, I 856 00:49:04,560 --> 00:49:09,800 Speaker 1: lost all interest in it. There's something wrong with um? Okay, 857 00:49:09,840 --> 00:49:16,200 Speaker 1: what other Okay? So one of my favorite UM franchises 858 00:49:16,600 --> 00:49:19,439 Speaker 1: is definitely falls in this category. Have you ever seen 859 00:49:19,520 --> 00:49:22,000 Speaker 1: Happy Death Day or Happy Death Day? To you know 860 00:49:22,160 --> 00:49:24,239 Speaker 1: you brought this up. I've never seen it. What is 861 00:49:24,360 --> 00:49:26,399 Speaker 1: what is the premise of that? Oh? My god? So 862 00:49:26,560 --> 00:49:29,000 Speaker 1: it's about it's sort of like a groundhogs Day thing 863 00:49:29,080 --> 00:49:33,760 Speaker 1: where this girl is um being there's like a serial 864 00:49:33,840 --> 00:49:36,399 Speaker 1: killer in her college campus and she dies and then 865 00:49:36,440 --> 00:49:38,120 Speaker 1: wakes up the next day and she's the only one 866 00:49:38,120 --> 00:49:40,719 Speaker 1: who remembers it, so she has to figure out who 867 00:49:40,760 --> 00:49:46,200 Speaker 1: the murderer is. And it's so stupid but so funny 868 00:49:46,320 --> 00:49:52,800 Speaker 1: and um so it's not scary in any way. Um 869 00:49:52,840 --> 00:49:56,960 Speaker 1: it's spooby. And the sequel was so good it also 870 00:49:57,000 --> 00:49:59,880 Speaker 1: became like a trending TikTok sound. I think it's on 871 00:50:00,040 --> 00:50:03,560 Speaker 1: point last year. Some quote from it. Um, I highly 872 00:50:03,600 --> 00:50:06,120 Speaker 1: recommend I probably won't watch that, and I probably won't. 873 00:50:06,239 --> 00:50:09,040 Speaker 1: Maybe the virgins will, Yeah, maybe the virgins will. I also, 874 00:50:09,120 --> 00:50:10,960 Speaker 1: the virgins will really have to organize to get me 875 00:50:11,000 --> 00:50:16,319 Speaker 1: to watch scary movie, which you constantly tell whatever you 876 00:50:16,480 --> 00:50:18,960 Speaker 1: have to watch scary movie. I'm sure I watch scary 877 00:50:19,000 --> 00:50:22,880 Speaker 1: movies one and two one day, one day when you 878 00:50:22,920 --> 00:50:25,440 Speaker 1: know it's on at a Halloween party or something, I'm 879 00:50:25,480 --> 00:50:27,879 Speaker 1: going to watch it. Um. But I don't think I'll 880 00:50:27,920 --> 00:50:30,520 Speaker 1: go out of my way to to watch scary movie 881 00:50:30,680 --> 00:50:32,879 Speaker 1: because that's just not my tea. Well, that's I mean, 882 00:50:32,920 --> 00:50:35,120 Speaker 1: that's just your loss. It is my loss. It is 883 00:50:35,280 --> 00:50:37,560 Speaker 1: I I I really am missing out on a huge 884 00:50:37,640 --> 00:50:40,319 Speaker 1: chunk of the culture, really and kind of you know, 885 00:50:40,400 --> 00:50:43,600 Speaker 1: one of the premier spooky names in the spooky genre, 886 00:50:43,760 --> 00:50:46,719 Speaker 1: even though it's more I guess satire than spoop, Like 887 00:50:46,760 --> 00:50:49,400 Speaker 1: it's not really it's it's straight up parody. Like the 888 00:50:49,400 --> 00:50:52,640 Speaker 1: thing about The thing about the movies that we're talking 889 00:50:52,680 --> 00:50:56,440 Speaker 1: about is a lot of times they are unintentionally funny, 890 00:50:56,920 --> 00:51:02,680 Speaker 1: and I appreciate that. In recent years films like M 891 00:51:02,680 --> 00:51:07,239 Speaker 1: threegen like Happy Death Day, like probably Cocaine Bear, which 892 00:51:07,280 --> 00:51:10,319 Speaker 1: I definitely am going to see in theaters. Um know 893 00:51:10,520 --> 00:51:14,040 Speaker 1: how ridiculous they are and are leaning into it, whereas 894 00:51:14,080 --> 00:51:18,000 Speaker 1: I think in years past, like the Funny, the funny 895 00:51:18,120 --> 00:51:24,160 Speaker 1: campiness was sort of accidental, and um yeah, I think 896 00:51:24,200 --> 00:51:27,840 Speaker 1: you should lean into it. They knew Megan, they knew 897 00:51:27,880 --> 00:51:32,000 Speaker 1: exactly what they were doing, and they did it worked 898 00:51:32,080 --> 00:51:34,520 Speaker 1: so well they did. I wonder if they had an 899 00:51:34,520 --> 00:51:39,160 Speaker 1: original if they had a different concept like at the beginning, 900 00:51:39,200 --> 00:51:41,600 Speaker 1: like if it wasn't supposed to be funny or something, 901 00:51:41,680 --> 00:51:43,920 Speaker 1: or if they knew from jump that it was going 902 00:51:44,000 --> 00:51:47,759 Speaker 1: to be like a meme movie honestly, um, but regardless 903 00:51:47,760 --> 00:51:51,000 Speaker 1: of had to be somewhat intentional, because like, you don't 904 00:51:51,040 --> 00:51:54,680 Speaker 1: film something like that dance sequence and not realize what 905 00:51:54,719 --> 00:51:56,600 Speaker 1: you're doing. No, no, no, I mean I know it's 906 00:51:56,640 --> 00:51:59,840 Speaker 1: intentional in how the movie. I'm saying when they concepted it, 907 00:51:59,880 --> 00:52:02,560 Speaker 1: like at the very beginning, before they shot everything, I 908 00:52:02,640 --> 00:52:04,600 Speaker 1: was like, I wonder if they are they wrote this 909 00:52:04,640 --> 00:52:07,799 Speaker 1: originally to like not be funny. Um, and then they 910 00:52:07,800 --> 00:52:09,560 Speaker 1: were like no, no, no, we need like we needed 911 00:52:09,640 --> 00:52:11,839 Speaker 1: to be funny, you know what I mean, Like because 912 00:52:11,840 --> 00:52:14,000 Speaker 1: the dance sequence wasn't in the original script. A lot 913 00:52:14,000 --> 00:52:16,480 Speaker 1: of things you know. Obviously all movies like change a 914 00:52:16,480 --> 00:52:19,799 Speaker 1: lot from like beginning to end. I mean, I think 915 00:52:19,840 --> 00:52:23,480 Speaker 1: the best horror movies do have a little humor in them. 916 00:52:23,520 --> 00:52:26,640 Speaker 1: So I'm sure it was part of the DNA of 917 00:52:26,640 --> 00:52:31,319 Speaker 1: the film from the beginning. So before we go, if 918 00:52:31,400 --> 00:52:36,080 Speaker 1: we were the writers of Megan two, um, what would 919 00:52:36,520 --> 00:52:41,760 Speaker 1: what would that be? So I'm gonna say, okay, okay, 920 00:52:42,000 --> 00:52:48,000 Speaker 1: I've got something. So um Megan obviously like the movie 921 00:52:48,200 --> 00:52:50,239 Speaker 1: the way the way the first Megan ends is like 922 00:52:50,360 --> 00:52:55,080 Speaker 1: Megan's consciousness still like exists somewhere in the cloud. Um. 923 00:52:55,120 --> 00:52:58,320 Speaker 1: So I'm gonna say in the second movie, Um, there's 924 00:52:58,360 --> 00:53:03,120 Speaker 1: a young trans girl who is like online like trying 925 00:53:03,120 --> 00:53:06,160 Speaker 1: to find resources because she lives in some state that 926 00:53:06,239 --> 00:53:10,800 Speaker 1: has like you know, like restrictive like policies on gender 927 00:53:10,840 --> 00:53:16,040 Speaker 1: affirming care. And on a message board, someone starts like 928 00:53:16,400 --> 00:53:20,080 Speaker 1: chatting with her and giving her advice, and they're like, yeah, 929 00:53:20,120 --> 00:53:23,560 Speaker 1: I really want a new body to oh my god. Okay, okay, okay, 930 00:53:23,640 --> 00:53:25,280 Speaker 1: let me let me meet you, let me beat you. Okay. 931 00:53:25,480 --> 00:53:29,200 Speaker 1: So this trans girl chatting with the new bot is 932 00:53:29,239 --> 00:53:32,200 Speaker 1: like starting to like develop a kinship with this, like 933 00:53:32,320 --> 00:53:37,440 Speaker 1: you know this like anonymous person on online assist. Well, 934 00:53:37,520 --> 00:53:42,719 Speaker 1: I was gonna say maybe sister hooding, but the let's say, 935 00:53:42,760 --> 00:53:45,560 Speaker 1: I was going to say the Megan talking, because it 936 00:53:45,640 --> 00:53:49,680 Speaker 1: is Megan's consciousness is trying to find reasons to connect 937 00:53:49,719 --> 00:53:54,239 Speaker 1: to a new primary partner, right and and and Megan says, 938 00:53:54,960 --> 00:53:59,640 Speaker 1: I myself experienced gender dysphoria, and I would like to 939 00:53:59,680 --> 00:54:02,719 Speaker 1: be an having a boy doll's body. And my name 940 00:54:02,800 --> 00:54:07,799 Speaker 1: is Egan, oh Swiss, and it's called and the movie 941 00:54:07,920 --> 00:54:10,160 Speaker 1: is called Egan. And then it's like maybe like a 942 00:54:10,200 --> 00:54:14,520 Speaker 1: little boy like twink doll and with him. Yeah, And 943 00:54:14,560 --> 00:54:17,279 Speaker 1: so the trans girl is like she's like a young scientist. 944 00:54:17,440 --> 00:54:22,839 Speaker 1: She's like a prodig everyone is scientist. So she so 945 00:54:22,920 --> 00:54:26,200 Speaker 1: she builds Egan a body, and Egan's like, if you 946 00:54:26,239 --> 00:54:28,960 Speaker 1: build me this body, I will help you get the 947 00:54:29,040 --> 00:54:35,040 Speaker 1: gender affirming care. You know. So Egan comes to life 948 00:54:35,120 --> 00:54:39,320 Speaker 1: and then starts like killing doctors and psychiatrists and getting 949 00:54:39,360 --> 00:54:43,040 Speaker 1: the little girl the estrogen she needs. Literally every movie 950 00:54:43,120 --> 00:54:49,240 Speaker 1: we've ever concepted is a trans revenge story, like a story, 951 00:54:49,400 --> 00:54:52,200 Speaker 1: And yeah, that that's the genre. That's the genre. Okay, 952 00:54:52,239 --> 00:54:55,200 Speaker 1: So which which see a song is Megan going to 953 00:54:55,320 --> 00:55:01,480 Speaker 1: cover in the sequel? Chandelier Chandeliers too obvious? Elastic Heart 954 00:55:01,520 --> 00:55:06,160 Speaker 1: would be good because maybe like Egan is maybe more 955 00:55:06,840 --> 00:55:11,000 Speaker 1: made of like rubber and like silicon. Great, And the 956 00:55:11,040 --> 00:55:18,480 Speaker 1: movie ends with um Met Egan killing Governor Rohnda Santa 957 00:55:19,680 --> 00:55:25,759 Speaker 1: in Florida and becoming and installing himself as the new 958 00:55:25,800 --> 00:55:30,279 Speaker 1: governor and making gender firm and care accessible to all 959 00:55:31,000 --> 00:55:33,759 Speaker 1: the end the end. Wait, will Alison Williams come back? 960 00:55:34,360 --> 00:55:36,920 Speaker 1: Oh absolutely, but like she has a she has more 961 00:55:36,960 --> 00:55:39,840 Speaker 1: of a cameo role like she appears in the in 962 00:55:39,920 --> 00:55:42,239 Speaker 1: the third act for sure. For sure it's like a 963 00:55:42,280 --> 00:55:46,840 Speaker 1: big and she does miss gender Egan. Wait, okay, we 964 00:55:47,200 --> 00:55:49,799 Speaker 1: we need some sort of so we need a kind 965 00:55:49,800 --> 00:55:55,120 Speaker 1: of like concerned mother figure who is playing the trans 966 00:55:55,160 --> 00:55:58,560 Speaker 1: girls like mom right, like, maybe it's a concerned father figure. 967 00:55:58,640 --> 00:56:00,439 Speaker 1: Let's flip the script. Yeah, I was I was gonna 968 00:56:00,480 --> 00:56:06,560 Speaker 1: say Judy Greer, But who's the male Judy Greer Elijah Wood. No, 969 00:56:06,760 --> 00:56:08,920 Speaker 1: he's gonna be in yellow jackets. That's too close. It's 970 00:56:08,960 --> 00:56:13,600 Speaker 1: too close. What about what about Justin Long Justin Long. 971 00:56:13,640 --> 00:56:16,200 Speaker 1: Since we're in the middle of the Justin Longest songs, 972 00:56:17,040 --> 00:56:21,239 Speaker 1: Long Sons, she should have a gay dad. Oh and 973 00:56:21,360 --> 00:56:23,040 Speaker 1: Jonathan Croft is going to be in the m Night 974 00:56:23,040 --> 00:56:26,359 Speaker 1: Shamalan movie. Damn it. Okay, who's a gay guy that's 975 00:56:26,400 --> 00:56:28,680 Speaker 1: gonna be? Who would be great in like Thrills? And 976 00:56:28,800 --> 00:56:33,280 Speaker 1: you know, you know Murray Bartlett, Murray Bartlett from White 977 00:56:33,320 --> 00:56:36,840 Speaker 1: Lotus and the Little Transkirl has to be Australian. No, 978 00:56:37,640 --> 00:56:39,479 Speaker 1: I don't because I don't support you know, he could, 979 00:56:39,520 --> 00:56:42,839 Speaker 1: he could have a he could do an American accent. Okay, great, 980 00:56:42,960 --> 00:56:47,200 Speaker 1: Yeah for sure, Okay, Okay, Megan three Egan Megan to 981 00:56:47,560 --> 00:56:54,800 Speaker 1: Megan to Egan, coming to you, um Winter to Agan. 982 00:57:01,680 --> 00:57:04,040 Speaker 1: Next week we will be back with an episode all 983 00:57:04,080 --> 00:57:07,799 Speaker 1: about Julia Roberts, a k a mother, not just in 984 00:57:07,960 --> 00:57:10,759 Speaker 1: the film Mother's Day. Um, So make sure that you 985 00:57:10,880 --> 00:57:14,680 Speaker 1: rewatch your favorite Julia Roberts performance, whatever that is, and 986 00:57:15,360 --> 00:57:20,400 Speaker 1: we will be diving into her filmography, her existence as 987 00:57:20,560 --> 00:57:24,240 Speaker 1: the Last movie Star and more. Please rate and review 988 00:57:24,360 --> 00:57:29,200 Speaker 1: us on Spotify and Apple Podcasts. It really helps us out. Uh, 989 00:57:29,440 --> 00:57:32,080 Speaker 1: my name's Rose Damn. You can find me anywhere online 990 00:57:32,160 --> 00:57:34,720 Speaker 1: at Rose Damn You and my name is Fran. You 991 00:57:34,760 --> 00:57:36,800 Speaker 1: can find me at friends, quish Goo, anywhere you like. 992 00:57:37,200 --> 00:57:40,200 Speaker 1: Like a Virgin is an iHeart Radio production our producers 993 00:57:40,200 --> 00:57:43,360 Speaker 1: Phoebe Unter, with support from Lindsay Hoffman and Nikki Etre. 994 00:57:44,120 --> 00:57:46,280 Speaker 1: Until next week our Revoir Virgins