WEBVTT - The Fifth Hour: Gaggle, Gaslight, Casa Glow

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<v Speaker 1>Kubbooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the Old Republic, a soul fashion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse.

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<v Speaker 1>Wow.

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<v Speaker 2>The Clearinghouse of Hot takes break free for something special.

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<v Speaker 2>The Fifth Hour with Ben Maller starts right now.

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<v Speaker 1>In the air everywhere as we launched, we catapult into

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<v Speaker 1>the Fifth Hour with Ben Mahler and Danny g Radio.

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<v Speaker 1>And a happy Saturday to you as we are hanging

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<v Speaker 1>out here on this twenty third day of the month.

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<v Speaker 1>There's a bunch of dope holidays and all that, but

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<v Speaker 1>it's college basketball weekend. By the end of tomorrow we

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<v Speaker 1>will be down to this. Yeah, sixteen in college basket.

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<v Speaker 3>You want to update on my bracket?

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<v Speaker 1>Hell, you want to? You want a cigarette letter to

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<v Speaker 1>burn it? Would you like that? I don't even want

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<v Speaker 1>to look. I'm not I'm not gonna look. I don't

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<v Speaker 1>even need to look at my bracket. And here's why,

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<v Speaker 1>because I know that I will be told how I'm

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<v Speaker 1>doing if I suck, if I'm good. No one will

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<v Speaker 1>bring it up. If I my bracket is terrible, I

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<v Speaker 1>will have fifteen thousand trolls.

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<v Speaker 3>You suck.

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<v Speaker 1>You claim to be an expert.

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<v Speaker 3>What do you have a John R. Wooden Award vote.

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<v Speaker 1>You don't even know college basketball. You're a loser. You suck.

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<v Speaker 1>That's what you're doing overnights.

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<v Speaker 3>You have to pay attention to your picks though, because

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<v Speaker 3>you have a chance to win a fifteen inch Westinghouse TV. No.

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<v Speaker 1>No, no, you get the hotel, you get the old

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<v Speaker 1>I don't know the listener gets that.

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<v Speaker 3>No?

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<v Speaker 1>No, oh, yeah, no I did. I emailed Scott. I said,

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<v Speaker 1>I'm gonna win this, So where can I go?

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<v Speaker 2>On?

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<v Speaker 1>But I want to stay at that graduate hotels? Thin?

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<v Speaker 1>Can I? Can I pick my hotel? He said, well,

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<v Speaker 1>you're not really eligible. I say, well, why why not?

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<v Speaker 3>I'm gonna win it.

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<v Speaker 1>Yeah, I'm sorry. You work for the company, so you

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<v Speaker 1>can't do it. So on this podcast, we've got the

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<v Speaker 1>Gag Order, the Music City, Serendipity on Fire, the Holding Pattern,

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<v Speaker 1>we got a lot of stuff. We got a lot

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<v Speaker 1>of stuff on this podcast, but I wanted to start

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<v Speaker 1>with this. Dan. We'll get right into it. Okay, No, Dillydelling.

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<v Speaker 1>So this is behind the scenes, behind the microphones, if

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<v Speaker 1>you will, behind the microphones of Fox Sports.

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<v Speaker 3>Radio, and.

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<v Speaker 1>I wanted to so this week I had On Monday,

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<v Speaker 1>I was given a gag order. I woke up in

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<v Speaker 1>the middle of my night. Now for most people this

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<v Speaker 1>would be a normal hour, but because of my hours

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<v Speaker 1>with the radio show, I sleep during the day. Now

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<v Speaker 1>I have changed my schedule a little bit. I don't

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<v Speaker 1>stay up quite as late as I did during football season.

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<v Speaker 1>I've been trying to go to bed earlier and get

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<v Speaker 1>more quality, more quality rest. But I was contacted by

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<v Speaker 1>someone of pretty high power in the media business who

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<v Speaker 1>who wanted to have a phone meeting with multiple people,

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<v Speaker 1>and it had to be These are people that are

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<v Speaker 1>on the East Coast and so they it has to

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<v Speaker 1>be at this time. So I went on there and

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<v Speaker 1>we had about an hour meeting on the phone. But

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<v Speaker 1>I have been told I am not allowed to discuss

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<v Speaker 1>said meeting. The gag order is in place, So fingers

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<v Speaker 1>crossed that I will be able to talk about that

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<v Speaker 1>at some point. But as you know, Danny, over the years,

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<v Speaker 1>we have had many I've had many meetings with powerful

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<v Speaker 1>people in media and almost never does it work. It

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<v Speaker 1>did work last year, there was we got a TV

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<v Speaker 1>show last year, so hopefully it'll be something bruined. I

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<v Speaker 1>can't say what it is about, but.

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<v Speaker 3>I'm guessing it's going to be the mail back on TV.

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<v Speaker 3>But Looney's gonna replace me.

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<v Speaker 1>Well, we've already done that. I think Coop will be

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<v Speaker 1>in for you, but I don't know, but he's I

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<v Speaker 1>think he might just move to Japan after this. So

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<v Speaker 1>I have the gag order. I wanted to I wanted

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<v Speaker 1>to share that the gag order is not about anything

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<v Speaker 1>to do with the Music City though, Danny. It does

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<v Speaker 1>not evolve anything in the Music City, so we don't

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<v Speaker 1>have to worry about that.

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<v Speaker 3>Yeah, you know, I'm going to text you right now.

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<v Speaker 3>I just called up my pictures. This is the this

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<v Speaker 3>is the hotel room I walked into at the Graduate.

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<v Speaker 3>All right, let me let me do this. Benny, Benny

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<v Speaker 3>does radio is how you're listed in my phone.

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<v Speaker 1>Oh, I'm honored. It's very impressive that you're Danny g

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<v Speaker 1>Radio on my phone.

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<v Speaker 3>The microphone throttler. We walk into our hotel rooms at

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<v Speaker 3>the Graduate, and the way the commercials read on the air,

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<v Speaker 3>it is truly like that in real life. I mean,

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<v Speaker 3>these hotels are decked out with sports memorabilia and then

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<v Speaker 3>memorabilia that represents their city. So obviously, with it being Nashville,

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<v Speaker 3>you could imagine all the Neon signs and Dolly Parton

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<v Speaker 3>portraits everywhere and above each bed that I saw her boobs.

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<v Speaker 3>Now I'm a believer. Oh wow, yeah, right now a

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<v Speaker 3>painting of Dolly and big bosoms right above your head.

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<v Speaker 1>That's solid. I like that curtain too.

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<v Speaker 2>That.

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<v Speaker 3>Yeah, there's what it's a big canopy above you.

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<v Speaker 1>Yeah, my wife would love that. That's her style.

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<v Speaker 3>Last weekend, as you know, we were broadcasting live there

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<v Speaker 3>for the SEC tournament, so there were a lot of

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<v Speaker 3>sports fans in Nashville, but mostly we just saw bridal parties.

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<v Speaker 3>We saw bachelorette parties up the ass. I mean these girls,

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<v Speaker 3>they travel in what you would call a gaggle of

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<v Speaker 3>women who smell like they put way too much perfume on,

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<v Speaker 3>have their boobs sticking out, their butts and legs showing.

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<v Speaker 3>They're all wearing those denim tubes. It's lots of denim,

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<v Speaker 3>lots of girl like pink cowgirl hats with lots of

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<v Speaker 3>glitter and jewels, and it looks like they'red be dazzled

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<v Speaker 3>and they are just roaming these streets.

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<v Speaker 1>Yeah, do you think they that see that they're like biology,

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<v Speaker 1>it's like primitive. They act like wolves, like pack of wolves.

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<v Speaker 1>You know women on the when they're out like with

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<v Speaker 1>their girlfriends.

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<v Speaker 3>You know Rich a little bit. He's kind of a

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<v Speaker 3>horn dog. He's all chocked up on the show. We

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<v Speaker 3>have to hold him back sometimes from what he really

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<v Speaker 3>wants to say about, you know, male female relations. That's

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<v Speaker 3>that's why podcasts are good for him. He brought it

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<v Speaker 3>up on our show on the network that there were

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<v Speaker 3>a lot of bachelorette parties and hey, if you're a

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<v Speaker 3>single guy, this is probably a good place for you

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<v Speaker 3>to come visit. Now, I butted in. I didn't butt in,

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<v Speaker 3>but I raised my hand and I said, Rich, you're

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<v Speaker 3>forgetting one thing. When we were in the lobby broadcasting

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<v Speaker 3>live and I got a thank you to all the

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<v Speaker 3>listeners who showed up. There were also a couple of

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<v Speaker 3>bachelorette parties on the other side of the lobby. We

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<v Speaker 3>saw with our own eyes a couple of guys approach

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<v Speaker 3>these bachelorette parties and try to talk to girls in

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<v Speaker 3>the group, and what do you think happened?

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<v Speaker 1>Oh, they were kicked away.

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<v Speaker 2>Yeah it was.

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<v Speaker 3>Yes, it was like an invisible force field around these

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<v Speaker 3>bachelorette parties.

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<v Speaker 1>Well that's because the guys weren't good looking at them.

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<v Speaker 1>Because they were good looking enough. You know, you're you're

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<v Speaker 1>allowed in. Yeah, now it works, They'll give you a pass.

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<v Speaker 1>The women aren't interested in yet. But if you you know,

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<v Speaker 1>if you look like who, I don't. I always use

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<v Speaker 1>Brad Pitt, But that's an outdated it really is.

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<v Speaker 3>That dude's like sixty two, I know.

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<v Speaker 1>So who's the new Brad Pitt? I don't even know

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<v Speaker 1>who's Yeah, a sex symbol.

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<v Speaker 3>They think we've asked this question on the podcast, Well

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<v Speaker 3>we asked the question. We don't. Yeah, I don't know either.

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<v Speaker 3>If a listener knows the answer to that, like a

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<v Speaker 3>good reference to a younger like.

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<v Speaker 1>Male, you know, beefcake two guys is enough for me,

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<v Speaker 1>mayle Hollywood beef case.

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<v Speaker 3>That's it. I don't know.

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<v Speaker 1>I don't know what it would be. I have no

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<v Speaker 1>I have no idea. After it was Brad Pitt the last,

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<v Speaker 1>he can't be the last of other people I'm trying.

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<v Speaker 3>You should build like a Donnis Google Sexiest Man Alive.

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<v Speaker 3>I wonder what pops up. You know, they fight over

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<v Speaker 3>that magazine cover. But I know, I know the last

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<v Speaker 3>time I googled that. When we talked about this, an

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<v Speaker 3>older actor came up.

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<v Speaker 1>Yeah, Patrick Dempsey, yeah, twenty twenty three. Twenty twenty three

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<v Speaker 1>was Chris Evans.

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<v Speaker 3>Okay, he's younger than Dempsey. Paul Rudd, Yeah, old, he's

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<v Speaker 3>fifty four.

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<v Speaker 1>Michael B.

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<v Speaker 3>Jordan all right, he's a little younger in twenty twenty,

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<v Speaker 3>but he's in his thirties now.

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<v Speaker 1>Yeah, but he doesn't, like, you know, you know, look

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<v Speaker 1>like Brad Pitt.

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<v Speaker 3>You say, there's no modern reference that matches how we

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<v Speaker 3>used Brad Pitt for a couple of decades.

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<v Speaker 1>Even Chris Evans, like, you can't really like, you know,

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<v Speaker 1>it's such a generic I know it's Captain America, but

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<v Speaker 1>it's a generic name.

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<v Speaker 3>Let's say you were Michael B. Jordan, maybe the girls

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<v Speaker 3>would entertain you and let you into that little bridal group.

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<v Speaker 3>But you know, the girl who's getting married, who has

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<v Speaker 3>the sachet and the little princess thing on her head

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<v Speaker 3>and all that, she's not gonna cheat on her two

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<v Speaker 3>be husband unless the guy is a hundred times better

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<v Speaker 3>looking than her husband. So you're right about that. There

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<v Speaker 3>was a force field around those group of girls. That

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<v Speaker 3>was the first takeaway I had. Then, when we get

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<v Speaker 3>out to the streets, not only was the SEC tournament

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<v Speaker 3>causing a lot of traffic, but there were obviously people

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<v Speaker 3>partying and drinking. And it's just you know, they call

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<v Speaker 3>it Vegas of the South. It's a huge party there.

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<v Speaker 3>The food is delicious, the people are nice, it is overcrowded.

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<v Speaker 3>It does get kind of dirty, just like the streets

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<v Speaker 3>of Vegas. We eat early dinner after the live broadcast,

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<v Speaker 3>and I'm just tired. I had produced our podcast, then

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<v Speaker 3>I produced their live show. We had been on the

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<v Speaker 3>plane for four hours, we had been at the airport

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<v Speaker 3>for three hours. It was a long day as they

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<v Speaker 3>were with some hardcore Covino and rich listeners, planning to

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<v Speaker 3>go to the Jason Al Dean Bar and all these

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<v Speaker 3>different tourist spots. I checked out. I raised my hand,

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<v Speaker 3>I asked for my check, gave the guy a nice tip,

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<v Speaker 3>told the waiter, yeah, I'm sorry, I just can't make

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<v Speaker 3>it as long as the rest of our group here

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<v Speaker 3>before I get back to the graduate though, Ben, I'm

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<v Speaker 3>now walking on these famous streets next to Broadway. Then

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<v Speaker 3>I get on Broadway to get my lift, and I

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<v Speaker 3>noticed something on Broadway which I feel like, this is

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<v Speaker 3>only a Nashville thing, because here on the West coast,

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<v Speaker 3>what is it about even a strip of nightclubs. It's

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<v Speaker 3>like VIP. There's security guys in front. The doors are closed, right,

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<v Speaker 3>it's kind of like you're important. If you can get inside.

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<v Speaker 3>You might hear the music thumping, like some bass or whatever,

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<v Speaker 3>but you don't exactly hear everything that's going on inside

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<v Speaker 3>the club. Yeah, for sure, not in Nashville.

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<v Speaker 1>Wide open.

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<v Speaker 3>All the doors are open, the windows are open.

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<v Speaker 1>You've got a vantage point. You see everything you can see.

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<v Speaker 3>But here's the bad part. You can hear everything out

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<v Speaker 3>of every single place. So it sounds like you have

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<v Speaker 3>taken some mushrooms with Aaron Rodgers. Relax because it is

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<v Speaker 3>this mishmash of all these beats and people singing and

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<v Speaker 3>karaoke and DJ's mixing and live bands. It it is

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<v Speaker 3>just a wreck. I mean, I felt drunk and I

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<v Speaker 3>hadn't had one drink, so up in booze and a lettice.

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<v Speaker 3>It's just soaking it all in, right, I mean, yeah,

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<v Speaker 3>it made me dizzy.

0:11:57.200 --> 0:12:00.000
<v Speaker 1>Yeah. So I've not spent any real time in Nashville,

0:12:00.080 --> 0:12:05.120
<v Speaker 1>so I have not experienced that. I have friends, radio

0:12:05.160 --> 0:12:09.360
<v Speaker 1>friends that live in in Nashville, and I know our

0:12:09.360 --> 0:12:11.679
<v Speaker 1>guy Clay Is, he's you know, that's his town, right,

0:12:11.720 --> 0:12:14.160
<v Speaker 1>he runs, he runs Nashville, right, that's.

0:12:14.640 --> 0:12:17.360
<v Speaker 3>Yeah, it's going to be a governor someday.

0:12:17.720 --> 0:12:20.240
<v Speaker 1>Yeah. I wouldn't doubt it. I wouldn't doubt it. And

0:12:20.360 --> 0:12:22.360
<v Speaker 1>I hope that happens because I've always wanted to have,

0:12:22.480 --> 0:12:24.440
<v Speaker 1>like to be able to say, I know somebody that

0:12:24.559 --> 0:12:28.719
<v Speaker 1>became like a big muckety muck in politics. Like That's

0:12:28.720 --> 0:12:30.560
<v Speaker 1>why I'm kind of pulling for Steve Garvey because I

0:12:30.600 --> 0:12:33.280
<v Speaker 1>knew Garvy. I used to interview him all the time,

0:12:33.679 --> 0:12:35.880
<v Speaker 1>and that he's he's going to have a chance to

0:12:35.880 --> 0:12:38.480
<v Speaker 1>get to d C out of California. It's kind of cool.

0:12:38.880 --> 0:12:42.280
<v Speaker 1>And wanted to meet any president. Never met a president,

0:12:42.800 --> 0:12:44.880
<v Speaker 1>all that kind of stuff. But yeah, I can see

0:12:44.920 --> 0:12:48.280
<v Speaker 1>Clay Clay doing it. So best Food you ate or

0:12:48.360 --> 0:12:50.040
<v Speaker 1>top food best means as good as all the rest

0:12:50.160 --> 0:12:51.880
<v Speaker 1>was the top thing. Eight in music city.

0:12:52.040 --> 0:12:53.840
<v Speaker 3>So I went to a let me.

0:12:53.840 --> 0:12:55.280
<v Speaker 1>Guess Nashville Hot Chicken.

0:12:55.720 --> 0:13:00.840
<v Speaker 3>No. I went to a spot called Spenders and it

0:13:00.920 --> 0:13:04.480
<v Speaker 3>was a cool sports bar and grill. And right before

0:13:04.559 --> 0:13:08.680
<v Speaker 3>our live broadcast, I got a really good on their menu.

0:13:08.840 --> 0:13:13.320
<v Speaker 3>It said really good beef when it was describing they're cheeseburger,

0:13:13.720 --> 0:13:15.839
<v Speaker 3>and I'm like, well, if they say really good beef,

0:13:15.880 --> 0:13:18.600
<v Speaker 3>it must be really good beef. I got a salad

0:13:18.640 --> 0:13:21.600
<v Speaker 3>with ranch. You're excited about that.

0:13:21.679 --> 0:13:23.760
<v Speaker 1>Well, you got the Devil's blood right there below the

0:13:23.760 --> 0:13:25.000
<v Speaker 1>Mason Dixon line. Yeah, I gotcha.

0:13:25.360 --> 0:13:26.920
<v Speaker 3>I love that. If I'm going to do a cheeseburger,

0:13:26.960 --> 0:13:29.440
<v Speaker 3>I'd never have fries because then I really feel fat.

0:13:29.720 --> 0:13:31.280
<v Speaker 3>But if I don't do the fries and I have

0:13:31.360 --> 0:13:34.200
<v Speaker 3>a salad, I'm eating half healthy or so I trick

0:13:34.320 --> 0:13:36.160
<v Speaker 3>my brain into thinking.

0:13:36.080 --> 0:13:39.120
<v Speaker 1>It's like getting a salad and putting ten gallons of

0:13:39.160 --> 0:13:40.360
<v Speaker 1>salad dressing on it.

0:13:40.360 --> 0:13:43.079
<v Speaker 3>It's what I do, all right. So I had the salad,

0:13:43.480 --> 0:13:47.000
<v Speaker 3>the ranch dressing was phenomenal, and then I bite into

0:13:47.040 --> 0:13:50.720
<v Speaker 3>this burger heaven Ben. They take a lot of time

0:13:50.800 --> 0:13:53.560
<v Speaker 3>and care with their food there in Nashville. No matter

0:13:53.600 --> 0:13:56.760
<v Speaker 3>what you order, there's a lot of great flavors coming

0:13:56.760 --> 0:13:59.040
<v Speaker 3>out of the restaurants and we were like in this

0:13:59.120 --> 0:14:01.800
<v Speaker 3>fancy food court. For the dinner, I had a penny

0:14:02.240 --> 0:14:07.320
<v Speaker 3>pesto pasta. It was a nine out of ten Chef's kiss. Yes,

0:14:07.400 --> 0:14:10.079
<v Speaker 3>it was really good. The food is definitely worth the

0:14:10.200 --> 0:14:11.880
<v Speaker 3>travel time to get to Nashville.

0:14:12.360 --> 0:14:14.040
<v Speaker 1>Yeah, I'd like to like to get there. I haven't

0:14:14.080 --> 0:14:15.440
<v Speaker 1>spent too much time in the South. I was in

0:14:15.480 --> 0:14:18.480
<v Speaker 1>North Carolina, Virginia a couple of years ago. I'm actually

0:14:18.520 --> 0:14:21.400
<v Speaker 1>going to South Carolina later this year's schedule to go

0:14:21.400 --> 0:14:24.600
<v Speaker 1>to South Carolina. And actually, a listener to this podcast

0:14:25.360 --> 0:14:29.400
<v Speaker 1>is the plan, if it works out, is to have

0:14:29.440 --> 0:14:32.960
<v Speaker 1>a Mallor meet and greet. And the guys from yeah,

0:14:33.040 --> 0:14:35.520
<v Speaker 1>from California actually, but he's he's been living there and

0:14:35.560 --> 0:14:37.960
<v Speaker 1>he loves it is and how great it is there,

0:14:37.960 --> 0:14:41.120
<v Speaker 1>and so he he's got to a restaurant lined up.

0:14:41.200 --> 0:14:44.760
<v Speaker 1>So I just have to confirm my travel arrangements and

0:14:44.800 --> 0:14:47.240
<v Speaker 1>we'll hopefully have a Malor meet and greet, which will

0:14:47.240 --> 0:14:47.840
<v Speaker 1>be pretty cool.

0:14:48.160 --> 0:14:52.000
<v Speaker 3>Edward Nouth Carolina really quick off the news of South Carolina.

0:14:52.040 --> 0:14:54.960
<v Speaker 3>There a little bit of dirt. Coveno and Rich did

0:14:55.000 --> 0:14:58.320
<v Speaker 3>stay out all night with the listeners, and not only

0:14:58.360 --> 0:15:00.400
<v Speaker 3>did they go to the Jason al Dean bar, wound

0:15:00.480 --> 0:15:02.960
<v Speaker 3>up on the rooftop of our hotel at the Graduate,

0:15:03.240 --> 0:15:07.000
<v Speaker 3>where they have a karaoke bar, an outdoor karaoke bar,

0:15:07.360 --> 0:15:10.760
<v Speaker 3>where Rich Davis was singing songs until two in the morning.

0:15:11.640 --> 0:15:13.520
<v Speaker 1>Living your great You're living your great life. You living

0:15:13.520 --> 0:15:14.040
<v Speaker 1>your best life.

0:15:14.160 --> 0:15:16.240
<v Speaker 3>I'm sure there were no dogs howling at all.

0:15:22.560 --> 0:15:25.120
<v Speaker 1>Well, you have enough alcohol. Everyone sounds like Elvis, you know,

0:15:25.160 --> 0:15:28.840
<v Speaker 1>if you have enough alcohol. So there was a case

0:15:28.880 --> 0:15:31.760
<v Speaker 1>this week, Dandy. I'm gonna call this serendipity on fire.

0:15:32.320 --> 0:15:34.600
<v Speaker 1>So I had a buddy of mine, old newspaper guy

0:15:34.840 --> 0:15:38.520
<v Speaker 1>who I haven't seen this guy in person since before COVID.

0:15:38.520 --> 0:15:41.240
<v Speaker 1>But we're text buddies. Now, that's pretty much it. We're

0:15:41.240 --> 0:15:43.160
<v Speaker 1>text buddies. We don't even talk on the phone. We

0:15:43.240 --> 0:15:45.800
<v Speaker 1>just text. He'll send me news stories, he'll send me

0:15:45.840 --> 0:15:48.920
<v Speaker 1>dirt about the newspaper business. He'll ask me questions about

0:15:48.920 --> 0:15:50.880
<v Speaker 1>the radio business, and I'll tell him what I know,

0:15:50.960 --> 0:15:53.640
<v Speaker 1>and we'll go back and forth whatever the hot button

0:15:53.720 --> 0:15:57.360
<v Speaker 1>topic of the day is. So he also keeps close track.

0:15:57.400 --> 0:15:59.840
<v Speaker 1>He loves car chases. I never need to watch a

0:15:59.840 --> 0:16:02.880
<v Speaker 1>car chase, or watch the news in LA to see

0:16:02.880 --> 0:16:05.720
<v Speaker 1>a car chase, because anytime there's a car chase, my

0:16:05.800 --> 0:16:08.480
<v Speaker 1>buddy will send me a link. There's a high speed

0:16:08.600 --> 0:16:12.840
<v Speaker 1>chase in Riverside and here's a link. It's on channel

0:16:12.880 --> 0:16:16.560
<v Speaker 1>two or whatever, channel nine, and so he's really good

0:16:16.600 --> 0:16:19.280
<v Speaker 1>about that. But he sent me this story. His favorite

0:16:19.320 --> 0:16:23.280
<v Speaker 1>restaurant is this place, which is in Sherman Oaks, which

0:16:23.320 --> 0:16:25.320
<v Speaker 1>is a celebrity hangout. We do the show from the

0:16:25.320 --> 0:16:29.280
<v Speaker 1>Sherman Oaks neighborhood of LA and in the San Fernando Valley,

0:16:29.320 --> 0:16:33.560
<v Speaker 1>and he sent me the story about this restaurant, Casa Vega.

0:16:33.600 --> 0:16:36.800
<v Speaker 1>I don't know if you've been to Casa Vega. It's

0:16:36.840 --> 0:16:40.240
<v Speaker 1>a famous Mexican restaurant. The Kardashians, a lot of.

0:16:40.520 --> 0:16:42.360
<v Speaker 3>People that haven't been there before.

0:16:42.680 --> 0:16:45.200
<v Speaker 1>Yeah, I've been there many times as well. I stopped

0:16:45.240 --> 0:16:47.240
<v Speaker 1>going once they raised the price of the crunchy taco

0:16:47.280 --> 0:16:49.640
<v Speaker 1>to eight dollars. I thought that was a little much,

0:16:50.080 --> 0:16:51.640
<v Speaker 1>but you know, it's a cool place. It's one of

0:16:51.680 --> 0:16:54.640
<v Speaker 1>those places you go to kind of be seen and

0:16:54.680 --> 0:16:59.880
<v Speaker 1>all that, and it's any So somebody lit the dumpster

0:17:00.160 --> 0:17:02.760
<v Speaker 1>behind this Mexican restaurant on fire, and it became a

0:17:02.800 --> 0:17:08.040
<v Speaker 1>news story because it was on video and they were like,

0:17:08.280 --> 0:17:10.840
<v Speaker 1>my buddy was sending me the story. He's like, yeah, yeah,

0:17:10.880 --> 0:17:16.560
<v Speaker 1>this is a rash of fires in Sherman Oaks, that

0:17:16.600 --> 0:17:20.359
<v Speaker 1>there's some vagrants going around lighting stuff on fire. So

0:17:20.960 --> 0:17:23.159
<v Speaker 1>all right whatever. I was like, Oh, that sucks, you know.

0:17:23.720 --> 0:17:26.239
<v Speaker 1>So then I get in the car. I'm driving to

0:17:26.280 --> 0:17:29.680
<v Speaker 1>the radio station. I get off the one oh one

0:17:29.760 --> 0:17:35.480
<v Speaker 1>freeway there at Ventura and I turn turned the corner

0:17:35.520 --> 0:17:38.919
<v Speaker 1>there and go down and uh, and I see this

0:17:39.119 --> 0:17:43.760
<v Speaker 1>sea of fire trucks like not one not to not

0:17:44.040 --> 0:17:47.359
<v Speaker 1>There's like eight fire trucks right in front of the

0:17:47.400 --> 0:17:52.200
<v Speaker 1>Fox Sports radio building. Oh what's this? So I get

0:17:52.200 --> 0:17:54.720
<v Speaker 1>closer and then I realized that they were actually mostly

0:17:54.800 --> 0:17:58.640
<v Speaker 1>for across the street. Somebody had lit a fire right

0:17:58.680 --> 0:18:00.919
<v Speaker 1>across the street. So it was like they're indipity on

0:18:01.040 --> 0:18:03.639
<v Speaker 1>fire right across the street. Somebody had lit like I

0:18:03.640 --> 0:18:05.239
<v Speaker 1>don't know if it was a dumpster or like a

0:18:05.280 --> 0:18:08.640
<v Speaker 1>small building behind the building. There's a restaurant a bar

0:18:08.800 --> 0:18:10.720
<v Speaker 1>right across the street from where we do the show

0:18:10.760 --> 0:18:13.879
<v Speaker 1>from and behind that there was this thing on fire,

0:18:13.960 --> 0:18:17.159
<v Speaker 1>and I could see, like they don't mess around the

0:18:17.160 --> 0:18:20.960
<v Speaker 1>fire department. They had like every fire truck within a couple,

0:18:21.160 --> 0:18:24.119
<v Speaker 1>you know, a couple of cities. It seemed like was

0:18:24.200 --> 0:18:26.200
<v Speaker 1>right there to put that fire out. It was wild.

0:18:26.280 --> 0:18:26.440
<v Speaker 2>Man.

0:18:26.520 --> 0:18:31.479
<v Speaker 1>I was like, wow, that is that is crazy that

0:18:31.760 --> 0:18:33.359
<v Speaker 1>the guy would send me the story and within a

0:18:33.359 --> 0:18:36.240
<v Speaker 1>couple hours, I'm going to work and I see something

0:18:36.520 --> 0:18:40.520
<v Speaker 1>immediately on fire, like right across, right across the way.

0:18:41.200 --> 0:18:43.359
<v Speaker 3>So that was my That reminds me of the time

0:18:43.480 --> 0:18:46.480
<v Speaker 3>the fire alarm system came on while we were live

0:18:46.600 --> 0:18:47.240
<v Speaker 3>on your show.

0:18:48.080 --> 0:18:51.679
<v Speaker 1>Oh yeah, yeah, that's that's happened. My favorite is the

0:18:51.720 --> 0:18:54.760
<v Speaker 1>skunk though. I liked that where the skunk. The skunk

0:18:54.800 --> 0:18:57.199
<v Speaker 1>gets in the air conditioning and then the whole building

0:18:57.240 --> 0:19:00.440
<v Speaker 1>smells like skunk and it's just you can't breath because

0:19:00.440 --> 0:19:01.320
<v Speaker 1>there's no windows.

0:19:01.400 --> 0:19:03.639
<v Speaker 3>And I was used to that smell sitting next to

0:19:03.720 --> 0:19:06.560
<v Speaker 3>Koop every night. Well, I understand, smoke is kind of

0:19:06.560 --> 0:19:07.200
<v Speaker 3>your whole thing.

0:19:08.720 --> 0:19:11.520
<v Speaker 1>The the fire alarm where we had to do the

0:19:11.560 --> 0:19:12.199
<v Speaker 1>show and there was.

0:19:16.200 --> 0:19:21.120
<v Speaker 3>That was going on to drop.

0:19:23.880 --> 0:19:30.720
<v Speaker 1>That's what it sounded like. Yeah, you can't leave your

0:19:30.720 --> 0:19:32.880
<v Speaker 1>battle station, you know you can't. You got to man

0:19:32.920 --> 0:19:35.600
<v Speaker 1>your battle station, Danny. We learned that you can't crawl out.

0:19:36.160 --> 0:19:37.040
<v Speaker 1>You gotta stay there.

0:19:37.320 --> 0:19:39.960
<v Speaker 3>It was very Battlestar Galactica, like.

0:19:40.680 --> 0:19:43.560
<v Speaker 1>Yeah, it was. It was bizarre. Now, I would like

0:19:43.600 --> 0:19:46.879
<v Speaker 1>to see if anyone listening, that would be you listening

0:19:46.880 --> 0:19:48.639
<v Speaker 1>to this podcast, if you can help us out. So

0:19:49.359 --> 0:19:55.320
<v Speaker 1>during the week, the Dodgers released a statement about old Tani.

0:19:55.359 --> 0:19:58.760
<v Speaker 1>We talked about Otani yesterday on the podcast a bit,

0:19:58.960 --> 0:20:02.880
<v Speaker 1>and the the statement was your standard boiler plate statement.

0:20:03.760 --> 0:20:07.240
<v Speaker 1>And I was trying to find out who originally came

0:20:07.320 --> 0:20:10.080
<v Speaker 1>up with a statement, and it's one of these things

0:20:10.119 --> 0:20:13.800
<v Speaker 1>I used to know. It's a holding we'll call it

0:20:13.800 --> 0:20:17.199
<v Speaker 1>the holding pattern. But it's a holding statement. And the

0:20:17.240 --> 0:20:19.199
<v Speaker 1>whole point of a holding statement is to keep the

0:20:19.240 --> 0:20:21.960
<v Speaker 1>media at bay, to keep them on hold if there's

0:20:22.000 --> 0:20:27.320
<v Speaker 1>a scandal. Every major corporation uses a version of the

0:20:27.359 --> 0:20:31.639
<v Speaker 1>same holding statement when there's a scandal and it goes

0:20:31.800 --> 0:20:35.679
<v Speaker 1>something like this, it's typical pr spin. It is we

0:20:35.880 --> 0:20:40.480
<v Speaker 1>are aware of the situation, we are in the process

0:20:40.520 --> 0:20:45.000
<v Speaker 1>of gaining information, it would be inappropriate to comment further

0:20:45.119 --> 0:20:49.840
<v Speaker 1>at this time, or it is an ongoing police investigation,

0:20:49.960 --> 0:20:54.320
<v Speaker 1>so we cannot comment further at this time. But some

0:20:54.600 --> 0:20:57.600
<v Speaker 1>version of that and so I had known. In fact,

0:20:57.640 --> 0:21:00.720
<v Speaker 1>I think we talked about it on this podcast years ago,

0:21:01.680 --> 0:21:03.800
<v Speaker 1>and in the back of my head it was like

0:21:03.880 --> 0:21:09.120
<v Speaker 1>somebody from Pennsylvania, but I didn't write it down and

0:21:09.160 --> 0:21:12.119
<v Speaker 1>it escaped the back of my brain, and so I

0:21:12.280 --> 0:21:18.560
<v Speaker 1>spent probably two hours googling different things trying to find

0:21:18.680 --> 0:21:22.479
<v Speaker 1>the original person that came up with that statement, because

0:21:22.480 --> 0:21:26.520
<v Speaker 1>whoever that person is, that is going to be with

0:21:27.520 --> 0:21:33.600
<v Speaker 1>major businesses for the rest of the world crisis spin

0:21:33.960 --> 0:21:37.159
<v Speaker 1>the greatest holding statement ever, which is, you know, we

0:21:37.200 --> 0:21:40.960
<v Speaker 1>are aware of the allegations and are currently gathering information,

0:21:41.400 --> 0:21:44.160
<v Speaker 1>but it would be inappropriate to comment further. At this time,

0:21:44.200 --> 0:21:47.080
<v Speaker 1>we have no further comment. I want to know who

0:21:47.119 --> 0:21:49.879
<v Speaker 1>came up with that, and if you know, let me know.

0:21:50.040 --> 0:21:52.920
<v Speaker 1>Email me Real fifth hour at gmail dot com. Real

0:21:53.000 --> 0:21:56.000
<v Speaker 1>fifth hour at gmail dot com because I can't I

0:21:56.040 --> 0:22:00.480
<v Speaker 1>can't find it. I tried, and I swear it was

0:22:00.520 --> 0:22:02.880
<v Speaker 1>a I want to say, a professor or something like that,

0:22:03.000 --> 0:22:07.440
<v Speaker 1>somebody some ties to Pennsylvania, as I remember. Maybe I'm

0:22:07.440 --> 0:22:09.920
<v Speaker 1>completely wrong and I remembered it wrong, but I feel

0:22:09.920 --> 0:22:12.800
<v Speaker 1>like it came from somebody in the state of Pennsylvania.

0:22:13.440 --> 0:22:15.119
<v Speaker 1>So if you could help me out on that that

0:22:15.160 --> 0:22:21.359
<v Speaker 1>would be great. We have the phrase of the week.

0:22:21.960 --> 0:22:24.600
<v Speaker 3>The phrase of the week.

0:22:25.640 --> 0:22:28.960
<v Speaker 1>The phrase of the week is gaslight. Now, this is

0:22:29.000 --> 0:22:31.920
<v Speaker 1>a term that I use quite a bit on the

0:22:32.040 --> 0:22:35.119
<v Speaker 1>radio show. And the reason I use the term gaslight

0:22:35.200 --> 0:22:38.560
<v Speaker 1>quite a bit is because it happens all the time.

0:22:39.359 --> 0:22:43.119
<v Speaker 1>It happens all the time. And I know, Danny, you

0:22:43.160 --> 0:22:46.840
<v Speaker 1>know what gaslighting is. It's a form of psychological manipulation.

0:22:47.160 --> 0:22:47.360
<v Speaker 3>Yep.

0:22:47.840 --> 0:22:51.720
<v Speaker 1>And politicians and people in sports do this all the time,

0:22:52.440 --> 0:22:56.920
<v Speaker 1>where you do something and then claim the opposite happened.

0:22:58.520 --> 0:23:01.080
<v Speaker 1>You do something, No, I didn't do that. I don't

0:23:01.080 --> 0:23:03.600
<v Speaker 1>know what you're talking about. I didn't do that, and

0:23:03.640 --> 0:23:07.960
<v Speaker 1>then the person that's consuming the content they start questioning

0:23:08.040 --> 0:23:11.680
<v Speaker 1>their own memory and the perception of what happened. Eventually

0:23:11.680 --> 0:23:17.200
<v Speaker 1>you start questioning your sanity. And it's gaslighting. That's the term.

0:23:17.359 --> 0:23:20.120
<v Speaker 1>But the term which is our phrase of the week, gaslight,

0:23:21.280 --> 0:23:24.720
<v Speaker 1>It actually comes from Hollywood and it goes all the

0:23:24.760 --> 0:23:30.120
<v Speaker 1>way back to the nineteen forties. Nineteen forty four, there

0:23:30.240 --> 0:23:36.080
<v Speaker 1>was a film called Gaslight. The film was set in

0:23:36.200 --> 0:23:40.720
<v Speaker 1>Victorian times when gaslighting, of course, that was what was

0:23:40.720 --> 0:23:46.280
<v Speaker 1>before electric lighting was in common use. And one of

0:23:46.320 --> 0:23:51.399
<v Speaker 1>the leads in the movie is the Harris of a

0:23:51.600 --> 0:23:59.480
<v Speaker 1>famous opera singer and was going to receive her inheritance,

0:24:00.240 --> 0:24:03.000
<v Speaker 1>but she ends up getting caught in this romance and

0:24:04.280 --> 0:24:10.040
<v Speaker 1>married to an aspiring composer, and the story goes on

0:24:09.440 --> 0:24:16.000
<v Speaker 1>and on, and she's doing things she forgets and seeing

0:24:16.080 --> 0:24:19.240
<v Speaker 1>things that aren't real. And so that was the movie.

0:24:19.240 --> 0:24:23.280
<v Speaker 1>It's like, okay, fine, whatever. But over time that term

0:24:23.920 --> 0:24:29.359
<v Speaker 1>got dragged in to politics and got twisted around to

0:24:29.480 --> 0:24:32.679
<v Speaker 1>what it is today, the modern definition, which is a

0:24:32.760 --> 0:24:37.800
<v Speaker 1>play on that movie Gaslight from nineteen forty four. The

0:24:37.840 --> 0:24:41.160
<v Speaker 1>title of the film became a term for tricking someone

0:24:41.240 --> 0:24:47.520
<v Speaker 1>into thinking that they're crazy, and so it's dismissing or

0:24:47.600 --> 0:24:54.800
<v Speaker 1>discrediting your perception of reality, and usually with a suggestion

0:24:55.000 --> 0:25:00.159
<v Speaker 1>of malice attached to said action. So that is the

0:25:00.200 --> 0:25:05.520
<v Speaker 1>phrase of the week, the phrase of the week, gaslighting.

0:25:06.200 --> 0:25:08.040
<v Speaker 3>Yeah, you know who does that all the time? Our

0:25:08.080 --> 0:25:11.240
<v Speaker 3>middle kid. He'll say to me and my girl, you

0:25:11.280 --> 0:25:15.120
<v Speaker 3>guys are eating dinner without me. In a half hour earlier,

0:25:15.160 --> 0:25:17.320
<v Speaker 3>he literally told us he didn't want to eat with us.

0:25:18.119 --> 0:25:19.960
<v Speaker 1>Well, at the time he didn't want eat, but once

0:25:19.960 --> 0:25:21.160
<v Speaker 1>he saw what you guys were eating.

0:25:21.520 --> 0:25:24.359
<v Speaker 3>No, but he's just doing it to mess with us. Yeah,

0:25:24.520 --> 0:25:25.800
<v Speaker 3>he's gaslighting us.

0:25:26.040 --> 0:25:32.960
<v Speaker 1>Yeah, there you go. Oh I wanted to mention this.

0:25:33.080 --> 0:25:34.879
<v Speaker 1>I did talk about this a little bit on the

0:25:35.320 --> 0:25:39.840
<v Speaker 1>Overnight Show, but I wanted to go into some more detail.

0:25:39.880 --> 0:25:42.760
<v Speaker 1>This being the pod, we kept tell these stories behind

0:25:42.760 --> 0:25:46.080
<v Speaker 1>the microphone and whatnot. It's become a staple of the show.

0:25:46.119 --> 0:25:49.120
<v Speaker 1>And we had another week of Big Bend's Big adventures.

0:25:49.720 --> 0:25:54.119
<v Speaker 1>And as Paul Harvey used to say, you know the news,

0:25:54.160 --> 0:25:55.520
<v Speaker 1>but you're about to get the rest of the story,

0:25:55.680 --> 0:25:58.320
<v Speaker 1>so real quick. This guy who's a p one who

0:25:58.359 --> 0:26:01.679
<v Speaker 1>lives in North Carolina. He goes by the Moniker Speccoli,

0:26:02.440 --> 0:26:05.720
<v Speaker 1>very kind gentleman, very kind gentleman. He's from Wisconsin, but

0:26:05.760 --> 0:26:09.080
<v Speaker 1>he lives in North Carolina. And he is someone that

0:26:09.160 --> 0:26:12.200
<v Speaker 1>appreciates the art of the spoken words, a big radio fan,

0:26:13.080 --> 0:26:16.040
<v Speaker 1>and he likes spoken word radio done right. And so

0:26:16.080 --> 0:26:19.040
<v Speaker 1>he actually dropped by the studio. We told the story.

0:26:19.320 --> 0:26:22.640
<v Speaker 1>He dropped by the studio several months ago, and he

0:26:22.800 --> 0:26:25.840
<v Speaker 1>looked up, he did some opposition research. He found this

0:26:25.960 --> 0:26:28.560
<v Speaker 1>really nice donut shop, this high end donut shop in

0:26:28.720 --> 0:26:32.320
<v Speaker 1>la and he bought a box of these really nice

0:26:32.359 --> 0:26:36.320
<v Speaker 1>donuts designer donuts, and then he got to the radio

0:26:36.320 --> 0:26:38.240
<v Speaker 1>station to hang out with us, and Kooper Loop and

0:26:38.280 --> 0:26:40.760
<v Speaker 1>Iowa Sam were so paranoid they didn't want him in

0:26:40.800 --> 0:26:42.640
<v Speaker 1>the studio. They're like, oh, oh, we don't want this kid.

0:26:43.200 --> 0:26:45.600
<v Speaker 1>So he ended up waiting outside for forty minutes on

0:26:45.680 --> 0:26:49.680
<v Speaker 1>a cold night, California, cold night, and then eventually they

0:26:49.800 --> 0:26:51.639
<v Speaker 1>let him in and they thought he was fine, he

0:26:51.680 --> 0:26:54.760
<v Speaker 1>was a good guy and all that, and it was

0:26:54.840 --> 0:26:58.760
<v Speaker 1>ridiculous anyway advancing the story. So that's the backstory. So

0:26:58.880 --> 0:27:02.800
<v Speaker 1>we'll call him Spacoli. And he reached out. He sent

0:27:02.800 --> 0:27:04.960
<v Speaker 1>me an email. He says, listen, I'm sending you something.

0:27:04.960 --> 0:27:07.359
<v Speaker 1>It's time sensitive. I need you to get this out

0:27:07.400 --> 0:27:09.720
<v Speaker 1>of the mail. You have to do this for me.

0:27:10.640 --> 0:27:13.480
<v Speaker 1>And I was like, okay. You know, normally I'll just

0:27:13.480 --> 0:27:16.840
<v Speaker 1>send Coop to go get something, and if it's food,

0:27:16.920 --> 0:27:20.200
<v Speaker 1>he'll definitely get it. He'll definitely, he'll definitely go get it.

0:27:20.240 --> 0:27:23.200
<v Speaker 1>But Coop's not there. He's on his honeymoon in Japan,

0:27:23.520 --> 0:27:27.120
<v Speaker 1>and so we had Shae producing, and Shaye doesn't really

0:27:27.160 --> 0:27:31.880
<v Speaker 1>know where where the mailroom is, and so I really

0:27:31.880 --> 0:27:34.480
<v Speaker 1>couldn't send him. I don't even think he has access

0:27:35.119 --> 0:27:38.320
<v Speaker 1>to that part of the building, and so I was

0:27:38.359 --> 0:27:40.280
<v Speaker 1>on my own. So I got there early, as I

0:27:40.359 --> 0:27:46.560
<v Speaker 1>usually do, and I'm walking around the fifth floor of

0:27:46.720 --> 0:27:52.720
<v Speaker 1>the Premiere Networks and it it took me about thirty minutes.

0:27:52.760 --> 0:27:54.359
<v Speaker 1>I was wandering. There's so I don't know if you've

0:27:54.359 --> 0:27:57.280
<v Speaker 1>been up there recently, Danny. There's so many empty offices.

0:27:58.520 --> 0:27:59.400
<v Speaker 3>It's a ghost town.

0:27:59.760 --> 0:28:05.320
<v Speaker 1>It'sgot ship it's so depressing. It reminded me of when

0:28:05.359 --> 0:28:09.399
<v Speaker 1>I was at that mall in prim, Nevada, right on

0:28:09.440 --> 0:28:13.639
<v Speaker 1>the California Nevada border that used to be this great

0:28:13.680 --> 0:28:17.199
<v Speaker 1>mall with all these wonderful outlet stores and there were

0:28:17.320 --> 0:28:21.119
<v Speaker 1>kids playing and families having a great time and people

0:28:21.240 --> 0:28:23.560
<v Speaker 1>shopping and living their lives. And I went there after

0:28:23.640 --> 0:28:26.520
<v Speaker 1>COVID and there's like two stores left and it's completely

0:28:26.560 --> 0:28:31.720
<v Speaker 1>boarded up and just brutal, just absolutely brutal. And I'm

0:28:31.760 --> 0:28:33.199
<v Speaker 1>like walking around and a lot of these people are

0:28:33.200 --> 0:28:36.679
<v Speaker 1>still working at the company, they're working from home. So

0:28:36.680 --> 0:28:37.520
<v Speaker 1>I'm walking. I could not.

0:28:37.600 --> 0:28:37.840
<v Speaker 3>I went.

0:28:37.920 --> 0:28:40.560
<v Speaker 1>I went to where the old mail room was. I

0:28:40.560 --> 0:28:42.960
<v Speaker 1>couldn't find it. So then I was like, Okay, let

0:28:43.000 --> 0:28:46.720
<v Speaker 1>me the mailroom is probably where it used to be

0:28:46.720 --> 0:28:48.800
<v Speaker 1>before they moved it to this other place. So then

0:28:48.840 --> 0:28:50.800
<v Speaker 1>I couldn't get over there because they closed off that

0:28:50.920 --> 0:28:53.800
<v Speaker 1>side of the building for some I guess that's they

0:28:53.840 --> 0:28:55.680
<v Speaker 1>didn't they're not paying for it, so it's somebody else.

0:28:55.720 --> 0:28:59.000
<v Speaker 1>I don't know. So I walking around and it's like

0:28:59.640 --> 0:29:01.480
<v Speaker 1>twenty eight minutes of been going by. I'm like, what

0:29:01.520 --> 0:29:04.040
<v Speaker 1>am I doing? I finally sees the first person I've

0:29:04.080 --> 0:29:06.560
<v Speaker 1>seen other I'm the only one on the floor. I

0:29:06.600 --> 0:29:09.800
<v Speaker 1>didn't see anybody. So this guy walks down from the

0:29:11.040 --> 0:29:15.040
<v Speaker 1>we call it the Knock, the network operations control center,

0:29:16.240 --> 0:29:18.680
<v Speaker 1>and he's walking by. I say, hey, let's go on. Now,

0:29:18.720 --> 0:29:22.840
<v Speaker 1>you know where the mailroom is? And he shrugs his shoulders, Danny,

0:29:23.200 --> 0:29:26.120
<v Speaker 1>I don't know. And he's like, well, I think they

0:29:26.120 --> 0:29:29.479
<v Speaker 1>put the mail near the door, and he points behind me. Well,

0:29:29.520 --> 0:29:32.840
<v Speaker 1>I've already walked by there four times. There's no mail there.

0:29:33.640 --> 0:29:37.080
<v Speaker 1>So I said, all right, thank you. So right about

0:29:37.120 --> 0:29:42.080
<v Speaker 1>the time that ends, this guy pops out of an office.

0:29:44.440 --> 0:29:46.160
<v Speaker 1>Are you looking? Are you what you're looking for? The

0:29:46.160 --> 0:29:49.520
<v Speaker 1>mail room? Yes, yes, I'm looking for the mailroom. Are

0:29:49.560 --> 0:29:54.320
<v Speaker 1>you sending or are you picking up mail? And it

0:29:54.440 --> 0:29:57.400
<v Speaker 1>was the Great George Nori, the host of Coast to

0:29:57.520 --> 0:30:03.680
<v Speaker 1>Coast Good morning, and we've had George on this podcast

0:30:03.720 --> 0:30:07.000
<v Speaker 1>in Yeah. George is a great guy, great radio man,

0:30:07.320 --> 0:30:10.960
<v Speaker 1>Hall of Famer, and George popped out of his office

0:30:10.960 --> 0:30:13.400
<v Speaker 1>he heard. He probably was as shocked as I was

0:30:13.440 --> 0:30:17.000
<v Speaker 1>to see another human being on that floor and just like, well,

0:30:17.000 --> 0:30:19.480
<v Speaker 1>you said, I'm like, well, why were in my head?

0:30:19.520 --> 0:30:20.840
<v Speaker 1>I'm like, why am I going to send something?

0:30:21.000 --> 0:30:21.160
<v Speaker 2>You know?

0:30:21.200 --> 0:30:23.360
<v Speaker 1>This time? But he was very kind. He knew exactly

0:30:23.360 --> 0:30:26.400
<v Speaker 1>where it was. And because of George Norie, I was

0:30:26.440 --> 0:30:33.040
<v Speaker 1>able to pick up the delicious and this was you

0:30:33.120 --> 0:30:37.000
<v Speaker 1>talk about Chef's kiss as you were saying, there, my god,

0:30:37.120 --> 0:30:46.760
<v Speaker 1>this Kringle amazing, This Danish pastry from Racine, from Racine, Wisconsin,

0:30:47.000 --> 0:30:51.280
<v Speaker 1>which was shipped overnight, just absolutely wonderful. They sell a

0:30:51.360 --> 0:30:55.560
<v Speaker 1>version of this Danis Kringle at I think it's the

0:30:55.560 --> 0:30:57.840
<v Speaker 1>same company, but this was this was from the mother

0:30:57.920 --> 0:31:01.479
<v Speaker 1>ship They sell the Trader Joe, I believe. But this was,

0:31:01.800 --> 0:31:07.520
<v Speaker 1>oh man, it was like a cherry cheesecake thing or

0:31:07.560 --> 0:31:09.440
<v Speaker 1>something like that. I don't even know exactly what the

0:31:09.440 --> 0:31:14.680
<v Speaker 1>flavor was, but it was delicious, so good, so amazing.

0:31:14.880 --> 0:31:17.720
<v Speaker 1>So I want to thank s Paccoli. I would like

0:31:17.760 --> 0:31:22.080
<v Speaker 1>to thank George Nori for helping me find that. And

0:31:22.120 --> 0:31:26.920
<v Speaker 1>that's my ghost ship at the Premiere Networks building there

0:31:26.920 --> 0:31:28.680
<v Speaker 1>and beautiful Schrimann Oaks.

0:31:28.800 --> 0:31:31.160
<v Speaker 3>Now, did you tell Nori, Hey, it's me mallor you've

0:31:31.160 --> 0:31:33.160
<v Speaker 3>been on my show? No?

0:31:33.320 --> 0:31:36.200
<v Speaker 1>You know, I'm Anti, So I think he recognized me,

0:31:39.000 --> 0:31:42.240
<v Speaker 1>but he was his show was literally about to start,

0:31:42.360 --> 0:31:45.640
<v Speaker 1>like he was within the five minute window where his

0:31:45.720 --> 0:31:49.040
<v Speaker 1>show was going to going to begin. Did they move

0:31:49.080 --> 0:31:52.040
<v Speaker 1>his studio though I didn't see a path to his studio,

0:31:52.080 --> 0:31:53.000
<v Speaker 1>I don't know if they moved.

0:31:53.320 --> 0:31:55.440
<v Speaker 3>I don't think so, because I walked past it when

0:31:55.480 --> 0:31:58.080
<v Speaker 3>we were using the old Jim Rome studio a couple

0:31:58.120 --> 0:31:58.680
<v Speaker 3>of weeks ago.

0:31:59.480 --> 0:32:02.680
<v Speaker 1>Yeah, and I think they're moving out of that old

0:32:02.720 --> 0:32:04.640
<v Speaker 1>Gym Rome studio, right, They're moving back to the old

0:32:04.680 --> 0:32:06.480
<v Speaker 1>studio downstairs, that's what I heard.

0:32:06.560 --> 0:32:09.520
<v Speaker 3>Yeah. Yeah, our old FSR studio is going to be

0:32:09.560 --> 0:32:13.320
<v Speaker 3>the new Colin Cowherd studio for when he does radio only.

0:32:14.280 --> 0:32:18.320
<v Speaker 1>Yeah, and he does radio only, what do you think

0:32:18.320 --> 0:32:20.360
<v Speaker 1>maybe a week a year maybe?

0:32:20.560 --> 0:32:22.800
<v Speaker 3>Yeah, maybe a total of two weeks a year.

0:32:23.440 --> 0:32:27.360
<v Speaker 1>Yeah, And they're getting all new equipment. Everything's gonna be

0:32:27.360 --> 0:32:30.320
<v Speaker 1>brand new, you know, because that's Coward's a big deal.

0:32:30.920 --> 0:32:32.760
<v Speaker 1>You know, you're a big deal when they get new stuff.

0:32:33.440 --> 0:32:35.320
<v Speaker 1>When I do a show somewhere, it's like, let's go

0:32:35.400 --> 0:32:37.520
<v Speaker 1>on eBay and we'll find a couple of couple of

0:32:37.520 --> 0:32:39.880
<v Speaker 1>things and we'll throw them together and we're good to go.

0:32:39.920 --> 0:32:41.760
<v Speaker 1>All right, we get out on that. It is Saturday.

0:32:41.880 --> 0:32:45.720
<v Speaker 1>Enjoy the day, enjoy the college basketball today, and remember

0:32:45.840 --> 0:32:49.960
<v Speaker 1>all roads lead to the fifth hour mail Bag, which

0:32:50.040 --> 0:32:53.440
<v Speaker 1>is Sunday. Will burn up the microphones yet again. Anything

0:32:53.840 --> 0:32:55.120
<v Speaker 1>you want to promote here, Danny g.

0:32:55.800 --> 0:32:58.120
<v Speaker 3>Just our podcast. Make sure you get on there and

0:32:58.440 --> 0:33:00.920
<v Speaker 3>leave a review for Apple Pop Podcast and we'll read

0:33:00.960 --> 0:33:01.520
<v Speaker 3>it on the air.

0:33:02.160 --> 0:33:05.120
<v Speaker 1>Absolutely help us out. Have a great day today, and

0:33:05.280 --> 0:33:06.120
<v Speaker 1>then we will catch.

0:33:05.960 --> 0:33:10.200
<v Speaker 3>You next time. Austa pasta viopulation