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Speaker 1: But I think the way that people saw it is

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Speaker 1: like yo, because like dude, I'm a twenty year old,

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Speaker 1: like you feel me? Like that's what they're acting like

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Speaker 1: I did, And I'm like, Yo, can you give it

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Speaker 1: a little grace? The man twenty that's the thing. Now,

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Speaker 1: you got me.

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Speaker 2: All my life, grinding all my life, sacrifice, hustle, p Price,

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Speaker 2: Want a slice? Got the bro Geys, Swap all my life.

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Speaker 2: I'd be grinding all my life, all my life, grinding

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Speaker 2: all my life, sacrifice, hustle, pe Price, one slice, got

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Speaker 2: the bron Geist, Swap all my life. I've been grinding

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Speaker 2: all my life.

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Speaker 3: Hello, welcome to another episode of Club Sha Shay. I

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Speaker 3: am your host, Shunning Sharp. I'm also the propriet of

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Speaker 3: Club Shasha. Stopping by the conversation and to drink today.

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Speaker 3: The king of hip hop and R and B fusion.

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Speaker 3: A poetic writer, international artist, Grammy nominated, and Diamond selling rapper.

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Speaker 3: He's the first rapper to open State of the Union.

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Speaker 3: A cultural influence and a tastemaker, a fashion icon, a

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Speaker 3: DC legend, he has his own day in Maryland. Here

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Speaker 3: he goes Wiley, what's up, Broke, It's been a minute

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Speaker 3: it's been about what two years. I think we're both

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Speaker 3: on the flight back from Vegas to La Yep, and

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Speaker 3: I think he was running to catch another flight.

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Speaker 1: Running somewhere. Got your dog, Yeah, yeah, we both. It's

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Speaker 1: one of them black men in the industry thing like

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Speaker 1: I see you playing, I see you playing, and we're

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Speaker 1: just running. We got the bad.

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Speaker 3: Yeah, man, you know what new albums out? I don't

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Speaker 3: know if you are. You know. This is my Kangyac

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Speaker 3: shaved by Laportier. It's a VSOP kanyac. You know, a

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Speaker 3: VSOP very special old pale age between four and six years.

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Speaker 3: Some of these bottles have been aged for up to

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Speaker 3: eight years. So that's what makes it specially has to

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Speaker 3: originate in that region. Your album everything is a lot.

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Speaker 1: I mean, we need some product placement in the video.

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Speaker 1: We can figure that out.

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Speaker 3: Okay, we can do that. We can do that.

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Speaker 1: DC is the is the brunch capital of the world, baby,

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Speaker 1: the black brunch capital of the world.

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Speaker 3: An took that from Atlanta, Houston.

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Speaker 1: I mean we kind of we y'all originated that original.

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Speaker 1: That might be a little let me not, let me,

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Speaker 1: let me retract, but we just got our own things,

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Speaker 1: you know.

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Speaker 3: You know what for brunch? What's what's a d C?

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Speaker 3: What's what you'rll crab cakes?

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Speaker 1: And it's every it's every, it's everything, it's it's it's it's.

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Speaker 3: Not really the brunch, the mingling, the talking to getting together.

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Speaker 1: It's like always like it's like a party from two

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Speaker 1: o'clock somewhere and there's one at five, win at nine,

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Speaker 1: and then they go like we party city for real.

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Speaker 1: But Atlanta got Atlanta different though, because I saw a

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Speaker 1: brunch party at a No Boo and I was like,

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Speaker 1: all right, y'all got it.

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Speaker 3: You know what I'm saying, y'all went in the brunch force.

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Speaker 3: So let's talk about the album. The fans have been

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Speaker 3: showing a lot of love for the album online. They said,

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Speaker 3: this timeline is healing, it's rap music, it's back. When

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Speaker 3: you hear that, because I'm sure you've heard. You know,

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Speaker 3: you you have your you know your feet in the street,

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Speaker 3: you hear your have your ear to the pavement, and

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Speaker 3: you know what's going on. But when you hear fans

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Speaker 3: says Okay, he's bringing it back, He's brought it back,

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Speaker 3: how does that make you feel?

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Speaker 1: I mean they say that every time I ever dropped. Yeah,

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Speaker 1: I think it's because I probably dropping like a little while,

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Speaker 1: like a whole project. Right, they say that all the time.

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Speaker 1: But like we were talking about earlier, the game is

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Speaker 1: like it's just moving at such a fast pace now,

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Speaker 1: like it's a lot of things it's changed. So I

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Speaker 1: might it might. It might bring people feelings back, like

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Speaker 1: to hear me since they haven't heard it in a

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Speaker 1: long time. But it ain't not really changed. I think

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Speaker 1: they probably just got exhausted from hearing the same stuff.

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Speaker 3: So you said you've been away, it's been about three

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Speaker 3: or four years since you last dropped something like when

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Speaker 3: you await that length of time, do you feel like,

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Speaker 3: damn has it passed me by? Do I still have

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Speaker 3: what it takes? Do you ever second guess yourself?

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Speaker 1: Quite? My talent? Now? My talent? One of the worst

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Speaker 1: things about music business is like it's subjective, Like you know,

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Speaker 1: I grew up playing sports like running track, basketball, all

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Speaker 1: of that. Like in football, like you know, if I

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Speaker 1: got forty yards, if I got for forty points or

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Speaker 1: one hundred and fifty yards, that's that.

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Speaker 3: I don't care who like it? Right what it is?

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Speaker 1: Yet I could write the best, the most perfect song

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Speaker 1: that makes the most sense and to catch you as hook.

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Speaker 1: Somebody could not even hear it because they just don't

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Speaker 1: want it, you know, you know what I'm saying. So

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Speaker 1: it's one of those things that like I cannot I

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Speaker 1: know the talent is there, but the landscape is completely different.

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Speaker 3: good to be right, Like when you go into the studio,

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Speaker 3: what's what's your objective? What are you actually trying to

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Speaker 3: accomplish when you go into the studio. I mean, obviously

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Speaker 3: you have an idea, not just for not just for

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Speaker 3: a track before now.

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Speaker 1: I let it go, Let it go, especially when I'm starting,

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Speaker 1: I'm kind of it's chaotic at the beginning and it's

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Speaker 1: CdeG at the end. I just let it go sometimes,

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Speaker 1: you know, I went to Nashville a little bit. I

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Speaker 1: want to I want to London for a while. I

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Speaker 1: want to, uh, Monaco, I want a play just to

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Speaker 1: go and just just let it go, like you know,

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Speaker 1: get some little tree, maybe we can get some of

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Speaker 1: the conact next, you know, and just get to get

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Speaker 1: the vibe going and just see where it's at and

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Speaker 1: just start writing. I got so many it's like scattered

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Speaker 1: all over the place until it starts coming together.

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Speaker 3: So you get an idea, you get a vision anywhere.

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Speaker 3: So let's just say you and Monaco. Something comes together,

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Speaker 3: you start writing. You mentioned you in London, or you

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Speaker 3: hear something, you start writing, and then all this comes

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Speaker 3: together and then you says, Okay, I think I got something.

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Speaker 1: I mean it's I think it's just it's such a weird,

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Speaker 1: like they call it, like a rain Man thing. I'll

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Speaker 1: be doing like sometimes because I get so upset with

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Speaker 1: myself sometimes if I've been like this, I've been to

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Speaker 1: see it for six hours and I haven't picked a beat,

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Speaker 1: and I know I'm about to leave, like the session

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Speaker 1: about to be over. I just be like, yo, whoever's

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Speaker 1: pick any beat, I'm gonna go take a walk, come back.

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Speaker 1: Whatever beat it is, I'm gonna write to it. A

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Speaker 1: lot of songs have come like that. Like it's just

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Speaker 1: just like because I just wanted I need to write something,

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Speaker 1: you know what I'm saying.

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Speaker 3: So you need to be under the gun, you need

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Speaker 3: to walk sometimes.

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Speaker 1: Yeah yeah. I remember one time I was talking to

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Speaker 1: I was talking to j Cole. This was uh my

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Speaker 1: last album, and I felt like writ and I just

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Speaker 1: didn't know where where what to writing about, and we

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Speaker 1: was just talking. I was like, before we got the ball,

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Speaker 1: give me a word anywhere, I don't care, and he

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Speaker 1: was like semi automatic and I was like all right, cool,

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Speaker 1: And then I just started to write semi automat and

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Speaker 1: I just used it him as a as a metaphor

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Speaker 1: for my brain, and then I made it the song

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Speaker 1: and it went on an album. It's just like sometimes

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Speaker 1: you feel like like that. I didn't have no inspiration,

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Speaker 1: but I felt like writing, and then when somebody gave

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Speaker 1: me something, I built around it. You know what I'm saying.

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Speaker 3: Have you ever been in a situation where you're not

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Speaker 3: you're not in the mood like he's like, Okay, I

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Speaker 3: ain't got anything coming out, but something just hits you

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Speaker 3: and you write for.

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Speaker 1: Yeah yeah yeah, yeah, like a lot on this album,

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Speaker 1: like like like things in life was happening and maybe

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Speaker 1: not that the very same day, but like I was,

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Speaker 1: I was pulling from situations a lot on this one.

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Speaker 1: Like That's why I kind of took a lot out

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Speaker 1: of me emotionally to make this joint, because I took

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Speaker 1: a lot of stuff out of my life, Like you

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Speaker 1: know what I'm saying, like real trauma, real stuff.

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Speaker 3: Is it easier to write like that from a personal

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Speaker 3: from a personal experience.

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Speaker 1: But sometimes is? Sometimes it's not. Sometimes you gotta push

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Speaker 1: yourself to places you don't want to go to talk

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Speaker 1: about stuff you don't really feel comfortable talking about. So

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Speaker 1: that's kind of tricky sometimes. And then it's like you

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Speaker 1: kind of sometimes you think about how how I might

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Speaker 1: make other people feel, uh, you know, if you're not

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Speaker 1: wording things in the right way or you just trying

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Speaker 1: to tell your story or whatever. So it's tricky, you

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Speaker 1: know what.

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Speaker 3: I'm that's happened.

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Speaker 1: Nah, Nah, To be honest, it hasn't happened on because

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Speaker 1: I mean most people that I have a fondness for,

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Speaker 1: even if like like women as far as women, like

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Speaker 1: if I have a on this form, if I ever

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Speaker 1: had to find his form, I really won't have nothing

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Speaker 1: negative to say about it, even because they're not they're

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Speaker 1: not they're not artists, they don't have a platform, they can't,

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Speaker 1: you know. And plus I'm not that type of person,

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Speaker 1: you know what I'm saying, Like, if it's done, it's done.

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Speaker 1: Like I don't really got nothing say negative about nobody.

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Speaker 3: When you see that your music has surpassed Taylor Swift

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Speaker 3: on the Apple Charts, you number two, behind some of

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Speaker 3: walker because like obviously you said it, like if I

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Speaker 3: score forty points, that's forty no matter what. I got

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Speaker 3: forty points, and people understand forty points in the basketball

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Speaker 3: game is forty points. I get one hundred and fifty

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Speaker 3: yards two touchdowns in the game. People know that hundred

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Speaker 3: fifty two Tuddyes, we know what that is. But when

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Speaker 3: you see people actually accept it and it zooms up

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Speaker 3: the chart, and we know who Taylor Swift is and

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Speaker 3: we know who some of those other people that were

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Speaker 3: there and you surpass them, how does that make you

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Speaker 3: feel that that you're like, Okay, I did.

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Speaker 1: It all first framing you know what I'm saying, Taylor

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Speaker 1: Swift doing stadiums and her album been out for a

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Speaker 1: long time, But I mean, that's such how you frame

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Speaker 1: it whatever, but I don't really I mean not to

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Speaker 1: say I don't look at the numbers because they I

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Speaker 1: try to quantify stuff because because of how I grew

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Speaker 1: up playing sports, But like I don't really get into

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Speaker 1: it too much, you know what I'm saying, Like because

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Speaker 1: I ain't have a great first week album sales on

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Speaker 1: this album, but it's one of my most highly praised

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Speaker 1: projects I've ever done in my fifteen year career, so

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Speaker 1: you know, I try to like focus on that even

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Speaker 1: though I mean, it is good to see that people

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Speaker 1: is receiving it. But you know, the numbers thing is

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Speaker 1: tricky now anyways, because there's a lot of numbers is

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Speaker 1: fake a lot of things. Is bodied a lot of things.

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Speaker 1: It's being like, you know, narratives, but you can't fake

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Speaker 1: the word of mouth though.

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Speaker 3: So correct you don't get too tied up into the

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Speaker 3: numbers because you don't want to get too high too low.

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Speaker 1: Well, I mean I can't really do nothing about them,

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Speaker 1: like like you know, I can't, like it's the streaming

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Speaker 1: or like a lot of these young like my fans,

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Speaker 1: like a lot of them were having full time jobs

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Speaker 1: and kids and a busy life. They can't listen to

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Speaker 1: my album fifteen times in a day. You know, some

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Speaker 1: of these other people got fans that they can they

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Speaker 1: go to They gotta go to school, they gotta they study,

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Speaker 1: and they like they have a lot of time to

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Speaker 1: hear their music. And it's like different, you know what

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Speaker 1: I'm saying. His number is just like kind of it's

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Speaker 1: like when it was when it was back before streaming.

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Speaker 1: I used to be very blue collar. I be in Detroit,

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Speaker 1: I'll be in Chicago, be in DC. Shign and joints

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Speaker 1: block me. You know what I'm saying. I was knocking

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Speaker 1: out one fifty one sixty first week around that time.

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Speaker 1: I know what. The streaming it kind of chopped the half.

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Speaker 1: But the fans ain't never go nowhere. They set up

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Speaker 1: the shows. But streaming is not a really good indicator

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Speaker 1: of like impact.

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Speaker 3: Is that the biggest difference that you've seen, because, like

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Speaker 3: you said, you used to go to detroiter, you go

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Speaker 3: to Chicago, you go to these places and you pop

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Speaker 3: up to the store and you know the hard copies

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Speaker 3: that they're leaving. Yeah, now not so many people are

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Speaker 3: not really purchase.

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Speaker 1: Teen hundred plays equals one cell? You feel me? Fifteen

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Speaker 1: said right, right right, cass like it say, fifteen hundred

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Speaker 1: streams is one record sell?

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Speaker 3: That don't seem right?

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Speaker 1: I mean, you know, the game is the game?

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Speaker 3: Who decided? Who decided that fifteen hundred equals one album? Said?

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Speaker 3: Who decided that?

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Speaker 1: I don't know, man, but it's been like this for

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Speaker 1: a minute. It's been like this for what, like well

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Speaker 1: since probably album or nothing was that like twenty sixteen,

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Speaker 1: Probably around twenty fourteen or something like that. He is, So

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Speaker 1: that's just for Apple or Spotify. I wanted to be

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Speaker 1: here fifteen hundred, Like I can't even remember my favorite album,

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Speaker 1: Thriller whatever. Like I ain't the first week that joint

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Speaker 1: came up. I ain't spending fifteen a hundred times or whatever.

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Speaker 1: I never spent reasonable doubt that many times. You know

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Speaker 1: what I'm saying. But I don't know. It's just a

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Speaker 1: tricky game now. So I put my faith on my

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Speaker 1: fans in that tour for real.

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Speaker 3: Here's a question. If you walked into a stash house

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Speaker 3: and you found it full of twenty million dollars, how

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Speaker 3: much would you steal? That's the question Matt Damon and

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Speaker 3: Ben Affleck have to answer in the Netflix New movie

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Speaker 3: The Rip. They play a team of Miami cops alongside

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Speaker 3: Teyanna Taylor, Stephen Yung, Catalina San Dino Manino, Sasha Kaje,

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Speaker 3: and Kyle Chandler, all trying to decide are they the

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Speaker 3: good guy or the bad guys. This movie is an

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Speaker 3: edge of your seat thrill right the entire time, keeping

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Speaker 3: you guessing to the very end. Don't miss The Rip,

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Speaker 3: only on Netflix on January the sixteenth. Well will hard

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Speaker 3: Copy albumselves ever be what it was was? Or it's

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Speaker 3: screaming taking the platform that's old?

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Speaker 1: But NUS is making a little my Vinys kind of

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Speaker 1: like gives it a little bit of that, Like there's.

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Speaker 3: Still there's still a little mom and pop store here

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Speaker 3: and there that sell the vinyls and stuff like the insects. Yeah, yeah, yeah, yeah,

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Speaker 3: what we kind of how we grew up wilder. You know,

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Speaker 3: we can go and you could listen to a you

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Speaker 3: listen to it, have the headset on, you listen to it.

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Speaker 3: You asked them to cut you.

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Speaker 1: Another time, and you would appreciate music difference back then.

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Speaker 1: You appreciate it differently because it wasn't so easily accessible,

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Speaker 1: like you have to be like man I gotta get

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Speaker 1: gotta go get my book back and get my CD. Right,

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Speaker 1: you know what I'm saying. You get your CD. Like,

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Speaker 1: it's just that you get that piece of mind. You

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Speaker 1: just listen to this song you had in your head. Yeah,

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Speaker 1: now you just like, man, let you put my phone

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Speaker 1: on here this joint click with me here if the

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Speaker 1: music a little cheaper. Now, That's why I always ask people,

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Speaker 1: do you think about how would Michael Jackson do if

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Speaker 1: he was in his prime right now? I don't even

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Speaker 1: know if it's possible. Nah, because everybody's too much access,

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Speaker 1: Like there's too much everything, know what I'm saying.

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Speaker 3: The access has diluted a lot of things.

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Speaker 1: The music, the star power, the Hollywood movie started it.

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Speaker 3: Yeah, I don't, I don't. I don't know if in

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Speaker 3: today's time we'll ever see somebody as big as Mike.

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Speaker 1: Nah, m hm, no, people passing out, just just.

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Speaker 3: The thought that I mean crying and breaking down, literally crying.

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Speaker 1: One thing I'm excited about is to see the gen

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Speaker 1: Z and even j nol for like, if this movie

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Speaker 1: is handled right, like to see them getting experienced Mike

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Speaker 1: for the first time, like and seeing what he really

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Speaker 1: was like because like brou If that if all that

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Speaker 1: Michael Jackson fold this wasn't documented on camera, you wouldn't

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Speaker 1: believe would believe it, You wouldn't believe that a man

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Speaker 1: could come on stage at the super Bowl just is

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Speaker 1: still two minutes not even move and every people we'll

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Speaker 1: be passing like you know what.

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Speaker 3: I'm saying, Yeah, that's crazy. Or to have him come

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Speaker 3: up to it. You know, he's in a hotel and

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Speaker 3: there are a thousands and thousands of people just wanting

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Speaker 3: him to wave on the balcony.

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Speaker 1: Yes, and also starting at age five, bro, yeah you

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Speaker 1: feel me like your whole life, you gave it to

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Speaker 1: this business, you know what I'm saying. So, I mean,

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Speaker 1: I'm excited to see how they be at because I

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Speaker 1: was watching some on YouTube the other day and it

341
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Speaker 1: was like a young gen Z kid. He was like

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Speaker 1: Michael Jackson, the ultimate aural farmer. And I was like, Oh,

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Speaker 1: this is my type of this is my type of

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Speaker 1: crossover episode.

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Speaker 3: Yeah.

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Speaker 1: I like to see I want to see I want

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Speaker 1: them to see how crazy Mike was.

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Speaker 3: But when you hear people say, well this person is

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Speaker 3: as big as Mike and this person.

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Speaker 1: Is not not no musician, like you know, what I'm saying. Yeah,

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Speaker 1: there's some there's blasphemous things that can be maybe, but.

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Speaker 3: Maybe only Jesus was bigger than Michael Jackets.

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Speaker 1: But then you then you your moon walking around blaspheming

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Speaker 1: right there, so you can't really say that. But after

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Speaker 1: that it's like, yo, who more the mic the other mic?

356
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Speaker 1: But it's still different.

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Speaker 3: But when Halloween, when you get the costume, when you

358
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Speaker 3: get the red jacket or you get the glove, people

359
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Speaker 3: still they still doing play.

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Speaker 1: And his niggas still up on Hollywood Boulevard, just like Michael.

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Speaker 1: But I'm saying he got Mike got is impersonated too. Yeah,

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Speaker 1: that's what I'm saying. But yeah, but Mike Michael Jackson different.

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Speaker 1: He's like he's like the closest thing to superhuman that

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Speaker 1: you can see, like this whole thing. If I win

365
00:16:24,000 --> 00:16:30,320
Speaker 1: five more Granmys, I'll take off my glasses. Thank you.

366
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Speaker 1: I ain't gonna see that.

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Speaker 2: No.

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Speaker 3: Well, you being from the d m b uh Kevin

369
00:16:36,640 --> 00:16:38,800
Speaker 3: Durant had been high praise for you, but there's been

370
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Speaker 3: a lot of so I mean Chappelle from the d

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Speaker 3: m Z Quake, Taraji Martin. Yeah, I think one Decikes

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Speaker 3: is from the d MB too, also looking it's.

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Speaker 1: Funny like us you got she joned like she from

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Speaker 1: Run the Way Stepan did. Yeah, you know what I'm saying, wet,

375
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Speaker 1: we got a couple of people, Caleb Williams. Yeah, yeah,

376
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Speaker 1: pretty small little community but and we jaded.

377
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Speaker 3: But Katie said, you inspired. What's your relationship with Like

378
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Speaker 3: with Katie.

379
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Speaker 1: Man, Like if you grew up around like wherever we're from,

380
00:17:10,640 --> 00:17:17,200
Speaker 1: like Isaiah Swan, Big Moons, Eddie Baz and Delonte Wes,

381
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Speaker 1: like Ty Lost and you know, James White, like Katie Man,

382
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Speaker 1: it's just like we got it's like a it's a community,

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Speaker 1: you know what I'm saying. And I was always around

384
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Speaker 1: that community. But like they kind of kicked me out

385
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Speaker 1: of the community when we started getting taller or not.

386
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Speaker 1: I just stay was like yeah it's enough, a you

387
00:17:34,640 --> 00:17:37,800
Speaker 1: just stay with track just but you not, you know,

388
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Speaker 1: I grew up around all of that, Like you know,

389
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Speaker 1: I remember James White when he was he was one

390
00:17:41,920 --> 00:17:45,040
Speaker 1: of the biggest recruits in the nation. And I remember

391
00:17:45,359 --> 00:17:47,359
Speaker 1: h I might have been Roy Williams at that time.

392
00:17:47,840 --> 00:17:49,919
Speaker 1: I think he had already signed with Cincinnati. But we

393
00:17:50,000 --> 00:17:51,520
Speaker 1: like in the hood. We's at one two four, Like

394
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Speaker 1: we all everybody outside the cad coach we see them

395
00:17:54,280 --> 00:17:57,240
Speaker 1: on ESPN all the time. We come out to see James,

396
00:17:57,280 --> 00:17:58,640
Speaker 1: you know what I'm saying. So like it's just like

397
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Speaker 1: there's so many of these little stories that in all

398
00:18:01,760 --> 00:18:04,119
Speaker 1: these little moments and all in this community that we

399
00:18:04,320 --> 00:18:07,520
Speaker 1: had in the in the Hoopers community, and Katie come

400
00:18:07,600 --> 00:18:10,440
Speaker 1: from that, you know what I'm saying. And uh, we

401
00:18:10,520 --> 00:18:13,480
Speaker 1: both kind of started getting famous at the same time.

402
00:18:14,080 --> 00:18:16,240
Speaker 1: And man, like we've just been cool for for a

403
00:18:16,240 --> 00:18:19,560
Speaker 1: long time. Like his family know my family. You know,

404
00:18:19,600 --> 00:18:21,760
Speaker 1: we got a lot of the same mutual friends, you

405
00:18:21,800 --> 00:18:23,600
Speaker 1: know what I'm saying. Like like I said to James

406
00:18:23,600 --> 00:18:25,920
Speaker 1: White and all of that, like we just all proud

407
00:18:25,960 --> 00:18:27,760
Speaker 1: of him, and they proud of me, you know what

408
00:18:27,800 --> 00:18:30,600
Speaker 1: I'm saying. Like he used to used to record music

409
00:18:30,640 --> 00:18:34,480
Speaker 1: at his old cribin Oklahoma. You know I me at

410
00:18:34,480 --> 00:18:35,960
Speaker 1: shoot man, we had I have one of the most

411
00:18:36,000 --> 00:18:40,440
Speaker 1: legendary parties. Uh when when Okay, all the OKC team

412
00:18:40,520 --> 00:18:43,199
Speaker 1: came over for me and Katie's birthday in DC, like

413
00:18:43,600 --> 00:18:45,840
Speaker 1: we just been locked in. I was at a couple

414
00:18:45,880 --> 00:18:48,520
Speaker 1: of his rookie year games. You know, my man Craig

415
00:18:48,760 --> 00:18:50,560
Speaker 1: used to play with him in Texas. It's just like

416
00:18:50,600 --> 00:18:53,199
Speaker 1: all love over there. His mom always always showed me

417
00:18:53,240 --> 00:18:54,600
Speaker 1: love when she see me, support me.

418
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Speaker 3: When you guys was growing up, did you know? I

419
00:18:58,040 --> 00:19:00,520
Speaker 3: wondered if I had an opportunity out ask him, and

420
00:19:00,560 --> 00:19:02,119
Speaker 3: I bet I have you, so I'm gonna ask you.

421
00:19:02,320 --> 00:19:04,840
Speaker 3: When you guys were growing up, obviously he was probably

422
00:19:04,840 --> 00:19:06,879
Speaker 3: a little taller than not much bigger than what he

423
00:19:06,920 --> 00:19:09,280
Speaker 3: is right now, but a little. But he was always tall.

424
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Speaker 3: Did you know Kevin Durant was gonna be kd.

425
00:19:12,560 --> 00:19:14,760
Speaker 1: Well when I met I mean I knew of everybody

426
00:19:14,800 --> 00:19:18,600
Speaker 1: knew of him. Mancho's Christian, I want to ChIL said,

427
00:19:18,640 --> 00:19:22,679
Speaker 1: and word gonna get me. I'm overthinking, but nah, man,

428
00:19:22,720 --> 00:19:25,840
Speaker 1: don't think the niggas going to class but they just

429
00:19:26,240 --> 00:19:28,399
Speaker 1: but DC got man then we got so many of

430
00:19:28,440 --> 00:19:33,040
Speaker 1: them schools. But yeah, I didn't know. I didn't really

431
00:19:33,119 --> 00:19:36,920
Speaker 1: know him personally till maybe midway through is freshman, yea

432
00:19:37,119 --> 00:19:40,639
Speaker 1: Texas Okay, but we normally about each other for a while.

433
00:19:41,160 --> 00:19:44,639
Speaker 3: So you're like, okay, but it's always it always feels

434
00:19:44,680 --> 00:19:47,919
Speaker 3: good because you got someone from your community and he

435
00:19:48,040 --> 00:19:52,199
Speaker 3: went this been and became successful. You did from that

436
00:19:52,200 --> 00:19:55,280
Speaker 3: same community went successful. So many people from that community.

437
00:19:55,600 --> 00:19:57,359
Speaker 3: I mean, like you said, you didn't really know a

438
00:19:57,359 --> 00:19:58,240
Speaker 3: whole lot about him.

439
00:19:58,240 --> 00:20:01,800
Speaker 1: It's hard to get out that really really, Like I mean,

440
00:20:02,200 --> 00:20:05,000
Speaker 1: hooping sports is different. Music is definitely you know what

441
00:20:05,000 --> 00:20:07,159
Speaker 1: I'm saying, This is like it's go Go music and

442
00:20:07,200 --> 00:20:10,320
Speaker 1: like everything else. But it's not that many musicians from

443
00:20:10,359 --> 00:20:12,560
Speaker 1: the joint. But I think we got to were like

444
00:20:12,640 --> 00:20:15,440
Speaker 1: a staple for hoops now though, But I said, Ktie's

445
00:20:15,520 --> 00:20:16,800
Speaker 1: a big reason for that.

446
00:20:16,760 --> 00:20:20,480
Speaker 3: Right, But yeah, and that's that's interesting that Go Go

447
00:20:20,760 --> 00:20:22,840
Speaker 3: had been when I was in college and we have some.

448
00:20:23,400 --> 00:20:25,639
Speaker 1: I know you, I know it's state right, yeah, and

449
00:20:25,720 --> 00:20:27,520
Speaker 1: I know you had the DC. Then they probably at

450
00:20:27,560 --> 00:20:29,159
Speaker 1: the party playing the job, like what the hell is

451
00:20:29,200 --> 00:20:30,679
Speaker 1: and ship the first.

452
00:20:30,400 --> 00:20:36,600
Speaker 3: Time salt and I'm like, man, what is dead?

453
00:20:36,800 --> 00:20:39,080
Speaker 1: I'm playing doing the but at the party, but it

454
00:20:39,240 --> 00:20:41,560
Speaker 1: was turning up though they were turning I know that

455
00:20:41,600 --> 00:20:43,720
Speaker 1: makes sense, yeah, but I was like what what?

456
00:20:43,800 --> 00:20:46,359
Speaker 3: I didn't know what it was? And then everybody, I

457
00:20:46,359 --> 00:20:49,320
Speaker 3: mean when they started playing it and everybody started like

458
00:20:49,680 --> 00:20:54,040
Speaker 3: vib into it. So obviously house a house and Go

459
00:20:54,040 --> 00:20:58,520
Speaker 3: Go was huge. What made you say, like, but I

460
00:20:58,520 --> 00:20:59,479
Speaker 3: ain't going that way.

461
00:20:59,640 --> 00:21:02,240
Speaker 1: I mean, that's what was so unique about me is

462
00:21:02,280 --> 00:21:04,800
Speaker 1: like I played in go go bands when I was

463
00:21:04,840 --> 00:21:08,240
Speaker 1: growing up. Someone was real small, real nothing. And then

464
00:21:08,359 --> 00:21:10,440
Speaker 1: when I start like I was always getting better at rap.

465
00:21:10,720 --> 00:21:13,359
Speaker 1: And then like before I blew up, I started like

466
00:21:13,440 --> 00:21:15,560
Speaker 1: some of the bigger bands in the city was letting

467
00:21:15,560 --> 00:21:17,359
Speaker 1: me come and rap with them, so I was I

468
00:21:17,440 --> 00:21:20,720
Speaker 1: was I was like getting my fan base up, learning

469
00:21:20,760 --> 00:21:23,679
Speaker 1: my stage presence and all of that. Like why that

470
00:21:23,800 --> 00:21:26,040
Speaker 1: was always the rap was always gonna be my way.

471
00:21:26,160 --> 00:21:28,679
Speaker 1: Like once I started playing football, it was straight music,

472
00:21:29,960 --> 00:21:33,639
Speaker 1: straight music. Like that realization in college when I was

473
00:21:33,760 --> 00:21:39,760
Speaker 1: like okay because I played I played at uh Robert Morris,

474
00:21:39,880 --> 00:21:42,160
Speaker 1: okay for Joe Walton. He used to come to the Jets,

475
00:21:42,200 --> 00:21:48,200
Speaker 1: Goss and soul Man yeah, and I played, uh yeah,

476
00:21:48,320 --> 00:21:52,080
Speaker 1: yeah yeah. I went there. And I went there because

477
00:21:52,400 --> 00:21:53,879
Speaker 1: like like one of my senior year, I was like

478
00:21:53,920 --> 00:21:56,120
Speaker 1: one fifty. You know what I'm saying. I was real small,

479
00:21:56,160 --> 00:22:00,560
Speaker 1: what was it you play running back? But but but

480
00:22:00,720 --> 00:22:02,960
Speaker 1: what happened was they was like, okay, we got a

481
00:22:03,000 --> 00:22:05,200
Speaker 1: couple of schools trying to see but like they all

482
00:22:05,240 --> 00:22:07,720
Speaker 1: want to play receiver. So I moved a receiver my

483
00:22:07,800 --> 00:22:11,119
Speaker 1: senior year, and I mean I was getting busy at receiver,

484
00:22:11,240 --> 00:22:14,600
Speaker 1: like they put some little jet screens and all for

485
00:22:14,760 --> 00:22:16,600
Speaker 1: me and whatever. Because I couldn't really run. I didn't.

486
00:22:16,640 --> 00:22:18,879
Speaker 1: I was in the receiver. But cool I got. I

487
00:22:18,920 --> 00:22:20,840
Speaker 1: got my all my offers and they was all for

488
00:22:21,320 --> 00:22:25,280
Speaker 1: high jump and to play receiver. So I sounded Robert Morris.

489
00:22:25,840 --> 00:22:27,840
Speaker 1: First day of camp, it was like it was all

490
00:22:27,880 --> 00:22:30,480
Speaker 1: the freshmen, you know what I'm saying. Got all the

491
00:22:30,480 --> 00:22:32,639
Speaker 1: New York dudes here, got the DC dudes, they got

492
00:22:32,640 --> 00:22:35,719
Speaker 1: the Florida dudes there, and we some sizing everybody up.

493
00:22:35,880 --> 00:22:38,359
Speaker 1: Like I'm like, I'm kind of small. Cool, I go

494
00:22:38,400 --> 00:22:41,040
Speaker 1: with the receivers. There's some small there's some small motherfuckers

495
00:22:41,080 --> 00:22:44,800
Speaker 1: a receiver brothers. But I seen all these from Florida

496
00:22:44,920 --> 00:22:48,080
Speaker 1: running routes. I immediately was like, yo, I'll go back

497
00:22:48,080 --> 00:22:50,640
Speaker 1: to running back. But I was like, I can't. They

498
00:22:50,760 --> 00:22:52,640
Speaker 1: was doing but I ain't know what the route tree

499
00:22:52,800 --> 00:22:55,520
Speaker 1: was like that and nothing like they was running routes

500
00:22:55,600 --> 00:22:57,080
Speaker 1: for real. So I was like, man, I'll go back

501
00:22:57,080 --> 00:22:58,480
Speaker 1: to running back. So I had to work my way

502
00:22:58,480 --> 00:23:01,040
Speaker 1: back up there, and I couldn't get cleared to play

503
00:23:01,480 --> 00:23:05,200
Speaker 1: so I tried to transfer to Virginia State, got there and uh,

504
00:23:05,359 --> 00:23:07,399
Speaker 1: I mean I got my confidence back. But I just

505
00:23:08,040 --> 00:23:11,560
Speaker 1: me and that coach man, y'all, buddy head man. He

506
00:23:11,720 --> 00:23:14,520
Speaker 1: was like like to go from like coach Walton who

507
00:23:14,640 --> 00:23:17,119
Speaker 1: like coached the Jets, Coach Ennefer. He don't be mad,

508
00:23:17,960 --> 00:23:20,760
Speaker 1: he'd be he don't be mad when you fumble or

509
00:23:20,840 --> 00:23:23,879
Speaker 1: drop the ball. He's on. He's execution based. So like

510
00:23:23,960 --> 00:23:26,400
Speaker 1: you know what I'm saying, Like you run, do you play,

511
00:23:26,440 --> 00:23:29,280
Speaker 1: do it full speed? He ain't tripping if you try, Uh,

512
00:23:29,560 --> 00:23:33,439
Speaker 1: coach facing at Vigunia State, if you like anything, if

513
00:23:33,480 --> 00:23:35,159
Speaker 1: he he might not like the way you toss the

514
00:23:35,160 --> 00:23:37,320
Speaker 1: ball back to the he gonna make it like and

515
00:23:37,359 --> 00:23:39,359
Speaker 1: I just couldn't get it cut. I couldn't get through that.

516
00:23:39,440 --> 00:23:41,400
Speaker 1: And I was killing. I was doing my thing over there.

517
00:23:41,920 --> 00:23:43,879
Speaker 1: But he made it. He made it his duty to

518
00:23:44,240 --> 00:23:46,560
Speaker 1: be like, oh, I'm gonna show this motherfucker and send

519
00:23:46,640 --> 00:23:48,760
Speaker 1: me home during the summer camp. And then I try

520
00:23:48,800 --> 00:23:51,680
Speaker 1: to get into a school in the same division and

521
00:23:52,680 --> 00:23:55,399
Speaker 1: clear me I was. I said, guys, God, you know

522
00:23:55,640 --> 00:23:56,240
Speaker 1: you know better.

523
00:23:56,880 --> 00:23:59,679
Speaker 3: Now y'all know your favorite. But I'm also a last man. Shopper.

524
00:23:59,680 --> 00:24:01,280
Speaker 3: I'm talking no about the guy that's spraying through them

525
00:24:01,280 --> 00:24:03,600
Speaker 3: all on Christmas Eve like it's the fourth quarter. We're

526
00:24:03,640 --> 00:24:06,240
Speaker 3: down by six and we gotta have it. Shelves empty,

527
00:24:06,240 --> 00:24:08,880
Speaker 3: ideas gone, stretched through the roof. But this year I've

528
00:24:08,960 --> 00:24:11,880
Speaker 3: learned my lesson. I found the last minute life saver

529
00:24:12,359 --> 00:24:15,000
Speaker 3: or frames. Every year, that one person that I struggle

530
00:24:15,040 --> 00:24:17,520
Speaker 3: the shop for. For me, it's my brother. He's got

531
00:24:17,560 --> 00:24:19,840
Speaker 3: everything and if it doesn't already own it, he'll just

532
00:24:19,840 --> 00:24:21,280
Speaker 3: go by it before I can get it wrapped and

533
00:24:21,359 --> 00:24:23,960
Speaker 3: ship to it. But this year he's getting or a

534
00:24:24,000 --> 00:24:27,520
Speaker 3: frame because it feels personal, it feels thoughtful, and it

535
00:24:27,560 --> 00:24:29,800
Speaker 3: ain't something he can beat me too. Here's where I

536
00:24:30,359 --> 00:24:32,960
Speaker 3: is clutched. First off, all I gotta do is download

537
00:24:32,960 --> 00:24:35,639
Speaker 3: the ore app, connect the frame to Wi Fi and boom,

538
00:24:35,720 --> 00:24:39,080
Speaker 3: I can upload unlimited photos and videos. And the best part,

539
00:24:39,400 --> 00:24:42,600
Speaker 3: I can preload everything before it even ships. So when

540
00:24:42,640 --> 00:24:45,480
Speaker 3: my brother opens that box, he's already got a whole

541
00:24:45,520 --> 00:24:48,640
Speaker 3: highlight reel of family memories waiting on him. And let

542
00:24:48,640 --> 00:24:50,920
Speaker 3: me tell you, or it doesn't skip. It comes in

543
00:24:51,000 --> 00:24:53,920
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544
00:24:54,080 --> 00:24:58,040
Speaker 3: like it's planned out weeks ago. You can't wrap togetherness,

545
00:24:58,119 --> 00:25:00,440
Speaker 3: but you can frame it for a limited I'm saved

546
00:25:00,480 --> 00:25:02,800
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547
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548
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549
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550
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551
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552
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554
00:25:25,080 --> 00:25:26,960
Speaker 3: So when did you start rapping? When did you like, Okay,

555
00:25:27,000 --> 00:25:28,280
Speaker 3: football ain't gonna be my power.

556
00:25:28,359 --> 00:25:30,560
Speaker 1: I I was jib I would be like entertaining that

557
00:25:30,680 --> 00:25:33,399
Speaker 1: my teammates Okay, you know what I'm saying. But I

558
00:25:33,400 --> 00:25:35,160
Speaker 1: think for real, one of the one of them, one

559
00:25:35,160 --> 00:25:38,600
Speaker 1: of the real moments. I knew that maybe this could

560
00:25:38,600 --> 00:25:41,040
Speaker 1: really go somewhere. The first time I went to my

561
00:25:41,280 --> 00:25:45,600
Speaker 1: uh Carol City, one of my teammates from Robert Moore, Uh,

562
00:25:45,920 --> 00:25:49,199
Speaker 1: I want to to to his people in thet for

563
00:25:49,240 --> 00:25:51,560
Speaker 1: the holidays, and I don't know, he was just beating

564
00:25:51,600 --> 00:25:53,520
Speaker 1: on the on the on the back of the bus

565
00:25:53,560 --> 00:25:56,520
Speaker 1: and I just started freestyling and like all these people

566
00:25:56,520 --> 00:25:59,240
Speaker 1: started gathering around me, and I never experienced nothing like

567
00:25:59,280 --> 00:26:01,439
Speaker 1: that no more. And then I remember, you just be like, bro,

568
00:26:01,520 --> 00:26:03,520
Speaker 1: you should just do this for real, real real, And

569
00:26:04,080 --> 00:26:06,840
Speaker 1: never took it serious until and C double A was

570
00:26:06,880 --> 00:26:09,480
Speaker 1: like no, thank you man. I just went hard with it.

571
00:26:09,880 --> 00:26:12,240
Speaker 3: So that was your like, hey, I mean at that

572
00:26:12,280 --> 00:26:13,760
Speaker 3: point in time, I kind of I guess they kind

573
00:26:13,760 --> 00:26:15,480
Speaker 3: of forced you to take it seriously because.

574
00:26:15,400 --> 00:26:17,000
Speaker 1: And I was doing I mean, it was I was

575
00:26:17,280 --> 00:26:19,399
Speaker 1: like I would I would go to I'll be at school,

576
00:26:20,040 --> 00:26:22,080
Speaker 1: I take the bus to work and I'll be writing

577
00:26:22,160 --> 00:26:24,560
Speaker 1: raps and then I go to the studio and some

578
00:26:24,600 --> 00:26:27,000
Speaker 1: of these freestyles it was playing over the radio. And

579
00:26:27,040 --> 00:26:30,280
Speaker 1: then I had done like twenty freestyles and did the

580
00:26:30,320 --> 00:26:32,199
Speaker 1: mixtape and then people were like, oh, can he make

581
00:26:32,240 --> 00:26:34,480
Speaker 1: a song? And I started making songs on the radio,

582
00:26:34,600 --> 00:26:37,520
Speaker 1: and it just I was I was literally working at

583
00:26:37,520 --> 00:26:40,560
Speaker 1: the local shoe store and Sprint with like two songs

584
00:26:40,560 --> 00:26:44,040
Speaker 1: on radio rotation. So I knew it was time I

585
00:26:44,040 --> 00:26:45,639
Speaker 1: could be like I could probably drop out, you know

586
00:26:45,640 --> 00:26:47,879
Speaker 1: what I'm saying. And I got office to tour with

587
00:26:48,000 --> 00:26:51,080
Speaker 1: Mark Ronson, so you know, and I had meetings with

588
00:26:51,160 --> 00:26:52,800
Speaker 1: jay Z and all these labels. So I had to

589
00:26:52,800 --> 00:26:53,680
Speaker 1: tell my mother, like.

590
00:26:54,560 --> 00:26:56,479
Speaker 3: What you say when you when you said he when

591
00:26:56,520 --> 00:26:57,160
Speaker 3: you told me, Mom.

592
00:26:58,359 --> 00:27:01,399
Speaker 1: Late, it was too late. I had already I probably

593
00:27:01,400 --> 00:27:04,480
Speaker 1: haven't been in class and like a semester and a half.

594
00:27:05,240 --> 00:27:07,480
Speaker 3: But you know, you hadn't been to class.

595
00:27:07,520 --> 00:27:10,360
Speaker 1: Bought my father. I bought my father a truck, and.

596
00:27:10,320 --> 00:27:12,200
Speaker 3: That let that boy, that boy don't need to go

597
00:27:12,240 --> 00:27:12,639
Speaker 3: to class.

598
00:27:12,760 --> 00:27:16,480
Speaker 1: Dream parents. That's how my my my mother's generation. Not

599
00:27:16,520 --> 00:27:18,880
Speaker 1: Derian parents. They're not gonna if the money is right

600
00:27:18,920 --> 00:27:21,920
Speaker 1: and you're not in trouble with the law, you don't

601
00:27:21,920 --> 00:27:23,680
Speaker 1: worry about it. You're good, you know what I'm saying.

602
00:27:23,680 --> 00:27:26,679
Speaker 1: So I bought my father a truck. He ended up

603
00:27:26,720 --> 00:27:28,440
Speaker 1: taking it to Nigeria. A lot of a lot of

604
00:27:28,640 --> 00:27:31,160
Speaker 1: Noterian parents do that. But yeah, that once that came through,

605
00:27:31,200 --> 00:27:33,560
Speaker 1: she knew it was good. And then I was next thing,

606
00:27:33,560 --> 00:27:35,879
Speaker 1: you know, I was on doing like Glaston Bird with

607
00:27:35,920 --> 00:27:40,159
Speaker 1: Mark ronson seventy thousand people, and then had had a

608
00:27:40,160 --> 00:27:41,639
Speaker 1: bit in war. When I came back from running.

609
00:27:41,720 --> 00:27:44,160
Speaker 3: Wow, you spent some time in the at al right,

610
00:27:44,480 --> 00:27:47,679
Speaker 3: you go there? So so was that immediately after you

611
00:27:47,800 --> 00:27:49,679
Speaker 3: like started doing your thing and like, okay, I can

612
00:27:49,720 --> 00:27:52,000
Speaker 3: do this. I'm doing this. I got I got noticed.

613
00:27:52,280 --> 00:27:55,040
Speaker 3: How soon were it that you DC that you trans

614
00:27:55,359 --> 00:27:59,479
Speaker 3: uh to Atlanta? Yeah, I think I had. I had

615
00:27:59,480 --> 00:28:03,040
Speaker 3: got dropped Minuscope. I feel like it's every artist his

616
00:28:03,040 --> 00:28:05,720
Speaker 3: story arc Villain Dark and the Scope dropped me and

617
00:28:05,760 --> 00:28:10,119
Speaker 3: then I blew up. But I got drop from Minuscope,

618
00:28:10,720 --> 00:28:14,200
Speaker 3: and I just would I would be in I would

619
00:28:14,200 --> 00:28:16,120
Speaker 3: be in the South a lot. I'll be in Atlanta

620
00:28:16,119 --> 00:28:19,280
Speaker 3: a lot because they just embraced me, like Yo Gotti

621
00:28:19,920 --> 00:28:22,679
Speaker 3: uh and Gucci Man, like like they really embraced me

622
00:28:22,920 --> 00:28:26,919
Speaker 3: and t I. So I remember because I put Gucci

623
00:28:26,960 --> 00:28:29,960
Speaker 3: Man on my album on Scope on the Go Go song,

624
00:28:30,320 --> 00:28:32,000
Speaker 3: but he had been locked up like for.

625
00:28:31,960 --> 00:28:34,040
Speaker 1: A long time. So you know, I was just running

626
00:28:34,040 --> 00:28:36,000
Speaker 1: around with everybody. My man Twin was like bringing me

627
00:28:36,040 --> 00:28:39,160
Speaker 1: around everybody from like the strippers to the everybody. And

628
00:28:40,120 --> 00:28:42,240
Speaker 1: so I'm like, I'm soaking up all this culture me

629
00:28:42,280 --> 00:28:44,240
Speaker 1: but I just got dropped. But like you know, we

630
00:28:44,360 --> 00:28:46,640
Speaker 1: getting no hands done and all of that. And like

631
00:28:47,480 --> 00:28:50,160
Speaker 1: when Gucci came home, he made sure that I was

632
00:28:50,200 --> 00:28:53,760
Speaker 1: at his welcome home party, and like that was a long.

633
00:28:53,840 --> 00:28:55,280
Speaker 1: I was like the longest day of my life. But

634
00:28:55,280 --> 00:28:57,200
Speaker 1: that was the night I did No Hands. And then

635
00:28:57,360 --> 00:28:59,480
Speaker 1: like so I have this cult following. I just got

636
00:28:59,560 --> 00:29:01,880
Speaker 1: drop out of this coat fathering his backpack hip hop following,

637
00:29:02,120 --> 00:29:06,080
Speaker 1: and then I got this super huge record coming out

638
00:29:06,120 --> 00:29:09,920
Speaker 1: of Atlanta at the same time, so like everything really

639
00:29:10,040 --> 00:29:12,360
Speaker 1: really hit right there, like right then, cause I had

640
00:29:12,360 --> 00:29:16,160
Speaker 1: already I was already done with the whole like Mark

641
00:29:16,240 --> 00:29:18,720
Speaker 1: Ronson thing, the inter school was done with me, did

642
00:29:18,760 --> 00:29:21,280
Speaker 1: that and I just turned up in Atlanta.

643
00:29:21,440 --> 00:29:23,120
Speaker 3: Is that where you met Thug? At you met Thug?

644
00:29:23,160 --> 00:29:26,880
Speaker 1: Then? Yeah, y'all, y'all, I'm at the long time ago.

645
00:29:26,960 --> 00:29:30,000
Speaker 1: I tried to I tried to bring I tried to

646
00:29:30,040 --> 00:29:34,800
Speaker 1: get to uh take Thug and uh God rest his

647
00:29:34,880 --> 00:29:36,640
Speaker 1: soul rich on me. Corn, I try to uh get

648
00:29:36,640 --> 00:29:39,760
Speaker 1: them on rock Nation. I sat a meeting up with

649
00:29:39,840 --> 00:29:43,440
Speaker 1: Jay and uh think Corn and his pops went whatever.

650
00:29:43,520 --> 00:29:47,200
Speaker 1: But y'all known that for a long time, and like,

651
00:29:47,800 --> 00:29:50,000
Speaker 1: here a good nigga. That's my man for real, I've

652
00:29:50,000 --> 00:29:52,400
Speaker 1: seen how far he came, Like right, he not one

653
00:29:52,440 --> 00:29:56,240
Speaker 1: of them people like that. I just like I would

654
00:29:56,280 --> 00:29:58,240
Speaker 1: just remember, like I like he would meet me at

655
00:29:58,280 --> 00:29:59,920
Speaker 1: the radio station out there, and I just was seeing

656
00:30:00,040 --> 00:30:02,680
Speaker 1: how he was moving, and like, I always look at

657
00:30:02,760 --> 00:30:04,440
Speaker 1: him now and I'll be like, bra y'all have no

658
00:30:04,520 --> 00:30:06,760
Speaker 1: idea how far as the kids come. Like, you know

659
00:30:06,800 --> 00:30:11,200
Speaker 1: what I'm saying, He was really outside. He was outside,

660
00:30:11,480 --> 00:30:14,120
Speaker 1: you know what I'm saying. Let's talk about this new

661
00:30:14,120 --> 00:30:15,600
Speaker 1: album with yours.

662
00:30:15,200 --> 00:30:18,120
Speaker 3: You sampled a lot of classics on it, s w

663
00:30:18,320 --> 00:30:20,840
Speaker 3: B's I'm So Into You, Keith Sweat, get up on you,

664
00:30:21,000 --> 00:30:23,040
Speaker 3: Michael Jackson, the way you make me feel so to

665
00:30:23,080 --> 00:30:27,040
Speaker 3: sold back to life, raphe elsadeck. How hard was it

666
00:30:27,040 --> 00:30:28,840
Speaker 3: get to get some of those sample cleared?

667
00:30:29,760 --> 00:30:35,800
Speaker 1: Man? Luckily, my people know that I'm like a space

668
00:30:35,880 --> 00:30:38,160
Speaker 1: man when I'm recording, and they don't even they like

669
00:30:38,600 --> 00:30:41,880
Speaker 1: I could feel the de tension that that was going

670
00:30:41,920 --> 00:30:46,000
Speaker 1: around with the sample clearances, right. I kept myself ignorant

671
00:30:46,360 --> 00:30:49,560
Speaker 1: in order to finish the project. But knowing what I know,

672
00:30:49,720 --> 00:30:51,720
Speaker 1: I don't think it was the easiest thing in the world.

673
00:30:52,040 --> 00:30:53,920
Speaker 1: I know, Keith Sweat was like, hey, hey, hey, you

674
00:30:53,960 --> 00:30:55,880
Speaker 1: know what I'm saying. Like it was. It took a

675
00:30:55,920 --> 00:30:58,520
Speaker 1: little bit with that, But when you love the music, man,

676
00:30:58,520 --> 00:30:59,520
Speaker 1: you gotta do what you gotta do.

677
00:31:00,480 --> 00:31:02,440
Speaker 3: Uh, you know, I talked to people, talk to Ell.

678
00:31:02,680 --> 00:31:05,120
Speaker 3: I've talked to people that had their music sample, and

679
00:31:05,160 --> 00:31:07,320
Speaker 3: Elle says, look, you sampled mine. I got to hear

680
00:31:07,360 --> 00:31:11,160
Speaker 3: it first. Obviously, Michael katt here he's no longer he's deceased, obviously,

681
00:31:11,480 --> 00:31:13,440
Speaker 3: But did they want to hear what you made?

682
00:31:13,480 --> 00:31:16,360
Speaker 1: I ain't. Mike wasn't doing this when Mike was on Shine.

683
00:31:16,360 --> 00:31:19,760
Speaker 1: I believe right, you ain't saying Mike on this melody

684
00:31:19,880 --> 00:31:25,040
Speaker 1: from Michael? What's one? What's got? I still do one

685
00:31:25,040 --> 00:31:26,880
Speaker 1: to clear the samples. It might have been I might

686
00:31:26,920 --> 00:31:29,640
Speaker 1: have been shining. But I do know like I'm a

687
00:31:29,960 --> 00:31:33,080
Speaker 1: I'm a big man. I'm brod say nothing about Mike

688
00:31:33,120 --> 00:31:35,560
Speaker 1: around me. I moon walk on stage every night like

689
00:31:35,840 --> 00:31:38,200
Speaker 1: you could play Moonwalk of that movie? Could I could?

690
00:31:38,320 --> 00:31:40,840
Speaker 1: I could say every I could do the whole thing.

691
00:31:40,880 --> 00:31:44,920
Speaker 1: But yeah, so you know, I mean a man a

692
00:31:44,920 --> 00:31:47,440
Speaker 1: lot to me when I did sample. I want to

693
00:31:47,440 --> 00:31:50,280
Speaker 1: go see Catherine. I want to go see uh wow,

694
00:31:50,360 --> 00:31:51,960
Speaker 1: I want to go see the I wanted to. I

695
00:31:52,000 --> 00:31:54,840
Speaker 1: want I want to to the house. You know, I'm

696
00:31:54,840 --> 00:31:57,000
Speaker 1: looking in the room. I'm looking for Ben where Ben

697
00:31:57,120 --> 00:31:58,840
Speaker 1: used to be hanging out and all that. I'm I'm

698
00:31:59,080 --> 00:32:01,600
Speaker 1: I'm I'm soaking it and I saw rebe you feel

699
00:32:01,680 --> 00:32:04,320
Speaker 1: me like, I'm like, I'm really you know what I'm saying.

700
00:32:04,360 --> 00:32:08,720
Speaker 1: I'm sampling Mike again and again. I might just do

701
00:32:08,760 --> 00:32:10,760
Speaker 1: the old Michael Jackson mixtep if they let me. I

702
00:32:10,800 --> 00:32:12,280
Speaker 1: don't need the money. I just want to do it

703
00:32:12,280 --> 00:32:12,600
Speaker 1: for Mike.

704
00:32:13,880 --> 00:32:16,280
Speaker 3: Do it like when you sample a song? I mean,

705
00:32:16,320 --> 00:32:18,360
Speaker 3: obviously do they want do they want to hear?

706
00:32:21,040 --> 00:32:23,000
Speaker 1: I don't. I don't even know. Did that happen at

707
00:32:23,000 --> 00:32:25,920
Speaker 1: all on this jont Did anybody want to hear? Yes?

708
00:32:28,640 --> 00:32:29,120
Speaker 1: We didn't.

709
00:32:29,720 --> 00:32:30,000
Speaker 2: Wow?

710
00:32:30,240 --> 00:32:36,240
Speaker 1: Oh yeah, okay, good one man. Bro, you I don't

711
00:32:36,240 --> 00:32:37,760
Speaker 1: know if you've ever been in a position where you

712
00:32:37,840 --> 00:32:43,560
Speaker 1: felt like you bother some like like like like make

713
00:32:43,640 --> 00:32:47,840
Speaker 1: finishing the album. Everybody's like, Bro, this is deadlines. You

714
00:32:47,960 --> 00:32:50,880
Speaker 1: calling me at three in the morning, you high in

715
00:32:50,880 --> 00:32:54,320
Speaker 1: the studio, You're trying to make like I just so

716
00:32:54,520 --> 00:32:57,400
Speaker 1: many people I had to call to change this, change that,

717
00:32:57,600 --> 00:32:59,760
Speaker 1: change this. And we got a record called Cities on

718
00:32:59,800 --> 00:33:02,520
Speaker 1: Fire with oldeal shot out my man old deal he

719
00:33:02,760 --> 00:33:06,480
Speaker 1: uh and I cut it in London and I just

720
00:33:06,600 --> 00:33:08,560
Speaker 1: was I was running. I was like I do a

721
00:33:08,560 --> 00:33:11,400
Speaker 1: lot of my playbacks when I'm like running and I

722
00:33:11,520 --> 00:33:14,640
Speaker 1: just was like, yo, I think we gotta change the beat.

723
00:33:14,760 --> 00:33:18,120
Speaker 1: And like everybody on my team was like, because to

724
00:33:18,160 --> 00:33:20,120
Speaker 1: do that, it's a lot, you know what I'm saying,

725
00:33:20,920 --> 00:33:22,760
Speaker 1: because it was a sample and it was like a

726
00:33:22,800 --> 00:33:25,880
Speaker 1: Bollywood sample or something like that, and they like didn't

727
00:33:25,920 --> 00:33:29,320
Speaker 1: with their reply was so crazy. I was like, y'all

728
00:33:29,360 --> 00:33:33,800
Speaker 1: don't y'all don't respect this, this this genre, this what's

729
00:33:33,840 --> 00:33:37,000
Speaker 1: going on? So whatever. So I like, I like working

730
00:33:37,080 --> 00:33:39,960
Speaker 1: night and day like for like a month to change

731
00:33:40,000 --> 00:33:42,240
Speaker 1: the beat. And that it really took a lot because

732
00:33:42,240 --> 00:33:44,160
Speaker 1: you got to call this person, call that person. This

733
00:33:44,240 --> 00:33:46,520
Speaker 1: one's in London, this one was in Paris, this wasn't

734
00:33:46,760 --> 00:33:50,920
Speaker 1: So you know, artists out there, be careful what you sample.

735
00:33:51,520 --> 00:33:54,840
Speaker 3: Please do you let artist sample your music?

736
00:33:55,920 --> 00:33:57,920
Speaker 1: We've got I think I think probably like two or

737
00:33:57,920 --> 00:34:02,200
Speaker 1: three have done it, like above the board mayby. I

738
00:34:02,360 --> 00:34:05,040
Speaker 1: probably want to hear it, though real I ain't trying

739
00:34:05,040 --> 00:34:06,680
Speaker 1: to done a bunch of my stuff, you know.

740
00:34:07,920 --> 00:34:10,160
Speaker 3: That's what Bobby Brown said. Bobby Brown said the exact

741
00:34:10,200 --> 00:34:12,120
Speaker 3: same A lot of people. LL said I got to

742
00:34:12,160 --> 00:34:14,359
Speaker 3: hear it. Bobby says, I need to hear it.

743
00:34:14,960 --> 00:34:18,800
Speaker 1: I wonder if Mike had to hear, hey, love is

744
00:34:19,040 --> 00:34:21,359
Speaker 1: more than a because he's simple. Lady in my life

745
00:34:21,440 --> 00:34:23,879
Speaker 1: asked llll that I want to know Mike, you want

746
00:34:23,920 --> 00:34:29,200
Speaker 1: you want, you want police. I'm saying, I don't want.

747
00:34:30,600 --> 00:34:34,239
Speaker 3: Song breakdown conundrum. You said, my baby mother told her

748
00:34:34,239 --> 00:34:39,160
Speaker 3: new husband she had to move on. Yeah, was it

749
00:34:39,280 --> 00:34:41,440
Speaker 3: was it hard to see your baby mom get married.

750
00:34:42,400 --> 00:34:47,040
Speaker 1: Uh, it's one of the most polarizing like things. It's like,

751
00:34:48,200 --> 00:34:51,680
Speaker 1: I mean, like you could she's she's a she's a

752
00:34:51,880 --> 00:34:54,959
Speaker 1: she's a she's a she's a great like great mother,

753
00:34:55,440 --> 00:34:58,399
Speaker 1: and like she's like a like a like a very

754
00:34:58,480 --> 00:35:03,760
Speaker 1: very strong black woman. And it's like life, life be happening,

755
00:35:03,800 --> 00:35:06,600
Speaker 1: and you just y'all grow apart, you know what I'm saying,

756
00:35:06,680 --> 00:35:09,399
Speaker 1: and just you know, like you don't want to see

757
00:35:09,400 --> 00:35:11,560
Speaker 1: nobody hurt, you know what I'm saying, Like you don't

758
00:35:11,560 --> 00:35:14,600
Speaker 1: want to see nobody like you don't want to see

759
00:35:14,600 --> 00:35:16,560
Speaker 1: nobody like that. And and then you don't want to

760
00:35:16,560 --> 00:35:18,560
Speaker 1: be the reason for it, you know what I'm saying.

761
00:35:18,640 --> 00:35:21,239
Speaker 1: And it's like you're fighting and fighting and fighting it

762
00:35:21,360 --> 00:35:24,440
Speaker 1: like you know, and I know I'm out here chasing

763
00:35:24,440 --> 00:35:27,920
Speaker 1: this dream, this thinkless job, and this dream and it's

764
00:35:28,000 --> 00:35:29,680
Speaker 1: like bro, and it's taking this toll on me and

765
00:35:29,680 --> 00:35:32,560
Speaker 1: taking told and it's like you just gotta let it go,

766
00:35:32,760 --> 00:35:37,520
Speaker 1: like and I couldn't stop. I couldn't to stop. To

767
00:35:37,600 --> 00:35:40,400
Speaker 1: stop it at that point for me would be selfish.

768
00:35:42,520 --> 00:35:44,640
Speaker 1: You know. It's like let like live, like I'm saying,

769
00:35:44,760 --> 00:35:49,080
Speaker 1: let our daughter be around like a conventional kind of

770
00:35:49,120 --> 00:35:54,080
Speaker 1: you know what I'm saying. I just like the pride

771
00:35:54,080 --> 00:35:58,120
Speaker 1: and ego like it kind of it's jarn, but like

772
00:35:58,160 --> 00:36:05,200
Speaker 1: I'm blessed because her husband is like he's like I

773
00:36:05,280 --> 00:36:07,400
Speaker 1: just feel like, man, this is a big step like

774
00:36:07,480 --> 00:36:10,839
Speaker 1: for me as a person. Like the relationship that we've

775
00:36:11,080 --> 00:36:14,600
Speaker 1: we've like obtained, like we talked, me and her, we

776
00:36:14,600 --> 00:36:17,759
Speaker 1: talk like that's great. Like I can't me and her

777
00:36:17,800 --> 00:36:19,600
Speaker 1: can't even really talk, but me and him talk about

778
00:36:19,640 --> 00:36:23,319
Speaker 1: like okay, like how she's doing the school dada like

779
00:36:23,360 --> 00:36:25,920
Speaker 1: when she's coming Like he's just a he get it,

780
00:36:26,000 --> 00:36:28,319
Speaker 1: like he get it. But I call him. I'd be like, man,

781
00:36:28,320 --> 00:36:29,920
Speaker 1: it's good. He'd be like man, like yeah, okay, everythink

782
00:36:29,960 --> 00:36:31,640
Speaker 1: about how you how you doing? Because I know the

783
00:36:31,640 --> 00:36:33,960
Speaker 1: album just came out like da And that's just the

784
00:36:34,000 --> 00:36:37,160
Speaker 1: type of person that I'm grateful that she found somebody

785
00:36:37,200 --> 00:36:39,799
Speaker 1: like that, and I'm grateful that my daughter could could

786
00:36:39,960 --> 00:36:42,520
Speaker 1: have somebody like that around. They don't have to worry

787
00:36:42,560 --> 00:36:45,359
Speaker 1: about what type of environment she's in or whatever. So

788
00:36:45,800 --> 00:36:48,640
Speaker 1: that's a silver lining in it all. Like I know,

789
00:36:48,719 --> 00:36:51,520
Speaker 1: I'm not chasing this stuff, is not like you know

790
00:36:51,560 --> 00:36:54,440
Speaker 1: what it is, You're gonna You're gonna everybody I don't

791
00:36:54,480 --> 00:36:57,840
Speaker 1: understand it. Everybody not gonna understand it. And it's like

792
00:36:58,520 --> 00:37:02,440
Speaker 1: it's hard, like you gotta you gotta some people ain't

793
00:37:02,440 --> 00:37:04,799
Speaker 1: gonna be the same, Like it's circle gonna change and

794
00:37:04,840 --> 00:37:07,040
Speaker 1: people gonna not gonna understand it. But when you're trying

795
00:37:07,080 --> 00:37:09,840
Speaker 1: to make these things happen, and you you are the

796
00:37:10,400 --> 00:37:13,040
Speaker 1: glue to your family, you gotta do what you gotta do.

797
00:37:13,040 --> 00:37:16,520
Speaker 3: Do you think it's because the wounds it's still so fresh.

798
00:37:16,840 --> 00:37:20,040
Speaker 3: Is it's still so hard. I'm sure she felt a

799
00:37:20,040 --> 00:37:23,880
Speaker 3: certain type of wall about you, and now it didn't happen,

800
00:37:24,080 --> 00:37:28,200
Speaker 3: probably the way she envisioned. She probably envisioned a traditional family, her, you,

801
00:37:28,200 --> 00:37:31,799
Speaker 3: your child together happily. Ever after that didn't happen. So

802
00:37:32,080 --> 00:37:34,839
Speaker 3: you think the wounds, because it's still so fresh, that's

803
00:37:34,800 --> 00:37:35,319
Speaker 3: the reason why I.

804
00:37:35,320 --> 00:37:41,360
Speaker 1: Think it's fresh, No, it ain't fresh because the separate

805
00:37:41,480 --> 00:37:43,560
Speaker 1: that like the we've been done for a long time,

806
00:37:43,840 --> 00:37:45,960
Speaker 1: you know what I'm saying, and like I can't, I can't.

807
00:37:46,560 --> 00:37:48,520
Speaker 1: We disagree on a lot of things, but it's like

808
00:37:48,880 --> 00:37:52,680
Speaker 1: we don't disagree on like like I just know that,

809
00:37:52,800 --> 00:37:57,080
Speaker 1: like she deserves something that I can't give, like know

810
00:37:57,080 --> 00:38:00,240
Speaker 1: what I'm saying, Like and she she can't be wasting.

811
00:37:59,880 --> 00:38:03,000
Speaker 3: Her years on like like waiting figure out.

812
00:38:03,360 --> 00:38:05,520
Speaker 1: And it's somebody that's the right there, that's present as

813
00:38:05,600 --> 00:38:08,000
Speaker 1: like a good person. Like it's like that wouldn't even

814
00:38:08,040 --> 00:38:09,600
Speaker 1: be right, you know what I'm saying, And I be

815
00:38:09,719 --> 00:38:12,040
Speaker 1: I still be job trying to figure myself out too,

816
00:38:12,320 --> 00:38:14,080
Speaker 1: you know what I'm saying in that world, Like because

817
00:38:14,080 --> 00:38:16,200
Speaker 1: it was a time that I wasn't trying to date

818
00:38:16,239 --> 00:38:20,239
Speaker 1: nobody publicly because I didn't want I didn't want to

819
00:38:20,320 --> 00:38:21,719
Speaker 1: hurt her, you know what I'm saying, even though I

820
00:38:21,760 --> 00:38:23,800
Speaker 1: knew I wasn't gonna be we weren't gonna be together,

821
00:38:23,920 --> 00:38:26,640
Speaker 1: just I just didn't want to like pour salt on

822
00:38:26,680 --> 00:38:28,960
Speaker 1: the wound whatever, you know what I'm saying. So it's

823
00:38:28,960 --> 00:38:30,680
Speaker 1: like so it's it's like I said, this is a

824
00:38:30,680 --> 00:38:34,120
Speaker 1: bittersweet thing, like like because she deserves that like happy life,

825
00:38:34,200 --> 00:38:38,239
Speaker 1: Like she deserves those things that like every woman wants,

826
00:38:38,280 --> 00:38:39,439
Speaker 1: you know, most women want.

827
00:38:40,000 --> 00:38:45,000
Speaker 3: Did you have to meet your uh, your child's mom,

828
00:38:45,440 --> 00:38:48,040
Speaker 3: I mean her husband, future husband? Did you meet the boy?

829
00:38:48,200 --> 00:38:50,000
Speaker 3: Did you have? Do you have? Did you have to

830
00:38:50,280 --> 00:38:52,520
Speaker 3: whether a prerequisite?

831
00:38:52,719 --> 00:38:56,279
Speaker 1: Man? I went through every single but because it was

832
00:38:56,320 --> 00:38:59,440
Speaker 1: just the way I found out was like just oh,

833
00:38:59,480 --> 00:39:03,400
Speaker 1: she didn't take you nah, but I mean, you know,

834
00:39:03,560 --> 00:39:03,960
Speaker 1: I mean.

835
00:39:03,800 --> 00:39:05,319
Speaker 3: Well maybe she didn't want to hurt you. You say

836
00:39:05,320 --> 00:39:06,160
Speaker 3: you didn't want to hurt us.

837
00:39:06,440 --> 00:39:08,560
Speaker 1: I don't know, I don't know, but it's it's life though.

838
00:39:08,600 --> 00:39:11,560
Speaker 1: But when I like it, just it went through phases

839
00:39:11,640 --> 00:39:13,960
Speaker 1: like I think once I got to because I never

840
00:39:14,000 --> 00:39:16,040
Speaker 1: really got mad because it's not like it's not like

841
00:39:16,080 --> 00:39:18,160
Speaker 1: we emotionally tied in with each other. It's just like

842
00:39:18,920 --> 00:39:22,279
Speaker 1: the transparency kind of thing. But like when I like,

843
00:39:22,440 --> 00:39:24,960
Speaker 1: you know, I went through like a like like how

844
00:39:25,160 --> 00:39:27,360
Speaker 1: like and then like when I messed with him, it

845
00:39:27,440 --> 00:39:31,000
Speaker 1: was like it's to anybody that's working on cold parents

846
00:39:31,000 --> 00:39:33,000
Speaker 1: and know, it's never going to be like easy, bro,

847
00:39:33,080 --> 00:39:35,759
Speaker 1: that's actually gonna feel weird. Like the first full five,

848
00:39:36,520 --> 00:39:39,120
Speaker 1: maybe six seven times may first year. But like there'll

849
00:39:39,160 --> 00:39:41,440
Speaker 1: be a moment that happened when y'all realized y'all not

850
00:39:41,480 --> 00:39:46,319
Speaker 1: in competition, y'all realized, like, bro, like whatever energy y'all

851
00:39:46,400 --> 00:39:49,640
Speaker 1: got with each other is going to somehow morph into

852
00:39:49,680 --> 00:39:51,439
Speaker 1: the child, you know what I'm saying. So now it's

853
00:39:51,440 --> 00:39:54,520
Speaker 1: like blended because they have a they got it. She

854
00:39:54,600 --> 00:39:56,640
Speaker 1: has a new child, you know what I'm saying with

855
00:39:56,719 --> 00:39:59,359
Speaker 1: him and my daughter as a brother, that's not my child.

856
00:39:59,480 --> 00:40:01,719
Speaker 1: Like it's like, it's just these are things that you

857
00:40:01,840 --> 00:40:03,759
Speaker 1: just have to deal with and you have to like

858
00:40:03,840 --> 00:40:05,759
Speaker 1: come to grips with as a man and just like

859
00:40:06,600 --> 00:40:09,759
Speaker 1: you know, process them. It's a process. It ain't It

860
00:40:09,800 --> 00:40:12,600
Speaker 1: ain't easy. But like, shoot, there's nothing. I don't think that.

861
00:40:12,640 --> 00:40:14,960
Speaker 1: I don't think nobody is playing and in any type

862
00:40:14,960 --> 00:40:19,200
Speaker 1: of entertainment business has a conventional situation, right, this doesn't exist.

863
00:40:19,239 --> 00:40:19,719
Speaker 1: I don't think.

864
00:40:20,760 --> 00:40:23,080
Speaker 3: Is she allowed to meet the person that you're dating

865
00:40:23,120 --> 00:40:26,239
Speaker 3: that's gonna be around the child if she want? Did

866
00:40:26,280 --> 00:40:28,200
Speaker 3: she want to? She hasn't asked that.

867
00:40:28,440 --> 00:40:33,080
Speaker 1: Yeah mm hmm. She probably don't care, though I don't know.

868
00:40:36,280 --> 00:40:38,839
Speaker 3: In conundium, you also said was it lost or did

869
00:40:38,880 --> 00:40:42,439
Speaker 3: I love her? Close off? I'm closed off? Which one's worse?

870
00:40:42,840 --> 00:40:43,759
Speaker 3: Which one is worse?

871
00:40:44,440 --> 00:40:45,799
Speaker 1: I don't know. That's why I asked it.

872
00:40:47,239 --> 00:40:49,240
Speaker 3: You asked a question he sposed to have to answer.

873
00:40:49,320 --> 00:40:52,399
Speaker 1: Now it was rhetorical clothes, like you know what I'm saying,

874
00:40:52,440 --> 00:40:57,200
Speaker 1: like like lust is a man like le'st to how

875
00:40:57,239 --> 00:40:59,920
Speaker 1: you like you got to have it? The lust goggles

876
00:41:00,080 --> 00:41:01,000
Speaker 1: make you think it's love.

877
00:41:01,200 --> 00:41:01,600
Speaker 3: Yes, and.

878
00:41:03,320 --> 00:41:05,839
Speaker 1: You know some people were like you might got the

879
00:41:05,840 --> 00:41:11,279
Speaker 1: most crazy chemistry with physically, but like when it's over,

880
00:41:11,440 --> 00:41:14,040
Speaker 1: like you don't understand none of the jokes on the

881
00:41:14,080 --> 00:41:18,759
Speaker 1: Smartin episode, you don't understand. So you don't understand why

882
00:41:18,800 --> 00:41:21,040
Speaker 1: I'm laughing like this when he dragging this little this

883
00:41:21,080 --> 00:41:25,520
Speaker 1: little fake. But we just had the craziest low you know,

884
00:41:25,560 --> 00:41:28,560
Speaker 1: I'm saying, smoked a little something. We feeling in a

885
00:41:28,640 --> 00:41:31,719
Speaker 1: laughing mood and you can't you're not laughing at this

886
00:41:31,840 --> 00:41:33,800
Speaker 1: or we're not. We don't have no other chemistry of

887
00:41:33,880 --> 00:41:35,879
Speaker 1: it anything. We just did, you know what I'm saying.

888
00:41:35,880 --> 00:41:38,279
Speaker 1: So get you closed, you start realizing like okay, maybe

889
00:41:38,320 --> 00:41:41,760
Speaker 1: we don't you know, we're like damn, like I'm I'm

890
00:41:41,840 --> 00:41:44,200
Speaker 1: I'm a little bit cold for real, like cause it's like,

891
00:41:44,239 --> 00:41:47,359
Speaker 1: I don't you're not really min just not really what

892
00:41:47,440 --> 00:41:48,040
Speaker 1: I thought it was.

893
00:41:48,400 --> 00:41:50,359
Speaker 3: Yeah, because we're not going to stand every waking out

894
00:41:50,360 --> 00:41:52,759
Speaker 3: in the bedroom. Yeah, but you do you figure that

895
00:41:52,800 --> 00:41:55,680
Speaker 3: out beforehand. Hopefully honeymoon everybody.

896
00:41:55,719 --> 00:41:58,040
Speaker 1: No, there's always a honeymoon stage though, you know what

897
00:41:58,040 --> 00:41:59,359
Speaker 1: I'm saying, always honeymoon stage.

898
00:41:59,360 --> 00:42:01,120
Speaker 3: But you go out there, eat, you get a nice dinner.

899
00:42:01,160 --> 00:42:03,680
Speaker 3: You know she eating salad. She ain't leaving nothing. You

900
00:42:03,680 --> 00:42:05,919
Speaker 3: know she had all embarrassam But I ain't that home

901
00:42:06,000 --> 00:42:06,760
Speaker 3: gred lead.

902
00:42:06,640 --> 00:42:10,200
Speaker 1: After stuff like I disarmed, disarmed women when they try

903
00:42:10,239 --> 00:42:13,000
Speaker 1: to do that. I ain't hungry thing because we eat sushi.

904
00:42:13,040 --> 00:42:15,200
Speaker 1: I'm using a four. I don't care about all that.

905
00:42:15,320 --> 00:42:19,000
Speaker 1: I'm practical. I'm showing you I'm practical. I'm stabbing the

906
00:42:19,040 --> 00:42:21,640
Speaker 1: sashimi like yo, So what you say, what's going on?

907
00:42:22,080 --> 00:42:24,000
Speaker 1: Because I'm not. So you don't have to do that.

908
00:42:24,080 --> 00:42:25,719
Speaker 1: Eat what you want to eat, right, like you know,

909
00:42:25,800 --> 00:42:27,919
Speaker 1: I mean like that, so you know, I mean, don't

910
00:42:27,920 --> 00:42:29,360
Speaker 1: you have a good sense. Let's just say you go

911
00:42:29,400 --> 00:42:29,880
Speaker 1: to dinner.

912
00:42:30,120 --> 00:42:32,160
Speaker 3: I don't know. People don't probably go to the movies anymore.

913
00:42:32,800 --> 00:42:35,080
Speaker 1: The movie yeah, that's your overstimulating for me. I don't know.

914
00:42:35,440 --> 00:42:37,560
Speaker 3: The movie is too much.

915
00:42:37,560 --> 00:42:39,400
Speaker 1: I'm gonna see Centers at like nine o'clock in the

916
00:42:39,400 --> 00:42:42,640
Speaker 1: morning in the corner. I don't want too many people,

917
00:42:42,760 --> 00:42:45,240
Speaker 1: too much loudness. It's to Michael B. Jordan's on the screen,

918
00:42:45,320 --> 00:42:49,160
Speaker 1: it's too much. I need I need to simplify some things, right.

919
00:42:49,800 --> 00:42:53,920
Speaker 1: So and So you said, like, damn has that happened?

920
00:42:54,040 --> 00:42:56,360
Speaker 3: When you get to a situation like everything is great,

921
00:42:56,400 --> 00:42:59,000
Speaker 3: but you really you come to the realization you have

922
00:42:59,080 --> 00:43:00,440
Speaker 3: this epiphanty, like you know what.

923
00:43:00,360 --> 00:43:04,520
Speaker 1: I just I just there's time. There's been times that

924
00:43:04,760 --> 00:43:07,680
Speaker 1: is like the love is dead. But I got this

925
00:43:07,840 --> 00:43:11,000
Speaker 1: like and I noticed joint. It started with sports. But

926
00:43:11,040 --> 00:43:13,919
Speaker 1: it's like I got this thing where it's like when

927
00:43:13,960 --> 00:43:17,920
Speaker 1: I have something that I want to do and I

928
00:43:17,960 --> 00:43:20,279
Speaker 1: create by myself, most of the times it's like I'm

929
00:43:20,360 --> 00:43:22,839
Speaker 1: not when I'm like in it, or and it's like

930
00:43:22,920 --> 00:43:26,279
Speaker 1: I'm trying to still achieve these dreams and stuff. I

931
00:43:26,400 --> 00:43:30,880
Speaker 1: just lock in and then I'm not as I'm not

932
00:43:30,920 --> 00:43:34,319
Speaker 1: as like eager to have conversation or maybe I just

933
00:43:34,320 --> 00:43:36,520
Speaker 1: want to sit in silence. Some people can't understand that.

934
00:43:36,880 --> 00:43:40,279
Speaker 1: And I've been told I've been cold in relationships, like

935
00:43:40,280 --> 00:43:43,399
Speaker 1: I'm not as affectionate or whatever whatever, And I think

936
00:43:43,400 --> 00:43:45,520
Speaker 1: that just stems from just like being locked in on

937
00:43:45,560 --> 00:43:45,919
Speaker 1: the gold.

938
00:43:46,080 --> 00:43:51,319
Speaker 3: You know what I'm saying, Blanco. Mama say, why are

939
00:43:51,320 --> 00:43:55,000
Speaker 3: you single? I said, Mama, I'm sorry, I'm trying, but

940
00:43:55,080 --> 00:43:56,040
Speaker 3: nobody gonna love.

941
00:43:55,920 --> 00:44:01,200
Speaker 1: Me like you. So on that line, I'm saying, like, uh,

942
00:44:01,360 --> 00:44:03,239
Speaker 1: woke up at four in the morning, went to bed,

943
00:44:03,320 --> 00:44:05,520
Speaker 1: to four in the morning, and the club for an

944
00:44:05,520 --> 00:44:08,080
Speaker 1: hour or something. I was after like forty eight of

945
00:44:08,120 --> 00:44:11,160
Speaker 1: 'em from the Capitol, back to muhaun landover and back

946
00:44:11,200 --> 00:44:15,480
Speaker 1: to Rodale, making sure that my circle is small. Don't

947
00:44:15,520 --> 00:44:17,600
Speaker 1: make sure that my circle is tight. So nobody, I know,

948
00:44:17,640 --> 00:44:20,560
Speaker 1: got an angle, got me drinking whatever this is white

949
00:44:20,600 --> 00:44:23,239
Speaker 1: or brown, cause I gotta be gold in my beautiful house.

950
00:44:23,320 --> 00:44:26,880
Speaker 1: No friends now mine? Where is my casamigo? And my

951
00:44:26,880 --> 00:44:29,960
Speaker 1: mama don't ever say hi? She said, why is she single?

952
00:44:30,160 --> 00:44:32,719
Speaker 1: I said, Mommy, I'm sorry, I'm trying for nobody gonna

953
00:44:32,719 --> 00:44:35,239
Speaker 1: love me like she do. And that's the Blanco And

954
00:44:35,280 --> 00:44:37,799
Speaker 1: nobody gonna love me like she do. And that's the riverside, though,

955
00:44:38,000 --> 00:44:40,120
Speaker 1: and nobody be loving like we do. You know what

956
00:44:40,120 --> 00:44:44,400
Speaker 1: I'm saying, And I'm just basically talking about like I'm

957
00:44:44,440 --> 00:44:46,239
Speaker 1: I do this thing where I have to be out

958
00:44:46,239 --> 00:44:47,919
Speaker 1: and I have to be in these places, and I'm

959
00:44:48,000 --> 00:44:51,120
Speaker 1: I'm overly informed and I know what's going on. I

960
00:44:51,400 --> 00:44:54,319
Speaker 1: don't keep a lot of friends around. I gotta be

961
00:44:54,480 --> 00:44:56,640
Speaker 1: like this. I'm not mom. I'm not thinking about no

962
00:44:57,160 --> 00:45:00,040
Speaker 1: wife right now. I'm trying to survive this in the

963
00:45:00,080 --> 00:45:03,000
Speaker 1: street and and and beat the game. You know, I

964
00:45:03,040 --> 00:45:05,520
Speaker 1: can see the next level without with my morals, So

965
00:45:05,960 --> 00:45:08,600
Speaker 1: I can't be looking for love actively like you would

966
00:45:08,640 --> 00:45:11,959
Speaker 1: like me to the blanc going to saddle. They got

967
00:45:11,960 --> 00:45:15,000
Speaker 1: me in a dark place, but it's where I need

968
00:45:15,000 --> 00:45:16,600
Speaker 1: to beat him to get the one going.

969
00:45:16,800 --> 00:45:19,080
Speaker 3: Do you believe you'll final a partner that will love

970
00:45:19,120 --> 00:45:19,719
Speaker 3: you like your mom?

971
00:45:19,760 --> 00:45:25,399
Speaker 1: Do? My mother? Mother? Differently? But uh man Nigeria Mother's man,

972
00:45:25,560 --> 00:45:29,640
Speaker 1: God bless him. Uh yeah, well you never know, you hope.

973
00:45:29,640 --> 00:45:31,840
Speaker 1: So you know what I'm saying. I got a unique

974
00:45:32,400 --> 00:45:35,480
Speaker 1: way about me, so you never know. They said somebody

975
00:45:35,520 --> 00:45:36,120
Speaker 1: for everybody.

976
00:45:36,160 --> 00:45:39,520
Speaker 3: So you're not actively looking though.

977
00:45:40,120 --> 00:45:43,279
Speaker 1: I got this, this, this, this, I'm not looking right now.

978
00:45:44,280 --> 00:45:47,520
Speaker 3: You about to say you got I got a couple more.

979
00:45:47,400 --> 00:45:50,200
Speaker 1: Minutes, then talk to m under the NFL's all the time,

980
00:45:50,280 --> 00:45:53,520
Speaker 1: d Travis Kelsey just pasted you, man, Oh no, he's

981
00:45:53,520 --> 00:45:57,080
Speaker 1: been past me. Nah somebody then? Who else has passed you?

982
00:45:57,960 --> 00:45:59,800
Speaker 1: M M you got one more season?

983
00:45:59,880 --> 00:46:01,799
Speaker 3: Just no, no, no, no, no, I ain't got no more.

984
00:46:03,160 --> 00:46:04,479
Speaker 3: Maybe maybe zach Ertz.

985
00:46:05,239 --> 00:46:06,920
Speaker 1: It couldn't have been. I don't want to say it

986
00:46:06,960 --> 00:46:07,120
Speaker 1: like that.

987
00:46:07,200 --> 00:46:08,839
Speaker 3: He just got no, no, no no. But I think

988
00:46:08,880 --> 00:46:10,320
Speaker 3: he got I think he I think he passed me.

989
00:46:10,400 --> 00:46:11,840
Speaker 3: As far as like catches or something.

990
00:46:13,480 --> 00:46:16,279
Speaker 1: Man, the NFL US tight ends a whole lot more

991
00:46:16,320 --> 00:46:16,800
Speaker 1: of them.

992
00:46:16,719 --> 00:46:19,640
Speaker 3: But they actually absolutely do. The thing is is that

993
00:46:19,640 --> 00:46:22,040
Speaker 3: there are more of them that can do what I did.

994
00:46:22,120 --> 00:46:23,759
Speaker 3: When I came along, there weren't a whole lot. They

995
00:46:23,760 --> 00:46:26,080
Speaker 3: were probably like three or four. Now they got users

996
00:46:26,120 --> 00:46:28,840
Speaker 3: receiver first and any Yeah, so now they just have

997
00:46:29,000 --> 00:46:33,120
Speaker 3: they have, you know, ten fifteen guys that could do

998
00:46:33,160 --> 00:46:33,560
Speaker 3: what I did.

999
00:46:33,840 --> 00:46:37,080
Speaker 1: You like that, not the obvious ones like I like

1000
00:46:37,400 --> 00:46:39,200
Speaker 1: McBride from the Cardinals.

1001
00:46:39,320 --> 00:46:42,799
Speaker 3: I love him. I love Warren, I like Fanning. Oh,

1002
00:46:42,840 --> 00:46:45,720
Speaker 3: I love the fandom. Yeah he's brought. I like Warren

1003
00:46:45,880 --> 00:46:52,719
Speaker 3: from the Colts. Yeah. I love Loveland Car Yeah, yeah. Yeah,

1004
00:46:52,880 --> 00:46:56,200
Speaker 3: obviously killed and killed is probably the most complete being

1005
00:46:56,239 --> 00:46:57,640
Speaker 3: able to brod.

1006
00:46:57,440 --> 00:47:00,640
Speaker 1: I know that you're type you know that. Yeah, and

1007
00:47:00,880 --> 00:47:03,399
Speaker 1: they got that one young from Oregon who like that

1008
00:47:04,080 --> 00:47:06,920
Speaker 1: is a tight end who'll probably go first round from Oregon.

1009
00:47:07,040 --> 00:47:09,279
Speaker 3: He good, you been you been to that?

1010
00:47:09,560 --> 00:47:12,000
Speaker 1: I really you know, I really want I know it's

1011
00:47:12,040 --> 00:47:13,719
Speaker 1: unworth the doctor, but I really wanted to help with

1012
00:47:13,760 --> 00:47:16,839
Speaker 1: the scouting. I really do, like I really know how

1013
00:47:16,840 --> 00:47:21,000
Speaker 1: to like like like because I work with University of

1014
00:47:21,000 --> 00:47:22,960
Speaker 1: Maryland with coach locks yall, coach lot in all the

1015
00:47:23,000 --> 00:47:24,840
Speaker 1: terms you already know what this but like I be

1016
00:47:24,920 --> 00:47:27,640
Speaker 1: around a lot like and I'm like, I'm not what

1017
00:47:27,680 --> 00:47:30,880
Speaker 1: I've learned is like these kids mental, I be knowing like,

1018
00:47:31,000 --> 00:47:33,160
Speaker 1: oh I know what I know how that's going and

1019
00:47:33,360 --> 00:47:35,200
Speaker 1: if you don't change X y Z correct you know

1020
00:47:35,239 --> 00:47:37,240
Speaker 1: what I'm saying. So that's one of the things I've

1021
00:47:37,280 --> 00:47:40,600
Speaker 1: told the ownership that with Commanders, I would love to

1022
00:47:40,640 --> 00:47:43,080
Speaker 1: like go to the Senior Bowl and like see tell

1023
00:47:43,120 --> 00:47:44,839
Speaker 1: you what I see Because I've been around the game

1024
00:47:44,880 --> 00:47:48,520
Speaker 1: a whole I know what's going on. Are you are

1025
00:47:48,560 --> 00:47:51,120
Speaker 1: you you're gonna do you ever feel like getting back

1026
00:47:51,120 --> 00:47:53,520
Speaker 1: in the game in any capacity. I don't not even

1027
00:47:53,560 --> 00:47:59,480
Speaker 1: ownership nothing own what I'm gator minority minority ownership.

1028
00:48:00,440 --> 00:48:01,879
Speaker 3: Would you see them teams going far?

1029
00:48:02,080 --> 00:48:04,480
Speaker 1: Hey listen, We're gonna get these in some more store.

1030
00:48:04,920 --> 00:48:06,920
Speaker 1: I'm gonna kill the men, make sure we give them

1031
00:48:07,000 --> 00:48:09,440
Speaker 1: some more more stuff, and we're gonna come circle us

1032
00:48:09,480 --> 00:48:12,120
Speaker 1: back later. We're gonna civil magic and see, Hey, what's

1033
00:48:12,120 --> 00:48:14,400
Speaker 1: the method? Oh yeah, yeah, yeah, yea, yeah yeah yeah,

1034
00:48:14,440 --> 00:48:16,960
Speaker 1: Like you know, I mean that's I want to. I

1035
00:48:16,960 --> 00:48:19,560
Speaker 1: would love to do like minority and just again, like

1036
00:48:19,600 --> 00:48:22,959
Speaker 1: that's something that like I just enjoy like watching because

1037
00:48:23,080 --> 00:48:25,239
Speaker 1: because once when I stopped playing, I was like kind

1038
00:48:25,239 --> 00:48:27,560
Speaker 1: of I hate I Like it was kind of resentful

1039
00:48:28,000 --> 00:48:30,680
Speaker 1: game for like five six years. But now I'm like, Okay,

1040
00:48:30,880 --> 00:48:32,240
Speaker 1: I get it, and like I want.

1041
00:48:32,040 --> 00:48:34,080
Speaker 3: To you feel you can give something back to Yeah.

1042
00:48:34,160 --> 00:48:37,080
Speaker 1: Yeah, like seven on seven's in there talk to Tory

1043
00:48:37,080 --> 00:48:40,080
Speaker 1: Smith about doing some stuff run away hopefully with snoop

1044
00:48:40,120 --> 00:48:41,600
Speaker 1: I could do stuff, but yeah, I want to. I

1045
00:48:41,640 --> 00:48:44,000
Speaker 1: want to do that, like like like help with the

1046
00:48:44,080 --> 00:48:45,840
Speaker 1: with the command, this organization.

1047
00:48:46,680 --> 00:48:50,360
Speaker 3: The breakdown, where to start. I'm throwing this hard. I

1048
00:48:50,440 --> 00:48:53,160
Speaker 3: never thought I use it. Gad about the Lord of

1049
00:48:53,239 --> 00:48:55,759
Speaker 3: My Guard so kill me now unless you won't.

1050
00:48:56,280 --> 00:48:58,960
Speaker 1: Unless you So it's like it's like a little you know,

1051
00:48:59,000 --> 00:49:01,320
Speaker 1: I'm I loved the Lord my God, will kill me

1052
00:49:01,360 --> 00:49:02,920
Speaker 1: unless you want to kiss, you know what I'm saying.

1053
00:49:03,239 --> 00:49:06,080
Speaker 1: So that's just me like jumping back out there, throwing

1054
00:49:06,080 --> 00:49:08,840
Speaker 1: myself back out there as somebody that like that that

1055
00:49:09,160 --> 00:49:12,359
Speaker 1: caught my attention and like kind of slowed things down,

1056
00:49:12,880 --> 00:49:15,080
Speaker 1: you know what I'm saying, Like like all right, I'm

1057
00:49:15,080 --> 00:49:18,160
Speaker 1: gonna try this again. I know the ramifications if it

1058
00:49:18,200 --> 00:49:19,960
Speaker 1: don't work. You know what I'm saying. I know where

1059
00:49:19,960 --> 00:49:23,719
Speaker 1: the ramifications if I jump out there and like you

1060
00:49:23,800 --> 00:49:25,719
Speaker 1: make me look stupid or you know what I'm saying,

1061
00:49:25,760 --> 00:49:26,320
Speaker 1: Like what else.

1062
00:49:26,280 --> 00:49:29,280
Speaker 3: Is that's why you feel it's so hard to love again?

1063
00:49:29,800 --> 00:49:34,400
Speaker 1: Yeah? And also I'm very there's a lot of arrested development.

1064
00:49:34,480 --> 00:49:37,040
Speaker 1: For sure. I'm self aware enough to know that like

1065
00:49:37,560 --> 00:49:39,920
Speaker 1: you can't put you can't take a kid and the

1066
00:49:40,040 --> 00:49:42,279
Speaker 1: sophomore in college and then throw them into the music

1067
00:49:42,320 --> 00:49:46,399
Speaker 1: industry for fifteen twenty years and thinks he ain't gonna

1068
00:49:46,440 --> 00:49:51,600
Speaker 1: have some like cause he knows he's I've seen things.

1069
00:49:51,640 --> 00:49:53,759
Speaker 1: And also I'm very, very immature, and so much because

1070
00:49:53,760 --> 00:49:56,080
Speaker 1: I've never experienced certain things, you know what I'm saying.

1071
00:49:56,160 --> 00:50:00,399
Speaker 1: So and you know, and again like towing the world

1072
00:50:00,440 --> 00:50:02,520
Speaker 1: and seeing married women how they some of them have

1073
00:50:02,640 --> 00:50:05,279
Speaker 1: behaved and make you just think like okay, you know,

1074
00:50:05,719 --> 00:50:08,239
Speaker 1: and don't nobody want to be on the receiving end.

1075
00:50:08,239 --> 00:50:10,640
Speaker 1: They're like, yeah, betrayal. You know what I'm saying, because

1076
00:50:10,800 --> 00:50:12,839
Speaker 1: it hit different. It's like one while you do that

1077
00:50:12,880 --> 00:50:14,640
Speaker 1: and too like why you do that? You know what

1078
00:50:14,680 --> 00:50:16,600
Speaker 1: I'm saying, Like it just it just hits you. You

1079
00:50:16,640 --> 00:50:18,719
Speaker 1: know what I'm saying. So nobody want I don't want

1080
00:50:18,719 --> 00:50:21,080
Speaker 1: to be all because it affect your career, your job,

1081
00:50:21,160 --> 00:50:23,480
Speaker 1: your energy. You know what I'm saying, don't say.

1082
00:50:26,120 --> 00:50:28,680
Speaker 3: And watch it us I like to chase too much.

1083
00:50:29,200 --> 00:50:33,680
Speaker 1: Yeah that's Lee man, that's Leon. It's his words on that.

1084
00:50:33,800 --> 00:50:37,719
Speaker 1: But yeah, I mean but everybody, I mean, well, I

1085
00:50:37,760 --> 00:50:39,640
Speaker 1: won't say that because I don't think. I think that

1086
00:50:39,760 --> 00:50:43,200
Speaker 1: chasing game is kind of like it's it's it's it's

1087
00:50:43,239 --> 00:50:44,840
Speaker 1: like it's not that I don't think it should be

1088
00:50:44,840 --> 00:50:46,799
Speaker 1: a thing no more. Man, Like we just we had

1089
00:50:46,840 --> 00:50:49,200
Speaker 1: COVID man, we was in the house. Man, we was that,

1090
00:50:49,280 --> 00:50:50,920
Speaker 1: we was the whole everything. We know what we know

1091
00:50:50,960 --> 00:50:53,840
Speaker 1: what this looked like when everything shut down, like like something,

1092
00:50:54,000 --> 00:50:56,239
Speaker 1: time is an essence. You know what I'm saying. If you,

1093
00:50:56,280 --> 00:50:58,000
Speaker 1: if you, if you like me, I like you, like,

1094
00:50:58,080 --> 00:50:59,960
Speaker 1: let's make tomorrow today, you know what I'm saying.

1095
00:51:00,680 --> 00:51:03,919
Speaker 3: How about this? Do you believe women still pursue men

1096
00:51:04,120 --> 00:51:04,879
Speaker 3: like they once did?

1097
00:51:06,200 --> 00:51:08,600
Speaker 1: I don't know. That's another place. That's another place I'm

1098
00:51:08,640 --> 00:51:10,839
Speaker 1: kind of jaded with that. I don't like, I don't know,

1099
00:51:11,560 --> 00:51:13,959
Speaker 1: you know what I'm saying. I don't know, because it used.

1100
00:51:13,880 --> 00:51:15,719
Speaker 3: To be women women would ask a guy.

1101
00:51:16,719 --> 00:51:20,879
Speaker 1: I think I'm warped because we on social media era,

1102
00:51:21,000 --> 00:51:24,600
Speaker 1: like social media. I don't know, because like I remember

1103
00:51:24,600 --> 00:51:26,160
Speaker 1: a long time ago, I was talking to this one

1104
00:51:26,200 --> 00:51:30,759
Speaker 1: girl and I don't know, man, I didn't think nothing

1105
00:51:30,800 --> 00:51:32,839
Speaker 1: was gonna happen from it. But it was whatever, we're

1106
00:51:32,840 --> 00:51:35,520
Speaker 1: on the phone, whatever, like third conversation she thought she

1107
00:51:35,560 --> 00:51:38,319
Speaker 1: brought up a bag and I'm like, oh, you got

1108
00:51:38,400 --> 00:51:40,040
Speaker 1: me confused with one of these. I don't got no

1109
00:51:40,160 --> 00:51:43,879
Speaker 1: charisma or no nothing, no conversation, and they just they

1110
00:51:43,920 --> 00:51:45,960
Speaker 1: pay you in bags for your time, Like I know,

1111
00:51:46,160 --> 00:51:48,359
Speaker 1: you know what I'm saying, Like none of that on

1112
00:51:48,400 --> 00:51:51,000
Speaker 1: this side. And that's what I think that people think

1113
00:51:51,000 --> 00:51:53,560
Speaker 1: it is now like these women are not no meally

1114
00:51:53,640 --> 00:51:56,000
Speaker 1: not because it's it's that sounds very red pillie. Now

1115
00:51:56,000 --> 00:52:00,200
Speaker 1: we ain't doing that, but we're saying like like there's

1116
00:52:00,560 --> 00:52:04,400
Speaker 1: this seems to be like a certain standard people that

1117
00:52:04,560 --> 00:52:07,840
Speaker 1: like people like like base their whole personality off of me.

1118
00:52:07,960 --> 00:52:09,959
Speaker 1: If I like somebody I'm paying for, like I'm paying

1119
00:52:09,960 --> 00:52:12,880
Speaker 1: for dinner and paying for like but you're talking about

1120
00:52:12,920 --> 00:52:17,560
Speaker 1: bags and all, like girl, what you mean like grocery bag?

1121
00:52:17,680 --> 00:52:19,879
Speaker 1: Like bro? Because I just feel like I got way

1122
00:52:19,920 --> 00:52:21,919
Speaker 1: more to offer than just buying shiit with somebody else.

1123
00:52:22,200 --> 00:52:24,080
Speaker 1: And I feel like if you see me as somebody

1124
00:52:24,080 --> 00:52:25,920
Speaker 1: that if I come across as a guy that's just

1125
00:52:25,960 --> 00:52:28,080
Speaker 1: gonna be be buying you stuff because I got money,

1126
00:52:28,360 --> 00:52:32,480
Speaker 1: then waste we just wasting time man. And it's like

1127
00:52:32,880 --> 00:52:35,040
Speaker 1: some some women think that that's that's the way a

1128
00:52:35,080 --> 00:52:38,080
Speaker 1: man can show you you and I just always think

1129
00:52:38,080 --> 00:52:39,560
Speaker 1: that the way a man can show you he likes

1130
00:52:39,600 --> 00:52:42,439
Speaker 1: you was like by liking you, you know what I'm saying,

1131
00:52:42,480 --> 00:52:45,120
Speaker 1: by like calling you when you don't expect or like

1132
00:52:45,440 --> 00:52:48,640
Speaker 1: treating you nice or really being locked in on your

1133
00:52:48,719 --> 00:52:51,920
Speaker 1: interest there or like giving you good advice or like

1134
00:52:52,280 --> 00:52:56,400
Speaker 1: or finding you inspiration you feel me like all that

1135
00:52:56,440 --> 00:52:58,719
Speaker 1: other stuff is. And that's what the dating pool is

1136
00:52:58,760 --> 00:53:01,239
Speaker 1: these days a lot a lot of time. I'm not generalized.

1137
00:53:01,920 --> 00:53:04,560
Speaker 3: I saw a survey that said forty five percent of

1138
00:53:04,560 --> 00:53:07,799
Speaker 3: the men eighteen to twenty five has never asked a

1139
00:53:07,800 --> 00:53:08,640
Speaker 3: woman out on a date.

1140
00:53:09,200 --> 00:53:12,640
Speaker 1: Damn, eighteen to twenty five and twenty five percent forty

1141
00:53:12,640 --> 00:53:15,680
Speaker 1: five forty five. And that's gotta be like in person,

1142
00:53:16,000 --> 00:53:18,200
Speaker 1: because you got. But I always was thinking about this,

1143
00:53:18,280 --> 00:53:22,080
Speaker 1: like since COVID, Like, bro imagine if we was like

1144
00:53:23,760 --> 00:53:28,600
Speaker 1: in that age group around twenty twenty like formative years,

1145
00:53:28,680 --> 00:53:31,280
Speaker 1: like yeah, like we like you got you got twenty

1146
00:53:31,280 --> 00:53:33,840
Speaker 1: twenty that was that was doomed. Twenty twenty one was

1147
00:53:33,880 --> 00:53:35,560
Speaker 1: kind of twenty twenty two is kind of coming back,

1148
00:53:35,640 --> 00:53:37,480
Speaker 1: try to break out the end. Yeah, so your your

1149
00:53:37,560 --> 00:53:41,280
Speaker 1: social skills are out of whack. You're crazy, like you

1150
00:53:41,280 --> 00:53:43,560
Speaker 1: you know what I'm saying. You you like you live,

1151
00:53:43,680 --> 00:53:44,600
Speaker 1: you known you kind of.

1152
00:53:44,560 --> 00:53:47,480
Speaker 3: Just camped up with whoever's available. You really couldn't get it,

1153
00:53:47,719 --> 00:53:48,040
Speaker 3: get out.

1154
00:53:48,080 --> 00:53:51,280
Speaker 1: There's gonna be some things that's gonna be like like

1155
00:53:51,280 --> 00:53:53,200
Speaker 1: like the next couple of years. And so it makes

1156
00:53:53,200 --> 00:53:55,239
Speaker 1: sense why they don't really know how to you know

1157
00:53:55,239 --> 00:53:58,400
Speaker 1: what I'm saying. And then also in the media, the

1158
00:53:58,520 --> 00:54:00,719
Speaker 1: music ain't like love of boy music for us.

1159
00:54:00,800 --> 00:54:04,000
Speaker 3: No, they ain't no candle lights, they ain't no bubble bath.

1160
00:54:04,120 --> 00:54:07,000
Speaker 1: And I'd be like, I remember being in elementary school

1161
00:54:07,000 --> 00:54:09,040
Speaker 1: when you had that crush that you that don't even

1162
00:54:09,040 --> 00:54:11,319
Speaker 1: know and you think of a certain song when you

1163
00:54:11,320 --> 00:54:13,200
Speaker 1: see here running on the playground, I don't know what

1164
00:54:13,239 --> 00:54:14,279
Speaker 1: they what they're listening to.

1165
00:54:14,400 --> 00:54:16,320
Speaker 3: There ain't no more Teddy Pete.

1166
00:54:16,120 --> 00:54:22,320
Speaker 1: Yeah, yeah, nah, ain't no, ain't no love.

1167
00:54:21,640 --> 00:54:22,279
Speaker 3: Like like you.

1168
00:54:23,239 --> 00:54:26,160
Speaker 1: I mean, I'm at the dance just like like imagine

1169
00:54:26,160 --> 00:54:27,839
Speaker 1: that I'm dancing with my crush and I don't think

1170
00:54:27,840 --> 00:54:31,160
Speaker 1: that's happening no more. And that's let's let's blame COVID

1171
00:54:31,160 --> 00:54:31,680
Speaker 1: and Trump for that.

1172
00:54:33,320 --> 00:54:35,520
Speaker 3: So so what is it about? What? What do you

1173
00:54:35,560 --> 00:54:40,440
Speaker 3: find think so hard? Because WILLI Smith Will and Jada's

1174
00:54:40,480 --> 00:54:43,959
Speaker 3: daughter she went viral sid where why don't men ask

1175
00:54:44,040 --> 00:54:44,759
Speaker 3: women out on date?

1176
00:54:44,800 --> 00:54:44,960
Speaker 1: Why?

1177
00:54:45,000 --> 00:54:47,520
Speaker 3: Where the old school where men used to walk up?

1178
00:54:47,560 --> 00:54:49,560
Speaker 1: I think I don't think. I think I don't. She's

1179
00:54:49,560 --> 00:54:52,800
Speaker 1: probably just saying that, but I'm sure, like I'm sure

1180
00:54:53,320 --> 00:54:56,360
Speaker 1: this this man that probably trying to holler at her that,

1181
00:54:56,400 --> 00:54:58,000
Speaker 1: but they probably might not be her type. She's a

1182
00:54:58,000 --> 00:55:01,120
Speaker 1: pretty young girl, like she got she got probably her page.

1183
00:55:01,160 --> 00:55:02,000
Speaker 3: You got a lot of options.

1184
00:55:02,080 --> 00:55:05,719
Speaker 1: Yeah, she probably just being hyperbolic, but like you know,

1185
00:55:05,880 --> 00:55:07,719
Speaker 1: maybe they they don't know, you know what I'm saying,

1186
00:55:07,800 --> 00:55:09,799
Speaker 1: Like a lot of men are like yo, the fear

1187
00:55:09,840 --> 00:55:12,799
Speaker 1: of rejection is is a thing too. At my big age.

1188
00:55:12,800 --> 00:55:15,239
Speaker 1: I've been, I've been, I've been, I've been in the

1189
00:55:15,960 --> 00:55:18,560
Speaker 1: shot approaching girl before like still like you know what

1190
00:55:18,560 --> 00:55:21,160
Speaker 1: I'm saying, that's happened, that's real. Yeah, I feel like

1191
00:55:21,200 --> 00:55:23,920
Speaker 1: the fear of rejection that can might turn you into like,

1192
00:55:24,160 --> 00:55:25,680
Speaker 1: never mind, I don't like her anyway, you know what

1193
00:55:25,719 --> 00:55:31,040
Speaker 1: I'm saying. Yeah, but we'll line because because because they

1194
00:55:31,040 --> 00:55:33,160
Speaker 1: probably jumped in your d MS that day and you

1195
00:55:33,239 --> 00:55:35,479
Speaker 1: probably you know what I'm saying, maybe not what you want,

1196
00:55:35,520 --> 00:55:39,200
Speaker 1: but I don't know. You gotta probably leave calabasis or something.

1197
00:55:38,920 --> 00:55:42,560
Speaker 3: Like tattooing a woman on you. You said, I got

1198
00:55:42,560 --> 00:55:45,600
Speaker 3: you tatty. You got a woman's tatted on you.

1199
00:55:47,920 --> 00:55:52,200
Speaker 1: I got angels and stuff. Nah, No, I got Martin

1200
00:55:52,280 --> 00:55:54,400
Speaker 1: Luther King in my room. I want to get a

1201
00:55:54,440 --> 00:55:58,120
Speaker 1: Whitney Houston joint. I'm talking about about no not specific.

1202
00:55:57,680 --> 00:55:59,359
Speaker 3: Now would you do it?

1203
00:55:59,719 --> 00:56:01,279
Speaker 1: Yeah?

1204
00:56:01,360 --> 00:56:01,520
Speaker 3: You what?

1205
00:56:01,840 --> 00:56:03,120
Speaker 1: I live in the moment man.

1206
00:56:03,480 --> 00:56:09,240
Speaker 3: Como, do you know that's forever? But I got like video,

1207
00:56:09,320 --> 00:56:10,920
Speaker 3: I don't think you got no room go So ye

1208
00:56:10,960 --> 00:56:11,560
Speaker 3: ain't gonna happen.

1209
00:56:11,640 --> 00:56:14,520
Speaker 1: I'm gonna do it. We're gonna stream it.

1210
00:56:16,800 --> 00:56:21,200
Speaker 3: So watching you said let's go to Paris? You random

1211
00:56:21,280 --> 00:56:22,840
Speaker 3: like that? I mean you you you fly by the

1212
00:56:22,840 --> 00:56:23,879
Speaker 3: feet of your pants.

1213
00:56:23,600 --> 00:56:26,520
Speaker 1: Like that, because because that's like I'm trying to tell

1214
00:56:26,560 --> 00:56:30,759
Speaker 1: the girl, like you know, like watching us is like

1215
00:56:31,440 --> 00:56:34,799
Speaker 1: you know how it is man like we got we

1216
00:56:35,200 --> 00:56:39,560
Speaker 1: that Watching us is like me and a hypothetical woman

1217
00:56:39,960 --> 00:56:44,839
Speaker 1: that's in our crazy business and we talk and I'm

1218
00:56:44,880 --> 00:56:46,759
Speaker 1: trying to I'm trying to navigate how we do this,

1219
00:56:46,880 --> 00:56:49,360
Speaker 1: you know what I'm saying. So you know, I'm famous,

1220
00:56:49,480 --> 00:56:51,759
Speaker 1: You're famous. They see it. So now what right now?

1221
00:56:51,760 --> 00:56:53,319
Speaker 1: We got to decide how we feel inside in the

1222
00:56:53,360 --> 00:56:56,759
Speaker 1: outcome the hard launch dopamine brush. You know how that go? Now,

1223
00:56:56,800 --> 00:56:58,719
Speaker 1: women come to you as a woman until you're not sure,

1224
00:56:59,280 --> 00:57:01,560
Speaker 1: like I'm paying the picture is like how I feel

1225
00:57:01,719 --> 00:57:04,400
Speaker 1: like you want to go out with your your your person,

1226
00:57:05,120 --> 00:57:07,400
Speaker 1: but you know that it's it's better to protect it,

1227
00:57:07,560 --> 00:57:09,440
Speaker 1: you know what I'm saying. So let's go to Paris,

1228
00:57:09,520 --> 00:57:12,319
Speaker 1: because ain't nobody over there, ain't nobody watching. I mean

1229
00:57:12,320 --> 00:57:14,000
Speaker 1: I ain't. I know, I ain't nobody, but I ain't

1230
00:57:14,000 --> 00:57:15,400
Speaker 1: know when Miyama, So.

1231
00:57:15,560 --> 00:57:16,080
Speaker 3: You know what I'm saying.

1232
00:57:16,160 --> 00:57:18,560
Speaker 1: Yeah, So it's like Paris. When I go to Paris,

1233
00:57:18,560 --> 00:57:20,280
Speaker 1: I can hold your hand in the street, I can

1234
00:57:20,320 --> 00:57:22,080
Speaker 1: you know, I can kiss you in public and nobody

1235
00:57:22,160 --> 00:57:23,800
Speaker 1: gonna be So that's I was just trying.

1236
00:57:23,680 --> 00:57:25,840
Speaker 3: To pain you Ever done that first time? Meet some

1237
00:57:25,920 --> 00:57:31,920
Speaker 3: bad Yeah, I like you in deal? Yeah the country

1238
00:57:32,120 --> 00:57:32,720
Speaker 3: not the country.

1239
00:57:32,760 --> 00:57:34,360
Speaker 1: Oh, I gonna say, but we're gonna do we might

1240
00:57:34,400 --> 00:57:36,360
Speaker 1: gotta do it on this this uh for just watching

1241
00:57:36,440 --> 00:57:38,720
Speaker 1: us here. I ain't done it like that before though

1242
00:57:38,760 --> 00:57:45,120
Speaker 1: now I'm a little bit more responsible than that.

1243
00:57:45,120 --> 00:57:49,160
Speaker 3: That's amused by new music truthfully about you. You write

1244
00:57:49,160 --> 00:57:50,160
Speaker 3: songs about.

1245
00:57:50,680 --> 00:57:55,680
Speaker 1: Sometimes the hybrids of people. Sometimes it's one person. Sometimes

1246
00:57:55,720 --> 00:57:57,960
Speaker 1: it might be a fictional person like from a movie.

1247
00:58:00,840 --> 00:58:04,120
Speaker 1: But when I'm when it's there's they're like like you

1248
00:58:04,120 --> 00:58:06,520
Speaker 1: could you could feel it? Like you know what I'm saying.

1249
00:58:06,560 --> 00:58:09,800
Speaker 1: But most of the time it's about something or somebody.

1250
00:58:10,040 --> 00:58:12,600
Speaker 1: But sometimes it's a little hybrid, yeah, because I don't

1251
00:58:12,600 --> 00:58:15,360
Speaker 1: want to like, I don't want no smoke with nobody.

1252
00:58:15,000 --> 00:58:19,200
Speaker 3: Like you say, sometimes it's their Lotus flyer bomb. The

1253
00:58:19,280 --> 00:58:22,560
Speaker 3: rumors are it's about you.

1254
00:58:22,560 --> 00:58:27,120
Speaker 1: Know, nah, that's no. We was real good friends and

1255
00:58:28,160 --> 00:58:31,000
Speaker 1: how good we was. Like she she's got a great hear.

1256
00:58:31,040 --> 00:58:34,280
Speaker 1: She was one of the first like uh like like

1257
00:58:34,480 --> 00:58:38,440
Speaker 1: super like celebrity people that like really like like with

1258
00:58:38,600 --> 00:58:41,920
Speaker 1: my music. And I remember we performed together at uh

1259
00:58:42,440 --> 00:58:45,560
Speaker 1: the VMA's. You know, my band was the house band

1260
00:58:45,560 --> 00:58:49,120
Speaker 1: for that joint. We performed together and we just got cool.

1261
00:58:49,480 --> 00:58:51,160
Speaker 1: She put me on like cause I was I was

1262
00:58:51,200 --> 00:58:54,120
Speaker 1: still very very very like underground, right, and she put

1263
00:58:54,160 --> 00:58:56,160
Speaker 1: me onto a lot of stuff like back then like

1264
00:58:56,280 --> 00:58:58,120
Speaker 1: we was just cool. Like like she put me on

1265
00:58:58,160 --> 00:59:01,080
Speaker 1: there like Givanci and she put me on the Victim

1266
00:59:01,080 --> 00:59:03,840
Speaker 1: and Roth's flower bomb. You know what I'm saying. And

1267
00:59:03,960 --> 00:59:06,480
Speaker 1: that's that's how that that's why the opening lines go.

1268
00:59:06,560 --> 00:59:11,720
Speaker 1: But it ain't about nobody like it ain't she That's

1269
00:59:11,800 --> 00:59:15,720
Speaker 1: just that's my people. She's if anybody knows Solo, they

1270
00:59:15,760 --> 00:59:20,160
Speaker 1: know that she's always she's ahead. She's a she thinks ahead.

1271
00:59:20,280 --> 00:59:23,040
Speaker 1: Like she's she saw what she saw what a lot

1272
00:59:23,080 --> 00:59:24,840
Speaker 1: of people she saw what a lot of people seeing

1273
00:59:24,840 --> 00:59:25,600
Speaker 1: me now back then?

1274
00:59:25,720 --> 00:59:30,000
Speaker 3: Right, dating celebrity of non celebrity.

1275
00:59:30,080 --> 00:59:36,640
Speaker 1: That's a good question. It just it varies because sometimes

1276
00:59:36,680 --> 00:59:41,360
Speaker 1: you like it's like dang, like the non celebrity woman

1277
00:59:41,600 --> 00:59:47,000
Speaker 1: is like she might be having she might have more

1278
00:59:47,040 --> 00:59:49,320
Speaker 1: time on you know, on her hands, you know what

1279
00:59:49,320 --> 00:59:53,640
Speaker 1: I'm saying, Like she might. But also there's a there's

1280
00:59:53,680 --> 00:59:57,200
Speaker 1: a weirdness that come with this lifestyle. If you if

1281
00:59:57,200 --> 01:00:00,080
Speaker 1: you not, if you just come around me and you

1282
01:00:00,080 --> 01:00:02,160
Speaker 1: already got feelings for each other, but now you see

1283
01:00:02,160 --> 01:00:04,360
Speaker 1: how this ship is and how it's moving around, it

1284
01:00:04,440 --> 01:00:07,360
Speaker 1: might be too much for them, you know what I'm saying. Yeah,

1285
01:00:07,560 --> 01:00:10,520
Speaker 1: and that you know, that's that's the whole thing. Or

1286
01:00:10,560 --> 01:00:13,160
Speaker 1: then you got the celebrity like they got money, they

1287
01:00:13,200 --> 01:00:17,280
Speaker 1: got this, they got that. But it's just like it's

1288
01:00:16,600 --> 01:00:20,520
Speaker 1: it's it's too much eyes, it's too much. It feels

1289
01:00:20,560 --> 01:00:22,560
Speaker 1: like a brand. It feels like a brand more than

1290
01:00:22,560 --> 01:00:27,280
Speaker 1: a like than the union relationship. So but it's fun

1291
01:00:27,360 --> 01:00:29,280
Speaker 1: when it's like I both got motion and that's that

1292
01:00:29,320 --> 01:00:33,920
Speaker 1: and the third But again, like I say, it's tricky

1293
01:00:34,000 --> 01:00:38,280
Speaker 1: because the overlays in the industry, Like you know, now

1294
01:00:38,720 --> 01:00:40,680
Speaker 1: I'm probably gonna know who you've talked to. You gonna

1295
01:00:40,680 --> 01:00:43,920
Speaker 1: know if I've talked to the rooms might get weird or.

1296
01:00:44,120 --> 01:00:45,439
Speaker 3: You know, would that bother you?

1297
01:00:45,920 --> 01:00:48,160
Speaker 1: Not me? For real, I don't care because it's like.

1298
01:00:48,120 --> 01:00:49,760
Speaker 3: Because a lot of guys, a lot of guys, a

1299
01:00:49,760 --> 01:00:50,960
Speaker 3: lot of guys would care.

1300
01:00:50,880 --> 01:00:53,400
Speaker 1: That's too much because I'm like, if I can't police that, bro,

1301
01:00:53,520 --> 01:00:55,440
Speaker 1: like I got too many other things to do, Like

1302
01:00:56,000 --> 01:00:58,480
Speaker 1: I can't police because what what I mean, as long

1303
01:00:58,520 --> 01:01:00,120
Speaker 1: as they're not lying, I don't lie to men like

1304
01:01:00,120 --> 01:01:01,240
Speaker 1: but like you know what I'm saying, I don't care,

1305
01:01:01,400 --> 01:01:03,120
Speaker 1: Like it's not the big deal. You know what I'm

1306
01:01:03,160 --> 01:01:04,360
Speaker 1: saying to me?

1307
01:01:05,480 --> 01:01:08,160
Speaker 3: City on Fire? How you got me out of the game?

1308
01:01:08,760 --> 01:01:11,400
Speaker 3: Now you're trying to play? Yeah, man, now you don't

1309
01:01:11,400 --> 01:01:14,480
Speaker 3: got me. See I done cleaned up my ass. I

1310
01:01:14,520 --> 01:01:15,520
Speaker 3: don't do that no more.

1311
01:01:15,560 --> 01:01:15,959
Speaker 1: I'm trying.

1312
01:01:15,960 --> 01:01:19,760
Speaker 3: I ain't sliding, I ain't out you know, I ain't

1313
01:01:19,760 --> 01:01:20,360
Speaker 3: doing none of that.

1314
01:01:20,440 --> 01:01:23,120
Speaker 1: Now you're my god, and now you're gonna kill me,

1315
01:01:23,400 --> 01:01:27,120
Speaker 1: you know what I'm saying, Like you outside, but you know,

1316
01:01:27,160 --> 01:01:30,240
Speaker 1: the City on Fives is a like you know, think

1317
01:01:30,360 --> 01:01:31,880
Speaker 1: think about the album as a lot of people just

1318
01:01:32,440 --> 01:01:35,400
Speaker 1: can't see the surface level what the song is. Like

1319
01:01:36,120 --> 01:01:39,160
Speaker 1: if you break down City on five really like the

1320
01:01:39,240 --> 01:01:42,600
Speaker 1: story of a of a of an ego being broken down,

1321
01:01:42,880 --> 01:01:46,080
Speaker 1: my ego, like I'm supposed to be like, Okay, somebody

1322
01:01:46,080 --> 01:01:48,680
Speaker 1: told me that we broke up. Cool, now you want

1323
01:01:48,680 --> 01:01:50,520
Speaker 1: to fly getting paid in the zoo. But it's cool.

1324
01:01:50,520 --> 01:01:53,480
Speaker 1: Get your bell round, you know, Like I'm condescending, like

1325
01:01:53,640 --> 01:01:56,160
Speaker 1: we broke up. She's out with her friends, you know,

1326
01:01:56,240 --> 01:01:58,040
Speaker 1: and I'm looking at her snapchat or whatever, and I

1327
01:01:58,120 --> 01:02:00,720
Speaker 1: see the bottles coming and like a lot of men

1328
01:02:00,920 --> 01:02:04,600
Speaker 1: go through that, you know what I'm saying, And like, dog,

1329
01:02:04,760 --> 01:02:06,720
Speaker 1: how we get is? How we get here? How do

1330
01:02:06,800 --> 01:02:07,920
Speaker 1: we get here? Now? You got me at the game.

1331
01:02:07,960 --> 01:02:10,160
Speaker 1: Now you're trying to play straight shots to the face,

1332
01:02:10,560 --> 01:02:12,280
Speaker 1: but you're trying to chase, you know what I'm saying,

1333
01:02:12,360 --> 01:02:14,920
Speaker 1: Like that's I've been there like that. I ain't mad,

1334
01:02:14,920 --> 01:02:17,240
Speaker 1: I ain't trippning. I ain't tripping your girl in this joint.

1335
01:02:17,480 --> 01:02:19,680
Speaker 1: She got gotta fool. She's going crazy like she got

1336
01:02:19,720 --> 01:02:21,200
Speaker 1: busting that what's her name at her table?

1337
01:02:21,480 --> 01:02:26,240
Speaker 3: Your all, don't you hollo look here if you see

1338
01:02:26,240 --> 01:02:30,320
Speaker 3: my former people out. Don't tell me, don't you? Are

1339
01:02:30,360 --> 01:02:32,560
Speaker 3: you on her? Like if you you're seeing some some

1340
01:02:32,760 --> 01:02:36,120
Speaker 3: young lady and y'all not seeing any anymore, you go

1341
01:02:36,160 --> 01:02:37,120
Speaker 3: on her story, you go on.

1342
01:02:38,040 --> 01:02:41,560
Speaker 1: I don't even that's too treacherous, Like yeah, trouble. But

1343
01:02:41,560 --> 01:02:43,480
Speaker 1: but but in this in the city on fire, somebody's

1344
01:02:43,520 --> 01:02:45,760
Speaker 1: telling me. You know, they're telling me that somebody like

1345
01:02:45,760 --> 01:02:48,000
Speaker 1: they think they're doing me as solid and maybe they are,

1346
01:02:48,080 --> 01:02:49,880
Speaker 1: like you know what I'm saying because everybody been there,

1347
01:02:49,920 --> 01:02:52,720
Speaker 1: like like you know, but I'm but I'm but I'm

1348
01:02:52,720 --> 01:02:55,360
Speaker 1: at home playing Madden, like like don't I don't care.

1349
01:02:55,400 --> 01:02:56,960
Speaker 1: I don't care, ok care? And they sending me pictures

1350
01:02:57,200 --> 01:02:59,200
Speaker 1: and like, you know, the l's why I say on

1351
01:02:59,240 --> 01:03:01,480
Speaker 1: the last line of this, you're standing there on the

1352
01:03:01,520 --> 01:03:04,480
Speaker 1: couch and hills, I'm watching Martin. So every time my heir,

1353
01:03:04,520 --> 01:03:06,520
Speaker 1: what's up? I got how because when they're telling me

1354
01:03:06,520 --> 01:03:08,680
Speaker 1: what something, and then I'm sitting here, what's up on

1355
01:03:08,720 --> 01:03:11,280
Speaker 1: the TV? I'm like, Okay, all right, cool, you go

1356
01:03:11,320 --> 01:03:13,440
Speaker 1: have it, go have it out. You know what I'm saying, Oh,

1357
01:03:13,640 --> 01:03:15,680
Speaker 1: it's more spot, it's more over there or the Rookie

1358
01:03:15,760 --> 01:03:18,280
Speaker 1: of the Year is at our table. They all over there.

1359
01:03:18,440 --> 01:03:20,720
Speaker 1: They kept the club open for him, like you know

1360
01:03:20,760 --> 01:03:23,120
Speaker 1: what I'm saying, But when it's over, it's over.

1361
01:03:25,600 --> 01:03:27,320
Speaker 3: But I don't think your homies will do that if

1362
01:03:27,320 --> 01:03:29,480
Speaker 3: they know you're not together. Maybe you hadn't told them

1363
01:03:29,520 --> 01:03:32,000
Speaker 3: yet type shit, Yeah, maybe you haven't told them yet.

1364
01:03:32,000 --> 01:03:34,000
Speaker 3: Like man, men and old girl ain't seeing each other anymore,

1365
01:03:34,080 --> 01:03:35,800
Speaker 3: so they figure they give you the play by player

1366
01:03:35,880 --> 01:03:39,120
Speaker 3: running down, but it's really like, bro, I ain't really

1367
01:03:39,160 --> 01:03:39,440
Speaker 3: need that.

1368
01:03:40,080 --> 01:03:43,520
Speaker 1: Hey Shanna, guy, get behind that camera and start directing.

1369
01:03:43,840 --> 01:03:46,280
Speaker 1: We were talking now, we were talking about the We were

1370
01:03:46,280 --> 01:03:49,040
Speaker 1: talking about that earlier today, like how like how how

1371
01:03:49,440 --> 01:03:51,360
Speaker 1: some of these songs come to life? Yes, and the

1372
01:03:51,400 --> 01:03:54,000
Speaker 1: way you the way we just did that exchange is like, uh,

1373
01:03:54,440 --> 01:03:58,960
Speaker 1: that's how healthy scripts come together. Because I talked about

1374
01:03:58,960 --> 01:04:01,560
Speaker 1: how there's four years I ain't right, Like I think

1375
01:04:01,600 --> 01:04:03,720
Speaker 1: I honestly think four years ago City on Fire would

1376
01:04:03,760 --> 01:04:06,640
Speaker 1: have been everybody would have understood exactly what I'm saying.

1377
01:04:06,680 --> 01:04:07,360
Speaker 1: Where is it going?

1378
01:04:07,600 --> 01:04:07,720
Speaker 3: Right?

1379
01:04:07,920 --> 01:04:10,240
Speaker 1: But I don't think. I think it's it's more ambiguous

1380
01:04:10,240 --> 01:04:11,720
Speaker 1: now on the fans here, they be like it just

1381
01:04:11,760 --> 01:04:14,720
Speaker 1: sounds good, ohdal sounds good. While they sounds good. He oh, well,

1382
01:04:15,040 --> 01:04:17,840
Speaker 1: oh that's cool. They not They not really realizing the song.

1383
01:04:17,920 --> 01:04:20,680
Speaker 1: It's like, Yo, somebody told me that we broke up.

1384
01:04:21,240 --> 01:04:23,480
Speaker 1: Now you're on a flyer getting paid in the Zooh

1385
01:04:23,920 --> 01:04:25,760
Speaker 1: it's cool, get your bell run I do this ship.

1386
01:04:25,800 --> 01:04:27,320
Speaker 1: But gradually you do this for the love of the

1387
01:04:27,360 --> 01:04:29,640
Speaker 1: game or to see that you ain't follow off like

1388
01:04:29,680 --> 01:04:32,120
Speaker 1: I'm really like battling, like yo, what are you doing?

1389
01:04:32,160 --> 01:04:34,040
Speaker 1: How is this happening? Never mind? You know what I'm saying,

1390
01:04:34,080 --> 01:04:36,439
Speaker 1: And that's Those are real human emotions. And I don't

1391
01:04:36,480 --> 01:04:40,080
Speaker 1: think people really even when I talk to fans about it, Hey,

1392
01:04:40,080 --> 01:04:42,160
Speaker 1: they love it, but I don't really think they all

1393
01:04:42,200 --> 01:04:45,400
Speaker 1: the way know, like what how deep? Like when we

1394
01:04:45,400 --> 01:04:47,240
Speaker 1: were just talking about how deep it goes? Like for

1395
01:04:47,360 --> 01:04:50,040
Speaker 1: sure when you're going through that, like oh, she out.

1396
01:04:50,240 --> 01:04:52,240
Speaker 1: I'm not even the jealous type, but I know her

1397
01:04:52,280 --> 01:04:53,160
Speaker 1: friends don't like me.

1398
01:04:53,480 --> 01:04:54,000
Speaker 3: She out?

1399
01:04:54,360 --> 01:04:58,560
Speaker 1: Why is it? Why is it? You know? Why is

1400
01:04:58,600 --> 01:05:00,880
Speaker 1: it your Why is this your homegirl? If they every day,

1401
01:05:01,920 --> 01:05:04,720
Speaker 1: oh I'm going out, this is it's it's Stacey birthday.

1402
01:05:06,240 --> 01:05:10,480
Speaker 1: Stay stay with these Stacey Birthday pictures from three months ago.

1403
01:05:10,560 --> 01:05:14,640
Speaker 1: Like you So it's just like the little small nuances

1404
01:05:14,640 --> 01:05:16,520
Speaker 1: to happen in relationship. I just want to, like, I

1405
01:05:16,560 --> 01:05:19,120
Speaker 1: wanted to highlight them in from an honest perspective, like

1406
01:05:19,480 --> 01:05:21,080
Speaker 1: whether I'm the good guy or the bad guy. On

1407
01:05:21,120 --> 01:05:23,560
Speaker 1: the song shitting on five, I'm definitely a little bit

1408
01:05:24,240 --> 01:05:25,520
Speaker 1: leaning too the bad guy.

1409
01:05:25,880 --> 01:05:28,760
Speaker 3: This concludes the first half of my conversation. Part two

1410
01:05:28,880 --> 01:05:31,080
Speaker 3: is also posted and you can access it to whichever

1411
01:05:31,440 --> 01:05:34,600
Speaker 3: podcast platform you just listen to part one on. Just

1412
01:05:34,640 --> 01:05:37,880
Speaker 3: simply go back to club profile and I'll see you there.