WEBVTT - Sue Unhinged PT 2 (“The Hurt Locker Part Two” S6 EP 5) 0:00:01.720 --> 0:00:04.440 And that's what you really missed with Jenna. 0:00:04.440 --> 0:00:07.080 And Kevin an iHeartRadio podcast. 0:00:09.480 --> 0:00:12.239 Welcome to and that's what you were the miss podcast. 0:00:13.160 --> 0:00:18.000 Kevin just yawned, because, yeah, I'm just calling you out. 0:00:18.120 --> 0:00:19.520 I'm calling you out because. 0:00:19.280 --> 0:00:20.560 I thought you were gonna let it fly. 0:00:21.000 --> 0:00:22.239 You clearly don't know me. 0:00:22.280 --> 0:00:25.639 Then I saw it in your eyes. I saw No. 0:00:26.440 --> 0:00:29.080 Am I boring you? 0:00:29.080 --> 0:00:29.159 No? 0:00:29.320 --> 0:00:32.519 It's ten pm. There, we're making this work because Kevin's 0:00:32.600 --> 0:00:38.919 doing a MUSICALE. And here we are about to recap 0:00:39.400 --> 0:00:43.879 on the one of the most infamous part twos or 0:00:43.920 --> 0:00:46.839 episodes of Glee. This is season six, episode five. This 0:00:46.880 --> 0:00:48.000 is the hurt Locker Part two. 0:00:48.560 --> 0:00:50.959 Can I do a shameless personal plug right now? 0:00:51.080 --> 0:00:51.720 Let's do it. 0:00:53.280 --> 0:00:57.920 So my show out in the UK. I'm in the UK. 0:01:00.160 --> 0:01:02.000 I'm doing a show called The Frogs and it starts 0:01:02.000 --> 0:01:04.640 in two days. So come see us. 0:01:04.840 --> 0:01:09.399 Well, everybody, go see Kevin's MUSICALE and then report back 0:01:09.440 --> 0:01:11.399 to me because I won't be able to see it. 0:01:11.800 --> 0:01:15.080 Yes, come see it. It's crazy. We're in previews at 0:01:15.080 --> 0:01:15.480 the moment. 0:01:15.680 --> 0:01:18.160 We have to do a recap of that as well. 0:01:18.200 --> 0:01:21.000 Once you're done, okay, great, we can talk after like 0:01:21.080 --> 0:01:23.200 opening night when it's officially open. We can do a 0:01:23.200 --> 0:01:24.440 little seconding. 0:01:24.160 --> 0:01:27.560 Your second show, like this is so exciting. 0:01:27.240 --> 0:01:28.960 Or I guess towards the end, I don't know, Okay, 0:01:29.440 --> 0:01:29.880 this area. 0:01:29.920 --> 0:01:33.960 On January thirtieth, twenty fifteen, Uptown Funk is the number 0:01:33.959 --> 0:01:35.840 one song and will be forever. 0:01:37.080 --> 0:01:42.240 An American Sniper is still the number one movie. 0:01:42.560 --> 0:01:43.560 Still remember thought. 0:01:43.480 --> 0:01:46.560 That title feels so violent to me? I guess it 0:01:46.640 --> 0:01:51.920 is Glee News this week. On January twenty seventh, Glee 0:01:51.960 --> 0:01:54.720 the music the heart Locker Part two EP was really 0:01:54.720 --> 0:01:59.800 it released. It featured five tracks from this episode and 0:02:00.120 --> 0:02:03.840 released for a digital download only. Do you see the 0:02:03.880 --> 0:02:07.680 director of this episode, Babs Barbara Brown. 0:02:08.080 --> 0:02:10.800 This is something we have to talk about because I 0:02:10.880 --> 0:02:16.280 wasn't here for babs directorial debut. So Babs Barbara Brown 0:02:16.880 --> 0:02:21.880 was our script supervisor. And a script supervisor is somebody 0:02:21.880 --> 0:02:26.400 who sits on set every day and has the job, 0:02:26.639 --> 0:02:31.600 the loving job of making sure that everything is as 0:02:31.760 --> 0:02:38.239 close to continuous as possible. So the best way to 0:02:38.320 --> 0:02:42.440 explain is like, if you're like for me, a lot 0:02:42.440 --> 0:02:44.720 of the time, my hair would be one place or 0:02:44.760 --> 0:02:46.920 the other. On one side it would be forward or 0:02:46.919 --> 0:02:49.160 on one side it would be back and like and 0:02:49.200 --> 0:02:53.080 then in order for the cuts to make sense from 0:02:53.400 --> 0:02:56.480 take to take and seem to seen like, we'd have 0:02:56.520 --> 0:02:59.320 to she'd have to like literally make sure that every 0:02:59.360 --> 0:03:02.880 person in the choir room looked the same. She also 0:03:02.919 --> 0:03:05.160 did to make she was responsible for like making sure 0:03:05.200 --> 0:03:08.600 the days were correct and like overseeing like you know, 0:03:08.800 --> 0:03:13.520 say the episode was over four days, that everybody was 0:03:13.560 --> 0:03:17.720 on in the clothing for day two and so you 0:03:17.760 --> 0:03:19.799 know that's also wardrobe's job as well, to make sure 0:03:19.800 --> 0:03:21.520 that everything is in line. But like, she was the 0:03:21.560 --> 0:03:24.440 overseer of all of it on set and our lines 0:03:24.480 --> 0:03:27.639 as well, and she would watch every single take all 0:03:27.639 --> 0:03:30.600 the time. We would be like saying this, not that, 0:03:30.720 --> 0:03:37.560 and she'd be like, it's actually this, so anyway, so sorry. 0:03:37.600 --> 0:03:41.000 I hope that makes sense. But Babs was a fan 0:03:41.080 --> 0:03:44.360 favorite for all of us on set, and to have 0:03:44.480 --> 0:03:49.440 her direct, I'm sure was very exciting. She's the most kind, 0:03:49.640 --> 0:03:53.760 so wonderful human and I just I have a wonderful 0:03:53.880 --> 0:03:54.680 about this episode. 0:03:54.800 --> 0:03:59.840 Our second script supervisor on the show very little turnover, 0:04:00.400 --> 0:04:02.480 and the only reason we had a second one is 0:04:02.480 --> 0:04:05.720 because our first one, Carol Banker Banker, became a director 0:04:05.760 --> 0:04:10.000 as well, get it and so here's Babs, let's go. 0:04:11.800 --> 0:04:15.440 Okay, this was written by you and Brennan again, and 0:04:15.560 --> 0:04:19.280 so some of the songs were My Sharona performed by 0:04:19.320 --> 0:04:22.560 Dalton Academy, and then also You Spin Me Round, which 0:04:22.600 --> 0:04:25.080 is in the same set by Dalton as well. 0:04:25.520 --> 0:04:30.719 And then you have the Wonderfully. I mean, it's a 0:04:30.760 --> 0:04:34.479 good set by the New Directions. It must have been love, 0:04:35.240 --> 0:04:37.400 father figure and all out of love. 0:04:39.920 --> 0:04:42.719 The context in which they chose these songs is actually 0:04:42.839 --> 0:04:49.480 very very humorous. And let's talk about some of these 0:04:49.480 --> 0:04:51.080 fun facts and we'll get into the episode. 0:04:51.120 --> 0:04:51.480 Okay. 0:04:51.600 --> 0:04:54.480 So this is the seventh episode where all the members 0:04:54.520 --> 0:04:57.039 of New Directions present in the episode have a solo 0:04:57.760 --> 0:04:59.960 The first of the pilot seconds is Britney two point zero, 0:05:00.360 --> 0:05:03.360 then Tina and this guy with Diamonds, A Katie Gaga 0:05:03.400 --> 0:05:06.760 and end of TOWERK and then the sixth is Homecoming. 0:05:07.120 --> 0:05:09.560 This is the sixth episode where every member of the 0:05:09.560 --> 0:05:13.400 New Direction sings a solo line, the others being Pilot, 0:05:13.600 --> 0:05:15.800 Brittany two point zero, A Katie or Gaga at the 0:05:15.880 --> 0:05:16.840 end of Tork and Homecoming. 0:05:17.720 --> 0:05:20.280 And this episode's the marks the first and last time 0:05:20.320 --> 0:05:22.359 in which no member of the main cast is featured 0:05:22.360 --> 0:05:26.479 in a song or their current main cast feature song. Wow. 0:05:26.880 --> 0:05:29.880 It is also the first episode since The Spanish Teacher 0:05:31.240 --> 0:05:34.080 season three episode twelve in which neither Rachel or Blaine 0:05:34.240 --> 0:05:35.600 are featured in a song. 0:05:36.080 --> 0:05:40.560 Wow. This is the second time the New Directions performed invitationals. 0:05:41.120 --> 0:05:43.400 In the fifth episode of the season, wearing blue outfits. 0:05:43.400 --> 0:05:45.880 So first was ro it's not taken. That's so funny. 0:05:45.880 --> 0:05:48.320 We kind of forgot there were invitationals, I guess. 0:05:48.360 --> 0:05:52.920 But yeah, when Sue says that she still has six 0:05:53.040 --> 0:05:55.200 or seven weeks to get Kurt and Blaine together as 0:05:55.240 --> 0:05:58.640 a meta reference to the number of episodes slash weeks. 0:05:58.400 --> 0:06:01.480 I caught that hour the end of this Okay. 0:06:01.680 --> 0:06:05.239 I love you know, I love that type of stuff. Okay, 0:06:05.920 --> 0:06:09.159 Sue is at it again, trying to mend relationships. You 0:06:09.200 --> 0:06:13.279 see Kesha, I said, mend, not mend you did you 0:06:13.320 --> 0:06:17.040 see the Texas? Okay, Sue is at it again, trying 0:06:17.120 --> 0:06:22.440 to mend relationships she thinks need mending. Meanwhile, Kitty helps 0:06:22.520 --> 0:06:25.640 Rachel find the perfect set list to win the invitational, 0:06:26.040 --> 0:06:29.920 and Sam recruits football player Spencer to join the glee Club. 0:06:30.640 --> 0:06:33.480 I know that last week we talked about her Locker 0:06:33.640 --> 0:06:39.200 Part one end. It's a doozy. It's a doozy in 0:06:39.240 --> 0:06:41.479 every way shape or for me, it's a doozy. It's 0:06:41.480 --> 0:06:44.800 like bad reputation. It's it was not exactly, it was 0:06:44.800 --> 0:06:48.560 all out of sorts. Characters were not in character. It 0:06:48.640 --> 0:06:52.200 felt weird. The music felt different, like the whole thing 0:06:52.320 --> 0:06:57.200 just felt weird. I was like very prepared for this 0:06:57.360 --> 0:06:59.400 part too, me too, right. Do you feel like you 0:06:59.440 --> 0:07:01.960 were like, oh, hey, press play, here we go. 0:07:02.240 --> 0:07:05.240 There was a big sigh before it was a big 0:07:05.279 --> 0:07:09.200 inhale and a big exhale before the plunge. 0:07:09.440 --> 0:07:15.240 Yes, okay, I have to say yep, I really liked 0:07:15.280 --> 0:07:16.040 this episode. 0:07:17.800 --> 0:07:19.320 I enjoyed it as well. 0:07:20.840 --> 0:07:29.360 It's so funny. The Sue Tiny Sue saw doll what 0:07:29.400 --> 0:07:31.520 do they call it? Was? 0:07:32.360 --> 0:07:35.559 The elevator is some of the funniest I've ever seen 0:07:35.840 --> 0:07:42.880 on the show. I truly was like so tickled. The 0:07:42.920 --> 0:07:48.680 elevator was one of my favorite story. I love the music. 0:07:50.240 --> 0:07:53.120 I finaled. Sue singing her songs at the end was 0:07:53.320 --> 0:08:01.880 so funny and I really enjoyed this episode. Am I crazy? 0:08:02.880 --> 0:08:07.160 No? Because I was preparing to tell you the exact 0:08:07.240 --> 0:08:09.600 same thing. And I was like, she's gonna think I'm nuts. 0:08:10.960 --> 0:08:15.400 I was laughing aloud, Yeah, what is wrong? Do you 0:08:15.520 --> 0:08:20.680 think it was because last episode? Mm hmmmm mm change 0:08:20.880 --> 0:08:23.880 or lowered or adjusted our expectations in a way. 0:08:25.360 --> 0:08:29.240 I don't. I don't know, because if you had put 0:08:29.640 --> 0:08:34.000 Part two first, just you know, out of context, not 0:08:34.160 --> 0:08:39.120 storylines being you know, right, I would have still liked 0:08:39.120 --> 0:08:39.679 this episode. 0:08:39.720 --> 0:08:43.319 I think, Yeah, I think you're right. I think you're right. 0:08:43.360 --> 0:08:46.200 It wasn't as weird. It was weird. 0:08:46.400 --> 0:08:47.800 It was the regular Glee weird. 0:08:47.840 --> 0:08:52.160 It still had the feel of like the invitational happening 0:08:52.440 --> 0:08:55.040 and the characters wanting to get together, so like there 0:08:55.080 --> 0:08:57.920 was just all these like it was more character driven 0:08:58.160 --> 0:09:02.160 in character versus like Sue feeling so out of character 0:09:02.240 --> 0:09:05.320 in the last one. You know, it's still a little 0:09:05.400 --> 0:09:08.199 inappropriate the way that she's like talking about them, like. 0:09:10.640 --> 0:09:11.360 Just watching the. 0:09:11.360 --> 0:09:15.320 Videotape and like spying on that and the whole yeah, 0:09:15.360 --> 0:09:18.320 and kidnapping them in theory, like it all, it doesn't 0:09:18.800 --> 0:09:21.240 it doesn't flash out real well for her, but like 0:09:22.520 --> 0:09:27.960 in its own thing, like I thought it was so funny, 0:09:29.040 --> 0:09:30.280 so funny. 0:09:30.000 --> 0:09:31.520 You know what I think it is? And I think 0:09:31.559 --> 0:09:35.719 this is where sometimes and I don't think this is 0:09:35.760 --> 0:09:37.400 anything on the directors. I think this is how the 0:09:37.440 --> 0:09:40.160 episodes are written sometimes, like when LEDI got stuck with 0:09:40.200 --> 0:09:43.000 a bunch of those types of episodes where it's like 0:09:43.040 --> 0:09:46.120 putting a hat on a hat on a hat, where 0:09:46.720 --> 0:09:53.000 when the episode is written crazily like Part one, Yes, 0:09:53.080 --> 0:09:55.880 and then you do visual things that are that lean 0:09:55.960 --> 0:09:59.960 into it, I don't think it necessarily works as well 0:10:00.040 --> 0:10:04.480 well when you just sort of keep it visually simple 0:10:05.920 --> 0:10:10.040 and then let the dialogue be crazy and let you 0:10:10.120 --> 0:10:15.280 have your saw elevator with the bathroom moment, because you know, 0:10:15.400 --> 0:10:18.320 last week it was that you had the hypnotizing like 0:10:18.600 --> 0:10:22.640 circle thing in the background, and yeah, yeah there was, 0:10:23.080 --> 0:10:25.000 and there was a lot of time and the actual 0:10:25.080 --> 0:10:27.760 hurt Locker. Because we didn't have to spend much time 0:10:27.840 --> 0:10:30.440 in those scenarios, there was less hypnotizing this episode. I 0:10:30.440 --> 0:10:32.080 think that just helped. 0:10:40.520 --> 0:10:44.120 Let's go through some of these like story plotlines. 0:10:44.480 --> 0:10:49.600 We discovered last week with the hurt Locker that Sue's 0:10:49.720 --> 0:10:53.840 ultimate goal. Now it sort of seems like taking down 0:10:53.880 --> 0:10:58.920 the new new directions is like a hobby, but her 0:10:58.960 --> 0:11:03.280 real focus is getting Curt and blaming back together for 0:11:03.360 --> 0:11:05.800 whatever reason, we're going with it. 0:11:06.280 --> 0:11:09.960 I'm for it. I'm into it because I want them 0:11:10.000 --> 0:11:12.880 back together too, so let's just go with there. 0:11:13.120 --> 0:11:16.719 And also giving Jane so much fun stuff to do 0:11:17.600 --> 0:11:20.079 as a viewer. It's just what I want. And hers 0:11:20.120 --> 0:11:28.120 showing up as a waiter herd State with Walter and 0:11:28.320 --> 0:11:35.760 just insults him. Then he goes, well, how old are you? 0:11:36.920 --> 0:11:38.120 Jesuys thirty four? 0:11:42.640 --> 0:11:51.760 Also the fact that she's she blames Becky. It's all 0:11:51.960 --> 0:11:55.880 really really ridiculous. So Sue's going to create this idea 0:11:56.040 --> 0:11:58.840 this she's going to kidnap them, which is like not. 0:11:58.960 --> 0:12:03.280 So good, But we're gonna just but blow past. 0:12:03.640 --> 0:12:06.800 And it's an elevator. It's an elevator that they very 0:12:06.840 --> 0:12:07.760 willingly get into. 0:12:08.160 --> 0:12:10.280 Can I I have to I have to point out 0:12:10.760 --> 0:12:17.080 I love I love and shows when characters blindly accept 0:12:17.160 --> 0:12:22.800 stupid situations. Okay sometimes yeah yeah yeah yeah, the way 0:12:22.960 --> 0:12:29.360 Chris and and Darren we're so sort of it's also 0:12:29.360 --> 0:12:31.560 how they played it is what I love when they 0:12:31.559 --> 0:12:33.440 see the elevator, like, oh where did this come from? 0:12:33.480 --> 0:12:35.719 And they're just like no, It's funny how they do 0:12:35.760 --> 0:12:38.560 the same for already was here, I bet you. Oh, 0:12:38.640 --> 0:12:41.319 I'm sure all of it was. But I love that. 0:12:41.440 --> 0:12:44.679 I love when characters are just sort of like to 0:12:45.080 --> 0:12:50.440 do blindly accepting the situation and blindly walking into an 0:12:50.440 --> 0:12:52.319 elevator that has a bathroom. 0:12:54.440 --> 0:12:59.240 This is I okay, the elevator really made me happy. 0:12:59.280 --> 0:13:03.400 This whole episode maybe happy, but this elevator, like it 0:13:03.440 --> 0:13:04.080 was a highlight. 0:13:04.480 --> 0:13:04.920 I just. 0:13:06.360 --> 0:13:10.040 Detrap two characters. It's almost like I like these. It's 0:13:10.080 --> 0:13:16.160 like those episodes like en Seinfeld where they get lost 0:13:16.200 --> 0:13:18.679 in the parking lot and they can't or like when 0:13:18.679 --> 0:13:22.000 they're at the Chinese restaurant waiting for the reservation. There's 0:13:22.000 --> 0:13:24.680 something about that. It's so satisfying because it's so simple, 0:13:24.800 --> 0:13:26.839 yet it's like you can you're in it for the 0:13:26.880 --> 0:13:30.600 whole episode. I would have watched a whole episode of 0:13:30.600 --> 0:13:32.360 the two of them starking out the same and that's 0:13:32.400 --> 0:13:35.040 all you want because you love those characters. It's written 0:13:35.360 --> 0:13:38.840 so hilariously, and then you're also getting your Jane Lynch 0:13:38.920 --> 0:13:41.000 of it all, even if she's not in the scene. 0:13:41.679 --> 0:13:42.160 I'm dying. 0:13:42.679 --> 0:13:47.040 The whole setup is such a Sue setup that it's 0:13:47.120 --> 0:13:51.199 layered in that way where she's like woven throughout the 0:13:51.360 --> 0:13:51.960 entire thing. 0:13:52.600 --> 0:13:57.199 Yes, I mean and more so like Jigsaw, Sue centers 0:13:58.360 --> 0:14:01.400 through a tiny hole in the elevator on a bike, 0:14:01.960 --> 0:14:04.400 and the way that they've operated her, she like knocks 0:14:04.440 --> 0:14:07.360 into the door, and like the physical comedy of Jigsaw 0:14:07.400 --> 0:14:10.480 Fu and the whole thing of like Them. It's showing 0:14:10.559 --> 0:14:12.440 up to the two of them and them just like 0:14:12.880 --> 0:14:15.319 being weirded out by but like not so weirded out 0:14:15.320 --> 0:14:19.000 by it, you know, like it's so crazy and yet 0:14:19.000 --> 0:14:22.200 they're like h And. 0:14:22.120 --> 0:14:24.760 It's also so cute that little montage of them like 0:14:24.800 --> 0:14:27.760 sleeping and then looking at each other and then eating, 0:14:28.120 --> 0:14:29.800 having a little picnic. 0:14:29.520 --> 0:14:33.760 Like com out in there, and like it just loved, loved. 0:14:33.760 --> 0:14:37.160 Yeah, you know, really good. I think it's a testament 0:14:38.040 --> 0:14:41.280 to everyone involved in front of the camera and behind 0:14:41.280 --> 0:14:44.200 the camera to make something like that work, just like 0:14:44.240 --> 0:14:49.120 in Seinfeld. It's like a masterclass and making something so 0:14:49.160 --> 0:14:51.080 simple be that effective. 0:14:52.520 --> 0:14:53.000 Everybody. 0:14:53.080 --> 0:14:56.480 We had Lena on the show that's right this episode, 0:14:56.960 --> 0:14:59.360 and she told. 0:14:59.200 --> 0:15:02.400 Us and she was right, and she has that jigsaus. 0:15:03.960 --> 0:15:07.080 I get it now, I get it. I don't think 0:15:07.120 --> 0:15:09.560 i'd ever seen this episode before, Like I think I've 0:15:09.600 --> 0:15:12.320 seen snippets of other episodes or like clips or things, 0:15:12.320 --> 0:15:13.880 but like, I don't think I saw any of this 0:15:13.960 --> 0:15:19.240 episode ever, and it really delivered. 0:15:20.400 --> 0:15:23.000 I absolutely have not seen this episode. I know I've 0:15:23.000 --> 0:15:25.240 seen stills of Jigsaus. 0:15:24.920 --> 0:15:30.040 Sasu on that bike too is I know I've said 0:15:30.040 --> 0:15:32.600 this already, but like, the bike is so comical and 0:15:32.640 --> 0:15:36.200 it's so tiny, and it really just made me. It 0:15:36.280 --> 0:15:38.000 made me kiggle like a lot. So I could talk 0:15:38.040 --> 0:15:38.640 about this all day. 0:15:38.720 --> 0:15:39.880 I wonder who has that now. 0:15:40.640 --> 0:15:43.280 I wish I could have Jigsaus do on the bike. 0:15:43.640 --> 0:15:44.440 That's all I want now. 0:15:44.640 --> 0:15:47.880 Somebody has to have it, right. 0:15:48.280 --> 0:15:50.160 So the whole idea is that they have to kiss 0:15:50.480 --> 0:15:55.520 or they'll be trapped in there forever. And it overlaps 0:15:55.800 --> 0:15:59.160 with the song that New Direction is in New Directions 0:15:59.200 --> 0:16:02.560 performance during the invitation all which we will now merge 0:16:02.560 --> 0:16:09.280 into that. But that kiss also, I was like, oh, sweet, 0:16:09.480 --> 0:16:12.840 sweet lady, lady, I just. 0:16:14.960 --> 0:16:15.480 Where are you going? 0:16:16.200 --> 0:16:18.120 I wasn't going to say anything, just give me the 0:16:18.200 --> 0:16:22.360 kiss all day long. I love them, I want them 0:16:22.400 --> 0:16:27.280 back together. I'm rooting for them. I know Spoilerer like 0:16:27.360 --> 0:16:30.000 we get a wedding, but like, just give it all 0:16:30.040 --> 0:16:31.360 to me, just give it all. 0:16:31.480 --> 0:16:35.000 This is the first time call me a hater, and 0:16:35.040 --> 0:16:37.800 I do love them together, but this is the first 0:16:37.840 --> 0:16:41.160 time that I'm fully on board with him getting married. 0:16:41.200 --> 0:16:43.760 Now I'm like, let's see. 0:16:43.560 --> 0:16:44.960 It, let's get this now. 0:16:45.600 --> 0:16:47.200 I also think that was their best. 0:16:47.040 --> 0:16:53.640 Kiss, agreed, And just like the kiss, I know, I 0:16:53.680 --> 0:16:57.280 was like, whoa, this is getting steamy. But like the montage, 0:16:57.320 --> 0:16:59.920 the whole thing, like the music, the client, like the 0:17:00.080 --> 0:17:03.600 it all just it was like that was the episode. 0:17:03.920 --> 0:17:06.400 And then they're they're running through the hallway and they're 0:17:06.400 --> 0:17:08.000 all disheveled and their shirts. 0:17:07.680 --> 0:17:11.879 Are cute, so cute. Yeah, obviously they're rushing because like 0:17:11.920 --> 0:17:13.680 they missed everything. So I get it. 0:17:13.720 --> 0:17:17.359 But we need once a cheater, always a cheater. 0:17:19.480 --> 0:17:21.520 Yeah, what's he gonna do? I don't know. 0:17:21.720 --> 0:17:23.040 Oh, we know what he's gonna do. 0:17:23.560 --> 0:17:29.360 I know, I know. Okay, So now Rachel uh has 0:17:30.560 --> 0:17:35.960 has two days, very much in mister Shoe fashion, has 0:17:36.000 --> 0:17:39.960 two days to get the glee club together, build a 0:17:40.000 --> 0:17:42.560 glee club, get a set list, and go. And Kurt 0:17:42.600 --> 0:17:45.720 had suggested getting Kitty in there, so well, Kurt's stuck 0:17:45.760 --> 0:17:48.399 in an elevator. Rachel is going to try and recruit 0:17:48.400 --> 0:17:55.359 recruit Kitty. This whole thing I didn't know happened. I 0:17:55.400 --> 0:17:56.280 was like, oh that is in. 0:17:57.880 --> 0:18:05.560 Had no idea, like, oh, and it's great, Like she 0:18:05.680 --> 0:18:08.440 gets a nice emotional scene filled with hilarity. 0:18:08.560 --> 0:18:11.200 She's a little softer than when she was originally brought 0:18:11.240 --> 0:18:12.080 into the glee club. 0:18:12.200 --> 0:18:15.360 It's yep, they left her. She you know, the only 0:18:15.400 --> 0:18:19.240 reason she's there. So she's feeling a little vulnerable. Rachel 0:18:19.359 --> 0:18:22.760 convinces her that, you know, she loves to sing and dance, 0:18:23.080 --> 0:18:25.120 and so it was really nice scene with the two 0:18:25.160 --> 0:18:26.000 of them. 0:18:26.240 --> 0:18:28.840 And I also love that she calls Rachel out just 0:18:28.880 --> 0:18:32.760 like you said, yeah that it's you know, very mister 0:18:32.800 --> 0:18:34.760 shoe of you, and I can't tell if it's sweet 0:18:34.840 --> 0:18:35.040 or not. 0:18:35.640 --> 0:18:42.879 Yeah. Literally, And then even better, so like they cheat, 0:18:43.320 --> 0:18:49.000 they cheat, they go in and they get the the 0:18:49.720 --> 0:18:55.200 past coode. Well, Katy has the past codes to sue emotional, 0:18:56.560 --> 0:19:03.720 emotionally vulnerable songs, a locked password and coded file that 0:19:03.920 --> 0:19:08.359 they get. I love that and the song choices for 0:19:08.440 --> 0:19:13.160 this for the writers were a plus plus. I love 0:19:13.240 --> 0:19:17.359 these songs. By the way, I thought everybody sounded excellent 0:19:19.080 --> 0:19:22.480 and I really enjoyed them. What I enjoyed even more 0:19:22.600 --> 0:19:27.119 was like watching Sue like her journey from like hearing 0:19:27.160 --> 0:19:29.200 them and like being angry about it, like how did 0:19:29.240 --> 0:19:32.120 you get these to them? Like being completely moved and 0:19:32.160 --> 0:19:35.800 like singing along and Sam singing along in the audience 0:19:37.119 --> 0:19:39.719 and the Glee Club like came through. And I really 0:19:39.760 --> 0:19:44.479 appreciated new directions, the new new directions, hearing everybody sing 0:19:44.720 --> 0:19:48.639 everybody like obviously we loved his voice, like give it 0:19:48.720 --> 0:19:50.320 to us all day. But then we got Billy and 0:19:50.320 --> 0:19:56.400 we got Laura and Samantha, and it just really it 0:19:56.480 --> 0:19:59.240 was very quintessential New Directions and I was like, here 0:19:59.280 --> 0:20:01.680 for it. I was like, you sit on those stools. 0:20:02.160 --> 0:20:04.840 And I also thought it was quintessential Glee in the 0:20:04.840 --> 0:20:08.840 way that it wove in the silliness during these like 0:20:08.920 --> 0:20:13.760 really nice musical numbers. Yes where I also just like 0:20:13.840 --> 0:20:17.000 I love characters accepting a dumb thing like an elevator. 0:20:17.600 --> 0:20:21.439 I love a break in and a password moment, and 0:20:21.640 --> 0:20:24.000 love the scene with Kitty in the stall with Becky 0:20:24.760 --> 0:20:31.720 and the off brand Mexican twinkies bribing her. I thought 0:20:31.760 --> 0:20:35.680 that was so good. And then you have all these 0:20:35.720 --> 0:20:38.560 sort of montages like during you know, you have the 0:20:38.600 --> 0:20:42.879 curtain Blaine montage happening, and then you have Sue coming 0:20:42.880 --> 0:20:47.000 in and being funny just like you said, but yeah, 0:20:47.000 --> 0:20:49.359 it didn't take away from the performance at all. And 0:20:50.240 --> 0:20:56.560 little things. I love also seeing like Becca's growth. I mean, 0:20:56.600 --> 0:20:59.480 she was good from the first episode she was in, yeah, 0:20:59.520 --> 0:21:01.960 even though we found out she had never been on 0:21:02.000 --> 0:21:05.880 a set before. Right, But like the little looks she's 0:21:05.920 --> 0:21:11.879 throwing between Rachel and Sue. Sue, We're just so satisfying 0:21:11.880 --> 0:21:14.360 because you don't have to say anything, you just see. 0:21:14.359 --> 0:21:16.399 There's so much of that in this episode where there 0:21:16.800 --> 0:21:22.200 there's looks between Rachel and Sam because there's that whole 0:21:22.200 --> 0:21:26.280 thing going on, yes, and then Rachel and Sue and 0:21:27.240 --> 0:21:30.880 all while this music is going on. And then Sue, 0:21:31.160 --> 0:21:34.360 you know, when they announce it one and it's new directions, 0:21:35.040 --> 0:21:38.880 sorry to bury the lead. They She's like, I don't know, 0:21:39.440 --> 0:21:44.320 all they did was sit on stools. She's constantly making 0:21:44.359 --> 0:21:46.080 fun of the actually new directions. 0:21:46.160 --> 0:21:50.040 Yes, yes, yes, excellent all around. Like you said, like 0:21:50.880 --> 0:21:54.240 just everybody provoted, everybody in this episode. 0:21:54.400 --> 0:21:58.520 Like I also have another thing I want to say 0:21:58.600 --> 0:22:05.760 kudos too. I hate when, for example, this is there's 0:22:05.800 --> 0:22:10.240 a world in which this hypnosis storyline plays out in 0:22:10.280 --> 0:22:14.200 a way Rachel and Shoe have that moment, you know, 0:22:14.240 --> 0:22:18.199 where Rachel is saying, you know, you're right, I'm sorry, 0:22:18.600 --> 0:22:20.280 and she's like, well, I don't really forgive you for 0:22:20.400 --> 0:22:23.600 the things you did, like getting Sam to steal my mail, 0:22:23.640 --> 0:22:28.360 and she's like huh and they said sue and that's it, right, 0:22:28.720 --> 0:22:32.119 But there's a world in which they're like, oh, we 0:22:32.200 --> 0:22:34.480 have to get revenge or we have to plot to 0:22:34.520 --> 0:22:37.200 get we have to do some sort of other plot 0:22:37.600 --> 0:22:41.320 to make her admit that it was her and Baba, 0:22:41.880 --> 0:22:45.359 I hate that, yes, and obviously why it didn't happen. 0:22:45.359 --> 0:22:47.800 And I'm not a writer, but you know when shows 0:22:47.840 --> 0:22:51.679 do that needlessly, create some drama like that, and it's 0:22:51.760 --> 0:22:53.159 just as a waste of time because you know how 0:22:53.200 --> 0:22:55.840 it's going to end up anyway. And so we did that. 0:22:55.960 --> 0:22:59.280 We just like, you know, trim the fat. Let's just 0:22:59.320 --> 0:23:01.160 say and you move on. 0:23:01.440 --> 0:23:02.600 And we know. 0:23:02.720 --> 0:23:06.240 I was so thankful for that. It's like, thank you, 0:23:06.560 --> 0:23:12.439 gleet love what's happening here, like really enjoyed it. 0:23:13.119 --> 0:23:16.160 Add it to the list of things that she has done, 0:23:16.760 --> 0:23:19.840 because she's been wildly inappropriate this whole episode. 0:23:19.880 --> 0:23:23.680 But two episodes in a row were like, ladies should 0:23:23.720 --> 0:23:24.639 be in prison. 0:23:26.520 --> 0:23:30.359 I mean, isn't stealing nail like a federal Well. 0:23:30.320 --> 0:23:31.760 Yeah, and she's getting somebody else to. 0:23:31.720 --> 0:23:34.080 Do it, right. It's bad. 0:23:34.320 --> 0:23:37.399 It's bad. But the flip side of this is that 0:23:38.359 --> 0:23:41.840 Rachel happens to snap when Sam is under some sort 0:23:41.880 --> 0:23:44.639 of trance, saying he like want trying to get Rachel 0:23:44.680 --> 0:23:48.600 to use the terrible size, which is also a really 0:23:48.680 --> 0:23:52.600 lovely moment. Yes, yes, and he's like, I don't know 0:23:52.600 --> 0:23:54.240 what's been going on with me. There's just gaps of 0:23:54.320 --> 0:23:58.040 time that are missing, and she just is like, Okay, 0:23:58.480 --> 0:23:59.640 you can make it up for me if you find 0:23:59.640 --> 0:24:02.800