1 00:00:01,720 --> 00:00:04,440 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,480 --> 00:00:12,239 Speaker 1: Welcome to and that's what you were the miss podcast. 4 00:00:13,160 --> 00:00:18,000 Speaker 1: Kevin just yawned, because, yeah, I'm just calling you out. 5 00:00:18,120 --> 00:00:19,520 Speaker 1: I'm calling you out because. 6 00:00:19,280 --> 00:00:20,560 Speaker 2: I thought you were gonna let it fly. 7 00:00:21,000 --> 00:00:22,239 Speaker 1: You clearly don't know me. 8 00:00:22,280 --> 00:00:25,639 Speaker 2: Then I saw it in your eyes. I saw No. 9 00:00:26,440 --> 00:00:29,080 Speaker 1: Am I boring you? 10 00:00:29,080 --> 00:00:29,159 Speaker 3: No? 11 00:00:29,320 --> 00:00:32,519 Speaker 1: It's ten pm. There, we're making this work because Kevin's 12 00:00:32,600 --> 00:00:38,919 Speaker 1: doing a MUSICALE. And here we are about to recap 13 00:00:39,400 --> 00:00:43,879 Speaker 1: on the one of the most infamous part twos or 14 00:00:43,920 --> 00:00:46,839 Speaker 1: episodes of Glee. This is season six, episode five. This 15 00:00:46,880 --> 00:00:48,000 Speaker 1: is the hurt Locker Part two. 16 00:00:48,560 --> 00:00:50,959 Speaker 2: Can I do a shameless personal plug right now? 17 00:00:51,080 --> 00:00:51,720 Speaker 1: Let's do it. 18 00:00:53,280 --> 00:00:57,920 Speaker 2: So my show out in the UK. I'm in the UK. 19 00:01:00,160 --> 00:01:02,000 Speaker 2: I'm doing a show called The Frogs and it starts 20 00:01:02,000 --> 00:01:04,640 Speaker 2: in two days. So come see us. 21 00:01:04,840 --> 00:01:09,399 Speaker 1: Well, everybody, go see Kevin's MUSICALE and then report back 22 00:01:09,440 --> 00:01:11,399 Speaker 1: to me because I won't be able to see it. 23 00:01:11,800 --> 00:01:15,080 Speaker 2: Yes, come see it. It's crazy. We're in previews at 24 00:01:15,080 --> 00:01:15,480 Speaker 2: the moment. 25 00:01:15,680 --> 00:01:18,160 Speaker 1: We have to do a recap of that as well. 26 00:01:18,200 --> 00:01:21,000 Speaker 2: Once you're done, okay, great, we can talk after like 27 00:01:21,080 --> 00:01:23,200 Speaker 2: opening night when it's officially open. We can do a 28 00:01:23,200 --> 00:01:24,440 Speaker 2: little seconding. 29 00:01:24,160 --> 00:01:27,560 Speaker 1: Your second show, like this is so exciting. 30 00:01:27,240 --> 00:01:28,960 Speaker 2: Or I guess towards the end, I don't know, Okay, 31 00:01:29,440 --> 00:01:29,880 Speaker 2: this area. 32 00:01:29,920 --> 00:01:33,960 Speaker 1: On January thirtieth, twenty fifteen, Uptown Funk is the number 33 00:01:33,959 --> 00:01:35,840 Speaker 1: one song and will be forever. 34 00:01:37,080 --> 00:01:42,240 Speaker 2: An American Sniper is still the number one movie. 35 00:01:42,560 --> 00:01:43,560 Speaker 1: Still remember thought. 36 00:01:43,480 --> 00:01:46,560 Speaker 2: That title feels so violent to me? I guess it 37 00:01:46,640 --> 00:01:51,920 Speaker 2: is Glee News this week. On January twenty seventh, Glee 38 00:01:51,960 --> 00:01:54,720 Speaker 2: the music the heart Locker Part two EP was really 39 00:01:54,720 --> 00:01:59,800 Speaker 2: it released. It featured five tracks from this episode and 40 00:02:00,120 --> 00:02:03,840 Speaker 2: released for a digital download only. Do you see the 41 00:02:03,880 --> 00:02:07,680 Speaker 2: director of this episode, Babs Barbara Brown. 42 00:02:08,080 --> 00:02:10,800 Speaker 1: This is something we have to talk about because I 43 00:02:10,880 --> 00:02:16,280 Speaker 1: wasn't here for babs directorial debut. So Babs Barbara Brown 44 00:02:16,880 --> 00:02:21,880 Speaker 1: was our script supervisor. And a script supervisor is somebody 45 00:02:21,880 --> 00:02:26,400 Speaker 1: who sits on set every day and has the job, 46 00:02:26,639 --> 00:02:31,600 Speaker 1: the loving job of making sure that everything is as 47 00:02:31,760 --> 00:02:38,239 Speaker 1: close to continuous as possible. So the best way to 48 00:02:38,320 --> 00:02:42,440 Speaker 1: explain is like, if you're like for me, a lot 49 00:02:42,440 --> 00:02:44,720 Speaker 1: of the time, my hair would be one place or 50 00:02:44,760 --> 00:02:46,920 Speaker 1: the other. On one side it would be forward or 51 00:02:46,919 --> 00:02:49,160 Speaker 1: on one side it would be back and like and 52 00:02:49,200 --> 00:02:53,080 Speaker 1: then in order for the cuts to make sense from 53 00:02:53,400 --> 00:02:56,480 Speaker 1: take to take and seem to seen like, we'd have 54 00:02:56,520 --> 00:02:59,320 Speaker 1: to she'd have to like literally make sure that every 55 00:02:59,360 --> 00:03:02,880 Speaker 1: person in the choir room looked the same. She also 56 00:03:02,919 --> 00:03:05,160 Speaker 1: did to make she was responsible for like making sure 57 00:03:05,200 --> 00:03:08,600 Speaker 1: the days were correct and like overseeing like you know, 58 00:03:08,800 --> 00:03:13,520 Speaker 1: say the episode was over four days, that everybody was 59 00:03:13,560 --> 00:03:17,720 Speaker 1: on in the clothing for day two and so you 60 00:03:17,760 --> 00:03:19,799 Speaker 1: know that's also wardrobe's job as well, to make sure 61 00:03:19,800 --> 00:03:21,520 Speaker 1: that everything is in line. But like, she was the 62 00:03:21,560 --> 00:03:24,440 Speaker 1: overseer of all of it on set and our lines 63 00:03:24,480 --> 00:03:27,639 Speaker 1: as well, and she would watch every single take all 64 00:03:27,639 --> 00:03:30,600 Speaker 1: the time. We would be like saying this, not that, 65 00:03:30,720 --> 00:03:37,560 Speaker 1: and she'd be like, it's actually this, so anyway, so sorry. 66 00:03:37,600 --> 00:03:41,000 Speaker 1: I hope that makes sense. But Babs was a fan 67 00:03:41,080 --> 00:03:44,360 Speaker 1: favorite for all of us on set, and to have 68 00:03:44,480 --> 00:03:49,440 Speaker 1: her direct, I'm sure was very exciting. She's the most kind, 69 00:03:49,640 --> 00:03:53,760 Speaker 1: so wonderful human and I just I have a wonderful 70 00:03:53,880 --> 00:03:54,680 Speaker 1: about this episode. 71 00:03:54,800 --> 00:03:59,840 Speaker 2: Our second script supervisor on the show very little turnover, 72 00:04:00,400 --> 00:04:02,480 Speaker 2: and the only reason we had a second one is 73 00:04:02,480 --> 00:04:05,720 Speaker 2: because our first one, Carol Banker Banker, became a director 74 00:04:05,760 --> 00:04:10,000 Speaker 2: as well, get it and so here's Babs, let's go. 75 00:04:11,800 --> 00:04:15,440 Speaker 1: Okay, this was written by you and Brennan again, and 76 00:04:15,560 --> 00:04:19,280 Speaker 1: so some of the songs were My Sharona performed by 77 00:04:19,320 --> 00:04:22,560 Speaker 1: Dalton Academy, and then also You Spin Me Round, which 78 00:04:22,600 --> 00:04:25,080 Speaker 1: is in the same set by Dalton as well. 79 00:04:25,520 --> 00:04:30,719 Speaker 2: And then you have the Wonderfully. I mean, it's a 80 00:04:30,760 --> 00:04:34,479 Speaker 2: good set by the New Directions. It must have been love, 81 00:04:35,240 --> 00:04:37,400 Speaker 2: father figure and all out of love. 82 00:04:39,920 --> 00:04:42,719 Speaker 1: The context in which they chose these songs is actually 83 00:04:42,839 --> 00:04:49,480 Speaker 1: very very humorous. And let's talk about some of these 84 00:04:49,480 --> 00:04:51,080 Speaker 1: fun facts and we'll get into the episode. 85 00:04:51,120 --> 00:04:51,480 Speaker 2: Okay. 86 00:04:51,600 --> 00:04:54,480 Speaker 1: So this is the seventh episode where all the members 87 00:04:54,520 --> 00:04:57,039 Speaker 1: of New Directions present in the episode have a solo 88 00:04:57,760 --> 00:04:59,960 Speaker 1: The first of the pilot seconds is Britney two point zero, 89 00:05:00,360 --> 00:05:03,360 Speaker 1: then Tina and this guy with Diamonds, A Katie Gaga 90 00:05:03,400 --> 00:05:06,760 Speaker 1: and end of TOWERK and then the sixth is Homecoming. 91 00:05:07,120 --> 00:05:09,560 Speaker 2: This is the sixth episode where every member of the 92 00:05:09,560 --> 00:05:13,400 Speaker 2: New Direction sings a solo line, the others being Pilot, 93 00:05:13,600 --> 00:05:15,800 Speaker 2: Brittany two point zero, A Katie or Gaga at the 94 00:05:15,880 --> 00:05:16,840 Speaker 2: end of Tork and Homecoming. 95 00:05:17,720 --> 00:05:20,280 Speaker 1: And this episode's the marks the first and last time 96 00:05:20,320 --> 00:05:22,359 Speaker 1: in which no member of the main cast is featured 97 00:05:22,360 --> 00:05:26,479 Speaker 1: in a song or their current main cast feature song. Wow. 98 00:05:26,880 --> 00:05:29,880 Speaker 2: It is also the first episode since The Spanish Teacher 99 00:05:31,240 --> 00:05:34,080 Speaker 2: season three episode twelve in which neither Rachel or Blaine 100 00:05:34,240 --> 00:05:35,600 Speaker 2: are featured in a song. 101 00:05:36,080 --> 00:05:40,560 Speaker 1: Wow. This is the second time the New Directions performed invitationals. 102 00:05:41,120 --> 00:05:43,400 Speaker 1: In the fifth episode of the season, wearing blue outfits. 103 00:05:43,400 --> 00:05:45,880 Speaker 1: So first was ro it's not taken. That's so funny. 104 00:05:45,880 --> 00:05:48,320 Speaker 1: We kind of forgot there were invitationals, I guess. 105 00:05:48,360 --> 00:05:52,920 Speaker 2: But yeah, when Sue says that she still has six 106 00:05:53,040 --> 00:05:55,200 Speaker 2: or seven weeks to get Kurt and Blaine together as 107 00:05:55,240 --> 00:05:58,640 Speaker 2: a meta reference to the number of episodes slash weeks. 108 00:05:58,400 --> 00:06:01,480 Speaker 1: I caught that hour the end of this Okay. 109 00:06:01,680 --> 00:06:05,239 Speaker 2: I love you know, I love that type of stuff. Okay, 110 00:06:05,920 --> 00:06:09,159 Speaker 2: Sue is at it again, trying to mend relationships. You 111 00:06:09,200 --> 00:06:13,279 Speaker 2: see Kesha, I said, mend, not mend you did you 112 00:06:13,320 --> 00:06:17,040 Speaker 2: see the Texas? Okay, Sue is at it again, trying 113 00:06:17,120 --> 00:06:22,440 Speaker 2: to mend relationships she thinks need mending. Meanwhile, Kitty helps 114 00:06:22,520 --> 00:06:25,640 Speaker 2: Rachel find the perfect set list to win the invitational, 115 00:06:26,040 --> 00:06:29,920 Speaker 2: and Sam recruits football player Spencer to join the glee Club. 116 00:06:30,640 --> 00:06:33,480 Speaker 1: I know that last week we talked about her Locker 117 00:06:33,640 --> 00:06:39,200 Speaker 1: Part one end. It's a doozy. It's a doozy in 118 00:06:39,240 --> 00:06:41,479 Speaker 1: every way shape or for me, it's a doozy. It's 119 00:06:41,480 --> 00:06:44,800 Speaker 1: like bad reputation. It's it was not exactly, it was 120 00:06:44,800 --> 00:06:48,560 Speaker 1: all out of sorts. Characters were not in character. It 121 00:06:48,640 --> 00:06:52,200 Speaker 1: felt weird. The music felt different, like the whole thing 122 00:06:52,320 --> 00:06:57,200 Speaker 1: just felt weird. I was like very prepared for this 123 00:06:57,360 --> 00:06:59,400 Speaker 1: part too, me too, right. Do you feel like you 124 00:06:59,440 --> 00:07:01,960 Speaker 1: were like, oh, hey, press play, here we go. 125 00:07:02,240 --> 00:07:05,240 Speaker 2: There was a big sigh before it was a big 126 00:07:05,279 --> 00:07:09,200 Speaker 2: inhale and a big exhale before the plunge. 127 00:07:09,440 --> 00:07:15,240 Speaker 1: Yes, okay, I have to say yep, I really liked 128 00:07:15,280 --> 00:07:16,040 Speaker 1: this episode. 129 00:07:17,800 --> 00:07:19,320 Speaker 2: I enjoyed it as well. 130 00:07:20,840 --> 00:07:29,360 Speaker 3: It's so funny. The Sue Tiny Sue saw doll what 131 00:07:29,400 --> 00:07:31,520 Speaker 3: do they call it? Was? 132 00:07:32,360 --> 00:07:35,559 Speaker 1: The elevator is some of the funniest I've ever seen 133 00:07:35,840 --> 00:07:42,880 Speaker 1: on the show. I truly was like so tickled. The 134 00:07:42,920 --> 00:07:48,680 Speaker 1: elevator was one of my favorite story. I love the music. 135 00:07:50,240 --> 00:07:53,120 Speaker 1: I finaled. Sue singing her songs at the end was 136 00:07:53,320 --> 00:08:01,880 Speaker 1: so funny and I really enjoyed this episode. Am I crazy? 137 00:08:02,880 --> 00:08:07,160 Speaker 2: No? Because I was preparing to tell you the exact 138 00:08:07,240 --> 00:08:09,600 Speaker 2: same thing. And I was like, she's gonna think I'm nuts. 139 00:08:10,960 --> 00:08:15,400 Speaker 4: I was laughing aloud, Yeah, what is wrong? Do you 140 00:08:15,520 --> 00:08:20,680 Speaker 4: think it was because last episode? Mm hmmmm mm change 141 00:08:20,880 --> 00:08:23,880 Speaker 4: or lowered or adjusted our expectations in a way. 142 00:08:25,360 --> 00:08:29,240 Speaker 1: I don't. I don't know, because if you had put 143 00:08:29,640 --> 00:08:34,000 Speaker 1: Part two first, just you know, out of context, not 144 00:08:34,160 --> 00:08:39,120 Speaker 1: storylines being you know, right, I would have still liked 145 00:08:39,120 --> 00:08:39,679 Speaker 1: this episode. 146 00:08:39,720 --> 00:08:43,319 Speaker 2: I think, Yeah, I think you're right. I think you're right. 147 00:08:43,360 --> 00:08:46,200 Speaker 1: It wasn't as weird. It was weird. 148 00:08:46,400 --> 00:08:47,800 Speaker 2: It was the regular Glee weird. 149 00:08:47,840 --> 00:08:52,160 Speaker 1: It still had the feel of like the invitational happening 150 00:08:52,440 --> 00:08:55,040 Speaker 1: and the characters wanting to get together, so like there 151 00:08:55,080 --> 00:08:57,920 Speaker 1: was just all these like it was more character driven 152 00:08:58,160 --> 00:09:02,160 Speaker 1: in character versus like Sue feeling so out of character 153 00:09:02,240 --> 00:09:05,320 Speaker 1: in the last one. You know, it's still a little 154 00:09:05,400 --> 00:09:08,199 Speaker 1: inappropriate the way that she's like talking about them, like. 155 00:09:10,640 --> 00:09:11,360 Speaker 2: Just watching the. 156 00:09:11,360 --> 00:09:15,320 Speaker 1: Videotape and like spying on that and the whole yeah, 157 00:09:15,360 --> 00:09:18,320 Speaker 1: and kidnapping them in theory, like it all, it doesn't 158 00:09:18,800 --> 00:09:21,240 Speaker 1: it doesn't flash out real well for her, but like 159 00:09:22,520 --> 00:09:27,960 Speaker 1: in its own thing, like I thought it was so funny, 160 00:09:29,040 --> 00:09:30,280 Speaker 1: so funny. 161 00:09:30,000 --> 00:09:31,520 Speaker 2: You know what I think it is? And I think 162 00:09:31,559 --> 00:09:35,719 Speaker 2: this is where sometimes and I don't think this is 163 00:09:35,760 --> 00:09:37,400 Speaker 2: anything on the directors. I think this is how the 164 00:09:37,440 --> 00:09:40,160 Speaker 2: episodes are written sometimes, like when LEDI got stuck with 165 00:09:40,200 --> 00:09:43,000 Speaker 2: a bunch of those types of episodes where it's like 166 00:09:43,040 --> 00:09:46,120 Speaker 2: putting a hat on a hat on a hat, where 167 00:09:46,720 --> 00:09:53,000 Speaker 2: when the episode is written crazily like Part one, Yes, 168 00:09:53,080 --> 00:09:55,880 Speaker 2: and then you do visual things that are that lean 169 00:09:55,960 --> 00:09:59,960 Speaker 2: into it, I don't think it necessarily works as well 170 00:10:00,040 --> 00:10:04,480 Speaker 2: well when you just sort of keep it visually simple 171 00:10:05,920 --> 00:10:10,040 Speaker 2: and then let the dialogue be crazy and let you 172 00:10:10,120 --> 00:10:15,280 Speaker 2: have your saw elevator with the bathroom moment, because you know, 173 00:10:15,400 --> 00:10:18,320 Speaker 2: last week it was that you had the hypnotizing like 174 00:10:18,600 --> 00:10:22,640 Speaker 2: circle thing in the background, and yeah, yeah there was, 175 00:10:23,080 --> 00:10:25,000 Speaker 2: and there was a lot of time and the actual 176 00:10:25,080 --> 00:10:27,760 Speaker 2: hurt Locker. Because we didn't have to spend much time 177 00:10:27,840 --> 00:10:30,440 Speaker 2: in those scenarios, there was less hypnotizing this episode. I 178 00:10:30,440 --> 00:10:32,080 Speaker 2: think that just helped. 179 00:10:40,520 --> 00:10:44,120 Speaker 1: Let's go through some of these like story plotlines. 180 00:10:44,480 --> 00:10:49,600 Speaker 2: We discovered last week with the hurt Locker that Sue's 181 00:10:49,720 --> 00:10:53,840 Speaker 2: ultimate goal. Now it sort of seems like taking down 182 00:10:53,880 --> 00:10:58,920 Speaker 2: the new new directions is like a hobby, but her 183 00:10:58,960 --> 00:11:03,280 Speaker 2: real focus is getting Curt and blaming back together for 184 00:11:03,360 --> 00:11:05,800 Speaker 2: whatever reason, we're going with it. 185 00:11:06,280 --> 00:11:09,960 Speaker 1: I'm for it. I'm into it because I want them 186 00:11:10,000 --> 00:11:12,880 Speaker 1: back together too, so let's just go with there. 187 00:11:13,120 --> 00:11:16,719 Speaker 2: And also giving Jane so much fun stuff to do 188 00:11:17,600 --> 00:11:20,079 Speaker 2: as a viewer. It's just what I want. And hers 189 00:11:20,120 --> 00:11:28,120 Speaker 2: showing up as a waiter herd State with Walter and 190 00:11:28,320 --> 00:11:35,760 Speaker 2: just insults him. Then he goes, well, how old are you? 191 00:11:36,920 --> 00:11:38,120 Speaker 2: Jesuys thirty four? 192 00:11:42,640 --> 00:11:51,760 Speaker 1: Also the fact that she's she blames Becky. It's all 193 00:11:51,960 --> 00:11:55,880 Speaker 1: really really ridiculous. So Sue's going to create this idea 194 00:11:56,040 --> 00:11:58,840 Speaker 1: this she's going to kidnap them, which is like not. 195 00:11:58,960 --> 00:12:03,280 Speaker 2: So good, But we're gonna just but blow past. 196 00:12:03,640 --> 00:12:06,800 Speaker 1: And it's an elevator. It's an elevator that they very 197 00:12:06,840 --> 00:12:07,760 Speaker 1: willingly get into. 198 00:12:08,160 --> 00:12:10,280 Speaker 2: Can I I have to I have to point out 199 00:12:10,760 --> 00:12:17,080 Speaker 2: I love I love and shows when characters blindly accept 200 00:12:17,160 --> 00:12:22,800 Speaker 2: stupid situations. Okay sometimes yeah yeah yeah yeah, the way 201 00:12:22,960 --> 00:12:29,360 Speaker 2: Chris and and Darren we're so sort of it's also 202 00:12:29,360 --> 00:12:31,560 Speaker 2: how they played it is what I love when they 203 00:12:31,559 --> 00:12:33,440 Speaker 2: see the elevator, like, oh where did this come from? 204 00:12:33,480 --> 00:12:35,719 Speaker 2: And they're just like no, It's funny how they do 205 00:12:35,760 --> 00:12:38,560 Speaker 2: the same for already was here, I bet you. Oh, 206 00:12:38,640 --> 00:12:41,319 Speaker 2: I'm sure all of it was. But I love that. 207 00:12:41,440 --> 00:12:44,679 Speaker 2: I love when characters are just sort of like to 208 00:12:45,080 --> 00:12:50,440 Speaker 2: do blindly accepting the situation and blindly walking into an 209 00:12:50,440 --> 00:12:52,319 Speaker 2: elevator that has a bathroom. 210 00:12:54,440 --> 00:12:59,240 Speaker 1: This is I okay, the elevator really made me happy. 211 00:12:59,280 --> 00:13:03,400 Speaker 1: This whole episode maybe happy, but this elevator, like it 212 00:13:03,440 --> 00:13:04,080 Speaker 1: was a highlight. 213 00:13:04,480 --> 00:13:04,920 Speaker 2: I just. 214 00:13:06,360 --> 00:13:10,040 Speaker 1: Detrap two characters. It's almost like I like these. It's 215 00:13:10,080 --> 00:13:16,160 Speaker 1: like those episodes like en Seinfeld where they get lost 216 00:13:16,200 --> 00:13:18,679 Speaker 1: in the parking lot and they can't or like when 217 00:13:18,679 --> 00:13:22,000 Speaker 1: they're at the Chinese restaurant waiting for the reservation. There's 218 00:13:22,000 --> 00:13:24,680 Speaker 1: something about that. It's so satisfying because it's so simple, 219 00:13:24,800 --> 00:13:26,839 Speaker 1: yet it's like you can you're in it for the 220 00:13:26,880 --> 00:13:30,600 Speaker 1: whole episode. I would have watched a whole episode of 221 00:13:30,600 --> 00:13:32,360 Speaker 1: the two of them starking out the same and that's 222 00:13:32,400 --> 00:13:35,040 Speaker 1: all you want because you love those characters. It's written 223 00:13:35,360 --> 00:13:38,840 Speaker 1: so hilariously, and then you're also getting your Jane Lynch 224 00:13:38,920 --> 00:13:41,000 Speaker 1: of it all, even if she's not in the scene. 225 00:13:41,679 --> 00:13:42,160 Speaker 1: I'm dying. 226 00:13:42,679 --> 00:13:47,040 Speaker 2: The whole setup is such a Sue setup that it's 227 00:13:47,120 --> 00:13:51,199 Speaker 2: layered in that way where she's like woven throughout the 228 00:13:51,360 --> 00:13:51,960 Speaker 2: entire thing. 229 00:13:52,600 --> 00:13:57,199 Speaker 1: Yes, I mean and more so like Jigsaw, Sue centers 230 00:13:58,360 --> 00:14:01,400 Speaker 1: through a tiny hole in the elevator on a bike, 231 00:14:01,960 --> 00:14:04,400 Speaker 1: and the way that they've operated her, she like knocks 232 00:14:04,440 --> 00:14:07,360 Speaker 1: into the door, and like the physical comedy of Jigsaw 233 00:14:07,400 --> 00:14:10,480 Speaker 1: Fu and the whole thing of like Them. It's showing 234 00:14:10,559 --> 00:14:12,440 Speaker 1: up to the two of them and them just like 235 00:14:12,880 --> 00:14:15,319 Speaker 1: being weirded out by but like not so weirded out 236 00:14:15,320 --> 00:14:19,000 Speaker 1: by it, you know, like it's so crazy and yet 237 00:14:19,000 --> 00:14:22,200 Speaker 1: they're like h And. 238 00:14:22,120 --> 00:14:24,760 Speaker 2: It's also so cute that little montage of them like 239 00:14:24,800 --> 00:14:27,760 Speaker 2: sleeping and then looking at each other and then eating, 240 00:14:28,120 --> 00:14:29,800 Speaker 2: having a little picnic. 241 00:14:29,520 --> 00:14:33,760 Speaker 1: Like com out in there, and like it just loved, loved. 242 00:14:33,760 --> 00:14:37,160 Speaker 2: Yeah, you know, really good. I think it's a testament 243 00:14:38,040 --> 00:14:41,280 Speaker 2: to everyone involved in front of the camera and behind 244 00:14:41,280 --> 00:14:44,200 Speaker 2: the camera to make something like that work, just like 245 00:14:44,240 --> 00:14:49,120 Speaker 2: in Seinfeld. It's like a masterclass and making something so 246 00:14:49,160 --> 00:14:51,080 Speaker 2: simple be that effective. 247 00:14:52,520 --> 00:14:53,000 Speaker 1: Everybody. 248 00:14:53,080 --> 00:14:56,480 Speaker 2: We had Lena on the show that's right this episode, 249 00:14:56,960 --> 00:14:59,360 Speaker 2: and she told. 250 00:14:59,200 --> 00:15:02,400 Speaker 1: Us and she was right, and she has that jigsaus. 251 00:15:03,960 --> 00:15:07,080 Speaker 1: I get it now, I get it. I don't think 252 00:15:07,120 --> 00:15:09,560 Speaker 1: i'd ever seen this episode before, Like I think I've 253 00:15:09,600 --> 00:15:12,320 Speaker 1: seen snippets of other episodes or like clips or things, 254 00:15:12,320 --> 00:15:13,880 Speaker 1: but like, I don't think I saw any of this 255 00:15:13,960 --> 00:15:19,240 Speaker 1: episode ever, and it really delivered. 256 00:15:20,400 --> 00:15:23,000 Speaker 2: I absolutely have not seen this episode. I know I've 257 00:15:23,000 --> 00:15:25,240 Speaker 2: seen stills of Jigsaus. 258 00:15:24,920 --> 00:15:30,040 Speaker 1: Sasu on that bike too is I know I've said 259 00:15:30,040 --> 00:15:32,600 Speaker 1: this already, but like, the bike is so comical and 260 00:15:32,640 --> 00:15:36,200 Speaker 1: it's so tiny, and it really just made me. It 261 00:15:36,280 --> 00:15:38,000 Speaker 1: made me kiggle like a lot. So I could talk 262 00:15:38,040 --> 00:15:38,640 Speaker 1: about this all day. 263 00:15:38,720 --> 00:15:39,880 Speaker 2: I wonder who has that now. 264 00:15:40,640 --> 00:15:43,280 Speaker 1: I wish I could have Jigsaus do on the bike. 265 00:15:43,640 --> 00:15:44,440 Speaker 1: That's all I want now. 266 00:15:44,640 --> 00:15:47,880 Speaker 2: Somebody has to have it, right. 267 00:15:48,280 --> 00:15:50,160 Speaker 1: So the whole idea is that they have to kiss 268 00:15:50,480 --> 00:15:55,520 Speaker 1: or they'll be trapped in there forever. And it overlaps 269 00:15:55,800 --> 00:15:59,160 Speaker 1: with the song that New Direction is in New Directions 270 00:15:59,200 --> 00:16:02,560 Speaker 1: performance during the invitation all which we will now merge 271 00:16:02,560 --> 00:16:09,280 Speaker 1: into that. But that kiss also, I was like, oh, sweet, 272 00:16:09,480 --> 00:16:12,840 Speaker 1: sweet lady, lady, I just. 273 00:16:14,960 --> 00:16:15,480 Speaker 2: Where are you going? 274 00:16:16,200 --> 00:16:18,120 Speaker 1: I wasn't going to say anything, just give me the 275 00:16:18,200 --> 00:16:22,360 Speaker 1: kiss all day long. I love them, I want them 276 00:16:22,400 --> 00:16:27,280 Speaker 1: back together. I'm rooting for them. I know Spoilerer like 277 00:16:27,360 --> 00:16:30,000 Speaker 1: we get a wedding, but like, just give it all 278 00:16:30,040 --> 00:16:31,360 Speaker 1: to me, just give it all. 279 00:16:31,480 --> 00:16:35,000 Speaker 2: This is the first time call me a hater, and 280 00:16:35,040 --> 00:16:37,800 Speaker 2: I do love them together, but this is the first 281 00:16:37,840 --> 00:16:41,160 Speaker 2: time that I'm fully on board with him getting married. 282 00:16:41,200 --> 00:16:43,760 Speaker 2: Now I'm like, let's see. 283 00:16:43,560 --> 00:16:44,960 Speaker 1: It, let's get this now. 284 00:16:45,600 --> 00:16:47,200 Speaker 2: I also think that was their best. 285 00:16:47,040 --> 00:16:53,640 Speaker 1: Kiss, agreed, And just like the kiss, I know, I 286 00:16:53,680 --> 00:16:57,280 Speaker 1: was like, whoa, this is getting steamy. But like the montage, 287 00:16:57,320 --> 00:16:59,920 Speaker 1: the whole thing, like the music, the client, like the 288 00:17:00,080 --> 00:17:03,600 Speaker 1: it all just it was like that was the episode. 289 00:17:03,920 --> 00:17:06,400 Speaker 2: And then they're they're running through the hallway and they're 290 00:17:06,400 --> 00:17:08,000 Speaker 2: all disheveled and their shirts. 291 00:17:07,680 --> 00:17:11,879 Speaker 1: Are cute, so cute. Yeah, obviously they're rushing because like 292 00:17:11,920 --> 00:17:13,680 Speaker 1: they missed everything. So I get it. 293 00:17:13,720 --> 00:17:17,359 Speaker 2: But we need once a cheater, always a cheater. 294 00:17:19,480 --> 00:17:21,520 Speaker 1: Yeah, what's he gonna do? I don't know. 295 00:17:21,720 --> 00:17:23,040 Speaker 2: Oh, we know what he's gonna do. 296 00:17:23,560 --> 00:17:29,360 Speaker 1: I know, I know. Okay, So now Rachel uh has 297 00:17:30,560 --> 00:17:35,960 Speaker 1: has two days, very much in mister Shoe fashion, has 298 00:17:36,000 --> 00:17:39,960 Speaker 1: two days to get the glee club together, build a 299 00:17:40,000 --> 00:17:42,560 Speaker 1: glee club, get a set list, and go. And Kurt 300 00:17:42,600 --> 00:17:45,720 Speaker 1: had suggested getting Kitty in there, so well, Kurt's stuck 301 00:17:45,760 --> 00:17:48,399 Speaker 1: in an elevator. Rachel is going to try and recruit 302 00:17:48,400 --> 00:17:55,359 Speaker 1: recruit Kitty. This whole thing I didn't know happened. I 303 00:17:55,400 --> 00:17:56,280 Speaker 1: was like, oh that is in. 304 00:17:57,880 --> 00:18:05,560 Speaker 5: Had no idea, like, oh, and it's great, Like she 305 00:18:05,680 --> 00:18:08,440 Speaker 5: gets a nice emotional scene filled with hilarity. 306 00:18:08,560 --> 00:18:11,200 Speaker 2: She's a little softer than when she was originally brought 307 00:18:11,240 --> 00:18:12,080 Speaker 2: into the glee club. 308 00:18:12,200 --> 00:18:15,360 Speaker 1: It's yep, they left her. She you know, the only 309 00:18:15,400 --> 00:18:19,240 Speaker 1: reason she's there. So she's feeling a little vulnerable. Rachel 310 00:18:19,359 --> 00:18:22,760 Speaker 1: convinces her that, you know, she loves to sing and dance, 311 00:18:23,080 --> 00:18:25,120 Speaker 1: and so it was really nice scene with the two 312 00:18:25,160 --> 00:18:26,000 Speaker 1: of them. 313 00:18:26,240 --> 00:18:28,840 Speaker 2: And I also love that she calls Rachel out just 314 00:18:28,880 --> 00:18:32,760 Speaker 2: like you said, yeah that it's you know, very mister 315 00:18:32,800 --> 00:18:34,760 Speaker 2: shoe of you, and I can't tell if it's sweet 316 00:18:34,840 --> 00:18:35,040 Speaker 2: or not. 317 00:18:35,640 --> 00:18:42,879 Speaker 1: Yeah. Literally, And then even better, so like they cheat, 318 00:18:43,320 --> 00:18:49,000 Speaker 1: they cheat, they go in and they get the the 319 00:18:49,720 --> 00:18:55,200 Speaker 1: past coode. Well, Katy has the past codes to sue emotional, 320 00:18:56,560 --> 00:19:03,720 Speaker 1: emotionally vulnerable songs, a locked password and coded file that 321 00:19:03,920 --> 00:19:08,359 Speaker 1: they get. I love that and the song choices for 322 00:19:08,440 --> 00:19:13,160 Speaker 1: this for the writers were a plus plus. I love 323 00:19:13,240 --> 00:19:17,359 Speaker 1: these songs. By the way, I thought everybody sounded excellent 324 00:19:19,080 --> 00:19:22,480 Speaker 1: and I really enjoyed them. What I enjoyed even more 325 00:19:22,600 --> 00:19:27,119 Speaker 1: was like watching Sue like her journey from like hearing 326 00:19:27,160 --> 00:19:29,200 Speaker 1: them and like being angry about it, like how did 327 00:19:29,240 --> 00:19:32,120 Speaker 1: you get these to them? Like being completely moved and 328 00:19:32,160 --> 00:19:35,800 Speaker 1: like singing along and Sam singing along in the audience 329 00:19:37,119 --> 00:19:39,719 Speaker 1: and the Glee Club like came through. And I really 330 00:19:39,760 --> 00:19:44,479 Speaker 1: appreciated new directions, the new new directions, hearing everybody sing 331 00:19:44,720 --> 00:19:48,639 Speaker 1: everybody like obviously we loved his voice, like give it 332 00:19:48,720 --> 00:19:50,320 Speaker 1: to us all day. But then we got Billy and 333 00:19:50,320 --> 00:19:56,400 Speaker 1: we got Laura and Samantha, and it just really it 334 00:19:56,480 --> 00:19:59,240 Speaker 1: was very quintessential New Directions and I was like, here 335 00:19:59,280 --> 00:20:01,680 Speaker 1: for it. I was like, you sit on those stools. 336 00:20:02,160 --> 00:20:04,840 Speaker 2: And I also thought it was quintessential Glee in the 337 00:20:04,840 --> 00:20:08,840 Speaker 2: way that it wove in the silliness during these like 338 00:20:08,920 --> 00:20:13,760 Speaker 2: really nice musical numbers. Yes where I also just like 339 00:20:13,840 --> 00:20:17,000 Speaker 2: I love characters accepting a dumb thing like an elevator. 340 00:20:17,600 --> 00:20:21,439 Speaker 2: I love a break in and a password moment, and 341 00:20:21,640 --> 00:20:24,000 Speaker 2: love the scene with Kitty in the stall with Becky 342 00:20:24,760 --> 00:20:31,720 Speaker 2: and the off brand Mexican twinkies bribing her. I thought 343 00:20:31,760 --> 00:20:35,680 Speaker 2: that was so good. And then you have all these 344 00:20:35,720 --> 00:20:38,560 Speaker 2: sort of montages like during you know, you have the 345 00:20:38,600 --> 00:20:42,879 Speaker 2: curtain Blaine montage happening, and then you have Sue coming 346 00:20:42,880 --> 00:20:47,000 Speaker 2: in and being funny just like you said, but yeah, 347 00:20:47,000 --> 00:20:49,359 Speaker 2: it didn't take away from the performance at all. And 348 00:20:50,240 --> 00:20:56,560 Speaker 2: little things. I love also seeing like Becca's growth. I mean, 349 00:20:56,600 --> 00:20:59,480 Speaker 2: she was good from the first episode she was in, yeah, 350 00:20:59,520 --> 00:21:01,960 Speaker 2: even though we found out she had never been on 351 00:21:02,000 --> 00:21:05,880 Speaker 2: a set before. Right, But like the little looks she's 352 00:21:05,920 --> 00:21:11,879 Speaker 2: throwing between Rachel and Sue. Sue, We're just so satisfying 353 00:21:11,880 --> 00:21:14,360 Speaker 2: because you don't have to say anything, you just see. 354 00:21:14,359 --> 00:21:16,399 Speaker 2: There's so much of that in this episode where there 355 00:21:16,800 --> 00:21:22,200 Speaker 2: there's looks between Rachel and Sam because there's that whole 356 00:21:22,200 --> 00:21:26,280 Speaker 2: thing going on, yes, and then Rachel and Sue and 357 00:21:27,240 --> 00:21:30,880 Speaker 2: all while this music is going on. And then Sue, 358 00:21:31,160 --> 00:21:34,360 Speaker 2: you know, when they announce it one and it's new directions, 359 00:21:35,040 --> 00:21:38,880 Speaker 2: sorry to bury the lead. They She's like, I don't know, 360 00:21:39,440 --> 00:21:44,320 Speaker 2: all they did was sit on stools. She's constantly making 361 00:21:44,359 --> 00:21:46,080 Speaker 2: fun of the actually new directions. 362 00:21:46,160 --> 00:21:50,040 Speaker 1: Yes, yes, yes, excellent all around. Like you said, like 363 00:21:50,880 --> 00:21:54,240 Speaker 1: just everybody provoted, everybody in this episode. 364 00:21:54,400 --> 00:21:58,520 Speaker 2: Like I also have another thing I want to say 365 00:21:58,600 --> 00:22:05,760 Speaker 2: kudos too. I hate when, for example, this is there's 366 00:22:05,800 --> 00:22:10,240 Speaker 2: a world in which this hypnosis storyline plays out in 367 00:22:10,280 --> 00:22:14,200 Speaker 2: a way Rachel and Shoe have that moment, you know, 368 00:22:14,240 --> 00:22:18,199 Speaker 2: where Rachel is saying, you know, you're right, I'm sorry, 369 00:22:18,600 --> 00:22:20,280 Speaker 2: and she's like, well, I don't really forgive you for 370 00:22:20,400 --> 00:22:23,600 Speaker 2: the things you did, like getting Sam to steal my mail, 371 00:22:23,640 --> 00:22:28,360 Speaker 2: and she's like huh and they said sue and that's it, right, 372 00:22:28,720 --> 00:22:32,119 Speaker 2: But there's a world in which they're like, oh, we 373 00:22:32,200 --> 00:22:34,480 Speaker 2: have to get revenge or we have to plot to 374 00:22:34,520 --> 00:22:37,200 Speaker 2: get we have to do some sort of other plot 375 00:22:37,600 --> 00:22:41,320 Speaker 2: to make her admit that it was her and Baba, 376 00:22:41,880 --> 00:22:45,359 Speaker 2: I hate that, yes, and obviously why it didn't happen. 377 00:22:45,359 --> 00:22:47,800 Speaker 2: And I'm not a writer, but you know when shows 378 00:22:47,840 --> 00:22:51,679 Speaker 2: do that needlessly, create some drama like that, and it's 379 00:22:51,760 --> 00:22:53,159 Speaker 2: just as a waste of time because you know how 380 00:22:53,200 --> 00:22:55,840 Speaker 2: it's going to end up anyway. And so we did that. 381 00:22:55,960 --> 00:22:59,280 Speaker 2: We just like, you know, trim the fat. Let's just 382 00:22:59,320 --> 00:23:01,160 Speaker 2: say and you move on. 383 00:23:01,440 --> 00:23:02,600 Speaker 1: And we know. 384 00:23:02,720 --> 00:23:06,240 Speaker 2: I was so thankful for that. It's like, thank you, 385 00:23:06,560 --> 00:23:12,439 Speaker 2: gleet love what's happening here, like really enjoyed it. 386 00:23:13,119 --> 00:23:16,160 Speaker 1: Add it to the list of things that she has done, 387 00:23:16,760 --> 00:23:19,840 Speaker 1: because she's been wildly inappropriate this whole episode. 388 00:23:19,880 --> 00:23:23,680 Speaker 2: But two episodes in a row were like, ladies should 389 00:23:23,720 --> 00:23:24,639 Speaker 2: be in prison. 390 00:23:26,520 --> 00:23:30,359 Speaker 1: I mean, isn't stealing nail like a federal Well. 391 00:23:30,320 --> 00:23:31,760 Speaker 2: Yeah, and she's getting somebody else to. 392 00:23:31,720 --> 00:23:34,080 Speaker 1: Do it, right. It's bad. 393 00:23:34,320 --> 00:23:37,399 Speaker 2: It's bad. But the flip side of this is that 394 00:23:38,359 --> 00:23:41,840 Speaker 2: Rachel happens to snap when Sam is under some sort 395 00:23:41,880 --> 00:23:44,639 Speaker 2: of trance, saying he like want trying to get Rachel 396 00:23:44,680 --> 00:23:48,600 Speaker 2: to use the terrible size, which is also a really 397 00:23:48,680 --> 00:23:52,600 Speaker 2: lovely moment. Yes, yes, and he's like, I don't know 398 00:23:52,600 --> 00:23:54,240 Speaker 2: what's been going on with me. There's just gaps of 399 00:23:54,320 --> 00:23:58,040 Speaker 2: time that are missing, and she just is like, Okay, 400 00:23:58,480 --> 00:23:59,640 Speaker 2: you can make it up for me if you find 401 00:23:59,640 --> 00:24:02,800 Speaker 2: seven people. Also, are we just going to forget that 402 00:24:02,840 --> 00:24:05,399 Speaker 2: we're supposed to have twelve people for this invitational? 403 00:24:06,160 --> 00:24:08,680 Speaker 1: Yeah, they just changed it for the purpose that they 404 00:24:08,720 --> 00:24:12,840 Speaker 1: have only of seven cast members. Yeah, okay, you know 405 00:24:13,000 --> 00:24:13,840 Speaker 1: it's okay. 406 00:24:13,720 --> 00:24:15,840 Speaker 2: Yeah, that's fine with it. And I was like, why 407 00:24:15,920 --> 00:24:17,480 Speaker 2: did we bring it up in the first place? Also, 408 00:24:17,800 --> 00:24:20,320 Speaker 2: we skipped over this, and I thought this was a 409 00:24:20,359 --> 00:24:25,680 Speaker 2: really funny and weird thing. What Sue stating the rules 410 00:24:25,920 --> 00:24:31,879 Speaker 2: after vocal adrenaline has already presented, which was also it 411 00:24:31,960 --> 00:24:34,240 Speaker 2: seems like oh, we should have thought of that before 412 00:24:34,280 --> 00:24:36,440 Speaker 2: we wrote the first episode, and I don't. 413 00:24:36,600 --> 00:24:38,919 Speaker 1: We just let's just put it in because. 414 00:24:38,800 --> 00:24:41,200 Speaker 2: And I think it's so good. I think it's brilliant. 415 00:24:41,280 --> 00:24:43,919 Speaker 2: I don't care what the motivation of it was, but 416 00:24:44,040 --> 00:24:48,280 Speaker 2: it is so funny. All these little things just work perfectly. 417 00:24:49,720 --> 00:24:52,000 Speaker 2: Where in the last episode they do all these weird things, 418 00:24:52,040 --> 00:24:54,119 Speaker 2: you're like, I don't know about that one, or I 419 00:24:54,119 --> 00:24:57,200 Speaker 2: don't know about that one. I know this, love it all. 420 00:24:57,920 --> 00:25:05,240 Speaker 1: I love it. Also Jake Sase's boy, so's ridiculous. Okay, 421 00:25:05,320 --> 00:25:09,600 Speaker 1: we skipped over. Also the Dalton Warblers and their performances. 422 00:25:09,920 --> 00:25:13,040 Speaker 1: So obviously Blaine is not he's missing, he's stuck in 423 00:25:13,080 --> 00:25:16,280 Speaker 1: the elevator, and the Warblers are going to perform anyway. 424 00:25:18,600 --> 00:25:21,919 Speaker 1: They do a really great job. Did you feel like now, 425 00:25:22,480 --> 00:25:25,480 Speaker 1: obviously for the purpose that she makes the joke about 426 00:25:25,520 --> 00:25:28,119 Speaker 1: new directions just sitting on stools, and it's her songs 427 00:25:28,119 --> 00:25:30,520 Speaker 1: and it's ballad and heavy, and they're not doing huge 428 00:25:30,600 --> 00:25:33,760 Speaker 1: dance numbers like Vocal Adrenaline and you know, all the tricks. 429 00:25:34,080 --> 00:25:38,280 Speaker 1: Like the Warblers also felt a little different than normal, 430 00:25:38,680 --> 00:25:44,080 Speaker 1: like they didn't feel like Dalhold Academy, like steps, step touch, 431 00:25:44,920 --> 00:25:48,879 Speaker 1: you know, snaps. It felt like more vocal adrenaline driven 432 00:25:48,960 --> 00:25:53,720 Speaker 1: because probably just for the juxtaposition of those two being 433 00:25:53,800 --> 00:25:56,240 Speaker 1: like the big showmen and then us kind of doing 434 00:25:56,280 --> 00:26:01,560 Speaker 1: the heart thing in the New Directions. But it didn't 435 00:26:01,600 --> 00:26:04,280 Speaker 1: feel like them at all. I was like, where did 436 00:26:04,280 --> 00:26:07,040 Speaker 1: these Warblers come from? Is this like a new generation 437 00:26:07,280 --> 00:26:11,840 Speaker 1: of Warblers where they're tumbling and doing literally like break dancing. 438 00:26:12,800 --> 00:26:15,920 Speaker 2: Fully, I fully agree with you, and I think it. 439 00:26:16,040 --> 00:26:19,160 Speaker 2: I think your instinct is completely right on why they 440 00:26:19,160 --> 00:26:23,679 Speaker 2: were sort of vocal adrenaline doubt because it had to 441 00:26:23,720 --> 00:26:30,280 Speaker 2: be that death juxtaposition against the sort of boring new directions. 442 00:26:31,840 --> 00:26:34,320 Speaker 1: I will say it was very good. 443 00:26:34,520 --> 00:26:37,480 Speaker 2: It was so good. Also, there's a whole new crop 444 00:26:37,480 --> 00:26:40,880 Speaker 2: of dancers in there, and one of our friends JP 445 00:26:41,119 --> 00:26:42,879 Speaker 2: was in there. I took a video and sent it 446 00:26:42,880 --> 00:26:45,080 Speaker 2: to him. He's like, oh, that was a good one, 447 00:26:45,080 --> 00:26:47,520 Speaker 2: and I was like, yeah, yeah, I'd never seen it before. 448 00:26:47,960 --> 00:26:48,640 Speaker 1: It was really fun. 449 00:26:48,760 --> 00:26:53,040 Speaker 2: Yeah exactly. I mean they are dancing. 450 00:26:54,040 --> 00:26:57,760 Speaker 1: Dancing. That's the thing. The Warblers don't dance dance, they move, 451 00:26:58,160 --> 00:27:02,080 Speaker 1: they step touch it. It's like an intentional well that's 452 00:27:02,119 --> 00:27:04,480 Speaker 1: what we call ours too. But you know, new directions, 453 00:27:04,480 --> 00:27:08,080 Speaker 1: but anyway that I just had. 454 00:27:07,920 --> 00:27:12,199 Speaker 2: To still it was a little murky. It was like 455 00:27:12,240 --> 00:27:14,960 Speaker 2: this could just be vocal adrenaline and Blazers. 456 00:27:14,880 --> 00:27:17,200 Speaker 1: Agreed, which they may have pulled some. 457 00:27:19,480 --> 00:27:29,919 Speaker 2: I'm sure they did. Okay, I know this is not 458 00:27:30,040 --> 00:27:35,560 Speaker 2: correct to say, but I feel like if any of 459 00:27:35,600 --> 00:27:38,320 Speaker 2: us can say it, I can say it. I like 460 00:27:40,720 --> 00:27:43,200 Speaker 2: all the gauge you did. 461 00:27:45,040 --> 00:27:47,600 Speaker 1: They were quiet after There were a lot, not all 462 00:27:47,640 --> 00:27:50,600 Speaker 1: of them, right, but there were. 463 00:27:50,520 --> 00:27:56,399 Speaker 2: Some of them where I was like, Sue has lost 464 00:27:56,400 --> 00:28:02,640 Speaker 2: their mind. But the way she's just openly saying. 465 00:28:03,680 --> 00:28:08,880 Speaker 5: Like just throw in and look, there's gay. 466 00:28:08,920 --> 00:28:10,640 Speaker 2: There's a lot of gay writers in that writer's room, 467 00:28:10,640 --> 00:28:11,400 Speaker 2: so they're writing. 468 00:28:11,200 --> 00:28:15,760 Speaker 1: These jokes, right, and so it's like one Warbler's credit 469 00:28:15,920 --> 00:28:16,800 Speaker 1: is really gay. 470 00:28:16,600 --> 00:28:18,359 Speaker 2: Warbler exactly, and. 471 00:28:20,440 --> 00:28:23,040 Speaker 1: Then there's another one, Kevin other really gay Warbler. 472 00:28:25,080 --> 00:28:27,280 Speaker 2: I love those things. We haven't talked about that in 473 00:28:27,320 --> 00:28:29,800 Speaker 2: a long time, where Ian would write or the writers 474 00:28:29,800 --> 00:28:32,320 Speaker 2: would write those things into the script and stage directions 475 00:28:32,440 --> 00:28:34,600 Speaker 2: or character names that are just that is the real 476 00:28:34,680 --> 00:28:38,160 Speaker 2: tone of the show, and so I like it. I 477 00:28:38,200 --> 00:28:41,120 Speaker 2: know it's a little offensive, but it's pretty harmless in 478 00:28:41,160 --> 00:28:42,200 Speaker 2: this in a lot of ways. 479 00:28:42,240 --> 00:28:46,280 Speaker 1: And so I oh we also can we talk about 480 00:28:46,280 --> 00:28:51,520 Speaker 1: Michael Hedgecock? Oh my god, excuse me? 481 00:28:51,800 --> 00:28:55,120 Speaker 2: So remember and also what was was he spying for 482 00:28:55,240 --> 00:28:58,280 Speaker 2: Sue or something? It seemed very I know. 483 00:28:58,840 --> 00:29:03,080 Speaker 1: Well he's not. They lost all their funding and so 484 00:29:03,880 --> 00:29:07,600 Speaker 1: what is he doing there? I don't it feels crazy. 485 00:29:07,960 --> 00:29:10,120 Speaker 1: I don't know what it is. But anytime we can 486 00:29:10,120 --> 00:29:13,360 Speaker 1: get Hitchcock on stream, yeah, I want to see it, 487 00:29:14,280 --> 00:29:17,160 Speaker 1: give it to us so to I know we're going 488 00:29:17,200 --> 00:29:21,120 Speaker 1: all over the place, but I know, whatever to wrap 489 00:29:21,200 --> 00:29:27,120 Speaker 1: up this Sam and Rachel storyline. You know, he's doing 490 00:29:27,160 --> 00:29:29,520 Speaker 1: his like sort of cord thing in the audience at 491 00:29:29,520 --> 00:29:32,760 Speaker 1: the end, and then they have this look from Rachel, 492 00:29:33,600 --> 00:29:39,600 Speaker 1: I say, and she like smiles and looks, you know, 493 00:29:39,840 --> 00:29:44,160 Speaker 1: smirks and looks down and it's like considering it. And 494 00:29:44,280 --> 00:29:49,880 Speaker 1: it feels like groundwork is being laid. Hmmm. 495 00:29:50,920 --> 00:29:54,640 Speaker 2: Now for the million of the time, I have no 496 00:29:54,680 --> 00:29:59,000 Speaker 2: idea what happens, but that's but that's what we're clearly 497 00:29:59,080 --> 00:29:59,640 Speaker 2: being fed. 498 00:30:00,200 --> 00:30:02,560 Speaker 1: Yeah yeah, yeah, Okay, I missed that last one. 499 00:30:02,640 --> 00:30:06,480 Speaker 2: But okay, there's so many good Sue lines. 500 00:30:06,560 --> 00:30:07,200 Speaker 1: I just I. 501 00:30:08,440 --> 00:30:12,360 Speaker 2: Like, I God, it's good. 502 00:30:12,920 --> 00:30:18,520 Speaker 1: So Sam is brought in by Kurt for help and 503 00:30:18,600 --> 00:30:23,800 Speaker 1: he's gonna go and get Spencer, and Spencer he's going 504 00:30:23,880 --> 00:30:26,600 Speaker 1: to join the glee club. Spoil out of there. He's 505 00:30:26,600 --> 00:30:29,360 Speaker 1: coming in. He comes in at the very end after 506 00:30:29,480 --> 00:30:34,520 Speaker 1: they've won correct in the in the choir room, kidd, 507 00:30:34,560 --> 00:30:39,160 Speaker 1: he's in obviously now we've got Spencer in. It was 508 00:30:39,200 --> 00:30:40,480 Speaker 1: really sweet that scene. 509 00:30:41,480 --> 00:30:44,760 Speaker 2: It was and it was nice to also see him 510 00:30:44,800 --> 00:30:49,360 Speaker 2: just sort of drop his guard for a second. 511 00:30:49,960 --> 00:30:53,680 Speaker 1: Yeah, I really like this whole Spencer. I like Spencer 512 00:30:53,680 --> 00:30:56,200 Speaker 1: in general. If I love this character, I like this 513 00:30:56,800 --> 00:31:01,040 Speaker 1: for the show. I think it really I don't know, 514 00:31:01,080 --> 00:31:03,040 Speaker 1: I think it moves it in in the right direction. 515 00:31:03,840 --> 00:31:09,440 Speaker 1: And I also really appreciated Seam referencing Finn again, Like 516 00:31:10,640 --> 00:31:17,600 Speaker 1: I yeah, I really, I just it was sentimental in 517 00:31:17,640 --> 00:31:20,160 Speaker 1: a way, and it was like in a really weird episode, 518 00:31:20,200 --> 00:31:21,760 Speaker 1: and I was like, just bring it back, bring it 519 00:31:21,760 --> 00:31:23,280 Speaker 1: back to the ground a little bit, where like getting 520 00:31:23,320 --> 00:31:25,480 Speaker 1: closer to the ground, you know, we're hovering. 521 00:31:25,320 --> 00:31:32,040 Speaker 2: Correct And that whole monologue that Spencer gave was also 522 00:31:32,240 --> 00:31:35,960 Speaker 2: very real where it was really funny and like also 523 00:31:35,960 --> 00:31:38,640 Speaker 2: a nice take in the previous episodes where he's just 524 00:31:38,680 --> 00:31:43,320 Speaker 2: like sort of the post post post modern gay right, 525 00:31:46,440 --> 00:31:50,080 Speaker 2: but it's a very real thing in gay communities all 526 00:31:50,120 --> 00:31:53,200 Speaker 2: around the world, where you still have that part of you. 527 00:31:53,240 --> 00:31:55,680 Speaker 2: It's like, even though it's coming off like he's all 528 00:31:55,720 --> 00:31:58,360 Speaker 2: confident and strong and he's choosing to be this way, 529 00:31:58,920 --> 00:32:03,680 Speaker 2: that's who he is underneath it. Now we've discovered why 530 00:32:03,720 --> 00:32:07,160 Speaker 2: he's doing it, and it isn't necessarily the most natural 531 00:32:07,320 --> 00:32:10,160 Speaker 2: part of him, right, and so he is putting on 532 00:32:10,200 --> 00:32:16,000 Speaker 2: this facade to fit in. And it's also nice that 533 00:32:16,080 --> 00:32:20,040 Speaker 2: it is Sam. Sam's a character that is doing this, yes, 534 00:32:20,400 --> 00:32:21,480 Speaker 2: which is pretty sweet. 535 00:32:22,480 --> 00:32:25,280 Speaker 1: Yeah, And it puts Sam in like the leadership role 536 00:32:25,320 --> 00:32:32,120 Speaker 1: that we talked about in like when we were at nationals. Yeah, 537 00:32:32,520 --> 00:32:38,360 Speaker 1: our last yeah yeah, yeah, he'll get turned into the 538 00:32:38,400 --> 00:32:39,200 Speaker 1: same thing for me. 539 00:32:41,280 --> 00:32:44,200 Speaker 2: You know. It's funny. But as we're watching this, I'm like, 540 00:32:44,440 --> 00:32:46,800 Speaker 2: we're going to start remembering all these things now because 541 00:32:46,800 --> 00:32:51,760 Speaker 2: we're watching it, I fear it's all just disappearing as quickly. 542 00:32:51,440 --> 00:32:54,840 Speaker 1: As a game ohing as fast as it came. Yeah, 543 00:32:55,040 --> 00:33:00,000 Speaker 1: but I appreciate the callback to some of these things 544 00:33:00,120 --> 00:33:03,320 Speaker 1: is because in Glee, it's so it's so quick to 545 00:33:03,440 --> 00:33:06,000 Speaker 1: move on from the thing that we once did. Kind 546 00:33:06,000 --> 00:33:08,760 Speaker 1: of maybe like our memory. Maybe that's why it's because 547 00:33:08,760 --> 00:33:10,280 Speaker 1: it's so fleeting and fast. 548 00:33:12,000 --> 00:33:12,320 Speaker 2: Fault. 549 00:33:12,760 --> 00:33:15,160 Speaker 1: Yeah, it's everybody else's fault. They've bet for our own 550 00:33:15,160 --> 00:33:20,680 Speaker 1: memories and we take zero accountability for that. So but 551 00:33:21,120 --> 00:33:27,600 Speaker 1: I appreciate the watching these kids or these adults who 552 00:33:27,600 --> 00:33:31,800 Speaker 1: were you know, once former students or our former students 553 00:33:31,840 --> 00:33:35,400 Speaker 1: like turn into the leaders of the group. So I'm 554 00:33:35,480 --> 00:33:36,280 Speaker 1: very happy there. 555 00:33:36,600 --> 00:33:40,880 Speaker 2: So after the invitational, when New Directions wins and Vocal 556 00:33:40,960 --> 00:33:46,720 Speaker 2: Journaline does not, the lead vocalist of Vocal Adrenaline, Clint 557 00:33:47,160 --> 00:33:53,760 Speaker 2: threatens mister Shoe and it's sort of this moment of 558 00:33:55,080 --> 00:33:57,360 Speaker 2: is this guy going to get mister Shoe fired? Then 559 00:33:57,360 --> 00:34:00,520 Speaker 2: if mister Shoes out of a job, is coming back 560 00:34:00,560 --> 00:34:02,960 Speaker 2: to McKinley, But that spot's already been filled. 561 00:34:03,720 --> 00:34:04,120 Speaker 1: Hmmm. 562 00:34:05,000 --> 00:34:08,120 Speaker 2: So I don't know where that's leading, and maybe you 563 00:34:08,160 --> 00:34:09,520 Speaker 2: know it's. 564 00:34:09,680 --> 00:34:13,600 Speaker 1: Because clearly the fun part of not knowing, so is 565 00:34:13,640 --> 00:34:14,440 Speaker 1: he coming back? 566 00:34:14,880 --> 00:34:16,680 Speaker 2: Is he coming back? And maybe they need him to 567 00:34:16,680 --> 00:34:19,879 Speaker 2: come back so Rachel can like get her mojo back 568 00:34:19,880 --> 00:34:22,360 Speaker 2: and go off and do something else. But they're clearly 569 00:34:22,400 --> 00:34:25,319 Speaker 2: setting this up to motivate show to be leave. 570 00:34:25,760 --> 00:34:28,880 Speaker 1: Yeah, I am, I am curious because I do remember 571 00:34:29,760 --> 00:34:32,520 Speaker 1: for two thousand and nine. It's the final episode, right, 572 00:34:33,000 --> 00:34:38,000 Speaker 1: He's there, right, And I'm like, but didn't you get there? 573 00:34:38,560 --> 00:34:41,239 Speaker 1: And we were so deep out of it at that 574 00:34:41,360 --> 00:34:44,240 Speaker 1: point that, like, I don't think that I even asked 575 00:34:44,239 --> 00:34:49,080 Speaker 1: that question. No, we were just saying we were reading this, senior, 576 00:34:50,800 --> 00:34:53,120 Speaker 1: and it was the final episode of the series, to 577 00:34:53,120 --> 00:34:55,040 Speaker 1: be fair, so like you know what I mean, we 578 00:34:55,040 --> 00:34:57,600 Speaker 1: were just going back to two thousand and nine and 579 00:34:57,640 --> 00:35:00,040 Speaker 1: we were like deep in that whole thing. But I 580 00:35:00,040 --> 00:35:02,120 Speaker 1: I did think about that. I was like, oh, mister, 581 00:35:02,200 --> 00:35:03,120 Speaker 1: she was there. 582 00:35:04,920 --> 00:35:09,520 Speaker 2: You know, I don't even think I have I didn't 583 00:35:09,560 --> 00:35:12,840 Speaker 2: even think that. I don't think I knew that he wasn't. 584 00:35:15,400 --> 00:35:18,480 Speaker 2: That's how out I'm in any of these episodes. So 585 00:35:18,640 --> 00:35:21,040 Speaker 2: I don't think I even realized that he was never there. 586 00:35:21,680 --> 00:35:27,640 Speaker 1: M Yeah, okay, Well he does do vocal adrenaline for 587 00:35:27,680 --> 00:35:30,080 Speaker 1: longer than one episode, which I appreciate too, Like I 588 00:35:30,120 --> 00:35:32,560 Speaker 1: appreciate the time and the breath that we have in 589 00:35:32,600 --> 00:35:36,480 Speaker 1: these episodes like New York, where things can play out 590 00:35:36,560 --> 00:35:39,279 Speaker 1: in a longer, kind of drawn out way where it 591 00:35:39,280 --> 00:35:42,120 Speaker 1: actually gets a proper arc. So I'm looking I like this. 592 00:35:42,160 --> 00:35:44,680 Speaker 1: I appreciate that I'm not you know, we complain about 593 00:35:44,680 --> 00:35:46,319 Speaker 1: some of the things that move too fast. So here 594 00:35:46,360 --> 00:35:47,879 Speaker 1: we are, we're living in it. 595 00:35:47,960 --> 00:35:50,719 Speaker 2: I like it all. And it's like, I know this 596 00:35:50,760 --> 00:35:54,279 Speaker 2: is a part one and part two episode or arc 597 00:35:54,400 --> 00:35:58,040 Speaker 2: for everyone, including like Sam's storyline and Will's storyline, like 598 00:35:58,080 --> 00:36:00,520 Speaker 2: everyone is split up over these two episodes, but it 599 00:36:00,680 --> 00:36:05,680 Speaker 2: is refreshing and it is nice, and I yes, I'm 600 00:36:05,880 --> 00:36:07,600 Speaker 2: loving the new kids. 601 00:36:08,000 --> 00:36:10,840 Speaker 1: Loving the new kids, loving the whole like leadership, like 602 00:36:10,880 --> 00:36:13,640 Speaker 1: we've got Sam a Ppe, and we've got Rachel and 603 00:36:13,719 --> 00:36:15,680 Speaker 1: Kerr and we've got Jarrin and we were like I. 604 00:36:15,600 --> 00:36:18,760 Speaker 2: Really like, oh my god, wow. 605 00:36:19,440 --> 00:36:21,000 Speaker 1: Well I didn't take pe or gym. 606 00:36:21,280 --> 00:36:23,640 Speaker 2: I have not heard it called pe in so long. 607 00:36:24,080 --> 00:36:26,640 Speaker 1: Is that like gan equated? Is it not called that anymore? 608 00:36:26,719 --> 00:36:26,839 Speaker 4: No? 609 00:36:26,880 --> 00:36:28,560 Speaker 2: But I just I don't even think about that. He's 610 00:36:28,600 --> 00:36:31,760 Speaker 2: just like the football assistant right assistant coach of football. 611 00:36:31,719 --> 00:36:34,399 Speaker 1: Oh oh oh, I thought he was. 612 00:36:34,400 --> 00:36:38,279 Speaker 2: Like he probably is, but that would have been a 613 00:36:38,280 --> 00:36:40,480 Speaker 2: fun class. We only saw it in dodgeball. We should 614 00:36:40,480 --> 00:36:41,440 Speaker 2: have gotten more pe. 615 00:36:43,160 --> 00:36:43,480 Speaker 3: Right. 616 00:36:44,080 --> 00:36:50,160 Speaker 1: Well, in my high school, we took dance. That's wild, 617 00:36:50,760 --> 00:36:56,360 Speaker 1: Martha Graham. What we did, Martha, We did jazz, we 618 00:36:56,440 --> 00:37:01,400 Speaker 1: did Fosthy did all okay, oh my god. Yeah, my 619 00:37:01,480 --> 00:37:02,800 Speaker 1: high school was so small. 620 00:37:02,960 --> 00:37:06,279 Speaker 2: We didn't even have, oh my god, any extracurriculars like that. 621 00:37:06,440 --> 00:37:08,680 Speaker 1: Yeah, okay, that's sad. 622 00:37:09,800 --> 00:37:11,600 Speaker 2: Oh no, I loved it. I wasn't a boy band. 623 00:37:11,640 --> 00:37:13,879 Speaker 2: I was doing that stuff after school. Yeah. 624 00:37:13,920 --> 00:37:16,600 Speaker 1: Of course you were like watching the TV, like learning 625 00:37:16,640 --> 00:37:20,120 Speaker 1: the in sync videos like of course. Yeah, okay, let's 626 00:37:20,160 --> 00:37:23,000 Speaker 1: grade these performances because that is the end of the 627 00:37:23,080 --> 00:37:25,480 Speaker 1: hurt Locker series. 628 00:37:26,000 --> 00:37:30,160 Speaker 2: And who knew who knew that we would we were 629 00:37:30,160 --> 00:37:30,720 Speaker 2: going to feel. 630 00:37:31,600 --> 00:37:34,920 Speaker 1: I feel joy from that episode. I think about Jake 631 00:37:34,960 --> 00:37:41,640 Speaker 1: Sasu and I laugh. Okay, my Sharona love ay ay, Yeah, 632 00:37:41,760 --> 00:37:45,439 Speaker 1: these are great and you spin me around even better. Yeah. Hey, 633 00:37:46,080 --> 00:37:48,960 Speaker 1: it must have been love given an A. 634 00:37:50,560 --> 00:37:51,480 Speaker 2: Yeah, well I'll give. 635 00:37:51,320 --> 00:37:55,759 Speaker 1: This okay minus then Father Figure a A and then 636 00:37:55,840 --> 00:37:57,839 Speaker 1: all out of Love A plus. 637 00:38:00,520 --> 00:38:03,560 Speaker 2: I need to go down to that figure. 638 00:38:03,880 --> 00:38:05,759 Speaker 1: I was just gonna say, I gotta go listen to 639 00:38:05,840 --> 00:38:10,120 Speaker 1: the the the extended version of Father Figure, because when 640 00:38:10,120 --> 00:38:12,440 Speaker 1: he opened his mouth, I said. 641 00:38:12,440 --> 00:38:15,560 Speaker 2: Okay, yes, and they put that on the book and 642 00:38:15,640 --> 00:38:18,520 Speaker 2: I was like, oh boy, I need this episode to 643 00:38:18,560 --> 00:38:22,040 Speaker 2: be over so I can go listen to this. It's 644 00:38:22,160 --> 00:38:26,920 Speaker 2: so good. Okay, what a gift. 645 00:38:28,000 --> 00:38:33,360 Speaker 1: Let's do some tarty takes, cringe moments, Okay, I have 646 00:38:33,719 --> 00:38:36,759 Speaker 1: I have one that's not sueer related, but all of 647 00:38:36,840 --> 00:38:39,320 Speaker 1: suit but I have won this not Sue related. 648 00:38:39,440 --> 00:38:39,800 Speaker 2: Okay. 649 00:38:39,840 --> 00:38:49,279 Speaker 1: So Rachel refers to the Season four newbies as these terrible, 650 00:38:50,239 --> 00:38:53,799 Speaker 1: terrible things that I don't even want to repeat. And 651 00:38:53,920 --> 00:38:57,160 Speaker 1: my jaw was on the ground. I said, oh my god, 652 00:38:59,040 --> 00:38:59,520 Speaker 1: oh my. 653 00:38:59,560 --> 00:39:04,040 Speaker 2: God, my mom catching strays. 654 00:39:03,560 --> 00:39:08,080 Speaker 1: Left and right. I can't, I said, oh, oh, okay. 655 00:39:07,920 --> 00:39:10,520 Speaker 2: It was very out of character. This really set up 656 00:39:10,560 --> 00:39:12,879 Speaker 2: of the joke was funny. Is that you know she's 657 00:39:12,920 --> 00:39:16,280 Speaker 2: so like narcissistic she didn't learn any of their names. 658 00:39:16,719 --> 00:39:21,120 Speaker 2: That's hilarious. Yeah, but then it gets dark real quick. Yes, 659 00:39:21,280 --> 00:39:23,920 Speaker 2: and then Sue's jokes about Karowski were also in line 660 00:39:23,960 --> 00:39:24,439 Speaker 2: with that too. 661 00:39:24,800 --> 00:39:25,120 Speaker 3: Weird. 662 00:39:25,640 --> 00:39:29,640 Speaker 2: Yeah, uh, best dance move, I mean the Warblers you're 663 00:39:29,640 --> 00:39:34,000 Speaker 2: doing flips and splits and things. There was a move 664 00:39:34,480 --> 00:39:37,400 Speaker 2: where they like get on the risers from the sides 665 00:39:37,480 --> 00:39:39,520 Speaker 2: and do like a flip into a sit with a 666 00:39:39,560 --> 00:39:42,560 Speaker 2: straight leg and a leg bent, and it was so 667 00:39:42,800 --> 00:39:44,360 Speaker 2: clean and I was like, WHOA. 668 00:39:45,680 --> 00:39:48,360 Speaker 1: I said, they brought in some new Warblers today. 669 00:39:48,440 --> 00:39:52,080 Speaker 2: Yes, I also like more of the Warblers being characters, 670 00:39:52,120 --> 00:39:54,759 Speaker 2: like more dialogue from different warblers and things. Yeah, I'm 671 00:39:54,840 --> 00:39:55,399 Speaker 2: enjoying that. 672 00:39:55,560 --> 00:39:57,640 Speaker 1: We've had like a lot of warblers, so like it's 673 00:39:57,680 --> 00:39:59,840 Speaker 1: time best song. 674 00:40:01,320 --> 00:40:03,840 Speaker 2: Father Figure. Yes, I know we said. 675 00:40:04,160 --> 00:40:06,960 Speaker 1: All out of love we love but father Figure. Yeah, 676 00:40:08,080 --> 00:40:11,440 Speaker 1: that's performances by prop Jake saw So. 677 00:40:11,840 --> 00:40:13,800 Speaker 2: Yeah. 678 00:40:14,320 --> 00:40:21,680 Speaker 1: Also the elevator sign New Elevator, so funny, really good. 679 00:40:22,239 --> 00:40:24,040 Speaker 1: One of the ones that I loved, and it was 680 00:40:24,080 --> 00:40:27,759 Speaker 1: more about the delivery than the line itself. Was when 681 00:40:27,760 --> 00:40:29,920 Speaker 1: they're watching the video and Becky says, this is like 682 00:40:29,960 --> 00:40:32,720 Speaker 1: a dream sequence. How could you film that? And says okay, 683 00:40:32,760 --> 00:40:36,600 Speaker 1: Becky shut up, rowing it's honny. 684 00:40:36,360 --> 00:40:40,000 Speaker 2: No Jenna, Jenna. That is one of my favorite moments 685 00:40:40,080 --> 00:40:49,200 Speaker 2: in Glee. Ever. I said, Jerry, this looks like a 686 00:40:49,239 --> 00:40:50,719 Speaker 2: dream sequence. How did you. 687 00:40:56,800 --> 00:41:01,360 Speaker 1: The whole thing is so good? God? Why did I 688 00:41:01,400 --> 00:41:03,640 Speaker 1: don't know it did though it did. It's the two 689 00:41:03,680 --> 00:41:04,160 Speaker 1: of them. 690 00:41:05,120 --> 00:41:08,200 Speaker 2: Like golly lean into it like on the rooftop singing, 691 00:41:08,320 --> 00:41:13,759 Speaker 2: come what may get out of here? Really dream sequence? 692 00:41:16,560 --> 00:41:20,719 Speaker 2: So Lauren Potter, oh my gosh, come on, give her 693 00:41:20,719 --> 00:41:21,120 Speaker 2: an inch? 694 00:41:21,719 --> 00:41:21,920 Speaker 1: You know. 695 00:41:22,480 --> 00:41:26,839 Speaker 2: Yeah, like last episode, you know, she had this huge storyline, 696 00:41:27,560 --> 00:41:30,560 Speaker 2: like so much good physical comedy, and then she's also 697 00:41:30,640 --> 00:41:36,120 Speaker 2: dramatic and and this she's just has like two lines 698 00:41:36,719 --> 00:41:38,200 Speaker 2: is just killing. 699 00:41:38,840 --> 00:41:39,560 Speaker 1: I can't. 700 00:41:41,000 --> 00:41:43,520 Speaker 2: That's the line. No, really in the century. 701 00:41:43,280 --> 00:41:45,480 Speaker 1: Excellent, excellent, Okay, great, I'm glad that were a line 702 00:41:45,520 --> 00:41:47,480 Speaker 1: there performs MVP. 703 00:41:48,000 --> 00:41:51,360 Speaker 2: Honestly, Jane and Lauren. I think it's just Jane again 704 00:41:51,400 --> 00:41:54,200 Speaker 2: for me. Okay, it would be an honorable mention for 705 00:41:54,320 --> 00:41:55,960 Speaker 2: Christ and Darren Christ and Darren too. 706 00:41:56,120 --> 00:41:58,359 Speaker 1: Yeah, but Jane really good? 707 00:41:59,600 --> 00:42:04,560 Speaker 2: Oh god, Okay, so shit. We found on TikTok making 708 00:42:04,640 --> 00:42:09,799 Speaker 2: Faye and Brandon's splinner yeah and pronouncing that correctly. Are 709 00:42:09,840 --> 00:42:14,879 Speaker 2: doing press for their new movie, Drop and Brandon. They're 710 00:42:14,920 --> 00:42:20,239 Speaker 2: asked what their first professional acting job was, and he 711 00:42:21,120 --> 00:42:26,200 Speaker 2: admits that his first one was an extra on Glee 712 00:42:27,360 --> 00:42:30,160 Speaker 2: and she guessed it correctly, and it was in Baby 713 00:42:30,160 --> 00:42:33,000 Speaker 2: One More Time when he is hanging out with Corey 714 00:42:33,680 --> 00:42:36,600 Speaker 2: and fist bumps him in that basketball scene a Baby 715 00:42:36,600 --> 00:42:40,399 Speaker 2: one More Time, And that brings me so much joy. 716 00:42:41,560 --> 00:42:43,680 Speaker 2: That's amazing, isn't it incredible? 717 00:42:44,160 --> 00:42:46,480 Speaker 1: I also love that that's like people's first acting jobs 718 00:42:46,480 --> 00:42:48,880 Speaker 1: who are now like making it. I'm like that really 719 00:42:48,920 --> 00:42:49,800 Speaker 1: ages us. 720 00:42:50,320 --> 00:42:56,080 Speaker 2: Oh god fully, wow. I love that also, yeah, that's 721 00:42:56,120 --> 00:42:57,360 Speaker 2: how long ago Glee was. 722 00:42:58,000 --> 00:43:04,560 Speaker 1: Yes, exactly, go Glee honored. All right, Well that is 723 00:43:04,600 --> 00:43:07,160 Speaker 1: the our Locker Part two. Thanks for joining us for 724 00:43:07,520 --> 00:43:11,840 Speaker 1: on that journey. The next episode is we're almost halfway 725 00:43:11,840 --> 00:43:14,520 Speaker 1: through the end of the series. Don't talk, what will 726 00:43:14,560 --> 00:43:18,359 Speaker 1: we don't Well, we will recap what the world needs now, 727 00:43:18,400 --> 00:43:21,040 Speaker 1: which is next. And there's lots of music and also 728 00:43:21,640 --> 00:43:25,799 Speaker 1: one of my some of my favorite comedians in our 729 00:43:25,880 --> 00:43:28,080 Speaker 1: show that we got to meet and hang out with 730 00:43:28,680 --> 00:43:42,560 Speaker 1: of all time, So Jennifer Coolidge and right, duh. 731 00:43:37,640 --> 00:43:39,279 Speaker 2: Duh, you're right. 732 00:43:39,680 --> 00:43:43,800 Speaker 1: Jennifer Coolidge was like my idle like comedic idol Briant 733 00:43:43,960 --> 00:43:48,160 Speaker 1: like I was obsessed with her and I felt I 734 00:43:48,239 --> 00:43:50,120 Speaker 1: was very starstruck when she came on. 735 00:43:50,320 --> 00:43:53,279 Speaker 2: So did you watch all the Christopher guest movies like 736 00:43:53,320 --> 00:43:55,640 Speaker 2: I did growing up that Jane Lynch and Jennifer coolid 737 00:43:55,719 --> 00:43:59,719 Speaker 2: Dread Yes, and Hitchcock Yes. Yeah. So this is was 738 00:43:59,719 --> 00:44:00,960 Speaker 2: a It. 739 00:44:01,120 --> 00:44:03,840 Speaker 1: Was everything I could have hoped for and more To 740 00:44:03,920 --> 00:44:05,600 Speaker 1: come back and hear that they were all these an 741 00:44:05,600 --> 00:44:08,480 Speaker 1: amazing guest stars. I was like, oh man, I am. 742 00:44:08,719 --> 00:44:12,000 Speaker 2: I have some good Coolidge stories from filming those episodes 743 00:44:12,000 --> 00:44:12,359 Speaker 2: as well. 744 00:44:13,000 --> 00:44:19,719 Speaker 1: Well I can too. So funny and oh my god, okay, yeah, 745 00:44:19,800 --> 00:44:20,799 Speaker 1: all right, we'll get there. 746 00:44:21,719 --> 00:44:24,919 Speaker 2: Thanks for doing and that's what you really missed. Thanks 747 00:44:24,960 --> 00:44:28,120 Speaker 2: for listening, and follow us on Instagram at and that's 748 00:44:28,120 --> 00:44:30,279 Speaker 2: what you really miss pod. Make sure to write us 749 00:44:30,280 --> 00:44:32,879 Speaker 2: a review and leave us five stars. See you next time.