WEBVTT - SYMHC Classics: Aphra Behn

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<v Speaker 1>Happy Saturday. Before we get into Today's Saturday Classic, just

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<v Speaker 1>a quick reminder we have a live streaming event coming

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<v Speaker 1>up on March tenth. You can find all the information

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<v Speaker 1>about that and buy tickets at looped live dot com.

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<v Speaker 1>We also have the ticket link pinned up at the

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<v Speaker 1>top of our Facebook and our Twitter. We are super

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<v Speaker 1>excited and hope folks will join us for that. Okay,

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<v Speaker 1>coming up, we have an episode on Mary Sydney, Herbert,

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<v Speaker 1>Countess of Penbroke, who is the first woman known to

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<v Speaker 1>have published an English language play that happened in and

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<v Speaker 1>as we were recording this forthcoming episode, I had a

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<v Speaker 1>moment where I thought, when did Afriban do this same thing?

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<v Speaker 1>The answer is almost eighty entire years later, Mary Sydney,

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<v Speaker 1>your title is safe. Um. Aside from that, Afraban's life

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<v Speaker 1>of spy work and writing was a pretty exciting one.

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<v Speaker 1>So we're bringing that episode out as Today's Saturday Classic.

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<v Speaker 1>It originally came out on March man Joy, Welcome to

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<v Speaker 1>Stuff You Missed in History Class, a production of I

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<v Speaker 1>Heart Radio. Hello, and welcome to the podcast. I'm Tracy B.

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<v Speaker 1>Wilson and I'm Holly Frying. Today's podcast is a request

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<v Speaker 1>from many listeners once again, and they include Georgia, Bree, Laura, Anna, Lauren,

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<v Speaker 1>and Tabitha, who asked for it after I had actually

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<v Speaker 1>already started working on it, and I'm sure many other people.

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<v Speaker 1>It moved up to the top of the list after

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<v Speaker 1>sort of tangentially coming up in our Ira Frederick Aldridge episode.

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<v Speaker 1>Aldridge played a character called Orinoco in The Revolt of Surinam,

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<v Speaker 1>and that was an adaptation of the play Orinoco by

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<v Speaker 1>Thomas Southern. And that was an adaptation of Orinoco, a

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<v Speaker 1>short work of fiction by today's subject Afraban. There is

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<v Speaker 1>really not a lot that's conclusively known about the life

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<v Speaker 1>of Afraban, who, in addition to being a spy, was

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<v Speaker 1>also a dramatist and a poet, a novelist, a translator,

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<v Speaker 1>and probably the first woman in English literature known to

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<v Speaker 1>have made a living as a writer. Even though she

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<v Speaker 1>was prolific in her work, her gender meant that the

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<v Speaker 1>sorts of institutions that were mostly keeping up with the

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<v Speaker 1>details of writers and artists lives at the time did

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<v Speaker 1>not really include her. Since she wasn't an aristocrat, there

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<v Speaker 1>was no official family history, and shouldn't really keep a

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<v Speaker 1>diary or write a memoir or or corresponding a lot

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<v Speaker 1>of letters, at least not many of that actually survived.

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<v Speaker 1>And yet, even though there is so little concrete information,

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<v Speaker 1>she's the subject of multiple biographies, and some of them

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<v Speaker 1>are quite lengthy. Uh. With so little actual documentation to

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<v Speaker 1>go on, a lot of these sort of pick up

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<v Speaker 1>tiny pieces of the historical record and then try to

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<v Speaker 1>glean details of her life from her written work. And

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<v Speaker 1>this means that a lot of biographies about her are

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<v Speaker 1>very heavily subject to interpretation. They tend to be influenced

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<v Speaker 1>a lot by the biographers focus and their interpretation of

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<v Speaker 1>her body of work. Uh. And in some cases, if

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<v Speaker 1>you've read the words, probably and may have, you've read

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<v Speaker 1>like a quarter of the thing at least. So we're

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<v Speaker 1>gonna do our best on this one. I feel like

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<v Speaker 1>you're describing some sort of Afroban biographical mad libs kind

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<v Speaker 1>of is. I mean, every biography is influenced by the biographer,

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<v Speaker 1>even if you're trying, you know, even if the biographer

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<v Speaker 1>is trying really hard to have a very objective stance.

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<v Speaker 1>This is particularly true with Afriban because there's so much

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<v Speaker 1>that's like trying to piece together a teeny little puzzle

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<v Speaker 1>with itty bitty pieces to make a whole life out

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<v Speaker 1>of yeah, with big gaps in the puzzle, So it

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<v Speaker 1>won't s eries you. Having listened to that introduction, that

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<v Speaker 1>there is very very little known about Afra Ban's early life,

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<v Speaker 1>and most of what we do know has been reconstructed,

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<v Speaker 1>as Tracy just mentioned, by following the threads available, a

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<v Speaker 1>lot of which are other people's claims about her, and

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<v Speaker 1>then the logical conclusions are drawn from there. So it

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<v Speaker 1>is generally agreed that she was born sometime around sixteen forty,

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<v Speaker 1>probably to a family who lived in why A village

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<v Speaker 1>in Kent, England. Colonel Thomas Culpepper claimed that Afraban's mother

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<v Speaker 1>was his wet nurse and her father was reported to

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<v Speaker 1>be a barber, so this makes the most likely candidates

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<v Speaker 1>for her parents, Bartholomew and Elizabeth Johnson. They had a daughter,

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<v Speaker 1>e Free spelled e A F F R E y,

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<v Speaker 1>and that was one of the many many variations in

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<v Speaker 1>spelling for the name Afra at the time. This young

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<v Speaker 1>e Free was baptized on December fourteenth of sixteen forty,

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<v Speaker 1>although some sources report that as the day of her birth.

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<v Speaker 1>With her mother as his wet nurse, Afra would have

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<v Speaker 1>been considered Thomas culpeppers foster sister, and the cool Peppers

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<v Speaker 1>were a prominent family in the area. This connection to

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<v Speaker 1>the cool Peppers would have given Afra access to far

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<v Speaker 1>more educational opportunities and a wider social circle than she

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<v Speaker 1>would have had as just the daughter of a wet

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<v Speaker 1>nurse in a barber Although we don't have a lot

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<v Speaker 1>of details about the specifics of her childhood and her adolescence,

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<v Speaker 1>we do know that Afra grew up during a period

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<v Speaker 1>of huge chaos and change. The English Civil Wars began

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<v Speaker 1>when she was still a toddler, and this is a

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<v Speaker 1>series of wars that obviously could be at least a

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<v Speaker 1>whole episode all by themselves. So very briefly, the English

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<v Speaker 1>Civil Wars also involved Scotland and Ireland, and they grew

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<v Speaker 1>out of a conflict between King Charles the First and

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<v Speaker 1>parliament about who ultimately had control over the military. Following

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<v Speaker 1>an uprising in Ireland. During the English Civil Wars, the

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<v Speaker 1>Parliamentarians faced off against the Royalists in a series of

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<v Speaker 1>conflicts that ultimately led to a victory for the parliamentarians,

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<v Speaker 1>the execution of Charles the First in sixteen forty nine,

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<v Speaker 1>the exile of his son Charles the Second, and the

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<v Speaker 1>political rise of Oliver Cromwell, first Lord Protector of the

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<v Speaker 1>Commonwealth of England, Scotland and Ireland. The total death toll

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<v Speaker 1>in England was almost two hundred thousand. Obviously, that is

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<v Speaker 1>that it was like the tiniest possible description of the

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<v Speaker 1>English Civil Wars. During the interregnum years that followed from

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<v Speaker 1>sixteen forty nine to sixteen sixty, the nation was no

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<v Speaker 1>longer actively at war with itself, but it still had

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<v Speaker 1>its fair share of strife. Many of those in Parliament

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<v Speaker 1>were Puritans, and they started enforcing Puritans standards and views

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<v Speaker 1>for the rest of the nation. Cromwell himself had a

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<v Speaker 1>reputation as a radical and a fanatic, and his actions

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<v Speaker 1>during the Civil Wars had included, among other things, a

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<v Speaker 1>massacre in Ireland. Throughout the interregnum, royalists continued to work

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<v Speaker 1>toward the goal of restoring the monarchy. There's some speculation

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<v Speaker 1>that toward the end of the interregnum, Ben was already

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<v Speaker 1>beginning her career as a spy by secretly carrying messages

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<v Speaker 1>for Royalist organizations. She would have been connected to these

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<v Speaker 1>organizations once again through Thomas Culpepper. Oliver Cromwell died in

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<v Speaker 1>sixteen fifty eight, and by sixteen sixty one Charles the

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<v Speaker 1>Second had been returned to the throne. So by the

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<v Speaker 1>time Aframan hit her twenties, England had already been through

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<v Speaker 1>a lot, and with Charles the Second's return, English life

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<v Speaker 1>dramatically changed once again and a lot of circles. The

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<v Speaker 1>restoration was met with a huge, hedonistic, fairly drunken party,

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<v Speaker 1>and it was in this environment that Afra Bend really

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<v Speaker 1>flourished a whole lot more than during the more puritanical

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<v Speaker 1>interregnum years. In sixteen sixty three, when she was in

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<v Speaker 1>her early twenties, Ben traveled to Suriname, and this would

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<v Speaker 1>later become the setting for her work of fiction Orinocco.

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<v Speaker 1>Orinocco is often discussed as part of Ben's earlier work

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<v Speaker 1>because her visit there would have happened, as we just said,

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<v Speaker 1>when she was in her early twenties, but in reality

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<v Speaker 1>this piece wasn't published until shortly before her death. Orinocco

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<v Speaker 1>tells the story of a prince from the Gold Coast

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<v Speaker 1>and what is now Ghana, who's invited aboard a ship

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<v Speaker 1>and then enslaved before being sold in Surinam, and that's

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<v Speaker 1>where he meets the book's narrator. This narrator is an

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<v Speaker 1>english woman who had come to Suriname with her father,

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<v Speaker 1>but he died during the sea voyage. Some biographies actually

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<v Speaker 1>take this plot point from Orinoco and apply it to

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<v Speaker 1>Ben's real life father, although he had likely died by

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<v Speaker 1>the early mid sixteen sixties. It's completely unclear whether this

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<v Speaker 1>aspect of Orinoco is supposed to be autobiographical. There's also

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<v Speaker 1>debate about whether the book's narrator is supposed to be

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<v Speaker 1>a stand in for Ben herself, and that part similarly faggy.

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<v Speaker 1>But since Orinocco does contain a lot of detail about

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<v Speaker 1>Surinam and people who really lived there in the sixteen sixties,

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<v Speaker 1>it's easy to think of it as evidence that the

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<v Speaker 1>trip to Surinam really did happen, regardless of whether the

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<v Speaker 1>story it tells is supposed to be autobiographical. Also, although

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<v Speaker 1>Ben's own views on slavery are pretty hard to tease

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<v Speaker 1>out from her writing, Orinocco itself was considered an abolitionist

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<v Speaker 1>work of fiction in both the eighteenth and nineteen centuries. Yeah,

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<v Speaker 1>there are a lot of attempts to try to figure

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<v Speaker 1>out what her racial views were based on the content

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<v Speaker 1>of her writing, and the most logical conclusion is that

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<v Speaker 1>she had a lot of the prejudices that we're sort

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<v Speaker 1>of ingrained in society, especially English society at the time. Um.

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<v Speaker 1>And it's like when you read Orinocco, it a lot

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<v Speaker 1>of it is very sympathetic to the people who are

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<v Speaker 1>enslaved in the book, but it's it's sort of a

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<v Speaker 1>most like proto abolitionist text, like it was definitely read

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<v Speaker 1>that way for a couple of centuries. But there's also

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<v Speaker 1>a lot of stuff in it that is, you know,

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<v Speaker 1>obviously laced with implicit biases and racism because it was

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<v Speaker 1>written in the six century, even though Orinoco itself as

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<v Speaker 1>a book didn't come out until much later. Afroman was

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<v Speaker 1>writing while in Surinam, including an early draft of a

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<v Speaker 1>play called The Young King or a Mistake. Like several

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<v Speaker 1>of Ben's other plays, it's a tragic comedy and it

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<v Speaker 1>tells the story of a royal brother and sister brought

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<v Speaker 1>up in opposite roles because of a prophecy. The boy

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<v Speaker 1>is quote kept from his infancy and a castle on

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<v Speaker 1>a lake, ignorant of his quality and of all the world,

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<v Speaker 1>besides never having seen any humane things save only his

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<v Speaker 1>old tutor, while the girl is quote bred up in

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<v Speaker 1>war and designed to reign in place of her brother.

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<v Speaker 1>It plays around with gender and ideas of masculinity and femininity,

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<v Speaker 1>which is a hallmark of Ben's later work as well.

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<v Speaker 1>Ben's trip to Surinam wasn't particularly long. She returned to

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<v Speaker 1>England in sixteen sixty four, and not long after she

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<v Speaker 1>was given an audience with King Charles the Second to

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<v Speaker 1>report on what she had witnessed there. It's not completely

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<v Speaker 1>clear whether the king saw this as part of her

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<v Speaker 1>spy career, but she definitely spied for him later, and

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<v Speaker 1>we're going to start talking about that, but first we're

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<v Speaker 1>going to pause and have a little bit of a

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<v Speaker 1>sponsor break. About the same time as she returned from

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<v Speaker 1>Surinam in sixteen sixty four, after Ben married a man

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<v Speaker 1>whose name was as you would conclude Ben or maybe

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<v Speaker 1>being described as quote a merchant of Dutch extraction. It

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<v Speaker 1>might have been the Great plague of London which struck

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<v Speaker 1>in sixteen sixty five that killed Ben's husband. He was

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<v Speaker 1>dead by sixteen six six. On top of the plague,

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<v Speaker 1>England was once again at war. The Second Anglo Dutch

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<v Speaker 1>War began on March fourth of sixteen sixty and this

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<v Speaker 1>was part of a series of four wars between England

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<v Speaker 1>and the Dutch Republic and their allies. The first three

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<v Speaker 1>were largely trade wars, but the fourth was in response

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<v Speaker 1>to Dutch involvement in the American Revolutionary War. Regardless of

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<v Speaker 1>whether Ben had officially been doing spy work during the

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<v Speaker 1>Interregnum or in Surinam, she definitely was during the Second

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<v Speaker 1>Anglo Dutch War because in the code name Astraea. Ultimately

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<v Speaker 1>reporting to the Secretary of State, Lord Henry Bennett, she

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<v Speaker 1>was assigned to travel to Antwerp, which is now in

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<v Speaker 1>Belgium but was then in Spanish Netherlands to meet with

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<v Speaker 1>William Scott. Scott's father, Thomas, had been the man who

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<v Speaker 1>signed Charles the first death warrant, for which he was

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<v Speaker 1>later executed, and Scott himself was essentially acting as a

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<v Speaker 1>double agent. He was gathering intelligence for England while also

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<v Speaker 1>informing on the English to the Dutch armed with bribe

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<v Speaker 1>money and the promise of a pardon. Ben's mission was

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<v Speaker 1>to figure out whether Scott had worthwhile intelligence, and if

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<v Speaker 1>he did, to get that intelligence back to England. Ben

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<v Speaker 1>was likely chosen for this mission because she and Scott

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<v Speaker 1>had met in Surinam. They had a bit of a

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<v Speaker 1>flirtation there. In theory, this flirtation was nothing serious enough

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<v Speaker 1>to jeopardize Ben's judgment, but it was enough of an

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<v Speaker 1>existing connection to Scott to sort of soften him up

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<v Speaker 1>a little. She was given passage to Spanish Flanders and

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<v Speaker 1>enough money to take care of her own needs during

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<v Speaker 1>a short stay there. Her brother, who was in the military,

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<v Speaker 1>was temporary temporarily released from service to act as her chaperone.

0:13:45.240 --> 0:13:48.600
<v Speaker 1>Apparently Lord Bennett wasn't wasn't aware that she was a widow,

0:13:48.679 --> 0:13:50.880
<v Speaker 1>which would have given her a little more autonomy than

0:13:50.920 --> 0:13:54.680
<v Speaker 1>an unmarried woman would have had. She received her money

0:13:54.760 --> 0:13:58.440
<v Speaker 1>and instructions in July of sixteen sixty six, and she

0:13:58.559 --> 0:14:01.280
<v Speaker 1>was an antwerp by August, but her time as a

0:14:01.320 --> 0:14:05.079
<v Speaker 1>spy was not very successful. She flirted with Scott until

0:14:05.120 --> 0:14:08.120
<v Speaker 1>he finally agreed to pass her information, but then he

0:14:08.160 --> 0:14:10.760
<v Speaker 1>got her to agree to leave Antwerp and meet him

0:14:10.760 --> 0:14:13.400
<v Speaker 1>in the Hague. And if she did that, not only

0:14:13.520 --> 0:14:16.200
<v Speaker 1>was she very likely to be captured, but she was

0:14:16.280 --> 0:14:19.080
<v Speaker 1>also sure to run out of her already dwindling supply

0:14:19.160 --> 0:14:22.080
<v Speaker 1>of money. And this started the pair of them on

0:14:22.120 --> 0:14:25.040
<v Speaker 1>a cycle of back and forth, with him getting her

0:14:25.080 --> 0:14:28.320
<v Speaker 1>to agree to leave Flanders, and then her pulling back

0:14:28.320 --> 0:14:32.160
<v Speaker 1>on that agreement and another hiccup. This back and forth

0:14:32.200 --> 0:14:35.120
<v Speaker 1>between Scott and Ben also got tangled up with one

0:14:35.280 --> 0:14:39.000
<v Speaker 1>William Corney, a merchant from Amsterdam who was also passing

0:14:39.040 --> 0:14:42.200
<v Speaker 1>intelligence back to Lord Bennett. Before long, the three of

0:14:42.240 --> 0:14:45.040
<v Speaker 1>them were just continually trying to undermine one another in

0:14:45.080 --> 0:14:49.560
<v Speaker 1>this convoluted backstabby triangle, word of which spread to London

0:14:49.680 --> 0:14:53.360
<v Speaker 1>and started to threaten Ben's reputation. The idea that Ben's

0:14:53.360 --> 0:14:56.240
<v Speaker 1>previous flirtation with Scott wouldn't be a threat to her

0:14:56.360 --> 0:14:59.920
<v Speaker 1>also didn't really pan out, as Corny became a greater

0:15:00.160 --> 0:15:02.960
<v Speaker 1>threats to both of them. They started to rely on

0:15:03.160 --> 0:15:05.960
<v Speaker 1>and confide in each other in a way that didn't

0:15:05.960 --> 0:15:08.280
<v Speaker 1>really leave Ben a whole lot of power to try

0:15:08.320 --> 0:15:12.440
<v Speaker 1>to get the man to give her information. Eventually, Scott

0:15:12.440 --> 0:15:15.120
<v Speaker 1>fled Flanders out of fear that Corny was going to

0:15:15.240 --> 0:15:18.400
<v Speaker 1>kill him, and once he was gone, Corny focused all

0:15:18.440 --> 0:15:22.280
<v Speaker 1>his attention on Ben, tailing her and forging reports in

0:15:22.320 --> 0:15:25.880
<v Speaker 1>her name to discredit her. Scott wound up in prison,

0:15:26.000 --> 0:15:28.600
<v Speaker 1>and although he did keep writing to Ben, he couldn't

0:15:28.680 --> 0:15:31.480
<v Speaker 1>learn much while behind bars, and she had no way

0:15:31.480 --> 0:15:34.680
<v Speaker 1>to pay for a passage home. When Scott was released

0:15:34.720 --> 0:15:38.040
<v Speaker 1>from prison in sixteen sixty seven, he was also banished,

0:15:38.360 --> 0:15:41.440
<v Speaker 1>leaving Ben with no way of getting whatever intelligence he

0:15:41.520 --> 0:15:46.040
<v Speaker 1>still had. Throughout all of this, Ben was using ciphers

0:15:46.040 --> 0:15:49.200
<v Speaker 1>and codes to send information back to London, but very

0:15:49.240 --> 0:15:53.320
<v Speaker 1>little of this information was of actual value. She's often

0:15:53.360 --> 0:15:56.240
<v Speaker 1>reported as having passed on a warning of the Dutch

0:15:56.320 --> 0:15:59.000
<v Speaker 1>raid on Medway, which took place in June of sixteen

0:15:59.040 --> 0:16:02.480
<v Speaker 1>sixty seven. This raid was a devastating blow to the

0:16:02.520 --> 0:16:06.360
<v Speaker 1>British Navy, and while this is technically true, she did

0:16:06.440 --> 0:16:11.160
<v Speaker 1>send that information, other agents also delivered the same information

0:16:11.280 --> 0:16:14.120
<v Speaker 1>and none of it was heated, not even when another

0:16:14.160 --> 0:16:17.520
<v Speaker 1>agent gave Lord Bennett a very specific warning about the

0:16:17.600 --> 0:16:21.960
<v Speaker 1>upcoming attack after Ben had already returned to London, and

0:16:22.000 --> 0:16:25.000
<v Speaker 1>getting back to London required Ben to beg for the

0:16:25.000 --> 0:16:28.120
<v Speaker 1>funds to do so She'd been so low on money

0:16:28.120 --> 0:16:31.000
<v Speaker 1>that she'd handed over all her possessions to her innkeeper

0:16:31.080 --> 0:16:34.280
<v Speaker 1>as collateral so she wouldn't lose her lodgings along with

0:16:34.360 --> 0:16:37.280
<v Speaker 1>everything else. Although she was able to get a couple

0:16:37.280 --> 0:16:39.320
<v Speaker 1>of loans to pay off the worst of her debts,

0:16:39.440 --> 0:16:42.600
<v Speaker 1>it was only after numerous letters and lots of borrowing

0:16:42.920 --> 0:16:45.040
<v Speaker 1>that she was able to get someone to pay for

0:16:45.080 --> 0:16:49.400
<v Speaker 1>her passage. And it's unclear who that was, but it

0:16:49.440 --> 0:16:51.960
<v Speaker 1>wasn't the administration that had sent her to Antwerp in

0:16:52.000 --> 0:16:55.080
<v Speaker 1>the first place. Even though her spy life was not

0:16:55.200 --> 0:16:58.360
<v Speaker 1>very effective, it still was pretty crummy that she was

0:16:58.480 --> 0:17:01.920
<v Speaker 1>sent on this mission with no way of getting back

0:17:01.960 --> 0:17:06.480
<v Speaker 1>home out of hostile territory. According to most accounts, after

0:17:06.560 --> 0:17:10.000
<v Speaker 1>Afroban's returned to England in the spring of sixteen sixty seven,

0:17:10.200 --> 0:17:13.320
<v Speaker 1>she wound up in a debtor's prison. There's very little

0:17:13.359 --> 0:17:16.199
<v Speaker 1>detail on this. She had written multiple letters to the

0:17:16.240 --> 0:17:19.160
<v Speaker 1>people who had recruited her into the life of espionage

0:17:19.280 --> 0:17:22.119
<v Speaker 1>and to other contacts that she had, all in an

0:17:22.119 --> 0:17:24.840
<v Speaker 1>effort to pay off her debts, and it seems as

0:17:24.920 --> 0:17:27.919
<v Speaker 1>though she either eventually did get someone to loan her

0:17:28.080 --> 0:17:30.680
<v Speaker 1>enough money to get out of prison or she made

0:17:30.760 --> 0:17:34.399
<v Speaker 1>arrangement arrangements to pay her debt off gradually as she

0:17:34.520 --> 0:17:37.199
<v Speaker 1>was able to earn enough money to do so, And

0:17:37.240 --> 0:17:39.600
<v Speaker 1>the way that she earned that money was by writing,

0:17:39.920 --> 0:17:41.640
<v Speaker 1>and we're going to talk about that after we once

0:17:41.680 --> 0:17:50.760
<v Speaker 1>again paused for a quick sponsor break. After she got

0:17:50.760 --> 0:17:53.439
<v Speaker 1>out of the debtor's prison, Afra Bean was able to

0:17:53.480 --> 0:17:56.520
<v Speaker 1>make something of a fresh start for herself. By the

0:17:56.520 --> 0:17:59.920
<v Speaker 1>summer of sixteen sixty seven. London had recently been through

0:18:00.119 --> 0:18:04.040
<v Speaker 1>both the Great Plague and the Great Fire, and although

0:18:04.080 --> 0:18:06.359
<v Speaker 1>the raid on Medway had taken place at the mouth

0:18:06.440 --> 0:18:08.920
<v Speaker 1>of the Thames River and not up in the city,

0:18:08.960 --> 0:18:11.959
<v Speaker 1>it had destroyed much of the British naval fleet and

0:18:12.160 --> 0:18:15.520
<v Speaker 1>block hated the city, which left the already shaken people

0:18:15.600 --> 0:18:21.280
<v Speaker 1>living there feeling particularly defenseless. So in a fairly dispirited

0:18:21.359 --> 0:18:24.560
<v Speaker 1>and anxious city, Ben was able to quietly make a

0:18:24.600 --> 0:18:28.280
<v Speaker 1>space for herself, renting lodgings and working as a copyist,

0:18:28.720 --> 0:18:31.760
<v Speaker 1>probably copying the sorts of material people would want handled

0:18:31.800 --> 0:18:34.800
<v Speaker 1>with more discretion than a commercial printing press could allow.

0:18:35.680 --> 0:18:38.960
<v Speaker 1>While copying definitely would have helped her make ends meet,

0:18:39.080 --> 0:18:42.320
<v Speaker 1>it was not really enough to live comfortably, and soon

0:18:42.760 --> 0:18:46.479
<v Speaker 1>Ben was also writing and publishing poems. She adopted her

0:18:46.520 --> 0:18:49.280
<v Speaker 1>code name Austraya for a pseudonym for a lot of

0:18:49.280 --> 0:18:51.520
<v Speaker 1>her written work as it was published at the time.

0:18:52.600 --> 0:18:55.920
<v Speaker 1>Fortunately for Ben, King Charles the second loved the theater,

0:18:56.200 --> 0:18:59.399
<v Speaker 1>and he chartered to theater companies known as the King's

0:18:59.400 --> 0:19:03.200
<v Speaker 1>Company the Duke's Company. The King's Company had the rights

0:19:03.240 --> 0:19:06.240
<v Speaker 1>to a lot of existing plays, including works by Shakespeare

0:19:06.320 --> 0:19:09.840
<v Speaker 1>and Ben Johnson. The Duke's Company didn't, meaning there was

0:19:09.880 --> 0:19:13.719
<v Speaker 1>a market for newly written plays. The plays themselves were

0:19:13.760 --> 0:19:17.000
<v Speaker 1>often Body and Blue, with women allowed on the stage

0:19:17.400 --> 0:19:21.760
<v Speaker 1>rather than having female roles played by men. It's unclear

0:19:21.800 --> 0:19:24.440
<v Speaker 1>exactly how Ben first got her foot in the door

0:19:24.480 --> 0:19:27.399
<v Speaker 1>as a playwright through her spy work. She did no

0:19:27.920 --> 0:19:30.359
<v Speaker 1>Thomas Killigrew, who was head of the King's Men and

0:19:30.440 --> 0:19:33.240
<v Speaker 1>later the Master of the Revels, but it was the

0:19:33.359 --> 0:19:36.639
<v Speaker 1>Duke's Company and not the King's where her work first debuted.

0:19:37.000 --> 0:19:39.399
<v Speaker 1>Of her first play to be staged there was The

0:19:39.440 --> 0:19:43.040
<v Speaker 1>First Marriage or the Jealous Bridegroom, a tragic comedy, which

0:19:43.040 --> 0:19:48.760
<v Speaker 1>opened on septem Ben was much savvier about playwriting as

0:19:48.800 --> 0:19:51.879
<v Speaker 1>an occupation than she had been about her espionage career.

0:19:52.560 --> 0:19:54.439
<v Speaker 1>She wanted to make sure she kept the rights to

0:19:54.520 --> 0:19:56.840
<v Speaker 1>her plays, and she wanted them to be published, which

0:19:56.840 --> 0:20:00.320
<v Speaker 1>would give her an additional source of income to her

0:20:00.359 --> 0:20:03.440
<v Speaker 1>plays were also published during her lifetime, although the first

0:20:03.480 --> 0:20:06.679
<v Speaker 1>printing of The Forced Marriage, which was probably rushed to

0:20:06.680 --> 0:20:10.119
<v Speaker 1>follow the place performance and take advantage of that publicity,

0:20:10.400 --> 0:20:15.280
<v Speaker 1>was full of errors, herosism, things printed and completely the

0:20:15.280 --> 0:20:19.399
<v Speaker 1>wrong order. It was kind of a mess. Her next

0:20:19.440 --> 0:20:22.359
<v Speaker 1>play to be staged opened just a few months later,

0:20:22.480 --> 0:20:25.280
<v Speaker 1>and it was named The Amorous Prince, and like its

0:20:25.359 --> 0:20:28.920
<v Speaker 1>name suggests, it's full of seductions and it plays around

0:20:28.920 --> 0:20:31.240
<v Speaker 1>a lot with gender and cross dressing in a way

0:20:31.359 --> 0:20:34.760
<v Speaker 1>that would become a frequent theme in Ben's works. Ben

0:20:34.800 --> 0:20:38.359
<v Speaker 1>would go on to write nineteen plays, including the two parts.

0:20:38.520 --> 0:20:42.280
<v Speaker 1>The Rover was seventeen of them stage during her lifetime.

0:20:42.960 --> 0:20:45.520
<v Speaker 1>She wasn't the first woman to write for the British stage,

0:20:45.600 --> 0:20:48.160
<v Speaker 1>but the idea of a woman playwright was still rare

0:20:48.280 --> 0:20:52.000
<v Speaker 1>enough that her position was relatively unique, and she got

0:20:52.040 --> 0:20:54.960
<v Speaker 1>a lot of criticism for the more risky content of

0:20:55.000 --> 0:20:58.720
<v Speaker 1>her work, which was full of innuendo and double entendres.

0:20:59.280 --> 0:21:02.080
<v Speaker 1>This was particular literally true since in both her plays

0:21:02.119 --> 0:21:05.199
<v Speaker 1>and her novels, she seemed to blur the line between

0:21:05.200 --> 0:21:09.600
<v Speaker 1>her narrator and herself. Even so, she pointed to similarities

0:21:09.640 --> 0:21:13.080
<v Speaker 1>in the work of her contemporaries and predecessors as evidence

0:21:13.119 --> 0:21:15.240
<v Speaker 1>that it would not have been frowned upon if she

0:21:15.320 --> 0:21:19.359
<v Speaker 1>were a man. As the theater gradually fell a little

0:21:19.359 --> 0:21:21.920
<v Speaker 1>bit more out of favor in the sixteen eighties, Ben

0:21:22.000 --> 0:21:25.439
<v Speaker 1>shifted her focus to writing novels, and she penned sixteen

0:21:25.480 --> 0:21:28.399
<v Speaker 1>works of fiction, all of which have narrators who were

0:21:28.400 --> 0:21:32.800
<v Speaker 1>either obviously female or have no specified gender. She also

0:21:32.840 --> 0:21:36.159
<v Speaker 1>continued to write poetry throughout her career, and although some

0:21:36.280 --> 0:21:39.240
<v Speaker 1>of her poems were incorporated into her plays and fiction,

0:21:39.720 --> 0:21:42.560
<v Speaker 1>many of them were meant for a smaller audience. They

0:21:42.600 --> 0:21:45.520
<v Speaker 1>often contained inside references to what was going on in

0:21:45.640 --> 0:21:49.800
<v Speaker 1>London society and politics, sometimes with names changed, but otherwise

0:21:49.840 --> 0:21:53.560
<v Speaker 1>easily recognizable to people in the nome. Some of her

0:21:53.560 --> 0:21:57.359
<v Speaker 1>poems were essentially social and political commentary, rendered in verse

0:21:57.800 --> 0:22:00.560
<v Speaker 1>and only really understandable if you knew the context of

0:22:00.600 --> 0:22:05.080
<v Speaker 1>what was going on around her. Much of Ben's work,

0:22:05.200 --> 0:22:09.359
<v Speaker 1>especially in poetry, was romantic and sensual, and even erotic,

0:22:09.480 --> 0:22:11.920
<v Speaker 1>with both women and men as the subjects of her

0:22:11.960 --> 0:22:14.919
<v Speaker 1>love poems, some of which also played with themes of

0:22:14.960 --> 0:22:19.680
<v Speaker 1>androgyny and gender fluidity. The relationships depicted in her dramas

0:22:19.680 --> 0:22:22.199
<v Speaker 1>are all over the map in terms of gender and

0:22:22.240 --> 0:22:25.760
<v Speaker 1>sexual orientation. In terms of her personal life, her most

0:22:25.840 --> 0:22:29.480
<v Speaker 1>public relationship during her time as a writer was with

0:22:29.600 --> 0:22:32.720
<v Speaker 1>John Hoyle, whose own life with threat was threaded through

0:22:32.760 --> 0:22:36.199
<v Speaker 1>with lots and lots of scandal, including his relationships with

0:22:36.200 --> 0:22:40.520
<v Speaker 1>other men. As Ben's writing career became more lucrative, she

0:22:40.640 --> 0:22:45.040
<v Speaker 1>became increasingly more active in London society. She developed a

0:22:45.080 --> 0:22:49.199
<v Speaker 1>reputation for being witty and charismatic, and of liking to drink.

0:22:49.720 --> 0:22:53.160
<v Speaker 1>She earned the nickname the Incomparable Australia, and in her

0:22:53.160 --> 0:22:57.640
<v Speaker 1>poetry people called her the successor to Sappho. After more

0:22:57.680 --> 0:23:01.359
<v Speaker 1>than twenty years making a living as a writer, Afroban

0:23:01.480 --> 0:23:05.480
<v Speaker 1>died on April sixteenth nine, at roughly fifty years old.

0:23:06.040 --> 0:23:08.840
<v Speaker 1>A few days later, a piece called an Elegy upon

0:23:08.880 --> 0:23:12.399
<v Speaker 1>the death of Mrs A. Ben, The Incomparable Australia, written

0:23:12.400 --> 0:23:16.520
<v Speaker 1>by quote a young lady of quality, was published. It read,

0:23:16.560 --> 0:23:19.840
<v Speaker 1>in part quote, let all our hopes to spare and

0:23:19.920 --> 0:23:24.800
<v Speaker 1>die our sex forever shall neglected lie. Aspiring man has

0:23:24.840 --> 0:23:30.080
<v Speaker 1>now regained the way to them. We've lost the dismal day.

0:23:30.600 --> 0:23:34.120
<v Speaker 1>The first biography of her came out in sixteen ninety six,

0:23:34.720 --> 0:23:37.879
<v Speaker 1>called Memoirs of the Life of Mrs Ben by a

0:23:37.920 --> 0:23:41.080
<v Speaker 1>gentlewoman of her acquaintance, and that was part of her

0:23:41.119 --> 0:23:45.640
<v Speaker 1>collected histories and novels. Although its author was likely Charles Gilden,

0:23:46.560 --> 0:23:49.640
<v Speaker 1>the first uh. This first biography is definitely a mix

0:23:49.680 --> 0:23:53.840
<v Speaker 1>of embellishment, absolute total fiction, and a little bit of fact,

0:23:53.880 --> 0:23:55.720
<v Speaker 1>and it was written in part to try to sell

0:23:55.760 --> 0:23:58.199
<v Speaker 1>the collection of her work with which it was published.

0:23:58.840 --> 0:24:01.840
<v Speaker 1>Even so, that and passages of her fiction that seem

0:24:01.920 --> 0:24:05.480
<v Speaker 1>autobiographical have been picked up and repeated as fact over

0:24:05.520 --> 0:24:09.639
<v Speaker 1>and over throughout the centuries. Although today Afra Ben is

0:24:09.720 --> 0:24:13.440
<v Speaker 1>known as one of the seventeenth centuries most influential playwrights

0:24:13.560 --> 0:24:16.560
<v Speaker 1>and a groundbreaking writer in the genre of the novel,

0:24:17.000 --> 0:24:20.560
<v Speaker 1>she fell sharply out of favor after her death as

0:24:20.600 --> 0:24:24.199
<v Speaker 1>the hedonism and licentiousness and that general drunken party flare

0:24:24.320 --> 0:24:28.600
<v Speaker 1>of the Restoration became socially unacceptable. So did Afraban and

0:24:28.640 --> 0:24:32.119
<v Speaker 1>her work. Critics decried her as a woman of loose

0:24:32.280 --> 0:24:36.959
<v Speaker 1>moral character, and they condemned her work outright. That started

0:24:37.000 --> 0:24:39.639
<v Speaker 1>to change, though, in the early twentieth century, when the

0:24:39.680 --> 0:24:43.320
<v Speaker 1>English writers and artists known as the Bloomsbury Group picked

0:24:43.400 --> 0:24:46.360
<v Speaker 1>up her life and work as part of feminist history.

0:24:46.600 --> 0:24:50.000
<v Speaker 1>Poet and novelist Vita Sackville West wrote Afra Ben The

0:24:50.040 --> 0:24:53.919
<v Speaker 1>Incomparable Austraia, which was a biographical fiction that seems to

0:24:53.920 --> 0:24:58.199
<v Speaker 1>treat Ben's life as a missed opportunity. Author Virginia Woolfe

0:24:58.280 --> 0:25:01.040
<v Speaker 1>wrote of her quote, all women and together ought to

0:25:01.119 --> 0:25:04.439
<v Speaker 1>let flowers fall upon the tomb of afro Ben, for

0:25:04.560 --> 0:25:06.960
<v Speaker 1>it was she who earned them the right to speak

0:25:06.960 --> 0:25:11.159
<v Speaker 1>their minds. It's kind of funny they both seemed to

0:25:11.200 --> 0:25:13.479
<v Speaker 1>praise her so highly for having made a living as

0:25:13.520 --> 0:25:17.720
<v Speaker 1>a writer. Uh and have an affinity for some of

0:25:17.760 --> 0:25:21.399
<v Speaker 1>the like same sex content of her poems and some

0:25:21.480 --> 0:25:25.160
<v Speaker 1>of which are read as uh like explicitly lesbian love poems.

0:25:26.119 --> 0:25:28.919
<v Speaker 1>But they have this theme, this sort of undertone of

0:25:28.960 --> 0:25:32.000
<v Speaker 1>like I wish she hadn't been writing such garbage in

0:25:32.119 --> 0:25:37.639
<v Speaker 1>terms of like all this very coarse humor and body sexuality. Um,

0:25:37.720 --> 0:25:39.960
<v Speaker 1>but you know, today I think folks are a lot

0:25:40.840 --> 0:25:43.800
<v Speaker 1>a lot more accepting of that part of it than

0:25:43.840 --> 0:25:52.680
<v Speaker 1>they maybe were in the nineteen hundreds. Heany so much

0:25:52.720 --> 0:25:55.760
<v Speaker 1>for joining us on this Saturday. Since this episode is

0:25:55.800 --> 0:25:57.840
<v Speaker 1>out of the archive, if you heard an email address

0:25:57.920 --> 0:26:00.080
<v Speaker 1>or a Facebook U r L or something similar for

0:26:00.160 --> 0:26:02.720
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0:26:03.160 --> 0:26:07.399
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0:26:07.520 --> 0:26:11.119
<v Speaker 1>radio dot com. Our old how Stuff Works email address

0:26:11.160 --> 0:26:13.720
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0:26:13.800 --> 0:26:17.440
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