WEBVTT - 2 | The Assignment

0:00:29.160 --> 0:00:31.720
<v Speaker 1>New York City, the only place in the world that

0:00:31.720 --> 0:00:34.240
<v Speaker 1>can make you feel like somebody and nobody at the

0:00:34.280 --> 0:00:38.560
<v Speaker 1>exact same time. Learning how to survive here has made

0:00:38.560 --> 0:00:43.280
<v Speaker 1>me who I am?

0:00:43.320 --> 0:00:45.560
<v Speaker 2>Hey, what's up brouh boss here?

0:00:46.080 --> 0:00:49.519
<v Speaker 1>Yeah, he just came through, But lately I'm starting to

0:00:49.560 --> 0:00:50.640
<v Speaker 1>wonder who else I could become.

0:00:51.640 --> 0:00:53.000
<v Speaker 2>I gotta do more than just survive.

0:00:54.480 --> 0:00:56.720
<v Speaker 1>Let's go good, it's good.

0:00:56.760 --> 0:00:59.320
<v Speaker 3>I know the way he asked me to bring you back?

0:01:00.120 --> 0:01:19.000
<v Speaker 4>Right heyeo?

0:01:21.120 --> 0:01:24.000
<v Speaker 5>You want to hang this?

0:01:24.920 --> 0:01:26.720
<v Speaker 6>Sorry, ladies, he's on the clock.

0:01:27.000 --> 0:01:28.080
<v Speaker 2>I'll catch you another time.

0:01:28.160 --> 0:01:28.800
<v Speaker 4>Yeah.

0:01:28.880 --> 0:01:30.880
<v Speaker 2>Is there any woman here tonight? You haven't had a

0:01:30.920 --> 0:01:32.720
<v Speaker 2>thing with It comes with the job.

0:01:33.080 --> 0:01:34.839
<v Speaker 7>Help Your job opens up soon then.

0:01:35.440 --> 0:01:37.080
<v Speaker 2>And why would my job be opening up?

0:01:38.880 --> 0:01:40.040
<v Speaker 7>Let's not keep him waiting.

0:01:42.280 --> 0:01:45.679
<v Speaker 1>This city has its own gravitational pull, so if you

0:01:45.760 --> 0:01:46.679
<v Speaker 1>get a chance to.

0:01:46.600 --> 0:01:51.320
<v Speaker 8>Break out of orbit, you take it no matter where

0:01:51.320 --> 0:01:51.760
<v Speaker 8>it leaves.

0:01:55.240 --> 0:02:01.280
<v Speaker 9>Good luck, man, Hey kid, close that door for me.

0:02:01.760 --> 0:02:03.120
<v Speaker 9>I can't hear myself think.

0:02:02.960 --> 0:02:03.720
<v Speaker 10>Over that record.

0:02:04.840 --> 0:02:07.880
<v Speaker 1>You gotta try to expand your musical paletto man, there's

0:02:07.880 --> 0:02:10.720
<v Speaker 1>more to life than just classic rock. Not for me,

0:02:10.760 --> 0:02:14.079
<v Speaker 1>there's not for someone who runs the nightlife scene. You

0:02:14.160 --> 0:02:15.160
<v Speaker 1>can't seem to stand it.

0:02:16.160 --> 0:02:20.840
<v Speaker 9>I'm here for the ancillary business opportunities, not the esthetic.

0:02:21.760 --> 0:02:24.760
<v Speaker 1>You're gonna tell me why I needed to escort get

0:02:24.760 --> 0:02:25.440
<v Speaker 1>back here tonight.

0:02:25.919 --> 0:02:28.799
<v Speaker 11>I have an assignment for you that's a little time sensitive.

0:02:29.760 --> 0:02:31.400
<v Speaker 10>Couldn't have your getting sidetracked.

0:02:32.480 --> 0:02:34.760
<v Speaker 8>You need me to make a drop, not a drop,

0:02:35.360 --> 0:02:36.000
<v Speaker 8>a pickup.

0:02:38.280 --> 0:02:40.359
<v Speaker 9>There's a woman I need to have a word with.

0:02:41.320 --> 0:02:42.400
<v Speaker 9>I want you to get.

0:02:42.200 --> 0:02:43.840
<v Speaker 11>Her, bring her back to the city.

0:02:45.960 --> 0:02:47.280
<v Speaker 2>Where is Brooklyn?

0:02:47.560 --> 0:02:52.480
<v Speaker 9>Nah, she's gone and taking herself on an island vacation.

0:02:53.720 --> 0:02:54.680
<v Speaker 11>I'm gonna need you to go.

0:02:54.760 --> 0:03:00.280
<v Speaker 2>Cut it short. Which island, Mars.

0:03:00.120 --> 0:03:01.440
<v Speaker 11>Don't get all spooped on me.

0:03:02.240 --> 0:03:05.160
<v Speaker 2>You know that place better than anyone, and you know

0:03:05.200 --> 0:03:06.280
<v Speaker 2>why I can't go back there.

0:03:06.680 --> 0:03:09.800
<v Speaker 9>I'm sure no one will recognize you. Come on, you're

0:03:09.840 --> 0:03:12.960
<v Speaker 9>hardly the scrawny pop I rescued fifteen years ago. She's

0:03:13.040 --> 0:03:16.560
<v Speaker 9>your girl. Why can't you just go? We didn't part

0:03:17.200 --> 0:03:20.120
<v Speaker 9>on the best terms. I doubt she'd even be willing

0:03:20.160 --> 0:03:26.480
<v Speaker 9>to see me. But you, on the other hand, you

0:03:26.600 --> 0:03:27.359
<v Speaker 9>can be very.

0:03:27.240 --> 0:03:31.399
<v Speaker 2>Persuasive, Marcus. You know I would never question in order

0:03:31.440 --> 0:03:33.680
<v Speaker 2>without good reason. But this is just.

0:03:35.680 --> 0:03:38.440
<v Speaker 9>I suppose this is what I get for teaching you

0:03:38.480 --> 0:03:39.400
<v Speaker 9>how to negotiate.

0:03:42.160 --> 0:03:48.680
<v Speaker 11>Here's your advance. Bring her back and you'll get the rest.

0:03:50.240 --> 0:03:51.600
<v Speaker 11>Call it a servants package.

0:03:51.880 --> 0:03:52.560
<v Speaker 2>You fire me.

0:03:55.400 --> 0:03:56.720
<v Speaker 10>You don't need that surprise.

0:03:58.440 --> 0:04:00.360
<v Speaker 11>I know you've been searching for a way out ever

0:04:00.440 --> 0:04:01.640
<v Speaker 11>since Chicago.

0:04:02.760 --> 0:04:05.080
<v Speaker 2>It's been hard to shake, which.

0:04:04.840 --> 0:04:08.480
<v Speaker 9>Is why I'm not gonna hold it against you looking

0:04:08.560 --> 0:04:11.360
<v Speaker 9>for other opportunities behind my bid.

0:04:11.560 --> 0:04:14.360
<v Speaker 1>Marcus, you know me better than anybody on this planet.

0:04:14.640 --> 0:04:16.279
<v Speaker 1>You know I'm not gonna go behind your back on

0:04:16.320 --> 0:04:19.120
<v Speaker 1>some crazy shat make me second.

0:04:18.800 --> 0:04:25.480
<v Speaker 11>Guess my generosity by lying in me. You do this

0:04:25.560 --> 0:04:29.080
<v Speaker 11>last job for me, and I let you retire early

0:04:29.400 --> 0:04:33.320
<v Speaker 11>with a golden parachute. This is your chance to get

0:04:33.320 --> 0:04:36.200
<v Speaker 11>out of here and do what you really want. Nicholas,

0:04:38.480 --> 0:04:38.880
<v Speaker 11>take it.

0:04:42.720 --> 0:04:43.839
<v Speaker 2>I'll fly it in the morning.

0:04:46.960 --> 0:04:47.200
<v Speaker 7>Now.

0:04:48.400 --> 0:04:50.680
<v Speaker 11>As for your assignment.

0:05:00.279 --> 0:05:04.760
<v Speaker 3>Oh, traffic's not too bad. Will get to La Guardia

0:05:04.839 --> 0:05:06.520
<v Speaker 3>with plenty of time before it. Wheel's up.

0:05:07.160 --> 0:05:07.440
<v Speaker 7>Cool?

0:05:09.520 --> 0:05:12.320
<v Speaker 2>Going to get the boss's girl? Huh, that's what it

0:05:12.360 --> 0:05:16.520
<v Speaker 2>looked like. You know anything about her? Nah?

0:05:16.960 --> 0:05:18.800
<v Speaker 3>I just know you couldn't pay me to be in

0:05:18.839 --> 0:05:20.480
<v Speaker 3>your shoes right now.

0:05:21.520 --> 0:05:25.080
<v Speaker 1>I had no idea who this woman was or what

0:05:25.279 --> 0:05:28.800
<v Speaker 1>she meant to Marcus, but to me, she meant to

0:05:28.920 --> 0:05:30.000
<v Speaker 1>chance had a new life.

0:05:30.680 --> 0:05:31.760
<v Speaker 4>Who says, I'm looking.

0:05:31.520 --> 0:05:38.400
<v Speaker 2>For anything everybody who comes seeing.

0:05:38.400 --> 0:05:41.880
<v Speaker 8>If and only if I can win her over.

0:05:42.320 --> 0:05:44.320
<v Speaker 12>Do you really think you can show me something that

0:05:44.320 --> 0:05:45.040
<v Speaker 12>I haven't.

0:05:44.800 --> 0:05:45.880
<v Speaker 7>Seen this story.

0:05:47.920 --> 0:05:52.560
<v Speaker 2>And I had no intention. I'm losing.

0:06:04.600 --> 0:06:05.240
<v Speaker 11>Underwater?

0:06:06.440 --> 0:06:09.440
<v Speaker 12>Episode two, the Assignment.

0:06:18.360 --> 0:06:20.520
<v Speaker 8>Listen, listen to me.

0:06:21.480 --> 0:06:25.160
<v Speaker 2>I found her. You made contact. Yeah, see something.

0:06:26.760 --> 0:06:28.440
<v Speaker 9>That's an understatement.

0:06:28.880 --> 0:06:31.600
<v Speaker 2>It might take some time, but I'm sure I can

0:06:31.640 --> 0:06:32.400
<v Speaker 2>convince it to come.

0:06:32.839 --> 0:06:36.360
<v Speaker 6>I can give you four days for what That's.

0:06:36.200 --> 0:06:38.760
<v Speaker 1>A pretty quick fucking turnaround.

0:06:38.000 --> 0:06:42.640
<v Speaker 9>Really, I thought I was being generous given your skill set.

0:06:42.960 --> 0:06:44.960
<v Speaker 2>Look, I'm flattered, really, but no more.

0:06:45.040 --> 0:06:48.760
<v Speaker 9>Buts just do whatever it takes to get her back here.

0:06:48.960 --> 0:06:52.640
<v Speaker 2>Yes, whatever it takes, meaning you want, I don't.

0:06:52.600 --> 0:06:56.640
<v Speaker 9>Like to microman it. Use whatever methods you see fit.

0:06:57.480 --> 0:07:00.599
<v Speaker 9>But the second she's back in here, you back off,

0:07:01.480 --> 0:07:02.760
<v Speaker 9>no questions asked.

0:07:03.360 --> 0:07:07.160
<v Speaker 8>Of course, that won't be a problem.

0:07:07.200 --> 0:07:10.520
<v Speaker 9>Please, You've never met a mark you couldn't grow a

0:07:10.560 --> 0:07:11.280
<v Speaker 9>saut spot for.

0:07:12.480 --> 0:07:15.560
<v Speaker 2>You always get too involved, Kit, That's.

0:07:15.440 --> 0:07:17.320
<v Speaker 9>Why you're not cut out for this in the long run,

0:07:18.240 --> 0:07:22.000
<v Speaker 9>no matter how hard a punch you could throw. But

0:07:22.040 --> 0:07:24.000
<v Speaker 9>I'm gonna need you to keep that heart of gold

0:07:24.080 --> 0:07:33.080
<v Speaker 9>and check this time can't save everyone. Understand, understood, now,

0:07:33.600 --> 0:07:34.600
<v Speaker 9>try and get some rest.

0:07:35.400 --> 0:07:37.040
<v Speaker 11>She's always been an early riser.

0:07:37.240 --> 0:07:40.280
<v Speaker 8>Anything else, Yeah.

0:07:39.720 --> 0:07:41.760
<v Speaker 11>Try not to let her out of your cipher too long.

0:07:43.000 --> 0:07:46.240
<v Speaker 11>He's something of a flight risk.

0:07:56.600 --> 0:08:00.000
<v Speaker 10>Good morning, mister Alexander. You're certainly up early.

0:08:00.640 --> 0:08:02.200
<v Speaker 2>Yeah, going out for a morning run.

0:08:02.680 --> 0:08:41.240
<v Speaker 10>Oh lovely enjoy.

0:08:24.440 --> 0:08:38.400
<v Speaker 7>Jon Oh.

0:08:40.200 --> 0:08:44.319
<v Speaker 1>Hey, sorry, I almost blew past you. I get in

0:08:44.360 --> 0:08:45.800
<v Speaker 1>my own little world when i'm running.

0:08:46.320 --> 0:08:48.400
<v Speaker 12>Seems like it. You're working on your stamina.

0:08:48.920 --> 0:08:52.320
<v Speaker 2>Stamina, It's never been an issue for me. Mind.

0:08:52.360 --> 0:08:54.680
<v Speaker 1>If I walk with you, I gotta let my heart

0:08:54.720 --> 0:08:58.520
<v Speaker 1>rate come down a bit. Sure you're doing not so early,

0:08:59.160 --> 0:09:00.240
<v Speaker 1>especially on Acon.

0:09:00.720 --> 0:09:03.280
<v Speaker 12>Who said I'm on vacation, And what brings you down here?

0:09:03.280 --> 0:09:05.359
<v Speaker 2>If not? Is this a business trip.

0:09:05.200 --> 0:09:07.440
<v Speaker 12>Or it's kind of personal.

0:09:08.440 --> 0:09:09.080
<v Speaker 2>That's all right.

0:09:09.920 --> 0:09:11.400
<v Speaker 1>You don't have to get into it right now, but

0:09:11.440 --> 0:09:13.920
<v Speaker 1>you could tell me over a drink later if you

0:09:13.960 --> 0:09:15.320
<v Speaker 1>want to pick up what we left.

0:09:15.120 --> 0:09:18.040
<v Speaker 12>Off where you left me sitting alone at the bar,

0:09:18.679 --> 0:09:19.400
<v Speaker 12>Is that what you mean?

0:09:19.480 --> 0:09:22.720
<v Speaker 2>Well? You know what they say, what always leave them

0:09:22.720 --> 0:09:23.160
<v Speaker 2>one more?

0:09:25.120 --> 0:09:27.240
<v Speaker 12>Sorry, I've got plans tonight.

0:09:27.480 --> 0:09:29.680
<v Speaker 2>Oh what kind of plans?

0:09:29.960 --> 0:09:31.440
<v Speaker 12>Elena's taking me into town.

0:09:33.320 --> 0:09:35.000
<v Speaker 2>What No, I ain't say nothing.

0:09:35.320 --> 0:09:37.640
<v Speaker 12>Your mouth didn't, but that look on your face is sure.

0:09:37.720 --> 0:09:40.680
<v Speaker 1>Speaking volumes just doesn't seem like a good idea to

0:09:40.720 --> 0:09:42.559
<v Speaker 1>be leaving the resort, especially at night.

0:09:43.640 --> 0:09:46.040
<v Speaker 12>Elena's lived here for years. I'll be in good hands

0:09:46.040 --> 0:09:47.120
<v Speaker 12>with her. Don't worry.

0:09:48.200 --> 0:09:50.920
<v Speaker 1>I know, I know, but two women alone out there

0:09:51.800 --> 0:09:52.960
<v Speaker 1>just doesn't sound too safe.

0:09:53.200 --> 0:09:57.360
<v Speaker 5>Oh wow, I love a little bit of sexism first

0:09:57.360 --> 0:09:58.080
<v Speaker 5>thing in the morning.

0:09:58.200 --> 0:09:58.679
<v Speaker 12>Thank you.

0:09:58.840 --> 0:10:00.760
<v Speaker 2>Hey, listen, worried about you?

0:10:01.440 --> 0:10:04.560
<v Speaker 5>Well, I'm not yours to worry about. And besides, we

0:10:04.640 --> 0:10:07.480
<v Speaker 5>won't be alone. There's some sort of festival happening in

0:10:07.520 --> 0:10:09.760
<v Speaker 5>town this week, so there will be plenty of other

0:10:09.800 --> 0:10:11.719
<v Speaker 5>people around, don't you worry.

0:10:11.640 --> 0:10:15.280
<v Speaker 1>Yeah, it's the other people you have to watch out for. Well,

0:10:15.360 --> 0:10:20.440
<v Speaker 1>in my experience, we should probably head back. I'd love

0:10:20.480 --> 0:10:21.680
<v Speaker 1>to check out the festival with you.

0:10:22.760 --> 0:10:24.960
<v Speaker 12>I'm really just trying to hang with Elena tonight.

0:10:25.480 --> 0:10:28.160
<v Speaker 2>I'm sure Elena wouldn't mind me taking along with you.

0:10:28.400 --> 0:10:32.600
<v Speaker 12>Oh oh, okay, I see what this is. You wanted

0:10:32.640 --> 0:10:34.640
<v Speaker 12>to be the one to show me the real island?

0:10:34.679 --> 0:10:35.160
<v Speaker 12>Is that right?

0:10:37.080 --> 0:10:37.640
<v Speaker 2>You called me?

0:10:38.400 --> 0:10:41.080
<v Speaker 5>Sorry to disappoint that You're just gonna have to wait

0:10:41.080 --> 0:10:41.480
<v Speaker 5>your turn.

0:10:42.920 --> 0:10:46.040
<v Speaker 2>That's all right, cool, I'm a patient.

0:10:45.720 --> 0:10:50.480
<v Speaker 12>Man, good because I'm worth the way, all.

0:10:50.480 --> 0:10:53.120
<v Speaker 1>Right, Dan, I'm gonna go ahead and finish my run.

0:10:53.600 --> 0:10:54.559
<v Speaker 1>Don't want to lose all the.

0:10:54.480 --> 0:11:00.920
<v Speaker 5>Momentum, Okay, just don't expect me to chase you.

0:11:01.720 --> 0:11:02.800
<v Speaker 2>Girls, gonna be the death of me.

0:11:14.240 --> 0:11:16.800
<v Speaker 1>Resource like Dstino keep a close eye on their guests

0:11:17.280 --> 0:11:19.079
<v Speaker 1>to try and give you what you want before you

0:11:19.080 --> 0:11:19.800
<v Speaker 1>even though you want.

0:11:20.520 --> 0:11:23.400
<v Speaker 9>Good morning, mister Alexander, Can I offer you a little

0:11:23.440 --> 0:11:24.800
<v Speaker 9>post run bloody Mary?

0:11:25.280 --> 0:11:26.240
<v Speaker 2>No, I'm good, thank you.

0:11:28.200 --> 0:11:30.360
<v Speaker 1>But as I walked back to my room, I had

0:11:30.360 --> 0:11:32.160
<v Speaker 1>a feeling it wasn't just a hotel that had a

0:11:32.200 --> 0:11:37.520
<v Speaker 1>nailed me. Someone was following me, and I just wouldn't do.

0:11:43.600 --> 0:11:44.840
<v Speaker 2>Get off my fucking.

0:11:44.559 --> 0:12:05.559
<v Speaker 13>Tail, hold on just me, Jesus Christ, diego, don't sneak

0:12:05.640 --> 0:12:06.360
<v Speaker 13>up on me like that.

0:12:06.400 --> 0:12:13.080
<v Speaker 2>Man almost threw you down the fucking stairs. You all right?

0:12:14.120 --> 0:12:14.640
<v Speaker 3>Uh?

0:12:15.120 --> 0:12:15.760
<v Speaker 6>Not really?

0:12:17.320 --> 0:12:22.280
<v Speaker 1>I'm sorry, man, I felt like someone was following me.

0:12:22.480 --> 0:12:23.760
<v Speaker 1>My instincts just took over.

0:12:24.320 --> 0:12:25.679
<v Speaker 6>Those are your instincts.

0:12:26.400 --> 0:12:28.440
<v Speaker 2>Since I've been here, I've been paranoid as fuck.

0:12:30.200 --> 0:12:32.720
<v Speaker 6>Damn what were you doing this morning? Run a marathon?

0:12:33.240 --> 0:12:35.920
<v Speaker 2>Now? But I did run and see a girl on

0:12:35.960 --> 0:12:36.880
<v Speaker 2>the beach this morning.

0:12:38.120 --> 0:12:38.280
<v Speaker 3>And.

0:12:39.920 --> 0:12:43.000
<v Speaker 2>It's pretty cool. I knew you were into her. Yeah,

0:12:43.520 --> 0:12:44.760
<v Speaker 2>you really called it.

0:12:44.760 --> 0:12:48.080
<v Speaker 6>It's like something out of a movie. Bro a windsweat beach,

0:12:48.400 --> 0:12:49.960
<v Speaker 6>two beautiful strangers.

0:12:50.480 --> 0:12:53.200
<v Speaker 8>Oh man, I've got chills.

0:12:55.600 --> 0:12:57.880
<v Speaker 2>I get inside, would you. I don't know who might

0:12:57.880 --> 0:13:01.920
<v Speaker 2>be listening. This place is making a paranoid.

0:13:02.840 --> 0:13:05.160
<v Speaker 1>It's not the resort that's got me looking over my shoulder. Man,

0:13:06.760 --> 0:13:07.880
<v Speaker 1>it's the rest of the island.

0:13:08.160 --> 0:13:08.720
<v Speaker 2>What do you mean.

0:13:09.360 --> 0:13:12.440
<v Speaker 1>I've got history here. Some people might not be excited

0:13:12.440 --> 0:13:13.479
<v Speaker 1>to see me back.

0:13:14.000 --> 0:13:16.080
<v Speaker 6>But that's on the past, right. I'm sure people have

0:13:16.160 --> 0:13:17.480
<v Speaker 6>moved on by now.

0:13:17.880 --> 0:13:20.000
<v Speaker 1>They might be the past, but I'm sure they still

0:13:20.000 --> 0:13:23.439
<v Speaker 1>see me as a threat, and they're not wrong.

0:13:24.000 --> 0:13:26.319
<v Speaker 2>You don't seem very optimistic for a guy who's fresh

0:13:26.320 --> 0:13:30.080
<v Speaker 2>off of me cute. Well, let's just say there's some

0:13:30.120 --> 0:13:31.240
<v Speaker 2>complicated factors.

0:13:31.720 --> 0:13:33.720
<v Speaker 8>Ah, she got a boyfriend.

0:13:34.200 --> 0:13:37.160
<v Speaker 2>Hard to say. What I do know is that she's

0:13:37.160 --> 0:13:40.000
<v Speaker 2>going into town with Atlanta later tonight for the festival.

0:13:40.360 --> 0:13:41.320
<v Speaker 2>Oh you know about it?

0:13:41.559 --> 0:13:42.120
<v Speaker 6>Of course.

0:13:42.360 --> 0:13:44.400
<v Speaker 10>The whole island's going to be in party mode tonight.

0:13:44.640 --> 0:13:46.600
<v Speaker 10>It's our big end of the season celebration.

0:13:47.440 --> 0:13:51.120
<v Speaker 1>Oh shit, really, the festival I remember was a small

0:13:51.120 --> 0:13:51.920
<v Speaker 1>neighborhood thing.

0:13:52.400 --> 0:13:54.880
<v Speaker 2>Oh yeah, it's been getting bigger every year.

0:13:55.160 --> 0:13:57.400
<v Speaker 9>We locals still have our fun, but the whole thing's

0:13:57.480 --> 0:13:59.000
<v Speaker 9>become a tourist magnet.

0:13:59.520 --> 0:14:00.680
<v Speaker 2>No fens or anything.

0:14:00.720 --> 0:14:00.880
<v Speaker 14>You know.

0:14:00.960 --> 0:14:03.160
<v Speaker 6>Some tourists can hang obviously.

0:14:02.720 --> 0:14:04.000
<v Speaker 2>So it's I'm not a tourist.

0:14:04.040 --> 0:14:06.480
<v Speaker 1>There you go, of course, Boss, I'm gonna need you

0:14:06.520 --> 0:14:08.840
<v Speaker 1>to help me figure out where it's gonna be at later.

0:14:09.000 --> 0:14:09.520
<v Speaker 2>You got it.

0:14:09.760 --> 0:14:11.080
<v Speaker 6>Elena and I go way back.

0:14:11.200 --> 0:14:12.400
<v Speaker 2>I can ask her where they're gonna be.

0:14:14.920 --> 0:14:16.599
<v Speaker 1>Thanks, but I need you to drive me there and

0:14:16.720 --> 0:14:18.839
<v Speaker 1>stick around too, in case for me to make a

0:14:18.880 --> 0:14:19.440
<v Speaker 1>quick exit.

0:14:22.160 --> 0:14:24.680
<v Speaker 6>Yeah, can you at lease tell me what you're so

0:14:24.720 --> 0:14:25.280
<v Speaker 6>worried about?

0:14:25.400 --> 0:14:28.120
<v Speaker 2>So I know what to look out for, but you

0:14:28.160 --> 0:14:28.880
<v Speaker 2>don't trust me.

0:14:29.200 --> 0:14:32.040
<v Speaker 9>I get this is no questions ask kind of deal,

0:14:32.080 --> 0:14:34.960
<v Speaker 9>but I still appreciate a few answers.

0:14:34.960 --> 0:14:37.960
<v Speaker 1>Boss, I know what sucks being kept in the dark,

0:14:38.680 --> 0:14:40.200
<v Speaker 1>So maybe this can help brighten you move.

0:14:46.160 --> 0:14:48.800
<v Speaker 6>Uh yeah, it doesn't hurt.

0:14:49.720 --> 0:14:50.080
<v Speaker 2>Good.

0:14:51.280 --> 0:14:54.360
<v Speaker 8>Now let me get a little privacy. I gotta clean

0:14:54.440 --> 0:14:55.360
<v Speaker 8>up be for this festival.

0:15:10.480 --> 0:15:11.040
<v Speaker 11>That's better.

0:15:27.200 --> 0:15:27.520
<v Speaker 7>Hey.

0:15:27.600 --> 0:15:29.440
<v Speaker 9>We might not be as big as New York City,

0:15:29.760 --> 0:15:32.760
<v Speaker 9>but we know how to turn up damn.

0:15:33.560 --> 0:15:38.160
<v Speaker 1>I was expecting a block party, not carnival. Didn't go

0:15:38.200 --> 0:15:39.560
<v Speaker 1>How the fund are we supposed to find on and

0:15:39.600 --> 0:15:40.160
<v Speaker 1>all this ship?

0:15:40.800 --> 0:15:42.840
<v Speaker 2>We just have to follow the parade. There's a big

0:15:42.880 --> 0:15:44.720
<v Speaker 2>stage for live music at the end of the route.

0:15:44.840 --> 0:15:47.080
<v Speaker 9>The street turns into a giant dance party once the

0:15:47.080 --> 0:15:48.000
<v Speaker 9>parade wraps up.

0:15:48.120 --> 0:15:54.280
<v Speaker 2>It's so funny, all right, did lead the way? Watch?

0:15:55.720 --> 0:15:56.600
<v Speaker 2>What the fuck?

0:15:57.560 --> 0:15:57.800
<v Speaker 1>Man?

0:15:59.760 --> 0:16:02.480
<v Speaker 6>It's just firecrackers. Why don't we get you a drink

0:16:02.560 --> 0:16:03.920
<v Speaker 6>or something to take the edge off.

0:16:04.400 --> 0:16:06.200
<v Speaker 2>I'm good, you stay shocked.

0:16:07.160 --> 0:16:09.880
<v Speaker 8>I was like, oh, that's too much.

0:16:10.720 --> 0:16:24.920
<v Speaker 6>Twelve years later, you okay, man?

0:16:25.920 --> 0:16:28.880
<v Speaker 8>Yeah, just take an interview.

0:16:29.800 --> 0:16:31.480
<v Speaker 6>Yeah, it's a pretty beach right.

0:16:32.720 --> 0:16:35.040
<v Speaker 2>Used to be real sketchy back in the day before

0:16:35.040 --> 0:16:37.120
<v Speaker 2>they cleaned it up. That's one way to put it.

0:16:37.920 --> 0:16:39.320
<v Speaker 2>What do you mean by let's get out of here?

0:16:39.840 --> 0:16:43.400
<v Speaker 2>Let's go always with the secrets.

0:16:43.640 --> 0:16:45.880
<v Speaker 1>Remember, if I say we need to get out of here,

0:16:46.480 --> 0:16:47.239
<v Speaker 1>it means.

0:16:47.040 --> 0:16:49.960
<v Speaker 6>Now, man, what did you do to leave such an

0:16:50.000 --> 0:16:50.840
<v Speaker 6>impression here?

0:16:51.200 --> 0:16:52.440
<v Speaker 2>I ain't say a proper goodbye.

0:16:52.520 --> 0:16:56.760
<v Speaker 9>Yay guyy you made us and you brought it sights.

0:16:57.800 --> 0:16:59.960
<v Speaker 2>Speaking of where's your plus one?

0:17:00.240 --> 0:17:04.119
<v Speaker 12>Anna? She's around here somewhere. Good luck getting any alone time.

0:17:04.680 --> 0:17:06.360
<v Speaker 12>Hot terrists are quite in demand.

0:17:06.560 --> 0:17:08.359
<v Speaker 8>Yeah, I'm pretty sure I could get an attention though.

0:17:08.840 --> 0:17:09.760
<v Speaker 12>I meant you too.

0:17:10.480 --> 0:17:11.920
<v Speaker 2>You're gonna get mobbed out there.

0:17:12.640 --> 0:17:16.800
<v Speaker 1>Yeah, that's what I'm afraid of. Well call me if

0:17:16.800 --> 0:17:19.480
<v Speaker 1>you run into her. I'm gonna scope out the crowd.

0:17:20.080 --> 0:17:29.520
<v Speaker 2>Okay, boss, Come on Anna? Where are you? Oh? My god?

0:17:30.000 --> 0:17:30.760
<v Speaker 4>Is that Nigo?

0:17:32.200 --> 0:17:33.399
<v Speaker 2>Somebody grew up?

0:17:33.680 --> 0:17:33.960
<v Speaker 10>Good?

0:17:34.640 --> 0:17:36.520
<v Speaker 2>I'm sorry? Do I know you?

0:17:37.200 --> 0:17:37.680
<v Speaker 12>Hello?

0:17:37.920 --> 0:17:40.160
<v Speaker 9>I'm the girl you were dating up until you vanished

0:17:40.200 --> 0:17:41.720
<v Speaker 9>off the face of the goddamn earth.

0:17:42.080 --> 0:17:46.280
<v Speaker 2>Holy shit, Dahlia, how you been? I'm better now that

0:17:46.320 --> 0:17:46.840
<v Speaker 2>you're back.

0:17:47.640 --> 0:17:48.679
<v Speaker 12>You want to dance with me?

0:17:49.480 --> 0:17:50.320
<v Speaker 2>Baby? Next time?

0:17:50.600 --> 0:17:52.600
<v Speaker 6>Come on one song, won't you.

0:17:52.960 --> 0:17:55.680
<v Speaker 2>I wouldn't be so sure about that? Hey?

0:17:56.440 --> 0:17:57.040
<v Speaker 7>Are you all right?

0:17:57.119 --> 0:18:00.480
<v Speaker 1>I'm sorry, I gotta I gotta gotta rhyme.

0:18:00.800 --> 0:18:01.240
<v Speaker 2>I'll see you.

0:18:01.320 --> 0:18:04.520
<v Speaker 4>Soon, Lego, are you seriously at you?

0:18:06.800 --> 0:18:26.080
<v Speaker 2>Excuse me? Excuse me? I said, excuse me, excuse me? Yeah?

0:18:26.119 --> 0:18:26.359
<v Speaker 7>He is.

0:18:44.920 --> 0:18:45.400
<v Speaker 2>Diego?

0:18:46.080 --> 0:18:46.240
<v Speaker 7>Hey?

0:18:47.840 --> 0:18:48.520
<v Speaker 9>Is everything right?

0:18:48.600 --> 0:18:49.600
<v Speaker 2>Yeah? We gotta go right now.

0:18:50.160 --> 0:18:50.840
<v Speaker 7>We can't leave it?

0:18:50.960 --> 0:18:51.639
<v Speaker 2>Why the hell not?

0:18:52.080 --> 0:18:53.120
<v Speaker 12>Because I found on him?

0:18:54.320 --> 0:18:55.320
<v Speaker 2>Where where's yet?

0:18:55.840 --> 0:18:57.800
<v Speaker 6>She's right here with me in Atlanta?

0:18:58.200 --> 0:19:01.640
<v Speaker 2>Remember when I said I felt like someone was following me. Yeah, yeah,

0:19:02.240 --> 0:19:02.920
<v Speaker 2>well I was right.

0:19:04.560 --> 0:19:05.520
<v Speaker 9>What do you want me to do?

0:19:05.920 --> 0:19:08.240
<v Speaker 2>Just just keep on the where she's at, don't move.

0:19:08.680 --> 0:19:14.600
<v Speaker 2>I'm gonna come find you. Okay, Hey, bro, it's been

0:19:14.680 --> 0:19:15.040
<v Speaker 2>a while.

0:19:18.359 --> 0:19:21.439
<v Speaker 4>Nico, Nico, Nigo.

0:19:40.200 --> 0:19:44.439
<v Speaker 12>Yeah, I didn't know when that was the difficulty.

0:19:44.560 --> 0:19:53.720
<v Speaker 13>You see, you got them ballers donning the bucket use stay.

0:19:56.520 --> 0:20:00.160
<v Speaker 2>Oh yeah, I can't imagine.

0:20:00.520 --> 0:20:01.520
<v Speaker 7>Like your stable.

0:20:03.320 --> 0:20:06.480
<v Speaker 14>Underwater is an Interval Presents original production with Temple Hill

0:20:06.600 --> 0:20:11.480
<v Speaker 14>Entertainment and Clamor, starring Jason Derulo and Alexander Shipp. Written

0:20:11.520 --> 0:20:14.600
<v Speaker 14>by Katrina Day, directed by Pat Kelly and Chris Kelly.

0:20:15.320 --> 0:20:20.120
<v Speaker 14>Executive producer Jason Derulo, executive producers from Interval Presents, Alan

0:20:20.200 --> 0:20:23.880
<v Speaker 14>Coy and Jay Kleinberg executive producers from Temple Hill Entertainment,

0:20:24.320 --> 0:20:28.600
<v Speaker 14>Marty Bowen, Wit Godfrey and Alex Addison executive producers from Clamor.

0:20:29.119 --> 0:20:34.160
<v Speaker 14>Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Chaneo. Executive

0:20:34.200 --> 0:20:38.560
<v Speaker 14>produced by Katrina Day. Executive producer from Future History Frank Harris.

0:20:39.280 --> 0:20:43.320
<v Speaker 14>Special thanks to Henri De Sources Marketing Lead, Samara Still,

0:20:43.960 --> 0:20:48.160
<v Speaker 14>Business Development Lead, Cheffy Ellen, Sweg Maggie and operations lead

0:20:48.640 --> 0:20:52.000
<v Speaker 14>Sarah You, post production audio services by Kelly and Kelly

0:20:52.480 --> 0:20:56.399
<v Speaker 14>Sound Design and mixed by Paul Teteskian. Dialogue edited by

0:20:56.480 --> 0:21:00.520
<v Speaker 14>Max Collins. Original music by Genevieve Vincent. Song arranged by

0:21:00.560 --> 0:21:04.879
<v Speaker 14>Genefee Vincent. The cast includes Jason Derulo as Nico, Alexander

0:21:04.960 --> 0:21:08.560
<v Speaker 14>Ship as Honor, Carrie Alexander as bank teller and additional voices.

0:21:08.880 --> 0:21:11.680
<v Speaker 14>Bo Bridgeland is Jordan, Michael Dary as credit reader and

0:21:11.720 --> 0:21:16.199
<v Speaker 14>additional voices, Anisia Dubois Dahlia and Young Dahlia, Andrew Frankel

0:21:16.359 --> 0:21:19.479
<v Speaker 14>as stranger in additional voices, Walter Gray the Fourth as

0:21:19.560 --> 0:21:23.760
<v Speaker 14>male tourist and additional voices, Melissa Greenspan as female tourists

0:21:23.800 --> 0:21:28.920
<v Speaker 14>and additional voices, Alice Hunter as Elenath, Jeremy Jordan as Gabriel,

0:21:29.320 --> 0:21:33.200
<v Speaker 14>Josh Keaton as Matteo, Tara Langela as female guest and

0:21:33.240 --> 0:21:37.919
<v Speaker 14>additional voices, Jonathan Leon as Young Matteo, Donnis Leonard Junior

0:21:38.119 --> 0:21:42.240
<v Speaker 14>as Elias Parker, James Logi as young Boy, Emily Martinez

0:21:42.359 --> 0:21:46.800
<v Speaker 14>as Carmen, Michael McLoone as Marcus, Carlo Renata as bartender

0:21:47.200 --> 0:21:51.120
<v Speaker 14>John Carlos Sabagon as Diego, David Shatraw as Male Guest

0:21:51.160 --> 0:21:55.520
<v Speaker 14>and additional voices Andre Sagluzzo as Sebastian, Cameron, Jay Wright

0:21:55.760 --> 0:21:59.520
<v Speaker 14>as Young Nico, and Hannah Zamora as Mia. Produced by

0:22:00.000 --> 0:22:03.640
<v Speaker 14>Ian Holman, post produced by Justin Schoe and Lauren Berkovic.

0:22:03.920 --> 0:22:08.320
<v Speaker 14>Associate producer Erica Lowan. Music supervision by Melanie Mitchell. Music

0:22:08.359 --> 0:22:13.280
<v Speaker 14>clearances by Deborah Manis Gardner DMG Clearances Incorporated. Audio engineered

0:22:13.440 --> 0:22:16.560
<v Speaker 14>by Ian Folberty and Ed mcinty at Gold Diggers, Brett

0:22:16.600 --> 0:22:19.320
<v Speaker 14>Tuban at the Relic Room and Jordan Sweet at Challie

0:22:19.359 --> 0:22:25.240
<v Speaker 14>Recording Studio. Assistant engineered by Derek mcgrone and Amperorser. Vocal

0:22:25.320 --> 0:22:29.560
<v Speaker 14>coaching by Bianca Blush Atvert Casting by Marlice, Gusenhauer, Sibby

0:22:29.640 --> 0:22:33.959
<v Speaker 14>Kersch and Brentegata. Additional casting by Melissa Berger, Brennan Salem

0:22:34.000 --> 0:22:38.720
<v Speaker 14>Everett and Scott Forbes at CESD Town. Script supervisor Tamara Black,

0:22:39.240 --> 0:22:44.560
<v Speaker 14>Production supervisor Lizzie Sam Production coordinators Ethan Aronson and Sean Green.

0:22:45.400 --> 0:22:50.160
<v Speaker 14>Production assistants Chelsea Perry and Samara Malik. Additional special thanks

0:22:50.200 --> 0:22:54.520
<v Speaker 14>to Riley Fulsom and Maxim Carlik. Underwater was recorded at

0:22:54.560 --> 0:22:58.119
<v Speaker 14>Gold Diggers in Los Angeles, California, Challice Recording Studio in

0:22:58.160 --> 0:23:01.360
<v Speaker 14>Los Angeles, California, and The Relic Room in New York,

0:23:01.440 --> 0:23:05.080
<v Speaker 14>New York. Make sure to follow Underwater and listen on

0:23:05.160 --> 0:23:10.200
<v Speaker 14>Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you

0:23:10.320 --> 0:23:11.159
<v Speaker 14>get your podcasts.