1 00:00:29,160 --> 00:00:31,720 Speaker 1: New York City, the only place in the world that 2 00:00:31,720 --> 00:00:34,240 Speaker 1: can make you feel like somebody and nobody at the 3 00:00:34,280 --> 00:00:38,560 Speaker 1: exact same time. Learning how to survive here has made 4 00:00:38,560 --> 00:00:43,280 Speaker 1: me who I am? 5 00:00:43,320 --> 00:00:45,560 Speaker 2: Hey, what's up brouh boss here? 6 00:00:46,080 --> 00:00:49,519 Speaker 1: Yeah, he just came through, But lately I'm starting to 7 00:00:49,560 --> 00:00:50,640 Speaker 1: wonder who else I could become. 8 00:00:51,640 --> 00:00:53,000 Speaker 2: I gotta do more than just survive. 9 00:00:54,480 --> 00:00:56,720 Speaker 1: Let's go good, it's good. 10 00:00:56,760 --> 00:00:59,320 Speaker 3: I know the way he asked me to bring you back? 11 00:01:00,120 --> 00:01:19,000 Speaker 4: Right heyeo? 12 00:01:21,120 --> 00:01:24,000 Speaker 5: You want to hang this? 13 00:01:24,920 --> 00:01:26,720 Speaker 6: Sorry, ladies, he's on the clock. 14 00:01:27,000 --> 00:01:28,080 Speaker 2: I'll catch you another time. 15 00:01:28,160 --> 00:01:28,800 Speaker 4: Yeah. 16 00:01:28,880 --> 00:01:30,880 Speaker 2: Is there any woman here tonight? You haven't had a 17 00:01:30,920 --> 00:01:32,720 Speaker 2: thing with It comes with the job. 18 00:01:33,080 --> 00:01:34,839 Speaker 7: Help Your job opens up soon then. 19 00:01:35,440 --> 00:01:37,080 Speaker 2: And why would my job be opening up? 20 00:01:38,880 --> 00:01:40,040 Speaker 7: Let's not keep him waiting. 21 00:01:42,280 --> 00:01:45,679 Speaker 1: This city has its own gravitational pull, so if you 22 00:01:45,760 --> 00:01:46,679 Speaker 1: get a chance to. 23 00:01:46,600 --> 00:01:51,320 Speaker 8: Break out of orbit, you take it no matter where 24 00:01:51,320 --> 00:01:51,760 Speaker 8: it leaves. 25 00:01:55,240 --> 00:02:01,280 Speaker 9: Good luck, man, Hey kid, close that door for me. 26 00:02:01,760 --> 00:02:03,120 Speaker 9: I can't hear myself think. 27 00:02:02,960 --> 00:02:03,720 Speaker 10: Over that record. 28 00:02:04,840 --> 00:02:07,880 Speaker 1: You gotta try to expand your musical paletto man, there's 29 00:02:07,880 --> 00:02:10,720 Speaker 1: more to life than just classic rock. Not for me, 30 00:02:10,760 --> 00:02:14,079 Speaker 1: there's not for someone who runs the nightlife scene. You 31 00:02:14,160 --> 00:02:15,160 Speaker 1: can't seem to stand it. 32 00:02:16,160 --> 00:02:20,840 Speaker 9: I'm here for the ancillary business opportunities, not the esthetic. 33 00:02:21,760 --> 00:02:24,760 Speaker 1: You're gonna tell me why I needed to escort get 34 00:02:24,760 --> 00:02:25,440 Speaker 1: back here tonight. 35 00:02:25,919 --> 00:02:28,799 Speaker 11: I have an assignment for you that's a little time sensitive. 36 00:02:29,760 --> 00:02:31,400 Speaker 10: Couldn't have your getting sidetracked. 37 00:02:32,480 --> 00:02:34,760 Speaker 8: You need me to make a drop, not a drop, 38 00:02:35,360 --> 00:02:36,000 Speaker 8: a pickup. 39 00:02:38,280 --> 00:02:40,359 Speaker 9: There's a woman I need to have a word with. 40 00:02:41,320 --> 00:02:42,400 Speaker 9: I want you to get. 41 00:02:42,200 --> 00:02:43,840 Speaker 11: Her, bring her back to the city. 42 00:02:45,960 --> 00:02:47,280 Speaker 2: Where is Brooklyn? 43 00:02:47,560 --> 00:02:52,480 Speaker 9: Nah, she's gone and taking herself on an island vacation. 44 00:02:53,720 --> 00:02:54,680 Speaker 11: I'm gonna need you to go. 45 00:02:54,760 --> 00:03:00,280 Speaker 2: Cut it short. Which island, Mars. 46 00:03:00,120 --> 00:03:01,440 Speaker 11: Don't get all spooped on me. 47 00:03:02,240 --> 00:03:05,160 Speaker 2: You know that place better than anyone, and you know 48 00:03:05,200 --> 00:03:06,280 Speaker 2: why I can't go back there. 49 00:03:06,680 --> 00:03:09,800 Speaker 9: I'm sure no one will recognize you. Come on, you're 50 00:03:09,840 --> 00:03:12,960 Speaker 9: hardly the scrawny pop I rescued fifteen years ago. She's 51 00:03:13,040 --> 00:03:16,560 Speaker 9: your girl. Why can't you just go? We didn't part 52 00:03:17,200 --> 00:03:20,120 Speaker 9: on the best terms. I doubt she'd even be willing 53 00:03:20,160 --> 00:03:26,480 Speaker 9: to see me. But you, on the other hand, you 54 00:03:26,600 --> 00:03:27,359 Speaker 9: can be very. 55 00:03:27,240 --> 00:03:31,399 Speaker 2: Persuasive, Marcus. You know I would never question in order 56 00:03:31,440 --> 00:03:33,680 Speaker 2: without good reason. But this is just. 57 00:03:35,680 --> 00:03:38,440 Speaker 9: I suppose this is what I get for teaching you 58 00:03:38,480 --> 00:03:39,400 Speaker 9: how to negotiate. 59 00:03:42,160 --> 00:03:48,680 Speaker 11: Here's your advance. Bring her back and you'll get the rest. 60 00:03:50,240 --> 00:03:51,600 Speaker 11: Call it a servants package. 61 00:03:51,880 --> 00:03:52,560 Speaker 2: You fire me. 62 00:03:55,400 --> 00:03:56,720 Speaker 10: You don't need that surprise. 63 00:03:58,440 --> 00:04:00,360 Speaker 11: I know you've been searching for a way out ever 64 00:04:00,440 --> 00:04:01,640 Speaker 11: since Chicago. 65 00:04:02,760 --> 00:04:05,080 Speaker 2: It's been hard to shake, which. 66 00:04:04,840 --> 00:04:08,480 Speaker 9: Is why I'm not gonna hold it against you looking 67 00:04:08,560 --> 00:04:11,360 Speaker 9: for other opportunities behind my bid. 68 00:04:11,560 --> 00:04:14,360 Speaker 1: Marcus, you know me better than anybody on this planet. 69 00:04:14,640 --> 00:04:16,279 Speaker 1: You know I'm not gonna go behind your back on 70 00:04:16,320 --> 00:04:19,120 Speaker 1: some crazy shat make me second. 71 00:04:18,800 --> 00:04:25,480 Speaker 11: Guess my generosity by lying in me. You do this 72 00:04:25,560 --> 00:04:29,080 Speaker 11: last job for me, and I let you retire early 73 00:04:29,400 --> 00:04:33,320 Speaker 11: with a golden parachute. This is your chance to get 74 00:04:33,320 --> 00:04:36,200 Speaker 11: out of here and do what you really want. Nicholas, 75 00:04:38,480 --> 00:04:38,880 Speaker 11: take it. 76 00:04:42,720 --> 00:04:43,839 Speaker 2: I'll fly it in the morning. 77 00:04:46,960 --> 00:04:47,200 Speaker 7: Now. 78 00:04:48,400 --> 00:04:50,680 Speaker 11: As for your assignment. 79 00:05:00,279 --> 00:05:04,760 Speaker 3: Oh, traffic's not too bad. Will get to La Guardia 80 00:05:04,839 --> 00:05:06,520 Speaker 3: with plenty of time before it. Wheel's up. 81 00:05:07,160 --> 00:05:07,440 Speaker 7: Cool? 82 00:05:09,520 --> 00:05:12,320 Speaker 2: Going to get the boss's girl? Huh, that's what it 83 00:05:12,360 --> 00:05:16,520 Speaker 2: looked like. You know anything about her? Nah? 84 00:05:16,960 --> 00:05:18,800 Speaker 3: I just know you couldn't pay me to be in 85 00:05:18,839 --> 00:05:20,480 Speaker 3: your shoes right now. 86 00:05:21,520 --> 00:05:25,080 Speaker 1: I had no idea who this woman was or what 87 00:05:25,279 --> 00:05:28,800 Speaker 1: she meant to Marcus, but to me, she meant to 88 00:05:28,920 --> 00:05:30,000 Speaker 1: chance had a new life. 89 00:05:30,680 --> 00:05:31,760 Speaker 4: Who says, I'm looking. 90 00:05:31,520 --> 00:05:38,400 Speaker 2: For anything everybody who comes seeing. 91 00:05:38,400 --> 00:05:41,880 Speaker 8: If and only if I can win her over. 92 00:05:42,320 --> 00:05:44,320 Speaker 12: Do you really think you can show me something that 93 00:05:44,320 --> 00:05:45,040 Speaker 12: I haven't. 94 00:05:44,800 --> 00:05:45,880 Speaker 7: Seen this story. 95 00:05:47,920 --> 00:05:52,560 Speaker 2: And I had no intention. I'm losing. 96 00:06:04,600 --> 00:06:05,240 Speaker 11: Underwater? 97 00:06:06,440 --> 00:06:09,440 Speaker 12: Episode two, the Assignment. 98 00:06:18,360 --> 00:06:20,520 Speaker 8: Listen, listen to me. 99 00:06:21,480 --> 00:06:25,160 Speaker 2: I found her. You made contact. Yeah, see something. 100 00:06:26,760 --> 00:06:28,440 Speaker 9: That's an understatement. 101 00:06:28,880 --> 00:06:31,600 Speaker 2: It might take some time, but I'm sure I can 102 00:06:31,640 --> 00:06:32,400 Speaker 2: convince it to come. 103 00:06:32,839 --> 00:06:36,360 Speaker 6: I can give you four days for what That's. 104 00:06:36,200 --> 00:06:38,760 Speaker 1: A pretty quick fucking turnaround. 105 00:06:38,000 --> 00:06:42,640 Speaker 9: Really, I thought I was being generous given your skill set. 106 00:06:42,960 --> 00:06:44,960 Speaker 2: Look, I'm flattered, really, but no more. 107 00:06:45,040 --> 00:06:48,760 Speaker 9: Buts just do whatever it takes to get her back here. 108 00:06:48,960 --> 00:06:52,640 Speaker 2: Yes, whatever it takes, meaning you want, I don't. 109 00:06:52,600 --> 00:06:56,640 Speaker 9: Like to microman it. Use whatever methods you see fit. 110 00:06:57,480 --> 00:07:00,599 Speaker 9: But the second she's back in here, you back off, 111 00:07:01,480 --> 00:07:02,760 Speaker 9: no questions asked. 112 00:07:03,360 --> 00:07:07,160 Speaker 8: Of course, that won't be a problem. 113 00:07:07,200 --> 00:07:10,520 Speaker 9: Please, You've never met a mark you couldn't grow a 114 00:07:10,560 --> 00:07:11,280 Speaker 9: saut spot for. 115 00:07:12,480 --> 00:07:15,560 Speaker 2: You always get too involved, Kit, That's. 116 00:07:15,440 --> 00:07:17,320 Speaker 9: Why you're not cut out for this in the long run, 117 00:07:18,240 --> 00:07:22,000 Speaker 9: no matter how hard a punch you could throw. But 118 00:07:22,040 --> 00:07:24,000 Speaker 9: I'm gonna need you to keep that heart of gold 119 00:07:24,080 --> 00:07:33,080 Speaker 9: and check this time can't save everyone. Understand, understood, now, 120 00:07:33,600 --> 00:07:34,600 Speaker 9: try and get some rest. 121 00:07:35,400 --> 00:07:37,040 Speaker 11: She's always been an early riser. 122 00:07:37,240 --> 00:07:40,280 Speaker 8: Anything else, Yeah. 123 00:07:39,720 --> 00:07:41,760 Speaker 11: Try not to let her out of your cipher too long. 124 00:07:43,000 --> 00:07:46,240 Speaker 11: He's something of a flight risk. 125 00:07:56,600 --> 00:08:00,000 Speaker 10: Good morning, mister Alexander. You're certainly up early. 126 00:08:00,640 --> 00:08:02,200 Speaker 2: Yeah, going out for a morning run. 127 00:08:02,680 --> 00:08:41,240 Speaker 10: Oh lovely enjoy. 128 00:08:24,440 --> 00:08:38,400 Speaker 7: Jon Oh. 129 00:08:40,200 --> 00:08:44,319 Speaker 1: Hey, sorry, I almost blew past you. I get in 130 00:08:44,360 --> 00:08:45,800 Speaker 1: my own little world when i'm running. 131 00:08:46,320 --> 00:08:48,400 Speaker 12: Seems like it. You're working on your stamina. 132 00:08:48,920 --> 00:08:52,320 Speaker 2: Stamina, It's never been an issue for me. Mind. 133 00:08:52,360 --> 00:08:54,680 Speaker 1: If I walk with you, I gotta let my heart 134 00:08:54,720 --> 00:08:58,520 Speaker 1: rate come down a bit. Sure you're doing not so early, 135 00:08:59,160 --> 00:09:00,240 Speaker 1: especially on Acon. 136 00:09:00,720 --> 00:09:03,280 Speaker 12: Who said I'm on vacation, And what brings you down here? 137 00:09:03,280 --> 00:09:05,359 Speaker 2: If not? Is this a business trip. 138 00:09:05,200 --> 00:09:07,440 Speaker 12: Or it's kind of personal. 139 00:09:08,440 --> 00:09:09,080 Speaker 2: That's all right. 140 00:09:09,920 --> 00:09:11,400 Speaker 1: You don't have to get into it right now, but 141 00:09:11,440 --> 00:09:13,920 Speaker 1: you could tell me over a drink later if you 142 00:09:13,960 --> 00:09:15,320 Speaker 1: want to pick up what we left. 143 00:09:15,120 --> 00:09:18,040 Speaker 12: Off where you left me sitting alone at the bar, 144 00:09:18,679 --> 00:09:19,400 Speaker 12: Is that what you mean? 145 00:09:19,480 --> 00:09:22,720 Speaker 2: Well? You know what they say, what always leave them 146 00:09:22,720 --> 00:09:23,160 Speaker 2: one more? 147 00:09:25,120 --> 00:09:27,240 Speaker 12: Sorry, I've got plans tonight. 148 00:09:27,480 --> 00:09:29,680 Speaker 2: Oh what kind of plans? 149 00:09:29,960 --> 00:09:31,440 Speaker 12: Elena's taking me into town. 150 00:09:33,320 --> 00:09:35,000 Speaker 2: What No, I ain't say nothing. 151 00:09:35,320 --> 00:09:37,640 Speaker 12: Your mouth didn't, but that look on your face is sure. 152 00:09:37,720 --> 00:09:40,680 Speaker 1: Speaking volumes just doesn't seem like a good idea to 153 00:09:40,720 --> 00:09:42,559 Speaker 1: be leaving the resort, especially at night. 154 00:09:43,640 --> 00:09:46,040 Speaker 12: Elena's lived here for years. I'll be in good hands 155 00:09:46,040 --> 00:09:47,120 Speaker 12: with her. Don't worry. 156 00:09:48,200 --> 00:09:50,920 Speaker 1: I know, I know, but two women alone out there 157 00:09:51,800 --> 00:09:52,960 Speaker 1: just doesn't sound too safe. 158 00:09:53,200 --> 00:09:57,360 Speaker 5: Oh wow, I love a little bit of sexism first 159 00:09:57,360 --> 00:09:58,080 Speaker 5: thing in the morning. 160 00:09:58,200 --> 00:09:58,679 Speaker 12: Thank you. 161 00:09:58,840 --> 00:10:00,760 Speaker 2: Hey, listen, worried about you? 162 00:10:01,440 --> 00:10:04,560 Speaker 5: Well, I'm not yours to worry about. And besides, we 163 00:10:04,640 --> 00:10:07,480 Speaker 5: won't be alone. There's some sort of festival happening in 164 00:10:07,520 --> 00:10:09,760 Speaker 5: town this week, so there will be plenty of other 165 00:10:09,800 --> 00:10:11,719 Speaker 5: people around, don't you worry. 166 00:10:11,640 --> 00:10:15,280 Speaker 1: Yeah, it's the other people you have to watch out for. Well, 167 00:10:15,360 --> 00:10:20,440 Speaker 1: in my experience, we should probably head back. I'd love 168 00:10:20,480 --> 00:10:21,680 Speaker 1: to check out the festival with you. 169 00:10:22,760 --> 00:10:24,960 Speaker 12: I'm really just trying to hang with Elena tonight. 170 00:10:25,480 --> 00:10:28,160 Speaker 2: I'm sure Elena wouldn't mind me taking along with you. 171 00:10:28,400 --> 00:10:32,600 Speaker 12: Oh oh, okay, I see what this is. You wanted 172 00:10:32,640 --> 00:10:34,640 Speaker 12: to be the one to show me the real island? 173 00:10:34,679 --> 00:10:35,160 Speaker 12: Is that right? 174 00:10:37,080 --> 00:10:37,640 Speaker 2: You called me? 175 00:10:38,400 --> 00:10:41,080 Speaker 5: Sorry to disappoint that You're just gonna have to wait 176 00:10:41,080 --> 00:10:41,480 Speaker 5: your turn. 177 00:10:42,920 --> 00:10:46,040 Speaker 2: That's all right, cool, I'm a patient. 178 00:10:45,720 --> 00:10:50,480 Speaker 12: Man, good because I'm worth the way, all. 179 00:10:50,480 --> 00:10:53,120 Speaker 1: Right, Dan, I'm gonna go ahead and finish my run. 180 00:10:53,600 --> 00:10:54,559 Speaker 1: Don't want to lose all the. 181 00:10:54,480 --> 00:11:00,920 Speaker 5: Momentum, Okay, just don't expect me to chase you. 182 00:11:01,720 --> 00:11:02,800 Speaker 2: Girls, gonna be the death of me. 183 00:11:14,240 --> 00:11:16,800 Speaker 1: Resource like Dstino keep a close eye on their guests 184 00:11:17,280 --> 00:11:19,079 Speaker 1: to try and give you what you want before you 185 00:11:19,080 --> 00:11:19,800 Speaker 1: even though you want. 186 00:11:20,520 --> 00:11:23,400 Speaker 9: Good morning, mister Alexander, Can I offer you a little 187 00:11:23,440 --> 00:11:24,800 Speaker 9: post run bloody Mary? 188 00:11:25,280 --> 00:11:26,240 Speaker 2: No, I'm good, thank you. 189 00:11:28,200 --> 00:11:30,360 Speaker 1: But as I walked back to my room, I had 190 00:11:30,360 --> 00:11:32,160 Speaker 1: a feeling it wasn't just a hotel that had a 191 00:11:32,200 --> 00:11:37,520 Speaker 1: nailed me. Someone was following me, and I just wouldn't do. 192 00:11:43,600 --> 00:11:44,840 Speaker 2: Get off my fucking. 193 00:11:44,559 --> 00:12:05,559 Speaker 13: Tail, hold on just me, Jesus Christ, diego, don't sneak 194 00:12:05,640 --> 00:12:06,360 Speaker 13: up on me like that. 195 00:12:06,400 --> 00:12:13,080 Speaker 2: Man almost threw you down the fucking stairs. You all right? 196 00:12:14,120 --> 00:12:14,640 Speaker 3: Uh? 197 00:12:15,120 --> 00:12:15,760 Speaker 6: Not really? 198 00:12:17,320 --> 00:12:22,280 Speaker 1: I'm sorry, man, I felt like someone was following me. 199 00:12:22,480 --> 00:12:23,760 Speaker 1: My instincts just took over. 200 00:12:24,320 --> 00:12:25,679 Speaker 6: Those are your instincts. 201 00:12:26,400 --> 00:12:28,440 Speaker 2: Since I've been here, I've been paranoid as fuck. 202 00:12:30,200 --> 00:12:32,720 Speaker 6: Damn what were you doing this morning? Run a marathon? 203 00:12:33,240 --> 00:12:35,920 Speaker 2: Now? But I did run and see a girl on 204 00:12:35,960 --> 00:12:36,880 Speaker 2: the beach this morning. 205 00:12:38,120 --> 00:12:38,280 Speaker 3: And. 206 00:12:39,920 --> 00:12:43,000 Speaker 2: It's pretty cool. I knew you were into her. Yeah, 207 00:12:43,520 --> 00:12:44,760 Speaker 2: you really called it. 208 00:12:44,760 --> 00:12:48,080 Speaker 6: It's like something out of a movie. Bro a windsweat beach, 209 00:12:48,400 --> 00:12:49,960 Speaker 6: two beautiful strangers. 210 00:12:50,480 --> 00:12:53,200 Speaker 8: Oh man, I've got chills. 211 00:12:55,600 --> 00:12:57,880 Speaker 2: I get inside, would you. I don't know who might 212 00:12:57,880 --> 00:13:01,920 Speaker 2: be listening. This place is making a paranoid. 213 00:13:02,840 --> 00:13:05,160 Speaker 1: It's not the resort that's got me looking over my shoulder. Man, 214 00:13:06,760 --> 00:13:07,880 Speaker 1: it's the rest of the island. 215 00:13:08,160 --> 00:13:08,720 Speaker 2: What do you mean. 216 00:13:09,360 --> 00:13:12,440 Speaker 1: I've got history here. Some people might not be excited 217 00:13:12,440 --> 00:13:13,479 Speaker 1: to see me back. 218 00:13:14,000 --> 00:13:16,080 Speaker 6: But that's on the past, right. I'm sure people have 219 00:13:16,160 --> 00:13:17,480 Speaker 6: moved on by now. 220 00:13:17,880 --> 00:13:20,000 Speaker 1: They might be the past, but I'm sure they still 221 00:13:20,000 --> 00:13:23,439 Speaker 1: see me as a threat, and they're not wrong. 222 00:13:24,000 --> 00:13:26,319 Speaker 2: You don't seem very optimistic for a guy who's fresh 223 00:13:26,320 --> 00:13:30,080 Speaker 2: off of me cute. Well, let's just say there's some 224 00:13:30,120 --> 00:13:31,240 Speaker 2: complicated factors. 225 00:13:31,720 --> 00:13:33,720 Speaker 8: Ah, she got a boyfriend. 226 00:13:34,200 --> 00:13:37,160 Speaker 2: Hard to say. What I do know is that she's 227 00:13:37,160 --> 00:13:40,000 Speaker 2: going into town with Atlanta later tonight for the festival. 228 00:13:40,360 --> 00:13:41,320 Speaker 2: Oh you know about it? 229 00:13:41,559 --> 00:13:42,120 Speaker 6: Of course. 230 00:13:42,360 --> 00:13:44,400 Speaker 10: The whole island's going to be in party mode tonight. 231 00:13:44,640 --> 00:13:46,600 Speaker 10: It's our big end of the season celebration. 232 00:13:47,440 --> 00:13:51,120 Speaker 1: Oh shit, really, the festival I remember was a small 233 00:13:51,120 --> 00:13:51,920 Speaker 1: neighborhood thing. 234 00:13:52,400 --> 00:13:54,880 Speaker 2: Oh yeah, it's been getting bigger every year. 235 00:13:55,160 --> 00:13:57,400 Speaker 9: We locals still have our fun, but the whole thing's 236 00:13:57,480 --> 00:13:59,000 Speaker 9: become a tourist magnet. 237 00:13:59,520 --> 00:14:00,680 Speaker 2: No fens or anything. 238 00:14:00,720 --> 00:14:00,880 Speaker 14: You know. 239 00:14:00,960 --> 00:14:03,160 Speaker 6: Some tourists can hang obviously. 240 00:14:02,720 --> 00:14:04,000 Speaker 2: So it's I'm not a tourist. 241 00:14:04,040 --> 00:14:06,480 Speaker 1: There you go, of course, Boss, I'm gonna need you 242 00:14:06,520 --> 00:14:08,840 Speaker 1: to help me figure out where it's gonna be at later. 243 00:14:09,000 --> 00:14:09,520 Speaker 2: You got it. 244 00:14:09,760 --> 00:14:11,080 Speaker 6: Elena and I go way back. 245 00:14:11,200 --> 00:14:12,400 Speaker 2: I can ask her where they're gonna be. 246 00:14:14,920 --> 00:14:16,599 Speaker 1: Thanks, but I need you to drive me there and 247 00:14:16,720 --> 00:14:18,839 Speaker 1: stick around too, in case for me to make a 248 00:14:18,880 --> 00:14:19,440 Speaker 1: quick exit. 249 00:14:22,160 --> 00:14:24,680 Speaker 6: Yeah, can you at lease tell me what you're so 250 00:14:24,720 --> 00:14:25,280 Speaker 6: worried about? 251 00:14:25,400 --> 00:14:28,120 Speaker 2: So I know what to look out for, but you 252 00:14:28,160 --> 00:14:28,880 Speaker 2: don't trust me. 253 00:14:29,200 --> 00:14:32,040 Speaker 9: I get this is no questions ask kind of deal, 254 00:14:32,080 --> 00:14:34,960 Speaker 9: but I still appreciate a few answers. 255 00:14:34,960 --> 00:14:37,960 Speaker 1: Boss, I know what sucks being kept in the dark, 256 00:14:38,680 --> 00:14:40,200 Speaker 1: So maybe this can help brighten you move. 257 00:14:46,160 --> 00:14:48,800 Speaker 6: Uh yeah, it doesn't hurt. 258 00:14:49,720 --> 00:14:50,080 Speaker 2: Good. 259 00:14:51,280 --> 00:14:54,360 Speaker 8: Now let me get a little privacy. I gotta clean 260 00:14:54,440 --> 00:14:55,360 Speaker 8: up be for this festival. 261 00:15:10,480 --> 00:15:11,040 Speaker 11: That's better. 262 00:15:27,200 --> 00:15:27,520 Speaker 7: Hey. 263 00:15:27,600 --> 00:15:29,440 Speaker 9: We might not be as big as New York City, 264 00:15:29,760 --> 00:15:32,760 Speaker 9: but we know how to turn up damn. 265 00:15:33,560 --> 00:15:38,160 Speaker 1: I was expecting a block party, not carnival. Didn't go 266 00:15:38,200 --> 00:15:39,560 Speaker 1: How the fund are we supposed to find on and 267 00:15:39,600 --> 00:15:40,160 Speaker 1: all this ship? 268 00:15:40,800 --> 00:15:42,840 Speaker 2: We just have to follow the parade. There's a big 269 00:15:42,880 --> 00:15:44,720 Speaker 2: stage for live music at the end of the route. 270 00:15:44,840 --> 00:15:47,080 Speaker 9: The street turns into a giant dance party once the 271 00:15:47,080 --> 00:15:48,000 Speaker 9: parade wraps up. 272 00:15:48,120 --> 00:15:54,280 Speaker 2: It's so funny, all right, did lead the way? Watch? 273 00:15:55,720 --> 00:15:56,600 Speaker 2: What the fuck? 274 00:15:57,560 --> 00:15:57,800 Speaker 1: Man? 275 00:15:59,760 --> 00:16:02,480 Speaker 6: It's just firecrackers. Why don't we get you a drink 276 00:16:02,560 --> 00:16:03,920 Speaker 6: or something to take the edge off. 277 00:16:04,400 --> 00:16:06,200 Speaker 2: I'm good, you stay shocked. 278 00:16:07,160 --> 00:16:09,880 Speaker 8: I was like, oh, that's too much. 279 00:16:10,720 --> 00:16:24,920 Speaker 6: Twelve years later, you okay, man? 280 00:16:25,920 --> 00:16:28,880 Speaker 8: Yeah, just take an interview. 281 00:16:29,800 --> 00:16:31,480 Speaker 6: Yeah, it's a pretty beach right. 282 00:16:32,720 --> 00:16:35,040 Speaker 2: Used to be real sketchy back in the day before 283 00:16:35,040 --> 00:16:37,120 Speaker 2: they cleaned it up. That's one way to put it. 284 00:16:37,920 --> 00:16:39,320 Speaker 2: What do you mean by let's get out of here? 285 00:16:39,840 --> 00:16:43,400 Speaker 2: Let's go always with the secrets. 286 00:16:43,640 --> 00:16:45,880 Speaker 1: Remember, if I say we need to get out of here, 287 00:16:46,480 --> 00:16:47,239 Speaker 1: it means. 288 00:16:47,040 --> 00:16:49,960 Speaker 6: Now, man, what did you do to leave such an 289 00:16:50,000 --> 00:16:50,840 Speaker 6: impression here? 290 00:16:51,200 --> 00:16:52,440 Speaker 2: I ain't say a proper goodbye. 291 00:16:52,520 --> 00:16:56,760 Speaker 9: Yay guyy you made us and you brought it sights. 292 00:16:57,800 --> 00:16:59,960 Speaker 2: Speaking of where's your plus one? 293 00:17:00,240 --> 00:17:04,119 Speaker 12: Anna? She's around here somewhere. Good luck getting any alone time. 294 00:17:04,680 --> 00:17:06,360 Speaker 12: Hot terrists are quite in demand. 295 00:17:06,560 --> 00:17:08,359 Speaker 8: Yeah, I'm pretty sure I could get an attention though. 296 00:17:08,840 --> 00:17:09,760 Speaker 12: I meant you too. 297 00:17:10,480 --> 00:17:11,920 Speaker 2: You're gonna get mobbed out there. 298 00:17:12,640 --> 00:17:16,800 Speaker 1: Yeah, that's what I'm afraid of. Well call me if 299 00:17:16,800 --> 00:17:19,480 Speaker 1: you run into her. I'm gonna scope out the crowd. 300 00:17:20,080 --> 00:17:29,520 Speaker 2: Okay, boss, Come on Anna? Where are you? Oh? My god? 301 00:17:30,000 --> 00:17:30,760 Speaker 4: Is that Nigo? 302 00:17:32,200 --> 00:17:33,399 Speaker 2: Somebody grew up? 303 00:17:33,680 --> 00:17:33,960 Speaker 10: Good? 304 00:17:34,640 --> 00:17:36,520 Speaker 2: I'm sorry? Do I know you? 305 00:17:37,200 --> 00:17:37,680 Speaker 12: Hello? 306 00:17:37,920 --> 00:17:40,160 Speaker 9: I'm the girl you were dating up until you vanished 307 00:17:40,200 --> 00:17:41,720 Speaker 9: off the face of the goddamn earth. 308 00:17:42,080 --> 00:17:46,280 Speaker 2: Holy shit, Dahlia, how you been? I'm better now that 309 00:17:46,320 --> 00:17:46,840 Speaker 2: you're back. 310 00:17:47,640 --> 00:17:48,679 Speaker 12: You want to dance with me? 311 00:17:49,480 --> 00:17:50,320 Speaker 2: Baby? Next time? 312 00:17:50,600 --> 00:17:52,600 Speaker 6: Come on one song, won't you. 313 00:17:52,960 --> 00:17:55,680 Speaker 2: I wouldn't be so sure about that? Hey? 314 00:17:56,440 --> 00:17:57,040 Speaker 7: Are you all right? 315 00:17:57,119 --> 00:18:00,480 Speaker 1: I'm sorry, I gotta I gotta gotta rhyme. 316 00:18:00,800 --> 00:18:01,240 Speaker 2: I'll see you. 317 00:18:01,320 --> 00:18:04,520 Speaker 4: Soon, Lego, are you seriously at you? 318 00:18:06,800 --> 00:18:26,080 Speaker 2: Excuse me? Excuse me? I said, excuse me, excuse me? Yeah? 319 00:18:26,119 --> 00:18:26,359 Speaker 7: He is. 320 00:18:44,920 --> 00:18:45,400 Speaker 2: Diego? 321 00:18:46,080 --> 00:18:46,240 Speaker 7: Hey? 322 00:18:47,840 --> 00:18:48,520 Speaker 9: Is everything right? 323 00:18:48,600 --> 00:18:49,600 Speaker 2: Yeah? We gotta go right now. 324 00:18:50,160 --> 00:18:50,840 Speaker 7: We can't leave it? 325 00:18:50,960 --> 00:18:51,639 Speaker 2: Why the hell not? 326 00:18:52,080 --> 00:18:53,120 Speaker 12: Because I found on him? 327 00:18:54,320 --> 00:18:55,320 Speaker 2: Where where's yet? 328 00:18:55,840 --> 00:18:57,800 Speaker 6: She's right here with me in Atlanta? 329 00:18:58,200 --> 00:19:01,640 Speaker 2: Remember when I said I felt like someone was following me. Yeah, yeah, 330 00:19:02,240 --> 00:19:02,920 Speaker 2: well I was right. 331 00:19:04,560 --> 00:19:05,520 Speaker 9: What do you want me to do? 332 00:19:05,920 --> 00:19:08,240 Speaker 2: Just just keep on the where she's at, don't move. 333 00:19:08,680 --> 00:19:14,600 Speaker 2: I'm gonna come find you. Okay, Hey, bro, it's been 334 00:19:14,680 --> 00:19:15,040 Speaker 2: a while. 335 00:19:18,359 --> 00:19:21,439 Speaker 4: Nico, Nico, Nigo. 336 00:19:40,200 --> 00:19:44,439 Speaker 12: Yeah, I didn't know when that was the difficulty. 337 00:19:44,560 --> 00:19:53,720 Speaker 13: You see, you got them ballers donning the bucket use stay. 338 00:19:56,520 --> 00:20:00,160 Speaker 2: Oh yeah, I can't imagine. 339 00:20:00,520 --> 00:20:01,520 Speaker 7: Like your stable. 340 00:20:03,320 --> 00:20:06,480 Speaker 14: Underwater is an Interval Presents original production with Temple Hill 341 00:20:06,600 --> 00:20:11,480 Speaker 14: Entertainment and Clamor, starring Jason Derulo and Alexander Shipp. Written 342 00:20:11,520 --> 00:20:14,600 Speaker 14: by Katrina Day, directed by Pat Kelly and Chris Kelly. 343 00:20:15,320 --> 00:20:20,120 Speaker 14: Executive producer Jason Derulo, executive producers from Interval Presents, Alan 344 00:20:20,200 --> 00:20:23,880 Speaker 14: Coy and Jay Kleinberg executive producers from Temple Hill Entertainment, 345 00:20:24,320 --> 00:20:28,600 Speaker 14: Marty Bowen, Wit Godfrey and Alex Addison executive producers from Clamor. 346 00:20:29,119 --> 00:20:34,160 Speaker 14: Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Chaneo. Executive 347 00:20:34,200 --> 00:20:38,560 Speaker 14: produced by Katrina Day. Executive producer from Future History Frank Harris. 348 00:20:39,280 --> 00:20:43,320 Speaker 14: Special thanks to Henri De Sources Marketing Lead, Samara Still, 349 00:20:43,960 --> 00:20:48,160 Speaker 14: Business Development Lead, Cheffy Ellen, Sweg Maggie and operations lead 350 00:20:48,640 --> 00:20:52,000 Speaker 14: Sarah You, post production audio services by Kelly and Kelly 351 00:20:52,480 --> 00:20:56,399 Speaker 14: Sound Design and mixed by Paul Teteskian. Dialogue edited by 352 00:20:56,480 --> 00:21:00,520 Speaker 14: Max Collins. Original music by Genevieve Vincent. Song arranged by 353 00:21:00,560 --> 00:21:04,879 Speaker 14: Genefee Vincent. The cast includes Jason Derulo as Nico, Alexander 354 00:21:04,960 --> 00:21:08,560 Speaker 14: Ship as Honor, Carrie Alexander as bank teller and additional voices. 355 00:21:08,880 --> 00:21:11,680 Speaker 14: Bo Bridgeland is Jordan, Michael Dary as credit reader and 356 00:21:11,720 --> 00:21:16,199 Speaker 14: additional voices, Anisia Dubois Dahlia and Young Dahlia, Andrew Frankel 357 00:21:16,359 --> 00:21:19,479 Speaker 14: as stranger in additional voices, Walter Gray the Fourth as 358 00:21:19,560 --> 00:21:23,760 Speaker 14: male tourist and additional voices, Melissa Greenspan as female tourists 359 00:21:23,800 --> 00:21:28,920 Speaker 14: and additional voices, Alice Hunter as Elenath, Jeremy Jordan as Gabriel, 360 00:21:29,320 --> 00:21:33,200 Speaker 14: Josh Keaton as Matteo, Tara Langela as female guest and 361 00:21:33,240 --> 00:21:37,919 Speaker 14: additional voices, Jonathan Leon as Young Matteo, Donnis Leonard Junior 362 00:21:38,119 --> 00:21:42,240 Speaker 14: as Elias Parker, James Logi as young Boy, Emily Martinez 363 00:21:42,359 --> 00:21:46,800 Speaker 14: as Carmen, Michael McLoone as Marcus, Carlo Renata as bartender 364 00:21:47,200 --> 00:21:51,120 Speaker 14: John Carlos Sabagon as Diego, David Shatraw as Male Guest 365 00:21:51,160 --> 00:21:55,520 Speaker 14: and additional voices Andre Sagluzzo as Sebastian, Cameron, Jay Wright 366 00:21:55,760 --> 00:21:59,520 Speaker 14: as Young Nico, and Hannah Zamora as Mia. Produced by 367 00:22:00,000 --> 00:22:03,640 Speaker 14: Ian Holman, post produced by Justin Schoe and Lauren Berkovic. 368 00:22:03,920 --> 00:22:08,320 Speaker 14: Associate producer Erica Lowan. Music supervision by Melanie Mitchell. Music 369 00:22:08,359 --> 00:22:13,280 Speaker 14: clearances by Deborah Manis Gardner DMG Clearances Incorporated. Audio engineered 370 00:22:13,440 --> 00:22:16,560 Speaker 14: by Ian Folberty and Ed mcinty at Gold Diggers, Brett 371 00:22:16,600 --> 00:22:19,320 Speaker 14: Tuban at the Relic Room and Jordan Sweet at Challie 372 00:22:19,359 --> 00:22:25,240 Speaker 14: Recording Studio. Assistant engineered by Derek mcgrone and Amperorser. Vocal 373 00:22:25,320 --> 00:22:29,560 Speaker 14: coaching by Bianca Blush Atvert Casting by Marlice, Gusenhauer, Sibby 374 00:22:29,640 --> 00:22:33,959 Speaker 14: Kersch and Brentegata. Additional casting by Melissa Berger, Brennan Salem 375 00:22:34,000 --> 00:22:38,720 Speaker 14: Everett and Scott Forbes at CESD Town. Script supervisor Tamara Black, 376 00:22:39,240 --> 00:22:44,560 Speaker 14: Production supervisor Lizzie Sam Production coordinators Ethan Aronson and Sean Green. 377 00:22:45,400 --> 00:22:50,160 Speaker 14: Production assistants Chelsea Perry and Samara Malik. Additional special thanks 378 00:22:50,200 --> 00:22:54,520 Speaker 14: to Riley Fulsom and Maxim Carlik. Underwater was recorded at 379 00:22:54,560 --> 00:22:58,119 Speaker 14: Gold Diggers in Los Angeles, California, Challice Recording Studio in 380 00:22:58,160 --> 00:23:01,360 Speaker 14: Los Angeles, California, and The Relic Room in New York, 381 00:23:01,440 --> 00:23:05,080 Speaker 14: New York. Make sure to follow Underwater and listen on 382 00:23:05,160 --> 00:23:10,200 Speaker 14: Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you 383 00:23:10,320 --> 00:23:11,159 Speaker 14: get your podcasts.