1 00:00:00,080 --> 00:00:02,920 Speaker 1: You're listening to one of our favorite celebrity interviews from 2 00:00:02,920 --> 00:00:08,760 Speaker 1: twenty twenty five, Elvis Duran in The Morning Show Live 3 00:00:08,800 --> 00:00:10,840 Speaker 1: from the Mercedes Fenz Interview Lounge. 4 00:00:10,880 --> 00:00:14,520 Speaker 2: You're so excited, Tricia yearwould doing her holiday shopping in 5 00:00:14,520 --> 00:00:16,160 Speaker 2: New York City, thought she would drop on on the 6 00:00:16,200 --> 00:00:19,160 Speaker 2: way to Sacks. I love that for us, Tricia. It 7 00:00:19,160 --> 00:00:20,759 Speaker 2: looks like you've already been there. You look gorgeous. 8 00:00:20,800 --> 00:00:22,360 Speaker 3: Do you wish well? I had a team of professionals. 9 00:00:22,360 --> 00:00:23,759 Speaker 3: I don't know how to dress myself. I wish I 10 00:00:23,760 --> 00:00:25,160 Speaker 3: had time to go shopping. That'd be so well. 11 00:00:25,280 --> 00:00:27,760 Speaker 2: You should go Saxshul Avenue right around the corner, and 12 00:00:27,800 --> 00:00:29,400 Speaker 2: you know the windows are done it for Christmas. You're 13 00:00:29,400 --> 00:00:29,960 Speaker 2: in New York. 14 00:00:30,040 --> 00:00:31,319 Speaker 3: I know I love New York. 15 00:00:32,000 --> 00:00:33,840 Speaker 2: Well you can have it. 16 00:00:34,920 --> 00:00:36,200 Speaker 3: I love Christmas in New York. 17 00:00:36,240 --> 00:00:37,920 Speaker 2: You don't have to put headphones on, you do. I'm 18 00:00:37,920 --> 00:00:38,760 Speaker 2: gonna play some music for you. 19 00:00:39,120 --> 00:00:40,279 Speaker 3: Do you're gonna play music? 20 00:00:40,320 --> 00:00:40,479 Speaker 2: Yeah? 21 00:00:40,479 --> 00:00:41,919 Speaker 3: I thought you're gonna sing for me. That's what I heard. 22 00:00:42,000 --> 00:00:46,559 Speaker 2: I'm gonna sings, man, You're gonna Yeah, you don't have 23 00:00:46,600 --> 00:00:48,720 Speaker 2: to use them. I'll point at you when it's time 24 00:00:48,720 --> 00:00:51,839 Speaker 2: to put the headphones out. All right, well, Tricia, Youarwood here. 25 00:00:51,920 --> 00:00:54,920 Speaker 2: That album is out today. It's called Christmas Time. Oh 26 00:00:54,960 --> 00:00:56,640 Speaker 2: by the way, let me play you say, okay, cue. 27 00:00:58,640 --> 00:01:00,600 Speaker 2: There is a cut on here that you do with Garth. 28 00:01:01,720 --> 00:01:05,280 Speaker 2: I do know that one, Marry Christmas Valentine. I'm gonna 29 00:01:05,280 --> 00:01:07,120 Speaker 2: give you a little They call it a hook. 30 00:01:07,319 --> 00:01:12,280 Speaker 4: Here we go and there's a special one to for me, 31 00:01:14,640 --> 00:01:25,360 Speaker 4: tied with the bride red Bull that sign Merry Christmas Valentine. 32 00:01:25,040 --> 00:01:28,600 Speaker 2: Where's where's Garth? There's no Garth on this cut. They 33 00:01:28,600 --> 00:01:29,120 Speaker 2: cut it off. 34 00:01:30,720 --> 00:01:32,920 Speaker 3: They're saving him. He's harmony. 35 00:01:33,080 --> 00:01:34,240 Speaker 2: We're thinking he's on there. 36 00:01:34,440 --> 00:01:35,000 Speaker 3: He is on there. 37 00:01:35,280 --> 00:01:40,080 Speaker 2: So it sounds like a romantic back and forth Christmas duet. 38 00:01:40,160 --> 00:01:41,760 Speaker 2: Were you in the studio together when you sang it 39 00:01:41,840 --> 00:01:42,000 Speaker 2: or not? 40 00:01:42,280 --> 00:01:42,480 Speaker 1: Yeah? 41 00:01:42,520 --> 00:01:45,080 Speaker 3: We were, Yeah. Yeah, it's not a it's not a 42 00:01:45,440 --> 00:01:48,880 Speaker 3: it's not a technical duet. It's a harmony part and 43 00:01:49,720 --> 00:01:52,640 Speaker 3: it's it's really beautiful. He you know, he's in all 44 00:01:52,640 --> 00:01:54,920 Speaker 3: the songwriter Hall of Fames. And I've been doing a 45 00:01:54,960 --> 00:01:57,160 Speaker 3: lot of songwriting the last couple of years, and he 46 00:01:57,280 --> 00:01:59,400 Speaker 3: was always encouraging me to write, and I was always like, 47 00:01:59,440 --> 00:02:01,760 Speaker 3: I'm not really a songwriter. And because I was really 48 00:02:01,760 --> 00:02:03,279 Speaker 3: in my own head about it. And when I finally 49 00:02:03,360 --> 00:02:05,760 Speaker 3: kind of got to a place where I felt comfortable, 50 00:02:05,960 --> 00:02:07,680 Speaker 3: I said, you should write with me again, because I'm 51 00:02:07,680 --> 00:02:11,240 Speaker 3: really fun now, like I'm confident, I'm a lot more 52 00:02:11,240 --> 00:02:13,640 Speaker 3: fun to write with. And we were sitting outside. We 53 00:02:13,680 --> 00:02:15,600 Speaker 3: have this house on a hill in Nashville and we 54 00:02:15,680 --> 00:02:18,040 Speaker 3: kind of looked downtown and we sit out there a lot, 55 00:02:18,240 --> 00:02:20,960 Speaker 3: and we were talking about it, and he was the 56 00:02:20,960 --> 00:02:23,000 Speaker 3: one who said, there needs to be a song. Has 57 00:02:23,040 --> 00:02:26,120 Speaker 3: there ever been a song about Merry Christmas Valentine that 58 00:02:26,200 --> 00:02:29,760 Speaker 3: combines the holidays? Because it's one holiday is not enough 59 00:02:29,760 --> 00:02:31,440 Speaker 3: for this grand romance. 60 00:02:31,440 --> 00:02:33,000 Speaker 2: I don't think the Hallmark company would lie. 61 00:02:33,040 --> 00:02:34,640 Speaker 3: I know I think so too. I feel like this 62 00:02:34,680 --> 00:02:36,920 Speaker 3: is a whole thing. And so we just started working 63 00:02:36,960 --> 00:02:38,560 Speaker 3: on it and he doesn't write anything down. I write 64 00:02:38,560 --> 00:02:41,000 Speaker 3: everything down. I'm a virgo and I'm on my phone 65 00:02:41,000 --> 00:02:42,600 Speaker 3: trying to like and I'm like, he's like, well remember it. 66 00:02:42,639 --> 00:02:44,360 Speaker 3: I'm like, no, I know, we will not remember it. 67 00:02:44,400 --> 00:02:46,760 Speaker 3: And that was long before the Christmas album was even 68 00:02:47,240 --> 00:02:50,080 Speaker 3: on the books, and so when this came around, we 69 00:02:50,120 --> 00:02:51,680 Speaker 3: hadn't finished it, and I said, we need to finish 70 00:02:51,680 --> 00:02:52,880 Speaker 3: that song. I like to put it. 71 00:02:52,960 --> 00:02:53,160 Speaker 1: Yeah. 72 00:02:53,240 --> 00:02:56,000 Speaker 2: See, I always when you hear duets or harmonizing with 73 00:02:56,360 --> 00:02:59,920 Speaker 2: a couple together, a couple together, you envisioned them in 74 00:03:00,120 --> 00:03:01,919 Speaker 2: you know, a studio of the lights low, the cameras 75 00:03:01,960 --> 00:03:04,360 Speaker 2: are lit, and they're like making love to the microphone. 76 00:03:04,400 --> 00:03:07,200 Speaker 2: And then we found out later now that he was 77 00:03:07,240 --> 00:03:09,560 Speaker 2: in Nashville and I was in London, and we didn't 78 00:03:09,560 --> 00:03:11,160 Speaker 2: even see each other when we recorded each other. 79 00:03:11,400 --> 00:03:13,600 Speaker 3: This was a little different because we recorded this whole 80 00:03:13,639 --> 00:03:17,000 Speaker 3: album live in LA with a live orchestra, forty five 81 00:03:17,040 --> 00:03:17,600 Speaker 3: piece orchestra. 82 00:03:17,720 --> 00:03:18,760 Speaker 2: Okay, let's talk about that. 83 00:03:18,880 --> 00:03:21,320 Speaker 3: Yeah, so he was there, but he so he came, 84 00:03:21,360 --> 00:03:22,960 Speaker 3: but he came in and sang his part after I 85 00:03:23,000 --> 00:03:24,600 Speaker 3: was done with but we were all together. 86 00:03:24,800 --> 00:03:29,600 Speaker 2: Okay. So Christmas does does not only belong to Mariah Carey. No, 87 00:03:29,800 --> 00:03:32,920 Speaker 2: Tricia Yearwood is coming in for the kill. So this 88 00:03:33,040 --> 00:03:38,440 Speaker 2: year you're actually doing a twelve night symphony orchestra tour 89 00:03:38,600 --> 00:03:40,000 Speaker 2: for Christmas? 90 00:03:40,080 --> 00:03:43,360 Speaker 3: Yes, okay, the Twelve Days of Christmas. 91 00:03:43,280 --> 00:03:44,920 Speaker 2: A real live symphony orchestra. 92 00:03:45,160 --> 00:03:46,360 Speaker 3: Every city has a live orchestra. 93 00:03:46,480 --> 00:03:51,080 Speaker 2: What's it like singing with a symphony orchestra behind you? 94 00:03:51,240 --> 00:03:52,200 Speaker 3: It's unbelievable. 95 00:03:52,520 --> 00:03:54,400 Speaker 2: Tell Us because it'll never happen to the rest of them. 96 00:03:54,400 --> 00:03:56,160 Speaker 3: Well, here's the thing, this is why we're doing the 97 00:03:56,160 --> 00:03:58,480 Speaker 3: tour because when you're in the studio with these guys 98 00:03:58,480 --> 00:04:00,400 Speaker 3: and gals who are at the top of their and 99 00:04:00,440 --> 00:04:04,000 Speaker 3: the sound that is reverberating through your body is different 100 00:04:04,040 --> 00:04:06,600 Speaker 3: than listening to it any other way. You just want 101 00:04:06,640 --> 00:04:08,520 Speaker 3: everybody to get to experience that. So I feel like 102 00:04:08,560 --> 00:04:10,839 Speaker 3: the shows are our chance to kind of give people 103 00:04:10,920 --> 00:04:12,600 Speaker 3: a little bit of a chance to feel it, because 104 00:04:12,600 --> 00:04:14,960 Speaker 3: it's it's a it's physical, it's really amazing. 105 00:04:15,080 --> 00:04:17,960 Speaker 2: But as a performer, as a vocalist, it must give 106 00:04:18,000 --> 00:04:20,839 Speaker 2: you this charge that you don't get in a studio 107 00:04:21,040 --> 00:04:21,839 Speaker 2: or anywhere else. 108 00:04:21,880 --> 00:04:24,280 Speaker 3: Yeah, because when you make a record, a regular album, 109 00:04:24,360 --> 00:04:27,080 Speaker 3: and you might put strings on it, you know, but 110 00:04:27,120 --> 00:04:29,200 Speaker 3: you usually add that later. So when you're in the studio, 111 00:04:29,240 --> 00:04:32,119 Speaker 3: you're with like six guys and and there's an energy 112 00:04:32,160 --> 00:04:34,359 Speaker 3: there that's amazing. I mean, I do my best work 113 00:04:34,560 --> 00:04:36,839 Speaker 3: because I'm a performer in front of a crowd, So 114 00:04:37,000 --> 00:04:39,240 Speaker 3: I like to sing. Most of my vocals happen when 115 00:04:39,279 --> 00:04:41,800 Speaker 3: the band's there because I always think I can sing 116 00:04:41,839 --> 00:04:43,320 Speaker 3: it better later. But when they're gone home and I'm 117 00:04:43,320 --> 00:04:45,000 Speaker 3: there by myself. I'm like, I have no one to impress, 118 00:04:45,040 --> 00:04:45,640 Speaker 3: so I just don't. 119 00:04:45,680 --> 00:04:45,920 Speaker 2: I don't. 120 00:04:45,920 --> 00:04:49,040 Speaker 3: I feel like the energy is gone. So when you're 121 00:04:49,040 --> 00:04:51,200 Speaker 3: in a room with forty five people, you're like, okay, 122 00:04:51,279 --> 00:04:52,440 Speaker 3: and it's just inspired you. 123 00:04:52,520 --> 00:04:54,080 Speaker 2: So on your best in front of an orchestra or 124 00:04:54,120 --> 00:04:54,640 Speaker 2: in the shower. 125 00:04:54,720 --> 00:04:56,719 Speaker 3: Yeah, that's not bad either. 126 00:04:56,800 --> 00:04:57,000 Speaker 5: Yeah. 127 00:04:57,160 --> 00:04:59,760 Speaker 6: Is it harder with a band or with an orchestra? 128 00:05:01,120 --> 00:05:03,520 Speaker 3: Well, for me, the orchestra, I think I feel more 129 00:05:03,560 --> 00:05:05,920 Speaker 3: pressure because when you have forty five people, you don't 130 00:05:05,920 --> 00:05:08,919 Speaker 3: want to be the one person who doesn't come in 131 00:05:08,960 --> 00:05:10,680 Speaker 3: at the right time because if you mess it up, 132 00:05:10,720 --> 00:05:12,880 Speaker 3: you got to start over. And that's forty five people 133 00:05:13,040 --> 00:05:15,479 Speaker 3: you know, that have to retune and whatever. So there's 134 00:05:15,520 --> 00:05:17,840 Speaker 3: a little more pressure there. And also this record has 135 00:05:18,520 --> 00:05:20,760 Speaker 3: some interesting you know, you think it's really clever in 136 00:05:20,800 --> 00:05:22,680 Speaker 3: the moment of like maybe the intro is in a 137 00:05:22,680 --> 00:05:24,719 Speaker 3: different key than you start singing in and you have 138 00:05:24,760 --> 00:05:27,400 Speaker 3: to know that note cold or or there's a lot 139 00:05:27,440 --> 00:05:29,760 Speaker 3: of pausing, which I like to the dynamic of it. 140 00:05:30,000 --> 00:05:32,480 Speaker 3: But now I got to sing it that way and 141 00:05:32,560 --> 00:05:35,039 Speaker 3: hit it when it happens, and so it's it's a 142 00:05:35,200 --> 00:05:36,919 Speaker 3: challenge and you know, in an orchestra. 143 00:05:37,120 --> 00:05:39,920 Speaker 2: These these instruments are typically right on the right note. 144 00:05:39,920 --> 00:05:42,040 Speaker 2: They're all tuned up and your voice isn't. So if 145 00:05:42,080 --> 00:05:45,600 Speaker 2: you come in like it's like a train wreck. They 146 00:05:45,680 --> 00:05:49,800 Speaker 2: sound great. You sound awful. Get that note, Trisha. 147 00:05:49,880 --> 00:05:52,159 Speaker 3: Yeah, and I'm amazed how the conductor will be in 148 00:05:52,240 --> 00:05:55,839 Speaker 3: a forty five piece thing will go okay. The French 149 00:05:55,880 --> 00:05:59,200 Speaker 3: horn the second French horn hit an F sharp there 150 00:05:59,200 --> 00:05:59,840 Speaker 3: and it should have been an F. 151 00:05:59,880 --> 00:06:00,839 Speaker 2: No natural, How do I know? 152 00:06:00,960 --> 00:06:02,520 Speaker 3: How did you hear that? 153 00:06:02,600 --> 00:06:04,160 Speaker 2: How do you play a French hord? You cram your 154 00:06:04,160 --> 00:06:06,680 Speaker 2: fist in that thing? No idea. It's like it's like 155 00:06:06,760 --> 00:06:07,400 Speaker 2: checking the horse. 156 00:06:07,560 --> 00:06:08,960 Speaker 3: That's why I'm a chick singer. I don't know. 157 00:06:09,640 --> 00:06:11,760 Speaker 5: So our producer told us that this album is very 158 00:06:11,760 --> 00:06:15,880 Speaker 5: classic Christmas. Were people pitching you like new songs and 159 00:06:15,880 --> 00:06:17,760 Speaker 5: you thought, no, I don't want those at all. 160 00:06:17,680 --> 00:06:20,520 Speaker 3: Because I like this better. Well, I mean there is 161 00:06:20,600 --> 00:06:22,679 Speaker 3: a little bit of I did get a lot of pitches, 162 00:06:23,240 --> 00:06:24,400 Speaker 3: but I it's a combo. 163 00:06:24,480 --> 00:06:24,640 Speaker 4: You know. 164 00:06:24,680 --> 00:06:26,719 Speaker 3: There are songs that you've heard your whole life, like 165 00:06:26,720 --> 00:06:29,600 Speaker 3: Blue Christmas is on here, But then there's song that 166 00:06:29,880 --> 00:06:31,760 Speaker 3: the original song obviously that Garth and I wrote no 167 00:06:31,800 --> 00:06:34,039 Speaker 3: one's heard before. And there's a song on here called 168 00:06:34,040 --> 00:06:36,800 Speaker 3: Candy Cane Lane that when you hear it, it sounds 169 00:06:36,839 --> 00:06:38,680 Speaker 3: like something that the Andrews sisters would have done in 170 00:06:38,720 --> 00:06:41,400 Speaker 3: the forties, but it was written by you know, in 171 00:06:41,440 --> 00:06:45,480 Speaker 3: the ten years ago. And these girls pitched me these songs, 172 00:06:45,480 --> 00:06:46,880 Speaker 3: and I'm like, I love this song. I think it 173 00:06:46,920 --> 00:06:48,680 Speaker 3: really fits. So I was just looking for songs that 174 00:06:48,800 --> 00:06:50,560 Speaker 3: kind of work together, and I don't want everything to 175 00:06:50,600 --> 00:06:52,640 Speaker 3: be exactly the same. There's a couple of songs on 176 00:06:52,640 --> 00:06:54,800 Speaker 3: here that aren't really even Christmas songs, but they work 177 00:06:54,920 --> 00:06:56,919 Speaker 3: like pure imagination from Willy Wonka. 178 00:06:56,960 --> 00:06:58,440 Speaker 2: It's not a Christmas song, it's one of my favorite 179 00:06:58,440 --> 00:06:59,200 Speaker 2: songs of all time, but. 180 00:06:59,240 --> 00:07:01,640 Speaker 3: It works so well on a Christmas record, and I'm 181 00:07:01,680 --> 00:07:03,680 Speaker 3: not sure anybody's ever done that before. So we were 182 00:07:03,680 --> 00:07:06,120 Speaker 3: trying to just kind of you know, every song has 183 00:07:06,120 --> 00:07:07,440 Speaker 3: a reason why it's on there. 184 00:07:07,320 --> 00:07:09,320 Speaker 2: And by the Andrew's sisters way before our time. So 185 00:07:09,360 --> 00:07:11,280 Speaker 2: to stop assuming that we knew who they were, You're 186 00:07:11,440 --> 00:07:12,040 Speaker 2: I'm gonna. 187 00:07:11,800 --> 00:07:12,520 Speaker 6: Have to go lock them up. 188 00:07:12,520 --> 00:07:12,760 Speaker 2: God. 189 00:07:12,880 --> 00:07:14,800 Speaker 6: Yeah, Benny Kit Lane is actually one of my favorite 190 00:07:14,880 --> 00:07:15,480 Speaker 6: Christmas songs. 191 00:07:15,520 --> 00:07:16,720 Speaker 2: I love that See you did it? 192 00:07:16,960 --> 00:07:17,800 Speaker 6: Yeah, see you did it. 193 00:07:17,800 --> 00:07:18,560 Speaker 2: It's so good. 194 00:07:18,600 --> 00:07:18,760 Speaker 3: Yes. 195 00:07:18,960 --> 00:07:21,000 Speaker 2: Yeah. If you're just turning on Trisha year, what is 196 00:07:21,040 --> 00:07:22,960 Speaker 2: here so much to talk about Christmas time? Her new 197 00:07:22,960 --> 00:07:25,080 Speaker 2: album is out today and we're gonna play We're gonna 198 00:07:25,080 --> 00:07:28,200 Speaker 2: play a song, my favorite song from your album coming up. Well, 199 00:07:28,240 --> 00:07:29,840 Speaker 2: it's my show. I'll do what I want. Yes, No, 200 00:07:30,160 --> 00:07:32,720 Speaker 2: it's a great song. It's one of my favorites. Maybe 201 00:07:32,720 --> 00:07:37,120 Speaker 2: you've heard it also. The Twelve Days of Christmas Symphony 202 00:07:37,200 --> 00:07:41,760 Speaker 2: Tour starts December second in Nashville, twelve nights in a 203 00:07:41,760 --> 00:07:45,320 Speaker 2: different town, different city, with different choirs I've heard coming 204 00:07:45,360 --> 00:07:47,640 Speaker 2: up and singing with you from that's a lot of 205 00:07:47,640 --> 00:07:49,400 Speaker 2: moving parts. This thing sounds a lot of fun. 206 00:07:49,480 --> 00:07:51,640 Speaker 3: Well, you know, every city has a different orchestra. So 207 00:07:51,760 --> 00:07:53,400 Speaker 3: you go in in the after and every day you 208 00:07:53,440 --> 00:07:56,960 Speaker 3: go in and you rehearse, and you basically do the show, 209 00:07:57,320 --> 00:08:00,080 Speaker 3: the whole show in the afternoon, and then you and 210 00:08:00,160 --> 00:08:01,520 Speaker 3: you can go get dressed and go do it for 211 00:08:01,560 --> 00:08:02,920 Speaker 3: real at night and for a crowd. So you do 212 00:08:02,960 --> 00:08:03,800 Speaker 3: the show twice a day. 213 00:08:03,920 --> 00:08:06,240 Speaker 2: I should bring my trumpet, Oh my god, you should. 214 00:08:07,080 --> 00:08:08,640 Speaker 2: We do this thing where we have artists come in 215 00:08:08,680 --> 00:08:11,560 Speaker 2: to perform and they'll start playing their song, and I 216 00:08:11,560 --> 00:08:13,800 Speaker 2: tell them I do trumpet. I'm gonna play along with you, 217 00:08:13,840 --> 00:08:15,400 Speaker 2: and I have the music, and I just come in 218 00:08:15,400 --> 00:08:18,320 Speaker 2: as a blast. These notes out there's nasty, nasty, horrendous 219 00:08:18,360 --> 00:08:20,800 Speaker 2: from a hell notes. I'm gonna come ruin your I'm 220 00:08:20,800 --> 00:08:21,720 Speaker 2: gonna come ruin your concert. 221 00:08:22,080 --> 00:08:23,880 Speaker 3: We got a nice seat for you in the parking lot. 222 00:08:23,920 --> 00:08:28,040 Speaker 2: Where can we go to find the bathroom of the 223 00:08:28,080 --> 00:08:31,200 Speaker 2: tour of us? How do we find tickets for one 224 00:08:31,200 --> 00:08:31,800 Speaker 2: of your shows? 225 00:08:32,160 --> 00:08:33,319 Speaker 3: I don't know. How do you find tickets? 226 00:08:33,320 --> 00:08:34,360 Speaker 2: We gotta find tickets so much? 227 00:08:35,200 --> 00:08:38,200 Speaker 3: What Trishayo dot com. Okay, that makes sense. I apparently 228 00:08:38,240 --> 00:08:39,360 Speaker 3: have a website. 229 00:08:41,120 --> 00:08:42,360 Speaker 5: Yourself. 230 00:08:42,520 --> 00:08:46,480 Speaker 2: Oh my god, this new thing. Tricia Yearwood dot com. 231 00:08:46,640 --> 00:08:50,920 Speaker 2: These kids today, Hey, I got to bring up something else. 232 00:08:51,880 --> 00:08:53,800 Speaker 2: Your corn bread Childie cast role is a hero. 233 00:08:54,120 --> 00:08:55,400 Speaker 3: Could we discuss that? Please? 234 00:08:56,559 --> 00:08:59,240 Speaker 2: Your dill pickle popcorn? I do just don't get it. 235 00:09:00,160 --> 00:09:02,400 Speaker 3: You don't have to. It's not for everyone. 236 00:09:02,760 --> 00:09:05,000 Speaker 2: I love. I gave you a positive and they give 237 00:09:05,040 --> 00:09:07,000 Speaker 2: you like come in for the kill. I'm kidding. I 238 00:09:07,080 --> 00:09:08,800 Speaker 2: have never had your popcorn. Just a thought of dill 239 00:09:08,840 --> 00:09:12,319 Speaker 2: pickle and popcorn sounds kind of interesting. But the cornborated 240 00:09:12,440 --> 00:09:14,680 Speaker 2: chili castrole. One of my favorites. 241 00:09:15,040 --> 00:09:16,680 Speaker 3: That was a that was my sister Beth and I 242 00:09:16,760 --> 00:09:18,920 Speaker 3: both are learned from our parents, who were both really 243 00:09:18,920 --> 00:09:21,679 Speaker 3: good cooks, and we just make regular food and cornbread 244 00:09:21,720 --> 00:09:24,280 Speaker 3: chili castrole was her recipe that she made her She's 245 00:09:24,320 --> 00:09:26,760 Speaker 3: got a son who has now grown and that was 246 00:09:26,840 --> 00:09:29,520 Speaker 3: his thing. Like that's what he wanted for his birthday dinner. 247 00:09:29,960 --> 00:09:32,120 Speaker 3: And like, so I went to Yeah, it's a it's 248 00:09:32,240 --> 00:09:33,120 Speaker 3: it's it's pretty good. 249 00:09:33,160 --> 00:09:35,080 Speaker 2: I like you say, well, it's just regular food. Well, 250 00:09:35,080 --> 00:09:37,160 Speaker 2: to you, it's regular food because when I'm from from Texas, 251 00:09:37,160 --> 00:09:39,120 Speaker 2: a little town of Texas, that would be regular food 252 00:09:39,120 --> 00:09:42,520 Speaker 2: for us here in New York. Chicken palm is regular food, right, yeah. 253 00:09:42,720 --> 00:09:46,120 Speaker 2: Chick cornborad childy castrole to them is exotics. It sounds 254 00:09:46,160 --> 00:09:48,360 Speaker 2: so good. It's from a far away land. 255 00:09:48,440 --> 00:09:50,200 Speaker 3: It's comfort food. And you eat that and then the 256 00:09:50,200 --> 00:09:52,040 Speaker 3: next day you have a grape and everything evens out. 257 00:09:55,160 --> 00:09:57,920 Speaker 2: Do you still enjoy doing all your cooking your cooking shows. 258 00:09:57,960 --> 00:09:58,200 Speaker 4: I do. 259 00:09:58,280 --> 00:10:01,160 Speaker 3: I love it. We are we're working, We're not filming 260 00:10:01,160 --> 00:10:03,320 Speaker 3: in the moment. We're working on the next kind of 261 00:10:03,520 --> 00:10:05,480 Speaker 3: the next iteration of the show trying to step because 262 00:10:05,480 --> 00:10:06,800 Speaker 3: we've been doing this for a long time. I've done 263 00:10:06,840 --> 00:10:10,520 Speaker 3: the show for eighteen seasons, like nine years. We have 264 00:10:10,520 --> 00:10:12,679 Speaker 3: two seasons a year, and so we were figuring out 265 00:10:12,679 --> 00:10:16,760 Speaker 3: how do we kind of change it up. So but yeah, 266 00:10:16,800 --> 00:10:18,600 Speaker 3: I love it. It's fun. When I did the very 267 00:10:18,600 --> 00:10:21,439 Speaker 3: first season, we only did six episodes, and I only 268 00:10:21,520 --> 00:10:23,120 Speaker 3: wanted to do six because I'm like, what if I 269 00:10:23,120 --> 00:10:24,880 Speaker 3: don't love it? Because I'm at a place in my 270 00:10:24,920 --> 00:10:26,440 Speaker 3: life where if it's not fun, I just I don't 271 00:10:26,440 --> 00:10:26,960 Speaker 3: do it anymore. 272 00:10:27,559 --> 00:10:29,199 Speaker 2: And why do we wait? Why? 273 00:10:29,760 --> 00:10:36,240 Speaker 3: Because we need to make a living, I guess today. 274 00:10:37,040 --> 00:10:39,720 Speaker 3: But it's like I didn't know if it would be fun, 275 00:10:39,760 --> 00:10:41,079 Speaker 3: because I'm like, I don't know if standing behind the 276 00:10:41,120 --> 00:10:43,520 Speaker 3: counter being filmed, putting the butter in the mixing bowl, 277 00:10:43,559 --> 00:10:45,560 Speaker 3: it's going to be fun. But I have my best 278 00:10:45,559 --> 00:10:49,040 Speaker 3: friends on my sister, and we laugh a lot, and 279 00:10:49,240 --> 00:10:51,240 Speaker 3: it's very loose. We don't have a script, we don't 280 00:10:51,240 --> 00:10:55,160 Speaker 3: have a teleprompter. It's just it happens, and so it's fun. 281 00:10:55,240 --> 00:10:59,079 Speaker 3: And my crew is mostly they've been with me the 282 00:10:59,080 --> 00:11:01,280 Speaker 3: whole time, so we're fan family and it's like being 283 00:11:01,320 --> 00:11:02,839 Speaker 3: on the road with the band's stuff. 284 00:11:02,840 --> 00:11:04,600 Speaker 2: You're just making food, and I love watching it because 285 00:11:04,640 --> 00:11:06,520 Speaker 2: it takes me back to where I'm from, because this 286 00:11:06,559 --> 00:11:10,120 Speaker 2: is the food we grew up eating. Like So for instance, yeah, 287 00:11:10,400 --> 00:11:11,760 Speaker 2: regular food with your family is. 288 00:11:11,760 --> 00:11:14,960 Speaker 5: Like a chicken berry on e exactly what my mom 289 00:11:15,000 --> 00:11:15,440 Speaker 5: making that all. 290 00:11:15,679 --> 00:11:18,520 Speaker 6: Yeah, it's huge in Texas. 291 00:11:18,600 --> 00:11:18,880 Speaker 4: Huge. 292 00:11:19,040 --> 00:11:21,760 Speaker 2: So you mentioned something about it. As you get older, 293 00:11:21,800 --> 00:11:24,839 Speaker 2: as you progress in life, your your feelings about how 294 00:11:24,840 --> 00:11:27,840 Speaker 2: to approach life and everything, it's totally changing. And I 295 00:11:27,880 --> 00:11:30,400 Speaker 2: love that. By the way, I say, if anyone says 296 00:11:30,640 --> 00:11:32,920 Speaker 2: I'm just turning forty, I'm so old, I'm like, no, No, 297 00:11:32,960 --> 00:11:34,120 Speaker 2: the best years are still at. 298 00:11:34,120 --> 00:11:34,880 Speaker 3: That's a cute age. 299 00:11:34,960 --> 00:11:39,439 Speaker 2: So as it comes to Christmas and celebrating celebrating Christmas, 300 00:11:40,400 --> 00:11:42,679 Speaker 2: you your thoughts have changed there too. I'm assuming you're 301 00:11:42,679 --> 00:11:44,600 Speaker 2: putting out this album of all these songs that are 302 00:11:44,679 --> 00:11:50,560 Speaker 2: very heartwarming Christmas feel good songs. I mean, getting together 303 00:11:50,600 --> 00:11:53,760 Speaker 2: with family, cooking with family now more important than ever 304 00:11:53,800 --> 00:11:54,040 Speaker 2: for you. 305 00:11:54,240 --> 00:11:56,000 Speaker 3: Oh yeah, I mean, I think I think that I 306 00:11:56,040 --> 00:11:58,439 Speaker 3: come from a family. My sister and I were very 307 00:11:58,880 --> 00:12:00,800 Speaker 3: close with our mom and dad. They're both gone now, 308 00:12:00,920 --> 00:12:03,720 Speaker 3: and so I think for us we were always we 309 00:12:03,720 --> 00:12:05,280 Speaker 3: were never those kids who didn't want to hang out 310 00:12:05,280 --> 00:12:07,600 Speaker 3: with their parents. We loved our folks and we were 311 00:12:07,960 --> 00:12:10,000 Speaker 3: always close. But when I was on the road in 312 00:12:10,040 --> 00:12:12,640 Speaker 3: the nineties, you know, I was gone, I mean really gone, 313 00:12:13,160 --> 00:12:16,199 Speaker 3: And so our holidays and our time together just kind 314 00:12:16,200 --> 00:12:18,640 Speaker 3: of became when can we make it happen. It didn't 315 00:12:18,640 --> 00:12:19,880 Speaker 3: have to be on the day, It just had to 316 00:12:19,880 --> 00:12:22,600 Speaker 3: be we had to find that time. And it worked 317 00:12:22,600 --> 00:12:24,840 Speaker 3: out in my life that when my parents were older 318 00:12:24,920 --> 00:12:28,040 Speaker 3: and when they were sick, I was. I was home, 319 00:12:28,080 --> 00:12:29,240 Speaker 3: and I got to be with them a lot. So 320 00:12:29,280 --> 00:12:30,880 Speaker 3: I never, I never. I don't have any like I 321 00:12:30,920 --> 00:12:32,400 Speaker 3: wish I had been there for this, this and this, 322 00:12:32,920 --> 00:12:36,280 Speaker 3: And now I am at a place where I can 323 00:12:36,320 --> 00:12:38,240 Speaker 3: pick and choose when I go and when I stay home. 324 00:12:38,320 --> 00:12:40,480 Speaker 3: And this will be the first time in a long 325 00:12:40,520 --> 00:12:43,120 Speaker 3: time that I've actually been just gone at Christmas. I mean, 326 00:12:43,120 --> 00:12:45,079 Speaker 3: this tour is not over till the twentieth. So I'm 327 00:12:45,120 --> 00:12:47,480 Speaker 3: decorating the house when I get home Monday, because it's 328 00:12:47,480 --> 00:12:49,160 Speaker 3: got because I mean it's got to be. I've got 329 00:12:49,200 --> 00:12:49,760 Speaker 3: to have some time. 330 00:12:50,400 --> 00:12:52,079 Speaker 6: Do you decorate it yourself? Do you have somebody to 331 00:12:52,080 --> 00:12:52,320 Speaker 6: do it? 332 00:12:52,360 --> 00:12:52,440 Speaker 4: No? 333 00:12:52,480 --> 00:12:54,040 Speaker 3: I decorated. I don't do I don't buy the lights 334 00:12:54,080 --> 00:12:56,559 Speaker 3: on the roof and the eves. 335 00:12:56,679 --> 00:12:59,880 Speaker 2: It should, but they're up until you do your own roof. 336 00:13:00,080 --> 00:13:01,320 Speaker 2: Like you really haven't done anything. 337 00:13:01,360 --> 00:13:03,280 Speaker 3: I mean I used to Elvis, but not anymore. 338 00:13:04,480 --> 00:13:07,120 Speaker 6: We hear you crochet Afghans? Do you give that to 339 00:13:07,200 --> 00:13:07,840 Speaker 6: people for prins? 340 00:13:07,960 --> 00:13:08,160 Speaker 1: I do? 341 00:13:08,520 --> 00:13:08,920 Speaker 2: I do. 342 00:13:09,040 --> 00:13:09,720 Speaker 3: I'm a nerd. 343 00:13:09,960 --> 00:13:14,480 Speaker 2: I do now crochet an Afghan Afghanistan kids they get? 344 00:13:14,679 --> 00:13:17,040 Speaker 3: How do you you can look that up? I feel 345 00:13:17,040 --> 00:13:17,960 Speaker 3: like that's not a thing. 346 00:13:19,480 --> 00:13:22,200 Speaker 2: In seriousness. She was, Daniel say, you know she does 347 00:13:22,440 --> 00:13:25,559 Speaker 2: Afghans for her for her family. It's every year, like, oh, 348 00:13:25,600 --> 00:13:27,160 Speaker 2: look she got us to another Afghan. 349 00:13:28,040 --> 00:13:30,600 Speaker 3: No, it's not every year. And also it depends on 350 00:13:30,640 --> 00:13:32,680 Speaker 3: what is happening, Like you know, it's a lot of 351 00:13:32,720 --> 00:13:34,880 Speaker 3: work and it takes time and depending on the ones 352 00:13:34,920 --> 00:13:36,640 Speaker 3: I make. I actually have one I've been working on 353 00:13:36,720 --> 00:13:39,160 Speaker 3: that I have that's been several years. It's not done yet. 354 00:13:39,200 --> 00:13:40,680 Speaker 3: So you'll get one when you get one. You know 355 00:13:40,960 --> 00:13:44,720 Speaker 3: that I would love one, right is there when. 356 00:13:44,640 --> 00:13:47,040 Speaker 5: You're on tour? I think I feel like Christmas time 357 00:13:47,120 --> 00:13:48,760 Speaker 5: is sort of like wedding season a little bit, where 358 00:13:48,800 --> 00:13:50,000 Speaker 5: we all have these songs that we love when we 359 00:13:50,040 --> 00:13:52,079 Speaker 5: GMT and then one comes on and we're like, no, 360 00:13:52,120 --> 00:13:53,720 Speaker 5: not that one that killed the vibe. Do you have 361 00:13:53,720 --> 00:13:54,960 Speaker 5: a Christmas song that you hate? 362 00:13:55,960 --> 00:13:56,800 Speaker 3: I do? 363 00:13:56,600 --> 00:13:56,959 Speaker 1: What is it? 364 00:13:57,080 --> 00:14:00,800 Speaker 3: What is it? No, there's no lawsuit. 365 00:14:01,800 --> 00:14:02,800 Speaker 2: What's yours? What's yours? 366 00:14:02,920 --> 00:14:03,480 Speaker 1: One? I hate? 367 00:14:03,640 --> 00:14:03,840 Speaker 2: Yeah? 368 00:14:04,240 --> 00:14:06,920 Speaker 5: I don't like that. Do they know it's Chris? 369 00:14:07,520 --> 00:14:10,439 Speaker 3: I think those ones that they just play over and 370 00:14:10,480 --> 00:14:12,120 Speaker 3: over and over again. But I don't know, because we 371 00:14:12,120 --> 00:14:13,760 Speaker 3: do listen to songs over and over and over again. 372 00:14:14,040 --> 00:14:15,679 Speaker 2: If one of us mentioned the one you hate, you 373 00:14:15,679 --> 00:14:17,720 Speaker 2: have to say, Okay, that's mine. Mine? Is that one 374 00:14:17,720 --> 00:14:22,000 Speaker 2: from the Beach Boys, The Man with all the Toys? 375 00:14:23,480 --> 00:14:30,400 Speaker 2: That's a different one. Christmas Shoes Christmas. It's a song 376 00:14:30,520 --> 00:14:33,680 Speaker 2: about a kid that's in Do we have time? I 377 00:14:33,680 --> 00:14:35,880 Speaker 2: don't know how we're doing on time. This kid goes 378 00:14:35,920 --> 00:14:38,360 Speaker 2: to the store and he has to buy a pair 379 00:14:38,360 --> 00:14:41,320 Speaker 2: of shoes for his mom, who's okay, it's a contrived story, 380 00:14:41,320 --> 00:14:43,560 Speaker 2: which is what makes me had. His mom's in home, 381 00:14:43,600 --> 00:14:46,200 Speaker 2: in bed, and she's she doesn't have long so he 382 00:14:46,320 --> 00:14:48,560 Speaker 2: shows up at a store to buy her Christmas shoes, 383 00:14:49,000 --> 00:14:51,080 Speaker 2: but he can't afford it. So the guy in line 384 00:14:51,240 --> 00:14:53,080 Speaker 2: asked him why, what's wrong? You don't have money for 385 00:14:53,120 --> 00:14:55,800 Speaker 2: the shoes. Mom's at home dying. I need money for 386 00:14:55,800 --> 00:15:01,080 Speaker 2: these shoes. So I already hate it. Yeah, I'm just 387 00:15:01,120 --> 00:15:02,600 Speaker 2: gonna give you like a minute of a second of 388 00:15:02,600 --> 00:15:03,560 Speaker 2: it because we're gonna play your. 389 00:15:03,520 --> 00:15:05,280 Speaker 3: Song like sentimental but not super sad. 390 00:15:05,480 --> 00:15:07,720 Speaker 2: Yeah yeah, but I hate the song because it's contrived. 391 00:15:07,760 --> 00:15:08,640 Speaker 2: It never happened. 392 00:15:08,720 --> 00:15:11,240 Speaker 6: I think there's a movie based on this song all. 393 00:15:11,240 --> 00:15:12,640 Speaker 2: The Hallmark channel probably. 394 00:15:12,960 --> 00:15:13,600 Speaker 3: Oh here it comes. 395 00:15:15,080 --> 00:15:25,040 Speaker 2: Yeah, I'm in this okay, so good? Okay, So he 396 00:15:25,080 --> 00:15:28,240 Speaker 2: has the Okay, look, it's a sad story. If it's true. 397 00:15:28,320 --> 00:15:31,360 Speaker 2: I don't think it's true. He checks off all the boxes. 398 00:15:31,600 --> 00:15:32,280 Speaker 5: Mom's dying. 399 00:15:32,640 --> 00:15:35,040 Speaker 3: Maybe my new favorite song? I hate? 400 00:15:37,560 --> 00:15:44,840 Speaker 2: Okay, what's yours? Okay? So in nine years when you 401 00:15:44,840 --> 00:15:46,600 Speaker 2: do another Christmas album, don't do that one. 402 00:15:47,160 --> 00:15:49,840 Speaker 3: Do you have and think it's saved. I was gonna 403 00:15:49,840 --> 00:15:53,640 Speaker 3: say Christmas Shoes, but now I got she hates it? 404 00:15:53,760 --> 00:15:55,600 Speaker 2: What's the Christmas on I do? 405 00:15:55,680 --> 00:15:57,400 Speaker 3: I mean, I know we're gonna talk about Christmas time 406 00:15:57,440 --> 00:15:59,600 Speaker 3: is here. That was probably the one song, the first 407 00:15:59,600 --> 00:16:01,000 Speaker 3: song on a list that I knew I was going 408 00:16:01,080 --> 00:16:04,240 Speaker 3: to record for this record. I love Charlie Brown. Christmas 409 00:16:04,280 --> 00:16:05,880 Speaker 3: It's one of my favorite things in the world. And 410 00:16:06,000 --> 00:16:08,680 Speaker 3: I walk down the alt to that song. It's a 411 00:16:08,680 --> 00:16:13,920 Speaker 3: special hold on note. I can't wait Christmas. 412 00:16:14,800 --> 00:16:23,600 Speaker 7: You have to go off key. Yes, you have to try. 413 00:16:23,680 --> 00:16:26,000 Speaker 7: I just love this song, but I like I liked 414 00:16:26,040 --> 00:16:27,040 Speaker 7: to sing it and ruin it. 415 00:16:29,880 --> 00:16:30,760 Speaker 3: Do you have a Christmas song? 416 00:16:32,920 --> 00:16:33,800 Speaker 2: Do you have a Christmas song? 417 00:16:33,840 --> 00:16:35,720 Speaker 3: I want a Christmains album yet, you should make a. 418 00:16:35,760 --> 00:16:39,240 Speaker 2: Christmas but every year we always play that and sing it. 419 00:16:39,280 --> 00:16:41,680 Speaker 2: It's like a yearly thing here. But your version, your 420 00:16:41,760 --> 00:16:45,880 Speaker 2: version is going to win this this concast without doubt. Okay, 421 00:16:45,960 --> 00:16:48,840 Speaker 2: Trisa Yearwood, the album is Christmas Time. You didn't tell 422 00:16:48,880 --> 00:16:50,400 Speaker 2: us about your favorite Christmas song. 423 00:16:51,120 --> 00:16:54,040 Speaker 3: I don't know if I have one. I mean that's 424 00:16:54,080 --> 00:16:54,680 Speaker 3: a tough one. 425 00:16:54,920 --> 00:16:59,480 Speaker 5: Do you have a favorite off this album? 426 00:16:59,560 --> 00:17:01,960 Speaker 3: Mm hmm No, I mean I really don't. I mean 427 00:17:02,240 --> 00:17:04,879 Speaker 3: every song has a purpose. My favorite things from Sounding 428 00:17:04,960 --> 00:17:07,320 Speaker 3: Music was a song that I always wanted to record to. 429 00:17:07,400 --> 00:17:10,280 Speaker 3: There's this song. This album has a list of like, 430 00:17:10,320 --> 00:17:11,959 Speaker 3: here's the four or five that I've been holding on 431 00:17:11,960 --> 00:17:14,080 Speaker 3: to for thirty years I would love to record, and 432 00:17:14,119 --> 00:17:16,040 Speaker 3: then kind of just figuring out how the rest would 433 00:17:16,040 --> 00:17:16,440 Speaker 3: would fit. 434 00:17:16,520 --> 00:17:19,320 Speaker 2: Do you remember all the favorite things? Do you remember 435 00:17:19,520 --> 00:17:19,920 Speaker 2: this song? 436 00:17:20,080 --> 00:17:20,320 Speaker 1: Yeah? 437 00:17:20,560 --> 00:17:22,040 Speaker 2: Do you remember all the favorite things? 438 00:17:22,080 --> 00:17:25,600 Speaker 3: I think so, rain drops on roses, kittens right, copper 439 00:17:25,640 --> 00:17:29,320 Speaker 3: kettles and warm woolen mittens, brown paper package just said 440 00:17:29,359 --> 00:17:29,960 Speaker 3: it was strings. 441 00:17:30,000 --> 00:17:31,520 Speaker 2: These are a few of my favorite and when the 442 00:17:31,520 --> 00:17:33,879 Speaker 2: dog bites from the beastings and a feeling sense? How 443 00:17:33,920 --> 00:17:35,200 Speaker 2: about dough raymi? 444 00:17:35,440 --> 00:17:40,200 Speaker 3: Yeah, I don't know all those do a deer a female. 445 00:17:41,200 --> 00:17:44,520 Speaker 2: A long long later? So a thread and then the 446 00:17:44,520 --> 00:17:45,960 Speaker 2: next one just really sucks. 447 00:17:46,920 --> 00:17:53,160 Speaker 3: Law because you know you drink of gem bread? Does 448 00:17:53,160 --> 00:17:54,000 Speaker 3: that bring us back to. 449 00:17:53,960 --> 00:17:58,679 Speaker 2: Do I love that? You just love music? 450 00:17:59,320 --> 00:18:00,439 Speaker 3: I did? Don't you you do too? 451 00:18:00,440 --> 00:18:02,919 Speaker 2: I can tell door music, Yeah, I can tell absolutely. 452 00:18:03,000 --> 00:18:04,520 Speaker 2: And you here we are in New York City. We've 453 00:18:04,520 --> 00:18:06,960 Speaker 2: got Broadway going on. Danielle goes to with three Broadway 454 00:18:07,040 --> 00:18:07,800 Speaker 2: shows a week. 455 00:18:07,880 --> 00:18:08,000 Speaker 7: I do. 456 00:18:08,160 --> 00:18:08,800 Speaker 6: It's my favorite thing. 457 00:18:09,040 --> 00:18:10,560 Speaker 3: I mean, it's one of my favorite things to do too. 458 00:18:10,640 --> 00:18:12,520 Speaker 3: I'm going to I'm going to some shows while I'm here. 459 00:18:12,920 --> 00:18:13,440 Speaker 6: What do you think? 460 00:18:13,720 --> 00:18:17,280 Speaker 3: I'm seeing Hamilton for the fourth time, and I'm going 461 00:18:17,320 --> 00:18:20,320 Speaker 3: to go see my friend Christian Chenna with in her Yeah. 462 00:18:20,359 --> 00:18:22,280 Speaker 6: Yeah, I just saw that. Yeah, she's amazing. 463 00:18:22,280 --> 00:18:23,320 Speaker 2: She's a friend of show as well. 464 00:18:23,359 --> 00:18:24,880 Speaker 3: Yeah, I'm going to see her, so I'm excited. 465 00:18:24,960 --> 00:18:27,520 Speaker 2: All right. Tricia Yearwood, First of all, we support you 466 00:18:27,560 --> 00:18:29,000 Speaker 2: at Tricia Yearwood dot com. 467 00:18:30,320 --> 00:18:32,320 Speaker 3: It's so glad we know it was such a clever name. 468 00:18:32,359 --> 00:18:34,600 Speaker 2: There's no going over there, not even you know. There's 469 00:18:34,800 --> 00:18:37,120 Speaker 2: something about you on there that you had no existed. 470 00:18:37,160 --> 00:18:40,080 Speaker 3: I should check the website and see what I'm doing. 471 00:18:40,440 --> 00:18:42,600 Speaker 6: And you can buy it on vinyl. And I must say, 472 00:18:42,640 --> 00:18:43,639 Speaker 6: green is your color? 473 00:18:43,760 --> 00:18:44,600 Speaker 3: Thank you very much. 474 00:18:44,680 --> 00:18:45,200 Speaker 2: Look at that. 475 00:18:45,280 --> 00:18:46,640 Speaker 3: Yeah, that was. 476 00:18:46,600 --> 00:18:49,240 Speaker 2: Fun, so beautiful. And when you're in New York, you 477 00:18:49,280 --> 00:18:51,280 Speaker 2: have to go see the Radio City Christmas Spectacular. I 478 00:18:51,280 --> 00:18:52,160 Speaker 2: don't know if you've ever been. 479 00:18:52,359 --> 00:18:57,440 Speaker 3: I have not been. Neither gass all around. 480 00:18:57,200 --> 00:18:59,720 Speaker 2: The interview over you would love it. It really is 481 00:18:59,720 --> 00:19:01,880 Speaker 2: a Qui Smith's tradition here in New York City. And 482 00:19:01,960 --> 00:19:04,880 Speaker 2: when they do the Nativity scene and the camels walk 483 00:19:04,880 --> 00:19:09,080 Speaker 2: out on the stage, really oh no, yeah, it's it's. 484 00:19:10,000 --> 00:19:11,880 Speaker 3: They do and they do it every day. 485 00:19:12,040 --> 00:19:14,360 Speaker 2: Yeah, there's like two or three performances per day, and I. 486 00:19:14,280 --> 00:19:16,280 Speaker 6: Think that's the last thing. The Nativity scene, I think 487 00:19:16,320 --> 00:19:16,960 Speaker 6: is the last thing. 488 00:19:17,280 --> 00:19:20,879 Speaker 2: It's insanely New York, insanely great. And very traditional. 489 00:19:21,119 --> 00:19:23,280 Speaker 3: That's that's kind of great. How many camels just the 490 00:19:23,280 --> 00:19:25,280 Speaker 3: one camel, just one count. 491 00:19:25,400 --> 00:19:26,639 Speaker 6: It smells like a lot more. 492 00:19:28,840 --> 00:19:29,840 Speaker 2: Backstage Camel's like. 493 00:19:29,800 --> 00:19:31,040 Speaker 3: All right, The next show is a en. 494 00:19:34,640 --> 00:19:37,399 Speaker 2: The album of course, Christmas Time, and it's out to 495 00:19:37,600 --> 00:19:38,879 Speaker 2: day and I want you to get it if you 496 00:19:38,920 --> 00:19:40,720 Speaker 2: can get on final while I'm gonna throw down on 497 00:19:40,720 --> 00:19:43,679 Speaker 2: the turntable tonight, I'm going to play the real version 498 00:19:44,240 --> 00:19:46,879 Speaker 2: from Tricia Yearwood of Christmas Time this year. Thank you 499 00:19:46,960 --> 00:19:48,160 Speaker 2: for coming in so much. 500 00:19:48,160 --> 00:19:49,040 Speaker 3: I've had such a good time. 501 00:19:49,640 --> 00:19:51,240 Speaker 2: I bet you this weekend I'm going to have some 502 00:19:51,520 --> 00:19:53,399 Speaker 2: chili corn bread cast role. 503 00:19:53,440 --> 00:19:53,959 Speaker 3: I bet you are. 504 00:19:54,040 --> 00:19:54,360 Speaker 2: I will