1 00:00:11,200 --> 00:00:14,520 Speaker 1: What's happening to friends? Welcome to Friday's show. Kelly Clarkson 2 00:00:14,560 --> 00:00:18,120 Speaker 1: on Later, Ryan heard on later the Friday Morning Dance 3 00:00:18,200 --> 00:00:20,680 Speaker 1: Party on Later, This is a heck of a show. 4 00:00:21,000 --> 00:00:22,959 Speaker 1: I did see a story about a woman who is 5 00:00:23,360 --> 00:00:27,400 Speaker 1: seven feet seven inches tallow a woman, and I've seen 6 00:00:27,480 --> 00:00:32,280 Speaker 1: men in wrestling. Elegante the Giant, he was seven foot 7 00:00:32,280 --> 00:00:35,519 Speaker 1: seven he wrestled. But she has been dubbed the tallest 8 00:00:35,560 --> 00:00:38,920 Speaker 1: woman by the Guinness bookle World Records. She was previously 9 00:00:38,960 --> 00:00:42,040 Speaker 1: the tallest teenager, but now she is the tallest woman, 10 00:00:42,440 --> 00:00:45,840 Speaker 1: same athlete at all. No, she has trouble walking around. Yeah, 11 00:00:45,880 --> 00:00:49,920 Speaker 1: that's tall, which is usually the case. Seven foot seven 12 00:00:50,000 --> 00:00:55,280 Speaker 1: inches tall? Wow, Like Shack is what seven two? I 13 00:00:55,280 --> 00:00:59,720 Speaker 1: mean seven one? Well, he's huge. I don't think I 14 00:00:59,720 --> 00:01:01,520 Speaker 1: don't I've ever met Shack. I don't know if I've 15 00:01:01,520 --> 00:01:04,040 Speaker 1: ever met a seven foot person. Actually, now that I 16 00:01:04,080 --> 00:01:06,559 Speaker 1: think about it, seven one. But at seven foot seven 17 00:01:07,160 --> 00:01:10,720 Speaker 1: that's that's wildly tall. Huh. Yeah. My daughter was doing 18 00:01:10,720 --> 00:01:13,880 Speaker 1: a basketball thing the other day and a daughter showed 19 00:01:13,959 --> 00:01:16,360 Speaker 1: up to help her, like a coach's daughter, and she's 20 00:01:16,400 --> 00:01:20,160 Speaker 1: six foot fourteen years old. Wow. Really, Yeah, I've known 21 00:01:20,160 --> 00:01:23,399 Speaker 1: a couple of girls and women that were six one six, 22 00:01:23,480 --> 00:01:26,600 Speaker 1: two sixty three, yeah, by seven foot seven. I don't 23 00:01:26,600 --> 00:01:28,360 Speaker 1: even have a guy. That's all that crazy. Oh. I 24 00:01:28,400 --> 00:01:29,440 Speaker 1: have a couple of things we could do in this 25 00:01:29,440 --> 00:01:31,240 Speaker 1: first segment before we get to this brand new Miranda 26 00:01:31,280 --> 00:01:33,520 Speaker 1: Lambert song. Eddie, this is the only shot I'm gonna 27 00:01:33,520 --> 00:01:36,399 Speaker 1: give you today to make some more money, okay, because 28 00:01:36,400 --> 00:01:39,480 Speaker 1: we're just so packed today. Roll the dice this early. Yeah, 29 00:01:39,520 --> 00:01:42,959 Speaker 1: So here's the situation to all of our listeners. We 30 00:01:43,080 --> 00:01:46,800 Speaker 1: have this one hundred sided dice, and if I roll it, 31 00:01:46,800 --> 00:01:49,040 Speaker 1: it lands on a number. That number was ninety three. 32 00:01:49,480 --> 00:01:52,760 Speaker 1: It's got one through one hundred's not wasting rolls. And 33 00:01:52,800 --> 00:01:57,040 Speaker 1: we told Eddie for every role, if he guesses the 34 00:01:57,160 --> 00:01:59,520 Speaker 1: number and it doesn't match, he wins two dollars. So 35 00:01:59,560 --> 00:02:04,400 Speaker 1: if he'd get us number seven and it lands on thirteen, 36 00:02:04,440 --> 00:02:07,080 Speaker 1: that time, stop wasting roles. He didn't want two more dollars. 37 00:02:07,480 --> 00:02:12,640 Speaker 1: Yesterday we did this, he made thirty bucks every just 38 00:02:12,760 --> 00:02:14,919 Speaker 1: like that. It's like that. It's pretty cool. So let's 39 00:02:14,919 --> 00:02:18,440 Speaker 1: do five rolls. Five rolls right now, technically sixty because 40 00:02:18,720 --> 00:02:22,480 Speaker 1: y is gonna match it. Yes, So we'll do five rolls. 41 00:02:22,520 --> 00:02:25,079 Speaker 1: If you match it, you have to shave your eyebrows. Yes, 42 00:02:25,840 --> 00:02:28,840 Speaker 1: did you tell your wife you want thirty times two yesterday? 43 00:02:28,919 --> 00:02:31,639 Speaker 1: Sixty bucks? Yeah, he didn't need to know yet. He's 44 00:02:31,639 --> 00:02:33,200 Speaker 1: gonna not tell her this. This is gonna be his 45 00:02:33,240 --> 00:02:36,440 Speaker 1: play money. Yeah, she doesn't even know if it's not that, 46 00:02:36,480 --> 00:02:37,920 Speaker 1: it's just that if I have to go home with 47 00:02:37,960 --> 00:02:41,360 Speaker 1: the eyebrows like, she doesn't like knowing that before it happens. 48 00:02:41,400 --> 00:02:42,920 Speaker 1: After the fact, she'll be like, what did you do? 49 00:02:42,960 --> 00:02:44,800 Speaker 1: I'll explain to her. Then she'd be like, okay, fine, whatever. 50 00:02:44,840 --> 00:02:46,560 Speaker 1: But if you were to say I'm doing this, she'd 51 00:02:46,600 --> 00:02:48,000 Speaker 1: be like, what are you doing? Stop right now? And 52 00:02:48,040 --> 00:02:49,880 Speaker 1: I don't want her to influence that. All right, you 53 00:02:49,919 --> 00:02:52,800 Speaker 1: haven't you want five rolls? Five rolls? What was the 54 00:02:52,840 --> 00:02:57,400 Speaker 1: last number? You just? I don't know. There's a hundred 55 00:02:58,080 --> 00:03:00,480 Speaker 1: numbers on this dice. I go on, you just pick 56 00:03:00,520 --> 00:03:09,040 Speaker 1: one number. Are you ready? Ready? I have the number? Ready? One? Two? 57 00:03:11,919 --> 00:03:24,959 Speaker 1: Let start? Let start? Where's one rolling? The dice? Got it? 58 00:03:25,360 --> 00:03:30,280 Speaker 1: Got it? Mike's keeping score behind me? Ready? Yes? One? Two? Three? 59 00:03:32,080 --> 00:03:35,240 Speaker 1: You just had nine? That scared me? Okay, three more? 60 00:03:36,000 --> 00:03:41,320 Speaker 1: If it matches, you lose your eyebrows. Yesterday, eddie guy 61 00:03:41,320 --> 00:03:44,800 Speaker 1: close a couple of really by two? Yeah, by two 62 00:03:44,880 --> 00:03:52,560 Speaker 1: numbers one two. I like this. This is a that's 63 00:03:52,560 --> 00:03:55,640 Speaker 1: a good gap. Two more roles when we call it 64 00:03:55,680 --> 00:04:12,360 Speaker 1: a day. Hold on, let me get a number. Oh yeah, one, two, three, Okay, 65 00:04:14,520 --> 00:04:18,400 Speaker 1: one more role. What if you choose that number every time? No? 66 00:04:19,400 --> 00:04:21,640 Speaker 1: Are you ready? Oh no, not yet. Oh this is 67 00:04:21,640 --> 00:04:24,120 Speaker 1: a fancy spin spending it like crazy right now? All right, 68 00:04:24,200 --> 00:04:31,599 Speaker 1: I'm ready, got your number and stops your number od 69 00:04:31,680 --> 00:04:34,360 Speaker 1: or even shut it? Just read the number. No, don't 70 00:04:34,360 --> 00:04:41,479 Speaker 1: do that, don't do that. Shut it. Okay, whoa there 71 00:04:41,520 --> 00:04:45,200 Speaker 1: you go, Eddie, I get thanks, Sorry, I like that. Yes, 72 00:04:45,480 --> 00:04:48,159 Speaker 1: pay me my friend. So far you made forty bucks 73 00:04:48,600 --> 00:04:52,799 Speaker 1: times two Scooba matching this not even close to losing. 74 00:04:52,839 --> 00:04:54,760 Speaker 1: So there's what we can do. Yeah, you can either 75 00:04:54,800 --> 00:04:57,320 Speaker 1: collect your winnings, which is forty bucks from me, forty 76 00:04:57,360 --> 00:04:59,080 Speaker 1: bucks from scoob stee love it, or we can roll 77 00:04:59,120 --> 00:05:02,000 Speaker 1: it on the next week. It's the easiest money you've 78 00:05:02,000 --> 00:05:03,720 Speaker 1: ever had a chance to win. Yeah, but I mean 79 00:05:03,760 --> 00:05:05,880 Speaker 1: every time we roll it, it's still really scary, and 80 00:05:06,520 --> 00:05:08,280 Speaker 1: I mean I may be losing days in my life 81 00:05:08,320 --> 00:05:10,800 Speaker 1: every time you roll it. So yeah, but just by 82 00:05:10,800 --> 00:05:14,240 Speaker 1: stressing out, Uh, I say we keep going? Are you sure? Yeah? 83 00:05:14,279 --> 00:05:16,520 Speaker 1: I say we keep going. If I commit to next week, 84 00:05:16,800 --> 00:05:19,159 Speaker 1: how many roles you have to commit to? Like five? Ten? 85 00:05:19,320 --> 00:05:21,960 Speaker 1: We've done twenty the mact you can do it fifty, 86 00:05:22,000 --> 00:05:24,360 Speaker 1: it's thirty more. So if you're gonna commit to next week, 87 00:05:24,360 --> 00:05:25,880 Speaker 1: you go ten more roles. You got it. I'll go 88 00:05:25,920 --> 00:05:28,640 Speaker 1: in for ten more roles. Okay, next week. But but 89 00:05:28,680 --> 00:05:30,520 Speaker 1: I may feel it and want to go more, so 90 00:05:30,600 --> 00:05:32,960 Speaker 1: I may I may do all fifty. Who knows minimal ten? 91 00:05:33,480 --> 00:05:35,200 Speaker 1: You can stop there if you want. You got it? 92 00:05:35,240 --> 00:05:39,320 Speaker 1: Monday show? Yeah, Amy, Well I will right now if 93 00:05:39,360 --> 00:05:41,880 Speaker 1: you want. I'm just saying, like the idea of money 94 00:05:41,920 --> 00:05:46,000 Speaker 1: feels good, it's time to open up that mail bag. 95 00:05:49,720 --> 00:05:56,040 Speaker 1: Get something we call ye Hello, Bobby Bones. I recently 96 00:05:56,040 --> 00:05:59,800 Speaker 1: started doing Rover as a side hustle. That's an app 97 00:06:00,040 --> 00:06:04,040 Speaker 1: based dog walking and doggy daycare service. But boss at 98 00:06:04,040 --> 00:06:06,760 Speaker 1: my full time job found out and asked me to 99 00:06:06,760 --> 00:06:09,080 Speaker 1: watch her two dogs. I agreed, and she said they 100 00:06:09,080 --> 00:06:11,160 Speaker 1: were house trained and they'd be okay to be left 101 00:06:11,200 --> 00:06:14,159 Speaker 1: out of the crate. Oh boy, were they not house trained? 102 00:06:14,880 --> 00:06:19,680 Speaker 1: They ate my AirPods, a charging cable, pete and pooped 103 00:06:19,680 --> 00:06:22,400 Speaker 1: all over my house and even bit my dog. Oh no, 104 00:06:23,080 --> 00:06:24,719 Speaker 1: I learned a lesson to make sure to ask the 105 00:06:24,800 --> 00:06:27,240 Speaker 1: right questions and not to take dogs that I haven't met. 106 00:06:28,040 --> 00:06:30,200 Speaker 1: She paid me the daily rate, but I want to 107 00:06:30,200 --> 00:06:33,280 Speaker 1: be reimbursed for the damage and the cleaning, a photos 108 00:06:33,279 --> 00:06:35,839 Speaker 1: and proof. But how do I bring it up without 109 00:06:35,839 --> 00:06:41,719 Speaker 1: making the workplace awkward? Love the show, Sincerely, irritated employee, Guys, 110 00:06:41,760 --> 00:06:44,840 Speaker 1: any other customer, no problem. But this is her boss boss. Well, 111 00:06:45,000 --> 00:06:48,640 Speaker 1: oh my gosh. Yeah, and so that's so it's awkward, right, 112 00:06:48,720 --> 00:06:50,520 Speaker 1: you don't not make it awkward. It's either gonna be 113 00:06:50,560 --> 00:06:52,919 Speaker 1: awkward when you don't say anything. It's just gonna feel awkward, 114 00:06:53,080 --> 00:06:55,040 Speaker 1: or it's gonna be awkward when you do say something. 115 00:06:55,920 --> 00:06:58,400 Speaker 1: So I wish I knew the job that she had, 116 00:06:58,400 --> 00:07:01,039 Speaker 1: the full time job that she had in her boss. Yes, exactly, 117 00:07:01,120 --> 00:07:03,880 Speaker 1: because if it was like you and me and Stanley 118 00:07:03,920 --> 00:07:06,880 Speaker 1: and nell are and vest some stuff up, you have 119 00:07:06,960 --> 00:07:10,160 Speaker 1: to buy your whole house, be like, no, I think 120 00:07:10,160 --> 00:07:11,840 Speaker 1: that I wouldn't be like, hey, Bobby, you need to 121 00:07:11,840 --> 00:07:13,120 Speaker 1: pay me back for this about and be like, hey, 122 00:07:13,160 --> 00:07:16,000 Speaker 1: this happened and I think that you would because of 123 00:07:16,040 --> 00:07:17,680 Speaker 1: the way you are. You'd be like, oh my gosh, 124 00:07:17,760 --> 00:07:19,920 Speaker 1: let me know how much that is and you figure 125 00:07:19,920 --> 00:07:22,080 Speaker 1: it out. So if they have that kind of relationship, 126 00:07:22,120 --> 00:07:24,120 Speaker 1: then maybe it's not awkward. He just mentions it and 127 00:07:24,200 --> 00:07:27,160 Speaker 1: she covers it. But then if she doesn't, I just 128 00:07:27,480 --> 00:07:29,640 Speaker 1: forget about it. This is what I would do. I 129 00:07:29,680 --> 00:07:32,560 Speaker 1: would I would say, hey, we every time I watch 130 00:07:32,600 --> 00:07:35,400 Speaker 1: a dog, we're supposed to we file a report, you know, 131 00:07:35,400 --> 00:07:37,160 Speaker 1: about how it was, because they do do that, like 132 00:07:37,480 --> 00:07:39,160 Speaker 1: if I'm gone for a long time, I have an 133 00:07:39,160 --> 00:07:40,680 Speaker 1: app or they'll come and walk my dog if they 134 00:07:40,760 --> 00:07:42,080 Speaker 1: have to be at home for five hours without me 135 00:07:42,120 --> 00:07:43,840 Speaker 1: being there, and they send a little picture of the 136 00:07:43,840 --> 00:07:45,640 Speaker 1: dog and where they are on the walk or how 137 00:07:45,680 --> 00:07:48,960 Speaker 1: they did, and I'd be like, here's the report. I 138 00:07:48,960 --> 00:07:50,760 Speaker 1: went too. They pooped and pet in the house. You 139 00:07:50,840 --> 00:07:52,720 Speaker 1: kind of got to pick your what spots you're gonna 140 00:07:52,840 --> 00:07:55,800 Speaker 1: hit here when you go air pods. Yeah, I'd be like, hey, 141 00:07:56,000 --> 00:07:57,880 Speaker 1: for the most part, they're pretty great, but they did 142 00:07:57,880 --> 00:08:01,360 Speaker 1: eat my air pods, which stunk. And I wouldn't ask 143 00:08:01,440 --> 00:08:03,800 Speaker 1: for the money, but I would just mention that in there. 144 00:08:03,800 --> 00:08:05,840 Speaker 1: I'd be like, hey, they ate my AirPods, Um, I 145 00:08:05,880 --> 00:08:08,040 Speaker 1: would watch out because they may poop them out. As 146 00:08:08,080 --> 00:08:10,320 Speaker 1: a way to say, watch out for your dog. Oh, 147 00:08:11,080 --> 00:08:14,040 Speaker 1: like they ate my AirPods, I'd watch their stomach because 148 00:08:14,440 --> 00:08:17,480 Speaker 1: they haven't vomited them out or anything yet. Right. And 149 00:08:17,520 --> 00:08:19,680 Speaker 1: then if she's like you, she'll offer to buy you 150 00:08:19,680 --> 00:08:21,960 Speaker 1: a new AirPods. That's how I would approach that. Yeah. 151 00:08:22,040 --> 00:08:25,080 Speaker 1: But if she doesn't offer, you forget about it. You 152 00:08:25,080 --> 00:08:27,320 Speaker 1: don't watch your dog anymore. Yeah, and how do you 153 00:08:27,360 --> 00:08:29,480 Speaker 1: tell her that you just you can't when she asks? 154 00:08:29,520 --> 00:08:33,760 Speaker 1: You're too business every time? Yeah? Okay, but I think 155 00:08:33,840 --> 00:08:35,760 Speaker 1: you can bring up the air pods without going you 156 00:08:35,760 --> 00:08:37,440 Speaker 1: owe me money for air pods. I'll go like, hey, 157 00:08:37,480 --> 00:08:40,240 Speaker 1: the dogs were great even though they weren't. Um. The 158 00:08:40,320 --> 00:08:43,240 Speaker 1: bad news is they ate a pair of my set 159 00:08:43,400 --> 00:08:46,440 Speaker 1: pair of my AirPods and they never came out so 160 00:08:46,480 --> 00:08:48,280 Speaker 1: they could still be in the in their stomach. And 161 00:08:48,320 --> 00:08:50,079 Speaker 1: hopefully she goes ate your AirPods. I'm so sorry. I 162 00:08:50,160 --> 00:08:52,280 Speaker 1: pay you back. Yeah, but it's hard to invoice your 163 00:08:52,280 --> 00:08:55,280 Speaker 1: boss because that makes it extremely awkward. Does anyone disagree 164 00:08:55,320 --> 00:08:58,360 Speaker 1: with that? Now? Like a real world, real life for 165 00:08:58,480 --> 00:09:00,240 Speaker 1: nothing matter to go, Hey, you owe me to box 166 00:09:00,280 --> 00:09:03,960 Speaker 1: for AirPods. But because it's your boss, you can't. If 167 00:09:04,000 --> 00:09:06,640 Speaker 1: it were somebody else, you could. So that's what we say, 168 00:09:06,679 --> 00:09:09,319 Speaker 1: irritated employee. That stinks and also stinks. You had to 169 00:09:09,320 --> 00:09:11,400 Speaker 1: watch your bosses. At least you paid you. You're right. 170 00:09:12,000 --> 00:09:14,120 Speaker 1: She could have been like, nah, you work for me, 171 00:09:14,280 --> 00:09:17,000 Speaker 1: watch the dogs. You know, good luck with that. Let 172 00:09:17,080 --> 00:09:19,360 Speaker 1: us know how it turns out. Close it up. We've 173 00:09:19,400 --> 00:09:26,720 Speaker 1: got your That was about cloth. If you want to 174 00:09:26,760 --> 00:09:28,880 Speaker 1: email us, you sure can. Morgan, what do they do? 175 00:09:29,120 --> 00:09:35,360 Speaker 1: Mailbag at Bobby bones dot com. Fun Fact Day, let's 176 00:09:35,360 --> 00:09:38,880 Speaker 1: go the five most fun facts, as curated by Amy 177 00:09:39,520 --> 00:09:43,120 Speaker 1: number five. So, faking the moon landing in nineteen sixty 178 00:09:43,200 --> 00:09:46,680 Speaker 1: nine would have been harder than actually going to the moon. 179 00:09:46,840 --> 00:09:49,400 Speaker 1: That's interesting. It would have also taken efforts of more 180 00:09:49,440 --> 00:09:53,199 Speaker 1: than four hundred thousand conspirators to keep it a secret. 181 00:09:53,320 --> 00:09:55,439 Speaker 1: That's funny because we think of okay, you can fake 182 00:09:55,480 --> 00:09:58,960 Speaker 1: anything for TV. But it was nineteen sixty nine. Man, well, 183 00:09:59,000 --> 00:10:01,000 Speaker 1: I still believe it. No, you don't. You really don't 184 00:10:01,040 --> 00:10:03,520 Speaker 1: believe that was fake? Really don't. And also for that 185 00:10:03,559 --> 00:10:05,559 Speaker 1: many people to shut up about it. It's hard, yes, 186 00:10:05,800 --> 00:10:07,440 Speaker 1: but I mean there are people that thinks I can't 187 00:10:07,440 --> 00:10:11,920 Speaker 1: get four people to keep a secret. Seriously, Yeah, I 188 00:10:12,040 --> 00:10:16,400 Speaker 1: understand because it was a race with Russia. Got it. Hey, 189 00:10:16,400 --> 00:10:18,800 Speaker 1: we won the race fair and square. There you go, 190 00:10:19,280 --> 00:10:23,000 Speaker 1: or faked and square. Probably fair and square number four. 191 00:10:23,400 --> 00:10:24,920 Speaker 1: So I don't know why they would do this, but 192 00:10:25,080 --> 00:10:29,680 Speaker 1: CBS used to artificially add bird sounds to their golf coverage. 193 00:10:29,720 --> 00:10:31,079 Speaker 1: What do you mean why, I'll tell you why it 194 00:10:31,360 --> 00:10:34,079 Speaker 1: sounds more? Does it sounds like there outside? Well? There 195 00:10:34,080 --> 00:10:36,120 Speaker 1: you go. Sorry, I don't watch much golf, Like, why 196 00:10:36,160 --> 00:10:41,440 Speaker 1: do you need birds stripping? Because yeah, it's like golf nature. Yeah, okay, 197 00:10:41,559 --> 00:10:43,839 Speaker 1: well there there you go. Now we know why. But 198 00:10:44,160 --> 00:10:47,800 Speaker 1: in two thousand, a bird expert noticed the noises didn't 199 00:10:47,840 --> 00:10:53,360 Speaker 1: match the birds that lived man and exposed the scam. 200 00:10:53,880 --> 00:10:57,400 Speaker 1: See snitches get stitches. If we were enjoying the fake birds, yeah, 201 00:10:57,440 --> 00:10:59,800 Speaker 1: and you know what, keep playing them. I'm cool with 202 00:10:59,840 --> 00:11:02,000 Speaker 1: the Well, yeah, it's not like people are going to 203 00:11:02,040 --> 00:11:03,599 Speaker 1: take the time to be like what birder? Can you 204 00:11:03,720 --> 00:11:06,720 Speaker 1: believe this guy wrote a letter or an email going 205 00:11:07,040 --> 00:11:12,040 Speaker 1: actually the equine shutine horse. I don't know, Amy, I'm 206 00:11:12,040 --> 00:11:15,760 Speaker 1: just saying animals. I'm not sure Number three. Do you 207 00:11:15,800 --> 00:11:18,240 Speaker 1: know where the word phony comes from? Phony? Let me 208 00:11:18,240 --> 00:11:22,240 Speaker 1: think about this phony. Yeah right, someone calls me on 209 00:11:22,280 --> 00:11:23,920 Speaker 1: a phonograph with a prank call, I would call that 210 00:11:23,960 --> 00:11:26,920 Speaker 1: a phony. I'm gonna go with something coming over a 211 00:11:26,920 --> 00:11:30,000 Speaker 1: phonograph that's not accurate. Okay, Well, the word phony comes 212 00:11:30,040 --> 00:11:35,440 Speaker 1: from telephone. Since early phones had such bad audio quality, 213 00:11:35,600 --> 00:11:39,200 Speaker 1: they often, you know, felt like people's voices sound fake 214 00:11:39,360 --> 00:11:42,079 Speaker 1: or disguised, So it was phony. You gotta give me 215 00:11:42,120 --> 00:11:44,440 Speaker 1: a little credit on your clothes. Pretty good, they're close 216 00:11:44,520 --> 00:11:46,959 Speaker 1: twenty eight percent. Yeah right, I liked it. You went 217 00:11:47,040 --> 00:11:49,600 Speaker 1: what did you say, phonograph? Phonogral? It was it was 218 00:11:49,640 --> 00:11:51,960 Speaker 1: even easier it was telephone. Yeah, but I mean I 219 00:11:52,000 --> 00:11:55,920 Speaker 1: went back way back. Yeah yeah. Number two, so we 220 00:11:56,000 --> 00:12:00,560 Speaker 1: say o'clock like it's four o'clock, five o'clock, yes, Because 221 00:12:00,720 --> 00:12:03,920 Speaker 1: in the thirteenth through the seventeenth centuries, the clocks were 222 00:12:04,000 --> 00:12:07,280 Speaker 1: not prominent, So when someone was telling you the time 223 00:12:07,320 --> 00:12:10,080 Speaker 1: from a clock and not a sun dial, or maybe 224 00:12:10,080 --> 00:12:13,800 Speaker 1: they were just guessing, they'd say it's four of the clock, 225 00:12:14,000 --> 00:12:17,760 Speaker 1: and then that became o' clock. Wow, four of the clock. Yea, 226 00:12:17,840 --> 00:12:19,760 Speaker 1: like according to the clock, it's four, but I don't 227 00:12:19,760 --> 00:12:23,560 Speaker 1: know of the clock, four of the clock. I thought 228 00:12:23,559 --> 00:12:29,120 Speaker 1: it was just like Irish. No, but it's weird to 229 00:12:29,200 --> 00:12:31,720 Speaker 1: think of a time where when all of that was. 230 00:12:32,200 --> 00:12:34,160 Speaker 1: I mean, obviously it had to happen at some point, 231 00:12:34,200 --> 00:12:40,800 Speaker 1: but to be in that weird development time of time. Yeah. 232 00:12:40,920 --> 00:12:45,760 Speaker 1: Number one, there's no expiration date on honey. Really, it's 233 00:12:45,760 --> 00:12:48,920 Speaker 1: the only food that can actually last forever. I didn't 234 00:12:48,920 --> 00:12:51,240 Speaker 1: know that either, so we could eating honey that was 235 00:12:51,240 --> 00:12:53,800 Speaker 1: from the dinosaurs. I don't even know why I've ever 236 00:12:53,840 --> 00:13:00,600 Speaker 1: thrown honey out. True gets crusty and it gets darker. Oh, 237 00:13:00,880 --> 00:13:02,719 Speaker 1: but it's not bad. I'm not gonna dive eared it. 238 00:13:02,960 --> 00:13:07,160 Speaker 1: Honey is unexpiration. Actually, don't quote me on that. It's 239 00:13:07,200 --> 00:13:09,600 Speaker 1: your number one fun family I know, but like the 240 00:13:09,679 --> 00:13:11,720 Speaker 1: dive part, I don't. I don't want to be attached 241 00:13:11,720 --> 00:13:17,400 Speaker 1: to that fun fact. Bob was the latest from Nashville. 242 00:13:17,400 --> 00:13:22,040 Speaker 1: In Tullywood Morgan number two thirty second Skinny All new 243 00:13:22,120 --> 00:13:25,560 Speaker 1: music out today, Marana Lambert released a new song, If 244 00:13:25,600 --> 00:13:30,440 Speaker 1: I Was a Cowboy, dealing, living and leading, been on 245 00:13:30,559 --> 00:13:34,000 Speaker 1: a whiskey and I'm a feeling. He thought the whist 246 00:13:34,160 --> 00:13:37,439 Speaker 1: was well, but Jans had on up with me, but 247 00:13:37,520 --> 00:13:42,320 Speaker 1: I was a cowboy. Abby the Queen Walker Hayes released 248 00:13:42,360 --> 00:13:45,480 Speaker 1: a new song called You Girl. Guys like Me Like 249 00:13:45,640 --> 00:13:53,360 Speaker 1: Girls and look like you Girl. Every shame me boy, 250 00:13:58,800 --> 00:14:02,120 Speaker 1: What you do? Blanco Brown released a new song for 251 00:14:02,200 --> 00:14:06,280 Speaker 1: the documentary The Mustangs, America's Wild Horses. The song is 252 00:14:06,320 --> 00:14:23,000 Speaker 1: called Never Gonna Tame You. And then some new albums 253 00:14:23,000 --> 00:14:26,280 Speaker 1: out today, Zach Brown Band's album called The Comeback and 254 00:14:26,440 --> 00:14:30,080 Speaker 1: Ryan Heard's album called Pelago. I'm Morgan number two. That's 255 00:14:30,080 --> 00:14:32,640 Speaker 1: your skinny Hall. It's time for the good news with 256 00:14:34,200 --> 00:14:39,720 Speaker 1: something good. So a sixteen year old named Ethan was 257 00:14:39,840 --> 00:14:44,440 Speaker 1: paralyzed after a tree trimming accident and his life. It's 258 00:14:44,520 --> 00:14:52,080 Speaker 1: time for the good news. So the sky was paralyzed 259 00:14:52,120 --> 00:14:55,760 Speaker 1: after a tree trimming accident, and an architect found out 260 00:14:55,800 --> 00:14:59,640 Speaker 1: about his accident. What happened, gathered the community together and 261 00:15:00,000 --> 00:15:04,120 Speaker 1: built a five hundred square foot handicap accessible tiny home. 262 00:15:04,680 --> 00:15:07,120 Speaker 1: And it's like right around the corner from his parents' house, 263 00:15:07,120 --> 00:15:09,000 Speaker 1: so they're able to still get back and forth to 264 00:15:09,040 --> 00:15:13,560 Speaker 1: their but yeah, it's it's something that's accessible to the wheelchair. 265 00:15:13,600 --> 00:15:15,160 Speaker 1: Like you would think a tiny home that'd be hard 266 00:15:15,200 --> 00:15:17,680 Speaker 1: to design to make that all possible, but the architect 267 00:15:17,720 --> 00:15:19,720 Speaker 1: made it work and so it's like an easy home 268 00:15:19,720 --> 00:15:21,800 Speaker 1: to take care of but also fit to his means. 269 00:15:21,840 --> 00:15:24,160 Speaker 1: And also the architect didn't have to do that. No, 270 00:15:24,360 --> 00:15:27,480 Speaker 1: So shout out Dan Hill. He's an architect at Harbor 271 00:15:27,560 --> 00:15:30,960 Speaker 1: South Architecture in Springfield. Also, Jake Owen lived in a 272 00:15:30,960 --> 00:15:33,160 Speaker 1: tiny house for a while. By the way, tiny houses 273 00:15:33,160 --> 00:15:35,520 Speaker 1: are small, guys. You don't have to duck down to 274 00:15:35,560 --> 00:15:38,840 Speaker 1: go in them. This in case people are wondering, you 275 00:15:38,880 --> 00:15:40,600 Speaker 1: don't have to duck down. It's like in a one 276 00:15:40,600 --> 00:15:44,000 Speaker 1: bedroom apartment, yeah, a small one bedroom of art. Yeah, 277 00:15:44,000 --> 00:15:45,880 Speaker 1: but for a house like it's that's that's what it 278 00:15:46,600 --> 00:15:48,000 Speaker 1: so you don't have to crawl on your belly to 279 00:15:48,040 --> 00:15:50,600 Speaker 1: get in. Yeah. Basically it's like the floor plan is 280 00:15:50,640 --> 00:15:54,680 Speaker 1: five hundred square feet, doesn't mean the ceilings. I mean 281 00:15:54,800 --> 00:15:57,960 Speaker 1: I feel like, yeah, but that's awesome. He definitely didn't 282 00:15:57,960 --> 00:16:00,160 Speaker 1: have to do that. That's the community coming together. We 283 00:16:00,200 --> 00:16:03,080 Speaker 1: love that. That's what it's all about. That was tell 284 00:16:03,120 --> 00:16:09,160 Speaker 1: me something good. The Friday morning conversation with Ryan Heard. 285 00:16:09,200 --> 00:16:11,440 Speaker 1: It's the big day to day polago comes out from 286 00:16:11,480 --> 00:16:14,280 Speaker 1: my friend Ryan Heard. And Ryan is here with us, 287 00:16:14,520 --> 00:16:16,040 Speaker 1: and you got a big, old fat hit on your 288 00:16:16,040 --> 00:16:19,440 Speaker 1: hands too, by the way, thank you. It's been a 289 00:16:19,640 --> 00:16:22,640 Speaker 1: very cool year, and um, I guess it. I mean, 290 00:16:22,680 --> 00:16:27,400 Speaker 1: this is my fourth single country radio and I don't know. 291 00:16:27,440 --> 00:16:30,200 Speaker 1: I think it's just a testament to sticking with it. 292 00:16:30,240 --> 00:16:32,520 Speaker 1: And really, I don't know. I love what I get 293 00:16:32,520 --> 00:16:34,800 Speaker 1: to do every day, and it's fun to have this 294 00:16:34,840 --> 00:16:36,880 Speaker 1: song with Maren and then to have it lead to 295 00:16:36,920 --> 00:16:38,960 Speaker 1: an album is a dream come true. Let's play a 296 00:16:38,960 --> 00:16:51,240 Speaker 1: little clip of Chasing after You with Mary Morris. What's 297 00:16:51,280 --> 00:16:54,600 Speaker 1: polago about? What's that mean? So? I wrote a song 298 00:16:54,640 --> 00:16:56,600 Speaker 1: called Coast, which is track two on this album, and 299 00:16:56,640 --> 00:17:00,480 Speaker 1: I needed a word that rhymed with Chicago, and I 300 00:17:00,480 --> 00:17:02,080 Speaker 1: thought I made it up, and it turns out it's 301 00:17:02,120 --> 00:17:04,879 Speaker 1: a word in another language. It's Italian or Latin, and 302 00:17:04,880 --> 00:17:07,760 Speaker 1: it means open sea and it also means overwhelming passion. 303 00:17:07,760 --> 00:17:09,920 Speaker 1: And I thought, like that was such a cool umbrella 304 00:17:10,000 --> 00:17:12,600 Speaker 1: for all these songs. I was looking at the cover, which, 305 00:17:12,640 --> 00:17:16,160 Speaker 1: by the way, it's a great cover. Thank you, quite 306 00:17:16,160 --> 00:17:19,280 Speaker 1: a photogenna guy. Thanks very esthetically pleasing. We try not 307 00:17:19,320 --> 00:17:21,960 Speaker 1: to put the bad photos out. I don't listen it, 308 00:17:21,960 --> 00:17:23,440 Speaker 1: maybe not only want to listen to the music, but 309 00:17:23,480 --> 00:17:25,680 Speaker 1: also like buy the clothes. It was basically an instagram 310 00:17:26,280 --> 00:17:29,639 Speaker 1: what he was wearing too. So I'm gonna ask this, 311 00:17:29,800 --> 00:17:31,320 Speaker 1: and I hope you don't think it's creepy, but have 312 00:17:31,359 --> 00:17:35,440 Speaker 1: you ever modeled? Not really No, I mean we'd take 313 00:17:35,560 --> 00:17:38,000 Speaker 1: enough photos that just to do this job, so taking 314 00:17:38,040 --> 00:17:41,600 Speaker 1: more would be probably a lot, But no, no modeling really, 315 00:17:41,960 --> 00:17:45,640 Speaker 1: So I think thank you for asking. That's very kind 316 00:17:45,640 --> 00:17:48,040 Speaker 1: of Ye. Yes, I think he is it creepy? Is 317 00:17:48,040 --> 00:17:49,600 Speaker 1: that creepy that I'm asking if he should be a model? 318 00:17:49,840 --> 00:17:52,040 Speaker 1: I mean, I guess a way to say it less 319 00:17:52,240 --> 00:17:53,919 Speaker 1: like have you ever been approached or is a company 320 00:17:53,960 --> 00:17:55,600 Speaker 1: ever asked you like, hey, we'd love to use you 321 00:17:55,640 --> 00:17:57,680 Speaker 1: to model our clothes. Oh, we did have that once. 322 00:17:57,960 --> 00:18:01,439 Speaker 1: We did. We had like a we worked with um 323 00:18:02,000 --> 00:18:03,840 Speaker 1: like a modeling agency in New York, the two of 324 00:18:03,920 --> 00:18:05,960 Speaker 1: us at one point, and it was it was fun. 325 00:18:06,040 --> 00:18:07,840 Speaker 1: We got to do like some fashion show stuff and 326 00:18:07,840 --> 00:18:09,680 Speaker 1: then you sort of figured out, like I like music 327 00:18:09,680 --> 00:18:11,639 Speaker 1: a little bit more than this. Yeah, it's just a 328 00:18:11,720 --> 00:18:15,520 Speaker 1: little more interesting, and it's just it's sort of like 329 00:18:15,560 --> 00:18:17,440 Speaker 1: a world where we found out you have to kind 330 00:18:17,440 --> 00:18:19,800 Speaker 1: of dive in a hundred percent and be in like 331 00:18:20,000 --> 00:18:22,439 Speaker 1: one of those cities that does that, and Nashville's not 332 00:18:22,520 --> 00:18:25,520 Speaker 1: really one of them. Pulago is out today. Ryan Hurd 333 00:18:25,600 --> 00:18:26,920 Speaker 1: is here. Do you have a lot more to talk 334 00:18:26,920 --> 00:18:28,400 Speaker 1: to you about, but can you play us a little 335 00:18:28,440 --> 00:18:31,120 Speaker 1: have a favorite song on the record if you don't 336 00:18:31,160 --> 00:18:33,600 Speaker 1: mind me at requesting a little song there? Do you care? 337 00:18:33,720 --> 00:18:35,680 Speaker 1: I would love that? How about tab of my name 338 00:18:35,720 --> 00:18:38,320 Speaker 1: on it? Like that's the one that was drawn to immediately? 339 00:18:38,480 --> 00:18:42,360 Speaker 1: Thank you, I thanks, thanks for liking it and thanks 340 00:18:42,400 --> 00:18:45,240 Speaker 1: for listening. Um, tell me about the song. I wrote 341 00:18:45,280 --> 00:18:47,440 Speaker 1: it a while ago with um my friend Aaron s 342 00:18:47,520 --> 00:18:50,240 Speaker 1: Hys who made this album with me, and then Joey 343 00:18:50,320 --> 00:18:52,680 Speaker 1: Hyde who also wrote Made for You for Jake Owen, 344 00:18:52,800 --> 00:18:56,440 Speaker 1: and we've we came up together writing songs and all 345 00:18:56,520 --> 00:18:57,960 Speaker 1: kind of got our foot in the door at the 346 00:18:57,960 --> 00:19:00,800 Speaker 1: same time and have stayed friends in partners throughout the 347 00:19:00,840 --> 00:19:03,280 Speaker 1: whole thing. And it's an older song and I haven't 348 00:19:03,600 --> 00:19:05,720 Speaker 1: actually played it live ever, so this is gonna be 349 00:19:05,720 --> 00:19:08,320 Speaker 1: the first time. So that's cool. But we got to 350 00:19:08,320 --> 00:19:11,639 Speaker 1: do like thanks for asking, We got to do a 351 00:19:12,240 --> 00:19:14,520 Speaker 1: like a full like eight piece I got not full, 352 00:19:14,560 --> 00:19:17,080 Speaker 1: but an eight piece orchestra for tab with my name 353 00:19:17,119 --> 00:19:19,199 Speaker 1: on it and the next song what are You Drinking? 354 00:19:19,880 --> 00:19:22,400 Speaker 1: And uh, it was like one of the coolest creative 355 00:19:22,440 --> 00:19:24,800 Speaker 1: moments that I've ever had, and so I'm glad you 356 00:19:24,800 --> 00:19:26,440 Speaker 1: like it. Thank you. Here it is for the first 357 00:19:26,440 --> 00:19:29,480 Speaker 1: time ever Ryan heard doing tab with my name on it? 358 00:19:40,480 --> 00:19:49,639 Speaker 1: Time to kill no w be. So I walked to 359 00:19:49,840 --> 00:19:59,560 Speaker 1: the bar down the stream, just one erin. I'm don't 360 00:19:59,720 --> 00:20:06,640 Speaker 1: feel nothing, bartender ass if I need something. We get 361 00:20:06,720 --> 00:20:11,720 Speaker 1: to talking and and don't mean to but onto another 362 00:20:11,960 --> 00:20:16,920 Speaker 1: random talking about you. There's a ten with my name 363 00:20:17,840 --> 00:20:23,480 Speaker 1: on it. Now I'll be sitting here on night TV 364 00:20:24,920 --> 00:20:29,560 Speaker 1: with the game on it you box playing songs that 365 00:20:29,720 --> 00:20:35,120 Speaker 1: a line but around drink three, that's when it hits me. 366 00:20:35,560 --> 00:20:42,840 Speaker 1: It all I have without you with me ten with 367 00:20:43,119 --> 00:20:55,080 Speaker 1: my name moning. That's good stuff right there, that's a 368 00:20:55,119 --> 00:20:57,520 Speaker 1: good stuff. Rate that performance right, first time you've ever 369 00:20:57,520 --> 00:21:01,360 Speaker 1: done how you feel? Oh? Ten out of ten off? Yeah, yeah, yeah, 370 00:21:01,440 --> 00:21:03,600 Speaker 1: thank you. That's the first time. If they practice, holy crap, 371 00:21:03,680 --> 00:21:06,800 Speaker 1: let get real good. Honestly, we did writing there, so 372 00:21:06,960 --> 00:21:09,680 Speaker 1: teach me the chords man. This is my guitar player, 373 00:21:09,720 --> 00:21:12,240 Speaker 1: Teddy and he actually produced Chasing After You with Aaron 374 00:21:12,320 --> 00:21:15,760 Speaker 1: and so it's his actually first big single as a producer. 375 00:21:15,800 --> 00:21:18,240 Speaker 1: So it's been fun to I don't know, celebrate all 376 00:21:18,240 --> 00:21:20,880 Speaker 1: that stuff. And I'm just so proud to have an album. Man. 377 00:21:21,119 --> 00:21:22,960 Speaker 1: That's why I signed a record deal was to like 378 00:21:23,000 --> 00:21:26,200 Speaker 1: get to put out albums. And it's just such an 379 00:21:26,240 --> 00:21:28,920 Speaker 1: amazing feeling to have it out and to be really 380 00:21:28,960 --> 00:21:32,120 Speaker 1: proud of it. And you know, we debuted Chasing right here, 381 00:21:32,800 --> 00:21:34,840 Speaker 1: and so to get to come back to celebrate the 382 00:21:34,840 --> 00:21:37,480 Speaker 1: album coming out, it's really special. Today. Pulago is out 383 00:21:37,480 --> 00:21:40,119 Speaker 1: from Ryan Hurd. I got a couple of questions because 384 00:21:40,240 --> 00:21:44,320 Speaker 1: you are at least you were a big songwriter before 385 00:21:44,320 --> 00:21:47,040 Speaker 1: you were an artist. And he's got many number ones 386 00:21:47,080 --> 00:21:49,359 Speaker 1: that he just wrote that he did not perform. He's 387 00:21:49,359 --> 00:21:51,280 Speaker 1: got him from Luke and Lady A and Blake Shelton, 388 00:21:51,960 --> 00:21:55,120 Speaker 1: and so being a songwriter that you are a ten 389 00:21:55,200 --> 00:21:58,440 Speaker 1: of the eleven tracks you wrote on the record. Keith 390 00:21:58,560 --> 00:22:00,640 Speaker 1: Urban was talking to us and he said, I think 391 00:22:00,640 --> 00:22:03,400 Speaker 1: it's bass player wrote Chasing after You. Yes, And so 392 00:22:03,480 --> 00:22:06,480 Speaker 1: when you get that, was it written as a duet 393 00:22:07,200 --> 00:22:08,920 Speaker 1: or was it a song that you thought we should 394 00:22:08,960 --> 00:22:10,480 Speaker 1: do this together, because it sounds like it could be 395 00:22:10,480 --> 00:22:14,000 Speaker 1: a duet. I think it originally was not a duet, 396 00:22:14,040 --> 00:22:17,760 Speaker 1: and we sort of put it together as one. And 397 00:22:17,840 --> 00:22:19,679 Speaker 1: there's a version of it where there's a bridge that 398 00:22:20,520 --> 00:22:23,600 Speaker 1: was written that was like a like for that purpose, 399 00:22:23,640 --> 00:22:25,359 Speaker 1: and Marin sang the bridge, and then we kind of 400 00:22:25,359 --> 00:22:27,640 Speaker 1: scrapped it and went back to her or just decided 401 00:22:27,680 --> 00:22:30,440 Speaker 1: she would sing the second verse. But it's just a 402 00:22:30,600 --> 00:22:34,320 Speaker 1: it's a really incredible story about like this the way 403 00:22:34,359 --> 00:22:37,479 Speaker 1: that songs work in Nashville, and just like even an 404 00:22:37,480 --> 00:22:40,000 Speaker 1: old song, if it's great, still has an opportunity to 405 00:22:40,080 --> 00:22:42,200 Speaker 1: like I mean, it's not that old, but it is 406 00:22:42,240 --> 00:22:44,919 Speaker 1: a few years old, and it stuck around and we 407 00:22:44,920 --> 00:22:47,639 Speaker 1: were always really we knew it was really special and 408 00:22:47,720 --> 00:22:49,760 Speaker 1: just the timing was never right to have us both 409 00:22:49,840 --> 00:22:53,680 Speaker 1: really promote it together. And so but yeah, Jerry Flowers 410 00:22:53,680 --> 00:22:56,400 Speaker 1: and Brinley Addington are the songwriters. And actually there's another 411 00:22:56,440 --> 00:22:59,000 Speaker 1: song I didn't write on this album called what Are 412 00:22:59,000 --> 00:23:02,560 Speaker 1: You Drinking? And it's track eight and I'm I'm credited, 413 00:23:02,600 --> 00:23:05,040 Speaker 1: but I was sent the song and added some stuff 414 00:23:05,080 --> 00:23:08,040 Speaker 1: to it, but it um another one. They're just like it. 415 00:23:09,200 --> 00:23:11,680 Speaker 1: I don't have I can't do that. I like I 416 00:23:12,400 --> 00:23:13,879 Speaker 1: listen to the song, and I think I can't do 417 00:23:13,920 --> 00:23:16,360 Speaker 1: that any better than that. So I think that's when 418 00:23:16,359 --> 00:23:19,000 Speaker 1: people really gravitate towards something that they don't have like 419 00:23:19,560 --> 00:23:21,560 Speaker 1: a vested interest in. It's like, that's just a great 420 00:23:21,600 --> 00:23:24,040 Speaker 1: song and I need it. Teddy by anything New Lately. 421 00:23:24,040 --> 00:23:26,280 Speaker 1: You got a song when you make the money yourself. 422 00:23:26,280 --> 00:23:29,000 Speaker 1: You over there quiet saying nothing but you ching ching ching, 423 00:23:29,080 --> 00:23:33,160 Speaker 1: ching ching ching. I just smiling. Wave, yeah, smile wave. 424 00:23:33,280 --> 00:23:35,159 Speaker 1: And you know we look at your bank account when 425 00:23:35,160 --> 00:23:37,679 Speaker 1: you get home. Congratulations to you two in. I appreciate it. 426 00:23:37,720 --> 00:23:39,520 Speaker 1: He's done a lot for me. You are you a 427 00:23:39,600 --> 00:23:43,639 Speaker 1: quiet guy by nature? Yes? I like to chill out. Yeah, 428 00:23:43,960 --> 00:23:47,320 Speaker 1: chill out, catch your money. It's awesome. Congratulations dude, thank 429 00:23:47,359 --> 00:23:49,320 Speaker 1: you so much. All Right, you guys, Polago is out. 430 00:23:49,520 --> 00:23:51,360 Speaker 1: It is out today. You guys know I love Ryan. 431 00:23:51,400 --> 00:23:54,159 Speaker 1: There is there is no confusion on my affinity for 432 00:23:54,240 --> 00:23:56,960 Speaker 1: Ryan heard. Um follow him at Ryan Heard. You guys 433 00:23:57,040 --> 00:23:59,560 Speaker 1: check out Polago and you know I'll say this as 434 00:23:59,600 --> 00:24:01,439 Speaker 1: we leave, and we're gonna play chasing after you. Hey, 435 00:24:01,480 --> 00:24:03,480 Speaker 1: chichine to any more for you coming out? Sound good? 436 00:24:05,240 --> 00:24:08,360 Speaker 1: You want? You're only not credited on one song, which 437 00:24:08,359 --> 00:24:10,679 Speaker 1: we talked about. But you just said, hey, I'm credited 438 00:24:10,720 --> 00:24:12,520 Speaker 1: on it, but I don't only consider myself right, That's 439 00:24:12,560 --> 00:24:14,760 Speaker 1: pretty honest and noble of you'd even say that, Ryan, 440 00:24:15,320 --> 00:24:16,800 Speaker 1: you know, because you could have just been like, hey, 441 00:24:16,800 --> 00:24:19,600 Speaker 1: this is my I wrote this song too. Well, Yeah, 442 00:24:19,760 --> 00:24:23,520 Speaker 1: I mean I didn't, though, so I got to help 443 00:24:23,520 --> 00:24:25,400 Speaker 1: with the bridge because I just felt like I needed 444 00:24:25,440 --> 00:24:27,760 Speaker 1: to add it, just needed a little more for like, 445 00:24:28,200 --> 00:24:29,639 Speaker 1: I had a little bit of a vision on it, 446 00:24:29,680 --> 00:24:33,320 Speaker 1: but Troy Cartwright and Andy Albert and Aaron s Ice 447 00:24:33,359 --> 00:24:35,960 Speaker 1: wrote what Are You Drinking? And they let me tweak 448 00:24:36,000 --> 00:24:38,760 Speaker 1: a little bit. But it really is like it's a 449 00:24:38,760 --> 00:24:41,520 Speaker 1: special thing when somebody trusts you with their piece of music, 450 00:24:41,520 --> 00:24:43,480 Speaker 1: and it's I've been really blessed to have other people 451 00:24:44,600 --> 00:24:48,080 Speaker 1: put my song on the radio. So I guess just 452 00:24:48,160 --> 00:24:51,679 Speaker 1: like getting an opportunity to like have that same experience 453 00:24:51,720 --> 00:24:53,920 Speaker 1: as the artist with a writer, I don't know, I'd 454 00:24:53,920 --> 00:24:55,800 Speaker 1: take it really seriously, and it's something that I just 455 00:24:56,440 --> 00:24:58,840 Speaker 1: was really grateful for just them letting me have it. 456 00:24:58,960 --> 00:25:01,680 Speaker 1: So yeah, I mean, it's a it's a huge day 457 00:25:01,760 --> 00:25:03,720 Speaker 1: to celebrate for us and everyone on our team, and 458 00:25:03,720 --> 00:25:06,040 Speaker 1: it's been a long time coming and it's just it 459 00:25:06,119 --> 00:25:08,439 Speaker 1: feels so so good to finally have it out. The 460 00:25:08,520 --> 00:25:10,480 Speaker 1: point is, and I hope everbody understands this point, you 461 00:25:10,560 --> 00:25:16,320 Speaker 1: are not a pizza crap. Yeah right, all right. Do 462 00:25:16,359 --> 00:25:18,680 Speaker 1: you think because you were a writer for so long 463 00:25:18,760 --> 00:25:21,080 Speaker 1: first like you have a certain level of respect for 464 00:25:21,119 --> 00:25:25,320 Speaker 1: how that works, then maybe someone else that wasn't. I mean, 465 00:25:25,400 --> 00:25:27,959 Speaker 1: I think everyone in Nashville has a massive amount of 466 00:25:28,000 --> 00:25:31,840 Speaker 1: respect for songwriters and songwriting in general. I think that's 467 00:25:31,880 --> 00:25:34,119 Speaker 1: why you see so many songs on the radio that 468 00:25:34,160 --> 00:25:36,800 Speaker 1: the artist didn't write, and that's very unique to our town. 469 00:25:37,480 --> 00:25:39,240 Speaker 1: And um, let's just say I've written a lot and 470 00:25:39,240 --> 00:25:41,760 Speaker 1: I wanted to be care and no respect for me. 471 00:25:42,320 --> 00:25:44,639 Speaker 1: Nobody cut Hobby, lobby, Bobby than us. We had to 472 00:25:44,680 --> 00:25:47,520 Speaker 1: cut it. You did though. Plago from Ryan heard the 473 00:25:47,560 --> 00:25:51,040 Speaker 1: records out today. Love seeing you here. Appreciate you, Teddy. 474 00:25:51,160 --> 00:25:53,199 Speaker 1: This has been about you though too. Absolutely don't let 475 00:25:53,200 --> 00:25:54,919 Speaker 1: the sex go to your head next time you're coming here. 476 00:25:55,400 --> 00:25:57,399 Speaker 1: Yeah yeah, we don't want to see you rolling up 477 00:25:57,400 --> 00:25:59,600 Speaker 1: in a Bentley you get demanding your own parking spot. 478 00:25:59,760 --> 00:26:02,840 Speaker 1: I please. At one time Ryan was you and he 479 00:26:02,880 --> 00:26:05,040 Speaker 1: came in with somebody and it's all started there and 480 00:26:05,040 --> 00:26:08,640 Speaker 1: now look at him. Guys, got flowers on his shoes. 481 00:26:08,760 --> 00:26:11,360 Speaker 1: All right, Ryan heard everybody, you guys go check out Pulago. 482 00:26:12,880 --> 00:26:16,320 Speaker 1: There's a podcast called The biz Tape and it started 483 00:26:16,320 --> 00:26:18,520 Speaker 1: to pick up some traction, and it's kind of like, 484 00:26:18,960 --> 00:26:21,119 Speaker 1: you know, what's happening in music news behind the scenes, 485 00:26:21,480 --> 00:26:23,680 Speaker 1: And so here's what someone wrote. I'm so glad I 486 00:26:23,760 --> 00:26:26,000 Speaker 1: started listening to the biz Tape podcast the first time 487 00:26:26,040 --> 00:26:28,000 Speaker 1: I heard Bobby mentioned it. I just heard the word 488 00:26:28,040 --> 00:26:29,840 Speaker 1: biz and thought it would be about business and taxes 489 00:26:29,840 --> 00:26:32,239 Speaker 1: and boring stuff. But then I actually clicked on it. 490 00:26:32,240 --> 00:26:34,240 Speaker 1: It's about the music industry and all the behind the 491 00:26:34,280 --> 00:26:37,320 Speaker 1: scenes stuff. It is so good. I'm so happy that 492 00:26:37,359 --> 00:26:39,639 Speaker 1: I gave it a chance. Check out today's episode, and 493 00:26:39,760 --> 00:26:43,200 Speaker 1: this is Hedessa telling people on Facebook this cool. Yeah, 494 00:26:43,240 --> 00:26:45,679 Speaker 1: it's called the biz Tape podcast. It's really really a 495 00:26:45,680 --> 00:26:47,639 Speaker 1: great podcast if you like music and some of the 496 00:26:47,680 --> 00:26:50,639 Speaker 1: stuff you're not supposed to know they talk about, so 497 00:26:50,840 --> 00:26:55,760 Speaker 1: be sure to check that out. He's Amy's pile of stories. 498 00:26:55,960 --> 00:26:57,560 Speaker 1: So I imagine a lot of parents have to do 499 00:26:57,600 --> 00:26:59,199 Speaker 1: this if they want a shower, but they have a 500 00:26:59,240 --> 00:27:01,320 Speaker 1: toddler and the like. Okay, I gotta get in. Maybe 501 00:27:01,359 --> 00:27:03,520 Speaker 1: they'll be distracted, but I can see them through the glass. 502 00:27:03,560 --> 00:27:07,760 Speaker 1: So hand on your phone to play with while you're showering. Well, 503 00:27:07,800 --> 00:27:10,680 Speaker 1: this went wrong for one mom because her toddler went 504 00:27:10,760 --> 00:27:16,320 Speaker 1: live on Instagram and showed her mom showering on Instagram Life. 505 00:27:16,400 --> 00:27:18,800 Speaker 1: I saw that pretty funny because hey, he's Toddlers are 506 00:27:18,800 --> 00:27:22,399 Speaker 1: pretty good with phones. Yeah, they're really good. So luckily 507 00:27:22,440 --> 00:27:24,800 Speaker 1: the mom noticed because the toddler was like, hey, I 508 00:27:24,840 --> 00:27:27,440 Speaker 1: need help with something, and she realized she was live 509 00:27:27,560 --> 00:27:30,359 Speaker 1: when she got the phone, so she was able to 510 00:27:30,480 --> 00:27:33,080 Speaker 1: end it. But thousand, hundreds of thousands of people had 511 00:27:33,080 --> 00:27:35,840 Speaker 1: already seen it, and to make the mom feel better, 512 00:27:35,920 --> 00:27:38,159 Speaker 1: another mom like left a comment like, don't worry. You 513 00:27:38,160 --> 00:27:40,920 Speaker 1: know my niece used my phone and bought one hundred 514 00:27:40,920 --> 00:27:43,160 Speaker 1: and fifty eight ice creams from McDonald's on Uber eats 515 00:27:43,320 --> 00:27:44,479 Speaker 1: And I had no idea And I was like, that 516 00:27:44,560 --> 00:27:46,879 Speaker 1: is not the same thing. That's not going naked on 517 00:27:47,119 --> 00:27:49,680 Speaker 1: Instagram Live. Yeah, but both made me smile. Yeah. So 518 00:27:49,880 --> 00:27:53,960 Speaker 1: from that though, another parent commented that you should download 519 00:27:54,560 --> 00:27:57,679 Speaker 1: a feature or use a feature called guided Access and 520 00:27:57,800 --> 00:28:00,239 Speaker 1: that restricts an iPhone to a single app, So if 521 00:28:00,240 --> 00:28:02,880 Speaker 1: you a kid, is on it. There can only access 522 00:28:03,000 --> 00:28:04,960 Speaker 1: that app and then you won't risk any of this 523 00:28:05,000 --> 00:28:07,800 Speaker 1: other stuff happening. What's it called again? Called guided access? 524 00:28:08,000 --> 00:28:11,240 Speaker 1: From me? Okay? What else? So? I know you love 525 00:28:11,320 --> 00:28:15,959 Speaker 1: Squid game, Bobby, but experts are very concerned over children 526 00:28:16,040 --> 00:28:19,159 Speaker 1: copying the games in the school playgrounds. So several schools 527 00:28:19,160 --> 00:28:22,360 Speaker 1: have expressed their concerns, and there's a Facebook group called 528 00:28:22,440 --> 00:28:24,679 Speaker 1: Safe on social Media, and they've shared a warning for 529 00:28:24,760 --> 00:28:28,040 Speaker 1: parents to keep an eye out on what children are 530 00:28:28,119 --> 00:28:30,639 Speaker 1: watching and seeing because they're re enacting at at school. 531 00:28:30,720 --> 00:28:33,600 Speaker 1: To be fair, they're probably only playing the squid game, 532 00:28:33,880 --> 00:28:37,560 Speaker 1: not the actual games. What do you mean that's the 533 00:28:37,600 --> 00:28:40,280 Speaker 1: only one that people would would get hurt at, not 534 00:28:40,320 --> 00:28:42,840 Speaker 1: the game where people die. Well, yeah, obviously they're not. 535 00:28:43,040 --> 00:28:45,280 Speaker 1: Have you watched the show? I've watched one another, so 536 00:28:45,320 --> 00:28:46,720 Speaker 1: you haven't seen what this? That's why I said I 537 00:28:46,760 --> 00:28:48,600 Speaker 1: know you're a fan. Yeah, yeah, Mike stepping on this 538 00:28:48,600 --> 00:28:51,280 Speaker 1: with me. The only game that kids could actually play 539 00:28:51,280 --> 00:28:54,320 Speaker 1: and get hurt, if I'm correct, is the literal squid game, 540 00:28:54,360 --> 00:28:57,240 Speaker 1: which is played in Korea when you're kids. Yeah, probably, 541 00:28:57,320 --> 00:28:59,280 Speaker 1: unless you like adapt another version of like the Red 542 00:28:59,360 --> 00:29:01,760 Speaker 1: Light Green Light, like a dodgeball or something. But that 543 00:29:01,760 --> 00:29:04,840 Speaker 1: would be awesome, Yeah, I think dodgeballing. Yeah, but then 544 00:29:04,880 --> 00:29:07,960 Speaker 1: you'd have to hit the kid. I think it hurts. 545 00:29:08,000 --> 00:29:10,360 Speaker 1: I think what they're worried about is the And it's 546 00:29:10,400 --> 00:29:14,160 Speaker 1: no worse than red Rover. Quid Game is no worse 547 00:29:14,200 --> 00:29:16,280 Speaker 1: than red Rover. That hurt. I'd love to see a 548 00:29:16,280 --> 00:29:20,920 Speaker 1: professional league at that, to see arms ripped off. But yes, 549 00:29:21,040 --> 00:29:23,240 Speaker 1: I can see where Heck, even I want to re 550 00:29:23,360 --> 00:29:26,360 Speaker 1: enact quid Game. Are we going to do that here? Oh? 551 00:29:26,520 --> 00:29:28,720 Speaker 1: With paintball guns? With paintball guns, that'll be so fun. 552 00:29:29,080 --> 00:29:31,600 Speaker 1: What else? So, Luke Home shared a story about the 553 00:29:31,640 --> 00:29:33,640 Speaker 1: first time he hung out with his hero, Eric Church. 554 00:29:33,880 --> 00:29:35,800 Speaker 1: I guess Luke and his wife. They were invited over 555 00:29:35,880 --> 00:29:38,480 Speaker 1: for steak dinner, and Eric kept filling up his whiskey 556 00:29:38,520 --> 00:29:41,360 Speaker 1: glass all night long. And here's Luke talking about it. 557 00:29:41,600 --> 00:29:43,680 Speaker 1: Eric Church got me so drunk that I threw up 558 00:29:43,760 --> 00:29:45,800 Speaker 1: on the way on leaving his house. I didn't throw 559 00:29:45,840 --> 00:29:48,280 Speaker 1: up like in the house or anything, but in the 560 00:29:48,280 --> 00:29:51,160 Speaker 1: middle of the road. It's kind of like semi college ish, 561 00:29:51,480 --> 00:29:53,600 Speaker 1: being like four thirty, you know what I mean. I 562 00:29:53,640 --> 00:29:57,280 Speaker 1: don't think he knows that either, So I'm hoping that 563 00:29:57,400 --> 00:29:59,600 Speaker 1: he doesn't see this. So that reminds me of the 564 00:29:59,680 --> 00:30:01,960 Speaker 1: John party story that John told you one time, Bobby, 565 00:30:02,040 --> 00:30:04,640 Speaker 1: where he took shots with George Strait because he'd been 566 00:30:04,680 --> 00:30:06,640 Speaker 1: drinking a lot of beer. But then George Strait offers 567 00:30:06,640 --> 00:30:08,400 Speaker 1: you some tequila, so you take it, and he said 568 00:30:08,440 --> 00:30:12,080 Speaker 1: he took it, it was awesome, but then later walked 569 00:30:12,080 --> 00:30:14,480 Speaker 1: off the bus and threw up. Yeah, because beer before 570 00:30:14,560 --> 00:30:19,120 Speaker 1: liquor never sick her. But it was George Strait's own tequila. 571 00:30:19,680 --> 00:30:21,480 Speaker 1: Felt like, I gotta do it. You had to do it, 572 00:30:21,800 --> 00:30:26,000 Speaker 1: I Amy. That's my pile. That was Amy's pile of stories. 573 00:30:26,480 --> 00:30:33,960 Speaker 1: It's time for the good news. Witnesses in Florida saw 574 00:30:34,000 --> 00:30:37,040 Speaker 1: something really really cool. There was a rainstorm and an 575 00:30:37,040 --> 00:30:40,280 Speaker 1: older lady coming from the grocery store was in an 576 00:30:40,280 --> 00:30:43,320 Speaker 1: electric scooter and she got stuck in the storm and 577 00:30:43,360 --> 00:30:46,640 Speaker 1: the scooter broke down with all her groceries, and out 578 00:30:46,680 --> 00:30:49,560 Speaker 1: of nowhere these four guys, I guess they're walking from work. 579 00:30:49,640 --> 00:30:52,600 Speaker 1: They see her, they get her groceries. One care is 580 00:30:52,600 --> 00:30:54,320 Speaker 1: the older lady, and the other two pick up the 581 00:30:54,360 --> 00:30:56,360 Speaker 1: scooter and get her out of the rainstorm. And so 582 00:30:56,400 --> 00:30:58,280 Speaker 1: the people that saw us are like, oh my gosh, 583 00:30:58,320 --> 00:31:02,400 Speaker 1: these are some amazing men. We want to just highlight them. Dang, 584 00:31:03,040 --> 00:31:05,280 Speaker 1: I relate my jeep once got I got stuck in 585 00:31:05,320 --> 00:31:09,080 Speaker 1: the rain, and then who came to save you? Nobody 586 00:31:09,320 --> 00:31:12,000 Speaker 1: you knew these poor dudes, because that's awesome for those guys, 587 00:31:12,240 --> 00:31:14,680 Speaker 1: and that stinks for her too. I know the helpless 588 00:31:14,680 --> 00:31:17,800 Speaker 1: feeling of like you, even if it's raining and you're 589 00:31:17,800 --> 00:31:20,080 Speaker 1: still rolling your scooter, you're getting wet. Yeah, and your 590 00:31:20,160 --> 00:31:24,160 Speaker 1: scooter diyes Oh no, no, no, no, no, no no, 591 00:31:25,200 --> 00:31:28,480 Speaker 1: that's what it's all about. That was tell me something good. 592 00:31:29,880 --> 00:31:36,520 Speaker 1: We are moments away from Kelly Clarkson, even though forty 593 00:31:36,560 --> 00:31:38,280 Speaker 1: year old virgin is so old. I'm gonna ask her 594 00:31:38,280 --> 00:31:41,000 Speaker 1: about that. Yeah, if she knew that was happening. Here's 595 00:31:41,040 --> 00:31:44,160 Speaker 1: a voicemail from last night. I'm just calling you because 596 00:31:44,200 --> 00:31:45,600 Speaker 1: I wanted to tell you how much I love you. 597 00:31:45,640 --> 00:31:47,560 Speaker 1: She'll but I want to tell you my favorite push. 598 00:31:47,640 --> 00:31:50,360 Speaker 1: My favorite part is when Eddie wins a game, because 599 00:31:50,720 --> 00:31:54,560 Speaker 1: Eddie wins often and everybody starts singing his song. I 600 00:31:54,640 --> 00:31:57,200 Speaker 1: love it so much because now y'all have me singing. 601 00:31:57,280 --> 00:32:00,440 Speaker 1: No idea what I'm thinking. But I love it so much. 602 00:32:00,480 --> 00:32:05,760 Speaker 1: You just puts me in a good mood. Yay, Viva Eddie, Eddie, 603 00:32:06,720 --> 00:32:09,760 Speaker 1: Viva Eddie. Let's be real. I don't even know what 604 00:32:09,800 --> 00:32:12,440 Speaker 1: I'm singing, but I love this. That's my It's my deal. 605 00:32:12,480 --> 00:32:14,520 Speaker 1: Foof on my uncle. This is Eddie' uncle in the 606 00:32:14,600 --> 00:32:18,000 Speaker 1: song we have a song, I have a song from 607 00:32:18,080 --> 00:32:20,560 Speaker 1: my world. Dad singing here it is oh my gosh, 608 00:32:20,760 --> 00:32:24,360 Speaker 1: oh just kidding silence. That was him. Yeah, that song 609 00:32:24,440 --> 00:32:25,920 Speaker 1: heard from a lot growing up. That was a lot 610 00:32:25,920 --> 00:32:27,160 Speaker 1: of by saying to me every night if I went 611 00:32:27,200 --> 00:32:32,800 Speaker 1: to bed, all right, Over to Amy with the Morning Corny, 612 00:32:34,560 --> 00:32:38,040 Speaker 1: Morning Corny. What do you call two witches sharing an apartment? 613 00:32:38,240 --> 00:32:41,640 Speaker 1: What do you call two witches sharing an apartment? Roommates? 614 00:32:43,000 --> 00:32:52,880 Speaker 1: Pretty funny? That was the Morning Corny. The Friday Morning 615 00:32:52,880 --> 00:32:56,600 Speaker 1: Conversation with Kelly Clarkson, Kelly, how are you? I'm so 616 00:32:56,720 --> 00:32:59,120 Speaker 1: good man. How are you doing? You know? Pretty good? Working? 617 00:32:59,240 --> 00:33:02,080 Speaker 1: What is your like normal work daylight between being a 618 00:33:02,120 --> 00:33:04,400 Speaker 1: mom and you know you're hosting the show and doing 619 00:33:04,400 --> 00:33:05,880 Speaker 1: the voice, Like, what is it when do you wake up? 620 00:33:05,880 --> 00:33:08,040 Speaker 1: When do you go to bed? Wake up or anywhere 621 00:33:08,120 --> 00:33:11,120 Speaker 1: from six to six thirty and then I get off work, 622 00:33:11,120 --> 00:33:14,320 Speaker 1: it like get finished usually run four. How taxing is 623 00:33:14,400 --> 00:33:17,400 Speaker 1: doing a daily talk show. I really love it, um, 624 00:33:18,080 --> 00:33:20,720 Speaker 1: I think mostly because I love everyone that I work 625 00:33:20,760 --> 00:33:23,880 Speaker 1: with there, and everyone's so kick ass at their job 626 00:33:24,000 --> 00:33:25,920 Speaker 1: that I don't have to worry about anything, you know, 627 00:33:26,040 --> 00:33:28,560 Speaker 1: so um, and I love talking. I mean, you get it. 628 00:33:28,560 --> 00:33:31,680 Speaker 1: It's easy to talk to people, so um, and my 629 00:33:31,760 --> 00:33:34,480 Speaker 1: hours aren't these hours so I got to be on 630 00:33:34,680 --> 00:33:38,800 Speaker 1: so so that's way easier. So um no, and I 631 00:33:38,800 --> 00:33:40,680 Speaker 1: get to do music my bands there. It's just a 632 00:33:40,920 --> 00:33:43,200 Speaker 1: it's a different kind of talk show. So it's it's 633 00:33:43,240 --> 00:33:46,680 Speaker 1: a it's a really like fun, like awesome gig. I 634 00:33:46,680 --> 00:33:49,320 Speaker 1: think the hardest part of it is I'm such an 635 00:33:49,320 --> 00:33:52,440 Speaker 1: emotional person, Like I cry like every day because we 636 00:33:52,480 --> 00:33:54,960 Speaker 1: have all these really cool people on the show and 637 00:33:55,200 --> 00:33:58,200 Speaker 1: just doing some amazing things and I'm you know, the 638 00:33:58,240 --> 00:34:00,520 Speaker 1: news is hard sometimes, so it's like to like be 639 00:34:00,600 --> 00:34:02,960 Speaker 1: surrounded by these really rad people that come on the 640 00:34:02,960 --> 00:34:05,560 Speaker 1: show that are like really trying to make humanity better. 641 00:34:05,960 --> 00:34:08,560 Speaker 1: So it's that that's the hard part because I'm just like, oh, 642 00:34:08,640 --> 00:34:11,840 Speaker 1: I'm drained, but um, but it's in a good way. 643 00:34:12,200 --> 00:34:14,520 Speaker 1: Before I get to the Christmas record. I want to 644 00:34:14,520 --> 00:34:16,800 Speaker 1: talk about you singing at the beginning of your show. 645 00:34:16,880 --> 00:34:18,319 Speaker 1: Are there some days where you're like, I just don't 646 00:34:18,320 --> 00:34:22,239 Speaker 1: want to sing? Oh my god, yes what yeah? And 647 00:34:22,320 --> 00:34:26,040 Speaker 1: those days, um, I just you know, you put your 648 00:34:26,440 --> 00:34:29,400 Speaker 1: you just put your best foot forward, and it's more 649 00:34:29,480 --> 00:34:32,000 Speaker 1: it's mostly like, I'll be honest with you. It was 650 00:34:32,080 --> 00:34:35,320 Speaker 1: last week. I've never seen a Last Moore set in concert, 651 00:34:35,400 --> 00:34:38,160 Speaker 1: and she came to the Bowl and me and my 652 00:34:38,160 --> 00:34:40,399 Speaker 1: friends were like, oh my god, like live shows are back, 653 00:34:40,480 --> 00:34:42,960 Speaker 1: like we messed it up. We went, we had such 654 00:34:42,960 --> 00:34:44,960 Speaker 1: a good time, and we had this little box kind 655 00:34:45,000 --> 00:34:48,520 Speaker 1: of to ourself too, so that was cool. But I 656 00:34:48,560 --> 00:34:52,279 Speaker 1: sang harmony at the top of my lungs, like my 657 00:34:52,320 --> 00:34:54,439 Speaker 1: thirteen year old self was living her best life and 658 00:34:54,840 --> 00:34:56,520 Speaker 1: out in the cold air. And then the next day 659 00:34:56,560 --> 00:34:59,560 Speaker 1: I was like, oh, like and I had to come 660 00:34:59,560 --> 00:35:01,400 Speaker 1: back to hurt can sing and I was like, so 661 00:35:01,400 --> 00:35:04,759 Speaker 1: we're going to do everything in Tony Braxton's keys, was like, 662 00:35:05,239 --> 00:35:08,200 Speaker 1: my voice is shot, and we kind of It's really 663 00:35:08,239 --> 00:35:11,239 Speaker 1: awesome because they learn that we get a ton of 664 00:35:11,320 --> 00:35:14,360 Speaker 1: keilaokee sent in, like can request from people, so I 665 00:35:14,440 --> 00:35:17,200 Speaker 1: can at last minute sometimes have a switch and go, 666 00:35:17,239 --> 00:35:19,040 Speaker 1: oh my god, can we do something where I can 667 00:35:19,080 --> 00:35:21,480 Speaker 1: sound kind of wrecked and worn and it sounds fine? 668 00:35:21,520 --> 00:35:24,640 Speaker 1: And then we kind of have to maneuver a little bit. 669 00:35:24,680 --> 00:35:27,080 Speaker 1: But that happens every now and then. I mean, good gosh. 670 00:35:27,120 --> 00:35:28,720 Speaker 1: I mean, do you always want to talk to people 671 00:35:28,760 --> 00:35:31,960 Speaker 1: every day? No? Sometimes I don't want to. I don't 672 00:35:31,960 --> 00:35:33,560 Speaker 1: want to talk at all. Yeah, yeah, yeah, I know. 673 00:35:33,640 --> 00:35:37,040 Speaker 1: I know. It's like silence the Christmas albums out today, 674 00:35:37,160 --> 00:35:40,120 Speaker 1: when Christmas comes around? When did you record this? And 675 00:35:40,120 --> 00:35:41,560 Speaker 1: did you have to do one of those setups where 676 00:35:41,560 --> 00:35:43,960 Speaker 1: you make it look like Christmas in March? Well, it 677 00:35:44,040 --> 00:35:48,520 Speaker 1: was actually very sweet. I recorded most are like half 678 00:35:48,520 --> 00:35:51,560 Speaker 1: of it, I guess at my TV studio because that's 679 00:35:51,560 --> 00:35:54,120 Speaker 1: where my musical director is a whole studio setup. So 680 00:35:54,440 --> 00:35:56,920 Speaker 1: and he produced to have the album, which he's produced 681 00:35:56,920 --> 00:35:58,239 Speaker 1: a ton of stuff for me before. And then I 682 00:35:58,280 --> 00:36:01,640 Speaker 1: also Jesse Shatkins house. I don't think he decorated at all. 683 00:36:01,680 --> 00:36:04,000 Speaker 1: But I don't really have to, like, I like such 684 00:36:04,040 --> 00:36:06,160 Speaker 1: a child at heart. When it comes up, I closed 685 00:36:06,160 --> 00:36:08,359 Speaker 1: my eyes and I'm in wonderland, So I don't really 686 00:36:08,400 --> 00:36:10,759 Speaker 1: have to think too hard at that. I think the 687 00:36:10,760 --> 00:36:12,880 Speaker 1: thing that was hard for me with making this Christmas 688 00:36:12,920 --> 00:36:17,680 Speaker 1: album was, Man, I hope people aren't wanting Wrapped in 689 00:36:17,719 --> 00:36:20,520 Speaker 1: Red because I was in a different place when I 690 00:36:20,560 --> 00:36:23,480 Speaker 1: put that album out, and so this album really does 691 00:36:23,600 --> 00:36:27,160 Speaker 1: have it. There's an emotional kind of journey on it. 692 00:36:27,280 --> 00:36:30,000 Speaker 1: So you know, there's some some like hard to listen 693 00:36:30,040 --> 00:36:32,880 Speaker 1: to songs that are some real raw messages, and then 694 00:36:32,920 --> 00:36:35,520 Speaker 1: there's some classics that are like fun and uplifting and 695 00:36:35,560 --> 00:36:39,520 Speaker 1: it's excuse me, and it's also there's some sarcasm and 696 00:36:39,800 --> 00:36:42,000 Speaker 1: it's just kind of I told my label, I was like, look, 697 00:36:42,200 --> 00:36:43,600 Speaker 1: I was like, you want me to make a Christmas 698 00:36:43,600 --> 00:36:47,919 Speaker 1: album not particularly feeling jolly. So I was like, so, 699 00:36:48,160 --> 00:36:50,560 Speaker 1: you know, it's a very honest album even though it's 700 00:36:50,560 --> 00:36:52,560 Speaker 1: a Christmas one. And that's why I called it when 701 00:36:52,600 --> 00:36:55,880 Speaker 1: Christmas comes around, because when it does come around, we 702 00:36:55,960 --> 00:36:58,200 Speaker 1: can be in very different places and all those places 703 00:36:58,239 --> 00:37:02,000 Speaker 1: are valid and Okay, you know, obviously I hope people 704 00:37:02,040 --> 00:37:06,320 Speaker 1: relate to more happier tones, but um, sometimes they don't. 705 00:37:06,760 --> 00:37:08,479 Speaker 1: I want to play a little bit of Glow, which 706 00:37:08,520 --> 00:37:10,719 Speaker 1: as our buddy Chris Stapleton on it, and then I 707 00:37:10,719 --> 00:37:20,719 Speaker 1: want to ask about this specifically, So here's someone glows up. 708 00:37:29,200 --> 00:37:31,400 Speaker 1: So when you go to the duet with Chris Stapleton, 709 00:37:31,440 --> 00:37:32,840 Speaker 1: I just wanted to remind you that's what I was 710 00:37:32,960 --> 00:37:35,239 Speaker 1: gonna say, Like, you know, I know you have a 711 00:37:35,280 --> 00:37:36,920 Speaker 1: song Leave Done with Brett and you have a song 712 00:37:36,920 --> 00:37:39,239 Speaker 1: with Oriana when you're you know, talking about duets. But 713 00:37:39,400 --> 00:37:41,600 Speaker 1: for me, when I see the Stapleton duet, I'm like, man, 714 00:37:41,640 --> 00:37:43,880 Speaker 1: that's super cool. Were you extremely pumped to get a 715 00:37:43,960 --> 00:37:45,759 Speaker 1: yes from that? I have the funniest story that I 716 00:37:45,760 --> 00:37:52,760 Speaker 1: actually haven't told anyone yet, but I was so excited, um, 717 00:37:52,800 --> 00:37:55,439 Speaker 1: and so excited. He turned around so fast too after 718 00:37:55,440 --> 00:37:58,040 Speaker 1: I asked him, and I honestly wasn't expecting him to 719 00:37:58,040 --> 00:37:59,799 Speaker 1: say yes. I mean, I feel like everybody asked him 720 00:37:59,800 --> 00:38:02,280 Speaker 1: to sing, and I I get, you know, really nervous 721 00:38:02,280 --> 00:38:04,680 Speaker 1: about asking because I've ben't turned down a lot, honestly, 722 00:38:04,719 --> 00:38:07,920 Speaker 1: it was singing with people, so so I got really nervous, 723 00:38:07,960 --> 00:38:10,400 Speaker 1: and um, I was so excited he said yes, and he, 724 00:38:10,640 --> 00:38:12,399 Speaker 1: like I said, he turned the music around so quickly 725 00:38:12,400 --> 00:38:16,080 Speaker 1: and his voice is just magical. Oh but but I've 726 00:38:16,120 --> 00:38:20,040 Speaker 1: made this whole video like outside my Jesse shack in 727 00:38:20,120 --> 00:38:21,839 Speaker 1: studio because I was listening to I got it and 728 00:38:21,960 --> 00:38:25,880 Speaker 1: I like literally sounded like a child on a roller coaster. 729 00:38:26,000 --> 00:38:27,440 Speaker 1: And I made this video and I sent it to 730 00:38:27,520 --> 00:38:31,799 Speaker 1: Chriss and I was like just so happy. It just 731 00:38:31,840 --> 00:38:35,640 Speaker 1: sounded so amazing and I we texted back like you know, 732 00:38:35,640 --> 00:38:37,840 Speaker 1: none something, and then I didn't hear after the video, 733 00:38:38,040 --> 00:38:40,520 Speaker 1: I was like, oh my god, it's like Stage five cleaner. 734 00:38:42,280 --> 00:38:45,479 Speaker 1: But I but I I literally was so happy. I think, 735 00:38:45,800 --> 00:38:49,319 Speaker 1: you know, there are few artists, Um. I love a 736 00:38:49,320 --> 00:38:51,120 Speaker 1: lot of artists, but I mean there are few artists 737 00:38:51,120 --> 00:38:54,080 Speaker 1: that really moved me, like that make me like want 738 00:38:54,080 --> 00:38:55,960 Speaker 1: to be a better singer and make me want to 739 00:38:55,960 --> 00:38:59,840 Speaker 1: like do better, um and and inspire me creatively. And 740 00:39:00,120 --> 00:39:04,000 Speaker 1: He's one of them and has been since before everyone 741 00:39:04,040 --> 00:39:06,640 Speaker 1: knew him. And we were both at some event and 742 00:39:07,400 --> 00:39:12,680 Speaker 1: I think he was playing with the steel drivers. Yeah, yes, yeah, 743 00:39:12,680 --> 00:39:15,399 Speaker 1: he was playing with the steel drivers and I was like, 744 00:39:15,520 --> 00:39:18,000 Speaker 1: who the hell is this And we were both at 745 00:39:18,040 --> 00:39:20,840 Speaker 1: some event and I've just since that moment. I remember 746 00:39:20,880 --> 00:39:24,200 Speaker 1: sitting at the Grinnell Upry End in that seat, going, 747 00:39:24,480 --> 00:39:26,080 Speaker 1: oh my god, this guy is like one of the 748 00:39:26,120 --> 00:39:29,520 Speaker 1: most talented singers I've ever heard, and I'm just so excited, 749 00:39:29,640 --> 00:39:32,080 Speaker 1: like one that he's had such an amazing career and 750 00:39:32,160 --> 00:39:35,560 Speaker 1: still is, and then also that his amazing freaking voice 751 00:39:35,600 --> 00:39:39,480 Speaker 1: is harmonizing with mine. The album When Christmas Comes Around 752 00:39:39,560 --> 00:39:43,040 Speaker 1: is out today. It's fifteen tracks, it's all Christmas. But 753 00:39:43,040 --> 00:39:44,759 Speaker 1: when is it okay to listen to Christmas music in 754 00:39:44,800 --> 00:39:47,759 Speaker 1: your house? When do you start? I'm different? So I 755 00:39:48,520 --> 00:39:51,439 Speaker 1: like Christmas in June. Man, So I'm I don't listen 756 00:39:51,480 --> 00:39:53,560 Speaker 1: to it like NonStop or anything, but I will, like 757 00:39:53,600 --> 00:39:55,600 Speaker 1: all of a sudden, be like this, I need to 758 00:39:55,640 --> 00:39:58,160 Speaker 1: feel good. I'm gonna turn this mood around and I 759 00:39:58,200 --> 00:40:00,800 Speaker 1: will put on some Being Rosbie or some you know, 760 00:40:00,840 --> 00:40:03,440 Speaker 1: Atlantis or not Atlantis Lariah. Sorry, I just went to 761 00:40:03,440 --> 00:40:07,960 Speaker 1: her concert to Mariah Carey's Christmas, which is an amazing album. Um, So, 762 00:40:08,120 --> 00:40:09,719 Speaker 1: like I mean, I just I'll do it just to 763 00:40:09,800 --> 00:40:11,480 Speaker 1: like kind of turn my move around. So I love 764 00:40:11,560 --> 00:40:14,400 Speaker 1: Christmas music, but I mean, if we're being honest, it's October, 765 00:40:14,520 --> 00:40:17,400 Speaker 1: so we should probably get through Halloween and like Thanksgiving. 766 00:40:19,239 --> 00:40:21,359 Speaker 1: But it's like, I guess I get it. They're they're 767 00:40:21,360 --> 00:40:23,520 Speaker 1: releasing music a little earlier because by the time it 768 00:40:23,520 --> 00:40:25,880 Speaker 1: comes out, you only have so long to maybe listen. 769 00:40:26,000 --> 00:40:28,879 Speaker 1: So I'll know, maybe they're wanting people to pregame before 770 00:40:28,920 --> 00:40:32,040 Speaker 1: the season starts. I don't know Kelly Clarkson's on with us. 771 00:40:32,120 --> 00:40:34,240 Speaker 1: I've got a few questions I've just always wanted to ask, 772 00:40:34,640 --> 00:40:36,719 Speaker 1: So if you can bear with me for a second, 773 00:40:36,760 --> 00:40:39,279 Speaker 1: because some of these are really old questions. Did you 774 00:40:39,360 --> 00:40:41,840 Speaker 1: know before the forty year Old Virgin came out that 775 00:40:41,920 --> 00:40:43,879 Speaker 1: Steve Carell was gonna yell your name at the chest 776 00:40:43,880 --> 00:40:47,080 Speaker 1: waxing scene. No. I found out. And I was actually 777 00:40:47,120 --> 00:40:49,040 Speaker 1: going to see a movie at the movie theater and 778 00:40:49,680 --> 00:40:51,960 Speaker 1: that was a preview and I wasn't paying attention to 779 00:40:52,040 --> 00:40:54,680 Speaker 1: what was happening on the screen yet. And then when 780 00:40:54,680 --> 00:40:56,719 Speaker 1: we were leaving, there are people stopping me and they're like, 781 00:40:56,800 --> 00:40:58,719 Speaker 1: did you hear that was your name? He yelled your name? 782 00:40:58,760 --> 00:41:01,720 Speaker 1: And I was like what? And I didn't understand what's happening. 783 00:41:01,760 --> 00:41:04,160 Speaker 1: And no matter what I'd do in my career, I 784 00:41:04,200 --> 00:41:07,160 Speaker 1: could find the cure to cancer. Okay, And no one 785 00:41:07,760 --> 00:41:10,759 Speaker 1: will remember anything as much as they remember my name 786 00:41:11,920 --> 00:41:15,319 Speaker 1: he yells while getting waxed. It's like it's the one thing. 787 00:41:15,360 --> 00:41:17,279 Speaker 1: When I met Steve, I was like, you have set 788 00:41:17,320 --> 00:41:19,520 Speaker 1: me up for failure. Man. I could do nothing to 789 00:41:19,520 --> 00:41:23,960 Speaker 1: top this. Kelly Clarksons on with us when you're in 790 00:41:24,000 --> 00:41:25,640 Speaker 1: the shower, do you feel like you're a better singer 791 00:41:25,680 --> 00:41:28,920 Speaker 1: in the shower? How much like we do? Like, Yeah, 792 00:41:28,960 --> 00:41:32,480 Speaker 1: it's all that steam. It's amazing. I'm always seeing Aretha 793 00:41:32,600 --> 00:41:36,319 Speaker 1: on the shower is sound amazing singing, but also funny enough. 794 00:41:36,400 --> 00:41:38,680 Speaker 1: I wrote um a few of the songs on this 795 00:41:38,719 --> 00:41:40,160 Speaker 1: record in the shower. I write a lot of my 796 00:41:40,160 --> 00:41:41,960 Speaker 1: songs in the shower. I don't know why it's inspiring. 797 00:41:42,000 --> 00:41:48,880 Speaker 1: Place do with that? What you will? I will? I will, 798 00:41:48,040 --> 00:41:50,960 Speaker 1: but I will, I will pivot from that. Hell, No, 799 00:41:51,200 --> 00:41:54,920 Speaker 1: there's you know, no segue a couple more? How soon 800 00:41:55,440 --> 00:41:57,200 Speaker 1: or has it already happened? Where people are sliding in 801 00:41:57,239 --> 00:41:59,880 Speaker 1: your dms? Now, okay, here's the thing to know about me. 802 00:42:01,200 --> 00:42:02,880 Speaker 1: The people in the room just laugh because like, I 803 00:42:02,880 --> 00:42:05,439 Speaker 1: didn't even know what a DM was for the longest time, 804 00:42:05,440 --> 00:42:07,840 Speaker 1: I didn't even know. I didn't even know that was possibility. 805 00:42:07,840 --> 00:42:09,880 Speaker 1: And then people would be like, I totally like sent 806 00:42:10,000 --> 00:42:12,440 Speaker 1: you a message, and I was like where like the DM? 807 00:42:12,480 --> 00:42:14,839 Speaker 1: I was like, where the hell is that? Like I 808 00:42:14,880 --> 00:42:17,880 Speaker 1: had all these dms I never saw because I had 809 00:42:17,920 --> 00:42:21,160 Speaker 1: never checked it, and then I saw social dilemma. I 810 00:42:21,160 --> 00:42:22,960 Speaker 1: don't know if you saw that. It freaked me out 811 00:42:23,000 --> 00:42:24,520 Speaker 1: and I didn't want to be that guy in the 812 00:42:24,560 --> 00:42:28,040 Speaker 1: film The Puppet. So I actually deleted my apps and 813 00:42:28,120 --> 00:42:30,640 Speaker 1: like what I do now is like I'll have it 814 00:42:30,680 --> 00:42:33,439 Speaker 1: makes the process harder for my team, but whatever, It's 815 00:42:33,480 --> 00:42:34,800 Speaker 1: something I had to do for my life because I 816 00:42:34,800 --> 00:42:36,040 Speaker 1: didn't want to be on my phone all the time. 817 00:42:37,200 --> 00:42:39,400 Speaker 1: I do it all at emails. If I'm in a concert, 818 00:42:39,400 --> 00:42:41,520 Speaker 1: I like text wise to sitting right beside me, and 819 00:42:41,560 --> 00:42:43,200 Speaker 1: I'll be like, hey, can you post this for me? 820 00:42:43,320 --> 00:42:45,120 Speaker 1: Or like, and then they'll send me like a bunch 821 00:42:45,160 --> 00:42:46,799 Speaker 1: of things to like respond to that fans are sending 822 00:42:46,800 --> 00:42:48,520 Speaker 1: in or whatever. But I just that's like in an 823 00:42:48,560 --> 00:42:50,319 Speaker 1: email that I can all get it done. I feel 824 00:42:50,320 --> 00:42:52,520 Speaker 1: like I just I don't want to be that checked 825 00:42:52,560 --> 00:42:55,839 Speaker 1: in all the time. So I know that sucks because 826 00:42:55,840 --> 00:42:57,520 Speaker 1: I'm supposed to do that kind of stuff. But to 827 00:42:57,680 --> 00:43:00,360 Speaker 1: all my team, I'm sorry again, but just one of 828 00:43:00,360 --> 00:43:02,319 Speaker 1: those choices I had to make. So I'm not really 829 00:43:02,360 --> 00:43:05,440 Speaker 1: I don't see it. Kelly Clarkson on with us. Her 830 00:43:05,480 --> 00:43:08,320 Speaker 1: new Christmas album is out today. It's called When Christmas 831 00:43:08,320 --> 00:43:11,440 Speaker 1: Comes Around it's got some classics, it's got some songs 832 00:43:11,760 --> 00:43:15,000 Speaker 1: that she has written. It's got Ariana and Stapleton and 833 00:43:15,000 --> 00:43:16,880 Speaker 1: brett On there. So I hope you guys check it 834 00:43:16,880 --> 00:43:19,200 Speaker 1: out and start playing it today. You have permission as 835 00:43:19,239 --> 00:43:21,960 Speaker 1: soon as Halloween hits to start playing in all right, Kelly, Hey, 836 00:43:22,000 --> 00:43:23,919 Speaker 1: good to talk to you. Thank you, and I hope 837 00:43:23,920 --> 00:43:25,719 Speaker 1: you're doing well. Hey, you two man. And if this 838 00:43:25,760 --> 00:43:27,279 Speaker 1: happened to be one of the days you didn't want 839 00:43:27,320 --> 00:43:34,440 Speaker 1: to talk, my bad by Kelly. Bye. We google easy 840 00:43:34,480 --> 00:43:37,840 Speaker 1: Trivia for kids. That's where this game comes from. Easy Trivia, 841 00:43:37,960 --> 00:43:40,919 Speaker 1: and then we see who can last the longest. So 842 00:43:41,640 --> 00:43:44,839 Speaker 1: Amy Eddie Morgan number two and playing for Lunchbox will 843 00:43:44,840 --> 00:43:48,280 Speaker 1: be Ray Mundo. Yeah, so if Ray wins, Lunchbox wins, 844 00:43:49,040 --> 00:43:52,239 Speaker 1: everybody go with that. Yep, you're playing for the Tira, which, 845 00:43:52,239 --> 00:43:53,800 Speaker 1: by the way, Eddie's in the league again this season 846 00:43:53,800 --> 00:43:55,839 Speaker 1: and I still have the tr from last season. There 847 00:43:55,880 --> 00:43:57,880 Speaker 1: you go. When guests will come in toward the studio, 848 00:43:59,160 --> 00:44:00,799 Speaker 1: it's the last group came in. They're like, then that's 849 00:44:00,880 --> 00:44:04,120 Speaker 1: Eddie's tr he won Easy Trivia. Hey, it's becoming a conversation. Fees, 850 00:44:04,160 --> 00:44:07,160 Speaker 1: I like it, Okay, Here we go, easy trivia. Amy, 851 00:44:07,200 --> 00:44:09,480 Speaker 1: You're up first. Which candy bar shares its name with 852 00:44:09,480 --> 00:44:16,160 Speaker 1: the galaxy? Mars? Me? Correct, but one goes home on 853 00:44:16,200 --> 00:44:20,040 Speaker 1: the first question, marks is a planet? Huh? What O 854 00:44:20,239 --> 00:44:25,640 Speaker 1: Milky Way galaxy? Okay, wow, okay, I just answered the start, 855 00:44:25,920 --> 00:44:27,400 Speaker 1: but nobody goes home in the first round. There she 856 00:44:27,440 --> 00:44:30,319 Speaker 1: is Amy, everybody. What would you consider to be your 857 00:44:30,400 --> 00:44:35,040 Speaker 1: lucky number? M M, good question. I don't know that 858 00:44:35,120 --> 00:44:38,000 Speaker 1: I have one number. We don't have to pick one. 859 00:44:38,040 --> 00:44:41,000 Speaker 1: Just for no reason, I have no lucky number. Okay, 860 00:44:41,040 --> 00:44:43,040 Speaker 1: there you go. There she is Amy, everybody. Eddie over 861 00:44:43,080 --> 00:44:44,600 Speaker 1: to you. Come on. What are the name of the 862 00:44:44,600 --> 00:44:49,080 Speaker 1: super Mario brothers, Mario and Luigi? That is welcome the show, Eddie. 863 00:44:49,360 --> 00:44:51,960 Speaker 1: Do you have a lucky number? Yeah, twenty one, that's true. 864 00:44:51,960 --> 00:44:53,680 Speaker 1: You always tell me about Red twenty one, Red twenty 865 00:44:53,680 --> 00:44:56,640 Speaker 1: one in Vegas Roulette Baby, All right, over to Morgan. Morgan, 866 00:44:56,840 --> 00:45:00,080 Speaker 1: which pop culture franchise has character's name Luke Skywalker on 867 00:45:00,160 --> 00:45:03,240 Speaker 1: Solo and Darth Vader. That would be Star Wars. That's correct, Morgan, 868 00:45:03,520 --> 00:45:06,160 Speaker 1: number two. Morgan, what is your lucky number? It's twelve, 869 00:45:06,280 --> 00:45:08,600 Speaker 1: Always been twelve since I played softball. It's just been 870 00:45:08,600 --> 00:45:11,680 Speaker 1: the number. Wow, and Raymundo, you're stepping in for lunchbox today? 871 00:45:12,000 --> 00:45:14,200 Speaker 1: How are you feeling great? I feel like you can 872 00:45:14,239 --> 00:45:17,640 Speaker 1: win this thing for him? Yeah? What princess lost a 873 00:45:17,640 --> 00:45:23,080 Speaker 1: glass slipper? That would be Cinderella. You have a lucky number? Yeah, 874 00:45:23,080 --> 00:45:25,200 Speaker 1: it's twenty three. It was always a sports number and 875 00:45:25,239 --> 00:45:27,760 Speaker 1: it usually wins in Vegas. But I don't gamble anymore, 876 00:45:27,800 --> 00:45:29,040 Speaker 1: so you go already and try it. But do I 877 00:45:29,080 --> 00:45:32,480 Speaker 1: mean it usually wins in Vegas? It's no chance. Usually 878 00:45:32,600 --> 00:45:34,440 Speaker 1: do you have a lucky You have one? Right? What 879 00:45:34,440 --> 00:45:38,360 Speaker 1: do you think it is? Four? Okay? It's also always close. 880 00:45:38,520 --> 00:45:40,800 Speaker 1: But am I the weird one for not having a 881 00:45:40,880 --> 00:45:45,120 Speaker 1: lucky number? Okay, because it feels weird because everybody hals one. 882 00:45:46,600 --> 00:45:50,440 Speaker 1: We just could have picked one a lot easier, any number. All, 883 00:45:50,520 --> 00:45:52,120 Speaker 1: here we go, Amy, Ready, we're now on the clock. 884 00:45:52,160 --> 00:45:54,000 Speaker 1: If you miss it, your out questions get a little 885 00:45:54,000 --> 00:45:56,320 Speaker 1: hard to reach round Amy, How many seconds or in 886 00:45:56,360 --> 00:46:03,200 Speaker 1: a minute? Sixty seconds? Correct? Eddie? What biblical figure built 887 00:46:03,520 --> 00:46:10,080 Speaker 1: an arc? That's Noah's arc? No way, Morgan? What is 888 00:46:10,120 --> 00:46:12,360 Speaker 1: the term length for the president of the United States? 889 00:46:14,760 --> 00:46:20,160 Speaker 1: There's four years and four years? Correct? Raymundo, what gas 890 00:46:20,280 --> 00:46:24,560 Speaker 1: makes voices sound higher when inhaled? Oh, we've done this 891 00:46:24,600 --> 00:46:28,440 Speaker 1: on the show before, so I should know it. Helium. 892 00:46:28,600 --> 00:46:33,360 Speaker 1: That is correct. Everybody goes around three, good job, everybody? Amy. 893 00:46:33,440 --> 00:46:38,680 Speaker 1: What video game system does Sony produce? X Box? And 894 00:46:38,760 --> 00:46:43,280 Speaker 1: that's incorrect? What what is it? I don't play video games? 895 00:46:43,360 --> 00:46:49,120 Speaker 1: What is it? What is it? I don't know? Sony, Xbox, 896 00:46:49,200 --> 00:46:57,520 Speaker 1: Sony playstation' Why don't I play video games? Why wasn't it, Morgan? 897 00:46:57,560 --> 00:46:59,520 Speaker 1: Do you play video games? No? I would have said 898 00:46:59,520 --> 00:47:02,120 Speaker 1: PS five, but that would have been a PlayStation, so 899 00:47:02,160 --> 00:47:05,759 Speaker 1: that would have been wrong. Be right? So PlayStation is 900 00:47:05,760 --> 00:47:10,640 Speaker 1: Sony two? What did I say? Xbox? You've been eliminated? 901 00:47:12,200 --> 00:47:14,920 Speaker 1: I can't That's an early element. You don't have to 902 00:47:14,960 --> 00:47:16,719 Speaker 1: remind me. I mean maybe one of the earliest we've 903 00:47:16,760 --> 00:47:22,520 Speaker 1: ever had. You got that? I just answered one for three? Dang, Yeah, 904 00:47:22,640 --> 00:47:27,000 Speaker 1: I don't. How embarrassing? All right? What is it? I 905 00:47:27,000 --> 00:47:34,000 Speaker 1: don't even remember now, Edie. What's the capital of England? London? Correct? Morgan? 906 00:47:34,520 --> 00:47:41,880 Speaker 1: What continent is the Nile River? End? I believe that's Africa? 907 00:47:43,800 --> 00:47:52,600 Speaker 1: That your answer? Yeah? Africa? Correct, Raymundo. Nover is the 908 00:47:52,680 --> 00:47:57,560 Speaker 1: capital of what US state. Well, I know it's not 909 00:47:57,640 --> 00:48:01,759 Speaker 1: Tennessee or Texas or Michigan. Which one is it that 910 00:48:01,920 --> 00:48:05,640 Speaker 1: three states he's lived in, Yes, Dover. I mean it's 911 00:48:05,680 --> 00:48:09,000 Speaker 1: the east coast. I want to say Maryland, and I 912 00:48:09,040 --> 00:48:10,960 Speaker 1: think that's the only one that's coming to mind. It's 913 00:48:10,960 --> 00:48:16,839 Speaker 1: not Maine, that's a weird one, Dover, Dover, It's it's 914 00:48:16,880 --> 00:48:20,000 Speaker 1: got to be Maryland. I'd like to apologize to all 915 00:48:20,000 --> 00:48:22,920 Speaker 1: of our Delaware listeners. We do pretty well. There a 916 00:48:22,960 --> 00:48:25,319 Speaker 1: lot of listeners, a lot of great listeners. Man Um, 917 00:48:26,200 --> 00:48:32,400 Speaker 1: Dover is a capital of Delaware. You've been boom. I 918 00:48:32,480 --> 00:48:34,920 Speaker 1: had the area right, just not state. Did you at 919 00:48:34,920 --> 00:48:37,360 Speaker 1: all think Delaware in your list of options? It was 920 00:48:37,440 --> 00:48:39,640 Speaker 1: if I actually see a map and I had twenty minutes, 921 00:48:39,640 --> 00:48:41,040 Speaker 1: I could have maybe narrowed it down and that would 922 00:48:41,040 --> 00:48:42,719 Speaker 1: have been one of the two twenty minutes you needed. 923 00:48:43,040 --> 00:48:45,399 Speaker 1: So he exited the same round I did. But you're 924 00:48:45,440 --> 00:48:47,920 Speaker 1: not slamming him for it. Well, that's a little harder, 925 00:48:47,960 --> 00:48:53,440 Speaker 1: and he didn't miss the first question. Stop getting those Well, 926 00:48:53,440 --> 00:48:55,640 Speaker 1: I don't want to be brought down when other people 927 00:48:55,760 --> 00:48:59,919 Speaker 1: performing the same. Okay, but also he's ray he's hopped 928 00:49:00,080 --> 00:49:04,640 Speaker 1: for one game. Anyway, left, let's go, Hey, Eddie, come on, 929 00:49:04,760 --> 00:49:10,160 Speaker 1: Romeo and Juliet. Where art thou? What family is Juliet from? Oh? No, 930 00:49:11,920 --> 00:49:18,000 Speaker 1: see either the Capulates or the Romeo. He is part 931 00:49:18,040 --> 00:49:22,400 Speaker 1: of the Capulates. What family is Juliet from? What's the 932 00:49:22,440 --> 00:49:24,919 Speaker 1: other one? Well? This makes it easy because I can't 933 00:49:24,920 --> 00:49:26,319 Speaker 1: think of the other one, So all I can think 934 00:49:26,360 --> 00:49:31,960 Speaker 1: of is Capulates. So give me Juliet the Capulate? Correct? Yeah? 935 00:49:32,000 --> 00:49:36,280 Speaker 1: What's the other one? The Montague? MIKEA like the Montague 936 00:49:36,480 --> 00:49:41,440 Speaker 1: Montague something like that? Yeah, Romeo mon I mean you 937 00:49:41,480 --> 00:49:47,800 Speaker 1: say it Montague? Huh? All right? Um? Morgan, who famously 938 00:49:47,880 --> 00:49:55,920 Speaker 1: dueled Alexander Hamilton. I watched Hamilton? Why? I don't know 939 00:49:55,920 --> 00:49:58,799 Speaker 1: why he watched it. I don't like why is it 940 00:49:58,920 --> 00:50:03,759 Speaker 1: not in my rain? Because I watched it recently? Who 941 00:50:03,880 --> 00:50:10,719 Speaker 1: famously dueled Alexander Hamilton. Oh, I'm so mad when I 942 00:50:10,760 --> 00:50:17,759 Speaker 1: hear this. You got that button? Ready? Yeah? I'm gonna 943 00:50:17,760 --> 00:50:24,640 Speaker 1: give for about five more second. Okay, I have way 944 00:50:24,680 --> 00:50:26,880 Speaker 1: too many names, right, we'll spit them out. I need 945 00:50:26,880 --> 00:50:33,319 Speaker 1: an answer Morgan earlier, but it's deserved because all I 946 00:50:33,360 --> 00:50:35,799 Speaker 1: have in my brain right now is what come on? 947 00:50:36,120 --> 00:50:39,960 Speaker 1: Is Alexander Bell. You think that the Battle of the Alexanders. 948 00:50:40,000 --> 00:50:42,279 Speaker 1: It's like a pay per view Hamilton and Graham Bell 949 00:50:42,360 --> 00:50:46,560 Speaker 1: one on one for the title Nice Alexanders. Yeah, yeah, 950 00:50:46,960 --> 00:50:51,799 Speaker 1: your answer is Alexander Graham Bell. You've been booed. The 951 00:50:51,840 --> 00:50:58,600 Speaker 1: answer is from the commercial the guy answered a trivia 952 00:50:58,719 --> 00:51:01,920 Speaker 1: question on the radio and they're like, what's the game answer? No, 953 00:51:02,000 --> 00:51:05,239 Speaker 1: I'm sorry, what's that? And uh got me? Yeah? Well 954 00:51:07,040 --> 00:51:09,640 Speaker 1: that commercial it's old and it is like a real 955 00:51:09,640 --> 00:51:12,279 Speaker 1: old one. Eddie. You now have four guys. What do 956 00:51:12,280 --> 00:51:15,799 Speaker 1: you say? What do you say? It's almost to name 957 00:51:15,800 --> 00:51:19,160 Speaker 1: you the goat of easy Trivia, That's what I'm talking about. Wow. 958 00:51:19,320 --> 00:51:21,719 Speaker 1: The Tom Brady of Easy Trivia two in a row, 959 00:51:21,760 --> 00:51:25,919 Speaker 1: the only two championships ever. The Michael Jordan of easy Trivia. Wow, 960 00:51:26,000 --> 00:51:28,880 Speaker 1: this is unbelievable. One one away. The Tom Hanks of 961 00:51:28,880 --> 00:51:31,200 Speaker 1: easy Trivia. Don't know where that analogy comes, Okay, the 962 00:51:31,239 --> 00:51:33,799 Speaker 1: Garth Brooks of easy Trivia, and whatever you say, there 963 00:51:34,000 --> 00:51:38,399 Speaker 1: is a winn Hey strong in the Calpult answer. Though, 964 00:51:38,440 --> 00:51:40,919 Speaker 1: thank you, thank you. If it was the other way around, 965 00:51:40,960 --> 00:51:44,000 Speaker 1: I would not have gotten money. You no chance. Amy 966 00:51:44,040 --> 00:51:45,440 Speaker 1: made fun of you when you got that Cuy. I 967 00:51:45,480 --> 00:51:47,280 Speaker 1: was hoping you were gonna miss it, not gonna lie 968 00:51:47,440 --> 00:51:50,440 Speaker 1: Amy Ruth hard against because I definitely am annoyed by 969 00:51:50,480 --> 00:51:54,080 Speaker 1: your winning. But it is what it is, probably that, 970 00:51:54,280 --> 00:51:56,600 Speaker 1: but it's it's annoying that somehow he keeps winning like 971 00:51:56,600 --> 00:51:59,239 Speaker 1: other people happen to get the question. But I don't know. 972 00:51:59,360 --> 00:52:01,480 Speaker 1: You thought more it was a galaxy. I no, I 973 00:52:01,560 --> 00:52:04,440 Speaker 1: answered too quickly. I thought Mars candy bar. And then 974 00:52:04,520 --> 00:52:06,040 Speaker 1: I thought it through and I said Milky Way. And 975 00:52:06,080 --> 00:52:08,080 Speaker 1: I was like, oh, shoot, you're right galaxy. You didn't 976 00:52:08,080 --> 00:52:11,319 Speaker 1: say planet, you said galaxy. I am probably annoyed with 977 00:52:11,360 --> 00:52:14,560 Speaker 1: myself more, but then kind of annoyed with that. Eat, well, 978 00:52:14,600 --> 00:52:26,040 Speaker 1: there's our win. It's time for the good news, okay. 979 00:52:26,120 --> 00:52:32,120 Speaker 1: Picture it. Nineteen sixty eight, at just eighteen years old, 980 00:52:32,400 --> 00:52:34,799 Speaker 1: Gus all Britton was deployed with the Army to fight 981 00:52:34,840 --> 00:52:37,880 Speaker 1: in the Vietnam War. Quote. I graduated from high school 982 00:52:37,880 --> 00:52:39,680 Speaker 1: on a Friday night, he recalls. On Saturday, I got 983 00:52:39,680 --> 00:52:42,480 Speaker 1: my draft notice, and on Monday I was up here 984 00:52:42,480 --> 00:52:45,560 Speaker 1: in Georgia at Fort Benning. He was injured three separate 985 00:52:45,600 --> 00:52:49,680 Speaker 1: times in that war, earned multiple Purple Hearts. After the war, 986 00:52:49,800 --> 00:52:51,400 Speaker 1: he went back to civilian life, but he kept his 987 00:52:51,440 --> 00:52:53,880 Speaker 1: purple hearted to keepsake, like I kept a lot of it, 988 00:52:53,920 --> 00:52:57,160 Speaker 1: a big water jug he got pocket knives, a bunch 989 00:52:57,160 --> 00:52:58,680 Speaker 1: of change, and then he kept his purple hearts in 990 00:52:58,719 --> 00:53:00,480 Speaker 1: there too. While someone robbed his house and stole that 991 00:53:00,560 --> 00:53:05,360 Speaker 1: jug in nineteen eighty two. Oh no, oh no, no, 992 00:53:05,360 --> 00:53:08,480 Speaker 1: no no no, And so he obviously thought he'd never 993 00:53:08,480 --> 00:53:09,840 Speaker 1: see it again. And here we are now in twenty 994 00:53:09,840 --> 00:53:13,640 Speaker 1: twenty one. You know, still that jugs nowhere to be found. 995 00:53:14,120 --> 00:53:17,040 Speaker 1: But that changed recently when Jamie Batt found a purple 996 00:53:17,040 --> 00:53:19,759 Speaker 1: heart of the yard cell. She purchased it and then 997 00:53:19,880 --> 00:53:21,759 Speaker 1: was like, I gotta get this to whomever's this, So 998 00:53:22,640 --> 00:53:24,399 Speaker 1: use the name of the back of the Meddal track down, 999 00:53:24,840 --> 00:53:28,200 Speaker 1: Oh gus All Britton who had moved to Dublin, Georgia, 1000 00:53:28,440 --> 00:53:30,200 Speaker 1: and he got it back after thirty eight years, he 1001 00:53:30,200 --> 00:53:32,239 Speaker 1: has his purple heart. Bat is so okay. But how 1002 00:53:32,280 --> 00:53:34,759 Speaker 1: did the person's a garage sale? Are they part of 1003 00:53:34,760 --> 00:53:37,160 Speaker 1: the people that stole it? Or somehow they ended up 1004 00:53:37,200 --> 00:53:38,839 Speaker 1: with it? And did they not? Think? I wonder if 1005 00:53:38,840 --> 00:53:40,719 Speaker 1: we should find out who this purple heart belongs to, 1006 00:53:40,840 --> 00:53:43,960 Speaker 1: So shout out to her, think about this let's go 1007 00:53:44,000 --> 00:53:45,799 Speaker 1: back to the beginning of the story and how times 1008 00:53:45,800 --> 00:53:47,960 Speaker 1: have changed. You're going back to the sixties. Now, yeah, 1009 00:53:48,040 --> 00:53:51,120 Speaker 1: picture at nineteen sixty eight. Got okay, they had a 1010 00:53:51,200 --> 00:53:55,480 Speaker 1: draft first of all, wild crazy. Secondly, his number comes 1011 00:53:55,560 --> 00:54:02,960 Speaker 1: up and two days later he's there the day he graduated. 1012 00:54:03,200 --> 00:54:05,720 Speaker 1: He graduates Friday, on Saturday, he got his draft notice 1013 00:54:05,719 --> 00:54:12,640 Speaker 1: on Monday. He's right, and then he was unbelievable. I mean, yeah, 1014 00:54:12,719 --> 00:54:16,200 Speaker 1: to be and that I just can't imagine. After I 1015 00:54:16,200 --> 00:54:17,640 Speaker 1: told you, after my dad died, we were going through 1016 00:54:17,680 --> 00:54:21,120 Speaker 1: his wallet and we found his card, his draft exemption card. 1017 00:54:21,160 --> 00:54:23,440 Speaker 1: For whatever reason, I don't know why, but I never 1018 00:54:23,520 --> 00:54:25,680 Speaker 1: knew he was carrying that around in his wallet. And now, 1019 00:54:25,800 --> 00:54:28,320 Speaker 1: I mean, my theory is that he carried around and 1020 00:54:28,400 --> 00:54:31,680 Speaker 1: not forget like totally that that's that was a crazy, 1021 00:54:31,800 --> 00:54:34,440 Speaker 1: prop really wild time and for whatever reason he I 1022 00:54:34,440 --> 00:54:36,359 Speaker 1: don't think he was like trying to not serve his country, 1023 00:54:36,400 --> 00:54:37,960 Speaker 1: because he had brothers that did. But I think he 1024 00:54:38,000 --> 00:54:39,640 Speaker 1: had other things he needed to take care of and 1025 00:54:39,760 --> 00:54:43,080 Speaker 1: he got an exemption. Well, Gus Albritton, shout out to 1026 00:54:43,120 --> 00:54:45,560 Speaker 1: you for serving. Jamie Bath, shout out to you for 1027 00:54:45,600 --> 00:54:47,640 Speaker 1: finding this, buying it and getting it back to him. Yeah, 1028 00:54:47,640 --> 00:54:49,920 Speaker 1: it's a good story. That's what it's all about. That 1029 00:54:50,280 --> 00:54:54,279 Speaker 1: was tell me something good. I had Jody Messina on 1030 00:54:54,320 --> 00:54:56,600 Speaker 1: the Bobby Cast which comes out today, and so I 1031 00:54:56,640 --> 00:55:00,319 Speaker 1: was interviewing her and she has here's Carolina too. Else 1032 00:55:00,400 --> 00:55:03,960 Speaker 1: California was not a number one song, really, wasn't it. 1033 00:55:04,120 --> 00:55:06,480 Speaker 1: Where did it land? Well, it stayed at number two 1034 00:55:06,520 --> 00:55:12,000 Speaker 1: forever because Brooks and Done they had Maria. It's the 1035 00:55:12,040 --> 00:55:16,600 Speaker 1: same exact time, and that song didn't fall. That's unfortunate. Yeah. 1036 00:55:16,640 --> 00:55:20,879 Speaker 1: So then later on another one of her massive song, 1037 00:55:23,200 --> 00:55:29,640 Speaker 1: was it number two forever? Because Lone Star Amazed was forever? 1038 00:55:30,080 --> 00:55:34,400 Speaker 1: Remember one? Eight weeks? Oh that's crazy. Oh that sucks. 1039 00:55:34,520 --> 00:55:37,200 Speaker 1: Her biggest song was not a number one song because 1040 00:55:37,239 --> 00:55:39,600 Speaker 1: heads Carolina tells California is one of the biggest country 1041 00:55:39,600 --> 00:55:43,200 Speaker 1: songs of the nineties straight up. But she's on the Bobbycast. 1042 00:55:43,239 --> 00:55:44,719 Speaker 1: We will put that out when this radio show is 1043 00:55:44,719 --> 00:55:47,920 Speaker 1: over at ten Central. So you guys hit it up, 1044 00:55:47,920 --> 00:55:50,799 Speaker 1: search for the Bobby Cast wherever you podcast. There's a 1045 00:55:50,800 --> 00:55:53,240 Speaker 1: great one with Riba from last week, one with Ashley 1046 00:55:53,320 --> 00:55:55,839 Speaker 1: McBride from you know, a couple weeks before that, So 1047 00:55:56,000 --> 00:55:58,120 Speaker 1: check it out. All right, let's go and catch up 1048 00:55:58,120 --> 00:56:04,279 Speaker 1: on the news Bobbi's story. An asteroid bigger than the 1049 00:56:04,360 --> 00:56:07,600 Speaker 1: Great Pyramid of Giza is on course to pass by 1050 00:56:07,640 --> 00:56:11,920 Speaker 1: Earth today. NASA says something that would cause damage and 1051 00:56:11,960 --> 00:56:14,839 Speaker 1: impact the whole area if they were to hit Earth, 1052 00:56:16,320 --> 00:56:18,400 Speaker 1: kill us all. But not to worry, Okay, just heads up, 1053 00:56:18,880 --> 00:56:21,399 Speaker 1: don't worry. Several more of them about the same size 1054 00:56:21,400 --> 00:56:22,919 Speaker 1: are headed here in the next few weeks, but none 1055 00:56:22,960 --> 00:56:25,560 Speaker 1: are expected to be close enough to cause alarm. Listen, 1056 00:56:25,560 --> 00:56:28,080 Speaker 1: we're just playing the odds, right, I mean, eventually one 1057 00:56:28,080 --> 00:56:29,480 Speaker 1: of these things are going to line up. If they're 1058 00:56:29,480 --> 00:56:32,120 Speaker 1: flying all around us, eventually one of them is gonna 1059 00:56:32,360 --> 00:56:35,319 Speaker 1: we probably won't be alive. But you can see how 1060 00:56:35,400 --> 00:56:38,120 Speaker 1: this would eliminate life from this planet for it to 1061 00:56:38,120 --> 00:56:41,840 Speaker 1: start over again, aka the dinosaurs. Which is which is 1062 00:56:41,880 --> 00:56:45,440 Speaker 1: going to happen? The asteroid or the dice, the hundred 1063 00:56:45,640 --> 00:56:49,440 Speaker 1: sided dice landing on the number of good question, Probably 1064 00:56:49,440 --> 00:56:55,680 Speaker 1: the asteroid. The asteroid. Amanda Riley pleaded guilty in California 1065 00:56:55,680 --> 00:56:58,600 Speaker 1: Tuesday to federal wire fraud charges for faking cancer over 1066 00:56:58,640 --> 00:57:01,479 Speaker 1: a seven year period, oh'lecting over one hundred thousand dollars 1067 00:57:01,520 --> 00:57:04,879 Speaker 1: in donations. Riley shaved her head to mimic the side 1068 00:57:04,880 --> 00:57:07,920 Speaker 1: effects of chemo, shared pictures of herself at hospitals on 1069 00:57:07,960 --> 00:57:11,120 Speaker 1: social media, and received donations from friends, family, and members 1070 00:57:11,120 --> 00:57:14,360 Speaker 1: of her church for personal expenses. She faces up to 1071 00:57:14,400 --> 00:57:16,240 Speaker 1: twenty years in prison and a two hundred and fifty 1072 00:57:16,240 --> 00:57:21,480 Speaker 1: thousand dollars fine thoughts. I mean, okay, the hospital photos. 1073 00:57:21,520 --> 00:57:23,680 Speaker 1: Does she just go up there for and act like 1074 00:57:23,920 --> 00:57:27,560 Speaker 1: I'm here yep? Oh my gosh. That's so. It's just 1075 00:57:27,680 --> 00:57:30,600 Speaker 1: terrible and it's sad, and it sucks because for people 1076 00:57:30,640 --> 00:57:33,320 Speaker 1: that really needed help and care over the last seven 1077 00:57:33,360 --> 00:57:35,840 Speaker 1: years that didn't, you know, because maybe other people are like, 1078 00:57:35,880 --> 00:57:38,520 Speaker 1: oh well, I'm helping this friend, can't help that person, 1079 00:57:38,640 --> 00:57:41,360 Speaker 1: Oh my gosh. And that does affect people, just in 1080 00:57:41,440 --> 00:57:44,200 Speaker 1: people reaching out to me, not so much about being sick, 1081 00:57:44,320 --> 00:57:46,560 Speaker 1: but like, hey, I'd like to meet so and so artist. 1082 00:57:47,000 --> 00:57:50,240 Speaker 1: I'm dying. I've been full on a couple of those, 1083 00:57:50,360 --> 00:57:52,960 Speaker 1: so I don't really mess with them anymore unless I 1084 00:57:52,960 --> 00:57:57,040 Speaker 1: can get like double verification. So, but it does ruin it. 1085 00:57:57,080 --> 00:57:59,160 Speaker 1: And yes, that's a tough one. Now she's gonna get 1086 00:57:59,160 --> 00:58:00,520 Speaker 1: to prison. What are you in for? They're gonna beat 1087 00:58:00,560 --> 00:58:02,840 Speaker 1: her up. Yeah, that's one of those that people. It 1088 00:58:02,880 --> 00:58:04,800 Speaker 1: don't matter what you did. You fake cancer, Yeah, that's 1089 00:58:04,800 --> 00:58:07,439 Speaker 1: an evil person. That's a bad Yeah, that's a bad one. 1090 00:58:07,840 --> 00:58:11,240 Speaker 1: Or that you rob somebody, Yeah yeah good samaritan who 1091 00:58:11,280 --> 00:58:14,240 Speaker 1: helped a stranger fix a bicycle realized that it was 1092 00:58:14,320 --> 00:58:17,520 Speaker 1: his own stolen bike. Wait what a guy who helped 1093 00:58:17,600 --> 00:58:19,280 Speaker 1: him and fix his bike Relize too, was fixing his 1094 00:58:19,280 --> 00:58:23,040 Speaker 1: own and he didn't even know what it had been stolen. Yeah. 1095 00:58:23,160 --> 00:58:26,040 Speaker 1: John Devil in sixty four stopped to repair the handlebars 1096 00:58:26,040 --> 00:58:29,800 Speaker 1: of a bicycle that this guy, Paul Hartley, had earlier 1097 00:58:29,840 --> 00:58:33,280 Speaker 1: taken from his shed. Mister Delban was able to identify 1098 00:58:33,280 --> 00:58:36,280 Speaker 1: the bike as his own because there was a distinctive 1099 00:58:36,280 --> 00:58:38,120 Speaker 1: sticker and a helmet attached to it. He was like, 1100 00:58:38,840 --> 00:58:41,520 Speaker 1: that's mines, and then he started chasing the thief down 1101 00:58:41,560 --> 00:58:44,800 Speaker 1: the street. Yeah, they ran bones. I saw a car 1102 00:58:44,840 --> 00:58:48,560 Speaker 1: theither day. It looked just like mine, I mean identical. 1103 00:58:48,680 --> 00:58:51,360 Speaker 1: It had certain like accessories that mine does, and my 1104 00:58:51,480 --> 00:58:54,000 Speaker 1: heart dropped. I saw it driving like that's my car. 1105 00:58:54,680 --> 00:58:56,680 Speaker 1: But you've also had your jeep stolen before I have, 1106 00:58:56,760 --> 00:58:59,080 Speaker 1: and there was someone driving in I'm like, oh my gosh, 1107 00:58:59,200 --> 00:59:01,480 Speaker 1: that's my car and I'm watching it being stolen right now. 1108 00:59:01,680 --> 00:59:03,000 Speaker 1: And then I looked at the wheels and like, no, 1109 00:59:03,120 --> 00:59:04,560 Speaker 1: those rooms are different. Can I ask you a question? 1110 00:59:04,600 --> 00:59:07,440 Speaker 1: All your license plate? Did you get a new license plate? No? 1111 00:59:08,640 --> 00:59:11,880 Speaker 1: Is he is your yellow? No? Okay, there's somebody that 1112 00:59:12,040 --> 00:59:14,240 Speaker 1: was had a jeep at work. Huh where they don't 1113 00:59:14,240 --> 00:59:16,919 Speaker 1: tread on me license? That's not mine? And I thought 1114 00:59:17,120 --> 00:59:21,160 Speaker 1: Eddie Eddie would don't tread on me, honest license. I 1115 00:59:21,240 --> 00:59:23,160 Speaker 1: think you have to have served to do that, right, 1116 00:59:23,520 --> 00:59:25,720 Speaker 1: I don't know, but I thought it was an Eddie's park. 1117 00:59:26,120 --> 00:59:28,400 Speaker 1: Eddie doesn't have us for sure spot, but we're here 1118 00:59:28,440 --> 00:59:30,760 Speaker 1: around the same time in the morning and he's right 1119 00:59:30,760 --> 00:59:32,720 Speaker 1: beside me, and I pulled out red jeep with it 1120 00:59:32,800 --> 00:59:34,440 Speaker 1: don't tread on me license light, and I was like, 1121 00:59:34,800 --> 00:59:38,000 Speaker 1: that would be funny of that. It's not something he 1122 00:59:38,000 --> 00:59:39,880 Speaker 1: would do. I don't think. All right, thank you guys, 1123 00:59:39,880 --> 00:59:46,000 Speaker 1: that's the news, close it up story. I'm gonna go 1124 00:59:46,000 --> 00:59:49,200 Speaker 1: over to the phone to talk to Bethany in Rogers 1125 00:59:49,320 --> 00:59:51,400 Speaker 1: or I kansaw Bethany, you're on the Bobby Bone Show. 1126 00:59:51,440 --> 00:59:57,840 Speaker 1: What's going on? Hi? Good morning studio. Morning. I am 1127 00:59:57,880 --> 01:00:02,760 Speaker 1: curious how the fire Eider dating situation. I don't think 1128 01:00:02,760 --> 01:00:06,959 Speaker 1: it's dating is fair. The conversation is going, Yeah, that's 1129 01:00:07,320 --> 01:00:09,800 Speaker 1: a question. I've had two but I kind of don't 1130 01:00:09,800 --> 01:00:12,040 Speaker 1: want to kill Abby's games so much. Abby does he 1131 01:00:12,080 --> 01:00:14,040 Speaker 1: know he's being talked about on the radio? Now? Yep, 1132 01:00:14,720 --> 01:00:18,600 Speaker 1: he knows. Okay, so I'll be listening now. Huh, Well, 1133 01:00:19,680 --> 01:00:22,840 Speaker 1: are there any plans or are there any massive updates 1134 01:00:22,840 --> 01:00:25,440 Speaker 1: you want to give us? There is a plan in 1135 01:00:25,480 --> 01:00:27,720 Speaker 1: the work, so I shouldn't give too much away. I 1136 01:00:27,720 --> 01:00:30,439 Speaker 1: just want to keep it a little low key right now, 1137 01:00:30,800 --> 01:00:32,600 Speaker 1: and I you know, I may have an update as 1138 01:00:32,600 --> 01:00:38,240 Speaker 1: far as how things go this weekend. I'm so curious. 1139 01:00:39,200 --> 01:00:41,760 Speaker 1: For those that are new to the show. Abby got 1140 01:00:41,760 --> 01:00:44,640 Speaker 1: a random text from somebody was like, hey, here's a 1141 01:00:44,680 --> 01:00:46,919 Speaker 1: picture of me in front of fire truck. Good looking 1142 01:00:46,960 --> 01:00:49,800 Speaker 1: firefighter guy. And he was like, oh, I don't mean 1143 01:00:49,800 --> 01:00:50,840 Speaker 1: to send that to you. I meant to send that 1144 01:00:50,880 --> 01:00:53,960 Speaker 1: to my boss. And Abby's like huh. And then they 1145 01:00:53,920 --> 01:00:57,560 Speaker 1: started talking back and forth, and then we started talking 1146 01:00:57,560 --> 01:01:00,360 Speaker 1: to Abby like this might be a scam. So she goes, hey, 1147 01:01:00,400 --> 01:01:01,880 Speaker 1: this was your boss. You meant to send this to 1148 01:01:02,080 --> 01:01:04,680 Speaker 1: send me his number, so he shows her his fire 1149 01:01:04,760 --> 01:01:07,800 Speaker 1: chief's boss, which is basically the last two numbers of 1150 01:01:07,800 --> 01:01:12,280 Speaker 1: Abbey's like inverse switched. So we're like, I don't know, 1151 01:01:12,400 --> 01:01:14,760 Speaker 1: maybe it is true. And then we look and he 1152 01:01:14,760 --> 01:01:16,880 Speaker 1: he had blocked Abby from Instagram while he was also 1153 01:01:16,920 --> 01:01:20,160 Speaker 1: texting with her. Weird, which was weird, but yeah, none 1154 01:01:20,160 --> 01:01:21,840 Speaker 1: of us, we all could we all could see his 1155 01:01:21,880 --> 01:01:24,440 Speaker 1: page that he was private, but we could see his page, 1156 01:01:25,880 --> 01:01:29,640 Speaker 1: and yet Abby kept texting with him, and there is 1157 01:01:29,640 --> 01:01:32,480 Speaker 1: a plan to meet up with him Abbey or well, 1158 01:01:32,520 --> 01:01:37,400 Speaker 1: I don't meet up, but well, we're gonna talk. Okay, Okay, 1159 01:01:37,600 --> 01:01:42,040 Speaker 1: has he explained the Instagram thing? No, it's basically all 1160 01:01:42,240 --> 01:01:46,640 Speaker 1: kind of denying everything. So I still want answers. Okay, 1161 01:01:46,680 --> 01:01:49,040 Speaker 1: well I still want them. I can't. I can't let 1162 01:01:49,080 --> 01:01:51,000 Speaker 1: it go. I'm like, no, I really need to know 1163 01:01:51,120 --> 01:01:55,960 Speaker 1: because it's just it's not matching. Okay, Monday Show, Tuesday Show, 1164 01:01:56,320 --> 01:01:58,720 Speaker 1: no questions. Hey, if he's listening, we're never talking about 1165 01:01:58,720 --> 01:02:02,440 Speaker 1: this again. But Monday Show, Ye're going to talk. Why 1166 01:02:02,520 --> 01:02:04,760 Speaker 1: how's he listening? Why I thought he didn't look right. 1167 01:02:04,880 --> 01:02:07,560 Speaker 1: That's my question is what how do you now know 1168 01:02:07,640 --> 01:02:12,360 Speaker 1: he's listening? Did you he say something. Yeah, we kind 1169 01:02:12,400 --> 01:02:14,280 Speaker 1: of talked about it, and he was like, well, I'm 1170 01:02:14,280 --> 01:02:17,400 Speaker 1: all caught up now on what has happened. So I 1171 01:02:17,400 --> 01:02:20,480 Speaker 1: guess yeah, everything, but he got caught up because you 1172 01:02:20,520 --> 01:02:23,320 Speaker 1: told him or someone else told him. We never said 1173 01:02:23,360 --> 01:02:26,000 Speaker 1: his name. Nope, I know, but or he's a big 1174 01:02:26,040 --> 01:02:28,360 Speaker 1: fan and and it's Morgan's theory if he knew who 1175 01:02:28,360 --> 01:02:30,160 Speaker 1: you were the whole time he's on the Beat Team page. 1176 01:02:30,320 --> 01:02:33,320 Speaker 1: Well he's saying he was getting messages on Instagram from people. 1177 01:02:33,520 --> 01:02:37,280 Speaker 1: See there's no way. Well, well, I don't know. He 1178 01:02:37,400 --> 01:02:39,320 Speaker 1: did say. We didn't say his handle of a day. 1179 01:02:40,200 --> 01:02:42,439 Speaker 1: We're really where where he was a firefighter from. There's 1180 01:02:42,480 --> 01:02:44,960 Speaker 1: no way. There's no way that that part. Abby. You 1181 01:02:45,040 --> 01:02:47,959 Speaker 1: have have had it, talked to him and then we'll 1182 01:02:48,840 --> 01:02:51,800 Speaker 1: we'll see what's up. I'm ready, Yeah, all right, by kay. 1183 01:02:52,680 --> 01:02:55,040 Speaker 1: Thank you Bethany for that call, because I'm glad you asked. 1184 01:02:55,040 --> 01:02:56,320 Speaker 1: I think a lot of listeners are asking that too. 1185 01:02:56,360 --> 01:02:59,320 Speaker 1: But Monday we'll hit you with the abbat. Okay, all right, 1186 01:02:59,400 --> 01:03:03,240 Speaker 1: sounds good, Thanks, Okay, bye bye. Amy's daughter's fourteen. She 1187 01:03:03,280 --> 01:03:05,360 Speaker 1: got a questionnaire at school and the question was, what 1188 01:03:05,440 --> 01:03:08,960 Speaker 1: is your greatest weakness. It's often asked in job interviews. 1189 01:03:09,040 --> 01:03:11,360 Speaker 1: That's a good question. Yeah, and your weakness can't be 1190 01:03:11,440 --> 01:03:14,400 Speaker 1: that you work too hard like it can't. But that's 1191 01:03:14,400 --> 01:03:17,280 Speaker 1: what you would say. I wouldn't. I would actually give 1192 01:03:17,320 --> 01:03:20,600 Speaker 1: my weak weakness, which would be I have no tone, 1193 01:03:21,280 --> 01:03:24,440 Speaker 1: meaning in emails, I'm very blunt. I just write it 1194 01:03:24,440 --> 01:03:27,840 Speaker 1: and send it. There's there's no small talk, there's no hey, 1195 01:03:27,840 --> 01:03:30,320 Speaker 1: how's it's like what I need from you, what you 1196 01:03:30,360 --> 01:03:32,080 Speaker 1: need from me. We're going to be as efficient as 1197 01:03:32,080 --> 01:03:34,120 Speaker 1: possible because we are working. Let's get it done, which 1198 01:03:34,120 --> 01:03:38,320 Speaker 1: can leave people feeling confused. Absolutely, my weakness is for 1199 01:03:38,400 --> 01:03:40,960 Speaker 1: a communicator. Sometimes when it's time to get stuff done, 1200 01:03:40,960 --> 01:03:43,000 Speaker 1: there's no communication except we need to get this done. 1201 01:03:43,360 --> 01:03:45,000 Speaker 1: So A to B, B two C C two D 1202 01:03:45,520 --> 01:03:48,760 Speaker 1: and then eat F. No tone in emails sometimes no 1203 01:03:48,800 --> 01:03:51,240 Speaker 1: tone and communication. And I think we'd all agree with that. Yeah, 1204 01:03:51,680 --> 01:03:54,080 Speaker 1: so that's my weakness. No tone. Okay, that's good. I 1205 01:03:54,160 --> 01:03:55,720 Speaker 1: say what I mean, I mean what I say, but 1206 01:03:55,760 --> 01:03:59,160 Speaker 1: no tone. Then it's hard on email to fine tone, 1207 01:03:59,440 --> 01:04:01,480 Speaker 1: and you just to remember, oh yeah, there's no tone. 1208 01:04:01,960 --> 01:04:05,960 Speaker 1: It's so don't assign a tone all the words. It's 1209 01:04:06,000 --> 01:04:10,280 Speaker 1: just an email. Yeah, are you mine? Is add for sure? 1210 01:04:11,760 --> 01:04:14,280 Speaker 1: I mean, but I mean there's nothing really to say 1211 01:04:14,360 --> 01:04:17,040 Speaker 1: other than it affects me in all kinds of areas 1212 01:04:17,040 --> 01:04:23,720 Speaker 1: of life. Yeah, you know, yep, that's your biggest weakness. Yeah. 1213 01:04:23,800 --> 01:04:26,840 Speaker 1: If I'm bored, I just check out. Like if I'm 1214 01:04:26,880 --> 01:04:28,840 Speaker 1: not interested in what's happening, I just I didn't hear 1215 01:04:28,840 --> 01:04:30,280 Speaker 1: a word you just said. And that's not good. But 1216 01:04:30,400 --> 01:04:32,720 Speaker 1: if you're getting paid, yeah, I just still check out. 1217 01:04:32,880 --> 01:04:34,400 Speaker 1: Like sometimes we're on the show and I check out 1218 01:04:34,400 --> 01:04:37,160 Speaker 1: and I'm getting paid. Interesting, that's a good weakness, I 1219 01:04:37,160 --> 01:04:39,120 Speaker 1: would say, I would I'd be late, like I used 1220 01:04:39,120 --> 01:04:40,400 Speaker 1: to be late all the time, but I don't do 1221 01:04:40,440 --> 01:04:42,720 Speaker 1: that anymore. So that's not my weakness. Ray, what would 1222 01:04:42,720 --> 01:04:45,920 Speaker 1: you say your weakness is I don't know how to delegate, 1223 01:04:46,040 --> 01:04:49,040 Speaker 1: and I'll just do it myself instead of explain it 1224 01:04:49,080 --> 01:04:52,160 Speaker 1: to me. That's easier. I think another one in an 1225 01:04:52,200 --> 01:04:54,360 Speaker 1: interview to say, this is just a tip. If someone says, hey, 1226 01:04:54,360 --> 01:04:57,800 Speaker 1: what's your weakness, say I struggle with balance, because I 1227 01:04:57,840 --> 01:05:00,360 Speaker 1: do struggle with balance. But people will love that answer. 1228 01:05:00,400 --> 01:05:02,440 Speaker 1: They'd be like, what do you mean. Well, whenever I'm 1229 01:05:02,480 --> 01:05:04,200 Speaker 1: really into a project, that's been way too much time 1230 01:05:04,200 --> 01:05:06,240 Speaker 1: on it, and I don't focus enough on myself. You 1231 01:05:06,280 --> 01:05:07,680 Speaker 1: want to talk about an A plus answer for a 1232 01:05:07,760 --> 01:05:10,120 Speaker 1: job interview, it's good. Go ahead and chuck yourself up 1233 01:05:10,120 --> 01:05:14,360 Speaker 1: to getting the job and a raise, like I'll hire you, 1234 01:05:14,400 --> 01:05:16,440 Speaker 1: and you may doing such a good job in this meeting, 1235 01:05:16,440 --> 01:05:20,280 Speaker 1: you get a raise. Use that one, Morgan number two. 1236 01:05:20,280 --> 01:05:24,000 Speaker 1: What's your weakness? I likely would be that I'm a perfectionist, 1237 01:05:24,040 --> 01:05:26,880 Speaker 1: which makes it really hard to be on teams sometimes 1238 01:05:26,920 --> 01:05:29,840 Speaker 1: because I just want to make sure everything is perfect. 1239 01:05:30,560 --> 01:05:34,120 Speaker 1: That one feels a little too contrived. I'm a perfectionist. 1240 01:05:34,160 --> 01:05:35,520 Speaker 1: It's like it's almost like I work too much, Like 1241 01:05:35,560 --> 01:05:37,840 Speaker 1: I might work too hard. It seems like, I mean 1242 01:05:37,880 --> 01:05:40,080 Speaker 1: if you, if you lead with it, I don't do 1243 01:05:40,120 --> 01:05:42,480 Speaker 1: well on teams. Yeah, then that feels like a weakness. 1244 01:05:42,840 --> 01:05:44,400 Speaker 1: You have to leave with that like, hey, I don't. 1245 01:05:44,720 --> 01:05:51,760 Speaker 1: Then they might be like, what did your daughter say? 1246 01:05:51,840 --> 01:05:54,760 Speaker 1: She said that she answered in a complete sentence, and 1247 01:05:54,880 --> 01:05:57,520 Speaker 1: she said, what I consider my weakness to be is 1248 01:05:57,560 --> 01:06:00,480 Speaker 1: that I can't take no for an answer. I love that. 1249 01:06:01,600 --> 01:06:03,960 Speaker 1: I don't know. I don't know if she googled that. 1250 01:06:03,960 --> 01:06:06,360 Speaker 1: That's really good. No, I thought it was good, and 1251 01:06:06,400 --> 01:06:09,240 Speaker 1: it's and I think it's because she wants reasons behind, 1252 01:06:09,360 --> 01:06:14,480 Speaker 1: like she's very curious. Show bonehead. Sorry. Up to day 1253 01:06:14,640 --> 01:06:17,120 Speaker 1: over to Eddie, who is filling in for Lunchbox. Well, 1254 01:06:17,160 --> 01:06:19,760 Speaker 1: there's a guy in Toronto and he's stuck in traffic 1255 01:06:19,800 --> 01:06:22,120 Speaker 1: and something happens where he has to call nine one one. 1256 01:06:22,200 --> 01:06:24,600 Speaker 1: So he calls nine one one, nine one one. This 1257 01:06:24,680 --> 01:06:27,160 Speaker 1: is the operator hopping to help you. I'm stuck in 1258 01:06:27,200 --> 01:06:29,760 Speaker 1: traffic and I gotta go pee. I don't know what 1259 01:06:29,800 --> 01:06:31,280 Speaker 1: to do. And there's an audio clip of the nine 1260 01:06:31,320 --> 01:06:33,640 Speaker 1: on one car here actually, and I think that I 1261 01:06:33,720 --> 01:06:36,080 Speaker 1: have to pee and these guys are not moving. You 1262 01:06:36,160 --> 01:06:39,160 Speaker 1: have to pee, Yeah, this is your emergency that you 1263 01:06:39,200 --> 01:06:41,960 Speaker 1: have to be Yeah, yeah, or the police from Helpy urinate. 1264 01:06:42,760 --> 01:06:46,720 Speaker 1: I man, but I'm not sure I can't help you 1265 01:06:46,720 --> 01:06:49,720 Speaker 1: with that. The police could actually move woo, move cars, 1266 01:06:49,720 --> 01:06:51,960 Speaker 1: that's right, give him an escort to a bathroom. You 1267 01:06:52,000 --> 01:06:55,240 Speaker 1: never want to like justify a bonehead call, but you 1268 01:06:55,320 --> 01:06:57,680 Speaker 1: kind of feel for the guy, right. There are many 1269 01:06:57,680 --> 01:07:01,360 Speaker 1: ways you can pee, Okay, you can open the door, 1270 01:07:01,400 --> 01:07:03,400 Speaker 1: you can as a guy, you're a guy, yeah, yeah, 1271 01:07:03,720 --> 01:07:06,320 Speaker 1: and he's a guy. Yeah, Okay, Sorry, did you hear 1272 01:07:06,360 --> 01:07:08,400 Speaker 1: a woman here? No, but I'm sorry that my brain 1273 01:07:08,520 --> 01:07:10,880 Speaker 1: is thinking about it from a woman's perspective. As a guy, 1274 01:07:10,920 --> 01:07:12,160 Speaker 1: this guy, you can do a couple of things and 1275 01:07:12,240 --> 01:07:15,800 Speaker 1: you bottle your cannon there. Oh boy, opened the door. Oh, 1276 01:07:15,960 --> 01:07:19,440 Speaker 1: sitting in traffic, you can just crack the door, lean over. Yeah. 1277 01:07:19,560 --> 01:07:21,240 Speaker 1: There are things you can do other than call nine 1278 01:07:21,280 --> 01:07:22,920 Speaker 1: one one. Yeah. Or you know, you can go in 1279 01:07:22,920 --> 01:07:25,680 Speaker 1: your pants before you call nine one. That's true, okay, 1280 01:07:25,720 --> 01:07:27,760 Speaker 1: and then what you can or you can take your 1281 01:07:27,760 --> 01:07:30,280 Speaker 1: pants off, pndo your underwear and throw your underwear in 1282 01:07:30,320 --> 01:07:33,400 Speaker 1: the bag. What sounds like you've done this? A lot 1283 01:07:33,400 --> 01:07:38,200 Speaker 1: of interesting, a lot of ways get by with this. Well, anyway, 1284 01:07:38,200 --> 01:07:41,040 Speaker 1: he's still vone. H Okay, that's Eddie. That's your bonette 1285 01:07:41,040 --> 01:07:44,160 Speaker 1: story of the day. Let's go back to two thousand 1286 01:07:44,160 --> 01:07:49,480 Speaker 1: and four and a little bit of flashback Friday. Flashback Friday. 1287 01:07:50,560 --> 01:07:52,800 Speaker 1: The biggest country song on this day is SuDS in 1288 01:07:52,800 --> 01:08:06,520 Speaker 1: the Bucket from Sarah Evans. The biggest pop song is 1289 01:08:06,640 --> 01:08:14,320 Speaker 1: Goodies from Sierra and Pete Pablo, And the biggest news 1290 01:08:14,360 --> 01:08:16,880 Speaker 1: story is Martha Stewart officially began serving her five months 1291 01:08:16,920 --> 01:08:20,120 Speaker 1: sentence at what they call Camp Cupcake in West Virginia. 1292 01:08:20,280 --> 01:08:23,920 Speaker 1: As Inmate fifty five one seventy five four, she was 1293 01:08:23,960 --> 01:08:27,760 Speaker 1: convicted of felony charges related to some stock trading. Five 1294 01:08:27,800 --> 01:08:30,400 Speaker 1: months in federal prison. Was released March of two thousand 1295 01:08:30,439 --> 01:08:34,000 Speaker 1: and five. I was reading some excerpts from Katie Kurik's 1296 01:08:34,000 --> 01:08:37,400 Speaker 1: book that is coming out either this week or really soon, 1297 01:08:37,920 --> 01:08:40,000 Speaker 1: and she was like, Yeah, Martha Stewart needed to be humbled. 1298 01:08:40,040 --> 01:08:41,640 Speaker 1: She was, she was out of control. That jail was 1299 01:08:41,680 --> 01:08:43,120 Speaker 1: good for her. I can't wait to read that book. 1300 01:08:43,200 --> 01:08:45,439 Speaker 1: Are you gonna read it? Yeah? Yeah, it looks like 1301 01:08:45,479 --> 01:08:48,120 Speaker 1: it's a it's it's pretty juicy from all the stuff 1302 01:08:48,120 --> 01:08:50,080 Speaker 1: they're saying about it. Page. That's what's up. You guys. 1303 01:08:50,080 --> 01:08:52,400 Speaker 1: Have a great weekend. We will see you Monday. We're 1304 01:08:52,439 --> 01:08:56,800 Speaker 1: playing Auburn this weekend. So I'm just now getting I'm 1305 01:08:56,880 --> 01:08:58,479 Speaker 1: just now starting to be able to talk about the 1306 01:08:58,479 --> 01:09:00,920 Speaker 1: old miss game from last week. It's hurt me all week. Okay, 1307 01:09:01,080 --> 01:09:04,439 Speaker 1: it's like a wound that's just slowly healing, and it's 1308 01:09:04,439 --> 01:09:06,160 Speaker 1: still not healed. But I can finally not wear the 1309 01:09:06,160 --> 01:09:09,599 Speaker 1: band aid if we lose to Auburn. Oh so you're 1310 01:09:09,640 --> 01:09:13,839 Speaker 1: supposed to win. It's a it's going to be close. Okay, yeah, 1311 01:09:14,520 --> 01:09:16,800 Speaker 1: all right, I have questions about we'll miss but all wait, 1312 01:09:17,200 --> 01:09:20,200 Speaker 1: go ahead. Were you supposed to win that? No? Okay, 1313 01:09:20,240 --> 01:09:22,479 Speaker 1: we we were seven point underdog six and FF one 1314 01:09:22,560 --> 01:09:26,680 Speaker 1: hundred dogs, but we had no we got close. We 1315 01:09:26,720 --> 01:09:28,120 Speaker 1: won't talk about it because I don't want the end 1316 01:09:28,120 --> 01:09:29,680 Speaker 1: of the game. We had a two point conversion to 1317 01:09:29,680 --> 01:09:32,519 Speaker 1: win the game. We didn't hit it. I slammed the wall. 1318 01:09:32,560 --> 01:09:33,680 Speaker 1: K was like, I don't even know who you are 1319 01:09:33,720 --> 01:09:35,920 Speaker 1: right now. I was like, I don't either to kick 1320 01:09:35,960 --> 01:09:39,000 Speaker 1: out every window in the house. You were seeing red, right, rage, 1321 01:09:39,120 --> 01:09:42,679 Speaker 1: rage red. I've ever seen ray dread. Okay, please Arkansas 1322 01:09:42,760 --> 01:09:44,760 Speaker 1: win this one. Oh my goodness, please. I don't I 1323 01:09:45,000 --> 01:09:48,439 Speaker 1: don't like Auburn, So go dogs. Yeah Auburn. I mean 1324 01:09:48,439 --> 01:09:50,600 Speaker 1: I don't. Nobody likes you now, Okay, if we're not 1325 01:09:50,600 --> 01:09:52,240 Speaker 1: playing you, I don't care. Yeah, that's it. You guys, 1326 01:09:52,240 --> 01:09:54,360 Speaker 1: have a good weekend. We'll see you Monday. Everybody just 1327 01:09:54,680 --> 01:09:54,720 Speaker 1: mo