WEBVTT - Goldie

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<v Speaker 1>Yeah. With me and my partner, we laughed so hard.

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<v Speaker 1>I mean, I think I paid myself this morning with laughter.

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<v Speaker 1>It's a little bit, it's a little bit game out

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<v Speaker 1>and I'm like, you know, we're laughing, believe or not.

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<v Speaker 1>Of the ceramic tiles. I mean, it was all to

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<v Speaker 1>do with what do you want for Christmas? And you know,

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<v Speaker 1>do you know do we have an Ella verse for

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<v Speaker 1>twelve years? And she doesn't want diamonds, You doesn't want cars.

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<v Speaker 1>She just wants sereric titles. I'm like, this is brilliant

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<v Speaker 1>because it was. I couldn't wish for anything better. Hello,

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<v Speaker 1>I'm Mini Driver. Welcome to The Many Questions Season two.

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<v Speaker 1>I've always loved Christ's Questionnaire. It was originally an nineteenth

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<v Speaker 1>century parlor game where players would ask each other thirty

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<v Speaker 1>five questions aimed at revealing the other player's true nature.

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<v Speaker 1>It's just the scientific method really. In asking different people

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<v Speaker 1>the same set of questions, you can make observations about

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<v Speaker 1>which truths appeared to me universe. I love this discipline

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<v Speaker 1>and it made me wonder, what if these questions were

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<v Speaker 1>just the jumping off point, what greater depths would be

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<v Speaker 1>revealed if I ask these questions as conversation starters with

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<v Speaker 1>thought leaders and trailblazers across all these different disciplines. So

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<v Speaker 1>I adapted prus questionnaire and I wrote my own seven

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<v Speaker 1>questions that I personally think a pertinent to a person's story.

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<v Speaker 1>They are when and where were you happiest? What is

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<v Speaker 1>the quality you like least about yourself? What relationship, real

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<v Speaker 1>or fictionalized, defines love for you? What question would you

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<v Speaker 1>most like answered, What person, place, or experience has shaped

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<v Speaker 1>you the most? What would be your last meal? And

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<v Speaker 1>can you tell me something in your life that's grown

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<v Speaker 1>out of a personal disaster? And I've gathered a group

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<v Speaker 1>of really remarkable people, ones that I am honored and

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<v Speaker 1>humbled to have had the chance to engage with. You

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<v Speaker 1>may not hear their answers to all seven of these questions.

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<v Speaker 1>We've whittled it down to which questions felt closest to

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<v Speaker 1>their experience or the most surprising, or created the most

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<v Speaker 1>fertile ground to connect My guest today on many questions?

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<v Speaker 1>Is the artist Goldie? To me? Goldie was the face

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<v Speaker 1>and sound of drummer, bass and jungle in the UK

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<v Speaker 1>in the early nineties. He captured this electric vibe and

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<v Speaker 1>blasted it from the Midlands in England to London and

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<v Speaker 1>onto New York. He started out as a street artist

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<v Speaker 1>and art is where he has returned to. Now, you're

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<v Speaker 1>such a considered bloke. If you can tell me where

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<v Speaker 1>and when were you happiest, If you're talking past tense,

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<v Speaker 1>the happiest times, I always been making musical painting. It's

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<v Speaker 1>not past tense. It's really now in the present. Really,

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<v Speaker 1>I have a fascination with time. That the reason on

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<v Speaker 1>every day I wake up and think I'm here and

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<v Speaker 1>I'm very, very lucky. And I walk up to the

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<v Speaker 1>mountain our high copples like a ten came hard going

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<v Speaker 1>up and down. And I do that like three or

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<v Speaker 1>four times a week. I am in an end of smiles. Indeed, yes,

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<v Speaker 1>you know for me being up in the jungle and

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<v Speaker 1>into the lake and a lot of the times, I

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<v Speaker 1>do a lot of a lot of it on my own.

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<v Speaker 1>But just being in that environment and seeing life in

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<v Speaker 1>death in front of you, right in front of you,

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<v Speaker 1>is a really beautiful reminder of how how insignificant we are.

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<v Speaker 1>And I got there and scream and crying and laugh,

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<v Speaker 1>and I find that being the happiest there's an urgency

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<v Speaker 1>as well. There's always been that thing where I feel like,

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<v Speaker 1>even though I came here to retire, I actually did

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<v Speaker 1>the reverse and found myself in a whole of the

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<v Speaker 1>way and finding what happiness really means. Because having all

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<v Speaker 1>of the cars and ferraris and all of this stuff,

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<v Speaker 1>it just never made me happy. It really didn't. And

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<v Speaker 1>I felt that I was very destructive, and I felt

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<v Speaker 1>that all the things that you think are going to

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<v Speaker 1>make you happy actually don't and helps the wealth. And

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<v Speaker 1>it's weird that's changed. I know so little now and

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<v Speaker 1>that makes me more at peace with myself. And we

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<v Speaker 1>said that time doesn't exist. Do you mean that it

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<v Speaker 1>really is just a human mental construct that we've created

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<v Speaker 1>to sort of give life? Meaning what do you mean

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<v Speaker 1>by that? You know, when you study or you look

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<v Speaker 1>at deja vous or the sense of being somewhere, it

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<v Speaker 1>happens to me a lot places, and whether it's in

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<v Speaker 1>the jungle or just the moment. I do think that

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<v Speaker 1>we you know, this is mental construct, but I also

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<v Speaker 1>feel that it's also preordained. I feel that whatever souls

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<v Speaker 1>have passed through, this is the one that I remember,

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<v Speaker 1>and this is the one that has accounts. And it

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<v Speaker 1>doesn't mean I go to that and hug trees all

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<v Speaker 1>day long. You know, I can eff and blind like

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<v Speaker 1>most when he stubs his toe. Oh, I mean I

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<v Speaker 1>sometimes hug trees well swearing. So I mean I think

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<v Speaker 1>I don't feel like they're mutually exclusive. I just think

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<v Speaker 1>that the idea that there is an old time of

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<v Speaker 1>a fascination with it is that it's all happening at

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<v Speaker 1>the same moment. Everything is concurrent, Everything is concurrent. The

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<v Speaker 1>most poignant thing for me is the power of manifestation.

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<v Speaker 1>We're just this electric energy and we have this electorcy

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<v Speaker 1>that we can actually lie to light bulb. It's just

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<v Speaker 1>the shifting energy thinking well, okay, then if I can

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<v Speaker 1>create this positive energy, then there will be something because

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<v Speaker 1>it's the energy is just moving into some of the place.

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<v Speaker 1>Whether it's conscious or not, it's different. And there are

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<v Speaker 1>lots of question do I want to be part of

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<v Speaker 1>the big one, the singular? Well do you have a choice?

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<v Speaker 1>Like do you have a choice? Individual? You don't? We

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<v Speaker 1>want to be an individual. That's that's ego, that's just

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<v Speaker 1>the ego. Yeah, But I sometimes think maybe bits of

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<v Speaker 1>my body think that they have autonomy my lungs are

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<v Speaker 1>just like, yeah, I won't do anyone. I just cruising.

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<v Speaker 1>I just got me alveol cooking. Everything's cool. I'm just

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<v Speaker 1>bringing in the oxygen, you know what I mean. Like

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<v Speaker 1>we attached all these mental ideas about belonging. Like Addison,

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<v Speaker 1>my boyfriend, who is a mutual friend of well, he's

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<v Speaker 1>a mutual friend of Goldiar me. He's my love. He

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<v Speaker 1>is always talking about tribes and how this sense of

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<v Speaker 1>belonging is so fundamental to our human experience, that we

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<v Speaker 1>find our tribes in tiny pocket in large pockets, and

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<v Speaker 1>that it is the sort of atavistic past time that

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<v Speaker 1>humans will always come back to. So we say we

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<v Speaker 1>want to be individual, which maybe we do. We are

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<v Speaker 1>born alone, we die alone, and yet in the in

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<v Speaker 1>between we always want to be part of something. Well.

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<v Speaker 1>I think the tribalism is especially concurrent with the idea

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<v Speaker 1>of culture, tribalism moving into the metropolis of New York

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<v Speaker 1>and rising from the ashes. You know that culture is amazing.

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<v Speaker 1>We think of what on the shoulders of giants with

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<v Speaker 1>New York and coming out of the depravity of New York,

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<v Speaker 1>what you personally, all of my friends, the guys that

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<v Speaker 1>I chased that the people that I chased that dream

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<v Speaker 1>and went to New York and found the Bronx on fire,

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<v Speaker 1>thinking this isn't the American dream and is this is

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<v Speaker 1>different than what it said on the tin and what

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<v Speaker 1>it was going to be. And it was important to

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<v Speaker 1>my growing because again it was straight into a tribe

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<v Speaker 1>that where I could belong to crew. But I felt,

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<v Speaker 1>you know, the whole idea of tribalism in New York

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<v Speaker 1>with the crews, you know, actually did positive stuff when

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<v Speaker 1>he kind of changed from the negative gangs into positive

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<v Speaker 1>dances and painters and hip hop cult. She came along

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<v Speaker 1>and it changed everything, and even even that became gentrified

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<v Speaker 1>in lots of other ways, like everything does, but without

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<v Speaker 1>going too far off piece. I think the idea of

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<v Speaker 1>being happy in finding one's place, it really is about

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<v Speaker 1>letting go exactly. Can you tell me something that has

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<v Speaker 1>grown out of a personal disaster. I would never have

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<v Speaker 1>met my wife unless I severed my left femur water

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<v Speaker 1>ski jump the TV show. It was the last session

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<v Speaker 1>of the day. I've nailed the all day three jumps,

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<v Speaker 1>last one showing off sock off, landing the water to

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<v Speaker 1>wait soil. It's turned the leg snapped the femur, and

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<v Speaker 1>it was like, this was the end of me. This

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<v Speaker 1>is like your legs flowing in the water that way.

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<v Speaker 1>You think this is the end of it. And I

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<v Speaker 1>was in hospital for like four months and the guy

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<v Speaker 1>next to me had his leg amputated. They were going

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<v Speaker 1>to cut it off. When you've gone through everything and

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<v Speaker 1>you've got a divorce and you've gone through you know,

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<v Speaker 1>the ego and the drugs and a rock and roll

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<v Speaker 1>and you you have nothing. I kind of met when

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<v Speaker 1>we my leg was broken. I was in pieces. I

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<v Speaker 1>was never gonna walk again properly. I was done. I

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<v Speaker 1>was at the bottom of it all. And I think

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<v Speaker 1>it was great meeting then, because I healed in a

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<v Speaker 1>really good way. That's amazing. I went to Shanghai on

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<v Speaker 1>a pair of crutches, you know, just before I started

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<v Speaker 1>in this whole yoga thing. And wait, why did you

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<v Speaker 1>go to Shanghai? I went to DJ and Shanghai a

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<v Speaker 1>place called bon Bone, and it was a gig that

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<v Speaker 1>was canceled and it got reslotted and I went there

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<v Speaker 1>and I still had crutches, and I was limping into

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<v Speaker 1>this dinner at the New Heights in Hong Kong. I

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<v Speaker 1>was sitting at dinner and my friend was on the

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<v Speaker 1>phone and he said, he said, look, I'm not gonna

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<v Speaker 1>make it for the dinner. And we've got like twenty

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<v Speaker 1>people at this dinner table come to host me, And

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<v Speaker 1>what do you mean you're not coming? And all of

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<v Speaker 1>a sudden, I just saw this woman walking hang On,

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<v Speaker 1>Dave hang On, and she was standing there and all

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<v Speaker 1>of a sudden, it pops his head around the court.

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<v Speaker 1>He was with her, and that was it. And we

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<v Speaker 1>never looked back. We even went to Beijing and I

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<v Speaker 1>wrote on the wall and never forget it. In the

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<v Speaker 1>back of a changing room after I've done a gig,

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<v Speaker 1>I wrote Sakoko on the war in ga fee Laires,

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<v Speaker 1>and that's going to be the name of our daughter. Yeah,

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<v Speaker 1>we actually dated. I'd seen her in Shanghai and then

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<v Speaker 1>went on this little tour stay in Japan. It was

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<v Speaker 1>the stranger said, I've got to say this because it's

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<v Speaker 1>really important. We were staying in Japan. I'd arranged when

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<v Speaker 1>I first met her in Hong Kong to let's meet

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<v Speaker 1>up somewhere. Let's meet up in Japan. And we had

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<v Speaker 1>this big suite and we sat and watched a wonderful

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<v Speaker 1>film called Ashes to Snow by James Coburn, is a

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<v Speaker 1>prolific photographer filmmaker. And we sat holding hands on this

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<v Speaker 1>bed and we cried and never made out. And we

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<v Speaker 1>spent a year writing lets before we even got together,

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<v Speaker 1>a whole year, and those those letters turned into love

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<v Speaker 1>Box One, Love Box to love Box Free, which we

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<v Speaker 1>have in this house for my daughter when she grows up,

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<v Speaker 1>she will have all of these letters. There are hundreds

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<v Speaker 1>of them. I mean, like I was in England and

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<v Speaker 1>I was writing a letter a day. At one point

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<v Speaker 1>it was insane. After all of the disasters I'd had.

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<v Speaker 1>This wonderful love came is wonderful love letters. But I've

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<v Speaker 1>constantly had a real support of my wife and friends

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<v Speaker 1>to be able to have this time to write stuff

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<v Speaker 1>and and really explore these different things, you know, unlike

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<v Speaker 1>a lot of my friends that can read really well,

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<v Speaker 1>and I can't. But I can write, but I can't

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<v Speaker 1>read that well. But I love the idea of legacy,

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<v Speaker 1>and I love the idea of my different children understanding

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<v Speaker 1>different things. And I write them letters sometimes so that

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<v Speaker 1>when I do pass on that they can read them

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<v Speaker 1>and they can understand it from the horse's mouth. Yeah,

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<v Speaker 1>what are we going to really leave? That's important for

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<v Speaker 1>me is legacy is important? To legacy is important so

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<v Speaker 1>that you know, the kids have paintings and they have

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<v Speaker 1>books and writings, and they have my words and not

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<v Speaker 1>the idea where you know, I saw the art world

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<v Speaker 1>and lots of people that died penniless. And also some

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<v Speaker 1>critics decize that they think they understand what the painting

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<v Speaker 1>means and the part of the artist is long gone.

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<v Speaker 1>But in the digital age and where we are now,

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<v Speaker 1>everything is kind of recorded. We have the ability to

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<v Speaker 1>pick up a phone record our thoughts and feelings. You know,

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<v Speaker 1>some people write books and do different things. There's not

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<v Speaker 1>a day that goes by. I don't think of death

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<v Speaker 1>in a good way of what you know, it's death

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<v Speaker 1>coming and it's there. And what do I want to

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<v Speaker 1>leave behind? A phone, some pictures and means my legacy

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<v Speaker 1>is my phone with twenty four thousand photographs and nineteen

0:11:23.440 --> 0:11:32.800
<v Speaker 1>thousand videos. What question would you most like answered? I

0:11:32.840 --> 0:11:34.640
<v Speaker 1>saw that earlier on and I thought this is gonna

0:11:34.679 --> 0:11:38.400
<v Speaker 1>be very tricky. I think for me, the government that

0:11:38.520 --> 0:11:42.640
<v Speaker 1>are in power, why are they determined to kill the

0:11:42.760 --> 0:11:45.760
<v Speaker 1>arts if you could honestly answer it, because there seems

0:11:45.760 --> 0:11:47.520
<v Speaker 1>to be an agenda with it. It doesn't make any

0:11:47.559 --> 0:11:51.040
<v Speaker 1>sense to me at all. Everything the human race has

0:11:51.120 --> 0:11:55.160
<v Speaker 1>ever experienced, we've come out of it through art music.

0:11:55.720 --> 0:11:58.839
<v Speaker 1>So why do they in schools make it like art

0:11:59.120 --> 0:12:03.000
<v Speaker 1>and music are some kind of dessert that you don't

0:12:03.120 --> 0:12:07.360
<v Speaker 1>need and that it's this extra curricular concept. Yeah, within

0:12:07.400 --> 0:12:09.880
<v Speaker 1>the school frame, yeah, but it's more to do with

0:12:10.280 --> 0:12:14.280
<v Speaker 1>funding and why won't you invest in your child? Well,

0:12:14.320 --> 0:12:17.760
<v Speaker 1>you're not children before it's growing up. What was their playlists,

0:12:17.760 --> 0:12:20.200
<v Speaker 1>what was their album collections were? What ardly they're like

0:12:20.200 --> 0:12:21.679
<v Speaker 1>when they were young. It just seems like all of

0:12:21.720 --> 0:12:25.040
<v Speaker 1>that generation of government, I just don't understand their agenda

0:12:25.120 --> 0:12:27.200
<v Speaker 1>with it. And that question i'd like to be answered,

0:12:27.240 --> 0:12:29.400
<v Speaker 1>Why don't you fund the arts in the way that

0:12:29.440 --> 0:12:32.320
<v Speaker 1>it should be got such a great I want to

0:12:32.360 --> 0:12:35.040
<v Speaker 1>know that too. I feel fascinated with that because I

0:12:35.080 --> 0:12:37.240
<v Speaker 1>find that it's really weird because there was a big

0:12:37.280 --> 0:12:39.480
<v Speaker 1>debate about the m b E and it was this

0:12:39.559 --> 0:12:42.240
<v Speaker 1>whole thing about you know, they gave me this Bluepeeter

0:12:42.320 --> 0:12:44.520
<v Speaker 1>badge and said you're great, and we've got to explain

0:12:44.559 --> 0:12:47.559
<v Speaker 1>to America an MBAT. When m B is a member

0:12:47.600 --> 0:12:50.960
<v Speaker 1>of the British Empire, the Queen gives you this medal.

0:12:51.320 --> 0:12:56.000
<v Speaker 1>It's for services to music and arts. I always felt like, great, fantastic,

0:12:56.040 --> 0:12:57.960
<v Speaker 1>My mom would have loved it, and it's great, thank you.

0:12:58.080 --> 0:13:00.400
<v Speaker 1>It sits on the shelf upstairs. It's a thing, and

0:13:00.400 --> 0:13:02.360
<v Speaker 1>it's great, thank you very much. But the thing what

0:13:02.440 --> 0:13:05.160
<v Speaker 1>gets me is that they were closing clubs at the time.

0:13:05.240 --> 0:13:08.559
<v Speaker 1>Fabrica was got closed down, and there was this big

0:13:08.600 --> 0:13:13.960
<v Speaker 1>debate about people giving us these accolades, but yet they

0:13:14.080 --> 0:13:16.400
<v Speaker 1>take away the school that my son went to, and

0:13:16.440 --> 0:13:18.360
<v Speaker 1>he could have got a school on the estate that

0:13:18.400 --> 0:13:21.280
<v Speaker 1>he lived, and then he ended up doing twenty five

0:13:21.320 --> 0:13:23.439
<v Speaker 1>years in prison along with a lot of other kids

0:13:23.559 --> 0:13:26.320
<v Speaker 1>because they had no community, because the heart was sorn

0:13:26.320 --> 0:13:29.120
<v Speaker 1>out of it. And I'm thinking to myself that part

0:13:29.120 --> 0:13:31.560
<v Speaker 1>of the reason for living in another place was it

0:13:31.640 --> 0:13:34.320
<v Speaker 1>felt really odd that can't you see the wood for

0:13:34.320 --> 0:13:36.880
<v Speaker 1>the trees, that we were not investing in the youth

0:13:37.160 --> 0:13:38.920
<v Speaker 1>in the way that we should be doing. And that

0:13:39.000 --> 0:13:41.480
<v Speaker 1>really saddens me a lot. It does. It saddens me

0:13:41.480 --> 0:13:45.400
<v Speaker 1>a lot, and I like watching her grow. Cocle Sacoco

0:13:45.559 --> 0:13:48.800
<v Speaker 1>is an amazing creature. And they have Chance who's twenty three.

0:13:48.800 --> 0:13:51.120
<v Speaker 1>And I'm going to be a grandfather in February, which

0:13:51.160 --> 0:13:54.200
<v Speaker 1>I'm really looking forward to. I'm like granddad at last.

0:13:54.400 --> 0:13:58.040
<v Speaker 1>I speak to my son a lot, who's his Majesty's

0:13:58.080 --> 0:14:02.360
<v Speaker 1>hotel for another fifth deen years? He has fifteen more

0:14:02.440 --> 0:14:04.760
<v Speaker 1>years to go. There was a twenty five year sentence

0:14:04.800 --> 0:14:06.480
<v Speaker 1>that he received and he did that. He's doing the

0:14:06.520 --> 0:14:08.760
<v Speaker 1>whole thing and it was the beginning of the downfall

0:14:08.840 --> 0:14:11.120
<v Speaker 1>of the estate. And the estate in England is the

0:14:11.240 --> 0:14:15.800
<v Speaker 1>projects is, you know, government funded housing, which rarely has

0:14:16.000 --> 0:14:18.600
<v Speaker 1>a community that hasn't been created by the community itself.

0:14:18.640 --> 0:14:21.640
<v Speaker 1>It's like the governments don't really seem to support the

0:14:21.680 --> 0:14:24.360
<v Speaker 1>building in places for people to hang out and be

0:14:24.440 --> 0:14:28.120
<v Speaker 1>part of their own community within these huge housing environments.

0:14:28.640 --> 0:14:30.400
<v Speaker 1>I thought I'd learned a lot from New York and

0:14:30.440 --> 0:14:32.920
<v Speaker 1>the Bronx and being in Garrison Avenue and all those

0:14:32.960 --> 0:14:35.720
<v Speaker 1>boys in the Chad's Crew whim affiliated with. And I

0:14:35.800 --> 0:14:38.120
<v Speaker 1>was there at eighteen and I saw it really young

0:14:38.400 --> 0:14:41.920
<v Speaker 1>of how that place was, like wow, it was still

0:14:42.000 --> 0:14:44.320
<v Speaker 1>leveled in areas and it was just like they hadn't

0:14:44.320 --> 0:14:47.240
<v Speaker 1>even rebuilt the Bronx and seeing how the community aspect

0:14:47.320 --> 0:14:50.360
<v Speaker 1>of fell apart there, but they got together theirselves to

0:14:50.440 --> 0:14:52.520
<v Speaker 1>do a lot of stuff Logan. It was the same

0:14:52.560 --> 0:14:54.600
<v Speaker 1>in Harlem. It was the same, you know, of people

0:14:54.720 --> 0:14:58.080
<v Speaker 1>coming back together and building their communities themselves, not ever

0:14:58.280 --> 0:15:01.280
<v Speaker 1>relying on the government or in England the councils. And

0:15:01.280 --> 0:15:03.280
<v Speaker 1>I think that's where we're going, that's where we're heading. Well,

0:15:03.320 --> 0:15:05.960
<v Speaker 1>that's where England's heading in that respect because we have

0:15:06.000 --> 0:15:08.360
<v Speaker 1>to look after our own and have that community aspect.

0:15:08.600 --> 0:15:11.560
<v Speaker 1>Do you find that the things that you're teaching your

0:15:11.640 --> 0:15:15.760
<v Speaker 1>children now are very much because of things that weren't

0:15:15.800 --> 0:15:18.800
<v Speaker 1>taught to you when you were younger? Very interesting? Yes,

0:15:19.080 --> 0:15:21.800
<v Speaker 1>I found with a lot of early therapy that I

0:15:21.840 --> 0:15:24.000
<v Speaker 1>was doing and especially like the work of gabbled Matti

0:15:24.080 --> 0:15:27.320
<v Speaker 1>and trauma is very amazing. It's to deal with trauma

0:15:27.560 --> 0:15:30.520
<v Speaker 1>in my experience have been separated and growing and moving

0:15:30.560 --> 0:15:35.200
<v Speaker 1>on and breakdowns and everything else, and seeing again in

0:15:35.240 --> 0:15:38.080
<v Speaker 1>a third party, seeing like a pad lock upstairs from

0:15:38.120 --> 0:15:40.480
<v Speaker 1>Cambodia with a key that set on the shelf, with

0:15:40.560 --> 0:15:43.400
<v Speaker 1>beautiful pieces of sculpture and things that I never saw

0:15:43.520 --> 0:15:45.760
<v Speaker 1>in a home when I was a kid, knowing that

0:15:45.840 --> 0:15:48.880
<v Speaker 1>she's growing up in this space and she's seeing these things,

0:15:48.920 --> 0:15:51.520
<v Speaker 1>and I'm seeing it through her eyes almost, and I'm

0:15:51.520 --> 0:15:53.560
<v Speaker 1>setting it up so I'm seeing you through her eyes.

0:15:53.680 --> 0:15:55.600
<v Speaker 1>And I think that's what for me, what the Hoffman

0:15:55.680 --> 0:15:58.600
<v Speaker 1>process was about. The Hoffman's a very beautiful process for

0:15:58.680 --> 0:16:01.160
<v Speaker 1>me because it kind of me to get back to

0:16:01.240 --> 0:16:03.800
<v Speaker 1>being that child and instead of suffocating my own in

0:16:03.840 --> 0:16:07.160
<v Speaker 1>a child, understanding what that's like. You can't just say, well,

0:16:07.160 --> 0:16:09.560
<v Speaker 1>it's different one week. We're growing up for her worlds

0:16:09.840 --> 0:16:11.840
<v Speaker 1>that's so well that she doesn't know any difference. So

0:16:12.120 --> 0:16:14.160
<v Speaker 1>learning her all the right tools and giving her the

0:16:14.240 --> 0:16:17.000
<v Speaker 1>right stuff and when she gets emotion and seeing her

0:16:17.040 --> 0:16:19.560
<v Speaker 1>grow all of these wonderful things. And with some of

0:16:19.600 --> 0:16:22.960
<v Speaker 1>my first kids, I never experienced that, and having conversations

0:16:23.000 --> 0:16:26.120
<v Speaker 1>with my older kids about me not being there and

0:16:26.160 --> 0:16:28.600
<v Speaker 1>having an adult conversation. You know, my son did the

0:16:28.640 --> 0:16:31.160
<v Speaker 1>Hoffman which was amazing, and he's a lovely boy, Danny,

0:16:31.360 --> 0:16:34.000
<v Speaker 1>and seeing what he went through, and it's really beautiful

0:16:34.160 --> 0:16:37.120
<v Speaker 1>to to kind of pay back in a lot of ways.

0:16:37.280 --> 0:16:39.280
<v Speaker 1>To Halfman is a kind of is it a cognitive

0:16:39.280 --> 0:16:43.320
<v Speaker 1>behavioral therapy situation? The Halfman process is it's like a

0:16:43.440 --> 0:16:45.320
<v Speaker 1>quad of you know, it's the west and the east

0:16:45.360 --> 0:16:47.800
<v Speaker 1>where west meats east, and it's to deal with going

0:16:47.920 --> 0:16:51.480
<v Speaker 1>back into your timeline and looking at where the trauma

0:16:51.520 --> 0:16:55.120
<v Speaker 1>comes from. And my issues were abandonment and be misunderstood.

0:16:55.160 --> 0:16:59.840
<v Speaker 1>I chose drama, bass music and graffiti. You know, you

0:17:00.040 --> 0:17:03.560
<v Speaker 1>repeat these things that you gravitate towards. The work with

0:17:03.600 --> 0:17:05.760
<v Speaker 1>Serena Gordon and those guys at the Hoffman has been

0:17:05.800 --> 0:17:09.200
<v Speaker 1>amazing because you know, everyone goes to therapy and unpacks

0:17:09.240 --> 0:17:11.080
<v Speaker 1>the box, but no one wants to know how the

0:17:11.119 --> 0:17:14.200
<v Speaker 1>box are designed, how was the box manufacturer that fits

0:17:14.200 --> 0:17:16.919
<v Speaker 1>the stuff inside it? And I love that aspect of

0:17:16.960 --> 0:17:19.680
<v Speaker 1>it because when you start to unpack it and you

0:17:19.760 --> 0:17:22.000
<v Speaker 1>realize that we are like our mothers and fathers, whether

0:17:22.000 --> 0:17:23.720
<v Speaker 1>we like it or not, and you start you know,

0:17:23.760 --> 0:17:25.919
<v Speaker 1>we we've we fight to get away from that, but

0:17:26.000 --> 0:17:28.760
<v Speaker 1>yet we're very much the same, and what changes is

0:17:28.800 --> 0:17:31.800
<v Speaker 1>our characteristics of what we decide to put it into

0:17:31.800 --> 0:17:33.919
<v Speaker 1>our lives. From an energetic point of view, so I

0:17:33.920 --> 0:17:35.760
<v Speaker 1>found that was a really good process. I found it

0:17:35.800 --> 0:17:38.080
<v Speaker 1>was a beautiful process. And I think it's the same

0:17:38.119 --> 0:17:41.040
<v Speaker 1>thing with the record label. You know, my labels twenty

0:17:41.080 --> 0:17:43.000
<v Speaker 1>six years old, you were kind of like the mold

0:17:43.040 --> 0:17:45.680
<v Speaker 1>town of DNB with this integral music. You know, I've

0:17:45.680 --> 0:17:49.400
<v Speaker 1>got kids at the age of three making exceptional albums

0:17:49.680 --> 0:17:52.400
<v Speaker 1>continuing to do so. And I love that because it's

0:17:52.440 --> 0:17:56.119
<v Speaker 1>something that I've always served because you have to create

0:17:56.119 --> 0:17:58.240
<v Speaker 1>this platform, and you know, these kids have following me,

0:17:58.320 --> 0:18:00.600
<v Speaker 1>they do this stuff, and they're making some amazing, easy music.

0:18:00.840 --> 0:18:03.160
<v Speaker 1>And I find that probably the most rewarding of all

0:18:03.280 --> 0:18:05.800
<v Speaker 1>because you knows a kid called Spencer, he was twenty

0:18:05.800 --> 0:18:07.480
<v Speaker 1>two at the time and he just then his first

0:18:07.520 --> 0:18:09.639
<v Speaker 1>remix for me and he was playing after Me and

0:18:09.800 --> 0:18:12.800
<v Speaker 1>Egg in King's Cross and he came on after me

0:18:12.840 --> 0:18:15.320
<v Speaker 1>after playing it out and I murdered it and he

0:18:15.440 --> 0:18:19.040
<v Speaker 1>came on and he absolutely just destroyed the club in

0:18:19.040 --> 0:18:21.760
<v Speaker 1>a good way. And seeing this kid taking the reins

0:18:21.960 --> 0:18:23.760
<v Speaker 1>and these kids like who is this guy? And is

0:18:23.840 --> 0:18:26.600
<v Speaker 1>this protege? And there are a few of these protejays

0:18:26.680 --> 0:18:28.800
<v Speaker 1>have come along with the music, and so many of

0:18:28.840 --> 0:18:32.200
<v Speaker 1>the artists on the label are phenomenal, you know, Phase

0:18:32.280 --> 0:18:33.520
<v Speaker 1>and all these are the kids. I could go on

0:18:33.560 --> 0:18:35.240
<v Speaker 1>with a list of the artists that we have, but

0:18:35.320 --> 0:18:37.919
<v Speaker 1>I found that the most rewarding over the years, because

0:18:38.080 --> 0:18:40.439
<v Speaker 1>when you're not the guy you know, you kind of

0:18:40.440 --> 0:18:42.640
<v Speaker 1>fall away. You do something else, and that's something else.

0:18:42.680 --> 0:18:50.280
<v Speaker 1>He's providing a platform for others. All right, So this

0:18:50.359 --> 0:18:53.480
<v Speaker 1>might go back to your roots or it maybe where

0:18:53.480 --> 0:18:57.960
<v Speaker 1>you're currently. But what would be your last meal? Oh?

0:18:58.160 --> 0:19:02.240
<v Speaker 1>It says easy, that's easy. It's bacon ex Sani, Sani

0:19:02.320 --> 0:19:06.960
<v Speaker 1>has a sandwich BAGINGI right, listen, it's truly, says banging

0:19:07.080 --> 0:19:11.160
<v Speaker 1>Sany from Dunsley Farm in shrin in Hartfordshire, England. Wait

0:19:11.200 --> 0:19:15.640
<v Speaker 1>back bacon or streaky bacon, dreaky man smoke streaky okay,

0:19:15.880 --> 0:19:18.760
<v Speaker 1>crispy or still a bit floppy? Just about to turn

0:19:19.600 --> 0:19:22.840
<v Speaker 1>with the egg over? Easies you guys, say on some beautiful,

0:19:22.920 --> 0:19:26.320
<v Speaker 1>beautiful sour doll with poppy seeds, says to me, trimming

0:19:26.359 --> 0:19:28.560
<v Speaker 1>on the edge. And that's me with a couple of Yorks.

0:19:28.560 --> 0:19:33.439
<v Speaker 1>Should see, I'm yours, say me. That's my meal, probably

0:19:33.480 --> 0:19:37.000
<v Speaker 1>the most unhealthy meal I mean, but that's my thing.

0:19:38.359 --> 0:19:44.240
<v Speaker 1>Lived in Thailand for twelve years. I was just remembering

0:19:44.640 --> 0:19:47.240
<v Speaker 1>arriving at to thirty in the morning. I was on

0:19:47.280 --> 0:19:49.680
<v Speaker 1>my way to Cambodia, and I went walking down to

0:19:49.800 --> 0:19:52.479
<v Speaker 1>the streets of Bangkok, and I was so hungry, and

0:19:52.560 --> 0:19:55.439
<v Speaker 1>all they really seemed to be were lovely shiny black

0:19:55.480 --> 0:19:57.800
<v Speaker 1>insects on skiers at the side of the road having

0:19:57.880 --> 0:20:00.600
<v Speaker 1>just come off a fire. And I was like, very well,

0:20:00.880 --> 0:20:04.760
<v Speaker 1>one in Bangkok delicious though. I mean, I don't eat

0:20:04.800 --> 0:20:08.320
<v Speaker 1>pork myself, but I do understand a bacon and eggs,

0:20:08.320 --> 0:20:11.320
<v Speaker 1>ARENI that's a mood. That's a proper mood. And the

0:20:11.359 --> 0:20:13.600
<v Speaker 1>other thing is that I find beautiful with six million eggs,

0:20:13.680 --> 0:20:16.080
<v Speaker 1>you know, boil the water for six minutes, the waters boiling,

0:20:16.160 --> 0:20:18.679
<v Speaker 1>and then put the eggs for six minutes. They're perfect, exactly.

0:20:18.800 --> 0:20:21.800
<v Speaker 1>And some soldiers boil taken soldiers might actually be my

0:20:21.880 --> 0:20:25.400
<v Speaker 1>last male. Really wow, look at that up one out

0:20:25.440 --> 0:20:40.119
<v Speaker 1>that there and a cup of tea. What person, place,

0:20:40.440 --> 0:20:44.600
<v Speaker 1>or experience has most altered your life? I think Mr

0:20:44.600 --> 0:20:47.120
<v Speaker 1>the Hearst, my art teacher. I think that he changed

0:20:47.200 --> 0:20:50.080
<v Speaker 1>my life completely. He sat me in front of the

0:20:50.160 --> 0:20:52.760
<v Speaker 1>window and said, draw this. You need to get past.

0:20:53.200 --> 0:20:54.360
<v Speaker 1>I don't know if you know this. In the State,

0:20:54.480 --> 0:20:56.080
<v Speaker 1>we had a thing called the no level, which is

0:20:56.119 --> 0:20:58.920
<v Speaker 1>like a It's like a pre s a T. It's

0:20:58.920 --> 0:21:01.000
<v Speaker 1>like an s A T that you take when you're sixteen,

0:21:01.119 --> 0:21:03.800
<v Speaker 1>and then you take another load of exams when you're eighteen,

0:21:03.920 --> 0:21:06.479
<v Speaker 1>called A levels. So you were studying for your O levels.

0:21:06.680 --> 0:21:08.719
<v Speaker 1>I was studying for the level in art. And I

0:21:08.800 --> 0:21:11.320
<v Speaker 1>was great at sculpture in my hands. Anything you put

0:21:11.320 --> 0:21:13.400
<v Speaker 1>in my hands, I could do it, and I could sculpture.

0:21:13.600 --> 0:21:15.840
<v Speaker 1>I was That's the thing I loved. And he said,

0:21:15.840 --> 0:21:17.439
<v Speaker 1>you can do all of that. It's great. You know

0:21:17.520 --> 0:21:19.960
<v Speaker 1>you're natural fantastic, but you're not. You need to step back,

0:21:20.040 --> 0:21:21.639
<v Speaker 1>you need to You've got to draw this side of

0:21:21.680 --> 0:21:23.080
<v Speaker 1>you have to draw. And he got me to draw

0:21:23.119 --> 0:21:25.320
<v Speaker 1>a newspaper and ash tray and you know, say glass,

0:21:25.359 --> 0:21:28.200
<v Speaker 1>paper and iron. And he got me through this exam

0:21:28.400 --> 0:21:31.120
<v Speaker 1>and after hours, the children's armor was into the time

0:21:31.280 --> 0:21:32.879
<v Speaker 1>said you could stay after school for a couple of

0:21:32.920 --> 0:21:35.199
<v Speaker 1>hours each night and stay with the art teacher. And

0:21:35.240 --> 0:21:38.400
<v Speaker 1>he changed my life. And weirdly enough, in him doing that,

0:21:38.680 --> 0:21:41.160
<v Speaker 1>I did a documentary it's really rare on Red Bull.

0:21:41.200 --> 0:21:43.679
<v Speaker 1>It was called The Alchemist, and I actually went to

0:21:43.720 --> 0:21:47.480
<v Speaker 1>surprise him when his sev on his birthday, to thank

0:21:47.560 --> 0:21:50.080
<v Speaker 1>him for what he'd done for me. I kind of

0:21:50.119 --> 0:21:53.159
<v Speaker 1>went into this little hall in Birmingham in the parish

0:21:53.280 --> 0:21:55.359
<v Speaker 1>church and you know, with an entourage of people and

0:21:55.440 --> 0:21:57.480
<v Speaker 1>managers and people who were there. And I was on

0:21:57.560 --> 0:22:00.040
<v Speaker 1>tour somewhere and I sneaked in and walked in. It

0:22:00.160 --> 0:22:02.040
<v Speaker 1>was arranged by his wife, and I sneaked in and

0:22:02.080 --> 0:22:03.720
<v Speaker 1>sat right next to him, and he looked at me,

0:22:03.760 --> 0:22:05.280
<v Speaker 1>and he didn't even reckon if you look back, and

0:22:05.320 --> 0:22:06.760
<v Speaker 1>carried a looking while he was talking. And then he

0:22:06.760 --> 0:22:08.720
<v Speaker 1>looks and he just burst into tears. And he was

0:22:08.760 --> 0:22:10.920
<v Speaker 1>a great moment. And I think those kind of moments

0:22:11.359 --> 0:22:13.480
<v Speaker 1>kind of stay with me. It is because he he

0:22:13.520 --> 0:22:16.960
<v Speaker 1>grew up in a children's home and he reached into

0:22:17.040 --> 0:22:20.320
<v Speaker 1>that experience and saw more in you and asked more

0:22:20.320 --> 0:22:22.760
<v Speaker 1>of you. Yeah. Well, at the time, I was getting

0:22:22.760 --> 0:22:24.879
<v Speaker 1>beat and I was getting bullied at school as you

0:22:24.920 --> 0:22:26.600
<v Speaker 1>start to walk on the canal on the way home,

0:22:26.680 --> 0:22:28.320
<v Speaker 1>so I get beat up going on the main road.

0:22:28.520 --> 0:22:30.520
<v Speaker 1>It was just crazy. I mean it was there was

0:22:30.560 --> 0:22:32.560
<v Speaker 1>a period of five years where it was just like

0:22:32.840 --> 0:22:35.720
<v Speaker 1>it was hell for me. But the art class was everything,

0:22:36.160 --> 0:22:38.200
<v Speaker 1>and that was it. And and that's why I think

0:22:38.320 --> 0:22:41.200
<v Speaker 1>I always gravitated towards that, the sense of art, and

0:22:41.280 --> 0:22:43.480
<v Speaker 1>especially when graffiti came. That was the answer. Not only

0:22:43.560 --> 0:22:45.439
<v Speaker 1>was he ar and a new form of art, there

0:22:45.520 --> 0:22:48.879
<v Speaker 1>was guys doing it together. There was tribalism and community

0:22:49.600 --> 0:22:52.160
<v Speaker 1>and he was brilliant and you could paint trains and

0:22:52.200 --> 0:22:54.680
<v Speaker 1>stuff and all his mad stuff and you know, break

0:22:54.720 --> 0:22:58.600
<v Speaker 1>the law as well, and it was illegal and he

0:22:58.640 --> 0:23:01.639
<v Speaker 1>was illegal, you know. And it's it's crazy because I

0:23:01.680 --> 0:23:04.560
<v Speaker 1>have a wonderful gallery in the heart of Bangkok and

0:23:04.600 --> 0:23:08.399
<v Speaker 1>it's called the Aurum Gallery Latin for Gold, and I

0:23:08.400 --> 0:23:10.240
<v Speaker 1>have all of my friends are from around the world,

0:23:10.560 --> 0:23:13.560
<v Speaker 1>you know, from New York, from Japan, from Mexico, from

0:23:13.680 --> 0:23:16.920
<v Speaker 1>l a and it's a brilliant contemporary gallery. And I

0:23:16.960 --> 0:23:19.040
<v Speaker 1>think to myself again, it's one of those moments where

0:23:19.080 --> 0:23:21.680
<v Speaker 1>I'm going there on Monday. I was there two weeks ago,

0:23:21.800 --> 0:23:23.639
<v Speaker 1>and I watched in on the Wednesday and the staff

0:23:23.680 --> 0:23:25.720
<v Speaker 1>we're just opening up and there's no one in there

0:23:26.040 --> 0:23:29.480
<v Speaker 1>and just walking around this space. And it's beautiful because

0:23:29.520 --> 0:23:31.600
<v Speaker 1>my daughter can run around in there and she's looking

0:23:31.640 --> 0:23:34.840
<v Speaker 1>at all his art and she's drawing away. She loves it.

0:23:34.960 --> 0:23:38.520
<v Speaker 1>She's just really into it. But just seeing people, that's

0:23:38.560 --> 0:23:40.960
<v Speaker 1>the one thing you see that I think music has

0:23:41.000 --> 0:23:43.399
<v Speaker 1>been compromised because you can download it and the quality

0:23:43.520 --> 0:23:46.440
<v Speaker 1>sometimes he's a bit and you can reproduce it and

0:23:46.480 --> 0:23:48.560
<v Speaker 1>everything else, and people want to buy staff. But you

0:23:48.640 --> 0:23:52.160
<v Speaker 1>can't stop the idea of tribal idea of a human

0:23:52.200 --> 0:23:54.520
<v Speaker 1>being standing in a room with a painting. It just

0:23:54.560 --> 0:23:57.920
<v Speaker 1>can't be beaten. Whether it's the National Portrait Gallery or

0:23:57.960 --> 0:24:00.280
<v Speaker 1>it's a contemporary gallery, just being in a space sweet

0:24:00.400 --> 0:24:03.320
<v Speaker 1>art is something beautiful. I find it's amazing that that's

0:24:03.320 --> 0:24:06.360
<v Speaker 1>where your initial way out of what you described as

0:24:06.400 --> 0:24:10.760
<v Speaker 1>being hell through art and all through your life, through

0:24:10.800 --> 0:24:14.320
<v Speaker 1>the music and the graffiti and the crazy cruise in

0:24:14.359 --> 0:24:17.120
<v Speaker 1>New York, all the way to Thailand and back to art.

0:24:17.800 --> 0:24:20.240
<v Speaker 1>Spit mad. That isn't Yeah, it's nice. I mean it

0:24:20.400 --> 0:24:24.200
<v Speaker 1>seems to subscribe to your idea of it all being foretold.

0:24:24.440 --> 0:24:26.719
<v Speaker 1>I think in that way, but also think in turning

0:24:26.880 --> 0:24:30.080
<v Speaker 1>allowing myself to be happy is something that I couldn't do.

0:24:30.280 --> 0:24:33.919
<v Speaker 1>That everything's allowed. And I spent so much time in

0:24:34.080 --> 0:24:37.800
<v Speaker 1>chasing complexity because my life has always been very intense.

0:24:37.960 --> 0:24:41.159
<v Speaker 1>It is unpacking that and being here in Thailand helps

0:24:41.200 --> 0:24:43.600
<v Speaker 1>me to do that. So it helps you to simplify

0:24:43.640 --> 0:24:46.360
<v Speaker 1>and to be able to just see that the imperfection

0:24:46.440 --> 0:24:50.320
<v Speaker 1>is beautiful. An hour ago, I started like three sessions.

0:24:50.400 --> 0:24:52.560
<v Speaker 1>I started at one till three in the morning that

0:24:52.640 --> 0:24:55.520
<v Speaker 1>I got up, we did the school rue baby, and

0:24:55.560 --> 0:24:58.040
<v Speaker 1>I got back went straight at it. So from nine

0:24:58.320 --> 0:25:00.720
<v Speaker 1>all the way through, I do like a full a shift. Today.

0:25:00.720 --> 0:25:03.600
<v Speaker 1>I would not stop. I was just this just driven

0:25:03.960 --> 0:25:07.040
<v Speaker 1>with this painting. Driven. And not only was I driven

0:25:07.040 --> 0:25:09.359
<v Speaker 1>by the painting. I'm doing two at the same time,

0:25:09.680 --> 0:25:12.120
<v Speaker 1>and I've done them both before in different ways. It's

0:25:12.160 --> 0:25:14.840
<v Speaker 1>this style that I'm doing. It's just this complicated layers

0:25:14.960 --> 0:25:17.040
<v Speaker 1>and there were nine layers and I get to the

0:25:17.080 --> 0:25:19.760
<v Speaker 1>eighth layer and I rushed the layer and I messed

0:25:19.760 --> 0:25:22.760
<v Speaker 1>the layer up, and I'm like, I just got to

0:25:22.880 --> 0:25:26.360
<v Speaker 1>keep reminding myself that I just need So now I've

0:25:26.359 --> 0:25:28.920
<v Speaker 1>got to spend three or four hours in the morning

0:25:29.200 --> 0:25:32.639
<v Speaker 1>because I just didn't let the black dry in time.

0:25:33.000 --> 0:25:35.480
<v Speaker 1>And I've done it before and I'll do it again,

0:25:35.800 --> 0:25:37.600
<v Speaker 1>but each time i'll do it, I'm just at that

0:25:37.680 --> 0:25:41.480
<v Speaker 1>moment where I'm like, I'm driven by something. For me,

0:25:41.600 --> 0:25:44.680
<v Speaker 1>it's like music. I find that I'm driven by something

0:25:44.720 --> 0:25:46.800
<v Speaker 1>far greater than myself. And I don't know what if

0:25:46.840 --> 0:25:49.280
<v Speaker 1>it's just the spirit going mad, or I just get

0:25:49.359 --> 0:25:51.840
<v Speaker 1>driven to do something and it's not almost like it's

0:25:51.880 --> 0:25:54.680
<v Speaker 1>finished because I've done this before, but it's finding something

0:25:54.720 --> 0:25:57.720
<v Speaker 1>else in the painting. And I tried something else and

0:25:57.760 --> 0:26:00.280
<v Speaker 1>it kind of worked. But of course my sort of

0:26:00.320 --> 0:26:03.320
<v Speaker 1>things that I do that make these mistakes, they teach

0:26:03.359 --> 0:26:05.919
<v Speaker 1>me something. So I'm just like, I won't do it

0:26:05.920 --> 0:26:08.120
<v Speaker 1>with the second painting because it's it's it's the next

0:26:08.200 --> 0:26:10.200
<v Speaker 1>in line. But again, it was one of those things

0:26:10.200 --> 0:26:12.160
<v Speaker 1>that I it was it was all the way down

0:26:12.320 --> 0:26:14.520
<v Speaker 1>and I was trying to complete it in a time

0:26:14.560 --> 0:26:17.639
<v Speaker 1>frame when there is no time. So I kind of

0:26:17.680 --> 0:26:19.640
<v Speaker 1>shot myself in the foot. I think that's the thing

0:26:19.680 --> 0:26:22.080
<v Speaker 1>with people that gravitate to music, and when you do

0:26:22.160 --> 0:26:23.480
<v Speaker 1>this thing in the night and you kind of you

0:26:23.520 --> 0:26:24.800
<v Speaker 1>blow up, But all of a sudden, you give the

0:26:24.840 --> 0:26:27.320
<v Speaker 1>responsibility to all these people because you become this ego

0:26:27.560 --> 0:26:29.159
<v Speaker 1>because when you when I was a kid, all the

0:26:29.160 --> 0:26:30.720
<v Speaker 1>powers taken away from me. You know, you've got to

0:26:30.720 --> 0:26:31.960
<v Speaker 1>go in that room. You've gotta go there and you

0:26:32.000 --> 0:26:33.960
<v Speaker 1>have to do this, so you didn't have any empowerment.

0:26:34.040 --> 0:26:35.560
<v Speaker 1>So when you get the money in the cars and

0:26:35.560 --> 0:26:37.879
<v Speaker 1>all that rock and roll, that sense of you know,

0:26:37.920 --> 0:26:40.560
<v Speaker 1>you're giving it away. It's the ego giving it away,

0:26:40.960 --> 0:26:42.520
<v Speaker 1>and it's really lying on a minute, when am I

0:26:42.520 --> 0:26:44.840
<v Speaker 1>going to take charge of this year? You know, just

0:26:45.040 --> 0:26:47.440
<v Speaker 1>terrific stories of this guy's just knocked out, this guy

0:26:47.480 --> 0:26:49.439
<v Speaker 1>and that guy's just driving your mate, your mates car

0:26:49.520 --> 0:26:51.760
<v Speaker 1>and he's done that, and everyone's pulling and pushing you,

0:26:51.800 --> 0:26:53.640
<v Speaker 1>and I just got sick of that. I got sick

0:26:53.680 --> 0:26:56.320
<v Speaker 1>of all of the pulling and pushing, of almost tearing

0:26:56.359 --> 0:27:00.000
<v Speaker 1>an artist apart. That's what the scary part of sobriety

0:27:00.119 --> 0:27:02.200
<v Speaker 1>was the idea that people got away with lots of

0:27:02.240 --> 0:27:04.080
<v Speaker 1>ship while Goali was drunk, called god, he was just

0:27:04.119 --> 0:27:06.919
<v Speaker 1>crazy because they just got away with the money that people.

0:27:07.000 --> 0:27:09.879
<v Speaker 1>And it's like it was insane in the nineties for

0:27:09.920 --> 0:27:12.320
<v Speaker 1>me in that respect. And I just feel, you know,

0:27:12.440 --> 0:27:15.400
<v Speaker 1>pretty unscathed. I feel like I've got some battle wounds

0:27:15.400 --> 0:27:17.240
<v Speaker 1>and some scarf. But the great thing is the healing

0:27:17.240 --> 0:27:19.600
<v Speaker 1>process is amazing here. And I feel, you know, maybe

0:27:19.680 --> 0:27:24.520
<v Speaker 1>fifties six scaring to fifty seventies a new thirty our

0:27:24.560 --> 0:27:28.680
<v Speaker 1>second that ah, that's just brilliant. Oh my god, gold.

0:27:28.840 --> 0:27:31.000
<v Speaker 1>It's so I could literally talk to you for hours

0:27:31.240 --> 0:27:34.840
<v Speaker 1>and hearing where you are and how you have created

0:27:34.880 --> 0:27:38.280
<v Speaker 1>your life. It sounds so patronizing, going it's inspiring. It's

0:27:38.320 --> 0:27:42.439
<v Speaker 1>sucking beautiful that life unfolds and that you allow for

0:27:42.480 --> 0:27:45.200
<v Speaker 1>the evolution and you haven't judged the evolution and you've

0:27:45.240 --> 0:27:47.960
<v Speaker 1>taken the hits and you watch your son is still

0:27:48.000 --> 0:27:50.400
<v Speaker 1>taking a hit in one way, but you're still connected.

0:27:51.200 --> 0:27:53.280
<v Speaker 1>I love the how in your life and what your

0:27:53.280 --> 0:27:56.280
<v Speaker 1>life was. You are. I think that's a really beautiful thing.

0:27:56.440 --> 0:27:58.119
<v Speaker 1>And I don't know what else we're here to do

0:27:58.320 --> 0:28:00.679
<v Speaker 1>except being these lives that we've been evan you know,

0:28:00.880 --> 0:28:07.280
<v Speaker 1>and live it all. Thank you so much, Goldie. He

0:28:07.600 --> 0:28:11.400
<v Speaker 1>runs about as deep and considered as anyone I've ever

0:28:11.480 --> 0:28:15.159
<v Speaker 1>met in my life actually, and talking to him was

0:28:15.480 --> 0:28:19.199
<v Speaker 1>an absolute joy. Goldie has a new single out with

0:28:19.320 --> 0:28:27.199
<v Speaker 1>his band Subjective called Lost. Mini Questions is hosted and

0:28:27.240 --> 0:28:33.119
<v Speaker 1>written by Me Mini Driver, supervising producer Aaron Kaufman, Producer

0:28:33.560 --> 0:28:40.280
<v Speaker 1>Morgan Lavoy, Research assistant Marissa Brown. Original music Sorry Baby

0:28:40.600 --> 0:28:46.440
<v Speaker 1>by Mini Driver, Additional music by Aaron Kaufman. Executive produced

0:28:46.440 --> 0:28:51.320
<v Speaker 1>by Me Mini Driver. Special thanks to Jim Nikolay, Will

0:28:51.400 --> 0:28:56.600
<v Speaker 1>Pearson Addison, No Day Lisa Castella and a Nick Oppenheim

0:28:56.600 --> 0:29:02.080
<v Speaker 1>at w kPr de La Pescador, Kate Driver and Jason Weinberg,

0:29:02.720 --> 0:29:07.520
<v Speaker 1>and for constantly solicited tech support Henry Driver h.