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Speaker 1: Does your wife keep track of what you ate? Oh? No, no, no, no, no,

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Speaker 1: she doesn't keep track of what I do. What I

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Speaker 1: mean like, what do I mean like keep tracking what

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Speaker 1: you ate in terms of like, hey, you're eating too much?

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Speaker 1: I mean like the good shit in our house. She's

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Speaker 1: watching like you had the last Eminem packet that's mine. Yeah.

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Speaker 1: We do fight over Eminem's, the peanut kind. We fight

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Speaker 1: over candy a lot. My wife and I yo yo, uh.

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Speaker 1: We should talk about this because a lot of people

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Speaker 1: don't know. But it was Sinco de Mayo yesterday. Yes,

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Speaker 1: you were fasting, so you didn't participate in Sinco de Mayo.

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Speaker 1: What did you do? What did you do? So? Casa

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Speaker 1: Vega is one of my favorite Mexican restaurants in the

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Speaker 1: Sherman Oaks area right and you know, nobody can go

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Speaker 1: to restaurants right now. But they had a little drive

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Speaker 1: through going on where you can get you know, tacos

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Speaker 1: and and and beans and rice and and you know

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Speaker 1: whatever was on the menu, and margaritas and margarita's. How

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Speaker 1: do they how do they give you the margharita? They

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Speaker 1: brought it in, They put it in a half gallon

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Speaker 1: picture that does not even a picture. It's like a

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Speaker 1: half gallon, you know, like we put milk in it.

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Speaker 1: You know, you get milk and it's a half gallon,

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Speaker 1: bob jar whatever it is. Yeah, they put it in

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Speaker 1: that Wow, and we got three of them. Oh my god,

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Speaker 1: did you get hammer? We only have one left. You

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Speaker 1: guys had a party over there. We drank a gallon

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Speaker 1: of margarita yesterday. Oh my godlish I'm so jealous. I

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Speaker 1: literally this this this fast thing we're on. It's like

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Speaker 1: all you eat is this thin soup. It looks like

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Speaker 1: it looks like gruel, remember that thing that Oliver wanted

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Speaker 1: more of. That's what it looks like. Yeah, it looks

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Speaker 1: like or like what they what they'd slop on a

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Speaker 1: pirate ship, what they'd serve you for dinner. That's what

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Speaker 1: it looks like. Right, doesn't have like a little bit

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Speaker 1: of celery and like a little bit of carrot. It

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Speaker 1: looks like cartoonishly watered down soup. That's what we're allowed

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Speaker 1: to eat. But it's it's white colored. No, it's the

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Speaker 1: color of whatever flavor they think it is. It's like

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Speaker 1: tomato is like tomato colored, but it's just got little

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Speaker 1: specs of crap in it. Wow, But just you wait, Donald,

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Speaker 1: We're gonna you're gonna check in when we record on Friday,

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Speaker 1: and you're gonna you're gonna say, wow, you look even thinner.

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Speaker 1: I want to I want to fast, but I shall

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Speaker 1: we sing? Shall we sing? Yeah? Sure? Why not? I'd

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Speaker 1: like to count in today because I realized I haven't

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Speaker 1: counted it in a long time. I've been giving it

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Speaker 1: to you. I've been giving it to Bill Lawrence, our guests,

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Speaker 1: giving it to Judy as a present, and and I

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Speaker 1: just feel feeling left out. Well, Zach, I want you

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Speaker 1: to give it to me. Go ahead, okay, Dan, hit it.

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Speaker 1: I like a little you know what. You didn't wait

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Speaker 1: before you hit it? Dan? You know, I always thought

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Speaker 1: it was so cool when DJ's on the radio do

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Speaker 1: the thing they called talk up, like they know exactly

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Speaker 1: when the words come in and they stop talking right

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Speaker 1: at I believe DJs call it talking up a song,

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Speaker 1: right right, so they they I'm sure they haven't labeled somewhere,

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Speaker 1: like the lyrics start at five seconds in or something.

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Speaker 1: And I always thought it was so smooth. So I'd

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Speaker 1: like to talk up this song. Go ahead, do it? Okay?

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Speaker 1: Here we go. So I'm not gonna count in, Dan,

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Speaker 1: I'm just gonna talk it up. Okay, I'm nervous now,

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Speaker 1: I'm nervous. Now Here we go. Welcome everybody to fake doctors,

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Speaker 1: real friends. We're so glad you're joining us. And here's

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Speaker 1: a song written by Junie Blues Domphase on a Brown

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Speaker 1: coming at you. Here's some stories about show we made

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Speaker 1: about a bunch of doctor nervous said, he's the stories.

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Speaker 1: So yetta around here, a yat around here. Hey. Lots

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Speaker 1: of talk on the social media about you know what

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Speaker 1: I mean? And uh and you is it? Is it

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Speaker 1: that bad? No, it's It's just people just need to

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Speaker 1: accept it. It's part of your way of speaking. It

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Speaker 1: is part of mine. I'm just concerned though about those

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Speaker 1: who are doing it as a drinking game, that that

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Speaker 1: that we're gonna turn people into alcoholics. I'm up the

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Speaker 1: I think we should keep the things, but if you

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Speaker 1: don't want to keep the dings, we could we could

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Speaker 1: remove the things. And also I heard, by the way, Dan,

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Speaker 1: that you missed some I saw on Twitter some people

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Speaker 1: were like that dings were hilarious, but you guys missed

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Speaker 1: like four you know what it means, Dan, what was

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Speaker 1: the total I mean, of the ones you caught, what

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Speaker 1: was the total nine? That's not a lot for an

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Speaker 1: hour dude. By by the way, that's when you were

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Speaker 1: trying not to say it, dude, But but I was

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Speaker 1: also it was me not it was me using it

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Speaker 1: as slang, though at that point it wasn't me just

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Speaker 1: saying you know what I mean. After everything I said,

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Speaker 1: somebody brought to my attention that you say, you know

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Speaker 1: a lot. I'm just gonna put it out there. Really,

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Speaker 1: I'm trying to shift the ship on to me. Listen, Listen,

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Speaker 1: I do I listen. We all have. We all if

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Speaker 1: you record someone for multiple hours, you're gonna hear some

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Speaker 1: of the things that they say when they speak. I'm

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Speaker 1: sure we all have our own ticks. Yeah, I'm sure

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Speaker 1: you listening right now judging us, you probably have some

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Speaker 1: vocal go tos. The ones that the ones that kind

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Speaker 1: of get on my nerves are like when people say

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Speaker 1: I mean all the time before they say anything, I mean,

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Speaker 1: it's like no, I get it, or like I mean,

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Speaker 1: I hear you say like a lot. We all say

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Speaker 1: like a lot, I know, but the young folks really

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Speaker 1: use like a lot. Yeah, that that's the one that

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Speaker 1: gets me. I mean, I mean, I mean, I'm literally

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Speaker 1: the wrong use of literally is also a bit of

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Speaker 1: a pet peeve. Really that's abused. You literally don't like that.

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Speaker 1: I literally literally get annoyed when people overuse literally. Should

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Speaker 1: we get into the episode, Donald, let's do it. I

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Speaker 1: love it. Everyone right in and say, holy shit, you

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Speaker 1: are so good in this episode. I forgot how church

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Speaker 1: centric it was. It is a Turk episode, and it issode.

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Speaker 1: It's a very Turk episode Donald, right moments. I'm not

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Speaker 1: just saying this because I love you so much, but

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Speaker 1: I do, But holy shit, you are so good in

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Speaker 1: this episode. And I multiple things. There's the there's we

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Speaker 1: could spend a whole episode of this podcast on that

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Speaker 1: gospel fantasy. We're going to spend plenty of time on it,

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Speaker 1: don't get me wrong. But also you're dramatic acting at

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Speaker 1: the end when you're all upset, the scene with you

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Speaker 1: and Judy on the roof, you running to the park.

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Speaker 1: I just thought you did really really good working. Oh

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Speaker 1: you're a sweetheart, you know. Thank you? First of all.

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Speaker 1: Second of all, this was one of my This isn't

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Speaker 1: necessarily one of my favorite episodes. But there's so many

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Speaker 1: really cool things that happened in this episode that I

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Speaker 1: got to be a part of. One was obviously the

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Speaker 1: gospel choiet thing. That was a lot of fun. One

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Speaker 1: of my favorite movies of all time is Coming to

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Speaker 1: America too, And also Which Way Is Up? And in

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Speaker 1: Which Way Is Up? Richard Pryor plays a reverend in

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Speaker 1: a church and in Coming to America. Arsineo Hall's portrayal

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Speaker 1: of the reverend is amazing as well. And so if

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Speaker 1: any if I was doing anything in that scene, I

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Speaker 1: was stealing from the two of them, Wow, because I

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Speaker 1: just get right, let's get right to it. You are

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Speaker 1: so fucking funny in that and I well, I watched

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Speaker 1: it like multiple times just because that scene. I think

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Speaker 1: it's one of the I honestly, I know we're just

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Speaker 1: started this, but I think it's one of the best

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Speaker 1: fantasies in Scrub's history solely because of your performance. And

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Speaker 1: I know that you're doing an homage to your favorite

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Speaker 1: one of our favorite movies, Coming to America, but you

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Speaker 1: really made it your own. I mean I just was

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Speaker 1: dying laughing the Jerry Curl, the swinging of the arms,

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Speaker 1: the padding of the forehead. We gonna we gonna do

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Speaker 1: you want to cut them open, and then we gonna

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Speaker 1: stow them right back together. I remember that day genuinely

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Speaker 1: cracking up, and you were just going for it. Man,

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Speaker 1: you were you were literally sweating your ass on that

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Speaker 1: hot and you were just being But I wasn't sweating

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Speaker 1: my ass off. So you kind of used literally in

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Speaker 1: the way that you hate it. Okay, you're because I've

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Speaker 1: was literally sweating, but my ass didn't fall off. You

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Speaker 1: are right, Okay, there it is. There, it is. It is.

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Speaker 1: It is literally not possible in a literal sense for

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Speaker 1: someone's ass to be sweat off. I believe, I believe

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Speaker 1: that's true. Joel, Please look that up. I had a

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Speaker 1: lot of fun doing that scene, man. One of the

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Speaker 1: one of the great things was looking out into the

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Speaker 1: audience also and seeing, you know how background really enjoyed themselves,

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Speaker 1: and then also seeing familiar faces in the background. Colonel

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Speaker 1: Doctor for the first time is in this episode. Wait,

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Speaker 1: before you're you're jumping around, let's just stay focused on you.

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Speaker 1: We can't go to Colonel Doctors in the background. I know,

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Speaker 1: but yes, okay, sorry, but I didn't want to go

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Speaker 1: to courl doctor yet because it is his first appearance

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Speaker 1: in a Scrubs episode. He shows up in the background

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Speaker 1: of Sarah's scene first. Also Neil Flynn in the background

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Speaker 1: of this episode clapping Yes, that was funny. What about

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Speaker 1: me when I get the spirit and then you catch

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Speaker 1: in the Holy Ghost? Dude, that freaked me out. The

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Speaker 1: first time I ever saw that, I'm gonna be in

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Speaker 1: real life. My first time ever seen I saw listen.

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Speaker 1: I went to church with my babysitter. It was like

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Speaker 1: a midnight mass type thing, and we went to church

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Speaker 1: and we saw, first of all, people around us are

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Speaker 1: catching the spirit, right, catching the Holy Ghost, and they're

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Speaker 1: losing it. And I was like, all right, I'm safe.

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Speaker 1: I'm here with my babysitter. I know she's not gonna

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Speaker 1: catch the Holy Spirit. Last cut too, she catches the

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Speaker 1: bad Boy and I was like, yeah, so how did

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Speaker 1: she start acting like she just out of out of nowhere?

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Speaker 1: She just started dancing right like you did, like your

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Speaker 1: character does, like like JD does. She started dancing and

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Speaker 1: then she started praising God, which is what you know

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Speaker 1: as a youth when you don't see stuff like that,

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Speaker 1: Like my grandmother was Piscopalian, so we had to go

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Speaker 1: to Piscopalian church and stuff like that, and it wasn't

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Speaker 1: like that, you know what I mean. Even though it

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Speaker 1: was all black, it wasn't a Baptist church, you know

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Speaker 1: what I mean. And when you go to a when

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Speaker 1: you go to a Baptist church, you know they put

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Speaker 1: it in. That's something that's I'd love to do that.

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Speaker 1: By the way, Oh, it's amazing that everything. I would

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Speaker 1: love to have the experience of going to a church

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Speaker 1: like the one we're representing in this show. I just

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Speaker 1: think it would be amazing. I've never seen that in

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Speaker 1: real life, obviously, I've seen it on TV and on

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Speaker 1: video of people speaking in tongues and and and no judgments.

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Speaker 1: I'm not I'm whatever works for you. That's amazing. I

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Speaker 1: like you said, as a child, I was always like,

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Speaker 1: oh my God, what is what is happening? Right? And

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Speaker 1: it was so shocking to see someone reacting like that,

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Speaker 1: to get touched by the spirit of God. I like

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Speaker 1: the idea that JD you know, got the spirit when

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Speaker 1: you were such a good minister, that it just came

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Speaker 1: to him, right, the music got into him and and

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Speaker 1: and scripted or I just improve that I don't recall,

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Speaker 1: do you remember, I don't know if it was scripted.

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Speaker 1: I think I think you might have improved it to

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Speaker 1: be I think I just thought I said to Bill, like,

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Speaker 1: oh my god, I should get the spirit. I think

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Speaker 1: that's funny. Yeah, amazing, amazing, man, A great scene. The

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Speaker 1: choir was the choir was amazing. Although they although we

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Speaker 1: do we do have two of them that that's by

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Speaker 1: the lens and wave at the camera around eight sixteen.

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Speaker 1: I don't know if you caught that they got They

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Speaker 1: may have caught the spirit too and decided to wave

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Speaker 1: to the lens. But uh, but they were. They were amazing.

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Speaker 1: And by the way, why mistaken or did you? Or

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Speaker 1: did you when you were just riffing. One of the

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Speaker 1: things that was you were so great when when they

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Speaker 1: would when you would be in your element and they

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Speaker 1: would just tell you to go. Whether that could be

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Speaker 1: the dance, the famous dance you did that that everyone

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Speaker 1: always talks about, or or so many things, but in

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Speaker 1: this moment when you were just riffing and being that preacher,

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Speaker 1: I mean, you just got lost in it and it

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Speaker 1: was so amazing to watch you do that. But I

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Speaker 1: remember that when you can what's the name of the

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Speaker 1: song we sing in yer? Remember the song? And they

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Speaker 1: kept it in and that was so funny. It was

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Speaker 1: supposed to be something like quah, let us let us

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Speaker 1: you know, uh let us uh bless the congregation with

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Speaker 1: the song you know, Christ the Lord, right, right, And

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Speaker 1: I remember getting down back quile what's the name a

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Speaker 1: song was singing? But you stayed in character. It was

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Speaker 1: still funny. You know. It was such a good lesson

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Speaker 1: early on in Scrubs that if if we stayed in character,

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Speaker 1: a lot of that stuff could if it was funny,

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Speaker 1: would stay in right. And and that was a perfect

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Speaker 1: example of of you doing that and Bill going in

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Speaker 1: the edit room like, oh, that's funny, that's staying yeah. Yeah.

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Speaker 1: So so this whole episode, it was written by Debord

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Speaker 1: hum that's right, who also wrote the musical episode. Right,

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Speaker 1: was the one of the main writers on the musical episode,

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Speaker 1: and I think actually participated in running a lot of

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Speaker 1: lyrics for the famous musical episode. That's right. And Jeff

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Speaker 1: Melman was the director, and I just learned a little

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Speaker 1: trivia that he directed some of the sitcom You did

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Speaker 1: the xes, Yeah, I did, I did, I do not

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Speaker 1: put two and two together. I did not remember that.

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Speaker 1: Do you remember? Do you remember it? I do know

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Speaker 1: Jeff Melman is, but now that you have said that,

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Speaker 1: he only directed one episode of Scrubs and it was

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Speaker 1: twenty years ago, So you're okay for not remembering, but

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Speaker 1: I don't know if you put two and two together.

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Speaker 1: They also directed your sitcom The X. I think we

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Speaker 1: even talked about him directing an episode of Scrubs when

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Speaker 1: he directed the Episodexes. Anyway, and Kristin Johnston, who you

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Speaker 1: did the Exes with, I bought her house. That's where

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Speaker 1: I live. Yeah. Not only that, but you guys also

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Speaker 1: did Twelfth Night together. We did Twelfth Night together in

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Speaker 1: Central Park at the Dela Court and you and that's

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Speaker 1: when she said, Hey, I want to move out of

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Speaker 1: la I'm over it. Do you have any interest? And

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Speaker 1: I was just at the time when I was starting

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Speaker 1: to think about buying my first house. And what's funny

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Speaker 1: is that she was quite an entertainer. She threw a

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Speaker 1: lot of bashes at the house. And so over the

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Speaker 1: years when I've told people that I bought the house

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Speaker 1: from her, They're always like, ooh, I've been so fucked

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Speaker 1: up in your house. Wow. Wow. Well she's now sober

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Speaker 1: and she's written a wonderful book called Guts out on

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Speaker 1: the market right now. And if your guys are listening

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Speaker 1: and want a good read in the Voice of christ

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Speaker 1: and Johnson. She also does the audio book. You check

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Speaker 1: it out. It's very, very very revealing, and she's very

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Speaker 1: open about her addiction. And yeah, and when you're I've

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Speaker 1: read the book and it's amazing and you should get it.

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Speaker 1: And when you're hearing about some of her partying, just

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Speaker 1: know it was happening in mind. Yo. Somebody got mad, dude,

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Speaker 1: you oh man, somebody got mad that I ruined that

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Speaker 1: joke or that not the joke, the bit of trivia.

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Speaker 1: I know on one of the last episodes, I said

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Speaker 1: I'm gonna I was gonna do a trivia for Donald

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Speaker 1: involving the Breakfast Club, and he ruined it and some

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Speaker 1: guy and some guy wrote on Twitter I was legit

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Speaker 1: excited for a bit of trivia and Donald did indeed

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Speaker 1: ruin it. We gotta filter in some more trivia to

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Speaker 1: this show. Absolutely, so Okay, deav Ford him, Jeff melman Um,

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Speaker 1: It's a great episode. I gotta say, you know, They're

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Speaker 1: not all this good. This was a darn good one.

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Speaker 1: And first thing I wrote down was Nurse Tisdale at

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Speaker 1: thirty five seconds in Yes, which is a oma to

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Speaker 1: film fast Times a Ridgemond High. Now, some of you

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Speaker 1: younger folk might not know that movie. You should watch

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Speaker 1: it because it's a seminole eighties film. And I remember

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Speaker 1: watching it at someone's house, far too young to be

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Speaker 1: watching it, Like I should not have been watching that

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Speaker 1: movie at the age I was, And I remember feeling like,

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Speaker 1: don't move because I don't want any adult to notice

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Speaker 1: that I'm here and I'm watching this and I probably

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Speaker 1: shouldn't be watching Phoebe Kates reveal her bosoms. Yeah, do

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Speaker 1: you remember when you saw that movie? I do remember

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Speaker 1: when I saw that movie. And you know, the one

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Speaker 1: thing that stuck out from that movie for me was

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Speaker 1: Sean Pinn totally awesome and his Jeff Spoccoli. Yeah, a

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Speaker 1: little bit of trivia for you. Do you know who

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Speaker 1: wrote that movie? Yes, it was Amy Heckerling, No Cameron Crowe.

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Speaker 1: Amy Heckerling directed it, absolutely okay. Amy Heckerling, who wrote

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Speaker 1: and directed Clueless, wrote and directed Clueless. Yes, so it's

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Speaker 1: six degrees of Donald Fazon? Is what your six degrees

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Speaker 1: of Donald Fazon. Forrest Whittakers also in that movie. He

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Speaker 1: directed Waiting to Exhale and I was in it, and

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Speaker 1: I remember going on the audition for Waiting to Exhale

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Speaker 1: at the same time I was shooting Clueless, the movie,

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Speaker 1: and I was, you know, Forrest and I had a

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Speaker 1: little conversation about his experience with Amy and the reason

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Speaker 1: why I got Waiting to Xer because I'm sure there

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Speaker 1: were a bunch of people who auditioned for it. But

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Speaker 1: Forrest told me, he was like, you know, I went

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Speaker 1: with you because you know you're working with Amy, and

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Speaker 1: Amy gave me my start, and it was something there

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Speaker 1: was a form of nostalgia and for me. So I

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Speaker 1: got to be in Waiting Exhale with Whitney, Houston, Angel Labassett, Lauretta, Divine,

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Speaker 1: leilaber Sean, I got to oh Man, I got to

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Speaker 1: meet several actors, from Michael Beach to one of my

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Speaker 1: favorite all time performers, Gregory Hines. That's what I've never

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Speaker 1: seen the movie. I've got to be honest with you,

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Speaker 1: but you've never seen Waiting to Exhale. No, but I'm

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Speaker 1: gonna write it down because we're looking for quarantine movies,

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Speaker 1: and I do love your work. You should watch way

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Speaker 1: in exhale. It's a lot of fun. It's if you

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Speaker 1: have a good pardon it or should I need to

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Speaker 1: just fast forward to your scenes. No, you should watch

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Speaker 1: the movie. The movie is actually very entertaining. It's it's

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Speaker 1: it's and the soundtrack is amazing. By the way, Holy cow,

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Speaker 1: baby face, you put your foot in it when you

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Speaker 1: made that one. I don't know what that means. It

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Speaker 1: just means he puts them, he puts them. He did.

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Speaker 1: He put a little strowsy on it, you know. Face.

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Speaker 1: He's still doing this thing. Oh, I just haven't heard

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Speaker 1: about him his name in the public lexicon in a

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Speaker 1: long time. Anyway, we digress. Let's get back here, all right,

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Speaker 1: we digress. Nurse Tisdale. Um, she's coming down doing a

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Speaker 1: homage to Fast Times at Ridgemont High. By the way,

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Speaker 1: if you haven't seen Fast Times at ridge Mond High,

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Speaker 1: you should because it perfectly I think encapsulates a period

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Speaker 1: of time in the eighties. And uh, and it's a

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Speaker 1: really really I mean it was written by Cameron Crowe.

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Speaker 1: I mean, it's a great movie. Um, fifty eight seconds,

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Speaker 1: Snoop you know showing up. Snoop's in a lot of

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Speaker 1: this episode. Snoop Dogg. In turn, Snoop Dog was in

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Speaker 1: a lot of this show. I know. It's funny. If

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Speaker 1: you guys start looking at the background, you'll not Snoop

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Speaker 1: dogg real snoop Dog, Snoop dog. If you'll see if

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Speaker 1: you guys look, if you guys look at these episodes closely,

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Speaker 1: you'll see that basically they're just they're just moving around

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Speaker 1: the same twenty background folks. And there's times where it's

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Speaker 1: like there'll be one scene and Snoops in the background,

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Speaker 1: and then then we're upstairs and Stoops in the background.

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Speaker 1: I'm like, guys, come on, well he worked a lot

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Speaker 1: and then yeah, but now we're starting to introduce new characters,

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Speaker 1: so you'll see ye. Doctor one fifty one a momentous moment.

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Speaker 1: Colonel Doctor first appearance in the background, as Bill told

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Speaker 1: us on the last episode, named because everyone thought he

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Speaker 1: looked like um Colonel Sanders the Kentucky Fried Chicken commercials.

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Speaker 1: And is he still alive or did he pass I

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Speaker 1: believe he passed away. I believes where he was an

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Speaker 1: older fellow when we're doing this twenty years ago. By

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Speaker 1: the way, someone clarified for me on the social media

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Speaker 1: interwebs that the Beard Fusse film I was trying to

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Speaker 1: remember was Girl with the Dragon tattoo. I knew it

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Speaker 1: was a Fincher, right, So I was right about it

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Speaker 1: being Fincher. It's Girl with the Dragon. Had to um,

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Speaker 1: Daniel Craig is on a plane and the camera sort

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Speaker 1: of just dollis past a close up of Beard Fusse.

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Speaker 1: So thank you for the for the listener who helped

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Speaker 1: me out with that. All right, we're gonna go to break,

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Speaker 1: We'll be right back, and we're back. Hey, listen. I

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Speaker 1: occasionally Season one would go out partying with you during

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Speaker 1: the week. Yes, I was occasionally, Yes, I was feeling myself.

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Speaker 1: I had never had a dollar in my pocket, let alone, um,

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Speaker 1: some hit television show and you and I. I can't

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Speaker 1: I mean, it's forty five years old. You can't imagine

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Speaker 1: you would ever do this. But in our twenties we

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Speaker 1: would occasionally go out the nights of filming. Occasionally, I

390
00:19:51,920 --> 00:19:54,399
Speaker 1: remember we would say things like, all right, look, just

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Speaker 1: want to do one shot? How about just one I'm

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Speaker 1: sure everybody out there. It can relate to your friend going,

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Speaker 1: how about just one Yeah, We're gonna do one shot

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Speaker 1: hard hard, six o'clock in the morning. If we're gone

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Speaker 1: by midnight, we could be home by one and it

396
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Speaker 1: would still have a good five hours asleep. Right hard

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Speaker 1: cut to like at six in the morning, we're in

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Speaker 1: Orlando Jones is swimming. Oh my god, it wasn't even six.

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Speaker 1: It was like four forty five, right, And it was

400
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Speaker 1: the night you had to be at work at six

401
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Speaker 1: and I had to Did you have to go in

402
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Speaker 1: or just me? You didn't have to go in, and

403
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Speaker 1: I had to go in, but I didn't have to

404
00:20:27,600 --> 00:20:30,280
Speaker 1: be in until like, oh man, this was this is

405
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Speaker 1: This is if you looked at a graph of me

406
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Speaker 1: being irresponsible at work. This was the high point because

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Speaker 1: I think I was in Orlando Jones's pool hammered at

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Speaker 1: four forty five, and that day I had to shoot

409
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Speaker 1: this Fawnzie fantasy at three forty one that starts at

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Speaker 1: three forty one. So when you see that Fawnsie thing,

411
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Speaker 1: not only am I hung over, I'm still buzzed, right right,

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Speaker 1: I'm still buzzed from partying with Orlando Jones. Dude to

413
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Speaker 1: this day. That's still one of the most epic nights.

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Speaker 1: I mean, we've had some pretty epic nights, but well,

415
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Speaker 1: because he was so young and fresh in the game,

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Speaker 1: and I hadn't met that many stars, and and I

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Speaker 1: was just like, I can't believe are we going to

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Speaker 1: Orlando Jones's house yet. Yeah, he was fresh off of

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Speaker 1: doing uh he had he had already said goodbye to

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Speaker 1: the seven up commercials, and now he had the movie

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Speaker 1: that had just come out with him and David Duchovny

422
00:21:20,720 --> 00:21:23,760
Speaker 1: and Sean William Scott called Evolution or something like that,

423
00:21:24,160 --> 00:21:26,480
Speaker 1: and we were all hanging out. I don't know, but

424
00:21:26,560 --> 00:21:28,960
Speaker 1: I was interesting any star. I was excited. I was

425
00:21:29,000 --> 00:21:31,280
Speaker 1: as excited. I felt like, I'm living the Hollywood dream.

426
00:21:31,320 --> 00:21:34,840
Speaker 1: I'm not waiting tables anymore. I'm partying with Orlando Jones

427
00:21:34,920 --> 00:21:41,160
Speaker 1: and Donald Phays on it and God and Deonte Gordon

428
00:21:41,240 --> 00:21:45,200
Speaker 1: Donald's Donald stand in Slash our friend and uh. And

429
00:21:45,320 --> 00:21:47,080
Speaker 1: then I went and did this fantasy. So I was

430
00:21:47,160 --> 00:21:49,360
Speaker 1: just watching it because I remember that being in pain,

431
00:21:49,560 --> 00:21:52,000
Speaker 1: and it's it's a very funny fantasy. So I'm i'm, I'm.

432
00:21:52,160 --> 00:21:54,320
Speaker 1: I was grateful this many years later, I didn't ruin

433
00:21:54,440 --> 00:21:56,320
Speaker 1: a moment for the fans, because that's a funny fantasy.

434
00:21:56,440 --> 00:21:59,840
Speaker 1: It's hilarious. He's not gonna make it. Then you come

435
00:21:59,880 --> 00:22:03,560
Speaker 1: in and you jox. But those of you who are

436
00:22:03,640 --> 00:22:06,160
Speaker 1: too young to remember, the Fawns who I'm spoofing here

437
00:22:06,560 --> 00:22:09,320
Speaker 1: could pretty much had magical powers. I mean it happened.

438
00:22:09,359 --> 00:22:13,159
Speaker 1: It came to jukeboxes and women. Yes, maybe in the

439
00:22:13,280 --> 00:22:15,639
Speaker 1: beginning he was just jukeboxing. But then like as I

440
00:22:15,760 --> 00:22:18,280
Speaker 1: recall late in later episodes of Happy Days, he would

441
00:22:18,320 --> 00:22:21,200
Speaker 1: literally he could like work, magic could snap, and women

442
00:22:21,240 --> 00:22:23,959
Speaker 1: out of nowhere would show up. Yeah, Fawns. He had

443
00:22:24,000 --> 00:22:26,240
Speaker 1: to move out of Milwaukee because he had dated every

444
00:22:26,440 --> 00:22:29,560
Speaker 1: woman in Milwaukee. That was that was a subplot he

445
00:22:29,640 --> 00:22:31,320
Speaker 1: had He had been on a date with every single

446
00:22:31,359 --> 00:22:33,399
Speaker 1: woman in Milwaukee and he could, so he had to

447
00:22:33,440 --> 00:22:35,920
Speaker 1: go out of city for that right on. Such a

448
00:22:36,000 --> 00:22:38,840
Speaker 1: funny scene though, such a funny scene. And that's how

449
00:22:38,880 --> 00:22:41,920
Speaker 1: you you know we all believe in miracles. Well that's

450
00:22:41,960 --> 00:22:44,440
Speaker 1: how that's what starts off your really cool arc about

451
00:22:44,600 --> 00:22:47,920
Speaker 1: testing your faith and and so was it dropped from you?

452
00:22:48,080 --> 00:22:50,919
Speaker 1: You mentioned earlier that it was was your was churks

453
00:22:51,560 --> 00:22:54,399
Speaker 1: religiousness dropped from here on out, Like, did it ever

454
00:22:54,480 --> 00:22:56,560
Speaker 1: come up? Did you stop wearing that cross? The cross,

455
00:22:57,280 --> 00:22:59,560
Speaker 1: by the way, you never see this cross ever before,

456
00:22:59,600 --> 00:23:01,240
Speaker 1: but in thisisode, becase you're supposed to be religious, the

457
00:23:01,240 --> 00:23:03,920
Speaker 1: crosses in every every shot. Well, we we shot it

458
00:23:04,040 --> 00:23:07,440
Speaker 1: in another episode also, but the cross is was it

459
00:23:07,640 --> 00:23:10,199
Speaker 1: was after this you don't see the cross anymore, Um,

460
00:23:10,520 --> 00:23:14,400
Speaker 1: I believe, And we don't talk about Turk's faith really anymore,

461
00:23:15,000 --> 00:23:17,040
Speaker 1: which is bizarre because at the end of the episode

462
00:23:17,119 --> 00:23:19,159
Speaker 1: your faith is restored. I mean, you literally have a

463
00:23:19,280 --> 00:23:23,000
Speaker 1: sign from God. Did you go save a pregnant woman

464
00:23:23,119 --> 00:23:25,240
Speaker 1: in the park? Right? Like? I just knew she was

465
00:23:25,359 --> 00:23:27,239
Speaker 1: in the park? Yeah? How did you just know? Did

466
00:23:27,280 --> 00:23:30,359
Speaker 1: you even know? Does Turk even know Sarah's storyline about

467
00:23:30,400 --> 00:23:32,760
Speaker 1: her having a pregnant woman? I think the I think

468
00:23:32,800 --> 00:23:36,240
Speaker 1: the whole hospital knows about it because she's escaped and

469
00:23:36,880 --> 00:23:39,720
Speaker 1: everybody's on the lookout. Okay, so you're on the roof,

470
00:23:39,800 --> 00:23:41,560
Speaker 1: by the way, how funny is it the Judy trying

471
00:23:41,560 --> 00:23:43,280
Speaker 1: to cheer you up, wants to bang on the roof

472
00:23:43,320 --> 00:23:45,320
Speaker 1: of the hospital. I know, I thought that was a

473
00:23:45,400 --> 00:23:47,879
Speaker 1: funny plot line, Like, here, baby, I'll cheer you up.

474
00:23:48,119 --> 00:23:52,320
Speaker 1: Let's have sex on this gravelly dirty rooftop. Yeah, I

475
00:23:52,440 --> 00:23:54,880
Speaker 1: look back at that. I look back at that and like, Turk,

476
00:23:54,960 --> 00:23:57,760
Speaker 1: what were you thinking? I love us, I love us,

477
00:23:58,160 --> 00:24:00,760
Speaker 1: I love I'm wanting it going to be so gross

478
00:24:00,800 --> 00:24:09,480
Speaker 1: and you're like, oh, what was Turk thinking? I mean, like,

479
00:24:09,640 --> 00:24:12,680
Speaker 1: I don't know. I think having sex in like really

480
00:24:12,720 --> 00:24:15,399
Speaker 1: awkward places is always so like such a thing you

481
00:24:15,520 --> 00:24:17,920
Speaker 1: only see in movies, Like, have you had sex and

482
00:24:17,960 --> 00:24:20,640
Speaker 1: awkward places before? Well, I'm not gonna go too into

483
00:24:20,720 --> 00:24:23,320
Speaker 1: my sex life for everybody, but I do. I think

484
00:24:23,359 --> 00:24:25,520
Speaker 1: I have hooked up on the beach with with with

485
00:24:25,720 --> 00:24:28,919
Speaker 1: someone and thought this looks way better in the movies.

486
00:24:29,040 --> 00:24:32,520
Speaker 1: There's like sand in my creases. Yeah. No, I have

487
00:24:32,640 --> 00:24:35,920
Speaker 1: never had sex and really any awkward. There you go.

488
00:24:37,160 --> 00:24:39,720
Speaker 1: We're giving the exclusive here on Fake Doctor's Real Friends,

489
00:24:39,760 --> 00:24:42,920
Speaker 1: Donald Phazong never having sex in an awkward place, Like

490
00:24:43,240 --> 00:24:45,399
Speaker 1: I know people that have done it in some crazy places.

491
00:24:45,440 --> 00:24:47,520
Speaker 1: I'm like, there's people who are into that. They're like

492
00:24:47,600 --> 00:24:49,600
Speaker 1: they like they think of it like naches on their belt,

493
00:24:49,680 --> 00:24:51,800
Speaker 1: like we you're not gonna believe where we bang the

494
00:24:51,920 --> 00:24:58,800
Speaker 1: hospital roof? Yeah, Turk and Carla, aren't that couple? What

495
00:24:58,840 --> 00:25:01,040
Speaker 1: about those people who bran rag about having sex on

496
00:25:01,160 --> 00:25:03,320
Speaker 1: air in airplane bathrooms. I always thought that would be

497
00:25:03,480 --> 00:25:07,160
Speaker 1: humiliating to come out of the bathroom and everyone's looking

498
00:25:07,200 --> 00:25:11,280
Speaker 1: at you and so obvious what you did. It's not. Well,

499
00:25:11,560 --> 00:25:14,800
Speaker 1: the thing is not a lot of people have the

500
00:25:14,880 --> 00:25:18,560
Speaker 1: opportunity to have sex over a mile above the earth, right,

501
00:25:18,800 --> 00:25:21,760
Speaker 1: And so I get the allure. Yeah, you do get

502
00:25:21,800 --> 00:25:23,639
Speaker 1: the allure. Yeah, I get the allure, but I'm not

503
00:25:23,760 --> 00:25:25,880
Speaker 1: really I'm not jealous of it. Like you just said,

504
00:25:26,040 --> 00:25:28,040
Speaker 1: I can't picture you doing that. It doesn't sound like

505
00:25:28,119 --> 00:25:30,760
Speaker 1: a very Donald phase on thing to do. I mean,

506
00:25:31,680 --> 00:25:34,760
Speaker 1: you never know, so you might. I mean if it's

507
00:25:34,800 --> 00:25:38,200
Speaker 1: a private jet, Oh, a private jet doesn't count. I'm

508
00:25:38,240 --> 00:25:41,600
Speaker 1: talking about a commercial airplane. Like yeah, no, no, no, no, no, no, no,

509
00:25:41,840 --> 00:25:44,760
Speaker 1: especially now after what we're going through right now with

510
00:25:44,840 --> 00:25:48,040
Speaker 1: this whole quarantine thing. Before the quarantine, you would definitely

511
00:25:48,080 --> 00:25:50,080
Speaker 1: bang in a bathroom Before the quarantine, I think a

512
00:25:50,160 --> 00:25:52,280
Speaker 1: lot of people would be like, yeah, that's a possibility.

513
00:25:52,359 --> 00:25:54,480
Speaker 1: But I think after the quarantine thing, it's like there's

514
00:25:54,480 --> 00:25:57,200
Speaker 1: a little too much germs. I can't picture Casey Cobb

515
00:25:57,320 --> 00:26:00,400
Speaker 1: being like, there's no way, it's absolutely not. I would

516
00:26:00,440 --> 00:26:01,879
Speaker 1: be like, Babe, let's do it, and she'd look at

517
00:26:01,920 --> 00:26:04,680
Speaker 1: me like I was stupid. Should come home, buddy, my

518
00:26:04,800 --> 00:26:07,640
Speaker 1: own buddy. That's funny, all right. So the parks called

519
00:26:07,720 --> 00:26:09,639
Speaker 1: Miller Park. I couldn't help but think that might be

520
00:26:09,760 --> 00:26:14,640
Speaker 1: for Krista Miller. Okay, right, yeah, sure, the parks called

521
00:26:14,680 --> 00:26:16,439
Speaker 1: Miller Park. I mean Bill said he's not great at

522
00:26:16,520 --> 00:26:20,560
Speaker 1: naming shit. So speaking of Christa Miller, she's back. She's back,

523
00:26:21,280 --> 00:26:24,480
Speaker 1: and she looks beautiful and she's funny as shit. And

524
00:26:25,520 --> 00:26:29,000
Speaker 1: six thirty three is the first time I say banana hammock? Nelson,

525
00:26:29,680 --> 00:26:31,560
Speaker 1: what is a banana hammock? Is it the thing that

526
00:26:31,720 --> 00:26:37,080
Speaker 1: Rob that Rob aka Todd wears the tiny Yes? Yes,

527
00:26:37,320 --> 00:26:42,160
Speaker 1: and and and it's called a banana hammock because obviously

528
00:26:42,640 --> 00:26:46,000
Speaker 1: it's like laying your banana in a Hanna hammock. Okay,

529
00:26:46,160 --> 00:26:48,439
Speaker 1: now I guess there are people men that wear these

530
00:26:48,520 --> 00:26:52,960
Speaker 1: for real strippers. Yeah, I mean I think if you're comfortable,

531
00:26:53,160 --> 00:26:55,720
Speaker 1: if you don't have problems with your thighs rubbing together,

532
00:26:56,560 --> 00:27:00,840
Speaker 1: banana hammocks are very comfortable. Do you would could you

533
00:27:00,960 --> 00:27:04,240
Speaker 1: ever consider? Would you ever consider? No? Because before you answer,

534
00:27:04,320 --> 00:27:06,399
Speaker 1: if you knew you weren't going to be photographed by

535
00:27:06,440 --> 00:27:09,439
Speaker 1: a Papa rots So, by the way, singular of Papa

536
00:27:09,560 --> 00:27:12,240
Speaker 1: Rozzi is Papa Rozzo. I don't know if you knew that. Okay,

537
00:27:12,480 --> 00:27:14,320
Speaker 1: if you knew that you weren't going to be photographed

538
00:27:14,359 --> 00:27:15,920
Speaker 1: and it would just be you on the beach and

539
00:27:16,640 --> 00:27:19,120
Speaker 1: wherever Brazil, would you would you rock one of those?

540
00:27:19,600 --> 00:27:22,280
Speaker 1: If I had no worry about anyone ever seeing me

541
00:27:22,600 --> 00:27:26,080
Speaker 1: in this, yeah, then why not go nude? Right? No,

542
00:27:26,119 --> 00:27:29,080
Speaker 1: I'm talking about you're stole a beach, people are like around, No,

543
00:27:29,240 --> 00:27:32,199
Speaker 1: then no, I would not rock one. If people are around,

544
00:27:32,640 --> 00:27:36,360
Speaker 1: then no, I would never. I sometimes think it would

545
00:27:36,359 --> 00:27:39,840
Speaker 1: be fun to wear a speedo like you know. Um again,

546
00:27:39,880 --> 00:27:41,600
Speaker 1: I don't want to wear it and have people look

547
00:27:41,640 --> 00:27:44,399
Speaker 1: at me and judge, you know, everything going on. But

548
00:27:44,480 --> 00:27:46,359
Speaker 1: I think I just think sometimes when I see people

549
00:27:46,359 --> 00:27:48,080
Speaker 1: wearing them, I go, I think that might feel nice

550
00:27:48,200 --> 00:27:51,120
Speaker 1: have a speedo on be out and about. Yeah, I don't,

551
00:27:51,119 --> 00:27:53,680
Speaker 1: I don't know, I don't, I don't. I'd prefer to.

552
00:27:54,240 --> 00:27:56,879
Speaker 1: I have issues with like chafing with my thighs and

553
00:27:56,920 --> 00:27:59,800
Speaker 1: stuff like that because we don't have a thigh gap. Yeah,

554
00:28:00,160 --> 00:28:05,639
Speaker 1: I got quads and I got some thigh gap. I

555
00:28:05,800 --> 00:28:08,640
Speaker 1: think I might have a thigh gap. Let me see. Yeah,

556
00:28:08,680 --> 00:28:10,159
Speaker 1: I have a little thigh gap. I don't have a

557
00:28:10,240 --> 00:28:14,400
Speaker 1: thigh gap. My my, my, my inner thigh touch. Yeah,

558
00:28:14,480 --> 00:28:17,640
Speaker 1: they clap, they clap. That's the worst. Oh, you want

559
00:28:17,680 --> 00:28:24,320
Speaker 1: to talk about feeling uh, feeling uh running with the

560
00:28:24,520 --> 00:28:28,600
Speaker 1: chief after a while and then having the burn in between.

561
00:28:29,320 --> 00:28:31,840
Speaker 1: You can't jog because of your thighs. I can jog

562
00:28:31,880 --> 00:28:33,800
Speaker 1: if I put on something like compression shorts, but I

563
00:28:33,880 --> 00:28:35,760
Speaker 1: can't wear like. I can't wear tidy whities like I

564
00:28:35,800 --> 00:28:38,800
Speaker 1: don't wear tighty whities because even just walking is an

565
00:28:38,800 --> 00:28:41,479
Speaker 1: issue with tighty whities. Yeah. I don't where tidy whities

566
00:28:41,480 --> 00:28:44,880
Speaker 1: anymore either, but I used to be quite loyal to them. Yea.

567
00:28:45,680 --> 00:28:49,600
Speaker 1: The janitor is for no reason that ninety punched in

568
00:28:49,640 --> 00:28:52,640
Speaker 1: the balls by a little girl, and um both the

569
00:28:52,720 --> 00:28:57,920
Speaker 1: little girl and the mom acknowledge the janitor. So um, Bill,

570
00:28:59,080 --> 00:29:02,800
Speaker 1: Since you hold fast to the idea that the janitor

571
00:29:02,920 --> 00:29:05,480
Speaker 1: only reacted with j D in season one and may

572
00:29:05,520 --> 00:29:08,920
Speaker 1: have been a figment of his imagination, why is it

573
00:29:09,240 --> 00:29:12,320
Speaker 1: that a little girl randomly punches Neil in the balls

574
00:29:12,960 --> 00:29:17,000
Speaker 1: and he reacts? Yeah, when the janitor got hitting the

575
00:29:17,320 --> 00:29:20,000
Speaker 1: balls by that girl, like the nine and a half

576
00:29:20,080 --> 00:29:25,800
Speaker 1: minute mark. You want me to explain how the janitor

577
00:29:25,880 --> 00:29:28,680
Speaker 1: can only interact with j D if this actually happened,

578
00:29:28,680 --> 00:29:38,600
Speaker 1: that's easy. Um five, stop fucking guy, Um the old

579
00:29:38,640 --> 00:29:43,400
Speaker 1: school PSA. Yes, great, hilarious, so funny, very funny, and

580
00:29:43,600 --> 00:29:47,560
Speaker 1: very clever. Yeah, I mean really and and just well executed.

581
00:29:48,040 --> 00:29:51,440
Speaker 1: Kudos to Jeff Melman the director, and and Deb for

582
00:29:51,680 --> 00:29:53,680
Speaker 1: writing it. I thought that was just really clever, really

583
00:29:53,800 --> 00:29:57,440
Speaker 1: well executed. Those those sort of spoofing those nineteen fifties

584
00:29:57,920 --> 00:30:01,520
Speaker 1: you know, what do you call them instructional videos? Yes,

585
00:30:01,800 --> 00:30:04,200
Speaker 1: But then afterward, after the fantasy was over, we did

586
00:30:04,280 --> 00:30:08,920
Speaker 1: it again where the person who did the voice over

587
00:30:09,040 --> 00:30:11,240
Speaker 1: for the fantasy is now in the room with you, right,

588
00:30:11,600 --> 00:30:14,320
Speaker 1: and he brings up like communism as though he's still

589
00:30:14,360 --> 00:30:17,240
Speaker 1: back in the fifties, right, and then looks he's looking

590
00:30:17,320 --> 00:30:21,239
Speaker 1: off into the distance, I guess into nowhere, and then

591
00:30:21,320 --> 00:30:23,520
Speaker 1: you look at him to see what he's looking at, right,

592
00:30:23,640 --> 00:30:25,760
Speaker 1: and then you exit that direction. I think he was

593
00:30:25,840 --> 00:30:28,160
Speaker 1: trying to be one of those like, you know, picture

594
00:30:28,240 --> 00:30:30,760
Speaker 1: like a nineteen fifties announcer guy who's like looking off

595
00:30:30,800 --> 00:30:34,000
Speaker 1: into the distance and thus we will fight communism and so,

596
00:30:34,280 --> 00:30:36,600
Speaker 1: and then he's sort of frozen like that. And then

597
00:30:36,720 --> 00:30:38,640
Speaker 1: but it was sort of a JD sort of head look.

598
00:30:38,680 --> 00:30:40,080
Speaker 1: So then I kind of did a look to him

599
00:30:40,080 --> 00:30:41,520
Speaker 1: like are you doing my thing? Or what are you

600
00:30:41,560 --> 00:30:43,440
Speaker 1: looking at? And then I try to look where he

601
00:30:43,560 --> 00:30:46,040
Speaker 1: was going. But that's pulling out of a fantasy and

602
00:30:46,200 --> 00:30:49,440
Speaker 1: still being yes, you know, it's rather example. That's not

603
00:30:49,560 --> 00:30:52,400
Speaker 1: something that happened too often. No, this is like then

604
00:30:52,480 --> 00:30:54,520
Speaker 1: the second time it happened. Well, we talked about the

605
00:30:54,560 --> 00:30:57,800
Speaker 1: guy who was frozen after at the orderly, who was

606
00:30:57,840 --> 00:31:00,720
Speaker 1: frozen after everybody else was frozen. It's not something I

607
00:31:00,800 --> 00:31:03,200
Speaker 1: think Bill. I think he said that he started phasing

608
00:31:03,320 --> 00:31:05,480
Speaker 1: that out, but I thought it was clever, very clever.

609
00:31:05,880 --> 00:31:12,440
Speaker 1: Same here, um, I UM, I have a couple of things.

610
00:31:12,480 --> 00:31:15,640
Speaker 1: We shaved the baby. I laughed out loud. I laughed

611
00:31:15,680 --> 00:31:20,600
Speaker 1: out loud. I shaved the baby, shaved in a haircut.

612
00:31:21,080 --> 00:31:25,280
Speaker 1: Two Yeah, I laughed out loud. That was JD's jad's

613
00:31:25,400 --> 00:31:28,760
Speaker 1: um improvisation for solving the problem. We shaved the baby.

614
00:31:28,960 --> 00:31:34,240
Speaker 1: You shaved the baby, yep, shaved the baby, shave and

615
00:31:34,360 --> 00:31:40,000
Speaker 1: a haircut. Long pause, two bits. Bill told me um

616
00:31:40,800 --> 00:31:43,240
Speaker 1: early on that one of the things he loved about

617
00:31:43,280 --> 00:31:46,840
Speaker 1: Michael J. Fox working on Spin City was that Michael J.

618
00:31:47,200 --> 00:31:49,720
Speaker 1: And everybody when you think about this, when you hear this,

619
00:31:49,800 --> 00:31:52,600
Speaker 1: you'll think about family ties. And some of the amazing

620
00:31:53,360 --> 00:31:57,360
Speaker 1: timing he had was that he knew how long he

621
00:31:57,440 --> 00:32:00,560
Speaker 1: could milk a pause before that punchline. Like Michael J.

622
00:32:00,680 --> 00:32:04,200
Speaker 1: Fox was fucking genius at you know, I'll just use

623
00:32:04,280 --> 00:32:06,520
Speaker 1: this this example, how long he could have the audience,

624
00:32:06,680 --> 00:32:09,480
Speaker 1: especially if the audience got ahead of it. He knew

625
00:32:09,560 --> 00:32:11,840
Speaker 1: that you still, I mean, it's even better with a

626
00:32:11,880 --> 00:32:14,760
Speaker 1: sitcom live audience, but he knew that shaven a haircut,

627
00:32:18,240 --> 00:32:20,720
Speaker 1: you know, like he could he could just milk it.

628
00:32:21,600 --> 00:32:24,560
Speaker 1: Even if the audience started and a sitcom started giggling

629
00:32:24,600 --> 00:32:27,120
Speaker 1: because they were ahead of it. He could just milk that.

630
00:32:27,240 --> 00:32:29,840
Speaker 1: And Bill said, and I think I think that landed

631
00:32:29,880 --> 00:32:32,520
Speaker 1: in my head in some of my scrubs timings because

632
00:32:32,560 --> 00:32:35,520
Speaker 1: I wanted to impress him like Michael J. Fox. But

633
00:32:36,160 --> 00:32:38,320
Speaker 1: but I but I I always think of that when

634
00:32:38,320 --> 00:32:40,719
Speaker 1: you watch some of Michael J. Fox's amazing timing, how

635
00:32:41,080 --> 00:32:43,040
Speaker 1: how he could just he just was a master of

636
00:32:43,360 --> 00:32:45,240
Speaker 1: how long to hold it like even let the audience

637
00:32:45,280 --> 00:32:47,240
Speaker 1: get ahead of it. It's fine, and then say, and

638
00:32:47,280 --> 00:32:49,800
Speaker 1: it would be so much more gratifying, right, I mean,

639
00:32:50,040 --> 00:32:52,440
Speaker 1: Michael J. Fox is you know, one of our our

640
00:32:52,480 --> 00:32:56,240
Speaker 1: best when it comes to Family Ties. Did you watch

641
00:32:56,320 --> 00:32:59,720
Speaker 1: Family Ties? Of course I watched Family Ties. He was

642
00:32:59,760 --> 00:33:02,720
Speaker 1: amazing in that. And also Back to the Future, you know,

643
00:33:02,840 --> 00:33:04,600
Speaker 1: the first. I talk about Back to the Future a

644
00:33:04,640 --> 00:33:06,240
Speaker 1: lot because it's one of my favorite movies, but the

645
00:33:06,320 --> 00:33:08,920
Speaker 1: first Back to the Future. I know there's some plot

646
00:33:08,960 --> 00:33:11,880
Speaker 1: holes in it that a lot of people can't get over,

647
00:33:12,200 --> 00:33:14,600
Speaker 1: but to me, that movie is almost flawless, you know

648
00:33:14,640 --> 00:33:17,880
Speaker 1: what I mean. As far as time travel stories are

649
00:33:17,960 --> 00:33:20,160
Speaker 1: so difficult to do, you know what I mean? And

650
00:33:20,480 --> 00:33:22,880
Speaker 1: or I shouldn't say it difficult to do. I should say,

651
00:33:22,920 --> 00:33:26,400
Speaker 1: they're just doing a time travel story. It's been done

652
00:33:26,520 --> 00:33:28,920
Speaker 1: so many times before, and so you have to be

653
00:33:29,120 --> 00:33:32,360
Speaker 1: pretty creative to make it feel like, oh, this is

654
00:33:33,200 --> 00:33:35,800
Speaker 1: oh you know, people say another time travel story. But

655
00:33:35,880 --> 00:33:39,520
Speaker 1: if it's as good as Back to the Future was,

656
00:33:40,400 --> 00:33:43,240
Speaker 1: you accept it and you're willing to go on the ride.

657
00:33:43,320 --> 00:33:46,000
Speaker 1: Otherwise it's like some cheese shit and you you know,

658
00:33:46,200 --> 00:33:48,640
Speaker 1: theory gets in the way of a lot of stuff,

659
00:33:48,720 --> 00:33:52,440
Speaker 1: and they just it's just one of those movies that

660
00:33:53,120 --> 00:33:55,880
Speaker 1: you know, you make a it's just it's in my opinion,

661
00:33:55,920 --> 00:33:58,200
Speaker 1: it's one. It's a perfect movie. And wasn't it amazing

662
00:33:58,280 --> 00:34:00,240
Speaker 1: that a movie you could turn out that good? Good?

663
00:34:00,680 --> 00:34:03,800
Speaker 1: And it was a film that they started over because

664
00:34:03,840 --> 00:34:07,760
Speaker 1: they recast the lead, right yeah, well yeah, yeah, yeah,

665
00:34:07,960 --> 00:34:09,880
Speaker 1: I mean you mentioned this, you mentioned this before. But

666
00:34:09,960 --> 00:34:11,480
Speaker 1: for those of you who didn't hear that or didn't

667
00:34:11,520 --> 00:34:13,840
Speaker 1: know it was originally Eric Stoltz, I don't know how

668
00:34:13,880 --> 00:34:15,680
Speaker 1: long they shot. You read the book. Do you remember

669
00:34:15,719 --> 00:34:17,880
Speaker 1: they shot half of the movie, So they shot all

670
00:34:17,920 --> 00:34:20,640
Speaker 1: of the stuff that credible. They shot half of the

671
00:34:20,719 --> 00:34:23,320
Speaker 1: fucking movie. Yeah, so they shot everything in the fifties.

672
00:34:23,719 --> 00:34:25,800
Speaker 1: What they talk about They talk about the movie like,

673
00:34:26,200 --> 00:34:29,239
Speaker 1: you know, Michael J. Fox is very athletic. It's the

674
00:34:29,320 --> 00:34:30,919
Speaker 1: name of this book. Do you remember. For people don't

675
00:34:30,960 --> 00:34:35,600
Speaker 1: remember it, dude tweeted, but they shot half the movie

676
00:34:35,960 --> 00:34:38,240
Speaker 1: and they said, you know, Michael J. Fox is very athletic.

677
00:34:39,080 --> 00:34:41,520
Speaker 1: But they said Eric Stolts on a skateboard was magic.

678
00:34:41,880 --> 00:34:44,520
Speaker 1: He just seemed way more at home on a skateboard

679
00:34:44,560 --> 00:34:46,880
Speaker 1: than it was a skateboard. Yeah, right, then Michael J.

680
00:34:47,000 --> 00:34:50,560
Speaker 1: Fox did, and you know the rock and roll side

681
00:34:50,600 --> 00:34:52,480
Speaker 1: of things. They say in the book, you know, Eric

682
00:34:52,600 --> 00:34:56,400
Speaker 1: Stoltz had that, you know, has that very much grund

683
00:34:56,640 --> 00:34:59,680
Speaker 1: rock appeal to him, you know what I mean. And

684
00:34:59,800 --> 00:35:02,759
Speaker 1: my Jay Fox is you know, he is he is

685
00:35:02,800 --> 00:35:06,160
Speaker 1: what he is. He's you know, when you look at him,

686
00:35:06,160 --> 00:35:10,040
Speaker 1: you're not like, yo, that dude is just Lickson's to

687
00:35:10,160 --> 00:35:11,800
Speaker 1: rock all it. Even even if he does, you know

688
00:35:11,800 --> 00:35:14,400
Speaker 1: what I mean, he doesn't have that look to him.

689
00:35:14,560 --> 00:35:18,120
Speaker 1: And they said, Eric did it just didn't work out. Yeah,

690
00:35:18,200 --> 00:35:20,040
Speaker 1: I mean, how humbling can you imagine your I mean,

691
00:35:20,160 --> 00:35:22,480
Speaker 1: thank god. Eric Stoltz went on to have this incredible

692
00:35:22,560 --> 00:35:26,080
Speaker 1: career and holy shit in Mask if you have And

693
00:35:26,160 --> 00:35:28,120
Speaker 1: that's the thing. So they talk about that in the book.

694
00:35:28,160 --> 00:35:29,840
Speaker 1: The reason why he was put in the movie was

695
00:35:29,880 --> 00:35:32,160
Speaker 1: because he had Mask, the Mask coming out, you know

696
00:35:32,200 --> 00:35:34,680
Speaker 1: what I mean, And so they were banking on him

697
00:35:34,800 --> 00:35:37,680
Speaker 1: getting nominated for an Academy Award for that movie, but

698
00:35:37,800 --> 00:35:42,040
Speaker 1: then being in this blockbuster action adventure time travel movie.

699
00:35:42,560 --> 00:35:44,400
Speaker 1: The name of the book is Back to the Future.

700
00:35:45,000 --> 00:35:47,799
Speaker 1: I got to click on The Ultimate Visual History. Yes,

701
00:35:48,960 --> 00:35:54,279
Speaker 1: Back to the Future, The Ultimate Visual History by Michael klasterin. Yeah,

702
00:35:54,920 --> 00:35:57,040
Speaker 1: so if you're a fan of the movie, uh, like

703
00:35:57,320 --> 00:35:59,120
Speaker 1: as much as Donald is, you might want to check

704
00:35:59,239 --> 00:36:02,160
Speaker 1: that out because it sounds fascinating. I'm always fascinating these

705
00:36:02,280 --> 00:36:06,520
Speaker 1: production stories where someone's recast or they start over. I mean,

706
00:36:06,560 --> 00:36:08,440
Speaker 1: I don't know if it's true, so don't hold me

707
00:36:08,480 --> 00:36:10,440
Speaker 1: to this, But I heard that American Beauty, which is

708
00:36:10,480 --> 00:36:12,840
Speaker 1: one of my favorite movies, they shot like, not not

709
00:36:12,920 --> 00:36:14,480
Speaker 1: as much as this, but they shot like a week

710
00:36:14,560 --> 00:36:19,480
Speaker 1: of and and um, and the director said, uh, to

711
00:36:19,880 --> 00:36:22,480
Speaker 1: the producers, I I didn't get the tone quite right.

712
00:36:22,560 --> 00:36:24,400
Speaker 1: You know, the tone of American media is so specific.

713
00:36:24,960 --> 00:36:28,439
Speaker 1: And as the as the rumor I heard goes, he said,

714
00:36:28,480 --> 00:36:30,279
Speaker 1: I just didn't quite nail it. I need to I

715
00:36:30,320 --> 00:36:32,160
Speaker 1: need to scrap that week and start over. And and

716
00:36:32,360 --> 00:36:36,319
Speaker 1: the DreamWorks producers, including Spielberg and the other fellows, let

717
00:36:36,400 --> 00:36:38,880
Speaker 1: him do it. That's interesting because Spielberg's very much involved

718
00:36:38,920 --> 00:36:40,800
Speaker 1: in Back to the Future as so maybe he's the

719
00:36:41,280 --> 00:36:43,879
Speaker 1: kind of producer that if you're lets it with Sam Mende.

720
00:36:43,920 --> 00:36:46,600
Speaker 1: Sorry Sam Mendi's first film, and I love American Beauty,

721
00:36:46,640 --> 00:36:49,040
Speaker 1: please see that if you haven't. But I again, it

722
00:36:49,160 --> 00:36:51,440
Speaker 1: might be Hollywood lore, but I heard that that that

723
00:36:51,520 --> 00:36:53,360
Speaker 1: they sort of started over again on that one. So

724
00:36:53,440 --> 00:36:56,960
Speaker 1: these stories where where some movie is so incredible, it

725
00:36:57,000 --> 00:36:59,759
Speaker 1: has such an impact, and then there's there's something that

726
00:36:59,840 --> 00:37:03,000
Speaker 1: happened where they happens all the time some you know,

727
00:37:03,160 --> 00:37:04,800
Speaker 1: some Star Wars movie. They did that with some of

728
00:37:04,840 --> 00:37:07,000
Speaker 1: the Star Wars movies, like Rogue one. Apparently there's a

729
00:37:07,080 --> 00:37:11,400
Speaker 1: whole you know, they shot almost all of Rogue one

730
00:37:11,440 --> 00:37:14,400
Speaker 1: and went back and reshot a lot of the stuff

731
00:37:14,440 --> 00:37:17,799
Speaker 1: in it. Really, yeah, same thing with the same thing

732
00:37:17,880 --> 00:37:20,319
Speaker 1: with Solo. You remember, you know, of course that's changing,

733
00:37:20,520 --> 00:37:23,160
Speaker 1: that's changing the directors, that's that's seven crazy. Yeah, but

734
00:37:23,320 --> 00:37:26,239
Speaker 1: there's a whole cut. There's a whole movie. According to Lore,

735
00:37:26,800 --> 00:37:29,600
Speaker 1: there's a whole movie that they made that you can

736
00:37:29,680 --> 00:37:32,719
Speaker 1: actually take all of the special effects and all of

737
00:37:32,760 --> 00:37:36,840
Speaker 1: the things that they did in the actual Solo movie

738
00:37:37,120 --> 00:37:40,000
Speaker 1: and you can put it into what they shot and

739
00:37:40,160 --> 00:37:42,520
Speaker 1: it's a completely different movie, but it still all fits.

740
00:37:42,719 --> 00:37:44,880
Speaker 1: What do you think happen? They were obviously my guesses,

741
00:37:45,000 --> 00:37:48,000
Speaker 1: they were just doing their hilarious improv comedic thing. And

742
00:37:48,160 --> 00:37:50,840
Speaker 1: then Kathleen Kennedy that's her name, did she just not

743
00:37:51,080 --> 00:37:53,640
Speaker 1: like that style? She's saying that's not Star Wars. No,

744
00:37:53,760 --> 00:37:55,040
Speaker 1: I don't know if it was her. I don't know

745
00:37:55,120 --> 00:37:57,560
Speaker 1: if it was I don't know if it was the

746
00:37:57,960 --> 00:37:59,840
Speaker 1: writer of the movie, who's gone on to write some

747
00:38:00,040 --> 00:38:05,439
Speaker 1: incredible movies. H Jonathan Kasden. It's Jonathan, but his dad

748
00:38:05,560 --> 00:38:08,520
Speaker 1: wrote Raiders the Lost Ark. Yeah. Lawrence Kasten, Yeah, he

749
00:38:08,600 --> 00:38:10,799
Speaker 1: wrote Raised in the Lost Ark The Empire strikes Back,

750
00:38:11,080 --> 00:38:13,080
Speaker 1: and they both teamed up to right solo. I don't

751
00:38:13,120 --> 00:38:15,239
Speaker 1: know what happened. I'd love to know that story. We

752
00:38:15,280 --> 00:38:16,600
Speaker 1: could reach out to them and they want to be

753
00:38:16,640 --> 00:38:19,279
Speaker 1: on the podcast, and right here they want to talk

754
00:38:19,320 --> 00:38:20,880
Speaker 1: about I don't think even if we were to get

755
00:38:21,000 --> 00:38:23,040
Speaker 1: Chris and Phil on the podcast, I don't think they're

756
00:38:23,040 --> 00:38:26,840
Speaker 1: gonna out there whole. So let's ask Jonathan Kaston and

757
00:38:26,920 --> 00:38:29,120
Speaker 1: Lawrence Caston. All right, they'll never do it. I don't

758
00:38:29,120 --> 00:38:30,600
Speaker 1: think they'll do it. How cool would it be if

759
00:38:30,640 --> 00:38:32,560
Speaker 1: I could go and cut two and then they said it.

760
00:38:32,760 --> 00:38:35,480
Speaker 1: You know, as the podcast gets bigger and bigger, maybe

761
00:38:35,480 --> 00:38:37,800
Speaker 1: we'll be able to get like really fancy guests like

762
00:38:37,960 --> 00:38:43,480
Speaker 1: and now Lawrence Kasten. Um. Yeah. I always wondered what

763
00:38:43,560 --> 00:38:45,160
Speaker 1: happened with that, because I don't know why you'd hire

764
00:38:45,280 --> 00:38:48,359
Speaker 1: Christen phil If not to do what they do so well,

765
00:38:48,480 --> 00:38:51,680
Speaker 1: which was to make it funny. And it seems to

766
00:38:51,760 --> 00:38:53,640
Speaker 1: me not as someone who's just dialed into the Star

767
00:38:53,680 --> 00:38:56,120
Speaker 1: Wars universe as you. But when I think of Han Solo,

768
00:38:56,239 --> 00:38:58,919
Speaker 1: I think, oh, let's give him some some jokes, Let's

769
00:38:58,960 --> 00:39:01,560
Speaker 1: have him be quippy and funny. And it seemed like

770
00:39:01,600 --> 00:39:04,120
Speaker 1: a perfect marriage. But it would be a real interesting

771
00:39:04,239 --> 00:39:06,960
Speaker 1: it'd be very interesting to see that. You know that

772
00:39:07,040 --> 00:39:08,920
Speaker 1: side effects and I love Solo, you know what I mean.

773
00:39:08,920 --> 00:39:10,959
Speaker 1: There are a lot of people out there that really

774
00:39:11,080 --> 00:39:13,839
Speaker 1: liked that movie, and I'm one of those people. Um,

775
00:39:14,000 --> 00:39:17,200
Speaker 1: it's a fun Star Wars movie. So then Ron Howard

776
00:39:17,320 --> 00:39:20,879
Speaker 1: came in, and you know, he's an amazing director himself, right,

777
00:39:21,360 --> 00:39:23,439
Speaker 1: you know, it's one of my favorite Ron Howard movies,

778
00:39:23,480 --> 00:39:27,600
Speaker 1: His Parenthood, the movie if you have great cast, great movie.

779
00:39:28,760 --> 00:39:30,680
Speaker 1: He went on to make a very popular TV show,

780
00:39:30,800 --> 00:39:33,560
Speaker 1: starting My Doppelgang or Dak Shephard. I'm gonna take something

781
00:39:33,640 --> 00:39:36,360
Speaker 1: right now. That movie has one of my favorite actors.

782
00:39:36,440 --> 00:39:39,600
Speaker 1: I am a huge fan of Rick Moranis. Yeah, has been.

783
00:39:39,680 --> 00:39:42,040
Speaker 1: He's amazing. Yeah, he's on his way. I guess he's

784
00:39:42,280 --> 00:39:44,400
Speaker 1: he's agreed to do another project. I don't know what

785
00:39:44,480 --> 00:39:46,120
Speaker 1: it is, but he's honey, I shrunk the kids. Maybe

786
00:39:46,160 --> 00:39:48,360
Speaker 1: he's coming back for that. That would be so awesome.

787
00:39:48,760 --> 00:39:51,040
Speaker 1: I know they're redoing that with Josh Gadd and I

788
00:39:51,200 --> 00:39:55,080
Speaker 1: think of that he might be joining him. Joel's nodding

789
00:39:55,160 --> 00:39:58,600
Speaker 1: so that. Yeah. Rick moranis tragically lost his wife at

790
00:39:58,640 --> 00:40:00,560
Speaker 1: the height of his career, so he quit to raise

791
00:40:00,640 --> 00:40:03,680
Speaker 1: his children, and now his children are growing and he's

792
00:40:03,719 --> 00:40:07,000
Speaker 1: coming back and I'm so excited. God, he's so talented.

793
00:40:07,080 --> 00:40:10,319
Speaker 1: I'm so I'm so happy he's coming back. Funny funny man.

794
00:40:18,400 --> 00:40:20,440
Speaker 1: All right, let's get back to the show. Let's get

795
00:40:20,480 --> 00:40:22,799
Speaker 1: back to the show. Donald one of my favorite fantasies.

796
00:40:23,080 --> 00:40:25,520
Speaker 1: Uh and I still use it to this day. I

797
00:40:25,640 --> 00:40:29,719
Speaker 1: A'm buying it trying to sell somebody the book on

798
00:40:30,000 --> 00:40:33,399
Speaker 1: the kid getting hit, the baby with prenatal lice. Yeah,

799
00:40:33,640 --> 00:40:37,719
Speaker 1: and Christa says, Jorda says, I'm buying it at the

800
00:40:38,880 --> 00:40:40,880
Speaker 1: funny buying it. That's funny. And you passed something that

801
00:40:40,920 --> 00:40:42,759
Speaker 1: I want to say still about shaving the baby's head.

802
00:40:42,760 --> 00:40:44,759
Speaker 1: That was funny. Oh when when Johnny sees mad that

803
00:40:44,800 --> 00:40:47,440
Speaker 1: I didn't correctly tape over them. By the way, for

804
00:40:47,480 --> 00:40:50,040
Speaker 1: those of you young, that's that's a VHS recorder. So

805
00:40:50,120 --> 00:40:54,480
Speaker 1: there used to be these giant tapes called VHS tapes. Um.

806
00:40:54,560 --> 00:40:56,600
Speaker 1: But I was laughing, and when Johnny SE's yelling at

807
00:40:56,600 --> 00:40:58,719
Speaker 1: me because I fucked up the tape and I go

808
00:40:59,600 --> 00:41:03,560
Speaker 1: I was there, I could you know, jot down some

809
00:41:03,760 --> 00:41:09,160
Speaker 1: of my feelings and impressions. It's very I could I could,

810
00:41:09,280 --> 00:41:14,480
Speaker 1: you know, shot down some of my feelings and impressions, like,

811
00:41:14,560 --> 00:41:16,439
Speaker 1: I was good, What am I gonna do? Like write down?

812
00:41:16,520 --> 00:41:22,520
Speaker 1: Like and then the head emerge. Um, let's talk about

813
00:41:22,640 --> 00:41:25,120
Speaker 1: Johnny c McGinley as the Grinch. That was really funny.

814
00:41:25,160 --> 00:41:29,520
Speaker 1: He nailed that, Yes he did. Yeah. And the words

815
00:41:29,600 --> 00:41:33,200
Speaker 1: that he's saying are those words from doctor Seus's nurse.

816
00:41:33,239 --> 00:41:35,799
Speaker 1: I think they're supposed to be doctor Susy, but they're

817
00:41:35,840 --> 00:41:38,239
Speaker 1: not real sus But they're not real suss words. Yeah.

818
00:41:38,280 --> 00:41:40,040
Speaker 1: But they did a great job on his hair and makeup.

819
00:41:40,040 --> 00:41:41,719
Speaker 1: I thought he looked really cool and he was. It

820
00:41:41,880 --> 00:41:43,600
Speaker 1: was funny looking. I wonder how long he was in

821
00:41:43,680 --> 00:41:45,799
Speaker 1: hair and makeup for I could I could tell from

822
00:41:45,920 --> 00:41:47,879
Speaker 1: from being on the show. That was hours and hours

823
00:41:47,920 --> 00:41:50,640
Speaker 1: and hours. He had hair like green hair glued to

824
00:41:50,719 --> 00:41:53,880
Speaker 1: his face and stuff. Yeah, Sinner Man by Nina Simone,

825
00:41:53,960 --> 00:41:56,160
Speaker 1: which is they really must have rolled out the bucks

826
00:41:56,239 --> 00:41:58,600
Speaker 1: for it to pay for Nina Simone on this episode.

827
00:41:58,640 --> 00:42:01,759
Speaker 1: As you run to the to Miller Park to park,

828
00:42:02,280 --> 00:42:04,280
Speaker 1: you know that that was what I was talking about

829
00:42:04,320 --> 00:42:09,120
Speaker 1: when we were talking about the platform shoes, and they

830
00:42:09,200 --> 00:42:11,680
Speaker 1: made Deontay do all of the things that you saw

831
00:42:11,800 --> 00:42:16,120
Speaker 1: me do in that episode in like twelve inch platform shoes. However,

832
00:42:16,200 --> 00:42:19,239
Speaker 1: sure how much shorter he is than me by eight inch? Whatever?

833
00:42:19,480 --> 00:42:21,279
Speaker 1: Why are you running? Why are you running like a

834
00:42:21,440 --> 00:42:23,839
Speaker 1: cartoon character? Do you notice that? It's like this really

835
00:42:23,920 --> 00:42:26,719
Speaker 1: dramatic moment and then you're taking corners. You know how

836
00:42:26,760 --> 00:42:29,120
Speaker 1: when cartoon people run, they like skid at the corners

837
00:42:29,120 --> 00:42:32,200
Speaker 1: and they have to like like catch you. You're doing

838
00:42:32,280 --> 00:42:35,600
Speaker 1: that ship Well, it's all come. It all comes from

839
00:42:35,640 --> 00:42:39,280
Speaker 1: Michael J. Fox Man speaking. We spoke about him earlier.

840
00:42:39,440 --> 00:42:42,279
Speaker 1: It really is true, man, Mike. Michael J. Fox had

841
00:42:42,360 --> 00:42:45,920
Speaker 1: some of the best running moments in the history of

842
00:42:46,120 --> 00:42:49,160
Speaker 1: running in teen Wolf when he's running through the halls

843
00:42:49,520 --> 00:42:52,440
Speaker 1: and the guys mopping and he's like it's slippery that way,

844
00:42:52,760 --> 00:42:55,520
Speaker 1: and Mike runs through and then slides all the way

845
00:42:55,600 --> 00:42:58,319
Speaker 1: through camera, run away through the hallway and then comes

846
00:42:58,440 --> 00:43:01,040
Speaker 1: running back. But as he's coming back, he's trying to

847
00:43:01,120 --> 00:43:03,520
Speaker 1: keep his balance on this slippery floor. So you're saying

848
00:43:03,600 --> 00:43:06,600
Speaker 1: that moment you're running, and this was inspiring everything everything

849
00:43:06,680 --> 00:43:10,800
Speaker 1: I you know, everything I've done. Everything I do, I

850
00:43:11,000 --> 00:43:13,520
Speaker 1: do it for you, I do it for Michael J.

851
00:43:13,680 --> 00:43:16,520
Speaker 1: F Well, no, but every there's a you know, whether

852
00:43:16,640 --> 00:43:19,360
Speaker 1: it's a run or a walk, or you know, a

853
00:43:19,480 --> 00:43:23,000
Speaker 1: facial expression. A lot of these come from my favorite actors,

854
00:43:23,360 --> 00:43:28,080
Speaker 1: So like Harrison Ford, Denzel Washington, Sydney Portier, Michael J. Fox,

855
00:43:28,360 --> 00:43:32,719
Speaker 1: Rick Moranis, Robin Williams, Bill Murray. You know, all of

856
00:43:32,760 --> 00:43:35,520
Speaker 1: these people did something that I saw and I was like,

857
00:43:35,640 --> 00:43:38,960
Speaker 1: I'm gonna I'm gonna try and do wrote I wrote

858
00:43:39,000 --> 00:43:42,680
Speaker 1: down in nineteen eighteen. Turk runs like a cartoon character. Right,

859
00:43:42,800 --> 00:43:46,200
Speaker 1: that all came from me trying to run like Michael J. Fox. Yeah,

860
00:43:46,280 --> 00:43:49,440
Speaker 1: So Turke gets a sign. He's on the roof again, Right,

861
00:43:49,480 --> 00:43:51,359
Speaker 1: You're on the roof again. Yeah, and you're just up

862
00:43:51,400 --> 00:43:53,600
Speaker 1: there having a moment and you have a come to

863
00:43:53,760 --> 00:43:56,640
Speaker 1: Jesus moment if you will that there's a pregnant woman

864
00:43:56,680 --> 00:43:59,799
Speaker 1: about to give birth in the park, and you run

865
00:44:00,200 --> 00:44:03,000
Speaker 1: and you run like a cartoon character to Nina Simone's

866
00:44:03,160 --> 00:44:07,279
Speaker 1: Center Man beautiful song and uh, and then you run

867
00:44:07,320 --> 00:44:09,120
Speaker 1: to the park and you deliver a baby. Now that

868
00:44:09,160 --> 00:44:11,920
Speaker 1: Turk probably hasn't delivered that many babies. Well, he's a surgeon,

869
00:44:12,840 --> 00:44:15,320
Speaker 1: but he's not. Yeah, he's probably done a fair amount.

870
00:44:15,920 --> 00:44:17,680
Speaker 1: I imagine that he's he's not a guy, no, but

871
00:44:17,760 --> 00:44:20,000
Speaker 1: I know him. I want to go to something that

872
00:44:20,280 --> 00:44:23,080
Speaker 1: Joel to speaking of guy knows we're jumping around. But

873
00:44:23,120 --> 00:44:25,719
Speaker 1: in the very beginning the episode, Kelso is is being

874
00:44:25,840 --> 00:44:28,640
Speaker 1: sexist and saying to Sarah that she's going to become

875
00:44:29,360 --> 00:44:32,520
Speaker 1: a guy in college ob gyn and then Joel found

876
00:44:32,560 --> 00:44:34,919
Speaker 1: this thing. According to an article by the American Medical

877
00:44:34,960 --> 00:44:39,200
Speaker 1: Association the Breakdown of Specialties dominated by women in twenty

878
00:44:39,480 --> 00:44:44,839
Speaker 1: nineteen UM, eighty three point four percent of ob GYNs

879
00:44:44,880 --> 00:44:50,879
Speaker 1: are women. Wow, and seventy two percent of pediatricians are women.

880
00:44:50,920 --> 00:44:56,440
Speaker 1: Am I reading that right? You all so? Well? I

881
00:44:56,560 --> 00:44:59,680
Speaker 1: mean I was offended by Kelso. I was like, fuck

882
00:44:59,760 --> 00:45:02,520
Speaker 1: this guy. And then Joel handed me this, and uh,

883
00:45:03,520 --> 00:45:05,520
Speaker 1: you know, I guess, but I understand that, Like I

884
00:45:06,400 --> 00:45:09,640
Speaker 1: I was your was your have your ob gyn's been

885
00:45:09,800 --> 00:45:13,520
Speaker 1: been female? Or male? Uh? First one was a guy?

886
00:45:13,920 --> 00:45:18,480
Speaker 1: I was asking Donald Joel, but please, oh my god, Joel,

887
00:45:20,760 --> 00:45:25,919
Speaker 1: this question, like for his wife, got laughing so hard.

888
00:45:26,400 --> 00:45:29,120
Speaker 1: JoBelle got so lost in the episode she started answering,

889
00:45:30,400 --> 00:45:33,520
Speaker 1: you're totally asking Joel. Sorry, I want I want you

890
00:45:33,600 --> 00:45:35,960
Speaker 1: to answer. Don't get me wrong, but you go first,

891
00:45:36,160 --> 00:45:38,480
Speaker 1: and then we'll call on Donald. Donald has had eleven

892
00:45:38,600 --> 00:45:41,560
Speaker 1: thousand children, So I wanted to know what go for you, Joel?

893
00:45:41,719 --> 00:45:45,799
Speaker 1: Have your obg y n's been uh? Mostly say? Mostly? Yeah?

894
00:45:46,040 --> 00:45:48,520
Speaker 1: Three women? One guy? How about you? Donald's my life,

895
00:45:48,719 --> 00:45:52,320
Speaker 1: Casey's is a male m hm and you and and

896
00:45:52,440 --> 00:45:55,600
Speaker 1: your other other baby mamas? Do you remember? You don't remember?

897
00:45:55,600 --> 00:45:57,880
Speaker 1: It's okay not to remember. I don't. I feel like

898
00:45:57,960 --> 00:45:59,919
Speaker 1: if I was giving birth and I had of a giant,

899
00:46:00,120 --> 00:46:02,440
Speaker 1: i'd want a woman. But maybe I'm maybe that's ridiculous

900
00:46:02,480 --> 00:46:04,960
Speaker 1: to say, I just what's my gut response? Okay, Well,

901
00:46:05,000 --> 00:46:06,920
Speaker 1: here's a here's a here's a good survey. We should

902
00:46:07,040 --> 00:46:09,239
Speaker 1: we should do and we won't and we won't use

903
00:46:09,719 --> 00:46:15,239
Speaker 1: uh that as an example. Let's use massaging as an example. Okay, yeah, yeah,

904
00:46:15,239 --> 00:46:17,920
Speaker 1: because that's pretty intimate and it's harmless. And what do

905
00:46:17,960 --> 00:46:20,200
Speaker 1: you get a man or a woman? Exactly? What do

906
00:46:20,280 --> 00:46:22,480
Speaker 1: you get a man? I always get a woman? Same here,

907
00:46:22,680 --> 00:46:28,759
Speaker 1: Joel the strongest hands? Who has the strongest hands? You

908
00:46:28,920 --> 00:46:30,919
Speaker 1: say who's got the best hands? So when they say

909
00:46:31,000 --> 00:46:34,160
Speaker 1: manner or female? Male or female, you say strongest hands. Absolutely.

910
00:46:34,800 --> 00:46:36,480
Speaker 1: Oh the end. I thought it was funny that Sarah

911
00:46:36,600 --> 00:46:39,360
Speaker 1: was you're holding Judy like in front of you, but

912
00:46:39,520 --> 00:46:42,040
Speaker 1: Sarah's holding me in front of her, right in front

913
00:46:42,040 --> 00:46:46,279
Speaker 1: of the Christmas tree. Yes, yes, funny. I also there

914
00:46:46,360 --> 00:46:48,279
Speaker 1: was one other part that we should talk about, and

915
00:46:48,400 --> 00:46:52,080
Speaker 1: that's uh, when Cox and Jordan are fighting each other

916
00:46:52,640 --> 00:46:55,120
Speaker 1: about the haircut, shaving and everything like that, and then

917
00:46:55,160 --> 00:46:57,959
Speaker 1: you jump in the middle and then they automatically turn

918
00:46:58,719 --> 00:47:02,640
Speaker 1: on j D. And that's a lesson that I've learned

919
00:47:02,719 --> 00:47:04,880
Speaker 1: at ay, that I learned at a young age. I

920
00:47:05,000 --> 00:47:08,280
Speaker 1: guess JD was never you know, I didn't have friends

921
00:47:08,360 --> 00:47:10,759
Speaker 1: that had brothers or sisters or anything like that. But

922
00:47:11,520 --> 00:47:13,680
Speaker 1: never get involved in a couple of fighting. You stay

923
00:47:13,680 --> 00:47:18,160
Speaker 1: out of it unless unless they invite you into the argument.

924
00:47:18,320 --> 00:47:21,040
Speaker 1: Stay away because that thing will turn on you so quick.

925
00:47:21,600 --> 00:47:23,360
Speaker 1: It's hard sometimes because you want to weigh in but

926
00:47:23,480 --> 00:47:25,520
Speaker 1: you can't. But you can't. You gotta keep it to yourself.

927
00:47:25,600 --> 00:47:28,480
Speaker 1: You gotta keep it to yourself. I had friends growing up,

928
00:47:28,520 --> 00:47:30,719
Speaker 1: the Rogers brothers. There was four of them, right, and

929
00:47:30,840 --> 00:47:33,480
Speaker 1: they would you know, when they fought, they would fight viciously,

930
00:47:34,000 --> 00:47:36,640
Speaker 1: punching and grabbing and choking, and you know, they would

931
00:47:36,640 --> 00:47:38,879
Speaker 1: beat each other up and you'd be like, you guys

932
00:47:38,920 --> 00:47:41,320
Speaker 1: are brothers, Stop it, and you'd get in the middle

933
00:47:41,360 --> 00:47:44,320
Speaker 1: of it, and then their anger all of a sudden

934
00:47:44,400 --> 00:47:47,200
Speaker 1: went from them wanting to kick each other's ass to

935
00:47:47,320 --> 00:47:50,480
Speaker 1: now them kicking your ass. And two on one ain't fun, dude,

936
00:47:50,560 --> 00:47:52,520
Speaker 1: or three on one, four on one ain't fun, man,

937
00:47:52,920 --> 00:47:55,440
Speaker 1: and it would be it would be I would So

938
00:47:55,600 --> 00:47:59,400
Speaker 1: when JD did that to Jordan and Cox, I was like,

939
00:48:00,840 --> 00:48:03,000
Speaker 1: that's the dumb that's the that's a rookie mistake. That's

940
00:48:03,040 --> 00:48:06,200
Speaker 1: the dumbest move ever. Never get involved in couples arguing

941
00:48:06,600 --> 00:48:10,279
Speaker 1: right right, well, I I definitely try and stay out,

942
00:48:10,320 --> 00:48:12,760
Speaker 1: But in your head you're thinking like you're you're judging,

943
00:48:12,840 --> 00:48:14,880
Speaker 1: and you're saying, like, why aren't you also happy when

944
00:48:14,880 --> 00:48:16,200
Speaker 1: you're out in public and you see a couple of

945
00:48:16,200 --> 00:48:20,640
Speaker 1: fighting and you're like, yes, it's not me. Yeah, absolutely absolutely.

946
00:48:20,760 --> 00:48:22,879
Speaker 1: That's the one thing that my wife and I tried

947
00:48:22,960 --> 00:48:25,680
Speaker 1: not to do. It's always like to wait, wait till

948
00:48:25,680 --> 00:48:27,640
Speaker 1: we get home, wait till we Oh, really you do

949
00:48:27,719 --> 00:48:29,239
Speaker 1: the wait till we get home? Well, I don't do that.

950
00:48:29,280 --> 00:48:31,719
Speaker 1: That's what she does to me. Really, we can talk

951
00:48:31,800 --> 00:48:35,239
Speaker 1: when we get home. We go right and I know

952
00:48:35,400 --> 00:48:36,719
Speaker 1: right there and now I'm not going to I'm not

953
00:48:36,800 --> 00:48:39,560
Speaker 1: going to sleep tonight. And then you have to drive

954
00:48:39,680 --> 00:48:42,400
Speaker 1: home and just like in silence. Yeah, and then we

955
00:48:42,520 --> 00:48:46,239
Speaker 1: walk in and it's on. And my wife's the type

956
00:48:46,280 --> 00:48:48,319
Speaker 1: of person that's like, I don't like going to ben

957
00:48:48,440 --> 00:48:50,279
Speaker 1: mad Well, at least she has it out, you know.

958
00:48:50,320 --> 00:48:52,239
Speaker 1: I I think that's way better to have it out,

959
00:48:52,320 --> 00:48:55,400
Speaker 1: even if it's like impassioned, rather than just sitting on it.

960
00:48:55,480 --> 00:48:57,560
Speaker 1: I hate that and U and I don't think you

961
00:48:57,560 --> 00:49:00,200
Speaker 1: should go to sleep mad either. I think that's a

962
00:49:00,320 --> 00:49:03,600
Speaker 1: good a good habit to have. Trying. Dude, I've been

963
00:49:03,719 --> 00:49:06,319
Speaker 1: I've been damn near sleeping where I'm just in huh,

964
00:49:07,040 --> 00:49:09,520
Speaker 1: where I'm passed out, my eyes are closed and I'm

965
00:49:09,560 --> 00:49:12,640
Speaker 1: just agreeing now, right, just so I could go to

966
00:49:12,719 --> 00:49:15,239
Speaker 1: sleep the Path of Least Resistance and She'll be like,

967
00:49:15,320 --> 00:49:17,360
Speaker 1: so what did I say? And I'd be like, oh, gosh,

968
00:49:17,440 --> 00:49:22,200
Speaker 1: here you go. See you are listening. I was listening.

969
00:49:24,760 --> 00:49:27,480
Speaker 1: Don't go to Ben angry. Everybody that's lessing here from

970
00:49:27,560 --> 00:49:31,280
Speaker 1: fake doctor's real friends. Oh, one last thing I've forgotten.

971
00:49:31,400 --> 00:49:33,719
Speaker 1: Let's ask Bill about this. Also, go ahead, before we're

972
00:49:33,760 --> 00:49:35,640
Speaker 1: gonna go to We're gonna get Bill two this week. Okay,

973
00:49:35,640 --> 00:49:38,040
Speaker 1: go ahead, Yeah, okay, So there was an alternate ending

974
00:49:38,080 --> 00:49:41,680
Speaker 1: to this episode, right, but that's that's so dark. Note

975
00:49:41,719 --> 00:49:44,000
Speaker 1: it's so dark. It was so dark to end the

976
00:49:44,040 --> 00:49:45,759
Speaker 1: Christmas episode. I wasn't even bring it up because we

977
00:49:45,800 --> 00:49:47,360
Speaker 1: were being so giddy and it's a bit it's a

978
00:49:47,440 --> 00:49:49,680
Speaker 1: bit dark, but okay, go for it. But yeah, there

979
00:49:49,760 --> 00:49:51,560
Speaker 1: was a dark ending to this episode, and I'm sure

980
00:49:51,600 --> 00:49:53,200
Speaker 1: that I don't think it wasn't was it an ending

981
00:49:53,360 --> 00:49:55,840
Speaker 1: or it was a subplot that was woven through. I

982
00:49:55,920 --> 00:49:57,759
Speaker 1: think it was a subplot. It might have been. Let's

983
00:49:57,800 --> 00:50:00,719
Speaker 1: ask Bill Bill. I know at the end of this episode,

984
00:50:00,800 --> 00:50:04,440
Speaker 1: there was a moment in between Jordan and Uh we

985
00:50:04,480 --> 00:50:07,040
Speaker 1: almost forgot about the call. There was a moment with

986
00:50:07,239 --> 00:50:13,360
Speaker 1: Jordan and uh and Cox where they said something different

987
00:50:13,400 --> 00:50:15,520
Speaker 1: when they were looking at the baby when they finally

988
00:50:15,560 --> 00:50:18,680
Speaker 1: went to visit the baby and it there was no

989
00:50:18,840 --> 00:50:20,440
Speaker 1: there was a subplot. Do you want me to tell

990
00:50:20,480 --> 00:50:22,319
Speaker 1: you what it is and then have Bill talk about it? Sure,

991
00:50:22,680 --> 00:50:24,480
Speaker 1: there was a subplot that they when they were together,

992
00:50:24,560 --> 00:50:29,040
Speaker 1: had lost a child, and um, so that was some

993
00:50:29,120 --> 00:50:33,520
Speaker 1: of the dramatic undertones of of of them and dealing

994
00:50:33,600 --> 00:50:36,279
Speaker 1: with their friends having a new baby, and that's why

995
00:50:36,320 --> 00:50:38,239
Speaker 1: they didn't want to go to the room, right. And

996
00:50:38,360 --> 00:50:41,839
Speaker 1: I believe or the or the nursery where you see kids,

997
00:50:42,239 --> 00:50:44,680
Speaker 1: and I believe that Bill had an argument with the

998
00:50:44,800 --> 00:50:49,320
Speaker 1: network about cutting that out. So Bill tell us about

999
00:50:49,440 --> 00:50:51,920
Speaker 1: that and what your struggle with the network was, please,

1000
00:50:52,360 --> 00:50:55,080
Speaker 1: you know, it's interesting. I don't remember specifically the struggle

1001
00:50:55,080 --> 00:50:58,200
Speaker 1: with the Jordan Cox losing a baby thing. But the

1002
00:50:58,320 --> 00:51:00,600
Speaker 1: one thing that we were always dealing with early on

1003
00:51:01,040 --> 00:51:05,880
Speaker 1: in Scrubs was that we would pitch the network stories

1004
00:51:06,000 --> 00:51:10,919
Speaker 1: that weren't specifically comedies, you know, and it didn't sound like, Hey,

1005
00:51:11,560 --> 00:51:13,200
Speaker 1: three patients come in and one of the three of

1006
00:51:13,239 --> 00:51:15,520
Speaker 1: them are going to die, but they all three die. Hey,

1007
00:51:15,840 --> 00:51:17,839
Speaker 1: doctor Cox used to be married to someone. They lost

1008
00:51:17,920 --> 00:51:22,120
Speaker 1: a baby. Hey, we're gonna introduce a super big movie

1009
00:51:22,160 --> 00:51:24,440
Speaker 1: star guest star who seems really funny and jovial, but

1010
00:51:24,560 --> 00:51:27,120
Speaker 1: he's gonna have Lukemian then come back next year and

1011
00:51:27,200 --> 00:51:31,439
Speaker 1: die from it. So we always met resistance. Thank you, Bill.

1012
00:51:31,920 --> 00:51:34,000
Speaker 1: Let's take a break. We'll be right back after these

1013
00:51:34,440 --> 00:51:46,720
Speaker 1: fine words. Now, Joelle, I believe we have a caller

1014
00:51:46,920 --> 00:51:50,040
Speaker 1: or two. Hi, guys, how are you doing? Brian good?

1015
00:51:50,080 --> 00:51:54,000
Speaker 1: How are you Brian O'Malley? Oh my god, Brian, you

1016
00:51:54,080 --> 00:51:56,720
Speaker 1: got to record that somehow? You good? I am recording

1017
00:51:56,760 --> 00:51:58,560
Speaker 1: it actually you And you know what, Brian, that can

1018
00:51:58,600 --> 00:52:00,839
Speaker 1: be your your new ring tone, Donald giving you an

1019
00:52:00,840 --> 00:52:07,680
Speaker 1: oprah oh mav and why oh man, that is definitely

1020
00:52:07,719 --> 00:52:10,680
Speaker 1: gonna happ Speaking of ring tones, I digress for a moment.

1021
00:52:10,800 --> 00:52:13,320
Speaker 1: The good people at I Heeart are putting together the

1022
00:52:13,440 --> 00:52:17,279
Speaker 1: ability for for folks to have our theme song be

1023
00:52:17,400 --> 00:52:20,000
Speaker 1: your ring tone. We're working on it, and that's in

1024
00:52:20,040 --> 00:52:21,920
Speaker 1: the works because I've gotten been getting a lot of

1025
00:52:22,040 --> 00:52:24,680
Speaker 1: love on the social media for our theme song, especially

1026
00:52:24,760 --> 00:52:29,440
Speaker 1: Wilder's version, and um, Wilder's version will not be that's

1027
00:52:29,440 --> 00:52:31,279
Speaker 1: not going to be available for Wilder's version will not

1028
00:52:31,400 --> 00:52:33,440
Speaker 1: be available for ring Tone, although I did her. A

1029
00:52:33,480 --> 00:52:35,200
Speaker 1: lot of people say that should be the new version

1030
00:52:35,239 --> 00:52:38,200
Speaker 1: forget your version, but those people are wrong. Um, but

1031
00:52:38,280 --> 00:52:41,920
Speaker 1: pretty bright. What's your drinking? Man? What are you drinking? Brian? Uh?

1032
00:52:42,320 --> 00:52:45,160
Speaker 1: This is beer? Okay? What kind of beer you got there?

1033
00:52:45,640 --> 00:52:49,000
Speaker 1: It's like a hazy I pa juicy eight percent. I

1034
00:52:49,120 --> 00:52:51,640
Speaker 1: like stuff that's strong. Okay, Well I got myself a

1035
00:52:51,680 --> 00:52:56,920
Speaker 1: little margarita. Is that just like lime juice? Tequila? I

1036
00:52:57,000 --> 00:53:00,480
Speaker 1: don't know what they use at Casa Vega. This rescigborhood

1037
00:53:00,520 --> 00:53:02,920
Speaker 1: that they that you're still drinking out of your your

1038
00:53:02,960 --> 00:53:06,640
Speaker 1: gallons there? We have so many. Yeah, oh that's awesome. Um,

1039
00:53:06,800 --> 00:53:08,759
Speaker 1: Hi guys, where do you live in? What's happening in? Brian?

1040
00:53:08,840 --> 00:53:12,880
Speaker 1: Introduce your your girlfriend, wife, friend? This is my partner.

1041
00:53:13,080 --> 00:53:17,600
Speaker 1: This is uh doctor Ellen, a Greec Hi doc. And

1042
00:53:17,800 --> 00:53:22,359
Speaker 1: uh we live in Evanston. Oh, I went to Northwestern right, Yeah,

1043
00:53:22,480 --> 00:53:25,600
Speaker 1: so we we we both worked a here actually too.

1044
00:53:26,160 --> 00:53:28,319
Speaker 1: Um she works at a hospital here and I own

1045
00:53:28,360 --> 00:53:30,600
Speaker 1: a small business on Central Street, you know, right down

1046
00:53:30,640 --> 00:53:34,319
Speaker 1: from the stadium. Um and so yeah we just um

1047
00:53:34,960 --> 00:53:39,120
Speaker 1: we do that. And Ellen is uh eight and yeah

1048
00:53:39,120 --> 00:53:44,200
Speaker 1: almost nine months pregnant, Emma. Congratulations, congratulations you guys know

1049
00:53:44,239 --> 00:53:47,440
Speaker 1: what you're having a boy? Nice? Is there a person?

1050
00:53:47,560 --> 00:53:52,279
Speaker 1: But yeah, a person? Good? Congratulations guys. That's cool. Yeah,

1051
00:53:52,560 --> 00:53:55,200
Speaker 1: way to go, guys. Yeah, so we're you know, it's

1052
00:53:55,280 --> 00:53:59,319
Speaker 1: definitely uh anxiety causing you know, I I we neither

1053
00:53:59,400 --> 00:54:01,880
Speaker 1: of us have had kids before. Um. I used to

1054
00:54:01,920 --> 00:54:04,319
Speaker 1: be a teacher. But it's not quite the same when

1055
00:54:04,360 --> 00:54:05,920
Speaker 1: you know you can send them home at like three

1056
00:54:05,960 --> 00:54:08,400
Speaker 1: o'clock and just be done with them. Um. So now

1057
00:54:08,440 --> 00:54:10,759
Speaker 1: it's like they're here for good. Okay, Brian, I'm gonna

1058
00:54:10,760 --> 00:54:12,400
Speaker 1: give you a little bit of you're talking to the

1059
00:54:12,480 --> 00:54:17,520
Speaker 1: right man, Brian Donald many kids? Okay, that's what I heard, right, Yeah,

1060
00:54:17,600 --> 00:54:21,000
Speaker 1: something like that. He doesn't even remember something like that, right,

1061
00:54:21,120 --> 00:54:23,600
Speaker 1: That's that's great. That's a great story. How many kids

1062
00:54:23,600 --> 00:54:27,400
Speaker 1: you got? Something like nine six that I know about.

1063
00:54:28,360 --> 00:54:32,520
Speaker 1: So the first year, Brian, there's not much you can do,

1064
00:54:34,000 --> 00:54:38,960
Speaker 1: that's the honest to goodness truth, except be supportive. Change diapers.

1065
00:54:39,760 --> 00:54:41,359
Speaker 1: But there's not much you can do because the baby.

1066
00:54:41,360 --> 00:54:43,279
Speaker 1: You can say, can't you say, honey, can I get

1067
00:54:43,320 --> 00:54:46,960
Speaker 1: you anything? Absolutely better? Say that you have to say, right, Yeah,

1068
00:54:47,040 --> 00:54:49,880
Speaker 1: that's being supportive, So there's not much you can do

1069
00:54:50,000 --> 00:54:53,360
Speaker 1: the first year. It's after that where you are you

1070
00:54:53,480 --> 00:54:56,160
Speaker 1: are hands on and in it to win it, or

1071
00:54:56,320 --> 00:55:00,759
Speaker 1: she's going to leave you. Yeah, yeah, yeah, Brian, write

1072
00:55:00,760 --> 00:55:04,680
Speaker 1: that down. Yes, yes, she is basically keeping us comfortable.

1073
00:55:04,760 --> 00:55:08,160
Speaker 1: So I'm not gonna play with that at all. Right, well,

1074
00:55:08,360 --> 00:55:10,560
Speaker 1: I'm so. I'm so happy for you. That's exciting and

1075
00:55:10,880 --> 00:55:12,680
Speaker 1: thank you. And what do you do? You have any

1076
00:55:12,800 --> 00:55:16,960
Speaker 1: names in mind, like Zach or Donald? Yeah, I wanted

1077
00:55:17,160 --> 00:55:21,839
Speaker 1: Jennifer Dylan or something like that. That'll work. It's a boy,

1078
00:55:22,239 --> 00:55:25,919
Speaker 1: So we went with Ellen. We're gonna even Gabriel and Colin.

1079
00:55:26,000 --> 00:55:31,759
Speaker 1: Gabe beautiful, I love it, beautiful, beautiful name. Gabe. Finn O'Malley. Oh,

1080
00:55:31,880 --> 00:55:35,160
Speaker 1: Finn's a good name too, now, Finn from Star Wars

1081
00:55:35,360 --> 00:55:39,200
Speaker 1: or just Finn because everything is Star Wars. Donald, sometimes

1082
00:55:39,239 --> 00:55:41,640
Speaker 1: it can be I couldn't huh, Honestly, I would think

1083
00:55:41,640 --> 00:55:43,960
Speaker 1: it more Huck Finn from Mark Twain to be Okay,

1084
00:55:44,000 --> 00:55:46,880
Speaker 1: Oh yeah, there's that Fin too, any more literary Donald,

1085
00:55:46,960 --> 00:55:49,520
Speaker 1: Come on, here's that fin too. Brian, go ahead with

1086
00:55:49,600 --> 00:55:53,200
Speaker 1: your question for the legendary Donald Fason, and it's for

1087
00:55:53,480 --> 00:55:57,239
Speaker 1: both of you. Yeah. Answer, it definitely relates to what

1088
00:55:57,360 --> 00:55:59,640
Speaker 1: we were talking about. But um, I was curious to

1089
00:56:00,480 --> 00:56:04,520
Speaker 1: uh character between you and Donald and maybe doctor Cox,

1090
00:56:04,600 --> 00:56:07,120
Speaker 1: do you think it was like the best dad overall?

1091
00:56:07,800 --> 00:56:09,440
Speaker 1: And then kind of a follow up, but like, what

1092
00:56:09,560 --> 00:56:11,600
Speaker 1: do you think their kids would be like now like

1093
00:56:11,800 --> 00:56:15,719
Speaker 1: fifteen twenty years later? Wow? Wow, good question. Well. I

1094
00:56:15,760 --> 00:56:19,120
Speaker 1: do think both characters were very excited about their children,

1095
00:56:19,320 --> 00:56:23,160
Speaker 1: and and I think we saw from a flash forward

1096
00:56:23,200 --> 00:56:25,400
Speaker 1: as I recall that don't they end up getting married?

1097
00:56:25,680 --> 00:56:28,400
Speaker 1: They do and we and we lose it. That was

1098
00:56:28,440 --> 00:56:31,839
Speaker 1: like I think the episode, I think I faint. Uh,

1099
00:56:32,600 --> 00:56:36,600
Speaker 1: as I recall I did this, I wiped my fanned

1100
00:56:36,719 --> 00:56:39,439
Speaker 1: my eyes and fainted. Yeah, that's a gift I see

1101
00:56:39,480 --> 00:56:42,399
Speaker 1: all the time. Um, I don't know. I think we'd

1102
00:56:42,440 --> 00:56:45,719
Speaker 1: be great parents because, um, you know, we're both characters

1103
00:56:45,880 --> 00:56:50,239
Speaker 1: were again not afraid of showing emotion, not afraid of

1104
00:56:50,320 --> 00:56:54,280
Speaker 1: being affectionate. Um I my father was very very affectionate

1105
00:56:54,360 --> 00:56:58,279
Speaker 1: man and gave me hugs and kissed me and and um,

1106
00:56:59,040 --> 00:57:03,200
Speaker 1: and I thought that that was important and I loved

1107
00:57:03,200 --> 00:57:05,799
Speaker 1: that he did that. And I think that both Turk

1108
00:57:05,840 --> 00:57:08,440
Speaker 1: and j D would be very involved. They're the kind

1109
00:57:08,480 --> 00:57:11,160
Speaker 1: of fathers that would want to be all over not

1110
00:57:11,239 --> 00:57:13,319
Speaker 1: one of those people's like, all right, you to the woman,

1111
00:57:13,360 --> 00:57:17,760
Speaker 1: you handle it. I'll I'll coach sports one day. That

1112
00:57:17,960 --> 00:57:22,760
Speaker 1: was That was not my experience. But I think Turk

1113
00:57:22,960 --> 00:57:25,880
Speaker 1: and j D co parented too, you know what I mean.

1114
00:57:25,920 --> 00:57:28,560
Speaker 1: I think they helped each other out as far as

1115
00:57:29,440 --> 00:57:32,240
Speaker 1: raising their kids went. You know, they say it takes

1116
00:57:32,240 --> 00:57:35,919
Speaker 1: a village to raise a child, and I think their

1117
00:57:36,000 --> 00:57:39,200
Speaker 1: little village. I think the hospital or you know, wherever

1118
00:57:39,920 --> 00:57:44,560
Speaker 1: they wound up when the show ended. I'm I believe

1119
00:57:44,600 --> 00:57:47,280
Speaker 1: they still lived in the same proximity of each other.

1120
00:57:47,880 --> 00:57:51,920
Speaker 1: I think there it was a communal raising of the children,

1121
00:57:52,120 --> 00:57:56,360
Speaker 1: even even uh, I think, yeah, I think j D.

1122
00:57:56,920 --> 00:58:00,400
Speaker 1: I uh and uh, what was what was Elizabeth Bank's

1123
00:58:00,480 --> 00:58:05,240
Speaker 1: character's name? Kim? Was it? Kim Yim? You didn't know, Zach,

1124
00:58:06,720 --> 00:58:09,360
Speaker 1: you didn't know. I was waiting for Brian. I was

1125
00:58:09,440 --> 00:58:12,320
Speaker 1: waiting for Brian. I was about I was like this,

1126
00:58:12,800 --> 00:58:14,640
Speaker 1: I was like about to say, I was like pretending

1127
00:58:14,680 --> 00:58:16,840
Speaker 1: that my mouth was opening, and then Brian said, yeah,

1128
00:58:16,920 --> 00:58:19,840
Speaker 1: Kim Donald, I was waiting for Zach. Sorry. So my

1129
00:58:19,960 --> 00:58:22,560
Speaker 1: baby mama, my baby mama. Right, So I think both

1130
00:58:22,680 --> 00:58:24,880
Speaker 1: kids the one that he that JD had with Kim

1131
00:58:24,960 --> 00:58:27,640
Speaker 1: and the one that he had with Elliott Uh and

1132
00:58:27,760 --> 00:58:31,280
Speaker 1: then Turk's kids as well. I think they they were

1133
00:58:31,360 --> 00:58:34,040
Speaker 1: raised together and they grew up together. I think in

1134
00:58:34,080 --> 00:58:35,880
Speaker 1: one of the episode you try to like, I think

1135
00:58:35,920 --> 00:58:37,640
Speaker 1: they got you were trying to set them up, right,

1136
00:58:37,760 --> 00:58:40,640
Speaker 1: like it was one of the series finales. Maybe that

1137
00:58:40,720 --> 00:58:43,080
Speaker 1: we were trying to set the kids up. Yeah, weren't

1138
00:58:43,120 --> 00:58:47,440
Speaker 1: they like they met or something and they remember. I

1139
00:58:47,480 --> 00:58:49,720
Speaker 1: remember I remember doing an episode in the park where

1140
00:58:49,720 --> 00:58:57,080
Speaker 1: we're dolls, like dumb. Do you have another question? I

1141
00:58:57,160 --> 00:58:58,880
Speaker 1: mean one of my other questions was just, you know,

1142
00:58:58,960 --> 00:59:00,880
Speaker 1: advice for being a dad. But you you kind of

1143
00:59:01,040 --> 00:59:04,120
Speaker 1: already covered that. You got this, dude, you got Yeah.

1144
00:59:04,160 --> 00:59:06,680
Speaker 1: I mean it's listen, and I'm gonna be honest with you.

1145
00:59:06,800 --> 00:59:08,880
Speaker 1: My advice ain't shit. I'm gonna keep it one hundred

1146
00:59:08,920 --> 00:59:12,280
Speaker 1: with you. You know, it's it's how you two decide

1147
00:59:12,360 --> 00:59:15,360
Speaker 1: to do the thing, you know what I mean. My

1148
00:59:15,480 --> 00:59:17,800
Speaker 1: advice I can. All I can say is just just

1149
00:59:17,960 --> 00:59:20,880
Speaker 1: show as much love as you can to your boy.

1150
00:59:21,480 --> 00:59:23,680
Speaker 1: That's so important. I like what Zach was saying too.

1151
00:59:23,720 --> 00:59:25,400
Speaker 1: I mean, me and Allen were joking but I was like,

1152
00:59:25,880 --> 00:59:28,280
Speaker 1: I think, like the fact that JD was a sensey,

1153
00:59:28,840 --> 00:59:31,440
Speaker 1: you know, like being sensitive is like an important thing

1154
00:59:31,520 --> 00:59:35,440
Speaker 1: to impart in kids early, especially boys I think nowadays,

1155
00:59:35,920 --> 00:59:37,560
Speaker 1: And so I think that's one of our you know,

1156
00:59:37,640 --> 00:59:40,280
Speaker 1: our big focuses for him and just let them be

1157
00:59:40,400 --> 00:59:42,600
Speaker 1: whoever they are. You know. A testament to my father

1158
00:59:42,760 --> 00:59:44,560
Speaker 1: was he wasn't he was so into sports, my dad,

1159
00:59:44,600 --> 00:59:48,240
Speaker 1: but he wasn't trying to make me a job. He wasn't. Unfortunately,

1160
00:59:48,240 --> 00:59:49,880
Speaker 1: he was also in the theater, which which was what

1161
00:59:50,000 --> 00:59:52,400
Speaker 1: I took to But um, but I mean, just like

1162
00:59:52,760 --> 00:59:54,360
Speaker 1: my advice, and again I have no kids, so don't

1163
00:59:54,400 --> 00:59:56,280
Speaker 1: listen to me. I have dogs, and I can highly

1164
00:59:56,320 --> 01:00:01,400
Speaker 1: recommend crate training. Don't try that, but with the kid. Yeah,

1165
01:00:01,520 --> 01:00:03,640
Speaker 1: that's why. That's what I always say to Donald when

1166
01:00:03,680 --> 01:00:05,080
Speaker 1: I when I say to but I'm with Donald and

1167
01:00:05,120 --> 01:00:06,480
Speaker 1: his kids are misbehaving, I'm like, why don't you just

1168
01:00:06,480 --> 01:00:08,000
Speaker 1: put him in the crate? Dude? That works great for

1169
01:00:08,120 --> 01:00:10,000
Speaker 1: my puppy. My daughter looked at me and she was like,

1170
01:00:10,040 --> 01:00:14,840
Speaker 1: you're gonna put me in the crate? Yeah, right now.

1171
01:00:14,960 --> 01:00:17,600
Speaker 1: She's like, but I'm not a dog. But I mean,

1172
01:00:17,760 --> 01:00:19,600
Speaker 1: just let them one of the things I one of

1173
01:00:19,640 --> 01:00:22,600
Speaker 1: the things I really cherished about my relationship with my

1174
01:00:22,640 --> 01:00:25,880
Speaker 1: father was that he was so accepting of whoever his

1175
01:00:26,080 --> 01:00:29,520
Speaker 1: kids were. And I, you know, you're obviously it's nature nurture.

1176
01:00:29,560 --> 01:00:31,480
Speaker 1: You're going to be shaping a part of who they are,

1177
01:00:31,520 --> 01:00:34,320
Speaker 1: of course too. But but let them show you who

1178
01:00:34,360 --> 01:00:36,520
Speaker 1: they are and then and then and then celebrate that

1179
01:00:36,600 --> 01:00:39,960
Speaker 1: and let that flourish. Again, that's coming from someone with

1180
01:00:40,040 --> 01:00:42,440
Speaker 1: no children, but it is coming from someone who had

1181
01:00:42,440 --> 01:00:45,000
Speaker 1: a great dad and and and and was really appreciative

1182
01:00:45,040 --> 01:00:47,280
Speaker 1: that he was like that. Well, can I ask one

1183
01:00:47,320 --> 01:00:50,360
Speaker 1: more thing sort of related? But did you guys You

1184
01:00:50,400 --> 01:00:52,080
Speaker 1: know I didn't like look up biographies. Did you guys

1185
01:00:52,080 --> 01:00:56,960
Speaker 1: have siblings? Yes? I have several siblings. I have four brothers,

1186
01:00:57,480 --> 01:01:01,400
Speaker 1: two uh, that I grew up with and two that

1187
01:01:01,560 --> 01:01:04,760
Speaker 1: I did not grow up with. But we were a

1188
01:01:04,800 --> 01:01:06,440
Speaker 1: big family. I think that's why I have such a

1189
01:01:06,480 --> 01:01:10,080
Speaker 1: big family. Now I feel like it's the more the marrier. Yeah,

1190
01:01:10,760 --> 01:01:16,120
Speaker 1: I have two. I have three. Sorry, let me start again.

1191
01:01:16,600 --> 01:01:19,320
Speaker 1: I had four children total in my family, and I'm sorry,

1192
01:01:19,400 --> 01:01:21,200
Speaker 1: I'm struggling with this. Just to be honest, I lost

1193
01:01:21,280 --> 01:01:23,240
Speaker 1: my sister two years ago, so I'm like literally trying

1194
01:01:23,280 --> 01:01:25,480
Speaker 1: to Sorry, it's okay, but I'm trying to answer this

1195
01:01:25,600 --> 01:01:28,920
Speaker 1: question honestly, and it's like I'm having to recount. There

1196
01:01:28,960 --> 01:01:30,720
Speaker 1: were four children in my family, and then my parents

1197
01:01:30,760 --> 01:01:33,920
Speaker 1: got divorced and remarried and I gained three stepsisters, so

1198
01:01:34,360 --> 01:01:37,040
Speaker 1: two stepsisters on one side, one step sister on the

1199
01:01:37,080 --> 01:01:39,800
Speaker 1: other side, so we were we were a huge family.

1200
01:01:39,960 --> 01:01:43,280
Speaker 1: And and yeah, so I also think you guys should

1201
01:01:43,280 --> 01:01:45,600
Speaker 1: have more So sorry, sorry guys, but you're gonna have

1202
01:01:45,640 --> 01:01:47,360
Speaker 1: to have more kids so they can. Well that's what

1203
01:01:47,440 --> 01:01:49,040
Speaker 1: I would think, because we only have the one, and

1204
01:01:49,120 --> 01:01:51,800
Speaker 1: that's probably gonna be it. Um, so you know, I'm

1205
01:01:51,840 --> 01:01:54,400
Speaker 1: the whole only child, especially nowadays when I don't even

1206
01:01:54,440 --> 01:01:57,200
Speaker 1: know when he'll be able to hang out with other kids,

1207
01:01:57,320 --> 01:01:58,600
Speaker 1: you know, or if he'll be able to go to

1208
01:01:58,680 --> 01:02:01,560
Speaker 1: preschool or stuff like that. Are right, I think you

1209
01:02:01,680 --> 01:02:04,200
Speaker 1: got it some years before. You be worried about that.

1210
01:02:04,400 --> 01:02:09,760
Speaker 1: So you'll play vaccines or will be intended and we

1211
01:02:09,840 --> 01:02:14,040
Speaker 1: can all go back to a new normal, right sometime

1212
01:02:14,360 --> 01:02:18,200
Speaker 1: within a year or two. Yeah, that'd be awesome. Is

1213
01:02:18,240 --> 01:02:22,840
Speaker 1: the keg still open in Evanston? The bar, No, that's

1214
01:02:22,880 --> 01:02:24,480
Speaker 1: where we used to go and try and sneak in

1215
01:02:24,560 --> 01:02:27,880
Speaker 1: with our fake IDs. Yeah, we're We're like, that's probably.

1216
01:02:30,080 --> 01:02:31,640
Speaker 1: What's the name of yours? The name of your place?

1217
01:02:32,040 --> 01:02:35,040
Speaker 1: It's called Beer on Central. It's not very inventive because

1218
01:02:35,080 --> 01:02:36,400
Speaker 1: if we're on I want us to do an ad

1219
01:02:36,560 --> 01:02:38,560
Speaker 1: for it. Right now, we're gonna do an ad for it. Donald.

1220
01:02:38,600 --> 01:02:40,600
Speaker 1: But I'm in Evanston, Illinois, and I want a beer.

1221
01:02:40,640 --> 01:02:42,280
Speaker 1: You know where I go? Where do you go, Zach?

1222
01:02:42,440 --> 01:02:45,480
Speaker 1: I go to Beer on Central. Beer on Central is

1223
01:02:45,600 --> 01:02:47,880
Speaker 1: Oh yeah, Oh it's a place, and it's in Evanston.

1224
01:02:48,000 --> 01:02:50,520
Speaker 1: And if you're gonna buy beer, it's the best place

1225
01:02:50,560 --> 01:02:53,080
Speaker 1: to buy beer. It's called Beer on Central. Is it

1226
01:02:53,240 --> 01:02:56,880
Speaker 1: on Central? It's on Central. It's called Beer on Central. Awesome,

1227
01:02:57,040 --> 01:02:59,640
Speaker 1: And you know a lot of Northwestern students are always

1228
01:02:59,680 --> 01:03:01,840
Speaker 1: looking for a place to buy beer. Yeah. Do you

1229
01:03:01,920 --> 01:03:05,320
Speaker 1: sell kegs? Brian? We don't, but I mean after this

1230
01:03:05,480 --> 01:03:08,280
Speaker 1: I can. Yes, Brian is gonna change his whole business

1231
01:03:08,320 --> 01:03:12,320
Speaker 1: model to offer kegs to all you come. Yes, this

1232
01:03:12,520 --> 01:03:14,840
Speaker 1: is worth millions of dollars in free advertising. Yeah. No,

1233
01:03:14,920 --> 01:03:18,360
Speaker 1: this is insane. So Donald's Central Beer on Central. The

1234
01:03:18,480 --> 01:03:21,240
Speaker 1: next time I'm in Evanston, Illinois, I am going to

1235
01:03:21,360 --> 01:03:24,840
Speaker 1: check out Beer on Central. Yeah, and you know what, Donald,

1236
01:03:25,000 --> 01:03:26,920
Speaker 1: You know what, Donald, I might even just go to

1237
01:03:27,040 --> 01:03:31,400
Speaker 1: Evanston to buy beer from Beer on Central. Yeah. You

1238
01:03:31,480 --> 01:03:34,400
Speaker 1: know what if you do, just tell him, Brian O'Malley sentia,

1239
01:03:34,600 --> 01:03:39,720
Speaker 1: I will. What's a beer that you Brian's the only

1240
01:03:39,760 --> 01:03:43,360
Speaker 1: one there, so be like Brian everything, Brian. For for

1241
01:03:43,520 --> 01:03:46,439
Speaker 1: those of people who are listening who like who like beer,

1242
01:03:46,720 --> 01:03:51,880
Speaker 1: can you recommend one of your microbrew or fancy beers

1243
01:03:51,920 --> 01:03:55,240
Speaker 1: that people should try that you highly recommend? Um? You

1244
01:03:55,320 --> 01:03:57,200
Speaker 1: know right now? Like what's really popular is like I

1245
01:03:57,400 --> 01:04:00,680
Speaker 1: was drinking earlier, these like hazy I Pas. They're tend

1246
01:04:00,720 --> 01:04:03,240
Speaker 1: to be like kind of stronger, very juicy, not bitter,

1247
01:04:03,440 --> 01:04:07,000
Speaker 1: very popular. This one's from Saint Aaron. They're great, hot butcher.

1248
01:04:07,280 --> 01:04:08,919
Speaker 1: There's a bunch of really cool ones in the city,

1249
01:04:09,480 --> 01:04:13,600
Speaker 1: so so so Saint Aaron is the brand. This one. Yeah,

1250
01:04:13,600 --> 01:04:15,360
Speaker 1: that's what I'm having now is a Saint Aaron. Can

1251
01:04:15,440 --> 01:04:17,680
Speaker 1: I get that anywhere? Can I get that in Los Angeles? No?

1252
01:04:18,120 --> 01:04:21,240
Speaker 1: Like right now, we only do local stuff. Stop only

1253
01:04:21,320 --> 01:04:23,480
Speaker 1: doing that's even cool. One of the other things I

1254
01:04:23,560 --> 01:04:25,960
Speaker 1: like about Beer on Central, Donald, what is its small

1255
01:04:26,240 --> 01:04:30,880
Speaker 1: it's all local beer. Oh you're talking about beer on Central. Yeah.

1256
01:04:30,960 --> 01:04:33,040
Speaker 1: One of the things, one of my favorite things about

1257
01:04:33,080 --> 01:04:36,520
Speaker 1: Beer on Central in Evanston, Illinois, is that it's all

1258
01:04:36,960 --> 01:04:42,520
Speaker 1: all stocked with local breweries. That sounds delicious. I like

1259
01:04:42,680 --> 01:04:44,680
Speaker 1: IPA a lot, by the way, and this is going

1260
01:04:44,720 --> 01:04:46,880
Speaker 1: to sound really lame in Hollywood, but I'm gluten free,

1261
01:04:47,080 --> 01:04:52,280
Speaker 1: and uh, there are some really good gluten free IPA beers. Yeah,

1262
01:04:52,320 --> 01:04:54,800
Speaker 1: we have some too. There's one called Omission. I'll give

1263
01:04:54,840 --> 01:04:57,280
Speaker 1: a shout out too, Osion, and there's one I think

1264
01:04:57,320 --> 01:05:01,760
Speaker 1: called Glutenberg, not Steve Gutenberg, Gluten Glutenberg. Yeah, they'd have

1265
01:05:01,760 --> 01:05:04,080
Speaker 1: gluten in the title. So there you go. I'm giving

1266
01:05:04,120 --> 01:05:06,000
Speaker 1: those beers a shout out, and they should advertise with us,

1267
01:05:06,040 --> 01:05:08,680
Speaker 1: because we're giving such a wonderful advertisement to beer from

1268
01:05:08,680 --> 01:05:11,880
Speaker 1: you guys. Out of box, you know, give me an address. No, no, no,

1269
01:05:13,320 --> 01:05:17,640
Speaker 1: I'm not giving you my address. Give me a po box.

1270
01:05:18,200 --> 01:05:20,200
Speaker 1: We don't want to take your your wares. We don't

1271
01:05:20,200 --> 01:05:21,680
Speaker 1: want to take your wares. We want you to you

1272
01:05:21,800 --> 01:05:24,280
Speaker 1: need to make that money for this baby. That's right,

1273
01:05:24,960 --> 01:05:28,680
Speaker 1: she's making us right. Really. So that being said, if

1274
01:05:28,720 --> 01:05:33,800
Speaker 1: you're ever in Evanston, Illinois, the place to go for

1275
01:05:33,960 --> 01:05:37,160
Speaker 1: a great local beer. Yeah, beer on Central, Beer on Central,

1276
01:05:37,200 --> 01:05:40,600
Speaker 1: everybody Beer on Central and listen, guys, thanks for coming on,

1277
01:05:40,720 --> 01:05:43,200
Speaker 1: Thanks for the good questions, thanks for telling us about

1278
01:05:43,200 --> 01:05:45,920
Speaker 1: beer on Central, and um, have fun and I'm Illinois.

1279
01:05:45,960 --> 01:05:48,560
Speaker 1: I spent I spent four years there and had a

1280
01:05:48,640 --> 01:05:51,000
Speaker 1: great time, although it's too fucking cold for human beings.

1281
01:05:51,920 --> 01:05:55,480
Speaker 1: Ladies and gentlemen, big round of applause for Brian O'Mally

1282
01:05:58,520 --> 01:06:02,520
Speaker 1: and beer on Central. Oh wow, you give you give

1283
01:06:02,560 --> 01:06:05,040
Speaker 1: beer on Central? The oper treatment? Yeah? Why not? What's

1284
01:06:05,160 --> 01:06:10,000
Speaker 1: what's the name of your partner? Again? Ellen and doctor

1285
01:06:10,240 --> 01:06:15,400
Speaker 1: Ellen agreed? Thank you. You're blowing out the mixer here, Donald,

1286
01:06:15,600 --> 01:06:21,560
Speaker 1: I'm not Oprah. Oprah doesn't go that loud. She has

1287
01:06:21,640 --> 01:06:23,920
Speaker 1: them the mixer at the Oprah shows like here she

1288
01:06:24,040 --> 01:06:28,520
Speaker 1: goes and he's readular, she's about to do it and

1289
01:06:28,800 --> 01:06:30,920
Speaker 1: over the button. You can just see the mixer in

1290
01:06:30,960 --> 01:06:32,840
Speaker 1: the back of the Opra show going, oh shit, she's

1291
01:06:32,880 --> 01:06:37,520
Speaker 1: gonna yell, I'm getting this finger over. I hope Dan

1292
01:06:37,640 --> 01:06:39,600
Speaker 1: does that when you're when you're saying a load of guests,

1293
01:06:40,080 --> 01:06:42,440
Speaker 1: all right, bye, guys, thank you so much, Thank you

1294
01:06:42,520 --> 01:06:47,560
Speaker 1: so much. Healthy congratulations you thanks, thank you. Wow? Donald?

1295
01:06:47,640 --> 01:06:51,360
Speaker 1: What what nice folks? Donald? And um and I gotta

1296
01:06:51,360 --> 01:06:55,080
Speaker 1: tell you, Um, I'm gonna, I'm gonna. I'm gonna. I'm

1297
01:06:55,080 --> 01:06:58,640
Speaker 1: gonna frequent beer on Central next time you're in Evanston, Illinois.

1298
01:06:58,680 --> 01:07:00,840
Speaker 1: Do you drink beer? You only drink beer anymore, do you.

1299
01:07:01,000 --> 01:07:03,880
Speaker 1: I'm a huge beer drinker. I just you know, it's

1300
01:07:03,880 --> 01:07:06,919
Speaker 1: so fine. I find yeah, I find that. Uh, it's

1301
01:07:06,960 --> 01:07:08,960
Speaker 1: a little heavy for me. That's the only thing. It

1302
01:07:09,040 --> 01:07:10,800
Speaker 1: just feels like shit when you're working out and trying

1303
01:07:10,800 --> 01:07:12,680
Speaker 1: to stay thin and then you have a fucking big

1304
01:07:12,760 --> 01:07:14,560
Speaker 1: as thick beer and you're like, h, I might as

1305
01:07:14,560 --> 01:07:18,000
Speaker 1: well have a milkshake, right, I like hard liquor. Yeah,

1306
01:07:18,040 --> 01:07:20,800
Speaker 1: I know, I like, Oh, I know, Oh you're an asshole.

1307
01:07:20,920 --> 01:07:24,360
Speaker 1: You like tequila? Well, no, I I you know. I

1308
01:07:25,160 --> 01:07:27,960
Speaker 1: it was Sinco de mayo yesterday. So and the last

1309
01:07:28,000 --> 01:07:29,400
Speaker 1: time I had to kill it was the last thing

1310
01:07:29,480 --> 01:07:31,440
Speaker 1: that I had in the in the in the cupboard.

1311
01:07:31,840 --> 01:07:34,240
Speaker 1: But what I truly like. I like a good bourbon

1312
01:07:34,480 --> 01:07:39,160
Speaker 1: or Scotch. What about Corvassier? No, what is what is corvasia?

1313
01:07:39,800 --> 01:07:41,960
Speaker 1: I don't it's a it's a drink, it's a it's

1314
01:07:42,000 --> 01:07:45,960
Speaker 1: a it's a brown liquor. Um. You know, for a while,

1315
01:07:46,000 --> 01:07:49,360
Speaker 1: I was Corvasia. She's looking. I was a Hennessy drinker

1316
01:07:49,400 --> 01:07:53,360
Speaker 1: for a while, you know, or ian Ja. I liked

1317
01:07:53,400 --> 01:07:56,200
Speaker 1: ian Jay back in the day. I don't know what

1318
01:07:56,280 --> 01:07:58,280
Speaker 1: any of these drinks are. You don't know what Hennessey is.

1319
01:07:58,440 --> 01:08:00,200
Speaker 1: I've heard of Hennessey, but I don't think i've ever try.

1320
01:08:00,240 --> 01:08:02,360
Speaker 1: I don't know what. You've had an Incredible Hulk before?

1321
01:08:02,360 --> 01:08:03,880
Speaker 1: And you don't know what Hennessy. Do you remember the

1322
01:08:03,920 --> 01:08:06,360
Speaker 1: incredible Hulk? Oh? Well, used to play poker and you

1323
01:08:06,480 --> 01:08:09,280
Speaker 1: would make a Oh it's cogniac, she says. We used

1324
01:08:09,280 --> 01:08:12,760
Speaker 1: to play poker and you would make a drink called

1325
01:08:12,800 --> 01:08:14,760
Speaker 1: the Hulks. Was that a real drink or you made

1326
01:08:14,760 --> 01:08:16,720
Speaker 1: it up? I didn't make that up. But when you

1327
01:08:16,880 --> 01:08:22,800
Speaker 1: mixed Tennessee and not Alasa but hypnotic, Hennessey and Hypnotic

1328
01:08:22,960 --> 01:08:26,920
Speaker 1: mixed together, sounds horrible. Oh, but it would turn Hulk

1329
01:08:27,280 --> 01:08:31,040
Speaker 1: green and you would only need one. It was so sweet, right,

1330
01:08:31,160 --> 01:08:33,519
Speaker 1: But you'd only need one to knock you on your ass.

1331
01:08:34,200 --> 01:08:36,920
Speaker 1: And we would play poker and the crew would come over,

1332
01:08:37,960 --> 01:08:40,639
Speaker 1: you know, Calvin would come over, Ethan would come over.

1333
01:08:40,840 --> 01:08:44,000
Speaker 1: You would come over and we drink that all night

1334
01:08:44,360 --> 01:08:48,479
Speaker 1: and freaking be hammered until like four o'clock, five o'clock

1335
01:08:48,560 --> 01:08:50,479
Speaker 1: in the morning. Yeah, playing poker. Have you ever had

1336
01:08:50,520 --> 01:08:54,799
Speaker 1: a cement mixer? What the heck is that? It's fucking nasty.

1337
01:08:54,920 --> 01:08:57,479
Speaker 1: It's two different things. You guys can google it if

1338
01:08:57,479 --> 01:08:59,160
Speaker 1: you want a puke. I remember doing this on my

1339
01:08:59,200 --> 01:09:03,280
Speaker 1: twenty first birthday and I puked. Um. But it's two

1340
01:09:03,400 --> 01:09:07,320
Speaker 1: different alcohols you put in your mouth and they solidify

1341
01:09:07,760 --> 01:09:10,040
Speaker 1: when they react with each other, and it feels like

1342
01:09:10,320 --> 01:09:14,519
Speaker 1: a cementy oatmeal thing that's disgusted. It's so gross that

1343
01:09:15,080 --> 01:09:16,840
Speaker 1: it's like it's the kind of thing that college kids

1344
01:09:16,920 --> 01:09:18,960
Speaker 1: do shots of, like Yager Moister. You ever do shots

1345
01:09:18,960 --> 01:09:22,200
Speaker 1: a Yeagermeister? Yeah? I'm proud to say that at forty

1346
01:09:22,240 --> 01:09:24,120
Speaker 1: five years old, I can't drink like that anymore, nor

1347
01:09:24,200 --> 01:09:26,679
Speaker 1: do I want to hangover. It's like four days. Yeah,

1348
01:09:27,120 --> 01:09:29,720
Speaker 1: you know, I've learned a little thing. You remember we

1349
01:09:29,800 --> 01:09:32,240
Speaker 1: did that thing in Scrubs. Yeah, play we did that

1350
01:09:32,320 --> 01:09:34,880
Speaker 1: thing in Scrubs that it's become so relevant in my life.

1351
01:09:34,880 --> 01:09:37,320
Speaker 1: I don't know what episode it was, but we went

1352
01:09:37,360 --> 01:09:41,120
Speaker 1: around the table of all the different ages of women.

1353
01:09:42,040 --> 01:09:46,120
Speaker 1: Who was the was Mandy, it was many more, and

1354
01:09:46,200 --> 01:09:50,160
Speaker 1: then Sarah, and then Judy and then Christa and they

1355
01:09:50,200 --> 01:09:53,160
Speaker 1: were all hungover, and the camera went around and showed

1356
01:09:53,200 --> 01:09:57,120
Speaker 1: all the different levels of how it hangover affects different ages. Yes,

1357
01:09:57,600 --> 01:09:59,080
Speaker 1: and then by the time it got to Christa, she

1358
01:09:59,160 --> 01:10:03,599
Speaker 1: had sunglasses, it was asleep and yeah, with a smile

1359
01:10:03,640 --> 01:10:05,880
Speaker 1: on her face. I think of that fantasy over, not fantasy.

1360
01:10:05,920 --> 01:10:08,760
Speaker 1: I think of that moment all the time, because, uh, man,

1361
01:10:08,840 --> 01:10:10,960
Speaker 1: a hangover at forty five is not a hangover at

1362
01:10:11,000 --> 01:10:15,880
Speaker 1: twenty five. No, it's not. Listen, I miss you, do you?

1363
01:10:16,479 --> 01:10:19,400
Speaker 1: It's always so nice to touch base with you. Do

1364
01:10:19,560 --> 01:10:23,439
Speaker 1: you really miss me? Man? If if the world were open,

1365
01:10:23,479 --> 01:10:25,840
Speaker 1: I'd have you over. We'd we'd we'd sit by the pool.

1366
01:10:25,880 --> 01:10:28,320
Speaker 1: We'd have we'd have a Margarita. I would I bring

1367
01:10:28,439 --> 01:10:30,720
Speaker 1: my picture of Margarita to do you bring your picture over.

1368
01:10:31,360 --> 01:10:33,800
Speaker 1: I'm supposed to write today, but I would. I would

1369
01:10:33,840 --> 01:10:36,800
Speaker 1: scrap writing and just join you by the pool for Margarita's.

1370
01:10:36,840 --> 01:10:39,320
Speaker 1: That's what would happen today. You're working right now, huh

1371
01:10:39,520 --> 01:10:40,920
Speaker 1: I am, I'm writing. Look do you want to see

1372
01:10:40,920 --> 01:10:43,040
Speaker 1: I'll show you look at this. This is just showing

1373
01:10:43,080 --> 01:10:46,160
Speaker 1: that shit ain't fucking around. This is the first draft. Wow,

1374
01:10:46,520 --> 01:10:49,200
Speaker 1: you're for real about it. He just pulled out a

1375
01:10:49,439 --> 01:10:52,800
Speaker 1: two finger that's about an inch of Yeah, it's way

1376
01:10:52,840 --> 01:10:56,280
Speaker 1: too long right now. A typical screen a typical screenplay

1377
01:10:56,400 --> 01:10:59,000
Speaker 1: for those of you not in the know, it's roughly

1378
01:10:59,160 --> 01:11:02,839
Speaker 1: one hundred and twenty pay just because they say roughly

1379
01:11:03,360 --> 01:11:05,519
Speaker 1: a script works out to a page a minute, and

1380
01:11:05,640 --> 01:11:07,800
Speaker 1: you don't want your movie typically to exceed one hundred

1381
01:11:07,800 --> 01:11:10,720
Speaker 1: and twenty minutes um. And this first draft is one

1382
01:11:10,800 --> 01:11:12,680
Speaker 1: hundred and forty four pages, so there'll be lots of

1383
01:11:12,760 --> 01:11:16,000
Speaker 1: cutting to to occur. But it's happening. Donald, The wheels

1384
01:11:16,000 --> 01:11:18,760
Speaker 1: are turning good for you. Yeah, for you. Aren't you

1385
01:11:18,800 --> 01:11:20,240
Speaker 1: going to ask what you usually ask when I write

1386
01:11:20,240 --> 01:11:23,400
Speaker 1: a screenplay and any black people in it? There are

1387
01:11:23,520 --> 01:11:25,320
Speaker 1: black people in it, and there might even be a

1388
01:11:25,360 --> 01:11:27,960
Speaker 1: part for you, a good part, or you just gonna

1389
01:11:28,000 --> 01:11:30,000
Speaker 1: throw me a little bone. You'll probably have to audition.

1390
01:11:31,880 --> 01:11:34,519
Speaker 1: When I gave Donald my first draft of Garden State,

1391
01:11:34,960 --> 01:11:37,240
Speaker 1: he said said to me, I really want you to

1392
01:11:37,320 --> 01:11:40,880
Speaker 1: read my script. It was my first screenplay. He was

1393
01:11:40,960 --> 01:11:43,680
Speaker 1: my new best friend, And I said I'd really like

1394
01:11:43,800 --> 01:11:45,639
Speaker 1: you to read this, And he said, are there any

1395
01:11:45,680 --> 01:11:49,280
Speaker 1: black people in it? And I said, um, there's there's

1396
01:11:49,360 --> 01:11:52,519
Speaker 1: one or two. One you're not right for because he's

1397
01:11:52,840 --> 01:11:56,760
Speaker 1: he's an African man that's been adopted by Natalie Portman's family,

1398
01:11:57,240 --> 01:12:01,280
Speaker 1: and the other is um is being played. At the time,

1399
01:12:01,640 --> 01:12:03,960
Speaker 1: you had given the part to most death. Is what

1400
01:12:04,080 --> 01:12:06,439
Speaker 1: you said to me. No, I didn't. Yeah, you did,

1401
01:12:06,880 --> 01:12:09,320
Speaker 1: really method it was method It was always method man.

1402
01:12:09,439 --> 01:12:11,080
Speaker 1: It was okay, so then it was method man at

1403
01:12:11,120 --> 01:12:13,560
Speaker 1: the time you said, you said yeah, And then the

1404
01:12:13,640 --> 01:12:16,240
Speaker 1: other part I gave to method Man. And I knew

1405
01:12:16,320 --> 01:12:18,040
Speaker 1: right then and that that I would never read that script.

1406
01:12:18,240 --> 01:12:20,920
Speaker 1: And so Donald Donald in protest because I had given

1407
01:12:20,960 --> 01:12:26,240
Speaker 1: the role to to method man. Um never read the script.

1408
01:12:27,000 --> 01:12:29,840
Speaker 1: It's a great movie, though, thank you, thanks very very

1409
01:12:30,200 --> 01:12:32,640
Speaker 1: very well received. Also, thank you, and and you're in

1410
01:12:32,800 --> 01:12:35,760
Speaker 1: you know, I could thank you. Oh Dan's given thumbs up,

1411
01:12:36,040 --> 01:12:38,679
Speaker 1: and Donald, I mean, I didn't make the same mistake twice.

1412
01:12:39,080 --> 01:12:40,519
Speaker 1: And I made sure to put you in wish I

1413
01:12:40,680 --> 01:12:44,120
Speaker 1: was here. Yeah, and I was very happy to be

1414
01:12:44,200 --> 01:12:46,040
Speaker 1: in that movie as well. Great movie, Mandy, but Timken,

1415
01:12:46,120 --> 01:12:48,280
Speaker 1: holy cow. Yeah, and you were very funny in that

1416
01:12:48,360 --> 01:12:51,879
Speaker 1: movie you only had Mandyke. Let's let's get Mandy Buttemken,

1417
01:12:52,040 --> 01:12:57,320
Speaker 1: Josh Gad Holy cow, yeah, Kate Hudson, Holy cow. Yeah.

1418
01:12:57,400 --> 01:13:00,160
Speaker 1: There's some great performance and just great performance funny in

1419
01:13:00,200 --> 01:13:01,800
Speaker 1: the movie. Let's give a shout out to the film

1420
01:13:01,880 --> 01:13:04,360
Speaker 1: Wish I Was Here, which you can you can see.

1421
01:13:04,400 --> 01:13:05,720
Speaker 1: I think it's on Netflix. You know how I know

1422
01:13:05,760 --> 01:13:07,600
Speaker 1: it's on Netflix, at least in the United States is

1423
01:13:08,240 --> 01:13:10,840
Speaker 1: Joey King, who's plays My Daughter, has become so fair.

1424
01:13:12,320 --> 01:13:14,719
Speaker 1: Joey King steals the movie and has become so famous

1425
01:13:14,800 --> 01:13:18,960
Speaker 1: that Netflix has redone the poster, so it's just Joey

1426
01:13:19,080 --> 01:13:23,720
Speaker 1: King's face. Even if you don't watch the movie, do

1427
01:13:23,880 --> 01:13:25,680
Speaker 1: me a favor and go to your Netflix and look

1428
01:13:25,720 --> 01:13:27,200
Speaker 1: up Wish I Was Here, and you will see it's

1429
01:13:27,200 --> 01:13:30,439
Speaker 1: a picture of Joey King's head because she has become

1430
01:13:30,520 --> 01:13:33,240
Speaker 1: such a big star, and particularly on Netflix with with

1431
01:13:33,880 --> 01:13:36,160
Speaker 1: Kissing Booth, which was like one of their most watch

1432
01:13:36,280 --> 01:13:38,400
Speaker 1: movies ever. And I just thought it was funny that

1433
01:13:38,479 --> 01:13:41,519
Speaker 1: Netflix was like, no, we don't need Kate Hudson, Zach Ralph,

1434
01:13:41,560 --> 01:13:43,080
Speaker 1: Josh Goad and maybe Potanko on the plush. You're just

1435
01:13:43,200 --> 01:13:46,680
Speaker 1: a shot of Joey's head, but much deserved. She's a

1436
01:13:46,720 --> 01:13:49,360
Speaker 1: superstar that she has a superstar. Thank you so much

1437
01:13:49,479 --> 01:13:52,639
Speaker 1: for listening to fake doctor's real friends. I'm your co host,

1438
01:13:52,720 --> 01:13:55,479
Speaker 1: Zach Braff, along with my friend Donald Fayzon. Here to

1439
01:13:55,560 --> 01:13:56,920
Speaker 1: make you laugh, Here to make a smile with a

1440
01:13:57,000 --> 01:14:02,920
Speaker 1: touch of nostalgia are Here's some stories about Shore. We

1441
01:14:03,280 --> 01:14:07,320
Speaker 1: made about a bunch of docs and nurses and a

1442
01:14:07,560 --> 01:14:11,719
Speaker 1: janitor who learned me here I said, he the stories. Nephew,

1443
01:14:11,760 --> 01:14:17,240
Speaker 1: all should go. So gather around you here, ire, gather

1444
01:14:17,400 --> 01:14:20,840
Speaker 1: around you here. I'm scrut free. Watch your winds act

1445
01:14:23,000 --> 01:14:23,479
Speaker 1: mm hmm.