WEBVTT - Monie Love

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. It is March,

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<v Speaker 1>which means it's Women's History Month, and we're celebrating here

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<v Speaker 1>at QLs. We're going to look back at the classic

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<v Speaker 1>episode from twenty twenty one with Money Love. Since her

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<v Speaker 1>career started, Money's been in the middle of everything. You

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<v Speaker 1>see the pun there, music, radio, activism, and more. Listen back,

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<v Speaker 1>ladies and gentlemen, welcome to another episode of Course Love Supreme.

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<v Speaker 1>I'm your host, Quest Love. We have teams Supreme with us.

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<v Speaker 1>Let's see, we have Sugar, Steve Hi. Everybody right now

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<v Speaker 1>your live on location.

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<v Speaker 2>Where you at, Steve, Yeah, I'm outside of radio study

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<v Speaker 2>music Hall, recording live for up frame.

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<v Speaker 3>Right.

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<v Speaker 1>Nice. Nice, And our fan base is out there. That's

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<v Speaker 1>awesome looking on the street, on the street. Yeah, exactly,

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<v Speaker 1>Steve it is. That's where his fans are on the

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<v Speaker 1>street out there. So we have unpaid bill. Yes, sir,

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<v Speaker 1>how's it going on? How's the how's the wine bar?

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<v Speaker 1>What are you drinking?

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<v Speaker 4>Tonight, little ship pain, let's call it tonight delicious pain.

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<v Speaker 4>It's it's for the pain. It's pro paid, it's pro

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<v Speaker 4>it's this is tastes your favorite.

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<v Speaker 1>Part of the day when you when you get down

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<v Speaker 1>to you.

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<v Speaker 4>Yeah, I get to see my friends have a drink

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<v Speaker 4>and you know, talk about the ship.

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<v Speaker 1>I see, all right at you cool and yeah. I

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<v Speaker 1>can't say yeah, waiting me to say north.

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<v Speaker 5>See whatever.

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<v Speaker 1>I need some other. I might need some other. I mean, yes,

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<v Speaker 1>I believe you know your state very well, but I need.

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<v Speaker 6>Some know the witnesses, because anybody any nigga saying that

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<v Speaker 6>ship is over fifty Okay, ain't no, ain't no young

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<v Speaker 6>nigga saying that ship.

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<v Speaker 1>We don't say that cold like nah nah, bro. Is

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<v Speaker 1>there a Philadelphia equivalent of there, like Philadelphia some ship shah?

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<v Speaker 1>Yeah yeah, but then it became kiladelph in two thousand

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<v Speaker 1>and six, so ended that. Uh yeah, Marcaret, Yeah look

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<v Speaker 1>at you. Yeah yeah, Margaret, I forgot I forgot the

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<v Speaker 1>mark in the house. Yeah we did, ladies and gentlemen.

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<v Speaker 1>I will say that our esteemed guest today is definitely

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<v Speaker 1>hip hop Royalty. And I'm not making that reference because

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<v Speaker 1>she's UK based. She came first to our at Tension

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<v Speaker 1>as a member of what I think is one of

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<v Speaker 1>the most innovative collectives in music, not just hip hop,

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<v Speaker 1>but music and I'm speaking, of course, of the native tongues.

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<v Speaker 1>She's one of the first generation international mcs. She's made

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<v Speaker 1>her mark, given memorable verses on singles for a vast

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<v Speaker 1>array of people, be it Whitney Houston, Fine on Cannibals, Prince,

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<v Speaker 1>the Jungle Brothers, Daylight, Soul Rass Cast Common least we

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<v Speaker 1>forget or not forget her classic performance on the Anthem

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<v Speaker 1>Ladies First with Queen Latifa and I'm also at the

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<v Speaker 1>top of the new millennium. She shifted her golden voice

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<v Speaker 1>to radio, especially in my hometown of Philly. Remind me

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<v Speaker 1>to ask you about that Gez conversation by I've never

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<v Speaker 1>spoken about that. I've heard a lot about it. I'm

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<v Speaker 1>you know, I'm Philadelphia and I got it. I always

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<v Speaker 1>wanted to ask you that also Atlanta George's as well

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<v Speaker 1>as well as her nationwide show on Serious FM Ladies First.

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<v Speaker 1>Probably the biggest marvel here about our guest is her

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<v Speaker 1>refusal and her inability to age as a mother of four.

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<v Speaker 1>I assume four fully grown kids and a grandmother. I

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<v Speaker 1>swear to God our guests will remain about twenty eight

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<v Speaker 1>years old until the year nineteen thousand and eighty four. Okay,

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<v Speaker 1>what can I say? Longtime coming, ladies and gentlemen, please

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<v Speaker 1>welcome mony love to quest Lofe Suprie. Yes, all right, look,

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<v Speaker 1>I'm as as a man. I'm learning lessons post twenty twenty.

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<v Speaker 1>Not to comment on people's physicality or their age or whatever,

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<v Speaker 1>but this has to be spoken about what is your

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<v Speaker 1>secret to youth?

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<v Speaker 5>I don't have a secret to youth. I mean, I

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<v Speaker 5>don't know why everybody keeps everybody always says that, because

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<v Speaker 5>trust me, my knees have got more cracked than Harlem

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<v Speaker 5>in the ages.

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<v Speaker 1>I feel you.

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<v Speaker 7>But what you being on at night?

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<v Speaker 5>Though?

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<v Speaker 1>Yeah, I'm like Chris, like what is it?

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<v Speaker 5>I don't you know. Honestly, I drink and I drink

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<v Speaker 5>a lot of water, that's for sure. I really do.

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<v Speaker 5>I really do. And it sounds really corny, but I

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<v Speaker 5>really do drink a lot of water. And aside from that,

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<v Speaker 5>I'm still keeping up with the kids. Like I've still

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<v Speaker 5>got kids that I'm chasing around the house and so

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<v Speaker 5>on and so forth.

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<v Speaker 1>You know, how old is your youngest?

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<v Speaker 5>Twelve?

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<v Speaker 1>Okay? Well I see, yeah. I mean there's sometimes where

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<v Speaker 1>like I can't tell the difference between you and Charlena,

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<v Speaker 1>and you know I can't like, you.

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<v Speaker 5>Know, half the time, I get it, yeah, because it's

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<v Speaker 5>like that either.

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<v Speaker 1>Your your daughter must have taken your iPhone and posted

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<v Speaker 1>a picck on I g r ever, but yeah, more

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<v Speaker 1>more more power to you. I want whatever you're drinking,

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<v Speaker 1>you have it. I want to live forever. So yes,

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<v Speaker 1>the water right now, as you speak, what is the

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<v Speaker 1>environment in Atlanta? Because to the rest of the United States,

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<v Speaker 1>we're just we're kind of side eyeing, not the residents,

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<v Speaker 1>but you know more or less no, well not even

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<v Speaker 1>what's your name, Keisha, Not even Keisha, because I know

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<v Speaker 1>where she stands. But right now I'm just hearing like

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<v Speaker 1>everything that Atlanta is sodom and more like.

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<v Speaker 5>Basically, honestly, no, honestly, I can understand why everybody else

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<v Speaker 5>is looking at Atlanta like that because to a lot

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<v Speaker 5>in a lot of areas like things should be closed

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<v Speaker 5>that are not closed. So I understand why everybody else

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<v Speaker 5>is looking at it, like what are you guys doing

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<v Speaker 5>out there? Honestly, me speaking for myself, I'm going with

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<v Speaker 5>the train of thought as we're not supposed to be

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<v Speaker 5>doing a bunch of a bunch of stuff, you know,

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<v Speaker 5>I do a to B I leave, I leave the house,

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<v Speaker 5>I go to the radio station. I do the radio

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<v Speaker 5>station the show. I come home. I might stuff at

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<v Speaker 5>the grocery store, pick up groceries for the kids and

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<v Speaker 5>what have you. That's about it, you know, I just

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<v Speaker 5>I don't really do too much. I need to do

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<v Speaker 5>my kids. You know, everybody's homeschooled, which is I share

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<v Speaker 5>my laptop, I share my desktop, which is why nothing

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<v Speaker 5>in my house is sacred anymore. But they are, They're

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<v Speaker 5>doing too much. They're doing too much in general.

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<v Speaker 1>Is there a kind of like is there a true

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<v Speaker 1>awareness of at least for you know, I know it's

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<v Speaker 1>for everybody, but even for black people like that, there's

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<v Speaker 1>a danger out there. I understand that, you know, at

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<v Speaker 1>least some of the hotep cats that.

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<v Speaker 5>I know that are Are you allowed to say that.

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<v Speaker 1>Hotel?

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<v Speaker 5>Yeah?

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<v Speaker 1>Yeah, that's a real.

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<v Speaker 5>Starts that starts like fights.

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<v Speaker 1>I mean, you know, if the shoe fits. I'm just saying,

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<v Speaker 1>like we just we just live in the time in which,

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<v Speaker 1>you know, I mean, where facts are optional and everyone's

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<v Speaker 1>everyone's opinion is sort of subjective to what they think,

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<v Speaker 1>you know, right, And I mean it's bad enough with

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<v Speaker 1>my family, Like I me trying to convince certain family

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<v Speaker 1>members that they should get the vaccine. And you know,

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<v Speaker 1>I understand the the history that we've had within in

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<v Speaker 1>trepidation and all that stuff, but I mean, it's just

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<v Speaker 1>exhausted enough arguing nine family members about this. I mean,

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<v Speaker 1>I can't even imagine what it's just like in Atlanta

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<v Speaker 1>where I mean I've seen clips of All Star Week

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<v Speaker 1>and where people were just like.

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<v Speaker 5>Yeah, I'm crazy I skipped.

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<v Speaker 7>So you haven't had the whole study parties or anything

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<v Speaker 7>like that down there.

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<v Speaker 5>Well I did, Uh no, I did, Actually I did.

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<v Speaker 5>You know what I did. I went to Tampa and

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<v Speaker 5>I did The super was a driving concept and that

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<v Speaker 5>was me and alumni. It was me special Ed, Chubb, Rock,

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<v Speaker 5>Kuame and Dana Day and we did that and that

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<v Speaker 5>was a driving That was my first driving concert. So

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<v Speaker 5>that was Yeah, that was interesting.

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<v Speaker 1>Do people respond by a honking their horns? Absolutely so

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<v Speaker 1>when it starts doing nightmares like people were like, it

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<v Speaker 1>was amazing.

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<v Speaker 5>That was my first experience with that and it was

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<v Speaker 5>absolutely that. Like when you say make some noise.

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<v Speaker 1>It's like, ah, wait, next time you wrapped a Chubb,

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<v Speaker 1>tell him that I'm want to pay his two thousand

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<v Speaker 1>dollars debt to Prince Paul if Paul tells the story

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<v Speaker 1>one more time. Man, I'm like, all right, I'm gonna

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<v Speaker 1>just cover this dep.

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<v Speaker 5>Wow.

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<v Speaker 1>No, okay, So of course I know some areas of

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<v Speaker 1>your life. But for our listeners who don't know what

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<v Speaker 1>part of were you born in the UK? What part

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<v Speaker 1>of the UK?

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<v Speaker 5>Yeah? Absolutely, South London, Chelsea. I was born in since

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<v Speaker 5>in Chelsea and that is South London.

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<v Speaker 1>Okay, South London. Can you talk about the environment of

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<v Speaker 1>of what South London was when you were growing up?

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<v Speaker 5>Yeah? Okay. Being black and in England, you're either Caribbean

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<v Speaker 5>descent or straight up Africa, like your parents come from

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<v Speaker 5>Ghana on Nigeria or mostly Ghana and Nigeria, or your

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<v Speaker 5>parents come from any of the Caribbean So it could

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<v Speaker 5>be Trinidad's, it could be Grenada, it could be Barbados,

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<v Speaker 5>Saint Lucia, Jamaica. My family is or from Jamaica and

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<v Speaker 5>that's what makes up the black population pretty much when

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<v Speaker 5>I was growing up in England. Now it's it's a

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<v Speaker 5>lot people from everywhere, more places, But back then that's

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<v Speaker 5>what it was and the reason why it was that

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<v Speaker 5>is because I think like in the fifties, they England

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<v Speaker 5>reached out to its commonwealth countries to bring in manpower

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<v Speaker 5>to help to rebuild the country after the last series

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<v Speaker 5>of wars, and so they reached out to their commonwealth,

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<v Speaker 5>the British Commonwealth, which is all the countries that they owned. Exactly,

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<v Speaker 5>thank you Ante.

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<v Speaker 7>Yeah, basically I'm so light, so polite about it.

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<v Speaker 5>I love it. And so my grandfather was amongst them.

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<v Speaker 5>And so what happened was families, the heads of families

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<v Speaker 5>went over to England and then bit by bit they

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<v Speaker 5>send for their wives, and they send for their children

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<v Speaker 5>and so on and so forth. But by that time

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<v Speaker 5>my grandfather had already had my grandparents had already had

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<v Speaker 5>five kids that were older and left. My mother was

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<v Speaker 5>of the last five. She was at younger five. So

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<v Speaker 5>she had to get shipped off to her parents in England,

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<v Speaker 5>which racking for her, she told me, because she she

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<v Speaker 5>didn't even know what a coat was. So yeah, she

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<v Speaker 5>got to England and it was like it's cold, you know,

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<v Speaker 5>So yeah, and then that's what that's pretty much how

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<v Speaker 5>a lot of our parents, people in my age bracket,

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<v Speaker 5>how a lot of our parents got England, so hence

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<v Speaker 5>we were born in England. My generation of generation in

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<v Speaker 5>my family born outside of Jamaica.

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<v Speaker 1>Okay, So I don't know when this will air exactly,

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<v Speaker 1>but we're sort of speaking right now, right when UK

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<v Speaker 1>is on the sort of the forefront of the news

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<v Speaker 1>with how the monarchy and its relationship with an American community.

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<v Speaker 5>Yeah, American community.

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<v Speaker 1>I'm sorry, I'm so used to saying that the black

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<v Speaker 1>community of the UK. Okay, man, I just did a

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<v Speaker 1>patrise O Neil thing. You know when Patrice jokes that

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<v Speaker 1>when he goes to European countries and still calls them

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<v Speaker 1>foreigners like that, that's actually.

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<v Speaker 3>And not even the term that you say mo like, No, no, no,

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<v Speaker 3>that's what I'm saying.

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<v Speaker 5>I did not hear the term African American until I

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<v Speaker 5>came to this country.

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<v Speaker 7>No, but what do you call so do they? Do

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<v Speaker 7>you say the blacks of the UK?

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<v Speaker 5>Like?

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<v Speaker 7>Is that something that you say as a black.

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<v Speaker 5>We just we just say black people a black person.

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<v Speaker 7>Like British right right right?

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<v Speaker 1>Right?

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<v Speaker 5>No, not really, But.

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<v Speaker 1>What I the thing is, you know, I was watching

0:14:04.320 --> 0:14:07.840
<v Speaker 1>the news today and they had, you know, a bunch

0:14:07.880 --> 0:14:13.080
<v Speaker 1>of news pundits on talking about uh well mainly marco

0:14:13.240 --> 0:14:19.720
<v Speaker 1>versus old boy from the Peers, here's Morgan. And you know,

0:14:20.040 --> 0:14:24.640
<v Speaker 1>when he was speaking of his disgust of certain figures

0:14:24.640 --> 0:14:27.800
<v Speaker 1>in the media and especially with the Prime Minister there,

0:14:27.880 --> 0:14:30.040
<v Speaker 1>I mean, I noticed that he was using talking points

0:14:30.040 --> 0:14:35.120
<v Speaker 1>that I thought were just exclusively for African Americans in

0:14:35.160 --> 0:14:38.720
<v Speaker 1>the United States, Like I thought, just I thought, basically

0:14:38.760 --> 0:14:44.200
<v Speaker 1>like post slavery stereotypes of black people, Like he was

0:14:44.200 --> 0:14:47.040
<v Speaker 1>saying that the Prime Minister was on the record once

0:14:47.040 --> 0:14:50.160
<v Speaker 1>saying that you know, like every black person here in

0:14:50.160 --> 0:14:54.080
<v Speaker 1>London has watermelon smiles, and was using terms like pickaninny

0:14:54.120 --> 0:14:56.840
<v Speaker 1>and things that I thought were exclusively just for like

0:14:57.920 --> 0:15:01.360
<v Speaker 1>based in down South American terms mm hmmm that I've

0:15:01.400 --> 0:15:05.880
<v Speaker 1>never heard used in Europe before, which I mean I foolishly.

0:15:05.960 --> 0:15:11.040
<v Speaker 1>I mean, of course I know that racism is worldwide

0:15:11.520 --> 0:15:14.800
<v Speaker 1>is nigger, right, But that's the thing, Like I.

0:15:14.880 --> 0:15:17.920
<v Speaker 5>Know, I never heard that until I came to this country, right.

0:15:17.840 --> 0:15:21.640
<v Speaker 1>But I'm saying that's the thing. I haven't heard the

0:15:21.720 --> 0:15:23.960
<v Speaker 1>terms used for us in the United States over there.

0:15:24.040 --> 0:15:27.480
<v Speaker 1>So I wanted to know, like, what what.

0:15:27.280 --> 0:15:30.600
<v Speaker 5>Was our version of your version, our version of the

0:15:30.680 --> 0:15:38.080
<v Speaker 5>n word was wog, w o, g wog. You're a wog. Yeah,

0:15:38.320 --> 0:15:38.680
<v Speaker 5>So the.

0:15:38.600 --> 0:15:41.040
<v Speaker 1>White person calls you wog, then it's time to start

0:15:41.080 --> 0:15:41.720
<v Speaker 1>throwing hands.

0:15:42.520 --> 0:15:45.000
<v Speaker 5>If if a white person calls you a wog, they're

0:15:45.040 --> 0:15:46.600
<v Speaker 5>going to be tons allness.

0:15:47.920 --> 0:15:51.520
<v Speaker 3>But do other black people call themselves walks? No, so

0:15:51.560 --> 0:15:52.040
<v Speaker 3>then they're.

0:15:52.320 --> 0:15:55.520
<v Speaker 1>So there's not a term's.

0:15:56.200 --> 0:15:59.720
<v Speaker 5>W w And the word wog comes from the end

0:15:59.720 --> 0:16:04.160
<v Speaker 5>of golliwog, and a golliwog if you look that up,

0:16:04.880 --> 0:16:10.360
<v Speaker 5>was one of those like black face dolls. It's like

0:16:10.400 --> 0:16:13.359
<v Speaker 5>a rag doll, right, So it's made out of material,

0:16:14.200 --> 0:16:18.440
<v Speaker 5>and it's black face with wool hair, right, and it

0:16:18.480 --> 0:16:21.600
<v Speaker 5>looks like actually kind of like it's dressed like how

0:16:21.720 --> 0:16:26.320
<v Speaker 5>Al Jolson is to dress. So it's a rag doll.

0:16:26.560 --> 0:16:30.600
<v Speaker 5>It's a rag doll that's dressed like Al Jolson. It's

0:16:30.760 --> 0:16:33.560
<v Speaker 5>black face with wolf coat. And that's a golliwog.

0:16:34.360 --> 0:16:38.320
<v Speaker 1>And I'm curious if that even has a relationship to

0:16:38.440 --> 0:16:41.720
<v Speaker 1>the word poly. I was thinking that too. I've heard

0:16:42.000 --> 0:16:46.800
<v Speaker 1>that used in many punk rock or something like that.

0:16:46.880 --> 0:16:51.000
<v Speaker 1>So to me that I don't pog is like a

0:16:51.000 --> 0:16:54.560
<v Speaker 1>little like toad or something. Right, It's like a.

0:16:56.200 --> 0:16:59.160
<v Speaker 5>Yeah, I think that is, that is, but Golliwog was

0:16:59.200 --> 0:16:59.840
<v Speaker 5>a doll.

0:17:00.000 --> 0:17:00.320
<v Speaker 1>Ain't that?

0:17:00.400 --> 0:17:02.800
<v Speaker 7>Yeah? All right? Now I ain't never all right, got it?

0:17:02.800 --> 0:17:04.080
<v Speaker 5>All right? Yeah?

0:17:04.119 --> 0:17:08.040
<v Speaker 1>But growing up what you know, for for some of

0:17:08.040 --> 0:17:12.400
<v Speaker 1>the onand as a tadpole, okay, tadpole, but growing up

0:17:12.520 --> 0:17:15.040
<v Speaker 1>and over there? How long were you over there before

0:17:15.200 --> 0:17:16.600
<v Speaker 1>before you came to the United States?

0:17:16.640 --> 0:17:19.720
<v Speaker 5>I left, I left England for good when I was

0:17:20.480 --> 0:17:21.719
<v Speaker 5>seventeen and changed.

0:17:22.560 --> 0:17:27.520
<v Speaker 1>Okay, so up until that point, what was was there

0:17:27.560 --> 0:17:28.640
<v Speaker 1>a racial tension at all?

0:17:28.840 --> 0:17:34.640
<v Speaker 5>Or absolutely? Absolutely? It's just like it's just like, forgive

0:17:34.760 --> 0:17:39.480
<v Speaker 5>the similarity, but it's like a cool a kool Aid

0:17:39.480 --> 0:17:45.320
<v Speaker 5>of a different flavor. Well, because it's like, you know,

0:17:45.359 --> 0:17:48.400
<v Speaker 5>whereas you may consider the kool Aid slavor over here

0:17:48.520 --> 0:17:51.240
<v Speaker 5>of the f ship that was going on, you might

0:17:51.280 --> 0:17:57.480
<v Speaker 5>consider that red. Okay, well, but it was orange, you

0:17:57.520 --> 0:18:00.520
<v Speaker 5>know what I'm saying. But it was still but it

0:18:00.560 --> 0:18:02.760
<v Speaker 5>was still part of the kool Aid. Oh yeah, it

0:18:02.960 --> 0:18:06.000
<v Speaker 5>used to be this group of you couldn't like you

0:18:06.040 --> 0:18:08.200
<v Speaker 5>would have fear, I'd have I have an older brother.

0:18:08.280 --> 0:18:10.240
<v Speaker 5>I would have fear for my brother to be out

0:18:10.280 --> 0:18:13.600
<v Speaker 5>past a certain time because I would be scared that

0:18:13.680 --> 0:18:19.440
<v Speaker 5>he'd bump into a group of National Front guys. National

0:18:19.840 --> 0:18:25.560
<v Speaker 5>guys were skin heads. Yeah, they were skin heads with

0:18:26.000 --> 0:18:29.280
<v Speaker 5>hides up to Martin boots and then green.

0:18:29.640 --> 0:18:33.360
<v Speaker 1>Jacket, the red suspenders and the yeah yeah.

0:18:33.359 --> 0:18:36.800
<v Speaker 5>That stuff right, and you get you know, they black boy,

0:18:36.840 --> 0:18:39.760
<v Speaker 5>a couple of black boys get caught wrong side of town,

0:18:39.840 --> 0:18:43.760
<v Speaker 5>it's late or whatever, they'd get done in. They'd get

0:18:43.800 --> 0:18:47.960
<v Speaker 5>done and beat to a pulp death, you know. See.

0:18:48.760 --> 0:18:51.840
<v Speaker 1>Okay, that's that was my next question. Whereas you know,

0:18:52.200 --> 0:18:55.080
<v Speaker 1>teenage me, my dad would probably have more fear that

0:18:55.160 --> 0:18:59.399
<v Speaker 1>the police would do that to me first and then second,

0:19:00.280 --> 0:19:02.159
<v Speaker 1>you know, going in the wrong side. I mean, we

0:19:02.280 --> 0:19:05.880
<v Speaker 1>never Philadelphia really didn't get caught up in gang culture

0:19:06.880 --> 0:19:08.480
<v Speaker 1>similar to if I were going.

0:19:08.520 --> 0:19:10.560
<v Speaker 5>But there was that because there was a lot of

0:19:10.600 --> 0:19:14.680
<v Speaker 5>markings on the wall saying National Front rules and go back,

0:19:14.760 --> 0:19:19.080
<v Speaker 5>go wogs, go home and stuff like that. Yeah, yeah,

0:19:19.320 --> 0:19:23.359
<v Speaker 5>it existed. And the parents would be scared mainly for

0:19:23.440 --> 0:19:25.680
<v Speaker 5>their sons because the sons would always be the ones

0:19:25.680 --> 0:19:28.520
<v Speaker 5>that would be prone to be out. The daughters would

0:19:28.560 --> 0:19:32.880
<v Speaker 5>be at home, you know, and they would be scared

0:19:32.920 --> 0:19:36.280
<v Speaker 5>for their sons running into groups of National Front kids

0:19:37.080 --> 0:19:40.800
<v Speaker 5>and kicked in. And also the sad the sad vans,

0:19:41.240 --> 0:19:46.080
<v Speaker 5>and the sad vans are paddy wagons, and that's what

0:19:46.119 --> 0:19:47.439
<v Speaker 5>we used to call them, sad vans.

0:19:48.000 --> 0:19:52.399
<v Speaker 1>Are you have you watched Small Acts? Yeah? No, And.

0:19:53.960 --> 0:19:55.960
<v Speaker 5>You know something, I just got told about it. I

0:19:56.040 --> 0:19:58.560
<v Speaker 5>just got told about it about and I was like,

0:19:58.640 --> 0:20:00.520
<v Speaker 5>I need to watch it, I really And then I

0:20:00.560 --> 0:20:03.520
<v Speaker 5>saw some of the trailers for it, and I'm like,

0:20:03.560 --> 0:20:07.440
<v Speaker 5>oh my god, this is exactly, yeah, this is exactly

0:20:07.440 --> 0:20:10.680
<v Speaker 5>how we came up over there, exactly how we came up.

0:20:10.920 --> 0:20:14.480
<v Speaker 1>Yeah. People, the first two to me were did you

0:20:14.520 --> 0:20:15.840
<v Speaker 1>watch the rest of it? Fante?

0:20:15.920 --> 0:20:17.880
<v Speaker 6>Or I watched I just watched Lovers Rock. I haven't

0:20:17.880 --> 0:20:18.840
<v Speaker 6>seen the other ones.

0:20:19.240 --> 0:20:21.000
<v Speaker 1>Are you just seen the second one? The house party one?

0:20:21.119 --> 0:20:22.760
<v Speaker 1>On the house Party one, I gotta watch the.

0:20:22.760 --> 0:20:25.400
<v Speaker 5>One with and love Us Rock is a whole genre

0:20:25.480 --> 0:20:28.239
<v Speaker 5>of music that we used to listen to.

0:20:28.480 --> 0:20:34.560
<v Speaker 1>Absolutely I see music music wise. You know, I guess

0:20:34.800 --> 0:20:39.960
<v Speaker 1>for us, even though he'dn't paraded as as hard as

0:20:40.960 --> 0:20:43.880
<v Speaker 1>I expected him to, you know, slick Rick was sort

0:20:43.880 --> 0:20:47.560
<v Speaker 1>of our I guess, our introduction that hip hop is

0:20:47.680 --> 0:20:51.600
<v Speaker 1>a worldwide thing and not just a local New York thing.

0:20:51.680 --> 0:20:55.480
<v Speaker 1>But like, what what was the the environment as far

0:20:55.520 --> 0:20:57.640
<v Speaker 1>as hip hop was concerned, like how did it reach

0:20:57.760 --> 0:20:59.720
<v Speaker 1>you over there?

0:21:00.720 --> 0:21:08.000
<v Speaker 5>Okay? Uh? Through videos? Through videos, through Wild Style videos,

0:21:08.359 --> 0:21:11.960
<v Speaker 5>breaking videos, graffiti videos. It came to us like that.

0:21:12.240 --> 0:21:14.440
<v Speaker 1>We didn't get just firstlegs.

0:21:14.800 --> 0:21:20.080
<v Speaker 5>We do well, I think bootlegs tapes of like Wild

0:21:20.119 --> 0:21:25.240
<v Speaker 5>Style and and then that led onto actual real releases

0:21:25.520 --> 0:21:29.600
<v Speaker 5>of like Breaking and Beach Street. But that's how it

0:21:29.680 --> 0:21:31.480
<v Speaker 5>that's how it got to us when we got hip hop.

0:21:31.520 --> 0:21:33.720
<v Speaker 5>We didn't get it in its music form first, we

0:21:33.840 --> 0:21:36.639
<v Speaker 5>got it in its art form as far as the

0:21:36.680 --> 0:21:37.719
<v Speaker 5>movement end of it.

0:21:38.160 --> 0:21:41.879
<v Speaker 1>First that you didn't have a rappers Delight on radio?

0:21:42.000 --> 0:21:42.840
<v Speaker 1>What the hell is this?

0:21:44.320 --> 0:21:49.000
<v Speaker 5>Yeah? We did, but it was it was kind of discoing.

0:21:49.440 --> 0:21:53.600
<v Speaker 5>We didn't we we didn't make the connection between hip

0:21:53.640 --> 0:21:56.560
<v Speaker 5>hop the culture that that that came out of the rubble,

0:21:57.600 --> 0:22:00.480
<v Speaker 5>you know, we didn't make that connection with we saw

0:22:01.280 --> 0:22:03.359
<v Speaker 5>rappers Delight on Top of the Pops, which Top of

0:22:03.400 --> 0:22:07.080
<v Speaker 5>the Pops is like a British version of American bandstand.

0:22:07.400 --> 0:22:09.240
<v Speaker 5>So when we saw them on top of the pops

0:22:09.240 --> 0:22:13.359
<v Speaker 5>doing Sugarhill Gang doing Rapids Delight, we didn't make the

0:22:13.400 --> 0:22:17.760
<v Speaker 5>connection with the hip hop culture. Yet he started, we

0:22:17.800 --> 0:22:22.760
<v Speaker 5>started a simulating our own pseudo movement of hip hop

0:22:22.800 --> 0:22:25.840
<v Speaker 5>in England once we started seeing going on and as

0:22:25.880 --> 0:22:30.360
<v Speaker 5>far as tapes of wild Style and as a matter

0:22:30.400 --> 0:22:33.440
<v Speaker 5>of fact, somebody that helped deliver us more so with

0:22:33.520 --> 0:22:36.840
<v Speaker 5>the culture, more so than Sugarhill Gang for England at least,

0:22:37.359 --> 0:22:40.800
<v Speaker 5>was Malcolm McLaren because he included them breaking in his.

0:22:41.000 --> 0:22:44.400
<v Speaker 1>Video Oh for Buffalo Girls.

0:22:44.080 --> 0:22:47.359
<v Speaker 5>And we saw that and that's another way that we

0:22:47.400 --> 0:22:51.720
<v Speaker 5>started making the connection, and so we started we developed

0:22:51.800 --> 0:22:55.359
<v Speaker 5>cruise again. I was spinning on my back. I was

0:22:55.760 --> 0:22:56.840
<v Speaker 5>I wasn't rhyming sons.

0:22:58.200 --> 0:23:02.119
<v Speaker 1>So you started off dancing, you started off, yeah, yeah,

0:23:02.200 --> 0:23:04.840
<v Speaker 1>what was his what was his true role over there?

0:23:04.880 --> 0:23:08.840
<v Speaker 1>I mean, you're Malcolm's name mentioned of course with the

0:23:08.880 --> 0:23:12.040
<v Speaker 1>sex pistols and then you know it's early for a

0:23:12.119 --> 0:23:15.320
<v Speaker 1>raison to electronic hip hop in eighty two eighty three,

0:23:15.440 --> 0:23:21.000
<v Speaker 1>But I mean, was he this Spingali Warhol figure over

0:23:21.040 --> 0:23:21.680
<v Speaker 1>there or like.

0:23:21.640 --> 0:23:27.840
<v Speaker 5>What absolutely, that's exactly his position, that is exactly his position.

0:23:28.280 --> 0:23:29.760
<v Speaker 1>Parties or you know.

0:23:30.040 --> 0:23:33.359
<v Speaker 5>No, no, I wouldn't say that, or if he did,

0:23:33.600 --> 0:23:35.919
<v Speaker 5>I certainly wasn't in that crowd and none of my

0:23:36.040 --> 0:23:38.480
<v Speaker 5>peers were in that crowd. But what he did do

0:23:38.640 --> 0:23:42.399
<v Speaker 5>and where we did make a direct connection with Malcolm

0:23:42.400 --> 0:23:47.520
<v Speaker 5>MacLaren is that he ushered in the the dance art

0:23:47.640 --> 0:23:50.920
<v Speaker 5>form of hip hop culture. He ushered that he helped

0:23:51.119 --> 0:23:54.080
<v Speaker 5>usher that in to the to watch British kids for

0:23:54.160 --> 0:23:55.320
<v Speaker 5>us to look at that and be like, how are

0:23:55.320 --> 0:24:00.120
<v Speaker 5>they doing that? How wen about how to do that?

0:24:00.200 --> 0:24:01.480
<v Speaker 5>How are they doing that? Now?

0:24:01.600 --> 0:24:03.119
<v Speaker 7>I was gonna say, do you remember what, folks, what

0:24:03.200 --> 0:24:04.360
<v Speaker 7>was before a hip hop then?

0:24:04.440 --> 0:24:04.560
<v Speaker 1>Like?

0:24:04.560 --> 0:24:07.560
<v Speaker 7>What was what? Were young kids listening to the police?

0:24:08.040 --> 0:24:10.520
<v Speaker 5>We were listening to the We were listening to the police.

0:24:11.040 --> 0:24:17.200
<v Speaker 5>We were listening to we were listening. Yeah, we were.

0:24:16.640 --> 0:24:19.840
<v Speaker 5>We weren't you know, we wasn't. We weren't doing anything.

0:24:19.840 --> 0:24:22.240
<v Speaker 5>We didn't get hit by the hip hop cultural bug yet,

0:24:22.400 --> 0:24:23.320
<v Speaker 5>you know we all we.

0:24:23.400 --> 0:24:27.359
<v Speaker 1>Had was police makes sense though the scar the school

0:24:27.840 --> 0:24:28.120
<v Speaker 1>it was.

0:24:28.119 --> 0:24:31.560
<v Speaker 5>No absolutely because it was a very heavy A lot

0:24:31.600 --> 0:24:34.719
<v Speaker 5>of the British bands were heavily influenced by the Caribbean

0:24:35.240 --> 0:24:39.280
<v Speaker 5>population in England. So you know there's this there's this

0:24:39.320 --> 0:24:42.560
<v Speaker 5>group called Bad Men and they were like a scar

0:24:42.760 --> 0:24:47.840
<v Speaker 5>band too and bad Manners and they were, yeah, they

0:24:47.840 --> 0:24:52.280
<v Speaker 5>were a scar band. Two. Of course we mentioned the police,

0:24:53.520 --> 0:25:01.680
<v Speaker 5>night Runners, the specials, The Specials, that's another one. Heavily spy.

0:25:02.119 --> 0:25:04.600
<v Speaker 5>There was two Jamaican guys in the group.

0:25:04.920 --> 0:25:08.879
<v Speaker 1>So you mean like wred they Okay, explain this, What

0:25:08.960 --> 0:25:11.959
<v Speaker 1>the hell's are Rudy. I hear the term rudy.

0:25:12.480 --> 0:25:19.000
<v Speaker 5>White white shirt, white shirt, skinny, black tie, black jacket.

0:25:19.480 --> 0:25:22.360
<v Speaker 5>But yeah, yeah, yeah, drain pipes.

0:25:23.280 --> 0:25:25.280
<v Speaker 1>That's to look like fish boone. Are these white guys

0:25:25.320 --> 0:25:28.040
<v Speaker 1>or black guys? Like every time I hear a Rudy,

0:25:28.160 --> 0:25:29.440
<v Speaker 1>is that like rude boy or something?

0:25:29.520 --> 0:25:32.760
<v Speaker 5>Or yes, it's it's the British version of what Jamaicans

0:25:32.760 --> 0:25:35.920
<v Speaker 5>would call rude boy.

0:25:36.400 --> 0:25:39.960
<v Speaker 1>I see no, because you know, when I heard Sky songs,

0:25:40.280 --> 0:25:43.440
<v Speaker 1>they're always talking about Rudy, and I thought, like, kind

0:25:43.440 --> 0:25:48.480
<v Speaker 1>of that Johnny, what was Johnny Taylor's word? Like, oh joy, Jody, Jody? Right,

0:25:48.960 --> 0:25:51.719
<v Speaker 1>I thought that Rudy was just like this fictional character

0:25:51.960 --> 0:25:55.480
<v Speaker 1>or whatever that just woman while you was away, Right,

0:25:55.600 --> 0:25:56.320
<v Speaker 1>That's what I thought.

0:25:56.520 --> 0:26:03.680
<v Speaker 8>But no, No, a Rudy is a British version of

0:26:04.440 --> 0:26:06.720
<v Speaker 8>what Jamaicans call rude boy.

0:26:07.520 --> 0:26:11.320
<v Speaker 5>Okay, Like if you look at early pictures of Bob

0:26:11.760 --> 0:26:15.879
<v Speaker 5>and Bunny and Petere Tush, right, look at early pictures

0:26:15.880 --> 0:26:19.280
<v Speaker 5>before everybody got locks. They were rude boys.

0:26:20.240 --> 0:26:23.439
<v Speaker 3>Oh well, since you brought it up, can you talk

0:26:23.480 --> 0:26:24.200
<v Speaker 3>about your daddy?

0:26:25.000 --> 0:26:27.480
<v Speaker 5>Yeah, my dad's My dad was a rude boy. My

0:26:27.600 --> 0:26:35.440
<v Speaker 5>dad's and my dad is full fledged rasta right now. Yeah, yeah, yeah,

0:26:35.480 --> 0:26:39.400
<v Speaker 5>my dad's full fledged raster ita. He's you know, all

0:26:39.440 --> 0:26:44.240
<v Speaker 5>my life, his lucks is now under his feet.

0:26:45.800 --> 0:26:49.720
<v Speaker 1>Oh wow, music at all? Or yeah?

0:26:49.760 --> 0:26:53.800
<v Speaker 5>My dad played trumpet. Yeah, my dad played trumpet when

0:26:53.800 --> 0:26:56.840
<v Speaker 5>I was growing up, So the house was very musical.

0:26:57.560 --> 0:26:59.720
<v Speaker 5>Sundays was his days when he would practice. So he

0:26:59.720 --> 0:27:04.479
<v Speaker 5>would put on a Louis Armstrong or a Miles Davis

0:27:04.560 --> 0:27:07.200
<v Speaker 5>and he would play along to it, and that would

0:27:07.200 --> 0:27:10.520
<v Speaker 5>be his practice. And that would happen on Sundays. And

0:27:10.560 --> 0:27:12.520
<v Speaker 5>once I hear the trumpet going, that means I have

0:27:12.600 --> 0:27:15.000
<v Speaker 5>to get up, and I have to clean the bathroom downstairs,

0:27:15.000 --> 0:27:19.920
<v Speaker 5>and I have to clean my room. It was intuitive,

0:27:20.119 --> 0:27:24.800
<v Speaker 5>you know, you know what's happening. Yeah, So, yeah, played

0:27:24.840 --> 0:27:28.919
<v Speaker 5>trumpet and he was in a jazz band and England

0:27:28.880 --> 0:27:31.000
<v Speaker 5>when I was growing up, were.

0:27:30.840 --> 0:27:35.639
<v Speaker 1>You I'm not trying to stereotype. I don't know. It's

0:27:35.720 --> 0:27:38.480
<v Speaker 1>just a lot of a lot of the black people

0:27:38.480 --> 0:27:42.639
<v Speaker 1>that I met in the UK when they're talking about

0:27:42.720 --> 0:27:46.360
<v Speaker 1>growing up in the seventies. They would tell me that basically,

0:27:46.400 --> 0:27:50.560
<v Speaker 1>like a lot of their parents were super super conservative,

0:27:51.400 --> 0:27:56.760
<v Speaker 1>so you know, they didn't have experiences of like sneaking

0:27:56.760 --> 0:27:59.080
<v Speaker 1>out the house at thirteen to go to whatever a

0:27:59.080 --> 0:28:02.080
<v Speaker 1>studio fifty four was or that sort of thing. Like

0:28:02.119 --> 0:28:06.280
<v Speaker 1>were you a club kid at all? Or was cool

0:28:06.320 --> 0:28:10.159
<v Speaker 1>Heirk's version of hip hop your music experience where you

0:28:10.200 --> 0:28:15.280
<v Speaker 1>know there's playing on the streets or no.

0:28:15.760 --> 0:28:18.840
<v Speaker 5>I we well, let's see when I started breaking and

0:28:18.840 --> 0:28:21.200
<v Speaker 5>stuff like that. We would go to Covent Garden during

0:28:21.240 --> 0:28:22.760
<v Speaker 5>the day in the afternoon and that's where and I

0:28:22.760 --> 0:28:24.439
<v Speaker 5>would make sure all my chores were done so that

0:28:24.480 --> 0:28:26.919
<v Speaker 5>I could bounce, and my parents wouldn't have anything to

0:28:26.960 --> 0:28:31.800
<v Speaker 5>say but be back at a certainly, and I would

0:28:31.800 --> 0:28:33.480
<v Speaker 5>go to Covent Garden meet up with my friends and

0:28:33.520 --> 0:28:37.600
<v Speaker 5>we would just pop and break and just practice all day,

0:28:38.160 --> 0:28:42.000
<v Speaker 5>either in Covent Garden Square or in the Charing Cross

0:28:42.040 --> 0:28:45.080
<v Speaker 5>Tube station because the floors were really smooth in the

0:28:45.160 --> 0:28:48.720
<v Speaker 5>Charing Cross Tube station, so we could so we could

0:28:48.720 --> 0:28:51.480
<v Speaker 5>get some really good windmills in then backspins and down there.

0:28:52.160 --> 0:28:56.520
<v Speaker 1>Oh so you were a serious b girl, Yeah, oh okay, okay,

0:28:57.040 --> 0:28:58.840
<v Speaker 1>I didn't know your level was I don't know it

0:28:58.880 --> 0:29:00.240
<v Speaker 1>was curiosity.

0:28:59.680 --> 0:29:04.000
<v Speaker 5>Or like, oh yeah, no, we would battle. We would

0:29:04.000 --> 0:29:08.160
<v Speaker 5>battle each other. It was all different crew. Seriously, we

0:29:08.280 --> 0:29:11.600
<v Speaker 5>developed fake beef with North Londoners just for no reason.

0:29:11.400 --> 0:29:17.640
<v Speaker 1>Because you needed somebody to battle. Yeah wait, that's that

0:29:17.680 --> 0:29:20.680
<v Speaker 1>would be my side of town. Okay. So did did

0:29:20.720 --> 0:29:24.000
<v Speaker 1>people like go to different territories or was it territorial?

0:29:24.600 --> 0:29:27.040
<v Speaker 5>It was very Yeah, it was very territorial. It was

0:29:27.160 --> 0:29:31.040
<v Speaker 5>very territorial. You know. We took it seriously. And there

0:29:31.040 --> 0:29:32.760
<v Speaker 5>were fights sometimes and.

0:29:32.760 --> 0:29:37.400
<v Speaker 1>Yeah, like you would not be caught on in Camden

0:29:37.520 --> 0:29:39.640
<v Speaker 1>Market or any like, only.

0:29:39.440 --> 0:29:42.240
<v Speaker 5>If somebody came over and was performing and they were

0:29:42.280 --> 0:29:45.040
<v Speaker 5>at a place called what was the what was the

0:29:45.120 --> 0:29:50.280
<v Speaker 5>name of the Electric Ballroom in Camden Town and sometimes

0:29:50.360 --> 0:29:52.800
<v Speaker 5>there would be performances like I saw Chuck Brown and

0:29:52.840 --> 0:29:56.680
<v Speaker 5>the Soul Searchers at Oh wow, yeah, I saw I

0:29:56.720 --> 0:30:00.120
<v Speaker 5>saw Chuck Brown and Soul Searchers at in cam In

0:30:00.160 --> 0:30:04.360
<v Speaker 5>Town at Electric Ballroom absolutely really yeah. I also saw

0:30:04.400 --> 0:30:08.520
<v Speaker 5>Steps the Sonic in that same venue really yeah yeah. Yeah.

0:30:09.560 --> 0:30:13.680
<v Speaker 1>Hip hop hip hop wise, like how how big was

0:30:13.720 --> 0:30:18.320
<v Speaker 1>the the local talent? Because again, like there was I

0:30:18.400 --> 0:30:21.120
<v Speaker 1>knew of Slick Rick. There's a there's another dope rapper

0:30:21.160 --> 0:30:25.720
<v Speaker 1>that was out like in nineteen eighty seven. I'm having

0:30:25.720 --> 0:30:32.120
<v Speaker 1>a brain from the UK. From the UK the Derek

0:30:32.200 --> 0:30:38.240
<v Speaker 1>b Cookie Crew, not Cookie Crew. But it's like this guy.

0:30:38.480 --> 0:30:41.960
<v Speaker 1>He he always ended his verse with shopper then a

0:30:41.960 --> 0:30:45.280
<v Speaker 1>heart attack, but he was rhyming over Bobby Birds. I'm coming.

0:30:45.560 --> 0:30:49.960
<v Speaker 1>It's like they played it a few times in like

0:30:50.040 --> 0:30:57.280
<v Speaker 1>eighty eight. I forget his name, but then a heart attack.

0:30:58.520 --> 0:31:03.080
<v Speaker 1>It's my wrong the fact like, no, but I liked

0:31:03.160 --> 0:31:10.920
<v Speaker 1>him because that sounded like a nigga from Snap. This

0:31:11.000 --> 0:31:15.760
<v Speaker 1>is the thing. I like him.

0:31:14.680 --> 0:31:19.600
<v Speaker 5>Because don't say this, don't say that everybody is yo.

0:31:19.720 --> 0:31:22.360
<v Speaker 6>And I still and I'm still not convinced that that

0:31:22.400 --> 0:31:26.760
<v Speaker 6>guy is not Vin Raims. I'm sorry, I'm still I'm

0:31:26.800 --> 0:31:27.640
<v Speaker 6>still not convinced.

0:31:27.640 --> 0:31:32.280
<v Speaker 1>I've never seen the Snap. I never seen him in

0:31:32.280 --> 0:31:32.800
<v Speaker 1>the same place.

0:31:33.760 --> 0:31:33.800
<v Speaker 5>No.

0:31:34.000 --> 0:31:37.840
<v Speaker 1>But the thing is is that with with most UK artists,

0:31:38.760 --> 0:31:43.560
<v Speaker 1>they lose their accent once they start singing and rapping.

0:31:43.680 --> 0:31:49.160
<v Speaker 1>But he maintained that that accent throughout. And that's why

0:31:49.200 --> 0:31:51.280
<v Speaker 1>I liked him. But I wish I knew his name.

0:31:51.320 --> 0:31:54.440
<v Speaker 5>But when I get off this podcast. I'm gonna hear that.

0:31:54.760 --> 0:32:03.400
<v Speaker 1>I'm sorry. How did they look at that stuff? Though?

0:32:03.440 --> 0:32:05.680
<v Speaker 1>B Oni like like Derek B and Cookie Crew? How

0:32:05.680 --> 0:32:07.080
<v Speaker 1>were they received in the UK?

0:32:07.760 --> 0:32:07.920
<v Speaker 3>Well?

0:32:07.960 --> 0:32:10.320
<v Speaker 5>They they were received very well because they were our

0:32:10.360 --> 0:32:14.400
<v Speaker 5>first generation of born and bred British art.

0:32:14.720 --> 0:32:18.960
<v Speaker 1>First wave was from there too, right yea proper girls?

0:32:19.000 --> 0:32:24.719
<v Speaker 5>Yeah yeah, yes yeah. Cookie Crew were my man as

0:32:24.760 --> 0:32:26.840
<v Speaker 5>I was babysitter. I used to roll with them everywhere

0:32:26.840 --> 0:32:28.640
<v Speaker 5>to all their shows, be at their sound checks. I

0:32:28.720 --> 0:32:30.640
<v Speaker 5>learned a lot from being around them.

0:32:30.960 --> 0:32:31.360
<v Speaker 1>Really.

0:32:31.640 --> 0:32:34.000
<v Speaker 5>I came up, Yeah, I came up under Susi Q

0:32:34.240 --> 0:32:36.320
<v Speaker 5>and Debbie D. I came up under them.

0:32:36.720 --> 0:32:40.880
<v Speaker 1>I love them, man, like I remember buying they They

0:32:40.960 --> 0:32:44.120
<v Speaker 1>once played in a different world, on a different world

0:32:44.120 --> 0:32:48.600
<v Speaker 1>the first season. There's a clip of of Dwayne and

0:32:49.240 --> 0:32:52.480
<v Speaker 1>uh Denise back when Lisa but her name was on

0:32:52.520 --> 0:32:56.680
<v Speaker 1>the show doing the wop to what's the first single

0:32:56.760 --> 0:32:57.760
<v Speaker 1>Females get on up?

0:32:58.000 --> 0:32:58.480
<v Speaker 5>Females?

0:32:59.400 --> 0:33:03.000
<v Speaker 1>Yeah? And I remember I don't know, like back then,

0:33:03.160 --> 0:33:07.200
<v Speaker 1>if if a song was on a sitcom, then you

0:33:07.280 --> 0:33:09.400
<v Speaker 1>asked about it the next day and then you got it.

0:33:09.480 --> 0:33:13.680
<v Speaker 1>So yeah, yeah you made but like, what do you

0:33:13.720 --> 0:33:14.840
<v Speaker 1>know what they're doing now?

0:33:15.000 --> 0:33:21.080
<v Speaker 5>Or well, I know I Wid still, I mean Remedy.

0:33:21.280 --> 0:33:26.280
<v Speaker 5>Remedy is her name, Remedy, not Debide. WID's another of

0:33:26.320 --> 0:33:29.720
<v Speaker 5>my uh, another of my female mcs that I look up.

0:33:29.760 --> 0:33:33.280
<v Speaker 5>Tobd's Remedy is out of the Cookie Crew and I

0:33:33.320 --> 0:33:36.480
<v Speaker 5>speak to her. She's on really well, she works. She

0:33:36.560 --> 0:33:40.000
<v Speaker 5>actually heads her own marketing company still in London now

0:33:41.320 --> 0:33:45.600
<v Speaker 5>and she still works very much within the music business,

0:33:45.640 --> 0:33:49.440
<v Speaker 5>specifically because she had first time knowledge of being herself.

0:33:49.480 --> 0:33:53.040
<v Speaker 5>So she works has her own marketing firm in the

0:33:53.200 --> 0:33:54.680
<v Speaker 5>entertainment business in England.

0:33:55.320 --> 0:34:00.880
<v Speaker 1>Okay, so how did you get the How did you

0:34:00.880 --> 0:34:05.800
<v Speaker 1>make that transition into becoming an MC and taking it

0:34:05.840 --> 0:34:10.319
<v Speaker 1>serious enough to actually doing it right?

0:34:12.520 --> 0:34:15.040
<v Speaker 5>When did it? Was? Pretty much? When did it stop

0:34:15.080 --> 0:34:18.560
<v Speaker 5>being a hobby or a secret that only was shared

0:34:18.600 --> 0:34:21.000
<v Speaker 5>between me and the bathroom mirror with a toothbrush?

0:34:21.600 --> 0:34:23.200
<v Speaker 1>Oh you was el for real?

0:34:26.160 --> 0:34:27.359
<v Speaker 5>Yeah?

0:34:27.400 --> 0:34:30.640
<v Speaker 1>So yeah, like who pulled you out of your sidness

0:34:30.640 --> 0:34:31.640
<v Speaker 1>and said you should do this?

0:34:33.320 --> 0:34:35.280
<v Speaker 5>You know what it was? It was a bit of envy,

0:34:36.160 --> 0:34:41.080
<v Speaker 5>and the envy came from I did a wait October

0:34:41.560 --> 0:34:46.680
<v Speaker 5>December January February, I did a five months stint at

0:34:47.000 --> 0:34:50.000
<v Speaker 5>George Wingate High School, in Brooklyn, New York. My mother

0:34:50.440 --> 0:34:53.640
<v Speaker 5>was in transition of possibly moving to the United States.

0:34:54.080 --> 0:34:59.759
<v Speaker 5>She had a job for a respected Jewish lawyer and

0:34:59.840 --> 0:35:02.480
<v Speaker 5>my Manhattan at his office, and he was going to

0:35:02.520 --> 0:35:06.280
<v Speaker 5>sponsor my mother. She came over, you know, she worked

0:35:06.320 --> 0:35:08.319
<v Speaker 5>for his family, took care of his children or what

0:35:08.400 --> 0:35:10.960
<v Speaker 5>have you, and in return he was going to, you know,

0:35:11.040 --> 0:35:12.520
<v Speaker 5>do her bees there in the paper. That's how a

0:35:12.560 --> 0:35:17.000
<v Speaker 5>lot of people did it back then. And she bought

0:35:17.040 --> 0:35:19.960
<v Speaker 5>me with her because I was the youngest one. We

0:35:19.960 --> 0:35:22.600
<v Speaker 5>were living in Brooklyn on East twenty eighth Street between

0:35:22.600 --> 0:35:26.279
<v Speaker 5>Clarence Till You and I went to Georgia and Gate

0:35:26.360 --> 0:35:30.360
<v Speaker 5>High School and they had metal detectives, which is something

0:35:30.360 --> 0:35:31.400
<v Speaker 5>I had never seen before.

0:35:33.320 --> 0:35:35.680
<v Speaker 3>He went from living around place where they the cops

0:35:35.680 --> 0:35:37.839
<v Speaker 3>didn't have guns to a place where them I went.

0:35:38.040 --> 0:35:43.040
<v Speaker 5>I went from Catholic school, not for dame or girls

0:35:43.120 --> 0:35:48.560
<v Speaker 5>uniform with a crest on my blazer wearing. Okay, I

0:35:48.600 --> 0:35:57.560
<v Speaker 5>went from that to lean on me for cron Yeah,

0:35:57.840 --> 0:36:02.520
<v Speaker 5>you know. So it was quite a culture shock for me.

0:36:02.760 --> 0:36:05.239
<v Speaker 5>But I found off in the same high school as

0:36:05.320 --> 0:36:11.080
<v Speaker 5>mc light. Mc Light was already an aspiring MC and

0:36:11.120 --> 0:36:14.120
<v Speaker 5>I would have to listen to her talk about how

0:36:14.200 --> 0:36:18.680
<v Speaker 5>she was at Latin Quarters and so this is where

0:36:18.680 --> 0:36:21.080
<v Speaker 5>the envy kicked in quarter.

0:36:24.000 --> 0:36:25.640
<v Speaker 1>Well, I'm sorry, I just came back in the movie.

0:36:31.200 --> 0:36:34.879
<v Speaker 5>Okay, So that's where the MV came in. So I

0:36:35.040 --> 0:36:37.680
<v Speaker 5>when I left and went back to England after doing

0:36:37.719 --> 0:36:40.120
<v Speaker 5>like six months going to school in Brooklyn, and I

0:36:40.160 --> 0:36:44.680
<v Speaker 5>went England, and then I was like, if only light new,

0:36:45.040 --> 0:36:47.960
<v Speaker 5>I'm just as dope. I'm dope too, I could rhyme.

0:36:48.000 --> 0:36:52.799
<v Speaker 5>It was a secret. I never told anyone, you know, Yeah,

0:36:52.840 --> 0:36:55.600
<v Speaker 5>it was a secret. I'm just I'm a wordsmith. English

0:36:55.760 --> 0:36:59.640
<v Speaker 5>was my favorite language. Poetry was my favorite thing. I

0:36:59.680 --> 0:37:03.399
<v Speaker 5>love words, you know, and so it was I had

0:37:03.400 --> 0:37:06.040
<v Speaker 5>a knack for So I kept it a secret that

0:37:06.040 --> 0:37:08.279
<v Speaker 5>I would write poems and write poetry and stuff. And

0:37:08.320 --> 0:37:09.920
<v Speaker 5>so by the time I went back to England, and

0:37:09.960 --> 0:37:11.839
<v Speaker 5>then I would be like, I should have told her,

0:37:11.920 --> 0:37:15.080
<v Speaker 5>I should have told like that I'm dope to and

0:37:15.120 --> 0:37:18.520
<v Speaker 5>blah blah blah blah blah. Right, So through all of that,

0:37:18.719 --> 0:37:21.560
<v Speaker 5>I started letting it out, you know, I started letting

0:37:21.560 --> 0:37:24.120
<v Speaker 5>it out that I could do this. Once I got

0:37:24.120 --> 0:37:26.200
<v Speaker 5>home to England, so I made a name for myself.

0:37:26.239 --> 0:37:28.560
<v Speaker 5>So the next time I saw a light, right, The

0:37:28.600 --> 0:37:31.719
<v Speaker 5>next I saw light she came over to England to

0:37:31.719 --> 0:37:34.319
<v Speaker 5>do a show, and I went to that show, right,

0:37:34.680 --> 0:37:38.040
<v Speaker 5>and I made sure that I got backstage right. And

0:37:38.080 --> 0:37:41.040
<v Speaker 5>then when I said huh, She's like, oh my god,

0:37:41.280 --> 0:37:43.319
<v Speaker 5>you're you know you're back. You're back here. And I

0:37:43.360 --> 0:37:46.560
<v Speaker 5>was like, yeah, I said, guess what. I was like,

0:37:46.640 --> 0:37:51.640
<v Speaker 5>I could rhyme too, let me bust a verse. You wrote.

0:37:51.800 --> 0:37:53.640
<v Speaker 1>How old are you at this point? How old are you?

0:37:55.400 --> 0:37:58.600
<v Speaker 5>Like sixteen? And changed, Oh, I hadn't. I hadn't turned

0:37:58.600 --> 0:38:03.359
<v Speaker 5>seventeen yet. Yeah. Yeah, those are the best auditions, right,

0:38:04.160 --> 0:38:08.600
<v Speaker 5>do you remember you remember? I don't remember the first,

0:38:09.000 --> 0:38:11.759
<v Speaker 5>but I do remember her saying, why didn't you tell me?

0:38:11.800 --> 0:38:13.879
<v Speaker 5>You did this all this time? You were we were

0:38:13.880 --> 0:38:16.000
<v Speaker 5>in school together and you could do this and you

0:38:16.080 --> 0:38:17.920
<v Speaker 5>never told me? And I just was like, I don't know.

0:38:18.080 --> 0:38:20.440
<v Speaker 5>I just I guess I wasn't ready yet, or I

0:38:20.480 --> 0:38:24.080
<v Speaker 5>was nervous. You know. You would go and telling stories

0:38:24.120 --> 0:38:27.000
<v Speaker 5>about going to like and being in the same club,

0:38:27.040 --> 0:38:29.040
<v Speaker 5>in the same room as Eric, being Rakhim and all

0:38:29.040 --> 0:38:31.759
<v Speaker 5>of them, and I was like, you know, I just

0:38:31.960 --> 0:38:35.279
<v Speaker 5>was like little on me, secret or what have you.

0:38:35.360 --> 0:38:39.040
<v Speaker 5>But but we was. We were tight in high school

0:38:39.080 --> 0:38:42.359
<v Speaker 5>and then we developed an even stronger bond afterwards. When

0:38:42.400 --> 0:38:44.400
<v Speaker 5>she saw me again in England and I bust my

0:38:44.400 --> 0:38:47.520
<v Speaker 5>little rhyme for her whatever, she was very encouraging. She

0:38:47.640 --> 0:38:49.279
<v Speaker 5>was very encouraging. She's like, I wish you would have

0:38:49.280 --> 0:38:51.480
<v Speaker 5>told me you did this, you know, maybe we could have.

0:38:51.640 --> 0:38:53.360
<v Speaker 5>I was like, I couldn't came to lettin Quarters with you.

0:38:53.440 --> 0:38:55.680
<v Speaker 5>I was like, my grandfather's Jamaican. He meets me from

0:38:55.680 --> 0:39:00.680
<v Speaker 5>school with a goddamn great Dane. Like nobody, oh wow,

0:39:02.440 --> 0:39:05.520
<v Speaker 5>like that. Yeah, I'd come out of the school right

0:39:05.560 --> 0:39:07.279
<v Speaker 5>and I'd be like this, Oh my god. You see

0:39:07.280 --> 0:39:09.800
<v Speaker 5>those movies where people kids are at the doorway of

0:39:09.840 --> 0:39:11.440
<v Speaker 5>their school and they're like, oh my god, that's my

0:39:11.480 --> 0:39:12.480
<v Speaker 5>mom across.

0:39:12.200 --> 0:39:14.120
<v Speaker 1>Letting me off a black beforehand.

0:39:14.760 --> 0:39:17.560
<v Speaker 5>My grandfather would be across the street with a great Dane.

0:39:18.040 --> 0:39:19.640
<v Speaker 5>I'm like, oh my god.

0:39:20.440 --> 0:39:23.200
<v Speaker 1>Wait, Simon, have you ever told that story before?

0:39:23.440 --> 0:39:28.760
<v Speaker 5>Like, no, no, no, no.

0:39:28.680 --> 0:39:31.239
<v Speaker 1>It's not. Everyone knows that Busting and jay Z went

0:39:31.280 --> 0:39:34.400
<v Speaker 1>to school together, and everyone knows that Tribe and Jungle

0:39:34.400 --> 0:39:36.560
<v Speaker 1>Brothers went to school together. I think it's a big

0:39:36.640 --> 0:39:40.760
<v Speaker 1>fucking deal there. You MC light went to the same school.

0:39:41.040 --> 0:39:42.839
<v Speaker 5>Yeah, yeah, and.

0:39:42.560 --> 0:39:45.319
<v Speaker 1>That you know that you guys had this bond that

0:39:45.640 --> 0:39:47.200
<v Speaker 1>apparently the world doesn't know about.

0:39:47.440 --> 0:39:47.480
<v Speaker 3>No.

0:39:47.960 --> 0:39:50.960
<v Speaker 5>And it's funny that you say jay Z because during

0:39:51.000 --> 0:39:53.600
<v Speaker 5>that time, after I had gotten back to England, I

0:39:53.640 --> 0:39:57.360
<v Speaker 5>met jay Z in England's phil during my sixteenth turning

0:39:57.400 --> 0:39:58.320
<v Speaker 5>seventeenth year.

0:39:58.560 --> 0:40:00.760
<v Speaker 1>The Wyan Sophie period exactly.

0:40:01.200 --> 0:40:03.000
<v Speaker 5>He was there. Oh my god, you should have seen

0:40:03.320 --> 0:40:07.680
<v Speaker 5>his such an apartment. That's why when people tried to

0:40:07.800 --> 0:40:09.759
<v Speaker 5>there was a period of time when people would be like, oh,

0:40:09.760 --> 0:40:12.600
<v Speaker 5>what people about in their rhymes ain't real from how

0:40:12.640 --> 0:40:15.239
<v Speaker 5>their lively was, and then they would try to pin

0:40:15.400 --> 0:40:17.680
<v Speaker 5>jay Z in that pigeonhole, like oh, he's talking about

0:40:17.680 --> 0:40:19.719
<v Speaker 5>shit that he didn't really live. I would be the

0:40:19.719 --> 0:40:25.399
<v Speaker 5>first person to be like, yes, he bloody did, he did, Yes,

0:40:25.440 --> 0:40:28.799
<v Speaker 5>he bloody saw his apartment. I live in England, I

0:40:28.840 --> 0:40:31.200
<v Speaker 5>was born in England and I've never seen an apartment

0:40:31.280 --> 0:40:34.360
<v Speaker 5>that slipping we call him flat. I never seen a

0:40:34.400 --> 0:40:37.880
<v Speaker 5>flat that bi Christ. It was huge. It was just

0:40:38.040 --> 0:40:40.040
<v Speaker 5>like I always compared it to this movie that I

0:40:40.040 --> 0:40:43.799
<v Speaker 5>saw with Harrison Forden regarding Henry where he went to

0:40:43.840 --> 0:40:51.400
<v Speaker 5>the Okay, do you remember, do you remember bloody apartment.

0:40:51.800 --> 0:40:57.040
<v Speaker 5>It was an apartment. It was massive. Yes, that is

0:40:57.080 --> 0:41:01.080
<v Speaker 5>what jay Z had in England him and and I'm

0:41:01.120 --> 0:41:04.640
<v Speaker 5>walking around and flat, like how the fuck do you

0:41:04.680 --> 0:41:12.120
<v Speaker 5>guys have this? And I never in this country? Upstairs

0:41:12.160 --> 0:41:19.319
<v Speaker 5>downstairs duplex him back like what he listen. They had

0:41:19.320 --> 0:41:21.520
<v Speaker 5>the lavish life in England and he was there. They

0:41:21.520 --> 0:41:25.800
<v Speaker 5>were there for like maybe four or five months or

0:41:25.880 --> 0:41:30.560
<v Speaker 5>something like around. Yeah, we're around the same age. He's

0:41:30.600 --> 0:41:33.160
<v Speaker 5>only like probably a year older than me or something,

0:41:33.520 --> 0:41:36.200
<v Speaker 5>and so yeah, and that was when I met him,

0:41:36.200 --> 0:41:38.840
<v Speaker 5>and then and then from there it was like it

0:41:38.920 --> 0:41:41.359
<v Speaker 5>was like big brother everywhere I go when I came back,

0:41:41.440 --> 0:41:45.480
<v Speaker 5>when I came back to and I would go places

0:41:45.520 --> 0:41:47.799
<v Speaker 5>wherever it would be. I don't know why. He's like,

0:41:49.000 --> 0:41:50.920
<v Speaker 5>what is that thing where somebody pops up out of

0:41:50.960 --> 0:42:05.440
<v Speaker 5>a garbage can? Everywhere you go? But he would just

0:42:05.520 --> 0:42:09.239
<v Speaker 5>be everywhere like how did you get here? With how

0:42:09.320 --> 0:42:13.399
<v Speaker 5>you getting home? I've been places when I first came

0:42:13.400 --> 0:42:17.600
<v Speaker 5>back to America, I've been places right where he'll in

0:42:17.680 --> 0:42:19.880
<v Speaker 5>the same accurate that he talks about in his music

0:42:19.920 --> 0:42:22.520
<v Speaker 5>that he had from back in the day, right when

0:42:22.560 --> 0:42:24.399
<v Speaker 5>he was pushing accurates and all of that. That's why

0:42:24.400 --> 0:42:26.640
<v Speaker 5>I tell people, yes he did. Yes, He'd be like

0:42:26.680 --> 0:42:30.719
<v Speaker 5>he did, right. He'll pop up and be like, how

0:42:30.760 --> 0:42:32.160
<v Speaker 5>are you getting home? And I'll be like, I can't

0:42:32.239 --> 0:42:34.480
<v Speaker 5>up my friends, I'm chilling. No, get in the car

0:42:34.840 --> 0:42:37.120
<v Speaker 5>and take me. Yes, and I'll be like I'm grown,

0:42:37.440 --> 0:42:39.439
<v Speaker 5>you know, I was seventeen and change them. He would

0:42:39.440 --> 0:42:44.160
<v Speaker 5>take me right home and that that yes, Guardian home.

0:42:44.640 --> 0:42:47.960
<v Speaker 5>That so many times and to the point where I

0:42:48.000 --> 0:42:50.160
<v Speaker 5>used to get like bloody hell, like what do I

0:42:50.239 --> 0:42:53.160
<v Speaker 5>have like a tracking device? Like how are you always?

0:42:53.360 --> 0:42:55.399
<v Speaker 5>How is he always? Did?

0:42:56.320 --> 0:42:58.200
<v Speaker 3>I think it's so fascinating a job like the same

0:42:58.239 --> 0:43:03.560
<v Speaker 3>age people don't even think about numbers? Is like that, yeah, yeah, yeah,

0:43:03.840 --> 0:43:04.399
<v Speaker 3>both of them.

0:43:04.320 --> 0:43:06.680
<v Speaker 1>Are regressing in age. That's the Yeah, that's true.

0:43:08.040 --> 0:43:09.880
<v Speaker 7>It's a lotion. They're not sharing it with us, but

0:43:09.920 --> 0:43:10.440
<v Speaker 7>that's cool.

0:43:11.120 --> 0:43:12.960
<v Speaker 1>No, I'm gonna find that. God damn it.

0:43:14.280 --> 0:43:15.640
<v Speaker 5>It puts the lotion on its skin.

0:43:21.680 --> 0:43:24.640
<v Speaker 1>So I think the first time I heard you on

0:43:24.719 --> 0:43:31.280
<v Speaker 1>record was there was a remix for Fine Young Cannibals.

0:43:31.840 --> 0:43:34.120
<v Speaker 1>She drives me crazy. I didn't know it was you

0:43:34.160 --> 0:43:34.680
<v Speaker 1>at the time.

0:43:35.400 --> 0:43:37.759
<v Speaker 5>How did you not know that was me? And Mary? Well?

0:43:37.800 --> 0:43:39.840
<v Speaker 1>Because no, no, no, no, I didn't know what a money

0:43:39.920 --> 0:43:41.719
<v Speaker 1>love was at the time when I heard it.

0:43:41.760 --> 0:43:45.560
<v Speaker 5>Wait what Moyes right?

0:43:45.640 --> 0:43:50.279
<v Speaker 1>No, no, no, no, I knew of your name, Like I

0:43:50.320 --> 0:43:53.480
<v Speaker 1>guess the first time I heard you was doing our

0:43:53.480 --> 0:43:58.480
<v Speaker 1>own thing, I think on Jungle Brothers, but I believe

0:43:58.560 --> 0:44:01.719
<v Speaker 1>She Drives Me Crazy remix kind of predated that a

0:44:02.200 --> 0:44:10.320
<v Speaker 1>little bit. But I remember like you had a very definitive,

0:44:10.400 --> 0:44:16.560
<v Speaker 1>like a very sexy voice. You had your accent. Yeah,

0:44:17.080 --> 0:44:23.040
<v Speaker 1>you know, I know, I'm knowing you for decades. So sorry, no, no, no.

0:44:22.880 --> 0:44:26.520
<v Speaker 5>But I just that's interesting because I definitely wasn't trying

0:44:26.560 --> 0:44:26.880
<v Speaker 5>to be that.

0:44:27.800 --> 0:44:30.759
<v Speaker 1>No, but it's I mean, it's something. I mean, obviously

0:44:30.880 --> 0:44:33.759
<v Speaker 1>it had to been something because you know, Prince reached

0:44:33.760 --> 0:44:37.680
<v Speaker 1>out to you too. It was something very distinctive that

0:44:37.760 --> 0:44:42.160
<v Speaker 1>didn't sound like any well. I mean, first of all,

0:44:42.200 --> 0:44:45.200
<v Speaker 1>I'm not saying that it's far and few between, uh

0:44:45.680 --> 0:44:51.479
<v Speaker 1>with women in hip hop, but I mean they're they're there.

0:44:52.239 --> 0:44:56.000
<v Speaker 1>It's been slow to come to fruition, and I'm again

0:44:56.000 --> 0:44:59.480
<v Speaker 1>I'm not saying that there's been a lack of female mcs,

0:45:00.120 --> 0:45:03.640
<v Speaker 1>but there's definitely been a kind of the facet has

0:45:03.680 --> 0:45:07.080
<v Speaker 1>been slow for the powers that be that will let

0:45:07.120 --> 0:45:10.960
<v Speaker 1>them have a platform. But how did you But I

0:45:11.120 --> 0:45:14.080
<v Speaker 1>remember that really making an impression on me, like got it?

0:45:14.719 --> 0:45:17.920
<v Speaker 1>I liked it? I like the song, like I would

0:45:18.000 --> 0:45:21.640
<v Speaker 1>spend that version in the club, that remix instead of

0:45:21.840 --> 0:45:24.960
<v Speaker 1>the regular version. How did you like? Was that your

0:45:25.000 --> 0:45:27.879
<v Speaker 1>your first time on WAX at that.

0:45:27.800 --> 0:45:32.440
<v Speaker 5>Point, no, no, no, no no, I had. I had

0:45:32.480 --> 0:45:38.480
<v Speaker 5>already had my own singles. Listen the first their single

0:45:38.520 --> 0:45:40.240
<v Speaker 5>that was ever put together. I was in a group

0:45:40.400 --> 0:45:46.080
<v Speaker 5>and we were called Don't Last Okay, all right? I

0:45:46.160 --> 0:45:48.680
<v Speaker 5>was in a group and we were called just bad Productions,

0:45:48.719 --> 0:45:50.759
<v Speaker 5>you know because like Bookie da Production.

0:45:50.560 --> 0:45:59.680
<v Speaker 1>Like, oh wow, y'all was JBP okay a little bit

0:45:59.680 --> 0:46:03.640
<v Speaker 1>of a sting. I see where he was going for Amonia,

0:46:03.760 --> 0:46:05.719
<v Speaker 1>I'm a which So we were.

0:46:05.800 --> 0:46:07.719
<v Speaker 5>It was four of us. I was the only girl.

0:46:07.760 --> 0:46:14.440
<v Speaker 5>It was me, DJ MC, Jo MC mellow and Sparky.

0:46:14.520 --> 0:46:17.719
<v Speaker 5>Sparky was the beat guy. He programmed all that beats.

0:46:18.560 --> 0:46:22.719
<v Speaker 5>Mellow was another MC and DJ Pogo. They were three

0:46:22.800 --> 0:46:25.280
<v Speaker 5>really like known DJs from the UK.

0:46:26.280 --> 0:46:30.439
<v Speaker 1>So you're saying that being in JPP wait j B

0:46:30.560 --> 0:46:42.319
<v Speaker 1>JBBB bad Productions JBP we bad productions, all right? So

0:46:43.280 --> 0:46:45.520
<v Speaker 1>Oh my god, what.

0:46:46.120 --> 0:46:48.000
<v Speaker 5>We put a record out? We put a record out

0:46:48.000 --> 0:46:49.600
<v Speaker 5>and it was under Tim Westwards label.

0:46:49.800 --> 0:46:54.600
<v Speaker 1>Oh wow, wow were freshter week? How old were you?

0:46:54.640 --> 0:46:55.919
<v Speaker 1>How old were you that time?

0:46:56.280 --> 0:46:57.520
<v Speaker 5>Oh? Fifteen?

0:46:58.239 --> 0:47:07.640
<v Speaker 1>Just okay. I've heard so many stories. I've heard so

0:47:07.640 --> 0:47:13.840
<v Speaker 1>many stories about Tim Westwood. What does he represent to

0:47:14.719 --> 0:47:17.799
<v Speaker 1>hip hop culture for the UK? I've heard the best

0:47:17.800 --> 0:47:20.680
<v Speaker 1>things about him and I heard the worst things about him.

0:47:20.880 --> 0:47:24.040
<v Speaker 1>The first person I heard to get shot I was.

0:47:24.160 --> 0:47:25.960
<v Speaker 1>I was there the night that he got shot in

0:47:25.960 --> 0:47:31.480
<v Speaker 1>the ass. Boy, I used to live in London. We

0:47:31.480 --> 0:47:34.080
<v Speaker 1>were shocked. We were what was the name of that

0:47:34.080 --> 0:47:34.879
<v Speaker 1>that junglest crew?

0:47:34.920 --> 0:47:38.120
<v Speaker 6>What so solid, so so solid, so solid crew, so

0:47:38.120 --> 0:47:38.560
<v Speaker 6>solid crew.

0:47:39.080 --> 0:47:43.040
<v Speaker 1>Yeah, we we we had did a gig all I remember, No, no, no,

0:47:43.080 --> 0:47:45.680
<v Speaker 1>we didn't do a gig. Tribe had come over to

0:47:45.719 --> 0:47:48.120
<v Speaker 1>the UK. This is right when min Maratists came out.

0:47:48.440 --> 0:47:52.719
<v Speaker 1>Whatever happened? Uh When we got home, we found out

0:47:52.719 --> 0:47:56.279
<v Speaker 1>the next night that that Westwood had gotten shot in

0:47:56.360 --> 0:47:59.200
<v Speaker 1>the ass by one of the sole Solid people or

0:48:00.000 --> 0:48:04.240
<v Speaker 1>one of those Jungleist crews. And it was at that point,

0:48:04.280 --> 0:48:07.120
<v Speaker 1>you know, up until that point, I thought he was

0:48:07.239 --> 0:48:11.279
<v Speaker 1>like an untouchable luminary because you know, he's on the

0:48:11.280 --> 0:48:15.239
<v Speaker 1>intro of public enemies, nation of millions. But it wasn't

0:48:15.320 --> 0:48:19.120
<v Speaker 1>until you know, when we got news of this happening.

0:48:20.280 --> 0:48:23.359
<v Speaker 1>Then I'd started hearing like some of the shadier things

0:48:23.440 --> 0:48:26.759
<v Speaker 1>or whatever. But what what was Tim Westwood's role in

0:48:28.440 --> 0:48:33.240
<v Speaker 1>hip hop? And you know, again, I always think that forever,

0:48:33.600 --> 0:48:36.600
<v Speaker 1>whoever the poster boy is of the movement, there's always

0:48:37.640 --> 0:48:40.160
<v Speaker 1>some unspoken hero that really did the work or whatnot.

0:48:40.239 --> 0:48:42.040
<v Speaker 1>So I never know who to believe, Like is he

0:48:42.120 --> 0:48:43.440
<v Speaker 1>a hero? Is he a villain?

0:48:43.600 --> 0:48:45.160
<v Speaker 5>Is he let me say, all right, let me tell

0:48:45.200 --> 0:48:47.400
<v Speaker 5>you how realist is gonna get with me? Right? Okay,

0:48:47.640 --> 0:48:52.640
<v Speaker 5>talking about Tim Westwood. I don't care for Tim Westwood, Okay,

0:48:52.640 --> 0:48:56.880
<v Speaker 5>I have I have no inhibitions of saying that, knowing

0:48:56.920 --> 0:48:59.040
<v Speaker 5>that he's going to see this. You know, I don't.

0:48:59.120 --> 0:49:03.040
<v Speaker 5>I don't care for you. You noticed him, however, he

0:49:03.200 --> 0:49:07.240
<v Speaker 5>was everything to hip hop and provided us a place

0:49:07.320 --> 0:49:10.799
<v Speaker 5>and a space to be able to listen to the

0:49:10.880 --> 0:49:14.399
<v Speaker 5>music of the be, able to battle each other from

0:49:14.480 --> 0:49:17.160
<v Speaker 5>all the different corners of London. He was the only

0:49:17.280 --> 0:49:20.719
<v Speaker 5>person that got us a venue. And you was about

0:49:20.760 --> 0:49:25.839
<v Speaker 5>as big lean to the side. Yeah, it was about

0:49:25.840 --> 0:49:30.440
<v Speaker 5>as big as that, right, The venue was about as

0:49:30.480 --> 0:49:33.680
<v Speaker 5>big as that with the Michael Jackson, Billie Jean dance

0:49:33.760 --> 0:49:40.040
<v Speaker 5>floor right with the you know, absolutely right, and it

0:49:40.080 --> 0:49:42.400
<v Speaker 5>was only for two hours on a Saturday, so it

0:49:42.440 --> 0:49:46.000
<v Speaker 5>was a lunch time jam. So he didn't he didn't

0:49:46.040 --> 0:49:49.719
<v Speaker 5>even get a space, a big space for a long time.

0:49:49.760 --> 0:49:53.239
<v Speaker 5>He started off tiny with a amount of time that

0:49:53.280 --> 0:49:56.520
<v Speaker 5>he's still a space and a place where we could come.

0:49:56.680 --> 0:49:58.439
<v Speaker 5>We could listen to hip hop music and we could

0:49:58.480 --> 0:50:02.239
<v Speaker 5>battle each other, right, and we could expel us within

0:50:02.280 --> 0:50:06.600
<v Speaker 5>the culture. He did that and then from there what

0:50:06.680 --> 0:50:10.319
<v Speaker 5>he further did was got himself a small pocket of

0:50:10.400 --> 0:50:14.360
<v Speaker 5>time on BBC Radio. It wasn't BBC back then, it

0:50:14.480 --> 0:50:18.600
<v Speaker 5>was the other one. I can't bloody remember the Capital.

0:50:18.920 --> 0:50:22.880
<v Speaker 5>He got a radio show on Capital Radio where it

0:50:22.960 --> 0:50:25.239
<v Speaker 5>was a very short show, but it was the only

0:50:25.280 --> 0:50:28.359
<v Speaker 5>one that existed that played hip hop music. He is

0:50:28.520 --> 0:50:31.319
<v Speaker 5>the can't do it. He is the reason why there

0:50:31.320 --> 0:50:34.680
<v Speaker 5>were groups that were able to come over and do shows,

0:50:34.760 --> 0:50:37.200
<v Speaker 5>because without us being able to hear the music, and

0:50:37.239 --> 0:50:39.880
<v Speaker 5>without us being able to have somewhat of a scene

0:50:40.560 --> 0:50:43.400
<v Speaker 5>in England, there's no reason for us to want to

0:50:43.440 --> 0:50:46.000
<v Speaker 5>go out there to see any of your artists performed,

0:50:46.040 --> 0:50:47.960
<v Speaker 5>because we would not have been familiar with them if

0:50:48.000 --> 0:50:50.120
<v Speaker 5>it wasn't for Tim Westwood. He was the can't do

0:50:50.200 --> 0:50:52.600
<v Speaker 5>it for hip hop. He was one of the main

0:50:52.680 --> 0:50:55.560
<v Speaker 5>can't do it for hip hop culture. So this and

0:50:55.600 --> 0:50:56.960
<v Speaker 5>when I said to you in the beginning of me

0:50:57.000 --> 0:50:59.560
<v Speaker 5>even talking about you know, this is how real I'm

0:50:59.560 --> 0:51:02.120
<v Speaker 5>going to get it. If you hate me, give you

0:51:02.200 --> 0:51:04.800
<v Speaker 5>an speaking about somebody where I say to you, I

0:51:04.800 --> 0:51:07.239
<v Speaker 5>don't really care for them too much, but yet and

0:51:07.280 --> 0:51:13.200
<v Speaker 5>still I follow that by by telling you how important

0:51:13.239 --> 0:51:16.440
<v Speaker 5>this was to the culture as far as its progression

0:51:16.640 --> 0:51:19.840
<v Speaker 5>in Okay, you know what I'm telling you. You know

0:51:19.880 --> 0:51:21.000
<v Speaker 5>what I'm telling you is real.

0:51:21.800 --> 0:51:25.040
<v Speaker 1>Oh yeah, I mean I can see that. Like Suge

0:51:25.080 --> 0:51:28.359
<v Speaker 1>Knight is a villain, but I won't deny the power

0:51:28.400 --> 0:51:35.640
<v Speaker 1>of death Row. Nobody's really good. Nobody wants to get

0:51:35.640 --> 0:51:37.640
<v Speaker 1>on this platform with me.

0:51:38.120 --> 0:51:40.879
<v Speaker 6>No, no, no Sugar for real. I mean the thing

0:51:40.920 --> 0:51:45.360
<v Speaker 6>with Sugar, I mean he even said it. The things

0:51:45.360 --> 0:51:48.280
<v Speaker 6>that he was doing back then, like you know, signing

0:51:48.400 --> 0:51:50.040
<v Speaker 6>artists to like, okay, we get a piece of.

0:51:49.960 --> 0:51:52.200
<v Speaker 1>Your publishing, your shows, your this.

0:51:52.880 --> 0:51:55.080
<v Speaker 6>You know, at the time, all the labels was like ah,

0:51:55.080 --> 0:51:56.279
<v Speaker 6>sugar is ripping y' all off.

0:51:56.400 --> 0:51:57.080
<v Speaker 1>That's bullshit.

0:51:57.320 --> 0:52:00.200
<v Speaker 6>But now they're all doing it now deal, Yeah, they

0:52:00.280 --> 0:52:03.400
<v Speaker 6>all is shuging your head. So he was in the

0:52:03.400 --> 0:52:06.040
<v Speaker 6>criminal he was just ahead of his time, right, exactly.

0:52:06.120 --> 0:52:07.000
<v Speaker 1>Exactly.

0:52:08.920 --> 0:52:10.480
<v Speaker 5>Comparison, I was going for that.

0:52:14.080 --> 0:52:16.960
<v Speaker 1>Supreme moment. Yeah, we can say, we can say if

0:52:17.000 --> 0:52:21.360
<v Speaker 1>you want to, are.

0:52:19.960 --> 0:52:21.800
<v Speaker 7>Based on my cluess loves supreme experience.

0:52:21.960 --> 0:52:24.000
<v Speaker 5>Prince m.

0:52:25.480 --> 0:52:30.359
<v Speaker 6>Pregnant pause, yeahgnant, Prince how give it to its like

0:52:30.360 --> 0:52:30.839
<v Speaker 6>break it down?

0:52:30.920 --> 0:52:33.560
<v Speaker 3>No, just because just on the perception of somebody doing

0:52:33.600 --> 0:52:35.400
<v Speaker 3>great but at the same time talking to like the

0:52:35.440 --> 0:52:38.279
<v Speaker 3>revolution and seeing on an individual level and as a

0:52:38.320 --> 0:52:41.040
<v Speaker 3>person he may not have always been like the nicest

0:52:41.080 --> 0:52:43.800
<v Speaker 3>and always exactly.

0:52:43.600 --> 0:52:44.560
<v Speaker 7>So I'm just saying that.

0:52:46.640 --> 0:52:51.480
<v Speaker 5>No, no, no, no, that's that's remember when you when you said, uh,

0:52:51.520 --> 0:52:54.840
<v Speaker 5>there was some disparaging stories and some people kind of

0:52:54.920 --> 0:52:57.080
<v Speaker 5>started coming out saying, oh, well, Tim, what's what did this?

0:52:57.160 --> 0:53:00.680
<v Speaker 5>And he did that? Fante would did you just say?

0:53:00.719 --> 0:53:01.319
<v Speaker 5>What was the word?

0:53:02.200 --> 0:53:05.560
<v Speaker 3>Okay, okay, so they got something in there.

0:53:05.600 --> 0:53:06.680
<v Speaker 7>You go, he's a dicks.

0:53:07.320 --> 0:53:08.600
<v Speaker 1>There, it's a lot of dicks.

0:53:08.640 --> 0:53:10.760
<v Speaker 7>That's you're doing a lot of great things. We're learning

0:53:11.640 --> 0:53:12.520
<v Speaker 7>that's what I want.

0:53:13.080 --> 0:53:17.680
<v Speaker 5>But but what can never be denied is that Timrod

0:53:17.880 --> 0:53:21.680
<v Speaker 5>Tim really provided a place in this space. But he

0:53:22.040 --> 0:53:26.080
<v Speaker 5>at least a single with just bad Prisons. And the

0:53:26.160 --> 0:53:29.239
<v Speaker 5>contract looked like you know how fact paper used to

0:53:29.239 --> 0:53:33.840
<v Speaker 5>come out with perforated parts the side. That's what the

0:53:33.840 --> 0:53:37.719
<v Speaker 5>contract looked like, right, And that's what the contract looks like.

0:53:37.680 --> 0:53:39.080
<v Speaker 1>Next to paper bag.

0:53:39.200 --> 0:53:45.160
<v Speaker 5>Yeah. Well, I had to take it to my parents

0:53:45.160 --> 0:53:47.719
<v Speaker 5>because I was too young myself, and I took it

0:53:47.719 --> 0:53:56.960
<v Speaker 5>to my dad and my dad did like this. My

0:53:57.040 --> 0:54:01.600
<v Speaker 5>dad just looked at it and went and that I

0:54:01.719 --> 0:54:06.880
<v Speaker 5>didn't sign that, and then that was you know, that

0:54:07.040 --> 0:54:09.960
<v Speaker 5>was that. But yeah, so I got found by a

0:54:10.040 --> 0:54:14.839
<v Speaker 5>legit label, which was Chrysalis, and I got signed to them,

0:54:15.000 --> 0:54:20.880
<v Speaker 5>which essentially got I think they got swallowed by EMI later. Yeah, yeah,

0:54:20.920 --> 0:54:23.440
<v Speaker 5>but back then they were predominantly a rock label. But

0:54:23.520 --> 0:54:25.600
<v Speaker 5>of course everybody was going around looking for the next

0:54:25.680 --> 0:54:30.120
<v Speaker 5>best trend. Hip hop was the next best trend. I

0:54:30.160 --> 0:54:33.399
<v Speaker 5>got found at a jam that I was participating in

0:54:33.760 --> 0:54:36.840
<v Speaker 5>and offered a record deal there, and their contract didn't

0:54:36.960 --> 0:54:39.720
<v Speaker 5>come off with fax paper with the perforated edges.

0:54:41.280 --> 0:54:47.480
<v Speaker 1>Wait. Actually, speaking of Westwood shows, I found out Carol

0:54:47.560 --> 0:54:50.840
<v Speaker 1>Lewis is still my agent twenty five years later, and

0:54:50.880 --> 0:54:55.239
<v Speaker 1>she told, Wow, she told me something really hilarious last year,

0:54:55.280 --> 0:54:59.160
<v Speaker 1>which was I didn't know about. So there's there's like

0:54:59.239 --> 0:55:07.720
<v Speaker 1>a slew of second generation hip hoppers like rock Him,

0:55:07.960 --> 0:55:13.839
<v Speaker 1>like Caine, Kaine not so much anymore, and Carris one

0:55:14.840 --> 0:55:20.239
<v Speaker 1>that have a fear of flying, yes, and has never

0:55:21.440 --> 0:55:22.400
<v Speaker 1>gotten on a plane.

0:55:24.920 --> 0:55:28.640
<v Speaker 5>I know, Kristen, Kristen. When Chris come over to do shows,

0:55:28.960 --> 0:55:31.880
<v Speaker 5>it would be like a month before he gets there.

0:55:32.320 --> 0:55:36.520
<v Speaker 1>Right, so ye. Carol Lewis told me that in May,

0:55:37.200 --> 0:55:40.160
<v Speaker 1>if she would book gigs for either Eric being Rock

0:55:40.239 --> 0:55:45.680
<v Speaker 1>Him or BDP and at the time Kane, they would

0:55:45.719 --> 0:55:49.800
<v Speaker 1>have to get on the Queen Mary for two weeks.

0:55:50.360 --> 0:55:55.719
<v Speaker 1>It takes two weeks to get from New York. Damn. See,

0:55:55.719 --> 0:56:05.680
<v Speaker 1>I was about to do it inappropriate Chris middle passage joke. Yeah, yeah, yeah,

0:56:06.600 --> 0:56:10.000
<v Speaker 1>it was hard for rappers so to get over there.

0:56:10.160 --> 0:56:15.480
<v Speaker 1>So like, how how often? At what point was seeing

0:56:15.480 --> 0:56:20.319
<v Speaker 1>American artists in the UK a normal thing and not

0:56:20.400 --> 0:56:21.120
<v Speaker 1>just a novelty?

0:56:21.360 --> 0:56:26.520
<v Speaker 5>Oh no, it became a normal thing put quickly, God

0:56:26.560 --> 0:56:28.439
<v Speaker 5>bless him. I don't I don't know if you ever

0:56:28.600 --> 0:56:31.439
<v Speaker 5>had an to meet this guy. But Dave Funking Clin,

0:56:31.560 --> 0:56:37.919
<v Speaker 5>Dave Klin, Yeah, Dave Funking Clin, he was the main ambassador.

0:56:38.719 --> 0:56:41.160
<v Speaker 5>Shows would be booked and he would bring artis over.

0:56:41.280 --> 0:56:45.560
<v Speaker 5>He was the main ambassador US ambassador to bring. He

0:56:45.640 --> 0:56:50.000
<v Speaker 5>bought over. I met my first American boyfriend through Dave

0:56:50.200 --> 0:56:55.319
<v Speaker 5>Funking Clin. He bought over Latif for True Mathematics, Chill,

0:56:55.400 --> 0:57:02.920
<v Speaker 5>Rob g and the for a Strigger shows in Camden Town.

0:57:03.040 --> 0:57:04.560
<v Speaker 1>I'm gone to the Jungle Brothers.

0:57:05.320 --> 0:57:08.680
<v Speaker 5>I went to the show and I met the Junger

0:57:08.719 --> 0:57:12.279
<v Speaker 5>Brothers at ding Wolves, which was a club in Camden Town.

0:57:13.280 --> 0:57:16.600
<v Speaker 5>Over by day Funk and Klimb and one of the

0:57:16.640 --> 0:57:19.160
<v Speaker 5>Jungle Brothers, and I started dat Internet was Africa from

0:57:19.200 --> 0:57:19.920
<v Speaker 5>the Jungle Brothers.

0:57:20.800 --> 0:57:24.000
<v Speaker 1>Okay, all right, so I'm gonna do my first conflict

0:57:24.080 --> 0:57:29.320
<v Speaker 1>of Ventures comment right now. Okay, now this is my

0:57:29.360 --> 0:57:30.360
<v Speaker 1>first Conflict.

0:57:30.040 --> 0:57:32.200
<v Speaker 5>Adventures conflict of interest comment.

0:57:32.480 --> 0:57:35.280
<v Speaker 1>Well, no, because Gracie told me something. Now here's the

0:57:35.320 --> 0:57:41.720
<v Speaker 1>thing I forgot the yeah. Yeah, So the Jungle Brothers, like,

0:57:42.520 --> 0:57:45.520
<v Speaker 1>you know, it was like everything to me and Tarik

0:57:45.800 --> 0:57:49.680
<v Speaker 1>the second we saw them. Trek was like yo, everything

0:57:49.920 --> 0:57:53.160
<v Speaker 1>we were going into to Banana Republic. We dressed it

0:57:53.200 --> 0:57:55.560
<v Speaker 1>in all khakis and da da da da da, walking

0:57:55.560 --> 0:57:57.720
<v Speaker 1>around with sticks and staffs and all that stuff. So

0:57:57.880 --> 0:58:01.200
<v Speaker 1>we were like even before the zation all that shit,

0:58:01.360 --> 0:58:04.280
<v Speaker 1>like we were Jungle Brothers heads first. So I was

0:58:04.320 --> 0:58:10.680
<v Speaker 1>explaining to her that, you know, everything about Africa was

0:58:10.760 --> 0:58:13.040
<v Speaker 1>so cool to us, like his ad lips and everything,

0:58:13.600 --> 0:58:16.160
<v Speaker 1>and in our minds we thought that he was just

0:58:16.200 --> 0:58:21.000
<v Speaker 1>like he just sounded like a really cool forty year

0:58:21.000 --> 0:58:25.560
<v Speaker 1>old and Gracie was like he was the op. He

0:58:25.640 --> 0:58:27.640
<v Speaker 1>was like a mama's boy, like he had to like

0:58:28.720 --> 0:58:31.400
<v Speaker 1>get She's gonna kill me for saying this that you

0:58:31.440 --> 0:58:34.160
<v Speaker 1>know that Like in my mind, I'm thinking like when

0:58:34.200 --> 0:58:37.920
<v Speaker 1>Africa talks like he has a pipe or you know,

0:58:38.040 --> 0:58:43.920
<v Speaker 1>smoking tobacco and like doing old grandpop shit, and She's like, no,

0:58:44.080 --> 0:58:46.360
<v Speaker 1>like he had to get permission from his mom to

0:58:46.360 --> 0:58:48.160
<v Speaker 1>come out and stay out late and all these things.

0:58:48.240 --> 0:58:51.040
<v Speaker 1>And I just, in my that just totally ruined my

0:58:51.080 --> 0:58:56.400
<v Speaker 1>perception because I can't imagine this this cool ass sounding

0:58:56.560 --> 0:58:59.280
<v Speaker 1>dude like asking his mom permission to hang out on

0:58:59.320 --> 0:58:59.800
<v Speaker 1>the weekends.

0:59:00.080 --> 0:59:01.640
<v Speaker 5>Oh yeah, yeah, that's right, right.

0:59:02.760 --> 0:59:06.240
<v Speaker 1>So basically they're there, you're plug into what would become

0:59:06.320 --> 0:59:06.920
<v Speaker 1>the connection.

0:59:07.360 --> 0:59:13.040
<v Speaker 5>Yeah yeah, yeah, because what happened was personally, Africa and

0:59:13.080 --> 0:59:18.280
<v Speaker 5>I started dating, and then professionally Africa was responsible for

0:59:18.960 --> 0:59:24.080
<v Speaker 5>recording half of my album. Oh yeah. And then that

0:59:24.920 --> 0:59:30.320
<v Speaker 5>is how I met where A deliberates his beats from

0:59:30.400 --> 0:59:34.840
<v Speaker 5>and has uh you know, brainstorming sessions with where he

0:59:34.920 --> 0:59:38.880
<v Speaker 5>gets his beats from. So that meant Juju from their.

0:59:38.800 --> 0:59:39.959
<v Speaker 1>Beat from the beat Nuts.

0:59:40.040 --> 0:59:43.680
<v Speaker 5>Yeah, so that's how I met Juju. And then obviously

0:59:43.720 --> 0:59:47.960
<v Speaker 5>that's how I met cut Tip also and Pass and

0:59:48.320 --> 0:59:52.840
<v Speaker 5>and uh May. That's how all of that transpired.

0:59:53.120 --> 0:59:55.120
<v Speaker 1>Okay, because I didn't hear that. You know, the beat

0:59:55.160 --> 0:59:59.480
<v Speaker 1>Nuts are official or unofficial native tongues, but I know

0:59:59.520 --> 1:00:02.920
<v Speaker 1>they did pretduction on your record. So basically absolutely was

1:00:02.920 --> 1:00:04.360
<v Speaker 1>that the first time they did production.

1:00:05.560 --> 1:00:09.360
<v Speaker 5>No, they are, they were beaten. Us were like the sauce,

1:00:09.840 --> 1:00:17.240
<v Speaker 5>the creative beat sauce for Africa and and uh q

1:00:17.480 --> 1:00:19.479
<v Speaker 5>Tip and this was all early.

1:00:19.800 --> 1:00:22.000
<v Speaker 1>I would have ill records. You should use this, you

1:00:22.000 --> 1:00:25.800
<v Speaker 1>should use this. We're not necessarily credited, but I get

1:00:25.800 --> 1:00:27.560
<v Speaker 1>it now. Okay, I see.

1:00:29.120 --> 1:00:32.440
<v Speaker 5>You're right saying you do. You're right in saying, oh

1:00:32.600 --> 1:00:34.800
<v Speaker 5>my god, yeah, you do have to do a beating

1:00:34.840 --> 1:00:36.720
<v Speaker 5>up because, oh my god, I cried my eyes out

1:00:36.760 --> 1:00:39.440
<v Speaker 5>one time when Juju came and he didn't have my address.

1:00:39.520 --> 1:00:41.360
<v Speaker 5>So when they when you get there and they ask you,

1:00:41.760 --> 1:00:44.520
<v Speaker 5>what are you here for business? And he was here

1:00:44.760 --> 1:00:47.040
<v Speaker 5>he said pleasure and they're like, where are you stay?

1:00:47.040 --> 1:00:48.600
<v Speaker 5>And he's like, I don't know because he didn't have

1:00:48.600 --> 1:00:52.000
<v Speaker 5>my address. Oh my god, and they searched him. Oh

1:00:52.000 --> 1:00:54.520
<v Speaker 5>my god, and he called me and I was crying,

1:00:54.640 --> 1:00:56.400
<v Speaker 5>Oh my god, it was horrible.

1:00:56.280 --> 1:00:59.760
<v Speaker 1>And I was did they send him home? No?

1:01:00.160 --> 1:01:02.600
<v Speaker 5>They luckily they didn't send him home, but he had to.

1:01:02.840 --> 1:01:05.760
<v Speaker 5>They strip searched him. Oh my god, it was I.

1:01:05.760 --> 1:01:12.560
<v Speaker 1>Was going to say that London, I've never Canada might

1:01:12.640 --> 1:01:16.480
<v Speaker 1>be slightly I say, yeah, Canada, Yeah, Canada. Yeah, Canada's

1:01:16.600 --> 1:01:18.760
<v Speaker 1>lacked up. I don't know if Canada has lacked up

1:01:18.840 --> 1:01:22.080
<v Speaker 1>or is this the fact that people my age now

1:01:22.160 --> 1:01:26.000
<v Speaker 1>are the authority figures? Right, So whoever's thirty and forty

1:01:26.040 --> 1:01:28.360
<v Speaker 1>and fifty are now like, hey, quest love you guys

1:01:28.400 --> 1:01:31.720
<v Speaker 1>do want to show here, which wasn't happening back then

1:01:31.760 --> 1:01:32.960
<v Speaker 1>for ten years of my career.

1:01:33.600 --> 1:01:35.840
<v Speaker 5>Yeah, that was awful. I'm not going to give you

1:01:35.880 --> 1:01:38.680
<v Speaker 5>the whole thing. Please when you speak to Juju, just

1:01:38.800 --> 1:01:40.880
<v Speaker 5>ask him. And to this day, I think maybe four

1:01:40.960 --> 1:01:43.680
<v Speaker 5>days four days ago, I apologize to him again for

1:01:43.720 --> 1:01:46.960
<v Speaker 5>the fifty millionth time on Instagram on one of my fiends.

1:01:46.960 --> 1:01:48.439
<v Speaker 5>In some comments, I was like, oh my god, I'm

1:01:48.440 --> 1:01:48.960
<v Speaker 5>so sorry.

1:01:49.400 --> 1:01:55.760
<v Speaker 1>Anal probe and rappers in the UK. Oh there's I mean,

1:01:55.840 --> 1:01:58.480
<v Speaker 1>most rapped about it, most wrapped about it on his record.

1:01:58.520 --> 1:02:01.479
<v Speaker 1>The shit happened to me. I know at least five

1:02:01.560 --> 1:02:06.640
<v Speaker 1>others like yeah, yeah, I was, no doubt, no doubt upset.

1:02:07.160 --> 1:02:09.000
<v Speaker 5>Talk to Juju about that when you talk to him.

1:02:09.000 --> 1:02:09.960
<v Speaker 5>But yeah, that's it.

1:02:10.200 --> 1:02:12.880
<v Speaker 3>Everybody deserves twenty four hours of preparation before something.

1:02:12.920 --> 1:02:19.040
<v Speaker 5>Oh my preparation is the wrong word to use. Oh

1:02:19.080 --> 1:02:19.880
<v Speaker 5>my god.

1:02:20.520 --> 1:02:25.480
<v Speaker 1>A classic Richard Nichols movement. Rich Rich told us the

1:02:25.480 --> 1:02:29.360
<v Speaker 1>way that we remedy that seriously, we would go to

1:02:29.360 --> 1:02:32.120
<v Speaker 1>the UK. Rich would just be like, don't don't wash

1:02:32.160 --> 1:02:34.280
<v Speaker 1>your nuts or your ass for three days straight and

1:02:34.320 --> 1:02:40.000
<v Speaker 1>they'll skip it. And sure enough, no, I'm dead serious,

1:02:40.080 --> 1:02:43.680
<v Speaker 1>Like we would go on a Friday, I might not shower,

1:02:44.040 --> 1:02:47.560
<v Speaker 1>you know, wear the same underwear or whatever. Nobody I'm

1:02:47.600 --> 1:02:49.840
<v Speaker 1>serious like they would they would be. It was that's

1:02:49.880 --> 1:02:50.320
<v Speaker 1>just very.

1:02:50.280 --> 1:02:52.640
<v Speaker 7>Jack is an interesting sacrifice.

1:02:53.280 --> 1:02:57.560
<v Speaker 4>This is a fascinating episode of Quesse. I'm dead serious

1:02:58.440 --> 1:02:59.600
<v Speaker 4>ship that I've learned today.

1:03:00.320 --> 1:03:03.920
<v Speaker 1>As racists, as racist as they are, they do not

1:03:04.080 --> 1:03:07.760
<v Speaker 1>want to touch your black salty nuts. They don't want

1:03:07.760 --> 1:03:10.280
<v Speaker 1>to search that bad. Hey.

1:03:10.680 --> 1:03:13.120
<v Speaker 4>I never heard a better SoundBite by life than what

1:03:13.200 --> 1:03:14.760
<v Speaker 4>I just heard in my ears.

1:03:15.080 --> 1:03:17.640
<v Speaker 1>Wait a minute, wait a minute, this is bad all right?

1:03:18.080 --> 1:03:21.280
<v Speaker 1>So my iPhone is right next to me. Oh, he

1:03:21.480 --> 1:03:26.040
<v Speaker 1>literally sirie google salty nuts. As racist as they are,

1:03:26.360 --> 1:03:29.439
<v Speaker 1>they don't want to touch your black salty nuts.

1:03:30.000 --> 1:03:30.640
<v Speaker 5>My god.

1:03:31.240 --> 1:03:34.400
<v Speaker 1>And I'm turning the phone off. T shirts. Yeah, I'm

1:03:34.400 --> 1:03:37.600
<v Speaker 1>turning my phone off, all right? So why am I.

1:03:37.560 --> 1:03:39.440
<v Speaker 5>Thinking about South Park right now? Never mind?

1:03:39.520 --> 1:03:45.680
<v Speaker 1>Go ahead, chock the salty balls. You know that song

1:03:45.840 --> 1:03:53.360
<v Speaker 1>was number one in the UK because when he passed away,

1:03:53.640 --> 1:03:56.520
<v Speaker 1>When he passed away, and I think it was either

1:03:56.560 --> 1:04:00.560
<v Speaker 1>his New York Times obituary or whatever, like they were

1:04:00.600 --> 1:04:04.840
<v Speaker 1>like and Hayes was enjoying a comeback of sorts. His

1:04:04.840 --> 1:04:10.960
<v Speaker 1>his hit shot with salty was the top ten, was

1:04:11.000 --> 1:04:15.280
<v Speaker 1>the top ten. I don't think he wants that as

1:04:15.320 --> 1:04:24.520
<v Speaker 1>his legacy. Yeah, it was a little crazy, all right.

1:04:24.680 --> 1:04:28.600
<v Speaker 1>Can I ask, is I know what you're going to say,

1:04:28.640 --> 1:04:31.160
<v Speaker 1>so you might as well just pop the balloon and

1:04:31.200 --> 1:04:37.040
<v Speaker 1>deflate it. Are our third generational, our third generational people

1:04:37.120 --> 1:04:40.880
<v Speaker 1>like me and Fonte and Bill. Whatever are we making

1:04:42.040 --> 1:04:47.080
<v Speaker 1>and romanticizing the myth of native tongues more than what

1:04:47.160 --> 1:04:47.560
<v Speaker 1>it was?

1:04:49.400 --> 1:04:49.520
<v Speaker 3>Now?

1:04:50.720 --> 1:04:52.640
<v Speaker 7>Oh?

1:04:52.680 --> 1:04:58.320
<v Speaker 1>I mean at its height? What was the environment like

1:04:58.440 --> 1:05:05.880
<v Speaker 1>between nineteen eighty seven to eighty nine?

1:05:07.120 --> 1:05:11.960
<v Speaker 5>It was a commune filled with creative waterfalls.

1:05:12.360 --> 1:05:18.680
<v Speaker 7>That's a lot of sex. Well, a commune and waterfalls.

1:05:18.680 --> 1:05:19.480
<v Speaker 7>You gotta put them.

1:05:21.560 --> 1:05:24.720
<v Speaker 5>I said created but I said creative waterfall? You did?

1:05:24.760 --> 1:05:25.000
<v Speaker 5>You did?

1:05:25.040 --> 1:05:29.560
<v Speaker 1>But I was just reading between the lyrics. I wasn't

1:05:29.560 --> 1:05:29.960
<v Speaker 1>going there.

1:05:30.760 --> 1:05:33.080
<v Speaker 5>I mean, I mean, I mean there was there were

1:05:33.080 --> 1:05:36.440
<v Speaker 5>there were inter relationships, yes, okay, there were, there were

1:05:36.440 --> 1:05:39.720
<v Speaker 5>definitely those, But it was just like it was like

1:05:40.800 --> 1:05:44.479
<v Speaker 5>it was like my kids made. My youngest thought made.

1:05:44.680 --> 1:05:47.760
<v Speaker 5>She has me watching Mixed Dish with her every time

1:05:47.800 --> 1:05:51.800
<v Speaker 5>they clicked back to the old scenes of when they

1:05:51.840 --> 1:05:54.440
<v Speaker 5>were on the commune or what have you, right right,

1:05:54.480 --> 1:05:58.479
<v Speaker 5>the commune. Okay, it was like that. It was like that,

1:05:59.280 --> 1:06:02.640
<v Speaker 5>So it wasn't fake. It's it's like the romanticizing that

1:06:02.720 --> 1:06:05.720
<v Speaker 5>you envision it was real. It was a real thing.

1:06:07.240 --> 1:06:08.040
<v Speaker 5>It really was real.

1:06:08.200 --> 1:06:11.600
<v Speaker 1>I'm glad I asked you because you know, Dave and

1:06:11.720 --> 1:06:14.240
<v Speaker 1>Pass will like roll their eyes like here it comes

1:06:14.240 --> 1:06:17.240
<v Speaker 1>again with more. So, guys, what was it like when

1:06:17.280 --> 1:06:20.600
<v Speaker 1>you guys discovered this breakfeat whatever?

1:06:20.760 --> 1:06:26.040
<v Speaker 5>So David past first of all, because when we were

1:06:26.040 --> 1:06:27.960
<v Speaker 5>in it, David Post were rolling the rise.

1:06:32.920 --> 1:06:34.360
<v Speaker 1>Wow, you know what I mean.

1:06:34.680 --> 1:06:36.720
<v Speaker 5>When we were in it, David Post was rolling the rise.

1:06:36.760 --> 1:06:39.280
<v Speaker 5>Because that's just that's just who they are, you know

1:06:39.320 --> 1:06:42.720
<v Speaker 5>what I'm saying. The beats here right, and David pasta.

1:06:42.520 --> 1:06:48.440
<v Speaker 1>Like doing the opposite, you know, and that's.

1:06:48.320 --> 1:06:50.320
<v Speaker 5>Just who they are. That's just that's just who they are,

1:06:50.520 --> 1:06:52.840
<v Speaker 5>you know what I'm saying. It was just so freaking

1:06:53.000 --> 1:06:55.760
<v Speaker 5>like nothing was a problem, Like if everything was just

1:06:55.760 --> 1:06:58.800
<v Speaker 5>so cool. I remember one night, Masio was one of

1:06:58.840 --> 1:07:01.840
<v Speaker 5>the last people to leave them. Like because first of all,

1:07:01.840 --> 1:07:04.160
<v Speaker 5>when I say commune, I really meet commune. And the

1:07:04.200 --> 1:07:09.360
<v Speaker 5>place of the Commune's existence main office was Calliope Studios

1:07:09.400 --> 1:07:13.840
<v Speaker 5>in Manhattan. Ah okay, everybody's sessions was in Colliopees. It

1:07:13.880 --> 1:07:16.680
<v Speaker 5>doesn't matter if it was cute, if it was tribe,

1:07:17.440 --> 1:07:19.800
<v Speaker 5>if it was Dayla, if it was jungle. If it

1:07:19.840 --> 1:07:23.480
<v Speaker 5>was me, if it was Latifa, it didn't you know,

1:07:23.520 --> 1:07:27.400
<v Speaker 5>if it was black sheet dress and law, it doesn't matter.

1:07:27.440 --> 1:07:31.400
<v Speaker 5>It was always Calliope Studios. We were always in Calliope Studios.

1:07:31.400 --> 1:07:34.960
<v Speaker 5>Calliope Studios was the everything. It doesn't matter whose session

1:07:35.000 --> 1:07:39.120
<v Speaker 5>it was, we were always there. And it was always

1:07:39.120 --> 1:07:41.920
<v Speaker 5>egg flu young Why I don't know.

1:07:42.080 --> 1:07:45.600
<v Speaker 1>Because very convenient.

1:07:46.440 --> 1:07:52.200
<v Speaker 5>Oh it was th like, oh it was never it

1:07:52.240 --> 1:07:55.040
<v Speaker 5>was always needs food.

1:07:54.680 --> 1:08:00.320
<v Speaker 1>All right, So obviously you guys are post Latin order,

1:08:01.440 --> 1:08:03.960
<v Speaker 1>or at least what you represent. And here's the thing,

1:08:04.200 --> 1:08:06.160
<v Speaker 1>like everyone that's been on the reason why they were

1:08:06.240 --> 1:08:10.160
<v Speaker 1>joking at the top, I want to know what that's

1:08:10.160 --> 1:08:13.800
<v Speaker 1>the thing again, I'm I'm a guy that romanticizes and

1:08:13.800 --> 1:08:19.439
<v Speaker 1>fetishizes everything, the lore of whatever. So you know, I've

1:08:19.439 --> 1:08:21.519
<v Speaker 1>heard many stories about the Latin Quarter. So you know,

1:08:21.600 --> 1:08:24.479
<v Speaker 1>half our guests that have been on the show are

1:08:24.640 --> 1:08:28.920
<v Speaker 1>you know, Latin Quarter luminaries. And so it almost became

1:08:28.960 --> 1:08:33.759
<v Speaker 1>like the inside joke, like how long until a mere assay?

1:08:34.479 --> 1:08:38.040
<v Speaker 1>But the thing I also didn't understand was that, like,

1:08:38.280 --> 1:08:44.599
<v Speaker 1>why would somebody really want to risk their lives the

1:08:44.600 --> 1:08:46.320
<v Speaker 1>way that I see it, Like you go to the

1:08:46.400 --> 1:08:50.639
<v Speaker 1>Latin Quarter and you're either going to have the time

1:08:50.680 --> 1:08:54.840
<v Speaker 1>of your life and here's something really mind blowing, or

1:08:55.439 --> 1:08:57.760
<v Speaker 1>you know, you might get your chain snatched or you

1:08:57.840 --> 1:09:00.800
<v Speaker 1>might get stab shot, killed, or hurt. And to me,

1:09:00.920 --> 1:09:05.839
<v Speaker 1>that wasn't risky enough just to hear, you know, ELL's

1:09:05.880 --> 1:09:08.040
<v Speaker 1>booming system for the first time played by Red Alert

1:09:08.160 --> 1:09:08.479
<v Speaker 1>or whatever.

1:09:08.840 --> 1:09:14.160
<v Speaker 5>Yeah, but maybe maybe maybe it's because you're generation why

1:09:14.240 --> 1:09:16.080
<v Speaker 5>you feel that way, because yeah, that was real, and

1:09:16.120 --> 1:09:17.880
<v Speaker 5>that was it, and that was a risk that we

1:09:17.880 --> 1:09:18.800
<v Speaker 5>were prepared to take.

1:09:19.920 --> 1:09:21.919
<v Speaker 1>That was the only place you could get it exactly.

1:09:22.520 --> 1:09:27.240
<v Speaker 1>So what was by the time you came to the

1:09:27.360 --> 1:09:31.680
<v Speaker 1>United States, and please explain that missing that playing back

1:09:31.680 --> 1:09:32.559
<v Speaker 1>to London reference?

1:09:33.400 --> 1:09:36.200
<v Speaker 5>Well, okay, missing the plane back to London reference. First

1:09:36.200 --> 1:09:38.800
<v Speaker 5>of all, everybody was in the studio still I left.

1:09:38.840 --> 1:09:41.200
<v Speaker 5>I was supposed to go back to for a few days.

1:09:41.200 --> 1:09:44.040
<v Speaker 5>And the specific occasion I was supposed to go back

1:09:44.040 --> 1:09:48.200
<v Speaker 5>to London for is Stevie Wonder's birthday party at Wembley Arena.

1:09:48.760 --> 1:09:52.240
<v Speaker 5>Boy George not boy George George. Michael and I were

1:09:52.240 --> 1:09:53.880
<v Speaker 5>supposed to seeing Happy Birthday to him.

1:09:55.840 --> 1:10:00.000
<v Speaker 1>Yeah, wow, wow, Well, assuming there was nineteen.

1:09:59.760 --> 1:10:03.040
<v Speaker 5>Ninety I missed, Yeah, it was I missed the plane.

1:10:03.560 --> 1:10:07.519
<v Speaker 1>Whoa and wait wait you were damn for real?

1:10:08.040 --> 1:10:10.800
<v Speaker 5>Yeah, And so I got back in a cab and

1:10:10.880 --> 1:10:14.839
<v Speaker 5>I went back to Calliope and I went back session

1:10:15.280 --> 1:10:20.640
<v Speaker 5>and they were doing doingthing and uh Africa and them

1:10:20.760 --> 1:10:23.120
<v Speaker 5>was like, all right, you got you got eight, go

1:10:23.200 --> 1:10:25.080
<v Speaker 5>do it. And that's exactly what I did.

1:10:26.600 --> 1:10:30.080
<v Speaker 1>Wow. I never knew that reference.

1:10:30.120 --> 1:10:33.519
<v Speaker 5>Okay, yeah, but I felt like I felt like shit,

1:10:33.760 --> 1:10:36.040
<v Speaker 5>like I didn't. It was an achievement to go in

1:10:36.080 --> 1:10:38.360
<v Speaker 5>and kick some rhymes. But those rhymes were real rhymes

1:10:38.400 --> 1:10:39.920
<v Speaker 5>because I really I was like, I'm going to get

1:10:39.920 --> 1:10:44.679
<v Speaker 5>in some people. Oh my god, like because I really

1:10:44.680 --> 1:10:46.680
<v Speaker 5>did just miss the plane and I'm supposed to be

1:10:46.760 --> 1:10:51.040
<v Speaker 5>at Wembley Arena in London for Stevie Wonder's Happy Birthday celebration.

1:10:52.280 --> 1:10:53.600
<v Speaker 1>I mean, do you still regret it?

1:10:55.200 --> 1:10:57.600
<v Speaker 5>I do regret it because I was I don't like

1:10:57.840 --> 1:10:59.760
<v Speaker 5>not being where I'm supposed to be, and it was

1:10:59.800 --> 1:11:02.240
<v Speaker 5>like giants, I was supposed to be on stage.

1:11:04.040 --> 1:11:09.280
<v Speaker 1>Yeah, but you gotta you have you have an immortalized verse.

1:11:09.520 --> 1:11:13.200
<v Speaker 5>So I do have an immortalized verse, but it's for me.

1:11:13.439 --> 1:11:16.000
<v Speaker 5>It serves the purpose of reminding me that I fucked up.

1:11:17.800 --> 1:11:20.040
<v Speaker 1>I understand, I understand. We go bro.

1:11:22.479 --> 1:11:25.400
<v Speaker 5>Well, yeah, because it wasn't a real reason. It wasn't

1:11:25.400 --> 1:11:27.240
<v Speaker 5>a real it wasn't a real reason for me to

1:11:27.240 --> 1:11:29.960
<v Speaker 5>be late. It was some some vain ship. I left

1:11:29.960 --> 1:11:32.519
<v Speaker 5>this particular top that I wanted to wear, and I

1:11:32.560 --> 1:11:34.400
<v Speaker 5>made the bloody driver go back to the house so

1:11:34.439 --> 1:11:37.560
<v Speaker 5>I could get it.

1:11:38.720 --> 1:11:41.720
<v Speaker 1>For good fellas, I don't fly it out my hat.

1:11:41.760 --> 1:11:50.519
<v Speaker 1>I don't fly it right, You're lucky. So what was

1:11:50.600 --> 1:11:53.840
<v Speaker 1>the now? The one thing I don't know is post

1:11:53.960 --> 1:11:58.080
<v Speaker 1>Latin Quarter? What was now? The night Life eighty nine,

1:11:58.200 --> 1:12:02.000
<v Speaker 1>ninety ninety one, Like, what's where do you? What's your

1:12:02.040 --> 1:12:04.439
<v Speaker 1>weekly schedule in terms of like we hang at this

1:12:04.479 --> 1:12:06.479
<v Speaker 1>club at this night and the Night and.

1:12:06.760 --> 1:12:11.920
<v Speaker 5>The World on Little thirty Street in the meat Market

1:12:12.040 --> 1:12:19.320
<v Speaker 5>section of Manhattan, on the west side Little thirty Street. Yeah,

1:12:19.520 --> 1:12:23.479
<v Speaker 5>the World. The World was a club that Paradise run

1:12:23.560 --> 1:12:30.320
<v Speaker 5>the door to Paradise Okay, yeah really, And it had

1:12:30.680 --> 1:12:33.320
<v Speaker 5>five floors and on the roof it was it was

1:12:33.360 --> 1:12:35.439
<v Speaker 5>a floor, but it was open obviously because it was

1:12:35.439 --> 1:12:37.519
<v Speaker 5>a roof, and they used to do barbecue up there.

1:12:38.160 --> 1:12:42.880
<v Speaker 5>So there's a house floor, there's the hip hop, the

1:12:42.920 --> 1:12:45.320
<v Speaker 5>reggae floor, there's a cool out floor and then there's

1:12:45.360 --> 1:12:46.479
<v Speaker 5>a barbecue on the roof.

1:12:46.880 --> 1:12:53.360
<v Speaker 1>Okay, wait, I do have a question again, your your

1:12:53.400 --> 1:12:57.880
<v Speaker 1>your speaking voice, in your rhyming voice or night and

1:12:57.960 --> 1:13:01.720
<v Speaker 1>day like at that period in your teens, were you

1:13:01.800 --> 1:13:04.200
<v Speaker 1>code switching a little bit in.

1:13:04.200 --> 1:13:07.840
<v Speaker 5>Terms of unintentionally yes. And the reason here's where the

1:13:07.840 --> 1:13:10.160
<v Speaker 5>code switching happened. It didn't happen because of music. It

1:13:10.200 --> 1:13:13.240
<v Speaker 5>happens because I was going to school at George Wingate

1:13:13.320 --> 1:13:19.000
<v Speaker 5>High School in Brooklyn, which was metal Detectors and like

1:13:19.240 --> 1:13:23.599
<v Speaker 5>Brooklyn's version of Joe Clark. And it was just I

1:13:23.640 --> 1:13:25.599
<v Speaker 5>didn't want the attention that I was getting. I had

1:13:25.600 --> 1:13:29.439
<v Speaker 5>a Tony Braxton haircut before Tony Braxton, Okay, when I

1:13:29.479 --> 1:13:32.519
<v Speaker 5>was going to school in Brooklyn. It was like eighty six, right,

1:13:33.479 --> 1:13:36.160
<v Speaker 5>and I cut all my hair off. It was super

1:13:36.200 --> 1:13:38.920
<v Speaker 5>super short, but it was it wasn't just cut. It

1:13:38.960 --> 1:13:44.360
<v Speaker 5>was cut into a style for a sixteen fifteen, sixteen

1:13:44.439 --> 1:13:46.519
<v Speaker 5>year old girl to have her hair or cut off

1:13:46.560 --> 1:13:50.919
<v Speaker 5>in a sleep out like that done yet in Brooklyn.

1:13:51.200 --> 1:13:55.360
<v Speaker 5>I'm from England. I've got this crazy haircut. My style

1:13:55.400 --> 1:14:00.000
<v Speaker 5>of dress is different, and I'm getting viewed and called exotic.

1:14:00.680 --> 1:14:02.320
<v Speaker 5>I don't like that term.

1:14:02.800 --> 1:14:04.920
<v Speaker 1>I don't so when people will walk up to you, like,

1:14:05.080 --> 1:14:10.240
<v Speaker 1>just say something exactly, So, how did you what is

1:14:10.280 --> 1:14:13.280
<v Speaker 1>your what is your Americanized New York?

1:14:13.640 --> 1:14:16.920
<v Speaker 5>I studied, however spoke? I studied how everybody spoke?

1:14:17.080 --> 1:14:18.640
<v Speaker 1>So how did you speak? Can you switch it? Right now?

1:14:18.680 --> 1:14:20.240
<v Speaker 7>She goes in and out anyway?

1:14:20.360 --> 1:14:22.840
<v Speaker 5>I do. I do come in and out anyway. We say,

1:14:23.000 --> 1:14:25.720
<v Speaker 5>like to have me say something or say something to

1:14:25.760 --> 1:14:28.639
<v Speaker 5>me that's gonna demand and answer and then I'll still

1:14:28.680 --> 1:14:29.080
<v Speaker 5>do it.

1:14:30.240 --> 1:14:31.880
<v Speaker 1>What what did you have for breakfast?

1:14:31.880 --> 1:14:32.120
<v Speaker 5>In then?

1:14:32.920 --> 1:14:33.479
<v Speaker 1>What did you say?

1:14:34.160 --> 1:14:36.639
<v Speaker 5>Wait a minute, Wait a minute, wait wait, wait, wait

1:14:36.640 --> 1:14:42.439
<v Speaker 5>a minute. First of all, okay, wait first, first of all,

1:14:42.520 --> 1:14:44.040
<v Speaker 5>I don't even understand what you're saying.

1:14:44.439 --> 1:14:45.559
<v Speaker 1>What you want your chop cheese?

1:14:46.200 --> 1:14:48.200
<v Speaker 5>I don't eat know chop cheese. That's the Philly ship.

1:14:48.760 --> 1:14:50.320
<v Speaker 1>No, it's not, that's New York.

1:14:51.760 --> 1:14:52.280
<v Speaker 7>I don't even know.

1:14:52.320 --> 1:14:56.080
<v Speaker 4>That's pretty good chop cheese is a New York Philly

1:14:56.200 --> 1:14:57.439
<v Speaker 4>cheese steak.

1:14:57.680 --> 1:15:02.160
<v Speaker 1>Never heard of that ship, neither Cameron made it famous.

1:15:02.439 --> 1:15:06.320
<v Speaker 1>You know, it's it's basically taking hamburger. It's making a hamburger,

1:15:06.600 --> 1:15:09.519
<v Speaker 1>but then chopping up the Hamburger and putting on a

1:15:09.560 --> 1:15:10.360
<v Speaker 1>hero role.

1:15:10.760 --> 1:15:15.240
<v Speaker 5>That must be specifically some Harlem shit because it's.

1:15:15.320 --> 1:15:21.360
<v Speaker 1>Chop Cheese got its fame around ninety seven, ninety eight. Yeah,

1:15:21.640 --> 1:15:23.920
<v Speaker 1>on one hundred there's a spoint one hundred and tenth Street.

1:15:25.400 --> 1:15:27.479
<v Speaker 1>It's at one point it was getting out of hand

1:15:27.479 --> 1:15:29.280
<v Speaker 1>because like a lot of tourists were coming up there,

1:15:29.320 --> 1:15:31.960
<v Speaker 1>like risking their lives in front of the projects to

1:15:32.000 --> 1:15:35.040
<v Speaker 1>get the authentic Yes, the authentic chop cheese.

1:15:35.080 --> 1:15:38.720
<v Speaker 5>It's a cheeseburger, a cheeseburger, cheese berger.

1:15:39.120 --> 1:15:41.439
<v Speaker 1>I mean, you're you're dismissing it, making it sound like that,

1:15:41.520 --> 1:15:42.360
<v Speaker 1>but it's okay.

1:15:42.400 --> 1:15:45.559
<v Speaker 9>But for we never said we never said here I am,

1:15:45.640 --> 1:15:47.160
<v Speaker 9>and this is it and this is what this is

1:15:47.160 --> 1:15:50.040
<v Speaker 9>what it sounds like. And I used to go on

1:15:50.160 --> 1:15:59.120
<v Speaker 9>Emphire and get either a blimpy sandwich or the Wendy.

1:15:59.000 --> 1:15:59.960
<v Speaker 1>Is this fucking person?

1:16:02.560 --> 1:16:02.920
<v Speaker 5>Person?

1:16:05.400 --> 1:16:07.559
<v Speaker 1>Do you ever want your kids with that voice?

1:16:07.600 --> 1:16:14.679
<v Speaker 4>Because that's like the next level ship when when yeah, yeah,

1:16:14.720 --> 1:16:15.840
<v Speaker 4>angry McFee.

1:16:16.160 --> 1:16:19.160
<v Speaker 5>Yeah, angry McPhee is right, it's straight brit I can't

1:16:19.240 --> 1:16:21.639
<v Speaker 5>even when I'm talking to them and it gets there.

1:16:22.040 --> 1:16:24.679
<v Speaker 5>But yeah, that's what that's that's the switching. And that's

1:16:24.680 --> 1:16:27.160
<v Speaker 5>the studying that I did. I study how everybody else

1:16:27.600 --> 1:16:29.800
<v Speaker 5>spoke like, you won't come, you won't come, get something

1:16:29.800 --> 1:16:31.240
<v Speaker 5>to eat, You gon eat the school lunch. Now I

1:16:31.280 --> 1:16:33.559
<v Speaker 5>don't want the school lunch. I'll come with you. Where

1:16:33.560 --> 1:16:35.439
<v Speaker 5>we go in we go to white Where we go

1:16:35.479 --> 1:16:36.240
<v Speaker 5>with the White Castle.

1:16:36.400 --> 1:16:45.440
<v Speaker 1>Oh all right, mooney, you know this question is coming, alright.

1:16:45.200 --> 1:16:48.080
<v Speaker 5>Go ahead, you know it's coming, Okay, like it is

1:16:48.080 --> 1:16:49.960
<v Speaker 5>a part of this too. I'm just I'm gonna just

1:16:49.960 --> 1:16:50.280
<v Speaker 5>go ahead.

1:16:50.439 --> 1:16:55.919
<v Speaker 1>No, no, no, we ain't even talking about Jesus. Okay, nah, okay,

1:16:56.439 --> 1:16:59.040
<v Speaker 1>Oh wait, actually have to build up to it because

1:16:59.240 --> 1:17:03.240
<v Speaker 1>we're still needed tongues. Fuck it, I'm going right to it.

1:17:04.240 --> 1:17:06.200
<v Speaker 1>No built up, Yeah, no, built up.

1:17:07.040 --> 1:17:09.800
<v Speaker 7>Let's see, we'll.

1:17:10.080 --> 1:17:13.000
<v Speaker 1>Can you Well. I don't want you to tell the

1:17:13.000 --> 1:17:17.400
<v Speaker 1>Big Daddy King story. However, I would like you to

1:17:17.479 --> 1:17:22.880
<v Speaker 1>tell me what hip hop touring was like during that

1:17:22.960 --> 1:17:26.200
<v Speaker 1>time period because and the reason why I really want

1:17:26.240 --> 1:17:30.080
<v Speaker 1>to know is because I didn't realize that my group

1:17:31.160 --> 1:17:35.679
<v Speaker 1>sort of set a precedent that I didn't realize wasn't

1:17:35.680 --> 1:17:39.840
<v Speaker 1>the norm. Now. You know, you talked about you talked

1:17:39.840 --> 1:17:43.920
<v Speaker 1>about jay Z's penchant. Uh, for the finer things whatever.

1:17:44.080 --> 1:17:49.240
<v Speaker 1>But Tarik is very much the same way in you know,

1:17:49.600 --> 1:17:54.240
<v Speaker 1>in his clothes and whatever. So I thought it was

1:17:54.320 --> 1:17:56.360
<v Speaker 1>just we thought, or at least I thought it was

1:17:56.400 --> 1:18:00.000
<v Speaker 1>some normal ship to be staying at a four seasons hotel,

1:18:00.080 --> 1:18:04.760
<v Speaker 1>hell and these deluxe tour buses and all this shit.

1:18:04.840 --> 1:18:09.280
<v Speaker 1>But I didn't realize that was basically Turk demanding the rich, like, yo,

1:18:09.400 --> 1:18:10.960
<v Speaker 1>I want to travel and comfort if I got to

1:18:11.000 --> 1:18:11.439
<v Speaker 1>be on the road.

1:18:11.439 --> 1:18:19.200
<v Speaker 5>Three Wait a minute, right, So by the time I

1:18:19.400 --> 1:18:21.760
<v Speaker 5>met you guys, that's what the fuck you guys are.

1:18:23.760 --> 1:18:26.160
<v Speaker 1>Yeah, and but wait, here's the deal. Here's the deal.

1:18:26.240 --> 1:18:28.920
<v Speaker 1>It took care to tell me. No, mere See, the

1:18:28.960 --> 1:18:32.679
<v Speaker 1>problem is, you guys get hotels every night. Everyone gets

1:18:32.720 --> 1:18:35.360
<v Speaker 1>their own suite every night, one to a room. You

1:18:35.360 --> 1:18:38.439
<v Speaker 1>guys spend money. She got story, thousands of dollars. I

1:18:38.479 --> 1:18:41.559
<v Speaker 1>didn't realize that the way that bands really do it

1:18:41.640 --> 1:18:44.120
<v Speaker 1>is that if there's a show that night, they all

1:18:44.160 --> 1:18:47.120
<v Speaker 1>shower at the venue, they sleep on the tour bus,

1:18:47.160 --> 1:18:49.920
<v Speaker 1>and only on days off they might get a day

1:18:50.000 --> 1:18:54.200
<v Speaker 1>room at a holiday inn or Sheridan. I mean, there

1:18:54.280 --> 1:18:57.680
<v Speaker 1>was a disapperiod where it's like, yo, man, where's.

1:18:57.400 --> 1:19:03.479
<v Speaker 5>Our money break down. Okay, there's there's an area. There's

1:19:03.479 --> 1:19:06.639
<v Speaker 5>an area in between what you're saying you guys were

1:19:06.680 --> 1:19:10.000
<v Speaker 5>doing and what you just described, because I wasn't doing

1:19:10.040 --> 1:19:12.920
<v Speaker 5>no showering and there's no day room ship with no

1:19:13.120 --> 1:19:16.280
<v Speaker 5>I wasn't no no, no, no, no no, I wasn't.

1:19:16.360 --> 1:19:20.639
<v Speaker 5>I wasn't. There's I am very much a British girl, okay,

1:19:20.680 --> 1:19:22.120
<v Speaker 5>and I will that.

1:19:22.439 --> 1:19:24.640
<v Speaker 7>With a crest on your pocket. Would a crest on

1:19:24.680 --> 1:19:25.719
<v Speaker 7>your pocket exactly?

1:19:26.439 --> 1:19:29.000
<v Speaker 5>But what it was it was when I say middle

1:19:29.040 --> 1:19:30.800
<v Speaker 5>of the road in between what you describe both things

1:19:30.800 --> 1:19:33.080
<v Speaker 5>that you described is, yes, we did. We would ride

1:19:33.080 --> 1:19:37.160
<v Speaker 5>the toil there's during the night, so we would be

1:19:37.160 --> 1:19:40.839
<v Speaker 5>in out since we would pull up not at a hotel.

1:19:40.920 --> 1:19:43.880
<v Speaker 5>We would pull up firstly at the venue. By the

1:19:43.880 --> 1:19:46.960
<v Speaker 5>time we pull up to a venue, the sound guys

1:19:47.000 --> 1:19:49.240
<v Speaker 5>and stage guys they'd all be in there. Ship would

1:19:49.240 --> 1:19:51.680
<v Speaker 5>have already been put up. We get in there, we

1:19:51.800 --> 1:19:54.000
<v Speaker 5>do sound check first, then we get back in a

1:19:54.040 --> 1:19:57.240
<v Speaker 5>bus and roll over to wherever the hotel is. Now

1:19:57.280 --> 1:20:01.280
<v Speaker 5>the hotels would be your modern day. What they've turned

1:20:01.320 --> 1:20:06.000
<v Speaker 5>them into is all these nice, these nice holiday in

1:20:06.439 --> 1:20:09.400
<v Speaker 5>the type ones that have like the many apartments in

1:20:09.439 --> 1:20:15.000
<v Speaker 5>the kitchen businesses. Yeah, that's today, that's what they are

1:20:15.760 --> 1:20:27.080
<v Speaker 5>back then, good times. Bathroom very basic, two beds, two beds,

1:20:27.120 --> 1:20:33.280
<v Speaker 5>full beds or twin beds. Bathroom very basic, right, And

1:20:33.760 --> 1:20:35.519
<v Speaker 5>you know, now when I look at it, I'm like,

1:20:35.520 --> 1:20:41.040
<v Speaker 5>oh I would not. But back then, man, when you

1:20:41.080 --> 1:20:43.679
<v Speaker 5>when you're drunken, you want to lay down, oh my god,

1:20:44.800 --> 1:20:48.760
<v Speaker 5>it's like yes please. Yeah, So that's what it was.

1:20:48.800 --> 1:20:54.040
<v Speaker 5>They weren't. They were probably like two stars, three stars,

1:20:54.400 --> 1:20:55.519
<v Speaker 5>two stars, so.

1:20:55.640 --> 1:20:58.400
<v Speaker 1>Slightly above a Super eight. Who would be on tour

1:20:58.439 --> 1:20:59.400
<v Speaker 1>around these times?

1:20:59.640 --> 1:21:03.880
<v Speaker 5>Okay, best tour that I was ever on. Give you

1:21:03.920 --> 1:21:06.040
<v Speaker 5>an example of who would be on these types of tours.

1:21:06.160 --> 1:21:08.160
<v Speaker 5>And the interesting thing about the tours was they were

1:21:08.200 --> 1:21:14.080
<v Speaker 5>also interchangeable what territories you go to. So, for instance,

1:21:14.200 --> 1:21:18.439
<v Speaker 5>the tour was the Big Daddy Kane Tour, right, Big

1:21:18.520 --> 1:21:24.280
<v Speaker 5>Daddy Kane, Headlines, Digital Underground, Queen Latifa, and Third Base.

1:21:24.400 --> 1:21:29.120
<v Speaker 5>Those are the base groups Big Daddy Kane, Digital Underground,

1:21:29.200 --> 1:21:31.920
<v Speaker 5>Third Base, Queen Latifa. At that time, I was a

1:21:31.920 --> 1:21:36.360
<v Speaker 5>part of Queen Latita's camp because she Ladies First was

1:21:36.400 --> 1:21:39.519
<v Speaker 5>apart very much a part of her show, and so

1:21:39.720 --> 1:21:41.720
<v Speaker 5>I was on that entire tour. So those are the

1:21:41.800 --> 1:21:45.479
<v Speaker 5>base groups always, right, So that's the base of your sandwich.

1:21:45.560 --> 1:21:49.160
<v Speaker 5>Put it that way. But depending on what territories you

1:21:49.240 --> 1:21:53.600
<v Speaker 5>go to, they would add this that would be EPM D.

1:21:54.560 --> 1:21:59.280
<v Speaker 5>Or they would add some tomatoes which would be uh

1:22:00.439 --> 1:22:04.519
<v Speaker 5>too sure, you know what I'm saying. So that's what

1:22:04.680 --> 1:22:07.040
<v Speaker 5>I'm saying. It was like, and I'm using the sandwich

1:22:07.080 --> 1:22:11.120
<v Speaker 5>analogy because it's like, depending on where you go, different

1:22:11.360 --> 1:22:14.040
<v Speaker 5>ingredients are added to the show.

1:22:14.280 --> 1:22:15.520
<v Speaker 7>But still a hamburger.

1:22:15.840 --> 1:22:19.320
<v Speaker 5>Yeah, yeah, exactly. So they were and they were fun

1:22:19.880 --> 1:22:23.200
<v Speaker 5>and it was interesting because I learned how to do

1:22:23.200 --> 1:22:27.120
<v Speaker 5>the humpty hump while I was on that tour, and

1:22:29.080 --> 1:22:32.360
<v Speaker 5>this time he taught me how to do humpty hump.

1:22:32.680 --> 1:22:35.599
<v Speaker 1>What was his job in Digital Underground during that period.

1:22:36.080 --> 1:22:43.280
<v Speaker 5>He was a roadie and a dancer. Wow okay, Yeah,

1:22:43.320 --> 1:22:45.320
<v Speaker 5>And he figured that me and him were the same

1:22:45.720 --> 1:22:48.280
<v Speaker 5>because he was a part of Digital Underground crew and

1:22:48.360 --> 1:22:50.160
<v Speaker 5>I was a part of Latifa's crew, so he kind

1:22:50.160 --> 1:22:52.479
<v Speaker 5>of figured we were the same. I tried to assure

1:22:52.520 --> 1:22:55.400
<v Speaker 5>him that I had a much more president position than

1:22:56.520 --> 1:23:01.040
<v Speaker 5>because I was actually rhyming on a song her say,

1:23:02.680 --> 1:23:03.000
<v Speaker 5>oh you.

1:23:02.960 --> 1:23:05.799
<v Speaker 1>And me are kind of the same, right, Nah, yeah.

1:23:05.760 --> 1:23:07.960
<v Speaker 5>He was, he was. Yeah, he was trying to do that.

1:23:08.560 --> 1:23:10.200
<v Speaker 5>We know we're the same. And I was trying to

1:23:10.200 --> 1:23:11.760
<v Speaker 5>tell him, no, one of these kids is doing his

1:23:11.800 --> 1:23:14.400
<v Speaker 5>own thing, like you sets me street mofo go away.

1:23:14.600 --> 1:23:16.400
<v Speaker 5>You had so you hadn't heard him rhyme at all

1:23:16.439 --> 1:23:20.639
<v Speaker 5>before I did, because he made sure too. He walked

1:23:20.640 --> 1:23:23.240
<v Speaker 5>around with a he walked around with a book of

1:23:24.040 --> 1:23:27.080
<v Speaker 5>He never let that finger, he never let that thing goer.

1:23:27.120 --> 1:23:29.920
<v Speaker 5>He walked around with that he was pestering. I joined

1:23:29.920 --> 1:23:32.000
<v Speaker 5>the tour maybe two shows in because I went to

1:23:32.080 --> 1:23:34.599
<v Speaker 5>Canada to see my mother first, because my mother lives

1:23:34.600 --> 1:23:37.080
<v Speaker 5>in Toronto, so I went there first, and then I

1:23:37.120 --> 1:23:39.840
<v Speaker 5>picked up the tour from Toronto. While I was still

1:23:39.880 --> 1:23:44.200
<v Speaker 5>at my mother's house, this guy makes Kika and Allison,

1:23:44.200 --> 1:23:47.880
<v Speaker 5>who were Latifa's two dancers, get on their phone to

1:23:48.040 --> 1:23:51.840
<v Speaker 5>call me up to ask me when are you coming?

1:23:52.040 --> 1:23:54.040
<v Speaker 5>You supposed to They're like, cause you please get her

1:23:54.080 --> 1:23:56.839
<v Speaker 5>already because this Tupac guy is getting on our nerves.

1:23:56.920 --> 1:24:00.920
<v Speaker 5>He wants to meet you. He's really annoying, and so

1:24:00.960 --> 1:24:04.000
<v Speaker 5>where are you coming? And I'm like, who is this

1:24:04.200 --> 1:24:06.760
<v Speaker 5>weirdo that you guys are too, and I'm hearing him

1:24:06.760 --> 1:24:08.760
<v Speaker 5>in the background like why is she coming. I'm like,

1:24:08.840 --> 1:24:10.400
<v Speaker 5>don't put him on the phone with me. I don't

1:24:10.439 --> 1:24:14.559
<v Speaker 5>know him, Like who is this weirdo anyway? And They're

1:24:14.560 --> 1:24:18.679
<v Speaker 5>like he's part of digital Underground. I'm like, okay, well, guys,

1:24:18.720 --> 1:24:20.280
<v Speaker 5>when I get there in two days time, but no,

1:24:20.400 --> 1:24:22.599
<v Speaker 5>I don't want nobody I don't know, but like by

1:24:23.600 --> 1:24:26.920
<v Speaker 5>and so when I get there, he's all like a

1:24:27.000 --> 1:24:29.559
<v Speaker 5>kid in a candy store to meet me. And what

1:24:29.640 --> 1:24:35.160
<v Speaker 5>it was was I have never met a bigger sand

1:24:35.800 --> 1:24:42.000
<v Speaker 5>of hip hop period than that man. Like Wow, Tupac

1:24:42.200 --> 1:24:49.720
<v Speaker 5>is the most enthusiastic, biggest sand of everything authentic in

1:24:49.800 --> 1:24:55.280
<v Speaker 5>this culture. So that's where all the excitement was coming from,

1:24:55.320 --> 1:24:57.680
<v Speaker 5>you know, back then. But you know, I'm the British girl.

1:24:57.680 --> 1:24:59.879
<v Speaker 5>I'm a little bit reserved and I'm kind of like, okay,

1:25:00.320 --> 1:25:05.880
<v Speaker 5>like you're you sit down, You're just too much. We

1:25:06.000 --> 1:25:08.920
<v Speaker 5>ended up being really good friends. It's funny because misconception

1:25:09.160 --> 1:25:12.920
<v Speaker 5>on somebod on an interview that I did while back,

1:25:12.920 --> 1:25:16.120
<v Speaker 5>where I said, yeah, we slept together, And it's funny

1:25:16.120 --> 1:25:20.240
<v Speaker 5>because it's like the misconception was uh slept together being

1:25:20.320 --> 1:25:25.240
<v Speaker 5>taken for more than a way exactly, because yeah, we did.

1:25:25.439 --> 1:25:30.120
<v Speaker 5>We did sleep together because Alison and I, uh one

1:25:30.160 --> 1:25:32.080
<v Speaker 5>of last season zisters and I we shared a room

1:25:32.760 --> 1:25:36.200
<v Speaker 5>and Parc shared a room with Shock G. But if

1:25:36.280 --> 1:25:38.960
<v Speaker 5>shot G had.

1:25:39.160 --> 1:25:42.519
<v Speaker 3>A right, had more than Park because who was Park

1:25:42.560 --> 1:25:43.360
<v Speaker 3>at the time.

1:25:43.400 --> 1:25:47.720
<v Speaker 5>Exactly, And if that happened, Pop would come to our

1:25:47.840 --> 1:25:49.679
<v Speaker 5>room and he would sleep Me and him would sleep

1:25:49.680 --> 1:25:53.120
<v Speaker 5>in the same bed. And that's what that was when

1:25:53.160 --> 1:25:55.120
<v Speaker 5>we saying, you know, we said because we were like

1:25:55.120 --> 1:25:58.200
<v Speaker 5>the three Stooges, you know, three of us were always together.

1:25:58.400 --> 1:26:00.599
<v Speaker 5>And as a matter of fact, we even had packed

1:26:00.760 --> 1:26:03.479
<v Speaker 5>that in those hotels at the time, those two three

1:26:03.479 --> 1:26:07.160
<v Speaker 5>star joints whatever, they would have the buffet breakfast every morning,

1:26:07.200 --> 1:26:10.800
<v Speaker 5>but it happens exactly at six o'clock. A wee get

1:26:10.800 --> 1:26:14.479
<v Speaker 5>on there soon after six o'clock to leave to go

1:26:14.560 --> 1:26:17.599
<v Speaker 5>to the next town. If you weren't downstairs up ready,

1:26:17.600 --> 1:26:20.639
<v Speaker 5>bright eyed, bushytailed, then in that room for six o'clock

1:26:20.640 --> 1:26:22.800
<v Speaker 5>when that breakfast spread is put out, you're gonna miss it.

1:26:23.120 --> 1:26:25.559
<v Speaker 5>And all of those places used to have the pancake special.

1:26:26.479 --> 1:26:28.920
<v Speaker 5>We had a packed that we would always wake each

1:26:28.920 --> 1:26:30.760
<v Speaker 5>other up to make sure that we don't miss the

1:26:31.240 --> 1:26:34.879
<v Speaker 5>pancake special, right, I forgot to wake pack up one morning.

1:26:35.000 --> 1:26:39.439
<v Speaker 5>He missed the pancake special, and he stopped speaking to

1:26:39.479 --> 1:26:44.120
<v Speaker 5>me for two weeks of the tour. He was very

1:26:44.160 --> 1:26:48.439
<v Speaker 5>petty pancake. He stopped speaking to me.

1:26:48.640 --> 1:26:53.439
<v Speaker 1>Yeah, that's justifiable. Yeah, let's just he stopped.

1:26:53.479 --> 1:26:56.160
<v Speaker 5>He stopped speaking to me. He he also hid the

1:26:57.000 --> 1:26:59.320
<v Speaker 5>tabasco that I used to walk around with to put

1:26:59.320 --> 1:27:00.800
<v Speaker 5>on my corn beef. How she hid it?

1:27:02.080 --> 1:27:08.360
<v Speaker 1>Your own personal tabasco collection memory? Yes, I see. Okay, okay,

1:27:09.560 --> 1:27:13.680
<v Speaker 1>the moany in the middle story. Can we can we.

1:27:13.640 --> 1:27:17.240
<v Speaker 6>Get clarification because what what is the big Daddy Kane

1:27:17.280 --> 1:27:18.200
<v Speaker 6>story that you mentioned?

1:27:18.280 --> 1:27:19.240
<v Speaker 1>This is the money in.

1:27:19.200 --> 1:27:23.280
<v Speaker 6>The middle story and the moaning middle story of.

1:27:23.280 --> 1:27:24.880
<v Speaker 7>The build up. This is the build up that he

1:27:24.920 --> 1:27:25.439
<v Speaker 7>was talking.

1:27:25.720 --> 1:27:28.840
<v Speaker 1>About, Like in my mind based on the video. You know,

1:27:29.120 --> 1:27:34.000
<v Speaker 1>I thought the past point Dexter character was just some

1:27:34.240 --> 1:27:37.680
<v Speaker 1>Steve Erkle dweeb. And I didn't know that it was

1:27:37.720 --> 1:27:44.519
<v Speaker 1>a taste of chocolate. So okay, but I do know

1:27:44.560 --> 1:27:49.000
<v Speaker 1>what even though stories, even though I know this story,

1:27:49.080 --> 1:27:52.200
<v Speaker 1>and I know that you know a lot of my

1:27:52.400 --> 1:27:58.120
<v Speaker 1>generation male rappers have fragile, a fragile egos when it

1:27:58.160 --> 1:28:02.320
<v Speaker 1>comes to get rejected. I have to give him a

1:28:02.360 --> 1:28:05.879
<v Speaker 1>little bit of points for coming up with the most passive,

1:28:05.880 --> 1:28:08.720
<v Speaker 1>aggressive way to figure out if you were into him

1:28:08.840 --> 1:28:09.040
<v Speaker 1>or not.

1:28:09.280 --> 1:28:11.400
<v Speaker 5>And that's what I give him props for. To listen,

1:28:11.760 --> 1:28:16.679
<v Speaker 5>from beginning, from beginning to end, you must understand that

1:28:17.640 --> 1:28:25.040
<v Speaker 5>Big Daddy Kane is absolutely the number one student of Dolomite. Okay,

1:28:25.920 --> 1:28:31.360
<v Speaker 5>he is the number one student of Dolomite. Big Daddy

1:28:31.439 --> 1:28:34.599
<v Speaker 5>Kane does not play himself. I need you to understand this.

1:28:35.120 --> 1:28:37.120
<v Speaker 5>Big Daddy Kane does not put him put himself in

1:28:37.120 --> 1:28:41.000
<v Speaker 5>a position where he can be viewed as playing himself.

1:28:41.040 --> 1:28:42.519
<v Speaker 5>It just does not happen.

1:28:43.640 --> 1:28:44.640
<v Speaker 7>That's why they love you.

1:28:44.960 --> 1:28:47.000
<v Speaker 1>Okay, So talk about the system.

1:28:47.600 --> 1:28:50.360
<v Speaker 5>The system. This is the McDonald's system that Big Daddy

1:28:50.439 --> 1:28:55.799
<v Speaker 5>Kane came up with, Okay, in order to understand whether

1:28:56.240 --> 1:29:00.720
<v Speaker 5>I liked him in that way or not. Okay, is

1:29:01.320 --> 1:29:01.760
<v Speaker 5>this real life?

1:29:01.760 --> 1:29:02.519
<v Speaker 7>You're saying? Real life?

1:29:02.560 --> 1:29:07.200
<v Speaker 1>Y'all? Yes, we're officially hearing the Money in the Middle story.

1:29:07.360 --> 1:29:09.639
<v Speaker 5>This is the story that inspired Middle.

1:29:09.920 --> 1:29:11.000
<v Speaker 1>But there's some crazy ship.

1:29:12.200 --> 1:29:17.120
<v Speaker 5>I've told you this you okay, all right, So we're

1:29:17.360 --> 1:29:20.280
<v Speaker 5>we're in d C. I can't remember the name of

1:29:20.320 --> 1:29:23.560
<v Speaker 5>the hotel. But there's this one specific hotel that everybody

1:29:24.160 --> 1:29:29.880
<v Speaker 5>whenever you go to d C, it was, that's the one.

1:29:30.479 --> 1:29:33.679
<v Speaker 1>I only know this because old Daddy Bastard once crashed

1:29:34.400 --> 1:29:36.719
<v Speaker 1>the car into one.

1:29:36.560 --> 1:29:40.760
<v Speaker 5>Of the because I remember, Yes, that's the same, Yes,

1:29:40.760 --> 1:29:43.400
<v Speaker 5>it's the same hotel. Do you know?

1:29:43.439 --> 1:29:45.760
<v Speaker 1>All right, Fronte, you got to know this days in

1:29:46.600 --> 1:29:48.800
<v Speaker 1>when when you're going to d C. Well you too,

1:29:50.680 --> 1:29:52.960
<v Speaker 1>you know that days in check.

1:29:53.120 --> 1:29:55.040
<v Speaker 7>It's a whole strip of hotels everybody using.

1:29:55.600 --> 1:29:58.519
<v Speaker 1>Yes, but every rapper stays when they first start. Now

1:29:58.720 --> 1:30:00.360
<v Speaker 1>in that days in all right lutely.

1:30:00.920 --> 1:30:06.120
<v Speaker 5>So I attracted I don't know, the ladies first, and

1:30:06.160 --> 1:30:08.000
<v Speaker 5>the whole nine yards and the vibe that it gives

1:30:08.080 --> 1:30:11.720
<v Speaker 5>us a lot of women, a lot of girls on

1:30:12.120 --> 1:30:15.160
<v Speaker 5>the sister Girl girls, sister power. You know. I attracted

1:30:15.280 --> 1:30:18.040
<v Speaker 5>a lot of girls. And all the girl and all

1:30:18.080 --> 1:30:23.040
<v Speaker 5>the girls had cars. All the girls had cars. So

1:30:23.880 --> 1:30:26.920
<v Speaker 5>the guys that were all in whose room were they in?

1:30:26.960 --> 1:30:29.800
<v Speaker 5>They were in Cane's room. Latifa was in there too.

1:30:30.160 --> 1:30:33.640
<v Speaker 5>They were playing steel and they were stealing everybody's per

1:30:33.720 --> 1:30:40.120
<v Speaker 5>diem money. Damn yeah, And so everybody get hungry. I

1:30:40.280 --> 1:30:43.760
<v Speaker 5>was with I was actually dating. No, I wasn't dating

1:30:43.800 --> 1:30:51.360
<v Speaker 5>him yet, but I liked him. Uh, scrap lover one

1:30:51.400 --> 1:30:53.240
<v Speaker 5>of one of the big day Knees dances. Okay, but

1:30:53.280 --> 1:30:55.160
<v Speaker 5>he didn't know it yet. I didn't say anything. I

1:30:55.240 --> 1:30:58.000
<v Speaker 5>just peeped him. I thought he was cute whatever. So anyway,

1:30:58.720 --> 1:31:00.439
<v Speaker 5>they come to me, Scuba Scrap come to me and

1:31:00.439 --> 1:31:02.320
<v Speaker 5>they're like, oh, everybody in the room wants to see

1:31:02.320 --> 1:31:03.559
<v Speaker 5>if they could get something to eat. Do you think

1:31:03.640 --> 1:31:07.240
<v Speaker 5>one of your girlfriends would A couple of them would

1:31:07.439 --> 1:31:09.920
<v Speaker 5>drive us over to the McDonald's. There was a McDonald's

1:31:09.960 --> 1:31:12.600
<v Speaker 5>close by, so I was like, I'll ask, and I

1:31:12.680 --> 1:31:14.479
<v Speaker 5>asked a couple of the girls. They're like, yeah, money

1:31:14.720 --> 1:31:16.680
<v Speaker 5>will do anything for you. We'll drive over to the

1:31:16.920 --> 1:31:19.240
<v Speaker 5>Who do you need us to take? So three cars

1:31:19.320 --> 1:31:22.439
<v Speaker 5>when we had three cars for three different girls going

1:31:22.479 --> 1:31:26.080
<v Speaker 5>over to the McDonald So scuper Scrap was getting everybody's orders.

1:31:26.640 --> 1:31:32.840
<v Speaker 5>So we get to the McDonald's, we're standing online and

1:31:32.920 --> 1:31:38.920
<v Speaker 5>then Scrap Bother turns to me and says, all right,

1:31:39.479 --> 1:31:44.599
<v Speaker 5>this is how this is gonna go. Cain wants to

1:31:44.640 --> 1:31:48.960
<v Speaker 5>know if you like him. It's what's gonna happen If

1:31:48.960 --> 1:31:54.360
<v Speaker 5>you do, you walk in. You hold his food when

1:31:54.400 --> 1:31:57.120
<v Speaker 5>we get back, and you hand it to him, and

1:31:57.160 --> 1:32:01.519
<v Speaker 5>that way he'll know, yes, you do like him. If not,

1:32:02.560 --> 1:32:07.080
<v Speaker 5>then I'll just give him his food regular just myself.

1:32:06.960 --> 1:32:08.559
<v Speaker 1>Place it on the night stand or on the far

1:32:08.720 --> 1:32:10.679
<v Speaker 1>table right.

1:32:10.840 --> 1:32:14.439
<v Speaker 5>So then so then to Scrap, well, it looks like

1:32:14.520 --> 1:32:16.519
<v Speaker 5>you're going to be giving him his food. And he

1:32:16.640 --> 1:32:18.920
<v Speaker 5>was like why, and I was like, because I like you.

1:32:23.960 --> 1:32:26.760
<v Speaker 1>So just just so we know, this is this is

1:32:26.960 --> 1:32:30.679
<v Speaker 1>this is the Black Serrano diversi act stories of which

1:32:32.120 --> 1:32:37.160
<v Speaker 1>Kane ask Sereno diversi act is telling his boy give

1:32:37.200 --> 1:32:42.360
<v Speaker 1>her instructions on how let her know if it's on

1:32:42.560 --> 1:32:45.680
<v Speaker 1>or not. Yeah, it's like fist grade. I love it.

1:32:46.560 --> 1:32:50.080
<v Speaker 1>It's like it's like scrap and Scrap says he Scrap says.

1:32:50.160 --> 1:32:55.880
<v Speaker 1>It looked like I'm gonna be giving him back tonight. Wait,

1:32:55.920 --> 1:32:58.080
<v Speaker 1>what was Scrap throwing off? Did he know that you

1:32:58.160 --> 1:32:58.639
<v Speaker 1>dug him?

1:32:58.680 --> 1:32:59.160
<v Speaker 5>He didn't?

1:33:00.520 --> 1:33:02.320
<v Speaker 7>Did he give him the bad he gave?

1:33:02.439 --> 1:33:04.920
<v Speaker 5>He gave Kanu's food and then and then you know,

1:33:05.040 --> 1:33:08.160
<v Speaker 5>he gave Kanu's food and then came you know, Caine

1:33:08.200 --> 1:33:10.120
<v Speaker 5>didn't make no face or nothing like that. It just

1:33:10.280 --> 1:33:11.040
<v Speaker 5>was what it was.

1:33:13.040 --> 1:33:16.800
<v Speaker 1>That that to me, is that yeah, that that's the

1:33:16.840 --> 1:33:18.920
<v Speaker 1>next level of yes no, or maybe.

1:33:19.920 --> 1:33:22.120
<v Speaker 5>It is like the little note that you send.

1:33:22.040 --> 1:33:28.559
<v Speaker 1>But it was a quarter founder or not? Wow, what

1:33:28.760 --> 1:33:30.559
<v Speaker 1>inspired you to make a song about it?

1:33:31.720 --> 1:33:34.960
<v Speaker 5>Don't no, I have no idea why. I it started

1:33:34.960 --> 1:33:36.639
<v Speaker 5>talking to me when I started hearing the beat, because

1:33:36.640 --> 1:33:39.400
<v Speaker 5>of course Monium Noddle was produced by the Faiyan Cannibals

1:33:39.400 --> 1:33:43.360
<v Speaker 5>by Andy Cocks and David Steele. And when I heard

1:33:43.439 --> 1:33:47.280
<v Speaker 5>it was the runaway breakbeat. Correct, Yeah, So when I'm

1:33:47.400 --> 1:33:50.439
<v Speaker 5>listening to it, it just started talking to me, and

1:33:50.479 --> 1:33:56.200
<v Speaker 5>I just started replaying that whole DC night in my head,

1:33:56.240 --> 1:33:57.840
<v Speaker 5>and I was like, I was in the middle. I

1:33:57.920 --> 1:33:58.519
<v Speaker 5>was in the middle.

1:33:59.000 --> 1:34:01.960
<v Speaker 1>I was definitely in the Actually wait, wait, I gotta

1:34:02.000 --> 1:34:08.920
<v Speaker 1>correct myself. And only only because Sheila Sheila E corrected

1:34:08.920 --> 1:34:12.559
<v Speaker 1>me on this is that we call that. We call

1:34:12.640 --> 1:34:18.439
<v Speaker 1>that drum track the runaway break, But we only found

1:34:18.439 --> 1:34:23.240
<v Speaker 1>out that because of the way that they rhythmically segued

1:34:23.439 --> 1:34:28.160
<v Speaker 1>that album Runaways technically the last thing said on the

1:34:28.160 --> 1:34:33.920
<v Speaker 1>song before. But because it's in rhythm, every DJ that

1:34:34.000 --> 1:34:37.840
<v Speaker 1>spends that break thinks that it is the top of

1:34:37.880 --> 1:34:40.880
<v Speaker 1>the break, when actually it's just ending the song before it,

1:34:41.160 --> 1:34:43.639
<v Speaker 1>and then the breakbeat starts and it's if I could

1:34:43.680 --> 1:34:47.519
<v Speaker 1>start my life over things you learn? Right? Yeah? No, no, no.

1:34:47.560 --> 1:34:54.240
<v Speaker 1>For the longest told me, well no, like every every

1:34:54.280 --> 1:34:57.479
<v Speaker 1>producer is like saying it wrong because it's the song

1:34:57.520 --> 1:35:00.280
<v Speaker 1>before and then if I had to start my life

1:35:00.320 --> 1:35:03.960
<v Speaker 1>over is actually the name of the you know is

1:35:04.120 --> 1:35:07.800
<v Speaker 1>wow break so so so you went so to be clear,

1:35:07.880 --> 1:35:11.360
<v Speaker 1>so you went scrap ended up dating later? Did y'all

1:35:11.479 --> 1:35:15.559
<v Speaker 1>got with dating? And you kane never dating? Okay? Gotcha?

1:35:16.520 --> 1:35:18.080
<v Speaker 7>And mo was your birth control?

1:35:18.120 --> 1:35:19.800
<v Speaker 3>Because it's funny because I would have never known how

1:35:19.960 --> 1:35:23.679
<v Speaker 3>hard money in the Middle actually is to perform until

1:35:23.720 --> 1:35:26.040
<v Speaker 3>I actually did it one day for your birthday. But

1:35:26.560 --> 1:35:30.360
<v Speaker 3>your breath control is kind of crazy. Was it always

1:35:30.600 --> 1:35:30.840
<v Speaker 3>like that?

1:35:31.040 --> 1:35:31.559
<v Speaker 5>Or did? Yeah?

1:35:32.439 --> 1:35:32.799
<v Speaker 1>Really?

1:35:33.240 --> 1:35:33.439
<v Speaker 5>Yeah?

1:35:34.000 --> 1:35:35.759
<v Speaker 1>It sounds like control.

1:35:39.560 --> 1:35:41.200
<v Speaker 4>To make sure I was one, I was like, this

1:35:41.320 --> 1:35:43.840
<v Speaker 4>is I know.

1:35:43.760 --> 1:35:44.519
<v Speaker 5>Her birth control?

1:35:44.640 --> 1:35:45.719
<v Speaker 7>Her birth control wasn't crazy?

1:35:45.760 --> 1:35:47.799
<v Speaker 5>I know. No, my birth introl sucks?

1:35:47.920 --> 1:35:48.799
<v Speaker 7>Yeah yeah yeah.

1:35:49.240 --> 1:35:53.760
<v Speaker 1>Time out Yeah all right. Wait, we should also clarify

1:35:54.640 --> 1:36:00.799
<v Speaker 1>that the lyrical the lyrical complexity of that song, which

1:36:01.000 --> 1:36:04.360
<v Speaker 1>I believe you're talking about the hook is two people.

1:36:04.720 --> 1:36:08.560
<v Speaker 1>And this is also a good time to bring Lashawan absolutely,

1:36:09.160 --> 1:36:11.559
<v Speaker 1>so wait I always wanted to know because I never

1:36:11.560 --> 1:36:15.200
<v Speaker 1>got to talk to Lashawan. And of course Lashawan is

1:36:15.200 --> 1:36:20.880
<v Speaker 1>the voice of ellll Is doing it absolutely and Shana

1:36:21.240 --> 1:36:24.640
<v Speaker 1>of Biddies in the BK Lounge, the woman of a

1:36:24.640 --> 1:36:32.120
<v Speaker 1>billion voices and the original doing it well. On what

1:36:32.320 --> 1:36:37.400
<v Speaker 1>role was she in this native tongue universe because we

1:36:37.479 --> 1:36:40.960
<v Speaker 1>first heard her on Biddy's in the b K Lounge

1:36:41.000 --> 1:36:44.559
<v Speaker 1>and eventually on Mooney in the Middle, and she went

1:36:44.640 --> 1:36:47.600
<v Speaker 1>under the name I'm and Joy was she eventually?

1:36:48.000 --> 1:36:48.080
<v Speaker 5>Like?

1:36:48.120 --> 1:36:50.559
<v Speaker 1>Who was she the protege of? And how she started

1:36:50.800 --> 1:36:51.519
<v Speaker 1>hanging around?

1:36:51.520 --> 1:36:54.240
<v Speaker 5>She's an MC in her own right. And I don't

1:36:54.240 --> 1:36:56.479
<v Speaker 5>know how she met the Jungle Brothers, but I met

1:36:56.520 --> 1:36:58.720
<v Speaker 5>her because I was date in Africa and she was

1:36:58.760 --> 1:37:01.720
<v Speaker 5>actually dating Sammy b and she and t have a

1:37:01.760 --> 1:37:06.559
<v Speaker 5>son together. Her first child is Sammy Beat okay. And

1:37:06.640 --> 1:37:11.400
<v Speaker 5>so I was fresh from England and she wanted people

1:37:11.640 --> 1:37:15.400
<v Speaker 5>the women that I met when I came here to

1:37:15.479 --> 1:37:19.000
<v Speaker 5>this country as Africa's girlfriend, you know, Africa's girlfriend who

1:37:19.040 --> 1:37:21.800
<v Speaker 5>has a record deal, who he's producing the rest of

1:37:21.840 --> 1:37:23.800
<v Speaker 5>her album. And she's one of the first women that

1:37:23.840 --> 1:37:26.360
<v Speaker 5>I met, and she and I became sisters real quick.

1:37:26.680 --> 1:37:30.080
<v Speaker 5>She's Brownsville, Brooklyn girl. She don't play.

1:37:31.320 --> 1:37:32.920
<v Speaker 1>By that voice. I can tell it.

1:37:33.000 --> 1:37:33.720
<v Speaker 5>Okay.

1:37:34.600 --> 1:37:36.920
<v Speaker 1>Were there immediate plans to like get her a deal

1:37:37.120 --> 1:37:38.120
<v Speaker 1>or she?

1:37:38.200 --> 1:37:40.400
<v Speaker 5>Oh? No, she was. She was an artist in her

1:37:40.400 --> 1:37:41.920
<v Speaker 5>own right. She had the deal. She was signed to

1:37:41.960 --> 1:37:45.280
<v Speaker 5>Wild Pitch the original doing it right.

1:37:45.400 --> 1:37:49.559
<v Speaker 1>But as I'm enjoyed, did she ever get no?

1:37:49.560 --> 1:37:52.240
<v Speaker 5>No? No. She was signed as Alma Joy. That's her

1:37:52.360 --> 1:37:55.439
<v Speaker 5>artist's name. Her real name is Lashawan. She was signed

1:37:55.479 --> 1:37:59.320
<v Speaker 5>for Wild Pitch as Almond Joy doing it well, God

1:37:59.479 --> 1:37:59.920
<v Speaker 5>flips on.

1:38:00.040 --> 1:38:03.240
<v Speaker 1>I totally what's the name of the song on the

1:38:03.240 --> 1:38:03.639
<v Speaker 1>B side?

1:38:04.040 --> 1:38:04.960
<v Speaker 5>Totally awesome?

1:38:05.400 --> 1:38:11.320
<v Speaker 1>Okay, I see so okay. In doing Ladies First, which

1:38:12.000 --> 1:38:14.720
<v Speaker 1>you know has has gone down in history, how did

1:38:14.720 --> 1:38:16.240
<v Speaker 1>that collaboration come to be?

1:38:17.280 --> 1:38:19.679
<v Speaker 5>Well? Number one, I told you that Dave Funking client

1:38:19.720 --> 1:38:23.519
<v Speaker 5>bought True Mathematics younger brothers ChIL Rubg and Queen Latifa

1:38:23.600 --> 1:38:25.360
<v Speaker 5>to England and they did a stream of shows and

1:38:25.400 --> 1:38:27.160
<v Speaker 5>they were at Camden and that's where I met them.

1:38:27.240 --> 1:38:27.479
<v Speaker 1>Yeah.

1:38:27.520 --> 1:38:31.320
<v Speaker 5>Well, after that they had they drove over to England

1:38:31.320 --> 1:38:34.400
<v Speaker 5>on a tour bus that they picked up in Germany

1:38:34.520 --> 1:38:36.519
<v Speaker 5>and it was a German bus driver. And he couldn't

1:38:36.520 --> 1:38:39.120
<v Speaker 5>make heads and tails of the UK maps to be

1:38:39.160 --> 1:38:41.200
<v Speaker 5>able to get from A to B to their next shows.

1:38:41.240 --> 1:38:44.080
<v Speaker 5>So funking client asked me, would I mind riding the

1:38:44.080 --> 1:38:46.080
<v Speaker 5>bus with them getting the maps out, sitting next to

1:38:46.080 --> 1:38:49.960
<v Speaker 5>the bus driver to help me, which is why in

1:38:50.200 --> 1:38:55.960
<v Speaker 5>the documentary that you did quest And when Shaquin was

1:38:55.960 --> 1:38:59.360
<v Speaker 5>talking he said money was kind of like a tour guide.

1:38:59.439 --> 1:39:02.800
<v Speaker 5>He's right. I was like a road manager at that

1:39:02.880 --> 1:39:04.800
<v Speaker 5>young age because I got the maps out. I was

1:39:04.840 --> 1:39:06.320
<v Speaker 5>sitting at the front of the bus with the bus

1:39:06.360 --> 1:39:12.120
<v Speaker 5>with the German. I was the GBS the original original series.

1:39:13.560 --> 1:39:16.120
<v Speaker 5>And from doing that we wound it up, and we

1:39:16.160 --> 1:39:18.720
<v Speaker 5>wound up excuse me. In Bristol one night they had

1:39:18.720 --> 1:39:21.320
<v Speaker 5>a show. It was on a barge. So it was

1:39:21.640 --> 1:39:22.960
<v Speaker 5>do you guys know what I mean when I say

1:39:23.000 --> 1:39:29.400
<v Speaker 5>barge right, it was like a house boat club, like

1:39:29.800 --> 1:39:34.639
<v Speaker 5>a club on a houseboat right on the river Virgin

1:39:34.840 --> 1:39:39.280
<v Speaker 5>And okay, and so Latifa and I was in were

1:39:39.320 --> 1:39:41.920
<v Speaker 5>in the back. She was waiting like a little green

1:39:41.960 --> 1:39:44.880
<v Speaker 5>room or what you know, if you may, and she

1:39:44.920 --> 1:39:46.680
<v Speaker 5>and I were talking and she was like, you know,

1:39:46.720 --> 1:39:48.160
<v Speaker 5>I heard you rhyme. You know I'm saying let me

1:39:48.160 --> 1:39:49.599
<v Speaker 5>hear it or something, and I gave her a looks up.

1:39:49.640 --> 1:39:54.400
<v Speaker 5>She's like, that's dope. Sound together. We didn't ladies first

1:39:54.479 --> 1:39:58.600
<v Speaker 5>until maybe six seven months after that convers but that

1:39:58.760 --> 1:40:02.080
<v Speaker 5>was the night in Bristol or on a barge that

1:40:02.560 --> 1:40:06.120
<v Speaker 5>Latif and I had the conversation about doing a song together.

1:40:10.680 --> 1:40:15.439
<v Speaker 1>Speaking of the uh, the the allure of native tongues.

1:40:16.600 --> 1:40:21.880
<v Speaker 1>When do you officially, when do you officially feel like

1:40:23.000 --> 1:40:26.120
<v Speaker 1>the movement that was once the native tongues is over? Now?

1:40:27.200 --> 1:40:32.960
<v Speaker 5>I still don't feel like that. Oh okay, yeah, maybe

1:40:33.000 --> 1:40:35.439
<v Speaker 5>that's just me. I still don't feel like that. I

1:40:35.479 --> 1:40:37.880
<v Speaker 5>don't feel like that. I think we're I think we

1:40:37.960 --> 1:40:42.280
<v Speaker 5>are in the midst of the strangest and longest hiatus ever.

1:40:44.200 --> 1:40:46.760
<v Speaker 1>Okay, how but there was a period where it got

1:40:46.800 --> 1:40:49.280
<v Speaker 1>awkward awkward.

1:40:49.320 --> 1:40:51.400
<v Speaker 5>But no, no, that's a good word. No no, no,

1:40:51.520 --> 1:40:53.719
<v Speaker 5>keep that it's a good word awkward.

1:40:54.439 --> 1:40:57.960
<v Speaker 1>And since and since you're my closest connection to Africa,

1:40:58.240 --> 1:41:01.840
<v Speaker 1>and since I just paid about fifty bucks for that

1:41:02.000 --> 1:41:07.519
<v Speaker 1>freaking record. Uh, they just re released the original Crazy

1:41:07.560 --> 1:41:13.040
<v Speaker 1>Wisdom Masters, which is really not that different. They okay,

1:41:13.120 --> 1:41:15.720
<v Speaker 1>so the third album after done by the Forces of

1:41:15.800 --> 1:41:21.439
<v Speaker 1>Naister was called crazy Wisdom Masters, and so I guess

1:41:21.479 --> 1:41:23.680
<v Speaker 1>the way that the story went was that by the

1:41:23.680 --> 1:41:27.719
<v Speaker 1>time that Benny Medina had really come at the Helm

1:41:27.720 --> 1:41:31.880
<v Speaker 1>of Warner Brothers, he was like, nah, it ain't happening right.

1:41:31.960 --> 1:41:34.720
<v Speaker 1>He sent the record back and then they made a

1:41:34.920 --> 1:41:39.200
<v Speaker 1>crazier record.

1:41:37.840 --> 1:41:45.160
<v Speaker 5>Which was I just I don't understand Africa. No, no,

1:41:45.200 --> 1:41:46.360
<v Speaker 5>I don't understand him.

1:41:46.720 --> 1:41:49.760
<v Speaker 1>Wait he was you were on warners.

1:41:49.080 --> 1:41:52.559
<v Speaker 5>I just yeah, but you would you would think that

1:41:53.080 --> 1:41:55.000
<v Speaker 5>I don't know, I don't know. I just I guess

1:41:55.240 --> 1:42:00.439
<v Speaker 5>I can't meet people and and have such close ties

1:42:00.520 --> 1:42:03.559
<v Speaker 5>with people and and have so much involvement with people

1:42:03.600 --> 1:42:07.479
<v Speaker 5>and then just completely drop them afterwards. I don't know

1:42:07.520 --> 1:42:10.120
<v Speaker 5>how to do that. He knows how to do that

1:42:10.520 --> 1:42:11.040
<v Speaker 5>very well.

1:42:12.479 --> 1:42:15.120
<v Speaker 1>Yeah.

1:42:15.160 --> 1:42:17.400
<v Speaker 5>Did you even know that he was my oldest child's

1:42:17.439 --> 1:42:21.400
<v Speaker 5>god and he forced himself to be like he really

1:42:21.400 --> 1:42:23.280
<v Speaker 5>made it a big deal to be like I want

1:42:23.280 --> 1:42:28.200
<v Speaker 5>to be her golf Like why because it's like years later.

1:42:28.960 --> 1:42:29.960
<v Speaker 7>She doesn't even know him.

1:42:30.200 --> 1:42:35.160
<v Speaker 5>He no, oh wow, Yeah, it's an interesting dude. But anyway,

1:42:35.200 --> 1:42:36.040
<v Speaker 5>you were saying.

1:42:36.000 --> 1:42:39.320
<v Speaker 1>Well, no, I it just hit me now that he

1:42:39.439 --> 1:42:42.720
<v Speaker 1>was also I guess assuming that he was head of

1:42:42.720 --> 1:42:47.680
<v Speaker 1>your division as well. It's so weird because if I

1:42:47.720 --> 1:42:52.080
<v Speaker 1>could mark the sort of weird point of Warner Brothers,

1:42:52.720 --> 1:42:55.799
<v Speaker 1>at least with Kane's career, with Prince's career.

1:42:57.040 --> 1:43:01.840
<v Speaker 5>Also he also he also or frustrated that whole Peter,

1:43:04.200 --> 1:43:05.880
<v Speaker 5>that whole Prince thing with me.

1:43:06.040 --> 1:43:08.960
<v Speaker 1>Right when he came aboard, things got a little different.

1:43:09.320 --> 1:43:11.000
<v Speaker 1>Now I'm personally cool with him.

1:43:11.200 --> 1:43:14.080
<v Speaker 6>But Na when she know whack that was like Warner

1:43:14.120 --> 1:43:16.120
<v Speaker 6>if you just I you were a DJ, if you

1:43:16.200 --> 1:43:19.920
<v Speaker 6>saw a Warner brother sticker and you knew it was

1:43:19.920 --> 1:43:22.720
<v Speaker 6>some bullshit off rip, you was like, nah, it's wanted

1:43:22.720 --> 1:43:24.880
<v Speaker 6>this ship whack right, and.

1:43:25.400 --> 1:43:27.840
<v Speaker 1>Ah, so yeah, I was going to ask what was

1:43:27.880 --> 1:43:32.400
<v Speaker 1>it like being under that, Like did you did you

1:43:32.640 --> 1:43:35.400
<v Speaker 1>have a relationship with Moe Austin at the time or

1:43:35.560 --> 1:43:36.000
<v Speaker 1>I didn't.

1:43:36.439 --> 1:43:41.320
<v Speaker 5>I didn't. My relationship was Peter Edge, Benny Mezina time out.

1:43:41.360 --> 1:43:43.800
<v Speaker 1>Peter Edge was at Warner too, Pizza.

1:43:43.520 --> 1:43:47.559
<v Speaker 5>Edge, I'll do better than at Wanna. Pizza Edge came

1:43:48.680 --> 1:43:52.160
<v Speaker 5>from England to the United States to Warner Brothers, made

1:43:52.160 --> 1:43:59.759
<v Speaker 5>that transition during my first album. During my transition, Pizza

1:43:59.840 --> 1:44:02.719
<v Speaker 5>Edge was my an r at Chrysalis, cool.

1:44:02.600 --> 1:44:09.240
<v Speaker 1>Tempo okay, yeah, so exactly.

1:44:09.360 --> 1:44:12.280
<v Speaker 5>So Peter Edge came from there with me. It was

1:44:12.320 --> 1:44:16.479
<v Speaker 5>like the trinity. It was like my liver, Puddle and manager,

1:44:16.520 --> 1:44:20.280
<v Speaker 5>Steve Finnan and Peter Edge. Three of us came from

1:44:20.280 --> 1:44:22.520
<v Speaker 5>England to the United States.

1:44:23.280 --> 1:44:29.160
<v Speaker 1>Peter Man like God, the there was a night where

1:44:29.479 --> 1:44:31.519
<v Speaker 1>listen a mayor.

1:44:31.560 --> 1:44:33.720
<v Speaker 5>I gave him so much ship. I gave him so

1:44:33.800 --> 1:44:35.880
<v Speaker 5>much ship about that Prince thing. I didn't want to

1:44:35.920 --> 1:44:38.400
<v Speaker 5>do it. I was annoyed. I was like, what does

1:44:38.439 --> 1:44:40.599
<v Speaker 5>this have to do with hip hop? I gave Peter

1:44:40.760 --> 1:44:44.840
<v Speaker 5>Ridge so much ship and he was so smart, he

1:44:45.000 --> 1:44:47.760
<v Speaker 5>was just so smart with it. And I just the

1:44:47.800 --> 1:44:50.800
<v Speaker 5>plane ride, the plane ride to Minneapolis, I was being

1:44:50.840 --> 1:44:53.680
<v Speaker 5>a bitch. I don't want to be here. I don't

1:44:53.720 --> 1:44:56.000
<v Speaker 5>want to be on this plane. Why am I going

1:44:56.040 --> 1:44:58.639
<v Speaker 5>to Minneapolis? What does Paisley have to do with hip hop?

1:44:59.120 --> 1:45:02.800
<v Speaker 3>And I didn't prince at all, like you know, no,

1:45:03.120 --> 1:45:04.920
<v Speaker 3>not even with his legacy.

1:45:05.000 --> 1:45:07.640
<v Speaker 5>And I loved his I loved him for him, But

1:45:07.680 --> 1:45:09.679
<v Speaker 5>you said I could not understand the mass.

1:45:09.760 --> 1:45:13.120
<v Speaker 1>You're afraid of your credibility of doing something? Absolutely yeah,

1:45:13.160 --> 1:45:14.840
<v Speaker 1>And the thing was from for me.

1:45:15.200 --> 1:45:17.120
<v Speaker 6>It's just so interesting to hear the way you talk

1:45:17.160 --> 1:45:20.000
<v Speaker 6>about the money, because to me, in a word or two,

1:45:20.320 --> 1:45:22.439
<v Speaker 6>is the only time that Prince ever got hip hop

1:45:22.479 --> 1:45:27.719
<v Speaker 6>halfway right, Like like, you know, I loved that song,

1:45:27.880 --> 1:45:29.960
<v Speaker 6>you know what I'm saying. Like, I loved that song,

1:45:30.080 --> 1:45:32.320
<v Speaker 6>you know what I mean? And I thought I always

1:45:32.320 --> 1:45:35.240
<v Speaker 6>thought it was very unique. How you you know what

1:45:35.280 --> 1:45:38.760
<v Speaker 6>I'm saying. Were the MC were the only time that

1:45:38.840 --> 1:45:42.639
<v Speaker 6>Prince ever got hip hop right because all the rest

1:45:42.640 --> 1:45:44.320
<v Speaker 6>of that ship, when you tried to do some rap shit,

1:45:44.400 --> 1:45:48.920
<v Speaker 6>that Gold Nigga album and all that shit, no.

1:45:47.800 --> 1:45:51.400
<v Speaker 1>No, But in a word or two, I love that song.

1:45:51.400 --> 1:45:54.040
<v Speaker 1>I was like, what was it like? And how long

1:45:54.080 --> 1:45:55.240
<v Speaker 1>did you stay at Paisley Park?

1:45:55.439 --> 1:45:59.160
<v Speaker 5>Oh? My god, I was there forever he had. He

1:45:59.400 --> 1:46:02.160
<v Speaker 5>made a comment for my husband at the time, he

1:46:02.240 --> 1:46:05.640
<v Speaker 5>made accommendations for my brand new baby, which is Charlene.

1:46:06.120 --> 1:46:09.280
<v Speaker 5>At the time, he was like, whatever it is going

1:46:09.360 --> 1:46:11.240
<v Speaker 5>to be to keep her happy, for her to be

1:46:11.320 --> 1:46:14.920
<v Speaker 5>here for a long period of time to work, That's

1:46:15.120 --> 1:46:18.080
<v Speaker 5>where I'm going to have her. And even to the

1:46:18.080 --> 1:46:20.559
<v Speaker 5>point where he had shows to do at Earl's Court

1:46:20.600 --> 1:46:22.719
<v Speaker 5>in England. So I thought we were going to break

1:46:22.760 --> 1:46:23.960
<v Speaker 5>and we were going to get to go back to

1:46:24.000 --> 1:46:27.720
<v Speaker 5>New York for a little while. Nope, he made He

1:46:27.840 --> 1:46:30.320
<v Speaker 5>pulled me and my husband and my brand new baby

1:46:30.560 --> 1:46:36.000
<v Speaker 5>to England also for the duration of his shows in England. Also, wow,

1:46:36.360 --> 1:46:37.240
<v Speaker 5>the same hotel.

1:46:38.120 --> 1:46:42.600
<v Speaker 1>Was the prime purpose to strictly write for Carmen or

1:46:42.720 --> 1:46:45.559
<v Speaker 1>was it like, Okay, I'll do Carmen's album and I'll

1:46:45.600 --> 1:46:46.720
<v Speaker 1>do your record as well.

1:46:47.040 --> 1:46:49.080
<v Speaker 5>Yes, that's what it was. Because See the thing is

1:46:49.080 --> 1:46:50.880
<v Speaker 5>when Peter rech first sat me down and told me

1:46:50.880 --> 1:46:53.280
<v Speaker 5>the whole thing. You know, he wants you to write

1:46:53.320 --> 1:46:55.720
<v Speaker 5>for Carmen Electure, I was like, all right, cool, but

1:46:55.800 --> 1:46:57.280
<v Speaker 5>then it was like, and he's going to do a

1:46:57.280 --> 1:46:58.960
<v Speaker 5>certain amount of songs on your album. That's when I

1:46:59.040 --> 1:47:04.639
<v Speaker 5>was like, nahna that that's what I was like, why, why,

1:47:04.720 --> 1:47:05.760
<v Speaker 5>why can't I just do that?

1:47:08.840 --> 1:47:11.320
<v Speaker 1>All right? So my first visit to Paisley Park one

1:47:11.360 --> 1:47:15.040
<v Speaker 1>of the most shocking things that I discovered. I went

1:47:15.040 --> 1:47:20.440
<v Speaker 1>to his office is connected to like Studio A, and

1:47:20.840 --> 1:47:23.519
<v Speaker 1>you know, while Fimi Jay I was sort of looking

1:47:23.520 --> 1:47:26.000
<v Speaker 1>the other way, I snuck on Prince's office just to

1:47:26.040 --> 1:47:28.080
<v Speaker 1>look at his record collection and see like what was

1:47:28.200 --> 1:47:34.040
<v Speaker 1>into So I saw a CD player and I was

1:47:34.080 --> 1:47:37.120
<v Speaker 1>shocked that Midnight Marauders was in it.

1:47:37.720 --> 1:47:38.320
<v Speaker 5>Oh wow.

1:47:38.439 --> 1:47:41.120
<v Speaker 1>I was like, oh shit, Prince listen to tribe. That's crazy.

1:47:41.360 --> 1:47:41.559
<v Speaker 5>Wow.

1:47:41.880 --> 1:47:45.479
<v Speaker 1>What was his IQ into? As far as like hip

1:47:45.520 --> 1:47:48.080
<v Speaker 1>I was concerned how much did he know about you?

1:47:48.160 --> 1:47:51.400
<v Speaker 1>How much did he know about all those things?

1:47:51.760 --> 1:47:53.760
<v Speaker 5>He did not talk to me about native tongues, He

1:47:53.760 --> 1:47:56.519
<v Speaker 5>did not talk to me about hip hop period that

1:47:56.640 --> 1:48:03.080
<v Speaker 5>he knew everything about me. He knew the songs that

1:48:03.160 --> 1:48:07.640
<v Speaker 5>I had released prior to coming to America, prior to

1:48:07.760 --> 1:48:11.240
<v Speaker 5>coming prior to being signed to because he knew my

1:48:11.320 --> 1:48:15.160
<v Speaker 5>cool tempo. Shit, you know what I'm saying. He knew that. Yeah,

1:48:15.240 --> 1:48:18.120
<v Speaker 5>he knew that ship. He even knew he even knew

1:48:18.160 --> 1:48:19.679
<v Speaker 5>my Just Bad Productions release.

1:48:21.200 --> 1:48:23.959
<v Speaker 3>As we remind our younger listening audience that the Internet

1:48:24.040 --> 1:48:25.760
<v Speaker 3>was not around at the time, So this is a

1:48:25.760 --> 1:48:26.240
<v Speaker 3>big deal.

1:48:27.120 --> 1:48:31.840
<v Speaker 5>Yeah, yeah, yeah, he knew. He knew about me enough

1:48:31.960 --> 1:48:34.880
<v Speaker 5>to be able to It wasn't just It really wasn't

1:48:34.880 --> 1:48:38.640
<v Speaker 5>a cold working environment. It was going to be a

1:48:38.680 --> 1:48:42.120
<v Speaker 5>teachable moment for you. Momy these weeks that your hair

1:48:42.479 --> 1:48:45.599
<v Speaker 5>is going to be a teachable moment for you. Learn

1:48:47.600 --> 1:48:54.880
<v Speaker 5>I learned. I learned to stop fighting fighting creativity because

1:48:54.880 --> 1:49:00.439
<v Speaker 5>that entire experience with Prince was just a damn flusit

1:49:00.520 --> 1:49:03.640
<v Speaker 5>flowing of creativity that I was fighting because of a

1:49:03.720 --> 1:49:07.840
<v Speaker 5>general pig headed bias of non hip hop and I

1:49:07.880 --> 1:49:10.639
<v Speaker 5>gotta stay hip hop and I can't. I can't get

1:49:10.680 --> 1:49:13.960
<v Speaker 5>involved in any other type of influence of music to

1:49:14.080 --> 1:49:19.160
<v Speaker 5>interfere with my hip hop. Prince taught me to relax.

1:49:19.800 --> 1:49:23.559
<v Speaker 5>Something you are the hip hop. Whatever you do is

1:49:23.640 --> 1:49:27.840
<v Speaker 5>going to be the core of what you want to express,

1:49:27.880 --> 1:49:31.400
<v Speaker 5>but allow some of the other sources to flow through

1:49:31.439 --> 1:49:34.200
<v Speaker 5>you because it's going to make you grow on a

1:49:34.280 --> 1:49:35.080
<v Speaker 5>creative level.

1:49:36.040 --> 1:49:42.840
<v Speaker 1>Exactly was there any fear or in trepidation in your

1:49:42.920 --> 1:49:49.640
<v Speaker 1>husband at the time in his mind that Prince was

1:49:49.840 --> 1:49:54.800
<v Speaker 1>just trying to groom you to being a long line

1:49:54.800 --> 1:49:58.839
<v Speaker 1>of muse slash Prince Johns.

1:49:59.479 --> 1:50:01.320
<v Speaker 5>No, because I was too fat. I just had a baby,

1:50:01.479 --> 1:50:01.760
<v Speaker 5>right I was.

1:50:06.400 --> 1:50:09.720
<v Speaker 1>Yeah. I think, yeah, I think the baby might have

1:50:09.720 --> 1:50:10.320
<v Speaker 1>saved you.

1:50:11.439 --> 1:50:15.360
<v Speaker 5>You know. I mean although although listen to this, though

1:50:15.600 --> 1:50:19.000
<v Speaker 5>he was with my Tay at the time, and he

1:50:19.280 --> 1:50:24.479
<v Speaker 5>this was prior to them their their child, you know. Blessed,

1:50:24.520 --> 1:50:26.400
<v Speaker 5>Blessed the little angel in heaven.

1:50:27.720 --> 1:50:30.840
<v Speaker 1>In fact, his name was a mirror Wow.

1:50:30.800 --> 1:50:35.320
<v Speaker 10>Wow Wow, and and he had a fascination with babies

1:50:35.320 --> 1:50:38.280
<v Speaker 10>because he had me bring her to a show one

1:50:38.320 --> 1:50:39.960
<v Speaker 10>of the shows that he did in Earth's Court when

1:50:39.960 --> 1:50:41.760
<v Speaker 10>I had to go to England when he was doing

1:50:41.800 --> 1:50:42.920
<v Speaker 10>shows at Earth's Court.

1:50:43.240 --> 1:50:45.160
<v Speaker 5>And I went to the show and I had her

1:50:45.160 --> 1:50:48.600
<v Speaker 5>in my arms and during the middle of during an

1:50:48.640 --> 1:50:54.200
<v Speaker 5>eight bar break in it, oh sexy, sexy, m f right,

1:50:55.520 --> 1:50:57.519
<v Speaker 5>he came to the side of the stage and was like,

1:50:57.600 --> 1:51:02.240
<v Speaker 5>go do eight bars right now. I'm like what, I

1:51:02.240 --> 1:51:03.800
<v Speaker 5>had the baby in my arms. He was like, give

1:51:03.800 --> 1:51:04.360
<v Speaker 5>me the baby.

1:51:05.520 --> 1:51:08.559
<v Speaker 1>Yeah, really, yes, that's crazy, and.

1:51:08.680 --> 1:51:11.080
<v Speaker 5>He said give me the baby. So I handed him Charlena.

1:51:12.160 --> 1:51:13.720
<v Speaker 5>So he's standing at the side of the stage with

1:51:13.800 --> 1:51:15.719
<v Speaker 5>Charlene and he's like, go ahead, go do eight bars.

1:51:16.840 --> 1:51:19.000
<v Speaker 5>So I went out. I went out there, I totally

1:51:19.080 --> 1:51:21.600
<v Speaker 5>blacked out did eight bars because it was shocked and

1:51:21.640 --> 1:51:24.760
<v Speaker 5>it was fair and it was just like, I went

1:51:24.840 --> 1:51:26.400
<v Speaker 5>I did the eight bars, I came back off, he

1:51:26.439 --> 1:51:30.000
<v Speaker 5>handed me the baby. He ran back out and continued.

1:51:31.000 --> 1:51:33.360
<v Speaker 5>And these are the things that he taught. He really

1:51:33.800 --> 1:51:37.840
<v Speaker 5>encouraged me to conquer any fears that I may have had,

1:51:38.080 --> 1:51:40.439
<v Speaker 5>whether it be in performing or whether it be in creating,

1:51:41.160 --> 1:51:43.800
<v Speaker 5>and pancakes are a real thing. Pancakes are a real thing.

1:51:44.400 --> 1:51:52.679
<v Speaker 5>That pancakes are a real thing. Yes, yes, he made

1:51:52.680 --> 1:51:55.800
<v Speaker 5>me the pancakes dressed as Prince I don't wear.

1:51:58.840 --> 1:52:02.280
<v Speaker 4>Everything comes down to pan cakes in this particular episode fantastic.

1:52:02.640 --> 1:52:04.840
<v Speaker 5>Oh my god, it was really it was. It was

1:52:04.880 --> 1:52:07.800
<v Speaker 5>so strange, but but I didn't realize. I didn't make

1:52:07.800 --> 1:52:10.280
<v Speaker 5>the connection until years later when I was watching the

1:52:10.360 --> 1:52:13.720
<v Speaker 5>Chappelle Show m hm, and then I was like, and

1:52:13.760 --> 1:52:16.679
<v Speaker 5>then I was like, holy ship, he does this pancake ship?

1:52:20.560 --> 1:52:21.120
<v Speaker 1>He does that?

1:52:21.600 --> 1:52:23.320
<v Speaker 3>Does this mean most that you were actually in the

1:52:23.360 --> 1:52:25.519
<v Speaker 3>studio with Carmen Electra, like you had.

1:52:25.360 --> 1:52:29.280
<v Speaker 1>To, dude. She wrote everything go all this ship?

1:52:29.400 --> 1:52:30.200
<v Speaker 7>So what is that like?

1:52:30.200 --> 1:52:30.280
<v Speaker 5>Like?

1:52:30.320 --> 1:52:31.599
<v Speaker 7>Because this is the first.

1:52:31.400 --> 1:52:34.040
<v Speaker 1>Time I want to ask about all that.

1:52:34.840 --> 1:52:39.360
<v Speaker 7>Now because no, we there, We're there there.

1:52:39.200 --> 1:52:42.840
<v Speaker 1>Right, Okay, So for those who don't know, in one

1:52:42.880 --> 1:52:45.719
<v Speaker 1>of these strangest what was what was the old boy's

1:52:45.800 --> 1:52:49.920
<v Speaker 1>name that Jane Finder used to be married to? Wasn't

1:52:49.920 --> 1:52:58.559
<v Speaker 1>he would like colorize all his classics? Yeah? And right,

1:52:59.400 --> 1:53:05.880
<v Speaker 1>So for Prince fans, he took the Adore reels and

1:53:07.760 --> 1:53:16.280
<v Speaker 1>redid a door with Carmen called all that and yeah,

1:53:15.360 --> 1:53:21.000
<v Speaker 1>it didn't go down to too well. But what was

1:53:21.040 --> 1:53:27.040
<v Speaker 1>it like working with Karma Karma Carmen at the time period?

1:53:27.560 --> 1:53:30.439
<v Speaker 1>I mean you you basically built her, You built it was.

1:53:30.479 --> 1:53:35.679
<v Speaker 5>It was fun. It was fun. She's she's absolutely, she's

1:53:35.880 --> 1:53:38.320
<v Speaker 5>she was. Actually she was actually the hip hop fan

1:53:38.400 --> 1:53:39.960
<v Speaker 5>in the room.

1:53:40.240 --> 1:53:40.599
<v Speaker 1>Wow.

1:53:41.080 --> 1:53:43.639
<v Speaker 7>Really yeah, because because where's Carmen from?

1:53:44.520 --> 1:53:47.000
<v Speaker 5>I can't remember? But it was ghetto as fuck, really

1:53:47.479 --> 1:53:51.840
<v Speaker 5>really really really yeah, like it was.

1:53:52.080 --> 1:53:54.599
<v Speaker 1>It was And she didn't come in the door as

1:53:54.760 --> 1:53:58.719
<v Speaker 1>that image or that name. So during this period you're

1:53:59.560 --> 1:54:02.280
<v Speaker 1>getting to know her as whatever, what is it? What

1:54:02.439 --> 1:54:08.320
<v Speaker 1>is it? Room Electric? Damn? It's terribly Patrick, Damn. How

1:54:08.320 --> 1:54:09.520
<v Speaker 1>did you know that?

1:54:09.840 --> 1:54:13.080
<v Speaker 4>Because I got because I got Google, Bitch, you knew

1:54:13.160 --> 1:54:14.719
<v Speaker 4>that already.

1:54:14.800 --> 1:54:18.559
<v Speaker 1>Yeah, comfortable. That came from a recalled memory.

1:54:22.600 --> 1:54:25.960
<v Speaker 5>Does it say where she's from.

1:54:24.160 --> 1:54:27.439
<v Speaker 1>Working on that as we spoke, Yeah, because he has

1:54:27.520 --> 1:54:30.920
<v Speaker 1>just because I don't know off the top exactly she's

1:54:30.920 --> 1:54:33.200
<v Speaker 1>from Sharonville, Ohio exactly.

1:54:34.880 --> 1:54:36.920
<v Speaker 5>Can you go meth lab? There you go?

1:54:39.400 --> 1:54:41.880
<v Speaker 1>Right, the four meth labs were a thing. She was

1:54:41.920 --> 1:54:44.440
<v Speaker 1>like the first meth labber An Electric could have been

1:54:44.880 --> 1:54:46.680
<v Speaker 1>she could have been the first Nikki Minaj at.

1:54:46.520 --> 1:54:47.960
<v Speaker 5>This bitch exactly.

1:54:48.080 --> 1:54:48.840
<v Speaker 1>Well, he tried it.

1:54:49.880 --> 1:54:52.240
<v Speaker 5>Let's see what what I'm saying is, I remember that

1:54:52.320 --> 1:54:55.000
<v Speaker 5>she was from some place that that wasn't you know,

1:54:55.320 --> 1:55:00.600
<v Speaker 5>hoity toity, you know, pretty city. She he was from

1:55:00.600 --> 1:55:03.920
<v Speaker 5>someplace rough. And that's from speaking to her and and

1:55:04.480 --> 1:55:06.760
<v Speaker 5>developing a friendship in a relationship with her to this

1:55:06.840 --> 1:55:09.200
<v Speaker 5>day me and Carmen a lecture a call to this,

1:55:09.480 --> 1:55:11.760
<v Speaker 5>you know what I'm saying, which is so dope, but

1:55:11.880 --> 1:55:14.120
<v Speaker 5>to this day, and that's that was the rap fan,

1:55:14.200 --> 1:55:15.800
<v Speaker 5>and that was the real hip hop fan in the

1:55:15.840 --> 1:55:18.879
<v Speaker 5>in the in the room. Is that way she knew everything,

1:55:19.480 --> 1:55:21.480
<v Speaker 5>She knew everything, she knew everyone.

1:55:21.600 --> 1:55:26.200
<v Speaker 1>I could tell she was a fan, like you know, wow.

1:55:26.040 --> 1:55:29.480
<v Speaker 5>Yeah, which is which is another reason why like which

1:55:29.520 --> 1:55:33.720
<v Speaker 5>is another reason why she caught my ship Like this,

1:55:34.320 --> 1:55:39.120
<v Speaker 5>like this, and I write, I don't write specifically to

1:55:39.280 --> 1:55:43.960
<v Speaker 5>cater to uh people that can't breathe, you know what

1:55:44.000 --> 1:55:49.360
<v Speaker 5>I'm saying, Like, I write specifically intricate. I write in

1:55:49.400 --> 1:55:51.800
<v Speaker 5>a manner in which I don't want people to be

1:55:51.880 --> 1:55:57.080
<v Speaker 5>able to recite my ryme. Yeah, that's how I write,

1:55:57.200 --> 1:56:01.640
<v Speaker 5>you know. I specifically write complicated, double double.

1:56:03.120 --> 1:56:17.280
<v Speaker 1>I still can't say the word Mary Lee exactly. You

1:56:17.320 --> 1:56:27.120
<v Speaker 1>can't say to either, oh my gosh, Charlie Patrick, what

1:56:31.000 --> 1:56:31.400
<v Speaker 1>I'm here?

1:56:32.440 --> 1:56:37.200
<v Speaker 5>But yeah, she she that girl is incredible. She's and

1:56:37.200 --> 1:56:40.400
<v Speaker 5>it's like she's not the first person. She's not the

1:56:40.440 --> 1:56:43.680
<v Speaker 5>first woman to have although it might be the first

1:56:43.680 --> 1:56:46.160
<v Speaker 5>woman with her lyrics written by a woman. The first

1:56:46.200 --> 1:56:49.640
<v Speaker 5>woman is Rhyman with her lyrics written by another woman.

1:56:49.720 --> 1:56:54.800
<v Speaker 5>That might be a first exactly, But she caught everything

1:56:55.320 --> 1:56:58.280
<v Speaker 5>she caught. And that's why I bet you when you

1:56:58.360 --> 1:57:01.360
<v Speaker 5>heard get On Right, I bet you when you heard

1:57:01.440 --> 1:57:06.200
<v Speaker 5>that song you said to yourself, that sounds like money.

1:57:09.200 --> 1:57:14.920
<v Speaker 1>No, I mean you know I knew that someone. I

1:57:15.280 --> 1:57:17.480
<v Speaker 1>believe that at the time, the same could be safe

1:57:17.480 --> 1:57:23.080
<v Speaker 1>for Tony m there there. It was like that the

1:57:23.200 --> 1:57:27.480
<v Speaker 1>DNA was real hip hop at the time, like what

1:57:27.760 --> 1:57:30.240
<v Speaker 1>you were doing when rock Him was doing, what Kine

1:57:30.280 --> 1:57:39.560
<v Speaker 1>was doing, like all that iambic pentameter. You know so, yes,

1:57:40.760 --> 1:57:48.320
<v Speaker 1>moan so in your transition to radio, how awkward was

1:57:48.360 --> 1:57:50.360
<v Speaker 1>it at the time in doing that?

1:57:51.160 --> 1:57:55.040
<v Speaker 5>Not awkward at all. I didn't. Again, again, I can't.

1:57:55.120 --> 1:57:57.640
<v Speaker 1>I can't even say diversiac. So you know, I'll be.

1:58:00.680 --> 1:58:01.000
<v Speaker 5>Hold on.

1:58:01.080 --> 1:58:05.080
<v Speaker 1>You just turned into a different bird. It's like, there

1:58:05.120 --> 1:58:07.160
<v Speaker 1>should be no reason why I sho know syrh I

1:58:07.200 --> 1:58:10.440
<v Speaker 1>know syranh though, Okay, I would just say take the

1:58:10.520 --> 1:58:13.280
<v Speaker 1>diverse rect I like it. Take the dice you, Steve Barton,

1:58:13.320 --> 1:58:22.600
<v Speaker 1>there you go. References on the phone for you up man, Wow,

1:58:22.680 --> 1:58:26.920
<v Speaker 1>what timing anything like that or in proper nowns that

1:58:26.960 --> 1:58:28.280
<v Speaker 1>Amir does not know how to.

1:58:28.160 --> 1:58:34.720
<v Speaker 6>Say, Mary Lee, Oh damn.

1:58:36.880 --> 1:58:42.840
<v Speaker 1>You were not cricature. Best wedding gift ever.

1:58:43.040 --> 1:58:48.600
<v Speaker 4>The caricature You're still clutching something loud and wrong, so loud,

1:58:48.640 --> 1:58:49.320
<v Speaker 4>go loud.

1:58:49.080 --> 1:58:51.640
<v Speaker 5>Proud and you said that loudly.

1:58:52.600 --> 1:58:54.640
<v Speaker 1>Yeah, full of people.

1:58:55.040 --> 1:58:56.400
<v Speaker 7>It was a lovely cricature.

1:58:56.560 --> 1:58:58.640
<v Speaker 1>Me and my wife at his wedding.

1:58:58.640 --> 1:59:01.400
<v Speaker 4>They gave everybody their own care and we all like

1:59:01.440 --> 1:59:03.480
<v Speaker 4>what was like, what the fricature?

1:59:05.360 --> 1:59:07.320
<v Speaker 7>Yes, so money you need to teach these guys. Maybe

1:59:07.320 --> 1:59:08.000
<v Speaker 7>some English.

1:59:07.760 --> 1:59:10.800
<v Speaker 4>Lessons, Yeah, I ambic pentameter, what the fuck?

1:59:11.040 --> 1:59:13.040
<v Speaker 1>Go ahead? Well yeah, but the thing is money is

1:59:13.080 --> 1:59:16.520
<v Speaker 1>that assuming that you didn't go to communications school to

1:59:17.800 --> 1:59:20.000
<v Speaker 1>learn to do this in front sale and back sale

1:59:20.120 --> 1:59:23.760
<v Speaker 1>or whatever. See, I'm even forgetting the terms for a radio.

1:59:25.040 --> 1:59:27.040
<v Speaker 1>How how much of a crash course did it take

1:59:27.080 --> 1:59:29.040
<v Speaker 1>for you to master it?

1:59:29.040 --> 1:59:32.120
<v Speaker 5>It was like night school, and honestly, a whole sitcom

1:59:32.160 --> 1:59:35.960
<v Speaker 5>could be made out of night school on radio actually

1:59:36.280 --> 1:59:39.400
<v Speaker 5>learning how to broadcast during the unsociable hours of the

1:59:39.440 --> 1:59:41.880
<v Speaker 5>morning to the point, to the point. And it was

1:59:41.960 --> 1:59:43.760
<v Speaker 5>me and miss Jones together.

1:59:44.760 --> 1:59:48.560
<v Speaker 1>Fuck it was Miss Jones. Yeah, you started in Philly.

1:59:49.600 --> 1:59:52.120
<v Speaker 5>No, we both saw it at Hot ninety seven in

1:59:52.200 --> 1:59:52.680
<v Speaker 5>New York.

1:59:53.280 --> 1:59:54.240
<v Speaker 1>Okay, okay.

1:59:54.760 --> 1:59:56.000
<v Speaker 5>And Steve Smith?

1:59:56.240 --> 1:59:58.640
<v Speaker 1>Who what did that? Who offered that? How did that

1:59:58.680 --> 1:59:59.040
<v Speaker 1>come to be?

2:00:00.480 --> 2:00:02.880
<v Speaker 5>They had they had ed and Dre in the morning,

2:00:02.920 --> 2:00:05.440
<v Speaker 5>they had funk Master Flex, they had Angie from whatever

2:00:05.480 --> 2:00:09.920
<v Speaker 5>station it was before flipped and they kept Angie and uh,

2:00:10.600 --> 2:00:13.560
<v Speaker 5>somebody's bright idea to Steve Smith, who was the person

2:00:13.560 --> 2:00:16.400
<v Speaker 5>that flipped the station, was like, you should seek out

2:00:16.400 --> 2:00:21.520
<v Speaker 5>some other bonafide potential personalities that you think would fit.

2:00:22.320 --> 2:00:24.520
<v Speaker 5>My manager got the call to bring me in to

2:00:24.560 --> 2:00:26.320
<v Speaker 5>meet with Steve Smith. I went in. He said, how

2:00:26.320 --> 2:00:28.040
<v Speaker 5>do you feel about being on the radio? And I

2:00:28.080 --> 2:00:33.280
<v Speaker 5>said for why? Like why would I want to be

2:00:33.320 --> 2:00:33.920
<v Speaker 5>on the radio?

2:00:35.200 --> 2:00:37.360
<v Speaker 7>You know at the time, are you still were you eat?

2:00:37.440 --> 2:00:38.560
<v Speaker 7>Were you auditioning still?

2:00:38.640 --> 2:00:41.000
<v Speaker 3>Or you were just like the one one acting thing

2:00:41.040 --> 2:00:42.840
<v Speaker 3>that I'm out or was that before I'm trying to

2:00:42.840 --> 2:00:44.280
<v Speaker 3>put the timeline together.

2:00:44.240 --> 2:00:45.000
<v Speaker 5>Doing what now?

2:00:45.320 --> 2:00:45.680
<v Speaker 7>Acting?

2:00:45.680 --> 2:00:47.040
<v Speaker 1>What did I miss acting?

2:00:47.080 --> 2:00:48.200
<v Speaker 7>Because she did?

2:00:48.560 --> 2:00:50.160
<v Speaker 5>I did? Who's the man? And strapped?

2:00:50.360 --> 2:00:50.760
<v Speaker 1>Strapped?

2:00:50.800 --> 2:00:54.960
<v Speaker 5>Yeah, yeah, I mean that type of stuff was happening then.

2:00:55.000 --> 2:00:57.080
<v Speaker 5>I was still recording music, you know. So it's like,

2:00:57.120 --> 2:00:58.280
<v Speaker 5>what do I want to be in a radio for?

2:00:58.360 --> 2:01:00.600
<v Speaker 5>I know nothing about being on the radio, Steve Swistel,

2:01:00.600 --> 2:01:02.640
<v Speaker 5>Because like, I will teach you and I will get

2:01:02.680 --> 2:01:05.480
<v Speaker 5>your FCC license for you. What the heck is an

2:01:05.560 --> 2:01:06.440
<v Speaker 5>FCC license?

2:01:06.640 --> 2:01:08.880
<v Speaker 1>To day? I was going to ask that and do

2:01:09.000 --> 2:01:09.480
<v Speaker 1>we need it?

2:01:09.640 --> 2:01:09.880
<v Speaker 7>No?

2:01:10.080 --> 2:01:13.240
<v Speaker 5>But you no, you don't. But you on terrestrial radio

2:01:13.320 --> 2:01:15.879
<v Speaker 5>you had to have an FCC license back in the days.

2:01:17.400 --> 2:01:20.600
<v Speaker 1>Be able to pronounce terrestrial radio. Yeah, I was going

2:01:20.680 --> 2:01:23.800
<v Speaker 1>to skip that word because you know.

2:01:23.080 --> 2:01:25.560
<v Speaker 7>And where you and where you got secrets?

2:01:25.560 --> 2:01:27.560
<v Speaker 3>Because I know sometimes see in radio they let you

2:01:27.600 --> 2:01:29.360
<v Speaker 3>come in at night too, because they want to surprise

2:01:29.440 --> 2:01:32.680
<v Speaker 3>everybody and be like, hey, and mony love is.

2:01:32.640 --> 2:01:33.680
<v Speaker 7>Now to the radio station.

2:01:34.080 --> 2:01:36.600
<v Speaker 5>Yet they didn't announce us as announces yet, but they

2:01:36.680 --> 2:01:38.480
<v Speaker 5>were training us. And let me tell you something, me

2:01:38.520 --> 2:01:43.440
<v Speaker 5>and miss Jones would be messing up badly at night time.

2:01:43.840 --> 2:01:46.560
<v Speaker 5>They'd they'd be dead there for like forty five minutes

2:01:46.920 --> 2:01:49.160
<v Speaker 5>and then then and then the mics will be up

2:01:49.200 --> 2:01:51.880
<v Speaker 5>and we're talking about I hate that guy. I went

2:01:51.920 --> 2:01:53.400
<v Speaker 5>out with him and he was such a piece of

2:01:53.400 --> 2:01:56.400
<v Speaker 5>ship and did and then she get a phone call like, uh,

2:01:56.560 --> 2:02:02.400
<v Speaker 5>you guys have the microphone on. No, like we was

2:02:02.560 --> 2:02:05.440
<v Speaker 5>doing the dumb ship at night time. It was like,

2:02:05.840 --> 2:02:09.640
<v Speaker 5>you know, three four o'clock in the morning, and Limus

2:02:09.680 --> 2:02:12.280
<v Speaker 5>Jones was just fucking up badly.

2:02:13.720 --> 2:02:19.760
<v Speaker 1>Well, I consider this to be a lucky opportunity because

2:02:20.640 --> 2:02:24.520
<v Speaker 1>you know, I'm on a platform on iHeart, but I

2:02:24.600 --> 2:02:28.080
<v Speaker 1>kind of have some say in who I get to interview,

2:02:28.400 --> 2:02:31.960
<v Speaker 1>and I tend to gravitate to my tribe and who

2:02:32.000 --> 2:02:34.920
<v Speaker 1>I like and who I know. I've given a bunch

2:02:34.960 --> 2:02:35.960
<v Speaker 1>of news to people.

2:02:35.960 --> 2:02:40.280
<v Speaker 5>Thats going no, no, no, I didn't even get there yet.

2:02:40.440 --> 2:02:51.200
<v Speaker 1>But in doing to restre l, I don't know, just

2:02:54.360 --> 2:02:59.160
<v Speaker 1>four syllables is killing me right now. And doing terrestrial

2:03:01.000 --> 2:03:07.120
<v Speaker 1>extra terrestrial radio. In terrestrial radio, yeah, you don't necessarily

2:03:07.280 --> 2:03:10.880
<v Speaker 1>have a say in not even who you play, but

2:03:11.560 --> 2:03:15.720
<v Speaker 1>who you interview and all those things. So how do

2:03:15.760 --> 2:03:19.600
<v Speaker 1>you handle when you're you know, if you're five six

2:03:19.680 --> 2:03:24.360
<v Speaker 1>years in and you're interviewing your artists that you are

2:03:24.400 --> 2:03:28.600
<v Speaker 1>indifferent on or you don't know even now, Like if

2:03:28.720 --> 2:03:32.280
<v Speaker 1>NBA nothing against NBA, young boy, I'm just picking the

2:03:32.280 --> 2:03:37.160
<v Speaker 1>one one gen z name that everyone knows. Like how

2:03:37.200 --> 2:03:40.400
<v Speaker 1>much research do you have or do your producers already

2:03:40.400 --> 2:03:44.280
<v Speaker 1>write the questions out or no? If you just go

2:03:44.360 --> 2:03:45.840
<v Speaker 1>off the lead sheet what they tell.

2:03:45.720 --> 2:03:48.640
<v Speaker 5>You, No, you you You got to read up on it.

2:03:48.680 --> 2:03:50.200
<v Speaker 5>If it's something you if it's a person that you

2:03:50.200 --> 2:03:53.120
<v Speaker 5>don't particularly care for, but you know, an interview is

2:03:53.160 --> 2:03:57.320
<v Speaker 5>demanded of that person because of whatever is going on. Uh,

2:03:57.560 --> 2:03:59.960
<v Speaker 5>they got something new coming out, they have a project whatever,

2:04:00.000 --> 2:04:01.640
<v Speaker 5>buth blah blah blah, whatever it is, that makes sense,

2:04:01.680 --> 2:04:02.880
<v Speaker 5>you have to read up on him and do a

2:04:02.880 --> 2:04:05.720
<v Speaker 5>little history so that you can prepare your questions. Doesn't

2:04:05.760 --> 2:04:07.040
<v Speaker 5>matter if you like him or not. You got to

2:04:07.040 --> 2:04:09.320
<v Speaker 5>put your personal shit behind you. Which is why I

2:04:09.320 --> 2:04:11.520
<v Speaker 5>couldn't understand that Penis Morgan guy.

2:04:12.080 --> 2:04:18.280
<v Speaker 3>That was Yeah, well that's called white privilege. But that's

2:04:18.320 --> 2:04:19.320
<v Speaker 3>another conversation.

2:04:20.480 --> 2:04:23.400
<v Speaker 1>Well it's also male tox sixty. I didn't realize that

2:04:23.480 --> 2:04:26.760
<v Speaker 1>he I didn't even realize that he had a relationship

2:04:26.760 --> 2:04:27.720
<v Speaker 1>with Megan Markle.

2:04:28.720 --> 2:04:35.440
<v Speaker 5>He tried sociopathic lower scale. But sociopathic narcissist is what

2:04:35.480 --> 2:04:36.280
<v Speaker 5>that person is.

2:04:37.360 --> 2:04:46.480
<v Speaker 1>Penis my Penis Myers. Yes, yes, Penis Morgan, there is

2:04:46.560 --> 2:04:47.280
<v Speaker 1>you know what you.

2:04:47.240 --> 2:04:49.640
<v Speaker 5>Know what I said something. I was having a conversation

2:04:49.720 --> 2:04:52.480
<v Speaker 5>with my oldest daughter about it, right, and I said

2:04:52.480 --> 2:04:53.920
<v Speaker 5>to her, I was like, if I had to give

2:04:53.960 --> 2:04:56.440
<v Speaker 5>you a quick analogy of what that whole situation was

2:04:56.520 --> 2:05:00.400
<v Speaker 5>between the Penis Morgan guy and Magel Megan Marco, it

2:05:00.440 --> 2:05:02.480
<v Speaker 5>would be this. Remember back in the days when a

2:05:02.520 --> 2:05:06.000
<v Speaker 5>girl were brought past a bunch of guys. He'd be like, baby,

2:05:06.000 --> 2:05:09.240
<v Speaker 5>what's up, what's up? And you don't answer, and then

2:05:09.280 --> 2:05:12.600
<v Speaker 5>the guy goes, fuck you there, bitch. That's that.

2:05:12.600 --> 2:05:17.600
<v Speaker 1>That's what there was. Yes, got you got curved.

2:05:19.360 --> 2:05:21.480
<v Speaker 7>Yeah, because she didn't show up today. She met Harry

2:05:21.560 --> 2:05:21.880
<v Speaker 7>that night.

2:05:22.080 --> 2:05:33.280
<v Speaker 3>And story that's that whom Harry appears.

2:05:33.320 --> 2:05:38.800
<v Speaker 1>Okay, let's get into it. Oh you know the thing is,

2:05:38.880 --> 2:05:40.400
<v Speaker 1>I don't know this story.

2:05:43.520 --> 2:05:46.680
<v Speaker 5>It's perfect if she's sitting here because she is the

2:05:46.720 --> 2:05:48.440
<v Speaker 5>reason why the ship went viral.

2:05:49.320 --> 2:05:54.400
<v Speaker 7>Well yeah, because well yes, because.

2:05:54.240 --> 2:05:56.000
<v Speaker 3>As Moni said, we were on we were on the

2:05:56.040 --> 2:05:58.960
<v Speaker 3>morning show together and it was funny because we knew

2:05:59.440 --> 2:06:02.240
<v Speaker 3>was coming. But everybody was really kind of more scared

2:06:02.280 --> 2:06:04.040
<v Speaker 3>of what I was going to say to him, and

2:06:04.080 --> 2:06:05.800
<v Speaker 3>I thought that was the fascinating part.

2:06:06.000 --> 2:06:08.520
<v Speaker 7>Everybody was preparing me, like, you know, don't say this

2:06:08.560 --> 2:06:09.880
<v Speaker 7>because at the time I.

2:06:09.960 --> 2:06:15.120
<v Speaker 1>Was let me just add that if y'all think, like

2:06:15.280 --> 2:06:20.120
<v Speaker 1>we're on at least what episode one, one six right now,

2:06:21.160 --> 2:06:25.040
<v Speaker 1>If y'all think is unhindl on this show, well not yet.

2:06:25.040 --> 2:06:27.360
<v Speaker 1>But he's the only person I know that would routine

2:06:27.640 --> 2:06:31.080
<v Speaker 1>Jailey like talk ship about jay Z.

2:06:31.560 --> 2:06:33.120
<v Speaker 5>I'm sorry, I can't stop laughing.

2:06:33.200 --> 2:06:35.560
<v Speaker 3>Well, Money Money was there that day too where I

2:06:35.600 --> 2:06:40.960
<v Speaker 3>got warned about us, and the problem was in the mirror.

2:06:41.000 --> 2:06:41.160
<v Speaker 7>You know.

2:06:41.200 --> 2:06:42.800
<v Speaker 3>The real problem was is that I was like a

2:06:42.800 --> 2:06:47.520
<v Speaker 3>whole roots warrior chick, right, So I was just like, and.

2:06:47.640 --> 2:06:50.400
<v Speaker 1>I was on, you're about to stop the bag like that.

2:06:50.880 --> 2:06:53.960
<v Speaker 7>Z was like, it's true, but it's true that person

2:06:54.080 --> 2:06:54.560
<v Speaker 7>to say that.

2:06:54.680 --> 2:06:57.640
<v Speaker 3>No, no, yeah, But at the time that was when

2:06:57.640 --> 2:06:59.320
<v Speaker 3>the Roots was on Deaf Jam and as we know

2:06:59.400 --> 2:07:02.280
<v Speaker 3>all Pitt Pop fans, no, he didn't really do much

2:07:02.320 --> 2:07:04.480
<v Speaker 3>for the Roots brand, and I was like, what the fuck?

2:07:04.560 --> 2:07:07.200
<v Speaker 3>So yes, I asked him those questions. But anyway, and anyway,

2:07:07.240 --> 2:07:13.480
<v Speaker 3>so back to Gez though, Yeah, so I was the

2:07:13.480 --> 2:07:15.160
<v Speaker 3>one that was the girl that would you know, crush

2:07:15.240 --> 2:07:17.280
<v Speaker 3>fifty cent CDs Live on the air and stuff like that,

2:07:17.320 --> 2:07:18.640
<v Speaker 3>because I was just like, what is this ship is

2:07:18.720 --> 2:07:19.560
<v Speaker 3>killing the black community?

2:07:19.600 --> 2:07:20.280
<v Speaker 7>Da da da da dae.

2:07:20.320 --> 2:07:21.880
<v Speaker 3>Monie would even pull me to the side and say, like,

2:07:22.080 --> 2:07:24.160
<v Speaker 3>you know, be calm when he comes, just let him talk.

2:07:24.320 --> 2:07:25.360
<v Speaker 7>Blah blah blah blah.

2:07:25.400 --> 2:07:29.000
<v Speaker 3>Okay, money cool cool mony. So but then he comes

2:07:29.040 --> 2:07:31.440
<v Speaker 3>and I'm cool. I'm doing what I'm supposed to be doing.

2:07:33.400 --> 2:07:36.040
<v Speaker 3>And this is this is the period when NAS had

2:07:36.080 --> 2:07:37.080
<v Speaker 3>the what hip Hop Is Dead?

2:07:37.160 --> 2:07:37.480
<v Speaker 1>Album?

2:07:37.640 --> 2:07:44.520
<v Speaker 3>Yeah, yes, yes, And now, Monie, this is where you

2:07:44.520 --> 2:07:45.480
<v Speaker 3>pick up the conversation.

2:07:45.600 --> 2:07:50.200
<v Speaker 5>Now keep going, I will, I'll chime in.

2:07:51.760 --> 2:07:52.120
<v Speaker 7>Okay.

2:07:52.600 --> 2:07:54.400
<v Speaker 3>So we're talking about hip hop and I cannot remember

2:07:54.440 --> 2:07:57.120
<v Speaker 3>how Pooch picked how he started the conversation about hip

2:07:57.120 --> 2:08:00.280
<v Speaker 3>hop being dead, but money it was like she got

2:08:00.280 --> 2:08:03.120
<v Speaker 3>the holy hip hop spirit and she was like, yeah,

2:08:03.320 --> 2:08:04.400
<v Speaker 3>hip hop is dead.

2:08:04.800 --> 2:08:06.320
<v Speaker 7>Now. Jeez didn't like that.

2:08:06.960 --> 2:08:08.160
<v Speaker 5>No, okay, now I need to stop.

2:08:08.200 --> 2:08:11.400
<v Speaker 3>He okay, O correct me.

2:08:11.600 --> 2:08:14.200
<v Speaker 5>So, yes, Poosh brought something up about you know, how

2:08:14.200 --> 2:08:16.640
<v Speaker 5>do you feel? He asked Gezi the question, how do

2:08:16.640 --> 2:08:19.800
<v Speaker 5>you feel about NAS's new album and his saying that

2:08:19.920 --> 2:08:22.640
<v Speaker 5>hip hop is dead, and so JIZI basically said, well,

2:08:22.760 --> 2:08:26.160
<v Speaker 5>I feel like, how can you really say that? Like,

2:08:26.200 --> 2:08:28.520
<v Speaker 5>I don't really think that that's accurate to say that,

2:08:28.560 --> 2:08:31.320
<v Speaker 5>because that's how that's how I make my living, that's

2:08:31.360 --> 2:08:34.520
<v Speaker 5>how a lot of us are making our living. We

2:08:34.600 --> 2:08:37.560
<v Speaker 5>got stuff to say still, and so then I then

2:08:37.640 --> 2:08:39.800
<v Speaker 5>jumped in on us and he was He was like,

2:08:39.840 --> 2:08:41.960
<v Speaker 5>who is he to say that? And I was like, well,

2:08:42.200 --> 2:08:45.760
<v Speaker 5>I think that what Nas is trying to say in

2:08:45.880 --> 2:08:50.800
<v Speaker 5>that analogy is that once upon a time there was

2:08:50.840 --> 2:08:54.520
<v Speaker 5>there there were several aspects of hip hop that were

2:08:54.560 --> 2:08:58.360
<v Speaker 5>all getting light. All of them were getting light. It

2:08:58.440 --> 2:09:01.040
<v Speaker 5>wasn't just it was the aks this stuff. It's the

2:09:01.120 --> 2:09:04.600
<v Speaker 5>political stuff, it's the happy we just hit a party

2:09:04.800 --> 2:09:05.960
<v Speaker 5>type stuff.

2:09:05.720 --> 2:09:08.440
<v Speaker 7>And definitely the stuff getting played on the radio right and.

2:09:08.400 --> 2:09:11.280
<v Speaker 5>Then the more commercial stuff. It was it was all

2:09:11.320 --> 2:09:13.560
<v Speaker 5>of those aspects of hip hop that we're all getting

2:09:13.640 --> 2:09:16.000
<v Speaker 5>equal light. And I think what Nas was trying to

2:09:16.040 --> 2:09:18.040
<v Speaker 5>say at this time, and this is me talking to Jesz,

2:09:18.400 --> 2:09:20.200
<v Speaker 5>so I think what Nas is trying to say at

2:09:20.200 --> 2:09:22.760
<v Speaker 5>this time is that right now it's all one sided.

2:09:23.200 --> 2:09:27.480
<v Speaker 5>It's all about the street life and and and and

2:09:27.640 --> 2:09:30.000
<v Speaker 5>the bitches and the and the money and the cars

2:09:30.040 --> 2:09:32.400
<v Speaker 5>and the this and the that, and that's not everything.

2:09:33.440 --> 2:09:39.280
<v Speaker 5>So the the the aspect of hip hop's multifaceted self

2:09:40.240 --> 2:09:44.120
<v Speaker 5>is dead right now. I think that's what nas is

2:09:44.160 --> 2:09:46.120
<v Speaker 5>trying to say in that analogy.

2:09:46.440 --> 2:09:48.280
<v Speaker 3>Yes, and at this time Gzi was not ready for

2:09:48.280 --> 2:09:52.880
<v Speaker 3>that intellectual breakdown. And at this moment, I'm not sure,

2:09:53.960 --> 2:09:55.520
<v Speaker 3>I think me and if we were not sure due

2:09:55.560 --> 2:09:57.520
<v Speaker 3>to his response to money and money you break down

2:09:57.520 --> 2:09:59.080
<v Speaker 3>the response because again okay, so.

2:09:59.000 --> 2:10:01.080
<v Speaker 5>Then after that, so that after that, he was like

2:10:01.560 --> 2:10:05.600
<v Speaker 5>he he kind of got animated in his speech pattern

2:10:05.640 --> 2:10:08.000
<v Speaker 5>and was like, well, you know, you got a whole

2:10:08.000 --> 2:10:10.920
<v Speaker 5>different type of appreciation of hip hop, ain't you from England?

2:10:10.960 --> 2:10:13.200
<v Speaker 7>And so then I was like, so this is when.

2:10:13.080 --> 2:10:16.839
<v Speaker 3>Me and pooshe realize he don't know who he talking

2:10:16.880 --> 2:10:17.760
<v Speaker 3>to right now?

2:10:21.600 --> 2:10:24.680
<v Speaker 5>Yes, well that's what that's what he thinks, because she

2:10:24.760 --> 2:10:26.040
<v Speaker 5>said that said it.

2:10:26.080 --> 2:10:27.720
<v Speaker 7>I was I said it on the mic. I was like,

2:10:28.240 --> 2:10:30.160
<v Speaker 7>who you know who you're talking to right now? Right?

2:10:31.160 --> 2:10:33.200
<v Speaker 7>I swear to god. He didn't say money love.

2:10:34.400 --> 2:10:38.600
<v Speaker 1>He was like, yeah, you were that money love.

2:10:39.000 --> 2:10:41.200
<v Speaker 5>He was like, you got a whole different appreciation to

2:10:41.520 --> 2:10:44.000
<v Speaker 5>you know what. You know, we grew, we came up

2:10:44.120 --> 2:10:46.000
<v Speaker 5>listening to something else, And in my head, I'm saying

2:10:46.000 --> 2:10:49.080
<v Speaker 5>to myself, dude, you're not that much younger than me,

2:10:49.480 --> 2:10:52.760
<v Speaker 5>Like that's that's not gonna fly. You're not that much

2:10:52.840 --> 2:10:55.120
<v Speaker 5>younger to me. It's not that big of a difference.

2:10:55.320 --> 2:10:57.959
<v Speaker 5>And yes, I came up in in uh in England,

2:10:58.160 --> 2:11:01.000
<v Speaker 5>but it's the same hip hop. So basically we should

2:11:01.000 --> 2:11:05.240
<v Speaker 5>we should be pulling from the same waters, the same streams,

2:11:05.640 --> 2:11:05.960
<v Speaker 5>let me.

2:11:05.960 --> 2:11:09.760
<v Speaker 1>Interrupt, to his credit, not to his credit, but hip

2:11:09.760 --> 2:11:13.360
<v Speaker 1>hop generations. It's like, if you're before the five or

2:11:13.400 --> 2:11:16.800
<v Speaker 1>after the five is night and day. So me being

2:11:16.800 --> 2:11:20.800
<v Speaker 1>born in seventy one, like anyone born after seventy five

2:11:20.920 --> 2:11:22.680
<v Speaker 1>is almost like you might they might as well be

2:11:22.680 --> 2:11:23.600
<v Speaker 1>twenty years younger.

2:11:23.800 --> 2:11:25.120
<v Speaker 5>You know why that doesn't make sense to me. I'm

2:11:25.120 --> 2:11:25.640
<v Speaker 5>gonna tell you why.

2:11:25.760 --> 2:11:31.080
<v Speaker 1>Exceptione, Wait, were you born I want seventy eight? Yeah,

2:11:31.160 --> 2:11:36.560
<v Speaker 1>like Fante has like a savants knowledge of music, but

2:11:36.720 --> 2:11:39.120
<v Speaker 1>anyone else I know, in seventy eight, I might as

2:11:39.160 --> 2:11:41.080
<v Speaker 1>well be talking to someone born now eighty six.

2:11:41.280 --> 2:11:42.840
<v Speaker 5>As I sit here and I listen to you as

2:11:42.840 --> 2:11:44.280
<v Speaker 5>I sit here and I listen to you say that,

2:11:44.360 --> 2:11:48.080
<v Speaker 5>I'm going to say this. I now have an appreciation

2:11:48.360 --> 2:11:53.080
<v Speaker 5>for that factor. And so now right now I'll say,

2:11:53.120 --> 2:11:56.680
<v Speaker 5>you know what, he really could have been on some

2:11:56.800 --> 2:12:00.800
<v Speaker 5>different for real, genuinely on a different lanes and pulled

2:12:00.800 --> 2:12:03.960
<v Speaker 5>from a different string. But back then I was looking

2:12:04.000 --> 2:12:07.000
<v Speaker 5>at it like, dude, you're not getting a young card.

2:12:07.240 --> 2:12:09.400
<v Speaker 5>You're not that much younger than me. We should have

2:12:09.400 --> 2:12:12.160
<v Speaker 5>been pulling from the same streams. Why are you not

2:12:12.400 --> 2:12:17.240
<v Speaker 5>understanding this? Why are you not understanding NAS's analogy? Why

2:12:17.280 --> 2:12:19.760
<v Speaker 5>are you not understanding it? That's where my head was

2:12:19.840 --> 2:12:22.880
<v Speaker 5>at that moment. And then it was it was, it

2:12:22.920 --> 2:12:28.240
<v Speaker 5>was worsened. It was worsened because I am I don't

2:12:28.400 --> 2:12:34.200
<v Speaker 5>do well with over talking men, right, I don't do well?

2:12:34.400 --> 2:12:35.400
<v Speaker 1>How are you on this show?

2:12:37.520 --> 2:12:38.840
<v Speaker 7>She's just against.

2:12:42.880 --> 2:12:43.280
<v Speaker 1>Each other?

2:12:45.120 --> 2:12:47.400
<v Speaker 3>When his ass stood up though, because that's the part

2:12:47.400 --> 2:12:49.360
<v Speaker 3>I was trying to remember, That's the part when I

2:12:49.400 --> 2:12:49.920
<v Speaker 3>was like, wait.

2:12:49.800 --> 2:12:51.400
<v Speaker 7>What what's going on? Why are you standing.

2:12:52.800 --> 2:12:53.200
<v Speaker 1>Physical?

2:12:53.440 --> 2:12:55.320
<v Speaker 7>No, he was about to know he's about to roll.

2:12:56.160 --> 2:12:58.520
<v Speaker 5>He was, he was. He was like, well, who is

2:12:58.640 --> 2:13:08.440
<v Speaker 5>NAS to say this anyway? And at that point, okay, okay, okay,

2:13:08.560 --> 2:13:12.760
<v Speaker 5>so okay, so y'all remember Kim Wayne's and her missus Jenkins.

2:13:13.120 --> 2:13:18.720
<v Speaker 1>Uh, you ain't heard it from me? Oh, don't you

2:13:18.720 --> 2:13:20.760
<v Speaker 1>talk about miss Yeah?

2:13:22.040 --> 2:13:28.480
<v Speaker 5>Okay, okay, start crying, okay, okay, don't talk about don't

2:13:28.520 --> 2:13:30.600
<v Speaker 5>don't talk don't don't talk about nas. Don't do that.

2:13:31.520 --> 2:13:36.520
<v Speaker 5>Don't do that. Don't do that. That's a bad idea.

2:13:37.320 --> 2:13:39.200
<v Speaker 5>And so he stood up and was like, who is

2:13:39.400 --> 2:13:42.280
<v Speaker 5>nas to say this? And I was like, oh, oh,

2:13:43.080 --> 2:13:45.120
<v Speaker 5>and now you will tell you when I hit that

2:13:45.280 --> 2:13:48.320
<v Speaker 5>note of the oh, it's a problem when I when

2:13:48.360 --> 2:13:49.880
<v Speaker 5>you hear me say, oh.

2:13:50.280 --> 2:13:52.680
<v Speaker 7>I thought it was it was a Nazis hip hop?

2:13:52.720 --> 2:13:53.880
<v Speaker 7>Was it a Nazis hip hop?

2:13:53.960 --> 2:13:56.360
<v Speaker 1>He was likens?

2:13:57.320 --> 2:14:01.120
<v Speaker 5>And then I was wait when he was like when

2:14:01.120 --> 2:14:03.520
<v Speaker 5>he said, who is not to say that? And I

2:14:03.680 --> 2:14:06.320
<v Speaker 5>was like, somebody that's been here for a very long time.

2:14:06.680 --> 2:14:16.520
<v Speaker 5>And when he says that, I was not gun got

2:14:16.560 --> 2:14:20.320
<v Speaker 5>niggas in the Feds. And I was like, and at

2:14:20.360 --> 2:14:23.000
<v Speaker 5>that point, if you watch the video, you will hear

2:14:23.080 --> 2:14:27.160
<v Speaker 5>me mumbling on the mic in a low mono tone voice,

2:14:27.840 --> 2:14:31.240
<v Speaker 5>it's dead. You just killed hip hop right now. It's dead,

2:14:31.320 --> 2:14:33.560
<v Speaker 5>right now, it's dead, right, it's dead right now? With

2:14:33.640 --> 2:14:36.160
<v Speaker 5>everything you're saying right now is dead. You just killed it.

2:14:36.200 --> 2:14:38.200
<v Speaker 5>You just stabbed it, you just shot it, you just

2:14:38.280 --> 2:14:43.600
<v Speaker 5>killed it. You hear me, You hear me saying that

2:14:43.640 --> 2:14:47.200
<v Speaker 5>at that point underneath. Now, in hindsight, I look back

2:14:47.240 --> 2:14:49.600
<v Speaker 5>at it, and I'm like, what I was trying to

2:14:49.680 --> 2:14:53.840
<v Speaker 5>relay to Giz in that interview is was simply that

2:14:54.480 --> 2:14:57.240
<v Speaker 5>the analogy that NAS was making wasn't wasn't to be

2:14:57.320 --> 2:15:01.960
<v Speaker 5>disrespectful towards him and his second term that the hip

2:15:01.960 --> 2:15:05.920
<v Speaker 5>hop Yeah, it wasn't. It wasn't anything to disrespect that

2:15:06.280 --> 2:15:08.640
<v Speaker 5>it was. It was something that was It was an analogy

2:15:08.600 --> 2:15:10.920
<v Speaker 5>that was made to bring light to the fact that

2:15:11.480 --> 2:15:15.680
<v Speaker 5>all the facets of hip hop music were not being

2:15:15.720 --> 2:15:18.880
<v Speaker 5>given and shown the same light and the same level

2:15:19.000 --> 2:15:22.440
<v Speaker 5>of respect at that moment in time. That's all NAS

2:15:22.560 --> 2:15:26.960
<v Speaker 5>was saying with that analogy at that time. But Jeeze

2:15:27.080 --> 2:15:31.600
<v Speaker 5>took offense, you know, And in hindsight I understand he

2:15:31.600 --> 2:15:34.320
<v Speaker 5>took offense. He took it personally like it was a

2:15:34.360 --> 2:15:39.680
<v Speaker 5>dig at him, right, So I get that part. Also,

2:15:39.680 --> 2:15:43.280
<v Speaker 5>perhaps the way that I was speaking in because I

2:15:43.320 --> 2:15:45.280
<v Speaker 5>was calling him brother and I was trying to be

2:15:45.360 --> 2:15:48.040
<v Speaker 5>polite and respectful while I was speaking to him, he

2:15:48.080 --> 2:15:49.920
<v Speaker 5>wasn't trying to hear He wasn't trying to hear that.

2:15:50.000 --> 2:15:55.360
<v Speaker 5>I think that's probably just Ego and Bravado being young.

2:15:55.600 --> 2:15:58.600
<v Speaker 5>And I was also trying to trying to have a

2:15:58.640 --> 2:16:02.720
<v Speaker 5>teachable moment with him as far as to say, protect

2:16:03.280 --> 2:16:08.160
<v Speaker 5>all the facets of hip hop today. Otherwise in ten

2:16:08.240 --> 2:16:11.960
<v Speaker 5>fifteen years time, when the new kids on the block

2:16:12.160 --> 2:16:15.920
<v Speaker 5>come up and you're not this geezy that you are now,

2:16:15.960 --> 2:16:18.880
<v Speaker 5>which is the it guy, When when it's ten to

2:16:18.960 --> 2:16:23.880
<v Speaker 5>fifteen years later, them new guys can push your ship

2:16:24.400 --> 2:16:26.720
<v Speaker 5>to the to the to the garbage in the garbage can.

2:16:26.800 --> 2:16:28.480
<v Speaker 5>So when I'm trying to have a moment with you

2:16:28.680 --> 2:16:32.640
<v Speaker 5>now to understand how important it is to preserve all

2:16:32.680 --> 2:16:35.240
<v Speaker 5>the elements and all the facets of it so that

2:16:35.440 --> 2:16:39.640
<v Speaker 5>you can have a place to survive ten fifteen years later,

2:16:40.640 --> 2:16:42.200
<v Speaker 5>you know what I'm saying. And it just it just

2:16:42.320 --> 2:16:46.360
<v Speaker 5>it just wasn't coming. It wasn't good, It wasn't coming

2:16:46.400 --> 2:16:50.400
<v Speaker 5>across Jesus, you know.

2:16:51.240 --> 2:16:56.600
<v Speaker 1>Don't forget back then. He if you remember when, like

2:16:57.000 --> 2:17:00.160
<v Speaker 1>I think a month before he was I mean, was

2:17:00.200 --> 2:17:03.199
<v Speaker 1>clearly a fifty cent troll move. But he was talking

2:17:03.200 --> 2:17:07.119
<v Speaker 1>about like, you know, I'm gonna meet with John McCain

2:17:07.680 --> 2:17:10.959
<v Speaker 1>and see what he's about. This was like I remember that,

2:17:10.959 --> 2:17:13.400
<v Speaker 1>all right. He was he was a musical guest on

2:17:13.720 --> 2:17:16.879
<v Speaker 1>SNL I think in September October two thousand and eight.

2:17:17.360 --> 2:17:19.720
<v Speaker 1>It was kind of just putting out there, like, you know,

2:17:19.840 --> 2:17:21.840
<v Speaker 1>just because Obama's played on me, I'm gon vote for him,

2:17:21.920 --> 2:17:23.640
<v Speaker 1>so I'm gonna see what John McCain has. You know,

2:17:23.640 --> 2:17:26.280
<v Speaker 1>he had his arm around John mccainna SNL and it

2:17:26.360 --> 2:17:27.760
<v Speaker 1>was like, I'm gonna go to lunch with him, see

2:17:27.760 --> 2:17:28.279
<v Speaker 1>what he's.

2:17:28.080 --> 2:17:31.400
<v Speaker 3>About and selling snowman shirts to little black kids, and

2:17:31.480 --> 2:17:32.520
<v Speaker 3>I don't do that.

2:17:32.640 --> 2:17:35.720
<v Speaker 1>I remember, Yeah, that's when I had a problem. I mean,

2:17:35.760 --> 2:17:39.800
<v Speaker 1>he's cool now, you know, but.

2:17:38.600 --> 2:17:44.080
<v Speaker 5>Yeah, you know, in essence, Laiah filmed the whole thing.

2:17:44.280 --> 2:17:47.680
<v Speaker 5>Did not know she was filming it, Okay, Laiah ran

2:17:47.720 --> 2:17:49.880
<v Speaker 5>out of the room as soon as that goddamn interview

2:17:49.959 --> 2:17:52.520
<v Speaker 5>was over, and she loaded that ship to every possible

2:17:52.600 --> 2:17:55.560
<v Speaker 5>blog in the world at that time, and that shit

2:17:55.680 --> 2:18:00.600
<v Speaker 5>went viral like a move so quickly, and was wait,

2:18:00.640 --> 2:18:04.240
<v Speaker 5>here's the here's the crazy, craziest part. Nobody knows. I

2:18:04.240 --> 2:18:06.879
<v Speaker 5>don't even know if you knew this, Layah. Nobody knows

2:18:06.920 --> 2:18:11.600
<v Speaker 5>that I had been undergoing a renegotiation with the radio

2:18:11.720 --> 2:18:15.959
<v Speaker 5>station six months prior to that day. And that day

2:18:16.640 --> 2:18:19.440
<v Speaker 5>was d day when I had to make a decision

2:18:20.440 --> 2:18:22.840
<v Speaker 5>on whether I was going to accept the contract that

2:18:22.879 --> 2:18:24.480
<v Speaker 5>they gave me. And what it was was there was

2:18:24.520 --> 2:18:27.800
<v Speaker 5>a little piece of wording in that contract that I

2:18:27.840 --> 2:18:30.200
<v Speaker 5>did not agree with which said that in order for

2:18:30.240 --> 2:18:34.280
<v Speaker 5>me to do anything using my face, my name, how

2:18:34.320 --> 2:18:39.760
<v Speaker 5>did you guys say, caricature, ricature, cricature, Okay, using my

2:18:39.840 --> 2:18:41.160
<v Speaker 5>face name, my curricature.

2:18:42.840 --> 2:18:43.879
<v Speaker 7>Yeah, that's that's radio.

2:18:44.040 --> 2:18:44.600
<v Speaker 1>That's radio.

2:18:44.640 --> 2:18:48.160
<v Speaker 3>Shit, that's radio. It wasn't used to celebrities. So they

2:18:47.520 --> 2:18:48.959
<v Speaker 3>just regularly.

2:18:49.760 --> 2:18:52.680
<v Speaker 5>Basically anything to do with my voice, anything to do

2:18:52.760 --> 2:18:54.400
<v Speaker 5>with myself. If I wanted to write a book, if

2:18:54.400 --> 2:18:56.440
<v Speaker 5>I wanted to be in a movie, anything, I would

2:18:56.440 --> 2:18:59.879
<v Speaker 5>have to go to the radio station for permission. And

2:19:00.080 --> 2:19:03.240
<v Speaker 5>that was the only problem with the contract that I had.

2:19:03.280 --> 2:19:05.920
<v Speaker 5>The money was great, we were at a good place

2:19:06.360 --> 2:19:10.039
<v Speaker 5>or with everything except for that. And my lawyers were like,

2:19:10.160 --> 2:19:14.360
<v Speaker 5>could we just change this wording to something that is

2:19:14.400 --> 2:19:17.840
<v Speaker 5>of a nature saying whatever that it is that I

2:19:17.879 --> 2:19:20.119
<v Speaker 5>have in the works of projects, A book, or whatever

2:19:20.160 --> 2:19:23.240
<v Speaker 5>it is, the station will be. It will be made

2:19:23.280 --> 2:19:26.320
<v Speaker 5>sure that the station knows about this and therefore that

2:19:26.360 --> 2:19:29.600
<v Speaker 5>it's mutually agreed upon as far as it's nothing to

2:19:29.720 --> 2:19:33.440
<v Speaker 5>hinder the names. Yeah, you know what I'm saying, Like

2:19:33.480 --> 2:19:36.000
<v Speaker 5>I'm not posing for Playboy. You know what I'm saying,

2:19:36.800 --> 2:19:39.520
<v Speaker 5>much to the dismay of many, But I'm not close.

2:19:43.240 --> 2:19:44.840
<v Speaker 5>You know what I'm saying. But the bottom line is

2:19:45.000 --> 2:19:46.520
<v Speaker 5>my lawyer was like, can we put some word in

2:19:46.640 --> 2:19:49.039
<v Speaker 5>like that in it? They were like no. So this

2:19:49.200 --> 2:19:51.680
<v Speaker 5>day that when just this cheesy interview happened, was the

2:19:51.760 --> 2:19:53.480
<v Speaker 5>last day. As soon as I go, as soon as

2:19:53.480 --> 2:19:55.600
<v Speaker 5>we signed off, I had to go into the office,

2:19:56.040 --> 2:19:59.080
<v Speaker 5>sit down with them, ask them, are you prepared to

2:19:59.520 --> 2:20:02.200
<v Speaker 5>change the wor just on that little part. They said no,

2:20:02.680 --> 2:20:05.440
<v Speaker 5>we're not. And then I said, well I cannot sign

2:20:05.480 --> 2:20:10.000
<v Speaker 5>this document. I left that. I left that, I left that,

2:20:10.080 --> 2:20:13.720
<v Speaker 5>I left that office. I left that office that day

2:20:14.440 --> 2:20:17.320
<v Speaker 5>at eleven thirty. By one o'clock in the afternoon, my

2:20:17.400 --> 2:20:21.600
<v Speaker 5>voice was completely stripped from the radio station. They cleaned

2:20:21.680 --> 2:20:26.879
<v Speaker 5>up real quick. And so that that turned into Jeezi

2:20:27.000 --> 2:20:31.800
<v Speaker 5>got me fired? Yes that is yeah, that turned into

2:20:31.840 --> 2:20:34.039
<v Speaker 5>that Geez got me fired, and I never corrected it.

2:20:34.400 --> 2:20:37.720
<v Speaker 5>I let it be. I never corrected it.

2:20:38.360 --> 2:20:39.320
<v Speaker 1>Have you seen him since?

2:20:40.080 --> 2:20:42.400
<v Speaker 5>I have not seen him since. But what's really interesting

2:20:42.600 --> 2:20:46.440
<v Speaker 5>is he worked on a song and he worked with

2:20:46.480 --> 2:20:51.959
<v Speaker 5>a producer called Ko. Ko is my child's, my son's godfather,

2:20:52.640 --> 2:20:56.800
<v Speaker 5>and my daughter was in Atlanta at the time. Yeah,

2:20:56.879 --> 2:21:00.840
<v Speaker 5>uh huh, and my daughter sang on a song the Greatest,

2:21:00.959 --> 2:21:08.800
<v Speaker 5>which was on one of Jez's mixtapes. Wow my child, Yes, yeah.

2:21:09.200 --> 2:21:10.600
<v Speaker 1>Yeah, that's so crazy.

2:21:10.640 --> 2:21:12.920
<v Speaker 5>But what's fun? But what's crazy? She said. She met

2:21:13.000 --> 2:21:17.680
<v Speaker 5>him at what is Diddies at the Revolt convention in

2:21:17.760 --> 2:21:24.080
<v Speaker 5>two thousand and sixteen, I think it is, and she

2:21:24.360 --> 2:21:27.240
<v Speaker 5>said that she said to him, you know, I sang

2:21:27.280 --> 2:21:30.119
<v Speaker 5>on that song blah blah blah blah blah, and it

2:21:30.160 --> 2:21:34.800
<v Speaker 5>was she sang on it. And he asked, the story

2:21:34.879 --> 2:21:37.520
<v Speaker 5>is he acts Kao? You know? Kao told him who

2:21:37.560 --> 2:21:39.560
<v Speaker 5>it wasnt sang on it whatever, And he asked Ko

2:21:39.800 --> 2:21:43.160
<v Speaker 5>to put somebody else on it, like a known person

2:21:43.560 --> 2:21:46.560
<v Speaker 5>or whatever, take my daughter off of it, and Kao said, no,

2:21:47.120 --> 2:21:49.800
<v Speaker 5>the song comes with her. So if you're going to

2:21:49.959 --> 2:21:53.200
<v Speaker 5>use this, the song comes with her. And so he

2:21:53.280 --> 2:21:55.000
<v Speaker 5>kept it on his mixtape, but he never put it

2:21:55.040 --> 2:21:57.880
<v Speaker 5>on his album. My daughter was a little bit, you know,

2:21:58.000 --> 2:22:00.280
<v Speaker 5>she was a little crushed, crushed about that, and I

2:22:00.320 --> 2:22:02.760
<v Speaker 5>felt bad about it too, because I'm like, damn, it's

2:22:02.800 --> 2:22:07.480
<v Speaker 5>because of me, and you know, but at the end

2:22:07.520 --> 2:22:09.920
<v Speaker 5>of the day, it is what it is. You know,

2:22:10.000 --> 2:22:13.680
<v Speaker 5>you live, Charlena. I'm not going back on anything because

2:22:13.879 --> 2:22:16.640
<v Speaker 5>they threw me under the bus after I interview the way,

2:22:16.720 --> 2:22:20.039
<v Speaker 5>how the way, how it went was it turned into

2:22:20.200 --> 2:22:22.760
<v Speaker 5>the woman was the idiot? Oh, the woman. She was

2:22:22.800 --> 2:22:25.959
<v Speaker 5>off as soon as I walked in, you know, he

2:22:26.000 --> 2:22:29.800
<v Speaker 5>called Nas up, had a conversation with Nas. Nas called

2:22:29.840 --> 2:22:32.760
<v Speaker 5>me and was like, don't worry about it, don't worry

2:22:32.760 --> 2:22:34.320
<v Speaker 5>about it. Just don't worry about it.

2:22:35.080 --> 2:22:35.360
<v Speaker 1>All right.

2:22:35.400 --> 2:22:37.160
<v Speaker 5>I'm not going to tell you what the conversation was

2:22:37.200 --> 2:22:39.200
<v Speaker 5>between me and Jeezi, but yeah, he did to reach

2:22:39.240 --> 2:22:41.320
<v Speaker 5>out to me, And in my head, I'm saying to myself,

2:22:41.400 --> 2:22:43.320
<v Speaker 5>you're damn right he reached out to you because that

2:22:43.480 --> 2:22:47.840
<v Speaker 5>sounded ill. All of that do He got people in

2:22:47.920 --> 2:22:51.400
<v Speaker 5>the fad dude that like, dude, it sounded it sounded ill,

2:22:51.600 --> 2:22:54.320
<v Speaker 5>So you're damn right. He made sure that the man

2:22:54.400 --> 2:22:56.560
<v Speaker 5>made sure that he called the other man to have

2:22:56.600 --> 2:23:00.720
<v Speaker 5>a conversation, right, and then throw the woman under the bus. Oh,

2:23:00.800 --> 2:23:03.720
<v Speaker 5>she was off as soon as I walked in. Anyway,

2:23:03.840 --> 2:23:06.560
<v Speaker 5>something she, something was about her was off in the

2:23:06.600 --> 2:23:10.560
<v Speaker 5>fat him saying this is yeah, which was.

2:23:10.520 --> 2:23:12.080
<v Speaker 7>Not ye, which was the opposite.

2:23:12.160 --> 2:23:15.200
<v Speaker 5>That's funny, you know, I don't you know, I don't know.

2:23:15.320 --> 2:23:17.680
<v Speaker 5>I don't know what type of females at that time

2:23:17.800 --> 2:23:21.360
<v Speaker 5>he was used to having conversations with, and and I

2:23:21.400 --> 2:23:24.959
<v Speaker 5>don't know if perhaps I don't know if perhaps my

2:23:25.040 --> 2:23:28.640
<v Speaker 5>conversation may have been a little too quote unquote uppity

2:23:28.800 --> 2:23:32.760
<v Speaker 5>in his eyes at that time, you know. But but

2:23:32.840 --> 2:23:35.480
<v Speaker 5>the bottom line is the gz that I see today

2:23:36.160 --> 2:23:43.360
<v Speaker 5>is exactly who I thought I was talking to. It

2:23:43.400 --> 2:23:45.840
<v Speaker 5>was exactly who I was trying to reach. I knew

2:23:45.959 --> 2:23:48.840
<v Speaker 5>what you was talking to him. I knew I wasn't

2:23:48.840 --> 2:23:51.200
<v Speaker 5>talking to him back then, but I knew that that

2:23:51.240 --> 2:23:55.320
<v Speaker 5>person was going yeah, yeah, and I was trying to

2:23:55.400 --> 2:23:59.000
<v Speaker 5>talk to that person. Yeah. So that that's basically what

2:23:59.120 --> 2:24:01.720
<v Speaker 5>that was. I've never seen him since then. Is that crazy?

2:24:01.760 --> 2:24:07.160
<v Speaker 5>I've never bumped into him, I've never know a Yeah,

2:24:07.400 --> 2:24:10.640
<v Speaker 5>I've never seen him since then. How long ago was that? Was? That?

2:24:11.600 --> 2:24:12.520
<v Speaker 5>Eighteen years ago.

2:24:12.800 --> 2:24:14.520
<v Speaker 7>Oh shit, don't do that. Don't do that.

2:24:15.680 --> 2:24:17.200
<v Speaker 1>That was like, all right, when was it?

2:24:17.320 --> 2:24:17.480
<v Speaker 5>Yeah?

2:24:17.520 --> 2:24:18.400
<v Speaker 1>That was yeah? Eight?

2:24:18.480 --> 2:24:22.560
<v Speaker 5>If I was there, it was okay, all right, thirteen No, no,

2:24:22.600 --> 2:24:25.000
<v Speaker 5>it wasn't no, no, no no. I left that station

2:24:25.120 --> 2:24:27.760
<v Speaker 5>in February of two thousand and seven. That was two

2:24:27.800 --> 2:24:31.160
<v Speaker 5>thousand and seven. Wow, ok, yeah, that was two thousand

2:24:31.160 --> 2:24:31.480
<v Speaker 5>and seven.

2:24:32.360 --> 2:24:37.840
<v Speaker 1>My final question is, now that you're at the state

2:24:38.000 --> 2:24:40.960
<v Speaker 1>in in your life and all that you've achieved in anything,

2:24:41.200 --> 2:24:43.240
<v Speaker 1>is there anything that you've yet to do? Do you

2:24:43.320 --> 2:24:48.320
<v Speaker 1>get these? Do you do you get? Is there an

2:24:48.320 --> 2:24:51.800
<v Speaker 1>itch that you I want to scratch as far as like.

2:24:53.240 --> 2:24:57.600
<v Speaker 5>Aside from the one sorry second to last question.

2:24:58.080 --> 2:25:05.800
<v Speaker 1>Ultra, Wow you went there, yeah, Ultra real quick. So Ultna,

2:25:06.160 --> 2:25:06.680
<v Speaker 1>what was it like.

2:25:06.920 --> 2:25:13.039
<v Speaker 5>Working She's this tiny little powerhouse person. Oh my gosh,

2:25:14.120 --> 2:25:18.160
<v Speaker 5>Ultnata opens her mouth and it's like she has a superpower.

2:25:18.400 --> 2:25:22.080
<v Speaker 5>It's like she opens her mouth and everything turns into

2:25:22.160 --> 2:25:27.360
<v Speaker 5>a tornado as soon as she opens her mouth. And

2:25:27.400 --> 2:25:32.240
<v Speaker 5>she's so tiny, she's a small little package of just

2:25:32.760 --> 2:25:34.840
<v Speaker 5>terror as soon as she opens her mouth.

2:25:35.280 --> 2:25:36.160
<v Speaker 7>Oh, I do have a question.

2:25:36.760 --> 2:25:38.480
<v Speaker 6>She's singing on I was just saying to declared, but

2:25:38.560 --> 2:25:40.520
<v Speaker 6>She's the one to singing on Ring my Bell.

2:25:40.520 --> 2:25:45.280
<v Speaker 5>Absolutely and that is ulternate and it was fun working well.

2:25:45.360 --> 2:25:48.560
<v Speaker 6>She's a big house singer, like she's legendary singer.

2:25:48.560 --> 2:25:52.879
<v Speaker 5>Huge, huge, legendary. I was so grateful to be able

2:25:52.920 --> 2:25:55.120
<v Speaker 5>to work with her. And again this comes from the

2:25:55.160 --> 2:25:58.879
<v Speaker 5>mindset of not getting in my own way as far

2:25:58.959 --> 2:26:01.200
<v Speaker 5>as creative, you know what I mean.

2:26:01.680 --> 2:26:03.800
<v Speaker 7>Yeah, let me just ask because I know you guts

2:26:03.840 --> 2:26:05.320
<v Speaker 7>your last question. I just thought of something too.

2:26:05.720 --> 2:26:08.120
<v Speaker 3>Can you mo as a as a legend in this

2:26:08.240 --> 2:26:11.000
<v Speaker 3>game and as a as a commentator as well? Can

2:26:11.040 --> 2:26:13.440
<v Speaker 3>you talk about like who some of the young folks,

2:26:13.440 --> 2:26:15.440
<v Speaker 3>because I know you tuned into the young folks as well,

2:26:15.440 --> 2:26:18.080
<v Speaker 3>but like who you're listening to and the younger sisters

2:26:18.120 --> 2:26:20.440
<v Speaker 3>as well when it comes to MC's because I don't

2:26:20.440 --> 2:26:22.120
<v Speaker 3>want to just ask you about female mcs, but I

2:26:22.160 --> 2:26:22.800
<v Speaker 3>was just curious.

2:26:24.280 --> 2:26:27.720
<v Speaker 5>Honestly, try I'm trying to listen to a lot more.

2:26:27.760 --> 2:26:32.359
<v Speaker 5>I tune a lot of it out. My kids are annoying,

2:26:32.920 --> 2:26:38.560
<v Speaker 5>but for the sake of trying not to alienate them,

2:26:39.160 --> 2:26:43.400
<v Speaker 5>I do make a conscious effort to give them car

2:26:43.560 --> 2:26:46.600
<v Speaker 5>time when we're in the car and car DJ time

2:26:46.920 --> 2:26:48.440
<v Speaker 5>so they could play stuff. But the only thing that

2:26:48.480 --> 2:26:50.000
<v Speaker 5>I can't get past, and it's like I try not

2:26:50.120 --> 2:26:54.160
<v Speaker 5>to be this hypocrite, is there was a period of

2:26:54.160 --> 2:26:56.560
<v Speaker 5>time where we were cursing in our music and there

2:26:56.560 --> 2:26:59.039
<v Speaker 5>were curses and they'd be curses, but for some.

2:26:58.920 --> 2:27:02.920
<v Speaker 1>Reason, not like this, what is this?

2:27:03.200 --> 2:27:06.119
<v Speaker 5>What is it? I don't It's like every other freaking

2:27:06.200 --> 2:27:09.599
<v Speaker 5>word and I didn't. I do experments. I do experiments

2:27:09.640 --> 2:27:09.920
<v Speaker 5>in the.

2:27:09.879 --> 2:27:11.119
<v Speaker 1>Car all the twee.

2:27:11.240 --> 2:27:14.520
<v Speaker 5>Where I'm like, Okay, go ahead, play your stuff. Lacy's twelve,

2:27:14.920 --> 2:27:16.920
<v Speaker 5>that's my youngest, and shit, I'll I'll be like, all right,

2:27:16.959 --> 2:27:20.480
<v Speaker 5>play your stuff. And it's like, oh, put to give

2:27:20.520 --> 2:27:24.480
<v Speaker 5>me a head and the bitch and I'm like god, God,

2:27:26.560 --> 2:27:29.039
<v Speaker 5>and I'm like, I'm not a prude. We've said curses.

2:27:29.440 --> 2:27:31.640
<v Speaker 5>You know what I'm saying, day get a half all day.

2:27:32.000 --> 2:27:35.360
<v Speaker 5>That's that's our era, you know what I'm saying. Like

2:27:35.400 --> 2:27:38.920
<v Speaker 5>we have stuff, but it just it's just like it's

2:27:38.959 --> 2:27:39.959
<v Speaker 5>like I don't get a break.

2:27:40.200 --> 2:27:40.760
<v Speaker 1>You're an adult.

2:27:41.120 --> 2:27:42.320
<v Speaker 5>It's like I don't get a break.

2:27:42.840 --> 2:27:45.200
<v Speaker 1>Well, wait, since you're talking about your kids, which one

2:27:45.200 --> 2:27:50.320
<v Speaker 1>of your kids has sort of inherited your your taste

2:27:50.320 --> 2:27:52.360
<v Speaker 1>because a lot of I'm always curious on how hip

2:27:52.400 --> 2:27:56.240
<v Speaker 1>hop parents raise their kids, Like do their kids know

2:27:57.160 --> 2:28:01.840
<v Speaker 1>who they are are the exact opposite, you know, like

2:28:01.920 --> 2:28:05.039
<v Speaker 1>which one has your taste? Like you can stop down

2:28:05.040 --> 2:28:13.840
<v Speaker 1>and be like, okay, this one, you know news the old.

2:28:11.800 --> 2:28:14.200
<v Speaker 5>The oldest one, and it's by d four because she

2:28:14.360 --> 2:28:19.000
<v Speaker 5>was everything I really didn't. She just was around. It

2:28:19.080 --> 2:28:21.000
<v Speaker 5>was it was just a natural thing with her, the

2:28:21.040 --> 2:28:23.520
<v Speaker 5>oldest one, and she's thirty now. The rest of them,

2:28:23.680 --> 2:28:25.879
<v Speaker 5>they're just there. They're into what they're into. And I

2:28:25.959 --> 2:28:28.640
<v Speaker 5>try to listen. I do, and I do it often

2:28:28.720 --> 2:28:31.240
<v Speaker 5>because I don't went there to be too much separation

2:28:31.760 --> 2:28:34.280
<v Speaker 5>between us. I understand and appreciate that the times have

2:28:34.400 --> 2:28:37.119
<v Speaker 5>changed and that what they listen to is vastly different

2:28:37.440 --> 2:28:39.120
<v Speaker 5>from what I did. I mean, I used to be

2:28:39.120 --> 2:28:42.160
<v Speaker 5>in the car with the two oldest girls, and I

2:28:42.240 --> 2:28:44.600
<v Speaker 5>used to put on a freeway even though what we

2:28:44.680 --> 2:28:46.800
<v Speaker 5>do was wrong. And my daughter that's now going to

2:28:46.840 --> 2:28:49.080
<v Speaker 5>be twenty four, she'd be in the car seat in

2:28:49.160 --> 2:28:52.080
<v Speaker 5>the back, in the baby seat, and then my oldest

2:28:52.120 --> 2:28:54.880
<v Speaker 5>would be in the shotgun with me and she and

2:28:54.920 --> 2:28:57.160
<v Speaker 5>I would go even though what we do is and

2:28:57.200 --> 2:29:06.760
<v Speaker 5>then the baby would go wow, you know, we have that,

2:29:07.440 --> 2:29:10.120
<v Speaker 5>you know what I'm saying. The two youngest, my son

2:29:10.320 --> 2:29:14.160
<v Speaker 5>is eighteen and then my youngest daughter is twelve. They're

2:29:14.160 --> 2:29:16.320
<v Speaker 5>into their they're into their own thing. There are those

2:29:16.440 --> 2:29:19.800
<v Speaker 5>moments where they join in with with what I like

2:29:19.879 --> 2:29:22.800
<v Speaker 5>to listen to, but they're far in few, like.

2:29:22.800 --> 2:29:29.200
<v Speaker 1>Yeah, we like old school, we like Beyonce right right, Grandmas.

2:29:29.360 --> 2:29:32.440
<v Speaker 5>No more than anything, they bond with me on some rock.

2:29:32.680 --> 2:29:37.199
<v Speaker 5>Like my kids know food Fighters, they know Nirvana songs,

2:29:37.320 --> 2:29:43.400
<v Speaker 5>they know Stone Temple pilots, they know yeah they're because

2:29:43.440 --> 2:29:46.039
<v Speaker 5>I'm I'm a rockhead too, so they know that stuff

2:29:46.080 --> 2:29:48.760
<v Speaker 5>more than they know a lot of the hip hop

2:29:48.920 --> 2:29:56.640
<v Speaker 5>that I grew up listening to. They're more absolutely absolutely,

2:29:59.800 --> 2:30:07.280
<v Speaker 5>oh totally, but more totally, but more more. My twelve

2:30:07.360 --> 2:30:10.800
<v Speaker 5>year old knows Incubus like the back of her hands.

2:30:10.840 --> 2:30:14.120
<v Speaker 5>And that's because I am. Yeah, I am a huge

2:30:14.120 --> 2:30:21.280
<v Speaker 5>Incubist fan and never missed a show. Yeah, Ben and I,

2:30:21.320 --> 2:30:24.360
<v Speaker 5>Ben and I are tight. And it's partly because of you.

2:30:24.920 --> 2:30:27.879
<v Speaker 5>It's partly because of you, because you and I are family.

2:30:28.160 --> 2:30:30.440
<v Speaker 5>So then when when when when I reached out to

2:30:30.520 --> 2:30:32.360
<v Speaker 5>him one time, he was like, oh my god, you

2:30:32.440 --> 2:30:34.560
<v Speaker 5>have to come to the show and ever since then,

2:30:34.600 --> 2:30:37.640
<v Speaker 5>I've never missed a show. Ben and I are type.

2:30:38.040 --> 2:30:41.959
<v Speaker 1>Damn this was up? This wait? I can't I have

2:30:42.040 --> 2:30:44.800
<v Speaker 1>one last question, but I have two because I got

2:30:44.840 --> 2:30:48.359
<v Speaker 1>to ask about how how did how did the alumni form?

2:30:48.760 --> 2:30:51.959
<v Speaker 7>I can't let you.

2:30:50.680 --> 2:30:58.080
<v Speaker 1>Your supergroup Uh special ed Chup rock Uh.

2:30:58.320 --> 2:31:00.360
<v Speaker 3>I have to say Dave Locus Dave Locus because he

2:31:00.400 --> 2:31:01.640
<v Speaker 3>just texted me and said, make sure he gets his

2:31:01.640 --> 2:31:02.039
<v Speaker 3>shout out.

2:31:02.920 --> 2:31:06.000
<v Speaker 5>No he didn't.

2:31:06.120 --> 2:31:15.840
<v Speaker 3>Wow, damn day, please answer.

2:31:17.080 --> 2:31:21.760
<v Speaker 5>Well, Dave was already managing Kwame. I don't know how

2:31:21.800 --> 2:31:25.160
<v Speaker 5>they all got this idea together, but they did. I

2:31:25.280 --> 2:31:28.600
<v Speaker 5>was the last person to be called. Kwame text me

2:31:28.760 --> 2:31:30.520
<v Speaker 5>and said he needed to talk to me about something.

2:31:31.040 --> 2:31:33.520
<v Speaker 5>Called me, spoke to me about the concept. Would I

2:31:33.600 --> 2:31:38.560
<v Speaker 5>be interested? I'm right, yeah, I'd be interested, and it was.

2:31:38.640 --> 2:31:42.320
<v Speaker 5>It was very quickly put together after that, and we

2:31:42.360 --> 2:31:48.920
<v Speaker 5>started doing shows almost immediately. But here's the thing, right, No,

2:31:49.080 --> 2:31:54.600
<v Speaker 5>something new happens every show. Every show, something new happens

2:31:54.640 --> 2:32:00.360
<v Speaker 5>because they it's like the eighteen. There's always some shit.

2:32:01.200 --> 2:32:03.520
<v Speaker 5>It's you know, Ed is stuck at the mall because

2:32:03.520 --> 2:32:06.400
<v Speaker 5>he had to go get some sneakers. I've got to

2:32:06.440 --> 2:32:11.600
<v Speaker 5>go get some sneakers, or Chubb got a flat twenty

2:32:11.640 --> 2:32:14.520
<v Speaker 5>one miles out and we need to send the van

2:32:14.640 --> 2:32:20.080
<v Speaker 5>to go get him. Dana done drink off the whole

2:32:20.640 --> 2:32:24.520
<v Speaker 5>damned green room already before we get on stage. By

2:32:24.560 --> 2:32:31.359
<v Speaker 5>the time we get on stage, it's not man, this appen.

2:32:31.120 --> 2:32:33.520
<v Speaker 1>Well, y'all sound like Bingo Long and the Traveling All stuff.

2:32:35.040 --> 2:32:37.640
<v Speaker 5>Listen. I will watch that show though, when I listen,

2:32:37.680 --> 2:32:42.279
<v Speaker 5>when I tell you that this is the most glorified

2:32:42.400 --> 2:32:46.720
<v Speaker 5>group of misfits ever, but it works.

2:32:46.920 --> 2:32:49.280
<v Speaker 7>And how how does it feel to be able to

2:32:49.320 --> 2:32:49.720
<v Speaker 7>do that though?

2:32:49.760 --> 2:32:51.760
<v Speaker 3>Because it was a time when like artists like y'all, like,

2:32:51.760 --> 2:32:53.959
<v Speaker 3>I feel like it was a resurgence of doing shows

2:32:54.040 --> 2:32:55.920
<v Speaker 3>and stuff. I mean, even though it's COVID now, but

2:32:56.360 --> 2:32:58.119
<v Speaker 3>it just feels good to be able to watch, y'all.

2:32:58.120 --> 2:32:59.800
<v Speaker 3>So how much good does it feel to be able.

2:32:59.640 --> 2:33:02.400
<v Speaker 5>To do It feels great? Because here's the thing of Maror.

2:33:02.840 --> 2:33:05.640
<v Speaker 5>We don't get on and I do a set of songs,

2:33:05.680 --> 2:33:07.600
<v Speaker 5>and then I get off, and then Chubb comes on

2:33:07.640 --> 2:33:09.600
<v Speaker 5>and does a set of songs, and then he gets up.

2:33:09.959 --> 2:33:14.920
<v Speaker 5>It is absolutely I'm doing We're all on listen, We're

2:33:14.959 --> 2:33:17.400
<v Speaker 5>all on stage doing ad libs in each other's songs,

2:33:17.920 --> 2:33:21.039
<v Speaker 5>be in each other's hype. Man, check this out, I sing,

2:33:21.280 --> 2:33:25.800
<v Speaker 5>excuse me not saying I scatted the horn solo and

2:33:25.879 --> 2:33:40.400
<v Speaker 5>treat them right. Every show.

2:33:35.959 --> 2:33:42.280
<v Speaker 9>I scat, I scat the entire horn solo of treat

2:33:42.320 --> 2:33:42.640
<v Speaker 9>them right.

2:33:43.000 --> 2:33:48.039
<v Speaker 1>Everything between the five of you, like with all your

2:33:48.120 --> 2:33:52.400
<v Speaker 1>respective hits and the well loved classic album cuts. That's

2:33:52.560 --> 2:33:56.840
<v Speaker 1>that's a very tight, damn near could could be near

2:33:56.879 --> 2:33:58.640
<v Speaker 1>two hour extravaganza.

2:33:59.440 --> 2:34:02.400
<v Speaker 5>It is. We condense it because a lot of shows,

2:34:02.400 --> 2:34:04.480
<v Speaker 5>whether we get on the bill, we only get like

2:34:04.640 --> 2:34:06.520
<v Speaker 5>you know, it might be twenty minutes, thirty minutes or

2:34:06.560 --> 2:34:08.840
<v Speaker 5>something like that. You have to we have to condense

2:34:08.920 --> 2:34:11.600
<v Speaker 5>the show, so we tail and make it according to

2:34:11.640 --> 2:34:15.160
<v Speaker 5>whatever billing we're on. And then please let us not forget.

2:34:15.440 --> 2:34:18.240
<v Speaker 5>We have a DJ set in the middle of our

2:34:18.280 --> 2:34:22.920
<v Speaker 5>show because DJ tap Money I said, yes, it's our DJ.

2:34:23.640 --> 2:34:26.879
<v Speaker 1>Does he still have his half Roy.

2:34:26.120 --> 2:34:29.080
<v Speaker 5>Yeah, no, he doesn't have it. He doesn't have his hat,

2:34:29.200 --> 2:34:32.160
<v Speaker 5>well he does, but it's on his belly now.

2:34:33.160 --> 2:34:33.960
<v Speaker 1>Oh damn.

2:34:34.560 --> 2:34:38.959
<v Speaker 5>Anyways, the way I know that is because he does

2:34:39.000 --> 2:34:40.920
<v Speaker 5>a belly He lifts his shirt up as part of

2:34:40.959 --> 2:34:44.760
<v Speaker 5>his DJ set and he's moved the fade with his belly.

2:34:45.160 --> 2:34:45.480
<v Speaker 1>Wow.

2:34:45.640 --> 2:34:49.039
<v Speaker 7>So yeah, yeow okay, this is perfectly yo.

2:34:49.120 --> 2:34:52.200
<v Speaker 3>I should remind everybody you guys, mony's closing our women's

2:34:52.240 --> 2:34:53.959
<v Speaker 3>history mouff, and I just wanted to say, it's so

2:34:54.040 --> 2:34:57.119
<v Speaker 3>perfect because I don't think people give you flowers enough

2:34:57.400 --> 2:34:59.160
<v Speaker 3>and I'm so glad that you had this line to

2:34:59.240 --> 2:35:03.360
<v Speaker 3>stay with us like flowers. Cists like flowers flowers so much.

2:35:03.600 --> 2:35:06.640
<v Speaker 6>No, man, I did not know that you know your

2:35:06.840 --> 2:35:09.039
<v Speaker 6>your I guess kind of the tentacles of your career

2:35:09.040 --> 2:35:10.920
<v Speaker 6>win as far as they did. And this is the

2:35:10.920 --> 2:35:13.720
<v Speaker 6>first time I'm hearing any of these stories, you know

2:35:13.720 --> 2:35:17.200
<v Speaker 6>what I mean. This is amazing, Like you really, you

2:35:17.280 --> 2:35:20.400
<v Speaker 6>really weren't inspiration and you know again, just in a

2:35:20.440 --> 2:35:26.280
<v Speaker 6>word or two for me, I was like, man, man,

2:35:26.360 --> 2:35:28.800
<v Speaker 6>that was the one I love that song and that's

2:35:28.800 --> 2:35:30.640
<v Speaker 6>the only time Prince got hip hop right for me.

2:35:30.680 --> 2:35:32.240
<v Speaker 1>And the fact that he did it with you, I

2:35:32.240 --> 2:35:34.120
<v Speaker 1>think that says a lot about you.

2:35:35.120 --> 2:35:38.040
<v Speaker 5>Definitely intertwined a lot. I'm really glad that you guys

2:35:38.280 --> 2:35:42.080
<v Speaker 5>have me had me on a mayor. One of my

2:35:42.120 --> 2:35:47.879
<v Speaker 5>fondest memories of the roots is I pledged myself to

2:35:47.959 --> 2:35:52.080
<v Speaker 5>be their sister, okay. And I was so serious about

2:35:52.160 --> 2:35:56.640
<v Speaker 5>being sister to the roots that when they won Grammys

2:35:57.160 --> 2:36:03.680
<v Speaker 5>that year, I drove by myself from New York to

2:36:03.840 --> 2:36:07.720
<v Speaker 5>Philly at night time by myself to go to their

2:36:07.760 --> 2:36:13.560
<v Speaker 5>Grammy party. At hah, that'd be a night.

2:36:16.400 --> 2:36:17.400
<v Speaker 1>No, it wasn't like.

2:36:19.600 --> 2:36:20.680
<v Speaker 7>Action and Adventure.

2:36:21.360 --> 2:36:24.520
<v Speaker 1>No, only only because that was the night where they

2:36:24.600 --> 2:36:28.160
<v Speaker 1>where they played the clip of us winning and then uh.

2:36:28.440 --> 2:36:30.600
<v Speaker 1>I asked my girlfriend and I'm like, wait, what does

2:36:30.760 --> 2:36:34.000
<v Speaker 1>in theory mean? And she's like, that means he didn't

2:36:34.000 --> 2:36:36.240
<v Speaker 1>deserve to win it. And I was like, wait, did

2:36:36.280 --> 2:36:39.520
<v Speaker 1>Mope just say in theory the roots. She's like, yes,

2:36:39.600 --> 2:36:45.560
<v Speaker 1>he did. And I was like, I've never I've never Yeah,

2:36:45.600 --> 2:36:48.000
<v Speaker 1>I mean no, no, no we he we. I said that

2:36:48.040 --> 2:36:51.280
<v Speaker 1>in an interview once when he he said on the

2:36:51.320 --> 2:36:54.320
<v Speaker 1>red carpet that he loved Buster Rhymes so much that

2:36:54.640 --> 2:36:58.680
<v Speaker 1>even if Buster Rhymes is not the winner of that night,

2:36:59.200 --> 2:37:01.720
<v Speaker 1>that he he's going to declare Buster Rhymes the winner.

2:37:02.240 --> 2:37:04.400
<v Speaker 1>So of course, you know, when he's reading off the

2:37:04.400 --> 2:37:07.600
<v Speaker 1>nominees and says and the winner is, I was in

2:37:07.640 --> 2:37:09.240
<v Speaker 1>the audience like, oh, we're not gonna win. We're not

2:37:09.240 --> 2:37:11.320
<v Speaker 1>gonna win. We're not gonna win, and then everyone jumped up.

2:37:11.480 --> 2:37:13.080
<v Speaker 1>I was like, oh shit, we won. I didn't hear

2:37:13.080 --> 2:37:15.680
<v Speaker 1>what he said. So when we watched the Cliff that night,

2:37:16.280 --> 2:37:19.520
<v Speaker 1>and he was like, and the winner is in theory

2:37:19.760 --> 2:37:23.880
<v Speaker 1>the roots, and I was like, what does that mean?

2:37:24.200 --> 2:37:26.880
<v Speaker 1>And they're like, fuck movie, that means he's he didn't

2:37:26.879 --> 2:37:31.800
<v Speaker 1>think you deserved it like you technically wanted. And that's

2:37:31.959 --> 2:37:34.760
<v Speaker 1>just that's when I started throwing my Grammys in the

2:37:34.800 --> 2:37:36.760
<v Speaker 1>bathroom and you know.

2:37:37.280 --> 2:37:39.959
<v Speaker 4>And no one feels like to get the fight with movie.

2:37:40.240 --> 2:37:40.560
<v Speaker 5>Wow.

2:37:40.640 --> 2:37:45.080
<v Speaker 1>Yeah, that kind of started that. That planted the seed

2:37:45.120 --> 2:37:48.480
<v Speaker 1>of me like not wanting praise and I don't deserve

2:37:48.520 --> 2:37:50.360
<v Speaker 1>this ship. That like that really did a number on me.

2:37:50.520 --> 2:37:55.280
<v Speaker 1>Like he he gave me a heartfelt email apology once.

2:37:55.320 --> 2:37:58.280
<v Speaker 1>I told a friend of his, like, you know what,

2:37:59.360 --> 2:38:02.680
<v Speaker 1>how bad that not hurt me, but just affected me

2:38:02.720 --> 2:38:05.600
<v Speaker 1>to the point where I was indifferent to that ship

2:38:05.800 --> 2:38:08.920
<v Speaker 1>and he felt really bad about it, so he apologized.

2:38:08.959 --> 2:38:11.840
<v Speaker 1>But yeah, that night I had a whole, you know,

2:38:12.000 --> 2:38:16.120
<v Speaker 1>a whole nother view of that Grammy party. Like I

2:38:16.200 --> 2:38:21.480
<v Speaker 1>never I hated flowers at that moment. So that's the

2:38:21.520 --> 2:38:24.680
<v Speaker 1>origin of the flower and a mer's anti flower movement.

2:38:26.000 --> 2:38:31.360
<v Speaker 1>But we're back giving you reclaim. It was my first

2:38:31.400 --> 2:38:33.039
<v Speaker 1>time hearing any of these stories.

2:38:35.400 --> 2:38:36.519
<v Speaker 7>What's funny.

2:38:37.040 --> 2:38:38.880
<v Speaker 1>He didn't even never ship.

2:38:39.040 --> 2:38:40.640
<v Speaker 7>He didn't even talk about the real fight that went

2:38:40.680 --> 2:38:42.360
<v Speaker 7>down at the party. But we'll talk about that later.

2:38:42.400 --> 2:38:43.240
<v Speaker 7>That ship was illed.

2:38:44.640 --> 2:38:47.080
<v Speaker 3>It was yes, mother to shoot the couple fight, A

2:38:47.120 --> 2:38:52.440
<v Speaker 3>couple against couple, Ruth's number, ruth member and girlfriend.

2:38:52.080 --> 2:39:01.080
<v Speaker 7>And yeah, yo, name, can I tell it?

2:39:01.200 --> 2:39:01.360
<v Speaker 1>Yeah?

2:39:01.360 --> 2:39:02.039
<v Speaker 7>Sure, real quick?

2:39:02.080 --> 2:39:02.360
<v Speaker 5>Okay?

2:39:02.520 --> 2:39:04.480
<v Speaker 1>Was it? Was it someone that was married in the band?

2:39:04.680 --> 2:39:04.920
<v Speaker 5>Yeah?

2:39:04.959 --> 2:39:09.240
<v Speaker 3>Yeah, yeah, yeah, he was married. They were fighting the

2:39:09.600 --> 2:39:12.640
<v Speaker 3>first uh keyboard player, that's what they remember. It was

2:39:12.680 --> 2:39:14.080
<v Speaker 3>the first keyboard.

2:39:13.800 --> 2:39:18.720
<v Speaker 1>Player and girl friend and yeah.

2:39:18.400 --> 2:39:21.200
<v Speaker 3>Versus the new one and his gangster wife. All right,

2:39:21.320 --> 2:39:24.840
<v Speaker 3>I've done and money. Sorry he was to love, he

2:39:24.920 --> 2:39:27.240
<v Speaker 3>was getting love. I'm so sorry. Oh my god, oh

2:39:27.280 --> 2:39:27.800
<v Speaker 3>my god.

2:39:29.720 --> 2:39:36.240
<v Speaker 1>Whoa Yeah, I did not know this. Okay. Revelations story

2:39:36.360 --> 2:39:37.320
<v Speaker 1>Storge Episode one.

2:39:37.400 --> 2:39:41.039
<v Speaker 7>Yeah, can is this permission? Because this is just because

2:39:41.040 --> 2:39:41.840
<v Speaker 7>you said it on tape?

2:39:44.560 --> 2:39:45.640
<v Speaker 1>Yeah? I don't see why not?

2:39:46.600 --> 2:39:49.360
<v Speaker 7>Oh yod, thanks thanks mo.

2:39:49.840 --> 2:39:55.080
<v Speaker 1>Thank you mom. I appreciate it. Thank you ladies and gentlemen.

2:39:55.200 --> 2:39:57.320
<v Speaker 1>Money love h question of.

2:39:57.360 --> 2:39:58.760
<v Speaker 5>Supreme you guys still hear me?

2:39:59.120 --> 2:40:03.039
<v Speaker 1>Yeah, yeah, this is the perfect way to end the show.

2:40:03.160 --> 2:40:06.160
<v Speaker 1>This is things going. Yeah, We'll see you next go

2:40:06.200 --> 2:40:08.600
<v Speaker 1>around on request Love Supreme. Thank you very much.

2:40:10.040 --> 2:40:12.840
<v Speaker 2>Hey, this is Sugar Steve. Make sure you keep up

2:40:12.879 --> 2:40:16.400
<v Speaker 2>with us on Instagram at QLs and let us know

2:40:16.440 --> 2:40:18.760
<v Speaker 2>what you think and who should be next to sit

2:40:18.800 --> 2:40:23.960
<v Speaker 2>down with us. Don't forget to subscribe to our podcast.

2:40:25.680 --> 2:40:31.040
<v Speaker 1>What's Left Supreme is a production of iHeartRadio. For more

2:40:31.040 --> 2:40:35.560
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

2:40:35.560 --> 2:40:37.199
<v Speaker 1>wherever you listen to your favorite shows.