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Speaker 1: The volume. Congrats to NAS for the World Casino Resort

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Speaker 1: putting out the commercial. But the amount of people were like,

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Speaker 1: that's how you respond to Jim, Look what NAS you think?

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Speaker 1: Nads saw Jim Jones say that, and then it was like,

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Speaker 1: you know what, I get a casino and does someone

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Speaker 1: have a camera. Yeah, I'll do a voice over today.

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Speaker 1: People are you know, people are a little slow.

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Speaker 2: I mean the timent of it couldn't have been any better,

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Speaker 2: I will say that.

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Speaker 1: Oh no, it definitely timed up great the time.

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Speaker 2: It couldn't have been any any better. Like you know,

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Speaker 2: you want to talk about going viral. Menas bought the

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Speaker 2: casino to Queens. He's part of the owner that brought

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Speaker 2: a casino the Queens.

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Speaker 1: I believe it's an albany what there is. There's already

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Speaker 1: casino and queens. Okay, because I did see the commercial

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Speaker 1: they put up allbaning as well, so I was and

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Speaker 1: I thought it was just branding with the Queens to forever,

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Speaker 1: whatever the funk it was. But he's receiving a little

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Speaker 1: bit of backlash. Of course, you know, teams all fucking day.

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Speaker 1: But I'm kind of with some of the backlash, not

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Speaker 1: at NAS for investing in a casino. Gambling is the

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Speaker 1: most lucrative thing right now it's legal, Like, as a

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Speaker 1: business investor, yes, it makes sense to do casinos, gambling websites. Shit,

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Speaker 1: you even see Drake who's a billionaire Steak Hove trying to

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Speaker 1: bring Caesars to New York, Like, I get it, But

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Speaker 1: the way they frame these fucking trailers is worse than

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Speaker 1: we did with Palooza of like, wait, this is just

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Speaker 1: a party. You guys was talking like he was changing

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Speaker 1: the world. Dog, it's gambling.

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Speaker 2: Yeah, but I mean you know it's it's it's.

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Speaker 1: To the world. Dog, it is black. You acting like

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Speaker 1: he just created subsidized housing in far rockaway. No, it's

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Speaker 1: a casino. No, you're right, But I mean, you know,

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Speaker 1: these commercials are nuts.

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Speaker 2: But coming from where nas comes from, they didn't they

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Speaker 2: never would expect Nods to be able to even sit

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Speaker 2: in the board and have anything to do with opening.

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Speaker 1: Now I get that, but I totally understood, especially the

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Speaker 1: people that don't hold Nods to the regard that we do,

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Speaker 1: or you know, view Nods the way he's been part

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Speaker 1: of our lives for so long. Just saw that commercial

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Speaker 1: of like, wait, this voiceover is about a casino. What

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Speaker 1: well the backlash. The backlash are saying, are you bragging

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Speaker 1: about raising a crime rate in the neighborhood? Yeah?

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Speaker 3: That The backlash I've been seeing is why why are

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Speaker 3: nads and jay z so willing and able to invest

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Speaker 3: money into things that are absolutely terrible for their communities

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Speaker 3: such as gambling, such as alcohol?

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Speaker 2: Which is it terrible for the community. A lot of

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Speaker 2: niggas from the community gonna be.

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Speaker 1: Working in it's gambling and alcohol are terrible for coplas

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Speaker 1: is terrible for the community. I'm sorry, Popeye is terrible

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Speaker 1: for community? Yes, yesterday?

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Speaker 3: Okay, So one doesn't like the gate the other like,

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Speaker 3: I get COMPUTI.

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Speaker 1: Was gonna be something terrible for community.

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Speaker 2: But on the flip side of it, you know how

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Speaker 2: many jobs a casino is going to open up for

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Speaker 2: people that live in our communities. You know how many

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Speaker 2: people are going to be able to work at this

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Speaker 2: casino and have a job.

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Speaker 1: So I get it. I get what you're saying.

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Speaker 2: Like people going there gambling, people gonna gamble anyway you

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Speaker 2: can gam on. I could bet right now that the

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Speaker 2: Yankees wanna score six runs tonight on my phone.

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Speaker 1: You know what I'm saying.

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Speaker 2: So it's like, that's not jay Z's fault, that's not

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Speaker 2: NASA's fault. Like people gonna gamble no matter what. Gambling

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Speaker 2: has been around forever and it's gonna be around forever.

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Speaker 3: Yeah, I mean there's also go ahead right Statistically, they

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Speaker 3: thought the Barclays was a terrible idea when Jay guy

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Speaker 3: behind it is a terrible story. It's like it is,

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Speaker 3: it's still place, the whole community like it changed, Yes,

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Speaker 3: it did, but how many people from Brooklyn Apple's place.

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Speaker 2: I'm just saying, how many people work at Barklays.

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Speaker 3: Well that Applebe's has been there, But yes, there's plenty

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Speaker 3: of jobs, yes, but it also displaced hundreds of people

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Speaker 3: who had lived there for like their whole entire lives, and.

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Speaker 1: They pushed the price up of that entire neighborhood. Yeah yeah,

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Speaker 1: I mean there's their fires, no control. When their landlords

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Speaker 1: were getting offers to just sell the it's always gonna

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Speaker 1: or come in, they raise the rents to crazy, Like

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Speaker 1: do I've been living here for twenty years.

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Speaker 2: Listen, when change happens, that's exactly what happens. Things change,

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Speaker 2: So I get it, You're right, Yeah, I'm not saying

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Speaker 2: y'all are wrong, but you can't just look at Oh

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Speaker 2: people got displaced. Oh how many people are gonna be

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Speaker 2: gambling and losing their money? True, they're gonna gamble. If

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Speaker 2: that means the lady that live in your building in

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Speaker 2: the hood got to get on the bus to go

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Speaker 2: to Atlantic City to gamble, versus get on the train

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Speaker 2: to go right to Midtown to gamble. Ms Barbara gonna

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Speaker 2: gamble is what I'm saying. She gonna spend that motherfucking

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Speaker 2: social Security money. She's gonna try to flip it on

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Speaker 2: the on blackjack, whether she gotta go to Atlantic City

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Speaker 2: or go to Times Squad.

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Speaker 1: People gonna gamble, all right. I mean, statistically, no matter what,

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Speaker 1: when a casino enters a city neighbor, the crime rate

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Speaker 1: statistically goes up. That happens, no matter what.

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Speaker 2: Yeah, because I'm a rogue now and I gotta get it.

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Speaker 1: That's going to be a regardless which I mean, I

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Speaker 1: don't know time square being an option right now, Hell's

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Speaker 1: kitchen time square for the Caesar's Palace, one that jay

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Speaker 1: Z and them are trying to bring amongst a bunch

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Speaker 1: of Saudi billionaires. I'm sure they do have regulations and

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Speaker 1: I only know this because it directly affected my family

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Speaker 1: because you in Hell's Kitchen, that community, like they meet

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Speaker 1: with them and have certain things they have to meet

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Speaker 1: to make sure that they're not displacing a neighborhood. Now

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Speaker 1: there are regulations now which I do appreciate, and the

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Speaker 1: things you have to do in the community to even

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Speaker 1: bid to do a casino. Now, like they're trying to

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Speaker 1: make it a little bit because we've seen what the

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Speaker 1: fuck it's done to neighborhoods in the cities, But you

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Speaker 1: got to understand, fuck the crime shit. Like imagine you

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Speaker 1: just have your neighborhood and a casino lands there. Now

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Speaker 1: it's you live in a tourist attraction which was once

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Speaker 1: your neighborhoods. Like, fuck the crime part, Like, now come

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Speaker 1: on walking outside to casino.

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Speaker 2: I listen, I get it. But if we're gonna do that,

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Speaker 2: we gotta say the same thing about them opening up

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Speaker 2: a Starbucks on every corner.

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Speaker 4: I don't disagree.

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Speaker 2: Sugar's killing niggas, Like how Regg said asses are being

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Speaker 2: taken at rates that nobody has ever seen.

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Speaker 1: Like sugar nigas. I'm just I'm just saying sugar sugar.

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Speaker 1: Ray J got that statistic. Listen, man, I don't know

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Speaker 1: what ra J no, he just nos. Ray J census

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Speaker 1: on things.

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Speaker 2: I'm just saying, Man, if we're gonna say that about

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Speaker 2: a casino, we gotta say it about Starbucks. We gotta

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Speaker 2: say it about Popeye's, we gotta say it about McDonald's,

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Speaker 2: we gotta say it about all of this shit that's

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Speaker 2: giving niggas high blood pressure, heart disease, fucking strokes.

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Speaker 1: It's the same shit. Pick your poison. And again, this

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Speaker 1: is gonna sound like a fucking ad for Rock Nation,

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Speaker 1: I promise you is the most unbiased thing ever. I

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Speaker 1: do think it's important when people like jay Z do

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Speaker 1: bid for that because I do despite what most people think,

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Speaker 1: I do think jay Z cares about the community. That

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Speaker 1: if he is going to do a ballistic move, we

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Speaker 1: know him to be a capitalist, a great businessman. He's

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Speaker 1: also going to make sure that the neighborhood's not completely fucked.

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Speaker 1: And I've seen that firsthand, just off the bids with

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Speaker 1: this entire thing with Hell's Kitchen Nas. I think is

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Speaker 1: one of those people too that does care. Yeah, of course,

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Speaker 1: the capitalist I'm on the side of believe that people

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Speaker 1: like that, for people like that instead of just all

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Speaker 1: the CEOs that they showed in that NOS trailer, Like,

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Speaker 1: all right, maybe somebody that cares about the community, isn't

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Speaker 1: that board Just get one of us in the boardroom. Man,

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Speaker 1: it's gonna go up regardless, regardless, that's my point.

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Speaker 2: That's my point where they don't need NAS, they don't

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Speaker 2: need JA, they don't need none of these dudes. It's

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Speaker 2: gonna go up if they wanted to or not. It's

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Speaker 2: gonna happen if they wanted to. What I'm saying is okay,

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Speaker 2: get Jay in there, let him kind of let your

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Speaker 2: listen know. But we can't do that because the community.

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Speaker 2: We can't knock this down. This is a staple in

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Speaker 2: the community. Do this like so just have have somebody

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Speaker 2: that represents us and looks like us in those.

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Speaker 1: Rooms and to close right before we get to voicemails.

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Speaker 1: I think they're they're targeting the wrong guys though, Like

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Speaker 1: I think they need someone like Whack one hundred in

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Speaker 1: those those rooms. Because if you remember the casino that's

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Speaker 1: already in Queens they opened to wet Willis and on Piru,

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Speaker 1: that ship was shut down that day it went viral

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Speaker 1: on World Star. Actually, oh yeah that's the fact. So

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Speaker 1: I get with Nas and Jay, but now you need

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Speaker 1: to you get some gang members in there, calm shit down,

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Speaker 1: because they'll shut this Queen's casino down in two seconds.

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Speaker 1: There's history of it.

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Speaker 2: You know, Whack got somebody text messages on the board,

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Speaker 2: like he what he doing? I got his text messages

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Speaker 2: from two thousand and three. He don't even like y'all. Yeah,

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Speaker 2: Whack gonna keep a text message from a flip frone

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Speaker 2: from old three for sure, he got them.

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Speaker 1: Listen, nas Is nods. But if you don't think that

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Speaker 1: the snows on god Brewer won't shut down this casino

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Speaker 1: in two seconds.

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Speaker 2: Yeah, sorry, you commersion at it man, commercial this is

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Speaker 2: this is going I know this one in Albany, but

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Speaker 2: is this going up in Queens?

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Speaker 1: Okay? Where next to the one that's already there. Yeah,

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Speaker 1: it's like a build around it like a stadium. Okay,

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Speaker 1: the build okay by a because aren't they shutting down?

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Speaker 1: Try listen to local that'd be that'll be fire. If

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Speaker 1: NAS get like a residency there, oh you know it's coming, keep.

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Speaker 2: Doing residencies in Vegas. Get a residency right there in

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Speaker 2: Queens that see ship like that is.

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Speaker 1: What I'm like.

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Speaker 2: Okay, I can kind of say, I it's gonna be

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Speaker 2: a like a stadium there, like okay, I could see

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Speaker 2: that type of ship coming out of it.

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Speaker 1: Like it's always a play man, you know. It's if

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Speaker 1: the Belt Parkway is not already a fucking parking lot,

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Speaker 1: let's add let's add some more casinos there. Let's do it.

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Speaker 1: But you know, I think jay Z should do a

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Speaker 1: residency for the super Bowl. A residency for the ten

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Speaker 1: half times in a row. That's crazy. That's the same

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Speaker 1: same set. I'm gonna be parked every time. That's fucking crazy.

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Speaker 1: Oh my god. A casino and already not enough parking

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Speaker 1: for city Field. Jesus, I see the Cony Island one too.

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Speaker 2: Oh man, the home they're shooting, they're gonna be at

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Speaker 2: that crap table all fucking Jesus Christ.

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Speaker 1: Fuck it man. The marriage they gonna smoke weed. They

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Speaker 1: had to legalize it is they had to, you know

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Speaker 1: what I'm saying. They had to make it to where

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Speaker 1: you don't get arrested. They gonna smoke it no matter what.

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Speaker 1: Niggas gonna shoot dice the marriage.

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Speaker 3: Yeah, but there's a such thing as making things too

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Speaker 3: accessible to accessible.

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Speaker 1: Yes, yes, things are too accessible. It's been too accessible.

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Speaker 3: Gambling has not been too accessible in New York City.

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Speaker 3: They are making it too accessible the marriage. Do you

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Speaker 3: know what the hood is going through a FanDuel right now?

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Speaker 1: I do? Do you know that?

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Speaker 2: Do you know what these little niggas uptown is gambling?

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Speaker 2: Every week?

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Speaker 1: On FanDuel?

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Speaker 3: You're more likely to buy liquor, even if you're an alcoholic,

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Speaker 3: You're more likely to buy liquor if there's one on

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Speaker 3: your corner, which is why people complain.

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Speaker 1: About that in effect in the sixties.

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Speaker 2: But damaras, what I'm saying is, I remember when niggas

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Speaker 2: would cross the bridge just to put a ticket in

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Speaker 2: on their phone, literally cross the bridge, connect to the

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Speaker 2: fucking towers over there so they can put in the

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Speaker 2: ticket on fandel and come right back uptown to haul

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Speaker 2: you know, you know the poppy bus.

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Speaker 1: No matter what you do. Sunday it was just full

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Speaker 1: of everybody from uptown on the poppy bus going across

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Speaker 1: the GW just to put a ticket in and come

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Speaker 1: right back.

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Speaker 3: Can you imagine how many people actually had never even

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Speaker 3: gambled gambled before, but the moment it became legal in

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Speaker 3: New York, so I was like, oh, let me try it,

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Speaker 3: and you don't. Sometimes you don't know that you have

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Speaker 3: a problem or that you can become addicted to something

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Speaker 3: until you try it for the first time. And some

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Speaker 3: people won't try things for the first time because it

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Speaker 3: isn't accessible to them, just like if somebody might not

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Speaker 3: have tried crack, but if somebody offers them cracked because

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Speaker 3: it's oh, we just ordered to open the crack store

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Speaker 3: on the corner here, try crack. Now, you're fucking addicted

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Speaker 3: to crack when you would have never tried cracked before

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Speaker 3: because it wasn't accessible to you.

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Speaker 1: So of course Brown did Dad.

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Speaker 2: We saw Bill Russell kill him at the end of

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Speaker 2: the movie, so.

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Speaker 1: It is what it is. And he made a lot

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Speaker 1: of good points though that there were no oozies mating

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Speaker 1: m Yeah, no one in there owned the poppy field.

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Speaker 2: See, we didn't land on Plymouth Rock. Themarriage rock landed

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Speaker 2: on us. See what I'm saying. Either way, Nigga's gonna gamble,

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Speaker 2: Nigga's gonna drink, and Nigga's gonna drink sugar they gonna

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Speaker 2: do either either way. It don't matter what you do.

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Speaker 2: They gonna they gonna find it. Niggas travel for for

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Speaker 2: for food. They don't care you over here. They got

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Speaker 2: this word. I'm going over there. It don't matter if

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Speaker 2: you put it on my block. It's just like, all

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Speaker 2: right now, I ain't gotta travel that far, but they

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Speaker 2: gonna get it.

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Speaker 1: It don't matter. And it's I mean, once the government

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Speaker 1: saw how much we was making, it wasn't the concern

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Speaker 1: for the citizens. How do we get in on this. Oh,

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Speaker 1: let's legalize it and take everything over. Let's tax gambling.

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Speaker 1: Oh shit, this is what y'all making. Let's tax say less.

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Speaker 1: Fan Duel was like, na, y'all ain't gotta come to

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Speaker 1: Jersey no more. It's available everywhere. I'm gonna I'm gonna

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Speaker 1: get it on one of like my dad rants so

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Speaker 1: we can get to voicemails. But the fact that loan

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Speaker 1: sharking is illegal should tell you everything about the United

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Speaker 1: States government. There you go, that's a great point. That's

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Speaker 1: a great Why is it illegal for me to lend

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Speaker 1: somebody money at a certain price point the same way

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Speaker 1: you do cards in your back? Why is that illegal?

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Speaker 1: I'm not saying harm like, I'm not gonna hurt governments.

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Speaker 1: Why do I have to go to jail because I

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Speaker 1: lent somebody money on the point system, the same way

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Speaker 1: you do when you force credit cards down my fucking throat.

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Speaker 2: So the other day on Twitter, somebody said, uh, it

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Speaker 2: ain't a nigga on this earth that can rap with

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Speaker 2: j I D not one and Nick Grant Music. Nick

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Speaker 2: Grant Music retweeted that we said the whole government music

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Speaker 2: last Yeah. He retweeted that with five baseball cats, I

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Speaker 2: should have put in Yeah, So let's let's talk about it.

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Speaker 5: So why did you Why did you respond with cat

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Speaker 5: because it was cap Is.

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Speaker 1: It because you don't feel like j I D is? Uh? Well,

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Speaker 1: first of all, is I feel.

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Speaker 5: Like I think I think he don't I think he though.

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Speaker 5: I think you know that is people that like him.

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Speaker 5: I just think I'm better.

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Speaker 1: M h. I supposed to feel that way. I think

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Speaker 1: I'm better. Okay, hold on the match. Do you feel

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Speaker 1: that way? Yeah? Okay, I love you because no, no, not

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Speaker 1: because of that. No, Jed I think is is a

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Speaker 1: high level lyricist. But yeah, I would take I would

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Speaker 1: take you versus JID and in a battle for sure.

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Speaker 2: Yeah, not because Nick my man. But I fuck with Jid,

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Speaker 2: fun with you.

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Speaker 1: I d but again, I mean, I mean, though I

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Speaker 1: fuck what. I like him. I think he could rap.

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Speaker 1: He definitely definitely wanted the the fun on the school ship. No,

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Speaker 1: I'm on Jid side. What's up Jed is smoke and

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Speaker 1: I'm gonna actually tell like actual facts. If you've looked

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Speaker 1: at from the younger generation right now, I'm not sure

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Speaker 1: if there are people that can rap with Jid the

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Speaker 1: way Jed is showed up in the last five to

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Speaker 1: six years when it's come to making music, when it's

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Speaker 1: come to guests versus anytime Jid shows up, everybody says

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Speaker 1: what they're doing, Why do you think you can take Jid?

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Speaker 1: I'm just better see you feel like we gotta go

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Speaker 1: sitdio the room to show you I can show you. Yeah,

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Speaker 1: all right, yeah I want. I don't this gent on

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Speaker 1: my behalf. I'm not part of no, I'm not part

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Speaker 1: of dreaming.

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Speaker 2: No no no, But this is, like like we said earlier,

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Speaker 2: I like where we're at in rap where if yeah,

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Speaker 2: it's just competitive rapper feels like they're better than homie,

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Speaker 2: and then you get in the booth and lay it down.

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Speaker 1: I'm with that.

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Speaker 2: Like we just saw with Joey versus everybody in the

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Speaker 2: West Coast, everybody start putting out they records the next day.

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Speaker 1: I like that type of ship.

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Speaker 2: Right now, we'll push your you know, just talking about

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Speaker 2: his discrepancies with with Travis. I'm just glad niggas ain't

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Speaker 2: on I g live talking and all that. Like, I

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Speaker 2: don't want that you, as a rapper, got a problem

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Speaker 2: with another rapper, or if you just feel like another

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Speaker 2: rapper is not as dope as you, prove it, get

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Speaker 2: in the booth.

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Speaker 1: Let's hear some balls for I'm always for the rap.

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Speaker 5: Yeah, that's what That's what I'm you know, It's hard

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Speaker 5: for me to like do this because people feel like, yeah.

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Speaker 1: Trying to be all right, objective fan.

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Speaker 5: But I'm just like, I'm it's spoiled nigga. Like any

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Speaker 5: nigga on the court, I'm like, hey, let's hoop.

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Speaker 1: Better than me.

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Speaker 4: Show me why this motherfucker's so dope.

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Speaker 5: Hm, because I might not I might not see it,

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Speaker 5: or I might be like, oh he cole or you know,

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Speaker 5: but they want to try my my hand as you know,

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Speaker 5: shooting a couple of shots.

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Speaker 1: Why I picked you over Jid is I've been a

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Speaker 1: Jid fan for a long time, but it's always been

349
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Speaker 1: off music. He raps really well and makes really good

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Speaker 1: songs and knows how to blend into a song while

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Speaker 1: rapping really well, which is probably the hardest thing to

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Speaker 1: do on fucking Earth. I've seen you do that. Plus

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Speaker 1: I've been a fan of just your freestyle destroy everything

354
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Speaker 1: for a decade. Jid has done that before, but probably

355
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Speaker 1: not the same clip as you. But I've also never

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Speaker 1: seen either of you in a battle. So now I'm

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Speaker 1: sitting here like I don't even know who I would

358
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Speaker 1: pick because I've never seen either of y'all. Go put

359
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Speaker 1: money on.

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Speaker 4: Your money.

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00:17:03,680 --> 00:17:06,800
Speaker 1: Who's your money becauld you? If you've never seen it publicly,

362
00:17:07,320 --> 00:17:13,720
Speaker 1: you know I have seen my money get lost publicly. Yeah,

363
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Speaker 1: I make a bet with with Eve or somebody by somebody.

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Speaker 1: I'll make a bet bury my guy that's his manager, Verry.

365
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Speaker 1: We can do a bet on on On and Nick. Yeah.

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Speaker 1: And by the way, I love the Jit and Offset

367
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Speaker 1: record that's out right now. I'm excited that is about

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Speaker 1: to do this. But listen, if if j want to

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Speaker 1: get in the ring, the way, give me a line

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Speaker 1: real quick. See, I don't like that.

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Speaker 4: I don't like that.

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Speaker 1: I don't like that. Boy, give me a line from

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Speaker 1: don't do that. I don't like that. I'll be talking

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Speaker 1: with this nigga about some niggas. I'm like, yeah, he

375
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Speaker 1: had it. Give me a line. You know. It's funny

376
00:17:47,160 --> 00:17:49,800
Speaker 1: the strategy I use in arguments. I hate when people

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Speaker 1: do it to me because I say that, like, no, no,

378
00:17:52,440 --> 00:17:55,399
Speaker 1: don't see that's something fair. Give me any line, he said.

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Speaker 1: Records albums like.

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Speaker 5: Give me, give me a line, give me like some

381
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Speaker 5: phenomenal line that that a nigga said.

382
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Speaker 1: Voicemail.

383
00:18:04,160 --> 00:18:09,560
Speaker 5: Yeah, this is tell me what I need to know.

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00:18:09,640 --> 00:18:12,480
Speaker 1: Give me some crazy ship that I've said, you want

385
00:18:12,560 --> 00:18:15,399
Speaker 1: your voicemail. See, let's keep it.

386
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Speaker 2: I got a bunch of nick lines just on his

387
00:18:17,200 --> 00:18:19,200
Speaker 2: last album. I took it personal. I was listening to

388
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Speaker 2: earlier today. You said, uh, the the line with your

389
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Speaker 2: dad my dad fell sick at forty mb twenty twenty something.

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Speaker 1: It's something adding up.

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Speaker 4: Niggas can't fuck with me.

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Speaker 1: But that was that was hard. That was hard. That

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Speaker 1: was hard. I'm not like that was a hard bar.

394
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Speaker 4: I appreciate not that nigga dope. Man, he dope.

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Speaker 1: I know.

396
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Speaker 5: Not but if you if you want to, I'm not

397
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Speaker 5: just talking ship because I'm I'm always prepared for whatever.

398
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Speaker 4: But now he dope. I'm not taking nothing away.

399
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Speaker 1: From is it?

400
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Speaker 2: Is there any what's what's does Nick grants list of mcs?

401
00:18:50,520 --> 00:18:52,200
Speaker 2: That guy that you want to see, like, I gotta,

402
00:18:52,200 --> 00:18:53,600
Speaker 2: I gotta. I want to get on the court with him.

403
00:18:53,600 --> 00:18:55,479
Speaker 2: I got to see if he's really as good as

404
00:18:55,480 --> 00:18:56,359
Speaker 2: they say, is yo?

405
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Speaker 5: I'm a Kendrick fan, bro, I like you know, when

406
00:18:58,600 --> 00:19:01,040
Speaker 5: he was talking to me like that, you I have

407
00:19:01,160 --> 00:19:03,480
Speaker 5: the utmost respect for him, but I also like, yo,

408
00:19:03,520 --> 00:19:06,240
Speaker 5: I want to I don't. I don't want to rap

409
00:19:06,280 --> 00:19:08,320
Speaker 5: beef with the nigga. Just like, let's go back and

410
00:19:08,320 --> 00:19:09,880
Speaker 5: forth and forth on the verse.

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Speaker 1: What do you think would be more valuable? Let's say, Jid,

412
00:19:12,359 --> 00:19:14,639
Speaker 1: for example, since we just you know, joking around with that,

413
00:19:15,800 --> 00:19:18,399
Speaker 1: would y'all want to get on a record together? We

414
00:19:18,440 --> 00:19:20,680
Speaker 1: did that already, I know, But I'm saying with this

415
00:19:20,760 --> 00:19:24,119
Speaker 1: type of scenario, he never put it out. Did it

416
00:19:24,160 --> 00:19:30,200
Speaker 1: come out? No? See, I don't like that. It's not fair.

417
00:19:30,560 --> 00:19:34,040
Speaker 1: Why how to be objective? Yeah, Jid? Something I mean

418
00:19:34,400 --> 00:19:38,080
Speaker 1: with labels, what's going on with his rollout? And like

419
00:19:38,080 --> 00:19:39,080
Speaker 1: I'm saying it's Jid's fault.

420
00:19:39,440 --> 00:19:42,560
Speaker 2: I'm just saying, if if if two dope rappers, two

421
00:19:42,600 --> 00:19:45,080
Speaker 2: dope mcs have a record together and it don't come out,

422
00:19:45,119 --> 00:19:46,400
Speaker 2: I don't like that it didn't come out.

423
00:19:46,720 --> 00:19:48,840
Speaker 1: I'm not saying a man. I agree. I say Jid

424
00:19:48,880 --> 00:19:50,359
Speaker 1: stopped it from coming out here, but you never know

425
00:19:50,440 --> 00:19:52,160
Speaker 1: how that should. That may not be like a thing

426
00:19:52,240 --> 00:19:53,120
Speaker 1: Jid did, is what I'm saying.

427
00:19:53,160 --> 00:19:54,680
Speaker 2: I'm not saying he did. I'm saying I don't like

428
00:19:54,720 --> 00:19:57,159
Speaker 2: the fact that we haven't heard that. Okay, that's the

429
00:19:57,200 --> 00:20:00,000
Speaker 2: ship that No, I've heard it, That's what I'm say.

430
00:20:00,119 --> 00:20:01,879
Speaker 4: I don't like that I ain't heard the sense we

431
00:20:01,920 --> 00:20:02,239
Speaker 4: did it.

432
00:20:02,840 --> 00:20:06,080
Speaker 1: Oh you didn't get a bounce? I feel the way

433
00:20:06,160 --> 00:20:08,840
Speaker 1: the song that the song wasn't even finished. Yeah, I

434
00:20:08,840 --> 00:20:10,000
Speaker 1: mean I get that, but.

435
00:20:10,080 --> 00:20:11,800
Speaker 5: I mean I mean he said he was going to

436
00:20:11,800 --> 00:20:15,920
Speaker 5: do finish it later, okay, and we never got it.

437
00:20:16,200 --> 00:20:18,119
Speaker 4: We never got it, Okay.

438
00:20:18,160 --> 00:20:22,160
Speaker 1: Well I like that. See I don't. Jid notoriously takes

439
00:20:22,160 --> 00:20:25,880
Speaker 1: his time with everything. That's like a very known thing

440
00:20:26,359 --> 00:20:30,080
Speaker 1: cool scenes like Jid takes his fucking time. I respect that.

441
00:20:30,840 --> 00:20:35,200
Speaker 1: So I'm saying consumer And if you say, yo, man,

442
00:20:37,400 --> 00:20:41,920
Speaker 1: finish my question. What what Joey and they like Ray

443
00:20:41,960 --> 00:20:44,359
Speaker 1: and all them? You would you rather do that or

444
00:20:44,400 --> 00:20:46,879
Speaker 1: would you rather just get on one record together and

445
00:20:46,880 --> 00:20:48,280
Speaker 1: see who could? I want to do that. I want

446
00:20:48,280 --> 00:20:50,040
Speaker 1: to do what they were doing. Okay, I want to

447
00:20:50,040 --> 00:20:51,919
Speaker 1: do with him. I want to do what they was doing.

448
00:20:51,960 --> 00:20:56,600
Speaker 1: What do y'all think is more valuable at this point monetarily?

449
00:20:57,760 --> 00:21:00,680
Speaker 5: I think I think what they was doing was what's

450
00:21:00,720 --> 00:21:05,720
Speaker 5: better monetarily opportunity wise, like, and it's people that's never

451
00:21:05,760 --> 00:21:07,600
Speaker 5: heard of Rayvaughn facts.

452
00:21:08,000 --> 00:21:09,440
Speaker 1: And I'm not saying he didn't get that r C

453
00:21:09,560 --> 00:21:11,040
Speaker 1: A deal because of that.

454
00:21:11,240 --> 00:21:15,479
Speaker 5: But yeah, for sure, and he's super smart for like

455
00:21:15,600 --> 00:21:19,640
Speaker 5: engaging in that. But yeah, like I think I think

456
00:21:19,720 --> 00:21:20,840
Speaker 5: that helped. I think that.

457
00:21:20,720 --> 00:21:22,919
Speaker 1: Created like, oh, this is a new phase, is new.

458
00:21:23,160 --> 00:21:26,240
Speaker 1: I think it even helped Daylight mm hmm.

459
00:21:26,800 --> 00:21:27,400
Speaker 4: You know what I'm saying.

460
00:21:27,440 --> 00:21:28,760
Speaker 1: This is gonna hurt me to say because I'm here

461
00:21:28,760 --> 00:21:32,120
Speaker 1: to be objective. I think the only person that lost

462
00:21:32,160 --> 00:21:33,919
Speaker 1: some of lore on that entire thing was Daylight. No,

463
00:21:34,000 --> 00:21:37,280
Speaker 1: he definitely lost, he lost for sure. But as far

464
00:21:37,280 --> 00:21:42,080
Speaker 1: as we had daylight alien you're up here. That was

465
00:21:42,119 --> 00:21:44,439
Speaker 1: the first time I felt like daylight was human. I

466
00:21:44,480 --> 00:21:48,520
Speaker 1: think it translates different on beachs. But I've heard daylight rap.

467
00:21:49,480 --> 00:21:51,840
Speaker 1: We said before the whole thing popped off, I always

468
00:21:51,880 --> 00:21:54,639
Speaker 1: felt surf in daylight with the two best battle rappers

469
00:21:54,640 --> 00:22:00,200
Speaker 1: on beats, like I've heard daylight smoke some ship mm hmm. No,

470
00:22:00,400 --> 00:22:03,040
Speaker 1: for sure, that was I was shocked that it went

471
00:22:03,080 --> 00:22:06,840
Speaker 1: that way. I wasn't okay.

472
00:22:07,320 --> 00:22:10,480
Speaker 5: I think it's just I think when you're battling, it's

473
00:22:10,520 --> 00:22:13,439
Speaker 5: just not cerebral. I just think it's like all style,

474
00:22:13,640 --> 00:22:17,399
Speaker 5: and you know, I think I think a nigga on

475
00:22:17,440 --> 00:22:21,200
Speaker 5: the corner cracking jokes has more experience in a battle

476
00:22:21,240 --> 00:22:22,760
Speaker 5: than somebody who's super cerebral.

477
00:22:23,720 --> 00:22:25,920
Speaker 1: Why do you think it's different now with fifty doing

478
00:22:25,960 --> 00:22:29,159
Speaker 1: how to rob? And what was that ninety nine two

479
00:22:29,240 --> 00:22:33,080
Speaker 1: thousand to now, if you just wanted to actually tonight,

480
00:22:33,200 --> 00:22:36,159
Speaker 1: if you just win this studio and disjid with no

481
00:22:36,240 --> 00:22:38,119
Speaker 1: real issue at all, just for the sport of it,

482
00:22:39,440 --> 00:22:42,040
Speaker 1: you'd be looked at as a clout chaser for sure.

483
00:22:42,520 --> 00:22:46,240
Speaker 1: What happened in rap where that was the case because

484
00:22:46,280 --> 00:22:48,440
Speaker 1: everyone you should just shoot each other with no reason

485
00:22:48,440 --> 00:22:48,760
Speaker 1: to shoot.

486
00:22:48,800 --> 00:22:51,480
Speaker 5: Everybody want to participation in trophy. You know what I'm saying.

487
00:22:51,520 --> 00:22:52,600
Speaker 5: Everybody just want to.

488
00:22:54,040 --> 00:22:58,080
Speaker 1: You know, when did that stop? That's the only people.

489
00:22:58,000 --> 00:22:59,640
Speaker 5: Why I've been holding back from a lot of people

490
00:22:59,640 --> 00:23:01,639
Speaker 5: because I'm like, I don't want to be looked at

491
00:23:01,680 --> 00:23:02,240
Speaker 5: as that guy.

492
00:23:02,320 --> 00:23:07,480
Speaker 1: I still gotta like, you know what I'm saying, and

493
00:23:07,600 --> 00:23:11,159
Speaker 1: I'm not going to let this person, you know, highlight

494
00:23:11,240 --> 00:23:11,840
Speaker 1: what I'm doing.

495
00:23:11,840 --> 00:23:14,400
Speaker 4: You know what I'm saying. It just gotta make sense.

496
00:23:14,760 --> 00:23:17,320
Speaker 4: That makes sense. That's not just him, that's anybody.

497
00:23:17,680 --> 00:23:21,440
Speaker 1: I mean, even with everything now, we get so much information.

498
00:23:22,000 --> 00:23:24,240
Speaker 1: Mm hmm. I don't think it'd be weird if two

499
00:23:24,320 --> 00:23:27,720
Speaker 1: rappers agreed, because we know what the Joey thing was

500
00:23:27,800 --> 00:23:29,560
Speaker 1: behind the scenes. For the most part, everyone knew what

501
00:23:29,760 --> 00:23:31,760
Speaker 1: type of time it was. It's not gonna get violent,

502
00:23:31,840 --> 00:23:34,600
Speaker 1: Like we really just doing this for sport. Why couldn't

503
00:23:34,640 --> 00:23:38,520
Speaker 1: you and Jid again, for example, tell the world like, yeah,

504
00:23:38,560 --> 00:23:40,399
Speaker 1: now we cool. We just decided today we just want

505
00:23:40,400 --> 00:23:44,879
Speaker 1: to rap against each other, Like why can't that happen?

506
00:23:46,440 --> 00:23:48,360
Speaker 1: Why would the public look at that weird? Like yo,

507
00:23:48,400 --> 00:23:51,680
Speaker 1: y'all doing weird shit. No, we just think we could rap,

508
00:23:51,680 --> 00:23:53,640
Speaker 1: and we decided today that we was gonna.

509
00:23:53,480 --> 00:23:57,080
Speaker 2: Rap well because now it's it's you know, the beef

510
00:23:57,880 --> 00:24:00,000
Speaker 2: or battle is looked at like a roll out or

511
00:24:00,119 --> 00:24:01,520
Speaker 2: or like a clout.

512
00:24:01,640 --> 00:24:04,560
Speaker 1: Where have y'all been Listen? I told you if we

513
00:24:04,600 --> 00:24:07,239
Speaker 1: go back to the first hip hop record, it might

514
00:24:07,280 --> 00:24:09,560
Speaker 1: be a disrecord. Did you guys just show up here

515
00:24:09,600 --> 00:24:10,800
Speaker 1: the first hip hop record?

516
00:24:10,800 --> 00:24:13,280
Speaker 2: The MC might be dising somebody on that ship. It

517
00:24:13,440 --> 00:24:16,200
Speaker 2: might be thising another on this that's the way. That's

518
00:24:16,320 --> 00:24:18,440
Speaker 2: the foundation of this thing.

519
00:24:18,840 --> 00:24:19,520
Speaker 4: That's what it is.

520
00:24:20,400 --> 00:24:21,119
Speaker 1: What's wrong with that?

521
00:24:21,240 --> 00:24:26,640
Speaker 5: No, it's nothing wrong, just this new generation of insecurities. Insecurities,

522
00:24:26,640 --> 00:24:29,200
Speaker 5: you know what I'm saying, Like people like the ego

523
00:24:29,400 --> 00:24:33,840
Speaker 5: is like it's different now, it's before social media. It's

524
00:24:33,880 --> 00:24:37,080
Speaker 5: not constantly in your face. If a nigga win, you

525
00:24:37,119 --> 00:24:40,080
Speaker 5: know what I'm saying, They posting that for hours. You

526
00:24:40,119 --> 00:24:42,040
Speaker 5: can't even do the thing that you're addicted to.

527
00:24:42,160 --> 00:24:44,800
Speaker 1: You can't even look at it, like I'm caught up,

528
00:24:44,920 --> 00:24:46,800
Speaker 1: Like this is how they viewing me.

529
00:24:47,040 --> 00:24:48,840
Speaker 5: You think, and you think it's the end of the world.

530
00:24:48,840 --> 00:24:50,119
Speaker 5: Just as a rapper, you think it's the end of

531
00:24:50,160 --> 00:24:52,200
Speaker 5: the world when you lose. You know what, I'm saying,

532
00:24:52,240 --> 00:24:54,520
Speaker 5: and then you got somebody telling you every second that

533
00:24:54,560 --> 00:24:55,040
Speaker 5: you lost.

534
00:24:55,800 --> 00:24:58,919
Speaker 1: It's tough. I mean, but I've only seen that happen

535
00:24:59,560 --> 00:25:04,920
Speaker 1: twice my entire life. Mm hmm, Traking, Kendrick, Joe Ruling

536
00:25:04,920 --> 00:25:07,600
Speaker 1: fifty cents. And by the way, all four of those

537
00:25:07,600 --> 00:25:18,680
Speaker 1: people are doing completely fucking fun. Yeah, moment it ain't cool. Yeah,

538
00:25:19,080 --> 00:25:22,040
Speaker 1: I get it. I'm just saying, everybody's fine.

539
00:25:22,880 --> 00:25:24,960
Speaker 4: Yeah, man, it depends on what you.

540
00:25:25,359 --> 00:25:27,280
Speaker 1: I mean. The John fifty ship is I'm just about

541
00:25:27,280 --> 00:25:31,720
Speaker 1: the rap shit, Yeah, getting with you. Joe is doing fine.

542
00:25:32,080 --> 00:25:33,840
Speaker 1: If you knew what Joah got for a fee to

543
00:25:33,880 --> 00:25:39,280
Speaker 1: do a show. Yeah, like when he got killed, he lost. Yeah, absolutely,

544
00:25:39,400 --> 00:25:43,320
Speaker 1: his career was over. Yeah that's hilarious. Yeah, but nah,

545
00:25:43,359 --> 00:25:45,480
Speaker 1: and you see I mean ship. I thought Ray lost

546
00:25:45,640 --> 00:25:48,879
Speaker 1: that to Joey badass Again. I think Ray put his

547
00:25:48,880 --> 00:25:51,320
Speaker 1: his hours in the r C A do O TD relationship.

548
00:25:51,320 --> 00:25:52,919
Speaker 1: I don't think it's just the battle, but look what

549
00:25:53,000 --> 00:25:53,560
Speaker 1: came out of it.

550
00:25:54,080 --> 00:25:59,600
Speaker 4: Rain fucking lose right now for sure? For sure, And even.

551
00:25:59,520 --> 00:26:02,480
Speaker 1: With Jid, Like again, we're just using this as an example.

552
00:26:02,520 --> 00:26:06,960
Speaker 1: He putting his single hour offset. Let's say he lost,

553
00:26:07,160 --> 00:26:11,560
Speaker 1: JA wouldn't fucking lose. He's Jid. He makes great music.

554
00:26:12,960 --> 00:26:15,439
Speaker 1: I think that would just bring more hype around what

555
00:26:15,480 --> 00:26:18,840
Speaker 1: was going on. No one is doubting Jid's pen No,

556
00:26:18,960 --> 00:26:22,400
Speaker 1: like I'm not talking about Nick versus. I'm not gonna

557
00:26:22,400 --> 00:26:25,600
Speaker 1: say rapper, but yeah, like that you know somebody that

558
00:26:25,640 --> 00:26:26,760
Speaker 1: could rap, you're not gonna lose.

559
00:26:27,040 --> 00:26:29,840
Speaker 2: Yeah, I think it's it's a lot. It depends on

560
00:26:29,880 --> 00:26:30,480
Speaker 2: how you looking at it.

561
00:26:30,520 --> 00:26:32,600
Speaker 1: You're gonna lose, but you're not gonna lose, like.

562
00:26:32,680 --> 00:26:33,800
Speaker 4: When I'm kicking ass.

563
00:26:33,920 --> 00:26:36,760
Speaker 2: Yeah yeah shit, you know like if he got me,

564
00:26:37,520 --> 00:26:39,560
Speaker 2: he kicked my ass, but you and that hurts.

565
00:26:39,600 --> 00:26:41,040
Speaker 4: That's a that's a whole nother thing.

566
00:26:41,160 --> 00:26:44,160
Speaker 5: Like as artists that people were, at least me, like, yeah,

567
00:26:44,359 --> 00:26:46,360
Speaker 5: I had a homeboy man when I was growing up.

568
00:26:46,800 --> 00:26:50,359
Speaker 5: This motherfucker used to kick my ass. Yeah, like every

569
00:26:50,480 --> 00:26:53,359
Speaker 5: day fro on, Let's Battlet's Batlet's battle. I think the

570
00:26:53,400 --> 00:26:56,080
Speaker 5: last time we battled, like we will always go back

571
00:26:56,119 --> 00:26:58,600
Speaker 5: and forth, but he was like ready every day.

572
00:26:58,680 --> 00:27:01,720
Speaker 4: I'm like, man, we got a battle. He checked me

573
00:27:01,760 --> 00:27:02,359
Speaker 4: on my ship.

574
00:27:02,440 --> 00:27:05,919
Speaker 5: Yeah, last time we battle, I got him. But he

575
00:27:06,040 --> 00:27:10,440
Speaker 5: was the guy that made me like super sharp, like young,

576
00:27:11,520 --> 00:27:13,359
Speaker 5: and I just think, man, we you know we lost

577
00:27:13,359 --> 00:27:13,760
Speaker 5: that man?

578
00:27:13,880 --> 00:27:16,360
Speaker 4: Like, that's what I be telling He's just rap bro.

579
00:27:22,000 --> 00:27:26,120
Speaker 1: Well, can I can I see how deep the lyricism

580
00:27:26,680 --> 00:27:28,919
Speaker 1: rabbit hole goes down? I came up with a segment

581
00:27:29,480 --> 00:27:30,560
Speaker 1: We're on your way.

582
00:27:30,240 --> 00:27:32,119
Speaker 4: Man, don't make me feel like I don't know ship.

583
00:27:34,840 --> 00:27:37,600
Speaker 1: No, it's gonna be great. Me and P's were kicking it,

584
00:27:37,960 --> 00:27:40,480
Speaker 1: trying to trying to think of a segment. I'm not

585
00:27:40,520 --> 00:27:42,680
Speaker 1: gonna say that Chad JBT helped us out, but maybe

586
00:27:42,680 --> 00:27:47,560
Speaker 1: they did. So we came up with this idea of

587
00:27:47,760 --> 00:27:52,840
Speaker 1: bars versus Yelp. Yeah, bars versus yeo. Can you decide

588
00:27:53,080 --> 00:27:55,000
Speaker 1: if this is a rap bar or if this is

589
00:27:55,040 --> 00:28:00,480
Speaker 1: a Yelp review. It's how our segment is gonna go here. Okay,

590
00:28:00,720 --> 00:28:03,679
Speaker 1: I might get all of these wrong, because this.

591
00:28:03,720 --> 00:28:05,359
Speaker 2: Is gonna be funny though, because if I feel like

592
00:28:05,400 --> 00:28:08,520
Speaker 2: a bar is a Yelp review, that's fucking hilarious.

593
00:28:09,040 --> 00:28:13,200
Speaker 1: So in our first segment of bars versus Yelp featuring

594
00:28:13,600 --> 00:28:16,720
Speaker 1: Nick Grant, we're gonna start at number one. You guys

595
00:28:16,760 --> 00:28:19,679
Speaker 1: can look at the screen. I paid eighty dollars for

596
00:28:19,800 --> 00:28:25,560
Speaker 1: brunch and still left hungry. I hope a rap's yeo,

597
00:28:26,160 --> 00:28:27,879
Speaker 1: I hope. So thank you guys. Gonna get yourself in

598
00:28:27,920 --> 00:28:34,679
Speaker 1: something looks That's what I said. I got to tell us. Hell,

599
00:28:34,720 --> 00:28:36,840
Speaker 1: you guys have to guess, is this a rapper YEP review?

600
00:28:36,840 --> 00:28:38,720
Speaker 4: I'm saying after if it's if we' wrong and the

601
00:28:38,800 --> 00:28:39,520
Speaker 4: rapper said it.

602
00:28:39,680 --> 00:28:42,200
Speaker 1: Oh, I'm gonna tell you, guys. I'm gonna tell you

603
00:28:42,240 --> 00:28:46,880
Speaker 1: the City and Star reviewer. No, we didn't make any

604
00:28:46,880 --> 00:28:49,640
Speaker 1: of this up. These are real YELP reviews and real rapper.

605
00:28:50,360 --> 00:28:53,480
Speaker 2: I'm gonna say, I'm gonna I'm gonna say, yo, I'm

606
00:28:53,480 --> 00:28:55,560
Speaker 2: gonna say, I paid eighty dollars for brunch, is still

607
00:28:55,640 --> 00:28:57,800
Speaker 2: left hungry? I'm gonna say that's yop.

608
00:28:59,440 --> 00:29:02,440
Speaker 1: That is a bar? Are Larry June Breakfast and Monica?

609
00:29:03,120 --> 00:29:06,760
Speaker 1: Larry said that lifestyle trap? I get it, I get it,

610
00:29:07,080 --> 00:29:09,440
Speaker 1: I get it. I fuck with him though, I fuck

611
00:29:09,520 --> 00:29:13,920
Speaker 1: with Larry, Yeah, I fuck with him. The wings were mid,

612
00:29:14,920 --> 00:29:17,440
Speaker 1: but the eye contact was rare. Now that better not

613
00:29:17,480 --> 00:29:23,040
Speaker 1: be yo, I'm gonna say that's a bar. Hmmm.

614
00:29:24,960 --> 00:29:27,080
Speaker 2: The wings were made, but the eye contact was That

615
00:29:27,200 --> 00:29:28,720
Speaker 2: might be a bar.

616
00:29:28,840 --> 00:29:31,400
Speaker 1: That sounds it sounds like a set up to something else. Yeah,

617
00:29:32,320 --> 00:29:35,600
Speaker 1: you are wrong. That is a real four star review

618
00:29:36,160 --> 00:29:41,560
Speaker 1: to a dive bar in Philadelphia, Pennsylvania. The only reason

619
00:29:41,600 --> 00:29:43,800
Speaker 1: I'm not putting the restaurants is because we did that

620
00:29:43,880 --> 00:29:46,720
Speaker 1: last time. And yeah, so I'm I'm I'm these are real.

621
00:29:46,760 --> 00:29:49,960
Speaker 1: I promise, I'm just gonna put. The case were mid,

622
00:29:50,360 --> 00:29:53,320
Speaker 1: but the eye contact was rare. Who say that dinig

623
00:29:53,520 --> 00:29:55,960
Speaker 1: need to be a raper? That's what I'm saying. It

624
00:29:56,080 --> 00:29:58,320
Speaker 1: got some ship to get off that. Yeah, I fucked

625
00:29:58,320 --> 00:30:00,440
Speaker 1: with that. The wings were made, but the eyes attack

626
00:30:00,600 --> 00:30:05,479
Speaker 1: was red. All right, number three, that's hard. The lobster

627
00:30:05,640 --> 00:30:07,960
Speaker 1: was unseasoned, but the breakup was well done.

628
00:30:09,680 --> 00:30:15,000
Speaker 2: The lobster was underseasoned, but the breakup was well fam

629
00:30:15,160 --> 00:30:17,760
Speaker 2: If this is a Yelp review, it's some niggas out here.

630
00:30:17,800 --> 00:30:23,480
Speaker 1: That's dope, right. The lobster was underseasoned, breakup was well done.

631
00:30:23,680 --> 00:30:24,400
Speaker 4: Hey that might be.

632
00:30:24,800 --> 00:30:28,920
Speaker 1: That's I'm going, yo, I'm going bar niggas. In fact, correct,

633
00:30:29,200 --> 00:30:32,800
Speaker 1: this is three star review on a very famous seafood

634
00:30:32,800 --> 00:30:34,640
Speaker 1: spot in Miami. You know how I got it though,

635
00:30:34,680 --> 00:30:40,200
Speaker 1: because it sounded like the last thing. The lobster was

636
00:30:40,320 --> 00:30:44,560
Speaker 1: underseason but the breakup was well all right. Next one

637
00:30:44,720 --> 00:30:49,200
Speaker 1: the bill came and so did the silence the bill came,

638
00:30:49,240 --> 00:30:52,080
Speaker 1: and so did the silence. That's a bar. Oh yeah,

639
00:30:52,080 --> 00:30:55,720
Speaker 1: that's a bar. The bill came, silence, that's a bar.

640
00:30:55,840 --> 00:30:57,360
Speaker 1: That's our guy. I d K crying.

641
00:30:57,640 --> 00:31:01,040
Speaker 5: Yeah, okay, okay, yeah, I heard a nigga say something

642
00:31:01,080 --> 00:31:04,480
Speaker 5: like that, like, yeah, getting the phone when the beer's coming,

643
00:31:06,120 --> 00:31:06,640
Speaker 5: that's it.

644
00:31:06,600 --> 00:31:09,640
Speaker 1: That's the ball. That's a bar. Next one, the burger

645
00:31:09,680 --> 00:31:16,160
Speaker 1: fell apart in my hands, just like the last relationships

646
00:31:16,200 --> 00:31:21,720
Speaker 1: the same nigga. This was a two star review in Portland, Oregon.

647
00:31:22,320 --> 00:31:25,920
Speaker 1: The burger fell apart in my hands, just like that's Yo.

648
00:31:26,320 --> 00:31:31,800
Speaker 1: That's YO, because rapping by Yeah, No, that's YO. That's

649
00:31:31,800 --> 00:31:34,040
Speaker 1: definitely YO. We're gonna stay on theme with this next one.

650
00:31:34,720 --> 00:31:37,520
Speaker 1: She talked over the waiter, then over my heart.

651
00:31:37,520 --> 00:31:40,640
Speaker 2: It's a bar. That's a bar. That's a bar. That

652
00:31:40,680 --> 00:31:41,800
Speaker 2: don't even who you see.

653
00:31:43,160 --> 00:31:45,920
Speaker 1: We already saw those Yelp reviews may be leaving like real.

654
00:31:46,680 --> 00:31:49,040
Speaker 5: This is because this ain't even about the restaurant. Yeah,

655
00:31:49,080 --> 00:31:50,960
Speaker 5: this is a real relationship. Yeah, this is a bar.

656
00:31:51,040 --> 00:31:55,360
Speaker 1: That's Mick Jenkins Martyrs. Absolutely, that's a ball. The table

657
00:31:55,440 --> 00:32:00,000
Speaker 1: next to us got their food faster, and their relationships

658
00:32:00,000 --> 00:32:00,680
Speaker 1: seem healthier.

659
00:32:00,920 --> 00:32:01,680
Speaker 4: That's oh, that's you.

660
00:32:02,280 --> 00:32:04,440
Speaker 1: That's yo. Oh. I thought that was a hard bar.

661
00:32:04,760 --> 00:32:09,200
Speaker 1: It could be a bar. That's yo. That's a brunch

662
00:32:09,240 --> 00:32:14,720
Speaker 1: spot in the Lower east Side. We gotta go. We

663
00:32:14,800 --> 00:32:17,360
Speaker 1: gotta go to these spots. This is crazy, gotta go

664
00:32:17,400 --> 00:32:20,040
Speaker 1: to these spots, Josh. Next one, I got a room

665
00:32:20,040 --> 00:32:22,880
Speaker 1: at the top. The view was made, the steak was cold,

666
00:32:23,240 --> 00:32:25,640
Speaker 1: and the waiter had an attitude. That's yo.

667
00:32:26,760 --> 00:32:28,640
Speaker 2: I got a room at the top, the view mid

668
00:32:28,800 --> 00:32:30,920
Speaker 2: the state was cold and the way that I'm gonna say,

669
00:32:30,920 --> 00:32:31,520
Speaker 2: that's yop.

670
00:32:32,600 --> 00:32:38,280
Speaker 1: Yop, that's Freddy Gibbs. Real what. I got a room

671
00:32:38,280 --> 00:32:43,000
Speaker 1: at the top the view. I had to like take

672
00:32:43,040 --> 00:32:46,120
Speaker 1: out bars. So you guys couldn't realize everything rhyme, so

673
00:32:46,320 --> 00:32:49,360
Speaker 1: you can't see the scheme. But yeah, no, that's that's

674
00:32:49,360 --> 00:32:53,680
Speaker 1: what I'm like. No, it does rhyme when you.

675
00:32:52,880 --> 00:32:54,440
Speaker 2: All right, I want to know what Freddy said right

676
00:32:54,480 --> 00:32:57,400
Speaker 2: after that, both the real lyrics se I want to

677
00:32:57,440 --> 00:32:58,840
Speaker 2: know what Freddy said right after that?

678
00:32:59,280 --> 00:33:02,560
Speaker 1: All right? Next one, too much pepper on the shrimp,

679
00:33:03,000 --> 00:33:04,280
Speaker 1: not enough so on the gumbo.

680
00:33:06,360 --> 00:33:06,960
Speaker 4: Oh, that's yo.

681
00:33:08,360 --> 00:33:12,120
Speaker 1: Too much pepper on shmp, not enough sol in the gumbo.

682
00:33:13,840 --> 00:33:16,640
Speaker 1: Damn I want to say, that's a bar. Too much

683
00:33:16,640 --> 00:33:18,840
Speaker 1: pepper on the shrimp, not enough sol in the gumbo.

684
00:33:20,960 --> 00:33:23,160
Speaker 1: That's yo. I'm say yo. If you thought it was

685
00:33:23,200 --> 00:33:24,280
Speaker 1: a bar, who would you think it would be?

686
00:33:24,680 --> 00:33:27,160
Speaker 2: Too much pepper on the shrimp, not enough gumbo. That

687
00:33:27,240 --> 00:33:28,080
Speaker 2: might be to change.

688
00:33:28,760 --> 00:33:31,080
Speaker 1: That'd be a great guess. This is, in fact, not

689
00:33:31,160 --> 00:33:32,960
Speaker 1: a yelp review. This is a bar. This is big

690
00:33:33,040 --> 00:33:35,960
Speaker 1: crip my sub part too. Oh, that's a big crip

691
00:33:36,040 --> 00:33:37,600
Speaker 1: bar all day ship.

692
00:33:37,560 --> 00:33:39,200
Speaker 2: See I was I thought that sound like a two

693
00:33:39,320 --> 00:33:41,720
Speaker 2: change bar. Too much pepper on the shrimp, not enough

694
00:33:41,720 --> 00:33:43,080
Speaker 2: sol in the gumbo.

695
00:33:43,280 --> 00:33:46,160
Speaker 1: And the inflection too much. Yeah, he was on the shrimp,

696
00:33:47,120 --> 00:33:53,280
Speaker 1: on the shrimp, not enough in the gum, all right.

697
00:33:53,320 --> 00:33:57,080
Speaker 1: Next one the chicken pink. But I ain't complain. She

698
00:33:57,200 --> 00:34:00,160
Speaker 1: cooked it with love. I took it with the pain.

699
00:34:00,240 --> 00:34:04,800
Speaker 1: Oh that's a bar or to throw y'all off? Nah,

700
00:34:04,840 --> 00:34:08,440
Speaker 1: that's a bar all see but Roy, that's now hold on.

701
00:34:08,440 --> 00:34:11,880
Speaker 1: That's why this is wacko because you're adding sauce to

702
00:34:11,960 --> 00:34:14,239
Speaker 1: it and it's a yell review. You making it feel

703
00:34:14,320 --> 00:34:16,320
Speaker 1: like a ball. That's that's fu. We didn't set the

704
00:34:16,360 --> 00:34:18,440
Speaker 1: rules for this. This is the first time doing this segment.

705
00:34:18,560 --> 00:34:20,919
Speaker 1: The chicken pink is just funny, though, the chicken pink.

706
00:34:20,960 --> 00:34:22,320
Speaker 1: But you've been there before.

707
00:34:22,320 --> 00:34:24,280
Speaker 2: And I'm trying to hear it like in a rapper's voice,

708
00:34:24,400 --> 00:34:27,040
Speaker 2: the chicken pink. But I ain't complained love. I took

709
00:34:27,040 --> 00:34:27,560
Speaker 2: it with pain.

710
00:34:28,480 --> 00:34:30,319
Speaker 1: Let me know what, say bar, I don't say a bar.

711
00:34:30,800 --> 00:34:35,040
Speaker 1: I'm gonna say that's Conway the machine average. Yeah, that's

712
00:34:35,080 --> 00:34:39,080
Speaker 1: a bar. That's a bar. That's a bar, all right.

713
00:34:39,120 --> 00:34:42,839
Speaker 1: Next one, I asked for no onions and she gave

714
00:34:42,880 --> 00:34:46,319
Speaker 1: me a lecture on character. That might yeah, that might

715
00:34:46,360 --> 00:34:50,080
Speaker 1: be yell. I thought that would be the fire part

716
00:34:50,080 --> 00:34:52,279
Speaker 1: of the last bar, but no, I was gonna steal that.

717
00:34:53,640 --> 00:34:57,000
Speaker 1: You might have known him. That's crazy. That's a real

718
00:34:57,120 --> 00:35:01,760
Speaker 1: yelp review from an Oakland vegan soul god.

719
00:35:03,040 --> 00:35:06,040
Speaker 2: Actually for no and she gave me a lecture on character.

720
00:35:06,120 --> 00:35:08,600
Speaker 2: That's hilarious. That's crazy. You found how you find you

721
00:35:08,960 --> 00:35:13,040
Speaker 2: seem to be like in a coffee book, like all right.

722
00:35:13,040 --> 00:35:15,760
Speaker 1: Next one, I got high and cried into a chicken sandwich.

723
00:35:16,800 --> 00:35:17,719
Speaker 1: That gotta be a bar.

724
00:35:18,920 --> 00:35:20,080
Speaker 4: That's yop.

725
00:35:20,760 --> 00:35:25,399
Speaker 1: Nobody say that on yep. I got that's a bar man.

726
00:35:26,040 --> 00:35:27,600
Speaker 1: That gotta be a who do you think it'd be?

727
00:35:27,600 --> 00:35:30,440
Speaker 1: From I got high and crowd into a chicken sandwich.

728
00:35:30,520 --> 00:35:35,960
Speaker 2: That gotta be, my man, that gotta be uh either

729
00:35:36,040 --> 00:35:39,160
Speaker 2: that would be either action braunching or.

730
00:35:42,200 --> 00:35:46,319
Speaker 1: Damn, what's my man? What's damn?

731
00:35:46,360 --> 00:35:50,239
Speaker 2: What's I'm going? But what's my man? From New Orleans Currency.

732
00:35:49,760 --> 00:35:53,480
Speaker 1: Currency Currency has a lot of food. Yeah, all right,

733
00:35:53,520 --> 00:35:56,160
Speaker 1: so this is in fact a five star YELP review.

734
00:35:56,400 --> 00:35:58,839
Speaker 1: What I'm gonna say the restaurant because it's the chain.

735
00:35:59,280 --> 00:36:00,960
Speaker 1: This from Harold Chicken in Chicago.

736
00:36:01,239 --> 00:36:05,120
Speaker 2: Oh my god, I got high crowded to a Chicken

737
00:36:05,160 --> 00:36:06,200
Speaker 2: sandwich is a real yelp.

738
00:36:06,480 --> 00:36:08,279
Speaker 1: Me and PG have definitely gotten high and cried to

739
00:36:08,320 --> 00:36:11,279
Speaker 1: a sick chicken sandwich together in Chicago, that is, because

740
00:36:11,320 --> 00:36:14,320
Speaker 1: why are you saying that in a rat? That's crazy?

741
00:36:14,960 --> 00:36:17,359
Speaker 1: All right? Next one, the rice ain't done, the bean

742
00:36:17,440 --> 00:36:21,000
Speaker 1: still hard, and the kool Aid tastes like cardboards. I

743
00:36:21,000 --> 00:36:24,080
Speaker 1: hope that. If not, I need to hear it the

744
00:36:24,120 --> 00:36:27,840
Speaker 1: rest of that escape right, that's yo, man, All right.

745
00:36:27,840 --> 00:36:31,000
Speaker 1: If you guys would have guessed, there's some spots that

746
00:36:31,080 --> 00:36:34,000
Speaker 1: served kool aid for sure. If you guys would have

747
00:36:34,000 --> 00:36:35,680
Speaker 1: guessed what rapper would be, whould you think.

748
00:36:35,560 --> 00:36:37,400
Speaker 2: The rice ain't done, the bean still hard, and the

749
00:36:37,440 --> 00:36:40,000
Speaker 2: kool Aid tastes like cardboard.

750
00:36:40,719 --> 00:36:49,360
Speaker 1: Uh, kool Aid rice and beans. P D crack ross.

751
00:36:51,200 --> 00:36:54,960
Speaker 1: That's boosy, badass. Oh my god. Mind if this is

752
00:36:54,960 --> 00:36:58,040
Speaker 1: a real book, could only be this is only be

753
00:36:58,120 --> 00:36:59,759
Speaker 1: boozy kool aid gotta.

754
00:36:59,520 --> 00:37:01,200
Speaker 4: Be though it's so detailed.

755
00:37:03,000 --> 00:37:04,799
Speaker 1: How do we not picked that? I should I should

756
00:37:04,840 --> 00:37:07,160
Speaker 1: have known that, all right? Next, what that nigga said?

757
00:37:08,120 --> 00:37:16,120
Speaker 1: That ship? That's boosy. That's crazy. She left her feelings

758
00:37:16,120 --> 00:37:19,319
Speaker 1: in the uber with my leftovers. She has feelings in

759
00:37:19,360 --> 00:37:22,759
Speaker 1: the uber with my leftovers. Damn. I hope that's a bar.

760
00:37:23,239 --> 00:37:25,239
Speaker 1: She left her feelings in the uber. Nick Nick kind

761
00:37:25,239 --> 00:37:26,680
Speaker 1: of been bat in a thousand. He could tell, he

762
00:37:26,719 --> 00:37:28,680
Speaker 1: can tell when she is outside of the booty ship.

763
00:37:28,719 --> 00:37:32,800
Speaker 1: He told everything correctly. That's a bar. Yeah, Brent fires,

764
00:37:33,400 --> 00:37:36,000
Speaker 1: you kind of see how niggas is writing it. Yeah,

765
00:37:36,239 --> 00:37:37,359
Speaker 1: she left the feelings in the uber.

766
00:37:37,600 --> 00:37:39,200
Speaker 4: I don't know if you leaving out.

767
00:37:39,040 --> 00:37:41,880
Speaker 1: Though some definite No, no, no, I didn't edit anything.

768
00:37:41,920 --> 00:37:44,399
Speaker 1: I just I took out like the schemes on certain ship.

769
00:37:45,160 --> 00:37:50,239
Speaker 1: But no, I mean that I would write that in

770
00:37:50,280 --> 00:37:53,960
Speaker 1: a heartbeat. You never felt that way for sure. But

771
00:37:54,080 --> 00:37:56,719
Speaker 1: at the same time you were like, people now are

772
00:37:56,840 --> 00:38:00,879
Speaker 1: like doing this type of ship. They're putting reviews like form. Yeah,

773
00:38:01,120 --> 00:38:05,040
Speaker 1: that's crazy, all right. Next one, the room smelled like

774
00:38:05,040 --> 00:38:06,480
Speaker 1: broken dreams and Champagne.

775
00:38:06,840 --> 00:38:08,120
Speaker 4: Oh, that's a that's a bar.

776
00:38:08,360 --> 00:38:11,600
Speaker 1: The room smell like broke. I have been to restaurants

777
00:38:11,640 --> 00:38:13,719
Speaker 1: to smell. Let me take that because this could be

778
00:38:13,760 --> 00:38:14,560
Speaker 1: a hotel review.

779
00:38:15,320 --> 00:38:16,719
Speaker 4: That could be a club review too.

780
00:38:16,960 --> 00:38:20,080
Speaker 2: The room smelled like, No, it's the room, so that's

781
00:38:20,080 --> 00:38:22,200
Speaker 2: like a hotel room, like broken.

782
00:38:22,000 --> 00:38:24,280
Speaker 1: Dream private room or restaurant.

783
00:38:24,480 --> 00:38:27,480
Speaker 2: Okay, the room smelled like Broken dreams of Champagne. I'm

784
00:38:27,480 --> 00:38:28,399
Speaker 2: gonna say that's a bar.

785
00:38:28,560 --> 00:38:31,360
Speaker 4: I'm gonna say that's a Yelp review, most correct.

786
00:38:31,400 --> 00:38:34,040
Speaker 1: That's Freddy gets Scotti bean. There you go. The room

787
00:38:34,080 --> 00:38:37,160
Speaker 1: smell like Broken dreams of Champagne. All right. The next

788
00:38:37,160 --> 00:38:39,040
Speaker 1: one is is a little easy, but it's for fun

789
00:38:39,640 --> 00:38:41,399
Speaker 1: ordered surf and turf with a tech in my lap.

790
00:38:46,200 --> 00:38:48,520
Speaker 5: It might be turf with a tech in my lap.

791
00:38:48,600 --> 00:38:52,399
Speaker 5: That might be the hardest one. I don't know what that's.

792
00:38:53,080 --> 00:38:55,600
Speaker 1: That is in fact a Yelp review left by Conway

793
00:38:55,600 --> 00:39:05,840
Speaker 1: of the machine. No, it's Conway's first next one, I

794
00:39:05,960 --> 00:39:09,000
Speaker 1: ordered that alfred O pasta, then ate it in the kitchen.

795
00:39:10,440 --> 00:39:13,120
Speaker 1: Oh that's a bar. Yeah, that's a bar. Ain't let

796
00:39:13,239 --> 00:39:16,799
Speaker 1: niggas in the kitchen. Yeah, that's a bar. Drake no telling, Yeah,

797
00:39:16,880 --> 00:39:20,160
Speaker 1: that's a bar. I gotta have some privilege, go back there. Yeah, yeah,

798
00:39:20,160 --> 00:39:23,080
Speaker 1: that's you're just eating it. No, but it's funny. The

799
00:39:23,160 --> 00:39:25,520
Speaker 1: yelp reviews that I left off, This is a lot

800
00:39:25,560 --> 00:39:27,720
Speaker 1: of men bragging about what they did for their bitches

801
00:39:28,320 --> 00:39:31,120
Speaker 1: in the restaurant. Yeah, that's crazy, like all the ship

802
00:39:31,239 --> 00:39:33,000
Speaker 1: was like, it wouldn't even be fun because it sounds

803
00:39:33,040 --> 00:39:36,880
Speaker 1: like straight up bars. That ship sounded like hove lines

804
00:39:36,920 --> 00:39:37,920
Speaker 1: in some of these yelp reviews.

805
00:39:37,960 --> 00:39:40,200
Speaker 2: You know, I need these in a in a book though.

806
00:39:40,200 --> 00:39:41,440
Speaker 2: For the coffee table though.

807
00:39:41,680 --> 00:39:41,960
Speaker 4: All right.

808
00:39:42,040 --> 00:39:44,960
Speaker 1: Next one, Josh ordered two plates more for the duck

809
00:39:45,000 --> 00:39:49,640
Speaker 1: fat than the taste. I ordered two plates just because

810
00:39:49,640 --> 00:39:53,680
Speaker 1: it rhyme. Don't mean yeah, yeah, just because you don't

811
00:39:53,719 --> 00:39:59,040
Speaker 1: understand them, don't mean that nice because he wearing coofie.

812
00:39:59,120 --> 00:40:00,319
Speaker 1: It don't mean that, right.

813
00:40:01,080 --> 00:40:03,239
Speaker 2: I owe the two plates more for the duck fat

814
00:40:03,360 --> 00:40:05,879
Speaker 2: than the taste. I'm gonna say that's a bar.

815
00:40:06,600 --> 00:40:08,439
Speaker 4: Man, that's a Yelp review.

816
00:40:08,880 --> 00:40:13,239
Speaker 1: Mass in fact correct, that's Action Bronxing Brunch. Next one,

817
00:40:13,400 --> 00:40:19,440
Speaker 1: ordered the grouper tell the chef, I'm serious, that's west Side.

818
00:40:19,640 --> 00:40:23,520
Speaker 1: That does sound like it's not west Side, but ordered

819
00:40:23,520 --> 00:40:32,560
Speaker 1: the group of the chef. I'm serious, serious, that's Rick

820
00:40:32,680 --> 00:40:35,439
Speaker 1: Ross Triple platinum. Yeah, ordered the group of tell the chef,

821
00:40:35,480 --> 00:40:37,800
Speaker 1: I'm serious. All right, we were gett into to the

822
00:40:37,880 --> 00:40:40,640
Speaker 1: last five. Now I feel like we we should do

823
00:40:40,680 --> 00:40:44,080
Speaker 1: head to head pause. Okay, because you guys have Nick

824
00:40:44,280 --> 00:40:47,080
Speaker 1: smoked you in the first half, but you've definitely redeemed yourself.

825
00:40:47,160 --> 00:40:50,279
Speaker 1: All right. Oh and it's easy for from all now

826
00:40:50,840 --> 00:40:53,239
Speaker 1: I hate some well done serious scallops that were to

827
00:40:53,239 --> 00:40:56,480
Speaker 1: die for. That's that's Drake right undred percent. Yeah, that

828
00:40:56,560 --> 00:41:00,800
Speaker 1: was the easiest one. That don't count gallop, see it scallops?

829
00:41:00,800 --> 00:41:03,080
Speaker 1: That's that where to die for? Drake is only the

830
00:41:03,320 --> 00:41:06,239
Speaker 1: rap about seared scallops? Another rap. Ain't get that off,

831
00:41:07,040 --> 00:41:10,279
Speaker 1: all right? Next one, Josh, the chicken was dry, but

832
00:41:10,360 --> 00:41:14,560
Speaker 1: not as dry as her personality as Yo. That's definitely yo. Yeah,

833
00:41:14,640 --> 00:41:16,399
Speaker 1: you couldn't put a bar together that woul sound that good,

834
00:41:16,520 --> 00:41:18,680
Speaker 1: but I could tell that was Yo though. Damn I

835
00:41:18,760 --> 00:41:20,200
Speaker 1: feel bad now. I thought that would be one that

836
00:41:20,200 --> 00:41:23,359
Speaker 1: would stump y'all. Nah, that is a real three star

837
00:41:23,480 --> 00:41:26,600
Speaker 1: review from a Harlem soul food restaurant that we both know.

838
00:41:26,880 --> 00:41:33,200
Speaker 1: Amy rules gotta be no, not Melbours. Melbour's no, you

839
00:41:33,239 --> 00:41:37,719
Speaker 1: guessed it the first time. Oh okay, the vibe was off,

840
00:41:37,880 --> 00:41:42,680
Speaker 1: but the lighting was amazing. That's yo, that's yo, that's

841
00:41:42,760 --> 00:41:44,200
Speaker 1: Tyler the creator best interest.

842
00:41:44,320 --> 00:41:47,480
Speaker 4: Oh shit, rap about the lighting.

843
00:41:48,440 --> 00:41:57,239
Speaker 1: The lighting was amazing. Okay, flux lights all all that

844
00:41:57,760 --> 00:42:02,560
Speaker 1: for salad in a salad ride, All that for salad

845
00:42:02,640 --> 00:42:04,840
Speaker 1: and the ride home. By the way, I feel like

846
00:42:04,880 --> 00:42:07,040
Speaker 1: this would if Mare Rapp, this would be his bar.

847
00:42:07,160 --> 00:42:09,920
Speaker 2: Yeah, for sure, all that for salar in a silent

848
00:42:10,000 --> 00:42:13,040
Speaker 2: ride home. I'm gonna say this is yelp.

849
00:42:14,080 --> 00:42:16,600
Speaker 4: That's some life experience ship facts. This was in the

850
00:42:16,640 --> 00:42:17,840
Speaker 4: car quiety.

851
00:42:18,920 --> 00:42:22,839
Speaker 1: Pay for the meal? Hear? Do you taking a bar?

852
00:42:23,120 --> 00:42:27,360
Speaker 1: That's a bar? Okay? This is from a West Hollywood

853
00:42:27,560 --> 00:42:33,600
Speaker 1: spot that only sells lunch. Why this review was so

854
00:42:33,640 --> 00:42:37,399
Speaker 1: funny to me was he spent a whole silent ride

855
00:42:37,440 --> 00:42:43,160
Speaker 1: home with the sun out. Like I've had bad dinner

856
00:42:43,239 --> 00:42:45,480
Speaker 1: dates where like sh it ain't go well? Like like yo,

857
00:42:45,520 --> 00:42:48,520
Speaker 1: I drop you off in the uber two stops type thing. Yeah, no,

858
00:42:48,840 --> 00:42:53,799
Speaker 1: it's two pm where he was going from Earth Cafe. Earth.

859
00:42:54,400 --> 00:42:55,880
Speaker 4: It's just like Earth Cafe.

860
00:42:57,040 --> 00:42:59,080
Speaker 1: I'm like, yo, you left a review in the uber

861
00:42:59,120 --> 00:43:01,680
Speaker 1: with a silent chick when the sun was out. We

862
00:43:01,680 --> 00:43:04,680
Speaker 1: get we get into the bottom here. I don't even

863
00:43:04,719 --> 00:43:07,120
Speaker 1: like oysters, but she wanted the experience.

864
00:43:07,360 --> 00:43:16,000
Speaker 2: That's a bar. That's a bar. That's a bar. That's

865
00:43:16,040 --> 00:43:18,360
Speaker 2: definitely bar following.

866
00:43:18,800 --> 00:43:20,440
Speaker 1: I don't even like oysters. Yeah, that's a bar.

867
00:43:20,600 --> 00:43:21,120
Speaker 4: That's a bar.

868
00:43:22,480 --> 00:43:25,839
Speaker 1: This is a one star, oh my yell review. And

869
00:43:26,120 --> 00:43:30,279
Speaker 1: there was an explanation he got dumped mid appetizer while

870
00:43:30,320 --> 00:43:34,239
Speaker 1: she was eating the oysters. Oh that's crazy. Yeah, damn wow,

871
00:43:34,680 --> 00:43:35,879
Speaker 1: last one we could close out.

872
00:43:35,960 --> 00:43:38,040
Speaker 4: Should have got the lives the motherfucker.

873
00:43:38,120 --> 00:43:42,399
Speaker 1: The cook got my order wrong, but the blunt made

874
00:43:42,400 --> 00:43:45,680
Speaker 1: it a bar. And you know who that's from. You

875
00:43:45,680 --> 00:43:48,480
Speaker 1: already guessed it was. Yeah, that's gone. Nah, that's not

876
00:43:48,680 --> 00:43:51,440
Speaker 1: that's currency. That's oh ship. The cook got my order wrong,

877
00:43:51,480 --> 00:43:53,759
Speaker 1: but the blunt. Yeah, but the blunt made it better.

878
00:43:53,800 --> 00:43:57,000
Speaker 1: That's definitely Curtacy shout out man. All right, that was

879
00:43:57,040 --> 00:43:58,400
Speaker 1: cool man. I like that. I like that. Yeah, we

880
00:43:58,680 --> 00:44:00,799
Speaker 1: did a little too much, but you know, I like

881
00:44:00,840 --> 00:44:03,319
Speaker 1: it though. Yeah, I think it's a we can start

882
00:44:03,320 --> 00:44:03,800
Speaker 1: to add.

883
00:44:06,640 --> 00:44:09,160
Speaker 4: I lost the last one. Yeah, he fucked me up

884
00:44:09,200 --> 00:44:09,520
Speaker 4: with that one.

885
00:44:09,560 --> 00:44:09,759
Speaker 1: Yeah.

886
00:44:09,760 --> 00:44:11,520
Speaker 2: The cook got order on with the blood made it better,

887
00:44:11,560 --> 00:44:11,840
Speaker 2: all right.

888
00:44:15,560 --> 00:44:19,680
Speaker 1: Speaking of true Americans, true men in America, Nelly tried

889
00:44:19,680 --> 00:44:21,560
Speaker 1: to tell his girl, I don't change diapers. I'm a man,

890
00:44:21,760 --> 00:44:24,239
Speaker 1: I'm a true American. That's that's a woman's job. Get

891
00:44:24,239 --> 00:44:27,640
Speaker 1: back in the kitchen and change them diapers. But Nelly's

892
00:44:27,680 --> 00:44:30,040
Speaker 1: leading away from American men. Don't change the diapers in

893
00:44:30,080 --> 00:44:31,759
Speaker 1: the kitchen. I wouldn't even know because I don't even

894
00:44:31,760 --> 00:44:33,000
Speaker 1: go in the kitchen. I don't even know what goes

895
00:44:33,000 --> 00:44:35,200
Speaker 1: on in there. Is that what y'all do? Is that

896
00:44:35,280 --> 00:44:37,279
Speaker 1: what y'all do? I would never even step foot in

897
00:44:37,280 --> 00:44:39,600
Speaker 1: the kitchen. Mall, did you see this? Man? I saw

898
00:44:39,640 --> 00:44:41,839
Speaker 1: the clip? How do you feel? Well?

899
00:44:41,920 --> 00:44:44,520
Speaker 3: For people who haven't seen the clip, it's basically Nelly

900
00:44:45,080 --> 00:44:47,280
Speaker 3: and a shanty On their new show, Nelly is saying

901
00:44:47,320 --> 00:44:50,080
Speaker 3: that he's not changing diapers, like once the baby is

902
00:44:50,080 --> 00:44:52,000
Speaker 3: old enough to walk, talk, and go to the bathroom,

903
00:44:52,120 --> 00:44:53,759
Speaker 3: then he's gonna hang with him and the guys but

904
00:44:53,880 --> 00:44:56,560
Speaker 3: until then, it's basically Anna Shanty. Ashanti was complaining that

905
00:44:56,680 --> 00:44:59,120
Speaker 3: he sleeps through the baby waking up at night and

906
00:44:59,160 --> 00:45:01,360
Speaker 3: she's getting them up, and the Internet is currently in

907
00:45:01,400 --> 00:45:03,439
Speaker 3: an uproar. They're saying, this is why you don't spend

908
00:45:03,440 --> 00:45:06,320
Speaker 3: the block because the caw Niggas act Maul.

909
00:45:07,680 --> 00:45:09,920
Speaker 2: The Nternet is doing exactly what Nelly and a Shanty

910
00:45:09,960 --> 00:45:13,000
Speaker 2: wanted to do to do. If people think that Nelly

911
00:45:13,040 --> 00:45:16,160
Speaker 2: does not take care of his baby, doesn't change diapers,

912
00:45:16,360 --> 00:45:19,799
Speaker 2: It's like, what are we talking about? Like that's just

913
00:45:19,880 --> 00:45:22,560
Speaker 2: him talking shit. I don't think any of that is real.

914
00:45:22,800 --> 00:45:23,400
Speaker 2: It's a show.

915
00:45:24,080 --> 00:45:26,560
Speaker 1: I'm jealous that he got that off. Yeah, I mean,

916
00:45:26,640 --> 00:45:28,480
Speaker 1: you know, but I get it.

917
00:45:29,320 --> 00:45:31,319
Speaker 2: You think Nelly doesn't take change diapers.

918
00:45:31,760 --> 00:45:33,880
Speaker 3: I believe that a lot of reality TV is scripted.

919
00:45:33,960 --> 00:45:35,879
Speaker 3: I don't think that that's scripted. He's not the only

920
00:45:35,920 --> 00:45:37,719
Speaker 3: person to have said that. He's not the only man

921
00:45:37,760 --> 00:45:39,160
Speaker 3: to I've ever said that or felt that way.

922
00:45:39,560 --> 00:45:40,640
Speaker 1: Mine. No, I understand that.

923
00:45:40,640 --> 00:45:42,919
Speaker 2: But I'm saying, do you think Nelly, as many kids

924
00:45:42,960 --> 00:45:44,760
Speaker 2: as he has, you don't think he's ever.

925
00:45:44,640 --> 00:45:45,200
Speaker 1: Changed the diper.

926
00:45:45,239 --> 00:45:46,640
Speaker 3: I'm not saying I don't think he's ever changed the

927
00:45:46,680 --> 00:45:49,480
Speaker 3: diaper or what I do. I believe in what him

928
00:45:49,480 --> 00:45:51,719
Speaker 3: and Shanty are saying is that he lets her get

929
00:45:51,760 --> 00:45:52,920
Speaker 3: up in the middle of the night and that he

930
00:45:52,920 --> 00:45:55,920
Speaker 3: ain't really changing, like he's not the primary parent. I

931
00:45:55,960 --> 00:45:58,040
Speaker 3: fully believe that Ashanti is the primary parent right now.

932
00:45:58,520 --> 00:45:59,399
Speaker 3: I'm just just going off.

933
00:45:59,440 --> 00:46:02,880
Speaker 1: I mean newborns in general, the woman is that, but

934
00:46:02,920 --> 00:46:05,480
Speaker 1: you can still change the diaper and put her back

935
00:46:05,520 --> 00:46:08,799
Speaker 1: to sleep. But I found out last Christmas my mom

936
00:46:08,800 --> 00:46:10,920
Speaker 1: and dad. My mom said my dad never changed one

937
00:46:10,960 --> 00:46:13,279
Speaker 1: fucking diaper. Well, and I looked at him. I was like,

938
00:46:13,320 --> 00:46:14,080
Speaker 1: how you got that off?

939
00:46:14,320 --> 00:46:16,000
Speaker 2: Your dad was a different type of man. That was

940
00:46:16,040 --> 00:46:18,359
Speaker 2: a real American right there. That was a real American man.

941
00:46:18,760 --> 00:46:22,000
Speaker 1: And I think it's it's great that our generation has

942
00:46:22,040 --> 00:46:25,000
Speaker 1: like a real relationship with our kids and men should

943
00:46:25,000 --> 00:46:27,480
Speaker 1: be also doing that care providers and all that shit.

944
00:46:27,560 --> 00:46:31,120
Speaker 1: But I'm jealous, man. I looked at my dad's house,

945
00:46:31,880 --> 00:46:34,120
Speaker 1: did that Yeah, what'd you say? He didn't give you

946
00:46:34,160 --> 00:46:35,680
Speaker 1: that gym? He ain't give you that gym right now?

947
00:46:36,800 --> 00:46:39,560
Speaker 1: How do I amara has shipped in my face before,

948
00:46:39,760 --> 00:46:42,040
Speaker 1: Like I remember, there was a time when you could

949
00:46:42,080 --> 00:46:46,719
Speaker 1: just not change your child, didn't even see the diapers. Yeah, yoh,

950
00:46:47,400 --> 00:46:50,040
Speaker 1: that generation they had it. They ruined the economy. But

951
00:46:50,120 --> 00:46:55,279
Speaker 1: boy did they have householded it out. They figured out home.

952
00:46:55,320 --> 00:46:58,040
Speaker 1: We can't buy a house anymore. Boom was figured out. Listen, man,

953
00:46:58,239 --> 00:47:01,279
Speaker 1: them boomers they figured it out. Yeah. Absolutely, But now

954
00:47:01,320 --> 00:47:03,080
Speaker 1: that's just some sick ship to get off on TV.

955
00:47:03,400 --> 00:47:05,239
Speaker 1: But baby, do you seem a little bothered by that?

956
00:47:05,480 --> 00:47:07,239
Speaker 1: Why would hold on?

957
00:47:07,280 --> 00:47:08,480
Speaker 4: Baby? I ain't bothered, No, not.

958
00:47:08,520 --> 00:47:11,640
Speaker 1: You, but like but you like when you hear mensation, Yeah,

959
00:47:11,640 --> 00:47:11,840
Speaker 1: I do.

960
00:47:12,120 --> 00:47:14,960
Speaker 3: I do it because I because what's happening is is

961
00:47:15,000 --> 00:47:19,000
Speaker 3: trying to be folded into like like the housewife role.

962
00:47:19,280 --> 00:47:22,120
Speaker 3: Like that's that they're folding that into the housewife role.

963
00:47:22,200 --> 00:47:25,400
Speaker 3: It's like no, like housewife is like cooking and cleaning,

964
00:47:25,480 --> 00:47:27,760
Speaker 3: like taking care of the kids. Like that's we splitting that, baby,

965
00:47:27,800 --> 00:47:29,000
Speaker 3: Like that's we're supposed to.

966
00:47:29,360 --> 00:47:32,080
Speaker 1: You are the main provider financially. But I know how

967
00:47:32,160 --> 00:47:35,960
Speaker 1: much those Gyro and Ashanti tickets cost. She ain't a housewife?

968
00:47:36,280 --> 00:47:40,200
Speaker 1: Yeah yeah, even if she was, she's she's bringing home bread. Yeah,

969
00:47:40,280 --> 00:47:42,319
Speaker 1: even if even if she wasn't bringing home bread.

970
00:47:42,320 --> 00:47:44,520
Speaker 3: Okay, that's the house is clean, like all of that

971
00:47:44,600 --> 00:47:46,640
Speaker 3: ship that comes with being a housewife, but nig these

972
00:47:46,719 --> 00:47:47,520
Speaker 3: is your kids.

973
00:47:47,560 --> 00:47:50,239
Speaker 1: Like what I will speak to be.

974
00:47:50,239 --> 00:47:54,680
Speaker 3: Fair, We've had this conversation where if one person is

975
00:47:54,719 --> 00:47:57,279
Speaker 3: working in the household and the other isn't, we should

976
00:47:57,280 --> 00:48:01,120
Speaker 3: probably let the person who's working get the sleep. That yeah,

977
00:48:01,280 --> 00:48:03,600
Speaker 3: makes sense, but you can help, you can you can

978
00:48:03,640 --> 00:48:05,760
Speaker 3: change it. You can change your child Stiper.

979
00:48:06,200 --> 00:48:09,880
Speaker 1: And even like shit, when Kia would say the same

980
00:48:09,920 --> 00:48:12,120
Speaker 1: thing like you gotta work in the morning, like you

981
00:48:12,160 --> 00:48:15,759
Speaker 1: can't sleep, like when Tomorrow was crying or anything like

982
00:48:15,760 --> 00:48:17,680
Speaker 1: that of like hey, it's your turn, your turn type thing,

983
00:48:17,880 --> 00:48:20,719
Speaker 1: even when k was like go rest, like you're not

984
00:48:20,800 --> 00:48:23,239
Speaker 1: really catching z's when your baby is crying, like just

985
00:48:24,040 --> 00:48:28,160
Speaker 1: like like nobody just being knocked out like at that time.

986
00:48:28,239 --> 00:48:30,239
Speaker 1: So just didn't get the bit. That's where I'm thinking

987
00:48:30,239 --> 00:48:35,120
Speaker 1: it's more performative of that entire scene. But I don't know.

988
00:48:35,160 --> 00:48:37,560
Speaker 1: I was having this conversation with Kaz right when Tomorrow

989
00:48:37,680 --> 00:48:39,840
Speaker 1: was born, because I mean, Kaz has two daughters now,

990
00:48:39,880 --> 00:48:42,239
Speaker 1: but at that time, I only had one. I was

991
00:48:42,840 --> 00:48:45,759
Speaker 1: terrified of changing diaper, not because of like shit, but

992
00:48:45,800 --> 00:48:49,040
Speaker 1: like I just no only child. I didn't change like

993
00:48:49,080 --> 00:48:52,440
Speaker 1: my siblings diapers or anything. That's the easiest shit on

994
00:48:52,520 --> 00:48:54,719
Speaker 1: fucking Earth. I was laughing with Kaz on day two.

995
00:48:54,719 --> 00:48:58,400
Speaker 1: I was like, this is the hype. Yeah, changes the

996
00:48:58,440 --> 00:49:00,560
Speaker 1: diapers the easiest fucking even when Tomorrow is kicking me

997
00:49:00,560 --> 00:49:02,239
Speaker 1: in the fucking face, it's really not that hard.

998
00:49:02,560 --> 00:49:05,920
Speaker 2: Yeah, it's not. That's why I think that Sean. I mean,

999
00:49:05,960 --> 00:49:09,440
Speaker 2: Nelly was just just putting that on Shine I said,

1000
00:49:09,480 --> 00:49:11,200
Speaker 2: I was saying that Shanty shy.

1001
00:49:11,960 --> 00:49:13,399
Speaker 1: Yeah. I think Nelly was just talking Ship.

1002
00:49:13,840 --> 00:49:15,920
Speaker 2: I think that he just said that for the cameras, like,

1003
00:49:16,080 --> 00:49:19,279
Speaker 2: you know, to sound like I ain't doing that. I ain't,

1004
00:49:19,360 --> 00:49:22,120
Speaker 2: I'm not changing some date was like I think I don't.

1005
00:49:22,120 --> 00:49:24,759
Speaker 2: I don't know Nelly personally, but I'm guessing that was

1006
00:49:24,840 --> 00:49:26,360
Speaker 2: just for for then.

1007
00:49:26,400 --> 00:49:29,000
Speaker 1: I've seen some rumor on Twitter. This is like really messy, Ship.

1008
00:49:29,320 --> 00:49:31,360
Speaker 3: I see some rumor on Twitter where they're like, yeah,

1009
00:49:31,560 --> 00:49:34,120
Speaker 3: that's the reason why they broke up because he owed

1010
00:49:34,120 --> 00:49:36,200
Speaker 3: as Shanty a million dollars and never gave it to her,

1011
00:49:36,200 --> 00:49:37,360
Speaker 3: and she went back to him and I was like,

1012
00:49:37,400 --> 00:49:40,360
Speaker 3: whoa hold on? Now, changing divers is one thing. Borrowing

1013
00:49:40,400 --> 00:49:41,879
Speaker 3: a million dollars from me and not giving it back.

1014
00:49:41,880 --> 00:49:43,040
Speaker 3: It's absolutely fucking crazy.

1015
00:49:43,120 --> 00:49:45,759
Speaker 2: It's saying Nelly borrowed a million dollack in the day.

1016
00:49:45,760 --> 00:49:47,520
Speaker 3: They said, that's the rumor of why they broke up.

1017
00:49:48,080 --> 00:49:49,879
Speaker 3: I won't confirm her tonight that it was our media

1018
00:49:49,920 --> 00:49:52,160
Speaker 3: takeout all right.

1019
00:49:52,719 --> 00:49:55,000
Speaker 1: Don't bring no media take out ship in here, please.

1020
00:49:55,280 --> 00:49:57,320
Speaker 3: Oh it was a lot of media takeout ship in

1021
00:49:57,400 --> 00:49:58,640
Speaker 3: World Star Hip Hop shit.

1022
00:49:58,480 --> 00:50:00,239
Speaker 1: That was real. We were talking about worldstore up on

1023
00:50:00,280 --> 00:50:02,279
Speaker 1: the other so we forgot to bring up. At one point,

1024
00:50:02,360 --> 00:50:04,920
Speaker 1: media takeout was the TMZ of everything, thank you. Oh yeah,

1025
00:50:05,680 --> 00:50:07,839
Speaker 1: they broke the Chris and Rihanna feel like at one

1026
00:50:07,920 --> 00:50:10,960
Speaker 1: point that was a source. You trust it back, remember

1027
00:50:10,960 --> 00:50:14,040
Speaker 1: the main page, the big one. She was like, I

1028
00:50:14,120 --> 00:50:18,759
Speaker 1: gotta be tru media take up, okay, but like over time? Yeah,

1029
00:50:18,800 --> 00:50:20,520
Speaker 1: over time? Or did Nelly straight up?

1030
00:50:20,600 --> 00:50:21,960
Speaker 3: Because first of all, they said it was over five

1031
00:50:22,040 --> 00:50:24,400
Speaker 3: hundred thousand if Nellie all right, so we round it

1032
00:50:24,440 --> 00:50:26,480
Speaker 3: to a million, which which camera.

1033
00:50:26,719 --> 00:50:29,959
Speaker 1: Two Nelly, I apologize. I was not familiar with your game.

1034
00:50:30,200 --> 00:50:30,520
Speaker 4: Stop.

1035
00:50:30,680 --> 00:50:34,520
Speaker 1: Not only did you asked for a million dollars from

1036
00:50:34,560 --> 00:50:37,319
Speaker 1: your girl at the time, you then didn't pay it back.

1037
00:50:37,560 --> 00:50:41,600
Speaker 1: Then you broke up with her, took a break, went

1038
00:50:41,600 --> 00:50:45,479
Speaker 1: and did your thing. Had some kids got her right back,

1039
00:50:46,400 --> 00:50:49,160
Speaker 1: didn't pay, he didn't even pay the big and then

1040
00:50:49,239 --> 00:50:54,000
Speaker 1: told her go change that fucking diaper. Nelly might be

1041
00:50:54,000 --> 00:50:59,759
Speaker 1: the illest of all time. If that's true. Imagine tell

1042
00:50:59,840 --> 00:51:02,960
Speaker 1: us somebody that you owe a million dollars to the God,

1043
00:51:03,080 --> 00:51:07,040
Speaker 1: change that fucking diaper. I mean you to go. You

1044
00:51:07,080 --> 00:51:11,560
Speaker 1: know she loves him. That's it, that's that's it's a husband.

1045
00:51:11,960 --> 00:51:16,160
Speaker 1: So man, I've never loved followed that much. I spend

1046
00:51:16,200 --> 00:51:16,560
Speaker 1: the block.

1047
00:51:16,760 --> 00:51:18,960
Speaker 3: If I let you spend the block and get me pregnant,

1048
00:51:19,280 --> 00:51:21,680
Speaker 3: you change every diaper. That's we're putting that into like

1049
00:51:21,719 --> 00:51:25,359
Speaker 3: spend the block like agreement. In order to come back

1050
00:51:25,400 --> 00:51:27,640
Speaker 3: and revisit this pussy that was once dead to you

1051
00:51:27,840 --> 00:51:30,920
Speaker 3: like a graveyard, you have to change the diapers. We're

1052
00:51:30,920 --> 00:51:34,239
Speaker 3: putting that in the contract before he beats again, Yeah,

1053
00:51:34,280 --> 00:51:36,520
Speaker 3: before you beat, just in case I get pregnant. But

1054
00:51:36,600 --> 00:51:39,359
Speaker 3: at that point, if you spend at that age, if

1055
00:51:39,360 --> 00:51:41,000
Speaker 3: you spending the block at that age, you know we

1056
00:51:41,080 --> 00:51:43,759
Speaker 3: about to have a baby at that age, you.

1057
00:51:43,760 --> 00:51:45,480
Speaker 1: Spend it a block. Yeah, it's like what we're doing,

1058
00:51:45,520 --> 00:51:48,040
Speaker 1: what we doing? Come on, man, come on, man.

1059
00:51:47,920 --> 00:51:51,000
Speaker 2: We like this is what it is at this point,

1060
00:51:51,000 --> 00:51:53,400
Speaker 2: it's us. It's us, like we were too old for

1061
00:51:53,440 --> 00:51:55,200
Speaker 2: this ship, Like we ain't got another one of these

1062
00:51:55,280 --> 00:51:56,799
Speaker 2: left in us, Like in a.

1063
00:51:56,760 --> 00:51:58,840
Speaker 1: Minute, if we if we keep playing.

1064
00:51:58,560 --> 00:52:01,560
Speaker 2: This game, we're gonna find ourselves by ourselves, Like we're

1065
00:52:01,640 --> 00:52:03,680
Speaker 2: too old to be out here.

1066
00:52:03,280 --> 00:52:06,480
Speaker 1: Trying to said, you don't think it's funny to have

1067
00:52:06,480 --> 00:52:13,360
Speaker 1: a pregnancy pack and you already got kids? Absolutely, that's insane. Absolutely, Absolutely,

1068
00:52:13,360 --> 00:52:15,799
Speaker 1: We've talked about the pregnancy pack, like I've had that

1069
00:52:15,880 --> 00:52:17,279
Speaker 1: back in the day with girls of like yo, we

1070
00:52:17,280 --> 00:52:18,880
Speaker 1: ever get to like thirty five or whatever and we

1071
00:52:18,960 --> 00:52:20,840
Speaker 1: both single, like fuck it, let's just do it. But

1072
00:52:21,000 --> 00:52:23,200
Speaker 1: having a bunch of kids and then spinning the block

1073
00:52:23,320 --> 00:52:26,160
Speaker 1: for a pregnancy pack, Yeah, it's funny. You got a

1074
00:52:26,200 --> 00:52:27,080
Speaker 1: pack already. Yeah.

1075
00:52:27,080 --> 00:52:30,680
Speaker 3: I ain't had the one I wanted, though, they want

1076
00:52:30,719 --> 00:52:33,000
Speaker 3: the one I wanted. Like when you have a black

1077
00:52:33,000 --> 00:52:35,120
Speaker 3: when niggas have a baby and you congratulate them, they

1078
00:52:35,200 --> 00:52:36,520
Speaker 3: be like, thank you, it was supposed.

1079
00:52:36,239 --> 00:52:39,680
Speaker 1: To be ours. Yeah, niggas get that off. Niggas get

1080
00:52:39,680 --> 00:52:41,600
Speaker 1: that off. I know Rory got that off at least once.

1081
00:52:43,840 --> 00:52:49,439
Speaker 1: He definitely did. Definitely, I would one thousand percent take

1082
00:52:49,440 --> 00:52:53,040
Speaker 1: the allegations of me pissing on women before I allow

1083
00:52:53,160 --> 00:52:54,200
Speaker 1: y'all to make this true.

1084
00:52:54,600 --> 00:52:56,560
Speaker 2: What that you that you never told a girl that

1085
00:52:57,360 --> 00:52:58,520
Speaker 2: that should be our kid?

1086
00:52:58,960 --> 00:52:59,160
Speaker 4: No?

1087
00:53:00,719 --> 00:53:02,160
Speaker 1: All right, all right.

1088
00:53:02,160 --> 00:53:04,280
Speaker 2: Man, it's the fourth of July. We ain't got a lie.

1089
00:53:05,400 --> 00:53:07,560
Speaker 2: It's the fourth of July, but you ain't got a lie.

1090
00:53:07,760 --> 00:53:10,239
Speaker 2: We the people was a fucking lost julyon. It's the

1091
00:53:10,239 --> 00:53:15,279
Speaker 2: fourth of Julyon julyon, every man is created equally. Whatever

1092
00:53:15,320 --> 00:53:17,920
Speaker 2: the fuck they was lying, and the whole thing like

1093
00:53:18,040 --> 00:53:22,080
Speaker 2: you like you, just like you.

1094
00:53:22,120 --> 00:53:24,839
Speaker 1: So y'all, y'all really think that I saw a girl

1095
00:53:24,880 --> 00:53:27,680
Speaker 1: have a baby, and I replied with that should have

1096
00:53:27,680 --> 00:53:30,520
Speaker 1: been ours? Nah? Really you have?

1097
00:53:31,000 --> 00:53:34,439
Speaker 2: This is what Rory does. He paints a very specific thing.

1098
00:53:34,840 --> 00:53:37,479
Speaker 2: I'm not saying that's how you said it, but you've

1099
00:53:37,520 --> 00:53:40,200
Speaker 2: definitely had a girl that you liked or he was

1100
00:53:40,239 --> 00:53:42,600
Speaker 2: in love with, and y'all broke up and she went

1101
00:53:42,640 --> 00:53:44,920
Speaker 2: and had a baby, and somewhere around the.

1102
00:53:44,880 --> 00:53:48,600
Speaker 1: Lonely girl I've loved that has had a baby is Kia.

1103
00:53:49,880 --> 00:53:52,160
Speaker 1: All my exes don't have. The exes that I was

1104
00:53:52,160 --> 00:53:53,680
Speaker 1: in love with do not have. But that's not what

1105
00:53:53,719 --> 00:53:56,000
Speaker 1: I'm specials. I fucked that. I was like damn, she's

1106
00:53:56,000 --> 00:53:58,960
Speaker 1: pregnant now. But like, that's not what I'm I can't

1107
00:53:59,000 --> 00:54:00,000
Speaker 1: beat I'm saying.

1108
00:54:00,040 --> 00:54:02,600
Speaker 3: And a bitch don slit in your d MS and said,

1109
00:54:02,640 --> 00:54:05,640
Speaker 3: all congratulations. I meant to tell you congratulations on a baby,

1110
00:54:05,680 --> 00:54:07,200
Speaker 3: and you said thank you.

1111
00:54:07,280 --> 00:54:08,879
Speaker 1: We were supposed to have one, all.

1112
00:54:08,840 --> 00:54:13,720
Speaker 2: Right, Oh okay, okay, okay, okay, baby just did something.

1113
00:54:14,239 --> 00:54:16,600
Speaker 1: Yeah yeah, yeah, yeah, one hundred percent you did that.

1114
00:54:16,680 --> 00:54:19,440
Speaker 1: I don't want to hear that. I thought the first

1115
00:54:19,440 --> 00:54:22,239
Speaker 1: one was egregious. That's the nastiest thing I've ever heard

1116
00:54:23,160 --> 00:54:29,799
Speaker 1: you want. I'm talking about in the first year of

1117
00:54:29,800 --> 00:54:30,320
Speaker 1: her life.

1118
00:54:30,320 --> 00:54:32,880
Speaker 3: But once you got more comfortable being a dad brown

1119
00:54:33,000 --> 00:54:35,160
Speaker 3: year or two, I wouldn't be surprised if you got

1120
00:54:35,200 --> 00:54:36,680
Speaker 3: it off, That's all I'm saying.

1121
00:54:36,840 --> 00:54:40,000
Speaker 1: So you think I would look at my child who

1122
00:54:40,040 --> 00:54:42,800
Speaker 1: I love and go na should be you should be

1123
00:54:42,840 --> 00:54:51,160
Speaker 1: a different kid, right, don't change it. Don't change every

1124
00:54:51,200 --> 00:54:55,160
Speaker 1: man say that really.

1125
00:54:55,040 --> 00:54:59,360
Speaker 2: Believe it should have been hers, saying that the child

1126
00:54:59,400 --> 00:55:03,560
Speaker 2: that you have should have been with her, not specifically

1127
00:55:03,640 --> 00:55:04,560
Speaker 2: a mars should.

1128
00:55:04,440 --> 00:55:06,440
Speaker 1: Yeah, like we should have had a child.

1129
00:55:05,960 --> 00:55:09,239
Speaker 3: You supposed to be my first baby, Like nobody said

1130
00:55:09,280 --> 00:55:11,480
Speaker 3: up there saying, oh my god, I regret, I regret

1131
00:55:11,640 --> 00:55:11,959
Speaker 3: the baby.

1132
00:55:11,960 --> 00:55:15,040
Speaker 1: Would key now put that say that? We ain't say that.

1133
00:55:16,200 --> 00:55:18,880
Speaker 1: Y'all think she was running around saying, yes we do.

1134
00:55:19,200 --> 00:55:20,719
Speaker 1: I hope he was my first baby, like you think

1135
00:55:20,760 --> 00:55:22,359
Speaker 1: my goals was my first baby mother.

1136
00:55:22,640 --> 00:55:26,080
Speaker 2: We never said that. She just said, Okay, listen to

1137
00:55:26,080 --> 00:55:31,640
Speaker 2: what I'm saying. You definitely have had someone you have

1138
00:55:31,800 --> 00:55:35,880
Speaker 2: dated before respond to a post or something about your

1139
00:55:36,080 --> 00:55:40,560
Speaker 2: your child, a picture of Amara, whatever whatever conversation goes on,

1140
00:55:40,880 --> 00:55:47,239
Speaker 2: and you've definitely insinuated that. Damn, I thought that would

1141
00:55:47,280 --> 00:55:47,719
Speaker 2: have been us.

1142
00:55:47,960 --> 00:55:50,719
Speaker 1: No, not even like a tiny bit. And on top

1143
00:55:50,719 --> 00:55:53,719
Speaker 1: of the only place, the only place that I have

1144
00:55:53,840 --> 00:55:57,319
Speaker 1: posted Amara outside of her playing on her DJ thing

1145
00:55:57,880 --> 00:56:01,200
Speaker 1: which you can't even see her face in my close friends. Now,

1146
00:56:01,280 --> 00:56:03,799
Speaker 1: let me stop. I am not suggesting that there's not

1147
00:56:03,880 --> 00:56:05,719
Speaker 1: women in my close friends that I have not slept with.

1148
00:56:07,160 --> 00:56:09,720
Speaker 1: I'm here to tell the truth, but not not one

1149
00:56:09,760 --> 00:56:13,480
Speaker 1: of them has ever replied on some type of like

1150
00:56:14,360 --> 00:56:16,960
Speaker 1: ship of that should have been our like, come on,

1151
00:56:18,480 --> 00:56:21,480
Speaker 1: that would never even happen. I don't believe that.

1152
00:56:22,760 --> 00:56:25,000
Speaker 3: No, let's say, I ain't gonna fight him money, say

1153
00:56:25,040 --> 00:56:26,319
Speaker 3: what he said, stop kicking me?

1154
00:56:26,320 --> 00:56:28,560
Speaker 1: He said, want to fight. That's the thing with me, baby,

1155
00:56:28,600 --> 00:56:32,040
Speaker 1: I like to fight. I'm fighting that you lying lying.

1156
00:56:32,200 --> 00:56:33,680
Speaker 1: You look at me in my house and you want

1157
00:56:34,200 --> 00:56:36,000
Speaker 1: the only girl I could think of that would have

1158
00:56:36,040 --> 00:56:42,440
Speaker 1: the audacity to say that doesn't want kids. There's one

1159
00:56:42,480 --> 00:56:44,279
Speaker 1: girl I could think that would say some ship like that,

1160
00:56:44,440 --> 00:56:46,520
Speaker 1: because I know her personality. You've taking us to a

1161
00:56:46,600 --> 00:56:50,160
Speaker 1: dead end. You want verse out of the dead end.

1162
00:56:50,320 --> 00:56:51,640
Speaker 1: I ain't even. I ain't even. I ain't.

1163
00:56:51,760 --> 00:56:54,600
Speaker 3: Okay, you have you told a girl yet that you

1164
00:56:54,760 --> 00:56:56,520
Speaker 3: uh that I'm already a sister yet.

1165
00:56:57,680 --> 00:57:00,200
Speaker 1: But I will get that off one day.

1166
00:57:01,960 --> 00:57:03,600
Speaker 2: He tried to give us a little bone right there,

1167
00:57:04,680 --> 00:57:05,799
Speaker 2: but I will get there.

1168
00:57:05,840 --> 00:57:07,080
Speaker 1: You got it off already.

1169
00:57:07,280 --> 00:57:09,440
Speaker 3: You said that ship when you was fucking thigh in,

1170
00:57:09,880 --> 00:57:10,920
Speaker 3: you was five inches in.

1171
00:57:16,520 --> 00:57:23,520
Speaker 1: I did not do that. It was everything was more.

1172
00:57:23,760 --> 00:57:27,920
Speaker 1: I'm not I'm not fun before. I'm just saying maybe

1173
00:57:27,960 --> 00:57:30,480
Speaker 1: he went crazy. She wasn't she I had nothing to

1174
00:57:30,480 --> 00:57:33,080
Speaker 1: do with that. That wasn't my energy. That's what you

1175
00:57:33,080 --> 00:57:34,960
Speaker 1: can talk about. My child was not talk about my

1176
00:57:35,000 --> 00:57:38,040
Speaker 1: child's life. You can talk about mother all that, but

1177
00:57:38,080 --> 00:57:41,320
Speaker 1: throwing five inches on credit. I wasn't on that entity.

1178
00:57:41,600 --> 00:57:45,160
Speaker 1: Like look, look, I'm not saying that she was all

1179
00:57:45,200 --> 00:57:45,560
Speaker 1: the way in.

1180
00:57:45,640 --> 00:57:49,200
Speaker 3: No, no, no, no, you just five in.

1181
00:57:49,680 --> 00:57:50,800
Speaker 1: It was a couple of inches.

1182
00:57:50,880 --> 00:57:51,080
Speaker 4: Laugh.

1183
00:57:51,240 --> 00:57:53,640
Speaker 1: My my guy, I wasn't you know, I'm saying like

1184
00:57:53,680 --> 00:57:56,640
Speaker 1: I was doing. I was playing just a tip with right, Yeah,

1185
00:57:56,880 --> 00:57:59,880
Speaker 1: that's what I'm saying. You wasn't even telling her that

1186
00:58:00,080 --> 00:58:08,160
Speaker 1: at five a josh no once, I feund on was

1187
00:58:08,200 --> 00:58:13,320
Speaker 1: walking around a non soft yeah nah, five and just

1188
00:58:13,360 --> 00:58:17,480
Speaker 1: the tip is nuts. Yeah, I'm cool. I don't want

1189
00:58:17,560 --> 00:58:22,200
Speaker 1: no part of that conversation. My bad, My bad. That's

1190
00:58:22,200 --> 00:58:24,440
Speaker 1: why you can have me on this couch. Okay, my bad.

1191
00:58:24,520 --> 00:58:26,120
Speaker 1: I can't assure you, guys, I have not said that.

1192
00:58:26,160 --> 00:58:28,520
Speaker 1: I'm not saying that. One day maybe I won't say that,

1193
00:58:29,320 --> 00:58:31,480
Speaker 1: but no, I have not gotten that off. I have

1194
00:58:31,600 --> 00:58:36,200
Speaker 1: not been participating in those activities at five inches. To

1195
00:58:36,240 --> 00:58:38,840
Speaker 1: even do something like that, that's a sick thing. Like

1196
00:58:38,960 --> 00:58:40,840
Speaker 1: I'm definitely here to guys.

1197
00:58:40,920 --> 00:58:41,160
Speaker 4: Sister