WEBVTT - Luke’s Diner: Kindred Spirits with Kate 

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<v Speaker 1>I am all in again.

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<v Speaker 2>Oh, I am all in again with Scott Patterson in

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<v Speaker 2>iHeartRadio podcast.

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<v Speaker 1>Hi, Ky, how are you? Nice to meet?

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<v Speaker 3>You nice to meet? You have to go on.

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<v Speaker 1>It's going, and you know it's going as good as

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<v Speaker 1>a ken for a Phillies fan like me, you know

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<v Speaker 1>how that goes.

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<v Speaker 3>I didn't know you're a Phillillies fan.

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<v Speaker 1>I'm born in Phillies, raised all those decades of frustration.

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<v Speaker 3>Wait, wait, sorry, where are you from?

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<v Speaker 1>I was born in Philadelphia and I was raised in

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<v Speaker 1>South Jersey.

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<v Speaker 3>Fantastic. I just came from Ocean City and we were

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<v Speaker 3>in Finland in Tuckaho.

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<v Speaker 1>Yeah. I spent many many summers in Ocean City.

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<v Speaker 3>Dude, that's all.

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<v Speaker 1>I know.

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<v Speaker 3>What a season.

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<v Speaker 4>I love this season of the Phillies, and I what

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<v Speaker 4>a brutal ending to an amazing, amazing year.

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<v Speaker 1>You know, their problem was this organization. They didn't play

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<v Speaker 1>Weston Wilson enough or at all. They didn't get many

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<v Speaker 1>at bats in the playoffs. And that's a breakout star. Yeah,

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<v Speaker 1>that's a breakout power hitter star you know, waiting to happen,

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<v Speaker 1>and they didn't give him a shot. Dude, I'm sick

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<v Speaker 1>of watching guys. I'm just so sick of watching guys

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<v Speaker 1>strike out in the big looks. I mean, I don't

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<v Speaker 1>care how hard these guys are throwing. They're not throwing strikes.

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<v Speaker 1>Just take all these pitches. Take the pitches, bunt, slap

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<v Speaker 1>the ball the other way, play some small ball when

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<v Speaker 1>you get over yourselves. None of you were Babe Ruth,

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<v Speaker 1>you're not Mickey Manple, You're not Ted Williams. And get

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<v Speaker 1>on base. And that's all I have to say that.

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<v Speaker 4>I was at the game where Kyle forber Shober hit

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<v Speaker 4>four home runs the last home game I went to,

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<v Speaker 4>and boy, that was something I have to say. If

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<v Speaker 4>I get hit by a car for real, I'm good.

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<v Speaker 3>I'm really that was it.

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<v Speaker 1>Yeah, But I mean, at the end of the season,

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<v Speaker 1>it's like you're you're playing a small market team and

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<v Speaker 1>all their minor U league arms are up there and

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<v Speaker 1>you're gonna hit four home runs off them, So what

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<v Speaker 1>you know. So it's like these guys, I'm sorry, if

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<v Speaker 1>you strike out two hundred times a year, your value

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<v Speaker 1>goes down. I don't get it. I don't get it right,

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<v Speaker 1>I don't get it. I don't get it how that's

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<v Speaker 1>acceptable where you strike out rate is thirty three percent. Well,

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<v Speaker 1>thirty three percent, Kate, Kate. If you and I walked

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<v Speaker 1>onto a set and one third of the time we

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<v Speaker 1>couldn't nail the scene, we couldn't get it right, we

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<v Speaker 1>kept dropping our lunch, we'd be gone.

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<v Speaker 4>Although, how many times of the audition for stuff and

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<v Speaker 4>didn't get it? I mean those percentages are pretty high

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<v Speaker 4>for me.

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<v Speaker 1>Okay, oh no, I agree in the beginning shore the

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<v Speaker 1>first couple of years, but then you learn, right. I

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<v Speaker 1>went on like one hundred audition hitting streak where I

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<v Speaker 1>was just like hitting the ball of the park, but

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<v Speaker 1>I wasn't scoring.

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<v Speaker 4>Yeah, I still don't score sometimes.

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<v Speaker 1>Still, Oh yeah, it's it's so hard many.

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<v Speaker 3>Times, many times this close close. They love you.

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<v Speaker 1>But I don't know how people get jobs. It's so

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<v Speaker 1>hard to get a job. I don't know how people

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<v Speaker 1>do it.

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<v Speaker 3>It is.

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<v Speaker 4>That's why I kept my restaurant job through the first

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<v Speaker 4>season of the Office, because I was like, we have

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<v Speaker 4>a short season, Like, dude, it.

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<v Speaker 3>Was it was six hours. I was like, I'm not quitting.

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<v Speaker 4>I'm not starting a new job if this doesn't work out,

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<v Speaker 4>cover my shifts during the week and work my Sunday brunch.

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<v Speaker 3>I gotta do what you gotta do.

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<v Speaker 1>I stayed in my I had a little rent. I

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<v Speaker 1>had stayed in a little rent control apartment in West

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<v Speaker 1>Hollywood for the first three years at Gilmore. My nut

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<v Speaker 1>was you know, my nut monthly for everything, for rent,

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<v Speaker 1>for you know, gus, for food, whatever. I mean, it

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<v Speaker 1>was under like eight hundred bucks a month.

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<v Speaker 3>That's how you do it.

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<v Speaker 4>I mean, yeah, I look very yeah, like keep the

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<v Speaker 4>overhead load. That's part of the of the magic, you know,

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<v Speaker 4>that's how you do it. I think these kids that

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<v Speaker 4>are like living over their means and putting stuff on

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<v Speaker 4>credit cards and thinking one jobs gonna save me.

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<v Speaker 3>No, you're screwed.

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<v Speaker 1>Yeah. There are people that get their first series and

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<v Speaker 1>they buy a beach house in Malibu on credit.

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<v Speaker 4>Or people buy a big house the last year of

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<v Speaker 4>their series and then like oh no. And then my

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<v Speaker 4>whole thing is like when you're ending, you gotta batten

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<v Speaker 4>down the hatches. It's graduation time, Like, uh, get take

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<v Speaker 4>a reality pill.

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<v Speaker 1>You you really do?

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<v Speaker 5>No?

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<v Speaker 1>No, yeah, yeah, yeah. One day you're hitting four home runs,

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<v Speaker 1>the next day you're striking out five times.

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<v Speaker 4>You know, you gotta know you gotta gotta know when

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<v Speaker 4>to wet your hair like like Marsh and go.

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<v Speaker 3>That guy guy, what's going on? I love him at

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<v Speaker 3>least such a weirdo. I love him.

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<v Speaker 2>You know what?

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<v Speaker 1>He was hitting really well that last part of the season,

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<v Speaker 1>wasn't he He was? He was on fire.

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<v Speaker 3>He was dude. That wet hair is no joke. He

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<v Speaker 3>was just That's It's.

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<v Speaker 1>A lot of he should he should have. At least

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<v Speaker 1>he should have a water deal with somebody. He should

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<v Speaker 1>have like Fijis it should.

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<v Speaker 4>Write him, even Crystal guys ourselves, come on, let's go.

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<v Speaker 1>Some local Philly water thing or the or the Water

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<v Speaker 1>and Powered Department Philadelphia should sign who the hell knows? Right,

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<v Speaker 1>Peate Flannery, we are welcoming you today to my podcast,

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<v Speaker 1>and uh, you are many things. You're an actors, singer, writer.

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<v Speaker 1>You're known as Meredith. Uh from Is that your name

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<v Speaker 1>on the office? Yeah, it was right, Meredith from the Office.

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<v Speaker 4>No, I prefer Meredith the drunk from the office.

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<v Speaker 1>You got okay, And you're touring with Jane Lynch in

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<v Speaker 1>a Swinging Little Christmas. She's got some great stories to

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<v Speaker 1>her waitressing days, her diner roots. Of course, because you

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<v Speaker 1>know that's what we grew up in in that part

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<v Speaker 1>of the country and her close Skilmore Girl's connection through

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<v Speaker 1>our friend rose Up. I'm thrilled to have her here

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<v Speaker 1>on Luke's Diner, the One and Only and I formerly

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<v Speaker 1>introducer Mss Kate Flannery. Welcome, Welcome, Welcome, Hold your applause,

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<v Speaker 1>Hold your applause. All right, So you grew up Kate?

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<v Speaker 1>You did? You did? You grew up in the diner

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<v Speaker 1>culture of the seventies and eighties and nineties, right, and

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<v Speaker 1>what do you remember most about that ear in Philadelphia?

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<v Speaker 1>Did you box the counter refills, the coffee refills, the

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<v Speaker 1>late night food? What tell us about that? Because I

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<v Speaker 1>grew up in that same culture. I'm from that area.

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<v Speaker 4>Yeah, you know, I felt like it was something as

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<v Speaker 4>a kid, like being in high school. You could figure

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<v Speaker 4>it out, you know, you could figure out how to

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<v Speaker 4>get like, you.

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<v Speaker 3>Could go it.

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<v Speaker 4>It was it was like an affordable but it was

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<v Speaker 4>a culture.

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<v Speaker 3>That's what we did.

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<v Speaker 4>You know, I have to get we go for breakfast

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<v Speaker 4>like after practice, you know.

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<v Speaker 3>Playing sports and stuff like. It was a treat. But

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<v Speaker 3>then it was also like your first sense of independence.

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<v Speaker 4>You got to go to the diner. You know, nobody's

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<v Speaker 4>worried about you. You're just at the diner.

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<v Speaker 1>Yeah, you know, like.

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<v Speaker 4>You're at Manila's, like on Lanter Avenue, what's the big

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<v Speaker 4>or you're on the Black Horse Pike on the way

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<v Speaker 4>to the shore stopping at a diner.

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<v Speaker 3>He eats her Harley Dawn.

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<v Speaker 4>Which was like an old house that had like a

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<v Speaker 4>little you know, homemade I mean at the menus or

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<v Speaker 4>fourteen pages. You want to get chicken croquettes. Well maybe

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<v Speaker 4>it's as big as your face. I don't know, maybe

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<v Speaker 4>they're just small, but they're great. You know, get get breakfast,

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<v Speaker 4>Get a corn muffin, you know what I'm talking about, right,

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<v Speaker 4>get some jail.

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<v Speaker 1>There are diners all the way down to the shore.

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<v Speaker 1>Now South Jersey kids and Philadelphia kids. So the Philadelphia

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<v Speaker 1>kids would usually go to like the inner city kids

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<v Speaker 1>right in South Philadelphia back in the day with solid

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<v Speaker 1>Italian they go to wild Wood, they go to Atlanta

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<v Speaker 1>ylk City, Right, they.

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<v Speaker 3>Still do they still do? They still do?

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<v Speaker 1>Yeah, yeah, still do. Right. And if you're from South Jersey, right,

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<v Speaker 1>or you're from the main Line, whatever, you would go

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<v Speaker 1>to Ocean City, Cape May.

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<v Speaker 4>Totally totally even Long Beach Islands, or Venor or Margate, Longport, right.

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<v Speaker 3>You know, no, you know what I'm talking about. Ocean

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<v Speaker 3>City and Jay, not.

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<v Speaker 1>Maryland to be right and Jay. Yeah, best beaches in

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<v Speaker 1>the world. There's nothing to compare. I mean, you know,

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<v Speaker 1>got about walk, best food, best people, best salt water taffy,

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<v Speaker 1>best pizza, best best rides. I'll take it any any day. Yes,

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<v Speaker 1>but now, but now, so I go back. I hadn't

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<v Speaker 1>been back in a while. So I went back in

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<v Speaker 1>like twenty seventeen, and I hadn't been back in a while.

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<v Speaker 1>And we go to the beach. We go to Ocean City.

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<v Speaker 1>I start walking onto the beach, or at least the trail,

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<v Speaker 1>the sandy trail that leads to the beach, because we're

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<v Speaker 1>on the boardwalk, and we went down try to get

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<v Speaker 1>on the beach. Somebody there saying you gotta buy you

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<v Speaker 1>gotta buy a pass to get on the beach. Just

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<v Speaker 1>get the hell out of the way.

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<v Speaker 3>So we just like a beach tag, I know, a

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<v Speaker 3>beach tag.

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<v Speaker 1>We literally sat there and argued with her, like, what

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<v Speaker 1>are you talking about. You can't sell beach tags. This

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<v Speaker 1>is this is public this is public property. You can't

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<v Speaker 1>charge us to go on the beach, but they can,

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<v Speaker 1>they do, they do.

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<v Speaker 3>You can go, you can go before they checked the

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<v Speaker 3>beat bags. You can go after.

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<v Speaker 4>You know, we had like our our you know, if

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<v Speaker 4>we had a lot of friends like we you know,

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<v Speaker 4>figure out our ways going to the boardwalk, like there's

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<v Speaker 4>ways of getting around it. But when they start coming

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<v Speaker 4>in a pack to check everybody on the beach, you

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<v Speaker 4>could act like you're asleep.

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<v Speaker 3>That used to work not so much anymore.

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<v Speaker 1>That is not not the Jersey way. I don't know

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<v Speaker 1>where they get this idea, but that's not the Jersey

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<v Speaker 1>I remember, you know, kidding me?

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<v Speaker 3>I know, I know. Actually in Ocean City it started

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<v Speaker 3>in seventy six. Yeah, it was brutal. I remember the

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<v Speaker 3>year it started. I don't.

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<v Speaker 4>I don't remember caring as much better. Yeah, in Ocean

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<v Speaker 4>City it did.

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<v Speaker 3>Can you believe that? Yeah? Brutal?

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<v Speaker 1>Huh.

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<v Speaker 3>But you know everybody's got an angle. They're like, i'bout

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<v Speaker 3>work it out.

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<v Speaker 1>Yeah all right. Well you said you're not a huge cook,

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<v Speaker 1>But do you have a go to like cowboys steak

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<v Speaker 1>recipe something like that. What's a secret is it? Cowboys steaks?

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<v Speaker 3>About?

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<v Speaker 1>Tell me about it.

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<v Speaker 4>Well, it's about butter and beef and this amazing rub

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<v Speaker 4>that you can make yourself.

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<v Speaker 3>Sounds dirty, but it's not.

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<v Speaker 4>Uh yeah, it's it's half a cup of coffee beans,

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<v Speaker 4>half cup pepper corns, just maybe a quarter cup sugar,

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<v Speaker 4>and then quarter pound, sorry, a quarter cup of kosher salt,

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<v Speaker 4>and you put it in a pepper grinder and then

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<v Speaker 4>that becomes your that's your that's your special secret weapon.

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<v Speaker 3>Like that's it. So you sear sear the steak.

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<v Speaker 4>In butter on both sides in a pan, and then

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<v Speaker 4>you put it on the plate with this stuff and

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<v Speaker 4>just make sure the rub gets everywhere.

0:11:52.760 --> 0:11:55.760
<v Speaker 3>And then you put in the oven and it's it's ridiculous.

0:11:56.240 --> 0:11:59.680
<v Speaker 3>It is ridiculous. You could put the crappiest piece of

0:11:59.720 --> 0:12:03.839
<v Speaker 3>meat into this system and you're going to be in heaven.

0:12:03.960 --> 0:12:06.080
<v Speaker 3>It is. It's a great little trick.

0:12:06.400 --> 0:12:11.359
<v Speaker 1>Did you learn that at Kate Manalini's.

0:12:09.760 --> 0:12:10.200
<v Speaker 3>I did not.

0:12:10.320 --> 0:12:13.880
<v Speaker 4>My boyfriend, who's an NBC photographer, he taught me that

0:12:14.400 --> 0:12:16.439
<v Speaker 4>he cooks more than I do. We actually met on

0:12:16.520 --> 0:12:18.439
<v Speaker 4>the office and we've been together for nineteen years.

0:12:18.520 --> 0:12:20.880
<v Speaker 3>We don't live together. We're happy. It's fantastic.

0:12:23.360 --> 0:12:25.400
<v Speaker 1>Man I tell you that is smart.

0:12:25.800 --> 0:12:27.760
<v Speaker 4>But I used to work at Kate Madeleine Restaurant in

0:12:27.800 --> 0:12:30.800
<v Speaker 4>Beverly Hills. That's the job that I worked there for

0:12:30.880 --> 0:12:32.439
<v Speaker 4>seven and a half years on and off because I

0:12:32.480 --> 0:12:34.200
<v Speaker 4>was in New York doing a show for a little

0:12:34.200 --> 0:12:36.400
<v Speaker 4>bit during that time, but took a leave of absence

0:12:36.440 --> 0:12:39.000
<v Speaker 4>covered my shifts and then you know, the first season

0:12:39.000 --> 0:12:41.559
<v Speaker 4>of The Office, I you know, I still kept the

0:12:41.640 --> 0:12:43.640
<v Speaker 4>job because I was I was afraid we weren't going

0:12:43.720 --> 0:12:47.040
<v Speaker 4>to get a season season two pickups, so I didn't

0:12:47.040 --> 0:12:48.000
<v Speaker 4>want to start a new job.

0:12:48.240 --> 0:12:49.960
<v Speaker 3>So I waited on a lot of famous people.

0:12:50.160 --> 0:12:52.360
<v Speaker 4>And even though it was kind of a fancy restaurant,

0:12:52.480 --> 0:12:55.120
<v Speaker 4>my dad always called it the Diner because we.

0:12:55.080 --> 0:13:00.000
<v Speaker 3>Had diner hours. We literally were there at five thirty

0:12:59.880 --> 0:13:02.240
<v Speaker 3>the morning breakfast ship you had just when you first

0:13:02.320 --> 0:13:05.680
<v Speaker 3>started the job, you had to work breakfast and it

0:13:05.720 --> 0:13:08.760
<v Speaker 3>was like five thirty. You know. The place works from like,

0:13:08.840 --> 0:13:10.839
<v Speaker 3>you know, like six to six to.

0:13:11.120 --> 0:13:13.320
<v Speaker 4>Like eleven, and then you worked lunch and then they

0:13:13.320 --> 0:13:15.040
<v Speaker 4>would have a dinner and late night.

0:13:15.440 --> 0:13:16.239
<v Speaker 3>On the weekends.

0:13:16.320 --> 0:13:18.959
<v Speaker 4>When I first started, they were there till four in

0:13:19.000 --> 0:13:22.200
<v Speaker 4>the morning, so you'd come in at eleven.

0:13:21.800 --> 0:13:24.240
<v Speaker 3>And you'd work till four in the morning, and it

0:13:24.360 --> 0:13:25.920
<v Speaker 3>got pretty shady in Beverly Hills.

0:13:25.920 --> 0:13:27.679
<v Speaker 4>At four o'clock in the morning, there was too much

0:13:27.720 --> 0:13:30.360
<v Speaker 4>like damage, so they kind of stopped that. It kind

0:13:30.360 --> 0:13:32.920
<v Speaker 4>of became a little dangerous, you know, so it went

0:13:32.960 --> 0:13:35.200
<v Speaker 4>back to two o'clock. So yeah, but still it was

0:13:35.240 --> 0:13:38.200
<v Speaker 4>it was. But the breakfast was world class and uh,

0:13:38.480 --> 0:13:41.000
<v Speaker 4>you know, you could get a you could get diner

0:13:41.120 --> 0:13:43.440
<v Speaker 4>type stuff. You know, they had great lentil soup and

0:13:43.559 --> 0:13:48.120
<v Speaker 4>great bread and you know great, it's just like great basics.

0:13:48.440 --> 0:13:54.880
<v Speaker 1>That's a fancy, fancy actor agent meeting place, producer actor

0:13:55.080 --> 0:13:58.120
<v Speaker 1>agent meeting place. It was like, there was that place

0:13:58.120 --> 0:14:01.040
<v Speaker 1>in Beverly Hills, Like, right, what was that little what

0:14:01.120 --> 0:14:02.800
<v Speaker 1>was that little place in Beverly Hills. Have you ever

0:14:02.880 --> 0:14:05.320
<v Speaker 1>been in that place? God name will come to me,

0:14:05.400 --> 0:14:08.839
<v Speaker 1>But it's like it's just this small little place you

0:14:08.920 --> 0:14:10.679
<v Speaker 1>walk into and then it opens up a little bit.

0:14:10.720 --> 0:14:13.040
<v Speaker 1>But it's like it's it's like we're all the power players.

0:14:13.240 --> 0:14:15.160
<v Speaker 3>We well, Kate Madalini was a power player.

0:14:15.280 --> 0:14:15.559
<v Speaker 1>Yeah.

0:14:15.559 --> 0:14:20.960
<v Speaker 4>That was right across from bristein Gray Academy. So every

0:14:21.000 --> 0:14:23.600
<v Speaker 4>time I remember, we'd have to be there super early

0:14:23.680 --> 0:14:27.040
<v Speaker 4>the day that they would announce the Academy Awards. Because

0:14:27.440 --> 0:14:29.400
<v Speaker 4>when they would announce nominees, we'd have to be in

0:14:29.400 --> 0:14:32.160
<v Speaker 4>at four thirty because they would announce four thirty am.

0:14:32.240 --> 0:14:32.600
<v Speaker 3>We'd go.

0:14:33.080 --> 0:14:35.800
<v Speaker 4>They would make the announcement, and they'd walk a block

0:14:36.000 --> 0:14:39.360
<v Speaker 4>to our restaurant and they'd all drink Bloody Mary's and

0:14:40.040 --> 0:14:42.320
<v Speaker 4>have breakfast and you know, keep.

0:14:42.200 --> 0:14:45.000
<v Speaker 3>Patting themselves on the back. It's fun, you know, it

0:14:45.080 --> 0:14:46.440
<v Speaker 3>was kind of fun. You felt like you were a

0:14:46.480 --> 0:14:47.400
<v Speaker 3>sort of part of history.

0:14:47.840 --> 0:14:49.520
<v Speaker 4>If you worked to Oscar night, people would come in

0:14:49.560 --> 0:14:51.360
<v Speaker 4>and have their oscars on the table.

0:14:51.280 --> 0:14:54.360
<v Speaker 1>You know, right, good tippers? Were they good tippers in general?

0:14:54.520 --> 0:14:54.720
<v Speaker 3>Yeah?

0:14:54.840 --> 0:15:08.000
<v Speaker 1>You know, sure, sure, sure. So I heard through the

0:15:08.000 --> 0:15:10.040
<v Speaker 1>grape find that you're a Gilmore fan and that you

0:15:10.080 --> 0:15:12.080
<v Speaker 1>actually know a lot of the casts, including Rose app

0:15:12.080 --> 0:15:14.520
<v Speaker 1>do play Gypsy. How far back do you two go?

0:15:15.000 --> 0:15:16.480
<v Speaker 3>I think I've known Rose.

0:15:16.520 --> 0:15:19.200
<v Speaker 4>I mean I came to check out Second City in

0:15:19.320 --> 0:15:21.960
<v Speaker 4>nineteen eighty eight when my favorite aunt gave me a

0:15:22.000 --> 0:15:22.960
<v Speaker 4>ticket to check it out.

0:15:23.160 --> 0:15:25.240
<v Speaker 3>She lived in Chicago and I just graduated.

0:15:24.880 --> 0:15:30.000
<v Speaker 4>From from college and Rose was there, and we knew

0:15:30.000 --> 0:15:32.480
<v Speaker 4>each other a little bit in Chicago, like we liked

0:15:32.520 --> 0:15:34.680
<v Speaker 4>each other, but we weren't exactly in the same circles,

0:15:35.000 --> 0:15:36.480
<v Speaker 4>even though we were both in the second city.

0:15:36.560 --> 0:15:37.680
<v Speaker 3>She was a little higher up.

0:15:37.640 --> 0:15:40.640
<v Speaker 4>In the food chain there when I started there, and

0:15:40.760 --> 0:15:42.400
<v Speaker 4>I was also at the Annoyance Theater, so I was

0:15:42.440 --> 0:15:44.520
<v Speaker 4>kind of double dipping with more than one place. And

0:15:44.560 --> 0:15:48.320
<v Speaker 4>then I think, you know, maybe a few years into

0:15:48.400 --> 0:15:50.760
<v Speaker 4>the office, we started to get I started to get

0:15:50.800 --> 0:15:52.920
<v Speaker 4>really close with her because we had so much in common.

0:15:53.080 --> 0:15:55.720
<v Speaker 4>I always feel like she had good taste. I always

0:15:55.720 --> 0:15:57.280
<v Speaker 4>feel like she liked the things I liked. And she

0:15:58.400 --> 0:16:01.280
<v Speaker 4>also like she agreed with me with the people that

0:16:01.360 --> 0:16:06.200
<v Speaker 4>were douchebags. So I like that about her. Uh huh.

0:16:06.560 --> 0:16:09.400
<v Speaker 3>Not everybody agrees about the douchebags, you know. So I

0:16:09.440 --> 0:16:11.760
<v Speaker 3>love that guy. I'm like, do you okay? Great?

0:16:12.320 --> 0:16:15.880
<v Speaker 1>I got turned up. Did you ever visit the set?

0:16:16.360 --> 0:16:16.760
<v Speaker 3>I did not.

0:16:17.320 --> 0:16:18.280
<v Speaker 1>No, never came by.

0:16:18.840 --> 0:16:18.920
<v Speaker 2>No.

0:16:19.440 --> 0:16:20.840
<v Speaker 3>I knew alex Forstein too.

0:16:20.880 --> 0:16:22.960
<v Speaker 4>I used to do shows with her at ACME, this

0:16:23.360 --> 0:16:26.640
<v Speaker 4>crazy Saturday night show, and then she did I had

0:16:26.680 --> 0:16:29.320
<v Speaker 4>a comedy act called the Lampshades that I did for years,

0:16:29.400 --> 0:16:32.920
<v Speaker 4>and she did our show at the Aspen Comedy Festival

0:16:33.600 --> 0:16:35.920
<v Speaker 4>for a couple of characters, and so I knew Jackson.

0:16:37.320 --> 0:16:39.440
<v Speaker 3>Okay, well, so yeah, I know a few people.

0:16:39.440 --> 0:16:41.920
<v Speaker 4>And of course, like I had met Melissa a few

0:16:41.920 --> 0:16:44.920
<v Speaker 4>times at auditions. I used to see her, which she

0:16:45.000 --> 0:16:47.000
<v Speaker 4>mopped up the floor with all of us all the time. Anyway,

0:16:47.440 --> 0:16:49.720
<v Speaker 4>even back then, and then Jay Lynch was on the

0:16:49.720 --> 0:16:52.680
<v Speaker 4>show and I met Kelly Bishop. I cornered her at

0:16:52.680 --> 0:16:55.400
<v Speaker 4>an airport lounge in Newark.

0:16:56.000 --> 0:16:56.960
<v Speaker 3>I'm sure she loved that.

0:16:57.160 --> 0:16:59.920
<v Speaker 1>Tell us how special Melissa is because we were not

0:17:00.120 --> 0:17:05.520
<v Speaker 1>prepared for her characters and her performance at the ground

0:17:05.560 --> 0:17:08.159
<v Speaker 1>leaks when we went to see her as the cast

0:17:09.160 --> 0:17:12.960
<v Speaker 1>year I think it was the first season. Yeah, and

0:17:13.040 --> 0:17:15.200
<v Speaker 1>then she came out and she did like she had

0:17:15.240 --> 0:17:18.960
<v Speaker 1>four skits that she did that she wrote. I mean,

0:17:19.000 --> 0:17:22.720
<v Speaker 1>we were, we were actually we needed to leave because

0:17:22.720 --> 0:17:25.080
<v Speaker 1>our sides hurt so much from laughing.

0:17:25.359 --> 0:17:27.680
<v Speaker 3>She is so fearless, right.

0:17:27.520 --> 0:17:32.960
<v Speaker 4>Oh my god, she understands how to control an audience,

0:17:33.080 --> 0:17:35.080
<v Speaker 4>like she just keeps going.

0:17:35.720 --> 0:17:37.119
<v Speaker 3>She's amazing, She's amazing.

0:17:37.560 --> 0:17:41.600
<v Speaker 1>Eh, yeah, we were, we were blown away. That ain't

0:17:41.640 --> 0:17:45.160
<v Speaker 1>no accident. That career, that's not an accident. That's that's

0:17:45.320 --> 0:17:49.680
<v Speaker 1>just skill and talent and hard work, reparation.

0:17:49.359 --> 0:17:52.360
<v Speaker 4>And right, absolutely, and I knew Lauren Graham a little

0:17:52.400 --> 0:17:54.960
<v Speaker 4>bit because we had a mutual friend in Sam Pancake.

0:17:56.160 --> 0:18:01.000
<v Speaker 3>I think Sam did your Netflix. He was on work

0:18:01.160 --> 0:18:04.600
<v Speaker 3>during the netflik, Yeah, which.

0:18:04.400 --> 0:18:06.800
<v Speaker 4>Of course Rose up due did two parts in the

0:18:06.880 --> 0:18:10.760
<v Speaker 4>Netflix era Gypsy, of course, as she did in the original,

0:18:10.760 --> 0:18:16.200
<v Speaker 4>and then she was Birdie, the Kelly Bishop's maid. Spoke

0:18:16.200 --> 0:18:18.160
<v Speaker 4>a language that no one else knew but Rose.

0:18:20.480 --> 0:18:24.440
<v Speaker 1>All right, Well, let's talk about that Luke's Diner. Yeah,

0:18:24.720 --> 0:18:27.480
<v Speaker 1>since you grew up around diners, I grew up around diners,

0:18:27.840 --> 0:18:29.959
<v Speaker 1>remember Ponzios and Cherry Hill. Did you ever go to

0:18:30.840 --> 0:18:31.480
<v Speaker 1>I passed it?

0:18:31.600 --> 0:18:32.320
<v Speaker 3>I don't think I ever.

0:18:33.240 --> 0:18:35.439
<v Speaker 4>I just passed the Penrose Diner last week on like

0:18:35.600 --> 0:18:38.440
<v Speaker 4>South so right by the stadiums.

0:18:38.520 --> 0:18:38.920
<v Speaker 3>Yeah.

0:18:39.160 --> 0:18:41.320
<v Speaker 4>And I used to go to Aramo Diner sometimes because

0:18:41.359 --> 0:18:42.960
<v Speaker 4>I worked at a dinner theater my senior year of

0:18:43.040 --> 0:18:43.520
<v Speaker 4>high school.

0:18:43.960 --> 0:18:46.720
<v Speaker 1>Right, do you think that kind of place still exists today?

0:18:46.760 --> 0:18:48.240
<v Speaker 1>These kinds of diners? Are they going?

0:18:48.240 --> 0:18:51.399
<v Speaker 3>It does? It does? But they're really they're really falling

0:18:51.440 --> 0:18:52.120
<v Speaker 3>by the wayside.

0:18:52.119 --> 0:18:53.600
<v Speaker 4>They're just going to But you know what I love

0:18:53.640 --> 0:18:57.679
<v Speaker 4>about Luke's Diner is that Luke could be in a

0:18:57.720 --> 0:19:01.040
<v Speaker 4>bad mood and everybody knew it, but but they still

0:19:01.080 --> 0:19:05.280
<v Speaker 4>came back. And that is so Philly South Jersey. That's

0:19:05.400 --> 0:19:08.520
<v Speaker 4>so My dad under bar in Germantown and he served

0:19:08.560 --> 0:19:10.320
<v Speaker 4>food a little bit, although most of the guys would

0:19:10.320 --> 0:19:12.040
<v Speaker 4>have a chicken dinner, which just spent a couple of

0:19:12.040 --> 0:19:14.240
<v Speaker 4>hard boiled eggs because they wanted to keep drinking because

0:19:14.800 --> 0:19:16.359
<v Speaker 4>the food took up too much space, if you know.

0:19:16.400 --> 0:19:19.280
<v Speaker 4>It was like an old band bar for sure. Great place,

0:19:19.359 --> 0:19:21.679
<v Speaker 4>so great place, and my dad took you know what

0:19:21.680 --> 0:19:22.240
<v Speaker 4>I'm talking about.

0:19:22.280 --> 0:19:24.679
<v Speaker 1>You know, you remember how people used to be. You

0:19:24.720 --> 0:19:27.680
<v Speaker 1>moved to California, and everybody's like they're doing yoga, they've

0:19:27.680 --> 0:19:31.040
<v Speaker 1>got the therapists, they're doing meditation, and they're balanced, they're

0:19:31.040 --> 0:19:33.320
<v Speaker 1>happy all the time. There's like this big emphasis on

0:19:33.440 --> 0:19:36.520
<v Speaker 1>being happy all the time in public appearance. That's not

0:19:36.680 --> 0:19:37.600
<v Speaker 1>the way it used to be.

0:19:38.600 --> 0:19:42.880
<v Speaker 4>No, But also it's unrealistic because you all know it's bullshit.

0:19:43.280 --> 0:19:46.040
<v Speaker 4>I mean, that is the outside and you know what,

0:19:46.080 --> 0:19:48.280
<v Speaker 4>we're always compared. That's a problem about moving to la

0:19:48.400 --> 0:19:49.600
<v Speaker 4>You always compare your inside.

0:19:49.600 --> 0:19:52.800
<v Speaker 3>So the people's outsides. In Philly, it's like everything's on.

0:19:52.760 --> 0:19:57.399
<v Speaker 1>The table, everything, everything, everything. People ask me, how did

0:19:57.440 --> 0:20:00.240
<v Speaker 1>you create that? Character. I said, he's a South early

0:20:00.400 --> 0:20:01.440
<v Speaker 1>South Jersey guys.

0:20:02.400 --> 0:20:05.239
<v Speaker 3>Totally, totally, you know. My my brother owned a bar

0:20:05.320 --> 0:20:05.720
<v Speaker 3>for a while.

0:20:05.800 --> 0:20:07.760
<v Speaker 4>My dad sold his bar because my brother worked for

0:20:07.840 --> 0:20:09.280
<v Speaker 4>my dad, and then they switched places.

0:20:09.520 --> 0:20:12.040
<v Speaker 3>My dad ended up working for my brother the last

0:20:12.080 --> 0:20:14.520
<v Speaker 3>fifteen years he waited he was behind the bar.

0:20:14.880 --> 0:20:17.200
<v Speaker 4>Stopped working in eighty seven. Crazy still, I loved to

0:20:17.200 --> 0:20:19.679
<v Speaker 4>be one hundred amazing, like totally with it. But my

0:20:19.720 --> 0:20:22.439
<v Speaker 4>brother would have like, my brother was a rougher personality,

0:20:22.560 --> 0:20:24.600
<v Speaker 4>so he needed my dad because my dad was like

0:20:24.720 --> 0:20:26.840
<v Speaker 4>my dad was just really even killed, like a really

0:20:26.880 --> 0:20:31.440
<v Speaker 4>sweet guy, funny, smart, and he knew he understood.

0:20:30.840 --> 0:20:32.160
<v Speaker 3>People better than my brother did.

0:20:33.240 --> 0:20:35.840
<v Speaker 4>But yeah, so he was definitely like the you know,

0:20:35.920 --> 0:20:37.280
<v Speaker 4>my dad was sort of like the I don't know

0:20:37.359 --> 0:20:40.119
<v Speaker 4>he was. He was like the fabric softener and the

0:20:40.240 --> 0:20:44.560
<v Speaker 4>and the rint cycle of the bar. But I remember, like,

0:20:44.680 --> 0:20:47.080
<v Speaker 4>you know, my dad would have little subtle jokes like,

0:20:47.560 --> 0:20:52.280
<v Speaker 4>you know, but my brother was like if some friend, somebody,

0:20:52.400 --> 0:20:55.240
<v Speaker 4>some customer and he was talking to a woman or

0:20:55.359 --> 0:20:56.520
<v Speaker 4>it was a guy or a woman, if they were

0:20:56.520 --> 0:20:59.240
<v Speaker 4>talking to somebody that they shouldn't date. He had a

0:20:59.280 --> 0:21:00.879
<v Speaker 4>red band dad in his back pocket.

0:21:01.160 --> 0:21:04.000
<v Speaker 3>And he would start wiping the bar right in front.

0:21:04.640 --> 0:21:09.440
<v Speaker 4>And that was the red flag, like you know what

0:21:09.480 --> 0:21:12.840
<v Speaker 4>I'm talking about. So you know, you felt like people

0:21:12.840 --> 0:21:13.919
<v Speaker 4>were looking out for you.

0:21:14.359 --> 0:21:15.720
<v Speaker 1>Right, exactly Seriously.

0:21:16.200 --> 0:21:17.520
<v Speaker 3>There was a woman that used to drink at my

0:21:17.600 --> 0:21:18.000
<v Speaker 3>dad's bar.

0:21:18.320 --> 0:21:20.600
<v Speaker 4>Was one woman and you know, she'd be drinking with

0:21:20.600 --> 0:21:23.960
<v Speaker 4>the fellows, just drinking, you know, and she caught the bus.

0:21:24.080 --> 0:21:28.200
<v Speaker 4>And I'm telling you, for years my dad would walk

0:21:28.240 --> 0:21:30.040
<v Speaker 4>over to the you know, make sure she didn't miss

0:21:30.040 --> 0:21:32.040
<v Speaker 4>a bus because if she, if she had a lot

0:21:32.080 --> 0:21:33.560
<v Speaker 4>to drink, she wasn't moving too fast.

0:21:33.840 --> 0:21:35.080
<v Speaker 3>So people looked out for.

0:21:35.800 --> 0:21:38.760
<v Speaker 1>Oh yeah, that's what that's what I miss about that place,

0:21:38.880 --> 0:21:41.000
<v Speaker 1>you know. You know right, you don't know friends, Your

0:21:41.040 --> 0:21:43.840
<v Speaker 1>friends had your back, like man, I.

0:21:43.800 --> 0:21:46.399
<v Speaker 4>Mean, they made bitch about you, but they'll do it

0:21:46.440 --> 0:21:47.320
<v Speaker 4>to your face.

0:21:47.119 --> 0:21:49.480
<v Speaker 3>Not just behind your back. You know what I mean,

0:21:49.680 --> 0:21:52.920
<v Speaker 3>you know where you stand. I'm all for that. I'll

0:21:52.960 --> 0:21:56.440
<v Speaker 3>do that. It's all you all. Everything's great until it's not.

0:21:56.960 --> 0:22:08.359
<v Speaker 1>That's right, all right. So you and Jane Lynch right,

0:22:08.400 --> 0:22:10.119
<v Speaker 1>because she was on the show too, she had aid

0:22:10.240 --> 0:22:13.000
<v Speaker 1>yes yes. And the thing I remember about Jane Lynch

0:22:13.160 --> 0:22:15.800
<v Speaker 1>she was playing in she was running the nursing station

0:22:16.440 --> 0:22:19.919
<v Speaker 1>station when when Richard had his heart attack earlier, like

0:22:19.960 --> 0:22:21.840
<v Speaker 1>I think it was season one or Seeing too. The

0:22:21.920 --> 0:22:24.400
<v Speaker 1>thing I remember about Jane Lynch and Jane Lynch wasn't

0:22:24.440 --> 0:22:28.919
<v Speaker 1>Jane Lynch yet, but she was Jane Lynch right, yes.

0:22:29.240 --> 0:22:31.800
<v Speaker 1>And the thing that that struck me about her was

0:22:32.600 --> 0:22:37.359
<v Speaker 1>she took over her scene. She was like in command

0:22:37.480 --> 0:22:41.400
<v Speaker 1>of her scene. And at times at times I thought,

0:22:41.440 --> 0:22:43.440
<v Speaker 1>I said, who's this girl think she is? She's a guess.

0:22:43.920 --> 0:22:48.240
<v Speaker 1>But but that's what you do. You come in, you

0:22:48.400 --> 0:22:52.520
<v Speaker 1>own your stuff, you you you, you have your opinion,

0:22:52.640 --> 0:22:55.600
<v Speaker 1>you talk to the director. This a because she obviously

0:22:55.680 --> 0:22:59.240
<v Speaker 1>knew what she was doing, right she could. She's gonna

0:22:59.240 --> 0:23:02.720
<v Speaker 1>clam up and have somebody tell her to go stand

0:23:02.760 --> 0:23:04.639
<v Speaker 1>over there and say that line goes stand over there. No,

0:23:05.760 --> 0:23:08.280
<v Speaker 1>she's got instinct, she's got the skills of talent, everything.

0:23:08.359 --> 0:23:10.840
<v Speaker 1>She's gonna she's gonna run the show. And she did.

0:23:11.320 --> 0:23:12.520
<v Speaker 3>Yeah. Absolutely.

0:23:12.560 --> 0:23:13.840
<v Speaker 4>And you know, the very first time I ever went

0:23:13.880 --> 0:23:16.720
<v Speaker 4>to Second City, Jane Lynch was understudying for Bonnie Hunt.

0:23:17.280 --> 0:23:19.480
<v Speaker 4>And what was weird was that it was Bonnie Hunt's

0:23:19.520 --> 0:23:22.240
<v Speaker 4>wedding day, so Bonnie came back in her wedding dress

0:23:22.280 --> 0:23:24.040
<v Speaker 4>to do the improv part of the end of the show,

0:23:24.160 --> 0:23:26.719
<v Speaker 4>and Jane was like, oh, you know, but it's just

0:23:27.000 --> 0:23:28.800
<v Speaker 4>it's crazy, like I'll never forget it.

0:23:28.880 --> 0:23:30.800
<v Speaker 3>But I remember that's why I knew that Jane was

0:23:30.800 --> 0:23:31.359
<v Speaker 3>on stage.

0:23:31.640 --> 0:23:33.280
<v Speaker 4>We talked about it later and figured out like, oh

0:23:33.320 --> 0:23:34.879
<v Speaker 4>my gosh, you were understated for her the night I

0:23:34.920 --> 0:23:36.600
<v Speaker 4>was there. It's the very first time I was ever

0:23:36.640 --> 0:23:39.359
<v Speaker 4>in the audience there and and had, you know.

0:23:39.240 --> 0:23:42.480
<v Speaker 3>The bug to work there and luckily got to.

0:23:42.800 --> 0:23:45.480
<v Speaker 4>But I like, I remember about a year and a

0:23:45.520 --> 0:23:48.119
<v Speaker 4>half later, I became Jane's understudy and just watched it

0:23:48.320 --> 0:23:51.240
<v Speaker 4>like the way that she would work, you know, there

0:23:51.280 --> 0:23:54.080
<v Speaker 4>there are very few like she has a tremendous sense

0:23:54.119 --> 0:23:57.639
<v Speaker 4>of purpose. She understands who she is at all times.

0:23:57.800 --> 0:24:00.000
<v Speaker 4>Like I feel like sometimes I'm more of an ensemble

0:24:00.119 --> 0:24:02.320
<v Speaker 4>player where I'm like, what do you need me to do? Okay,

0:24:02.480 --> 0:24:04.919
<v Speaker 4>because let's let's face it, like on the Office I did.

0:24:05.080 --> 0:24:07.080
<v Speaker 4>I did not get a lot of lines, and there

0:24:07.080 --> 0:24:09.040
<v Speaker 4>were some episodes where I didn't speak at all, but

0:24:09.119 --> 0:24:10.840
<v Speaker 4>I was in every episode, so I had to be

0:24:10.880 --> 0:24:14.280
<v Speaker 4>completely realized as a as a character, as a person,

0:24:14.560 --> 0:24:16.959
<v Speaker 4>and also as a good scene partner. So even if

0:24:16.960 --> 0:24:20.200
<v Speaker 4>you're not talking, you got to like give somebody back

0:24:20.280 --> 0:24:24.040
<v Speaker 4>like whatever your reaction is, your attention that makes sense,

0:24:24.240 --> 0:24:26.760
<v Speaker 4>that keeps it real so that they can keep doing

0:24:26.800 --> 0:24:29.119
<v Speaker 4>what they're doing, because you know, Steve Crole did all

0:24:29.160 --> 0:24:31.040
<v Speaker 4>they have been lifting on our show in my opinion.

0:24:31.359 --> 0:24:33.120
<v Speaker 4>But you know, I always felt like when I when

0:24:33.119 --> 0:24:34.560
<v Speaker 4>I did get the talk, it was always worth the

0:24:34.600 --> 0:24:36.760
<v Speaker 4>way because I had some really fun memorable moments.

0:24:36.920 --> 0:24:39.000
<v Speaker 3>A lot of stuff got cut season two and I was.

0:24:38.960 --> 0:24:41.160
<v Speaker 4>Like, oh God, am I going to get fired because

0:24:41.200 --> 0:24:44.359
<v Speaker 4>I replaced somebody for the pilot. So you know, whenever

0:24:44.440 --> 0:24:46.640
<v Speaker 4>I mean, I auditioned for the pilot for another part,

0:24:46.720 --> 0:24:49.399
<v Speaker 4>didn't get that for the part of jam.

0:24:49.200 --> 0:24:52.680
<v Speaker 3>Michael Scott's boss. So when I when I did get hired,

0:24:52.680 --> 0:24:55.119
<v Speaker 3>I was like, oh no, this is weird to replace

0:24:55.160 --> 0:24:55.840
<v Speaker 3>somebody like that.

0:24:57.200 --> 0:25:00.199
<v Speaker 4>But you know, I but I feel like there's some

0:25:00.240 --> 0:25:04.760
<v Speaker 4>people that take up more space automatically, and I feel

0:25:04.760 --> 0:25:06.560
<v Speaker 4>like and it's a it's a great thing.

0:25:06.440 --> 0:25:06.920
<v Speaker 3>It's a gift.

0:25:07.080 --> 0:25:08.560
<v Speaker 1>Did she filled that room?

0:25:08.920 --> 0:25:09.480
<v Speaker 3>Yeah?

0:25:09.920 --> 0:25:13.320
<v Speaker 1>She It was like you didn't notice anybody else because she,

0:25:13.640 --> 0:25:18.880
<v Speaker 1>like the general was there nice? Right? No, because there's

0:25:18.920 --> 0:25:21.479
<v Speaker 1>no question there's no question right now.

0:25:21.840 --> 0:25:24.280
<v Speaker 4>Yeah, Jane and I've been touring together for about ten years.

0:25:24.440 --> 0:25:27.840
<v Speaker 4>We did a Christmas album together and it did really well.

0:25:27.920 --> 0:25:30.040
<v Speaker 4>It was like literally number eight in the Billboard Top ten.

0:25:30.200 --> 0:25:32.960
<v Speaker 4>And we so we so we get to do like

0:25:33.000 --> 0:25:35.200
<v Speaker 4>a lot of performing arts centers. We've played the Kennedy Center,

0:25:35.320 --> 0:25:38.040
<v Speaker 4>We've played the Carlisle and it's just great. We usually

0:25:38.080 --> 0:25:40.520
<v Speaker 4>go out for about three weeks into like late November

0:25:40.600 --> 0:25:44.280
<v Speaker 4>till then right before Christmas in December, and then we

0:25:44.359 --> 0:25:47.520
<v Speaker 4>also have a new non Christmas show. We've been doing

0:25:48.240 --> 0:25:50.200
<v Speaker 4>different variations of it. This is a new version called

0:25:50.200 --> 0:25:52.320
<v Speaker 4>The Trouble with Angels. We're gonna do that in Texas

0:25:52.320 --> 0:25:55.439
<v Speaker 4>in February and at Steppenwolf in.

0:25:55.480 --> 0:25:56.320
<v Speaker 3>Chicago and March.

0:25:56.359 --> 0:25:57.880
<v Speaker 1>Oh wow, we got a punch.

0:25:57.840 --> 0:25:59.040
<v Speaker 3>Big dates coming up for that.

0:26:00.119 --> 0:26:02.919
<v Speaker 4>The store we're gonna be literally from uh, from the

0:26:02.920 --> 0:26:07.200
<v Speaker 4>East coast, Midwest. And then we like we're doing Palm Springs,

0:26:07.240 --> 0:26:08.880
<v Speaker 4>where we're having done all in a while, so we're

0:26:08.880 --> 0:26:11.560
<v Speaker 4>doing so Rito's and Uh.

0:26:13.040 --> 0:26:15.600
<v Speaker 3>And then we're just kidding and then we're doing the

0:26:15.640 --> 0:26:19.640
<v Speaker 3>broad Theater in Santa Monica. So it's fun.

0:26:19.680 --> 0:26:22.359
<v Speaker 4>It's like a concert, but there's a lot of comedy.

0:26:22.400 --> 0:26:25.880
<v Speaker 4>We we sing with this great jazz band that Tony Greer.

0:26:25.760 --> 0:26:27.960
<v Speaker 1>Quick Ina Monica. What are the dates?

0:26:28.280 --> 0:26:30.240
<v Speaker 3>We'll be down December seven, seventeenth.

0:26:31.200 --> 0:26:33.360
<v Speaker 1>When are you doing to Ritos at sixteenth?

0:26:33.600 --> 0:26:35.280
<v Speaker 4>And then we'll be in Palm Springs on the fifteenth.

0:26:35.760 --> 0:26:38.119
<v Speaker 4>We moved, We moved, Scott. We just keep moving.

0:26:38.119 --> 0:26:38.960
<v Speaker 3>We don't take a break.

0:26:40.440 --> 0:26:42.240
<v Speaker 4>Yeah, I was saying like our show was like the

0:26:42.480 --> 0:26:44.679
<v Speaker 4>It's like the rat Pack, but with a couple of broads.

0:26:44.960 --> 0:26:47.040
<v Speaker 3>So there's a lot of comedy in between the songs.

0:26:47.119 --> 0:26:50.359
<v Speaker 3>It's not a hostage situation, you know. Jane kind of

0:26:50.400 --> 0:26:52.440
<v Speaker 3>leans into her kind.

0:26:52.240 --> 0:26:54.439
<v Speaker 4>Of she sort of leans into Sieu Sylvaster, and I

0:26:54.480 --> 0:26:56.159
<v Speaker 4>sort of lean into Meredith. She's sort of like the

0:26:56.240 --> 0:26:58.159
<v Speaker 4>nun knocking me on the knuckles, and I'm sort of

0:26:58.160 --> 0:26:59.680
<v Speaker 4>like the sheep dog knock and everything over.

0:26:59.840 --> 0:27:02.840
<v Speaker 3>We have a great time and it's fun. It's fun.

0:27:02.840 --> 0:27:04.240
<v Speaker 3>It's sort of like we call it like an anti

0:27:04.359 --> 0:27:05.399
<v Speaker 3>cabaret act.

0:27:05.920 --> 0:27:11.120
<v Speaker 4>Because sometimes, you know what I mean, there's a lot

0:27:11.160 --> 0:27:14.480
<v Speaker 4>of people that take themselves very seriously and that in

0:27:14.520 --> 0:27:15.360
<v Speaker 4>that medium.

0:27:15.400 --> 0:27:17.880
<v Speaker 1>So YouTube been performing together for a while now, right,

0:27:17.960 --> 0:27:20.080
<v Speaker 1>how long? How long far do you go back.

0:27:20.560 --> 0:27:23.240
<v Speaker 4>Yeah, well, it's consistently for ten years. We used to

0:27:23.240 --> 0:27:26.520
<v Speaker 4>sing it benefits for singing and benefit this Sunday Kelleyen

0:27:26.600 --> 0:27:28.760
<v Speaker 4>Jazz Club. But yeah, we we and we sang together

0:27:28.800 --> 0:27:31.439
<v Speaker 4>in Chicago. There were a number of things we used

0:27:31.440 --> 0:27:33.160
<v Speaker 4>to do together. Yeah, so it was it was fun.

0:27:33.160 --> 0:27:35.320
<v Speaker 4>We've always had a good time. We've always we always

0:27:35.320 --> 0:27:35.720
<v Speaker 4>like to see it.

0:27:36.040 --> 0:27:36.720
<v Speaker 1>That is great.

0:27:37.920 --> 0:27:42.800
<v Speaker 3>Jane likes to say, yours go to sion h praise.

0:27:45.080 --> 0:27:47.000
<v Speaker 1>All right, one last question, because we're running out of

0:27:47.040 --> 0:27:50.200
<v Speaker 1>time and you have please Kate come back, love to

0:27:50.600 --> 0:27:51.160
<v Speaker 1>come back.

0:27:51.920 --> 0:27:56.000
<v Speaker 3>I would love to. Let's not wait till the Phillies

0:27:56.680 --> 0:27:57.080
<v Speaker 3>take them.

0:27:57.400 --> 0:27:59.720
<v Speaker 1>No, No, that might be you know, we might be

0:28:00.119 --> 0:28:03.359
<v Speaker 1>you know, doing it from the well. Anyway, if you

0:28:03.359 --> 0:28:07.560
<v Speaker 1>were to come in to Luke's Diner, Kate, okay, let's press.

0:28:07.720 --> 0:28:09.800
<v Speaker 1>If you were to come in, what would you order?

0:28:09.920 --> 0:28:10.680
<v Speaker 1>Where would you sit?

0:28:11.160 --> 0:28:12.000
<v Speaker 3>I would want to.

0:28:12.040 --> 0:28:17.160
<v Speaker 4>Order eggs and scrapple, But Star's Hollow probably doesn't serve scrapple,

0:28:17.280 --> 0:28:19.400
<v Speaker 4>so I won't do that with Rye toast.

0:28:19.440 --> 0:28:22.320
<v Speaker 1>By the way, do you remember Habersets sausage and scrapple?

0:28:22.600 --> 0:28:23.000
<v Speaker 1>Your worse?

0:28:23.359 --> 0:28:25.359
<v Speaker 3>I literally just had some this past week, my.

0:28:25.320 --> 0:28:29.600
<v Speaker 1>First, my first gig ever. I was five years old,

0:28:30.520 --> 0:28:34.480
<v Speaker 1>and my dad handled no, my dad's friend handled that account,

0:28:34.920 --> 0:28:40.520
<v Speaker 1>what handled the Haberset Sausage and Scrapple account. So one Saturday, I.

0:28:40.520 --> 0:28:43.560
<v Speaker 4>Just sent Habersets Scrapple to a friend of mine because

0:28:43.600 --> 0:28:45.280
<v Speaker 4>I found it online where you could ship it.

0:28:45.640 --> 0:28:48.600
<v Speaker 1>So so my dad takes us over to his house

0:28:48.640 --> 0:28:53.920
<v Speaker 1>on a Saturday that we're talking nineteen sixty three, and

0:28:54.040 --> 0:28:56.720
<v Speaker 1>my sister and I did the voice over to the

0:28:56.760 --> 0:28:58.960
<v Speaker 1>lines that we had to read into the microphone. That

0:28:59.040 --> 0:29:03.200
<v Speaker 1>was my first job. Yes, my sister and I were

0:29:03.200 --> 0:29:06.800
<v Speaker 1>the voice of Haberset Sausage and Scrapple for I don't

0:29:06.800 --> 0:29:08.400
<v Speaker 1>know if it was a whole campaign or what. It

0:29:08.520 --> 0:29:10.640
<v Speaker 1>was just a one offul commercial, but that that was.

0:29:10.840 --> 0:29:15.640
<v Speaker 1>We did our radio debut in nineteen sixty three.

0:29:15.680 --> 0:29:20.640
<v Speaker 3>That's amazing. Gilmore Girls, Skill More Girls, scrappleed, You're the

0:29:20.720 --> 0:29:21.600
<v Speaker 3>Boys of Scrapple.

0:29:22.720 --> 0:29:25.840
<v Speaker 1>We parted like it was nineteen six fifty eight. Actually

0:29:26.680 --> 0:29:28.040
<v Speaker 1>after that, I.

0:29:27.720 --> 0:29:30.640
<v Speaker 3>Have to tell you, I love Luke. I love I always.

0:29:30.720 --> 0:29:33.720
<v Speaker 4>I always loved the on again, off again thing with

0:29:33.760 --> 0:29:35.360
<v Speaker 4>you and Lauren and I just I just felt like

0:29:35.640 --> 0:29:38.920
<v Speaker 4>you really embodied, Like I just the storytelling on the

0:29:39.000 --> 0:29:41.880
<v Speaker 4>show was It's so easy to get back into these

0:29:41.960 --> 0:29:44.000
<v Speaker 4>days because I got to turn off the news. So

0:29:44.040 --> 0:29:46.680
<v Speaker 4>I feel like I've tuned into girlmore again and it's

0:29:46.720 --> 0:29:47.520
<v Speaker 4>like an old friend.

0:29:47.760 --> 0:29:49.400
<v Speaker 3>So so thank you old friends.

0:29:49.520 --> 0:29:53.960
<v Speaker 1>Oh, thank you work. Seriously, I appreciate that. It was.

0:29:54.200 --> 0:29:57.240
<v Speaker 1>It was you know, when you get those great lines,

0:29:57.280 --> 0:29:58.880
<v Speaker 1>all you have to do is sort of like not

0:29:59.000 --> 0:30:01.240
<v Speaker 1>screw it up and don't up into the furniture, right,

0:30:01.760 --> 0:30:03.600
<v Speaker 1>you know, we get to say all those great lines

0:30:03.600 --> 0:30:05.280
<v Speaker 1>in those great situations. What are a gift?

0:30:05.400 --> 0:30:05.560
<v Speaker 3>Right?

0:30:05.720 --> 0:30:08.240
<v Speaker 1>Every single day? Every single day you gotta work.

0:30:08.520 --> 0:30:10.600
<v Speaker 3>So well, it's such a smart show. Oh my god,

0:30:10.640 --> 0:30:12.600
<v Speaker 3>it is. That's so much, pretty proud.

0:30:12.400 --> 0:30:14.880
<v Speaker 1>Of it is. All right, you're coming back right, all right,

0:30:14.920 --> 0:30:18.360
<v Speaker 1>you kind of come back day Flannery. Check her out.

0:30:18.480 --> 0:30:21.880
<v Speaker 1>She's on tour with Jane Lynch a Swinging Little Christmas

0:30:22.320 --> 0:30:24.920
<v Speaker 1>again this year. She's going to be locally Santa Monica

0:30:24.960 --> 0:30:27.720
<v Speaker 1>and Sorito's, but she's going all over the place and you.

0:30:27.640 --> 0:30:28.120
<v Speaker 3>Can buy her.

0:30:28.240 --> 0:30:30.400
<v Speaker 4>You can get her album on iTunes, Swing a Little

0:30:30.480 --> 0:30:33.160
<v Speaker 4>Christmas on iTunes or time you can buy the CD,

0:30:33.240 --> 0:30:34.000
<v Speaker 4>give it to your grandmother.

0:30:34.000 --> 0:30:34.680
<v Speaker 3>I don't know anybody.

0:30:35.240 --> 0:30:39.640
<v Speaker 1>Check that out to the perfect Christmas gift. All right,

0:30:39.680 --> 0:30:42.040
<v Speaker 1>Thanks everybody, best fans on the planet. Keep those cards

0:30:42.080 --> 0:30:45.720
<v Speaker 1>and letters coming. Appreciate you. We'll see it. Holidays made here.

0:30:45.760 --> 0:30:48.120
<v Speaker 1>I'm gonna be there every day from December eighteenth to

0:30:48.680 --> 0:30:51.760
<v Speaker 1>December twenty fourth, and then again Christmas because I need

0:30:51.800 --> 0:30:54.800
<v Speaker 1>a break, and then twenty sixth of December through January fourth.

0:30:54.840 --> 0:30:57.120
<v Speaker 1>So come on out there, get you to against WB

0:30:57.280 --> 0:31:01.920
<v Speaker 1>Studio Tours dot com and we will see you in

0:31:02.080 --> 0:31:04.240
<v Speaker 1>Stars Hollow on the Warner Brothers lot.

0:31:05.360 --> 0:31:16.000
<v Speaker 5>Where you lead, we will follow. Stay safe, do.

0:31:36.240 --> 0:31:39.280
<v Speaker 1>Hey everybody, and don't forget. Follow us on Instagram at

0:31:39.600 --> 0:31:43.560
<v Speaker 1>I Am All In podcast and email us at Gilmore

0:31:43.760 --> 0:31:55.720
<v Speaker 1>at iHeartRadio dot com.