WEBVTT - Mini Crush #51

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<v Speaker 1>Hey, everybody, welcome to Mini Crush, the Mini Crush Edition.

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<v Speaker 1>How are you doing no good? You see? I doubled

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<v Speaker 1>up usually say what can the movie crush? The Mini

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<v Speaker 1>Crush Edition? I just called it Mini Crushes. And see

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<v Speaker 1>what you're doing to me. I'm cool with it. You're

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<v Speaker 1>you're taking over. I'm all about changing the paradigm, my friend. Yeah,

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<v Speaker 1>in your favor. Well, you know it's in the it's

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<v Speaker 1>it's in the people's favorite, chuck um, it's in the

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<v Speaker 1>people's court. Who is the who is the judge of

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<v Speaker 1>the People's court? Judge h And it's funny. Josh and

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<v Speaker 1>I did an episode on prod Jeck Vulkyrie to kill

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<v Speaker 1>Hitler and their Their kangaroo court at the time in

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<v Speaker 1>Germany was called the People's Court, which is hysterical. That's

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<v Speaker 1>really funny because it certainly was not Judge wat. I

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<v Speaker 1>love the idea of a kangaroo court. It just sounds

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<v Speaker 1>really cute, but apparently it's not cute. Yeah, I've gathered

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<v Speaker 1>that nothing cute about it. Is this our first minute

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<v Speaker 1>since the holidays? Yes, welcome back, sir, welcome back to you.

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<v Speaker 1>You're looking quite dapper today. I like your hair. Hey, thanks,

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<v Speaker 1>you can compliment me on my hair. Oh I took

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<v Speaker 1>off my glasses. You look like a fuzzy mess, but

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<v Speaker 1>now you look like a handsome sar. Thank you, sir.

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<v Speaker 1>I appreciate that. I enjoyed bumping into you the other day.

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<v Speaker 1>That was fine. Yeah, I'm the wild Yeah, so everyone

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<v Speaker 1>knows huge news. I bumped into a knoll on the street.

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<v Speaker 1>It was weird. I was leaving the zoo with my

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<v Speaker 1>wife and daughter and in laws, and there you were

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<v Speaker 1>across the street at an outdoor cafe cafe, your daughter,

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<v Speaker 1>my daughter, and we all had a little sidewalk. It

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<v Speaker 1>was very nice, and then that was it. We went

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<v Speaker 1>don't know what our mary ways. You know it was good. Um,

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<v Speaker 1>did you see any cool movies over the holidays? Chuck? Well,

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<v Speaker 1>fuck man, what have I seen? My head is so

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<v Speaker 1>in a hundred places right there. There's a lot of

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<v Speaker 1>things going on and everyone that's not say I'm not

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<v Speaker 1>dedicated to this episode. I just got a lot of

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<v Speaker 1>stress going on, and I can't recall what movies. You

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<v Speaker 1>know what I did see? Did we already talk about it?

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<v Speaker 1>First Reformed? You know the Etan Hawk film? No, no, no,

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<v Speaker 1>I don't even know about. This is the one where

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<v Speaker 1>he's a Paul Schneider, not Paul Snider where he's a priest.

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<v Speaker 1>It's one where he's It was great. Everyone seemed to

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<v Speaker 1>be gaga about that movie. Uh, it's really good man. Um, well,

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<v Speaker 1>it is Paul Strader, of course, Paul Schneider. Different, different

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<v Speaker 1>former guest Paul Schneider, which was he he'd back to

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<v Speaker 1>the future. He's he's an actor. Oh, the guy from

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<v Speaker 1>Uh he was in Parks and Racking stuff, right, yeah,

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<v Speaker 1>but don't say that he don't want to hear Parks

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<v Speaker 1>and I like Parks and Reck. He was on the

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<v Speaker 1>show briefly and like, didn't even love it, and he's

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<v Speaker 1>done so much great. I don't care how he felt

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<v Speaker 1>about it. Just enjoyed him on the show. Okay, that

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<v Speaker 1>is irrelevant, sir. Yeah, the Parks and Red guy. You

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<v Speaker 1>know what, Schneid's gave me a Christmas text. It was

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<v Speaker 1>very nice. That's what kind of guy he is. It's like,

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<v Speaker 1>how you doing? Thinking of you? Uh? And I'm going

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<v Speaker 1>to New York in a couple of weeks. In I

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<v Speaker 1>hang out, I got a Christmas text for my ex girlfriend.

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<v Speaker 1>Oh yeah, really, yeah, what did it say. It was

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<v Speaker 1>very triggering. Now I'm kidding. It was nice. It was

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<v Speaker 1>just we hadn't talked in a couple of months. There's

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<v Speaker 1>a turd for your front port. It was just like

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<v Speaker 1>a hey, and you know, I hope you're well, Merry

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<v Speaker 1>Christmas and blah blah blah, and I responded in kind

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<v Speaker 1>all right, and we left it at that. Well, it

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<v Speaker 1>is the seasonal it is. Indeed, you guys had a

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<v Speaker 1>good holiday though. Oh man, Me and the kid went

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<v Speaker 1>to and my mom went to Universal Studios and we

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<v Speaker 1>had the fast passes, so we like, breeze past all

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<v Speaker 1>those suckers waiting in those three hour lines. Accomplish your

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<v Speaker 1>bucketless goal. Harry potter Land. Yeah, I always wanted to

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<v Speaker 1>go to Harry potter Land Shock. And as it turns out,

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<v Speaker 1>there's two Harry potter Lands. Who knew, really, There's one

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<v Speaker 1>in the Universal and then there's the Islands of Adventure,

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<v Speaker 1>which is the adjacent park, and you take the Hogwarts

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<v Speaker 1>motherfucking Express from one to the other and then back again.

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<v Speaker 1>It's a different experience each time. Cuddle Cats, Cuddlefish to

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<v Speaker 1>the second oil Age Kingdom with ful of Darkness. I

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<v Speaker 1>don't dispute the Eurostata. But if he's down here, we

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<v Speaker 1>know not blood but darkness, the Earth's black riches. No,

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<v Speaker 1>I could taste it on my lips. Today, I want

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<v Speaker 1>to talk to you about the science of transgenesis, tens

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<v Speaker 1>genesis dot show. What's the Hogwarts Express? Is that a train,

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<v Speaker 1>the monorail? It's the dressed up like it's something that's not. No,

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<v Speaker 1>it's it's more than dressed up, Chuck. It is the

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<v Speaker 1>train from the Harry Potter movies and it's pretty very cool.

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<v Speaker 1>It's you go into whole station. It feels like you're

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<v Speaker 1>in the London underground and you know what is it? Uh?

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<v Speaker 1>Platform thirty three and a third. I forget I again

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<v Speaker 1>haven't really. We'll just check your lower back tattoo. That's fair.

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<v Speaker 1>I can't see my lower back, Chuck. I'm gonna need

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<v Speaker 1>you to to to see it yet. Three and a half.

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<v Speaker 1>Yeah that's the one. Um yeah, so, but man, seriously,

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<v Speaker 1>the design of these um these areas out of controls,

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<v Speaker 1>out of control? Um. Just to get up to speed.

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<v Speaker 1>Me and my mom on the ride up to get

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<v Speaker 1>my daughter from Tampa where she was hanging out with

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<v Speaker 1>her mom and stepdad. We listened to the first Harry

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<v Speaker 1>Potter audio book just to kind of like really prime

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<v Speaker 1>ourselves for the experience, and you sort of recited it

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<v Speaker 1>as like serious. Of course, that was important to me

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<v Speaker 1>to be able to do that and to know that

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<v Speaker 1>I that I still had it. Yeah, And your mom

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<v Speaker 1>was like, you've memorized this book and she was, and

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<v Speaker 1>she was and she and she was like, I'm proud

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<v Speaker 1>of you, and she hugged me and it was a

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<v Speaker 1>very tender moment between me and my mother. We really

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<v Speaker 1>bonded over that Harry Potter audiobook. Um. But no, So

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<v Speaker 1>there's like the two areas. There's the Hogwarts type reproduction

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<v Speaker 1>of the Hogwarts Castle, and then there's the Green Guts

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<v Speaker 1>Bank vault ride and the lines for them without the

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<v Speaker 1>fast passes. I ship you not three and a half hours,

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<v Speaker 1>And first of all, I'm like, how could any experience

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<v Speaker 1>after waiting three and a half hours possibly be like

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<v Speaker 1>live up to that investment of time. Gotta be let down,

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<v Speaker 1>it's gotta be So it was thirty minutes for us,

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<v Speaker 1>three and a half hours. People wait, they wait three

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<v Speaker 1>and a half So what do you do like two

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<v Speaker 1>things in a day? That's what I'm saying. You gotta

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<v Speaker 1>like book two days at the park, and the fast

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<v Speaker 1>passes are not the fast passes are not cheap, but

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<v Speaker 1>I wouldn't have done it any other way. About three

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<v Speaker 1>hundred bucks a person, Yeah, that's totally worth it. Though.

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<v Speaker 1>It was so worth it. I mean, it was like

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<v Speaker 1>a night and day experience. We got. We got to

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<v Speaker 1>ride all the weird old school rides, like the E

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<v Speaker 1>T Ride is still there, and we remember, Oh it's great.

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<v Speaker 1>It's like you're on this bicycle on the track and

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<v Speaker 1>you're going through the fourth but it's all sets and

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<v Speaker 1>crappy animatronics and um. You have to tell the attendant

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<v Speaker 1>the beginning of the ride your name and they scan

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<v Speaker 1>it and put it in his card, and then at

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<v Speaker 1>the end your name, but he says the name of

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<v Speaker 1>everyone in your little carriage. So it's like goodbye, no all, Chuck, Sandra, Eden, Steve, Michael,

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<v Speaker 1>and John. I'll be right here. Oh that's great. It

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<v Speaker 1>was fun. Man. That thing hasn't changed a bit? Did

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<v Speaker 1>they still be back to the future right now? That

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<v Speaker 1>one's gone? The T two ride has gone. The other

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<v Speaker 1>old school ride that's still there, which I feel old

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<v Speaker 1>saying this is old school, but it is the Jurassic

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<v Speaker 1>Park water ride, which is super dated but still super fun.

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<v Speaker 1>Cool man, No got, I mean I'm close to uh, like,

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<v Speaker 1>how old is it is? A kid wanting to go

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<v Speaker 1>to Disney five? Well, Eden went to Disney a couple

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<v Speaker 1>of years ago, and I think she enjoyed it then,

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<v Speaker 1>but now I honestly think it's a little too kitty

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<v Speaker 1>for her and that the Universal was much more her

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<v Speaker 1>speed because she likes the thrill rides. And let me

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<v Speaker 1>tell you, the incredible Hulk roller coaster best roller coaster

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<v Speaker 1>I've ever been on him, really. So it's like it

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<v Speaker 1>takes you up and you go through this tube and

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<v Speaker 1>it's like this gamma ray tube and so you can't

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<v Speaker 1>see the outside, and it does the click click click

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<v Speaker 1>click about halfway up and then it just shoots you out,

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<v Speaker 1>and it kind of tricks you into thinking that it's

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<v Speaker 1>going to be like one of those yeah, but then

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<v Speaker 1>it just launches you immediately into a corkscrew and then

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<v Speaker 1>you're doing all these It's got like eight inversions of

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<v Speaker 1>what they call it in the coaster community. But Eden

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<v Speaker 1>wrote it and she's just now tall enough to ride

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<v Speaker 1>pretty much any crazy roller coast. She's down, She's so down. Man.

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<v Speaker 1>The last time I went, I went to seed Her

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<v Speaker 1>Point in Ohio about probably about six or seven years ago,

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<v Speaker 1>and uh, that was the first time I had been

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<v Speaker 1>to a major part and Cedar Points supposedly like the

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<v Speaker 1>best country yeah, as far as but coaster enthusiasts, and

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<v Speaker 1>it had been a long time since I've been on

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<v Speaker 1>those rides and I love all that stuff, but they

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<v Speaker 1>kicked my ask. Dude, I'm not ashamed to admit that. Afterward,

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<v Speaker 1>I was like, wow, that I felt like astronaut training,

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<v Speaker 1>Like they're so extreme now. Man, it was a bit

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<v Speaker 1>much for me. Well, like I I only recently got

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<v Speaker 1>back into it because we got season passes to six Flags,

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<v Speaker 1>and um, Eden kind of gil Actually, the girl I

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<v Speaker 1>was dating at the time kind of like guilted me

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<v Speaker 1>into riding every ride. I didn't want to be the

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<v Speaker 1>one that waited in line and then had to step

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<v Speaker 1>out like an old lady and you know, the walk

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<v Speaker 1>of shame or whatever. So I just scared. Kid, that

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<v Speaker 1>was me when I was really so I you know,

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<v Speaker 1>I just sucked it up and I rode every ride

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<v Speaker 1>at six Flags and then realized, like, I really like

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<v Speaker 1>roller coasters, so yeah, I like them. I think it

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<v Speaker 1>was just get that old body up there now, and

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<v Speaker 1>I was kind of at the end of the day,

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<v Speaker 1>I was like, man, my ass is kicked. Well. I

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<v Speaker 1>also tracked our steps from walking around. We were there

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<v Speaker 1>a universal for about thirteen hours. My mom stayed at

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<v Speaker 1>My mom stayed half the day with us, and then

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<v Speaker 1>she tapped out about midway she's just you know, she's older.

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<v Speaker 1>And then we went back to the hotel. We stayed

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<v Speaker 1>on site, so it was super easy to get back

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<v Speaker 1>to the hotel and then come right back. And then

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<v Speaker 1>me and Eden just like grinded it out until closing time.

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<v Speaker 1>But I tracked our steps. We did twenty seven thousand steps. Wow,

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<v Speaker 1>walking around you there's a lot of steps. It was

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<v Speaker 1>a lot of fun though. Man, it was a great holiday.

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<v Speaker 1>How about you guys. You said you kept a pretty chill,

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<v Speaker 1>kept a chill, stayed around. We don't have to travel

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<v Speaker 1>for the holidays anymore. Uh. It was not you know,

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<v Speaker 1>it was Chris, we're not in our home, you know,

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<v Speaker 1>because we're renovating your house. So it was a Christmas

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<v Speaker 1>not in our house, which was not the greatest thing

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<v Speaker 1>in the world. And I'm ready to move back. I'm

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<v Speaker 1>ready to be back in my goddamn house. I miss it,

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<v Speaker 1>but I'm not going to complain about renovating a house

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<v Speaker 1>like some Yeah, there's just called first world problems, first

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<v Speaker 1>of all problems. So First Reformed, great movie. You gotta

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<v Speaker 1>check it out, really, like up your Alley? Is it

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<v Speaker 1>like a priest with a moral quandary kind of picture.

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<v Speaker 1>It's it's not quite what you think I will say that.

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<v Speaker 1>I mean it's Paul Schrader. You gotta remember this. This

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<v Speaker 1>is the guy who, uh you know, created Travis Bickle. Oh,

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<v Speaker 1>that's right. He's taxi driver and uh, his his work

0:10:59.240 --> 0:11:01.760
<v Speaker 1>is dark, to say the least. We've talked about him though.

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<v Speaker 1>Didn't he also have a couple of misses? Didn't Heed

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<v Speaker 1>do some like weird bad Ship, the need to show

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<v Speaker 1>Girls or something like that? What did? What did Schrader do?

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<v Speaker 1>That was a little bit like kind of well, he

0:11:12.600 --> 0:11:15.160
<v Speaker 1>said he's had a weird career. I mean a lot

0:11:15.160 --> 0:11:18.520
<v Speaker 1>of it was as a writer, because obviously he wrote

0:11:19.120 --> 0:11:22.760
<v Speaker 1>a taxi driver in Raging bull Um, but he directed

0:11:22.800 --> 0:11:25.800
<v Speaker 1>I think he directed Affliction. Have you ever seen that?

0:11:25.840 --> 0:11:31.360
<v Speaker 1>Movie Nick n No, I have not seen Affliction auto focus.

0:11:31.520 --> 0:11:35.560
<v Speaker 1>He did something weird though he did like, oh, he

0:11:35.559 --> 0:11:38.120
<v Speaker 1>wrote the Last Temptation of Christ. Yeah, I mean he

0:11:38.160 --> 0:11:40.680
<v Speaker 1>was Scoressey's guy for a while. You're bringing out you know.

0:11:40.800 --> 0:11:42.960
<v Speaker 1>I think Bringing Out the Dead as a very underrated

0:11:43.000 --> 0:11:45.760
<v Speaker 1>scor stasy movie, although I do remember I saw it

0:11:45.800 --> 0:11:47.680
<v Speaker 1>when I was very young and I was on LSD,

0:11:48.160 --> 0:11:50.319
<v Speaker 1>and I thought it was the best thing I've ever

0:11:50.320 --> 0:11:53.200
<v Speaker 1>seen in my life. Um, but I haven't seen it

0:11:53.280 --> 0:11:57.920
<v Speaker 1>since he took acid and watched that movie. Just so

0:11:57.960 --> 0:11:59.800
<v Speaker 1>many more fun things to do on acid, I know.

0:12:00.080 --> 0:12:01.839
<v Speaker 1>Is kind of a bummer movie. Wasn't. But it was

0:12:01.880 --> 0:12:04.199
<v Speaker 1>also very like intense and colorful and like, you know,

0:12:04.240 --> 0:12:07.040
<v Speaker 1>all over the place. Yeah, I'm wrong. I thought, for

0:12:07.080 --> 0:12:08.760
<v Speaker 1>some reason I thought that he did he did like

0:12:09.320 --> 0:12:13.320
<v Speaker 1>The Hills with Lindsay Lohan or something. Didn't Oh who

0:12:13.320 --> 0:12:15.600
<v Speaker 1>did that? I thought? Was that Straighter? I thought it

0:12:15.640 --> 0:12:18.240
<v Speaker 1>was him. Did he direct it? Maybe? Maybe in a

0:12:18.440 --> 0:12:23.760
<v Speaker 1>very weird Hold on a second, The Canyons. Yes, he

0:12:23.880 --> 0:12:30.160
<v Speaker 1>did The Canyons with Lindsay Lohan and James Dean. That's right.

0:12:30.200 --> 0:12:32.560
<v Speaker 1>I knew he did some weird misstep that people were like,

0:12:32.600 --> 0:12:35.440
<v Speaker 1>what the funk are you doing that? It's pretty strange. Well,

0:12:35.440 --> 0:12:37.400
<v Speaker 1>he has come back strong because First Reformed is great.

0:12:37.400 --> 0:12:40.600
<v Speaker 1>Ethan Hulk could be a an Oscar nam I would imagine.

0:12:40.760 --> 0:12:42.360
<v Speaker 1>He's so good in it. I think I told you

0:12:42.440 --> 0:12:48.160
<v Speaker 1>I watched the favorite Oh yeah, it was my favorite

0:12:48.559 --> 0:12:53.280
<v Speaker 1>movie of Oh wow, so updated list huh. Um, I

0:12:53.320 --> 0:12:54.840
<v Speaker 1>did not realize. I mean, I wanted to see it,

0:12:54.840 --> 0:12:57.720
<v Speaker 1>but I didn't realize it was killing him a sacred deer.

0:12:58.360 --> 0:13:00.560
<v Speaker 1>Uh what's his name? Or ghost lamp the most Yeah,

0:13:00.559 --> 0:13:03.719
<v Speaker 1>I didn't know that. Not to be confused with Pandos Cosmatos,

0:13:03.800 --> 0:13:08.400
<v Speaker 1>right or exactly that guy. No, it's it's. Um. The

0:13:08.400 --> 0:13:11.199
<v Speaker 1>thing that's cool about it is it is very much

0:13:11.559 --> 0:13:14.600
<v Speaker 1>a period costume drama with a lot of like palace

0:13:14.679 --> 0:13:17.440
<v Speaker 1>intrigue and backstabbing and the kind of stuff you think it.

0:13:17.600 --> 0:13:19.880
<v Speaker 1>I mean, I actually haven't seen Amadeus, but it it

0:13:19.920 --> 0:13:22.120
<v Speaker 1>reminds me of what I would think I'm Adeus might

0:13:22.160 --> 0:13:25.439
<v Speaker 1>have been, like Jesus, I know, I know, I know.

0:13:25.480 --> 0:13:27.400
<v Speaker 1>It's it's one of my big holes. Um, it's one

0:13:27.400 --> 0:13:31.160
<v Speaker 1>of my gaping holes. It is, it really is. It's disgusting,

0:13:31.520 --> 0:13:35.160
<v Speaker 1>but no, but it also is weird and psychedelic and

0:13:35.520 --> 0:13:40.800
<v Speaker 1>very much that guy. But it's not some alternate reality

0:13:40.800 --> 0:13:43.360
<v Speaker 1>world like because other movies are where there's something a

0:13:43.360 --> 0:13:45.720
<v Speaker 1>little off about the universe. This is very much like

0:13:45.800 --> 0:13:48.240
<v Speaker 1>set in its time in the I want to say

0:13:48.240 --> 0:13:51.280
<v Speaker 1>seventeen hundreds, or it seems like more like Victorian England

0:13:51.640 --> 0:13:54.160
<v Speaker 1>when they're at war with France. I'm not good with numbers,

0:13:54.200 --> 0:13:55.959
<v Speaker 1>even though I host a history show. You think I

0:13:55.960 --> 0:13:59.880
<v Speaker 1>would know these things. But anyway, it's good. I really recommend. Well,

0:14:00.000 --> 0:14:02.280
<v Speaker 1>maybe i'll uh, maybe I'll catch it before it leaves

0:14:02.280 --> 0:14:06.920
<v Speaker 1>theaters and we'll crush. The judgment should be fantastic. I'm

0:14:06.920 --> 0:14:10.480
<v Speaker 1>hoping to get some screeners soon because my my December

0:14:10.520 --> 0:14:12.880
<v Speaker 1>is when I can usually get to the theater because

0:14:13.280 --> 0:14:17.120
<v Speaker 1>Emily gets real busy and I get slower, and I

0:14:17.120 --> 0:14:21.240
<v Speaker 1>did go see a lot of movies. But um, maybe

0:14:21.280 --> 0:14:23.480
<v Speaker 1>I can get some screeners because I'm sure that will

0:14:23.480 --> 0:14:25.800
<v Speaker 1>be a nominee of you Got an End? Yeah, I

0:14:25.800 --> 0:14:27.920
<v Speaker 1>got a couple of in yes Man's Yeah. I can't

0:14:27.920 --> 0:14:31.160
<v Speaker 1>say names. They're supposed to their water marks, right, not

0:14:31.200 --> 0:14:34.600
<v Speaker 1>their watermark. These days, they've got like they're individualized. They

0:14:34.600 --> 0:14:36.840
<v Speaker 1>should just do the mission impossible thing and have it

0:14:36.880 --> 0:14:39.960
<v Speaker 1>self destruct after it plays. I got a wreck real quick,

0:14:40.080 --> 0:14:42.600
<v Speaker 1>just before we get into whatever you've got up your sleeve. Well, no,

0:14:42.720 --> 0:14:44.920
<v Speaker 1>I have a note here that says, waste ten minutes

0:14:44.920 --> 0:14:47.760
<v Speaker 1>at the beginning. Beautiful what we're doing it brilliantly. Um,

0:14:47.840 --> 0:14:49.360
<v Speaker 1>this is the catch up. We haven't seen each other.

0:14:49.960 --> 0:14:52.640
<v Speaker 1>Have you seen the show Adam Ruins everything I've never

0:14:52.680 --> 0:14:55.320
<v Speaker 1>seen that. I really like it and the show there's

0:14:55.320 --> 0:14:58.840
<v Speaker 1>an episode he does about Hollywood and I recommend it

0:14:58.920 --> 0:15:03.240
<v Speaker 1>highly because it demystifies all the fakery behind like awards

0:15:03.360 --> 0:15:07.320
<v Speaker 1>shows like the whole like um for your Consideration campaigns,

0:15:07.560 --> 0:15:09.800
<v Speaker 1>and how basically the movies that win are the ones

0:15:09.880 --> 0:15:11.800
<v Speaker 1>that put on the most lavish parties for like the

0:15:11.840 --> 0:15:14.680
<v Speaker 1>Hollywood Foreign press and things like that. It's all very

0:15:14.760 --> 0:15:17.320
<v Speaker 1>much kind of like it sort of sucks politics. It's

0:15:17.360 --> 0:15:20.440
<v Speaker 1>a lot of politics, but it also goes into some

0:15:20.520 --> 0:15:23.200
<v Speaker 1>real cool behind the scenes stuff about how fake reality

0:15:23.240 --> 0:15:25.960
<v Speaker 1>shows are and the idea of like frankin biting, where

0:15:26.000 --> 0:15:28.680
<v Speaker 1>you can like cut up things people say, have a

0:15:28.720 --> 0:15:32.120
<v Speaker 1>cutaway where it's their back and they literally manufacture a

0:15:32.160 --> 0:15:35.440
<v Speaker 1>sentence by stringing together bits of other things they've said,

0:15:35.760 --> 0:15:39.000
<v Speaker 1>Oh yeah, like anyone that still thinks reality shows are

0:15:39.160 --> 0:15:43.480
<v Speaker 1>not completely holy manufactured are just living in a dream.

0:15:43.480 --> 0:15:45.120
<v Speaker 1>They're They're basically in the same boat as people that

0:15:45.160 --> 0:15:47.880
<v Speaker 1>still think professional wrestling is real. No one thinks that.

0:15:48.840 --> 0:15:50.360
<v Speaker 1>Do you know Andy Warhol was a big fan of

0:15:50.480 --> 0:15:54.360
<v Speaker 1>w w F. Yeah, I didn't, but that doesn't surprise me.

0:15:54.360 --> 0:15:56.920
<v Speaker 1>I mean, Gene, you know, me and Gene, the announcers,

0:15:56.960 --> 0:15:58.840
<v Speaker 1>we just passed to it. There's an incredible clip I

0:15:58.840 --> 0:16:01.920
<v Speaker 1>recommendber everybody check it out, um where where he's like

0:16:01.960 --> 0:16:05.080
<v Speaker 1>doing his post match interview thing and you see Hulk

0:16:05.080 --> 0:16:08.040
<v Speaker 1>Hogan in the background and Cindy Lauper's there, and then

0:16:08.040 --> 0:16:10.560
<v Speaker 1>Andy Warhol comes up and mean jeans like ladies and gentlemen,

0:16:10.600 --> 0:16:13.680
<v Speaker 1>a very real New York luminary. Mr Andy Warhol, is,

0:16:13.960 --> 0:16:16.120
<v Speaker 1>have you ever seen so much bedlam and chaos in

0:16:16.160 --> 0:16:18.280
<v Speaker 1>your life? Sir? And he goes, I just can't even

0:16:18.440 --> 0:16:20.920
<v Speaker 1>believe it. I just it's just so exciting. It's just

0:16:20.960 --> 0:16:23.960
<v Speaker 1>so exciting. I just don't even know what to say. Yeah,

0:16:24.000 --> 0:16:26.280
<v Speaker 1>but the real answer is yes, Andy Warhol has seen

0:16:26.400 --> 0:16:29.000
<v Speaker 1>that much bedlam in his life in debauchery. But no,

0:16:29.080 --> 0:16:32.200
<v Speaker 1>apparently he was genuinely a fan, which makes sense considering

0:16:32.280 --> 0:16:36.680
<v Speaker 1>what how fascinated he was by gross commercialism, you know, spectacle.

0:16:36.960 --> 0:16:39.120
<v Speaker 1>So for first I was like, that seems wrong, but

0:16:39.160 --> 0:16:42.440
<v Speaker 1>then I was like, no, that seems absolutely right. Like

0:16:42.440 --> 0:16:44.960
<v Speaker 1>Salvador Duli, if he was alive, would probably be into

0:16:45.040 --> 0:16:46.760
<v Speaker 1>w W. But just the way he responds, he's like,

0:16:47.000 --> 0:16:50.360
<v Speaker 1>it was just so exciting. I can barely contain myself. Yeah,

0:16:52.240 --> 0:16:56.320
<v Speaker 1>it shows Andy you're magnanimous personality. He didn't strike me

0:16:56.320 --> 0:16:58.760
<v Speaker 1>as someone who was a lot of fun to hang

0:16:58.800 --> 0:17:01.040
<v Speaker 1>out with. I think he just kind of toyed with

0:17:01.080 --> 0:17:02.640
<v Speaker 1>people a little bit, and then it was sort of

0:17:02.960 --> 0:17:05.399
<v Speaker 1>sort of always had like his recorder and like camera,

0:17:05.520 --> 0:17:07.000
<v Speaker 1>was just kind of like trying to like get out

0:17:07.040 --> 0:17:10.439
<v Speaker 1>of make people kind of like, you know, be his

0:17:10.520 --> 0:17:12.199
<v Speaker 1>subjects all the time. I don't know, it's he's an

0:17:12.240 --> 0:17:14.480
<v Speaker 1>interesting fellow. He is. I'm not gonna knock him too

0:17:14.560 --> 0:17:17.600
<v Speaker 1>much and go draw a soupcan. He didn't even draw it,

0:17:17.600 --> 0:17:20.440
<v Speaker 1>did he. It wasn't just kind of like xerox. They're like, oh,

0:17:20.520 --> 0:17:22.879
<v Speaker 1>did he just blow up like a lot. I don't know,

0:17:23.000 --> 0:17:24.680
<v Speaker 1>did you go call me on this? But I think

0:17:24.720 --> 0:17:27.480
<v Speaker 1>a lot of what he did was definitely commodifying other

0:17:27.600 --> 0:17:30.600
<v Speaker 1>images and uh but I think he probably had some

0:17:31.160 --> 0:17:33.159
<v Speaker 1>artistic chops as far as being able to draw. But

0:17:33.200 --> 0:17:35.400
<v Speaker 1>I don't think of him as being a painter exactly.

0:17:35.480 --> 0:17:38.679
<v Speaker 1>I think it more as being like like a printmaker

0:17:38.760 --> 0:17:48.719
<v Speaker 1>or something, you know, like, well, no, we actually did

0:17:48.720 --> 0:17:50.639
<v Speaker 1>the first two things we because on my list here

0:17:50.640 --> 0:17:54.720
<v Speaker 1>it says waste ten minutes, trash, Andy Warhol, boom. So

0:17:54.880 --> 0:17:58.760
<v Speaker 1>now we're onto a new segment. And actually I don't

0:17:58.800 --> 0:18:00.760
<v Speaker 1>even have my outline that I did for these episodes,

0:18:00.800 --> 0:18:02.920
<v Speaker 1>so we're just gonna kind of freewheel it through these

0:18:03.359 --> 0:18:07.240
<v Speaker 1>as usual. But this is a new segment. Nol called

0:18:08.119 --> 0:18:19.640
<v Speaker 1>up with fuck. That's fantastic. That fills me with joy.

0:18:19.840 --> 0:18:22.159
<v Speaker 1>And I actually saw this on the social media. Uh

0:18:22.240 --> 0:18:25.359
<v Speaker 1>you asking people, uh this this very question YEP. I

0:18:25.359 --> 0:18:29.240
<v Speaker 1>asked people on the Facebook page, what is your favorite

0:18:29.240 --> 0:18:31.680
<v Speaker 1>F bomb in a movie? Please give me the exact

0:18:33.400 --> 0:18:36.159
<v Speaker 1>exact quote so we can read them as you know,

0:18:37.280 --> 0:18:39.600
<v Speaker 1>maybe not in character, maybe in character de pense. I

0:18:39.600 --> 0:18:42.159
<v Speaker 1>feel like I can pull it off. And here we go.

0:18:42.400 --> 0:18:45.200
<v Speaker 1>We had three six, so we're gonna continue this one.

0:18:45.240 --> 0:18:47.960
<v Speaker 1>I was one of those Oh really, yeah, I dropped one. Well,

0:18:47.960 --> 0:18:49.480
<v Speaker 1>why don't you go ahead and start off? What's your quote?

0:18:49.520 --> 0:18:53.680
<v Speaker 1>Yippi gay motherfucker? Oh favorite f bomb? It's pretty good.

0:18:53.720 --> 0:18:55.200
<v Speaker 1>I mean it was the first one that sprang to mind.

0:18:55.320 --> 0:18:59.160
<v Speaker 1>I got you, I either there are many, many fantastic

0:18:59.200 --> 0:19:01.160
<v Speaker 1>f bombs in center them all. Right, well here's one.

0:19:01.320 --> 0:19:02.840
<v Speaker 1>We're gonna go ahead and start off with one that

0:19:02.920 --> 0:19:09.119
<v Speaker 1>was up voted the most from Melinda uh baccalleo. She's no.

0:19:09.200 --> 0:19:12.439
<v Speaker 1>I've said that name a bunch, great name coming to America.

0:19:12.480 --> 0:19:17.520
<v Speaker 1>It's one of my favorites too. Ah, good morning my neighbors.

0:19:17.840 --> 0:19:23.199
<v Speaker 1>Hey fuck you yes, yes, fuck you two? Is that

0:19:23.359 --> 0:19:25.960
<v Speaker 1>r redd? Oh yeah, I didn't realize Coming to America

0:19:26.040 --> 0:19:28.080
<v Speaker 1>was alread. I don't know why. I guess Eddie Murphy

0:19:28.160 --> 0:19:30.920
<v Speaker 1>was sort of always ir rated, wasn't he um until

0:19:31.000 --> 0:19:35.560
<v Speaker 1>he decided to be um a shill Disney. Yeah, basically,

0:19:35.640 --> 0:19:38.520
<v Speaker 1>and do Clumps and all that ship, do children's movies

0:19:38.720 --> 0:19:40.800
<v Speaker 1>so well, even the nutty professor that was PG. Thirteen,

0:19:40.840 --> 0:19:44.120
<v Speaker 1>that was him edging into PG. Thirteen territory. I never

0:19:44.160 --> 0:19:49.160
<v Speaker 1>saw that. No, then, I'm sorry, Clumps wasn't the nutty Wait,

0:19:49.240 --> 0:19:51.720
<v Speaker 1>I think the nutty Professor was the clumps. But then

0:19:51.720 --> 0:19:53.520
<v Speaker 1>there was like a sequel, right, but what was the

0:19:53.520 --> 0:19:55.040
<v Speaker 1>one where he was wearing the fat suit? That was

0:19:55.080 --> 0:19:58.160
<v Speaker 1>that professor That is a professor, but that was meant

0:19:58.200 --> 0:20:01.840
<v Speaker 1>to be kind of crass, gross humor, but it was Pg. Thirteen,

0:20:02.240 --> 0:20:03.760
<v Speaker 1>so it was it was it was like fart jokes.

0:20:03.760 --> 0:20:06.080
<v Speaker 1>It was fart jokes, not real good dirty. It was

0:20:06.119 --> 0:20:08.680
<v Speaker 1>also it was also very fat shaming. It was kind

0:20:08.680 --> 0:20:10.880
<v Speaker 1>of not oh sure, that was back in a time

0:20:10.880 --> 0:20:12.680
<v Speaker 1>where not nice you could put someone in a fat

0:20:12.720 --> 0:20:14.600
<v Speaker 1>suit in a movie and it's like, that's funny. He

0:20:14.680 --> 0:20:17.520
<v Speaker 1>filled down big fat super performance coming up John c

0:20:17.720 --> 0:20:22.080
<v Speaker 1>Riley as fucking Party Laurel. Which one was the fat one?

0:20:23.480 --> 0:20:26.040
<v Speaker 1>Ali Oliver, I'm not gonna say a word. I'm just

0:20:26.040 --> 0:20:28.680
<v Speaker 1>gonna party on your own. Party was the fat one.

0:20:29.600 --> 0:20:32.879
<v Speaker 1>He's supposed to be great in it, and he needs

0:20:32.920 --> 0:20:37.159
<v Speaker 1>to pay reparations for the Sherlock Holmes movie that is

0:20:37.200 --> 0:20:40.399
<v Speaker 1>getting some of the worst reviews I've ever seen it.

0:20:40.400 --> 0:20:43.320
<v Speaker 1>In my lots, I read a thing saying that, you know,

0:20:43.480 --> 0:20:45.840
<v Speaker 1>Netflix apparently has a thing they do where they very

0:20:45.880 --> 0:20:49.920
<v Speaker 1>magnanimously will release stuff that doesn't test well for studios,

0:20:49.960 --> 0:20:52.640
<v Speaker 1>like they'll take they'll off they'll offload it for cheaper

0:20:52.680 --> 0:20:55.400
<v Speaker 1>or whatever. Your garbage. Yeah, and then but they apparently

0:20:55.440 --> 0:20:59.359
<v Speaker 1>passed on they were forced to actually release it. And

0:20:59.400 --> 0:21:03.880
<v Speaker 1>then they release did with very little fanfare, no pre screening,

0:21:04.960 --> 0:21:07.680
<v Speaker 1>and they bailed on the marketing. They made enough money

0:21:08.160 --> 0:21:12.200
<v Speaker 1>just with blind idiots going to see on Christmas weekend. Yeah,

0:21:12.280 --> 0:21:14.920
<v Speaker 1>no offense to anyone that went and saw it on Christmas, Okay,

0:21:15.000 --> 0:21:17.520
<v Speaker 1>that's okay. I just know these people being like Will

0:21:17.560 --> 0:21:20.520
<v Speaker 1>Ferrell sure, you know, like how bad could it be?

0:21:20.880 --> 0:21:23.800
<v Speaker 1>And apparently like Scotty saw it and he just he

0:21:23.920 --> 0:21:28.399
<v Speaker 1>was It's it indicates I think the laziness of the

0:21:28.520 --> 0:21:31.520
<v Speaker 1>movie industry today to basically be like this is a

0:21:31.560 --> 0:21:34.119
<v Speaker 1>train wreck, but hey, let's we got these two guys.

0:21:34.480 --> 0:21:36.119
<v Speaker 1>Just let them do their thing. It'll be funny. I

0:21:36.160 --> 0:21:39.800
<v Speaker 1>think Will ferrell is is fantastic and hilarious. He's also

0:21:39.800 --> 0:21:42.720
<v Speaker 1>technically our coworker. Now it's a little weird. It's a

0:21:42.720 --> 0:21:45.680
<v Speaker 1>little weird. Everyone look forward to the Ron Burgundy podcast

0:21:45.720 --> 0:21:49.080
<v Speaker 1>seriously coming on our network. I've heard some behind the

0:21:49.119 --> 0:21:52.480
<v Speaker 1>scenes stuff and it sounds like a lot of fun. Man,

0:21:52.520 --> 0:21:54.159
<v Speaker 1>I'm so jealous of those guys out there in l

0:21:54.200 --> 0:21:55.760
<v Speaker 1>A Me too. What what a lot of fun to

0:21:55.800 --> 0:21:59.600
<v Speaker 1>sit on on that um Mike Sam says when Professor

0:21:59.600 --> 0:22:03.040
<v Speaker 1>Exton Magneto are recruiting an X Men first class, they

0:22:03.080 --> 0:22:06.720
<v Speaker 1>meet up with Wolverine, he simply says, go fund yourself.

0:22:07.880 --> 0:22:10.760
<v Speaker 1>The surprise of that cameo adds to the effective effectiveness

0:22:10.800 --> 0:22:13.440
<v Speaker 1>of the F bomb. See, this is sort of goes

0:22:13.480 --> 0:22:17.280
<v Speaker 1>into like ratings history, right, because I think you can

0:22:17.320 --> 0:22:19.600
<v Speaker 1>get like a limited number of F bombs in the

0:22:19.640 --> 0:22:22.920
<v Speaker 1>PG thirteen movie now and it also in the Atom

0:22:23.040 --> 0:22:25.560
<v Speaker 1>Ruins Everything show. They do an episode on in the

0:22:25.600 --> 0:22:28.800
<v Speaker 1>Hollywood one about ratings and apparently like I want to

0:22:28.840 --> 0:22:33.760
<v Speaker 1>fuck you is different than fuck you. Sexuality is a

0:22:33.800 --> 0:22:38.400
<v Speaker 1>big no no for the m p A. They're dirty,

0:22:38.680 --> 0:22:40.399
<v Speaker 1>So yeah you can have but but it's still a

0:22:40.440 --> 0:22:42.640
<v Speaker 1>PG thirteen movie. Can't just be dropping the bombs left

0:22:42.640 --> 0:22:45.240
<v Speaker 1>and right either, They're gonna walk that line. They have

0:22:45.320 --> 0:22:47.119
<v Speaker 1>to really pick and shoes and make it like for

0:22:47.160 --> 0:22:49.080
<v Speaker 1>impact like that one, Like that's probably the only F

0:22:49.160 --> 0:22:50.879
<v Speaker 1>bomb in any X Men movie I can think of.

0:22:51.160 --> 0:22:53.920
<v Speaker 1>Uh yeah, I would imagine, So that lends itself to

0:22:54.040 --> 0:22:59.840
<v Speaker 1>like yeah, big wow moment, Uh Matt come out said,

0:23:00.080 --> 0:23:04.160
<v Speaker 1>is this is mar Marcellus Wallace from Pulp Fiction. No, man,

0:23:04.320 --> 0:23:09.520
<v Speaker 1>I'm pretty fucking far from okay. Yeah, yeah, is alright?

0:23:09.640 --> 0:23:13.640
<v Speaker 1>Benjamin Johnson from The Big Lebowski. Do you see what happens,

0:23:13.720 --> 0:23:16.720
<v Speaker 1>Larry when you fuck a stranger in the ass? This

0:23:16.760 --> 0:23:20.520
<v Speaker 1>is what happens, Larry. This is what happens, Larry. Have

0:23:20.640 --> 0:23:23.960
<v Speaker 1>we talked about the TV edit version of that? There's

0:23:23.960 --> 0:23:26.360
<v Speaker 1>several Oh, I don't think so well, there's one of them.

0:23:26.720 --> 0:23:28.600
<v Speaker 1>One of them is when you leave a stranger in

0:23:28.640 --> 0:23:35.840
<v Speaker 1>the Alps, or maybe it's fine a stranger because that

0:23:35.840 --> 0:23:38.000
<v Speaker 1>would match up more with the F word. But there's

0:23:38.040 --> 0:23:42.200
<v Speaker 1>another one where it's there's there's a couple. I mean,

0:23:42.240 --> 0:23:45.960
<v Speaker 1>how can you even try to do Big Lebowski? Yeah,

0:23:46.160 --> 0:23:49.320
<v Speaker 1>I've seen it. It's crazy, it's crazy. There's a bunch

0:23:49.320 --> 0:23:53.439
<v Speaker 1>of good fus find a stranger in the Alps. Yeah,

0:23:53.560 --> 0:23:55.720
<v Speaker 1>Big Lebowski is is one of my favorite movies of

0:23:55.760 --> 0:23:58.040
<v Speaker 1>all time. It's so funny and it's such a good

0:23:58.160 --> 0:24:01.320
<v Speaker 1>l a movie. It's it's it's so true to like

0:24:02.040 --> 0:24:03.919
<v Speaker 1>the geography of the place and like all of the

0:24:03.920 --> 0:24:07.040
<v Speaker 1>little kind of hidden gems. It's got that vibe to it.

0:24:07.080 --> 0:24:08.960
<v Speaker 1>I love it. Did you happen to see Jeff Bridges

0:24:09.359 --> 0:24:12.879
<v Speaker 1>Golden Globes Lifetime Achievement Awards speech? You know, it's pretty

0:24:12.920 --> 0:24:15.000
<v Speaker 1>much good. He's a very zen is he very dude?

0:24:15.160 --> 0:24:17.920
<v Speaker 1>He's very dude. He's very much that guy. He was

0:24:18.040 --> 0:24:20.840
<v Speaker 1>rambling at one point, just going on and on. I

0:24:20.880 --> 0:24:23.080
<v Speaker 1>was at home just cracking up, and you could see

0:24:23.080 --> 0:24:25.679
<v Speaker 1>the audience members. Chrispine gave him the award, and it

0:24:25.680 --> 0:24:28.880
<v Speaker 1>showed shots of him behind him, just cracking of like

0:24:29.280 --> 0:24:32.520
<v Speaker 1>he's being due this guy right here. Yeah, he seems awesome.

0:24:33.040 --> 0:24:35.600
<v Speaker 1>He's supposed to be great in the I R l oh.

0:24:35.640 --> 0:24:39.760
<v Speaker 1>I'm I can only imagine um, Pat, I'm sorry, Patricia Caffrey.

0:24:39.840 --> 0:24:42.800
<v Speaker 1>Maybe she goes by Pat from Half Baked, fuck you,

0:24:42.920 --> 0:24:45.880
<v Speaker 1>fuck you, You're cool and fuck you. That's good. I've

0:24:45.960 --> 0:24:47.840
<v Speaker 1>used that before. I haven't seen that one a long time.

0:24:48.200 --> 0:24:50.800
<v Speaker 1>I just I always think abracadabra B. You know, when

0:24:50.800 --> 0:24:52.920
<v Speaker 1>something's going wrong and you just kind of yet talking

0:24:52.960 --> 0:24:56.120
<v Speaker 1>to your lapel and say abracadabra B from the movie

0:24:56.160 --> 0:24:58.760
<v Speaker 1>that's they're like, uh, they're doing like a heist or

0:24:58.800 --> 0:25:01.080
<v Speaker 1>some kind of thing like to you know, raid this drug. No.

0:25:01.160 --> 0:25:02.840
<v Speaker 1>I know what it is. They're they're wearing a wire

0:25:03.200 --> 0:25:06.280
<v Speaker 1>and they're like infiltrating this drug kingpin. And that's there

0:25:06.320 --> 0:25:09.760
<v Speaker 1>like code word that everything's going pear shaped or whatever.

0:25:10.200 --> 0:25:12.240
<v Speaker 1>So he's in the one character is always calling everybody

0:25:12.240 --> 0:25:14.680
<v Speaker 1>be you know, he said Abrica dabra b And I

0:25:14.720 --> 0:25:18.040
<v Speaker 1>always say that, what happened to that guy? Yeah, Jim Brewer.

0:25:18.240 --> 0:25:20.639
<v Speaker 1>It wasn't Jim Brewer. It was the Latino guy um

0:25:20.680 --> 0:25:23.920
<v Speaker 1>whose name I can't remember. Yeah, and I'm not sure

0:25:23.960 --> 0:25:26.399
<v Speaker 1>what happened to Brewer. Jeez, everyone in that movie kind

0:25:26.400 --> 0:25:28.280
<v Speaker 1>of went away. Brewer had his heyday kind of in

0:25:28.320 --> 0:25:33.840
<v Speaker 1>those like nineties American pie type well, of course, but

0:25:33.960 --> 0:25:36.040
<v Speaker 1>there was like a whole golden time, you know, for

0:25:36.320 --> 0:25:38.560
<v Speaker 1>the golden jip age of Jim Brewer, Golden age of

0:25:38.600 --> 0:25:42.959
<v Speaker 1>Jim Brewer. We're on Brewer time everyone. Uh. Neil Balfour says,

0:25:43.119 --> 0:25:48.440
<v Speaker 1>oh fudge, great one, Ralphie and a Christmas story. It's

0:25:48.440 --> 0:25:52.960
<v Speaker 1>a clean f bomb everyone, Uh oh yeah, Breakfast Club,

0:25:52.960 --> 0:25:57.480
<v Speaker 1>Taylor Peterman, what about you, Dad? Fuck you know? Dad?

0:25:57.720 --> 0:26:01.440
<v Speaker 1>What about you? Fuck you? And then there's one more

0:26:01.480 --> 0:26:03.760
<v Speaker 1>even is that meant to be like a powerful moment

0:26:03.920 --> 0:26:05.720
<v Speaker 1>between him and his dad is that, Like, have you

0:26:05.960 --> 0:26:07.640
<v Speaker 1>seen the Breakfast Club? I haven't seen the Breakfast Club.

0:26:09.040 --> 0:26:11.840
<v Speaker 1>I'm so mad at you. Well, see the holes reveal

0:26:11.960 --> 0:26:16.760
<v Speaker 1>themselves just in conversation, not not in these uh pedantic lists. Games.

0:26:17.520 --> 0:26:22.119
<v Speaker 1>Laura b Yorkland, great name. She goes with Yippikaya, motherfucker,

0:26:23.200 --> 0:26:27.880
<v Speaker 1>solid choice, solid choice. Little Miss Sunshine Hannah Corrali says

0:26:28.119 --> 0:26:31.200
<v Speaker 1>little Miss Sunshine after the brother figures out he's color

0:26:31.240 --> 0:26:33.359
<v Speaker 1>blind and can't be a pilot. Just an amazing, gut

0:26:33.400 --> 0:26:38.320
<v Speaker 1>wrenching fuck. Yeah, that was a great movie. I really

0:26:38.400 --> 0:26:43.840
<v Speaker 1>enjoyed that. Um Helen Lyons Adventures in Babysitting Elizabeth Shoo's character,

0:26:44.600 --> 0:26:48.840
<v Speaker 1>don't fuck with the babysitter, don't do it. She got

0:26:48.840 --> 0:26:50.560
<v Speaker 1>a lot of up votes for that. I got a

0:26:50.560 --> 0:26:54.160
<v Speaker 1>good one. What Heathers fucked me gently with a chainsaw?

0:26:54.840 --> 0:26:58.920
<v Speaker 1>Good lord, nol Why they say it? It's a good one.

0:26:59.040 --> 0:27:02.520
<v Speaker 1>Heather's got a lot of quotable little little Yeah, Emily

0:27:02.520 --> 0:27:07.360
<v Speaker 1>and I what's your damage? Heather? Yeah? We still I's like, how,

0:27:07.600 --> 0:27:09.680
<v Speaker 1>I mean, how old is that movie? Thirty something years

0:27:10.320 --> 0:27:15.080
<v Speaker 1>years pre Beetlejuice? We still say, can somebody tell me

0:27:15.119 --> 0:27:18.800
<v Speaker 1>why I whatever and like eat this ice cream or whatever,

0:27:19.280 --> 0:27:20.960
<v Speaker 1>and we'll go because you're an idiot, and we'll go.

0:27:21.000 --> 0:27:23.880
<v Speaker 1>Oh yeah, that's what she always said to her dad,

0:27:23.880 --> 0:27:26.000
<v Speaker 1>creating Somebody tell me why I smoked these things because

0:27:26.000 --> 0:27:28.920
<v Speaker 1>you're an idiot. Oh yeah, that's that's the recurring motive

0:27:29.040 --> 0:27:32.520
<v Speaker 1>with their parents or whatever exactly. I had never seen it,

0:27:32.880 --> 0:27:36.439
<v Speaker 1>and my girlfriend um made me watch it, and I'm

0:27:36.520 --> 0:27:38.840
<v Speaker 1>forever grateful. It's a really cool movie. It's great, and

0:27:38.880 --> 0:27:41.840
<v Speaker 1>that person never did anything else, who the director, whoever

0:27:41.920 --> 0:27:44.760
<v Speaker 1>was ressible for that movie. It's such a unique sort

0:27:44.800 --> 0:27:48.960
<v Speaker 1>of yeah, n one off kind of am so weird.

0:27:49.840 --> 0:27:53.280
<v Speaker 1>Quinn Cabill says, uh, we're gonna have the hap hap

0:27:53.320 --> 0:27:58.399
<v Speaker 1>happiest Christmas since bing Crosby tap danced with Danny fucking k.

0:28:00.000 --> 0:28:04.560
<v Speaker 1>Who's Danny Kay? Oh God, really, I was talked about this,

0:28:04.600 --> 0:28:07.520
<v Speaker 1>I think, isn't Yeah, Danny Kay was an old actor.

0:28:07.720 --> 0:28:10.480
<v Speaker 1>That's right. We talked about this about Danny Kay. I

0:28:10.520 --> 0:28:12.879
<v Speaker 1>think Danny Kay has come up. I don't think so.

0:28:13.000 --> 0:28:15.960
<v Speaker 1>Didn't he have a particular comedic style. Wasn't he like

0:28:16.000 --> 0:28:19.240
<v Speaker 1>a kind of a vaude Villy cats skills type comedian?

0:28:19.320 --> 0:28:21.199
<v Speaker 1>And he was sort of a I know what it was.

0:28:21.480 --> 0:28:24.800
<v Speaker 1>It was on my other Showtulous History. We interviewed um,

0:28:24.840 --> 0:28:27.280
<v Speaker 1>a guy who wrote a book about the history of comedy,

0:28:27.320 --> 0:28:28.680
<v Speaker 1>and he was talking about how Danny Kay was a

0:28:28.680 --> 0:28:31.919
<v Speaker 1>big influence of early like, Hey, I'm not like some

0:28:31.960 --> 0:28:33.760
<v Speaker 1>big Danny Kay guy. So I don't want to come

0:28:33.800 --> 0:28:36.959
<v Speaker 1>across as a Danny Case. No, no, not at all. Alright,

0:28:37.000 --> 0:28:39.320
<v Speaker 1>I was I was trying to remember where I know

0:28:39.400 --> 0:28:43.080
<v Speaker 1>where I heard that before one of your other shows. Yes,

0:28:43.120 --> 0:28:46.880
<v Speaker 1>I have a cased. All right, I'm here. Aaron Cooper,

0:28:46.920 --> 0:28:49.960
<v Speaker 1>her old friend says, fuck even in the future nothing works,

0:28:50.800 --> 0:28:55.400
<v Speaker 1>which was of course Dark Helmet from Spaceballs. Patrick Gorman

0:28:55.480 --> 0:28:59.480
<v Speaker 1>from Goodfellas. You said, I'm funny. How the funk am

0:28:59.480 --> 0:29:02.120
<v Speaker 1>I funny? What the funk is so funny about me?

0:29:03.120 --> 0:29:05.680
<v Speaker 1>What do you have? Fucking clown do? I amuse you

0:29:06.680 --> 0:29:10.560
<v Speaker 1>so great? Oh here's another Lebowski. Uh, surprise, surprise, ian

0:29:11.200 --> 0:29:15.160
<v Speaker 1>I says, nobody Fox with the Jesus, of course. Not.

0:29:16.560 --> 0:29:18.640
<v Speaker 1>Are they going to make a movie a Jesus movie.

0:29:18.640 --> 0:29:20.320
<v Speaker 1>I heard that they were, but it seems to be

0:29:20.480 --> 0:29:24.720
<v Speaker 1>languishing in some form of development. Hell or I'm not sure.

0:29:24.760 --> 0:29:26.920
<v Speaker 1>I seem to I seem to have read something about

0:29:26.920 --> 0:29:28.240
<v Speaker 1>how was happening and then something about how it was

0:29:28.280 --> 0:29:30.360
<v Speaker 1>like I'm on the back burner. By the way, the

0:29:30.400 --> 0:29:34.680
<v Speaker 1>director of Heather's, whose name is Michael Lehman, did he die.

0:29:34.760 --> 0:29:36.440
<v Speaker 1>He did not die. He just does a lot of TV.

0:29:36.560 --> 0:29:37.880
<v Speaker 1>He's just kind of done a lot of TV. You

0:29:37.920 --> 0:29:41.080
<v Speaker 1>never really did another feature. Got a little one episode,

0:29:41.120 --> 0:29:43.960
<v Speaker 1>two episode credits on us. It's funny, I've done that before.

0:29:43.960 --> 0:29:45.680
<v Speaker 1>We're have been like, what happened to their career? And

0:29:45.680 --> 0:29:48.400
<v Speaker 1>it's like, actually, I've been working steadily as a director

0:29:48.480 --> 0:29:51.480
<v Speaker 1>for twenty five years straight and I'm doing just fine.

0:29:51.880 --> 0:29:54.760
<v Speaker 1>But you just, you know, you don't get notoriety for

0:29:54.840 --> 0:29:57.320
<v Speaker 1>directing two episodes of Dharma and Greg. That's true. And

0:29:57.360 --> 0:29:59.720
<v Speaker 1>you know what he did do that was of some note.

0:30:00.200 --> 0:30:03.880
<v Speaker 1>He did air Heads? Remember air Heads? I didn't see it,

0:30:03.920 --> 0:30:06.200
<v Speaker 1>but it's the one whether the rock band bikes into

0:30:06.200 --> 0:30:11.240
<v Speaker 1>the radio in it too and they're trying to get airplay.

0:30:11.920 --> 0:30:15.760
<v Speaker 1>Yeah he did. That's not a good movie. Robin Shiflett said,

0:30:15.760 --> 0:30:21.960
<v Speaker 1>fuck me gently with the chainsaw, um, Brian Ingarte, Alan

0:30:22.080 --> 0:30:28.240
<v Speaker 1>Arkin Argo, fuck yourself. That's a good one. Do I

0:30:28.280 --> 0:30:30.000
<v Speaker 1>need to tell you off my canal about a little

0:30:30.040 --> 0:30:32.040
<v Speaker 1>special plan we have coming up in the next few months.

0:30:32.440 --> 0:30:35.840
<v Speaker 1>Remind me that's a little tease for you guys, something

0:30:35.880 --> 0:30:39.520
<v Speaker 1>special coming out in a few months. Rob Brodeur says,

0:30:41.560 --> 0:30:47.480
<v Speaker 1>nice fucking model. Honk honk from Beetlejuice. I don't, I

0:30:47.520 --> 0:30:51.640
<v Speaker 1>don't know if I recognize that line from Beetle Juice.

0:30:54.000 --> 0:30:57.720
<v Speaker 1>They had that model city up in the attic. Maybe

0:30:57.720 --> 0:31:01.560
<v Speaker 1>that's it. I don't. Yeah, cock, it's on YouTube. Let's

0:31:01.560 --> 0:31:09.840
<v Speaker 1>see what's that. This is the scene. It's the part

0:31:09.840 --> 0:31:12.080
<v Speaker 1>where be Will just gets shrunk down at the end

0:31:12.080 --> 0:31:15.080
<v Speaker 1>of the movie. I fucking model and then he grabs

0:31:15.160 --> 0:31:17.520
<v Speaker 1>his his his junk and he and he goes honk

0:31:17.560 --> 0:31:20.800
<v Speaker 1>hock yeah. And so at the end when he gets

0:31:20.800 --> 0:31:24.200
<v Speaker 1>like shrunk down and trapped in the model, I remember that.

0:31:24.240 --> 0:31:25.760
<v Speaker 1>You know. One of my favorite lines for that movie

0:31:25.840 --> 0:31:28.560
<v Speaker 1>is when he's in the waiting room and uh. He

0:31:28.600 --> 0:31:31.200
<v Speaker 1>looks at the guy next to him with the uh

0:31:31.600 --> 0:31:33.720
<v Speaker 1>sitting into the guy with the shrunken heads, and he goes,

0:31:34.160 --> 0:31:35.600
<v Speaker 1>let me ask you something, how you get him down?

0:31:35.600 --> 0:31:40.200
<v Speaker 1>So small? Down small? And he switches tickets with the guy.

0:31:40.440 --> 0:31:41.920
<v Speaker 1>All right, just a couple of more of these because

0:31:41.920 --> 0:31:46.720
<v Speaker 1>we are a rambling man. Uh our buddy, Gayle Kuntz says,

0:31:46.760 --> 0:31:49.640
<v Speaker 1>not sure if this counts is an F bomb? Probably not. Well,

0:31:49.680 --> 0:31:52.040
<v Speaker 1>that's not true. It's a total f bomb from Silence

0:31:52.080 --> 0:31:55.800
<v Speaker 1>of the Lambs. You know what's coming. Noel, would you

0:31:55.880 --> 0:31:59.800
<v Speaker 1>fuck me? I'd fuck me hard? Fuck me so hard.

0:32:00.040 --> 0:32:03.040
<v Speaker 1>He doesn't say that. He doesn't say hard, does he

0:32:03.120 --> 0:32:05.680
<v Speaker 1>not know? He just says, I'd fuck me? I think

0:32:05.720 --> 0:32:08.520
<v Speaker 1>you're right. Did Cons elaborate on? I think he may

0:32:08.560 --> 0:32:11.760
<v Speaker 1>have improvised that line a little bit. No Cons is

0:32:11.760 --> 0:32:15.160
<v Speaker 1>a lady. She may have improvised that line. Yeah. I

0:32:15.200 --> 0:32:20.200
<v Speaker 1>think that's sort of what makes he goes well. And

0:32:20.200 --> 0:32:22.200
<v Speaker 1>then and then he has he has the tuck obviously

0:32:22.240 --> 0:32:24.920
<v Speaker 1>going on, and he's got the kimono and he's kind

0:32:24.920 --> 0:32:28.680
<v Speaker 1>of doing the goodbye horses wiggle dance. I lots a

0:32:28.720 --> 0:32:31.160
<v Speaker 1>great scene and that's a great song, and that artist

0:32:31.240 --> 0:32:33.160
<v Speaker 1>never really did anything else. But they don't need to

0:32:33.480 --> 0:32:35.240
<v Speaker 1>such a good song. All right, We're gonna finish up

0:32:35.240 --> 0:32:37.400
<v Speaker 1>with one more from the great movie The Thing, and

0:32:37.440 --> 0:32:40.360
<v Speaker 1>Scott russ Fold said this one and got a lot

0:32:40.400 --> 0:32:42.560
<v Speaker 1>of good votes for it. I know you gentlemen have

0:32:42.640 --> 0:32:44.720
<v Speaker 1>been through a lot, but when you find the time,

0:32:45.360 --> 0:32:49.080
<v Speaker 1>I'd rather not spend the rest of this winter tied

0:32:49.120 --> 0:32:53.800
<v Speaker 1>to this fucking couch. Nice. Great, all right, We're gonna

0:32:53.880 --> 0:32:55.920
<v Speaker 1>keep this going everyone, because there are so many great

0:32:55.920 --> 0:32:58.920
<v Speaker 1>f bombs. Up with fuck, up with fuck. Thanks for

0:32:58.960 --> 0:33:01.240
<v Speaker 1>tuning in. Wonder what Ramsey can come up with for

0:33:01.280 --> 0:33:12.120
<v Speaker 1>a sound cue for that. Hey, alright, No, we are

0:33:12.120 --> 0:33:14.160
<v Speaker 1>going to finish with Comic Card only two segments this

0:33:14.160 --> 0:33:15.760
<v Speaker 1>week because we had a good long catch up period.

0:33:16.640 --> 0:33:19.840
<v Speaker 1>H and read a couple of your questions. Uh this

0:33:19.920 --> 0:33:22.960
<v Speaker 1>from Emily Martin. Hey, Chuck, did you cry when Rommy

0:33:23.040 --> 0:33:27.000
<v Speaker 1>Malick won Best Actor for playing Freddie Mercury? Because I did.

0:33:27.520 --> 0:33:29.640
<v Speaker 1>I'll tell you what, Emily, I did not cry because

0:33:30.760 --> 0:33:32.240
<v Speaker 1>I did not see that lie. We didn't watch the

0:33:32.240 --> 0:33:36.120
<v Speaker 1>Golden Globes. I did see the speech online afterwards, and uh,

0:33:36.400 --> 0:33:39.120
<v Speaker 1>it was was moved, but not moved to tears because

0:33:39.160 --> 0:33:41.680
<v Speaker 1>it was like on my phone. That was a real upset.

0:33:41.920 --> 0:33:44.320
<v Speaker 1>That was a real upset. Yeah, sure, because a lot

0:33:44.320 --> 0:33:47.040
<v Speaker 1>of the film snobs did not care for that picture.

0:33:47.360 --> 0:33:49.520
<v Speaker 1>And I know you enjoyed it very much. I haven't

0:33:49.520 --> 0:33:51.040
<v Speaker 1>seen it yet, and I'm sure it's a lot of fun.

0:33:51.080 --> 0:33:53.680
<v Speaker 1>Well performance was you cannot fault the guy. Oh I

0:33:53.680 --> 0:33:56.640
<v Speaker 1>I cannot only imagine, you know, and that one, Uh,

0:33:57.360 --> 0:34:00.080
<v Speaker 1>I think it one best dramatic picture, right one. I

0:34:00.120 --> 0:34:01.680
<v Speaker 1>knew it one a lot now that I know about

0:34:01.680 --> 0:34:04.480
<v Speaker 1>Adam Ruins everything, maybe it's the best got damn party.

0:34:05.040 --> 0:34:08.040
<v Speaker 1>It's interesting though, that movie was so so plagued with

0:34:08.360 --> 0:34:11.680
<v Speaker 1>problems because it lost its original star, it lost its

0:34:11.680 --> 0:34:14.880
<v Speaker 1>original director. They apparently had a lot of problems with

0:34:14.920 --> 0:34:18.480
<v Speaker 1>the Queen camp controlling the narrative and not letting them

0:34:18.480 --> 0:34:20.319
<v Speaker 1>put certain things in, and that was a big beef

0:34:20.360 --> 0:34:22.640
<v Speaker 1>with the movie. People were like they glossed over some stuff.

0:34:22.680 --> 0:34:24.319
<v Speaker 1>I know, you don't. You didn't see it that way,

0:34:24.360 --> 0:34:26.480
<v Speaker 1>but it's interesting that it kind of did. But I

0:34:26.520 --> 0:34:28.120
<v Speaker 1>just still loved it. Yeah, no, no, it's it seemed

0:34:28.160 --> 0:34:30.120
<v Speaker 1>like a lot of fun. That's the thing about those

0:34:30.160 --> 0:34:34.040
<v Speaker 1>kind of movies. Though it's never gonna be perfect. It's

0:34:34.080 --> 0:34:37.200
<v Speaker 1>never gonna be exactly accurate or exactly right. So it's

0:34:37.200 --> 0:34:40.160
<v Speaker 1>all about kind of like making it a fun depiction

0:34:40.320 --> 0:34:44.040
<v Speaker 1>or like uh, you know and Queen the music of Queen. Anyway,

0:34:44.080 --> 0:34:47.080
<v Speaker 1>it's all about big theatrical fun. Why wouldn't that be

0:34:47.160 --> 0:34:52.279
<v Speaker 1>what the movie would be, like, absolutely, I'm all for it. Uh,

0:34:52.640 --> 0:35:03.399
<v Speaker 1>we'll do Jenny Man with the names everyone, Uh, Thomas Sebby, Tomassaby, Jenny. Well,

0:35:03.440 --> 0:35:06.360
<v Speaker 1>then I what's the biggest twist you never saw coming

0:35:06.960 --> 0:35:11.319
<v Speaker 1>and loved? Well without overthinking this? Uh, the sixth Sense.

0:35:11.360 --> 0:35:13.239
<v Speaker 1>I mean, I go and put it out there. I

0:35:13.239 --> 0:35:15.680
<v Speaker 1>saw that in the theater when it came out and

0:35:16.280 --> 0:35:20.719
<v Speaker 1>did not see that twist coming. And sure there have

0:35:20.840 --> 0:35:24.440
<v Speaker 1>been plenty of movie twists before the sixth Cents, but

0:35:24.560 --> 0:35:29.640
<v Speaker 1>that one was so epic um that it really like

0:35:30.520 --> 0:35:33.200
<v Speaker 1>I was, I was pretty impressed with it. I haven't

0:35:33.200 --> 0:35:35.440
<v Speaker 1>seen the movie since then, actually, and I don't think

0:35:35.440 --> 0:35:37.960
<v Speaker 1>I ever saw the Sixth Sense again, but that twist

0:35:38.040 --> 0:35:41.640
<v Speaker 1>really really got me. Yeah, that was that was back

0:35:41.640 --> 0:35:44.480
<v Speaker 1>when twists were a new thing. Never been a twist

0:35:44.520 --> 0:35:47.880
<v Speaker 1>before in a movie. No, No, I just said that

0:35:47.920 --> 0:35:52.000
<v Speaker 1>there had been plenty of twists, but that was the

0:35:52.040 --> 0:35:54.040
<v Speaker 1>first one that made him. No. But those those were

0:35:54.080 --> 0:35:56.719
<v Speaker 1>like the days of like after that, every movie had

0:35:56.760 --> 0:35:58.799
<v Speaker 1>to have a fucking twist. Yeah, and that then shy

0:35:58.880 --> 0:36:02.000
<v Speaker 1>Milan out twist to himself, you know, Yeah, I mean

0:36:02.200 --> 0:36:05.520
<v Speaker 1>go back to Psycho the twist with Mom is a

0:36:05.520 --> 0:36:07.480
<v Speaker 1>good twist. Moms in the Basement. Yeah, but that movie

0:36:07.560 --> 0:36:11.000
<v Speaker 1>had a double twist because Janet Lee, who was a

0:36:11.000 --> 0:36:16.640
<v Speaker 1>big star, got murdered like as hell, and then it

0:36:16.680 --> 0:36:18.120
<v Speaker 1>was like a totally different movie. Then it kind of

0:36:18.200 --> 0:36:19.840
<v Speaker 1>changed gears. So that was like the first twist, and

0:36:19.880 --> 0:36:21.759
<v Speaker 1>then there was the second twist, which was that, Yeah,

0:36:21.840 --> 0:36:24.719
<v Speaker 1>that it was Mom. You should check out Rebecca. It's

0:36:24.760 --> 0:36:26.239
<v Speaker 1>the movie that It's one that I have not seen.

0:36:26.440 --> 0:36:28.400
<v Speaker 1>We released a couple of weeks ago on this show

0:36:28.440 --> 0:36:33.200
<v Speaker 1>with Karen Freed, cool costume assistant costume designer on Stranger Things,

0:36:33.239 --> 0:36:36.080
<v Speaker 1>picked Rebecca and I've never seen it. Have you seen Rope?

0:36:37.320 --> 0:36:39.480
<v Speaker 1>Never seen Rope? Rope is the one where it's like,

0:36:39.719 --> 0:36:42.680
<v Speaker 1>I know, Rope a one shot, but they fake it

0:36:42.760 --> 0:36:45.160
<v Speaker 1>kind of like Birdman's kind of like one room though, right, yeah,

0:36:45.200 --> 0:36:47.120
<v Speaker 1>it's one room, but they there are cuts, but they

0:36:47.160 --> 0:36:49.640
<v Speaker 1>hide the cuts with like doors opening and it's very clever.

0:36:50.320 --> 0:36:52.440
<v Speaker 1>It's very like there's like a chest that opens and

0:36:52.440 --> 0:36:54.239
<v Speaker 1>it'll fill the frame and then they close it and

0:36:54.280 --> 0:36:58.319
<v Speaker 1>then that's actually a cut. Very clever early tricks. Yeah,

0:36:58.360 --> 0:37:02.040
<v Speaker 1>and plugging our our colleagues over it behind the bastards.

0:37:02.040 --> 0:37:05.040
<v Speaker 1>I believe they released a Hitchcock episode because he is

0:37:05.080 --> 0:37:11.680
<v Speaker 1>a legendary asshole. Yeah, yeah, no good. Uh. Susan Partington says,

0:37:11.719 --> 0:37:14.319
<v Speaker 1>if they made a movie crushed movie, who would play you? Guys?

0:37:16.280 --> 0:37:20.759
<v Speaker 1>Who would we cast as ourselves? Um? I mean I

0:37:20.760 --> 0:37:23.680
<v Speaker 1>always get the Kevin Smith thing, which yeah, I just hate.

0:37:23.719 --> 0:37:25.640
<v Speaker 1>I hate it too. I've been getting it since high school.

0:37:25.719 --> 0:37:28.239
<v Speaker 1>Do you've gotten Kevin Smith? I guess so I just

0:37:28.320 --> 0:37:30.319
<v Speaker 1>get Kevin Smith. Yeah, I used to get Jack Black.

0:37:30.360 --> 0:37:31.919
<v Speaker 1>I'll take that because I used to get that one too,

0:37:31.960 --> 0:37:34.480
<v Speaker 1>And I also used to get Zach Galifanac. Yeah. Well

0:37:34.520 --> 0:37:37.319
<v Speaker 1>we don't look we're not twins, but we look more

0:37:37.360 --> 0:37:39.640
<v Speaker 1>alike than a lot of people in this You look

0:37:39.719 --> 0:37:43.120
<v Speaker 1>more like me than anyone else in this office. Same

0:37:43.320 --> 0:37:45.040
<v Speaker 1>same chuck, you know, and I'm happy with that. How

0:37:45.040 --> 0:37:46.799
<v Speaker 1>about how about this? I'll play you and you can

0:37:46.840 --> 0:37:52.000
<v Speaker 1>plain me. Done? All right? Perfect, all right, let's finish

0:37:52.080 --> 0:37:56.840
<v Speaker 1>up with one more here. Um. William Angus is asking

0:37:56.880 --> 0:37:59.480
<v Speaker 1>about the show itself. He said, do you ever coach

0:37:59.560 --> 0:38:04.720
<v Speaker 1>I guess on what movie they should pick? A really

0:38:04.760 --> 0:38:12.799
<v Speaker 1>strongly suggests something, Uh not really, William, I generally don't

0:38:12.920 --> 0:38:17.000
<v Speaker 1>coach them aside from like, I just kind of want

0:38:17.000 --> 0:38:19.440
<v Speaker 1>to make sure it's a movie someone really really loves

0:38:19.560 --> 0:38:23.960
<v Speaker 1>and they're not just picking a movie they think they

0:38:23.960 --> 0:38:27.440
<v Speaker 1>want to go out in public with as like their

0:38:27.480 --> 0:38:30.879
<v Speaker 1>favorite movie, like even if your favorite like whatever, if

0:38:30.880 --> 0:38:32.880
<v Speaker 1>it's Back to the Future or die Hard, yeah, or

0:38:32.920 --> 0:38:35.719
<v Speaker 1>like who was this had Titanic? It was Nate to

0:38:35.760 --> 0:38:40.359
<v Speaker 1>Mato was like a guilty pleasure acknowledged kind of that

0:38:40.440 --> 0:38:43.400
<v Speaker 1>little bit was but he like just owned it. Yeah.

0:38:43.560 --> 0:38:45.400
<v Speaker 1>I think that's that's an important thing. Yeah, that's the

0:38:45.440 --> 0:38:48.879
<v Speaker 1>only coaching I do UM because sometimes guests will send

0:38:48.880 --> 0:38:51.279
<v Speaker 1>me a list and be like, hey, I'll be happy

0:38:51.320 --> 0:38:53.359
<v Speaker 1>to talk about any of these. And sometimes I will

0:38:53.360 --> 0:38:55.800
<v Speaker 1>look at that list and say, well, why don't we

0:38:55.840 --> 0:38:58.960
<v Speaker 1>go with this one, because maybe it's a genre we

0:38:59.040 --> 0:39:01.799
<v Speaker 1>haven't done, or maybe it's just sometime I think the

0:39:01.800 --> 0:39:05.840
<v Speaker 1>movie crushers would enjoy hearing about UM as opposed to

0:39:05.840 --> 0:39:08.640
<v Speaker 1>maybe something more obscure. I've noticed our more obscure episodes

0:39:09.280 --> 0:39:12.080
<v Speaker 1>UM about obscure movies don't go over quite as well.

0:39:12.560 --> 0:39:16.640
<v Speaker 1>But I mean we stand by him. We don't Mishima

0:39:16.719 --> 0:39:19.120
<v Speaker 1>life before chapters. We've done Tokyo Story but it's also

0:39:19.200 --> 0:39:22.439
<v Speaker 1>like it's cool. It's a cool discovery tool with some people. Yeah,

0:39:22.480 --> 0:39:24.360
<v Speaker 1>maybe he would never have thought to check out that

0:39:24.360 --> 0:39:26.239
<v Speaker 1>movie until they heard somebody they were interested in, do

0:39:26.239 --> 0:39:27.800
<v Speaker 1>you know, talk about why they're so passionate about it?

0:39:27.840 --> 0:39:31.880
<v Speaker 1>I agreed. All right, everyone, that's it for this week. One,

0:39:31.960 --> 0:39:35.399
<v Speaker 1>thanks for indulging us on our catch up time and

0:39:35.640 --> 0:39:37.520
<v Speaker 1>uh and I think that's it for this week. We'll

0:39:37.520 --> 0:39:38.600
<v Speaker 1>see and we'll see you next time.