WEBVTT - Episode 498 w/ Ras Kass

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<v Speaker 1>He is drinks chests, motherfucking podcast man.

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<v Speaker 2>He's a legendary Queens rapper.

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<v Speaker 1>He's agreed that your boy in O.

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<v Speaker 2>R E D's a Miami hip hop pioneer put up as.

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<v Speaker 3>DJ E f N. Together they drink it up with

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<v Speaker 3>some of the biggest players, you know what I mean.

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<v Speaker 2>And the most professional, unprofessional podcast and your number one

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<v Speaker 2>source for drunk drinks.

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<v Speaker 1>Chants most squavery days.

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<v Speaker 3>New Year's c that's it's time for drink champs.

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<v Speaker 2>Drink up, motherfucker? Would it good be?

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<v Speaker 4>Hopefully its what it should be. It's your boy and

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<v Speaker 4>R E.

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<v Speaker 3>What up?

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<v Speaker 1>It is DJ E f N And this is middle

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<v Speaker 1>Tammo Crazy Walk. Yeah yeah, drink chests. This brother right

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<v Speaker 1>here is a legend.

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<v Speaker 4>He's an icon.

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<v Speaker 1>He got thirty six albums be working. I think you

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<v Speaker 1>got one hundred albums, thirty six albums that came out.

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<v Speaker 1>He's a West Coast legend, legend or overall a hip

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<v Speaker 1>hop veteran. And today we're gonna give him his flowers.

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<v Speaker 1>We're gonna make sure that he knows how much he

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<v Speaker 1>means to the game, and we're gonna celebrate him today.

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<v Speaker 1>So in case you don't know what we're talking about.

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<v Speaker 1>Only I think that's amazing. You've really got thirty six albums.

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<v Speaker 3>Bro, I don't know if I got that. Yeah, we

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<v Speaker 3>counted it. We counted him, be counted it. Yeah, I

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<v Speaker 3>don't know what the fun I was doing. Yeah, I

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<v Speaker 3>just I just created. So I never kept count I

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<v Speaker 3>figured i'd be done signed for five. I thought i'd

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<v Speaker 3>be out by four, right, and you just dropped a

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<v Speaker 3>new album, yes, Celepardies Face Okay, Okay.

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<v Speaker 1>How what is the difference from coming out of ninety

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<v Speaker 1>six to coming out now?

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<v Speaker 3>Uh, let's a good question. I would say a lot

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<v Speaker 3>more saturated. Okay, you know, it's just a lot more output.

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<v Speaker 3>I remember knowing, like going to the record store and

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<v Speaker 3>knowing what depth Jam had, you know what I'm saying,

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<v Speaker 3>what Tommy Boy had. And now it's kind of like

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<v Speaker 3>everybody's varying for attention. So I kind of looked at

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<v Speaker 3>it like times square. It's a million billboards, so you

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<v Speaker 3>got to focus attention. So now just you got to

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<v Speaker 3>make it because you love it, try your best to

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<v Speaker 3>promote it and hope you know somebody listens. You ever

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<v Speaker 3>thought you would do it as long? Fuck? No? Sometimes,

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<v Speaker 3>like why do you, but you know what it was.

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<v Speaker 3>I thought, like I said, like, I thought I'd be

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<v Speaker 3>done by four life keep lifing, so you just end

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<v Speaker 3>up having shit to talk about. Now, Okay, so now.

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<v Speaker 1>The Golden State Warriors, Yes, it actually did sue you guys,

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<v Speaker 1>yeah for what it really did because yeah, at that time,

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<v Speaker 1>you guys were selling an imprint.

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<v Speaker 3>Well we named ourselves and I guess, uh, you got

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<v Speaker 3>on the radar. So exhibit you know, the Restless album

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<v Speaker 3>went platinum and then all of a sudden they cared

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<v Speaker 3>like you are not the Golden State Warriors. It's like

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<v Speaker 3>what we spelled it differently, is like we didn't don't care.

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<v Speaker 4>They don't care.

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<v Speaker 3>McDonald Yeah, we couldn't be McDonald's trying. Wow, holy ship resting,

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<v Speaker 3>piece of fear this somewhere. No, we did. We did

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<v Speaker 3>like five records and I'm also be Robbie, honest my

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<v Speaker 3>record it wasn't Capital at the time. I think it

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<v Speaker 3>was transitioning Priority record. They just got a little greedy man.

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<v Speaker 3>They fucked that deal off. So I'm always the one

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<v Speaker 3>that like, because everybody had different deals. Exhibbit was that

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<v Speaker 3>loud I was at Priority, Sofia was at Quincy Jones label.

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<v Speaker 4>I forgot the name of Quest.

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<v Speaker 3>He was signed the Quest and when X popped, the

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<v Speaker 3>bean counter start coming out. That's not a racist thing,

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<v Speaker 3>I'm talking about you. But now they started counting the money,

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<v Speaker 3>the counting of the money. People, the attorneys in the

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<v Speaker 3>suits started asking for a whole bunch of shit, and

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<v Speaker 3>they like held up. But we had a million dollar

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<v Speaker 3>deal on the table, and they like dragged it out

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<v Speaker 3>for like a year, which was really when I started

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<v Speaker 3>flipping out, where I was just like like maybe this

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<v Speaker 3>ain't then making mistakes where it kind of seemed like

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<v Speaker 3>they was sabotaging and drave beats and all that. Well,

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<v Speaker 3>I mean, think about it. We had his relationships, my relationships,

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<v Speaker 3>and Safir, So you know, theoretically we would have had

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<v Speaker 3>e forty and two short with all the base shit right,

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<v Speaker 3>and then we would have had my relationships, which I

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<v Speaker 3>got Riza and blah blah blah blah blah and Premiere,

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<v Speaker 3>and so we were gonna kind of do one of

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<v Speaker 3>those like voltes trying it up and make this crazy

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<v Speaker 3>different kind of record.

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<v Speaker 5>You don't think you could put that record out today,

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<v Speaker 5>Like I would have to say that all these people

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<v Speaker 5>are doing these.

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<v Speaker 2>Records with artists that aren't around anymore and stuff like that.

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<v Speaker 3>Sofia is gone. So like I'm but have had all

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<v Speaker 3>the have got the you know, you know, have got

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<v Speaker 3>all them files he had, he had the rials.

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<v Speaker 4>We only had what Sofia had.

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<v Speaker 3>If somebody supposedly had a hope, like a whole Sefia

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<v Speaker 3>album that never came out, and we were we had

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<v Speaker 3>disgusted me and X and uh and his brother Sonny

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<v Speaker 3>chop Black, but we couldn't get because I'm not gonna

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<v Speaker 3>ai my brother's votes, you know what I'm saying. So

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<v Speaker 3>if we can't get severiir vocals, we can't do it.

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<v Speaker 3>I mean, you know, I would love to. I mean,

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<v Speaker 3>I mean we can repect it. I kind of was

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<v Speaker 3>suggesting that, like why don't we just take old vocals

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<v Speaker 3>and hooks and build it? But I guess, you know,

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<v Speaker 3>maybe we will if the technology gets good enough for

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<v Speaker 3>that producer dude that's out there talking to you, whoever

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<v Speaker 3>you are, get us, because think about it, back then,

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<v Speaker 3>everybody was doing three verses, so ship you give us

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<v Speaker 3>one song and we got three songs, so yeah, give

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<v Speaker 3>us three writers and let us was that recorded digitally

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<v Speaker 3>or back then.

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<v Speaker 4>We were do I think we were a little bit

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<v Speaker 4>of both.

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<v Speaker 3>Okay, I think pro tools existed when we were yeah,

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<v Speaker 3>because we're talking about like two thousand and one, Okay,

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<v Speaker 3>probably two thousand and two, so it was just that transition.

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<v Speaker 3>We still had the two inch reells, but I think

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<v Speaker 3>we were starting to add it in pro tools.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, I think we still because we was over there

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<v Speaker 3>with Drake, so you know, he had the best of

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<v Speaker 3>both for us.

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<v Speaker 1>What's your favorite album you made or is it like

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<v Speaker 1>your kids? You can't pick your favorite kids.

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<v Speaker 3>Always, you know what I don't like? I make them

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<v Speaker 3>and then I like, I don't listen to them, and

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<v Speaker 3>then I forget them. What kind of that sounds like

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<v Speaker 3>a dream Champs episode? I mean way later because I

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<v Speaker 3>don't want to get uh, you know, like super wrapped

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<v Speaker 3>up in one thing.

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<v Speaker 4>I'm always trying to like grow.

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<v Speaker 3>Really, Leparty's Face for me is solo nights to to

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<v Speaker 3>a certain degree.

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<v Speaker 4>It's like I told you so is what it is.

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<v Speaker 4>But I don't have a favorite.

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<v Speaker 3>Sometimes I listen to shit, like the Homie was playing

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<v Speaker 3>one of my projects and I was just like, oh shit,

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<v Speaker 3>because now if I ain't listening in a couple of

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<v Speaker 3>years or ten years. I'm not that person. I'm just

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<v Speaker 3>kind of listening to some dude saying some shit that

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<v Speaker 3>I can relate to. So I kind of enjoy that

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<v Speaker 3>part of it. So I like every record separately for

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<v Speaker 3>different reasons when I listen to them.

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<v Speaker 1>Do you think putting out music but with the end

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<v Speaker 1>ofnet and like, you know, being able to download, you

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<v Speaker 1>think that they say harder for the artists or is

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<v Speaker 1>it easier because it's more.

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<v Speaker 4>Access it's all tools, you know, I think.

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<v Speaker 3>It invites people to diminish the work that it takes

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<v Speaker 3>to make one song, you know what I'm saying, because

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<v Speaker 3>they can get it so easily, or you know, they

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<v Speaker 3>can stream it for free here, or you know what

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<v Speaker 3>I'm saying. Ten ninety ninety you got the library of everything.

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<v Speaker 3>But then on the other side, I would rather hear

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<v Speaker 3>it than not hear it. So I just look at

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<v Speaker 3>the tool for what it is, appreciate it and try

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<v Speaker 3>to you know, nowadays, you know we already know you

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<v Speaker 3>got to monetize it. In other ways, you may not

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<v Speaker 3>be able to monetize it on the creation of the music.

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<v Speaker 3>Maybe you could sell the merch. Maybe you can platform it,

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<v Speaker 3>which we always do. You got to platform this shit

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<v Speaker 3>and the other shit. Most people don't get rich being

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<v Speaker 3>a rapper, you know what I'm saying. You know what's funny.

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<v Speaker 1>I remember having to drop a record and like for

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<v Speaker 1>me to get that record to London, I had to

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<v Speaker 1>physically go to London, right, like you know what I mean,

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<v Speaker 1>to go to see how Tim west Wood to see it,

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<v Speaker 1>and like I'll never gonna like pict it. This gaming

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<v Speaker 1>to be like that, like where you could just press

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<v Speaker 1>one button button.

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<v Speaker 3>And all over right, even recording, I mean, you know,

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<v Speaker 3>just I never thought I could do a song with somebody,

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<v Speaker 3>you know what I'm saying, New York and without being

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<v Speaker 3>in New York. Yeah, because they had to ship the

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<v Speaker 3>ricks all that ship the two inch.

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<v Speaker 5>Will And what about now seeing your kids all right,

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<v Speaker 5>they're doing man, I'm.

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<v Speaker 3>You know, like I always just say, I'm happy, you

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<v Speaker 3>know that they found something they love and that that

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<v Speaker 3>thing they love is giving them the opportunity of fair shot.

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<v Speaker 3>So probably about it. What would it happened if they

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<v Speaker 3>were whack drink?

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<v Speaker 2>Can we get them a drink?

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<v Speaker 1>They would have just been whacked because you you you

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<v Speaker 1>are don't for being one of the best limits. I

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<v Speaker 1>imagine that, like.

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<v Speaker 3>Because I heard it at first, you said you told

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<v Speaker 3>them nowhere first to tell them that, And one thing,

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<v Speaker 3>like I want them to tell their own story, so

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<v Speaker 3>like you know for sure that's their narrative. They've really

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<v Speaker 3>created a so so I'm going to let them speak

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<v Speaker 3>on it. But in general, if they were whack, right,

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<v Speaker 3>they would just be whack. There's other Look, Jordan's sons

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<v Speaker 3>are not doing Jordan's thinking. So that's you know, my

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<v Speaker 3>my I don't know. I'm trying to give a good example.

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<v Speaker 3>What yeah, whatever, my father can swim good.

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<v Speaker 4>That's a lot. But I'm just making up ship.

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<v Speaker 3>But the point is if I could not be able

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<v Speaker 3>to I might not able to swim because everything ain't

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<v Speaker 3>biological and everything.

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<v Speaker 4>You know, some ship. You just got to work that

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<v Speaker 4>on your own. You may you know, uh, did I

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<v Speaker 4>say I was drinking?

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<v Speaker 3>You did? Yes? I know I did. You know?

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<v Speaker 1>You know why because that's what we too, were reanalyzed,

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<v Speaker 1>how the uh the show was going to go by

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<v Speaker 1>what you're drinking?

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<v Speaker 4>We know to kill it works every time. Likes just

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<v Speaker 4>to kill you.

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<v Speaker 3>Jamie, Okay, Yeah, that's Jaison so I seek you.

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<v Speaker 4>I was just straight up to.

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<v Speaker 3>How did you become a whiskey guy? Yea, yea Yeady

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<v Speaker 3>did it? First of all, I got to represent the West,

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<v Speaker 3>so we all started with the bullshit.

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<v Speaker 4>We started with bumpy Face.

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<v Speaker 3>I don't even know what that is. You don't remember

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<v Speaker 3>bumpy face. You were you were you, you were being

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<v Speaker 3>a good.

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<v Speaker 2>No.

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<v Speaker 3>Bumpy face was the GM and it was what the

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<v Speaker 3>bottle was, bop like, so we would we did that.

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<v Speaker 3>But we're talking about kids ship Sloop alludes to it

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<v Speaker 3>Jenny juice, so that's when you're like your kids. And

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<v Speaker 3>we would drink that and then you hang hungover, and

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<v Speaker 3>then we would drink uh.

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<v Speaker 4>Fucking it was.

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<v Speaker 3>It was cheap ass, like night train and you put

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<v Speaker 3>kool aid in. So we did that, and basically then

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<v Speaker 3>it was Hennessy once we finally got some money. I

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<v Speaker 3>remember whining, oh ga, need some Hennessy. You drink Cisco.

0:12:12.800 --> 0:12:14.680
<v Speaker 4>Of course I drank at all. I thought it was amazing.

0:12:14.840 --> 0:12:15.199
<v Speaker 3>I loved it.

0:12:15.640 --> 0:12:17.080
<v Speaker 2>It was amazing for U when we were a kid, but.

0:12:17.120 --> 0:12:22.640
<v Speaker 3>Not oh yeah, never now liquid crack yeah. And then

0:12:22.800 --> 0:12:26.160
<v Speaker 3>and then uh, we went to the Hennessy phase. Hennessy.

0:12:26.240 --> 0:12:29.720
<v Speaker 3>I call it jail juice. So I looked up and thought,

0:12:29.840 --> 0:12:32.319
<v Speaker 3>every time look at me, juice, you think everybody was

0:12:32.800 --> 0:12:36.839
<v Speaker 3>looking at you while you're looking at me. I just

0:12:36.920 --> 0:12:39.480
<v Speaker 3>knew I ended up in jail every time. I know,

0:12:39.840 --> 0:12:41.760
<v Speaker 3>every time I ended up in jail there was some

0:12:41.960 --> 0:12:44.120
<v Speaker 3>Hennessy involved. So that I was like, I can't do

0:12:44.240 --> 0:12:48.679
<v Speaker 3>that no more. Went through my vodka phase and then

0:12:49.240 --> 0:12:52.280
<v Speaker 3>uh yeah, I was somewhere. I was at a bar

0:12:52.600 --> 0:12:54.360
<v Speaker 3>with like some of it was a whole bunch of

0:12:54.440 --> 0:12:58.360
<v Speaker 3>fucking uh Wall Street dudes, and the Wall Street dude

0:12:58.400 --> 0:13:00.640
<v Speaker 3>was like, yeah, that's the money drinks, and I was like, oh, really,

0:13:01.520 --> 0:13:06.080
<v Speaker 3>fuck it. Okay, yeah, drink ivery smoke Jamaican. I'm gonna.

0:13:07.559 --> 0:13:09.640
<v Speaker 1>We'll go through a couple of these albums and tell

0:13:09.679 --> 0:13:11.240
<v Speaker 1>me what you what you think of when you hear it?

0:13:11.360 --> 0:13:20.280
<v Speaker 3>Okay, sol on Ice truer now than it was then? Really? Absolutely? Wow.

0:13:20.360 --> 0:13:21.800
<v Speaker 4>You think tom sais not got better?

0:13:22.160 --> 0:13:22.640
<v Speaker 3>It's worse.

0:13:22.840 --> 0:13:23.800
<v Speaker 4>Absolutely, it is worse.

0:13:24.880 --> 0:13:26.680
<v Speaker 2>It is it worse.

0:13:28.559 --> 0:13:31.720
<v Speaker 4>Sol on Ice is trure now.

0:13:32.400 --> 0:13:34.920
<v Speaker 3>I think the things I'm dealing with, you know what

0:13:34.960 --> 0:13:38.160
<v Speaker 3>I'm saying that I'm talking about social political you know,

0:13:38.400 --> 0:13:42.840
<v Speaker 3>overt racism, a country that won't own up to its lies,

0:13:43.600 --> 0:13:48.040
<v Speaker 3>erasing history, literally taking people out of books and making

0:13:48.080 --> 0:13:50.240
<v Speaker 3>it illegal, burning books and all that.

0:13:50.400 --> 0:13:56.280
<v Speaker 2>Yeah, I always said that that like a ninety maybe

0:13:56.360 --> 0:13:58.120
<v Speaker 2>ninety one to like ninety.

0:13:57.880 --> 0:14:03.360
<v Speaker 5>Five hip hop lyricism was telling us everything that foreshadowed

0:14:03.400 --> 0:14:04.320
<v Speaker 5>everything that happened today.

0:14:04.400 --> 0:14:06.679
<v Speaker 3>Well, I think you know the saying, I mean, smarter

0:14:06.760 --> 0:14:10.599
<v Speaker 3>people than than I have said, Like, you know, what

0:14:10.800 --> 0:14:13.120
<v Speaker 3>is it If you don't learn from history, you're doing

0:14:13.160 --> 0:14:16.120
<v Speaker 3>the repeat it. If you keep fucking the same girl

0:14:16.240 --> 0:14:22.640
<v Speaker 3>that keeps giving you crabs, you're gonna get crabb the dragon, right,

0:14:22.840 --> 0:14:26.120
<v Speaker 3>I mean, you know, logic prevails. So, yeah, we haven't

0:14:26.200 --> 0:14:28.560
<v Speaker 3>learned from our past mistakes. And then we get on

0:14:28.720 --> 0:14:34.520
<v Speaker 3>some we like to fucking escape. We like to escapism music,

0:14:34.880 --> 0:14:37.040
<v Speaker 3>We like to do escapism ship. So we are we're

0:14:37.120 --> 0:14:39.760
<v Speaker 3>doing to repeat it. And then again, America likes to

0:14:39.960 --> 0:14:44.280
<v Speaker 3>fucking say that never happened. You know what I'm saying,

0:14:44.920 --> 0:14:46.760
<v Speaker 3>never happened. We didn't do anything to you guys. You

0:14:46.840 --> 0:14:48.000
<v Speaker 3>guys are just tripping.

0:14:49.400 --> 0:15:00.960
<v Speaker 6>Right, Okay, blasphemy, blasphemy, ooh, hypocrisy.

0:15:01.280 --> 0:15:03.600
<v Speaker 3>The only reason why is because the album was actually

0:15:03.720 --> 0:15:07.080
<v Speaker 3>called I Really let that album. My home boy Curtis

0:15:07.200 --> 0:15:14.320
<v Speaker 3>Daniel would say, uh, his favorite produced abum, so you know,

0:15:14.440 --> 0:15:18.360
<v Speaker 3>shouts out to Apollo Brown. But the name of the

0:15:18.360 --> 0:15:21.040
<v Speaker 3>album was really called I came up with that title

0:15:21.720 --> 0:15:24.240
<v Speaker 3>when I was in prison, but that wasn't the title.

0:15:24.320 --> 0:15:27.600
<v Speaker 3>The title was called how to Kill God. That was

0:15:27.640 --> 0:15:30.360
<v Speaker 3>the name of the album. That album was called, right,

0:15:30.720 --> 0:15:35.520
<v Speaker 3>real controversial, Yes it is because guess what, it's not

0:15:35.600 --> 0:15:38.400
<v Speaker 3>a how to manual, nigga. I'm just staying like so

0:15:38.880 --> 0:15:42.880
<v Speaker 3>the metaphor was right, yeah, Now that the metaphor was

0:15:43.280 --> 0:15:45.280
<v Speaker 3>how do you kill God? Well, God is love, right,

0:15:45.360 --> 0:15:48.480
<v Speaker 3>God created everything. So if you go kick a fucking cat,

0:15:49.120 --> 0:15:51.640
<v Speaker 3>you killing God. You know you're hurting God. You know

0:15:51.760 --> 0:15:53.600
<v Speaker 3>something that God created one of God's creations. So how

0:15:53.640 --> 0:15:56.040
<v Speaker 3>to kill God is being a dick, being fucked up,

0:15:56.160 --> 0:15:58.640
<v Speaker 3>being a sexist, being a racist, being a bitch ass nigga.

0:15:58.920 --> 0:16:00.920
<v Speaker 3>All that ship is how to kill God. So when

0:16:00.960 --> 0:16:02.880
<v Speaker 3>I did it, ironic parties, I didn't say how to

0:16:02.960 --> 0:16:05.560
<v Speaker 3>kill Allah or how to kill Buddha all the shit

0:16:05.920 --> 0:16:10.280
<v Speaker 3>because America. And that's why I said this hypocrisy is

0:16:10.600 --> 0:16:12.600
<v Speaker 3>if I would have said how to kill Allah, how

0:16:12.680 --> 0:16:16.120
<v Speaker 3>to kill Buddha how to kill yahweh Apple and iTunes

0:16:16.160 --> 0:16:19.040
<v Speaker 3>would have said cool. Spotify would have said cool because

0:16:19.080 --> 0:16:23.560
<v Speaker 3>they identify that with European God. That's why they said no,

0:16:23.680 --> 0:16:25.880
<v Speaker 3>it's like absolutely not. So then we called it blasphemy

0:16:25.960 --> 0:16:28.600
<v Speaker 3>because they're being blasphemous. So that's what I think of.

0:16:28.720 --> 0:16:30.560
<v Speaker 4>Okay, eat or.

0:16:30.600 --> 0:16:34.080
<v Speaker 3>Die, That's what I'm on the run. So that's when

0:16:34.120 --> 0:16:38.280
<v Speaker 3>I realized this company is against me and I'm gonna

0:16:38.280 --> 0:16:40.320
<v Speaker 3>have to sink or swim. So yeah, I just think

0:16:40.360 --> 0:16:43.360
<v Speaker 3>of like fucking, my back was against the wall. I

0:16:43.480 --> 0:16:47.320
<v Speaker 3>was upset, I was mad, and fuck it, I'm gonna

0:16:47.360 --> 0:16:48.560
<v Speaker 3>have to eat or I'm gonna die.

0:16:48.640 --> 0:16:50.040
<v Speaker 5>I got to figure this shit out, and we got

0:16:50.160 --> 0:16:51.720
<v Speaker 5>to go back because I know you've talked about it

0:16:51.840 --> 0:16:52.160
<v Speaker 5>in length.

0:16:53.000 --> 0:16:54.680
<v Speaker 2>Just for the sake of the show, I want you

0:16:54.760 --> 0:16:56.320
<v Speaker 2>to go back later on and okay.

0:16:56.120 --> 0:17:04.399
<v Speaker 4>Absolutely, Okay sold on Ice two. Hmm.

0:17:07.000 --> 0:17:08.800
<v Speaker 3>I feel like it was slept I mean, well I

0:17:08.880 --> 0:17:12.080
<v Speaker 3>always get slept on. I think it was just a

0:17:12.320 --> 0:17:14.440
<v Speaker 3>great follow up, and I wasn't trying to make a

0:17:14.520 --> 0:17:17.000
<v Speaker 3>so on nice too, I'm trying to throw off. I

0:17:17.160 --> 0:17:19.479
<v Speaker 3>was trying to make something else, which is normally how

0:17:19.520 --> 0:17:22.960
<v Speaker 3>these records happen, and then I just felt like five

0:17:23.080 --> 0:17:25.879
<v Speaker 3>records in, I was like, I'm making something that is

0:17:25.960 --> 0:17:28.840
<v Speaker 3>an extension of the first one. So I feel like

0:17:29.560 --> 0:17:34.200
<v Speaker 3>I did that and what it was that like whatever

0:17:34.280 --> 0:17:40.280
<v Speaker 3>our twenty twenty three solo nice updated production wise or whatever? Yeah,

0:17:40.720 --> 0:17:48.480
<v Speaker 3>okay Adidas All day I dream about spitting my only

0:17:48.640 --> 0:17:51.720
<v Speaker 3>double album, shouts out to Rathmatic.

0:17:53.920 --> 0:17:55.240
<v Speaker 4>And what do I think about it?

0:17:55.359 --> 0:17:57.800
<v Speaker 3>Yeah? I feel like it was my only double album,

0:17:57.920 --> 0:18:01.359
<v Speaker 3>which I never felt like. I don't be having a

0:18:01.440 --> 0:18:04.760
<v Speaker 3>bandwidth for that shit. So I don't know who listened

0:18:04.760 --> 0:18:06.679
<v Speaker 3>to it, because there's a lot of listening.

0:18:08.119 --> 0:18:10.880
<v Speaker 1>How did Adta This Night not get at you? If

0:18:10.920 --> 0:18:12.280
<v Speaker 1>the Golden State Warriors got you?

0:18:12.440 --> 0:18:16.680
<v Speaker 3>Well, they always say if somebody contacts you, did you

0:18:16.720 --> 0:18:17.560
<v Speaker 3>already did your job?

0:18:18.000 --> 0:18:20.119
<v Speaker 4>That means I didn't do my job. Is like I

0:18:20.240 --> 0:18:21.000
<v Speaker 4>fucked this guy.

0:18:22.840 --> 0:18:26.760
<v Speaker 3>Before Killer Mike's Adidas. I think, so yeah, I believe

0:18:26.840 --> 0:18:31.120
<v Speaker 3>so yeah. If they don't hit you here, I'll give

0:18:31.119 --> 0:18:33.359
<v Speaker 3>you a prime example and I get to flex a

0:18:33.400 --> 0:18:33.719
<v Speaker 3>little bit.

0:18:33.800 --> 0:18:34.520
<v Speaker 4>That's a good flex.

0:18:35.080 --> 0:18:41.040
<v Speaker 3>So when I'm working on this album, Ra Assassination, I'm

0:18:41.119 --> 0:18:43.400
<v Speaker 3>with Drey and I play my intro the whole intro

0:18:43.720 --> 0:18:46.760
<v Speaker 3>is kind of basically what we're in. Like there's this

0:18:46.920 --> 0:18:50.000
<v Speaker 3>dude that's kind of like a fascist dictator and there's

0:18:50.040 --> 0:18:52.119
<v Speaker 3>no dogs or niggers allowed and not of that, and

0:18:52.240 --> 0:18:55.400
<v Speaker 3>we're operation. We got to get rid of this fascist

0:18:55.920 --> 0:19:00.280
<v Speaker 3>ruler of America, right right, And but before that's arts

0:19:00.280 --> 0:19:03.000
<v Speaker 3>and uses, uh, because you remember the VHS tapes and

0:19:03.000 --> 0:19:06.359
<v Speaker 3>it would be like now our future presentation. So I

0:19:06.440 --> 0:19:09.840
<v Speaker 3>play it for dre Now we thought all the sonics on.

0:19:09.920 --> 0:19:17.080
<v Speaker 3>It goes boom, our future presentation. My record comes out crickets.

0:19:19.320 --> 0:19:25.040
<v Speaker 3>He uses the THHX sound, but that ship goes diamond.

0:19:25.640 --> 0:19:28.760
<v Speaker 3>Niggas came a knocking. So the whole point is, I'd

0:19:28.840 --> 0:19:31.680
<v Speaker 3>rather ask for forgiveness than permission. You just do this

0:19:31.720 --> 0:19:33.920
<v Speaker 3>ship if it popping, and then come get out, you know,

0:19:34.080 --> 0:19:34.720
<v Speaker 3>get your money.

0:19:35.800 --> 0:19:36.600
<v Speaker 4>I'm never mad at that.

0:19:37.760 --> 0:19:41.399
<v Speaker 3>They can't backfire sometimes well no, I've never really watched

0:19:41.440 --> 0:19:42.000
<v Speaker 3>the backfire.

0:19:42.040 --> 0:19:43.680
<v Speaker 2>I'll give you very much.

0:19:44.640 --> 0:19:47.239
<v Speaker 3>But he made the money already. In the long run,

0:19:47.320 --> 0:19:49.800
<v Speaker 3>it didn't work out. It works. What's his name did

0:19:49.840 --> 0:19:53.240
<v Speaker 3>a masterpiece? Son suffered with the sample stuff, but the

0:19:53.440 --> 0:19:56.520
<v Speaker 3>record sold already. You can't tell a nigga he can't

0:19:56.560 --> 0:19:59.639
<v Speaker 3>perform the records. You just say, I want all the publishings.

0:20:00.000 --> 0:20:03.400
<v Speaker 3>What this is a little Romeo. I'm telling you master

0:20:03.520 --> 0:20:05.159
<v Speaker 3>P did it. I watched it in real time. I

0:20:05.240 --> 0:20:08.320
<v Speaker 3>watched master P. There was three little's back then litl

0:20:08.359 --> 0:20:11.040
<v Speaker 3>bow Wow, all these little lass niggas, Little bow Wow,

0:20:11.080 --> 0:20:15.600
<v Speaker 3>little Romeo, Lisanne. Before the onset of the youngs and

0:20:15.720 --> 0:20:18.160
<v Speaker 3>the babies, niggas was little first, then they became young

0:20:18.240 --> 0:20:22.000
<v Speaker 3>nigga baby. Now niggas gonna be zygo wherever the fuck.

0:20:22.440 --> 0:20:30.080
<v Speaker 3>So little uh uh I remember uh Romeo pops whose

0:20:30.119 --> 0:20:34.600
<v Speaker 3>master P because tours on my label was on Priority Records.

0:20:34.840 --> 0:20:37.320
<v Speaker 3>So Lizaye just came off to one twelve record on

0:20:37.359 --> 0:20:41.280
<v Speaker 3>the boat. You know what I'm saying. Platinum, Little bow

0:20:41.280 --> 0:20:46.120
<v Speaker 3>Wow's with Jermaine dupri and Romeo. They master Pe wants

0:20:46.160 --> 0:20:50.760
<v Speaker 3>to sample them. Jackson Record, Priorty Records. The being counters

0:20:50.800 --> 0:20:52.920
<v Speaker 3>the execs is like never in life. He like, fuck you,

0:20:53.440 --> 0:20:56.760
<v Speaker 3>he got his own money. Shoot, well yeah, that's who

0:20:56.800 --> 0:20:58.800
<v Speaker 3>had to deal with it. But they're still the execs.

0:20:58.920 --> 0:21:01.280
<v Speaker 3>But he's like, I don't give a fuck. Masterpiece says

0:21:01.359 --> 0:21:03.440
<v Speaker 3>I want to put my son out and it shoots

0:21:03.480 --> 0:21:06.320
<v Speaker 3>the video puts out, manufacturers, whatever puts the record out.

0:21:06.480 --> 0:21:09.600
<v Speaker 3>Randall Jackson say fuck you, I'm taking one hundred percent

0:21:09.680 --> 0:21:13.520
<v Speaker 3>of that record. It don't matter the record goal. The

0:21:13.720 --> 0:21:17.240
<v Speaker 3>son has a career, he's still too Menny Denny gets

0:21:17.320 --> 0:21:20.480
<v Speaker 3>on the Disney Channel wherever the fuck it is. So

0:21:21.000 --> 0:21:24.200
<v Speaker 3>I'd rather ask for forgivingess the permission. Motherfucker's going out

0:21:24.760 --> 0:21:27.920
<v Speaker 3>tell you everything that can't go right until you just

0:21:28.040 --> 0:21:31.119
<v Speaker 3>show them that it went right, and here's your bread.

0:21:31.240 --> 0:21:33.359
<v Speaker 3>Fucking I'd rather pay a nigga off and let him

0:21:33.400 --> 0:21:35.119
<v Speaker 3>get one hundred percent of Son than have one hundred

0:21:35.119 --> 0:21:38.680
<v Speaker 3>percent or nothing. It's real. I still think it's a

0:21:38.680 --> 0:21:41.640
<v Speaker 3>give and take. You don't want to giving me an example.

0:21:42.000 --> 0:21:46.040
<v Speaker 5>I'm just saying, think about some people inspired for you

0:21:46.080 --> 0:21:48.480
<v Speaker 5>know what, fuck that I'm gonna take that ship.

0:21:49.920 --> 0:21:54.960
<v Speaker 3>La Brandy scenario. Maybe not just music well yeah, baby

0:21:55.119 --> 0:21:57.800
<v Speaker 3>with I mean it's certainly like I think like I

0:21:57.840 --> 0:21:59.320
<v Speaker 3>forgot who it was. It was like one of the

0:21:59.400 --> 0:22:02.160
<v Speaker 3>video games people where they're gonna shut you down immediately,

0:22:02.280 --> 0:22:03.680
<v Speaker 3>But in this music.

0:22:03.560 --> 0:22:05.399
<v Speaker 2>Ship, that's how it was.

0:22:05.440 --> 0:22:06.960
<v Speaker 3>With the mix, that's what is.

0:22:07.320 --> 0:22:13.760
<v Speaker 5>That's a mixyal, you can't do it whatever, you know

0:22:13.760 --> 0:22:14.720
<v Speaker 5>what I'm saying, right.

0:22:15.119 --> 0:22:17.080
<v Speaker 3>But it's too late. You can't put the pace back

0:22:17.119 --> 0:22:20.040
<v Speaker 3>into tube. Bro, get that ship out there if it's

0:22:20.080 --> 0:22:22.760
<v Speaker 3>fires fired, and then lie say, you know what, I

0:22:22.840 --> 0:22:26.200
<v Speaker 3>didn't do it that part.

0:22:26.359 --> 0:22:26.560
<v Speaker 7>Yeah?

0:22:28.200 --> 0:22:31.160
<v Speaker 3>Is it true? You and David Banner used to be broommates? Yes?

0:22:32.000 --> 0:22:40.880
<v Speaker 4>How the hell does this house work? How do work?

0:22:41.119 --> 0:22:42.040
<v Speaker 3>Man? I love Banner?

0:22:42.119 --> 0:22:42.199
<v Speaker 8>Bro?

0:22:42.880 --> 0:22:44.280
<v Speaker 3>So this is.

0:22:45.800 --> 0:22:48.280
<v Speaker 2>This crooked lettuce Banner lost the deal.

0:22:48.680 --> 0:22:52.200
<v Speaker 3>This is right after crooked letters. Wow, matter were you

0:22:52.240 --> 0:22:54.840
<v Speaker 3>using on the record? I was on the record. Yeah, yeah, Bro?

0:22:55.040 --> 0:22:59.800
<v Speaker 3>What was the firewater? Right water? Yeah? So the single

0:23:00.280 --> 0:23:04.800
<v Speaker 3>pobs whatever, whatever, the label doesn't feel like the album whatever.

0:23:04.840 --> 0:23:05.640
<v Speaker 4>He lost the deal.

0:23:06.160 --> 0:23:10.040
<v Speaker 3>Little dude me. I got to get a fabulo ship.

0:23:10.080 --> 0:23:12.399
<v Speaker 3>I got to d record. They fumbled the whole record.

0:23:13.560 --> 0:23:15.960
<v Speaker 3>The money's running out, you know what I'm saying. I'm like,

0:23:16.840 --> 0:23:19.240
<v Speaker 3>I'm not gonna be broke in LA, because then they're

0:23:19.240 --> 0:23:23.639
<v Speaker 3>gonna say I smoke crack. If you see a broke nigga,

0:23:23.720 --> 0:23:25.760
<v Speaker 3>you know that you saw TV and you don't see

0:23:25.800 --> 0:23:28.320
<v Speaker 3>him looking okay, he's smoked out.

0:23:28.840 --> 0:23:30.080
<v Speaker 4>You know I'm saying, that's the assumption.

0:23:30.240 --> 0:23:36.120
<v Speaker 3>So I'm like, fuck it, what this is? This is motivation.

0:23:36.720 --> 0:23:39.520
<v Speaker 3>I know I do. I think like an awful, stupid person,

0:23:39.640 --> 0:23:42.480
<v Speaker 3>but I'm just telling you my truth. I'm like, I

0:23:42.520 --> 0:23:44.720
<v Speaker 3>don't want to go to Atlanta because there's some people

0:23:44.760 --> 0:23:47.560
<v Speaker 3>I was upset with. So I'm like, where else can

0:23:47.600 --> 0:23:48.879
<v Speaker 3>I go? And this you got to remember this a

0:23:48.880 --> 0:23:52.280
<v Speaker 3>little bit pre internet. So I go, I call Wendy,

0:23:52.560 --> 0:23:56.000
<v Speaker 3>Wendy Day, you know what I'm saying. Shout out to Wendy,

0:23:56.480 --> 0:23:59.280
<v Speaker 3>and Wendy's like, well, got you. You can come over

0:23:59.320 --> 0:24:02.160
<v Speaker 3>here and you know, figure it out. I'm like, fuck, rap,

0:24:02.200 --> 0:24:03.840
<v Speaker 3>I don't want to rap, you know what I'm saying.

0:24:04.320 --> 0:24:04.840
<v Speaker 4>It was fucked.

0:24:04.880 --> 0:24:08.919
<v Speaker 3>My whole career up, doomed, and uh when I get there,

0:24:08.960 --> 0:24:11.960
<v Speaker 3>it's another nigga on another count. Shit it was banner.

0:24:12.119 --> 0:24:15.240
<v Speaker 3>Oh wow, yeah man, So we rocked out. Man. I

0:24:15.320 --> 0:24:20.119
<v Speaker 3>actually have a videotape because I had a camcorder dating myself.

0:24:20.680 --> 0:24:25.719
<v Speaker 3>And one day we went to the club because her

0:24:25.880 --> 0:24:28.600
<v Speaker 3>roommates do all the dope parties in New York, like Life,

0:24:28.720 --> 0:24:31.920
<v Speaker 3>all the fly shit. But one night we went to

0:24:32.000 --> 0:24:34.000
<v Speaker 3>like Life or something like that, and then he didn't

0:24:34.040 --> 0:24:36.840
<v Speaker 3>fill up for it, like he was just you know, depressed.

0:24:36.840 --> 0:24:37.960
<v Speaker 3>You know what I'm say, niggas going through it like

0:24:38.000 --> 0:24:41.440
<v Speaker 3>damn and maybe questioning, yeah, like maybe my career is over.

0:24:41.480 --> 0:24:45.200
<v Speaker 3>And I remember I got back a couple of hours later.

0:24:45.680 --> 0:24:47.640
<v Speaker 3>He was like sitting in the stairwell. He was like, man,

0:24:47.680 --> 0:24:49.600
<v Speaker 3>I hope you're mind. I used the camera and shit.

0:24:49.880 --> 0:24:53.000
<v Speaker 3>I was like, man, it's cool, bro. I went back

0:24:53.040 --> 0:24:54.800
<v Speaker 3>and looked at it. He was like, Nigga, my shit

0:24:54.880 --> 0:24:57.399
<v Speaker 3>fucked up, my career fucked up. But my name is

0:24:57.440 --> 0:24:59.720
<v Speaker 3>David Banner. I'm gonna be somebody and the nigga did it.

0:25:00.280 --> 0:25:02.760
<v Speaker 3>So it actually got that tape and I got to

0:25:02.800 --> 0:25:05.280
<v Speaker 3>find it for him because it's inspiring to watch somebody

0:25:05.480 --> 0:25:08.360
<v Speaker 3>tak lowis you know, be up. And then we did

0:25:08.400 --> 0:25:11.840
<v Speaker 3>a record. We I mean we did a record. We

0:25:11.960 --> 0:25:18.800
<v Speaker 3>got the studio and mob Deep was next door. Yeah York, Yeah,

0:25:19.160 --> 0:25:20.760
<v Speaker 3>ok yeah, we stay in New York. Were staying on

0:25:20.840 --> 0:25:24.520
<v Speaker 3>like thirty third and third okay building, we fly, well,

0:25:24.640 --> 0:25:27.040
<v Speaker 3>we ain't fly. We did them flying. We niggas on

0:25:27.080 --> 0:25:29.520
<v Speaker 3>the couch. We brother man from the second floor. Okay,

0:25:29.920 --> 0:25:34.439
<v Speaker 3>flub or whatever it was, but uh they uh, they

0:25:34.480 --> 0:25:37.840
<v Speaker 3>were next door working on I think it was murder

0:25:37.920 --> 0:25:43.320
<v Speaker 3>music anyway. Anyway, I'm forgetting what year, but we're doing

0:25:43.400 --> 0:25:45.600
<v Speaker 3>this record because I remember Pee and Halbits like whatever.

0:25:45.880 --> 0:25:47.800
<v Speaker 3>They didn't know David. I introduced David. They was like,

0:25:47.840 --> 0:25:50.280
<v Speaker 3>you know, niggas be nosy, walk in looking you know

0:25:50.280 --> 0:25:52.080
<v Speaker 3>what I'm saying. I'm like, oh, that shit crazy, and

0:25:52.160 --> 0:25:54.240
<v Speaker 3>they walk in and listen to ours. We was we

0:25:54.400 --> 0:26:01.680
<v Speaker 3>had sampled uh entertain us. Here we go Nirvana, and

0:26:01.760 --> 0:26:04.040
<v Speaker 3>I remember the niggas just looking like what the fuck.

0:26:05.520 --> 0:26:07.520
<v Speaker 3>But then Banner ended up using it on the mixtape

0:26:07.680 --> 0:26:09.480
<v Speaker 3>that popped him out, you know what I'm saying. That

0:26:09.600 --> 0:26:11.000
<v Speaker 3>then well for him, I think the song was called

0:26:11.000 --> 0:26:13.840
<v Speaker 3>spass Out. But you know we was, we was working

0:26:13.920 --> 0:26:20.040
<v Speaker 3>man were it was crazy manco that was and I

0:26:20.119 --> 0:26:23.520
<v Speaker 3>was out there acting. You would see me out. Yeah,

0:26:23.560 --> 0:26:24.919
<v Speaker 3>that's right, that's what I want.

0:26:25.520 --> 0:26:27.080
<v Speaker 5>He sent me a record with him an absol though

0:26:27.080 --> 0:26:28.159
<v Speaker 5>I don't know if he's put it out here, but

0:26:28.760 --> 0:26:30.080
<v Speaker 5>he's always because it's crazy.

0:26:30.720 --> 0:26:33.000
<v Speaker 4>Yeah, who else said records?

0:26:34.720 --> 0:26:36.080
<v Speaker 3>I got a record with a soul my mind.

0:26:36.359 --> 0:26:40.480
<v Speaker 4>Yeah, shameless rast cast was its.

0:26:42.200 --> 0:26:48.359
<v Speaker 3>Oh that was the reap uh Storm. I wanted to

0:26:48.359 --> 0:26:51.040
<v Speaker 3>give him in trouble storing and manages blonde Yeah, or

0:26:51.320 --> 0:26:55.040
<v Speaker 3>have it down, but he used to manage. Bob manages

0:26:55.119 --> 0:27:00.399
<v Speaker 3>me too, and that was the first time for that project. Uh,

0:27:01.080 --> 0:27:04.359
<v Speaker 3>somebody had got me a honeycake sock into my pocket.

0:27:04.480 --> 0:27:07.879
<v Speaker 3>In my pocket, that was my first my honey all

0:27:08.400 --> 0:27:11.040
<v Speaker 3>check outside of my record deal. So I always think

0:27:11.080 --> 0:27:13.440
<v Speaker 3>of that like, thank you Storm, so salute the storm.

0:27:13.920 --> 0:27:21.040
<v Speaker 3>Perfect management. The Yellow Snow EP, Oh, that's funny, that's

0:27:21.080 --> 0:27:25.440
<v Speaker 3>my homeboy, Rubio. Uh Doc Hollywood was the name of

0:27:25.480 --> 0:27:25.840
<v Speaker 3>the group.

0:27:26.440 --> 0:27:26.560
<v Speaker 2>Uh.

0:27:26.680 --> 0:27:31.639
<v Speaker 3>The Yellow Snow EP was I like doing like what

0:27:31.760 --> 0:27:35.120
<v Speaker 3>they call them ugly sweater Like I like taking holidays

0:27:35.160 --> 0:27:37.760
<v Speaker 3>and flipping them upside down. So the Yellow Snow EP

0:27:38.040 --> 0:27:40.520
<v Speaker 3>was me taking Christmas songs and like shipping on Christmas.

0:27:40.760 --> 0:27:43.120
<v Speaker 4>Oh, it's not about p well.

0:27:43.080 --> 0:27:47.760
<v Speaker 3>Yellow snow is t say yeah. Saying is don't eat

0:27:47.760 --> 0:27:52.400
<v Speaker 3>the yellow snow. The yellow snow. It's the p yeah. God,

0:27:54.880 --> 0:28:00.320
<v Speaker 3>it's like, don't eat the snow and Harlem like on there,

0:28:00.359 --> 0:28:03.120
<v Speaker 3>it's gonna be some cracks in there.

0:28:04.880 --> 0:28:06.640
<v Speaker 4>So what's bringing me to Christmas?

0:28:06.920 --> 0:28:12.080
<v Speaker 3>Christian? Was that the same play on the holiday? Yeah, Christmass. Yeah,

0:28:12.680 --> 0:28:14.760
<v Speaker 3>that's just the extension. I took the Yellow Snow EP

0:28:15.040 --> 0:28:17.960
<v Speaker 3>and just every couple of years I add a new

0:28:18.119 --> 0:28:20.119
<v Speaker 3>song and I give it out around Christmas, so I

0:28:20.280 --> 0:28:23.720
<v Speaker 3>just yeah, Chris mess in the s s. It's just

0:28:23.960 --> 0:28:26.840
<v Speaker 3>it's the ugly sweater thing. It's just me taking Christmas.

0:28:26.960 --> 0:28:30.280
<v Speaker 3>And I did like a drad Old song. You know

0:28:30.320 --> 0:28:33.840
<v Speaker 3>what I'm saying, I just do. Who haven't I attacked yet?

0:28:34.359 --> 0:28:37.720
<v Speaker 3>I have to do what? What's the what's the black one?

0:28:38.320 --> 0:28:41.360
<v Speaker 3>Quansa quanta? I have to guy to do a quanza.

0:28:42.040 --> 0:28:45.960
<v Speaker 3>You can't. You can't do that. I can out of this.

0:28:48.280 --> 0:28:52.520
<v Speaker 3>I got to be messing with Christmas. I got to

0:28:52.600 --> 0:28:53.600
<v Speaker 3>mess with everybody.

0:28:53.760 --> 0:28:57.160
<v Speaker 4>Okay, Michaels, that's all right.

0:28:57.240 --> 0:28:57.520
<v Speaker 2>This is.

0:29:01.560 --> 0:29:03.120
<v Speaker 4>What's your favorite erro of hip hop.

0:29:06.240 --> 0:29:10.720
<v Speaker 3>Musically or just living? Either way, I would say music

0:29:11.160 --> 0:29:14.400
<v Speaker 3>that ain't fair. It's always fire shit. But you know,

0:29:17.080 --> 0:29:19.320
<v Speaker 3>before I got to deal with super Fun because I

0:29:19.400 --> 0:29:21.040
<v Speaker 3>got to watch other people. I was a fly on

0:29:21.080 --> 0:29:24.360
<v Speaker 3>the wall being around like Wino and Coolio and meeting

0:29:24.640 --> 0:29:29.400
<v Speaker 3>you know, Premiere and you know, gang Starr and Mop

0:29:29.640 --> 0:29:31.640
<v Speaker 3>and just you know what I'm saying, Bumpy, just whatever,

0:29:32.160 --> 0:29:35.920
<v Speaker 3>just being that guy and then coincidentally meeting my peers.

0:29:36.600 --> 0:29:39.280
<v Speaker 3>You know what I'm saying. You know, the Warlocks going

0:29:39.320 --> 0:29:40.960
<v Speaker 3>on to be the locks and so and so just

0:29:41.040 --> 0:29:47.360
<v Speaker 3>meeting all these other dope people. That part of it

0:29:47.840 --> 0:29:53.440
<v Speaker 3>was fun. I definitely have enjoyed even today. You know

0:29:53.480 --> 0:29:58.680
<v Speaker 3>what I'm saying, Like I'm in a very small a

0:30:00.080 --> 0:30:03.600
<v Speaker 3>group of people of what I think are like elading

0:30:03.720 --> 0:30:07.760
<v Speaker 3>saves producers, you know what I'm saying, artists and a

0:30:07.840 --> 0:30:10.520
<v Speaker 3>lot of us have encountered and kicked it and done

0:30:10.560 --> 0:30:12.000
<v Speaker 3>ship and traveled the world together.

0:30:12.120 --> 0:30:14.880
<v Speaker 4>So for me, that part is always fun.

0:30:15.000 --> 0:30:17.280
<v Speaker 3>There's been a lot of peaks and valleys and damn,

0:30:17.440 --> 0:30:20.680
<v Speaker 3>probably way more values than anything. But this ship is fun. Man,

0:30:21.160 --> 0:30:23.280
<v Speaker 3>for me, you still have fun doing it. I have

0:30:23.560 --> 0:30:26.120
<v Speaker 3>a fucking blast. All I want is the same bag

0:30:26.360 --> 0:30:30.360
<v Speaker 3>as the fun the bag. If I get the bag,

0:30:30.440 --> 0:30:32.600
<v Speaker 3>I'm really out of here. Nigga, I will make nigga

0:30:32.720 --> 0:30:34.840
<v Speaker 3>me and Blue used to say that of my little

0:30:35.000 --> 0:30:38.160
<v Speaker 3>stupid cousin. Yeah, Davini, but yeah, you know what I'm saying.

0:30:38.280 --> 0:30:41.440
<v Speaker 3>The nigga I make fucking I make wood look look

0:30:41.560 --> 0:30:44.440
<v Speaker 3>like gold. Nigga. Let me go, let me, let me

0:30:44.520 --> 0:30:48.320
<v Speaker 3>get about three point five million, nigga, you will see

0:30:48.360 --> 0:30:50.200
<v Speaker 3>a nigga take over the planet. Right.

0:30:51.640 --> 0:30:54.560
<v Speaker 5>Speaking of Blue Da Vinci, were you like What was

0:30:54.600 --> 0:30:57.000
<v Speaker 5>your interaction with that BMS movement?

0:30:58.480 --> 0:31:00.480
<v Speaker 4>Uh shit, I was there from the on set.

0:31:01.440 --> 0:31:02.400
<v Speaker 3>Yeah, I was there.

0:31:04.120 --> 0:31:07.000
<v Speaker 4>First of all, be as frank as I can.

0:31:07.400 --> 0:31:14.800
<v Speaker 3>Uh we met Blue. Blue was Blue is my second MIC.

0:31:14.880 --> 0:31:16.640
<v Speaker 3>I never called him hype man, So Blue is my

0:31:16.840 --> 0:31:20.440
<v Speaker 3>second MIC. And Blue grew up in the same neighborhood

0:31:20.520 --> 0:31:27.040
<v Speaker 3>as Whino and whatever. So who was Coolio's producer? The DJ?

0:31:27.160 --> 0:31:31.240
<v Speaker 3>He's yeah, yeah, the recipes Coolio so blues with me.

0:31:31.480 --> 0:31:34.360
<v Speaker 3>We got another cousin s class. He's from Inglewood, So

0:31:34.440 --> 0:31:44.440
<v Speaker 3>blues from Carson one from Carson. Yeah, and DJ Pool

0:31:44.760 --> 0:31:48.520
<v Speaker 3>loved the Blue, so Pool because Blue is funny. The

0:31:48.560 --> 0:31:54.120
<v Speaker 3>nigga got jokes, y'all remember Gobby and yeah yeah, So.

0:31:55.600 --> 0:31:57.320
<v Speaker 4>I worked through them with ran marketing stuff.

0:31:57.360 --> 0:32:01.360
<v Speaker 3>So Gobby the only other nigga because well, the only

0:32:01.480 --> 0:32:03.280
<v Speaker 3>nigga I've ever seen in real life, shut up Blue.

0:32:03.520 --> 0:32:07.200
<v Speaker 3>Goby talked Blue into a circle with like bagging on niggas.

0:32:07.440 --> 0:32:10.160
<v Speaker 3>So anyway, Poo loved Blue because he was funny. He

0:32:10.200 --> 0:32:13.120
<v Speaker 3>could shoot jokes the street dude, but he's a comedian.

0:32:13.200 --> 0:32:15.760
<v Speaker 3>He's funny, and so Pool loved him and started putting

0:32:15.800 --> 0:32:17.840
<v Speaker 3>them in movies. Three Strikes this, that, and the third,

0:32:17.920 --> 0:32:21.920
<v Speaker 3>so really meeting them went to Blue went to Pool

0:32:22.840 --> 0:32:25.480
<v Speaker 3>and that's how we met meech in them. We met

0:32:25.560 --> 0:32:31.320
<v Speaker 3>meeting him because Pool was like, okay, we'll have We'll

0:32:31.360 --> 0:32:35.240
<v Speaker 3>have Blue be the artist and then was he the

0:32:35.280 --> 0:32:38.560
<v Speaker 3>first artist under So that was the plan. The plan changed.

0:32:38.760 --> 0:32:44.080
<v Speaker 3>The original plan was Pool quarterbacks and then Blue and

0:32:44.240 --> 0:32:47.480
<v Speaker 3>Me come in. That got switched and our meat you

0:32:47.520 --> 0:32:52.040
<v Speaker 3>eventually would I remember the nigga asked me how much

0:32:52.080 --> 0:32:54.080
<v Speaker 3>to get you out your deal? And he was dead serious.

0:32:54.120 --> 0:32:56.719
<v Speaker 3>It's like, yo, if if we give Varorty a million dollars,

0:32:57.720 --> 0:32:59.160
<v Speaker 3>well you know what I'm saying, Well, they let you go.

0:32:59.240 --> 0:33:01.840
<v Speaker 3>And I was like, I don't even know if I

0:33:01.920 --> 0:33:04.160
<v Speaker 3>want to be in debt to a nigga or a

0:33:04.240 --> 0:33:06.120
<v Speaker 3>million dollars. I remember, I was like, I'm opting out,

0:33:06.240 --> 0:33:08.320
<v Speaker 3>you know, because then it was gonna be me running

0:33:08.360 --> 0:33:11.240
<v Speaker 3>it and blew the artists. And what really happened is

0:33:12.400 --> 0:33:17.520
<v Speaker 3>Blue took all the mantles. I opted out. I can't

0:33:17.600 --> 0:33:20.680
<v Speaker 3>speak on what happened with Pool and Meets because I

0:33:20.720 --> 0:33:23.280
<v Speaker 3>don't know exactly. It's just one minute that was the play.

0:33:23.480 --> 0:33:28.680
<v Speaker 3>Then the play switch opted out of the play. The

0:33:29.440 --> 0:33:32.960
<v Speaker 3>hood came into it, which is great beach, and it

0:33:33.040 --> 0:33:35.280
<v Speaker 3>was rich already they already being math, was bing math,

0:33:36.560 --> 0:33:40.000
<v Speaker 3>but the music was not a factor. And you know,

0:33:40.440 --> 0:33:41.760
<v Speaker 3>like I said, I'll say as much as I can

0:33:42.640 --> 0:33:50.360
<v Speaker 3>without you know whatever, but I would say this, I

0:33:50.480 --> 0:33:53.640
<v Speaker 3>sent them to Atlanta. It wasn't none of their fucking ideas.

0:33:54.040 --> 0:33:56.719
<v Speaker 3>We got patchworks. So if you come to La, why

0:33:56.760 --> 0:33:59.160
<v Speaker 3>would you go to Atlanta? So it was behind then

0:33:59.360 --> 0:34:03.120
<v Speaker 3>like take it to Atlanta because La niggas is gonna

0:34:03.120 --> 0:34:05.160
<v Speaker 3>be trying to figure out where y'all getting this money from,

0:34:05.280 --> 0:34:07.800
<v Speaker 3>who is y'all niggas, And then niggas gonna start running in.

0:34:08.280 --> 0:34:09.279
<v Speaker 4>Trying to shoot up shit.

0:34:09.600 --> 0:34:12.800
<v Speaker 3>First, you're gonna start as a homie, which is the

0:34:12.840 --> 0:34:15.279
<v Speaker 3>extortion bit that happens the most rapped niggas that go

0:34:15.360 --> 0:34:18.200
<v Speaker 3>out talking tough shit in La. You're gonna get extorted.

0:34:19.680 --> 0:34:21.840
<v Speaker 3>The next one, they really just gonna come on your helmet.

0:34:21.920 --> 0:34:23.880
<v Speaker 3>And the third wave is they send the bitch at you.

0:34:24.160 --> 0:34:25.719
<v Speaker 3>She's gonna get you some pussy and then she's gonna

0:34:25.719 --> 0:34:27.800
<v Speaker 3>lock the door one day, and that's happened in niggas

0:34:27.800 --> 0:34:29.640
<v Speaker 3>too in La. So what you don't want to do

0:34:30.239 --> 0:34:32.839
<v Speaker 3>is be out there looking like you know, that's anywhere, though,

0:34:33.280 --> 0:34:34.760
<v Speaker 3>don't come out looking like steak.

0:34:35.200 --> 0:34:35.879
<v Speaker 4>You know what I'm saying.

0:34:36.120 --> 0:34:39.040
<v Speaker 3>A whole bunch of starving parvo, wolves and shit, and

0:34:39.160 --> 0:34:44.200
<v Speaker 3>you like, oh, looking fucks bloody steep. Okay, nigga, don't

0:34:44.200 --> 0:34:47.319
<v Speaker 3>come get you. So my luck suggestion was take that ship.

0:34:47.760 --> 0:34:49.880
<v Speaker 3>My quote was taken to the Woldies. I was like,

0:34:50.000 --> 0:34:52.040
<v Speaker 3>go out with the Woldies. Take that ship to Atlanta.

0:34:52.600 --> 0:34:55.160
<v Speaker 3>Because these niggas is already asking questions. There was a

0:34:55.160 --> 0:34:57.680
<v Speaker 3>whole bunch of other shit happening. Like I said, I

0:34:57.719 --> 0:34:59.720
<v Speaker 3>don't want to speaking. And so they went to Atlanta

0:34:59.800 --> 0:35:04.880
<v Speaker 3>and and fast forward two years later, I'm getting the

0:35:04.960 --> 0:35:07.239
<v Speaker 3>report card and it was not good. I was in

0:35:07.320 --> 0:35:11.120
<v Speaker 3>the pen already, like jeezuz did this so and so

0:35:11.280 --> 0:35:15.919
<v Speaker 3>they beat up. I'm like, bro, you cannot be can't

0:35:16.280 --> 0:35:19.520
<v Speaker 3>can't go after parties after you know, not guilty verdicts.

0:35:19.520 --> 0:35:21.440
<v Speaker 3>The ship with elephants. I was like, don't do it.

0:35:21.520 --> 0:35:23.279
<v Speaker 3>You're bringing all this a fence. It was a lot

0:35:23.400 --> 0:35:24.080
<v Speaker 3>of Shenanigans.

0:35:24.239 --> 0:35:26.440
<v Speaker 4>Great, so you were in when that was started possible?

0:35:26.560 --> 0:35:28.879
<v Speaker 3>Yeah, yeah, go there.

0:35:29.160 --> 0:35:34.759
<v Speaker 4>I see them. And then I go to New York

0:35:35.640 --> 0:35:37.240
<v Speaker 4>and then I have to go to Vegas.

0:35:37.560 --> 0:35:41.480
<v Speaker 3>I get locked up in Vegas and fast forward by

0:35:41.560 --> 0:35:44.360
<v Speaker 3>two thousand and three is four, I'm getting the report

0:35:44.440 --> 0:35:48.000
<v Speaker 3>card of the Shenanigans and I'm like, don't do the Shenanigans.

0:35:48.440 --> 0:35:51.719
<v Speaker 3>First of all, you can't put a billboard when you're

0:35:51.760 --> 0:35:53.600
<v Speaker 3>leaving the airport. When you go into the airport and

0:35:53.680 --> 0:35:55.879
<v Speaker 3>leaving it in front of Jamaine Duprius says the world

0:35:56.000 --> 0:35:58.280
<v Speaker 3>is being I'm like, you can put on no music.

0:36:00.400 --> 0:36:02.839
<v Speaker 3>Where the fuck is the music? Nigga like sell hot

0:36:02.920 --> 0:36:05.800
<v Speaker 3>Dog a sudden nigga do something y'all niggas cannot explain,

0:36:05.840 --> 0:36:10.160
<v Speaker 3>you know whatever, but they went for it. Ultimately, at

0:36:10.160 --> 0:36:14.200
<v Speaker 3>the end of the day, I always want meet and

0:36:14.400 --> 0:36:16.160
<v Speaker 3>like I said, my other cousin and a gag of

0:36:16.239 --> 0:36:19.120
<v Speaker 3>my homies are you know were in or BMF.

0:36:19.200 --> 0:36:22.080
<v Speaker 4>You know what I'm saying. And you know, the worst

0:36:22.120 --> 0:36:22.600
<v Speaker 4>part is that.

0:36:24.120 --> 0:36:26.680
<v Speaker 3>There's a lot of money and to set black people

0:36:26.760 --> 0:36:29.520
<v Speaker 3>back by twenty five years, that was a lot of

0:36:29.640 --> 0:36:34.320
<v Speaker 3>fucking money and not having those relationships, you know, those people.

0:36:34.200 --> 0:36:35.239
<v Speaker 4>Not having a relationship.

0:36:35.400 --> 0:36:36.719
<v Speaker 3>And I'm not mad at fifth, but you know what

0:36:36.719 --> 0:36:39.560
<v Speaker 3>I'm saying, Like that wasn't supposed to be a documentary

0:36:39.719 --> 0:36:45.520
<v Speaker 3>that's supposed to just be you know, other people keep

0:36:45.560 --> 0:36:47.879
<v Speaker 3>it together and get the bag. Then we couldn't keep

0:36:47.880 --> 0:36:50.239
<v Speaker 3>it together, or they couldn't keep it together. But as

0:36:50.280 --> 0:36:54.160
<v Speaker 3>a poor execution of a fucking amazing opportunity.

0:36:53.640 --> 0:36:55.319
<v Speaker 4>I could have paid a lot of people.

0:36:55.360 --> 0:36:57.440
<v Speaker 3>So I always I look at it like, damn Fifth

0:36:57.920 --> 0:37:00.080
<v Speaker 3>Phil got a documentary and the TV show out of it.

0:37:00.160 --> 0:37:06.759
<v Speaker 4>But that shit was supposed to be incredible. How did

0:37:06.800 --> 0:37:09.879
<v Speaker 4>you avoid gang banging from where you're from?

0:37:11.600 --> 0:37:11.719
<v Speaker 3>Uh?

0:37:12.320 --> 0:37:13.400
<v Speaker 4>I don't think you avoid it.

0:37:14.120 --> 0:37:17.120
<v Speaker 3>I just anybody that tells you you have to step

0:37:17.160 --> 0:37:19.960
<v Speaker 3>into a gang is a fucking liar, you know what

0:37:20.000 --> 0:37:23.400
<v Speaker 3>I mean? Like we're all we all grow up somewhere,

0:37:24.120 --> 0:37:26.720
<v Speaker 3>so always always liking it to like the Kendrick skit

0:37:27.000 --> 0:37:30.360
<v Speaker 3>because I think his his it's so visceral. I relived

0:37:30.400 --> 0:37:32.919
<v Speaker 3>that shit like it was on a good kid, Mad

0:37:33.000 --> 0:37:35.520
<v Speaker 3>City ship where he's just like where your mama from,

0:37:35.600 --> 0:37:38.640
<v Speaker 3>where your grandmama from? Like dat's la Like you're gonna

0:37:38.640 --> 0:37:40.759
<v Speaker 3>get pressed if somebody, especially if you stick out like

0:37:40.760 --> 0:37:42.920
<v Speaker 3>a sore thumb, somebody's gonna be like why are you

0:37:43.040 --> 0:37:48.160
<v Speaker 3>over here? I mean, And as far as just growing

0:37:48.200 --> 0:37:50.160
<v Speaker 3>up in the neighborhood. You don't have to do shit.

0:37:50.400 --> 0:37:52.359
<v Speaker 3>It's a basketball nigga. Think about it. On the block,

0:37:52.520 --> 0:37:59.200
<v Speaker 3>like anywhere Brooklyn, fucking Florida, Miami, Uh, you know, anywhere

0:37:59.400 --> 0:38:02.799
<v Speaker 3>that you're at. It's a comedy dude. Somebody that's funny.

0:38:02.880 --> 0:38:06.480
<v Speaker 3>On your block. It's somebody who played basketball. It's a

0:38:06.560 --> 0:38:08.480
<v Speaker 3>real straight lace dude. That might be the police. He

0:38:08.560 --> 0:38:10.520
<v Speaker 3>might be a crooked cop, but it's a straight lace dude.

0:38:10.960 --> 0:38:14.839
<v Speaker 3>It's a it's the one all the girls like, right,

0:38:14.880 --> 0:38:16.200
<v Speaker 3>you know what I'm saying. It's like the pretty boy

0:38:16.280 --> 0:38:18.279
<v Speaker 3>nigga that all the girls like. It's usually a gay

0:38:18.360 --> 0:38:22.080
<v Speaker 3>nigga too. It's just all these different people. So that's

0:38:22.320 --> 0:38:24.759
<v Speaker 3>that's a regular street in LA. They made. What they

0:38:24.840 --> 0:38:28.600
<v Speaker 3>did was they created this narrative that in La you

0:38:28.800 --> 0:38:30.800
<v Speaker 3>had to do it, and that's what you're do it.

0:38:31.000 --> 0:38:33.920
<v Speaker 4>Yeah, it sells good, it selles and.

0:38:33.960 --> 0:38:36.080
<v Speaker 3>It's great boys in the hood, but that's actors and

0:38:36.120 --> 0:38:37.719
<v Speaker 3>some of them niggas ain't even from La. A lot

0:38:37.760 --> 0:38:39.880
<v Speaker 3>of them it's from New York. And so that's this

0:38:40.080 --> 0:38:48.840
<v Speaker 3>narrative that, uh, you're forced the times I would assume

0:38:48.880 --> 0:38:51.120
<v Speaker 3>you'd be forced to say, and you're not even forced

0:38:51.800 --> 0:38:55.719
<v Speaker 3>is because your pops and not that he forced you.

0:38:55.840 --> 0:38:58.120
<v Speaker 4>It's just you associate or your older brother.

0:38:58.200 --> 0:38:59.759
<v Speaker 3>So I know a lot of people who've stepped in

0:39:00.320 --> 0:39:02.160
<v Speaker 3>because they broke it, you know what I'm saying, or

0:39:02.200 --> 0:39:05.040
<v Speaker 3>their father was. So it's like, I'm this is calm

0:39:05.120 --> 0:39:07.880
<v Speaker 3>on second nature. But nobody when you're like teena, you

0:39:08.120 --> 0:39:10.880
<v Speaker 3>gotta do it. Nobody never says that, like lies to

0:39:10.920 --> 0:39:16.160
<v Speaker 3>you being outside of it. That is the fun it is,

0:39:16.520 --> 0:39:18.440
<v Speaker 3>I would assume until it.

0:39:19.040 --> 0:39:22.239
<v Speaker 1>Yeah, like when I used to see like like n

0:39:22.360 --> 0:39:25.000
<v Speaker 1>w A and like they rocking ice black oh ship,

0:39:25.440 --> 0:39:25.880
<v Speaker 1>think about it.

0:39:25.960 --> 0:39:26.960
<v Speaker 4>It's so different to us.

0:39:27.120 --> 0:39:31.600
<v Speaker 3>Gangster's in black. There is no you know, they were there.

0:39:31.640 --> 0:39:34.520
<v Speaker 3>They're a construct their concept and I'm not disrespecting them.

0:39:34.520 --> 0:39:38.399
<v Speaker 3>I'm just saying there are gangs. They are you wear

0:39:38.440 --> 0:39:40.719
<v Speaker 3>the wall of the crypt right. Yeah he was, you

0:39:40.760 --> 0:39:42.480
<v Speaker 3>know what I'm saying, and something he didn't rep it though,

0:39:42.560 --> 0:39:43.680
<v Speaker 3>like that, like I mean on.

0:39:44.239 --> 0:39:45.799
<v Speaker 4>The right right.

0:39:46.239 --> 0:39:49.040
<v Speaker 3>More people started stepping in just saying like cuz and blood,

0:39:49.120 --> 0:39:51.480
<v Speaker 3>like the young niggas is really outside. And then we

0:39:51.600 --> 0:39:54.560
<v Speaker 3>got a third factor. We got Southsiders. We got Mexicans,

0:39:54.880 --> 0:39:57.840
<v Speaker 3>right and that's a whole different factor. So it's like

0:39:58.040 --> 0:40:00.360
<v Speaker 3>this whole gang ship. Motherfucker's got a fun up, Like

0:40:00.400 --> 0:40:03.040
<v Speaker 3>it's just bloods and cribs. You got these Southsiders and

0:40:03.160 --> 0:40:05.239
<v Speaker 3>they don't want you around there, and they are they

0:40:05.320 --> 0:40:07.080
<v Speaker 3>hopping out with k's on niggas.

0:40:07.360 --> 0:40:10.880
<v Speaker 5>You don't think the most overt version of like putting

0:40:10.920 --> 0:40:12.640
<v Speaker 5>it out there was Banging on Wax.

0:40:12.680 --> 0:40:15.719
<v Speaker 3>I feel like that's the first one that was. But

0:40:16.080 --> 0:40:20.359
<v Speaker 3>here's the rubb on that. If I'm correct, there's only

0:40:20.440 --> 0:40:24.560
<v Speaker 3>two people alive from Banging on Wax. Wow. Yeah, it

0:40:24.640 --> 0:40:29.480
<v Speaker 3>was overt, and guess what, now you're the target. Nobody

0:40:29.560 --> 0:40:32.320
<v Speaker 3>survived that except for two people that I know of.

0:40:32.920 --> 0:40:35.040
<v Speaker 3>I don't even say their names, but it's only two

0:40:35.040 --> 0:40:37.880
<v Speaker 3>people alive, and one of them had a suitonym when

0:40:37.920 --> 0:40:39.600
<v Speaker 3>he was on Banging on Wax. He didn't gobody his

0:40:39.760 --> 0:40:40.520
<v Speaker 3>real name.

0:40:40.480 --> 0:40:43.080
<v Speaker 2>Because who would have been doing it before that? Maybe

0:40:43.680 --> 0:40:45.319
<v Speaker 2>come to those wanted maybe well, I mean.

0:40:46.160 --> 0:40:48.640
<v Speaker 4>There were people making so some of these records that

0:40:49.520 --> 0:40:50.160
<v Speaker 4>came out.

0:40:52.600 --> 0:40:55.839
<v Speaker 3>That would eventually become legendary rap albums started off as

0:40:55.920 --> 0:40:58.160
<v Speaker 3>like hood demos that they would sell it to swap meets.

0:40:58.200 --> 0:41:04.000
<v Speaker 3>So I recall one in particular where the artist is

0:41:04.080 --> 0:41:06.440
<v Speaker 3>gang banging. He talked about where he's from. He talked

0:41:06.440 --> 0:41:09.319
<v Speaker 3>about killing the enemies, the ops, all that. But when

0:41:09.480 --> 0:41:11.399
<v Speaker 3>he sanitized it by the time he got a major

0:41:11.520 --> 0:41:15.040
<v Speaker 3>record deal but not that La in La Bloods and

0:41:15.160 --> 0:41:17.640
<v Speaker 3>Crypts loved it. In the South Siders, the Mexicans loved

0:41:17.640 --> 0:41:19.239
<v Speaker 3>it too, but by the time he came out the

0:41:19.280 --> 0:41:22.560
<v Speaker 3>mainstream he was he made it a lot more digestible

0:41:22.760 --> 0:41:25.680
<v Speaker 3>by not putting out like I'm from this hood and

0:41:25.880 --> 0:41:32.239
<v Speaker 3>I killed those particular people. Yeah, it's uh, it's the

0:41:32.360 --> 0:41:34.640
<v Speaker 3>lifestyle is trust me.

0:41:34.719 --> 0:41:36.000
<v Speaker 4>I got friends.

0:41:37.280 --> 0:41:41.879
<v Speaker 3>That was game members before we met, you know, prisoners

0:41:42.040 --> 0:41:46.400
<v Speaker 3>and some lifers after totally good people. I'm not knocking that.

0:41:46.560 --> 0:41:49.799
<v Speaker 3>It's just it's not really uh for me. I never

0:41:49.840 --> 0:41:52.280
<v Speaker 3>wanted to. I didn't step in. So what I remember

0:41:52.400 --> 0:41:56.800
<v Speaker 3>telling in the studio one time, a dude you know

0:41:57.000 --> 0:41:59.000
<v Speaker 3>early on, said like you may have to put on

0:41:59.160 --> 0:42:01.239
<v Speaker 3>the suit, like to sell the records. You know what

0:42:01.280 --> 0:42:03.000
<v Speaker 3>I'm saying, like put on the Khaki shuite and get

0:42:03.040 --> 0:42:05.640
<v Speaker 3>the krip walking. I remember I said this was sometime

0:42:05.680 --> 0:42:09.040
<v Speaker 3>around this time, around like ninety.

0:42:08.800 --> 0:42:09.959
<v Speaker 4>Seven ninety eight issues.

0:42:10.080 --> 0:42:11.640
<v Speaker 3>But I remember I just said, bro, I'm from you

0:42:11.680 --> 0:42:13.919
<v Speaker 3>know what I'm saying, Like, I forgot how to krip walk,

0:42:14.600 --> 0:42:17.600
<v Speaker 3>because if you if you not a cryp, then don't

0:42:17.680 --> 0:42:19.960
<v Speaker 3>krip walk. So when you grow up in a neighborhood

0:42:19.960 --> 0:42:23.480
<v Speaker 3>where people crip walk, you krip walk. And as sure

0:42:23.520 --> 0:42:25.560
<v Speaker 3>as I'm rest assured that if you grew up in

0:42:25.600 --> 0:42:28.160
<v Speaker 3>the blood neighborhood, you be walking. You know what I'm saying.

0:42:28.440 --> 0:42:31.400
<v Speaker 3>But if you don't become a blood, stop be walking

0:42:31.600 --> 0:42:34.399
<v Speaker 3>because you only creating a problem for yourself. And now

0:42:34.560 --> 0:42:36.759
<v Speaker 3>you may not had the homies and the burner in

0:42:36.800 --> 0:42:38.680
<v Speaker 3>the backup, so you don't do it. So I had

0:42:38.719 --> 0:42:42.439
<v Speaker 3>forgotten how to crip walk because I decided I didn't.

0:42:43.280 --> 0:42:45.319
<v Speaker 3>I said the dumbest thing when they talked. When they

0:42:45.400 --> 0:42:48.640
<v Speaker 3>asked me to step into the hood, they said, baby John,

0:42:48.640 --> 0:42:50.600
<v Speaker 3>because I was a RAS cast. They said, baby John,

0:42:50.640 --> 0:42:54.759
<v Speaker 3>you're gonna see from the hood. And then I said, yeah,

0:42:54.880 --> 0:42:57.840
<v Speaker 3>how much y'all paying an hour? And then the niggas

0:42:57.920 --> 0:43:00.799
<v Speaker 3>laughed at me and they said, fuck it out. It's

0:43:00.800 --> 0:43:04.920
<v Speaker 3>just my baby Joe. And that was a continue by

0:43:05.600 --> 0:43:07.879
<v Speaker 3>you know, my life in the hood has had.

0:43:07.800 --> 0:43:08.319
<v Speaker 4>A great time.

0:43:08.440 --> 0:43:11.200
<v Speaker 3>So yeah, they never forced they never force you man,

0:43:11.600 --> 0:43:13.080
<v Speaker 3>I've never seen nobody force.

0:43:13.640 --> 0:43:15.440
<v Speaker 4>Most people jump in because they broke.

0:43:15.880 --> 0:43:18.520
<v Speaker 3>So you want to sell dope, okay, So you need

0:43:18.840 --> 0:43:20.759
<v Speaker 3>somebody to front you some dope, and you need some

0:43:20.840 --> 0:43:23.759
<v Speaker 3>protection while you and where you're gonna sell a dope at.

0:43:23.960 --> 0:43:26.880
<v Speaker 3>You can't go down the block to somebody else neighborhood

0:43:26.960 --> 0:43:30.400
<v Speaker 3>selling dope. So you need a location to get on

0:43:30.480 --> 0:43:32.800
<v Speaker 3>your feet, help your mama, whatever your situation is. The

0:43:32.920 --> 0:43:35.719
<v Speaker 3>other one is you already grandfathered in. And the last

0:43:35.800 --> 0:43:41.000
<v Speaker 3>one is something fucked up happened and you mad, you

0:43:41.080 --> 0:43:43.279
<v Speaker 3>want to get some get back. Then there's a fourth.

0:43:43.680 --> 0:43:46.760
<v Speaker 3>It is cool to a certain degree. The girls like gangsters,

0:43:47.080 --> 0:43:49.120
<v Speaker 3>you know what I'm saying. So the girls like the digger,

0:43:49.200 --> 0:43:50.560
<v Speaker 3>the lowrider, and you know what I'm saying. And the

0:43:50.600 --> 0:43:51.960
<v Speaker 3>homies love you know what I'm saying. You got his

0:43:52.080 --> 0:43:54.120
<v Speaker 3>tats and all that, So it's some of it.

0:43:54.360 --> 0:43:56.200
<v Speaker 4>Niggas do anything for some vagina.

0:43:56.760 --> 0:43:56.960
<v Speaker 3>Yeah.

0:43:58.360 --> 0:44:02.359
<v Speaker 1>I did understand LA politics at first. When I first went,

0:44:02.960 --> 0:44:05.319
<v Speaker 1>I would go to any hood like wherever they said

0:44:05.360 --> 0:44:08.719
<v Speaker 1>they was at, Like uh autographs that do we tell?

0:44:08.760 --> 0:44:08.920
<v Speaker 3>You know?

0:44:09.160 --> 0:44:10.000
<v Speaker 4>We used to have to do that.

0:44:10.880 --> 0:44:13.839
<v Speaker 1>It wasn't to I started hanging with other LA people there,

0:44:13.840 --> 0:44:16.960
<v Speaker 1>it was like what you're doing is not normal? And

0:44:17.080 --> 0:44:23.719
<v Speaker 1>I'm like what, Like I would go to saucing. I

0:44:23.760 --> 0:44:26.560
<v Speaker 1>would go there and people what is wrong with you?

0:44:26.800 --> 0:44:28.000
<v Speaker 3>Like and I didn't know that.

0:44:28.520 --> 0:44:31.480
<v Speaker 1>But one thing I do know it is like when

0:44:31.480 --> 0:44:34.000
<v Speaker 1>a person asked you where you're from, like my accident

0:44:34.040 --> 0:44:37.160
<v Speaker 1>is so happy? I wasna that, like I've never had

0:44:37.239 --> 0:44:38.920
<v Speaker 1>Like as soon as they say, send me where you

0:44:39.040 --> 0:44:41.960
<v Speaker 1>from and I say, they like, definitely not from here.

0:44:42.120 --> 0:44:44.160
<v Speaker 3>And that's the nicest thing I can say about La.

0:44:44.520 --> 0:44:49.719
<v Speaker 3>They do not They hunt each other like LA hunts

0:44:49.760 --> 0:44:52.960
<v Speaker 3>his own you know what I'm saying, Like they'll figure

0:44:52.960 --> 0:44:54.439
<v Speaker 3>it out, like a't from.

0:44:54.800 --> 0:44:57.000
<v Speaker 4>You could tell by the way I walk, like like

0:44:57.160 --> 0:44:57.680
<v Speaker 4>I can look.

0:44:57.719 --> 0:44:59.560
<v Speaker 1>I can now physically look at somebody and be like, yo,

0:44:59.600 --> 0:45:01.400
<v Speaker 1>he's from Like you know what I'm saying. Like, And

0:45:01.520 --> 0:45:04.080
<v Speaker 1>it's crazy because you know we were with the Yankee

0:45:04.160 --> 0:45:08.440
<v Speaker 1>hat right, which which is like you went to that.

0:45:11.280 --> 0:45:11.840
<v Speaker 3>Neighbors.

0:45:12.600 --> 0:45:13.840
<v Speaker 4>Yeah, the Yankee had his neighbors.

0:45:14.640 --> 0:45:17.840
<v Speaker 3>There's like for every damn near for every fucking handitar

0:45:18.400 --> 0:45:20.799
<v Speaker 3>wild man. So that can just get you joy.

0:45:21.560 --> 0:45:25.520
<v Speaker 1>See, Like my friend Tito, he's not he's he wears

0:45:25.560 --> 0:45:27.080
<v Speaker 1>whatever hat though, but uh.

0:45:27.960 --> 0:45:32.879
<v Speaker 3>Not not in any hood like anywhere he knows, he knows. Yeah,

0:45:33.280 --> 0:45:35.719
<v Speaker 3>what's funny is like even a specifically like Compton, people

0:45:35.800 --> 0:45:39.640
<v Speaker 3>don't wear l A hats right Long Beach like everybody,

0:45:39.840 --> 0:45:42.360
<v Speaker 3>Like just the best way to explain that LA to

0:45:42.480 --> 0:45:46.120
<v Speaker 3>me is like New York has boroughs within your borroughs

0:45:46.640 --> 0:45:50.279
<v Speaker 3>you got you know, left Frack City, you know, you

0:45:50.360 --> 0:45:54.120
<v Speaker 3>got all these different places. We got like fifty two boroughs.

0:45:55.080 --> 0:45:57.960
<v Speaker 3>L A is like New York for fifty two boroughs,

0:45:58.360 --> 0:46:01.399
<v Speaker 3>like Guardena's Guardena. You know what I'm saying. Long Beach

0:46:01.560 --> 0:46:04.400
<v Speaker 3>is a long beach. You know what I'm saying, constant

0:46:05.400 --> 0:46:09.640
<v Speaker 3>there's a Compton and a Bompting like it coexists. So

0:46:10.560 --> 0:46:13.759
<v Speaker 3>we're we got the west side, you know what I'm saying,

0:46:13.760 --> 0:46:15.480
<v Speaker 3>Then you got the east side, which is watched, and

0:46:15.520 --> 0:46:18.640
<v Speaker 3>then you got even further in and watches the whole city,

0:46:18.719 --> 0:46:20.680
<v Speaker 3>right city. Yeah, so.

0:46:22.440 --> 0:46:27.000
<v Speaker 1>It's not like our counties, right or it is count

0:46:27.600 --> 0:46:28.239
<v Speaker 1>it's county.

0:46:28.320 --> 0:46:30.080
<v Speaker 3>Yeah, it's a pretty big county. It's not even the

0:46:30.080 --> 0:46:34.239
<v Speaker 3>biggest one California's biggest fuck. But yeah, our ship is

0:46:34.520 --> 0:46:38.359
<v Speaker 3>even Hollywood in the Valley is still La County, right, Yeah,

0:46:38.800 --> 0:46:42.279
<v Speaker 3>but but I was just saying, like it may be

0:46:42.400 --> 0:46:44.960
<v Speaker 3>the easiest way. So some people when people think like

0:46:45.840 --> 0:46:49.000
<v Speaker 3>Compton Long Beach, like it's it's not this unified place.

0:46:49.200 --> 0:46:52.600
<v Speaker 3>It's a whole bunch of different they don't wear the

0:46:52.640 --> 0:46:57.200
<v Speaker 3>same clothes, and somebody's being not helpful to them, and

0:46:57.360 --> 0:47:00.480
<v Speaker 3>try up. I know, I do got a the doorbell.

0:47:01.400 --> 0:47:07.440
<v Speaker 3>Hell yeah yeah we uh yet like literally tribal, so

0:47:08.600 --> 0:47:13.600
<v Speaker 3>your hat could be a problem. You're obviously your colors

0:47:14.200 --> 0:47:18.040
<v Speaker 3>and then your color go to East bro It's places.

0:47:18.600 --> 0:47:24.160
<v Speaker 3>I remember one time we was, uh, this is past,

0:47:24.320 --> 0:47:27.920
<v Speaker 3>this is past. Your geography is worse than mine. But

0:47:28.000 --> 0:47:31.400
<v Speaker 3>that San Pedro, so San Piedro, there's like if you

0:47:31.520 --> 0:47:37.840
<v Speaker 3>went south of see Arson, so Compton, Carson, Wilmington in

0:47:37.960 --> 0:47:40.239
<v Speaker 3>this place called San Pedro's right by the water, like

0:47:40.800 --> 0:47:44.800
<v Speaker 3>you know what I'm saying, and uh, it's pretty predominantly Mexican,

0:47:45.080 --> 0:47:50.840
<v Speaker 3>predominantly Southsiders. I remember we went to a party and

0:47:51.000 --> 0:47:54.719
<v Speaker 3>it was like, you know, some Mexican girls, like a

0:47:54.800 --> 0:47:59.200
<v Speaker 3>couple of you know, Mexican homeboys, uh me and then

0:47:59.480 --> 0:48:01.800
<v Speaker 3>our homeboy J two eleven here a white boy. I

0:48:01.840 --> 0:48:05.359
<v Speaker 3>remember when in Mexico, he's like, we should go. He's

0:48:05.400 --> 0:48:09.640
<v Speaker 3>like why, He's like, because they were discussing who to

0:48:09.760 --> 0:48:15.360
<v Speaker 3>kill you or the weddow whoa. So sometimes they're tripping,

0:48:15.440 --> 0:48:17.759
<v Speaker 3>like why is this nigga over here? Why does white

0:48:17.800 --> 0:48:18.239
<v Speaker 3>dude over.

0:48:18.280 --> 0:48:19.720
<v Speaker 4>Like we beat l A be tripping?

0:48:19.800 --> 0:48:21.600
<v Speaker 3>Man? I mean, I think we've gotten a lot better.

0:48:22.200 --> 0:48:25.920
<v Speaker 3>But yeah, so there's a politics, there's a racial issue.

0:48:26.560 --> 0:48:29.160
<v Speaker 3>Think about it. New York is built up, so y'all

0:48:29.160 --> 0:48:31.680
<v Speaker 3>got the same amount of people, but you guys are

0:48:32.640 --> 0:48:35.719
<v Speaker 3>so you're almost forced to deal with people saying we

0:48:35.920 --> 0:48:37.680
<v Speaker 3>got enough space to be an asshole.

0:48:37.800 --> 0:48:39.719
<v Speaker 1>Yeah, but that's why New York is our asshole too,

0:48:39.760 --> 0:48:41.040
<v Speaker 1>because we like.

0:48:43.000 --> 0:48:45.160
<v Speaker 2>They got the compression can.

0:48:47.800 --> 0:48:51.640
<v Speaker 1>But in the nineties, right, I was dating this girl

0:48:52.480 --> 0:48:58.320
<v Speaker 1>in l A and I you know, and so I

0:48:58.480 --> 0:48:59.920
<v Speaker 1>was like, you know, if she always come meet me.

0:49:00.080 --> 0:49:01.560
<v Speaker 3>So I was like, you know one time, like let

0:49:01.600 --> 0:49:02.880
<v Speaker 3>me go with your neighborhood.

0:49:03.120 --> 0:49:06.160
<v Speaker 1>She was like no, And I was like, what I

0:49:06.200 --> 0:49:08.520
<v Speaker 1>didn't understand the politic to me, Puerto.

0:49:08.280 --> 0:49:12.000
<v Speaker 4>Ricans Mexican is the same. And she she put her things.

0:49:12.800 --> 0:49:13.600
<v Speaker 3>No, no, she.

0:49:15.400 --> 0:49:17.439
<v Speaker 4>Showed like basically I belong to the hood.

0:49:17.520 --> 0:49:21.759
<v Speaker 1>I was like, oh my God like like forced me

0:49:21.840 --> 0:49:23.520
<v Speaker 1>to say no, no, no, no, you can't come to

0:49:23.680 --> 0:49:26.000
<v Speaker 1>my neighborhood. I was like, I want to come around.

0:49:26.080 --> 0:49:28.320
<v Speaker 1>And I remember that ship. That ship hit me and

0:49:28.400 --> 0:49:28.600
<v Speaker 1>I was.

0:49:28.560 --> 0:49:37.200
<v Speaker 4>Like, damn, I mean kissing this bitchy. Basically, I was.

0:49:37.239 --> 0:49:40.759
<v Speaker 1>Like, that's when I started started to know, you know,

0:49:40.800 --> 0:49:45.480
<v Speaker 1>because at first we're thinking everywhere it's just like because

0:49:46.120 --> 0:49:47.320
<v Speaker 1>the same people everywhere.

0:49:47.400 --> 0:49:50.759
<v Speaker 4>But you start to know that that that politics is real.

0:49:50.880 --> 0:49:53.480
<v Speaker 1>But like I got to admire you for that because

0:49:54.400 --> 0:49:57.239
<v Speaker 1>it's like so easy to go that route, like you

0:49:57.280 --> 0:49:59.279
<v Speaker 1>know what I'm saying, Like the fact that you stay

0:49:59.360 --> 0:50:00.840
<v Speaker 1>like because you you ain't never want to.

0:50:01.040 --> 0:50:04.000
<v Speaker 3>At one point, they say, man, I asked you ask

0:50:04.080 --> 0:50:07.960
<v Speaker 3>I asked battle Cat. It was it was like two

0:50:08.040 --> 0:50:11.560
<v Speaker 3>thousand sons. I was like, you signed the battle Cat right, No,

0:50:11.719 --> 0:50:14.400
<v Speaker 3>he discovered us. Okay, me and my home Way Bird,

0:50:14.960 --> 0:50:18.560
<v Speaker 3>but you know, the West was popping. I was like,

0:50:19.560 --> 0:50:21.479
<v Speaker 3>and my label was looking at me like what's wrong

0:50:21.520 --> 0:50:25.200
<v Speaker 3>with you? Like not nigga, I'm good at what I do.

0:50:25.360 --> 0:50:27.480
<v Speaker 3>But I remember I asked Cat. I was like, so

0:50:27.800 --> 0:50:32.000
<v Speaker 3>what would you do if I came back tomorrow? A

0:50:32.120 --> 0:50:37.239
<v Speaker 3>little khaki suit booke chucks get to cut with the

0:50:37.280 --> 0:50:41.920
<v Speaker 3>homies on down the street. He's like, so you practiced

0:50:41.960 --> 0:50:47.360
<v Speaker 3>that way. That's the prototype of like the West Coast,

0:50:48.000 --> 0:50:53.560
<v Speaker 3>me and the hummies all the time. Hummy, that's the stereotime.

0:50:54.000 --> 0:50:57.920
<v Speaker 3>But yeah, he was like, i'd be you know, He's like,

0:50:57.960 --> 0:51:00.160
<v Speaker 3>I would scratched my head because that's just not who

0:51:00.200 --> 0:51:02.200
<v Speaker 3>you being. And I'm a watch baby, you know what

0:51:02.200 --> 0:51:04.359
<v Speaker 3>I'm saying. I grew up in nine seventiest Coast watch

0:51:04.600 --> 0:51:06.680
<v Speaker 3>Bak Street, you know what I'm saying. Me and Spider,

0:51:06.760 --> 0:51:08.320
<v Speaker 3>the one that was signed a G unit. I'm his

0:51:08.520 --> 0:51:11.360
<v Speaker 3>older brother. Martelle, like I am who I am. I

0:51:11.520 --> 0:51:14.640
<v Speaker 3>just never wanted to be son. I wasn't so for me.

0:51:15.600 --> 0:51:19.319
<v Speaker 3>You know. Some people lead into that and lean lean

0:51:19.600 --> 0:51:22.240
<v Speaker 3>into it a little bit more than they really should.

0:51:22.680 --> 0:51:24.040
<v Speaker 3>And that's cool. It's got a lot of people a

0:51:24.080 --> 0:51:26.120
<v Speaker 3>lot of money. If I did it, I don't even

0:51:26.120 --> 0:51:28.000
<v Speaker 3>think I look right, would it? Like I did it

0:51:28.080 --> 0:51:30.239
<v Speaker 3>in the video, but the video didn't really come out.

0:51:30.520 --> 0:51:33.719
<v Speaker 3>I did a song with Big Rock, Uh called back

0:51:33.800 --> 0:51:35.680
<v Speaker 3>it Up, and I'm actually in a khaki suit, but

0:51:35.719 --> 0:51:37.600
<v Speaker 3>I reverse take all that bullshit.

0:51:37.200 --> 0:51:38.800
<v Speaker 4>Off and then I just wear myself.

0:51:38.840 --> 0:51:41.759
<v Speaker 1>But yeah, you know if you if you had, like

0:51:42.360 --> 0:51:44.600
<v Speaker 1>you said, you had a choice, but if you had

0:51:44.719 --> 0:51:46.640
<v Speaker 1>no choice, which game would you?

0:51:47.000 --> 0:51:48.480
<v Speaker 4>You're closer to what the bloods.

0:51:49.160 --> 0:51:51.880
<v Speaker 3>Kind of clezy? I would I grew up in the

0:51:51.920 --> 0:51:54.560
<v Speaker 3>crib neighborhood. Okay, sorry, I would. I would have stepped

0:51:54.600 --> 0:51:56.040
<v Speaker 3>in as a crib.

0:51:57.600 --> 0:52:02.600
<v Speaker 5>Okay, let let's get off the stereotystical side of the

0:52:02.680 --> 0:52:05.919
<v Speaker 5>West Coast. But the scene that kind of helped birth

0:52:06.040 --> 0:52:08.680
<v Speaker 5>you in the and that that really deep hip hop

0:52:08.760 --> 0:52:11.000
<v Speaker 5>scene in LA, like the scene that you come from

0:52:11.000 --> 0:52:13.319
<v Speaker 5>at least because I'm sure there's the scene even before

0:52:13.360 --> 0:52:15.360
<v Speaker 5>the iced t and all these guys were part of

0:52:15.719 --> 0:52:17.960
<v Speaker 5>the legendary What was that? Was that one club that

0:52:18.040 --> 0:52:19.200
<v Speaker 5>everybody was coming out.

0:52:19.120 --> 0:52:22.160
<v Speaker 3>Of that was like, oh was that a freestyle fellowship?

0:52:22.200 --> 0:52:23.120
<v Speaker 4>And all of them the good life?

0:52:23.200 --> 0:52:24.960
<v Speaker 3>Yeah? Talk about the good life? Was that it?

0:52:25.120 --> 0:52:25.319
<v Speaker 4>Yeah?

0:52:25.360 --> 0:52:26.880
<v Speaker 2>The good life or the one that even all the

0:52:27.160 --> 0:52:30.919
<v Speaker 2>Liquid crew and all these guys were Unity. That's the one.

0:52:31.000 --> 0:52:35.279
<v Speaker 3>So Unity was the club. You probably wouldn't know. I

0:52:35.320 --> 0:52:39.160
<v Speaker 3>don't remember you performed in LA back then. You performed

0:52:39.200 --> 0:52:42.160
<v Speaker 3>at Unity. So Unity was a club. Rest in peace.

0:52:42.200 --> 0:52:45.200
<v Speaker 3>Bigger Bee through and Bigger Be worked at loud. Okay,

0:52:45.400 --> 0:52:49.280
<v Speaker 3>so him and Orlando, I'd be remiss because Bigger B recipes.

0:52:49.360 --> 0:52:51.360
<v Speaker 3>Orlando is still alive. So they threw a club in

0:52:51.560 --> 0:52:56.440
<v Speaker 3>La called You Downtown. Yeah, but it moved a few times,

0:52:56.480 --> 0:52:59.839
<v Speaker 3>but it was always Unity. So Unity was first of all,

0:53:00.040 --> 0:53:02.640
<v Speaker 3>it wasn't wasn't nobody really getting no daytime radio, so

0:53:02.680 --> 0:53:04.719
<v Speaker 3>it was kind of like the wake Up Show was

0:53:04.880 --> 0:53:07.239
<v Speaker 3>your one shot. At this point, it was only the

0:53:07.280 --> 0:53:09.279
<v Speaker 3>wake Up Show. It was Swaying Tech. Before that it

0:53:09.360 --> 0:53:12.560
<v Speaker 3>was Mike nardone and King Jams and and then they

0:53:13.360 --> 0:53:18.560
<v Speaker 3>closed they show. I'm sorry, got to give problems. Yeah,

0:53:18.920 --> 0:53:22.759
<v Speaker 3>Juliog was setting it off. He's actually even before with

0:53:23.680 --> 0:53:26.960
<v Speaker 3>Mixed Masters Juliog. And then they kind of folded all

0:53:27.000 --> 0:53:29.359
<v Speaker 3>that stuff. And then the next the next I would say,

0:53:29.400 --> 0:53:35.520
<v Speaker 3>the next era of of Wrap radio became uh, thank

0:53:35.600 --> 0:53:39.200
<v Speaker 3>you for giving me that too, Juliog. But then it

0:53:39.239 --> 0:53:42.880
<v Speaker 3>became Unity. That was like the only outlet to perform.

0:53:43.480 --> 0:53:46.080
<v Speaker 3>So yeah, yeah, that's where everybody like, that's the first

0:53:46.080 --> 0:53:48.680
<v Speaker 3>time I ever got a show. I opened up, I

0:53:48.719 --> 0:53:51.480
<v Speaker 3>had a demo, I had a white label record called

0:53:51.719 --> 0:53:54.640
<v Speaker 3>Remaining Anonymous, Won't Catch Me Running. It got some support

0:53:54.680 --> 0:53:58.640
<v Speaker 3>on college radio. And all that, and then I got

0:53:58.680 --> 0:54:00.920
<v Speaker 3>booked and then me some money and I was like,

0:54:01.000 --> 0:54:05.759
<v Speaker 3>I'm all in because I was just fanning. I was

0:54:05.840 --> 0:54:09.279
<v Speaker 3>a fan and I didn't know people really did get

0:54:09.320 --> 0:54:10.799
<v Speaker 3>but I didn't think I was gonna get some money

0:54:10.840 --> 0:54:13.279
<v Speaker 3>for rapping. And I did the show. But yeah, that

0:54:13.440 --> 0:54:17.640
<v Speaker 3>was like the Biggie the first shows. Biggie did the

0:54:17.840 --> 0:54:19.880
<v Speaker 3>first shows like Wu Tang because he had loud so

0:54:20.000 --> 0:54:23.040
<v Speaker 3>my beat that everybody that was coming to if he wasn't,

0:54:23.080 --> 0:54:25.799
<v Speaker 3>if you wasn't like cool J, Salt and Pepper or something.

0:54:25.600 --> 0:54:27.560
<v Speaker 4>Like that, and you for new artists.

0:54:28.280 --> 0:54:29.439
<v Speaker 3>He was doing unity Wow.

0:54:29.880 --> 0:54:31.680
<v Speaker 5>Because I like to bring that up because we talk

0:54:31.760 --> 0:54:35.200
<v Speaker 5>about all the game banging side. But just like just

0:54:35.280 --> 0:54:37.440
<v Speaker 5>like I said about Miami, like we had a thriving

0:54:37.520 --> 0:54:39.400
<v Speaker 5>hip hop scene with B Boys, Big.

0:54:39.520 --> 0:54:41.279
<v Speaker 2>I made it turntable lists.

0:54:41.280 --> 0:54:43.480
<v Speaker 5>We got to talk about that too, but l as

0:54:43.840 --> 0:54:46.440
<v Speaker 5>the illis turntable list, the Ills, B Boys and be

0:54:46.560 --> 0:54:48.759
<v Speaker 5>with the graffiti scene is crazy. So they had all

0:54:48.840 --> 0:54:51.279
<v Speaker 5>those elements that that was a big part of the

0:54:51.440 --> 0:54:51.960
<v Speaker 5>LA scene.

0:54:52.239 --> 0:54:55.279
<v Speaker 3>Yeah, yeah, absolutely we did. We We definitely had a

0:54:55.440 --> 0:54:57.840
<v Speaker 3>great scene and a lot of the people still have

0:54:58.000 --> 0:55:04.000
<v Speaker 3>you know, yeah, we still do I wanted to also

0:55:04.120 --> 0:55:07.600
<v Speaker 3>add on to that is that hip hop for us,

0:55:07.800 --> 0:55:11.320
<v Speaker 3>we saw the beach streets and the crush grooves and

0:55:11.440 --> 0:55:14.279
<v Speaker 3>we started doing it. Literally, So a lot of my

0:55:14.440 --> 0:55:18.560
<v Speaker 3>friends and how I even met most of my friends

0:55:18.920 --> 0:55:23.800
<v Speaker 3>was because they had bopper clubs. So the teeny boppers,

0:55:24.040 --> 0:55:25.400
<v Speaker 3>like you know what I'm saying, Like you couldn't be

0:55:25.480 --> 0:55:28.279
<v Speaker 3>twenty one, you had to be twenty younger one, and

0:55:28.360 --> 0:55:31.879
<v Speaker 3>they had one in Long Beach whatever. So while while

0:55:32.000 --> 0:55:35.480
<v Speaker 3>we started you know, like break dancing like they called

0:55:35.520 --> 0:55:37.880
<v Speaker 3>it housing in LA. So we was dancing and breaking,

0:55:38.560 --> 0:55:41.840
<v Speaker 3>I was trying to wrap for like far Aside and

0:55:42.040 --> 0:55:44.040
<v Speaker 3>the Licks and all these people like that's where we

0:55:44.120 --> 0:55:46.560
<v Speaker 3>were beating at these bopper clubs, you know what I'm saying.

0:55:46.600 --> 0:55:49.560
<v Speaker 3>And that's how we met so and so from from

0:55:49.680 --> 0:55:52.920
<v Speaker 3>eighteenth Street and so and so from from East LA.

0:55:53.239 --> 0:55:54.759
<v Speaker 3>You know what I'm saying, Because he might tag and

0:55:54.840 --> 0:55:58.040
<v Speaker 3>he might also DJ, and that's how we was getting

0:55:58.160 --> 0:56:01.799
<v Speaker 3>each other's hood. So it wasn't for the culture, LA

0:56:01.880 --> 0:56:05.040
<v Speaker 3>would probably be the wild fucking West because that's how

0:56:05.080 --> 0:56:07.040
<v Speaker 3>we got to know each other. I mean, and honestly,

0:56:07.120 --> 0:56:08.680
<v Speaker 3>if you can tell the truth, if you go to

0:56:08.760 --> 0:56:12.759
<v Speaker 3>a lot of hip hop clubs. Fucking I'll tell the truth,

0:56:12.800 --> 0:56:15.120
<v Speaker 3>Shan the Devil. It be majority of the Mexican they

0:56:15.239 --> 0:56:17.120
<v Speaker 3>really support hip hop shit. You know what I'm saying.

0:56:17.200 --> 0:56:20.759
<v Speaker 3>Niggas be on some fucking forty five year old nigga

0:56:20.800 --> 0:56:24.800
<v Speaker 3>trying to you know, act like he blue face, like nigga,

0:56:24.840 --> 0:56:28.240
<v Speaker 3>grow the fuck up, you take them pants off, Nigga

0:56:28.239 --> 0:56:32.880
<v Speaker 3>and titas shirt. But now the culture is really like

0:56:33.760 --> 0:56:38.960
<v Speaker 3>it's being hip hop. Rap music was so influential in La.

0:56:39.160 --> 0:56:41.920
<v Speaker 3>It helped us get to know each other because we're

0:56:41.920 --> 0:56:45.759
<v Speaker 3>spread out, and it stopped people from shooting shit out

0:56:45.760 --> 0:56:48.279
<v Speaker 3>each other for a long time for real, like because

0:56:48.280 --> 0:56:50.839
<v Speaker 3>motherfucker's like, oh they'd be break dancing in New York.

0:56:51.760 --> 0:56:53.840
<v Speaker 3>Maybe we shouldn't, you know, shouldn't shoot for real. That

0:56:54.160 --> 0:56:56.759
<v Speaker 3>was That's how crazy. And then we influenced y'all in

0:56:56.800 --> 0:56:57.960
<v Speaker 3>the negative way and nigga.

0:56:57.680 --> 0:57:05.399
<v Speaker 4>Start getting niggering the world. Yeah, we get good weed.

0:57:05.719 --> 0:57:07.799
<v Speaker 4>Thank you for that great week. We got you all,

0:57:07.800 --> 0:57:12.120
<v Speaker 4>great week, great week. He's still on the albums, oh yeah.

0:57:13.280 --> 0:57:17.120
<v Speaker 4>And James j lyricists and Danger lyrics.

0:57:20.000 --> 0:57:24.160
<v Speaker 3>And Jajer lyrics was just more of a let's call

0:57:24.200 --> 0:57:28.280
<v Speaker 3>the projects. I was just making some ship, uh because

0:57:28.360 --> 0:57:30.400
<v Speaker 3>band camp you. I was just like kind of coming

0:57:30.520 --> 0:57:32.440
<v Speaker 3>up with something the uh it was like a series.

0:57:32.480 --> 0:57:34.400
<v Speaker 3>It would be like an original record and then kind

0:57:34.440 --> 0:57:37.320
<v Speaker 3>of me picking like mixtape ship because I think I

0:57:37.360 --> 0:57:40.120
<v Speaker 3>had a volume one, two, and three and I was

0:57:40.200 --> 0:57:42.480
<v Speaker 3>doing this campaign called save the raz Cast, and I

0:57:42.560 --> 0:57:43.320
<v Speaker 3>thought that was funny.

0:57:44.040 --> 0:57:45.760
<v Speaker 4>Do you think you get to respect and hip hop

0:57:45.960 --> 0:57:46.440
<v Speaker 4>you deserve?

0:57:47.800 --> 0:57:50.520
<v Speaker 3>I get I think I've been blessed. I'm super respected

0:57:51.480 --> 0:57:53.680
<v Speaker 3>by my peers. I want to be respected at the

0:57:53.800 --> 0:57:57.640
<v Speaker 3>fucking bank, all right, because yours definitely.

0:57:57.720 --> 0:57:59.520
<v Speaker 4>Yeah, Yeah, my peers respect me.

0:57:59.720 --> 0:58:03.080
<v Speaker 3>I don't don't think the I don't think the greater

0:58:03.240 --> 0:58:04.920
<v Speaker 3>the greater audience is just fans.

0:58:04.960 --> 0:58:06.840
<v Speaker 4>They only know what they hear.

0:58:06.800 --> 0:58:09.040
<v Speaker 3>A lot, and that's no disrespect to them, you know

0:58:09.040 --> 0:58:12.520
<v Speaker 3>what I'm saying. They're consumers. I'm a connoisseur, So consumers

0:58:12.640 --> 0:58:16.120
<v Speaker 3>just know like McDonald's and I always tell people like

0:58:16.200 --> 0:58:18.880
<v Speaker 3>McDonald's don't make the best burger, but that motherfucker's in

0:58:18.920 --> 0:58:21.880
<v Speaker 3>the mall, that motherfucker's at the airport down the street.

0:58:22.440 --> 0:58:23.400
<v Speaker 4>So I get it.

0:58:23.520 --> 0:58:26.560
<v Speaker 3>But I'm not the McDonald's a wrap, you know what

0:58:26.560 --> 0:58:30.480
<v Speaker 3>I'm saying, I'm that mom and Pops store. I mean,

0:58:30.560 --> 0:58:33.680
<v Speaker 3>I should fight, I should be charging if you know,

0:58:33.760 --> 0:58:36.360
<v Speaker 3>you know, but no, I want to McDonald's money. So

0:58:36.720 --> 0:58:38.880
<v Speaker 3>they got to figure out how them to fucking barry

0:58:38.920 --> 0:58:39.280
<v Speaker 3>each other.

0:58:39.440 --> 0:58:43.080
<v Speaker 4>But do you can you see itself a underground seat?

0:58:43.480 --> 0:58:45.720
<v Speaker 3>No, I think that's the term they put on people

0:58:45.760 --> 0:58:47.800
<v Speaker 3>that didn't sell records. The only difference between me and

0:58:47.920 --> 0:58:50.120
<v Speaker 3>jay Z is a million records. The only difference between

0:58:50.200 --> 0:58:51.680
<v Speaker 3>me and M and M is a million records.

0:58:52.160 --> 0:58:53.400
<v Speaker 4>That's it because.

0:58:55.040 --> 0:58:59.000
<v Speaker 3>No better or no worse, amazing talent market the war

0:58:59.040 --> 0:58:59.320
<v Speaker 3>as fuck.

0:58:59.400 --> 0:59:01.280
<v Speaker 4>They look at this the for young man, So.

0:59:03.680 --> 0:59:08.000
<v Speaker 3>You know what I'm saying. So, uh, No, underground is

0:59:08.080 --> 0:59:10.480
<v Speaker 3>just what they call niggas that ain't sold the records.

0:59:10.680 --> 0:59:13.000
<v Speaker 3>And the funnier part is, I wouldn't be underground if

0:59:13.040 --> 0:59:15.720
<v Speaker 3>I sold a million dollars. If I made a quote

0:59:15.920 --> 0:59:18.760
<v Speaker 3>quote unquote made a million dollars and got the quote

0:59:18.840 --> 0:59:24.120
<v Speaker 3>bag selling use condoms, my own used condoms.

0:59:24.880 --> 0:59:26.400
<v Speaker 4>Motherfuckers would buy my records.

0:59:26.720 --> 0:59:30.160
<v Speaker 3>She's like, oh my god, it's so hot. People are

0:59:30.280 --> 0:59:34.120
<v Speaker 3>fucking reactive in mommy. So all that underground ship is

0:59:34.240 --> 0:59:36.560
<v Speaker 3>just what niggas try to It's like this fucked up

0:59:36.720 --> 0:59:38.439
<v Speaker 3>jacket they try to put on niggas because they didn't

0:59:38.440 --> 0:59:41.400
<v Speaker 3>sell records. Meanwhile, them same niggas when they didn't sell

0:59:41.440 --> 0:59:45.240
<v Speaker 3>no records. You know what I mean? Right? They just

0:59:45.360 --> 0:59:47.720
<v Speaker 3>like when niggas get on and they be like, oh,

0:59:47.800 --> 0:59:49.280
<v Speaker 3>he's underground, I'm the guy.

0:59:49.480 --> 0:59:50.560
<v Speaker 4>Get the fuck out of here.

0:59:50.720 --> 0:59:52.480
<v Speaker 3>That's the same shit I hate with rap niggas that

0:59:52.920 --> 0:59:54.600
<v Speaker 3>as soon as they get on, they start trying to

0:59:54.600 --> 0:59:57.520
<v Speaker 3>compare theirselfs with with with whoever is popular.

0:59:58.080 --> 0:59:59.480
<v Speaker 4>They're like, well, you know what I'm saying, So who

0:59:59.520 --> 0:59:59.800
<v Speaker 4>the best?

1:00:00.680 --> 1:00:05.880
<v Speaker 3>You know me? You know me? You weird ass niggas

1:00:06.520 --> 1:00:09.720
<v Speaker 3>funk out of here. Nigga niggas always do that goofy

1:00:09.760 --> 1:00:14.800
<v Speaker 3>ship you mean cold? You know about that crazy niggas is.

1:00:14.840 --> 1:00:15.880
<v Speaker 4>Coring ball for that ship.

1:00:16.000 --> 1:00:20.240
<v Speaker 3>So you know, I'm just the only difference between me

1:00:20.920 --> 1:00:24.880
<v Speaker 3>is me and anybody is me is a million. So

1:00:25.760 --> 1:00:28.440
<v Speaker 3>because all eyes on me, then all eyes on me,

1:00:29.400 --> 1:00:31.640
<v Speaker 3>I can carry the same weight and I get the

1:00:31.680 --> 1:00:35.680
<v Speaker 3>same opportunities. My whole ship is say, fuck underground and

1:00:35.760 --> 1:00:38.600
<v Speaker 3>all that ship skill set. This ship ain't called what

1:00:38.760 --> 1:00:41.800
<v Speaker 3>bitch you dayton, sh ain't called what other businesses you've

1:00:41.840 --> 1:00:44.080
<v Speaker 3>got the ship called raps. Rap is the only thing

1:00:44.160 --> 1:00:47.520
<v Speaker 3>where niggas tell you you too good at it. I've

1:00:47.560 --> 1:00:51.360
<v Speaker 3>never heard a nigga say, Jordan, don't too much dunking

1:00:51.440 --> 1:00:54.400
<v Speaker 3>all the time. The fuck is wrong with these niggas.

1:00:54.440 --> 1:00:56.960
<v Speaker 3>So literally, he drove the car too fast in the

1:00:59.400 --> 1:01:02.800
<v Speaker 3>the fuck it's the corny as ship. Ever, like, niggas

1:01:02.840 --> 1:01:04.920
<v Speaker 3>need to stop. I'm talking to you. All your niggas are,

1:01:05.440 --> 1:01:10.200
<v Speaker 3>talk to them. Stop that ship corny bro, how you

1:01:10.400 --> 1:01:13.280
<v Speaker 3>over wrapped nigga? That just means I'm better than you.

1:01:13.680 --> 1:01:19.040
<v Speaker 1>I just want to say that, like you do you

1:01:19.200 --> 1:01:21.360
<v Speaker 1>think you're you're smarter.

1:01:21.160 --> 1:01:23.840
<v Speaker 4>Than the audience, because.

1:01:26.040 --> 1:01:26.800
<v Speaker 3>Already give that away.

1:01:27.120 --> 1:01:29.960
<v Speaker 5>Should the artists be better than the audiences listening to

1:01:30.400 --> 1:01:31.400
<v Speaker 5>They told me never.

1:01:31.360 --> 1:01:34.000
<v Speaker 3>To think, don't talk down to my audience, so you

1:01:34.000 --> 1:01:40.880
<v Speaker 3>don't ever have that assumption. Was that these people selling

1:01:40.960 --> 1:01:42.720
<v Speaker 3>you funk ship and I'm trying to sell you some

1:01:42.800 --> 1:01:45.800
<v Speaker 3>real ship. And I've always tried to tell my audience

1:01:45.880 --> 1:01:47.880
<v Speaker 3>that hey, I'm talking to you on some real ship.

1:01:48.160 --> 1:01:50.320
<v Speaker 3>And then my audience said, you know what, I like

1:01:50.440 --> 1:01:54.280
<v Speaker 3>this fun ship. That's that ain't my fault, but yeah,

1:01:54.360 --> 1:01:57.520
<v Speaker 3>of course that that that that can make you disillusion

1:01:57.680 --> 1:02:01.120
<v Speaker 3>with the with the the business. Again, these people are consumers.

1:02:01.160 --> 1:02:04.920
<v Speaker 3>They're not connoisseurs, you know what I'm saying. So they

1:02:05.120 --> 1:02:07.600
<v Speaker 3>know McDonald's. I can't get mad because the kid is

1:02:07.680 --> 1:02:09.080
<v Speaker 3>like I learned a happy meal.

1:02:09.720 --> 1:02:10.960
<v Speaker 4>They want what the fuck they want.

1:02:11.000 --> 1:02:11.960
<v Speaker 3>They've been trained that way.

1:02:12.160 --> 1:02:17.160
<v Speaker 5>Could you imagine people who like rock saying spring where

1:02:17.200 --> 1:02:20.480
<v Speaker 5>the where the drummer and the guitarist or all novel

1:02:20.560 --> 1:02:24.040
<v Speaker 5>is just like the audience the craziest music, bro it was.

1:02:24.280 --> 1:02:27.320
<v Speaker 3>The awful That's why we listen to awful rap. Come on, man,

1:02:27.720 --> 1:02:32.080
<v Speaker 3>A lot of these people sound like they went in

1:02:32.320 --> 1:02:35.000
<v Speaker 3>with no metronome and just said some ship and then

1:02:35.040 --> 1:02:37.280
<v Speaker 3>the nigga just played a beat at whatever. They just

1:02:37.360 --> 1:02:40.960
<v Speaker 3>like spent the wheel and picked the tempo. Yes, just trash,

1:02:41.320 --> 1:02:44.560
<v Speaker 3>and everybody's playing political fucking rang there games like it's

1:02:44.600 --> 1:02:47.520
<v Speaker 3>cool because somebody puts some money behind it. Dumb is

1:02:48.320 --> 1:02:50.520
<v Speaker 3>we are living and you remember that movie what's that fuck?

1:02:50.720 --> 1:02:51.600
<v Speaker 3>It's idiocracy?

1:02:52.320 --> 1:02:52.920
<v Speaker 4>Idiocracy.

1:02:52.960 --> 1:02:55.800
<v Speaker 3>It's got a lecture like that, you're idiocracy.

1:02:58.880 --> 1:03:01.760
<v Speaker 1>I can't believe you know about that. That's my favorite movie.

1:03:02.040 --> 1:03:04.320
<v Speaker 3>It's crazy. They didn't put it out because they thought

1:03:05.320 --> 1:03:08.120
<v Speaker 3>it was too dumb that people wouldn't get it, and

1:03:08.200 --> 1:03:12.440
<v Speaker 3>then they were right, but they keep that.

1:03:13.120 --> 1:03:15.600
<v Speaker 2>We need to do screenings of that movie today, right.

1:03:17.080 --> 1:03:21.000
<v Speaker 1>Like and think about your president and bro, your phone

1:03:21.080 --> 1:03:22.920
<v Speaker 1>is going to a smart phone, but your phone is

1:03:22.960 --> 1:03:26.240
<v Speaker 1>actually making you making you jump, like I remember, like

1:03:26.720 --> 1:03:29.680
<v Speaker 1>you know, like having to make a call. I just

1:03:29.800 --> 1:03:32.440
<v Speaker 1>have to remember the number one facts, like you know

1:03:32.480 --> 1:03:34.800
<v Speaker 1>what I mean, Like like right now, I don't know

1:03:34.880 --> 1:03:38.960
<v Speaker 1>nobody addresses that lad.

1:03:41.000 --> 1:03:45.040
<v Speaker 3>It made us, It made us less, use the ship less,

1:03:45.120 --> 1:03:47.520
<v Speaker 3>Like I don't even think I know my own number.

1:03:49.600 --> 1:03:51.640
<v Speaker 2>Talking about himself like you know, just google me.

1:03:53.200 --> 1:03:53.600
<v Speaker 3>Oh yeah.

1:03:53.720 --> 1:03:55.120
<v Speaker 4>Now it's even worse.

1:03:55.400 --> 1:03:57.080
<v Speaker 1>People are coming up to you going like this today

1:03:57.200 --> 1:03:59.560
<v Speaker 1>phones and they could just get your contact like yeah,

1:03:59.600 --> 1:04:01.440
<v Speaker 1>that ship crazy, but we had that was the time

1:04:01.480 --> 1:04:05.160
<v Speaker 1>for we had it went to way that this is

1:04:05.280 --> 1:04:06.280
<v Speaker 1>very this is very hot.

1:04:06.880 --> 1:04:07.120
<v Speaker 2>Crazy.

1:04:07.200 --> 1:04:11.360
<v Speaker 3>Bro, it's getting crazy. But we got to times just nosy,

1:04:11.840 --> 1:04:13.840
<v Speaker 3>who's crazy? You got a beer, sir? Yeah we had

1:04:13.880 --> 1:04:14.200
<v Speaker 3>a beer.

1:04:14.960 --> 1:04:19.360
<v Speaker 2>This this is a this beer soul just prop prophet

1:04:19.400 --> 1:04:24.000
<v Speaker 2>this point backco Lincoln. You did you did a show

1:04:24.040 --> 1:04:26.000
<v Speaker 2>up there one time. I think with with the vinchure

1:04:26.040 --> 1:04:28.400
<v Speaker 2>rest in peace, I want to talk about him at

1:04:28.400 --> 1:04:28.720
<v Speaker 2>some point.

1:04:28.840 --> 1:04:31.520
<v Speaker 1>Yeah, all right, you want to do a quick Thomas.

1:04:31.840 --> 1:04:33.880
<v Speaker 1>Yeah yeah, man, wait wait for the fo.

1:04:33.960 --> 1:04:37.480
<v Speaker 3>Yeah yeah, I want to get the face man and

1:04:37.560 --> 1:04:43.000
<v Speaker 3>my what you mean this game? Man? Man? This Snoos

1:04:43.000 --> 1:04:55.439
<v Speaker 3>said is long as long as ye yeah? Yeah, yeah,

1:04:56.640 --> 1:05:03.040
<v Speaker 3>that's crazy. Let's go. Yeah man, amazing. All right yeah

1:05:03.440 --> 1:05:05.320
<v Speaker 3>now now what I really want to do is get

1:05:06.480 --> 1:05:07.600
<v Speaker 3>ye self drunk.

1:05:07.640 --> 1:05:12.720
<v Speaker 4>He's okay, so you know, let's go.

1:05:14.720 --> 1:05:15.840
<v Speaker 2>They don't want to see me drunk?

1:05:15.920 --> 1:05:16.440
<v Speaker 4>Can we get up?

1:05:16.480 --> 1:05:16.760
<v Speaker 3>Slither?

1:05:17.080 --> 1:05:19.040
<v Speaker 4>Let's it go? He might start walking.

1:05:21.880 --> 1:05:21.920
<v Speaker 3>You.

1:05:22.240 --> 1:05:23.840
<v Speaker 2>This is our drinking game. You do you know the rules?

1:05:23.880 --> 1:05:24.000
<v Speaker 3>Or no?

1:05:24.320 --> 1:05:25.680
<v Speaker 2>Yeah, you kind of do.

1:05:25.960 --> 1:05:29.120
<v Speaker 3>Wait, don't if I want to ignore one, don't I

1:05:29.160 --> 1:05:30.320
<v Speaker 3>get a pass on one or something?

1:05:30.360 --> 1:05:33.120
<v Speaker 5>No, you don't get no passes. The passes yourself. If

1:05:33.280 --> 1:05:37.080
<v Speaker 5>we're gonna give you two choices, okay, one we do

1:05:37.320 --> 1:05:40.640
<v Speaker 5>not drink. But if you say both are neither, then

1:05:40.680 --> 1:05:43.640
<v Speaker 5>we drinking. Everybody drinks, so you're not just getting me drunk,

1:05:43.680 --> 1:05:44.520
<v Speaker 5>you get yourself drunk.

1:05:44.880 --> 1:05:47.960
<v Speaker 2>Okay, all right, and then we want stories out of this.

1:05:48.040 --> 1:05:53.520
<v Speaker 2>It's not really absolute tupac or easy rest in peace

1:05:53.560 --> 1:05:54.120
<v Speaker 2>of both.

1:05:56.640 --> 1:05:59.520
<v Speaker 3>Okay, well wait wait, wait, okay for this one Okay,

1:06:01.000 --> 1:06:04.840
<v Speaker 3>what what's the criteri criteria? What criteria? It could be anything.

1:06:05.000 --> 1:06:07.200
<v Speaker 3>It could be someone that was your neighbor. Okay, I'm

1:06:07.200 --> 1:06:07.800
<v Speaker 3>going with Tupac.

1:06:07.880 --> 1:06:10.720
<v Speaker 4>Then okay, and you met tak Yeah, get out of here.

1:06:10.760 --> 1:06:18.360
<v Speaker 3>You met easy once on the freeway, Okay. No, we

1:06:18.480 --> 1:06:20.840
<v Speaker 3>was young born. We was on the one ten going south.

1:06:22.000 --> 1:06:22.880
<v Speaker 2>This is the easy story.

1:06:23.000 --> 1:06:27.400
<v Speaker 3>This is the easy story. Obviously with fans. He was

1:06:27.480 --> 1:06:30.280
<v Speaker 3>in uh the ones that looked like the batmobile, the BMW,

1:06:30.840 --> 1:06:33.360
<v Speaker 3>and we was in some kind of bucket, these little niggas,

1:06:33.880 --> 1:06:38.200
<v Speaker 3>and we pulled up on him because he went past,

1:06:38.240 --> 1:06:41.320
<v Speaker 3>you know whatever. We sped up trying to get next

1:06:41.760 --> 1:06:44.080
<v Speaker 3>like next one, uh whatever. I probably was in the

1:06:44.120 --> 1:06:47.160
<v Speaker 3>back seat whatever was like. And then he hit us

1:06:47.240 --> 1:06:49.120
<v Speaker 3>up like also you know what I'm saying, like he

1:06:49.200 --> 1:06:52.480
<v Speaker 3>probably hit us up by some gang ship. She smiled.

1:06:55.120 --> 1:06:58.800
<v Speaker 3>And then Parker, I was acquainted because uh shout the

1:06:58.880 --> 1:06:59.840
<v Speaker 3>money b I saw.

1:06:59.840 --> 1:07:01.760
<v Speaker 4>I knew the whole digit on the ground.

1:07:02.240 --> 1:07:05.640
<v Speaker 3>So I was always I was acquainted with pop before

1:07:06.520 --> 1:07:10.040
<v Speaker 3>because of uh thug life, so rated on all of.

1:07:10.040 --> 1:07:10.840
<v Speaker 4>Them was the homies.

1:07:11.120 --> 1:07:14.640
<v Speaker 3>You said, not before dig Underground, not before but before

1:07:14.680 --> 1:07:18.560
<v Speaker 3>I met shot Doug Life so we was out here.

1:07:18.640 --> 1:07:21.880
<v Speaker 3>Don't you remember the time when I think, uh, when

1:07:24.280 --> 1:07:27.120
<v Speaker 3>things was that Atlanta? No, no, no, no, no, wait,

1:07:28.320 --> 1:07:31.440
<v Speaker 3>there was a time out here. I felt like it

1:07:31.520 --> 1:07:34.480
<v Speaker 3>was out here. Maybe maybe no, it was Atlanta, I think. Anyway,

1:07:36.000 --> 1:07:39.840
<v Speaker 3>he was with when he was in Thug Life. I

1:07:39.960 --> 1:07:42.960
<v Speaker 3>met Pak and then I would meet Pack again a

1:07:43.040 --> 1:07:46.640
<v Speaker 3>few other times periods, and uh, one time he was

1:07:46.680 --> 1:07:48.120
<v Speaker 3>in Carson. At this we had a one of little

1:07:48.160 --> 1:07:50.920
<v Speaker 3>city club and I pulled up. I was I was like,

1:07:50.960 --> 1:07:53.040
<v Speaker 3>brass cats already. I had like the record deal and

1:07:53.360 --> 1:07:55.400
<v Speaker 3>you know, a good car and ship and it was

1:07:55.440 --> 1:07:58.560
<v Speaker 3>a Bentley Parks and I was going into this little

1:07:58.560 --> 1:08:01.600
<v Speaker 3>club that was you know, by There ain't no clubs

1:08:01.640 --> 1:08:07.720
<v Speaker 3>in Carson. So I fucking like pull up and Sugar

1:08:07.760 --> 1:08:09.880
<v Speaker 3>and Pocket is getting in the Bentley and I'm like,

1:08:10.000 --> 1:08:12.320
<v Speaker 3>what are y'all? And then I remember, you know, and

1:08:12.400 --> 1:08:14.520
<v Speaker 3>I'm getting out and then Park was like what's her brass?

1:08:14.520 --> 1:08:15.560
<v Speaker 4>And Sugar was like what a brass?

1:08:15.600 --> 1:08:18.479
<v Speaker 3>And I was like, Hi, Park, what are you doing here?

1:08:18.760 --> 1:08:20.640
<v Speaker 3>You know what I'm saying, like, why are you in

1:08:20.840 --> 1:08:21.479
<v Speaker 3>by the city?

1:08:22.080 --> 1:08:24.479
<v Speaker 2>Like you didn't even know that he was with death already?

1:08:24.760 --> 1:08:25.519
<v Speaker 4>No, I just didn't know.

1:08:26.240 --> 1:08:29.439
<v Speaker 3>Carson ain't known for having fucking popping clubs. Bro, It's

1:08:29.479 --> 1:08:32.479
<v Speaker 3>not like Vegas. It's like it's nice, it's a middle

1:08:32.520 --> 1:08:34.880
<v Speaker 3>class or whatever. But we don't have no popping clubs.

1:08:34.960 --> 1:08:38.120
<v Speaker 3>We people go to Hollywood or downtown or something. So that. Yeah,

1:08:38.880 --> 1:08:43.400
<v Speaker 3>A couple of times, a couple of times I talked

1:08:43.439 --> 1:08:46.120
<v Speaker 3>to pak Uh. You know, by no means was he

1:08:46.280 --> 1:08:48.600
<v Speaker 3>like my bestie or nothing like that, But no, he

1:08:48.760 --> 1:08:50.320
<v Speaker 3>was always cool with me. He always showed me a

1:08:50.360 --> 1:08:52.320
<v Speaker 3>lot of up to shoot too, Always show me a.

1:08:52.320 --> 1:08:55.439
<v Speaker 4>Long okay, nas or l L.

1:08:57.280 --> 1:09:00.200
<v Speaker 3>What kind of questions these up over there? Look?

1:09:00.760 --> 1:09:01.639
<v Speaker 2>Does your boy has.

1:09:01.520 --> 1:09:08.200
<v Speaker 3>Your boy has he did this? I can't. I can't

1:09:08.240 --> 1:09:08.680
<v Speaker 3>answer that.

1:09:08.960 --> 1:09:14.360
<v Speaker 4>Okay, So drink your shot. You got a shout there, buddy, Yeah,

1:09:14.800 --> 1:09:15.439
<v Speaker 4>stick with the one.

1:09:17.360 --> 1:09:24.479
<v Speaker 2>I heard it, all right, Dre or battle Cat.

1:09:26.960 --> 1:09:28.559
<v Speaker 4>That's too. I think.

1:09:31.040 --> 1:09:33.160
<v Speaker 5>You're gonna I gotta.

1:09:33.000 --> 1:09:36.160
<v Speaker 3>Go with battle Cat because he discovered me and he

1:09:36.320 --> 1:09:39.560
<v Speaker 3>didn't have to listen to it our shitty cassette. So

1:09:39.880 --> 1:09:42.559
<v Speaker 3>that's the reason why we had a little demo tape

1:09:42.600 --> 1:09:44.160
<v Speaker 3>and he actually took the time to listen. So I'm

1:09:44.160 --> 1:09:49.519
<v Speaker 3>always gratefully changing the dejectory of my life. There was

1:09:49.560 --> 1:09:52.840
<v Speaker 3>another son I didn't answer though. Oh it was the

1:09:52.920 --> 1:09:54.560
<v Speaker 3>Easy in the Tub podcast. I did answer it.

1:09:55.000 --> 1:09:59.240
<v Speaker 2>Yeah, we find out you already drunk. No Wojie rapper

1:09:59.320 --> 1:09:59.800
<v Speaker 2>cares One.

1:10:00.000 --> 1:10:01.040
<v Speaker 4>I notice it's hard for you.

1:10:01.360 --> 1:10:05.200
<v Speaker 3>Come on, dude needs a shot. You can use this cup.

1:10:05.320 --> 1:10:07.600
<v Speaker 3>This one also to give him to kars One and

1:10:07.680 --> 1:10:13.160
<v Speaker 3>Coochie Wrap. Is that what you're asking? Yeah, I'm biased.

1:10:13.479 --> 1:10:17.479
<v Speaker 3>Kars One's my favorite rapper and I'm going on this tour.

1:10:17.560 --> 1:10:20.000
<v Speaker 3>He just told me. I'm going to euro tour. The

1:10:20.600 --> 1:10:23.519
<v Speaker 3>My Philosophy to European Tour start next month.

1:10:23.640 --> 1:10:31.040
<v Speaker 4>So the alcoholics or Cypreshill.

1:10:32.720 --> 1:10:39.160
<v Speaker 3>Why are you coming with this? They're like this part

1:10:39.200 --> 1:10:42.800
<v Speaker 3>of your finger or this part of your finger. I

1:10:42.880 --> 1:10:46.920
<v Speaker 3>don't know. I love I love them. For everybody you mentioned,

1:10:46.960 --> 1:10:56.920
<v Speaker 3>I love and respect Cypress Hill or the Licks. I'm

1:10:56.920 --> 1:10:59.400
<v Speaker 3>gonna give it to Cypress Hill. I'm gonna tell you

1:10:59.520 --> 1:11:06.639
<v Speaker 3>why b be Real and what they were going through.

1:11:08.200 --> 1:11:10.799
<v Speaker 3>Uh in that era.

1:11:13.520 --> 1:11:17.439
<v Speaker 2>For for being Latino, hell no, be real.

1:11:17.360 --> 1:11:18.400
<v Speaker 4>From a gang and it ain't.

1:11:22.800 --> 1:11:26.200
<v Speaker 3>You know. So, but I'm saying him having to even

1:11:26.280 --> 1:11:28.760
<v Speaker 3>find his voice, you know what I'm saying. So that

1:11:28.840 --> 1:11:31.600
<v Speaker 3>creative didn't let alone the Latino part of it. But

1:11:31.680 --> 1:11:33.240
<v Speaker 3>see what I have to explain, let me, let me

1:11:33.560 --> 1:11:38.040
<v Speaker 3>keep the keep your thoughts. Let's just stop and realize

1:11:38.080 --> 1:11:41.920
<v Speaker 3>that in l A there's a politics called black, white,

1:11:42.240 --> 1:11:46.479
<v Speaker 3>Mexican other. There's no Cuban, there's no Puerto Rican. You

1:11:46.560 --> 1:11:48.280
<v Speaker 3>are either Mexican or you are.

1:11:48.840 --> 1:11:50.040
<v Speaker 4>Right, so.

1:11:52.120 --> 1:11:54.720
<v Speaker 3>We we operate. You got like the rest of the

1:11:54.760 --> 1:11:57.280
<v Speaker 3>country operates on these other premises that don't exist in

1:11:57.479 --> 1:12:02.479
<v Speaker 3>l A. No matter what you are, because he either

1:12:03.920 --> 1:12:07.479
<v Speaker 3>or there is no option. So Puerto Rican, you're going

1:12:07.560 --> 1:12:10.400
<v Speaker 3>have to decide right along those lines. You're going to

1:12:10.439 --> 1:12:13.280
<v Speaker 3>be a Mexican or you're gonna be an other, which

1:12:13.439 --> 1:12:19.600
<v Speaker 3>means you with the niggas. So having people like be

1:12:19.800 --> 1:12:21.680
<v Speaker 3>and them having having a step up and try to

1:12:21.720 --> 1:12:24.479
<v Speaker 3>be honest with themselves, like, hey, I'm a Latino and

1:12:24.600 --> 1:12:26.280
<v Speaker 3>you know what I'm saying, and I speak Spanish or whatever.

1:12:26.400 --> 1:12:29.040
<v Speaker 3>That's dope in the in in how they were able

1:12:29.080 --> 1:12:31.360
<v Speaker 3>to survive it, and hopefully that gave some inspiration and

1:12:31.400 --> 1:12:33.920
<v Speaker 3>it brings all all of us together, you know what

1:12:33.960 --> 1:12:36.800
<v Speaker 3>I'm saying. But nobody ever wants to tell the truth.

1:12:36.920 --> 1:12:39.640
<v Speaker 3>And that's why there's so many misconceptions to go to

1:12:39.720 --> 1:12:41.760
<v Speaker 3>jail and you will find out. I've had to watch

1:12:42.640 --> 1:12:45.720
<v Speaker 3>well there's there's underneath that, there's bite side and all

1:12:45.760 --> 1:12:49.000
<v Speaker 3>this other stuff in prison. But yeah, those are the

1:12:49.080 --> 1:12:52.479
<v Speaker 3>general rules. Nobody cares if you're Filipino or whatever you are.

1:12:52.600 --> 1:12:56.000
<v Speaker 3>Other and you with them niggas, You with you, you

1:12:56.120 --> 1:12:59.680
<v Speaker 3>with them niggas. Now hopefully with what's horribly going to

1:13:00.200 --> 1:13:02.679
<v Speaker 3>what in our country that all even our man conn

1:13:02.680 --> 1:13:05.840
<v Speaker 3>of when they're staying like we all niggas, bro, they

1:13:05.920 --> 1:13:07.360
<v Speaker 3>don't like that, so I don't we get there?

1:13:08.479 --> 1:13:11.240
<v Speaker 1>And I just thought about it the other day. They

1:13:11.320 --> 1:13:12.599
<v Speaker 1>really had a hit record card.

1:13:13.040 --> 1:13:16.160
<v Speaker 9>I could just hear the man, you know, I was.

1:13:16.280 --> 1:13:23.320
<v Speaker 9>I was thinking about that away with that drink chan sports.

1:13:23.360 --> 1:13:25.080
<v Speaker 2>He put me onto it in in high school, and

1:13:25.120 --> 1:13:27.040
<v Speaker 2>I was like, no fucking way to have a record.

1:13:27.760 --> 1:13:31.360
<v Speaker 3>You didn't know that, no brand new fresh, you know,

1:13:31.439 --> 1:13:33.439
<v Speaker 3>I'm like, no way they called it that record. I

1:13:35.320 --> 1:13:38.400
<v Speaker 3>heard their demo because I was I had a deal

1:13:39.280 --> 1:13:42.920
<v Speaker 3>that I fucked off, uh or, I had a deal opportunity,

1:13:43.040 --> 1:13:46.799
<v Speaker 3>a couple of deal opportunities early on. And then I remember,

1:13:46.960 --> 1:13:48.400
<v Speaker 3>you know back then you get the tape. So I

1:13:48.479 --> 1:13:51.120
<v Speaker 3>got like grand Man's you know what I'm saying, album

1:13:51.240 --> 1:13:53.880
<v Speaker 3>like cassettes, like industry ship Niggas is already. You know,

1:13:53.880 --> 1:13:56.160
<v Speaker 3>they're working on albums, they're sending people ship out. I

1:13:56.280 --> 1:13:59.400
<v Speaker 3>remember I heard some of them records before be found

1:13:59.439 --> 1:13:59.920
<v Speaker 3>his voice.

1:14:00.120 --> 1:14:02.599
<v Speaker 2>Really yeah, man, like the devil wing of those records.

1:14:02.640 --> 1:14:06.320
<v Speaker 3>Well, they had to deal, but I guess apparently, and

1:14:06.439 --> 1:14:08.680
<v Speaker 3>I hope I'm not miss speaking on b but they

1:14:08.800 --> 1:14:11.120
<v Speaker 3>just was like his tone. So then he went Naso

1:14:11.320 --> 1:14:15.160
<v Speaker 3>and found his tone and it's so infectious that you

1:14:15.240 --> 1:14:17.479
<v Speaker 3>know what I'm saying. But that was part of the thing.

1:14:17.640 --> 1:14:20.519
<v Speaker 3>Was like the beats are crazy. His rhymes was crazy

1:14:20.600 --> 1:14:22.240
<v Speaker 3>but delivery.

1:14:21.840 --> 1:14:23.920
<v Speaker 2>And then he like and the contrast with said being

1:14:24.080 --> 1:14:27.080
<v Speaker 2>like that deep voices crazy.

1:14:27.160 --> 1:14:29.800
<v Speaker 3>Yeah, they killed it. Yeah, Shout out to Muggs with

1:14:29.840 --> 1:14:30.240
<v Speaker 3>the beats.

1:14:30.479 --> 1:14:35.040
<v Speaker 4>Like those beats cub I sent cub both Cuban, Cuban.

1:14:35.320 --> 1:14:37.840
<v Speaker 2>Cuban Mexican, and I believe Muggs is Italian.

1:14:37.880 --> 1:14:38.800
<v Speaker 3>I believe I believe.

1:14:38.840 --> 1:14:46.760
<v Speaker 2>So Yeah, shout out to Hyeah Exhibit or Cannabis.

1:14:48.160 --> 1:14:51.240
<v Speaker 3>Exhibit. You didn't that wasn't a comic game.

1:14:53.040 --> 1:15:02.840
<v Speaker 2>Quick or Alchemists, this guy, this.

1:15:03.080 --> 1:15:08.400
<v Speaker 3>Guy here, I'm gonna do the shot. They're both amazing. Man,

1:15:08.760 --> 1:15:13.639
<v Speaker 3>it's a little You're welcome to have some Mama want

1:15:13.680 --> 1:15:16.600
<v Speaker 3>if you want. This is not Jamison. This is like murderers,

1:15:17.320 --> 1:15:21.280
<v Speaker 3>Is it Jamison? She's giving you jamieson bro It tastes

1:15:21.320 --> 1:15:27.240
<v Speaker 3>like you can give him small shots. Thank you for

1:15:27.320 --> 1:15:27.920
<v Speaker 3>trying to kill me.

1:15:30.560 --> 1:15:33.040
<v Speaker 1>I don't think I've never seen nobody mixed whiskey with monster.

1:15:34.240 --> 1:15:43.240
<v Speaker 2>That makes you a monster and monster. Yeah, any any

1:15:43.320 --> 1:15:44.040
<v Speaker 2>stories were quick?

1:15:44.680 --> 1:15:46.880
<v Speaker 5>Yeah, let's see we know you're outims story which we

1:15:46.880 --> 1:15:47.840
<v Speaker 5>can maybe talk about later.

1:15:48.040 --> 1:15:51.720
<v Speaker 3>No, it's good, We're fine. All right, here's a good one.

1:15:52.280 --> 1:15:57.800
<v Speaker 3>So I don't have a record deal yet. Maybe I

1:15:57.800 --> 1:16:01.519
<v Speaker 3>got a record. I got a record deal. Maybe I

1:16:01.560 --> 1:16:03.920
<v Speaker 3>have a record deal. Maybe this is ninety five, but

1:16:04.160 --> 1:16:10.160
<v Speaker 3>I ain't got it, ain't out yet. But my homeboy, Flip,

1:16:10.560 --> 1:16:15.439
<v Speaker 3>his name is Michael Barber So Flip is from Inglewood.

1:16:15.800 --> 1:16:18.960
<v Speaker 3>He and producer. He ends up helping me salvage and

1:16:19.080 --> 1:16:22.000
<v Speaker 3>save sol on Nce. But one day we go to

1:16:22.040 --> 1:16:28.479
<v Speaker 3>the studio and well we go to quicks a quick

1:16:28.560 --> 1:16:33.439
<v Speaker 3>session again. Well it we call it out of bounds,

1:16:33.760 --> 1:16:35.040
<v Speaker 3>Like you don't want to be out of bounds. I

1:16:35.040 --> 1:16:38.240
<v Speaker 3>don't want to go to the South Sider party and

1:16:38.360 --> 1:16:40.800
<v Speaker 3>be the only blackie because they're going to kill me.

1:16:41.400 --> 1:16:43.000
<v Speaker 3>And you don't want to go to the blood party

1:16:43.080 --> 1:16:45.479
<v Speaker 3>and you the crypt. But even still, even if you not,

1:16:45.720 --> 1:16:49.240
<v Speaker 3>you just don't want to. Sometimes we like people have tails,

1:16:49.280 --> 1:16:51.960
<v Speaker 3>So you might say, look as opposed to like my relative.

1:16:52.439 --> 1:16:54.439
<v Speaker 3>You know what I'm saying, Because if you go up

1:16:54.439 --> 1:16:56.040
<v Speaker 3>in the Crip neighborhood, you probably say my cousin.

1:16:56.439 --> 1:16:57.000
<v Speaker 4>You know what I'm saying.

1:16:57.080 --> 1:16:58.639
<v Speaker 3>If you go up a blod neighborhood, you would say

1:16:58.640 --> 1:17:01.080
<v Speaker 3>my relative. And so we have tales to tell where

1:17:01.160 --> 1:17:03.400
<v Speaker 3>somebody from, and you don't want to stick out. So

1:17:04.200 --> 1:17:06.720
<v Speaker 3>I remember we go to the studio and it says

1:17:07.080 --> 1:17:11.639
<v Speaker 3>all Quick, I'm a fan. I'm tripping out, but I'm

1:17:11.680 --> 1:17:15.599
<v Speaker 3>like against the wall, young boy looking around. I'm watching

1:17:15.680 --> 1:17:21.160
<v Speaker 3>he's doing a vertical joy ride. Uh for what's his name?

1:17:21.400 --> 1:17:21.519
<v Speaker 2>Uh?

1:17:22.040 --> 1:17:23.840
<v Speaker 3>If? I watched him cook from the beginning? Did it?

1:17:24.000 --> 1:17:25.280
<v Speaker 4>Then he did a song for Boss?

1:17:26.160 --> 1:17:29.559
<v Speaker 3>Uh done? I'm watching him cook these true records. Ye,

1:17:30.640 --> 1:17:33.200
<v Speaker 3>So that same session I watched Quick do two records

1:17:35.439 --> 1:17:37.800
<v Speaker 3>and I just remember I basically shut the fuck up

1:17:37.840 --> 1:17:39.920
<v Speaker 3>because I didn't want to say anything that would alert

1:17:40.000 --> 1:17:42.240
<v Speaker 3>them that I grew up in the Kirk neighborhood, so

1:17:43.000 --> 1:17:45.960
<v Speaker 3>super quiet. I watched it, but I told him that before,

1:17:46.080 --> 1:17:48.640
<v Speaker 3>like you know, he's super lovely, like anytime, like if

1:17:48.720 --> 1:17:50.800
<v Speaker 3>I show up, he throws me MIC's like, ras he

1:17:50.880 --> 1:17:51.320
<v Speaker 3>get to it.

1:17:51.439 --> 1:17:54.919
<v Speaker 4>But yeah, man, like that Quick is amazing.

1:17:55.000 --> 1:17:55.120
<v Speaker 2>Man.

1:17:55.160 --> 1:17:58.680
<v Speaker 3>I watched him cook like I like, because he can

1:17:58.760 --> 1:18:01.559
<v Speaker 3>play everything. He's like one of the Quincy Jones dudes.

1:18:01.960 --> 1:18:06.280
<v Speaker 3>He got great vision. He uh, he's just he's ill.

1:18:06.400 --> 1:18:09.080
<v Speaker 3>He just he threw me a record recently. H and

1:18:09.200 --> 1:18:10.880
<v Speaker 3>so I want to finish that record. That's one of

1:18:10.960 --> 1:18:13.639
<v Speaker 3>my bucket list ships is a knockout of song with Quick.

1:18:14.640 --> 1:18:18.360
<v Speaker 1>He told us that Michael Michael Jackson was crip.

1:18:23.360 --> 1:18:24.320
<v Speaker 2>I don't know if he was serious.

1:18:24.640 --> 1:18:27.599
<v Speaker 1>Yeah, but he was like Michael Jackson was doing things

1:18:27.680 --> 1:18:28.879
<v Speaker 1>that it wasn't that wasn't.

1:18:29.400 --> 1:18:31.480
<v Speaker 2>Picture that yehs photoshot.

1:18:31.600 --> 1:18:34.720
<v Speaker 3>I mean, but Quick, look, stranger things have happened, man.

1:18:35.000 --> 1:18:36.920
<v Speaker 3>I'm just trying to tell you. You never know, man,

1:18:37.040 --> 1:18:39.960
<v Speaker 3>I'm I'm not telling I don't want to be telling

1:18:40.000 --> 1:18:42.320
<v Speaker 3>people's business. But there's some people that super r and

1:18:42.479 --> 1:18:48.439
<v Speaker 3>B that be Oh no, you got to remember it's

1:18:48.520 --> 1:18:51.760
<v Speaker 3>just like this culture is what fifty some years old,

1:18:51.840 --> 1:18:56.800
<v Speaker 3>fifty fifty one, it's game thing and is about might

1:18:56.880 --> 1:18:59.880
<v Speaker 3>be the same or older older, Right, it's older. It's

1:18:59.920 --> 1:19:04.360
<v Speaker 3>like mid sixties, nineteen sixties. So it's some people. It's

1:19:04.720 --> 1:19:08.600
<v Speaker 3>great grandma gang banger. Yep, yeah, it's crazy. Ready to

1:19:08.720 --> 1:19:12.479
<v Speaker 3>Die or Illmatic. I cannot disrespect neither one of them.

1:19:12.520 --> 1:19:15.880
<v Speaker 3>Two albums. I think they're just incredible me too. Take yourself, Lottle.

1:19:19.520 --> 1:19:24.040
<v Speaker 3>I meant complaint about Ready to Die. I had the

1:19:24.120 --> 1:19:30.080
<v Speaker 3>demo tape you said die, not the demo, but before

1:19:30.080 --> 1:19:32.880
<v Speaker 3>it came out, because right, telling industry people right when

1:19:32.920 --> 1:19:36.800
<v Speaker 3>they were the executive the execut Was it white label? Yeah?

1:19:36.800 --> 1:19:42.040
<v Speaker 3>White okay, okay, so yeah, the an last whatever. Yeah,

1:19:42.800 --> 1:19:45.320
<v Speaker 3>And I ended up buying it anyway, But when I

1:19:45.400 --> 1:19:48.639
<v Speaker 3>bought it, unbelievable. Wasn't on there? Tell me you still

1:19:48.680 --> 1:19:51.560
<v Speaker 3>got that demo? No, I lost all that shit. I

1:19:51.560 --> 1:19:54.360
<v Speaker 3>should have kept that ship. I mean, could life be life?

1:19:54.400 --> 1:19:57.200
<v Speaker 3>And bro? I lost so much ship that's invaluable. But yeah, no,

1:19:57.560 --> 1:20:00.280
<v Speaker 3>that was my only complaint Bond the album. I bought

1:20:00.280 --> 1:20:02.280
<v Speaker 3>the white label on one hundred twenty fifties.

1:20:03.000 --> 1:20:04.080
<v Speaker 4>I lost all that ship.

1:20:04.160 --> 1:20:07.080
<v Speaker 3>But yeah, that was I just thought that record was incredible.

1:20:07.600 --> 1:20:09.880
<v Speaker 3>The song hit list on this album is old like

1:20:10.439 --> 1:20:15.439
<v Speaker 3>honor Biggie. That's why I made that Liberty's face. It's

1:20:15.960 --> 1:20:18.439
<v Speaker 3>it's taking the R and B sample and creating an

1:20:18.479 --> 1:20:23.280
<v Speaker 3>ill record off of it. Yeah, New York or Miami,

1:20:24.920 --> 1:20:30.760
<v Speaker 3>We're not getting killed Miami next, Miami life. Yeah, gave

1:20:30.840 --> 1:20:33.760
<v Speaker 3>me love out here? No New York did too? Come

1:20:33.800 --> 1:20:39.400
<v Speaker 3>on that? Want to go back and say both.

1:20:42.640 --> 1:20:53.560
<v Speaker 8>Taking a fucket okay Outcast or U g K both legendary.

1:20:54.720 --> 1:21:00.440
<v Speaker 3>Uh and I'm such a big fan and have great expearances,

1:21:00.479 --> 1:21:07.120
<v Speaker 3>but indebibly kind of my peers. This Outcast rest in

1:21:07.160 --> 1:21:12.880
<v Speaker 3>Peerso Rico and I just really yeah, I'm i'm a

1:21:13.200 --> 1:21:16.680
<v Speaker 3>it's so hard lean towards outcasts.

1:21:17.040 --> 1:21:18.479
<v Speaker 2>Did you work with the Dungeon family.

1:21:19.840 --> 1:21:22.519
<v Speaker 3>I did. I did a record I did for the

1:21:22.560 --> 1:21:26.360
<v Speaker 3>fiftieth of Hip Hop. I rhymed over Outcast record and

1:21:26.520 --> 1:21:30.560
<v Speaker 3>talked to Rico and everybody, like like maybe two or

1:21:30.560 --> 1:21:33.360
<v Speaker 3>three months before he passed away, me and him, Curtis

1:21:33.439 --> 1:21:37.120
<v Speaker 3>from Patchworks and uh yeah, man, like I and I

1:21:37.200 --> 1:21:41.479
<v Speaker 3>was in the studio when it was working on a

1:21:41.760 --> 1:21:46.200
<v Speaker 3>Quinn at Aliens. I think I was. I was at

1:21:46.280 --> 1:21:50.439
<v Speaker 3>Dark that was Austin. Yeah yeah, yeah bro, we all

1:21:50.479 --> 1:21:52.200
<v Speaker 3>come across each other. So yeah, I was in the

1:21:52.200 --> 1:21:55.200
<v Speaker 3>studio shooting pool. I was supposed to They actually asked

1:21:55.240 --> 1:21:58.320
<v Speaker 3>me to be on that record. I wasn't in Atlanta

1:21:58.439 --> 1:22:01.800
<v Speaker 3>enough and uh, stupid me. I would have loved to

1:22:01.920 --> 1:22:05.439
<v Speaker 3>have been on that record. And I'm shured have happened

1:22:05.439 --> 1:22:07.200
<v Speaker 3>to you them times where you didn't take advantage of

1:22:07.240 --> 1:22:09.479
<v Speaker 3>the opportunity, you know what I'm saying, Somebody showing love

1:22:09.560 --> 1:22:11.840
<v Speaker 3>like Pun did that to me and would be like, yo,

1:22:12.120 --> 1:22:14.160
<v Speaker 3>come you know what I'm saying, like come to the studio.

1:22:15.240 --> 1:22:17.960
<v Speaker 4>Yeah yeah, bro, he didn't take advantage of it.

1:22:20.760 --> 1:22:23.720
<v Speaker 3>La. First of all, was LA don't know how to

1:22:23.760 --> 1:22:25.280
<v Speaker 3>say thank you, l A. Niggas still don't know how

1:22:25.280 --> 1:22:27.559
<v Speaker 3>to say LA. Niggas don't even know how to tell

1:22:27.560 --> 1:22:29.880
<v Speaker 3>you they like your music. Nigga be like not like

1:22:29.960 --> 1:22:31.479
<v Speaker 3>I'm on your dig or none. You know what I'm saying.

1:22:31.479 --> 1:22:34.840
<v Speaker 3>You know, like niggas preface everything fucked up, like because

1:22:34.920 --> 1:22:35.680
<v Speaker 3>we don't know how to.

1:22:38.240 --> 1:22:39.160
<v Speaker 4>Period alpha.

1:22:39.520 --> 1:22:41.519
<v Speaker 3>But I'm just saying like l A got it real,

1:22:42.200 --> 1:22:44.640
<v Speaker 3>like we don't know how So when Pun Pun did

1:22:44.680 --> 1:22:47.320
<v Speaker 3>it more than once, and I just remember, like.

1:22:49.400 --> 1:22:51.880
<v Speaker 4>I was just like, put your pun and I buy

1:22:51.920 --> 1:22:52.400
<v Speaker 4>your record.

1:22:52.520 --> 1:22:54.360
<v Speaker 3>So I don't understand why you're being nice to me

1:22:54.439 --> 1:22:56.519
<v Speaker 3>because I'm a fan, and I don't know how to

1:22:57.000 --> 1:22:59.639
<v Speaker 3>accept you being this cool. You know what I'm saying.

1:23:00.640 --> 1:23:04.080
<v Speaker 3>I remember, Norri, I remember what it was your party?

1:23:04.320 --> 1:23:06.320
<v Speaker 4>Okay, oh, at the fun when you.

1:23:06.360 --> 1:23:08.439
<v Speaker 3>Met, but no, no, I'm talking about the time that

1:23:08.520 --> 1:23:11.680
<v Speaker 3>you was like, okay, it was your party blocked off

1:23:11.720 --> 1:23:15.879
<v Speaker 3>in New York. You said some hilarious ship, the Mirage,

1:23:16.600 --> 1:23:20.400
<v Speaker 3>thege it was downtown or the woman. I think I

1:23:20.439 --> 1:23:23.280
<v Speaker 3>think it was downtown, But I just remember I was

1:23:23.360 --> 1:23:26.200
<v Speaker 3>outside and they had to you know how. They always

1:23:26.240 --> 1:23:28.080
<v Speaker 3>had the little like the police had the little blue

1:23:28.120 --> 1:23:30.840
<v Speaker 3>little blockers ships. Nobody else could get in. You know

1:23:30.840 --> 1:23:32.360
<v Speaker 3>what I'm saying. If you didn't already get in, you

1:23:32.400 --> 1:23:33.720
<v Speaker 3>know what I'm saying, get the fuck out of here.

1:23:34.000 --> 1:23:36.639
<v Speaker 3>And then Nooy he pulls up. You said something about

1:23:36.760 --> 1:23:39.800
<v Speaker 3>somebody else and he was like, rosconsin you coming. I

1:23:39.920 --> 1:23:40.040
<v Speaker 3>was like.

1:23:45.360 --> 1:23:48.599
<v Speaker 2>Friends one rock.

1:23:49.920 --> 1:23:55.439
<v Speaker 3>Rock, Like, you're coming in? This is like uh this

1:23:55.640 --> 1:23:57.400
<v Speaker 3>is what? What? What this is?

1:23:57.479 --> 1:24:00.879
<v Speaker 4>That ninety eighth Yeah that's ninety yeah, yeah, yeah.

1:24:00.720 --> 1:24:03.320
<v Speaker 3>Yeah, yea, yea yeah, and he got he got me

1:24:03.360 --> 1:24:06.160
<v Speaker 3>into his own party. I'm outside, nigga. It was like

1:24:06.200 --> 1:24:08.600
<v Speaker 3>a couple of rap niggas. I'm like, well stupid, I'm like,

1:24:08.680 --> 1:24:15.160
<v Speaker 3>I want to go in there. That he was dy

1:24:15.240 --> 1:24:16.160
<v Speaker 3>got me into this party?

1:24:16.200 --> 1:24:16.320
<v Speaker 1>Man?

1:24:16.360 --> 1:24:23.639
<v Speaker 3>And it was lit Boys in the Hood or menaces Acid? Yeah?

1:24:24.920 --> 1:24:29.360
<v Speaker 3>Who what? Man?

1:24:29.400 --> 1:24:34.160
<v Speaker 1>It's just because supart question why which one is closer.

1:24:33.880 --> 1:24:36.240
<v Speaker 3>To the l a world life? I just like minutes

1:24:36.240 --> 1:24:39.040
<v Speaker 3>because niggas was okay and shipped up like this is

1:24:40.120 --> 1:24:44.200
<v Speaker 3>the hood was was was was a more positive story

1:24:44.439 --> 1:24:45.799
<v Speaker 3>to me in the sense.

1:24:45.640 --> 1:24:50.719
<v Speaker 2>Of it wasn't realistic, more grounded.

1:24:50.760 --> 1:24:54.240
<v Speaker 3>At least they're both they both happened.

1:24:55.280 --> 1:24:58.880
<v Speaker 4>I just like, I like, real story. Are you saying

1:24:58.880 --> 1:24:59.719
<v Speaker 4>when it both happened?

1:24:59.880 --> 1:25:04.519
<v Speaker 3>They both do happen. Okay, those things happen. There's an

1:25:04.640 --> 1:25:08.879
<v Speaker 3>enemy and don't do there's an old dog, there's the smoker.

1:25:10.040 --> 1:25:13.160
<v Speaker 3>You know what I'm saying, the uh boys in the Hood.

1:25:13.640 --> 1:25:15.759
<v Speaker 3>I do like it because there's a strong father figure,

1:25:16.720 --> 1:25:19.160
<v Speaker 3>so it's not always somebody sucking up because they don't

1:25:19.160 --> 1:25:22.519
<v Speaker 3>have a dad. The same age as summer. It's okay,

1:25:28.160 --> 1:25:31.640
<v Speaker 3>you remember that you're doing don't be a minus. You

1:25:31.800 --> 1:25:34.320
<v Speaker 3>remember that. That's why they made that joke, you know,

1:25:36.479 --> 1:25:38.800
<v Speaker 3>off off subject, don't be a minace when they walked

1:25:38.800 --> 1:25:42.040
<v Speaker 3>in the liquor store with yeah, don't be a minute

1:25:42.040 --> 1:25:43.639
<v Speaker 3>when they walked in the liquor store and she said,

1:25:43.760 --> 1:25:45.640
<v Speaker 3>Big is the best part of.

1:25:47.320 --> 1:25:48.439
<v Speaker 4>The way, his brothers are the best.

1:25:48.479 --> 1:25:51.439
<v Speaker 3>Anyway, that's a whole different thing. So you picked menace,

1:25:51.720 --> 1:25:54.759
<v Speaker 3>I'm gonna pick minutes just because it was about sliding,

1:25:56.160 --> 1:26:00.400
<v Speaker 3>like and then Sofia was in it. True, he was

1:26:00.840 --> 1:26:05.680
<v Speaker 3>there and cousin cousin Harold. I didn't know him. Then

1:26:05.760 --> 1:26:10.560
<v Speaker 3>I remember, and I've got floud memories in Westwood, you know,

1:26:11.479 --> 1:26:14.880
<v Speaker 3>So I look at the night that movie came out.

1:26:15.040 --> 1:26:16.599
<v Speaker 4>It was a weekend, like a Friday.

1:26:16.760 --> 1:26:20.520
<v Speaker 3>Stupid kids ship. We went to the It's like thousands

1:26:20.560 --> 1:26:24.200
<v Speaker 3>of kids trying. They were sold out. The kids bum

1:26:24.320 --> 1:26:27.880
<v Speaker 3>rushed all the theaters and just started finances and we

1:26:28.200 --> 1:26:29.960
<v Speaker 3>forced Westwood to just play.

1:26:30.320 --> 1:26:33.600
<v Speaker 4>All the theaters was playing. Yes, we did that.

1:26:34.680 --> 1:26:38.800
<v Speaker 3>I can't get us all nigga about thousands of little black, brown, yellow, white,

1:26:38.840 --> 1:26:39.439
<v Speaker 3>green kids.

1:26:39.520 --> 1:26:39.920
<v Speaker 4>We did it.

1:26:40.160 --> 1:26:45.760
<v Speaker 3>And then I do remember, uh theeveriest part, And I

1:26:45.880 --> 1:26:49.400
<v Speaker 3>was like, that was gangsty between him and a Ryan

1:26:50.040 --> 1:26:54.479
<v Speaker 3>gangster ship that she was like even the twitch. I

1:26:54.560 --> 1:26:56.800
<v Speaker 3>remember the twitch. I was like, ah ship and then

1:26:56.840 --> 1:26:59.080
<v Speaker 3>I would go on to meet broing and being my brother.

1:26:59.200 --> 1:26:59.840
<v Speaker 2>That's why you didn't know.

1:27:00.600 --> 1:27:13.040
<v Speaker 1>That's crazy killer Priso corrupt. Mm hmmm, are were drinking?

1:27:13.360 --> 1:27:19.000
<v Speaker 3>Yeah, don't don't. Then other shenanigain me said Shenan again

1:27:19.040 --> 1:27:23.640
<v Speaker 3>and then again and again, be against the world. It

1:27:23.800 --> 1:27:31.519
<v Speaker 3>was dark and hell is hot. So Parker x I,

1:27:33.080 --> 1:27:38.639
<v Speaker 3>let's see mingus world? Can I google? Can I get

1:27:38.640 --> 1:27:49.280
<v Speaker 3>a lifelike? Sometimes exactly means the world's got a temptations? Right, yeah,

1:27:49.320 --> 1:27:51.240
<v Speaker 3>fun that it's gotta it's gotta be.

1:27:52.880 --> 1:27:53.200
<v Speaker 4>Listen.

1:27:56.479 --> 1:27:59.320
<v Speaker 3>But that record fucked me. Some records per album that

1:27:59.439 --> 1:28:03.000
<v Speaker 3>sucked me up. So me against the World had Hey,

1:28:03.880 --> 1:28:12.320
<v Speaker 3>yeah right, I just just from recently doing man, he's

1:28:12.560 --> 1:28:14.679
<v Speaker 3>I will well, I will call him.

1:28:14.560 --> 1:28:19.400
<v Speaker 4>And get that done immediately today. Yeah. Absolutely, havoc orris.

1:28:22.720 --> 1:28:27.040
<v Speaker 3>Hazardous. We don't have some, So you're setting me up

1:28:27.080 --> 1:28:33.160
<v Speaker 3>for failure here, Well, you're gonna look, he's got an excuse.

1:28:33.920 --> 1:28:34.479
<v Speaker 3>I'm drinking.

1:28:35.520 --> 1:28:36.599
<v Speaker 2>I'm taking baby shows.

1:28:36.640 --> 1:28:37.240
<v Speaker 3>I know this game.

1:28:39.000 --> 1:28:39.840
<v Speaker 2>I'm drinking a drink.

1:28:40.000 --> 1:28:41.600
<v Speaker 3>It is a game. Now you do a me.

1:28:41.960 --> 1:28:46.160
<v Speaker 4>Yes, it's a game. Okay, So.

1:28:47.760 --> 1:28:52.160
<v Speaker 3>I love you all right?

1:28:52.240 --> 1:28:57.080
<v Speaker 4>So I answered it by drinking.

1:28:57.400 --> 1:28:59.799
<v Speaker 2>Yeah, so you said both.

1:29:02.520 --> 1:29:06.599
<v Speaker 3>Come on mans and have bro uh sol on ice

1:29:07.240 --> 1:29:13.720
<v Speaker 3>or assassination. That's a tongue twister, bro assassination. No assassination,

1:29:13.920 --> 1:29:25.680
<v Speaker 3>but are so on ice? It's the be gets you

1:29:25.720 --> 1:29:28.120
<v Speaker 3>know what I'm saying. It's the beginning of and everything

1:29:28.160 --> 1:29:29.519
<v Speaker 3>else is just it's a classic. Man.

1:29:29.920 --> 1:29:30.960
<v Speaker 2>I consider that a classic.

1:29:31.160 --> 1:29:34.680
<v Speaker 3>Thank you, brother, I appreciate it. So you picked both? No?

1:29:34.880 --> 1:29:39.519
<v Speaker 4>No, I picked h sol on ice Okay, okay mm

1:29:39.560 --> 1:29:41.240
<v Speaker 4>hmm ice Cuban scarface.

1:29:42.400 --> 1:29:45.000
<v Speaker 3>That's a fund up thing now, somebody, Yeah.

1:29:45.520 --> 1:29:47.759
<v Speaker 4>Truly And I heard you switch.

1:29:49.280 --> 1:29:52.840
<v Speaker 1>I heard you say that before you pick it that

1:29:53.120 --> 1:29:56.280
<v Speaker 1>you think ice Cube was officially the first Liverpool absolute

1:29:56.439 --> 1:29:56.920
<v Speaker 1>West Coast.

1:29:58.120 --> 1:30:01.559
<v Speaker 3>No, he's the first lyricist, so the West America's most

1:30:04.200 --> 1:30:06.160
<v Speaker 3>I know you live in both worlds. Like I've been

1:30:06.200 --> 1:30:08.160
<v Speaker 3>to La New York. What would you put though?

1:30:09.000 --> 1:30:11.080
<v Speaker 2>Because I'm not even thinking about the timeline, So.

1:30:11.200 --> 1:30:12.280
<v Speaker 4>Think about America's most.

1:30:13.040 --> 1:30:15.560
<v Speaker 2>King T too, though I feel like King T was

1:30:16.680 --> 1:30:17.559
<v Speaker 2>Maybe I'm being unfair.

1:30:17.640 --> 1:30:19.519
<v Speaker 3>I never even thought about that. And King T is

1:30:19.600 --> 1:30:24.439
<v Speaker 3>legendary and one of my favorite rappers. I think I

1:30:25.600 --> 1:30:29.519
<v Speaker 3>think I used to. So there's there's different components to this.

1:30:31.160 --> 1:30:35.840
<v Speaker 3>Some people are dope rappers. I think Biz Markey was dope.

1:30:36.000 --> 1:30:38.680
<v Speaker 3>You know what I'm saying. I think, uh, you know,

1:30:40.280 --> 1:30:44.200
<v Speaker 3>I think some people are stylistic. I'm trying to think

1:30:44.200 --> 1:30:50.439
<v Speaker 3>of somebody that just had amazing and peccable styles. Yeah

1:30:50.600 --> 1:30:53.000
<v Speaker 3>that was easy, that was long hanging truth. But some

1:30:53.080 --> 1:30:55.800
<v Speaker 3>people are lyricists. Rock Cam to God is a lyricist.

1:30:57.040 --> 1:30:57.680
<v Speaker 2>Wordsmiths.

1:30:58.040 --> 1:30:59.920
<v Speaker 3>You know, you can type it out and read it.

1:31:00.320 --> 1:31:03.200
<v Speaker 3>It'll fuck your head up. And that's the difference. See

1:31:03.840 --> 1:31:06.439
<v Speaker 3>some of you know, most people are programmed because it's

1:31:06.560 --> 1:31:09.680
<v Speaker 3>music that you're going by what you hear, and then

1:31:09.800 --> 1:31:11.400
<v Speaker 3>now it's so fucked up you're going by what you

1:31:11.479 --> 1:31:14.200
<v Speaker 3>see as opposed to what you hear. It's music, not

1:31:14.360 --> 1:31:17.240
<v Speaker 3>my video, now, what I look like, not who I'm

1:31:17.320 --> 1:31:22.599
<v Speaker 3>down with. It's just music at its purest distilled form.

1:31:23.280 --> 1:31:26.240
<v Speaker 3>What is this motherfucker saying? I don't care who made

1:31:26.280 --> 1:31:29.479
<v Speaker 3>the beat. That's why now it's could wrap on fucking

1:31:29.640 --> 1:31:34.719
<v Speaker 3>dog farts. I know he gonna say some shit, you understand,

1:31:34.840 --> 1:31:35.200
<v Speaker 3>So for.

1:31:35.280 --> 1:31:37.160
<v Speaker 2>Me that I don't want him rapping on dog.

1:31:40.120 --> 1:31:46.400
<v Speaker 3>You know that people people would buy it if you

1:31:46.520 --> 1:31:49.840
<v Speaker 3>get popular, though, put the coolest guy and let it

1:31:49.880 --> 1:31:51.800
<v Speaker 3>be and they swear to god it was like and

1:31:51.880 --> 1:31:53.800
<v Speaker 3>then't say you know so and so produced it.

1:31:54.040 --> 1:31:55.479
<v Speaker 4>People are There's just.

1:31:56.240 --> 1:31:59.880
<v Speaker 3>They respond to the worst in human stimuli, which is

1:32:00.560 --> 1:32:05.960
<v Speaker 3>who did it isn't important. It's groupy mentality. I just

1:32:06.360 --> 1:32:09.920
<v Speaker 3>for me. My love of the craft is about the craft,

1:32:10.280 --> 1:32:12.920
<v Speaker 3>not who did it? Who he fucking? Where his bank

1:32:13.000 --> 1:32:16.479
<v Speaker 3>account is? Where's these bars at? It's the only pure

1:32:16.560 --> 1:32:21.479
<v Speaker 3>sport for me, Like I don't care, And the only

1:32:21.560 --> 1:32:25.120
<v Speaker 3>other sport like this is mm a boxer, one man

1:32:25.200 --> 1:32:30.120
<v Speaker 3>walk in, one man walk out, who spit period? Everything

1:32:30.200 --> 1:32:33.519
<v Speaker 3>else is always like who helped me? Like like niggas

1:32:33.560 --> 1:32:36.479
<v Speaker 3>be lying about the bar game. People lie about like

1:32:36.760 --> 1:32:39.040
<v Speaker 3>if you got to lie about not writing your wrap,

1:32:39.960 --> 1:32:42.760
<v Speaker 3>We're playing a different sport, which is kind of where

1:32:42.800 --> 1:32:44.800
<v Speaker 3>we're at with this. It became more of a show

1:32:44.880 --> 1:32:47.720
<v Speaker 3>about look at me, as opposed to like listen to

1:32:47.800 --> 1:32:50.160
<v Speaker 3>what I have to say. I want to hear about

1:32:51.120 --> 1:32:54.040
<v Speaker 3>nor when he's a nigga gonna run in component or

1:32:54.160 --> 1:32:57.840
<v Speaker 3>seeing in bar report, I want to hear what that

1:32:58.040 --> 1:33:00.360
<v Speaker 3>shit steal to me, and I think if we back

1:33:00.400 --> 1:33:02.160
<v Speaker 3>to the craft of it, we're gonna get in a

1:33:02.240 --> 1:33:02.960
<v Speaker 3>better space.

1:33:05.320 --> 1:33:07.080
<v Speaker 5>You're talking about Cub, but it made me think that

1:33:07.720 --> 1:33:09.920
<v Speaker 5>looking back at Cube when he left in w A,

1:33:10.960 --> 1:33:13.479
<v Speaker 5>it was pure genius to do jacking for beats because

1:33:13.520 --> 1:33:18.320
<v Speaker 5>it showcased his vocals, his lyricism on these tracks that were.

1:33:18.280 --> 1:33:19.760
<v Speaker 4>Out the East coast.

1:33:21.120 --> 1:33:23.560
<v Speaker 2>Yeah yeah, and it showcased him in a way that

1:33:23.600 --> 1:33:26.840
<v Speaker 2>you're like, yo, you couldn't deny him on any coast, right, well,

1:33:26.920 --> 1:33:29.960
<v Speaker 2>every so did you pick like I didn't?

1:33:30.000 --> 1:33:31.240
<v Speaker 3>Cube? I didn't.

1:33:31.720 --> 1:33:32.719
<v Speaker 4>I was that was different?

1:33:32.840 --> 1:33:33.960
<v Speaker 3>Yeah, you did it? I didn't.

1:33:34.040 --> 1:33:36.400
<v Speaker 2>And when I told you, you thought about it even more.

1:33:36.600 --> 1:33:39.560
<v Speaker 4>Right, No, you know what, I'm gonna go with c because.

1:33:39.320 --> 1:33:42.160
<v Speaker 3>I mean King T has but Tila you yeah, you do,

1:33:42.560 --> 1:33:45.320
<v Speaker 3>but Tila king Te King T.

1:33:47.200 --> 1:33:50.559
<v Speaker 2>Because King T is snecessor he's alcoholics that I feel

1:33:50.960 --> 1:33:53.880
<v Speaker 2>that leaders even goes to Kendrick. In my opinion, King

1:33:54.080 --> 1:33:55.200
<v Speaker 2>T is King.

1:33:55.200 --> 1:33:58.800
<v Speaker 3>T, so I can't take his stripes, but it's it's

1:33:59.200 --> 1:34:02.560
<v Speaker 3>King T didn't come out before c Yeah, yeah, absolutely,

1:34:02.920 --> 1:34:07.800
<v Speaker 3>acting fool all facts, Yeah yeah, facts and facts, but

1:34:08.320 --> 1:34:11.280
<v Speaker 3>took it to the world. I feel like King t Is.

1:34:12.880 --> 1:34:17.800
<v Speaker 3>First of all, that's big bro legendary. I think my

1:34:18.240 --> 1:34:21.479
<v Speaker 3>in my when I'm coming out in my era, my

1:34:21.640 --> 1:34:26.000
<v Speaker 3>first lyricists to me America A nigga you love to

1:34:26.040 --> 1:34:29.680
<v Speaker 3>hate ice Cube the n w A ship I was

1:34:29.760 --> 1:34:32.200
<v Speaker 3>hearing and think about it. Back then in w A

1:34:32.320 --> 1:34:34.519
<v Speaker 3>always had a posse song at the end with no hook,

1:34:35.000 --> 1:34:39.639
<v Speaker 3>which was a spinner record. It's all the records, y'all

1:34:39.640 --> 1:34:45.320
<v Speaker 3>would have you know what I'm saying. Like on proNT Like,

1:34:45.520 --> 1:34:48.000
<v Speaker 3>it was always a posse cup where you burned down. No, look,

1:34:48.120 --> 1:34:49.320
<v Speaker 3>niggas get it, get it off.

1:34:49.400 --> 1:34:52.360
<v Speaker 4>So I mean drink chans. Fans know that I'm a

1:34:52.479 --> 1:34:57.120
<v Speaker 4>cute fans. Yeah, so you picking though, No, I've been

1:34:57.160 --> 1:34:57.400
<v Speaker 4>trying to.

1:34:57.600 --> 1:34:57.800
<v Speaker 1>First.

1:34:57.800 --> 1:34:58.880
<v Speaker 4>I was trying to see how drunk you were.

1:34:59.600 --> 1:35:02.880
<v Speaker 2>So you I'm listening. Face. You can't take nothing away

1:35:02.880 --> 1:35:03.519
<v Speaker 2>from Scarfau.

1:35:03.600 --> 1:35:06.800
<v Speaker 3>That's one of the places to get He's the illness.

1:35:06.840 --> 1:35:08.320
<v Speaker 3>I've never seen the man cry till I've seen the

1:35:08.400 --> 1:35:13.519
<v Speaker 3>man die. I'm not taking the strikes. I'll do it. Yeah,

1:35:14.000 --> 1:35:14.360
<v Speaker 3>I'll do that.

1:35:14.720 --> 1:35:16.360
<v Speaker 2>So they would do it too. They would take a

1:35:16.400 --> 1:35:17.000
<v Speaker 2>shot for each other.

1:35:17.280 --> 1:35:19.920
<v Speaker 4>I'll give you a funny scarface story.

1:35:22.600 --> 1:35:26.599
<v Speaker 1>Like this is like my first solo, like like going

1:35:26.640 --> 1:35:30.960
<v Speaker 1>out as a solo and you know, uh I believe

1:35:31.200 --> 1:35:33.080
<v Speaker 1>uh dog just had hit number one.

1:35:33.160 --> 1:35:34.240
<v Speaker 4>So I was a little gassed.

1:35:35.600 --> 1:35:38.360
<v Speaker 1>I was a little gas, right, So the promoter was like, hey, man,

1:35:38.400 --> 1:35:40.600
<v Speaker 1>I want you to close. I knew I should have

1:35:40.680 --> 1:35:43.120
<v Speaker 1>said I knew I should have said no when I

1:35:43.240 --> 1:35:43.799
<v Speaker 1>was gassed.

1:35:43.880 --> 1:35:47.920
<v Speaker 4>So I went out. Boy, when I tell you, where

1:35:47.920 --> 1:35:49.320
<v Speaker 4>are you at this Vegas?

1:35:49.680 --> 1:35:55.920
<v Speaker 3>You can't. You could have wear no. It was not

1:35:56.080 --> 1:35:59.600
<v Speaker 3>a good look for me, man like, because to go on,

1:36:00.560 --> 1:36:05.160
<v Speaker 3>I never see the yo. I was like, yo, I

1:36:05.240 --> 1:36:08.760
<v Speaker 3>wanted to give the money back. I don't want to

1:36:08.800 --> 1:36:12.519
<v Speaker 3>go after this. I got a good story. This goes

1:36:12.600 --> 1:36:16.360
<v Speaker 3>back to Biggie. Okay, I only met Biggie once. Okay,

1:36:17.240 --> 1:36:18.640
<v Speaker 3>I forgot where we were at.

1:36:18.800 --> 1:36:19.640
<v Speaker 4>I feel like it was.

1:36:21.680 --> 1:36:23.160
<v Speaker 3>I think when you said Vegas, but I know it

1:36:23.200 --> 1:36:26.479
<v Speaker 3>wasn't Vegas. It might've been San Diego for some reason.

1:36:26.560 --> 1:36:33.840
<v Speaker 3>It was something big in Dango and at the time,

1:36:33.920 --> 1:36:34.880
<v Speaker 3>it's flavoring your ear.

1:36:35.800 --> 1:36:38.880
<v Speaker 4>Biggie just came out remix remix, remix.

1:36:39.920 --> 1:36:42.840
<v Speaker 3>But I think Biggie's album is out now. He's dropped

1:36:42.880 --> 1:36:47.360
<v Speaker 3>at least singles in came, I get booked, and uh

1:36:51.479 --> 1:37:00.439
<v Speaker 3>I am apparently possibly uh whatever, there's somebody some I'm

1:37:00.479 --> 1:37:05.880
<v Speaker 3>like one person, it's me, then somebody in Big. The

1:37:06.000 --> 1:37:10.000
<v Speaker 3>niggas just probably drop Juicy. I think it's like album

1:37:10.080 --> 1:37:12.200
<v Speaker 3>may not be out. It's just like Juicy dropped and

1:37:12.320 --> 1:37:13.000
<v Speaker 3>I gotta go on.

1:37:13.640 --> 1:37:16.120
<v Speaker 1>Then somebody and you know who Big is at the time,

1:37:16.439 --> 1:37:19.640
<v Speaker 1>absolutely okay, Yeah, he's all over the even on the

1:37:19.680 --> 1:37:21.400
<v Speaker 1>mixing before he dropped, it was right right right.

1:37:21.640 --> 1:37:24.479
<v Speaker 3>I'm like, but he already got to play yeah ship

1:37:24.520 --> 1:37:26.920
<v Speaker 3>the Juicy ship already popping in l A on.

1:37:26.920 --> 1:37:29.439
<v Speaker 4>The wesdayay to people.

1:37:29.479 --> 1:37:32.280
<v Speaker 3>Didn't hear unbelievable all year? No? Hell no, they didn't

1:37:32.280 --> 1:37:35.679
<v Speaker 3>play it in LA. Really, I brought it was huge.

1:37:36.720 --> 1:37:38.680
<v Speaker 3>That's why I was saying. I was upset because I

1:37:38.800 --> 1:37:43.000
<v Speaker 3>heard that on the mixtape, just like Raise Hell from

1:37:43.160 --> 1:37:45.200
<v Speaker 3>m O P. They never played that in l A.

1:37:45.400 --> 1:37:49.559
<v Speaker 3>I bought MP's album for Raised Hell. Remember them niggas

1:37:49.600 --> 1:37:54.400
<v Speaker 3>with the biggest but long show. Be sure I'm getting on.

1:37:54.479 --> 1:37:56.519
<v Speaker 3>I'm like a great you know what I'm saying, get

1:37:56.600 --> 1:37:59.400
<v Speaker 3>on my spot, give you a little money. I remember

1:37:59.600 --> 1:38:02.519
<v Speaker 3>the like he got double book, so Big, I'm gone

1:38:02.600 --> 1:38:05.240
<v Speaker 3>now I'm like, yeah, he should going after me though,

1:38:05.280 --> 1:38:07.080
<v Speaker 3>I mean, I mean like he should go after me

1:38:07.160 --> 1:38:11.360
<v Speaker 3>because I should go on before him. He gets to

1:38:11.439 --> 1:38:13.960
<v Speaker 3>call an audible. He got double book, which is always

1:38:14.000 --> 1:38:16.320
<v Speaker 3>a win when you in town and somebody throw you

1:38:16.400 --> 1:38:18.360
<v Speaker 3>another bag. He was like, yeah, I'm gonna go on,

1:38:19.000 --> 1:38:24.040
<v Speaker 3>and I remember this nigga just destroys it because I

1:38:24.080 --> 1:38:26.200
<v Speaker 3>mean he's got hits. He's already got you know what

1:38:26.240 --> 1:38:30.240
<v Speaker 3>I'm saying, He's already got previous hits, right, Uh, he

1:38:30.320 --> 1:38:34.600
<v Speaker 3>can do the flavor remix again. And then he crushed it.

1:38:34.680 --> 1:38:38.120
<v Speaker 3>And I remember I was walking out and they said,

1:38:38.439 --> 1:38:43.000
<v Speaker 3>have a good show. I'm like, bro, in my brain,

1:38:43.040 --> 1:38:45.800
<v Speaker 3>I'm like thanks. I was like, man, fuck you, bro,

1:38:46.200 --> 1:38:47.600
<v Speaker 3>I do not want to go on after this.

1:38:47.760 --> 1:38:50.439
<v Speaker 4>This is all, but you got to do it. I mean,

1:38:50.479 --> 1:38:51.320
<v Speaker 4>he come to the other end.

1:38:51.360 --> 1:38:54.120
<v Speaker 3>But I love that because part part of this ship

1:38:54.280 --> 1:38:56.840
<v Speaker 3>is it's not really a chilling circuit. It's just like

1:38:57.360 --> 1:39:02.799
<v Speaker 3>earning your stripes. And I never wanted to be the headliner.

1:39:02.920 --> 1:39:05.880
<v Speaker 3>The only thing I ever wanted, honestly, Nori, I wanted

1:39:05.920 --> 1:39:08.280
<v Speaker 3>to be the friend next to the most popular people

1:39:08.720 --> 1:39:12.519
<v Speaker 3>person you knew. I never wanted to be the dude

1:39:12.520 --> 1:39:15.479
<v Speaker 3>because the targets on you. I always wanted to be

1:39:15.560 --> 1:39:19.360
<v Speaker 3>the homie next to that way, I can't get mine

1:39:19.479 --> 1:39:23.479
<v Speaker 3>if the homie get eight hundred thousand and I can

1:39:23.560 --> 1:39:27.840
<v Speaker 3>get three hundred thousand, why am I complaining that's all

1:39:27.880 --> 1:39:29.920
<v Speaker 3>I want? If I ain't do that on a tour,

1:39:30.439 --> 1:39:34.920
<v Speaker 3>I'm good most niggas get, but my strategy was great.

1:39:35.800 --> 1:39:38.519
<v Speaker 4>I don't know what the execution part was not right.

1:39:39.240 --> 1:39:41.240
<v Speaker 3>I don't even want to be that nigga, even though

1:39:41.280 --> 1:39:43.560
<v Speaker 3>I feel like I borrowed most of these niggas. I

1:39:43.840 --> 1:39:46.920
<v Speaker 3>never wanted to be the most important because that's ego shit.

1:39:47.439 --> 1:39:48.840
<v Speaker 3>I know I'm great at what I do. I know

1:39:48.880 --> 1:39:50.479
<v Speaker 3>i'm a great part. I just want my bag, bro,

1:39:51.200 --> 1:39:54.160
<v Speaker 3>without the fuckery. And I know everybody be looking at

1:39:54.240 --> 1:39:57.840
<v Speaker 3>the main niggas. I never wanted to be the band guy. Good.

1:39:58.800 --> 1:40:01.719
<v Speaker 4>I'm still If you answered I did.

1:40:04.240 --> 1:40:06.840
<v Speaker 3>Few no no no, I said, oh yeah, no he

1:40:06.920 --> 1:40:10.400
<v Speaker 3>did it? I did? Did I threw you off? I

1:40:11.560 --> 1:40:17.519
<v Speaker 3>did the shot I did. Remember if I tricked him

1:40:18.000 --> 1:40:22.519
<v Speaker 3>w or n w A trying to trick this again? Buddy,

1:40:23.960 --> 1:40:25.960
<v Speaker 3>I told you, I told you I wanted all the

1:40:26.080 --> 1:40:29.639
<v Speaker 3>smoke with you. I was trying to break the system.

1:40:29.760 --> 1:40:32.160
<v Speaker 3>This is my this is my fun time. I'm missing too.

1:40:33.760 --> 1:40:39.280
<v Speaker 3>Let's see, that's unfair to me. So yeah, I'm not

1:40:39.400 --> 1:40:41.960
<v Speaker 3>gonna do it. Are you ready?

1:40:42.400 --> 1:40:43.800
<v Speaker 4>I think, don't sinan against me.

1:40:45.160 --> 1:40:49.760
<v Speaker 2>I'm drinking though I'm drinking. Gang Star Eric being rock Him,

1:40:51.800 --> 1:40:56.200
<v Speaker 2>I would say, rest the piece.

1:40:56.000 --> 1:40:56.639
<v Speaker 4>Of gurule Man.

1:40:58.280 --> 1:41:01.280
<v Speaker 3>Yeah, I'm I'm gonna go a gangs star with all

1:41:01.360 --> 1:41:01.920
<v Speaker 3>due respect?

1:41:02.920 --> 1:41:07.479
<v Speaker 5>Was that because you had more of a connection, Yeah,

1:41:07.640 --> 1:41:10.160
<v Speaker 5>because I see you more like Rock Him being more

1:41:10.200 --> 1:41:12.959
<v Speaker 5>of an influence than you know, because of course.

1:41:13.720 --> 1:41:14.760
<v Speaker 4>The god is the god.

1:41:16.240 --> 1:41:19.200
<v Speaker 3>But like I said, when I was a kid, like,

1:41:19.400 --> 1:41:24.280
<v Speaker 3>I lost a record deal, so I was gonna get signed.

1:41:25.200 --> 1:41:29.040
<v Speaker 3>I'll be Tommy Boy, all that tretching him. I knew

1:41:29.080 --> 1:41:31.000
<v Speaker 3>everybody a Tommy Boy because of Coolie on him. I

1:41:31.040 --> 1:41:34.600
<v Speaker 3>came out of Juvenile Hall. Wow, and I had a

1:41:34.720 --> 1:41:37.160
<v Speaker 3>demo before I went to Juvenile Hall. My record deal

1:41:37.240 --> 1:41:41.519
<v Speaker 3>went to far side. I've been really good at what

1:41:41.600 --> 1:41:44.840
<v Speaker 3>I do for a long time. I just was trying

1:41:44.880 --> 1:41:47.400
<v Speaker 3>to find myself. I said, your record went to the side.

1:41:47.280 --> 1:41:49.040
<v Speaker 4>My record deal went to the far side.

1:41:49.040 --> 1:41:50.080
<v Speaker 2>That would have been your record deal.

1:41:50.960 --> 1:41:57.000
<v Speaker 3>Yeah, oh wow. Paul Stewart now Rosenberg. Paul Stewart managed me.

1:41:58.080 --> 1:42:03.200
<v Speaker 3>I brought far Side to store. It's my I'm in

1:42:03.320 --> 1:42:06.720
<v Speaker 3>this situation so for me. But when you're young, you

1:42:06.760 --> 1:42:10.760
<v Speaker 3>feel like you'll get a million options and a million opportunities.

1:42:10.840 --> 1:42:16.120
<v Speaker 3>So I just, uh, I didn't realize how valuable time

1:42:16.280 --> 1:42:20.280
<v Speaker 3>is because you're young, Like, I don't care whatever. At

1:42:20.400 --> 1:42:23.120
<v Speaker 3>least I wasn't hateful or hurtful. I help my friends,

1:42:23.200 --> 1:42:25.200
<v Speaker 3>So I helped far Aside, and I help so and

1:42:25.320 --> 1:42:27.640
<v Speaker 3>so meanwhile I'm still trying to find myself. I go,

1:42:27.800 --> 1:42:30.559
<v Speaker 3>fuck off, I go, you know, put myself in juvenile

1:42:30.600 --> 1:42:34.120
<v Speaker 3>hall and all this other shit. So, uh, yeah, what

1:42:34.240 --> 1:42:35.960
<v Speaker 3>the fuck were you doing that? He was getting jew

1:42:36.200 --> 1:42:39.479
<v Speaker 3>and all this shit. You're stupid. I mean, well, I'm

1:42:39.760 --> 1:42:44.360
<v Speaker 3>not you when you're I'm in LA. My friends are

1:42:44.439 --> 1:42:47.120
<v Speaker 3>gang members. My friends do all kind of shit. If

1:42:47.160 --> 1:42:50.360
<v Speaker 3>they say slapping with the with the hammer, I'm slapping

1:42:50.400 --> 1:42:50.680
<v Speaker 3>them with that.

1:42:50.840 --> 1:42:52.599
<v Speaker 2>You were a gang banger without being a gang member.

1:42:52.680 --> 1:42:56.080
<v Speaker 3>What the fuck? Yeah? Sometimes, and then the other thing

1:42:56.200 --> 1:42:58.080
<v Speaker 3>is if you get caught, then you get caught, right.

1:42:58.200 --> 1:43:00.680
<v Speaker 3>And then the only person I would tell was my mother,

1:43:00.920 --> 1:43:03.320
<v Speaker 3>So I would tell her like, hey, this is what happened.

1:43:03.360 --> 1:43:05.679
<v Speaker 3>That's side from that. You take it to the box.

1:43:06.000 --> 1:43:06.800
<v Speaker 4>Yeah, thank you.

1:43:07.360 --> 1:43:10.320
<v Speaker 3>Yeah, you know so even to this day, that was

1:43:10.400 --> 1:43:12.280
<v Speaker 3>the rules, like if you do some function.

1:43:12.640 --> 1:43:16.920
<v Speaker 4>With your friends. I remember my mom said, your friends.

1:43:16.880 --> 1:43:19.880
<v Speaker 3>Always get you in trouble. I was like, Mom, get

1:43:19.920 --> 1:43:23.120
<v Speaker 3>it fucked up. It's my did sometimes like I'm not

1:43:23.200 --> 1:43:25.040
<v Speaker 3>gonna lie to you, like of course I'm gonna tell

1:43:25.200 --> 1:43:28.920
<v Speaker 3>the police that I'm innocent. And then they asked me

1:43:28.960 --> 1:43:31.320
<v Speaker 3>who it was and I'd be like, I don't know anybody,

1:43:31.840 --> 1:43:34.400
<v Speaker 3>so I'm always at fault. You got to take the

1:43:34.479 --> 1:43:36.639
<v Speaker 3>par for the course if you want to be out

1:43:36.720 --> 1:43:40.920
<v Speaker 3>here and try to figure out everything that we have

1:43:41.000 --> 1:43:43.720
<v Speaker 3>to learn. Sometimes we're harder headed. Friends try to tell

1:43:43.760 --> 1:43:46.559
<v Speaker 3>you things, parents try to tell you things. I've learned

1:43:46.600 --> 1:43:52.360
<v Speaker 3>more most things. I've realized that I have to learn

1:43:53.160 --> 1:43:55.640
<v Speaker 3>how to be me. Nobody else can teach me how

1:43:55.680 --> 1:43:56.840
<v Speaker 3>to be me. I have to go out here and

1:43:56.920 --> 1:43:59.240
<v Speaker 3>go experience it. At least now I can speak on

1:43:59.320 --> 1:44:03.080
<v Speaker 3>it and get that are at myself. Yeah, sorry about that.

1:44:03.640 --> 1:44:07.120
<v Speaker 3>Mature words mantle Yeah.

1:44:07.439 --> 1:44:08.880
<v Speaker 4>Mob deep or e pm D.

1:44:12.000 --> 1:44:14.519
<v Speaker 3>Well, that's not that hard. But toalude to e P

1:44:14.640 --> 1:44:18.840
<v Speaker 3>M D Mob deep fan. Come on, man, they was

1:44:18.920 --> 1:44:20.800
<v Speaker 3>drinking the Hennessy cups. I was a little nigga the

1:44:20.840 --> 1:44:24.519
<v Speaker 3>same age. I'm thinking a lot of ways. If it

1:44:24.600 --> 1:44:27.280
<v Speaker 3>wasn't the E P M D would be a mob D.

1:44:27.600 --> 1:44:30.960
<v Speaker 3>I totally respected Long Island, the Queens. I'm a big

1:44:31.080 --> 1:44:34.599
<v Speaker 3>I'm a big fan. But for me, that like I remember,

1:44:35.560 --> 1:44:37.759
<v Speaker 3>I remember you and ol hell I bought that album.

1:44:37.840 --> 1:44:41.519
<v Speaker 3>I was a kid. I bought that. Yeah, like that

1:44:41.640 --> 1:44:44.719
<v Speaker 3>was that was the homies bro like, which is crazy

1:44:44.800 --> 1:44:48.559
<v Speaker 3>as uh even you know me and p ended up.

1:44:51.439 --> 1:44:53.599
<v Speaker 3>We ended up blocking in a little bit more. Initially,

1:44:54.800 --> 1:44:57.040
<v Speaker 3>when Pete got out of prison, I got another good

1:44:57.080 --> 1:45:01.280
<v Speaker 3>story for you. Okay, he gets out of prison. He's

1:45:01.360 --> 1:45:05.560
<v Speaker 3>in Hollywood and he's like, yo, come here. I'm like

1:45:05.920 --> 1:45:12.479
<v Speaker 3>what yo, come here. I'm like, okay, next like big party,

1:45:12.520 --> 1:45:16.599
<v Speaker 3>it's your party. Like it gets far and goes back.

1:45:17.080 --> 1:45:19.960
<v Speaker 3>He pulls out when I'm about to pull out, but

1:45:20.200 --> 1:45:25.960
<v Speaker 3>he got tossed, okay. He like so when he went

1:45:26.000 --> 1:45:29.080
<v Speaker 3>to prison, he started smoking tops. That's tobacco, right, tobacco?

1:45:29.160 --> 1:45:31.120
<v Speaker 3>What is that organic? Yes?

1:45:31.680 --> 1:45:33.080
<v Speaker 4>Yeah, yeah it's British.

1:45:34.320 --> 1:45:41.720
<v Speaker 3>I'm britsh is whatshri y? Okay yeah, I want to

1:45:41.840 --> 1:45:46.680
<v Speaker 3>be a cowboy, could be a cowboy. But yeah, that

1:45:47.040 --> 1:45:49.840
<v Speaker 3>it was super funny. So I remember he was like, yo,

1:45:50.040 --> 1:45:52.479
<v Speaker 3>done when you was you know what I'm saying. Ever

1:45:52.680 --> 1:45:55.679
<v Speaker 3>since I met you, I always was trying to figure

1:45:55.680 --> 1:45:57.240
<v Speaker 3>out what the fuck is wrong with you? Because you

1:45:57.320 --> 1:46:01.200
<v Speaker 3>be browing these little packs. I was like ships fire.

1:46:01.320 --> 1:46:03.920
<v Speaker 3>So we actually ate the like at the end, like

1:46:04.120 --> 1:46:07.920
<v Speaker 3>the last like five years, like Pete was smoking smoking

1:46:08.000 --> 1:46:11.040
<v Speaker 3>tops because in New York, y'all smoked tops.

1:46:11.120 --> 1:46:14.000
<v Speaker 4>We smoked beautiful. Okay, yeah, so that was that. That

1:46:14.160 --> 1:46:16.599
<v Speaker 4>was is that supposed to be healthier.

1:46:18.360 --> 1:46:21.960
<v Speaker 3>It's all funked up, but okay, it's better than like

1:46:22.720 --> 1:46:27.080
<v Speaker 3>a bogie, like yeah, think about the piperglass in it.

1:46:27.479 --> 1:46:29.519
<v Speaker 4>Yes, the tobacco is healthier.

1:46:29.600 --> 1:46:32.400
<v Speaker 3>It's a better tobacco. They have different brands like but

1:46:32.520 --> 1:46:36.759
<v Speaker 3>when you go to you you tore the same difference

1:46:36.840 --> 1:46:38.680
<v Speaker 3>like that. But I don't like the filters on them

1:46:38.720 --> 1:46:41.560
<v Speaker 3>because it's fiberglass. So I'd rather just get tobacco. I

1:46:41.680 --> 1:46:52.600
<v Speaker 3>used to smoke beadies. Yes, amazing, it was, but you

1:46:52.680 --> 1:46:53.920
<v Speaker 3>got a head as soon as he said that.

1:46:55.560 --> 1:46:57.360
<v Speaker 10>You know.

1:46:59.560 --> 1:47:00.480
<v Speaker 3>That they.

1:47:02.600 --> 1:47:06.080
<v Speaker 2>Is healthy, right, Tobacco is healthy? Well, this is what

1:47:06.240 --> 1:47:09.080
<v Speaker 2>you know, the internet is crazy. Everything is backwards, forward

1:47:09.160 --> 1:47:11.680
<v Speaker 2>and top. But now they're saying, if you think about it,

1:47:11.720 --> 1:47:15.280
<v Speaker 2>and the Native Americans used to smoke tobacco, and and

1:47:15.400 --> 1:47:18.360
<v Speaker 2>now they're saying, the only reason tobacco got got dangerous

1:47:18.400 --> 1:47:20.920
<v Speaker 2>for our they put the filters with all the ship

1:47:21.040 --> 1:47:23.360
<v Speaker 2>in the nicotine and all the crap like that.

1:47:23.520 --> 1:47:26.400
<v Speaker 3>It's fact. So well it's not facts. I can't actually

1:47:26.439 --> 1:47:29.920
<v Speaker 3>do it, but think about it. Every time government wants

1:47:30.000 --> 1:47:33.760
<v Speaker 3>to regulate they add ship. Think about it. Coaina, No,

1:47:34.960 --> 1:47:35.800
<v Speaker 3>it's not a bad thing.

1:47:37.800 --> 1:47:43.000
<v Speaker 2>I mean, cocaine was originally was a medicine before it.

1:47:43.040 --> 1:47:48.640
<v Speaker 3>Was what what times I was being killing America synthetic

1:47:49.000 --> 1:47:52.400
<v Speaker 3>when they do it, when they do it, they make

1:47:52.520 --> 1:47:56.360
<v Speaker 3>the fuck the version. They outlawed the natural to create

1:47:56.400 --> 1:47:57.960
<v Speaker 3>an unnatural to tax.

1:47:57.800 --> 1:48:00.080
<v Speaker 2>Sho like like you know how we talk about they

1:48:00.120 --> 1:48:02.960
<v Speaker 2>are playing stage stuff and we're wondering if stage does

1:48:03.000 --> 1:48:05.760
<v Speaker 2>anything they said Supposedly scientists found out that sage that

1:48:05.920 --> 1:48:08.280
<v Speaker 2>smoke actually clears out certain bacteria.

1:48:08.680 --> 1:48:12.719
<v Speaker 3>People have been on this fucking why. I don't trust

1:48:12.760 --> 1:48:15.240
<v Speaker 3>the government. I trust people's cultures.

1:48:16.320 --> 1:48:20.200
<v Speaker 5>Old cultures way older and more ancient than our modern

1:48:20.280 --> 1:48:21.240
<v Speaker 5>day pharmaceuticals.

1:48:21.840 --> 1:48:24.679
<v Speaker 3>They were called from DA Drugs.

1:48:24.760 --> 1:48:28.400
<v Speaker 4>They're the drug dealer, all right.

1:48:28.760 --> 1:48:31.200
<v Speaker 2>But we didn't say it. Please relax, buddies.

1:48:33.400 --> 1:48:34.080
<v Speaker 3>So that's the last.

1:48:34.960 --> 1:48:41.360
<v Speaker 1>We go back to an interview. Absolutely, Uh, loyalty or respect.

1:48:44.120 --> 1:48:51.040
<v Speaker 3>Loving? Right, I'm unlathy. Tell me why respect has gotten

1:48:51.120 --> 1:48:54.639
<v Speaker 3>me where it's gotten me, but loalty would have gotten

1:48:54.680 --> 1:48:58.360
<v Speaker 3>me more. I think when people are loyal to a cause,

1:48:58.920 --> 1:49:03.640
<v Speaker 3>you can accomplish more. People respect because they have to.

1:49:04.560 --> 1:49:12.880
<v Speaker 3>Lowty is given good yea, And I'm gonna take a piss.

1:49:13.000 --> 1:49:18.479
<v Speaker 1>That's all right, So let's get into the new album. Yes, sir,

1:49:19.640 --> 1:49:20.800
<v Speaker 1>let's let's get into the track list.

1:49:21.040 --> 1:49:21.519
<v Speaker 3>What's the track?

1:49:21.600 --> 1:49:23.599
<v Speaker 4>Let's at you want to look at the track?

1:49:23.760 --> 1:49:28.719
<v Speaker 3>It's hard to read that ship. To read that ship,

1:49:30.200 --> 1:49:32.720
<v Speaker 3>it's not a vinyl. That's just funked up. Okay, who

1:49:32.800 --> 1:49:34.080
<v Speaker 3>asked me? Just ask me a question.

1:49:34.680 --> 1:49:36.479
<v Speaker 4>I'm saying, how did how did this come about?

1:49:36.960 --> 1:49:39.559
<v Speaker 3>You? You were not trying to get people to read this, bro?

1:49:39.840 --> 1:49:42.280
<v Speaker 3>Let me see let me see if it's not gonna

1:49:43.479 --> 1:49:49.479
<v Speaker 3>ask me about the back cover. Okay, this is this

1:49:49.600 --> 1:49:55.800
<v Speaker 3>is the No, that's the okay, asked me about the

1:49:55.840 --> 1:49:58.479
<v Speaker 3>back Oh my god, don't you know that picture.

1:49:59.200 --> 1:50:03.920
<v Speaker 4>No, you know that picture. Let me see letie you.

1:50:03.920 --> 1:50:08.200
<v Speaker 3>Know I just tried to do let me young people

1:50:08.680 --> 1:50:10.680
<v Speaker 3>will do a big cutout so you can see it.

1:50:11.240 --> 1:50:15.160
<v Speaker 3>You know this picture? You know this picture. It is

1:50:15.200 --> 1:50:18.439
<v Speaker 3>a fucking iconic picture. I just fucked it up on

1:50:18.560 --> 1:50:23.200
<v Speaker 3>some brazil this ship purposely for fun. Do I have

1:50:23.320 --> 1:50:24.280
<v Speaker 3>to tell you what the picture is?

1:50:24.400 --> 1:50:24.560
<v Speaker 2>You do?

1:50:24.760 --> 1:50:27.240
<v Speaker 3>You do? And Vibe magazine there was a very and

1:50:27.320 --> 1:50:29.799
<v Speaker 3>then it went viral. Back in the day when Kanye

1:50:30.040 --> 1:50:33.559
<v Speaker 3>was walking in Paris before the song Niggas in Paris

1:50:33.600 --> 1:50:39.479
<v Speaker 3>and he's walking with these people. Now what here's the

1:50:39.640 --> 1:50:45.639
<v Speaker 3>rub here is I knew the dude on the left.

1:50:45.680 --> 1:50:47.240
<v Speaker 3>We grew up together. So it's a whole bunch of

1:50:47.320 --> 1:50:49.320
<v Speaker 3>kids with the same kind of names. There was a tags,

1:50:49.400 --> 1:50:52.400
<v Speaker 3>there was a rash, there was a task. There was

1:50:52.439 --> 1:50:58.880
<v Speaker 3>a tash, but that's task Tisa, tas Arnold will signing

1:50:58.960 --> 1:51:01.280
<v Speaker 3>Kanye whatever. And then one of these people happens to

1:51:01.280 --> 1:51:04.360
<v Speaker 3>be and this picture. So it's very iconic picture. They

1:51:04.400 --> 1:51:06.840
<v Speaker 3>were in Paris with some real fancy schmancy and I

1:51:06.880 --> 1:51:08.720
<v Speaker 3>remember I was just coming out of jail and I

1:51:08.800 --> 1:51:12.720
<v Speaker 3>was like wow, And so I thought the picture was

1:51:12.760 --> 1:51:16.400
<v Speaker 3>super iconic. The bar is also if you pay attention,

1:51:17.120 --> 1:51:20.479
<v Speaker 3>they was on some super high fashion, high money ship

1:51:21.920 --> 1:51:24.280
<v Speaker 3>the brand. If you pay attention to the brand that

1:51:24.320 --> 1:51:29.000
<v Speaker 3>they're wearing. No, poor people could recognize the brand that

1:51:29.080 --> 1:51:31.479
<v Speaker 3>they were wearing. So I realized, niggas be ahead of

1:51:31.520 --> 1:51:35.800
<v Speaker 3>the curb. Sometimes you're behind the curve. So what I

1:51:35.920 --> 1:51:39.400
<v Speaker 3>did was because I knew the dude on the left

1:51:40.760 --> 1:51:44.080
<v Speaker 3>and he was my I grew up with this particular

1:51:44.120 --> 1:51:48.519
<v Speaker 3>person on the picture. No, I changed the face. I

1:51:48.600 --> 1:51:53.960
<v Speaker 3>put Jaguar right, which is it's hilarious. So it's hilarious

1:51:54.040 --> 1:51:58.679
<v Speaker 3>celebrities face. And I keep doing shit, i'd said, I griselded, Yes,

1:51:58.880 --> 1:52:00.640
<v Speaker 3>I am. I don't add for permission.

1:52:01.760 --> 1:52:03.400
<v Speaker 2>I asked forgive.

1:52:05.760 --> 1:52:11.120
<v Speaker 3>Taking taks Arnold's face and it's hilarious, so inside joke,

1:52:11.200 --> 1:52:14.639
<v Speaker 3>I'm gonna ask. It's so funny to me, so waiting

1:52:14.720 --> 1:52:16.720
<v Speaker 3>for tasks to get mad at me. I said I

1:52:16.720 --> 1:52:20.080
<v Speaker 3>would ask for permission. I know, I said, I asked

1:52:20.120 --> 1:52:24.400
<v Speaker 3>for forgiveness. I don't ask for permission. So I took

1:52:24.479 --> 1:52:27.680
<v Speaker 3>the iconic picture and I made it work for my

1:52:27.920 --> 1:52:33.560
<v Speaker 3>construct because he because task was wearing those pants and

1:52:33.840 --> 1:52:36.000
<v Speaker 3>what we grew up. So those pants, that's real in

1:52:36.040 --> 1:52:42.200
<v Speaker 3>the picture. That's his pants. Jesus Christmas, and no judgment here, sir.

1:52:43.040 --> 1:52:44.479
<v Speaker 3>People could be who they want to be and they

1:52:44.520 --> 1:52:48.240
<v Speaker 3>can express themselves. Anyway. I did that, and then I

1:52:48.439 --> 1:52:50.160
<v Speaker 3>just showed it to a few of our friends that

1:52:50.240 --> 1:52:52.240
<v Speaker 3>we have mutual friends. I was like, are you going

1:52:52.320 --> 1:52:53.840
<v Speaker 3>to show it to the task? I was like, never

1:52:53.920 --> 1:52:56.960
<v Speaker 3>in life, I'm going to do it because it was

1:52:57.000 --> 1:53:00.120
<v Speaker 3>already in every magazine. It's fucking to the world. I'm

1:53:00.320 --> 1:53:02.360
<v Speaker 3>just change his face and everybody else will just blur

1:53:02.439 --> 1:53:05.200
<v Speaker 3>out their fucking faces because it's Leberty's face. He had

1:53:05.240 --> 1:53:10.200
<v Speaker 3>the fucking leopard pants. Fucking run the play. So I

1:53:10.360 --> 1:53:14.600
<v Speaker 3>ran the play. So I think the back cover it's hilarious.

1:53:15.560 --> 1:53:19.400
<v Speaker 3>I think it's totally funny. That's my personality type. And yeah,

1:53:20.640 --> 1:53:23.360
<v Speaker 3>that's the shirt I'm wearing. So again, it looks better

1:53:23.439 --> 1:53:26.680
<v Speaker 3>on the shirt for some. I mean it's smaller, you

1:53:26.760 --> 1:53:28.080
<v Speaker 3>know what I mean, There's only so much you can

1:53:28.120 --> 1:53:31.800
<v Speaker 3>fit on a two inch. Yeah, and this is what

1:53:31.880 --> 1:53:33.759
<v Speaker 3>the vinyl looks like and all kind of cool ships.

1:53:34.040 --> 1:53:37.160
<v Speaker 3>But yeah, so yeah, Leberty's face. It was fun to

1:53:37.280 --> 1:53:40.840
<v Speaker 3>do it. Kanye, if I piss off Kanye, so be it.

1:53:41.000 --> 1:53:42.800
<v Speaker 3>I got the track list, by the way, Oh you

1:53:42.880 --> 1:53:43.160
<v Speaker 3>got it?

1:53:43.240 --> 1:53:43.479
<v Speaker 4>Thank you?

1:53:43.760 --> 1:53:46.080
<v Speaker 3>Yeah? So what what questions?

1:53:46.120 --> 1:53:50.000
<v Speaker 4>Okay I wanted that. Now there's a different question.

1:53:50.000 --> 1:53:52.719
<v Speaker 1>I'm gonna I'm gonna go on into the album every question.

1:53:54.640 --> 1:53:56.479
<v Speaker 3>If you do it? I heard I told you I'm here.

1:53:56.680 --> 1:53:58.560
<v Speaker 3>I'm just here to get him. Okay, let's do it.

1:53:58.680 --> 1:53:59.040
<v Speaker 3>Let's do it.

1:53:59.200 --> 1:54:02.080
<v Speaker 1>I heard you say so where that Steve Riffkin wanted

1:54:02.120 --> 1:54:05.439
<v Speaker 1>to sign you to loud Bar So I didn't know,

1:54:05.720 --> 1:54:09.920
<v Speaker 1>but my, uh what what life would have been like

1:54:10.080 --> 1:54:12.920
<v Speaker 1>if you was out man, I don't want.

1:54:12.800 --> 1:54:14.280
<v Speaker 4>To cook it shulda Would I be rich?

1:54:15.880 --> 1:54:16.360
<v Speaker 3>I would have been?

1:54:17.080 --> 1:54:19.160
<v Speaker 4>Well that was that was the label.

1:54:19.640 --> 1:54:20.479
<v Speaker 3>He only told me.

1:54:20.640 --> 1:54:24.639
<v Speaker 2>That was that when he was looking at exhibit after exhibit.

1:54:24.760 --> 1:54:26.519
<v Speaker 3>How was that? This is?

1:54:27.160 --> 1:54:29.439
<v Speaker 4>This is what he told me.

1:54:30.520 --> 1:54:35.200
<v Speaker 3>Uh we were this is I want to say, like

1:54:35.480 --> 1:54:38.200
<v Speaker 3>during the end of COVID and what was that ship

1:54:38.200 --> 1:54:43.120
<v Speaker 3>where everybody was talking on and just talking clubhouse clubhouse

1:54:43.680 --> 1:54:49.280
<v Speaker 3>which I lasted all of one day. We run a

1:54:49.320 --> 1:54:52.200
<v Speaker 3>clubhouse thing. And he said, you're the only person I

1:54:52.280 --> 1:54:55.200
<v Speaker 3>ever tried to sign that didn't sign me. And I said,

1:54:55.360 --> 1:54:58.440
<v Speaker 3>you never tried to sign me. And then he said

1:54:58.560 --> 1:55:01.520
<v Speaker 3>that's not true. I made you an offer. And then

1:55:01.600 --> 1:55:05.320
<v Speaker 3>I said when and I had I know who tried

1:55:05.360 --> 1:55:08.960
<v Speaker 3>to that. I knew try to sign the deal. Well,

1:55:09.040 --> 1:55:13.480
<v Speaker 3>I knew who tried to sign me. Chris Lightning brought

1:55:13.560 --> 1:55:17.480
<v Speaker 3>me to New York for Death Jam. I was able

1:55:17.520 --> 1:55:22.760
<v Speaker 3>to walk around. And you know any rappers dream in

1:55:23.000 --> 1:55:32.400
<v Speaker 3>nineteen ninety mid five Death Jam, I had, I had,

1:55:33.600 --> 1:55:36.480
<v Speaker 3>I think now was hotter than Death Jam in ninety five,

1:55:37.960 --> 1:55:41.640
<v Speaker 3>me saying, just hear me out, Okay, I didn't know

1:55:42.160 --> 1:55:45.160
<v Speaker 3>was it an come on to ninety seven. What what

1:55:45.280 --> 1:55:48.120
<v Speaker 3>I'm saying is it's not on the table for me.

1:55:48.280 --> 1:55:50.840
<v Speaker 3>I know who Priorty Records has given me an option.

1:55:51.480 --> 1:55:56.280
<v Speaker 3>Death Jam gives me an option death American, which is

1:55:56.440 --> 1:55:59.040
<v Speaker 3>Rick Rubin. Rick Rubin used to pick me up in

1:55:59.240 --> 1:56:04.600
<v Speaker 3>Carson Wow and a Rose Royce left jas. He created

1:56:04.640 --> 1:56:07.360
<v Speaker 3>the American, but it was death American. Then he became American.

1:56:08.000 --> 1:56:10.080
<v Speaker 4>He used to pick shoes. When he picked you up

1:56:10.360 --> 1:56:10.560
<v Speaker 4>in a.

1:56:10.600 --> 1:56:14.400
<v Speaker 3>Bentley, he looked like Santa Claus and he probably looked

1:56:14.560 --> 1:56:17.560
<v Speaker 3>it probably looked really crazy, this little black kid getting

1:56:17.720 --> 1:56:24.560
<v Speaker 3>in the tribut Christ. It probably look great, right, But

1:56:24.720 --> 1:56:27.800
<v Speaker 3>he would give me. He would he would pick me up.

1:56:28.320 --> 1:56:31.880
<v Speaker 3>I don't want to get off track, I'll land this plane.

1:56:32.400 --> 1:56:35.720
<v Speaker 3>But he would pick me, pick me up and give

1:56:35.800 --> 1:56:41.120
<v Speaker 3>me demos of unberleased Beastie Boys in ll cool J

1:56:41.320 --> 1:56:42.360
<v Speaker 3>record Wow Wow.

1:56:43.200 --> 1:56:44.680
<v Speaker 4>Invested in me, believed.

1:56:44.400 --> 1:56:45.840
<v Speaker 3>In me, which is why I did the song with

1:56:45.920 --> 1:56:50.920
<v Speaker 3>Chino Excel recipes because I didn't sign to him and

1:56:51.000 --> 1:56:53.280
<v Speaker 3>it was one other option. So I had four like

1:56:53.400 --> 1:56:55.440
<v Speaker 3>a bidding more. You know what that is. You know

1:56:55.520 --> 1:56:57.480
<v Speaker 3>what that is. So I had a bitting more. I

1:56:57.720 --> 1:57:00.200
<v Speaker 3>never heard loud because I would have just picked out.

1:57:00.800 --> 1:57:03.600
<v Speaker 3>So when Rifkins said that to me, I was like,

1:57:04.800 --> 1:57:06.560
<v Speaker 3>you know what I'm saying, Like whatever, it's only like

1:57:06.640 --> 1:57:08.760
<v Speaker 3>four or five years ago. It's like, you're the only

1:57:08.880 --> 1:57:12.000
<v Speaker 3>artist that never signed me that I made an offer for.

1:57:12.120 --> 1:57:15.480
<v Speaker 3>I said, well, lies you tell. I'm like, bro, you

1:57:15.560 --> 1:57:17.720
<v Speaker 3>ain't never gave me no offer. He's like, no, I

1:57:17.920 --> 1:57:20.480
<v Speaker 3>gave an offer and d D da da da. I

1:57:20.600 --> 1:57:21.960
<v Speaker 3>was like, bro, I never heard that. I would have

1:57:22.000 --> 1:57:24.320
<v Speaker 3>took less money and signed to you. You know what

1:57:24.360 --> 1:57:30.680
<v Speaker 3>I'm saying. And I know who didn't tell me because

1:57:30.680 --> 1:57:35.840
<v Speaker 3>they wanted the money. The production company, the production we're

1:57:35.840 --> 1:57:38.760
<v Speaker 3>going to get somewhere else. We got more money, but

1:57:38.920 --> 1:57:44.160
<v Speaker 3>the production company that didn't produce shit wanted money. They're

1:57:44.160 --> 1:57:47.640
<v Speaker 3>gonna hold you out. That's what the artist is. Ultimately,

1:57:48.360 --> 1:57:50.600
<v Speaker 3>you didn't produce nothing. You just wanted what you wanted

1:57:50.720 --> 1:57:53.320
<v Speaker 3>and fucked over mind. Yeah, if I would have had

1:57:53.360 --> 1:57:59.280
<v Speaker 3>that object, what could have been? To be honest, it

1:57:59.480 --> 1:58:03.440
<v Speaker 3>was before exhibit, that's what he told me for exhibit.

1:58:03.480 --> 1:58:05.720
<v Speaker 3>But after the lis Yeah, of course the licks were

1:58:05.760 --> 1:58:09.160
<v Speaker 3>the like through King t then the licks, and then

1:58:09.640 --> 1:58:12.920
<v Speaker 3>I was you know, I had had an opportunity. I

1:58:13.040 --> 1:58:16.360
<v Speaker 3>came back out that was doing well and then he

1:58:16.920 --> 1:58:21.480
<v Speaker 3>and obviously what could have been? But yeah, my mama

1:58:21.640 --> 1:58:22.200
<v Speaker 3>was my daddy.

1:58:22.640 --> 1:58:26.640
<v Speaker 5>I mean, because imagine the alcoholics, you and Exhibit all

1:58:26.760 --> 1:58:28.160
<v Speaker 5>together on loud on.

1:58:28.200 --> 1:58:31.040
<v Speaker 3>That well, just think about Rizza is the first person

1:58:31.120 --> 1:58:35.400
<v Speaker 3>that clears my first white label because we wanted to sell.

1:58:35.320 --> 1:58:40.960
<v Speaker 4>It, right, Uh, was your first white label?

1:58:41.320 --> 1:58:45.080
<v Speaker 3>My first white label ever put out. I sampled method man,

1:58:45.200 --> 1:58:47.640
<v Speaker 3>you don't know me, you don't know my style. It's

1:58:47.680 --> 1:58:51.760
<v Speaker 3>called remain Anonymous that I produced it, and then the

1:58:52.160 --> 1:58:54.280
<v Speaker 3>B side was a song called Won't Catch Me Running.

1:58:54.560 --> 1:58:56.760
<v Speaker 3>But then it was doing well and it was like

1:58:56.800 --> 1:58:58.720
<v Speaker 3>we should try to sell it, so we had to

1:58:58.760 --> 1:59:01.920
<v Speaker 3>clear the sample. Is a clear the sample. We're the

1:59:02.000 --> 1:59:07.160
<v Speaker 3>first people that ever sampled boutang that cleared it. Because

1:59:07.240 --> 1:59:11.080
<v Speaker 3>Rizza was like, I fucked with Rass and I credit

1:59:11.200 --> 1:59:14.040
<v Speaker 3>kill a priest, kill a priest. We're kind of in

1:59:14.200 --> 1:59:17.240
<v Speaker 3>that same bracket of you know, the year we come

1:59:17.320 --> 1:59:20.200
<v Speaker 3>out or we're starting to pop priests, put Rizza on

1:59:20.320 --> 1:59:24.520
<v Speaker 3>the RASS cast, and then Rizza always fucked with me

1:59:24.760 --> 1:59:26.440
<v Speaker 3>to this day, Like you know what I'm saying, Like,

1:59:27.040 --> 1:59:31.240
<v Speaker 3>I'm very blessed because I had people interceding and saying

1:59:31.280 --> 1:59:34.320
<v Speaker 3>like brow a good nigga or bros talented and he

1:59:34.400 --> 1:59:36.800
<v Speaker 3>ain't a fuck boy or whatever. So yeah, but if

1:59:36.840 --> 1:59:38.880
<v Speaker 3>I would have signed it loud, yeah what could have been?

1:59:39.520 --> 1:59:39.720
<v Speaker 4>Yeah?

1:59:40.680 --> 1:59:43.240
<v Speaker 3>Too late now unless you unless you know how to

1:59:43.320 --> 1:59:49.640
<v Speaker 3>do DC universe. Yeah, that guy has loud that guys

1:59:49.680 --> 1:59:59.840
<v Speaker 3>like fucking rich and awful person. Do you get mad him?

2:00:00.000 --> 2:00:00.600
<v Speaker 3>We're gonna make it.

2:00:01.840 --> 2:00:07.120
<v Speaker 4>That was a good question. No, No, here here's the truth.

2:00:07.840 --> 2:00:10.480
<v Speaker 3>And I'm gonna say this as politically correct as possible.

2:00:11.080 --> 2:00:16.440
<v Speaker 3>I've never had a problem with Jada. I'm a fan.

2:00:17.440 --> 2:00:21.120
<v Speaker 3>I saw Jada and them. I remember when the clips

2:00:21.240 --> 2:00:24.400
<v Speaker 3>was doing. This was in Puerto Rico. What happened to

2:00:24.480 --> 2:00:26.120
<v Speaker 3>that boy? That was the first time I had seen

2:00:26.200 --> 2:00:29.880
<v Speaker 3>Jada in like years, I remember, and I was like, nah,

2:00:29.920 --> 2:00:33.480
<v Speaker 3>I don't have an issue. And now, to make a

2:00:34.040 --> 2:00:38.920
<v Speaker 3>very convoluted story simple, me and Al we've had our

2:00:38.960 --> 2:00:43.240
<v Speaker 3>conversation and ship I have a party called five Mics

2:00:43.680 --> 2:00:48.840
<v Speaker 3>that for the culture, trying to do the unity thing

2:00:49.040 --> 2:00:53.600
<v Speaker 3>and bringing you know, LA hip hop culture back together, black, brown, yellow, white, green,

2:00:53.880 --> 2:00:58.560
<v Speaker 3>male female whatever. So now I saw him at I

2:00:58.640 --> 2:01:03.120
<v Speaker 3>saw him in nash It was the mob deeper part. Yeah,

2:01:03.640 --> 2:01:09.360
<v Speaker 3>in La and so Al came up and actually I

2:01:09.440 --> 2:01:12.640
<v Speaker 3>did the fun thing. He's like photographs because it wasn't

2:01:12.640 --> 2:01:14.720
<v Speaker 3>a lot of us upstairs. And then I was just like,

2:01:15.120 --> 2:01:15.800
<v Speaker 3>what up, nigga?

2:01:16.360 --> 2:01:18.000
<v Speaker 4>You know what I'm saying. I even call him the nigga.

2:01:18.360 --> 2:01:19.360
<v Speaker 4>I was like, what up niggas?

2:01:19.640 --> 2:01:21.040
<v Speaker 3>You know what I'm saying. He's like, man, I want

2:01:21.040 --> 2:01:22.480
<v Speaker 3>to do the find mics. I was like, yeah, let's

2:01:22.480 --> 2:01:24.760
<v Speaker 3>do it, and he's like, let's cook. I was like, yeah,

2:01:24.840 --> 2:01:29.200
<v Speaker 3>let's do it. So we let's talk it to a misunderstanding.

2:01:30.400 --> 2:01:33.120
<v Speaker 3>Al was super talented. I can't take from somebody but

2:01:33.280 --> 2:01:35.560
<v Speaker 3>God gave you know what I'm saying, or they're hard work,

2:01:35.800 --> 2:01:39.440
<v Speaker 3>same thing. I'm ready to move forward, and I think

2:01:39.480 --> 2:01:41.560
<v Speaker 3>the record, I'm not stand on this.

2:01:44.560 --> 2:01:45.560
<v Speaker 4>My record.

2:01:47.200 --> 2:01:53.080
<v Speaker 3>Is not a two track, it's the files. My verses

2:01:53.240 --> 2:01:56.760
<v Speaker 3>are dope, We're gonna make it. It's icond of it

2:01:57.040 --> 2:02:01.040
<v Speaker 3>was there already, No no, no no, because there's mine

2:02:01.160 --> 2:02:07.680
<v Speaker 3>is Home Sweet Home right Well, I did it with

2:02:07.840 --> 2:02:10.440
<v Speaker 3>Starringbuck Wilde and performed it. It's on Case Slave mixtape.

2:02:10.680 --> 2:02:13.240
<v Speaker 3>But I don't want to get into those weeds because

2:02:13.360 --> 2:02:17.640
<v Speaker 3>then it becomes defense mechanism. I think Alice dope, we

2:02:17.720 --> 2:02:20.600
<v Speaker 3>had a misunderstanding. We move on. I want to do

2:02:20.680 --> 2:02:22.600
<v Speaker 3>a song with me and him called Barry the Hatchet

2:02:23.120 --> 2:02:26.640
<v Speaker 3>and he was like, Yo, we should cook. I was like, yeah,

2:02:26.720 --> 2:02:29.320
<v Speaker 3>let's cook. Let's move forward. And on No Days Off

2:02:29.520 --> 2:02:31.920
<v Speaker 3>we had did a record on his album. We did

2:02:31.960 --> 2:02:36.120
<v Speaker 3>a song where we killed it. We had so much fun.

2:02:36.240 --> 2:02:38.360
<v Speaker 3>So I don't want to live in the past. I

2:02:38.440 --> 2:02:43.240
<v Speaker 3>think what Styles and Jada did is amazing and two

2:02:43.360 --> 2:02:46.640
<v Speaker 3>things can coexist at the same time. So great record.

2:02:47.080 --> 2:02:49.840
<v Speaker 3>My album didn't even come out. My album on the

2:02:50.000 --> 2:02:53.640
<v Speaker 3>label didn't come out. That would have been on Van

2:02:53.680 --> 2:02:56.240
<v Speaker 3>go it would have been on Mango. And so yeah,

2:02:56.520 --> 2:02:58.960
<v Speaker 3>my album because of my label ship. So at least

2:02:59.040 --> 2:03:02.280
<v Speaker 3>the wait that album came out, it never came out,

2:03:03.200 --> 2:03:06.000
<v Speaker 3>never came out. I put it out later. Thanks for

2:03:06.120 --> 2:03:14.440
<v Speaker 3>telling my inemigo. Yeah, we had, we had physical copies

2:03:14.480 --> 2:03:17.040
<v Speaker 3>of this, like with the artwork. But that's when Capital

2:03:17.160 --> 2:03:21.440
<v Speaker 3>was getting bought, was buying out the other half. All right, Well,

2:03:22.000 --> 2:03:26.880
<v Speaker 3>at the time Priorti was independent and then Brian Turner

2:03:27.040 --> 2:03:29.800
<v Speaker 3>owned fifty one percent. They bought him out and they

2:03:29.840 --> 2:03:33.320
<v Speaker 3>got the other two percent, so he became forty nine

2:03:33.400 --> 2:03:37.080
<v Speaker 3>and then they were making it Capital. They were like,

2:03:37.240 --> 2:03:40.040
<v Speaker 3>we're gonna close down Priority and just make it Capitol Records.

2:03:40.360 --> 2:03:42.960
<v Speaker 3>Only only a few people made that cut. It was

2:03:43.080 --> 2:03:47.760
<v Speaker 3>like Snoop Dogg Me we got slid in with like

2:03:49.360 --> 2:03:52.920
<v Speaker 3>Faith Evans whatever, so it was only like six artists.

2:03:52.960 --> 2:03:55.320
<v Speaker 3>But you know that that was the whole journey. So

2:03:55.480 --> 2:03:58.320
<v Speaker 3>my record didn't get promoted. And then we went in

2:03:58.560 --> 2:04:01.840
<v Speaker 3>from Van Gold we went into Golden Child, So I

2:04:01.920 --> 2:04:05.600
<v Speaker 3>took certain records off of here and then went into

2:04:05.640 --> 2:04:07.560
<v Speaker 3>the Golden Child with Premiere and all that stuff. So

2:04:07.720 --> 2:04:10.400
<v Speaker 3>it was just all this corporate ship and just trying

2:04:10.440 --> 2:04:12.840
<v Speaker 3>to make it be okay. But ultimately my point is

2:04:13.480 --> 2:04:16.480
<v Speaker 3>at least we're gonna make it exist and the ship fire?

2:04:16.520 --> 2:04:18.760
<v Speaker 3>Is that the only record you did with Alchemists? No,

2:04:18.920 --> 2:04:22.320
<v Speaker 3>I've done multiple records. Yeah, I'm known OWT for no

2:04:22.440 --> 2:04:26.120
<v Speaker 3>I know. I just you guys make great. I've done

2:04:26.200 --> 2:04:29.360
<v Speaker 3>songs with our since that. That's what I'm saying. So

2:04:29.480 --> 2:04:31.480
<v Speaker 3>he had an album called No Days Off when he's

2:04:31.600 --> 2:04:33.600
<v Speaker 3>like DJM for eminem.

2:04:33.320 --> 2:04:35.080
<v Speaker 4>So why does it feel like you guys just mended

2:04:35.200 --> 2:04:35.520
<v Speaker 4>the beef.

2:04:36.960 --> 2:04:40.120
<v Speaker 3>I'm not going to go into that again. We are

2:04:40.240 --> 2:04:44.920
<v Speaker 3>okay today. You guys are local man, well you know

2:04:45.360 --> 2:04:48.640
<v Speaker 3>la ship, but my brother is talented. I want to

2:04:49.120 --> 2:04:52.320
<v Speaker 3>I want to do a song called now you had.

2:04:52.200 --> 2:04:53.880
<v Speaker 2>A project together, a whole project.

2:04:53.920 --> 2:04:55.320
<v Speaker 3>Well put that in the universe.

2:04:55.360 --> 2:04:59.960
<v Speaker 4>I think, don't come outside, We'll come outside.

2:05:00.040 --> 2:05:01.760
<v Speaker 3>How come you know we never did one? Know?

2:05:01.840 --> 2:05:03.400
<v Speaker 4>I thought that about I thought about that today.

2:05:03.480 --> 2:05:06.520
<v Speaker 3>Yeah, sound great together as well? That would be crazy.

2:05:06.600 --> 2:05:08.840
<v Speaker 1>This is a part of the if we skipped on

2:05:09.480 --> 2:05:13.200
<v Speaker 1>quick Time with Slim. What do you prefer being on

2:05:13.280 --> 2:05:14.880
<v Speaker 1>a major or being independent?

2:05:15.800 --> 2:05:19.200
<v Speaker 3>I already know, good question. No, I'm gonna be honest

2:05:19.200 --> 2:05:23.200
<v Speaker 3>about it. I want both there there we got to

2:05:23.240 --> 2:05:25.120
<v Speaker 3>drink drink that.

2:05:27.200 --> 2:05:27.720
<v Speaker 2>I don't get it.

2:05:27.800 --> 2:05:28.879
<v Speaker 3>But we're gonna have to drink.

2:05:32.760 --> 2:05:40.280
<v Speaker 1>Our beyond a label like Penalty Records. Wheah, like it

2:05:40.480 --> 2:05:45.280
<v Speaker 1>had the minute of Tommy Boy. Right, Tommy Boy was

2:05:45.320 --> 2:05:46.080
<v Speaker 1>at the distribution.

2:05:46.360 --> 2:05:48.000
<v Speaker 3>They were a big Indie too. They were in India,

2:05:48.040 --> 2:05:51.000
<v Speaker 3>is right, they were indied, they were a major. You're

2:05:51.000 --> 2:05:53.400
<v Speaker 3>gonna manage it, well, you're gonna manage us getting some

2:05:53.520 --> 2:05:54.440
<v Speaker 3>new record, sir.

2:05:56.560 --> 2:06:02.240
<v Speaker 4>Oh, yes, yes, yeah, I got you.

2:06:03.080 --> 2:06:04.880
<v Speaker 3>You ain't even got to deal with any more. Just

2:06:04.960 --> 2:06:05.800
<v Speaker 3>go get us a bag.

2:06:07.240 --> 2:06:12.480
<v Speaker 4>Answer though you both said, okay, okay, I want people

2:06:12.880 --> 2:06:13.200
<v Speaker 4>don't want to.

2:06:13.960 --> 2:06:16.320
<v Speaker 3>I don't want the major with the Shenanigans, and you

2:06:16.520 --> 2:06:18.920
<v Speaker 3>think you're going to own the project. None of that,

2:06:19.080 --> 2:06:21.760
<v Speaker 3>none of that ship. And nowadays these kids is getting

2:06:21.760 --> 2:06:25.200
<v Speaker 3>these three sixty deals. They're totally replaceable. So no, like

2:06:25.360 --> 2:06:27.720
<v Speaker 3>I bring something to the table, we have value. And then,

2:06:27.800 --> 2:06:32.640
<v Speaker 3>especially as businessman like you start, you know, we start

2:06:32.720 --> 2:06:37.280
<v Speaker 3>with a dream. They financed that. I respect that. I definitely, yeah,

2:06:37.320 --> 2:06:41.240
<v Speaker 3>of course you want. I like getting per diems if

2:06:41.280 --> 2:06:41.840
<v Speaker 3>you know, you know.

2:06:42.280 --> 2:06:43.960
<v Speaker 2>I don't think that exists anymore. Man.

2:06:44.240 --> 2:06:46.000
<v Speaker 3>I'm telling you some people stilly in per deems.

2:06:46.240 --> 2:06:48.320
<v Speaker 2>I'm sure it does exist on the top top tier.

2:06:48.360 --> 2:06:50.680
<v Speaker 3>You know, these young some of these people getting deals,

2:06:50.680 --> 2:06:54.320
<v Speaker 3>but they just so the young kids only is uh

2:06:54.960 --> 2:07:00.680
<v Speaker 3>he does tour manager man for major people, Chris Brown whatever, whatever,

2:07:02.000 --> 2:07:04.440
<v Speaker 3>he's like the young the young ones, they just want

2:07:04.520 --> 2:07:08.480
<v Speaker 3>to be on privates. They want a hotel in the private,

2:07:09.560 --> 2:07:11.680
<v Speaker 3>right because they can say they was on a private right,

2:07:11.760 --> 2:07:13.720
<v Speaker 3>private plane for people who do understand that they.

2:07:13.680 --> 2:07:16.800
<v Speaker 1>Could be content by doing that though, right, Yeah, but

2:07:16.960 --> 2:07:19.360
<v Speaker 1>it's like no one gets on the private without.

2:07:19.160 --> 2:07:22.040
<v Speaker 4>Filming it, right, all of them, all of them. It's

2:07:22.080 --> 2:07:22.720
<v Speaker 4>for that stunt.

2:07:22.840 --> 2:07:28.720
<v Speaker 3>It's funny. They're stunning there, but they're not like they're public.

2:07:28.800 --> 2:07:31.720
<v Speaker 3>They don't care. They've kind of thrown away like their future.

2:07:31.760 --> 2:07:34.360
<v Speaker 3>They're like, I want it now, like you're saying that commercial,

2:07:34.440 --> 2:07:37.360
<v Speaker 3>it's my money and I want it now. It's not

2:07:37.520 --> 2:07:42.280
<v Speaker 3>my money and I want it now, right, because how

2:07:42.360 --> 2:07:44.560
<v Speaker 3>many people we've seen, you know, get a lot of

2:07:44.600 --> 2:07:47.560
<v Speaker 3>money in where are they now? The motherfucker just right

2:07:48.000 --> 2:07:50.920
<v Speaker 3>Like if I could have would have should have saved

2:07:50.960 --> 2:07:54.520
<v Speaker 3>that fucking two hundred thousand dollars that I had when

2:07:54.560 --> 2:07:58.800
<v Speaker 3>I bought all the Gucci shoes. That don't mean shitt right.

2:07:59.520 --> 2:08:03.800
<v Speaker 3>So it's I want both, and it's okay to dream

2:08:03.840 --> 2:08:06.960
<v Speaker 3>and want both or not dream to plan or strategize

2:08:07.000 --> 2:08:10.720
<v Speaker 3>for it. I would like a small INDI with enough

2:08:10.760 --> 2:08:13.000
<v Speaker 3>money to finance. I don't need a lot of upfront.

2:08:13.360 --> 2:08:14.720
<v Speaker 3>I want you to make sure that you're going to

2:08:14.760 --> 2:08:17.200
<v Speaker 3>support this project, and then when it's time to fucking

2:08:17.680 --> 2:08:18.480
<v Speaker 3>move around.

2:08:18.240 --> 2:08:19.000
<v Speaker 4>You're gonna help them.

2:08:20.520 --> 2:08:21.920
<v Speaker 2>Has been that in your mind?

2:08:22.200 --> 2:08:26.200
<v Speaker 3>Yeah, and Braucus was always great and supportive of its artists.

2:08:26.240 --> 2:08:29.960
<v Speaker 3>Look at how everybody landed. Quiley still do business with

2:08:30.080 --> 2:08:33.240
<v Speaker 3>the owner of this you know, Yeah, you know what

2:08:33.280 --> 2:08:38.520
<v Speaker 3>I'm saying. Yeah, well, you know, having those kind of friends,

2:08:39.760 --> 2:08:44.200
<v Speaker 3>it's never over. There's a few dope indie hip hop.

2:08:48.640 --> 2:08:50.160
<v Speaker 4>You know what I'm saying. I love what they're doing

2:08:50.200 --> 2:08:50.560
<v Speaker 4>over there.

2:08:50.680 --> 2:08:53.680
<v Speaker 3>Like I said, mob D, Daylight, I said, I mentioned it,

2:08:53.880 --> 2:08:56.600
<v Speaker 3>So yeah, I love to find a home that gets it,

2:08:57.200 --> 2:09:01.360
<v Speaker 3>allows you to be myself. I don't want to create

2:09:01.400 --> 2:09:03.640
<v Speaker 3>the Chicken Dance or some other ship to try to

2:09:03.680 --> 2:09:06.640
<v Speaker 3>get on. I'm not fourteen, I'm not I'm not I'm

2:09:06.680 --> 2:09:07.640
<v Speaker 3>not no weird kid.

2:09:07.720 --> 2:09:10.520
<v Speaker 5>But to see you on mass Appeal, yeah, I definitely

2:09:10.520 --> 2:09:12.360
<v Speaker 5>could see you on that Legend Run they're doing, which

2:09:12.680 --> 2:09:13.200
<v Speaker 5>I feel.

2:09:13.000 --> 2:09:14.920
<v Speaker 3>They're gonna, Well, they don't have nobody from the West,

2:09:15.400 --> 2:09:15.720
<v Speaker 3>so that.

2:09:15.880 --> 2:09:19.480
<v Speaker 2>Was my didn't under that, no mass appeal ras cast

2:09:19.520 --> 2:09:20.160
<v Speaker 2>the Legend Run.

2:09:20.240 --> 2:09:23.040
<v Speaker 3>Well shit, I got a whole project. I'm promoting this.

2:09:23.200 --> 2:09:26.800
<v Speaker 3>But me and Fred Row, well no, that already came out. Okay,

2:09:26.880 --> 2:09:30.120
<v Speaker 3>we did that on a on another label, but unfortunately

2:09:30.160 --> 2:09:32.600
<v Speaker 3>it didn't work out. But yeah, you know what I'm saying,

2:09:32.640 --> 2:09:34.560
<v Speaker 3>Me and Fred Row from Onix, we got a project.

2:09:34.760 --> 2:09:38.680
<v Speaker 3>So we're called we West and East, so we collective.

2:09:39.120 --> 2:09:41.480
<v Speaker 3>So I mean I'd love to place it and get

2:09:41.480 --> 2:09:41.720
<v Speaker 3>a home.

2:09:41.800 --> 2:09:45.160
<v Speaker 4>What made you uh do a whole project? We'll have it?

2:09:45.320 --> 2:09:48.280
<v Speaker 4>And what you coultique as being the rest Coast artists working.

2:09:48.040 --> 2:09:50.920
<v Speaker 3>With first of all my bros. Like I said, I

2:09:51.000 --> 2:09:53.760
<v Speaker 3>was closer with Pe back then. You know what I'm saying,

2:09:53.880 --> 2:09:55.960
<v Speaker 3>just through the whole mob. These ship once once I

2:09:56.040 --> 2:10:01.240
<v Speaker 3>got my deal and just knowing them. But uh, I

2:10:01.400 --> 2:10:05.440
<v Speaker 3>want to say. I want to say before COVID, one

2:10:05.520 --> 2:10:09.360
<v Speaker 3>time we were in Dallas and I got booked to host,

2:10:09.600 --> 2:10:14.960
<v Speaker 3>he got booked to uh perform, and we were chilling

2:10:16.960 --> 2:10:20.520
<v Speaker 3>and we like to say, yeah, all right, fucking I'm

2:10:20.520 --> 2:10:24.680
<v Speaker 3>gonna tell you we're brothers. What that You don't know

2:10:24.680 --> 2:10:29.800
<v Speaker 3>what this? You know never in life? So anyway, you

2:10:29.880 --> 2:10:32.360
<v Speaker 3>know you got the same, you know what? You know

2:10:32.440 --> 2:10:32.920
<v Speaker 3>what that ship?

2:10:42.040 --> 2:10:43.080
<v Speaker 2>The bus you're on the bus.

2:10:45.200 --> 2:10:49.280
<v Speaker 3>Most industry niggas is an Eskimo brother and what the

2:10:49.400 --> 2:10:55.720
<v Speaker 3>hell you see the same? You didn't knock somebody that

2:10:55.840 --> 2:10:56.680
<v Speaker 3>somebody else Now.

2:10:57.680 --> 2:11:00.160
<v Speaker 4>I don't think anybody ever put their release.

2:11:00.200 --> 2:11:08.120
<v Speaker 3>About so anyway we've send there those guys. I know

2:11:08.280 --> 2:11:12.440
<v Speaker 3>that was racist. I didn't make the term up real ship.

2:11:12.520 --> 2:11:16.560
<v Speaker 3>So we anyway, we were sitting there talking, uh we

2:11:16.840 --> 2:11:20.760
<v Speaker 3>we d t F. That was for Wark and like

2:11:20.880 --> 2:11:24.480
<v Speaker 3>I said, always been a big fan, always been. Some

2:11:24.720 --> 2:11:27.400
<v Speaker 3>people are like sooner than others.

2:11:27.400 --> 2:11:29.000
<v Speaker 4>You know what I'm saying. That should be the name

2:11:29.000 --> 2:11:30.200
<v Speaker 4>of the album, that'schooling brothers.

2:11:31.280 --> 2:11:37.680
<v Speaker 3>Never in life people think, take a DNA test to

2:11:37.720 --> 2:11:42.320
<v Speaker 3>see how many you see, how many see how much

2:11:43.240 --> 2:11:45.120
<v Speaker 3>you live in Miami, how much come.

2:11:45.080 --> 2:11:58.320
<v Speaker 7>Back into y'all? Yeah, yeah, right, Miami life after poor Ice.

2:12:00.160 --> 2:12:01.520
<v Speaker 2>That goes well nowadays.

2:12:01.720 --> 2:12:05.560
<v Speaker 3>Exactly worked well now. But I'm just saying so we

2:12:05.720 --> 2:12:09.320
<v Speaker 3>Actually I had told him my thoughts. I was like

2:12:10.440 --> 2:12:13.920
<v Speaker 3>peas gone and and I hope I'm saying this would

2:12:13.920 --> 2:12:17.400
<v Speaker 3>all due respect and dignity. I was like, yo, pease gone.

2:12:17.480 --> 2:12:18.760
<v Speaker 3>I was at the funeral and all you know what

2:12:18.760 --> 2:12:22.440
<v Speaker 3>I'm saying, because we were together the day Pee passed.

2:12:24.360 --> 2:12:26.320
<v Speaker 3>I was in Vegas, right, I was in Vegas. He

2:12:26.400 --> 2:12:29.080
<v Speaker 3>was on the water rap right exactly, wrap and so

2:12:29.840 --> 2:12:32.360
<v Speaker 3>across the street. I see, yeah, so we were I

2:12:32.400 --> 2:12:35.280
<v Speaker 3>forgot you were that yes, crazy on that bill. I

2:12:35.360 --> 2:12:36.000
<v Speaker 3>was on the bill too.

2:12:36.840 --> 2:12:38.000
<v Speaker 4>I wasn't on the bill. Excuse me.

2:12:38.640 --> 2:12:41.560
<v Speaker 1>ONX brought me out. Ironically, ONX brought me out. I

2:12:41.680 --> 2:12:43.200
<v Speaker 1>asked him to do with my food show, and they

2:12:43.280 --> 2:12:44.640
<v Speaker 1>was like, yo, well if.

2:12:44.560 --> 2:12:45.440
<v Speaker 4>I have a show tomorrow.

2:12:45.520 --> 2:12:46.760
<v Speaker 3>Nay. It was super hot that day.

2:12:46.840 --> 2:12:49.800
<v Speaker 1>It was super hot, and the green loss the street.

2:12:49.840 --> 2:12:51.960
<v Speaker 1>I saw people as soon as he got stage right.

2:12:52.200 --> 2:12:55.080
<v Speaker 3>So so when when pe got off stage, we went

2:12:55.280 --> 2:12:59.280
<v Speaker 3>back into the green room, and then we all walked out.

2:13:00.200 --> 2:13:03.960
<v Speaker 3>It's opposite way, so I don't feel like moving, But

2:13:04.280 --> 2:13:07.000
<v Speaker 3>the point is it was opposite. So let's say this

2:13:07.240 --> 2:13:09.040
<v Speaker 3>is the green room and that's the back of the

2:13:09.080 --> 2:13:10.360
<v Speaker 3>stage across the street.

2:13:10.920 --> 2:13:12.000
<v Speaker 4>We all walked out.

2:13:12.600 --> 2:13:16.440
<v Speaker 3>He went that way into the suburban me and have

2:13:16.760 --> 2:13:19.360
<v Speaker 3>walked up and back in and I think Ray and

2:13:19.440 --> 2:13:20.560
<v Speaker 3>Ghost was that's crazy.

2:13:20.760 --> 2:13:24.200
<v Speaker 1>You must have walked because he must have walked right

2:13:24.720 --> 2:13:27.280
<v Speaker 1>by me and walked right into you. Because like, the

2:13:27.360 --> 2:13:29.360
<v Speaker 1>only reason why I would have went backstage and I

2:13:29.440 --> 2:13:33.320
<v Speaker 1>went backstage after well we'll have it. But the only

2:13:33.360 --> 2:13:37.240
<v Speaker 1>reason why I didn't go because because I had.

2:13:37.120 --> 2:13:41.240
<v Speaker 4>To perform it. Yeah, and I saw them too, yeah,

2:13:41.320 --> 2:13:42.320
<v Speaker 4>because so.

2:13:44.040 --> 2:13:50.680
<v Speaker 3>I remember, you know, I'm doing all this justice when

2:13:50.720 --> 2:13:53.800
<v Speaker 3>I first walked into the green room, which was across

2:13:53.920 --> 2:13:59.640
<v Speaker 3>the street, because I saw having pee, I saw ghosts

2:13:59.640 --> 2:14:04.560
<v Speaker 3>from Ray and he was a little irritable, right, and uh,

2:14:05.480 --> 2:14:07.080
<v Speaker 3>I thought he was like kind of upset, you know

2:14:07.160 --> 2:14:10.200
<v Speaker 3>what I'm saying. And I'm like, uh, not me, just

2:14:10.320 --> 2:14:13.000
<v Speaker 3>you know, having a bad day. So what I'm like,

2:14:13.080 --> 2:14:13.560
<v Speaker 3>oh what up?

2:14:14.200 --> 2:14:15.280
<v Speaker 4>We all talking to ship.

2:14:17.440 --> 2:14:21.560
<v Speaker 3>And then he says something about our homeboy forty block.

2:14:21.640 --> 2:14:25.840
<v Speaker 3>He like this nigga is shot your sons, you know

2:14:25.880 --> 2:14:28.520
<v Speaker 3>what I'm saying. Whatever, we got a mutual homeboy. I'm like,

2:14:29.360 --> 2:14:32.640
<v Speaker 3>you know, I'm like, bro, Like the nigga just keeps living. Bro,

2:14:32.880 --> 2:14:34.480
<v Speaker 3>this is hilarricus. You know what I'm saying, Like this

2:14:34.640 --> 2:14:37.040
<v Speaker 3>our homeboy, Like you can tell us to take care

2:14:37.080 --> 2:14:39.280
<v Speaker 3>of himself. I'm like, bro, I'm gonna tell him whatever.

2:14:39.960 --> 2:14:45.920
<v Speaker 3>And then uh, I remember they performed then came back

2:14:47.240 --> 2:14:48.960
<v Speaker 3>and then I remember we're gonna walk and it was

2:14:49.240 --> 2:14:51.840
<v Speaker 3>mostly in that green room at the time. It was

2:14:51.920 --> 2:14:55.120
<v Speaker 3>maybe the five of us, and I was gonna get

2:14:55.200 --> 2:14:57.200
<v Speaker 3>this picture. I was gonna be like, yo, let's flick

2:14:57.240 --> 2:14:59.680
<v Speaker 3>it one time. And I was like, fuck it, I'll

2:14:59.720 --> 2:15:02.000
<v Speaker 3>catch because I knew. I knew you know, it was

2:15:02.040 --> 2:15:03.920
<v Speaker 3>still won't go on like I knew that. I think

2:15:03.920 --> 2:15:06.360
<v Speaker 3>it was a Jersey show. Like two or three days later,

2:15:06.400 --> 2:15:09.040
<v Speaker 3>I'm like, fuck it, I'll just do another picture. Yeah.

2:15:09.520 --> 2:15:11.760
<v Speaker 3>Plus he because he had said like, nah, it's my

2:15:11.880 --> 2:15:14.320
<v Speaker 3>single Seales ship. You're like this shit fucking hot is

2:15:14.400 --> 2:15:17.200
<v Speaker 3>fucking with my sickle cells. So I'm like cool, like

2:15:17.360 --> 2:15:20.520
<v Speaker 3>let it go. And we walked across me, have walked

2:15:20.600 --> 2:15:24.000
<v Speaker 3>up pe In, a security guard walked that way, and

2:15:24.240 --> 2:15:27.480
<v Speaker 3>we just never saw him again, and so you just

2:15:27.600 --> 2:15:31.360
<v Speaker 3>never know, well, you know, for me, it really was

2:15:31.400 --> 2:15:34.360
<v Speaker 3>one of them times where like somebody I really genuinely

2:15:34.880 --> 2:15:37.520
<v Speaker 3>first of all, just growing up looking up, like we say,

2:15:37.560 --> 2:15:42.560
<v Speaker 3>age bracket, but I'm a fan, I'm a brother. I

2:15:42.640 --> 2:15:45.040
<v Speaker 3>would hope saw me as a friend, you know what

2:15:45.040 --> 2:15:47.960
<v Speaker 3>I'm saying, So that ship is important. Like all the

2:15:48.080 --> 2:15:51.400
<v Speaker 3>hype and hoopla shit don't mean shit like to me

2:15:51.560 --> 2:15:54.920
<v Speaker 3>if it ain't genuine. Some people fake love you and like,

2:15:55.000 --> 2:15:56.640
<v Speaker 3>I really love bro. You know what I'm saying, Like

2:15:56.840 --> 2:16:02.000
<v Speaker 3>that's my bro. To fast forward and tell something about

2:16:02.120 --> 2:16:04.640
<v Speaker 3>what happened with me and Habit. We were in Dallas

2:16:04.720 --> 2:16:08.440
<v Speaker 3>and my whole shit was like I don't want I

2:16:08.560 --> 2:16:12.959
<v Speaker 3>was like, Pee can't be replaced, Prodigy cannot be replaced.

2:16:13.440 --> 2:16:16.600
<v Speaker 3>I was like, but you got them beats. So I said,

2:16:17.320 --> 2:16:23.160
<v Speaker 3>find you find somebody not from Queens, find the East

2:16:23.240 --> 2:16:26.440
<v Speaker 3>Coast nigga, so at least we get you know what

2:16:26.480 --> 2:16:30.120
<v Speaker 3>I'm saying that shit like I need my fix on

2:16:30.560 --> 2:16:32.879
<v Speaker 3>you know what I'm saying. But it can't be the comparison.

2:16:33.280 --> 2:16:37.800
<v Speaker 3>You can't replace Pete. That's my nigga. You like, it

2:16:37.879 --> 2:16:40.760
<v Speaker 3>ain't gonna never be no Mob Deep bro, like Mob

2:16:40.840 --> 2:16:45.280
<v Speaker 3>Deeper y'all niggas. But find me some give me that vehicle,

2:16:45.440 --> 2:16:47.199
<v Speaker 3>that kind of music to hear, that type.

2:16:47.000 --> 2:16:49.560
<v Speaker 2>Of shit, the energy, the same energy right because you're.

2:16:49.480 --> 2:16:52.080
<v Speaker 3>Sitting on you cooking. You know what I'm saying, and

2:16:52.400 --> 2:16:54.960
<v Speaker 3>so we talked about it. I remember we talked about

2:16:55.000 --> 2:16:59.800
<v Speaker 3>it and then fast forward like three years later, having

2:17:00.080 --> 2:17:06.000
<v Speaker 3>dorm hit me like, what's up? All right, well, we

2:17:06.120 --> 2:17:07.760
<v Speaker 3>need the East Coast nigga. That's why the r J

2:17:07.920 --> 2:17:10.440
<v Speaker 3>pain guy. I was like, fuck it, Well, why don't

2:17:10.440 --> 2:17:12.840
<v Speaker 3>we just do that because it ain't no comparison. We

2:17:13.000 --> 2:17:15.920
<v Speaker 3>just want the production we and then we're gonna honor Pee.

2:17:16.840 --> 2:17:21.800
<v Speaker 3>So our job is to be there and be our brother.

2:17:22.680 --> 2:17:25.920
<v Speaker 3>One of the songs is on on on that Havoc album.

2:17:26.879 --> 2:17:29.160
<v Speaker 3>It's called the Gutter see U T t R so

2:17:29.520 --> 2:17:31.440
<v Speaker 3>Mob Deep. It's still in that same vein. Were just

2:17:31.520 --> 2:17:35.120
<v Speaker 3>trying to honor. Can't replaced. Just I'm a West Coast nigga.

2:17:35.200 --> 2:17:38.120
<v Speaker 3>I'm my own MC. But really this is because I

2:17:38.280 --> 2:17:41.000
<v Speaker 3>just want to I want to make sure this's Mob

2:17:41.080 --> 2:17:43.240
<v Speaker 3>Deep like legacy. So we got we got a song

2:17:43.360 --> 2:17:45.880
<v Speaker 3>on one where it's too prodigy, you know what I'm saying.

2:17:46.120 --> 2:17:48.520
<v Speaker 3>And it ain't no fake ass. You know what I'm saying.

2:17:48.560 --> 2:17:52.040
<v Speaker 3>Niggas be want fake homages, Niggas get tattoos. The niggas

2:17:52.080 --> 2:17:54.800
<v Speaker 3>they ain't never mad. Niggas is super fake. They should

2:17:54.800 --> 2:17:57.640
<v Speaker 3>be corny. A ship like I knew, bro, so our

2:17:57.720 --> 2:18:01.720
<v Speaker 3>heart was right. We did a good job. Yeah, I

2:18:01.800 --> 2:18:04.760
<v Speaker 3>think what we did for the Gutter album is a

2:18:05.000 --> 2:18:07.560
<v Speaker 3>great honor. And that was when they were still trying

2:18:07.600 --> 2:18:10.640
<v Speaker 3>to get everything in order with the family. And this

2:18:10.840 --> 2:18:13.760
<v Speaker 3>new Mob album is is incredible. I hope I hope

2:18:13.760 --> 2:18:17.000
<v Speaker 3>they can create enough more because Mob deep forever for me.

2:18:17.400 --> 2:18:19.480
<v Speaker 3>You know what I'm saying, people, my homie, have my homie.

2:18:19.640 --> 2:18:20.240
<v Speaker 4>You know what I'm saying.

2:18:20.280 --> 2:18:22.360
<v Speaker 1>I love I love my brother me and you got

2:18:22.879 --> 2:18:27.279
<v Speaker 1>the same story basically, yeah, like there basically he basically

2:18:27.400 --> 2:18:30.360
<v Speaker 1>walked by me to walk You're giving us the story

2:18:30.640 --> 2:18:33.640
<v Speaker 1>before the story in Yeah, that's just that's that.

2:18:34.280 --> 2:18:40.800
<v Speaker 3>I got family. Ye, what do you what do you like?

2:18:41.080 --> 2:18:42.200
<v Speaker 3>What do you like more?

2:18:45.000 --> 2:18:47.640
<v Speaker 4>Making the record, performing a record?

2:18:48.000 --> 2:18:52.760
<v Speaker 3>Two different animals. I love the creatives. I love sitting

2:18:52.840 --> 2:18:55.960
<v Speaker 3>there and like being with the producer and being with

2:18:56.080 --> 2:18:59.400
<v Speaker 3>the people like that ship the animals crazy. You know

2:18:59.440 --> 2:19:03.800
<v Speaker 3>what I'm saying, because I remember Doctor Dre saying like

2:19:03.920 --> 2:19:05.640
<v Speaker 3>throw it against the wall of his stick and stick.

2:19:06.160 --> 2:19:08.520
<v Speaker 3>You know what I'm saying, Like it's cool to make

2:19:08.640 --> 2:19:12.800
<v Speaker 3>something and think it's cool until your homies come in

2:19:12.879 --> 2:19:17.680
<v Speaker 3>and be like no. But if they're dope people, they

2:19:17.720 --> 2:19:20.440
<v Speaker 3>can tell you why. Right, So I might make some

2:19:20.520 --> 2:19:24.800
<v Speaker 3>ship and then the homies like Trump's whack like, well,

2:19:24.840 --> 2:19:27.440
<v Speaker 3>then fix them. See I like people I can talk

2:19:27.440 --> 2:19:29.960
<v Speaker 3>to like that, like fucking fix it. Then so with

2:19:30.280 --> 2:19:33.119
<v Speaker 3>FN if he's like I don't like them, drums, fucking

2:19:33.240 --> 2:19:36.080
<v Speaker 3>fix it? Has it? It's fixed them fucks. You know

2:19:36.160 --> 2:19:40.120
<v Speaker 3>what I'm saying, But do it, don't just say like it,

2:19:41.200 --> 2:19:43.040
<v Speaker 3>like fix it. And then when your homies go in

2:19:43.120 --> 2:19:45.520
<v Speaker 3>and fix it, that's his fire, like, oh shit, this

2:19:45.520 --> 2:19:47.520
<v Speaker 3>should went up, bro, you know what I mean. So

2:19:47.920 --> 2:19:51.760
<v Speaker 3>the creative process is a beautiful experience. I'm not a

2:19:53.520 --> 2:19:56.760
<v Speaker 3>I'm not God man. We made an image and likeness.

2:19:56.800 --> 2:20:00.520
<v Speaker 3>I am God because whatever God. But and the physical

2:20:00.560 --> 2:20:04.040
<v Speaker 3>sense of the ultimate, the closest creation experiment that I

2:20:04.120 --> 2:20:06.440
<v Speaker 3>can do is whether I'm a painter or I'm a

2:20:06.560 --> 2:20:11.120
<v Speaker 3>builder or whatever, is to create something. And so I

2:20:11.400 --> 2:20:14.680
<v Speaker 3>love being in that. But the other part is I

2:20:14.760 --> 2:20:21.120
<v Speaker 3>do like actually showing off the thing, right because now

2:20:21.160 --> 2:20:23.440
<v Speaker 3>I get to do it to somebody like pause, I

2:20:23.520 --> 2:20:28.160
<v Speaker 3>get to I get to perform something. Well, I'm just saying,

2:20:28.200 --> 2:20:31.160
<v Speaker 3>I get to perform in front of people, and sometimes like,

2:20:31.440 --> 2:20:34.360
<v Speaker 3>there's been many a times where I'm just like, there's

2:20:34.440 --> 2:20:37.960
<v Speaker 3>one person that's fitting my fucking bars to me, and

2:20:38.120 --> 2:20:40.560
<v Speaker 3>I'm like looking at the person, like this motherfucker know

2:20:40.760 --> 2:20:43.360
<v Speaker 3>this shit, like like he wrote it or she wrote it.

2:20:43.400 --> 2:20:48.600
<v Speaker 3>I'm like that energy. It makes me double up, like

2:20:48.760 --> 2:20:51.920
<v Speaker 3>fuck that I'm a really do a great job. Jay

2:20:52.000 --> 2:20:55.199
<v Speaker 3>Zu used to say a thing one or one million.

2:20:55.560 --> 2:20:57.320
<v Speaker 3>The whole point was if you have a show and

2:20:57.840 --> 2:21:00.959
<v Speaker 3>only one person showed up, would you have ass You're

2:21:01.000 --> 2:21:04.240
<v Speaker 3>not supposed to. If only one person showed up to

2:21:04.320 --> 2:21:08.000
<v Speaker 3>your show, they deserve for you to give a one

2:21:08.120 --> 2:21:12.920
<v Speaker 3>hundred percent. If a million people show up, give one

2:21:13.000 --> 2:21:16.560
<v Speaker 3>hundred percent. So I love both, and then I also like,

2:21:16.640 --> 2:21:19.640
<v Speaker 3>I'm not gonna lie. I like money you've made that.

2:21:20.240 --> 2:21:23.280
<v Speaker 3>I like when people show up. I'm like, oh, I

2:21:23.400 --> 2:21:27.440
<v Speaker 3>got some money in the creative process, I'm spending money.

2:21:28.800 --> 2:21:32.199
<v Speaker 3>I can't beat this motherfucker. This is a lyric phone

2:21:32.280 --> 2:21:35.680
<v Speaker 3>versus the one bro. Can you turn this off? I

2:21:35.760 --> 2:21:39.160
<v Speaker 3>love you, brother, I love you. Yes.

2:21:39.640 --> 2:21:42.720
<v Speaker 1>Have you ever performed the overseas and realize these people

2:21:42.879 --> 2:21:45.400
<v Speaker 1>that know your words don't even speak English?

2:21:45.680 --> 2:21:48.560
<v Speaker 4>Absolutely that ship is the way that still know what's.

2:21:48.400 --> 2:21:51.600
<v Speaker 3>The most locals apostles calling you. Look, we're gonna pick

2:21:51.640 --> 2:21:56.440
<v Speaker 3>this ship up. I love this show.

2:21:56.959 --> 2:21:59.840
<v Speaker 4>Better give us.

2:22:02.240 --> 2:22:06.200
<v Speaker 3>The rest. I'm kidding. I forgot me.

2:22:10.520 --> 2:22:11.040
<v Speaker 4>Down on that.

2:22:11.520 --> 2:22:26.360
<v Speaker 2>Okay, I want to tell this there's yeah, I say,

2:22:26.360 --> 2:22:27.920
<v Speaker 2>hold nobody out.

2:22:27.840 --> 2:22:32.720
<v Speaker 4>There and see.

2:22:34.240 --> 2:22:37.560
<v Speaker 3>You should not. I don't know what is happening, Like

2:22:37.680 --> 2:22:41.000
<v Speaker 3>I know, this is some fucking Shenanigans.

2:22:40.640 --> 2:22:41.480
<v Speaker 2>Here, man, take your.

2:22:44.200 --> 2:22:45.320
<v Speaker 3>God things.

2:22:45.360 --> 2:22:46.520
<v Speaker 2>Emento just killed you.

2:22:46.680 --> 2:22:49.000
<v Speaker 3>Oh my god, it's gonna be awesome. Thank he's never

2:22:49.080 --> 2:22:51.360
<v Speaker 3>coming back. It's over. My Departsits fun.

2:22:52.680 --> 2:22:58.400
<v Speaker 1>God, come down, God says, I want you to make

2:22:58.480 --> 2:23:03.360
<v Speaker 1>one record that change the world, and you getting one feature.

2:23:03.400 --> 2:23:04.480
<v Speaker 4>Now, this is a two part question.

2:23:04.920 --> 2:23:05.240
<v Speaker 3>I like this.

2:23:05.400 --> 2:23:09.320
<v Speaker 1>Alrighty you get, you get, get you get. You can

2:23:09.360 --> 2:23:12.039
<v Speaker 1>make two records, one with a person that has passed

2:23:12.040 --> 2:23:19.600
<v Speaker 1>away and one what a person now, okay, is a

2:23:19.680 --> 2:23:22.440
<v Speaker 1>living Who's the producer? Who's going to be the producer

2:23:23.640 --> 2:23:24.440
<v Speaker 1>those two records?

2:23:28.040 --> 2:23:29.080
<v Speaker 3>I like this question.

2:23:29.879 --> 2:23:32.000
<v Speaker 4>I want to take this extremely serious. Look.

2:23:32.680 --> 2:23:38.240
<v Speaker 3>So so one part is you get a passed away

2:23:38.280 --> 2:23:42.960
<v Speaker 3>producer and a present producer. Right, I want to guys,

2:23:42.959 --> 2:23:43.240
<v Speaker 3>take this.

2:23:43.320 --> 2:23:47.520
<v Speaker 1>Piece and I passed away artist and artist.

2:23:47.640 --> 2:23:50.080
<v Speaker 3>Now, but this this is who's going to produce it?

2:23:50.360 --> 2:23:52.040
<v Speaker 4>Who's going to produce it for you? You get to

2:23:52.080 --> 2:23:54.560
<v Speaker 4>pick it any producer?

2:23:54.959 --> 2:23:58.760
<v Speaker 3>A man, Okay, I wanted to do before and after.

2:23:59.160 --> 2:24:05.640
<v Speaker 3>All Right, you're gonna have to drinkle with me the

2:24:05.760 --> 2:24:11.480
<v Speaker 3>way it turns out, Lady of the Lady of the Jamie,

2:24:12.879 --> 2:24:17.199
<v Speaker 3>I don't know her name. Oh that's my little sister's

2:24:17.200 --> 2:24:17.640
<v Speaker 3>middle name.

2:24:17.680 --> 2:24:28.560
<v Speaker 4>Sorry, Michelle, we forgot Oh wait, wait, we're sorry.

2:24:28.640 --> 2:24:32.440
<v Speaker 2>Man, No, don't believe his own name.

2:24:33.440 --> 2:24:42.920
<v Speaker 3>Okay, okay, sorry, Yeah, So that feature I'm gonna go with.

2:24:44.000 --> 2:24:46.520
<v Speaker 3>This is a producer, right, I'm gonna go producer first.

2:24:47.120 --> 2:24:53.400
<v Speaker 3>That's a hard dig because one alright, fuck it. I

2:24:53.560 --> 2:24:56.200
<v Speaker 3>never worked with him before. I'm gonna say, for real,

2:24:56.360 --> 2:24:58.120
<v Speaker 3>I knew he's gonna say for well, for some reason,

2:25:00.040 --> 2:25:03.200
<v Speaker 3>I'm gonna say I should have. This have been a

2:25:03.200 --> 2:25:08.879
<v Speaker 3>little scary. Who who's the I know Preame, I know Trey,

2:25:09.000 --> 2:25:12.240
<v Speaker 3>I know blah blah blah. I no, yeah, for real, nigga,

2:25:12.280 --> 2:25:15.800
<v Speaker 3>the clip ship fire, I'm like track record be fire bro.

2:25:16.480 --> 2:25:18.080
<v Speaker 4>Yeah, so I can see it too.

2:25:18.280 --> 2:25:20.960
<v Speaker 3>I'm gonna I'm gonna go with for real. Okay, now

2:25:21.040 --> 2:25:23.640
<v Speaker 3>you said what was the other part? Now? Feature feature

2:25:23.640 --> 2:25:34.160
<v Speaker 3>wise now yeah, feature feature one alive one Yeah, in

2:25:34.840 --> 2:25:39.480
<v Speaker 3>entire life. Yeah, I could go with that. Yeah, the

2:25:39.720 --> 2:25:44.200
<v Speaker 3>world yeah yeah, oh niggah, the nigga just oh forgot

2:25:44.280 --> 2:25:50.720
<v Speaker 3>to save humanity. Well, I mean that you already funcked

2:25:50.720 --> 2:25:55.720
<v Speaker 3>that up. Yeah, I don't want to offend anybody. I'm

2:25:55.720 --> 2:26:00.640
<v Speaker 3>gonna go with, Yes, you were who Jesus exactly? There

2:26:00.800 --> 2:26:06.039
<v Speaker 3>there are no jays and oh yes, I don't think

2:26:06.080 --> 2:26:07.040
<v Speaker 3>no one picked Jesus.

2:26:07.520 --> 2:26:11.280
<v Speaker 2>I don't know what you were saying, Jesus, Jesus, Jesus.

2:26:11.280 --> 2:26:16.800
<v Speaker 2>I'm picking you the feature for Rest and Jesus rhyming. Yes,

2:26:16.920 --> 2:26:19.880
<v Speaker 2>you know, Jason he Man, Hey sus Man, let's get

2:26:19.920 --> 2:26:25.200
<v Speaker 2>it real. No, that's your spandiard. No Jays nigga from

2:26:25.240 --> 2:26:25.879
<v Speaker 2>South Kate.

2:26:29.080 --> 2:26:34.720
<v Speaker 3>Homie and Home. No, no, so yes, So I mean

2:26:34.760 --> 2:26:39.480
<v Speaker 3>I'm not gonna cut to the chest everyone. Jesus is alive,

2:26:41.240 --> 2:26:43.560
<v Speaker 3>he died and went to where else? Nigga? I'm talking

2:26:43.600 --> 2:26:48.760
<v Speaker 3>about that? How you got too smart? Right? Yeah? Now,

2:26:49.040 --> 2:26:55.280
<v Speaker 3>let's say, let's see who I would pick physically with

2:26:55.520 --> 2:26:56.360
<v Speaker 3>me on their bodies.

2:26:56.760 --> 2:26:57.400
<v Speaker 4>Let's see.

2:26:59.600 --> 2:27:06.360
<v Speaker 3>I'm a fan and I would go with I'm gonna

2:27:06.400 --> 2:27:13.320
<v Speaker 3>throw you off Duran Duran, What the fuck my favorite group.

2:27:15.280 --> 2:27:16.800
<v Speaker 2>Let me hear the dudes with the feathers in their

2:27:16.840 --> 2:27:17.760
<v Speaker 2>here no Man.

2:27:19.440 --> 2:27:24.720
<v Speaker 3>Some of the els records ever I tried to I

2:27:24.800 --> 2:27:29.280
<v Speaker 3>tried to sample De Duran on this album and the

2:27:29.360 --> 2:27:34.800
<v Speaker 3>company was like, not at all. They're British right. One

2:27:34.800 --> 2:27:37.400
<v Speaker 3>of the greatest records I've ever written is called Sabor

2:27:37.480 --> 2:27:40.560
<v Speaker 3>Prayer and I was a little kid watching MTV and

2:27:40.680 --> 2:27:43.840
<v Speaker 3>it took me fifteen years to understand. See, the best

2:27:43.879 --> 2:27:54.680
<v Speaker 3>thing about UH writing before the dumblification of rap is

2:27:54.760 --> 2:27:59.880
<v Speaker 3>that it was dope. Rock was written well because we

2:28:00.120 --> 2:28:03.760
<v Speaker 3>creative rock and these songs and R and B and

2:28:03.959 --> 2:28:06.960
<v Speaker 3>women the woman like people are talking. They talking that

2:28:07.040 --> 2:28:10.040
<v Speaker 3>ship though they're talking like I'm fucking your nigga, like

2:28:10.160 --> 2:28:12.920
<v Speaker 3>they talking about real ship, but making the ship sound amazing.

2:28:14.440 --> 2:28:16.920
<v Speaker 3>It just became now where it's like I'm a whore,

2:28:17.200 --> 2:28:21.360
<v Speaker 3>I'm a dude, you fuck me, I'm on you shit, corny.

2:28:21.640 --> 2:28:23.440
<v Speaker 2>You know it's so crazy it sounds like a hit record.

2:28:26.680 --> 2:28:29.920
<v Speaker 3>Yeah, because your ears trained into monkey times pro so

2:28:30.120 --> 2:28:34.640
<v Speaker 3>so they used to write grown ass Ship, fire Ship

2:28:35.920 --> 2:28:41.480
<v Speaker 3>and Duran Durant Wright's really interesting. It always resonated with me.

2:28:41.600 --> 2:28:43.480
<v Speaker 3>I tried to sample it twice one company. It was

2:28:43.520 --> 2:28:46.840
<v Speaker 3>like never in life. Yeah, They're like I was signing

2:28:46.879 --> 2:28:49.760
<v Speaker 3>a Capito old Parorty record. I'm like, come on, bro,

2:28:50.320 --> 2:28:53.200
<v Speaker 3>It's like, naw, well you need to go after that. Well,

2:28:53.440 --> 2:28:55.280
<v Speaker 3>you know you asked me in my perfect world for

2:28:55.400 --> 2:28:57.320
<v Speaker 3>real to make the beat. I get the Ran around

2:28:57.680 --> 2:29:03.119
<v Speaker 3>are they Aund's so yeah, yeah, it's like so here,

2:29:03.200 --> 2:29:05.959
<v Speaker 3>I challenge everybody here for this one. There's a song

2:29:06.120 --> 2:29:11.160
<v Speaker 3>that I heard as a kid. Amongst all the amazing

2:29:11.200 --> 2:29:14.320
<v Speaker 3>great records, the Ran Durant had a record called a

2:29:14.440 --> 2:29:16.720
<v Speaker 3>viwtwo to Kill. I like James Vond. I like the nigga.

2:29:16.720 --> 2:29:18.600
<v Speaker 3>It was a cool nigga you kill niggas. He always

2:29:18.640 --> 2:29:22.320
<v Speaker 3>get the bitch. So I liked James Vond. Do I

2:29:22.360 --> 2:29:28.280
<v Speaker 3>see myself in James Bond? No, but in my James

2:29:28.360 --> 2:29:32.680
<v Speaker 3>Bond you God damn right right right now. Dran Durant

2:29:32.680 --> 2:29:36.520
<v Speaker 3>would do the music to a few of them, and

2:29:37.160 --> 2:29:39.480
<v Speaker 3>he had a salt that it's not he, it's them.

2:29:40.840 --> 2:29:41.640
<v Speaker 3>There's a song, but.

2:29:41.680 --> 2:29:45.120
<v Speaker 2>It's hearing of them, not them them. Huh they No,

2:29:45.200 --> 2:29:45.800
<v Speaker 2>it's them.

2:29:46.000 --> 2:29:49.760
<v Speaker 3>They them. But the point was one of the greatest records.

2:29:49.800 --> 2:29:54.080
<v Speaker 3>It took me fifteen years, like to even understand the

2:29:54.280 --> 2:29:57.080
<v Speaker 3>context of the record. And that's what I think. I

2:29:57.160 --> 2:30:00.600
<v Speaker 3>think layers are incredible when I I can listen to

2:30:00.760 --> 2:30:04.560
<v Speaker 3>oldies and hear like, oh shit, I'm old enough to

2:30:04.600 --> 2:30:07.840
<v Speaker 3>really understand what the fuck I was here, Like I

2:30:07.959 --> 2:30:10.800
<v Speaker 3>heard it because it sounded catchy, as opposed to like,

2:30:11.280 --> 2:30:12.280
<v Speaker 3>oh I'm living in this.

2:30:12.640 --> 2:30:14.720
<v Speaker 4>Like I called a rock can bar.

2:30:17.959 --> 2:30:22.640
<v Speaker 3>From the first album like four four years ago, no less,

2:30:23.640 --> 2:30:25.560
<v Speaker 3>and I wish I should have wrote it down. I

2:30:25.680 --> 2:30:28.920
<v Speaker 3>was like, I finally got the bar. I like that

2:30:29.320 --> 2:30:32.080
<v Speaker 3>now if you want, I walked down the street down

2:30:32.240 --> 2:30:37.120
<v Speaker 3>my horn. I killed him yesterday. I shot it's monkey talk.

2:30:37.800 --> 2:30:40.520
<v Speaker 3>Grow the fuck up. I get it that they trained

2:30:40.560 --> 2:30:43.640
<v Speaker 3>you to do that, But I like shit where like

2:30:44.160 --> 2:30:51.000
<v Speaker 3>even even the law's form of energy is more complicated

2:30:52.000 --> 2:30:55.480
<v Speaker 3>than one simple thing. So I like when I like

2:30:55.560 --> 2:31:01.840
<v Speaker 3>when I go back to people's music and get more

2:31:01.879 --> 2:31:05.680
<v Speaker 3>informed or you know, or get growth. Because I thought

2:31:05.720 --> 2:31:07.720
<v Speaker 3>the point of art, as I look at it on

2:31:07.840 --> 2:31:11.320
<v Speaker 3>this wall, as I see it amongst me, is to

2:31:11.600 --> 2:31:14.480
<v Speaker 3>learn from it and to grow from it. If it's

2:31:14.800 --> 2:31:18.959
<v Speaker 3>just a thing, then you're a cheeseburger from McDonald's I'm

2:31:19.000 --> 2:31:23.080
<v Speaker 3>not no fucking cheeseburger. We are exquisite art. We do

2:31:23.200 --> 2:31:26.000
<v Speaker 3>exquisite shit. The fact that you can move from what

2:31:26.160 --> 2:31:29.959
<v Speaker 3>you did, you know what I'm saying. As a queen's nigga,

2:31:30.440 --> 2:31:34.439
<v Speaker 3>you know what I'm saying, and really go from CNN

2:31:35.440 --> 2:31:38.920
<v Speaker 3>to go into you know what I'm saying. I do

2:31:39.040 --> 2:31:41.680
<v Speaker 3>have a joke about, but no to move into your

2:31:41.720 --> 2:31:43.879
<v Speaker 3>culture and even do reggaeton, you know what I'm saying,

2:31:44.080 --> 2:31:46.000
<v Speaker 3>have growth to build. You know what I'm saying. Where

2:31:46.040 --> 2:31:48.080
<v Speaker 3>y'all on, y'all tenth here for you to grow.

2:31:48.600 --> 2:31:51.440
<v Speaker 4>That's the love. Don't never be relegated.

2:31:51.520 --> 2:31:53.760
<v Speaker 3>And I'm kind of in it. I'm in that. I'm

2:31:53.800 --> 2:31:57.640
<v Speaker 3>in my love zone about the art, like fuck it

2:31:57.720 --> 2:31:59.760
<v Speaker 3>because at the end of the day, when we go,

2:32:00.160 --> 2:32:03.600
<v Speaker 3>all we gonna leave is this I mean, So I'm

2:32:03.640 --> 2:32:05.440
<v Speaker 3>gonna leave excellence if I can't.

2:32:06.840 --> 2:32:08.480
<v Speaker 4>What's your stance on ghost riding.

2:32:10.200 --> 2:32:14.080
<v Speaker 3>Here's my stance on that. To different sports. So water

2:32:14.200 --> 2:32:15.560
<v Speaker 3>polo is not regular polo.

2:32:19.720 --> 2:32:24.040
<v Speaker 2>Lets say it again, A water polo is not regular

2:32:25.400 --> 2:32:26.000
<v Speaker 2>on the horse.

2:32:25.840 --> 2:32:32.720
<v Speaker 3>And they hit right. I think it's more difficult water polo.

2:32:32.840 --> 2:32:35.240
<v Speaker 3>It doesn't matter. So I'm just gonna tell you different

2:32:35.280 --> 2:32:38.199
<v Speaker 3>skill set. So he asked me a question about ghost writing.

2:32:39.000 --> 2:32:43.120
<v Speaker 3>So a man named three people, because then you can

2:32:43.240 --> 2:32:58.320
<v Speaker 3>use it. Kanye West, Doctor Dre my name for allegedly others,

2:33:00.240 --> 2:33:06.360
<v Speaker 3>I said, Kanye West, I said, so did he? So did?

2:33:06.400 --> 2:33:08.800
<v Speaker 3>He said, don't matter if I write rhymes, I write checks.

2:33:08.959 --> 2:33:12.600
<v Speaker 3>Doctor Dre has never said all the best lyricists. I

2:33:12.760 --> 2:33:17.040
<v Speaker 3>respect him. Different sport. He's a producer, right, But don't

2:33:17.120 --> 2:33:22.600
<v Speaker 3>act like you play my sport, right, don't. You don't

2:33:22.720 --> 2:33:25.680
<v Speaker 3>come in with niggas helping you write four or five

2:33:25.760 --> 2:33:30.800
<v Speaker 3>of your bars, seven or ten. At what point when

2:33:31.080 --> 2:33:34.280
<v Speaker 3>it does it become them and not you? Hooks and

2:33:34.360 --> 2:33:36.960
<v Speaker 3>production are one thing. If you don't play my sport,

2:33:37.680 --> 2:33:42.840
<v Speaker 3>fuck out of here. I play a sport it's called bars.

2:33:44.640 --> 2:33:47.760
<v Speaker 3>The rest of y'all playing a game called convincing bitches

2:33:47.840 --> 2:33:52.040
<v Speaker 3>and white people that you're popular. You can't beat me

2:33:52.200 --> 2:33:54.840
<v Speaker 3>at what I do, and I don't give a fuck

2:33:54.840 --> 2:33:57.000
<v Speaker 3>if you got a group. So the bottom line is

2:33:57.440 --> 2:34:01.000
<v Speaker 3>we should just call a thing called seventy four years.

2:34:01.720 --> 2:34:04.840
<v Speaker 3>No Internet, none of your hype people, none of your

2:34:04.920 --> 2:34:05.680
<v Speaker 3>help writers.

2:34:06.160 --> 2:34:07.680
<v Speaker 4>I will air your niggas out.

2:34:08.000 --> 2:34:10.560
<v Speaker 3>I'll air your favorites, because if you over here with

2:34:10.760 --> 2:34:14.120
<v Speaker 3>niggas helping you, throwing you bars and whatever. You can

2:34:14.200 --> 2:34:16.360
<v Speaker 3>help with a hook, you can help with production, you

2:34:16.480 --> 2:34:20.560
<v Speaker 3>cannot help me with me expressing myself. Period. No, right now,

2:34:21.040 --> 2:34:24.160
<v Speaker 3>motherfuckers is using chat GPT. That my next question.

2:34:24.400 --> 2:34:27.560
<v Speaker 5>While confidently I've seen people I'm not gonna name no names,

2:34:27.840 --> 2:34:30.760
<v Speaker 5>but they're comfortently saying Chad GVT is helping.

2:34:31.280 --> 2:34:37.439
<v Speaker 7>Well again again, every tool rhyme again, every.

2:34:37.400 --> 2:34:40.440
<v Speaker 3>Tool is a tool. You're just not playing my sport.

2:34:41.760 --> 2:34:44.200
<v Speaker 3>Whatever that sport is called it something else that's not

2:34:44.400 --> 2:34:48.560
<v Speaker 3>water polo, that's called the salad polo, cyberpolo. Right, you

2:34:48.640 --> 2:34:50.640
<v Speaker 3>can do whatever you want to do, just don't act

2:34:50.680 --> 2:34:54.040
<v Speaker 3>like you mean. But Kenky said, they not like they

2:34:54.200 --> 2:34:56.920
<v Speaker 3>not like us, You not like me. If you don't

2:34:56.920 --> 2:35:02.800
<v Speaker 3>write your ship, you beat it. My nigga, what what

2:35:03.000 --> 2:35:07.160
<v Speaker 3>game we plan? You not capable of depth of character?

2:35:07.280 --> 2:35:09.600
<v Speaker 3>You don't know how to express yourself. You need other

2:35:09.680 --> 2:35:13.800
<v Speaker 3>people to help. You say you need a therapist. I

2:35:13.920 --> 2:35:18.200
<v Speaker 3>gave an analogy a long time. Well, but basically that's

2:35:18.240 --> 2:35:20.879
<v Speaker 3>what they are. They're your therapist. Here, here's my analogy.

2:35:21.920 --> 2:35:26.840
<v Speaker 3>Who's your favorite basketball player? Who's your favorite football player.

2:35:29.240 --> 2:35:34.440
<v Speaker 3>You don't give a okay, Jesus Chris, So John Alway

2:35:36.160 --> 2:35:42.280
<v Speaker 3>is definitely you even know.

2:35:43.440 --> 2:35:44.640
<v Speaker 2>That's what I actually cared about.

2:35:45.640 --> 2:35:50.480
<v Speaker 3>Okay, So if you started watching the playbacks of John Alway,

2:35:51.560 --> 2:35:54.080
<v Speaker 3>he was a quarterback right right, So if you saw

2:35:54.240 --> 2:35:57.240
<v Speaker 3>l Way he was doing, you freeze frame it right

2:35:58.400 --> 2:36:00.680
<v Speaker 3>and this is going to get racist, but it's hilarious.

2:36:02.879 --> 2:36:06.760
<v Speaker 3>Why oh you know, why do you know me? So

2:36:07.360 --> 2:36:13.039
<v Speaker 3>nor watching these? A little Mexican cross out always hands

2:36:13.280 --> 2:36:17.520
<v Speaker 3>and he really throws it. A little Mexican, a little

2:36:17.560 --> 2:36:19.480
<v Speaker 3>Mexican guy. Because I'm from l A and I always

2:36:19.840 --> 2:36:22.600
<v Speaker 3>those are my brothers. So so if you saw a

2:36:22.840 --> 2:36:26.879
<v Speaker 3>miniature little nigga, come on, he's happening to be nextan

2:36:27.040 --> 2:36:30.240
<v Speaker 3>in my analogy because I'm from la so I think

2:36:30.280 --> 2:36:34.280
<v Speaker 3>it's Lway, but it's not really, not really, it's a

2:36:34.320 --> 2:36:40.720
<v Speaker 3>little nigga that comes out a little bit in my analogy,

2:36:40.840 --> 2:36:45.039
<v Speaker 3>happens to be Nan. He comes out bomb. I want

2:36:45.280 --> 2:36:46.160
<v Speaker 3>I want Alway.

2:36:46.520 --> 2:36:47.520
<v Speaker 4>I don't want Alway.

2:36:47.920 --> 2:36:51.120
<v Speaker 3>I want El Pedro. I want the little nature. I

2:36:51.240 --> 2:36:54.320
<v Speaker 3>want the little nigga that through the bomb. But I

2:36:54.600 --> 2:36:55.360
<v Speaker 3>like that guy.

2:36:56.360 --> 2:36:58.520
<v Speaker 7>I don't want the little nigga that did this ship

2:36:58.760 --> 2:37:01.320
<v Speaker 7>because you're the big guy doing it.

2:37:01.640 --> 2:37:04.519
<v Speaker 2>They need each other. No, fuck you, because.

2:37:09.600 --> 2:37:13.760
<v Speaker 3>I like the real one you can. I never went

2:37:13.800 --> 2:37:17.160
<v Speaker 3>to McDonald's expecting Ronald McDonald to come out and make

2:37:17.200 --> 2:37:21.000
<v Speaker 3>my hamburgers and take my order, right, But for real,

2:37:21.240 --> 2:37:24.320
<v Speaker 3>I did expect it's call wrap and you can't write them.

2:37:24.520 --> 2:37:25.520
<v Speaker 4>You're not like me.

2:37:25.840 --> 2:37:28.080
<v Speaker 3>I don't want you around here. Give me the nigga

2:37:28.120 --> 2:37:33.960
<v Speaker 3>that's doing it in R and B because they do

2:37:34.080 --> 2:37:37.760
<v Speaker 3>a lot of hard work. They and they dance, they

2:37:37.920 --> 2:37:40.640
<v Speaker 3>sing and they dance. Nigga rappers. We don't have a

2:37:40.840 --> 2:37:43.400
<v Speaker 3>hard job. But how come, let me let me ask

2:37:43.440 --> 2:37:43.600
<v Speaker 3>you this.

2:37:45.200 --> 2:37:47.240
<v Speaker 1>How come Chris Brown could be related to one of

2:37:47.280 --> 2:37:52.160
<v Speaker 1>the greatest of all times and he clearly is great.

2:37:52.920 --> 2:37:56.120
<v Speaker 1>But you find out that Chris Brown didn't write some

2:37:56.280 --> 2:37:57.720
<v Speaker 1>of his songs, is he still.

2:38:01.600 --> 2:38:03.040
<v Speaker 3>He's not great? Cannot be?

2:38:03.400 --> 2:38:08.560
<v Speaker 11>We have to be honest, man, it's not it's not

2:38:08.959 --> 2:38:11.480
<v Speaker 11>normal and it's not in the genre of R and

2:38:11.560 --> 2:38:14.680
<v Speaker 11>B that is a normal life songwriter collaborate.

2:38:14.760 --> 2:38:18.600
<v Speaker 3>Michael Jackson times out. I never thought Billy Jean was

2:38:18.680 --> 2:38:22.600
<v Speaker 3>not his lover for Michael Jackson when when I was

2:38:22.640 --> 2:38:23.119
<v Speaker 3>a kid.

2:38:23.040 --> 2:38:23.480
<v Speaker 8>I do this.

2:38:23.640 --> 2:38:29.240
<v Speaker 3>Nigga was not fucking nothing, Billy Nigga the likes I

2:38:29.360 --> 2:38:30.520
<v Speaker 3>was like, he's the baddest.

2:38:31.440 --> 2:38:33.560
<v Speaker 4>Come on, this is rape.

2:38:34.240 --> 2:38:35.960
<v Speaker 3>At some point do we get are we gonna have

2:38:36.040 --> 2:38:37.120
<v Speaker 3>some accountability here?

2:38:37.400 --> 2:38:40.200
<v Speaker 5>And the thing is this, Although it is true that

2:38:40.280 --> 2:38:43.120
<v Speaker 5>there's ghost writing in hip hop, although it is true

2:38:43.160 --> 2:38:45.320
<v Speaker 5>from the beginning, Although it is true, this is the thing,

2:38:45.440 --> 2:38:47.279
<v Speaker 5>this is, This is where we have to be understanding

2:38:47.280 --> 2:38:49.760
<v Speaker 5>of it. Although we used to be honest, although it

2:38:49.879 --> 2:38:56.920
<v Speaker 5>is true, the overlying rule in hip hop, that is

2:38:57.000 --> 2:38:59.320
<v Speaker 5>the overlying rule in hip hop.

2:38:59.400 --> 2:39:03.840
<v Speaker 1>But best groups of all time? Who n w A

2:39:04.160 --> 2:39:05.680
<v Speaker 1>said Ice Cube?

2:39:05.760 --> 2:39:05.880
<v Speaker 3>Right?

2:39:05.959 --> 2:39:08.680
<v Speaker 1>The rhymes that I say, like, I didn't even I

2:39:08.720 --> 2:39:09.960
<v Speaker 1>didn't even know what he was saying.

2:39:10.080 --> 2:39:12.240
<v Speaker 4>Back then when I thought about it, I said, holy

2:39:12.400 --> 2:39:14.240
<v Speaker 4>shell from But.

2:39:14.320 --> 2:39:16.320
<v Speaker 3>That was that was only easy and dre.

2:39:16.680 --> 2:39:19.160
<v Speaker 4>But I'm gonna be honest I and Doctor Drake is

2:39:19.200 --> 2:39:19.640
<v Speaker 4>the way with it.

2:39:20.120 --> 2:39:24.879
<v Speaker 2>They didn't never saying they were mcs or rappers.

2:39:25.040 --> 2:39:27.360
<v Speaker 3>Really really true, right, they were a team.

2:39:28.440 --> 2:39:30.520
<v Speaker 2>Ice You were the only true mcs.

2:39:32.520 --> 2:39:35.520
<v Speaker 3>And then came d C from tech Corse. At d C,

2:39:35.760 --> 2:39:39.920
<v Speaker 3>he was writing writing like a motherfucker right, incredible, incredible

2:39:40.000 --> 2:39:43.400
<v Speaker 3>or incredible. But Doctor Dre ain't never said yeah I

2:39:43.480 --> 2:39:45.440
<v Speaker 3>got the bars, yeah d o C.

2:39:45.720 --> 2:39:47.440
<v Speaker 4>You know what I'm saying, Like he ain't ship.

2:39:48.120 --> 2:39:51.000
<v Speaker 3>I'm doctor Dre, doc p r E. I spent all

2:39:51.040 --> 2:39:53.680
<v Speaker 3>this ship I wrote for him and these other niggas

2:39:53.760 --> 2:40:00.680
<v Speaker 3>like you Shenanigan, and they did not. And I think

2:40:01.400 --> 2:40:06.280
<v Speaker 3>if nothing else is called rap. If you can't rap, good,

2:40:08.560 --> 2:40:13.320
<v Speaker 3>beat it. If you don't write your wraps, but you're

2:40:13.400 --> 2:40:16.040
<v Speaker 3>good to the system, great, Just don't act like you

2:40:16.200 --> 2:40:18.600
<v Speaker 3>do what we do. So I think Kanye should have

2:40:18.600 --> 2:40:23.920
<v Speaker 3>stopped from the man. I'm like, stop the like, uh,

2:40:24.600 --> 2:40:27.400
<v Speaker 3>I ain't been doing whoever the fuck you think you are?

2:40:29.160 --> 2:40:37.000
<v Speaker 3>Your cornball, I'll tell you sy well think Kanye? I think, well,

2:40:37.040 --> 2:40:39.320
<v Speaker 3>you know I lived with jay Z. It's time to

2:40:39.360 --> 2:40:43.440
<v Speaker 3>stop with you. Live I did. I lived on State Street.

2:40:44.280 --> 2:40:46.600
<v Speaker 3>I lived. I lived before this album came out. That's

2:40:46.600 --> 2:40:52.720
<v Speaker 3>why I got the jazz O record. I lived on

2:40:53.320 --> 2:40:58.280
<v Speaker 3>State Street with no I lived in the apartment with

2:40:58.480 --> 2:41:00.680
<v Speaker 3>Tim beat High and jay Z. What did you not

2:41:00.840 --> 2:41:01.280
<v Speaker 3>live with that?

2:41:03.440 --> 2:41:03.760
<v Speaker 10>This guy?

2:41:04.200 --> 2:41:04.760
<v Speaker 3>What are you doing?

2:41:05.200 --> 2:41:06.600
<v Speaker 2>I'm an Airbnb company.

2:41:06.680 --> 2:41:09.680
<v Speaker 3>You tied to bro stupid fucking l A kid that

2:41:09.760 --> 2:41:12.480
<v Speaker 3>went on a dream called I believe when it's rap shit.

2:41:12.520 --> 2:41:14.400
<v Speaker 3>I was getting the bag. I had already fucked up.

2:41:14.760 --> 2:41:18.080
<v Speaker 3>I went on the journey, bro, yeah, I mean ship.

2:41:18.160 --> 2:41:20.400
<v Speaker 3>I asked them, if I'm a lining nigga, they gonna

2:41:20.400 --> 2:41:24.080
<v Speaker 3>tell you my story. My story adds up. These nigga

2:41:24.160 --> 2:41:25.080
<v Speaker 3>stories don't add all.

2:41:25.120 --> 2:41:27.240
<v Speaker 2>Right, what's the jay Z living story?

2:41:29.640 --> 2:41:32.640
<v Speaker 3>H Jay's my label made first album priority?

2:41:33.160 --> 2:41:35.520
<v Speaker 4>Yeah right, oh yeah, that's right, right, that's right.

2:41:35.879 --> 2:41:39.440
<v Speaker 3>So that's that's how you all connect. And at some point,

2:41:40.160 --> 2:41:41.920
<v Speaker 3>what did you think about him when you first met him?

2:41:42.920 --> 2:41:48.360
<v Speaker 3>I actually protected him. Snoop shipped on him. Who Snoopy

2:41:48.600 --> 2:41:51.400
<v Speaker 3>Dog our label made shipped on him.

2:41:52.080 --> 2:41:55.039
<v Speaker 2>Really, this is during the beginning of the East Coast

2:41:55.040 --> 2:41:55.640
<v Speaker 2>West Coast ship.

2:41:56.000 --> 2:41:59.840
<v Speaker 3>No. When this is East Coast Killer, West Coast cap

2:42:00.040 --> 2:42:05.240
<v Speaker 3>hillis little monkey niggas tonguerrillas. I'm on the radio, I'm

2:42:05.400 --> 2:42:08.880
<v Speaker 3>up and coming where all labelmates Snoop calls in and

2:42:09.000 --> 2:42:12.120
<v Speaker 3>ships on jay Z. And they asked me what I

2:42:12.240 --> 2:42:14.480
<v Speaker 3>think about it? And I say, I think Snoops are wrong.

2:42:14.560 --> 2:42:20.720
<v Speaker 3>Y'all don't think he understood the bar mm hm, So

2:42:21.080 --> 2:42:24.800
<v Speaker 3>I say, jay Z ain't sol no records, the company

2:42:24.879 --> 2:42:26.600
<v Speaker 3>don't already don't fuck with jay Z.

2:42:27.680 --> 2:42:29.240
<v Speaker 4>But reasonable doubt is fire.

2:42:29.760 --> 2:42:31.520
<v Speaker 2>I'm like, reasonable is already out.

2:42:31.720 --> 2:42:39.039
<v Speaker 3>Yeah, the failed record, failed, failed failed record, Yes, it's failed.

2:42:39.680 --> 2:42:43.920
<v Speaker 3>Do the math. See when it comes out, see when

2:42:43.959 --> 2:42:47.120
<v Speaker 3>the single comes out. I'm telling me what they expected,

2:42:47.200 --> 2:42:49.959
<v Speaker 3>her saying he his B side of.

2:42:50.040 --> 2:42:51.119
<v Speaker 4>The Hustle already came out.

2:42:52.400 --> 2:42:57.280
<v Speaker 3>No dead press President President is coming out there on

2:42:57.320 --> 2:43:01.120
<v Speaker 3>the record. No, ain't came out as they're never what

2:43:01.640 --> 2:43:06.720
<v Speaker 3>independent asshole label would shoot a fucking record for B side?

2:43:07.600 --> 2:43:12.320
<v Speaker 3>Right then it's over. I'm I'm telling you what the execs,

2:43:12.480 --> 2:43:14.680
<v Speaker 3>the bean counters are saying.

2:43:16.000 --> 2:43:20.240
<v Speaker 4>You want to shoot this. They're saying in front of me.

2:43:20.400 --> 2:43:23.080
<v Speaker 3>I'm an I'm an artist too, I'm signed for my

2:43:23.200 --> 2:43:25.800
<v Speaker 3>amount of money whatever. They're like, nah, we're never going

2:43:25.879 --> 2:43:28.400
<v Speaker 3>to do that. I'm like, I think it's fire. This

2:43:28.520 --> 2:43:33.000
<v Speaker 3>almost incredible man being record. I'm like, this ship fire

2:43:33.040 --> 2:43:35.840
<v Speaker 3>and I already know, bro, that's the Hawaiian Sophie Niggas.

2:43:37.240 --> 2:43:39.760
<v Speaker 3>I know what I know. Now, maybe you being counters,

2:43:39.800 --> 2:43:44.200
<v Speaker 3>don't know who you're dealing with. Niggas Fire, Snoop don't know.

2:43:45.320 --> 2:43:47.320
<v Speaker 3>So I told my so, why did you think Snoop

2:43:47.400 --> 2:43:49.480
<v Speaker 3>did that? I mean, I never because he didn't know.

2:43:49.640 --> 2:43:51.800
<v Speaker 3>And it's in that all East and West.

2:43:51.840 --> 2:43:54.680
<v Speaker 2>But no record is this.

2:43:55.360 --> 2:43:58.600
<v Speaker 3>This is the first jay Z out, but the Snoop record,

2:43:58.879 --> 2:44:00.440
<v Speaker 3>I don't know the something last year.

2:44:01.480 --> 2:44:02.440
<v Speaker 2>What you got to get to the bottom.

2:44:03.040 --> 2:44:05.200
<v Speaker 3>Google it and put it up on this ship right now,

2:44:05.400 --> 2:44:08.520
<v Speaker 3>Google and you picked the day and I never heard.

2:44:11.480 --> 2:44:15.280
<v Speaker 3>I never heard. So anyway, we're on the radio and

2:44:15.440 --> 2:44:18.320
<v Speaker 3>Snoop says the ship and he's like, I didn't like

2:44:18.440 --> 2:44:21.120
<v Speaker 3>what jay Z said. Okay, you know what I'm saying.

2:44:21.120 --> 2:44:23.640
<v Speaker 3>I don't like and I'm happen to be on the radio,

2:44:23.680 --> 2:44:25.120
<v Speaker 3>and I'm just like, with.

2:44:25.320 --> 2:44:28.240
<v Speaker 1>That lot of East Coast Killers, that was a reasonable

2:44:28.560 --> 2:44:31.760
<v Speaker 1>So that's dead Press, these schools West Coast Killers.

2:44:31.800 --> 2:44:34.120
<v Speaker 2>Wasn't that the dra Ship? On Aftermath?

2:44:35.600 --> 2:44:37.160
<v Speaker 4>Are you tipsy? Are you talking with me?

2:44:38.200 --> 2:44:38.879
<v Speaker 2>I'm serious?

2:44:39.440 --> 2:44:44.880
<v Speaker 3>Okay. So Karris on dad Press, he says, oh you

2:44:45.000 --> 2:44:51.680
<v Speaker 3>mean j Body, Yes, A little Monkey Niggas Tonguebrellers on

2:44:51.840 --> 2:44:53.800
<v Speaker 3>Damn Press, which is one of my favorite records.

2:44:53.800 --> 2:44:55.600
<v Speaker 4>I don't like the remix. I like the original.

2:44:56.120 --> 2:44:57.240
<v Speaker 3>We have to talk very clear.

2:44:57.280 --> 2:44:59.600
<v Speaker 2>When you say dead Press, everybody's gonna think you're thinking

2:44:59.600 --> 2:45:02.320
<v Speaker 2>about dead The group oh no, no Dead Presidents.

2:45:02.480 --> 2:45:06.880
<v Speaker 3>The record J's Dead Presidence. Yes, So they all come

2:45:06.959 --> 2:45:09.560
<v Speaker 3>out around the same time my album.

2:45:11.879 --> 2:45:14.320
<v Speaker 4>James Record, Who Changed J.

2:45:16.160 --> 2:45:18.040
<v Speaker 3>And So I remember just being on the radio in

2:45:18.200 --> 2:45:22.440
<v Speaker 3>La and I had to defend in La Jayme's record.

2:45:22.480 --> 2:45:26.199
<v Speaker 3>I was like, I don't think the sophisticated ear would

2:45:26.280 --> 2:45:32.080
<v Speaker 3>know that jay Z's not dissing La. I said, what

2:45:32.320 --> 2:45:34.879
<v Speaker 3>I would find offense too is too much West Coast

2:45:34.959 --> 2:45:38.840
<v Speaker 3>dick Licking, which is a different song that's two twenty two's.

2:45:40.080 --> 2:45:42.160
<v Speaker 4>My ear is to the street on these bars.

2:45:42.760 --> 2:45:45.880
<v Speaker 3>I'll tell you when the nigga talk and slick because

2:45:45.920 --> 2:45:49.400
<v Speaker 3>I can talk slick too. I shoot at niggas too.

2:45:49.720 --> 2:45:53.200
<v Speaker 3>So whatever we get like all your favorites could get it.

2:45:53.280 --> 2:45:55.640
<v Speaker 3>But I don't think what jay was talking about was

2:45:55.720 --> 2:45:59.160
<v Speaker 3>that he was trying to do like Queen's niggas talk

2:45:59.280 --> 2:46:02.920
<v Speaker 3>different and Compton niggas that talk different.

2:46:03.200 --> 2:46:05.039
<v Speaker 5>And when I told Norrie Rick Ross was in saying

2:46:05.080 --> 2:46:12.120
<v Speaker 5>you and hustling, that was a conversation we did that.

2:46:14.920 --> 2:46:19.080
<v Speaker 3>So with that being said, I just always wanted because

2:46:19.080 --> 2:46:22.119
<v Speaker 3>I felt like you were lying to me. Y'all, Really

2:46:22.200 --> 2:46:22.840
<v Speaker 3>you really have it?

2:46:22.959 --> 2:46:35.160
<v Speaker 2>Remembering you not at first, No, word not. Don't worry.

2:46:35.360 --> 2:46:36.119
<v Speaker 2>It wasn't working.

2:46:36.440 --> 2:46:37.240
<v Speaker 3>Instance not you.

2:46:38.440 --> 2:46:39.040
<v Speaker 4>I got over it.

2:46:39.120 --> 2:46:43.160
<v Speaker 3>That. Wow. Okay, you're a good friend. You got you

2:46:43.240 --> 2:46:47.880
<v Speaker 3>guys have been good friend really? Yeah?

2:46:48.040 --> 2:46:50.840
<v Speaker 2>Hello it want to take a shot?

2:46:51.480 --> 2:46:52.400
<v Speaker 3>No, I want to kill you?

2:46:53.200 --> 2:46:53.840
<v Speaker 4>How do I do that?

2:46:54.160 --> 2:46:55.160
<v Speaker 2>You want to kill me something?

2:46:55.320 --> 2:46:55.440
<v Speaker 3>Now?

2:46:56.040 --> 2:46:58.720
<v Speaker 4>I feel like you can. I pissed real quick.

2:46:59.120 --> 2:46:59.960
<v Speaker 2>Yeah, I pissed the mill.

2:47:00.120 --> 2:47:04.520
<v Speaker 3>Time to go for it? Wait will you? I'll be

2:47:04.640 --> 2:47:05.280
<v Speaker 3>right back okay?

2:47:05.360 --> 2:47:07.560
<v Speaker 4>Cool? No, No, we won't go anywhere.

2:47:07.560 --> 2:47:08.040
<v Speaker 2>I promise.

2:47:09.240 --> 2:47:18.600
<v Speaker 3>Oh that you can't right back for real? All this fun? Really?

2:47:23.000 --> 2:47:23.480
<v Speaker 3>So I know.

2:47:23.680 --> 2:47:23.880
<v Speaker 2>I know.

2:47:23.959 --> 2:47:27.280
<v Speaker 1>I asked you earlier, what was your favorite album? What's

2:47:27.320 --> 2:47:29.920
<v Speaker 1>the album that you wish you you could take back?

2:47:30.840 --> 2:47:31.600
<v Speaker 1>You got thirty six?

2:47:32.959 --> 2:47:36.000
<v Speaker 3>Do you consider all not believe that that's true for

2:47:36.080 --> 2:47:38.080
<v Speaker 3>one thirty six releases?

2:47:39.720 --> 2:47:41.320
<v Speaker 2>Consider them all out your album?

2:47:43.240 --> 2:47:46.280
<v Speaker 3>Yeah? I believe. I mean in thirty years nigga? Yeah?

2:47:46.800 --> 2:47:48.520
<v Speaker 3>Oh yeah, fun, I need stuff.

2:47:48.800 --> 2:47:49.120
<v Speaker 4>I don't know.

2:47:49.720 --> 2:47:57.119
<v Speaker 3>Thirty years. Yeah, he's been thirty years of like since

2:47:57.280 --> 2:48:01.480
<v Speaker 3>the people guess about here. No, that's.

2:48:03.040 --> 2:48:04.160
<v Speaker 2>The anniversary of it.

2:48:04.280 --> 2:48:08.920
<v Speaker 3>I know. It's crazy. Think about it though, you guys,

2:48:09.800 --> 2:48:11.959
<v Speaker 3>think about the nips and the pox and the big

2:48:12.040 --> 2:48:14.680
<v Speaker 3>age and like just not even to be able to

2:48:14.760 --> 2:48:18.520
<v Speaker 3>celebrate ten years of the journey and still legacies that

2:48:18.600 --> 2:48:21.000
<v Speaker 3>affect us. So for me, I always just kind of

2:48:21.040 --> 2:48:28.120
<v Speaker 3>find it like I'm grateful to be here. I'm not

2:48:28.400 --> 2:48:31.280
<v Speaker 3>comparing like oh I need what so and so God,

2:48:32.640 --> 2:48:35.959
<v Speaker 3>but like nips like you know, for Nipsey or big

2:48:36.080 --> 2:48:37.680
<v Speaker 3>you know what I'm saying, not even to be able

2:48:37.720 --> 2:48:41.640
<v Speaker 3>to enjoy like m your your kid turning.

2:48:41.840 --> 2:48:45.439
<v Speaker 4>So life is precious, like no functions.

2:48:45.560 --> 2:48:48.200
<v Speaker 1>So if you had a chance to do over, you

2:48:48.200 --> 2:48:53.240
<v Speaker 1>would say, now, I wouldn't do it. Well none.

2:48:53.959 --> 2:48:56.760
<v Speaker 3>I'm with everything I said when I said fu so

2:48:56.800 --> 2:48:59.000
<v Speaker 3>and so, whatever I said, I meant it at the time.

2:48:59.520 --> 2:49:02.360
<v Speaker 3>I ain't got no regrets, no regrets. You ever seen

2:49:02.400 --> 2:49:08.920
<v Speaker 3>the tattoos regirts right right, Yeah, I'm totally okay with Like,

2:49:09.800 --> 2:49:12.680
<v Speaker 3>even if I feel differently now, at least I felt

2:49:12.720 --> 2:49:15.640
<v Speaker 3>how I felt at least because these are time capsules

2:49:15.720 --> 2:49:19.680
<v Speaker 3>about how I felt at the time. Absolutely so. Maybe

2:49:19.720 --> 2:49:21.840
<v Speaker 3>I was mad at my mom, maybe I was sad

2:49:21.879 --> 2:49:25.520
<v Speaker 3>about this or whatever. These are time capsules. That's what

2:49:26.000 --> 2:49:31.080
<v Speaker 3>art is. These people, everything that we do, every monument,

2:49:31.440 --> 2:49:34.200
<v Speaker 3>even us as fucking children, think about this from a

2:49:34.240 --> 2:49:39.680
<v Speaker 3>philosophical standpoint, we are the culmination of everybody before us.

2:49:40.400 --> 2:49:45.680
<v Speaker 3>Wild I'm talking about before however long you think people

2:49:45.760 --> 2:49:46.439
<v Speaker 3>were made.

2:49:46.920 --> 2:49:48.360
<v Speaker 2>That survived for you to be here.

2:49:48.520 --> 2:49:53.080
<v Speaker 3>Right, we are just here and now we're parents that

2:49:53.200 --> 2:49:57.760
<v Speaker 3>we're creating art and whatever were.

2:49:56.680 --> 2:49:59.879
<v Speaker 2>Like fuck sees or fuck this or like Nike.

2:50:00.760 --> 2:50:02.560
<v Speaker 4>I mean, it's a beautiful journey.

2:50:02.640 --> 2:50:05.720
<v Speaker 3>Man. I'm trying to embrace the grind. I'm trying to

2:50:05.720 --> 2:50:08.960
<v Speaker 3>embrace the journey and enjoy my life while trying to

2:50:09.040 --> 2:50:12.600
<v Speaker 3>at least do a good job while I'm here. You

2:50:12.680 --> 2:50:15.040
<v Speaker 3>know what I mean. That's the I would hope that's

2:50:15.400 --> 2:50:18.800
<v Speaker 3>the most important thing is like, enjoy it, live it,

2:50:19.160 --> 2:50:22.760
<v Speaker 3>love it, and capitalize off of it.

2:50:23.040 --> 2:50:26.400
<v Speaker 4>I'm on big bread, but big.

2:50:26.320 --> 2:50:31.920
<v Speaker 3>Fun I do. My mom, my mom before she passed

2:50:35.360 --> 2:50:40.680
<v Speaker 3>a long time ago. She fucked me up. And I'm

2:50:40.680 --> 2:50:44.200
<v Speaker 3>gonna share something personal. So my mother only just died

2:50:44.240 --> 2:50:48.440
<v Speaker 3>about then seven months ago. I got four sisters. I

2:50:48.560 --> 2:50:51.640
<v Speaker 3>got four sisters, thank you, thanks for the condolences, but

2:50:51.760 --> 2:50:57.840
<v Speaker 3>that's not my issue. I got four sisters, three older,

2:50:58.000 --> 2:51:01.640
<v Speaker 3>one younger. So what makes me tick has never been

2:51:02.240 --> 2:51:05.000
<v Speaker 3>and I'm a creole. My mom from Louisiana, My daddy's

2:51:05.040 --> 2:51:07.400
<v Speaker 3>mark saf So I'm just clarified what the fuck I am.

2:51:08.040 --> 2:51:10.840
<v Speaker 3>Ain't no nigga ever gonna change me anyway, because even

2:51:10.920 --> 2:51:13.680
<v Speaker 3>when I was born in LA, I used to be

2:51:13.760 --> 2:51:17.480
<v Speaker 3>the darkest kid in my family. You are Latino, I'm

2:51:17.520 --> 2:51:21.360
<v Speaker 3>a creole, French blood whatever. So I've always had a journey.

2:51:21.360 --> 2:51:24.680
<v Speaker 3>I wrote about it on my first album, You're not

2:51:24.760 --> 2:51:28.959
<v Speaker 3>Gonna Force Me to do shit. Always felt very strongly

2:51:29.080 --> 2:51:31.519
<v Speaker 3>and had a strong protective family about.

2:51:32.920 --> 2:51:33.200
<v Speaker 4>Self.

2:51:34.760 --> 2:51:37.120
<v Speaker 3>I made many mistakes, but my family allowed me to

2:51:37.160 --> 2:51:39.879
<v Speaker 3>make mistakes, and my homeboys did also helped me too.

2:51:40.280 --> 2:51:42.240
<v Speaker 3>But I think one of the things is part of

2:51:42.320 --> 2:51:45.119
<v Speaker 3>this journey is the love part. I grow Catholic as fuck.

2:51:45.600 --> 2:51:48.560
<v Speaker 3>I know my seventh Sacraments. I grew up with whatever

2:51:48.720 --> 2:51:51.760
<v Speaker 3>like even in La like you ask to be all

2:51:51.800 --> 2:51:53.920
<v Speaker 3>crip shit, I'm telling you, it was much harder to

2:51:53.959 --> 2:51:59.040
<v Speaker 3>even identify with blacks culturally because I identified with Latinos.

2:52:00.640 --> 2:52:06.640
<v Speaker 3>I mean, who's poor and Catholic in La? So I

2:52:06.760 --> 2:52:10.560
<v Speaker 3>always feel like the bigger point is to express yourself,

2:52:11.160 --> 2:52:15.640
<v Speaker 3>and I'm grateful to have an opportunity, at fifty years old,

2:52:17.240 --> 2:52:23.440
<v Speaker 3>to be able to express myself and be honest and

2:52:23.640 --> 2:52:30.400
<v Speaker 3>hopefully not bitter and jaded and inform people about because

2:52:30.959 --> 2:52:34.920
<v Speaker 3>I didn't listen to my father, or I listened.

2:52:34.680 --> 2:52:38.520
<v Speaker 4>To my mother because she's a tyrant. She was a tyrant.

2:52:38.560 --> 2:52:42.360
<v Speaker 3>She was awesome. But you know that we do better,

2:52:43.000 --> 2:52:44.960
<v Speaker 3>like I want to be able to be in a

2:52:45.040 --> 2:52:49.360
<v Speaker 3>place where I can give people game, gain people up.

2:52:49.520 --> 2:52:52.000
<v Speaker 3>Make sure you know what I'm saying. We're protecting what's

2:52:52.080 --> 2:52:55.400
<v Speaker 3>most important, which is all our civilizations, all our people.

2:52:57.640 --> 2:53:01.039
<v Speaker 3>How do we build bigger businesses? And I really don't

2:53:01.320 --> 2:53:05.600
<v Speaker 3>even think that we should even start celebrating people that

2:53:05.760 --> 2:53:10.440
<v Speaker 3>have been celebrities, because they don't deserve to be celebrated anymore.

2:53:10.760 --> 2:53:13.400
<v Speaker 3>I think after two hundred million, if you ain't helping nobody,

2:53:13.440 --> 2:53:14.920
<v Speaker 3>then we shouldn't talk about you no more.

2:53:16.760 --> 2:53:17.879
<v Speaker 4>If you make two hundred.

2:53:17.640 --> 2:53:20.080
<v Speaker 3>Million dollars and you ain't out here really doing the

2:53:20.120 --> 2:53:24.960
<v Speaker 3>people's work, you beat the monopoly board, you're going to

2:53:25.000 --> 2:53:27.920
<v Speaker 3>fold yours up, and then we're just not going to

2:53:28.000 --> 2:53:30.400
<v Speaker 3>give you nothing. We'll find somebody else, find somebody to help.

2:53:30.760 --> 2:53:34.440
<v Speaker 3>I think we need to start bringing our energy differently.

2:53:34.560 --> 2:53:37.280
<v Speaker 3>I don't have to shit on nobody for me to

2:53:37.320 --> 2:53:41.680
<v Speaker 3>feel better. I don't think that are like people are

2:53:41.800 --> 2:53:45.680
<v Speaker 3>all like algorithms. Niggas act like the algorithm is like

2:53:47.480 --> 2:53:50.920
<v Speaker 3>I don't know. Niggas. No, No, Niggas act like the

2:53:51.000 --> 2:53:57.760
<v Speaker 3>algorithm is like science, like pie. They were like, you

2:53:57.840 --> 2:54:02.279
<v Speaker 3>know what I'm saying, Like certain degrees, you freezer a nigga,

2:54:02.400 --> 2:54:05.160
<v Speaker 3>make it and guess what nigga he looked like, not

2:54:05.440 --> 2:54:10.360
<v Speaker 3>like you. Eli must changed and called it something different.

2:54:10.840 --> 2:54:14.720
<v Speaker 3>Twitter became ex and nigger and beaner became a word.

2:54:16.080 --> 2:54:16.800
<v Speaker 4>Way more often.

2:54:17.240 --> 2:54:21.920
<v Speaker 3>Stop bowing to white people's ideas because you are going

2:54:22.000 --> 2:54:27.480
<v Speaker 3>to lose that game. Stop Latinos. You're not gonna like

2:54:27.560 --> 2:54:29.959
<v Speaker 3>this what I'm gonna say it. Stop thinking your Spanish

2:54:30.200 --> 2:54:35.359
<v Speaker 3>Spain don't like you we do. Stop bowing to America.

2:54:35.720 --> 2:54:39.720
<v Speaker 3>America has told you you're not welcome here, except here's

2:54:39.760 --> 2:54:40.160
<v Speaker 3>the truth.

2:54:40.440 --> 2:54:41.240
<v Speaker 4>It's our land.

2:54:41.879 --> 2:54:43.879
<v Speaker 3>We got to start learning how to love each other

2:54:44.360 --> 2:54:48.200
<v Speaker 3>and stop letting these constructs change us from being the

2:54:48.280 --> 2:54:51.600
<v Speaker 3>best people we can. And that's really one of my

2:54:51.680 --> 2:54:54.720
<v Speaker 3>bigger points about even this album and everything I've ever

2:54:54.800 --> 2:54:55.280
<v Speaker 3>tried to make.

2:54:55.879 --> 2:54:57.720
<v Speaker 4>You could take my money, but you couldn't take who

2:54:57.760 --> 2:54:58.040
<v Speaker 4>I was.

2:54:59.120 --> 2:55:02.000
<v Speaker 3>You could take being important, but I bar your favorite

2:55:02.040 --> 2:55:05.480
<v Speaker 3>nigga out you can't have he can't beat me rapping.

2:55:05.840 --> 2:55:09.960
<v Speaker 3>You can make it more important than me. I got

2:55:10.040 --> 2:55:12.199
<v Speaker 3>a good face, I'll take it. I'll take this bitch.

2:55:13.160 --> 2:55:16.600
<v Speaker 3>I do so I'm on that. I want us to

2:55:16.840 --> 2:55:21.440
<v Speaker 3>like get back to for the culture for business. We

2:55:21.680 --> 2:55:24.480
<v Speaker 3>can own our own businesses. And I think that's kind

2:55:24.520 --> 2:55:27.360
<v Speaker 3>of part of the reason why I've always stuck to

2:55:27.440 --> 2:55:30.920
<v Speaker 3>my guns is because I came from a good family

2:55:31.520 --> 2:55:35.680
<v Speaker 3>that supported the collectives. Because if it's just about you,

2:55:36.040 --> 2:55:39.640
<v Speaker 3>then think about it, you become the person that.

2:55:41.320 --> 2:55:42.240
<v Speaker 4>Only thinks about you.

2:55:43.400 --> 2:55:46.400
<v Speaker 3>Think about it, think about your billionaires, and a nigga

2:55:46.600 --> 2:55:49.240
<v Speaker 3>be crying like nobody like, are you kidding me? You

2:55:49.280 --> 2:55:54.000
<v Speaker 3>gotta beat it? Well, I mean they expect that from them.

2:55:54.080 --> 2:55:58.080
<v Speaker 3>I know our own kind that's sitting fucking ivory towers

2:55:58.200 --> 2:56:00.880
<v Speaker 3>all over and be like think like, I'm like, are

2:56:00.920 --> 2:56:03.120
<v Speaker 3>you kidding me? I've had to talk to people. Have

2:56:03.200 --> 2:56:05.920
<v Speaker 3>you ever talked to somebody that was so rich? But

2:56:06.080 --> 2:56:09.879
<v Speaker 3>they're acting like I'm not Like I'm like, my dude,

2:56:10.360 --> 2:56:13.280
<v Speaker 3>a girl, do you know how much money you have?

2:56:14.320 --> 2:56:20.560
<v Speaker 3>Like you're sitting in a fucking hundred and twenty thousand

2:56:20.879 --> 2:56:24.880
<v Speaker 3>dollars a night whatever, Like you're fuck I've met Have

2:56:24.959 --> 2:56:25.840
<v Speaker 3>you ever met a princess?

2:56:26.240 --> 2:56:26.280
<v Speaker 9>You?

2:56:26.440 --> 2:56:30.280
<v Speaker 3>Have you met a princess? Have you ever met a

2:56:30.320 --> 2:56:34.160
<v Speaker 3>real princess? Like a real like, oh god, I met you.

2:56:34.920 --> 2:56:38.640
<v Speaker 3>They have their many different countries. Have you never met

2:56:38.680 --> 2:56:41.640
<v Speaker 3>a person in a prince let alone? Have you ever

2:56:42.040 --> 2:56:45.360
<v Speaker 3>knocked the one? But the point is, yeah, it's people.

2:56:45.959 --> 2:56:50.440
<v Speaker 3>Everything's in somebody's mind. They're the victim. But sometimes it's like, bro,

2:56:50.560 --> 2:56:54.040
<v Speaker 3>are you kidding me? Like you're super up? You ain't

2:56:54.080 --> 2:56:55.960
<v Speaker 3>never had a homeboy that's super rich and he's just

2:56:56.080 --> 2:56:58.760
<v Speaker 3>like everybody's gut me. I'm like, bitch, what are you

2:56:58.920 --> 2:57:04.880
<v Speaker 3>talking about? You got the nigga? You're filthy? And so

2:57:05.400 --> 2:57:09.600
<v Speaker 3>I think, to be honest, we talk the audience wants

2:57:09.680 --> 2:57:15.600
<v Speaker 3>to be. People want to feel people want That's why

2:57:15.680 --> 2:57:19.280
<v Speaker 3>people watch it because they want to either talk shit

2:57:19.320 --> 2:57:22.880
<v Speaker 3>about people that they look up to. I just think

2:57:23.760 --> 2:57:28.440
<v Speaker 3>ultimately the end game about art is to express and

2:57:28.560 --> 2:57:31.480
<v Speaker 3>share who we are, because those are gonna be like

2:57:31.920 --> 2:57:35.200
<v Speaker 3>I don't even think drink Champ again in season. I'm

2:57:35.240 --> 2:57:38.040
<v Speaker 3>telling you, I think what you do is art because

2:57:38.080 --> 2:57:40.640
<v Speaker 3>you get us all to fucking turn into our real selves.

2:57:40.840 --> 2:57:45.400
<v Speaker 3>And I think that's inspiring. I think it's fun and

2:57:45.959 --> 2:57:48.240
<v Speaker 3>we all, you know, we know each other to some degree.

2:57:49.160 --> 2:57:52.039
<v Speaker 3>Some shit gotta get real and and tell niggas when

2:57:52.040 --> 2:57:54.000
<v Speaker 3>they full of shit. You should including me.

2:57:54.200 --> 2:57:58.000
<v Speaker 1>You ready, let me let me uh bounce around with

2:57:58.080 --> 2:58:01.440
<v Speaker 1>the with the track list for a second. Leopards eat face.

2:58:02.440 --> 2:58:06.520
<v Speaker 1>I've heard you say that before. M hmm okay in

2:58:06.640 --> 2:58:10.760
<v Speaker 1>an interview, Yes, sir, So what does that exactly mean?

2:58:10.840 --> 2:58:13.440
<v Speaker 1>I know it's sulf explanatory, but let's just break it down.

2:58:13.600 --> 2:58:15.800
<v Speaker 4>You're about to roll a cigarette. Ahead, you can roll it,

2:58:16.280 --> 2:58:16.880
<v Speaker 4>don't smoke it?

2:58:18.000 --> 2:58:20.080
<v Speaker 3>Did you smoke it? Ready? We'll go outside. I'll go outside.

2:58:20.240 --> 2:58:24.760
<v Speaker 3>You sad you're going to smoke a cigarette? Did you know?

2:58:24.879 --> 2:58:26.680
<v Speaker 3>I said that was earlier? I said I was gonna

2:58:26.680 --> 2:58:33.000
<v Speaker 3>go poop buddy, and then came out like.

2:58:34.560 --> 2:58:35.039
<v Speaker 1>Ady.

2:58:35.680 --> 2:58:39.440
<v Speaker 3>So yeah, I lost. I couldn't even pool ith like.

2:58:39.800 --> 2:58:41.960
<v Speaker 4>It got weird. So the leopards to eat fish. So

2:58:42.280 --> 2:58:45.840
<v Speaker 4>you know, I'm sorry you all right? So the thing

2:58:46.000 --> 2:58:50.760
<v Speaker 4>is actually like this, don't put your face towards going right.

2:58:51.160 --> 2:58:54.080
<v Speaker 3>Help me as a metaphor for like, if you already

2:58:54.280 --> 2:58:57.440
<v Speaker 3>know what's going to happen and you do it, don't

2:58:57.560 --> 2:59:01.400
<v Speaker 3>act like you're surprised if it happened. That's really the metaphor.

2:59:01.640 --> 2:59:05.560
<v Speaker 3>So it was really about political ship. So really it

2:59:05.680 --> 2:59:10.160
<v Speaker 3>was like Latinos for Trump. Yeah, we're win at me, buddy.

2:59:10.240 --> 2:59:12.840
<v Speaker 3>Hey man, weird. I promised that.

2:59:13.000 --> 2:59:16.080
<v Speaker 2>God no, I was just I'm Cuman, but that wasn't

2:59:16.120 --> 2:59:16.720
<v Speaker 2>me man.

2:59:18.280 --> 2:59:23.680
<v Speaker 3>Muslim niggers for Trump? Whoever I did, you can mute it.

2:59:24.760 --> 2:59:27.240
<v Speaker 3>That's what I call niggas nigga. Its hard arc, hard

2:59:27.760 --> 2:59:31.040
<v Speaker 3>hard art, hard r for Trump. If you know the

2:59:31.200 --> 2:59:33.560
<v Speaker 3>dude don't like you and you do it. Let me

2:59:33.600 --> 2:59:40.640
<v Speaker 3>waiting for me? Bro times out here he's blaming me.

2:59:42.040 --> 2:59:45.640
<v Speaker 3>You want me a blood without the minesty? Uh, that's

2:59:45.720 --> 2:59:50.560
<v Speaker 3>Boris Man loved me. Can't get Can I just get.

2:59:50.520 --> 2:59:53.120
<v Speaker 2>The put a little sprinkling this.

2:59:54.680 --> 3:00:00.080
<v Speaker 3>He's gonna give me cocaine. I know it's kind. I

3:00:00.240 --> 3:00:02.720
<v Speaker 3>know it's kind. Boys. Looks me up. Come on, bro,

3:00:02.840 --> 3:00:04.880
<v Speaker 3>let me get one. Yeah.

3:00:04.959 --> 3:00:07.480
<v Speaker 4>Like a black, like a black mouth. Oh just a

3:00:07.560 --> 3:00:08.320
<v Speaker 4>regular black.

3:00:08.920 --> 3:00:13.720
<v Speaker 3>Yeah yeah, just a regular. Let's sweat it. I'm god, Yeah,

3:00:14.600 --> 3:00:15.200
<v Speaker 3>just a regular.

3:00:16.200 --> 3:00:16.360
<v Speaker 2>Hey.

3:00:16.360 --> 3:00:17.800
<v Speaker 3>How come with you outside the storm? Spirit?

3:00:21.640 --> 3:00:21.840
<v Speaker 10>Yeah?

3:00:23.480 --> 3:00:23.680
<v Speaker 8>You know.

3:00:25.240 --> 3:00:32.600
<v Speaker 3>Yeah, because I would have done it. Do it? Is

3:00:32.640 --> 3:00:35.360
<v Speaker 3>this cool? Can I put that yeah, of course, this

3:00:35.560 --> 3:00:40.160
<v Speaker 3>is amazing. Thank you guys. Absolutely, man, you said you

3:00:40.200 --> 3:00:45.520
<v Speaker 3>got more, Yeah, you gotta do. Ah, I want more.

3:00:45.520 --> 3:00:50.720
<v Speaker 2>Questions, Well, got some statements actually and question statements.

3:00:51.160 --> 3:00:53.680
<v Speaker 3>I want to do another death round. I'm just you know,

3:00:53.760 --> 3:00:56.160
<v Speaker 3>my job is being against you. Nice.

3:01:00.560 --> 3:01:02.800
<v Speaker 2>We've gotten drunk enough in our life in facts.

3:01:03.480 --> 3:01:08.760
<v Speaker 5>Absolutely no, So I just wanted to go back actually

3:01:09.360 --> 3:01:12.520
<v Speaker 5>to your sons because I just want to highlight them. Man,

3:01:12.640 --> 3:01:16.520
<v Speaker 5>we didn't we didn't say Coast Contra. The contribution that

3:01:16.560 --> 3:01:19.320
<v Speaker 5>they bring it in today is amazing. I know as

3:01:19.320 --> 3:01:20.680
<v Speaker 5>a father, I don't I don't need you to go

3:01:20.760 --> 3:01:22.400
<v Speaker 5>in death because I know you said they could speak

3:01:22.440 --> 3:01:25.880
<v Speaker 5>for themselves at some point. But you and Tidra having

3:01:25.920 --> 3:01:30.120
<v Speaker 5>these kids, I mean, and what they've become as artists,

3:01:31.200 --> 3:01:32.840
<v Speaker 5>and I mean I hope they'd be good kids to

3:01:32.879 --> 3:01:33.320
<v Speaker 5>you guys.

3:01:35.200 --> 3:01:43.520
<v Speaker 3>Well, look, people go through journeys. I can only say

3:01:44.959 --> 3:01:52.480
<v Speaker 3>that I remember, I hope this lands well. My first

3:01:52.520 --> 3:01:54.640
<v Speaker 3>album was solo Nights. I wrote to me. By this

3:01:54.800 --> 3:01:59.520
<v Speaker 3>album the second one I started writing to them. I've

3:01:59.640 --> 3:02:03.320
<v Speaker 3>written because it's this therapy for me. So I hope

3:02:03.840 --> 3:02:07.840
<v Speaker 3>the culmination of anybody's journey is that you're explaining yourself

3:02:08.680 --> 3:02:11.200
<v Speaker 3>in real time that people you love you know what

3:02:11.200 --> 3:02:14.600
<v Speaker 3>I mean, whether it's to my mother or to my sisters,

3:02:14.760 --> 3:02:17.720
<v Speaker 3>or to the love I lost. If I'm like y'all

3:02:17.879 --> 3:02:20.119
<v Speaker 3>fucked up, you know what I'm saying. I went here,

3:02:20.879 --> 3:02:22.280
<v Speaker 3>I made it, left when I should have made a

3:02:22.360 --> 3:02:25.120
<v Speaker 3>right And if that affected you, what I'm trying to say.

3:02:25.480 --> 3:02:28.240
<v Speaker 3>So for me, I write from a truth. I don't

3:02:28.280 --> 3:02:31.400
<v Speaker 3>write from a trying to get a money. Some people

3:02:31.400 --> 3:02:33.320
<v Speaker 3>are writing like, oh, you can get money, and if

3:02:33.360 --> 3:02:34.960
<v Speaker 3>I just say the right thing, I can get a

3:02:35.000 --> 3:02:37.800
<v Speaker 3>lot of money out of people. I never wrote from there.

3:02:37.959 --> 3:02:42.200
<v Speaker 3>I always felt like to be perfectly honest my friends

3:02:42.600 --> 3:02:48.000
<v Speaker 3>and my own horrible nature. I'm gonna land on my feet.

3:02:48.000 --> 3:02:50.840
<v Speaker 3>I'm gonna get some money. I'm gonna get I'm gonna

3:02:50.840 --> 3:02:54.640
<v Speaker 3>take it out of somebody, like the other part of me,

3:02:55.520 --> 3:02:59.119
<v Speaker 3>my negative energy, but my positive energy I've already. I've

3:02:59.200 --> 3:03:03.720
<v Speaker 3>always tried to write from my heart, not from really

3:03:03.800 --> 3:03:08.920
<v Speaker 3>my ego, and not from like bitter. I try to

3:03:08.959 --> 3:03:11.280
<v Speaker 3>write from love and like and trying to write from

3:03:11.320 --> 3:03:14.320
<v Speaker 3>like what am I really experiencing in real time? And

3:03:14.440 --> 3:03:17.039
<v Speaker 3>so for me, you know, with them, I want them

3:03:17.080 --> 3:03:19.360
<v Speaker 3>to have their journey. I'm still in my journey, so

3:03:19.560 --> 3:03:21.320
<v Speaker 3>they can write there as I'm writing in mind their

3:03:21.400 --> 3:03:26.000
<v Speaker 3>mom that's her journey and what's behind closed doors with

3:03:26.720 --> 3:03:29.000
<v Speaker 3>uh be and my sisters, and you know what I mean.

3:03:29.360 --> 3:03:34.600
<v Speaker 2>But she's an incredible artist. Of course, you're an incredible artist.

3:03:34.840 --> 3:03:37.200
<v Speaker 5>And then now you have these twin kids that are

3:03:37.240 --> 3:03:40.160
<v Speaker 5>become incredible artists in career.

3:03:40.200 --> 3:03:44.840
<v Speaker 3>But again, we're negating two other people. Close contra is

3:03:44.879 --> 3:03:45.640
<v Speaker 3>not two negatives.

3:03:45.879 --> 3:03:46.240
<v Speaker 2>Of course.

3:03:47.920 --> 3:03:50.800
<v Speaker 3>All I'm trying to share with you is again I

3:03:50.840 --> 3:03:53.480
<v Speaker 3>don't want I don't even know how that affects those

3:03:53.560 --> 3:03:57.280
<v Speaker 3>two people. So I want them people to have their journey.

3:03:58.840 --> 3:04:00.600
<v Speaker 5>You mean the group as a whole, Yeah, I want

3:04:00.640 --> 3:04:03.440
<v Speaker 5>those but of course, but you're on our show and

3:04:03.520 --> 3:04:06.960
<v Speaker 5>we're talking about specifically you and them and part of

3:04:07.000 --> 3:04:07.440
<v Speaker 5>that group.

3:04:08.080 --> 3:04:13.160
<v Speaker 3>So they're out. So what happened? So what happens is

3:04:13.920 --> 3:04:16.000
<v Speaker 3>so when when when a boy and a girl like

3:04:16.120 --> 3:04:16.480
<v Speaker 3>each other?

3:04:17.760 --> 3:04:20.440
<v Speaker 5>They all, right, the births of the beast, But relax, right,

3:04:21.520 --> 3:04:24.120
<v Speaker 5>we get we get the birth Listen, let me get

3:04:24.160 --> 3:04:25.160
<v Speaker 5>that going for right.

3:04:25.320 --> 3:04:28.600
<v Speaker 3>Let me give And it's not just it's not it's

3:04:28.680 --> 3:04:31.360
<v Speaker 3>not just your twins. It's it's a group as a whole.

3:04:31.400 --> 3:04:33.960
<v Speaker 2>But because you're here, we're talking about the twins a

3:04:34.000 --> 3:04:34.320
<v Speaker 2>part of that.

3:04:34.440 --> 3:04:35.039
<v Speaker 3>Girl love them.

3:04:35.120 --> 3:04:37.720
<v Speaker 2>And what's dope is that oftentimes in hip hop we say,

3:04:38.200 --> 3:04:40.400
<v Speaker 2>oh man, I wish these kids today would.

3:04:40.240 --> 3:04:42.600
<v Speaker 3>Sound like blah blah blah blah. You know what they did.

3:04:42.760 --> 3:04:45.119
<v Speaker 3>They sound like what we blah blah blah.

3:04:45.200 --> 3:04:49.440
<v Speaker 2>But even modern day version of what we want hip

3:04:49.480 --> 3:04:52.360
<v Speaker 2>hop to sound like, and better than even we thought

3:04:52.520 --> 3:04:53.360
<v Speaker 2>that it could sound like.

3:04:53.640 --> 3:04:58.320
<v Speaker 3>I am extremely supportive. It's just I want them to

3:04:58.440 --> 3:04:59.520
<v Speaker 3>have let me find out.

3:04:59.560 --> 3:05:01.440
<v Speaker 2>You're competitive with your own kids.

3:05:02.000 --> 3:05:09.480
<v Speaker 3>First of all, I would give my sons my fucking lung.

3:05:09.640 --> 3:05:11.160
<v Speaker 2>Okay, okay, I just want to make sure because you

3:05:11.200 --> 3:05:17.440
<v Speaker 2>sad like I'm treading lightly, because young men need to

3:05:17.440 --> 3:05:18.280
<v Speaker 2>feel like young men.

3:05:19.040 --> 3:05:19.400
<v Speaker 3>You don't want.

3:05:20.320 --> 3:05:20.960
<v Speaker 4>I want to know.

3:05:21.200 --> 3:05:25.960
<v Speaker 3>I want them to feel like I'm not stepping on

3:05:26.200 --> 3:05:26.920
<v Speaker 3>their toes.

3:05:27.280 --> 3:05:28.440
<v Speaker 2>You're You're just.

3:05:28.480 --> 3:05:29.080
<v Speaker 3>Trying to tell you.

3:05:29.400 --> 3:05:30.680
<v Speaker 2>It's a part of your legacy.

3:05:32.160 --> 3:05:35.920
<v Speaker 3>Legacy again, narratives or narratives. And what I'm trying to

3:05:36.000 --> 3:05:39.320
<v Speaker 3>do is with their mother, with them, with my family,

3:05:40.040 --> 3:05:42.760
<v Speaker 3>is to make sure that and with my homeboys.

3:05:42.920 --> 3:05:44.480
<v Speaker 4>You know what I'm saying that I say.

3:05:44.760 --> 3:05:49.120
<v Speaker 3>Respectfully, like it's really cool to talk about, uh, you

3:05:49.200 --> 3:05:52.360
<v Speaker 3>know with p when we were in real time.

3:05:53.440 --> 3:05:53.560
<v Speaker 2>Uh.

3:05:55.040 --> 3:06:00.440
<v Speaker 3>Children's perceptions are different than parents, absolutely, and want them

3:06:00.520 --> 3:06:02.320
<v Speaker 3>to be able to tell their story as opposed to

3:06:02.400 --> 3:06:07.119
<v Speaker 3>me having my version. They'll tell theirs when they as

3:06:07.200 --> 3:06:07.680
<v Speaker 3>they tell.

3:06:07.600 --> 3:06:09.960
<v Speaker 5>You as they will tell their stories because they're making

3:06:10.040 --> 3:06:11.800
<v Speaker 5>a great career for themselves and they.

3:06:11.760 --> 3:06:14.000
<v Speaker 3>Will have they make more money to me, you want

3:06:14.040 --> 3:06:14.680
<v Speaker 3>to keep talking about.

3:06:15.480 --> 3:06:18.320
<v Speaker 5>They will have their platforms to tell their stories. I'm

3:06:18.360 --> 3:06:21.880
<v Speaker 5>not all I'm doing right now is paying homage to you.

3:06:22.240 --> 3:06:28.720
<v Speaker 2>Damn don't. Yes, I eric do, alright, I got in

3:06:28.840 --> 3:06:31.360
<v Speaker 2>the laugh, So we'll move on from that. I love you,

3:06:32.360 --> 3:06:34.320
<v Speaker 2>love you love what your sons are doing by I.

3:06:34.400 --> 3:06:36.880
<v Speaker 3>Do too, all right, Absolutely, I love I love what

3:06:37.080 --> 3:06:43.080
<v Speaker 3>coast contra not my son, of course I love it. Bro, jesus,

3:06:43.600 --> 3:06:46.360
<v Speaker 3>you just took a shot, a super take a shot, bro.

3:06:47.840 --> 3:06:48.720
<v Speaker 3>It alienates.

3:06:49.360 --> 3:06:51.840
<v Speaker 2>No, they're dope. Took all of them are dope.

3:06:51.879 --> 3:06:54.400
<v Speaker 3>We're just saying specifically because you're here.

3:06:54.600 --> 3:06:56.640
<v Speaker 2>If their dad was here, we saying fuck your sons.

3:07:01.600 --> 3:07:06.680
<v Speaker 4>That don't mean that, but anyway, yes you did.

3:07:07.080 --> 3:07:10.080
<v Speaker 3>No I meant it literally, not did literally not literally.

3:07:10.120 --> 3:07:10.400
<v Speaker 3>I don't know.

3:07:10.440 --> 3:07:11.200
<v Speaker 2>I didn't make sense either.

3:07:11.400 --> 3:07:13.360
<v Speaker 4>Isn't that a Bay Area thing? No?

3:07:13.800 --> 3:07:16.800
<v Speaker 3>No, no, that's a that's a uh so l A

3:07:17.200 --> 3:07:20.600
<v Speaker 3>different hoods do, different ship. And then honestly, I think

3:07:20.640 --> 3:07:23.400
<v Speaker 3>it's a New York team, really New York. I feel

3:07:23.440 --> 3:07:27.440
<v Speaker 3>like that's deal man, not for real. Wait, that would

3:07:27.440 --> 3:07:30.880
<v Speaker 3>be a big area too, right me? No, no, no,

3:07:31.000 --> 3:07:34.440
<v Speaker 3>I'm telling you would say, you know what New Yorkers did.

3:07:35.600 --> 3:07:38.360
<v Speaker 3>L A niggas would do like hood ship and click ship.

3:07:38.879 --> 3:07:39.720
<v Speaker 4>New York niggas just.

3:07:39.720 --> 3:07:45.039
<v Speaker 1>Started like they didn't want to, and I was forty

3:07:45.080 --> 3:07:46.800
<v Speaker 1>ship you smell me times out.

3:07:47.560 --> 3:07:48.840
<v Speaker 4>Forty made most of the slang.

3:07:48.959 --> 3:07:51.320
<v Speaker 3>Stop it now he made all that. Yeah, I say

3:07:52.480 --> 3:07:56.080
<v Speaker 3>times out, I wasn't there, but most of l A

3:07:56.280 --> 3:08:01.000
<v Speaker 3>slang and even Atlanta and yeah, start speaking on some

3:08:01.160 --> 3:08:03.240
<v Speaker 3>other shit. I'm gonna bring you off. I'm gonna move

3:08:03.360 --> 3:08:08.640
<v Speaker 3>this needley. A lot of LA slang is base slang.

3:08:08.800 --> 3:08:11.360
<v Speaker 3>A lot of the production of the South of Atlanta

3:08:11.920 --> 3:08:15.880
<v Speaker 3>because too short, and he forty wins. It's highly influenced that'

3:08:15.920 --> 3:08:19.800
<v Speaker 3>space sound. Even what LA does right now that boom

3:08:20.000 --> 3:08:23.000
<v Speaker 3>boom boom, last time that I checked this base ship,

3:08:23.840 --> 3:08:27.800
<v Speaker 3>Yeah for sure, period so we always like hip hop

3:08:27.959 --> 3:08:32.000
<v Speaker 3>was created in the Bronx. Most people don't argue that

3:08:32.120 --> 3:08:36.680
<v Speaker 3>at this point, certain vibes got caught. So all the

3:08:36.920 --> 3:08:42.640
<v Speaker 3>Atlanta vibes, the La vibes come from the bank, and

3:08:42.720 --> 3:08:49.400
<v Speaker 3>we should give them that credit. I think motherfucker's trying

3:08:49.440 --> 3:08:52.800
<v Speaker 3>to remake shit is whack. I remember when jay Z

3:08:53.000 --> 3:08:54.960
<v Speaker 3>was wearing white T shirts in New York and then

3:08:55.160 --> 3:08:57.680
<v Speaker 3>there was like hat to the side and white T

3:08:57.840 --> 3:09:01.440
<v Speaker 3>shirt and New Yorker is like and we're arguing, like, bitch,

3:09:02.720 --> 3:09:04.840
<v Speaker 3>you did not wear white T shirts. Because when I

3:09:05.040 --> 3:09:07.320
<v Speaker 3>was in New York and like white T shirt, I

3:09:07.440 --> 3:09:10.600
<v Speaker 3>remember I had a Rolex. I'm in Times Square in

3:09:10.760 --> 3:09:14.120
<v Speaker 3>my hotel and the girls are back then I date myself.

3:09:14.320 --> 3:09:19.600
<v Speaker 3>But we wearing white teas with the roly with the

3:09:19.800 --> 3:09:23.400
<v Speaker 3>LA had but we bagging the girls and all the like.

3:09:24.280 --> 3:09:28.600
<v Speaker 3>So we're like eighteen, but we're back in like eighteen

3:09:28.720 --> 3:09:32.600
<v Speaker 3>and like like we could get the girls at McDonald's.

3:09:32.800 --> 3:09:34.680
<v Speaker 3>That's how old we were. You know what I mean,

3:09:36.760 --> 3:09:41.560
<v Speaker 3>when your kid when you're eighteen, upperly mobile McDonald's, mc donald's,

3:09:41.959 --> 3:09:45.200
<v Speaker 3>Times Square, McDonald's.

3:09:46.680 --> 3:09:47.520
<v Speaker 2>Girl, mcals.

3:09:48.400 --> 3:09:53.520
<v Speaker 3>So in nineteen ninety five and six, and seven when

3:09:53.560 --> 3:09:59.040
<v Speaker 3>you're not old, okay, that's teenager and you. But the

3:09:59.120 --> 3:10:03.160
<v Speaker 3>girls would be like. I remember one girl like she's like,

3:10:03.400 --> 3:10:08.040
<v Speaker 3>why are you wearing your undershirt? Y'all in New York

3:10:08.200 --> 3:10:13.039
<v Speaker 3>And we just yelled. He's like, bitch, bitch, bitch, bitch.

3:10:12.959 --> 3:10:16.000
<v Speaker 4>This ain't no undershirt. We were angry.

3:10:16.400 --> 3:10:18.800
<v Speaker 3>We're like, what do you mean is this was? This

3:10:19.040 --> 3:10:24.959
<v Speaker 3>was our suit uniform? Yeah, this is a uniform. She said,

3:10:25.000 --> 3:10:27.920
<v Speaker 3>why you no disrespect? Why are you wearing your uh

3:10:29.000 --> 3:10:31.760
<v Speaker 3>this shirt? So like for for that to go from

3:10:31.920 --> 3:10:36.800
<v Speaker 3>undershirts to jay Z making it like it's our uniform,

3:10:37.040 --> 3:10:41.200
<v Speaker 3>it was like, that's not no. We wore white T

3:10:41.360 --> 3:10:44.920
<v Speaker 3>shirts two pro clubs in l A just before cash

3:10:45.000 --> 3:10:48.280
<v Speaker 3>Money was doing it. Stop it while behind No, let's

3:10:48.320 --> 3:10:51.080
<v Speaker 3>just be hip hop. LA created the white tea. Knock

3:10:51.160 --> 3:10:56.560
<v Speaker 3>it off you you guys created the black team who

3:10:57.520 --> 3:11:01.480
<v Speaker 3>but Who's he? We Atlanta the South? But the tea

3:11:02.320 --> 3:11:06.440
<v Speaker 3>as a fit is an l A thing. But I

3:11:06.520 --> 3:11:10.640
<v Speaker 3>think made it really big. Stop behind I actually think

3:11:10.680 --> 3:11:13.520
<v Speaker 3>so you stop behind the white team. Jay Z with

3:11:13.720 --> 3:11:15.800
<v Speaker 3>it to the tilty Brown.

3:11:16.160 --> 3:11:18.080
<v Speaker 2>Was a jay Z I remember.

3:11:18.120 --> 3:11:20.360
<v Speaker 3>I remember that's when we go to l A.

3:11:20.440 --> 3:11:23.680
<v Speaker 1>Don't wear white white tea, right, But I thought.

3:11:23.560 --> 3:11:25.320
<v Speaker 3>The white tea was the dope boy thing. That that

3:11:25.480 --> 3:11:29.440
<v Speaker 3>was the dope boys. It's an l a uniform. We

3:11:29.600 --> 3:11:33.240
<v Speaker 3>were taught to wear that. That's how girls liked you.

3:11:33.680 --> 3:11:36.160
<v Speaker 3>You were white tea. If you got your money up,

3:11:36.240 --> 3:11:39.959
<v Speaker 3>you got too. You wore too, you would wear too.

3:11:40.600 --> 3:11:43.480
<v Speaker 4>It's weird. Okay, you left early?

3:11:45.720 --> 3:11:46.680
<v Speaker 3>When did you leave? Sir?

3:11:48.120 --> 3:11:51.120
<v Speaker 4>Back and forth when you really felt, Like.

3:11:53.840 --> 3:11:56.920
<v Speaker 2>When I became Miami officially, I was like nine years old,

3:11:58.680 --> 3:11:59.680
<v Speaker 2>so I got dog ears.

3:11:59.720 --> 3:12:06.160
<v Speaker 3>So my dog ears are La and New York. Like

3:12:06.320 --> 3:12:09.200
<v Speaker 3>when I like I had we had a cousin. Yeah,

3:12:09.200 --> 3:12:12.720
<v Speaker 3>I had a cousin then Harlem, so the dog years.

3:12:12.800 --> 3:12:16.680
<v Speaker 3>But I'm telling you, La ship white teas too. Look

3:12:16.720 --> 3:12:18.879
<v Speaker 3>at the Mexican. Look at the look at the process.

3:12:19.320 --> 3:12:20.840
<v Speaker 3>You don't need the cai. You know what.

3:12:21.200 --> 3:12:24.560
<v Speaker 2>The when you say Mexican, that makes more sense for me.

3:12:24.760 --> 3:12:28.119
<v Speaker 4>You know what, We're all the main the white teas.

3:12:28.000 --> 3:12:31.760
<v Speaker 3>All the same animals. You don't know the khakis, so

3:12:31.840 --> 3:12:36.480
<v Speaker 3>the khakis they were white with the khakis. But yeah,

3:12:36.520 --> 3:12:39.320
<v Speaker 3>but you're missing a point. If you had money, you

3:12:39.400 --> 3:12:43.280
<v Speaker 3>could wear Levi's. If you have a lot of money,

3:12:43.640 --> 3:12:50.960
<v Speaker 3>with gas. So that was khakis is broke. That's the

3:12:51.120 --> 3:12:54.560
<v Speaker 3>uniform when you broke Levi's a little bit of money

3:12:54.680 --> 3:12:58.240
<v Speaker 3>now thirty five ninety nine dean gas.

3:13:00.120 --> 3:13:01.840
<v Speaker 2>So what case is going to guess?

3:13:02.920 --> 3:13:05.720
<v Speaker 5>I'm like, I thought, I thought you said, uh, in

3:13:05.840 --> 3:13:06.879
<v Speaker 5>my mind you said the gap.

3:13:07.120 --> 3:13:10.039
<v Speaker 3>But guess you're right. I guess was the joint right.

3:13:10.320 --> 3:13:13.440
<v Speaker 3>So that's all the process of the process. I didn't

3:13:13.520 --> 3:13:16.080
<v Speaker 3>create the process. I didn't create the culture. I'm just

3:13:16.160 --> 3:13:19.280
<v Speaker 3>telling trying to tell you the truth of it. So, yeah,

3:13:19.440 --> 3:13:23.840
<v Speaker 3>khakis is what you would wear putting in work. Khakis

3:13:24.040 --> 3:13:27.920
<v Speaker 3>is I'm selling dope. Right, So I would see my

3:13:28.040 --> 3:13:30.240
<v Speaker 3>friends and they have a jelly stain over here.

3:13:31.240 --> 3:13:37.760
<v Speaker 4>And because you shouldn't know, yeh man.

3:13:37.800 --> 3:13:40.640
<v Speaker 3>I don't know what a right. So I'm putting this out.

3:13:40.760 --> 3:13:50.480
<v Speaker 3>I'm pointing this camera. No, wow, who would you know?

3:13:50.760 --> 3:13:51.680
<v Speaker 3>I'm talking about this guy?

3:13:53.080 --> 3:13:54.520
<v Speaker 2>And you got me here.

3:13:55.959 --> 3:13:57.760
<v Speaker 4>Want to trump drum?

3:13:58.480 --> 3:14:00.800
<v Speaker 3>So look, so the woo wind was.

3:14:03.080 --> 3:14:03.400
<v Speaker 4>All right.

3:14:03.440 --> 3:14:07.960
<v Speaker 3>If your friend, if you're twelve, if you're thirteen, fourteen, fifteen,

3:14:08.320 --> 3:14:11.280
<v Speaker 3>your friend stepped in, he's selling dope. You go see

3:14:11.320 --> 3:14:13.160
<v Speaker 3>your friend. He got on the same outfit. It's the

3:14:13.240 --> 3:14:16.880
<v Speaker 3>khaki suit, but his white T shirt got stains like

3:14:16.959 --> 3:14:20.040
<v Speaker 3>a nigga then eight like niggas would sleep in the bush,

3:14:21.160 --> 3:14:28.280
<v Speaker 3>just like a queen's nigga. But yes, he being outside.

3:14:29.040 --> 3:14:32.000
<v Speaker 2>Literally you're scaring getting his brand up.

3:14:32.400 --> 3:14:34.199
<v Speaker 3>So that would be the thing. So you I would

3:14:34.240 --> 3:14:36.440
<v Speaker 3>go see my friends. But on the white tea, it

3:14:36.520 --> 3:14:40.080
<v Speaker 3>gets to tell all your stuff be like, bro, you

3:14:40.160 --> 3:14:43.080
<v Speaker 3>got coffee sting, got little bloodstain, Like what the fuck

3:14:43.160 --> 3:14:45.879
<v Speaker 3>are you doing? So that's what would happen. That's why

3:14:45.959 --> 3:14:48.280
<v Speaker 3>the white tea. The black tea is a better idea.

3:14:48.400 --> 3:14:51.200
<v Speaker 3>But in LA, that was the culture. I didn't invent ale.

3:14:51.480 --> 3:14:52.359
<v Speaker 2>He's more practical.

3:14:52.879 --> 3:14:55.680
<v Speaker 3>I think you guys are smarter for but that has

3:14:55.760 --> 3:14:57.200
<v Speaker 3>nothing to do with the price of rights and chin.

3:14:58.640 --> 3:15:00.640
<v Speaker 3>I don't know, he said, Miami, maybe, I think so.

3:15:01.240 --> 3:15:02.520
<v Speaker 3>I think Atlanta did it.

3:15:02.640 --> 3:15:04.920
<v Speaker 2>I think Atlanta did too. Let me tell you something

3:15:04.920 --> 3:15:05.320
<v Speaker 2>real quick.

3:15:05.360 --> 3:15:08.640
<v Speaker 5>As a as a LA transplant to Miami, one of

3:15:08.680 --> 3:15:11.760
<v Speaker 5>the most protestings that I found out was that two.

3:15:11.680 --> 3:15:13.040
<v Speaker 2>Light Crew was born in l A.

3:15:13.600 --> 3:15:15.360
<v Speaker 3>I didn't know that. He just fucked me out.

3:15:15.400 --> 3:15:19.320
<v Speaker 2>You didn't know that never in life. What they were

3:15:19.320 --> 3:15:21.080
<v Speaker 2>all military guys that were in l A.

3:15:22.040 --> 3:15:26.480
<v Speaker 12>But not though, everyone except except Luke was some crazy

3:15:26.600 --> 3:15:30.520
<v Speaker 12>fun So you had Mister Mix, Brother Marquise and uh,

3:15:30.959 --> 3:15:33.440
<v Speaker 12>they were always nice to me and fresh Kid ice

3:15:33.560 --> 3:15:36.920
<v Speaker 12>from Brother Marquis has records with Icee back in the days,

3:15:39.120 --> 3:15:42.680
<v Speaker 12>back in the days Dog and they started they started

3:15:42.680 --> 3:15:47.200
<v Speaker 12>the group together and then Luke brought and saw the

3:15:47.280 --> 3:15:51.080
<v Speaker 12>vision and then they all made so for me as

3:15:51.120 --> 3:15:54.720
<v Speaker 12>an l a transplant to Miami like this, this is.

3:15:59.600 --> 3:16:00.959
<v Speaker 2>When you don't cry.

3:16:02.800 --> 3:16:17.039
<v Speaker 3>I was breathing, come yeah.

3:16:16.879 --> 3:16:18.800
<v Speaker 2>In Miami Life. You know that he did this song

3:16:18.879 --> 3:16:20.600
<v Speaker 2>Miami Life for what soundtrack was it?

3:16:20.959 --> 3:16:21.080
<v Speaker 3>Uh?

3:16:21.360 --> 3:16:23.040
<v Speaker 4>The substitute the substitute.

3:16:23.080 --> 3:16:25.280
<v Speaker 2>So so it's funny because in Miami, because I'm here

3:16:25.360 --> 3:16:27.640
<v Speaker 2>and he made it and I was in the scene,

3:16:27.840 --> 3:16:29.879
<v Speaker 2>They're like, what the rest guys is doing a song

3:16:29.879 --> 3:16:30.920
<v Speaker 2>about Miami Life?

3:16:31.080 --> 3:16:31.879
<v Speaker 3>You know? Everybody?

3:16:32.840 --> 3:16:34.080
<v Speaker 2>No, no, the original people.

3:16:34.200 --> 3:16:36.840
<v Speaker 5>Originally people were like who the They were a little

3:16:37.240 --> 3:16:39.360
<v Speaker 5>not who they knew who you were. They were just

3:16:39.400 --> 3:16:41.680
<v Speaker 5>a little upset, like why didn't they pick a Miami

3:16:41.760 --> 3:16:46.120
<v Speaker 5>person for this? But I actually, I don't know if

3:16:46.120 --> 3:16:49.400
<v Speaker 5>you remember, I actually reached out to you shortly maybe

3:16:49.560 --> 3:16:51.680
<v Speaker 5>after I don't know how long after, but and we

3:16:53.280 --> 3:16:56.520
<v Speaker 5>I think so I don't know how whatever drunk memories.

3:16:56.560 --> 3:17:00.560
<v Speaker 5>But but talk about Miami life, all right? So which

3:17:00.640 --> 3:17:02.119
<v Speaker 5>is a great song by the way.

3:17:03.160 --> 3:17:09.920
<v Speaker 3>Okay, my biggest issue about soundtracks were especially LA soundtracks.

3:17:09.920 --> 3:17:11.480
<v Speaker 4>So obviously I'm from La.

3:17:12.400 --> 3:17:15.000
<v Speaker 3>I'll be like, where are these other songs from? But

3:17:15.120 --> 3:17:16.560
<v Speaker 3>but hold on, can I can I exposit you for

3:17:16.600 --> 3:17:17.199
<v Speaker 3>a second? Sorry?

3:17:17.240 --> 3:17:19.320
<v Speaker 5>Sorry, sorry, because I want to give context. I don't

3:17:19.320 --> 3:17:21.680
<v Speaker 5>think even no re understands it. So there's a movie

3:17:21.760 --> 3:17:25.680
<v Speaker 5>called The Substitute, right, remember what's the what's the other

3:17:25.720 --> 3:17:27.720
<v Speaker 5>movie that came out the l A one, Well was

3:17:28.040 --> 3:17:29.640
<v Speaker 5>Edward James almost.

3:17:29.280 --> 3:17:35.760
<v Speaker 10>So American, remember yeah, yeah, but American meat is way no, no,

3:17:35.959 --> 3:17:38.360
<v Speaker 10>but that's not that's not but that's not a high

3:17:38.360 --> 3:17:39.840
<v Speaker 10>school movie, though stand.

3:17:39.680 --> 3:17:42.680
<v Speaker 4>Delivery was remember the high school movie? It was The Teacher, Right.

3:17:43.000 --> 3:17:47.760
<v Speaker 2>So another movie came out called, uh, the Substitute, which

3:17:48.160 --> 3:17:52.440
<v Speaker 2>happened in Miami though Carl Gables High Actually okay, I

3:17:52.480 --> 3:17:53.880
<v Speaker 2>don't know if it was based on true story, but

3:17:53.959 --> 3:17:58.120
<v Speaker 2>they filmed it in Miami. Actually no, so it was

3:17:58.240 --> 3:18:01.360
<v Speaker 2>like the other movie with Edward j and then he

3:18:01.560 --> 3:18:04.400
<v Speaker 2>made and then Lean On Me as well in the

3:18:04.440 --> 3:18:04.920
<v Speaker 2>same vein.

3:18:05.160 --> 3:18:07.800
<v Speaker 3>But you know, what I mean, the lead single.

3:18:08.720 --> 3:18:11.320
<v Speaker 2>So he made the lead single Miami Life off of

3:18:11.400 --> 3:18:15.000
<v Speaker 2>that soundtrack of a movie that's based on Miami.

3:18:15.680 --> 3:18:17.160
<v Speaker 4>So can I land?

3:18:17.240 --> 3:18:18.440
<v Speaker 3>So you wasting?

3:18:18.520 --> 3:18:24.039
<v Speaker 4>That was wrapping, was rapping like me people.

3:18:25.200 --> 3:18:31.959
<v Speaker 3>At that that part. That no. So my biggest argument

3:18:32.160 --> 3:18:36.800
<v Speaker 3>about soundtracks was even if you not from the place,

3:18:38.160 --> 3:18:40.800
<v Speaker 3>make it sound like you know what I mean, so

3:18:40.959 --> 3:18:44.680
<v Speaker 3>I'll you know when you ain't nobody and you're just

3:18:44.760 --> 3:18:47.040
<v Speaker 3>trying to get on. My whole ship was like, if

3:18:47.080 --> 3:18:50.360
<v Speaker 3>I get a chance to get on something naked about

3:18:50.360 --> 3:18:53.080
<v Speaker 3>the movie, naked about the place, I mean like, I

3:18:53.200 --> 3:18:55.960
<v Speaker 3>don't want to hear a soundtrack about me in Mars.

3:18:56.040 --> 3:18:59.320
<v Speaker 4>But the nigga like, oh, I don't want to hear that.

3:19:00.200 --> 3:19:03.080
<v Speaker 3>My whole ship was I got an opportunity and it

3:19:03.200 --> 3:19:07.040
<v Speaker 3>was called, uh the substitute, But they show you you

3:19:07.120 --> 3:19:08.320
<v Speaker 3>know what it is. You know what I'm saying. You're

3:19:08.320 --> 3:19:11.040
<v Speaker 3>gonna see trailers, You're gonna see all the ship. I'm like,

3:19:11.120 --> 3:19:15.040
<v Speaker 3>well fucking make it about see the actual movie. Uh No,

3:19:15.480 --> 3:19:18.720
<v Speaker 3>had you been in Miami yet? Mm hmm you have been, Yeah,

3:19:19.120 --> 3:19:24.240
<v Speaker 3>I had already been. Like your family, no, baby, mama,

3:19:24.760 --> 3:19:28.160
<v Speaker 3>there's no kids. It's just me having an opportunity. You've

3:19:28.240 --> 3:19:31.640
<v Speaker 3>been out here, yeah, traveled. I've been with Coolio, like

3:19:31.800 --> 3:19:34.280
<v Speaker 3>the homie's been up. Bro I noticed she's got a

3:19:34.320 --> 3:19:35.119
<v Speaker 3>really good memory.

3:19:37.040 --> 3:19:39.160
<v Speaker 4>Smoked weed but he drank, which is weird.

3:19:39.200 --> 3:19:41.280
<v Speaker 2>It has good memory. So I'm very suspicious of you

3:19:41.400 --> 3:19:51.440
<v Speaker 2>right now. I'm kidding nice Michelle bro RELLI give her

3:19:51.440 --> 3:19:51.959
<v Speaker 2>another name.

3:19:52.000 --> 3:19:54.720
<v Speaker 3>All of you know, she's gotta kill me.

3:19:56.520 --> 3:19:59.120
<v Speaker 4>Sorry I was, I was talking ship.

3:19:59.400 --> 3:20:04.240
<v Speaker 3>Please don't kill me. You're good, thank you, I appreciate you. Okay,

3:20:04.520 --> 3:20:09.520
<v Speaker 3>So long stoy short. No, I didn't so my opinions

3:20:09.560 --> 3:20:13.480
<v Speaker 3>about movies like like the soundtracks didn't match the movie.

3:20:14.280 --> 3:20:15.720
<v Speaker 3>So I was like, if I ever get a chance,

3:20:16.440 --> 3:20:19.440
<v Speaker 3>I'm gonna mirror the movie. That was my whole thing.

3:20:20.080 --> 3:20:23.000
<v Speaker 3>And so when when I got opportunity, the first one

3:20:23.040 --> 3:20:24.800
<v Speaker 3>I got was the street Fighter soundtrack.

3:20:25.320 --> 3:20:25.959
<v Speaker 2>Street Fighter.

3:20:26.480 --> 3:20:29.119
<v Speaker 3>Yeah, the street Fighter soundtrack, the original street Fighter sound

3:20:29.200 --> 3:20:32.560
<v Speaker 3>He was on my joint. That's how I get my

3:20:32.720 --> 3:20:35.560
<v Speaker 3>first fucking source quotable.

3:20:36.400 --> 3:20:39.560
<v Speaker 4>I gotta I gotta go back up playing.

3:20:39.320 --> 3:20:41.879
<v Speaker 3>It pitching and no one hit it, which is being severe.

3:20:42.720 --> 3:20:46.800
<v Speaker 2>Oh yes, yes, yes period.

3:20:48.000 --> 3:20:52.000
<v Speaker 3>But now I'm on the soundtrack. I'm like, but it's

3:20:52.040 --> 3:20:55.320
<v Speaker 3>in Miami, and I'm like, i've been there, I'm not

3:20:55.480 --> 3:20:59.960
<v Speaker 3>from there, but let me start learning. Like, I don't

3:21:00.080 --> 3:21:02.400
<v Speaker 3>want to write some ship and be talking about some

3:21:02.520 --> 3:21:04.760
<v Speaker 3>ship and talking about the street that don't make another

3:21:04.959 --> 3:21:07.760
<v Speaker 3>sense to a street. I just want to like because

3:21:07.800 --> 3:21:11.080
<v Speaker 3>if nothing else honored the place. You know what I'm saying.

3:21:11.160 --> 3:21:14.080
<v Speaker 3>If this movie is about being in Miami, being in

3:21:14.240 --> 3:21:16.400
<v Speaker 3>high school or I just came out of high school,

3:21:16.760 --> 3:21:19.680
<v Speaker 3>I need to understand the best I can about Miami,

3:21:19.840 --> 3:21:21.680
<v Speaker 3>the best I can, you know what I'm saying in

3:21:21.800 --> 3:21:25.800
<v Speaker 3>my small experiences, but honor the movie. Honored the place.

3:21:26.400 --> 3:21:29.800
<v Speaker 3>That's Look, it don't cost you none but a little

3:21:29.840 --> 3:21:34.520
<v Speaker 3>bit of time to learn. I'd rather do it. So

3:21:34.640 --> 3:21:38.280
<v Speaker 3>that's why I did it Miami Life. I was just like, really,

3:21:38.360 --> 3:21:43.760
<v Speaker 3>I called it Miami Vice. I was going back and

3:21:43.879 --> 3:21:48.600
<v Speaker 3>forth between Miami and La and then the company was like.

3:21:48.680 --> 3:21:51.000
<v Speaker 2>Well, just they said you wanted to name it Miami

3:21:51.120 --> 3:21:51.560
<v Speaker 2>and La.

3:21:52.160 --> 3:21:57.400
<v Speaker 3>No, I was gonna call it Miami Vice better. But

3:21:57.640 --> 3:22:01.760
<v Speaker 3>when we made it, I wrote it. I knew people here,

3:22:02.600 --> 3:22:06.400
<v Speaker 3>I'd been here. I saw the like trailers of the movie.

3:22:06.440 --> 3:22:08.200
<v Speaker 3>I understood what it was about, and I was thinking

3:22:08.240 --> 3:22:09.119
<v Speaker 3>about me in high.

3:22:09.000 --> 3:22:12.040
<v Speaker 5>School at homies that were in the in the movie

3:22:12.120 --> 3:22:15.120
<v Speaker 5>as extras that were real gangsters that played.

3:22:15.600 --> 3:22:19.480
<v Speaker 3>And I just wanted to honor the city, you know

3:22:19.520 --> 3:22:21.320
<v Speaker 3>what I'm saying, Like I've been here, Like I don't

3:22:21.320 --> 3:22:23.600
<v Speaker 3>want to be on a funck shit and be something

3:22:23.640 --> 3:22:26.280
<v Speaker 3>out of town, And like, why is the soundtrack got

3:22:26.320 --> 3:22:27.760
<v Speaker 3>this nigga from way over here?

3:22:28.240 --> 3:22:28.360
<v Speaker 4>Now?

3:22:28.560 --> 3:22:29.279
<v Speaker 3>Because I think.

3:22:29.240 --> 3:22:32.400
<v Speaker 4>Justice, you did it Justice. I tried my best.

3:22:33.080 --> 3:22:37.000
<v Speaker 3>It was dope. I tried at least I gave a fuck.

3:22:37.320 --> 3:22:38.960
<v Speaker 5>It was dope. I thought it was super dope. I

3:22:39.040 --> 3:22:41.080
<v Speaker 5>think I mean for hip hop ads. Thank you, we

3:22:41.240 --> 3:22:42.000
<v Speaker 5>appreciated it.

3:22:42.320 --> 3:22:45.760
<v Speaker 3>Yeah, walk these streets were more heat than a LINESO morning. Yeah.

3:22:46.200 --> 3:22:49.000
<v Speaker 4>Originally when I first was like what this did this?

3:22:49.879 --> 3:22:50.520
<v Speaker 4>Oh okay?

3:22:50.600 --> 3:22:55.280
<v Speaker 3>It was dope. Yeah, I just wanted again not my home,

3:22:55.920 --> 3:22:58.880
<v Speaker 3>but I've been here. It's you know, I just wanted

3:22:58.920 --> 3:23:02.760
<v Speaker 3>to honor the So think about it. It's like it's

3:23:02.800 --> 3:23:08.959
<v Speaker 3>like a resident life, right, It's like if y'all, if

3:23:09.040 --> 3:23:11.200
<v Speaker 3>y'all to produce it, let's just take us all us

3:23:11.280 --> 3:23:13.920
<v Speaker 3>out the equation and just say you're gonna write a

3:23:13.959 --> 3:23:21.120
<v Speaker 3>movie about a high school in Baltimore. Fuck at least

3:23:21.160 --> 3:23:23.800
<v Speaker 3>do some research. But I just want to.

3:23:23.840 --> 3:23:26.280
<v Speaker 2>Learn how you said some shit that resonated with us.

3:23:26.320 --> 3:23:29.040
<v Speaker 3>Right, So I just for me, young boy, I'm just

3:23:29.160 --> 3:23:34.560
<v Speaker 3>like I talked some shit. Then I got challenged like, well,

3:23:34.760 --> 3:23:37.680
<v Speaker 3>you don't like when these soundtracks don't be sounding like

3:23:38.000 --> 3:23:41.720
<v Speaker 3>LA soundtracks they giving you Miami. I'm like, well, I

3:23:41.760 --> 3:23:43.920
<v Speaker 3>got homies there, you know what I mean, Like it's

3:23:44.000 --> 3:23:46.520
<v Speaker 3>not my home, but let me try my best to

3:23:46.560 --> 3:23:48.800
<v Speaker 3>at least be true to the movie. I mean, not

3:23:48.920 --> 3:23:52.680
<v Speaker 3>be true to the people. And I'm a kid, so

3:23:52.879 --> 3:23:57.800
<v Speaker 3>whatever you're like seventeen, let's be true to the art

3:23:58.040 --> 3:24:01.760
<v Speaker 3>of the movie and trying to say this stuff, which

3:24:01.959 --> 3:24:08.560
<v Speaker 3>which is I guess an attempt at narration, not really acting,

3:24:08.840 --> 3:24:11.800
<v Speaker 3>just narration, Like I'm just trying to narrate, like how

3:24:11.879 --> 3:24:19.200
<v Speaker 3>many you know, Like I'm watching Rocketson, I'm launching Rocketson's

3:24:19.920 --> 3:24:23.720
<v Speaker 3>scus and crocking and tubs Anti full of more rum

3:24:23.879 --> 3:24:26.440
<v Speaker 3>than in my time, and despite high school, I'll be

3:24:26.560 --> 3:24:29.120
<v Speaker 3>few Like I'm just trying to say, I'm refusing to

3:24:29.200 --> 3:24:31.920
<v Speaker 3>listen to what the PTA say. Fucking four point o

3:24:32.040 --> 3:24:36.160
<v Speaker 3>g p A, I gotta gt with the eta of

3:24:36.280 --> 3:24:38.840
<v Speaker 3>three o'clock so shape the spot like looking and girls

3:24:38.920 --> 3:24:41.040
<v Speaker 3>in the days you do specific I'm just trying to

3:24:41.080 --> 3:24:44.680
<v Speaker 3>be extremely and I'm just thinking how I would feel

3:24:46.240 --> 3:24:49.039
<v Speaker 3>at the time we were younger. So I'm like five

3:24:49.200 --> 3:24:51.880
<v Speaker 3>years back, but if I was in high school and

3:24:51.879 --> 3:24:55.480
<v Speaker 3>I'm man like, fuck these people, you know, but trying

3:24:55.520 --> 3:24:59.000
<v Speaker 3>to honor. I think that's part of writing, is like

3:24:59.720 --> 3:25:06.800
<v Speaker 3>I'm not fifteen anymore, I'm not twenty, but sometimes you

3:25:06.959 --> 3:25:11.640
<v Speaker 3>feel we're humans. I'm sure you can remember you look

3:25:11.720 --> 3:25:14.039
<v Speaker 3>at your kids and turn into your fifteen year old.

3:25:14.280 --> 3:25:19.599
<v Speaker 3>You see yourself and your child like my apartment.

3:25:19.240 --> 3:25:19.800
<v Speaker 4>For cutting you off?

3:25:19.879 --> 3:25:23.520
<v Speaker 3>Yeah yeah, Dapell, just use your song and love you.

3:25:23.720 --> 3:25:24.520
<v Speaker 3>Thank you? Yeah?

3:25:24.720 --> 3:25:25.440
<v Speaker 4>Bring that up?

3:25:25.560 --> 3:25:27.000
<v Speaker 3>Man, Yes, sir off the album.

3:25:27.800 --> 3:25:31.920
<v Speaker 4>Yes, sir so new album. So you get that problem?

3:25:32.000 --> 3:25:33.360
<v Speaker 3>I got problems? Thank you?

3:25:33.480 --> 3:25:33.720
<v Speaker 4>Okay?

3:25:33.840 --> 3:25:34.840
<v Speaker 3>Yeah, I'm saying.

3:25:34.680 --> 3:25:38.280
<v Speaker 1>You get that rest to man, because that's not you

3:25:38.320 --> 3:25:40.119
<v Speaker 1>don't have distribution, right, this is fully.

3:25:39.920 --> 3:25:44.520
<v Speaker 3>Independent, totally independent. So al go straight therect of you.

3:25:44.640 --> 3:25:46.800
<v Speaker 3>How that's that's pretty dope that song? How do you feel?

3:25:47.160 --> 3:25:47.440
<v Speaker 4>Thank you?

3:25:47.560 --> 3:25:56.000
<v Speaker 3>Brown Humble okay, super humble so made the record. I'm

3:25:56.000 --> 3:25:59.800
<v Speaker 3>gonna i doom scroll. I ain't gonna lie I'll be

3:26:00.120 --> 3:26:03.120
<v Speaker 3>watching ship. I end up watching like Pandas and ship.

3:26:03.560 --> 3:26:06.600
<v Speaker 3>I mean like like, oh my god, the planets are amazing.

3:26:08.440 --> 3:26:11.960
<v Speaker 3>They are the they are. So I was doom scrolling

3:26:12.040 --> 3:26:14.920
<v Speaker 3>one time. I come across the ship about these lions

3:26:15.160 --> 3:26:16.760
<v Speaker 3>in South Africa. Booms squirrel.

3:26:17.080 --> 3:26:17.879
<v Speaker 4>I didn't catch.

3:26:19.760 --> 3:26:22.080
<v Speaker 3>That's what Okay, okay, I mean.

3:26:24.280 --> 3:26:28.119
<v Speaker 4>You know, God, yet it was called binge watching.

3:26:28.440 --> 3:26:29.520
<v Speaker 3>No, I mean that is.

3:26:32.120 --> 3:26:33.119
<v Speaker 2>Modern day dreams.

3:26:33.160 --> 3:26:35.400
<v Speaker 3>Boom scroll. I was doing, like when you watch the

3:26:35.400 --> 3:26:41.360
<v Speaker 3>whole Sopranos in one sitting. That's binging. That's binge watching.

3:26:41.480 --> 3:26:45.080
<v Speaker 3>This is when you scroll any other platforms or whatever,

3:26:45.800 --> 3:26:50.800
<v Speaker 3>any other platform doom scroll because evisually it's gonna be something.

3:26:51.280 --> 3:26:54.160
<v Speaker 3>You're gonna die, the alien is gonna get you whatever.

3:26:54.320 --> 3:26:56.440
<v Speaker 3>So I think that's why they call it doom scroll. Anyway,

3:26:56.480 --> 3:27:00.800
<v Speaker 3>I was watching, so are gonna die? Can it come? No?

3:27:01.040 --> 3:27:01.320
<v Speaker 2>Not you?

3:27:01.879 --> 3:27:04.400
<v Speaker 3>I was saying, that's what the things say. You know,

3:27:04.440 --> 3:27:10.320
<v Speaker 3>I talking to my little lovely boys, l A, okay,

3:27:11.080 --> 3:27:17.440
<v Speaker 3>we get nice before the emol comes out. Yeah, So

3:27:17.840 --> 3:27:20.440
<v Speaker 3>I don't think it's gonna kill me. But what I

3:27:20.480 --> 3:27:23.840
<v Speaker 3>don't know? Who is crazy? So go having no.

3:27:25.400 --> 3:27:27.040
<v Speaker 2>You knew what I was I feel like he just

3:27:27.120 --> 3:27:28.320
<v Speaker 2>became you and you became him.

3:27:29.640 --> 3:27:31.560
<v Speaker 4>I don't know what happened right now, bro, I get

3:27:31.640 --> 3:27:35.120
<v Speaker 4>it this y'all go, y'all seek with l A B.

3:27:39.120 --> 3:27:44.840
<v Speaker 3>Me catching. I'll take it. That is what happened. I

3:27:44.920 --> 3:27:45.720
<v Speaker 3>do not want to smoke.

3:27:46.560 --> 3:27:47.880
<v Speaker 4>So what do you get when you when you get

3:27:47.920 --> 3:27:48.240
<v Speaker 4>that call?

3:27:48.360 --> 3:27:48.480
<v Speaker 3>Is it?

3:27:48.560 --> 3:27:49.160
<v Speaker 4>Dave Chappelle?

3:27:50.840 --> 3:27:51.680
<v Speaker 2>See you see right?

3:27:51.720 --> 3:27:53.080
<v Speaker 3>You just went wild? Right now?

3:27:54.800 --> 3:27:55.640
<v Speaker 2>You went crazy?

3:27:55.720 --> 3:28:01.920
<v Speaker 5>Bro, Dave Chappelle, go stay focused, rass cast stay focused.

3:28:02.200 --> 3:28:11.640
<v Speaker 3>Oh ship, that's gonna be a clip right all right?

3:28:11.959 --> 3:28:13.640
<v Speaker 4>No ears, how goes?

3:28:14.120 --> 3:28:18.800
<v Speaker 3>Now? So cool things just dune scrolling, come across this thing.

3:28:18.879 --> 3:28:22.320
<v Speaker 3>I think it's super interesting. I get very inspired. It's

3:28:22.360 --> 3:28:30.440
<v Speaker 3>about these lions. They basically react differently than all lines

3:28:30.480 --> 3:28:34.840
<v Speaker 3>have ever reacted because basically, what happens in most mammals,

3:28:35.200 --> 3:28:38.320
<v Speaker 3>which even in the world we live in, and informs

3:28:38.360 --> 3:28:42.480
<v Speaker 3>the thought of my head. So what happens with most

3:28:43.280 --> 3:28:48.400
<v Speaker 3>I'm telling you squirrels, moose, mammals way deeper than this.

3:28:48.560 --> 3:28:54.360
<v Speaker 3>I'm a smart nigga. Never get it fucked up smart. No,

3:28:54.520 --> 3:28:58.840
<v Speaker 3>it's not weird, so so bar real quick. So most animals,

3:29:00.480 --> 3:29:11.360
<v Speaker 3>if if there animals, most mammals. Oh, mammals, mammals him

3:29:11.440 --> 3:29:15.800
<v Speaker 3>to murder the children of the bitch they want.

3:29:16.240 --> 3:29:18.760
<v Speaker 2>Therefore, des Chappelle, I.

3:29:18.800 --> 3:29:24.240
<v Speaker 3>Will, I'll get there. I love him. I'll make this fast.

3:29:24.560 --> 3:29:28.200
<v Speaker 3>So it becomes Who's loud? No, don't worry about it's

3:29:28.320 --> 3:29:29.320
<v Speaker 3>Milly and bores.

3:29:30.160 --> 3:29:33.039
<v Speaker 4>Okay, so you watch it, Okay, So love hip hop,

3:29:33.200 --> 3:29:34.080
<v Speaker 4>so long story stort.

3:29:34.120 --> 3:29:36.120
<v Speaker 3>I was watching Love and hip Hop and then I

3:29:36.240 --> 3:29:39.240
<v Speaker 3>doom scrolled into the lines. The point of the lines

3:29:39.400 --> 3:29:42.920
<v Speaker 3>is that they behave differently. So I made a song

3:29:43.040 --> 3:29:47.480
<v Speaker 3>out out of it, and then I couldn't finish it.

3:29:50.040 --> 3:29:56.640
<v Speaker 3>The Eventually, uh Tupac's brother hits me and it's like,

3:29:57.240 --> 3:30:00.920
<v Speaker 3>I heard this record you made, because it's the story

3:30:01.000 --> 3:30:04.959
<v Speaker 3>is about six brothers. I couldn't get everybody I wanted.

3:30:05.600 --> 3:30:11.280
<v Speaker 3>I had like Mopreme, like o'clock whatever. So we get

3:30:11.320 --> 3:30:14.520
<v Speaker 3>the record together, put the record out, give it out

3:30:14.560 --> 3:30:17.840
<v Speaker 3>for free. Fast forward like a month and a half.

3:30:17.840 --> 3:30:22.199
<v Speaker 3>I get a call basically from Chappelle's no, not basically

3:30:22.440 --> 3:30:25.240
<v Speaker 3>from his exec producer who used to work your priority,

3:30:26.000 --> 3:30:30.119
<v Speaker 3>And she's like that, where was Chappelle? Yeah, his exact producer.

3:30:30.760 --> 3:30:33.920
<v Speaker 3>I hadn't seen her in fucking fifteen years, I get

3:30:33.959 --> 3:30:38.160
<v Speaker 3>a DM on the ground. I heard somebody had hit

3:30:38.240 --> 3:30:41.400
<v Speaker 3>me like, Yo, Schappelle came out to your shit like

3:30:41.560 --> 3:30:43.040
<v Speaker 3>this thing I put out like a month like he

3:30:43.160 --> 3:30:45.720
<v Speaker 3>was already doing it in his shows. No, he came

3:30:45.800 --> 3:30:50.240
<v Speaker 3>out one night like I put out the record two months.

3:30:52.560 --> 3:30:55.480
<v Speaker 3>A month and a half later, somebody text me like, bro,

3:30:56.080 --> 3:30:59.080
<v Speaker 3>I was in DC. Chappelle came out to your record.

3:31:00.120 --> 3:31:02.200
<v Speaker 3>Out of one hundred thousand people, it was like, Bro,

3:31:02.440 --> 3:31:06.080
<v Speaker 3>he came out to get ship. I'm like, that's super cool, blessing,

3:31:07.040 --> 3:31:08.080
<v Speaker 3>which is cool.

3:31:08.520 --> 3:31:11.680
<v Speaker 2>That's just not the life show that aired. That is it?

3:31:11.959 --> 3:31:12.080
<v Speaker 3>Oh?

3:31:12.160 --> 3:31:12.600
<v Speaker 10>That is it?

3:31:12.720 --> 3:31:14.440
<v Speaker 2>So you already knew they gave you the heads up?

3:31:14.480 --> 3:31:17.160
<v Speaker 3>Oh No. What I think is he comes out to everything.

3:31:17.280 --> 3:31:20.200
<v Speaker 3>Who cares? Oh you didn't know? No niggas come out

3:31:20.240 --> 3:31:24.080
<v Speaker 3>to doom Doom doom, who cares. I mean, I'm like

3:31:24.200 --> 3:31:26.840
<v Speaker 3>telling him, I said thanks. What I'm saying like, I

3:31:27.000 --> 3:31:29.640
<v Speaker 3>wasn't there. That was in DC, bro, just.

3:31:29.720 --> 3:31:32.040
<v Speaker 2>So you didn't know that was going to be that?

3:31:33.000 --> 3:31:33.600
<v Speaker 2>Of course not.

3:31:34.440 --> 3:31:36.480
<v Speaker 3>I mean, we're all aware of each other. We say

3:31:36.560 --> 3:31:38.440
<v Speaker 3>thank you, so it's not a big deal to me.

3:31:38.600 --> 3:31:41.680
<v Speaker 3>I'm just like, hey, man, that's just tell him. I said, thanks,

3:31:42.400 --> 3:31:45.000
<v Speaker 3>it's dope. He came out at his home. He from

3:31:45.120 --> 3:31:48.560
<v Speaker 3>DC something like that the special was going to do that. No,

3:31:48.800 --> 3:31:49.200
<v Speaker 3>not at all.

3:31:49.520 --> 3:31:50.840
<v Speaker 2>You didn't know that was a special.

3:31:51.240 --> 3:31:55.920
<v Speaker 3>Nobody know what I'm saying. Nobody knew it. So apparently

3:31:56.200 --> 3:32:00.360
<v Speaker 3>it resonated with Bro the whole line ship. That's why

3:32:00.440 --> 3:32:01.760
<v Speaker 3>he showed it the way he showed it. So we

3:32:01.879 --> 3:32:06.200
<v Speaker 3>got the Netflix special. Great bad, great opportunity. I was

3:32:06.240 --> 3:32:09.880
<v Speaker 3>able to watch it with everything with him. Yeah, he

3:32:10.200 --> 3:32:12.000
<v Speaker 3>brought me out to kick with him.

3:32:12.040 --> 3:32:12.120
<v Speaker 7>Bro.

3:32:13.920 --> 3:32:17.480
<v Speaker 3>No, No, he ain't Beverly Hills. You know what I'm saying, Like, sorry, buddy,

3:32:20.879 --> 3:32:26.480
<v Speaker 3>See this is when the West goes wrong. You're my

3:32:26.600 --> 3:32:37.800
<v Speaker 3>big brother. Don't attack me. No, that that was it.

3:32:37.959 --> 3:32:39.800
<v Speaker 3>So it was really cool, man. It just came out

3:32:39.920 --> 3:32:43.600
<v Speaker 3>like genuinely, you gotta sit here. It don't count. Yeah,

3:32:43.640 --> 3:32:46.119
<v Speaker 3>you definitely didn't sit that. You had to control rest

3:32:47.160 --> 3:32:49.000
<v Speaker 3>control you.

3:32:51.080 --> 3:32:59.720
<v Speaker 4>It's not a big. One of the last things before

3:32:59.720 --> 3:33:01.680
<v Speaker 4>we leave, are we are we done?

3:33:01.879 --> 3:33:04.640
<v Speaker 2>We're almost done. We're about to be done. Yes, about

3:33:04.640 --> 3:33:10.880
<v Speaker 2>to be done. We did three hours, but we we

3:33:11.080 --> 3:33:13.560
<v Speaker 2>rocked and roll. Buddy, Oh my god, listen, listen.

3:33:15.640 --> 3:33:19.959
<v Speaker 5>I want to pay all missed homie Da Vinci, Miami producers,

3:33:20.040 --> 3:33:24.800
<v Speaker 5>that that that that past, that work with you and uh,

3:33:25.480 --> 3:33:27.320
<v Speaker 5>can you just get some words from Da Vinci please

3:33:27.640 --> 3:33:29.360
<v Speaker 5>my family to appreciate, love.

3:33:29.280 --> 3:33:30.039
<v Speaker 10>To so.

3:33:31.640 --> 3:33:35.360
<v Speaker 3>And like I said, I wouldn't wherever the fuck is talking?

3:33:35.440 --> 3:33:39.640
<v Speaker 3>She shut out. I knew it was you. No man,

3:33:40.000 --> 3:33:46.640
<v Speaker 3>thank you, don't talk. Thank you? Okay, So my my

3:33:47.040 --> 3:33:49.920
<v Speaker 3>journeys with you, I'd be remiss if I didn't shout

3:33:49.959 --> 3:33:57.440
<v Speaker 3>out our journey of course, friendship. I don't have a regret.

3:33:58.160 --> 3:34:06.840
<v Speaker 3>And uh on you well, no funnies, but you can

3:34:06.920 --> 3:34:09.000
<v Speaker 3>make fun of me. I love you and I really

3:34:09.080 --> 3:34:12.480
<v Speaker 3>appreciate you. And I'm so many great brothers here and

3:34:12.680 --> 3:34:17.360
<v Speaker 3>I remember like even us going to go like getting

3:34:17.440 --> 3:34:20.920
<v Speaker 3>the deal and going to k Town and everything, and

3:34:21.120 --> 3:34:25.119
<v Speaker 3>so you know, those are the things that are true.

3:34:25.480 --> 3:34:31.840
<v Speaker 3>So with Da Vinci, he knew Resenthage before they wrapped

3:34:33.920 --> 3:34:39.039
<v Speaker 3>your kids. They were there recording with Da Vinci. Wow,

3:34:39.879 --> 3:34:45.080
<v Speaker 3>so so so the coast contra the contradictory coasts, they

3:34:45.160 --> 3:34:48.440
<v Speaker 3>were there. They were there, they were they were there

3:34:49.000 --> 3:34:54.560
<v Speaker 3>even with real facts or facts. I'm not here to

3:34:54.959 --> 3:35:00.240
<v Speaker 3>try to do magical stories about what then for my

3:35:00.480 --> 3:35:05.360
<v Speaker 3>sons and this journey like Da Vinci, Uh, we were

3:35:05.440 --> 3:35:06.440
<v Speaker 3>working on a record.

3:35:07.040 --> 3:35:09.560
<v Speaker 2>Did you connect with Chip? I'm gonna say this, yeah

3:35:09.600 --> 3:35:12.199
<v Speaker 2>yeah I did. Yeah good, Yeah, yeah, you guys gonna work.

3:35:12.120 --> 3:35:15.240
<v Speaker 3>On those records. Yeah yeah yeah. And his mom and

3:35:16.120 --> 3:35:16.800
<v Speaker 3>come on, man.

3:35:17.000 --> 3:35:19.879
<v Speaker 2>His mom, their family wants his music to be out there.

3:35:20.120 --> 3:35:24.280
<v Speaker 3>His mom and Chip. So Chip will get that done again.

3:35:24.440 --> 3:35:26.320
<v Speaker 2>And I want to just say something really quick. Da

3:35:26.360 --> 3:35:31.600
<v Speaker 2>Vinci worked a lot with with Dyla, with Jay Dilla's family.

3:35:31.800 --> 3:35:35.080
<v Speaker 3>Yeah, and I and so and that we would be

3:35:35.200 --> 3:35:41.080
<v Speaker 3>were missed. So I with with my dudes with tone

3:35:41.320 --> 3:35:44.840
<v Speaker 3>like it's all family. I let them know where I stand.

3:35:45.560 --> 3:35:50.120
<v Speaker 3>And that's what love is, because you know, people trying

3:35:50.160 --> 3:35:52.840
<v Speaker 3>to get in because it's cool to hang out with people.

3:35:52.840 --> 3:35:55.240
<v Speaker 3>It's not the same thing as like loving people. So

3:35:56.640 --> 3:36:02.920
<v Speaker 3>still my brother. I was talking to the Vinci, which

3:36:03.040 --> 3:36:07.199
<v Speaker 3>is you know, provable. I was working on a record.

3:36:07.560 --> 3:36:10.000
<v Speaker 3>I was trying to get him like fix this hook.

3:36:10.360 --> 3:36:12.880
<v Speaker 3>I was like, bro, I ain't got the hook. I

3:36:12.959 --> 3:36:17.720
<v Speaker 3>got a song from five years ago when I was

3:36:17.800 --> 3:36:21.240
<v Speaker 3>in a different space called I Just want to Forget

3:36:21.280 --> 3:36:25.800
<v Speaker 3>It All that he made with his own boy. I'll

3:36:25.800 --> 3:36:28.240
<v Speaker 3>play it for you and I still want to put

3:36:28.280 --> 3:36:32.640
<v Speaker 3>it out. It's crazy, but what I like is the

3:36:32.800 --> 3:36:35.960
<v Speaker 3>love and I want everything going right to where it

3:36:36.000 --> 3:36:38.640
<v Speaker 3>should go. Give it to the family and how we

3:36:38.760 --> 3:36:40.800
<v Speaker 3>build each other, because at the end of the day

3:36:41.120 --> 3:36:44.680
<v Speaker 3>we will end up on the wall. And one thing,

3:36:45.480 --> 3:36:49.680
<v Speaker 3>you can't take it all out and you hope to

3:36:49.840 --> 3:36:51.640
<v Speaker 3>end up on the wall. I don't want to end

3:36:51.720 --> 3:36:53.640
<v Speaker 3>up in the ground. See if you end up in

3:36:53.680 --> 3:36:57.520
<v Speaker 3>the ground with nobody stepping on your fucking bones after

3:36:57.560 --> 3:37:02.240
<v Speaker 3>your families, then what was your blood line about? I

3:37:02.360 --> 3:37:06.160
<v Speaker 3>want to I want in on the wall, not for

3:37:06.320 --> 3:37:10.520
<v Speaker 3>my vanity, for my family's hard work. That's why you

3:37:10.800 --> 3:37:18.120
<v Speaker 3>do this. So long lived dream, Champs, long live. Let

3:37:18.120 --> 3:37:19.160
<v Speaker 3>me ask you one more question.

3:37:19.280 --> 3:37:21.000
<v Speaker 1>I heard you say earlier that she was in New

3:37:21.080 --> 3:37:24.440
<v Speaker 1>York with a white tea and a Rolex. And then

3:37:24.600 --> 3:37:26.720
<v Speaker 1>I've seen you a couple of interviews and you had

3:37:26.760 --> 3:37:29.040
<v Speaker 1>a cardier on and now you've got a big boy

3:37:29.120 --> 3:37:29.720
<v Speaker 1>in Naughtilus.

3:37:30.320 --> 3:37:30.840
<v Speaker 3>You know what I mean.

3:37:31.920 --> 3:37:32.960
<v Speaker 4>That's the roads go right?

3:37:33.400 --> 3:37:33.600
<v Speaker 3>Yeah?

3:37:34.920 --> 3:37:37.760
<v Speaker 4>Are you a protect Yeah? That's protect.

3:37:37.840 --> 3:37:41.960
<v Speaker 3>Yeah, you're a big watch guy. Not really, I'm just kidding.

3:37:42.040 --> 3:37:45.240
<v Speaker 3>I'm a k I just like ship.

3:37:45.400 --> 3:37:47.600
<v Speaker 4>Okay, I'd be like what is that I want want?

3:37:48.240 --> 3:37:52.400
<v Speaker 3>I want them boys. My card game is one thing.

3:37:52.680 --> 3:37:55.800
<v Speaker 3>My watch game is. I don't even like so even this,

3:37:56.720 --> 3:37:58.960
<v Speaker 3>I designed it. I wanted DP. I want to give

3:37:59.000 --> 3:38:01.360
<v Speaker 3>it Like Kendrick, if you're born and raised in l A,

3:38:01.480 --> 3:38:02.160
<v Speaker 3>I want him bef.

3:38:03.320 --> 3:38:05.000
<v Speaker 4>Why why why are you l A racist?

3:38:05.080 --> 3:38:07.800
<v Speaker 3>Right now? I'm not being l A racist. I'm just saying, like,

3:38:08.000 --> 3:38:09.959
<v Speaker 3>I'll do it for New York. I want to create

3:38:10.040 --> 3:38:10.600
<v Speaker 3>your state.

3:38:10.920 --> 3:38:12.960
<v Speaker 4>So so what that says l A on it? No,

3:38:13.080 --> 3:38:15.400
<v Speaker 4>it's just okay, Californian.

3:38:17.040 --> 3:38:19.120
<v Speaker 3>It's the state of California, right. I want to go

3:38:19.440 --> 3:38:23.440
<v Speaker 3>New York to Florida. I want to like, I want

3:38:23.480 --> 3:38:28.880
<v Speaker 3>to be like a good first one represent your ship.

3:38:29.560 --> 3:38:33.000
<v Speaker 3>You know what? Can I think it'll be away, Like

3:38:33.040 --> 3:38:35.000
<v Speaker 3>I want to make him beef, but it was my idea.

3:38:35.080 --> 3:38:38.280
<v Speaker 3>I finally built son. Like I'm from California, I'm born

3:38:38.320 --> 3:38:40.800
<v Speaker 3>and raised. My mama from Louisiana, my daddy from Arkansas.

3:38:41.080 --> 3:38:43.440
<v Speaker 3>I'm from LA. I'm just trying to build something. I

3:38:43.520 --> 3:38:45.560
<v Speaker 3>want to bef and I want to have enough money

3:38:45.959 --> 3:38:48.240
<v Speaker 3>to bless niggas. You know what I mean? Like I

3:38:48.440 --> 3:38:52.360
<v Speaker 3>love to color here and like be up and just

3:38:53.000 --> 3:38:55.480
<v Speaker 3>you know what I mean you you being from Queens,

3:38:55.959 --> 3:38:59.879
<v Speaker 3>make your queen ship, make your city ship go up.

3:39:00.760 --> 3:39:02.800
<v Speaker 4>No, that's that's a that's a dope idea. I didn't

3:39:02.840 --> 3:39:03.280
<v Speaker 4>realize that.

3:39:03.800 --> 3:39:08.920
<v Speaker 3>Yeah it's Kelly LANs nigga. I made that. I be remiss.

3:39:10.160 --> 3:39:17.520
<v Speaker 3>He's king. I know you know me sometimes I have fun.

3:39:18.600 --> 3:39:22.440
<v Speaker 3>Let's see, ye have oneother drink? I know I want one.

3:39:23.160 --> 3:39:35.320
<v Speaker 4>Michelle shouldn't know me, You.

3:39:35.440 --> 3:39:38.880
<v Speaker 1>Bother hilarious love me?

3:39:39.640 --> 3:39:41.400
<v Speaker 3>You know me? Let me dick.

3:39:42.480 --> 3:39:45.959
<v Speaker 4>Come on, bro, oh ship, forget.

3:39:52.000 --> 3:39:55.200
<v Speaker 3>That. You take another drink. You know he knows so

3:39:55.400 --> 3:39:57.560
<v Speaker 3>many dirtier things about me.

3:39:57.800 --> 3:40:03.640
<v Speaker 2>That is I don't even know. Holy some weird some

3:40:03.720 --> 3:40:05.000
<v Speaker 2>weird morning you.

3:40:05.120 --> 3:40:09.840
<v Speaker 3>Know all you know all emails quit about me?

3:40:10.920 --> 3:40:13.600
<v Speaker 1>Is anything you think we gotta say anything before?

3:40:13.720 --> 3:40:15.560
<v Speaker 3>For okay, it's like Michael Ring.

3:40:17.080 --> 3:40:19.000
<v Speaker 4>Okay, what the bunk was that word?

3:40:20.120 --> 3:40:20.240
<v Speaker 3>Now?

3:40:20.360 --> 3:40:23.040
<v Speaker 2>Listen, no real quick, real quick, bang on me.

3:40:23.360 --> 3:40:24.800
<v Speaker 3>No like I'm trying to create.

3:40:24.560 --> 3:40:26.360
<v Speaker 2>A serious ship, serious ship.

3:40:26.680 --> 3:40:27.160
<v Speaker 4>I'm sorry.

3:40:27.240 --> 3:40:31.720
<v Speaker 5>First of all, thank you, bro, because you got on

3:40:31.879 --> 3:40:34.240
<v Speaker 5>my album, you got on my mixtapes.

3:40:34.400 --> 3:40:35.120
<v Speaker 3>I never liked you.

3:40:37.760 --> 3:40:39.680
<v Speaker 2>I never like that makes me thank you.

3:40:44.480 --> 3:40:52.720
<v Speaker 3>That we wouldn't be here today if artists didn't believe.

3:40:52.400 --> 3:40:55.360
<v Speaker 2>In what I was doing and mess with me and man,

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<v Speaker 2>obviously this is the biggest example of it now yea,

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<v Speaker 2>and now come on the ring like you've been brilliant.

3:41:04.520 --> 3:41:04.760
<v Speaker 2>I was.

3:41:05.040 --> 3:41:08.680
<v Speaker 3>I was before, so I knew him before they even

3:41:08.760 --> 3:41:12.640
<v Speaker 3>stepped in in brilliance and that's dope. It's just that's

3:41:12.680 --> 3:41:13.199
<v Speaker 3>what it takes.

3:41:13.280 --> 3:41:15.359
<v Speaker 4>It takes us, James, honestly.

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<v Speaker 2>So all's well, thank you.

3:41:17.640 --> 3:41:20.039
<v Speaker 5>I'm not going to talk about your fetish with midgets

3:41:20.280 --> 3:41:25.279
<v Speaker 5>or or or or spipe well.

3:41:25.160 --> 3:41:30.840
<v Speaker 3>Here, I'm going to see this is where you gets weak.

3:41:41.959 --> 3:41:42.600
<v Speaker 4>But watch out.

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<v Speaker 3>That's not all.

3:41:44.760 --> 3:41:45.160
<v Speaker 4>Watch out.

3:41:45.920 --> 3:41:49.320
<v Speaker 2>Drink Champs is a Drink Champs LLC production hosts and

3:41:49.480 --> 3:41:52.360
<v Speaker 2>executive producers n O r E and d J E

3:41:52.640 --> 3:41:58.160
<v Speaker 2>f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3:41:58.440 --> 3:42:01.920
<v Speaker 2>or wherever you get your podcast. Yes, thanks for joining

3:42:02.000 --> 3:42:04.720
<v Speaker 2>us for another episode of Drink Champs, hosted by yours truly,

3:42:04.879 --> 3:42:07.440
<v Speaker 2>DJ E f N and n O r E. Please

3:42:07.480 --> 3:42:09.680
<v Speaker 2>make sure to follow us on all our socials. That's

3:42:09.720 --> 3:42:13.320
<v Speaker 2>at drink Champs across all platforms at the Real noriegon

3:42:13.400 --> 3:42:17.279
<v Speaker 2>Ig at Noriega on Twitter, Mine is at Who's crazy

3:42:17.480 --> 3:42:20.760
<v Speaker 2>on ig at dj e f N on Twitter, and

3:42:20.879 --> 3:42:23.280
<v Speaker 2>most importantly, stay up to date with the latest releases,

3:42:23.720 --> 3:42:26.880
<v Speaker 2>news and merch by going to Drinkchamps dot com