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Speaker 1: He is drinks chests, motherfucking podcast man.

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Speaker 2: He's a legendary Queens rapper.

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Speaker 1: He's agreed that your boy in O.

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Speaker 2: R E D's a Miami hip hop pioneer put up as.

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Speaker 3: DJ E f N. Together they drink it up with

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Speaker 3: some of the biggest players, you know what I mean.

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Speaker 2: And the most professional, unprofessional podcast and your number one

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Speaker 2: source for drunk drinks.

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Speaker 1: Chants most squavery days.

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Speaker 3: New Year's c that's it's time for drink champs.

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Speaker 2: Drink up, motherfucker? Would it good be?

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Speaker 4: Hopefully its what it should be. It's your boy and

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Speaker 4: R E.

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Speaker 3: What up?

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Speaker 1: It is DJ E f N And this is middle

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Speaker 1: Tammo Crazy Walk. Yeah yeah, drink chests. This brother right

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Speaker 1: here is a legend.

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Speaker 4: He's an icon.

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Speaker 1: He got thirty six albums be working. I think you

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Speaker 1: got one hundred albums, thirty six albums that came out.

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Speaker 1: He's a West Coast legend, legend or overall a hip

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Speaker 1: hop veteran. And today we're gonna give him his flowers.

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Speaker 1: We're gonna make sure that he knows how much he

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Speaker 1: means to the game, and we're gonna celebrate him today.

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Speaker 1: So in case you don't know what we're talking about.

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Speaker 1: Only I think that's amazing. You've really got thirty six albums.

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Speaker 3: Bro, I don't know if I got that. Yeah, we

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Speaker 3: counted it. We counted him, be counted it. Yeah, I

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Speaker 3: don't know what the fun I was doing. Yeah, I

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Speaker 3: just I just created. So I never kept count I

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Speaker 3: figured i'd be done signed for five. I thought i'd

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Speaker 3: be out by four, right, and you just dropped a

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Speaker 3: new album, yes, Celepardies Face Okay, Okay.

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Speaker 1: How what is the difference from coming out of ninety

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Speaker 1: six to coming out now?

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Speaker 3: Uh, let's a good question. I would say a lot

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Speaker 3: more saturated. Okay, you know, it's just a lot more output.

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Speaker 3: I remember knowing, like going to the record store and

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Speaker 3: knowing what depth Jam had, you know what I'm saying,

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Speaker 3: what Tommy Boy had. And now it's kind of like

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Speaker 3: everybody's varying for attention. So I kind of looked at

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Speaker 3: it like times square. It's a million billboards, so you

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Speaker 3: got to focus attention. So now just you got to

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Speaker 3: make it because you love it, try your best to

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Speaker 3: promote it and hope you know somebody listens. You ever

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Speaker 3: thought you would do it as long? Fuck? No? Sometimes,

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Speaker 3: like why do you, but you know what it was.

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Speaker 3: I thought, like I said, like, I thought I'd be

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Speaker 3: done by four life keep lifing, so you just end

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Speaker 3: up having shit to talk about. Now, Okay, so now.

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Speaker 1: The Golden State Warriors, Yes, it actually did sue you guys,

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Speaker 1: yeah for what it really did because yeah, at that time,

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Speaker 1: you guys were selling an imprint.

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Speaker 3: Well we named ourselves and I guess, uh, you got

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Speaker 3: on the radar. So exhibit you know, the Restless album

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Speaker 3: went platinum and then all of a sudden they cared

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Speaker 3: like you are not the Golden State Warriors. It's like

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Speaker 3: what we spelled it differently, is like we didn't don't care.

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Speaker 4: They don't care.

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Speaker 3: McDonald Yeah, we couldn't be McDonald's trying. Wow, holy ship resting,

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Speaker 3: piece of fear this somewhere. No, we did. We did

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Speaker 3: like five records and I'm also be Robbie, honest my

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Speaker 3: record it wasn't Capital at the time. I think it

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Speaker 3: was transitioning Priority record. They just got a little greedy man.

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Speaker 3: They fucked that deal off. So I'm always the one

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Speaker 3: that like, because everybody had different deals. Exhibbit was that

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Speaker 3: loud I was at Priority, Sofia was at Quincy Jones label.

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Speaker 4: I forgot the name of Quest.

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Speaker 3: He was signed the Quest and when X popped, the

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Speaker 3: bean counter start coming out. That's not a racist thing,

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Speaker 3: I'm talking about you. But now they started counting the money,

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Speaker 3: the counting of the money. People, the attorneys in the

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Speaker 3: suits started asking for a whole bunch of shit, and

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Speaker 3: they like held up. But we had a million dollar

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Speaker 3: deal on the table, and they like dragged it out

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Speaker 3: for like a year, which was really when I started

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Speaker 3: flipping out, where I was just like like maybe this

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Speaker 3: ain't then making mistakes where it kind of seemed like

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Speaker 3: they was sabotaging and drave beats and all that. Well,

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Speaker 3: I mean, think about it. We had his relationships, my relationships,

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Speaker 3: and Safir, So you know, theoretically we would have had

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Speaker 3: e forty and two short with all the base shit right,

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Speaker 3: and then we would have had my relationships, which I

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Speaker 3: got Riza and blah blah blah blah blah and Premiere,

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Speaker 3: and so we were gonna kind of do one of

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Speaker 3: those like voltes trying it up and make this crazy

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Speaker 3: different kind of record.

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Speaker 5: You don't think you could put that record out today,

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Speaker 5: Like I would have to say that all these people

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Speaker 5: are doing these.

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Speaker 2: Records with artists that aren't around anymore and stuff like that.

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Speaker 3: Sofia is gone. So like I'm but have had all

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Speaker 3: the have got the you know, you know, have got

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Speaker 3: all them files he had, he had the rials.

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Speaker 4: We only had what Sofia had.

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Speaker 3: If somebody supposedly had a hope, like a whole Sefia

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Speaker 3: album that never came out, and we were we had

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Speaker 3: disgusted me and X and uh and his brother Sonny

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Speaker 3: chop Black, but we couldn't get because I'm not gonna

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Speaker 3: ai my brother's votes, you know what I'm saying. So

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Speaker 3: if we can't get severiir vocals, we can't do it.

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Speaker 3: I mean, you know, I would love to. I mean,

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Speaker 3: I mean we can repect it. I kind of was

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Speaker 3: suggesting that, like why don't we just take old vocals

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Speaker 3: and hooks and build it? But I guess, you know,

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Speaker 3: maybe we will if the technology gets good enough for

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Speaker 3: that producer dude that's out there talking to you, whoever

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Speaker 3: you are, get us, because think about it, back then,

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Speaker 3: everybody was doing three verses, so ship you give us

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Speaker 3: one song and we got three songs, so yeah, give

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Speaker 3: us three writers and let us was that recorded digitally

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Speaker 3: or back then.

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Speaker 4: We were do I think we were a little bit

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Speaker 4: of both.

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Speaker 3: Okay, I think pro tools existed when we were yeah,

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Speaker 3: because we're talking about like two thousand and one, Okay,

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Speaker 3: probably two thousand and two, so it was just that transition.

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Speaker 3: We still had the two inch reells, but I think

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Speaker 3: we were starting to add it in pro tools.

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Speaker 4: Yeah.

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Speaker 3: Yeah, I think we still because we was over there

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Speaker 3: with Drake, so you know, he had the best of

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Speaker 3: both for us.

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Speaker 1: What's your favorite album you made or is it like

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Speaker 1: your kids? You can't pick your favorite kids.

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Speaker 3: Always, you know what I don't like? I make them

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Speaker 3: and then I like, I don't listen to them, and

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Speaker 3: then I forget them. What kind of that sounds like

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Speaker 3: a dream Champs episode? I mean way later because I

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Speaker 3: don't want to get uh, you know, like super wrapped

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Speaker 3: up in one thing.

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Speaker 4: I'm always trying to like grow.

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Speaker 3: Really, Leparty's Face for me is solo nights to to

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Speaker 3: a certain degree.

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Speaker 4: It's like I told you so is what it is.

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Speaker 4: But I don't have a favorite.

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Speaker 3: Sometimes I listen to shit, like the Homie was playing

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Speaker 3: one of my projects and I was just like, oh shit,

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Speaker 3: because now if I ain't listening in a couple of

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Speaker 3: years or ten years. I'm not that person. I'm just

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Speaker 3: kind of listening to some dude saying some shit that

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Speaker 3: I can relate to. So I kind of enjoy that

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Speaker 3: part of it. So I like every record separately for

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Speaker 3: different reasons when I listen to them.

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Speaker 1: Do you think putting out music but with the end

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Speaker 1: ofnet and like, you know, being able to download, you

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Speaker 1: think that they say harder for the artists or is

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Speaker 1: it easier because it's more.

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Speaker 4: Access it's all tools, you know, I think.

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Speaker 3: It invites people to diminish the work that it takes

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Speaker 3: to make one song, you know what I'm saying, because

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Speaker 3: they can get it so easily, or you know, they

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Speaker 3: can stream it for free here, or you know what

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Speaker 3: I'm saying. Ten ninety ninety you got the library of everything.

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Speaker 3: But then on the other side, I would rather hear

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Speaker 3: it than not hear it. So I just look at

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Speaker 3: the tool for what it is, appreciate it and try

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Speaker 3: to you know, nowadays, you know we already know you

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Speaker 3: got to monetize it. In other ways, you may not

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Speaker 3: be able to monetize it on the creation of the music.

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Speaker 3: Maybe you could sell the merch. Maybe you can platform it,

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Speaker 3: which we always do. You got to platform this shit

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Speaker 3: and the other shit. Most people don't get rich being

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Speaker 3: a rapper, you know what I'm saying. You know what's funny.

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Speaker 1: I remember having to drop a record and like for

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Speaker 1: me to get that record to London, I had to

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Speaker 1: physically go to London, right, like you know what I mean,

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Speaker 1: to go to see how Tim west Wood to see it,

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Speaker 1: and like I'll never gonna like pict it. This gaming

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Speaker 1: to be like that, like where you could just press

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Speaker 1: one button button.

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Speaker 3: And all over right, even recording, I mean, you know,

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Speaker 3: just I never thought I could do a song with somebody,

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Speaker 3: you know what I'm saying, New York and without being

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Speaker 3: in New York. Yeah, because they had to ship the

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Speaker 3: ricks all that ship the two inch.

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Speaker 5: Will And what about now seeing your kids all right,

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Speaker 5: they're doing man, I'm.

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Speaker 3: You know, like I always just say, I'm happy, you

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Speaker 3: know that they found something they love and that that

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Speaker 3: thing they love is giving them the opportunity of fair shot.

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Speaker 3: So probably about it. What would it happened if they

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Speaker 3: were whack drink?

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Speaker 2: Can we get them a drink?

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Speaker 1: They would have just been whacked because you you you

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Speaker 1: are don't for being one of the best limits. I

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Speaker 1: imagine that, like.

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Speaker 3: Because I heard it at first, you said you told

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Speaker 3: them nowhere first to tell them that, And one thing,

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Speaker 3: like I want them to tell their own story, so

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Speaker 3: like you know for sure that's their narrative. They've really

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Speaker 3: created a so so I'm going to let them speak

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Speaker 3: on it. But in general, if they were whack, right,

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Speaker 3: they would just be whack. There's other Look, Jordan's sons

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Speaker 3: are not doing Jordan's thinking. So that's you know, my

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Speaker 3: my I don't know. I'm trying to give a good example.

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Speaker 3: What yeah, whatever, my father can swim good.

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Speaker 4: That's a lot. But I'm just making up ship.

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Speaker 3: But the point is if I could not be able

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Speaker 3: to I might not able to swim because everything ain't

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Speaker 3: biological and everything.

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Speaker 4: You know, some ship. You just got to work that

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Speaker 4: on your own. You may you know, uh, did I

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Speaker 4: say I was drinking?

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Speaker 3: You did? Yes? I know I did. You know?

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Speaker 1: You know why because that's what we too, were reanalyzed,

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Speaker 1: how the uh the show was going to go by

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Speaker 1: what you're drinking?

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Speaker 4: We know to kill it works every time. Likes just

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Speaker 4: to kill you.

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Speaker 3: Jamie, Okay, Yeah, that's Jaison so I seek you.

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Speaker 4: I was just straight up to.

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Speaker 3: How did you become a whiskey guy? Yea, yea Yeady

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Speaker 3: did it? First of all, I got to represent the West,

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Speaker 3: so we all started with the bullshit.

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Speaker 4: We started with bumpy Face.

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Speaker 3: I don't even know what that is. You don't remember

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Speaker 3: bumpy face. You were you were you, you were being

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Speaker 3: a good.

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Speaker 2: No.

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Speaker 3: Bumpy face was the GM and it was what the

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Speaker 3: bottle was, bop like, so we would we did that.

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Speaker 3: But we're talking about kids ship Sloop alludes to it

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Speaker 3: Jenny juice, so that's when you're like your kids. And

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Speaker 3: we would drink that and then you hang hungover, and

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Speaker 3: then we would drink uh.

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Speaker 4: Fucking it was.

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Speaker 3: It was cheap ass, like night train and you put

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Speaker 3: kool aid in. So we did that, and basically then

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Speaker 3: it was Hennessy once we finally got some money. I

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Speaker 3: remember whining, oh ga, need some Hennessy. You drink Cisco.

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Speaker 4: Of course I drank at all. I thought it was amazing.

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Speaker 3: I loved it.

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Speaker 2: It was amazing for U when we were a kid, but.

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Speaker 3: Not oh yeah, never now liquid crack yeah. And then

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Speaker 3: and then uh, we went to the Hennessy phase. Hennessy.

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Speaker 3: I call it jail juice. So I looked up and thought,

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Speaker 3: every time look at me, juice, you think everybody was

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Speaker 3: looking at you while you're looking at me. I just

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Speaker 3: knew I ended up in jail every time. I know,

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Speaker 3: every time I ended up in jail there was some

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Speaker 3: Hennessy involved. So that I was like, I can't do

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Speaker 3: that no more. Went through my vodka phase and then

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Speaker 3: uh yeah, I was somewhere. I was at a bar

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Speaker 3: with like some of it was a whole bunch of

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Speaker 3: fucking uh Wall Street dudes, and the Wall Street dude

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Speaker 3: was like, yeah, that's the money drinks, and I was like, oh, really,

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Speaker 3: fuck it. Okay, yeah, drink ivery smoke Jamaican. I'm gonna.

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Speaker 1: We'll go through a couple of these albums and tell

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Speaker 1: me what you what you think of when you hear it?

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Speaker 3: Okay, sol on Ice truer now than it was then? Really? Absolutely? Wow.

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Speaker 4: You think tom sais not got better?

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Speaker 3: It's worse.

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Speaker 4: Absolutely, it is worse.

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Speaker 2: It is it worse.

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Speaker 4: Sol on Ice is trure now.

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Speaker 3: I think the things I'm dealing with, you know what

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Speaker 3: I'm saying that I'm talking about social political you know,

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Speaker 3: overt racism, a country that won't own up to its lies,

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Speaker 3: erasing history, literally taking people out of books and making

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Speaker 3: it illegal, burning books and all that.

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Speaker 2: Yeah, I always said that that like a ninety maybe

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Speaker 2: ninety one to like ninety.

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Speaker 5: Five hip hop lyricism was telling us everything that foreshadowed

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Speaker 5: everything that happened today.

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Speaker 3: Well, I think you know the saying, I mean, smarter

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Speaker 3: people than than I have said, Like, you know, what

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Speaker 3: is it If you don't learn from history, you're doing

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Speaker 3: the repeat it. If you keep fucking the same girl

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Speaker 3: that keeps giving you crabs, you're gonna get crabb the dragon, right,

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Speaker 3: I mean, you know, logic prevails. So, yeah, we haven't

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Speaker 3: learned from our past mistakes. And then we get on

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Speaker 3: some we like to fucking escape. We like to escapism music,

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Speaker 3: We like to do escapism ship. So we are we're

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Speaker 3: doing to repeat it. And then again, America likes to

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Speaker 3: fucking say that never happened. You know what I'm saying,

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Speaker 3: never happened. We didn't do anything to you guys. You

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Speaker 3: guys are just tripping.

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Speaker 6: Right, Okay, blasphemy, blasphemy, ooh, hypocrisy.

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Speaker 3: The only reason why is because the album was actually

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Speaker 3: called I Really let that album. My home boy Curtis

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Speaker 3: Daniel would say, uh, his favorite produced abum, so you know,

283
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Speaker 3: shouts out to Apollo Brown. But the name of the

284
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Speaker 3: album was really called I came up with that title

285
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Speaker 3: when I was in prison, but that wasn't the title.

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Speaker 3: The title was called how to Kill God. That was

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Speaker 3: the name of the album. That album was called, right,

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Speaker 3: real controversial, Yes it is because guess what, it's not

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Speaker 3: a how to manual, nigga. I'm just staying like so

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Speaker 3: the metaphor was right, yeah, Now that the metaphor was

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Speaker 3: how do you kill God? Well, God is love, right,

292
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Speaker 3: God created everything. So if you go kick a fucking cat,

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Speaker 3: you killing God. You know you're hurting God. You know

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Speaker 3: something that God created one of God's creations. So how

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Speaker 3: to kill God is being a dick, being fucked up,

296
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Speaker 3: being a sexist, being a racist, being a bitch ass nigga.

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Speaker 3: All that ship is how to kill God. So when

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Speaker 3: I did it, ironic parties, I didn't say how to

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Speaker 3: kill Allah or how to kill Buddha all the shit

300
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Speaker 3: because America. And that's why I said this hypocrisy is

301
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Speaker 3: if I would have said how to kill Allah, how

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Speaker 3: to kill Buddha how to kill yahweh Apple and iTunes

303
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Speaker 3: would have said cool. Spotify would have said cool because

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Speaker 3: they identify that with European God. That's why they said no,

305
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Speaker 3: it's like absolutely not. So then we called it blasphemy

306
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Speaker 3: because they're being blasphemous. So that's what I think of.

307
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Speaker 4: Okay, eat or.

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Speaker 3: Die, That's what I'm on the run. So that's when

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Speaker 3: I realized this company is against me and I'm gonna

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Speaker 3: have to sink or swim. So yeah, I just think

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Speaker 3: of like fucking, my back was against the wall. I

312
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Speaker 3: was upset, I was mad, and fuck it, I'm gonna

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Speaker 3: have to eat or I'm gonna die.

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Speaker 5: I got to figure this shit out, and we got

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Speaker 5: to go back because I know you've talked about it

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Speaker 5: in length.

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Speaker 2: Just for the sake of the show, I want you

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Speaker 2: to go back later on and okay.

319
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Speaker 4: Absolutely, Okay sold on Ice two. Hmm.

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Speaker 3: I feel like it was slept I mean, well I

321
00:17:08,880 --> 00:17:12,080
Speaker 3: always get slept on. I think it was just a

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Speaker 3: great follow up, and I wasn't trying to make a

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Speaker 3: so on nice too, I'm trying to throw off. I

324
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Speaker 3: was trying to make something else, which is normally how

325
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Speaker 3: these records happen, and then I just felt like five

326
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Speaker 3: records in, I was like, I'm making something that is

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Speaker 3: an extension of the first one. So I feel like

328
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Speaker 3: I did that and what it was that like whatever

329
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Speaker 3: our twenty twenty three solo nice updated production wise or whatever? Yeah,

330
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Speaker 3: okay Adidas All day I dream about spitting my only

331
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Speaker 3: double album, shouts out to Rathmatic.

332
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Speaker 4: And what do I think about it?

333
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Speaker 3: Yeah? I feel like it was my only double album,

334
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Speaker 3: which I never felt like. I don't be having a

335
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Speaker 3: bandwidth for that shit. So I don't know who listened

336
00:18:04,760 --> 00:18:06,679
Speaker 3: to it, because there's a lot of listening.

337
00:18:08,119 --> 00:18:10,880
Speaker 1: How did Adta This Night not get at you? If

338
00:18:10,920 --> 00:18:12,280
Speaker 1: the Golden State Warriors got you?

339
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Speaker 3: Well, they always say if somebody contacts you, did you

340
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Speaker 3: already did your job?

341
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Speaker 4: That means I didn't do my job. Is like I

342
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Speaker 4: fucked this guy.

343
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Speaker 3: Before Killer Mike's Adidas. I think, so yeah, I believe

344
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Speaker 3: so yeah. If they don't hit you here, I'll give

345
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Speaker 3: you a prime example and I get to flex a

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Speaker 3: little bit.

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Speaker 4: That's a good flex.

348
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Speaker 3: So when I'm working on this album, Ra Assassination, I'm

349
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Speaker 3: with Drey and I play my intro the whole intro

350
00:18:43,720 --> 00:18:46,760
Speaker 3: is kind of basically what we're in. Like there's this

351
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Speaker 3: dude that's kind of like a fascist dictator and there's

352
00:18:50,040 --> 00:18:52,119
Speaker 3: no dogs or niggers allowed and not of that, and

353
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Speaker 3: we're operation. We got to get rid of this fascist

354
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Speaker 3: ruler of America, right right, And but before that's arts

355
00:19:00,280 --> 00:19:03,000
Speaker 3: and uses, uh, because you remember the VHS tapes and

356
00:19:03,000 --> 00:19:06,359
Speaker 3: it would be like now our future presentation. So I

357
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Speaker 3: play it for dre Now we thought all the sonics on.

358
00:19:09,920 --> 00:19:17,080
Speaker 3: It goes boom, our future presentation. My record comes out crickets.

359
00:19:19,320 --> 00:19:25,040
Speaker 3: He uses the THHX sound, but that ship goes diamond.

360
00:19:25,640 --> 00:19:28,760
Speaker 3: Niggas came a knocking. So the whole point is, I'd

361
00:19:28,840 --> 00:19:31,680
Speaker 3: rather ask for forgiveness than permission. You just do this

362
00:19:31,720 --> 00:19:33,920
Speaker 3: ship if it popping, and then come get out, you know,

363
00:19:34,080 --> 00:19:34,720
Speaker 3: get your money.

364
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Speaker 4: I'm never mad at that.

365
00:19:37,760 --> 00:19:41,399
Speaker 3: They can't backfire sometimes well no, I've never really watched

366
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Speaker 3: the backfire.

367
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Speaker 2: I'll give you very much.

368
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Speaker 3: But he made the money already. In the long run,

369
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Speaker 3: it didn't work out. It works. What's his name did

370
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Speaker 3: a masterpiece? Son suffered with the sample stuff, but the

371
00:19:53,440 --> 00:19:56,520
Speaker 3: record sold already. You can't tell a nigga he can't

372
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Speaker 3: perform the records. You just say, I want all the publishings.

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Speaker 3: What this is a little Romeo. I'm telling you master

374
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Speaker 3: P did it. I watched it in real time. I

375
00:20:05,240 --> 00:20:08,320
Speaker 3: watched master P. There was three little's back then litl

376
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Speaker 3: bow Wow, all these little lass niggas, Little bow Wow,

377
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Speaker 3: little Romeo, Lisanne. Before the onset of the youngs and

378
00:20:15,720 --> 00:20:18,160
Speaker 3: the babies, niggas was little first, then they became young

379
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Speaker 3: nigga baby. Now niggas gonna be zygo wherever the fuck.

380
00:20:22,440 --> 00:20:30,080
Speaker 3: So little uh uh I remember uh Romeo pops whose

381
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Speaker 3: master P because tours on my label was on Priority Records.

382
00:20:34,840 --> 00:20:37,320
Speaker 3: So Lizaye just came off to one twelve record on

383
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Speaker 3: the boat. You know what I'm saying. Platinum, Little bow

384
00:20:41,280 --> 00:20:46,120
Speaker 3: Wow's with Jermaine dupri and Romeo. They master Pe wants

385
00:20:46,160 --> 00:20:50,760
Speaker 3: to sample them. Jackson Record, Priorty Records. The being counters

386
00:20:50,800 --> 00:20:52,920
Speaker 3: the execs is like never in life. He like, fuck you,

387
00:20:53,440 --> 00:20:56,760
Speaker 3: he got his own money. Shoot, well yeah, that's who

388
00:20:56,800 --> 00:20:58,800
Speaker 3: had to deal with it. But they're still the execs.

389
00:20:58,920 --> 00:21:01,280
Speaker 3: But he's like, I don't give a fuck. Masterpiece says

390
00:21:01,359 --> 00:21:03,440
Speaker 3: I want to put my son out and it shoots

391
00:21:03,480 --> 00:21:06,320
Speaker 3: the video puts out, manufacturers, whatever puts the record out.

392
00:21:06,480 --> 00:21:09,600
Speaker 3: Randall Jackson say fuck you, I'm taking one hundred percent

393
00:21:09,680 --> 00:21:13,520
Speaker 3: of that record. It don't matter the record goal. The

394
00:21:13,720 --> 00:21:17,240
Speaker 3: son has a career, he's still too Menny Denny gets

395
00:21:17,320 --> 00:21:20,480
Speaker 3: on the Disney Channel wherever the fuck it is. So

396
00:21:21,000 --> 00:21:24,200
Speaker 3: I'd rather ask for forgivingess the permission. Motherfucker's going out

397
00:21:24,760 --> 00:21:27,920
Speaker 3: tell you everything that can't go right until you just

398
00:21:28,040 --> 00:21:31,119
Speaker 3: show them that it went right, and here's your bread.

399
00:21:31,240 --> 00:21:33,359
Speaker 3: Fucking I'd rather pay a nigga off and let him

400
00:21:33,400 --> 00:21:35,119
Speaker 3: get one hundred percent of Son than have one hundred

401
00:21:35,119 --> 00:21:38,680
Speaker 3: percent or nothing. It's real. I still think it's a

402
00:21:38,680 --> 00:21:41,640
Speaker 3: give and take. You don't want to giving me an example.

403
00:21:42,000 --> 00:21:46,040
Speaker 5: I'm just saying, think about some people inspired for you

404
00:21:46,080 --> 00:21:48,480
Speaker 5: know what, fuck that I'm gonna take that ship.

405
00:21:49,920 --> 00:21:54,960
Speaker 3: La Brandy scenario. Maybe not just music well yeah, baby

406
00:21:55,119 --> 00:21:57,800
Speaker 3: with I mean it's certainly like I think like I

407
00:21:57,840 --> 00:21:59,320
Speaker 3: forgot who it was. It was like one of the

408
00:21:59,400 --> 00:22:02,160
Speaker 3: video games people where they're gonna shut you down immediately,

409
00:22:02,280 --> 00:22:03,680
Speaker 3: But in this music.

410
00:22:03,560 --> 00:22:05,399
Speaker 2: Ship, that's how it was.

411
00:22:05,440 --> 00:22:06,960
Speaker 3: With the mix, that's what is.

412
00:22:07,320 --> 00:22:13,760
Speaker 5: That's a mixyal, you can't do it whatever, you know

413
00:22:13,760 --> 00:22:14,720
Speaker 5: what I'm saying, right.

414
00:22:15,119 --> 00:22:17,080
Speaker 3: But it's too late. You can't put the pace back

415
00:22:17,119 --> 00:22:20,040
Speaker 3: into tube. Bro, get that ship out there if it's

416
00:22:20,080 --> 00:22:22,760
Speaker 3: fires fired, and then lie say, you know what, I

417
00:22:22,840 --> 00:22:26,200
Speaker 3: didn't do it that part.

418
00:22:26,359 --> 00:22:26,560
Speaker 7: Yeah?

419
00:22:28,200 --> 00:22:31,160
Speaker 3: Is it true? You and David Banner used to be broommates? Yes?

420
00:22:32,000 --> 00:22:40,880
Speaker 4: How the hell does this house work? How do work?

421
00:22:41,119 --> 00:22:42,040
Speaker 3: Man? I love Banner?

422
00:22:42,119 --> 00:22:42,199
Speaker 8: Bro?

423
00:22:42,880 --> 00:22:44,280
Speaker 3: So this is.

424
00:22:45,800 --> 00:22:48,280
Speaker 2: This crooked lettuce Banner lost the deal.

425
00:22:48,680 --> 00:22:52,200
Speaker 3: This is right after crooked letters. Wow, matter were you

426
00:22:52,240 --> 00:22:54,840
Speaker 3: using on the record? I was on the record. Yeah, yeah, Bro?

427
00:22:55,040 --> 00:22:59,800
Speaker 3: What was the firewater? Right water? Yeah? So the single

428
00:23:00,280 --> 00:23:04,800
Speaker 3: pobs whatever, whatever, the label doesn't feel like the album whatever.

429
00:23:04,840 --> 00:23:05,640
Speaker 4: He lost the deal.

430
00:23:06,160 --> 00:23:10,040
Speaker 3: Little dude me. I got to get a fabulo ship.

431
00:23:10,080 --> 00:23:12,399
Speaker 3: I got to d record. They fumbled the whole record.

432
00:23:13,560 --> 00:23:15,960
Speaker 3: The money's running out, you know what I'm saying. I'm like,

433
00:23:16,840 --> 00:23:19,240
Speaker 3: I'm not gonna be broke in LA, because then they're

434
00:23:19,240 --> 00:23:23,639
Speaker 3: gonna say I smoke crack. If you see a broke nigga,

435
00:23:23,720 --> 00:23:25,760
Speaker 3: you know that you saw TV and you don't see

436
00:23:25,800 --> 00:23:28,320
Speaker 3: him looking okay, he's smoked out.

437
00:23:28,840 --> 00:23:30,080
Speaker 4: You know I'm saying, that's the assumption.

438
00:23:30,240 --> 00:23:36,120
Speaker 3: So I'm like, fuck it, what this is? This is motivation.

439
00:23:36,720 --> 00:23:39,520
Speaker 3: I know I do. I think like an awful, stupid person,

440
00:23:39,640 --> 00:23:42,480
Speaker 3: but I'm just telling you my truth. I'm like, I

441
00:23:42,520 --> 00:23:44,720
Speaker 3: don't want to go to Atlanta because there's some people

442
00:23:44,760 --> 00:23:47,560
Speaker 3: I was upset with. So I'm like, where else can

443
00:23:47,600 --> 00:23:48,879
Speaker 3: I go? And this you got to remember this a

444
00:23:48,880 --> 00:23:52,280
Speaker 3: little bit pre internet. So I go, I call Wendy,

445
00:23:52,560 --> 00:23:56,000
Speaker 3: Wendy Day, you know what I'm saying. Shout out to Wendy,

446
00:23:56,480 --> 00:23:59,280
Speaker 3: and Wendy's like, well, got you. You can come over

447
00:23:59,320 --> 00:24:02,160
Speaker 3: here and you know, figure it out. I'm like, fuck, rap,

448
00:24:02,200 --> 00:24:03,840
Speaker 3: I don't want to rap, you know what I'm saying.

449
00:24:04,320 --> 00:24:04,840
Speaker 4: It was fucked.

450
00:24:04,880 --> 00:24:08,919
Speaker 3: My whole career up, doomed, and uh when I get there,

451
00:24:08,960 --> 00:24:11,960
Speaker 3: it's another nigga on another count. Shit it was banner.

452
00:24:12,119 --> 00:24:15,240
Speaker 3: Oh wow, yeah man, So we rocked out. Man. I

453
00:24:15,320 --> 00:24:20,119
Speaker 3: actually have a videotape because I had a camcorder dating myself.

454
00:24:20,680 --> 00:24:25,719
Speaker 3: And one day we went to the club because her

455
00:24:25,880 --> 00:24:28,600
Speaker 3: roommates do all the dope parties in New York, like Life,

456
00:24:28,720 --> 00:24:31,920
Speaker 3: all the fly shit. But one night we went to

457
00:24:32,000 --> 00:24:34,000
Speaker 3: like Life or something like that, and then he didn't

458
00:24:34,040 --> 00:24:36,840
Speaker 3: fill up for it, like he was just you know, depressed.

459
00:24:36,840 --> 00:24:37,960
Speaker 3: You know what I'm say, niggas going through it like

460
00:24:38,000 --> 00:24:41,440
Speaker 3: damn and maybe questioning, yeah, like maybe my career is over.

461
00:24:41,480 --> 00:24:45,200
Speaker 3: And I remember I got back a couple of hours later.

462
00:24:45,680 --> 00:24:47,640
Speaker 3: He was like sitting in the stairwell. He was like, man,

463
00:24:47,680 --> 00:24:49,600
Speaker 3: I hope you're mind. I used the camera and shit.

464
00:24:49,880 --> 00:24:53,000
Speaker 3: I was like, man, it's cool, bro. I went back

465
00:24:53,040 --> 00:24:54,800
Speaker 3: and looked at it. He was like, Nigga, my shit

466
00:24:54,880 --> 00:24:57,399
Speaker 3: fucked up, my career fucked up. But my name is

467
00:24:57,440 --> 00:24:59,720
Speaker 3: David Banner. I'm gonna be somebody and the nigga did it.

468
00:25:00,280 --> 00:25:02,760
Speaker 3: So it actually got that tape and I got to

469
00:25:02,800 --> 00:25:05,280
Speaker 3: find it for him because it's inspiring to watch somebody

470
00:25:05,480 --> 00:25:08,360
Speaker 3: tak lowis you know, be up. And then we did

471
00:25:08,400 --> 00:25:11,840
Speaker 3: a record. We I mean we did a record. We

472
00:25:11,960 --> 00:25:18,800
Speaker 3: got the studio and mob Deep was next door. Yeah York, Yeah,

473
00:25:19,160 --> 00:25:20,760
Speaker 3: ok yeah, we stay in New York. Were staying on

474
00:25:20,840 --> 00:25:24,520
Speaker 3: like thirty third and third okay building, we fly, well,

475
00:25:24,640 --> 00:25:27,040
Speaker 3: we ain't fly. We did them flying. We niggas on

476
00:25:27,080 --> 00:25:29,520
Speaker 3: the couch. We brother man from the second floor. Okay,

477
00:25:29,920 --> 00:25:34,439
Speaker 3: flub or whatever it was, but uh they uh, they

478
00:25:34,480 --> 00:25:37,840
Speaker 3: were next door working on I think it was murder

479
00:25:37,920 --> 00:25:43,320
Speaker 3: music anyway. Anyway, I'm forgetting what year, but we're doing

480
00:25:43,400 --> 00:25:45,600
Speaker 3: this record because I remember Pee and Halbits like whatever.

481
00:25:45,880 --> 00:25:47,800
Speaker 3: They didn't know David. I introduced David. They was like,

482
00:25:47,840 --> 00:25:50,280
Speaker 3: you know, niggas be nosy, walk in looking you know

483
00:25:50,280 --> 00:25:52,080
Speaker 3: what I'm saying. I'm like, oh, that shit crazy, and

484
00:25:52,160 --> 00:25:54,240
Speaker 3: they walk in and listen to ours. We was we

485
00:25:54,400 --> 00:26:01,680
Speaker 3: had sampled uh entertain us. Here we go Nirvana, and

486
00:26:01,760 --> 00:26:04,040
Speaker 3: I remember the niggas just looking like what the fuck.

487
00:26:05,520 --> 00:26:07,520
Speaker 3: But then Banner ended up using it on the mixtape

488
00:26:07,680 --> 00:26:09,480
Speaker 3: that popped him out, you know what I'm saying. That

489
00:26:09,600 --> 00:26:11,000
Speaker 3: then well for him, I think the song was called

490
00:26:11,000 --> 00:26:13,840
Speaker 3: spass Out. But you know we was, we was working

491
00:26:13,920 --> 00:26:20,040
Speaker 3: man were it was crazy manco that was and I

492
00:26:20,119 --> 00:26:23,520
Speaker 3: was out there acting. You would see me out. Yeah,

493
00:26:23,560 --> 00:26:24,919
Speaker 3: that's right, that's what I want.

494
00:26:25,520 --> 00:26:27,080
Speaker 5: He sent me a record with him an absol though

495
00:26:27,080 --> 00:26:28,159
Speaker 5: I don't know if he's put it out here, but

496
00:26:28,760 --> 00:26:30,080
Speaker 5: he's always because it's crazy.

497
00:26:30,720 --> 00:26:33,000
Speaker 4: Yeah, who else said records?

498
00:26:34,720 --> 00:26:36,080
Speaker 3: I got a record with a soul my mind.

499
00:26:36,359 --> 00:26:40,480
Speaker 4: Yeah, shameless rast cast was its.

500
00:26:42,200 --> 00:26:48,359
Speaker 3: Oh that was the reap uh Storm. I wanted to

501
00:26:48,359 --> 00:26:51,040
Speaker 3: give him in trouble storing and manages blonde Yeah, or

502
00:26:51,320 --> 00:26:55,040
Speaker 3: have it down, but he used to manage. Bob manages

503
00:26:55,119 --> 00:27:00,399
Speaker 3: me too, and that was the first time for that project. Uh,

504
00:27:01,080 --> 00:27:04,359
Speaker 3: somebody had got me a honeycake sock into my pocket.

505
00:27:04,480 --> 00:27:07,879
Speaker 3: In my pocket, that was my first my honey all

506
00:27:08,400 --> 00:27:11,040
Speaker 3: check outside of my record deal. So I always think

507
00:27:11,080 --> 00:27:13,440
Speaker 3: of that like, thank you Storm, so salute the storm.

508
00:27:13,920 --> 00:27:21,040
Speaker 3: Perfect management. The Yellow Snow EP, Oh, that's funny, that's

509
00:27:21,080 --> 00:27:25,440
Speaker 3: my homeboy, Rubio. Uh Doc Hollywood was the name of

510
00:27:25,480 --> 00:27:25,840
Speaker 3: the group.

511
00:27:26,440 --> 00:27:26,560
Speaker 2: Uh.

512
00:27:26,680 --> 00:27:31,639
Speaker 3: The Yellow Snow EP was I like doing like what

513
00:27:31,760 --> 00:27:35,120
Speaker 3: they call them ugly sweater Like I like taking holidays

514
00:27:35,160 --> 00:27:37,760
Speaker 3: and flipping them upside down. So the Yellow Snow EP

515
00:27:38,040 --> 00:27:40,520
Speaker 3: was me taking Christmas songs and like shipping on Christmas.

516
00:27:40,760 --> 00:27:43,120
Speaker 4: Oh, it's not about p well.

517
00:27:43,080 --> 00:27:47,760
Speaker 3: Yellow snow is t say yeah. Saying is don't eat

518
00:27:47,760 --> 00:27:52,400
Speaker 3: the yellow snow. The yellow snow. It's the p yeah. God,

519
00:27:54,880 --> 00:28:00,320
Speaker 3: it's like, don't eat the snow and Harlem like on there,

520
00:28:00,359 --> 00:28:03,120
Speaker 3: it's gonna be some cracks in there.

521
00:28:04,880 --> 00:28:06,640
Speaker 4: So what's bringing me to Christmas?

522
00:28:06,920 --> 00:28:12,080
Speaker 3: Christian? Was that the same play on the holiday? Yeah, Christmass. Yeah,

523
00:28:12,680 --> 00:28:14,760
Speaker 3: that's just the extension. I took the Yellow Snow EP

524
00:28:15,040 --> 00:28:17,960
Speaker 3: and just every couple of years I add a new

525
00:28:18,119 --> 00:28:20,119
Speaker 3: song and I give it out around Christmas, so I

526
00:28:20,280 --> 00:28:23,720
Speaker 3: just yeah, Chris mess in the s s. It's just

527
00:28:23,960 --> 00:28:26,840
Speaker 3: it's the ugly sweater thing. It's just me taking Christmas.

528
00:28:26,960 --> 00:28:30,280
Speaker 3: And I did like a drad Old song. You know

529
00:28:30,320 --> 00:28:33,840
Speaker 3: what I'm saying, I just do. Who haven't I attacked yet?

530
00:28:34,359 --> 00:28:37,720
Speaker 3: I have to do what? What's the what's the black one?

531
00:28:38,320 --> 00:28:41,360
Speaker 3: Quansa quanta? I have to guy to do a quanza.

532
00:28:42,040 --> 00:28:45,960
Speaker 3: You can't. You can't do that. I can out of this.

533
00:28:48,280 --> 00:28:52,520
Speaker 3: I got to be messing with Christmas. I got to

534
00:28:52,600 --> 00:28:53,600
Speaker 3: mess with everybody.

535
00:28:53,760 --> 00:28:57,160
Speaker 4: Okay, Michaels, that's all right.

536
00:28:57,240 --> 00:28:57,520
Speaker 2: This is.

537
00:29:01,560 --> 00:29:03,120
Speaker 4: What's your favorite erro of hip hop.

538
00:29:06,240 --> 00:29:10,720
Speaker 3: Musically or just living? Either way, I would say music

539
00:29:11,160 --> 00:29:14,400
Speaker 3: that ain't fair. It's always fire shit. But you know,

540
00:29:17,080 --> 00:29:19,320
Speaker 3: before I got to deal with super Fun because I

541
00:29:19,400 --> 00:29:21,040
Speaker 3: got to watch other people. I was a fly on

542
00:29:21,080 --> 00:29:24,360
Speaker 3: the wall being around like Wino and Coolio and meeting

543
00:29:24,640 --> 00:29:29,400
Speaker 3: you know, Premiere and you know, gang Starr and Mop

544
00:29:29,640 --> 00:29:31,640
Speaker 3: and just you know what I'm saying, Bumpy, just whatever,

545
00:29:32,160 --> 00:29:35,920
Speaker 3: just being that guy and then coincidentally meeting my peers.

546
00:29:36,600 --> 00:29:39,280
Speaker 3: You know what I'm saying. You know, the Warlocks going

547
00:29:39,320 --> 00:29:40,960
Speaker 3: on to be the locks and so and so just

548
00:29:41,040 --> 00:29:47,360
Speaker 3: meeting all these other dope people. That part of it

549
00:29:47,840 --> 00:29:53,440
Speaker 3: was fun. I definitely have enjoyed even today. You know

550
00:29:53,480 --> 00:29:58,680
Speaker 3: what I'm saying, Like I'm in a very small a

551
00:30:00,080 --> 00:30:03,600
Speaker 3: group of people of what I think are like elading

552
00:30:03,720 --> 00:30:07,760
Speaker 3: saves producers, you know what I'm saying, artists and a

553
00:30:07,840 --> 00:30:10,520
Speaker 3: lot of us have encountered and kicked it and done

554
00:30:10,560 --> 00:30:12,000
Speaker 3: ship and traveled the world together.

555
00:30:12,120 --> 00:30:14,880
Speaker 4: So for me, that part is always fun.

556
00:30:15,000 --> 00:30:17,280
Speaker 3: There's been a lot of peaks and valleys and damn,

557
00:30:17,440 --> 00:30:20,680
Speaker 3: probably way more values than anything. But this ship is fun. Man,

558
00:30:21,160 --> 00:30:23,280
Speaker 3: for me, you still have fun doing it. I have

559
00:30:23,560 --> 00:30:26,120
Speaker 3: a fucking blast. All I want is the same bag

560
00:30:26,360 --> 00:30:30,360
Speaker 3: as the fun the bag. If I get the bag,

561
00:30:30,440 --> 00:30:32,600
Speaker 3: I'm really out of here. Nigga, I will make nigga

562
00:30:32,720 --> 00:30:34,840
Speaker 3: me and Blue used to say that of my little

563
00:30:35,000 --> 00:30:38,160
Speaker 3: stupid cousin. Yeah, Davini, but yeah, you know what I'm saying.

564
00:30:38,280 --> 00:30:41,440
Speaker 3: The nigga I make fucking I make wood look look

565
00:30:41,560 --> 00:30:44,440
Speaker 3: like gold. Nigga. Let me go, let me, let me

566
00:30:44,520 --> 00:30:48,320
Speaker 3: get about three point five million, nigga, you will see

567
00:30:48,360 --> 00:30:50,200
Speaker 3: a nigga take over the planet. Right.

568
00:30:51,640 --> 00:30:54,560
Speaker 5: Speaking of Blue Da Vinci, were you like What was

569
00:30:54,600 --> 00:30:57,000
Speaker 5: your interaction with that BMS movement?

570
00:30:58,480 --> 00:31:00,480
Speaker 4: Uh shit, I was there from the on set.

571
00:31:01,440 --> 00:31:02,400
Speaker 3: Yeah, I was there.

572
00:31:04,120 --> 00:31:07,000
Speaker 4: First of all, be as frank as I can.

573
00:31:07,400 --> 00:31:14,800
Speaker 3: Uh we met Blue. Blue was Blue is my second MIC.

574
00:31:14,880 --> 00:31:16,640
Speaker 3: I never called him hype man, So Blue is my

575
00:31:16,840 --> 00:31:20,440
Speaker 3: second MIC. And Blue grew up in the same neighborhood

576
00:31:20,520 --> 00:31:27,040
Speaker 3: as Whino and whatever. So who was Coolio's producer? The DJ?

577
00:31:27,160 --> 00:31:31,240
Speaker 3: He's yeah, yeah, the recipes Coolio so blues with me.

578
00:31:31,480 --> 00:31:34,360
Speaker 3: We got another cousin s class. He's from Inglewood, So

579
00:31:34,440 --> 00:31:44,440
Speaker 3: blues from Carson one from Carson. Yeah, and DJ Pool

580
00:31:44,760 --> 00:31:48,520
Speaker 3: loved the Blue, so Pool because Blue is funny. The

581
00:31:48,560 --> 00:31:54,120
Speaker 3: nigga got jokes, y'all remember Gobby and yeah yeah, So.

582
00:31:55,600 --> 00:31:57,320
Speaker 4: I worked through them with ran marketing stuff.

583
00:31:57,360 --> 00:32:01,360
Speaker 3: So Gobby the only other nigga because well, the only

584
00:32:01,480 --> 00:32:03,280
Speaker 3: nigga I've ever seen in real life, shut up Blue.

585
00:32:03,520 --> 00:32:07,200
Speaker 3: Goby talked Blue into a circle with like bagging on niggas.

586
00:32:07,440 --> 00:32:10,160
Speaker 3: So anyway, Poo loved Blue because he was funny. He

587
00:32:10,200 --> 00:32:13,120
Speaker 3: could shoot jokes the street dude, but he's a comedian.

588
00:32:13,200 --> 00:32:15,760
Speaker 3: He's funny, and so Pool loved him and started putting

589
00:32:15,800 --> 00:32:17,840
Speaker 3: them in movies. Three Strikes this, that, and the third,

590
00:32:17,920 --> 00:32:21,920
Speaker 3: so really meeting them went to Blue went to Pool

591
00:32:22,840 --> 00:32:25,480
Speaker 3: and that's how we met meech in them. We met

592
00:32:25,560 --> 00:32:31,320
Speaker 3: meeting him because Pool was like, okay, we'll have We'll

593
00:32:31,360 --> 00:32:35,240
Speaker 3: have Blue be the artist and then was he the

594
00:32:35,280 --> 00:32:38,560
Speaker 3: first artist under So that was the plan. The plan changed.

595
00:32:38,760 --> 00:32:44,080
Speaker 3: The original plan was Pool quarterbacks and then Blue and

596
00:32:44,240 --> 00:32:47,480
Speaker 3: Me come in. That got switched and our meat you

597
00:32:47,520 --> 00:32:52,040
Speaker 3: eventually would I remember the nigga asked me how much

598
00:32:52,080 --> 00:32:54,080
Speaker 3: to get you out your deal? And he was dead serious.

599
00:32:54,120 --> 00:32:56,719
Speaker 3: It's like, yo, if if we give Varorty a million dollars,

600
00:32:57,720 --> 00:32:59,160
Speaker 3: well you know what I'm saying, Well, they let you go.

601
00:32:59,240 --> 00:33:01,840
Speaker 3: And I was like, I don't even know if I

602
00:33:01,920 --> 00:33:04,160
Speaker 3: want to be in debt to a nigga or a

603
00:33:04,240 --> 00:33:06,120
Speaker 3: million dollars. I remember, I was like, I'm opting out,

604
00:33:06,240 --> 00:33:08,320
Speaker 3: you know, because then it was gonna be me running

605
00:33:08,360 --> 00:33:11,240
Speaker 3: it and blew the artists. And what really happened is

606
00:33:12,400 --> 00:33:17,520
Speaker 3: Blue took all the mantles. I opted out. I can't

607
00:33:17,600 --> 00:33:20,680
Speaker 3: speak on what happened with Pool and Meets because I

608
00:33:20,720 --> 00:33:23,280
Speaker 3: don't know exactly. It's just one minute that was the play.

609
00:33:23,480 --> 00:33:28,680
Speaker 3: Then the play switch opted out of the play. The

610
00:33:29,440 --> 00:33:32,960
Speaker 3: hood came into it, which is great beach, and it

611
00:33:33,040 --> 00:33:35,280
Speaker 3: was rich already they already being math, was bing math,

612
00:33:36,560 --> 00:33:40,000
Speaker 3: but the music was not a factor. And you know,

613
00:33:40,440 --> 00:33:41,760
Speaker 3: like I said, I'll say as much as I can

614
00:33:42,640 --> 00:33:50,360
Speaker 3: without you know whatever, but I would say this, I

615
00:33:50,480 --> 00:33:53,640
Speaker 3: sent them to Atlanta. It wasn't none of their fucking ideas.

616
00:33:54,040 --> 00:33:56,719
Speaker 3: We got patchworks. So if you come to La, why

617
00:33:56,760 --> 00:33:59,160
Speaker 3: would you go to Atlanta? So it was behind then

618
00:33:59,360 --> 00:34:03,120
Speaker 3: like take it to Atlanta because La niggas is gonna

619
00:34:03,120 --> 00:34:05,160
Speaker 3: be trying to figure out where y'all getting this money from,

620
00:34:05,280 --> 00:34:07,800
Speaker 3: who is y'all niggas, And then niggas gonna start running in.

621
00:34:08,280 --> 00:34:09,279
Speaker 4: Trying to shoot up shit.

622
00:34:09,600 --> 00:34:12,800
Speaker 3: First, you're gonna start as a homie, which is the

623
00:34:12,840 --> 00:34:15,279
Speaker 3: extortion bit that happens the most rapped niggas that go

624
00:34:15,360 --> 00:34:18,200
Speaker 3: out talking tough shit in La. You're gonna get extorted.

625
00:34:19,680 --> 00:34:21,840
Speaker 3: The next one, they really just gonna come on your helmet.

626
00:34:21,920 --> 00:34:23,880
Speaker 3: And the third wave is they send the bitch at you.

627
00:34:24,160 --> 00:34:25,719
Speaker 3: She's gonna get you some pussy and then she's gonna

628
00:34:25,719 --> 00:34:27,800
Speaker 3: lock the door one day, and that's happened in niggas

629
00:34:27,800 --> 00:34:29,640
Speaker 3: too in La. So what you don't want to do

630
00:34:30,239 --> 00:34:32,839
Speaker 3: is be out there looking like you know, that's anywhere, though,

631
00:34:33,280 --> 00:34:34,760
Speaker 3: don't come out looking like steak.

632
00:34:35,200 --> 00:34:35,879
Speaker 4: You know what I'm saying.

633
00:34:36,120 --> 00:34:39,040
Speaker 3: A whole bunch of starving parvo, wolves and shit, and

634
00:34:39,160 --> 00:34:44,200
Speaker 3: you like, oh, looking fucks bloody steep. Okay, nigga, don't

635
00:34:44,200 --> 00:34:47,319
Speaker 3: come get you. So my luck suggestion was take that ship.

636
00:34:47,760 --> 00:34:49,880
Speaker 3: My quote was taken to the Woldies. I was like,

637
00:34:50,000 --> 00:34:52,040
Speaker 3: go out with the Woldies. Take that ship to Atlanta.

638
00:34:52,600 --> 00:34:55,160
Speaker 3: Because these niggas is already asking questions. There was a

639
00:34:55,160 --> 00:34:57,680
Speaker 3: whole bunch of other shit happening. Like I said, I

640
00:34:57,719 --> 00:34:59,720
Speaker 3: don't want to speaking. And so they went to Atlanta

641
00:34:59,800 --> 00:35:04,880
Speaker 3: and and fast forward two years later, I'm getting the

642
00:35:04,960 --> 00:35:07,239
Speaker 3: report card and it was not good. I was in

643
00:35:07,320 --> 00:35:11,120
Speaker 3: the pen already, like jeezuz did this so and so

644
00:35:11,280 --> 00:35:15,919
Speaker 3: they beat up. I'm like, bro, you cannot be can't

645
00:35:16,280 --> 00:35:19,520
Speaker 3: can't go after parties after you know, not guilty verdicts.

646
00:35:19,520 --> 00:35:21,440
Speaker 3: The ship with elephants. I was like, don't do it.

647
00:35:21,520 --> 00:35:23,279
Speaker 3: You're bringing all this a fence. It was a lot

648
00:35:23,400 --> 00:35:24,080
Speaker 3: of Shenanigans.

649
00:35:24,239 --> 00:35:26,440
Speaker 4: Great, so you were in when that was started possible?

650
00:35:26,560 --> 00:35:28,879
Speaker 3: Yeah, yeah, go there.

651
00:35:29,160 --> 00:35:34,759
Speaker 4: I see them. And then I go to New York

652
00:35:35,640 --> 00:35:37,240
Speaker 4: and then I have to go to Vegas.

653
00:35:37,560 --> 00:35:41,480
Speaker 3: I get locked up in Vegas and fast forward by

654
00:35:41,560 --> 00:35:44,360
Speaker 3: two thousand and three is four, I'm getting the report

655
00:35:44,440 --> 00:35:48,000
Speaker 3: card of the Shenanigans and I'm like, don't do the Shenanigans.

656
00:35:48,440 --> 00:35:51,719
Speaker 3: First of all, you can't put a billboard when you're

657
00:35:51,760 --> 00:35:53,600
Speaker 3: leaving the airport. When you go into the airport and

658
00:35:53,680 --> 00:35:55,879
Speaker 3: leaving it in front of Jamaine Duprius says the world

659
00:35:56,000 --> 00:35:58,280
Speaker 3: is being I'm like, you can put on no music.

660
00:36:00,400 --> 00:36:02,839
Speaker 3: Where the fuck is the music? Nigga like sell hot

661
00:36:02,920 --> 00:36:05,800
Speaker 3: Dog a sudden nigga do something y'all niggas cannot explain,

662
00:36:05,840 --> 00:36:10,160
Speaker 3: you know whatever, but they went for it. Ultimately, at

663
00:36:10,160 --> 00:36:14,200
Speaker 3: the end of the day, I always want meet and

664
00:36:14,400 --> 00:36:16,160
Speaker 3: like I said, my other cousin and a gag of

665
00:36:16,239 --> 00:36:19,120
Speaker 3: my homies are you know were in or BMF.

666
00:36:19,200 --> 00:36:22,080
Speaker 4: You know what I'm saying. And you know, the worst

667
00:36:22,120 --> 00:36:22,600
Speaker 4: part is that.

668
00:36:24,120 --> 00:36:26,680
Speaker 3: There's a lot of money and to set black people

669
00:36:26,760 --> 00:36:29,520
Speaker 3: back by twenty five years, that was a lot of

670
00:36:29,640 --> 00:36:34,320
Speaker 3: fucking money and not having those relationships, you know, those people.

671
00:36:34,200 --> 00:36:35,239
Speaker 4: Not having a relationship.

672
00:36:35,400 --> 00:36:36,719
Speaker 3: And I'm not mad at fifth, but you know what

673
00:36:36,719 --> 00:36:39,560
Speaker 3: I'm saying, Like that wasn't supposed to be a documentary

674
00:36:39,719 --> 00:36:45,520
Speaker 3: that's supposed to just be you know, other people keep

675
00:36:45,560 --> 00:36:47,879
Speaker 3: it together and get the bag. Then we couldn't keep

676
00:36:47,880 --> 00:36:50,239
Speaker 3: it together, or they couldn't keep it together. But as

677
00:36:50,280 --> 00:36:54,160
Speaker 3: a poor execution of a fucking amazing opportunity.

678
00:36:53,640 --> 00:36:55,319
Speaker 4: I could have paid a lot of people.

679
00:36:55,360 --> 00:36:57,440
Speaker 3: So I always I look at it like, damn Fifth

680
00:36:57,920 --> 00:37:00,080
Speaker 3: Phil got a documentary and the TV show out of it.

681
00:37:00,160 --> 00:37:06,759
Speaker 4: But that shit was supposed to be incredible. How did

682
00:37:06,800 --> 00:37:09,879
Speaker 4: you avoid gang banging from where you're from?

683
00:37:11,600 --> 00:37:11,719
Speaker 3: Uh?

684
00:37:12,320 --> 00:37:13,400
Speaker 4: I don't think you avoid it.

685
00:37:14,120 --> 00:37:17,120
Speaker 3: I just anybody that tells you you have to step

686
00:37:17,160 --> 00:37:19,960
Speaker 3: into a gang is a fucking liar, you know what

687
00:37:20,000 --> 00:37:23,400
Speaker 3: I mean? Like we're all we all grow up somewhere,

688
00:37:24,120 --> 00:37:26,720
Speaker 3: so always always liking it to like the Kendrick skit

689
00:37:27,000 --> 00:37:30,360
Speaker 3: because I think his his it's so visceral. I relived

690
00:37:30,400 --> 00:37:32,919
Speaker 3: that shit like it was on a good kid, Mad

691
00:37:33,000 --> 00:37:35,520
Speaker 3: City ship where he's just like where your mama from,

692
00:37:35,600 --> 00:37:38,640
Speaker 3: where your grandmama from? Like dat's la Like you're gonna

693
00:37:38,640 --> 00:37:40,759
Speaker 3: get pressed if somebody, especially if you stick out like

694
00:37:40,760 --> 00:37:42,920
Speaker 3: a sore thumb, somebody's gonna be like why are you

695
00:37:43,040 --> 00:37:48,160
Speaker 3: over here? I mean, And as far as just growing

696
00:37:48,200 --> 00:37:50,160
Speaker 3: up in the neighborhood. You don't have to do shit.

697
00:37:50,400 --> 00:37:52,359
Speaker 3: It's a basketball nigga. Think about it. On the block,

698
00:37:52,520 --> 00:37:59,200
Speaker 3: like anywhere Brooklyn, fucking Florida, Miami, Uh, you know, anywhere

699
00:37:59,400 --> 00:38:02,799
Speaker 3: that you're at. It's a comedy dude. Somebody that's funny.

700
00:38:02,880 --> 00:38:06,480
Speaker 3: On your block. It's somebody who played basketball. It's a

701
00:38:06,560 --> 00:38:08,480
Speaker 3: real straight lace dude. That might be the police. He

702
00:38:08,560 --> 00:38:10,520
Speaker 3: might be a crooked cop, but it's a straight lace dude.

703
00:38:10,960 --> 00:38:14,839
Speaker 3: It's a it's the one all the girls like, right,

704
00:38:14,880 --> 00:38:16,200
Speaker 3: you know what I'm saying. It's like the pretty boy

705
00:38:16,280 --> 00:38:18,279
Speaker 3: nigga that all the girls like. It's usually a gay

706
00:38:18,360 --> 00:38:22,080
Speaker 3: nigga too. It's just all these different people. So that's

707
00:38:22,320 --> 00:38:24,759
Speaker 3: that's a regular street in LA. They made. What they

708
00:38:24,840 --> 00:38:28,600
Speaker 3: did was they created this narrative that in La you

709
00:38:28,800 --> 00:38:30,800
Speaker 3: had to do it, and that's what you're do it.

710
00:38:31,000 --> 00:38:33,920
Speaker 4: Yeah, it sells good, it selles and.

711
00:38:33,960 --> 00:38:36,080
Speaker 3: It's great boys in the hood, but that's actors and

712
00:38:36,120 --> 00:38:37,719
Speaker 3: some of them niggas ain't even from La. A lot

713
00:38:37,760 --> 00:38:39,880
Speaker 3: of them it's from New York. And so that's this

714
00:38:40,080 --> 00:38:48,840
Speaker 3: narrative that, uh, you're forced the times I would assume

715
00:38:48,880 --> 00:38:51,120
Speaker 3: you'd be forced to say, and you're not even forced

716
00:38:51,800 --> 00:38:55,719
Speaker 3: is because your pops and not that he forced you.

717
00:38:55,840 --> 00:38:58,120
Speaker 4: It's just you associate or your older brother.

718
00:38:58,200 --> 00:38:59,759
Speaker 3: So I know a lot of people who've stepped in

719
00:39:00,320 --> 00:39:02,160
Speaker 3: because they broke it, you know what I'm saying, or

720
00:39:02,200 --> 00:39:05,040
Speaker 3: their father was. So it's like, I'm this is calm

721
00:39:05,120 --> 00:39:07,880
Speaker 3: on second nature. But nobody when you're like teena, you

722
00:39:08,120 --> 00:39:10,880
Speaker 3: gotta do it. Nobody never says that, like lies to

723
00:39:10,920 --> 00:39:16,160
Speaker 3: you being outside of it. That is the fun it is,

724
00:39:16,520 --> 00:39:18,440
Speaker 3: I would assume until it.

725
00:39:19,040 --> 00:39:22,239
Speaker 1: Yeah, like when I used to see like like n

726
00:39:22,360 --> 00:39:25,000
Speaker 1: w A and like they rocking ice black oh ship,

727
00:39:25,440 --> 00:39:25,880
Speaker 1: think about it.

728
00:39:25,960 --> 00:39:26,960
Speaker 4: It's so different to us.

729
00:39:27,120 --> 00:39:31,600
Speaker 3: Gangster's in black. There is no you know, they were there.

730
00:39:31,640 --> 00:39:34,520
Speaker 3: They're a construct their concept and I'm not disrespecting them.

731
00:39:34,520 --> 00:39:38,399
Speaker 3: I'm just saying there are gangs. They are you wear

732
00:39:38,440 --> 00:39:40,719
Speaker 3: the wall of the crypt right. Yeah he was, you

733
00:39:40,760 --> 00:39:42,480
Speaker 3: know what I'm saying, and something he didn't rep it though,

734
00:39:42,560 --> 00:39:43,680
Speaker 3: like that, like I mean on.

735
00:39:44,239 --> 00:39:45,799
Speaker 4: The right right.

736
00:39:46,239 --> 00:39:49,040
Speaker 3: More people started stepping in just saying like cuz and blood,

737
00:39:49,120 --> 00:39:51,480
Speaker 3: like the young niggas is really outside. And then we

738
00:39:51,600 --> 00:39:54,560
Speaker 3: got a third factor. We got Southsiders. We got Mexicans,

739
00:39:54,880 --> 00:39:57,840
Speaker 3: right and that's a whole different factor. So it's like

740
00:39:58,040 --> 00:40:00,360
Speaker 3: this whole gang ship. Motherfucker's got a fun up, Like

741
00:40:00,400 --> 00:40:03,040
Speaker 3: it's just bloods and cribs. You got these Southsiders and

742
00:40:03,160 --> 00:40:05,239
Speaker 3: they don't want you around there, and they are they

743
00:40:05,320 --> 00:40:07,080
Speaker 3: hopping out with k's on niggas.

744
00:40:07,360 --> 00:40:10,880
Speaker 5: You don't think the most overt version of like putting

745
00:40:10,920 --> 00:40:12,640
Speaker 5: it out there was Banging on Wax.

746
00:40:12,680 --> 00:40:15,719
Speaker 3: I feel like that's the first one that was. But

747
00:40:16,080 --> 00:40:20,359
Speaker 3: here's the rubb on that. If I'm correct, there's only

748
00:40:20,440 --> 00:40:24,560
Speaker 3: two people alive from Banging on Wax. Wow. Yeah, it

749
00:40:24,640 --> 00:40:29,480
Speaker 3: was overt, and guess what, now you're the target. Nobody

750
00:40:29,560 --> 00:40:32,320
Speaker 3: survived that except for two people that I know of.

751
00:40:32,920 --> 00:40:35,040
Speaker 3: I don't even say their names, but it's only two

752
00:40:35,040 --> 00:40:37,880
Speaker 3: people alive, and one of them had a suitonym when

753
00:40:37,920 --> 00:40:39,600
Speaker 3: he was on Banging on Wax. He didn't gobody his

754
00:40:39,760 --> 00:40:40,520
Speaker 3: real name.

755
00:40:40,480 --> 00:40:43,080
Speaker 2: Because who would have been doing it before that? Maybe

756
00:40:43,680 --> 00:40:45,319
Speaker 2: come to those wanted maybe well, I mean.

757
00:40:46,160 --> 00:40:48,640
Speaker 4: There were people making so some of these records that

758
00:40:49,520 --> 00:40:50,160
Speaker 4: came out.

759
00:40:52,600 --> 00:40:55,839
Speaker 3: That would eventually become legendary rap albums started off as

760
00:40:55,920 --> 00:40:58,160
Speaker 3: like hood demos that they would sell it to swap meets.

761
00:40:58,200 --> 00:41:04,000
Speaker 3: So I recall one in particular where the artist is

762
00:41:04,080 --> 00:41:06,440
Speaker 3: gang banging. He talked about where he's from. He talked

763
00:41:06,440 --> 00:41:09,319
Speaker 3: about killing the enemies, the ops, all that. But when

764
00:41:09,480 --> 00:41:11,399
Speaker 3: he sanitized it by the time he got a major

765
00:41:11,520 --> 00:41:15,040
Speaker 3: record deal but not that La in La Bloods and

766
00:41:15,160 --> 00:41:17,640
Speaker 3: Crypts loved it. In the South Siders, the Mexicans loved

767
00:41:17,640 --> 00:41:19,239
Speaker 3: it too, but by the time he came out the

768
00:41:19,280 --> 00:41:22,560
Speaker 3: mainstream he was he made it a lot more digestible

769
00:41:22,760 --> 00:41:25,680
Speaker 3: by not putting out like I'm from this hood and

770
00:41:25,880 --> 00:41:32,239
Speaker 3: I killed those particular people. Yeah, it's uh, it's the

771
00:41:32,360 --> 00:41:34,640
Speaker 3: lifestyle is trust me.

772
00:41:34,719 --> 00:41:36,000
Speaker 4: I got friends.

773
00:41:37,280 --> 00:41:41,879
Speaker 3: That was game members before we met, you know, prisoners

774
00:41:42,040 --> 00:41:46,400
Speaker 3: and some lifers after totally good people. I'm not knocking that.

775
00:41:46,560 --> 00:41:49,799
Speaker 3: It's just it's not really uh for me. I never

776
00:41:49,840 --> 00:41:52,280
Speaker 3: wanted to. I didn't step in. So what I remember

777
00:41:52,400 --> 00:41:56,800
Speaker 3: telling in the studio one time, a dude you know

778
00:41:57,000 --> 00:41:59,000
Speaker 3: early on, said like you may have to put on

779
00:41:59,160 --> 00:42:01,239
Speaker 3: the suit, like to sell the records. You know what

780
00:42:01,280 --> 00:42:03,000
Speaker 3: I'm saying, like put on the Khaki shuite and get

781
00:42:03,040 --> 00:42:05,640
Speaker 3: the krip walking. I remember I said this was sometime

782
00:42:05,680 --> 00:42:09,040
Speaker 3: around this time, around like ninety.

783
00:42:08,800 --> 00:42:09,959
Speaker 4: Seven ninety eight issues.

784
00:42:10,080 --> 00:42:11,640
Speaker 3: But I remember I just said, bro, I'm from you

785
00:42:11,680 --> 00:42:13,919
Speaker 3: know what I'm saying, Like, I forgot how to krip walk,

786
00:42:14,600 --> 00:42:17,600
Speaker 3: because if you if you not a cryp, then don't

787
00:42:17,680 --> 00:42:19,960
Speaker 3: krip walk. So when you grow up in a neighborhood

788
00:42:19,960 --> 00:42:23,480
Speaker 3: where people crip walk, you krip walk. And as sure

789
00:42:23,520 --> 00:42:25,560
Speaker 3: as I'm rest assured that if you grew up in

790
00:42:25,600 --> 00:42:28,160
Speaker 3: the blood neighborhood, you be walking. You know what I'm saying.

791
00:42:28,440 --> 00:42:31,400
Speaker 3: But if you don't become a blood, stop be walking

792
00:42:31,600 --> 00:42:34,399
Speaker 3: because you only creating a problem for yourself. And now

793
00:42:34,560 --> 00:42:36,759
Speaker 3: you may not had the homies and the burner in

794
00:42:36,800 --> 00:42:38,680
Speaker 3: the backup, so you don't do it. So I had

795
00:42:38,719 --> 00:42:42,439
Speaker 3: forgotten how to crip walk because I decided I didn't.

796
00:42:43,280 --> 00:42:45,319
Speaker 3: I said the dumbest thing when they talked. When they

797
00:42:45,400 --> 00:42:48,640
Speaker 3: asked me to step into the hood, they said, baby John,

798
00:42:48,640 --> 00:42:50,600
Speaker 3: because I was a RAS cast. They said, baby John,

799
00:42:50,640 --> 00:42:54,759
Speaker 3: you're gonna see from the hood. And then I said, yeah,

800
00:42:54,880 --> 00:42:57,840
Speaker 3: how much y'all paying an hour? And then the niggas

801
00:42:57,920 --> 00:43:00,799
Speaker 3: laughed at me and they said, fuck it out. It's

802
00:43:00,800 --> 00:43:04,920
Speaker 3: just my baby Joe. And that was a continue by

803
00:43:05,600 --> 00:43:07,879
Speaker 3: you know, my life in the hood has had.

804
00:43:07,800 --> 00:43:08,319
Speaker 4: A great time.

805
00:43:08,440 --> 00:43:11,200
Speaker 3: So yeah, they never forced they never force you man,

806
00:43:11,600 --> 00:43:13,080
Speaker 3: I've never seen nobody force.

807
00:43:13,640 --> 00:43:15,440
Speaker 4: Most people jump in because they broke.

808
00:43:15,880 --> 00:43:18,520
Speaker 3: So you want to sell dope, okay, So you need

809
00:43:18,840 --> 00:43:20,759
Speaker 3: somebody to front you some dope, and you need some

810
00:43:20,840 --> 00:43:23,759
Speaker 3: protection while you and where you're gonna sell a dope at.

811
00:43:23,960 --> 00:43:26,880
Speaker 3: You can't go down the block to somebody else neighborhood

812
00:43:26,960 --> 00:43:30,400
Speaker 3: selling dope. So you need a location to get on

813
00:43:30,480 --> 00:43:32,800
Speaker 3: your feet, help your mama, whatever your situation is. The

814
00:43:32,920 --> 00:43:35,719
Speaker 3: other one is you already grandfathered in. And the last

815
00:43:35,800 --> 00:43:41,000
Speaker 3: one is something fucked up happened and you mad, you

816
00:43:41,080 --> 00:43:43,279
Speaker 3: want to get some get back. Then there's a fourth.

817
00:43:43,680 --> 00:43:46,760
Speaker 3: It is cool to a certain degree. The girls like gangsters,

818
00:43:47,080 --> 00:43:49,120
Speaker 3: you know what I'm saying. So the girls like the digger,

819
00:43:49,200 --> 00:43:50,560
Speaker 3: the lowrider, and you know what I'm saying. And the

820
00:43:50,600 --> 00:43:51,960
Speaker 3: homies love you know what I'm saying. You got his

821
00:43:52,080 --> 00:43:54,120
Speaker 3: tats and all that, So it's some of it.

822
00:43:54,360 --> 00:43:56,200
Speaker 4: Niggas do anything for some vagina.

823
00:43:56,760 --> 00:43:56,960
Speaker 3: Yeah.

824
00:43:58,360 --> 00:44:02,359
Speaker 1: I did understand LA politics at first. When I first went,

825
00:44:02,960 --> 00:44:05,319
Speaker 1: I would go to any hood like wherever they said

826
00:44:05,360 --> 00:44:08,719
Speaker 1: they was at, Like uh autographs that do we tell?

827
00:44:08,760 --> 00:44:08,920
Speaker 3: You know?

828
00:44:09,160 --> 00:44:10,000
Speaker 4: We used to have to do that.

829
00:44:10,880 --> 00:44:13,839
Speaker 1: It wasn't to I started hanging with other LA people there,

830
00:44:13,840 --> 00:44:16,960
Speaker 1: it was like what you're doing is not normal? And

831
00:44:17,080 --> 00:44:23,719
Speaker 1: I'm like what, Like I would go to saucing. I

832
00:44:23,760 --> 00:44:26,560
Speaker 1: would go there and people what is wrong with you?

833
00:44:26,800 --> 00:44:28,000
Speaker 3: Like and I didn't know that.

834
00:44:28,520 --> 00:44:31,480
Speaker 1: But one thing I do know it is like when

835
00:44:31,480 --> 00:44:34,000
Speaker 1: a person asked you where you're from, like my accident

836
00:44:34,040 --> 00:44:37,160
Speaker 1: is so happy? I wasna that, like I've never had

837
00:44:37,239 --> 00:44:38,920
Speaker 1: Like as soon as they say, send me where you

838
00:44:39,040 --> 00:44:41,960
Speaker 1: from and I say, they like, definitely not from here.

839
00:44:42,120 --> 00:44:44,160
Speaker 3: And that's the nicest thing I can say about La.

840
00:44:44,520 --> 00:44:49,719
Speaker 3: They do not They hunt each other like LA hunts

841
00:44:49,760 --> 00:44:52,960
Speaker 3: his own you know what I'm saying, Like they'll figure

842
00:44:52,960 --> 00:44:54,439
Speaker 3: it out, like a't from.

843
00:44:54,800 --> 00:44:57,000
Speaker 4: You could tell by the way I walk, like like

844
00:44:57,160 --> 00:44:57,680
Speaker 4: I can look.

845
00:44:57,719 --> 00:44:59,560
Speaker 1: I can now physically look at somebody and be like, yo,

846
00:44:59,600 --> 00:45:01,400
Speaker 1: he's from Like you know what I'm saying. Like, And

847
00:45:01,520 --> 00:45:04,080
Speaker 1: it's crazy because you know we were with the Yankee

848
00:45:04,160 --> 00:45:08,440
Speaker 1: hat right, which which is like you went to that.

849
00:45:11,280 --> 00:45:11,840
Speaker 3: Neighbors.

850
00:45:12,600 --> 00:45:13,840
Speaker 4: Yeah, the Yankee had his neighbors.

851
00:45:14,640 --> 00:45:17,840
Speaker 3: There's like for every damn near for every fucking handitar

852
00:45:18,400 --> 00:45:20,799
Speaker 3: wild man. So that can just get you joy.

853
00:45:21,560 --> 00:45:25,520
Speaker 1: See, Like my friend Tito, he's not he's he wears

854
00:45:25,560 --> 00:45:27,080
Speaker 1: whatever hat though, but uh.

855
00:45:27,960 --> 00:45:32,879
Speaker 3: Not not in any hood like anywhere he knows, he knows. Yeah,

856
00:45:33,280 --> 00:45:35,719
Speaker 3: what's funny is like even a specifically like Compton, people

857
00:45:35,800 --> 00:45:39,640
Speaker 3: don't wear l A hats right Long Beach like everybody,

858
00:45:39,840 --> 00:45:42,360
Speaker 3: Like just the best way to explain that LA to

859
00:45:42,480 --> 00:45:46,120
Speaker 3: me is like New York has boroughs within your borroughs

860
00:45:46,640 --> 00:45:50,279
Speaker 3: you got you know, left Frack City, you know, you

861
00:45:50,360 --> 00:45:54,120
Speaker 3: got all these different places. We got like fifty two boroughs.

862
00:45:55,080 --> 00:45:57,960
Speaker 3: L A is like New York for fifty two boroughs,

863
00:45:58,360 --> 00:46:01,399
Speaker 3: like Guardena's Guardena. You know what I'm saying. Long Beach

864
00:46:01,560 --> 00:46:04,400
Speaker 3: is a long beach. You know what I'm saying, constant

865
00:46:05,400 --> 00:46:09,640
Speaker 3: there's a Compton and a Bompting like it coexists. So

866
00:46:10,560 --> 00:46:13,759
Speaker 3: we're we got the west side, you know what I'm saying,

867
00:46:13,760 --> 00:46:15,480
Speaker 3: Then you got the east side, which is watched, and

868
00:46:15,520 --> 00:46:18,640
Speaker 3: then you got even further in and watches the whole city,

869
00:46:18,719 --> 00:46:20,680
Speaker 3: right city. Yeah, so.

870
00:46:22,440 --> 00:46:27,000
Speaker 1: It's not like our counties, right or it is count

871
00:46:27,600 --> 00:46:28,239
Speaker 1: it's county.

872
00:46:28,320 --> 00:46:30,080
Speaker 3: Yeah, it's a pretty big county. It's not even the

873
00:46:30,080 --> 00:46:34,239
Speaker 3: biggest one California's biggest fuck. But yeah, our ship is

874
00:46:34,520 --> 00:46:38,359
Speaker 3: even Hollywood in the Valley is still La County, right, Yeah,

875
00:46:38,800 --> 00:46:42,279
Speaker 3: but but I was just saying, like it may be

876
00:46:42,400 --> 00:46:44,960
Speaker 3: the easiest way. So some people when people think like

877
00:46:45,840 --> 00:46:49,000
Speaker 3: Compton Long Beach, like it's it's not this unified place.

878
00:46:49,200 --> 00:46:52,600
Speaker 3: It's a whole bunch of different they don't wear the

879
00:46:52,640 --> 00:46:57,200
Speaker 3: same clothes, and somebody's being not helpful to them, and

880
00:46:57,360 --> 00:47:00,480
Speaker 3: try up. I know, I do got a the doorbell.

881
00:47:01,400 --> 00:47:07,440
Speaker 3: Hell yeah yeah we uh yet like literally tribal, so

882
00:47:08,600 --> 00:47:13,600
Speaker 3: your hat could be a problem. You're obviously your colors

883
00:47:14,200 --> 00:47:18,040
Speaker 3: and then your color go to East bro It's places.

884
00:47:18,600 --> 00:47:24,160
Speaker 3: I remember one time we was, uh, this is past,

885
00:47:24,320 --> 00:47:27,920
Speaker 3: this is past. Your geography is worse than mine. But

886
00:47:28,000 --> 00:47:31,400
Speaker 3: that San Pedro, so San Piedro, there's like if you

887
00:47:31,520 --> 00:47:37,840
Speaker 3: went south of see Arson, so Compton, Carson, Wilmington in

888
00:47:37,960 --> 00:47:40,239
Speaker 3: this place called San Pedro's right by the water, like

889
00:47:40,800 --> 00:47:44,800
Speaker 3: you know what I'm saying, and uh, it's pretty predominantly Mexican,

890
00:47:45,080 --> 00:47:50,840
Speaker 3: predominantly Southsiders. I remember we went to a party and

891
00:47:51,000 --> 00:47:54,719
Speaker 3: it was like, you know, some Mexican girls, like a

892
00:47:54,800 --> 00:47:59,200
Speaker 3: couple of you know, Mexican homeboys, uh me and then

893
00:47:59,480 --> 00:48:01,800
Speaker 3: our homeboy J two eleven here a white boy. I

894
00:48:01,840 --> 00:48:05,359
Speaker 3: remember when in Mexico, he's like, we should go. He's

895
00:48:05,400 --> 00:48:09,640
Speaker 3: like why, He's like, because they were discussing who to

896
00:48:09,760 --> 00:48:15,360
Speaker 3: kill you or the weddow whoa. So sometimes they're tripping,

897
00:48:15,440 --> 00:48:17,759
Speaker 3: like why is this nigga over here? Why does white

898
00:48:17,800 --> 00:48:18,239
Speaker 3: dude over.

899
00:48:18,280 --> 00:48:19,720
Speaker 4: Like we beat l A be tripping?

900
00:48:19,800 --> 00:48:21,600
Speaker 3: Man? I mean, I think we've gotten a lot better.

901
00:48:22,200 --> 00:48:25,920
Speaker 3: But yeah, so there's a politics, there's a racial issue.

902
00:48:26,560 --> 00:48:29,160
Speaker 3: Think about it. New York is built up, so y'all

903
00:48:29,160 --> 00:48:31,680
Speaker 3: got the same amount of people, but you guys are

904
00:48:32,640 --> 00:48:35,719
Speaker 3: so you're almost forced to deal with people saying we

905
00:48:35,920 --> 00:48:37,680
Speaker 3: got enough space to be an asshole.

906
00:48:37,800 --> 00:48:39,719
Speaker 1: Yeah, but that's why New York is our asshole too,

907
00:48:39,760 --> 00:48:41,040
Speaker 1: because we like.

908
00:48:43,000 --> 00:48:45,160
Speaker 2: They got the compression can.

909
00:48:47,800 --> 00:48:51,640
Speaker 1: But in the nineties, right, I was dating this girl

910
00:48:52,480 --> 00:48:58,320
Speaker 1: in l A and I you know, and so I

911
00:48:58,480 --> 00:48:59,920
Speaker 1: was like, you know, if she always come meet me.

912
00:49:00,080 --> 00:49:01,560
Speaker 3: So I was like, you know one time, like let

913
00:49:01,600 --> 00:49:02,880
Speaker 3: me go with your neighborhood.

914
00:49:03,120 --> 00:49:06,160
Speaker 1: She was like no, And I was like, what I

915
00:49:06,200 --> 00:49:08,520
Speaker 1: didn't understand the politic to me, Puerto.

916
00:49:08,280 --> 00:49:12,000
Speaker 4: Ricans Mexican is the same. And she she put her things.

917
00:49:12,800 --> 00:49:13,600
Speaker 3: No, no, she.

918
00:49:15,400 --> 00:49:17,439
Speaker 4: Showed like basically I belong to the hood.

919
00:49:17,520 --> 00:49:21,759
Speaker 1: I was like, oh my God like like forced me

920
00:49:21,840 --> 00:49:23,520
Speaker 1: to say no, no, no, no, you can't come to

921
00:49:23,680 --> 00:49:26,000
Speaker 1: my neighborhood. I was like, I want to come around.

922
00:49:26,080 --> 00:49:28,320
Speaker 1: And I remember that ship. That ship hit me and

923
00:49:28,400 --> 00:49:28,600
Speaker 1: I was.

924
00:49:28,560 --> 00:49:37,200
Speaker 4: Like, damn, I mean kissing this bitchy. Basically, I was.

925
00:49:37,239 --> 00:49:40,759
Speaker 1: Like, that's when I started started to know, you know,

926
00:49:40,800 --> 00:49:45,480
Speaker 1: because at first we're thinking everywhere it's just like because

927
00:49:46,120 --> 00:49:47,320
Speaker 1: the same people everywhere.

928
00:49:47,400 --> 00:49:50,759
Speaker 4: But you start to know that that that politics is real.

929
00:49:50,880 --> 00:49:53,480
Speaker 1: But like I got to admire you for that because

930
00:49:54,400 --> 00:49:57,239
Speaker 1: it's like so easy to go that route, like you

931
00:49:57,280 --> 00:49:59,279
Speaker 1: know what I'm saying, Like the fact that you stay

932
00:49:59,360 --> 00:50:00,840
Speaker 1: like because you you ain't never want to.

933
00:50:01,040 --> 00:50:04,000
Speaker 3: At one point, they say, man, I asked you ask

934
00:50:04,080 --> 00:50:07,960
Speaker 3: I asked battle Cat. It was it was like two

935
00:50:08,040 --> 00:50:11,560
Speaker 3: thousand sons. I was like, you signed the battle Cat right, No,

936
00:50:11,719 --> 00:50:14,400
Speaker 3: he discovered us. Okay, me and my home Way Bird,

937
00:50:14,960 --> 00:50:18,560
Speaker 3: but you know, the West was popping. I was like,

938
00:50:19,560 --> 00:50:21,479
Speaker 3: and my label was looking at me like what's wrong

939
00:50:21,520 --> 00:50:25,200
Speaker 3: with you? Like not nigga, I'm good at what I do.

940
00:50:25,360 --> 00:50:27,480
Speaker 3: But I remember I asked Cat. I was like, so

941
00:50:27,800 --> 00:50:32,000
Speaker 3: what would you do if I came back tomorrow? A

942
00:50:32,120 --> 00:50:37,239
Speaker 3: little khaki suit booke chucks get to cut with the

943
00:50:37,280 --> 00:50:41,920
Speaker 3: homies on down the street. He's like, so you practiced

944
00:50:41,960 --> 00:50:47,360
Speaker 3: that way. That's the prototype of like the West Coast,

945
00:50:48,000 --> 00:50:53,560
Speaker 3: me and the hummies all the time. Hummy, that's the stereotime.

946
00:50:54,000 --> 00:50:57,920
Speaker 3: But yeah, he was like, i'd be you know, He's like,

947
00:50:57,960 --> 00:51:00,160
Speaker 3: I would scratched my head because that's just not who

948
00:51:00,200 --> 00:51:02,200
Speaker 3: you being. And I'm a watch baby, you know what

949
00:51:02,200 --> 00:51:04,359
Speaker 3: I'm saying. I grew up in nine seventiest Coast watch

950
00:51:04,600 --> 00:51:06,680
Speaker 3: Bak Street, you know what I'm saying. Me and Spider,

951
00:51:06,760 --> 00:51:08,320
Speaker 3: the one that was signed a G unit. I'm his

952
00:51:08,520 --> 00:51:11,360
Speaker 3: older brother. Martelle, like I am who I am. I

953
00:51:11,520 --> 00:51:14,640
Speaker 3: just never wanted to be son. I wasn't so for me.

954
00:51:15,600 --> 00:51:19,319
Speaker 3: You know. Some people lead into that and lean lean

955
00:51:19,600 --> 00:51:22,240
Speaker 3: into it a little bit more than they really should.

956
00:51:22,680 --> 00:51:24,040
Speaker 3: And that's cool. It's got a lot of people a

957
00:51:24,080 --> 00:51:26,120
Speaker 3: lot of money. If I did it, I don't even

958
00:51:26,120 --> 00:51:28,000
Speaker 3: think I look right, would it? Like I did it

959
00:51:28,080 --> 00:51:30,239
Speaker 3: in the video, but the video didn't really come out.

960
00:51:30,520 --> 00:51:33,719
Speaker 3: I did a song with Big Rock, Uh called back

961
00:51:33,800 --> 00:51:35,680
Speaker 3: it Up, and I'm actually in a khaki suit, but

962
00:51:35,719 --> 00:51:37,600
Speaker 3: I reverse take all that bullshit.

963
00:51:37,200 --> 00:51:38,800
Speaker 4: Off and then I just wear myself.

964
00:51:38,840 --> 00:51:41,759
Speaker 1: But yeah, you know if you if you had, like

965
00:51:42,360 --> 00:51:44,600
Speaker 1: you said, you had a choice, but if you had

966
00:51:44,719 --> 00:51:46,640
Speaker 1: no choice, which game would you?

967
00:51:47,000 --> 00:51:48,480
Speaker 4: You're closer to what the bloods.

968
00:51:49,160 --> 00:51:51,880
Speaker 3: Kind of clezy? I would I grew up in the

969
00:51:51,920 --> 00:51:54,560
Speaker 3: crib neighborhood. Okay, sorry, I would. I would have stepped

970
00:51:54,600 --> 00:51:56,040
Speaker 3: in as a crib.

971
00:51:57,600 --> 00:52:02,600
Speaker 5: Okay, let let's get off the stereotystical side of the

972
00:52:02,680 --> 00:52:05,919
Speaker 5: West Coast. But the scene that kind of helped birth

973
00:52:06,040 --> 00:52:08,680
Speaker 5: you in the and that that really deep hip hop

974
00:52:08,760 --> 00:52:11,000
Speaker 5: scene in LA, like the scene that you come from

975
00:52:11,000 --> 00:52:13,319
Speaker 5: at least because I'm sure there's the scene even before

976
00:52:13,360 --> 00:52:15,360
Speaker 5: the iced t and all these guys were part of

977
00:52:15,719 --> 00:52:17,960
Speaker 5: the legendary What was that? Was that one club that

978
00:52:18,040 --> 00:52:19,200
Speaker 5: everybody was coming out.

979
00:52:19,120 --> 00:52:22,160
Speaker 3: Of that was like, oh was that a freestyle fellowship?

980
00:52:22,200 --> 00:52:23,120
Speaker 4: And all of them the good life?

981
00:52:23,200 --> 00:52:24,960
Speaker 3: Yeah? Talk about the good life? Was that it?

982
00:52:25,120 --> 00:52:25,319
Speaker 4: Yeah?

983
00:52:25,360 --> 00:52:26,880
Speaker 2: The good life or the one that even all the

984
00:52:27,160 --> 00:52:30,919
Speaker 2: Liquid crew and all these guys were Unity. That's the one.

985
00:52:31,000 --> 00:52:35,279
Speaker 3: So Unity was the club. You probably wouldn't know. I

986
00:52:35,320 --> 00:52:39,160
Speaker 3: don't remember you performed in LA back then. You performed

987
00:52:39,200 --> 00:52:42,160
Speaker 3: at Unity. So Unity was a club. Rest in peace.

988
00:52:42,200 --> 00:52:45,200
Speaker 3: Bigger Bee through and Bigger Be worked at loud. Okay,

989
00:52:45,400 --> 00:52:49,280
Speaker 3: so him and Orlando, I'd be remiss because Bigger B recipes.

990
00:52:49,360 --> 00:52:51,360
Speaker 3: Orlando is still alive. So they threw a club in

991
00:52:51,560 --> 00:52:56,440
Speaker 3: La called You Downtown. Yeah, but it moved a few times,

992
00:52:56,480 --> 00:52:59,839
Speaker 3: but it was always Unity. So Unity was first of all,

993
00:53:00,040 --> 00:53:02,640
Speaker 3: it wasn't wasn't nobody really getting no daytime radio, so

994
00:53:02,680 --> 00:53:04,719
Speaker 3: it was kind of like the wake Up Show was

995
00:53:04,880 --> 00:53:07,239
Speaker 3: your one shot. At this point, it was only the

996
00:53:07,280 --> 00:53:09,279
Speaker 3: wake Up Show. It was Swaying Tech. Before that it

997
00:53:09,360 --> 00:53:12,560
Speaker 3: was Mike nardone and King Jams and and then they

998
00:53:13,360 --> 00:53:18,560
Speaker 3: closed they show. I'm sorry, got to give problems. Yeah,

999
00:53:18,920 --> 00:53:22,759
Speaker 3: Juliog was setting it off. He's actually even before with

1000
00:53:23,680 --> 00:53:26,960
Speaker 3: Mixed Masters Juliog. And then they kind of folded all

1001
00:53:27,000 --> 00:53:29,359
Speaker 3: that stuff. And then the next the next I would say,

1002
00:53:29,400 --> 00:53:35,520
Speaker 3: the next era of of Wrap radio became uh, thank

1003
00:53:35,600 --> 00:53:39,200
Speaker 3: you for giving me that too, Juliog. But then it

1004
00:53:39,239 --> 00:53:42,880
Speaker 3: became Unity. That was like the only outlet to perform.

1005
00:53:43,480 --> 00:53:46,080
Speaker 3: So yeah, yeah, that's where everybody like, that's the first

1006
00:53:46,080 --> 00:53:48,680
Speaker 3: time I ever got a show. I opened up, I

1007
00:53:48,719 --> 00:53:51,480
Speaker 3: had a demo, I had a white label record called

1008
00:53:51,719 --> 00:53:54,640
Speaker 3: Remaining Anonymous, Won't Catch Me Running. It got some support

1009
00:53:54,680 --> 00:53:58,640
Speaker 3: on college radio. And all that, and then I got

1010
00:53:58,680 --> 00:54:00,920
Speaker 3: booked and then me some money and I was like,

1011
00:54:01,000 --> 00:54:05,759
Speaker 3: I'm all in because I was just fanning. I was

1012
00:54:05,840 --> 00:54:09,279
Speaker 3: a fan and I didn't know people really did get

1013
00:54:09,320 --> 00:54:10,799
Speaker 3: but I didn't think I was gonna get some money

1014
00:54:10,840 --> 00:54:13,279
Speaker 3: for rapping. And I did the show. But yeah, that

1015
00:54:13,440 --> 00:54:17,640
Speaker 3: was like the Biggie the first shows. Biggie did the

1016
00:54:17,840 --> 00:54:19,880
Speaker 3: first shows like Wu Tang because he had loud so

1017
00:54:20,000 --> 00:54:23,040
Speaker 3: my beat that everybody that was coming to if he wasn't,

1018
00:54:23,080 --> 00:54:25,799
Speaker 3: if you wasn't like cool J, Salt and Pepper or something.

1019
00:54:25,600 --> 00:54:27,560
Speaker 4: Like that, and you for new artists.

1020
00:54:28,280 --> 00:54:29,439
Speaker 3: He was doing unity Wow.

1021
00:54:29,880 --> 00:54:31,680
Speaker 5: Because I like to bring that up because we talk

1022
00:54:31,760 --> 00:54:35,200
Speaker 5: about all the game banging side. But just like just

1023
00:54:35,280 --> 00:54:37,440
Speaker 5: like I said about Miami, like we had a thriving

1024
00:54:37,520 --> 00:54:39,400
Speaker 5: hip hop scene with B Boys, Big.

1025
00:54:39,520 --> 00:54:41,279
Speaker 2: I made it turntable lists.

1026
00:54:41,280 --> 00:54:43,480
Speaker 5: We got to talk about that too, but l as

1027
00:54:43,840 --> 00:54:46,440
Speaker 5: the illis turntable list, the Ills, B Boys and be

1028
00:54:46,560 --> 00:54:48,759
Speaker 5: with the graffiti scene is crazy. So they had all

1029
00:54:48,840 --> 00:54:51,279
Speaker 5: those elements that that was a big part of the

1030
00:54:51,440 --> 00:54:51,960
Speaker 5: LA scene.

1031
00:54:52,239 --> 00:54:55,279
Speaker 3: Yeah, yeah, absolutely we did. We We definitely had a

1032
00:54:55,440 --> 00:54:57,840
Speaker 3: great scene and a lot of the people still have

1033
00:54:58,000 --> 00:55:04,000
Speaker 3: you know, yeah, we still do I wanted to also

1034
00:55:04,120 --> 00:55:07,600
Speaker 3: add on to that is that hip hop for us,

1035
00:55:07,800 --> 00:55:11,320
Speaker 3: we saw the beach streets and the crush grooves and

1036
00:55:11,440 --> 00:55:14,279
Speaker 3: we started doing it. Literally, So a lot of my

1037
00:55:14,440 --> 00:55:18,560
Speaker 3: friends and how I even met most of my friends

1038
00:55:18,920 --> 00:55:23,800
Speaker 3: was because they had bopper clubs. So the teeny boppers,

1039
00:55:24,040 --> 00:55:25,400
Speaker 3: like you know what I'm saying, Like you couldn't be

1040
00:55:25,480 --> 00:55:28,279
Speaker 3: twenty one, you had to be twenty younger one, and

1041
00:55:28,360 --> 00:55:31,879
Speaker 3: they had one in Long Beach whatever. So while while

1042
00:55:32,000 --> 00:55:35,480
Speaker 3: we started you know, like break dancing like they called

1043
00:55:35,520 --> 00:55:37,880
Speaker 3: it housing in LA. So we was dancing and breaking,

1044
00:55:38,560 --> 00:55:41,840
Speaker 3: I was trying to wrap for like far Aside and

1045
00:55:42,040 --> 00:55:44,040
Speaker 3: the Licks and all these people like that's where we

1046
00:55:44,120 --> 00:55:46,560
Speaker 3: were beating at these bopper clubs, you know what I'm saying.

1047
00:55:46,600 --> 00:55:49,560
Speaker 3: And that's how we met so and so from from

1048
00:55:49,680 --> 00:55:52,920
Speaker 3: eighteenth Street and so and so from from East LA.

1049
00:55:53,239 --> 00:55:54,759
Speaker 3: You know what I'm saying, Because he might tag and

1050
00:55:54,840 --> 00:55:58,040
Speaker 3: he might also DJ, and that's how we was getting

1051
00:55:58,160 --> 00:56:01,799
Speaker 3: each other's hood. So it wasn't for the culture, LA

1052
00:56:01,880 --> 00:56:05,040
Speaker 3: would probably be the wild fucking West because that's how

1053
00:56:05,080 --> 00:56:07,040
Speaker 3: we got to know each other. I mean, and honestly,

1054
00:56:07,120 --> 00:56:08,680
Speaker 3: if you can tell the truth, if you go to

1055
00:56:08,760 --> 00:56:12,759
Speaker 3: a lot of hip hop clubs. Fucking I'll tell the truth,

1056
00:56:12,800 --> 00:56:15,120
Speaker 3: Shan the Devil. It be majority of the Mexican they

1057
00:56:15,239 --> 00:56:17,120
Speaker 3: really support hip hop shit. You know what I'm saying.

1058
00:56:17,200 --> 00:56:20,759
Speaker 3: Niggas be on some fucking forty five year old nigga

1059
00:56:20,800 --> 00:56:24,800
Speaker 3: trying to you know, act like he blue face, like nigga,

1060
00:56:24,840 --> 00:56:28,240
Speaker 3: grow the fuck up, you take them pants off, Nigga

1061
00:56:28,239 --> 00:56:32,880
Speaker 3: and titas shirt. But now the culture is really like

1062
00:56:33,760 --> 00:56:38,960
Speaker 3: it's being hip hop. Rap music was so influential in La.

1063
00:56:39,160 --> 00:56:41,920
Speaker 3: It helped us get to know each other because we're

1064
00:56:41,920 --> 00:56:45,759
Speaker 3: spread out, and it stopped people from shooting shit out

1065
00:56:45,760 --> 00:56:48,279
Speaker 3: each other for a long time for real, like because

1066
00:56:48,280 --> 00:56:50,839
Speaker 3: motherfucker's like, oh they'd be break dancing in New York.

1067
00:56:51,760 --> 00:56:53,840
Speaker 3: Maybe we shouldn't, you know, shouldn't shoot for real. That

1068
00:56:54,160 --> 00:56:56,759
Speaker 3: was That's how crazy. And then we influenced y'all in

1069
00:56:56,800 --> 00:56:57,960
Speaker 3: the negative way and nigga.

1070
00:56:57,680 --> 00:57:05,399
Speaker 4: Start getting niggering the world. Yeah, we get good weed.

1071
00:57:05,719 --> 00:57:07,799
Speaker 4: Thank you for that great week. We got you all,

1072
00:57:07,800 --> 00:57:12,120
Speaker 4: great week, great week. He's still on the albums, oh yeah.

1073
00:57:13,280 --> 00:57:17,120
Speaker 4: And James j lyricists and Danger lyrics.

1074
00:57:20,000 --> 00:57:24,160
Speaker 3: And Jajer lyrics was just more of a let's call

1075
00:57:24,200 --> 00:57:28,280
Speaker 3: the projects. I was just making some ship, uh because

1076
00:57:28,360 --> 00:57:30,400
Speaker 3: band camp you. I was just like kind of coming

1077
00:57:30,520 --> 00:57:32,440
Speaker 3: up with something the uh it was like a series.

1078
00:57:32,480 --> 00:57:34,400
Speaker 3: It would be like an original record and then kind

1079
00:57:34,440 --> 00:57:37,320
Speaker 3: of me picking like mixtape ship because I think I

1080
00:57:37,360 --> 00:57:40,120
Speaker 3: had a volume one, two, and three and I was

1081
00:57:40,200 --> 00:57:42,480
Speaker 3: doing this campaign called save the raz Cast, and I

1082
00:57:42,560 --> 00:57:43,320
Speaker 3: thought that was funny.

1083
00:57:44,040 --> 00:57:45,760
Speaker 4: Do you think you get to respect and hip hop

1084
00:57:45,960 --> 00:57:46,440
Speaker 4: you deserve?

1085
00:57:47,800 --> 00:57:50,520
Speaker 3: I get I think I've been blessed. I'm super respected

1086
00:57:51,480 --> 00:57:53,680
Speaker 3: by my peers. I want to be respected at the

1087
00:57:53,800 --> 00:57:57,640
Speaker 3: fucking bank, all right, because yours definitely.

1088
00:57:57,720 --> 00:57:59,520
Speaker 4: Yeah, Yeah, my peers respect me.

1089
00:57:59,720 --> 00:58:03,080
Speaker 3: I don't don't think the I don't think the greater

1090
00:58:03,240 --> 00:58:04,920
Speaker 3: the greater audience is just fans.

1091
00:58:04,960 --> 00:58:06,840
Speaker 4: They only know what they hear.

1092
00:58:06,800 --> 00:58:09,040
Speaker 3: A lot, and that's no disrespect to them, you know

1093
00:58:09,040 --> 00:58:12,520
Speaker 3: what I'm saying. They're consumers. I'm a connoisseur, So consumers

1094
00:58:12,640 --> 00:58:16,120
Speaker 3: just know like McDonald's and I always tell people like

1095
00:58:16,200 --> 00:58:18,880
Speaker 3: McDonald's don't make the best burger, but that motherfucker's in

1096
00:58:18,920 --> 00:58:21,880
Speaker 3: the mall, that motherfucker's at the airport down the street.

1097
00:58:22,440 --> 00:58:23,400
Speaker 4: So I get it.

1098
00:58:23,520 --> 00:58:26,560
Speaker 3: But I'm not the McDonald's a wrap, you know what

1099
00:58:26,560 --> 00:58:30,480
Speaker 3: I'm saying, I'm that mom and Pops store. I mean,

1100
00:58:30,560 --> 00:58:33,680
Speaker 3: I should fight, I should be charging if you know,

1101
00:58:33,760 --> 00:58:36,360
Speaker 3: you know, but no, I want to McDonald's money. So

1102
00:58:36,720 --> 00:58:38,880
Speaker 3: they got to figure out how them to fucking barry

1103
00:58:38,920 --> 00:58:39,280
Speaker 3: each other.

1104
00:58:39,440 --> 00:58:43,080
Speaker 4: But do you can you see itself a underground seat?

1105
00:58:43,480 --> 00:58:45,720
Speaker 3: No, I think that's the term they put on people

1106
00:58:45,760 --> 00:58:47,800
Speaker 3: that didn't sell records. The only difference between me and

1107
00:58:47,920 --> 00:58:50,120
Speaker 3: jay Z is a million records. The only difference between

1108
00:58:50,200 --> 00:58:51,680
Speaker 3: me and M and M is a million records.

1109
00:58:52,160 --> 00:58:53,400
Speaker 4: That's it because.

1110
00:58:55,040 --> 00:58:59,000
Speaker 3: No better or no worse, amazing talent market the war

1111
00:58:59,040 --> 00:58:59,320
Speaker 3: as fuck.

1112
00:58:59,400 --> 00:59:01,280
Speaker 4: They look at this the for young man, So.

1113
00:59:03,680 --> 00:59:08,000
Speaker 3: You know what I'm saying. So, uh, No, underground is

1114
00:59:08,080 --> 00:59:10,480
Speaker 3: just what they call niggas that ain't sold the records.

1115
00:59:10,680 --> 00:59:13,000
Speaker 3: And the funnier part is, I wouldn't be underground if

1116
00:59:13,040 --> 00:59:15,720
Speaker 3: I sold a million dollars. If I made a quote

1117
00:59:15,920 --> 00:59:18,760
Speaker 3: quote unquote made a million dollars and got the quote

1118
00:59:18,840 --> 00:59:24,120
Speaker 3: bag selling use condoms, my own used condoms.

1119
00:59:24,880 --> 00:59:26,400
Speaker 4: Motherfuckers would buy my records.

1120
00:59:26,720 --> 00:59:30,160
Speaker 3: She's like, oh my god, it's so hot. People are

1121
00:59:30,280 --> 00:59:34,120
Speaker 3: fucking reactive in mommy. So all that underground ship is

1122
00:59:34,240 --> 00:59:36,560
Speaker 3: just what niggas try to It's like this fucked up

1123
00:59:36,720 --> 00:59:38,439
Speaker 3: jacket they try to put on niggas because they didn't

1124
00:59:38,440 --> 00:59:41,400
Speaker 3: sell records. Meanwhile, them same niggas when they didn't sell

1125
00:59:41,440 --> 00:59:45,240
Speaker 3: no records. You know what I mean? Right? They just

1126
00:59:45,360 --> 00:59:47,720
Speaker 3: like when niggas get on and they be like, oh,

1127
00:59:47,800 --> 00:59:49,280
Speaker 3: he's underground, I'm the guy.

1128
00:59:49,480 --> 00:59:50,560
Speaker 4: Get the fuck out of here.

1129
00:59:50,720 --> 00:59:52,480
Speaker 3: That's the same shit I hate with rap niggas that

1130
00:59:52,920 --> 00:59:54,600
Speaker 3: as soon as they get on, they start trying to

1131
00:59:54,600 --> 00:59:57,520
Speaker 3: compare theirselfs with with with whoever is popular.

1132
00:59:58,080 --> 00:59:59,480
Speaker 4: They're like, well, you know what I'm saying, So who

1133
00:59:59,520 --> 00:59:59,800
Speaker 4: the best?

1134
01:00:00,680 --> 01:00:05,880
Speaker 3: You know me? You know me? You weird ass niggas

1135
01:00:06,520 --> 01:00:09,720
Speaker 3: funk out of here. Nigga niggas always do that goofy

1136
01:00:09,760 --> 01:00:14,800
Speaker 3: ship you mean cold? You know about that crazy niggas is.

1137
01:00:14,840 --> 01:00:15,880
Speaker 4: Coring ball for that ship.

1138
01:00:16,000 --> 01:00:20,240
Speaker 3: So you know, I'm just the only difference between me

1139
01:00:20,920 --> 01:00:24,880
Speaker 3: is me and anybody is me is a million. So

1140
01:00:25,760 --> 01:00:28,440
Speaker 3: because all eyes on me, then all eyes on me,

1141
01:00:29,400 --> 01:00:31,640
Speaker 3: I can carry the same weight and I get the

1142
01:00:31,680 --> 01:00:35,680
Speaker 3: same opportunities. My whole ship is say, fuck underground and

1143
01:00:35,760 --> 01:00:38,600
Speaker 3: all that ship skill set. This ship ain't called what

1144
01:00:38,760 --> 01:00:41,800
Speaker 3: bitch you dayton, sh ain't called what other businesses you've

1145
01:00:41,840 --> 01:00:44,080
Speaker 3: got the ship called raps. Rap is the only thing

1146
01:00:44,160 --> 01:00:47,520
Speaker 3: where niggas tell you you too good at it. I've

1147
01:00:47,560 --> 01:00:51,360
Speaker 3: never heard a nigga say, Jordan, don't too much dunking

1148
01:00:51,440 --> 01:00:54,400
Speaker 3: all the time. The fuck is wrong with these niggas.

1149
01:00:54,440 --> 01:00:56,960
Speaker 3: So literally, he drove the car too fast in the

1150
01:00:59,400 --> 01:01:02,800
Speaker 3: the fuck it's the corny as ship. Ever, like, niggas

1151
01:01:02,840 --> 01:01:04,920
Speaker 3: need to stop. I'm talking to you. All your niggas are,

1152
01:01:05,440 --> 01:01:10,200
Speaker 3: talk to them. Stop that ship corny bro, how you

1153
01:01:10,400 --> 01:01:13,280
Speaker 3: over wrapped nigga? That just means I'm better than you.

1154
01:01:13,680 --> 01:01:19,040
Speaker 1: I just want to say that, like you do you

1155
01:01:19,200 --> 01:01:21,360
Speaker 1: think you're you're smarter.

1156
01:01:21,160 --> 01:01:23,840
Speaker 4: Than the audience, because.

1157
01:01:26,040 --> 01:01:26,800
Speaker 3: Already give that away.

1158
01:01:27,120 --> 01:01:29,960
Speaker 5: Should the artists be better than the audiences listening to

1159
01:01:30,400 --> 01:01:31,400
Speaker 5: They told me never.

1160
01:01:31,360 --> 01:01:34,000
Speaker 3: To think, don't talk down to my audience, so you

1161
01:01:34,000 --> 01:01:40,880
Speaker 3: don't ever have that assumption. Was that these people selling

1162
01:01:40,960 --> 01:01:42,720
Speaker 3: you funk ship and I'm trying to sell you some

1163
01:01:42,800 --> 01:01:45,800
Speaker 3: real ship. And I've always tried to tell my audience

1164
01:01:45,880 --> 01:01:47,880
Speaker 3: that hey, I'm talking to you on some real ship.

1165
01:01:48,160 --> 01:01:50,320
Speaker 3: And then my audience said, you know what, I like

1166
01:01:50,440 --> 01:01:54,280
Speaker 3: this fun ship. That's that ain't my fault, but yeah,

1167
01:01:54,360 --> 01:01:57,520
Speaker 3: of course that that that that can make you disillusion

1168
01:01:57,680 --> 01:02:01,120
Speaker 3: with the with the the business. Again, these people are consumers.

1169
01:02:01,160 --> 01:02:04,920
Speaker 3: They're not connoisseurs, you know what I'm saying. So they

1170
01:02:05,120 --> 01:02:07,600
Speaker 3: know McDonald's. I can't get mad because the kid is

1171
01:02:07,680 --> 01:02:09,080
Speaker 3: like I learned a happy meal.

1172
01:02:09,720 --> 01:02:10,960
Speaker 4: They want what the fuck they want.

1173
01:02:11,000 --> 01:02:11,960
Speaker 3: They've been trained that way.

1174
01:02:12,160 --> 01:02:17,160
Speaker 5: Could you imagine people who like rock saying spring where

1175
01:02:17,200 --> 01:02:20,480
Speaker 5: the where the drummer and the guitarist or all novel

1176
01:02:20,560 --> 01:02:24,040
Speaker 5: is just like the audience the craziest music, bro it was.

1177
01:02:24,280 --> 01:02:27,320
Speaker 3: The awful That's why we listen to awful rap. Come on, man,

1178
01:02:27,720 --> 01:02:32,080
Speaker 3: A lot of these people sound like they went in

1179
01:02:32,320 --> 01:02:35,000
Speaker 3: with no metronome and just said some ship and then

1180
01:02:35,040 --> 01:02:37,280
Speaker 3: the nigga just played a beat at whatever. They just

1181
01:02:37,360 --> 01:02:40,960
Speaker 3: like spent the wheel and picked the tempo. Yes, just trash,

1182
01:02:41,320 --> 01:02:44,560
Speaker 3: and everybody's playing political fucking rang there games like it's

1183
01:02:44,600 --> 01:02:47,520
Speaker 3: cool because somebody puts some money behind it. Dumb is

1184
01:02:48,320 --> 01:02:50,520
Speaker 3: we are living and you remember that movie what's that fuck?

1185
01:02:50,720 --> 01:02:51,600
Speaker 3: It's idiocracy?

1186
01:02:52,320 --> 01:02:52,920
Speaker 4: Idiocracy.

1187
01:02:52,960 --> 01:02:55,800
Speaker 3: It's got a lecture like that, you're idiocracy.

1188
01:02:58,880 --> 01:03:01,760
Speaker 1: I can't believe you know about that. That's my favorite movie.

1189
01:03:02,040 --> 01:03:04,320
Speaker 3: It's crazy. They didn't put it out because they thought

1190
01:03:05,320 --> 01:03:08,120
Speaker 3: it was too dumb that people wouldn't get it, and

1191
01:03:08,200 --> 01:03:12,440
Speaker 3: then they were right, but they keep that.

1192
01:03:13,120 --> 01:03:15,600
Speaker 2: We need to do screenings of that movie today, right.

1193
01:03:17,080 --> 01:03:21,000
Speaker 1: Like and think about your president and bro, your phone

1194
01:03:21,080 --> 01:03:22,920
Speaker 1: is going to a smart phone, but your phone is

1195
01:03:22,960 --> 01:03:26,240
Speaker 1: actually making you making you jump, like I remember, like

1196
01:03:26,720 --> 01:03:29,680
Speaker 1: you know, like having to make a call. I just

1197
01:03:29,800 --> 01:03:32,440
Speaker 1: have to remember the number one facts, like you know

1198
01:03:32,480 --> 01:03:34,800
Speaker 1: what I mean, Like like right now, I don't know

1199
01:03:34,880 --> 01:03:38,960
Speaker 1: nobody addresses that lad.

1200
01:03:41,000 --> 01:03:45,040
Speaker 3: It made us, It made us less, use the ship less,

1201
01:03:45,120 --> 01:03:47,520
Speaker 3: Like I don't even think I know my own number.

1202
01:03:49,600 --> 01:03:51,640
Speaker 2: Talking about himself like you know, just google me.

1203
01:03:53,200 --> 01:03:53,600
Speaker 3: Oh yeah.

1204
01:03:53,720 --> 01:03:55,120
Speaker 4: Now it's even worse.

1205
01:03:55,400 --> 01:03:57,080
Speaker 1: People are coming up to you going like this today

1206
01:03:57,200 --> 01:03:59,560
Speaker 1: phones and they could just get your contact like yeah,

1207
01:03:59,600 --> 01:04:01,440
Speaker 1: that ship crazy, but we had that was the time

1208
01:04:01,480 --> 01:04:05,160
Speaker 1: for we had it went to way that this is

1209
01:04:05,280 --> 01:04:06,280
Speaker 1: very this is very hot.

1210
01:04:06,880 --> 01:04:07,120
Speaker 2: Crazy.

1211
01:04:07,200 --> 01:04:11,360
Speaker 3: Bro, it's getting crazy. But we got to times just nosy,

1212
01:04:11,840 --> 01:04:13,840
Speaker 3: who's crazy? You got a beer, sir? Yeah we had

1213
01:04:13,880 --> 01:04:14,200
Speaker 3: a beer.

1214
01:04:14,960 --> 01:04:19,360
Speaker 2: This this is a this beer soul just prop prophet

1215
01:04:19,400 --> 01:04:24,000
Speaker 2: this point backco Lincoln. You did you did a show

1216
01:04:24,040 --> 01:04:26,000
Speaker 2: up there one time. I think with with the vinchure

1217
01:04:26,040 --> 01:04:28,400
Speaker 2: rest in peace, I want to talk about him at

1218
01:04:28,400 --> 01:04:28,720
Speaker 2: some point.

1219
01:04:28,840 --> 01:04:31,520
Speaker 1: Yeah, all right, you want to do a quick Thomas.

1220
01:04:31,840 --> 01:04:33,880
Speaker 1: Yeah yeah, man, wait wait for the fo.

1221
01:04:33,960 --> 01:04:37,480
Speaker 3: Yeah yeah, I want to get the face man and

1222
01:04:37,560 --> 01:04:43,000
Speaker 3: my what you mean this game? Man? Man? This Snoos

1223
01:04:43,000 --> 01:04:55,439
Speaker 3: said is long as long as ye yeah? Yeah, yeah,

1224
01:04:56,640 --> 01:05:03,040
Speaker 3: that's crazy. Let's go. Yeah man, amazing. All right yeah

1225
01:05:03,440 --> 01:05:05,320
Speaker 3: now now what I really want to do is get

1226
01:05:06,480 --> 01:05:07,600
Speaker 3: ye self drunk.

1227
01:05:07,640 --> 01:05:12,720
Speaker 4: He's okay, so you know, let's go.

1228
01:05:14,720 --> 01:05:15,840
Speaker 2: They don't want to see me drunk?

1229
01:05:15,920 --> 01:05:16,440
Speaker 4: Can we get up?

1230
01:05:16,480 --> 01:05:16,760
Speaker 3: Slither?

1231
01:05:17,080 --> 01:05:19,040
Speaker 4: Let's it go? He might start walking.

1232
01:05:21,880 --> 01:05:21,920
Speaker 3: You.

1233
01:05:22,240 --> 01:05:23,840
Speaker 2: This is our drinking game. You do you know the rules?

1234
01:05:23,880 --> 01:05:24,000
Speaker 3: Or no?

1235
01:05:24,320 --> 01:05:25,680
Speaker 2: Yeah, you kind of do.

1236
01:05:25,960 --> 01:05:29,120
Speaker 3: Wait, don't if I want to ignore one, don't I

1237
01:05:29,160 --> 01:05:30,320
Speaker 3: get a pass on one or something?

1238
01:05:30,360 --> 01:05:33,120
Speaker 5: No, you don't get no passes. The passes yourself. If

1239
01:05:33,280 --> 01:05:37,080
Speaker 5: we're gonna give you two choices, okay, one we do

1240
01:05:37,320 --> 01:05:40,640
Speaker 5: not drink. But if you say both are neither, then

1241
01:05:40,680 --> 01:05:43,640
Speaker 5: we drinking. Everybody drinks, so you're not just getting me drunk,

1242
01:05:43,680 --> 01:05:44,520
Speaker 5: you get yourself drunk.

1243
01:05:44,880 --> 01:05:47,960
Speaker 2: Okay, all right, and then we want stories out of this.

1244
01:05:48,040 --> 01:05:53,520
Speaker 2: It's not really absolute tupac or easy rest in peace

1245
01:05:53,560 --> 01:05:54,120
Speaker 2: of both.

1246
01:05:56,640 --> 01:05:59,520
Speaker 3: Okay, well wait wait, wait, okay for this one Okay,

1247
01:06:01,000 --> 01:06:04,840
Speaker 3: what what's the criteri criteria? What criteria? It could be anything.

1248
01:06:05,000 --> 01:06:07,200
Speaker 3: It could be someone that was your neighbor. Okay, I'm

1249
01:06:07,200 --> 01:06:07,800
Speaker 3: going with Tupac.

1250
01:06:07,880 --> 01:06:10,720
Speaker 4: Then okay, and you met tak Yeah, get out of here.

1251
01:06:10,760 --> 01:06:18,360
Speaker 3: You met easy once on the freeway, Okay. No, we

1252
01:06:18,480 --> 01:06:20,840
Speaker 3: was young born. We was on the one ten going south.

1253
01:06:22,000 --> 01:06:22,880
Speaker 2: This is the easy story.

1254
01:06:23,000 --> 01:06:27,400
Speaker 3: This is the easy story. Obviously with fans. He was

1255
01:06:27,480 --> 01:06:30,280
Speaker 3: in uh the ones that looked like the batmobile, the BMW,

1256
01:06:30,840 --> 01:06:33,360
Speaker 3: and we was in some kind of bucket, these little niggas,

1257
01:06:33,880 --> 01:06:38,200
Speaker 3: and we pulled up on him because he went past,

1258
01:06:38,240 --> 01:06:41,320
Speaker 3: you know whatever. We sped up trying to get next

1259
01:06:41,760 --> 01:06:44,080
Speaker 3: like next one, uh whatever. I probably was in the

1260
01:06:44,120 --> 01:06:47,160
Speaker 3: back seat whatever was like. And then he hit us

1261
01:06:47,240 --> 01:06:49,120
Speaker 3: up like also you know what I'm saying, like he

1262
01:06:49,200 --> 01:06:52,480
Speaker 3: probably hit us up by some gang ship. She smiled.

1263
01:06:55,120 --> 01:06:58,800
Speaker 3: And then Parker, I was acquainted because uh shout the

1264
01:06:58,880 --> 01:06:59,840
Speaker 3: money b I saw.

1265
01:06:59,840 --> 01:07:01,760
Speaker 4: I knew the whole digit on the ground.

1266
01:07:02,240 --> 01:07:05,640
Speaker 3: So I was always I was acquainted with pop before

1267
01:07:06,520 --> 01:07:10,040
Speaker 3: because of uh thug life, so rated on all of.

1268
01:07:10,040 --> 01:07:10,840
Speaker 4: Them was the homies.

1269
01:07:11,120 --> 01:07:14,640
Speaker 3: You said, not before dig Underground, not before but before

1270
01:07:14,680 --> 01:07:18,560
Speaker 3: I met shot Doug Life so we was out here.

1271
01:07:18,640 --> 01:07:21,880
Speaker 3: Don't you remember the time when I think, uh, when

1272
01:07:24,280 --> 01:07:27,120
Speaker 3: things was that Atlanta? No, no, no, no, no, wait,

1273
01:07:28,320 --> 01:07:31,440
Speaker 3: there was a time out here. I felt like it

1274
01:07:31,520 --> 01:07:34,480
Speaker 3: was out here. Maybe maybe no, it was Atlanta, I think. Anyway,

1275
01:07:36,000 --> 01:07:39,840
Speaker 3: he was with when he was in Thug Life. I

1276
01:07:39,960 --> 01:07:42,960
Speaker 3: met Pak and then I would meet Pack again a

1277
01:07:43,040 --> 01:07:46,640
Speaker 3: few other times periods, and uh, one time he was

1278
01:07:46,680 --> 01:07:48,120
Speaker 3: in Carson. At this we had a one of little

1279
01:07:48,160 --> 01:07:50,920
Speaker 3: city club and I pulled up. I was I was like,

1280
01:07:50,960 --> 01:07:53,040
Speaker 3: brass cats already. I had like the record deal and

1281
01:07:53,360 --> 01:07:55,400
Speaker 3: you know, a good car and ship and it was

1282
01:07:55,440 --> 01:07:58,560
Speaker 3: a Bentley Parks and I was going into this little

1283
01:07:58,560 --> 01:08:01,600
Speaker 3: club that was you know, by There ain't no clubs

1284
01:08:01,640 --> 01:08:07,720
Speaker 3: in Carson. So I fucking like pull up and Sugar

1285
01:08:07,760 --> 01:08:09,880
Speaker 3: and Pocket is getting in the Bentley and I'm like,

1286
01:08:10,000 --> 01:08:12,320
Speaker 3: what are y'all? And then I remember, you know, and

1287
01:08:12,400 --> 01:08:14,520
Speaker 3: I'm getting out and then Park was like what's her brass?

1288
01:08:14,520 --> 01:08:15,560
Speaker 4: And Sugar was like what a brass?

1289
01:08:15,600 --> 01:08:18,479
Speaker 3: And I was like, Hi, Park, what are you doing here?

1290
01:08:18,760 --> 01:08:20,640
Speaker 3: You know what I'm saying, like, why are you in

1291
01:08:20,840 --> 01:08:21,479
Speaker 3: by the city?

1292
01:08:22,080 --> 01:08:24,479
Speaker 2: Like you didn't even know that he was with death already?

1293
01:08:24,760 --> 01:08:25,519
Speaker 4: No, I just didn't know.

1294
01:08:26,240 --> 01:08:29,439
Speaker 3: Carson ain't known for having fucking popping clubs. Bro, It's

1295
01:08:29,479 --> 01:08:32,479
Speaker 3: not like Vegas. It's like it's nice, it's a middle

1296
01:08:32,520 --> 01:08:34,880
Speaker 3: class or whatever. But we don't have no popping clubs.

1297
01:08:34,960 --> 01:08:38,120
Speaker 3: We people go to Hollywood or downtown or something. So that. Yeah,

1298
01:08:38,880 --> 01:08:43,400
Speaker 3: A couple of times, a couple of times I talked

1299
01:08:43,439 --> 01:08:46,120
Speaker 3: to pak Uh. You know, by no means was he

1300
01:08:46,280 --> 01:08:48,600
Speaker 3: like my bestie or nothing like that, But no, he

1301
01:08:48,760 --> 01:08:50,320
Speaker 3: was always cool with me. He always showed me a

1302
01:08:50,360 --> 01:08:52,320
Speaker 3: lot of up to shoot too, Always show me a.

1303
01:08:52,320 --> 01:08:55,439
Speaker 4: Long okay, nas or l L.

1304
01:08:57,280 --> 01:09:00,200
Speaker 3: What kind of questions these up over there? Look?

1305
01:09:00,760 --> 01:09:01,639
Speaker 2: Does your boy has.

1306
01:09:01,520 --> 01:09:08,200
Speaker 3: Your boy has he did this? I can't. I can't

1307
01:09:08,240 --> 01:09:08,680
Speaker 3: answer that.

1308
01:09:08,960 --> 01:09:14,360
Speaker 4: Okay, So drink your shot. You got a shout there, buddy, Yeah,

1309
01:09:14,800 --> 01:09:15,439
Speaker 4: stick with the one.

1310
01:09:17,360 --> 01:09:24,479
Speaker 2: I heard it, all right, Dre or battle Cat.

1311
01:09:26,960 --> 01:09:28,559
Speaker 4: That's too. I think.

1312
01:09:31,040 --> 01:09:33,160
Speaker 5: You're gonna I gotta.

1313
01:09:33,000 --> 01:09:36,160
Speaker 3: Go with battle Cat because he discovered me and he

1314
01:09:36,320 --> 01:09:39,560
Speaker 3: didn't have to listen to it our shitty cassette. So

1315
01:09:39,880 --> 01:09:42,559
Speaker 3: that's the reason why we had a little demo tape

1316
01:09:42,600 --> 01:09:44,160
Speaker 3: and he actually took the time to listen. So I'm

1317
01:09:44,160 --> 01:09:49,519
Speaker 3: always gratefully changing the dejectory of my life. There was

1318
01:09:49,560 --> 01:09:52,840
Speaker 3: another son I didn't answer though. Oh it was the

1319
01:09:52,920 --> 01:09:54,560
Speaker 3: Easy in the Tub podcast. I did answer it.

1320
01:09:55,000 --> 01:09:59,240
Speaker 2: Yeah, we find out you already drunk. No Wojie rapper

1321
01:09:59,320 --> 01:09:59,800
Speaker 2: cares One.

1322
01:10:00,000 --> 01:10:01,040
Speaker 4: I notice it's hard for you.

1323
01:10:01,360 --> 01:10:05,200
Speaker 3: Come on, dude needs a shot. You can use this cup.

1324
01:10:05,320 --> 01:10:07,600
Speaker 3: This one also to give him to kars One and

1325
01:10:07,680 --> 01:10:13,160
Speaker 3: Coochie Wrap. Is that what you're asking? Yeah, I'm biased.

1326
01:10:13,479 --> 01:10:17,479
Speaker 3: Kars One's my favorite rapper and I'm going on this tour.

1327
01:10:17,560 --> 01:10:20,000
Speaker 3: He just told me. I'm going to euro tour. The

1328
01:10:20,600 --> 01:10:23,519
Speaker 3: My Philosophy to European Tour start next month.

1329
01:10:23,640 --> 01:10:31,040
Speaker 4: So the alcoholics or Cypreshill.

1330
01:10:32,720 --> 01:10:39,160
Speaker 3: Why are you coming with this? They're like this part

1331
01:10:39,200 --> 01:10:42,800
Speaker 3: of your finger or this part of your finger. I

1332
01:10:42,880 --> 01:10:46,920
Speaker 3: don't know. I love I love them. For everybody you mentioned,

1333
01:10:46,960 --> 01:10:56,920
Speaker 3: I love and respect Cypress Hill or the Licks. I'm

1334
01:10:56,920 --> 01:10:59,400
Speaker 3: gonna give it to Cypress Hill. I'm gonna tell you

1335
01:10:59,520 --> 01:11:06,639
Speaker 3: why b be Real and what they were going through.

1336
01:11:08,200 --> 01:11:10,799
Speaker 3: Uh in that era.

1337
01:11:13,520 --> 01:11:17,439
Speaker 2: For for being Latino, hell no, be real.

1338
01:11:17,360 --> 01:11:18,400
Speaker 4: From a gang and it ain't.

1339
01:11:22,800 --> 01:11:26,200
Speaker 3: You know. So, but I'm saying him having to even

1340
01:11:26,280 --> 01:11:28,760
Speaker 3: find his voice, you know what I'm saying. So that

1341
01:11:28,840 --> 01:11:31,600
Speaker 3: creative didn't let alone the Latino part of it. But

1342
01:11:31,680 --> 01:11:33,240
Speaker 3: see what I have to explain, let me, let me

1343
01:11:33,560 --> 01:11:38,040
Speaker 3: keep the keep your thoughts. Let's just stop and realize

1344
01:11:38,080 --> 01:11:41,920
Speaker 3: that in l A there's a politics called black, white,

1345
01:11:42,240 --> 01:11:46,479
Speaker 3: Mexican other. There's no Cuban, there's no Puerto Rican. You

1346
01:11:46,560 --> 01:11:48,280
Speaker 3: are either Mexican or you are.

1347
01:11:48,840 --> 01:11:50,040
Speaker 4: Right, so.

1348
01:11:52,120 --> 01:11:54,720
Speaker 3: We we operate. You got like the rest of the

1349
01:11:54,760 --> 01:11:57,280
Speaker 3: country operates on these other premises that don't exist in

1350
01:11:57,479 --> 01:12:02,479
Speaker 3: l A. No matter what you are, because he either

1351
01:12:03,920 --> 01:12:07,479
Speaker 3: or there is no option. So Puerto Rican, you're going

1352
01:12:07,560 --> 01:12:10,400
Speaker 3: have to decide right along those lines. You're going to

1353
01:12:10,439 --> 01:12:13,280
Speaker 3: be a Mexican or you're gonna be an other, which

1354
01:12:13,439 --> 01:12:19,600
Speaker 3: means you with the niggas. So having people like be

1355
01:12:19,800 --> 01:12:21,680
Speaker 3: and them having having a step up and try to

1356
01:12:21,720 --> 01:12:24,479
Speaker 3: be honest with themselves, like, hey, I'm a Latino and

1357
01:12:24,600 --> 01:12:26,280
Speaker 3: you know what I'm saying, and I speak Spanish or whatever.

1358
01:12:26,400 --> 01:12:29,040
Speaker 3: That's dope in the in in how they were able

1359
01:12:29,080 --> 01:12:31,360
Speaker 3: to survive it, and hopefully that gave some inspiration and

1360
01:12:31,400 --> 01:12:33,920
Speaker 3: it brings all all of us together, you know what

1361
01:12:33,960 --> 01:12:36,800
Speaker 3: I'm saying. But nobody ever wants to tell the truth.

1362
01:12:36,920 --> 01:12:39,640
Speaker 3: And that's why there's so many misconceptions to go to

1363
01:12:39,720 --> 01:12:41,760
Speaker 3: jail and you will find out. I've had to watch

1364
01:12:42,640 --> 01:12:45,720
Speaker 3: well there's there's underneath that, there's bite side and all

1365
01:12:45,760 --> 01:12:49,000
Speaker 3: this other stuff in prison. But yeah, those are the

1366
01:12:49,080 --> 01:12:52,479
Speaker 3: general rules. Nobody cares if you're Filipino or whatever you are.

1367
01:12:52,600 --> 01:12:56,000
Speaker 3: Other and you with them niggas, You with you, you

1368
01:12:56,120 --> 01:12:59,680
Speaker 3: with them niggas. Now hopefully with what's horribly going to

1369
01:13:00,200 --> 01:13:02,679
Speaker 3: what in our country that all even our man conn

1370
01:13:02,680 --> 01:13:05,840
Speaker 3: of when they're staying like we all niggas, bro, they

1371
01:13:05,920 --> 01:13:07,360
Speaker 3: don't like that, so I don't we get there?

1372
01:13:08,479 --> 01:13:11,240
Speaker 1: And I just thought about it the other day. They

1373
01:13:11,320 --> 01:13:12,599
Speaker 1: really had a hit record card.

1374
01:13:13,040 --> 01:13:16,160
Speaker 9: I could just hear the man, you know, I was.

1375
01:13:16,280 --> 01:13:23,320
Speaker 9: I was thinking about that away with that drink chan sports.

1376
01:13:23,360 --> 01:13:25,080
Speaker 2: He put me onto it in in high school, and

1377
01:13:25,120 --> 01:13:27,040
Speaker 2: I was like, no fucking way to have a record.

1378
01:13:27,760 --> 01:13:31,360
Speaker 3: You didn't know that, no brand new fresh, you know,

1379
01:13:31,439 --> 01:13:33,439
Speaker 3: I'm like, no way they called it that record. I

1380
01:13:35,320 --> 01:13:38,400
Speaker 3: heard their demo because I was I had a deal

1381
01:13:39,280 --> 01:13:42,920
Speaker 3: that I fucked off, uh or, I had a deal opportunity,

1382
01:13:43,040 --> 01:13:46,799
Speaker 3: a couple of deal opportunities early on. And then I remember,

1383
01:13:46,960 --> 01:13:48,400
Speaker 3: you know back then you get the tape. So I

1384
01:13:48,479 --> 01:13:51,120
Speaker 3: got like grand Man's you know what I'm saying, album

1385
01:13:51,240 --> 01:13:53,880
Speaker 3: like cassettes, like industry ship Niggas is already. You know,

1386
01:13:53,880 --> 01:13:56,160
Speaker 3: they're working on albums, they're sending people ship out. I

1387
01:13:56,280 --> 01:13:59,400
Speaker 3: remember I heard some of them records before be found

1388
01:13:59,439 --> 01:13:59,920
Speaker 3: his voice.

1389
01:14:00,120 --> 01:14:02,599
Speaker 2: Really yeah, man, like the devil wing of those records.

1390
01:14:02,640 --> 01:14:06,320
Speaker 3: Well, they had to deal, but I guess apparently, and

1391
01:14:06,439 --> 01:14:08,680
Speaker 3: I hope I'm not miss speaking on b but they

1392
01:14:08,800 --> 01:14:11,120
Speaker 3: just was like his tone. So then he went Naso

1393
01:14:11,320 --> 01:14:15,160
Speaker 3: and found his tone and it's so infectious that you

1394
01:14:15,240 --> 01:14:17,479
Speaker 3: know what I'm saying. But that was part of the thing.

1395
01:14:17,640 --> 01:14:20,519
Speaker 3: Was like the beats are crazy. His rhymes was crazy

1396
01:14:20,600 --> 01:14:22,240
Speaker 3: but delivery.

1397
01:14:21,840 --> 01:14:23,920
Speaker 2: And then he like and the contrast with said being

1398
01:14:24,080 --> 01:14:27,080
Speaker 2: like that deep voices crazy.

1399
01:14:27,160 --> 01:14:29,800
Speaker 3: Yeah, they killed it. Yeah, Shout out to Muggs with

1400
01:14:29,840 --> 01:14:30,240
Speaker 3: the beats.

1401
01:14:30,479 --> 01:14:35,040
Speaker 4: Like those beats cub I sent cub both Cuban, Cuban.

1402
01:14:35,320 --> 01:14:37,840
Speaker 2: Cuban Mexican, and I believe Muggs is Italian.

1403
01:14:37,880 --> 01:14:38,800
Speaker 3: I believe I believe.

1404
01:14:38,840 --> 01:14:46,760
Speaker 2: So Yeah, shout out to Hyeah Exhibit or Cannabis.

1405
01:14:48,160 --> 01:14:51,240
Speaker 3: Exhibit. You didn't that wasn't a comic game.

1406
01:14:53,040 --> 01:15:02,840
Speaker 2: Quick or Alchemists, this guy, this.

1407
01:15:03,080 --> 01:15:08,400
Speaker 3: Guy here, I'm gonna do the shot. They're both amazing. Man,

1408
01:15:08,760 --> 01:15:13,639
Speaker 3: it's a little You're welcome to have some Mama want

1409
01:15:13,680 --> 01:15:16,600
Speaker 3: if you want. This is not Jamison. This is like murderers,

1410
01:15:17,320 --> 01:15:21,280
Speaker 3: Is it Jamison? She's giving you jamieson bro It tastes

1411
01:15:21,320 --> 01:15:27,240
Speaker 3: like you can give him small shots. Thank you for

1412
01:15:27,320 --> 01:15:27,920
Speaker 3: trying to kill me.

1413
01:15:30,560 --> 01:15:33,040
Speaker 1: I don't think I've never seen nobody mixed whiskey with monster.

1414
01:15:34,240 --> 01:15:43,240
Speaker 2: That makes you a monster and monster. Yeah, any any

1415
01:15:43,320 --> 01:15:44,040
Speaker 2: stories were quick?

1416
01:15:44,680 --> 01:15:46,880
Speaker 5: Yeah, let's see we know you're outims story which we

1417
01:15:46,880 --> 01:15:47,840
Speaker 5: can maybe talk about later.

1418
01:15:48,040 --> 01:15:51,720
Speaker 3: No, it's good, We're fine. All right, here's a good one.

1419
01:15:52,280 --> 01:15:57,800
Speaker 3: So I don't have a record deal yet. Maybe I

1420
01:15:57,800 --> 01:16:01,519
Speaker 3: got a record. I got a record deal. Maybe I

1421
01:16:01,560 --> 01:16:03,920
Speaker 3: have a record deal. Maybe this is ninety five, but

1422
01:16:04,160 --> 01:16:10,160
Speaker 3: I ain't got it, ain't out yet. But my homeboy, Flip,

1423
01:16:10,560 --> 01:16:15,439
Speaker 3: his name is Michael Barber So Flip is from Inglewood.

1424
01:16:15,800 --> 01:16:18,960
Speaker 3: He and producer. He ends up helping me salvage and

1425
01:16:19,080 --> 01:16:22,000
Speaker 3: save sol on Nce. But one day we go to

1426
01:16:22,040 --> 01:16:28,479
Speaker 3: the studio and well we go to quicks a quick

1427
01:16:28,560 --> 01:16:33,439
Speaker 3: session again. Well it we call it out of bounds,

1428
01:16:33,760 --> 01:16:35,040
Speaker 3: Like you don't want to be out of bounds. I

1429
01:16:35,040 --> 01:16:38,240
Speaker 3: don't want to go to the South Sider party and

1430
01:16:38,360 --> 01:16:40,800
Speaker 3: be the only blackie because they're going to kill me.

1431
01:16:41,400 --> 01:16:43,000
Speaker 3: And you don't want to go to the blood party

1432
01:16:43,080 --> 01:16:45,479
Speaker 3: and you the crypt. But even still, even if you not,

1433
01:16:45,720 --> 01:16:49,240
Speaker 3: you just don't want to. Sometimes we like people have tails,

1434
01:16:49,280 --> 01:16:51,960
Speaker 3: So you might say, look as opposed to like my relative.

1435
01:16:52,439 --> 01:16:54,439
Speaker 3: You know what I'm saying, Because if you go up

1436
01:16:54,439 --> 01:16:56,040
Speaker 3: in the Crip neighborhood, you probably say my cousin.

1437
01:16:56,439 --> 01:16:57,000
Speaker 4: You know what I'm saying.

1438
01:16:57,080 --> 01:16:58,639
Speaker 3: If you go up a blod neighborhood, you would say

1439
01:16:58,640 --> 01:17:01,080
Speaker 3: my relative. And so we have tales to tell where

1440
01:17:01,160 --> 01:17:03,400
Speaker 3: somebody from, and you don't want to stick out. So

1441
01:17:04,200 --> 01:17:06,720
Speaker 3: I remember we go to the studio and it says

1442
01:17:07,080 --> 01:17:11,639
Speaker 3: all Quick, I'm a fan. I'm tripping out, but I'm

1443
01:17:11,680 --> 01:17:15,599
Speaker 3: like against the wall, young boy looking around. I'm watching

1444
01:17:15,680 --> 01:17:21,160
Speaker 3: he's doing a vertical joy ride. Uh for what's his name?

1445
01:17:21,400 --> 01:17:21,519
Speaker 2: Uh?

1446
01:17:22,040 --> 01:17:23,840
Speaker 3: If? I watched him cook from the beginning? Did it?

1447
01:17:24,000 --> 01:17:25,280
Speaker 4: Then he did a song for Boss?

1448
01:17:26,160 --> 01:17:29,559
Speaker 3: Uh done? I'm watching him cook these true records. Ye,

1449
01:17:30,640 --> 01:17:33,200
Speaker 3: So that same session I watched Quick do two records

1450
01:17:35,439 --> 01:17:37,800
Speaker 3: and I just remember I basically shut the fuck up

1451
01:17:37,840 --> 01:17:39,920
Speaker 3: because I didn't want to say anything that would alert

1452
01:17:40,000 --> 01:17:42,240
Speaker 3: them that I grew up in the Kirk neighborhood, so

1453
01:17:43,000 --> 01:17:45,960
Speaker 3: super quiet. I watched it, but I told him that before,

1454
01:17:46,080 --> 01:17:48,640
Speaker 3: like you know, he's super lovely, like anytime, like if

1455
01:17:48,720 --> 01:17:50,800
Speaker 3: I show up, he throws me MIC's like, ras he

1456
01:17:50,880 --> 01:17:51,320
Speaker 3: get to it.

1457
01:17:51,439 --> 01:17:54,919
Speaker 4: But yeah, man, like that Quick is amazing.

1458
01:17:55,000 --> 01:17:55,120
Speaker 2: Man.

1459
01:17:55,160 --> 01:17:58,680
Speaker 3: I watched him cook like I like, because he can

1460
01:17:58,760 --> 01:18:01,559
Speaker 3: play everything. He's like one of the Quincy Jones dudes.

1461
01:18:01,960 --> 01:18:06,280
Speaker 3: He got great vision. He uh, he's just he's ill.

1462
01:18:06,400 --> 01:18:09,080
Speaker 3: He just he threw me a record recently. H and

1463
01:18:09,200 --> 01:18:10,880
Speaker 3: so I want to finish that record. That's one of

1464
01:18:10,960 --> 01:18:13,639
Speaker 3: my bucket list ships is a knockout of song with Quick.

1465
01:18:14,640 --> 01:18:18,360
Speaker 1: He told us that Michael Michael Jackson was crip.

1466
01:18:23,360 --> 01:18:24,320
Speaker 2: I don't know if he was serious.

1467
01:18:24,640 --> 01:18:27,599
Speaker 1: Yeah, but he was like Michael Jackson was doing things

1468
01:18:27,680 --> 01:18:28,879
Speaker 1: that it wasn't that wasn't.

1469
01:18:29,400 --> 01:18:31,480
Speaker 2: Picture that yehs photoshot.

1470
01:18:31,600 --> 01:18:34,720
Speaker 3: I mean, but Quick, look, stranger things have happened, man.

1471
01:18:35,000 --> 01:18:36,920
Speaker 3: I'm just trying to tell you. You never know, man,

1472
01:18:37,040 --> 01:18:39,960
Speaker 3: I'm I'm not telling I don't want to be telling

1473
01:18:40,000 --> 01:18:42,320
Speaker 3: people's business. But there's some people that super r and

1474
01:18:42,479 --> 01:18:48,439
Speaker 3: B that be Oh no, you got to remember it's

1475
01:18:48,520 --> 01:18:51,760
Speaker 3: just like this culture is what fifty some years old,

1476
01:18:51,840 --> 01:18:56,800
Speaker 3: fifty fifty one, it's game thing and is about might

1477
01:18:56,880 --> 01:18:59,880
Speaker 3: be the same or older older, Right, it's older. It's

1478
01:18:59,920 --> 01:19:04,360
Speaker 3: like mid sixties, nineteen sixties. So it's some people. It's

1479
01:19:04,720 --> 01:19:08,600
Speaker 3: great grandma gang banger. Yep, yeah, it's crazy. Ready to

1480
01:19:08,720 --> 01:19:12,479
Speaker 3: Die or Illmatic. I cannot disrespect neither one of them.

1481
01:19:12,520 --> 01:19:15,880
Speaker 3: Two albums. I think they're just incredible me too. Take yourself, Lottle.

1482
01:19:19,520 --> 01:19:24,040
Speaker 3: I meant complaint about Ready to Die. I had the

1483
01:19:24,120 --> 01:19:30,080
Speaker 3: demo tape you said die, not the demo, but before

1484
01:19:30,080 --> 01:19:32,880
Speaker 3: it came out, because right, telling industry people right when

1485
01:19:32,920 --> 01:19:36,800
Speaker 3: they were the executive the execut Was it white label? Yeah?

1486
01:19:36,800 --> 01:19:42,040
Speaker 3: White okay, okay, so yeah, the an last whatever. Yeah,

1487
01:19:42,800 --> 01:19:45,320
Speaker 3: And I ended up buying it anyway, But when I

1488
01:19:45,400 --> 01:19:48,639
Speaker 3: bought it, unbelievable. Wasn't on there? Tell me you still

1489
01:19:48,680 --> 01:19:51,560
Speaker 3: got that demo? No, I lost all that shit. I

1490
01:19:51,560 --> 01:19:54,360
Speaker 3: should have kept that ship. I mean, could life be life?

1491
01:19:54,400 --> 01:19:57,200
Speaker 3: And bro? I lost so much ship that's invaluable. But yeah, no,

1492
01:19:57,560 --> 01:20:00,280
Speaker 3: that was my only complaint Bond the album. I bought

1493
01:20:00,280 --> 01:20:02,280
Speaker 3: the white label on one hundred twenty fifties.

1494
01:20:03,000 --> 01:20:04,080
Speaker 4: I lost all that ship.

1495
01:20:04,160 --> 01:20:07,080
Speaker 3: But yeah, that was I just thought that record was incredible.

1496
01:20:07,600 --> 01:20:09,880
Speaker 3: The song hit list on this album is old like

1497
01:20:10,439 --> 01:20:15,439
Speaker 3: honor Biggie. That's why I made that Liberty's face. It's

1498
01:20:15,960 --> 01:20:18,439
Speaker 3: it's taking the R and B sample and creating an

1499
01:20:18,479 --> 01:20:23,280
Speaker 3: ill record off of it. Yeah, New York or Miami,

1500
01:20:24,920 --> 01:20:30,760
Speaker 3: We're not getting killed Miami next, Miami life. Yeah, gave

1501
01:20:30,840 --> 01:20:33,760
Speaker 3: me love out here? No New York did too? Come

1502
01:20:33,800 --> 01:20:39,400
Speaker 3: on that? Want to go back and say both.

1503
01:20:42,640 --> 01:20:53,560
Speaker 8: Taking a fucket okay Outcast or U g K both legendary.

1504
01:20:54,720 --> 01:21:00,440
Speaker 3: Uh and I'm such a big fan and have great expearances,

1505
01:21:00,479 --> 01:21:07,120
Speaker 3: but indebibly kind of my peers. This Outcast rest in

1506
01:21:07,160 --> 01:21:12,880
Speaker 3: Peerso Rico and I just really yeah, I'm i'm a

1507
01:21:13,200 --> 01:21:16,680
Speaker 3: it's so hard lean towards outcasts.

1508
01:21:17,040 --> 01:21:18,479
Speaker 2: Did you work with the Dungeon family.

1509
01:21:19,840 --> 01:21:22,519
Speaker 3: I did. I did a record I did for the

1510
01:21:22,560 --> 01:21:26,360
Speaker 3: fiftieth of Hip Hop. I rhymed over Outcast record and

1511
01:21:26,520 --> 01:21:30,560
Speaker 3: talked to Rico and everybody, like like maybe two or

1512
01:21:30,560 --> 01:21:33,360
Speaker 3: three months before he passed away, me and him, Curtis

1513
01:21:33,439 --> 01:21:37,120
Speaker 3: from Patchworks and uh yeah, man, like I and I

1514
01:21:37,200 --> 01:21:41,479
Speaker 3: was in the studio when it was working on a

1515
01:21:41,760 --> 01:21:46,200
Speaker 3: Quinn at Aliens. I think I was. I was at

1516
01:21:46,280 --> 01:21:50,439
Speaker 3: Dark that was Austin. Yeah yeah, yeah bro, we all

1517
01:21:50,479 --> 01:21:52,200
Speaker 3: come across each other. So yeah, I was in the

1518
01:21:52,200 --> 01:21:55,200
Speaker 3: studio shooting pool. I was supposed to They actually asked

1519
01:21:55,240 --> 01:21:58,320
Speaker 3: me to be on that record. I wasn't in Atlanta

1520
01:21:58,439 --> 01:22:01,800
Speaker 3: enough and uh, stupid me. I would have loved to

1521
01:22:01,920 --> 01:22:05,439
Speaker 3: have been on that record. And I'm shured have happened

1522
01:22:05,439 --> 01:22:07,200
Speaker 3: to you them times where you didn't take advantage of

1523
01:22:07,240 --> 01:22:09,479
Speaker 3: the opportunity, you know what I'm saying, Somebody showing love

1524
01:22:09,560 --> 01:22:11,840
Speaker 3: like Pun did that to me and would be like, yo,

1525
01:22:12,120 --> 01:22:14,160
Speaker 3: come you know what I'm saying, like come to the studio.

1526
01:22:15,240 --> 01:22:17,960
Speaker 4: Yeah yeah, bro, he didn't take advantage of it.

1527
01:22:20,760 --> 01:22:23,720
Speaker 3: La. First of all, was LA don't know how to

1528
01:22:23,760 --> 01:22:25,280
Speaker 3: say thank you, l A. Niggas still don't know how

1529
01:22:25,280 --> 01:22:27,559
Speaker 3: to say LA. Niggas don't even know how to tell

1530
01:22:27,560 --> 01:22:29,880
Speaker 3: you they like your music. Nigga be like not like

1531
01:22:29,960 --> 01:22:31,479
Speaker 3: I'm on your dig or none. You know what I'm saying.

1532
01:22:31,479 --> 01:22:34,840
Speaker 3: You know, like niggas preface everything fucked up, like because

1533
01:22:34,920 --> 01:22:35,680
Speaker 3: we don't know how to.

1534
01:22:38,240 --> 01:22:39,160
Speaker 4: Period alpha.

1535
01:22:39,520 --> 01:22:41,519
Speaker 3: But I'm just saying like l A got it real,

1536
01:22:42,200 --> 01:22:44,640
Speaker 3: like we don't know how So when Pun Pun did

1537
01:22:44,680 --> 01:22:47,320
Speaker 3: it more than once, and I just remember, like.

1538
01:22:49,400 --> 01:22:51,880
Speaker 4: I was just like, put your pun and I buy

1539
01:22:51,920 --> 01:22:52,400
Speaker 4: your record.

1540
01:22:52,520 --> 01:22:54,360
Speaker 3: So I don't understand why you're being nice to me

1541
01:22:54,439 --> 01:22:56,519
Speaker 3: because I'm a fan, and I don't know how to

1542
01:22:57,000 --> 01:22:59,639
Speaker 3: accept you being this cool. You know what I'm saying.

1543
01:23:00,640 --> 01:23:04,080
Speaker 3: I remember, Norri, I remember what it was your party?

1544
01:23:04,320 --> 01:23:06,320
Speaker 4: Okay, oh, at the fun when you.

1545
01:23:06,360 --> 01:23:08,439
Speaker 3: Met, but no, no, I'm talking about the time that

1546
01:23:08,520 --> 01:23:11,680
Speaker 3: you was like, okay, it was your party blocked off

1547
01:23:11,720 --> 01:23:15,879
Speaker 3: in New York. You said some hilarious ship, the Mirage,

1548
01:23:16,600 --> 01:23:20,400
Speaker 3: thege it was downtown or the woman. I think I

1549
01:23:20,439 --> 01:23:23,280
Speaker 3: think it was downtown, But I just remember I was

1550
01:23:23,360 --> 01:23:26,200
Speaker 3: outside and they had to you know how. They always

1551
01:23:26,240 --> 01:23:28,080
Speaker 3: had the little like the police had the little blue

1552
01:23:28,120 --> 01:23:30,840
Speaker 3: little blockers ships. Nobody else could get in. You know

1553
01:23:30,840 --> 01:23:32,360
Speaker 3: what I'm saying. If you didn't already get in, you

1554
01:23:32,400 --> 01:23:33,720
Speaker 3: know what I'm saying, get the fuck out of here.

1555
01:23:34,000 --> 01:23:36,639
Speaker 3: And then Nooy he pulls up. You said something about

1556
01:23:36,760 --> 01:23:39,800
Speaker 3: somebody else and he was like, rosconsin you coming. I

1557
01:23:39,920 --> 01:23:40,040
Speaker 3: was like.

1558
01:23:45,360 --> 01:23:48,599
Speaker 2: Friends one rock.

1559
01:23:49,920 --> 01:23:55,439
Speaker 3: Rock, Like, you're coming in? This is like uh this

1560
01:23:55,640 --> 01:23:57,400
Speaker 3: is what? What? What this is?

1561
01:23:57,479 --> 01:24:00,879
Speaker 4: That ninety eighth Yeah that's ninety yeah, yeah, yeah.

1562
01:24:00,720 --> 01:24:03,320
Speaker 3: Yeah, yea, yea yeah, and he got he got me

1563
01:24:03,360 --> 01:24:06,160
Speaker 3: into his own party. I'm outside, nigga. It was like

1564
01:24:06,200 --> 01:24:08,600
Speaker 3: a couple of rap niggas. I'm like, well stupid, I'm like,

1565
01:24:08,680 --> 01:24:15,160
Speaker 3: I want to go in there. That he was dy

1566
01:24:15,240 --> 01:24:16,160
Speaker 3: got me into this party?

1567
01:24:16,200 --> 01:24:16,320
Speaker 1: Man?

1568
01:24:16,360 --> 01:24:23,639
Speaker 3: And it was lit Boys in the Hood or menaces Acid? Yeah?

1569
01:24:24,920 --> 01:24:29,360
Speaker 3: Who what? Man?

1570
01:24:29,400 --> 01:24:34,160
Speaker 1: It's just because supart question why which one is closer.

1571
01:24:33,880 --> 01:24:36,240
Speaker 3: To the l a world life? I just like minutes

1572
01:24:36,240 --> 01:24:39,040
Speaker 3: because niggas was okay and shipped up like this is

1573
01:24:40,120 --> 01:24:44,200
Speaker 3: the hood was was was was a more positive story

1574
01:24:44,439 --> 01:24:45,799
Speaker 3: to me in the sense.

1575
01:24:45,640 --> 01:24:50,719
Speaker 2: Of it wasn't realistic, more grounded.

1576
01:24:50,760 --> 01:24:54,240
Speaker 3: At least they're both they both happened.

1577
01:24:55,280 --> 01:24:58,880
Speaker 4: I just like, I like, real story. Are you saying

1578
01:24:58,880 --> 01:24:59,719
Speaker 4: when it both happened?

1579
01:24:59,880 --> 01:25:04,519
Speaker 3: They both do happen. Okay, those things happen. There's an

1580
01:25:04,640 --> 01:25:08,879
Speaker 3: enemy and don't do there's an old dog, there's the smoker.

1581
01:25:10,040 --> 01:25:13,160
Speaker 3: You know what I'm saying, the uh boys in the Hood.

1582
01:25:13,640 --> 01:25:15,759
Speaker 3: I do like it because there's a strong father figure,

1583
01:25:16,720 --> 01:25:19,160
Speaker 3: so it's not always somebody sucking up because they don't

1584
01:25:19,160 --> 01:25:22,519
Speaker 3: have a dad. The same age as summer. It's okay,

1585
01:25:28,160 --> 01:25:31,640
Speaker 3: you remember that you're doing don't be a minus. You

1586
01:25:31,800 --> 01:25:34,320
Speaker 3: remember that. That's why they made that joke, you know,

1587
01:25:36,479 --> 01:25:38,800
Speaker 3: off off subject, don't be a minace when they walked

1588
01:25:38,800 --> 01:25:42,040
Speaker 3: in the liquor store with yeah, don't be a minute

1589
01:25:42,040 --> 01:25:43,639
Speaker 3: when they walked in the liquor store and she said,

1590
01:25:43,760 --> 01:25:45,640
Speaker 3: Big is the best part of.

1591
01:25:47,320 --> 01:25:48,439
Speaker 4: The way, his brothers are the best.

1592
01:25:48,479 --> 01:25:51,439
Speaker 3: Anyway, that's a whole different thing. So you picked menace,

1593
01:25:51,720 --> 01:25:54,759
Speaker 3: I'm gonna pick minutes just because it was about sliding,

1594
01:25:56,160 --> 01:26:00,400
Speaker 3: like and then Sofia was in it. True, he was

1595
01:26:00,840 --> 01:26:05,680
Speaker 3: there and cousin cousin Harold. I didn't know him. Then

1596
01:26:05,760 --> 01:26:10,560
Speaker 3: I remember, and I've got floud memories in Westwood, you know,

1597
01:26:11,479 --> 01:26:14,880
Speaker 3: So I look at the night that movie came out.

1598
01:26:15,040 --> 01:26:16,599
Speaker 4: It was a weekend, like a Friday.

1599
01:26:16,760 --> 01:26:20,520
Speaker 3: Stupid kids ship. We went to the It's like thousands

1600
01:26:20,560 --> 01:26:24,200
Speaker 3: of kids trying. They were sold out. The kids bum

1601
01:26:24,320 --> 01:26:27,880
Speaker 3: rushed all the theaters and just started finances and we

1602
01:26:28,200 --> 01:26:29,960
Speaker 3: forced Westwood to just play.

1603
01:26:30,320 --> 01:26:33,600
Speaker 4: All the theaters was playing. Yes, we did that.

1604
01:26:34,680 --> 01:26:38,800
Speaker 3: I can't get us all nigga about thousands of little black, brown, yellow, white,

1605
01:26:38,840 --> 01:26:39,439
Speaker 3: green kids.

1606
01:26:39,520 --> 01:26:39,920
Speaker 4: We did it.

1607
01:26:40,160 --> 01:26:45,760
Speaker 3: And then I do remember, uh theeveriest part, And I

1608
01:26:45,880 --> 01:26:49,400
Speaker 3: was like, that was gangsty between him and a Ryan

1609
01:26:50,040 --> 01:26:54,479
Speaker 3: gangster ship that she was like even the twitch. I

1610
01:26:54,560 --> 01:26:56,800
Speaker 3: remember the twitch. I was like, ah ship and then

1611
01:26:56,840 --> 01:26:59,080
Speaker 3: I would go on to meet broing and being my brother.

1612
01:26:59,200 --> 01:26:59,840
Speaker 2: That's why you didn't know.

1613
01:27:00,600 --> 01:27:13,040
Speaker 1: That's crazy killer Priso corrupt. Mm hmmm, are were drinking?

1614
01:27:13,360 --> 01:27:19,000
Speaker 3: Yeah, don't don't. Then other shenanigain me said Shenan again

1615
01:27:19,040 --> 01:27:23,640
Speaker 3: and then again and again, be against the world. It

1616
01:27:23,800 --> 01:27:31,519
Speaker 3: was dark and hell is hot. So Parker x I,

1617
01:27:33,080 --> 01:27:38,639
Speaker 3: let's see mingus world? Can I google? Can I get

1618
01:27:38,640 --> 01:27:49,280
Speaker 3: a lifelike? Sometimes exactly means the world's got a temptations? Right, yeah,

1619
01:27:49,320 --> 01:27:51,240
Speaker 3: fun that it's gotta it's gotta be.

1620
01:27:52,880 --> 01:27:53,200
Speaker 4: Listen.

1621
01:27:56,479 --> 01:27:59,320
Speaker 3: But that record fucked me. Some records per album that

1622
01:27:59,439 --> 01:28:03,000
Speaker 3: sucked me up. So me against the World had Hey,

1623
01:28:03,880 --> 01:28:12,320
Speaker 3: yeah right, I just just from recently doing man, he's

1624
01:28:12,560 --> 01:28:14,679
Speaker 3: I will well, I will call him.

1625
01:28:14,560 --> 01:28:19,400
Speaker 4: And get that done immediately today. Yeah. Absolutely, havoc orris.

1626
01:28:22,720 --> 01:28:27,040
Speaker 3: Hazardous. We don't have some, So you're setting me up

1627
01:28:27,080 --> 01:28:33,160
Speaker 3: for failure here, Well, you're gonna look, he's got an excuse.

1628
01:28:33,920 --> 01:28:34,479
Speaker 3: I'm drinking.

1629
01:28:35,520 --> 01:28:36,599
Speaker 2: I'm taking baby shows.

1630
01:28:36,640 --> 01:28:37,240
Speaker 3: I know this game.

1631
01:28:39,000 --> 01:28:39,840
Speaker 2: I'm drinking a drink.

1632
01:28:40,000 --> 01:28:41,600
Speaker 3: It is a game. Now you do a me.

1633
01:28:41,960 --> 01:28:46,160
Speaker 4: Yes, it's a game. Okay, So.

1634
01:28:47,760 --> 01:28:52,160
Speaker 3: I love you all right?

1635
01:28:52,240 --> 01:28:57,080
Speaker 4: So I answered it by drinking.

1636
01:28:57,400 --> 01:28:59,799
Speaker 2: Yeah, so you said both.

1637
01:29:02,520 --> 01:29:06,599
Speaker 3: Come on mans and have bro uh sol on ice

1638
01:29:07,240 --> 01:29:13,720
Speaker 3: or assassination. That's a tongue twister, bro assassination. No assassination,

1639
01:29:13,920 --> 01:29:25,680
Speaker 3: but are so on ice? It's the be gets you

1640
01:29:25,720 --> 01:29:28,120
Speaker 3: know what I'm saying. It's the beginning of and everything

1641
01:29:28,160 --> 01:29:29,519
Speaker 3: else is just it's a classic. Man.

1642
01:29:29,920 --> 01:29:30,960
Speaker 2: I consider that a classic.

1643
01:29:31,160 --> 01:29:34,680
Speaker 3: Thank you, brother, I appreciate it. So you picked both? No?

1644
01:29:34,880 --> 01:29:39,519
Speaker 4: No, I picked h sol on ice Okay, okay mm

1645
01:29:39,560 --> 01:29:41,240
Speaker 4: hmm ice Cuban scarface.

1646
01:29:42,400 --> 01:29:45,000
Speaker 3: That's a fund up thing now, somebody, Yeah.

1647
01:29:45,520 --> 01:29:47,759
Speaker 4: Truly And I heard you switch.

1648
01:29:49,280 --> 01:29:52,840
Speaker 1: I heard you say that before you pick it that

1649
01:29:53,120 --> 01:29:56,280
Speaker 1: you think ice Cube was officially the first Liverpool absolute

1650
01:29:56,439 --> 01:29:56,920
Speaker 1: West Coast.

1651
01:29:58,120 --> 01:30:01,559
Speaker 3: No, he's the first lyricist, so the West America's most

1652
01:30:04,200 --> 01:30:06,160
Speaker 3: I know you live in both worlds. Like I've been

1653
01:30:06,200 --> 01:30:08,160
Speaker 3: to La New York. What would you put though?

1654
01:30:09,000 --> 01:30:11,080
Speaker 2: Because I'm not even thinking about the timeline, So.

1655
01:30:11,200 --> 01:30:12,280
Speaker 4: Think about America's most.

1656
01:30:13,040 --> 01:30:15,560
Speaker 2: King T too, though I feel like King T was

1657
01:30:16,680 --> 01:30:17,559
Speaker 2: Maybe I'm being unfair.

1658
01:30:17,640 --> 01:30:19,519
Speaker 3: I never even thought about that. And King T is

1659
01:30:19,600 --> 01:30:24,439
Speaker 3: legendary and one of my favorite rappers. I think I

1660
01:30:25,600 --> 01:30:29,519
Speaker 3: think I used to. So there's there's different components to this.

1661
01:30:31,160 --> 01:30:35,840
Speaker 3: Some people are dope rappers. I think Biz Markey was dope.

1662
01:30:36,000 --> 01:30:38,680
Speaker 3: You know what I'm saying. I think, uh, you know,

1663
01:30:40,280 --> 01:30:44,200
Speaker 3: I think some people are stylistic. I'm trying to think

1664
01:30:44,200 --> 01:30:50,439
Speaker 3: of somebody that just had amazing and peccable styles. Yeah

1665
01:30:50,600 --> 01:30:53,000
Speaker 3: that was easy, that was long hanging truth. But some

1666
01:30:53,080 --> 01:30:55,800
Speaker 3: people are lyricists. Rock Cam to God is a lyricist.

1667
01:30:57,040 --> 01:30:57,680
Speaker 2: Wordsmiths.

1668
01:30:58,040 --> 01:30:59,920
Speaker 3: You know, you can type it out and read it.

1669
01:31:00,320 --> 01:31:03,200
Speaker 3: It'll fuck your head up. And that's the difference. See

1670
01:31:03,840 --> 01:31:06,439
Speaker 3: some of you know, most people are programmed because it's

1671
01:31:06,560 --> 01:31:09,680
Speaker 3: music that you're going by what you hear, and then

1672
01:31:09,800 --> 01:31:11,400
Speaker 3: now it's so fucked up you're going by what you

1673
01:31:11,479 --> 01:31:14,200
Speaker 3: see as opposed to what you hear. It's music, not

1674
01:31:14,360 --> 01:31:17,240
Speaker 3: my video, now, what I look like, not who I'm

1675
01:31:17,320 --> 01:31:22,599
Speaker 3: down with. It's just music at its purest distilled form.

1676
01:31:23,280 --> 01:31:26,240
Speaker 3: What is this motherfucker saying? I don't care who made

1677
01:31:26,280 --> 01:31:29,479
Speaker 3: the beat. That's why now it's could wrap on fucking

1678
01:31:29,640 --> 01:31:34,719
Speaker 3: dog farts. I know he gonna say some shit, you understand,

1679
01:31:34,840 --> 01:31:35,200
Speaker 3: So for.

1680
01:31:35,280 --> 01:31:37,160
Speaker 2: Me that I don't want him rapping on dog.

1681
01:31:40,120 --> 01:31:46,400
Speaker 3: You know that people people would buy it if you

1682
01:31:46,520 --> 01:31:49,840
Speaker 3: get popular, though, put the coolest guy and let it

1683
01:31:49,880 --> 01:31:51,800
Speaker 3: be and they swear to god it was like and

1684
01:31:51,880 --> 01:31:53,800
Speaker 3: then't say you know so and so produced it.

1685
01:31:54,040 --> 01:31:55,479
Speaker 4: People are There's just.

1686
01:31:56,240 --> 01:31:59,880
Speaker 3: They respond to the worst in human stimuli, which is

1687
01:32:00,560 --> 01:32:05,960
Speaker 3: who did it isn't important. It's groupy mentality. I just

1688
01:32:06,360 --> 01:32:09,920
Speaker 3: for me. My love of the craft is about the craft,

1689
01:32:10,280 --> 01:32:12,920
Speaker 3: not who did it? Who he fucking? Where his bank

1690
01:32:13,000 --> 01:32:16,479
Speaker 3: account is? Where's these bars at? It's the only pure

1691
01:32:16,560 --> 01:32:21,479
Speaker 3: sport for me, Like I don't care, And the only

1692
01:32:21,560 --> 01:32:25,120
Speaker 3: other sport like this is mm a boxer, one man

1693
01:32:25,200 --> 01:32:30,120
Speaker 3: walk in, one man walk out, who spit period? Everything

1694
01:32:30,200 --> 01:32:33,519
Speaker 3: else is always like who helped me? Like like niggas

1695
01:32:33,560 --> 01:32:36,479
Speaker 3: be lying about the bar game. People lie about like

1696
01:32:36,760 --> 01:32:39,040
Speaker 3: if you got to lie about not writing your wrap,

1697
01:32:39,960 --> 01:32:42,760
Speaker 3: We're playing a different sport, which is kind of where

1698
01:32:42,800 --> 01:32:44,800
Speaker 3: we're at with this. It became more of a show

1699
01:32:44,880 --> 01:32:47,720
Speaker 3: about look at me, as opposed to like listen to

1700
01:32:47,800 --> 01:32:50,160
Speaker 3: what I have to say. I want to hear about

1701
01:32:51,120 --> 01:32:54,040
Speaker 3: nor when he's a nigga gonna run in component or

1702
01:32:54,160 --> 01:32:57,840
Speaker 3: seeing in bar report, I want to hear what that

1703
01:32:58,040 --> 01:33:00,360
Speaker 3: shit steal to me, and I think if we back

1704
01:33:00,400 --> 01:33:02,160
Speaker 3: to the craft of it, we're gonna get in a

1705
01:33:02,240 --> 01:33:02,960
Speaker 3: better space.

1706
01:33:05,320 --> 01:33:07,080
Speaker 5: You're talking about Cub, but it made me think that

1707
01:33:07,720 --> 01:33:09,920
Speaker 5: looking back at Cube when he left in w A,

1708
01:33:10,960 --> 01:33:13,479
Speaker 5: it was pure genius to do jacking for beats because

1709
01:33:13,520 --> 01:33:18,320
Speaker 5: it showcased his vocals, his lyricism on these tracks that were.

1710
01:33:18,280 --> 01:33:19,760
Speaker 4: Out the East coast.

1711
01:33:21,120 --> 01:33:23,560
Speaker 2: Yeah yeah, and it showcased him in a way that

1712
01:33:23,600 --> 01:33:26,840
Speaker 2: you're like, yo, you couldn't deny him on any coast, right, well,

1713
01:33:26,920 --> 01:33:29,960
Speaker 2: every so did you pick like I didn't?

1714
01:33:30,000 --> 01:33:31,240
Speaker 3: Cube? I didn't.

1715
01:33:31,720 --> 01:33:32,719
Speaker 4: I was that was different?

1716
01:33:32,840 --> 01:33:33,960
Speaker 3: Yeah, you did it? I didn't.

1717
01:33:34,040 --> 01:33:36,400
Speaker 2: And when I told you, you thought about it even more.

1718
01:33:36,600 --> 01:33:39,560
Speaker 4: Right, No, you know what, I'm gonna go with c because.

1719
01:33:39,320 --> 01:33:42,160
Speaker 3: I mean King T has but Tila you yeah, you do,

1720
01:33:42,560 --> 01:33:45,320
Speaker 3: but Tila king Te King T.

1721
01:33:47,200 --> 01:33:50,559
Speaker 2: Because King T is snecessor he's alcoholics that I feel

1722
01:33:50,960 --> 01:33:53,880
Speaker 2: that leaders even goes to Kendrick. In my opinion, King

1723
01:33:54,080 --> 01:33:55,200
Speaker 2: T is King.

1724
01:33:55,200 --> 01:33:58,800
Speaker 3: T, so I can't take his stripes, but it's it's

1725
01:33:59,200 --> 01:34:02,560
Speaker 3: King T didn't come out before c Yeah, yeah, absolutely,

1726
01:34:02,920 --> 01:34:07,800
Speaker 3: acting fool all facts, Yeah yeah, facts and facts, but

1727
01:34:08,320 --> 01:34:11,280
Speaker 3: took it to the world. I feel like King t Is.

1728
01:34:12,880 --> 01:34:17,800
Speaker 3: First of all, that's big bro legendary. I think my

1729
01:34:18,240 --> 01:34:21,479
Speaker 3: in my when I'm coming out in my era, my

1730
01:34:21,640 --> 01:34:26,000
Speaker 3: first lyricists to me America A nigga you love to

1731
01:34:26,040 --> 01:34:29,680
Speaker 3: hate ice Cube the n w A ship I was

1732
01:34:29,760 --> 01:34:32,200
Speaker 3: hearing and think about it. Back then in w A

1733
01:34:32,320 --> 01:34:34,519
Speaker 3: always had a posse song at the end with no hook,

1734
01:34:35,000 --> 01:34:39,639
Speaker 3: which was a spinner record. It's all the records, y'all

1735
01:34:39,640 --> 01:34:45,320
Speaker 3: would have you know what I'm saying. Like on proNT Like,

1736
01:34:45,520 --> 01:34:48,000
Speaker 3: it was always a posse cup where you burned down. No, look,

1737
01:34:48,120 --> 01:34:49,320
Speaker 3: niggas get it, get it off.

1738
01:34:49,400 --> 01:34:52,360
Speaker 4: So I mean drink chans. Fans know that I'm a

1739
01:34:52,479 --> 01:34:57,120
Speaker 4: cute fans. Yeah, so you picking though, No, I've been

1740
01:34:57,160 --> 01:34:57,400
Speaker 4: trying to.

1741
01:34:57,600 --> 01:34:57,800
Speaker 1: First.

1742
01:34:57,800 --> 01:34:58,880
Speaker 4: I was trying to see how drunk you were.

1743
01:34:59,600 --> 01:35:02,880
Speaker 2: So you I'm listening. Face. You can't take nothing away

1744
01:35:02,880 --> 01:35:03,519
Speaker 2: from Scarfau.

1745
01:35:03,600 --> 01:35:06,800
Speaker 3: That's one of the places to get He's the illness.

1746
01:35:06,840 --> 01:35:08,320
Speaker 3: I've never seen the man cry till I've seen the

1747
01:35:08,400 --> 01:35:13,519
Speaker 3: man die. I'm not taking the strikes. I'll do it. Yeah,

1748
01:35:14,000 --> 01:35:14,360
Speaker 3: I'll do that.

1749
01:35:14,720 --> 01:35:16,360
Speaker 2: So they would do it too. They would take a

1750
01:35:16,400 --> 01:35:17,000
Speaker 2: shot for each other.

1751
01:35:17,280 --> 01:35:19,920
Speaker 4: I'll give you a funny scarface story.

1752
01:35:22,600 --> 01:35:26,599
Speaker 1: Like this is like my first solo, like like going

1753
01:35:26,640 --> 01:35:30,960
Speaker 1: out as a solo and you know, uh I believe

1754
01:35:31,200 --> 01:35:33,080
Speaker 1: uh dog just had hit number one.

1755
01:35:33,160 --> 01:35:34,240
Speaker 4: So I was a little gassed.

1756
01:35:35,600 --> 01:35:38,360
Speaker 1: I was a little gas, right, So the promoter was like, hey, man,

1757
01:35:38,400 --> 01:35:40,600
Speaker 1: I want you to close. I knew I should have

1758
01:35:40,680 --> 01:35:43,120
Speaker 1: said I knew I should have said no when I

1759
01:35:43,240 --> 01:35:43,799
Speaker 1: was gassed.

1760
01:35:43,880 --> 01:35:47,920
Speaker 4: So I went out. Boy, when I tell you, where

1761
01:35:47,920 --> 01:35:49,320
Speaker 4: are you at this Vegas?

1762
01:35:49,680 --> 01:35:55,920
Speaker 3: You can't. You could have wear no. It was not

1763
01:35:56,080 --> 01:35:59,600
Speaker 3: a good look for me, man like, because to go on,

1764
01:36:00,560 --> 01:36:05,160
Speaker 3: I never see the yo. I was like, yo, I

1765
01:36:05,240 --> 01:36:08,760
Speaker 3: wanted to give the money back. I don't want to

1766
01:36:08,800 --> 01:36:12,519
Speaker 3: go after this. I got a good story. This goes

1767
01:36:12,600 --> 01:36:16,360
Speaker 3: back to Biggie. Okay, I only met Biggie once. Okay,

1768
01:36:17,240 --> 01:36:18,640
Speaker 3: I forgot where we were at.

1769
01:36:18,800 --> 01:36:19,640
Speaker 4: I feel like it was.

1770
01:36:21,680 --> 01:36:23,160
Speaker 3: I think when you said Vegas, but I know it

1771
01:36:23,200 --> 01:36:26,479
Speaker 3: wasn't Vegas. It might've been San Diego for some reason.

1772
01:36:26,560 --> 01:36:33,840
Speaker 3: It was something big in Dango and at the time,

1773
01:36:33,920 --> 01:36:34,880
Speaker 3: it's flavoring your ear.

1774
01:36:35,800 --> 01:36:38,880
Speaker 4: Biggie just came out remix remix, remix.

1775
01:36:39,920 --> 01:36:42,840
Speaker 3: But I think Biggie's album is out now. He's dropped

1776
01:36:42,880 --> 01:36:47,360
Speaker 3: at least singles in came, I get booked, and uh

1777
01:36:51,479 --> 01:37:00,439
Speaker 3: I am apparently possibly uh whatever, there's somebody some I'm

1778
01:37:00,479 --> 01:37:05,880
Speaker 3: like one person, it's me, then somebody in Big. The

1779
01:37:06,000 --> 01:37:10,000
Speaker 3: niggas just probably drop Juicy. I think it's like album

1780
01:37:10,080 --> 01:37:12,200
Speaker 3: may not be out. It's just like Juicy dropped and

1781
01:37:12,320 --> 01:37:13,000
Speaker 3: I gotta go on.

1782
01:37:13,640 --> 01:37:16,120
Speaker 1: Then somebody and you know who Big is at the time,

1783
01:37:16,439 --> 01:37:19,640
Speaker 1: absolutely okay, Yeah, he's all over the even on the

1784
01:37:19,680 --> 01:37:21,400
Speaker 1: mixing before he dropped, it was right right right.

1785
01:37:21,640 --> 01:37:24,479
Speaker 3: I'm like, but he already got to play yeah ship

1786
01:37:24,520 --> 01:37:26,920
Speaker 3: the Juicy ship already popping in l A on.

1787
01:37:26,920 --> 01:37:29,439
Speaker 4: The wesdayay to people.

1788
01:37:29,479 --> 01:37:32,280
Speaker 3: Didn't hear unbelievable all year? No? Hell no, they didn't

1789
01:37:32,280 --> 01:37:35,679
Speaker 3: play it in LA. Really, I brought it was huge.

1790
01:37:36,720 --> 01:37:38,680
Speaker 3: That's why I was saying. I was upset because I

1791
01:37:38,800 --> 01:37:43,000
Speaker 3: heard that on the mixtape, just like Raise Hell from

1792
01:37:43,160 --> 01:37:45,200
Speaker 3: m O P. They never played that in l A.

1793
01:37:45,400 --> 01:37:49,559
Speaker 3: I bought MP's album for Raised Hell. Remember them niggas

1794
01:37:49,600 --> 01:37:54,400
Speaker 3: with the biggest but long show. Be sure I'm getting on.

1795
01:37:54,479 --> 01:37:56,519
Speaker 3: I'm like a great you know what I'm saying, get

1796
01:37:56,600 --> 01:37:59,400
Speaker 3: on my spot, give you a little money. I remember

1797
01:37:59,600 --> 01:38:02,519
Speaker 3: the like he got double book, so Big, I'm gone

1798
01:38:02,600 --> 01:38:05,240
Speaker 3: now I'm like, yeah, he should going after me though,

1799
01:38:05,280 --> 01:38:07,080
Speaker 3: I mean, I mean like he should go after me

1800
01:38:07,160 --> 01:38:11,360
Speaker 3: because I should go on before him. He gets to

1801
01:38:11,439 --> 01:38:13,960
Speaker 3: call an audible. He got double book, which is always

1802
01:38:14,000 --> 01:38:16,320
Speaker 3: a win when you in town and somebody throw you

1803
01:38:16,400 --> 01:38:18,360
Speaker 3: another bag. He was like, yeah, I'm gonna go on,

1804
01:38:19,000 --> 01:38:24,040
Speaker 3: and I remember this nigga just destroys it because I

1805
01:38:24,080 --> 01:38:26,200
Speaker 3: mean he's got hits. He's already got you know what

1806
01:38:26,240 --> 01:38:30,240
Speaker 3: I'm saying, He's already got previous hits, right, Uh, he

1807
01:38:30,320 --> 01:38:34,600
Speaker 3: can do the flavor remix again. And then he crushed it.

1808
01:38:34,680 --> 01:38:38,120
Speaker 3: And I remember I was walking out and they said,

1809
01:38:38,439 --> 01:38:43,000
Speaker 3: have a good show. I'm like, bro, in my brain,

1810
01:38:43,040 --> 01:38:45,800
Speaker 3: I'm like thanks. I was like, man, fuck you, bro,

1811
01:38:46,200 --> 01:38:47,600
Speaker 3: I do not want to go on after this.

1812
01:38:47,760 --> 01:38:50,439
Speaker 4: This is all, but you got to do it. I mean,

1813
01:38:50,479 --> 01:38:51,320
Speaker 4: he come to the other end.

1814
01:38:51,360 --> 01:38:54,120
Speaker 3: But I love that because part part of this ship

1815
01:38:54,280 --> 01:38:56,840
Speaker 3: is it's not really a chilling circuit. It's just like

1816
01:38:57,360 --> 01:39:02,799
Speaker 3: earning your stripes. And I never wanted to be the headliner.

1817
01:39:02,920 --> 01:39:05,880
Speaker 3: The only thing I ever wanted, honestly, Nori, I wanted

1818
01:39:05,920 --> 01:39:08,280
Speaker 3: to be the friend next to the most popular people

1819
01:39:08,720 --> 01:39:12,519
Speaker 3: person you knew. I never wanted to be the dude

1820
01:39:12,520 --> 01:39:15,479
Speaker 3: because the targets on you. I always wanted to be

1821
01:39:15,560 --> 01:39:19,360
Speaker 3: the homie next to that way, I can't get mine

1822
01:39:19,479 --> 01:39:23,479
Speaker 3: if the homie get eight hundred thousand and I can

1823
01:39:23,560 --> 01:39:27,840
Speaker 3: get three hundred thousand, why am I complaining that's all

1824
01:39:27,880 --> 01:39:29,920
Speaker 3: I want? If I ain't do that on a tour,

1825
01:39:30,439 --> 01:39:34,920
Speaker 3: I'm good most niggas get, but my strategy was great.

1826
01:39:35,800 --> 01:39:38,519
Speaker 4: I don't know what the execution part was not right.

1827
01:39:39,240 --> 01:39:41,240
Speaker 3: I don't even want to be that nigga, even though

1828
01:39:41,280 --> 01:39:43,560
Speaker 3: I feel like I borrowed most of these niggas. I

1829
01:39:43,840 --> 01:39:46,920
Speaker 3: never wanted to be the most important because that's ego shit.

1830
01:39:47,439 --> 01:39:48,840
Speaker 3: I know I'm great at what I do. I know

1831
01:39:48,880 --> 01:39:50,479
Speaker 3: i'm a great part. I just want my bag, bro,

1832
01:39:51,200 --> 01:39:54,160
Speaker 3: without the fuckery. And I know everybody be looking at

1833
01:39:54,240 --> 01:39:57,840
Speaker 3: the main niggas. I never wanted to be the band guy. Good.

1834
01:39:58,800 --> 01:40:01,719
Speaker 4: I'm still If you answered I did.

1835
01:40:04,240 --> 01:40:06,840
Speaker 3: Few no no no, I said, oh yeah, no he

1836
01:40:06,920 --> 01:40:10,400
Speaker 3: did it? I did? Did I threw you off? I

1837
01:40:11,560 --> 01:40:17,519
Speaker 3: did the shot I did. Remember if I tricked him

1838
01:40:18,000 --> 01:40:22,519
Speaker 3: w or n w A trying to trick this again? Buddy,

1839
01:40:23,960 --> 01:40:25,960
Speaker 3: I told you, I told you I wanted all the

1840
01:40:26,080 --> 01:40:29,639
Speaker 3: smoke with you. I was trying to break the system.

1841
01:40:29,760 --> 01:40:32,160
Speaker 3: This is my this is my fun time. I'm missing too.

1842
01:40:33,760 --> 01:40:39,280
Speaker 3: Let's see, that's unfair to me. So yeah, I'm not

1843
01:40:39,400 --> 01:40:41,960
Speaker 3: gonna do it. Are you ready?

1844
01:40:42,400 --> 01:40:43,800
Speaker 4: I think, don't sinan against me.

1845
01:40:45,160 --> 01:40:49,760
Speaker 2: I'm drinking though I'm drinking. Gang Star Eric being rock Him,

1846
01:40:51,800 --> 01:40:56,200
Speaker 2: I would say, rest the piece.

1847
01:40:56,000 --> 01:40:56,639
Speaker 4: Of gurule Man.

1848
01:40:58,280 --> 01:41:01,280
Speaker 3: Yeah, I'm I'm gonna go a gangs star with all

1849
01:41:01,360 --> 01:41:01,920
Speaker 3: due respect?

1850
01:41:02,920 --> 01:41:07,479
Speaker 5: Was that because you had more of a connection, Yeah,

1851
01:41:07,640 --> 01:41:10,160
Speaker 5: because I see you more like Rock Him being more

1852
01:41:10,200 --> 01:41:12,959
Speaker 5: of an influence than you know, because of course.

1853
01:41:13,720 --> 01:41:14,760
Speaker 4: The god is the god.

1854
01:41:16,240 --> 01:41:19,200
Speaker 3: But like I said, when I was a kid, like,

1855
01:41:19,400 --> 01:41:24,280
Speaker 3: I lost a record deal, so I was gonna get signed.

1856
01:41:25,200 --> 01:41:29,040
Speaker 3: I'll be Tommy Boy, all that tretching him. I knew

1857
01:41:29,080 --> 01:41:31,000
Speaker 3: everybody a Tommy Boy because of Coolie on him. I

1858
01:41:31,040 --> 01:41:34,600
Speaker 3: came out of Juvenile Hall. Wow, and I had a

1859
01:41:34,720 --> 01:41:37,160
Speaker 3: demo before I went to Juvenile Hall. My record deal

1860
01:41:37,240 --> 01:41:41,519
Speaker 3: went to far side. I've been really good at what

1861
01:41:41,600 --> 01:41:44,840
Speaker 3: I do for a long time. I just was trying

1862
01:41:44,880 --> 01:41:47,400
Speaker 3: to find myself. I said, your record went to the side.

1863
01:41:47,280 --> 01:41:49,040
Speaker 4: My record deal went to the far side.

1864
01:41:49,040 --> 01:41:50,080
Speaker 2: That would have been your record deal.

1865
01:41:50,960 --> 01:41:57,000
Speaker 3: Yeah, oh wow. Paul Stewart now Rosenberg. Paul Stewart managed me.

1866
01:41:58,080 --> 01:42:03,200
Speaker 3: I brought far Side to store. It's my I'm in

1867
01:42:03,320 --> 01:42:06,720
Speaker 3: this situation so for me. But when you're young, you

1868
01:42:06,760 --> 01:42:10,760
Speaker 3: feel like you'll get a million options and a million opportunities.

1869
01:42:10,840 --> 01:42:16,120
Speaker 3: So I just, uh, I didn't realize how valuable time

1870
01:42:16,280 --> 01:42:20,280
Speaker 3: is because you're young, Like, I don't care whatever. At

1871
01:42:20,400 --> 01:42:23,120
Speaker 3: least I wasn't hateful or hurtful. I help my friends,

1872
01:42:23,200 --> 01:42:25,200
Speaker 3: So I helped far Aside, and I help so and

1873
01:42:25,320 --> 01:42:27,640
Speaker 3: so meanwhile I'm still trying to find myself. I go,

1874
01:42:27,800 --> 01:42:30,559
Speaker 3: fuck off, I go, you know, put myself in juvenile

1875
01:42:30,600 --> 01:42:34,120
Speaker 3: hall and all this other shit. So, uh, yeah, what

1876
01:42:34,240 --> 01:42:35,960
Speaker 3: the fuck were you doing that? He was getting jew

1877
01:42:36,200 --> 01:42:39,479
Speaker 3: and all this shit. You're stupid. I mean, well, I'm

1878
01:42:39,760 --> 01:42:44,360
Speaker 3: not you when you're I'm in LA. My friends are

1879
01:42:44,439 --> 01:42:47,120
Speaker 3: gang members. My friends do all kind of shit. If

1880
01:42:47,160 --> 01:42:50,360
Speaker 3: they say slapping with the with the hammer, I'm slapping

1881
01:42:50,400 --> 01:42:50,680
Speaker 3: them with that.

1882
01:42:50,840 --> 01:42:52,599
Speaker 2: You were a gang banger without being a gang member.

1883
01:42:52,680 --> 01:42:56,080
Speaker 3: What the fuck? Yeah? Sometimes, and then the other thing

1884
01:42:56,200 --> 01:42:58,080
Speaker 3: is if you get caught, then you get caught, right.

1885
01:42:58,200 --> 01:43:00,680
Speaker 3: And then the only person I would tell was my mother,

1886
01:43:00,920 --> 01:43:03,320
Speaker 3: So I would tell her like, hey, this is what happened.

1887
01:43:03,360 --> 01:43:05,679
Speaker 3: That's side from that. You take it to the box.

1888
01:43:06,000 --> 01:43:06,800
Speaker 4: Yeah, thank you.

1889
01:43:07,360 --> 01:43:10,320
Speaker 3: Yeah, you know so even to this day, that was

1890
01:43:10,400 --> 01:43:12,280
Speaker 3: the rules, like if you do some function.

1891
01:43:12,640 --> 01:43:16,920
Speaker 4: With your friends. I remember my mom said, your friends.

1892
01:43:16,880 --> 01:43:19,880
Speaker 3: Always get you in trouble. I was like, Mom, get

1893
01:43:19,920 --> 01:43:23,120
Speaker 3: it fucked up. It's my did sometimes like I'm not

1894
01:43:23,200 --> 01:43:25,040
Speaker 3: gonna lie to you, like of course I'm gonna tell

1895
01:43:25,200 --> 01:43:28,920
Speaker 3: the police that I'm innocent. And then they asked me

1896
01:43:28,960 --> 01:43:31,320
Speaker 3: who it was and I'd be like, I don't know anybody,

1897
01:43:31,840 --> 01:43:34,400
Speaker 3: so I'm always at fault. You got to take the

1898
01:43:34,479 --> 01:43:36,639
Speaker 3: par for the course if you want to be out

1899
01:43:36,720 --> 01:43:40,920
Speaker 3: here and try to figure out everything that we have

1900
01:43:41,000 --> 01:43:43,720
Speaker 3: to learn. Sometimes we're harder headed. Friends try to tell

1901
01:43:43,760 --> 01:43:46,559
Speaker 3: you things, parents try to tell you things. I've learned

1902
01:43:46,600 --> 01:43:52,360
Speaker 3: more most things. I've realized that I have to learn

1903
01:43:53,160 --> 01:43:55,640
Speaker 3: how to be me. Nobody else can teach me how

1904
01:43:55,680 --> 01:43:56,840
Speaker 3: to be me. I have to go out here and

1905
01:43:56,920 --> 01:43:59,240
Speaker 3: go experience it. At least now I can speak on

1906
01:43:59,320 --> 01:44:03,080
Speaker 3: it and get that are at myself. Yeah, sorry about that.

1907
01:44:03,640 --> 01:44:07,120
Speaker 3: Mature words mantle Yeah.

1908
01:44:07,439 --> 01:44:08,880
Speaker 4: Mob deep or e pm D.

1909
01:44:12,000 --> 01:44:14,519
Speaker 3: Well, that's not that hard. But toalude to e P

1910
01:44:14,640 --> 01:44:18,840
Speaker 3: M D Mob deep fan. Come on, man, they was

1911
01:44:18,920 --> 01:44:20,800
Speaker 3: drinking the Hennessy cups. I was a little nigga the

1912
01:44:20,840 --> 01:44:24,519
Speaker 3: same age. I'm thinking a lot of ways. If it

1913
01:44:24,600 --> 01:44:27,280
Speaker 3: wasn't the E P M D would be a mob D.

1914
01:44:27,600 --> 01:44:30,960
Speaker 3: I totally respected Long Island, the Queens. I'm a big

1915
01:44:31,080 --> 01:44:34,599
Speaker 3: I'm a big fan. But for me, that like I remember,

1916
01:44:35,560 --> 01:44:37,759
Speaker 3: I remember you and ol hell I bought that album.

1917
01:44:37,840 --> 01:44:41,519
Speaker 3: I was a kid. I bought that. Yeah, like that

1918
01:44:41,640 --> 01:44:44,719
Speaker 3: was that was the homies bro like, which is crazy

1919
01:44:44,800 --> 01:44:48,559
Speaker 3: as uh even you know me and p ended up.

1920
01:44:51,439 --> 01:44:53,599
Speaker 3: We ended up blocking in a little bit more. Initially,

1921
01:44:54,800 --> 01:44:57,040
Speaker 3: when Pete got out of prison, I got another good

1922
01:44:57,080 --> 01:45:01,280
Speaker 3: story for you. Okay, he gets out of prison. He's

1923
01:45:01,360 --> 01:45:05,560
Speaker 3: in Hollywood and he's like, yo, come here. I'm like

1924
01:45:05,920 --> 01:45:12,479
Speaker 3: what yo, come here. I'm like, okay, next like big party,

1925
01:45:12,520 --> 01:45:16,599
Speaker 3: it's your party. Like it gets far and goes back.

1926
01:45:17,080 --> 01:45:19,960
Speaker 3: He pulls out when I'm about to pull out, but

1927
01:45:20,200 --> 01:45:25,960
Speaker 3: he got tossed, okay. He like so when he went

1928
01:45:26,000 --> 01:45:29,080
Speaker 3: to prison, he started smoking tops. That's tobacco, right, tobacco?

1929
01:45:29,160 --> 01:45:31,120
Speaker 3: What is that organic? Yes?

1930
01:45:31,680 --> 01:45:33,080
Speaker 4: Yeah, yeah it's British.

1931
01:45:34,320 --> 01:45:41,720
Speaker 3: I'm britsh is whatshri y? Okay yeah, I want to

1932
01:45:41,840 --> 01:45:46,680
Speaker 3: be a cowboy, could be a cowboy. But yeah, that

1933
01:45:47,040 --> 01:45:49,840
Speaker 3: it was super funny. So I remember he was like, yo,

1934
01:45:50,040 --> 01:45:52,479
Speaker 3: done when you was you know what I'm saying. Ever

1935
01:45:52,680 --> 01:45:55,679
Speaker 3: since I met you, I always was trying to figure

1936
01:45:55,680 --> 01:45:57,240
Speaker 3: out what the fuck is wrong with you? Because you

1937
01:45:57,320 --> 01:46:01,200
Speaker 3: be browing these little packs. I was like ships fire.

1938
01:46:01,320 --> 01:46:03,920
Speaker 3: So we actually ate the like at the end, like

1939
01:46:04,120 --> 01:46:07,920
Speaker 3: the last like five years, like Pete was smoking smoking

1940
01:46:08,000 --> 01:46:11,040
Speaker 3: tops because in New York, y'all smoked tops.

1941
01:46:11,120 --> 01:46:14,000
Speaker 4: We smoked beautiful. Okay, yeah, so that was that. That

1942
01:46:14,160 --> 01:46:16,599
Speaker 4: was is that supposed to be healthier.

1943
01:46:18,360 --> 01:46:21,960
Speaker 3: It's all funked up, but okay, it's better than like

1944
01:46:22,720 --> 01:46:27,080
Speaker 3: a bogie, like yeah, think about the piperglass in it.

1945
01:46:27,479 --> 01:46:29,519
Speaker 4: Yes, the tobacco is healthier.

1946
01:46:29,600 --> 01:46:32,400
Speaker 3: It's a better tobacco. They have different brands like but

1947
01:46:32,520 --> 01:46:36,759
Speaker 3: when you go to you you tore the same difference

1948
01:46:36,840 --> 01:46:38,680
Speaker 3: like that. But I don't like the filters on them

1949
01:46:38,720 --> 01:46:41,560
Speaker 3: because it's fiberglass. So I'd rather just get tobacco. I

1950
01:46:41,680 --> 01:46:52,600
Speaker 3: used to smoke beadies. Yes, amazing, it was, but you

1951
01:46:52,680 --> 01:46:53,920
Speaker 3: got a head as soon as he said that.

1952
01:46:55,560 --> 01:46:57,360
Speaker 10: You know.

1953
01:46:59,560 --> 01:47:00,480
Speaker 3: That they.

1954
01:47:02,600 --> 01:47:06,080
Speaker 2: Is healthy, right, Tobacco is healthy? Well, this is what

1955
01:47:06,240 --> 01:47:09,080
Speaker 2: you know, the internet is crazy. Everything is backwards, forward

1956
01:47:09,160 --> 01:47:11,680
Speaker 2: and top. But now they're saying, if you think about it,

1957
01:47:11,720 --> 01:47:15,280
Speaker 2: and the Native Americans used to smoke tobacco, and and

1958
01:47:15,400 --> 01:47:18,360
Speaker 2: now they're saying, the only reason tobacco got got dangerous

1959
01:47:18,400 --> 01:47:20,920
Speaker 2: for our they put the filters with all the ship

1960
01:47:21,040 --> 01:47:23,360
Speaker 2: in the nicotine and all the crap like that.

1961
01:47:23,520 --> 01:47:26,400
Speaker 3: It's fact. So well it's not facts. I can't actually

1962
01:47:26,439 --> 01:47:29,920
Speaker 3: do it, but think about it. Every time government wants

1963
01:47:30,000 --> 01:47:33,760
Speaker 3: to regulate they add ship. Think about it. Coaina, No,

1964
01:47:34,960 --> 01:47:35,800
Speaker 3: it's not a bad thing.

1965
01:47:37,800 --> 01:47:43,000
Speaker 2: I mean, cocaine was originally was a medicine before it.

1966
01:47:43,040 --> 01:47:48,640
Speaker 3: Was what what times I was being killing America synthetic

1967
01:47:49,000 --> 01:47:52,400
Speaker 3: when they do it, when they do it, they make

1968
01:47:52,520 --> 01:47:56,360
Speaker 3: the fuck the version. They outlawed the natural to create

1969
01:47:56,400 --> 01:47:57,960
Speaker 3: an unnatural to tax.

1970
01:47:57,800 --> 01:48:00,080
Speaker 2: Sho like like you know how we talk about they

1971
01:48:00,120 --> 01:48:02,960
Speaker 2: are playing stage stuff and we're wondering if stage does

1972
01:48:03,000 --> 01:48:05,760
Speaker 2: anything they said Supposedly scientists found out that sage that

1973
01:48:05,920 --> 01:48:08,280
Speaker 2: smoke actually clears out certain bacteria.

1974
01:48:08,680 --> 01:48:12,719
Speaker 3: People have been on this fucking why. I don't trust

1975
01:48:12,760 --> 01:48:15,240
Speaker 3: the government. I trust people's cultures.

1976
01:48:16,320 --> 01:48:20,200
Speaker 5: Old cultures way older and more ancient than our modern

1977
01:48:20,280 --> 01:48:21,240
Speaker 5: day pharmaceuticals.

1978
01:48:21,840 --> 01:48:24,679
Speaker 3: They were called from DA Drugs.

1979
01:48:24,760 --> 01:48:28,400
Speaker 4: They're the drug dealer, all right.

1980
01:48:28,760 --> 01:48:31,200
Speaker 2: But we didn't say it. Please relax, buddies.

1981
01:48:33,400 --> 01:48:34,080
Speaker 3: So that's the last.

1982
01:48:34,960 --> 01:48:41,360
Speaker 1: We go back to an interview. Absolutely, Uh, loyalty or respect.

1983
01:48:44,120 --> 01:48:51,040
Speaker 3: Loving? Right, I'm unlathy. Tell me why respect has gotten

1984
01:48:51,120 --> 01:48:54,639
Speaker 3: me where it's gotten me, but loalty would have gotten

1985
01:48:54,680 --> 01:48:58,360
Speaker 3: me more. I think when people are loyal to a cause,

1986
01:48:58,920 --> 01:49:03,640
Speaker 3: you can accomplish more. People respect because they have to.

1987
01:49:04,560 --> 01:49:12,880
Speaker 3: Lowty is given good yea, And I'm gonna take a piss.

1988
01:49:13,000 --> 01:49:18,479
Speaker 1: That's all right, So let's get into the new album. Yes, sir,

1989
01:49:19,640 --> 01:49:20,800
Speaker 1: let's let's get into the track list.

1990
01:49:21,040 --> 01:49:21,519
Speaker 3: What's the track?

1991
01:49:21,600 --> 01:49:23,599
Speaker 4: Let's at you want to look at the track?

1992
01:49:23,760 --> 01:49:28,719
Speaker 3: It's hard to read that ship. To read that ship,

1993
01:49:30,200 --> 01:49:32,720
Speaker 3: it's not a vinyl. That's just funked up. Okay, who

1994
01:49:32,800 --> 01:49:34,080
Speaker 3: asked me? Just ask me a question.

1995
01:49:34,680 --> 01:49:36,479
Speaker 4: I'm saying, how did how did this come about?

1996
01:49:36,960 --> 01:49:39,559
Speaker 3: You? You were not trying to get people to read this, bro?

1997
01:49:39,840 --> 01:49:42,280
Speaker 3: Let me see let me see if it's not gonna

1998
01:49:43,479 --> 01:49:49,479
Speaker 3: ask me about the back cover. Okay, this is this

1999
01:49:49,600 --> 01:49:55,800
Speaker 3: is the No, that's the okay, asked me about the

2000
01:49:55,840 --> 01:49:58,479
Speaker 3: back Oh my god, don't you know that picture.

2001
01:49:59,200 --> 01:50:03,920
Speaker 4: No, you know that picture. Let me see letie you.

2002
01:50:03,920 --> 01:50:08,200
Speaker 3: Know I just tried to do let me young people

2003
01:50:08,680 --> 01:50:10,680
Speaker 3: will do a big cutout so you can see it.

2004
01:50:11,240 --> 01:50:15,160
Speaker 3: You know this picture? You know this picture. It is

2005
01:50:15,200 --> 01:50:18,439
Speaker 3: a fucking iconic picture. I just fucked it up on

2006
01:50:18,560 --> 01:50:23,200
Speaker 3: some brazil this ship purposely for fun. Do I have

2007
01:50:23,320 --> 01:50:24,280
Speaker 3: to tell you what the picture is?

2008
01:50:24,400 --> 01:50:24,560
Speaker 2: You do?

2009
01:50:24,760 --> 01:50:27,240
Speaker 3: You do? And Vibe magazine there was a very and

2010
01:50:27,320 --> 01:50:29,799
Speaker 3: then it went viral. Back in the day when Kanye

2011
01:50:30,040 --> 01:50:33,559
Speaker 3: was walking in Paris before the song Niggas in Paris

2012
01:50:33,600 --> 01:50:39,479
Speaker 3: and he's walking with these people. Now what here's the

2013
01:50:39,640 --> 01:50:45,639
Speaker 3: rub here is I knew the dude on the left.

2014
01:50:45,680 --> 01:50:47,240
Speaker 3: We grew up together. So it's a whole bunch of

2015
01:50:47,320 --> 01:50:49,320
Speaker 3: kids with the same kind of names. There was a tags,

2016
01:50:49,400 --> 01:50:52,400
Speaker 3: there was a rash, there was a task. There was

2017
01:50:52,439 --> 01:50:58,880
Speaker 3: a tash, but that's task Tisa, tas Arnold will signing

2018
01:50:58,960 --> 01:51:01,280
Speaker 3: Kanye whatever. And then one of these people happens to

2019
01:51:01,280 --> 01:51:04,360
Speaker 3: be and this picture. So it's very iconic picture. They

2020
01:51:04,400 --> 01:51:06,840
Speaker 3: were in Paris with some real fancy schmancy and I

2021
01:51:06,880 --> 01:51:08,720
Speaker 3: remember I was just coming out of jail and I

2022
01:51:08,800 --> 01:51:12,720
Speaker 3: was like wow, And so I thought the picture was

2023
01:51:12,760 --> 01:51:16,400
Speaker 3: super iconic. The bar is also if you pay attention,

2024
01:51:17,120 --> 01:51:20,479
Speaker 3: they was on some super high fashion, high money ship

2025
01:51:21,920 --> 01:51:24,280
Speaker 3: the brand. If you pay attention to the brand that

2026
01:51:24,320 --> 01:51:29,000
Speaker 3: they're wearing. No, poor people could recognize the brand that

2027
01:51:29,080 --> 01:51:31,479
Speaker 3: they were wearing. So I realized, niggas be ahead of

2028
01:51:31,520 --> 01:51:35,800
Speaker 3: the curb. Sometimes you're behind the curve. So what I

2029
01:51:35,920 --> 01:51:39,400
Speaker 3: did was because I knew the dude on the left

2030
01:51:40,760 --> 01:51:44,080
Speaker 3: and he was my I grew up with this particular

2031
01:51:44,120 --> 01:51:48,519
Speaker 3: person on the picture. No, I changed the face. I

2032
01:51:48,600 --> 01:51:53,960
Speaker 3: put Jaguar right, which is it's hilarious. So it's hilarious

2033
01:51:54,040 --> 01:51:58,679
Speaker 3: celebrities face. And I keep doing shit, i'd said, I griselded, Yes,

2034
01:51:58,880 --> 01:52:00,640
Speaker 3: I am. I don't add for permission.

2035
01:52:01,760 --> 01:52:03,400
Speaker 2: I asked forgive.

2036
01:52:05,760 --> 01:52:11,120
Speaker 3: Taking taks Arnold's face and it's hilarious, so inside joke,

2037
01:52:11,200 --> 01:52:14,639
Speaker 3: I'm gonna ask. It's so funny to me, so waiting

2038
01:52:14,720 --> 01:52:16,720
Speaker 3: for tasks to get mad at me. I said I

2039
01:52:16,720 --> 01:52:20,080
Speaker 3: would ask for permission. I know, I said, I asked

2040
01:52:20,120 --> 01:52:24,400
Speaker 3: for forgiveness. I don't ask for permission. So I took

2041
01:52:24,479 --> 01:52:27,680
Speaker 3: the iconic picture and I made it work for my

2042
01:52:27,920 --> 01:52:33,560
Speaker 3: construct because he because task was wearing those pants and

2043
01:52:33,840 --> 01:52:36,000
Speaker 3: what we grew up. So those pants, that's real in

2044
01:52:36,040 --> 01:52:42,200
Speaker 3: the picture. That's his pants. Jesus Christmas, and no judgment here, sir.

2045
01:52:43,040 --> 01:52:44,479
Speaker 3: People could be who they want to be and they

2046
01:52:44,520 --> 01:52:48,240
Speaker 3: can express themselves. Anyway. I did that, and then I

2047
01:52:48,439 --> 01:52:50,160
Speaker 3: just showed it to a few of our friends that

2048
01:52:50,240 --> 01:52:52,240
Speaker 3: we have mutual friends. I was like, are you going

2049
01:52:52,320 --> 01:52:53,840
Speaker 3: to show it to the task? I was like, never

2050
01:52:53,920 --> 01:52:56,960
Speaker 3: in life, I'm going to do it because it was

2051
01:52:57,000 --> 01:53:00,120
Speaker 3: already in every magazine. It's fucking to the world. I'm

2052
01:53:00,320 --> 01:53:02,360
Speaker 3: just change his face and everybody else will just blur

2053
01:53:02,439 --> 01:53:05,200
Speaker 3: out their fucking faces because it's Leberty's face. He had

2054
01:53:05,240 --> 01:53:10,200
Speaker 3: the fucking leopard pants. Fucking run the play. So I

2055
01:53:10,360 --> 01:53:14,600
Speaker 3: ran the play. So I think the back cover it's hilarious.

2056
01:53:15,560 --> 01:53:19,400
Speaker 3: I think it's totally funny. That's my personality type. And yeah,

2057
01:53:20,640 --> 01:53:23,360
Speaker 3: that's the shirt I'm wearing. So again, it looks better

2058
01:53:23,439 --> 01:53:26,680
Speaker 3: on the shirt for some. I mean it's smaller, you

2059
01:53:26,760 --> 01:53:28,080
Speaker 3: know what I mean, There's only so much you can

2060
01:53:28,120 --> 01:53:31,800
Speaker 3: fit on a two inch. Yeah, and this is what

2061
01:53:31,880 --> 01:53:33,759
Speaker 3: the vinyl looks like and all kind of cool ships.

2062
01:53:34,040 --> 01:53:37,160
Speaker 3: But yeah, so yeah, Leberty's face. It was fun to

2063
01:53:37,280 --> 01:53:40,840
Speaker 3: do it. Kanye, if I piss off Kanye, so be it.

2064
01:53:41,000 --> 01:53:42,800
Speaker 3: I got the track list, by the way, Oh you

2065
01:53:42,880 --> 01:53:43,160
Speaker 3: got it?

2066
01:53:43,240 --> 01:53:43,479
Speaker 4: Thank you?

2067
01:53:43,760 --> 01:53:46,080
Speaker 3: Yeah? So what what questions?

2068
01:53:46,120 --> 01:53:50,000
Speaker 4: Okay I wanted that. Now there's a different question.

2069
01:53:50,000 --> 01:53:52,719
Speaker 1: I'm gonna I'm gonna go on into the album every question.

2070
01:53:54,640 --> 01:53:56,479
Speaker 3: If you do it? I heard I told you I'm here.

2071
01:53:56,680 --> 01:53:58,560
Speaker 3: I'm just here to get him. Okay, let's do it.

2072
01:53:58,680 --> 01:53:59,040
Speaker 3: Let's do it.

2073
01:53:59,200 --> 01:54:02,080
Speaker 1: I heard you say so where that Steve Riffkin wanted

2074
01:54:02,120 --> 01:54:05,439
Speaker 1: to sign you to loud Bar So I didn't know,

2075
01:54:05,720 --> 01:54:09,920
Speaker 1: but my, uh what what life would have been like

2076
01:54:10,080 --> 01:54:12,920
Speaker 1: if you was out man, I don't want.

2077
01:54:12,800 --> 01:54:14,280
Speaker 4: To cook it shulda Would I be rich?

2078
01:54:15,880 --> 01:54:16,360
Speaker 3: I would have been?

2079
01:54:17,080 --> 01:54:19,160
Speaker 4: Well that was that was the label.

2080
01:54:19,640 --> 01:54:20,479
Speaker 3: He only told me.

2081
01:54:20,640 --> 01:54:24,639
Speaker 2: That was that when he was looking at exhibit after exhibit.

2082
01:54:24,760 --> 01:54:26,519
Speaker 3: How was that? This is?

2083
01:54:27,160 --> 01:54:29,439
Speaker 4: This is what he told me.

2084
01:54:30,520 --> 01:54:35,200
Speaker 3: Uh we were this is I want to say, like

2085
01:54:35,480 --> 01:54:38,200
Speaker 3: during the end of COVID and what was that ship

2086
01:54:38,200 --> 01:54:43,120
Speaker 3: where everybody was talking on and just talking clubhouse clubhouse

2087
01:54:43,680 --> 01:54:49,280
Speaker 3: which I lasted all of one day. We run a

2088
01:54:49,320 --> 01:54:52,200
Speaker 3: clubhouse thing. And he said, you're the only person I

2089
01:54:52,280 --> 01:54:55,200
Speaker 3: ever tried to sign that didn't sign me. And I said,

2090
01:54:55,360 --> 01:54:58,440
Speaker 3: you never tried to sign me. And then he said

2091
01:54:58,560 --> 01:55:01,520
Speaker 3: that's not true. I made you an offer. And then

2092
01:55:01,600 --> 01:55:05,320
Speaker 3: I said when and I had I know who tried

2093
01:55:05,360 --> 01:55:08,960
Speaker 3: to that. I knew try to sign the deal. Well,

2094
01:55:09,040 --> 01:55:13,480
Speaker 3: I knew who tried to sign me. Chris Lightning brought

2095
01:55:13,560 --> 01:55:17,480
Speaker 3: me to New York for Death Jam. I was able

2096
01:55:17,520 --> 01:55:22,760
Speaker 3: to walk around. And you know any rappers dream in

2097
01:55:23,000 --> 01:55:32,400
Speaker 3: nineteen ninety mid five Death Jam, I had, I had,

2098
01:55:33,600 --> 01:55:36,480
Speaker 3: I think now was hotter than Death Jam in ninety five,

2099
01:55:37,960 --> 01:55:41,640
Speaker 3: me saying, just hear me out, Okay, I didn't know

2100
01:55:42,160 --> 01:55:45,160
Speaker 3: was it an come on to ninety seven. What what

2101
01:55:45,280 --> 01:55:48,120
Speaker 3: I'm saying is it's not on the table for me.

2102
01:55:48,280 --> 01:55:50,840
Speaker 3: I know who Priorty Records has given me an option.

2103
01:55:51,480 --> 01:55:56,280
Speaker 3: Death Jam gives me an option death American, which is

2104
01:55:56,440 --> 01:55:59,040
Speaker 3: Rick Rubin. Rick Rubin used to pick me up in

2105
01:55:59,240 --> 01:56:04,600
Speaker 3: Carson Wow and a Rose Royce left jas. He created

2106
01:56:04,640 --> 01:56:07,360
Speaker 3: the American, but it was death American. Then he became American.

2107
01:56:08,000 --> 01:56:10,080
Speaker 4: He used to pick shoes. When he picked you up

2108
01:56:10,360 --> 01:56:10,560
Speaker 4: in a.

2109
01:56:10,600 --> 01:56:14,400
Speaker 3: Bentley, he looked like Santa Claus and he probably looked

2110
01:56:14,560 --> 01:56:17,560
Speaker 3: it probably looked really crazy, this little black kid getting

2111
01:56:17,720 --> 01:56:24,560
Speaker 3: in the tribut Christ. It probably look great, right, But

2112
01:56:24,720 --> 01:56:27,800
Speaker 3: he would give me. He would he would pick me up.

2113
01:56:28,320 --> 01:56:31,880
Speaker 3: I don't want to get off track, I'll land this plane.

2114
01:56:32,400 --> 01:56:35,720
Speaker 3: But he would pick me, pick me up and give

2115
01:56:35,800 --> 01:56:41,120
Speaker 3: me demos of unberleased Beastie Boys in ll cool J

2116
01:56:41,320 --> 01:56:42,360
Speaker 3: record Wow Wow.

2117
01:56:43,200 --> 01:56:44,680
Speaker 4: Invested in me, believed.

2118
01:56:44,400 --> 01:56:45,840
Speaker 3: In me, which is why I did the song with

2119
01:56:45,920 --> 01:56:50,920
Speaker 3: Chino Excel recipes because I didn't sign to him and

2120
01:56:51,000 --> 01:56:53,280
Speaker 3: it was one other option. So I had four like

2121
01:56:53,400 --> 01:56:55,440
Speaker 3: a bidding more. You know what that is. You know

2122
01:56:55,520 --> 01:56:57,480
Speaker 3: what that is. So I had a bitting more. I

2123
01:56:57,720 --> 01:57:00,200
Speaker 3: never heard loud because I would have just picked out.

2124
01:57:00,800 --> 01:57:03,600
Speaker 3: So when Rifkins said that to me, I was like,

2125
01:57:04,800 --> 01:57:06,560
Speaker 3: you know what I'm saying, Like whatever, it's only like

2126
01:57:06,640 --> 01:57:08,760
Speaker 3: four or five years ago. It's like, you're the only

2127
01:57:08,880 --> 01:57:12,000
Speaker 3: artist that never signed me that I made an offer for.

2128
01:57:12,120 --> 01:57:15,480
Speaker 3: I said, well, lies you tell. I'm like, bro, you

2129
01:57:15,560 --> 01:57:17,720
Speaker 3: ain't never gave me no offer. He's like, no, I

2130
01:57:17,920 --> 01:57:20,480
Speaker 3: gave an offer and d D da da da. I

2131
01:57:20,600 --> 01:57:21,960
Speaker 3: was like, bro, I never heard that. I would have

2132
01:57:22,000 --> 01:57:24,320
Speaker 3: took less money and signed to you. You know what

2133
01:57:24,360 --> 01:57:30,680
Speaker 3: I'm saying. And I know who didn't tell me because

2134
01:57:30,680 --> 01:57:35,840
Speaker 3: they wanted the money. The production company, the production we're

2135
01:57:35,840 --> 01:57:38,760
Speaker 3: going to get somewhere else. We got more money, but

2136
01:57:38,920 --> 01:57:44,160
Speaker 3: the production company that didn't produce shit wanted money. They're

2137
01:57:44,160 --> 01:57:47,640
Speaker 3: gonna hold you out. That's what the artist is. Ultimately,

2138
01:57:48,360 --> 01:57:50,600
Speaker 3: you didn't produce nothing. You just wanted what you wanted

2139
01:57:50,720 --> 01:57:53,320
Speaker 3: and fucked over mind. Yeah, if I would have had

2140
01:57:53,360 --> 01:57:59,280
Speaker 3: that object, what could have been? To be honest, it

2141
01:57:59,480 --> 01:58:03,440
Speaker 3: was before exhibit, that's what he told me for exhibit.

2142
01:58:03,480 --> 01:58:05,720
Speaker 3: But after the lis Yeah, of course the licks were

2143
01:58:05,760 --> 01:58:09,160
Speaker 3: the like through King t then the licks, and then

2144
01:58:09,640 --> 01:58:12,920
Speaker 3: I was you know, I had had an opportunity. I

2145
01:58:13,040 --> 01:58:16,360
Speaker 3: came back out that was doing well and then he

2146
01:58:16,920 --> 01:58:21,480
Speaker 3: and obviously what could have been? But yeah, my mama

2147
01:58:21,640 --> 01:58:22,200
Speaker 3: was my daddy.

2148
01:58:22,640 --> 01:58:26,640
Speaker 5: I mean, because imagine the alcoholics, you and Exhibit all

2149
01:58:26,760 --> 01:58:28,160
Speaker 5: together on loud on.

2150
01:58:28,200 --> 01:58:31,040
Speaker 3: That well, just think about Rizza is the first person

2151
01:58:31,120 --> 01:58:35,400
Speaker 3: that clears my first white label because we wanted to sell.

2152
01:58:35,320 --> 01:58:40,960
Speaker 4: It, right, Uh, was your first white label?

2153
01:58:41,320 --> 01:58:45,080
Speaker 3: My first white label ever put out. I sampled method man,

2154
01:58:45,200 --> 01:58:47,640
Speaker 3: you don't know me, you don't know my style. It's

2155
01:58:47,680 --> 01:58:51,760
Speaker 3: called remain Anonymous that I produced it, and then the

2156
01:58:52,160 --> 01:58:54,280
Speaker 3: B side was a song called Won't Catch Me Running.

2157
01:58:54,560 --> 01:58:56,760
Speaker 3: But then it was doing well and it was like

2158
01:58:56,800 --> 01:58:58,720
Speaker 3: we should try to sell it, so we had to

2159
01:58:58,760 --> 01:59:01,920
Speaker 3: clear the sample. Is a clear the sample. We're the

2160
01:59:02,000 --> 01:59:07,160
Speaker 3: first people that ever sampled boutang that cleared it. Because

2161
01:59:07,240 --> 01:59:11,080
Speaker 3: Rizza was like, I fucked with Rass and I credit

2162
01:59:11,200 --> 01:59:14,040
Speaker 3: kill a priest, kill a priest. We're kind of in

2163
01:59:14,200 --> 01:59:17,240
Speaker 3: that same bracket of you know, the year we come

2164
01:59:17,320 --> 01:59:20,200
Speaker 3: out or we're starting to pop priests, put Rizza on

2165
01:59:20,320 --> 01:59:24,520
Speaker 3: the RASS cast, and then Rizza always fucked with me

2166
01:59:24,760 --> 01:59:26,440
Speaker 3: to this day, Like you know what I'm saying, Like,

2167
01:59:27,040 --> 01:59:31,240
Speaker 3: I'm very blessed because I had people interceding and saying

2168
01:59:31,280 --> 01:59:34,320
Speaker 3: like brow a good nigga or bros talented and he

2169
01:59:34,400 --> 01:59:36,800
Speaker 3: ain't a fuck boy or whatever. So yeah, but if

2170
01:59:36,840 --> 01:59:38,880
Speaker 3: I would have signed it loud, yeah what could have been?

2171
01:59:39,520 --> 01:59:39,720
Speaker 4: Yeah?

2172
01:59:40,680 --> 01:59:43,240
Speaker 3: Too late now unless you unless you know how to

2173
01:59:43,320 --> 01:59:49,640
Speaker 3: do DC universe. Yeah, that guy has loud that guys

2174
01:59:49,680 --> 01:59:59,840
Speaker 3: like fucking rich and awful person. Do you get mad him?

2175
02:00:00,000 --> 02:00:00,600
Speaker 3: We're gonna make it.

2176
02:00:01,840 --> 02:00:07,120
Speaker 4: That was a good question. No, No, here here's the truth.

2177
02:00:07,840 --> 02:00:10,480
Speaker 3: And I'm gonna say this as politically correct as possible.

2178
02:00:11,080 --> 02:00:16,440
Speaker 3: I've never had a problem with Jada. I'm a fan.

2179
02:00:17,440 --> 02:00:21,120
Speaker 3: I saw Jada and them. I remember when the clips

2180
02:00:21,240 --> 02:00:24,400
Speaker 3: was doing. This was in Puerto Rico. What happened to

2181
02:00:24,480 --> 02:00:26,120
Speaker 3: that boy? That was the first time I had seen

2182
02:00:26,200 --> 02:00:29,880
Speaker 3: Jada in like years, I remember, and I was like, nah,

2183
02:00:29,920 --> 02:00:33,480
Speaker 3: I don't have an issue. And now, to make a

2184
02:00:34,040 --> 02:00:38,920
Speaker 3: very convoluted story simple, me and Al we've had our

2185
02:00:38,960 --> 02:00:43,240
Speaker 3: conversation and ship I have a party called five Mics

2186
02:00:43,680 --> 02:00:48,840
Speaker 3: that for the culture, trying to do the unity thing

2187
02:00:49,040 --> 02:00:53,600
Speaker 3: and bringing you know, LA hip hop culture back together, black, brown, yellow, white, green,

2188
02:00:53,880 --> 02:00:58,560
Speaker 3: male female whatever. So now I saw him at I

2189
02:00:58,640 --> 02:01:03,120
Speaker 3: saw him in nash It was the mob deeper part. Yeah,

2190
02:01:03,640 --> 02:01:09,360
Speaker 3: in La and so Al came up and actually I

2191
02:01:09,440 --> 02:01:12,640
Speaker 3: did the fun thing. He's like photographs because it wasn't

2192
02:01:12,640 --> 02:01:14,720
Speaker 3: a lot of us upstairs. And then I was just like,

2193
02:01:15,120 --> 02:01:15,800
Speaker 3: what up, nigga?

2194
02:01:16,360 --> 02:01:18,000
Speaker 4: You know what I'm saying. I even call him the nigga.

2195
02:01:18,360 --> 02:01:19,360
Speaker 4: I was like, what up niggas?

2196
02:01:19,640 --> 02:01:21,040
Speaker 3: You know what I'm saying. He's like, man, I want

2197
02:01:21,040 --> 02:01:22,480
Speaker 3: to do the find mics. I was like, yeah, let's

2198
02:01:22,480 --> 02:01:24,760
Speaker 3: do it, and he's like, let's cook. I was like, yeah,

2199
02:01:24,840 --> 02:01:29,200
Speaker 3: let's do it. So we let's talk it to a misunderstanding.

2200
02:01:30,400 --> 02:01:33,120
Speaker 3: Al was super talented. I can't take from somebody but

2201
02:01:33,280 --> 02:01:35,560
Speaker 3: God gave you know what I'm saying, or they're hard work,

2202
02:01:35,800 --> 02:01:39,440
Speaker 3: same thing. I'm ready to move forward, and I think

2203
02:01:39,480 --> 02:01:41,560
Speaker 3: the record, I'm not stand on this.

2204
02:01:44,560 --> 02:01:45,560
Speaker 4: My record.

2205
02:01:47,200 --> 02:01:53,080
Speaker 3: Is not a two track, it's the files. My verses

2206
02:01:53,240 --> 02:01:56,760
Speaker 3: are dope, We're gonna make it. It's icond of it

2207
02:01:57,040 --> 02:02:01,040
Speaker 3: was there already, No no, no no, because there's mine

2208
02:02:01,160 --> 02:02:07,680
Speaker 3: is Home Sweet Home right Well, I did it with

2209
02:02:07,840 --> 02:02:10,440
Speaker 3: Starringbuck Wilde and performed it. It's on Case Slave mixtape.

2210
02:02:10,680 --> 02:02:13,240
Speaker 3: But I don't want to get into those weeds because

2211
02:02:13,360 --> 02:02:17,640
Speaker 3: then it becomes defense mechanism. I think Alice dope, we

2212
02:02:17,720 --> 02:02:20,600
Speaker 3: had a misunderstanding. We move on. I want to do

2213
02:02:20,680 --> 02:02:22,600
Speaker 3: a song with me and him called Barry the Hatchet

2214
02:02:23,120 --> 02:02:26,640
Speaker 3: and he was like, Yo, we should cook. I was like, yeah,

2215
02:02:26,720 --> 02:02:29,320
Speaker 3: let's cook. Let's move forward. And on No Days Off

2216
02:02:29,520 --> 02:02:31,920
Speaker 3: we had did a record on his album. We did

2217
02:02:31,960 --> 02:02:36,120
Speaker 3: a song where we killed it. We had so much fun.

2218
02:02:36,240 --> 02:02:38,360
Speaker 3: So I don't want to live in the past. I

2219
02:02:38,440 --> 02:02:43,240
Speaker 3: think what Styles and Jada did is amazing and two

2220
02:02:43,360 --> 02:02:46,640
Speaker 3: things can coexist at the same time. So great record.

2221
02:02:47,080 --> 02:02:49,840
Speaker 3: My album didn't even come out. My album on the

2222
02:02:50,000 --> 02:02:53,640
Speaker 3: label didn't come out. That would have been on Van

2223
02:02:53,680 --> 02:02:56,240
Speaker 3: go it would have been on Mango. And so yeah,

2224
02:02:56,520 --> 02:02:58,960
Speaker 3: my album because of my label ship. So at least

2225
02:02:59,040 --> 02:03:02,280
Speaker 3: the wait that album came out, it never came out,

2226
02:03:03,200 --> 02:03:06,000
Speaker 3: never came out. I put it out later. Thanks for

2227
02:03:06,120 --> 02:03:14,440
Speaker 3: telling my inemigo. Yeah, we had, we had physical copies

2228
02:03:14,480 --> 02:03:17,040
Speaker 3: of this, like with the artwork. But that's when Capital

2229
02:03:17,160 --> 02:03:21,440
Speaker 3: was getting bought, was buying out the other half. All right, Well,

2230
02:03:22,000 --> 02:03:26,880
Speaker 3: at the time Priorti was independent and then Brian Turner

2231
02:03:27,040 --> 02:03:29,800
Speaker 3: owned fifty one percent. They bought him out and they

2232
02:03:29,840 --> 02:03:33,320
Speaker 3: got the other two percent, so he became forty nine

2233
02:03:33,400 --> 02:03:37,080
Speaker 3: and then they were making it Capital. They were like,

2234
02:03:37,240 --> 02:03:40,040
Speaker 3: we're gonna close down Priority and just make it Capitol Records.

2235
02:03:40,360 --> 02:03:42,960
Speaker 3: Only only a few people made that cut. It was

2236
02:03:43,080 --> 02:03:47,760
Speaker 3: like Snoop Dogg Me we got slid in with like

2237
02:03:49,360 --> 02:03:52,920
Speaker 3: Faith Evans whatever, so it was only like six artists.

2238
02:03:52,960 --> 02:03:55,320
Speaker 3: But you know that that was the whole journey. So

2239
02:03:55,480 --> 02:03:58,320
Speaker 3: my record didn't get promoted. And then we went in

2240
02:03:58,560 --> 02:04:01,840
Speaker 3: from Van Gold we went into Golden Child, So I

2241
02:04:01,920 --> 02:04:05,600
Speaker 3: took certain records off of here and then went into

2242
02:04:05,640 --> 02:04:07,560
Speaker 3: the Golden Child with Premiere and all that stuff. So

2243
02:04:07,720 --> 02:04:10,400
Speaker 3: it was just all this corporate ship and just trying

2244
02:04:10,440 --> 02:04:12,840
Speaker 3: to make it be okay. But ultimately my point is

2245
02:04:13,480 --> 02:04:16,480
Speaker 3: at least we're gonna make it exist and the ship fire?

2246
02:04:16,520 --> 02:04:18,760
Speaker 3: Is that the only record you did with Alchemists? No,

2247
02:04:18,920 --> 02:04:22,320
Speaker 3: I've done multiple records. Yeah, I'm known OWT for no

2248
02:04:22,440 --> 02:04:26,120
Speaker 3: I know. I just you guys make great. I've done

2249
02:04:26,200 --> 02:04:29,360
Speaker 3: songs with our since that. That's what I'm saying. So

2250
02:04:29,480 --> 02:04:31,480
Speaker 3: he had an album called No Days Off when he's

2251
02:04:31,600 --> 02:04:33,600
Speaker 3: like DJM for eminem.

2252
02:04:33,320 --> 02:04:35,080
Speaker 4: So why does it feel like you guys just mended

2253
02:04:35,200 --> 02:04:35,520
Speaker 4: the beef.

2254
02:04:36,960 --> 02:04:40,120
Speaker 3: I'm not going to go into that again. We are

2255
02:04:40,240 --> 02:04:44,920
Speaker 3: okay today. You guys are local man, well you know

2256
02:04:45,360 --> 02:04:48,640
Speaker 3: la ship, but my brother is talented. I want to

2257
02:04:49,120 --> 02:04:52,320
Speaker 3: I want to do a song called now you had.

2258
02:04:52,200 --> 02:04:53,880
Speaker 2: A project together, a whole project.

2259
02:04:53,920 --> 02:04:55,320
Speaker 3: Well put that in the universe.

2260
02:04:55,360 --> 02:04:59,960
Speaker 4: I think, don't come outside, We'll come outside.

2261
02:05:00,040 --> 02:05:01,760
Speaker 3: How come you know we never did one? Know?

2262
02:05:01,840 --> 02:05:03,400
Speaker 4: I thought that about I thought about that today.

2263
02:05:03,480 --> 02:05:06,520
Speaker 3: Yeah, sound great together as well? That would be crazy.

2264
02:05:06,600 --> 02:05:08,840
Speaker 1: This is a part of the if we skipped on

2265
02:05:09,480 --> 02:05:13,200
Speaker 1: quick Time with Slim. What do you prefer being on

2266
02:05:13,280 --> 02:05:14,880
Speaker 1: a major or being independent?

2267
02:05:15,800 --> 02:05:19,200
Speaker 3: I already know, good question. No, I'm gonna be honest

2268
02:05:19,200 --> 02:05:23,200
Speaker 3: about it. I want both there there we got to

2269
02:05:23,240 --> 02:05:25,120
Speaker 3: drink drink that.

2270
02:05:27,200 --> 02:05:27,720
Speaker 2: I don't get it.

2271
02:05:27,800 --> 02:05:28,879
Speaker 3: But we're gonna have to drink.

2272
02:05:32,760 --> 02:05:40,280
Speaker 1: Our beyond a label like Penalty Records. Wheah, like it

2273
02:05:40,480 --> 02:05:45,280
Speaker 1: had the minute of Tommy Boy. Right, Tommy Boy was

2274
02:05:45,320 --> 02:05:46,080
Speaker 1: at the distribution.

2275
02:05:46,360 --> 02:05:48,000
Speaker 3: They were a big Indie too. They were in India,

2276
02:05:48,040 --> 02:05:51,000
Speaker 3: is right, they were indied, they were a major. You're

2277
02:05:51,000 --> 02:05:53,400
Speaker 3: gonna manage it, well, you're gonna manage us getting some

2278
02:05:53,520 --> 02:05:54,440
Speaker 3: new record, sir.

2279
02:05:56,560 --> 02:06:02,240
Speaker 4: Oh, yes, yes, yeah, I got you.

2280
02:06:03,080 --> 02:06:04,880
Speaker 3: You ain't even got to deal with any more. Just

2281
02:06:04,960 --> 02:06:05,800
Speaker 3: go get us a bag.

2282
02:06:07,240 --> 02:06:12,480
Speaker 4: Answer though you both said, okay, okay, I want people

2283
02:06:12,880 --> 02:06:13,200
Speaker 4: don't want to.

2284
02:06:13,960 --> 02:06:16,320
Speaker 3: I don't want the major with the Shenanigans, and you

2285
02:06:16,520 --> 02:06:18,920
Speaker 3: think you're going to own the project. None of that,

2286
02:06:19,080 --> 02:06:21,760
Speaker 3: none of that ship. And nowadays these kids is getting

2287
02:06:21,760 --> 02:06:25,200
Speaker 3: these three sixty deals. They're totally replaceable. So no, like

2288
02:06:25,360 --> 02:06:27,720
Speaker 3: I bring something to the table, we have value. And then,

2289
02:06:27,800 --> 02:06:32,640
Speaker 3: especially as businessman like you start, you know, we start

2290
02:06:32,720 --> 02:06:37,280
Speaker 3: with a dream. They financed that. I respect that. I definitely, yeah,

2291
02:06:37,320 --> 02:06:41,240
Speaker 3: of course you want. I like getting per diems if

2292
02:06:41,280 --> 02:06:41,840
Speaker 3: you know, you know.

2293
02:06:42,280 --> 02:06:43,960
Speaker 2: I don't think that exists anymore. Man.

2294
02:06:44,240 --> 02:06:46,000
Speaker 3: I'm telling you some people stilly in per deems.

2295
02:06:46,240 --> 02:06:48,320
Speaker 2: I'm sure it does exist on the top top tier.

2296
02:06:48,360 --> 02:06:50,680
Speaker 3: You know, these young some of these people getting deals,

2297
02:06:50,680 --> 02:06:54,320
Speaker 3: but they just so the young kids only is uh

2298
02:06:54,960 --> 02:07:00,680
Speaker 3: he does tour manager man for major people, Chris Brown whatever, whatever,

2299
02:07:02,000 --> 02:07:04,440
Speaker 3: he's like the young the young ones, they just want

2300
02:07:04,520 --> 02:07:08,480
Speaker 3: to be on privates. They want a hotel in the private,

2301
02:07:09,560 --> 02:07:11,680
Speaker 3: right because they can say they was on a private right,

2302
02:07:11,760 --> 02:07:13,720
Speaker 3: private plane for people who do understand that they.

2303
02:07:13,680 --> 02:07:16,800
Speaker 1: Could be content by doing that though, right, Yeah, but

2304
02:07:16,960 --> 02:07:19,360
Speaker 1: it's like no one gets on the private without.

2305
02:07:19,160 --> 02:07:22,040
Speaker 4: Filming it, right, all of them, all of them. It's

2306
02:07:22,080 --> 02:07:22,720
Speaker 4: for that stunt.

2307
02:07:22,840 --> 02:07:28,720
Speaker 3: It's funny. They're stunning there, but they're not like they're public.

2308
02:07:28,800 --> 02:07:31,720
Speaker 3: They don't care. They've kind of thrown away like their future.

2309
02:07:31,760 --> 02:07:34,360
Speaker 3: They're like, I want it now, like you're saying that commercial,

2310
02:07:34,440 --> 02:07:37,360
Speaker 3: it's my money and I want it now. It's not

2311
02:07:37,520 --> 02:07:42,280
Speaker 3: my money and I want it now, right, because how

2312
02:07:42,360 --> 02:07:44,560
Speaker 3: many people we've seen, you know, get a lot of

2313
02:07:44,600 --> 02:07:47,560
Speaker 3: money in where are they now? The motherfucker just right

2314
02:07:48,000 --> 02:07:50,920
Speaker 3: Like if I could have would have should have saved

2315
02:07:50,960 --> 02:07:54,520
Speaker 3: that fucking two hundred thousand dollars that I had when

2316
02:07:54,560 --> 02:07:58,800
Speaker 3: I bought all the Gucci shoes. That don't mean shitt right.

2317
02:07:59,520 --> 02:08:03,800
Speaker 3: So it's I want both, and it's okay to dream

2318
02:08:03,840 --> 02:08:06,960
Speaker 3: and want both or not dream to plan or strategize

2319
02:08:07,000 --> 02:08:10,720
Speaker 3: for it. I would like a small INDI with enough

2320
02:08:10,760 --> 02:08:13,000
Speaker 3: money to finance. I don't need a lot of upfront.

2321
02:08:13,360 --> 02:08:14,720
Speaker 3: I want you to make sure that you're going to

2322
02:08:14,760 --> 02:08:17,200
Speaker 3: support this project, and then when it's time to fucking

2323
02:08:17,680 --> 02:08:18,480
Speaker 3: move around.

2324
02:08:18,240 --> 02:08:19,000
Speaker 4: You're gonna help them.

2325
02:08:20,520 --> 02:08:21,920
Speaker 2: Has been that in your mind?

2326
02:08:22,200 --> 02:08:26,200
Speaker 3: Yeah, and Braucus was always great and supportive of its artists.

2327
02:08:26,240 --> 02:08:29,960
Speaker 3: Look at how everybody landed. Quiley still do business with

2328
02:08:30,080 --> 02:08:33,240
Speaker 3: the owner of this you know, Yeah, you know what

2329
02:08:33,280 --> 02:08:38,520
Speaker 3: I'm saying. Yeah, well, you know, having those kind of friends,

2330
02:08:39,760 --> 02:08:44,200
Speaker 3: it's never over. There's a few dope indie hip hop.

2331
02:08:48,640 --> 02:08:50,160
Speaker 4: You know what I'm saying. I love what they're doing

2332
02:08:50,200 --> 02:08:50,560
Speaker 4: over there.

2333
02:08:50,680 --> 02:08:53,680
Speaker 3: Like I said, mob D, Daylight, I said, I mentioned it,

2334
02:08:53,880 --> 02:08:56,600
Speaker 3: So yeah, I love to find a home that gets it,

2335
02:08:57,200 --> 02:09:01,360
Speaker 3: allows you to be myself. I don't want to create

2336
02:09:01,400 --> 02:09:03,640
Speaker 3: the Chicken Dance or some other ship to try to

2337
02:09:03,680 --> 02:09:06,640
Speaker 3: get on. I'm not fourteen, I'm not I'm not I'm

2338
02:09:06,680 --> 02:09:07,640
Speaker 3: not no weird kid.

2339
02:09:07,720 --> 02:09:10,520
Speaker 5: But to see you on mass Appeal, yeah, I definitely

2340
02:09:10,520 --> 02:09:12,360
Speaker 5: could see you on that Legend Run they're doing, which

2341
02:09:12,680 --> 02:09:13,200
Speaker 5: I feel.

2342
02:09:13,000 --> 02:09:14,920
Speaker 3: They're gonna, Well, they don't have nobody from the West,

2343
02:09:15,400 --> 02:09:15,720
Speaker 3: so that.

2344
02:09:15,880 --> 02:09:19,480
Speaker 2: Was my didn't under that, no mass appeal ras cast

2345
02:09:19,520 --> 02:09:20,160
Speaker 2: the Legend Run.

2346
02:09:20,240 --> 02:09:23,040
Speaker 3: Well shit, I got a whole project. I'm promoting this.

2347
02:09:23,200 --> 02:09:26,800
Speaker 3: But me and Fred Row, well no, that already came out. Okay,

2348
02:09:26,880 --> 02:09:30,120
Speaker 3: we did that on a on another label, but unfortunately

2349
02:09:30,160 --> 02:09:32,600
Speaker 3: it didn't work out. But yeah, you know what I'm saying,

2350
02:09:32,640 --> 02:09:34,560
Speaker 3: Me and Fred Row from Onix, we got a project.

2351
02:09:34,760 --> 02:09:38,680
Speaker 3: So we're called we West and East, so we collective.

2352
02:09:39,120 --> 02:09:41,480
Speaker 3: So I mean I'd love to place it and get

2353
02:09:41,480 --> 02:09:41,720
Speaker 3: a home.

2354
02:09:41,800 --> 02:09:45,160
Speaker 4: What made you uh do a whole project? We'll have it?

2355
02:09:45,320 --> 02:09:48,280
Speaker 4: And what you coultique as being the rest Coast artists working.

2356
02:09:48,040 --> 02:09:50,920
Speaker 3: With first of all my bros. Like I said, I

2357
02:09:51,000 --> 02:09:53,760
Speaker 3: was closer with Pe back then. You know what I'm saying,

2358
02:09:53,880 --> 02:09:55,960
Speaker 3: just through the whole mob. These ship once once I

2359
02:09:56,040 --> 02:10:01,240
Speaker 3: got my deal and just knowing them. But uh, I

2360
02:10:01,400 --> 02:10:05,440
Speaker 3: want to say. I want to say before COVID, one

2361
02:10:05,520 --> 02:10:09,360
Speaker 3: time we were in Dallas and I got booked to host,

2362
02:10:09,600 --> 02:10:14,960
Speaker 3: he got booked to uh perform, and we were chilling

2363
02:10:16,960 --> 02:10:20,520
Speaker 3: and we like to say, yeah, all right, fucking I'm

2364
02:10:20,520 --> 02:10:24,680
Speaker 3: gonna tell you we're brothers. What that You don't know

2365
02:10:24,680 --> 02:10:29,800
Speaker 3: what this? You know never in life? So anyway, you

2366
02:10:29,880 --> 02:10:32,360
Speaker 3: know you got the same, you know what? You know

2367
02:10:32,440 --> 02:10:32,920
Speaker 3: what that ship?

2368
02:10:42,040 --> 02:10:43,080
Speaker 2: The bus you're on the bus.

2369
02:10:45,200 --> 02:10:49,280
Speaker 3: Most industry niggas is an Eskimo brother and what the

2370
02:10:49,400 --> 02:10:55,720
Speaker 3: hell you see the same? You didn't knock somebody that

2371
02:10:55,840 --> 02:10:56,680
Speaker 3: somebody else Now.

2372
02:10:57,680 --> 02:11:00,160
Speaker 4: I don't think anybody ever put their release.

2373
02:11:00,200 --> 02:11:08,120
Speaker 3: About so anyway we've send there those guys. I know

2374
02:11:08,280 --> 02:11:12,440
Speaker 3: that was racist. I didn't make the term up real ship.

2375
02:11:12,520 --> 02:11:16,560
Speaker 3: So we anyway, we were sitting there talking, uh we

2376
02:11:16,840 --> 02:11:20,760
Speaker 3: we d t F. That was for Wark and like

2377
02:11:20,880 --> 02:11:24,480
Speaker 3: I said, always been a big fan, always been. Some

2378
02:11:24,720 --> 02:11:27,400
Speaker 3: people are like sooner than others.

2379
02:11:27,400 --> 02:11:29,000
Speaker 4: You know what I'm saying. That should be the name

2380
02:11:29,000 --> 02:11:30,200
Speaker 4: of the album, that'schooling brothers.

2381
02:11:31,280 --> 02:11:37,680
Speaker 3: Never in life people think, take a DNA test to

2382
02:11:37,720 --> 02:11:42,320
Speaker 3: see how many you see, how many see how much

2383
02:11:43,240 --> 02:11:45,120
Speaker 3: you live in Miami, how much come.

2384
02:11:45,080 --> 02:11:58,320
Speaker 7: Back into y'all? Yeah, yeah, right, Miami life after poor Ice.

2385
02:12:00,160 --> 02:12:01,520
Speaker 2: That goes well nowadays.

2386
02:12:01,720 --> 02:12:05,560
Speaker 3: Exactly worked well now. But I'm just saying so we

2387
02:12:05,720 --> 02:12:09,320
Speaker 3: Actually I had told him my thoughts. I was like

2388
02:12:10,440 --> 02:12:13,920
Speaker 3: peas gone and and I hope I'm saying this would

2389
02:12:13,920 --> 02:12:17,400
Speaker 3: all due respect and dignity. I was like, yo, pease gone.

2390
02:12:17,480 --> 02:12:18,760
Speaker 3: I was at the funeral and all you know what

2391
02:12:18,760 --> 02:12:22,440
Speaker 3: I'm saying, because we were together the day Pee passed.

2392
02:12:24,360 --> 02:12:26,320
Speaker 3: I was in Vegas, right, I was in Vegas. He

2393
02:12:26,400 --> 02:12:29,080
Speaker 3: was on the water rap right exactly, wrap and so

2394
02:12:29,840 --> 02:12:32,360
Speaker 3: across the street. I see, yeah, so we were I

2395
02:12:32,400 --> 02:12:35,280
Speaker 3: forgot you were that yes, crazy on that bill. I

2396
02:12:35,360 --> 02:12:36,000
Speaker 3: was on the bill too.

2397
02:12:36,840 --> 02:12:38,000
Speaker 4: I wasn't on the bill. Excuse me.

2398
02:12:38,640 --> 02:12:41,560
Speaker 1: ONX brought me out. Ironically, ONX brought me out. I

2399
02:12:41,680 --> 02:12:43,200
Speaker 1: asked him to do with my food show, and they

2400
02:12:43,280 --> 02:12:44,640
Speaker 1: was like, yo, well if.

2401
02:12:44,560 --> 02:12:45,440
Speaker 4: I have a show tomorrow.

2402
02:12:45,520 --> 02:12:46,760
Speaker 3: Nay. It was super hot that day.

2403
02:12:46,840 --> 02:12:49,800
Speaker 1: It was super hot, and the green loss the street.

2404
02:12:49,840 --> 02:12:51,960
Speaker 1: I saw people as soon as he got stage right.

2405
02:12:52,200 --> 02:12:55,080
Speaker 3: So so when when pe got off stage, we went

2406
02:12:55,280 --> 02:12:59,280
Speaker 3: back into the green room, and then we all walked out.

2407
02:13:00,200 --> 02:13:03,960
Speaker 3: It's opposite way, so I don't feel like moving, But

2408
02:13:04,280 --> 02:13:07,000
Speaker 3: the point is it was opposite. So let's say this

2409
02:13:07,240 --> 02:13:09,040
Speaker 3: is the green room and that's the back of the

2410
02:13:09,080 --> 02:13:10,360
Speaker 3: stage across the street.

2411
02:13:10,920 --> 02:13:12,000
Speaker 4: We all walked out.

2412
02:13:12,600 --> 02:13:16,440
Speaker 3: He went that way into the suburban me and have

2413
02:13:16,760 --> 02:13:19,360
Speaker 3: walked up and back in and I think Ray and

2414
02:13:19,440 --> 02:13:20,560
Speaker 3: Ghost was that's crazy.

2415
02:13:20,760 --> 02:13:24,200
Speaker 1: You must have walked because he must have walked right

2416
02:13:24,720 --> 02:13:27,280
Speaker 1: by me and walked right into you. Because like, the

2417
02:13:27,360 --> 02:13:29,360
Speaker 1: only reason why I would have went backstage and I

2418
02:13:29,440 --> 02:13:33,320
Speaker 1: went backstage after well we'll have it. But the only

2419
02:13:33,360 --> 02:13:37,240
Speaker 1: reason why I didn't go because because I had.

2420
02:13:37,120 --> 02:13:41,240
Speaker 4: To perform it. Yeah, and I saw them too, yeah,

2421
02:13:41,320 --> 02:13:42,320
Speaker 4: because so.

2422
02:13:44,040 --> 02:13:50,680
Speaker 3: I remember, you know, I'm doing all this justice when

2423
02:13:50,720 --> 02:13:53,800
Speaker 3: I first walked into the green room, which was across

2424
02:13:53,920 --> 02:13:59,640
Speaker 3: the street, because I saw having pee, I saw ghosts

2425
02:13:59,640 --> 02:14:04,560
Speaker 3: from Ray and he was a little irritable, right, and uh,

2426
02:14:05,480 --> 02:14:07,080
Speaker 3: I thought he was like kind of upset, you know

2427
02:14:07,160 --> 02:14:10,200
Speaker 3: what I'm saying. And I'm like, uh, not me, just

2428
02:14:10,320 --> 02:14:13,000
Speaker 3: you know, having a bad day. So what I'm like,

2429
02:14:13,080 --> 02:14:13,560
Speaker 3: oh what up?

2430
02:14:14,200 --> 02:14:15,280
Speaker 4: We all talking to ship.

2431
02:14:17,440 --> 02:14:21,560
Speaker 3: And then he says something about our homeboy forty block.

2432
02:14:21,640 --> 02:14:25,840
Speaker 3: He like this nigga is shot your sons, you know

2433
02:14:25,880 --> 02:14:28,520
Speaker 3: what I'm saying. Whatever, we got a mutual homeboy. I'm like,

2434
02:14:29,360 --> 02:14:32,640
Speaker 3: you know, I'm like, bro, Like the nigga just keeps living. Bro,

2435
02:14:32,880 --> 02:14:34,480
Speaker 3: this is hilarricus. You know what I'm saying, Like this

2436
02:14:34,640 --> 02:14:37,040
Speaker 3: our homeboy, Like you can tell us to take care

2437
02:14:37,080 --> 02:14:39,280
Speaker 3: of himself. I'm like, bro, I'm gonna tell him whatever.

2438
02:14:39,960 --> 02:14:45,920
Speaker 3: And then uh, I remember they performed then came back

2439
02:14:47,240 --> 02:14:48,960
Speaker 3: and then I remember we're gonna walk and it was

2440
02:14:49,240 --> 02:14:51,840
Speaker 3: mostly in that green room at the time. It was

2441
02:14:51,920 --> 02:14:55,120
Speaker 3: maybe the five of us, and I was gonna get

2442
02:14:55,200 --> 02:14:57,200
Speaker 3: this picture. I was gonna be like, yo, let's flick

2443
02:14:57,240 --> 02:14:59,680
Speaker 3: it one time. And I was like, fuck it, I'll

2444
02:14:59,720 --> 02:15:02,000
Speaker 3: catch because I knew. I knew you know, it was

2445
02:15:02,040 --> 02:15:03,920
Speaker 3: still won't go on like I knew that. I think

2446
02:15:03,920 --> 02:15:06,360
Speaker 3: it was a Jersey show. Like two or three days later,

2447
02:15:06,400 --> 02:15:09,040
Speaker 3: I'm like, fuck it, I'll just do another picture. Yeah.

2448
02:15:09,520 --> 02:15:11,760
Speaker 3: Plus he because he had said like, nah, it's my

2449
02:15:11,880 --> 02:15:14,320
Speaker 3: single Seales ship. You're like this shit fucking hot is

2450
02:15:14,400 --> 02:15:17,200
Speaker 3: fucking with my sickle cells. So I'm like cool, like

2451
02:15:17,360 --> 02:15:20,520
Speaker 3: let it go. And we walked across me, have walked

2452
02:15:20,600 --> 02:15:24,000
Speaker 3: up pe In, a security guard walked that way, and

2453
02:15:24,240 --> 02:15:27,480
Speaker 3: we just never saw him again, and so you just

2454
02:15:27,600 --> 02:15:31,360
Speaker 3: never know, well, you know, for me, it really was

2455
02:15:31,400 --> 02:15:34,360
Speaker 3: one of them times where like somebody I really genuinely

2456
02:15:34,880 --> 02:15:37,520
Speaker 3: first of all, just growing up looking up, like we say,

2457
02:15:37,560 --> 02:15:42,560
Speaker 3: age bracket, but I'm a fan, I'm a brother. I

2458
02:15:42,640 --> 02:15:45,040
Speaker 3: would hope saw me as a friend, you know what

2459
02:15:45,040 --> 02:15:47,960
Speaker 3: I'm saying, So that ship is important. Like all the

2460
02:15:48,080 --> 02:15:51,400
Speaker 3: hype and hoopla shit don't mean shit like to me

2461
02:15:51,560 --> 02:15:54,920
Speaker 3: if it ain't genuine. Some people fake love you and like,

2462
02:15:55,000 --> 02:15:56,640
Speaker 3: I really love bro. You know what I'm saying, Like

2463
02:15:56,840 --> 02:16:02,000
Speaker 3: that's my bro. To fast forward and tell something about

2464
02:16:02,120 --> 02:16:04,640
Speaker 3: what happened with me and Habit. We were in Dallas

2465
02:16:04,720 --> 02:16:08,440
Speaker 3: and my whole shit was like I don't want I

2466
02:16:08,560 --> 02:16:12,959
Speaker 3: was like, Pee can't be replaced, Prodigy cannot be replaced.

2467
02:16:13,440 --> 02:16:16,600
Speaker 3: I was like, but you got them beats. So I said,

2468
02:16:17,320 --> 02:16:23,160
Speaker 3: find you find somebody not from Queens, find the East

2469
02:16:23,240 --> 02:16:26,440
Speaker 3: Coast nigga, so at least we get you know what

2470
02:16:26,480 --> 02:16:30,120
Speaker 3: I'm saying that shit like I need my fix on

2471
02:16:30,560 --> 02:16:32,879
Speaker 3: you know what I'm saying. But it can't be the comparison.

2472
02:16:33,280 --> 02:16:37,800
Speaker 3: You can't replace Pete. That's my nigga. You like, it

2473
02:16:37,879 --> 02:16:40,760
Speaker 3: ain't gonna never be no Mob Deep bro, like Mob

2474
02:16:40,840 --> 02:16:45,280
Speaker 3: Deeper y'all niggas. But find me some give me that vehicle,

2475
02:16:45,440 --> 02:16:47,199
Speaker 3: that kind of music to hear, that type.

2476
02:16:47,000 --> 02:16:49,560
Speaker 2: Of shit, the energy, the same energy right because you're.

2477
02:16:49,480 --> 02:16:52,080
Speaker 3: Sitting on you cooking. You know what I'm saying, and

2478
02:16:52,400 --> 02:16:54,960
Speaker 3: so we talked about it. I remember we talked about

2479
02:16:55,000 --> 02:16:59,800
Speaker 3: it and then fast forward like three years later, having

2480
02:17:00,080 --> 02:17:06,000
Speaker 3: dorm hit me like, what's up? All right, well, we

2481
02:17:06,120 --> 02:17:07,760
Speaker 3: need the East Coast nigga. That's why the r J

2482
02:17:07,920 --> 02:17:10,440
Speaker 3: pain guy. I was like, fuck it, Well, why don't

2483
02:17:10,440 --> 02:17:12,840
Speaker 3: we just do that because it ain't no comparison. We

2484
02:17:13,000 --> 02:17:15,920
Speaker 3: just want the production we and then we're gonna honor Pee.

2485
02:17:16,840 --> 02:17:21,800
Speaker 3: So our job is to be there and be our brother.

2486
02:17:22,680 --> 02:17:25,920
Speaker 3: One of the songs is on on on that Havoc album.

2487
02:17:26,879 --> 02:17:29,160
Speaker 3: It's called the Gutter see U T t R so

2488
02:17:29,520 --> 02:17:31,440
Speaker 3: Mob Deep. It's still in that same vein. Were just

2489
02:17:31,520 --> 02:17:35,120
Speaker 3: trying to honor. Can't replaced. Just I'm a West Coast nigga.

2490
02:17:35,200 --> 02:17:38,120
Speaker 3: I'm my own MC. But really this is because I

2491
02:17:38,280 --> 02:17:41,000
Speaker 3: just want to I want to make sure this's Mob

2492
02:17:41,080 --> 02:17:43,240
Speaker 3: Deep like legacy. So we got we got a song

2493
02:17:43,360 --> 02:17:45,880
Speaker 3: on one where it's too prodigy, you know what I'm saying.

2494
02:17:46,120 --> 02:17:48,520
Speaker 3: And it ain't no fake ass. You know what I'm saying.

2495
02:17:48,560 --> 02:17:52,040
Speaker 3: Niggas be want fake homages, Niggas get tattoos. The niggas

2496
02:17:52,080 --> 02:17:54,800
Speaker 3: they ain't never mad. Niggas is super fake. They should

2497
02:17:54,800 --> 02:17:57,640
Speaker 3: be corny. A ship like I knew, bro, so our

2498
02:17:57,720 --> 02:18:01,720
Speaker 3: heart was right. We did a good job. Yeah, I

2499
02:18:01,800 --> 02:18:04,760
Speaker 3: think what we did for the Gutter album is a

2500
02:18:05,000 --> 02:18:07,560
Speaker 3: great honor. And that was when they were still trying

2501
02:18:07,600 --> 02:18:10,640
Speaker 3: to get everything in order with the family. And this

2502
02:18:10,840 --> 02:18:13,760
Speaker 3: new Mob album is is incredible. I hope I hope

2503
02:18:13,760 --> 02:18:17,000
Speaker 3: they can create enough more because Mob deep forever for me.

2504
02:18:17,400 --> 02:18:19,480
Speaker 3: You know what I'm saying, people, my homie, have my homie.

2505
02:18:19,640 --> 02:18:20,240
Speaker 4: You know what I'm saying.

2506
02:18:20,280 --> 02:18:22,360
Speaker 1: I love I love my brother me and you got

2507
02:18:22,879 --> 02:18:27,279
Speaker 1: the same story basically, yeah, like there basically he basically

2508
02:18:27,400 --> 02:18:30,360
Speaker 1: walked by me to walk You're giving us the story

2509
02:18:30,640 --> 02:18:33,640
Speaker 1: before the story in Yeah, that's just that's that.

2510
02:18:34,280 --> 02:18:40,800
Speaker 3: I got family. Ye, what do you what do you like?

2511
02:18:41,080 --> 02:18:42,200
Speaker 3: What do you like more?

2512
02:18:45,000 --> 02:18:47,640
Speaker 4: Making the record, performing a record?

2513
02:18:48,000 --> 02:18:52,760
Speaker 3: Two different animals. I love the creatives. I love sitting

2514
02:18:52,840 --> 02:18:55,960
Speaker 3: there and like being with the producer and being with

2515
02:18:56,080 --> 02:18:59,400
Speaker 3: the people like that ship the animals crazy. You know

2516
02:18:59,440 --> 02:19:03,800
Speaker 3: what I'm saying, because I remember Doctor Dre saying like

2517
02:19:03,920 --> 02:19:05,640
Speaker 3: throw it against the wall of his stick and stick.

2518
02:19:06,160 --> 02:19:08,520
Speaker 3: You know what I'm saying, Like it's cool to make

2519
02:19:08,640 --> 02:19:12,800
Speaker 3: something and think it's cool until your homies come in

2520
02:19:12,879 --> 02:19:17,680
Speaker 3: and be like no. But if they're dope people, they

2521
02:19:17,720 --> 02:19:20,440
Speaker 3: can tell you why. Right, So I might make some

2522
02:19:20,520 --> 02:19:24,800
Speaker 3: ship and then the homies like Trump's whack like, well,

2523
02:19:24,840 --> 02:19:27,440
Speaker 3: then fix them. See I like people I can talk

2524
02:19:27,440 --> 02:19:29,960
Speaker 3: to like that, like fucking fix it. Then so with

2525
02:19:30,280 --> 02:19:33,119
Speaker 3: FN if he's like I don't like them, drums, fucking

2526
02:19:33,240 --> 02:19:36,080
Speaker 3: fix it? Has it? It's fixed them fucks. You know

2527
02:19:36,160 --> 02:19:40,120
Speaker 3: what I'm saying, But do it, don't just say like it,

2528
02:19:41,200 --> 02:19:43,040
Speaker 3: like fix it. And then when your homies go in

2529
02:19:43,120 --> 02:19:45,520
Speaker 3: and fix it, that's his fire, like, oh shit, this

2530
02:19:45,520 --> 02:19:47,520
Speaker 3: should went up, bro, you know what I mean. So

2531
02:19:47,920 --> 02:19:51,760
Speaker 3: the creative process is a beautiful experience. I'm not a

2532
02:19:53,520 --> 02:19:56,760
Speaker 3: I'm not God man. We made an image and likeness.

2533
02:19:56,800 --> 02:20:00,520
Speaker 3: I am God because whatever God. But and the physical

2534
02:20:00,560 --> 02:20:04,040
Speaker 3: sense of the ultimate, the closest creation experiment that I

2535
02:20:04,120 --> 02:20:06,440
Speaker 3: can do is whether I'm a painter or I'm a

2536
02:20:06,560 --> 02:20:11,120
Speaker 3: builder or whatever, is to create something. And so I

2537
02:20:11,400 --> 02:20:14,680
Speaker 3: love being in that. But the other part is I

2538
02:20:14,760 --> 02:20:21,120
Speaker 3: do like actually showing off the thing, right because now

2539
02:20:21,160 --> 02:20:23,440
Speaker 3: I get to do it to somebody like pause, I

2540
02:20:23,520 --> 02:20:28,160
Speaker 3: get to I get to perform something. Well, I'm just saying,

2541
02:20:28,200 --> 02:20:31,160
Speaker 3: I get to perform in front of people, and sometimes like,

2542
02:20:31,440 --> 02:20:34,360
Speaker 3: there's been many a times where I'm just like, there's

2543
02:20:34,440 --> 02:20:37,960
Speaker 3: one person that's fitting my fucking bars to me, and

2544
02:20:38,120 --> 02:20:40,560
Speaker 3: I'm like looking at the person, like this motherfucker know

2545
02:20:40,760 --> 02:20:43,360
Speaker 3: this shit, like like he wrote it or she wrote it.

2546
02:20:43,400 --> 02:20:48,600
Speaker 3: I'm like that energy. It makes me double up, like

2547
02:20:48,760 --> 02:20:51,920
Speaker 3: fuck that I'm a really do a great job. Jay

2548
02:20:52,000 --> 02:20:55,199
Speaker 3: Zu used to say a thing one or one million.

2549
02:20:55,560 --> 02:20:57,320
Speaker 3: The whole point was if you have a show and

2550
02:20:57,840 --> 02:21:00,959
Speaker 3: only one person showed up, would you have ass You're

2551
02:21:01,000 --> 02:21:04,240
Speaker 3: not supposed to. If only one person showed up to

2552
02:21:04,320 --> 02:21:08,000
Speaker 3: your show, they deserve for you to give a one

2553
02:21:08,120 --> 02:21:12,920
Speaker 3: hundred percent. If a million people show up, give one

2554
02:21:13,000 --> 02:21:16,560
Speaker 3: hundred percent. So I love both, and then I also like,

2555
02:21:16,640 --> 02:21:19,640
Speaker 3: I'm not gonna lie. I like money you've made that.

2556
02:21:20,240 --> 02:21:23,280
Speaker 3: I like when people show up. I'm like, oh, I

2557
02:21:23,400 --> 02:21:27,440
Speaker 3: got some money in the creative process, I'm spending money.

2558
02:21:28,800 --> 02:21:32,199
Speaker 3: I can't beat this motherfucker. This is a lyric phone

2559
02:21:32,280 --> 02:21:35,680
Speaker 3: versus the one bro. Can you turn this off? I

2560
02:21:35,760 --> 02:21:39,160
Speaker 3: love you, brother, I love you. Yes.

2561
02:21:39,640 --> 02:21:42,720
Speaker 1: Have you ever performed the overseas and realize these people

2562
02:21:42,879 --> 02:21:45,400
Speaker 1: that know your words don't even speak English?

2563
02:21:45,680 --> 02:21:48,560
Speaker 4: Absolutely that ship is the way that still know what's.

2564
02:21:48,400 --> 02:21:51,600
Speaker 3: The most locals apostles calling you. Look, we're gonna pick

2565
02:21:51,640 --> 02:21:56,440
Speaker 3: this ship up. I love this show.

2566
02:21:56,959 --> 02:21:59,840
Speaker 4: Better give us.

2567
02:22:02,240 --> 02:22:06,200
Speaker 3: The rest. I'm kidding. I forgot me.

2568
02:22:10,520 --> 02:22:11,040
Speaker 4: Down on that.

2569
02:22:11,520 --> 02:22:26,360
Speaker 2: Okay, I want to tell this there's yeah, I say,

2570
02:22:26,360 --> 02:22:27,920
Speaker 2: hold nobody out.

2571
02:22:27,840 --> 02:22:32,720
Speaker 4: There and see.

2572
02:22:34,240 --> 02:22:37,560
Speaker 3: You should not. I don't know what is happening, Like

2573
02:22:37,680 --> 02:22:41,000
Speaker 3: I know, this is some fucking Shenanigans.

2574
02:22:40,640 --> 02:22:41,480
Speaker 2: Here, man, take your.

2575
02:22:44,200 --> 02:22:45,320
Speaker 3: God things.

2576
02:22:45,360 --> 02:22:46,520
Speaker 2: Emento just killed you.

2577
02:22:46,680 --> 02:22:49,000
Speaker 3: Oh my god, it's gonna be awesome. Thank he's never

2578
02:22:49,080 --> 02:22:51,360
Speaker 3: coming back. It's over. My Departsits fun.

2579
02:22:52,680 --> 02:22:58,400
Speaker 1: God, come down, God says, I want you to make

2580
02:22:58,480 --> 02:23:03,360
Speaker 1: one record that change the world, and you getting one feature.

2581
02:23:03,400 --> 02:23:04,480
Speaker 4: Now, this is a two part question.

2582
02:23:04,920 --> 02:23:05,240
Speaker 3: I like this.

2583
02:23:05,400 --> 02:23:09,320
Speaker 1: Alrighty you get, you get, get you get. You can

2584
02:23:09,360 --> 02:23:12,039
Speaker 1: make two records, one with a person that has passed

2585
02:23:12,040 --> 02:23:19,600
Speaker 1: away and one what a person now, okay, is a

2586
02:23:19,680 --> 02:23:22,440
Speaker 1: living Who's the producer? Who's going to be the producer

2587
02:23:23,640 --> 02:23:24,440
Speaker 1: those two records?

2588
02:23:28,040 --> 02:23:29,080
Speaker 3: I like this question.

2589
02:23:29,879 --> 02:23:32,000
Speaker 4: I want to take this extremely serious. Look.

2590
02:23:32,680 --> 02:23:38,240
Speaker 3: So so one part is you get a passed away

2591
02:23:38,280 --> 02:23:42,960
Speaker 3: producer and a present producer. Right, I want to guys,

2592
02:23:42,959 --> 02:23:43,240
Speaker 3: take this.

2593
02:23:43,320 --> 02:23:47,520
Speaker 1: Piece and I passed away artist and artist.

2594
02:23:47,640 --> 02:23:50,080
Speaker 3: Now, but this this is who's going to produce it?

2595
02:23:50,360 --> 02:23:52,040
Speaker 4: Who's going to produce it for you? You get to

2596
02:23:52,080 --> 02:23:54,560
Speaker 4: pick it any producer?

2597
02:23:54,959 --> 02:23:58,760
Speaker 3: A man, Okay, I wanted to do before and after.

2598
02:23:59,160 --> 02:24:05,640
Speaker 3: All Right, you're gonna have to drinkle with me the

2599
02:24:05,760 --> 02:24:11,480
Speaker 3: way it turns out, Lady of the Lady of the Jamie,

2600
02:24:12,879 --> 02:24:17,199
Speaker 3: I don't know her name. Oh that's my little sister's

2601
02:24:17,200 --> 02:24:17,640
Speaker 3: middle name.

2602
02:24:17,680 --> 02:24:28,560
Speaker 4: Sorry, Michelle, we forgot Oh wait, wait, we're sorry.

2603
02:24:28,640 --> 02:24:32,440
Speaker 2: Man, No, don't believe his own name.

2604
02:24:33,440 --> 02:24:42,920
Speaker 3: Okay, okay, sorry, Yeah, So that feature I'm gonna go with.

2605
02:24:44,000 --> 02:24:46,520
Speaker 3: This is a producer, right, I'm gonna go producer first.

2606
02:24:47,120 --> 02:24:53,400
Speaker 3: That's a hard dig because one alright, fuck it. I

2607
02:24:53,560 --> 02:24:56,200
Speaker 3: never worked with him before. I'm gonna say, for real,

2608
02:24:56,360 --> 02:24:58,120
Speaker 3: I knew he's gonna say for well, for some reason,

2609
02:25:00,040 --> 02:25:03,200
Speaker 3: I'm gonna say I should have. This have been a

2610
02:25:03,200 --> 02:25:08,879
Speaker 3: little scary. Who who's the I know Preame, I know Trey,

2611
02:25:09,000 --> 02:25:12,240
Speaker 3: I know blah blah blah. I no, yeah, for real, nigga,

2612
02:25:12,280 --> 02:25:15,800
Speaker 3: the clip ship fire, I'm like track record be fire bro.

2613
02:25:16,480 --> 02:25:18,080
Speaker 4: Yeah, so I can see it too.

2614
02:25:18,280 --> 02:25:20,960
Speaker 3: I'm gonna I'm gonna go with for real. Okay, now

2615
02:25:21,040 --> 02:25:23,640
Speaker 3: you said what was the other part? Now? Feature feature

2616
02:25:23,640 --> 02:25:34,160
Speaker 3: wise now yeah, feature feature one alive one Yeah, in

2617
02:25:34,840 --> 02:25:39,480
Speaker 3: entire life. Yeah, I could go with that. Yeah, the

2618
02:25:39,720 --> 02:25:44,200
Speaker 3: world yeah yeah, oh niggah, the nigga just oh forgot

2619
02:25:44,280 --> 02:25:50,720
Speaker 3: to save humanity. Well, I mean that you already funcked

2620
02:25:50,720 --> 02:25:55,720
Speaker 3: that up. Yeah, I don't want to offend anybody. I'm

2621
02:25:55,720 --> 02:26:00,640
Speaker 3: gonna go with, Yes, you were who Jesus exactly? There

2622
02:26:00,800 --> 02:26:06,039
Speaker 3: there are no jays and oh yes, I don't think

2623
02:26:06,080 --> 02:26:07,040
Speaker 3: no one picked Jesus.

2624
02:26:07,520 --> 02:26:11,280
Speaker 2: I don't know what you were saying, Jesus, Jesus, Jesus.

2625
02:26:11,280 --> 02:26:16,800
Speaker 2: I'm picking you the feature for Rest and Jesus rhyming. Yes,

2626
02:26:16,920 --> 02:26:19,880
Speaker 2: you know, Jason he Man, Hey sus Man, let's get

2627
02:26:19,920 --> 02:26:25,200
Speaker 2: it real. No, that's your spandiard. No Jays nigga from

2628
02:26:25,240 --> 02:26:25,879
Speaker 2: South Kate.

2629
02:26:29,080 --> 02:26:34,720
Speaker 3: Homie and Home. No, no, so yes, So I mean

2630
02:26:34,760 --> 02:26:39,480
Speaker 3: I'm not gonna cut to the chest everyone. Jesus is alive,

2631
02:26:41,240 --> 02:26:43,560
Speaker 3: he died and went to where else? Nigga? I'm talking

2632
02:26:43,600 --> 02:26:48,760
Speaker 3: about that? How you got too smart? Right? Yeah? Now,

2633
02:26:49,040 --> 02:26:55,280
Speaker 3: let's say, let's see who I would pick physically with

2634
02:26:55,520 --> 02:26:56,360
Speaker 3: me on their bodies.

2635
02:26:56,760 --> 02:26:57,400
Speaker 4: Let's see.

2636
02:26:59,600 --> 02:27:06,360
Speaker 3: I'm a fan and I would go with I'm gonna

2637
02:27:06,400 --> 02:27:13,320
Speaker 3: throw you off Duran Duran, What the fuck my favorite group.

2638
02:27:15,280 --> 02:27:16,800
Speaker 2: Let me hear the dudes with the feathers in their

2639
02:27:16,840 --> 02:27:17,760
Speaker 2: here no Man.

2640
02:27:19,440 --> 02:27:24,720
Speaker 3: Some of the els records ever I tried to I

2641
02:27:24,800 --> 02:27:29,280
Speaker 3: tried to sample De Duran on this album and the

2642
02:27:29,360 --> 02:27:34,800
Speaker 3: company was like, not at all. They're British right. One

2643
02:27:34,800 --> 02:27:37,400
Speaker 3: of the greatest records I've ever written is called Sabor

2644
02:27:37,480 --> 02:27:40,560
Speaker 3: Prayer and I was a little kid watching MTV and

2645
02:27:40,680 --> 02:27:43,840
Speaker 3: it took me fifteen years to understand. See, the best

2646
02:27:43,879 --> 02:27:54,680
Speaker 3: thing about UH writing before the dumblification of rap is

2647
02:27:54,760 --> 02:27:59,880
Speaker 3: that it was dope. Rock was written well because we

2648
02:28:00,120 --> 02:28:03,760
Speaker 3: creative rock and these songs and R and B and

2649
02:28:03,959 --> 02:28:06,960
Speaker 3: women the woman like people are talking. They talking that

2650
02:28:07,040 --> 02:28:10,040
Speaker 3: ship though they're talking like I'm fucking your nigga, like

2651
02:28:10,160 --> 02:28:12,920
Speaker 3: they talking about real ship, but making the ship sound amazing.

2652
02:28:14,440 --> 02:28:16,920
Speaker 3: It just became now where it's like I'm a whore,

2653
02:28:17,200 --> 02:28:21,360
Speaker 3: I'm a dude, you fuck me, I'm on you shit, corny.

2654
02:28:21,640 --> 02:28:23,440
Speaker 2: You know it's so crazy it sounds like a hit record.

2655
02:28:26,680 --> 02:28:29,920
Speaker 3: Yeah, because your ears trained into monkey times pro so

2656
02:28:30,120 --> 02:28:34,640
Speaker 3: so they used to write grown ass Ship, fire Ship

2657
02:28:35,920 --> 02:28:41,480
Speaker 3: and Duran Durant Wright's really interesting. It always resonated with me.

2658
02:28:41,600 --> 02:28:43,480
Speaker 3: I tried to sample it twice one company. It was

2659
02:28:43,520 --> 02:28:46,840
Speaker 3: like never in life. Yeah, They're like I was signing

2660
02:28:46,879 --> 02:28:49,760
Speaker 3: a Capito old Parorty record. I'm like, come on, bro,

2661
02:28:50,320 --> 02:28:53,200
Speaker 3: It's like, naw, well you need to go after that. Well,

2662
02:28:53,440 --> 02:28:55,280
Speaker 3: you know you asked me in my perfect world for

2663
02:28:55,400 --> 02:28:57,320
Speaker 3: real to make the beat. I get the Ran around

2664
02:28:57,680 --> 02:29:03,119
Speaker 3: are they Aund's so yeah, yeah, it's like so here,

2665
02:29:03,200 --> 02:29:05,959
Speaker 3: I challenge everybody here for this one. There's a song

2666
02:29:06,120 --> 02:29:11,160
Speaker 3: that I heard as a kid. Amongst all the amazing

2667
02:29:11,200 --> 02:29:14,320
Speaker 3: great records, the Ran Durant had a record called a

2668
02:29:14,440 --> 02:29:16,720
Speaker 3: viwtwo to Kill. I like James Vond. I like the nigga.

2669
02:29:16,720 --> 02:29:18,600
Speaker 3: It was a cool nigga you kill niggas. He always

2670
02:29:18,640 --> 02:29:22,320
Speaker 3: get the bitch. So I liked James Vond. Do I

2671
02:29:22,360 --> 02:29:28,280
Speaker 3: see myself in James Bond? No, but in my James

2672
02:29:28,360 --> 02:29:32,680
Speaker 3: Bond you God damn right right right now. Dran Durant

2673
02:29:32,680 --> 02:29:36,520
Speaker 3: would do the music to a few of them, and

2674
02:29:37,160 --> 02:29:39,480
Speaker 3: he had a salt that it's not he, it's them.

2675
02:29:40,840 --> 02:29:41,640
Speaker 3: There's a song, but.

2676
02:29:41,680 --> 02:29:45,120
Speaker 2: It's hearing of them, not them them. Huh they No,

2677
02:29:45,200 --> 02:29:45,800
Speaker 2: it's them.

2678
02:29:46,000 --> 02:29:49,760
Speaker 3: They them. But the point was one of the greatest records.

2679
02:29:49,800 --> 02:29:54,080
Speaker 3: It took me fifteen years, like to even understand the

2680
02:29:54,280 --> 02:29:57,080
Speaker 3: context of the record. And that's what I think. I

2681
02:29:57,160 --> 02:30:00,600
Speaker 3: think layers are incredible when I I can listen to

2682
02:30:00,760 --> 02:30:04,560
Speaker 3: oldies and hear like, oh shit, I'm old enough to

2683
02:30:04,600 --> 02:30:07,840
Speaker 3: really understand what the fuck I was here, Like I

2684
02:30:07,959 --> 02:30:10,800
Speaker 3: heard it because it sounded catchy, as opposed to like,

2685
02:30:11,280 --> 02:30:12,280
Speaker 3: oh I'm living in this.

2686
02:30:12,640 --> 02:30:14,720
Speaker 4: Like I called a rock can bar.

2687
02:30:17,959 --> 02:30:22,640
Speaker 3: From the first album like four four years ago, no less,

2688
02:30:23,640 --> 02:30:25,560
Speaker 3: and I wish I should have wrote it down. I

2689
02:30:25,680 --> 02:30:28,920
Speaker 3: was like, I finally got the bar. I like that

2690
02:30:29,320 --> 02:30:32,080
Speaker 3: now if you want, I walked down the street down

2691
02:30:32,240 --> 02:30:37,120
Speaker 3: my horn. I killed him yesterday. I shot it's monkey talk.

2692
02:30:37,800 --> 02:30:40,520
Speaker 3: Grow the fuck up. I get it that they trained

2693
02:30:40,560 --> 02:30:43,640
Speaker 3: you to do that, But I like shit where like

2694
02:30:44,160 --> 02:30:51,000
Speaker 3: even even the law's form of energy is more complicated

2695
02:30:52,000 --> 02:30:55,480
Speaker 3: than one simple thing. So I like when I like

2696
02:30:55,560 --> 02:31:01,840
Speaker 3: when I go back to people's music and get more

2697
02:31:01,879 --> 02:31:05,680
Speaker 3: informed or you know, or get growth. Because I thought

2698
02:31:05,720 --> 02:31:07,720
Speaker 3: the point of art, as I look at it on

2699
02:31:07,840 --> 02:31:11,320
Speaker 3: this wall, as I see it amongst me, is to

2700
02:31:11,600 --> 02:31:14,480
Speaker 3: learn from it and to grow from it. If it's

2701
02:31:14,800 --> 02:31:18,959
Speaker 3: just a thing, then you're a cheeseburger from McDonald's I'm

2702
02:31:19,000 --> 02:31:23,080
Speaker 3: not no fucking cheeseburger. We are exquisite art. We do

2703
02:31:23,200 --> 02:31:26,000
Speaker 3: exquisite shit. The fact that you can move from what

2704
02:31:26,160 --> 02:31:29,959
Speaker 3: you did, you know what I'm saying. As a queen's nigga,

2705
02:31:30,440 --> 02:31:34,439
Speaker 3: you know what I'm saying, and really go from CNN

2706
02:31:35,440 --> 02:31:38,920
Speaker 3: to go into you know what I'm saying. I do

2707
02:31:39,040 --> 02:31:41,680
Speaker 3: have a joke about, but no to move into your

2708
02:31:41,720 --> 02:31:43,879
Speaker 3: culture and even do reggaeton, you know what I'm saying,

2709
02:31:44,080 --> 02:31:46,000
Speaker 3: have growth to build. You know what I'm saying. Where

2710
02:31:46,040 --> 02:31:48,080
Speaker 3: y'all on, y'all tenth here for you to grow.

2711
02:31:48,600 --> 02:31:51,440
Speaker 4: That's the love. Don't never be relegated.

2712
02:31:51,520 --> 02:31:53,760
Speaker 3: And I'm kind of in it. I'm in that. I'm

2713
02:31:53,800 --> 02:31:57,640
Speaker 3: in my love zone about the art, like fuck it

2714
02:31:57,720 --> 02:31:59,760
Speaker 3: because at the end of the day, when we go,

2715
02:32:00,160 --> 02:32:03,600
Speaker 3: all we gonna leave is this I mean, So I'm

2716
02:32:03,640 --> 02:32:05,440
Speaker 3: gonna leave excellence if I can't.

2717
02:32:06,840 --> 02:32:08,480
Speaker 4: What's your stance on ghost riding.

2718
02:32:10,200 --> 02:32:14,080
Speaker 3: Here's my stance on that. To different sports. So water

2719
02:32:14,200 --> 02:32:15,560
Speaker 3: polo is not regular polo.

2720
02:32:19,720 --> 02:32:24,040
Speaker 2: Lets say it again, A water polo is not regular

2721
02:32:25,400 --> 02:32:26,000
Speaker 2: on the horse.

2722
02:32:25,840 --> 02:32:32,720
Speaker 3: And they hit right. I think it's more difficult water polo.

2723
02:32:32,840 --> 02:32:35,240
Speaker 3: It doesn't matter. So I'm just gonna tell you different

2724
02:32:35,280 --> 02:32:38,199
Speaker 3: skill set. So he asked me a question about ghost writing.

2725
02:32:39,000 --> 02:32:43,120
Speaker 3: So a man named three people, because then you can

2726
02:32:43,240 --> 02:32:58,320
Speaker 3: use it. Kanye West, Doctor Dre my name for allegedly others,

2727
02:33:00,240 --> 02:33:06,360
Speaker 3: I said, Kanye West, I said, so did he? So did?

2728
02:33:06,400 --> 02:33:08,800
Speaker 3: He said, don't matter if I write rhymes, I write checks.

2729
02:33:08,959 --> 02:33:12,600
Speaker 3: Doctor Dre has never said all the best lyricists. I

2730
02:33:12,760 --> 02:33:17,040
Speaker 3: respect him. Different sport. He's a producer, right, But don't

2731
02:33:17,120 --> 02:33:22,600
Speaker 3: act like you play my sport, right, don't. You don't

2732
02:33:22,720 --> 02:33:25,680
Speaker 3: come in with niggas helping you write four or five

2733
02:33:25,760 --> 02:33:30,800
Speaker 3: of your bars, seven or ten. At what point when

2734
02:33:31,080 --> 02:33:34,280
Speaker 3: it does it become them and not you? Hooks and

2735
02:33:34,360 --> 02:33:36,960
Speaker 3: production are one thing. If you don't play my sport,

2736
02:33:37,680 --> 02:33:42,840
Speaker 3: fuck out of here. I play a sport it's called bars.

2737
02:33:44,640 --> 02:33:47,760
Speaker 3: The rest of y'all playing a game called convincing bitches

2738
02:33:47,840 --> 02:33:52,040
Speaker 3: and white people that you're popular. You can't beat me

2739
02:33:52,200 --> 02:33:54,840
Speaker 3: at what I do, and I don't give a fuck

2740
02:33:54,840 --> 02:33:57,000
Speaker 3: if you got a group. So the bottom line is

2741
02:33:57,440 --> 02:34:01,000
Speaker 3: we should just call a thing called seventy four years.

2742
02:34:01,720 --> 02:34:04,840
Speaker 3: No Internet, none of your hype people, none of your

2743
02:34:04,920 --> 02:34:05,680
Speaker 3: help writers.

2744
02:34:06,160 --> 02:34:07,680
Speaker 4: I will air your niggas out.

2745
02:34:08,000 --> 02:34:10,560
Speaker 3: I'll air your favorites, because if you over here with

2746
02:34:10,760 --> 02:34:14,120
Speaker 3: niggas helping you, throwing you bars and whatever. You can

2747
02:34:14,200 --> 02:34:16,360
Speaker 3: help with a hook, you can help with production, you

2748
02:34:16,480 --> 02:34:20,560
Speaker 3: cannot help me with me expressing myself. Period. No, right now,

2749
02:34:21,040 --> 02:34:24,160
Speaker 3: motherfuckers is using chat GPT. That my next question.

2750
02:34:24,400 --> 02:34:27,560
Speaker 5: While confidently I've seen people I'm not gonna name no names,

2751
02:34:27,840 --> 02:34:30,760
Speaker 5: but they're comfortently saying Chad GVT is helping.

2752
02:34:31,280 --> 02:34:37,439
Speaker 7: Well again again, every tool rhyme again, every.

2753
02:34:37,400 --> 02:34:40,440
Speaker 3: Tool is a tool. You're just not playing my sport.

2754
02:34:41,760 --> 02:34:44,200
Speaker 3: Whatever that sport is called it something else that's not

2755
02:34:44,400 --> 02:34:48,560
Speaker 3: water polo, that's called the salad polo, cyberpolo. Right, you

2756
02:34:48,640 --> 02:34:50,640
Speaker 3: can do whatever you want to do, just don't act

2757
02:34:50,680 --> 02:34:54,040
Speaker 3: like you mean. But Kenky said, they not like they

2758
02:34:54,200 --> 02:34:56,920
Speaker 3: not like us, You not like me. If you don't

2759
02:34:56,920 --> 02:35:02,800
Speaker 3: write your ship, you beat it. My nigga, what what

2760
02:35:03,000 --> 02:35:07,160
Speaker 3: game we plan? You not capable of depth of character?

2761
02:35:07,280 --> 02:35:09,600
Speaker 3: You don't know how to express yourself. You need other

2762
02:35:09,680 --> 02:35:13,800
Speaker 3: people to help. You say you need a therapist. I

2763
02:35:13,920 --> 02:35:18,200
Speaker 3: gave an analogy a long time. Well, but basically that's

2764
02:35:18,240 --> 02:35:20,879
Speaker 3: what they are. They're your therapist. Here, here's my analogy.

2765
02:35:21,920 --> 02:35:26,840
Speaker 3: Who's your favorite basketball player? Who's your favorite football player.

2766
02:35:29,240 --> 02:35:34,440
Speaker 3: You don't give a okay, Jesus Chris, So John Alway

2767
02:35:36,160 --> 02:35:42,280
Speaker 3: is definitely you even know.

2768
02:35:43,440 --> 02:35:44,640
Speaker 2: That's what I actually cared about.

2769
02:35:45,640 --> 02:35:50,480
Speaker 3: Okay, So if you started watching the playbacks of John Alway,

2770
02:35:51,560 --> 02:35:54,080
Speaker 3: he was a quarterback right right, So if you saw

2771
02:35:54,240 --> 02:35:57,240
Speaker 3: l Way he was doing, you freeze frame it right

2772
02:35:58,400 --> 02:36:00,680
Speaker 3: and this is going to get racist, but it's hilarious.

2773
02:36:02,879 --> 02:36:06,760
Speaker 3: Why oh you know, why do you know me? So

2774
02:36:07,360 --> 02:36:13,039
Speaker 3: nor watching these? A little Mexican cross out always hands

2775
02:36:13,280 --> 02:36:17,520
Speaker 3: and he really throws it. A little Mexican, a little

2776
02:36:17,560 --> 02:36:19,480
Speaker 3: Mexican guy. Because I'm from l A and I always

2777
02:36:19,840 --> 02:36:22,600
Speaker 3: those are my brothers. So so if you saw a

2778
02:36:22,840 --> 02:36:26,879
Speaker 3: miniature little nigga, come on, he's happening to be nextan

2779
02:36:27,040 --> 02:36:30,240
Speaker 3: in my analogy because I'm from la so I think

2780
02:36:30,280 --> 02:36:34,280
Speaker 3: it's Lway, but it's not really, not really, it's a

2781
02:36:34,320 --> 02:36:40,720
Speaker 3: little nigga that comes out a little bit in my analogy,

2782
02:36:40,840 --> 02:36:45,039
Speaker 3: happens to be Nan. He comes out bomb. I want

2783
02:36:45,280 --> 02:36:46,160
Speaker 3: I want Alway.

2784
02:36:46,520 --> 02:36:47,520
Speaker 4: I don't want Alway.

2785
02:36:47,920 --> 02:36:51,120
Speaker 3: I want El Pedro. I want the little nature. I

2786
02:36:51,240 --> 02:36:54,320
Speaker 3: want the little nigga that through the bomb. But I

2787
02:36:54,600 --> 02:36:55,360
Speaker 3: like that guy.

2788
02:36:56,360 --> 02:36:58,520
Speaker 7: I don't want the little nigga that did this ship

2789
02:36:58,760 --> 02:37:01,320
Speaker 7: because you're the big guy doing it.

2790
02:37:01,640 --> 02:37:04,519
Speaker 2: They need each other. No, fuck you, because.

2791
02:37:09,600 --> 02:37:13,760
Speaker 3: I like the real one you can. I never went

2792
02:37:13,800 --> 02:37:17,160
Speaker 3: to McDonald's expecting Ronald McDonald to come out and make

2793
02:37:17,200 --> 02:37:21,000
Speaker 3: my hamburgers and take my order, right, But for real,

2794
02:37:21,240 --> 02:37:24,320
Speaker 3: I did expect it's call wrap and you can't write them.

2795
02:37:24,520 --> 02:37:25,520
Speaker 4: You're not like me.

2796
02:37:25,840 --> 02:37:28,080
Speaker 3: I don't want you around here. Give me the nigga

2797
02:37:28,120 --> 02:37:33,960
Speaker 3: that's doing it in R and B because they do

2798
02:37:34,080 --> 02:37:37,760
Speaker 3: a lot of hard work. They and they dance, they

2799
02:37:37,920 --> 02:37:40,640
Speaker 3: sing and they dance. Nigga rappers. We don't have a

2800
02:37:40,840 --> 02:37:43,400
Speaker 3: hard job. But how come, let me let me ask

2801
02:37:43,440 --> 02:37:43,600
Speaker 3: you this.

2802
02:37:45,200 --> 02:37:47,240
Speaker 1: How come Chris Brown could be related to one of

2803
02:37:47,280 --> 02:37:52,160
Speaker 1: the greatest of all times and he clearly is great.

2804
02:37:52,920 --> 02:37:56,120
Speaker 1: But you find out that Chris Brown didn't write some

2805
02:37:56,280 --> 02:37:57,720
Speaker 1: of his songs, is he still.

2806
02:38:01,600 --> 02:38:03,040
Speaker 3: He's not great? Cannot be?

2807
02:38:03,400 --> 02:38:08,560
Speaker 11: We have to be honest, man, it's not it's not

2808
02:38:08,959 --> 02:38:11,480
Speaker 11: normal and it's not in the genre of R and

2809
02:38:11,560 --> 02:38:14,680
Speaker 11: B that is a normal life songwriter collaborate.

2810
02:38:14,760 --> 02:38:18,600
Speaker 3: Michael Jackson times out. I never thought Billy Jean was

2811
02:38:18,680 --> 02:38:22,600
Speaker 3: not his lover for Michael Jackson when when I was

2812
02:38:22,640 --> 02:38:23,119
Speaker 3: a kid.

2813
02:38:23,040 --> 02:38:23,480
Speaker 8: I do this.

2814
02:38:23,640 --> 02:38:29,240
Speaker 3: Nigga was not fucking nothing, Billy Nigga the likes I

2815
02:38:29,360 --> 02:38:30,520
Speaker 3: was like, he's the baddest.

2816
02:38:31,440 --> 02:38:33,560
Speaker 4: Come on, this is rape.

2817
02:38:34,240 --> 02:38:35,960
Speaker 3: At some point do we get are we gonna have

2818
02:38:36,040 --> 02:38:37,120
Speaker 3: some accountability here?

2819
02:38:37,400 --> 02:38:40,200
Speaker 5: And the thing is this, Although it is true that

2820
02:38:40,280 --> 02:38:43,120
Speaker 5: there's ghost writing in hip hop, although it is true

2821
02:38:43,160 --> 02:38:45,320
Speaker 5: from the beginning, Although it is true, this is the thing,

2822
02:38:45,440 --> 02:38:47,279
Speaker 5: this is, This is where we have to be understanding

2823
02:38:47,280 --> 02:38:49,760
Speaker 5: of it. Although we used to be honest, although it

2824
02:38:49,879 --> 02:38:56,920
Speaker 5: is true, the overlying rule in hip hop, that is

2825
02:38:57,000 --> 02:38:59,320
Speaker 5: the overlying rule in hip hop.

2826
02:38:59,400 --> 02:39:03,840
Speaker 1: But best groups of all time? Who n w A

2827
02:39:04,160 --> 02:39:05,680
Speaker 1: said Ice Cube?

2828
02:39:05,760 --> 02:39:05,880
Speaker 3: Right?

2829
02:39:05,959 --> 02:39:08,680
Speaker 1: The rhymes that I say, like, I didn't even I

2830
02:39:08,720 --> 02:39:09,960
Speaker 1: didn't even know what he was saying.

2831
02:39:10,080 --> 02:39:12,240
Speaker 4: Back then when I thought about it, I said, holy

2832
02:39:12,400 --> 02:39:14,240
Speaker 4: shell from But.

2833
02:39:14,320 --> 02:39:16,320
Speaker 3: That was that was only easy and dre.

2834
02:39:16,680 --> 02:39:19,160
Speaker 4: But I'm gonna be honest I and Doctor Drake is

2835
02:39:19,200 --> 02:39:19,640
Speaker 4: the way with it.

2836
02:39:20,120 --> 02:39:24,879
Speaker 2: They didn't never saying they were mcs or rappers.

2837
02:39:25,040 --> 02:39:27,360
Speaker 3: Really really true, right, they were a team.

2838
02:39:28,440 --> 02:39:30,520
Speaker 2: Ice You were the only true mcs.

2839
02:39:32,520 --> 02:39:35,520
Speaker 3: And then came d C from tech Corse. At d C,

2840
02:39:35,760 --> 02:39:39,920
Speaker 3: he was writing writing like a motherfucker right, incredible, incredible

2841
02:39:40,000 --> 02:39:43,400
Speaker 3: or incredible. But Doctor Dre ain't never said yeah I

2842
02:39:43,480 --> 02:39:45,440
Speaker 3: got the bars, yeah d o C.

2843
02:39:45,720 --> 02:39:47,440
Speaker 4: You know what I'm saying, Like he ain't ship.

2844
02:39:48,120 --> 02:39:51,000
Speaker 3: I'm doctor Dre, doc p r E. I spent all

2845
02:39:51,040 --> 02:39:53,680
Speaker 3: this ship I wrote for him and these other niggas

2846
02:39:53,760 --> 02:40:00,680
Speaker 3: like you Shenanigan, and they did not. And I think

2847
02:40:01,400 --> 02:40:06,280
Speaker 3: if nothing else is called rap. If you can't rap, good,

2848
02:40:08,560 --> 02:40:13,320
Speaker 3: beat it. If you don't write your wraps, but you're

2849
02:40:13,400 --> 02:40:16,040
Speaker 3: good to the system, great, Just don't act like you

2850
02:40:16,200 --> 02:40:18,600
Speaker 3: do what we do. So I think Kanye should have

2851
02:40:18,600 --> 02:40:23,920
Speaker 3: stopped from the man. I'm like, stop the like, uh,

2852
02:40:24,600 --> 02:40:27,400
Speaker 3: I ain't been doing whoever the fuck you think you are?

2853
02:40:29,160 --> 02:40:37,000
Speaker 3: Your cornball, I'll tell you sy well think Kanye? I think, well,

2854
02:40:37,040 --> 02:40:39,320
Speaker 3: you know I lived with jay Z. It's time to

2855
02:40:39,360 --> 02:40:43,440
Speaker 3: stop with you. Live I did. I lived on State Street.

2856
02:40:44,280 --> 02:40:46,600
Speaker 3: I lived. I lived before this album came out. That's

2857
02:40:46,600 --> 02:40:52,720
Speaker 3: why I got the jazz O record. I lived on

2858
02:40:53,320 --> 02:40:58,280
Speaker 3: State Street with no I lived in the apartment with

2859
02:40:58,480 --> 02:41:00,680
Speaker 3: Tim beat High and jay Z. What did you not

2860
02:41:00,840 --> 02:41:01,280
Speaker 3: live with that?

2861
02:41:03,440 --> 02:41:03,760
Speaker 10: This guy?

2862
02:41:04,200 --> 02:41:04,760
Speaker 3: What are you doing?

2863
02:41:05,200 --> 02:41:06,600
Speaker 2: I'm an Airbnb company.

2864
02:41:06,680 --> 02:41:09,680
Speaker 3: You tied to bro stupid fucking l A kid that

2865
02:41:09,760 --> 02:41:12,480
Speaker 3: went on a dream called I believe when it's rap shit.

2866
02:41:12,520 --> 02:41:14,400
Speaker 3: I was getting the bag. I had already fucked up.

2867
02:41:14,760 --> 02:41:18,080
Speaker 3: I went on the journey, bro, yeah, I mean ship.

2868
02:41:18,160 --> 02:41:20,400
Speaker 3: I asked them, if I'm a lining nigga, they gonna

2869
02:41:20,400 --> 02:41:24,080
Speaker 3: tell you my story. My story adds up. These nigga

2870
02:41:24,160 --> 02:41:25,080
Speaker 3: stories don't add all.

2871
02:41:25,120 --> 02:41:27,240
Speaker 2: Right, what's the jay Z living story?

2872
02:41:29,640 --> 02:41:32,640
Speaker 3: H Jay's my label made first album priority?

2873
02:41:33,160 --> 02:41:35,520
Speaker 4: Yeah right, oh yeah, that's right, right, that's right.

2874
02:41:35,879 --> 02:41:39,440
Speaker 3: So that's that's how you all connect. And at some point,

2875
02:41:40,160 --> 02:41:41,920
Speaker 3: what did you think about him when you first met him?

2876
02:41:42,920 --> 02:41:48,360
Speaker 3: I actually protected him. Snoop shipped on him. Who Snoopy

2877
02:41:48,600 --> 02:41:51,400
Speaker 3: Dog our label made shipped on him.

2878
02:41:52,080 --> 02:41:55,039
Speaker 2: Really, this is during the beginning of the East Coast

2879
02:41:55,040 --> 02:41:55,640
Speaker 2: West Coast ship.

2880
02:41:56,000 --> 02:41:59,840
Speaker 3: No. When this is East Coast Killer, West Coast cap

2881
02:42:00,040 --> 02:42:05,240
Speaker 3: hillis little monkey niggas tonguerrillas. I'm on the radio, I'm

2882
02:42:05,400 --> 02:42:08,880
Speaker 3: up and coming where all labelmates Snoop calls in and

2883
02:42:09,000 --> 02:42:12,120
Speaker 3: ships on jay Z. And they asked me what I

2884
02:42:12,240 --> 02:42:14,480
Speaker 3: think about it? And I say, I think Snoops are wrong.

2885
02:42:14,560 --> 02:42:20,720
Speaker 3: Y'all don't think he understood the bar mm hm, So

2886
02:42:21,080 --> 02:42:24,800
Speaker 3: I say, jay Z ain't sol no records, the company

2887
02:42:24,879 --> 02:42:26,600
Speaker 3: don't already don't fuck with jay Z.

2888
02:42:27,680 --> 02:42:29,240
Speaker 4: But reasonable doubt is fire.

2889
02:42:29,760 --> 02:42:31,520
Speaker 2: I'm like, reasonable is already out.

2890
02:42:31,720 --> 02:42:39,039
Speaker 3: Yeah, the failed record, failed, failed failed record, Yes, it's failed.

2891
02:42:39,680 --> 02:42:43,920
Speaker 3: Do the math. See when it comes out, see when

2892
02:42:43,959 --> 02:42:47,120
Speaker 3: the single comes out. I'm telling me what they expected,

2893
02:42:47,200 --> 02:42:49,959
Speaker 3: her saying he his B side of.

2894
02:42:50,040 --> 02:42:51,119
Speaker 4: The Hustle already came out.

2895
02:42:52,400 --> 02:42:57,280
Speaker 3: No dead press President President is coming out there on

2896
02:42:57,320 --> 02:43:01,120
Speaker 3: the record. No, ain't came out as they're never what

2897
02:43:01,640 --> 02:43:06,720
Speaker 3: independent asshole label would shoot a fucking record for B side?

2898
02:43:07,600 --> 02:43:12,320
Speaker 3: Right then it's over. I'm I'm telling you what the execs,

2899
02:43:12,480 --> 02:43:14,680
Speaker 3: the bean counters are saying.

2900
02:43:16,000 --> 02:43:20,240
Speaker 4: You want to shoot this. They're saying in front of me.

2901
02:43:20,400 --> 02:43:23,080
Speaker 3: I'm an I'm an artist too, I'm signed for my

2902
02:43:23,200 --> 02:43:25,800
Speaker 3: amount of money whatever. They're like, nah, we're never going

2903
02:43:25,879 --> 02:43:28,400
Speaker 3: to do that. I'm like, I think it's fire. This

2904
02:43:28,520 --> 02:43:33,000
Speaker 3: almost incredible man being record. I'm like, this ship fire

2905
02:43:33,040 --> 02:43:35,840
Speaker 3: and I already know, bro, that's the Hawaiian Sophie Niggas.

2906
02:43:37,240 --> 02:43:39,760
Speaker 3: I know what I know. Now, maybe you being counters,

2907
02:43:39,800 --> 02:43:44,200
Speaker 3: don't know who you're dealing with. Niggas Fire, Snoop don't know.

2908
02:43:45,320 --> 02:43:47,320
Speaker 3: So I told my so, why did you think Snoop

2909
02:43:47,400 --> 02:43:49,480
Speaker 3: did that? I mean, I never because he didn't know.

2910
02:43:49,640 --> 02:43:51,800
Speaker 3: And it's in that all East and West.

2911
02:43:51,840 --> 02:43:54,680
Speaker 2: But no record is this.

2912
02:43:55,360 --> 02:43:58,600
Speaker 3: This is the first jay Z out, but the Snoop record,

2913
02:43:58,879 --> 02:44:00,440
Speaker 3: I don't know the something last year.

2914
02:44:01,480 --> 02:44:02,440
Speaker 2: What you got to get to the bottom.

2915
02:44:03,040 --> 02:44:05,200
Speaker 3: Google it and put it up on this ship right now,

2916
02:44:05,400 --> 02:44:08,520
Speaker 3: Google and you picked the day and I never heard.

2917
02:44:11,480 --> 02:44:15,280
Speaker 3: I never heard. So anyway, we're on the radio and

2918
02:44:15,440 --> 02:44:18,320
Speaker 3: Snoop says the ship and he's like, I didn't like

2919
02:44:18,440 --> 02:44:21,120
Speaker 3: what jay Z said. Okay, you know what I'm saying.

2920
02:44:21,120 --> 02:44:23,640
Speaker 3: I don't like and I'm happen to be on the radio,

2921
02:44:23,680 --> 02:44:25,120
Speaker 3: and I'm just like, with.

2922
02:44:25,320 --> 02:44:28,240
Speaker 1: That lot of East Coast Killers, that was a reasonable

2923
02:44:28,560 --> 02:44:31,760
Speaker 1: So that's dead Press, these schools West Coast Killers.

2924
02:44:31,800 --> 02:44:34,120
Speaker 2: Wasn't that the dra Ship? On Aftermath?

2925
02:44:35,600 --> 02:44:37,160
Speaker 4: Are you tipsy? Are you talking with me?

2926
02:44:38,200 --> 02:44:38,879
Speaker 2: I'm serious?

2927
02:44:39,440 --> 02:44:44,880
Speaker 3: Okay. So Karris on dad Press, he says, oh you

2928
02:44:45,000 --> 02:44:51,680
Speaker 3: mean j Body, Yes, A little Monkey Niggas Tonguebrellers on

2929
02:44:51,840 --> 02:44:53,800
Speaker 3: Damn Press, which is one of my favorite records.

2930
02:44:53,800 --> 02:44:55,600
Speaker 4: I don't like the remix. I like the original.

2931
02:44:56,120 --> 02:44:57,240
Speaker 3: We have to talk very clear.

2932
02:44:57,280 --> 02:44:59,600
Speaker 2: When you say dead Press, everybody's gonna think you're thinking

2933
02:44:59,600 --> 02:45:02,320
Speaker 2: about dead The group oh no, no Dead Presidents.

2934
02:45:02,480 --> 02:45:06,880
Speaker 3: The record J's Dead Presidence. Yes, So they all come

2935
02:45:06,959 --> 02:45:09,560
Speaker 3: out around the same time my album.

2936
02:45:11,879 --> 02:45:14,320
Speaker 4: James Record, Who Changed J.

2937
02:45:16,160 --> 02:45:18,040
Speaker 3: And So I remember just being on the radio in

2938
02:45:18,200 --> 02:45:22,440
Speaker 3: La and I had to defend in La Jayme's record.

2939
02:45:22,480 --> 02:45:26,199
Speaker 3: I was like, I don't think the sophisticated ear would

2940
02:45:26,280 --> 02:45:32,080
Speaker 3: know that jay Z's not dissing La. I said, what

2941
02:45:32,320 --> 02:45:34,879
Speaker 3: I would find offense too is too much West Coast

2942
02:45:34,959 --> 02:45:38,840
Speaker 3: dick Licking, which is a different song that's two twenty two's.

2943
02:45:40,080 --> 02:45:42,160
Speaker 4: My ear is to the street on these bars.

2944
02:45:42,760 --> 02:45:45,880
Speaker 3: I'll tell you when the nigga talk and slick because

2945
02:45:45,920 --> 02:45:49,400
Speaker 3: I can talk slick too. I shoot at niggas too.

2946
02:45:49,720 --> 02:45:53,200
Speaker 3: So whatever we get like all your favorites could get it.

2947
02:45:53,280 --> 02:45:55,640
Speaker 3: But I don't think what jay was talking about was

2948
02:45:55,720 --> 02:45:59,160
Speaker 3: that he was trying to do like Queen's niggas talk

2949
02:45:59,280 --> 02:46:02,920
Speaker 3: different and Compton niggas that talk different.

2950
02:46:03,200 --> 02:46:05,039
Speaker 5: And when I told Norrie Rick Ross was in saying

2951
02:46:05,080 --> 02:46:12,120
Speaker 5: you and hustling, that was a conversation we did that.

2952
02:46:14,920 --> 02:46:19,080
Speaker 3: So with that being said, I just always wanted because

2953
02:46:19,080 --> 02:46:22,119
Speaker 3: I felt like you were lying to me. Y'all, Really

2954
02:46:22,200 --> 02:46:22,840
Speaker 3: you really have it?

2955
02:46:22,959 --> 02:46:35,160
Speaker 2: Remembering you not at first, No, word not. Don't worry.

2956
02:46:35,360 --> 02:46:36,119
Speaker 2: It wasn't working.

2957
02:46:36,440 --> 02:46:37,240
Speaker 3: Instance not you.

2958
02:46:38,440 --> 02:46:39,040
Speaker 4: I got over it.

2959
02:46:39,120 --> 02:46:43,160
Speaker 3: That. Wow. Okay, you're a good friend. You got you

2960
02:46:43,240 --> 02:46:47,880
Speaker 3: guys have been good friend really? Yeah?

2961
02:46:48,040 --> 02:46:50,840
Speaker 2: Hello it want to take a shot?

2962
02:46:51,480 --> 02:46:52,400
Speaker 3: No, I want to kill you?

2963
02:46:53,200 --> 02:46:53,840
Speaker 4: How do I do that?

2964
02:46:54,160 --> 02:46:55,160
Speaker 2: You want to kill me something?

2965
02:46:55,320 --> 02:46:55,440
Speaker 3: Now?

2966
02:46:56,040 --> 02:46:58,720
Speaker 4: I feel like you can. I pissed real quick.

2967
02:46:59,120 --> 02:46:59,960
Speaker 2: Yeah, I pissed the mill.

2968
02:47:00,120 --> 02:47:04,520
Speaker 3: Time to go for it? Wait will you? I'll be

2969
02:47:04,640 --> 02:47:05,280
Speaker 3: right back okay?

2970
02:47:05,360 --> 02:47:07,560
Speaker 4: Cool? No, No, we won't go anywhere.

2971
02:47:07,560 --> 02:47:08,040
Speaker 2: I promise.

2972
02:47:09,240 --> 02:47:18,600
Speaker 3: Oh that you can't right back for real? All this fun? Really?

2973
02:47:23,000 --> 02:47:23,480
Speaker 3: So I know.

2974
02:47:23,680 --> 02:47:23,880
Speaker 2: I know.

2975
02:47:23,959 --> 02:47:27,280
Speaker 1: I asked you earlier, what was your favorite album? What's

2976
02:47:27,320 --> 02:47:29,920
Speaker 1: the album that you wish you you could take back?

2977
02:47:30,840 --> 02:47:31,600
Speaker 1: You got thirty six?

2978
02:47:32,959 --> 02:47:36,000
Speaker 3: Do you consider all not believe that that's true for

2979
02:47:36,080 --> 02:47:38,080
Speaker 3: one thirty six releases?

2980
02:47:39,720 --> 02:47:41,320
Speaker 2: Consider them all out your album?

2981
02:47:43,240 --> 02:47:46,280
Speaker 3: Yeah? I believe. I mean in thirty years nigga? Yeah?

2982
02:47:46,800 --> 02:47:48,520
Speaker 3: Oh yeah, fun, I need stuff.

2983
02:47:48,800 --> 02:47:49,120
Speaker 4: I don't know.

2984
02:47:49,720 --> 02:47:57,119
Speaker 3: Thirty years. Yeah, he's been thirty years of like since

2985
02:47:57,280 --> 02:48:01,480
Speaker 3: the people guess about here. No, that's.

2986
02:48:03,040 --> 02:48:04,160
Speaker 2: The anniversary of it.

2987
02:48:04,280 --> 02:48:08,920
Speaker 3: I know. It's crazy. Think about it though, you guys,

2988
02:48:09,800 --> 02:48:11,959
Speaker 3: think about the nips and the pox and the big

2989
02:48:12,040 --> 02:48:14,680
Speaker 3: age and like just not even to be able to

2990
02:48:14,760 --> 02:48:18,520
Speaker 3: celebrate ten years of the journey and still legacies that

2991
02:48:18,600 --> 02:48:21,000
Speaker 3: affect us. So for me, I always just kind of

2992
02:48:21,040 --> 02:48:28,120
Speaker 3: find it like I'm grateful to be here. I'm not

2993
02:48:28,400 --> 02:48:31,280
Speaker 3: comparing like oh I need what so and so God,

2994
02:48:32,640 --> 02:48:35,959
Speaker 3: but like nips like you know, for Nipsey or big

2995
02:48:36,080 --> 02:48:37,680
Speaker 3: you know what I'm saying, not even to be able

2996
02:48:37,720 --> 02:48:41,640
Speaker 3: to enjoy like m your your kid turning.

2997
02:48:41,840 --> 02:48:45,439
Speaker 4: So life is precious, like no functions.

2998
02:48:45,560 --> 02:48:48,200
Speaker 1: So if you had a chance to do over, you

2999
02:48:48,200 --> 02:48:53,240
Speaker 1: would say, now, I wouldn't do it. Well none.

3000
02:48:53,959 --> 02:48:56,760
Speaker 3: I'm with everything I said when I said fu so

3001
02:48:56,800 --> 02:48:59,000
Speaker 3: and so, whatever I said, I meant it at the time.

3002
02:48:59,520 --> 02:49:02,360
Speaker 3: I ain't got no regrets, no regrets. You ever seen

3003
02:49:02,400 --> 02:49:08,920
Speaker 3: the tattoos regirts right right, Yeah, I'm totally okay with Like,

3004
02:49:09,800 --> 02:49:12,680
Speaker 3: even if I feel differently now, at least I felt

3005
02:49:12,720 --> 02:49:15,640
Speaker 3: how I felt at least because these are time capsules

3006
02:49:15,720 --> 02:49:19,680
Speaker 3: about how I felt at the time. Absolutely so. Maybe

3007
02:49:19,720 --> 02:49:21,840
Speaker 3: I was mad at my mom, maybe I was sad

3008
02:49:21,879 --> 02:49:25,520
Speaker 3: about this or whatever. These are time capsules. That's what

3009
02:49:26,000 --> 02:49:31,080
Speaker 3: art is. These people, everything that we do, every monument,

3010
02:49:31,440 --> 02:49:34,200
Speaker 3: even us as fucking children, think about this from a

3011
02:49:34,240 --> 02:49:39,680
Speaker 3: philosophical standpoint, we are the culmination of everybody before us.

3012
02:49:40,400 --> 02:49:45,680
Speaker 3: Wild I'm talking about before however long you think people

3013
02:49:45,760 --> 02:49:46,439
Speaker 3: were made.

3014
02:49:46,920 --> 02:49:48,360
Speaker 2: That survived for you to be here.

3015
02:49:48,520 --> 02:49:53,080
Speaker 3: Right, we are just here and now we're parents that

3016
02:49:53,200 --> 02:49:57,760
Speaker 3: we're creating art and whatever were.

3017
02:49:56,680 --> 02:49:59,879
Speaker 2: Like fuck sees or fuck this or like Nike.

3018
02:50:00,760 --> 02:50:02,560
Speaker 4: I mean, it's a beautiful journey.

3019
02:50:02,640 --> 02:50:05,720
Speaker 3: Man. I'm trying to embrace the grind. I'm trying to

3020
02:50:05,720 --> 02:50:08,960
Speaker 3: embrace the journey and enjoy my life while trying to

3021
02:50:09,040 --> 02:50:12,600
Speaker 3: at least do a good job while I'm here. You

3022
02:50:12,680 --> 02:50:15,040
Speaker 3: know what I mean. That's the I would hope that's

3023
02:50:15,400 --> 02:50:18,800
Speaker 3: the most important thing is like, enjoy it, live it,

3024
02:50:19,160 --> 02:50:22,760
Speaker 3: love it, and capitalize off of it.

3025
02:50:23,040 --> 02:50:26,400
Speaker 4: I'm on big bread, but big.

3026
02:50:26,320 --> 02:50:31,920
Speaker 3: Fun I do. My mom, my mom before she passed

3027
02:50:35,360 --> 02:50:40,680
Speaker 3: a long time ago. She fucked me up. And I'm

3028
02:50:40,680 --> 02:50:44,200
Speaker 3: gonna share something personal. So my mother only just died

3029
02:50:44,240 --> 02:50:48,440
Speaker 3: about then seven months ago. I got four sisters. I

3030
02:50:48,560 --> 02:50:51,640
Speaker 3: got four sisters, thank you, thanks for the condolences, but

3031
02:50:51,760 --> 02:50:57,840
Speaker 3: that's not my issue. I got four sisters, three older,

3032
02:50:58,000 --> 02:51:01,640
Speaker 3: one younger. So what makes me tick has never been

3033
02:51:02,240 --> 02:51:05,000
Speaker 3: and I'm a creole. My mom from Louisiana, My daddy's

3034
02:51:05,040 --> 02:51:07,400
Speaker 3: mark saf So I'm just clarified what the fuck I am.

3035
02:51:08,040 --> 02:51:10,840
Speaker 3: Ain't no nigga ever gonna change me anyway, because even

3036
02:51:10,920 --> 02:51:13,680
Speaker 3: when I was born in LA, I used to be

3037
02:51:13,760 --> 02:51:17,480
Speaker 3: the darkest kid in my family. You are Latino, I'm

3038
02:51:17,520 --> 02:51:21,360
Speaker 3: a creole, French blood whatever. So I've always had a journey.

3039
02:51:21,360 --> 02:51:24,680
Speaker 3: I wrote about it on my first album, You're not

3040
02:51:24,760 --> 02:51:28,959
Speaker 3: Gonna Force Me to do shit. Always felt very strongly

3041
02:51:29,080 --> 02:51:31,519
Speaker 3: and had a strong protective family about.

3042
02:51:32,920 --> 02:51:33,200
Speaker 4: Self.

3043
02:51:34,760 --> 02:51:37,120
Speaker 3: I made many mistakes, but my family allowed me to

3044
02:51:37,160 --> 02:51:39,879
Speaker 3: make mistakes, and my homeboys did also helped me too.

3045
02:51:40,280 --> 02:51:42,240
Speaker 3: But I think one of the things is part of

3046
02:51:42,320 --> 02:51:45,119
Speaker 3: this journey is the love part. I grow Catholic as fuck.

3047
02:51:45,600 --> 02:51:48,560
Speaker 3: I know my seventh Sacraments. I grew up with whatever

3048
02:51:48,720 --> 02:51:51,760
Speaker 3: like even in La like you ask to be all

3049
02:51:51,800 --> 02:51:53,920
Speaker 3: crip shit, I'm telling you, it was much harder to

3050
02:51:53,959 --> 02:51:59,040
Speaker 3: even identify with blacks culturally because I identified with Latinos.

3051
02:52:00,640 --> 02:52:06,640
Speaker 3: I mean, who's poor and Catholic in La? So I

3052
02:52:06,760 --> 02:52:10,560
Speaker 3: always feel like the bigger point is to express yourself,

3053
02:52:11,160 --> 02:52:15,640
Speaker 3: and I'm grateful to have an opportunity, at fifty years old,

3054
02:52:17,240 --> 02:52:23,440
Speaker 3: to be able to express myself and be honest and

3055
02:52:23,640 --> 02:52:30,400
Speaker 3: hopefully not bitter and jaded and inform people about because

3056
02:52:30,959 --> 02:52:34,920
Speaker 3: I didn't listen to my father, or I listened.

3057
02:52:34,680 --> 02:52:38,520
Speaker 4: To my mother because she's a tyrant. She was a tyrant.

3058
02:52:38,560 --> 02:52:42,360
Speaker 3: She was awesome. But you know that we do better,

3059
02:52:43,000 --> 02:52:44,960
Speaker 3: like I want to be able to be in a

3060
02:52:45,040 --> 02:52:49,360
Speaker 3: place where I can give people game, gain people up.

3061
02:52:49,520 --> 02:52:52,000
Speaker 3: Make sure you know what I'm saying. We're protecting what's

3062
02:52:52,080 --> 02:52:55,400
Speaker 3: most important, which is all our civilizations, all our people.

3063
02:52:57,640 --> 02:53:01,039
Speaker 3: How do we build bigger businesses? And I really don't

3064
02:53:01,320 --> 02:53:05,600
Speaker 3: even think that we should even start celebrating people that

3065
02:53:05,760 --> 02:53:10,440
Speaker 3: have been celebrities, because they don't deserve to be celebrated anymore.

3066
02:53:10,760 --> 02:53:13,400
Speaker 3: I think after two hundred million, if you ain't helping nobody,

3067
02:53:13,440 --> 02:53:14,920
Speaker 3: then we shouldn't talk about you no more.

3068
02:53:16,760 --> 02:53:17,879
Speaker 4: If you make two hundred.

3069
02:53:17,640 --> 02:53:20,080
Speaker 3: Million dollars and you ain't out here really doing the

3070
02:53:20,120 --> 02:53:24,960
Speaker 3: people's work, you beat the monopoly board, you're going to

3071
02:53:25,000 --> 02:53:27,920
Speaker 3: fold yours up, and then we're just not going to

3072
02:53:28,000 --> 02:53:30,400
Speaker 3: give you nothing. We'll find somebody else, find somebody to help.

3073
02:53:30,760 --> 02:53:34,440
Speaker 3: I think we need to start bringing our energy differently.

3074
02:53:34,560 --> 02:53:37,280
Speaker 3: I don't have to shit on nobody for me to

3075
02:53:37,320 --> 02:53:41,680
Speaker 3: feel better. I don't think that are like people are

3076
02:53:41,800 --> 02:53:45,680
Speaker 3: all like algorithms. Niggas act like the algorithm is like

3077
02:53:47,480 --> 02:53:50,920
Speaker 3: I don't know. Niggas. No, No, Niggas act like the

3078
02:53:51,000 --> 02:53:57,760
Speaker 3: algorithm is like science, like pie. They were like, you

3079
02:53:57,840 --> 02:54:02,279
Speaker 3: know what I'm saying, Like certain degrees, you freezer a nigga,

3080
02:54:02,400 --> 02:54:05,160
Speaker 3: make it and guess what nigga he looked like, not

3081
02:54:05,440 --> 02:54:10,360
Speaker 3: like you. Eli must changed and called it something different.

3082
02:54:10,840 --> 02:54:14,720
Speaker 3: Twitter became ex and nigger and beaner became a word.

3083
02:54:16,080 --> 02:54:16,800
Speaker 4: Way more often.

3084
02:54:17,240 --> 02:54:21,920
Speaker 3: Stop bowing to white people's ideas because you are going

3085
02:54:22,000 --> 02:54:27,480
Speaker 3: to lose that game. Stop Latinos. You're not gonna like

3086
02:54:27,560 --> 02:54:29,959
Speaker 3: this what I'm gonna say it. Stop thinking your Spanish

3087
02:54:30,200 --> 02:54:35,359
Speaker 3: Spain don't like you we do. Stop bowing to America.

3088
02:54:35,720 --> 02:54:39,720
Speaker 3: America has told you you're not welcome here, except here's

3089
02:54:39,760 --> 02:54:40,160
Speaker 3: the truth.

3090
02:54:40,440 --> 02:54:41,240
Speaker 4: It's our land.

3091
02:54:41,879 --> 02:54:43,879
Speaker 3: We got to start learning how to love each other

3092
02:54:44,360 --> 02:54:48,200
Speaker 3: and stop letting these constructs change us from being the

3093
02:54:48,280 --> 02:54:51,600
Speaker 3: best people we can. And that's really one of my

3094
02:54:51,680 --> 02:54:54,720
Speaker 3: bigger points about even this album and everything I've ever

3095
02:54:54,800 --> 02:54:55,280
Speaker 3: tried to make.

3096
02:54:55,879 --> 02:54:57,720
Speaker 4: You could take my money, but you couldn't take who

3097
02:54:57,760 --> 02:54:58,040
Speaker 4: I was.

3098
02:54:59,120 --> 02:55:02,000
Speaker 3: You could take being important, but I bar your favorite

3099
02:55:02,040 --> 02:55:05,480
Speaker 3: nigga out you can't have he can't beat me rapping.

3100
02:55:05,840 --> 02:55:09,960
Speaker 3: You can make it more important than me. I got

3101
02:55:10,040 --> 02:55:12,199
Speaker 3: a good face, I'll take it. I'll take this bitch.

3102
02:55:13,160 --> 02:55:16,600
Speaker 3: I do so I'm on that. I want us to

3103
02:55:16,840 --> 02:55:21,440
Speaker 3: like get back to for the culture for business. We

3104
02:55:21,680 --> 02:55:24,480
Speaker 3: can own our own businesses. And I think that's kind

3105
02:55:24,520 --> 02:55:27,360
Speaker 3: of part of the reason why I've always stuck to

3106
02:55:27,440 --> 02:55:30,920
Speaker 3: my guns is because I came from a good family

3107
02:55:31,520 --> 02:55:35,680
Speaker 3: that supported the collectives. Because if it's just about you,

3108
02:55:36,040 --> 02:55:39,640
Speaker 3: then think about it, you become the person that.

3109
02:55:41,320 --> 02:55:42,240
Speaker 4: Only thinks about you.

3110
02:55:43,400 --> 02:55:46,400
Speaker 3: Think about it, think about your billionaires, and a nigga

3111
02:55:46,600 --> 02:55:49,240
Speaker 3: be crying like nobody like, are you kidding me? You

3112
02:55:49,280 --> 02:55:54,000
Speaker 3: gotta beat it? Well, I mean they expect that from them.

3113
02:55:54,080 --> 02:55:58,080
Speaker 3: I know our own kind that's sitting fucking ivory towers

3114
02:55:58,200 --> 02:56:00,880
Speaker 3: all over and be like think like, I'm like, are

3115
02:56:00,920 --> 02:56:03,120
Speaker 3: you kidding me? I've had to talk to people. Have

3116
02:56:03,200 --> 02:56:05,920
Speaker 3: you ever talked to somebody that was so rich? But

3117
02:56:06,080 --> 02:56:09,879
Speaker 3: they're acting like I'm not Like I'm like, my dude,

3118
02:56:10,360 --> 02:56:13,280
Speaker 3: a girl, do you know how much money you have?

3119
02:56:14,320 --> 02:56:20,560
Speaker 3: Like you're sitting in a fucking hundred and twenty thousand

3120
02:56:20,879 --> 02:56:24,880
Speaker 3: dollars a night whatever, Like you're fuck I've met Have

3121
02:56:24,959 --> 02:56:25,840
Speaker 3: you ever met a princess?

3122
02:56:26,240 --> 02:56:26,280
Speaker 9: You?

3123
02:56:26,440 --> 02:56:30,280
Speaker 3: Have you met a princess? Have you ever met a

3124
02:56:30,320 --> 02:56:34,160
Speaker 3: real princess? Like a real like, oh god, I met you.

3125
02:56:34,920 --> 02:56:38,640
Speaker 3: They have their many different countries. Have you never met

3126
02:56:38,680 --> 02:56:41,640
Speaker 3: a person in a prince let alone? Have you ever

3127
02:56:42,040 --> 02:56:45,360
Speaker 3: knocked the one? But the point is, yeah, it's people.

3128
02:56:45,959 --> 02:56:50,440
Speaker 3: Everything's in somebody's mind. They're the victim. But sometimes it's like, bro,

3129
02:56:50,560 --> 02:56:54,040
Speaker 3: are you kidding me? Like you're super up? You ain't

3130
02:56:54,080 --> 02:56:55,960
Speaker 3: never had a homeboy that's super rich and he's just

3131
02:56:56,080 --> 02:56:58,760
Speaker 3: like everybody's gut me. I'm like, bitch, what are you

3132
02:56:58,920 --> 02:57:04,880
Speaker 3: talking about? You got the nigga? You're filthy? And so

3133
02:57:05,400 --> 02:57:09,600
Speaker 3: I think, to be honest, we talk the audience wants

3134
02:57:09,680 --> 02:57:15,600
Speaker 3: to be. People want to feel people want That's why

3135
02:57:15,680 --> 02:57:19,280
Speaker 3: people watch it because they want to either talk shit

3136
02:57:19,320 --> 02:57:22,880
Speaker 3: about people that they look up to. I just think

3137
02:57:23,760 --> 02:57:28,440
Speaker 3: ultimately the end game about art is to express and

3138
02:57:28,560 --> 02:57:31,480
Speaker 3: share who we are, because those are gonna be like

3139
02:57:31,920 --> 02:57:35,200
Speaker 3: I don't even think drink Champ again in season. I'm

3140
02:57:35,240 --> 02:57:38,040
Speaker 3: telling you, I think what you do is art because

3141
02:57:38,080 --> 02:57:40,640
Speaker 3: you get us all to fucking turn into our real selves.

3142
02:57:40,840 --> 02:57:45,400
Speaker 3: And I think that's inspiring. I think it's fun and

3143
02:57:45,959 --> 02:57:48,240
Speaker 3: we all, you know, we know each other to some degree.

3144
02:57:49,160 --> 02:57:52,039
Speaker 3: Some shit gotta get real and and tell niggas when

3145
02:57:52,040 --> 02:57:54,000
Speaker 3: they full of shit. You should including me.

3146
02:57:54,200 --> 02:57:58,000
Speaker 1: You ready, let me let me uh bounce around with

3147
02:57:58,080 --> 02:58:01,440
Speaker 1: the with the track list for a second. Leopards eat face.

3148
02:58:02,440 --> 02:58:06,520
Speaker 1: I've heard you say that before. M hmm okay in

3149
02:58:06,640 --> 02:58:10,760
Speaker 1: an interview, Yes, sir, So what does that exactly mean?

3150
02:58:10,840 --> 02:58:13,440
Speaker 1: I know it's sulf explanatory, but let's just break it down.

3151
02:58:13,600 --> 02:58:15,800
Speaker 4: You're about to roll a cigarette. Ahead, you can roll it,

3152
02:58:16,280 --> 02:58:16,880
Speaker 4: don't smoke it?

3153
02:58:18,000 --> 02:58:20,080
Speaker 3: Did you smoke it? Ready? We'll go outside. I'll go outside.

3154
02:58:20,240 --> 02:58:24,760
Speaker 3: You sad you're going to smoke a cigarette? Did you know?

3155
02:58:24,879 --> 02:58:26,680
Speaker 3: I said that was earlier? I said I was gonna

3156
02:58:26,680 --> 02:58:33,000
Speaker 3: go poop buddy, and then came out like.

3157
02:58:34,560 --> 02:58:35,039
Speaker 1: Ady.

3158
02:58:35,680 --> 02:58:39,440
Speaker 3: So yeah, I lost. I couldn't even pool ith like.

3159
02:58:39,800 --> 02:58:41,960
Speaker 4: It got weird. So the leopards to eat fish. So

3160
02:58:42,280 --> 02:58:45,840
Speaker 4: you know, I'm sorry you all right? So the thing

3161
02:58:46,000 --> 02:58:50,760
Speaker 4: is actually like this, don't put your face towards going right.

3162
02:58:51,160 --> 02:58:54,080
Speaker 3: Help me as a metaphor for like, if you already

3163
02:58:54,280 --> 02:58:57,440
Speaker 3: know what's going to happen and you do it, don't

3164
02:58:57,560 --> 02:59:01,400
Speaker 3: act like you're surprised if it happened. That's really the metaphor.

3165
02:59:01,640 --> 02:59:05,560
Speaker 3: So it was really about political ship. So really it

3166
02:59:05,680 --> 02:59:10,160
Speaker 3: was like Latinos for Trump. Yeah, we're win at me, buddy.

3167
02:59:10,240 --> 02:59:12,840
Speaker 3: Hey man, weird. I promised that.

3168
02:59:13,000 --> 02:59:16,080
Speaker 2: God no, I was just I'm Cuman, but that wasn't

3169
02:59:16,120 --> 02:59:16,720
Speaker 2: me man.

3170
02:59:18,280 --> 02:59:23,680
Speaker 3: Muslim niggers for Trump? Whoever I did, you can mute it.

3171
02:59:24,760 --> 02:59:27,240
Speaker 3: That's what I call niggas nigga. Its hard arc, hard

3172
02:59:27,760 --> 02:59:31,040
Speaker 3: hard art, hard r for Trump. If you know the

3173
02:59:31,200 --> 02:59:33,560
Speaker 3: dude don't like you and you do it. Let me

3174
02:59:33,600 --> 02:59:40,640
Speaker 3: waiting for me? Bro times out here he's blaming me.

3175
02:59:42,040 --> 02:59:45,640
Speaker 3: You want me a blood without the minesty? Uh, that's

3176
02:59:45,720 --> 02:59:50,560
Speaker 3: Boris Man loved me. Can't get Can I just get.

3177
02:59:50,520 --> 02:59:53,120
Speaker 2: The put a little sprinkling this.

3178
02:59:54,680 --> 03:00:00,080
Speaker 3: He's gonna give me cocaine. I know it's kind. I

3179
03:00:00,240 --> 03:00:02,720
Speaker 3: know it's kind. Boys. Looks me up. Come on, bro,

3180
03:00:02,840 --> 03:00:04,880
Speaker 3: let me get one. Yeah.

3181
03:00:04,959 --> 03:00:07,480
Speaker 4: Like a black, like a black mouth. Oh just a

3182
03:00:07,560 --> 03:00:08,320
Speaker 4: regular black.

3183
03:00:08,920 --> 03:00:13,720
Speaker 3: Yeah yeah, just a regular. Let's sweat it. I'm god, Yeah,

3184
03:00:14,600 --> 03:00:15,200
Speaker 3: just a regular.

3185
03:00:16,200 --> 03:00:16,360
Speaker 2: Hey.

3186
03:00:16,360 --> 03:00:17,800
Speaker 3: How come with you outside the storm? Spirit?

3187
03:00:21,640 --> 03:00:21,840
Speaker 10: Yeah?

3188
03:00:23,480 --> 03:00:23,680
Speaker 8: You know.

3189
03:00:25,240 --> 03:00:32,600
Speaker 3: Yeah, because I would have done it. Do it? Is

3190
03:00:32,640 --> 03:00:35,360
Speaker 3: this cool? Can I put that yeah, of course, this

3191
03:00:35,560 --> 03:00:40,160
Speaker 3: is amazing. Thank you guys. Absolutely, man, you said you

3192
03:00:40,200 --> 03:00:45,520
Speaker 3: got more, Yeah, you gotta do. Ah, I want more.

3193
03:00:45,520 --> 03:00:50,720
Speaker 2: Questions, Well, got some statements actually and question statements.

3194
03:00:51,160 --> 03:00:53,680
Speaker 3: I want to do another death round. I'm just you know,

3195
03:00:53,760 --> 03:00:56,160
Speaker 3: my job is being against you. Nice.

3196
03:01:00,560 --> 03:01:02,800
Speaker 2: We've gotten drunk enough in our life in facts.

3197
03:01:03,480 --> 03:01:08,760
Speaker 5: Absolutely no, So I just wanted to go back actually

3198
03:01:09,360 --> 03:01:12,520
Speaker 5: to your sons because I just want to highlight them. Man,

3199
03:01:12,640 --> 03:01:16,520
Speaker 5: we didn't we didn't say Coast Contra. The contribution that

3200
03:01:16,560 --> 03:01:19,320
Speaker 5: they bring it in today is amazing. I know as

3201
03:01:19,320 --> 03:01:20,680
Speaker 5: a father, I don't I don't need you to go

3202
03:01:20,760 --> 03:01:22,400
Speaker 5: in death because I know you said they could speak

3203
03:01:22,440 --> 03:01:25,880
Speaker 5: for themselves at some point. But you and Tidra having

3204
03:01:25,920 --> 03:01:30,120
Speaker 5: these kids, I mean, and what they've become as artists,

3205
03:01:31,200 --> 03:01:32,840
Speaker 5: and I mean I hope they'd be good kids to

3206
03:01:32,879 --> 03:01:33,320
Speaker 5: you guys.

3207
03:01:35,200 --> 03:01:43,520
Speaker 3: Well, look, people go through journeys. I can only say

3208
03:01:44,959 --> 03:01:52,480
Speaker 3: that I remember, I hope this lands well. My first

3209
03:01:52,520 --> 03:01:54,640
Speaker 3: album was solo Nights. I wrote to me. By this

3210
03:01:54,800 --> 03:01:59,520
Speaker 3: album the second one I started writing to them. I've

3211
03:01:59,640 --> 03:02:03,320
Speaker 3: written because it's this therapy for me. So I hope

3212
03:02:03,840 --> 03:02:07,840
Speaker 3: the culmination of anybody's journey is that you're explaining yourself

3213
03:02:08,680 --> 03:02:11,200
Speaker 3: in real time that people you love you know what

3214
03:02:11,200 --> 03:02:14,600
Speaker 3: I mean, whether it's to my mother or to my sisters,

3215
03:02:14,760 --> 03:02:17,720
Speaker 3: or to the love I lost. If I'm like y'all

3216
03:02:17,879 --> 03:02:20,119
Speaker 3: fucked up, you know what I'm saying. I went here,

3217
03:02:20,879 --> 03:02:22,280
Speaker 3: I made it, left when I should have made a

3218
03:02:22,360 --> 03:02:25,120
Speaker 3: right And if that affected you, what I'm trying to say.

3219
03:02:25,480 --> 03:02:28,240
Speaker 3: So for me, I write from a truth. I don't

3220
03:02:28,280 --> 03:02:31,400
Speaker 3: write from a trying to get a money. Some people

3221
03:02:31,400 --> 03:02:33,320
Speaker 3: are writing like, oh, you can get money, and if

3222
03:02:33,360 --> 03:02:34,960
Speaker 3: I just say the right thing, I can get a

3223
03:02:35,000 --> 03:02:37,800
Speaker 3: lot of money out of people. I never wrote from there.

3224
03:02:37,959 --> 03:02:42,200
Speaker 3: I always felt like to be perfectly honest my friends

3225
03:02:42,600 --> 03:02:48,000
Speaker 3: and my own horrible nature. I'm gonna land on my feet.

3226
03:02:48,000 --> 03:02:50,840
Speaker 3: I'm gonna get some money. I'm gonna get I'm gonna

3227
03:02:50,840 --> 03:02:54,640
Speaker 3: take it out of somebody, like the other part of me,

3228
03:02:55,520 --> 03:02:59,119
Speaker 3: my negative energy, but my positive energy I've already. I've

3229
03:02:59,200 --> 03:03:03,720
Speaker 3: always tried to write from my heart, not from really

3230
03:03:03,800 --> 03:03:08,920
Speaker 3: my ego, and not from like bitter. I try to

3231
03:03:08,959 --> 03:03:11,280
Speaker 3: write from love and like and trying to write from

3232
03:03:11,320 --> 03:03:14,320
Speaker 3: like what am I really experiencing in real time? And

3233
03:03:14,440 --> 03:03:17,039
Speaker 3: so for me, you know, with them, I want them

3234
03:03:17,080 --> 03:03:19,360
Speaker 3: to have their journey. I'm still in my journey, so

3235
03:03:19,560 --> 03:03:21,320
Speaker 3: they can write there as I'm writing in mind their

3236
03:03:21,400 --> 03:03:26,000
Speaker 3: mom that's her journey and what's behind closed doors with

3237
03:03:26,720 --> 03:03:29,000
Speaker 3: uh be and my sisters, and you know what I mean.

3238
03:03:29,360 --> 03:03:34,600
Speaker 2: But she's an incredible artist. Of course, you're an incredible artist.

3239
03:03:34,840 --> 03:03:37,200
Speaker 5: And then now you have these twin kids that are

3240
03:03:37,240 --> 03:03:40,160
Speaker 5: become incredible artists in career.

3241
03:03:40,200 --> 03:03:44,840
Speaker 3: But again, we're negating two other people. Close contra is

3242
03:03:44,879 --> 03:03:45,640
Speaker 3: not two negatives.

3243
03:03:45,879 --> 03:03:46,240
Speaker 2: Of course.

3244
03:03:47,920 --> 03:03:50,800
Speaker 3: All I'm trying to share with you is again I

3245
03:03:50,840 --> 03:03:53,480
Speaker 3: don't want I don't even know how that affects those

3246
03:03:53,560 --> 03:03:57,280
Speaker 3: two people. So I want them people to have their journey.

3247
03:03:58,840 --> 03:04:00,600
Speaker 5: You mean the group as a whole, Yeah, I want

3248
03:04:00,640 --> 03:04:03,440
Speaker 5: those but of course, but you're on our show and

3249
03:04:03,520 --> 03:04:06,960
Speaker 5: we're talking about specifically you and them and part of

3250
03:04:07,000 --> 03:04:07,440
Speaker 5: that group.

3251
03:04:08,080 --> 03:04:13,160
Speaker 3: So they're out. So what happened? So what happens is

3252
03:04:13,920 --> 03:04:16,000
Speaker 3: so when when when a boy and a girl like

3253
03:04:16,120 --> 03:04:16,480
Speaker 3: each other?

3254
03:04:17,760 --> 03:04:20,440
Speaker 5: They all, right, the births of the beast, But relax, right,

3255
03:04:21,520 --> 03:04:24,120
Speaker 5: we get we get the birth Listen, let me get

3256
03:04:24,160 --> 03:04:25,160
Speaker 5: that going for right.

3257
03:04:25,320 --> 03:04:28,600
Speaker 3: Let me give And it's not just it's not it's

3258
03:04:28,680 --> 03:04:31,360
Speaker 3: not just your twins. It's it's a group as a whole.

3259
03:04:31,400 --> 03:04:33,960
Speaker 2: But because you're here, we're talking about the twins a

3260
03:04:34,000 --> 03:04:34,320
Speaker 2: part of that.

3261
03:04:34,440 --> 03:04:35,039
Speaker 3: Girl love them.

3262
03:04:35,120 --> 03:04:37,720
Speaker 2: And what's dope is that oftentimes in hip hop we say,

3263
03:04:38,200 --> 03:04:40,400
Speaker 2: oh man, I wish these kids today would.

3264
03:04:40,240 --> 03:04:42,600
Speaker 3: Sound like blah blah blah blah. You know what they did.

3265
03:04:42,760 --> 03:04:45,119
Speaker 3: They sound like what we blah blah blah.

3266
03:04:45,200 --> 03:04:49,440
Speaker 2: But even modern day version of what we want hip

3267
03:04:49,480 --> 03:04:52,360
Speaker 2: hop to sound like, and better than even we thought

3268
03:04:52,520 --> 03:04:53,360
Speaker 2: that it could sound like.

3269
03:04:53,640 --> 03:04:58,320
Speaker 3: I am extremely supportive. It's just I want them to

3270
03:04:58,440 --> 03:04:59,520
Speaker 3: have let me find out.

3271
03:04:59,560 --> 03:05:01,440
Speaker 2: You're competitive with your own kids.

3272
03:05:02,000 --> 03:05:09,480
Speaker 3: First of all, I would give my sons my fucking lung.

3273
03:05:09,640 --> 03:05:11,160
Speaker 2: Okay, okay, I just want to make sure because you

3274
03:05:11,200 --> 03:05:17,440
Speaker 2: sad like I'm treading lightly, because young men need to

3275
03:05:17,440 --> 03:05:18,280
Speaker 2: feel like young men.

3276
03:05:19,040 --> 03:05:19,400
Speaker 3: You don't want.

3277
03:05:20,320 --> 03:05:20,960
Speaker 4: I want to know.

3278
03:05:21,200 --> 03:05:25,960
Speaker 3: I want them to feel like I'm not stepping on

3279
03:05:26,200 --> 03:05:26,920
Speaker 3: their toes.

3280
03:05:27,280 --> 03:05:28,440
Speaker 2: You're You're just.

3281
03:05:28,480 --> 03:05:29,080
Speaker 3: Trying to tell you.

3282
03:05:29,400 --> 03:05:30,680
Speaker 2: It's a part of your legacy.

3283
03:05:32,160 --> 03:05:35,920
Speaker 3: Legacy again, narratives or narratives. And what I'm trying to

3284
03:05:36,000 --> 03:05:39,320
Speaker 3: do is with their mother, with them, with my family,

3285
03:05:40,040 --> 03:05:42,760
Speaker 3: is to make sure that and with my homeboys.

3286
03:05:42,920 --> 03:05:44,480
Speaker 4: You know what I'm saying that I say.

3287
03:05:44,760 --> 03:05:49,120
Speaker 3: Respectfully, like it's really cool to talk about, uh, you

3288
03:05:49,200 --> 03:05:52,360
Speaker 3: know with p when we were in real time.

3289
03:05:53,440 --> 03:05:53,560
Speaker 2: Uh.

3290
03:05:55,040 --> 03:06:00,440
Speaker 3: Children's perceptions are different than parents, absolutely, and want them

3291
03:06:00,520 --> 03:06:02,320
Speaker 3: to be able to tell their story as opposed to

3292
03:06:02,400 --> 03:06:07,119
Speaker 3: me having my version. They'll tell theirs when they as

3293
03:06:07,200 --> 03:06:07,680
Speaker 3: they tell.

3294
03:06:07,600 --> 03:06:09,960
Speaker 5: You as they will tell their stories because they're making

3295
03:06:10,040 --> 03:06:11,800
Speaker 5: a great career for themselves and they.

3296
03:06:11,760 --> 03:06:14,000
Speaker 3: Will have they make more money to me, you want

3297
03:06:14,040 --> 03:06:14,680
Speaker 3: to keep talking about.

3298
03:06:15,480 --> 03:06:18,320
Speaker 5: They will have their platforms to tell their stories. I'm

3299
03:06:18,360 --> 03:06:21,880
Speaker 5: not all I'm doing right now is paying homage to you.

3300
03:06:22,240 --> 03:06:28,720
Speaker 2: Damn don't. Yes, I eric do, alright, I got in

3301
03:06:28,840 --> 03:06:31,360
Speaker 2: the laugh, So we'll move on from that. I love you,

3302
03:06:32,360 --> 03:06:34,320
Speaker 2: love you love what your sons are doing by I.

3303
03:06:34,400 --> 03:06:36,880
Speaker 3: Do too, all right, Absolutely, I love I love what

3304
03:06:37,080 --> 03:06:43,080
Speaker 3: coast contra not my son, of course I love it. Bro, jesus,

3305
03:06:43,600 --> 03:06:46,360
Speaker 3: you just took a shot, a super take a shot, bro.

3306
03:06:47,840 --> 03:06:48,720
Speaker 3: It alienates.

3307
03:06:49,360 --> 03:06:51,840
Speaker 2: No, they're dope. Took all of them are dope.

3308
03:06:51,879 --> 03:06:54,400
Speaker 3: We're just saying specifically because you're here.

3309
03:06:54,600 --> 03:06:56,640
Speaker 2: If their dad was here, we saying fuck your sons.

3310
03:07:01,600 --> 03:07:06,680
Speaker 4: That don't mean that, but anyway, yes you did.

3311
03:07:07,080 --> 03:07:10,080
Speaker 3: No I meant it literally, not did literally not literally.

3312
03:07:10,120 --> 03:07:10,400
Speaker 3: I don't know.

3313
03:07:10,440 --> 03:07:11,200
Speaker 2: I didn't make sense either.

3314
03:07:11,400 --> 03:07:13,360
Speaker 4: Isn't that a Bay Area thing? No?

3315
03:07:13,800 --> 03:07:16,800
Speaker 3: No, no, that's a that's a uh so l A

3316
03:07:17,200 --> 03:07:20,600
Speaker 3: different hoods do, different ship. And then honestly, I think

3317
03:07:20,640 --> 03:07:23,400
Speaker 3: it's a New York team, really New York. I feel

3318
03:07:23,440 --> 03:07:27,440
Speaker 3: like that's deal man, not for real. Wait, that would

3319
03:07:27,440 --> 03:07:30,880
Speaker 3: be a big area too, right me? No, no, no,

3320
03:07:31,000 --> 03:07:34,440
Speaker 3: I'm telling you would say, you know what New Yorkers did.

3321
03:07:35,600 --> 03:07:38,360
Speaker 3: L A niggas would do like hood ship and click ship.

3322
03:07:38,879 --> 03:07:39,720
Speaker 4: New York niggas just.

3323
03:07:39,720 --> 03:07:45,039
Speaker 1: Started like they didn't want to, and I was forty

3324
03:07:45,080 --> 03:07:46,800
Speaker 1: ship you smell me times out.

3325
03:07:47,560 --> 03:07:48,840
Speaker 4: Forty made most of the slang.

3326
03:07:48,959 --> 03:07:51,320
Speaker 3: Stop it now he made all that. Yeah, I say

3327
03:07:52,480 --> 03:07:56,080
Speaker 3: times out, I wasn't there, but most of l A

3328
03:07:56,280 --> 03:08:01,000
Speaker 3: slang and even Atlanta and yeah, start speaking on some

3329
03:08:01,160 --> 03:08:03,240
Speaker 3: other shit. I'm gonna bring you off. I'm gonna move

3330
03:08:03,360 --> 03:08:08,640
Speaker 3: this needley. A lot of LA slang is base slang.

3331
03:08:08,800 --> 03:08:11,360
Speaker 3: A lot of the production of the South of Atlanta

3332
03:08:11,920 --> 03:08:15,880
Speaker 3: because too short, and he forty wins. It's highly influenced that'

3333
03:08:15,920 --> 03:08:19,800
Speaker 3: space sound. Even what LA does right now that boom

3334
03:08:20,000 --> 03:08:23,000
Speaker 3: boom boom, last time that I checked this base ship,

3335
03:08:23,840 --> 03:08:27,800
Speaker 3: Yeah for sure, period so we always like hip hop

3336
03:08:27,959 --> 03:08:32,000
Speaker 3: was created in the Bronx. Most people don't argue that

3337
03:08:32,120 --> 03:08:36,680
Speaker 3: at this point, certain vibes got caught. So all the

3338
03:08:36,920 --> 03:08:42,640
Speaker 3: Atlanta vibes, the La vibes come from the bank, and

3339
03:08:42,720 --> 03:08:49,400
Speaker 3: we should give them that credit. I think motherfucker's trying

3340
03:08:49,440 --> 03:08:52,800
Speaker 3: to remake shit is whack. I remember when jay Z

3341
03:08:53,000 --> 03:08:54,960
Speaker 3: was wearing white T shirts in New York and then

3342
03:08:55,160 --> 03:08:57,680
Speaker 3: there was like hat to the side and white T

3343
03:08:57,840 --> 03:09:01,440
Speaker 3: shirt and New Yorker is like and we're arguing, like, bitch,

3344
03:09:02,720 --> 03:09:04,840
Speaker 3: you did not wear white T shirts. Because when I

3345
03:09:05,040 --> 03:09:07,320
Speaker 3: was in New York and like white T shirt, I

3346
03:09:07,440 --> 03:09:10,600
Speaker 3: remember I had a Rolex. I'm in Times Square in

3347
03:09:10,760 --> 03:09:14,120
Speaker 3: my hotel and the girls are back then I date myself.

3348
03:09:14,320 --> 03:09:19,600
Speaker 3: But we wearing white teas with the roly with the

3349
03:09:19,800 --> 03:09:23,400
Speaker 3: LA had but we bagging the girls and all the like.

3350
03:09:24,280 --> 03:09:28,600
Speaker 3: So we're like eighteen, but we're back in like eighteen

3351
03:09:28,720 --> 03:09:32,600
Speaker 3: and like like we could get the girls at McDonald's.

3352
03:09:32,800 --> 03:09:34,680
Speaker 3: That's how old we were. You know what I mean,

3353
03:09:36,760 --> 03:09:41,560
Speaker 3: when your kid when you're eighteen, upperly mobile McDonald's, mc donald's,

3354
03:09:41,959 --> 03:09:45,200
Speaker 3: Times Square, McDonald's.

3355
03:09:46,680 --> 03:09:47,520
Speaker 2: Girl, mcals.

3356
03:09:48,400 --> 03:09:53,520
Speaker 3: So in nineteen ninety five and six, and seven when

3357
03:09:53,560 --> 03:09:59,040
Speaker 3: you're not old, okay, that's teenager and you. But the

3358
03:09:59,120 --> 03:10:03,160
Speaker 3: girls would be like. I remember one girl like she's like,

3359
03:10:03,400 --> 03:10:08,040
Speaker 3: why are you wearing your undershirt? Y'all in New York

3360
03:10:08,200 --> 03:10:13,039
Speaker 3: And we just yelled. He's like, bitch, bitch, bitch, bitch.

3361
03:10:12,959 --> 03:10:16,000
Speaker 4: This ain't no undershirt. We were angry.

3362
03:10:16,400 --> 03:10:18,800
Speaker 3: We're like, what do you mean is this was? This

3363
03:10:19,040 --> 03:10:24,959
Speaker 3: was our suit uniform? Yeah, this is a uniform. She said,

3364
03:10:25,000 --> 03:10:27,920
Speaker 3: why you no disrespect? Why are you wearing your uh

3365
03:10:29,000 --> 03:10:31,760
Speaker 3: this shirt? So like for for that to go from

3366
03:10:31,920 --> 03:10:36,800
Speaker 3: undershirts to jay Z making it like it's our uniform,

3367
03:10:37,040 --> 03:10:41,200
Speaker 3: it was like, that's not no. We wore white T

3368
03:10:41,360 --> 03:10:44,920
Speaker 3: shirts two pro clubs in l A just before cash

3369
03:10:45,000 --> 03:10:48,280
Speaker 3: Money was doing it. Stop it while behind No, let's

3370
03:10:48,320 --> 03:10:51,080
Speaker 3: just be hip hop. LA created the white tea. Knock

3371
03:10:51,160 --> 03:10:56,560
Speaker 3: it off you you guys created the black team who

3372
03:10:57,520 --> 03:11:01,480
Speaker 3: but Who's he? We Atlanta the South? But the tea

3373
03:11:02,320 --> 03:11:06,440
Speaker 3: as a fit is an l A thing. But I

3374
03:11:06,520 --> 03:11:10,640
Speaker 3: think made it really big. Stop behind I actually think

3375
03:11:10,680 --> 03:11:13,520
Speaker 3: so you stop behind the white team. Jay Z with

3376
03:11:13,720 --> 03:11:15,800
Speaker 3: it to the tilty Brown.

3377
03:11:16,160 --> 03:11:18,080
Speaker 2: Was a jay Z I remember.

3378
03:11:18,120 --> 03:11:20,360
Speaker 3: I remember that's when we go to l A.

3379
03:11:20,440 --> 03:11:23,680
Speaker 1: Don't wear white white tea, right, But I thought.

3380
03:11:23,560 --> 03:11:25,320
Speaker 3: The white tea was the dope boy thing. That that

3381
03:11:25,480 --> 03:11:29,440
Speaker 3: was the dope boys. It's an l a uniform. We

3382
03:11:29,600 --> 03:11:33,240
Speaker 3: were taught to wear that. That's how girls liked you.

3383
03:11:33,680 --> 03:11:36,160
Speaker 3: You were white tea. If you got your money up,

3384
03:11:36,240 --> 03:11:39,959
Speaker 3: you got too. You wore too, you would wear too.

3385
03:11:40,600 --> 03:11:43,480
Speaker 4: It's weird. Okay, you left early?

3386
03:11:45,720 --> 03:11:46,680
Speaker 3: When did you leave? Sir?

3387
03:11:48,120 --> 03:11:51,120
Speaker 4: Back and forth when you really felt, Like.

3388
03:11:53,840 --> 03:11:56,920
Speaker 2: When I became Miami officially, I was like nine years old,

3389
03:11:58,680 --> 03:11:59,680
Speaker 2: so I got dog ears.

3390
03:11:59,720 --> 03:12:06,160
Speaker 3: So my dog ears are La and New York. Like

3391
03:12:06,320 --> 03:12:09,200
Speaker 3: when I like I had we had a cousin. Yeah,

3392
03:12:09,200 --> 03:12:12,720
Speaker 3: I had a cousin then Harlem, so the dog years.

3393
03:12:12,800 --> 03:12:16,680
Speaker 3: But I'm telling you, La ship white teas too. Look

3394
03:12:16,720 --> 03:12:18,879
Speaker 3: at the Mexican. Look at the look at the process.

3395
03:12:19,320 --> 03:12:20,840
Speaker 3: You don't need the cai. You know what.

3396
03:12:21,200 --> 03:12:24,560
Speaker 2: The when you say Mexican, that makes more sense for me.

3397
03:12:24,760 --> 03:12:28,119
Speaker 4: You know what, We're all the main the white teas.

3398
03:12:28,000 --> 03:12:31,760
Speaker 3: All the same animals. You don't know the khakis, so

3399
03:12:31,840 --> 03:12:36,480
Speaker 3: the khakis they were white with the khakis. But yeah,

3400
03:12:36,520 --> 03:12:39,320
Speaker 3: but you're missing a point. If you had money, you

3401
03:12:39,400 --> 03:12:43,280
Speaker 3: could wear Levi's. If you have a lot of money,

3402
03:12:43,640 --> 03:12:50,960
Speaker 3: with gas. So that was khakis is broke. That's the

3403
03:12:51,120 --> 03:12:54,560
Speaker 3: uniform when you broke Levi's a little bit of money

3404
03:12:54,680 --> 03:12:58,240
Speaker 3: now thirty five ninety nine dean gas.

3405
03:13:00,120 --> 03:13:01,840
Speaker 2: So what case is going to guess?

3406
03:13:02,920 --> 03:13:05,720
Speaker 5: I'm like, I thought, I thought you said, uh, in

3407
03:13:05,840 --> 03:13:06,879
Speaker 5: my mind you said the gap.

3408
03:13:07,120 --> 03:13:10,039
Speaker 3: But guess you're right. I guess was the joint right.

3409
03:13:10,320 --> 03:13:13,440
Speaker 3: So that's all the process of the process. I didn't

3410
03:13:13,520 --> 03:13:16,080
Speaker 3: create the process. I didn't create the culture. I'm just

3411
03:13:16,160 --> 03:13:19,280
Speaker 3: telling trying to tell you the truth of it. So, yeah,

3412
03:13:19,440 --> 03:13:23,840
Speaker 3: khakis is what you would wear putting in work. Khakis

3413
03:13:24,040 --> 03:13:27,920
Speaker 3: is I'm selling dope. Right, So I would see my

3414
03:13:28,040 --> 03:13:30,240
Speaker 3: friends and they have a jelly stain over here.

3415
03:13:31,240 --> 03:13:37,760
Speaker 4: And because you shouldn't know, yeh man.

3416
03:13:37,800 --> 03:13:40,640
Speaker 3: I don't know what a right. So I'm putting this out.

3417
03:13:40,760 --> 03:13:50,480
Speaker 3: I'm pointing this camera. No, wow, who would you know?

3418
03:13:50,760 --> 03:13:51,680
Speaker 3: I'm talking about this guy?

3419
03:13:53,080 --> 03:13:54,520
Speaker 2: And you got me here.

3420
03:13:55,959 --> 03:13:57,760
Speaker 4: Want to trump drum?

3421
03:13:58,480 --> 03:14:00,800
Speaker 3: So look, so the woo wind was.

3422
03:14:03,080 --> 03:14:03,400
Speaker 4: All right.

3423
03:14:03,440 --> 03:14:07,960
Speaker 3: If your friend, if you're twelve, if you're thirteen, fourteen, fifteen,

3424
03:14:08,320 --> 03:14:11,280
Speaker 3: your friend stepped in, he's selling dope. You go see

3425
03:14:11,320 --> 03:14:13,160
Speaker 3: your friend. He got on the same outfit. It's the

3426
03:14:13,240 --> 03:14:16,880
Speaker 3: khaki suit, but his white T shirt got stains like

3427
03:14:16,959 --> 03:14:20,040
Speaker 3: a nigga then eight like niggas would sleep in the bush,

3428
03:14:21,160 --> 03:14:28,280
Speaker 3: just like a queen's nigga. But yes, he being outside.

3429
03:14:29,040 --> 03:14:32,000
Speaker 2: Literally you're scaring getting his brand up.

3430
03:14:32,400 --> 03:14:34,199
Speaker 3: So that would be the thing. So you I would

3431
03:14:34,240 --> 03:14:36,440
Speaker 3: go see my friends. But on the white tea, it

3432
03:14:36,520 --> 03:14:40,080
Speaker 3: gets to tell all your stuff be like, bro, you

3433
03:14:40,160 --> 03:14:43,080
Speaker 3: got coffee sting, got little bloodstain, Like what the fuck

3434
03:14:43,160 --> 03:14:45,879
Speaker 3: are you doing? So that's what would happen. That's why

3435
03:14:45,959 --> 03:14:48,280
Speaker 3: the white tea. The black tea is a better idea.

3436
03:14:48,400 --> 03:14:51,200
Speaker 3: But in LA, that was the culture. I didn't invent ale.

3437
03:14:51,480 --> 03:14:52,359
Speaker 2: He's more practical.

3438
03:14:52,879 --> 03:14:55,680
Speaker 3: I think you guys are smarter for but that has

3439
03:14:55,760 --> 03:14:57,200
Speaker 3: nothing to do with the price of rights and chin.

3440
03:14:58,640 --> 03:15:00,640
Speaker 3: I don't know, he said, Miami, maybe, I think so.

3441
03:15:01,240 --> 03:15:02,520
Speaker 3: I think Atlanta did it.

3442
03:15:02,640 --> 03:15:04,920
Speaker 2: I think Atlanta did too. Let me tell you something

3443
03:15:04,920 --> 03:15:05,320
Speaker 2: real quick.

3444
03:15:05,360 --> 03:15:08,640
Speaker 5: As a as a LA transplant to Miami, one of

3445
03:15:08,680 --> 03:15:11,760
Speaker 5: the most protestings that I found out was that two.

3446
03:15:11,680 --> 03:15:13,040
Speaker 2: Light Crew was born in l A.

3447
03:15:13,600 --> 03:15:15,360
Speaker 3: I didn't know that. He just fucked me out.

3448
03:15:15,400 --> 03:15:19,320
Speaker 2: You didn't know that never in life. What they were

3449
03:15:19,320 --> 03:15:21,080
Speaker 2: all military guys that were in l A.

3450
03:15:22,040 --> 03:15:26,480
Speaker 12: But not though, everyone except except Luke was some crazy

3451
03:15:26,600 --> 03:15:30,520
Speaker 12: fun So you had Mister Mix, Brother Marquise and uh,

3452
03:15:30,959 --> 03:15:33,440
Speaker 12: they were always nice to me and fresh Kid ice

3453
03:15:33,560 --> 03:15:36,920
Speaker 12: from Brother Marquis has records with Icee back in the days,

3454
03:15:39,120 --> 03:15:42,680
Speaker 12: back in the days Dog and they started they started

3455
03:15:42,680 --> 03:15:47,200
Speaker 12: the group together and then Luke brought and saw the

3456
03:15:47,280 --> 03:15:51,080
Speaker 12: vision and then they all made so for me as

3457
03:15:51,120 --> 03:15:54,720
Speaker 12: an l a transplant to Miami like this, this is.

3458
03:15:59,600 --> 03:16:00,959
Speaker 2: When you don't cry.

3459
03:16:02,800 --> 03:16:17,039
Speaker 3: I was breathing, come yeah.

3460
03:16:16,879 --> 03:16:18,800
Speaker 2: In Miami Life. You know that he did this song

3461
03:16:18,879 --> 03:16:20,600
Speaker 2: Miami Life for what soundtrack was it?

3462
03:16:20,959 --> 03:16:21,080
Speaker 3: Uh?

3463
03:16:21,360 --> 03:16:23,040
Speaker 4: The substitute the substitute.

3464
03:16:23,080 --> 03:16:25,280
Speaker 2: So so it's funny because in Miami, because I'm here

3465
03:16:25,360 --> 03:16:27,640
Speaker 2: and he made it and I was in the scene,

3466
03:16:27,840 --> 03:16:29,879
Speaker 2: They're like, what the rest guys is doing a song

3467
03:16:29,879 --> 03:16:30,920
Speaker 2: about Miami Life?

3468
03:16:31,080 --> 03:16:31,879
Speaker 3: You know? Everybody?

3469
03:16:32,840 --> 03:16:34,080
Speaker 2: No, no, the original people.

3470
03:16:34,200 --> 03:16:36,840
Speaker 5: Originally people were like who the They were a little

3471
03:16:37,240 --> 03:16:39,360
Speaker 5: not who they knew who you were. They were just

3472
03:16:39,400 --> 03:16:41,680
Speaker 5: a little upset, like why didn't they pick a Miami

3473
03:16:41,760 --> 03:16:46,120
Speaker 5: person for this? But I actually, I don't know if

3474
03:16:46,120 --> 03:16:49,400
Speaker 5: you remember, I actually reached out to you shortly maybe

3475
03:16:49,560 --> 03:16:51,680
Speaker 5: after I don't know how long after, but and we

3476
03:16:53,280 --> 03:16:56,520
Speaker 5: I think so I don't know how whatever drunk memories.

3477
03:16:56,560 --> 03:17:00,560
Speaker 5: But but talk about Miami life, all right? So which

3478
03:17:00,640 --> 03:17:02,119
Speaker 5: is a great song by the way.

3479
03:17:03,160 --> 03:17:09,920
Speaker 3: Okay, my biggest issue about soundtracks were especially LA soundtracks.

3480
03:17:09,920 --> 03:17:11,480
Speaker 4: So obviously I'm from La.

3481
03:17:12,400 --> 03:17:15,000
Speaker 3: I'll be like, where are these other songs from? But

3482
03:17:15,120 --> 03:17:16,560
Speaker 3: but hold on, can I can I exposit you for

3483
03:17:16,600 --> 03:17:17,199
Speaker 3: a second? Sorry?

3484
03:17:17,240 --> 03:17:19,320
Speaker 5: Sorry, sorry, because I want to give context. I don't

3485
03:17:19,320 --> 03:17:21,680
Speaker 5: think even no re understands it. So there's a movie

3486
03:17:21,760 --> 03:17:25,680
Speaker 5: called The Substitute, right, remember what's the what's the other

3487
03:17:25,720 --> 03:17:27,720
Speaker 5: movie that came out the l A one, Well was

3488
03:17:28,040 --> 03:17:29,640
Speaker 5: Edward James almost.

3489
03:17:29,280 --> 03:17:35,760
Speaker 10: So American, remember yeah, yeah, but American meat is way no, no,

3490
03:17:35,959 --> 03:17:38,360
Speaker 10: but that's not that's not but that's not a high

3491
03:17:38,360 --> 03:17:39,840
Speaker 10: school movie, though stand.

3492
03:17:39,680 --> 03:17:42,680
Speaker 4: Delivery was remember the high school movie? It was The Teacher, Right.

3493
03:17:43,000 --> 03:17:47,760
Speaker 2: So another movie came out called, uh, the Substitute, which

3494
03:17:48,160 --> 03:17:52,440
Speaker 2: happened in Miami though Carl Gables High Actually okay, I

3495
03:17:52,480 --> 03:17:53,880
Speaker 2: don't know if it was based on true story, but

3496
03:17:53,959 --> 03:17:58,120
Speaker 2: they filmed it in Miami. Actually no, so it was

3497
03:17:58,240 --> 03:18:01,360
Speaker 2: like the other movie with Edward j and then he

3498
03:18:01,560 --> 03:18:04,400
Speaker 2: made and then Lean On Me as well in the

3499
03:18:04,440 --> 03:18:04,920
Speaker 2: same vein.

3500
03:18:05,160 --> 03:18:07,800
Speaker 3: But you know, what I mean, the lead single.

3501
03:18:08,720 --> 03:18:11,320
Speaker 2: So he made the lead single Miami Life off of

3502
03:18:11,400 --> 03:18:15,000
Speaker 2: that soundtrack of a movie that's based on Miami.

3503
03:18:15,680 --> 03:18:17,160
Speaker 4: So can I land?

3504
03:18:17,240 --> 03:18:18,440
Speaker 3: So you wasting?

3505
03:18:18,520 --> 03:18:24,039
Speaker 4: That was wrapping, was rapping like me people.

3506
03:18:25,200 --> 03:18:31,959
Speaker 3: At that that part. That no. So my biggest argument

3507
03:18:32,160 --> 03:18:36,800
Speaker 3: about soundtracks was even if you not from the place,

3508
03:18:38,160 --> 03:18:40,800
Speaker 3: make it sound like you know what I mean, so

3509
03:18:40,959 --> 03:18:44,680
Speaker 3: I'll you know when you ain't nobody and you're just

3510
03:18:44,760 --> 03:18:47,040
Speaker 3: trying to get on. My whole ship was like, if

3511
03:18:47,080 --> 03:18:50,360
Speaker 3: I get a chance to get on something naked about

3512
03:18:50,360 --> 03:18:53,080
Speaker 3: the movie, naked about the place, I mean like, I

3513
03:18:53,200 --> 03:18:55,960
Speaker 3: don't want to hear a soundtrack about me in Mars.

3514
03:18:56,040 --> 03:18:59,320
Speaker 4: But the nigga like, oh, I don't want to hear that.

3515
03:19:00,200 --> 03:19:03,080
Speaker 3: My whole ship was I got an opportunity and it

3516
03:19:03,200 --> 03:19:07,040
Speaker 3: was called, uh the substitute, But they show you you

3517
03:19:07,120 --> 03:19:08,320
Speaker 3: know what it is. You know what I'm saying. You're

3518
03:19:08,320 --> 03:19:11,040
Speaker 3: gonna see trailers, You're gonna see all the ship. I'm like,

3519
03:19:11,120 --> 03:19:15,040
Speaker 3: well fucking make it about see the actual movie. Uh No,

3520
03:19:15,480 --> 03:19:18,720
Speaker 3: had you been in Miami yet? Mm hmm you have been, Yeah,

3521
03:19:19,120 --> 03:19:24,240
Speaker 3: I had already been. Like your family, no, baby, mama,

3522
03:19:24,760 --> 03:19:28,160
Speaker 3: there's no kids. It's just me having an opportunity. You've

3523
03:19:28,240 --> 03:19:31,640
Speaker 3: been out here, yeah, traveled. I've been with Coolio, like

3524
03:19:31,800 --> 03:19:34,280
Speaker 3: the homie's been up. Bro I noticed she's got a

3525
03:19:34,320 --> 03:19:35,119
Speaker 3: really good memory.

3526
03:19:37,040 --> 03:19:39,160
Speaker 4: Smoked weed but he drank, which is weird.

3527
03:19:39,200 --> 03:19:41,280
Speaker 2: It has good memory. So I'm very suspicious of you

3528
03:19:41,400 --> 03:19:51,440
Speaker 2: right now. I'm kidding nice Michelle bro RELLI give her

3529
03:19:51,440 --> 03:19:51,959
Speaker 2: another name.

3530
03:19:52,000 --> 03:19:54,720
Speaker 3: All of you know, she's gotta kill me.

3531
03:19:56,520 --> 03:19:59,120
Speaker 4: Sorry I was, I was talking ship.

3532
03:19:59,400 --> 03:20:04,240
Speaker 3: Please don't kill me. You're good, thank you, I appreciate you. Okay,

3533
03:20:04,520 --> 03:20:09,520
Speaker 3: So long stoy short. No, I didn't so my opinions

3534
03:20:09,560 --> 03:20:13,480
Speaker 3: about movies like like the soundtracks didn't match the movie.

3535
03:20:14,280 --> 03:20:15,720
Speaker 3: So I was like, if I ever get a chance,

3536
03:20:16,440 --> 03:20:19,440
Speaker 3: I'm gonna mirror the movie. That was my whole thing.

3537
03:20:20,080 --> 03:20:23,000
Speaker 3: And so when when I got opportunity, the first one

3538
03:20:23,040 --> 03:20:24,800
Speaker 3: I got was the street Fighter soundtrack.

3539
03:20:25,320 --> 03:20:25,959
Speaker 2: Street Fighter.

3540
03:20:26,480 --> 03:20:29,119
Speaker 3: Yeah, the street Fighter soundtrack, the original street Fighter sound

3541
03:20:29,200 --> 03:20:32,560
Speaker 3: He was on my joint. That's how I get my

3542
03:20:32,720 --> 03:20:35,560
Speaker 3: first fucking source quotable.

3543
03:20:36,400 --> 03:20:39,560
Speaker 4: I gotta I gotta go back up playing.

3544
03:20:39,320 --> 03:20:41,879
Speaker 3: It pitching and no one hit it, which is being severe.

3545
03:20:42,720 --> 03:20:46,800
Speaker 2: Oh yes, yes, yes period.

3546
03:20:48,000 --> 03:20:52,000
Speaker 3: But now I'm on the soundtrack. I'm like, but it's

3547
03:20:52,040 --> 03:20:55,320
Speaker 3: in Miami, and I'm like, i've been there, I'm not

3548
03:20:55,480 --> 03:20:59,960
Speaker 3: from there, but let me start learning. Like, I don't

3549
03:21:00,080 --> 03:21:02,400
Speaker 3: want to write some ship and be talking about some

3550
03:21:02,520 --> 03:21:04,760
Speaker 3: ship and talking about the street that don't make another

3551
03:21:04,959 --> 03:21:07,760
Speaker 3: sense to a street. I just want to like because

3552
03:21:07,800 --> 03:21:11,080
Speaker 3: if nothing else honored the place. You know what I'm saying.

3553
03:21:11,160 --> 03:21:14,080
Speaker 3: If this movie is about being in Miami, being in

3554
03:21:14,240 --> 03:21:16,400
Speaker 3: high school or I just came out of high school,

3555
03:21:16,760 --> 03:21:19,680
Speaker 3: I need to understand the best I can about Miami,

3556
03:21:19,840 --> 03:21:21,680
Speaker 3: the best I can, you know what I'm saying in

3557
03:21:21,800 --> 03:21:25,800
Speaker 3: my small experiences, but honor the movie. Honored the place.

3558
03:21:26,400 --> 03:21:29,800
Speaker 3: That's Look, it don't cost you none but a little

3559
03:21:29,840 --> 03:21:34,520
Speaker 3: bit of time to learn. I'd rather do it. So

3560
03:21:34,640 --> 03:21:38,280
Speaker 3: that's why I did it Miami Life. I was just like, really,

3561
03:21:38,360 --> 03:21:43,760
Speaker 3: I called it Miami Vice. I was going back and

3562
03:21:43,879 --> 03:21:48,600
Speaker 3: forth between Miami and La and then the company was like.

3563
03:21:48,680 --> 03:21:51,000
Speaker 2: Well, just they said you wanted to name it Miami

3564
03:21:51,120 --> 03:21:51,560
Speaker 2: and La.

3565
03:21:52,160 --> 03:21:57,400
Speaker 3: No, I was gonna call it Miami Vice better. But

3566
03:21:57,640 --> 03:22:01,760
Speaker 3: when we made it, I wrote it. I knew people here,

3567
03:22:02,600 --> 03:22:06,400
Speaker 3: I'd been here. I saw the like trailers of the movie.

3568
03:22:06,440 --> 03:22:08,200
Speaker 3: I understood what it was about, and I was thinking

3569
03:22:08,240 --> 03:22:09,119
Speaker 3: about me in high.

3570
03:22:09,000 --> 03:22:12,040
Speaker 5: School at homies that were in the in the movie

3571
03:22:12,120 --> 03:22:15,120
Speaker 5: as extras that were real gangsters that played.

3572
03:22:15,600 --> 03:22:19,480
Speaker 3: And I just wanted to honor the city, you know

3573
03:22:19,520 --> 03:22:21,320
Speaker 3: what I'm saying, Like I've been here, Like I don't

3574
03:22:21,320 --> 03:22:23,600
Speaker 3: want to be on a funck shit and be something

3575
03:22:23,640 --> 03:22:26,280
Speaker 3: out of town, And like, why is the soundtrack got

3576
03:22:26,320 --> 03:22:27,760
Speaker 3: this nigga from way over here?

3577
03:22:28,240 --> 03:22:28,360
Speaker 4: Now?

3578
03:22:28,560 --> 03:22:29,279
Speaker 3: Because I think.

3579
03:22:29,240 --> 03:22:32,400
Speaker 4: Justice, you did it Justice. I tried my best.

3580
03:22:33,080 --> 03:22:37,000
Speaker 3: It was dope. I tried at least I gave a fuck.

3581
03:22:37,320 --> 03:22:38,960
Speaker 5: It was dope. I thought it was super dope. I

3582
03:22:39,040 --> 03:22:41,080
Speaker 5: think I mean for hip hop ads. Thank you, we

3583
03:22:41,240 --> 03:22:42,000
Speaker 5: appreciated it.

3584
03:22:42,320 --> 03:22:45,760
Speaker 3: Yeah, walk these streets were more heat than a LINESO morning. Yeah.

3585
03:22:46,200 --> 03:22:49,000
Speaker 4: Originally when I first was like what this did this?

3586
03:22:49,879 --> 03:22:50,520
Speaker 4: Oh okay?

3587
03:22:50,600 --> 03:22:55,280
Speaker 3: It was dope. Yeah, I just wanted again not my home,

3588
03:22:55,920 --> 03:22:58,880
Speaker 3: but I've been here. It's you know, I just wanted

3589
03:22:58,920 --> 03:23:02,760
Speaker 3: to honor the So think about it. It's like it's

3590
03:23:02,800 --> 03:23:08,959
Speaker 3: like a resident life, right, It's like if y'all, if

3591
03:23:09,040 --> 03:23:11,200
Speaker 3: y'all to produce it, let's just take us all us

3592
03:23:11,280 --> 03:23:13,920
Speaker 3: out the equation and just say you're gonna write a

3593
03:23:13,959 --> 03:23:21,120
Speaker 3: movie about a high school in Baltimore. Fuck at least

3594
03:23:21,160 --> 03:23:23,800
Speaker 3: do some research. But I just want to.

3595
03:23:23,840 --> 03:23:26,280
Speaker 2: Learn how you said some shit that resonated with us.

3596
03:23:26,320 --> 03:23:29,040
Speaker 3: Right, So I just for me, young boy, I'm just

3597
03:23:29,160 --> 03:23:34,560
Speaker 3: like I talked some shit. Then I got challenged like, well,

3598
03:23:34,760 --> 03:23:37,680
Speaker 3: you don't like when these soundtracks don't be sounding like

3599
03:23:38,000 --> 03:23:41,720
Speaker 3: LA soundtracks they giving you Miami. I'm like, well, I

3600
03:23:41,760 --> 03:23:43,920
Speaker 3: got homies there, you know what I mean, Like it's

3601
03:23:44,000 --> 03:23:46,520
Speaker 3: not my home, but let me try my best to

3602
03:23:46,560 --> 03:23:48,800
Speaker 3: at least be true to the movie. I mean, not

3603
03:23:48,920 --> 03:23:52,680
Speaker 3: be true to the people. And I'm a kid, so

3604
03:23:52,879 --> 03:23:57,800
Speaker 3: whatever you're like seventeen, let's be true to the art

3605
03:23:58,040 --> 03:24:01,760
Speaker 3: of the movie and trying to say this stuff, which

3606
03:24:01,959 --> 03:24:08,560
Speaker 3: which is I guess an attempt at narration, not really acting,

3607
03:24:08,840 --> 03:24:11,800
Speaker 3: just narration, Like I'm just trying to narrate, like how

3608
03:24:11,879 --> 03:24:19,200
Speaker 3: many you know, Like I'm watching Rocketson, I'm launching Rocketson's

3609
03:24:19,920 --> 03:24:23,720
Speaker 3: scus and crocking and tubs Anti full of more rum

3610
03:24:23,879 --> 03:24:26,440
Speaker 3: than in my time, and despite high school, I'll be

3611
03:24:26,560 --> 03:24:29,120
Speaker 3: few Like I'm just trying to say, I'm refusing to

3612
03:24:29,200 --> 03:24:31,920
Speaker 3: listen to what the PTA say. Fucking four point o

3613
03:24:32,040 --> 03:24:36,160
Speaker 3: g p A, I gotta gt with the eta of

3614
03:24:36,280 --> 03:24:38,840
Speaker 3: three o'clock so shape the spot like looking and girls

3615
03:24:38,920 --> 03:24:41,040
Speaker 3: in the days you do specific I'm just trying to

3616
03:24:41,080 --> 03:24:44,680
Speaker 3: be extremely and I'm just thinking how I would feel

3617
03:24:46,240 --> 03:24:49,039
Speaker 3: at the time we were younger. So I'm like five

3618
03:24:49,200 --> 03:24:51,880
Speaker 3: years back, but if I was in high school and

3619
03:24:51,879 --> 03:24:55,480
Speaker 3: I'm man like, fuck these people, you know, but trying

3620
03:24:55,520 --> 03:24:59,000
Speaker 3: to honor. I think that's part of writing, is like

3621
03:24:59,720 --> 03:25:06,800
Speaker 3: I'm not fifteen anymore, I'm not twenty, but sometimes you

3622
03:25:06,959 --> 03:25:11,640
Speaker 3: feel we're humans. I'm sure you can remember you look

3623
03:25:11,720 --> 03:25:14,039
Speaker 3: at your kids and turn into your fifteen year old.

3624
03:25:14,280 --> 03:25:19,599
Speaker 3: You see yourself and your child like my apartment.

3625
03:25:19,240 --> 03:25:19,800
Speaker 4: For cutting you off?

3626
03:25:19,879 --> 03:25:23,520
Speaker 3: Yeah yeah, Dapell, just use your song and love you.

3627
03:25:23,720 --> 03:25:24,520
Speaker 3: Thank you? Yeah?

3628
03:25:24,720 --> 03:25:25,440
Speaker 4: Bring that up?

3629
03:25:25,560 --> 03:25:27,000
Speaker 3: Man, Yes, sir off the album.

3630
03:25:27,800 --> 03:25:31,920
Speaker 4: Yes, sir so new album. So you get that problem?

3631
03:25:32,000 --> 03:25:33,360
Speaker 3: I got problems? Thank you?

3632
03:25:33,480 --> 03:25:33,720
Speaker 4: Okay?

3633
03:25:33,840 --> 03:25:34,840
Speaker 3: Yeah, I'm saying.

3634
03:25:34,680 --> 03:25:38,280
Speaker 1: You get that rest to man, because that's not you

3635
03:25:38,320 --> 03:25:40,119
Speaker 1: don't have distribution, right, this is fully.

3636
03:25:39,920 --> 03:25:44,520
Speaker 3: Independent, totally independent. So al go straight therect of you.

3637
03:25:44,640 --> 03:25:46,800
Speaker 3: How that's that's pretty dope that song? How do you feel?

3638
03:25:47,160 --> 03:25:47,440
Speaker 4: Thank you?

3639
03:25:47,560 --> 03:25:56,000
Speaker 3: Brown Humble okay, super humble so made the record. I'm

3640
03:25:56,000 --> 03:25:59,800
Speaker 3: gonna i doom scroll. I ain't gonna lie I'll be

3641
03:26:00,120 --> 03:26:03,120
Speaker 3: watching ship. I end up watching like Pandas and ship.

3642
03:26:03,560 --> 03:26:06,600
Speaker 3: I mean like like, oh my god, the planets are amazing.

3643
03:26:08,440 --> 03:26:11,960
Speaker 3: They are the they are. So I was doom scrolling

3644
03:26:12,040 --> 03:26:14,920
Speaker 3: one time. I come across the ship about these lions

3645
03:26:15,160 --> 03:26:16,760
Speaker 3: in South Africa. Booms squirrel.

3646
03:26:17,080 --> 03:26:17,879
Speaker 4: I didn't catch.

3647
03:26:19,760 --> 03:26:22,080
Speaker 3: That's what Okay, okay, I mean.

3648
03:26:24,280 --> 03:26:28,119
Speaker 4: You know, God, yet it was called binge watching.

3649
03:26:28,440 --> 03:26:29,520
Speaker 3: No, I mean that is.

3650
03:26:32,120 --> 03:26:33,119
Speaker 2: Modern day dreams.

3651
03:26:33,160 --> 03:26:35,400
Speaker 3: Boom scroll. I was doing, like when you watch the

3652
03:26:35,400 --> 03:26:41,360
Speaker 3: whole Sopranos in one sitting. That's binging. That's binge watching.

3653
03:26:41,480 --> 03:26:45,080
Speaker 3: This is when you scroll any other platforms or whatever,

3654
03:26:45,800 --> 03:26:50,800
Speaker 3: any other platform doom scroll because evisually it's gonna be something.

3655
03:26:51,280 --> 03:26:54,160
Speaker 3: You're gonna die, the alien is gonna get you whatever.

3656
03:26:54,320 --> 03:26:56,440
Speaker 3: So I think that's why they call it doom scroll. Anyway,

3657
03:26:56,480 --> 03:27:00,800
Speaker 3: I was watching, so are gonna die? Can it come? No?

3658
03:27:01,040 --> 03:27:01,320
Speaker 2: Not you?

3659
03:27:01,879 --> 03:27:04,400
Speaker 3: I was saying, that's what the things say. You know,

3660
03:27:04,440 --> 03:27:10,320
Speaker 3: I talking to my little lovely boys, l A, okay,

3661
03:27:11,080 --> 03:27:17,440
Speaker 3: we get nice before the emol comes out. Yeah, So

3662
03:27:17,840 --> 03:27:20,440
Speaker 3: I don't think it's gonna kill me. But what I

3663
03:27:20,480 --> 03:27:23,840
Speaker 3: don't know? Who is crazy? So go having no.

3664
03:27:25,400 --> 03:27:27,040
Speaker 2: You knew what I was I feel like he just

3665
03:27:27,120 --> 03:27:28,320
Speaker 2: became you and you became him.

3666
03:27:29,640 --> 03:27:31,560
Speaker 4: I don't know what happened right now, bro, I get

3667
03:27:31,640 --> 03:27:35,120
Speaker 4: it this y'all go, y'all seek with l A B.

3668
03:27:39,120 --> 03:27:44,840
Speaker 3: Me catching. I'll take it. That is what happened. I

3669
03:27:44,920 --> 03:27:45,720
Speaker 3: do not want to smoke.

3670
03:27:46,560 --> 03:27:47,880
Speaker 4: So what do you get when you when you get

3671
03:27:47,920 --> 03:27:48,240
Speaker 4: that call?

3672
03:27:48,360 --> 03:27:48,480
Speaker 3: Is it?

3673
03:27:48,560 --> 03:27:49,160
Speaker 4: Dave Chappelle?

3674
03:27:50,840 --> 03:27:51,680
Speaker 2: See you see right?

3675
03:27:51,720 --> 03:27:53,080
Speaker 3: You just went wild? Right now?

3676
03:27:54,800 --> 03:27:55,640
Speaker 2: You went crazy?

3677
03:27:55,720 --> 03:28:01,920
Speaker 5: Bro, Dave Chappelle, go stay focused, rass cast stay focused.

3678
03:28:02,200 --> 03:28:11,640
Speaker 3: Oh ship, that's gonna be a clip right all right?

3679
03:28:11,959 --> 03:28:13,640
Speaker 4: No ears, how goes?

3680
03:28:14,120 --> 03:28:18,800
Speaker 3: Now? So cool things just dune scrolling, come across this thing.

3681
03:28:18,879 --> 03:28:22,320
Speaker 3: I think it's super interesting. I get very inspired. It's

3682
03:28:22,360 --> 03:28:30,440
Speaker 3: about these lions. They basically react differently than all lines

3683
03:28:30,480 --> 03:28:34,840
Speaker 3: have ever reacted because basically, what happens in most mammals,

3684
03:28:35,200 --> 03:28:38,320
Speaker 3: which even in the world we live in, and informs

3685
03:28:38,360 --> 03:28:42,480
Speaker 3: the thought of my head. So what happens with most

3686
03:28:43,280 --> 03:28:48,400
Speaker 3: I'm telling you squirrels, moose, mammals way deeper than this.

3687
03:28:48,560 --> 03:28:54,360
Speaker 3: I'm a smart nigga. Never get it fucked up smart. No,

3688
03:28:54,520 --> 03:28:58,840
Speaker 3: it's not weird, so so bar real quick. So most animals,

3689
03:29:00,480 --> 03:29:11,360
Speaker 3: if if there animals, most mammals. Oh, mammals, mammals him

3690
03:29:11,440 --> 03:29:15,800
Speaker 3: to murder the children of the bitch they want.

3691
03:29:16,240 --> 03:29:18,760
Speaker 2: Therefore, des Chappelle, I.

3692
03:29:18,800 --> 03:29:24,240
Speaker 3: Will, I'll get there. I love him. I'll make this fast.

3693
03:29:24,560 --> 03:29:28,200
Speaker 3: So it becomes Who's loud? No, don't worry about it's

3694
03:29:28,320 --> 03:29:29,320
Speaker 3: Milly and bores.

3695
03:29:30,160 --> 03:29:33,039
Speaker 4: Okay, so you watch it, Okay, So love hip hop,

3696
03:29:33,200 --> 03:29:34,080
Speaker 4: so long story stort.

3697
03:29:34,120 --> 03:29:36,120
Speaker 3: I was watching Love and hip Hop and then I

3698
03:29:36,240 --> 03:29:39,240
Speaker 3: doom scrolled into the lines. The point of the lines

3699
03:29:39,400 --> 03:29:42,920
Speaker 3: is that they behave differently. So I made a song

3700
03:29:43,040 --> 03:29:47,480
Speaker 3: out out of it, and then I couldn't finish it.

3701
03:29:50,040 --> 03:29:56,640
Speaker 3: The Eventually, uh Tupac's brother hits me and it's like,

3702
03:29:57,240 --> 03:30:00,920
Speaker 3: I heard this record you made, because it's the story

3703
03:30:01,000 --> 03:30:04,959
Speaker 3: is about six brothers. I couldn't get everybody I wanted.

3704
03:30:05,600 --> 03:30:11,280
Speaker 3: I had like Mopreme, like o'clock whatever. So we get

3705
03:30:11,320 --> 03:30:14,520
Speaker 3: the record together, put the record out, give it out

3706
03:30:14,560 --> 03:30:17,840
Speaker 3: for free. Fast forward like a month and a half.

3707
03:30:17,840 --> 03:30:22,199
Speaker 3: I get a call basically from Chappelle's no, not basically

3708
03:30:22,440 --> 03:30:25,240
Speaker 3: from his exec producer who used to work your priority,

3709
03:30:26,000 --> 03:30:30,119
Speaker 3: And she's like that, where was Chappelle? Yeah, his exact producer.

3710
03:30:30,760 --> 03:30:33,920
Speaker 3: I hadn't seen her in fucking fifteen years, I get

3711
03:30:33,959 --> 03:30:38,160
Speaker 3: a DM on the ground. I heard somebody had hit

3712
03:30:38,240 --> 03:30:41,400
Speaker 3: me like, Yo, Schappelle came out to your shit like

3713
03:30:41,560 --> 03:30:43,040
Speaker 3: this thing I put out like a month like he

3714
03:30:43,160 --> 03:30:45,720
Speaker 3: was already doing it in his shows. No, he came

3715
03:30:45,800 --> 03:30:50,240
Speaker 3: out one night like I put out the record two months.

3716
03:30:52,560 --> 03:30:55,480
Speaker 3: A month and a half later, somebody text me like, bro,

3717
03:30:56,080 --> 03:30:59,080
Speaker 3: I was in DC. Chappelle came out to your record.

3718
03:31:00,120 --> 03:31:02,200
Speaker 3: Out of one hundred thousand people, it was like, Bro,

3719
03:31:02,440 --> 03:31:06,080
Speaker 3: he came out to get ship. I'm like, that's super cool, blessing,

3720
03:31:07,040 --> 03:31:08,080
Speaker 3: which is cool.

3721
03:31:08,520 --> 03:31:11,680
Speaker 2: That's just not the life show that aired. That is it?

3722
03:31:11,959 --> 03:31:12,080
Speaker 3: Oh?

3723
03:31:12,160 --> 03:31:12,600
Speaker 10: That is it?

3724
03:31:12,720 --> 03:31:14,440
Speaker 2: So you already knew they gave you the heads up?

3725
03:31:14,480 --> 03:31:17,160
Speaker 3: Oh No. What I think is he comes out to everything.

3726
03:31:17,280 --> 03:31:20,200
Speaker 3: Who cares? Oh you didn't know? No niggas come out

3727
03:31:20,240 --> 03:31:24,080
Speaker 3: to doom Doom doom, who cares. I mean, I'm like

3728
03:31:24,200 --> 03:31:26,840
Speaker 3: telling him, I said thanks. What I'm saying like, I

3729
03:31:27,000 --> 03:31:29,640
Speaker 3: wasn't there. That was in DC, bro, just.

3730
03:31:29,720 --> 03:31:32,040
Speaker 2: So you didn't know that was going to be that?

3731
03:31:33,000 --> 03:31:33,600
Speaker 2: Of course not.

3732
03:31:34,440 --> 03:31:36,480
Speaker 3: I mean, we're all aware of each other. We say

3733
03:31:36,560 --> 03:31:38,440
Speaker 3: thank you, so it's not a big deal to me.

3734
03:31:38,600 --> 03:31:41,680
Speaker 3: I'm just like, hey, man, that's just tell him. I said, thanks,

3735
03:31:42,400 --> 03:31:45,000
Speaker 3: it's dope. He came out at his home. He from

3736
03:31:45,120 --> 03:31:48,560
Speaker 3: DC something like that the special was going to do that. No,

3737
03:31:48,800 --> 03:31:49,200
Speaker 3: not at all.

3738
03:31:49,520 --> 03:31:50,840
Speaker 2: You didn't know that was a special.

3739
03:31:51,240 --> 03:31:55,920
Speaker 3: Nobody know what I'm saying. Nobody knew it. So apparently

3740
03:31:56,200 --> 03:32:00,360
Speaker 3: it resonated with Bro the whole line ship. That's why

3741
03:32:00,440 --> 03:32:01,760
Speaker 3: he showed it the way he showed it. So we

3742
03:32:01,879 --> 03:32:06,200
Speaker 3: got the Netflix special. Great bad, great opportunity. I was

3743
03:32:06,240 --> 03:32:09,880
Speaker 3: able to watch it with everything with him. Yeah, he

3744
03:32:10,200 --> 03:32:12,000
Speaker 3: brought me out to kick with him.

3745
03:32:12,040 --> 03:32:12,120
Speaker 7: Bro.

3746
03:32:13,920 --> 03:32:17,480
Speaker 3: No, No, he ain't Beverly Hills. You know what I'm saying, Like, sorry, buddy,

3747
03:32:20,879 --> 03:32:26,480
Speaker 3: See this is when the West goes wrong. You're my

3748
03:32:26,600 --> 03:32:37,800
Speaker 3: big brother. Don't attack me. No, that that was it.

3749
03:32:37,959 --> 03:32:39,800
Speaker 3: So it was really cool, man. It just came out

3750
03:32:39,920 --> 03:32:43,600
Speaker 3: like genuinely, you gotta sit here. It don't count. Yeah,

3751
03:32:43,640 --> 03:32:46,119
Speaker 3: you definitely didn't sit that. You had to control rest

3752
03:32:47,160 --> 03:32:49,000
Speaker 3: control you.

3753
03:32:51,080 --> 03:32:59,720
Speaker 4: It's not a big. One of the last things before

3754
03:32:59,720 --> 03:33:01,680
Speaker 4: we leave, are we are we done?

3755
03:33:01,879 --> 03:33:04,640
Speaker 2: We're almost done. We're about to be done. Yes, about

3756
03:33:04,640 --> 03:33:10,880
Speaker 2: to be done. We did three hours, but we we

3757
03:33:11,080 --> 03:33:13,560
Speaker 2: rocked and roll. Buddy, Oh my god, listen, listen.

3758
03:33:15,640 --> 03:33:19,959
Speaker 5: I want to pay all missed homie Da Vinci, Miami producers,

3759
03:33:20,040 --> 03:33:24,800
Speaker 5: that that that that past, that work with you and uh,

3760
03:33:25,480 --> 03:33:27,320
Speaker 5: can you just get some words from Da Vinci please

3761
03:33:27,640 --> 03:33:29,360
Speaker 5: my family to appreciate, love.

3762
03:33:29,280 --> 03:33:30,039
Speaker 10: To so.

3763
03:33:31,640 --> 03:33:35,360
Speaker 3: And like I said, I wouldn't wherever the fuck is talking?

3764
03:33:35,440 --> 03:33:39,640
Speaker 3: She shut out. I knew it was you. No man,

3765
03:33:40,000 --> 03:33:46,640
Speaker 3: thank you, don't talk. Thank you? Okay, So my my

3766
03:33:47,040 --> 03:33:49,920
Speaker 3: journeys with you, I'd be remiss if I didn't shout

3767
03:33:49,959 --> 03:33:57,440
Speaker 3: out our journey of course, friendship. I don't have a regret.

3768
03:33:58,160 --> 03:34:06,840
Speaker 3: And uh on you well, no funnies, but you can

3769
03:34:06,920 --> 03:34:09,000
Speaker 3: make fun of me. I love you and I really

3770
03:34:09,080 --> 03:34:12,480
Speaker 3: appreciate you. And I'm so many great brothers here and

3771
03:34:12,680 --> 03:34:17,360
Speaker 3: I remember like even us going to go like getting

3772
03:34:17,440 --> 03:34:20,920
Speaker 3: the deal and going to k Town and everything, and

3773
03:34:21,120 --> 03:34:25,119
Speaker 3: so you know, those are the things that are true.

3774
03:34:25,480 --> 03:34:31,840
Speaker 3: So with Da Vinci, he knew Resenthage before they wrapped

3775
03:34:33,920 --> 03:34:39,039
Speaker 3: your kids. They were there recording with Da Vinci. Wow,

3776
03:34:39,879 --> 03:34:45,080
Speaker 3: so so so the coast contra the contradictory coasts, they

3777
03:34:45,160 --> 03:34:48,440
Speaker 3: were there. They were there, they were they were there

3778
03:34:49,000 --> 03:34:54,560
Speaker 3: even with real facts or facts. I'm not here to

3779
03:34:54,959 --> 03:35:00,240
Speaker 3: try to do magical stories about what then for my

3780
03:35:00,480 --> 03:35:05,360
Speaker 3: sons and this journey like Da Vinci, Uh, we were

3781
03:35:05,440 --> 03:35:06,440
Speaker 3: working on a record.

3782
03:35:07,040 --> 03:35:09,560
Speaker 2: Did you connect with Chip? I'm gonna say this, yeah

3783
03:35:09,600 --> 03:35:12,199
Speaker 2: yeah I did. Yeah good, Yeah, yeah, you guys gonna work.

3784
03:35:12,120 --> 03:35:15,240
Speaker 3: On those records. Yeah yeah yeah. And his mom and

3785
03:35:16,120 --> 03:35:16,800
Speaker 3: come on, man.

3786
03:35:17,000 --> 03:35:19,879
Speaker 2: His mom, their family wants his music to be out there.

3787
03:35:20,120 --> 03:35:24,280
Speaker 3: His mom and Chip. So Chip will get that done again.

3788
03:35:24,440 --> 03:35:26,320
Speaker 2: And I want to just say something really quick. Da

3789
03:35:26,360 --> 03:35:31,600
Speaker 2: Vinci worked a lot with with Dyla, with Jay Dilla's family.

3790
03:35:31,800 --> 03:35:35,080
Speaker 3: Yeah, and I and so and that we would be

3791
03:35:35,200 --> 03:35:41,080
Speaker 3: were missed. So I with with my dudes with tone

3792
03:35:41,320 --> 03:35:44,840
Speaker 3: like it's all family. I let them know where I stand.

3793
03:35:45,560 --> 03:35:50,120
Speaker 3: And that's what love is, because you know, people trying

3794
03:35:50,160 --> 03:35:52,840
Speaker 3: to get in because it's cool to hang out with people.

3795
03:35:52,840 --> 03:35:55,240
Speaker 3: It's not the same thing as like loving people. So

3796
03:35:56,640 --> 03:36:02,920
Speaker 3: still my brother. I was talking to the Vinci, which

3797
03:36:03,040 --> 03:36:07,199
Speaker 3: is you know, provable. I was working on a record.

3798
03:36:07,560 --> 03:36:10,000
Speaker 3: I was trying to get him like fix this hook.

3799
03:36:10,360 --> 03:36:12,880
Speaker 3: I was like, bro, I ain't got the hook. I

3800
03:36:12,959 --> 03:36:17,720
Speaker 3: got a song from five years ago when I was

3801
03:36:17,800 --> 03:36:21,240
Speaker 3: in a different space called I Just want to Forget

3802
03:36:21,280 --> 03:36:25,800
Speaker 3: It All that he made with his own boy. I'll

3803
03:36:25,800 --> 03:36:28,240
Speaker 3: play it for you and I still want to put

3804
03:36:28,280 --> 03:36:32,640
Speaker 3: it out. It's crazy, but what I like is the

3805
03:36:32,800 --> 03:36:35,960
Speaker 3: love and I want everything going right to where it

3806
03:36:36,000 --> 03:36:38,640
Speaker 3: should go. Give it to the family and how we

3807
03:36:38,760 --> 03:36:40,800
Speaker 3: build each other, because at the end of the day

3808
03:36:41,120 --> 03:36:44,680
Speaker 3: we will end up on the wall. And one thing,

3809
03:36:45,480 --> 03:36:49,680
Speaker 3: you can't take it all out and you hope to

3810
03:36:49,840 --> 03:36:51,640
Speaker 3: end up on the wall. I don't want to end

3811
03:36:51,720 --> 03:36:53,640
Speaker 3: up in the ground. See if you end up in

3812
03:36:53,680 --> 03:36:57,520
Speaker 3: the ground with nobody stepping on your fucking bones after

3813
03:36:57,560 --> 03:37:02,240
Speaker 3: your families, then what was your blood line about? I

3814
03:37:02,360 --> 03:37:06,160
Speaker 3: want to I want in on the wall, not for

3815
03:37:06,320 --> 03:37:10,520
Speaker 3: my vanity, for my family's hard work. That's why you

3816
03:37:10,800 --> 03:37:18,120
Speaker 3: do this. So long lived dream, Champs, long live. Let

3817
03:37:18,120 --> 03:37:19,160
Speaker 3: me ask you one more question.

3818
03:37:19,280 --> 03:37:21,000
Speaker 1: I heard you say earlier that she was in New

3819
03:37:21,080 --> 03:37:24,440
Speaker 1: York with a white tea and a Rolex. And then

3820
03:37:24,600 --> 03:37:26,720
Speaker 1: I've seen you a couple of interviews and you had

3821
03:37:26,760 --> 03:37:29,040
Speaker 1: a cardier on and now you've got a big boy

3822
03:37:29,120 --> 03:37:29,720
Speaker 1: in Naughtilus.

3823
03:37:30,320 --> 03:37:30,840
Speaker 3: You know what I mean.

3824
03:37:31,920 --> 03:37:32,960
Speaker 4: That's the roads go right?

3825
03:37:33,400 --> 03:37:33,600
Speaker 3: Yeah?

3826
03:37:34,920 --> 03:37:37,760
Speaker 4: Are you a protect Yeah? That's protect.

3827
03:37:37,840 --> 03:37:41,960
Speaker 3: Yeah, you're a big watch guy. Not really, I'm just kidding.

3828
03:37:42,040 --> 03:37:45,240
Speaker 3: I'm a k I just like ship.

3829
03:37:45,400 --> 03:37:47,600
Speaker 4: Okay, I'd be like what is that I want want?

3830
03:37:48,240 --> 03:37:52,400
Speaker 3: I want them boys. My card game is one thing.

3831
03:37:52,680 --> 03:37:55,800
Speaker 3: My watch game is. I don't even like so even this,

3832
03:37:56,720 --> 03:37:58,960
Speaker 3: I designed it. I wanted DP. I want to give

3833
03:37:59,000 --> 03:38:01,360
Speaker 3: it Like Kendrick, if you're born and raised in l A,

3834
03:38:01,480 --> 03:38:02,160
Speaker 3: I want him bef.

3835
03:38:03,320 --> 03:38:05,000
Speaker 4: Why why why are you l A racist?

3836
03:38:05,080 --> 03:38:07,800
Speaker 3: Right now? I'm not being l A racist. I'm just saying, like,

3837
03:38:08,000 --> 03:38:09,959
Speaker 3: I'll do it for New York. I want to create

3838
03:38:10,040 --> 03:38:10,600
Speaker 3: your state.

3839
03:38:10,920 --> 03:38:12,960
Speaker 4: So so what that says l A on it? No,

3840
03:38:13,080 --> 03:38:15,400
Speaker 4: it's just okay, Californian.

3841
03:38:17,040 --> 03:38:19,120
Speaker 3: It's the state of California, right. I want to go

3842
03:38:19,440 --> 03:38:23,440
Speaker 3: New York to Florida. I want to like, I want

3843
03:38:23,480 --> 03:38:28,880
Speaker 3: to be like a good first one represent your ship.

3844
03:38:29,560 --> 03:38:33,000
Speaker 3: You know what? Can I think it'll be away, Like

3845
03:38:33,040 --> 03:38:35,000
Speaker 3: I want to make him beef, but it was my idea.

3846
03:38:35,080 --> 03:38:38,280
Speaker 3: I finally built son. Like I'm from California, I'm born

3847
03:38:38,320 --> 03:38:40,800
Speaker 3: and raised. My mama from Louisiana, my daddy from Arkansas.

3848
03:38:41,080 --> 03:38:43,440
Speaker 3: I'm from LA. I'm just trying to build something. I

3849
03:38:43,520 --> 03:38:45,560
Speaker 3: want to bef and I want to have enough money

3850
03:38:45,959 --> 03:38:48,240
Speaker 3: to bless niggas. You know what I mean? Like I

3851
03:38:48,440 --> 03:38:52,360
Speaker 3: love to color here and like be up and just

3852
03:38:53,000 --> 03:38:55,480
Speaker 3: you know what I mean you you being from Queens,

3853
03:38:55,959 --> 03:38:59,879
Speaker 3: make your queen ship, make your city ship go up.

3854
03:39:00,760 --> 03:39:02,800
Speaker 4: No, that's that's a that's a dope idea. I didn't

3855
03:39:02,840 --> 03:39:03,280
Speaker 4: realize that.

3856
03:39:03,800 --> 03:39:08,920
Speaker 3: Yeah it's Kelly LANs nigga. I made that. I be remiss.

3857
03:39:10,160 --> 03:39:17,520
Speaker 3: He's king. I know you know me sometimes I have fun.

3858
03:39:18,600 --> 03:39:22,440
Speaker 3: Let's see, ye have oneother drink? I know I want one.

3859
03:39:23,160 --> 03:39:35,320
Speaker 4: Michelle shouldn't know me, You.

3860
03:39:35,440 --> 03:39:38,880
Speaker 1: Bother hilarious love me?

3861
03:39:39,640 --> 03:39:41,400
Speaker 3: You know me? Let me dick.

3862
03:39:42,480 --> 03:39:45,959
Speaker 4: Come on, bro, oh ship, forget.

3863
03:39:52,000 --> 03:39:55,200
Speaker 3: That. You take another drink. You know he knows so

3864
03:39:55,400 --> 03:39:57,560
Speaker 3: many dirtier things about me.

3865
03:39:57,800 --> 03:40:03,640
Speaker 2: That is I don't even know. Holy some weird some

3866
03:40:03,720 --> 03:40:05,000
Speaker 2: weird morning you.

3867
03:40:05,120 --> 03:40:09,840
Speaker 3: Know all you know all emails quit about me?

3868
03:40:10,920 --> 03:40:13,600
Speaker 1: Is anything you think we gotta say anything before?

3869
03:40:13,720 --> 03:40:15,560
Speaker 3: For okay, it's like Michael Ring.

3870
03:40:17,080 --> 03:40:19,000
Speaker 4: Okay, what the bunk was that word?

3871
03:40:20,120 --> 03:40:20,240
Speaker 3: Now?

3872
03:40:20,360 --> 03:40:23,040
Speaker 2: Listen, no real quick, real quick, bang on me.

3873
03:40:23,360 --> 03:40:24,800
Speaker 3: No like I'm trying to create.

3874
03:40:24,560 --> 03:40:26,360
Speaker 2: A serious ship, serious ship.

3875
03:40:26,680 --> 03:40:27,160
Speaker 4: I'm sorry.

3876
03:40:27,240 --> 03:40:31,720
Speaker 5: First of all, thank you, bro, because you got on

3877
03:40:31,879 --> 03:40:34,240
Speaker 5: my album, you got on my mixtapes.

3878
03:40:34,400 --> 03:40:35,120
Speaker 3: I never liked you.

3879
03:40:37,760 --> 03:40:39,680
Speaker 2: I never like that makes me thank you.

3880
03:40:44,480 --> 03:40:52,720
Speaker 3: That we wouldn't be here today if artists didn't believe.

3881
03:40:52,400 --> 03:40:55,360
Speaker 2: In what I was doing and mess with me and man,

3882
03:40:55,480 --> 03:40:58,120
Speaker 2: obviously this is the biggest example of it now yea,

3883
03:41:00,120 --> 03:41:04,440
Speaker 2: and now come on the ring like you've been brilliant.

3884
03:41:04,520 --> 03:41:04,760
Speaker 2: I was.

3885
03:41:05,040 --> 03:41:08,680
Speaker 3: I was before, so I knew him before they even

3886
03:41:08,760 --> 03:41:12,640
Speaker 3: stepped in in brilliance and that's dope. It's just that's

3887
03:41:12,680 --> 03:41:13,199
Speaker 3: what it takes.

3888
03:41:13,280 --> 03:41:15,359
Speaker 4: It takes us, James, honestly.

3889
03:41:15,600 --> 03:41:17,000
Speaker 2: So all's well, thank you.

3890
03:41:17,640 --> 03:41:20,039
Speaker 5: I'm not going to talk about your fetish with midgets

3891
03:41:20,280 --> 03:41:25,279
Speaker 5: or or or or spipe well.

3892
03:41:25,160 --> 03:41:30,840
Speaker 3: Here, I'm going to see this is where you gets weak.

3893
03:41:41,959 --> 03:41:42,600
Speaker 4: But watch out.

3894
03:41:44,000 --> 03:41:44,680
Speaker 3: That's not all.

3895
03:41:44,760 --> 03:41:45,160
Speaker 4: Watch out.

3896
03:41:45,920 --> 03:41:49,320
Speaker 2: Drink Champs is a Drink Champs LLC production hosts and

3897
03:41:49,480 --> 03:41:52,360
Speaker 2: executive producers n O r E and d J E

3898
03:41:52,640 --> 03:41:58,160
Speaker 2: f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3899
03:41:58,440 --> 03:42:01,920
Speaker 2: or wherever you get your podcast. Yes, thanks for joining

3900
03:42:02,000 --> 03:42:04,720
Speaker 2: us for another episode of Drink Champs, hosted by yours truly,

3901
03:42:04,879 --> 03:42:07,440
Speaker 2: DJ E f N and n O r E. Please

3902
03:42:07,480 --> 03:42:09,680
Speaker 2: make sure to follow us on all our socials. That's

3903
03:42:09,720 --> 03:42:13,320
Speaker 2: at drink Champs across all platforms at the Real noriegon

3904
03:42:13,400 --> 03:42:17,279
Speaker 2: Ig at Noriega on Twitter, Mine is at Who's crazy

3905
03:42:17,480 --> 03:42:20,760
Speaker 2: on ig at dj e f N on Twitter, and

3906
03:42:20,879 --> 03:42:23,280
Speaker 2: most importantly, stay up to date with the latest releases,

3907
03:42:23,720 --> 03:42:26,880
Speaker 2: news and merch by going to Drinkchamps dot com