WEBVTT - Miles Gray on Mallrats

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Movie Crush Friday Interview Edition.

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<v Speaker 1>And I'm here with the winsome and handsome if I

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<v Speaker 1>may say so, Miles Gray, you honor me. Thank you

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<v Speaker 1>so much. I am, although as I see your wonderful

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<v Speaker 1>beer through the zoom screen, I'm reminded of my own

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<v Speaker 1>just paltry uh you know, also ran type facial hair

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<v Speaker 1>that I have going on there. It's you know, it's

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<v Speaker 1>been a struggle, you know, for me being you know,

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<v Speaker 1>on the other side of I'm almost forty in a

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<v Speaker 1>few years, but like thinking of how long, I thought, yeah,

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<v Speaker 1>like I'll probably have a like some cheekcare and I'm like,

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<v Speaker 1>I got patches though. It's good though. Initial statue, thank you. Yeah,

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<v Speaker 1>that's the one thing I can Yeah, that's just the mustache. Now.

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<v Speaker 1>So you guys listening, they know, Miles, if you listen

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<v Speaker 1>to the Daily Zeite guys, which was um kind of

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<v Speaker 1>our landmark comedy show here at the Network when we

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<v Speaker 1>first got things going really in earnest, and you guys

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<v Speaker 1>are still killing it. I mean, how many years has

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<v Speaker 1>have been now It's almost gonna be four it'll be wow,

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<v Speaker 1>four years um in October doing every day and then

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<v Speaker 1>almost two years now of doing it twice a day.

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<v Speaker 1>So so what do you what is twice a day?

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<v Speaker 1>What's going on with that that? Well, you know, because

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<v Speaker 1>of before, when it seemed like the news cycle was

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<v Speaker 1>somewhat manageable. During the Trump administration, it was easy to

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<v Speaker 1>do a daily show, and then you know, on the

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<v Speaker 1>back end of the administration, there was just so much

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<v Speaker 1>happening every day constantly that we will find ourselves in

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<v Speaker 1>a position to be like, oh, this isn't even gonna

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<v Speaker 1>be in the episode that comes out tomorrow because all

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<v Speaker 1>this news broke since we recorded. So like we'd hit

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<v Speaker 1>people with like a quick middle of the day update

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<v Speaker 1>just to see what's trending. So it's not always heavy,

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<v Speaker 1>but you know, just just to make sure we're covering

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<v Speaker 1>our bases. Wow, let's go in the extra mile. Yeah, yeah, yeah.

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<v Speaker 1>And so like in a way, I'm like, I can't

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<v Speaker 1>believe the amount of episodes that we've done, and in

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<v Speaker 1>the back of my mind, I'm like, this is just

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<v Speaker 1>right for some AI too then completely create who I Am,

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<v Speaker 1>provided it thousands of hours of recorded audio. I can't imagine, man,

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<v Speaker 1>I mean people talk to Josh and I about stuff

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<v Speaker 1>you should know just twice or I guess with the shorties,

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<v Speaker 1>not three times a week, um for all these years,

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<v Speaker 1>but like that's twice a week feels like a vacation

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<v Speaker 1>compared to uh, once a day, and now it's twice

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<v Speaker 1>a day. Well, and when we first started back in

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<v Speaker 1>the you know how stuff works days, when we were

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<v Speaker 1>starting to show, you know, the head of the network,

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<v Speaker 1>Connell was he was asking us if we were sure

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<v Speaker 1>we wanted to do it daily show. And I get

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<v Speaker 1>it because on the strength of all the other shows

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<v Speaker 1>on the network like that are researched and take so

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<v Speaker 1>much time to produce, We're even like, yeah, right, daily,

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<v Speaker 1>that's a that is a pretty aggressive tick. But I

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<v Speaker 1>think with Jack like writing daily even like sort of

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<v Speaker 1>moderating cracked and for me, like having worked on daily

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<v Speaker 1>shows and things like that, I was like, I think

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<v Speaker 1>we can do it. So we may have also just

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<v Speaker 1>locked ourselves into a frenetic workpace, but we like it. Well,

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<v Speaker 1>it works and it's a funny show. And you're talking

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<v Speaker 1>about Jack O'Brien, who uh his co host and jack

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<v Speaker 1>Um was uh kind of the first comedy guy at

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<v Speaker 1>the network. He came over from crack to dot com,

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<v Speaker 1>which was a great website at least when Jack was

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<v Speaker 1>running it. I haven't even been on that much since then,

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<v Speaker 1>to be honest, but I always had a lot of

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<v Speaker 1>respect for Jack and what he brought to the network.

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<v Speaker 1>And and you, man, like, where where did you get

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<v Speaker 1>your start? Did you start doing like sketch or stand up?

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<v Speaker 1>What was your the beginnings in comedy? I mean, yeah,

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<v Speaker 1>improv was my first love. I started improvising in high

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<v Speaker 1>school because I had a theater teacher who was like,

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<v Speaker 1>this is in l A. So yes, like a true

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<v Speaker 1>I'm like the Billie Eilish of podcasting, you know, like

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<v Speaker 1>I'm in it. You know. My mom's a film critic,

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<v Speaker 1>my dad an artist. Yeah, so I've so Anyways, like

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<v Speaker 1>in high school, I started doing improv because I was

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<v Speaker 1>always just like to do impressions and just be funny.

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<v Speaker 1>And then then I realized, oh, yeah, you can make

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<v Speaker 1>a career out of that, so I was. I tried

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<v Speaker 1>for a while to get into groundlings and was doing

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<v Speaker 1>stuff at UCB for a little bit, but before all that,

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<v Speaker 1>like I kind of got to that point where I

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<v Speaker 1>was like, I need a career. I couldn't quite rely

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<v Speaker 1>on comedy being a thing. And I think that's obviously

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<v Speaker 1>coming from like a you know, having immigrant mom, black father,

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<v Speaker 1>just sort of like try and get jobs that will

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<v Speaker 1>pay you like consistently. So I was like, yeah, that's

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<v Speaker 1>that's cool. And then I got into So then I started.

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<v Speaker 1>I became a political consultant and lobbyists for a number

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<v Speaker 1>of years. That's right, I remember that. Yeah, yeah, that

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<v Speaker 1>was sort of my big boy college post college career.

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<v Speaker 1>And then I soured on politics very quickly. I went

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<v Speaker 1>into it a little overly idealistic and I realized what

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<v Speaker 1>it was and then so I became, uh yeah, a

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<v Speaker 1>little bit more radicalized after that. And then from there

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<v Speaker 1>I actually did more than just comedy. Like I I think,

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<v Speaker 1>you know, in the early YouTube days, I was just

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<v Speaker 1>very much someone who had like a sketch comedy channel,

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<v Speaker 1>who was like getting viral hits on Funnier Die and

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<v Speaker 1>YouTube and things like that. And then I realized that's

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<v Speaker 1>a hard that's again not an easy job to turn

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<v Speaker 1>into consistent income. So I sort of turned that into

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<v Speaker 1>a skill. I was going to companies with basically saying

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<v Speaker 1>like Hi, I'm one of those people that can make

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<v Speaker 1>viral content, and that was such a buzzword and like

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<v Speaker 1>the early tens teens where it's viral viral, Yeah, yeah,

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<v Speaker 1>this is good. Yeah, and like I'd be like, check

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<v Speaker 1>out my links to these nonsensical comedy videos that have

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<v Speaker 1>plenty of views to back up my claims. And so

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<v Speaker 1>I started working in radio and making like content for

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<v Speaker 1>radio stations, and then I worked at YouTube for a second,

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<v Speaker 1>and then Playboy, and then Conde Nast and then Uh

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<v Speaker 1>and then Jack after a while he was I had

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<v Speaker 1>met him because my fiance worked at Cracked, so I

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<v Speaker 1>had met him a few times there and he actually

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<v Speaker 1>had me, um years ago audition to co host up

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<v Speaker 1>a podcast with Robert Evans and then at the time

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<v Speaker 1>it just didn't work out um, but Jack had always

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<v Speaker 1>remembered that audition. So then when he started thinking of

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<v Speaker 1>this idea, he came back to me and said, Hey,

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<v Speaker 1>I know you're working at Conde, but like, would you

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<v Speaker 1>want to do a podcast? And I was like, that's

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<v Speaker 1>the call I've been waiting for. Um, So yeah, it's

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<v Speaker 1>And now I think doing this daily shows like a

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<v Speaker 1>true intersection of like all of my past work experience

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<v Speaker 1>and like interests. So yeah, I couldn't be luckier. That's awesome.

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<v Speaker 1>So Robert Evans is who also from our network behind

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<v Speaker 1>the Bastards, Great great show which got really popular, which

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<v Speaker 1>was cool. Robert's awesome. I need to have Robert on

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<v Speaker 1>and Jack. Jack had been holding pulp fiction for Jack

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<v Speaker 1>for you know, three years now, and we've tried a

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<v Speaker 1>couple of times. When I was in l A, I

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<v Speaker 1>always wanted to do it in person, but now I

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<v Speaker 1>think we've all gotten so used to the zoom thing that, uh,

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<v Speaker 1>I'm not afraid to do these anymore. I used to like,

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<v Speaker 1>if it's not in person, then you know an you

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<v Speaker 1>want to talk about, isn't it. But it's how much

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<v Speaker 1>that's changed. Like I was, really we were really concerned,

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<v Speaker 1>especially for comedy podcasts, the energy in the room is

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<v Speaker 1>so important, like the timing of your responses. But I

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<v Speaker 1>think like everyone got like a built in internet delay

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<v Speaker 1>in their head or something to like yeah not or

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<v Speaker 1>you don't do things like that, so yeah, which I

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<v Speaker 1>just did you, I know, which is perfect illustrative. Well,

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<v Speaker 1>you've got a great voice, so it doesn't surprise me

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<v Speaker 1>that you worked in radio. Some but I'd love to

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<v Speaker 1>know a little bit more about what you did in politics.

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<v Speaker 1>It's really interesting, man. Yeah. So I started off just

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<v Speaker 1>like like an organizer, and at a certain point a

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<v Speaker 1>friend of mine asked if I wanted to help organize

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<v Speaker 1>for a campaign around renewable energy, and I was like, sure,

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<v Speaker 1>I think that's great. It was for a ballot proposition

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<v Speaker 1>in California, and it was like very aggressive at the time,

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<v Speaker 1>like asking for like over fifty of our fuel mix

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<v Speaker 1>to come from renewable. So it was like a long shot,

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<v Speaker 1>but for me, I felt like one of those things like,

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<v Speaker 1>but this is where we need to be. And that

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<v Speaker 1>campaign went well enough that um, that was my first

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<v Speaker 1>sort of insight into how things work. Because this campaign,

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<v Speaker 1>I thought was just about people of goodwill coming together

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<v Speaker 1>to demand the state change the energy mix. And then

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<v Speaker 1>this consulting firm reaches out to me and says, hey,

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<v Speaker 1>we'd like to hire you. You did a great job

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<v Speaker 1>on this other campaign that we were behind, and I

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<v Speaker 1>was like, oh huh and then yeah, and I was

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<v Speaker 1>like what do you mean. It's like, oh, yeah, so

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<v Speaker 1>we have these investors and then you realize, oh, right,

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<v Speaker 1>So this ballot proposition was for people who we're basically

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<v Speaker 1>waiting first if this were to pass into law, immediately

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<v Speaker 1>begin permitting the land to like beat everyone to the

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<v Speaker 1>punch for renewables to get those contracts. So I was like, oh, okay, um,

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<v Speaker 1>but I'm like, well, at least it's a good cause

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<v Speaker 1>because it's renewable, so like it's not like, you know,

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<v Speaker 1>totally messed up. And then from there, um, so I

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<v Speaker 1>accepted the job because this was you know, this was

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<v Speaker 1>two thousand and eight. There's just absolutely and I just

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<v Speaker 1>got out of college. I'm walking through like a desert

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<v Speaker 1>landscape in terms of like viable employment, and this was

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<v Speaker 1>like a true shot to have like some kind of professional,

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<v Speaker 1>white collar, middle class lifestyle in my twenties, and so

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<v Speaker 1>I took it in yeah, very quickly. Uh. I began

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<v Speaker 1>to see like the game and how consulting works, whether

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<v Speaker 1>that was you know, doing things in service of like

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<v Speaker 1>billionaires who had progressive agendas, but in the end of

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<v Speaker 1>the day, like you know, I'm like, oh, cool, we're

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<v Speaker 1>gonna make sure this this certain politician gets re elected.

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<v Speaker 1>And then you're like, oh, that's right, because they're on

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<v Speaker 1>a a midie that directly relates to the industry of

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<v Speaker 1>one of our clients, and by making sure that they

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<v Speaker 1>know that this massive donor as part of their like

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<v Speaker 1>sort of covert re election effort that helps keep the

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<v Speaker 1>heat off of their industry. If someone proposes, let's say,

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<v Speaker 1>an investigation into how pell grants work or something like that,

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<v Speaker 1>Holy shit? How? How? What? What is your cynicism level

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<v Speaker 1>these days with politics? Yeah? I mean, I'm I'm completely disillusioned.

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<v Speaker 1>I mean, I know, I I worked in democratic politics

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<v Speaker 1>enough to see that even when you're talking about things

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<v Speaker 1>that are they pull well, there are a few people

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<v Speaker 1>who are actually there to advocate for what that means

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<v Speaker 1>on the other side of it, like it's renewable energies

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<v Speaker 1>with the caveat of well, I'm gonna make all the

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<v Speaker 1>money off of it when it happens, or I want

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<v Speaker 1>this progressive politician re elected not because they're going to

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<v Speaker 1>do something for working people, but because they're going to

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<v Speaker 1>protect my near monopoly on this industry. Um and then,

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<v Speaker 1>and I became really cynical because after a while, you know,

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<v Speaker 1>you know, there's the dark money aspects and using these

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<v Speaker 1>you know, there's a whole methodology that UM dark money

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<v Speaker 1>groups used to use different kinds of nonprofit groups like

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<v Speaker 1>five and one, C threes and C fours and certain

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<v Speaker 1>ones don't have to reveal who their donor who their

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<v Speaker 1>donors are, and that's those are. So those are the

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<v Speaker 1>groups that come out with very like nebulous names like um,

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<v Speaker 1>you know, American Families for Progress or something, and really

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<v Speaker 1>paid by one guy, and you're out there saying, like

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<v Speaker 1>preaching this very vague mission statement. So it seems like that,

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<v Speaker 1>but you're there on behalf of some other person. And

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<v Speaker 1>so once you see sort of the just sort of

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<v Speaker 1>the the power dynamics of it and who stands to

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<v Speaker 1>win and lose. You know, I was going in on

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<v Speaker 1>very optimistic. Obama had just been elected the first black president.

0:11:56.120 --> 0:11:58.280
<v Speaker 1>I'm like, wow, this is progress, Like I'm really glad

0:11:58.320 --> 0:11:59.920
<v Speaker 1>to be part of this. And then I'm like, wait,

0:12:00.040 --> 0:12:02.800
<v Speaker 1>but you know, this is like when Obamacare was coming up.

0:12:02.880 --> 0:12:05.160
<v Speaker 1>We're doing a lot of research to try and talk

0:12:05.200 --> 0:12:07.840
<v Speaker 1>about like the benefits of it and how this could

0:12:07.840 --> 0:12:11.120
<v Speaker 1>be really monumental for expanding healthcare. And then pretty soon,

0:12:11.160 --> 0:12:13.120
<v Speaker 1>like you saw, things get chipped away and you see

0:12:13.120 --> 0:12:15.520
<v Speaker 1>people get seats at the table that should absolutely not

0:12:15.600 --> 0:12:20.160
<v Speaker 1>have them. And I was like oh okay, whatever, So yeah,

0:12:20.400 --> 0:12:23.200
<v Speaker 1>how do you approach and you know you don't have

0:12:23.200 --> 0:12:25.920
<v Speaker 1>to get too personal, but how do you approach your

0:12:26.080 --> 0:12:29.720
<v Speaker 1>your vote these days? Like when you have seen sort

0:12:29.760 --> 0:12:32.880
<v Speaker 1>of the underbelly in that and the way it works,

0:12:32.920 --> 0:12:37.200
<v Speaker 1>Like can you even I mean like excited? No? Um?

0:12:38.040 --> 0:12:41.560
<v Speaker 1>And because I think you know, especially right now being

0:12:41.600 --> 0:12:46.480
<v Speaker 1>black and Asian in this country, talk about a lack

0:12:46.520 --> 0:12:50.360
<v Speaker 1>of change that's takes into account what the experience is

0:12:50.800 --> 0:12:55.520
<v Speaker 1>or the experiences are of of us from any given group,

0:12:56.160 --> 0:13:01.479
<v Speaker 1>and the glacial pace um that change curs in because unfortunately,

0:13:01.559 --> 0:13:03.600
<v Speaker 1>the people who have the seats at the table, they're

0:13:03.640 --> 0:13:07.720
<v Speaker 1>not the things that we're talking about aren't existential threats

0:13:07.760 --> 0:13:10.800
<v Speaker 1>to them. So we're moving at a we're moving at

0:13:10.800 --> 0:13:14.160
<v Speaker 1>a level of urgency for something like It's like it's

0:13:14.160 --> 0:13:17.280
<v Speaker 1>the same with climate change. We have people like octogenarians

0:13:17.320 --> 0:13:18.439
<v Speaker 1>who are like, I don't know, I'm not going to

0:13:18.520 --> 0:13:20.800
<v Speaker 1>see the worst of it, So why would they're They're

0:13:20.800 --> 0:13:25.079
<v Speaker 1>not incentivized to move quickly or um optimistically on how

0:13:25.120 --> 0:13:28.400
<v Speaker 1>to change things. Um. So I mean I'm I'm really

0:13:28.400 --> 0:13:30.079
<v Speaker 1>open on the show about how I feel and I

0:13:30.120 --> 0:13:33.160
<v Speaker 1>always try and always relate my own experiences in politics

0:13:33.160 --> 0:13:36.000
<v Speaker 1>to why I believe a certain thing or why I'm

0:13:36.160 --> 0:13:40.400
<v Speaker 1>less optimistic about a given candidate. You know. Yeah, I

0:13:40.440 --> 0:13:44.720
<v Speaker 1>think for certain people, progressives, leftists, they may look at

0:13:44.760 --> 0:13:46.560
<v Speaker 1>Biden is just like you know, it's like what do

0:13:46.600 --> 0:13:48.400
<v Speaker 1>you do? Do you hold your nose? Do you vote

0:13:48.400 --> 0:13:51.960
<v Speaker 1>for this? And given some of the other, uh, political

0:13:52.360 --> 0:13:55.720
<v Speaker 1>fallouts that have occurred over the last hundred days, UM,

0:13:55.880 --> 0:13:58.000
<v Speaker 1>you'd you'd hope for a little bit better than what

0:13:58.000 --> 0:14:00.960
<v Speaker 1>we're seeing. Um. But I mean, I think it's just

0:14:01.000 --> 0:14:04.520
<v Speaker 1>one of those things until enough a plurality of people

0:14:04.559 --> 0:14:08.120
<v Speaker 1>are either a able to see just how we lose

0:14:08.160 --> 0:14:12.360
<v Speaker 1>in this like two party system, um or proposing some real,

0:14:13.120 --> 0:14:15.800
<v Speaker 1>you know, revolutionary change in terms of how we conduct

0:14:16.240 --> 0:14:19.360
<v Speaker 1>our governance in this country. I think this is what

0:14:19.360 --> 0:14:21.880
<v Speaker 1>we're left with. And you hope that the words of

0:14:21.960 --> 0:14:24.880
<v Speaker 1>activists and the news and people being a little more

0:14:24.920 --> 0:14:27.240
<v Speaker 1>open minded about what the realities are of this country

0:14:27.320 --> 0:14:30.960
<v Speaker 1>can at least help create like a very organic grassroots

0:14:30.960 --> 0:14:34.040
<v Speaker 1>ground swell around this. But yeah, it's um, but it's

0:14:34.080 --> 0:14:38.680
<v Speaker 1>it's hardening to see things slowly melt away over time. Yeah.

0:14:38.720 --> 0:14:40.640
<v Speaker 1>So like if you were to talk to someone who's

0:14:40.640 --> 0:14:44.800
<v Speaker 1>interested in getting into politics. Would you say, geez, don't

0:14:44.840 --> 0:14:48.760
<v Speaker 1>do it, it's assess pool. You say, just stay local,

0:14:48.920 --> 0:14:52.400
<v Speaker 1>and I would change, honestly, I would. I've I've talked

0:14:52.400 --> 0:14:54.760
<v Speaker 1>about this a lot, and I have a few friends

0:14:54.760 --> 0:14:58.720
<v Speaker 1>who are work at a state level, municipal level, and

0:14:58.760 --> 0:15:01.960
<v Speaker 1>federal level and pre aaucracy, and they're all like, we

0:15:02.040 --> 0:15:06.920
<v Speaker 1>need smarter people to work in bureaucracy because I think

0:15:06.960 --> 0:15:08.680
<v Speaker 1>a lot of people look at you know, it's like

0:15:08.720 --> 0:15:13.040
<v Speaker 1>the stars of politics are the elected officials, but there

0:15:13.200 --> 0:15:15.200
<v Speaker 1>it's like, but the crew, Like if it's a movie,

0:15:15.320 --> 0:15:18.520
<v Speaker 1>the crew it is the bureaucracy. And if the crew

0:15:18.640 --> 0:15:22.360
<v Speaker 1>is lazy and unimaginative, they're not going to execute on

0:15:22.400 --> 0:15:24.880
<v Speaker 1>a script you wrote, it's gonna come out all weird

0:15:24.960 --> 0:15:28.480
<v Speaker 1>because no one's like So I would actually encourage people

0:15:28.520 --> 0:15:32.080
<v Speaker 1>to get involved because I think, but knowing that, we

0:15:32.160 --> 0:15:35.400
<v Speaker 1>need people who are looking at things differently, very much

0:15:35.600 --> 0:15:38.040
<v Speaker 1>the established kind of politicians we have now, it's just

0:15:38.280 --> 0:15:40.280
<v Speaker 1>their focus is once they're in office, is just to

0:15:40.360 --> 0:15:44.000
<v Speaker 1>stay in office. So there's not a lot of risk taking,

0:15:44.200 --> 0:15:46.160
<v Speaker 1>you know what I mean, there's no risk taking at

0:15:46.160 --> 0:15:48.240
<v Speaker 1>all because their bottom linees like, well, I want to

0:15:48.280 --> 0:15:51.840
<v Speaker 1>be the most famous person in my state is making

0:15:51.920 --> 0:15:54.160
<v Speaker 1>this office. I don't care about what I'm there to

0:15:54.280 --> 0:15:57.160
<v Speaker 1>do for my constituents. And I think that seems to

0:15:57.240 --> 0:16:00.880
<v Speaker 1>be a real thing right now more than ever before. Absolutely,

0:16:01.000 --> 0:16:02.680
<v Speaker 1>And I think we need more people who are willing

0:16:02.720 --> 0:16:05.640
<v Speaker 1>to just go into office saying I'm here to actually

0:16:05.840 --> 0:16:08.320
<v Speaker 1>I know what it means for a single parent to

0:16:08.600 --> 0:16:10.960
<v Speaker 1>wonder how they're going to take care of their child,

0:16:11.040 --> 0:16:12.760
<v Speaker 1>or if they're going to get tax credits for that,

0:16:12.960 --> 0:16:15.640
<v Speaker 1>or if they need another job or that, and know

0:16:15.880 --> 0:16:18.880
<v Speaker 1>that those are real lived experience of most people, and

0:16:18.920 --> 0:16:22.320
<v Speaker 1>saying I'm there to actually relieve that stress for someone

0:16:22.360 --> 0:16:25.240
<v Speaker 1>else rather than you know, who can I glad hand

0:16:25.360 --> 0:16:28.040
<v Speaker 1>and collect donors for just to stay in for another

0:16:28.120 --> 0:16:31.480
<v Speaker 1>couple of years. Um, yeah, sure. And you know, I know,

0:16:31.680 --> 0:16:35.640
<v Speaker 1>like both sides are. I mean, I'm a liberal progressive too,

0:16:35.760 --> 0:16:38.240
<v Speaker 1>and and both sides have plenty of issues. But it's

0:16:38.240 --> 0:16:41.320
<v Speaker 1>really hard not to look at people like Marjorie Taylor

0:16:41.360 --> 0:16:45.640
<v Speaker 1>Green and I read a Thing of the Day where

0:16:45.640 --> 0:16:48.160
<v Speaker 1>they were talking about the fact that basically like people

0:16:48.200 --> 0:16:51.320
<v Speaker 1>like her are there there. She's brand building. She's not

0:16:52.160 --> 0:16:57.360
<v Speaker 1>interested at all in in constituents and doing anything for

0:16:57.400 --> 0:17:00.920
<v Speaker 1>them or anything for the country. Even know, it's just

0:17:01.160 --> 0:17:05.400
<v Speaker 1>building her brand as someone who can be a megaphone

0:17:05.840 --> 0:17:08.880
<v Speaker 1>for owning libs and and what kind of book deal

0:17:08.880 --> 0:17:10.960
<v Speaker 1>am I going to get at the end of the day.

0:17:11.359 --> 0:17:13.280
<v Speaker 1>And I think it's like the same. Yeah, it's it's

0:17:13.280 --> 0:17:16.520
<v Speaker 1>like when you see people on reality shows and you're like, whoa,

0:17:16.800 --> 0:17:18.920
<v Speaker 1>It's like, well, they're trying to get a deal after

0:17:18.960 --> 0:17:21.920
<v Speaker 1>the ships. You know, they're trying to get their influences

0:17:22.240 --> 0:17:26.920
<v Speaker 1>account going when they leave the Bachelor. Like politics now, yeah,

0:17:27.000 --> 0:17:29.760
<v Speaker 1>and I think it's seemed into every level where we

0:17:29.800 --> 0:17:31.960
<v Speaker 1>don't have people who are there acting in good faith

0:17:32.000 --> 0:17:35.800
<v Speaker 1>because they're interested in outcomes for their constituents. It's like,

0:17:35.800 --> 0:17:39.280
<v Speaker 1>like we say in politics, it's what they called me flippantly,

0:17:39.280 --> 0:17:43.160
<v Speaker 1>it's Hollywood for ugly people. Um, and it's the same

0:17:43.760 --> 0:17:48.320
<v Speaker 1>level of egocentricity and narcissism involved, but it's it's just

0:17:48.359 --> 0:17:50.280
<v Speaker 1>like even worse because like, no, you guys are actually

0:17:50.320 --> 0:17:53.960
<v Speaker 1>there to like help people, but you're you're the mudsling.

0:17:54.000 --> 0:17:57.000
<v Speaker 1>And you know, good for her she you know, she

0:17:57.240 --> 0:17:59.520
<v Speaker 1>her father gave her a whole business that she could

0:17:59.560 --> 0:18:03.080
<v Speaker 1>inherit and pretend she created her own business or whatever,

0:18:03.160 --> 0:18:06.919
<v Speaker 1>and that's par for the course for this place. Oh boy,

0:18:07.440 --> 0:18:20.199
<v Speaker 1>well that was depressing. Yeah. Well, well, first of all,

0:18:20.240 --> 0:18:21.880
<v Speaker 1>I want to talk about your mom real quick again.

0:18:22.440 --> 0:18:25.320
<v Speaker 1>Where's where's she from with your background? My mom's Japanese.

0:18:25.359 --> 0:18:29.560
<v Speaker 1>So she she she's from Japan. She was born in Nigata,

0:18:29.600 --> 0:18:32.399
<v Speaker 1>which is on the west coast of Japan, and she

0:18:32.480 --> 0:18:35.880
<v Speaker 1>moved here, you know, in the seventies. Um my dad,

0:18:36.000 --> 0:18:38.040
<v Speaker 1>he said, she's a film critic. Yeah. Yeah, so she

0:18:38.119 --> 0:18:42.840
<v Speaker 1>started off as a translator and and like for a

0:18:42.840 --> 0:18:45.800
<v Speaker 1>while she was like that translator in Japan, like Queen

0:18:46.080 --> 0:18:48.400
<v Speaker 1>come to Japan and like, my like there's like footage

0:18:48.400 --> 0:18:51.160
<v Speaker 1>of my mom like at their press conference like translating

0:18:51.280 --> 0:18:56.280
<v Speaker 1>or like Rick James, like she's like she's lived Bob Marley,

0:18:56.520 --> 0:18:59.440
<v Speaker 1>like for a while. If you came to Japan, my mom,

0:18:59.520 --> 0:19:02.200
<v Speaker 1>and like there's a few other people who like had

0:19:02.240 --> 0:19:05.040
<v Speaker 1>this intersection of knowing, like the promotional companies that were

0:19:05.040 --> 0:19:08.159
<v Speaker 1>bringing the acts there or the TV media outlets, and

0:19:08.160 --> 0:19:10.760
<v Speaker 1>then people who were sort of like western enough to

0:19:10.800 --> 0:19:13.920
<v Speaker 1>be able to like hang and be a cool translator.

0:19:13.960 --> 0:19:17.199
<v Speaker 1>And that was my mom for a while. Yeah, and

0:19:17.200 --> 0:19:19.200
<v Speaker 1>then someone said like, hey, you know, there's an opportunity

0:19:19.560 --> 0:19:22.199
<v Speaker 1>at this magazine, you know, for they need someone in

0:19:22.400 --> 0:19:26.040
<v Speaker 1>l A to be a correspondent um who can essentially

0:19:26.080 --> 0:19:28.840
<v Speaker 1>interview people for the movie industry and like but then

0:19:28.880 --> 0:19:32.480
<v Speaker 1>report back in Japanese about the American film industry. And

0:19:32.560 --> 0:19:34.800
<v Speaker 1>my mom was kind of already doing some translation stuff

0:19:34.800 --> 0:19:37.160
<v Speaker 1>and she was like, yeah, I'm gonna try that out.

0:19:37.359 --> 0:19:41.400
<v Speaker 1>And she's been with a magazine it's called road Show UM,

0:19:41.480 --> 0:19:45.119
<v Speaker 1>and it's like you know, Japan's like prim it's like

0:19:45.200 --> 0:19:49.200
<v Speaker 1>Entertainment Weekly of Japan. It's like the one film magazine.

0:19:49.600 --> 0:19:51.520
<v Speaker 1>And then eventually like it went out of print like

0:19:51.600 --> 0:19:55.440
<v Speaker 1>many things did and went purely digital um. And so yeah,

0:19:55.520 --> 0:19:57.800
<v Speaker 1>and then and she's also a member of the Hollywood

0:19:57.840 --> 0:20:01.200
<v Speaker 1>Form Press Association, was getting a lot of heat at

0:20:01.200 --> 0:20:04.879
<v Speaker 1>the moment um. But also like, I have an interesting

0:20:04.920 --> 0:20:07.360
<v Speaker 1>perspective into that too, because for all of the focus

0:20:07.440 --> 0:20:11.960
<v Speaker 1>on this organization, it also allows like Hollywood to turn

0:20:12.000 --> 0:20:14.800
<v Speaker 1>a blind eye to its own transgressions in terms of

0:20:14.840 --> 0:20:17.760
<v Speaker 1>not being a very inclusive industry. And I find it

0:20:17.800 --> 0:20:21.159
<v Speaker 1>odd to come after a group of foreign journal these

0:20:21.160 --> 0:20:25.159
<v Speaker 1>aren't this isn't an American body of journalists. It's a

0:20:25.160 --> 0:20:29.199
<v Speaker 1>group of foreigners of immigrants who have come here to

0:20:29.240 --> 0:20:31.600
<v Speaker 1>talk about the industry. And now the criticism, why aren't

0:20:31.600 --> 0:20:34.240
<v Speaker 1>there any Black American people in this thing? It's like

0:20:34.280 --> 0:20:37.000
<v Speaker 1>there's not even Americans. There's like only a couple and

0:20:37.040 --> 0:20:40.880
<v Speaker 1>that's because they're like like dual nationality, people are bilingual.

0:20:41.400 --> 0:20:45.280
<v Speaker 1>And why agree that the h f p A could

0:20:45.280 --> 0:20:47.560
<v Speaker 1>be more inclusive. It absolutely needs to be, and I

0:20:47.560 --> 0:20:50.040
<v Speaker 1>think it's imperative that they help, like you know, in

0:20:50.080 --> 0:20:54.840
<v Speaker 1>France or other countries that have large, you know, diasporic populations,

0:20:54.960 --> 0:20:56.600
<v Speaker 1>that they could say, yeah, we want to bring more

0:20:56.640 --> 0:21:00.560
<v Speaker 1>black French journalists out here. But unfortunately, the membership of

0:21:00.560 --> 0:21:02.240
<v Speaker 1>the h f p A I think is a reflection

0:21:02.280 --> 0:21:05.159
<v Speaker 1>of the print industry in the respective countries where these

0:21:05.160 --> 0:21:09.560
<v Speaker 1>people represent the industry. Um. But yeah, anyway, all that

0:21:09.600 --> 0:21:12.960
<v Speaker 1>to say, uh, she's always we've always had movies on

0:21:13.040 --> 0:21:16.199
<v Speaker 1>in my house. Uh, And she's always had a very

0:21:16.240 --> 0:21:20.320
<v Speaker 1>critical tone about movies, which only made me a little

0:21:20.320 --> 0:21:23.000
<v Speaker 1>more like aggressive as a kid, Like this movie sucks

0:21:23.119 --> 0:21:25.480
<v Speaker 1>and I couldn't explain why, but it's just from Osmosis.

0:21:26.280 --> 0:21:30.240
<v Speaker 1>Um he's a Yeah, he's an artist. It's a black

0:21:30.240 --> 0:21:34.280
<v Speaker 1>guy from l A. My parents met at a Michael

0:21:34.359 --> 0:21:37.840
<v Speaker 1>Jackson album release party in the eighties. My dad used

0:21:37.880 --> 0:21:41.200
<v Speaker 1>to be Michael Jackson's personal photographer for like six years

0:21:42.040 --> 0:21:44.080
<v Speaker 1>back when he was black. Um. This was like in

0:21:44.119 --> 0:21:47.639
<v Speaker 1>the late seventies. The last video he worked with Michael

0:21:47.680 --> 0:21:51.359
<v Speaker 1>and was beat it Um. But yeah, and so you know,

0:21:51.440 --> 0:21:54.600
<v Speaker 1>he's a just an artist. And I had always i

0:21:54.640 --> 0:21:58.080
<v Speaker 1>think because he was just a very politically minded, you know,

0:21:58.200 --> 0:22:00.960
<v Speaker 1>black man in America. He always raised me with a

0:22:01.080 --> 0:22:05.719
<v Speaker 1>very like, very sober analysis of what the news was

0:22:05.920 --> 0:22:08.679
<v Speaker 1>or what was happening or why things were happening. And

0:22:08.720 --> 0:22:10.760
<v Speaker 1>I remember like one of the first times as a kid,

0:22:10.800 --> 0:22:12.840
<v Speaker 1>I saw like an un housed person. I said, like,

0:22:12.880 --> 0:22:15.480
<v Speaker 1>what how come some people like don't like they have

0:22:15.560 --> 0:22:17.920
<v Speaker 1>to live like by the freeway? He said, He said,

0:22:18.040 --> 0:22:21.560
<v Speaker 1>Ronald Reagan. That was his He said, Oh, that's because

0:22:21.640 --> 0:22:24.720
<v Speaker 1>Ronald Reagan. And I'm like, what I'm I'm six years old,

0:22:24.760 --> 0:22:26.640
<v Speaker 1>I have not I don't know what to do with that,

0:22:26.880 --> 0:22:28.640
<v Speaker 1>but that's how he'd respond to me. And then later

0:22:28.680 --> 0:22:31.000
<v Speaker 1>on I'm like, oh wow, he was giving me the

0:22:31.040 --> 0:22:36.240
<v Speaker 1>adult answer, but I'm like, thanks for that. Distilled progressive

0:22:36.320 --> 0:22:39.439
<v Speaker 1>answer dead. That's really cool man. And it's funny now

0:22:39.480 --> 0:22:43.160
<v Speaker 1>that like I know some of this background, so much

0:22:43.200 --> 0:22:47.560
<v Speaker 1>of what I hear from you on the show makes sense,

0:22:48.720 --> 0:22:51.199
<v Speaker 1>Like it's it made sense anyway because I knew you

0:22:51.240 --> 0:22:54.080
<v Speaker 1>were a smart guy who who knew a lot about

0:22:54.080 --> 0:22:57.320
<v Speaker 1>politics and knew and was funny. So like I always

0:22:57.359 --> 0:23:00.040
<v Speaker 1>knew that, I always came through as Miles, But I

0:23:00.080 --> 0:23:02.960
<v Speaker 1>guess I just this feels like it's just d n A.

0:23:03.840 --> 0:23:06.879
<v Speaker 1>Oh yeah, I mean even further back, Like you know,

0:23:07.000 --> 0:23:10.639
<v Speaker 1>my mom's dad was German, was a professor of German

0:23:10.680 --> 0:23:13.760
<v Speaker 1>philosophy in Japan, and he was like one of the

0:23:13.800 --> 0:23:20.000
<v Speaker 1>foremost experts of like Grota's philosophy, and he during World

0:23:20.080 --> 0:23:23.640
<v Speaker 1>War Two, the Japanese government was like relying on not him,

0:23:23.680 --> 0:23:26.400
<v Speaker 1>but a few other Japanese people who understood German culture

0:23:26.920 --> 0:23:31.399
<v Speaker 1>to understand the Nazis UM because of the axis, you know,

0:23:31.640 --> 0:23:35.000
<v Speaker 1>the relationship there of like you know, what do Germans

0:23:35.080 --> 0:23:37.520
<v Speaker 1>mean if they're saying this, because you know, when the

0:23:37.600 --> 0:23:40.480
<v Speaker 1>Japanese people speaks like they're the intent of language is

0:23:40.480 --> 0:23:43.760
<v Speaker 1>a little bit different and culturally different, UM, but similar

0:23:43.920 --> 0:23:47.840
<v Speaker 1>in many ways to UM. So yeah, like everyone's kind

0:23:47.840 --> 0:23:52.280
<v Speaker 1>of been out there kinda Yeah, I've been having I've

0:23:52.280 --> 0:23:55.480
<v Speaker 1>been lucky enough to have out their vibes running through

0:23:55.520 --> 0:23:58.600
<v Speaker 1>my veins. That's a cool, man. I'm always a little

0:23:58.640 --> 0:24:01.719
<v Speaker 1>I mean, I'm not slackly my family everything, but I'm

0:24:01.720 --> 0:24:03.920
<v Speaker 1>always a little jealous when I hear about these people

0:24:03.960 --> 0:24:06.479
<v Speaker 1>that have these really interesting childhoods. And my parents were

0:24:06.480 --> 0:24:09.560
<v Speaker 1>both teachers and it's very admirable. They were public school

0:24:09.600 --> 0:24:11.560
<v Speaker 1>teachers and stuff. So I'm not knocking it, but it's

0:24:11.560 --> 0:24:14.800
<v Speaker 1>not exciting as translating for Bob Marley or hanging out. Yeah,

0:24:14.800 --> 0:24:17.560
<v Speaker 1>I mean I wish to beat a record release part right, Yeah,

0:24:17.600 --> 0:24:20.040
<v Speaker 1>it's a different bay. I wasn't there, so you know,

0:24:20.359 --> 0:24:22.440
<v Speaker 1>but I will say Iggy Pop did almost kill my dad,

0:24:22.520 --> 0:24:24.760
<v Speaker 1>so there's that. Oh is there a story there that

0:24:24.800 --> 0:24:30.159
<v Speaker 1>you can tell. Yeah, they were roommates and he was dude,

0:24:30.720 --> 0:24:33.919
<v Speaker 1>this gym as you know, as he's known. Uh, was

0:24:34.200 --> 0:24:38.240
<v Speaker 1>just so my dad's friend. He was like the connective

0:24:38.240 --> 0:24:40.520
<v Speaker 1>tissue between him and Iggy Pop. And my dad had

0:24:40.560 --> 0:24:42.439
<v Speaker 1>like this room available in this apartment that he had

0:24:42.480 --> 0:24:45.119
<v Speaker 1>and he said, Hey, this guy Jim, he's like you

0:24:45.160 --> 0:24:46.720
<v Speaker 1>know him, blah blah, blahs like he just needs a

0:24:46.720 --> 0:24:48.440
<v Speaker 1>place to stay for like a month and he's gonna

0:24:48.480 --> 0:24:51.800
<v Speaker 1>move out or whatever. And he's not into wearing shirts,

0:24:52.520 --> 0:24:54.840
<v Speaker 1>and he's like he might be, you know, cooking heroin

0:24:54.960 --> 0:24:58.359
<v Speaker 1>on your stove. I don't know, but my dad he

0:24:58.560 --> 0:25:00.919
<v Speaker 1>essentially he was getting ready you to do a photo

0:25:00.960 --> 0:25:03.119
<v Speaker 1>shoot and you had to like you know, he was

0:25:03.200 --> 0:25:05.879
<v Speaker 1>like asleep early and then I guess Jim is in

0:25:05.920 --> 0:25:07.679
<v Speaker 1>the house and he was like trying to cook something

0:25:08.000 --> 0:25:12.800
<v Speaker 1>like turn the stove on, and the pilot light didn't

0:25:12.840 --> 0:25:16.159
<v Speaker 1>click on, and so he just left the gas running

0:25:16.440 --> 0:25:18.840
<v Speaker 1>in the house. And then my dad like woke up

0:25:18.840 --> 0:25:20.320
<v Speaker 1>in the middle of the night to pee or something,

0:25:20.359 --> 0:25:22.440
<v Speaker 1>and he just like was like it smells like gas

0:25:22.440 --> 0:25:26.080
<v Speaker 1>in here and runs down and realizes like the stoves on.

0:25:26.200 --> 0:25:29.280
<v Speaker 1>He's like turning it off, and then you know, Jim's like, hey,

0:25:29.320 --> 0:25:31.520
<v Speaker 1>what's going on. He's like, dude, he left the stove on.

0:25:31.560 --> 0:25:34.439
<v Speaker 1>He's like what, And he's like trying to in his

0:25:34.720 --> 0:25:37.840
<v Speaker 1>stupor trying to get up and light a cigarette, but

0:25:38.119 --> 0:25:43.280
<v Speaker 1>like fly across the room. He's like no, Um, So

0:25:43.480 --> 0:25:45.280
<v Speaker 1>you know, I may have been I could have been

0:25:45.520 --> 0:25:52.320
<v Speaker 1>not even here where fateful light strike blown up. Do

0:25:52.320 --> 0:25:55.119
<v Speaker 1>you have kids now? No, no, no, not yet. I

0:25:55.160 --> 0:25:57.359
<v Speaker 1>think that's that that will be on the horizon, you know.

0:25:57.480 --> 0:25:58.920
<v Speaker 1>I feel like we got a little bit of living

0:25:58.960 --> 0:26:02.639
<v Speaker 1>to do. Yeah, but um yeah, that's that's that's all

0:26:02.640 --> 0:26:04.679
<v Speaker 1>on the horizon. You got. We're getting married in a

0:26:04.720 --> 0:26:08.200
<v Speaker 1>little bit, so that's great stuff. One. Yeah, congratulation, thanks.

0:26:08.320 --> 0:26:11.800
<v Speaker 1>I see that sweet Rickenbucker bass in the background. Yeah.

0:26:11.960 --> 0:26:15.640
<v Speaker 1>Do you play, I guess yeah, yeah, yeah. I grew

0:26:15.720 --> 0:26:19.280
<v Speaker 1>up playing trumpet actually because I was named after Miles Davis,

0:26:19.280 --> 0:26:23.359
<v Speaker 1>a terrible self fulfilling prophecy, and I always liked music,

0:26:23.760 --> 0:26:27.120
<v Speaker 1>and I grew up playing trumpet. But for a while

0:26:27.200 --> 0:26:30.520
<v Speaker 1>trumpet wasn't like cool. And then like after the SKA

0:26:30.560 --> 0:26:33.800
<v Speaker 1>era died out, so you know, I didn't really have

0:26:33.880 --> 0:26:35.760
<v Speaker 1>much to play anymore, Like I was. I played in

0:26:35.800 --> 0:26:38.360
<v Speaker 1>a lot of jazz ensembles and marching bands as a kid,

0:26:38.400 --> 0:26:41.639
<v Speaker 1>and orchestras, and then guitar hero came out and I

0:26:41.680 --> 0:26:43.520
<v Speaker 1>got so good at guitar hero I was like, I

0:26:43.520 --> 0:26:47.240
<v Speaker 1>should probably try a stringed instrument, right, And then I

0:26:47.600 --> 0:26:49.960
<v Speaker 1>and just because my dad had a loose bass somewhere

0:26:50.000 --> 0:26:52.000
<v Speaker 1>like in our garage and I just like I picked

0:26:52.040 --> 0:26:54.639
<v Speaker 1>that up and I couldn't. I really loved playing bass

0:26:54.680 --> 0:26:56.919
<v Speaker 1>and that turned into like making beats and things like that.

0:26:56.960 --> 0:26:59.720
<v Speaker 1>So he played with a with a band or anything

0:26:59.760 --> 0:27:01.240
<v Speaker 1>right now. Yeah, it was in a band for a

0:27:01.240 --> 0:27:04.840
<v Speaker 1>little bit actually for a few years, um up until

0:27:04.880 --> 0:27:07.159
<v Speaker 1>like a couple of years ago, and then yeah, just

0:27:07.240 --> 0:27:09.440
<v Speaker 1>kind of it was sort of a pobby where everyone

0:27:09.480 --> 0:27:12.119
<v Speaker 1>kind of had a job and then yeah, it kind

0:27:12.119 --> 0:27:14.680
<v Speaker 1>of sort of it ran its course at that time.

0:27:14.720 --> 0:27:16.560
<v Speaker 1>But now I've kind of come back to just making

0:27:16.640 --> 0:27:19.640
<v Speaker 1>music on my computer because I music is like such

0:27:19.680 --> 0:27:22.479
<v Speaker 1>a huge part of my life and I don't probably

0:27:22.480 --> 0:27:25.040
<v Speaker 1>I don't talk about that as much on podcast, but

0:27:25.160 --> 0:27:27.040
<v Speaker 1>it's been something I've done since I was a child,

0:27:27.080 --> 0:27:29.200
<v Speaker 1>and I've always made music on my computer, not to

0:27:29.280 --> 0:27:33.040
<v Speaker 1>like release out there. It's like someone who like journals

0:27:33.080 --> 0:27:35.000
<v Speaker 1>or something. I just do that with like making like

0:27:35.119 --> 0:27:37.760
<v Speaker 1>music loops and things. Yeah that's awesome, man, you listening

0:27:37.800 --> 0:27:40.200
<v Speaker 1>to these days? He got some good res Oh man,

0:27:40.520 --> 0:27:43.240
<v Speaker 1>I could go. I mean I love River tiber Um.

0:27:43.400 --> 0:27:46.840
<v Speaker 1>River Tiber is a great Canadian producer artist. Um. I

0:27:46.880 --> 0:27:49.080
<v Speaker 1>don't know if you've heard that group bad Bad, not good.

0:27:49.680 --> 0:27:52.600
<v Speaker 1>Um No, I'm so like, so like bad bad not

0:27:52.680 --> 0:27:57.440
<v Speaker 1>good is like this Canadian jazz funk soul like new

0:27:57.520 --> 0:28:01.000
<v Speaker 1>jazz kind of group um, and they're so funky and

0:28:01.040 --> 0:28:03.120
<v Speaker 1>like they're so good on their instruments and like they

0:28:03.119 --> 0:28:07.359
<v Speaker 1>have like more minimal compositions, but they're so solid. And

0:28:07.440 --> 0:28:09.520
<v Speaker 1>River Tiber collaborates with them and he has his own

0:28:09.520 --> 0:28:11.760
<v Speaker 1>solo stuff that's really good. And then the other band

0:28:11.800 --> 0:28:15.040
<v Speaker 1>I'll always tell people about is Hiatus Coyote. Um. They're

0:28:15.080 --> 0:28:19.240
<v Speaker 1>one of my favorite bands from Australia. And you know,

0:28:19.280 --> 0:28:21.320
<v Speaker 1>there's plenty of like artists that I like that are solo,

0:28:21.440 --> 0:28:24.320
<v Speaker 1>but I like to recommend like bands that really make

0:28:24.440 --> 0:28:28.000
<v Speaker 1>me as a musician like envious because I'm like, oh, yeah, man,

0:28:28.080 --> 0:28:31.119
<v Speaker 1>they're so good and like they're so solid on their

0:28:31.160 --> 0:28:35.240
<v Speaker 1>instruments and like they're so good at like their compositions. UM.

0:28:35.280 --> 0:28:37.439
<v Speaker 1>And yeah, Hiatus Coyote is just one of those bands

0:28:37.480 --> 0:28:42.000
<v Speaker 1>that is very like avant garde but funky and still

0:28:42.280 --> 0:28:45.440
<v Speaker 1>manages to be like familiar at the same time. So yeah,

0:28:45.600 --> 0:28:47.600
<v Speaker 1>that's amazing. So I just wrote all those down. I'll

0:28:47.640 --> 0:28:51.440
<v Speaker 1>check those out. That's the thing that I performing live.

0:28:51.480 --> 0:28:54.320
<v Speaker 1>Obviously I've missed a lot, but just going to UH.

0:28:54.360 --> 0:28:56.120
<v Speaker 1>I finally went to a baseball game last night, so

0:28:56.160 --> 0:28:58.680
<v Speaker 1>I got a sporting event under my belt. But seeing music,

0:28:59.280 --> 0:29:02.280
<v Speaker 1>I think. My my friend and I went UH and

0:29:02.320 --> 0:29:05.280
<v Speaker 1>saw Bonnie Prince Billy right before the shutdown, and then

0:29:05.880 --> 0:29:09.400
<v Speaker 1>the last show I saw in Atlanta, UH, my wife

0:29:09.400 --> 0:29:12.680
<v Speaker 1>and I went to Michael Kiwanuka a couple of weeks

0:29:12.720 --> 0:29:17.360
<v Speaker 1>before it shut down, and um, it's just it's been

0:29:17.680 --> 0:29:21.480
<v Speaker 1>such a hole in my life and I cannot wait

0:29:21.600 --> 0:29:23.560
<v Speaker 1>to get back and see some bands again. I know.

0:29:23.600 --> 0:29:27.520
<v Speaker 1>I think I'm just gonna be sobbing, like just overcome,

0:29:27.680 --> 0:29:29.600
<v Speaker 1>like if especially if it's a band I want to

0:29:29.640 --> 0:29:32.320
<v Speaker 1>see too, because I'll go to any show at this

0:29:32.320 --> 0:29:33.959
<v Speaker 1>point because I just do want to see that, right,

0:29:34.200 --> 0:29:36.560
<v Speaker 1>But if there's like time to like if I saw like,

0:29:37.080 --> 0:29:39.320
<v Speaker 1>you know, Portishead right now, I think they'd have to

0:29:39.320 --> 0:29:41.880
<v Speaker 1>take me down like in an ambulance. I'd be like.

0:29:43.200 --> 0:29:46.200
<v Speaker 1>I've had some emotions lately, with some experiences out of

0:29:46.240 --> 0:29:49.040
<v Speaker 1>nowhere that I like. My wife and I went to

0:29:49.080 --> 0:29:50.600
<v Speaker 1>dinner for the first time the other night and sat

0:29:50.600 --> 0:29:54.320
<v Speaker 1>outside at this place and uh, I was I started

0:29:54.320 --> 0:29:56.600
<v Speaker 1>sucking crying, man, and I was like what is going on?

0:29:56.720 --> 0:29:59.280
<v Speaker 1>And and I'm an emotional guy anyway, but I didn't

0:29:59.360 --> 0:30:02.440
<v Speaker 1>anticipate that coming and it just started happening, and I

0:30:02.520 --> 0:30:06.000
<v Speaker 1>was like, all right, feel the feeling. Yeah exactly. Uh,

0:30:06.120 --> 0:30:08.480
<v Speaker 1>you know, I've spent forty nine years doing stuff like

0:30:08.520 --> 0:30:12.640
<v Speaker 1>this and one year off and it was a big deal. Yeah, no, seriously,

0:30:12.920 --> 0:30:16.840
<v Speaker 1>And it really kind of brings things back into focus

0:30:16.840 --> 0:30:18.840
<v Speaker 1>those moments, because yeah, for the first time I went

0:30:18.840 --> 0:30:20.600
<v Speaker 1>out to eat two and you know, over a year,

0:30:21.400 --> 0:30:25.600
<v Speaker 1>and I couldn't believe it. It felt surreal. But then

0:30:25.680 --> 0:30:27.360
<v Speaker 1>you're sort of like you kind of reflect on the

0:30:27.480 --> 0:30:30.120
<v Speaker 1>year and like people that lost and just all the

0:30:30.120 --> 0:30:32.040
<v Speaker 1>pain and things, and yeah, I was sort of in

0:30:32.040 --> 0:30:35.400
<v Speaker 1>the same moment. I just I cheered and it took

0:30:35.440 --> 0:30:38.120
<v Speaker 1>me like a good eight seconds before I sipped my

0:30:38.200 --> 0:30:40.560
<v Speaker 1>drink because I was just like, because you had that lump, yeah,

0:30:40.560 --> 0:30:43.760
<v Speaker 1>and I was like, oh wow, yeah, okay, but yeah,

0:30:43.800 --> 0:30:45.880
<v Speaker 1>a nice experience on the left. That's good man. Well,

0:30:45.920 --> 0:30:47.680
<v Speaker 1>I can't wait to get back out to l A again.

0:30:47.800 --> 0:30:50.720
<v Speaker 1>And uh, yeah, come see you guys, it'd be a

0:30:50.760 --> 0:30:54.880
<v Speaker 1>lot of fun. So you picked mall rats after all

0:30:54.920 --> 0:30:58.480
<v Speaker 1>this high falutin talk about the politics and the film

0:30:58.480 --> 0:31:01.200
<v Speaker 1>critic mom and artist's father got to come at me

0:31:01.280 --> 0:31:05.160
<v Speaker 1>with fucking mall rats. I was surprised by her pick

0:31:05.200 --> 0:31:07.840
<v Speaker 1>a little bit, um, and I guess I'll just go

0:31:07.840 --> 0:31:10.880
<v Speaker 1>ahead and kick it off by saying that I was

0:31:10.920 --> 0:31:16.040
<v Speaker 1>a very, very big Kevin Smith fan. Early on. I

0:31:16.080 --> 0:31:22.040
<v Speaker 1>remember seeing Clerks in college at the theater, and um,

0:31:22.080 --> 0:31:24.560
<v Speaker 1>it was it was unlike anything I had seen before,

0:31:25.040 --> 0:31:27.480
<v Speaker 1>and it really stuck a struck a chord with me

0:31:27.560 --> 0:31:31.400
<v Speaker 1>because it was clearly super low budge made by somebody

0:31:31.480 --> 0:31:37.880
<v Speaker 1>like me. Uh, somebody actually even looked like me. And uh,

0:31:38.360 --> 0:31:40.400
<v Speaker 1>I just I sort of fell in love with the

0:31:40.640 --> 0:31:44.360
<v Speaker 1>aesthetic and his his world building of these sort of

0:31:44.400 --> 0:31:47.800
<v Speaker 1>weirdos that were clearly just his friends, clearly just writing

0:31:47.800 --> 0:31:50.400
<v Speaker 1>these movies too, sort of in a Richard Link ladder

0:31:50.440 --> 0:31:52.320
<v Speaker 1>way to kind of like there are two guys who

0:31:52.320 --> 0:31:55.480
<v Speaker 1>always wrote for themselves and not for characters. It's like

0:31:55.520 --> 0:31:58.440
<v Speaker 1>every character is just saying Kevin Smith stuff. Yeah, there's

0:31:58.480 --> 0:32:00.760
<v Speaker 1>no way to discern who's saying what because they all

0:32:00.800 --> 0:32:04.640
<v Speaker 1>this dense dialogue you've ever heard. Uh. And then my

0:32:04.840 --> 0:32:07.040
<v Speaker 1>rats came along and it was basically like, all right,

0:32:07.040 --> 0:32:09.160
<v Speaker 1>we're gonna give you a lot more money, and he

0:32:09.320 --> 0:32:11.959
<v Speaker 1>was basically like, I'm going to make the same exact

0:32:12.040 --> 0:32:15.440
<v Speaker 1>kind of movie, and I kind of respected that at

0:32:15.440 --> 0:32:19.200
<v Speaker 1>the time, I think, yeah, and he got destroyed for it.

0:32:19.360 --> 0:32:22.560
<v Speaker 1>Everyone was like, oh boy, They're like, this is your

0:32:22.640 --> 0:32:26.600
<v Speaker 1>King the Sun Dance Winner with Clerks just made a

0:32:26.680 --> 0:32:30.600
<v Speaker 1>nonsense film about people at a mall with the weirdest humor,

0:32:30.680 --> 0:32:33.600
<v Speaker 1>like when I think he's Siskel or Ebert like just

0:32:33.920 --> 0:32:37.280
<v Speaker 1>completely killing it. Yeah, And then I mean everyone did that.

0:32:37.360 --> 0:32:39.640
<v Speaker 1>I read the Ebert review today and it was he

0:32:39.760 --> 0:32:44.080
<v Speaker 1>was not too kind. What's your deal with Kevin Smith

0:32:44.120 --> 0:32:46.360
<v Speaker 1>and your history here? And then you were obviously younger. Yeah,

0:32:46.440 --> 0:32:49.080
<v Speaker 1>but I think I I was always a kid who

0:32:49.160 --> 0:32:51.640
<v Speaker 1>was punching above their weight with what they read or

0:32:51.680 --> 0:32:56.480
<v Speaker 1>watched or listened to, because you know, like any kid

0:32:56.560 --> 0:32:58.920
<v Speaker 1>over ten, I was like just such a snob and

0:32:59.040 --> 0:33:01.640
<v Speaker 1>defining my life based on what I wasn't into. So

0:33:01.680 --> 0:33:04.440
<v Speaker 1>if everyone is into that, I wasn't into that because

0:33:04.480 --> 0:33:06.640
<v Speaker 1>I'm into this. I'm like, oh, you're not reading the

0:33:06.680 --> 0:33:10.600
<v Speaker 1>Illuminatis trilogy, and I'm like, I am, but yeah, I

0:33:10.640 --> 0:33:12.720
<v Speaker 1>don't know what I'm reading, but I'm not going to

0:33:12.760 --> 0:33:15.920
<v Speaker 1>read this other thing. Um, and so Clerks was like

0:33:15.920 --> 0:33:18.480
<v Speaker 1>one of those things where like an older family friend

0:33:18.840 --> 0:33:21.720
<v Speaker 1>showed it to me, and because I thought they were

0:33:21.760 --> 0:33:25.400
<v Speaker 1>so cool by Osmosis, I was like, Okay, Clerks is cool.

0:33:26.400 --> 0:33:31.760
<v Speaker 1>And then like as I got like around thirteen, Clerks

0:33:31.800 --> 0:33:35.280
<v Speaker 1>made a little more sense, and then I was like okay,

0:33:35.320 --> 0:33:37.800
<v Speaker 1>Like I'm kind of fully into the view Askew and

0:33:38.120 --> 0:33:40.560
<v Speaker 1>view aske universe as I used to call it back

0:33:40.560 --> 0:33:44.600
<v Speaker 1>in the day. And I like loved the idea of

0:33:44.680 --> 0:33:47.960
<v Speaker 1>him being so down for Jersey because me being from

0:33:48.000 --> 0:33:51.600
<v Speaker 1>the San Fernando Valley, I've always felt an affinity like,

0:33:52.280 --> 0:33:54.320
<v Speaker 1>you know, New Yorkers look at Jersey like it's like

0:33:55.120 --> 0:33:57.360
<v Speaker 1>New Jersey, you know, at the bridge and tunnel people

0:33:57.560 --> 0:33:59.440
<v Speaker 1>get out of here type thing, much in the same

0:33:59.480 --> 0:34:02.200
<v Speaker 1>way like people in l A, Like there's a snobbery

0:34:02.240 --> 0:34:05.120
<v Speaker 1>of looking down at the San Fernando Valley. Um, and

0:34:05.160 --> 0:34:07.440
<v Speaker 1>I'm always like, no, like, okay, I'm with you. I

0:34:07.480 --> 0:34:10.080
<v Speaker 1>like this the Jersey, you know, the Jersey Trilogy or

0:34:10.120 --> 0:34:13.640
<v Speaker 1>whatever he was building at the time. And and then

0:34:13.719 --> 0:34:17.319
<v Speaker 1>Mall Rats I think really resonated because mall culture was

0:34:17.360 --> 0:34:21.400
<v Speaker 1>just so big sure for me in the San Fernando

0:34:21.520 --> 0:34:24.040
<v Speaker 1>Valley too. It's like malls or where where it was.

0:34:24.120 --> 0:34:28.160
<v Speaker 1>And I was at malls malls constantly, and so this

0:34:28.239 --> 0:34:32.320
<v Speaker 1>idea of like the Kevin Smith treatment of like losers

0:34:32.360 --> 0:34:34.640
<v Speaker 1>at a mall. At the time, I was like, this

0:34:34.680 --> 0:34:37.360
<v Speaker 1>is perfect, this is exactly who I am, and like

0:34:37.400 --> 0:34:40.560
<v Speaker 1>they're using you know, vocabulary that like I will pair

0:34:40.640 --> 0:34:43.800
<v Speaker 1>it incorrectly constantly after this, And I think that was

0:34:43.840 --> 0:34:47.040
<v Speaker 1>the appeal of a Kevin Smith film was like for

0:34:47.280 --> 0:34:49.880
<v Speaker 1>especially someone like my age, it was just like moment

0:34:49.960 --> 0:34:52.359
<v Speaker 1>to feel like you're just punching above your weight intellectually

0:34:52.400 --> 0:34:54.040
<v Speaker 1>and like you kind of get like what he's trying

0:34:54.040 --> 0:34:56.640
<v Speaker 1>to say. So it app that appealed to sort of

0:34:56.680 --> 0:34:59.319
<v Speaker 1>like the you know, want to be adult kid in

0:34:59.400 --> 0:35:02.600
<v Speaker 1>me at the time. Yeah, And I lived in New

0:35:02.680 --> 0:35:07.759
<v Speaker 1>Jersey post college um in nineteen I moved to New

0:35:07.840 --> 0:35:13.280
<v Speaker 1>Jersey for like four years because my college roommate had

0:35:13.320 --> 0:35:16.000
<v Speaker 1>his family lived there and he was just sort of

0:35:16.160 --> 0:35:18.680
<v Speaker 1>his stepdad was a well to do out in the

0:35:18.760 --> 0:35:22.120
<v Speaker 1>sort of rich suburbs of New Jersey business guy. And

0:35:22.160 --> 0:35:24.640
<v Speaker 1>they got transferred to Australia for a few years. Didn't

0:35:24.640 --> 0:35:27.080
<v Speaker 1>want to give up their house, so they talked to

0:35:27.160 --> 0:35:29.520
<v Speaker 1>him and said, Hey, would you like to come live

0:35:29.520 --> 0:35:31.280
<v Speaker 1>in our house and take care of it for a while,

0:35:31.719 --> 0:35:33.920
<v Speaker 1>live rent free, keep up the bills and all that stuff.

0:35:33.920 --> 0:35:36.360
<v Speaker 1>And he said sure, And I had just graduated. I

0:35:36.360 --> 0:35:37.600
<v Speaker 1>was like, oh, I'll go with you because I got

0:35:37.600 --> 0:35:39.759
<v Speaker 1>nothing else to do and I wanted to hang out

0:35:39.760 --> 0:35:41.160
<v Speaker 1>in New York for the first time in my life

0:35:41.160 --> 0:35:43.960
<v Speaker 1>a lot. And so I moved to New Jersey weirdly

0:35:44.000 --> 0:35:47.359
<v Speaker 1>out of college and these two twenty four year old

0:35:47.480 --> 0:35:50.920
<v Speaker 1>or whatever, we're living in this you know, three thousand

0:35:51.239 --> 0:35:57.000
<v Speaker 1>square foot probably even bigger kind of executive not McMansion.

0:35:57.040 --> 0:36:00.120
<v Speaker 1>It was just a nice big house out in the country.

0:36:00.680 --> 0:36:02.759
<v Speaker 1>And everyone like, people didn't move to this town. This

0:36:02.840 --> 0:36:06.520
<v Speaker 1>is in central New Jersey, in Bernardsville, and no one

0:36:07.040 --> 0:36:10.880
<v Speaker 1>moved there, Like after college, you don't move to Bernardsville,

0:36:10.920 --> 0:36:13.759
<v Speaker 1>New Jersey. And so we were a bit of a

0:36:14.680 --> 0:36:17.560
<v Speaker 1>like the two weirdos. Like I got a job waiting tables,

0:36:17.600 --> 0:36:19.440
<v Speaker 1>he got a job bartending, and everyone was like, who

0:36:19.520 --> 0:36:22.880
<v Speaker 1>was this English guy and this Southern kid who like

0:36:23.160 --> 0:36:26.600
<v Speaker 1>moved Oh right, yeah. It was a really weird sort

0:36:26.640 --> 0:36:30.120
<v Speaker 1>of duo. And um, I really both of us really

0:36:30.160 --> 0:36:31.960
<v Speaker 1>kind of fell in love with New Jersey and the

0:36:32.040 --> 0:36:34.799
<v Speaker 1>people and just sort of the culture and the the

0:36:34.840 --> 0:36:38.600
<v Speaker 1>weirdos there and so these movies mall rats and clerks

0:36:38.600 --> 0:36:41.600
<v Speaker 1>and the I guess what was the third one was, yeah,

0:36:41.680 --> 0:36:44.640
<v Speaker 1>Chasing Amy, which is probably the best of the three actually,

0:36:44.640 --> 0:36:49.120
<v Speaker 1>if you're talking about pure like good Movin's, um, we

0:36:49.200 --> 0:36:52.319
<v Speaker 1>knew these people and we we knew these guys and

0:36:52.960 --> 0:36:56.040
<v Speaker 1>it was he he just he lived that world because

0:36:56.080 --> 0:36:58.799
<v Speaker 1>that was his world, and he had no problem really

0:36:58.840 --> 0:37:01.439
<v Speaker 1>accurately like throwing on a movie screen. I always really

0:37:01.440 --> 0:37:04.160
<v Speaker 1>like that about those early films of his, Yeah, exactly,

0:37:04.200 --> 0:37:08.000
<v Speaker 1>And there was just the the the way he would

0:37:08.120 --> 0:37:10.719
<v Speaker 1>be able to like synthesize these sort of worldviews into

0:37:10.760 --> 0:37:14.920
<v Speaker 1>like very cutting just one liners and things were like

0:37:15.440 --> 0:37:18.280
<v Speaker 1>uh something that like I was sort of awe struck

0:37:18.320 --> 0:37:20.239
<v Speaker 1>by because I think it just you know, I think,

0:37:21.000 --> 0:37:23.560
<v Speaker 1>like a lot of kids who grew up around the industry,

0:37:23.560 --> 0:37:25.239
<v Speaker 1>like at a certain point you always dream of like

0:37:25.320 --> 0:37:27.959
<v Speaker 1>making a movie, um or writing a film and things

0:37:28.000 --> 0:37:32.160
<v Speaker 1>like that. And Kevin Smith's like writing sort of helped

0:37:32.200 --> 0:37:35.040
<v Speaker 1>me think of like, oh, like you can do things

0:37:35.040 --> 0:37:36.959
<v Speaker 1>like this. Not that I felt like he was making

0:37:36.960 --> 0:37:40.600
<v Speaker 1>it easy, but at least inspired me to think, like,

0:37:41.160 --> 0:37:44.160
<v Speaker 1>you know, this guy is just sort of quite literally

0:37:44.239 --> 0:37:47.360
<v Speaker 1>describing or doing a sensational version of his own personal

0:37:47.400 --> 0:37:50.200
<v Speaker 1>history or his experiences. And there was something too that

0:37:50.200 --> 0:37:53.319
<v Speaker 1>that like was always kind of catching me. But then

0:37:53.440 --> 0:37:55.759
<v Speaker 1>that's total and they sorted started getting a little bit

0:37:55.960 --> 0:37:58.880
<v Speaker 1>less good over time. So I like to focus on, like,

0:37:58.920 --> 0:38:01.719
<v Speaker 1>you know, the good day. Yeah, I mean fair enough,

0:38:01.800 --> 0:38:04.880
<v Speaker 1>but they you know there is something there because I

0:38:04.920 --> 0:38:06.880
<v Speaker 1>remember feeling the same way, like I grew up in

0:38:06.880 --> 0:38:09.200
<v Speaker 1>a situation where I didn't know that you could make

0:38:09.239 --> 0:38:11.400
<v Speaker 1>movies as a career. Like I didn't. I didn't have

0:38:11.480 --> 0:38:14.080
<v Speaker 1>parents in the industry or on the fringes of the industry,

0:38:14.120 --> 0:38:17.520
<v Speaker 1>and I just it was I was in suburban Atlanta,

0:38:17.520 --> 0:38:19.279
<v Speaker 1>and I just I didn't know that you could do that.

0:38:19.320 --> 0:38:21.480
<v Speaker 1>I thought other people made movies and is that even

0:38:21.520 --> 0:38:24.439
<v Speaker 1>a job? And Kevin Smith, I remember just feeling sort

0:38:24.440 --> 0:38:26.840
<v Speaker 1>of inspired early on. I was like, wait a minute,

0:38:26.840 --> 0:38:31.080
<v Speaker 1>you can actually scrape together fit thirty grand or whatever

0:38:31.120 --> 0:38:34.680
<v Speaker 1>he's been on clerks and and make a career out

0:38:34.680 --> 0:38:38.200
<v Speaker 1>of it. And he was, And it's it's more commonplace now.

0:38:39.000 --> 0:38:40.800
<v Speaker 1>But in nineteen when did Clerks come out, was that

0:38:40.880 --> 0:38:46.080
<v Speaker 1>like or something that just wasn't really happening much. So

0:38:46.160 --> 0:38:48.960
<v Speaker 1>it was a big deal to get that Mirrormax deal.

0:38:49.560 --> 0:38:53.000
<v Speaker 1>And for this regular guy who's like just basically typing

0:38:53.000 --> 0:38:56.479
<v Speaker 1>out his his musings about Star Wars and the mall

0:38:56.640 --> 0:38:59.120
<v Speaker 1>and girls, like, it's like, this is what all of

0:38:59.120 --> 0:39:00.680
<v Speaker 1>our friends just sit around talk about it, and he

0:39:00.760 --> 0:39:03.040
<v Speaker 1>did it and it's making money at it because I

0:39:03.080 --> 0:39:05.759
<v Speaker 1>think the appeal to was I remember, because everyone's why

0:39:05.840 --> 0:39:08.000
<v Speaker 1>is clerks in black and white? And it's like, it's

0:39:08.080 --> 0:39:12.080
<v Speaker 1>because he made it himself, you know, the budget to

0:39:12.200 --> 0:39:13.480
<v Speaker 1>do it like that, and I was sort of like

0:39:13.520 --> 0:39:16.759
<v Speaker 1>the mystery, the mysterious quality of like wait till the

0:39:16.840 --> 0:39:19.400
<v Speaker 1>idiot asks why this isn't black and white and you

0:39:19.440 --> 0:39:22.200
<v Speaker 1>get to slam them with your Kevin Smooth No, it's

0:39:22.320 --> 0:39:26.040
<v Speaker 1>right now. Yeah, I mean clerks look cool, like the

0:39:26.080 --> 0:39:29.759
<v Speaker 1>aesthetic it looked homemade, and it was homemade. Um mal

0:39:29.840 --> 0:39:31.960
<v Speaker 1>rats was his sort of fast times at Ridgemont High.

0:39:32.000 --> 0:39:36.560
<v Speaker 1>I think, uh yeah, sort of unabashedly. You know, he's

0:39:36.600 --> 0:39:39.600
<v Speaker 1>never been shy about his influences, which is always I've

0:39:39.760 --> 0:39:42.160
<v Speaker 1>kind of been admired. I think, yeah, and it's just

0:39:42.200 --> 0:39:45.879
<v Speaker 1>like it's it's It's funny when I like, I this

0:39:45.920 --> 0:39:47.719
<v Speaker 1>was like one of those tapes I would watch over

0:39:47.800 --> 0:39:50.359
<v Speaker 1>and over and over again. And it's funny how it's

0:39:50.360 --> 0:39:52.640
<v Speaker 1>probably been ten years since I saw it last, because

0:39:52.640 --> 0:39:55.000
<v Speaker 1>I just watched it again just to kind of refresh myself.

0:39:55.520 --> 0:39:58.000
<v Speaker 1>And it's funny how many lines of dialogue I was

0:39:58.000 --> 0:40:00.719
<v Speaker 1>still able to like reflexively just say back, like under

0:40:00.760 --> 0:40:02.960
<v Speaker 1>my yeah, and I was like, oh god, it's just

0:40:03.160 --> 0:40:06.480
<v Speaker 1>it's just in there. Well, also like realizing like this

0:40:06.560 --> 0:40:10.240
<v Speaker 1>is a very interesting view of like what the comic

0:40:10.320 --> 0:40:15.040
<v Speaker 1>book nerd guy trope is could be or what how

0:40:15.120 --> 0:40:19.120
<v Speaker 1>I look at that with my twenty first century view

0:40:19.360 --> 0:40:22.520
<v Speaker 1>of this too. Um. But there's also just like these

0:40:22.560 --> 0:40:24.719
<v Speaker 1>like interesting moments too in the opening credits, because you

0:40:24.719 --> 0:40:27.560
<v Speaker 1>know a huge comic book fan, and obviously Jason Lee

0:40:27.640 --> 0:40:30.319
<v Speaker 1>is in it, and you did have Stanley, but like

0:40:30.400 --> 0:40:33.000
<v Speaker 1>the they did like sort of comic book treatments of

0:40:33.040 --> 0:40:34.680
<v Speaker 1>like every person in the film, and I like how

0:40:34.719 --> 0:40:38.520
<v Speaker 1>they sort of like forced foreshadowed Ben Affleck as Batman,

0:40:39.040 --> 0:40:42.520
<v Speaker 1>except his was called butt Man, and I was like, this,

0:40:43.320 --> 0:40:46.600
<v Speaker 1>maybe Kevin had an idea of where Ben was going

0:40:46.640 --> 0:40:50.359
<v Speaker 1>with this that was he related to Stanley at all. Yeah,

0:40:50.440 --> 0:40:54.840
<v Speaker 1>Jason Lee is Stanley's son? What? Yeah? Is that true?

0:40:55.000 --> 0:40:57.960
<v Speaker 1>I believe? So I'm gonna just double check that for you.

0:40:58.040 --> 0:41:01.600
<v Speaker 1>But um, I'm not doubting you. I had just never

0:41:02.520 --> 0:41:07.200
<v Speaker 1>he's I thought, I think he has some maybe not.

0:41:07.360 --> 0:41:09.879
<v Speaker 1>Let me just make sure is he related at all?

0:41:09.920 --> 0:41:12.479
<v Speaker 1>We should leave all this stuff in no relation. Thank god?

0:41:13.080 --> 0:41:17.440
<v Speaker 1>Oh really? Oh no? Oh? Well, And see that's funny

0:41:17.440 --> 0:41:20.040
<v Speaker 1>because that was I think that was like a rumor

0:41:20.400 --> 0:41:23.920
<v Speaker 1>that people said in the pre internet era of just

0:41:23.960 --> 0:41:28.040
<v Speaker 1>watching a movie and the last names matched and you're like, yeah,

0:41:28.040 --> 0:41:32.799
<v Speaker 1>that's that's his kid. Believe Yeah, I did, I did

0:41:32.800 --> 0:41:35.440
<v Speaker 1>too until just now. Well, he was a big comic

0:41:35.480 --> 0:41:38.440
<v Speaker 1>book guy though. And it's funny that that. Like Stanley's

0:41:38.480 --> 0:41:41.000
<v Speaker 1>part in this movie, you know, he has a great

0:41:41.000 --> 0:41:44.600
<v Speaker 1>scene is the wise sage that Kevin Smith immediately like.

0:41:44.640 --> 0:41:46.520
<v Speaker 1>It's kind of the one sweet moment in the movie

0:41:46.920 --> 0:41:50.520
<v Speaker 1>where he's talking about true love and then afterward Kevin

0:41:50.520 --> 0:41:52.759
<v Speaker 1>Smith sort of just yankster rug out from under him

0:41:52.800 --> 0:41:55.680
<v Speaker 1>because it turns out it was a set up for

0:41:56.440 --> 0:42:01.160
<v Speaker 1>by Jeremy London just to get him think a weird grift.

0:42:01.200 --> 0:42:03.200
<v Speaker 1>You're like, hey, man, my buddy's not doing too well,

0:42:03.239 --> 0:42:05.040
<v Speaker 1>you might pumping up for a couple of bucks or

0:42:05.080 --> 0:42:08.200
<v Speaker 1>something exactly. Um, but this was It's hard to remember

0:42:08.280 --> 0:42:11.759
<v Speaker 1>a day where Stanley wasn't a part of the m

0:42:11.800 --> 0:42:14.960
<v Speaker 1>c U and making all these great cameos in these movies,

0:42:15.520 --> 0:42:18.040
<v Speaker 1>Like because watching it this afternoon and I was like, oh, yeah, Stanley.

0:42:18.080 --> 0:42:20.239
<v Speaker 1>Of course, you know he's in every Marvel movie now

0:42:20.239 --> 0:42:23.359
<v Speaker 1>and we all love Uncle stan But like back then,

0:42:24.680 --> 0:42:26.719
<v Speaker 1>the even I think, felt the need to explain a

0:42:26.760 --> 0:42:29.600
<v Speaker 1>little bit in the movie who Stanley even was because

0:42:29.640 --> 0:42:32.080
<v Speaker 1>among comic books people, of course they knew who he was,

0:42:32.600 --> 0:42:35.160
<v Speaker 1>but the public at large wouldn't know who this old

0:42:35.160 --> 0:42:38.279
<v Speaker 1>guy was with the dark And it's funny because I

0:42:38.320 --> 0:42:41.879
<v Speaker 1>didn't really either, and for being someone I was, I

0:42:41.920 --> 0:42:44.359
<v Speaker 1>was really into comic books too, but I was into

0:42:44.400 --> 0:42:48.040
<v Speaker 1>the Jim Lee version of X Men, so and for

0:42:48.080 --> 0:42:50.920
<v Speaker 1>the longest time I thought Jim Lee and Stanley were brothers,

0:42:52.040 --> 0:42:55.680
<v Speaker 1>because you don't think I had. I had this very

0:42:55.800 --> 0:42:59.399
<v Speaker 1>childish way of discerning if people were related where you're

0:42:59.400 --> 0:43:03.400
<v Speaker 1>like the last name. I remember as a kid asking

0:43:03.440 --> 0:43:05.640
<v Speaker 1>people if they were related to so ands because they're

0:43:05.640 --> 0:43:08.640
<v Speaker 1>like even random people I knew that weren't even famous,

0:43:09.040 --> 0:43:11.280
<v Speaker 1>and they're like, no, I don't know that person. I'm like, ah,

0:43:11.360 --> 0:43:15.759
<v Speaker 1>weird you related to Spalding Gray right exactly. I wish

0:43:15.760 --> 0:43:18.720
<v Speaker 1>I was or not, but no, Kobe Bryant is my cousin.

0:43:18.800 --> 0:43:21.600
<v Speaker 1>So at that end, see, I'm glad to know, I'm

0:43:21.600 --> 0:43:24.239
<v Speaker 1>honored to be here with I'm gonna give you shit

0:43:24.320 --> 0:43:26.160
<v Speaker 1>about that for the rest of your life. Every time

0:43:26.160 --> 0:43:28.160
<v Speaker 1>I see you, I'm gonna like find someone with the

0:43:28.239 --> 0:43:31.640
<v Speaker 1>last last name, same one. It's like this you um

0:43:31.680 --> 0:43:36.240
<v Speaker 1>but yeah, like I I didn't know until like another

0:43:36.400 --> 0:43:38.799
<v Speaker 1>friend who was really in the comics was also like no,

0:43:38.960 --> 0:43:41.279
<v Speaker 1>like that's like he invented everything. And I was like,

0:43:41.280 --> 0:43:44.120
<v Speaker 1>oh yeah, and I was like I didn't realize that.

0:43:44.239 --> 0:43:46.560
<v Speaker 1>And then it really like it kind of sent me

0:43:46.600 --> 0:43:50.439
<v Speaker 1>back into like my nerd like learning of like Okay, well,

0:43:50.480 --> 0:43:53.040
<v Speaker 1>I cannot embarrass myself by asking a question like that.

0:43:53.080 --> 0:43:56.640
<v Speaker 1>I will now ingest some more standley material and shame

0:43:56.719 --> 0:43:58.480
<v Speaker 1>some other people. But that's how you learned. I mean,

0:43:58.840 --> 0:44:01.360
<v Speaker 1>you don't know ship until um friend tells you about it.

0:44:02.200 --> 0:44:05.880
<v Speaker 1>The unactually was the process for learning and the and

0:44:05.920 --> 0:44:08.520
<v Speaker 1>then for many people, and then it turned into a

0:44:08.560 --> 0:44:20.600
<v Speaker 1>toxic habit decades later. I mean, let's talk about Jason

0:44:20.640 --> 0:44:23.160
<v Speaker 1>Lee for a minute. He's an actor that's like I

0:44:23.160 --> 0:44:25.359
<v Speaker 1>don't think anyone at whatever accused Jason Lee of being

0:44:25.400 --> 0:44:28.319
<v Speaker 1>some great actor, but there was something about him. He

0:44:28.360 --> 0:44:32.200
<v Speaker 1>had this charm that like, I was a big fan

0:44:32.280 --> 0:44:35.399
<v Speaker 1>of my name is earl Uh that show he had.

0:44:35.760 --> 0:44:40.200
<v Speaker 1>I really really loved that show. And he's kind of

0:44:40.239 --> 0:44:42.360
<v Speaker 1>gone away a little bit now, but like he was

0:44:42.400 --> 0:44:45.040
<v Speaker 1>just this cool guy. He was a skater and like

0:44:45.120 --> 0:44:47.400
<v Speaker 1>he was sponsored and like had a like a career

0:44:47.400 --> 0:44:50.240
<v Speaker 1>as a skater and then started being in these movies

0:44:50.280 --> 0:44:52.000
<v Speaker 1>and I don't know, man, there was just something about

0:44:52.120 --> 0:44:54.719
<v Speaker 1>him that was super likable. I saw him at a

0:44:54.760 --> 0:44:56.960
<v Speaker 1>couple of shows when I lived in l A that

0:44:57.120 --> 0:44:59.320
<v Speaker 1>like like really cool bands that I like, Like I

0:44:59.320 --> 0:45:01.040
<v Speaker 1>saw had a Grand Eddie show and he stood right

0:45:01.080 --> 0:45:02.759
<v Speaker 1>next to me as I'm ade a flaming lip show.

0:45:03.040 --> 0:45:05.040
<v Speaker 1>I was like, yeah, man, Jason Lee, Like he's fucking

0:45:05.040 --> 0:45:08.879
<v Speaker 1>cool dude, and he's just he didn't even try to act.

0:45:08.880 --> 0:45:11.400
<v Speaker 1>He just gets on screen and as Jason Lee. Yeah,

0:45:11.520 --> 0:45:14.920
<v Speaker 1>he's I think that's why I like, you know, it's

0:45:14.920 --> 0:45:17.279
<v Speaker 1>funny because him and Ethan Suppley are both together in

0:45:17.320 --> 0:45:19.240
<v Speaker 1>this and then later on in My Name is Earl,

0:45:19.320 --> 0:45:22.399
<v Speaker 1>Like I wonder if that. I'm sure maybe they built

0:45:22.400 --> 0:45:25.239
<v Speaker 1>a relationship there, but yeah, he yeah, he was sort

0:45:25.239 --> 0:45:30.680
<v Speaker 1>of effortlessly he helped sort of embody this like personality

0:45:30.800 --> 0:45:34.800
<v Speaker 1>type or energy of like this mid nineties person that

0:45:35.680 --> 0:45:38.719
<v Speaker 1>I thought it was really cool doesn't give a ship.

0:45:39.120 --> 0:45:42.600
<v Speaker 1>He sucks, but he's also like has a razor sharp

0:45:42.680 --> 0:45:46.520
<v Speaker 1>wit and like so that helps offset his shittiness um

0:45:46.840 --> 0:45:49.080
<v Speaker 1>in a way that felt like earned, because he was

0:45:49.120 --> 0:45:52.640
<v Speaker 1>smart enough to throw, you know, insults back, like saying

0:45:52.640 --> 0:45:56.400
<v Speaker 1>I can't explain myself monosylibically enough for you to understand

0:45:56.880 --> 0:46:00.600
<v Speaker 1>and things like that. Yeah that's good Burnham Jason, But yeah,

0:46:00.600 --> 0:46:03.000
<v Speaker 1>he's a smart guy. You could tell. And this character

0:46:03.160 --> 0:46:07.160
<v Speaker 1>Brodie was smart, but it's like it's that character that's

0:46:08.120 --> 0:46:10.360
<v Speaker 1>that's smart, but it's kind of just tossing it away,

0:46:10.400 --> 0:46:13.640
<v Speaker 1>like he's using his intelligence to explain the intricates he's

0:46:13.680 --> 0:46:19.799
<v Speaker 1>of them all. Yeah, uh, to comic effect. But like

0:46:20.280 --> 0:46:22.400
<v Speaker 1>you get the feeling that if Brodie got a ship together,

0:46:22.440 --> 0:46:24.480
<v Speaker 1>he could kind of do whatever he wanted. He's no dummy,

0:46:24.600 --> 0:46:27.880
<v Speaker 1>Yeah exactly, because even like there's something about even his

0:46:28.080 --> 0:46:31.400
<v Speaker 1>like you know, obscene comic book collection because he like

0:46:31.480 --> 0:46:34.279
<v Speaker 1>lives in like a cave that's about to collapse on

0:46:34.360 --> 0:46:38.839
<v Speaker 1>him of old comics. He just has this like yeah

0:46:38.880 --> 0:46:41.799
<v Speaker 1>that he he he just helped embody that snark of

0:46:41.840 --> 0:46:43.799
<v Speaker 1>the nineties that I think for me as a young kid,

0:46:44.000 --> 0:46:45.480
<v Speaker 1>like that's the kind of adult I want to be,

0:46:45.960 --> 0:46:47.920
<v Speaker 1>which wasn't a great example, but at the time I

0:46:47.920 --> 0:46:52.440
<v Speaker 1>did the the I guess relatively intelligent version of that.

0:46:53.000 --> 0:46:56.000
<v Speaker 1>But he's there's I think it's also his like skater

0:46:56.200 --> 0:46:59.680
<v Speaker 1>cred to you know, because he legitimately wasn't he in

0:46:59.760 --> 0:47:02.680
<v Speaker 1>like one of the early police Academy things like just

0:47:02.680 --> 0:47:05.680
<v Speaker 1>as like a skating extra. Oh, I don't know, that

0:47:05.680 --> 0:47:07.840
<v Speaker 1>wouldn't surprise me. I think he's like in anyway. But

0:47:07.960 --> 0:47:10.480
<v Speaker 1>like he's even because I remember just skate culture is

0:47:10.520 --> 0:47:14.520
<v Speaker 1>also huge too, like in southern California. So like him

0:47:14.560 --> 0:47:17.000
<v Speaker 1>and then hearing like you know he's like was like

0:47:17.040 --> 0:47:20.879
<v Speaker 1>a solid skater also just helped you. Like this guy's

0:47:20.880 --> 0:47:27.640
<v Speaker 1>he's the real thing. Yeah, totally triple threat. Uh. And

0:47:27.760 --> 0:47:31.080
<v Speaker 1>you know then you have Jeremy London, who, you know,

0:47:31.120 --> 0:47:34.400
<v Speaker 1>God bless him. Jeremy London is not a fine actor.

0:47:35.320 --> 0:47:37.000
<v Speaker 1>And that's the thing I kind of always admired about

0:47:37.040 --> 0:47:38.960
<v Speaker 1>Kevin Smith though, is that he was clearly interested in

0:47:39.000 --> 0:47:42.120
<v Speaker 1>putting people he liked and friends of his in these movies,

0:47:42.160 --> 0:47:46.239
<v Speaker 1>at least early on, maybe at the expensive you know,

0:47:46.360 --> 0:47:48.840
<v Speaker 1>auditioning a bunch of people like you never felt like

0:47:48.880 --> 0:47:52.719
<v Speaker 1>early on he cared a lot about the real filmmaking

0:47:52.760 --> 0:47:56.920
<v Speaker 1>process except for the writing and and probably you know,

0:47:56.960 --> 0:48:00.760
<v Speaker 1>shooting it with his friends. He's never fancy as a director,

0:48:01.719 --> 0:48:03.560
<v Speaker 1>and and like I said, probably did an audition to

0:48:03.600 --> 0:48:05.919
<v Speaker 1>a thousand people. He's like, well, let's just use these people.

0:48:06.000 --> 0:48:09.920
<v Speaker 1>Kids are fine. Yeah, He's like honestly, like, get Walt

0:48:09.960 --> 0:48:13.759
<v Speaker 1>Flannagan and Scott Moser like my friends to just be

0:48:13.880 --> 0:48:15.960
<v Speaker 1>in the film. And then you're like, well, now you're

0:48:16.000 --> 0:48:18.839
<v Speaker 1>part of the established film universe, so yeah, I guess

0:48:18.840 --> 0:48:21.480
<v Speaker 1>are gonna keep bringing you back. And that kind of

0:48:21.480 --> 0:48:24.880
<v Speaker 1>became the because I was a full on Kevin Smith fanboy,

0:48:24.960 --> 0:48:29.560
<v Speaker 1>like like I would watch every frame of like, oh

0:48:29.680 --> 0:48:32.520
<v Speaker 1>that's Scott Moser. Oh he's this guy, and he's the

0:48:32.560 --> 0:48:36.480
<v Speaker 1>snowball guy from Clerks and all this other stuff, and

0:48:37.000 --> 0:48:38.960
<v Speaker 1>it was always like very Yeah, there was like a

0:48:39.000 --> 0:48:41.319
<v Speaker 1>loyalty about it too that I felt like, yeah, I

0:48:41.320 --> 0:48:43.879
<v Speaker 1>wonder if I just got checks to make films. I'm like, look,

0:48:43.960 --> 0:48:47.320
<v Speaker 1>maybe you're a terrible actor, but I'm you're You're the

0:48:47.360 --> 0:48:49.279
<v Speaker 1>guys that I like working with, so let's kind of

0:48:49.360 --> 0:48:51.920
<v Speaker 1>keep this going. I mean, even like with Jason Muse,

0:48:52.000 --> 0:48:53.920
<v Speaker 1>you know, like he's stuck by Jason Muse for a

0:48:53.920 --> 0:48:56.640
<v Speaker 1>really long time and has had like all kinds of

0:48:56.719 --> 0:49:02.520
<v Speaker 1>ups and downs and actor either, but he when he's on,

0:49:02.719 --> 0:49:05.200
<v Speaker 1>he's so on, Because there's moments even in Mall Rats

0:49:05.239 --> 0:49:08.839
<v Speaker 1>you're like, dude, don't like it's almost like you're trying

0:49:08.840 --> 0:49:12.839
<v Speaker 1>to pre mouth the words of the persons, like don't

0:49:12.880 --> 0:49:14.759
<v Speaker 1>I'm also like Kevin, like, why don't you direct that?

0:49:14.840 --> 0:49:18.239
<v Speaker 1>A little bit? Um? But yeah, but there's just like this,

0:49:18.360 --> 0:49:21.120
<v Speaker 1>I think there was just this really authentic quality about it.

0:49:21.160 --> 0:49:23.279
<v Speaker 1>I think for a while that just resonated in the

0:49:23.360 --> 0:49:25.400
<v Speaker 1>nineties so much more than like the polish that we

0:49:25.400 --> 0:49:28.399
<v Speaker 1>were used to. Well, yeah, and he did something like

0:49:29.239 --> 0:49:32.240
<v Speaker 1>not many directors had ever done or have even done since,

0:49:32.280 --> 0:49:37.040
<v Speaker 1>which was created a cult of fandom around. I mean,

0:49:37.080 --> 0:49:39.120
<v Speaker 1>there's like the Tarantinos and stuff, that sort of have

0:49:39.160 --> 0:49:41.520
<v Speaker 1>a little bit of that. But Kevin Smith like really

0:49:41.560 --> 0:49:45.160
<v Speaker 1>built this world, like you said, the view askew world,

0:49:45.360 --> 0:49:50.160
<v Speaker 1>and he created this fandom around a production team and

0:49:50.239 --> 0:49:53.080
<v Speaker 1>directing that like no one did stuff like that, Like

0:49:53.120 --> 0:49:55.799
<v Speaker 1>he really And I don't think he was like, let

0:49:55.840 --> 0:49:58.600
<v Speaker 1>me build my personal brand either. I think I think

0:49:58.600 --> 0:50:02.359
<v Speaker 1>it was a little more pure than that, especially early on,

0:50:02.600 --> 0:50:05.960
<v Speaker 1>and I think later he probably realized, like, wait a minute,

0:50:05.960 --> 0:50:08.160
<v Speaker 1>I can and not in a gross way. I can

0:50:08.160 --> 0:50:10.680
<v Speaker 1>still make money because I can go around and speak

0:50:10.719 --> 0:50:12.960
<v Speaker 1>and I can just talk about my relationship with mus

0:50:12.960 --> 0:50:15.680
<v Speaker 1>and and I have I have built this sort of

0:50:16.120 --> 0:50:20.920
<v Speaker 1>cult of of fandom that and exploited such a bad word,

0:50:21.000 --> 0:50:22.400
<v Speaker 1>but I mean it in the in the right way

0:50:22.760 --> 0:50:25.799
<v Speaker 1>to energize it. Yeah, energized, I think because you know

0:50:25.840 --> 0:50:27.360
<v Speaker 1>in a way like now that you're saying like that,

0:50:27.440 --> 0:50:29.360
<v Speaker 1>it's almost like he's just sort of mirroring what he

0:50:29.440 --> 0:50:32.839
<v Speaker 1>experienced as a comic book fan, you know of like

0:50:33.239 --> 0:50:37.279
<v Speaker 1>because I again, I was his website, like I had

0:50:37.440 --> 0:50:41.560
<v Speaker 1>content most people didn't, you know, there would be for

0:50:41.600 --> 0:50:44.879
<v Speaker 1>a production company. There were like little clips back when

0:50:44.920 --> 0:50:47.120
<v Speaker 1>you would like it would take forty minutes to download

0:50:47.160 --> 0:50:49.880
<v Speaker 1>like a twenty meca byte quote time file or like

0:50:50.280 --> 0:50:53.400
<v Speaker 1>what's a real video clip on there and gave people

0:50:53.440 --> 0:50:55.480
<v Speaker 1>what they wanted. Yeah, and then he even had like

0:50:56.280 --> 0:50:59.280
<v Speaker 1>a quiz section to like so you could actually test

0:50:59.320 --> 0:51:02.280
<v Speaker 1>your fandom of like your knowledge of the view ask universe,

0:51:02.360 --> 0:51:05.560
<v Speaker 1>like all that kind of stuff. And that got me hooked,

0:51:05.760 --> 0:51:07.600
<v Speaker 1>like when I was younger, because I wanted to like

0:51:07.800 --> 0:51:09.400
<v Speaker 1>to the point where I had done the quiz so

0:51:09.440 --> 0:51:12.719
<v Speaker 1>many times I knew all the what, all the questions

0:51:12.719 --> 0:51:17.640
<v Speaker 1>were already, and it for me created like this like

0:51:17.680 --> 0:51:20.960
<v Speaker 1>sort of validation or like measure of my devotion to

0:51:21.120 --> 0:51:25.120
<v Speaker 1>like these films for whatever it was. And yeah, I

0:51:25.120 --> 0:51:27.879
<v Speaker 1>mean oddly enough, like I met him three years ago

0:51:27.880 --> 0:51:30.600
<v Speaker 1>at Comic con Um. Yeah, well just like and it

0:51:30.640 --> 0:51:33.359
<v Speaker 1>was just off of super off chance, like he was

0:51:33.520 --> 0:51:36.520
<v Speaker 1>hosting like the IMDb yacht when they were doing that thing,

0:51:36.600 --> 0:51:38.799
<v Speaker 1>and he was doing some stuff there, but we were

0:51:38.800 --> 0:51:41.440
<v Speaker 1>staying in the same hotel and once we got through

0:51:41.480 --> 0:51:42.800
<v Speaker 1>like the section we had to show your card to

0:51:42.800 --> 0:51:45.040
<v Speaker 1>get to like the guest elevators. Like I had my

0:51:45.160 --> 0:51:47.760
<v Speaker 1>back turned and he just walked up and I was like, oh,

0:51:47.800 --> 0:51:50.880
<v Speaker 1>like I see this big hockey jersey wearing pulling up

0:51:50.880 --> 0:51:53.440
<v Speaker 1>on and I saw him and he looked at me,

0:51:53.440 --> 0:51:54.680
<v Speaker 1>and I was like, I just kind of gave him

0:51:54.680 --> 0:51:57.000
<v Speaker 1>a head nod and I was like, dude, snoots to

0:51:57.040 --> 0:52:01.680
<v Speaker 1>the fucking boots, bro. And he's like yeah, he's like oh,

0:52:01.760 --> 0:52:05.480
<v Speaker 1>and I was like I was. I felt so, I'm

0:52:05.520 --> 0:52:09.120
<v Speaker 1>so glad I took a big fanboy cringe swing like

0:52:09.160 --> 0:52:12.920
<v Speaker 1>that and it connected and he just sort of reciprocated

0:52:12.920 --> 0:52:14.719
<v Speaker 1>and I was like, Damn, that kind of went down

0:52:14.800 --> 0:52:19.120
<v Speaker 1>exactly how I hoped it would. Um. But yeah, I

0:52:19.120 --> 0:52:21.040
<v Speaker 1>think it's like I think there was a lot of

0:52:21.120 --> 0:52:24.319
<v Speaker 1>influence just from his own fandom as a comic book

0:52:24.320 --> 0:52:26.120
<v Speaker 1>guy that I think he really did a good job

0:52:26.160 --> 0:52:29.440
<v Speaker 1>of finding ways to sort of like see himself as

0:52:29.480 --> 0:52:31.719
<v Speaker 1>like not that he's like Stanley, but he's like, well,

0:52:32.360 --> 0:52:34.200
<v Speaker 1>this is the kind of stuff I was into. Maybe

0:52:34.200 --> 0:52:37.799
<v Speaker 1>that's my responsibility to offer the people that like my stuff. Yeah.

0:52:37.880 --> 0:52:41.839
<v Speaker 1>I mean he he created, uh, something much bigger than

0:52:43.040 --> 0:52:45.960
<v Speaker 1>a film director, you know, uh in a in a

0:52:46.000 --> 0:52:49.520
<v Speaker 1>resume of movies that he's made, which is super smart.

0:52:49.680 --> 0:52:51.279
<v Speaker 1>But again, I don't think he ever had this like

0:52:51.360 --> 0:52:54.759
<v Speaker 1>cunning business angle to it early on. I think it

0:52:54.840 --> 0:52:56.920
<v Speaker 1>was pure and and that kind of loyalty that he

0:52:56.960 --> 0:52:59.880
<v Speaker 1>has especially to Muse. Yeah, it really speaks to me

0:53:00.000 --> 0:53:03.240
<v Speaker 1>because that's just a loyalty is a really big deal

0:53:03.600 --> 0:53:06.120
<v Speaker 1>in my life as as a Pisces. Not to get

0:53:06.160 --> 0:53:09.200
<v Speaker 1>too fruity, but all my all my homies are Pisces

0:53:09.560 --> 0:53:12.520
<v Speaker 1>for good reason. Ye March, I got like two friends

0:53:12.520 --> 0:53:14.360
<v Speaker 1>who were born on the exact I'm both on the

0:53:14.400 --> 0:53:19.360
<v Speaker 1>same day year, March twelve. Cool, are you Pisces too? No,

0:53:19.440 --> 0:53:25.160
<v Speaker 1>I'm a virgo. Okay, I'm okay, all right. Ben Affleck

0:53:25.680 --> 0:53:30.720
<v Speaker 1>is great in this movie and early on in his career.

0:53:31.239 --> 0:53:33.720
<v Speaker 1>I was like this guy because, especially because dayson confused

0:53:33.719 --> 0:53:36.719
<v Speaker 1>to I was like, he plays an asshole better than

0:53:36.800 --> 0:53:40.200
<v Speaker 1>almost anyone I've ever seen. He was so good at it, Yeah,

0:53:40.880 --> 0:53:44.880
<v Speaker 1>the best. Like I hated him, like I hated I

0:53:44.960 --> 0:53:48.200
<v Speaker 1>hated Ben Affleck for a long time because of this,

0:53:49.000 --> 0:53:51.040
<v Speaker 1>And I was like, when I watched Goodwill Hunting, I'm like, no, dude,

0:53:51.040 --> 0:53:56.000
<v Speaker 1>that asshole from Mars done it. This guy because he sucks.

0:53:56.360 --> 0:53:57.719
<v Speaker 1>I mean, he made a smart move by kind of

0:53:57.760 --> 0:53:59.520
<v Speaker 1>getting away from that, but he was so good at

0:53:59.560 --> 0:54:02.719
<v Speaker 1>it in this Shannon, this character, God, I just fucking

0:54:02.760 --> 0:54:06.320
<v Speaker 1>hated his guts and even watching it today, I wanted

0:54:06.320 --> 0:54:10.440
<v Speaker 1>to jump through the screen and nothing redeeming, like you know,

0:54:10.880 --> 0:54:13.640
<v Speaker 1>Kevin Smith wrote him as like the app. That's why

0:54:13.680 --> 0:54:17.520
<v Speaker 1>it's kind of interesting too, because it's from Kevin Smith's perspective. Obviously,

0:54:17.560 --> 0:54:21.560
<v Speaker 1>Brody is him and tss him and how he sees

0:54:21.640 --> 0:54:24.040
<v Speaker 1>him in relation to like the sort of accepted form

0:54:24.080 --> 0:54:27.840
<v Speaker 1>of like you know, a mainstream masculinity, which is guys

0:54:27.880 --> 0:54:30.920
<v Speaker 1>who don't read comic books. They address it. They work

0:54:30.960 --> 0:54:34.480
<v Speaker 1>at Fashionable Male and they're into anal sex or whatever

0:54:35.360 --> 0:54:39.160
<v Speaker 1>like proclivity, but it's this this. So it was there

0:54:39.160 --> 0:54:41.160
<v Speaker 1>were moments like that too where it was more than

0:54:41.200 --> 0:54:43.759
<v Speaker 1>me just being like I hate Shannon. I was like, oh, right,

0:54:43.760 --> 0:54:46.520
<v Speaker 1>this is Kevin Smith like writing his view on like

0:54:46.520 --> 0:54:49.040
<v Speaker 1>like the world he was in at the time. And

0:54:48.800 --> 0:54:51.000
<v Speaker 1>then I was like, yeah, man, like we have so

0:54:51.040 --> 0:54:54.759
<v Speaker 1>many Shannon's around us like that that are just so

0:54:56.000 --> 0:54:58.360
<v Speaker 1>that would just be our tor mentors or for a

0:54:58.360 --> 0:55:00.239
<v Speaker 1>while you think like, oh that's what I ought to

0:55:00.280 --> 0:55:04.120
<v Speaker 1>be to be like successful or be attractive or whatever,

0:55:04.160 --> 0:55:05.879
<v Speaker 1>and yeah, it's like they turned that on its head

0:55:05.880 --> 0:55:08.359
<v Speaker 1>and be like this guy sucks. Yeah, and I bet

0:55:08.440 --> 0:55:13.280
<v Speaker 1>you anything that Kevin Smith today is still that guy,

0:55:13.360 --> 0:55:16.640
<v Speaker 1>and he's still in the industry, especially sees those douchebags

0:55:17.520 --> 0:55:21.080
<v Speaker 1>and and just has nothing but loathing for those For

0:55:21.080 --> 0:55:24.279
<v Speaker 1>those guys, I don't think you can like wear a

0:55:24.400 --> 0:55:30.000
<v Speaker 1>hockey jersey into a serious pitch meeting and say that

0:55:30.040 --> 0:55:32.360
<v Speaker 1>you like you actually respect what these people get like

0:55:32.400 --> 0:55:34.319
<v Speaker 1>to think about you. You're like he he just I

0:55:34.360 --> 0:55:36.759
<v Speaker 1>think he just like I'm I'm just doing my thing.

0:55:36.880 --> 0:55:38.920
<v Speaker 1>I don't care what this other stuff is. It's it's

0:55:38.960 --> 0:55:43.440
<v Speaker 1>all artificial. I mean, he's always been his own servant

0:55:43.480 --> 0:55:46.360
<v Speaker 1>to his own self, and that's I may not love

0:55:46.600 --> 0:55:49.680
<v Speaker 1>like a lot of the movies that he made after this,

0:55:51.440 --> 0:55:53.800
<v Speaker 1>but I don't know, man, there's this weird admiration that

0:55:53.840 --> 0:55:57.920
<v Speaker 1>I've always had for him just sticking to his guns

0:55:58.000 --> 0:56:00.239
<v Speaker 1>and doing what made him happy and give ing the

0:56:00.239 --> 0:56:02.880
<v Speaker 1>finger to critics and just being like, listen, this is

0:56:02.880 --> 0:56:05.000
<v Speaker 1>who I am. I never claimed to be the best

0:56:05.080 --> 0:56:08.440
<v Speaker 1>filmmaker in the world. Like I remember one of his

0:56:08.480 --> 0:56:14.439
<v Speaker 1>quotes when he made Oh it may have been Jay

0:56:14.440 --> 0:56:17.680
<v Speaker 1>and Silent Bob strike Back and the budget. He was

0:56:17.760 --> 0:56:19.799
<v Speaker 1>laughing about how much money he got to make it.

0:56:19.840 --> 0:56:22.320
<v Speaker 1>He said to make a two hour inside joke with

0:56:22.440 --> 0:56:25.000
<v Speaker 1>my friends. And there was something I always kind of

0:56:25.040 --> 0:56:27.120
<v Speaker 1>admired about that was like, you know what, Kevin Smith

0:56:27.200 --> 0:56:29.920
<v Speaker 1>is just being Kevin Smith, and like he's he's a

0:56:29.960 --> 0:56:32.839
<v Speaker 1>maverick and like not in a Robert Altman way, but

0:56:32.960 --> 0:56:35.680
<v Speaker 1>in a Kevin Smith way. Right. Yeah, it's just a

0:56:35.800 --> 0:56:39.759
<v Speaker 1>it's an it's there. There's just this rebellious quality to

0:56:39.840 --> 0:56:43.680
<v Speaker 1>it that It's what's funny because at a certain point,

0:56:43.800 --> 0:56:47.120
<v Speaker 1>like I just got really disheartened by that, like his

0:56:47.160 --> 0:56:49.520
<v Speaker 1>output and just kind of I was just like, yeah,

0:56:49.600 --> 0:56:52.600
<v Speaker 1>the thrill is a little bit gone after the trilogy,

0:56:53.080 --> 0:56:56.160
<v Speaker 1>um and yeah, but it's it's like one of those

0:56:56.200 --> 0:57:01.720
<v Speaker 1>moments where I just completely uh yeah for whatever reason.

0:57:02.680 --> 0:57:04.560
<v Speaker 1>It was like it's like Star Wars where it's like

0:57:04.560 --> 0:57:07.279
<v Speaker 1>I only like to early trilogy stuff, right, not into

0:57:07.360 --> 0:57:10.080
<v Speaker 1>the other stuff. But to that point, it's like it's

0:57:10.120 --> 0:57:13.399
<v Speaker 1>that he wasn't really making stuff like I'm never going back,

0:57:13.400 --> 0:57:16.440
<v Speaker 1>and like these are the best movies anyone has ever made.

0:57:16.920 --> 0:57:20.160
<v Speaker 1>These are like really great contributions from this creator in

0:57:20.200 --> 0:57:22.480
<v Speaker 1>this moment in time. And he had a very specific

0:57:22.560 --> 0:57:25.680
<v Speaker 1>philosophy which was yeah, like really much to say like

0:57:25.720 --> 0:57:30.080
<v Speaker 1>I'm gonna make a you know, million dollar inside joke. Um,

0:57:30.120 --> 0:57:32.520
<v Speaker 1>there's something about that that kind of feels, you know,

0:57:32.920 --> 0:57:36.919
<v Speaker 1>he's missing. Yeah, and you can't, like, if you're really

0:57:36.920 --> 0:57:41.800
<v Speaker 1>having an honest conversation about film history, you gotta throw

0:57:41.880 --> 0:57:45.040
<v Speaker 1>Kevin Smith in that conversation at a certain point to

0:57:45.160 --> 0:57:48.800
<v Speaker 1>represent what he represents. What he represented, especially at the time,

0:57:49.960 --> 0:57:52.760
<v Speaker 1>which was really helping to break in the cinema open

0:57:52.880 --> 0:57:56.920
<v Speaker 1>in a big way, uh, to make these super talking

0:57:57.040 --> 0:58:01.200
<v Speaker 1>movies that weren't like what he alan talky, because those

0:58:01.240 --> 0:58:03.960
<v Speaker 1>were always a little high salutin and intelligent and talking

0:58:04.000 --> 0:58:06.640
<v Speaker 1>about you know, art and philosophy and stuff. And he

0:58:06.680 --> 0:58:07.960
<v Speaker 1>was like, I'm gonna do that, but I'm gonna talk

0:58:07.960 --> 0:58:12.959
<v Speaker 1>about Star Wars and and stink palm jokes, right, which

0:58:13.000 --> 0:58:15.000
<v Speaker 1>is still a funny part of that movie. I think

0:58:15.160 --> 0:58:18.240
<v Speaker 1>even then too, like you have to credit him on

0:58:18.320 --> 0:58:24.840
<v Speaker 1>some level for making comic books cool because I didn't.

0:58:25.440 --> 0:58:28.000
<v Speaker 1>I didn't really care about Superman until I heard Kevin

0:58:28.040 --> 0:58:31.160
<v Speaker 1>Smith was possibly going to be writing a Superman film

0:58:31.440 --> 0:58:34.600
<v Speaker 1>and there yeah, and I was like, whoa what And

0:58:34.640 --> 0:58:36.800
<v Speaker 1>then that's when I was kind of like this is interest,

0:58:36.840 --> 0:58:38.680
<v Speaker 1>Like it almost are like, oh, maybe his end game

0:58:38.720 --> 0:58:40.640
<v Speaker 1>is really to get into the comics that he loves,

0:58:40.680 --> 0:58:44.600
<v Speaker 1>because he's really those seemed to be offering him those opportunities,

0:58:45.480 --> 0:58:47.600
<v Speaker 1>and when that stuff fell through, I was like, ah,

0:58:47.640 --> 0:58:51.000
<v Speaker 1>this kind of sucks. But I think that also for

0:58:51.080 --> 0:58:53.840
<v Speaker 1>him at the time, because he did have cred um

0:58:53.880 --> 0:58:56.600
<v Speaker 1>within the industry for him to be focusing on like

0:58:56.640 --> 0:58:59.600
<v Speaker 1>a comic book film. I think made a sort of

0:59:00.400 --> 0:59:03.080
<v Speaker 1>this is like in nineties six. I remember like when

0:59:03.120 --> 0:59:06.800
<v Speaker 1>he was talking about these like Superman films that on

0:59:06.840 --> 0:59:09.880
<v Speaker 1>some level, I feel like this, we have to tip

0:59:09.880 --> 0:59:12.440
<v Speaker 1>our hat to that because you start of mainstream that

0:59:12.760 --> 0:59:15.680
<v Speaker 1>um and really always made comics like like sort of

0:59:15.680 --> 0:59:19.280
<v Speaker 1>ever president sort of theme throughout his his work. Yeah,

0:59:19.320 --> 0:59:22.160
<v Speaker 1>I mean those that the stories around that Nick Cage

0:59:22.200 --> 0:59:26.640
<v Speaker 1>Superman development our legendary and you know they're part of

0:59:26.680 --> 0:59:30.720
<v Speaker 1>Hollywood lore at this point, so many great stories. And

0:59:30.760 --> 0:59:34.240
<v Speaker 1>then you know, the since the documentary stuff has come

0:59:34.280 --> 0:59:36.280
<v Speaker 1>out with some of the behind the scenes stuff with

0:59:36.280 --> 0:59:39.200
<v Speaker 1>the screen test and the weird suits, and then Kevin

0:59:39.200 --> 0:59:42.080
<v Speaker 1>Smith went on all I was speaking tours uh as

0:59:42.200 --> 0:59:46.200
<v Speaker 1>a really engaging you know, you know, he's a guy

0:59:46.240 --> 0:59:49.280
<v Speaker 1>that like he's a bit of a blowhard in a

0:59:49.280 --> 0:59:52.160
<v Speaker 1>certain way, but he can also spend a good yarn

0:59:52.720 --> 0:59:55.560
<v Speaker 1>and if like good for him, if someone will pay

0:59:55.640 --> 0:59:58.200
<v Speaker 1>twenty five dollars to go sitting in auditorium and listen

0:59:58.240 --> 1:00:00.480
<v Speaker 1>to Kevin Smith tells stories for twoever, Yeah, it's a

1:00:00.480 --> 1:00:02.840
<v Speaker 1>little bit much. Yeah, that's why it's kind of funny,

1:00:02.880 --> 1:00:05.280
<v Speaker 1>because he is a bit of he's a sort of

1:00:05.280 --> 1:00:07.400
<v Speaker 1>a double edged sword, because there's there are things about

1:00:07.520 --> 1:00:09.840
<v Speaker 1>him I just like bother me that I just not

1:00:10.080 --> 1:00:12.680
<v Speaker 1>fully like. I think I used to be like whatever

1:00:12.720 --> 1:00:16.120
<v Speaker 1>he does, I love no questions asked, and then over time,

1:00:16.200 --> 1:00:19.200
<v Speaker 1>like I think I had to kind of like, uh no,

1:00:19.840 --> 1:00:21.880
<v Speaker 1>Like also the way he kind of like sort of

1:00:21.960 --> 1:00:25.480
<v Speaker 1>masturbatory like ways will speak about his work at times,

1:00:25.520 --> 1:00:28.200
<v Speaker 1>like sort of felt like not the Kevin I thought

1:00:28.240 --> 1:00:31.720
<v Speaker 1>I knew. But yeah, I think it's like anyone, there's

1:00:31.720 --> 1:00:35.640
<v Speaker 1>always a sort of a balance to them. Yeah. I

1:00:35.640 --> 1:00:38.120
<v Speaker 1>think the only thing that annoyed me more later was

1:00:38.160 --> 1:00:41.000
<v Speaker 1>when he started smoking weed and he acted like he

1:00:41.040 --> 1:00:43.520
<v Speaker 1>was the first guy who ever smoked. Yeah, and then

1:00:43.760 --> 1:00:45.320
<v Speaker 1>and then it got bad, like I did you ever

1:00:45.360 --> 1:00:48.400
<v Speaker 1>see that like web series he did about like the Dispenser,

1:00:49.360 --> 1:00:52.200
<v Speaker 1>Oh no, it's like one of those eightest things he did.

1:00:52.960 --> 1:00:56.960
<v Speaker 1>It is I can't even I don't even know where

1:00:57.000 --> 1:01:00.680
<v Speaker 1>I saw it, but he made this like attempt at

1:01:00.680 --> 1:01:02.919
<v Speaker 1>a workplace comedy about people who worked at a weed

1:01:02.920 --> 1:01:06.200
<v Speaker 1>dispensary and really on some level on TV or was

1:01:06.240 --> 1:01:08.280
<v Speaker 1>it like a web show? It was a web show

1:01:08.920 --> 1:01:12.840
<v Speaker 1>type thing. Yeah, let me just interesting. I'm looking at

1:01:12.840 --> 1:01:18.320
<v Speaker 1>that up right now. Spoilers. No, that's not it. Oh Hollyweed. Yes,

1:01:20.040 --> 1:01:22.880
<v Speaker 1>so that was a few years ago. No, good, it is.

1:01:23.720 --> 1:01:26.480
<v Speaker 1>That's when I like those. It's it's it's projects like

1:01:26.520 --> 1:01:28.760
<v Speaker 1>that that make me question. I'm like, was he bad

1:01:28.840 --> 1:01:32.200
<v Speaker 1>this whole time? And then like he just kind of

1:01:32.280 --> 1:01:35.080
<v Speaker 1>hit it, like he just kind of broken clock thing

1:01:35.160 --> 1:01:37.400
<v Speaker 1>like he in the moment, he was right on these

1:01:37.440 --> 1:01:39.840
<v Speaker 1>couple of things. Because there's certainly other ones I look

1:01:39.840 --> 1:01:43.880
<v Speaker 1>at I'm like, oh boy, but Hollyweed is truly like

1:01:44.240 --> 1:01:47.880
<v Speaker 1>it's like the worst version of him because it's like

1:01:48.840 --> 1:01:52.720
<v Speaker 1>it's just super wordy dialogue, but it's with like performers

1:01:52.720 --> 1:01:55.320
<v Speaker 1>who can't even do it any service, so it just

1:01:55.360 --> 1:01:57.320
<v Speaker 1>feels like if you even try, And like I was

1:01:57.440 --> 1:02:01.160
<v Speaker 1>high watching, I was like, no, a panic attack from

1:02:01.160 --> 1:02:04.840
<v Speaker 1>all this top, like, please, oh no, that's ultimate test.

1:02:05.880 --> 1:02:08.480
<v Speaker 1>What what are your some of your favorite Mallrats moments?

1:02:08.840 --> 1:02:11.400
<v Speaker 1>Oh my god, I mean I love the when they

1:02:11.440 --> 1:02:15.000
<v Speaker 1>talk about their plan to bring down the stage. Um

1:02:15.480 --> 1:02:20.000
<v Speaker 1>where man, Yeah, those are some about him. He cras

1:02:20.080 --> 1:02:26.040
<v Speaker 1>me up. Uh, I love that. I love um god,

1:02:26.160 --> 1:02:31.280
<v Speaker 1>the the stink palm scene. I really loved it. So

1:02:31.440 --> 1:02:34.760
<v Speaker 1>dumb and over the top, so dumb and again me

1:02:34.880 --> 1:02:38.640
<v Speaker 1>being you know, twelve at the time being like, yeah,

1:02:38.920 --> 1:02:41.280
<v Speaker 1>that's a that's the thing you can do in real life.

1:02:41.640 --> 1:02:43.880
<v Speaker 1>That's what's that's what's sort of tough about Kevin Smith film.

1:02:43.880 --> 1:02:45.800
<v Speaker 1>Their adults wool watch and be like, oh, this is

1:02:45.880 --> 1:02:48.560
<v Speaker 1>great comedy. On the other side of that are young

1:02:48.640 --> 1:02:51.000
<v Speaker 1>kids who are like this is a blueprint for life,

1:02:51.920 --> 1:02:54.920
<v Speaker 1>Like I will dig in my ass and shake someone's

1:02:54.920 --> 1:02:57.000
<v Speaker 1>hand because I don't like them. I can never bring

1:02:57.000 --> 1:02:59.640
<v Speaker 1>myself to do it because it's just like the thought

1:02:59.640 --> 1:03:01.480
<v Speaker 1>of it and then it's on your hand too. Yeah,

1:03:01.640 --> 1:03:05.200
<v Speaker 1>but that did kick off a long run of me

1:03:05.280 --> 1:03:09.320
<v Speaker 1>eating chocolate covered pretzels. Really yeah, it's like so weird,

1:03:09.440 --> 1:03:12.120
<v Speaker 1>Like I took on these things that Brody did as

1:03:12.160 --> 1:03:15.360
<v Speaker 1>like parts of who I was as a person. Like

1:03:15.520 --> 1:03:18.520
<v Speaker 1>I only ate chocolate covered pretzels for a while, Like

1:03:18.560 --> 1:03:21.240
<v Speaker 1>if seven eleven coming out, I got a bag of

1:03:21.280 --> 1:03:24.760
<v Speaker 1>flips or whatever at the time, and like trying to

1:03:24.840 --> 1:03:27.320
<v Speaker 1>drink out of the smallest paper cup, like it was

1:03:27.360 --> 1:03:30.120
<v Speaker 1>a kind of thing to do. Um. So in a way,

1:03:30.160 --> 1:03:31.720
<v Speaker 1>like I'm kind of mad at Kevin Smith because he

1:03:31.800 --> 1:03:34.800
<v Speaker 1>kind of ruined my brain. Um, but yeah, like I

1:03:34.840 --> 1:03:37.760
<v Speaker 1>love that moment um at the time. Like I wasn't

1:03:37.800 --> 1:03:40.680
<v Speaker 1>smoking weed because I was young, but I was like, oh,

1:03:40.760 --> 1:03:43.360
<v Speaker 1>this is this is interesting, Like the power of weed

1:03:43.480 --> 1:03:46.840
<v Speaker 1>as like some magic tool that's only jay and silent

1:03:47.240 --> 1:03:50.720
<v Speaker 1>and deployed for their own needs. Um, those are really

1:03:50.760 --> 1:03:54.000
<v Speaker 1>awesome too. Um. There was a lot more slapstick in

1:03:54.040 --> 1:03:57.080
<v Speaker 1>it than I remembered when I watched it today. Yeah. Uh,

1:03:57.240 --> 1:03:59.200
<v Speaker 1>kind of really silly stuff that I think was his.

1:04:00.400 --> 1:04:01.480
<v Speaker 1>You know, I think he was kind of throwing the

1:04:01.480 --> 1:04:03.120
<v Speaker 1>whole kitchen sink in there. He was like, I'll do

1:04:03.160 --> 1:04:06.200
<v Speaker 1>some three stooges shit. Yeah, Like the scene with him

1:04:06.320 --> 1:04:10.000
<v Speaker 1>crashing through the the dressing room door was very silly slapstick.

1:04:10.040 --> 1:04:13.160
<v Speaker 1>And the scene where he's he's you know, he's going

1:04:13.200 --> 1:04:16.600
<v Speaker 1>after La Fleur with a suck full of quarters and

1:04:16.640 --> 1:04:20.160
<v Speaker 1>the kid rolls his little skate out there. It's just

1:04:20.280 --> 1:04:24.400
<v Speaker 1>really silly kind of fun stuff that you know. I

1:04:24.400 --> 1:04:28.400
<v Speaker 1>think Jay and Silent Bob, especially as characters, there was

1:04:28.440 --> 1:04:30.120
<v Speaker 1>just something about him that you liked and it was

1:04:30.200 --> 1:04:32.480
<v Speaker 1>fun seeing them outside of the clerk's world. Yeah, And

1:04:32.480 --> 1:04:36.240
<v Speaker 1>I think this is the film that really made them. Yeah,

1:04:36.680 --> 1:04:39.320
<v Speaker 1>as much as like Jason Lee and Shannon Doherty and

1:04:39.360 --> 1:04:42.560
<v Speaker 1>like Claire for Lonnie, like these big actors are in them.

1:04:42.640 --> 1:04:44.760
<v Speaker 1>This was the reason why I really watched the film

1:04:44.840 --> 1:04:47.560
<v Speaker 1>was for Jay and Silent Bob Um. And I would

1:04:48.000 --> 1:04:51.440
<v Speaker 1>so many lines, like when they're talking to Ethan Supply,

1:04:52.040 --> 1:04:55.400
<v Speaker 1>the whole Ethan Supply magic. I arc. He's like one

1:04:55.440 --> 1:04:58.000
<v Speaker 1>of my favorite things too, Like I just love his

1:04:58.120 --> 1:05:01.200
<v Speaker 1>reactions to things like when he yells at the kids

1:05:01.200 --> 1:05:03.320
<v Speaker 1>and ruining the easter was like there is no easter

1:05:03.440 --> 1:05:06.120
<v Speaker 1>bunny over there, that's just a guy in a suit,

1:05:06.960 --> 1:05:10.480
<v Speaker 1>or when they beat up the easter bunny too for Brody.

1:05:10.640 --> 1:05:15.080
<v Speaker 1>This is for Brody. Kids jump in. It is such

1:05:15.120 --> 1:05:18.560
<v Speaker 1>a mess. Um, But they were. And I think but

1:05:18.640 --> 1:05:20.880
<v Speaker 1>the reason I will say this with the Ethan subbly thing,

1:05:20.880 --> 1:05:22.720
<v Speaker 1>I remember as a kid, I could not for the

1:05:22.800 --> 1:05:24.360
<v Speaker 1>life of me ever get one of those magic I

1:05:24.440 --> 1:05:27.440
<v Speaker 1>had things to work, just didn't. I didn't understand. What

1:05:27.480 --> 1:05:30.640
<v Speaker 1>I did do was just don't focus your eyes when

1:05:30.640 --> 1:05:33.600
<v Speaker 1>your ten. I don't know what that means. Sure that

1:05:33.760 --> 1:05:36.200
<v Speaker 1>close my eyes. I don't. I don't have like the

1:05:36.240 --> 1:05:39.680
<v Speaker 1>sort of coordination to be able to sort of understand it.

1:05:39.960 --> 1:05:42.600
<v Speaker 1>And I remember getting so mad because kids would see it,

1:05:42.640 --> 1:05:48.040
<v Speaker 1>and I was like, so I also just subly I loved.

1:05:48.080 --> 1:05:50.280
<v Speaker 1>I was like, I get it, man, it's bullshit. Is

1:05:50.320 --> 1:05:52.720
<v Speaker 1>it a schooner or a sailboat? Who have you still

1:05:52.720 --> 1:05:56.520
<v Speaker 1>never seen a magic And I think successfully, I'm not

1:05:56.600 --> 1:05:58.520
<v Speaker 1>even try and it's still the It's like one of

1:05:58.560 --> 1:06:01.800
<v Speaker 1>those weird secret failures that like, you know, I'm sure,

1:06:01.840 --> 1:06:05.160
<v Speaker 1>like I'll have a grandkid like, yeah, Grandpa, look at this.

1:06:05.720 --> 1:06:10.760
<v Speaker 1>What is that a magic eye book from me? Luckily

1:06:10.840 --> 1:06:13.320
<v Speaker 1>that that stuff sort of went away. It had its moment,

1:06:13.320 --> 1:06:15.120
<v Speaker 1>and I think it's like the mid nineties was sort

1:06:15.120 --> 1:06:17.560
<v Speaker 1>of at its peak. Yeah, but that was like peak

1:06:17.680 --> 1:06:20.720
<v Speaker 1>peak mall stuff too, like, so I just love those

1:06:20.760 --> 1:06:24.600
<v Speaker 1>things that were really sort of implanted there um And

1:06:24.640 --> 1:06:28.440
<v Speaker 1>I just like, again the things I learned to say,

1:06:28.480 --> 1:06:31.439
<v Speaker 1>like from this like, I hope your pants get caught

1:06:31.440 --> 1:06:34.080
<v Speaker 1>in a blood bath ensues. I didn't know how to

1:06:34.160 --> 1:06:38.920
<v Speaker 1>use the word ensue properly until that line where Brodie

1:06:38.960 --> 1:06:41.400
<v Speaker 1>is watching this kid tug at an adult's leg while

1:06:41.520 --> 1:06:45.000
<v Speaker 1>sitting on an escalator and he's just so he's screaming

1:06:45.040 --> 1:06:46.680
<v Speaker 1>at a kid. I hope your pants get caught in

1:06:46.720 --> 1:06:51.640
<v Speaker 1>blood bath ensues. Yeah. Yeah, he's always mistreating children. Kevin

1:06:51.640 --> 1:06:54.960
<v Speaker 1>Smith movies absolutely funny. It still he became a dad, right,

1:06:55.320 --> 1:06:57.400
<v Speaker 1>and then mistreated them by being like, okay, your name

1:06:57.440 --> 1:07:02.120
<v Speaker 1>is Harley Quinn right, Oh that's right. That is his

1:07:02.200 --> 1:07:05.400
<v Speaker 1>daughter's name. Right, that's pretty funny. I do have a

1:07:05.400 --> 1:07:07.880
<v Speaker 1>lot of respect for his his devotion to his family.

1:07:07.920 --> 1:07:10.360
<v Speaker 1>I think he seems like a good dad. And yeah,

1:07:10.400 --> 1:07:12.520
<v Speaker 1>it's always had had his kids in his film. Was

1:07:12.560 --> 1:07:15.120
<v Speaker 1>like his wife wasn't even in Jane Silent Bobs right back,

1:07:15.520 --> 1:07:17.680
<v Speaker 1>that's right. I remember that was like again, being such

1:07:17.720 --> 1:07:21.160
<v Speaker 1>a fan, was like, whoa, she's not even a performer

1:07:21.200 --> 1:07:23.600
<v Speaker 1>and she's in it like that? Well, he was like

1:07:24.000 --> 1:07:28.080
<v Speaker 1>none of my friends ever were either, so why not? Yeah? Absolutely?

1:07:28.280 --> 1:07:30.400
<v Speaker 1>Now is he still putting some of those guys in

1:07:30.400 --> 1:07:33.760
<v Speaker 1>these movies? I haven't kept up lately. I feel like

1:07:33.800 --> 1:07:37.160
<v Speaker 1>I saw Brian O'Halloran and something recently really and I

1:07:37.160 --> 1:07:40.840
<v Speaker 1>don't know if it was him. I don't know. I

1:07:40.880 --> 1:07:46.960
<v Speaker 1>mean again, like I've definitely found my way slightly away

1:07:47.000 --> 1:07:51.840
<v Speaker 1>from the recent stuff. But like Jason Muses in um Hollyweed,

1:07:52.720 --> 1:07:55.280
<v Speaker 1>oh is he Yeah? So, but I don't know, like, yeah,

1:07:55.320 --> 1:07:57.960
<v Speaker 1>what happened to like the Scott Moser's of the World

1:07:58.680 --> 1:08:01.440
<v Speaker 1>on the Wall, Flannagans the world who like end up

1:08:01.440 --> 1:08:04.480
<v Speaker 1>being character names but also literally his friends. I'm not sure.

1:08:04.720 --> 1:08:06.640
<v Speaker 1>I did see like an article that was sort of

1:08:06.680 --> 1:08:10.480
<v Speaker 1>like mall Rats cast, where are they now? Like years on,

1:08:10.640 --> 1:08:13.120
<v Speaker 1>but it was mostly like the people you know, It's like, yeah,

1:08:13.240 --> 1:08:18.720
<v Speaker 1>Michael Rookers and the Guardians of the Galaxy exactly. Yeah,

1:08:18.720 --> 1:08:23.519
<v Speaker 1>everyone did pretty well relatively after that. Yeah. Oh Rooker's

1:08:23.560 --> 1:08:26.320
<v Speaker 1>great too. I forgot he was. He was funny in

1:08:26.320 --> 1:08:29.120
<v Speaker 1>this movie. Yeah. And again another person who I just

1:08:29.160 --> 1:08:32.720
<v Speaker 1>sort of saw as not existing until mal Rats. So

1:08:32.800 --> 1:08:35.479
<v Speaker 1>then I remember, like looking at other films Michael Rooker

1:08:35.640 --> 1:08:37.800
<v Speaker 1>like had been in that predated Marats, and I was

1:08:37.880 --> 1:08:39.680
<v Speaker 1>it was so jarring for me. I was like, I

1:08:39.720 --> 1:08:43.240
<v Speaker 1>thought that was his debut. Yeah, totally. He was the

1:08:44.320 --> 1:08:48.479
<v Speaker 1>Truth or Date asshole. Yeah, that showed his ass. Yeah,

1:08:48.720 --> 1:08:51.800
<v Speaker 1>quite literally didn't. You're like, what was that again? There's

1:08:51.800 --> 1:08:54.960
<v Speaker 1>like so many of these weird slapstick moments that are

1:08:55.080 --> 1:08:57.280
<v Speaker 1>like head scratchers, like I get it, which is like

1:08:57.320 --> 1:08:59.240
<v Speaker 1>you're being an ass t s and then it's cut

1:08:59.280 --> 1:09:01.120
<v Speaker 1>to him and he's falling out of his tally see

1:09:01.160 --> 1:09:04.840
<v Speaker 1>has asked? Well, Like even like Ivana the fortune teller

1:09:04.880 --> 1:09:08.080
<v Speaker 1>who had the Third People the bit at the end

1:09:08.600 --> 1:09:11.280
<v Speaker 1>where she reveals it's like a prosthetic third nipple and

1:09:11.320 --> 1:09:14.200
<v Speaker 1>then puts it in her mouth like it's chewing. I'm like,

1:09:14.240 --> 1:09:19.120
<v Speaker 1>it's very weird. Who was that? It was that directed

1:09:19.240 --> 1:09:21.760
<v Speaker 1>or was that improv Like I don't know, man, that's

1:09:21.760 --> 1:09:25.120
<v Speaker 1>an in the moment thing. It felt like, yeah, yeah,

1:09:25.240 --> 1:09:27.080
<v Speaker 1>that was pretty funny. I forgot about all that stuff.

1:09:27.240 --> 1:09:29.559
<v Speaker 1>I had scratchers there. But I'm like, she was in

1:09:31.200 --> 1:09:33.639
<v Speaker 1>Three's Company. She was one of the sort of later

1:09:33.720 --> 1:09:38.559
<v Speaker 1>Threees company Susan summer replacements. I think, oh, that, okay,

1:09:38.720 --> 1:09:40.280
<v Speaker 1>that makes sense. I can't remember her name, but she

1:09:40.360 --> 1:09:42.240
<v Speaker 1>was one of the roommates later on kind of when

1:09:42.240 --> 1:09:44.880
<v Speaker 1>the show The Barnes, I think, right, after she had

1:09:44.920 --> 1:09:47.080
<v Speaker 1>hit hit the peak. I forgot about the third nipple

1:09:47.080 --> 1:09:50.200
<v Speaker 1>thing until today. Yeah, it totally had like wiped up

1:09:50.200 --> 1:09:53.360
<v Speaker 1>from room and it was like such an eighties like

1:09:53.560 --> 1:09:56.120
<v Speaker 1>you know type movie that Kevin Smith probably watched when

1:09:56.160 --> 1:09:58.240
<v Speaker 1>he was younger, because like there was like you gotta

1:09:58.320 --> 1:10:01.240
<v Speaker 1>have bare breasts in it for some reason, like you know,

1:10:01.400 --> 1:10:05.400
<v Speaker 1>Joey Warren Adams whether she's changing or this third nippled

1:10:05.760 --> 1:10:11.000
<v Speaker 1>fortune teller like, yeah, it's very funny. Uh well, dude,

1:10:11.000 --> 1:10:12.559
<v Speaker 1>I think this was I think we did it. I

1:10:12.560 --> 1:10:14.720
<v Speaker 1>think it was a lot of fun. Uh. We did

1:10:14.760 --> 1:10:18.040
<v Speaker 1>what I hoped we would do, which was get into

1:10:18.080 --> 1:10:20.000
<v Speaker 1>the sort of the Kevin Smith thing a little bit

1:10:21.000 --> 1:10:24.640
<v Speaker 1>um even more so than mal Rats, because he is

1:10:24.680 --> 1:10:29.479
<v Speaker 1>someone who is larger than his film output. Yeah if

1:10:29.520 --> 1:10:32.439
<v Speaker 1>that makes sense. Yeah, it's like almost to the point where,

1:10:32.600 --> 1:10:35.000
<v Speaker 1>like I said, but it makes me question like what

1:10:36.240 --> 1:10:38.879
<v Speaker 1>trying to like weigh his impact is it the films

1:10:38.920 --> 1:10:42.760
<v Speaker 1>are like that he for him being as prominent at

1:10:42.800 --> 1:10:45.639
<v Speaker 1>the time, Like what that signal to other people as

1:10:45.680 --> 1:10:48.479
<v Speaker 1>what a film could be. Yeah, it's it's it's a

1:10:48.880 --> 1:10:52.680
<v Speaker 1>it's an interesting, interesting discussion for sure. Yeah, maybe I'll

1:10:52.680 --> 1:10:55.679
<v Speaker 1>meet him one day. I've gotten the Kevin Smith looked

1:10:55.720 --> 1:10:58.200
<v Speaker 1>like things so many times over the years that I'd

1:10:58.280 --> 1:11:01.080
<v Speaker 1>like to think that at some point someone has said

1:11:01.200 --> 1:11:03.080
<v Speaker 1>you look like Chuck from stuff you should know. But

1:11:03.600 --> 1:11:05.519
<v Speaker 1>maybe I think at this point it's safe to say

1:11:05.560 --> 1:11:08.439
<v Speaker 1>that that that pendulum may swing to your direction pretty soon.

1:11:08.560 --> 1:11:11.200
<v Speaker 1>For sure. I'm not looking for that, but hey, if

1:11:11.240 --> 1:11:13.040
<v Speaker 1>you say so, I don't know. Here, what we what

1:11:13.120 --> 1:11:15.080
<v Speaker 1>we need is the stuff you should know, hockey jersey

1:11:15.120 --> 1:11:18.240
<v Speaker 1>for you to wear. Oh no, we'll start, We'll start

1:11:18.280 --> 1:11:20.760
<v Speaker 1>reverse engineering it. And like every picture I rotake, I'll

1:11:20.800 --> 1:11:23.720
<v Speaker 1>just go like this, yeah, because he has that same

1:11:23.720 --> 1:11:26.559
<v Speaker 1>look at all exactly, which is exactly the face he

1:11:26.640 --> 1:11:28.760
<v Speaker 1>had when I forced him to take that selfie at

1:11:28.760 --> 1:11:31.479
<v Speaker 1>Comic Con. Oh oh you got a selfie? Yeah? I

1:11:31.680 --> 1:11:36.559
<v Speaker 1>I honestly, like I said, I was so obsessed with

1:11:36.640 --> 1:11:39.200
<v Speaker 1>him when I was younger, and I had not really

1:11:39.200 --> 1:11:41.920
<v Speaker 1>and I completely fell off and being like following his work.

1:11:42.000 --> 1:11:45.640
<v Speaker 1>But when I saw him, I immediately just like I

1:11:46.840 --> 1:11:49.000
<v Speaker 1>you know, I time traveled to me being a kid,

1:11:49.080 --> 1:11:51.120
<v Speaker 1>and I'm like, that's so cool. Oh it's me and

1:11:51.200 --> 1:11:54.639
<v Speaker 1>Kevin Smith here, Like there's that photo. Oh nice, man,

1:11:55.680 --> 1:11:59.040
<v Speaker 1>it was exchange and I have a goofy smile because

1:11:59.120 --> 1:12:02.479
<v Speaker 1>I'm just so nervous, Like its worst. I know, it's

1:12:02.520 --> 1:12:05.160
<v Speaker 1>the worst smile I've ever had because part of me

1:12:05.200 --> 1:12:08.320
<v Speaker 1>couldn't believe I was like I had arrived in thirteen.

1:12:08.400 --> 1:12:11.600
<v Speaker 1>Twelve year old Miles had reached the summit of his fans. Yeah,

1:12:11.600 --> 1:12:13.760
<v Speaker 1>oh that's sweet man. Maybe I'll hear this you never know.

1:12:14.880 --> 1:12:17.639
<v Speaker 1>Uh well, thanks Miles. Where can people follow you aside

1:12:17.680 --> 1:12:20.080
<v Speaker 1>from listening to The Daily Zeite guys, which they should

1:12:20.080 --> 1:12:21.800
<v Speaker 1>be doing. Thank you so much for having me. Yeah,

1:12:22.439 --> 1:12:25.280
<v Speaker 1>you can find me on my other PI have another

1:12:25.280 --> 1:12:28.439
<v Speaker 1>podcast called four twenty Day Fiance where I just talked

1:12:28.439 --> 1:12:31.360
<v Speaker 1>about ninety Day Fiance, one of my favorite reality shows.

1:12:32.400 --> 1:12:36.000
<v Speaker 1>And yeah, you can find me on social media Twitter, Instagram,

1:12:36.040 --> 1:12:39.160
<v Speaker 1>at Miles of Gray, g r a y and yeah,

1:12:39.280 --> 1:12:42.080
<v Speaker 1>like you're saying, Chuck. If people want to hear me

1:12:42.160 --> 1:12:45.320
<v Speaker 1>talk news in a funny way in politics and culture

1:12:45.320 --> 1:12:47.240
<v Speaker 1>and all that, please check out the Daily see Geist

1:12:47.320 --> 1:12:49.360
<v Speaker 1>right here the same networks, really great show. Maybe you'll

1:12:49.400 --> 1:12:51.320
<v Speaker 1>have me on one day, Yeah, we gotta have you

1:12:51.360 --> 1:12:54.720
<v Speaker 1>on the other time we've had josh On and he

1:12:54.840 --> 1:12:57.240
<v Speaker 1>like didn't have a camera on it was a very

1:12:57.000 --> 1:12:58.680
<v Speaker 1>joy like one of the last times we had him.

1:12:58.720 --> 1:13:01.800
<v Speaker 1>I think maybe the Yeah you've had Josh a few times?

1:13:01.960 --> 1:13:04.160
<v Speaker 1>Do you have had me on once? We're gonna right

1:13:04.240 --> 1:13:06.120
<v Speaker 1>this wrong. I don't know what happened. I don't know

1:13:06.160 --> 1:13:08.800
<v Speaker 1>what happened, but I'm allod to this now. All right,

1:13:09.000 --> 1:13:11.800
<v Speaker 1>I'm gonna do it. Okay, all right, we'll do a

1:13:11.840 --> 1:13:13.880
<v Speaker 1>trade sees. I'll have me on Daily's like guys, and

1:13:13.960 --> 1:13:16.479
<v Speaker 1>I'll get Jack on for pulp fiction. Maybe he's waiting

1:13:16.479 --> 1:13:18.200
<v Speaker 1>on that. He was because I told him today I

1:13:18.240 --> 1:13:19.640
<v Speaker 1>was thinking I'm about to do a movie. Chrise. She's like,

1:13:19.720 --> 1:13:23.519
<v Speaker 1>oh what. I'll send him an email because I'm still

1:13:23.520 --> 1:13:25.479
<v Speaker 1>holding pulp fiction for him. Like someone even asked. I

1:13:25.520 --> 1:13:27.000
<v Speaker 1>was like, I can't do it, and I claimed it.

1:13:27.080 --> 1:13:31.800
<v Speaker 1>Oh yeah, he's what a year from movies? All right? Man,

1:13:31.840 --> 1:13:33.840
<v Speaker 1>this is a lot of fun and uh, it's good

1:13:33.840 --> 1:13:38.040
<v Speaker 1>talking to you. Yeah. Likewise, Manna take care. Movie Crash

1:13:38.200 --> 1:13:40.559
<v Speaker 1>is produced and written by Charles Bryant and Roel Brown,

1:13:41.040 --> 1:13:44.240
<v Speaker 1>edited and engineered by Seth Nicholas Johnson, is scored by

1:13:44.320 --> 1:13:47.639
<v Speaker 1>Noel Brown. Here in our home studio at Pontstey Market, Atlanta,

1:13:47.680 --> 1:13:50.760
<v Speaker 1>Georgia for I heart Radio. For more podcasts for my

1:13:50.800 --> 1:13:53.720
<v Speaker 1>heart Radio, visit the iHeart Radio app, Apple podcast, or

1:13:53.720 --> 1:13:55.519
<v Speaker 1>wherever you listen to your favorite shows.